Faculty Meetings with Rudolf Steiner
GA 300a
14 June 1920, Stuttgart
Twelfth Meeting
A teacher reports about the independent religious instruction in the beginning and intermediate classes. They discussed verses from the mystery plays and “Cherubinischen Wandersmann” (Cherubic wanderer).
Dr. Steiner: It is important that you don’t ignore the children’s level of feeling. Can you give a concrete example?
A teacher: In the upper class, I had the children recite, “Let me peacefully act in you.…”
Dr. Steiner: Do you think the children can work with that? Yes, then you can continue with it.
A teacher: Perhaps we could divide the courses.
Dr. Steiner: That is certainly true. I think that if we divided the beginning class in two and left the upper class as it is, things would go well in all three groups.
That is, grades 1-3, 4-6 and 7-9.
A teacher reports that he had used three hours for the preparatory instruction for the Youth Festival.
Dr. Steiner: Isn’t that too much for the students? How many are there?
A teacher: Twenty-six.
Dr. Steiner: It will be difficult to say anything until we have seen a real success. It is certainly good to try that. If it is not successful, then we will need to see how we can do it differently.
A teacher reports about the course in social understanding. There were two hours per week in the sixth through eighth grades, and also some for fifth grade.
Dr. Steiner: Of course, the age from eleven to fifteen is difficult, but this is a separate class.
A teacher: We are also visiting factories.
Dr. Steiner: If you do this really livingly, make it lively, and connect it with all the questions about life that arise at that age, then things will work. I would try to see if the children have too much to do, and then try to connect things to life concretely wherever possible.
I believe the children may be overworked now, and that will, of course, certainly come out in some odd place. It would be a good idea not to have eight hours on one day.
I don’t understand why it is necessary to spend three hours preparing for the Youth Festival. Why wasn’t one hour sufficient? In such questions, the amount of time is not so important as the time available for them. It would, perhaps, be better if we could limit those things we can definitely limit. We could do that for those children attending the Youth Festival by dropping the independent religious instruction as such and connecting it with the preparation for the Youth Festival.
A question is asked about who may attend the Sunday services.
Dr. Steiner: That is certainly a problem. We had never thought that anyone other than the parents would attend. Of course, having begun in one way, it is difficult to set a limit. How should we do that? Why did you admit people who are not parents at the school? If we allow K. in, there is no reason we should send other members away. Where does that begin and where does it end? It’s mostly people who think this is just one more tea party. We have also had other disturbances by people from outside the school being at the school. The thing that disturbed me most was that people who have absolutely nothing to do with the school became involved in discipline. I certainly have nothing against strictly limiting the admission to the services to the parents, no siblings and no tea parties. We did not create that service for that. Now there are no limits. We should admit only the parents or those whom the faculty recognizes as moral guardians.
A teacher asks again about an older member in connection with the Sunday services.
Dr. Steiner: She should stay away. You need to make that clear to her in an appropriate way. That is the problem. The moment we allow someone in who has no child, it becomes difficult to draw the line. Where we need to make exceptions is in the Anthroposophical Society, or we simply leave it as it is.
A teacher: That has been impossible to do.
Dr. Steiner: The exceptions should perhaps only be for once or twice, but they grow.
A teacher: It should not be strictly a school affair. It is separate from the school.
Dr. Steiner: We hold the Sunday services within the context of the school. They are a part of the school in just the same way as, for instance, a class for a particular craft would be. That would also be something special that would be within the school, but not a part of the school. We can do things only in that way, otherwise we will have all these problems. I was recently asked if we could arrange to have a Sunday service in H. for their anthroposophical youth. At the present, when we are under attack from every direction, that is total nonsense. There are already such areas of attack, such as when Mr. L. stands up and conducts a service for the anthroposophical children. He has already received permission to observe our service. I would certainly deny any association with a Sunday service outside the school. It only makes sense if there are a number of children receiving religious instruction from an anthroposophical basis and there is a Sunday service in our school for these children. Thus, we would never admit someone from outside the school.
A teacher: Then we should leave it that way.
Dr. Steiner: We could leave things that way, but there are exceptions. It is difficult to understand how we could turn someone away when we say that Mrs. G. said they could come. Then we would have to turn away Mr. Leinhas, but he is a member of the Waldorf School Association. Eventually this will become a kind of right and will include everything connected to the school in any way.
A teacher: Can we include the wives of faculty members?
Dr. Steiner: Of course, we cannot admit them. If they have no children, they also have no right to it.
A teacher reports about the deportment lessons. An attempt was made to teach the children a soul diet. The children brought all kinds of gossip into school.
Dr. Steiner: It is unavoidable that the anthroposophical children hear things at home. That is not dangerous as long as the parents are reasonable. The healthy attitude of the parents will keep the children from becoming too wild, even though those things may go in deeply. The things we have often had to struggle against, such as those you mentioned about O.R. may arise because the parents talk about silly things.
You will have noticed that the instruction is bearing fruit. I would mention that particularly in critical cases, you have had good success with stories that have a particular moral. If you are certain a child has a specific kind of misbehavior, then you can think of a story in which that type of misbehavior becomes absurd. Even with very young children, you can rid them of their greed for sweets and such if the mother tells a story that makes that behavior absurd. If you think of something along the lines of the dog who goes over the bridge with meat in his mouth, that strongly affects the child and has a lasting effect. That is particularly true if you allow some time to go by between the misbehavior and telling the story. Generally, you can achieve more when the child has slept, and you return to the subject the next day. To take up the behavior immediately after it occurred is the worst thing. That sounds very theosophical, but it is also quite true.
It would also be a good idea if we, as the entire faculty, could take up individual children, or groups of children, who are a source of concern and speak about them. That seems to me to be something very desirable. It requires only that we give some interest to it.
This morning I asked about P.I. He has disappeared. You remember that his father had told me certain complaints he had. It would be a good idea if we could compare what is happening with the boy to what the father is complaining about. The father appears to be a rather useless complainer, always blaming things. I will talk with the boy. It seems to me that the father always complains and picks up small things that bother the boy. Then he expands them into fantasies so that the boy does things the father suggests. The boy certainly does not know what he wants to do.
That is a major problem in every school because it is so difficult to keep everything under control. Precisely in such questions, we must have complete clarity within the faculty about the individual students.
Some things are very interesting when you look at the statistics in detail. I have looked at all the classes. It is striking to me that there are very few children lacking in talent and also few who are gifted, but there are a large number of average children. One sign of that is that they are all making good progress. I always want to differentiate between progress as such and the content of the progress. It is possible that some things have not gone forward, but the tempo is good.
In the fourth grade, there are actually only two slow children and three who are not really moving along. However, the others, at least according to their writing, are sufficiently talented children. It is possible that there may be a number of pranksters, but those whom we have called such are actually gifted pranksters. That certainly hits the nail on the head.
All that relates to something else. When we raise the general level of morality, then things will even out. A characteristic of the Waldorf School students is that they are terribly jealous about their teachers. They only like their own teacher, and that is the one who does things right. That is certainly the case. But, on the other hand, although that has its good side, it also has a darker side. The main thing is not to pay too much attention to it. You shouldn’t feel flattered when you hear such things. That is readily apparent during class when Mr. A. is no longer a human being. The children see him almost as a saint.
Why shouldn’t the children laugh? That is more in keeping with the school. If you know anything, you will know the most important people were pranksters. If you connect that with life, you will see it has another aspect.
It would be good if they were not so loud. The fourth grade is terribly loud. But, we should not take these things so seriously. Morally, it is very significant if you have changed a child’s obtrusive characteristic. For instance, if you can achieve that the fourth grade is not so loud, or if you can break B.Ch.’s habit of throwing his school bag ahead of him. If you can change such an obvious characteristic, regardless of whether you view that as good or bad behavior. It has great moral significance if you can break the boys in the fourth grade from all that terrible yelling. I would say it is a question of general didactic efficiency, how far the speaking in chorus goes. If you develop it too little, the social attitude suffers. That is formed through speaking in chorus. If you go too far, the capacity to comprehend will suffer because that has a strongly suggestive force. When they speak as a group, the children will be able to do things they otherwise have no idea of. It is the same as with a mob in the street. The younger they are, the more they can fool you. It is a good idea to randomly request them to do the same thing again individually, so that each has to pay attention to what the other says. When you are telling a story, you can give some sentences and then let the children continue. You should do things I have done, for instance, when I said, “You there, in the middle row at the left end, continue on,” “You there in the corner, continue,” so that they have to pay attention and that you can make the children move along with you. Speaking in chorus too much leads to laziness. The tendency to shout in music confirms that.
Particularly in the fourth grade, you should pay attention to the intangibles. I am speaking of the very real intangibles that exist in the tension within the entire class. For example, there is the ratio between the number of girls and boys. I don’t mean you have to change that. You need to take life as it is, but you should at least try to pay some attention to such things. If I am not mistaken, in the fourth grade there is the highest ratio of boys to girls. It occurs to me that the physiognomy of the class is related to the ratio of boys to girls. In Miss Lang’s case, the situation is different. You should pay attention to such things. In Miss Lang’s class, there are significantly fewer boys than girls. Today, there were certainly twice as many boys in the fourth grade, twenty-five boys and eleven girls. In the sixth grade, there are twelve boys and nineteen girls. That is something you should certainly pay attention to, don’t you agree? The fifth grade is interesting for its balance. Today there were twenty-five to twenty-five. (Speaking to Dr. von Heydebrand) Today was certainly a good opportunity, because you had brought some very interesting material to the class. That is the proper way to bring anthroposophy. Such things are what we should pay attention to.
A teacher: I believe I have perceived a relationship between the phlegmatic children and a deep voice, the sanguine children and a middle tone, and a higher voice with the cholerics. Is that correct?
Dr. Steiner: That is certainly true with the first two. The question regarding the higher voices is rather interesting. In general, it is true that phlegmatics have lower voices and the melancholic and sanguine children, middle tones. The sanguine children are among the highest voices. The choleric children spread out over all three. There must be some particular reason. Do you thing that tenors are mostly choleric? Certainly on the stage. The choleric element spreads out everywhere.
A teacher: How can we have such differing opinions about the temperament of a child?
Dr. Steiner: We cannot solve that question mathematically. We can certainly not speak in that way. In judging cases that lie near a boundary, it is possible that one person has one view and another, another view. We do not need to mathematically resolve them. The situation is such that when we see and understand a child in one way or another, we already intend to treat it in a particular way. In the end, the manner of treating something arises from an interaction. Don’t think you should discuss it.
There is a further question about temperaments.
Dr. Steiner: The choleric temperament becomes immediately annoyed by and angry about anything that interrupts its activity. When it is in a rhythmic experience, it becomes vexed and angry, but it will also become angry if it is involved in another experience and is disturbed. That is because rhythm inwardly connects with all of human nature. It is certainly the case that rhythm is more connected with human nature than anything else and that a strong rhythm lies at the base of cholerics, a rhythm that is usually somewhat defective. We can see that Napoleon was a choleric. In his case, the inner rhythm was compressed. With Napoleon you will find, on the one side, something that tended to grow larger than he grew. He remained a half-pint. His etheric body was larger than his physical body, and thus his organs were so compressed that all rhythmical things were shoved together and continuously disturbed one another. Since such a choleric temperament is based upon a continuous shortening of the rhythm, it lives within itself.
A teacher: Can we say that one sense predominates in such a temperament?
Dr. Steiner: In cholerics, you will probably generally find an abnormally developed sense of balance (Libra) and an external display of that in the ear canal through an autopsy. The experience of rhythm, the sense of balance and sense of movement, the interaction of these, rhythmic experience. In sanguines (Virgo), in connection with the sense of balance and sense of movement, the sense of movement predominates. In the same way, in melancholics (Leo) the sense of life predominates and in phlegmatics (Cancer) the sense of touch predominates physiologically because the touch bodies are embedded in small fat pads. That is physiologically demonstrable.
Now, it is not so that the touch bodies transmit sense impressions. What occurs is a reflex action, just like when you compress a rubber ball and allow it to spring back. The little warts are there to transmit it to the I, to transmit the impression in the etheric body to the I. That is the case with each of the senses.
A report is given about the eurythmy instruction.
Dr. Steiner: The enthusiasm for eurythmy is somewhat theoretical. We always have the desire for the Eurythmeum before us, but we do not have enough rooms. If we did more tone eurythmy, we would want to have someone who played the piano. That might be necessary. We have until now done relatively little tone eurythmy. Miss X. started a children’s tone eurythmy group in Dornach and has been very successful with it. One thing we should take note of is that except for those older children who are more talented, the younger children more easily learn eurythmy, that is, they more easily develop their grace through it so that in fact eurythmy has been quite fruitful. With the older children, it is more difficult because they don’t want to get used to properly springing up, but the younger children learn it quite gracefully. It would never occur to people that having the younger children spread their legs is something ugly. It is certainly not ugly, but I am convinced that would never occur to them.
A teacher reports about gymnastics. Some children are cutting the class.
Dr. Steiner: We certainly have to ask if those children are avoiding gymnastics, or if they only want to sneak away to fool around.
A teacher: M.T. is very graceful in eurythmy, but outside he is clumsy.
Dr. Steiner: Just in his case, I can imagine he is avoiding things in order to do something else.
A teacher: He is lazy.
Dr. Steiner: Since he is fooling around so much, he is certainly very active. He is a very good boy.
A teacher makes a remark.
Dr. Steiner: In my opinion, it is very good that O.N. copies the writing. You can see that in marriages where the husband often writes like the wife or vice versa.
There is a report about working in the garden and shop class. There are difficulties with some children who are unsocial and lagging and don’t want to help each other.
Dr. Steiner: Are there many? We can hardly do anything else than put all of them together, give them a certain area so they are ashamed when they don’t get anything done. They need something that would be obviously complete so that they will be ashamed of themselves when they finish only a quarter. But not a hint of ambition. What I said does not count upon ambition, but upon shame. We could also form a group that looks at what they have done in the presence of the children and brings some dissatisfaction to expression. I think that if Mrs. Molt and Mr. Hahn were called upon to look at what he did, then M.T. would certainly decide to work in order not to cause any words of displeasure. Another method would be that you take those children and keep them close to you during class, but that is difficult to do. We must make them feel ashamed when they do not finish. I would not arouse the feeling of ambition, but of shame.
A teacher asks if it might be possible to form a bookbinding shop.
Dr. Steiner: I am not certain if that is consistent with the school. Bookbinding is something normally contained in the curriculum for the continuing education school. We could, however, try binding. Is there someone here who could take up such a course for the continuing education school? One or two perhaps, since we can certainly develop bookbinding as an artistic craft. We had no transition from those beautiful old volumes, which are slowly disappearing, to these monstrous modern volumes. The things made now are mostly just trash. It is always intriguing to accomplish something through artistic craft. What are made today are really not books. We should make books again. That is something that falls within the realm of the crafts in the continuing education school.
As such, it is a simple job, but we certainly could accomplish something. Of course, we will need to master the technique. That would give the children something to improve upon. I mean, for instance, when it comes to gold leafing, there is certainly much that can be improved. What they need to learn is relatively simple, though. It is simply practice.
A teacher: I am not certain I could take that over.
Dr. Steiner: This is a question we must discuss in connection with the continuing education school.
A teacher: Should I give a few lessons in my class?
Dr. Steiner: Then we would come into the question of subject teachers. That is something we must avoid as long as we can. As long as someone is there who can do it properly, then that will do. A teacher: Two periods a week for handwork are not enough. Could we increase the number of hours?
Dr. Steiner: I notice that there is considerable ability in the handwork class. As soon as the Waldorf School Association provides us with many millions, we will be able to have many rooms and employ many teachers. Now we can hardly add more work time. We must accomplish everything else by dividing classes. Two hours per week should be sufficient. We must divide the classes and then that is only one hour.
A teacher: Should we take the boys and girls separately?
Dr. Steiner: I would not do that. I would prefer to begin by dividing the whole class into two halves. You let the boys do things other than knit in handwork, don’t you? The girls, of course, also. Nevertheless, I would not do it. I would not begin separating the boys and the girls. We need to find another solution.
A teacher: Should the preschool be like a kindergarten?
Dr. Steiner: The children have not started school yet. We cannot begin teaching them any subjects. You should occupy them with play. Certainly, they should play games. You can also tell stories in such a way that you are not teaching. But, definitely do not make any scholastic demands. Don’t expect them to be able to retell everything. I don’t think there is any need for an actual teaching goal there. We need to try to determine how we can best occupy the children. A teaching goal is not necessary. What you would do is play games, tell stories, and solve little riddles.
