The road which is indicated by the way of thinking of Nicolas of Cusa was walked by Heinrich Cornelius Agrippa of Nettesheim (1487–1535) and Theophrastus Paracelsus (1493–1541). They immerse themselves in nature and, as comprehensively as possible, seek to explore its laws with all the means their period makes available to them. In this knowledge of nature they see at the same time the true foundation for all higher cognition. They themselves seek to develop the latter out of natural science by letting science be reborn in the spirit.
Agrippa of Nettesheim led an eventful life. He was descended from a noble family and was born in Cologne. He studied medicine and jurisprudence at an early age and sought to inform himself about natural phenomena in the way customary at the time in certain circles and societies, or by contact with a number of scholars who carefully kept secret whatever insights they gained into nature. With such purposes he repeatedly went to Paris, to Italy, and to England, and he also visited the famous Abbot Trithemius of Sponheim in Würzburg. He taught in scientific institutions at various times and here and there entered the services of rich and noble personages, at whose disposal he placed his talents as a statesman and scientist. If his biographers describe the services he rendered as not always above reproach, if it is said that he acquired money under the pretext of being adept in secret arts, and of securing various advantages to people by means of these arts, this is counterbalanced by his unmistakable and ceaseless urge to acquire the entire learning of his time honestly and to make this learning deeper in the spirit of a higher cognition of the world. In him distinctly appears the endeavor to achieve a clear position with regard to natural science on the one hand, with regard to higher cognition on the other. Such a position is attained only by one who has an insight into the ways by which one reaches the one and the other cognition. Just as it is true that at last natural science must be raised into the region of the spirit if it is to lead into higher cognition, so it is true that it must at first remain in the field proper to it if it is to provide the right foundation for a higher level. The “spirit in nature” exists only for the spirit. As certainly as nature is in this sense spiritual, as certain is it that nothing perceived in nature by bodily organs is immediately spiritual. Nothing spiritual can appear to my eye as being spiritual. I must not seek the spirit as such in nature. I do this when I interpret a process of the external world in an immediately spiritual way: when, for instance, I ascribe to plants a soul which is only distantly analogous to the human soul. I also do this when I ascribe a spatial or temporal existence to the spirit or the soul itself; when, for instance, I say of the eternal human soul that it lives in time without the body, but still in the manner of a body, rather than as pure spirit. Or when I even believe that the spirit of a deceased person can show itself in some kind of sensorily perceptible manifestations. Spiritualism, which commits this error, thereby only shows that it has not penetrated to the true conception of the spirit, but wants to see the spirit directly in something grossly sensory. It fails to understand the nature of the sensory as well as that of the spirit. It deprives of spirit the ordinary sensory phenomena, which take place hour by hour before our eyes, in order to consider something rare, surprising, unusual as spirit in a direct sense. It does not understand that for one who is capable of seeing the spirit, what lives as “spirit in nature” reveals itself, for instance, in the collision of two elastic spheres, and not only in processes which are striking because of their rarity and cannot be immediately grasped in their natural context. In addition, the spiritualist draws the spirit down into a lower sphere. Instead of explaining something that takes place in space and that he perceives with the senses by means of forces and beings which in turn are only spatial and sensorily perceptible, he has recourse to “spirits,” which he thus equates completely with the sensorily perceptible. Such a way of thinking is based on a lack of capacity for spiritual comprehension. One is not capable of looking at the spiritual in a spiritual manner, therefore with mere sensory beings one satisfies one's need for the presence of the spirit. To such people the spirit does not show any spirit; therefore they seek it with the senses. As they see clouds sailing through the air, so they also want to see spirits hurrying along.
