The Art of Lecturing
11 October 1921, Dornach
I am of the opinion, that, in this course we are now starting, it is [a question of] a discussion of what is necessary in order really to connect one's self responsibly with the movement of Anthroposophy and the Threefold Idea. The course will therefore not be arranged for lecturers in general, but as a kind of orientation course for the personalities, who have made it their task to work in the direction indicated.
Personalities who receive what can come from Anthroposophy simply as a kind of information will not get much from this course.
Indeed, at present, we definitely need activity within our movement. It seems to be difficult to kindle this activity. It seems difficult to spread the insight that this activity is really necessary in our time.
Hence, it will not be a matter of a formal course in lecturing, but rather, of just those things which are necessary for someone who would like to accomplish a quite definite task, I mean the one just indicated.
On the whole, the Anthroposophical Movement has no use for general talk. Indeed, this is exactly the mark of our present culture and civilization that there is general talk around things — that people do not pick up concrete tasks — that they have, by preference, interest for talking in general terms.
Hence, I do not intend to treat the things in this course, (which I shall discuss as regards content), in such a way that they might serve as information. But I shall try to treat these things so — and this must indeed be the case in such an orientation course because it is intended as the very basis for a definite task — so that they can then link up directly with the spoken word. And I shall treat this spoken word so as to take into consideration, that he who sets himself the task of delivering a lecture for Anthroposophy is perhaps not working under conditions in which interest is already present, but is working to awaken interest by the first few lectures. Thus, I should like to shape this course in this quite concrete sense.
And, even the large points of view which I shall discuss today are to be meant entirely in this quite concrete sense. One would be reporting what is incorrect if — as is so popular nowadays — one set down what I shall say both today and in the next days as abstract sentences.
Today I intend to speak of certain set of rules.
Whenever through a lecture one sets out upon the task of bringing something near to one's fellow man, a responseful interchange will naturally take place between the person who has something to communicate, something to work for, something to be enthusiastic about, and the persons who listen to him. An interplay of soul-forces occurs. And to this interplay of soul-forces we propose at first to turn our attention.
These soul-forces live, as you know, in thinking, feeling and willing. And never is just a single soul-force in abstract form active by itself. But, into each soul-force the other soul-forces play, so that when we think, there are also feeling and willing always active in our thinking, likewise in our feeling, thinking and willing, and again in willing, thinking and feeling.
But still, one cannot consider the soul life — both by itself and in its responseful interchange between people — save from the point of view of this tending on the one side to thinking, and on the other to willing. And so, in the sense of our task today, we must know the following:
What we think interests nobody else, and whoever believes that his thoughts — insofar as they are thoughts — interest any other person, will not be able to put himself to the task of lecturing. (We intend to speak more precisely about these things.) The willing to which we would like to fire a gathering, or even one other person, this willing that we wish to put into our lecture, this annoys people, this they instinctively reject.
When one approaches people as a lecturer, then one has to do chiefly with the workings of various instincts: The thinking which one kindles in one's self does not interest people, willing annoys them. This, if some one were called upon for this or that act of will, we would find that we had called up, not his willing, but his annoyance. And if we were to sketch our most beautiful and ingenious ideas in a monologue before people, they would walk out. That must be the fundamental guiding line for the lecturer.
I do not say that this is so when we consider a general conversation among people, a gossip session or the like. For I am not speaking here about how these two are to be treated. Rather am I speaking of what should fill our souls, of what should live in us as proper impulse for lecturing, if the lecture is to have a purpose precisely in the direction I now mean. I am speaking of the guiding line one needs to set one's self: Our thoughts do not interest an audience — our will annoys every audience.
Now, we must take a further matter into consideration: When someone lectures, the fact is that he lectures for the most part not only out of his own being, but out of all kinds of situations. For instance, he lectures on some affair that has perhaps for weeks been discussed by, or described to many of the people who will be listening to him. He then naturally meets with quite a different interest than he does if his first sentences touch on something that, until now, had not occupied his hearers in the slightest. When someone lectures here in the Goetheanum, it is naturally something quite different from what it is when one lecturesat a hotel in Kalamazoo. I mean, even setting aside the fact, that in the Goetheanum one is likely to lecture to people who have for some time occupied themselves with the material, have read or heard about it, whereas this is probably not the case in Kalamazoo. I mean the whole surroundings: The fact that one comes to a building such as the Goetheanum makes it possible to turn to the public in quite another manner than is possible when one lectures at a hotel in Kalamazoo. And so there are countless circumstances out of which one lectures which must always be considered.
