The Rudolf Steiner Archive

In the last lecture we spoke of the Spirit which should pervade the forms in our building. From all that has been said you will have gathered that these forms are no more the result of imitation of the external physical world than of mere speculation. Your feeling will have been that the forms have been derived from the spiritual world of which man is an integral part and of which he may hope to become conscious in the development of his knowledge of Spiritual Science. I want to remind you once again of an important fact, of which mention has already been made, namely, that human life runs its course in periods of approximately seven years each, and—as I tried last time to explain to you from spiritual-scientific cosmology—when we observe the whole course of these periods of seven years, we may say that after each period a certain support is added to man's being. When he has passed through seven such periods, therefore, he has reached approximately his fiftieth year, he possesses seven pairs of these ‘life-supports.’

If we were now to imagine ourselves entering the building from the West, in the first two pillars we have the expression of the supports which man has raised in his own being after the first period of seven years has run its course; the second pair of pillars are an expression of the supports he has added after the second period of seven years; and so it goes on, only it must be remembered that in man these supports are intermingled, whereas in the building they have had to be placed one behind the other in space. We may then be permeated with the feeling that when we pass through the building from the West towards the East, all that works upon us from left and right is a revelation of processes in human life itself. This shows us that there are firmly established cosmic laws of which man is a part but which are infinitely deeper than the so-called ‘natural laws’ of the outer physical world, and furthermore that the forms in our building have been evolved from these deep cosmic laws.

To study every detail from this point of view would lead us very far, although it could be done. In the present materialistic epoch, where there is no knowledge of Spiritual Science, there will be little understanding for these deeper laws of ‘being and becoming.’ We may therefore find ourselves faced with the question—and it is a wholly understandable one from the point of view of external knowledge—‘Why are the columns made of different kinds of wood?’ There is no allegorical or symbolical meaning in this, and anyone who raises such a question merely proves that life has afforded him no opportunity for the contemplation of deeper cosmic laws. The only rejoinder we can make is this: ‘Why, then, do you consider it necessary for a violin not to have only A strings?’ A man who wanted to use only A strings on a violin would be in exactly the same position as one who—perhaps quite unconsciously and naïvely—were to ask as the result of superficial knowledge, why our pillars are made of different woods.

We can develop these matters slowly, for we shall often meet together here. We can allow subjects that may prove fruitful to enter gradually into our feelings. To-day, therefore, I only want to speak of one matter that will help to stimulate our perception of what underlies the laws of true aesthetic form, on the one hand in the cosmos, and on the other in the microcosm, in the constitution of man. Before very long, the so-called science of to-day will undergo an overwhelming expansion, and only then will there be understanding of the true and deeper laws of aesthetic form.

In order to evoke a concrete perception of what I have here mentioned in mere abstract words, let us consider the following. I am going to place before you something that corresponds to a cosmological fact, a mighty cosmic fact.

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Now these three heavenly bodies (see diagram) stand in a certain mutual relationship to each other; they reveal their activities to each other and I want to speak of one particular aspect of these activities. To this end I will first divide the Sun diagrammatically as it actually appears to the occult seer when he directs his attention to these things. The Sun is seen divided into a kind of cross, into four chambers. The remarkable thing is that in the first moments of vision we see a kind of streaming current, but closer scrutiny reveals the fact that here we have to do with hosts of beings passing to and fro. We can see such a stream of spiritual beings passing from a certain “chamber” of the Sun to the Earth, penetrating the Earth and vitalising the Earth with solar essence, that is to say, with the spiritual force of the Sun, and thence streaming to their own chamber in the Sun.

This is cosmic reality but one sees still more—one sees migrations of hosts of spiritual beings who are flowing around and through the Moon (see diagram). They proceed from another chamber of the Sun: but they also flow in the other direction and pour through the Moon. Up to this point we are perceiving the activities of the inhabitants of three chambers in the Sun. Another migration or stream arises from the fact that these beings always return to the Sun after having passed through the Moon; thus a double stream has arisen. On the one hand the beings return into the fourth chamber in the Sun after having poured through the Moon, but another stream is formed because certain beings do not take part in the migration to the Moon; before reaching the Moon they turn back again to the Sun. This configuration reveals to us a kind of mirror-image in the cosmos, but we will leave this image out of consideration for the moment. It would be formed by a symmetrical expansion of the figure that is engraved there in the cosmos. This means, in effect, that there is revealed to clairvoyant consciousness a marvellous combination of forms, a figure engraved in the cosmos representing the interplay between the forces of Sun, Moon and Earth.

Now I will draw the diagram rather differently, with the Sun rather turned (Diagram II). The cross must also be turned.

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Now I will draw the diagram again differently (Diagram III). Here I have assumed hypothetically that Ahriman and Lucifer have entered, bringing disorder in their train. I will draw the Sun, Moon and Earth more irregularly and again trace the connections between them. What have I now drawn? Exactly the same thing as in the other diagrams, only somewhat distorted as a result of the intervention of Ahriman and Lucifer. I have now drawn a sketch of the blood circulation in man, a sketch of how the blood flows from the left ventricle of the heart through the body, on the one hand through the brain on the other through the rest of the body, returning as venous blood; you also see the course of the small circulatory stream through the right ventricle and lungs back again to the so-called left auricle.

Thus we can read from the cosmos what man is as a microcosmos, only it must be remembered that Ahriman and Lucifer have approached him.

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If a figure were made of this diagram—that is to say, a figure copied from the cosmos and expressed in some motif—we should have before us a profound cosmic mystery merely in the combination of form. When a certain combination of lines underlies a figure of this kind—where perhaps only a few of these lines are expressed and the others drawn in quite another way—those who have real feeling and not merely intellectual understanding, will perceive a cosmic mystery in the very form itself. They will say to themselves: ‘What is it that this form expresses? I do not actually know, but I feel that it expresses a mystery.’ It is this that inspires our souls and makes our hearts glow when we look at certain forms. We cannot always be conscious of what lies behind them, but our astral body, our subconscious being, contains the mysteries of the cosmos and senses them in the depths just as it contains the secrets of mathematics, as I told you in the previous lecture. When a man says, ‘I feel beauty here, but I cannot explain to myself what it really is,’ something is taking place in his astral body. This he may express by saying that he senses the existence of deep and mysterious secrets of the cosmos which do not take the form of ideas and thoughts but are expressed in a feeling, ‘Ah, how beautiful this form is.’ The reason why he feels this as warmth pouring through his heart and soul is that if he were as conscious in his astral body as he is in his ego he would have a deep knowledge of the cosmos.

These things must teach us to understand how art has gradually developed in human evolution and to realise that true works of art in the Goethean sense are ‘a manifestation of higher laws of nature than the ordinary intellect of man can divine.’ We find an inkling of the truth of these things more especially when we go back to what modern opinion holds to be the “primitive art” of earlier periods of human evolution. This is because in those olden times a certain primitive, atavistic clairvoyance was a common attribute of humanity and because man then created forms from out of this clairvoyance. Many of the forms to be found in primitive art can only be understood when we realise that they were the outcome of this primordial clairvoyant consciousness. Men experienced the content of their astral bodies as living movement, tried to express it in a kind of noble dance, and then converted it from the Dionysian dance into Apollonian design and painting. Such is the origin of certain forms of early art which often seem to us merely primitive, but which in truth have sprung from a deeper understanding of the spiritual world imparted by the clairvoyance of those times.

This, I think, will show you that in the sense of true, genuine art, the easy phrase ‘there can be no disputing about taste’ is wholly incorrect in its ordinary sense. Fundamentally speaking, of course, one can dispute about everything, even about mathematical principles. When one man applies a mathematical principle and gets a different result from another who also applies it, disputes can naturally arise and even become acute, but one of the two has made an error. The error, of course, is not so easy to discover in the case of beauty or art. Nevertheless man can attain to a point of view which convinces him that the forms and laws of true art are firmly established and based upon the deeper laws of cosmic being. Perhaps it may be admitted that the principle ' there is no disputing about taste' only penetrates into life by dint of effort, that it is a conception only to be evolved very gradually. But in the course of his life a man can be convinced of the truth of it when he realises that art is a manifestation of higher laws of nature which without art would never be revealed. Here again I am using Goethe's words. Man can indeed be convinced that art is this manifestation of higher laws of nature about which there can fundamentally be no disputing.

In the light of what now should be living within us, not so much as thought, but as feeling, we must gradually be able to work our way to another perception. What is really happening to us when we delight in forms that are truly artistic? We are passing out of ourselves, penetrating with the soul into something that is real, outside ourselves. Therefore it is not at all unnatural that in a building which belongs to the present and future we should set out in full consciousness to create forms which will help man to conquer the consciousness of merely physical and material actuality and feel himself expanded out into the cosmos through the architecture, sculpture and all that this work of art may contain. Much will have to be done, however, before this feeling will be able to penetrate into every sphere of art and be admitted by modern science. Darwinism, and all that it brought in its train in the nineteenth century, rendered great service to the progress of human knowledge and culture, but it gave rise to many one-sided conceptions, for instance, in the law of so-called “selection” which has been laid down as a universal law, although it only holds good in one connection. The knowledge of this law is very important, but to lay it down as a universal law is the result of distorted, one-sided conceptions. People have been led to think somewhat as follows. They ask, ‘Why is it that the structure of living beings is contrived in accordance with expediency? What is the origin of this?’ The monistic materialist of the present day answers: ‘We are no longer as stupid as our ancestors. We have great intelligence and do not therefore believe that some spiritual being or other has endowed living organisms with this “expedient” structure. It is part of nature that the expedient and the inexpedient (the fit and the unfit) should originally have arisen, concomitantly. These two elements then entered into the struggle for existence where the fit conquered and the unfit was exterminated. The fit passes down through heredity, so that after a certain time it alone remains.’ The ‘fitness’ of the organic structure was thus explained by the law of causality.

This conception is then applied in a special instance. Some creature lives in a certain environment and has this remarkable characteristic, that its colouring is the same as that of its environment. Certain creatures live, let us say, in sand of a particular colour. In such cases observation shows that the creatures take on the colour of the sand. Those who adhere to the theory of selection and expediency say: ‘It is expedient for these creatures to have the colour of their environment, for their enemies do not see them and hence cannot pursue them. They are not destroyed. They have this advantage over other creatures whose colour differs from that of the sand. Once upon a time there were creatures who colours resembled the sand, while others were of every possible hue. But these latter were seen by their foes and destroyed; they were at a disadvantage in the struggle for existence.’ The others, however, who were, by chance of the same colour as the sand, remained, and this quality was transmitted to the following generations. The creatures who were differently coloured died out and those like the sand maintained themselves in the struggle for existence.' This is a highly plausible train of thought and it has dominated the minds of men for decades. In sandy places hosts of these tiny creatures of exactly the same colour as the sand are to be found. According to materialistic, monistic Darwinism they are supposed to have originated as I have described. But actual facts upset the conclusion, for, in spite of it all, as soon as these creatures show themselves they are destroyed by their foes. The whole conception is based upon a chain of argument that does not reckon with the actual facts. All these materialistic speculations and fantasies will one day be replaced by true insight which may indeed seem grotesque and paradoxical to many people but which will explain, for instance, why the polar bear is white and not black or brown. The insight will arise that there is an astral nature, that every animal has an astral body and that soul processes have their seat in this astral body. The greyish coloured creatures in the sand have of course no ego, but they have an astral body, primitive though it may be. An interplay arises between this astral body and the colour of the environment, and the effects produced by this interplay between the greyness, let us say, of the environment, and the astral body, pass into the dimmer consciousness of the astral body and permeate the whole being. It is just as if you were to look around here and say, ‘This is wood, I know that it is wood.’ The creature lives in the sand, its astral body is permeated with the colour of the sand and the consciousness of the colour of the sand' flows through its whole being. It takes on the colour, saturates itself with the colour of the environment which has been consciously absorbed. The colour is of course modified by every struggle arising between the immediate colour of the environment and the direct light of the sun. The influence of the direct light of the sun on the astral body, however, is such that, by way of the soul nature, something that in turn streams out and permeates the the whole being enters into the astral body. In the very colours of birds' feathers and skins of animals man will recognise the deeper effects of the consciousness, which is the result of the interplay between the astral body and the environment. The living being lives and moves in the flowing ocean of colour and identifies itself with this flowing colour essence. The human being also does this below the threshold of his ego, but in a higher sense. Our life, therefore, is bound up with the life of the flowing sea of colour. As human beings we have the advantage of the animals in one thing only. I can now do no more than hint at it. Think, by way of comparison, of certain animals which always swim under water and never come to the surface. They have water in their environment. They adapt themselves to what they take into themselves from the water. Others have to come to the surface and they too adapt themselves to what is above the surface of the water. Instead of the water, think now of a flowing sea of colour and light. All animals live, as it were, under the surface of the sea of colour and light, hence they adjust their outer covering primarily in accordance with this flowing colour and light. Man with his ego consciousness stretches out beyond the sea of colour and light and the very fact that he can do this gives him his ego consciousness. When man's colouring is influenced, as in the different races, the influence is not, in his case, the outcome of colour and light, but of the conditions of warmth and climate. The reason why humming birds in certain regions are decked with such a variety of colours is very different from the reason which causes human beings in the same region to be of a negroid black. The birds have been worked upon by colour conditions, and man by the warmth condition, because, in effect, the human being with his ego rises above the sea of colour and this only works in his astral body. Otherwise—to use a radical and therefore paradoxical expression—if the agricultural labourer who is perpetually surrounded by green had no ego whereby he reaches beyond the sea of colour, he would go about with a greenish skin; and the skin of the city man, living perpetually among grey houses and seldom leaving them, would have a horrible greyish tint—that is to say if primordial forces were at work., Our astral body none the less is immersed in the flowing sea of colour, but all that the astral body absorbs from this sea of colour has taken on a different activity. Our hair is not coloured, nor if we had feathers would they be coloured by what the astral body absorbs; instead of this, we have perceptions and feelings in connection with colour without diffusing the colours through our being. If we were simply to absorb the green or blue or red into our astral body and diffuse them through our being, thus giving ourselves the colouring of the outer world, we should have quite a different relationship to the world of colour than is actually the case. We do not, however, do this. We absorb the colours into our being in a spiritual sense, so that blue, for instance, becomes the expression of rest; red the expression of all that is passionate, fiery. Colour is changed into flowing perception or feeling in man, because he reaches out with his ego beyond the flowing sea of colour. Here is a proof that we float in the colour essence of the cosmos and that even when we are merely contemplating the colours of nature we must try to perceive in the aesthetic sense, to establish standards of beauty. This however implies that we must learn to grow into colours, to live in them as within our own element. One seldom finds this feeling for colour, even among people who think a great deal about art. Take, for instance, Hildebrand, who is an exceedingly good artist and who has written an ingenious book on the subject of artistic forms. We read there that colour alone cannot suffice for the real portrayal of things; there must first be the design, the drawing. This, however, is not correct. Hildebrand thinks that when he has a coloured wall in front of him, he is simply looking at colour, possibly blue or red, whereas if he draws contours or designs upon it he has an expression of something. If a surface is covered with blue or red it does not express anything definite—at least according to Hildebrand. Nor this is not the case. A surface covered with blue produces an impression which may be expressed in the following way. Instead of the area that appears blue, the feeling arises that blue takes one into greater and greater depths, to distances ever more remote, to the Infinite, as it were. The blue colour takes one along with it—on and on. Red seems to fight with one, to approach.

This of course is somewhat radically expressed, but the whole colour scale thus reveals itself as living being. Just as forms with clear contours express something definite, so does colour place before us something quite definite, differentiated. To fathom these things, however, will be the task of future Art—and in what sense? To understand this we will consider the real nature of the spirit of human evolution.

Human evolution proceeded from conditions of primitive, atavistic clairvoyant consciousness. Man gradually worked his way upwards through the different civilisations until, during the Graeco-Latin age, his ego came to birth in the intellectual or mind-soul. We are now living in an age when the ego rises into the consciousness soul (spiritual soul) and has then gradually to rise to Spirit-Self or Manas. In the ages preceding the birth of the ego, of the ego consciousness, art proceeded from direct inspiration which flowed into man from the spiritual world, and all the different forms in art were an expression of this. Suppose a man went out into the on-coming night and looked at the moon. The atavistic clairvoyant consciousness he still possessed gave him the knowledge that here was a revelation of the connection between his brain and the moon, that his lungs breathed in all that the earth's being was communicating to him. The sun had set, but he knew that in the pulsating beat of his heart he bore the sun workings within him. Then man felt—or rather he ‘saw’ it in the atavistic clairvoyance of those ancient times—he felt: ‘Yes indeed there is a connection between earth, sun and moon. Spiritual Beings are hovering up and down between the sun and moon!’

“Like heavenly forces rising and descending,
Their golden urns reciprocally lending.”

(From Goethe's Faust. Scene I.)

... Then came the age in human evolution when this old clairvoyance gradually passed away; man entered into a condition where he could only perceive the external world of sense. Nothing flowed into him from the spiritual world and it became necessary to resort to a different realm. Every artistic impulse lived originally in the moving being of man himself. He tried to imitate or copy what he perceived in the cosmos by expressing through his hands and with his hands the form that he felt to be living in his hands like a cosmic force. At that time he had to translate into form what he expressed in gestures. It did not occur to him to copy or imitate an object in the external sense. All that lived and pulsated within him, flowing and breathing into him from the cosmos, developed into art without any mere imitation, because the inner life surging within him used him as an instrument. He was the instrument guided by the cosmos itself.

This was no longer the case after the old clairvoyant consciousness, which linked man to the cosmos, ceased. Imitative art came into being, for man no longer possessed within himself the power which guided the lines and other factors of art; he no longer felt, I will draw near to the Godhead. ‘There is the Godhead and I will approach.’ When a man felt himself rising to the Godhead he was conscious of the perception of blue, and if he wanted to give expression to this feeling he used the colour blue. But if he was conscious of the approach of an enemy, an alien being bearing down upon him, then he used red. He experienced the flowing sea of colour within himself and there was no need to imitate or copy. This was no longer the case when atavistic connection with the cosmos ceased. Imitative art came into being and attained its summit, so far as sculpture was concerned, in the Graeco-Latin epoch, and so far as painting was concerned, in the age which marked the transition to the fifth Post-Atlantean period. To those who have eyes to see, external history would also be able to prove the truth of these things. Try to think why it is that peoples from Northern and Central Europe who came into contact with Graeco-Latin culture remained so long in a state of barbarism and could not find their way to art. The reason is that these Celtic, Germanic, Slavonic peoples had remained at an earlier stage of evolution than the Graeco-Latin peoples. They had not reached the stage of the full birth of the ego and understood nothing of true imitative art. They came along afterwards with a reinforcing impulse. Hence when we study the art of the Middle Ages we find that the significant elements there are not those of imitative art. The characteristic qualities of mediaeval art are to be found in architecture where man does not imitate but creates out of his inner being. It is only gradually that the imitative element in art entered into the northern peoples.

Nowadays, however, we are living in an epoch when man must again find his way into the spiritual world, when he must pass over from imitative art to a new form of artistic creation, when there must be a true renewal of art. The imitative arts reached their prime in the sculpture of antiquity, in Raphael, Michelangelo and others. Something different hovers before us now—a consciousness that penetrates into the spiritual world and at the same time brings down all that exists in forms and colours in the cosmic ocean flowing spiritually around us. A beginning must be made. Something that is not achieved by imitation and which is all around us must be brought down from the spiritual world. I have already spoken of the extent to which this conception has flowed into certain forms in our building and on another occasion we will speak of the new conception of the art of painting. To-day I only wanted to try to deepen the feelings and perceptions which must be ours if we are really to understand the transition which must come about before the old forms of art can pass over to the new.

