The Rudolf Steiner Archive

Bearing in mind what we sought to study yesterday, let us consider how matters actually stand in regard to what we call man's Saturn evolution.

If we remember the course of yesterday's lecture,¹ we know that there is concealed within us, within our human being, something that was first implanted in us during the Saturn period, namely, the first rudiments of our physical bodily nature. What we have acquired from the ancient Saturn evolution can be met with nowhere today in the external world. In primeval ages the Saturn evolution arose and again passed away; it possessed characteristics, forces, which seek in vain if we look around us today. For even if we look out to the stars in cosmic space we do not at first find what prevailed within the old Saturn evolution.

After this ancient Saturn evolution had died away, there came as you know, the Sun evolution and then the Moon evolution and today we are living in the Earth evolution. Three evolutionary periods have gone by. And all that formed their peculiar characteristics has passed away with them and is no more to be found in our field of vision. We can only find the characteristics of the Saturn evolution among the hidden occult activities which pulsate through the world. We can still, as it were, uncover the forces which at that time worked upon our physical body.

If you recollect what was shown in my book Outline of Occult Science you are aware that there was an active co-operation at that time between the Spirits of Will and the Spirits of Personality. This co-operation still exists today though it cannot be discerned externally. We find it if we look into what we call our personal karma. Please note, my dear friends, that our personal karma is woven in such a way that what befalls us in successive earth lives is connected as cause and effect. The forces active in our personal stream of destiny cannot be investigated by the official Natural Scientist. He will find nothing among the forces disclosed in the field of Physics, Chemistry, Biology, Physiology etc., which calls forth the connection of cause and effect that comes to expression in our personal karma. The laws prevailing there are withdrawn from physical observation as well as from the historical observation pursued today by the so-called cultural-scientist of a materialistic colouring. The modern investigation of historical evolution, the history which is written nowadays of Persia, Egypt, Greece, Rome, up to our own time, contains laws which have nothing to do with the forces active in our karma. Thus the historian, the modern materialistic scientist studying civilization does not discover the laws dependent on man's personal karma.

History is looked upon as a continuous stream and no one considers to what extent historical evolution depends on the fact that human souls, for instance, who were personalities in ancient Roman times are present again today. The fact that they participate in current events and that the way in which they do so flows out of their personal karma finds no place in modern materialistically coloured history.

If we seek therefore for forces having something of the nature-forces of old Saturn we have to go to the law of our personal karma. Only when we learn to read what is in the surrounding cosmos and not merely to observe it, do we gain an insight into how the laws of ancient Saturn are still in a certain way active.

If we turn our attention to the ordering and out-streaming of the twelve Signs of the Zodiac as a cosmic script, and consider what radiating forces pour into human life from Aries, Taurus, Gemini etc., we are then thinking in the sense of forces which were Saturn forces. And if we try to bring personal karma into connection with the constellations which relate to the zodiacal signs, we are then living approximately in the sphere of that world-conception which must be employed for the laws of the ancient Saturn epoch.

Thus nothing visible has remained, nothing that may be perceived, and yet there is still remaining an invisible element which may be interpreted out of the signs of the cosmos. Anyone who thought that Aries, Taurus, Gemini etc., made his destiny would be living under the same delusion as a man who had been sentenced by a certain legal passage and then conceived a special hatred of this paragraph in the law and believed that it had sent him to gaol. Just as little as a legal paragraph printed on the white page can sentence a man, can Aries, Taurus, or Gemini, bring about destiny. Yet one can read from the star-script the connection between the cosmos and human destiny. And thus we can say that what follows from the star script is a remainder of the ancient Saturn evolution, is indeed the ancient Saturn evolution become entirely spiritual, but leaving its signs behind in the star-script of the cosmos.

When we proceed from the Old Saturn evolution to the Moon evolution we must be clear that at first there is nothing so directly (I said; at first, so directly) in our surrounding field of vision; external nature contains in the first place in the main no forces which resemble those of the Old Moon evolution. These forces of the Old Moon have also drawn back into concealment, but they have not yet become spiritual to the same degree as the Old Saturn laws. The Saturn laws have become so spiritual that we can only investigate them in the laws of our personal destiny, that is to say, quite outside space and time. When we observe human life as a whole we still find today these ancient Saturn laws, still find what cannot be seen when we confront a man in the physical world.

We have said that in meeting man in the physical world, we have the physical body as coming from the Old Saturn evolution, the etheric from the Old Sun evolution; the astral body from the Old Moon, and the Ego. And when we look at man externally and observe his form it is solely this embodiment of the ego which is not a relic from other periods of evolution. It is the laws of Earth which prevail and are active when the ego fashions man for itself and embodies itself. The laws of the Moon evolution, the laws of the astral body have already withdrawn and are no longer outwardly active. Now if we encounter a man we shall say: “You, O Man, as you confront me as material man are an embodiment of the Ego. But deep in the background of your being lies your invisible personal destiny.” How this invisible human destiny is determined comes under the rule of ancient Saturn laws. There we are already appealing to something entirely spiritual when, from the earthly laws of the embodiment of the Ego, we look towards the ancient Saturn laws. If, however, we look from what stands before us in the human being towards what still prevails in him from the Old Moon laws we find something not so spiritual. But this too has withdrawn from the external activity of the world, this too is not directly under the active forces of Earth-existence.

Where then must we seek for what has remained behind from the ancient Moon activity? We must we seek it protected and embedded, veiled from Earthly existence. For it is active in the period before man enters Earth existence through his physical birth, it is active before the external physical ray of light can penetrate his eye, it is active before he can first draw breath. It is active from the conception to birth, active in the embryonic life. I beg you expressly to notice, however, it is not active in that which develops from the ovum to the external physical human being; in what grows from the ovum, becoming greater and greater through continuous division, the forces of the Earth are working. But it is active in what exists only in the mother and dies away during the embryonic development, in what is lost with the birth and perishes. In all that envelops the earthly human being and cares for its nourishment before it is born, in all that ensheaths the growing human being and then falls away from it—in that rule the ancient Moon laws. And with this we have something that goes beyond the single human life, that forms a connection between the individual man and his ancestors and is included in the concept of heredity.

Thus we see something that existed during the Old Moon evolution still playing an active part, though not in the external world. In the outer world it acts only, so to say, as a dying away in human development, as something that is overcome as soon as the human being draws the first active breath for earthly life.

If one would study the laws of the Old Moon existence—or at any rate a part of them—purely physiologically and not clairvoyantly, the only way to do so today would be to study the laws at work in the sheaths surrounding the human embryo before it draws the first breath, enfolding it and nourishing it. What is there enclosed in the mother's body, what can only thrive during earthly evolution within the protecting sheath of the maternal body was the whole nature during the Old Moon evolution; it filled the whole field of vision.

Thus there die not only beings in so far as they have a sheath-nature, but whole types of natural laws, and exist in succeeding ages solely as last remains. Now you will have to ask the question: How does it stand with what is derived from the Sun?

Let us look at yesterday's diagram. We have seen that through all complications that appear here, we have to do with the complete human being, with his physical body, etheric body, astral body, Ego,—etheric body, astral body, ego,—astral body, ego, and with the ego itself.

All that is above the dividing line is really the hidden part of human nature. If we wish to study the laws underlying the foundation of the physical body we must look to super-sensible laws determining man's destiny. If we look towards that which rules in the astral body and finds its embodiment in the physical body, we have something that is not so spiritual, so super-sensible, but something that melts from the sense-perceptible into the super-sensible. For the part that falls away from the human embryo becomes so to say more and more atomistic. The nearer the human being approaches birth the more it dissolves materially and becomes increasingly spiritual. For that which is attached to the human being as astral body and etheric body has originated through the spiritualising of those parts of the embryonic sheaths which fall away.

The question could now arise: how does it stand with regard to the Sun part? Can we find the Sun portion somewhere in the world? This too withdraws from sense perception. Whereas what we call karma, personal destiny, or, one might say, the Saturn part of man, lies in lofty spiritual regions, we have seen that we need not ascend so high in the case of the Moon part, for we found it still ensheathed in the sensible. Nor in the case of the Sun part need we ascend so high as for the Saturn part. One can still apprehend it but it is not easily recognised.

I should like to give you an example of something where you can still recognise the Sun-part that is active, although attention can only be directed to it in a veiled way. Those of you who have acquainted yourselves with the new edition of my book, Riddles of Philosophy in Outline will have found that four periods in the development of Philosophy are distinguished. I have called the first period “The World-conceptions of the Greek Thinkers”. This lasted from 800 B.C.—in round numbers—or 600 B.C. to the birth of Christ, i.e. into the age of the origin of Christianity. A second period lasted from the rise of Christianity to about 800 – 900 A.D. up to the time of John Scotus Erigena. Then came a third period which I have called “the World-conception of the Middle Ages”, and which lasted from 800, 900 A.D. to 1600 A.D. And then there is the forth period up to our own time; we are just in this period. Eight-hundred year periods have been assigned to the history of philosophy, presented in such a way as was possible in a book meant for a public still quite unacquainted with Spiritual Science.

The intention was to give everything that could stimulate the mind and let the spiritual structure of these periods work upon one. The characteristic of the first period consists in the fact that a transition is found from a very remarkable ancient thinking to what one can call the life of thought in ancient Greece. Our age has not made much progress in the understanding of such differences, the difference, for instance, between the thought life of our own time and that of ancient Greece. Our clumsy thinking believes that thought lived in an ancient Greek head just as it lives today in the head of modern man. Thought lived in Socrates, Plato, even in Aristotle quite differently from how it lives in present-day mankind; this present thought-life first awoke in the 7th, 6th century B.C. Before that there was no actual life of thought. As my book sets out, one can speak of a beginning, of a birth of thought-life in this age of ancient Greece.

People have conceived that most curious ideas about the great philosophical figures of Thales, Anaxagoras, Anaximenes, etc. It has been pointed out, for instance, that Thales believed that the world originated out of water, Anaxagoras out of air, Heraclitus from fire. I have shown how these ancient philosophers formed their philosophies from the human temperament. They were not based on speculation, but Thales established water as the original ground of things because he was of a watery temperament; Heraclitus founded the fire-philosophy because he was of a fiery temperament and so on. You find that shown in detail in my book.

Then comes the actual thought-life. And in the epoch described here the thought-life is still essentially different from that of modern times. The Greek thinker does not draw up thoughts from the depths of his soul, but thought is revealed to him just as external sound or colour is revealed to modern man. The Greek perceives the thought; he perceives it from outside and when we speak of Greek philosophy we must not speak of such a mode of thinking as is normal today, but of thought-perception. Thus in the first period we are concerned with thought-perception. Plato and Aristotle did not think in the way the modern philosopher thinks, they thought as today we see, perceive. They looked out into the world, as it were, and perceived the thoughts which they expound to us in their philosophies just as much as one perceives a symphony. They are thought-perceivers. The world reveals to them a thought-work; that is the essential character of the Greek thinker. And this perception of the thought-work of the world was brought to the highest pitch of perfection by the Greek thinker.

If the philosophers of today believe that they understand what Plato and Aristotle perceived as a universal symphony of thoughts, that is only due to a childish stage of the modern philosopher. The modern philosophers have a long way to go before they can fully grasp what Aristotle represents as Entelechy, what he gives as the members of the human soul nature—Aesthetikon, Orektikon, Kinetikon etc. The inner activity of thinking, where one draws the thoughts out of oneself, where one must make subjective efforts in order to think, did not as yet exist in Greece. It is completely foolish to believe that Plato thought he perceived thoughts. To believe that Aristotle already thought in the modern sense, is nonsense ... he perceived thoughts.

Modern man can hardly imagine what that is, for he makes no concepts of actual evolution. He gets slight goose-flesh if one tells him that Plato and Aristotle did not think at all in the modern sense, and yet it is a fact. In order that thinking in the modern sense might take root in the modern human soul, an impulse had to come that seized its inmost part, an impulse that has nothing to do with the thought-symphony in the surrounding world but which grips man's inmost being. This impulse came from Christ and hence this period of philosophy lasts up to the time of Christ.

In the second period we are concerned with a thinking that is still not man's own individual thought, but is stimulated by the impulse coming from the external world. If you go through all the systems of thought of the philosophers of the second period up to the time of Scotus Erigena you will find everywhere how the Christ-Impulse rules in them. It is what has flowed out of Christ himself, one might say, that gives man the first stimulus to create thoughts from within outwards. This gave the stamp, the physiognomy of the patristic philosophy of the Church Fathers, the philosophy of Augustine and others up to Scotus Erigena. We can therefore say that we no longer have thought-perception, but thought-inspiration stimulated by the spirit.

It was different again in the third period when the inner impulse proceeding from Christianity began to be seized by men themselves. In this third period man begins to be conscious that it is he who thinks. Plato and Aristotle did not think, but they could as little doubt that thought has a fully objective validity as a man seeing green on a tree can doubt that it has a fully objective validity.

In the second period it was the intense belief in the Christ Impulse that gave certainty to the awakening thought. But then began the period when the human soul began to say: “Yes, it is actually you yourself who thinks, the thoughts rise up out of you.” The Christ-Impulse gradually faded and man became aware that the thoughts arose out of himself. It began to occur to him that perhaps he framed thoughts that had nothing at all to do with what is outside. Was it possible that the objective external world had nothing to do with his thoughts?

Think of the great difference between this and the thoughts of Plato and Aristotle: Plato and Aristotle perceived thoughts and therefore they could not doubt that the thoughts were outside. Now, in the third period men became aware: ‘One creates thoughts oneself ... well, then, what have thoughts to do with objective existence outside?’ And so the need arose to give certainty to thinking,—to prove thinking as was said. Only in this period could it occur to Anselm of Canterbury, for instance, to create validity for the idea of God;—for one did not see thoughts as perception. In the former Greek thinking that would have been a complete nonsense, because at that time thoughts were perceived. How can one doubt that God exists when thoughts of the Godhead are as clearly to be seen outside as the greenness of the tree? Doubt first began in the third period when men became aware that they themselves produced the thoughts. The need arose to establish the connection of that which one thinks with that which is outside. In essentials this is the epoch of scholasticism—the becoming aware of the subjectivity of thinking.

When you consider the whole thought-structure of Thomas Aquinas it stands entirely under the aegis of this epoch. The consciousness is present throughout; concepts are created within, concepts are linked together in the same way as the laws of subjectivity. Thus a support must be found for the idea that what is created inwardly also exists outside. There is still at first an appeal to traditional dogmatism, but there is no longer the same attachment to the Christ-Impulse as in the second period of philosophical development.

Then comes the fourth evolutionary period; the independent rule of thought from the external thought-perception, the independent creation of thought from within: free creation of thought, that free creation that comes to light so magnificently in the thought-structures of Giordano Bruno, Spinoza, Decartes, and their successors, Leibniz etc. If we follow up these edifices of thought we observe that they are produced entirely out of the inner being. And everywhere we find that these thinkers had an intense desire to prove that what they created in themselves had also real validity externally. Spinoza creates a wonderful ideal-edifice. But the question arises: Now is that all merely created within, in the human spirit, or has it a significance in the world outside? Giordano Bruno, and Leibniz create the monad which is supposed to be a reality. How does something thought out by man as monad exist at the same time as a reality in the outer world? All the questions which have arisen since the 16th, 17th century are concerned with the endeavour to bring free thought-creation into harmony with external world existence. Man feels isolated, abandoned by the world in his free thought creation. We are still standing in the midst of this.

But now what is this whole diagram?

If we go back to the perception of thoughts which prevailed in the time of the old Greek philosophers then we must say: Philosophic thought in ancient Greece—in spite of the fact that it was the age of the intellectual or mind-soul in ancient Greece—was still a perceptive thinking, was still deeply influenced by the sentient soul, in fact by the sentient, the astral, body. It still clung to the external. The thinking of Thales, of the first philosopher was still influenced by the etheric body. They created their Water—Air—Fire—Philosophies out of their temperament, and the temperament lives in the etheric body. One can therefore say that the philosophy of the sentient body goes into the philosophy of the etheric body. Then we come into the Christian period. The Christ- Impulse penetrates into the sentient soul. Philosophy is experienced inwardly but in connection with what one can feel and believe; the influences of the sentient soul are present. In the third period, that of scholasticism, the intellectual or mind-soul is the essential element of philosophical development. Now the development of philosophy follows a different course from that of human evolution in general. And for the first time since the 16th century we now have philosophy coinciding with the general evolution of mankind, for we have the free thoughts ruling in the consciousness soul.—Consciousness soul! The magnificent example of how free thought prevails from the abstraction of existence up to the highest spirituality, how a thought-organism, leaving aside the world entirely, rules purely in itself, that is the philosophy of Hegel—the thought that lives solely in the consciousness.

If you follow this scheme it is actually the part that I could not show in my book for the public, though it lies in it. And if you read the descriptions given of the separate epochs you will, if you are proper Anthroposophists, very clearly connect them with what I have written here (see diagram). There is thus a development corresponding to that of man himself: from the etheric body to the sentient body, to the sentient soul, to the intellectual soul, to the consciousness soul. We follow a path like the path of man's evolution, but differently regulated. It is not the path of human evolution, it is different. Beings are evolving and they make use of human forces in the sentient soul, in the intellectual soul etc. Through man and his works pass other beings with other laws than those of human development.

You see—these are activities of the Sun-laws!

Here we need not ascend to such super-sensible regions as when we investigate human destiny. It is in the philosophical development of mankind that we have an example of what remains from the Sun-laws.

We had yesterday to write here Angeloi as corresponding to the etheric body (see diagram).

Such Angeloi evolve. And while men believe that they themselves philosophise, Sun-laws work in them—inasmuch as men bear within them what the Sun-evolution laid down in their physical and etheric bodies. And the laws of the Sun-existence, working from epoch to epoch, cause philosophy to become precisely what it is. Because they are Sun-laws, the Christ, the Being of the Sun, could also enter them during the second period. Preparation is made in the first period and then the Christ, the Sun-Being, becomes active in the second period.

You see how everything is linked together. But inasmuch as the Christ, the Sun-Being, enters in, he comes into connection with an evolution which is not the human evolution, not man's earthly evolution, but actually Sun-evolution within Earth existence.

Sun-evolution within Earth existence! Just think what we have actually reached in these reflections. We are considering the course of philosophical development, philosophical thought since the time of ancient Greece, and when we consider how this has evolved from philosopher to philosopher we say to ourselves: there are active within not earthly laws, but Sun laws! The laws which at that time held sway between the Spirits of Wisdom and the Archangels come to light again on earth in the philosophical search for wisdom. Read in the book Occult Science how the Spirits of Wisdom enter during the Sun-evolution. Now during earthly evolution they enter again not into what is new but into what has remained from the Sun-evolution. And man develops his philosophy not knowing that in this development the Spirits of Wisdom are pulsing through his soul. The Old Sun existence lives in the evolution of philosophy; it really and truly lives within something that has stayed behind, something that is connected with the Old Sun-evolution.

Human beings, passing from generation to generation, evolve as external personalities in earthly evolution. But an evolution of philosophy goes through it from Thales up to our present time; the Sun-evolution lies within it. This gives opportunity for beings who have stayed behind to make use of the forces of philosophical evolution in order to carry on their ancient Sun existence; beings who remained behind during the Sun-evolution, who neglected at that time to go through the development that one can pass through in one's etheric body, sentient body, and sentient soul—in cooperation with Spirits of Wisdom and Archangeloi. These Spirits that missed their evolution during the Sun time can use man's philosophical evolution in order to be parasites within human evolution. They are Ahrimanic spirits!

Ahrimanic spirits yield to the enticement of creeping parasitically into what men strive for in philosophy and so of furthering their own existence. Men can thus evolve philosophically but at the same time they are exposed to Ahrimanic, Mephistophelean spirits.

You know that Ahriman and Lucifer are harmful spirits as long as one is not aware of them, as long as they work in secret. As long as they do not emerge and let men face them eye to eye spiritually Ahriman and Lucifer are harmful in one or another way. Let us suppose that a philosopher appears who develops thought of such a nature that one can grasp it in merely earth existence. He develops thoughts that can live through the instrument of earthly reasoning. That is Hegelian thought! It is pure thought, but only such as can be grasped with the instrument of the physical body and this as we know ends at death.

Hegel has achieved thought that is the deepest which can be thought in earthly life—but which must lose its configuration with death. Hegel's tragedy lies in the fact that he did not realise he grasped the spirit in logic, in nature, in soul-life, but only the spirit that exists in the form of thought and does not accompany us when we go through death. To have put this clearly before his mind he would have had to say: If I could believe that what goes through thought, that is to say what I think about abstract being by means of logic, thoughts of nature, thoughts of the soul and up to philosophy—if I could believe that this leads me behind the scenes of existence than I should be deceived by Mephistopheles!

This was realised by another: Goethe realised it and represented it in his Faust as the conflict of the thinker with Mephistopheles, with Ahriman. And in this fourth period of the evolution of philosophy we see how Ahriman presses into the Sun-evolution and how one has to face him consciously, really recognising and comprehending his nature.

Hence today we are also standing at a turning point of the philosophical thought of the outer world. In order to avoid falling prey to the allurements of Ahriman and becoming mephistophelean wisdom, philosophy must get behind this wisdom, must understand what it is, must flow into the stream of Spiritual Science.

Read the two chapters preceding the last one in the second volume of my Riddles of Philosophy. You will see that I tried to present the world concepts prevailing in the world, the philosophical concepts of the world, in order then in a concluding chapter to add A brief view of an Anthroposophy. There you will see how philosophy today in the free emancipated life of thought represents something which, to be sure, rises into the consciousness soul, but how this life, through the consciousness soul, must lay hold of what comes from Spirit itself, philosophically at first, otherwise philosophy must fall into decadence and die.

Thus you see at least one example of the working of the Sun-evolution in human earthly life. I said that one could encounter these sun-laws if one studied the course of philosophical evolution, though one does not always recognise that it is sun-law which is active in it. This must be recognised by Spiritual Science. Just reflect that in reality a Being is evolving which little by little acquires the same members as man himself.

If one were to go still farther back into ancient times one would find that not alone the etheric, but the physical body too gave rise to the forming of world concepts. It is difficult to give clear characteristics of the age that goes back beyond the 12th – 14th centuries B.C.; it lies before Homer, before historical times. But then something was evolving which is not man as man lives upon the earth.

Something lives in history which passes through the etheric body, the sentient body etc., a real, actual Being. I said in my book that in the Grecian era thought was born. But in modern times it comes to actual self-consciousness in the consciousness soul: thought is an independent active Being. This could not of course be said in an exoteric book intended for the public. The anthroposophist will find it however if he reads the book and notes what was the prevailing trend of its presentation. It is not brought into it, but results of itself out of the very subject matter.

You see from this that very many impulses of transformation as regards the spiritual life are coming forward in our time. For here we see something evolving that is like a human being except that it has a longer duration of life than an individual man. The individual man lives on the physical plane: for seven years he develops the physical body, for seven years the etheric body, for seven years the sentient body etc. The Being which evolves as philosophy (we call it by the abstract name ‘philosophy’) lives for 700 years in the etheric body, 700 – 800 years in the sentient body (the time is only approximate), 700 – 800 years in the sentient soul, 700 – 800 years in the intellectual or mind-soul and again 700 – 800 years in the consciousness soul. A Being evolves upwards of whom we can say: if we look at the very first beginnings of Grecian philosophy this Being has then just reached the stage of development which corresponds in mankind to puberty; as Being it is like man when he has reached the 14th – 16th year. Then it lives upwards to the time when a human being experiences the events between the 14th and 21st year; that is the age of Greek philosophy, Greek thought. Then comes the next 7 years, what man experiences from the age of 21 to 28; the Christ Impulse enters the development of philosophy. Then comes the period from Scotus Erigena up to the new age. This Being develops in the following 700 – 800 years what man develops between the ages of 28 and 35 years. And now we are living in the development of what man experiences in his consciousness soul: we are experiencing the consciousness soul of philosophy, of philosophical thought.

Philosophy has actually come to the forties, only it is a Being that has much longer duration of life. One year in a man's life corresponds to a hundred years in the life of the Being of philosophy. So we see a Being passing through history for whom a century is a year; evolving in accordance with Sun-laws though one is not aware of it.

And then only there lies further back another Being still more super-sensible than the Being that evolves as humanity except that a year is as long as a century. This Being that stands behind evolves in such a way that its external expression is our personal destiny, how we bear this through still longer periods, from incarnation to incarnation. Here stand the Spirits regulating our outer destiny and their life is of still longer duration than the life of those for whom we must say that a century corresponds to a year.

So you see, it is as if we look there into differing ranges of Beings, and how, if we wished, we might even write the biography of a Being who stands spiritually as much higher than man as a 100 years is longer than a year.

An attempt has been made to write the biography of a such a Being as had its puberty at the time of Thales and Anaxagoras, and has now reached the stage of its self-consciousness and since the 16th century has entered, so to say, into its ‘forties’. The biography of this Being has furnished a ‘History of Philosophy’.³

From this you see, however, how Spiritual Science gives vitality to what is otherwise abstract, and really animates it. What dry wood for instance, is the usual ‘History of Philosophy’! And what it can become when one knows that it is the biography of a Being which is interwoven in our existence, but evolves by Sun-laws instead of Earth-laws!

It was my wish to add these thoughts to what we have been considering lately about the life-forces which arise in us when we look at Spiritual Science not as a theory but seek it in the guidance to living. And it is just through Spiritual Science that we find the living. What is so unalive, so dry, and withered as the history of philosophy comes to meet us out of the mist as though we looked up to it as a Goddess who descends from divine cloud-heights, whom we see young in ancient times, whom we see grow even if with the slowness where a century corresponds to a year of human life. Yet all this becomes living—the sun rises for us like the Sun within Earth existence itself. For just as the sun rises on the physical plane, so do we see the ancient Sun still radiate into the earthly world in a Being that has a longer lifetime than man. As we follow man's development on the physical plane from birth to death so we follow the development of philosophy by seeing a Being within it. When in this way we look at what Anthroposophy can be to us we reach the point of seeing in it not only a guide to knowledge but a guide to living Beings who surround us even though we are unaware of them.

Yes, my dear friends, something of this was only felt by Christian Morgenstern. And by feeling this, feeling it in the deepest part of his soul, our friend Christian Morgenstern could put into writing a beautiful sentiment, a true anthroposophical sentiment which shows how a soul can express itself which in its inmost being knows itself to be one with our Anthroposophy—not merely as with something giving us various facts of knowledge—but as something that gives us life. In the wonderful poem Lucifer by Christian Morgenstern we have a wonderful example of this. The feeling of this poem lives entirely in the inspiration of which ones feels a breath when, as we have tried to show today, one finds the transition from the presentation of the idea in Anthroposophy to the grasping of living beings.

Lucifer

“I'll keep my light from light of your excluded,
I want you not, your light shall be precluded,
Until my light's my own and separated.

So do I bring the Evil to expression
As Spirit of negation, self-possession,
Yet is new world by ranks of mine created.

By off'ing to un-erring Beings resistance,
A race of err-ant gods has found existence
Who act on their—and not your—discretion.

Who have not walked in Truth from the beginning
Who only reach the Truth through suffering, sinning,
Who only read the truth through sin's transgression.”

Luzifer

“Ich will mein Licht vor eurem Licht verschliessen,
ich will euch nicht, ihr sollt mich nicht geniessen,
bevor ich nicht ein Eigenlicht geworden.

So bring ich wohl das Bose zur Erscheinung
Als Geist der Sonderheit und der Verneinung,
Doch neue Welt erschafft mein Geisterorden.

Aus Widerspruch zum unbeirrten Wesen,
Aus Irr-tum soll ein Gotterstamm genesen,
Der sich aus sich—und nicht aus euch—entscheidet

Der nicht vom Anbeginn in Warheit wandelt,
Der sich die Wahrheit leidend erst erhandelt,
Der sich dies Wahrheit handelnd erst erleidet.”

Christian Morgenstern

If the feeling in this poem leads you to reflect how alive something can becomes that is understood theoretically in Anthroposophy, so that, as it were, one can grasp the Beings who approach us out of the dark abyss of existence, if you take this poem, stimulated by feelings I wished to arouse through today's lecture, then you will see that this figure of Lucifer is really perceived, fashioned in a wonderful way. It is a model example of how what is brought to us by Anthroposophy can become alive and grip our whole soul.

• 1. “The Ego perceived externally as Speech and Song, as creative fantasy, as inner experience.” Dornach, 9th Jan. 1915 (Z69)
• 3. Riddles of Philosophy

Since our departure has been deferred for a few days more, I shall be able to speak to you here today, tomorrow, and the next day. This affords me special satisfaction, because a number of friends have arrived from England, and in this way I shall be able to address them also before leaving.

These friends will have seen that our Goetheanum Building has progressed during the difficult war years. Up to the present time it could not be completed, it is true, and even now we can hardly predict definitely when it will be finished. But what already exists will show you from what spiritual foundations this building has grown, and how it is connected with the spiritual movement represented here. Hence, on this occasion, when after a long interval I am able to speak again to quite a large number of our English friends, it will be permissible to take our building itself as the starting point of our considerations. Then in the two succeeding days we shall be able to link to what can be said regarding the building a few other things whose presentation at this time may be considered important.

To anyone who observes our building—whose idea at least can now be grasped—the peculiar relation of this building to our spiritual movement will at once occur; and he will get an impression—perhaps just from the building itself, this representation of our spiritual movement—of the purpose of this movement. Suppose that any kind of sectarian movement, no matter how extensive, had felt it necessary to build such a house for its gatherings, what would have happened? Well, according to the needs of this society or association, a more or less large building would have been erected in this or that style of architecture; and perhaps you would have found from some more or less symbolical figures in the interior an indication of what was to take place in it. And perhaps you would have found also a picture here or there indicating what was to be taught or otherwise presented in this building. You will have noticed that nothing of this sort has been done for this Goetheanum. This building has not only been put here externally for the use of the Anthroposophical Movement, or of the Anthroposophical Society, but just as it stands there, in all its details, it is born out of that which our movement purposes to represent before the world, spiritually and otherwise. This movement could not be satisfied to erect a house in just any style of architecture, but as soon as the possibility arose of building such a home of our own, the movement felt impelled to find a style of its own, growing out of the principles of our spiritual science, a style in whose every detail is expressed that which flows through this our movement as spiritual substance. It would have been unthinkable, for example, to have placed here for this movement of ours just any sort of building, in any style of architecture. From this one should at once conclude how remote is the aim of this movement from any kind of sectarian or similar movement, however widespread. It was our task not merely to build a house, but to find a style of architecture which expresses the very same things that are uttered in every word and sentence of our anthroposophically-orientated spiritual science.¹

Indeed, I am convinced that if anyone will sufficiently enter into what can be felt in the forms of this building (observe that I say “can be felt,” not can be speculated about),—he who can feel this will be able to read from his experience of the forms what is otherwise expressed by the word.

This is no externality; it is something which is most inwardly connected with the entire conception of this spiritual movement. This movement purposes to be something different from those spiritual movements, in particular, which have gradually arisen in humanity since the beginning of the fifth post-Atlantean cultural period—let us say, since the middle of the 15th century.

And there is an underlying conviction that now, in this present time, it is necessary to introduce into the evolution of humanity something different from anything that has thus far entered into it since the middle of the 15th century. The most characteristic phenomenon in all that has occurred in civilized humanity in the last three or four centuries seems to me to be the following: The external practical life, which of course has become largely mechanized, constitutes today, almost universally, a kingdom in itself,—a kingdom which is claimed as a sort of monopoly by those who imagine themselves to be the practical people of life. Side by side with this external procedure, which has appeared in all realms of the so-called practical life, we have a number of spiritual views, world conceptions, philosophies, or whatever you wish to call them, which in reality have gradually become unrelated to life, but especially so during the last three or four centuries. These views in what they give to man of feelings, sensations, hover above the real activities of life, so to speak. And so crass is the difference between these two currents that we can say: In our day the time has come when they no longer understand each other at all, or perhaps it is better to say, when they find no points of contact for reciprocal influence. Today we maintain our factories, we make our trains run on the tracks, we send our steamboats over the seas, we keep our telegraphs and telephones busy—and we do it all by allowing the mechanism of life to take its course automatically, so to speak, and by letting ourselves become harnessed to this mechanism. And at the same time we preach. We really preach a great deal. The old church denominations preach in the churches, the politicians preach in the parliaments, the various agencies in different fields speak of the claims of the proletariat, of the claims of women. Much, much preaching is done; and the substance of this preaching, in the sense of the present-day human consciousness, is certainly something with distinct purpose. But if we were to ask ourselves where the bridge is between what we preach and what our external life produces in practice, and if we wished to answer honestly and truthfully, we should find that the trend of the present time does not yield a correct answer.

I mention the following phenomenon only because what I wish to call to your attention appears most clearly through this phenomenon: You know, of course, that besides all the rest of the opportunities to preach, there are in our day all kinds of secret societies. Suppose we take from among these societies—let us say—the ordinary Freemasons' Lodges, whether those with the lowest degrees or with the highest. There we find a symbolism, a symbolism of triangle, circle, square, and the like. We even find an expression frequently used in such connections: The Master-Builder of all worlds.

What is all this? Well, if we go back to the 9th, 10th, 11th centuries and look at the civilized world within which these secret societies, these Masonic Lodges, were spread out as the cream of civilization, we find that all the instruments, which today lie as symbols upon the altars of these Masonic Lodges, were employed for house-building and church-building. There were squares, circles, compasses, levels and plummets, and these were employed in external life. In the Masonic Lodges today speeches are delivered concerning these things that have completely lost their connection with practical life; all kinds of beautiful things are said about them, which are without question very beautiful, but which are completely foreign to external life, to life as it is lived. We have come to have ideas, thought-forms, which lack the impulsive force to lay hold upon life. It has gradually become the custom to work from Monday to Saturday and to listen to a sermon on Sunday, but these two things have nothing to do with each other. And when we preach, we often use as symbols for the beautiful, the true, even the virtuous, things which in olden times were intimately connected with the external life, but which now have no relation to it. Indeed we have gone so far as to believe that the more remote from life our sermons are the higher they will rise into the spiritual worlds. The ordinary secular world is considered something inferior. And today we encounter all kinds of demands which rise up from the depths of humanity, but we do not really understand the nature of these demands. For what connection is there between these society sermons, delivered in more or less beautiful rooms, about the goodness of man, about—well, let us say—about loving all men without distinction of race, nationality, etc., even color—what connection is there between these sermons and what occurs externally, what we take part in and further when we clip our coupons and have our dividends paid to us by the banks, which in that way provide for the external life? Indeed, in so doing we use entirely different principles from those of which we speak in our rooms as the principles of good men. For example, we found Theosophical Societies in which we speak emphatically of the brotherhood of all men, but in what we say there is not the slightest impulsive force to control in any way what also occurs through us when we clip our coupons; for when we clip coupons we set in motion a whole series of political-economic events. Our life is completely divided into these two separate streams.

