The Driving Force of Spiritual Powers in World History
GA 222
16 March 1923, Dornach
Lecture III
Recently1The translation by Johanna Collis of this lecture is also included in the volume entitled Art in the light of Mystery Wisdom, a collection of eight lectures given by Rudolf Steiner on various dates and published by Rudolf Steiner Press (London). Permission has been given for publication in the present volume. it has repeatedly been my task to point out that it would be just as possible to write a person's biography for the time spent between going to sleep and awakening as it is for the time spent between awakening and going to sleep. Whatever man goes through between awakening and going to sleep is experienced through his physical and etheric bodies. Because in his physical and etheric bodies he has suitably developed sense organs, he is conscious of the world around him, for it is linked with his physical and etheric bodies so that it forms, as it were, a unity with him. But because at his present stage of evolution he does not possess similar organs of soul and spirit in his ego and astral body—organs which, if I may be permitted this paradoxical expression, would be super-sensible sense-organs—he is unable to be conscious of his experiences between going to sleep and awakening. Accordingly, only with spiritual sight would one be able to perceive what is contained in the biography of the ego and astral body, which runs parallel with the biography lived through with the help of the physical and etheric bodies.
In speaking about man's experiences between awakening and going to sleep we naturally include the events which take place in his physical and etheric environment, things which happen in connection with him, things he experiences and things which are caused by him. Thus we must speak of a physical and etheric environment, a physical and etheric world inhabited by man in the period between awakening and going to sleep. Similarly he inhabits another world between going to sleep and awakening, only the nature of this world is quite different from that of the physical and etheric world. Through spiritual vision it is possible to speak about this world which is just as much our environment when we sleep as the physical world is our environment when we are awake. You will find the elementary facts in the descriptions given, for instance, in my book Occult Science: an Outline. There you will find, albeit only in brief, a description of how the realms of the physical and etheric world, the mineral, plant, animal and human kingdoms, extend on into the realms of the higher Hierarchies. Let us give this some consideration today.
If, while awake, we direct our eyes or other sense-organs outwards towards our physical and etheric environment, we perceive the four kingdoms of mineral, plant, animal and man. If we then ascend further into those regions which can only be perceived supersensibly, we find that which may be called the continuation of these kingdoms: the kingdom of the Angeloi, Archangeloi and Archai, the kingdom of the Exousiai, Dynamis and Kyriotetes, and the kingdom of the Thrones, Cherubim, and Seraphim.
Thus we have two worlds which permeate one another: the physical and etheric world and the super-sensible world. And we already know that we live in this super-sensible world between going to sleep and awakening; we know that we have experiences there, although these experiences cannot make their way into our ordinary consciousness because we have no organs of soul and spirit.
As a matter of fact a more exact understanding can be reached of what man experiences in this super-sensible world, if the same sort of description of this world is given as is given of the physical and etheric world with the help of science and history. In order to set forth what we may call a super-sensible science of the actual course of the world we inhabit in sleep, we must begin by pointing out certain details. Today we shall first turn our attention to an event of deep signfiicance for the whole of human evolution during the last few thousand years.
We have already discussed this event frequently from the point of view of the physical and etheric world and its history. Now we shall look at it from the other side, as it were, taking our viewpoint not in the physical and etheric world but in the super-sensible world. The event I am referring to and which I have often portrayed from the one point of view took place in the 4th century A.D.
I have described how the whole disposition of man's soul in the Western world changed during this 4th century A.D.; how in fact without spiritual-scientific insight into the matter we today no longer have the slightest understanding of human feelings and sentiments as they were before the 4th century A.D. But we have often portrayed these feelings and this disposition of soul, describing what human beings experienced round about that century. Today we shall turn our attention for a moment to the experiences undergone by the Beings of the super-sensible realm during this time. So we shall be concerned, so to say, with the other side of life and speak from the viewpoint of the super-sensible realm.
That thoughts are confined to the head is a preconceived notion of man's so-called enlightenment. We should learn nothing about things through thoughts if these thoughts were confined to the heads of men. Anyone who believes that thoughts are to be found only in men's heads is a victim of the same prejudice, paradoxical though it may sound, as a person who believes that the sip of water which quenches his thirst arose on his tongue instead of flowing into his mouth from his glass. Really it is just as absurd to say that thoughts arise in men's heads as it is to say: If I quench my thirst with water from my glass, this water has come into being in my mouth. For thoughts are quite definitely spread throughout the world. Thoughts are the forces at work in things. And the organ of our thinking merely taps the cosmic reservoir of thought forces, taking the thoughts into itself. Accordingly we must not speak of thoughts as though they were something belonging to man alone. We must speak of thoughts with an awareness that they are forces which govern the world and are spread throughout the cosmos. But they do not just fly about at random; they are always borne and worked upon by beings of one kind or another. And most important of all: they are not always borne by the same beings.
Turning to the super-sensible world, we find by means of super-sensible investigation that until the fourth century A.D. the thoughts through which human beings make the world comprehensible to themselves were borne, or perhaps one should say, poured forth (earthly expressions are little suited for the description of such lofty events and beings) by the Beings of the Hierarchy called the Exousiai or Beings of Form.
If an ancient Greek wanted to account for the origin of his thoughts through knowledge of the Mysteries, he would have had to say the following: I lift up my spiritual vision to the Beings revealed to me by Mystery knowledge as the Beings of Form, the Forces of Form. They are the bearers of the cosmic intelligence, they are the bearers of the cosmic thoughts. They cause the thoughts to stream through the events of the cosmos, and they bestow these human thoughts upon the soul which becomes aware of them by experiencing them. When someone in the days of ancient Greece adapted himself to the super-sensible world by means of a special initiation, he was able to come to an experience of these Beings of Form; he actually beheld these Beings, and in order to find a true picture or Imagination of them he had to attach to them, in a way as an attribute, the thoughts which flowed shining through the universe. This ancient Greek saw how these Beings of Form as it were sent out shining thought forces from their limbs, forces which entered into the world-processes and there continued to work as world-creative forces of intelligence. He would say perhaps: Throughout the universe, throughout the cosmos, it is the task of the Beings of Form, the Exousiai, to pour thoughts through the universal processes. Therefore just as science based on sense-perception describes the activities of human beings by recording what they do individually or co-operatively, so a science based on super-sensible perception, in examining the activities of the Form Forces during the era under consideration, would have to describe how these super-sensible Beings cause the thought forces to flow from one to the other, how they receive them from each other, and how embedded in this outflowing and receiving lie the universal processes which present themselves to man externally in the shape of natural phenomena.
And then came the 4th century A.D. in the evolution of mankind. For the super-sensible world it brought an event of the utmost importance: the Exousiai, the Forces or Spirits of Form, transferred their thought forces to the Archai, the Primal Forces or Principalities.
At that time the Archai, the Principalities, took over the task previously carried out by the Exousiai. Events of this kind do take place in the super-sensible world. And this was an event of immense cosmic importance. The Exousiai, the Spirits of Form, retained merely the task of controlling external sense-perceptions; with special cosmic forces they rule over everything present in the world of colour, tone and so on. Accordingly, those who have insight into these things must say with reference to the times which follow the 4th century A.D.: the thoughts which rule the world are transferred to the Archai, the Principalities; now, all the manifold forms of the world, the constant metamorphoses seen by eyes and heard by ears constitute a fabric woven by the Exousiai, who formerly gave thoughts to human beings and now give them sense-impressions, while the Archai now give them thoughts.
This reality of the super-sensible world was mirrored here below in the world of the senses by the fact that in ancient times, for instance, the times of the Greeks, thoughts were perceived objectively in things. Just as today we believe we perceive red or blue on things, so a Greek found that a thought was not merely grasped by his head but that it radiated forth from an object in the same way as red or blue radiates forth.
I have described this human side of the matter in my book Riddles of Philosophy. In this book you will find a description of how this important event in the super-sensible world was reflected in the world of the physical senses. Philosophical terms are used there because the language of philosophy is suitable for describing the material world, whereas in discussing the point of view of the super-sensible world one also has to mention the super-sensible fact that the task of the Exousiai has been transferred to the Archai.
The preparation of such things in humanity takes many epochs. And such things are linked with basic transformations of the human soul. When I say that this super-sensible event took place in the 4th century A.D., this is of course only an approximation applying merely to the central period, whereas the whole process took place over many ages. Preparations began in pre-Christian times and the change was not completed until the 12th, 13th and 14th centuries A.D. The 4th century A.D. is only the central period and is alluded to in order to have something definite to point to in the historical development of mankind.
This is also the point in human evolution when men's outlook into the super-sensible world begins to become wholly obscured. The consciousness of the soul loses the capacity of super-sensible vision and perception while the soul devotes itself to the world. You will perhaps understand this more clearly in your souls if light is thrown upon it from another angle.
What is the point I am trying so insistently to make clear? It is that human beings begin to feel increasingly aware of themselves as individuals. When the thought-world passes from the Spirits of Form to the Principalities, from the Exousiai to the Archai, man feels more aware of the thoughts of his own being, because the Archai live one step nearer than the Exousiai to man. Somebody who begins to acquire super-sensible vision will receive the following impression. He will say: Certainly this is the same world which I know as the world of the senses.