Agrippa of Nettesheim fights for a true natural science, which does not attempt to explain the phenomena of nature by spiritual beings which haunt the world of the senses, but sees in nature only the natural, in the spirit only the spiritual. — One would of course completely misunderstand Agrippa if one were to compare his natural science with that of later centuries, which has altogether different data at its disposal. In such a comparison it might easily appear that he still refers what is due only to natural causes, or based on erroneous data, to the direct action of spirits. Moritz Carriere does him this injustice when he says — although not with ill will —, “Agrippa gives a long list of the things which belong to the sun, the moon, the planets, or the fixed stars, and receive their influences; for instance, related to the sun are fire, blood, laurel, gold, chrysolite; they bestow the gift of the sun: courage, serenity, light ... The animals have a sense of nature which, more exalted than human reason, approaches the spirit of prophecy ... Men can be enjoined to love and hate, to sickness and health. Thus one puts a spell upon thieves that enjoins them from stealing somewhere, upon merchants so that they cannot trade, ships and mills so that they cannot move, lightning so that it cannot strike. This is done with potions, salves, images, rings, charms; the blood of hyenas or basilisks is suitable for this purpose, — one is reminded of Shakespeare's witches' cauldron.” No, one is not reminded of it, if one understands Agrippa aright. He did of course believe in things which were considered to be indubitable in his time. But we do this today also with regard to what is nowadays considered “factual.” Or is one to believe that future centuries also will not throw much of what we set up as indubitable facts into the store-room of “blind” superstition? It is true that I am convinced that there is a real progress in man's knowledge of facts. When the “fact” that the earth is round had once been discovered, all earlier suppositions were banished into the realm of “superstition.” Thus it is with certain truths of astronomy, of biology, etc. The doctrine of natural descent, in comparison with all earlier “hypotheses of creation,” represents a progress similar to the insight that the earth is round compared to all previous suppositions concerning its shape. Nevertheless I am aware that there is many a “fact” in our learned scientific works and treatises which will no more appear as fact to future centuries than does much of what is maintained by Agrippa and Paracelsus to us today. It is not a matter of what they considered to be a “fact,” but of the spirit in which they interpreted these facts. — In Agrippa's time one found, it is true, little comprehension of the “natural magic” which he advocated, and which seeks in nature the natural, and the spiritual only in the spirit; men clung to the “supernatural magic” which seeks the spiritual in the realm of the sensory, and against which Agrippa fought. This is why the Abbot Trithemius of Sponheim advised him to communicate his views as a secret doctrine only to a few chosen ones, who were able to rise to a similar conception of nature and spirit, for “one gives only hay to oxen and not sugar, as to songbirds.” It is perhaps to this abbot that Agrippa himself owes the right point of view. In his Steganographie, Steganography, Trithemius has written a work in which he treats, with the most veiled irony, the way of thinking which confounds nature with the spirit. In this book he appears to speak entirely of supernatural phenomena. One who reads it as it stands must believe that the author is speaking of the conjuring of spirits, of the flying of spirits through the air, etc. But if one omits certain words and letters of the text there remain, as Wolfgang Ernst Heidel showed in the year 1676, letters which, when assembled into words, describe purely natural phenomena. (In one case for instance, in a formula of incantation, one must completely omit the first and the last word, and then cross out the second, fourth, sixth, etc. of those remaining. In the remaining words one must again cross out the first, third, fifth, etc. letter. What remains, one then assembles into words, and the formula of incantation is transformed into a communication of a purely natural content.)
How difficult it was for Agrippa to work his way out of the prejudices of his time and to raise himself to a pure conception, is proven by the fact that he did not let his Philosophia occulta, Secret Philosophy, appear until the year 1531, although it had been composed as early as 1510, because he considered it to be immature. Further evidence of this is given in his work, De vanitate scientiarum, Of the Vanity of the Sciences, where he speaks with bitterness about the scientific and general activity of his time. There he says quite plainly that only with difficulty has he liberated himself from the delusion of those who see in external events direct spiritual processes, in external facts prophetic hints about the future, etc. Agrippa proceeds to the higher cognition in three stages. At the first stage he deals with the world as it is presented to the senses, with its substances, and its physical, chemical, and other forces. Insofar as it is viewed at this stage he calls nature elemental. At the second stage one regards the world as a whole in its natural connections, in the way it arranges everything belonging to it according to measurements, number, weight, harmony, etc. The first stage brings those things together which are in close proximity to each other. It seeks the causes of a phenomenon which lie in its immediate environment. The second stage looks at a single phenomenon in connection with the whole universe. It carries out the idea that each thing is under the influence of all the remaining things of the universal whole. This universal whole appears to it as a great harmony, of which every separate entity is a part. The world, seen from this point of view, is designated by Agrippa as the astral or celestial one. The third stage of cognition is that where the spirit, through immersion in itself, looks directly upon the spiritual, the primordial essence of the world. Here Agrippa speaks of the spiritual-soul world.
