The Rudolf Steiner Archive

It is only necessary to mention one of all the facts which speak to the same purpose, in order to see what far-reaching changes preceded the fifth century. At the end of the fourth century we find the Visigoths east of the Danube; a century later the map shows them in Spain. And just as this race travelled from one end of Europe to the other, so did many more. They penetrated into countries where they met with different civilisations, and adopted other customs. To understand the revolution which a hundred years produced in Central Europe, we must cast a glance back to the previous historical epochs. If we follow the records of the Romans, we find warlike tribes along the Rhine, whose main occupation, apart from fighting, was the chase. Farther east we find agriculture and cattle raising among the Germani; and farther still the Romans speak of the tribes in the northeast as of something nebulous and obscure.

We are told that this race, which dwelt by the sea, worshipped the Sun, believing that it saw the Sun goddess rising from the ocean. Of the Semnones, who lived in the Electorate of Bradenburg, it is told that their divine service was characterised by blood sacrifices. True, with them it was not, as a rule, human beings, but animals, that were offered up to the Gods. Nevertheless their sacrificial services bore a reputation for cruelty, which distinguished them from other tribes. And there would be much besides to relate concerning this epoch.

Then followed a comparatively quiet time.

Gradually the frontiers of the Roman Empire were crossed by various tribes. To begin with, in the third century the Burgundians advanced against the Roman Empire in the southwest, and farther north the Franks, who invaded Gaul. Farther east, too, on the Danube, other tribes moved against the Roman Empire. Thus the Romans, with their highly developed culture, had to defend themselves againse those peoples. We find here a great difference in levels of culture. Among the Germani everywhere, a system of barter still prevailed, among the Romans money transactions had been developed. Trade among the Germani was a matter of exchange; trading with money was still unknown to them. We see the clash of highly developed culture with barbaric tribes.

Then the Huns broke in. In the year 375 occurred the first clash with the Herulern and the Ostrogoths, whose dwelling place was on the Black Sea. They were forced westwards, and consequently the Visigoths were also obliged to break up their settlements. Where were they to go but into the Roman Empire, which they inundated as far as the Danube. Already the Roman Empire was split into an East and West Empire, the former with Byzantium, the latter with Rome, as its capital. The East Roman ruler assigned dwelling places to the Visigoths; but they nevertheless first had to fight for them at the battle of Adrianople. There, in that neighbourhood, Ulfils wrote his translation of the Bible. Soon, however, the Visigoths were obliged to resume their wanderings. Slavonic tribes followed in their footsteps, pressing them farther westward. Under their king Alarich, they conquered Rome, and, in the fifth century, founded the Visigothic Empire in Spain.

The Ostrogoths followed them, and likewise sought to establish a dwelling place in the domain of the Roman Empire. The Germanic tribe of Vandals conquered Spain, then sailed over to Africa, and, in the region where Carthage once stood, founded a Vandal Empire, and thence harassed Rome with incursions. Thus the whole character of these races is such, that into every part of the new configuration of Christian Rome, the Germanic races pressed. From this type of conquest new configurations of quite a special character arose.

In the domain of the former Gauls, rose a mighty empire—the empire of the Franks—which, for a whole century, imprinted its stamp on Central Europe. Within it, above all grew up what is commonly called Roman Christianity. Those other races—Goths, Vandals—who, in rapid triumphal marches, had subdued for themselves parts of the Roman Empire, soon disappeared again, completely, out of History. With the Franks we see a mighty empire extending over Europe. What is the reason for this?

To find that out, we must cast a glance at the way in which these tribes extended their empire. It was done in this way: a third, or two-thirds, of the region which they had invaded, was divided among the conquerors. Thus the leaders received great tracts of land, which they cultivated for themselves. For this work the conquered inhabitants were employed; a part of the population became slaves, or unfree. This was the policy of the Visigoths in Spain, the Ostrogoths in Italy. You may suppose that, under the existing circumstances where the population lived at a high level of culture, this mode of procedure caused great hardship and could not be permanently maintained.

It was different in Gaul.

There, there were great forests and uninhabited tracts of land. There, too, the conquered regions were divided, and large portions fell to the leaders, so that the leaders became great landowners, and rulers over the vanquished tribes. Here, however, they were not trammelled by already existing circumstances; there was room for expansion. And, although the leaders became rulers, circumstances made it possible for this to happen without great oppression. In the days before folk migrations, members of one tribe had, in essentials, resembled one another. Freedom was a common Germanic possession; in a certain sense, every man was his own master, responsible to no one, on his own land and soil. The independence and power of the leaders increased, because so many had become dependent on them.

Hence, they were in a position to protect themselves better; and small proprietors placed themselves under the protection of greater. Thus arose a protective relationship of the powerful towards the less powerful. Many small feuds were carried on by many small landowners who could not adequately protect themselves, in dependence upon more powerful protectors. Some swore fealty in case of war; others relinquished parts of their property, or paid tribute to their protectors. Such dependents were called vassals. Others held land under feudal tenure from the big proprietors, as payment for their service in case of war; this was the fief. The powerful warriors were feudal lords, the others were vassals. Thus, in the most natural way in the world, proprietary relationships grew up.

The invasions of the Goths had no lasting effect. Those peoples who had forced their way into civilised lands, came to nothing; their power was soon broken.

It was different in Gaul. Here, where extensive tracts had still to be cleared, the immigration of new tribal masses could only be welcomed, in the interest of culture. The great men in the Empire of the Franks were unimpeded in the cultivation of their racial character.

The Goths and Vandals were wiped out, they and all the Germanic tribes who came into the regions where industry was already developed. We see the Franks as independent of an industrial foundation; and the Franks gave their impress to the character of the ensuing age, especially because they provided a base upon which evolving Christianity was able to expand. Although the Visigoths were originally Aryan Christians, other ideas were engrafted into their belief; among the industrial assumptions which were foreign to their nature, that was developed which may be regarded as the stamp of materialistic conditions. It was not so among the Frankish tribes, where the Church was the great landowner. Undaunted by material considerations, these abbots, bishops, priests and theologians devoted themselves to the service of religion. Unalloyed, as it emanated from the nature of these men, the characteristic culture of this form of Christianity was developed. The spiritual strivings of the free ranks were encouraged by the influx of the Celtic element. The Celts, whose fiery blood again manifested itself, became the teachers and leaders of the spiritually less active Franks. From Scotland and Ireland came Celtic monks and priests in great numbers, to spread their faith among the Franks.

All this made it possible for Christianity to be, at that time, not a mirror of external conditions, but to develop freely, unconstrained by material considerations. The conditions of Central Europe were determined by Christianity. All the knowledge of antiquity was thus preserved by Christianity for the Germanic tribes. Aristotle gave the spiritual kernel, which Christianity sought to grasp. At that time there was no dependence on Rome. The Christian life could develop freely in the Empire of the Franks. Plato's world of ideas found entrance too into this spiritual life. This was brought about especially through the influence of Scottish monks, above all through Scotus Erigene in his work De Divisioni Naturae, a work which is well-known as indicating a high level of spiritual life. Thus we see how spiritual life was being formed, unhindered by external conditions. Spiritual currents received their characteristic independently of industrial conditions. Later when the material pressure increased they accepted, retrospectively, the character of these conditions; then, however, when they themselves joined them, they exercised influence on them in their turn.

Several small kingdoms formed what we know as the Merovingian Empire, which later came under the power of one ruler.

From the foregoing description you will see that southern Christianity was bound to be different from that with which it was later amalgamated. The Christianity of the Franks was comparatively independent, and could make use of political relationships, to its own advantage. The farther the Roman rule was pressed back, the more clerics came from among the Franks. Their education lagged far behind that of the other clergy; the learned priests and monks were all Celts.

In these centuries, therefore, the most divine tribes were gradually shaken up together; the invasion of the Huns gave rise to these changes While that which has been described was taking shape within the actual currents of civilisation, great struggles had been going on outside. But what we call the evolution of civilisation was not essentially affected by these external struggles.

The Huns had penetrated far to the west; if we are not blind to what the old legends relate, we know that they pushed as far as the south of France.

In the old heroic poem of Walther on der Vogelweide, handed down to us in a Latin translation, we are told how the princes of the Germanic tribes, the Burgundians and Franks, had to scourge the Huns, among them that Walther, son of the prince of a Germanic tribe, who ruled in Aquitania. This heroic song narrates the feats of Walther, Hagen and Gunther. In continuous succession followed incursions of the Huns, harassing the Germanic races far into the west, until eventually the Franks, the Goths and what was left of the Roman race, formed the force which opposed the Huns in battle on the Catalaunian Plain in the year 451. This is the first defeat that the Huns suffered. Their rule, however, which had weighed heavily upon the peoples, left no lasting impression.

In manners and customs the Huns were so alien to the people of Europe, that their whole type and form is described as something quite peculiar. An important point was that this race formed a compact unity; a submissiveness, amounting to idolatry, under their king, Attila, made them an irresistible terror to other races. After their defeat on the Catalaunian Plain, this army received its last decisive defeat through Leo the Great, Bishop of Rome, who withstood Attila, and induced him to retreat. Leo knew the power which Attila exercised over his people. But with all his power Attila did not know what was opposing him, namely, Christianity; therefore he bowed before it.

The rule of the Huns remained merely an episode; what came from the west made a much more lasting influence. After Attila's death in 453, his army soon collapsed. Neither was the rule of the Goths, Gepidae, or Vandals, of lasting duration; they found themselves hemmed in by conditions already settled, and were not able to maintain their own character. Things happened differently in France: the culture there proved faithful to the character of the Frankish tribe, and it may be seen how powerfully this race evolved. Later, however, we see too how this tribe forced other to accept Christianity. We see further that there existed nothing better calculated to develop material culture than Christianity; all sorts of culture forms received their stamp from external Christianity. And because they were able to maintain their free character, they provided a framework for mobile forms in which spiritual life could develop, and in this way the spiritual, industrial communities—monasteries, etc.—grew up. In process of time, however, spiritual and industrial culture were separated. Although the empire of Charlemagne considered itself a Christian empire, in spreading Christianity by force, it set itself in opposition to the spirit of Christianity. Hence Christianity was soon no longer suited to industrial life. The conditions of industrial life were felt to be oppressive—and thus the “free cities” originated.

This, in outline, is the evolution of spiritual and material evolution. You see that it was only when the spiritual currents no longer coincided with the material conditions, that this disparity found expression in a purely material culture, the city-culture. From these industrial formations grew out of material interests. The population which could not be supported on the land, pressed into the towns to find protection and security. Thus we see empires rising and falling, and new creations taking the place of old. We can, however, only understand their organisation, if we realise how the first model realm, the empire of the Franks, was formed. Not having pressed into already existing conditions, but going where space was offered for free expansion, this tribe had evolved its character and was able to develop its rule.

The tribes driven from their homes during the great folk migrations, were not only thoroughly mingled together, they were also newly constructed. Some had disappeared from History altogether, others had taken their place. This great metamorphosis was accomplished, not merely from outside, but still more in the deepest depth of their character. At the beginning of the epoch of the folk migrations, we see the various Germanic tribes asking a question of destiny. For the Goths, who had chosen for themselves a tolerant Christianity, this question signified extermination. For the Franks, confrontation with it under other freer, more favourable circumstances, it meant increase of power throughout the centuries. Whether or not for the good of all, we shall see in what follows.

We are now half-way through the Middle Ages, with the 11th, 12th, 13th and 14th centuries before us. This period is important, full of significance, because in it we can study the rise of the great empires. In studying antiquity, too, we learnt of great State-dominions, but they lie so far behind us that a true, historical judgment is difficult. In the Middle Ages, however, we see what is called “empire,” evolving from apparently insignificant causes. For, if an empire is something which has a communal army, a constitution, and courts of justice—there was no such thing in Germany. As late as the 13th and 14th centuries, these regions were still divided into separate, individual territories.

Not until the reign of Henry III (1039–1056), did something occur which was instrumental in uniting the State territories; for this emperor succeeded in combining the individual tribal dukes into a kind of imperial official department. Before, they had taken their supreme position from the special characteristics of the tribe; now they had become Ministers of State—liegemen of the emperor. Gradually an equalisation of the lower vassals took place who, from freemen, became, with the Ministers, liegemen of the emperor. In process of time, they formed what is called the lower nobility, out of which the ranks of knighthood were recruited, the class which played so important a part in the Crusades. Already in the reign of Henry IV, the knights were playing a considerable part.

When Gregory VII excommunicated Henry IV, only some of the German princes stood by the emperor; others were under the influence of the pope and elected different rival kings. That fighting was not important; but what is important is that, through these various conflicts, the class of knights acquired special significance. Continual feuds and wars prevailed; brutality continued to increase. The peasant class suffered much from the pillaging expeditions. The last free peasants could no longer hold out, and were swallowed up by the lords and dukes, and these again by the kings. And from this unedifying process we see arise what we know as “empire.”

In this connection there was no difference between secular and spiritual princes; but the difference was great between the secularised clergy and those in the monasteries. The clergy governed by the bishops were mostly uneducated, unable to read and write, and of boorish manners. They made profit out of their feudal tenants. The bishops busied themselves with the administration of their property and were as uneducated as the knights or peasants: nothing of what we may call culture existed. Thus the political situation made it possible to consolidate the Church ever more and more, from Rome.

It was different in the monasteries. Here much work was done, by the men and women. Profound learning was to be met with here; all education of those days proceeded entirely from the monasteries. In this matter they did not allow themselves to be made dependent on the political power of Rome, which was based on the secular ascendency of the clergy. That which emanated from Rome can be judged in quite different ways. A certain struggle had to be carried on against the brutality, against the club law, of the German tribes. Zeal for spiritual assets, the desire to spread the authority of mediaeval thought over the whole world, was what Rome wished for. The more excellent will, at any rate, came from Rome, and not from the German princes. In this sense we must grasp what Gregory VII wanted, when he demanded the celibate state, and what Nicolas II felt, when he could not endure the claim of the secular princes to exercise influence on the appointments to bishoprics: it was an opposition to the growing savagery of the German territories. Thus the wars of Henry IV against the Saxons were not only almost as bloody as the earlier wars of Charlemagne against the same race, but they were waged with a quite exceptional disregard of loyalty and good faith.

Through all these wars, the welfare of the people was more and more disorganised. Out of the storms of the times there arose a deeply religious trait, which became exaggerated to the sentimental emotionalism that I described to you in connection with the year 1000. This religious emotionalism drove the populace to constant pilgrimages to the East.

Originally the Christian religion knew nothing of clinging to any kind of dogma. It depended on the content of ideas, not on the external wording. You have seen in how free a way the Christian idea was developed in Heiland, and how, for his own countrymen, the poet transposed the life of Christ into Old Saxon conditions. He conceived the externals quite freely; they could take place in Germany, just as well as in Palestine.

Under conditions becoming more and more externalised, the outward form of faith had become a vital question for the Church. It could no longer be left to the discretion of the tribes.

As a counterpart of political power, dogma also became firm and rigid.

The princes attempted to make use of the secular power of the Church in their own interests; the episcopal sees were filled by younger brothers, who seemed, either physically of mentally, to be unfit for anything else. Quite gradually conditions altered, and the old epoch merged into the new.

And now appeared the Crusades, which we can understand psychologically from the mood that prevailed in the Middle Ages. As a result of the existing religious emotionalism, it was easy for the pope—through his own agents, such as Peter of Amiens and others—to spur men on to the Crusades. Added to this, a great number of people were now completely destitute. So it was not onl religious motives which contributed to the crusading zeal. More and more freemen had become vassals; others had been obliged to leave their property, and had become vagrants, possessing nothing but what they stood up in.

Among these wanderers, who came from all classed—even from the nobility—there were a great many with nothing to do, who were ready for any enterprise—including the Crusades.

So, we come to understand that a large number of factors were at work: religious emotionalism, rigid dogma and material oppression. How powerfully these causes worked, we see from the fact that the first Crusaded took place, half a million people travelled to the East. The first external impulse was given by the ill-treatment of the numerous pilgrims at the hands of the Saracens. Still, there were deeper causes underlying it.

Men were subjecting themselves to a rigid dogma; and those who do not understand how, in those days, men clung with heart and soul to religion, know nothing of the Middle Ages. A sermon had a kindling influence on the people, if it struck the right chord. Many thought to find salvation through joining the Crusade; others hoped to obtain forgiveness of their sins. Our modern point of view can give us no true picture of this mediaeval phenomenon; here we have to do with many intangible causes.

It is not the causes, but the effects, of the Crusades, which are of special significance. One of these effects became visible very soon, namely a much more intimate exchange between the different countries.

Hitherto, Germany in general had remained almost unknown to the Romance countries; now they were brought close to one another by comradship in arms. Moorish science, too, found a real entrance in this way. Formerly there had been Chairs in the Universities only in Spain, Italy and France; it was not until after the Crusades that they were established in Germany. Now, for the first time the influence of true Science spread from the East. Until now, this had been a completely closed book; and great cultural treasures were preserved in the writings of Greek classical authors. Actually, it was through contact with the East that Science first originated.

The indeterminate influence of religious emotionalism had assumed a definite form; it had become what is called Mediaeval Science. I should like to give you some description of this Science.

In the first place, it developed two ways of thinking, ways which became noticeable in the scientific life of the Middle Ages. The Scholastic mode of thought split into two currents: Realism and Nominalism. It is an apparently abstract subject, but for the Middle Ages, and even for later times, this conflict acquired a deep significance—a theological, as well as a secular, significance.

Scientists are divided into these two camps. Nominalists means those who believed in names; Realists are those who believe in actuality. Realists, in the sense of the Middle Ages, were those who believed in the reality of thought, in a real meaning, to the universe. They assumed that the world has a meaning and did not come into being by chance. From the standpoint of materialism this may seem a foolish point of view; but one who does not regard this thought as an empty flight of fancy, must admit that the idea of a cosmic law, which men seek and find within themselves, has significance also for the world.