I hope that those friends whose unselfish and devoted labours are revealed each day that passes, will work in such a way towards a mastery of the forms which are necessary to our building, that although it be only a primitive beginning, there will none the less be a real beginning of a spiritualised art. I hope that they will find more and enthusiasm, greater and greater joy, in the consciousness that the World-Spirit demands us to help in the task of establishing in human evolution those things which must be established in our own fifth epoch and during the transition into the sixth. If we understand this, we link ourselves with the World-Spirit working in human evolution, of Whom we try to gain knowledge through true Spiritual Science. All the impulses of this Spiritual Science can pass over into artistic feeling, artistic activity and experience of the cosmos. True enthusiasm and devotion are necessary, but they will grow in us if we lovingly rise to the Spirit Who has guided mankind from the beginning of evolution. That Spirit will not forsake us if we dedicate ourselves to Him with upright hearts and in the real sense—if our labours are not a sentimental prayer, but a true one arising from the power flowing into our inner being from the World-Spirit Who is leading us, and if we are filled with the inspiration of the knowledge that we allow the work of our hands and souls to be guided by the power of the Spirit within us.

In this sense, then, let us continue our work.

To-day we will continue our study of subjects connected with art. The lectures are meant to help us in regard to the kind of thoughts which should permeate the work before us. If we would couple right thoughts with the task which we are here beginning in a primitive fashion, the necessity arises to bring before the soul many things that impress us when we study man's achievements in art and their connection with human civilisation.

Herman Grimm, the very intuitive student of art in the nineteenth century, made a certain apparently radical statement about Goethe. He spoke of the date at which humanity would first have developed a real understanding of Goethe, placing it about the year 2000. According to Grimm's idea, therefore, a long time will have to elapse before mankind will have developed to the point of understanding the real significance of Goethe. And, indeed, when one observes the present age, one does not feel inclined to contradict such a statement. To Grimm, Goethe's greatest significance does not lie in the fact that he was a poet, that he had created this or that particular work of art, but that he always created from a full and complete manhood—the impulse of this full manhood lies behind every detail of his creative activity. Our age is very far from understanding this full manhood that lived, for instance, in Goethe. In saying this I have naturally no wish to speak derogatively of the specialisation that has entered into the study of science, which is indeed often deplored—for from one point of view this specialisation is a necessity. Much more significant than the specialisation in science is that which has crept into modern life itself, for, as a result of this, the individual soul, enclosed within some particular sphere of specialised conceptions or ideas, grows less and less capable of understanding other souls who specialise in a different sphere. In a certain sense all human beings are “specialists” to-day so far as their souls are concerned. More particularly are we struck with this specialised mode of perception when we study the development of art in humanity. And for this very reason it is necessary—although it can only be a primitive beginning—that there shall again come into existence a comprehensive understanding of spiritual life in its totality. True form in art will arise from this comprehensive understanding of spiritual life. We need not enter upon a very far-reaching study in order to prove the truth of this. We shall come to a better understanding if we start from something near at hand, and I will therefore speak of one small point in the numerous irrelevant and often ridiculous attacks made against our spiritual movement at the present time.

It is so cheap for people to try, by means of pure fabrications, to slander us in the eyes of the world, saying, for instance, that we are on the wrong track because here or there we have given to our buildings a form that we consider suitable to our work. We are reproached for having coloured walls in certain of our meeting rooms and we are already tired of hearing about the ‘sensationalism’ in our building—which is said to be quite unnecessary for true ‘Theosophy’—that is how people express it. In certain circles ‘true Theosophy’ is thought to be a kind of psychic hotch-potch, teeming with obscure sensations, glorying to some extent in the fact that the soul can unfold a higher ego within. This, however, is really nothing but egotism. From the point of view of this obscure psychic hotch-potch people think it superfluous for a spiritual current to be expressed in any outer form, although this outer form, it is true, can only be a primitive beginning. Such people think themselves justified in chattering about these psychic matters no matter where they may be. Why, then—so they think—is it necessary to express anything in definite forms? We really cannot expect to find any capacity of real thought in people who hurl this kind of reproach at us—in fact we can expect it from very few people at the present time—but, nevertheless, we must be clear in our own minds on many points if we are to be able at least to give the right answers to questions that arise in our own souls.

I want to draw your attention to Carstens, an artist who made his mark in the sphere of art at the end of the eighteenth century as a designer and painter of decided talent. I do not propose in any way to speak of the value of Carstens' art, nor to describe his work—neither am I going to give you a biographical sketch of his life. I only want to call your attention to the fact that he certainly possessed great talent for design, if not for painting. In the soul of Carstens we find a certain artistic longing, but we can also see what was lacking in him. He wanted to draw ideas, to embody them in painting, but he was not in the position of men like Raphael or Leonardo da Vinci—or to take an example from poetry—of Dante. Raphael, Leonardo and Dante lived within a culture that teemed with import—a culture that penetrated into and at the same time surrounded the soul of man. When Raphael painted his Madonnas they were living in men's hearts and souls and in the very highest sense something streamed from the soul of the public in response to the creations of this great artist. When Dante set out to transport the soul into spiritual realms he had only to draw his material, his substance, from something that was resounding, as it were, in every human soul. These artists possessed in their own souls the substance of the general culture of the age. In any work of the scientific culture of that time—however much it may have fallen into disuse—we shall find connecting links with an element that was living in all human souls, even down to the humblest circles. The learned men of the spheres of culture where Raphael created his Madonnas were fully cognisant of the idea at the back of the figures of the Madonna, nay more, the idea was a living thing within their souls. Thus artistic creations seem to be expressions of a general, uniform spiritual life. This quality came to light again in Goethe as a single individual, in the way that was possible at the turn of the eighteenth and nineteenth centuries. So little is this understood in our times, that, in Herman Grimm's opinion, as I have already said, it will be necessary to wait until the year 2000 before the world will again reveal such understanding.

Let us turn again to Carstens. He takes the Iliad of Homer, and he impresses into his penciled forms the processes and events of which he reads. What a different relationship there is to the Homeric figures in the eighteenth and the beginning of the nineteenth century from the relationship that existed between the soul of Raphael and the figures of the Madonna and other motifs of that age! In the greatest epochs the content of art was immediately perceptible because it flowed from something that moved the innermost being of man. In the nineteenth century’ it began to be necessary for artists to seek for the content of their creations by dint of effort and we soon find that the artist becomes a kind of ‘cultural hermit,’ one who is only concerned with himself and of whom people ask, ‘What relationship is there between himself and his own particular world of form?’ A study of the history of art in the nineteenth century would reveal the true state of affairs in this connection.

Thus there gradually arose, not only the indifferent attitude to art, but the cold one that exists nowadays. Think of someone in a modern city walking through a picture gallery or exhibition of pictures. The soul is not moved by what is seen, no inner confidence is felt in it. The person is faced by what really amounts to a multitude of riddles—to use a radical expression—riddles which can only be solved if to some extent penetration is made into the particular relationship of this or that artist to nature, or to other things. The soul is faced with purely individual problems or riddles, and the significant thing is, that although people believe they are solving the problems of art, they are, in the vast majority of cases, trying to solve problems not really connected with art itself—to wit, psychological problems. Such problems as: How does this or that artist look on nature—are problems of philosophy or the like and are of no importance when we really penetrate into the great epochs of art. On the contrary, when this penetration is undertaken, the problems that emerge not only for the artist but for the contemplator of the works of art, are truly artistic, truly aesthetic ones. For it is the manner that really concerns the creative artists, while the mere matter, the mere substance, is only the element that flows around him, in which he is immersed. We might even put it thus: our artists are no longer artists. They are contemplators of the world, each from a certain point of view and what they see, what strikes them in the world, this they contrive to shape. But these are theory, problems of history and so forth, while on the other hand our age has almost altogether lost the power—or indeed the heart—to perceive art in its essence, to perceive the manner, not the mere matter.

Our conception of the world—theoretical from its very foundations—is a good deal to blame for this. Practical as men have become in technical, industrial and commercial affairs, they have become eminently theoretical so far as their thinking is concerned. The endeavour to build a bridge between modern science and the conception of the world held by the artist is not only fraught with difficulty, but with the fact that so few people feel there is any need to build it. Words like those of Goethe: “Art is the manifestation of secret laws of nature without which they could never find expression” are wholly unintelligible to our age, although here and there people think they understand them. Our age holds fast to the most external, the most abstract natural laws—laws which are themselves based on utterly abstract mathematical principles—and it will not admit the validity of any penetration into reality which transcends all abstract mathematics or systems of that kind. No wonder our age has lost the living element of soul which feels the working of the very substance of world connections—the substance that must indeed well up from these world connections before art can come into being. The thoughts and ideas evolved by the modern age in regard to the universe are inartistic in their very nature—nay more, they even strive to be so. Colours—what have they become according to modern scientific opinion? Vibrations of the most abstract substance in the ether, etheric vibrations of so many wave lengths. These waves of vibrating ether sought by modern science, how remote they are from the direct, living essence of colour! What else is possible than that man is led wholly to ignore the living essence of colour? I have already told you that this element of colour is, in its very being, fluidic and alive—an element moreover in which our soul lives. And a time will come—as I have also indicated—when man will again perceive the living connection of the flowing sea of colour with the colours of creatures and objects manifested in the external world.

This is difficult for man because, since he has to develop his ego during earthly evolution, he has risen out of this flowing sea of colour to a mode of contemplation that proceeds purely from the ego. With his ego, man rises out of the sea of colour; the animal lives wholly within it and the fact that certain animals have feathers or skins of particular colours is connected with the whole relationship existing between the souls of these animals and the flowing sea of colour. The animal perceives objects with its astral body (as we perceive them with the ego) and into the astral body flow the forces living in the group-soul of the animal. It is nonsense to imagine that animals, even higher animals, behold the world as man beholds it. At the present time there is no understanding of these things. Man imagines that if he is standing near a horse, the horse sees him in exactly the same way as he sees the horse. What is more natural than to think that since the horse has eyes it sees him just as he sees it? This, however, is absolute nonsense. Without a certain clairvoyance a horse would no more see a human being than a human being, being without problems of psychological clairvoyance, would see an angel, for the man simply does not exist for the horse as a physical being, but only as a spiritual being. The horse is possessed of a certain order of clairvoyance and what the horse sees in man is quite different from what man sees in the horse: as we go about we are spectral beings to the horse. If animals could speak in their own language—not in the way they are sometimes made to ‘speak’ nowadays, but in their own language—man would realise that it never by any chance occurs to the animals to contemplate him as a being of similar order but as one who stands higher than themselves—a spectral, ghostlike being. Even if the animals assume their own body to consist of flesh and blood, they certainly have a different conception of the body of man. To the modern mind this of course sounds the purest nonsense—so far is the present age removed from truth!

As a result of the relation between astral body and group-soul, a receptivity to the living, creative power of colour flows into the animal. Just as we may see an object that rouses desire in us and we stretch out towards it by movement of the hand, an impression is made in the whole animal organism by the direct creative power in the colour; this impression flows into the feathers or skin and gives the animal its colour. I have already said that our age cannot understand why it is that the polar bear is white; the white colour is the effect produced by the environment and when the polar bear ‘whitens’ itself, this, at a different level, is practically the same thing as when man stretches out with a movement of his hand to pick a rose in response to a desire. The living creative effects of the environment work upon the polar bear in such a way that an impulse is released within it and it ‘whitens’ itself.

In man, this living weaving and moving in the element of colour has passed into the substrata of his being because he would never have been able to develop his ego if he had remained wholly immersed within the sea of colour and were, for instance, in response to an impression of a rosy hue of dawn to feel the impulse to impress these tints through creative imagination into certain parts of his skin. During the ancient moon period these conditions still obtained. The contemplation of scenes in nature like that of a rosy dawn worked upon man as he then was; this impression was reflected back, as it were, into his own colouring; it penetrated into the being of man in those times and was then outwardly expressed in certain areas of his body. During the earth period, this living bodily existence in the flowing sea of colour had to cease in order that man might be able to evolve his own conception of the world in his ego. So far as his form was concerned he had to become neutral to this sea of colour. The tint of the human skin as it appears in the temperate zones is essentially the expression of the ego, of absolute neutrality in face of the outer waves of colour; it denotes man's ascent above the flowing sea of colour. But even the most elementary facts of Spiritual Science remind us that it is man's task to find the path of return.

Physical body, etheric body, astral body—these were developed during the periods of Saturn, Sun and Moon; the ego has to develop during the earth period. Man must find the ways and means to spiritualise his astral body once again, to permeate it with all that the ego has won for itself. And as he spiritualises his astral body and so discovers the path of return, he must again find the flowing, surging waves of colour out of which he arose in order that his ego might develop—just as a man who rises from the sea only sees what is over the sea. We are indeed already living in an age when this penetration into the spiritual flow of the powers of of nature—that is to say of the spiritual powers behind nature—must begin. It must again be possible for us not merely to look at colours, to reproduce them outwardly here or 'there, but to live with colour, to experience the inner life-force of colour. This cannot be done by merely studying in painting, for instance, the effects of the colours and their interplay as we look at them. It can only be done if once again we sink our soul in the flow of red or blue, for instance, if the flow of the colour really lives—if we are able to ensoul the essence of colour that instead of evolving any kind of colour symbolism (which would of course be the very opposite way of going to work) we really discover what is already living in colour just as the power of laughter exists in a man who laughs. Hence we must seek out the paths of return to the flowing world of colour, for as I have already said, man has risen above it with his ego. If he has no other perception save ‘here is red, here is blue’—which is often the case to-day—he can never press onwards to living experience of the real essence of colour. Still less is this possible when he gives an intellectualistic garb to this inner essence and perceives red as a symbol, blue as another, and so forth. This will never lead to real experience of colour. We must know how to surrender the whole soul to what speaks to us from out of colour. Then, when we are confronted with red we have a sense of attack, aggression—this comes to us from the red. If ladies were all to go about dressed in red, a man possessed of a delicate sense for colour would silently imagine, simply on account of their clothing, that they might at any moment set about him vigourously! In red, then, there is a quality of aggression, something that comes towards us. Blue has an element that seems to pass away from us, to leave us, something after which we gaze with a certain wistfulness, with yearning.

How far the present age is removed from any such living understanding of colour may be realised from what I have already said about Hildebrand, an excellent artist, who expressly states that a colour on a surface is simply that and nothing more; the surface is there, overlaid with colour—that is all—though to be sure it is not quite the same in the case of form which expresses distance, for example. Colour expresses more than mere distance and we cannot help finding it deeply symptomatic of the whole nature of the present age that this is not perceived, even by an artist like Hildebrand. It is impossible to live into the essence of colour if one cannot immediately pass over from repose into movement, realising that a red disc approaches us, and that a blue disc, on the other hand, withdraws. These colours move in opposite directions. When we penetrate deeply into this living essence of colour we are led further and further. We begin to realise—if we really believe in colour—that we simply could not picture two coloured discs of this kind remaining there at rest. To picture such a thing would be to deaden all living feeling, for living feeling immediately changes into the realisation that the red and the blue discs are revolving round each other, the one towards the spectator, the other away from him. The relation between the red that is painted on a figure, in contrast to the blue, is such that the figure takes on life and movement through the very colour itself. The figure is caught up into the universe of life because this is shining in the colours. Form is of course the element that is at rest, stationary; but the moment the form has colour, the inner movement in the colour rises out of the form, and the whirl of the cosmos, the whirl of spirituality passes through the form. If you colour a form you endow it with the soul element of the universe, with cosmic soul, because colour is not only a part of form; the colour you give to a particular form places this form into the whole concatenation of its environment and indeed into the whole universe. In colouring a form we should feel: ‘Now we are endowing form with soul.’ We breathe soul into dead form when, through colour, we make it living.

We need only draw a little nearer to this inner living weaving of colours and we shall feel as if we are not confronting them on a level but as if we were standing either above or below them—again it is as if the colour becomes inwardly alive. To a lover of abstractions, to one who merely gazes at the colours and does not livingly penetrate into them, a red sphere may indeed seem to move around a blue, but he does not feel the need to vary the movement in any sense. He may be a great mathematician, or a great metaphysician, but he does not know how to live with colour because it seems to pass like a dead thing from one place to another. This is not so in reality; colour radiates, changes within itself, and if red moves it will send on before it a kind of orange aura, a yellow aura, a green aura. If blue moves it will send something different on before it.

We have, then, a play of colours as it were. Something actually happens when we experience in colour; thus red seems to attack, blue to pass away. We feel red as something which we want to ward off, blue as something we would pursue as if with longing. And if we could feel in colour in such a way that red and blue really live and move, we should indeed inwardly flow with the surging sea of colour, our souls would feel the eddying vortex of attacks and longings, the sense of flight and the prayer of surrender that intermingle with one another. And if we were to express this in some form, artistically of course, this form, which in itself is at rest, we should tear away from rest and repose. The moment we have a form which we paint, we have, instead of the form which is at rest, living movement that does not only belong to the form but to the forces and weaving being round about the form. Thus through a life of soul we wrest the material form away from its mere repose, from its mere quality of rigid form. Something like this must surely once be painted into this world by the creative elemental powers of the universe. [Note 1] For all that man is destined to receive by way of powers of longing—all this is something that could find expression in the blue. This on the one hand man must bear as a forming, shaping principle in his head, while all that finds expression in the red he must bear within him in a form that rushes upward from the rest of the body to the brain. Two such currents are indeed active in the structure of the human brain. Around man externally is the world—all that for which he longs—and this is perpetually being flooded over by that which surges upward from his own body. By day it happens that all which the blue half contains flows more intensely than the red and yellow: by night, so far as the physical human organism is concerned it is the opposite. And what we are wont to called the two-petalled lotus flower [Note 2] is indeed a true image of what I have here portrayed, for this two-petalled lotus flower does indeed reveal to the seer just such colours and movements. Nobody will really be able to fathom what lives in the world of form as the creative element, as the upper part of the human head, if he is not able to follow this flow of colour that in man is indeed a “hidden” flow of colour.

It must be the endeavour of art again to dive down into the life of the elements. Art has observed and studied nature long enough, has tried long enough to solve all the riddles of nature and to express in another form all that can be observed by this penetration into nature. What lives in the elements is, however, dead so far as modern art is concerned. Air, water, light—all are dead as they are painted to-day; form is dead as is expressed in modern sculpture. A new art will arise when the human soul learns to penetrate to the depths of the elemental world, for this world is living. People may rail against this; they may think that it ought not to be, but such raillery is only the outcome of human inertia. Unless man enters with his whole being into the world of the elements, and absorbs into himself the spirit and soul of the external world art will more and more become a work of the human soul in isolation. This of course may bring many interesting things to light in regard to the psychology of certain souls, but it will never achieve that which art alone can achieve. These things belong to the far, far future but we must go forward to meet this future with eyes that have been opened by Spiritual Science—otherwise we can see in that future nothing but death and paralysis.

This is why we must seek for inner connection between all our forms and colours here and the spiritual knowledge that moves innermost depths of the soul; we must seek that which lives in the Spirit in the same way as the Madonnas lived in Raphael, so lived in him that he was able to paint them as he did. The Madonnas were living in Raphael's very being, just as they were living in the learned men, the labourers in the fields and the craftsmen of his time. That is why he was the true artist of the Madonna. Only when we succeed in bringing into our forms in a purely artistic sense, without symbolism or allegory, all that lives in our idea of the world—not as abstract thought, dead knowledge or science, but as living substance of the soul—only then do we divine something of what the future holds in store.

Thus there must be unity between what is created externally and all that permeates the soul in the innermost depths of her being—a unity that was present in Goethe as the result of a special karma. Bridges must be built between what is still to many people so much abstract conception in Spiritual Science and what arises from hand, chisel and paint brush. To-day the building of these bridges is hindered by a cultural life that is in many respects superficial and abstract, and will not allow life to flow into action. This explains the appearance of the wholly groundless idea that spiritual knowledge might cause the death of art. In many instances of course a paralysing effect has been evident, for instance in all the allegorising and symbolising that goes on, in the perpetual questioning, ‘what does this mean?’ ‘what does that mean?’ I have already said that we should not always be asking what things ‘mean.’ We should not think of asking about the ‘meaning’ of the larynx, for instance. The larynx does not ‘mean’ anything, for it is the living organ of human speech and this is the sense in which we must look at all that lives in forms and colours when they are living organs of the spiritual world. So long as we have not ceased asking about allegorical or symbolical meanings, so long as we interpret myths and sagas allegorically and symbolically instead of feeling the living breath of the Spirit pervading the cosmos, realising how the cosmos lives in the figures of the world of myths and fairy stories—so long have we not attained to real spiritual knowledge.