The views which Agrippa developed about the world and man's relationship to it we encounter in a similar, but more complete form in Theophrastus Paracelsus. They are therefore better considered in connection with the latter.
Paracelsus characterizes himself when he writes under his portrait, “No one who can stand alone by himself should be the servant of another.” His whole position with regard to cognition is given in these words. Everywhere he himself wants to go back to the foundations of natural science in order to ascend, through his own powers, to the highest regions of cognition. As a physician he does not simply want to accept, like his contemporaries, what the old investigators who at the time were considered authorities, as for instance Galen or Avicenna, had affirmed in times gone by; he himself wants to read directly in the book of nature. “The physician must pass through the examination of nature, which is the world, and all its causation. And what nature teaches him he must commend to his wisdom, not seeking anything in his wisdom, but only in the light of nature.” He does not recoil from anything in order to become acquainted with nature and its manifestations from all sides. For this purpose he travels to Sweden, Hungary, Spain, Portugal, and the Orient. He can say of himself, “I have pursued the art in danger of my life and have not been ashamed to learn from strollers, hangmen, and barbers. My teachings have been tested more severely than silver in poverty, anxiety, wars, and perils.” What has been handed down from old authorities has no value for him, for he believes that he can only attain the right conception if he himself experiences the ascent from natural science to the highest cognition. This experiencing in his own person puts the proud words in his mouth, “One who wants to pursue the truth must come into my realm ... After me, not I after you, Avicenna, Rhases, Galen, Mesur! After me, and I not after you, you of Paris, you of Montpellier, you of Swabia, you of Meissen, you of Cologne, you of Vienna, and whatever lies on the Danube and the river Rhine, you islands in the sea, you Italy, you Dalmatia, you Athens, you Greek, you Arab, you Israelite; after me, and I not after you! Mine is the realm!” — It is easy to misjudge Paracelsus because of his rough exterior, which sometimes hides deep seriousness behind jest. He himself says, “Nature has not made me subtle, nor have I been raised on figs and white bread, but rather on cheese, milk, and oat bread, and therefore I may well be uncivil to the hyperclean and the superfine; for those who were brought up in soft clothes and we, who were brought up among fir-cones, do not understand each other well. Thus I must seem rough, though to myself I appear gracious. How can I not be strange for one who has never gone wandering in the sun?”