The Nominalists were those who did not believe that thoughts are anything real, who saw therein only names given at random, things of no significance. All those who think to see, in what human thinking achieves, mere blind fortuity—those like Kent, and Schopenhauer, who conceives the world as idea—form an outgrowth from mediaeval nominalism.

These currents divided the army of monks into two camps. It is noteworthy that in such weighty matters, the Church exercises no compulsion, and, so far as learning is concerned, calmly affirms that the question may be raised whether the divine Trinity is not also only a name—and that consequently nothing is real. Nevertheless, you see from this the wide freedom of the mediaeval Church. Not until the end of this period do the persecutions of heretics begin; and it is significant that the first inquisitor in Germany, Conrad of Marburg, was assassinated by the populace. It was then that beliefs began to be persecuted. This is an important change of front. How free ecclesiastical thinking had been before, you can see from the great teacher and thinker, Albertus Magnus (1193–1280). He was a man conspicuous for learning, delving deeply into every kind of science; he had mastered ecclesiastical scholarship, Arabian knowledge, natural history and physics. The people regarded him as a magician. Learning and popular superstition exploited by the secularises clergy, jostled each other severely.

Now the cities come to the fore. Here we see the rise of a powerful citizen class. Manufactures flourish, and guilds are formed. NO longer need the artisan stop beneath the oppression of the lords of the manor, as the serfs were wont to do. Soon kings and princes form alliances with the mediaeval cities.

The Emperor Frederic Barbarosa fought for years with the cities of North Italy. A strong feeling of freedom and a sense of definite personal value developed among the citizens. Thus, on the one hand, we see, in the country, religious conviction together with increasing external oppression; and, in the towns, a free citizenship. The citizens were bound, it is true, by a strictly regulated guild organisation; yet that in itself contributed to the freedom of the cities, whereas life in the country was witherin away under club law and brutality. After the Crusades the knights lapsed into an empty court life, leading nowhere. They occupied themselves with feuds, tournaments and passages of arms; their manners became more and more rough. As time went on, the pursuit of love, in particular, assumed most ridiculous forms. Knights who could write poems composed odes to their lady loves; others paid court to them in different ways. Great ignorance was combined with this court life. The men were almost all uneducated; the woman had to be able to read and write. The women occupied a peculiar position; on the one hand, they were idolised; on the other, they were enslaved. A kind of barbarism prevailed, and unbridled life, wherein the ravishing of women was included in the customs of hospitality.

Meanwhile, that which was later called culture, was growing up in the cities. What was happening there, was bound to happen; for new contingencies arise, wherever it is possible to construct in freedom. Real spiritual progress takes place when the industrial life is not cramped. Not that spiritual progress springs from material progress, but true spiritual progress is found where industrial life is not oppressed and confined.

Thus, at this epoch, a rich cultural life made its appearance in the cities; nearly all that has come to us in works of art, in architecture and discoveries, we owe to this period of city culture. It was from such a rich Italian city culture that Dante rose. In Germany, too, we find important intellectual achievements under this influence. True, the first notable poets, such as Wolfram von Eshenbach, Gottfried von Stassburg, etc., were knights; but without the restraint offered by the cities, these achievements would not have been possible. At the same time, when the breath of freedom was blowing in the cities, University life also sprang up. At first, when a German wished to find higher knowledge, he had to go to Italy, France, etc. Now there arose in Germany itself, the first Universities: Prague (1348), Vienna (1365), Heidelberg (1386). Freedom dispersed the mediaeval gloom.

The secularised clergy were entangled, like the princes, in wars of self-interest; and the Church had assumed this characteristic. Following the course of these developments, one realises that the new spiritual current, German mysticism, could only arise in this way—in stark opposition to the secularised clergy. This movement spread particularly along the Rhine, in Cologne, Strassburg and South Germany. To it belonged men like Eckhardt, Tauler, Suso, etc. They had made themselves independent of the Roman clergy, and were therefore declared heretics; life was made difficult for them in every way. A spiritual trait runs through their writings. They had withdrawn into their human heart, in order to come to a clear understanding of themselves. These independent monks spoke to the heart of the people in an extraordinarily edifying way, in a language unintelligible today, unless one reads the writings of a Master Eckhardt or Tauler. The beauty of the language was implanted in it by mysticism, and the contemporary translations far excelled the later ones in beauty of language. This development of the German language was sharply interrupted by Luther, who produced the German Bible in the most pedantic philistine idiom of the period, out of which the modern High German has grown. All this took place in opposition to the clergy. What was wished for at that time has, in many departments, not yet been reached. It es always asserted that Luther's translation of the Bible represented something unprecedented, but you see that far greater heights had been reached before.

We are nearing the time of the Renaissance. The consolidation of relationships, which had been achieved, consisted essentially in ever larger territories coming under the authority of the ruling princes. Also, a considerable part of the mediaeval freedom of the cities was absorbed into the constitution of the great States. Much is said nowadays of the despotism which prevailed at that time. Freedom has, of course, its seamy side; and it is not freedom if a man's freewill is limited by the freewill of others.

In the middle of this mediaeval period, there was opposition in the Universities to the arbitrariness of those in secular power, just as, later, perhaps Fichte alone voiced it. The documents of the mediaeval Universities preserve for us the words of the free spirits of those days. Today, not only the secular government, but Science, too, is State-controlled.

I have sketched this epoch without allotting light and shade, according to the catchwords of the present day. I tried to dwell on the points where real progress was made. If we wish to be free, we must have a heart for those who have striven for freedom before us. We must understand that other ages, too, produced men who set store by freedom.

History is the story of man's evolution to freedom; and in order to understand it we must study the culminating points of all freedom.

Speech Exercises:

Slinging slanging a swindler
the wounding fooled a victor vexed
The wounding fooled a swindler
slinging slanging vexed

March smarten ten
clap rigging rockets
Crackling plopping lynxes
fling from forward forth

Crackling plopping lynxes
fling from forward forth
March smarten ten
clap rigging rockets

RUDOLF STEINER: With this exercise you should share the recitation, like a relay race, coming in quickly one after the other. One begins, points to another to carry on, and so on.

Someone spoke about the ellipse, the hyperbola, the circle, the lemniscate, and the conception of geometrical loci. At the same time he mentioned how the lemniscate (Cassini curve) can take on the form III, in the diagram, where the one branch of the curve leaves space and enters space again as the other branch.

RUDOLF STEINER: This has an inner organic correlate. The two parts have the same relation to each other as the pineal gland to the heart. The one branch is situated in the head—the pineal gland, the other lies in the breast—the heart. Only the pineal gland is more weakly developed, the heart is stronger.

Someone spoke on a historical theme—the migrations of various peoples.

RUDOLF STEINER: The causes assigned to such migrations very often depend on the explanations of historical facts. As to the actual migrations—for example, the march of the Goths—at the root of the matter, you will find that the Romans had the money and the Germanic peoples had none, and at every frontier there was a tendency among the Germanic peoples to try to acquire Roman money one way or another. Because of this, they became mercenaries and the like. Whole legions of the Germanic peoples entered into Roman hire. The migration of the people was an economic matter. This was the only thing that made the spread of Christianity possible, but the migrations as such began, nevertheless, with the avarice of the Germanic peoples who wanted to acquire Roman money. The Romans of course were also impoverished by this. This was already the case as early as the march of the Cimbri. The Cimbri were told that the Romans had money, whereas they themselves were poor. This had a powerful effect on the Cimbri. “We want gold,” they cried, “Roman gold!”

There are still various race strata—even Celtic traces. Today there are definite echoes of the Celtic language—for example, at the sources of the Danube, Brig and Breg, Brigach, and Brege, and wherever you find the suffix ach in the place names such as Unterach, Dornach, and so on. Ach comes from a word meaning a “small stream” (related to aqua), and points to a Celtic origin. “Ill,” too, and other syllables remind us of the old Celtic language. The Germanic language subsequently overlaid the Celtic.

[Rudolf Steiner referred to the contrast between Arians and Athanasians.¹]

There is something connected with the history of these migrations that is very important to explain to the children—that is, that it was very different for the migrating peoples to come into districts that were already fully developed agriculturally. In the case of the Germanic peoples, such as the Goths in Spain and Italy, they found that all the land was being cultivated already. The Goths and other ethnic groups arrived but soon disappeared. They became absorbed by the other nations who were there before them. The Franks, on the other hand, preferred to go to the West, and arrived in districts not yet fully claimed for agriculture, and they continued to exist as Franks. Nothing remained of the Goths who settled where the land was all already owned. The Franks were able to preserve their nationality because they had migrated into untilled areas. That is a very important historical law. You can refer to this law again later in relation to the configuration of North America. There, it is true that the Red Indians were almost exterminated, but it was also true, nevertheless, that people could migrate into uncultivated districts.

It is also important to explain the difference between such things as, for example, the France of Charles the Great and the state of a later time. If you are unaware of this difference, you cannot cross the Rubicon of the fifteenth century. The empire of Charles the Great was not yet a state. How was it for the Merovingians? Initially they were no more than large-scale landowners. The only thing that mattered to them was civil law. As time passed, this product of the old Germanic conditions of ownership became the Roman idea of “rights,” whereby those who were merely administrators gradually acquired power. And so, by degrees, property went to the administrative authorities, the public officials, and the state arose only when these authorities became the ruling power later. The state, therefore, originated through the claims of the administration. The “count nobility” arose as the antithesis of “prince nobility.” The word Graf (count) has the same origin as “graphologist” or “scribe.” It is derived from graphein, to write. The “count” is the Roman scribe, the administrator, whereas the “prince nobility,” originally the warrior nobility, is still associated with bravery, heroism, and similar qualities. The prince (Fürst) is “first,” the foremost one. And so this transition from Fürst to Graf (prince to count) marked the rise of the concept of “state.” This can of course be made very clear by using examples such as these.

Someone described how he would introduce the spread of Christianity among the Germanic peoples.

RUDOLF STEINER: Arian Christianity, expressed in practical life, is very similar to later Protestantism, except that it was less abstract and more concrete. During the first and second centuries the Mithras cult was very widespread among Roman soldiers on the Rhine and the Danube, especially among the officers. In what is now Alsace and elsewhere, Thor, Wotan, and Saxnot were worshipped as the three principal gods of the ancient Germanic people, and the old Germanic religious rites and ceremonies were used.²

We could describe many scenes that demonstrate how the little churches were built in Alsace and the Black Forest by the Roman clerics. “We want to do this or that for Odin” sang the men. The women sang, “Christ came for those who do nothing by themselves.” This trick was actually used to spread Christianity—that by doing nothing one could achieve salvation.

Eiche (the oak), in the old Germanic cult-language, designates the priest of Donar. During the time of Boniface it was still considered very important that the formulas were still known. Boniface knew how to gain possession of some of these formulas; he knew the magic word, but the priest of Donar no longer knew it. Boniface, through his higher power, felled the priest of Donar—the “Donar-oak”—by means of his “axe,” the magic word. The priest died of grief; he perished through the “fire from Heaven.” These are images of imagination. Several generations later this was all transformed into the well-known picture.

You must learn to “read” pictures of this kind, and thus through learning to teach, and through teaching to learn.

Boniface romanized Germanic Christianity. Charles the Great’s biography was written by Eginhard, and Eginhard is a flatterer.

Music teaching was spoken about.

RUDOLF STEINER: Those who are less advanced in music should at least be present when you teach the more advanced students, even if they do not take part and merely listen. You can always separate them later as a last resort. There will be many other subjects in which the situation will be just as bad, in which it will be impossible for the more advanced students to work with those who are backward. This will not happen as often if we keep trying to find the right methods. But due to a variety of circumstances, such things are not obvious now. When you really teach according to our principles you will discover that the difficulties, usually unnoticed, will appear not only in music lessons, but in other subjects as well—for example, in drawing and painting. You will find it very difficult to help some of the children in artistic work, and also in the plastic arts, in modeling.

Here, too, you should try not to be too quick to separate the children, but try to wait until they can no longer work together.

,em>Someone spoke about teaching poetry in French and English [foreign language] lessons.

RUDOLF STEINER: We must stay strictly with speaking a certain amount of English and French with the children right from the beginning—not according to old-fashioned methods, but so that they learn to appreciate both languages and get a feeling for the right expressions in each.

When a student in the second, third, or fourth grade breaks down over recitation, you must help in a kind and gentle way, so that the child trusts you and doesn’t lose courage. The child’s good will must also be aroused for such tasks.

The lyric-epic element in poetry is suitable for children between twelve and fifteen years of age, for example, ballads or outstanding passages from historical writings, good prose extracts, and selected scenes from plays.

Then in the fourth grade we begin Latin, and in the sixth grade Greek for those who want it, and in this way they can get a three-year course. If we could enlarge the school we would begin Latin and Greek together. We shall have to see how we can manage to relieve children who are learning Latin and Greek of some of their German. This can be done very easily, because much of the grammar can be dealt with in Latin and Greek, which would otherwise come into the German lessons. There can also be various other ways.

C was pronounced “K” in old Latin; and in medieval Latin, which was a spoken language, it was C as in “cease.” The ancient Romans had many dialects in their empire. We can call Cicero “Sisero” because in the Middle Ages it was still pronounced like that. We can’t speak of what is “right” in pronunciation because it is something quite conventional. The method of teaching classical languages can be similarly constructed; here, however, with the exception of what I referred to this morning,³ it is usually possible to use the normal contemporary curricula, because they originated in the best educational periods of the Middle Ages, and they still contain much that has pedagogical value for teaching Latin and Greek. Today’s curricula still copy from the old, which makes good sense.

You should avoid one thing, however: the use of the little doggerel verses composed for memorizing the rules of grammar. To the people of today they seem rather childish, and when they are translated into German they are just too clumsy. You must try to avoid these, but otherwise such methods are not at all bad.

Sculpting should begin before the ninth year. With sculpture too, you should work from the forms—spheres first, then other forms, and so on.

Someone asked whether reports should be provided.

RUDOLF STEINER: As long as children remain in the same school, what is the purpose of writing reports? Provide them when they leave school. Constant reports are not vitally important to education. Remarks about various individual subjects could be given freely and without any specific form.

Necessary communication with the parents is in some cases also a kind of grading, but that cannot be entirely avoided. It may also prove necessary, for example, for a pupil to stay in the same grade and repeat the year’s work (something we should naturally handle somewhat differently than is usual); this may be necessary occasionally, but in our way of teaching it should be avoided whenever possible. Let’s make it our practice to correct our students so that they are really helped by the correction.

In arithmetic, for example, if we do not stress what the child cannot do, but instead work with the student so that in the end the child can do it—following the opposite of the principle used until now—then “being unable” to do something will not play the large role it now does. Thus in our whole teaching, the passion for passing judgment that teachers acquire by marking grades for the children every day in a notebook should be transformed into an effort to help the children over and over, every moment. Do away with all your grades and placements. If there is something that the student cannot do, the teachers should give themselves the bad mark as well as the pupil, because they have not yet succeeded in teaching the student how to do it.

Reports have a place, as I have said, as communication with the parents and to meet the demand of the outside world; in this sense we must follow the usual custom. I don’t need to enlarge on this, but in school we must make it felt that reports are very insignificant to us. We must spread this feeling throughout the school so that it becomes a kind of moral atmosphere.

You now have a picture of the school, because we have been through the whole range of subjects, with one exception; we still have to speak about how to incorporate technical subjects into school. We have not spoken of this yet, merely because there was no one there to do the work. I refer to needlework, which must still be included in some way. This must be considered, but until now there was no one who could do it. Of course it will also be necessary to consider the practical organization of the school; I must speak with you about who should teach the various classes, whether certain lessons should be given in the morning or afternoon, and so on. This must be discussed before we begin teaching. Tomorrow will be the opening festival, and then we will find time, either tomorrow or the day after, to discuss what remains concerning the practical distribution of work. We will have a final conference for this purpose where those most intimately concerned will be present. I shall then also have more to say about the opening ceremony.

• 1. Athanasian refers to the doctrine of Saint Athanasius, or Athanasius the Great (c. 293–373), who was a Greek theologian and prelate in Egypt. Throughout his life he opposed Arianism and became known as the “Father of Orthodoxy.” He was exiled three times by Roman emperors for his stand; he wrote Four Orations against the Arians but not the Athanasian Creed (written after the fifth century), which espouses his teachings on the Trinity. The Arian doctrine, on the other hand, has to do with Arius (c. 250–336), also a Greek ecclesiastic in Alexandria, who taught a Neoplatonic doctrine that God is alone and unknowable, the creator of every being, including the Christ. Emperor Constantine I formed the Council of Nicaea in 325 to declare Arianism a heresy.
• 2. This is a reference to Steiner’s lectures on the history of the Middle Ages, given in the Workers’ College in Berlin between October 18 and December 20, 1904 Geschichte des Mittelalters bis zu den großen Erfindungen und Entdeckungen (GA 51).
• 3. See morning lecture pp. 189–190.