Ordinary consciousness knows nothing at all about the conditions under consideration here. But with super-sensible consciousness there is definitely the feeling that Angeloi, Archangeloi and Archai are present between man and his sense impressions. The feeling is that they are present here in the sense-world. They are not seen with the ordinary eye but they are actually present between man and the whole fabric of sense impressions. It is the Exousiai, Dynamis and Kyriotetes who are beyond this world; they are concealed by the fabric of the senses.
Thus an individual possessing super-sensible consciousness feels that thoughts, after they have been handed over to the Archai, come nearer to him. He feels them now to be more in his own world, whereas previously they were behind the colours on things, behind the red or the blue; we might say they approached him through the red or the blue or through a C sharp or a G. He feels that his communication with the thought-world has become freer since the transfer. Of course this also brings about the illusion that man makes the thoughts himself.
It took a long time for man to evolve to the point of being able to take into himself, as it were, what had formerly presented itself to him as the objective external world. This only came about by degrees during the course of human evolution. Looking back a very long way in evolution, right back beyond the Atlantean catastrophe and into the time of ancient Atlantis, I must ask you to imagine man at that time as I have described him in my books Occult Science: an Outline and Cosmic Memory. As you know, human beings at that time were formed quite differently. Their bodily substance was much more delicate than it became later on during the post-Atlantean age. Because of this the soul element was related differently to the world and the Atlanteans experienced the world quite differently. Let me give you just one instance of this particular way of experiencing the world. The Atlanteans could not experience the interval of a third, or even of a fifth. Their musical experience began with the experience of the seventh. They were also aware of greater intervals, but the seventh was the smallest. Thirds and fifths escaped their hearing; no such intervals existed for them.
As a result their experience of tone-structures was quite different; the soul had a quite different relationship with the tone-structures. For if, without the smaller intervals, we were to live only in the music of sevenths, if we were to live as naturally in these sevenths as did the Atlanteans, we would not perceive music as something taking place within us or in connection with us; we would find ourselves outside our bodies the moment musical perception began. We would live outside in the cosmos as was the case with the Atlanteans. For them a musical experience was a direct religious experience. In experiencing sevenths they could not say that they themselves had anything to do with the creation of these intervals; they felt that the Gods, weaving and flowing through the world, revealed themselves in sevenths. To say: ‘I am making music’ was senseless to them. But it meant something when they said: ‘I live in the music made by the Gods.’
In a much weakened form this musical experience was still present in the post-Atlantean age, when mainly the interval of the fifth was experienced. This must not be compared with our present experience of the fifth. Today the fifth gives us the impression of an empty shell. In the best sense of the word we feel the fifth to be empty. It has become empty because the Gods have withdrawn from mankind.
But in post-Atlantean times man felt that the Gods still lived in the fifths. It was not until later, when the third, both major and minor, made its appearance in music, that music as it were submerged itself in man's inner nature, so that in musical experience he was no longer outside himself. In the real age of the fifth man was still definitely outside himself in the experience of music. In the age of the third, which as you know is comparatively recent, man remains within himself when he experiences music. He embraces music with his body. He interweaves musical and bodily nature. That is why the experience of the third is accompanied by the differentiation between major and minor, so that we have the experience of the major mood an the one hand and the experience of the minor mood an the other. With the arrival of the third, with the entry into music of the major and minor moods, musical experience links itself with the elevated and joyful moods and also with the depressed, painful and sad moods experienced by man because he bears a physical and an etheric body. We might say that man removes his experience of the world from the cosmos; instead he unites himself with his experience of the world. In olden times, in the age of the fifth, and even more so in the age of the seventh, if I may be permitted to use these expressions, man's most important experience of the world was such that it took him immediately outside himself. He could thus say: The world of tones draws my ego and my astral body out of my physical and etheric bodies; I interweave my earthly existence with the divine-spiritual world; the tone structures resound as something an whose wings the Gods flow through the world; and I experience this flowing of the Gods by perceiving the tones.
You see therefore in this particular field how cosmic experience in a certain sense makes its way towards the human being, how the cosmos penetrates into the human being. You see how if we look back into ancient times it is in the super-sensible world that we must seek man's most important experiences. And you see how later the time comes when man as an Earth-being endowed with physical senses must be included when the most important world events are being described.
This becomes necessary when the thoughts are given by the Spirits of Form to the Principalities, the Archai. Another expression of this may be found in the transition from the ancient period of the fifth to the period of the third and the experience of major and minor.
Now it is of particular interest, in connection with this experience, to go back into an age even earlier than the Atlantean, an age of human evolution upon Earth which fades away into the dim and far-distant past but which can be recalled with the aid of super-sensible vision. You will find this distant age described in my book Occult Science: an Outline as the Lemurian age. At that time man's perception of music was such that he could not even be conscious of intervals contained within an octave; at that time man could perceive an interval only if it extended beyond an octave, for instance: C, D, E, F, G, A, B, C, D, where the interval C, D, is experienced only if the D lies in the next octave.
Thus in the Lemurian age there could be no musical experience in listening to intervals smaller than an octave; the interval experienced goes beyond the octave to the first tone of the following octave and then to the next tone of the next octave. Thus man experiences something which is difficult to describe, but you may be able to imagine it if I say the following: man experiences the second in the next higher octave and the third in the next octave after that. He experiences a kind of objective third, indeed the two thirds, both major and minor. But of course it is not a third as we know it today, since for us the third only comes about if we take the tonic and the next note but one within the same octave. Because man in ancient times was able to have a direct experience of intervals which we describe today as the tonic in one octave, the second in the next octave and the third in the third octave, he was able to perceive a sort of objective major and minor; not a major and minor mood experienced within himself but a major and minor expressing a feeling of what the Gods experienced in their souls.
We cannot describe what man in the Lemurian age experienced by any such names as joy and sorrow, exultation and depression; we must say that through this particular musical perception in Lemurian times, when he was quite outside himself in perceiving these intervals, he experienced the cosmic jubilation of the Gods and the cosmic lamentation of the Gods. We are able to look back to a time an Earth really experienced by man when what is experienced today as major and minor was, as it were, projected out into the universe. What man experiences inwardly today was then projected out into the universe. What today flows through his emotion and feeling was then perceived by him outside his physical body as the experience of the Gods in the cosmos. What must be characterized as our present inner experience of the major mood was experienced by him outside his body as the cosmic jubilation, the cosmic music of the Gods rejoicing in their creation of the world. And what we know today as the minor mood was experienced in Lemurian times as the vast lamentation of the Gods over the possibility of what is described in the Bible as the Fall of man, the falling away of mankind from the divine spiritual powers, the powers of good.
This is something which echoes down to us out of that wonderful knowledge of the ancient Mysteries which of itself passes over into the realm of art; we not only perceive in a more abstract way how mankind once upon a time succumbed to Luciferic and Ahrimanic seduction and temptation and experienced this or that, but we also perceive how human beings heard in ancient times the music of the Gods rejoicing in the cosmos about their creation of the world and also the cosmic lamentation of the Gods whose prophetic vision showed them that man would fall away from the divine-spiritual powers.
This artistic understanding of something which later became more abstract in form is given to us out of ancient Mysteries; from it we may win the deep conviction that knowledge, art and religion have flowed from a single source. This must lead us to the conviction that we must seek to return to that state of soul which will appear once again when the soul has knowledge because religion streams and art flows through it, that state of soul which brings a deep and living understanding of what Goethe meant so many years ago when he said: ‘Beauty is a manifestation of secret natural laws which would have lain concealed forever had beauty not appeared.’
The secret of human evolution within the Earth's existence, within the Earth's evolution, itself reveals to us this inner unity of everything man must experience together with the world knowingly, religiously and artistically in order that he may experience his complete potentiality together with the world.
It is a fact that now the time has come when these things must once again enter human consciousness, for otherwise man's soul-nature would simply begin to decay. Now and in the near future man's soul would shrivel up as a result of increasingly intellectual and one-sided knowledge; his soul would be dulled by the one-sidedness of art and he would lose his soul altogether through the one-sidedness of religion if he could not find the way which leads to the inner harmony and unity of these three, the way which helps him to leave his body in a more conscious manner than of old and once more see and hear the super-sensible world together with the world of the senses.
Through Spiritual Science we can look at the more ancient and profound personalities of the developing Greek culture, personalities whose successors were such people as Aeschylus and Heraclitus. We find that these personalities, in so far as they were initiated into the Mysteries, all had similar feelings as a result of their knowledge and their artistic, creative powers. Like Homer, who said: ‘Sing me, O Muse, of the wrath of Achilles, son of Peleus,’ they still felt their knowledge and their creative powers not as something working in them personally but as something they carried out in their religious feeling together with the spiritual world. Thus they could say: In most ancient times man experienced himself as man when, in carrying out the most important human activities, he passed out of himself and shared his experiences with the Gods (as I have shown you in connection with music, but it was also true in the forming of thoughts). But man has now lost what he was thus able to experience.
This feeling of having lost an ancient knowledge and an ancient artistic and religious possession of mankind most certainly weighed upon the more profound Greek souls.
Something different must come to mankind today. By developing the proper powers of his soul-experience, man must come to the point where he is able to rediscover what was lost long ago. What I want to say is that man must develop a consciousness—after all, we are living in the age of consciousness—of how what has become inward must find its way outwards again towards the divine-spiritual world. And it will be possible to accomplish this—as I have indicated in answer to a question put to me during a lecture-course at the Goetheanum—in one field for instance, when the inner wealth of feeling experienced in melody is transferred to the single tone, when man discovers the secret of the single tone, in other words when man experiences not only intervals but is also able to experience with inner richness and variety the single tone as if it were a melody. This is something which today can scarcely be imagined.