This however, establishes the necessity, especially in our time, to take one's lead somewhat from what should not be to what should be. Let us take an extreme case. A typical, average professor was supposed to give a lecture. At first he deals with his thoughts about the object, and, if he is a typical, average professor, he also deals with the conviction, that these thoughts which he thinks, are on the whole, the very best in the world on the subject in question. Everything else has at first no interest for him. — He writes these thoughts down. — And of course, when he commits these thoughts to paper, then they become fixed. He then sticks this manuscript into his left side pocket, goes off, unconcerned as to whether it is to the Goetheanum or to the hotel in Kalamazoo, finds a lecturer's desk that is set up in a suitable way, at the right distance for his eyes, lays his manuscript thereon and reads. I do not say that every one does it in this way. But it is a frequent occurrence and a characteristic procedure in our time. And it points to the horror one can have towards lecturing today. It is the type of lecturing for which one should have the greatest aversion.
And, since I have said that our thoughts interest nobody else, and our will annoys everybody, then it seems that it is the feelings upon which lecturing depends, — that an especially significant cultivation of feeling must be basic for lecturing. Hence it becomes of significance, of perhaps remote, yet fundamental significance, that we have acquired this proper aversion for the extreme type of lecture-reading just mentioned.
Once I heard a lecture by the renowned Helmholtz at a rather large meeting that was certainly given in this manner: The manuscript, taken out of the left side pocket and read off. Afterwards a journalist came to me and said: “Why wasn't this lecture printed, a copy slipped into the hand of each one there? And then Helmholtz could have gone about and extended his hand to each one!” The latter would have been more valuable perhaps to the hearers, than the terrible experience of sitting on the hard chairs to which they were condemned in order to have read to them the manuscript, which required more time than it would have taken them to read it themselves. (Most of them would have needed a very long time indeed if they wanted to understand it, but listening for a short time didn't help them at all.)
One must by all means reflect on all these concrete things if one wishes to understand how the art of lecturing can, in all truth and honesty, be striven for.
At the Philosophers' Congress in Bologna the most significant lecture was delivered in the following way: It lay on each chair, three copies, one in each of three languages. One had first to pick them up in order to be able to sit down on the empty chair. And then the lecture was read aloud from the printed copy, requiring somewhat more than an hour. Through such procedure even the most beautiful lecture is no longer a lecture, for understanding gained through reading is something essentially different from the understanding gained through listening. And these things must be considered if one wants to familiarize one's self in a vivid way with such tasks.
Certainly, even a novel can so move us that we shed tears at definite passages. I mean of course, that a good novel can do this only at definite passages, not from the beginning to the end. But what then is really present during reading so that we are carried away by what we read? Whenever we are carried away by what we read, we have to accomplish a certain work that coincides, that is connected very strongly, with the inner side of our humanity. This inner work which we accomplish when we read consists in this, that while we turn our glance to the single letters, we actually carry out what we have learned in the putting together of the letters. Through this activity of looking at the letters, putting them together and thinking about them, we draw forth a meaning. That is a process of receiving which occurs in our ether body and yet strongly engages the physical body in the perceiving.
But all this simply falls away when only listening. This whole activity does not occur when simply listening. Nevertheless, this listening activity is bound up in a definite way with the grasping of a thing. The person is in need of this activity whenever he wishes to grasp a thing. He needs the cooperation of his ether body and in part, even of his physical body. Not only of the sense organ of the ear! Moreover, when listening, he needs a soul life so active that it is not exhausted in the astral body, but brings the ether body to pulsation, and then this ether body also brings the physical body to swing along with it.
That which must take place as activity during reading, must also be developed while listening to a lecture, but — should like to say — in quite another form when listening, because that activity cannot be there in the same way it is for reading. What is called up in reading is transformed feeling, feeling that has been pressed into the ether body and the physical body. This feeling becomes a force. As lecturers we must be in a position to bring up feeling as feeling content, even in the most abstract of lectures.
It is really a fact that our thoughts as such do not interest people, our will impulses annoy everybody, and only our feelings determine the impression, the effect — in a justified sense, of course — of a lecture.
Hence, there arises the most important question. How shall we be able to have something in our lecture which in a sufficiently strong way, will enable the listener to bring forth the needed shade of feeling, the needed permeation with feeling — and yet not press him, lest we hypnotize or suggest.