Thus, it may occur—I will give you, not a classroom illustration, but an example from life—it may occur—it even has occurred—that a lady seeks me out and says: “Do you know, somebody came here and demanded a contribution from me, which would then be used to aid people who drink alcohol. As a Theosophist I cannot do that, can I?” That is what the lady said, and I could only reply: “You see, you live from your investments; that being the case, do you know how many breweries are established and maintained with your money?” Concerning what is really involved here the important point is not that on the one hand we preach to the sensuous gratification of our souls, and on the other conduct ourselves according to the inevitable demands of the life-routine that has developed through the last three or four centuries. And few people are particularly inclined to go into this fundamental problem of the present time. Why is this? It is because this dualism between the external life and our so-called spiritual strivings has really invaded life, and it has become very strong in the last three or four centuries. Most people today when speaking of the spirit mean something entirely abstract, foreign to the world, not something which has the power to lay hold of daily life.

The question, the problem, which is indicated here must be attacked at its roots. If we here on this hill had acted in the spirit of these tendencies of the last three or four hundred years, then we would have employed any kind of architect, perhaps a celebrated architect, and have had a beautiful building erected here, which certainly could have been very beautiful in any architectural style. But that was entirely out of the question; for then, when we entered this building, we should have been surrounded by all kinds of beauty of this style or that, and we should have said in it things corresponding to the building—indeed, in about the same way that all the beautiful speeches made today correspond with the external life which people lead. That could not be, because the spiritual science which intends to be anthroposophically orientated had no such purpose. From the beginning its aim was different. It intended to avoid setting up the old false contrast between spirit and matter, whereby spirit is treated in the abstract, and has no possibility of penetrating into the essence and activity of matter. When do we speak legitimately of the spirit? When do we speak truly of the spirit? We speak truly of the spirit, we are justified in speaking of the spirit, only when we mean the spirit as creator of the material. The worst kind of talk about the spirit—even though this talk is often looked upon today as very beautiful—is that which treats the spirit as though it dwelt in Utopia, as if this spirit should not be touched at all by the material. No; when we speak of the spirit, we must mean the spirit that has the power to plunge down directly into the material. And when we speak of spiritual science, this must he conceived not only as merely rising above nature, but as being at the same time valid natural science. When we speak of the spirit, we must mean the spirit with which the human being can so unite himself as to enable this spirit, through man's mediation, to weave itself even into the social life. A spirit of which one speaks only in the drawing room, which one would like to please by goodness and brotherly love, but a spirit that has no intention of immersing itself in our everyday life—such a spirit is not the true spirit, but a human abstraction; and worship of such a spirit is not worship of the real spirit, but is precisely the final emanation of materialism.

Hence we had to erect a building which, in all its details, is conceived, is envisioned, as arising out of that which lives in other ways as well in our anthroposophically-orientated spiritual science. And with this is also connected the fact that in this difficult time a treatment of the social question has arisen from this spiritual science, which does not intend to linger in Utopia, but which from the beginning of its activity intended to be concerned with life; which intended to be the very opposite of every kind of sectarianism; which intended to decipher that which lies in the great demands of the time and to serve these demands.

Certainly in this building much has not succeeded, but today the matter of importance is really not that everything shall be immediately successful, but that in certain things a beginning, a necessary beginning be made; and at least this essential beginning seems to me to have been made with this building. And so, when it shall some day be finished, we shall accomplish what we shall have to accomplish, not within something which would surround us like strange walls; but just as the nutshell belongs to the nut-fruit and is entirely adapted in its form to this nut-fruit, so will each single line, each single form and color of this building be adapted to that which flows through our spiritual movement.

It is necessary that at the present time at least a few people should comprehend what is intended here, for this act of will is the important matter.

I must go back once more to various characteristics which have become evident in the evolution of civilized humanity in the last three or four centuries. We have in this evolution of civilized humanity phenomena which express for us most characteristically the deeper foundations of that which leads ad absurdum in the life of our present humanity; for it is a case of leading ad absurdum. It is a fact that today a large proportion of human souls are actually asleep, are really sleeping. If one is in a place where certain things which today play their role—I might say, as actual counterparts of all civilized life—if one is in a place where these counterparts do not actually appear before one's eyes but still play a part, as they do in numerous regions of the present civilized world, and are significant and symptomatic of that which must spread more and more—then one will find that the souls of the people are outside of, beyond, the most important events of the time; people live along in their everyday lives without keeping clearly in mind what is actually going on in our time, so long as they are not directly touched by these events. It is also true, however, that the real impulses of these events be in the depths of the subconscious or unconscious soul-life of man.

Underlying the dualism I have mentioned there is today another, the dualism which is expressed—I would cite a characteristic example—in Milton's Paradise Lost. But that is only an external symptom of something that permeates all modern thinking, sensibility, feeling, and willing. We have in the modern human consciousness the feeling of a contrast between heaven and hell; others call it spirit and matter. Fundamentally there are only differences of degree between the heaven and hell of the peasant on the land, and the matter and spirit of the so-called enlightened philosopher of our day; the real underlying thought-impulses are exactly the same. The actual contrast is between God and devil, between paradise and hell. People are certain that paradise is good, and it is dreadful that men have left it; paradise is something that is lost; it must be sought again—and the devil is a terrible adversary, who opposes all those powers connected with the concept of paradise. People who have no inkling of the soul-contrasts to be found even in the outermost fringes of our social extremes and social demands cannot possibly imagine what range there is in this dualism between heaven and hell, or between the lost paradise and the earth. For—we must really say very paradoxical things today, if we wish to speak the truth (actually about many things we can scarcely speak the truth today without its often appearing to our contemporaries as madness—but just as in the Pauline sense the wisdom of man may be foolishness before God, so might the wisdom of the men of today, or their madness, also be madness in the opinion of future humanity)—people have gradually dreamed themselves into this contrast between the earth and paradise, and they connect the latter with what is to be striven for as the actual human-divine, not knowing that striving toward this condition of paradise is just as bad for a man, if he intends to have it forthwith, as striving for the opposite would be. For if our concept of the structure of the world resembles that which underlies Milton's Paradise Lost, then we change the name of a power harmful to humanity when it is sought one-sidedly, to that of a divinely good power, and we oppose to it a contrast which is not a true contrast: namely, the devil, that in human nature which resists the good.

The protest against this view is to be expressed in that group which is to be erected in the east part of our building, a group of wood, 9 ½ meters high, in which, or by means of which, instead of the Luciferic contrast between God and the devil, is placed what must form the basis of the human consciousness of the future: the trinity consisting of the Luciferic, of what pertains to the Christ, and of the Ahrimanic.

Modern civilization has so little consciousness of the mystery which underlies this, that we may say the following: For certain reasons, about which I shall perhaps speak here again, we have called this building Goetheanum, as resting upon the Goethean views of art and knowledge. But at the same time it must be said just here that in the contrast which Goethe has set up in his Faust between the good powers and Mephistopheles there exists the same error as in Milton's Paradise Lost: namely, on the one side the good powers, on the other the evil power, Mephistopheles. In this Mephistopheles Goethe has thrown together in disordered confusion the Luciferic on the one hand and the Ahrimanic on the other; so that in the Goethean figure, Mephistopheles, for him who sees through the matter, two spiritual individualities are commingled, inorganically mixed up. Man must recognize that his true nature can lie expressed only by the picture of equilibrium,—that on the one side he is tempted to soar beyond his head, as it were, to soar into the fantastic, the ecstatic, the falsely mystical, into all that is fanciful: that is the one power. The other is that which draws man down, as it were, into the materialistic, into the prosaic, the arid, and so on, We understand man only when we perceive him in accordance with his nature, as striving for balance between the Ahrimanic, on one arm of the scales, let us say, and on the other the Luciferic. Man has constantly to strive for the state of balance between these two powers: the one which would like to lead him out beyond himself, and the other tending to drag him down beneath himself. Now modern spiritual civilization has confused the fantastic, the ecstatic quality of the Luciferic with the divine; so that in what is described as paradise, actually the description of the Luciferic is presented, and the frightful error is committed of confusing the Luciferic and the divine—because it is not understood that the thing of importance is to preserve the state of balance between two powers pulling man toward the one side or toward the other.

This fact had first to be brought to light. If man is to strive toward what is called Christian—by which, however, many strange things are often understood today—then he must know clearly that this effort can be made only at the point of balance between the Luciferic and the Ahrimanic; and that especially the last three or four centuries have so largely eliminated the knowledge of the real human being that little is known of equilibrium; the Luciferic has been renamed the divine in Paradise Lost, and a contrast is made between it and the Ahrimanic, which is no longer Ahriman, but which has become the modern devil, or modern matter, or something of the kind. This dualism, which in reality is a dualism between Lucifer and Ahriman, haunts the consciousness of modern humanity as the contrast between God and the devil; and Paradise Lost would really have to be conceived as a description of the lost Luciferic kingdom—it is just renamed.

Thus emphatically must we call attention to the spirit of modern civilization, because it is necessary for humanity to understand clearly how it has come upon a declivitous path (it is a historical necessity, but necessities exist, among other things, to be comprehended), and, as I have said, that it can again begin to ascend only through the most radical corrective. In our time people often take a description of the spiritual world to be a representation of something super-sensible but not existing here on our earth. They would like to escape from the earth environment by means of a spiritual view. They do not know that when man flees into an abstract spiritual kingdom, he does not find the spirit at all, but the Luciferic region. And much that today calls itself Mysticism or Theosophy is a quest for the Luciferic region; for mere knowledge of the spirit cannot form the basis of man's present-day spiritual striving, because it is in keeping with the spiritual endeavor of our time to perceive the relation between the spiritual worlds and the world into which we are born and in which we must live between birth and death.

Especially when we direct our gaze toward spiritual worlds should this question concern us: Why are we born out of the spiritual worlds into this physical world? Well, we are born into this physical world (tomorrow and next day I will develop in greater detail what I shall sketch today)—we are born into this physical world because here on this earth there are things to be learned, things to be experienced, which cannot be experienced in the spiritual worlds; but in order to experience these things we must descend into this physical world, and from this world we must carry up into the spiritual worlds the results of this experience. In order to attain that, however, we must really plunge down into this physical world; our very spirit in its quest for knowledge must dive down into this physical world. For the sake of the spiritual world, we must immerse ourselves in this physical world.

In order to say what I wish to express, let us take—well, suppose we say a normal man of the present time, an average man, who sleeps his requisite number of hours, eats three meals a day, and so on, and who also has spiritual interests, even lofty spiritual interests. Because he has spiritual interests he becomes a member, let us say, of a Theosophical Society, and there does everything possible to learn what takes place in the spiritual worlds. Let us consider such a man, one who has at his fingertips, so to speak, all that is written in the theosophical literature of the day, but who otherwise lives according to the usual customs. Observe this man. What does all the knowledge signify which he acquires with his higher spiritual interests? It signifies something which here upon earth can offer him some inner soul gratification, a sort of real Luciferic orgy, even though it is a sophisticated, a refined soul-orgy. Nothing of this is carried through the gate of death, nothing of it whatever is carried through the gate of death; for among such people—and they are very numerous—there may be some who, in spite of having at their finger-tips what an astral body is, an etheric body, and so on, have no inkling of what takes place when a candle burns; they have no idea what magic acts are performed to run the tramway outside; they travel on it but they know nothing about it. But still more: they do indeed have at their finger-tips what the astral body is, the etheric body, karma, reincarnation,—but they have no notion of what is said today in the gatherings of the proletarians, for example, or what their aims are; it does not interest them. They are interested only in the appearance of the etheric body or astral body—they are not interested in the course pursued by capital since the beginning of the 19th century, when it became the actual ruling power. Knowing about the etheric body, the astral body, is of no use when people are dead! From an actual knowledge of the spiritual world just that must be said. This spiritual knowledge has value only when it becomes the instrument for plunging down into the material life, and for absorbing in the material life what cannot be obtained in the spiritual worlds themselves, but must he carried there.

Today we have a physical science which is taught in its most diversified branches in our universities. Experiments are made, research is carried on, and so forth, and physical science comes into being. With this modern science we develop our technical arts; we even heal people with it today—we do everything imaginable. Side by side with this physical science there are the religions denominations. But I ask you, have you ever taken cognizance of the content of the usual Sunday sermons in which, for example, the Kingdom of Christ is spoken of, and so on? What relation is there between modern science and what is said in these sermons? For the most part, none whatever; the two things go on separate paths. The people one group believe themselves capable of speaking about God and the Holy Spirit and all kinds of things—in abstract forms. Even though they claim to feel these things, still they present abstract views about them. The others speak of a nature devoid of spirit; and no bridge is being built between them, Then we have in modern times even all kinds of theosophical views, mystical views. Well, these mystical views tell of everything imaginable which is remote from life, but they say nothing of human life, because they have not the force to dive down into human life. I should just like to ask whether a Creator of Worlds would be spoken of in the right sense if one thought of him as a very interesting and lovely spirit, to be sure, but as being quite incapable of creating worlds? The spiritual powers that are frequently talked about today never could have been world-creators; for the thoughts we develop about them are not even capable of entering into our knowledge of nature or our knowledge of man's social life.

Perhaps I may without being immodest illustrate what I mean with an example. In one of my recent books, Riddles of the Soul, I have brought to your attention—and I have often mentioned it in oral lectures—what nonsense is taught in the present-day physiology,—that is, one of our physical sciences: the nonsense that there are two kinds of nerves in man, the motor nerves, which underlie the will, and the sensory nerves, which underlie perceptions and sensations. Since telegraphy has become known we have this illustration from it: from the eye the nerve goes to the central organ, then from the central organ it goes out to one of the members; we see something make a movement, as a limb—there goes the telegraph wire from this organ, the eye, to the central organ; that causes activity in the motor nerve, then the movement is carried out. We permit science to teach this nonsense. We must permit it to be taught, because in our abstract spiritual view we speak of every sort of thing, but do not develop such thoughts as are able

positively to gear into the machinery of nature. We have not the strength in our spiritual views to develop a knowledge about nature itself. The fact is, there is no difference between motor nerves and sensory nerves, but what we call voluntary nerves are also sensory nerves. The only reason for their existence is that we may be aware of our own members when movements are to be executed. The hackneyed illustration of tubes proves exactly the opposite of what is intended to be proved. I will not go into it further because you have not the requisite knowledge of physiology. I should very much like some time to discuss these things in a group of people versed in physiology and biology; but here I wish only to call your attention to the fact that we have on the one hand a science of the physical world, and on the other a discoursing and preaching about spiritual worlds which does not penetrate any of the real worlds of nature that lie before us. But we need a knowledge of the spirit strong enough to become at the same time a physical science. We shall attain that only when we take account of the intention which I wished to bring to your notice today. If we had intended to found a sectarian movement which, like others, has merely some kind of dogmatic opinion about the divine and the spiritual, and which needs a building, we should have erected any kind of a building, or had it erected. Since we did not wish that, but wished rather to indicate, even in this external action, that we intend to plunge down into life, we had to erect this building entirely out of the will of spiritual science itself. [Cf. Rudolf Steiner, Der Baugedanke des Goetheanum (with 104 illustrations), Not the yet translated.] And in the details of this building it will some day be seen that actually important principles—which today are placed in a very false light under the influence of the two dualisms mentioned—can be established on their sound foundation.

I should like to call your attention today to just one more thing. Observe the seven successive columns which stand on each side of our main building. There you have capitals above, pedestals below. They are not alike, but each is developed from the one preceding it; so that you get a perception of the second capital when you immerse yourself deeply in the first and its forms, when you cause the idea of metamorphosis to become alive, as something organic, and really have such a living thought that it is not abstract, but follows the laws of growth. Then you can see the second capital develop out of the first, the third out of the second, the fourth out of the third, and so on to the seventh. Thus the effort has been made to develop in living metamorphosis one capital, one part of an architrave, and so on, from another, to imitate that creative activity that exists as spiritual creative activity in nature itself, when nature causes one form to come forth from another. I have the feeling that not a single capital could be other than it now is.

But here something very strange has resulted. When people speak today of evolution, they often say: development, development, evolution, first the imperfect, then the more nearly perfect, the more differentiated, and so on; and the more nearly perfect things always become at the same time more complicated. This I could not bear out when I let the seven capitals originate one from another according to metamorphosis, for when I came to the fourth capital, and had then to develop the next, the fifth, which should be more nearly perfect than the fourth, this fourth revealed itself to me as the most complicated. That is to say, when I did not merely pursue abstract things in thought, like a Haeckel or a Darwin, but when I had to make the forms so that each one came forth from the preceding—just as in nature itself one form after another emerges from the vital forces—then I was compelled to make the fifth form more elaborate in its surfaces, it is true, than the fourth, but the entire form became simpler, not more complicated. And the sixth became simpler yet, and the seventh still more so. Thus I realized that evolution is not a progression to ever greater and greater differentiation, but that evolution is first an ascent to a higher point, and after having reached this point is then a descent to more and more simple forms.

That resulted entirely from the work itself; and I could see that this principle of evolution manifested in artistic work is the same as the principle of evolution in nature. For if you consider the human eye, it is certainly more nearly perfect than the eyes of some animals; but the eyes of some animals are more complicated than the human eye. They have, for example, enclosed within them certain blood-filled organs—the metasternum, the fan—which do not exist in human beings; they have dissolved, as it were. The human eye is simplified in comparison with the forms of some animal eyes. If we study the development of the eye, we find that it is at first primitive, simple, then it becomes more and more complicated; but then it is again simplified, and the most nearly perfect is not the most complicated, but is, rather, a simpler form than the one to be found midway.

And it was essential to do likewise when developing artistically something which an inner necessity enjoined. The aim here was not research, but union with the vital forces themselves. And here in this building we strove to fashion the forms in such a way that in this fashioning dwell the same forces which underlie nature as the spirit of nature. A spirit is sought which is actually creative, a spirit which lives in what is produced in the world, and does not merely preach. That is the essential thing. That is also the reason why many a member here had to be severely rebuked for wanting our building fitted out with all sorts of symbols and the like. There is not a single symbol in the building, but all are forms which imitate the creative activity of the spirit in nature itself.

Thus there has been the beginning of an act of will which must find its continuation; and it is desirable that this very phase of the matter be understood—that it be understood how the springs of human intention, of human creativeness, which are necessary for modern humanity in all realms, are really to be sought. We live today in the midst of demands; but they are all individual demands springing from the various spheres of life; and we need also coordination. This cannot come from something which merely hovers in the environment of external visible existence; for something super-perceptible underlies all that is visible, and in our time this must be comprehended. I would say that close attention should be given to the things that are happening today, and the idea that the old is collapsing will by no means be found so absurd—but then there must be something to take its place! To be reconciled to this thought there is nevertheless needed a certain courage, which is not acquired in external life, but must be achieved in the innermost self.

I would not define this courage, but would characterize it. The sleeping souls of our time will certainly be overjoyed if someone appears somewhere who can paint as Raphael or Leonardo did. That is comprehensible. But today we must have the courage to say that only he has a right to admire Raphael and Leonardo who knows that in our day one cannot and must not create as Raphael and Leonardo did. Finally, to make this clear, we can say something very philistine: that only he has a right today to appreciate the spiritual range of the Pythagorean theorem who does not believe that this theorem is to be discovered today for the first time. Everything has its time, and things must be comprehended by means of the concrete time in which they occur.

As a matter of fact, more is needed today than many people are willing to bring forth, even when they join some kind of spiritual movement. We need today the knowledge that we have to face a renewal of the life of human evolution. It is cheap to say that our age is a time of transition. Any age is a time of transition; only it is important to know what is in transition. So I would not voice the triviality that one age is a time of transition, but I want to say something else: It is continually being said that nature and life make no leaps. A man considers himself very wise when he says: “Successive development; leaps never!” Well, nature is continually making leaps: it fashions step by step the green leaf, it transforms this to the calyx-leaf, which is of another kind, to the colored petal, to the stamen, and to the pistil. Nature makes frequent leaps when it fashions a single creation—the larger life makes constant revolutions. We see how in human life entirely new conditions appear with the change of teeth, how entirely new conditions appear with puberty; and if man's present capacity for observation were not so crude a third epoch in human life could be perceived about the twentieth year, and so on, and so on.

But history itself is also an organism, and such leaps take place in it; only they are not observed. People of today have no conception what a significant leap occurred at the turn of the 14th and 15th centuries, or more properly, in the middle of the 15th century. And what was introduced at that time is pressing toward fulfilment in the middle of our century. And it is truly no weaving of idle fancies but exact truth when we say that the events which so agitate humanity, and which recently have reached such a culmination, disclose themselves as a trend toward something in preparation, which is about to break violently into human evolution in the middle of this century. Anyone must understand these things who does not wish, out of some kind of arbitrariness, to set up ideals for human evolution, but who wills to find, among the creating—forces of the world, spiritual science, which can then enter into life.

• 1. Rudolf Steiner, Ways to a New Style in Architecture, and Der Dornacher Bau als Wahrzeichen kunstlerischer Umwandlungs-Impulse (not yet translated).

This lecture appeared in The Golden Blade, 1954.

From the two preceding lectures you will have realised that in finding it necessary to speak at the present time of the threefold social order, anthroposophical spiritual science is not actuated by any subjective views or aims. The purpose of the lecture yesterday was to point to impulses deeply rooted in the life of the peoples of the civilised world—the world as it is in this Fifth Post-Atlantean Epoch. I tried to show how, from about the year 1200 A.D. onwards, there awakened in Middle Europe an impulse leading to the growth of what may be called the civic social order, but that this civic social life of the middle classes was infiltrated by the remains of a life of soul belonging to earlier centuries—by those decadent Nibelung traits which appeared particularly among the ruling strata in the mid-European countries.

I laid special stress upon the existence of a radical contrast in mid-European life from the thirteenth until the twentieth centuries, culminating in the terrible death-throes of social life that have come upon Middle Europe. This incisive contrast was between the inner, soul-life of the widespread middle-class, and that of the descendants of the old knighthood, of the feudal overlords, of those in whom vestiges of the old Nibelung characteristics still survived. These latter were the people who really created the political life of Middle Europe, whereas the bulk of the middle class remained non-political, a-political. If one desires to be a spiritual scientist from the practical point of view, serious study must be given to this difference of soul-life between the so-called educated bourgeoisie and all those who held any kind of ruling positions in Middle Europe at that time. I spoke of this in the lecture yesterday.

We will now consider in rather greater detail why it was that the really brilliant spiritual movement which lasted from the time of Walter von der Vogelweide until that of Goetheanism, and then abruptly collapsed, failed to gain any influence over social life or to produce any thoughts which could have been fruitful in that sphere. Even Goethe, with all his power to unfold great, all-embracing ideas in many domains of life, was really only able to give a few indications—concerning which one may venture to say that even he was not quite clear about them—as to what must come into being as a new social order in civilised humanity. Fundamentally speaking, the tendency towards the threefold membering of a healthy social organism was already present in human beings, subconsciously, by the end of the eighteenth century. The demands for freedom, equality and fraternity, which can have meaning only when the threefold social order becomes reality, testified to the existence of this subconscious longing. Why did it never really come to the surface?

This is connected with the whole inherent character of mid-European spiritual life. At the end of the lecture yesterday I spoke of a strange phenomenon. I said that Hermann Grimm—for whom I have always had such high regard and whose ideas were able to shed light upon so many aspects of art and general human interest of bygone times—succumbed to the extraordinary fallacy of admiring such an out-and-out phrasemonger as Wildenbruch! In the course of years I have often mentioned an incident which listeners may have thought trivial, but which can be deeply indicative for those who study life in its symptomatological aspect. Among the many conversations I had with Hermann Grimm while I was in personal contact with him, there was one in which I spoke from my own point of view about many things that need to be understood in the spiritual sense. In telling this story I have always stressed the fact that Hermann Grimm's only response to such mention of the spiritual was to make a warding-off gesture with his hand, indicating that this was a realm he was not willing to enter. A supremely true utterance, consisting of a gesture of the hand, was made at that moment. It was true inasmuch as Hermann Grimm, for all his penetration into many things connected with the so-called spiritual evolution of mankind, into art, into matters of universal human concern, had not the faintest inkling of what ‘spirit’ must signify for men of the Fifth Post-Atlantean epoch of culture. He simply did not know what spirit really is from the standpoint of a man of this epoch. In speaking of such matters one must keep bluntly to the truth: until it came to the spirit, there was truth in a man like Hermann Grimm. He made a parrying gesture because he had no notion of how to think about the spirit. Had he been one of the phrasemongers going about masked as prophets to-day endeavouring to better the lot of mankind, he would have believed that he too could speak about the spirit; he would have believed that by reiterating Spirit, spirit, spirit! something is expressed that has been nurtured in one's own soul.

Among those who of recent years have been talking a great deal about the spirit, without a notion of its real nature, are the theosophists—the majority of them at any rate. For it can truly be said that of all the vapid nonsense that has been uttered of late, the theosophical brand has been the most regrettable and also in a certain respect the most harmful in its effects. But a statement like the one I have made about Hermann Grimm—not thinking of him as a personality but as a typical representative of the times—raises the question: how comes it that such a true representative of Middle European life has no inkling of how to think about the spiritual, about the spirit? It is just this that makes Hermann Grimm the typical representative of Middle European civilisation. For when we envisage this brilliant culture of the townsfolk, which has its start about the year 1200 and lasts right on into the period of Goetheanism, we shall certainly perceive as its essential characteristic—but without valuing it less highly on this account—that it is impregnated in the best sense with soul but empty of anything that can be called spirit. That is the fact we have to grasp, with a due sense of the tragedy of it: this brilliant culture was devoid of spirit. What is meant here, of course, is spirit as one learns to apprehend it through anthroposophical spiritual science.

Again and again I return to Hermann Grimm as a representative personality, for the thinking of thousands and thousands of scholarly men in Middle Europe was similar to his. Hermann Grimm wrote an excellent book about Goethe, containing the substance of lectures he gave at the University of Berlin in the seventies of the last century. Taking it all in all, what Hermann Grimm said about Goethe is really the best that has been said at this level of scholarship. From the vantage-point of a rich life of soul, Hermann Grimm derived his gift not only for portraying individual men but for accurately discerning and assessing their most characteristic traits. He was brilliant in hitting upon words for such characterisations. Take a simple example. In the nature of things, Hermann Grimm was one of those who misunderstood the character of the wild Nibelung people. He was an ardent admirer of Frederick the Great and pictured him as a Germanic hero. Now Macaulay, the English historian and man of letters, wrote about Frederick the Great, naturally from the English point of view. In an essay on Macaulay, Hermann Grimm set out to show that in reality only a German possessed of sound insight is capable of understanding and presenting a true picture of Frederick the Great. Hermann Grimm describes Macaulay's picture of Frederick the Great in the very apt words: Macaulay makes of Frederick the Great a distorted figure of an English Lord, with snuff in his nose.

To hit upon such a characterisation indicates real ability to shape ideas and mental images in such a way that they have plasticity, mobility. Many similar examples could be found of Hermann Grimm's flair for apt characterisation. And other kindred minds, belonging to the whole period of Middle European culture of which I spoke yesterday, were endowed with the same gift. But if, with all the good-will born of a true appreciation of Hermann Grimm, we study his monograph on Goethe—what is our experience then? We feel: this is an extraordinarily good, a really splendid piece of writing—only it is not Goethe! In reality it gives only a shadow-picture of Goethe, as if out of a three-dimensional figure one were to make a two-dimensional shadow-picture, thrown on the screen. Goethe seems to wander through the chapters like a ghost from the year 1749 to the year 1832. What is described is a spectral Goethe—not what Goethe was, what he thought, what he desired.

Goethe himself did not succeed in lifting to the level of spiritual consciousness all that was alive within his soul. Indeed, the great ‘Goethe problem’ to-day is precisely this: to raise into consciousness in a truly spiritual way what was spiritually alive in Goethe. He himself was not capable of this, for culture in his day could give expression only to a rich life of the soul, not of the spirit. Therefore Hermann Grimm, too, firmly rooted as he was in the Goethean tradition, could depict only a shadow, a spectre, when he wanted to speak of Goethe's spirit. It is thoroughly characteristic that the best modern exposition of Goethe and Goetheanism should produce nothing but a spectre of Goethe.

Why is it that through the whole development of this brilliant phase of culture there is no real grasp of the spirit, no experience of it or feeling for it? Men such as Troxler, and Schelling too at times, pointed gropingly to the spirit. But speaking quite objectively, it must be said that this culture was empty of spirit. And because of this, men were also ignorant of the needs, the conditions, that are essential for the life of the spirit. Here too there is something which may well up as a feeling of tragedy from contemplation of this stream of culture: men were unable to perceive, to divine, the conditions necessary for the life of the spirit, above all in the social sphere; For the reason why the social life of Middle Europe has developed through the centuries to the condition in which it finds itself to-day is that it had no real experience of the spirit, nor felt the need to meet the fundamental requirement of the spiritual life by emancipating it, making it independent of and separate from the political sphere. Because men had no understanding of the spirit, they allowed it to be merged with the political life of the State, where it could unfold only in shackles. I am speaking here only of Middle Europe; in other regions of the modern civilised world it was the same, although the causes were different.

And then, in the inmost soul, a reaction can set in. Then a man can experience how in his study of nature the spirit remains dumb, silent, uncommunicative. Then the soul rebels, gathers its forces and strives to bring the spirit to birth from its own inmost being! This can happen only in an epoch when scientific thinking impinges on a culture which has no innate disposition towards spirituality. For if men are not inwardly dead, if they are inwardly alive, the impulse of the spirit begins of itself to stir within them. We must recognise that since the middle of the 15th century the spirit has to be brought to birth through encountering what is dead if it is to penetrate into man's life of soul. The only persons who can gain satisfaction from inwardly experiencing the spiritualised soul-life of the Greeks are those who, with their classical scholarship, live in that afterglow of Greek culture which enables the soul-quality of the spirit to pulsate through a man's own soul. But men who are impelled to live earnestly with natural science and to discern what is deathly, corpse-like in it—they will make it possible for the spirit itself to come alive in their souls.

If a man is to have real and immediate experience of the spirit in this modern age, he must not only have smelt the fumes of prussic acid or ammonia in laboratories, or have studied specimens extracted from corpses in the dissecting room, but out of the whole trend and direction of natural scientific thinking he must have known the odour of death in order that through this experience he may be led to the light of the spirit! This is an impulse which must take effect in our times; it is also one of the testings which men of the modern age must undergo. Natural science exists far more for the purpose of educating man than for communicating truths about nature. Only a naive mind could believe that any natural law discovered by learned scientists enshrines an essential, inner truth. Indeed it does not! The purpose of natural science, devoid of spirit as it is, is the education of men. This is one of the paradoxes implicit in the historic evolution of humanity.

And so it was only in the very recent past, in the era after Goetheanism, that the spirit glimmered forth; for it was then, for the first time, that the essentially corpse-like quality in the findings of natural science came to the fore; then and not until then could the spirit ray forth—for those, of course, who were willing to receive its light. Until the time of Goethe, men protected themselves against the sorry effects of a spiritual life shackled in State-imposed restrictions by cultivating a form of spiritual life fundamentally alien to them, namely the spiritual life of ancient Greece; this was outside the purview of the modern State for the very reason that it had nothing to do with modern times. A makeshift separation of the spiritual life from the political sphere was provided by the adoption of an alien form of culture. This Greek culture was a cover for the spiritual emptiness of Middle European life and of modern Europe in general.

On the other hand, the need to separate the economic sphere from the Rights-sphere, from the political life of the State proper, was not perceived. And why not? When all is said and done, nobody can detach himself from the economic field. To speak trivially, the stomach sees to that! In the economic sphere it is impossible for men to live unconcernedly through such cataclysms as are allowed to occur, all unnoticed, in the political and spiritual spheres. Economic activity was going on all the time, and it developed in a perfectly straightforward way. The transformation of the old impenetrable forests into meadows and cornfields, with all the ensuing economic consequences, went steadily ahead. But into economic life, too, there came an alien intrusion, one that had actually found a footing in the souls of men in Middle Europe earlier than that of Greece, namely the Latin-Roman influence. Everything pertaining to the State, to the Rights-life, to political life, derives from this Latin-Roman influence. And here again is something that will have to be stressed by history in the future but has been overlooked by the conventional, tendentious historiography of the immediate past, with its bias towards materialism—the strangely incongruous fact that certain economic ideas and procedures are a direct development from social relationships described, for example, by Tacitus, as prevailing in the Germanic world during the first centuries after the founding of Christianity.

But that is not all. These trends in economic thinking did not go forward unhampered. The Roman view of rights, Roman political thinking, seeped into the economic usages and methods originally prevailing in Europe, infiltrated them through and through and caused a sharp cleavage between the economic sphere and the political sphere. Thus the economic sphere and the political sphere, the former coloured by the old Germanic way of life and the latter by the Latin-Roman influence, remained separate on the surface but without any organic distinction consistent with the threefold membering of the body social: the distinction was merely superficial, a mask. Two heterogeneous strata were intermingled; it was felt that they did not belong together, in spite of external unification. Inwardly, however, people were content, because in their souls they experienced the two spheres as separate and distinct.

One need only study mediaeval and modern history in the right way and it will be clear that this mediaeval history is really the story of perpetual rebellion, self-defence, on the part of the economic relationships surviving from olden times against the political State, against the Roman order of life. Imaginative study of these things shows unmistakably how Roman influences in the form of jurisprudence penetrate into men via the heads of the administrators. A great deal of the Roman element had even found its way into the wild Nibelung men in their period of decline. “Graf” is connected with “grapho”—writing. One can picture how the peasants, thinking in terms of husbandry, rise up in rebellion against this Roman juridical order, with fists clenched in their pockets, or with flails. Naturally, this is not always so outwardly perceptible. But when one observes history truly, these factors are present in the whole moral trend and impulse of those times. And so—I am merely characterising, not criticising, for everything that happened has also brought blessings and was necessary for the historic evolution of Middle Europe—all that developed from the seeds planted in mid-European civilisation was permeated through and through by the juristic-political influences of the Roman world and the humanism of Greece, by the Greek way of conceiving spirit in the guise of soul.

On the other hand, directly economic life acquired its modern, international character, the old order was doomed. A man might have had a very good classical education and be an ignoramus in respect of modern natural science, but then he was inwardly on a retrograde path. A man of classical education could not keep abreast of his times unless he penetrated to some extent into what modern natural scientific education had to offer. And again, if a man were schooled in natural science, if he acquired some knowledge of modern natural science and of what had come out of the old Roman juristic system in the period of which I have spoken, he could not help suffering from an infantile disease, from ‘culture scarlet fever’, ‘culture measles’, in a manner of speaking. In the old Imperium Romanum a juristic culture was fitting and appropriate. Then this same juristic principle, the res publica (i.e, the conception of it), was transplanted from ancient Rome into the sphere of Middle European culture, together with the element of Nibelung barbarism on the other side. One really gets ‘culture scarlet fever’, ‘culture measles’, if one does not merely think of jurisprudence in the abstract, but, with sound natural scientific concepts, delves into the stuff that figures as modern jurisprudence in literature and in science.

