The Rudolf Steiner Archive

In the scene in which he is the gravedigger's assistant, the poet has the Danish prince Hamlet speak about the value of the dead Caesar in view of a great and significant historical figure. The poet's Hamlet is disturbed and brooding:

The great Caesar, dead and turned to clay,
Might stop a hole, well enough, from the harsh north.
Oh, that the earth, to which the world has trembled,
Might bar the wind and weather with a wall.

It is not surprising that these ideas should occur to Hamlet in memory of the great Caesar, when in his gloomy mind the thought could be conceived that of all the body, the human being, of all that exercised the power of the will, nothing remain of the body, of the human being, of all that exercised the power of will, nothing but a heap of external matter, which, broken down into its atoms and dissolved, could be used to “glue a wall” here or there; but this same train of thought is quite indicative of the prevailing mood of our time. There is an excellent manual by Huxley about physiology, in the sense of our current scientific understanding, which has also been translated into German. Right on one of the first pages, you will find a reference to the words of Hamlet that have just been spoken to you, but said in all seriousness at the end of the “First Lecture”:

It is impossible to follow with any degree of certainty these wanderings, which are more changeable and extensive than those devised by the ancient sages who believed in the doctrine of transmigration; but it is probable that sooner or later some, if not all, of the scattered atoms will be gathered into new forms of life. The sun's rays, penetrating the plant world, combine some of the wandering atoms of carbonic acid, water, ammonia and salts to produce plants. Plants are devoured by animals, animals devour each other, man devours both plant and animal; and so it is easily possible that atoms, which once formed an essential part of the busy brain of Julius Caesar, now enter into the composition of Caesar, the negro in Alabama, or of Caesar, the house dog of some English household.

We do not want to think dogmatically and reason logically, but consider how a distinguished nineteenth-century naturalist like Huxley could arrive at such conclusions based on his innermost feelings. We no longer want to ask: What becomes of the physical components when a person's body turns to dust? but we want to turn our attention to the will embodied in the human being, to his self-aware ego, and pay attention to the paths that this soul-spiritual takes, although otherwise the person feels compelled to ask, not which path the spirit takes, but which of the outer material takes.

We will soon see that there is an intimate connection between the prevailing mood of the time and the approval of winning the hearts of the people when they are told that they can become happy, or at least healthy, if they follow certain rules, eat only this or that, bathe in a special way, dress in a reformed manner, and so on; but But they react badly when one speaks to them of the fact that the spiritual content of ideas, truths, and insights with which we fill our soul become living forces to harmonize our inner being, our whole life, to make it strong and resistant to all possible attacks and to strengthen us to fulfill our life's tasks.

By way of explanation, I would just like to point out how fear and anxiety make people pale, how feelings of shame make them blush, and how the soul affects the body and also has a wider effect than is generally assumed. But if you continue to point out that the thoughts of a spiritual worldview lead us up to spiritual heights, that a correct way of thinking of this kind has a healthy effect on people, both spiritually and physically, we find strong doubt or outright disbelief in the vast majority of our contemporaries, and in many cases only because people of our time have become too lazy to think in order to apply the mental and spiritual effort necessary to work through such views. Both Huxley's book and the experiences to be made everywhere in life show in a characteristic way that our age has come to believe only in the outwardly material and the obvious. The nineteenth century brought us these conditions.

Spiritual science is now far from rejecting the tremendous achievements of natural science, which this century has handed down to us along with an almost incalculable wealth of facts. However, it is necessary to point out that certain concepts have crept into the hearts of people and become ingrained there, becoming, so to speak, fashionable, so that it is difficult for them to decide to believe in the spiritual without trying to imagine it materially. But as a result, humanity is threatened with a mental chaos in the near future, a confusion with regard to the most important things, of which I will pick out only one and therefore refer again to Huxley's “physiology”, namely the concept of life, as far as it is obvious and, so to speak, self-evident. So [there] is said:

But in reality, the immediate cause of death is always the cessation of the activities of one of three organs: the brainstem, the lungs or the heart.

Thus, a man can be instantly killed by injury to a part of the brain called [...] medulla, as can be caused by hanging or breaking the neck. Or death can be the direct result of asphyxiation by strangulation, hanging or drowning, or in other words by the inhibition of respiratory processes. Finally, death occurs immediately when the heart stops pumping blood around. These three organs, the brain, the lungs and the heart, are therefore somewhat fancifully called the triad of life.

Ultimately, however, life has only two feet on which it rests, the lungs and the heart; for death by the brain is always only the indirect consequence of the effect that injury to this organ has on the lungs or the heart. The brain's activities cease when either breathing or circulation has ended. But if blood circulation and respiration are artificially maintained, then one can remove the brain without causing death.