A beginning, however, must be made, imperfect though it will be. No one should imagine that we take this beginning to be the perfect thing; but like many other objections to our spiritual movement made by the modern age, it is nonsense to say that our building is not an essential part of this spiritual movement. We ourselves are already aware of the facts which people may bring forward. We realise also that all the foolish chatter about the ‘higher self,’ all the rhapsodies in regard to the ‘divinity of the soul of man’ can also be expressed in outer forms of the present age; and of course we know that it is everywhere possible for man to promote Spiritual Science in its mental and intellectual aspects. But over and above this merely intellectual aspect we feel that if Spiritual Science is to pour life into the souls of men it demands a vesture of a different kind from any that may be a product of the dying culture of our day. It is not at all necessary for the outer world to remind us of the cheap truth that Spiritual Science can also be studied in its mental aspect in surroundings of a different kind from those which are made living by our forms. The ideal which Spiritual Science must pour into our souls must be earnest and grow ever more earnest. A great many things are still necessary before this earnestness, this inner driving force of the soul can become part of our very being. It is quite easy to speak of Spiritual Science and its expression in the outer world in such way that its core and nerve are wholly lacking. The form taken by the most vigorous attacks levelled against our spiritual movement creates a strange impression. Those who read some of these attacks will, if they are in their right minds, wonder what on earth they are driving at. They describe all manner of fantastic nonsense which has not the remotest connection with us, and then the opposition is levelled against these absurdities! The world is so little capable of absorbing new spiritual leaven that it invents a wholly grotesque caricature and then sets to work to fight against that. There are even people who think that the whole movement should be done away with. Attack of course is always possible but it is a reductio ab absurdum to do away with an invention that has no resemblance of any kind to what it sets out to depict. It behooves us, however, to realise what kind of sense for truth underlies these things, for this will make us strong to receive all that must flow to us from Spiritual Science, and, made living by this Spiritual Science, shine into material existence. That the world has not grown in tolerance or understanding is shown by the attitude adopted towards Spiritual Science. The world has not grown in either of these qualities.

We can celebrate the inner confluence of the soul with Spiritual Science in no better way than by deepening ourselves in problems like that of the nature and being of colour, for in experience of the living flow of colour we transcend the measure of our own stature and live in cosmic life. Colour is the soul of nature and of the whole cosmos and we partake of this soul as we experience colour.

This was what I wanted to indicate to-day, in order next time to penetrate still more deeply into the nature of the world of colour and the essence of painting.

I could not help interspersing these remarks with references to the attacks that are being made upon us from all sides—attacks emanating from a world incapable of understanding the aims of our Anthroposophical Movement. One can only hope that those within our Movement will be able, by a deepening of their being, to understand something truly symptomatic of our times, the falsehood and untruth that is creeping into man's conception of what is striving to find its place within the spiritual world. We of course have no wish to seclude our spiritual stream, to shut it off from the world; as much as the world is willing to receive, that it can have. But one thing the world must accept if it is to understand us, and that is the unity of the whole nature of man—the unity which makes every human achievement the outcome of this full and complete ‘manhood.’

These words are not meant to be an attack on the present age. I speak them with a certain sense of pain, because the more our will and our efforts increase in this Movement of ours, the more malicious—perhaps not consciously, but more or less unconsciously malicious—do the opposing forces become. I have, moreover, spoken thus because the way in which these things must be looked at is not yet fully understood even among ourselves. The unshakable standpoint must be that something new, a new beginning, is at least intended in our Movement. What lies beyond this ‘intention’ has of course yet to come. We with our building can still do no more than ‘intend.’ Those who can do more than intend—they will come, even though it be not before the time Herman Grimm thinks must elapse before there will be a complete understanding of Goethe. A certain humility is bound up with the understanding of this and there is little humility in modern spiritual life. Spiritual Science is well suited to give this humility and at the same time to bring the soul to a realisation of the gravity of these things.

A painful impression is caused by the opposition arising on all sides against our spiritual Movement, now that the world is now beginning to see real results. So long as the Movement was merely there in a spiritual sense the world could see nothing. Now that it does, and it cannot understand what it sees, dissonant voices are beginning to sound from every side. This opposition will grow stronger and stronger. When we realise its existence we shall naturally at first be filled with a certain sorrow, but an inner power will make us able to intercede on behalf of what is to us not merely conviction, but life itself. The soul will be pervaded by an ethereal, living activity, filled with something more than the theoretical convictions of which modern man is so proud. This earnest mood of soul will bring in its train the sure confidence that the foundations of our world and our existence as human beings are able to sustain us, if we seek for them in the spiritual world. Sometimes we need this confidence more, sometimes less. If we speak of sorrow caused by the echo which our spiritual Movement finds in the world—this mood of sorrow must give birth to the mood of power derived from the knowledge that the roots of man's life are in the Spirit and that the Spirit of man will lead him out beyond all the disharmony that can only cause him pain. Strength will flow into man from this mood of power.

If in these very days one cannot help speaking of things spiritual with a sorrow even greater than that caused by the discrepancy between what we desire in our spiritual Movement and the echo it finds in the world—yet it must be said that the world's disharmonies will take a different course when men realise how human hearts can be kindled by the spiritual light for which we strive in anthroposophy. The sorrow connected with our Movement seems only slight when we look at all the sadness lying in the destiny of Europe. The words I have spoken to you are pervaded with sorrow, but they are spoken with the living conviction that whatever pain may await European humanity in a sear or distant future there may, none the less, live within us a confidence born from the knowledge that the Spirit will lead man victoriously through every wilderness. Even in these days of sorrow, in hours fraught with such gravity, we may in very truth, indeed we must, speak of the holy things of Spiritual Science, for we may believe that however dimly the sun of Spiritual Science is shining to-day, its radiance will ever increase until it is a sun of peace, of love and of harmony among men.

Grave though these words may be, they justify us in thinking of the narrower affairs of Spiritual Science with all the powers of heart and soul, when hours of ordeal are being made manifest through the windows of the world.

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Notes:

Note 1. Translator's Note. Presumably Dr. Steiner was here drawing on the blackboard while he was speaking. The expressions used in the German seem to indicate this.

Note 2. See ‘Knowledge of the Higher Worlds and its Attainment,’ by Rudolf Steiner. Anthrosophical Publishing Co.

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Herman Grimm, the cultured Art-Critic of the nineteenth century, has pronounced what one might call a profound utterance about Goethe. He has aid that mankind would not realize the full importance of Goethe till the year 2000. A goodish time, you will agree. And when one looks at our epoch, one is hardly inclined to contradict such a statement. For what does Herman Grimm consider as the most important fact about Goethe? Not that he was a poet, nor that he produced this or that particular work of art, but that he created all he did out of the complete man, that the impulses of his full manhood underlay every detail of his creations. One may say that our epoch is very far from comprehending this full manhood that lived in Goethe. In saying this I do not want in any way to refer to the oft-denounced specialized method of observation of Science. This method is to a certain extent a necessity. There is, however, something much more striking than the specialization of Science, and that is the specialization of our life! For it leads to the situation that the soul which is confined to this or that specialized circle of ideas or sensations can understand less and less the other soul which is specialized in another direction. And to a certain extent all men are now specialists. This aspect of the specialist and soul particularly strikes us when we consider the Art-development of mankind. And precisely for this reason is it necessary—if only in primitive beginnings—that a kind of pulling together of spiritual life will result in artistic form. We need not take a very comprehensive view to prove what I have said. AS we shall probably understand each other best if we proceed from something close at hand, I should like to refer to one of the many instances of those misunderstanding and often ridiculous attacks on our spiritual movement which are at present so conspicuous.

In quarters where they are anxious to blacken us before the world, it is considered cheap and common-place in us to make our rooms as we please. We are reproached for decorating our meeting places with coloured walls and are ridiculed for what is called the freakishness of the (first) Goetheanum at Dornach, which is said to be quite unnecessary for a real Theosophy, as the expression goes. Well, in certain circles, one considers as a “true Theosophy” a physic hotch-potch, interspersed with all sorts of dark feelings, and which revels in the fact that the soul can unfold in itself a higher ego, though all the time having no other than egoistic ideas in view. And from the point of view of this psychic hotch-potch, this cloudy dreaming, it is found unnecessary for a spiritual movement to express itself in an outward form, even if this outward form has to be admittedly a tentative and primitive one. In these circles it is imagined that one could chatter wherever one happened to be about this hotch-potch and this misty dreaming about the divine ego in man. Why is it necessary, therefore, that all sorts and kinds of expression in such peculiar forms should be attempted?

Well, my dear friends, it is of course not to be expected that such people who turn this sort of thing into a reproach are also capable of thinking: such a demand can only be made of a very few. But we must get clear on many points, so that we can answer the questions raised at least in our own souls rightly.

I want to draw your spiritual attention to an artist of the eighteenth century, who was greatly gifted as draughtsman and painter, Carstens. I do not want to discuss the value of his art, to unroll the tale of his activity or give you his life-story, but I want you to note that in Carstens lay a great gift for drawing, if not for painting. If we look into his soul, and at an artistic longing there, we can in a way see what was wrong. He wants to set pencil to paper, he wants to draw ideas and embody them in paint, only he is not in the position in which—let me say—Raphael or Leonardo still were, or to take an example from poetry, in which Dante was. Raphael, Leonardo and Dante lived in a full, rich culture, one which was really alive in men's souls, and surrounded them. When Raphael painted Madonnas, there lived in human hearts and souls the understanding for a Madonna, and—be it said in the noblest sense—out of the people's soul there streamed something towards the creations of these artists. When Dante led the human soul into spiritual realms, he needed only to take his matter and material from something that in a way echoed in every human soul. One might say these artists had some substance in their own souls which was present in the general culture. If one picks up some even obscure work of science of the time, one will find there is everywhere some kind of connection between it and what was alive in all souls, even in the lowest circles. The educated people of those circles of culture from which Raphael created his Madonnas recognized fully the idea of the Madonna, and in such a way that this idea of Madonnas lived in them. Thus the creations of art appear as an expression of the universal and unified spiritual life. This is what arose again in a single man, in Goethe, as he was at the turn of the eighteenth and nineteenth centuries. And it is this which is so little understood in our time, namely, that Herman Grimm was inclined to wait for the year 2000 for such an understanding to become possible for the world again.

On the other hand let us look at Carstens. He takes Homer's Iliad and imprints its events he reads into the forms his pencil creates. Just think how different was the attitude of the eighteenth and early nineteenth centuries to the Homeric figures from Raphael to the figures of the Madonnas or the other motives of the time! One might say the content of art was inevitable in the great periods because it flowed from things that touched the very inmost hearts of men. In the nineteenth century the time began when the artist had to look for the content of what he purposed to create. It was not long before the artist became a kind of cultural hermit who was really dependent only on himself, of whom one might ask: What is his own relation to his world of forms? One could unroll the history of human art in the nineteenth century to see how Art stands in this respect.

And so it has come about that not only that cool, but cold relationship of mankind to Art began which exists at present. One may imagine a man today going through a picture gallery or exhibition in a modern city. Well, my dear friends, he is not faced with something that moves his soul, something that echoes inwardly, but he is faced with a number of riddles which he can solve only when he has deeply studied the special attitude of this or that artist to Nature or to something else. We are confronted with a lot of individual problems or tasks. And—this is the significant thing—while one thinks one is solving artistic problems, one is solving really for the most part problems that are not artistic ones but psychological. The way in which this or that artist regards Nature today is an exercise in philosophy or something of the sort, which simply does not come into account at all when one steeps oneself in the great Art-periods. On the contrary there enter these real artistic questions, for the onlooker also, because the “How” is something which makes the artist creative, whereas the substance is merely something that surrounds him, in which he is steeped. We may say that our artists are not artists at all any more, they are world observers from a particular point of view, and they put into form what they see and what strikes them. But these are psychological tasks, tasks of historical interpretation and so on; the essential thing about the artistic view of “How” has disappeared almost completely from our time. The heart is often lacking for such artistic considerations as “How.”

A great deal of the blame for all this to which I have briefly drawn your attention must be ascribed to our thoroughly theoretic world-philosophy. Men have become as theoretic in their thought as they have become practical in their industry and technique and commercial relations. To build a bridge between, for example, the pursuits of modern science and the artist's conception of the world is not only difficult, but also few people feel the need to do it. And a saying like Goethe's: “The beautiful is a manifestation of the secret laws of Nature, which, without this revelation, would for ever have remained hid.” Is completely unintelligible to our time, even if here and there somebody believes he understands it. For our time clings to the most superficial, most abstract laws of Nature, to those which approach, one might say, the most abstract Mathematics, and will allow no importance to any research into reality which transcends the abstract-mathematical, or anything that is similar to the abstract-mathematical. And so it is not surprising if our time has lost that living element in the soul which finds that substantiality in world relationships which must spring from them actively if Art is to arise at all.

Art can never be evolved from scientific concepts, or abstract-theosophical concepts, at the most it would be an allegory of straw or a stiff symbolism. The representations that the present time makes of the world is in itself inartistic, and makes an effort to be inartistic. Colours—what have they become in our scientific view? Vibrations of the most abstract kind in the material of the ether, vibrations of the ether-waves so and so much in length, etc. Imagine how far removed the waves of vibrating ether, which are science seeks today, are from the direct and living colour. How is it possible to do anything but forget completely to pay any attention to this living element in colour? We have already pointed out how this element in colour is fundamentally a flowing, living one, in which we with our sols are also living. And a time will come (I have pointed this out)_ in which the living connection of the flowing colour-world with coloured beings and objects will again be realized.

It is difficult for man, my dear friends, because man, on account of having to perfect his ego in the course of earth's evolution, has risen from this flowing sea of colour to a pure Ego perception. Man raises himself from this sea of colour with his ego; the animal-world is still deep in it, and the fact that an animal has feathers or hair of this or that colour, is connected with the animal's soul-relation with this flowing sea of colour. An animal regards objects with its astral body (as we do with the ego) and there flows into this astral body whatever forces there are in the group-souls of animals. It is nonsense to believe that even the higher animals see the world as man sees it. But the truth of this point is quite unintelligible to modern man. He believes that if he is standing beside a horse, it sees him exactly as he sees it. What is more natural? And yet, it is complete nonsense. For just as little as a man sees an angel without clairvoyance, does a horse see a man without clairvoyance, for the man is not a physical being to the horse, but a spiritual being, and only because the horse is endowed with a certain clairvoyance does he perceive man as a kind of angel. What the horse sees in man is quite different from what we see in the horse. As we humans wander about, we are very ghostly beings to the higher animals. If they could talk a real language of their own, man would soon see that it does not occur to animals at all to regard man as a similar being to themselves, but as a higher, ghostly being. If they regard their own body as consisting of flesh and blood, they certainly would not regard man as consisting of flesh and blood. If one expresses this today, it sounds to modern minds the purest rubbish—so far is the present age removed from truth.

The susceptibility for the living, creative element of colour flows into animals because of their peculiar connection between astral body and group-soul. And just as we look at an object which rouses our desire and seize it with a movement of the hand, so in the case of animals, the whole of their organization is such that the directly creative element of colour makes an impression, and it flows into the feathers or wool and colours the animal. I have already expressed my opinion that our time cannot even realize why the polar bear is white; the whiteness is the product of his environment and that the polar bear makes himself white has approximately the same significance, on another plane, as when, through desire, a man stretches out his hand to pick a rose. The living productive element in his environment works on the polar-bear in such a way that it releases in him an impulse and he completely “whitens” himself.

Now this living weaving and existence in colour is suppressed in man, for he would never have been able to perfect his ego if he had stayed in the colour-sea, and he would never, for example, have developed the urge regarding a certain red colour, let us say the red of dawn, to impress it on certain parts of his skin. Such was still the case during the old Moon-Period. Then the effect of contemplating such a drama of nature as the red of dawn was such that it impressed the man of that time and the reflection of the impression was at the same time thrown back into his own colouring, it permeated his being and then expressed itself again outwardly in certain parts of his body. Man had to lose this immersion of his body in this flowing colour-sea during his earth-period, so that he could develop in his ego his own world-outlook. And man had to be come in his form neutral towards the flowing colour-sea. The colour man's skin in the temperate zones is in essentials the expression of the ego, the expression of absolute neutrality towards the colour-waves streaming without, and it denotes the rising above the flowing colour-sea. But, my dear friends, if we take even primitive scientific knowledge, we shall remember that it is man's task to find the way back again. Physical, etheric and astral body were formed during the epochs of Saturn, Sun and Moon respectively, the ego during the earth-period. Man must find the means to spiritualize the astral body again, to permeate it with what the ego gains for itself by working upon it. And in spiritualizing the astral body and thus finding the way back again, man must once more find the flowing and ebbing colour-waves, from which he arose in order to develop the ego, just as when he rises out of the ocean, he sees only what is outside. And we really do live at a time when a beginning must be made—unless man's living in accordance with the universe is to cease altogether—with this diving down into the spiritual waters of Nature's forces, what is, the spiritual forces that lie behind Nature. We must make it again possible not merely to look at colours and to apply them outwardly, but to “live” with the colour, to share its inner power of life. We cannot do it if we study the effect of this or that colour from a painter's point of view, as we stare at it; we can do it only if we experience with our souls the manner in which red, for example, or blue flows; if this flowing of colour becomes directly alive for us. We can only do it, my dear friends, if we are able so to instill life into the colour, that we do not produce mere symbolism in colour—that would of course be the worse way—but that we really discover what actually lies in the colour itself, as the power to laugh lies in a laughing man.

If a man in feeling the sensation of red or blue has no other reaction to it than in feeling—here is red, and here is blue, he can never proceed onwards to a living experience of the real nature of colour. Still less can he do so if he clothes the colour-content with intelligence and finds one symbol behind the red, and another behind the blue; that would lead still less to experiencing the element of colour. The point is we must know how to surrender our whole soul to the message of colour. Then, in approaching red, we shall feel something aggressive towards ourselves, something that attacks us. Red seems to “come for” us. If all ladies went about the streets in red, anyone with a fine feeling for the colour might inwardly believe that they might all fall upon him, on account of their red clothes. Blue, on the contrary, has something in it which goes away from us, which leaves us looking after I with a certain sadness, perhaps even with a kind of longing.

How far the present day is from such a living understanding of colour can be seen from something I have already pointed out: in the case of the excellent artist Hildebrandt it was expressly emphasized that the colour is on the surface, and there is nothing else but surface-colour, thus differing from form, which gives us, for example, distance. But colour gives us more than distance, and that an artist like Hildebrandt does not feel this must be taken as a deep symbol of the whole modern manner. It is impossible to steep oneself in the living nature of colour, if one cannot have a direct transition from immobility to movement, if one is not directly made aware that the red disk is coming nearer and the blue retreating; they move in opposite directions. In steeping oneself in this living element of colour, one gets to a stage of realizing that if we had two coloured balls, for instance, of this kind, one is quite unable to conceive the possibility of their standing still; it is inconceivable. If it were conceived it would mean the death of living feeling, which gives the direct idea that the red and the blue balls are revolving, one towards the spectator, the other away from him. And the red on a figure, in opposition to the blue, results in giving to a figure composition life and movement through colour. And what is portrayed, my dear friends, is made part of the living world, because it shines in colour. If you have

The form before you, it is restful, it remains stationary; but the moment the form receives colour, the inner movement of the colour stands out from the form, and the whirl of the world, the whirl of spirituality, permeates it. If you colour a figure you vivify it directly with soul, with the world-soul, because the colour does not belong only to the form, the colour which you apportion to the single figure places the latter in its full relationships with its environment, yes, in its full relationship with the world. One might say that when one colours a form one must have the feeling: “Now you are going to approach the form so that you endow it with soul.” You breathe soul into the dead form, when you animate it with colour.