But you see how things progress: from the seventh to the fifth, from the fifth to the third, from the third to the prime and so down to the single tone and onward still further. So what once represented the loss of the divine world must be transformed in human evolution into the rediscovery of the divine by man on Earth, if humanity is to go on developing on Earth instead of perishing.
We only understand the past aright when we are able to see in contrast the true image of our development in the future, when we feel with an emotion which affects us deeply what was also felt by the more profound human beings in ancient Greece, namely that we have lost the presence of the Gods, and when we can contrast this by saying with deeply moved but intensely striving souls:
We will bring to blossom and fruition the spirit whose germ exists within us, so that we may once more find the Gods.


Dritter Vortrag
In der letzten Zeit hatte ich wiederholt darauf aufmerksam zu machen, daß man ebensogut eine Lebensbeschreibung des Menschen geben könnte für die Zeit, die er immer zwischen dem Einschlafen und Aufwachen zubringt, wie man eine solche gibt für die Zeit zwischen dem Aufwachen und Einschlafen. Alles, was der Mensch erlebt zwischen dem Aufwachen und Einschlafen, erlebt er durch seinen physischen und ätherischen Leib. Dadurch, daß er in dem physischen und ätherischen Leib entsprechend ausgebildete Sinnesorgane besitzt, ist es ja so, daß ihm diese Welt bewußt wird, die als seine Umgebung mit dem physischen und Ätherleib verbunden ist, sozusagen eines mit ihm ist. Weil er in seinem gegenwärtigen Entwickelungszustand in seinem Ich und astralischen Leib nicht in ähnlicher Weise geistseelische Organe ausgebildet hat, die gewissermaßen — wenn ich den paradoxen Ausdruck gebrauchen darf — übersinnliche Sinnesorgane wären, kann er das, was er zwischen dem Einschlafen und Aufwachen erlebt, nicht zu seinem Bewußtsein bringen. So daß also nur ein geistiges Anschauen dasjenige überblicken könnte, was gewissermaßen die Biographie dieses Ich und astralischen Leibes enthalten würde, parallel der Biographie, die mit Hilfe des physischen und ätherischen Leibes zustande kommt.
Nun, wenn man von den Erlebnissen des Menschen in der Zeit zwischen dem Aufwachen und Einschlafen spricht, so gehört ja notwendig zu diesen Erlebnissen dasjenige, was mit ihm zusammen, von ihm erlebt und durch ihn bewirkt, in seiner physisch-ätherischen Umgebung vorgeht. Man muß deshalb sprechen von einer physisch-ätherischen Umgebung, einer physisch-ätherischen Welt, in welcher der Mensch zwischen dem Aufwachen und Einschlafen ist. Ebenso ist er aber in einer Welt zwischen dem Einschlafen und Aufwachen, nur ist das eine Welt, die ganz anders geartet ist als die physisch-ätherische Welt. Und es besteht die Möglichkeit für das übersinnliche Anschauen, von dieser Welt zu sprechen, die geradeso unsere Umgebung ist, wenn wir schlafen, wie die physische Welt, wenn wir wachen, unsere Umgebung ist. Und wir wollen in diesen Vorträgen einiges vor unsere Seele treten lassen, was diese Welt beleuchten kann. Dazu sind ja die Elemente gegeben in dem, was Sie zum Beispiel beschrieben finden in meiner «Geheimwissenschaft im Umriß». Da finden Sie in einer gewissen Weise, wenn auch skizzenhaft beschrieben, wie sich die Reiche der physisch-ätherischen Welt, das mineralische, pflanzliche, tierische, menschliche Reich, hinauf fortsetzen in die Reiche der höheren Hierarchien. Wir wollen uns das heute einmal ein wenig vorhalten.
Wir wollen uns sagen: Wenn wir unsere Augen oder die andern Sinnesorgane im wachenden Zustand hinauswenden in unsere physisch-ätherische Umgebung, dann nehmen wir die drei Reiche der Natur beziehungsweise vier Reiche wahr: das mineralische, das pflanzliche, das tierische und das menschliche Reich. Gehen wir nun weiter hinauf in diejenigen Regionen, die nur dem Übersinnlichen zugänglich sind, so haben wir gewissermaßen die Fortsetzung dieser Reiche: das Reich der Angeloi, der Archangeloi, der Archai, der Exusiai, Dynamis, Kyriotetes und so weiter (siehe Schema, Seite 47).
Wir haben also zwei Welten, die sich gegenseitig durchdringen: die physisch-ätherische Welt und die übersinnliche Welt. Und wir wissen schon, daß wir zwischen dem Einschlafen und Aufwachen in dieser übersinnlichen Welt wirklich drinnen sind und mit ihr Erlebnisse haben, trotzdem diese Erlebnisse wegen der fehlenden geistseelischen Organe eben zu dem gewöhnlichen Bewußtsein nicht kommen.
Nun handelt es sich darum, daß genauer begriffen werden kann, was der Mensch in dieser übersinnlichen Welt erlebt, wenn man, ich möchte sagen, eine Art Beschreibung von dieser übersinnlichen Welt in derselben Weise gibt, wie man sie durch Naturwissenschaft, durch Geschichte, von der physisch-ätherischen Welt gibt. Man muß für eine solche, sagen wir, übersinnliche Wissenschaft des tatsächlichen Verlaufes in der Welt, in der wir als schlafende Menschen sind, natürlich zunächst einzelnes herausgreifen. Und ich werde heute zunächst ein Ereignis herausgreifen, das von einer tiefgehenden Bedeutung für die ganze Entwickelung der Menschheit in den letzten Jahrtausenden ist.
Von einer Seite nämlich, von der Seite der physisch-ätherischen Welt und ihrer Geschichte, haben wir dieses Ereignis schon des öfteren besprochen. Wir wollen es heute gewissermaßen von der andern Seite besprechen, von der Seite, die sich zeigt, wenn man den Gesichtspunkt nicht in der physisch-ätherischen Welt, sondern in der übersinnlichen Welt nimmt. Das Ereignis, das ich meine und das ich von dem einen Gesichtspunkte aus öfter geschildert habe, ist dasjenige, das in das 4. nachchristliche Jahrhundert hineinfällt.
Ich habe ja beschrieben, wie die ganze Verfassung der Menschenseele des Abendlandes eine andere wird in diesem 4. nachchristlichen Jahrhundert, wie das tatsächlich so ist, daß man ohne ein geisteswissenschaftliches Eingehen auf die Sache überhaupt nicht mehr versteht, wie die Menschen in der Zeit gefühlt und empfunden haben, die dem 4. nachchristlichen Jahrhundert vorangegangen ist. Aber wir haben ja dieses Empfinden, diese Seelenverfassung des öfteren geschildert. Wir haben mit andern Worten geschildert, was die Menschen im Laufe des Zeitraumes erlebt haben, in den dieses 4. nachchristliche Jahrhundert hineinfällt. Wir wollen nun heute ein wenig Rücksicht darauf nehmen, was in jener Zeit diejenigen Wesenheiten erlebt haben, die diesem übersinnlichen Reiche angehören. Wir wollen gewissermaßen uns auf die andere Seite des Lebens wenden, wir wollen den Gesichtspunkt im Übersinnlichen nehmen.
Es ist ja ein Vorurteil der gegenwärtigen sogenannt aufgeklärten Menschheit, daß ihre Gedanken nur in den Köpfen drinnenstecken. Wir würden nichts von den Dingen durch Gedanken erfahren, wenn diese Gedanken nur in den Köpfen der Menschen wären. Derjenige, der da glaubt, daß die Gedanken nur in den Köpfen der Menschen seien, der unterliegt, so paradox das klingt, demselben Vorurteil, wie einer, der glaubt, daß der Schluck Wasser, mit dem er sich den Durst löscht, auf seiner Zunge entstanden ist und nicht aus dem Wasserkrug in seinen Mund hineingeflossen ist. Es ist im Grunde genommen ebenso lächerlich zu behaupten, die Gedanken entstehen im Menschenkopfe, wie es lächerlich ist zu sagen — wenn ich meinen Durst mit einem Trunk Wasser lösche, den ich im Krug habe —, das Wasser sei in meinem Mund entstanden. Die Gedanken sind eben durchaus in der Welt ausgebreitet. Die Gedanken sind die in den Dingen waltenden Kräfte. Und unser Denkorgan ist eben nur etwas, was aus dem kosmischen Reservoir der Gedankenkräfte schöpft, was die Gedanken in sich hereinnimmt. Wir müssen also von Gedanken nicht so sprechen, als ob sie etwas wären, das nur dem Menschen angehört. Wir müssen von Gedanken so sprechen, daß wir uns bewußt sind: Gedanken sind die weltbeherrschenden Kräfte, die überall im Kosmos ausgebreitet sind. Aber diese Gedanken fliegen deshalb doch nicht frei herum, sondern sie sind immer getragen, bearbeitet von irgendwelchen Wesenheiten. Und, was das Wichtigste ist, sie sind nicht immer von denselben, nicht immer von den gleichen Wesenheiten getragen.