So if Huxley thinks he can preserve life with these means, then under certain restrictions there is no objection to it, but I would still like to raise the question of whether this can actually still be called life. Probably everyone present would say thank you for such a life. Therefore, a statement of this kind in a scientific work that delves deeply into the most essential concepts proves that today's world has forgotten how to think about concepts such as “life” in an accurate way.

But anyone who, as is right, realizes that the thoughts and feelings that we predominantly harbor can make the body healthy or sick will also soon become aware of how difficult it is to pass on clear concepts into the future. With inadequate concepts in our soul about life and death, about spirit and soul, we are placed in a state of mind that soon makes us doubt everything possible in us, paralyzes the spiritual forces in us and prevents us from adequately fulfilling our duties in life; more and more it will become desolate in the soul and spirit of man, such a one will finally be plunged into powerlessness and despair. The attentive observer foresees that humanity can be brought into a dire situation on this path, and he can see that the beginnings of this are already being made in some places, especially when the most advanced science is compatible with such concepts that have an almost murderous effect on our soul and spirit and thus also on our body.

Alongside this, something else arises, namely a need that is suppressed again by a chaos of concepts, but which nevertheless stirs anew in the soul and occupies the mind: people talk so much about development from imperfect life conditions to more perfect ones, but where it would be most necessary to talk about these things, people do not want to believe in them when it comes to the human soul. But this human soul has ever new needs from epoch to epoch, always wanting to live in more advanced circumstances; the soul of the twelfth century is still different from that of the nineteenth century. It is not a matter of external things, of schooling and erudition, but of the different way and conception of life that develops for the soul from epoch to epoch.

This evening, we can only touch on the subject of life; it is significant that almost every person feels the need to develop certain things emotionally and intellectually, which in earlier cultural epochs were accepted on trust. In the past, whole epochs were far more dominated by certain general judgments, and all souls were generally occupied with the same ideas. Today, on the other hand, the urge to be independent is increasingly asserting itself in the souls of people, to find the points of reference within themselves, to tap into themselves the reason and source of existence, in the face of moral commandments and judgments of all kinds.

Our time, however, suffers from the fact that many people allow this need to rest in many respects, or entirely, on the ground of the soul. It cannot arise because it is drowned out by the chaos of life; and such people then go under in their belief in authority - which seems all the more terrible because it invokes the materially intangible - by always repeating that “science” has established and proven this and that. The vast majority of people cannot follow up and investigate for themselves how it has been established, and that is why the authority of science has grown into a formidable general magnitude.

These two schools of thought are in conflict with each other. If spiritual science wants to establish a proper relationship with these two powers, it must pursue the strict goal of making it possible for people to satisfy, in the truest sense, the deep needs that arise within them. I would like to point out that in earlier decades, questions about the destiny of the soul, the origin of man, and the sources of all spiritual life were approached quite differently than they are today. I would like to draw your attention to a leading personality in whom this can be seen in his unique spiritual constitution, in his feelings and perceptions. Goethe, who I have in mind here, rarely expressed himself on this subject without any particular external inducement, but on the occasion of the funeral of Wieland, whom he greatly revered, he spoke to a person close to him about what he thought about the fate of the soul after death. Goethe replied to the question put to him:

[Wieland will now] do nothing small, nothing unworthy, nothing incompatible with the moral greatness that he has maintained throughout his life. [...] The destruction of such high powers of the soul can never be a question in nature under any circumstances; nature never treats her capital so wastefully [...] As for the personal survival of our soul after death, this is how it is in my view. It does not contradict the many years of observation that I have made about the nature of our and all beings in nature; on the contrary, it even emerges from them with new conclusiveness. But how much or how little of this personality deserves to continue, by the way, is another question and a point that we must leave to God.

Goethe then develops a certain hierarchy of souls, which he calls monads here, that makes them suitable for various activities; he considers these monads to be immortal and, in their higher development, to be actively involved in the development of the world system, and then continues:

I am certain that I have already been here a thousand times as you see me now and hope to come back a thousand more times. [...] But this does not mean that by limiting our observations of nature, limits are also set to our faith. On the contrary, given the immediacy of divine feelings in us, it can easily happen that knowledge must appear as a patchwork, especially on a planet that has been torn out of its full context with the sun, leaving all and any observation incomplete, which is precisely why it is only through faith that it receives its complete complement. [...] As soon as one starts from the principle that knowledge and faith are not there to cancel each other out, but to complement each other, then the right thing will be worked out everywhere.