You need only get a little closer to this inner weaving of colour to feel as if you are not approaching it directly, but are standing slightly above or below it; one feels how living the colour itself inwardly becomes. For a lover of the abstract, who stares at the colour without that living inner sympathy, a red ball can revolve round a blue one and he has no desire to alter the movement in any way. He may be the greatest mathematician or the greatest metaphysician, but he does not understand how to live with colour, because for him it moves from one place to another like a dead substance. In reality, if one lives with it, colour does not do this. It radiates, it changes in itself, and a colour such as the red colour drives in its advance something before it like an orange or yellow or green aura. And the blue in its movement drives something different before it.

So you have here a kind of colour-game. You experience something, when you enter into the life of colours, which makes the red appear to be attacking and the blue retreating—which makes you feel that you must flee from the red and follow the blue with longing. And when you can feel all this, you would also actually feel yourself in harmony with the living, moving flow of colour. You would feel in your soul also the onslaughts and longings superimposed on each other as in a vortex, the fleeing and the prayer of devotion, which follow each other and pass by. And if you were to transform this into a detail on a figure, of course as an artist would do, you would tear away the figure from its natural repose. The moment you paint, let us say, a figure in repose, you would have a living weaving movement, which belongs not merely to the form, but also to the forces and weaving elements round the figure: this is what you would have. You take away the mere immobility of the figure, its mere form, by means of soul. One would like to say that something of this sort must some day be painted into this world, something depicting the elementary powers of this world; for all that man is able to receive through the power of longing could be expressed in the blue colour. Man would have to represent this plastically in his head, and everything that is expressed in red, man would have to have in such a form that it flows out of his organism up to the brain: outside him the world, the object of his longing, which is ever permeated by that which rises upwards from his own body. By day the blue half flows stronger than the red, or the yellow half. At night it is the reverse in the human organism. An accurate reproduction of this is what we usually call the two-leaved lotus flower, (See Knowledge of the Higher Worlds and its Attainment by Rudolf Steiner) in which the beholder sees both such movement and such colouring. And no one will ever be able to investigate what lives in the world of form as the productive element, as the upper part of the human head, unless he is in a position to follow this flow of colour which is hidden in man.

Art, my dear friends, must make an effort again to get down to the bottom of elemental life; it has studied Nature long enough, and tried long enough to solve all kinds of enigmas in Nature, and to reproduce in works of art in another form what can be seen by penetration into Nature. But that which lives in the elements, that is still dead for modern Art: air and water and light, as they are painted today are dead; form, as exemplified in modern sculpture, is dead. A new Art will arise when the human soul learns to steep itself in the living elemental world. One can argue against this, one can be of the opinion that one should not do this. But it is only human indolence arguing against it; for either man will come to live with his whole manhood in the elemental world and its forces, will acknowledge the spirit and soul or outer things, or else Art will become more and more the hermit-like work of the individual soul., whereby perhaps extremely interesting things may appear for the psychology of this or that soul, but never will those things be attained with Art alone can attain. One speaks of a very distant future, my dear friends, in speaking thus, but we have to approach this future with an eye strengthened by spiritual science, otherwise we look out only upon what is dead and decaying in the future of mankind.

Therefore it is that an inner connection must be sought between all that in form and colour is created in our domain, and that which stirs our soul in its deepest depths as spiritual knowledge, as something that lives in our spirit, just as the Madonnas lived in Raphael, so that he could thus become the painter of Madonnas, because they lived in him as they did in the scholar, the peasant and the artisan of his time. This is what made him the true painter of Madonnas. Only if we succeed in bringing into form livingly, artistically, without symbolism or allegory, what in our whole world outlook lives in us, not as abstract thoughts, not as lifeless knowledge, nor as science, but as the living substance of the soul, can we get an idea of what is meant by this future to which I have just alluded.

For this there must be a unity, as there was, one might say, with Goethe through a special Karma, between outward creation and what permeates the deepest recesses of the soul. Bridges must be thrown between what or many is still today abstract idea in the content of spiritual science, and the produce of our hand, our chisel, and our paint-brush. The obstacle to building this bridge today is the superficial, abstract culture, which does not allow what is being done to become living. Only so is it comprehensible that the completely unfounded belief has grown up that spiritual knowledge can kill Art. It has certainly killed much in many people; all the dead allegorizing and symbolizing, all the inquiry—what is the meaning of this, or of that? I have already pointed out that one should not always be asking: What does this or that mean? We do not have to ask what the larynx “means,” we know it is the living organ of human speech, and in the same way we must look upon what lives in form and in colour as the living organ of the spiritual world. As long as we have not accustomed ourselves to stop asking about symbols and allegories, as long as we represent myths and sagas allegorically and symbolically, instead of feeling the living breath of the spirit surging through the whole Cosmos, and realizing how the cosmic content enters livingly into the figures of the myths and legends, we shall never attain a true spiritual knowledge.

But a beginning must be made! It will be imperfect. No one must think that we regard the beginning as perfect: but the objection is as silly as many other objections which the present age makes against our spiritual movement, namely that what we have tried to do in our building has nothing to do with this spiritual stream. What these people think they can prove, we know already ourselves. That all the silly nonsense about the “higher Ego,” all the sentimental talking about the “spiritualization of the human soul,” that all this can of course be babbled about in the present-day outward forms, we know ourselves also. And we know of course as well that spiritual science can be pursued in its ideal and conceptual character anywhere. But we feel that a living spiritual science demands an environment which is different from that supplied by a dying culture, if it is to be pursued beyond theory. And there is really no need for that platitude to be announced to us by the outer world, that one can carry on spiritual science in the ideal sense in other rooms than those enlivened by our forms. But the ideal of our spiritual science, my dear friends, must be poured into our souls seriously and ever more seriously. And we still require much in order to instill this seriousness, this inner psychic energy completely into ourselves. It is easy to talk of this spiritual science and its practice in the outer world in such a way as to miss its nature and its nerve. When one often sees nowadays how the strongest attacks against our movement are formed, and how they are only directed at us, one has a remarkable sensation. One reads this or that onslaught, and if one is of sound mind, one must say to oneself: what is really being described here? All sorts of fantastic things are described which have not the remotest connection with us! And then these are attacked. There is so little capacity in the world to accept a new spiritual element, that it sketches a completely unlike caricature, discusses this and marches into battle against it. There are even some who think that we should refute these matters. We might reply, though we cannot refute every sort of thing which a person may imagine for himself and which has no resemblance whatever to that which he wishes to describe. But whatever sense of truth and sincerity lies at the bottom of such matters, this, my dear friends, we must carefully and earnestly consider. For thereby we may become strong in that which ought to arise in us through Spiritual Science—in that which out of spiritual Science, I would say, should with living force come to realization externally in material existence. That the world has not grown more tolerant in understanding is shown precisely in the attitude it takes up towards this spiritual science.

Perhaps we can celebrate the more intimate union of our souls with spiritual science in no greater way than in steeping ourselves in such problems as the problem of colour. For by experiencing the living element in the flow of colour we come, one might say, out of our own form, and share the cosmic life. Colour is the soul of nature and of the whole Cosmos, and by experiencing the life of colour, we participate in this soul.

I wanted to allude to these things today, in order to investigate next time further into the nature of colour and of painting.

My dear friends, I had to introduce into these remarks some allusions to the attacks which are now pouring in upon us from all sides. They originate in a world which cannot have any idea of what is the object of our movement. One can only wish, my dear friends, that through a deepening in all directions those who are in the movement will find the possibility of being clear about a fact which is indeed symptomatic of our time: the intrusion of unreality and untruthfulness in the comprehension of what is trying to find its place in the spiritual world. We shall certainly not be the cause of shutting out our spiritual movement from the world; it can have as much of it as it wishes. But what it will have to accept, if it wishes to understand our direction, is the unifying principle in the whole nature of man, whereby every detail of human accomplishment arises from the whole of man's nature.

What I have been saying is not an attack on the present age, but I have said it with a certain sadness because one sees that the wider our movement spreads, the more spiteful the forces of opposition become—perhaps not consciously, but more or less unconsciously and because the way one should judge such things is not sufficiently known, even in our ranks, for one should earnestly take up the standpoint that something new, that a new beginning is at least intended in our movement. One can only wish, my dear friends, that through a deepening in all directions those who are in the movement will find the possibility of being clear about a fact which is indeed symptomatic of our time: the intrusion of unreality and untruthfulness in the comprehension of what is trying to find its place in the spiritual world. We shall certainly not be the cause of shutting out our spiritual movement from the world; it can have as much of it as it wishes. But what it will have to accept, if it wishes to understand our direction, is the unifying principle in the whole nature of man, whereby every detail of human accomplishment arises from the whole of man's nature.

What I have been saying is not an attack on the present age, but I have said it with a certain sadness because one sees that the wider our movement spreads, the more spiteful the forces of opposition become—perhaps not consciously, but more or less unconsciously and because the way one should judge such things is not sufficiently known, even in our ranks, for one should earnestly take up the standpoint that something new, that a new beginning is at least intended in our movement. What the “intention” will lead to will no doubt appear. And also our “building” is surely only expressive of an “intention.” People will come who can do more than “intend”—if perhaps only at the date Herman Grimm assumes that Goethe will be fully understood. A certain modestly is requisite to understand such a saying and this is rare in the intellectual life of today. Spiritual science is well adapted to bring this modesty, as well as the earnestness of the situation, near to our souls.

These attacks from all sides on our spiritual movement make a saddening impression, since the world is beginning to see something of it; as long as it was only spiritually there, the world could see nothing; now, when it can see something it cannot understand, it begins to blow its cacophonous sounds from all nooks and corners; and this will become ever stronger and stronger. If we are able to see this, we shall at first be filled with a certain sadness; but the strength to stand for what we accept, not merely as a conviction but as life itself, will increase in us. Etheric life will also permeate the human soul, and what will live in it will be more than theoretic conviction, of which the people of today are still so proud. The man who imbues his soul with such earnestness, will find also the assurance that the foundations of our world, the foundations of our human existence can support us if they are sought in the spiritual world—and one needs this assurance, my dear friends, at one time more, at another time less.

And if one can speak of regrets, in considering the relation of our spiritual movement to the echo it finds in the world, if this is regret, then from this mood of melancholy must proceed the feeling of strength which rises from the knowledge that the sources of human life are in the spirit, and that the spirit will lead man out of everything concerning which, like disharmony, he can feel only regret. From this mood of strength one will also receive strength.

One would have to speak today, my dear friends, of spiritual affairs with a still greater regret than is caused by the discrepancy between the intentions in our spiritual movement and the echo which they arouse in the world. The disharmony in the world would disappear in another way if mankind once realized what our spiritual science means by the spiritual light which can illuminate in the human heart. And if we look at the fate of Europe today, the anxiety concerning our movement is but relatively small. Filled and shaken by this anxiety, I have spoken these words to you, but at the same time I am filled with the living conviction that with whatever painful experiences Europe is faced in the near or distant future, we can be reassured by the living knowledge that the spirit will lead man victoriously through all perplexities. Truly in days of anxiety, in hours so fraught with seriousness as these, we not only may, we must speak of the sacred concerns of our spiritual science, for we may believe that however small its sun appears today, it will grow and grow and become brighter and brighter—a sun of peace, a sun of love and harmony over all men.

These are earnest words, my dear friends, but they are such as justify us in thinking of the narrower affairs of spiritual science with all our souls and hearts, just because such terribly serious times are looking in at our windows.

before the lecture

My dear Theosophical friends!

We who are gathered here around our building, which is to become a symbol of the spirit, are undoubtedly all under the impression of the events that have befallen Europe while we were still fully occupied with our building. Those of our dear friends who have listened more closely to some of the things that have been said in our circles in recent years know that we have always been in some sense influenced by what has now broken in so terribly, and that many things have been said with the perspective of what had to come upon the peoples of Europe and what, for certain reasons, did not come earlier – for reasons that will be superfluous to discuss at this very moment.

But as we here on the one hand have the painful events in our immediate vicinity, and on the other hand are protected from them by what is happening in the country to which our good karma has carried us with our construction – we, who are standing in direct view and yet protected from the events, we may and must actually at this moment place two thoughts quite seriously before our soul. The thought that we tried to express in the last of our reflections here, - the thought that can inspire us in our deepest hearts: unshakable trust in the power and effectiveness of the spirit, in the victory of the spirit and its life. And we would be poor members of our spiritual movement if we did not have this thought in our souls, if we had not won it for ourselves over the years that we have stood within our movement, if we did not carry within us the firm certainty: Whatever may come in the way of serious trials, whatever may happen to us, we hold within us the unshakable trust in the power and victory of the spiritual life! if we do not feel that in the end the spirit will triumph!

But another thought must be added to all that inspires us with such confidence. This is the thought of - it need not be misunderstood, but it may be expressed and can be understood - the present physical weakness of what can be done for the spirit. To put it before our minds, let us think of a contrast that may weigh dreadfully on our hearts at this time: let us think that we have three principles, and that the first of these principles must be to cultivate in ourselves a spirit of brotherhood that transcends all nations. There is no doubt that the faith we have in the spirit will clearly permeate us with the awareness that this ideal, too, is a legitimate and great one.

But let us compare this ideal with the present in which we live; let us compare it not in the abstract, but in the immediate, concrete form that concerns each and every one of us: and then we may come to the conclusion how little it has been possible for us to date to contribute even a little to the realization of this, our very first thought! We need not consider in detail what is being spread about the events, but the mood of the mind is something we must consider very carefully. And then we will feel: We travel around the world, a large number of us, from country to country, everywhere we are lovingly received, everywhere we feel how necessary it is to carry the spiritual seed everywhere, and we now see how across the borders and areas in which we have thought, lived and spoken so lovingly, how across these borders moods of hatred and antipathy are sent to each other to such an extent!

The contrast is there before our mind's eye, how great the demands of the spirit are, and how little we have been able to do for our very first thought. And if we, who are now gathered here in our ranks, around our building, which is supposed to be an expression of our spiritual striving, could now force a model and pattern into our hearts, into our mutual behavior, a model of brotherly spirit, it would have to be this thought.

May it serve to inspire each of us to recognize each of the others in our hearts! We can only do our part in the construction of our society with bleeding hearts, knowing how little of what is happening corresponds to what should be happening. We may console ourselves with the thought that our ideal, which we have in relation to our construction, will triumphantly go forth into the world in the future: this is not a thought of weakness, it will change in us into a thought of strength.

Many things will have to change, my dear friends, if we are to approach the minds that are out there in this terrible life again. We shall find many things changed, many minds will meet us differently than before, and many things that have been done in our movement will have to be done differently in the future. And if we want to do something for the spirit in the turmoil that will develop, then we must not continue to cultivate old ideas. We will need new ideas; those that the situation demands will develop. But we will only be strong if we arm ourselves with the thought: Wherever events may place us, whatever they may demand of us, we will do it in the confidence of the spirit's victory.

Our building rises up in peaceful thoughts and peaceful work. In these times, when everything seems to be shaken, let us strive to be a group that cherishes and cultivates peace and harmony in each other's hearts, so that each of us has the best thoughts about each other, without envy, without discord. That, my dear friends, will be the only thing that makes it possible, in the face of painful events, to continue what must be continued. For our work must and will be continued, despite all the obstacles that pile up. What must happen in the sense of our movement will happen. It will happen, no matter what obstacles appear to us!

But it can only happen if we try to keep love and peace in our hearts, which should be generated by holding on to the spirit within our hearts. Without this, the world outside cannot progress either; but for the group gathered here, it is even more important to keep love, peace and harmony in our hearts. Because whatever we are building will be disrupted if it is not built with these feelings of love and peace; it will be disrupted by envy and discord. Only when thoughts of harmony, peace and love are built into the forms we are working on will they be what they should be for humanity when peace returns to the world. The more harmony we can muster in our hearts, the more these forms and means of expression, which our building has in itself, will be imbued with them. If we really understand this, then it may be possible for us to imbue ourselves with the attitude that is the ideal of our spiritual striving.

I wanted to say these words at the beginning today, as words that should justify the fact that we are continuing to work here in peace and quiet during these times, and are not going out to take part in the events that are taking place outside. But as for what the individual is called upon to do in this regard, it can only be said that the individual is doing his duty. If we now hold on to this ideal with all our strength and with courage and confidence, then it will grow more and more and, when peace has returned to the world, it will be able to fulfill its mission. Of course, it will be necessary to a much, much greater extent than it has been in our ranks for us to try to put aside our own personal aspirations and strive to imbue our entire spiritual movement with what is like a spiritual lifeblood.

As these words come from deep within my heart, my dear friends, I want them to go deep into your hearts as well!

My dear friends!

One of the things that I otherwise always find difficult, despite what one might think, is speaking, and it always means a kind of difficult decision for me to speak, despite having to do so so often. It seems particularly difficult to me in this day and age, in this time when the heart and soul are burdened and weighed down by so many things.

Not only do I long to be with you, my dear friends, again after a long time, but today there is also a very special reason for our being together. Today is the eve of the anniversary of our laying of the foundation stone. It will be exactly one year from today, Saturday; according to the date, it will be one year tomorrow, Sunday. We will therefore gather today and tomorrow, and I ask our dear friends to please gather in this room tomorrow at six o'clock as well. We will not read the drama, as was the custom during the time I was not present, but we will try to spend the evening in a different way tomorrow. The drama reading can take place again in the near future.

But today, above all, I would like to remind you of the ideas, feelings and emotions that moved our souls when we laid the foundation stone for this building here on this hill a year ago. Even though few of you, my dear friends, were present at that time in terms of your external, physical personality, in terms of your hearts and feelings, you were all there. And all those who have since then worked so lovingly and selflessly on this building have experienced for themselves and also shown how closely they are connected to the feelings and emotions that, at that time, in the most beautiful sense of the word, namely, glowing with divine fire, when we - it had to be so; it was brought about by the circumstances of the time - laid the foundation stone in a small circle.

At that time, we tried to use few words to guide us in the soul, which spirit this building should be. We tried to envision how we could see from this hill to the north, south, east and west, and how we want to serve that spiritual life, which we are convinced humanity in the north, south, east and west needs if the development of the earth is to proceed in the appropriate way intended by the spiritual hierarchies.

Indeed, I also believe I have sufficiently pointed out that it is not a proud feeling with which we present our view of spiritual life as the one that must be intimately connected with the salvation of humanity. Rather, this emphasis is truly connected with the feeling of humble modesty that we only want to be servants of that spiritual life that wants to flow in, through the peaceful harmonies of the higher hierarchies, into the salutary development of the human race.

So we understand the matter, that we do not rise in pride because we believe we recognize something special, but that we feel blessed by the divine spiritual beings, feel blessed to be allowed to be servants in the development of the stream of spiritual life to which our soul, our heart, our whole human being is attached.

And it was at that time, my dear friends, that I was allowed to speak for the first time the words of which I not only believe I know, but – with all the certainties with which one can know such a thing – I truly believe I know that they were heard from the divine-spiritual heights by that entity that was to become the bearer of the Christ who would harmoniously unite people.

It was one of the most uplifting moments for me that I have experienced in our movement when I was allowed to speak the words for the first time:

Amen!
The evils prevail,
Witnesses of dissolving egoism,
Guilt of selfhood incurred by others,
experienced in daily bread,
in which heaven's will does not prevail,
because man has separated himself from your kingdom
and forgotten your name,
you fathers in the heavens.

In these words, whoever reflects on them often enough will gradually find that they contain everything that can move human hearts and souls in a great and sublime way. But these words also contain everything that can cause human pain and suffering in human hearts and souls. And if we allow them to work in the right way in our souls, these words contain the strength that can sustain us in the sense of our spiritual current, can endow us with inner security, in whatever situation in life we may find ourselves, whatever life circumstances we may be forced to face.