I would also not pedantically limit things. I would keep the children there until the parents pick them up. If possible, we could have them the whole day. If that is possible, why not? You could also try some eurythmy with them, but don’t spoil them. They shouldn’t be spoiled by anything else, either. As I said, the main thing is that you mother the children. Don’t be frivolous with them. You would not want to do anything academic with them. You can essentially do what you want.
In playing, the children show the same form as they will when they find their way into life. Children who play slowly will also be slow at the age of twenty and think slowly about all their experiences. Children who are superficial in play will also be superficial later. Children who say that they want to break open their toys to see what they look like inside will later become philosophers. That is the kind of thinking that overcomes the problems of life. In play, you can certainly do very much. You can urge a child who tends to play slowly, to play more quickly. You simply give that child games where some quickness is necessary.
There is a question about speaking in chorus.
Dr. Steiner: You can certainly do that. You can also tell fairy tales. There are many fairy tales you should not tell to six-year-olds. I don’t mean the sort of things that the Ethical Culture Association wants to eliminate, but the stories that are simply too complicated. I would not have the little children repeat the tales. However, if they want to tell something themselves, then listen to it. That is something you will have to wait on and see what happens.
A teacher asks about student reports.
Dr. Steiner: We spoke about that already. You will need to emphasize some things, but not pedantically. You should try to have a little bit of personal history at the beginning, and then go into each child individually. For instance, you could write something like, “E. reads well and speaks interestingly,” and such things, so that you create the text yourself. You create a sentence freely written in which you emphasize what is otherwise simply a subject. You may need to speak about all subjects, but perhaps not. I would print the report form so that it has only the heading, “Independent Waldorf School, Yearly Report for …” and then leave room for you to write.
Each of you will describe a student in your own way. If more than one teacher has had the child, then each should write something. It would, however, be preferable if the various statements were not too contradictory. For example, one of you says, “He reads quite well,” and another says something that supports that. The best is that the class teacher begins the description of the child and the others go from there. It certainly will not do if the class teacher writes, “He is an excellent boy,” and then someone else writes, “He is really a terror.” You will have to put things together.
A teacher asks about the reports from the religion teachers.
Dr. Steiner: Well, they will have to write their two cents worth, also. We must also include the religion teachers. Here, they will have to control themselves, or they won’t be able to write anything.
A teacher: Do we need to have the parents sign the reports?
Dr. Steiner: I would simply have an introduction that says that those parents who want to have their children return the following year should sign the report. If the children are not returning, then we don’t need to do anything, but if they are, the parents should sign it. We made it through without any midyear reports. Do the parents want a midyear report?
Yes, the children will simply report and bring their report cards. They will receive them again at the end of the year when the report is already a booklet. It can certainly be a booklet, but perforated. Suppose at the beginning a child is not very good, then you could write a criticism. Perhaps later the child is better and would want to have the previous report removed. The booklet can be perforated.
Then you can write something that is not praise. You cannot give these two children reports that say their writing was very good, but you could phrase it in a way that describes how well the child writes without criticism. With little M., I would write, “He has not accomplished more than copying simple words. He often adds unnecessary strokes to the letters.” Describe the children.
Another question is asked.
Dr. Steiner: We hold the child back. I would only differentiate between those moving on to the next class, and those we have determined will go into the remedial class if they return. I don’t want to keep children back. In the case of these two children, they came only after Christmas. Now that we have the remedial class, it is possible to place those children who will be unable to meet the goals of the class into the remedial class; for example, those who are slow learners. It is not a good idea to begin failing the others. We should have held them back when they began school. It would certainly be preferable not to fail children. I don’t see how we could do that. In your class, there are at most three others who might be held back, aside from those two who we could place in the remedial class. For now, you will have to bring them along by not excessively praising them, but also not criticizing. Simply state that they have not quite reached the goals of the class. It was our responsibility to place the children in the proper classes when they entered the school. It would not be wise to fail them. It is important that we discuss H. and how we will treat her. We had to put her in the third grade; after we promised that, we had to put her there. In general, we should not keep the children the entire year, especially those who come from other schools, and then let them fail. But, now they are in this situation. The children we need to carry along are really not so bad, but we should never put a child into a class that is too advanced.
A teacher: How should we place children from other schools? Should we go according to their age, or is there some other way?
Dr. Steiner: In the future, when the children come at the age of six and go through all the grades, then this will no longer happen. For now, we must attempt to put the children in the grade that is appropriate for them, both according to their age and to their ability.
A teacher asks if a child can be placed in the remedial class.
Dr. Steiner: I don’t think that is possible. Particularly in the first grade you should not go too far in separating children into the remedial class. I have seen the child, and you are right. But, on the other hand, not so very much is lost if a child still writes poorly in the first grade. If we can do it, it would be very good for all of the children like that if we could do the exercises I discussed previously with you.
If you have her do something like this (Dr. Steiner indicates an exercise): Reach your right hand over your head and grasp your left ear. Or perhaps you could have her draw things like a spiral going inward, a spiral going to the right, and another to the left. Then she will gain much. You need exercises that cause the children to enter more into thinking.
Then we have writing. There are some who write very poorly, and quite a number who are really first class. The children will not improve much when you want to make them learn to write better by improving their writing. You need to improve their dexterity; then they will learn to write better.
I don’t think you will be able to accomplish much with your efforts at improving bad handwriting simply by improving the writing. You should attempt to make the children better in form drawing. If they would learn to play the piano, their writing would improve. It is certainly a truism that this really poor handwriting first started when children’s toys became so extraordinarily materialistic. It is terrible that such a large number of toys are construction sets. They really are not toys at all because they are atomistic. If a child has a simple forge, then the child should learn to use it. I wish that children had toys that moved. This is all contained in Education of the Child. The toys today are terrible, and for that reason the children learn no dexterity and write poorly.
It would be enough, though we can’t do this at school, if we had those children who write poorly with their hands, draw simple forms with their feet. That has an effect upon the hand. They could draw small circles or semicircles or triangles with their feet. They should put a pencil between their toes and draw circles. That is something that is not easy to do, but very interesting. It is difficult to learn, but interesting to do. I think it would be interesting also to have them hold a stick with their toes and make figures in the sand outside. That has a strong effect upon the hands. You could have children pick up a handkerchief with their feet, rather than with their hands. That also has a strong effect. Now, I wouldn’t suggest that they should eat with their feet. You really shouldn’t do this with everything. You should try to work indirectly upon improving handwriting, developing dexterity in drawing and making forms. Try to have them draw complicated symmetrical forms. (Speaking to Mr. Baumann) Giving them a beat is good for developing reasoned and logical forms.
A teacher asks about writing with the left hand.
Dr. Steiner: In general, you will find that those children who have spiritual tendencies can write without difficulty as they will, left or right-handed. Children who are materialistically oriented will become addled by writing with both hands. There is a reason for right-handedness. In this materialistic age, children who are left-handed will become idiotic if they alternately use both hands. That is a very questionable thing to do in those circumstances that involve reasoning, but there is no problem in drawing. You can allow them to draw with either hand.
A teacher asks if they can tell fairy tales where bloody things occur.
Dr. Steiner: If the intent of the fairy tale is that the blood portrays blood, then that is inartistic. The significant point in a fairy tale is whether it is tasteful or not. No harm is done if there is blood in it. I once mentioned to a mother that if she absolutely avoided mentioning blood when she told her children fairy tales, they would become too tender. Later, they would faint when seeing a drop of blood. That is a deficiency in life. You shouldn’t make children incapable of facing life by setting up such a rule.
A teacher asks about L.G. in the third grade. She is nervous and stutters.
Dr. Steiner: It would help if you made up some exercises. I am uncertain whether we have any sentence exercises with k and p. You should have her do those and walk at the same time, and then she would also be able to say those sentences. It would also be a good idea for her to do k and p in eurythmy. However, don’t take such things too seriously because they usually disappear later in life.
A teacher asks about E.M. in the fifth grade, who also stutters.
Dr. Steiner: Yes, didn’t you present her to me before? I must have seen her. You will need to know what the problem is, whether it is organic or lying in the soul. It could be either. If it is a problem in the soul, then you could have her do specially formulated sentences. If it is an organic problem, then you would need to do something else. I will need to take a look at her tomorrow.
A teacher asks about A.W. in the fifth grade. He adds titles to his name and underlines “I.”
Dr. Steiner: That is a criminal type. He might become a forger. He has a clear tendency toward criminality. He can write much better. Clearly a criminal type. You will need to undertake a corrective action with his soul. You will have to force him to do three (not recorded), one after the other. I will take a look at him tomorrow. His father is infantile.
A teacher asks about a closing ceremony.
Dr. Steiner: I would make the closing ceremony such that, assuming I will be there, I would speak, then Mr. Molt, and then all of the teachers. We should make a kind of symphony of what we have to say to the children. There should be no student presentations. They can do that in the last monthly festival. We could review the past school year and then look toward a summer vacation that will awaken hope, then give a preview of the next school year. That is what I think.
A teacher mentions a woman who intends to make a film about the Waldorf School and three-folding.
Dr. Steiner: I don’t have any idea what to do here. If, for example, someone wants to photograph the buildings, that will certainly hurt nothing. There is nothing wrong with that. If she wants to make a film publicizing the Waldorf School, we would have nothing against showing that publicly, since it is not our responsibility. Our responsibility is that the Waldorf School be properly run. We are not responsible for what she photographs any more than you are responsible for what occurs if you are walking along the street and someone offers you a ride. We can tell her we will do what we can do, but there is nothing we can do. She may want to photograph the eurythmy lessons. I did that in Dornach, but it was not very good. That is a technical question. I don’t think much will come of it. She wants to film the three-folding? I was thinking, why shouldn’t the film contrast something good with something bad? We certainly can have no influence if she creates a scene in the film where two people speak about the Waldorf School, but we do not need to let her into the classrooms. She can certainly not demand that we allow her to photograph anything more than a public eurythmy performance by the children. Since she wants to publicize eurythmy, that would be her contribution to the members’ work. It is rather senseless if she wants to film the classes. She could film any school, there is nothing particular to see. She could, for example, record that terrible yelling in the fourth grade.
It would certainly not be proper to suppress offhandedly, due to false modesty, somebody who wants to publicize three-folding and the school. It would be better if we could hinder everything that is tasteless, but, due to false modesty, I would be hesitant to hinder anything. We have much interest in making the school as perfect as possible, but there is certainly nothing to be gained by preventing someone from photographing it. If she had set up and filmed my lecture, what could I have done against that?
A question is asked regarding the trip to Dornach for the First Class of the Anthroposophical University of Spiritual Science (Sept. 26–Oct. 16, 1920).
Dr. Steiner: Well, you see, those things are not so easy. We want to have a course this fall where various people present lectures. We have invited Stein and Stockmeyer, and it would, of course, have been nice if many could come. But, finding lodging in Dornach is just as difficult as in Stuttgart. It is not so easy to invite people, the exchange problems, and so forth. It is, however, possible, if the exchange problems are resolved by then, that we could find room for a number of people. My desire is that everyone coming from the Entente will pay for two others coming from Central Europe. However, that does not need to be too cozy. We could do it as we did for the physicians’ course, that would be possible. However, you need to remember that we don’t have rich people in Dornach and Basel.
A teacher remarks that there are also difficulties in obtaining a visa.
Dr. Steiner: Generally, when people travel to Switzerland for vacation, they can obtain a visa. You only need to be careful that you are not going for another reason. You cannot travel in Switzerland in order to earn money. We are treated terribly there. Now they allow people to move there so that they will pay taxes. Otherwise, you cannot. We are being hit very hard. That is one of the major problems we have with the Goetheanum. If there is not another attitude toward the Goetheanum, people outside Switzerland will soon be unable to visit it.
There was some discussion about reproductions of the paintings in the cupola of the Goetheanum.
Dr. Steiner: What was painted in color in the cupola needs to be understood from the colors. If you reproduced it photographically, you could achieve something only if you enlarged it to the same size as in the cupola. It is just not something we can reproduce simply. The less the pictures correspond to those in the cupola, the better it is. Black and white only hints at something. It cries for color. I would never agree with those inartistic reproductions. They are only surrogates. I do not want to have any color photographs of the cupola paintings. The reproductions should not stand by themselves. I want to handle that so that what is not important is what is given.
It is the same with the glass windows. If you attempted to achieve something through reproductions, I would be against it. You should not attempt to reproduce such things exactly. It is not desirable that you reproduce a piece of music through some deceptively imitative phonograph record. I do not want that. I do not want to have a modern, technical human being. The way these paintings appear in the reproductions never reproduces them. The reproductions contain only what is novel, not what is important. You then have a feeling that this or that color must be there. That reminds me of something you can find in The Education of the Child—namely that you should not give children beautifully made dolls, but only those made from a handkerchief.
Zwölfte Konferenz
Am Vortag hatte Steiner eine Begegnung mit einigen Kollegen der Schule (Herbert Hahn, Paul Baumann, Eugen Kolisko, Karl Stockmeyer und Walter Johannes Stein) zur Frage, wie man die Dreigliederungsbewegung neu gestalten könne. Drei Tage später wurde in Dornach in Abwesenheit Steiners das Schweizer Gegenstück zum deutschen «Kommenden Tag», die «Futurum AG», begründet.
Die Konferenz wurde in zwei Teilen gehalten und ging bis nach Mitternacht.
Themen: Vorbereitung zur Jugendfeier. Wer darf bei den Sonntagshandlungen zugegen sein? Die sinnige Geschichte. Über die verschiedenen Begabungen der Schüler. Der Anfangsmoment der Kinder- und Schülerbetrachtung als eine Aufgabe der Konferenz. Die Temperamente im Zusammenhang mit den unteren Sinnen. Das Wesen des kindlichen Spieles. Über Stottern. Zeugnisse. Anstandsunterricht. Schreiben mit den Füßen, Linkshändigkeit. Abschlussfeier. Grausamkeiten in Märchen. Filmaufnahmen in der Schule.
Bemerkungen: Die Ausführungen zu den Temperamenten im Zusammenhang mit den unteren Sinnen und mit den Tierkreiswirkungen sind in der Waldorfpädagogik ein Feld, das der Erforschung harrt.
Diese Konferenz bot das Novum der «sinnigen Geschichte»: statt zu strafen, sollte man am nächsten Tag das fehlerhafte Verhalten in einem Bilde darstellen, ohne Namensnennung.
Trotz Steiners Aufforderungen, mit «Lausbubereien» originell und nicht strafend umzugehen, waren die Lehrer damit überfordert. Paul Baumann bekam den Auftrag, «Anstandsunterricht» einzuführen. Bedacht muss werden, dass die Schüler vier Jahre Krieg hinter sich hatten. Auch 1920 war die Versorgungslage noch prekär, es gab bedeutende Ernährungsdefizite.
Vorsitz: Johannes Geyer.
HERBERT HAHN: berichtet über den freien Religionsunterricht auf der untersten und der zweiten Stufe. Verse aus den Mysteriendramen und aus dem «Cherubinischen Wandersmann» sind besprochen worden.
RUDOLF STEINER: Es kommt darauf an, dass man nicht die Empfindungsreife der Kinder außer Acht lässt. Können Sie ein konkretes Beispiel sagen?
HERBERT HANN: [Auf der] Oberstufe [habe ich] sprechen lassen: «Lass mich ruhend in dir wirken ...»
RUDOLF STEINER: Haben Sie gefunden, dass die Kinder etwas daraus machen können? Ja, dann kann man es ja weiter versuchen.
HERBERT Hann: Man könnte die Kurse [vielleicht] gliedern.
RUUDOLF STEINER: Ja, das ist gewiss [so]. Ich meine aber auch da, wenn die untere Stufe geteilt wird in zwei und die obere Stufe beibehalten wird, dann geht es in drei Gruppen. [Also 1.-3., 4.-6., 7.-9. Klasse].
HERBERT HANN berichtet über den Vorbereitungsunterricht zur Jugendfeier, für den er drei Stunden verwendete: [Ich habe] eine Stunde verwendet zur Durchnahme dessen, was in der Theosophie steht. Und dann das, was zusammenhängt mit Reinkarnation und Schicksal. In der zweiten Stunde habe ich durchgenommen, was zusammenhängt mit «Wie erlangt man Erkenntnisse der höheren Welten?». Da wurde ausgegangen vom Grundsatz, dass heute allgemein üblich ist das «nil admirari» und dass man dem gegenüberstellen müsse ein «in omnibus omnino quidquid admirari». In der dritten Stunde das Johannes-Evangelium.