Wenn wir uns an die übersinnliche Welt wenden, dann finden wir durch die übersinnliche Forschung, daß die Gedanken, durch die sich die Menschen die Welt begreiflich machen, draußen im Kosmos getragen wurden — ich könnte auch sagen: ausgeströmt wurden; irdische Ausdrücke passen wenig für diese erhabenen Vorgänge und Wesenhaftigkeiten —, daß also diese Gedanken getragen, ausgeströmt waren bis ins 4. nachchristliche Jahrhundert von den Wesen jener Hierarchien, die wir als Exusiai oder Formwesen bezeichnen (siehe Schema Seite 47).
Wenn ein alter Grieche aus der Wissenschaft seiner Mysterien heraus sich hat Rechenschaft geben wollen darüber, woher er eigentlich seine Gedanken hat, so hat er das in der Art tun müssen, daß er sich sagte: Ich wende meinen geistigen Blick hinauf zu jenen Wesen, von denen mir geoffenbart wird durch die Mysterienwissenschaft als den Wesen der Form, als den Formkräften, Formwesen. Das sind die Träger der kosmischen Intelligenz, das sind die Träger der kosmischen Gedanken. Sie lassen die Gedanken durch die Weltenereignisse strömen, und sie geben diese menschlichen Gedanken an die Seele ab, die sich diese Gedanken erlebend vergegenwärtigt. — Wer etwa durch eine besondere Initiation sich in jenen alten Zeiten des griechischen Lebens in die übersinnliche Welt eingelebt hatte und bis zum Erleben dieser Formwesen gekommen war, der schaute diese Formwesen, und er mußte, um sich von ihnen das rechte Bild, die richtige Imagination zu machen, ihnen etwa als ein Attribut beigeben die durch die Welt strömenden, leuchtenden Gedanken. Er sah als alter Grieche diese Formwesen etwa wie von ihren Gliedern ausgehen lassend leuchtende Gedankenkräfte, die dann in die Weltenprozesse hineingehen und da als die weltschöpferischen Intelligenzmächte weiter wirken. Er sagte etwa: Die Kräfte der Form, die Exusiai, sie haben im Weltenall, im Kosmos, den Beruf, die Gedanken durch die Weltenvorgänge zu ergießen. -— Und so wie die sinnliche Wissenschaft das Tun der Menschen beschreibt, indem sie dies oder jenes notifiziert, was die Menschen einzeln oder miteinander tun, so müßte eine übersinnliche Wissenschaft beschreiben, wenn sie die Tätigkeit der Formkräfte für das charakterisierte Zeitalter ins Auge faßt, wie sich diese übersinnlichen Wesen gegenseitig die Gedankenkräfte zuströmen lassen, wie sie voneinander sie empfangen, und wie in diesem Zuströmenlassen und in diesem Empfangen eingegliedert sind jene Weltenvorgänge, die dann nach außen sich dem Menschen als die Naturerscheinungen darstellen.

Nun kam in der Entwickelung der Menschheit eben jenes 4. nachchristliche Jahrhundert heran. Und das brachte für diese übersinnliche Welt das außerordentlich bedeutsame Ereignis, daß die Exusiai — die Kräfte, die Wesenheiten der Form - ihre Gedankenkräfte abgaben an die Archai, an die Urkräfte oder Urbeginne (siehe Schema).
Es traten damals die Urbeginne, die Archai, in den Beruf ein, den früher die Exusiai ausgeübt hatten. Solche Vorgänge gibt es eben in der übersinnlichen Welt. Das war ein ganz hervorragend wichtiges kosmisches Ereignis. Die Exusiai, die Formwesen, behielten sich von jener Zeit an lediglich die Aufgabe zurück, die äußeren Sinneswahrnehmungen zu regeln, also mit besonderen kosmischen Kräften alles das zu beherrschen, was in der Welt der Farben, der Töne und so weiter vorhanden ist. So daß derjenige, der in diese Dinge hineinschaut, für das Zeitalter, das nun nach dem 4. nachchristlichen Jahrhundert heraufkam, sagen muß: Er sieht, wie die weltbeherrschenden Gedanken übergeben werden an die Archai, an die Urbeginne, und wie das, was Augen sehen, Ohren hören, in seiner mannigfaltigen Weltgestaltung, in seiner ständigen Metamorphosierung das Gewebe ist, das da weben die Exusiai, die früher den Menschen die Gedanken gegeben haben, die also jetzt ihnen die Sinnesempfindungen geben, während ihnen die Urbeginne jetzt die Gedanken geben.
Und diese Tatsache der übersinnlichen Welt spiegelte sich hier unten in der sinnlichen Welt so, daß eben in jener älteren Zeit, in welcher zum Beispiel die Griechen lebten, die Gedanken objektiv in den Dingen wahrgenommen worden sind. So wie wir heute glauben, das Rot oder das Blau an den Dingen wahrzunehmen, so fand der Grieche einen Gedanken nicht bloß mit seinem Kopfe erfaßt, sondern hervorstrahlend, herausstrahlend aus den Dingen, wie eben das Rot oder das Blau herausstrahlt.
Das habe ich ja in meinem Buche «Die Rätsel der Philosophie» beschrieben, was diese andere, ich möchte sagen, die menschliche Seite der Sache ist. Wie sich dieser wichtige Vorgang der übersinnlichen Welt spiegelt in der physisch-sinnlichen Welt, das finden Sie durchaus in meinem Buche «Die Rätsel der Philosophie» beschrieben. Da gebraucht man dann philosophische Ausdrücke, weil die Philosophensprache eine Sprache für die materielle Welt ist, während man, wenn man den Gesichtspunkt in der übersinnlichen Welt bespricht, eben auch von der übersinnlichen Tatsache zu sprechen hat, daß der Beruf der Exusiai übergegangen ist an die Archai.
Solche Dinge bereiten sich in der Menschheit durch ganze Epochen hindurch vor. Solche Dinge sind mit gründlichen Umwandlungen der Menschenseelen verknüpft. Ich sage, daß diese übersinnliche Tatsache sich zugetragen hat im 4. nachchristlichen Jahrhundert; doch ist das ja nur annähernd gesagt, denn das ist sozusagen nur ein mittlerer Zeitpunkt, während diese Übergabe eben lange Zeiten hindurch gespielt hat. Sie hat sich schon in den vorchristlichen Zeiten vorbereitet und war erst vollendet im 12., 13., 14. nachchristlichen Jahrhundert. Das 4. Jahrhundert ist sozusagen nur der mittlere Zeitpunkt, den man angegeben hat, um auf etwas Bestimmtes im geschichtlichen Werden der Menschheit hinzudeuten.
Nun, damit sind wir gleichzeitig in jenem Zeitpunkt der Menschheitsentwickelung, in dem sich für den Menschen überhaupt der Ausblick in die übersinnliche Welt völlig zu verdunkeln beginnt. Es hört das Bewußtsein der Seele auf, übersinnlich zu schauen, wahrzunehmen, indem sich diese Menschenseele hingibt der Welt. Es wird das vielleicht noch intensiver vor Ihre Seele treten, wenn wir es von einer andern Seite her beleuchten.
Worin besteht denn eigentlich das, worauf ich so intensiv hinweisen will? Es besteht darin, daß die Menschen immer mehr und mehr sich in ihrer Individualität fühlen. Indem die Gedankenwelt übergeht von den Formwesen zu den Urbeginnen, von den Exusiai zu den Archai, empfindet der Mensch die Gedanken seiner eigenen Wesenheit mehr, weil die Archai um eine Stufe näher dem Menschen leben als die Exusiai. Und wenn der Mensch beginnt, übersinnlich zu schauen, dann hat er den folgenden Eindruck. Dann sagt er: Nun ja, da ist diese Welt, die ich als die sinnliche überschaue. Sagen wir, das Gelbe (siehe Schema Seite 50) ist die meinen Sinnen zugewendete Seite, das Rote ist die schon verborgene, von den Sinnen abgewendete Seite.
Das gewöhnliche Bewußtsein weiß von den hier in Betracht kommenden Verhältnissen überhaupt nichts. Aber das übersinnliche Bewußtsein hat durchaus die Empfindung: Wenn hier der Mensch ist (siehe Schema S.50), dann sind zwischen dem Menschen und den Sinneseindrücken Angeloi, Archangeloi und Archai; die sind eigentlich diesseits der sinnlichen Welt. Man sieht sie nur nicht mit den gewöhnlichen Augen, aber sie liegen eigentlich zwischen dem Menschen und dem ganzen Sinnesteppich. Und die Exusiai, Dynamis, Kyriotetes sind eigentlich erst jenseits; die werden zugedeckt durch den Sinnesteppich. So daß also der Mensch, der ein übersinnliches Bewußtsein hat, die Gedanken, nachdem sie an die Archai übergeben sind, als an sich herankommend empfindet. Er empfindet sie so, als ob sie jetzt mehr in seiner Welt lägen, während sie früher hinter den Farben, dem Roten, dem Blauen, das an den Dingen ist, drinnen waren, gewissermaßen durch das Rote, das Blaue, oder auch durch das Cis oder durch das G herankamen. Er fühlt sich seit dieser Übergabe in einem freieren Verkehr mit der Gedankenwelt. Das ruft ja auch die Illusion hervor, als ob der Mensch die Gedanken selber machte.

