Eurythmy as Visible Singing
GA 278
These eight lectures were given by Rudolf Steiner at Dornach in 1924. They are grouped and titled, Eurythmy as Visible Song/Music, and published in German as, Eurythmie Als Sichtbarer Gesang. Ton-Eurythmy-Kurs. This lecture series was translated by Alan Stott. Drawings in the text from the lecturer's backboard sketches, executed by Assja Turgenieff.
| Foreword | ||
| Translator's Preface and Acknowledgments | ||
| Acknowledgements | ||
| Pronunciation | ||
| Introduction to the Third English Edition | ||
| Rudolf Steiner on the Tone Eurythmy Lecture Course | ||
| Overleaf | ||
| I. | The Experience of Major and Minor | February 19, 1924 |
| II. | Experience and Gesture; the Intervals | February 20, 1924 |
| III. | Melodic Movement; the Ensouling of the Three Dimensions through Pitch, Rhythm and Beat | February 21, 1924 |
| IV. | The Progression of Musical Phrases; Swinging Over; the Bar Line | February 22, 1924 |
| V. | Choral Eurythmy | February 23, 1924 |
| VI. | The Sustained Note; the Rest; Discords | February 25, 1924 |
| VII. | Musical Physiology; the Point of Departure; Intervals; Cadences | February 26, 1924 |
| VIII. | Pitch (Ethos and Pathos), Note Values, Dynamics, Changes of Tempo | February 27, 1924 |