RUDOLF STEINER: Ist das nicht eine Überlastung der Schüler? Wie viele sind da?
HERBERT HANN: Sechsundzwanzig.
RUDOLF STEINER: Man wird schwer darüber etwas sagen können, bis man einen richtigen Erfolg hat. Es ist durchaus gut, das einmal zu versuchen. Sollte es nicht gelingen, so wollen wir [sehen], wie es anders zu machen ist.
HERBERT HANN berichtet über den Unterricht in sozialer Erkenntnis: Zwei Wochenstunden [mit der] 6. bis 8. Klasse und einigen von der 5. Klasse, wobei ich bemerken muss, dass die Frage auftauchte, ob man die Schüler dabeibehalten muss. Es zeigt sich aber, dass sie zu stark ins Intellektuelle hereinkommen.
RUDOLF STEINER: Es ist natürlich eine Schwierigkeit, das elfte bis fünfzehnte Jahr, aber das ist ein Unterricht abseits vom Übrigen.
HERBERT HANN: Wir besichtigen auch Fabriken.
RUDOLF STEINER: Wenn man es richtig lebendig, lebensvoll macht, an allerlei Lebensfragen gerade in diesem Alter anknüpft, dann wird es gehen.
HERBERT HANN: Sie kommen häufig nach der Stunde und zwischen den Stunden und fragen.
RUDOLF STEINER: Ich würde versuchen, zu sehen, ob die Kinder nicht zu viel haben, und dann versuchen, möglichst ans konkrete Leben anzuknüpfen.
Ich glaube, dass die Zeit der Kinder zu stark beansprucht ist. Natürlich kommt in einer Ecke die Überlastung heraus. Es wäre gut, nicht acht Stunden zu haben an einem Tage.
Das macht keinen Unterschied in Bezug auf die Ermüdung.
Ich kann nicht einsehen, warum man drei Stunden braucht, um die Jugendfeier vorzubereiten. Warum sollte nicht eine Stunde genügen? Es kommt gerade bei einer solchen Sache nicht auf die Menge an, sondern auf den ganzen Zeitraum, in dem das Ganze gehalten ist. Es wäre vielleicht besser, wenn man diese Dinge, die ganz entschieden eingeschränkt werden können, wenn man die einschränken würde. Man könnte das tun, dass man für diejenigen, die vor der Jugendfeier stehen, ausfallen lässt den Religionsunterricht und ihn verbindet mit der Vorbereitung für die Jugendfeier.
Es wird eine Frage gestellt wegen der Zulassung zur Sonntagshandlung.
RUDOLF STEINER: Es ist tatsächlich eine Schwierigkeit. Das war nicht gedacht, dass jemand anderer kommen sollte als die Eltern. Natürlich, wenn man einmal anfängt, dann ist es schwer, eine Grenze zu ziehen. Wie soll man das machen? Was war der Grund, dass man Nichteltern zugelassen hat? Es liegt kein Grund vor, wenn man [den] Krebs hereinlässt, warum man andere Mitglieder zurückweist. Wo fängt das an, wo hört das auf? Die Tanten kommen ja überhaupt. Es sind schon andere Störungen vorgekommen durch Fremde im Gange des Schulwesens. Ich war am meisten betroffen, als sich die Leute, die die Schule nichts angeht, in die Disziplin hineinmischten. - Ich habe nichts dagegen, wenn die Zulassung zur Handlung streng auf die Eltern beschränkt wird. Geschwister und Tanten auch nicht.
Zwischenruf: Fräulein Bethe kommt auch!
RUDOLF STEINER: Dazu haben wir diese Feier nicht eingerichtet. Es hat keine Grenze.
EMIL MOLT: Ich bin auch der Meinung, dass man radikal vorgehen kann; nur die Eltern oder die, die anerkannt werden können durch die Lehrerschaft als [moralische] Vormünder.
EMIL MOLT fragt noch einmal wegen der Sonntagshandlung, betreffend Helene Röchling.
RuDorF STEINER: Die wird gern wegbleiben; ihr braucht man das nur in entsprechender Weise klarzumachen. Das ist die Schwierigkeit: In dem Augenblick, wo wir jemanden hineingelassen haben, der kein Kind hat, da ist die Grenze schwer zu ziehen. In der Anthroposophischen Gesellschaft, da ist die Stätte, wo Ausnahmen sein müssen. Oder man lässt es so, wie es ist.
EMIL MOLT: Das hat sich eben als unzuträglich ausgestaltet.
RUDOLF STEINER: Diese Ausnahmen sind vielleicht für ein- bis zweimal durchzuführen, aber sie wachsen.
EMIL MOLT: Eine reine Schulangelegenheit soll es ja nicht sein; es ist ja losgelöst von der Schule.
RUDOLF STEINER: Die Sonntagshandlung ist etwas im Rahmen der Schule Liegendes. Eine Einzelheit innerhalb der Schule, geradeso als wenn wir sagen würden, wir richten meinetwegen einen Unterricht für ein bestimmtes kunstgewerbliches Fach ein. Das wäre auch eine Spezialsache, die im Rahmen der Schule darin sein könnte, die nicht eine allgemeine Schulangelegenheit ist. Wir können es nur so halten, sonst kommen eben diese Dinge. Ich wurde gefragt in den letzten Tagen, wie man das machen kann, dass in Heidenheim eine solche Sonntagsfeier für die anthroposophische Jugend eingerichtet wird. Also das ist in der gegenwärtigen Zeit, wo die Angriffe aus allen Ecken herauspfeifen, so unsinnig wie möglich gehandelt. Das sind ja Angriffsmomente, wenn sich Herr Meebold hinstellt und für die anthroposophischen Kinder eine Kultushandlung vollzieht. Er hat sich schon die Erlaubnis geholt, um es sich anschauen zu können. Das würde ich ganz entschieden verleugnen als etwas, womit ich etwas zu tun haben sollte, was außerhalb des Rahmens der Schule als eine Sonntagsfeier [eingerichtet würde]. Es hat nur einen Sinn dadurch, dass in unserer Schule eine Anzahl Kinder einen Religionsunterricht auf anthroposophischer Grundlage hat, und für diese Kinder ist diese Sonntagsfeier. Sodass niemals zugelassen werden könnte - es könnten andere Kinder zugelassen werden -, es kann aber niemals jemand zugelassen werden, der nicht in der Schule ist.
EMIL MOLT: Dann muss es dabei bleiben.
RUDOLF STEINER: Man kann es so lassen, wie es ist; dann sind Ausnahmen da, aber es ist im Grunde genommen nicht einzusehen, wie man jemand anderes abweisen soll, wenn man Frau Röchling sagt, sie darf kommen. Dann müsste auch Leinhas abgewiesen werden, er ist aber im Waldorfschulverein. Das würde ja eventuell eine Art von Rechtstitel sein. Alles das, was zur Schule gehört; das Lehrerkollegium, das sind ja auch nicht Leute, die keine Kinder haben.
KARL STOCKMEYER: Können die Frauen der Lehrer zur Schule gerechnet werden?
RUDOLF Steiner: Die können natürlich nicht zugelassen werden, sonst könnten ja auch die Kinder der Lehrer zugelassen werden. Wenn sie aber keine Kinder haben, so haben sie auch keinen Rechtstitel.
PAUL BAUMANN berichtet über den Anstandsunterricht: Ich habe da versucht, den Kindern eine Diätetik der Seele beizubringen. Ich habe durch Rhythmus und Sprachklang etwas erzeugen wollen. In den unteren Klassen habe ich gesprochen, in den höheren auf Zusammenhänge hingewiesen.
Im Folgenden ist die Textüberlieferung fragmentarisch und daher unverständlich. Es war offenbar alles mögliche Geschwätz durch Schüler in die Schule hineingetragen worden.
RUDOLF STEINER: [...] Nun ist es nicht zu umgehen, dass die Anthroposophenkinder zu Hause etwas aufschnappen. Das ist ungefährlich, wenn die Eltern selbst vernünftig sind. Selbst wenn es tief hineingeht, so ist durch die gesunde Gesinnung der Eltern schon ein Mittel gegen das Überschnappen der Kinder da. Solche Dinge, die wir oft genötigt waren zu bekämpfen, wie die, welche Sie angeführt haben von O. W., die rühren auch davon her, dass die Eltern unsinniges Zeug reden.
Sie werden bemerkt haben, dass der Unterricht seine Früchte trägt. Ich würde nur bemerken, dass namentlich in kritischen Fällen man sehr guten Erfolg mit Erzählungen hat, die einen ganz bestimmten Gang nehmen. Wenn man sicher konstatiert hat, dass ein Kind eine Unart hat, denkt man eine Erzählung aus, in der sich diese Unart durch das, was geschieht, schicksalsmäßig ad absurdum führt. Sogar bei ganz kleinen Kindern ist es schon gelungen, Genäschigkeit und solche Sachen einfach dadurch, dass die Mutter solche Erzählungen gebildet hat, sich selbst ad absurdum führen [zu lassen]. Etwas Ausgedachtes, wozu das Kind, wenn es so etwas verübt - nach dem Muster des Hundes, der mit dem Fleisch im Maul über die Brücke geht -, das ist etwas, was stark wirkt auf das Kind, [das] so etwas verübt [hat], und anhaltend wirkt, namentlich wenn man im konkreten Falle ein bisschen Zeit verfließen lässt zwischen dem Begehen der Handlung und dem Heranbringen der Erzählung. In der Regel erreicht man mehr, wenn das Kind geschlafen hat, und man am nächsten Tage frühestens darauf zurückkommt, und dann verhandelt. Das Beschäftigen unmittelbar nach dem Ertappen, das ist das Schlechteste. Das ist etwas, was sehr theosophisch ist, aber was einfach wahr ist.
[Dann] wäre es sehr gut, wenn durchgeführt werden könnte, dass auch die einzelnen Kinder als solche, sei es gruppenweise [oder] ganz individuell, gewissermaßen ein Gegenstand der Sorge des ganzen Kollegiums werden [könnten], [dass man sich über die ausspricht]. Das scheint mir etwas, was ganz wünschenswert wäre. Das erfordert nur, dass man der Sache etwas Interesse zuwendet.
Ich fragte heute Morgen um den F. K., er ist mir entschwunden. Also nicht wahr, da hat mir der Vater gewisse Klagen vorgebracht. Nun wäre es gut, wenn man das, was bei dem Jungen ist, vergleichen könnte mit dem, was der Vater klagt. Denn der Vater scheint in diesem Falle ein ziemlich unnützer Kläger zu sein, schultheißenhaft sich zu verhalten. Ja, ich werde mit dem Jungen reden. Mir scheint, dass der Vater ein unnützer Kläger ist, der allerlei Dinge, Kleinigkeiten, die der Junge ausfrisst, phantastisch ausgestaltet, sodass der Junge die Sachen macht, die der Vater suggeriert. Das weiß er sicher nicht, was er will. In welchem Zweig ist er?
Antwort: [Im] Völker-Zweig.
RUDOLF STEINER: Das bildet in jeder Schule ein Hauptkapitel, weil das so schwer zu regeln und zu beherrschen ist. Gerade über solche Dinge müsste vollständige Klarheit herrschen in dem größten Teil der Lehrerschaft, [über] die einzelnen Schüler.
Gewisse Dinge sind interessant, wenn man die Statistik etwas gründlich betrachtet. Ich habe alle Klassen gesehen. Mir tritt das stark hervor, dass nur wenige ganz unbegabt sind, genialisch auch nicht, aber [viele] mittlere, nicht schlecht Veranlagte. Ein Beweis dafür ist das, dass die Fortschritte gut sind. Ich will immer unterscheiden zwischen Fortschritten als solchen und dem Inhalt des Fortschritts. Es kann ja sein, dass man manches nicht so vorwärtsgebracht hat; das Tempo ist ein gutes.
In der 4. sind eigentlich im Grunde genommen nur die zwei wenig begabt, dann drei so halb, die nicht zurechtkommen, während die anderen nach ihrem Schreiben wünschenswert begabte Kinder sind. Es mag sein, dass viele Lausbuben sind, aber zum Beispiel diejenigen, die als Lausbuben bezeichnet worden sind, sind so, dass sie begabte Lausbuben sind; das ist etwas, was den Nagel auf den Kopf trifft.
Das hängt mit einer anderen Erscheinung zusammen. Das wirkt, wenn so sich im Allgemeinen die Moral hebt, werden die Dinge sich ausgleichen. Es ist ein Charakteristikum der Waldorfschüler, dass sie furchtbar eifersüchtig sind [auf ihre Lehrer], dass sie nur an den eigenen Lehrern ein gutes Haar lassen, dass gerade die das Richtige machen. Das ist ein tatsächlicher Fall. Nun, nicht wahr, das hat seine guten Seiten und auch seine Schattenseiten. Die Hauptsache dabei ist, dass man nicht allzu viel darauf gibt. /Zu Herrn Baumann]: Sie sind der Einzige, über den ich es nicht gehört habe. «Der hat sich sogar einen Spiegel gekauft, damit er uns sehen kann.» [Das hatten die Kinder gesagt, als sich Baumann im Eurythmiesaal einen Spiegel über das Klavier gehängt hatte.] Man soll sich nicht geschmeichelt fühlen, wenn das zurückstrahlt. Es macht sich auch im Gehaben des Unterrichtes klar. Herr Hahn ist schon kein Mensch mehr, sie betrachten Sie fast als einen Heiligen.
Warum sollen die Kinder nicht lachen? Sie sind mehr im Rahmen der Schule. Wer viel kennt, der weiß, dass die bedeutendsten Menschen Lausbuben waren. Wenn man es im Zusammenhang des Lebens nimmt, hat es einen anderen Aspekt.
Wenn sie ein bisschen weniger schreien könnten, das wäre gut. Die 4. Klasse schreit fürchterlich. Das sind Dinge, die ja auch nicht furchtbar tragisch zu nehmen sind. Wenn man dann eine solche Eigenschaft, die hervorragend ist, den Kindern abgewöhnt hat, bedeutet es [moralisch schr] viel; wenn man es dahin bringt, dass die 4. Klasse nicht so schreit [Mitschrift lückenhaft], [oder] wenn man dem C. B. abgewöhnt, dass er den Tornister vor sich hinauswirft. Diese Dinge [bedeuten], ganz abgesehen davon, ob man das mehr oder weniger artig oder unartig ansieht, wenn man eine solche hervorragende Eigenschaft abgewöhnt hat, das bedeutet für die moralische Haltung außerordentlich viel, wenn sich manche Buben in der 4. Klasse das furchtbare Schreien abgewöhnen würden.
Im Allgemeinen möchte ich sagen, es wird doch eine Frage einer allgemeinen didaktischen Ökonomie sein, wie weit das Chorsprechen gehen soll. Würde man es zu wenig ausbilden, dann leidet die soziale Gesinnung; die bildet sich aus durch das Chor[sprechen]. Wenn man es zu viel macht, dann leidet die Auffassungskraft, weil es eine [starke] suggestive Kraft hat. Die Kinder können Dinge, für die sie sonst keinen Tau haben, wenn sie in der Masse mitsprechen. Geradeso, wie eine Volksmenge auf der Straße mittut. Je jünger sie sind, desto mehr kann das täuschen. Es ist schon gut, dass man sie ganz durcheinander auffordert, dasselbe noch einmal zu machen im Einzelnen, sodass jeder aufzupassen hat, wenn der andere seinen Satz bildet. Wenn Sie eine Erzählung sagen, so behandelt man Sätze, man lässt den einen fortsetzen. Solche Sachen haben eine gewisse Bedeutung, dass ich sagte: «Derjenige, der in der mittleren Bankreihe an der linken Ecke sitzt, der soll fortfahren!» «Der Einzige, der in der Ecke sitzt, soll fortfahren!» Solche Dinge sollte man machen, wo sie aufpassen müssen, [wo man die Kinder dazu bringt, immer mitzutun]. Das zu viele Chorsprechen, das würde die Lässigkeit fördern. In der Musik bestätigt sich das in Bezug auf das Brüllen.