Der Mensch hat sich aber auch erst im Laufe der Zeit dazu entwickelt, gewissermaßen in sich hereinzunehmen, was sich ihm früher als objektive äußere Welt darbot. Das ist erst nach und nach in der Menschheitsentwickelung so gekommen. Wenn wir jetzt einmal recht weit zurückgehen in der Menschheitsentwickelung, wenn wir hinter die atlantische Katastrophe in die alte atlantische Zeit zurückgehen, da bitte ich Sie, sich das Menschengebilde in der atlantischen Zeit so vorzustellen, wie ich es in meiner «Geheimwissenschaft» oder in den Abhandlungen «Aus der Akasha-Chronik» beschrieben habe. Diese Menschen waren ja, wie Sie wissen, ganz anders gestaltet. Ihre Leibessubstanz war von größerer Feinheit, als sie dann später, in der nachatlantischen Zeit, geworden ist. Dadurch war aber auch das Seelenhafte — es ist ja das alles in den Büchern beschrieben — in einem ganz andern Verhältnis zur Welt, und diese Atlantier haben die Welt ganz anders erlebt. Ich will nur eines angeben von dieser besonderen Art des Erlebens. Diese Atlantier konnten zum Beispiel keine Terz erleben, nicht einmal eine Quinte. Sie konnten eigentlich das musikalische Erleben erst beginnen, indem sie die Septime empfanden. Und dann haben sie weitergehende Intervalle empfunden, deren kleinstes eben die Septime war. Terzen, Quinten, haben sie überhört; die gab es nicht für sie.
Dadurch aber war das Erleben der Tongebilde überhaupt ein ganz anderes, die Seele hatte ein ganz anderes Verhältnis zu den Tongebilden. Wenn man ohne die Zwischenintervalle musikalisch eben nur in Septimen lebt, und in so natürlicher Weise in Septimen lebt, wie die Atlantier in Septimen gelebt haben, dann nimmt man überhaupt das Musikalische nicht als etwas wahr, was an einem oder in einem als Mensch vorgeht, sondern man ist in dem Augenblicke, in dem man überhaupt musikalisch wahrnimmt, aus seinem Leibe draußen, man lebt im Kosmos draußen. Und so war es bei den Atlantiern. Bei den Atlantiern war es so, daß ihnen das musikalische Erlebnis zusammenfiel mit einem unmittelbar religiösen Erlebnis. Ihr Septimenerlebnis gab sich ihnen so, daß sie nicht etwa sagen konnten, sie haben selbst etwas zu tun mit der Entstehung der Septimenintervalle, sondern sie empfanden, wie Götter, die durch die Welt wallten und webten, sich in Septimen offenbarten. Sie hätten gar keinen Sinn damit verknüpfen können: Ich mache Musik. — Sie konnten nur einen Sinn damit verbinden, wenn sie sagten: Ich lebe in der von den Göttern gemachten Musik.
Nun, in einer wesentlichen Abschwächung war dieses musikalische Erleben auch noch in der nachatlantischen Zeit vorhanden, in derjenigen Zeit, in der im wesentlichen in Quintenintervallen gelebt wurde. Sie dürfen das nicht vergleichen mit der heutigen Empfindung der Quinten durch den Menschen. Heute empfindet der Mensch die Quinte etwa so, daß sie ihm den Eindruck eines nicht erfüllten Äußeren gibt. Sie hat für ihn etwas Leeres, im besten Sinne des Wortes, aber etwas Leeres. Sie ist leer geworden, weil sich die Götter von den Menschen zurückgezogen haben.
Auch noch in der nachatlantischen Zeit erlebte der Mensch bei seinen Quintenintervallen, daß in diesen Quinten eigentlich die Götter lebten. Und erst als später innerhalb des Musikalischen die Terz auftrat, die große und die kleine Terz, da war es so, daß nun das Musikalische gewissermaßen untertauchte in das menschliche Gemüt, daß der Mensch mit dem musikalischen Erleben nicht mehr entrückt war. Im richtigen Quintenzeitalter war der Mensch mit dem musikalischen Leben durchaus noch entrückt. Im Terzenzeitalter, das, wie Sie wissen, erst verhältnismäßig spät heraufgezogen ist, ist der Mensch mit dem musikalischen Erleben in sich selbst darinnen. Er nimmt das Musikalische an seine Leiblichkeit heran. Er verwebt das Musikalische mit seiner Leiblichkeit. Daher tritt mit dem Terzenerlebnis der Unterschied zwischen Dur und Moll auf, und man erlebt auf der einen Seite das, was man eben beim Dur erleben kann, auf der andern Seite dasjenige, was mit dem Moll erlebt werden kann. An die menschlichen gehobenen, freudigen, an die deprimierten, schmerzvollen, leidvollen Stimmungen, die der Mensch als der Träger seines physischen und ätherischen Leibes erlebt, knüpft sich das musikalische Erleben mit der Entstehung der Terz, mit dem Hereinkommen von Dur und Moll in das Musikalische. Der Mensch nimmt gewissermaßen sein Welterleben aus dem Kosmos heraus, verbindet sich selber mit seinem Welterleben. In älteren Zeiten hatte er sein wichtigstes Welterleben so — und das war durchaus noch der Fall in der Quintenzeit, aber in einem höheren Maße in der Septimenzeit, wenn ich mich dieser Ausdrücke bedienen darf -, daß es ihn unmittelbar entrückte, daß er sagen konnte: Die Welt der Töne zieht mein Ich und meinen astralischen Leib aus meinem physischen und Ätherleib unmittelbar heraus. Ich verwebe mein irdisches Dasein mit der göttlich-geistigen Welt, und es ertönen die Tongebilde als etwas, auf dessen Flügeln die Götter durch die Welt wallen, deren Wallen ich miterlebe, indem ich die Töne wahrnehme.
Sie sehen also auf diesem besonderen Gebiete, wie gewissermaßen das kosmische Erleben an den Menschen herankommt, wie der Kosmos in den Menschen hineindringt, wie wir gewissermaßen, wenn wir in alte Zeiten zurückgehen, das wichtigste Menschenerleben im Übersinnlichen suchen müssen, und wie dann die Zeit heraufkommt, wo der Mensch als sinnlich-irdische Erscheinung, ich möchte sagen, mitgenommen werden muß, wenn die wichtigsten Weltereignisse beschrieben werden.
Das geschieht in jenem Zeitalter, das eintritt, nachdem die Gedanken von den Formwesen an die Urbeginne abgegeben sind. Das drückt sich auch dadurch aus, daß das alte Quintenzeitalter — das schon früher war als jene Übergabe - übergeht in das Terzenzeitalter, in das Erleben von Dur und Moll.
Nun ist es besonders interessant, wenn gerade mit diesem Erleben in eine noch ältere Zeit als die atlantische zurückgegangen wird, also in eine Zeit der menschlichen Erdenentwickelung, die in grauester, fernster Vergangenheit für die Rückschau verschwimmt, deren Anschauung aber hervorgeholt werden kann durch das übersinnliche Schauen. Da kommen wir sogar zu einem Zeitalter — Sie finden es in meiner «Geheimwissenschaft» als das lemurische Zeitalter beschrieben -, wo der Mensch überhaupt das Musikalische nicht mehr so wahrnehmen kann, daß ihm innerhalb einer Oktave ein Intervall bewußt werden kann, sondern da kommen wir in eine Zeit, in welcher der Mensch ein Intervall nur wahrnimmt, indem das Intervall die Oktave übergreift, also etwa so:

so daß der Mensch nur dieses Intervall c d wahrnimmt, das heißt das d der nächsten Oktave.
Im lemurischen Zeitalter haben wir also durchaus ein musikalisches Erleben, das sich gar nicht abspielen kann im Anhören eines Intervalls innerhalb einer Oktave, sondern da geht das Intervall über die Oktave hinaus, bis zum ersten Ton der folgenden Oktave, und dann geht es bis zum folgenden Ton der zweitnächsten Oktave. Und da erlebt der Mensch etwas, was schwer zu benennen ist; aber man kann sich vielleicht eine Vorstellung davon machen, wenn ich sage: Es erlebt der Mensch die Sekund der nächsten Oktave und die Terz der zweitnächsten Oktave. Er erlebt eine Art objektiver Terz, und da auch wiederum die zwei Terzen, nämlich die große und die kleine Terz. Nur daß die Terz — dasjenige, was er da erlebt — natürlich in unserem Sinne keine Terz ist, denn nur, wenn ich die Prim in derselben Oktave annehme, ist der Ton, den ich in bezug auf die zweitnächste Prim meine, die Terz. Aber indem der Mensch unmittelbar die Intervalle erleben konnte, die für uns heute so sind, daß wir sagen: Prim in einer Oktave, Sekund in der nächsten Oktave, Terz in der dritten Oktave -, nahm dieser ältere Mensch dasjenige wahr, was eine Art objektiven Durs und objektiven Molls ist, ein nicht mehr in sich erlebtes Dur und Moll, sondern ein Dur und Moll, das als der Ausdruck des seelischen Erlebens der Götter empfunden wurde. Die Menschen des lemurischen Zeitalters erlebten, man kann jetzt nicht sagen Freude und Leid, Erhebung und Deprimierung, sondern man muß sagen: Die Menschen erlebten durch dieses besondere musikalische Empfinden in der lemurischen Zeit, indem sie ganz außer sich entrückt waren in dem Wahrnehmen dieser Intervalle, die kosmischen Jubelklänge der Götter und die kosmischen Klagen der Götter. -— Und wir können zurückschauen auf ein irdisches, von den Menschen wirklich erlebtes Zeitalter, in dem sozusagen hinausprojiziert war in das Weltenall dasjenige, was der Mensch heute erlebt bei Dur und Moll. Was er heute innerlich erlebt, es war hinausprojiziert in das Weltenall. Was ihn heute durchwellt in seinem Gemüte, in seiner Empfindung, das vernahm er in Entrückung von seinem physischen Leibe als Erlebnis der Götter draußen. Was wir heute als innerliches Durerlebnis charakterisieren müßten, nahm er in der Entrückung von seinem Leibe draußen als den kosmischen Jubelgesang, als die kosmische Jubelmusik der Götter wie den Ausdruck der Freude über ihr Weltschaffen wahr. Und was wir heute als innerliche Mollerlebnisse haben, nahm einstmals der Mensch in der lemurischen Zeit als die ungeheure Klage der Götter wahr über die Möglichkeit, daß die Menschen verfallen können in das, was dann in der biblischen Geschichte als der Sündenfall, als der Abfall von den göttlich-geistigen Mächten, von den guten Mächten, geschildert worden ist.