What, my dear friends, inspired us when we turned our thoughts to such a building, as it now stands before us as a landmark, years ago? We were inspired by the conviction that the salvation of humanity depends on not only the theoretical knowledge and conviction of the existence of the spiritual worlds flowing into humanity, but also on our direct experience of them, on our being united with the spiritual worlds in our souls.

We are permeated by the belief, my dear friends, that this spiritual life is present in the world everywhere, but that it is up to people to grasp it, because man is meant to be free in the world, and this spiritual life approaches him only on condition that he wills it, that he take it up into his will. This justifies the necessity that we find imposed on us by karma to do everything that can release this sacred human will from the depths of human nature, wherein it is often so hidden that it may unite with the converging will of the hierarchies, who will then choose the earth as the site of a cosmos where, in the future, holy, spiritual Christ-sunlight will shine if humanity wills it, if humanity wants to mature for it.

The thought occurred to us at the laying of the foundation stone before the year was out - but it did not live much longer, but that is our karma - that with the last days of July this year our building would be ready, so that it could be spoken in the sense that had been indicated by the reality of spiritual life and its reception by man.

Of course, karma willed otherwise, and the human soul must learn to submit to necessity through spiritual science. If the idea of coping in July had been realized, then, my dear friends, we would now be able to feel how, during the entire construction of the house dedicated to our sacred cause, we could look down – as we looked down at the time of the laying of the foundation stone to the north, south, east and west – on the peace that prevailed among people.

Now, that did not happen. The last work of our construction must look down on a completely different world, my dear friends, on a different world, which can truly evoke deep feelings of suffering in those hearts that have already been filled to a certain degree with the spirit of the spiritual life that we mean.

However, as I already indicated when I last spoke to you from this pulpit, it would be a sign of weakness for those who are engaged in the spiritual life if we did not , at least in our inmost being, we have developed the faith in the one great victory that must come – may it come in whatever way – in the victory and the victoriousness of the spiritual life. We can celebrate, my dear friends, the annual festival of a building that is intended to serve in the most eminent sense to bring together human souls across the earth in harmony. If it should happen, as honestly and uprightly as it can happen, then the way we stand by our building should correspond to what is the first principle of our spiritual movement, and what is expressed in the foundation of every single, even artistic, form of our building.

If anyone takes the trouble to study the individual artistic forms of our structure, they will find that, in addition to everything I have allowed myself to say in the course of the lectures in this room about the meaning of the forms of our structure, every detail expresses the sense of the true Christ impulse to embrace all human hearts, as they are found among the peoples and races of the earth. For, my dear friends, the spiritual life of humanity, life in the spirit, is one; and from the words I spoke here last time, you will have gathered how this must be understood in the most earnest and worthy way.

The spiritual life of humanity is one. But if we want to make this sentence completely our own in the immediate present, we will have to take some of what we have learned in the course of our spiritual work over the years seriously, deeply, deeply seriously.

And let us not hide from ourselves that it will be difficult for some souls to perceive the things that have been accepted as truth in the deepest peace, in the immediate present with the same intensity as truth. But on the other hand, let us remember that this is precisely our test in the present time: to take things seriously.

Now, my dear friends, let us look at an example. It was during the time of deepest peace that I spoke to a number of our friends in the north, in Christiania, about the nature of the folk souls and their significance in the evolution of humanity. There is no doubt that the lectures given at that time on the nature of the folk souls were understood by our dear friends in an objective way; but it is also equally certain that many other people in the world who are outside our society could have understood these lectures in an objective way at that time.

It cannot be assumed that we would be able to accept such lectures with the same objectivity today without being truly moved in our innermost being. And yet, I would like to say, how instructive for today, for the immediate present, what was said in Christiania at that time about the nature of the souls of the people could be! Perhaps we may be permitted to remind our friends of some of the lectures of those days, and particularly of what was said at the time of the greatest peace, at least for the greater part of the European nations.

My dear friends, before I draw your attention to what was said about the national souls of Europe in the course of these lectures, let us consider a fact, a fact that is, so to speak, intimately connected with a correct, deep and serious understanding of our spiritual science. This is this: our soul nature itself, our individual soul nature, is by no means the simple being that exoteric science would like to present it as out of convenience. It is one of the simplest things we have to recognize when we place ourselves on the ground of spiritual science, that we see what a complicated being works and lives in our own inner being. We immediately get to know in our soul being: sentient soul, mind soul and consciousness soul, and how the I is predisposed in it and the striving upwards to the higher members. Immediately we are confronted with a fivefoldness of effective elements. There are still people today who laugh at this description of the soul's elements. But a time will come when people will recognize the complexity of the human soul life, when they will turn their gaze - because life will become more and more difficult in the course of our development on earth - to what so irrefutably shows the multiplicity of our soul elements. This is that our soul members can come into inner conflict, into inner soul war.

We know, of course, how the human soul can feel divided within itself in everyday life at these or those times. The more one delves into the life of the soul, the more significant it becomes when the individual soul members, as it were, rebel against each other within the human being. One perceives how they stand within the human being, one cannot say otherwise: fighting against each other. And the way we are tuned, our state of soul, whether we are more inclined to immerse ourselves in a matter with the element of feeling or more in a rational frame of mind, is reflected in the structure of our being, which is meant to express this.

However, the soul members will only behave correctly if each one finds its corresponding weight, with which it draws the human being, so to speak, to the truly true earthly task required by the spiritual hierarchies, when the soul members come together in harmony. They will become so in the highest sense when they overcome the difficulties that lie in the mutual struggle of the soul members.

In one of the Mystery Dramas there is a scene – in the Test of the Soul – where this inner working, surging and weaving is pointed out in the most eminent sense, but also the fighting of the individual soul forces.

But there is also a representation - and this representation forms the final tableau of the Gate of Initiation, the first mystery play - where what basically lives in the individual soul is distributed among what stands before us in the final tableau. There are Mary and Thomas Aquinas, Lucifer and Ahriman, the hierophants, and so on. They speak with each other, and their voices reflect what speaks in the individual human soul. The goal of the human spirit is to be found in such a union, as depicted in the final temple tableau, where every single soul force and every single personality is placed in its proper place and each contributes what lies in its nature.

I would like to point out the many-sidedness of the human being and how it has been attempted, in the various representations and discussions, to show what works and weaves in the human being in connection with the many-sidedness of the human soul , how we can look into our own soul in true, not theoretical self-knowledge at many an inner war and struggle, and how we can look at the lofty solar ideal that wants to be achieved in human, harmonious cooperation. Basically, our spiritual scientific literature contains everything that can give us not only comfort but also security and support and strength, at least for the inner life of our soul, even in the most difficult situations in life.

Now, in that lecture cycle in Christiania, it was shown how what we otherwise find in the individual soul is, as it were, distributed among the folk souls of Europe. Read about it in the lecture, I think it is the penultimate one, how it is pointed out how the three western folk souls relate to the middle and in turn to the eastern folk soul. Read it up and bear in mind the fact that everything in the evolution of humanity is based on repetition. Bear in mind the fact that the folk soul that prevails on the Italian and Spanish peninsula expresses in a special way what we know as the essence of the sentient soul - a repetition of what was connected with the essence of the sentient soul in Atlantean times. Read up on what has been said about the shades and nuances of the French folk soul and its relationship to the mind soul, and about the British folk soul in its connection with the consciousness soul. Read further and see that in Central Europe, above all, the nuance of the I exists, which prevails in the three folk souls.

Once historians write history in connection with spiritual science, they will be able to objectively describe the rule of the I in Central Europe, from the moment when the army of the Goths and Alarich's wild hordes passed through these lands, through all phases into our and even later times, which are to shine forth in Europe's east: Then they will show what will once be allotted to a distant future.

Yes, so certain, my dear friends, so reassured I would like to say, could one say this a few years ago and know that not the slightest sensitivity could be seen in any of the listeners, but rather it could be seen how what humanity is to achieve is to be achieved in community, but in such a community that flows from objective knowledge, from knowledge that comes from spiritual science.

And now take together what has been repeatedly said about the character of our time, how our time is the period in post-Atlantean cultural development that strives to cultivate the consciousness soul, how all soul forces must work together to give our time the nuances of the consciousness soul. The human I must assert itself in such a way that it finds a way through the consciousness soul, which must necessarily unfold the greatest egoistic strength in order to find the way up into the spiritual self. Not only deeper thoughts, but deeper feelings, feelings of understanding for human development and the character of the times, can move through our soul when we allow such things, as they were spoken at the time and printed as a lecture cycle, to enter our soul with seriousness and dignity.

How does it appear before our soul, this I in relation to the consciousness soul and mind soul, striving upwards to higher realms, forging the way through struggle and war? Frankly, my dear friends, one could not touch these truths again, which were expressed and felt in the deepest soul at the time, in such serious times as ours; they would have been spoken in vain, they would have been understood as a childish game with intellectual concepts and theoretical scientific ideas.

But these things do not only mean that our soul plays with them and finds a theoretical stimulus, satisfies a curiosity about knowledge. The significance of these things lies in the fact that what lies in them can really become the power of our soul. If it becomes a force in our soul, then we can find our way, we can find the possibility to understand ourselves when these things hold their earnest countenance towards us, we can find the possibility to understand them as far as we have to understand them through the power and consciousness of our soul. I know that these must also be the thoughts with which I would like to greet our building one year after the laying of the foundation stone: that it will become a symbol of the strength that we can gain in the sense in which the words just spoken are meant.

“Do we not belong to this building?” one might ask. We belong to the building in a different way than the Gothic church and the community.

It has already been discussed that we form the larynx in the same way as the gods speak. But when we mature and pay attention in our soul so that we receive the science of orientation, the science of finding our way, revealed, then we will recognize in the forms from which our structure is composed the letters of a divine language. We will learn to speak many things differently in the course of human development when we gradually understand this structure.

Time itself is pressing, I would say, out of the configuration of our words often what should no longer be in our words. But everything that is in the spirit of our spiritual science will come, if only we honestly strive to pursue this spiritual science with all the powers of our soul and our mind. We should not be surprised – at most, we may wonder about the point in time at which these things have occurred, and this point in time is explained to me by some occult insights that have been granted to me recently – we should not be surprised, especially not on the basis of our spiritual science, that these events have occurred.

My dear friends, how often have we heard it said that there are basically two currents flowing through the evolution of humanity. One of these currents is still weak, it is the spiritual current to which we want to cling with all our hearts and minds. The other is one that has a materialistic character. I have often spoken to you over the past years about the many forms this materialistic character takes. But you could learn from all that I have said about the materialism of our time that materialism has an effect on all the individual main and secondary currents. Materialism does not only enter into theoretical views. How often has this been emphasized, for example in the last Hague cycle of lectures. Materialism enters into the whole of human coexistence. It has a strong power that is by no means exhausted, that will continue to have an effect in one area – my dear friends, it is good to be clear about how materialism expresses itself; based on the words I have said before, I may assume that the words I will have to follow shortly cannot be misunderstood – [that] will continue to have an effect in the area of human coexistence.

Among other things, materialism has been asserting itself for some time in the fact that – yes, it is difficult to find words for such things – an idea has arisen in the life of European nations that is not really an idea at all and that, in certain respects, is a major step backwards from earlier times: it is what is often referred to as the nationality idea.

Much would have to be said if this nationality idea, which should not be called that at all, were to be discussed exhaustively. But a sense of what prevails in this area can run through our soul when we remember earlier times, times that seem so backward to our supposedly enlightened humanity. Let us remember that a time of ours has preceded, which is called the dark ages, in which people of all nations = one may think otherwise about this time, as one wants - have fought for religious ideas, for ideas that have gone beyond the idea of nationality.

What is present in the spirit as the content of an idea can become present in the spirit and can take hold of the human being as such. It is something that has entered into the formula that was presented here last time as the conversation between the individual and the spirit of his people. But the life of the spirit has receded. Natural scientific thinking and naturalistic feeling have taken hold of humanity. How this presents itself in the field of philosophy is shown in The Riddles of Philosophy, which you will find discussed in my latest book; the second volume also offers an outlook on anthroposophy.

How did it come about that what is called the nationality idea has emerged, I might say as a reflection of the darkening of spiritual life? As soon as one comes to the national aspect – please take this quite objectively – as soon as one comes to the national aspect, the forces that can no longer be overlooked by the spiritual core of our soul come into action. They pulsate through the human organism in an ahrimanic-luciferic way and dissolve into what are called ideas, but which are not ideas.

It may be said here: the more a person frees himself from this nationalistic thinking, the more he comes to see the spiritual world.

I am not saying this out of arrogance, my dear friends, but rather, I would like to say it with inner humility. I grew up in a country in which the most diverse nationalities are not even as far apart as they are here in Switzerland, but live in complete confusion, where one could experience as a child everything that is connected with the rise of the national principle, the national impulses. I do not have one, precisely because of this circumstance – I say it objectively, you may judge it as you will – I have no homeland and I do not really know, from subjective feeling, what is called the feeling of home. It is connected with a certain strange inner tragedy, which is perhaps difficult for someone else to understand if one is prepared by one's karma to be homeless. But all this enabled me to hold my head up high, even as a child, in a country where the individual powers of the soul, like the individual people, stood in relation to one another.

In the middle of the picture of the clashing nationalities, I was in my youth in Austria in it. There one learns about the origin of the nationality idea in a different way than one can learn when living in a homogeneous national body. I was also unable to acquire what is usually called “patriotism” or “national enthusiasm” by working for it. »; nor to the people whose language I speak, for the reason that at the time when one acquires these feelings, when one experiences these feelings, the people among whom I lived were filled with a hatred that can truly be called »hatred of Germans«. Nowhere was this hatred of Germans more intense than in the area of Austria where I grew up. I got to know it in my own family. I did not grow up or was educated in the love of Germanness.

Perhaps some of you recognize that it was precisely because of this homelessness that I was entitled to speak in our area about things about which I would otherwise have to remain silent. That is how it is in my feelings, that is how it is when you struggle through life and its pitfalls. And one can only justify a judgment in one's own soul if one has truly fought for it for decades. I would not make anything out of all the studies I have devoted to the current European situation, I would not believe that I could see the big picture if I did not feel justified in speaking about these things in a few words as I have just done.

One must submit to necessity. But how tempting it is to judge great situations such as the one we are facing on the basis of individual experiences that one has here or there. How tempting it is to judge an entire nation on the basis of individual experiences, which may – as is inevitable in the present day – be rather poorly substantiated.

But occasionally we may also, dare I say, rise a little on a hill, as symbolized by the hill on which our building stands, and look at the matter with the eye of the soul, which the years of working in spiritual science can give us. There would be much to say and perhaps much will be said when calmer times return. But the one thing I would particularly like to emphasize this evening, my dear friends, is how – I would say – those impulses that are now discharging in such a heartbreaking and often horrific way were prepared within European humanity. One could see, as it were, how, with forces still superior to our own, what is expressing itself in our time seized everything that strives towards the true goal of humanity out of goodwill, but less out of insight, because only spiritual science strives out of insight. I say this without arrogance, because it strives under the motto: “Wisdom is only in truth.”

My dear friends, a peace movement spread across the various countries. When the Libyan war broke out, the members of the movement in Milan united and passed a resolution in favor of the Libyan war. They expressed their confidence in the minister who had unleashed this war. Facts are what matter, not opinions. And how could it have been hoped otherwise than that it would have to turn out as it has in Europe now, since, I would like to say, for centuries materialism, rooted in the most diverse living conditions, produced the impulses that are now there. The beginning of the 19th century still saw the Napoleonic campaigns across European soil. I do not want to talk about them, but I want to draw attention to one thing that we must write in our souls when we are carried away by what the individual hears: a saying that Napoleon said to the Austrian Chancellor Metternich:

"You, Metternich, were never a soldier and therefore do not know what goes on in a soldier's soul. I came of age on the battlefield; a man of my stamp does not care in the least whether a million soldiers have to bite the dust. I spared the French wherever I could. Of the 300,000 men that Moscow cost me, only 30,000 were French. As long as I could, I sent Germans and Poles into the fire...

I think we have come a little further than we were at the time when Napoleon, of the 300,000 people who lost their lives at Moscow, sent not Frenchmen but Germans and Poles into the fire.

“Any weak-kneed protection of human life is a dangerous mistake in war. That Louis XIV turned the Palatinate into a scene of fire was not, as our miserable histories gossip, worthy of blame, but of the highest praise. But the glory of this act belongs not to the king, but to the minister Louvois.”

Goethe, who was undoubtedly intimately connected with the whole of modern intellectual life, was not inclined to underestimate the man who cherished this attitude. Goethe, who was therefore accused of unpatriotism by lesser minds, hurled the words at all those who reproached him for it: “The man is too great for you.”

Yes, my dear friends, objectivity does exist. As Hegel was writing his Phenomenology of Spirit, the thunder of the French cannons was rolling near Jena; and as he watched Napoleon ride past his window, he said: “It is nevertheless an uplifting feeling to see the world soul riding past on horseback at your window.” He was the great master whose military writings and sentiments are still studied in all European war colleges to learn what he thought about war. One must not forget how Europe learned war.

Goethe had a different view of revolution from that of the German princes. This is clear from the words he wrote in Verdun in 1792:

"Between order and disorder, between preservation and ruin, between plundering and paying, one lives after all, and this may well be what actually makes war pernicious for the mind. One plays the bold, destructive part, and then again the gentle, invigorating one; one gets used to phrases in the midst of the desperate state of inspiring hope and invigorating. This gives rise to a kind of hypocrisy that has a special character and is quite distinct from the priestly, courtly – or whatever else they may be called – quite distinct.

My dear friends, the certainty of recognizing the great necessity of spiritual science can plant that in our soul.

We can see what historical necessities are at hand, we can see how I and consciousness soul, mind and soul of mind and soul, under the influence of the impulses of which has been spoken, could give the world such a picture as we now have before us. It is wrong to apply the everyday standard to these things, and wistfully, I may say, it may make one's heart sink when one has experienced what I have already modestly related to you.

This book, the second volume of my work Die Rätsel der Philosophie (The Riddles of Philosophy), was completed up to page 206. From page 199 to page 204, it deals with French philosophy as represented by Boutroux and Bergson. The book was finished up to this point. It could only be printed during the war. I hope that you will be convinced that, just like everything else, French philosophy by Mr. Boutroux and Mr. Bergson has been treated objectively.

It makes one's heart ache to hear the words as they are spoken by the West and to see what is happening in Europe. One then realizes how much needs to be done for the spiritual life and how much to struggle to be objective.

But there are other things that confront you, my dear friends. I have had a lot to go through in the last few weeks, I have seen and experienced many things. It is remarkable how karma manifests itself in the smallest details of the day.

When I was traveling from Vienna to Salzburg, I happened to come across an Austrian magazine dated September 1, 1914, at a train station. In addition to many other articles, this magazine contains a piece written by Robert Michel while he was in the field. So a soldier in the field wrote this article. He describes how the soldiers were loaded into the wagons, how they were sent into the field, how many were wounded and fell, how the Samaritans came and so on. I do not need to elaborate further. But the conclusion of this article speaks deeply to my heart. I will read this conclusion to you in context. Pay attention to one sentence and listen to the remarkable thing that is said to us:

"But every single person left behind in the monarchy has a duty to support them to the best of their ability until the victorious decision has been made. All the good words, hearty cheers and blessings that were bestowed on the troops as they left increased their courage and confidence, they were tiny splinters of strength that were by no means lost. This boost of mental strength must continue to be given to the poor, and the will to win must be passed from each individual to the fighters at the front. Therefore, let no one rush ahead of the decision that is being prepared in the north. Those who are lucky enough to be able to actively help should stretch their strength to the utmost. But those who must idly watch the tremendous power of the army and the empire should try to contribute their mite on the path that Scelic forces are taking: those whom God hears, pray; those who cannot pray, he should gather all his thoughts and willpower into a fervent desire for victory; and he who can do nothing else should press his fingers into the palms of his hands and say: We must go, we must win! ... In this way, the least and weakest will also have contributed to the victory that we are preparing to fight for, even if it is with the sacrifice of our last drop of blood!"