It is not the aim of Spiritual Science merely to satisfy curiosity or a greed for knowledge but to be a spiritual impulse penetrating deeply into the culture of the present and immediate future. It will begin to dawn upon us that this is indeed the mission of Spiritual Science when we realise that its impulse has already made itself felt in the form either of clear or vague premonitions, in various domains of modern life. To-day we shall consider how an impulse akin to that of Spiritual Science lived in one of the greatest artists of our time. In speaking of Richard Wagner, I certainly do not mean to imply that he was fully conscious of this impulse. It is so meaningless when people say: ‘You tell us all kinds of things about Richard Wagner, but we could prove to you that he never thought of them in connection with himself.’ Such an objection is so patent that even those who think as we do could raise it. I am not suggesting for a moment that the impulse of which we shall speak lived in Richard Wagner in the form of definite ideas. Whether or not one is justified in speaking of it, is quite another matter. Detailed evidence in support of this point would lead us too far, but a comparison will show that our method of approach is fully justified. Does a botanist not think about a plant and try to discover the laws underlying its growth and life? Is not this the very thing that helps him to understand its nature? And will anyone deny him the right to speak about the plant from this aspect just because the plant itself is not conscious of these laws? There is no need to reiterate the generalisation that ‘an artist creates unconsciously.’ The point at issue is that the laws which help us to understand the achievements of an artist need not be consciously realised by him any more than the laws of growth are consciously realised by the plant. I say this at the outset in order to clear away the above-mentioned objection.

Another stumbling-block which may crop up now-a-days, is connected with the word ‘Mysticism’ itself. Quite recently it happened that somebody used the word among a small group of people, whereupon a would-be learned gentleman remarked: “Goethe was really a Mystic, for he admitted that very much remains obscure and nebulous in the sphere of human knowledge.” He showed by this remark that he associated ‘Mysticism’ with all ideas about which there is something nebulous and vague. But true Mystics have never done this. Precisely to-day we hear it said in academic circles: ‘To such and such a point clear cognition can attain; from that point onwards, however, we grope blindly among the secrets of Nature with vague feelings, and Mysticism begins.’ But the opposite is the case! The true Mystic enters a world of the greatest possible clarity—a world where ideas shine into the depths of existence with a light as radiant and clear as that of the sun. And when people speak of obscure feelings and premonitions this simply means that they have never taken the trouble to understand the nature of Mysticism. In the first centuries of Christendom the word Mathesis was not used because this kind of experience was thought to be akin to mathematics but because it was known that the ideas and conceptions of a Mystic can be as lucid and clear as mathematical concepts. Men must have patience to find their bearings in the domain of true Mysticism, and it is purely in this sense that the word will be used here in connection with the name of Richard Wagner.

And now let us speak of what is really the fundamental conviction of everyone who is a true student of Spiritual Science.—It is that behind the physical world of sense there is an invisible world into which man can penetrate. This, too, is the attitude of Mysticism. Did Wagner himself ever express this conviction? Most certainly he did! And the significant thing is that he expressed it from the musician's point of view, indicating thereby that to him music or art was far more than a mere adjunct to existence, was indeed the most essential element of life. He speaks in a wonderful way about symphonic music. He regarded symphonic music as a veritable revelation from another world, a revelation by which the threads of existence are elucidated far better than by logic. And from his own experience he knew that the convictions which arise in a man when he listens to the speech of symphonic music are so firmly rooted in his being that no intellectual judgment can prevail against them. Such words as these were not uttered at random; they were indications of a deep and profound theory of knowledge.

And now let us see whether we can explain these words of Wagner in the light of the conviction that is characteristic of Mysticism. Again and again we find Mystics describing the nature and mode of their knowledge in definite terms. They say: In the act of knowledge, man uses his intellect when he endeavours to understand the laws of the natural and spiritual worlds. But there is a higher mode of knowledge.—Indeed, the true Mystic realises that this higher kind of knowledge is much more reliable than any intellectual judgment. Curiously enough it is invariably characterised by an image—which is, however, more than an image. Those who really know what they are talking about, speak of music. The ‘Music of the Spheres’ spoken of in the old Pythagorean Schools was no mere figure of speech, in spite of what superficial philosophy may say. The Music of the Spheres is a reality, for there is a region of the spiritual world in which its melodies and tones can be heard. We are surrounded by worlds of spirit, just as a blind man is surrounded by the world of colour which he does not see. But if a successful operation is performed upon his eyes, colour and light are revealed to him. It is possible for the faculty of spiritual sight to awaken in a man. When his higher senses open, the higher world will emerge out of the darkness. To the surrounding spiritual world that lies near us, we give the name of the astral world, or world of light, while a higher, purely spiritual world is designated as that of the ‘Music of the Spheres.’ It is a real world into which man can enter through a higher birth. Initiates speak openly of this world. We are reminded here of certain words of Goethe, albeit they are generally thought to be mere fantasy. Indeed our interpretation of these words will be put down as inartistic because of the current opinion that so far as intelligence and reason are concerned, a poet must necessarily be vague and indefinite. But a poet as great as Goethe does not use phrases; and if there were no deeper underlying truth, he would be using a phrase when he writes:

“The sun with many a sister-sphere
Still sings the primal song of wonder, ...”

These words are either an indication of deeper truth or mere phraseology, for the physical sun does not ‘sing.’ It is unthinkable that a poet with Goethe's deep insight would use such an image without reason. As an Initiate, Goethe knew that there is indeed a world of spiritual sound and he retains the image.

To Richard Wagner the tones of outer music were an expression, a revelation of an inner music, of spiritual sounds and harmonies which pervade the created universe. He felt the reality of this music and stated it in words. On another occasion he said something similar in connection with instrumental music (Eine Pilgerfahrt zu Beethoven): “The primal organs of creation and of nature are represented in the instruments. What these instruments express can never be defined in clear, hard-and-fast terms, for once again they convey to us those archetypal moods arising from chaos in the first days of creation, when as yet there was no human being to receive them into his heart.”

Such words must not be analysed by the intellect. We should rather try to live into their mood and atmosphere and then we shall begin to realise how deeply Wagner's soul was steeped in Mysticism. To a certain extent Wagner was aware of his particular mission in art. He was not one of those artists who think they must ‘out’ with everything that happens to be living in their soul. He wanted to realise his destined place in evolution and he looked back to a far remote past when as yet art had not divided into separate branches.

Here we reach a point which was constantly in Richard Wagner's mind when he realised his mission, a point too, upon which Nietzsche meditated deeply, and tried to characterise in The Birth of Tragedy. We shall not, however, go into what Nietzsche says, because we are here concerned with Mysticism as such, and Mysticism can tell us more about Richard Wagner than Nietzsche was able to do. The study of Mysticism carries us back to very early stages in the evolution of humanity—to the Mysteries. What were the Mysteries?

Among all the ancient peoples there were Mystery-centres. These centres were temples as well as institutes of learning and they existed in Egypt, Chaldea, Greece and many other regions. As centres alike of religion, science and art, they were the source of new impulses in the culture of the peoples.

And now let us briefly consider the nature of the Mysteries. What were the experiences of those to whom the hidden teachings were revealed after certain trials and tests had been undergone? They were able to realise the union of religion, art and science—which in the course of later evolution were destined to separate into three domains. The great riddles of the universe were presented to those who were admitted to the rites enacted in the Mysteries. The rites and ceremonies were connected with the secrets of spiritual forces from higher worlds living in the minerals and plants, reaching a stage of greater perfection in the animal and finally to self-consciousness in the human being. The whole evolution of the World-Spirit was presented in the form of ritual to the eyes of the spectators. And what they saw with their eyes, they also heard with their ears. Wisdom was presented to them through colour, light and sound and to such men the laws of the universe were not the abstract conceptions they have become to-day. Cosmic laws were presented in a garb of beauty—and art arose. Truth was expressed in the form of art, in such a way that men's hearts and souls were attuned to piety and devotion. External history knows nothing of these things and indeed repudiates them. But that matters not.—Just as in the ancient Mysteries, religion, science and art were one, so were the arts which later on broke off along their several paths. Music and dramatic representation were part of one whole, and when Wagner looked back to primeval times he realised that although the arts had once been indissolubly united, they had been forced into divergence as a result of the inevitable course taken by evolution. He believed that the time had now come for a re-union of the arts, and with his great gifts set himself the task of bringing about this re-union in what he termed an “all-comprehensive work of art.” He felt that all true works of art are pervaded by a mood of sanctity and are therefore verily acts of religious worship. He felt too, that streams which had hitherto been separated were coming together in his spirit, there to give birth to his musical dramas. To him, there were two supreme artists: Shakespeare and Beethoven. He saw in Shakespeare the dramatist who, with marvellous inner certainty, staged human action as it unfolds in outer happenings. He saw in Beethoven the artist who was able to express with the same inner certainty experiences which arise in the depths of the heart but do not pass over into deed. And then he asked himself: ‘Is this not evidence of a severance that has taken place in human nature in the course of the development of art?’ Man's inner and outer life is directed and controlled by himself; he is aware of desires and passions which rise up and die down again within him and he expresses in action what he feels and experiences in his inner being. But a cleft arose in art. Richard Wagner found passages in Shakespeare's plays which gave him the impression: There is something at this point which had perforce to remain unexpressed, for between this action and that action there is something in the human heart which acts as a mediator, something that cannot pass over into this kind of dramatic art. Again, when human feeling would fain express itself in a symphonic whole, it is doomed to inner congestion if a musician must limit himself to tones. In Beethoven's Ninth Symphony, Wagner felt that the whole soul of the composer is pressing outwards and as it becomes articulate is striving to unite that which in human nature is in reality one and undivided but has been separated in art. Wagner felt that his own particular mission lay in this same direction, and out of this feeling was born his idea of a comprehensive work of art in which the inner life of a human being could express itself outwardly in action. That which cannot be expressed dramatically, must be contained in the music. That which the music cannot express must be contained in the drama.—Richard Wagner was striving to synthesise the achievement of Shakespeare on the one side and of Beethoven on the other. This was the idea underlying all his work—an idea that had arisen from profound insight into the mysteries of human nature. Herein he felt his call.

A way into the inner depths of human nature was thus opened up for art. Richard Wagner could not be a dramatist of everyday life, for he felt that it must once again be possible, as it was in the Mysteries, for the deepest and most sacred experiences to be expressed in art. When he tells us in his own words that symphonic music is a revelation of an unknown world, that the instruments represent primal organs of creation, we can well understand why in his musical dramas he feels it necessary to express much more than the physical part of man's being. Towering above this physical man is the ‘higher man.’ This ‘higher man’ surrounds the physical body like a halo and is much more deeply connected with the sources of life than can be expressed in outer life. It was just because Richard Wagner's aim was to give expression to the higher nature of the human being that he could not draw his characters from everyday life. And so he turned to the myths, for the myths portray Beings far greater than physical man can ever be. It is quite natural that Wagner's stage characters should be mythological figures, for he was thus able to express cosmic laws and the deeds of Beings belonging to an unknown world through the dramatic action and the music—albeit in a form not always understood. I can only give a few examples here, for to enter into every detail would lead too far. But it is everywhere apparent that in the depths of his being, Richard Wagner was connected with the teachings of Spiritual Science.

Now what does Mysticism tell us with regard to the relation of one human being to another? To outer eyes, men stand there, side by side; in the physical world they work upon each other when they speak together or when one becomes dependent on another. But there are also much deeper relationships between them. The soul living in the one man has a deep, inner relationship with the soul living in the other. The laws manifested on the surface of things are the most unimportant of all. The deep laws which underlie the soul are spun from the one man to the other. Spiritual Science reveals these laws, and, as an artist, Richard Wagner recognised and knew of their existence. Therefore he uses themes in which he is able to show that laws far deeper than the outer eye can perceive are working between one character and another.

This urge to reveal the mysterious connections of life is apparent in one of Wagner's earliest works. Do we not feel that something is happening invisibly between the Dutchman and Senta, and are we not reminded of another mysterious influence in the medieval legend entitled Der arme Heinrich, when miracles of healing follow the sacrifice of a virgin? Such images as these are the expressions of truth deeper than the superficial doctrines of conventional erudition. There is a deep reality in a sacrifice made by one being for the sake of another. These mystic threads—unfathomable by the superficial intellect—express one aspect of the universal soul, albeit this universal soul must be thought of as a reality, not as a vague abstraction. Wagner is expressing a profound truth when he uses the image of one human being sacrificing himself for another.

I shall here repeat certain teachings of Spiritual Science which will help you to understand these things. We know that the world evolves and that in the course of its evolution certain beings are continually destined to be thrust down. There is a law of which we learn in Spiritual Science, namely, that every stage of higher evolution is connected with a fall. Later on, compensation is made, but for every saint, a sinner must arise. Strange as this may appear it is nevertheless true, because the necessary equilibrium has to be maintained. Every ascent involves a descent and this implies that at a later stage, the powers of the being who has ascended in evolution must be used for the redemption of the other. If there were no such co-operation between beings, there would be no evolution. Thus is the flux of evolution maintained. And a picture of one human being sacrificing himself for another reminds us of the mysterious link that is created by the ascent of the one and the descent of the other. Such truths can only be expressed with the greatest delicacy. Richard Wagner realised and understood the mysterious thread that binds soul to soul, and when we study the fundamental features of his works we find that the mystical life is the source of them all.

And now when we turn to his most famous work—the Nibelung—we shall see out of what depths of spiritual scientific wisdom it was created. But first we must consider certain things which are explained by Spiritual Science, however contradictory they may be of the views of modern science.

Our remote ancestors lived in a region lying to the West of Europe, between Africa and America. Science itself is gradually beginning to admit the existence of a continent there in the far past—a continent to which we give the name of Atlantis. Atlantis was the home of our ancient forefathers whose form was very unlike our own. As I say, science is already beginning to speak of old Atlantis. An article on Atlantis appeared in a magazine entitled Kosmos, issued under the direction of Haeckel. True, it only spoke of animals and plants and omitted all mention of human beings, but Spiritual Science is able to speak with greater clarity of what natural science is only now beginning to surmise.

In old Atlantis, the atmosphere was quite different from the atmosphere around us to-day. There was no division of water and the sun's rays in the air. The air was permeated with vapours and clouds. Sun and moon were only seen through a rainbow-haze. Moreover man's life of soul was entirely different. He lived in a far more intimate relationship with Nature, with stone, plant and animal. Everything was immersed in cloud-masses. In very truth the Spirit of God brooded over the face of the waters! The wisdom that lived on among the descendants of the Atlanteans was possessed in abundance by the Atlanteans themselves. They understood all that was living in Nature around them; the rippling brooks were not inarticulate but the actual expression of Nature's wisdom. Wisdom streamed into the men of Atlantis from everything in their environment, for those ancient forefathers of ours were possessed of dull, instinctive clairvoyance. Instead of objects in space, colour-phenomena arose before them. They were endowed with clairvoyant powers. Wisdom was there in the mists and clouds and they perceived it with these powers. Such things can, of course, only be indicated here in the briefest outline. As evolution proceeded, the mists condensed into water, the air grew clearer and clearer, and man began, very gradually, to develop the kind of consciousness he has to-day. He was shut off from outer Nature and became a self-contained being. When all men live in close connection with Nature, wisdom is uniform among them, for they live and breathe in a sphere of wisdom. This gives rise to brotherhood, for each man perceives the same wisdom, each man lives in the soul of the other. When the cloud-masses condensed into water, man emerged with the beginnings of Ego-consciousness; the central core of his being was felt to lie within himself, and, when he met another Ego-being, he began to make claims on him.—Brotherhood gave way to the struggle for existence.

Legends and myths are not the phantasies they are said to be by erudite professors. What are legends and myths, in reality? They represent the last echo of the ancient clairvoyant experiences of men. It is nonsense to say that the myths are merely records of struggles between one people and another. Learned professors speak of the ‘poetic folk-phantasy,’ but it is they who are indulging in phantasy when they say that the ‘Gods’ were simply poetical allusions to clouds. That is the kind of nonsense we are expected to believe! But even nowadays it is quite easy to understand the real origin of myths.—The legend of the ‘Noonday Woman’ is still familiar in many regions. This legend is to the effect that when labourers stay out in the fields at noon and fall asleep instead of returning to their homes, a figure of a woman appears and puts a question to them. If they cannot answer within a given time, the woman slays them. This is obviously a dream which comes to a man because he is sleeping out of doors with the full heat of the sun pouring down upon him. Dreams are the last vestige of ancient clairvoyant consciousness.—The example given indicates that legends do indeed originate from dreams. And the same is true of the Germanic myths. For the most part these are myths which originated among the last stragglers of the Atlanteans. The old Germanic peoples looked back to the ages when their forefathers lived away yonder in the West and wandered towards the East in the times when the mists of Atlantis (Nebel-land) were condensing and giving rise to the floods now spoken of as the Deluge, when the air was becoming pure and clear and waking consciousness beginning to develop. The ancient Germanic peoples looked back to the ‘Land of Mists,’ to ‘Nifelheim.’ They knew that they had left Nifelheim and had passed into a different world, but they also knew that certain Spiritual Beings had remained behind at the spiritual level of those times. And they said that such Beings had retained the characteristics and qualities of Nifelheim while sending their influences down into a later age, that they were ‘Spirits’ because they did not live a physical existence.

We can never understand such marvellous interweavings by reference to pedantic text-books. We must rather have an eye to the interweaving of phantasy and clairvoyant faculties, of legend and myth. Nor should we divest these ancient legends of the magic dew upon them.

The ancient Germanic peoples looked back to the time when the mists of Nifelheim were condensing, and they conceived the idea that the water from these same mists was now contained in the rivers in the North of Central Europe. It seemed to them that the waters of the Rhine had flowed out of the mists of old Atlantis. In those ancient times wisdom came to men from the rippling of brooks and the gushing of springs. It was a wisdom that was common to all, a wisdom from which the element of egoism was entirely absent. Now the age-old symbol of a wisdom that is common to all is gold. This gold was brought over from Nifelheim. What became of the gold? It became a possession of the human Ego. The universal Wisdom, once bestowed by Nature herself now became a wisdom flowing from the Ego into human deeds and confronting them as a separate independent power in each individual. Man had built a ‘Ring’ around himself and the Ring changed brotherhood into the struggle for existence among human kind. The element of wisdom common to all men in earlier times lived in water, and the last vestige of this water flowed in the Rhine.