Das ist etwas, was uns herübertönt aus jener wunderbaren, von selbst in das Künstlerische übergehenden Erkenntnis der alten Mysterien, daß wir vernehmen, wie nicht nur etwa abstrakt geschildert wird, daß einstmals die Menschen durch die luziferische und ahrimanische Verführung und Versuchung gegangen sind und dies oder jenes erfahren haben, sondern daß die Menschen gehört haben, wie in uralten Erdenzeiten die Götter jubelnd musiziert haben im Kosmos aus der Freude ihres Weltenschaffens heraus, und wie sie gleichsam prophetisch schon hingeschaut haben auf den Abfall der Menschen von den göttlich-geistigen Mächten, und dieses Hinschauen in der kosmischen Klage zum Ausdrucke brachten.
Dieses künstlerische Erfassen von etwas, was später immer intellektualistischere Formen angenommen hat, das ist etwas, was aus den alten Mysterien heraustönt, und aus dem wir die so tiefe Überzeugung gewinnen können, daß es eine Quelle ist, aus der Erkenntnis, Kunst, Religion geflossen sind. Und daraus muß uns die Überzeugung werden, daß wir wieder zurück müssen zu jener menschlichen Seelenverfassung, die wiederum entstehen wird, wenn die Seele erkennt, indem sie religiös durchwellt, künstlerisch durchströmt wird; zu jener Seelenverfassung, die wiederum tief lebensvoll das versteht, was schon Goethe gemeint hat mit dem Worte: Das Schöne ist eine Manifestation geheimer Naturgesetze, die ohne dessen Erscheinung ewig verborgen geblieben wären. — Das Geheimnis der Menschheitsentwickelung innerhalb des Erdenseins, innerhalb des Erdenwerdens, das verrät uns selbst diese innerliche Einheit alles dessen, was der Mensch erkennend religiös und künstlerisch mit der Welt zusammen durchmachen muß, damit er mit dieser Welt zusammen seine Gesamtentfaltung erleben kann.
Und es ist schon so, daß jetzt die Zeit gekommen ist, wo diese Dinge den Menschen wiederum zum Bewußtsein kommen müssen, weil sonst einfach die menschliche Natur in ihrer Seelenhaftigkeit verfallen müßte. Der Mensch müßte heute und in die nächste Zukunft hinein durch die intellektualistisch werdende einseitige Erkenntnis seelisch vertrocknen, er müßte durch die einseitig gewordene Kunst seelisch stumpf werden und durch die einseitig gewordene Religion überhaupt seelenlos werden, wenn er nicht den Weg finden könnte, der ihn zur inneren Harmonie und Einheit dieser drei führen könnte, wenn er nicht den Weg finden könnte, auf eine bewußtere Art, als es einmal der Fall war, aus sich herauszukommen und das Übersinnliche wiederum mit dem Sinnlichen zusammen zu schauen und zusammen zu hören.
Gerade wenn man mit Geisteswissenschaft hinblickt auf die älteren, tieferen Persönlichkeiten der werdenden griechischen Kultur, auf jene Persönlichkeiten, als deren Nachkommen sich dann ein Äschylos, ein Heraklit entwickelt haben, dann findet man, daß diese Persönlichkeiten, insofern sie in die Mysterien eingeweiht waren, alle ein gleiches Gefühl hatten aus ihrer Erkenntnis heraus und aus ihren künstlerischen Schöpferkräften, die sie eben noch so fühlten, wie ja auch Homer «Singe, o Muse, vom Zorn mir des Peleiden Achilleus» — nicht als etwas persönlich in ihnen Waltendes, sondern als etwas, was sie in ihrem religiösen Empfinden in Gemeinsamkeit mit der geistigen Welt verrichteten, und wodurch sie sich sagten: Die Menschen haben in uralten Zeiten sich eigentlich als Menschen erlebt, indem sie durch die wichtigsten menschlichen Betätigungen — wie ich es Ihnen für das Musikalische gezeigt habe, aber auch bei dem Gedankenfassen war es so — aus sich herausgingen und mit den Göttern zusammen erlebten. Das, was sie da erlebten, das haben die Menschen verloren.
Diese Stimmung des Verlustes eines uralten Erkenntnis- und künstlerischen und religiösen Besitzes der Menschheit, die lastete durchaus auf den tieferen griechischen Seelen.
Über den neueren Menschen muß etwas anderes kommen. Über den neueren Menschen muß kommen, daß er durch Entfaltung der rechten Kräfte seines seelischen Erlebens dahin gelangt, das, was einstmals verloren worden ist, wieder zu finden. Ich möchte sagen: Der Mensch muß ein Bewußtsein davon entwickeln — wir leben ja im Bewußtseinszeitalter -, wie das, was nun innerlich geworden ist, wiederum den Weg nach außen zu dem Göttlich-Geistigen findet. Und solches wird sich vollziehen können - ich habe es angedeutet auf eine Frage hin, die im Goetheanum beim ersten Hochschulkursus gestellt worden ist —, solches wird sich auf einem Gebiete zum Beispiel ereignen, wenn der innerliche Reichtum der Empfindungen, der in der Melodie erlebt wird, einmal auf den einzelnen Ton übergehen wird, wenn der Mensch das Geheimnis des einzelnen Tones erfahren wird, wenn, mit andern Worten, der Mensch nicht nur Intervalle erleben wird, sondern wirklich auch mit innerlichem Reichtum, mit innerlicher Mannigfaltigkeit des Erlebens den einzelnen Ton wie eine Melodie wird erleben können. Davon ist heute noch kaum eine Vorstellung vorhanden.
Aber Sie sehen, wie die Dinge fortgehen: von der Septime zur Quinte, von der Quinte zur Terz, von der Terz zur Prim herunter, bis zum einzelnen Ton, und dann weiter fort. So daß dasjenige, was einstmals ein Verlieren des Göttlichen war, sich wandeln muß für die Menschheitsentwickelung, wenn die Menschheit auf Erden sich weiterbilden und nicht untergehen will, sich wandeln muß für die Erdenmenschheit in ein Wiederfinden des Göttlichen.
Wir verstehen die Vergangenheit nur richtig, wenn wir ihr das rechte Ebenbild für unsere Entwickelung in die Zukunft hinein entgegenzustellen vermögen, wenn wir ganz tief, erschütternd tief das empfinden können, was noch in uralter Griechenzeit ein tieferer Mensch empfunden hat: Ich habe die Gegenwart der Götter verloren -, und wenn wir dem entgegensetzen können wiederum aus erschütterter, aber intensiv und innigst strebender Seele: Wir wollen den Geist, der im Keim in uns ist, zum Blühen und Fruchten bringen, damit wir die Götter wiederfinden können.


Third Lecture
Lately I have repeatedly had to draw attention to the fact that one could just as well give a description of man's life for the time he always spends between falling asleep and waking up as one could for the time between waking up and falling asleep. Everything that man experiences between waking and falling asleep, he experiences through his physical and etheric body. Because he has appropriately developed sense organs in the physical and etheric body, he becomes aware of this world, which as his environment is connected with the physical and etheric body, is, so to speak, one with him. Because in his present state of development he has not in his ego and astral body similarly developed spirit-soul organs, which would be, so to speak - if I may use the paradoxical expression - supersensible sense organs, he cannot bring to his consciousness that which he experiences between falling asleep and waking up. So that only a spiritual contemplation could survey that which would, so to speak, contain the biography of this ego and astral body, parallel to the biography that comes about with the help of the physical and etheric body.
Now, if one speaks of the experiences of man in the time between waking up and falling asleep, then that which takes place together with him, experienced by him and brought about by him, in his physical-etheric environment necessarily belongs to these experiences. We must therefore speak of a physical-etheric environment, a physical-etheric world, in which the human being is between waking up and falling asleep. In the same way, however, he is in a world between falling asleep and waking up, only this is a world of a completely different nature than the physical-etheric world. And it is possible for the supersensible vision to speak of this world, which is our environment when we are asleep, just as the physical world is our environment when we are awake. And in these lectures we want to let something come before our soul that can illuminate this world. The elements for this are given in what you will find described, for example, in my “Secret Science in Outline”. There you will find a certain description, albeit sketchy, of how the realms of the physical-etheric world, the mineral, vegetable, animal and human realms, continue upwards into the realms of the higher hierarchies. Let us consider this a little today.