What education! For years we have spoken of the reality of the powers of thought and will. Here it comes back to us like an echo: “Those who cannot pray should gather all their powers of thought and will in a fervent desire for victory.”

I have to think of what I said to you last time. I said that human evolution must progress; by a certain point something must give way. To do this, it is necessary that in our time a certain amount of selflessness and willingness to sacrifice is achieved. Our spiritual science knows that this must come, but whether it is heard is another question. What must happen, must happen.

And now the second great teacher enters the stage. Does he not teach people what seems like an echo of what we have been saying from soul to soul for years – the appeal to the reality of the powers of thought and will?

We must only find the possibility, through all our efforts and through a non-arrogant nature, to rise to the greatness that the problem of our time presents.

How could it not be self-evident, my dear friends, that what occurs as a force between individual human souls should also occur in the external world, and that we must preserve it so that we can judge great things with a healthy view, that is the sense of justice and truth.

The world will only learn the truth about past events little by little. Our spiritual science gives us guidelines for everything, if only we want to use them to find the right tones and nuances of feeling in our hearts, as far as possible removed from all criticism. But understanding must

s achieved who but, my dear friends, how, under the influence of the other impulses, the constellation has arisen in such a way that, on the one hand, what has come as materialism can neither be lived out differently nor fought differently than as it happens. We must take things objectively, we must be clear about the fact that only the lack of spiritual impulses has gradually led to the surfacing of nationality principles based in instincts rather than in spirituality. We must be clear that only by freeing ourselves from this instinctual life can we move forward.

And how can our Russian friends, embraced by our hearts, not consider that the noble Russian people today must especially take to heart the spiritual science that will enable those who want to see things objectively and clearly to truly distinguish between the great task of this people and has been conjured up by an excessive imperialism, by an excessive materialism, which only wants to make up for a defeat by attacking European culture, and what has been conjured up by the foolish and mendacious talk of Pan-Slavism. Our Russian friends, who have our full support, must gain the conviction from the humanities that they must distinguish between the noble forces that lie in their nationality and the collaboration with what is not fundamental to their national soul, with what has happened in such a terrible way, to justify which would represent a lack of inner objectivity.

They [you?] will find each other in their hearts and minds if they [you?] keep an open mind for objectivity, for the objective.

I know, my dear friends, that there is a way and that there is ground – if you just look for it – on which our English friends can judge the statesman Grey just as I judge him. This ground exists, and it is the most sacred task, the most sacred task, to find this ground. If we find it, we will understand this structure, which we laid the foundation stone for a year ago. We will find the paths from soul to soul, from heart to heart.

The present is also expressed through something else. I only need to give a few figures to show the contrast we are facing. I am not criticizing these figures, far from it. But we must be aware of the figures, because figures speak for themselves, and since we live in a neutral country, I will use the figures of this neutral country.

My dear friends, we face each other according to our principle: heart to heart, soul to soul. What stands in Europe facing us? There is no rejection in this, no blaming criticism. In Europe, we face each other on the field that we looked out on a year ago as such a peaceful field. Now we face each other with fighting armies in their wartime strength, and this wartime strength speaks a clear language. First, France has a war strength of 4,372,000 men; second, Germany has 4,350,000 men; third, Russia has 3,615,000 men; fourth, Austria-Hungary has 1,872,178 men; fifth, England has 1,081,294 men.

To get a sense of the statistics, let's compare Germany, Austria, Hungary and France with Russia and England. Germany, Austria and Hungary, where the ego comes to life, have a total wartime strength of 62,221,780 men. France, Russia and England have a total of 9,068,694 men. The peacetime strength shows somewhat different numbers. At that time, when there was still peace, it amounted to 655,899 men for Germany, 414,679 men for Austria-Hungary, a total of 1,070,578 men, compared to 609,865 men for France, 1,384,000 men for Russia, and 254,968 men for England, a total of 2,248,833 men. The latter three empires thus had more than twice as much as Germany and Austria-Hungary in peacetime.

My dear friends, I would rather not comment on these figures, because it is difficult to do so at this time. It is really necessary that we let these official figures, which I have not taken from any of the individual states, but from this country, which is neutral to our satisfaction and where we are allowed to be with our construction with thanks, have an effect on us. I will not add anything to these figures. They speak of the necessity that the world now faces. It is necessary for us to be objective. No matter how trivial this truth may sound, I am not afraid to emphasize it again and again, because I know how difficult it will be to be objective in this time, justifiably difficult, naturally difficult, excusably difficult! After all, one can only see what is closest.

But, my dear friends, let us allow the spiritual science within us to be a truth! Let us not forget that what we have worked for over the years is not a game. Let us not forget, my dear friends, that we have no right, after having gone through all this and looking into the structure of the interrelationships of the folk soul, to fall back on the words of a Maeterlinck, who only drew his wisdom from Novalis and is now taking such a strange and ungrateful stand on current events. It is heartbreaking to see how he reflects what he has drawn from Novalis. It is heartbreaking, but I say it without bitterness. And it may be received without bitterness, even though today, of course, we are confronted in the outer world with what has really occurred after every outbreak of war: that it was always the other person's fault. That was always the case and, of course, it is the case today. That is understandable.

But for us it should not be about the guilt of the other, but about the realization of the necessity of existence and, in the second place, about what necessarily arises from our spiritual striving. It should be about learning to distinguish between those who made the war - these will not be the nations, but individual people, cliques and so on - and those who have to endure the war.

I would rather just hint at this as a question today, my dear friends. Let us build on what spiritual science can give us. In it we will find the possibility of coming together across all boundaries, from soul to soul, and we will grow stronger and stronger in forging this bond that leads from soul to soul. We will not grow stronger in this if we are unjust and unobjective towards individual nations, but [we will grow stronger] if we really find the hill, the spiritual hill, on which our judgment and our feeling, [like] our building, to which we laid the foundation stone with sacred feelings a year ago, stands symbolically on a hill.

That is my constant yearning now, the thought I pursue and which I would very much like to share with those of our friends who have some of the insights that I believe I have gained from the spiritual world.

You know that I do not want to claim authority, but I will say over and over again what lives in me as my faith, my conviction, my knowledge, as that which I myself have experienced and must experience anew every day and every hour: May our spiritual current may our spiritual current pass the test that must now be passed, by acquiring the right feeling and objectivity towards the events we are now experiencing; by acquiring feelings that exclude injustice towards the individual nations that are now fighting each other.

That is some of what I wanted to say to you at the present time.

My dear friends!

Today I would like to say a few words in advance about the thoughts that have come to me in the wake of the laying of the foundation stone of our building. Here in this place, we want to remember once more the man who is so intimately connected with everything that concerns our spiritual movement: Christian Morgenstern.

It is, my dear friends, not without an inner spiritual connection that Christian Morgenstern is commemorated precisely at the commemoration of our laying of the foundation stone. The last collection of Christian Morgenstern's poems, which was only published after he left the physical plane, is entitled We found a path. Christian Morgenstern found the path he refers to by approaching it, approaching it more and more, and finally standing completely within it in what we call our spiritual stream, our spiritual science and our spiritual life. And what is expressed in that volume is completely imbued with the feelings, with the living ideas that Christian Morgenstern experienced in connection with our spiritual movement. It meant a lot to him that he chose this title: We found a path.

But Christian Morgenstern also had a sense of how to express symbolically how he was connected to our movement. And that is what we also do when we commemorate the laying of our foundation stone. It did not come to that, but this last collection of poems, published with the passing away of Christian Morgenstern from the physical plane, should have included – in Christian Morgenstern's opinion – an illustration of our as yet unfinished main entrance. And we found that a path should have been able to find symbolic expression in the title picture, saying, as it were: He who enters into the feelings that are laid down here in this book will find the way through the gate through which one enters the Dornach building.

So Christian Morgenstern's soul is intimately, intimately connected with the one with whom we also feel so intimately connected. I don't know if all our dear friends have heard what I had to say in some of our branches, some time after Christian Morgenstern left the physical plane. It may sound so strange because it is perhaps too simple a word for the thing I mean: with Christian Morgenstern it came so vividly to my mind how one can get to know people in a completely different way than in the physical life, when one is able to see them after they have left the physical plane. There are many things that my soul now feels close to Christian Morgenstern's soul. I do not want to include the little poem that was added by Margareta Morgenstern on May 13, 1912, in the copy of the poems intended for me, with the beautiful features of Christian Morgenstern, written by him in pencil. But without offending modesty, I may perhaps share the last two lines of this unpublished poem in a certain context here, in connection with me. As I said, it is not out of immodesty, but because I want to come to an occult fact, be it said. In connection with me, insofar as I have to represent this spiritual movement to Christian Morgenstern through my personality. In this regard, the poem concludes with the words

And in my fourfold form
they wrote their cross as a silent stop.

Yes, my dear friends, it was one of the most beautiful, one of the most uplifting and exalted tasks of our spiritual movement to inscribe the Holy Cross, the symbol of our movement, as a silent hold in this four-fold form. And now I often find Christian Morgenstern meditating. And these lines, with those that precede this little poem, always form, so to speak, what is a mediation of the path to this soul. And this soul can be found meditating in many places. That was the peculiarity of this soul, that it really sought the spiritual path to our spiritual movement in the most dignified and earnest way through the gate, the symbol of which was to be on the last collection of poems. And that resonates, even now.

And I only needed to quote one poem that had already appeared in the collection published by Christian Morgenstern in 1911 to then find this soul in its current state. However, a poem that, in its unpretentiousness – I would like to use Goethe's word – “offenbar geheimnisvoll” (apparently mysterious), shows Christian Morgenstern's peculiar place in our movement. After all, Christian Morgenstern was basically as prepared as possible for our movement before he entered its reality, full of longing for the spiritual life, and at the same time ready to take it up to the full. I would like to say that this poem is the one that sheds light on the life of Christian Morgenstern, both before and after. It is so taken from his whole being, as this being was before he entered through our gate, and yet in the last line in such a way that it presents the glorious earthly end to the soul's eye in a certain way. This is the title of this poem:

The animal, the plant, these beings still had
the inhuman patience of the earth;
there was a year, which today is only a second.

Now nothing can happen fast enough for them.
Man began to become impatient.
She senses: Now at last the great hour has come:

I have been breeding myself for millions of years for this.
Now I no longer need to spare my body,
now I will soon be hanging on God's word as a ghost.

I had to emphasize, my dear friends, how the forms of our construction strive for our soul to cling to the mouth of the gods. The soul of Christian Morgenstern, characterizing its own destiny, speaks the words at the end of the poem: “Now I will soon be a ghost hanging on God's mouth.”

Indeed, this soul was well prepared to carry into the spiritual worlds what it was able to absorb to such a full extent here in the earthly world. And so Christian Morgenstern's spiritual body also appeared to me in such a way that woven into his spiritual garment now after death is that which he absorbed here on earth from our spiritual movement in terms of cosmic truths and secrets. This is now like his body, and it is one of the most profound experiences I have had in the spiritual worlds: to see what I strove to find in this earthly incarnation spread out in the spiritual worlds, as in an artistic painting, and to see it interwoven with Christian Morgenstern's spiritual garment. Just as a painting by a genius gives us something in addition to nature, so the spiritual body of a human being gives us something in addition to what is spread out in the field of spiritual life. Truly, this soul remains with us, that may be said, and also accompanies that which is to be the symbol of our spiritual life, the foundation stone of which we laid a year ago.

I wanted to preface this with these words, and now some of Christian Morgenstern's poems, inspired by the immediate spiritual life, are to be recited; and at the end, I will take the liberty of making a further observation that may be suitable to enliven our thoughts a little on this day of remembrance of the laying of the foundation stone.

[A recitation of poems by Christian Morgenstern followed.]

If my intention was to commemorate Christian Morgenstern today, it is connected with the whole way in which Christian Morgenstern, from his own intellectual life, which he lived through before he joined our current, approached this our intellectual movement. And this way of Christian Morgenstern's is, in a sense, only an isolated case, a representative case of impulses, of forces and elements that can be felt in the whole of modern intellectual life, and which were particularly on my mind when we laid the foundation stone for our building a year ago today.

At the time, at the site where our foundation stone was laid, I had to point out how something should be done, how something should be built with this building, that would meet the longings, the spiritual hopes of individual people in the present, and would do so more and more in the future. Unconsciously, it had to be emphasized, the longing for the spiritual life contained in our spiritual current hovers in the souls. The souls long for this spiritual life, they just don't know it. And something would be given, it was emphasized, not out of the arbitrariness of a person or a society, but out of the signs of the times, out of what the time is driving towards, what the souls of the time are striving for, unconsciously perhaps most , those souls who, even for this or that reason, behave very negatively towards the form in which the newer spiritual life, the newer spiritual current, must make its entry into world history.

When I had finished the second volume of my Riddle of Philosophy, the aim was that after almost thirteen years of our spiritual movement, the last chapter should contain a reference to our anthroposophy. Of course, on the few pages that could be devoted to actual spiritual science, only a few of the rich contents that have been on our minds for so many years could be hinted at. The question naturally had to arise for me: What is the most important thing that must first enter into the souls of modern people?

The most important thing that must move in is the realization that there is a spiritual life that dwells and weaves in man independently of the human body, and that this spiritual life is the same that unfolds from embodiment to embodiment in repeated lives on earth. If we leave aside everything else that has passed through our soul, these two truths are such that, one might say, they still move into modern spiritual life as something completely alien. They appear foolish and fantastic to the materialistic mind, contradicting all the scientific spirit of modern times. That is how they appear to the materialistic mind; but a soul that has truly participated in the longings and hopes, in the forces and impulses of modern spiritual life, drinks them in to the full. That soul has cheered ed for the return of spiritual proclamation, and who has suffered from the spiritual life of our time, from the impossibility of taking something from the outer life that justifies speaking of a spiritual world, despite all modern science.

Such a thing can only remain suspended in the spiritual atmosphere for a while, one might say. But then comes the age when such a thing penetrates into the sphere of everyday life itself. And here is the point where the matter of our spiritual movement is directly announced as that which must become the affair of the heart of mankind in the most intimate sense of the word. Today one can still speak as if our spiritual movement were only of interest to a few individual souls, as if it were only for those souls who could feel what must enter into modern spiritual life. But the time is already upon us when souls will become desolate because the spiritual atmosphere, under the influence of materialism, gives them no vitality.

You, my dear friends, have all reached the age where so much remains of the more or less spiritual impulses of a more spiritual past that your souls cannot yet be so desolate, that your souls are still searching for the spiritual world, but do not know the desolation that will come upon the next generation if the spiritual impulse of spiritual culture does not flow into humanity. Those who are young children today will face a life that will constantly ask them - not in theory, but in life itself - the question: What is the meaning of life? Why this bleak existence?

And in the future, the pale faces of those who are young children today, distorted by the hardships and worries of life, will stand before our souls in horror, unable to see anything in the material world that can comfort the soul in the face of the desolation that can only take hold in a person's life if materialism is the only thing that exists. Then, my dear friends, there comes that great compassion, that all-embracing sympathy that swells in the soul, that empathy with those who will come and who can only find the earth worth living in if the spiritual atmosphere of this earth is prepared by that which spiritual science can give.

I said: Among the most important things that humanity must first understand is the doctrine of repeated lives on earth. A time will come when man who does not know about repeated lives on earth, who has not heard of it, will face life as the most desolate. In individual souls, which are connected with the whole of modern spiritual life, this idea emerged; so it emerged, that if you want to describe how it emerged, you have to say: There are souls that ask themselves: How do we cope with life in the peculiar phenomena that confront us when we survey it? How do we cope?

Then there are souls who are immersed in modern spiritual life and say to themselves: Oh, at least in my imagination I must conjure up an idea of immortality that is initially very far removed from the materialistic consciousness of our time! This idea of immortality sometimes comes to us in the strangest places in modern spiritual life. I would like to point out one such instance as a symptom. On another occasion, I have pointed out to the same modern personality that this idea of immortality does arise in him. But you will see from the very first sentence how it arises!

Herman Grimm, the excellent actor of modern times, a personality with whom I was privileged to exchange many words, once wrote - one might say, strangely enough - the following words in an essay that was actually about a completely different topic:

It is conceivable that the spirit of a human being, released from the bonds of the body, might hover above the earth like a mere mirror of what is happening.

Now, one might say, the hesitation comes:

I am not stating an article of faith here, it is only a fantasy.

But this fantasy is necessary:

Let us assume that for some people, immortality takes this form: they float above the earth, unencumbered by what previously blinded them, and all the destinies of the earth and of mankind from the birth of the planet are revealed to them. The past would be a fabric of harmonious beauty to them. Every thought of a heart would be a necessary part of it, every deed that we call good or condemn, the falling of a tree leaf and the collapse of entire cities, under which the ground begins to move, everything would have the same rank among the events, because it was the same single force that moved everything. Now suddenly, let's dream on...

Herman Grimm does not dare to grasp the thought as reality –

... this spirit, which so freely surveyed things, would be forced to rejoin the body of a mortal human. If this human had the highest talents of every kind, would only the memory of the previous state be possible?

The idea of re-embodiment! Now he develops the thought of how the soul, which he first imagined hovering above the earth in a disembodied state, would have to return to an earthly body.

It would be born in a certain age. It would have a father and a mother, a fatherland, a class, a heart that loves and hates, vanities, pains, joys, vexation, despair, delight – when, even for a moment, would it be capable of the free clarity that was once its element? He would begin to doubt whether he had ever really enjoyed freedom, and the memory of it would soon be compressed into a dark presentiment, hidden deep within his soul. While he usually had the hearts of men before him like a glass beehive, where he saw thoughts flying in and out and working, now he must divine them as secrets.

And so on. These are the passages, my dear friends, in which we encounter the yearning of modern man for what we want, and which, in the form in which it must first appear before humanity, seems so unlikely to this humanity. Our building and our work on it is, as it were, the vow that we want to work devotedly to study the longings and hopes of modern man in order to find from the spiritual world that which can meet these longings, these hopes. I had to express this when the foundation stone was laid a year ago.

I would also like to quote from another passage, from Herman Grimm. Do people today look at the history of the past, at historical life and development, purely in terms of the course of external facts? And materialism has increasingly come to regard it in this way. If we compare what is called history today with what we are trying to describe as the successive life in the post-Atlantic era, it becomes clear how little can be understood in our materialistic times, even in historical matters. This is what must come and for which our building is intended to be a symbol. But the longing for it is there, the deep longing! In a little-known essay by Herman Grimm, there are words that are particularly valuable to me because they basically reflect a conversation I once had with Herman Grimm in Weimar. Herman Grimm said that an expansion of the concept of history was imminent:

A world-historical change is taking place before our eyes today, the like of which has not been seen in any period of history, as far as we are able to survey it. The peoples of Europe are suddenly demanding to be left to their own devices. The mutual influence of the races on each other is to be completely denied in theory and minimized in practice. And this new view is not the fruit of a doctrine propounded by the learned, but of a natural impulse that is shaking peoples to their very depths. It does not emerge in the individual, but moves the masses. Something has secretly ripened and the latest events are the storm that shakes it from the tree. There is a universal law by which great masses of people repel and attract each other, connected with their ability to bring about general spiritual progress either by coming together or by isolating themselves. What we today generally call history is the story of the coexistence of peoples, which the peninsula of Europe, attached to western Asia, has held over the course of the last three or four thousand years.

Regarding the conception of history, Herman Grimm once said that he foresaw a time when all those regarded as great in the 19th century would no longer be regarded as such, but quite different people would emerge from the twilight of time. History has developed in such a way that, in order to judge it today, a transformation of the human soul is necessary, a transformation that reaches down to the very roots of its life. From this point of view, I have emphasized this again and again, but it cannot be said often enough.