We can see that this state of things had reached a certain climax when we find a really gifted man such as Rudolf von Ihering at an utter loss to know how to deal with the pitiable notions of jurisprudence current in the modern age. The book written by Ihering on the aim of justice (Der Zweck im Recht) was a grotesque production, for here was a man who had made a little headway in natural scientific thinking endeavouring to apply the concepts he had acquired to jurisprudence—the result being a monstrosity of human thinking. To study modern literature on law is a veritable martyrdom for sound thinking; one feels all the time as though so many worms were crawling through the brain. This is the actual experience—I am simply describing it pictorially.

We must be courageous enough to face these things fairly and squarely, and then it will be clear that we have arrived at the point of time when not only certain established usages and institutions, but men's very habits of thought, must be metamorphosed, re-cast; when men must begin to think about many things in a different way. Only then will the social institutions in the external world be able, under the influence of human thinking and feeling, to take the form that is called for by these ominous and alarming facts.

A fundamental change in the mental approach to certain matters of the highest importance is essential. But because between 1200 and the days of Goetheanism, modern humanity, especially in Middle Europe, absorbed all unwittingly thoughts that wriggled through the brain like worms, there crept over thinking the lazy passivity that is characteristic of the modern age. It comes to expression in the absence of will from the life of thought. Men allow their thoughts to take possession of them; they yield to these thoughts; they prefer to have them in the form of instinct. But in this manner no headway can be made towards the spirit. The spirit can be reached only by genuinely putting the will into thinking, so that thinking becomes an act like any other, like hewing wood. Do modern men feel that thinking tires them? They do not, because thinking for them is not activity at all. But the fact that anyone who thinks with thoughts, not with words, will get just the same fatigue as he gets from hewing wood, and actually in a shorter time, so that he simply has to stop—that is quite outside their experience. Nevertheless, this is what will have to be experienced, for otherwise modern mankind as a community will be incapable of achieving the transition from the sense-world into the super-sensible world of which I spoke in the two preceding lectures. Only by entering thus into the super-sensible world, with understanding for what is seen and apprehended in the spirit, will human souls find harmony again.

The year 1200 is the time of Walter von der Vogelweide, the time when the spiritual life of Middle Europe is astir with powerful imaginations of which conventional history has little to say. Then it flows on through the centuries, but from the 15th and 16th centuries onwards takes into itself the germs of decline with the founding of the Universities of Prague, Ingolstadt, Freiburg, Heidelberg, Restock, Wurzburg and the rest. The founding of these Universities throughout Middle Europe occurred almost without exception in a single century. The kind of life and thinking emanating from the Universities started the trend towards abstraction—towards what was subsequently to be idolised and venerated as the pure, natural scientific thinking which to-day invades the customary ways of thought with such devastating results.

Fundamentally speaking, this gave a definite stamp to the whole mentality of the educated middle class. Naturally, many individuals were not deeply influenced, but all the same the effect was universal. Of salient importance during this period was the increasing receptiveness of people to a form of soul-life entirely foreign to them. Side by side with what was developed through those who were the bearers of this middle-class culture, which reached its culmination in Goethe, Herder and Schiller, alien elements and impulses were at work.

I am speaking here of something profoundly characteristic. In their souls, the bearers of this culture were seeking for the spirit without a notion of what the spirit is. And where did they seek it? In the realm of Greek culture! They learnt Greek in their intermediate schools, and what was instilled into them by way of spiritual substance was Greek in tenor and content. To speak truly of the spirit as conceived in Middle Europe from the thirteenth right on into the twentieth century, one would have to say: spirit, as conveyed by the inculcation of Greek culture. No spiritual life belonging intrinsically and innately to the people came into being. Greek culture did not really belong to the epoch beginning in the middle of the 15th century, which we call the epoch of the evolution of selfconsciousness. And so the bourgeoisie in Middle Europe were imbued with an outworn form of Greek culture, and this was the source of all that they were capable of feeling and experiencing in regard to the spirit.

But what the Greek experienced of the spirit was merely its expression in the life of soul (Seelenseite das Geistes). What gave profundity to the culture of ancient Greece was that the Greek rose to perception of the highest manifestation of soul-life. That was what he called ‘spirit’. True, the spirit shines down from the heights, pulsing through the realm of soul; but when the gaze is directed upwards, it finds, to begin with, only the expression of the spirit in the realm of soul.

Man's task in the Fifth Post-Atlantean epoch, however, is to lift himself into the very essence of the spirit—an attainment still beyond his reach in the days of Greece. This is of far greater significance than is usually supposed, for it sheds light upon the whole way in which medieval, neo-medieval culture apprehended the spirit.

What, then, was required in order to reach a concept, an inward experience, of the spirit appropriate for the modern age? It is precisely by studying a representative figure like Hermann Grimm that we can discover this. It is something of which a man such as Hermann Grimm, steeped in classical lore, had not the faintest inkling—namely, the strivings of natural science and the scientific mode of thinking. This thinking is devoid of spirit; precisely where it is great it contains no trace of spirit, not an iota of spirituality. All the concepts of natural science, all its notions of laws of nature, are devoid of spirit, are mere shadow-pictures of spirit; while men are investigating the laws of nature, no trace of the spirit is present in their consciousness.

Two ways are open here. Either a man can give himself up to natural science, contenting himself—as often happens to-day—with what natural science has to offer; then he will certainly equip his mind with a number of scientific laws and ideas concerning nature—but he loses the spirit. Along this path it is possible to become a truly great investigator, but at the cost of losing all spirituality. That is the one way. The other is to be inwardly aware of the tragic element arising from the lack of spirituality in natural science, precisely where science appears in all its greatness. Man immerses his soul in the scientific lore of nature, in the abstract, unspiritual laws of chemistry, physics, biology, which, having been discovered at the dissecting table, indicate by this very fact that from the living they yield only the dead. The soul delves into what natural science has to impart concerning the laws of human evolution. When a man allows all this to stream into him, when he endeavours not to pride himself on his knowledge, but asks: ‘What does this really give to the human soul?’—then he experiences something true; then spirit is not absent. Herein, too, lies the tragic problem of Nietzsche, whose life of soul was torn asunder by the realisation that modern scientific learning is devoid of spirituality.

As you know, insight into the super-sensible world does not depend upon clairvoyance; all that is required is to apprehend by the exercise of healthy human reason what clairvoyance can discover. It is not essential for the whole of mankind to become clairvoyant; but what is essential, and moreover within the reach of every human being, is to develop insight into the spiritual world through the healthy human intelligence. Only thus can harmony enter into souls of the modern age: for the loss of this harmony is due to the conditions of evolution in our time. The development of Europe, with her American affinities on the one hand and the Asiatic frontier on the other, has reached a parting of the ways. Spiritual Beings of higher worlds are bringing to a decisive issue the overwhelming difference between former ages and modern times as regards the living side-by-side of diverse populations on the earth.

How were the peoples of remote antiquity distributed and arranged over the globe? Up to a certain point of time, not long before the Mystery of Golgotha, the configuration of peoples on earth was determined from above downwards, inasmuch as the souls simply descended from the spiritual world into the physical bodies dwelling in some particular territory. Owing to physiological, geographical, climatic conditions in early times, certain kinds of human bodies were to be found in Greece, and similarly on the peninsula of Italy. The souls came from above, were predestined entirely from above, and took very deep root in man's whole constitution, in his outer, bodily physiognomy.

Then came the great migrations of the peoples. Men wandered over the earth in different streams. Races and peoples began to intermix, thus enhancing the importance of the element of heredity in earthly life. A population inhabiting a particular region of the earth moved to another; for example the Angles and Saxons who were living in certain districts of the Continent migrated to the British Isles. That is one such migration. But in respect of physical heredity, the descendants of the Angles and Saxons are dependent upon what had developed previously on the Continent; this was a determining factor in their bodily appearance, their practices, and so forth. Thus there came into the evolutionary process a factor working in and conditioned by the horizontal. Whereas the distribution of human beings over the earth had formerly depended entirely upon the way in which the souls incarnated as they came down from above, the wanderings and movements of men over the earth now also began to have an effect.

At the turn of the 14th and 15th centuries, however, a new cosmic historic impulse came into operation. For a period of time a certain sympathy existed between the souls descending from the spiritual world and the bodies on the earth below. Speaking concretely: souls who were sympathetically attracted by the bodily form and constitution of the descendants of the Angles and Saxons, now living in the British Isles, incarnated in those regions. In the 15th century this sympathy began to wane, and since then the souls have no longer been guided by racial characteristics, but once again by geographical conditions, the kind of climate, and so forth, on the earth below, and also by whether a certain region of the earth is flat or mountainous. Since the 15th century, souls have been less and less concerned with racial traits; once again they are guided more by the existing geographical conditions. Hence a kind of chasm is spreading through the whole of mankind to-day between the elements of heredity and race and the soul-element coming from the spiritual world. And if men of our time were able to lift more of their subconsciousness into consciousness, very few of them would—to use a trivial expression—feel comfortable in their skins. The majority would say: I came down to the earth in order to live on flat ground, among green things or upon verdant soil, in this or that kind of climate, and whether I have Roman or Germanic features is of no particular importance to me.

It certainly seems paradoxical when these things, which are of paramount importance for human life, are concretely described. Men who preach sound principles, saying that one should abjure materialism and turn towards the spirit—they too talk just like the pantheists, of spirit, spirit, spirit. People are not shocked by this to-day; but when anyone speaks concretely about the spirit they simply cannot take it. That is how things are. And harmony must again be sought between, shall I say, geographical predestination and the racial element that is spread over the earth. The leanings towards internationalism in our time are due to the fact that souls no longer concern themselves with the element of race.

A figure of speech I once used is relevant here. I compared what is happening now to a ‘vertical’ migration of peoples, whereas in earlier times what took place was a ‘horizontal’ migration. This comparison is no mere analogy, but is founded upon facts of the spiritual life.

To all this must be added that, precisely through the spiritual evolution of modern times, man is becoming more and more spiritual in the sphere of his subconsciousness, and the materialistic trend in his upper consciousness is more and more sharply at variance with the impulses that are astir in his subconsciousness. In order to understand this, we must consider once more the threefold membering of the human being.

When the man of the present age, whose attention is directed only to the material and the physical, thinks of this threefold membering, he says to himself: I perceive through my senses: they are indeed distributed over the whole body but are really centralised in the head; acts of perception, therefore, belong to the life of the nerves and senses—and there he stops. Further observation will, of course, enable him to describe how the human being breathes, and how the life passes over from the breath into the movement of the heart and the pulsation of the blood. But that is about as far as a he gets to-day. Metabolism is studied [in] all detail, but not as one of the three members of threefold man: actually it is taken to be the whole man. One need not, of course, go to the lengths of the scientific thinker who said: man is what he eats (Der Mensch ist, was er isst)—but, broadly speaking, science is pretty strongly convinced that it is so. In Middle Europe at the present time it looks as if he will soon be what he does not eat!

This threefold membering of the human being, which will ultimately find expression in a threefold social order because its factual reality is becoming more and more evident, manifests in different forms over the earth. Truly, man is not simply the being he appears outwardly to be, enclosed within his skin. It was in accordance with a deep feeling and perception when in my Mystery Play, “The Portal of Initiation”, in connection with the characters of Capesius and Strader, I drew attention to the fact that whatever is done by men on earth has its echo in cosmic happenings out yonder in the universe. With every thought we harbour, with every movement of the hand, with everything we say, whether we are walking or standing, whatever we do—something happens in the cosmos.

The faculties for perceiving and experiencing these things are lacking in man to-day. He does not know—nor can it be expected of him and it is paradoxical to speak as I am speaking now—he does not know how what is happening here on the earth would appear if seen, for example, from the Moon. If he could look from the Moon he would see that the life of the nerves and senses is altogether different from what can be known of it in physical existence. The nerves-and-senses life, everything that transpires while you see, hear, smell, taste, is light in the cosmos, the radiation of light into the cosmos. From your seeing, from your feeling, from your hearing, the earth shines out into the cosmos.

Different again is the effect produced by what is rhythmic in the human being: breathing, heart movement, blood pulsation. This activity manifests in the universe in great and powerful rhythms which can be heard by the appropriate organs of hearing. And the process of metabolism in man radiates out into cosmic space as life streaming from the earth. You cannot perceive, hear, see, smell or feel without shining out into the cosmos. Whenever your blood circulates, you resound into universal space, and whenever metabolism takes place within you, this is seen from out yonder as the life of the whole earth.

But there are great differences in respect of all this—for example, between Asia and Europe. Seen from outside, the thinking peculiar to the Asiatics would appear—even now, when a great proportion of them have lost all spirituality—as bright, shining light raying out into the spiritual space of the universe. But the further we go towards the West, the dimmer and darker does this radiance become. On the other hand, more and more life surges out into cosmic space the further we go towards the West. Only from this vista can there arise in the human soul what may be called perception of the cosmic aspect of the earth—with the human beings belonging to it.

Such conceptions will be needed if mankind is to go forward to a propitious and not an ominous future. The idiocy that is gradually being bred in human beings who are made to learn from the sketchy maps of modern geography: Here is the Danube, here the Rhine, here Reuss, here Aare, here Bern, Basle, Zürich, and so forth—all this external delineation which merely adds material details to the globe—this kind of education will be the ruin of humanity. It is necessary as a foundation and not to be scoffed at; but nevertheless it will lead gradually to man's downfall. The globe of the future will have to indicate: here the earth shines because spirituality is contained in the heads of men: there the earth radiates out more life into cosmic space because of the characteristics of the human beings inhabiting this particular territory.

Something I once said here is connected with this. (One must always illumine one fact by another). I told you that Europeans who settle in America develop hands resembling those of the Red Indians; they begin to resemble the Indian type. This is because the souls coming down into human bodies to-day are directed more by geographical conditions, as they were in the olden days. In our own time, the souls are directed, not by racial considerations, not by what develops out of the blood, but by geographical conditions, as in the past. But it will be necessary to get at the roots of what is going on in humanity. This can be done only when men accustom themselves to concepts of greater flexibility, capable of penetrating matters of this kind. These concepts, however, can be developed only on the foundation of spiritual science. And such a foundation is available when the spirit can be brought to birth in the human soul. For this, man needs a free spiritual life, emancipated from the political life of the State.

I have now given you one or two indications of what is astir in humanity, and of the need to strive for a new ordering of social life. Social demands cannot nowadays be advanced in terms of the trivial concepts commonly employed. Men must have insight into the nature of present-day humanity; they must make good what they have neglected in the study of modern mankind.

This lecture appeared in The Golden Blade, 1954.

From the two preceding lectures you will have realised that in finding it necessary to speak at the present time of the threefold social order, anthroposophical spiritual science is not actuated by any subjective views or aims. The purpose of the lecture yesterday was to point to impulses deeply rooted in the life of the peoples of the civilised world—the world as it is in this Fifth Post-Atlantean Epoch. I tried to show how, from about the year 1200 A.D. onwards, there awakened in Middle Europe an impulse leading to the growth of what may be called the civic social order, but that this civic social life of the middle classes was infiltrated by the remains of a life of soul belonging to earlier centuries—by those decadent Nibelung traits which appeared particularly among the ruling strata in the mid-European countries.

I laid special stress upon the existence of a radical contrast in mid-European life from the thirteenth until the twentieth centuries, culminating in the terrible death-throes of social life that have come upon Middle Europe. This incisive contrast was between the inner, soul-life of the widespread middle-class, and that of the descendants of the old knighthood, of the feudal overlords, of those in whom vestiges of the old Nibelung characteristics still survived. These latter were the people who really created the political life of Middle Europe, whereas the bulk of the middle class remained non-political, a-political. If one desires to be a spiritual scientist from the practical point of view, serious study must be given to this difference of soul-life between the so-called educated bourgeoisie and all those who held any kind of ruling positions in Middle Europe at that time. I spoke of this in the lecture yesterday.

We will now consider in rather greater detail why it was that the really brilliant spiritual movement which lasted from the time of Walter von der Vogelweide until that of Goetheanism, and then abruptly collapsed, failed to gain any influence over social life or to produce any thoughts which could have been fruitful in that sphere. Even Goethe, with all his power to unfold great, all-embracing ideas in many domains of life, was really only able to give a few indications—concerning which one may venture to say that even he was not quite clear about them—as to what must come into being as a new social order in civilised humanity. Fundamentally speaking, the tendency towards the threefold membering of a healthy social organism was already present in human beings, subconsciously, by the end of the eighteenth century. The demands for freedom, equality and fraternity, which can have meaning only when the threefold social order becomes reality, testified to the existence of this subconscious longing. Why did it never really come to the surface?

This is connected with the whole inherent character of mid-European spiritual life. At the end of the lecture yesterday I spoke of a strange phenomenon. I said that Hermann Grimm—for whom I have always had such high regard and whose ideas were able to shed light upon so many aspects of art and general human interest of bygone times—succumbed to the extraordinary fallacy of admiring such an out-and-out phrasemonger as Wildenbruch! In the course of years I have often mentioned an incident which listeners may have thought trivial, but which can be deeply indicative for those who study life in its symptomatological aspect. Among the many conversations I had with Hermann Grimm while I was in personal contact with him, there was one in which I spoke from my own point of view about many things that need to be understood in the spiritual sense. In telling this story I have always stressed the fact that Hermann Grimm's only response to such mention of the spiritual was to make a warding-off gesture with his hand, indicating that this was a realm he was not willing to enter. A supremely true utterance, consisting of a gesture of the hand, was made at that moment. It was true inasmuch as Hermann Grimm, for all his penetration into many things connected with the so-called spiritual evolution of mankind, into art, into matters of universal human concern, had not the faintest inkling of what ‘spirit’ must signify for men of the Fifth Post-Atlantean epoch of culture. He simply did not know what spirit really is from the standpoint of a man of this epoch. In speaking of such matters one must keep bluntly to the truth: until it came to the spirit, there was truth in a man like Hermann Grimm. He made a parrying gesture because he had no notion of how to think about the spirit. Had he been one of the phrasemongers going about masked as prophets today endeavouring to better the lot of mankind, he would have believed that he too could speak about the spirit; he would have believed that by reiterating Spirit, spirit, spirit! something is expressed that has been nurtured in one's own soul.

Among those who of recent years have been talking a great deal about the spirit, without a notion of its real nature, are the theosophists—the majority of them at any rate. For it can truly be said that of all the vapid nonsense that has been uttered of late, the theosophical brand has been the most regrettable and also in a certain respect the most harmful in its effects. But a statement like the one I have made about Hermann Grimm—not thinking of him as a personality but as a typical representative of the times—raises the question: how comes it that such a true representative of Middle European life has no inkling of how to think about the spiritual, about the spirit? It is just this that makes Hermann Grimm the typical representative of Middle European civilisation. For when we envisage this brilliant culture of the townsfolk, which has its start about the year 1200 and lasts right on into the period of Goetheanism, we shall certainly perceive as its essential characteristic—but without valuing it less highly on this account—that it is impregnated in the best sense with soul but empty of anything that can be called spirit. That is the fact we have to grasp, with a due sense of the tragedy of it: this brilliant culture was devoid of spirit. What is meant here, of course, is spirit as one learns to apprehend it through anthroposophical spiritual science.

Again and again I return to Hermann Grimm as a representative personality, for the thinking of thousands and thousands of scholarly men in Middle Europe was similar to his. Hermann Grimm wrote an excellent book about Goethe, containing the substance of lectures he gave at the University of Berlin in the seventies of the last century. Taking it all in all, what Hermann Grimm said about Goethe is really the best that has been said at this level of scholarship. From the vantage-point of a rich life of soul, Hermann Grimm derived his gift not only for portraying individual men but for accurately discerning and assessing their most characteristic traits. He was brilliant in hitting upon words for such characterisations. Take a simple example. In the nature of things, Hermann Grimm was one of those who misunderstood the character of the wild Nibelung people. He was an ardent admirer of Frederick the Great and pictured him as a Germanic hero. Now Macaulay, the English historian and man of letters, wrote about Frederick the Great, naturally from the English point of view. In an essay on Macaulay, Hermann Grimm set out to show that in reality only a German possessed of sound insight is capable of understanding and presenting a true picture of Frederick the Great. Hermann Grimm describes Macaulay's picture of Frederick the Great in the very apt words: Macaulay makes of Frederick the Great a distorted figure of an English Lord, with snuff in his nose.

To hit upon such a characterisation indicates real ability to shape ideas and mental images in such a way that they have plasticity, mobility. Many similar examples could be found of Hermann Grimm's flair for apt characterisation. And other kindred minds, belonging to the whole period of Middle European culture of which I spoke yesterday, were endowed with the same gift. But if, with all the good-will born of a true appreciation of Hermann Grimm, we study his monograph on Goethe—what is our experience then? We feel: this is an extraordinarily good, a really splendid piece of writing—only it is not Goethe! In reality it gives only a shadow-picture of Goethe, as if out of a three-dimensional figure one were to make a two-dimensional shadow-picture, thrown on the screen. Goethe seems to wander through the chapters like a ghost from the year 1749 to the year 1832. What is described is a spectral Goethe—not what Goethe was, what he thought, what he desired.

Goethe himself did not succeed in lifting to the level of spiritual consciousness all that was alive within his soul. Indeed, the great ‘Goethe problem’ today is precisely this: to raise into consciousness in a truly spiritual way what was spiritually alive in Goethe. He himself was not capable of this, for culture in his day could give expression only to a rich life of the soul, not of the spirit. Therefore Hermann Grimm, too, firmly rooted as he was in the Goethean tradition, could depict only a shadow, a spectre, when he wanted to speak of Goethe's spirit. It is thoroughly characteristic that the best modern exposition of Goethe and Goetheanism should produce nothing but a spectre of Goethe.

Why is it that through the whole development of this brilliant phase of culture there is no real grasp of the spirit, no experience of it or feeling for it? Men such as Troxler, and Schelling too at times, pointed gropingly to the spirit. But speaking quite objectively, it must be said that this culture was empty of spirit. And because of this, men were also ignorant of the needs, the conditions, that are essential for the life of the spirit. Here too there is something which may well up as a feeling of tragedy from contemplation of this stream of culture: men were unable to perceive, to divine, the conditions necessary for the life of the spirit, above all in the social sphere; For the reason why the social life of Middle Europe has developed through the centuries to the condition in which it finds itself today is that it had no real experience of the spirit, nor felt the need to meet the fundamental requirement of the spiritual life by emancipating it, making it independent of and separate from the political sphere. Because men had no understanding of the spirit, they allowed it to be merged with the political life of the State, where it could unfold only in shackles. I am speaking here only of Middle Europe; in other regions of the modern civilised world it was the same, although the causes were different.

And then, in the inmost soul, a reaction can set in. Then a man can experience how in his study of nature the spirit remains dumb, silent, uncommunicative. Then the soul rebels, gathers its forces and strives to bring the spirit to birth from its own inmost being! This can happen only in an epoch when scientific thinking impinges on a culture which has no innate disposition towards spirituality. For if men are not inwardly dead, if they are inwardly alive, the impulse of the spirit begins of itself to stir within them. We must recognise that since the middle of the 15th century the spirit has to be brought to birth through encountering what is dead if it is to penetrate into man's life of soul. The only persons who can gain satisfaction from inwardly experiencing the spiritualised soul-life of the Greeks are those who, with their classical scholarship, live in that afterglow of Greek culture which enables the soul-quality of the spirit to pulsate through a man's own soul. But men who are impelled to live earnestly with natural science and to discern what is deathly, corpse-like in it—they will make it possible for the spirit itself to come alive in their souls.

If a man is to have real and immediate experience of the spirit in this modern age, he must not only have smelt the fumes of prussic acid or ammonia in laboratories, or have studied specimens extracted from corpses in the dissecting room, but out of the whole trend and direction of natural scientific thinking he must have known the odour of death in order that through this experience he may be led to the light of the spirit! This is an impulse which must take effect in our times; it is also one of the testings which men of the modern age must undergo. Natural science exists far more for the purpose of educating man than for communicating truths about nature. Only a naive mind could believe that any natural law discovered by learned scientists enshrines an essential, inner truth. Indeed it does not! The purpose of natural science, devoid of spirit as it is, is the education of men. This is one of the paradoxes implicit in the historic evolution of humanity.

And so it was only in the very recent past, in the era after Goetheanism, that the spirit glimmered forth; for it was then, for the first time, that the essentially corpse-like quality in the findings of natural science came to the fore; then and not until then could the spirit ray forth—for those, of course, who were willing to receive its light. Until the time of Goethe, men protected themselves against the sorry effects of a spiritual life shackled in State-imposed restrictions by cultivating a form of spiritual life fundamentally alien to them, namely the spiritual life of ancient Greece; this was outside the purview of the modern State for the very reason that it had nothing to do with modern times. A makeshift separation of the spiritual life from the political sphere was provided by the adoption of an alien form of culture. This Greek culture was a cover for the spiritual emptiness of Middle European life and of modern Europe in general.

On the other hand, the need to separate the economic sphere from the Rights-sphere, from the political life of the State proper, was not perceived. And why not? When all is said and done, nobody can detach himself from the economic field. To speak trivially, the stomach sees to that! In the economic sphere it is impossible for men to live unconcernedly through such cataclysms as are allowed to occur, all unnoticed, in the political and spiritual spheres. Economic activity was going on all the time, and it developed in a perfectly straightforward way. The transformation of the old impenetrable forests into meadows and cornfields, with all the ensuing economic consequences, went steadily ahead. But into economic life, too, there came an alien intrusion, one that had actually found a footing in the souls of men in Middle Europe earlier than that of Greece, namely the Latin-Roman influence. Everything pertaining to the State, to the Rights-life, to political life, derives from this Latin-Roman influence. And here again is something that will have to be stressed by history in the future but has been overlooked by the conventional, tendentious historiography of the immediate past, with its bias towards materialism—the strangely incongruous fact that certain economic ideas and procedures are a direct development from social relationships described, for example, by Tacitus, as prevailing in the Germanic world during the first centuries after the founding of Christianity.

But that is not all. These trends in economic thinking did not go forward unhampered. The Roman view of rights, Roman political thinking, seeped into the economic usages and methods originally prevailing in Europe, infiltrated them through and through and caused a sharp cleavage between the economic sphere and the political sphere. Thus the economic sphere and the political sphere, the former coloured by the old Germanic way of life and the latter by the Latin-Roman influence, remained separate on the surface but without any organic distinction consistent with the threefold membering of the body social: the distinction was merely superficial, a mask. Two heterogeneous strata were intermingled; it was felt that they did not belong together, in spite of external unification. Inwardly, however, people were content, because in their souls they experienced the two spheres as separate and distinct.

One need only study mediaeval and modern history in the right way and it will be clear that this mediaeval history is really the story of perpetual rebellion, self-defense, on the part of the economic relationships surviving from olden times against the political State, against the Roman order of life. Imaginative study of these things shows unmistakably how Roman influences in the form of jurisprudence penetrate into men via the heads of the administrators. A great deal of the Roman element had even found its way into the wild Nibelung men in their period of decline. “Graf” is connected with “grapho”—writing. One can picture how the peasants, thinking in terms of husbandry, rise up in rebellion against this Roman juridical order, with fists clenched in their pockets, or with flails. Naturally, this is not always so outwardly perceptible. But when one observes history truly, these factors are present in the whole moral trend and impulse of those times. And so—I am merely characterising, not criticising, for everything that happened has also brought blessings and was necessary for the historic evolution of Middle Europe—all that developed from the seeds planted in mid-European civilisation was permeated through and through by the juristic-political influences of the Roman world and the humanism of Greece, by the Greek way of conceiving spirit in the guise of soul.

On the other hand, directly economic life acquired its modern, international character, the old order was doomed. A man might have had a very good classical education and be an ignoramus in respect of modern natural science, but then he was inwardly on a retrograde path. A man of classical education could not keep abreast of his times unless he penetrated to some extent into what modern natural scientific education had to offer. And again, if a man were schooled in natural science, if he acquired some knowledge of modern natural science and of what had come out of the old Roman juristic system in the period of which I have spoken, he could not help suffering from an infantile disease, from ‘culture scarlet fever’, ‘culture measles’, in a manner of speaking. In the old Imperium Romanum a juristic culture was fitting and appropriate. Then this same juristic principle, the res publica (i.e. the conception of it), was transplanted from ancient Rome into the sphere of Middle European culture, together with the element of Nibelung barbarism on the other side. One really gets ‘culture scarlet fever’, ‘culture measles’, if one does not merely think of jurisprudence in the abstract, but, with sound natural scientific concepts, delves into the stuff that figures as modern jurisprudence in literature and in science.

We can see that this state of things had reached a certain climax when we find a really gifted man such as Rudolf von Ihering at an utter loss to know how to deal with the pitiable notions of jurisprudence current in the modern age. The book written by Ihering on the aim of justice (Der Zweck im Recht) was a grotesque production, for here was a man who had made a little headway in natural scientific thinking endeavouring to apply the concepts he had acquired to jurisprudence—the result being a monstrosity of human thinking. To study modern literature on law is a veritable martyrdom for sound thinking; one feels all the time as though so many worms were crawling through the brain. This is the actual experience—I am simply describing it pictorially.

We must be courageous enough to face these things fairly and squarely, and then it will be clear that we have arrived at the point of time when not only certain established usages and institutions, but men's very habits of thought, must be metamorphosed, re-cast; when men must begin to think about many things in a different way. Only then will the social institutions in the external world be able, under the influence of human thinking and feeling, to take the form that is called for by these ominous and alarming facts.

A fundamental change in the mental approach to certain matters of the highest importance is essential. But because between 1200 and the days of Goetheanism, modern humanity, especially in Middle Europe, absorbed all unwittingly thoughts that wriggled through the brain like worms, there crept over thinking the lazy passivity that is characteristic of the modern age. It comes to expression in the absence of will from the life of thought. Men allow their thoughts to take possession of them; they yield to these thoughts; they prefer to have them in the form of instinct. But in this manner no headway can be made towards the spirit. The spirit can be reached only by genuinely putting the will into thinking, so that thinking becomes an act like any other, like hewing wood. Do modern men feel that thinking tires them? They do not, because thinking for them is not activity at all. But the fact that anyone who thinks with thoughts, not with words, will get just the same fatigue as he gets from hewing wood, and actually in a shorter time, so that he simply has to stop—that is quite outside their experience. Nevertheless, this is what will have to be experienced, for otherwise modern mankind as a community will be incapable of achieving the transition from the sense-world into the super-sensible world of which I spoke in the two preceding lectures. Only by entering thus into the super-sensible world, with understanding for what is seen and apprehended in the spirit, will human souls find harmony again.

The year 1200 is the time of Walter von der Vogelweide, the time when the spiritual life of Middle Europe is astir with powerful imaginations of which conventional history has little to say. Then it flows on through the centuries, but from the 15th and 16th centuries onwards takes into itself the germs of decline with the founding of the Universities of Prague, Ingolstadt, Freiburg, Heidelberg, Restock, Wurzburg and the rest. The founding of these Universities throughout Middle Europe occurred almost without exception in a single century. The kind of life and thinking emanating from the Universities started the trend towards abstraction—towards what was subsequently to be idolised and venerated as the pure, natural scientific thinking which today invades the customary ways of thought with such devastating results.

Fundamentally speaking, this gave a definite stamp to the whole mentality of the educated middle class. Naturally, many individuals were not deeply influenced, but all the same the effect was universal. Of salient importance during this period was the increasing receptiveness of people to a form of soul-life entirely foreign to them. Side by side with what was developed through those who were the bearers of this middle-class culture, which reached its culmination in Goethe, Herder and Schiller, alien elements and impulses were at work.

I am speaking here of something profoundly characteristic. In their souls, the bearers of this culture were seeking for the spirit without a notion of what the spirit is. And where did they seek it? In the realm of Greek culture! They learnt Greek in their intermediate schools, and what was instilled into them by way of spiritual substance was Greek in tenor and content. To speak truly of the spirit as conceived in Middle Europe from the thirteenth right on into the twentieth century, one would have to say: spirit, as conveyed by the inculcation of Greek culture. No spiritual life belonging intrinsically and innately to the people came into being. Greek culture did not really belong to the epoch beginning in the middle of the 15th century, which we call the epoch of the evolution of self-consciousness. And so the bourgeoisie in Middle Europe were imbued with an outworn form of Greek culture, and this was the source of all that they were capable of feeling and experiencing in regard to the spirit.

But what the Greek experienced of the spirit was merely its expression in the life of soul (Seelenseite das Geistes). What gave profundity to the culture of ancient Greece was that the Greek rose to perception of the highest manifestation of soul-life. That was what he called ‘spirit’. True, the spirit shines down from the heights, pulsing through the realm of soul; but when the gaze is directed upwards, it finds, to begin with, only the expression of the spirit in the realm of soul.

Man's task in the Fifth Post-Atlantean epoch, however, is to lift himself into the very essence of the spirit—an attainment still beyond his reach in the days of Greece. This is of far greater significance than is usually supposed, for it sheds light upon the whole way in which medieval, neo-medieval culture apprehended the spirit.

What, then, was required in order to reach a concept, an inward experience, of the spirit appropriate for the modern age? It is precisely by studying a representative figure like Hermann Grimm that we can discover this. It is something of which a man such as Hermann Grimm, steeped in classical lore, had not the faintest inkling—namely, the strivings of natural science and the scientific mode of thinking. This thinking is devoid of spirit; precisely where it is great it contains no trace of spirit, not an iota of spirituality. All the concepts of natural science, all its notions of laws of nature, are devoid of spirit, are mere shadow-pictures of spirit; while men are investigating the laws of nature, no trace of the spirit is present in their consciousness.

Two ways are open here. Either a man can give himself up to natural science, contenting himself—as often happens today—with what natural science has to offer; then he will certainly equip his mind with a number of scientific laws and ideas concerning nature—but he loses the spirit. Along this path it is possible to become a truly great investigator, but at the cost of losing all spirituality. That is the one way. The other is to be inwardly aware of the tragic element arising from the lack of spirituality in natural science, precisely where science appears in all its greatness. Man immerses his soul in the scientific lore of nature, in the abstract, unspiritual laws of chemistry, physics, biology, which, having been discovered at the dissecting table, indicate by this very fact that from the living they yield only the dead. The soul delves into what natural science has to impart concerning the laws of human evolution. When a man allows all this to stream into him, when he endeavours not to pride himself on his knowledge, but asks: ‘What does this really give to the human soul?’—then he experiences something true; then spirit is not absent. Herein, too, lies the tragic problem of Nietzsche, whose life of soul was torn asunder by the realisation that modern scientific learning is devoid of spirituality.