There cannot be abstract rules by which one learns how to speak with feeling. For, in the person who has hunted in all sorts of manuals for the rules for speaking with feeling, one will notice that his lecturing most surely does not come from his heart, that it stems from quite another place than his heart. And truly, all lectures should come from the heart. Even the most abstract lecture should come from the heart. And that it can! And it is precisely this which we must discuss, how even the most abstract lecture can come from the heart.
We must understand quite clearly what is really stirring in the soul of the listener when he gives us his ear, not perhaps when we tell him something he is eager to hear, but when we expect him to want to listen to our words. Essentially it is indeed always a kind of attack on our fellow men when we fire a lecture at them. And that too is something of which we must be thoroughly aware, that it is an attack on the listeners, when we fire a lecture at them.
Everything which I say — I must ever and again add parenthetically — is to be considered as guide for the lecturer, not as characteristic for social intercourse or the like. Were I to speak in reference to social intercourse, I could naturally not formulate the same sentences. They would be so much foolishness. For, when one speaks concretely, such a sentence as “Our thoughts interest no one” can be either something very clever or very stupid. Everything we say may be foolishness or good sense according to its whole human connection. It depends solely upon the way it is placed into the context. Hence, the lecturer needs quite other things than instructions in the formal art of lecturing.
Thus, it is a matter of recognizing what is really active in the listener. Sympathy and antipathy are active in the listener. These assert themselves more or less unconsciously when we attack the listener with a lecture. Sympathy or antipathy! For our thoughts however, he surely has no sympathy at first. Also not for our will impulses, for that which we, so to speak, want of him, for that to which we want to exhort him.
If we want somehow to approach the art of lecturing, we must have a certain understanding for the listener's sympathy and antipathy toward what we say. Sympathy and antipathy have in reality to do neither with thinking nor with the will, but operate here in the physical world exclusively for the feelings, for what has to do with feeling. A conscious awareness in the listener of sympathy and antipathy has the effect of obstructing the lecturer's approach to him — our awareness of sympathy and antipathy must be of such a kind that it never comes to the consciousness of the listener, especially during the lecture. Working to rouse sympathy and antipathy has the effect of making it seem that we fall over ourselves. Such, approximately, is the effect of a lecture when we want to arouse sympathy and antipathy.
We must have the finest understanding for sympathy and antipathy in the listener. During the lecture however, his sympathy or antipathy should not concern us in the least. All that has an effect upon the sympathy and antipathy, if I may say so, we must bring into the lecture indirectly, beforehand, during the preparation.
Just as little as there can be instructions of an abstract kind for painting or sculpting, just so little can there be rules of an abstract kind for lecturing. But, just as one can stimulate the art of painting, so too it is possible to stimulate the art of lecturing. And it is chiefly a matter of taking in full earnestness the things that can be pointed out in this direction.
In order to start from an example, let us first take the teacher speaking to children. As far as his speaking is concerned, actually the very least depends upon his genius and wisdom. As to whether we can teach mathematics or geography well, the very, very least will depend upon whether we ourselves are good mathematicians, or good geographers. We can be outstanding geographers, but poor teachers of geography. The intrinsic worth of the teacher, which surely rests in large measure upon his speaking, depends upon what he has previously felt and experienced about the things to be presented, and the kinds of feelings which are again stirred up by the fact that he has a child before him.
Thus it is for example, that Waldorf School pedagogy amounts to knowledge of man, that is of the child — not to a knowledge of the child resulting from abstract psychology, but one that rests upon a fully human comprehension of the child. So far does this comprehension go that through feeling intensified to loving devotion, the teacher manages to experience with the child. Then there results — from this experiencing with the child and from what one has previously felt and experienced in the field in which one has to express something — from all this, there results quite instinctively the manner in which one has to speak and handle the class.
It doesn't serve at all, for instance, in instructing a slow child, to use the wisdom of the world which one has. Wisdom helps one in the case of a dull child, if one acquired the wisdom yesterday and used it in one's preparation. At the moment of instruction of the dull child, one must have the genius to be as slow as the child himself, and just have the presence of mind to remember the way in which one was wise yesterday, during the preparation. One must be able to be slow with the slow child, naughty, at least in feeling, with the naughty child, good with the good child, and so forth. As teacher one must be — I hope that this word will not arouse too great antipathy because it is directed too strongly towards thoughts or will impulses — one must really be a kind of chameleon, if one wishes to instruct rightly.