Yes, my dear friends, it is impossible to gain from what modern spiritual life has to offer without our spiritual science what we long for here. A new history is sought, a new view of historical development, which is characterized by the words I have just read. But this longing cannot be fulfilled anywhere because the elements, the forces, the impulses for it are lacking. One would like to say: As a yearning, it is present, present in the best of our time, which we strive for as the fulfillment of this yearning.

But what strikes me as particularly profound is the connection between this yearning and what we, in all modesty, strive for when I consider how art itself has taken this path through humanity; when I consider that to him [Herman Grimm] history was an evolution of the imagination. That there are imaginations in humanity that flow unconsciously into humanity in order to be realized in human activity, that history is based on inspiration and intuition, could not be realized by him. For him, it was the imaginative work of nations. He could only gradually replace Maya with what he called the imaginative work of nations, not with what must present itself to the human spirit if it is to find the way up from the physical world into the spiritual. Only later will we truly understand what it meant for the 19th century when Herman Grimm says: What can we find particularly interesting in the way history has presented Julius Caesar? Julius Caesar – Herman Grimm says – interests me much more as he is portrayed by Shakespeare. That is truer than anything a modern historian writes about him.

He repeatedly pointed out how much he likes to read Tacitus: because he is a person who knows how to bring to life what he has to describe, to transform it into the spiritual. And so, from such a premise, a wonderful thought arose, such as that which Herman Grimm wrote down in the nineties and which is in his book on Homer, a thought that really stands there as an anticipation of what was to come as a message from the hierarchies.

[Gap in the text]. How this art took its starting point from the spiritual revelations that came down to people in the primeval culture of nations from the spiritual fathers themselves, how then that which lay in the primeval culture of nations , by the Christ impulse, how this Christ impulse also made its way into artistic forms, but how we then came to a deadlock, to that deadlock in artistic development in particular, at which humanity now stands. It pains me to have settled into the lives of those artists who, from the bottom of their hearts, tried to find what would give modern art spirit again. The life of the serious artist in particular has become tragic, and it stands tragically even before world history, because there is the search for something that can also enter into forms, and because this search can only be met by that which comes from a real, genuine grasp of the spiritual world. How does human longing find itself, how it is rooted in the deeper feelings of precisely those who suffer from modern culture, how it finds itself in harmony with what our spiritual movement is able to give! We have to think back to the Stuttgart cycle 'Before the Gate of Theosophy', where I spoke of Christian initiation and gave the example of foot washing as the first stage.

Many years have passed since we spoke out of the spiritual, how the plant must incline towards the stone, as it owes it the ground of existence; in the same way, the animal inclines towards the plant, and the human being towards the animal, up to the hierarchies of the spirits! This also lived in Christian Morgenstern's yearning. It united harmoniously with what was spoken, and we hear an echo of what was given to the yearning, what spiritual science was able to give to the yearning. We hear it echo in the poem that we heard today, 'The Washing of Feet': 'I thank you, you mute stone...'

It gives me an idea of how what is the best of human longing in this modern age will grow together with what spiritual science has to give us. These longings will flow into our perceptions, into our ideas, into our entire intellectual life. But, as I said, it pains me to look at those artists who sought content for their art. Carstens, Overbeck, Cornelius: they sought to bring the Christ impulse into their art - but it was in vain. Just study a life as tragic as that of Cornelius, who was so close to Herman Grimm: He sought to find the living Christ-life in the form that Christianity had taken, in the form that could penetrate his soul and flow into his art. But he lived in the dead center. Just look at modern architecture: we are not walking through the artistically created, but through the preserved, prepared herbarium of old art styles. Only the living connection with the Christ Impulse will be able to infuse these art forms with life, but only the living Christ Impulse, which penetrates into the forms through what has flowed into people through the Mystery of Golgotha. For it is not by merely speaking of Him that the forms come to life, without which human life is dead in art as well.

All we have been able to do, both with our spiritual movement and with our building, is no more than a beginning; the very first beginning of a building style that is to come, that must come. But that is precisely what we are trying to do with our spiritual movement: to take up the impulse of the Mystery of Golgotha into our souls, to take it up completely, and to take it up in such a way that future humanity will need it.

In this context, I must also mention a word that Herman Grimm has just spoken in an essay, in which he divides human development – I have already mentioned this in the Hague cycle – into three millennia: one before the Mystery of Golgotha, then the millennium of the Mystery of Golgotha, and one after. Today of all days, I would like to call to mind the words with which Herman Grimm characterized the second millennium, for these words once again show something of the longings of modern man. They are words that can penetrate deeply into the soul if one looks straight at what lives in the hopes of the new age and what, in essence, can only be fertilized by spiritual science.

The second millennium: Christ stands before us here in two forms. First, as the creeds of the religions allow him to appear:

[...] Christ cannot be placed in a row with other great men as an historical personality. He towers above them and is surrounded by an aura of inviolability. Therefore, many treat the great phenomena of history apart from Christ. They assume Christ's relation to everything else as being recognized. But we cannot avoid him, since he and the personalities connected with him are encountered at every turn, and since even the all-powerful spiritual forces that lived before Christ, I mention Socrates or Plato, can only be understood in comparison with him today.

A high-ranking man who admired him is said to have demanded that Christ be introduced into world history as the author of all human destinies. This demand, it is reported, caused the scholar to experience severe inner struggles, but was ultimately rejected on the grounds that the given explanation had to suffice. Christ appears to us in world history in two forms: as the founder of Christianity and as the superhuman Son of God, as the church teaches.

I consider this dual nature of Christ to be historically untenable. We do not have to explain Christ, but to accept him and the effect of his teaching as a fact. Christ's works are to be incorporated into the report of the course of world events. In Roman political history, the birth and earthly life of Christ belong as an event of world-transforming power, and should not be relegated to church history as a special chapter. The teaching of Christ has been effective from Christ's appearance.

Titus did not destroy Jerusalem only because of it, but it is to blame for the fact that from the reign of Augustus onwards Latin and Greek poetry and the fine arts moved down from the heights because the innermost lifeblood is missing from them from that point on.

Attempts to depict Christ as the most beautiful, most divine of men soon began, and reached their zenith in Raphael's paintings. This took many centuries, but the direction towards this goal is recognizable. Raphael's importance would be incalculable if history were conceived differently, while at the same time no one who conceives of recent history in this way, whether as a writer or a reader, would be compelled to confess or even hint at his own thoughts about Christ if he did not want to.

For it is our human right to do these things in private. Scholars whose work has consisted in investigating Greek history have looked at it in the broadest sense with such enthusiasm that zealots could accuse them of having pagan beliefs. Nothing could be less justified. The development of the Greek spirit is just as beautiful and worthy of knowledge as that of the moving universe, or that of a flower, or that of any law in the field of chemistry.

If we are looking for a reason why Ranke might have doubted for a while whether or not to hold on to the double historical figure of Chrisü, then perhaps it is also about particular inclinations that should be considered in every historian [...] He then easily lifts us up, but this height is not the highest [...] One should find out what he intentionally left unmentioned in his history of the popes [...] He may have been flattered by those who wanted to rise through him, but he renounced purchased praise and loved quiet, untrodden paths where he met no one. When a man like that, growing very old, takes in everything that has happened, his world view has lasting value. But the future does not reveal it.

We feel that new world conditions are forming. Nothing spiritual has remained untouched by them. A veil is already falling over the 19th century: a something that forms a perceptible barrier between us and the recent past. Again and again the question arises secretly and aloud: Where do we want to go, where do we have to go? This uncertainty prevails in all areas of human existence. It produces strange new considerations. Transformation is taking place before our eyes [...].

Consider, my dear friends: a person who strives to find spiritual life in the life of humanity, who even sees the Christ in two forms, but does not want to speak of the form that is not simply human! For Herman Grimm continues:

I believe that for the history of the future, the beginnings of the community he founded point to the Christ as a historically established power of the highest order, as the real living force in human history. The history of Christ, the growing authority of his ideas and general political progress form an intricate web. Raphael's inner urge to depict Christ himself and his experiences did not arise from any coincidences, but from his national-Italian nature [...] We are giving the book that is most widely read today, translated into all the languages of the world: the New Testament, compatible with other books of national origin. These other books are recognized at the same time as the Gospels as a source of our spiritual uplift and education, although there seems to be an unbridgeable gap between them and the Gospels.

These other books, in contrast to the dubious authors of the Gospels, have certain authors who live on at the same time as their works. The most distinguished of them were poets, others were visual artists, alongside them were philosophers who observed nature, and the series is concluded by statesmen and generals. These men of the highest national rank have ruled over nations stretching back to the distant past, and their relationship to national character and to the teachings of international Christianity determines their presence and future everywhere today. A wonderful contrast.

Christ knows only humanity without distinction, whose salvation he sacrificed himself for. [ ] The most powerful men known to the millennia of human history have been five poets living before and after Christ: David, Homer, Dante, Shakespeare, Goethe. An Oriental, a Greek, an Italian and two Germans. Their careers and poetic powers are very different, but their works have a scope and impact that continues to grow. They also resemble each other in that we can most deeply penetrate their souls critically. For these five we know best of all people's earlier lives. Yes, one could say we alone know them. For we do not know Christ. We gaze at him in awe.

But where is the possibility of presenting the Christ to humanity in a new form? - to present him in such a way that one will no longer need to say: “These five we know best of all people's previous lives. Yes, one could say that we alone know them. For we do not know Christ. We gaze at him in awe.

When humanity decides to accept the spiritual form of Christ in its hearts, the time will have come for which people yearn, because they cannot yet see the form that Christ must take if he is to fulfill their longings. When one enters the path that leads to spiritual science, one will find the possibility to speak about the Christ in such a way that life, content, and certainty will enter into human souls, that certainty which is at the same time the certainty of peace itself. For is it not like a question that is posed but still stands without an answer when Herman Grimm says: he believes that - for the history of the future - the formation of the first Christian community as the actual living element of human history points to the Christ as a historically firmly established power of the highest order.

Spiritual science is the answer to such questions, the answer that must be given today. For it is precisely with regard to the contemplation of Christ that humanity has arrived at a dead end. Herman Grimm felt it rightly when he said that he only had the questions but not the answers! The answers will have to be kept back as long as it is not firmly grounded in spiritual science.

But how it is also, my dear friends, with the placing of this Christ-figure in the culture of the present still! How far is still that, what pulsates through the present souls, from what we must seek as this Christ-figure! Indeed, it must be said that the unpleasantly that Herman Grimm spoke of in relation to the Christ biographers, confronts us more and more. For the way in which people of the present time seek to understand Christ on the basis of what external cultural life of the present still knows, has indeed more and more of the unpleasantly. The tones with which Christ was characterized in past centuries are worn out and can no longer live in the modern soul. New tones and new modes are needed for this very purpose. Therefore, we see how the representations of Christ become more and more unpleasant and unpleasant if these representations of Christ cannot draw from what spiritual science is meant to open up for humanity. They become increasingly unpleasant and unedifying the closer they approach the present day. I would say that we have experienced the most unpleasant thing in a portrayal of Christ in the very bad drama of a grand duke, which represents a blasphemy of everything that happened through and around Christ, and which so clearly demonstrates the low point in the portrayal of that which happened through Christ. How our spiritual life, according to the means of the present, leads to the impossible: this is precisely what this abominable Christ drama shows, which is actually an anti-Christ drama in its whole attitude. But from the spiritual life of the present, longings are developing that are good soil and are becoming more and more good soil from which to sprout what we strive to put into it as seeds, into this soil full of hopes and longings, in this soil in which the hopes and longings of those who already live as young children today must be transformed into certainties, and are condemned to live unhappily unless spiritual science comes among humanity.

We see the yearnings everywhere, we see them also in the soil from which the unfortunate Christ drama, of which I have spoken, sprang. We also see the yearning for an understanding of this Christ impulse, but we also see, so to speak, the lack of understanding that is shown towards this true yearning for true understanding. I must confess that it was quite a strange feeling for me when I read the words that Solowjow wrote. I only discovered them recently; they made a particular impression on me. You can guess why! Various attacks have come from this or that side in recent times: I have been called a Jesuit from one side; I have been denounced as a Jew in another place; I therefore had to have my baptism certificate photographed.

Well, my dear friends, that does not matter, these are necessary side effects of being forced to say, albeit only in stammering words, what humanity needs. But those others who speak of the longing for a correct understanding of Christ have also been able to report a strange understanding that has been shown to them. Hence the words of Solowjow, spoken in 1886: “I am literally persecuted, my writings are banned because they are said to be harmful to Russia and Orthodoxy. Today I am said to be a Jesuit, tomorrow a Jew, and so on... so that one must be prepared for anything.”

My dear friends, some of what needs to be said as that which comes from the deepest, but also the most necessary longings and hopes of life, some of it has already been found harmful, and it is believed that it must not be allowed! Only when people of the present time come to understand the painful events of the present as a test, and in the sense that I was able to hint at yesterday, allow themselves to be led to a spiritual life, only then will they also recognize the necessity of these painful present events and learn to judge them differently than according to their immediate impression. Yes, my dear friends, it will always be possible to communicate with people who speak like Solowjow, one will find the way to them beyond all national differences. But it is not me, but Solowjow, a member of the Russian nation, of whom I spoke yesterday, the same Solowjow, who spoke words for those with whom there is such a close connection to what afflicts us so painfully today. It is he who characterizes this clique with the words: “Our state, church, and literary scoundrels are so brazen and the public is so foolish that one must expect anything.” Of course, he is talking about those who “absolutely banned” his writings.

My dear friends, today, as we stand before the unfinished building for which we laid the foundation stone a year ago, let us renew our pledge that we will remain true to what spiritual science can give us. Let us absorb the awareness that spiritual science can meet the longings and hopes, the needs of humanity. Let us absorb the consciousness that spiritual science will make it possible for humanity to speak of the Christ impulse in a way that even free spirits like Herman Grimm did not dare to speak of, just as it is necessary to speak of it, especially in view of the painful events of today. And let us absorb the consciousness that if we learn to speak rightly about the Christ, we learn rightly to speak about human history. For the Christ does not belong to one people, the Christ belongs to all people, the Christ did not speak to the members of one people: “You are my brother...” He spoke to the members of all humanity. We then find the way to every human being and to the peace choirs of all higher hierarchies, and find the way to the Christ.

This, my dear friends, must also be a foundation stone that we want to lay in our hearts, on which we want to build the invisible structure, for which the visible structure is the outer symbol. May this outer symbol, in a primitive, elementary way, but at least to some extent fulfill that which we attempted to implore from the world powers a year ago! May it be fulfilled for our good, that in these forms one may see how the spirit, which has communicated itself to the earth through the Mystery of Golgotha, streams through our forms, takes hold of the forms, permeates them with the Christ impulse, so that the consciousness may permeate the soul, which is expressed in the words, which are still not understood deeply enough: Not I, but Christ in me! May this structure, too, upon people — even if it only imperfectly represents what is intended — may it at least to a small extent achieve what it wants: upon the human souls that enter it, make the impression: Not I, not my own is that which makes an impression on the eye through the outer forms... but the Christ wants to speak, who through the word of the higher hierarchies seeks an expression, a revelation. And the mouth shall be this structure!

May the souls, finding themselves in the spirit of this building, feel a little imbued with a similar feeling, which can be called: a feeling of the connection of the individual human soul with the soul of the earth, and of the feeling of how this soul of the earth lives today, how it has lived since the beginning of the earth, how it lives in all souls! May this soul then feel itself as a spirit at God's mouth, may this soul speak as Christian Morgenstern:

The animal, the plant, these beings still had
the inhuman patience of the earth;
there was a year, which today is only a second.

Now nothing can happen fast enough for them.
Man began to become impatient.
She senses: Now at last the great hour has come:

I have been breeding myself for millions of years for this.
Now I no longer need to spare my body,
now I will soon be hanging on God's word as a ghost.

May such feelings be able to enter the souls of more and more people when they become familiar with our designs! That is what our building is for. It should never be expected that it represents what it is supposed to be, even to a small degree of perfection: in its highest imperfection, it represents what it can represent of the hopes and longings of modern times. But even if we never dare to speak of the hour of laying the foundation stone as the great hour of world existence, but want to speak of it as the small hour of world existence, even if we say that we can only make a small, contribute a little to the great tasks of humanity, we still want to feel the great tasks of existence, to which, even with small means, we want to devote ourselves to what we laid the foundation for a year ago.

You must not expect that these four lectures can be a substitute for those which were planned for Munich. [It had been Dr. Steiner's intention to give a course of lectures on the theme ‘Occult Reading and Occult Hearing’ in August 1914, after the production of a new Mystery Play, but this was prevented by the outbreak of the War.] I will try to give a brief outline of what was to have been the content of the Munich lectures but the most important and essential information that was to have been given there must be reserved for less turbulent times. I am astonished to find certain people thinking that the strenuous efforts required for giving very important teachings of Spiritual Science—as was intended in Munich—can be applied in times such as those in which we are now living. But it will be realised one day that this simply is not possible, that the highest truths cannot be communicated when storms are raging. As far as my theme is concerned, I will give a course of lectures on it later on, when karma permits, in substitution for what was to have been given in Munich. But in view of the desire to hear something about this subject, I will try to meet this wish as far as is possible at the present time.

The essential findings of Spiritual Science are acquired through occult reading and occult hearing. We hear something about the methods by which the spiritual investigator reaches his experiences, when he speaks of the actual processes of occult reading and occult hearing. Absurd theories still prevail at the present time about the way in which results are obtained in Spiritual Science. Before I pass on to the central theme I will speak of a trivial matter—trivial, that is to say, in comparison with what our stream of spiritual life would like to attain. A certain modern Professor wrote a review of my book Theosophy. This review was published a few years ago, and the author was obviously irritated most of all by what is said in the book about the human aura, about thought-forms and so forth. Among many things that I will not mention here, this review also contains something that is absolutely comprehensible from the point of view of a typical thinker of the present day. It is said that if there is anything in these statements about the aura and thought-forms, some of those who can see thought-forms should subject themselves to an experiment. There would have to be an experiment where a number of those who claim to be able to see such things stand in front of others who have certain thoughts and feelings, and then the former should be asked: ‘What do you see in these people standing or sitting in front of you?’ Then—according to the reviewer—these so-called occultists should state what they have observed, and the others should confirm that they had actually had these thoughts and feelings. If the seers' statements all tallied with each other, then they could be believed.

Let me say here that there is nothing more natural than this argument. Any thinker schooled in modern natural, science must use it because it inevitably appears to be completely reasonable. Nevertheless, one thing holds good. The Professor who said this had certainly read the book before writing his review. We must assume this at any rate. As the review gives the impression of honesty, we can certainly assume it. But he could not read it in the real sense because, comprehensible as it is that the objections should be made as long as there is no knowledge of the truths contained in the book, it ought also to be comprehensible that such objections would not be brought forward if the book had been read with understanding. With these words I am saying something that will be considered outrageous by every normal scientific thinker of to-day—he will think it outrageous because it must inevitably be incomprehensible to him; he simply cannot understand it. Among the things to be found in that book, there is also the following.—It is said that if the seer really desires to look into the spiritual world and see the truth, he must, above all, practise a self-education which enables him to penetrate into things with absolute selflessness, to silence his own wishes and desires in face of the spiritual world. Yes, but if five or six people are brought together in order to make an experiment according to the methods of natural science, as is demanded, those four or five people start off with the wish to reach a certain result—as a matter of fact a result that is demanded by science itself. The whole thing is arranged as happens when there are desires and wishes in ordinary life—which is just what should be avoided. It is obvious that every true impression of the spiritual world will be eliminated by such an experiment. For this experiment is arranged entirely according to the thinking of the physical plane and it is just these thoughts of the physical plane that must be overcome, together with all the desires and wishes connected with them. It may be said that it is a question of being passive. Certainly—but such conditions cannot be arranged from the standpoint of the physical plane and with the methods of the physical plane. They must be arranged only from the standpoint of the spiritual world and with the methods of the spiritual world.