Ist die 4. Klasse nicht auch diejenige - ich mache Sie aufmerksam [auf die] Imponderabilien. Ich rede ganz real: Die Imponderabilien, die bestehen in gewissen Spannungszuständen der ganzen Klasse. [Da ist] einfach zum Beispiel das Zahlenverhältnis der Mädchen zu den Knaben. Ich meine nicht, dass man es als solches einrichten müsste. Man muss das Leben nehmen, wie es ist, aber man muss versuchen, auf solche Dinge doch zu achten. Wenn ich nicht irre, ist [in] der 4. Klasse die größte Bubenzahl im Verhältnis zu den Mädchen. Nun tritt es mir zutage, dass eine gewisse Physiognomie der Klasse ganz wesentlich davon abhängt, wie das Verhältnis der Buben zu den Mädchen ist. Bei Fräulein Lang ist das Verhältnis anders. Auf solche Dinge muss die Aufmerksamkeit gerichtet werden. Bei Fräulein Lang [sind] wesentlich weniger Buben als Mädchen. Heute waren es ganz sicher mehr als zweimal so viel Buben, heute waren 25 Buben und 11 Mädchen da. Das stimmt, was ich sage, von der 4. Klasse. [In der] 6. Klasse [sind] 12 Buben und 19 Mädchen. Nicht wahr, das ist etwas, worauf man sehr wohl die Aufmerksamkeit richten muss. Interessant war das in der 5. Klasse, wo es gleich ist, wo heute 25:25 waren. [Zu Caroline von Heydebrand:] Es war außerdem die beste Gelegenheit, weil Sie heute einen interessanten Lehrstoff in die Schule gebracht haben. Das ist die richtige Art, so bringt man Anthroposophie hinein. Diese Sachen sind solche, auf die man die Aufmerksamkeit wenden muss.
PAUL BAUMANN: [Ich glaube, bei den Kindern eine Verwandtschaft zu bemerken zwischen Tiefstimme und phlegmatischem Temperament, Mittelstimme und sanguinischem, Oberstimme und cholerischem. Ist das richtig?]
RUDOLF STEINER: Die beiden anderen stimmen vollständig; das mit der oberen Stimme ist recht merkwürdig. Im Ganzen ist es so, dass die unteren Stimmen bei den Phlegmatikern, die mittleren bei den Melancholikern und Sanguinikern sind. Die Sanguiniker sind bei der höchsten Stimme. Das Cholerische verteilt sich über alle drei. Es muss noch irgendein besonderer Grund vorliegen. Würden Sie meinen, dass Tenöre besonders Choleriker sind? Auf der Bühne schon. Das Cholerische verteilt sich überall.
WALTER JOHANNES STEIN: Wie kommt es, dass man über das Temperament eines Kindes so verschiedener Meinung sein kann?
RUDOLF STEINER: Diese Frage wird man nicht mathematisch lösen können. [Davon] ist keine Rede. Das ist bei der Beurteilung von gewissen Grenzfällen möglich, dass der eine diese, der andere jene Ansicht hat. Sie brauchen auch nicht mathematisch gelöst zu werden. Da wird es so liegen, dass derjenige, der das Kind sieht, der es so oder so auffasst, selbst von sich aus die Absicht hat, es so zu behandeln. Schließlich ist die Behandlungsweise etwas, was vom Wechselverhältnis herrührt. Denken Sie ja nicht, dass man darüber diskutieren soll.
Eine weitere Anfrage wegen der Temperamente.
RUDOLF STEINER: Das cholerische Temperament entrüstet sich über alles, was eben seiner Aktivität in die Quere kommt. Wenn es in einem rhythmischen Erleben drinnen ist, ist es entrüstet und ärgerlich, aber auch sonst, wenn es ein anderes Erlebnis ist und es wird gestört, so ist es entrüstet. Das ist, nicht wahr, weil der Rhythmus eben innig verbunden ist mit der ganzen menschlichen Wesenheit. Das ist schon der Fall, dass der Rhythmus mehr als alles andere verbunden ist mit der menschlichen Wesenheit, [und] dass bei dem Choleriker eine starke Rhythmik zugrunde liegt, die gewöhnlich an sich etwas defekt ist. Napoleon wird man als Choleriker ansehen können. Bei ihm lag es so, dass sein innerer Rhythmus in sich gedrungen war. [Bei] Napoleon [liegt das vor], dass er von einer Seite her veranlagt war, größer zu wachsen, als er gewachsen ist. Er ist zusammengeschoppt geblieben. [Sein Ätherleib war größer als sein physischer Leib. Dadurch wurden seine Organe zusammengeschoppt], alles Rhythmische wurde in sich zusammengeschobener und störte sich fortwährend. [Weil] ein solches cholerisches Temperament auf dem fortwährenden Verkürzen des Rhythmus beruht, so lebt es [in] sich darinnen.
Jemand fragt: Kann man davon sprechen, dass in einem solchen Temperament einer von den Sinnen vorherrscht?
RUDOLF STEINER: Sie werden wahrscheinlich bei einem Choleriker in der Regel finden einen abnorm ausgebildeten Gleichgewichtssinn [Waage] und ihn äußerlich nachweisen können in den Kanälen im Ohr bei der Autopsie. Das Erleben des Rhythmus, Gleichgewichtssinn und Bewegungssinn, Wechselwirkung zwischen beiden, rhythmisches Erleben. Mit dem Gleichgewichtssinn und Bewegungssinn wäre bei einem Sanguiniker [Jungfrau] der Bewegungssinn in der Art vorherrschend. [So wie] beim Melancholiker [Löwe] der Leben. vorherrscht, beim Phlegmatiker [Krebs] der Tastsinn, physiologisch, weil die Tastkörper in kleinen Fettpolstern eingebettet sind. Das ist physiologisch nachweisbar.
[Es ist nicht so], als ob die Tastkörperchen den Reiz vermittelten. Dasjenige, was geschieht, ist eine Reflexwirkung, wie wenn man Gummibälle [eindrückt] und sie wieder zurückgehen. Die Wärzchen sind dazu da, um es dem Ich zu vermitteln, um den Reiz im Ätherleib auf das Ich zu übertragen. Das ist bei jedem der Sinne der Fall.
Es wird berichtet über den Eurythmieunterricht.
RUDOLF STEINER: Nun, mit der Eurythmie ist es so, dass die Begeisterung etwas theoretisch wird. Das Eurythmeum steht immer vor Augen. Aber [wir haben] immer zu wenig Räume. Wenn wir mehr Toneurythmie machen, dann wäre es erwünscht, jemanden zu haben, der etwas Klavier spielt. So etwas kann sich als eine Notwendigkeit ergeben. Wir haben jetzt verhältnismäßig wenig Toneurythmie gemacht. In Dornach hat Fräulein Hollenbach eine Kindergruppe für Toneurythmie eingerichtet und außerordentlich gute Erfolge erzielt. Etwas kann bemerkt werden, dass mit Ausnahme der ganz begabten älteren Leute die Kinder leichter Eurythmie lernen und namentlich leichter sich zur Grazie ausbilden, sodass tatsächlich die Eurythmie im Unterricht sich als fruchtbar erweist. Sie hat eine Kindergruppe eingerichtet und gute Erfolge erzielt. Während es bei Großen wirklich schwer geht, weil sie sich nicht daran gewöhnen wollen, richtig aufzuspringen, lernen [es] die Kinder ganz graziös. Die Kinder, die da auftreten, denen gegenüber würde es niemand einfallen, dass er das Spreizen der Beine hässlich findet. Es ist ganz und gar nicht hässlich, aber ich bin überzeugt, dass es auch solchen Leuten wie dem Hieber [dem damaligen Ministerpräsidenten] gar nicht auffallen würde.
Wir dachten auch daran, das ein oder andere von den älteren Mädchen in Aussicht zu nehmen als Lehrerin. Wir haben bei der Toneurythmie, bei den Dingen, die vorgeführt wurden, auf Rhythmus einen starken Wert gelegt.
PAUL BAUMANN berichtet über das Turnen: Einige Schüler drücken sich auch.
RUDOLF STEINER: Nun müsste man konstatieren, ob die Betreffenden sich drücken vom Turnen, oder ob sie sich wegschleichen, um Allotria zu treiben.
PAUL BAUMANN: W. M. ist in der Eurythmie geschickt, draußen ungeschickt.
RUDOLF STEINER: Gerade bei W. M. könnte ich mir denken, dass er sich drückt, um etwas anderes zu handhaben.
BERTA MOLT: Er ist faul.
RUDOLF STEINER: Wenn er solchen Schabernack aufführt, da ist er doch sehr fleißig. Er ist ein sehr artiger Knabe. [Über O. D.:] Ich finde das eine gute Eigenschaft, dass er die Schrift nachmacht. Es ist eine Erfahrung, dass bei der Ehe der Mann die Schrift bekommt wie die Frau oder umgekehrt.
JOHANNES NEUMEISTER berichtet über Gartenarbeit und Handwerk. Über Schwierigkeiten mit einzelnen Kindern; zum Beispiel W. M.: Die Kinder sind unsozial und träge und mögen einander nicht helfen.
RUDOLF STEINER: Sind es viele? Nicht wahr, etwas anderes kann man kaum machen als diejenigen, die so sind, zusammenspannen, dass man ihnen ein bestimmtes Gebiet anweist, dass man sie veranlasst, sich zu schämen, wenn sie nichts fertigkriegen. Etwas, wo die Fertigstellung sichtbar wird, wo sie sich schämen, wenn nur ein Viertel gemacht ist. [Nicht] das Moment des Ehrgeizes! Was ich sagte, rechnet nicht mit dem Ehrgeiz, sondern mit dem Schämen. Vielleicht doch, wenn sie sich zusammenspannen, dann könnte man noch eine Kommission ernennen, die im Beisein der Kinder das anschaut und das Missfallen ausdrückt. Ich glaube doch, wenn Frau Molt ernannt wird, [die Sache anzuschauen], und Herr Hahn, dann wird sich auch W.M. entschließen zu arbeiten, um nicht das Missfallen zu erregen. Ein Ausweg [wäre], dass man die[se] Kinder, die man zusammenspannt, [beim Unterricht] in seine Nähe nimmt. [Aber] das ist schwer durchführbar. Sie müssen dazu getrieben werden, sich zu schämen, wenn sie es nicht fertigkriegen. Ehrgeiz würde ich nicht aufstacheln, aber das Schamgefühl.
RUDOLF TREICHLER fragt, ob nicht eine Buchbinderei eingerichtet werden könnte.
RUDOLF STEINER: Ob es sich mit der Schule vereinigen lässt? Buchbinderei wäre etwas, was in den Fortbildungsschulplan hineinfallen könnte. Das könnte man nehmen, was die Kinder ausführen. Probeweise könnte [es] im Einbinden der Bücher bestehen. Ist jemand unter Ihnen, der einen solchen Fortbildungsschulkurs übernehmen könnte?
HANNAH LANG: Ich habe einen Kurs durchgemacht.
RUDOLF STEINER: Einer oder zwei, denn die Buchbinderei ist etwas, was wirklich kunstgewerblich ausgebildet werden kann. Wir haben keinen rechten Übergang von den alten schönen Bänden, die nach und nach weggefallen sind, zu den ganz philiströsen Bänden. Und das, was nun neuerdings versucht wird, das sind zumeist kunstgewerbliche Koketterien. Da irgendetwas Kunstgewerbliches zu leisten, das ist immerhin reizvoll. Was wird [heute] gemacht an Büchern, die keine Bücher sind! Man müsste wieder die Bücher als Bücher machen. Das würde eben in den Rahmen der Fortbildungsschule, [des Kunstgewerblichen] hineinfallen.
HERTHA KOEGEL: Ich habe auf der Kunstgewerbsschule auch gebuchbindert.
RUDOLF STEINER: An sich ist es eine einfache Arbeit, aber gerade in dieser Beziehung wird man ja etwas machen. Das Technische muss man natürlich gut können. Da würde es etwas zu verbessern geben. Ich meine, wenn es bis zur Goldpressung geht, da gibt es manches zu verbessern. Was gelernt werden muss, das ist verhältnismäßig einfach. Das ist Übung.
HERTHA KOEGEL: Ich weiß nicht, ob ich es noch übernehmen kann.
WALTER JOHANNES STEIN: Es ist furchtbar schwer, zu denken, dass jemand, der Unterricht erteilt, auch noch etwas solches übernehmen kann.
RUDOLF STEINER: Es ist eine Frage, die im Zusammenhang mit dem Fortbildungsschulwesen behandelt werden müsste.
HERTHA KOEGEL: Soll ich deshalb einige Stunden abgeben in meiner Klasse?
RUDOLF STEINER: Dann kommen wir ins Fachlehrersystem hinein. Das muss umgangen werden, solange wir nur irgend können, wenn irgendein Mann da ist, und wenn es richtig angefasst wird, dass es geht.
Ich habe gesehen beim Handarbeitsunterricht, dass viel Geschicklichkeit da ist. Sobald der Waldorfschulverein viele Millionen bringt, können wir viele Zimmer haben und viele Lehrer anstellen. [Wohl auf eine Bemerkung:] Ja, aber mehr Zeit können wir kaum dazu verwenden. Das andere muss erreicht werden durch Teilung der Klassen. Es ist wohl genügend, zwei Stunden in der Woche. Wir müssen die Klasse teilen, und das ist dann bloß eine Stunde.
HELENE ROMMEL: Soll man Mädchen und Knaben [getrennt] nehmen?
RUDOLF STEINER: Das würde ich nicht tun, lieber nicht mit dem Auseinanderschälen anfangen. Aber Sie lassen doch die Knaben auch andere Handarbeit verrichten als Stricken? Das gilt auch für die Mädchen. Ja, aber trotzdem würde ich es nicht tun; Knaben und Mädchen trennen, [das] sollten wir nicht anfangen. Da muss man aus einem anderen Prinzip abhelfen.
JOHANNES GEYER: Soll die [Vor]klasse den Charakter eines Kindergartens haben?
RUDOLF STEINER: Dort sind die Kinder, die noch nicht die Schule begonnen haben. Wir können nicht irgendwelche Lernfächer bringen. Man soll sie so beschäftigen, dass sie [spielen]; nicht wahr, gewisse Spiele müssen da sein. Man kann auch etwas in der Form, in der es nicht zum Lernen gehört, erzählen. Aber auch da nicht die Schulanforderungen stellen, nicht darauf sehen, dass unbedingt alles nacherzählt werden muss. Ein eigentliches Lehrziel scheint mir gar nicht nötig zu sein, sondern man versucht herauszukriegen, womit man die Kinder am besten beschäftigen kann. Man braucht kein Lehrziel.
[Nach einer Frage und der Äußerung Stockmeyers, es handle sich um sechsjährige Kinder] Es wird sich darum handeln, dass man Spiele treibt, etwas erzählt, kleine Rätsel löst. Auch das würde ich nicht pedantisch begrenzen. Ich würde sie behalten, solange die Eltern sie abgenommen haben wollen. Ja, wenn wir könnten, könnten wir sie auch den ganzen Tag haben. Wenn es geht, warum nicht? Eurythmie können Sie auch versuchen, sie dürfen nur nicht verdorben werden. Sie dürfen auch durch sonst nichts verdorben werden. Ich sagte ja, dabei handelt es sich im Wesentlichen darum, dass man die Kinder bemuttert, nicht Fröbelei treibt. Sie wollen ganz gewiss nichts schulmäßig Bestimmtes tun, da kann man das mit ihnen tun, was sie wollen.
Dies ist die Konfiguration [beim Spielen]: Ein Kind, das gewisse Formen des Spielens zeigt, zeigt dieselbe Form [dann] in der Art und Weise, wie sich der Mensch ins Leben findet. Ein Kind, das langsam spielt, wird in den Zwanzigerjahren [langsam sein und] langsam denken in alldem, was im Leben zusammengefasst wird [als] Lebenserfahrung.
Ein Kind, das oberflächlich ist im Spielen, wird auch oberflächlich wollen. Ein Kind, das sagt, ich will mein Spielzeug zerschmeißen, weil ich sehen will, wie es innen ausschaut, das wird ein Philosoph werden. Das ist die Art des Denkens in der Beherrschung des Lebens.
Ja, gewiss, man kann im Spiel sehr vieles tun. Man kann ein Kind, das Neigung hat zum langsamen Spielen, veranlassen, schneller zu spielen. Man gibt ihm eben solche Spiele, wo einige Schnelligkeit notwendig ist. Es wird nach Chorsprechen gefragt.