Now just as human beings have developed Ego-consciousness, so too must the Nibelungen. The Nibelungen knew that they possessed the old universal wisdom and they now forged the Ring which thence-forward surrounded them as the Rising of Egoism. This shows, albeit in brief outline, how true realities stream into the world of phantasy and imagination. Gold represents the remaining vestige of the ancient wisdom flowing through the mists; the wisdom-filled Ego builds the Ring which gives rise to the struggle for existence.—Such is the deeper truth underlying the myth of the Nibelungen.

This was a theme which Richard Wagner could reproduce in the form of dramatic action and in the tones of a music expressing the invisible world behind the world of sense. And so he wrote a modern version of the Nibelung myth and in his picture of this whole process of evolution we feel how the new Gods who rule over mankind have come forth from the ancient Gods.

And now think once again of old Atlantis.—Clouds and mists, wisdom sounding from all creation.—As time went on, the Gods could no longer work through a wisdom possessed uniformly by all men; they could work only by means of commandments and decrees. When Wotan, one of the new Gods has to fulfil his covenant to deliver up Freia, since he himself is now entering into the sphere of Ego-wisdom symbolised by the Ring, a figure personifying ancient, primordial consciousness appears before him—a personification of the Earth-consciousness wherein all men were enveloped in the days of Atlantis.

This consciousness is represented in the figure of Erda:

“My musing is the ruling of wisdom;
For when I sleep I dream,
And all my dreams are sovereign wisdom.”

A great cosmological truth is contained in these words, for all things were created by this wisdom as it lived in the springs and brooks, rustled in the leaves and swept through the wind. It was this all-embracing consciousness out of which individual consciousness was born and it was verily sovereign wisdom.

This wisdom was mirrored in the ancient clairvoyant faculties of man, in an age when his consciousness was not confined within the boundaries of his skin. Consciousness flowed through all things. One could not say: here is Ego-consciousness and there is Ego-consciousness.

“All that the depths conceal,
All that pervades the hills and vales,
Water and air, is known to thee.
Thy breath doth blow throughout creation;
Thy mind is there wherever knowledge dwells:
All, it is said, is known to thee.”

All is known to Erda in this consciousness. And so step by step, we can see how through his intuition Wagner was able to draw upon amounts of primordial wisdom and express this in the Nibelung myth.

And now let us consider the time of transition from the old phase of evolution to the new.—Again let it be repeated, however, that Richard Wagner's achievement was not the outcome of any conscious realisation on his part.—The old Atlanteans were possessed of a consciousness of brotherhood in the truest sense of the word. This was followed by the transition to Ego-consciousness. And now think of the beginning of the Rhinegold. Is not the coming of this Ego-consciousness expressed in the opening notes themselves, in the long E flat on the organ? Do we not feel here that individual consciousness is emerging from the ocean of consciousness universal? In motif after motif we find Richard Wagner expressing in the tones of music a world that stands behind the physical world, using the instruments verily as if they were the primal organs of Nature.

And now, if we turn to Lohengrin, what do we find? Lohengrin is the emissary of the ‘Holy Grail.’ He comes from the citadel of the Initiates, where a higher wisdom has its home. The legend of Lohengrin is connected with a universal tradition which indicates that the Initiates send down their influences into human life. We must always turn to legends for enlightenment in regard to significant turning-points in evolution, for the truths they contain are deeper than those recorded in history. Legends show us how the forces and influences of Initiates intervene in the course of history and they are not to be regarded as accounts of happenings in the outer world.

The time of transition from the universal clairvoyant consciousness to individualised Ego-consciousness was of the greatest significance, and we find it set forth in the Lohengrin myth. It is an age when the new spirit emerges from the old. Two ‘Spirits of an Age’ confront one another. Elsa, the feminine principle, represents the soul who is striving for the highest. Conventional interpretations of Goethe's words in the Chorus Mysticus at the end of his Faust are terribly banal, whereas in reality they emanate from the very depths of Mysticism:

“The Eternal Feminine leads us upwards and on.”

The human soul must be quickened by those mighty events through which new principles find their way into evolution. What enters thus into evolution is represented in the Initiates who come from mysterious lands. Spiritual Science speaks of advanced individualities and again and again one is asked: Why do these individualities not reveal themselves? But if they were to do so, the world would enquire about their civic name and rank. This is of no significance in regard to one who is working from spiritual worlds, for the position of an Initiate whose mission is to proclaim the mysteries of existence is so sublime that to ask about his birth, name, rank or calling, is meaningless. To put such questions shows such a lack of understanding of his mission that parting is inevitable.

“Ne'er shalt thou ask
Nor yearn to know,
Whence I have come
And what my name and nature”

These words of Lohengrin might be spoken by all those whose consciousness transcends that of the everyday world, when they are questioned about their name and rank. This is one of the notes struck in Lohengrin, where the clear, true influences of Mysticism are apparent in music and drama alike.

Now there is a certain profound mystery bound up with humanity and it is depicted symbolically in a myth. When at the beginning of our evolution Lucifer fell from the ranks of those Spirits who guide humanity, a precious stone dropped from his crown. This stone was the cup from which Christ Jesus drank with His disciples at the Last Supper and in which the Blood flowing on Golgotha was received. The cup passed to Joseph of Arimathea who brought it to the West. After many wanderings it came into the hands of Titurel through whom the Citadel of the Grail was founded. The cup was guarded by the “holy love-lance,” and the legend says that all who looked upon it took something of the Eternal into themselves.

And now let us think of the mystery contained in this myth as a parallelism of the progress of human evolution, as indeed it is known to be by those who understand the mysteries of the Grail. In the earlier phases of evolution on the earth, all love was bound up with the blood. Men were united by the blood-relationship. Marriage took place between those who were united by the blood-tie. The point of time from whence onwards marriage took place between those who were not of the same kith and kin marked an important turning-point in the life of the peoples. Consciousness of this truth is expressed in many sagas and myths. To begin with, as we have said, love was bound up with blood-kinship and later on, the circle within which human beings were joined by marriage grew wider and wider. This was the one stream in evolution: love that is dependent upon uniformity of flesh and blood.

But later on, a different principle began to hold sway—the principle of individual independence. In the age preceding that of Christendom these two streams were present: the stream expressed in love bound up with the blood-tie, and the principle of independence, freedom. The former represented the power of Jehovah, whose name means “I am the I am,” and the latter the Luciferic principle of independence. Christianity was to bring into the world a love that is independent of blood-kinship. The words of Christ are to be interpreted thus: He who forsakes not father and mother—that is to say, he who cannot substitute for a love that is bound up with flesh and blood, a love that flows from soul to soul, from brother to sister, from a man to all men—he “cannot be my disciple.”

A stone falls from Lucifer's crown and this stone becomes the holy cup wherein the Christ-Principle is united with the Lucifer-Principle. Knowledge of this mighty impulse developed the power of the Ego in the Knights of the Grail. And to those who were pupils in the Mysteries of the Holy Grail the following teaching was given:—(I will give in simple dialogue form what the pupils of the Grail were made to realise step by step. Many people will say: This is unheard of! None the less it is truth but truth that will be subjected to the same fate as those emissaries who were sent from civilised States to the courts of barbarians—as Voltaire relates. First, unworthy treatment and then, afterwards, recognition and acknowledgment.) This, then, was said to the pupils of the Grail: ‘Look at the plant. Its flower may not be compared with the human head. The flower, with its male and female organs of fertilisation, corresponds to the sexual system in man. It is the root of the plant that corresponds to the human head.’ Darwin himself once rightly compared the root of the plant with the head of man. The human being is a plant reversed. He has accomplished the complete turn. In chastity and purity the plant stretches out its calyx towards the light, receiving its rays, receiving the ‘holy love-lance,’ the ‘kiss’ which ripened the fruit. The animal has turned only half-way.—The plant, whose ‘head’ bores into the earth, the animal with its spine in the horizontal direction, and the human being with his upright posture and his upward gaze—these together form the cross. To the pupils of the Grail it was further said: ‘Verily, Plato spoke truly when he said that the World-Soul lies crucified in the Body of the World. The World-Soul, the soul pervading plant, animal and man, lives in bodies which, together, represent the cross.’ This is the original signification of the cross—All other interpretations are meaningless.

In what sense has man accomplished the complete turn? According to the insight of true Mysticism, the plant has the consciousness of sleeping man. When he is asleep, the human being is, in a sense, like a plant. He has acquired the consciousness that is his to-day by having permeated the pure plant-body with desires, with the body of passions. Thereby he has risen higher on the path to self-consciousness. But this has been achieved at the cost of permeating pure plant-substance with desire.

The pupils of the Grail were told of a state to which man would attain in the future. Possessed of clear, alert consciousness, his being would be purified, the substance of his body would become as pure and chaste as that of the plant, and his organs of reproduction transformed. The idea living in the minds of the Knights of the Grail was that the man of the future will have powers of reproduction not filled with the element of desire but as chaste and pure as the calyx which turns towards the ‘love-lance’—the rays of the sun. The Grail Ideal will be fulfilled when man brings forth his like with the purity and chastity of the plant, when he brings forth his own image in the higher calyx and becomes a creator in the Spirit. This ideal was known as the Holy Grail the transformed reproductive organs which bring forth the human being as purely and as chastely as the word is brought forth to-day by the waves of air working through the larynx.

And now let us see how this sublime ideal lived on the heart and soul of Richard Wagner.—In the year 1857, on Good Friday, he was standing on the balcony of the summer-house at the Villa Wesendonck and as he looked out over the landscape he saw the budding of the early spring flowers. The sight of the young plants revealed to him the mystery of the Holy Grail, the mystery of the coming-to-birth of all that is implicit in the image of the Holy Grail. All this he felt in connection with Good Friday and in the mood that fell upon him the first idea of Parsifal was born. Many things happened in the intervening period but the feeling remained in him and out of it he created the figure of Parsifal—the figure in whom knowledge is sublimated to feeling, the figure who having suffered for others, becomes “a knower through compassion.” And the Amfortas-mystery portrays how human nature in the course of evolution has been wounded by the lance of defiled love.

Such, then, is the mystery of the Holy Grail. It must be approached with the greatest delicacy; we should try to get at the whole mood and feeling and let the ideas in their totality stand before our souls. Wherever we look we find that as an artist and as a human being, Richard Wagner's achievements were based upon Mysticism. So clear, so full of mystical feeling was his realisation of his mission that he said to himself: The art which is living in me as an ideal must at the same time be divine worship. He realised that the three streams (religion, science, art) converge into one another and he desired to be a representative of this re-union. Out of his insight was born that feeling which though mystical in essence is yet clear as daylight and which lived in all the great masters. It lived, too, in Goethe who wrote: “The man who overcomes himself breaks that power which binds all beings.” When this urge to give freedom to the Ego, to penetrate into world-mysteries pulsates through all a man's forces and faculties, then he is a Mystic—in every domain of life. No matter whether his activities in the outer world are connected with religion, science or art—he works through to the point of unification. Goethe was trying to express this mystery of man as a whole and complete being, when he clothed the secret of his own soul in the words: “He who has science and art has religion too. He who has not these twain, let him think he has religion!”

I think that it is good right now to become familiar with the most varied areas of life and the laws of existence which I have been referring to during these lectures. I want to say these laws of existence take on an importance in their realm of the spiritual life, an importance of being, which up to now has frequently not been taken into account in world opinion. Particularly in our present time it is imperative to totally understand the current 5th post-Atlantean epoch in which we stand, with all its peculiarities, in order for us to become ever more and more conscious of how affective we are within it. You know of course that we consider the beginning of the 5th post-Atlantean epoch beginning at the start of the 15th Century, from about 1413 onward. The beginning of the 15th Century was a significant, profound, incisive point for western humanity. The creation of such an about-turn which came about didn't happen all at once, it was preparatory. In the first moments of this epoch one only sees a gradual expansion. Old patterns from the earlier epochs transform into the new one and so on. Preparations were being made for a long time which were only really being experienced as a mighty reversal at the start of the 15th Century.

If we want to consider another strong western historical impact in the centre of the Middle Ages, we may look at the rule of Charlemagne from 768 to 814. If you wish to visualize everything which happened in the West to the furthest boundaries up to the time of Charlemagne, you will have difficulties with this self-visualization. For many observers of history today such difficulties do not exist because they all shear it under the same comb. Only for those who want to look at reality, will such deep differences exist. It becomes quite difficult for people in today's world of experiences and impressions to reach a concept about the completely different condition of life in Europe up to the time of Charlemagne and beyond. We may however say that after Charlemagne, in the 10th, 11th and 12th Centuries a time began in preparation of our own epoch, the 5th post-Atlantean epoch. Up to the time of Charlemagne old relationships actually flowed which in our present day, as we have already said, we can't have a true imagination. Then again preparations were beginning for a new epoch, and in these three centuries, the 10th, 11th and 12th—it started in the 9th already—events took place in Europe in all areas of life producing forces which were expressed later, particularly in the 15th century.

One can say these centuries just mentioned was a time for preparation but people today are hardly inclined to refer to this just as little as they will say Rome is in control of European affairs. The papacy in the time from the 9th century, before the middle of the 9th century where the ruling of Europe was so vigorously taken under control, where all relationships effectively extended, must not be imagined as the same effective papacy in a later century or even today. It can rather be said that in those times the papacy knew instinctively what the most important areas of life needed, in west, central or southern Europe. I already pointed out last time that the oriental culture was gradually pushed back; it had to wait in eastern Europe, in Byzantianism, in Russianness. There it waited indeed, waited right up to our present time.

General observations can develop particular clarity in those areas which, in the broadest sense, one can refer to as artistic. If you want an idea about what had been pushed back at the time to the East, what the west, central and southern Europe should not acquire, if you want to reach an understanding about it, then compare it with a Russian icon:

In the picture of the Virgin Mary of the East is an echo of what had been pushed back into the East at the time. In such a picture quite another spirit holds sway than can ever be found reigning in western, southern and central art; it is something quite different. Such an icon picture still today presents an image which has been born directly out of the spiritual world. If you imagine it in a lively manner you can't imagine a physical space behind the Russian Madonna image. You can imagine that behind the picture is the spiritual world and out of the spiritual world this image has appeared: just so are the lines, so is everything in it. When you take the basic character of this image as it is born out of the spiritual world then you have exactly that which had been held at a distance in the 9th Century from western, southern and central Europe:

Why? Such things should be thoroughly and objectively considered historically. Why did this have to be held back? Simply on the grounds that the nations of Europe—central, western and southern Europe—had completely different soul impulses which were not in the position to understand humanity out of original elementary nature, this was being pushed back, stopped in the East. The nature of the western European soul was quite differently focussed.

When this which was being pushed back to the East was transplanted into central, western and southern Europe, it could only remain external, outside the east of Europe; it could never grow together with the central, western or southern European soul distinctions. An area had to be created in western, southern and central Europe, an area for what gradually wanted to come out of the depths of the very folk soul itself.

I would like to say Rome, in actual fact, understood this with genial instinct. With disputes regarding dogmatism showing quite a different character, the content of dogma disputes is not the real story; the content of these disputes is merely the final spiritual expression. It goes much further. Among other things it was about what I have just been characterising for you. So we see that from the 9th Century and into the next centuries Rome worked ever more strongly for a space in Europe where the real striving of the folk souls could unfold. The striving of the folk souls also appeared in greater clarity.

You see, when you focus on what could have been brought to the fore if the eastern influence had not been pushed back but could stretch over Europe—Charlemagne made a large contribution - if it had stretched over Europe then Europe, as I've already mentioned, would have made available certain observations of representations which speak directly out of the spiritual world. This did not happen, firstly because Europe had to prepare itself for the materialistic 5th post-Atlantean period which was prepared most intensely in central Europe. Interest centred mainly on everything other than what came directly out of the spiritual world like line, form and colouring. Humanity was interested in something different. Above all there was an interest in Europe for contemporary events, for reporting and for results. By studying individuals, singled out in humanity, you realize they have positioned themselves in the course of historic, relatable events. The 10th, 11th, 12th Centuries can also be called the Germanic Roman Empire because from Rome the capacity was created, a capacity which spread for an interest in relating stories, an interest in the working of time and for conceptualising a particular form set in time.

You see, this is again a different viewpoint from the viewpoint I indicated in similar lectures in previous years. This cooperation of the central European empire with the Roman church and its spread is an inner image of the way the 5th post-Atlantic epoch prepared central Europe at the time. From this it is clear that central Europe prepared itself in this period with very little interest for spatial educational art. Constituted informative art became borrowed - just remember the presentation which I gave you in previous years—borrowed from what came over from the East, spread, one might say, through to the very joints of principal interest. What shot up out of the folklore itself was being told. The content which was to be told had to be taken out of national character, intimately connected with nationality.

You can encounter amazing images of central European life, life in the areas of the Rhine, the Donau and the northern coastline in the depiction of the songs of the Nibelungen, the Walthari and `Gudrun'. The manner and way in which these writings are presented indicate their obvious interest in events of the time. Look how in the time of Charles the Great when the poem `Heiland' originated, the stories of the Gospels are woven into the poem with central European characters, characters extracted from biblical events and placed directly into the central European interests of the `Heiland'. It had to be born out of the life of the European folk soul. Through this the eastern tradition, which cares little for the temporal and historical, was pushed back. For this reason, it was pushed back. If we observe how these concerns of the European nations rise from deep underground and reach the surface, then it is often only possible, and with difficulty, to really penetrate into the depth of feeling, into the deep soul experience which the European human spirit connected to in its own deepening encounter with the essential spiritual events. One might say, that which was pushed back to the East from spatial infinity and its manifestation out of space, which had to appear superficially in central Europe should reappear directly out of the human souls themselves, out of the depths of the soul, not out of the widths of space—but out of the depth of souls.