First of all, the matter in question would have to lie in the spiritual world itself, not in the brain of a curious professor. The intention would have to emanate from the spiritual world that human beings who are seers here on the physical plane should experience something of the thoughts and feelings of other human beings; through the karma of the spiritual world a handful of people would have to be brought together—brought together, not by a professor but as if through a nexus of destiny. Then, from the other side, the seers too would themselves have to be brought together by karma. Again, from out of the spiritual world the feelings and so forth within the individuals would have to be revealed to the various seers. If the experiment could be arranged in this way it would undoubtedly succeed.

If anyone reads my book Theosophy with real understanding, he will know that what I have just said is a self-evident truth of the spiritual world but that such procedures are not possible in our age. And one has, after all, to reckon with this fact.

Because the review in question showed me that people are not able to read the book with sufficient understanding to discover such a thought by themselves, in the sixth edition—the proofs of which I am now correcting—I have added what I have just told you. One of the essentials in a book that has grown out of Spiritual Science is that one not only assimilate its actual contents—that is of minimal importance—but that having read it a change shall have taken place in thinking and feeling; standards and judgments otherwise applied in the everyday world should have progressed. The difficulty still standing in the way of understanding books on Spiritual Science is that people read them just as they read other writings and imagine that their contents can be absorbed in the same way, whereas the truth is that something will be changed within us when we have understood a genuinely occult book. It is therefore quite understandable that genuine occult books are rejected by most human beings to-day. For what ought to take place in someone who reads such a book at the present time? He takes the book ... and he is clever ... as everyone is clever to-day. He considers that he is capable of judging the contents of the book, and he is convinced at the outset that there can be no better judge of that book than himself. And now, after having read it, is he supposed to learn to judge differently? Of course, he cannot do so; he is clever already and has impeccable judgment! He does not admit that there is anything to change in his power of judgment. Needless to say he will realise nothing of the basic trend and intention of the book. At most he comes to the conclusion that he has learnt nothing from its contents and that it is all so much juggling with words and concepts. It must necessarily be so if he does not constantly have in mind the basic principle of Spiritual Science which is that in any circumstance, no matter how trivial, after reading a genuine book on Spiritual Science, a different kind of perception and judgment of the world must arise.

There is one essential to be remembered if the words ‘Occult Reading and Occult Hearing’ are to mean anything to us. We must, as it were, say farewell to the ordinary kind of thinking, the ordinary judgments applied to the physical world. I have often emphasised that one must, of course, remain a reasonable human being. Although a new kind of judgment, of thinking and of feeling must be acquired for the spiritual world, healthy judgment as regards the events and beings of the physical plane must be maintained. That goes without saying. But there is something that is necessary for the higher worlds and does not hold good for the physical plane. I will start from an experience that is certainly familiar

On the physical plane we are accustomed through our thinking, feeling and willing to relate ourselves to that plane. When we think, we create for ourselves mental pictures of the things and beings of the physical plane and the processes connected with then. Anything of which we opine that it is present in space or takes place in time, we thereby make into our own spiritual property. We learn, through our mental pictures, to know something. It is the same with feeling. We confront some object—for instance, we delight in a rose; we take the rose into our world, into our feeling, into our own soul. We make something that goes out as an impression from the rose and works upon our soul, into our own inner possession. In willing, we incorporate into the external world something that is contained in our intention. Relationships between ourselves and the external world are clearly evident when we observe our behaviour and conduct on the physical plane. Nothing we thus apply in acts of thinking, feeling and willing, nothing we do when we enter into relation with the outer world through the physical body, serves us in the remotest degree—in the form in which it is practised on the physical plane—for getting to know anything of the higher world. Whatever helps us for example, to know something about the physical world, whatever we apply in the form of feeling or thinking in order to know about the things of the physical world—this can serve only as preparation for spiritual-scientific investigation.

Let it be remembered, therefore, that in the physical world whatever we do in thinking, feeling and willing in order to have some knowledge of that world or to do something for it—all this serves only as preparation for knowledge of the higher worlds. Whatever we may think about something belonging to the physical world, no matter how astutely, gives us no knowledge of the higher worlds. Through thinking our soul is merely prepared, merely trained in such a way that it gradually becomes capable of penetrating into the spiritual worlds. And the same applies to willing and feeling in connection with things of the physical world. In order to be doubly clear, let me say this. A learned researcher, through his scientific methods, gets to know something belonging to the external world. When he has investigated it he is wont to say: I know this and that belonging to the external world. This kind of investigation, this kind of thinking, does not help him in the very least to penetrate into the spiritual world. His thinking and investigation are of significance only because they exercise the powers of his soul. The effect, as far as penetration into the spiritual worlds is concerned, is that through this thinking and investigation the soul becomes more capable of living its own life, of activating its own forces. The activities that are normally carried out in the physical world are of use for spiritual-scientific investigation only as an education of a man's own soul.

I will choose still one more comparison to make the matter clearer. Suppose someone is a carpenter; he has learnt carpentry and intends to make furniture. In his work as a carpenter he makes certain pieces of furniture and continues to do so for many years. This is his job. But something else happens as well; he becomes more skilful, his manipulations more effective; he acquires something else, inasmuch as his own organism becomes more skilful. This is a kind of supplementary achievement. It is the same with spiritual activities. If, as a botanist, I think and make great efforts for years in the sphere of botany, that is all to the good, but as well as this my mind becomes more flexible. That is also of help. I am better ‘drilled’ than I was some decades ago. Please do not take the expression in its ordinary trivial sense, if I say that the spiritual scientist must have been previously ‘drilled.’ He must use his drilling to make his spiritual powers more mobile, more flexible. Then, when everything that is otherwise practised in the world is placed directly in the service of self-education as happens in meditation and concentration, in the exercises that are given for the purpose of penetrating into the spiritual world—we duly prepare ourselves for this. Please take the words, ‘we prepare ourselves,’ as something infinitely important, for in reality we can never do anything more than prepare ourselves to enter the spiritual world; the rest is an affair of that world itself; the spiritual world must then come to us. It will not do so if we remain in the usual state of human beings on the physical plane. Only when we have transformed our soul-forces in the way indicated can we hope that the spiritual world will come to us. It cannot be anything like investigation in the physical world, for then we go towards the things we are investigating. We can only prepare so that when the spiritual world comes towards us, it will not escape us, but make a real impression upon us.

It must therefore be said: All that we can do to develop the capacity for spiritual investigation is to prepare ourselves worthily, in order that when karma wills that the spiritual world shall confront us, we shall not be blind and deaf to it. We can so prepare ourselves, but the manifestation of the spiritual world is an act of grace by that world and must be thought of as such.

And so to the question: How can one succeed in penetrating into the spiritual world?—the answer must be: We must prepare ourselves by adopting every measure that makes our actions more skilful, more mobile, that trains our thinking, makes our feeling and perception more delicate, more full of devotion. And then: Wait, Wait, Wait! That is the golden rule—to be able to wait in restfulness of soul. The spiritual world does not allow itself to become accessible in any other way than this: individuals must make themselves worthy of it and then develop a mood of expectation in restfulness of soul. That is the essential. We acquire it in the way I have described in detail in my books, by making ourselves ready to receive the spiritual world. But we must also acquire that absolute restfulness of soul which alone makes it possible for the spiritual world to approach us.

In lectures I have used the following example. In the physical world, if we want to see something we must go to it. Those who want to see Rome must go to Rome. That is quite natural in the physical world, for Rome will not come to them. In the spiritual world it is just the reverse. We can do nothing except prepare ourselves through the methods described, in order to be worthy to receive the spiritual world: we must acquire restfulness of soul, poise where we stand ... then the spiritual world comes to us. We must wait for it in restfulness of soul—that is the essential. And this that comes to us, where is it? Of this too I have often spoken and will speak of it merely by way of introduction so that we may have a good foundation upon which to proceed.

You are all familiar with our anthroposophical literature. Where are the Elemental Beings, where are the Beings of the higher Hierarchies? They are here, everywhere—just where the table is, where the chairs are, where you yourselves are—they are around us everywhere. But in comparison with the things and processes of the external world they are so ethereal, so fleeting, that they escape the attention of men. Men pass unceasingly through the whole spiritual world and do not see it because through their constitution they are still unprepared for it. If you were able to enter the spiritual world, as is the case at night when you are asleep, you would realise that consciousness is so weak that in spite of the fact that man is in the spiritual world from the time he goes to sleep until he wakes, his consciousness is too dull to perceive the spiritual Beings who are around him. He is in the spiritual world the whole night long, he is within this delicate, fluctuating world, but he is not aware of it because his consciousness is too dull.

What must happen in order that man can learn to be aware of this world in which he is really living all the time? Here we have to consider something very important. Above all, we must keep the following in mind. I have tried to describe it more precisely, for the public as well, in the last chapter of the book Riddles of Philosophy. I want to see whether a few individuals who are not in the Anthroposophical Movement are capable of understanding it.

How does external perception come about? As you know, people generally think—especially those who imagine themselves to be very clever—that external perception arises because the objects are there and then man, inside his skin, receives impressions from the objects; they suppose that his brain (if they think materialistically) produces inner pictures of the external objects and forms. Now that is simply not the case; the facts are quite different. The truth is that the human being is not by any means confined within his skin. If someone is looking at a bunch of flowers, then with his Ego and astral body he is actually within it, and his organism is a reflecting apparatus which reflects it back to him. In reality you extend over the horizon which you survey. In waking consciousness, you are also rooted, with an essential part of your Ego and astral body, in your physical and etheric bodies. The process is as I have often described in lectures. Let us assume that here are a number of mirrors. As long as you walk through space and have no mirror, you do not see yourself, but as soon as you come to a mirror you do. The human organism is not the producer of what you experience in your soul, it is only the reflecting apparatus. The soul is united with the bunch of flowers outside. That the soul may be able to see the flowers consciously depends upon the eye, in unison with the brain-apparatus, reflecting back to the soul that with which the soul is living. Man does not perceive in the night, because when he sleeps he draws out what is within him all day—his Ego and astral body. Therefore, the eyes and brain cease to reflect. Going to sleep is just as though you had a mirror in front of you—you look into the mirror and see your own face; take the mirror away, and all at once your face is no longer there!

And so man, with his being of soul-and-spirit, is actually within that part of the world which he surveys; and he sees it consciously, because his own organism mirrors it back to him. In the night this reflecting apparatus is not there, and he sees nothing. We ourselves are the part of the world which we see; during the night that part of the world is withdrawn.

One of the worst forms of Maya is the belief that man remains firmly within his skin. He does not; in reality he is within the things he sees. When I am confronting a human being, I am within him with my astral body and Ego. If I were not to confront him with my organism I should not see him. The fact that I can see him is due to my organism; but with my astral body and Ego I am within him. The failure to realise this is one of the most dangerous results of Maya.

In this way we can form an idea of the nature of perception and experience on the physical plane.

And what about the spiritual world? If we want to experience that of which I have said that it is so fleeting, so mobile compared with the processes and things of the physical world that although we live within it as within the coarse objects of the physical world, we do not experience it because it is too tenuous—if we want to experience this fluctuating, ethereal reality, then our ordinary Ego, the bearer of our individuality, our egoity, must be damped down, must be suppressed. In true meditation this is what we do. What is meditation? We take some content, or mental picture, and give ourselves over entirely to it. We forget ourselves and suppress the egoity of ordinary waking consciousness. We exclude everything that is connected with the egoity of waking consciousness. Whereas we are accustomed to apply egoity on the physical plane, we now suppress it. Instead of living in the physical and etheric bodies, we gradually succeed, by suppressing egoity, in living in the astral body only.

Please note the essential point here. When we meditate or concentrate, our primary goal always is to suppress our egoity. This egoity must not transmit physical experiences; we try to suppress it, to press it into the astral body. When it is in the astral body it is not, to begin with, reflected in the physical body.

When you look at this bunch of flowers, you are, in reality, within it. The physical body is a reflecting apparatus and you see the bunch of flowers because the physical body mirrors it to you. If you suppress the Ego with its egoity, then you will be living within the astral body. And the astral body is so delicate that you can perceive the fleeting things of the external world consciously; but they too must first be reflected if you are to see them in reality.

There are many among you who faithfully and sincerely devote yourselves to meditation. Thereby you succeed in suppressing the everyday egoity, and experience in the astral body begins. But reflection must first take place if you are to have conscious experience in the astral body. There are numbers among you who through meditation have already reached the stage of living in the astral body. But now it is a matter of reflection, of mirroring. And just as in ordinary life the physical body must reflect what we experience, so, if we want to perceive consciously in the spiritual world, the experiences of the astral body must be reflected by the etheric body.

But what happens when a man's experiences in the astral body are actually reflected by the etheric body? Something happens of which we must realise, above all, that it is absolutely different from sight in the physical world. Things in the spiritual world are not as convenient as they are in the physical world. Even a bunch of cut flowers is a self-contained object; it remains as it is. We can take a bunch of flowers home and have pleasure in it, put it in a vase and so on. We expect nothing else when the bunch of flowers is there in front of us. But this is not by any means the case with the astral experiences that are reflected to us by the etheric body. Everything there lives and weaves; nothing is still for a single moment. But the essential thing is not how it appears in the reflection. The essential thing about the bunch of flowers is what it actually is, at the time. I take the flowers and I have them. When something is reflected to me by the etheric body, I cannot take it as it is and be satisfied with it. For it simply is not what it appears to be.

Understand me well, my dear friends. For this too I have often used the following analogy. Suppose there are a few strokes here (on the blackboard) let us say B ... A ... U. Now if I could not read when these signs are in front of me I should simply say: ‘I see a few strokes like this which, when joined, form a peculiar pattern.’ I cannot take this home like the bunch of flowers and put it in a vase! If I were to take what stands there, the word BAU (building) and put it in a frame, then I have not got what is essential. What is essential is the actual building outside somewhere. I express the building through these signs, and I merely read the essential thing, in the signs.

On the physical plate the essential things are actually there, in front of me. In ordinary reading I have not the essentials; I have signs for them. So, it is with what I experience in the astral body which is then reflected in the etheric body. It is correct only if I take it as so many signs, realise that these signs mean something else and that it is not sufficient simply to look at what is reflected and assume that it is the essential thing. It is not the essential, any more than the word BAU is the actual building. The essential thing is what these signs mean. First of all, I must learn to read them. In the same way I must learn to read what, to begin with, I perceive in the spiritual world—simply a number of signs which express the truth. We can acquire knowledge of the spiritual world only by taking what it presents to us as letters and words which we learn to read. If we do not learn this, if we think we can spare ourselves the trouble of this occult learning to read, it would be just as clever as a person taking a book and saying: There are fools who say that something is expressed in this book, but that is no concern of mine. I can just turn over the pages and see fascinating letters on them. Such a person simply takes what is presented to him and does not trouble about what is there expressed.

If what I have just said is ignored, one comes into an entirely false relationship to the spiritual world. The essential point is to learn to read and interpret what is perceived. We shall see in the next lectures what is meant by this reading and interpreting.

Thus, we have indications at any rate, which help us to understand the question: What is occult reading? Occult reading begins when man experiences himself in the astral body—just as in the physical world he experiences himself in the Ego—and when the experiences of the astral body are reflected in the etheric body, not as is the case in the physical world, when the experiences of the Ego are reflected in the physical body.

Something else must be remembered here. We are not, as I have also told you to-day, wholly within the objects outside us; we are not only in them with our Ego and astral body; but in waking consciousness the Ego also sends part of itself into the physical body. It is only during sleep that the Ego withdraws from the physical body. This means that in order to live in the physical world we must be able to dive down into our physical body. As regards perception and reading in the spiritual world, we realise, in the first place, that we can live in our astral body, and that things are reflected to us by the etheric body. But we must advance to the further stage of being able to live in the etheric body itself, to come down into the etheric body just as on waking from sleep we come down into the physical body. Please take note too that it is necessary to come down with the astral body into the etheric body.

When we learn to read, we learn to live outside the physical body. Just as on waking we come down into the physical body, so must the occultist, without sinking into the physical body, come down into the etheric body. Occultists call this, with reason, ‘being thrust into the abyss.’ What is necessary is that we should not be stupefied when this happens, that we should go down with consciousness and maintain our own bearings, for this descent into the etheric body is not as easy as the descent into the physical body. In very truth it is like being thrust into the abyss. Man's being is split into three. I have spoken of this in the book Knowledge of the Higher Worlds. Man becomes a threefold being. He cannot consciously descend into his etheric body without being multiplied in the way indicated.

When the human being lives in the physical world alone, and goes to sleep, his Ego and astral body are outside the physical and etheric bodies; his consciousness then is too dull to enable him to see the spiritual world. When he comes down into the physical body which reflects the physical world to him so that he perceives it, this too is a kind of thrust into the abyss; only it is made so easy for us that we do not experience it as a shock. But every morning, if through our exercises we progress to that stage where we can experience something in the spiritual world, if we learn to read in this condition which is like sleep that has become conscious, we also experience what it means to be thrust down, to be divided into three. If we retain our consciousness now, we are also able consciously to penetrate into the things and happenings of the spiritual world that are outside us.

Thus, we learn to live in the astral body and have our experiences reflected by the etheric body. We read as when we are reading a book. As soon as we have come down into the etheric body we become threefold. We can send out these three parts of our being—and they then move about consciously in the spiritual world. In their wanderings they then experience what we call ‘occult hearing.’ As soon as we have been consciously thrust down into our own etheric body, occult hearing begins. Now we penetrate into things in the real sense. Now we notice that what we have previously learnt to read we can actually experience.

Let us therefore repeat what has been said. Through his occult exercises man is enabled to suppress his egoity to such an extent that he learns to live consciously in his astral body. Then, gradually, the beings and happenings of the spiritual world are reflected by his etheric body. When he is able rightly to interpret this reflected world, he has learnt the art of occult reading. At a further stage, when he is able not only to read while outside his etheric body, but to awaken in the real sense in the etheric body, then he sends out the three parts of his being into the world and hears what is going on, hears its inner weaving and activity. At this stage he hears it.

Gradually he develops the faculty of occult reading and occult hearing in such a way that something quite definite is associated with the experience. He succeeds in actually penetrating to the reality of things. For what transpires on the physical plane is not the reality, indeed it is not! Simple contemplation shows us in every region and corner of the world that what we experience in our environment is not the reality, that we attach a false meaning to everything. Someone once said to me on the banks of the Rhine: ‘There is the ancient Rhine.’ It was a beautiful, deeply felt saying. But what, in reality, is ancient in the Rhine? Certainly not the water that one sees flowing by, for the next moment it is no longer there. It shows clearly enough that it is not what is ancient. Ancient, at most, is the hollow that has been burrowed out in the soil, but that is not what is meant when someone speaks of ‘the ancient Rhine.’ What is it, in reality, that is designated by the phrase, ‘the ancient Rhine?’ If one says ‘the hollow’ ... well, there are hollows in the sea-floor too, and also streams. When the Gulf Stream flows through the ocean, not only is the water different at every moment but the hollow too is different. Nothing is permanent in the Physical, nothing whatever. It is the same with the whole physical world. Your own organism is only a stream: the flesh and blood you have to-day was not yours eight years ago. Nothing is real in the Physical, everything is in flow.

To speak of ‘the ancient Rhine’ has meaning only when we are thinking of those elemental Beings who actually have their life in the Rhine, when we are thinking of the elemental River God Rhine—a spiritual Being who is truly ancient. Only then have we said something that has meaning. We must mean the words ‘ancient Rhine’ in a spiritual sense, or we are talking thoughtlessly. It is profoundly true that we penetrate to spiritual realities only when we are guided by the spiritual world. It is then that we penetrate into the true realities. That we do indeed penetrate into these realities will be clear when we describe the details of occult reading and hearing—as far as is possible—in the lecture tomorrow.