RUDOLF STEINER: Man kann es schon machen. - Märchen können auch erzählt werden. Es gibt sehr viele Märchen, die man den Sechsjährigen nicht vorsetzen kann. Damit meine ich nicht das, was der Verein für ethische Kultur ausmerzt, sondern weil es kompliziert ist. Die Kleinen würde ich noch nicht nacherzählen lassen. Wenn sie aber selbst etwas erzählen wollen, dann anhören. Das ist etwas, was man abwarten mu:
Es wird nach den Zeugnissen gefragt.
RUDOLF STEINER: Wir sprachen schon einmal darüber. Man müsste schon Einzelnes hervorzuheben versuchen, aber nicht in pedantischer Weise. Man müsste versuchen, vielleicht also doch [am Anfang] nur die Personalien zu haben, und dann für jedes Kind zu individualisieren. Dass man zum Beispiel schreibt: «E. E. liest gut, erzählt anregend», und so, dass man sich selbst den Text bildet. Einen Satz,
der frei gegeben ist und in dem man das unterstreicht, was sonst [als einzelne Fächer] gegeben ist. Vielleicht ist es notwendig, alle Fächer anzuführen, vielleicht nicht. Ich würde das Zeugnis so drucken, dass es nur einen Kopf hat: «Freie Waldorfschule, Jahreszeugnis des Schülers ...» und in der Mitte Platz, dass man schreiben kann.
Jeder wird nach seinem Genius den Schüler charakterisieren. Wenn mehr Lehrer in Betracht kommen, muss jeder einschreiben. Aber es wäre wünschenswert, dass sich die einzelnen Aussagen nicht allzu stark widersprechen; wenn der eine sagt: «Er liest ausgezeichnet», der andere auch etwas sagt, was dem entspricht.
KARL STOCKMEYER macht einen Vorschlag.
RUDOLF STEINER: Ja, gewiss kann es so gemacht werden. Ja ja, gewiss. Nicht wahr, es fängt einer an, den Schüler zu charakterisieren, derjenige, der sein Klassenlehrer ist. Die anderen schließen sich an. Es kann nicht gut der Klassenlehrer schreiben: «Es ist ein ausgezeichneter Junge», und dann schreibt Frau Baumann: «Das ist ein kleines Scheusal.» Das muss man schon verschmelzen.
Es wird gefragt, ob die Religionslehrer der Konfessionen auch Zeugnisse schreiben sollen.
RUDOLF STEINER: Der muss auch seinen Senf dazuschreiben, der Religionslehrer, das muss schon auch ebenso sein. Hier werden sich sen sich darauf einlassen, die Herren disziplinieren müssen. Sie mi sonst können sie nichts schreiben. Klassenbücher können auch eingeführt werden für die Beschwerden gegenüber den Lehrern. Dass einzelne Klassen Zeugnisse geben. Man kann das auch auf Seiten eines zusammengehörigen Heftes schreiben. [In Bezug auf die konfessionellen Religionslehrer gesagt.]
KARL STOCKMEYER: Ist eine Kontrolle nötig, dass die Zeugnisse vorgezeigt werden?
RUDOLF STEINER: Ich würde einfach die Einführung machen, dass [die] Eltern, welche wünschen, dass ihre Kinder [wieder] aufgenommen werden sollen, ihren Namen unter das Zeugnis des vorigen Jahres setzen mögen. Wenn sie nicht mehr kommen, brauchen wir darüber keine Vorschrift zu machen. Wenn sie wiederkommen wollen, sollen die Eltern den Namen daruntersetzen. Es ist ja gegangen ohne Zwischenzeugnis. Ist das verlangt worden von den Eltern, ein Zwischenzeugnis?
Ja, das Kind meldet sich und bringt das Zeugnis, bekommt es am Ende des Jahres wieder, wenn es schon ein Heft ist. Gewiss kann es ein Heft sein, perforiert. Nehmen Sie an, ein Kind ist anfangs schlecht, man muss ihm Tadel hineinschreiben, und es wird dann später besser, dann hat es vielleicht ein Interesse daran, die vorhergehenden Zeugnisse wegzunehmen: [also] perforiert.
Da kann man ja [etwas], was nicht ganz lobend ist, schreiben. Sie können nicht diesen beiden Kindern das Zeugnis ausstellen, dass sie ausgezeichnet schreiben, aber man kann es schon so fassen, indem man, ohne zu zensieren, charakterisiert, wie weit das Kind im Schreiben ist. Bei dieser kleinen G. M., da würde ich schreiben: «Hat es noch nicht weiter gebracht als zum mühsamen Nachschreiben einfacher Worte, wobei das Kind sehr häufig unnötige Striche an die Buchstaben anfügt.» Die Kinder charakterisieren!
Es wird gefragt nach der Möglichkeit des Sitzenbleibens.
RUDOLF STEINER: Dann ist eben das Kind sitzen geblieben. Ich würde [nur] unterscheiden [solche, die mitkommen, und] solche, bei denen man bestimmt: Wenn das Kind wiederkommt, kommt es in die Hilfsklasse. Dieses Sitzenbleibenlassen, das würde ich gar nicht einführen wollen. St. und K.: Es handelt sich bei beiden um Kinder, die bald nach Weihnachten gekommen sind. Nicht wahr, jetzt, nachdem wir die Hilfsklasse eingeführt haben, jetzt haben wir die Möglichkeit, Kinder, die ganz und gar nicht versprechen, mit dem Lehrziel zurechtzukommen, in die Hilfsklasse zu geben, zum Beispiel Schwachsinnige. Für die anderen ist es [nicht gut], dieses Sitzenbleiben einzuführen. Das hätte gemacht werden müssen, als das Kind eintrat. Es wäre doch schön, wenn wir das Prinzip des Sitzenbleibens nicht kultivieren würden. Ich sehe nicht ein, nach welchem Gesichtspunkt es geschehen soll. In Ihrer Klasse sind Kandidaten des Sitzenbleibens außer diesen zweien, die in die Hilfsklasse kommen können, höchstens drei, und die müsste man im Grunde genommen mitschleppen können, indem man sie nicht mordsmäßig lobt, auch nicht tadelt, aber sagt: Es ist das Lehrziel nicht gänzlich erreicht. Wir wären verpflichtet gewesen, das Kind in die richtige Klasse zu versetzen bei der Aufnahme. Jetzt ist es nicht schlau, wenn wir das Kind sitzen lassen. Es wäre wichtig, sich über die M. H. auszusprechen, wie man das später behandeln will. Man müsste sie in die 3. Klasse stecken; wenn es so ausgesprochen ist, dann müsste sie in die Klasse kommen, in die sie kommen kann. Aber im Ganzen sollten wir nicht Kinder das ganze Jahr behalten, namentlich solche, die aus fremden Schulen kommen, und dann sitzen bleiben lassen.
Ich weiß nicht, was Sie meinen. Das bezieht sich nur auf die Auseinandersetzung mit dem Lehrplan der allgemeinen Volksschule.
Nun sind sie aber schon darinnen. Es sind ja nicht so ausgesprochen schlechte Kinder da, die muss man in diesen einzelnen Fällen mitnehmen und später niemals wieder ein Kind hineinnehmen in eine Klasse, die zu hoch ist. Kari. Stock : In welche Klasse soll man Kinder von anderen Schulen einreihen? Soll man sich an das Lebensalter halten oder ausgleichen?
RUDOLF STEINER: Nicht wahr, in der Zukunft, wenn wir die Kinder vom sechsten Jahr bekommen und alle Klassen durchhaben, dann kann ja das nicht vorkommen. Die müssen wir versuchen, in die Klasse zu setzen, für die sie taugen, sowohl dem Lebensalter nach als nach dem, was sie können.
Es wird gefragt, ob ein Kind in die Hilfsklasse abgegeben werden sollte.
RUDOLF STEINER: Ich glaube nicht, dass es möglich ist. Gerade in der 1. Klasse sollten Sie nicht zu weit gehen im Absondern zur Hilfsklasse. Ich habe es ja gesehen, das ist richtig, aber auf der anderen Seite ist ja noch nicht so furchtbar viel verloren, wenn ein Kind in der 1. Klasse noch schlecht schreibt. Nicht wahr, alle Kinder dieser Art werden, wenn man es durchführen könnte, natürlich unendlich viel gewinnen, wenn man solche Übungen mit ihnen macht, wie ich sie dazumal inauguriert habe.
Zwischenruf: Bei anderen Kindern habe ich es gemacht.
RUDOLF STEINER: Wenn man sie so etwas machen lässt, wenn man Sachen aufzeichnet, sie müssen sich schließen. [Rudolf Steiner zeigt eine Übung]: Reich die rechte Hand über den Kopf und ergreife dein linkes Ohr. - [Oder] wenn man solche Sachen [zeichnen] lässt, eine Spirale, die nach innen verläuft, eine Spirale, die rechts verläuft, und eine Spirale, die links verläuft, so gewinnen sie sehr viel. [Solche Übungen, durch die sich die Kinder ins Denken hineinstellen müssen.]
[Dann] das Schreiben, so wie dies -: Es sind einige, die sehr schlecht schreiben, [und] es gibt eine ganze Menge, die erstklassig sind. Die [Kinder] werden nicht viel [davon] haben, wenn Sie sie anhalten, dass sie durch die Verbesserung der Schrift besser schreiben lernen. Finger geschickt machen! Dann lernen sie besser schreiben.
Ich glaube nicht, dass Sie es zuwege bringen, eine schlechte Schrift durch die Bemühungen nach dem besseren Schreiben besser zu machen. Sie müssen Bemühungen machen, dass die Kinder geschickter werden im Zeichnen von Formen. Wenn sie Klavier spielen würden, würden sie besser schreiben lernen. Es ist durchaus ein richtiges Aperçu, dass dieses eigentliche schlechte Schreiben auftritt erst in der Zeit, wo die Spielsachen der Kinder so außerordentlich materialistisch geworden sind. Es ist geradezu empörend, dass ein großer Teil der Spielsachen in Baukästen besteht. Der dürfte überhaupt kein Spielzeug sein, weil er atomistisch ist. Wenn das Kind eine einfache Schmiede hat, so muss das darauf ausgehen, dass das Kind sie handhaben muss. Ich möchte für ein Kind ein Spielzeug haben, das sich bewegt. Das steht in der «Erziehung des Kindes». Diese Spielzeuge [heute] sind furchtbar schlecht, und daher lernen die Kinder nicht mehr Fingergeschicklichkeit und können schlecht schreiben.
Es würde ja genügen, wenn man solche Kinder - man kann es [in der Schule] nicht machen -, die schlecht mit der Hand schreiben, anhalten würde, ganz einfache Formen mit den Füßen zu machen. Das wirkt auf die Hand zurück. Mit den Füßen kleine Kreise zeichnen. Halbkreise, Dreiecke. Dass sie zwischen [eine] Zehe und [die] nächste einen Bleistift kriegen und Kreise machen müssen. Man kann es nicht leicht machen. Das ist sehr interessant. Es eignet sich schwierig an, aber [es ist] sehr interessant zu machen. Im Sande draußen würde ich es [als] ganz gut betrachten, mit [den Zehen mit] einem Stock Figuren in den Sand hinein machen zu lassen, das wirkt auf die Hand ungeheuer stark zurück. Oder ein Kind etwas aufheben lassen mit dem Fuße; ein Taschentuch mit dem Fuß aufheben statt mit der Hand, das wirkt sehr stark. Ich will nicht sagen, dass sie essen müssen mit den Füßen. Aber, nicht wahr, man darf es nicht systematisch machen. Man muss versuchen, nicht direkt auf die Schriftverbesserung zu sehen, sondern sie geschickt zu machen im Zeichnen von Kunstformen. Symmetrie herauskriegen in einer komplizierten Form. [Zu Herrn Baumann:] Taktschlagen, das ist eine gute Sache für die Ausbildung der Verstandesformen und logischen Formen.
LEONIE VON MIRBACH fragt wegen linkshändigen Schreibens.
RUDOLF STEINER: Ja, im Ganzen wird man finden, dass diejenigen Kinder, die spirituelle Anlagen haben, unbehindert schreiben können, [wie sie wollen], links und rechts. Aber Kinder, die materialistisch sind, die werden vom [Schreiben mit beiden Händen] idiotisch. Einen gewissen Grund hat es schon, dass die Rechtshändigkeit auftritt. Es ist so, dass Kinder in diesem materialistischen Zeitalter durch die Linkshändigkeit idiotisch werden, wenn beide [Hände] abwechselnd gebraucht werden. Das ist unter Umständen eine nicht unbedenkliche Sache bei all den Dingen, die Verstand in sich haben; beim Zeichnen gar nicht. Zeichnen kann man sie ganz gut lassen mit beiden Händen.
Es wird gefragt, ob man auch Märchen erzählen kann, in denen blutige Dinge vorkommen.
RUDOLF STEINER: Wenn das Märchen so wäre, dass die Absicht vorliegt, dass das Blut als Blut wirkt, dann wäre es unkünstlerisch. Bei Märchen kann nur entscheiden, dass es ein geschmackvolles Märchen ist. Da kann es nicht schaden, wenn auch Blut darin ist. Ich habe Ihrer Mutter [zu Hertha Koegel] höchstens gesagt: Wenn man es absolut vermeiden will, den Kindern von Blut zu reden im Märchen, so verzärtelt man sie so, dass sie später bei einem Blutstropfen in Ohnmacht fallen. Das ist eine Schädlichkeit fürs Leben. Man soll die Kinder nicht untüchtig machen fürs Leben [dadurch], dass man einen solchen Grundsatz aufstellt.
HANNAH LANG fragt wegen L. G. in der 3. Klasse, die nervös ist und stottert.
RUDOLF STEINER: Abhelfen würde es nur, wenn Sie versuchen würden, [Übungen zu machen], ich weiß nicht, ob unter unseren Übungssätzen solche sind mit K und P; [die müsste man sie machen] und dabei gehen lassen, und dann könnte sie auch diese Sätze sprechen. Wenn sie in der Eurythmie auch K und P machen würde, wäre es auch gut. Aber solche Dinge sind nicht seriös zu nehmen, gewöhnlich verlieren sie sich später.
Wegen der Schülerin E. A. in der 5. Klasse, die stottert.
RUDOLEF STEINER: Ja, haben Sie sie mir damals vorgeführt? Die müsste ich doch sehen. Man muss doch wissen, woran es liegt, ob es ein organischer Fehler ist oder seelisch. Es kann beides sein. Wenn es ein seelischer Fehler ist, kann man bestimmt formulierte Sätze machen, wodurch sie sich trainieren müsste. Wenn es ein organischer Fehler ist, dann müsste man etwas anderes machen. Die müsste ich morgen anschauen.
CAROLINE VON HEYDEBRAND stellt eine Frage wegen A. W., eines Schülers in der 5. Klasse. Er schreibt Titel zu seinem Namen und unterstreicht das «Ich».
RUDOLF STEINER: Das ist ein Verbrechertypus, der [kann] ein Schriftfälscher werden. Ausgesprochene Anlage zum Verbrechertypus. [Es folgt eine unklare Textstelle.] Er kann viel besser schreiben. Ein ausgesprochener Verbrechertypus. Bei ihm müsste man eine Art seelischen Korrektionsunterricht einrichten. Den müsste man zwingen, drei solche - [?] - hintereinander stramm zu machen. Ich will ihn morgen anschauen. Der Vater ist infantil.
Später bekam der betreffende Schüler einen Spruch von Rudolf Steiner.
Es wird gefragt nach einer Schlussfeier.
RUDOLF STEINER: Das würde nur [gut] sein, dass man eine Art Jahresschlussfeier veranstaltet. Ich würde die Jahresschlussfeier so gestalten, wenn ich eventuell da wäre, dass ich reden würde, dass dann Herr Molt redet, dass die Lehrer reden, dass das Ganze eine Symphonie gibt von dem, was man den Schülern gerne sagen würde. Nicht Schülerproduktionen machen, das kann in der letzten Monatsfeier gemacht werden. Da würde man eine Wegleitung haben, die rückblickt auf das Schuljahr und vorblickt auf die Ferien, die
Hoffnung erweckt und vorblickt auf das nächste Schuljahr und so weiter. Das meine ich.