Goethe has described the relationship of man to nature (in his book on Winkelmann) in the following beautiful sentences: “When the healthy nature of man acts as a whole, when he feels himself to be in the world as in a great, beautiful, noble, and valued whole, when harmonious ease affords him a pure and free delight, then the universe, if it could experience itself, would exult, as having attained its goal, and admire the climax of its own becoming and essence.” Paracelsus is deeply penetrated with a sentiment like the one that expresses itself in such sentences. Out of this sentiment the mystery of man shapes itself for him. Let us see how this happens, in Paracelsus' sense. At first the road which nature has taken in order to bring forth its highest achievement is hidden from the human powers of comprehension. It has attained this climax; but this climax does not say, I feel myself to be the whole of nature; this climax says, I feel myself to be this single man. What in reality is an act of the whole world feels itself to be a single, solitary being, standing by itself. Indeed, this is the true nature of man, that he must feel himself as being something other than what, in the final analysis, he is. And if this is a contradiction, then man can be called a contradiction come to life. Man in his own way is the world. His harmony with the world he regards as a duality. He is the same as the world is, but he is this as a repetition, as a separate being. This is the contrast which Paracelsus perceives as microcosm (man) and macrocosm (universe). For him man is the world in little. What causes man to regard his relationship with the world in this way is his spirit. This spirit appears to be bound to a single being, to a single organism. By its whole nature, this organism belongs to the great chain of the universe. It is a link in it, and has its existence only in connection with all the others. The spirit, however, appears to be an outcome of this single organism. At first it sees itself as connected only with this organism. It tears this organism loose from the native soil out of which it grew. For Paracelsus a deep connection between man and the entire universe thus lies hidden in the natural foundation of existence, a connection which is obscured by the presence of the spirit. For us humans, the spirit, which leads us to higher cognition by communicating knowledge to us and by causing this knowledge to be reborn on a higher level, has at first the effect of obscuring for us our own connection with the universe. For Paracelsus human nature thus at first falls into three parts: into our sensory-corporeal nature, our organism, which appears to us as a natural being among other natural beings, and which is just like all other natural beings; into our hidden nature, which is a link in the chain of the whole world, which thus is not enclosed within our organism, but sends out and receives influences to and from the whole universe; and into the highest nature, our spirit, which lives its life only in a spiritual manner. The first part of human nature Paracelsus calls the elemental body; the second the ethereal-celestial or “astral body;” the third part he calls soul. — In the “astral” phenomena Paracelsus thus sees an intermediate level between the purely corporeal phenomena and the true phenomena of the soul. They will become visible when the spirit, which obscures the natural foundation of our existence, ceases its activity. We can see the simplest manifestation of this realm in the world of dreams. The images which flit through our dreams, with their peculiar, significant connection with events in our environment and with our own internal states, are products of our natural foundation which are obscured by the brighter light of the soul. When a chair collapses near my bed, and I dream a whole drama, which ends with a shot fired in a duel, or when I have palpitations of the heart, and dream of a seething stove, then meaningful and significant natural manifestations are appearing which reveal a life lying between the purely organic functions and the thinking processes taking place in the bright consciousness of the spirit. With this realm are connected all the phenomena which belong to the field of hypnotism and of suggestion. In suggestion we can see an acting of man on man, which points to an interrelationship between beings in nature that is obscured by the higher activity of the spirit. In this connection it becomes possible to understand what Paracelsus interprets as an “astral body.” It is the sum of the natural influences to which we are exposed or can be exposed through special circumstances, which emanate from us without involving our soul, and which nevertheless do not fall under the concept of purely physical phenomena. That in this field Paracelsus enumerates facts which we doubt today, has no importance when looked at from the point of view I have already adduced above. — On the basis of such views of human nature Paracelsus divides the latter into seven parts. They are the same as we find in the teachings of the ancient Egyptians, among the Neoplatonists, and in the Cabala. Man is first of all a physical-corporeal being; hence he is subject to the same laws to which every body is subject. In this sense he is thus a purely elemental body. The purely corporeal-physical laws combine in the organic life process. Paracelsus designates the organic laws as “Archaeus” or “Spiritus vitae;” the organic raises itself to spiritlike manifestations which are not yet spirit. These are the “astral” manifestations. From