We want to say to ourselves: When we turn our eyes or the other sensory organs out into our physical-etheric environment in a waking state, then we perceive the three kingdoms of nature or four kingdoms: the mineral, the vegetable, the animal and the human kingdom. If we now go further up into those regions that are only accessible to the supersensible, we have, so to speak, the continuation of these realms: the realm of the Angeloi, the Archangeloi, the Archai, the Exusiai, Dynamis, Kyriotetes and so on (see diagram, page 47).
So we have two worlds that interpenetrate each other: the physical-etheric world and the supersensible world. And we already know that between falling asleep and waking up we are really in this supersensible world and have experiences with it, although these experiences do not come to the ordinary consciousness because of the missing spiritual-mental organs.
Now it is a matter of understanding more precisely what man experiences in this supersensible world if one, I would like to say, gives a kind of description of this supersensible world in the same way as one gives it through natural science, through history, of the physical-etheric world. For such a, let us say, supersensible science of the actual course of events in the world in which we are as sleeping human beings, one must of course first pick out individual events. And today I will first pick out an event that is of profound significance for the whole development of humanity in the last millennia.
From one side, namely from the side of the physical-etheric world and its history, we have already discussed this event several times. Today we want to discuss it to a certain extent from the other side, from the side that shows itself when one takes the point of view not in the physical-etheric world, but in the supersensible world. The event I am referring to, which I have often described from one point of view, is the one that took place in the 4th century AD.
I have described how the whole constitution of the human soul of the Occident becomes a different one in this 4th century after Christ, how it is indeed so that without a spiritual-scientific approach to the matter one no longer understands at all how people felt and sensed in the time that preceded the 4th century after Christ. But we have often described this feeling, this state of mind. In other words, we have described what people experienced in the course of the period into which this 4th century after Christ falls. Today we want to take into consideration a little of what those beings who belong to this supersensible realm experienced at that time. We want to turn to the other side of life, so to speak, we want to take the point of view of the supersensible.
It is a prejudice of the present so-called enlightened humanity that their thoughts are only in their heads. We would not know anything about things through thoughts if these thoughts were only in people's heads. The person who believes that thoughts are only in people's heads is, as paradoxical as it sounds, subject to the same prejudice as someone who believes that the sip of water with which he quenches his thirst originated on his tongue and did not flow from the water jug into his mouth. Basically, it is just as ridiculous to claim that thoughts originate in the human mind as it is to say - when I quench my thirst with a drink of water that I have in the jug - that the water originated in my mouth. Thoughts are indeed spread out in the world. Thoughts are the forces at work in things. And our thinking organ is just something that draws from the cosmic reservoir of thought forces, that takes thoughts into itself. So we must not speak of thoughts as if they were something that belongs only to man. We must speak of thoughts in such a way that we are aware of them: Thoughts are the world-dominating forces that are spread everywhere in the cosmos. But these thoughts do not fly around freely, they are always carried, worked by some kind of beings. And, what is most important, they are not always carried by the same, not always by the same entities.
When we turn to the supersensible world, we find through supersensible research that the thoughts through which people make the world comprehensible to themselves were carried outside in the cosmos - I could also say: streamed out; earthly expressions fit little for these sublime processes and beingnesses -, that these thoughts were therefore carried, streamed out up to the 4th century AD by the beings of those hierarchies which we call Exusiai or form beings (see diagram on page 47).
When an ancient Greek, out of the science of his mysteries, wanted to give an account of where he actually got his thoughts from, he had to do this in such a way that he said to himself: I turn my spiritual gaze upwards to those beings of whom it is revealed to me through the science of mysteries as the beings of form, as the form forces, form beings. These are the bearers of cosmic intelligence, these are the bearers of cosmic thoughts. They let the thoughts flow through the world events, and they pass these human thoughts on to the soul, which visualizes these thoughts through experience. - Whoever, for example, had lived into the supersensible world through a special initiation in those ancient times of Greek life and had come to experience these form beings, saw these form beings, and in order to form the right picture of them, the right imagination, he had to add to them as an attribute the luminous thoughts flowing through the world. As an ancient Greek, he saw these form beings as luminous powers of thought emanating from their limbs, which then enter into the world processes and continue to work there as the world-creating powers of intelligence. He said, for example: The powers of form, the Exusiai, they have the vocation in the universe, in the cosmos, to pour thoughts through the world processes. -- And just as sensuous science describes the actions of men by noting this or that which men do individually or together, so a supersensible science, when it considers the activity of the powers of form for the characterized age, should describe how these supersensible beings allow the powers of thought to flow to each other, how they receive them from each other, and how in this flowing and in this receiving are incorporated those world processes which then present themselves to man as the phenomena of nature.

Now, in the development of humanity, the 4th century after Christ was approaching. And this brought the extraordinarily significant event for this supersensible world that the Exusiai - the forces, the entities of form - gave up their powers of thought to the Archai, to the primal forces or primal beginnings (see diagram).
At that time the primordial beginnings, the Archai, entered the profession that the Exusiai had previously practiced. Such processes exist in the supersensible world. This was an extremely important cosmic event. From that time on, the exusiai, the beings of form, retained only the task of regulating the outer sensory perceptions, that is, to control with special cosmic powers everything that is present in the world of colors, sounds and so on. So that he who looks into these things must say for the age that came after the 4th century AD: He sees how the world-dominating thoughts are handed over to the Archai, to the primal beginnings, and how that which eyes see, ears hear, in its manifold world-shaping, in its constant metamorphosis, is the fabric woven there by the Exusiai, who formerly gave the thoughts to men, who thus now give them the sensations, while the primal beginnings now give them the thoughts.
.And this fact of the supersensible world was reflected down here in the sensory world in such a way that in those older times, in which the Greeks, for example, lived, thoughts were perceived objectively in things. Just as we believe today to perceive the red or the blue in things, so the Greeks found a thought not merely grasped with their heads, but radiating forth, radiating out of things, just as the red or the blue radiates forth.
I have described this in my book “The Riddles of Philosophy”, what this other, I would like to say, the human side of the matter is. How this important process of the supersensible world is reflected in the physical-sensible world is described in my book “The Riddles of Philosophy”. There one uses philosophical expressions because the language of philosophy is a language for the material world, whereas when one discusses the point of view in the supersensible world, one also has to speak of the supersensible fact that the profession of the Exusiai has passed to the Archai.
Such things are preparing themselves in humanity throughout whole epochs. Such things are connected with thorough transformations of human souls. I say that this supersensible fact took place in the 4th century after Christ; but that is only an approximation, for that is, so to speak, only a middle point in time, while this transfer has been going on for a long time. It was already prepared in pre-Christian times and was only completed in the 12th, 13th, 14th century AD. The 4th century is, so to speak, only the middle point in time that has been indicated to point to something specific in the historical development of humanity.
Now, at the same time, we are at that point in the development of mankind when the view into the supersensible world begins to darken completely for man. The consciousness of the soul ceases to look, to perceive supersensibly, as this human soul surrenders to the world. Perhaps this will come before your soul even more intensely if we illuminate it from another side.
What is it that I want to point out so intensively? It consists in the fact that people feel themselves more and more in their individuality. As the world of thought passes from the form beings to the primordial beings, from the Exusiai to the Archai, man feels the thoughts of his own being more, because the Archai live one step closer to man than the Exusiai. And when man begins to see supersensibly, he has the following impression. Then he says: Well, there is this world that I overlook as the sensual one. Let us say that the yellow (see diagram on page 50) is the side turned towards my senses, the red is the side that is already hidden and turned away from the senses.
The ordinary consciousness knows nothing at all of the relationships under consideration here. But the supersensible consciousness certainly has the sensation: If the human being is here (see diagram on p. 50), then between the human being and the sense impressions are Angeloi, Archangeloi and Archai; they are actually on this side of the sensory world. They cannot be seen with the ordinary eyes, but they are actually between the human being and the whole sensory world. And the Exusiai, Dynamis, Kyriotetes are actually only beyond; they are covered by the sensory carpet. So that the human being, who has a supersensible consciousness, perceives the thoughts, after they have been handed over to the Archai, as approaching himself. He feels them as if they were now lying more in his world, whereas before they were behind the colors, the red, the blue, which is in the things, inside, so to speak, coming through the red, the blue, or also through the C sharp or through the G. Since this transfer, he feels that he is in freer communication with the world of thought. This also creates the illusion as if the person made the thoughts themselves.

But man has also only developed in the course of time to take into himself, so to speak, what was previously presented to him as an objective external world. This only came about gradually in the development of mankind. If we now go back quite far in the development of mankind, if we go back beyond the Atlantean catastrophe to the old Atlantean times, I ask you to imagine the human structure in the Atlantean times as I have described it in my “Secret Science” or in the treatises “From the Akashic Chronicle”. As you know, these people were quite differently formed. Their bodily substance was of greater fineness than it later became in the post-Atlantean period. As a result, their souls - as described in the books - had a completely different relationship to the world, and these Atlanteans experienced the world in a completely different way. I just want to mention one thing about this special kind of experience. For example, these Atlanteans could not experience a third, not even a fifth. They could only begin to experience music by experiencing the seventh. And then they experienced further intervals, the smallest of which was the seventh. They ignored thirds and fifths; they didn't exist for them.