What many Waldorf teachers have, out of their genius, been able to do to increase discipline has pleased me very much. For example, a teacher is speaking about Jean Paul. The children start writing notes and passing them to each other. This teacher doesn't start reprimanding them; instead, he moves into the situation, and with great patience finds out what it's all about. He then dissolves the threatened disturbance with some instruction on postal affairs. That is more effective than any reminder. The note-writing stops. This result rests naturally upon a concrete grasping of the moment. But of course, one must have the presence of mind. One must know that sympathy and antipathy which one wishes to stir, sit more deeply in the human being than one is accustomed to think.
And so it is extraordinarily important, whenever the teacher has to deal with some chapter in class, that he first of all call up vividly into consciousness during the preparation how he himself approached this chapter when he was the same age as his children are, how he felt then, — not in order to become pedantic, of course, not in order when he treats it on the next day to succeed in feeling again as he once did! No, it is enough when this feeling is brought up during the preparation, when it is experienced in the preparation, and then it is a matter of working on the very next day with the knowledge of man just described.
Thus, also here, in teaching, it is a question of finding within ourselves the possibility of shaping the lecture-material which is part of one's teaching material, out of feeling.
How these things can work we can best become aware of, if we bring also the following before our soul's eye: whenever something of a feeling character is to work into what pulses through our lecture, then naturally we may not speak thoughtlessly, although thoughts do not really interest our listeners, and we may not lecture without will, albeit our will annoys them. We shall very often even want to speak in such a way that what we say goes into the will impulses of the people, that in consequences of our lecture our fellow-men want to do something. But we must not under any circumstances so organize the lecture that we bore the listeners through our thought content and arouse their antipathy through the will impetus we seek to give.
So it is a matter of establishing the thinking for the lecture, completely establishing it, as long as possible before we lecture; that we have beforehand absolutely settled the thought element within ourselves. This has nothing to do with whether we then speak fluently, or whether we speak haltingly. The latter, as we shall see, depends upon quite other circumstances. But what must, to a degree, work unconsciously in the lecture, is connected with our having settled the thought content within ourselves much, much earlier. The thought monologue which should be as lively as possible we must have rehearsed earlier, letting it take form out of the arguments for and against, which we ourselves bring forward during this preparation, anticipating all objections as much as possible.
Through this manner of experiencing our lecture in thoughts beforehand, we take from it the sting it otherwise has for the audience. We are, to a degree, bound to sweeten our lecture by having gone through the sourness of the logical development of the train of thought beforehand, — but, as much as possible in such a way that we do not formulate the lecture word for word. Of course, matters cannot be taken literally, — namely, that we have no idea of how we shall formulate the sentences when we begin to lecture. But the thought content must be settled. To have the verbal formulation ready for the whole lecture is something which can never lead to a really good lecture. For that already comes very near to having written the lecture down, and we need but to imagine that a phonograph instead of us stood there and gave it out automatically. When the lecture is given word for word, from memory, then is the difference between this and a machine that turns it out automatically even smaller than it is between a lecture read from a manuscript and the machine that turns it out automatically. Moreover, if we have formulated a lecture beforehand, so that it is worked out in such a way that it can be spoken by us verbatim, then we are indeed not differentiating ourselves very strongly from a machine by which we have recorded the lecture and then let it be played back. There is not much difference between listening to a lecture that is spoken word for word as it was worked out and reading it oneself, — aside from the fact that in reading one is not continually disturbed by the lecturer, as one is continually when listening to him deliver a lecture that he has memorized.
The thought preparation is experienced in the correct manner when it is carried to the point at which the thoughts have become absolutely part of oneself, and this all well before the lecture. One must be finished with what one would present.
To be sure, there are some exceptions for ordinary lectures which one delivers to an audience until then unknown to one. Whenever, before such an audience, one begins immediately with what one has to a degree worked out meditatively in thoughts, and speaks from the first sentence on under direct inspiration, if I may say so, then one does not do something really good for the listeners. At the beginning of a lecture one must make one's personality somewhat active. At the beginning of a lecture one should not immediately entirely extinguish one's personality, because the vibration of feeling must first be stirred.