the “astral” processes emerge the functions of the “animal spirit.” Man is a sense being. He combines his sensory impressions in a rational manner by means of his reason. Thus the “rational soul” awakens in him. He immerses himself in his own spiritual products; he learns to recognize the spirit as spirit. Therewith he has raised himself to the level of the “spiritual soul.” At last he understands that in this spiritual soul he experiences the deepest stratum of the universal existence; the spiritual soul ceases to be an individual, separate one. The insight takes place of which Eckhart spoke when he felt that it was no longer he himself who spoke in him, but the primordial essence. Now that condition prevails in which the universal spirit regards itself in man. Paracelsus has expressed the feeling aroused by this condition in the simple words: “And this which you must consider is something great: there is nothing in Heaven and on earth which is not in man. And God, who is in Heaven, is in man.” — It is nothing but facts of external and internal experience that Paracelsus wants to express with these seven fundamental parts of human nature. That what for human experience falls into a plurality of seven parts is in higher reality a unity, is not thereby brought into question. The higher cognition exists precis to show the unity in everything which in his immediate experience appears to man as a plurality because of his corporeal and spiritual organization. On the level of the highest cognition Paracelsus strives to fuse the living, uniform, primordial essence of the world with his spirit. But he knows that man can only know nature in its spirituality if he enters into immediate intercourse with it. Man does not understand nature by peopling it, on his own, with arbitrarily assumed spiritual entities, but by accepting and valuing it as it is as nature. Paracelsus therefore does not seek God or the spirit in nature; but for him nature, as it presents itself to his eye, is immediately divine. Must one first attribute to the plant a soul like the human soul in order to find the spiritual? Therefore Paracelsus explains the development of things, insofar as this is possible with the scientific resources of his time, entirely in such a way that he regards this development as a sensory process of nature. He lets everything arise out of the primordial matter, the primordial water (Yliaster). And he regards as a further process of nature the separation of the primordial matter (which he also calls the great limbus) into the four elements, water, earth, fire, and air. When he says that the “divine word” called forth the plurality of beings from the primordial matter, this is only to be understood in somewhat the same manner as the relationship of force to matter is to be understood in modern natural science. A “spirit” in the real sense is not yet present on this level. This “spirit” is not an actual cause of the natural process, but an actual result of this process. This spirit does not create nature, but develops out of it. Many words of Paracelsus could be interpreted in the opposite sense. Thus, for instance, he says: “There is nothing corporeal that does not carry a living spirit hidden within it. And not only that has life which stirs and moves, such as men, animals, the worms in the earth, the birds in the sky, and the fish in the water, but all corporeal and substantial things.” But with such sayings Paracelsus only wants to warn against the superficial view of nature which thinks that it can exhaust the nature of a thing with a few “rammed-in” concepts (to use Goethe's apt expression). He does not want to inject an invented nature into things, but rather to set all the faculties of man in motion in order to bring forth what actually lies within a thing. — It is important not to let oneself be misled by the fact that Paracelsus expresses himself in the spirit of his time. Rather, one should try to understand what he has in mind when, looking upon nature, he sets forth his ideas in the forms of expression of his time. For instance, he ascribes to man a twofold flesh, that is, a twofold corporeal constitution. “The flesh must therefore he understood to be of two kinds, namely, the flesh whose origin is in Adam, and the flesh which is not from Adam. The flesh that is from Adam is a coarse flesh, for it is earthly and nothing but flesh, and is to be bound and grasped like wood and stone. The other flesh is not from Adam; it is a subtle flesh and is not to be bound or grasped, for it is not made of earth.” What is the flesh that is from Adam? It is all that has come down to man through his natural development, which he has therefore inherited. To this is added what in the course of time man has acquired for himself in intercourse with his environment. The modern scientific concepts of inherited characteristics and of characteristics acquired through adaptation emerge from the above-mentioned thought of Paracelsus. The “subtler flesh,” which makes man capable of spiritual activities, has not been in man from the beginning. He was “coarse flesh” like the animals, a flesh that “is to be bound and grasped like wood and stone.” In the scientific sense the soul is therefore also an acquired characteristic of the “coarse flesh.” What the natural scientist of the nineteenth century has in mind when he speaks of the inheritances from the animal world, is what Paracelsus means when he uses the expression about “the flesh whose origin is in Adam.” These remarks, of course, are not intended to obliterate the