Tilly Rieger hatte die Absicht, einen Film über die erste Waldorfschule und über die Dreigliederung herzustellen.
Jemand bemerkt: Es macht sich ein Widerstand geltend, sollten aber neue Gesichtspunkte aufgetaucht sein, so wären wir dankbar, wenn sie uns mitgeteilt werden könnten.
RUDOLF STEINER: Ich habe keine rechte Vorstellung von dem, was gemacht werden soll in dieser Richtung. Nicht wahr, wenn Frau Rieger irgendetwas fotografieren will, zum Beispiel das Haus verfilmen will, das kann nicht schaden; das ist nichts Schlimmes. Sie wollte aus allen drei Gebieten packende Bilder bringen und hat sich in dieser Beziehung mit Herrn Uehli in Verbindung gesetzt. Nicht wahr, sie selbst kann den Vorschlag machen, was sie haben will. Ich weiß nichts weiter, als dass sie zunächst einen epochemachenden Text schreiben will über die Dreigliederung. Sie selbst sagt, sie hat nicht den geringsten Tau. Freiheit, Gleichheit, Brüderlichkeit - sie redet wie ein Rad, ist sonst eine sympathisch nette Persönlichkeit, ich kenne sie seit vielen Jahren. Sie hat diese Entdeckung gemacht. Wenn sie durch einen internationalen Film beiträgt zum Bekanntwerden der Waldorfschule, so hat man in der Zeit des öffentlichen Auftretens nichts dagegen, da sind wir ja nicht verantwortlich. Wir sind verantwortlich, dass die Waldorfschule ordentlich ist. Wir sind nicht verantwortlich [für das, was sie filmt], geradeso wenig, als wie Sie verantwortlich sind, wenn Sie auf der Straße gehen und jemand nimmt Sie auf.
Wie soll man das machen? Das kann man doch technisch nicht durchführen. Sie kann höchstens doch das Haus fotografieren und zwei Menschen draußen, eine alte Frau und einen jungen Mann, reden lassen: «Das ist eine schöne Schule, eine Zukunftsschule.»
Sie hat eine neue Erfindung gezeigt: Das Wort lässt sie abrollen, sodass man einen Text hat zum Film. Sie hat ein fortlaufendes Abrollen des betreffenden Textes. Sie lässt die Personen auftreten, und dann hat man sonst einzelne Wörter. Sie lässt in irgendeiner kunstvollen Weise außerdem die Wörter abrollen, sodass man sieht, wie das abrollt. Es sieht scheußlich aus. Die Personen sieht man sprechen, die reißen das Maul auf, es steht jemand da, der fuchtelt herum, und reißt es [das Maul] auf, wieder zu, und daneben erscheint: «Sei ein Held!s Sie hat mir in Schussen [Schiessen?] diese Sache gezeigt, da erschien noch — die Geschichte war anders. Jetzt hat sie es wieder anders gezeigt. Denn in Schussen hat sie es so gezeigt, dass die Worte, die durchflimmern, hingeworfen wurden auf eine Wand. «Sei ein Held!» Da wurde es durch Flimmern hingeworfen. Das Wesentliche bei ihr ist, dass sie hinzufügt das Erscheinen des Textes. Da muss man sehen und lesen. Das scheint also eine neue Sache zu sein. Ich finde es komisch, dass sie uns mit einem Morsetelegrafen eine schwarze Rolle ablaufen lässt.
Sie will ein epochemachendes Dreigliederungsdrama schreiben und ist erschienen; sie hat Herrn Uehli bestellt. Ich hatte gedacht, sie wollte es selbst machen. Ich weiß nicht, was das sein soll. Ist das etwas, was - wir können ruhig sagen, wir werden tun, was wir können. Wir können nichts tun. Schließlich, wenn man Eurythmiestunden fotografieren kann, ich habe sogar fotografieren lassen in Dornach, um es zu reproduzieren; ich habe einzelne Momente gewählt, es ist nicht gelungen. Das ist eine technische Frage. Ich glaube nicht, dass viel herauskommt. Ich habe mir vorgestellt, ich habe mir gedacht, warum - es war in der Zeit, wo von München diese Bewegung ausgegangen ist, dass eine große reaktionäre Welle über Deutschland gehen soll, das war in der Zeit, da ist auch diese gekommen mit ihrer Sache. Sie will die Dreigliederung im Film bringen - ich dachte mir: Warum sollte nicht auch eine gute Sache gegenüber den schlechten Sachen verfilmt werden? Das könnte ja sein. Wenn sie es wirklich machen will, sie muss ja das erst schaffen, sie muss eine alte Frau und ein Kind auf den Kanonenweg stellen und einen Dialog machen; das kann ja geschehen. Wir können gar nichts weiter tun als höchstens versuchen, wenn sie etwas ganz besonders Blödsinniges macht, es nicht geschehen zu lassen. Darauf haben wir keinen Einfluss, wenn sie ein Stück erfindet, wo zwei Leute sprechen über die Waldorfschule. In die Klassen braucht man sie ja nicht hineinzulassen. Sie hat keinen blassen Dunst, sie weiß gar nichts. Sie kann nicht mehr beanspruchen, als, wenn einmal eine öffentliche [Kinder-Eurythmievorstellung: ist, dann kann sie es: fotografieren lassen. Dassie- für Eurythmie Reklame macht, so ist das ihr Beitrag zu den Arbeiten, die die Mitglieder machen. Es ist ziemlich blödsinnig, wenn sie die Klassen verfilmen will; sie kann jede beliebige Schule verfilmen, es wird nicht besonders anders ausschauen. Sie könnte zum Beispiel das furchtbare Geschrei in der 4. Klasse grammofonisch aufnehmen, das erscheint dann auf der Orgel.
Ich habe nichts herausgekriegt, was sie will; ihr Prinzip ist nicht ganz uninteressant, das man allgemein abfällig kritisiert hat. Nun ist sie einmal da, sie redet wie ein Rad. Begonnen hat die Sache damit, dass sie vor drei Jahren in Berlin aufgetreten ist. Sie ist berufen worden, auf der Front Vorträge zu halten. Sie will für die anthroposophische Sache etwas tun. Da hat man Gelegenheit, in der breitesten Masse zu wirken. Sie hat keine Idee von dem, was Anthroposophie ist, aber sie will etwas. Sie hat Olaf Åsteson mit Musik gemacht.
Ich habe kein Recht, wenn irgendwo etwas getan werden kann zum Bekanntwerden der Dreigliederung und der Schule, von vorneherein aus irgendeiner falschen Bescheidenheit dieses zu unterbinden. Es wäre schön, wenn man alles, was geschmacklos ist, unterbinden könnte. Aus einer falschen Vornehmheit heraus würde ich mir nicht getrauen, einen Weg zu verhindern. Ich habe mir gedacht, dass sie eher an die Dreigliederung denkt als an die Intimität der Waldorfschule. Wir haben alles Interesse daran, die Schule so vollkommen als möglich zu machen, aber wenn sie jemand verfilmt, haben wir kein Interesse daran, so etwas zu inkriminieren. Das ist doch keine Reklame von dem, was man da sieht. Ich kann sagen, wenn sie sich hingestellt hätte und den Vortrag verfilmt hätte, was könnte ich da machen? Es war nur eine Rolle, die wurde abgewickelt, und dann ist die Rolle zerrissen. Ich glaube, so viel Papier gibt es gar nicht, sie hat eine Schrift, davon geht nur ein halbes Wort auf eine Seite.
Eine Frage wegen der Reisen nach Dornach zum ersten anthroposophischen Hochschulkurs am Goetheanum [26. September bis 16. Oktober 1920].
RUDOLF STEINER: Sehen Sie, die Dinge sind nicht so leicht. Wir wollen doch im Herbst diesen Kurs machen, wo die Verschiedenen vortragen sollen. Es sind auch Stein und Stockmeyer eingeladen. Da wäre es natürlich wünschenswert, wenn viele hinkommen könnten. Nun ist ja das Hinkommen in Dornach ebenso schwer als in Stuttgart. Man wird nicht leicht eingeladen. Die Valutageschichte. Nun ist es möglich, dass wir, wenn die Währungsfrage gelöst werden kann, immerhin eine Anzahl von Leuten unterbringen können. Das strebe ich an, dass jeder, der von der Entente kommt, zwei andere mit zu unterhalten hat, die aus den Mittelländern kommen. Aber nun, es wird nicht familiär [?] zu sein brauchen. Man könnte es so machen, sich schon machen. wie man es beim Ärztekurs gemacht hat, das lä: Aber man darf nicht vergessen, reiche Leute haben wir auch nicht in Dornach und in Basel.
Jemand bemerkt: Es gibt auch Passschwierigkeiten.
RUDOLF STEINER: Im Allgemeinen, wenn die Leute zu ihrer Erholung nach der Schweiz kommen wollen, [dann geht es]. Sie müssen nur nicht zu einem anderen Zweck nach der Schweiz gehen wollen; man muss nicht in die Schweiz gehen wollen, um etwas dort zu verdienen. Wie wir behandelt werden, das ist ganz horribel. Sie geben jetzt Aufenthaltsbewilligungen, dass man Steuersätze bezahlt. Unter dem geben sie es nicht. Wir kriegen es jetzt schon schlimm. Das sind die schweren Sorgen, die man hat [mit] dem Dornacher Bau. Eigentlich, wenn nicht eine andere Stimmung eintritt durch den Bau, wird es so, dass er gar nicht von Auswärtigen besucht werden kann, nicht wahr.
Über das Reproduzierender Malereien in der Kuppel des Goetheanums.
RUDOLF STEINER: Dieses, was da [in der Kuppel] aus den Farben heraus gemalt ist, das muss aus den Farben heraus gemalt verstanden werden. Versucht man, das durch Fotografie zu reproduzieren, so könnte höchstens etwas dabei herauskommen, wenn man es ebenso groß macht, als es da auf der Kuppel ist. Es handelt sich nicht darum, irgendetwas bloß zu reproduzieren. Je weniger entsprechend die Bilder sind [denen] von der Kuppel, desto besser ist es. Das [SchwarzWeiß] weist dann nur darauf hin; das schreit nach der Farbe. Dieses unkünstlerische Reproduzieren, da würde ich mich nie damit einverstanden erklären. Das ist alles Surrogat. Ich möchte keine Farbenfotografie aus der Kuppelmalerei haben. [Die Reproduktion] soll nicht für sich [etwas] sein. Ich möchte dies so haben, dass dasjenige, worauf es nicht ankommt, gegeben wird.
Es ist geradeso mit den Glasfenstern. Wenn Sie versuchen würden, durch Reproduktion etwas zu erreichen, würde ich mich dagegen auflehnen. Diese Dinge muss man nicht versuchen, möglichst treu wiederzugeben. Es ist doch auch nicht wünschenswert, dass man ein musikalisches Stück durch irgendeine täuschend nachahmende phonographische Platte wiedergibt. Ich will, ich möchte das nicht. Einen modernen technischen Menschen möchte ich nicht haben. So wie diese Bilder [in der Reproduktion] erscheinen, so geben sie [nie] das wieder; es ist nur das Novellistische daran, gerade das, worauf es nicht ankommt. Man hat das Gefühl, da muss diese oder jene Farbe sein. Mir kommt das geradeso vor - Sie finden das in dem Büchelchen «Die Erziehung des Kindes» —, man soll nicht dem Kinde schön gemachte Puppen geben, sondern [solche] aus einem Taschentuch.
Twelfth Conference
The day before, Steiner had met with several colleagues from the school (Herbert Hahn, Paul Baumann, Eugen Kolisko, Karl Stockmeyer, and Walter Johannes Stein) to discuss how the threefold movement could be reorganized. Three days later, in Steiner's absence, the Swiss counterpart to the German “Kommender Tag” (Coming Day), the “Futurum AG,” was founded in Dornach.
The conference was held in two parts and lasted until after midnight.
Topics: Preparations for the youth celebration. Who is allowed to attend the Sunday services? The meaningful story. The different talents of the students. The beginning of the observation of children and students as a task of the conference. Temperaments in connection with the lower senses. The nature of children's play. About stuttering. Report cards. Etiquette lessons. Writing with the feet, left-handedness. Graduation ceremony. Cruelty in fairy tales. Filming in school.
Comments: The remarks on temperaments in connection with the lower senses and the effects of the zodiac are a field of Waldorf education that awaits further research.
This conference offered the novelty of the “meaningful story”: instead of punishing, the next day the wrong behavior should be depicted in a picture, without naming names.
Despite Steiner's calls to deal with “mischief” in an original and non-punitive manner, the teachers were overwhelmed. Paul Baumann was given the task of introducing “lessons in good manners.” It must be borne in mind that the students had four years of war behind them. Even in 1920, the supply situation was still precarious, with significant food shortages.
Chair: Johannes Geyer.
HERBERT HAHN: reports on free religious education at the lowest and second levels. Verses from the Mystery Dramas and from “The Cherubic Wanderer” have been discussed.
RUDOLF STEINER: It is important not to ignore the emotional maturity of the children. Can you give a concrete example?
HERBERT HANN: [In] the upper grades [I] had them recite: “Let me work quietly within you...”
RUDOLF STEINER: Did you find that the children could make something of it? Yes, then you can continue to try it.
HERBERT Hann: You could [perhaps] structure the courses.
RUUDOLF STEINER: Yes, that is certainly [the case]. But I also think that if the lower level is divided into two and the upper level is retained, then there will be three groups. [That is, grades 1-3, 4-6, and 7-9].
HERBERT HANN reports on the preparatory lessons for the youth celebration, for which he spent three hours: [I spent] one hour going through what is in theosophy. And then what is related to reincarnation and destiny. In the second hour, I went through what is related to “How does one attain knowledge of the higher worlds?” The starting point was the principle that today's common attitude is “nil admirari” and that this must be countered with “in omnibus omnino quidquid admirari.” In the third hour, we covered the Gospel of John.
RUDOLF STEINER: Isn't that too much for the students? How many are there?
HERBERT HANN: Twenty-six.
RUDOLF STEINER: It will be difficult to say anything about it until we have real success. It is certainly good to try it once. If it does not succeed, we will [see] how to do it differently.
HERBERT HANN reports on social studies lessons: Two hours a week [with] grades 6 to 8 and some from grade 5, although I must note that the question arose as to whether the students should be kept in. However, it appears that they are becoming too intellectually involved.
RUDOLF STEINER: Of course, the eleventh to fifteenth years are difficult, but this is a class apart from the rest.
HERBERT HANN: We also visit factories.
RUDOLF STEINER: If you make it really lively and full of life, linking it to all kinds of questions about life, especially at this age, then it will work.
HERBERT HANN: They often come after class and between classes and ask questions.
RUDOLF STEINER: I would try to see if the children have too much, and then try to relate as much as possible to concrete life.
I believe that children's time is too heavily burdened. Of course, this leads to overload in some areas. It would be good not to have eight hours in a day.
That makes no difference in terms of fatigue.
I cannot understand why it takes three hours to prepare for the youth celebration. Why shouldn't one hour be enough? In such a case, it is not the quantity that matters, but the entire period of time in which the whole thing is held. It might be better to restrict those things that can be restricted quite decisively. One could do this by canceling religious instruction for those who are about to take part in the youth celebration and combining it with the preparation for the youth celebration.
A question is asked about admission to the Sunday service.
RUDOLF STEINER: It is indeed a difficulty. It was not intended that anyone other than the parents should come. Of course, once you start, it is difficult to draw a line. How should this be done? What was the reason for admitting non-parents? If you let in cancer, there is no reason to reject other members. Where does it start, where does it end? The aunts come anyway. There have already been other disturbances caused by strangers in the school system. I was most affected when people who had nothing to do with the school interfered with discipline. I have no objection to admission to the ceremony being strictly limited to parents. Siblings and aunts are also excluded.
Interjection: Miss Bethe is coming too!
RUDOLF STEINER: That is not why we have organized this celebration. There are no limits.
EMIL MOLT: I also believe that we can take radical action; only parents or those who can be recognized by the teaching staff as [moral] guardians.
EMIL MOLT asks again about the Sunday service concerning Helene Röchling.
RuDorF STEINER: She will gladly stay away; you just need to make that clear to her in an appropriate manner. That is the difficulty: once we have let someone in who does not have a child, it is difficult to draw the line. In the Anthroposophical Society, there is a place where exceptions must be made. Or you leave it as it is.
EMIL MOLT: That has just turned out to be detrimental.