As you know, insight into the super-sensible world does not depend upon clairvoyance; all that is required is to apprehend by the exercise of healthy human reason what clairvoyance can discover. It is not essential for the whole of mankind to become clairvoyant; but what is essential, and moreover within the reach of every human being, is to develop insight into the spiritual world through the healthy human intelligence. Only thus can harmony enter into souls of the modern age: for the loss of this harmony is due to the conditions of evolution in our time. The development of Europe, with her American affinities on the one hand and the Asiatic frontier on the other, has reached a parting of the ways. Spiritual Beings of higher worlds are bringing to a decisive issue the overwhelming difference between former ages and modern times as regards the living side-by-side of diverse populations on the earth.

How were the peoples of remote antiquity distributed and arranged over the globe? Up to a certain point of time, not long before the Mystery of Golgotha, the configuration of peoples on earth was determined from above downwards, inasmuch as the souls simply descended from the spiritual world into the physical bodies dwelling in some particular territory. Owing to physiological, geographical, climatic conditions in early times, certain kinds of human bodies were to be found in Greece, and similarly on the peninsula of Italy. The souls came from above, were predestined entirely from above, and took very deep root in man's whole constitution, in his outer, bodily physiognomy.

Then came the great migrations of the peoples. Men wandered over the earth in different streams. Races and peoples began to intermix, thus enhancing the importance of the element of heredity in earthly life. A population inhabiting a particular region of the earth moved to another; for example the Angles and Saxons who were living in certain districts of the Continent migrated to the British Isles. That is one such migration. But in respect of physical heredity, the descendants of the Angles and Saxons are dependent upon what had developed previously on the Continent; this was a determining factor in their bodily appearance, their practices, and so forth. Thus there came into the evolutionary process a factor working in and conditioned by the horizontal. Whereas the distribution of human beings over the earth had formerly depended entirely upon the way in which the souls incarnated as they came down from above, the wanderings and movements of men over the earth now also began to have an effect.

At the turn of the 14th and 15th centuries, however, a new cosmic historic impulse came into operation. For a period of time a certain sympathy existed between the souls descending from the spiritual world and the bodies on the earth below. Speaking concretely: souls who were sympathetically attracted by the bodily form and constitution of the descendants of the Angles and Saxons, now living in the British Isles, incarnated in those regions. In the 15th century this sympathy began to wane, and since then the souls have no longer been guided by racial characteristics, but once again by geographical conditions, the kind of climate, and so forth, on the earth below, and also by whether a certain region of the earth is flat or mountainous. Since the 15th century, souls have been less and less concerned with racial traits; once again they are guided more by the existing geographical conditions. Hence a kind of chasm is spreading through the whole of mankind today between the elements of heredity and race and the soul-element coming from the spiritual world. And if men of our time were able to lift more of their subconsciousness into consciousness, very few of them would—to use a trivial expression—feel comfortable in their skins. The majority would say: I came down to the earth in order to live on flat ground, among green things or upon verdant soil, in this or that kind of climate, and whether I have Roman or Germanic features is of no particular importance to me.

It certainly seems paradoxical when these things, which are of paramount importance for human life, are concretely described. Men who preach sound principles, saying that one should abjure materialism and turn towards the spirit—they too talk just like the pantheists, of spirit, spirit, spirit. People are not shocked by this today; but when anyone speaks concretely about the spirit they simply cannot take it. That is how things are. And harmony must again be sought between, shall I say, geographical predestination and the racial element that is spread over the earth. The leanings towards internationalism in our time are due to the fact that souls no longer concern themselves with the element of race.

A figure of speech I once used is relevant here. I compared what is happening now to a ‘vertical’ migration of peoples, whereas in earlier times what took place was a ‘horizontal’ migration. This comparison is no mere analogy, but is founded upon facts of the spiritual life.

To all this must be added that, precisely through the spiritual evolution of modern times, man is becoming more and more spiritual in the sphere of his subconsciousness, and the materialistic trend in his upper consciousness is more and more sharply at variance with the impulses that are astir in his subconsciousness. In order to understand this, we must consider once more the threefold membering of the human being.

When the man of the present age, whose attention is directed only to the material and the physical, thinks of this threefold membering, he says to himself: I perceive through my senses: they are indeed distributed over the whole body but are really centralised in the head; acts of perception, therefore, belong to the life of the nerves and senses—and there he stops. Further observation will, of course, enable him to describe how the human being breathes, and how the life passes over from the breath into the movement of the heart and the pulsation of the blood. But that is about as far as a he gets today. Metabolism is studied [in] all detail, but not as one of the three members of threefold man: actually it is taken to be the whole man. One need not, of course, go to the lengths of the scientific thinker who said: man is what he eats (Der Mensch ist, was er isst)—but, broadly speaking, science is pretty strongly convinced that it is so. In Middle Europe at the present time it looks as if he will soon be what he does not eat!

This threefold membering of the human being, which will ultimately find expression in a threefold social order because its factual reality is becoming more and more evident, manifests in different forms over the earth. Truly, man is not simply the being he appears outwardly to be, enclosed within his skin. It was in accordance with a deep feeling and perception when in my Mystery Play, “The Portal of Initiation”, in connection with the characters of Capesius and Strader, I drew attention to the fact that whatever is done by men on earth has its echo in cosmic happenings out yonder in the universe. With every thought we harbour, with every movement of the hand, with everything we say, whether we are walking or standing, whatever we do—something happens in the cosmos.

The faculties for perceiving and experiencing these things are lacking in man today. He does not know—nor can it be expected of him and it is paradoxical to speak as I am speaking now—he does not know how what is happening here on the earth would appear if seen, for example, from the Moon. If he could look from the Moon he would see that the life of the nerves and senses is altogether different from what can be known of it in physical existence. The nerves-and-senses life, everything that transpires while you see, hear, smell, taste, is light in the cosmos, the radiation of light into the cosmos. From your seeing, from your feeling, from your hearing, the earth shines out into the cosmos.

Different again is the effect produced by what is rhythmic in the human being: breathing, heart movement, blood pulsation. This activity manifests in the universe in great and powerful rhythms which can be heard by the appropriate organs of hearing. And the process of metabolism in man radiates out into cosmic space as life streaming from the earth. You cannot perceive, hear, see, smell or feel without shining out into the cosmos. Whenever your blood circulates, you resound into universal space, and whenever metabolism takes place within you, this is seen from out yonder as the life of the whole earth.

But there are great differences in respect of all this—for example, between Asia and Europe. Seen from outside, the thinking peculiar to the Asiatics would appear—even now, when a great proportion of them have lost all spirituality—as bright, shining light raying out into the spiritual space of the universe. But the further we go towards the West, the dimmer and darker does this radiance become. On the other hand, more and more life surges out into cosmic space the further we go towards the West. Only from this vista can there arise in the human soul what may be called perception of the cosmic aspect of the earth—with the human beings belonging to it.

Such conceptions will be needed if mankind is to go forward to a propitious and not an ominous future. The idiocy that is gradually being bred in human beings who are made to learn from the sketchy maps of modern geography: Here is the Danube, here the Rhine, here Reuss, here Aare, here Bern, Basle, Zürich, and so forth—all this external delineation which merely adds material details to the globe—this kind of education will be the ruin of humanity. It is necessary as a foundation and not to be scoffed at; but nevertheless it will lead gradually to man's downfall. The globe of the future will have to indicate: here the earth shines because spirituality is contained in the heads of men: there the earth radiates out more life into cosmic space because of the characteristics of the human beings inhabiting this particular territory.

Something I once said here is connected with this. (One must always illumine one fact by another). I told you that Europeans who settle in America develop hands resembling those of the Red Indians; they begin to resemble the Indian type. This is because the souls coming down into human bodies today are directed more by geographical conditions, as they were in the olden days. In our own time, the souls are directed, not by racial considerations, not by what develops out of the blood, but by geographical conditions, as in the past. But it will be necessary to get at the roots of what is going on in humanity. This can be done only when men accustom themselves to concepts of greater flexibility, capable of penetrating matters of this kind. These concepts, however, can be developed only on the foundation of spiritual science. And such a foundation is available when the spirit can be brought to birth in the human soul. For this, man needs a free spiritual life, emancipated from the political life of the State.

I have now given you one or two indications of what is astir in humanity, and of the need to strive for a new ordering of social life. Social demands cannot nowadays be advanced in terms of the trivial concepts commonly employed. Men must have insight into the nature of present-day humanity; they must make good what they have neglected in the study of modern mankind.

This lecture is the 11th of 13 lectures given by Rudolf Steiner at Dornach, Switzerland in June and July of 1921. The series of lectures is entitled: Human Evolution, Cosmic Soul, Cosmic Spirit - I. This lecture was translated from a shorthand report, unrevised by the lecturer, by an unknown translator, and first published in English in the periodical, Anthroposophical Movement, Volume VIII, No. 4 in 1931.

My lecture to-day will contain certain truths which will be of use to us again later, and which will help us in the course of the next few days to pursue our ideas further and to develop them in a definite direction. When we turn our attention to the life of the soul we may say that at the one pole of this soul-life lies the thought element, at the other pole the will element, and between these two the element of feeling, that which in ordinary life we call feeling, qualities of the heart, and so on. Naturally, however, what actually takes place in the life of the soul during the waking state is never entirely one-sided; thinking is not present by itself, nor willing by itself, there is always a mutual relationship and interplay between them. Let us suppose that we maintain a completely passive attitude towards life, so that we can say that our will does not function outwardly at all. We must nevertheless be aware that if, during such a period of outer quiescence, we think, an element of will reigns in the thoughts that we unfold. Will holds sway in the sphere of our thinking in that we correct one thought with another. Hence even if we are apparently absorbed in contemplation, in pure thought, a certain will element prevails, at any rate inwardly. On the other hand, unless we are actually raving, or given to walking in our sleep, we cannot be active in our will without allowing our will impulses to be permeated by thoughts. Thoughts always interpenetrate our will-activity, so that in this connection we may say: in the life of the soul the forces of the will are never separated off; they never exist for themselves alone. But the qualities that are never completely sundered from one another, that have no separate existence, may nevertheless be traced back to a different origin. And in this case the one pole of our soul-life, thinking, has a completely different origin from our life of will.

Even if we limit our observation to the affairs of everyday life we shall find that thinking always bears reference to something that is already there; it takes certain presuppositions for granted. Thinking is for the most part reflection. Even when we think ahead, as it were, when we decide to undertake something which we afterwards carry out by means of our will, even then experience lies at the back of such thinking, and we are guided by it. Thus this kind of thinking also is in a certain sense meditative or reflective.

The will cannot be influenced by what is already there. This would obviously entail a perpetual losing of the race. The will can be guided solely by that which is to come, by what lies in the future. Feeling stands mid-way between the two. Our thoughts are accompanied by feelings. Thoughts delight us, repel us. Feeling imbues our will impulses with life, and stands mid-way between thinking and willing.

Even in ordinary life there is some indication that this is the case, and so it is also in the great universe. And in this connection we must say: that which determines our thinking, that which enables us to think and creates in us the possibility of thought, all that we owe to our life before birth, before conception. Fundamentally speaking, the faculty of thought which man develops in himself is already present in germ in any little child we may happen to meet. Only,—as you know from other lectures I have given—the child makes use of thought as a means of building up his body. ... Particularly during the first seven years of his life, up to the time of the change of teeth, the child makes use of thought-forces to guide him in the building up of his physical body. From then on these forces gradually emerge as actual thought-forces; but they are present in man from the moment he enters upon his physical, earthly life.

That which develops into the forces of will has, in the case of the young child, very little connection with the power of thought. To an unprejudiced observation this is obvious. Watch the sprawling movements of a child during the first weeks of his life and you will certainly say: The child has first won for himself the power of making these sprawling, chaotic movements through the fact that his soul and spirit are clothed from the physical outer world with physical bodily substance. In this physical bodily substance which we gradually develop from the time of conception and birth lie the forces of the will, and the development of child-life consists really in this, that gradually the will is taken hold of by the thought-forces which we bring with us through birth into physical existence. Watch and see how, to begin with, the child moves his limbs quite meaninglessly, purely out of the activity of the physical body, and how, little by little, as one might say, thoughts enter into these movements so that they become imbued with meaning. Thus there is a pressing, a pushing of thinking into the forces of the will, forces which live absolutely and complete in the physical covering which enwraps the human being when he is born, indeed from the moment of conception. The life of the will is therein contained.

So that, speaking from a more or less schematic point of view, we might portray man in some such words as these: Man brings his thought-life with him when he descends from the spiritual world. He incorporates his willing life into the bodily substance which is given to him by his parents. The forces of will which express themselves chaotically are situated in the body. Here too are to be found the thought-forces which to begin with serve as regulating forces whose function it is to permeate the incarnated will in the right way with spirit.

We become aware of these will forces when we pass through death and enter into the spiritual world. There, however, they are in the highest degree ordered and controlled. We carry them with us through the gate of death into the spiritual life. The thought-forces which we bring with us out of the super-sensible life into earthly life we lose in the course of this earthly life.

In the case of human beings who die prematurely things are somewhat different. At the moment however we are speaking of normal human beings. Such people, those for instance who live to be more than fifty years old, have as a rule already lost the original thought-forces they brought with them from an earlier life, and they have preserved the directing forces of the will, which can then be carried over beyond death into the life upon which we enter when we pass through the gate of death.

One can certainly take for granted that thought has its own place within each one of us, although indeed when a man has passed the age of fifty he has usually lost his power of thinking.

In a certain sense this is absolutely true to-day in the case of the large majority of people who take no interest in the things of the spirit. I suggest that you should one day really start from this point and make a record of how many fundamentally original thoughts and ideas at the present time proceed from persons who are more than fifty years old! As a rule the thoughts of such people can be traced back to their earlier years. These thoughts have gone on automatically; they were once imprinted into the body, and the body has gone on automatically in its turn. The body is indeed a picture of the thought-life, and the human being, in accordance with the law of inertia, ambles on and on in the same old habits of thought. Today it is hardly possible to escape from this ambling on in the same old groove of thought if one does not, in the course of one's life, absorb thoughts which are of a spiritual nature, which are similar to those thought-forces in the midst of which we were placed before our birth. It is an actual fact that the time is rapidly approaching when old people will become sheer automata if they do not accustom themselves to receiving thought-forces coming from the spiritual worlds. Naturally people can continue to think in a more or less automatic way. It can appear as though they really were thinking. In reality, however, unless man is laid hold of by those youthful elements which proceed from thoughts given to him by Spiritual Science, such thinking is only an automatic continuation of movement in those organs in which thoughts have previously been embedded. This taking in of thoughts arising out of Spiritual Science is in no sense merely theorising, for such thoughts penetrate into the depths of human life.

Now you will see that this whole question gains special significance when we take into account the relationship existing between man and nature. By the term “Nature” I am now including everything which surrounds us and works upon our senses, everything to which we are subjected from waking until sleeping. All this one can observe in the following way. One can allow to pass before one's eyes,—I am speaking now of spiritual eyes,—everything that one sees. We call it the tapestry of the senses. I will draw it diagrammatically as follows: Here we have everything that one sees, hears, perceives as warmth, as the colours of nature, and so on. (I have drawn an eye as a symbol of all that can be sensed in this way). There is, however, something behind this tapestry of the senses. The physicist, or people generally who accept the modern world-conception, say: Behind this tapestry are atoms, and these atoms whirl round and round, and then—well then, they just go on whirling. In reality there is no tapestry of the senses, but somehow or other in the eye, or in the brain, or somewhere else, these atoms call up the impression of colour, sound, and so on. Now I would ask you to think a little about this tapestry of the senses, quite without prejudice, and without starting off with the illusion that you can prove the existence of this mighty army of atoms, which are marshalled by the militaristic thought of the chemists in such a way that, let us say, Sergeant C. stands here, then two Privates, O., O., and then still another Private called X, so that we have ranged up in militaristic style: Ether, Atoms and so on. Now if, as I have just said, you do not give way to this illusion, but hold fast to reality, you will know that this tapestry of the senses is spread out before us, that there outside are the sense-qualities, and that the faculty by means of which I am able to comprehend with my consciousness what is contained in such sense-qualities is that to which we give the name of thinking. In reality thought and nothing else lies behind this tapestry of the senses. In other words, thought and thought alone lies behind everything which we have in the physical world. That these thoughts are carried by beings is something about which I shall have more to say later. The point is that it is only by means of thought that we can penetrate into what lies at the back of the content of our consciousness. The power of thinking, however, we bring with us from our life before birth, from our life before physical conception. Why is it that we are able to penetrate behind the tapestry of the senses by means of this power?

Try to familiarise yourselves with the thought to which I have just referred. Try to formulate the question clearly, basing it on what has already been indicated and what we have already considered from many points of view. Why is it that we succeed in getting behind the tapestry of our senses with our thoughts if these same thoughts have their origin in our life before birth? The answer is simple. Because at the back of this tapestry something is to be found which does not belong to the present, but to the past. The past lies under the surface of the tapestry of the senses, and we only behold it aright when we recognise it as belonging to the past. The past works down into the present, and out of the past springs up that which becomes visible to us in the present. Imagine a meadow decked with flowers. You see the grass as the green carpet, you see the gay beauty of the blossoms. That is the present. But all this grows out of the past, and if you think your way through it then you have, not an atomic present, but in very truth a past which is related to that which can be traced back to the past in your own being also.

When we begin to think about these things it is interesting to find that it is not the present which is revealed to us by the outer world, but the past. What is the present? The present has no logical structure. A sunbeam falls upon some plant. There it shines; a few minutes later its direction changes and its light shines somewhere else. The picture never remains the same for a moment. The present is of such a nature that we cannot understand it by means of purely mathematically constructed thoughts. What we are able to understand by means of such thoughts is the past which continues on into the present.

This it is which can reveal itself to man as a great and significant truth: If you think, if you spin a web of logical thought, you are, broadly speaking, reflecting upon that which is past. He who grasps this idea will no longer seek for wonders in the past. For in so far as the past is interwoven with the present, the present must inevitably be a product of the past. Let us suppose that yesterday you ate some cherries. That is a past action. You cannot undo it because it belongs to the past. If, however, cherries had the propensity of making a sign or mark somewhere or other before disappearing into your mouth, then this sign would remain. You could not alter it. If yesterday, when you were eating cherries, each cherry had inscribed its past into your mouth, and then someone had come along and wanted to erase five of these marks,—well, it might be possible to do so, but the fact would in no way be altered thereby. Just as little can you perform any kind of miracle with regard to natural phenomena, for they are all the outcome of what is past. And everything that we can grasp by an understanding of natural law is already past, it no longer belongs to the present. The present is always in a state of flux, and can only be fathomed by means of pictures. You must take up a position from which these pictures can work upon you. You must, as it were, see the shadows in their proper proportion. You can construct shadows, but you will get from them only circumscribed shadow pictures. If a physical object shines it produces a shadow. That the shadow really arises in this way can only be verified by giving oneself up to a study of the picture. So that one can say: Even in ordinary life that which is circumscribed and limited, in other words, logical thinking, is related to the past. And Imagination is related to the present. With regard to the present man is always gifted with Imagination.

Just think how it would be if you wanted to live logically in the present! To live according to the laws of logic means that each concept is induced by the one which went before, it means that one passes systematically from one concept to the next. Now place yourselves in imagination in some definite situation in life; visualise an actual event. Is the following event logically connected with it? Can you logically deduce this event from the preceding one? When you survey life in this way do not its pictures seem dream-like in their nature? The present is similar to a dream, except for the fact that the past is mixed in with the present, and so brings it about that this present runs an ordered and logical course. And if you try to bring some premonition of the future into the present, indeed if you merely try and think of what you intend to accomplish in the future, such thinking deals with what is absolutely intangible. What you will experience this evening does not stand before you as a picture, but as something still more immaterial. At the most it exists in you as Inspiration. Inspiration is connected with the future.

We can make this clearer by means of a simple illustration. For instance, when a man surveys the tapestry of the senses,—diagrammatically indicated here by the eye I have drawn on the board,—he perceives this tapestry in its ever-changing pictures. But now he comes and introduces law and order into these pictures. He creates a Natural Science out of the changing pictures of the sense world. He creates a specialised science. Think for a moment how you develop this Natural Science, or perhaps I should say, how this Natural Science is developed. The scientist makes experiments; as a thinking being he makes experiments. If you wish to develop a science based on logical thinking and dealing with all that is spread out before you as the tapestry of the senses, you cannot do it by drawing on the outer world for your logical thoughts. That is quite impossible. If thoughts,—and the laws of Nature must also be looked upon as thoughts,—if the laws of the external world emanated from this world: well, in that case it would be quite superfluous to learn about the external world, for then anyone, by just looking at the light for instance, would know as much about the laws underlying electricity and so on, as anybody else who had made a study of such things! In the same way, unless he has actually learned it, a man knows nothing of the relationship of a circle to its radius, etc., etc. Out of our own inner being we bring everything which we introduce into the outer world as thoughts. Yes, it is indeed as I have said,—that which we introduce into the outer world as thought emanates from our inmost being. In this connection we will consider the human being as a “head-man,” we will consider him from the point of view of his head organisation. He surveys the tapestry of the senses. Interwoven with this tapestry of the senses is all that we are able to acquire through the medium of thinking; and between this and what is contained in our own inner being there is a certain connection, a kind of sub-earthly connection. This is how it comes about that we draw forth from our inner being in the form of thought-life what we no longer perceive in the outer world owing to the fact that it has become part of us ourselves. This we incorporate into the outer world. Take counting for instance. There is no counting in the outer world. The laws underlying counting are contained in our own inner being. But that they are in accordance with truth depends upon the fact that between the potential qualities inherent in the outer world and our own earthly laws there is a sub-earthly connection going [on] below the surface, below the merely physical side of things. Hence we derive the laws of number from our own inner being, and these laws are in harmony with what exists outside us. But the way does not lie through our eyes, through our senses, but through our whole organism. All that we develop by virtue of our humanity is developed out of the whole human being. It is not true that we learn to comprehend Natural Law by means of the senses. We understand it with our whole human being.

These things must be borne in mind if one is anxious to gain a true picture of the relationship existing between man and his surroundings. We are continually living in a world of pictures, of imaginations; this will immediately become clear to you if you consider without prejudice the normal course of a dream. I grant you, the ordinary dream is usually very chaotic, but for this very reason it is more closely related to life than logical thinking. Let us take an extreme case. We will imagine a conversation taking place between reasonable human beings of the present day. One listens. One even takes part in the conversation. Try to recall a conversation of this kind which has lasted, let us say, for half-an-hour or so, and ask yourselves whether such a conversation has more connection with dreaming or with logical thinking. If you were to demand opportunity for the development of logical thinking in such a conversation, you would lay yourselves open to profound disappointment. The world of the present comes to meet us clothed in pictures, so that in a certain sense our life is one continuous dream. We have to introduce logic into life by our own individual effort. We acquire logic in our pre-natal existence, and only later bring it into connection with the things of this world. By so doing we become aware of the past as it exists in the things present. The present we comprehend by means of imaginations.

When we consider this imaginative life which continually surrounds us in the sense-world of the present, we cannot do otherwise than say: This imaginative life yields itself up to us. We ourselves do nothing towards it. Just think how great is the effort we have to make if we wish to acquire the faculty of logical thinking. In order to enjoy life, in order to observe life, there is no need for us to make the slightest effort. Everything is revealed to us in form of pictures. In this respect life is kind to us, for the events of the outer world are revealed pictorially to our picture consciousness. Nothing now remains but for us to acquire the faculty of making similar pictures,—but in this case through personal activity such as that which is called forth by thinking,—and to learn to understand and experience these pictures by means of inner effort similar to that which is associated with the process of thinking. Then not only does one see the present in the form of pictures, but this picture consciousness expands into the life before birth or before conception, and one perceives what took place before one was born. And when one gazes deeply into such pictures, then one's thinking itself becomes pictorial, and the pre-earthly life is no longer an abstraction but a reality. All we have to do is to accustom ourselves,—by the development of those faculties which are spoken of in my book Knowledge of Higher Worlds and its Attainment—all we have to do is to accustom ourselves to think in pictures, without these pictures yielding themselves up to us of their own accord as is the case in ordinary life. When we transmute this soul-life, in which in reality we are always living, and make it into a conscious life of our own, then we are able to look into the spiritual world and behold the why and the wherefore of the course of our own life.

To-day, nearly without exception, it is considered to be a sign of spirituality when anyone,—I have often spoken of this before,—thoroughly despises material life and says: I am striving towards the spirit. Matter lies far beneath me. In reality this is weakness; for only he can attain to a true life of the spirit who is not content with leaving matter beneath him, but who sees matter itself and the activities connected with matter as spirit, who recognises all matter as spirit, and all spirit in its manifestation as something inseparable from matter.

What I have just said becomes fraught with special significance when we turn our attention to thinking and willing. Speech at the most, speech which contains within itself a mysterious and secret genius, has something still to add to that which leads to knowledge in this particular sphere. When you consider the will and what is absolutely fundamental to the will in ordinary life, you know that it arises out of desire.

Let us take the crudest form of desire. What is it? Hunger. It follows, therefore, that what arises out of desire is also in a certain sense related to hunger. You will have gathered from what I have already tried to indicate to-day that thinking lies at the opposite pole. A certain relation will therefore be found to exist between thinking, and a condition which is diametrically opposed to desire. We can say: If we place desire at the back of the willing, then we must place repletion, satiety, not hunger, at the back of the thinking.

If we, as human beings, take our head-organisation and the rest of the organisation dependent upon it, then the facts are as follows: We perceive through the medium of our senses. And in that we perceive something is continually taken away from us; something enters into our inner being from outside. The ray of light which penetrates into our eye actually carries something away. A hole is bored in our own physical-substance. Previously physical matter was there. Now the ray of light has bored a hole. As a result hunger makes itself felt. This hunger must be satisfied. It is satisfied out of the organism itself, by nourishment present in the organism. In other words this hole is filled in with nourishment contained within us. Now suppose we have been thinking; we have made our perceptions into material for thought. While we are thinking we are filling out the holes created by our sense-perceptions, we are satisfying this hunger with what rises up, out of our own organism.

When we turn our attention to the head organisation it is extraordinarily interesting to observe how into the holes which arise through our ears and our eyes—holes—everywhere—through our susceptibility to warmth—holes everywhere—we insert matter coming from the rest of the organism. By means of his thinking man completely fills himself out; he fills out the holes which have been bored in the manner described.

And with our willing the process is similar. Only in this case it works not from outside inwards, so that we are hollowed out, as it were, but from inside outwards. When we will, cavities arise in us on all sides. These must also be filled in with matter. So that we can say: We receive impressions of a negative character which create in us hollow cavities, cavities coming from without as well as from within, and into these cavities we insert our own substance. Of these activities the ones which affect us most intimately are those which delve into us from without, for they destroy in us everything appertaining to the earth. For in the moment of receiving the ray of light, in the moment of hearing a tone or a sound, we destroy our earthly existence. We re-act to this destructive process however, and fill ourselves out again with earthly substance. Thus our life is poised mid-way between the annihilation of earthly existence and the building up of earthly existence, in other words, between Lucifer and Ahriman. Lucifer is concerned with the attempt to make us into non-corporeal beings; he would fain lift us right out of earthly existence. Lucifer, if he could, would spiritualise us, or shall we say de-materialise us. But Ahriman is his opponent. Ahriman works in such a way that he continually fills in what is hollowed out by Lucifer. Ahriman is the indefatigable “refiller.” If you wished to give plastic expression to Lucifer and Ahriman you could do it very well by merging your material in such a way that the figure of Ahriman was continually pressing into the hollows and curves of Lucifer, as though desirous of turning him inside out. And because these hollows and cavities are actually present within us they must be pushed outwards, they must, as it were, be turned inside out. Ahriman and Lucifer are two opposing forces, and both work in the human being. Equilibrium lies between them. The result of Lucifer's persistent efforts at dematerialisation is: Materialisation. When we perceive: Lucifer. When we think over that which we have perceived: Ahriman. When we form ideas with regard to our desires and wishes: Lucifer. When we really bring our will-forces into play on the earth: Ahriman. Thus we stand midway between them both. Like a pendulum we swing first towards the one, then towards the other, and we must be quite clear on the following point. As human beings we are placed in the most intimate relationship with the Ahrimanic and Luciferic powers, and we learn to understand man only when we consider him in connection with these polar opposites.

By so doing we gain an outlook on life which does not rest simply and solely on an abstract spiritual conception, for such a conception is nothing but a nebulous mysticism. Neither does it rest on a purely materialistic conception, for everything which is material is at the same time spiritual. Everywhere we have to do with spirit. And we learn to understand matter in all its reality, matter as it actually exists, when we are able to perceive the spirit inherent within it.

I said that Imagination comes to us of itself in so far as the present is concerned. When we develop Imagination by special means we are able to look into the past. When we develop Inspiration we look into the future in a way not unlike the way in which we are able to reckon out when certain occurrences, such as a solar or lunar eclipse, for instance, will take place. That is to say, we do not perceive the details, but we do perceive, and that to a considerable extent, the great laws determining the future. And Intuition embraces all three: Present, Past and Future. As a matter of fact we are constantly subject to Intuition, only we sleep through it and so remain unconscious of it. When we sleep our Ego and astral body are right outside in the external world. And in this condition we unfold that intuitive activity which otherwise must be consciously developed as Intuition. Organised as he is at the present day, man is too weak to be conscious of his intuitive faculty. But he nevertheless exercises this faculty during the night. So that it is true to say: In the sleeping state man develops Intuition; in the waking state he develops logical thinking—up to a certain point of course. Between these two lie Inspiration and Imagination. When man passes over from the sleeping condition into waking life his Ego and astral body enter into the physical and etheric bodies. What he brings with him is Inspiration, to which I have drawn your attention in previous lectures. So that we can say: In the sleeping state man is a being of Intuition: waking he is a logical thinker; in the moment of waking he is endowed with Inspiration; when falling asleep he is filled with Imagination. From this you see that activities generally looked upon as belonging to higher spheres of knowledge are in no way foreign to ordinary life, but are actually present in ordinary life, requiring only to be raised up into consciousness for the development of a higher knowledge to become possible.

It must ever and again be pointed out that in the course of the last three or four hundred years external science has collected a vast number of purely material facts, and has succeeded in formulating these facts and discovering the laws upon which they are based. These facts must now once more be permeated with spirit. But it is good—if I may say so without sounding too paradoxical—it is good that materialism arose, for otherwise humanity would have fallen into a vague and nebulous condition. Man would gradually have lost all connection with earth existence. When in the fifteenth century the age of materialism dawned, man was in great danger of falling victim to Luciferic influences, and of becoming by degrees more and more “hollowed out.” Since that time Ahrimanic influences have made themselves felt. And during the last four or five centuries Ahrimanic influences have developed to an ever increasing extent. To-day these influences have become very strong, and there is a danger that they will overstep the mark if we do not oppose them with a force which will weaken them, if we do not confront them with spirit.

But in this connection it is necessary that man should develop the right feeling for the relation of spirit to matter. You may remember that there is a poem belonging to the old German culture called “Muspille,” a poem which was first found in a book dedicated to Ludwig the German in the ninth century, but which in reality goes back to very much earlier times. In this poem there is contained a purely Christian element. It describes the battle of Elias with Antichrist. But the manner in which this battle of Elias with Antichrist is described, the whole way in which the story is unfolded, reminds one of the old battles which took place between the inhabitants of Asgard and the inhabitants of Jötunheim, the inhabitants of the Kingdom of Giants. All that has been done is to change the Kingdom of the Asen into the Kingdom of Elias, and the Kingdom of the Giants into the Kingdom of the Antichrist.

The manner of thinking which we meet with here conceals the real truth less than the thinking of a later day. A more modern thinking speaks always of a duality, of good and evil, of God and the Devil, and so on. But this manner of thinking is of later development and no longer coincides with the thinking of earlier times. Those people who created the story of the battle between the Kingdom of the Gods and the Kingdom of the Giants did not see in the Gods an equivalent, they did not see the same as that which the Christian of to-day understands as the Kingdom of his God, but the thinking of an earlier, time placed Asgard above, for example Asgard the Realm of the Gods, and below was Jötunheim, the Realm of the Giants. Man himself was to be found in the middle region, in Mittelgard. This is the Germanic-European way of expressing what in ancient Persia was understood by Ormuzd and Ahriman. In our manner of speaking to-day we should say Lucifer and Ahriman. We ought in reality to speak of Ormuzd as Lucifer and not merely as the good God. And the error so frequently met with is this, that one understands this dualism in such a way that Ormuzd is looked upon as the good God, and his enemy Ahriman as the evil God. In reality the relationship is that of Lucifer to Ahriman. The region of Mittelgard is represented quite accurately in the time when this poem “Muspille” was written, for it was not said: Christ allows His Blood to stream down from above, but: Elias is there, it is he who allows his blood to stream down, and man is placed in the middle. Ideas belonging to the time when Ludwig the German apparently copied this poem into his book are truer than those of a later age, for later on things took a strange turn, and people no longer remembered the Trinity; that is to say, they looked upon the Upper Gods which are in Asgard, and the Lower Gods which are in the Realm of Ahriman, as being the All; they conceived the Upper, the Luciferic Gods as being the good Gods, and the others as being the evil Gods. That happened in later times. An earlier humanity still understood rightly the contrast between Ahriman and Lucifer, and therefore placed a being such as Elias,—Elias with his emotional prophecy, with all that he was at that time able to foretell in the Luciferic Realm,—because it was felt that Christ must be placed in the middle region, in Mittelgard.

We must go back to these concepts once more in full consciousness, otherwise, if we speak only of the duality between God and the Devil, we shall not be able to draw near again to the Trinity,—to the Gods, to the Ahrimanic Powers, and, mid-way between, to the Kingdom of Christ. Until we reach this stage we cannot arrive at a real understanding of the world. You must bear in mind how great a secret concerning the historical evolution of European humanity is contained in the fact that the Ormuzd of ancient times has been turned into the good God, whereas in reality he is a Luciferic Power, a God of Light. As though to make amends for this error humanity has gone to the other extreme, and has made Lucifer as bad as possible. Because people were not willing to give the name of Lucifer to Ormuzd they carried Lucifer over to Ahriman, and made a mix-up of the two, the after-effects of which are still to be seen in Goethe's character Mephistopheles. In Mephistopheles we have Lucifer and Ahriman mixed up together, as I have shown quite clearly in my little book: Goethe's Conception of the Soul. European humanity, the humanity of present-day civilisation, has become very greatly confused, and this confusion pervades all thinking. It can be put right by leading away from the conception of Duality, and entering once more into the conception of the Trinity, for what is dual leads finally to a condition in which man cannot live, for he must needs seek for a polarity in which he can find adjustment and balance. Christ stands there as the Balance between Lucifer and Ahriman, as the Balance between Ormuzd and Ahriman.

This is the subject that I wished to touch upon in my lecture, and that I shall amplify and carry further in the course of the next few days.

Today we will have to reach some kind of conclusion in our deliberations. Clearly that will have to include drawing the consequences which arise for the future action of the Anthroposophical Society. In order to gain a better understanding of what this action might be, let us take another look at the way anthroposophy emerged in modern civilization.