Now, it is not necessary to proceed as did, for example, Michael Bernays, Professor of History of German Literature, at one time very famous in certain circles. He once came to Weimar to give a lecture on Goethe's Color Theory, and wanted to form his first sentences in such a way that certainly the feeling of the listeners would be engaged very, very intensively — but, to be sure, it happened quite otherwise than he had intended. He arrived in Weimar several days before the lecture. Weimar is a small city where one can go about among the people, (some of whom will be in the hall), and make propaganda for one's lecture. Those who hear about the lecture directly, tell others about it, and the whole hall is really “tuned up” when one delivers one's lecture. Now Prof. Michael Bernays actually went about in Weimar for several days and said: “Oh, I have not been able to prepare myself for this lecture, my genius will surely prompt me correctly at the right moment.” He was to deliver this lecture in the Recreation Hall in Weimar. It was a hot summer day. The windows had to be opened. And, directly in front of this Recreation Hall there was a poultry yard. Michael Bernays took his place and waited for his genius to begin suggesting something to him. For indeed, all Weimar knew that his genius must come and suggest his lecture to him. And then, at this moment, while Bernays was waiting for his genius, the cock outside began: cock-a-doodle-doo! Now every one knew: Michael Bernays' genius has spoken for him! — Feelings were strongly stirred. To be sure, in a different way from what he wanted. But there was a certain atmosphere in the hall.
I do not recount this in order to tell you a neat anecdote, but because I must call your attention to the following: the body of a lecture must have been so formed that it is well worked through meditatively in thoughts, and later formulated freely, — but the introduction is really there for the purpose of making oneself a bit ridiculous. That inclines the listeners to listen to one more willingly. If one does not make oneself a wee bit, ridiculous — to be sure, so that its not too obvious, so that it flows down only into the unconscious — one is unable to hold the attention in the right way when delivering a single lecture. Of course, it should not be exaggerated, but it will surely work sufficiently in the unconscious.
What one should really have for every lecture is this — that one has verbally formulated the first, second, third, fourth, and at most, the fifth sentences. Then one proceeds to the development of the material that has been worked out in the way I have just indicated. And one should have verbally formulated the closing sentences. For, in winding up a lecture, if one is a genuine lecturer, one should really always have some stage fright, a secret anxiety that one will not find one's last sentence. This stage fright is necessary for the coloring of the lecture; one needs this in order to captivate the hearts of the listeners at the end: — that one is anxious about finding the last sentence. Now, if one is to meet this anxiety in the right way, after one has perspiringly completed one's lecture, let one add this to all the rest of the preparation, that one bear in mind the exact formulation of the last one, two, three, four — at most, five — sentences. Thus, a lecture should really have a frame: The formulation of the first and last sentences. And, in between, the lecture should be free. As mentioned, I give this as a guiding principle.
And now perhaps, many of you will say: yes, but if one is not able to lecture just that way? One need not therefore immediately say that it would be so difficult, that one should not lecture at all. It is indeed quite natural that one can lecture a bit better or a bit worse, just so long as one does not let oneself be deterred from lecturing because of all these requirements: but one should make an effort to fulfill these requirements, at the same time as one makes such guiding principles as we develop here prevade all that he strives to do.
And there is indeed a very good means for becoming at least a bearable lecturer, even if at first one is no lecturer, even the opposite of a lecturer. I can assure you that when the lecturer has made himself ridiculous fifty times, that his lecture will come out right the fifty-first time. Just because he made himself ridiculous fifty times. And he for whom fifty times do not suffice, can undertake to lecture a hundred times. For one day it comes right, if one does not shy away from public exposure. One's last lecture before dying will naturally never be good if one has previously shied away from public exposure. But, at least the last lecture before one's death will be good if one has previously, during life, made oneself ridiculous an x number of times. This is also something about which one should really always think. And one will thus surely, without doubt, train oneself to be a lecturer! To be a lecturer requires only that people listen to one, and that one come not too close to them, so to speak; that one really avoid anything that comes too close to the people.
The manner in which one is accustomed to talk in social life when conversing with other people, that one will not find fitting to use when delivering a lecture in public, or generally speaking, to an audience. At most, one will be able to insert sentences such as one speaks in ordinary life only now and then. It is well to be aware that what one has as formulation of one's speaking in ordinary life, is, as a rule, somewhat too subtle or too blunt for a lecture to an audience. It just does not set quite right. The way in which one formulates one's words in the usual speaking, when addressing another person, varies; it always swings between being somewhat crude and, on the other hand, somewhat untruthful or impolite. Both must be entirely avoided in a lecture delivered to an audience, and, if used, then only in parenthesis, so to speak. Otherwise the listener has the secret feeling: while the lecturer begins to speak as one does in a lecture, suddenly he starts declaiming, or speaking dialoguewise, — he must intend either to offend us a bit or to flatter us.