The mysterious prevailing of soul depths under the surface of direct observation was already something living at that time in human souls. During the centuries we've been talking about, people were instinctively permeated with the knowledge that their souls had in the depths of their being secret impulses, appearing only sometimes at celebratory moments in their soul experiences. Life seemed deeper than what the eyes could see, the ears could hear and so on; something unfathomable rose from soul depths as a profound experience. I could say we experience an echo of this kind of thing when we hear something as beautiful as the poetry of Walthers von der Vogelweide, who to some extend created an ending to a purely linguistic age, an age when the ability to depict formless manifestations in soul depths in a pictorial manner had not yet developed. In these soul depths we are stirred when we allow Walthers von der Vogelweide's small poem to work on us, where he speaks about his own life in retrospect. Maturing as a man when knowledge grew in his soul and light fell on his soul depths from which knowledge had previously appeared as mysterious waves in a dream, now appeared in a mood, he expressed as follows:

“Oh, whereto did all my years disappear!
I dreaming my life or is it real?
What appears for real, was it illusion's face?
I've slept so long and didn't even know it.
I've been woken and all is as unfamiliar
once was familiar, like my own hand.”

Thus speaks Walther von der Vogelweide at the end of the three long centuries, the 10, 11, 12th centuries, the epoch in which the Holy Roman Empire blossomed at the close of this time period. It was the period of time in which the interest for current events developed. Art demanded expression, images were to express events happening and going to happen in central, western and southern Europe. A glance to the East gives the impression of existence and peace, of a quiet contemplation out of the spiritual world. Events directly taking place here, born in the human soul, binding the soul with the greatest of all, the most mysterious, all this was eager to be represented in a pictorial manner. Fertilization from the South was needed anyway, where echoes of all the traditions having come from the East were still maintained. Bringing events to expression was the primary goal.

In this way striving in art was contained in the West, one might say, in two opposing streams, for certainly the representation of existence was pushed back East, but only pushed back—many things remained. Above all, something remained which can be observed in the East where strict rules determined the depiction of the icons, and old rules were being adhered to, where no violation was allowed through lines, expression, and so on. All this was transplanted into the West and alongside this was the requirement for everything experienced in the surroundings, united with traditions coming into central Europe from the South. Naturally depictions with this requirement firstly appeared in primitive, simplistic images according to biblical narratives, Bible stories. Only at the beginning of the next three centuries, the 13th, 14th and 15th did a power, one could call it, rise up out of Central Europe which could depict image-rich pictures. This power is thanks to specific facts; facts which during these centuries, the 13th, 14th and 15th, expanded and matured over the whole Central and Southern Europe as something one could call city domination, the blossoming of rural development. The cities, so proud at the time of their powerful autonomy, developed the particular powers of their folk in their midst. Such cities were not uniform, either as the old Germanic Roman Empire which was in decline, nor uniform as in the later state communities, because these cities were autonomous and could develop their individual strength according to the needs of the specific land, lifestyle and place. One doesn't understand the times of the 13th, 14th and 15th Centuries if one does not again and again glance at the blossoming of city freedom at the time.

Let us visualize this flowering of city freedom—by roughly taking the 11th to 15th centuries—and consider what this freedom in the cities discovered in relation to art impulses. Some traditions originating from Rome remained. The main issue had been pushed to the East; yet some traditions remained behind, traditions of alignment, colour application and, in relation to facial expression, the eyes and nose had to be done in a certain way. Yet all of that counteracted with the aim to represent facts. These battles had two sides, we can see it here where the artistic element first only dares to appear, turns from within itself outward, where, I might say, the trained monk from Rome allows himself to be inundated with the influence from central Europe, the impulse to not merely depict biblical events but that the imagery appearing in the Bible, which are glimpses from the spiritual worlds, are depicted in such a manner that the Bible itself becomes the very expression of how people live in daily life. This was now imposed on the monk in his solitary work. When he paints his miniatures and represents biblical scenes in a small manner, he must be accountable on the one side for the remains of tradition and on the other side, what wants to manifest as life under the surface.

Today I have two such miniatures to show you from which you will see, how during the 11th, 12th and also in the 13th Centuries the battle between traditional painting and history was still visible in small paintings.

Look at such a painting from an evangelist representing the “Birth of Christ”—we considered this image in previous years.

See how much you are reminded of the tradition of mere existence. Consider how still here, I might say, these figures are shown in such a way which does not reflect how people in an outer naturalistic reality live but observe how the figures are born out of the imagination people made up of what the spiritual worlds were for them. From there the saints, the Christ figure himself appears; all this came out of another world. Behind the surface of the painting we can only imagine the spiritual world—of course pictorially and radically spoken.

Above all there is no trace of naturalism. Observe how there is no trace of perspective, no trace or an attempt in this painting to somehow represent space—everything is on the surface, all but intellectual representation. Despite all this, when you look at the single figures, you experience the urge of something wanting to be expressed. You will notice there are two things fighting with one another. Look at the face on the right and the one on the left and you will see how the eyes, maintaining something from tradition by the person in his monk cell had a thought from his teaching that somehow or other eyes had to be done, this and that way the expression had to be done—but he battled with it, he adjusted to a certain extent the view of the situation to the events.

Even in these tiny paintings made in the gospels, in books of the bible, this battle of the two elements can be seen in a struggle. Besides this you see again, for example in Cimabue even more, how existence was expressed in the oriental form. How we are absolutely reminded of the angel figures above - which already appear when it comes to Cimabue as an oriental echo of the conception of the pictorial—as a proclamation out of the spiritual world itself, as an experience of being, not of historical events!

Another test is the second picture, which I have prepared, which comes from the Trier Gospels:

Here we see the proclamation to the shepherds, above is Christ's birth. When you take this shepherds' proclamation of the angel announcing “Glory in the Heights and peace on earth to men of goodwill”, when you take this you discover a mixing of these two impulses.

In all three of the men's faces we find the endeavour: represent the facts! On the other side however everything at a distance is about natural observation; how traditions play into this! I would like to say, feel how the wings of the angels are in the book: wings should be depicted in such a manner that they are at an angle to the main scene, pointing to both sides, and so on. You sense the requirement and at the same time sense such a depiction impinges on the endeavour which can't be achieved according to the observation of historical events. Sense this and observe in all of them how little nature observation is apparent, how there is no trace of spatial application, no trace of perspective in this image, that everything is, I want to say, or implied in the place where they are depicted due to requirements of how something like this was to be done, teach, while still substantially in control.

Now we see how at the end of the three centuries of the Germanic Roman Empire the impulse from the establishment of cities to depict history and unite it with the requirements of experiential representation, how this urge in Central Europe came to a sudden and most beautiful flowering. Cologne is one of those cities where the city's freedom flowered the most intensively and at the same time had the possibility, through intensive expansion of the Roman Catholic dominance, to take up traditional design art coming over from the East. No wonder as a result that just in Cologne the possibility encounters us in how, in the most wonderful way this comes together, weaving the two impulses into one another: the one most ancient and revered tradition depicted—what a Madonna looks like—and the urge to represent history. How a Madonna had to look like—in the East was petrified spiritually, majestic, serene, but still, solidified. It had to wait. Movement was brought in from the West. The revelation brought in from above, from heaven, revealed in the Madonna figure, is to be experienced in the Russian Madonna as magnificently elevated and permeated with something one can see directly: the greatest beauty possibly revealed in a human face, the loveliest direct expression of the ability to love, human friendliness, human goodwill, everything living in the surroundings lived in an inner relationship with the revealed figure of the Madonna.

Consider this and then look at the painting done by Master Wilhelm:

Here you can see what I actually want to point out: you can see how an attempt is made to bring life, that means events, into being in the Virgin Mary depiction. Here individual observation merges with tradition right into the details, one might say: old prescriptions were only applicable to attitude, nobility of form, serenity but not much further than in the expression of line, thus tradition was already being experienced from individual observation. This is what we can admire so much in these masters.

Another painting by the same master:

Another painting by the same master ... to indicate what I have just mentioned, shown in another representation. Consider just how much has come through the traditional heavenly figure, the revealed form of the Redeemer's face, of Veronica's face, in which we can see something revealed directly out of soul depths. See for yourself how those angel faces looking up are already individualized! Consider how with this image, as a result of the individualizing of figures it is no longer possible to actually imagine heaven behind it. However, something else is possible. At the back of the image, which came out of the Eastern inclination (245) we can actually imagine the spiritual world, something in addition to what the image presents. Here (237) we can also imagine something else; we must feel something different from what the image depicts. We feel much of what has gone before due to knowledge from the Bible; we feel much of what has resulted, events have been experienced and what is depicted are scenes from before and after. Thus there is not something like a spiritual realm behind it; the experience is of something before and something afterwards. When the singular is represented—visual art does this after all—then a single element is lifted out of the events. This is what we find towards the conclusion of every time period, towards which Rome out of such a deep understanding through the three to four centuries created in the European realm, which wanted to rise out of folklore. The conclusion appears to us and how this works in Cologne, by such genial Masters being capable of creating something like this.

These two intertwining impulses which I have characterised flow together most remarkably here. Now I would like to indicate their power which had worked everywhere by showing you a couple of paintings, starting with Constance who probably learnt from this and many countries through which he travelled, to arrive in Cologne and gradually became the follower of so-called Master Wilhelm, Stephan Lochner. The first is the image of the Virgin Mary—we know it already:

In this image—you need only compare the single heads—you already notice the individualizing impulse which is fully expressed by the figures. This aspiration you can observe. You hardly see a tendency to use space; everything is on one plane, you see no possibility of somehow applying perspective, but you see the yearning, the desire and instinct which can be declared as events, fixed in the imagery, you see the desire characterized; you see the past and what will follow established in the imagery as a scene.

Now I ask you to look at the two preceding demonstrated paintings (237,238) by the Cologne masters which appeared when these masters were blossoming, somewhat around the years 1370 to 1410, therefore directly during the time the fourth post-Atlantean epoch was coming to a close. This painting by Stephan Lochner (239) already falls into the fifth post-Atlantean time. I have shown you images in consecutive order between the boundaries of the fourth and fifth post-Atlantean time.

What are the particular characteristics? Don't we see particular characteristics playing into representations in the 5th post-Atlantean time? Don't we see in the lowering gaze of Mary, the blessing little hand of the child, the differences in the right and left figures' expression, in the individual depiction of the additional figures—do we not see the characteristics of the 5th post-Atlantean time—how the character's act in the pictorial representation? Do we not see how the impact of personality arrives? Above all, don't we already here see the desire to express the element of the 5th post-Atlantean time within the imagery, the most important element for Central Europe: light-and-dark or chiaroscuro?—How little meaning the distribution of light and dark had in the old tradition! People lived in light and shadows but were not observing it, yet were feeling it - because they experienced light bringing joy, sensing life in light while darkness sank into rest, in darkness they withdrew into mysterious soul depths. This inner living in the world in the souls of single individuals which particularly comes to the fore in the 5th post-Atlantean time, as well as the application of chiaroscuro, indicate a distribution of light masses: in the middle the light is above the Child, we see this light dividing itself right and left in single masses, becoming lighter upwards, no longer completed as in earlier version only in a golden ground, but in a brightness. Thus the encroachment of individual characters is what we see here; nobody can actually look at these consecutive elements which I have demonstrated to you, without becoming aware that something, albeit quietly, but something new was coming into the 5th post-Atlantean time while the 4th post-Atlantean epoch faded.

Let us look once more at the previous Madonnas:

Memorise this child's face well and try to feel how much tradition still lives in it. Now consider once again another one:

Look at the Madonna and the Child and note how a really new impulse has entered just like a new impulse does enter with each individual. Considering the following paintings of Stephan Lochner. I want to stress that Stephan Lochner originated from a region where most people were incapable of absorbing tradition because most of them had the impulse to develop individualism. It is the region around the Bodensee in the region of Bavaria, the area of western Austria. Here the tribes strived out of their folk nature towards individualism, mostly rejecting tradition. Stephan Lochner was lucky, one might say, to aim for the Bavarian anticipation of individual expression, where, despite the striving for the individual, there still lived the great sublime sacred tradition of olden times. As a result, his individual impulse, much more pronounced than Master Wilhelm with his radical individual urge, he connected to his revolutionary individuation impulse with the smooth, typically Cologne imaging tradition to produce this image.

For an artist like Stephan Lochner depicting space within art had not yet been invented; to depict space could simply not be done at that time in Cologne, but his soul tried to introduce this into the images.

Fully within the historical events, completely within development this can be ascertained by a comparison between the Virgin Mary image of the West compared to that of the East:

Look at the next image:

... which you also know already; look at it particularly in the way the specific fits into the general, so typical in Stephan Lochner's work, how the dark and light come to the fore even if there is no continual intention of capturing space, to indicate perspective, but in the chiaroscuro we see another kind of spatial capture than that of perspective. The perspective is more to the South, one could say: invented by Brunellesco—I have explained this to you in previous years.

And now …

... in which you see there is no trace yet of composition and how here also, where the depiction would have insisted on a study of space, there is nothing about space, and how on the other side an attempt is made to depict each of the six accompanying figures as individuals, with an attempt to individualise the Redeemer Himself. Please recall the paintings of the Cologne Masters (237, 238) and compare these with the paintings of Stephan Lochner (239-242) which we have seen. It can't be overlooked how deeply this incision imprints on us what lies between the two: because this incision lies between the 4th and 5th post-Atlantean epochs. Stephan Lochner attempted to depict soul qualities, but he looked for representation in nature to find forms which express the soul. Master Wilhelm still hovered in a supersensible experience of the soul and his impressions came out of his inner feelings. He didn't depict them by looking at a model. Here (237) we still see a reference to the model in order for the soul itself to identify with it. Master Wilhelm still expresses his own feelings. Stephan Lochner is already a copier of nature. This is in fact realism: realism rising. We can clearly draw the boundaries between these two so divergent painters, during hardly decades.

So you see how the laws which we search for in spiritual science really come to expression in single spheres of life when these spheres are not taken as unimportant, but with their importance are led before the soul.

Now I would like to place this fact once again before your souls, by introducing two painters who worked more in the South. This took place in Cologne. Let us look more towards the South, to Bavaria, Ulm or the Rhine area and we will see the how conditions appear before and after the incision of the 5th into the 4th post-Atlantean epoch. I want to present two paintings to you by Lukas Moser, who lived in the beginning of the 15th Century, who can certainly be counted as being from the 4th post-Atlantean time.

Look at these paintings:

Try to sense how everything painted in it is done in such a way that one notices how the painter went through schooling which insisted: when you place figures beside one another you must place the one facing you, the other in profile; when you paint waves, you must paint them like this.

Thus you see the entire play of the sea's waves, not as they are observed, but “according to the rules”; you see the figures as prescribed “according to the rules”; nothing observed, everything composed. This image from the Tiefenbronn altar thus depicts the ocean voyage of the saints.

The following image shows the time of repose, the night time rest of the same saints:

... A medieval house built on to a church, strongly suggestive that nothing was observed but everything was painted out of the head. Look at the sleeping Saint Zedonius: he still wears the mitre as well as his gloves. It had to be painted according to the rules where the main interest is located. Consider this as an ongoing journey, because the saints are taking a trip, they sail on the sea, they rest at night, it tells a story. Yet it is presented as set out in an existed image remaining within tradition. Lazarus resting in the bosom of this mother!

We can look back to representations of earlier times when we have such an image in front of us. This is at the point where the 4th post-Atlantean time came to a close. In the West there were still prescriptions regarding how church imagery should be painted. Painting was done according to particular traditional rules. The painters obtained their method out of tradition: this is what the Saint Zedonius looked like, what Saint Lazarus looked like, Saint Magdalene and so on; they had to be painted according to prescriptions, not quite as strictly as in the East, but still according to the laws. However, he still had to depict desires, instincts and reveal a story! In this way the elements swim in and around and battle with the end of the epoch.

Let us also look back to the 13th, 12th and 11th centuries. In all the churches strict rules were set. Each picture had to look the same as another right through the whole of Christendom, only with a slight variation in the way the things were ordered. If Saint Zedonius was ordered, then he was to be painted according to prescription - that was the tradition.

Let us now think of the incision of the beginning of the 15th Century and go from Lukas Moser, the last latecomer of the 4th post-Atlantean epoch, over to Hans Multscher and see how these painters really already stood in the beginning of the initial blossoming of the 5th post-Atlantean epoch. Look at these paintings:

... and you observe how in these paintings the individual-personal appear, characterising the personality. Moser does not have any desire to look at nature. Here, (399) you find an artist who strives to work out of the soul—yet who does not have the slightest inkling of spatial treatment and above all mixes up multi-coloured things in relation to space and perspective - yet who strives to characterise it out of the soul, in such a manner as if nature itself is characterised in the soul. He already tries to depict individual figures.

It will become even clearer for you, what I've just been speaking about, particularly when you look at the three sleeping figures below. There is already an attempt, first of all, to express the soul element, but there is also an attempt to depict the nature of those sleeping. Compare this with what you can remember about the sleeping saints on their sea voyage (335) the resting time (336) and then you will realise what a mighty incision lies between these developments. See how the light-dark depiction is consciously brought in. Solely characterized this way and not by working with perspective does the painter reveal spatial relationships. Perspective is in fact incorrect because an actual cohesive vanishing point can't be found in any area of the painting; nowhere can a central point be found from where the layout is arranged; yet still a spatial relationship of a certain beauty exists through the chiaroscuro.

Look at this “burial” scene. You find everything, even in the depiction of the landscape itself, as characterised by the individual's penetration of tradition: interest in events without any indication coming out of the spiritual world.