As a result, however, the experience of the tonal structures was completely different, the soul had a completely different relationship to the tonal structures. If, without the intermediate intervals, one lives musically only in sevenths, and lives in sevenths as naturally as the Atlanteans lived in sevenths, then one does not perceive the musical as something that happens to one or in one as a human being, but one is outside one's body at the moment in which one perceives musically at all, one lives outside the cosmos. And that's how it was with the Atlanteans. For the Atlanteans, the musical experience coincided with a directly religious experience. Their experience of sevenths came to them in such a way that they could not say that they themselves had something to do with the creation of the seventh intervals, but they felt how the gods, who flowed and wove through the world, revealed themselves in sevenths. They could not have made any sense of it: I make music. - They could only associate a meaning with it if they said: I live in the music made by the gods.
Well, this musical experience was still present to a much lesser extent in the post-Atlantean period, a time in which people essentially lived in intervals of fifths. You must not compare this with the way people perceive fifths today. Today man perceives the fifth in such a way that it gives him the impression of an unfulfilled exterior. It has something empty for him, in the best sense of the word, but something empty. It has become empty because the gods have withdrawn from mankind.
Even in the post-Atlantean period, man experienced in his intervals of fifths that the gods actually lived in these fifths. And only later, when the third appeared within the musical, the major and minor third, was it the case that the musical was now, as it were, submerged in the human mind, that man was no longer enraptured with the musical experience. In the real age of fifths, man was still enraptured with his musical life. In the age of thirds, which, as you know, emerged relatively late, man's musical experience is within himself. He takes the musical into his physicality. He interweaves the musical with his physicality. That is why the difference between major and minor arises with the experience of the third, and on the one hand we experience what we can experience with the major, and on the other hand what we can experience with the minor. The musical experience is linked to the human uplifted, joyful, depressed, painful, sorrowful moods, which man experiences as the bearer of his physical and etheric body, with the emergence of the third, with the entry of major and minor into the musical. To a certain extent, man takes his world experience out of the cosmos and connects himself with his world experience. In older times he had his most important experience of the world in such a way - and this was certainly still the case in the age of fifths, but to a greater extent in the age of sevenths, if I may use these expressions - that it immediately enraptured him, that he could say: The world of tones draws my ego and my astral body directly out of my physical and etheric body. I interweave my earthly existence with the divine-spiritual world, and the sound formations resound as something on whose wings the gods waft through the world, whose wafting I experience by perceiving the sounds.
So you see in this particular field how the cosmic experience approaches man, so to speak, how the cosmos penetrates into man, how we must, so to speak, when we go back to ancient times, seek the most important human experience in the supersensible, and how then the time comes when man as a sensual-earthly phenomenon, I would like to say, must be taken along when the most important world events are described.
This happens in that age which comes after the thoughts of the beings of form have been handed over to the primal beginnings. This is also expressed by the fact that the old age of fifths - which was already earlier than that handover - passes over into the age of thirds, into the experience of major and minor.
Now it is particularly interesting when precisely with this experience we go back to an even older time than the Atlantean, that is, to a time of human development on earth, which blurs in the grayest, most distant past for the retrospective, but the view of which can be brought forth through supersensible seeing. There we even come to an age - you will find it described in my “Secret Science” as the Lemurian age - where man can no longer perceive the musical at all in such a way that he can become aware of an interval within an octave, but there we come to a time in which man only perceives an interval in that the interval overlaps the octave, thus something like this:

so that man only perceives this interval c d, that is, the d of the next octave.
In the Lemurian age we therefore have a musical experience that cannot take place by listening to an interval within an octave, but rather the interval goes beyond the octave to the first note of the following octave, and then it goes to the following note of the second octave. And there the human being experiences something that is difficult to name; but you can perhaps get an idea of it when I say: the human being experiences the second of the next octave and the third of the second octave. He experiences a kind of objective third, and there again the two thirds, namely the major and the minor third. Only that the third - that which he experiences there - is of course not a third in our sense, for only if I assume the prime in the same octave is the tone that I mean in relation to the second-next prime the third. But in that man could directly experience the intervals, which for us today are such that we say: prime in one octave, second in the next octave, third in the third octave - this older man perceived that which is a kind of objective major and objective minor, a major and minor no longer experienced in itself, but a major and minor which was felt as the expression of the spiritual experience of the gods. The people of the Lemurian age experienced, one cannot now say joy and sorrow, exaltation and depression, but one must say: The people experienced through this special musical feeling in the Lemurian age, in that they were completely out of themselves in the perception of these intervals, the cosmic jubilant sounds of the gods and the cosmic lamentations of the gods. -- And we can look back to an earthly age, really experienced by men, in which that which man experiences today in major and minor was, so to speak, projected out into the universe. What he experiences inwardly today was projected out into the universe. What today sweeps through him in his mind, in his feelings, he heard in rapture from his physical body as an experience of the gods outside. What we would have to characterize today as an inward experience of the gods, he perceived in the rapture from his body outside as the cosmic jubilant song, as the cosmic jubilant music of the gods, as the expression of joy over their creation of the world. And what we have today as inner minor experiences was once perceived by man in Lemurian times as the tremendous lament of the gods about the possibility that man could fall into what was then described in biblical history as the Fall of Man, as the apostasy from the divine-spiritual powers, from the good powers.
This is something that resounds to us from that wonderful knowledge of the ancient mysteries, which passes of its own accord into the artistic, that we hear how it is not only described in abstract terms that people once went through the Luciferic and Ahrimanic seduction and temptation and experienced this or that, but that people have heard how in ancient times on earth the gods made jubilant music in the cosmos out of the joy of their world creation, and how they have already looked prophetically, as it were, at the apostasy of men from the divine-spiritual powers, and expressed this looking in the cosmic lament.
This artistic grasp of something that later took on ever more intellectualistic forms is something that resounds from the ancient mysteries, and from which we can gain the deep conviction that it is a source from which knowledge, art and religion have flowed. And from this we must become convinced that we must again return to that human constitution of soul which will again arise when the soul recognizes by being religiously suffused, artistically suffused; to that constitution of soul which again deeply and vividly understands what Goethe already meant when he said: Beauty is a manifestation of secret laws of nature which would have remained eternally hidden without its manifestation. - The secret of the development of mankind within being on earth, within becoming on earth, reveals to us this inner unity of all that man must go through together with the world in a cognitive, religious and artistic way, so that he can experience his total unfolding together with this world.
And it is already so that now the time has come when these things must again come to people's consciousness, because otherwise human nature would simply have to decay in its soulfulness. Today and in the near future man would have to dry up spiritually through the one-sided knowledge that is becoming intellectualistic, he would have to become spiritually dull through art that has become one-sided and become soulless in general through religion that has become one-sided, if he could not find the way that could lead him to the inner harmony and unity of these three, if he could not find the way to come out of himself in a more conscious way than was once the case and to see and hear the supersensible together with the sensual again.
If one looks with spiritual science at the older, deeper personalities of the emerging Greek culture, at those personalities as whose descendants an Aeschylus, a Heraclitus then developed, then one finds that these personalities, insofar as they were initiated into the Mysteries, all had the same feeling out of their knowledge and out of their artistic creative powers, which they still felt in the same way, as Homer, “Sing, O Muse, of the wrath of Peleid Achilles” - not as something personally active in them, but as something which they carried out in their religious feeling in common with the spiritual world, and through which they said to themselves: In ancient times, people actually experienced themselves as human beings by going out of themselves through the most important human activities - as I have shown you for the musical, but it was the same with thought-perception - and experiencing them together with the gods. What they experienced there is what humans have lost.
This mood of the loss of an ancient cognitive, artistic and religious possession of humanity weighed heavily on the deeper Greek souls.
Something else must come over the newer man. It must come over the newer man that through the unfolding of the right powers of his spiritual experience he may find again that which was once lost. I would like to say: Man must develop an awareness - we live in the age of consciousness - of how that which has now become inner can again find its way outwards to the divine-spiritual. And this will be able to take place - I have hinted at it in response to a question that was asked at the Goetheanum during the first university course - this will happen in one area, for example, when the inner richness of the sensations that are experienced in the melody is transferred to the individual note, will one day pass over to the individual tone, when man will experience the mystery of the individual tone, when, in other words, man will not only experience intervals, but will really be able to experience the individual tone with inner richness, with inner diversity of experience, like a melody. There is hardly any idea of this today.
But you see how things progress: from the seventh to the fifth, from the fifth to the third, from the third to the prime, down to the single tone, and then further on. So that what was once a loss of the divine must change for the development of humanity, if humanity on earth wants to continue to develop and not perish, must change for earthly humanity into a rediscovery of the divine.
We only understand the past correctly if we are able to counter it with the right image for our development into the future, if we can feel deeply, shatteringly deeply what a deeper human being felt in ancient Greek times: I have lost the presence of the gods - and if we can counter this again from a shaken, but intensely and deeply striving soul: We want to bring the spirit that is in us in germ to blossom and bear fruit so that we can find the gods again.