We must also bring the will element into the lecture in the right way. And this can only be accomplished by the preparation, but by such preparation as uses one's own enthusiasm in thinking through the material, enthusiasm which to a certain extent lives with the material.
Now consider the following: first one has completed the thought content, made it one's own. The next part of the preparation would be to listen, so to speak, to oneself inwardly lecturing on this thought content. One begins to listen attentively to these thoughts. They need not be formulated verbatim, as I have already said, but one begins to listen to them. It is this which puts the will element into the right position, this listening to oneself. For while we listen to ourselves inwardly, we develop enthusiasm or aversion, sympathy or antipathy at the right places, as these responses follow what we wish to impart. What we prepare in this will-like way also goes into our wills, and appears during our lecturing in tone variation. Whether we speak intensively or more softly, whether we accentuate brightly or darkly, this we do solely as the result of the feeling-through and willing-through of our thought content in the meditative preparation.
All the thought content we must gradually lead over into the forming of a picture of the composition of our lecture. Then will the thinking be embedded in the lecture, — not in the words, but between the words: in the way in which the words are shaped, the sentences are shaped, and the arrangement is shaped. The more we are in a position to think about ‘the how’ of our lecture, the more strongly do we work into the will of the others. What people will accept depends upon what we put into the formulation, into the composition of the lecture.
Were we to come to them and say: “When all is said, every one of you who does not do his utmost in order to realize the Threefold Order tomorrow is a bad fellow” — that would annoy people. However, when we present the sense of the Threefold Order in a lecture that is composed in accordance with the nature of its content, that it is inwardly organized so that it is itself even a kind of intimate 'threefolding', and especially even if it is so fashioned that we ourselves are convinced of the necessity for the Threefold Order, convinced with all our feeling and all our will impulses — then this works upon the people, works upon the will of the people.
What we have done in the way of developing our thoughts, in order to make our lecture into a work of art, this affects the will of the people. What springs from our own will, what we ourselves want, what fills us with enthusiasm, what enraptures us, this affects more the thinking of the listeners, this stimulates them more easily in their thoughts.
Thus it is that a lecturer who is enthusiastic about his subject is easily understood. A lecturer who composes artistically will more easily stir the will of his listeners. But the main principle, the chief guide line must still be this: That we deliver no lecture that is not well prepared.
Yes, but when we are compelled to deliver a lecture on the so-called spur of the moment: when, for example, we are challenged and have to answer immediately; then we certainly cannot turn back in time to the preceding day when we brought the argument to mind, in order to meditate on its counter-argument — that cannot be done! And yet, it can be done! It can be done in just such a moment by being absolutely truthful. Or we are attacked by a person who accosts us in a terribly rude manner, so that we must answer him immediately. Here we have a strong feeling-fact at the outset! Thus, the feeling is already stirred in a corresponding way. Here is a substitute for what we otherwise use in order to experience with enthusiasm what we first represent to ourselves in thought. But then, if we say nothing else in such a moment except that we as whole man can say at each moment when we are attacked in this manner, then we are nevertheless prepared in a similar way in this situation too.
Just in such things it is a question of the unwavering decision to be only, only, only truthful and when the attack is not such that we are challenged to a discussion, then there are present, as a rule, all the conditions for understanding. ( About this I shall speak later.) It is then actually a question not of delivering mere lectures, but of doing something quite different, which will be particularly important for us if we wish to complete this course rightly. For indeed, in order to be active in the sense that I indicated today at the beginning, we shall have not merely to deliver lectures, but every man of us, and of course every woman, will also have to stand his ground in the discussion period, come what may. And about this, much will have to be said, in fact, very much.
Now I beg you above all, to look at what I have said today from the point of view that it indicates perhaps a bit the difficulty of acquiring the art of lecturing. But it is quite especially difficult when it is necessary not only to lecture, but even to have to lecture about lecturing. Just think if one were to paint painting, and sculpture sculpturing!
Thus, the task is not altogether easy. But we shall nevertheless try in some way to complete it within the next days.