You see here how particular individualizing elements enter the entire painting, an attempt is made in a corresponding manner to represent the guardians, the twist of their bodies enhancing the individualisation. I ask you to look up, to the left, how an attempt was made to represent the figure's particular situation, his unique experience, portraying his peculiar individual inattentiveness. Try and imagine how the painter tried to show the front view of the head, how on the right he characterises the skull of the other guardian, from behind. One can see how the attempt is made to show individual forms and also how the chiaroscuro comes in. One can see how through individualising, depiction of spatial element enters while perspective is not at all yet clear. You can imagine the point from which the individual lines go from the characters, but now you need to think apparently quite far towards the front, where the coffin is placed and you have to think again about another reference point—regarding the trees! These are painted in full frontal positions.

I wanted to show you how the legitimate developmental impulses I spoke about already last time in the Italian paintings have a profound effect and what rises as characteristic in our time, originating from the 15th Century, can only now be understood if you clearly take the entire, deep meaning of every time period, from the beginning of the 15th Century, which built the boundary between the 4th and the 5th post-Atlantean epochs.

What transformed itself here had already been living in all the events and becoming of Europe, but it was pushed back from the 9th Century because Europe was made incapable at that time; Europe first had to allow something else to take form out of the depths of its being. Those in the East waited in the meantime. We should promote an awareness today for what waited there and what wanted to rise to the surface in the East because these forces are available, these forces weave into present day events, still wanting to be active. A clear understanding of what pulsates through the world, what works in the world, we need to take possession of, this which is an urgent requirement for the present time epoch. This I am now and have repeatedly stressed in the past. Through the development of the middle age art in its characteristic time period I wanted to make this clear for you. You see, here we approach two incisive waves in history: one swell is everything which came easterly from the south, the other is, I would like to call it, coming from the depths itself. In these centuries - 13th, 14th and 15th, in the centuries of freedom in cities, what wanted to rise from soul depths to the surface was most strongly applicable. Then again from the 16th Century another setback came - development rose and fell, oscillated—and then, obviously not simultaneously, the continuation of what had been started in of the 15th Century became outwardly visible as I've indicated to you, on the one side living in van Eyck, on the other side Dürer, Holbein and so on.

We see in the lower lands, towards Burgundy on the one side and Nürnberg on the other, Augsburg, Basel, the results of what wanted to come as a wave rising from soul depths to introduce the 5th post-Atlantean period.

I wanted to introduce only one of the impulses of this 5th post-Atlantean epoch to you. About other impulses I have various opportunities to speak at the moment.

The spiritual science movement has not developed in our time as the wilful action of an individual or of someone or other. It has to do with the whole of human evolution and as such must be considered to be one of the most important cultural impulses. To gain insight into this mission of the spiritual science movement we need to enter into the past and future life of humanity. Individuals have gone through a process of evolution from the time when they first came down out of the keeping of the godhead and became individual souls, and humanity as a whole has also gone through a process of evolution.

Just consider the differences, the changes and development to be seen in the earth's surface through the millennia—how thoroughly everything has changed. ‘Humanity’, as we are wont to call it, is only the outcome of the ‘fifth root race’, as it is called. A different, earlier humanity preceding it was the fourth root race whose continent, Atlantis, lay somewhere between present-day Europe and America. Our forebears on Atlantis looked very different. They also had a completely different civilization. The ancient Atlanteans did not have a fully developed rational mind and way of thinking but were instead provided with subtle, somnambulant clairvoyant powers. Logic, rational thinking capable of making connections, science and art as we know them today did not exist in ancient Atlantis, for human beings then had a very different way of forming ideas, thinking and feeling. They would not have been able to make connections, calculate, count or read the way we do today. But somnambulant clairvoyant powers of the spirit lived in them. They were able to understand the language of nature, what God said to them in the lapping of the waves, what the woods were murmuring, and what the subtle scents of flowers brought to expression. They understood this language of nature and were in harmony with all nature. No legislation, no jurisdiction then served to make neighbour communicate with neighbour. No, the Atlanteans would go outside and listen to the sounds of the trees and the wind and they would tell them what they should do.

The memory of ancient Atlantis or Niflheim [home of mists] has survived most beautifully in folk legends such as the Nibelungenlied¹⁰⁵ which have never been works of fiction produced at random. The word Nibel or Nifl indicates that the Rhine and all the rivers in the area are waters remaining from the masses of mists in ancient Atlantis. The wisdom that has survived from Atlantis is referred to as the treasure that lies hidden in the waters. We must also look for the nursery of the ancient adepts in that continent. Individuals went there who had the abilities needed to become pupils of the great minds we now call the ‘masters of wisdom and of the harmony of inner feelings’.¹⁰⁶

The location of the adept school, which had its flowering during the fourth sub-race on ancient Atlantis, must be sought in the middle of the Atlantic Ocean. Pupils were taught in a very different way there than they are today. It was then possible to have a tremendous influence go from one human being to the other with the power that still lay in words at that time. Today, a little bit of feeling for the inner, spiritual, occult power of words still survives among the people. You simply cannot compare the power words have today with the power they had at that time. It was something quite tremendous. The word in itself would awaken powers in the pupil's soul. A mantra such as we have it today does not have anything like the power which words had at that time, when they were not so full of thoughts. Powers of soul would arise in the pupil under the influence of those words. We might call it human initiation through the language of nature, with tremendous power. A definite language was then also spoken by burning substances such as incense.

The connection between the teacher's and the pupil's soul was much more direct in that place. Any written signs existing at the adept school of ancient Atlantis imitated natural processes. They were drawn in the air with the hand, and had an effect, also a lasting effect, on the mind and spirit of the people at that time. They would awaken powers in the soul.

Every race thus has its mission in human evolution. The mission of our own, the fifth main or root race, is to bring the manas element into the four elements of human nature, that is to awaken insight and understanding by means of concepts and ideas. Every race has its mission. The mission of the Atlantean race was to develop the I. Our own, the fifth root race of the post- Atlantean period, has to develop manas, the spirit self.

The achievements of Atlantis did not perish with it. The most important elements of everything that existed in the adepts' nursery was kept by a small core group of people when they left. This small group, guided by Manu, went into the area where the Gobi desert is today. There they recreated the earlier civilization and teaching, but now more for the thinking mind. The earlier powers of spirit were transformed into thoughts and signs. From there, from this centre, the different lines of civilization then went out like radii, like rays. First of all the wonderful, most ancient pre-Vedic civilization, where the wisdom that came streaming in was for the first time transformed into thoughts.

The second civilization to arise from the ancient adept school was the most ancient Persian civilization. The third was the Chaldean and Babylonian civilization with its wonderful star wisdom, the magnificent knowledge its priests had. The fourth civilization to come into flower was the Graeco-Latin with its personal colouring, and finally our own developed as the fifth. We are moving towards the sixth and seventh. I have thus identified our mission in human evolution. It is to transform into thoughts, to bring right down to the physical plane, the cosmic wisdom which has existed as such until now.

When an ancient Atlantean listened for the note that lay between the sounds he could hear around him, he would hear the name of something he had perceived to be the divine: Tao. In the Egyptian mysteries this note was transformed into thoughts, writings, signs—the Tao sign, the Tao books. Everything that exists as knowledge, writings, thought only came into the world in post-Atlantean times. It could not have been written down before, for it would have been beyond human understanding. We are now in the middle of manas development. Our race works to take cultivation of the intellect, and at the same time also of egotism, to its extremes. We may certainly say, even if it does sound grotesque: ‘There has never been so much power of understanding and so little inner vision in the world as there is now.’ Thought is furthest away from the inner essence of things, far removed from inner spiritual vision.

When a priest on Atlantis wrote signs in the air, the effect of this would above all be an inner experience in the pupil's soul. In the fourth, the GraecoLatin period, the personal aspect was more to the fore. The Greeks developed personal art. In Rome, the personal element came into government affairs and so on. In our time we live with egotism, a dry personal element, a dry intellect. It is, however, our mission to grasp the occult in the purest thought element. Grasping the spiritual in this, the finest distillate of the brain, is the true mission of our age. To make this thought so powerful that it will have something of an occult power—that is the task we have been given so that we may do what is needed for the future.

Massive fires destroyed ancient Lemuria, massive floods ancient Atlantis. Our own civilization will also perish, and this will be through the war of all against all—this lies before us. Our fifth root race will perish because of egotism taken to its extreme. But a small group of people will out of the power of thought develop the power of buddhi, life spirit, and take it on into the new civilization. Everything that is productive in the human being will grow and grow until his individual nature has risen far enough to reach the summit of freedom. Every individual will have to find a kind of guiding spirit in his inmost soul in our time, buddhi, the power of the life spirit. If we were to go into the future being able to take in civilization impulses only the way it has been done in earlier times, we would move towards humanity shattering into fragments.

What is it that we have in our present age? Each wants to be his own master. Egotism, selfishness is going to extremes. A time is coming when no authority will be accepted other than authority people are able to accept of their own free will, so that its power will base on freely given trust. The mysteries based on the power of the spirit are called ‘mysteries of the spirit’. The future mysteries built on a basis of trust, on the power of trust, are called ‘mysteries of the father’. We bring our civilization to its conclusion with them. This new impulse, the power of trust, must come, otherwise we shall shatter into fragments and shall have a general ego-based and egotistical civilization.

In the times of the mystery of the spirit, based on a power, authority and might of the spirit that did have its justification, individual great sages had wisdom in their possession. They could only initiate people who had gone through severe trials. We are now moving towards a future that will hold the mysteries of the father and have to make every effort to see that every individual is wise. Will this help against egotism and being shattered? Yes! For human beings can only be united if they gain the greatest wisdom, a wisdom in which there are no personal vagaries, opinions or standpoints but one common view. If people were to continue in the way of being different, having points of view, and so on, they would again and again go their separate ways. The most sublime wisdom, however, always creates the same view for all people. True wisdom is one wisdom that brings all people together again in the greatest possible freedom, with no coercion or authority. As the members of the great white brotherhood¹⁰⁷ are always in harmony among themselves and with humanity, so will all human beings be united in this wisdom at a future time. This wisdom alone will create the true idea of brotherhood. The mission of the science of the spirit therefore need be no more than to guide humanity towards this idea, now in the unfolding of the spirit self, later of the life spirit. The great goal of the spiritual science movement is to make it possible for human beings to be free and truly wise. Its mission is to let this truth and wisdom flow into human beings.

In the modern movement for a science of the spirit, one began with the most elementary teaching. Much that is important has been unveiled in the years since the movement started, and even more important things will be gradually unveiled. The work of the movement is therefore to let the wisdom of the great white brotherhood that had its origin in Atlantis flow out gradually. Such work has always been preceded by a long period of preparation. The great and unique event of the coming of Christ Jesus was thus prepared for by all the work of the founders of religions—Zarathustra, Hermes, Moses, Orpheus, Pythagoras. All their teaching had the same goal—to let wisdom come to human beings, though always in the form most appropriate for the people concerned. And it is not what the Christ said that was really new. The really new thing that came with the coming and teaching of Christ Jesus was that Christ Jesus had the power to bring to life everything which until then had only been teaching.

Through Christianity, humanity has gained the power that all may be united in acknowledging the authority of Christ Jesus and yet be utterly individual, and that human beings can unite and be brothers in their faith in Christ Jesus, his coming, his divinity. Between the mysteries of the spirit and those of the father we thus have the mysteries of the son, with the school of St Paul its planting site, the school put in the care of Dionysius the Areopagite. The school had its flowering under him, for Dionysius taught those mysteries in a very special way, whilst Paul spread the teaching exoterically.

Let us now provide an explanation from another direction, so that we may understand what it means to say: the mysteries of the father are coming. The teachers of the ancient Atlantean adept school were not human beings but spirits higher than man. They had completed their development on earlier planets. And these teachers, coming from ancient planetary evolutions, taught the mysteries of the spirit to a small select band. In the mysteries of the son, Christ Jesus himself would appear as the teacher on special occasions. He, too, was a teacher who was not human but a god. It will not be until we have the mysteries of the father that the teachers will be humans. Individuals who have developed faster than the rest of humanity will be the true masters of wisdom and of harmony. They will be called the fathers. In the mysteries of the father, therefore, the guidance of humanity will be no longer in the hands of spirits who have come down from other worlds, but in the hands of human beings themselves. This is the important point.

To prepare people to be a core group for this goal, to prepare them for a common wisdom, for authority based on trust, and to develop understanding, initially for a small core group of people—that is the mission of the science of the spirit. The evolution of material civilization reached its high point in the 19th century. This was the time when the science of the spirit first came into the world. A counter impulse to materialism, going in the opposite direction, toward the spirit, was created by this means and therefore existed. The science of the spirit is nothing new, nor the spiritual scientific movement—it merely continues what was there before. Materialism, egotism cause humanity to shatter into fragments, with individuals seeing only their own interests. Wisdom must bring human beings together again who have been separated by this. In utter freedom, with no coercion, people are brought together in wisdom. That is the mission of the spiritual scientific movement in our time. We must clearly understand that we need to gain wisdom in very real terms. We all know the story of the stove whose mission it is to get the room warm. We may present this to the stove in the most moving words, asking it to get the room warm, but it will not do so. It is only if we turn it on that it can fulfil its mission. And so there is little point in just talking about brotherhood and love of one another. Insight alone will take us closer to our goal. For every individual and for humanity as a whole, the road to wisdom, to brotherhood, can only be found through insight.

We have now considered this road, going through three kinds of mysteries. Science of the spirit must make it possible for a small core group of people to understand what has been said, so that understanding may come alive in the masses in the sixth race. This is the mission which the science of the spirit must accomplish. A small part of the fifth root race will anticipate evolution; it will spiritualize manas and unfold the spirit self. The greater part, however, will reach the summit of selfishness. The core group which develops the spirit self will be the seed for the sixth root race, and the ones who are most advanced among them, the masters who have come from the ranks of humanity, as we call them, will then guide the human race. This is the goal of the movement for spiritual insight.

• 105. Middle High German epic poem from the early 13th century, based on the legends of Siegfried and the Burgundian kings.
• 106. Rudolf Steiner was referring to highly evolved individuals who are of the greatest possible importance to humanity. 'These sublime entities have already followed the path which the rest of humanity still has before it. They now work as the great 'teachers of wisdom and of the harmony of man's inner feelings/ (From a letter to a member, Berlin 2 January 1905). See also Rudolf Steiner/Marie von Sivers Correspondence and Documents 1901–1925 (GA 262). Tr. C. von Arnim. London and New York: AP & RSP 1988.
• 107. In one set of lecture notes it says ‘of the white lodge’.

The spiritual-scientific movement has arisen in our time not because of the arbitrary act of this or of that individual, of this or of that society, but because it is connected with the whole evolution of humanity and, as such, it should be considered as one of the most important of cultural impulses. If we would penetrate into the mission of the spiritual-scientific movement, we must transfer ourselves into the past and future of mankind.

Just as the individual human beings have evolved, from the moment when they first descended as individual souls from the bosom of the Godhead, so mankind as a whole has also evolved. Consider the differences, the changes and the development which may be observed upon the surface of the earth in the course of thousands of years! Consider how entirely things have changed during that time! Generally speaking, this is difficult to realise and to grasp quite clearly.

We should first explain that what we are accustomed to name “mankind” is only the product of the so-called fifth root-race. This was preceded by another human race, the fourth root-race, which lived on a continent that should be thought of as lying between present-day Europe and America. This continent was Atlantis. Here our ancestors had quite a different form and an entirely different civilisation. The ancient Atlantean did not possess a developed intellect and mind, but he was equipped with fine somnambulistic-clairvoyant forces. Logical power, a combining intellect, science and art, such as they exist now, did not exist in ancient Atlantis, for man's faculties of thought and feeling were quite different. At that time, he could not have combined thoughts, nor could he have reckoned, counted, or read; as men do now; yet certain somnambulistic-clairvoyant spiritual forces lived in him. He could understand the language of Nature and could hear God speak to him in the murmuring waves; he could understand the rolling thunder, the rustling forest, the delicate aromas of the flowers; he could understand this language of Nature and was in the whole of Nature. At that time, no law or jurisprudence were needed to come to an understanding with one's neighbour; the Atlantean just went out and listened to the sounds of the trees and of the wind and these told him what he had to do.

Folk-lore, which never contains anything haphazard or thought-out, has preserved the memory of ancient Atlantis in a beautiful way, when it speaks of “Nibelheim”, for instance, in the Nibelung Poem. In a delightful way it speaks of the Rhine and all these rivers as waters which have remained behind from the mists of ancient Atlantis. And the wisdom of Atlantis is referred to in the treasure which lies buried below their waves, On this continent, which was situated between America and Europe, we must seek the seminary of the ancient adepts, Those who were suited to be the pupils of the great individualities whom we call the Masters of Wisdom and of the Harmony-Feelings, were trained in these schools.

The seminary which flourished during the fourth Atlantean sub-race, this first school of adepts, would now be in the middle of the Atlantic Ocean. There, the pupils were taught in quite a different way from now. At that time, a powerful, influence could pass from man to man, through the force which still lay in the spoken word.

Simple folks of to-day still possess a fine feeling for the inner, spiritual and occult power of words. But it is impossible to compare the present power of words with that of the past. For in the past, this was something tremendous, and the word alone awakened forces in the soul of the pupil. A mantram of to-day has no longer the force of earlier times, when words were not so permeated by thoughts, as is the case to-day. The influence which went out from these words awakened the soul-forces of the pupil; one might call this a human initiation through the powerful effect of the language of Nature. ... A clear language was also spoken there by the smoke from substances such as incense, etc.

There was then a far more direct connection between the souls of teacher and pupil. The written signs in the Adept-School of ancient Atlantis were imitations of the phenomena of Nature, written by the hand in the air, these signs had their effect and also influenced the spirit of the population, arousing forces in the soul.