difference which exists between a natural scientist of the sixteenth and one of the nineteenth century. After all, it was only the latter century which was capable of seeing, in the full scientific sense, the forms of living organisms in such a connection that their natural relationship and their actual descent as far as man became evident. Science sees only a natural process where Linnè in the eighteenth century still saw a spiritual process, which he characterized in the following words: “There are as many species of living organisms as there were, in principle, forms that were created.” While Linnè thus had to transfer the spirit into the spatial world and assign to it the task of producing spiritually, of “creating” the forms of life, the natural science of the nineteenth century could ascribe to nature what is nature's and to the spirit what is the spirit's. Nature itself is assigned the task of explaining its creations, and the spirit can immerse itself into itself where it alone is to be found, within man. — But while in a certain sense Paracelsus thinks quite in the spirit of his time, yet just with regard to the idea of development, of becoming, he has grasped the relationship of man to nature in a profound manner. In the primordial essence of the world he did not see something which in some way exists as something finished, but he grasped the divine in its becoming. Hence he could really ascribe a self-creating activity to man. If the divine primordial essence exists, once and for all a true creating by man is out of the question. Then it is not man, who lives in time, who creates, but God, Who is eternal. For Him there is only an eternal becoming, and man is a link in this eternal becoming. That which man forms did not previously exist in any way. What man creates, as he creates it, is an original creation. If it is to be called divine, this can only be in the sense in which it exists as a human creation. Therefore in the building of the universe Paracelsus can assign to man a role which makes him a co-architect in this creation. The divine primordial essence without man is not what it is with man. “For nature brings forth nothing into the light of day which is complete as it stands; rather, man must complete it.” This self-creating activity of man in the building of nature, Paracelsus calls alchemy. “This completion is alchemy. Thus the alchemist is the baker when he bakes the bread, the vintager when he makes the wine, the weaver when he makes the cloth.” Paracelsus wants to be an alchemist in his field, as a physician. “Therefore I may well write so much here concerning alchemy, so that you can know it well and learn what it is and how it is to be understood, nor be vexed that it is to bring you neither gold nor silver. Rather see that the arcana (remedies) are revealed to you ... The third pillar of medicine is alchemy, for the preparation of remedies cannot take place without it, because nature cannot be put to use without art.”
Thus Paracelsus' eyes are directed in the strictest sense upon nature, in order to discover from nature itself what it has to say about its products. He wants to investigate the laws of chemistry in order to work as an alchemist in his sense. He considers all bodies to be composed of three basic substances, namely, of salt, sulphur, and mercury. What he so designates of course does not correspond to what later chemistry designates by this name, any more than what Paracelsus considers to be a basic substance is one in the sense of later chemistry. Different things are designated by the same names at different times. What the ancients called the four elements, earth, water, air, and fire, we still have. We call these four “elements” no longer “elements” but states of aggregation, for which we have the designations: solid, liquid, aeriform, etheriform. Earth, for instance, for the ancients was not earth but the “solid.” The three basic substances of Paracelsus we can also recognize in contemporary concepts, but not under the homonymous contemporary names. For Paracelsus, solution in a liquid and combustion are the two important chemical processes of which he makes use. If a body is dissolved or burned it is decomposed into its parts. Something remains as residue; something is dissolved or burns. For him the residue is salt-like, the soluble (liquid), mercury-like; the combustible he calls sulphurous.
One who does not look beyond such natural processes may be left cold by them as by things of a material and prosaic nature; one who at all costs wants to grasp the spirit with the senses will people these processes with all kinds of spiritual beings. But like Paracelsus, one who knows how to look at such processes in connection with the universe, which reveals its secret within man, accepts these processes as they present themselves to the senses; he does not first reinterpret them; for as the natural processes stand before us in their sensory reality, in their own way they reveal the mystery of existence. What through this sensory reality these processes reveal out of the soul of man, occupies a higher position for one who strives for the light of higher cognition than do all the supernatural miracles concerning their so-called “spirit” which man can devise or have revealed to him. There is no “spirit of nature” which can utter more exalted truths than the great works of nature themselves, when our soul unites itself with this nature in friendship, and, in familiar intercourse, hearkens to the revelations of its secrets. Such a friendship with nature, Paracelsus sought.