RUDOLF STEINER: These exceptions may be made once or twice, but they will increase.
EMIL MOLT: It should not be purely a school matter; it is separate from the school.
RUDOLF STEINER: The Sunday service is something that falls within the scope of the school. It is a detail within the school, just as if we were to say that we are setting up a class for a specific arts and crafts subject. That would also be a special thing that could be included in the school, but it is not a general school matter. We can only keep it that way, otherwise these things will happen. In the last few days, I have been asked how it is possible to organize such a Sunday celebration for the anthroposophical youth in Heidenheim. In the current situation, with attacks coming from all sides, this is as senseless as possible. These are moments of attack when Mr. Meebold stands up and performs a cult ritual for the anthroposophical children. He has already obtained permission to watch it. I would categorically deny that this is something I should have anything to do with, something that would be established outside the framework of the school as a Sunday celebration . It only makes sense because a number of children in our school have religious instruction based on anthroposophy, and this Sunday celebration is for these children. So it could never be allowed – other children could be allowed to attend – but someone who is not in the school can never be allowed to attend.
EMIL MOLT: Then it must remain that way.
RUDOLF STEINER: You can leave it as it is; then there are exceptions, but basically it is not clear how you can turn someone else away when you say to Mrs. Röchling that she can come. Then Leinhas would also have to be turned away, but he is in the Waldorf School Association. That would possibly be a kind of legal title. Everything that belongs to the school; the teaching staff, they are not people who do not have children.
KARL STOCKMEYER: Can the teachers' wives be counted as part of the school?
RUDOLF Steiner: Of course they cannot be admitted, otherwise the teachers' children could also be admitted. But if they don't have children, they have no legal title.
PAUL BAUMANN reports on etiquette lessons: I tried to teach the children a dietetics of the soul. I wanted to create something through rhythm and the sound of language. In the lower grades, I spoke, and in the higher grades, I pointed out connections.
The following text is fragmentary and therefore incomprehensible. Apparently, all kinds of gossip had been brought into the school by the students.
RUDOLF STEINER: [...] Now, it is inevitable that anthroposophical children will pick up something at home. This is harmless if the parents themselves are reasonable. Even if it goes deep, the parents' healthy attitude is already a remedy against the children going overboard. Such things, which we were often forced to combat, such as those you mentioned from O. W., also stem from the fact that parents talk nonsense.
You will have noticed that the lessons are bearing fruit. I would just like to note that, especially in critical cases, stories that take a very specific course are very successful. Once it has been established that a child has a bad habit, a story is devised in which this bad habit is reduced to absurdity by the course of events. Even with very young children, it has been possible to make them stop whining and other such behaviors simply by having the mother create such stories that lead to absurdity. Something made up, which the child, when they do something like that—following the pattern of the dog walking across the bridge with the meat in its mouth—has a strong effect on the child who does such a thing , and has a lasting effect, especially if, in the specific case, a little time is allowed to pass between the commission of the act and the telling of the story. As a rule, more is achieved if the child has slept and the matter is not brought up again until the next day at the earliest, and then discussed. Dealing with it immediately after the child has been caught is the worst thing to do. This is something that is very theosophical, but it is simply true.
[Then] it would be very good if it could be arranged that the individual children, whether in groups or individually, could become, in a sense, a matter of concern for the entire faculty, [that they could be discussed]. That seems to me to be something that would be very desirable. It only requires that some interest be taken in the matter.
I asked about F. K. this morning, but he has disappeared. So it's not true that his father has brought certain complaints against me. Now it would be good if we could compare what the boy is like with what his father is complaining about. Because in this case, the father seems to be a rather useless complainer, behaving like a schoolmaster. Yes, I will talk to the boy. It seems to me that the father is a useless complainer who exaggerates all sorts of things, little things that the boy eats, so that the boy does the things the father suggests. He certainly doesn't know what he wants. What branch is he in?
Answer: [In] the Völker branch.
RUDOLF STEINER: This is a major issue in every school because it is so difficult to regulate and control. There should be complete clarity among the majority of teachers [about] individual students, especially when it comes to such matters.
Certain things are interesting when you look at the statistics in some detail. I have seen all the classes. It strikes me that only a few are completely untalented, nor are they gifted, but [many] are average, not badly disposed. Proof of this is that the progress is good. I always want to distinguish between progress as such and the content of progress. It may be that some things have not been advanced; the pace is good.
In the fourth grade, there are basically only two who are less gifted, then three who are somewhat less gifted and who are struggling, while the others are, judging by their writing, children with desirable talents. It may be that many are rascals, but for example, those who have been described as rascals are in fact gifted rascals; that is something that hits the nail on the head.
This is related to another phenomenon. It seems that when morals generally improve, things will balance out. It is a characteristic of Waldorf students that they are terribly jealous [of their teachers], that they only have good things to say about their own teachers, that they are the ones who are doing the right thing. That is a fact. Well, yes, that has its good sides and its downsides. The main thing is not to pay too much attention to it. /To Mr. Baumann]: You are the only one I haven't heard this about. "He even bought a mirror so he could see us. " [That's what the children said when Baumann hung a mirror above the piano in the eurythmy hall.] You shouldn't feel flattered when that reflects back on you. It's also clear in the way the lessons are conducted. Mr. Hahn is no longer a human being; they regard you almost as a saint.
Why shouldn't the children laugh? They are more within the framework of school. Anyone who knows a lot knows that the most important people were rascals. When you take it in the context of life, it has a different aspect.
It would be good if they could shout a little less. The 4th grade shouts terribly. These are things that should not be taken too tragically. If you can wean children off such an excellent trait, it means a lot [morally]; if you can get the fourth grade to stop shouting so much [transcript incomplete], [or] if you can wean C. B. off throwing his satchel in front of him. These things [mean], quite apart from whether one considers them more or less well-behaved or naughty, that if one has broken such an excellent habit, it means a great deal for moral attitude if some boys in the 4th grade would break the terrible habit of shouting.
In general, I would say that the extent to which choral speaking should be practiced is a question of general didactic economy. If it is not practiced enough, social awareness suffers; this is developed through choral speaking. If it is practiced too much, comprehension suffers because it has a [strong] suggestive power. Children can do things they would otherwise have no idea about when they speak along with the crowd. Just like a crowd on the street. The younger they are, the more misleading this can be. It is good to ask them to do the same thing again individually, so that everyone has to pay attention when the other person forms their sentence. When you tell a story, you deal with sentences, you let one person continue. Things like that have a certain significance, so I said: “The person sitting in the middle row on the left corner should continue!” “The only one sitting in the corner should continue!” You should do things like that where they have to pay attention, [where you get the children to always participate]. Too much choral speaking would encourage carelessness. In music, this is confirmed in relation to shouting.
Isn't the fourth grade also the one—I would like to draw your attention to the imponderables. I am speaking quite realistically: the imponderables that exist in certain tensions within the whole class. [There is], for example, the ratio of girls to boys. I don't mean that it should be arranged as such. You have to take life as it is, but you have to try to pay attention to such things. If I am not mistaken, the fourth grade has the highest number of boys in relation to girls. Now it becomes clear to me that a certain physiognomy of the class depends very much on the ratio of boys to girls. In Miss Lang's class, the ratio is different. Attention must be paid to such things. Miss Lang has significantly fewer boys than girls. Today there were certainly more than twice as many boys; there were 25 boys and 11 girls. What I say about the fourth grade is true. In the sixth grade, there are 12 boys and 19 girls. Isn't that something we really need to pay attention to? It was interesting in the fifth grade, where the ratio is equal, with 25 boys and 25 girls today. [To Caroline von Heydebrand:] It was also the best opportunity because you brought interesting teaching material to school today. That's the right way to introduce anthroposophy. These are the kinds of things we need to pay attention to.
PAUL BAUMANN: [I believe I notice a correlation among the children between low voices and phlegmatic temperaments, medium voices and sanguine temperaments, and high voices and choleric temperaments. Is that correct?]
RUDOLF STEINER: The other two are completely correct; the one with the high voice is quite strange. Overall, the low voices are found among the phlegmatic types, the medium voices among the melancholic and sanguine types. The sanguine types have the highest voices. The choleric is distributed across all three. There must be some special reason for this. Would you say that tenors are particularly choleric? On stage, yes. The choleric is distributed everywhere.
WALTER JOHANNES STEIN: How is it that people can have such different opinions about a child's temperament?
RUDOLF STEINER: This question cannot be solved mathematically. [That] is out of the question. When assessing certain borderline cases, it is possible that one person has one opinion and another has another. They do not need to be solved mathematically. It will be the case that the person who sees the child and perceives it in one way or another will themselves have the intention of treating it that way. Ultimately, the way it is treated is something that arises from the interrelationship. Don't think that this is something that should be discussed.
Another question about temperaments.
RUDOLF STEINER: The choleric temperament is indignant about everything that gets in the way of its activity. When it is involved in a rhythmic experience, it is indignant and angry, but also in other situations, when it is a different experience and it is disturbed, it is indignant. This is because rhythm is intimately connected with the whole human being. It is indeed the case that rhythm is connected with the human being more than anything else, [and] that the choleric person has a strong rhythm at their core, which is usually somewhat defective in itself. Napoleon can be regarded as a choleric person. In his case, his inner rhythm was compressed. [In] Napoleon's [case], he was predisposed to grow taller than he did. He remained hunched over. [His etheric body was larger than his physical body. As a result, his organs were cramped together], everything rhythmic became more cramped and constantly interfered with itself. [Because] such a choleric temperament is based on the constant shortening of rhythm, it lives [in] itself.
Someone asks: Can we say that one of the senses predominates in such a temperament?
RUDOLF STEINER: You will probably find that a choleric person usually has an abnormally developed sense of balance [Libra] and you will be able to prove this externally in the canals of the ear during an autopsy. The experience of rhythm, sense of balance and sense of movement, interaction between the two, rhythmic experience. With the sense of balance and sense of movement, the sense of movement would be predominant in a sanguine person [Virgo]. [Just as] in the melancholic [Leo], life predominates, and in the phlegmatic [Cancer], the sense of touch predominates, physiologically, because the touch receptors are embedded in small fat pads. This can be proven physiologically.
[It is not] as if the tactile corpuscles convey the stimulus. What happens is a reflex action, like when you press rubber balls and they spring back. The papillae are there to convey it to the ego, to transfer the stimulus in the etheric body to the ego. This is the case with all the senses.
There is a report on eurythmy lessons.
RUDOLF STEINER: Well, with eurythmy, enthusiasm becomes somewhat theoretical. The Eurythmeum is always in view. But [we have] always too few rooms. If we do more tone eurythmy, it would be desirable to have someone who plays the piano a little. Something like that can become a necessity. We have done relatively little tone eurythmy so far. In Dornach, Miss Hollenbach has set up a children's group for tone eurythmy and achieved extraordinary success. It can be noted that, with the exception of the very gifted older people, children learn eurythmy more easily and, in particular, develop grace more easily, so that eurythmy actually proves fruitful in the classroom. She has set up a children's group and achieved good results. While it is really difficult for adults because they do not want to get used to jumping up properly, children learn [it] very gracefully. No one would think that the children performing there look ugly when they spread their legs. It is not ugly at all, but I am convinced that even people like Hieber [the then Prime Minister] would not notice it.
We also thought about considering one or two of the older girls as teachers. In eurythmy, in the things that were performed, we placed great emphasis on rhythm.
PAUL BAUMANN reports on gymnastics: Some students also express themselves.
RUDOLF STEINER: Now we would have to ascertain whether the individuals in question are shirking gymnastics or whether they are sneaking away to engage in mischief.
PAUL BAUMANN: W. M. is skilled in eurythmy, but clumsy outside.
RUDOLF STEINER: In W. M.'s case, I would imagine that he is shirking in order to do something else.
BERTA MOLT: He is lazy.
RUDOLF STEINER: When he plays such pranks, he is very industrious. He is a very well-behaved boy. [About O. D.:] I think it is a good quality that he imitates writing. It is an experience that in marriage the man gets the writing like the woman or vice versa.
JOHANNES NEUMEISTER reports on gardening and crafts. On difficulties with individual children; for example, W. M.: The children are antisocial and lazy and do not like to help each other.
RUDOLF STEINER: Are there many? It's true, there's little else you can do but get those who are like that to work together, assign them a specific area, and make them feel ashamed if they don't get anything done. Something where the completion is visible, where they feel ashamed if only a quarter is done. [Not] the moment of ambition! What I said does not count on ambition, but on shame. Perhaps, if they team up, then you could appoint a committee to look at it in the presence of the children and express their displeasure. I believe that if Ms. Molt is appointed [to look at the matter], and Mr. Hahn, then W.M. will also decide to work so as not to arouse displeasure. One solution would be to keep these children, who are being forced to work together, close to you [during lessons]. [But] that is difficult to implement. They must be made to feel ashamed if they cannot manage it. I would not encourage ambition, but rather a sense of shame.
RUDOLF TREICHLER asks whether a bookbinding workshop could be set up.
RUDOLF STEINER: Would it be compatible with the school? Bookbinding would be something that could be included in the advanced training school curriculum. You could use what the children produce. As a trial, it could consist of binding books. Is there anyone among you who could take on such a continuing education course?
HANNAH LANG: I have taken a course.
RUDOLF STEINER: One or two, because bookbinding is something that can really be taught as a craft. We have no real transition from the old beautiful volumes, which have gradually disappeared, to the very philistine volumes. And what is now being attempted are mostly crafty coquetries. To achieve something crafty is, after all, appealing. What is being made [today] in terms of books that are not books! Books should be made as books again. That would fall within the scope of the continuing education school [for arts and crafts].
HERTHA KOEGEL: I also did bookbinding at the arts and crafts school.
RUDOLF STEINER: It's a simple job in itself, but it's precisely in this area that something needs to be done. Of course, you have to be good at the technical side of things. There is room for improvement there. I mean, when it comes to gold pressing, there are a number of things that could be improved. What needs to be learned is relatively simple. It's a matter of practice.
HERTHA KOEGEL: I don't know if I can still take it on.
WALTER JOHANNES STEIN: It is terribly difficult to imagine that someone who teaches can also take on something like that.
RUDOLF STEINER: It is a question that needs to be addressed in connection with the continuing education system.
HERTHA KOEGEL: Should I therefore give up some of my teaching hours in my class?
RUDOLF STEINER: Then we get into the subject teacher system. That must be avoided as long as we can, if there is someone available and if it is handled correctly so that it works.
I have seen in handicraft lessons that there is a great deal of skill there. As soon as the Waldorf School Association brings in many millions, we can have many rooms and hire many teachers. [Probably in response to a comment:] Yes, but we can hardly devote more time to it. The other thing must be achieved by dividing the classes. Two hours a week is probably enough. We have to divide the class, and that's only one hour.
HELENE ROMMEL: Should girls and boys be taught [separately]?
RUDOLF STEINER: I wouldn't do that; it's better not to start separating them. But you do let the boys do other handicrafts besides knitting, don't you? The same applies to the girls. Yes, but I still wouldn't do it; we shouldn't start separating boys and girls. We have to find another solution.
JOHANNES GEYER: Should the [preparatory] class have the character of a kindergarten?
RUDOLF STEINER: These are children who have not yet started school. We cannot introduce any subjects for learning. They should be kept busy in such a way that they play; certain games are necessary. One can also tell stories in a form that is not part of learning. But even then, we should not impose school requirements or insist that everything must be retold. I don't think there is any need for actual teaching objectives; instead, we should try to find out what is the best way to keep the children occupied. There is no need for teaching objectives.
[After a question and Stockmeyer's comment that these are six-year-old children] It will be a matter of playing games, telling stories, solving little puzzles. I wouldn't limit that pedantically either. I would keep them as long as their parents want them to be taken care of. Yes, if we could, we could have them all day long. If it's possible, why not? You can also try eurythmy, but they mustn't be spoiled. They mustn't be spoiled by anything else either. As I said, it's essentially a matter of mothering the children, not Fröbeling them. You certainly don't want to do anything specific in a school-like way, so you can do whatever they want with them.
This is the configuration [when playing]: a child who shows certain forms of play shows the same form [then] in the way they find their way into life. A child who plays slowly will be slow in their twenties [and] think slowly in everything that is summarized in life [as] life experience.
A child who is superficial in play will also want superficial things. A child who says, “I want to smash my toy because I want to see what it looks like inside,” will become a philosopher. That is the kind of thinking that masters life.