Thus every race has its task in the evolution of humanity. The task of our race, the fifth root-race, consists in adding Manas to the four members of the human being. That is to say, the understanding must be awakened through concepts and ideas. Every race has its own task: the Atlantean race had the task of developing the Ego. Our race, the fifth root-race, or the post-Atlantean era, must develop Manas, the Spirit-Self.

But the achievements of Atlantis did not die, when Atlantis was submerged, for the essence of everything that existed in the Atlantean School of Adepts was rescued by a small group of men. Under the guidance of the Manu, this small group journeyed into a region now known as the Desert of Gobi. And this small number of men then prepared copies of the former culture and teachings, but in a more intellectual form; the earlier spiritual forces were transformed into thoughts and signs. The various streams of culture then journeyed out from this centre like rays, or beams. First came the pre-Vedic Indian culture, which transformed for the first time the in-streaming wisdom into thoughts.

The second culture which went out from this ancient School of Adepts was the old Persian culture; the third one, the Chaldean-Babylonian culture with its wonderful star-wisdom, its lofty sacerdotal wisdom. The fourth culture to flourish was the Graeco-Latin one, with its personal colouring, and finally the fifth culture, which is our present one. The sixth and seventh lie in the future.

I have now characterised our task in the evolution of humanity: What once existed in the form of cosmic wisdom, must be transformed into thoughts and brought down to the physical plane.

When the old Atlantean listened, between the tones sounding round him, he could hear the NAME of what he recognised as divine: “TAO”, In the Egyptian Mysteries this sound was transformed into thoughts, script and signs—the Tao-sign, the Tao-books. Everything in the form of knowledge, writing and thought first came into the world during the post-Atlantean age. Before that time, nothing could have been written down, for the understanding for it would not have been there.

Now we are living in the middle of the Manas-development. It is the task of our race to develop intellectual culture, and at the same time to develop egoism in its extremest form. Though it sounds grotesque, we may say that never before was there so much intellectual power in the world, and yet so little capacity of inner vision as at the present time. Thought is at the greatest distance from the inner essence of things; it is far away from inner spiritual vision.

When the Atlantean priest wrote a sign in the air, its chief effect was on the pupil's inner soul-experience.

The personal element came more to the fore during the fourth, the Graeco-Latin epoch. In Greece, the personal element developed in art, and in Rome we find it in the structure of the government, etc. In our time, we experience egoism, the dry personal, intellectual element. But our task to-day is to grasp the occult truths in Manas, in the purest element of thought. The comprehension of the spiritual in this finest distillation of the brain is the true mission of our age. To render thought so forceful that it acquires something of an occult power is the task which has been given us. This task must be fulfilled, so that we may be able to take our place in the future.

Mighty flames of fire destroyed ancient Lemuria, and mighty floods ancient Atlantis. Our civilisation will also perish, through the war of all against all. This is what we must face. Our fifth root-race will perish, because egoism will reach its highest pitch. But at the same time, a small group of men will develop the power of Budhi, of the Life-Spirit, through the force of thought, in order to carry over Budhi into the new civilisation. Everything that is productive in the striving human being will grow stronger and stronger, until his personality reaches the summit of freedom. At present, every individual must discover in himself a kind of guiding spirit in the soul's inner depths:—This is Budhi, the power of the Life spirit. Were we to approach the future by taking up the cultural impulses as in earlier epochs, we should face the disintegration of humanity.

What do we see now at the present time?

Everyone wants to be his own master: Egoism, selfishness have been pushed to the extreme. A time will come when no other authority will be recognised except one which men recognise freely, whose power is based upon free confidence. The Mysteries which were founded upon the power of the spirit, are called the MYSTERIES OF THE SPIRIT; the Mysteries of the future, which will have trust as their foundation, are called the MYSTERIES OF THE FATHER. These will mark the end of our civilisation. The new impulse of the power of confidence must come, otherwise we approach human disintegration, a universal cult of the Ego and of egoism.

In the times of the Mysteries of the Spirit, which were founded upon the rightful power, authority and might of the Spirit, there were certain wise men who possessed wisdom, and only the soul who passed through difficult probations could be initiated by them. In future, we approach the Mysteries of the Father, and we must strive more and more that each single human being should attain wisdom.

Will this counter-act egoism and the threatening disintegration? Yes! For only when we reach the highest wisdom, in which there are no differences, no personal opinion and no personal standpoint, but ONE VIEW only, will men agree. If they were to remain as they are at present, following their different standpoints, they would become more and more disunited. The highest wisdom always produces a unanimous view among all men. Real wisdom is ONE, and it unites men again, whilst leaving them as free as possible, without any coercive authority. Just as the members of the great WHITE Brotherhood are always in harmony with one another and with humanity, so all men will one day be one, through this wisdom. Only this wisdom can establish the true idea of brotherhood. Spiritual science therefore has only one task: to bring this idea to men, by developing now the Spirit-Self and later on the Life-Spirit. The great goal of the spiritual-scientific movement is to make it possible for man to attain freedom and true wisdom; its mission is to let this truth and wisdom flow into men.

The modern movement of spiritual science began with the most elementary teachings. Many important things have been revealed in the years which have passed since the founding of this movement, and much that is even more important will be revealed. The work of the spiritual-scientific movement, is therefore to allow a gradual flowing out of wisdom of the great white brotherhood that had its origin in Atlantis. Such work has always been prepared for through long periods of time. The whole activity of the great founders of religions was a preparation for the ONE great event, for the appearance of Christ-Jesus.

Spiritual science seeks to be the testamentary executor of Christianity. And so it will be. When the Mysteries of the Father have been fulfilled, that is, when the development of Budhi is accomplished in every individual human being, then each one will discover within himself his own deepest being—ATMAN, the Spirit-Man.

The coming of Christ-Jesus was prepared for by the sequence of the founders of religions, by Zarathustra, Hermes, Moses, Orpheus, Pythagoras. All their teachings pursue the same aim: To let wisdom flow into humanity, but in every case, in the form most suited to each people respectively. The essentially new element is not found in what Christ said; the new element in the appearance and teaching of Christ-Jesus is the force that lay in Him to awaken into LIFE all that, formerly was only teaching.

Christianity has brought men the power to be united in free-willed recognition of the authority of Christ-Jesus, whilst maintaining the greatest possible individualisation, so that they are able to join together in brotherly union through faith in Him, in His manifestation and in His divinity.

Between the Mysteries of the SPIRIT and those of the FATHER, stand the MYSTERIES OF THE SON. Their seminary was the School of St. Paul, who had appointed Dionysios as its leader. This school flourished under him, for Dionysios taught these Mysteries in a very special way, whereas St. Paul propagated the teaching exoterically.

Let us now seek an explanation from another side, so as to understand the meaning of the words: The MYSTERIES OF THE FATHER will come. In the old Atlantean schools for adepts the teachers were not men, but beings higher than man, They had completed their development upon earlier planets, and these beings, who had come down to the earth from other planetary developments, instructed a group of chosen men in the MYSTERIES OF THE SPIRIT. In the MYSTERIES OF THE SON, Christ Himself appeared as a teacher in the most solemn celebrations and was therefore also a teacher who was not a man, but God. But in the MYSTERIES OF THE FATHER, those who will become teachers will be men, These men, who develop more quickly than the others, will be the true Masters of Wisdom and of Harmony; they are called “The Fathers”, in the Mysteries of the Father, the guidance of mankind passes from beings who have descended from other worlds into the hands of men themselves. This is significant.

It is the task of spiritual science to prepare men to form a centre for this end, to prepare them for a universal wisdom, for an authority built only on trust and confidence, and to develop an understanding for this, to begin with, in a small nucleus of humanity.

The development of the materialistic civilisation reached its climax in the nineteenth century, and that is why the impulse of spiritual science entered the world at that time. Through spiritual science, something was called into life—and now exists—which counter-acts materialism: It is the counter-movement in the direction of spirituality. Spiritual science is nothing new, and even the spiritual-scientific movement is not new; it is only the continuation of what has already existed.

Materialism and egoism bring disintegration to humanity, for the individual human being only regards his own interests. Wisdom must therefore reunite the human beings who have thus become separated. Wisdom brings them together in fullest freedom and exercises no coercion whatever. This is the task of the spiritual-scientific movement in our time.

We must realise that wisdom must be acquired quite concretely. We all know the example of the stove which was given the task of heating a room. If we explain this to the stove in words as moving as possible, and entreat it to warm the room, it will not obey us unless we heat it; only then will it be able to fulfil its task. Similarly, all talk of brotherhood and of brotherly love is useless; only through KNOWLEDGE we draw nigh to the goal. Individual human beings, and mankind as a whole, can only reach the path of wisdom and of brotherhood through knowledge.

We have now followed this path by considering three kinds of Mysteries. Spiritual science must be able to awaken an understanding for such things in a small nucleus of humanity, so that when the sixth race appears this understanding can be awakened in all men. This is the task which spiritual science must fulfil.

A small part of the fifth root-race will forestall the course of evolution, it will spiritualise Manas and unfold the Spirit-Self. The majority, however, will reach the summit of selfishness. Only this nucleus of humanity, that develops the Spirit-Self, will become the seed of the sixth root-race, and the most advanced of these, the Masters, as we call them, who have grown out of mankind, will then be the leaders of humanity. The movement for spiritual knowledge strives towards this goal.

If you take up one of the ordinary school books, or any other of the usual presentations of the Middle Ages, dealing with the period of which we are now going to speak—the 8th or 9th century—you will find that the personality of Charlemagne (768–814) occupies an inordinate space in it. Following the feats and triumphal marches of Charlemagne in this way, you will hardly understand what it was that actually made the significance of this epoch. All this was only an external expression of much deeper events in the Middle Ages, events which will appear as the converging of many significant factors. In order to study these factors, we must mention certain things which we have already touched upon, and which will throw light on this subject.

If you remember the description of European conditions after the folk migrations, when, after these occurrences, the Germanic tribes came to rest in different places, you will think of the way these races brought their ancient institutions, their manners and customs, with them into their new homes, and developed them there. And we see that they preserved their own peculiar character, a kind of social order, consisting in the distribution of private and common property. There were little social assemblies, which formed their original organisation: village communities, then, later, hundreds and cantons; and in all these, what could be common property was so: forest, meadow, water, etc. And only what a single individual could cultivate was assigned to the private family and became hereditary; all the rest remained common property.

Now we have seen that the leaders of such tribes received much larger territories at the conquest, and that on this account certain positions of mastery sprang up, especially in Gaul, where much land was still to be reclaimed. For the working of these domains, it was partly members of the former population, partly the Roman colonists or prisoners of war, who were taken. In this way, certain legal conditions grew up. The large landowner was not responsible to others for what he did on his own property; he could not be brought to book for any orders that he gave. Hence he could rescind for his own estate, any legal prescription or police regulation. So, in the Frankish Empire, we meet with no united monarchy; what was called the Empire of the Merovingians was nothing more than such a large landed estate. The Merovingians were one of the families which possessed much land; according to civil law—through the struggle for existence—their rule extended farther and farther. New territories were constantly added to it. The large landowner was not such a king as we have been accustomed to in the 13th, 14th, yes, even in the 16th century; but private government gradually became legal rule.

He transferred certain parts of his domain, and with them his rights; to others with less land; that was called being “under exemption"; this judicial authority had grown out of the irresponsible position in such circumstances. In return, this type of landowner must pay tribute, and do military service for the king in time of war. In the expansion of such proprietary relationships, the Merovingian stock as conquerors took precedence of all others, so that we must retain the formula: the ancient Frankish Empire progressed through purely private legal conditions.

Again the transition from the Merovingian to the Carlovingian stock, from which Charles Martel descended, took place in the same way, out of the same conditions. The Carlovingians were originally stewards of the domains of the Merovingians; but they gradually became so influential that Pepin the Short succeeded in putting the imbecile Childeric into a monastery, and, with the help of the pope, in deposing him. From him was descended his successor, Charlemagne. In a cursory survey we can only touch upon the external events; for, indeed, they have no further significance. Charlemagne made war on the neighbouring German tribes and extended his control in certain directions. Even this empire, however, cannot be called a State. He waged lengthy wars against the Saxons, who clung to the ancient village organisation, the old manners and customs, the old Germanic faith, with great tenacity. Victory was won after wearisome wars, fought with extraordinary ferocity on both sides.

Among such tribes as the Saxons, one personality in particular would stand out, and would then become a leader. One of these was Widukind, a duke with great possessions and a strong military retinue, whose courage withstood the most violent opposition. He had to be subdued with the greatest cruelty, and then submitted to the rule of Charlemagne. What did the rule amount to? It amounted to this: if the authority of Charlemagne had been withdrawn, nothing special would have happened. Those tribesmen who in their thousands had been obliged to submit to baptism, would have gone on living in the same way as before.

It was the form Charlemagne had given the Church which established his powerful position. Through the power of the Church these territories were subdued. Bishoprics and monasteries were founded, the large properties formerly possessed by the Saxons were distributed. The cultivation of these was in the hands of the bishops and abbots; thus the Church undertook what had formerly been done by secular landholders protected by “exemption,” namely, judiciary authority. If the Saxons did not acquiesce, they were coerced by fresh inroads of Charlemagne. Thus the same things went on as in western France: the smaller landowners could not carry on alone, hence they gave what they had to the monasteries and bishoprics, to receive it again under feudal tenure.

The one condition was, then, that the large properties should belong to the Church, as in the newly established bishoprics of Paderborn, Merseburg and Erfurt, which were cultivated for the bishop by the conquered tribes. But even those who still had their own possessions held them as fiefs and had to pay ever-increasing taxes to the bishoprics and abbeys. This was how the rule of Charlemagne was established: with the help of the great influence obtained by the Church whose suzerain he was, his position of authority was achieved.

Charles extended his authority in other regions, just as he was extending it here. In Bavaria he succeeded in breaking the power of Duke Tassilo and sending him to a monastery, so that he might bring Bavaria under his own dominion. The Bavarians had allied themselves with the Avars, a people who may be called the successors of the Huns. Charles was victorious in this struggle and fortified a strip of land as a boundary against the Avars, the original Avarian limit of the land which to-day is Austria. In the same way he had protected himself also against the Danes.

Like Pepin he fought in Italy against the Longobards, who were harassing the pope; again he was victorious, and established his authority there. He experienced too against the Moors in Spain, and almost everywhere he was the victor. We see Frankish rule established over the whole of the European world of those days; it merely contained the germ of the future State.

In these newly won regions, Counts were inaugurated, who exercised justiciary authority. In the places where Charlemagne alternatively held his court—fortified places called Palatinates—were the Counts Palatine, mostly large landowners, who received certain tribute from the surrounding districts. It was not only tribute from the land and soil, however, which fell to their share; they also received revenues from the administration of justice. If a murder were committed, the public tribunal was convened by the Count Palatine. A relative, or someone who was closely connected with the victim, brought the indictment. At that time certain compensation could be paid for murder, a recognised sum, differing in value for a free man and an unfree, paid partly to the family of the murdered man, partly to the justiciary of the canton, and partly to the king's central fund. Those who looked after communal concerns—actually only such as concerned taxes and defense—were the land-graves, who travelled from one district to another, ambassadors with no special function.

Under these conditions, the divergence between the new nobility of landowners and the serfs became more and more marked, and also between the landowners and those freemen who were indeed personally still free, but had fallen into a condition of servile dependence, because they had to pay heavy tribute and to render compulsory military service. These conditions grew more and more critical; secular and ecclesiastical property became increasingly extensive; and soon we see the populace in bitter dependence, and already we meet with small conspiracies—revolts—foreshadowing what we know as the Peasant Wars. We can understand that, in the meantime, material culture developed more and more productively. Many Germanic tribes had had no concern with agriculture before the folk migrations, but had earned their living by cattle raising; now they were developing agriculture more and more; especially were they cultivating oats and barley, but also wheat, leeks, etc. These were the essential things which were important in that older civilisation. There was, as yet, no actual handicraft; it was only evolving under the surface; weaving, dyeing, etc. were mostly carried on by the women at home. The arts of the goldsmith and the smith were the first crafts to be cultivated. Still less important was trade.

Actual cities were developed from the 10th century onwards, and therewith a historical event began to take shape. But what sprang up with these cities, namely trade, had at that time no importance; at its best it was only a trade in valuables from the East, carried on by Israelite merchants. Trade usages hardly existed, although Charlemagne had already had coins minted. Nearly everything was barter, in which cattle, weapons, and such things were exchanged.

This is how we must picture the material culture of these regions; and now we shall understand why the spiritual culture also was bound to assume a certain definite form. Nothing of what we picture as spiritual culture existed in these regions, either among the freemen or the serfs. Hunting, war, agriculture, were the occupations of the landowners; princes, dukes, kings, even poets, unless they were ecclesiastics, could seldom read and write. Wolfram von Eschenbach had to dictate his poems to a clergyman and let him read them aloud to him; Hartmann von der Aue boasts, as a special attribute, that he can read books. In all that secular culture catered for, there was no question of reading and writing. Only in enclosed monasteries were Art and Science studied. All other students were directed to what was offered them in the teaching and preaching of the clergy. And that brought about their dependence on the clergy and the monks; it gave the Church its authority.

When we read descriptions today of what is called “the dark Middle Ages”—persecution of heretics, trials of witches, and so on—we must be clear that these conditions only began with the 13th century. In the older times nothing of this kind existed. The Church had no more authority than the secular large landowners. Either the Church went hand-in-hand with the secular authority, and was only a branch of it, or it was endeavouring to cultivate theology and the science of Christianity.

Until the current of spiritual influence came from the Arabs, all spiritual concerns were fostered only in the monasteries; the activities of the monks were completely unknown to the world outside. All that was known outside the monasteries was the preaching, and a kind of spiritual instruction given in the primitive schools.