From the reflections of the last eight days, you will have realized how an interest in anthroposophy was at first to be found in those circles where the impulse for a deeper spiritual understanding was already present. This impulse came from all kinds of directions. In our context, however, it was only necessary to look at the way homeless souls were motivated by the material which Blavatsky presented to the present age in the form of what might be called a riddle.

But if the Anthroposophical Society can be traced back to this impulse, it should, on the other hand, also have become clear that this material was not central to anthroposophy itself. For anthroposophy as such relies on quite different sources. If you go back to my early writings, Christianity As Mystical Fact and Eleven European Mystics, you will see that they are not based in any way on material which came from Blavatsky or from that direction in general, save for the forms of expression which were chosen to ensure that they were understood.

Anthroposophy goes back directly to the subject matter which is dealt with in philosophical terms in my The Philosophy of Freedom, as well as in my writings on Goethe of the 1880s.¹ If you examine that material, you will see that its essential point is that human beings are connected with a spiritual world in the most profound part of their psyche. If they therefore penetrate deeply enough, they will encounter something to which the natural sciences in their present form have no access, something which can only be seen as belonging directly to a spiritual world order.

Indeed, it should be recognized that it is almost inevitable that turns of phrase sometimes have to be used which might sound paradoxical, given the immense spiritual confusion of language which our modern civilization has produced. Thus it can be seen from my writings on Goethe² that it is necessary to modify our concept of love, if we are to progress from observation of the world to observation of the divine-spiritual. I indicated that the Godhead has to be thought of as having permeated all existence with eternal love and thus has to be sought in every single being, something quite different from any sort of vague pantheism. But there was no philosophical tradition in that period on which I could build. That is why it was necessary to seek this connection through someone who possessed a richer, more intense life, an inner life which was saturated with spiritual substance.

That was precisely the case with Goethe. When it came to putting my ideas in book form, I was therefore unable to build a theory of knowledge on what existed in contemporary culture, but had to link it with a Goethean world conception,³ and on that basis the first steps into the spiritual world were possible.

Goethe provides two openings which give a certain degree of access into the spiritual world. The first one is through his scientific writings. For the scientific view he developed overcomes an obstacle in relation to the plant world which is still unresolved in modern science. In his observation of the vegetable realm, he was able to substitute living, flexible ideas for dead concepts. Although he failed to translate his theory of metamorphosis into the animal world, it was nevertheless possible to draw the conclusion that similar ideas on a higher level could be applied. I tried to show in my Theory of Knowledge Implicit in Goethes World Conception how Goethe's revitalizing ideas made it possible to advance to the level of history, historical existence. That was the one point of entry.

There is, however, no direct continuation into the spiritual world, as such, from this particular starting-point in Goethe. But in working with these ideas it becomes evident that they take hold of the physical world in a spiritual way. By making use of Goethe's methodology, we are moving in a spiritual environment which enables us to understand the spiritual element active in the plant or the animal.

But Goethe also approached the spiritual world from another angle, from a perspective which he was able to indicate only through images, one might almost say symbolically. In his Fairy Tale of the Green Snake and the Beautiful Lily,⁴ he wished to show how a spiritual element is active in the development of the world, how the individual spheres of truth, beauty and goodness act together, and how real spiritual beings, not mere abstract concepts, have to be grasped if we want to observe the real life of the spirit.

It was thus possible to build on this element of Goethe's world view. But that made something else all the more necessary. For the first thing we have to think about when we talk about a conception of the world which will satisfy homeless souls is morality and ethics. In those ancient times in which human beings had access to the divine through their natural clairvoyance, it was taken for granted that moral impulses also came from this divine spiritual principle. Natural phenomena, the action of the wind and the weather, of the earth and of mechanical processes, represented to these ancient human beings an extension of what they perceived as the divine spiritual principle. But at the same time they also received the impulses for their own actions from that source. That is the distinguishing feature of this ancient view of the world. In ancient Egyptian times, for example, people looked up to the stars in order to learn what would happen on earth, even to the extent of gaining insight into the conditions which governed the flooding of the Nile to support their needs. But by the same means they calculated, if I may use that term, what came to expression as moral impulses. Those, too, were derived from their observation of the stars.

If we look now to the modern situation, observation of the stars has become purely a business in which physical mathematics is simply transferred into the starry sky. And on earth so-called laws of nature are discovered and investigated. These laws of nature, which Goethe transformed into living ideas, are remarkable in that the human being as such is excluded from the world.

If we think in diagrammatic form of the content of the old metaphysical conceptions, we have the divine spiritual principle here on the one hand (red). The divine spirit penetrated natural phenomena. Laws were found for these natural phenomena, but they were recognized as something akin to a reflection of divine action in nature (yellow). Then there was the human being (light colouring). The same divine spirit penetrated human beings, who received their substance, as it were, from the same divine spirit which also gave nature its substance.

What happened next, however, had serious consequences. Through natural science the link between nature and the divine was severed. The divine was removed from nature, and the reflection of the divine in nature began to be interpreted as the laws of nature.

For the ancients these laws of nature were divine thoughts. For modern people they are still thoughts, because they have to be grasped by the intellect, but they are explained on the basis of the natural phenomena which are governed by these laws of nature. We talk about the law of gravity, the law of the refraction of light, and lots of other fine things. But they have no real foundation, or rather they are not elevating, for the only way to give real meaning to these laws is to refer to them as a reflection of divine action in nature.

That is what the more profound part of the human being, the homeless soul, feels when we talk about nature today. It feels that those who talk about nature in such a superficial way deserve the Goethean—or, actually, the Mephistophelean—epithet: and mock themselves unwittingly.⁵ People talk about the laws of nature, but the latter are remnants from ancient knowledge, a knowledge which still contained that additional element which underlies the natural laws.

Imagine a rose bush. It will flower repeatedly. When the old roses wither away, new ones grow. But if you pick the roses and allow the bush to die the process stops. That is what has happened to the natural sciences. There was a rose bush with its roots in the divine. The laws which were discovered in nature were the individual roses. These laws, the roses, were picked. The rose bush was left to wither. Thus our laws of nature are rather like roses without the rose bush: not a great deal of use to human beings. People simply fail to understand this in those clever heads of theirs, by which so much store is set in our modern times. But homeless souls do have an inkling of this in their hearts, because the laws of nature wither away when they want to relate to them as human beings.

Modern mankind therefore unconsciously experiences the feeling, in so far as it still has the capacity to feel, that it is being told something about nature which withers the human being. A terrible belief in authority forces people to accept this as pure truth. While they feel in their hearts that the roses are withering away, they are forced into a belief that these roses represent eternal truths. They are referred to as the eternal laws which underlie the world. Phenomena may pass, but the laws are immutable. In the sense that anthroposophy represents what human beings want to develop from within themselves as their self-awareness, natural science represents anti-anthroposophy.

We need still to consider the other side, the ethical and moral. Ethical and moral impulses came from the same divine source. But just as the laws of nature were turned into withering roses, so moral impulses met the same fate. Their roots disappeared and they were left free-floating in civilization as moral imperatives of unknown origin. People could not help but feel that the divine origin of moral commandments had been lost. And that raised the essential question of what would happen if they were no longer obeyed? Chaos and anarchy would reign in human society.

This was juxtaposed with another question: How do these commandments work? Where do we find their roots? Yet again, the sense of something withering away was inescapable. Goethe raised these questions, but was unable to answer them. He presented two starting-points which, although they moved in a convergent direction, never actually came together. The Philosophy of Freedom was required for that.

It had to be shown where the divine is located in human beings, the divine which enables them to discover the spiritual basis of nature as well as of moral laws. That led to the concept of Intuition presented in The Philosophy of Freedom, to what was called ethical individualism. Ethical individualism, because the source of the moral impulses in each individual had to be shown to reside in that divine element with which human beings are connected in their innermost being.

The time had arrived in which a living understanding of the laws of nature on the one hand and the moral commandments on the other had been lost; because the divine could no longer be perceived in the external world it could not be otherwise in the age of freedom. But that being so, it was necessary to find this divine spiritual principle within human beings in their capacity as individuals. That produced a conception of the world which you will see, if you only consider it clearly, leads directly to anthroposophy.

Let us assume that we have human beings here. It is rather a primitive sketch but it will do. Human beings are connected with the divine spirit in their innermost selves (red). This divine spiritual principle develops into a divine spiritual world order (yellow). By observing the inner selves of all human beings in combination, we are able to penetrate the divine spiritual sphere in the same way as the latter was achieved in ancient times by looking outward and seeing the divine spirit in physical phenomena, through primitive clairvoyance.

Our purpose must be to gain access to the spirit, not in an outer materialistic way, but through the real recognition of the essential human self.

In fact The Philosophy of Freedom also represents the point when anthroposophy came into being, if our observations are guided by life rather than by theoretical considerations. Anyone who argues that this book is not yet anthroposophical in nature is being rather too clever. It is as if we were to say that there was a person called Goethe who wrote a variety of works, and this were then to be challenged by someone claiming that it was hardly a consistent view, on the grounds that a child was born in Frankfurt am Main in 1749 who was blue at birth and not expected to live, and that Goethe's works had no logical connection with that child. That is not a particularly clever standpoint, is it? It is just as silly to say that it is inconsistent to argue that anthroposophy developed from The Philosophy of Freedom. The Philosophy of Freedom continued to live, like the blue baby in Frankfurt did, and anthroposophy developed from it.

Those who are involved in the contemporary development of so-called logic and philosophy have lost the capacity to include real life in their considerations, to incorporate what is springing up and sprouting all around them, what goes beyond the pedantic practice of logic.

The task, then, was to make a critical assessment of those representatives of contemporary life who were endeavouring to bring progress to human civilization.

As you are aware, I concentrated on two important phenomena. The first was Nietzsche, who, in contrast to everyone else, was honest in his response to the direction in which modern thinking was developing.

What was the general verdict in the 1890s? It was that natural science was, of course, right. We stand on the terra firma of science and look up at the stars. There was the instance of the conversation between Napoleon and the great astronomer Laplace.⁶ Napoleon could not understand how God was to be found by looking at the stars through a telescope. The astronomer responded that this conjecture was irrelevant. And it was, of course, irrelevant when Laplace observed the stars with a telescope. But it was not irrelevant from the moment that he wanted to be a human being. Microscopes allowed the investigation of micro-organisms and the smallest components of living things. You could look through a microscope for as long as you wished, but there was not the slightest trace of soul or spirit. The soul or the spirit could be found neither in the stars nor under the microscope. And so it went on. This is what Nietzsche came up against.

Others responded by accepting that we look through a telescope at the stars and see physical worlds but nothing else. At the same time they said we also have a religious life, a religion which tells us that the spirit exists. We cannot find the spirit anywhere, but we have faith in its existence all the same. The science which we are committed to believe in is unable to find the spirit anywhere. Science is the way it is because it seeks reality; if it were to take any other form it would be divorced from reality. In other words, anybody who undertakes a different type of research will not find reality! Therefore we know about reality, and at the same time believe in something which cannot be established as a reality. Nevertheless, our forefathers tell us it should be reality.

Such an attitude led to tremendous dilemmas for a soul like Nietzsche's, which had maintained its integrity. One day he realized he would have to draw the line somewhere. How did he do that? He did it by arguing that reality is what is investigated by natural science. Everything else is invalid. Christianity teaches that Christ should not be sought in the reality which is investigated with the telescope and the microscope. But there is no other reality. As a consequence there is no justification for Christianity. Therefore, Nietzsche said, I will write The Anti-Christ.

People accept the ethical commandments which are floating around or which authority tells us must be obeyed, but they cannot be discovered through scientific research. Under his Revaluation of Values Nietzsche therefore wished to write a second book, in which he showed that all ideals should be abandoned because they cannot be found in reality.

Furthermore, he argued that moral principles certainly cannot be deduced from the telescope or the microscope, and on that basis he decided to develop a philosophy of amorality. Thus the first three books of Revaluation of Values should have been called: first book, Anti-Christ; second book, Nihilism or the Abolition of Ideals; third book, Amorality or the Abolition of the Universal Moral Order.

It was a terrible stance to adopt, of course, but his standpoint took to its final and honest conclusion what had been started by others. We will not understand the nerve centres of modern civilization if we do not observe these things. It was something which had to be confronted. The enormous error of Nietzsche's thinking had to be demonstrated and corrected by returning to his premises, and then showing that they had to be understood as leading not into the void but into the spirit. The confrontation with Nietzsche⁷ was thus a necessity.

Haeckel, too, had to be confronted in the same way.⁸ Haeckel's thinking had pursued the approach of natural science to the evolution of physical beings with a certain consistency. That had to be utilized in my first anthroposophical lectures with the help of Topinard's book.⁹ This kind of procedure made it possible to enter the real spiritual world. The details could then be worked on through further research, through continuing to live with the spiritual world.

I have said all this in order to make the following point. If we want to trace anthroposophy back to its roots, it has to be done against a background of illustrations from modern civilization. When we look at the development of the Anthroposophical Society we need to keep in mind the question: Where were the people who were open enough to understand matters of the spirit? They were the people who, because of the special nature of their homeless souls, were prompted by Blavatsky and theosophy to search for the spirit.

The Theosophical Society and anthroposophy went alongside one another at the beginning of the twentieth century simply because of existing circumstances. That development had been fully outgrown in the third stage, which began approximately in 1914. No traces were left, even in the forms of expression. Right from the beginning the thrust of anthroposophical spiritual work included the aim of penetrating the Mystery of Golgotha and Christianity. The other direction of its work, however, had to be to understand natural science by spiritual means. The acquisition of those spiritual means which would once again enable the presentation of true Christianity in our age began in the first phase and was worked on particularly in the second one.

The work which was to be done in a scientific direction really only emerged in the third stage, when people working in the scientific field found their way into the anthroposophical movement. They should take particular care, if we are to avoid the repeated introduction of new misunderstandings into the anthroposophical movement, to take full cognizance of the fact that we have to work from the central sources of anthroposophy. It is absolutely necessary to be clear about this.

I believe it was in 1908 that I made the following remarks¹⁰ in Nuremberg, in order to describe a very specific state of affairs. Modern scientific experimentation has led to substantial scientific progress. That can only be a good thing, for spiritual beings are at work in such experimentation. The scientist goes to the laboratory and pursues his work according to the routines and methods he has learnt. But a whole group of spiritual beings are working alongside him, and it is they who actually bring about results; for the person standing at the laboratory bench only creates the conditions which allow such results to emerge gradually. If that were not the case, things would not have developed as they have in modern times.

Whenever discoveries are made they are clothed in exceedingly abstract formulae which others find incomprehensible. There is a yawning gap today between what people understand and what is produced by research, because people do not have access to the underlying spiritual impulses.

That is how things are. Let us return once more to that excellent person, Julius Robert Mayer.¹¹ Today he is acknowledged as an eminent scientist, but as a student at Tubingen University he came close to being advised to leave before graduating. He scraped through his medical exams, was recruited as a ship's doctor and took part in a voyage to India. It was a rough passage; many people on board became ill and he had to bleed them on arrival.

Now doctors know, of course, that arterial blood is more red than venous blood which has a bluer tinge. If one bleeds someone from the vein, bluish blood should therefore spurt out. Julius Robert Mayer had to bleed many people, but something peculiar happened when he made his incisions. He must have cursed inwardly, because he thought he had hit the wrong place, an artery, since red blood appeared to be spurting out of the vein. The same thing happened in every case and he became quite confused. Finally he reached the conclusion that he had made his incisions in the right place after all but, as people had become sick at sea, something had happened to make the venous blood more red than blue, nearer the colour of arterial blood.

Thus a modern person made a tremendous discovery without in any way seeking the spiritual connections. The modern scientist says: Energy is transformed into heat and heat into energy, as in the steam engine. The same thing happens in the human body. Since the ship had sailed into a warmer, tropical climate, the body needed to burn less oxygen to produce heat, resulting in less of a transformation into blue blood. The blood remained redder in the veins. The law governing the transformation of matter and energy, which we recognize today, is deduced from this observation.

Let us imagine that something similar was experienced by a doctor not in the nineteenth, but in the eleventh or twelfth century. It would never have occurred to him to deduce the mechanical concept of heat equivalence from such observations. Paracelsus,¹² for instance, would never have thought of it, not even in his sleep, although Paracelsus was a much more clever, even in sleep, than some others when they are awake. So what would a hypothetical doctor in the tenth, eleventh or twelfth centuries have said? Or someone like Paracelsus in the sixteenth century?

Van Helmont¹³ speaks about the archeus, what today we would call the joint function of the etheric and astral bodies. We have to rediscover these things through anthroposophy, since such terms have been forgotten. In a hotter climate the difference between the venous and the arterial blood is no longer so pronounced and the blue blood of the veins becomes redder and the red blood of the arteries bluer. The eleventh or twelfth century doctor would have explained this by saying—and he would have used the term archeus, or something similar, for what we describe as astral body today—that the archeus enters less deeply into the body in hot climates than in temperate zones. In temperate climates human beings are permeated more thoroughly by their astral bodies. The differentiation in the blood which is caused by the astral body occurs more strongly in human beings in temperate zones. People in hotter climates have freer astral bodies, which we can see in the lesser thickening of the blood. They live more instinctively in their astral bodies because they are freer. In consequence they do not become mechanistically thinking Europeans, but spiritually thinking Indians, who at the height of their civilization created a spiritual civilization, a Vedic civilization, while Europeans created the civilization of Comte, John Stuart Mill and Darwin.¹⁴

Such is the view of the anthropos which the eleventh or twelfth-century doctor would have concluded from bleeding his patient. He would have had no problem with anthroposophy. He would have found access to the spirit, the living spirit. Julius Robert Mayer, the Paracelsus of the nineteenth century if you like, was left to discover laws: nothing can arise from nothing, so energy must be transformed; an abstract formula.

The spiritual element of the human being, which can be rediscovered through anthroposophy, also leads to morality. We return full circle to the investigation of moral principles in The Philosophy of Freedom. Human beings are given entry to a spiritual world in which they are no longer faced with a division between nature and spirit, between nature and morality, but where the two form a union.

As you can see, the leading authorities in modern science arrive at abstract formulae as a result of their work. Such formulae inhabit the brains of those who have had a modern scientific training. Those who teach them regard as pure madness the claim that it is possible to investigate the qualities of red and blue blood and progress from there to the spiritual element in human beings.

You can see what it takes for real scientists who want to make their way into anthroposophy. Something more than mere good intentions is needed. They must have a real commitment to deepening their knowledge to a degree to which we are not accustomed nowadays, least of all if we have had a scientific training. That makes a great deal of courage essential. The latter is the quality we need above all when we take into account the conditions governing the existence of the Anthroposophical Society. In certain respects the Society stands diametrically opposed to what is popularly acceptable. It therefore has no future if it wants to make itself popular. Thus it would be wrong to court popularity, particularly in relation to our endeavours to introduce anthroposophical working methods into all areas of society, as we have attempted to do since 1919.¹⁵ Instead, we have to pursue the path which is based on the spirit itself, as I discussed this morning in relation to the Goetheanum.¹⁶

We must learn to adopt such an attitude in all circumstances, otherwise we begin to stray in a way which justifiably makes people confuse us with other movements and judge us by external criteria. If we are determined to provide our own framework we are on the right path to fulfilling the conditions which govern the existence of the anthroposophical movement. But we have to acquire the commitment which will then provide us with the necessary courage.

And we must not ignore those circumstances which arise from the fact that, as anthroposophists, we are a small group. As such we hope that what is spreading among us today will begin to spread among a growing number of people. Then knowledge and ethics, artistic and religious development will move in a new direction.

But all these things which will be present one day through the impulse of anthroposophy, and which will then be regarded as quite ordinary, must be cultivated to a much higher degree by those who make up the small group today. They must feel that they bear the greatest possible responsibility towards the spiritual world. It has to be understood that such an attitude will automatically be reflected in the verdict of the world at large.

As far as those who are not involved with anthroposophy are concerned, nothing can do more profound harm to the Anthroposophical Society than the failure of its members to adopt a form which sets out in the strictest terms what they are trying to achieve, so that they can be distinguished from all sectarian and other movements.

As long as this does not happen, it is not surprising that people around us judge us as they do. It is hard to know what the Anthroposophical Society stands for, and when they meet anthroposophists they see nothing of anthroposophy. For instance, if anthroposophists were recognizable by their pronounced sensitivity to truth and reality, by the display of a sensitive understanding to go no further in their claims than accords with reality, that would make an impression! But I do not want to criticize today but to emphasize the positive side. Will it be achieved? That is the question we have to bear in mind.

Or one might recognize anthroposophists by their avoidance of any display of bad taste and, to the contrary, a certain artistic sense—a sign that the Goetheanum in Dornach must have had some effect. Once again people would know that anthroposophy provides its members with a certain modicum of taste which distinguishes them from others.

Such attitudes, above and beyond what can be laid down in sharply defined concepts, must be among the things which are developed in the Anthroposophical Society if it is to fulfil the conditions governing its existence.

Such matters have been discussed a great deal! But the question which must always be in the forefront is how the Anthroposophical Society can be given that special character which will make people aware that here they have something which distinguishes it from others in a way which rules out any possibility of confusion. That is something anthroposophists should discuss at great length.

These things are a matter of conveying a certain attitude. Life cannot be constrained by programmes. But ask yourselves whether we have fully overcome the attitude within the Anthroposophical Society which dictates that something must be done in a specific way, which lays down rules, and whether there is a strong enough impulse to seek guidance from anthroposophy itself whatever the situation. That does not mean having to read everything in lectures, but that the content of the lectures enters the heart, and that has certain consequences.

Until anthroposophy is taken as a living being who moves invisibly among us, my dear friends, towards whom we feel a certain responsibility, this small group of anthroposophists I must say this too will not serve as a model. And that is what they should be doing.

If you had gone into any of the Theosophical Societies, and there were many of them, you would have encountered the three famous objects. The first was to build universal fraternity among mankind without reference to race, nationality and so on. I pointed out yesterday that we should be reflecting on the appropriateness of setting this down as dogma.

It is, of course, important that such a object should exist, but it has to be lived. It must gradually become a reality. That will happen if anthroposophy itself is seen as a living, supersensory, invisible being who moves among anthroposophists. Then there might be less talk about fraternity and universal human love, but these objects might be more active in human hearts. And then it will be evident in the tone in which people talk about their relation to anthroposophy, in how they talk to one another, that it is important to them that they too are followers of the invisible being of Anthroposophia.

After all, we could just as well choose another way. We could form lots of cliques and exclusive groups and behave like the rest of the world, meeting for tea parties or whatever, to make conversation and possibly assemble for the occasional lecture. But an anthroposophical movement could not exist in such a society. An anthroposophical movement can only live in an Anthroposophical Society which has become reality. But that requires a truly serious approach. It requires a sense of alliance in every living moment with the invisible being of Anthroposophia.

If that became a reality in people's attitude, not necessarily overnight but over a longer time-span, the required impulse would certainly develop over a period of perhaps twenty-one years. Whenever anthroposophists encountered the kind of material from our opponents which I read out yesterday, for example, the appropriate response would come alive in their hearts. I am not saying that this would have to be transformed immediately into concrete action, but the required impulse would live in the heart. Then the action, too, would follow.

If such action does not develop, if it is only our opponents who are active and organized, then the right impulse is clearly absent. People clearly prefer to continue their lives in a leisurely fashion and listen to the occasional lecture on anthroposophy. But that is not enough if the Anthroposophical Society is to thrive. If it is to thrive, anthroposophy has to be alive in the Anthroposophical Society. And if that happens then something significant can develop over twenty-one years. By my calculations, the Society has already existed for twenty-one years.

However, since I do not want to criticize, I will only call on you to reflect on this issue to the extent of asking whether each individual, whatever their situation, has acted in a spirit which is derived from the nucleus of anthroposophy?

If one or another among you should feel that this has not been the case so far, then I appeal to you: start tomorrow, start tonight for it would not be a good thing if the Anthroposophical Society were to collapse. And it will most certainly collapse, now that the Goetheanum is being rebuilt in addition to all the other institutions which the Society has established, if that awareness of which I have spoken in these lectures does not develop, if such self-reflection is absent. And once the process of collapse has started, it will proceed very quickly. Whether or not it happens is completely dependent on the will of those who are members of the Anthroposophical Society.

Anthroposophy will certainly not disappear from the world. But it might very well sink back into what I might call a latent state for decades or even longer before it is taken up again. That, however, would imply an immense loss for the development of mankind. It is something which has to be taken into account if we are serious about engaging in the kind of self-reflection which I have essentially been talking about in these lectures. What I certainly do not mean is that we should once again make ringing declarations, set up programmes, and generally state our willingness to be absolutely available when something needs to be done. We have always done that. What is at stake here is that we should find the nucleus of our being within ourselves. If we engage in that search in the spirit of wisdom transmitted by anthroposophy then we will also find the anthroposophical impulse which the Anthroposophical Society needs for its existence.

My intention has been to stimulate some thought about the right way to act by means of a reflection on anthroposophical matters and a historical survey of one or two questions; were I to deal with everything I would run out of time. And I believe these lectures in particular are a good basis on which to engage in such reflection. There is always time for that, because it can be done between the lines of the life which we lead in the everyday world.

That is what I wanted you to carry away in your hearts, rather like a kind of self-reflection for the Anthroposophical Society. We certainly need such self-reflection today. We should not forget that we can achieve a great deal by making use of the sources of anthroposophy. If we fail to do so then we abandon the path by which we can achieve effective action.

We are faced with major tasks, such as the reconstruction of the Goetheanum. In that context our inner thoughts should truly be based on really great impulses.

• 1. Goethe the Scientist. Translated by O. D. Wannamaker. Anthroposophic Press, New York, 1950. See also Rudolf Steiner. A Theory of Knowledge Implicit in Goethes World Conception (1886). Translated by O. D. Wannamaker. Anthroposophic Press, New York, 1940.
• 2. See, for example, Goethean Science. Translated by W. Lindemann, Mercury Press, New York, 1988. Chapter XI: Relationship of the Goethean Way of Thinking to Other Views.
• 3. Note 1 above.
• 4. See Lecture One, Note 6. See also Goethes Marchen von der grunen Schlange und der schnen Lilie with nine drawings by Assia Turgenieff, drawn according to a chiaroscuro technique set out by Rudolf Steiner. Dornach, 1929.
• 5. Faust I, in the scene of Faust's Study. In the Penguin Classics edition of Faust/Part One, Philip Wayne translates the relevant passage as follows:
  
  To docket living things past any doubt
  You cancel first the living spirit out:
  The parts lie in the hollow of your hand,
  You only lack the living link you banned.
  This sweet self-irony, in learned thesis,
  The chemists call naturae encheiresis.
• 6. Could not be traced.
• 7. Rudolf Steiner. Friedrich Nietzsche, Fighter for Freedom. Translated by M. Ingram de Ris. Rudolf Steiner Publications, New Jersey, 1960.
• 8. See Rudolf Steiner's essay and lecture of 5 October 1905 in Two Essays on Haeckel. Rudolf Steiner Publishing Co. and Anthroposophic Press (undated), GA 54 and GA 30.
• 9. See also Lecture 2, Note 10.
• 10. In 1907 and 1908 Rudolf Steiner delivered public lectures in various cities on the subject “Natural science at the crossroads”. The one in Nuremberg took place on 1 December 1907. The reference could not be traced more precisely.
• 11. See Lecture 3, Note 5. cf. Kleinere Schriften und Briefe von Robert Mayer nebst Mitteilungen aus seinem Leben. Ed. Weyrauch. Stuttgart, 1893. Also Weyrauch. Robert Mayer. Stuttgart, 1890.
• 12. Theophrastus Bombastus Paracelsus von Hohenheim, 1493–1541. cf. Rudolf Steiner's lecture in Berlin on 26 April 1906, “Paracelsus”, in GA 54; typescript (NSL 154) in Rudolf Steiner House library, London. Also Eleven European Mystics, pp. 100ff.
• 13. Johann Baptist van Helmont, 1577–1644. Great Dutch doctor and philosopher. His works appeared under the title Ortus medicinae, Amsterdam 1648, and Opuscula medica inaudita, Cologne 1644.
• 14. Auguste Comte, 1798–1857. Positivist philosopher. John Stewart Mill, 1806–1873. Philosopher who attempted to provide the logical justification for the positivist method. Charles Darwin, 1809–1882.
• 15. A detailed list of the institutions in the fields of science, education, curative education, medicine, publishing, the economy, and theology which were established on the basis of anthroposophy can be found in GA 37/260a, pp.712–724. cf also the lecture in Dornach on 2 March 1923 in Awakening to Community.
• 16. At the tenth general meeting of the Goetheanum Association on 17 June 1923 in Dornach. Reproduced in Aufbaugedanken und Gesinnungsbildung. Dornach, 1942.

The scene from “Faust” just presented, which comes at the end of the second act of Part II, forms the bridge for Faust's entrance into ancient Greece. Those who have gone most deeply into Goethe's world-conception will see how, through it he has penetrated deeply into the spiritual, in both universe and the mystery of man, in so far as the latter is connected with what is spiritual in the universe. It should first be emphasised, on the one hand, that what Goethe meant by saying he had put a great deal in a veiled way into Part II of “Faust”, applies especially to this profound, most significant scene. In this second part of “Faust” there is much wisdom. On the other hand, when represented on the stage, this wisdom is able through its imagery to make a great appeal to the senses.

If we are to understand Goethe's Faust, particularly the second part, we must always keep these two aspects in mind. As Goethe says, the simple minded spectator of Faust will experience pleasure and aesthetic satisfaction in its series of pictures; the Initiate, however, is meant to find there profound secrets of life. If we start with what the pictures give us, this scene represents a festival of the seas to which Homunculus has been taken by Thales. This festival, however, contains a great deal that is veiled, and is meant actually to introduce the demonic powers dwelling in the sea,—that is, the spiritual powers.

Why does Goethe have recourse to the demonic powers of ancient Greece when wishing to lead Faust to the highest point of self-knowledge and self-understanding in human evolution? It may be stated that Goethe was perfectly clear that it is impossible for man ever to arrive at a true conception of his own nature by merely acquiring knowledge received through the senses and the understanding associated with them. True knowledge of man can only be imparted through true spiritual perception. So that all the knowledge and perception of man sought simply through the external physical world, to which the senses and the physical understanding are directed, is no real knowledge of man at all. Goethe indicates this by introducing Homunculus into his poem.

Now Homunculus is the result of the knowledge of man to which Wagner is capable of aspiring with ideally conceived physical means, such ideally conceived means as would. naturally be considered by ordinary science to be its goal, from which, however, no result can be expected either today or in the future. Goethe advances the hypothesis that it might be possible to produce a Homunculus in a retort, that is, to gain such complete knowledge of combining the forces of nature that a human being could be intellectually put together out of various ingredients. But it is no man who arises thus, even when all that can be attained in the physical world is thought out to the highest point of perfection—no man arises, no homo, but only a homunculus. Considered dramatically, this homunculus is simply the image of himself that a man can form with the help of his reason, of his ordinary earthly knowledge. How can this man-made image that is a homunculus provide a true conception of man? How can it be brought about that in this conception man does not stop short at the simple homunculus but pushes on to the homo? It is clear to Goethe that this goal can only be reached through knowledge acquired by the human soul and spirit when free of the body.

Now, by most various ways Goethe endeavours to reach the realm to which a human being must come if he wishes to acquire complete knowledge of man, that is, the knowledge acquired when free of the body. Goethe really wishes to show that it is possible too out of the body to gain knowledge, decisive knowledge, concerning the nature of man. He was by no means one of those who plunges lightheartedly into such matters. His whole life through he was striving to to make his soul more profound. For it was clear to him that when a man grows old, he does not live in vain, but that the forces of knowledge are always increasing, so that in old age it is possible for us to know more than in our youth. But he realised, also the problematic nature of the sojourn of soul and spirit outside the body. Hence he sought in the most varied ways to bring man, to his Faust, knowledge in the form of pictures, that we call Imagination. And he does this first in the Romantic Walpurgis-Night of Part I, and then again in the Classical Walpurgis-Night where he takes the Imaginations from ancient Greece, whither he would transport Faust. We might perhaps say that Goethe thinks that, when a man leaves the body in order to change Homunculus into Homo, into man, he has Imaginations appearing to different people in different forms. And, in the perception of the ancient Greeks, these Imaginations in some degree still approached spiritual reality. Setting before the soul the demonic world of ancient Greece, we can see how, in this traditional realm of myths, when outside the body with his soul and spirit, in highly developed atavistic clairvoyance, man contemplated nature from whose womb he sprang. I might therefore say that Goethe, not wanting to invent an imaginative world himself, calls in the Greek world in order to tell us that, whatever a man may contrive out of his ordinary knowledge, he still remains a Homunculus; if, however, he wishes to become a real man, he must first advance to the world of Imagination, Inspiration, and so on. That is how the nature of man should first be conceived.

Why does Goethe choose a sea-festival, or rather the dream of a sea-festival? To understand his feelings, we must take ourselves back into the conceptions of the old Greeks, to which Goethe himself went back in his representation of this gay feast. We must realise that, to the Greeks, there was a special significance in foresaking the land and sailing out to the open sea. The Greeks, like all ancient peoples, still lived in the outside world. Just as a change took place in these people when they forsook the level ground, the plain, and went up into the mountains—a change experienced by modern man in an abstract prosaic way—so the was some tremendous change in their soul on leaving dry land for the open sea. This feeling that the open sea has special power to release the soul and spirit from the body was universally experienced in olden times, and much is connected with the feeling.

I must ask you, my dear friends, to remember what an important part in the various symbols, on the path of knowledge, was played by the Pillars of Hercules in ancient myths. It was constantly said that when a man has gone through various stages of knowledge he sails, through the Pillars of Hercules. This meant that he sails out into the limitless, open sea, where he no longer feels himself within reach of any coast. For man today that has ceased to mean very much, but for the Greek it meant entering a completely different world. Once past the Pillars of Hercules, he became free of all that bound him to earth, above all through his bodily forces. In olden days, when everyday matters were still experienced by soul and spirit, sailing over the open sea wan felt as freeing one from the body.

Goethe's poetical works were not like those of lesser poets; he wrote out of his feeling for the cosmos, and when he speaks of all that he transposed into the Greek world, he transposes himself there with his whole soul. It is of this that we must constantly remind those who read Goethe as if he were any other poet—those who, whey they are reading Goethe, have no consciousness of having been carried into another world.

Now as the scene begins, we see the ‘alluring Sirens.’ Goethe presents a scene that, though externally in picture-form, might equally be one of everyday life. For the Sirens are collecting wreckage for the Nereids and Tritons. Considered from the other side, however, these alluring creatures, these voices, are not only within man but also outside him. They are the voices of different stages in the world, and on these stages, as I have often shown, inner and outer flow together. The Siren-sounds are those that entice the souls of men out of their bodies, and set them in the spiritual cosmos.