Yes, of course, you can do a lot in play. You can encourage a child who tends to play slowly to play faster. You give them games that require a certain amount of speed. They are asked to speak in chorus.
RUDOLF STEINER: You can do it. Fairy tales can also be told. There are many fairy tales that cannot be told to six-year-olds. I don't mean those that the Association for Ethical Culture rejects, but those that are complicated. I wouldn't let the little ones retell them yet. But if they want to tell something themselves, then listen to them. That's something you have to wait for.
The question is asked about the report cards.
RUDOLF STEINER: We have already discussed this. One should try to highlight individual aspects, but not in a pedantic way. One should try, perhaps, to have only the personal details [at the beginning] and then individualize for each child. For example, one could write: “E. E. reads well, tells stories in an inspiring way,” and so on, so that one can form one's own opinion. One sentence,
which is freely available and in which one underlines what is otherwise given [as individual subjects]. Perhaps it is necessary to list all subjects, perhaps not. I would print the report card so that it has only one header: “Free Waldorf School, Annual Report Card of the Student ...” and space in the middle to write.
Everyone will characterize the student according to their genius. If more teachers are involved, everyone must write something. But it would be desirable that the individual statements do not contradict each other too strongly; if one says, “He reads excellently,” the other should also say something that corresponds to that.
KARL STOCKMEYER makes a suggestion.
RUDOLF STEINER: Yes, of course it can be done that way. Yes, yes, certainly. Isn't that right, one person begins to characterize the student, the one who is his class teacher. The others follow suit. It is not good for the class teacher to write, “He is an excellent boy,” and then Mrs. Baumann writes, “He is a little monster.” That has to be harmonized.
The question is asked whether the religious education teachers of the different denominations should also write report cards.
RUDOLF STEINER: The religion teacher must also add his two cents; it must be the same. Here, the gentlemen will have to discipline themselves. Otherwise, they cannot write anything. Class registers can also be introduced for complaints against teachers. Individual classes should give report cards. This can also be written on the pages of a bound notebook. [Said in reference to denominational religious education teachers.]
KARL STOCKMEYER: Is it necessary to check that the report cards are being shown?
RUDOLF STEINER: I would simply introduce the rule that parents who wish their children to be readmitted should sign their names under last year's report card. If they no longer come, we do not need to make a rule about it. If they want to come back, the parents should sign their names. It has worked without interim report cards. Have the parents requested interim report cards?
Yes, the child registers and brings the report card, and gets it back at the end of the year when it is already a booklet. Of course, it can be a booklet, perforated. Suppose a child is bad at first, you have to write a reprimand in it, and then later he gets better, then he may be interested in taking away the previous report cards: [so] perforated.
Then you can write [something] that is not entirely complimentary. You cannot give these two children a report card saying that they write excellently, but you can phrase it in such a way that, without censoring, you characterize how far the child has progressed in writing. For little G. M., I would write: “Has not progressed beyond laboriously copying simple words, whereby the child very often adds unnecessary strokes to the letters.” Characterize the children!
The possibility of repeating a year is being considered.
RUDOLF STEINER: Then the child has simply repeated the year. I would [only] distinguish [between those who are keeping up and] those for whom it is certain that when the child returns, they will be placed in the remedial class. I would not want to introduce this practice of repeating the year. St. and K.: Both of these are children who arrived shortly after Christmas. Now that we have introduced the remedial class, we have the option of placing children who are unlikely to achieve the learning objectives in the remedial class, for example, those with mental disabilities. For the others, it is not beneficial to introduce this measure of repeating a grade. This should have been done when the child entered the school. It would be nice if we didn't cultivate the principle of repeating a year. I don't see what the point of it is. In your class, apart from these two who can go to the remedial class, there are at most three candidates for repeating a year, and basically you should be able to bring them along by not praising them to death, nor reprimanding them, but saying: The teaching goal has not been fully achieved. We would have been obliged to place the child in the right class upon admission. Now it is not wise to make the child repeat the year. It would be important to discuss with M. H. how to deal with this later. She would have to be placed in the 3rd grade; if that is what is decided, then she would have to be placed in the class she can attend. But overall, we should not keep children for the whole year, especially those who come from other schools, and then make them repeat the year.
I don't know what you mean. That only refers to the discussion of the curriculum for general elementary schools.
But now they are already in there. There aren't any particularly bad children there, so in these individual cases you have to take them in and never again take a child into a class that is too high. Kari. Stock: Which class should children from other schools be placed in? Should we stick to their age or balance them out?
RUDOLF STEINER: Isn't it true that in the future, when we get the children from the sixth year and have gone through all the classes, this cannot happen? We must try to place them in the class for which they are suitable, both in terms of age and ability.
The question is asked whether a child should be placed in the remedial class.
RUDOLF STEINER: I don't think that's possible. Especially in the first grade, you shouldn't go too far in separating children into remedial classes. I've seen it, that's true, but on the other hand, it's not such a terrible loss if a child still writes poorly in the first grade. Isn't it true that all children of this kind would, of course, gain infinitely much if one could carry it out, if one did exercises with them such as I inaugurated at that time?
Interjection: I did it with other children.
RUDOLF STEINER: If you let them do something like this, if you draw things, they have to close. [Rudolf Steiner demonstrates an exercise]: Reach your right hand over your head and grab your left ear. - [Or] if you let them [draw] things like that, a spiral that runs inward, a spiral that runs to the right, and a spiral that runs to the left, they gain a lot. [Such exercises, through which the children have to engage in thinking.]
[Then] writing, like this -: There are some who write very poorly, [and] there are quite a few who are first-rate. The [children] will not gain much [from this] if you encourage them to learn to write better by improving their handwriting. Make your fingers nimble! Then they will learn to write better.
I don't think you can improve poor handwriting by trying to make it better. You have to make an effort to make the children more skilled at drawing shapes. If they played the piano, they would learn to write better. It is quite correct to say that this poor writing only occurs at a time when children's toys have become so extraordinarily materialistic. It is downright outrageous that a large proportion of toys consist of construction kits. These should not be toys at all, because they are atomistic. If a child has a simple forge, the child must be able to use it. I would like to have a toy for a child that moves. This is stated in “The Education of the Child.” These toys [today] are terribly poor, and as a result, children no longer learn dexterity and have difficulty writing.
It would be enough if such children—you can't do it [at school]—who write poorly with their hands were encouraged to make very simple shapes with their feet. This has an effect on the hand. Drawing small circles with the feet. Semicircles, triangles. That they have to get one toe and the next, and make circles. It's not easy to do. It's very interesting. It's difficult to learn, but it's very interesting to do. Out in the sand, I would consider it quite good to let them make figures in the sand with their toes and a stick; this has an enormous effect on the hand. Or let a child pick something up with their foot; picking up a handkerchief with their foot instead of their hand has a very strong effect. I don't mean that they have to eat with their feet. But, you know, you can't do it systematically. One must try not to focus directly on improving handwriting, but rather to do it skillfully in drawing artistic forms. Bring out symmetry in a complicated form. [To Mr. Baumann:] Beating time is a good thing for training the forms of the intellect and logical forms.
LEONIE VON MIRBACH asks about left-handed writing.
RUDOLF STEINER: Yes, on the whole, you will find that children who have spiritual aptitudes can write unhindered, [as they wish], left and right. But children who are materialistic become idiotic from [writing with both hands]. There is a certain reason why right-handedness occurs. The fact is that in this materialistic age, children become idiotic when both [hands] are used alternately. This may not be a harmless thing in all matters that involve the intellect, but not at all in drawing. They can draw quite well with both hands.
The question is asked whether fairy tales can also be told in which bloody things occur.
RUDOLF STEINER: If the fairy tale were such that the intention was for the blood to have an effect as blood, then it would be inartistic. The only thing that matters in fairy tales is that they are tasteful. It doesn't hurt if there is blood in them. At most, I said to your mother [to Hertha Koegel]: If you want to avoid talking to children about blood in fairy tales at all costs, you will spoil them so much that they will faint at the sight of a drop of blood later on. That is harmful for life. You shouldn't make children incapable of coping with life [by] establishing such a principle.
HANNAH LANG asks about L. G. in the 3rd grade, who is nervous and stutters.
RUDOLF STEINER: The only remedy would be for you to try [doing exercises], I don't know if there are any with K and P among our exercise sets; [she would have to do them] and let them go, and then she would also be able to say these sentences. If she also did K and P in eurythmy, that would also be good. But such things should not be taken seriously; they usually disappear later on.
Regarding the student E. A. in the 5th grade who stutters.
RUDOLF STEINER: Yes, did you show her to me back then? I would have to see her. One has to know what the cause is, whether it is an organic defect or a psychological one. It could be either. If it is a psychological defect, one can formulate specific sentences that she would have to practice. If it is an organic defect, then something else would have to be done. I would have to look at her tomorrow.
CAROLINE VON HEYDEBRAND asks a question about A. W., a student in the 5th grade. He writes titles next to his name and underlines the “I.”
RUDOLF STEINER: He is a criminal type who [could] become a forger. A pronounced predisposition to criminality. [An unclear passage follows.] He can write much better than that. A pronounced criminal type. He would need some kind of psychological correctional instruction. He would have to be forced to do three such [?] in a row. I will take a look at him tomorrow. His father is infantile.
Later, the student in question received a saying from Rudolf Steiner.
There is a request for a closing ceremony.
RUDOLF STEINER: It would only be [good] to organize a kind of end-of-year ceremony. If I were there, I would organize the end-of-year celebration in such a way that I would speak, then Mr. Molt would speak, then the teachers would speak, so that the whole thing would be a symphony of what one would like to say to the students. Don't do student productions; that can be done at the last monthly celebration. This would provide guidance, looking back on the school year and looking ahead to the holidays, which
inspires hope and looks ahead to the next school year and so on. That's what I mean.
Tilly Rieger had the intention of making a film about the first Waldorf school and about the threefold social order.
Someone remarks: There is some resistance to this, but if new points of view have emerged, we would be grateful if they could be communicated to us.
RUDOLF STEINER: I don't really have any idea what should be done in this regard. Isn't that right, if Ms. Rieger wants to photograph something, for example, film the house, that can't hurt; there's nothing wrong with that. She wanted to bring back captivating images from all three areas and has contacted Mr. Uehli in this regard. Isn't that right, she herself can make the suggestion as to what she wants. All I know is that she first wants to write an epoch-making text about the threefold social order. She herself says she doesn't have the slightest clue. Liberty, equality, fraternity – she talks like a wheel, but otherwise she's a nice, friendly person. I've known her for many years. She made this discovery. If she contributes to raising awareness of the Waldorf school through an international film, then we have no objection to her public appearance, as we are not responsible for that. We are responsible for ensuring that the Waldorf school is in order. We are not responsible [for what she films], just as you are not responsible when you walk down the street and someone films you.
How is that supposed to be done? It's not technically possible. At most, she can photograph the building and have two people outside, an old woman and a young man, say: “This is a beautiful school, a school of the future.”
She has shown a new invention: she lets the words roll out so that you have a text to go with the film. She has a continuous rolling of the text in question. She lets the people appear, and then you have individual words. She also lets the words roll out in some artistic way so that you can see how it rolls out. It looks awful. You see the characters speaking, they open their mouths, someone is standing there, waving their arms around, opening and closing their mouth, and next to them appears: “Be a hero!” She showed me this thing in Schussen [Schiessen?], where something else appeared—the story was different. Now she has shown it differently again. Because in Schussen she showed it in such a way that the words that flicker by were thrown onto a wall. “Be a hero!” There it was thrown by flickering. The essential thing about her is that she adds the appearance of the text. You have to see and read it. So that seems to be a new thing. I find it strange that she has us run a black roll with a Morse telegraph.
She wants to write an epoch-making three-part drama and has appeared; she has appointed Mr. Uehli. I had thought she wanted to do it herself. I don't know what that's supposed to be. Is it something that—we can safely say we'll do what we can. We can't do anything. After all, if you can photograph eurythmy lessons, I even had them photographed in Dornach to reproduce them; I chose individual moments, but it didn't work. That's a technical question. I don't think much will come of it. I imagined, I thought to myself, why – it was at the time when this movement originated in Munich, that a great reactionary wave was to sweep across Germany, that was at the time when she also came with her cause. She wants to bring the threefold social order to film – I thought to myself: Why shouldn't a good thing also be filmed alongside the bad things? That could be possible. If she really wants to do it, she has to do it first, she has to put an old woman and a child on the Kanonenweg and create a dialogue; that can happen. We can't do anything more than try, at most, to prevent something particularly stupid from happening. We have no influence on that if she invents a piece where two people talk about the Waldorf school. She doesn't need to be allowed into the classrooms. She doesn't have a clue, she knows nothing. She can't claim any more than that if there is a public [children's eurythmy performance], then she can have it photographed. That she promotes eurythmy is her contribution to the work that the members do. It's pretty silly if she wants to film the classes; she can film any school she likes, it won't look any different. She could, for example, record the terrible shouting in the 4th grade on gramophone, and then it would appear on the organ.
I haven't figured out what she wants; her principle is not entirely uninteresting, although it has been generally criticized disparagingly. Now she's here, talking a mile a minute. It all started when she appeared in Berlin three years ago. She was invited to give lectures at the front. She wants to do something for the anthroposophical cause. This gives her the opportunity to reach the widest possible audience. She has no idea what anthroposophy is, but she wants to do something. She has made music with Olaf Åsteson.
I have no right, if something can be done somewhere to make the threefold social order and the school known, to prevent this from the outset out of some false modesty. It would be nice if everything that is tasteless could be prevented. Out of a false sense of refinement, I would not dare to prevent a path. I thought that she was thinking more about the threefold social order than about the intimacy of the Waldorf school. We have every interest in making the school as perfect as possible, but if someone films it, we have no interest in incriminating such a thing. It's not advertising what you see there. I can say, if she had stood there and filmed the lecture, what could I do about it? It was just a roll of film that was unwound, and then the roll was torn. I don't think there is that much paper; she has a handwriting that only half a word fits on a page.
A question about the trips to Dornach for the first anthroposophical university course at the Goetheanum [September 26 to October 16, 1920].
RUDOLF STEINER: You see, things are not so easy. We want to hold this course in the fall, where various people are to give lectures. Stein and Stockmeyer are also invited. It would of course be desirable if many people could come. Now, getting to Dornach is just as difficult as getting to Stuttgart. It is not easy to get invited. The currency issue. Now, it is possible that if the currency issue can be resolved, we will be able to accommodate a number of people after all. My aim is that everyone who comes from the Entente should entertain two others who come from the central countries. But now, it will not need to be informal [?]. We could do it the way we did it with the medical course, that is: But we must not forget that we don't have rich people in Dornach and Basel either.
Someone remarks: There are also passport difficulties.
RUDOLF STEINER: In general, if people want to come to Switzerland for recreation, [then it works]. They just mustn't want to go to Switzerland for any other purpose; one mustn't want to go to Switzerland to earn money there. The way we are treated is quite horrible. They now issue residence permits on condition that one pays tax rates. They don't give them to anyone below that. We are already having a hard time. These are the serious concerns we have [with] the Dornach building. Actually, if the building doesn't create a different atmosphere, it will be impossible for outsiders to visit it, won't it?
About the reproduction of paintings in the dome of the Goetheanum.
RUDOLF STEINER: What is painted there [in the dome] from the colors must be understood from the colors. If one tries to reproduce it through photography, the best one can hope for is to make it the same size as it is on the dome. It is not a matter of simply reproducing something. The less the images correspond to those on the dome, the better. The [black and white] then only points to it; it cries out for color. I would never agree to this unartistic reproduction. It is all a surrogate. I do not want color photography of the dome painting. [The reproduction] should not be [something] in itself. I want it to be such that what is not important is given.
It is the same with the stained glass windows. If you tried to achieve something through reproduction, I would rebel against it. You don't have to try to reproduce these things as faithfully as possible. It is also not desirable to reproduce a piece of music on a phonograph record that imitates it deceptively. I don't want that, I don't like it. I don't want a modern technical person. The way these images appear [in the reproduction], they [never] reproduce that; it is only the novelistic aspect, precisely that which is not important. One has the feeling that this or that color must be there. It seems to me – you will find this in the little book “Die Erziehung des Kindes” (The Education of the Child) – that one should not give children beautifully made dolls, but [ones] made from a handkerchief.