The authority of the Church was enhanced by the fact that it was the clergy themselves who carried out all the arrangements for promoting knowledge. The monks were the architects; it was they who adorned the churches with statues, they who copied the works of classical, too, the emperor's chancellors, were, for the most part, monks.

One form of culture which was fostered in the monasteries was Scholasticism. A later was Mysticism. This scholasticism, which flourished until the middle of the 14th century, endeavoured—at least at one juncture—to inculcate a severely disciplined way of thinking. There were severe examinations to undergo; nobody could make progress in absolutely logical discipline of thinking without hard tests; only those who could really think logically, were able to take part in the spiritual life. Today that is not considered. But actually it was because of this training in consistent logic that when the Moorish-Arabian culture came to Europe, this science found disciplined thinking there already. The forms of thought with which Science works today were already there; there are very few arrangements of ideas, which are not derived from thence.

The concepts with which the Science—still operate today, such as subject and object, were established at that time. A training of thought, such as does not appear elsewhere in world history, was developed. The keen thinker of today owes that which flows in the veins of his intellect to the training fostered between the 5th and 14th centuries. Now some may feel it to be unjust that the masses at that time had nothing of all this; but the course of world history is not directed by justice of injustice, it follows the universal law of cause and effect. Thus we see here two definite currents flowing side by side: 1. Outside, material culture, absolutely without science; 2. A finely chiseled culture, confined to a few within the Church. Yet the culture of the cities was based on this strict scholastic way of thinking. The men who carried through the great revolution were ecclesiastics: Copernicus was a prebendary, Giordano Bruno was a Dominican friar. Their education and that of many others, their formal schooling, was rooted in this spirit of the Church. They were not powerful men, but simple monks, who, indeed, often suffered under the oppression of those in power.

Nor was it bishops and rich abbots, but on the contrary, poor monks, living in obscurity, who propagated the spread of Science. The Church, having allied itself with external powers, was obliged to materialise itself; it had to secularise its teachings and its whole character. Very long ago, up to the 12th century, nothing was held more solemn, more sublime, by the Christians, than the Lord's Supper. It was regarded as a sacrifice of grateful remembrance, a symbol of the intensifying of Christianity. Then came the secularisation, the lack of understanding for such exalted spiritual facts, especially as regards the festivals.

In the 9th century there lived in the land of the Franks, at the court of Charles the Bald, Scotus Erigena, a very distinguished Irish monk, in whose book De Divisioni Naturae we find a rich store of profound intellectual thought—though, indeed, not what the 20th century understands as Science. Erigena had to fight against hostile criticism in the Church. He defended the old doctrine that the Lord's Supper represented the symbolism of the highest Sacrifice. Another, materialistic, interpretation existed, and was supported in Rome, namely, that the bread and wine was actually transformed into flesh and blood. This dogma of the Lord's Supper originated under the influence of this continuous materialisation, but it only became official in the 13th century.

Scotus Erigena had to take refuge in England, and at the instigation of the pope, was murdered in his own monastary by the fraternity of monks. These struggles took place, not within the Church, but through the interpenetration of secular influence. You see that spiritual life was confined to a few, and was closed to the masses, upon whom lay an ever-increasing pressure, both from the secular and the spiritual side. In this way discontent continued to grow. It could not be otherwise than that dissatisfaction should increase among these people of divided loyalties. In country, on the farms, new causes of discontent kept cropping up. No wonder that the small towns, such as those already established on the Rhine and the Danube, should continually grow larger and form themselves anew from the influx of those who could no longer get on in the country. The fundamental cause of this reorganisation of conditions was the people's thirst for freedom.

It was a purely natural motive which gave rise to the culture of the cities. Spiritual culture remained undisturbed for the time being; many cities developed round the bishoprics and monasteries. From the city-culture rose all that constituted trade and industry in the Middle Ages, and afterwards brought about quite different relationships.

The need to develop the full life of the human personality, was the cause of the founding of the cities. It was a long step on the path of freedom; as, indeed, according to the words of Hegel, history signifies the education of the human race towards freedom.

And if we follow the history of the Middle Ages farther, we shall see that this founding of the city-culture represented, not an insignificant, but a very important step on the path of freedom.

In order to acquire a right understanding of the Siegfried saga we must first find its place in the great cosmic happenings in the world. Before our present root-race there were four others; we are in the fifth. The first sub-race of the present race consists of the Indian folk; we call this the Spirit-race, because the import of the fifth race was first given by the Manu in its spiritual form to this sub-race. The second sub-race we call the Flame-race, the race to which Zarathustra gave a religion. The third sub-race was the star-race, the race of the Chaldeans, Babylonians, Assyrians, from which later sprang the Israelite tradition. The race of the Greek and Roman peoples, whose first representatives are mainly to be found in Greece and Rome, became the fourth sub-race. It is the one in which Christianity first took root, in Asia Minor, Greece and Rome. But it is our fifth sub-race which was to be the most strongly influenced by Christianity and was to carry it over into the sixth. Christianity came to our fifth sub-race as a tradition, after the beginning of the Christian era. But before this, for some centuries before Christianity was introduced into these regions, and even earlier, ancient Druid initiations were in existence. These were maintained until it became quite obvious that the evening of these preparatory Celtic races had come.

You must understand that all the streams I have named do not reach the northern world. None of the currents which passed over the Flame-race, the Star-race, the Greco-Roman race, got as far as the northern regions. In the north there still remained something from the culture of Atlantis which had been brought over by Atlantean initiates. Wotan was an initiate of the northern peoples. He is none other than the bearer of the elements of Atlantean culture into these parts. Everywhere in these northern regions the Druid initiation was still practised. I have already said that one of its founders, one can say its chief founder, was named Sieg. And in these northern parts something happened rather like what happened later in Palestine at the Foundation of Christianity. Sieg renounced his body and placed it at the disposal of a higher individuality. Hence later the transformed Sieg was named Odin. Odin is the highest initiate of the northern Mysteries. He is the bearer of the spiritual culture of that time. Sieg therefore was the Chela of the north who placed his body at the disposal of the higher, more spiritual Odin. He himself lived later as an initiate Master. Sieg is a quite special case. He is not able to introduce a movement as the Master Jesus¹ did after the foundation of Christianity. Sieg had to lead this northern culture to its downfall. He is called upon to guide the northern peoples until the fifth sub-race of the fifth root-race reached them from the south. The ancient Chela Sieg is the one who had to lead the northern peoples into tragedy. Hence he is also called Sieg-urt, which means, “he who leads into the past.” ‘Fried’ is the same word; it means, “that which leads to death, to destruction.” It is still found in the word ‘Friedhof,’ (graveyard). The very same Chela who had paved the way for the great initiate who is to lead the northern culture to its downfall. Its spiritual content declines and is replaced by the rising Christianity. What I am now saying is a prophetic augury which found expression everywhere in the later northern Mysteries. “We have to be a race that is led to its death”. That is the note which sounds forth in the various Mysteries of these northern peoples. The whole of the future event, which had been indicated in the scriptures since primeval times, and which was to take place in the future, was predicted in the northern Mysteries, and through this prediction arose what later became the content of the Nibelungenlied. The second part of the Nibelungenlied gives us the fulfilment of the Nibelungs' karma.

I must draw attention to one feature which we always find in such a situation in human evolution. Before a new phase takes root the earlier phases of evolution have to undergo a brief repetition. This repetition is plainly to be seen in the north. We are shown how all that has been experienced here in the north since the time of Lemuria and Atlantis has to be overcome before these northern nations will become mature, will really develop up to the level of the Christianised fifth sub-race. He in whom all that lives is the initiate Siegfried. Let us briefly run through the salient points of the Siegfried saga.

To begin with, life at the Court in Worms revolves round three heroes: Gunther, Magen and Giselher. We are further told that the hero Siegfried is wooing Brunhild. At the same time we are told that Siegfried is acknowledged to be a personality out of the ordinary. This he certainly is, for he has slain the possessor of the Nibelung treasure; in the fight with the dragon he has made his body hard as horn; he has won the cloak of invisibility. Thus he has two qualities that are always shown by the initiates of pre-Christian times; they are invulnerable and they are unrecognisable. They are made invulnerable by something that has preceded Christianity, has preceded the spirit. In the Gospel it says: “And there are three that bear witness ... the Spirit, and the water, and the blood.”²

It is the blood which must be conquered, and it is the blood which made the heroes invulnerable in the times preceding Christianity. But these invulnerable initiates are always vulnerable in one spot. Achilles is an example of an initiate of these early times. He was plunged into the Styx and was vulnerable in his heel. Siegfried is bathed in the blood of the dragon and is vulnerable in the shoulder. The initiate can make himself unrecognisable to his own people. He can do that through the possession of the cloak of invisibility. It is this that makes the possessor of these higher occult faculties invisible to the outer world. The possessors of the Nibelung treasure had these faculties. They originated in Atlantis, Atlantean initiates in particular had them. But they were also retained by the initiates of the fifth race and hence by Siegfried. He came into possession of the Nibelung treasure. What is this treasure?

It expresses the fact that the northern peoples supplied the basis upon which the fifth sub-race could arise. We also call the race the race of the great discoveries and inventions, the race that has conquered the entire physical plane and that waxes great amid the harsh difficulties of the external world. It has both to possess things, and to develop its possessions. We shall see that ‘Nibelungenhort’ (the treasure of the Nibelungs) is merely a modification of the old word ‘Nifelheim, Nebelheim’ (land of mist). This it is what in the north is recognized as the physical earth, the earth in the moment of becoming physical. It is a firmer hold on the physical that this race of forerunners propagated and opposed to Christianity. Nibelung treasure represents earthly property. It is something that the forerunner possesses, which it is permissible for him to possess, because he can guard it in a suitable way.

Now you all know how the Siegfried saga goes on in this old form. It is not the oldest form, but it is the one that concerns us. You know that Gunther woos Brunhild of Iceland. Twice Siegfried overcomes Brunhild, who believes that it is her suitor Gunther who has conquered her. Gunther woos her, but Siegfried in the cloak of invisibility fights at his side, and is glad that she becomes Gunther's wife. Now Kriemhild later in a weak moment betrays to Brunhild that in reality it was not Gunther who had vanquished her, but that Siegfried was there invisibly. Brunhild is incensed by this and plots to kill Siegfried. But she has yet to learn how she can do it. She wins to her side Hagen of Trony, who dwells at the court. We can recognise the figure of Hagen as deriving from the ancient Druid Mysteries. Hagen is a significant name among the ancient Druid initiates. Not only is he an initiate who represents the highest streams of spiritual life, but, what is more important here, he illustrates the fact that the predecessor always comes into conflict with his successor. Siegfried is the immediate predecessor of Christianity. Hagen belongs to an earlier Druid stream. Hagen therefore is sent for to bring about Siegfried's ruin. To this end Kriemhild must betray that he is vulnerable in one place. Here the significance of this place is revealed. Kriemhild betrays that he is vulnerable between the shoulders, in the very place where the Cross will have to be borne. He has not yet got the Cross. These early peoples have not yet got Christianity. To this spot the Christian initiate will have to come—so says the Siegfried saga—because it still lacks Christianity, because the place where the Cross has to rest is still vacant. Hence Siegfried is still vulnerable in this spot. Siegfried, who brings the Sieg-initiate to ‘Fried’, to rest, is vulnerable in the spot which Christianity will later render invulnerable. There Siegfried too is overcome by the powers which have remained over from earlier stages of northern culture. Hagen kills him and thus illustrates the supercession of the preceding northern races by the fifth sub-race. The import of this transition finds expression in the Siegfried saga.

What are these northern races, the forerunners of Christianity, fighting against? They are fighting against all the old that has remained behind from Atlantis. They have continually to be on their guard against it. Thus in the northern races there still lives something against which the soul of the northern peoples has to protect itself, something that still forces its way in from the remnants of Atlantean culture. An earlier stage of culture has been preserved into the fifth sub-race. But those who have remained behind in the Atlantean culture are a hindrance to further development, they have to be overcome. Hence the struggles that followed are represented by Gudrun. This Gudrun is the soul of the northern peoples. In an older version she wages war against the great initiates who continually come over from Asia from the remnants of old Atlantis. The initiates, the remnants of the Turanians, come over from Asia in a series of incarnations. This is why we also meet there the famous Attila, identical with Etzel, who was initiated in the Atlantean culture. In. fact the historic Attila, who was called ‘the scourge of God’ by his own people as well as by the Europeans, was an initiate who fought at the head of his people with quite outstanding occult forces. Hence a battle with the Huns was quite rightly described as a fight in the air. To anyone who knows these things it is quite clear what is meant. Attila shrank from nothing that he encountered in Europe; from the Pope alone, of his own free-will, he drew back. The races of northern Europe knew that they had to beware of the influence from the East. Christianity knew that this influence could do it no harm.

Now in the later saga we are told that Kriemhild plotted to take revenge on those who had killed Siegfried. She achieves this by throwing in her lot with these Atlantean elements and succeeds in wooing Attila's following to her cause. She becomes Attila's wife. Before that she had lived for a while at the Burgundian court. She came into possession of the Nibelung treasure and had been a great benefactress in her use of it. But the inevitable enemies, who belonged to an earlier culture, and who were represented by Hagen, had sunk the treasure in the Rhine. Now how wonderfully the events which followed are described; Kriemhild clung to her plan to destroy her enemies, her old northern enemies, with the help of Attila. They were enticed to Attila's court and on their way there they met the very spiritual power by which they were to be superseded. On the Danube, in Rudeger of Bechlaren and his wife Gotelind, they encounter Christianity. It is Christianity that is to supplant the northern European culture. Here we have an indication of the dawn of Christianity. Those who have paved the way for it go to meet their downfall. They are murdered at the court of the Huns. Kriemhild had her revenge but she herself must perish. How is this brought about? Kriemhild is really a metamorphosis of Gudrun, with the difference that in the earlier time the tragic outcome had not taken hold of men's hearts. It is Gudrun herself, the folk-soul who slays Attila. In the later version she unites herself with Attila. The soul of the earlier culture avenges itself on the culture which has brought about its downfall. Kriemhild herself perishes.

If you are studying the matter from the literary point of view, you will naturally ask how it comes about that, right at the end, at the court of the Huns, Dietrich of Bern, Hildebrand and all the Germanic heroes are introduced, for they belong to a period that has already gone over to Christianity. They are Christian heroes. Christianity brings death to the ancient folk-soul. First we have the dawn of Christianity in Rudeger of Bechlaren, and then Christianity reaches the essential element of the ancient folk-soul. This is not something told after the event, but something experienced as prophecy within the Mysteries long before the emergence of Christianity. These events were the subject of Mystery-initiation. Initiation into the Mysteries includes not only initiation into truths of the present, but also into truths of the past and of the future. Apocalypse always forms part of it. The Siegfried saga had long been the apocalypse of the northern peoples.

It is not a saga that has arisen somehow or other out of separate fragments, as philology supposes. ‘The folk’ does not make literature in this way. Only someone who has no clue to what goes on in a folk-soul could say this. The sagas are nothing but an account, a rendering of what had taken place in the crypts of the Mysteries. Just as in the south we have the word Mystery, so in the north a similar mystery event is called a ‘Mahr’, from which we get the word ‘Marchen’ (fairy tale). “Viele Wunderdinge melden die Mahren alter Beiten”.³) The ‘Wunder’ (wonder or miracle) is just a sign. There are things that must be regarded as events on a higher plane. The northern saga-world is so interesting because it expresses something that is not to be found in the entire range of southern saga. The sagas of the southern peoples express a step up; in them the people have always received something which leads them upwards. Of course, the Indian, Persian, Babylonian, Chaldean peoples and those who succeeded them at later stages also had their tragic figures. We need only remind you of the Chronos saga. But here in the north we have the thing in its most developed form, for these people had so long to wait, so long to live in a state of expectancy. Theirs was a culture of preparation, which lasted until a higher initiation evolved. And that is the important point. It was a culture that descended so low, that its initiate is human, is man. The Indian initiate is the Bodhisattva, then come the Rishis, later in Greece we get ‘the sons of the sun’, such as Hercules and Achilles, Only when the initiate had descended to the lowest rung of the ladder do we get, here in the north the initiated man who lacks only one thing, what is comprehended in the Christ. The Christ he has not got. Thus this culture has come so far that it has human initiates and the man-become-god. In the north we encounter the divine man—the divine Man who for us is the Christ—in an attitude of expectation, with the vulnerable spot which Christianity will have to cover.

Thus you have four levels which come one after another. First you have Wotan, who comes over from Atlantean times; then Odin. Wotan corresponds with what develops during the second sub-race of the fifth root-race. The last before Siegfried is Balder, the sun-hero. He corresponds with what develops in the Chaldean-Babylonian-Assyrian epoch. But whereas what developed in the south is an ascending, a progressive culture, here in the north we find a mood of suspense, of expectancy, of waiting for something to happen Then we come down from god to man; and while the southern sub-race developed further, Siegfried became the initiator of this culture of suspense. It is steeped in tragedy. Because this northern culture is coming to an end you have the tragic deaths of Baldur, of Siegfried.

• 1. The Master Jesus is described by Rudolf Steiner as a being who sees through history as the guide of the Christian spiritual stream, with relatively short intervals between each death and rebirth. He is not to be confused with Jesus of Nazareth. See also Lecture 7 of Rudolf Steiner's Course on the Luke Gospel.
• 2. I John, V. 8.
• 3. This is the first line of the Nibelungenlied. Rudolf Steiner has spoken of the Nibelungen on various occasions, in lecture 8 of the Course entitled “The Spiritual Beings in the Heavenly Bodies and in the Kingdoms of Nature”, given at Helsingfors in April, 1912, and in “Das innere Verhältnis der Sprache zu den Cedanken. Das Nibelungenlied and Wilhelm Jordan” given in Dornach, 28th March, 1915, and not yet translated.

Translated by Steiner Online Library