Let us sum up all this. First, Goethe shows a festival of the sea, or rather, dreams evoked during this festival. Secondly, this festival took place during the night, under the influence of the Moon. Goethe arranges everything to show that here it is a question of having to gain a conception independently of the body, a conception of the kind that would be attained consciously, outside the body, is then experienced in pictures. And now we see that, while on the one hand, Goethe wishes to satisfy those who keep to the superficial—this is not said in any belittling sense—by making the Sirens collect wreckage for the Nereids and Tritons who covet it, yet these Nereids and Tritons are on the way to Samothrace to seek the Kabiri and bring them to the festival of the sea. By introducing the Gods of the primeval Samothracian sanctuary into this scene, Goethe shows that he is touching upon the highest human and cosmic secrets. What, then, must take place when Homunculus is to become Homo, when the outlook of Homunculus is to become the outlook of Homo? What must then actually happen?

Now the idea of Homunculus, as understood within the world of the senses, must be taken out of that world and transposed into the world of soul and spirit where, between falling asleep and waking, man has his being. Homunculus must be taken into the world man experiences when, free of his body, he is united with the existence of soul and spirit. It is in this picture-world that we must now find Homunculus, he must then transfer this picture of Homunculus, he must then transfer this picture into that other world, the world of Imagination, Inspiration, and so forth. There alone can the abstract idea of Homunculus be grasped by the real forces of being, those forces that never enter human knowledge when we stop short at the understanding through the senses. When Homunculus, the idea of Homunculus, is separated from the body and transferred to the world of so and spirit, then in all earnestness everything becomes real. Then we have to come upon those forces that are the real ones behind the origin and evolution of man.

In all this Goethe is showing that he had a profound and significant comprehension of the Samothracian Kabiri, that he had a feeling how, in primeval times, these Kabiri were worshipped as guardians of the forces connected with the origin and evolution of mankind. Thus, by evoking from the age if atavistic clairvoyance, pictures of the divine forces associated with human evolution, Goethe was touching upon what is highest.

When dealing with the Samothracian Mysteries, the conception of the Greeks referred back to what was very ancient. And it may be said that the ideas about these Samothracian Mysteries about the Kabiri divinities, permeated all the various ideas the Greeks held about the Gods, all their ideas concerning the connection between these Gods and mankind. And the old Greek was convinced that his idea of human immortality was a legacy bequeathed to the Greek consciousness by the Samothracian Mysteries. It was to the influence of these Mysteries he felt he owed the idea of man's immortality, the idea of man's membership of the world of soul and spirit.

Goethe therefore wishes at the same time to suggest that, were the impulses of the Greeks, that are associated with the Kabiri of Samothrace, grasped in a state free of the body, perhaps the abstract human idea of Homunculus might be united with the true evolutionary forces of man. In the Greek consciousness there was definitely something that could live again, vividly, in Goethe when he touched on this profound mystery. To take an example, this may be seen in what the Greeks used to say of Philip of Macedonia how, by watching the Mysteries of Samothrace, he found Olympia. And the Greeks had in their consciousness how, at that time, the great Alexander decided to descend to these parents when coming to earth, when soul to soul before the divinities of Kabiri Philip of Macedon and Olympia found each other. Those things must be touched upon for the awe to be felt which the Greeks actually experienced when the Kabiri were in question, an awe shared later by Goethe.

From an external point of view they are simply ocean-deities. The Greeks knew that, in an age relatively not very ancient, Samothrace had been inundated, rent asunder, and reduced to confusion by most fearful volcanic storms. The nature-demons had shown their power here in such a terrific way that it still remained in historic memory among the Greeks. And in the woods, in the forests of Samothrace, at that time very dense, the Kabiren Mysteries were concealed. Among the many different names they bore is one Axieros; a second, Axiokersos; a third, Axiokersa; the fourth was Kadmyllos. And a vague feeling existed that there were also a fifth, sixth and seventh. But man's spiritual gaze was mainly fixed on the first three. The old ideas of the Kabiri centered round the secret of men's becoming; and the initiate it in to the holy Mysteries of Samothrace was supposed to come to the perception that what is seen spiritually in the spiritual world corresponds to what happens on earth when, for an incarnating soul a man arises, a man comes to birth. In the spiritual world the spiritual correlate of the human birth was supposed to be watched.

Through such vision, Goethe believed he could change the idea of a homunculus to that of homo. And it was to this vision the Samothracian Initiates were led. We cannot see a man in his true nature when we regard him as a being enclosed within his skin and when we are under the delusion that all we are concerned with in man stands before us in external, physical human form, visible to the external eye. Whoever wishes really to know man must go beyond what is enclosed within the skin and look upon the human being as extending over the entire universe. He must have in mind, what extends spiritually outside the skin.

Now many of the ideas about the Gods depend on this impulse of the Greeks to see the human being outside his skin. And connected with these ideas there was an exoteric and an esoteric side. The exoteric side of man's becoming related, however, to the whole of nature's becoming; the connection of man's becoming with the becoming of nature was involved when, later, the Greeks spoke of Demeter, of Ceres. The esoteric side of Ceres, of Demeter, of the world in its becoming, was the Kabiri. We must know how to look at him, if in any way we are to be able to penetrate the secret of man.

You see, to look at man simply as a figure standing on the physical earth is, really, to deceive yourself about him. For the human being has been united from a threefold stream, a trinity. And as three lights cast their beams on a point—a circle—and we see the fusion of the lights and then refuse to recognise how one, perhaps yellow, another blue, and the third of reddish colour flow together into one, refuse to see this harmony, preferring to believe that what has arisen from a mingling of lights is a unity and so deceive ourselves in believing this mixed product we see before us as man in his skin to be a unity. He is not a unity and if we take him for one we shall never read the secret of mankind. At the present time man is unconscious of not being a unity. But he was conscious of it while atavistic clairvoyance glowed warmly through human knowledge. Thus, the Initiates of Samothrace put men together out of Axieros standing in the middle, and the two extremes, Axiokersos and Axiokersa, whose forces were united with those of Axieros. We might say than that there are three—Axieros, Axiokersos, and Axiokersa. These three forces flowed together to form a unity. The higher reality is the trinity; the unity springs from the trinity. This is what comes before the eye of man.

It might also be said that the Samothracian Initiate learned to know man who stood, physically perceptible, before him. He was told: You must take away from this man the two extremes, Axiokersos and Axiokersa, that only ray into him. Then you can retain Axieros. So the matter stands thus: Of the three, Axieros represents the centre condition of the human being, and the others the two invisible ones, merely shine upon him.

Thus, in the Mysteries of Samothrace, man is shown to be a trinity. Goethe asks himself: Can the idea of the abstract Homunculus perhaps be changed into that of the complete Homo by turning to what, in the Samothracian Mysteries, was regarded as the secret of man—the human trinity? And he said: This trinity can only be arrived at as a conception when man, with his soul and spirit, leaves the body. This is what he told himself.

We must, however, always emphasise that, as regards spiritual perception, Goethe was only a beginner. What is so wonderful about all that Goethe stands for will, as I said recently, only be rightly understood when we think of it as being continually developed, being necessarily developed in order to lend to ever greater heights. In Goethe himself we have the theory of metamorphosis, from leaf to leaf, from the green leaf of the foliage to the coloured petal of the flower, or from the spinal vertebrae, perhaps, to the bones of the head—this secret, if rightly understood, leading from one incarnation to another, from one earth-life to another, as I have often shown you. Hence, from the standpoint of Goethe's own conception of the world, we may ask: How then should the Mystery of Samothrace be pictured today? The Samothracian Mystery, as such, with its Kabiri-symbolism of the secret of humanity, corresponds entirely with the atavistic clairvoyant world-conception; but the living content of knowledge at any one human period, cannot be continued on in the right way, and must be re-moulded. It is not suitable for a return to old conceptions adapted to a quite different state of human evolution; the conceptions must be transformed. The Samothracian Mystery has naturally only historical value. Today we should say: We represent how in the centre of the Representative of Man there stands Axieros, how he is encircled by Axiokersa, and how Axiokersos must be placed in connection with all that is earthly—thus giving us the Representative of Man, Lucifer and Ahriman. And here we have the re-moulding suited to the present age, and on into the future, of the holy Mystery of Samothrace.

It might be said: Were Goethe to appear among us today, wishing, in conformity with all that man has since won for himself, to tell us what is able to change Homunculus to Homo, he would point to the Representative of Man, surrounded by, and in combat with, Lucifer and Ahriman. I beg of you, however, not to make an abstraction of these things, not to apply the favorite modern method of settling these matters by a few abstract concepts, and taking them for symbols. the more you feel that a whole world, containing the secret of man, lies hidden in the figure of the Representative of Man in connection with Lucifer and Ahriman; the more you repudiate the pride, the unjustified, childish pride, of modern man in his abstract scientific concepts; the more you open your soul to a world giving you a view of this image of the mystery of man—then the nearer you come to this secret.

Spiritual Science meets with all kinds of opposition today. But one of its strongest opponents is man's desire for abstraction, his desire to label everything with a few concepts. Goethe's teaching is, in feeling, the exact opposite of this mischievous modern habit of pasting concepts everywhere. One has peculiar experiences in this regard. Men come to a movement like Spiritual Science from very different motives. There are many who wish to reduce everything to abstractions. For instance, man consists of seven principles—I once had the experience, a horrible experience, of someone explaining Hamlet by attributing to him the principle of Buddhi on one place, in another, Manes, and so on. That, my dear friends, is something much worse than all materialism. These quite abstract explanations, all this symbolising of an abstract nature is, regarded inwardly, much worse than any external materialism. Anyhow, we see that, in showing his Nereids and Tritons on the way to Samothrace to fetch the holy Kabiri, Goethe wished, above all, to raise the idea of Homunculus to a very high human plane.

And so, with regard to the Kabiri, we must experience what the ancient peoples did with regard to their deities. These deities of primeval peoples appear primitive to man today—mere idols. This is so because modern man has no understanding for idols. This is so because modern man has no understanding for all that flows out of elemental forces. Not even in art does man rise today to anything really creative. He keeps to a model, or judges what is represented for him in art by the question: Is it like?—Often indeed one hears the objection that it is not natural, because, among men today, there is very little real artistic feeling. In any case, whoever wishes to understand the sometimes grotesque looking figures of the ancient Gods, must try to form an idea of the beings belonging to the third elemental world, from which our world springs, on the one hand in its mineral, on the other, in its organic products.

You know how the scene begins. The Nereids and Tritons are on their way to Samothrace to fetch the Kabiri, amongst whom Homunculus is to be transformed into Home. In the meantime, while they are on their journey, Thales, who is to be the guide of Homunculus in becoming man, betakes himself to the old sea God, Nereus. It was Thales, the old philosopher of nature, whom first Homunculus had sought out. Now, Goethe is neither a mystic in the bad sense of the word, not a mere natural philosopher, when it is a question of finding reality. Hence Thales himself cannot be made to help Homunculus to become Home. Goethe had a deep respect for Thales conception of the world, but did not attribute to him the ability, the force, to advise Homunculus how to become man, complete man. For this, one should betake oneself outside the body to a demonic power—to old Nereus. Goethe brings the most various demonic powers to Homunculus. What kind of power is this Nereus? Now we can see this by the way the old sea-God speaks in Goethe's poem. It might be said that Nereus is the wise, prophetic, but somewhat philistine inhabitant of the spiritual world nearest man, the world man first enters on leaving the body. And, we ask, does he know at all how Homunculus is to become man? Nereus has indeed understanding, even to the point of prophetic clairvoyance; and he makes noble use of this understanding, but even so does not really succeed in reaching what is innermost in the human being. Because of this he feels men do not listen to him, do not heed his counsel. He has, as it were, no access to the human soul. On many occasions he has advised men, warned men; once he warned Paris against bringing so much misery on Troy, but to no effect. Now Nereus, since he is not hampered by a physical body, has developed on the physical plane to a very high degree human understanding that is possessed in a much less degree by man. But even with this understanding he cannot help Homunculus very far on the road to becoming Homo. What Nereus is able to say does not entirely meet the case. So by that nothing is actually gained for Homunculus' task.

Nereus says, however, that although he will not concern himself in giving Homunculus advice about becoming Homo, he is expecting his daughters, the Dorides (or Nereides). In particular, he expects Galatea, the most outstanding of them; for they are to attend the ocean-festival. Galatea! and Imagination of a mighty kind.

What the question is here, is to see how things are connected in the world. It is not very easy to speak on this point, because of the soul's desire today to reduce everything to abstractions. But anyone who looks into these matters may experience a great deal. There are, no doubt, well-intentioned people who say they believe in the spirit. Certainly, it is not a bad thing at least to believe in the spirit; but how do they answer the weighty question: What do you mean exactly by the ‘spirit’ in which you believe? What is the spirit? Spiritualists generally renounce all claim to learning anything of the spirit by doing much that is quite unspiritual. Spiritualism is the most materialistic doctrine that can exist. Certain souls more finely tuned speak indeed of the spirit, but what is it exactly that they have i mind when so speaking? That is why very modern and sceptical minds prefer to forgo the spirit—I mean, of course, only in thought—prefer to give up the spirit as against what can be known today through the senses. Read the article called “Spirit” in Fritz Mauthner's Dictionary of Philosophy; there you will probably be able to get bodily conditions but not those of the head.

Now, you see, in Spiritual Science one should rise above all this abstract talking, even if it is about the spirit. Follow what is said in Spiritual Science, and you will see how it rises progressively as we work. Everything is drawn upon that, step by step, can lead into the actual spiritual world. What is said is not merely the spoken word but derives its force from a method of comparison. Only think how, by the very way Spiritual Science is presented here, it becomes comprehensible that man is pursuing a certain path in life, in the physical body. Read, for instance, what is given comprehensively in the October number of Das Reich (1918). It is shown there how, and by means of what forces, a human being while quite a child has the closest affinity to the material world; how in middle life his soul gains in importance; how in later life he becomes spiritual. This, however, he often does not recognise because he is not prepared for it. He becomes spiritual as the body falls into decay, as the body becomes dry and sclerotic the spirit becomes free, even during the waking condition. Only, a man is very seldom conscious of what he is able to experience if he grows old with a certain gift. I mean here with a gift of the spiritual; that is to say if, not simply growing decrepit in body, he experiences the soul becoming young, becoming spirit.

This makes us realise, my dear friends, that the spirit cannot be seen in an old man or old woman; naturally it is invisible. The decrepit body can be seen but not the spirit growing young and fresh. Wrinkles may be perceived in the flesh of the cheeks, but not the growing fullness of the spirit; that is supersensible. We can, however, indicate where the spirit may be found here in the world where we are leading our everyday existence. And if we then say: The whole of nature is permeated by spirit, we reach the point when we realise that outside in nature where the minerals and plants make manifest the external world, there dwells something of the same force into which we men and women grow as we become old. There you have the visible expression of it. To say, in a pantheistic way, that outside lives the spirit, means nothing at all, because spirit then remains a mere word. But if we say, not in a direct abstract way, but with the necessary and various details: To find the force that as you grow old is always becoming stronger in you, look to the innermost and most active of the forces of nature—then we are speaking of a reality. The essential thing is to set the one force by the side of the other, and to notice the place of each. These things can be livingly realised by turning one's gaze to the force-impulses in the whole connection of a physical human being's descent to earth—from conception, throughout the embryonic life till birth. The dull, dry-as-dust scientist stops short at this force; it is true, he examines it punctiliously but only in his own way, and then comes to a standstill. When a man is able to survey the world from the standpoint of Spiritual Science, he knows, however, that this force is also present in other places. Acting more quickly, the very same force makes itself felt when you wake in the morning, when you wake out of sleep. Exactly the same force, though in a more tenuous form, is present, as the one leading from conception through the embryonic life to birth; it is the identical force. This force is not only in you, in your innermost being; it is diffused outside, throughout everything and every process in the whole wide cosmos.

This force is the daughter of cosmic intelligence. You see, if we wish to describe these things, we must touch on many matters that, today, are quite out of the ordinary. What then does the modern scientist do, when wishing to come upon the secret of physical germination? He uses the microscope; he examines the germ-cell under the microscope, before it is fertilised, after it is fertilised, and so on. He has no feeling that what he thus examines in the smallest object under the microscope is constantly before his eyes in the macrocosm. The very same process that goes on, for example, in the womb of the mother, before and during conception, and during the whole embryonic life, this same process, this very same process, goes on macrocosmically when, after the seed has sunk down into the earth, the earth sends forth the little plant. The warmth of the womb, the warmth of the pregnant mother, is exactly the same as is the sun outside for the whole vegetation of the world. It is important to be able to realise that what can be seen in the smallest object under the microscope, can be looked upon macrocosmically all around in the external world. When we wander about among he growing plants, we are actually in the womb of the world. In short, the force underlying the becoming of man is outside in the whole macrocosmic world, seething and weaving there. Imagine this force personified, imagine this same force of human becoming grasped spiritually in its spiritual counterpart outside the human body, and you have Galatea, with those akin to her, her sisters, the Dorides. In these Imaginations we are led into a mysterious but quite real world. This is one of the most profound scenes written by Goethe, who was conscious that, at the most advanced age, man may have a premonition of these secrets of nature.

There is something overwhelmingly significant in Goethe beginning Faust in his youth and then, shortly before the end of his life, writing such scenes as are now being shown. For sixty years he was striving to find the way of putting into outward form what, at the beginning of that time, he had conceived. He draws upon everything he considers relevant to raise the idea of Homunculus to the idea of Homo, and to present man's becoming outside the body, in all its mystery. He draws upon the Kabiri Mystery, and the mystery of becoming man as it appeared in the figure of Galatea. And he knows that reality is so all-embracing, so profound, that the Imaginations awakened by the Kabiri impulses, by the Galatea-impulse, can do no more than hover on its surface. The mystery is far greater than what can be contained even in such impulses.

Goethe himself tried every means of approaching the secret of life in a true and living way. Thus he evolved his theory of metamorphosis, in which he follows up the different forms in nature—how one form develops out of another. Now Goethe's theory of metamorphosis must not be regarded in and abstract way. He shows us this himself. It is perhaps because it can only be conceived and brought to man's soul in a world-outlook free of the body that, with his theory of metamorphosis Goethe approaches what was atavistically experienced in the old Proteus-myth. Perhaps Proteus, who in his own becoming takes on such different forms, perhaps through his experiences it would be possible to find how Homunculus can become Homo. (You know how, in this scene, Goethe introduces him, and we present him, as tortoise, man, dolphin, three forms appearing one after another.)

But Goethe felt that there were still limitations to his theory of metamorphosis. Surely, you may say, a man with such profound, such fundamental knowledge, as Goethe could see what follows from this theory; with it one can watch one leaf of a plant changing into another, up to the petal of the flower, the spinal vertebrae transforming themselves into the bones of the head, the skull-bones? But Goethe—anyone who has worked on Goethe's world-conception knows how he wrestled in this sphere—Goethe knew he could go no farther. Yet he felt: There is something beyond all this.—We know what that something is—the head of the present man is the metamorphosis of the body of the previous man, the man of an earlier life on earth; the rest of his body in this earth-life will, in the next life, become the head. There, for man's life, we have metamorphosis—the crown of metamorphosis. He draws on what he feels about Proteus, but that can lead only to raising the idea of Homunculus to that of Homo. Goethe felt he had made a great beginning with the Protean idea of metamorphosis, but that this had to be developed were Homunculus to become Homo. Goethe in all honesty represents poetically both what he can and what he cannot do, and we see deep into his soul. It is no doubt, easier to picture an abstract, perfect Goethe and to assure ourselves he knew everything. But No! Goethe becomes all the greater by our recognising the limitations he himself so honestly admits, as may be seen, for instance, in his not allowing Proteus—that is, the way he conceives his theory of metamorphosis—to give counsel regarding Homunculus becoming Homo.

Goethe strove, indeed, form the most varied directions to approach this becoming—this growing to true man. For him, artistic conception was not, as it is for so many, fundamentally abstract. He considered that everything expressed in works of art was part of all that is creative in the world. Into this scene he puts all that was to have led him to his heart's desire—to fathoming the mystery of becoming man. As he stood before the Greek works of art, or rather, the Italian work which made Greek art real for him, he said to himself: I am an the track of what the Greeks were doing in the creation of their works of art; they acted in accordance with the same forces as does nature, in her creations. And he had the experience that, if the artist is a true artist, he unites himself in marriage, as it were, with the forces creating in nature; he creates his forms, and all that can be created artistically, out of what is working in the arising, the growing, of plants of animals, of man. But in all this there is still no inner knowledge. That is what Goethe had to admit to himself. The creative forces present themselves to our vision, allow us to feel them, but in metamorphosis we do not go right within them.

There next appear the Telchines of Rhodes. They are such great artists that, naturally. all external human art seems small in comparison. They forged Neptune's trident. They were the first who tried to represent Gods in human form, that is, to create man out of the actual cosmic forces. This art of the Telchines comes nearer reproducing man's becoming, but does not quite reach it. This is what Goethe is wishing to tell us. He expresses it through Proteus who says finally: Even this does not lead to the real mystery of man.

Thus does Goethe wish to evoke a true feeling that there are two worlds—the waking world of day, and the world that is entered when man is free of the body, the world he would see if, during sleep he became awake to this body-free condition. Everything of the kind that he would say, is indicated by Goethe in this scene most delicately and sublimely. Take, for example, the passage where the Dorides bring in the sailor-lads; read the works in which the world is described, how the physical world is set beside the world entered when man is free of the body—how this is pictured in the Dorides set beside the physical sailor boys. They have found each other and yet not found each other. Human beings and spirits meet one another, yet do not meet; they approach each other and remain strangers. In this passage, the relation of the two worlds is wonderfully indicated. Everywhere Goethe endeavours to show how essential it is to place oneself into the spiritual world to find what makes Homunculus into Homo. At the same time he delicately indicates how physical world and spiritual world are together yet apart.

One might say that in his artistic representation, Goethe sees—or rather, makes us see—how Homunculus can become Homo if the soul approaches the intimate mystery of the Kabiri, if it approach what Nereus evoked in his daughter Galatea. All that is active in the true art that works out of the cosmos. But, alas, it is as if one were grasping after reality in a dream, and the dream immediately fades away. It is as though one wished to hold fast what welds together the physical and the spiritual worlds. The Gods will not suffer it; the worlds fall apart.

This difficulty of knowing the spirit is the fundamental experience, the fundamental impulse in the soul of one who watches this scene with true understanding. It is this that leads Goethe to his mighty finale—the shattering of Homunculus against the shell-chariot of Galatea, the shattering that is at the same time an arising, a coming into being, the ascent into the elements, which is a finding of the self in reality.

We will speak again tomorrow of this conclusion of the scene, in connection with its representation.

This address was given at the Second Annual Congress of the Federation of European Sections of the Theosophical Society.

It was then edited for printing by St. George Publications in 1982.¹

Anthroposophy will only be able to fulfill its great and universal mission in modern civilization when it is able to grasp the special problems which have arisen in every land by reason of the intellectual possessions of the people. In Germany, these special problems are in part determined by the inheritance bequeathed to her intellectual life by the men of genius living at the close of the 18th and beginning of the 19th centuries. Any one who approaches those great minds, Lessing, Herder, Schiller, Goethe, Novalis, Jean Paul and many others, from the point of view of Anthroposophical thought and its attitude toward life, will have two important experiences. The first being that, as a result of this profoundly spiritual attitude, a new light is thrown upon the working and works of these men of genius; the second, that through them Anthroposophy receives new life-blood, which must, in some way as yet not clear, produce a fructifying and strengthening effect in the future. It may be said without exaggeration that the German will understand Anthroposophy if only he brings his mind to bear upon the highest conceptions for which the leading spirits of his land have striven, and which they have embodied in their works.

It will be the task of future generations to reveal the Anthroposophical and spiritual-scientific basis of the great advancement in the intellectual life of Germany during the period in question. It will then be shown what an intimate knowledge and understanding of the influences at work during this period is obtainable by regarding things from an Anthroposophical point of view. It is only possible on this occasion to make a few references to one man of genius who was the leading light of this age of culture, namely, Goethe. It is possible that new life may be infused into the active principles of Anthroposophy through Goethe's thought and the creations of his mind, with the result that, in Germany, Anthroposophy may appear by degrees to be something akin to the spirit of the people. One thing will be made clear: that the source of the Anthroposophical conception is one and the same as the fount from which Germany's great poet and thinker has derived his creative power.

The most clear-sighted of those among whom Goethe lived acknowledged without any reservation that there was no branch of intellectual life which his attitude toward life and the world could not enrich. But one must not allow oneself to be deceived by the fact that the quintessence of Goethe's mind really lies concealed below the surface of his works. He who wishes to win his way to a perfect understanding of them must become intimate with their innermost spirit. This does not mean that one should become insensitive to the beauties of their style or their artistic form. Nor must one put an abstract interpretation upon his art by means of intellectual symbols and allegories. But, just as a noble countenance excites no less admiration for the beauty of its features because the beholder is able to perceive the greatness of the soul illuminating this beauty, so it is with Goethe's art; not only can it lose nothing, but rather will it gain infinitely, when the outward expression of his creative power is illuminated by that depth of conception of the universe which possesses his soul.

Goethe himself often has shown how justified we are in having such a profound conception of his creative power. On January 29, 1827, he said to his devoted secretary Eckermann concerning his Faust, “It is all scenic and, from the point of view of the theatre, it will please everyone. More than this I did not wish. If only the performance gives pleasure to the majority of the audience, the initiated will not miss the deeper meaning.” It is only necessary to bring an impartial insight to bear upon Goethe's creative power in order to recognize that it is only an esoteric conception which can lead us to a full understanding of his working. He felt within him an ardent desire to discover in all phenomena of the senses the hidden spiritual force. It was one of his principles of search that the inner secrets are expressed in outward facts and objects, and that those only can aspire to understand Nature who look upon the phenomena as mere letters which enable them to decipher the inner meaning of the workings of the spirit. The words: “All we see before us passing, Sign and symbol is alone,” in the Chorus Mysticus, at the end of Faust, are not merely to be regarded as a poetical idea, but as the outcome of his whole attitude toward the world. In Art, too, he saw only a revelation of the innermost secrets of the world; in his opinion, it was through Art that those things are to be made clear which, though having their origin in Nature and being active in her, yet with the means at her disposal, she cannot express. He sought the same spirit in the phenomena of Nature as in the works of a creative artist; only the means of expression were different in the two cases. He was constantly at work on his conception of a gradual process of evolution of all the phenomena and creatures in the world. He regarded man as a compilation of the other kingdoms. The spirit of man was to him the revelation of a universal spirit, and the other realms of Nature, with their manifestations, appeared to him as the path of evolution leading to man. All this was not merely a theory with him, but became a living element in his work, permeating all that he produced. Schiller has given us a fine description of this peculiarity of Goethe's mind, in the letter with which he inaugurates the intimate friendship which united them (August 23, 1794):

For a long time I have watched, although from some distance, the procedure of your mind, and ever with renewed wonder have observed the track that you have marked out for yourself. You seek for the necessary (the absolute) in Nature; but you seek it by the most difficult route, which every weaker spirit will take care to avoid. You grasp in your view entire Nature in order to obtain light on her parts: in the totality of her manifestations, you search for the key to lay open the individual. (Correspondence between Schiller and Goethe, from 1794 to 1805.)

In his book on Winckelmann, Goethe has expressed his opinion as to the position of man in the evolution of the realms of Nature:

When the sound, healthy nature of man works as a whole, when he feels himself at one with the world as a great, beautiful, worthy whole, when this harmonious feeling of well-being gives him a pure free delight, then might the Universe, could it consciously feel, deeming itself at the goal, cry out for very joy, and be lost in admiration of the climax of its own development and organization.

It was Goethe's life-work to strive to obtain an ever clearer insight into the evolution of the living world. When, after moving to Weimar (about 1780), he embodied the result of his investigation in the beautiful prose-hymn, Nature, we find over the whole a certain abstract tinge of pantheism. He must perforce use words to define the hidden forces of being, but before long these cease to satisfy his ever-deepening conception. But it is in these very words that we first meet with the ideas which we find later in such perfect form. He says there, for instance:

Nature! we are surrounded and embraced by her ... Unasked and without warning she draws us into the circle of her dance and carries us along with her until we are weary and slip from her arms. For ever is she creating new forms; what is, never was before; what has been, never will be again; everything is new, and yet ever old ... Each one of her works has its own individuality, each of her phenomena requires individual comprehension, and yet it all makes but one whole ... She has thought, and is for ever meditating; not as man, though, but as Nature. She has her own all-embracing meaning, which no one can learn from her by observation only ... She envelops man in a mist, and is ever spurring him on toward the light ... She creates wants because she loves action ... She has neither speech nor language, but she creates tongues and hearts through which she feels and speaks ... Her crown is love, through which alone she may be approached ... She has isolated everything in order to draw everything together ... Past and future knows she not. The present is her eternity.

When Goethe (1828), having reached the summit of his insight, looked back upon this stage, he expressed himself thus concerning it:

I would call that former stage of insight the Comparative, which is impelled to express its tendency toward an, as yet, unattained Superlative ... But what is wanting for its fulfillment is the conception of the two great driving-wheels of all Nature, the comprehension of polarity and self-perfecting evolution, the former belonging to matter, insofar as we call it material, the latter opposed to it, insofar as we call it spiritual; the former is everlastingly attracting and repelling, the latter is ever striving to ascend. But, as matter cannot exist and operate without spirit, nor spirit without matter, even so matter has the power to raise itself, nor can spirit be prevented from attracting and repelling.

It was with such a conception that Goethe approached the animal, mineral and vegetable kingdoms to grasp the hidden spiritual unity in the manifest multiplicity of sense-perceptible phenomena. It is in this sense that he speaks of primeval plant, primeval animal. And it was for him Intuition which stood behind these conceptions as the active spiritual force. In his contemplation of things, his whole being strove toward what in Anthroposophy is called tolerance. And ever more and more he sought to acquire this quality by means of the strictest inward self-education. To this he frequently refers; it will suffice to quote a very characteristic example from the Campaign in France (1792):

As I was for the most part almost entirely engrossed by the business and occurrences of the moment, with which kind of life I had reason to be satisfied, of late years particularly, I had the peculiarity of never forming conceptions beforehand of persons whom I expected to meet, or places that I intended to visit, but allowed them to produce their effect upon me without being previously prepared for them.

The advantage that arises from this is very great; one does not require to come back from a previously conceived idea, to blot out a picture arbitrarily painted by ourselves, and painfully to adopt the reality in its place.

Thus he endeavored to rise higher and higher and to reach the point which divided the real from the unreal.

Only here and there do we find references to his innermost convictions. One of these occurs, for instance, in the poem The Mysteries, which contains his confession as a Rosicrucian. It was written in the middle of the 80's in the 18th century, and was regarded by those who knew him intimately as revealing his character. In 1816, he was called upon by a “fraternity of students in one of the chief towns of North Germany” to explain the hidden meaning of the poem, and the explanation which he gave might well stand as a paraphrase of the three objectives of the programme of the Anthroposophical Society.

Only when one is capable of appreciating the full significance of such points in Goethe is one in a position to recognize the higher meaning, to use his own expression, which he has introduced into his Faust for the initiated. In the second part of this dramatic poem is in fact to be found what Goethe had to say concerning the relation of man to the three worlds: the physical, the astral and the spiritual. From this point of view, the poem represents his expression of the incarnation of man. A character which, to the mind that refuses a spiritual-scientific basis, presents insuperable difficulties, is that of Homunculus. Every passage, every word, however, becomes clear as soon as one starts from this basis. Homunculus is created by the help of Mephistopheles. The latter represents the repressive and destructive forces of the Universe which manifest in the realms of man as Evil. Goethe wishes to characterize the part which Evil takes in the formation of Homunculus; and yet from such beginnings is to be produced a man. For this reason, he is led through the lower realms of Nature to the scene of the classical Walpurgis Night. Before he sets forth on these wanderings, he possesses only a part of human nature. What he himself says concerning his connection with the earthly part of human nature is striking.

Homunculus:

Hither and thither, up, down, in and out;
From place to place still hovering about,
Impatient the free air of life to breathe.
Longing to break the glass that is my sheath—
My chrysalis; but everywhere I see
Such sights! I could not venture yet to be.
Now for a secret—I am on the track
Of two Philosophers. Their tongues, clack! clack!
Went evermore, and Nature—Nature was
The word. Keep me not from them. Of the laws
Of earthly being they must somewhat know:
Between them I may learn some little; so
Pass into life by their experience wiser.

Part ii, Act ii.

The Nature of Homunculus becomes quite clear in the light of the following lines which refer to him:

Thales:

He wants your counsel—has come a long distance:
His object is to get into existence.
He is, by what he told me of his birth,
Miraculously come but half to earth:
A lively spark—has every mental quality,
But, luckless fellow, ‘twas his strange fatality
An active, naked spirit, all alone—
Without a shred of body, blood, or bone,
Into the world to be at hazard thrown—
His glass is all he has to steady him:
He wants and wishes body, life, and limb.

Part ii, Act ii.

The following words are also added, “He is, methinks, Hermaphrodite.” Goethe here intends to represent the astral body of man before his incarnation in mortal (earthly) matter. This he also makes clear by endowing Homunculus with powers of clairvoyance. He sees, for instance, the dream of Faust in the laboratory where work is going on with the help of Mephistopheles. Then in the course of the classical Walpurgis Night the embodying of Homunculus, that is, the astral man, is described. He is sent through the realms of Nature to Proteus, the spirit of transformations.

Thales:

Away to Proteus! Question the magician
As to the spark's proposed change of condition.
You thus may learn what transformations he
Must pass through to be anything—to BE.

Part ii, Act ii.

Proteus then describes the road which astral man has to take through the realms of Nature in order to arrive at an earthly incarnation and receive a physical body.

Proteus:

... In the broad sea thy being must commence;
On a small scale one there begins,
Well pleased the smallest to devour;
Till, waxing step by step, one wins
A loftier achievement, ampler power.

Part ii, Act ii.

The passage of man through the mineral kingdom is then described. Goethe makes his entrance into the vegetable kingdom particularly contemplative. Homunculus says:

A tender air is wafted here;
Dear is the greenness, and the fragrance dear.

The philosopher Thales, who is present, adds in elucidation of what is taking place:

Thales:

Obey the noble inspiration,
And at its source begin creation.
Make ready for the great emprize!
By laws eternal still ascending,
Through myriad forms of being wending,
To be a man in time thou'll rise.

The moment, too, when the asexual being has implanted within him the double sex, and therewith sexual love, is also represented:

Sirens:

And all things are gleaming by fire girt around,
Prime source of creation, let Eros be crowned.

That the investing of the astral body with the physical body, composed of earthly elements, is really meant here is expressly stated in the closing lines of the second act:

All:

Hail each softly blowing gale!
Caverns rich in marvels, hail!
Highly honored evermore,
Be the elemental four!