Goethe actually mastered the natural science of his time; he also enriched it through a way of thinking that was alive in the spiritual. That is why it is all the more interesting to experience how all these things are reflected in Goethe's view, how the life of the soul after death could be shaped according to his needs, based on all his long personal and scientific life experiences, and to see how Goethe, according to his spiritual worldview, was far removed from the modern materialistic worldview that was increasingly being developed. So it is up to everyone to form an idea of the spiritual world view through their entire mental configuration.

At that time, the now widespread and scientifically promoted worldview of “monism” was not yet known. People were not yet so anxiously concerned that a gap should not open up between humans and higher animals [...]; rather, they believed in this gap in a physical sense, and if they wanted to bridge it, they thought in deeply materialistic terms [...]. People wanted to have something materially distinct, since they could not find it in the idea that something spiritual could be found as a distinguishing factor. So they searched the entire body, the soft tissues and the skeleton, and found a special intermaxillary bone in the upper jaw of animals, which humans apparently did not possess. With that, they believed that they had discovered the long-sought, exalted difference between humans and animals, and gullible, materialistically-minded people were inclined to accept this without further ado. Goethe studied these conditions and found that the premaxillary bone was present before birth, that is, in the developing human being, but that it gradually fused completely with the adjacent parts until birth. We find more details about this in Goethe's scientific writings, in which he devotes a special treatise with detailed illustrations to the study of the “ossis intermaxillaris” and defends his discovery against Soemmerring 1785 and Camper in special letters, in which he also emphasizes, however, that the difference between humans and higher animals is not to be found in the individual material, but in the spiritual, which towers mightily above the animal. If we take into account what Goethe – according to Johannes Falk – said on Wieland's funeral day about soul and spirit, their transformations and fates after death: how he had reflected during his long life, and when he now compares what he believes he has found with what can be observed scientifically, sensually, then the two are reconciled without contradiction. At that time, one could still say this as a scholar, as a true naturalist, without finding oneself in conflict with the views of the life of the soul in its special field and that of the material side of life. Even in the mid-nineteenth century, this was still the case with a pioneering naturalist who was mentioned by name, who did more than anyone else for the knowledge of the transformation of animal life forms, but who, by showing their development, came to the conclusion of saying:

I believe that all organic beings that have ever lived on this earth have descended from an original form, into which the Creator breathed life.

That was Charles Darwin. He, too, was able to look unhindered into the spiritual world without coming into conflict with the results of his research. It should be noted that the English original contains these words, but the first German translation and its subsequent editions do not. In such a short time, it was no longer possible to connect the view of the spiritual world with Darwinism, which was already much more harshly conceived. Thus, in all so-called popular presentations, we hear and read today that anyone who still clings to the influence of a spiritual world is a fantasist and a fool, since Darwin himself showed that everything spiritual is a function of the physical. Of course, nothing is easier than to refute spiritual science in this way if one translates it into the view. If this or that part of the brain becomes diseased, then, in a certain analogous relationship, the soul becomes ill; if the brain gradually wears out, then the soul is also worn away, and so the soul is to be thought of as inseparably united with matter as a form of expression. Darwin has, after all, done away with the spiritual world anyway - although this is not the case.

We live today in a time when it is already a serious pursuit of truth to make a confession, as Goethe did, and yet to come to terms with science, as Goethe did, who was able to maintain the soul as existing quite rightly. Today it seems impossible to reconcile external, material science and adherence to the spiritual world. Today we live in an age that has accumulated an almost unmanageable amount of empirical results, where it is impossible for the individual to find his way around the ever more and further divided scientific disciplines, where it is completely dizzy, to orient himself exactly about what science has “established”, just as it is difficult to determine for himself what gives him an accurate judgment, a healthy general view of spiritual science.

So here comes this spiritual science and claims that it possesses and applies the same way of thinking and logic as every other science of today, which not only assumes that the soul contains the normal power of knowledge of everyday and scientific life, which, so to speak, every normal can apply, but it adheres to the conviction that forces lie dormant in the human soul that can be developed so that life in the spiritual world will be revealed to the person concerned, as it is to the observer endowed with eyes and the other senses of the external, material environment.

Not everyone can develop their spiritual eyes and ears in life and become a spiritual researcher, but nor can everyone work in a laboratory, be an astronomer and so on, not everyone needs to work as a researcher in such ways. Only a few can achieve it to a sufficient extent, but they can proclaim it to others, and every person has something in their soul that prevents them from devoting themselves to all that is communicated in blind faith; these are: logic and a healthy sense of truth. The messages he receives can enlighten him; he can measure them against life, test them and gain experience from them, to see whether they have a healing and beneficial effect there and in themselves.