Goethe here makes use of the evolution of beings in the course of the fashioning of the earth in connection with the incarnation of man as a special being. The latter repeats as such the transformations which mankind has undergone in reaching its present form. In these conceptions, he was in line with the theory of evolution held by spiritual science. His explanation of the origin of the lower forms of life was that the impulse which was aspiring to a higher grade had been stopped on a certain level. In his diary of the Journey through Switzerland, of 1797, he noted a conversation with the Tübingen professor Kielmeyer, which is interesting in this connection. In it, the following words occur, “Concerning the idea that the higher organic natures in their evolution take several steps which the others behind them are unable to take.” His studies of plants, animals, and of man are entirely pervaded by these ideas, and he seeks to invest them with an artistic form in the transformation of Homunculus into a man. When he becomes acquainted with Howard's theory of the formation of clouds, “he expresses his thoughts concerning the relation of spiritual archetypes to the ever-changing forms in the following words:

When the deity Kama-Rupa, high and sublime, wanders, wavering, on the breeze, light and heavy, gathers together the folds of his veil, shakes them out again, rejoicing at the variety of forms, remains now motionless, and now disappears as a dream, we are amazed and scarce believe our eyes.

In Faust, we also find represented the relation of the imperishable spiritual man to the mortal envelope. Faust has to go to the Mothers to seek for this imperishable essence, and the explanation of this important scene is developed quite naturally in the second part of the play. Goethe conceives the real being of man as a trinity (in accord with the Anthroposophical teaching of Spirit-self, Life-spirit, Spirit-man). And Faust's visit to the Mothers may be termed in Anthroposophical phraseology the forcible entry into Devachan. There he is to find what remains of Helena. She is to be reincarnated; that is, she is to return from the realm of the Mothers to the earth and, in the third act, we really do in fact see her reincarnated. In order to accomplish this it is necessary to reunite the three natures of man: the astral, the physical, and the spiritual. At the end of the second act, the astral (Homunculus) has put on the physical envelope and this combination is now able to receive within it the higher nature. Such a conception introduces an inner dramatic unity into the poem, whereas with a non-occult forcible entry the individual events remain a mere arbitrary collection of poetical incidents. Without taking into account the spiritual-scientific foundation of the poem, Professor Veit Valentin, of Frankfort, has already drawn attention to the inner connection of Homunculus and Helena in an interesting book, Die Einheit des Ganzen Faust, 1896. But the contents of this work can only remain an intelligent hypothesis if one does not penetrate into the spiritual-scientific substratum underlying it all. Goethe has conceived Mephistopheles as a being to whom Devachan is unknown. He is only at home on the astral plane. Hence he can be of service in the creation of Homunculus, but he cannot accompany Faust into the realm of the Mothers. Indeed, that plane is to him Nothingness. He says to Faust, in speaking to him of that world:

Mephistopheles:

Naught, in the everlasting void afar,
Wilt see, nor hear thy footfall's sound,
Nor for thy tread find solid ground!

Part ii, Act i.

But Faust, with his spiritual intuition, at once divines that in that world he will find the real essence of Man.

Faust:

We'll fathom it! Come on, nor look behind!
In this thy Naught, the All I hope to find.

In the description which Mephistopheles gives of the world which he dares not enter, one understands exactly what Goethe means to express.

Mephistopheles:

Sink then! Arise! This also I might say:—
‘Tis all the same. Escaping from the real,
Seek thou the boundless realm of the ideal.
Delight thyself in forms long past away!
The train-like cloud-procession, glides along:
...

A glowing tripod teaches thee thou hast
The deep attained, the lowest deep, at last;
There by its light the Mothers thou wilt see;
Some sit, while others, as the case may be,
Or stand, or walk: formation, transformation
Of mind etern, eternal recreation!
While forms of being around them hover.

Only by means of the archetype which Faust fetches from the devachanic world of the Mothers can Homunculus, the astral being who has assumed physical form, become a spiritually-endowed entity, Helena in fact, who actually appears in the third act. Goethe has taken care that those who seek to penetrate the depths shall be able to grasp his meaning for, in his conversations with Eckermann, he has lifted the veil as far as it seemed to him practical to do so. On December 16, 1829, he said concerning Homunculus:

For such spiritual beings as Homunculus, who have not yet had their powers obscured and confined by becoming completely human, were reckoned as among the demons.

And, on the same day, he points out further how Homunculus is still wanting in Mind: “Reasoning is not his concern, he wants to act.”

The whole of the further development of the dramatic action in Faust, according to this reading, follows easily on the foregoing. Faust has become acquainted with the secrets of the three worlds. Henceforth, he looks at the world from the point of view of the mystic. One could point out scene after scene which bears this out, but it will be sufficient to draw attention here to a few passages. When, towards the end, Care approaches Faust, he becomes outwardly blind but, in the course of his development, he has acquired the faculty of inward sight.

Faust:

Deeper and deeper night is round me sinking;
Only within me shines a radiant light.

Part ii, Act v.

Goethe once, in answer to the question, “What was Faust's end?” replied definitely, “He becomes a mystic in the end,” and the significant words of the Chorus Mysticus, with which the poem closes, can only be interpreted in this sense. In the West-East Divan he also expresses himself very clearly on the subject of the spiritual development of man. It is to him the union of the human soul with the higher self. The illusion that the real man exists in his outward body must die out; then higher man comes into existence. That is why he begins his poem Blessed Longing with the words: “Tell it to none but to the wise, for the multitude hasten to deride. I will praise the living who longs for death by fire.” And, in conclusion, he adds: “And as long as thou hast not mastered this; dying and coming into existence; thou art but a sad and gloomy guest on the dark earth.”

Quite in harmony with this is the Chorus Mysticus, for its inner meaning is but this: The transient forms of the outer world have their foundation in the imperishable spiritual ones to which we attain by regarding the transient only as a symbol of the hidden spiritual:

Chorus Mysticus:

All of mere transient date
As symbol showeth.

That to which reason, appointed as it is to deal with the world of the senses and its forms, cannot attain, is revealed as an actual vision to the spiritual sight; further, that which this reason cannot describe is a fact in the regions of the spiritual.

Chorus Mysticus:

Here the inadequate
To fullness groweth.

In harmony with all mystical symbolism, Goethe represents the higher nature of man as feminine, entering into union with the Divine Spirit. For in the last lines:

The eternal feminine
Draws us upward.

Goethe only means to characterize the union of the purified soul drawing near to the Divine. All interpretations which are not made in a mystic sense fail here.

Goethe considered that the time had not yet come when it was possible to speak of certain secrets of our being in any other manner than he has done in some of his poems. And, above all, he felt it to be his own mission to furnish such a form of expression. At the beginning of his friendship with Schiller, he raised the question, “How are we to represent to ourselves the relationship between the physical and the spiritual natures of man?” Schiller had tried to answer this question in a philosophical style in his letters Concerning the Aesthetic Education of Man. To him, it was a question of the ennobling and purifying of man; to him, a man under the sway of nature's impulses of sensual love and desires appeared impure; but then he considered just as far removed from purity the man who looked upon the sensual impulses and desires as enemies, and was obliged to place himself under the rule of moral or abstract intellectual compulsion. Man only attained inner freedom when he had so absorbed moral law into his inner being that he desired only to obey it. Such a man has so ennobled his lower nature that it becomes by itself an expression of the higher spiritual, and he has so drawn down into the earthly human nature the spiritual that the latter possesses a direct sentient existence. The explanations which Schiller gives in these Letters form excellent rules of education, for their object is to further the evolution of man so that he may, by absorbing the higher ideal man, come to contemplate the world from a free and exalted point of view. In his way Schiller refers to the higher self of man thus:

Every individual man, one may say, harbors within him, according to his character and type, a pure, ideal man, with whose unalterable unity through all changes it is the great task of his life to harmonize himself.

All that Schiller says in this connection is of the most far-reaching significance. For he who really carries out his injunctions accomplishes within himself an education which brings him directly to that inward condition which paves the way for the inner contemplation of the spiritual. Goethe was satisfied, in the deepest sense of the word, with these ideas. He writes to Schiller:

I read the manuscript you sent me at once with the greatest delight; I swallowed it at one gulp. Just as a delicious drink, in sympathy with our nature, slips down willingly and, while still on the tongue, shows its wholesome workings in a pleasant harmony of the nervous system, so were these letters highly pleasing and beneficial to me; and how could it be otherwise, when I found set forth therein so coherently and nobly what I had long recognized as right, what I partly carried out in my life, and partly wished to carry out?

Goethe now endeavored on his part to set forth the same idea from the depths of his conception of the world—but veiled in imagery—in the problem-tale of The Green Snake and the Beautiful Lily. It is placed in the editions of Goethe at the end of the Conversations of German Emigrants. The Faust story has often been called Goethe's Gospel; this tale may, however, be called his Apocalypse, for in it he sets forth—as a fairy-tale—the path of man's inner development. Here again, we can only point out a few short passages, it would need a large book to show how Goethe's spiritual insight is concealed in this tale.

The three worlds are here represented as two regions separated from one another by a river. The river itself stands for the astral plane. On this side of it is the physical world, on the other side the spiritual (Devachan), where dwells the beautiful lily, the symbol of man's higher nature. In her kingdom, man must strive if he would unite his lower with his higher nature. In the abyss—that is, in the physical world—dwells the serpent which symbolizes the self of man. Here too is a temple of initiation, where reign four kings, one golden, one silver, one bronze, and a fourth of an irregular mixture of the three metals. Goethe, who was a freemason, has clothed in freemasonic terminology what he had to impart of his mystic experiences. The three kings represent the three higher forces of man: Wisdom (Gold), Beauty (Silver), and Strength (Bronze). As long as man lives in his lower nature, these three forces are in him disordered and chaotic. This period in the evolution of man is represented by the mixed king. But when man has so purified himself that the three forces work together in perfect harmony, and he can freely use them, then the way into the realm of the spiritual lies open before him. The still unpurified man is represented by a youth who, without having attained inner purity, would unite himself with the beautiful lily. Through this union he becomes paralyzed.

Goethe here wished to point out the danger to which a man exposes himself who would force an entrance into the super-sensible region before he has severed himself from his lower self. Only when love has permeated the whole man, only when the lower nature has been sacrificed, can the initiation into the higher truths and powers begin. This sacrifice is expressed by the serpent yielding of its own accord, and forming a bridge of its body across the river—that is to say, the astral plane—between the two kingdoms, of the senses and of the spirit. At first man must accept the higher truths in the form in which they have been given to him in the imagery of the various religions. This form is personified as the man with the lamp. This lamp has the peculiarity of only giving light where there is already light, meaning that the religious truths presuppose a receptive, believing disposition. Their light shines where the light of faith is present. This lamp, however, has yet another quality, “of turning all stones into gold, all wood into silver, dead animals into precious stones, and of destroying all metals,” meaning the power of faith which changes the inner nature of the individual. There are about twenty characters in this allegory, all symbolical of certain forces in man's nature and, during the course of the action, the purifying of man is described, as he rises to the heights where, in his union with his higher self, he can be initiated into the secrets of existence. This state is symbolized by the Temple, formerly hidden in the abyss, being brought to the surface, and rising above the river—the astral plane. Every passage, every sentence in the allegory is significant. The more deeply one studies the tale, the more comprehensible and clear the whole becomes, and he who set forth the esoteric quintessence of this tale at the same time has given us the substance of the Anthroposophical outlook on life.

Goethe has not left the source uncertain from whose depths he has drawn his inspiration. In another tale, The New Paris, he gives in a veiled manner the history of his own inner enlightenment. Many will remain incredulous if we say that, in this dream, Goethe represents himself just at the boundary between the third and fourth sub-race of our fifth root-race. For him, the myth of Paris and Helen is a symbolic representation of this boundary. And as he—in a dream—conjures up before his eyes in a new form the myth of Paris, he feels he is casting a searching glance into the development of humanity. What such an insight into the past means to the inner eye, he tells us in the Prophecies of Bakis, which are also full of occult references:

The past likewise will Bakis reveal to thee; for even the past oft lies, oh blind world, like a riddle before thee. Who knows the past knows also the future: both are joined in To-day in one complete whole.

Much, too, might be quoted to show the underlying elements of spiritual science in the fairy tale, The New Melusine, a Pandora-fragment, and many other writings. In his novel, Wilhelm Meister's Traveling Years, Goethe has given us quite a masterly picture of a Clairvoyante in Makarie. Makarie's power of intuition rises to the level of a complete penetration of the inner mysteries of the planetary system:

She stands with regard to our solar system in a relationship which one hardly dares to express. In the spirit, of the soul, of the imagination, she fosters it, not only gazes at it, but at the same time forms part of it; she sees herself drawn on into those heavenly circles, but in quite a peculiar way; she has wandered since her childhood round the sun, and, in fact, as has now been discovered, in a spiral, circling ever further and further from the center towards the outer regions. If one may assume that beings insofar as they are embodied strive towards the center, but insofar as they are spirits strive towards the periphery, then our friend belongs to the most spiritual; She seems to have been born only to detach herself from the earthly and to force her way into the nearest and furthest realms of existence. This quality, glorious as it is, was laid upon her from her earliest years as a difficult task. She remembers her inner self penetrated, as it were, through and through by shining beings, illuminated by a light which not even the brightest sunlight could rival. She often saw two suns, one, that is, within, and one without in the heavens, two moons, of which the outer retained its size through all its phases; the inner ever more and more decreased.

These words of Goethe's prove clearly how intimate he is with these matters, and whoever reads through the whole passage will recognize that Goethe so expresses himself, albeit with reserve, that he who looks beneath the surface may feel quite certain of the spiritual-scientific foundation in his being.

Goethe always looked upon his mission as a poet in relation to his striving toward the hidden laws of Life. He was often forced to notice how friends failed to understand this side of his nature. He describes thus, in the Campaign in France in 1792, how his contemplation of Nature was always misunderstood:

... the passionate earnestness with which I addicted myself to this (the study of natural philosophy) seemed inconceivable to all, nobody observing how it sprang from my innermost being itself; they considered this laudable pursuit as a whimsical mistake; in their opinion, I could do something better, and leave my abilities to work in their old direction. They felt the more entitled to do this as my way of thinking did not agree with theirs, expressing rather, in most points, exactly the contrary. No more isolated being can be imagined than I was then, and for a long time afterwards. The Hylozoism, or whatever it may be called, to which I was attached, and the deep foundation of which I left untouched in all its sacred dignity, made me unsusceptible, nay, intolerant, toward that way of thinking which set up as an article of belief the existence of matter as a dead thing, in whatever way it may be supposed to be stirred up and put in motion.

Goethe could only understand artistic work when based on a profound penetration of the truth. As an artist, he wished to give utterance to that which in Nature is suggested without being fully expressed. Nature appeared to him as a product of the same essence which also works through human art, only that in the case of Nature the power has remained on a lower level. For Goethe, Art is a continuation of Nature revealing that which in Nature alone is hidden:

For in that man is placed as the peak of Nature, he perceives himself in his turn as a complete nature, which, in its turn, has within himself to produce a peak. With this objective in view, he raises himself, striving to win his way by all perfections and virtues. Selection, order, harmony, and purpose he calls to his aid, until finally he rises to the production of a work of art. (Winckelmann.)

To understand the world is to Goethe to Hue in the spirit of worldly things. For this reason, he speaks of a perceptive power of judgment (intellectus archetypus), through which Man draws ever nearer to the secrets of our being:

If, then, in a moral sense, we are, through faith in God, to attain to youth and immortality in a higher region, and are to draw near to the Most High, it should surely be the same in an intellectual sense, that only by the contemplation of an ever-creating Nature, we shall become worthy of spiritual participation in her productions.

Thus did Goethe represent to himself Man as the organ of the world, through which its occult powers should be revealed. The following was one of his aphorisms:

For this has man been placed so high that what must otherwise have been unmanifest might manifest through him. Truly may we say: What are even the workings of Nature's elements in comparison with man, who, that he may in some degree assimilate, must first control and modify them?

PLEASE NOTE: Although Rudolf Steiner in giving this address, used the words theosophy, Theosophical Society and occult, we have replaced these with the words Anthroposophy, Anthroposophical Society and, except in two or three cases, Spiritual Science, since, when Rudolf Steiner gave this address, he already had written KNOWLEDGE OF THE HIGHER WORLDS and THEOSOPHY and used the words theosophy, etc., in the sense that they are used in these books and in his subsequent writings and lectures. This was done as an attempt at corrective updating and no polemic is intended.

• 1. Original Translator Unknown. In the case of the quotations in this paper, the translations of Goethe's works by Anna Swanwick and John Anster and R. Farrie have been used freely. G. Calvert's translation of Schiller's work has also been quoted.

My dear Friends,

Every artistic activity has also its esoteric side. For the work that we carry on as artists has to receive its impulses from the spiritual world, and must therefore be rooted in the esoteric. If we forget this, if we forget that all genuine art springs from the spiritual world, then we must either resign ourselves to be guided by rules, or submit to an inartistic naturalism. To routine and mannerisms, or to a naturalism that is lacking in art—to one or the other we are condemned if we forget that what we create artistically has always, without exception, to receive its form from the formative activity of the spirit.

In the art of the stage it is important to remember that we are ourselves the instrument with which we have to work. We have accordingly to succeed in objectifying ourselves to the point where we can be such an instrument, so that we can play upon the organisation of our body as we would, for example, on some musical instrument. That, first of all. And then, standing as it were by the side of our own acting, we have also continually to be taking the most ardent and intense interest in every single word and action that we engage in on the stage.

It is of this twofold aim that I want to speak to you today. In striving to attain it, the actor will be developing a right feeling for his vocation; he will be drawing near to the esoteric—even to the esoteric that belongs to him as an actor.

For you must know, a grave danger lies in wait for the actor, threatens, in fact, more or less everyone who takes any part at all in the work of the stage. The danger is greatest, or has been so in the more decadent days of the art, for those actors who are favourites with the public; they are exposed to it most of all. I mean the danger of becoming so absorbed in the world of the stage as to lose connection with the real world outside. Again and again one makes the acquaintance of actors who have very little feeling or perception for what is happening in real life, who simply do not know the world. They have a thorough knowledge of this or that character in Shakespeare or in Goethe or Schiller. They know Wilhelm Tell, they know Hamlet, Macbeth, Richard II. They know an extravagantly frivolous character out of some comedy or other. In effect they know the world in its reflection in drama, but they do not know real men and women. This state of things can often spread farther and begin to show itself in a section of the public. Do we not frequently have the experience that when we begin to speak of some catastrophe that has taken place, then if someone is present who has any sort of connection with the stage, sure as fate, he will begin at once to recall to us a similar calamity in some play? And a habit of this kind is not without its consequences; it has a distorting and degrading influence on public taste. How often, when we look for evidence of taste, do we find nothing to deserve the name, but instead a complete perversion of taste!

We had a most painful instance of this in the days when Gerhard Hauptmann's Weber was being played. Just think what all those sensitive and impressionable ladies, sitting there in their rustling silks and décolletage—just think what they had to witness as they watched the play through! Things they would certainly never have allowed to come anywhere near them in real life. A dead dog being devoured bit by bit! Had such a sight met their eyes in real life, they would have run from it as they would from a raging lion. But looking at it up there on the stage they enjoyed it, they were thrilled. Yes, it has come to that! Do not misunderstand me. I have no objection to the representation on the stage of a dead dog being devoured—provided the motif is artistically treated. What I deplore is the perversion of taste.

The danger that I want to bring home to you, the danger of becoming at last quite remote from real life and living only in the stage reflection of it, is there above all, as we said, for the actor. The actor is, however, also in a specially favourable position to cope with it. For the very art he is pursuing, once he comes to understand it in the way we have been putting it forward in these lectures, will rescue him from the danger. As soon as he begins to go beyond the exoteric in his work and activity on the stage and to enter into its esoteric aspect, he will be saved from the danger of drifting right away from real life and becoming absorbed in its stage reflection. And the actor will be entering into the esoteric side of his work when he has come to the point where the monologue or dialogue or whatever it may be that he has been practising flows of its own accord in a stream of speech-forming activity. Exercises to this end should be given to the students in a school of dramatic art. Please follow carefully what I am saying. By the time of the dress rehearsal, the actor should be absolutely ready with his part just like a wound-up clock—,the whole stream of well-formed speech running its course without his help; for by then his part should have become an independent being within him Better still, of course, if this is attained a good while before the dress rehearsal.

And now, having succeeded in coming so far, the actor has a possibility that will certainly not be his if in the moment of performance he is obliged still to be giving his attention to the content of his part, in the way one does when reading or listening, where it is the immediate prose content of the words that is vividly present to consciousness. Assuming, however, that the actor has by this time mastered the content, and moreover progressed so far with the forming of the speech that this flows on of itself, a new possibility opens before him. Having set himself free from the forming of the speech, he will be able—and here comes the important point—to devote himself to listening, undisturbed by any conscious forming of it, to the speaking he has created and which is now in full flow, he will be able to surrender himself to its influence, allowing it here and there to fill him with glowing enthusiasm or, at another time, to cause him pain. This is not of course possible until the speaking has, by long practice, been brought into flow in the way I explained; for only then can the actor regain his freedom and, without being disturbed in his soul by the process of creation, participate in the experience of what he has himself created—in the same way as he would in some experience that came to meet him from a fellow human being.

I want you to appreciate the importance of this achievement. The actor should be able to keep himself in reserve, to hold back and not allow himself to be caught in his own creation; and then, having once fully objectified his own creation, be able to experience it from without with all the elemental force of his emotions, letting it arouse in him joy and admiration, or again sorrow and distress.

At this point a certain feeling will begin to dawn in the actor, a feeling that is in reality a part of his own esoteric life and that will prove to be actually stronger with him than with persons who are not actors. The play, he will feel, together with my own part in it, begins now to interest me as something quite outside myself, so soon, that is, as I step on to the stage. For I must first be on the stage. I need the footlights. (That is putting it a little crudely; there might of course be no footlights! You will understand what I mean.) I need the footlights, he will feel, if I am to live in the play; the play then becomes for me something outside myself. And it is this fact of its becoming separate from himself that is such a wonderful experience for the actor. For now he, as it were, retrieves it, participating in it even while he is projecting it; and this new experience has the effect of sending him forth to explore with zest and eagerness the real life in the world outside. For such an actor, there will be no uncertainty about the boundary between real life and the stage.

In our day, unfortunately, the recognition of this boundary is little more than an ideal. I have known plenty of actors who ‘acted’ in real life, and on the stage could only just pass muster. My experience has indeed gone even farther than this. I once witnessed an incident in Berlin that throws a very interesting light on the whole question. We made the acquaintance of a medium who had a most remarkable effect upon people. They were dumbfounded by what he was able to do. He would sit on the sofa and proceed to say, not at all what he himself but what other people had to say. It was quite astonishing. Perhaps it would be Julius Caesar who put in an appearance; the medium would sit there and talk exactly as Julius Caesar might. He could, in fact, be possessed by Julius Caesar or by some other character. I do not now recall any of the others, but this was the kind of susceptibility that showed itself in the medium. People were charmed and bewildered at the same time. Now this medium was by profession an actor, and with him on the stage was a fellow actor who had long been a friend of mine. One day, when I had been present at one of these exhibitions of mediumship, I asked the medium: ‘Does my friend also know you well?’ ‘Oh yes,’ replied the medium, ‘and when he sees me like this, he always exclaims: “What a splendid actor!” I can, however, only reply: “But I am your colleague, and you know quite well that I'm no good at all on the stage.”’ For the medium would never have been able to personify Julius Caesar on the stage. But when he was in mediumistic condition, the people around him believed, and to a certain extent rightly believed, that the real Julius Caesar was speaking in him; and he did it so well that my friend (who afterwards became a Managing Director of some theatre), when he saw him in this condition, took him for an actor of outstanding ability. And little wonder; for it was all there complete, even to the facial expression. But on the stage he was just like a block of wood, standing there without moving a muscle of his countenance.

Here, you see, we are faced with an extreme instance of what the art of acting must never be. For it must never happen that an actor is passive and possessed by his part. And this man was of course simply possessed. I have explained the relationship that an actor should have to his part. It must be objective for him. He must feel it as something that he has himself created and formed; and yet all the time he himself must be there in his own form, standing beside the form he has created. And then this creation of his can thrill him with joy or plunge him into sadness, just as truly as can events and doings in the world outside.

You will learn to find your way to this experience if you study your part in the way I have described. And it is necessary that you should do so. It will bring you to the esoteric in your own being.

Yesterday we were speaking of two things that come into consideration for the stage under present conditions—décor and lighting. I have no desire to dismiss outright the idea of an open-air theatre; but, as I said then, if we want to speak about dramatic art in a practical manner, we can only do so with a view to the stage that is in general use. And so what I had to say about stage décor and lighting had reference entirely to the modern stage. I would like, however, at this point to consider for a moment the theatre more in general. Starting from the experience of the present day, let us now see what it would mean if we had a stage like the stage of Shakespeare's time.

When we see one of Shakespeare's plays performed today, it can give us very little idea of how the play looked on a stage of his own time. There was, to begin with, a fair-sized enclosure not unlike an alehouse yard, and here sat the London populace of those times. Then there was what served for stage, and on the left and right sides of it were placed chairs where sat the more aristocratic folk and also various persons connected with the theatre. These people the actor would thus have in close proximity He would moreover also feel himself only half on the stage and half among the common people down below—and how delighted he would be when he could direct an ‘aside’ to these! The Prologue too, an indispensable figure in the play, addressed his part primarily to the public below. It was indeed quite taken for granted that every effort would be made to attract and please the public. They joined in and made their own contribution to the performance—tittering or howling, yelling or cheering, even on occasion pelting with rotten apples. Such things were accepted as a regular part of the show. And this good-humoured understanding between stage and audience, that had something of a spark of genius about it, infected even the more pedantic and heavy-going among the spectators—for there were such in those days too; they felt themselves caught up into the atmosphere. Shakespeare; himself an actor, understood very well how to take his audience with him. You have only to listen to the cadence of his sentences to be convinced of this. Shakespeare spoke, in fact, straight out of the heart of his audience. It is untrue today to say that people ‘listen’ to a play of Shakespeare's; for we no longer listen in the way people listened when Shakespeare was there on the stage with his company.

I have spoken already of how all work in connection with the theatre can be regarded in an esoteric light, and I want now to carry the matter a little further by describing to you something else the actor needs to develop.

Yesterday I was telling you of an experience that you would perhaps not easily believe could have any connection with the development of an actor—the experience, namely, of the rainbow. But, my dear friends, experiences like that of the rainbow are by their very nature closely connected with the deeper processes of life's happenings. Has it ever occurred to you how little we know of all that goes on in a human being when, simply from eating of a particular dish, he gets bright red cheeks? All kinds of things have been happening inside him that lie entirely beyond the range of direct observation. Similarly you must realise that you cannot expect to reason out logically the effect that the experience of the rainbow has on the actor. But you will soon see how differently that actor will use his body on the stage. Not that his movements will show particular skill, but they will show art. To move artistically has to be learned on an inward path. And the description I gave you yesterday was of one such path. There are many more; and particularly important for the actor is one that I will now describe.

An actor should develop a delicate feeling for the experience of the world of dreams. We could even set it down as an axiom that the better an actor trains himself to live in his dreams, so that he can recall their pictures and consciously conjure up before him again and again all his dream experiences—the better he is able to do this, the better will be his carriage and bearing on the stage. He will not merely be one who carries himself well externally; throughout his part his whole bearing will have art, will have style.

This is where the deeper realm of the esoteric begins for the actor—when he is able to enter with full understanding into the world of dreams. He has then to come to the point where he discerns a difference of which everyone knows and has experience, but which is not generally experienced with sufficient intensity. I mean the following.

Think of how it is with us when we are developing our thoughts and feelings in the full tide and bustle of everyday life. Let us imagine, for instance, we are at a tea-party. A master of ceremonies is darting about, continually making those little jokes of his of which he is so vain, a dancer is exerting all her charm, a stiff-looking professor who has with difficulty been induced to come feels himself in duty bound to express well-feigned admiration of everything, in not quite audible murmurs. One could continue on and on describing some scene of this kind out of everyday life. But now consider the vast difference there is between an experience of this nature—which may be said to approach the extreme in one direction—and the experience you have when, in complete solitude, you let your dreams unfold before you. It is important to discern this difference, to see it for what it is, and then to develop a feeling for what it means to pass from the one experience to the other, to pass, that is, from a condition where you are chafed and exhausted in soul by the racket of the life around you, and go right through to the very opposite experience where you are entirely alone and given up to your dreams. These, one might imagine, could be only feebly experienced; nevertheless, you know as you watch them go past that you are deeply and intimately connected with them. To grow familiar with this path of the soul that takes you from the first experience to the second, to undertake esoteric training that will help you to follow it again and again with growing power of concentration—that, my dear friends, will prepare you to take hold of your work as actors with understanding and with life.

For, in order to make your part live, you have first of all to approach it as you approach real life when it meets you with all its chaotic and disquieting details, and then go on to study the part intently, making it more and more your own, until you come at last Jo feel with it the same sort of intimate bond that you hale with some dream of yours in the moment of recalling it. I am, I know, holding up before you an ideal; but ideals can start you out on the right road.

This kind of preparation has to go forward at the same time as you are bringing the speaking of the part to its full development, that is, to where the speaking flows on of itself in the way I have described. The two paths have to be followed side by side. You have, on the one hand, to come to the point where you are able to dream your part, where the single passages in it begin to merge and lose their distinctness, and you come to feel your part as a unity, as one great whole—not, however, suffering it to lose in the process any of its variety of colouring. The single passages you then no longer perceive as single passages, their individual content disappears; and in that moment you are able to place before your mind's eye a dreamlike impression of the whole of your part right through the play. That is the one path. The other is that you should be able to tear yourself right out of this experience and produce with ease and freedom your formed speaking of the part, producing it and reproducing it again and again. If these two paths of preparation run parallel with one another, then your part will come to life, then it will acquire being.

And I think the actor and the musician or singer can here find themselves in agreement about- the way each understands his art. The pianist, for example, has also to come to the point when, to put it rather radically, he can play his piece in his sleep—when, that is, his hands move right through the piece involuntarily, moving as it were of themselves. And he too must on the other hand be able to be thrilled with delight or plunged into sadness by what his own art has brought into being.

Here again a danger confronts the artist, whether actor or musician. The emotional experience that he owes to his own creation must not develop in the direction of ‘swelled head’. It must not be because of his own ability that the artist is thrilled with delight. (The opposite mood does not so often show itself!) He must on the contrary have his consciousness centred all the time upon the thing he has created and objectified.

If you have prepared your part in this way, working out of a fine sensitiveness for the world of dreams, and if along with this you have succeeded in mastering the art of objectifying your speaking, then you will bring to the stage the very best that the individual actor can bring. And a further thing follows from this too.

When you have come so far as to be able to behold the play there before you in its entirety—the separate scenes and details, each with its own colouring, existing for you only as parts of the whole which lies spread out before you like a tableau—then the exactly right moment has come when you can set about ‘forming’ the stage. For now you will be ready to give it the décor that properly belongs to it, working on the lines I explained yesterday. If you were to build up your picture of the stage like a mosaic, piecing it together out of the feelings you have of the several scenes, it would have no art or order. But if you have pressed forward first of all to achieve this living experience of the play as a whole, so that when you come to ask: What is it like in the beginning? What impression does it make upon me in the middle?, you never, in considering any section of it, lose sight of the whole—then your configuration of the stage will be harmonious throughout, will be a unity.

And only then, my dear friends, only then will you be capable of judging how far you can go with the indoor stage of today, complete with its inevitable footlights and the rest, where nevertheless you will, of course, have somehow to produce when necessary the illusion of daylight; or how far you can go in adapting your external décor in a simple, primitive way to what is spoken by the characters; or again, let us say, how far you can go in staging a play in the open air.

Whatever kind of play you have in hand, it will demand its own particular style, which can be neither intellectually discovered nor intellectually described, but has to be inwardly felt. As we press forward, working in the way I have explained, to a deeper understanding of dramatic art, we shall find for each play the relevant style, we shall perceive it. If we are dealing with the stage conditions that are customary at the present day, we shall want to take our guidance as far as ever possible from the perception we have arrived at of the tableau of the play as a whole. The modern stage with its lighting and its elaborate décor demands that we shall follow the path of preparation that takes us to that dreamlike survey of which I have spoken, where the whole play lies spread out before us like a tableau. For it is a fact that for representations in artificial light, the more the total picture of the play conveys to the actor the impression of half-dreamed fantasy, the better. If you who are acting have let the picture of the stage be born out of dreams, out of dreams that have been cast in the mould of fantasy, then the audience, having this picture before them, will receive the impression of something that is alive and real.

The case will of course be different if your audience is looking, let us say—to go to the opposite extreme—at a background of Nature. For an open-air performance, all you can do in the way of ‘forming’ your stage is to select the spot that seems the most favourable for the piece. You will of course be limited by your possibilities. You have to put your theatre somewhere; you have really no free choice, but must be content with what there is. Let us suppose, however, that you have decided upon a spot and are preparing for an open-air performance.

You have succeeded, we will assume, in having the play before your mind's eye as a complete, continuous tableau. Then, holding fast this perception of the play as a whole, you let Nature appear in the background. (You will need to be quite active inwardly, so as to be able to see both at the same moment.) There behind, you have the real landscape. You cannot alter it, you have to take it as it is. And here in front, of course, are the seats for the audience, which always look so frightful in Nature's world.¹ And now, with all this before you, you must be able to superimpose your own picture of the play, the picture that has emerged out of dream, on to the picture that Nature is displaying in the background, letting it veil Nature's picture as though with a cloud.

The work of forming anything artistically has to be done by the soul. Need we wonder then that, in order to prepare ourselves for it, we have to go back to soul experience? In front, therefore, of the landscape that Nature provides, you will have the experience that has come to you from the play. And then—yes, then you will find, as you hold all this before you and think it through with all the energy you can command, that those rocks, those distant snow-capped mountains, fir-clad slopes, and green meadows—all that whole background of Nature begins to make itself felt, begins to give you inspiration for your masking of the individual figures on the stage—whether you produce the effect by means of make-up, or give them real masks, as did the Greeks, who felt these to be a natural necessity on the stage. And you will find that out in the open, Nature will require you to give far more decided colouring to your speech than is necessary in the intimacy of an indoor theatre. The several actors will also have to be much more sharply distinguished one from another than in an artificially lighted theatre, both in the colouring you give them to accord with their character, and in the colouring that is determined by the situation.

I would strongly recommend students of dramatic art to practise going through such experiences again and again. Their importance is not limited to the help they can give for particular performances, they are important for every actor's development. You cannot be a good actor until you have learned such things from your own experience, until you have felt how the voices of the parts have to be pitched in the one case, and how differently they must be pitched in the other case, where the play is being acted in Nature's own theatre.

In the times in which we are living, the actor has to undergo training if he is to acquire such experiences ; he has to learn them consciously. To Shakespeare they were instinctive. All that I have been describing to you, Shakespeare and his fellow-actors knew instinctively. They had imagination, you see, they had a picture-making fantasy; you can see it from the very way Shakespeare forms his speeches. Yes, they had a picture-making fantasy. And Shakespeare could do two things He had on the one hand a marvellous perception for what the audience is experiencing while an actor is speaking on the stage; you can detect this just in those passages in his plays that are most characteristic of his genius. He could sense. with wonderful accuracy the effect some speech was having upon the spectators sitting on the left of the stage, the effect it was having upon those sitting on the right, and again upon the main audience down in front. A fine, imponderable sensitiveness enabled him to share in the experience of each. And then, on the other hand, Shakespeare had the same delicate, sensitive feeling for all that might go on upon a stage which was, after all, no more than a slightly transformed alehouse! For Shakespeare knew very well, from experience, the kind of things that go on in an alehouse, he had a perfect understanding of that side of life. Shakespeare was by no means altogether the ‘utterly lonely’ figure that some learned old fogeys like to picture him. He knew how to bring on his actors—or take part himself—in a way that sorted well with the primitive realities of the stage of his time.

If you were to act today on the modern stage, with all its refinements of décor, lighting and so forth—if you were to act there today as men acted in Shakespeare's time, then a young schoolgirl who had been brought to the theatre for the first time (the rest of the audience would naturally have grown accustomed to it) would exclaim as soon as the play began: But why ever do they shout so? Yes, if we were to listen without bias to a play acted in true Shakespearian manner, we would have the impression that the actors were shouting, that the whole performance was nothing but a confused, discordant shouting. In those days, however, it was quite in place. Under primitive stage conditions it is not shouting, it is fully developed dramatic art.

In proportion, however, as we go in for more and more décor and lighting effects, it becomes a necessity to subdue, to soften down, not only the speaking voice, but even also the inner intensity of the acting. In such a changed environment it is not possible to act with the same intensity. You should be able to appreciate that this must be so. The ability of an actor, the range of his capacity as an artist, will depend on how far he can feel for himself inner connections of this kind. That way too lies the path that will verily take him into the esoteric side of his calling; for to find this path, he needs to be able to live in such truths, to be able continually to awaken them in his heart, again and again.

If the actor achieves this, if he learns to live in these truths, then gradually it will come about that they form themselves for him into meditations. He can of course have other meditations as well, but the content of his meditation as actor he must find on this path. And then he will begin also to take an increasingly wide interest in all that goes on in real life, outside the stage. For that is a mark of a really good actor. He will retain, throughout his career as actor, the most far-reaching interest in all the little things of life. An actor who is unable to be delighted, for example, with the drollery of a hedgehog, an actor who does not enjoy and admire it in a more delicate way than others do, will never be a first-rate actor. If he is the sort of man who could never exclaim: ‘But how that young lawyer did laugh when he heard that joke! Never in all my life shall I forget it!’—if he is a man who is incapable of throwing out such an exclamation with genuine and hearty enjoyment, then he is incapable also of being a really good actor. And an actor who, having taken off his make-up and left the theatre, is not assailed by all manner of strange dreams, amounting often to nightmare—he too cannot be a first-rate actor. While the actor is on his way home from the theatre, or, as is perhaps more likely, on his way to some restaurant to get a meal, it should really be so that out of all the dream-cloud of the performance, some detail suddenly thrusts itself before his mind's eye. ‘Oh, that woman in the side box,’ he says to himself, ‘how she did annoy me again, holding up her lorgnette to gaze at me just when I had to speak that passage! ... And how it put me out too when at the most critical moment of the play some silly girl right up at the top of the gallery began to giggle—I suppose her neighbour was pinching her!’

While the play is on, the actor knows nothing at all of these little incidents, he is quite unconscious of them. But you know what happens sometimes in ordinary life. You come home and sit down quietly with a book. All of a sudden, a big headline appears right across the page you are reading: ‘Dealer in Spirits. Remigius Neuteufel.’ The words place themselves clearly before you. (I dare say most of you can recall some such experience, though perhaps not quite so pronounced.) All the time you were out, you never saw those words. Suddenly they superimpose themselves on the page that lies open before you, and you read : ‘Dealer in Spirits. Remigius Neuteufel.’ Afterwards it dawns upon you that the words were on a shop sign that you passed on the way home. Without entering your consciousness, they went straight down into your sub-conscious. And had you been a medium and had Schrenk-Nötzing made experiments on you, then you would have produced the effluvia from the appropriate glands (for such things do happen!) and in the effluvia would stand the words: ‘Dealer in Spirits. Remigius Neuteufel.’ That is what would have happened to a medium. In the case of a normal person, the words simply make their appearance in front of the book he is reading, like a somewhat dim hallucination. They are there, you see, in the sub-conscious.

In ordinary life there is no occasion to pay particular attention to an incident of this kind—unless of course one is in the medical profession, when it may be one's duty to investigate such matters with all care and exactness. Art, however, obeys quite other laws in the matter of the human soul. From the point of view of art, an actor can never be an actor of real ability, if the sort of thing I have mentioned does not happen to him now and then on his way home from the theatre, if he does not, for instance, suddenly feel: ‘Heavens, how that old woman up there turned her miserable lorgnette on me!’ He did not notice her during the play, but now as he makes his way home, there she is in front of him, with her grey eyes and frowning eyebrows and untidy hair, her stiff fingers grasping the handle of her lorgnette—it weighs on him like an incubus!

That, however, will only be a proof that the actor lives in all that takes place around him, lives in it objectively. Although he is acting, he stands at the same time fully in life, he participates even in what he does not observe, in what he must not observe at the time—not merely need not, but must not. While, however, he is absorbed in the creation of his part, while his whole consciousness is directed to what he has to say and do, his sub-conscious has on that very account all the better opportunity for making keen and detailed observation of everything that is going on around him. And if he has achieved what I described as an esoteric secret for the stage-actor, namely, that when he leaves the stage he is in very deed and truth away from it, away from everything to do with it, and enters right into real life—if the actor has achieved this secret, then on his leaving the theatre this subconscious in him will begin to make itself felt, and all the various grotesque and distorted pictures that can remain with him from the performance will suddenly display themselves, so that now at last, after the event, he experiences them consciously. Naturally, it may often also be very lovely impressions that come back to him in this way.

I had opportunity once to witness an amazing instance of this kind of memory-experience. The actor Kainz² had just come from a performance, laden as it were with these nightmares, and found himself in a company of friends, including a Russian authoress with whom he particularly liked to share such impressions. It was wonderful to hear these coming out. Kainz was not in the least embarrassed about the matter, or one would naturally not want to talk of it. There they were, all the things he had experienced sub-consciously during the performance—there they were, living on in him in this way, the experience perhaps enhanced in his case by the contempt he felt for the audience. For Kainz was one of those actors who have the utmost contempt for their audiences.

It is things of this nature that can help you to a true understanding of dramatic art. They make no particular appeal to the intellect; but it is by the path of imagination and of picture that we have to travel, following forms that are of fantasy's creation, if we would come at last to the essential being of dramatic art. For this reason dramatic art cannot tolerate in its school the presence of teachers who have not a sensitive artistic feeling. (As a matter of fact, this is true of every art.) And I have always regarded it as a most undesirable addition to the faculty of a school of dramatic art when, for example, a professor of literature is brought in to give lessons to the students. All that goes on in such a school, everything that is done there, must be genuinely artistic through and through. And no one can speak artistically about any art unless he can live in that art with his whole being!

To-morrow, then, we will continue, and I shall have to tell you of another esoteric secret connected with the art of the stage.

• 1. Dr. Steiner made here a coloured drawing on the blackboard.
• 2. Josef Kainz (1858–1910) was well known all over Germany and Austria, and toured also in the U.S.A. Romeo and Hamlet were among his leading parts.

I have tried to characterize how one can formulate a lecture on the threefold order from out of one thought, and then arrange it in sections. What one can generally say concerning the whole social organism, as well as references to what can occur in the first two realms—namely that of the spiritual life and that of the judicial, the body politic-was contained in what I said.¹ You will have understood from that, how:preparing oneself for the content of such a lecture, one can proceed.

Now, one can also prepare oneself for the form of delivery by immersing oneself into the thoughts and feelings. We shall perhaps understand each other best if I say that the preparation should be such that we try hard first to sense and then to utter what is related to the spiritual life in a more lyrical language (without, of course, resorting to singing, recitation, or some such thing),—in a lyrical manner of speech, with quiet enthusiasm, so that one demonstrates through the way of delivering the matters that everything one has to say concerning the spiritual life comes from out of oneself. One should by all means call forth the impression that one is enthusiastic about what one envisions for the spiritual part of the social organism. Naturally, it must not be false, mystical, sentimental enthusiasm; a made-up enthusiasm. We achieve the right impression if we prepare ourselves first in imagination, in inner experience—even so far as to modulation—how, approximately, something like that could be said. I say specifically, “how, approximately, something like that could be said,” for the reason that we should never commit ourselves word for word; rather what we prepare is, in a sense, a speech taking its course only in inward thoughts; and we are certainly ready to re-formulate what we finally come out and say.

But when we speak about rights-relationships, we should make the attempt to speak dramatically. That implies: when we lecture about the equality of men, discussing it by means of examples, we should try as much as possible to put ourselves into the other person's position with our thinking. For instance, we should call to mind the image of how a person who seeks work, asserts his right to work in the sense of Kernpunkte der sozialen Frage (the threefold social order). By making it evident that on one hand we are speaking from the other person's position, from out of his assertion of rights, we should then make it evident how through a slight change in the tone of voice we pass on to the topic of how one ought to meet such an assertion out of general humanitarian reasons. So it is dramatic speaking, very strongly modulated, dramatic lecturing, that calls forth the impression in listeners that one could think one's way into the souls of other persons; that is the manner we should employ in speaking about the rights-relationships.

When lecturing on economic conditions, the main point is that we speak directly from experience. If, in the spirit of the threefold social organism, one speaks about economic relationships, one should not permit the belief to arise that there even could be such a thing as a theoretical political economy. Instead, one should limit the main discussion to describing cases taken from the economic life itself; either cases that one repeats, or cases that one construes as to how they should be or could be. But with the latter cases—saying how they should or could be—one must never neglect to speak out of economic experience. Actually, when lecturing on the economic life, one should speak in an epic style. Particularly, when presenting what is written in the Kernpunkte, one should speak as if one had no preconceived ideas at all concerning the economic life, and had no notions that this should be thus and so; instead, one should speak as if one were informed on all and everything by the facts themselves.

One can evoke a certain feeling, for example, that it is correct to permit the transfer of the administratioa of monetary funds from one who is not involved in it himself anymore, to somebody who once again can participate in it. But one can only speak about something like that if one presents it to people by means of descriptions of what takes place if there are legacies merely due to blood-relationships, or what can take place when such a transfer is occasioned in the way it is described in the Kernpunkte. Only by placing such a matter before people in a living way, as if one were copying reality, can one speak in such a way that the speech truly stands within the economic life. And just in this way, one can make the idea of “associations”² comprehensible and plausible. One will make it plausible that an individual person really knows nothing about the economic life; that if he wants to arrive at a judgement as to what must be done in the life of the economy, he is basically completely dependent on communicating with others. A sound economic view can only emerge from groups of people and one is therefore dependent on associations.

Then, one will perhaps meet with comprehension if one calls attention to the fact that much of what exists today actually came out of ancient, instinctive associations. Just consider for a moment how today's abstract market brings things together, whose combination and redistribution to the consumer cannot be surveyed at all. But how has one arrived at this market-relationship in the first place? Bascially, from the instinctive association of a number of villages located around a larger township, at a distance that one could travel back and forth on foot in one day, where people exchanged their products. One did not call that an association. One did not coin any word for it, but in reality it was an instinctive association. Those people who here came together for the market were associated with all of those who lived in the surrounding villages. They could count on a set circulation of goods that resulted from experience. Therefore they could regulate production according to consumption in truly alive relationships. There certainly existed such associative conditions in such primitive economies; they just didn't call themselves that.

All this has become impossible to over-see, with the enlargement of the economic territories. In particular, it has become senseless in regard to the world economy. The world economy which has come into being only in the last third of the 19th century, has reduced everything into an abstract realm; that is, it has reduced everything in the economic life to the turn-over of money or its monetary value, until this reduction has proven its own absurdity.

Indeed, when Japan fought a war with China and Japan won the war, one could very simply pay the war reparations by way of the Chinese Minister's handing a check to the Japanese Delegate, which the latter then deposited in a bank in Japan. This is an actual course of events. There were values contained in this check, which is money and has monetary value. It represented values. If you imagine how at that time everything should have been transported from one territory into the other this would have been a difficult process under modern-day conditions. But owing to the manner in which Japan and China were placed within the whole world economy, it could be done this way. However, all this has led itself to a point of absurdity. In the dealings between Germany and France, it has proven itself to be impossible.³ I am therefore of the opinion that the state of affairs can best be explained out of the economic relationships themselves, and then one can explain the necessity for the associative principle.

Once again, one should have to divide this subject matter regarding the economic life in a certain way, and one would have to pass on to several concluding sentences of which I have already said that they again should be conceived verbatim or at least almost word for word.

So, how will the preparation for a speech appear, in fact? Well, one should try one's best to get into the situation or the subject that the audience is prepared for, by formulating the opening sentences in a way one considers necessary. One will have greater difficulty in the case of completely unprepared listeners; less difficulty, if one addresses a group that one finds already involved in the matter, at least possessing the corresponding feelings concerning the assertions one makes. Then, one will neither write down the rest of the speech nor jot down mere catch-words. Experience shows that neither the verbatim composition nor the mere noting down of catch-words leads to a good speech. The reason for not writing down the speech is because it ties one down and easily causes embarrassment when the memory falters; this is most frequently the case when the speech is written down word for word. Catch-words easily mislead one to formulate the whole preparation too abstractly. On the other hand, if one needs to have such a support, what one should best write down and bring along as notes are a number of correctly formulated sentences that serve as catch-phrases. They do not make the claim that one delivers them in the same way as a part of the speech; instead, they indicate: first, second, third, fourth, and so on; they are extracts, so to speak, so that from one sentence perhaps ten or eight or twelve will result. But one should write such sentences down. One should therefore not write down, “spiritual life conceived as independent”; instead, “the spiritual life can only thrive if it freely works independently out of itself.” (Catch-phrases, with other words.) If you do something like this, you will then have the experience yourself that owing to such catch-phrases, you can in a relatively short time most readily attain to a certain facility of speaking freely, a speaking that only contains the ladder of catch-phrases.

Concerning the conclusion, it is often very good if, in a certain sense, at least gently, one leads back to,the beginning; if therefore the end, in a sense, contains something that, as a theme, was also contained in the beginning.

And then, such catch-phrases readily give one the opportinity to really prepare oneself in the way indicated above by having noted these sentences down on one's piece of paper. So, let us say, one ponders the following: what you have to say for the spiritual life must have a sort of lyrical nature within you; what you have to say concerning the rights-relationships must have a kind of dramatic character in your mind; and what concerns the economic life must live in your mind in a narrative, epic form; a quiet, narrative, epic character. Then, the desire, as well as the skill, to word the catch- phrases in the formulation that I have indicated, will indeed begin to arise instinctively. The preparation will result quite instinctively in such a way that the manner in which one speaks merges indeed into what one has to say concerning the subject. For this it is, however, necessary to have brought one's command of language to the level of instinct, so that one indeed experiences the speech-organs the way one would, for instance, feel the hammer, if one wanted to use the hammer for something. That can be achieved, if one practices a little speech-gymnastics.

It's true, isn't it, when one practices gymnastics, those are not movements that are later executed in real life; but they are movements that make one flexible and dextrous. Similarly, one should make the speech-organs pliable and adroit; but making the latter pliable and dextrous is something that must be accomplished so that it goes together with the inner soul life, and so that one learns to be aware of the sound in speaking. In the seminar courses that I held over two years ago in Stuttgart for the Waldorf school teachers, I put together a number of such speech exercises that I now want to pass on to you. They are mostly of a kind that, by their content, does not prevent one from learning to merge oneself purely into the element of speech; they are only designed for practicing speech-gymnastics. If one tries again and again to say these sentences aloud, but in such a way that one always probes: how does one best use his tongue, how does one best use his lips so as to produce this particular sequence of sounds?—then one makes oneself independent of speaking and, instead, places that much more value on mental preparation for lecturing.

I shall now read you a number of such sentences whose content is often senseless, but they are designed to make the speech-organs pliable and fit for public speaking.⁴

Dass er dir log, uns darf es nicht loben.
(That he told lies, 'tis not to be lauded.)

This is the easiest one. Something a bit more complicated:

Nimm nicht Nonnen in nimmermuede Mühlen.
(Take not nuns in never-tired mills.)

One should increasingly try, along with the sequence of sounds, to make the organs of speech pliable; to bend, to hollow, to take possession of them.⁵

Another example:

Rate mir mehrere Rätsel nur richtig.

It is naturally not enough to say something like this once, or ten times; but again and again and again, because even if the speech-organs are already pliable, they can become still more so.

An example that I consider to be particularly useful is the following:

Redlich ratsam
Rüstet rühmlich
Riesig rächend
Ruhig rollend
Reuige Rosse

With this, one has the opportunity to regulate the breath in the pauses, something one has to pay attention to and that can be particularly well done through such an exercise.

In a similar way, not all the letters, nor all the sounds, have the same value for this practicing. You make progress if you take the following, for example:

Protzig preist
Bäder bruenstig
Polternd putzig
Bieder bastelnd
Puder patzend
Bergig brüstend

If you succeed in finding your way into this sequence of sounds, you gain much from it.

When one has done such exercises, then one can also try to do those exercises that cannot but result in bringing a mood into the speaking of the sounds. I have tried to give an example of how the sounds can pour into the mood in the following:

• Erfüllung geht (Fulfillment goes)
• Durch Hoffnung (Through hope)
• Geht durch Sehnen (Goes through longing)
• Durch Wollen (Through willing)

and now it passes more into the sounds, through which, here in particular, the mood in the sound itself is held fast:

• Wollen weht (Willing wafts)
• Im Webenden (In weaving)
• Weht im Bebenden (Wafts in billowing)
• Webt bebend (Weaves billowing)
• Webend bindend (Weaves binding)
• Im Finden (In finding)
• Findend windend (Finding winding)
• Kuendend (Calling)

You will always discover, when you do these exercises in particular, how you are able, without letting the breath disturb you, to regulate the breathing by simply holding yourself onto the sounds. In recent times, one has thought up all kinds of more or less clever methods for breathing and for all kinds of accompanying aspects of speaking and singing, but actually, all of those are no good, because speech with everything that belongs with it, with the breath, too, should by all means be learned through actual speaking. This implies that one should learn to speak in such a way that, within the boundaries that result from the sound sequence and the word relationships, the breath also regulates itself as a matter of course. In other words, one should only learn breathing during speech—in speaking itself. Therefore, the exercises of speech should be so designed that, in correctly feeling them regarding their sounds, one is obliged—not by the content but by the sounds—to formulate the breath correctly because he experiences the sound correctly.

What the verse below represents, points once again to the content of the mood. It has four lines; these four lines are arranged so that they are an ascent, as it were. Each line causes an expectation, and the fifth line is the conclusion and brings fulfilment. Now one should really make an effort to execute this speech movement that I have just characterized. The verse goes like this:

In den unermesslich weiten Raeumen,
In den endenlosen Zeiten,
In der Menschenseele Tiefen,
In der Weltenoffenbarung:
Suche des grossen Raetsels Loesung.

(In the immeasurably wide realms,
in the never-ending ages,
in the human soul's depths
in the world's revelation:
seek the great riddle's answer.)

There you have the fifth line representing the fulfillment of that escalating expectation that is evoked in the first four lines.

One can also attempt to, well, let me say, bring the mood of the situation into the sounds, into the mode of speaking, the how of speech. And for that I have formulated the following exercise. One should picture a sizable green frog that sits in front of him with its mouth open. In other words, one should imagine that one confronts a giant frog with an open mouth. And now, one should picture what sort of reactions, effects, one can have regarding this frog. There will be humor in the emotion as well as all that should be evoked in the soul in a lively manner. Then, one should address this frog in the following way:

Lalle Lieder lieblich
Lipplicher Laffe
Lappiger lumpiger
Laichiger Lurch

Picture to yourself: that a horse is walking across a field. The content does not matter. Naturally, you must now imagine that horses whistle! Now you express the fact that you have here in the following manner:

Pfiffig pfeifen
Pfaeffische Pferde
Pflegend Pfluege
Pferchend Pfirsiche

and then you vary that by saying it this way:

Pfiffig pfeifen aus Naepfen
Pfaeffische Pferde schluepfend
Pflegend Pfluege huepfend
Pferchend Pfirsiche knuepfend

And then—but please, do learn it by heart, so that you can fluently repeat the one version after the other—there is a third version. Learn all three by heart, and try to say them so fluently that during the speaking of one version you will not be confused by the other. That is what counts. Take as the third form:

Kopfpfiffig pfeifen aus Naepfen
Napfpfaeffische Pferde schluepfend
Wipfend pflegend Pfluege huepfend
Tipfend pferchend Pfirsiche knuepfend

Learn one after the other, so that you can do the three versions by heart, and that one never interferes when you say the other.

Something similar can be done with the following two verses:

Ketzer petzten jetzt klaeglich
Letztlich leicht skeptisch

and now the other version:

Ketzerkraechzer petzten jetzt klaeglich
Letztlich ploetzlich leicht skeptisch

Again, learn it by heart and say one after the other!

One can achieve smooth speech if one practices something like the following:

Nur renn nimmer reuig
Gierig grinsend
Knoten knipsend
Pfaender knuepfend

One has to accustom oneself to say this sound sequence, ‘Nur renn ...’. You will see what you gain for your tongue, your organs of speech, if you do such exercises.

Now, such an exercise that lasts a bit longer, through which this flexibility of speech can be attained—I believe actors have already discovered atterwards that this was the best way to make their speech pliable:

Zuwider zwingen zwar
Zweizweckige Zwacker zu wenig
Zwanzig Zwerge
Die sehnige Krebse
Maher suchend schmausen
Dass schmatzende Schrnachter
Schmiegsam schnellstens
Schnurrig schnalzen

And then: one occasionally requires presence of mind in direct speech. One can acquire it by something like the following:

Klipp plapp plick glick
Klingt Klapperrichtig
Knatternd trappend
Rossegetrippel

Then, for further acquisition of presence of mind in speaking, the following two examples can be placed together:

Schlinge Schlange geschwinde
Gewundene Fundewecken weg

The ‘Wecken weg’ is in there, too, but as a sound-motif, thus:

Gewundene Fundewecken
Geschwinde schlinge Schlange weg

The following example is useful for putting some muscle into speech, so that one is in a position, in speaking, to slap somebody down in a discussion sometimes (something that is quite necessary in speaking!):

Marsch schmachtender
Klappriger Racker
Krackle plappernd linkisch
Kink von vorne fort

Then, for somebody who stutters a little, the following two examples should still be mentioned:

Nimm mir nimmer
Was sich waesserig
Mit Teilen mitteilt

For everyone who stutters, this example is good. When stuttering, one can also say it in the way below:

Nimmer nimm mir
Waesserige Wickel
Was sich schlecht mitteilt
Mit Teilen deiner Rede

The point is, of course, that the person who stutters must make a real effort.

One should by no means believe that what I want to call speech-gymnastics, can or should only be practiced with sentences that are meaningful for the intellect. Because in those sentences that contain sense for the intellect, the attentiveness for the meaning instinctively outweighs anything else too much, so that we do not rely correctly on the sounds, the saying. And it is really necessary that, in a certain sense, we tear speaking loose from ourselves, actually manage to separate it from ourselves. In the same way as one can separate writing from one's self, one can also tear speaking loose from oneself.

There are two ways to write for the human being. One way consists of man's writing egotistically; he has the forms of the letters in his limbs, as it were, and lets them flow out of his limbs. One emphasized such a style of writing for a certain length of time—it is probably still the same today—when one gave lessons in penmanship for those who were to be employed in business offices or people like that. I have, for example, observed at one time how such a lesson in writing was conducted for employees of commercial establishments so that the persons in question had to develop every letter out of a kind of curve. They had to learn swinging motions with the hand; then they had to put these motions down on paper; this way, everything is in the hand, in the limbs; and one is not really present with anything but the hand in writing. Another form of writing is the one that is not egotistical; it is the unselfish style of writing. It consists of not really writing with the hand, as it were, but with the eye; one always looks at it and basically draws the letter. Thus, what is in the formation of the hand is of importance to a lesser degree: one really acts like one does when sketching, where one is not the slave of a handwriting. Instead, after a while, one has difficulty in even writing one's name the same way one has written it just the time before. For most people it is so terribly easy to write their name the way they have always written it. It flows out of their hand. But those persons who place something artistic into the script, they write with the eye. They follow the style of the lines with the eye. And there, the script indeed separates itself from the person. Then—while it is in a certain repect not desirable to practice that—a person can imitate scripts, vary scripts in different ways. I do not say that one should practice that especially, but I mean that it results as an extreme when one paints one's script, as it were. This is the more unselfish writing. Writing out of the limbs, on the other hand, is the more selfish, the egotistic way.

Speech is also selfish, in most people. It simply emerges out of the speech-organs. But you can gradually accustom yourselves to experience your speech in such a way that it seems as if it floated around you, as if the words flew around you. You can really have a sort of experience of your words. Then, speaking separates itself from the person. It becomes objective. Man hears himself speak quite instinctively. In speaking, his head becomes enlarged, as it were, and one feels the weaving of sounds and the words in one's surroundings. One gradually learns to listen to the sounds, the words. And one can achieve that particularly through such exercises. That way, there is in fact not just yelling into a room anymore—by yelling, I do not mean shouting out loud only; one can yell in whispering, too, if one actually speaks only for one's own sake, the way it emerges out of the speechorgans—instead one really lives, in speaking, with space. One feels the resonance in space, as it were. This has become a fumbling mischief in certain speech-theories—theories of speech-teaching or speech-study, if you will—of recent times. One has made people speak with body-resonance, with abdominal resonances, with nasal resonances, and so forth. But all these inner resonances are a vice. A true resonance can only be an experienced one. One experiences such a resonance not by the impact of the sound against the interior of the nose; instead one feels it only in front of the nose, outside. Thus, language in fact attains to abundance. And of course, the language of a speaker should be abundant. A speaker should swallow as little as possible.

Do not believe that this is unimportant for the speaker; it is rather of great significance for the speaker. Whether we present something in a correct way to people depends most certainly on what position we are able to take in regard to speech itself. One doesn't have to go quite so far as a certain actor who was acquainted with me, who never said “Freundrl” [Austrian dialect for “Friend”—note by translator] but always “Freunderl”, because he wanted to place himself into every syllable. He did that to the extreme. But one should develop the instinctive talent not to swallow syllables, syllable-forms, and syllable-formations. One can accomplish that if one tries to find one's way into rhythmic speech in such a way that, placing one's self into the whole sound-modulation, one recites to oneself:

Und es wallet und siedet und brauset und zischt,
Wie wenn Wasser mit Feuer sich mengt ...<
(Quote from Schiller's The Diver)

So: it is a matter of placing one's self not only into the sound as such but into the sound-modulation. into this “growing round” and the angularity of sound.

If somebody believes that he could become a speaker without putting any value on this, then he labors under the same misconception as a human soul that has arrived at the point between death and a new birth, when it once again will descend to the earth, and does not want to embody itself because it does not want to enter into the moulding of the stomach, the lungs, the kidney, and so forth. It is really a matter of having to draw on everything that makes a speech complete.

One should at least put some value on the organism of speech and the genius of language as well. One should not forget that valuing the organism of speech, the genius of language, is creative, in the sense of creating imagination. He who cannot occupy himself with language, listening inwardly, will not receive images, will not be the recipient of thoughts; he will remain clumsy in thinking, he will become one who is abstract in speaking, if not a pedant. Particularly, in experiencing the sounds, the imagery in speech-formation, in this itself lies something that entices the thoughts out of our souls that we need to carry before the listeners. In experiencing the word, something creative is implied in regard to the inner organization of the human being. This should never be forgotten. It is extremely important. In all cases, the feeling should pervade us how the word, the sequence of words, the word-formation, the sentence-construction, how these are related to our whole organism. Just as one can figure out a person from the physiognomy, one can even more readily—I don't mean from what he says but from the how of the speech—one can figure out the whole human being from his manner of speech.

But this how of his speech emerges out of the whole human being. And it is by all means a matter of focusing—delicately of course, not by treating ourselves like we were the patient—on the physical body. It is, for example, beneficial for somebody who, through education or perhaps even heredity, is predisposed to speaking pedantically; to try, with stimulating tea that he partakes of every so often, to wean himself from pedantry. As I have said, these things must be done with care. For one person, this tea is right; for another, the other tea is good. Ordinary tea, as I have repeatedly mentioned, is a very good diet for diplomats: diplomats have to be witty, which means having to chat at random about one thing after another, none of which must be pedantic, but instead has to exhibit the ease of switching from one sentence to another. This is why tea is indeed the drink of diplomats. Coffee, on the other hand, makes one logical. This is why, normally not being very logical by nature, reporters write their articles most frequently in coffee-houses. Now, since the advent of the typewriter, matters are a little different, but in earlier days, one could meet whole groups of journalists in coffee-houses, chewing on their pen and drinking coffee so that at last, one thought could align itself with the next one. Therefore, if one discovers that one has too much of what is of the tea-quality, then coffee is something that can have an equalizing effect. But, as was mentioned before, all this is not altogether meant, as a prescription, but pointing in that direction. And if somebody, for example, is predisposed to mix some annoying sound into his speech—let's say if somebody says, “he,” after every third syllable, or something like that—then I advise him to drink some weak senna-leaf-tea twice a week in the evening, and he will see what a beneficial effect that will have.

It is indeed so: since the matters that come to expression in a lecture, in a speech, must come out of the whole person, diet must by no means be overlooked. This is not only the case in an obvious sense. Of course, one can hear by the speech whether it comes from a person who has let endless amounts of beer flow down his gullet, or something like that. This is an obvious case. He who has an ear for speech knows very well whether a given speaker is a tea-drinker or a coffee-drinker, whether he suffers from constipation or its opposite. In speech, everything is expressed with absolute certainty, and all of that has to be taken into consideration. One will gradually develop an instinct for these matters if one becomes sensitive to language in one's surroundings the way I have described it.

However, the various languages lend themselves in different ways, and in varying degrees, to being heard in the surroundings. A language such as the Latin tongue is particularly suitable for the above purpose. The same with the Italian. I mean by this, to be heard objectively by the one who is speaking himself. The English language, for example, is little suited for this, because this language is very similar to the script that flows out of the limbs. The more abstract the languages are, the less suitable they are to be heard inwardly and to become objective. Oh, how in former times the German Nibelungen song sounded:

Uns ist in alten maeren
Wunders vil geseit
von heleden lobebaeren,
von grôzer arebeit;
von freude unt hôchgezîten,
von weinen unde klagen,
von küener recken strîten
müget ir nu wunder hoeren sagen.

Ez wuohs in Buregonden
ein vil edel magedîn,
daz in allen landen
niht schoeners mohte sîn,
Kriemhilt geheizen;
diu wart ein schoene wîp,
Dar umbe muosen degene
vil Verliesen dën lîp.

That hears itself while one is speaking! Through such things one must learn to experience language. Naturally, languages become abstract in the course of their development. Then one must bring the concrete substance into it from within, permeate it with the obvious. Abstractly placed side by side, what a difference:

Uns ist in alten maeren wunders vil geseit

and

Uns wird in alten Märchen Wunderbares viel erzählt

and so forth!

But if one becomes accustomed to listening, this can certainly also be brought into the more modern language, and there, much can be done in speech towards the latter's becoming something that has its own genius. But for that, such exercises are required, so that listening in the spirit and speaking out of the spirit fit into one another. And so, I want to repeat the verse one more time:

Erfuellung geht
Durch Hoffnung
Geht durch Sehnen
Durch Wollen
Wollen weht
Im Webenden
Weht im Bebenden
Webend bindend
Im Finden
Findend windend
Kuendend.

Only by placing the sound into various relationships, does one arrive at an experiencing of the sound, the metamorphosis of the sound, and the looking at the word, the seeing of the word.

Then, when something like what I have described today as creating a disposition through catch-sentences, as our inner soul-preparation, is united with what we can in the above way gain out of the language, then it all works toward public speaking.

One more thing is required besides all the others I have already mentioned: responsibility! This implies that one should be aware that one does not have the right to set all of one's ill-mannered speech-habits before an audience. One should learn to feel that for a public appearance one does require education of speech, a going-out of one's self, and plasticity in regard to speech. Responsibility towards speech! It is very comfortable to remain standing and to speak the way one normally does, and to swallow as much as one is used to swallow; to swallow (verschlucken), to squeeze (quetschen), and to bend (biegen) and break (brechen), and to pull (dehnen) at the words just the way it suits one. But one may not remain with this squeezing (Quetschen) and pushing (Druecken) and pulling (Dehnen) and cornering (Ecken) and similar speech-mannerisms. Instead, one must try to come to the aid of one's speaking even in regard to the form. If one supports one's speaking in this manner, one is quite simply also led to the point where one addresses an audience with a certain respect. One approaches public speaking with a certain reserve and speaks to an audience with respect. And this is absolutely necessary. One can accomplish this if, on the one side, one perfects the soul-aspect; and, on the other side, formulates the physical in the way I have demonstrated in the second part of the lecture. Even if one only has to give occasional talks, such matters still play an important part.

Say, for example, that one has to give discussions on the building, the Goetheanum. Since one naturally cannot make a separate preparation for each discussion, one should basically, in that case, properly prepare oneself, the way I have explained it, at least twice a week for the talk in question. One should actually only extemporize, if one practices the preparation, as it were, as a constant exercise.

Then one will also discover how, I should like to say, the outer form unites itself with the substance. And we shall have to speak about this point in particular one more time tomorrow: about the union of the form-technique with the soul-technique.

The course is brief, unfortunately; one can barely get past the introduction. But I would find it irresponsible not to have said what I did say in particular in the course of these lectures.

• 1. The threefold social organism, as depicted by Rudolf Steiner, is composed of three parts: the two mentioned above and the economic realm.
• 2. See The Threefold Social Order for details on “Associations.”
• 3. Rudolf Steiner refers here to the war-reparations demanded of Germany by France.
• 4. The speech-exercises are rendered in the original German, since the emphasis is on their sound, primarily; a translation is often useless as well as extremely difficult.
• 5. In trying to illustrate how one must take hold of one's speech-organs via the exercises. Rudolf Steiner modifies the four words in a manner that is highly original and unusual, and untranslatable as well. But they thus indicate a living working, an active doing. “Gesehmeithgen,” to make pliable; “zu biegen,” to bend; “zu hohlen,” to make hollow; “zu erhabenen,” to have or possess by effort.