In this way spiritual science places itself in life. Through the power of his soul, the human being makes himself an instrument of spiritual scientific research. However, the demand that all results be proven to everyone with absolute certainty and at any time is just as impossible for spiritual science as it is for external material science and its researchers. The latter say that their science demands absolute objectivity, not inward-soul things and experiences, but anyone who speaks in this way does not know spiritual scientific research in its true essence.

When someone, apart from external impressions, delves into the inner soul life, he will first encounter his own inner soul experiences, which are different for each individual, but in reality the soul gradually takes different paths. The budding spiritual researcher will at first bring nothing to his fellow human beings that concerns him alone; he must first develop to the point where he feels that he has now entered with his ego into a completely new realm that has nothing to do with his personality as such. Then his spiritual insights will show the same objectivity as, for example, our sensory eye shows us that the rose before us is not green but red, as other healthy eyes can also see. Then the inner soul experience is transformed into complete objectivity, then the spiritual researcher feels that his experiences are independent of his subjective feelings, and he has attained a certainty in his vision from which the results of spiritual research have been proclaimed here on many occasions.

Our time demands objectivity. This must be respected, but first we must consider its effect in terms of a healthy sense of truth. After all, the entire body of external science speaks a clear language; for our time, it demands recognition of those results that are obtained through research methods as set out in “Mysterium des Menschen” by Ludwig Deinhard , wherein it is shown that science, which to some extent approaches spiritual science with its methods, nevertheless also achieves harmony between external research with its means and internal research through the method of spiritual science. The book shows us the need of the present time to get what is needed from the field of spiritual science, which makes it possible for man to place himself with certainty in the position he has to fill in life.

We have indicated that it is the spirit that gives strength to the human being, not a particular place of residence or a particular remedy, but in the long run only that world view that leads to the center of the spirit. The science briefly characterized above feels compelled to take on the role that natural science previously had for humanity.

Most of those present know how spiritual science demonstrates the truth of a concept, although a large part of the educated world shrugs its shoulders compassionately at it, namely re-embodiment. It may be recalled that speaking disparagingly about it will have the same fate as the assertion of the earlier natural science that hornets developed from a horse carcass, without their eggs, as was taught in the seventeenth and partly still in the eighteenth century , in which such assertions were systematically presented, so for example furthermore that from donkey carcasses wasps and so forth developed directly from river mud worms and even fish developed directly until Francesco Redi energetically objected to this and established the principle: Living things can only descend from similar living things; a view that is generally taken for granted today, not only for Du Bois-Reymond and Virchow, while Francesco Redi in the seventeenth century only barely escaped the fate of Giordano Bruno, because he was considered a heretic.

Today, the scientific opinion is that when a person is born, he is solely influenced by his inheritance from his ancestors; but this is an inaccurate observation. Spiritual science postulates that the soul unites with the physical body that the father and mother can offer it. The soul then develops this physical body and, in the further course of development, acquires the means from its surroundings. But the spiritual and mental can be traced back to earlier embodiments; and just as living things can only come from living things, so the spiritual and mental can only arise from the spiritual and mental. Thus, the present life on earth of each person is also the starting point for later lives on earth, and this is how the independence of the human soul is to be explained. The time will come, and it is not far off, when the abilities of a man of genius will no longer be traced back to his physical ancestors alone, as Goethe expresses it when he says:

From my father I have the stature,
the serious conduct of life,
from my mother the cheerful nature
and the desire to tell stories.
ancestor was the fairest's darling,
That haunts me now and then;
ancestor-woman loved jewelry and gold,
That may well twitch through the limbs.
Can the elements not
be separated from the complex,
What then is to be named
original about the whole thing?

Today, people like to point out that genius is not at the beginning, but at the end of a series of developments, and that proves that it is inherited. That's a nice argument! It should be the other way around, because the circumstances are not at all in this context. Man naturally acquires physical properties just as it is natural for him to get wet when he falls into the water. In order to save this strange theory, it is said that the qualities of the father, for instance, remained latent because they did not show up in the son as they did in him. A tile falling from the roof also has the latent potential to kill someone; with such strange assumptions, anything can be proved, and this is also the case with the potential that was not present in the ancestor but has shown itself in the descendant.

There is more sound research in the field of lower life forms. A poor school teacher [monk] in Austrian Silesia [Brno in Moravia] by the name of Mendel found out in his attempts to achieve plant hybridization that the expected properties did not appear in the next generation, but in the generation after that. So people used to be just as patient about actual inheritance as they have now generally disregarded it.

Scientific materialism calls the theosophists fantasists and dualists who understand nothing of monism when they hold the view that the soul uses the powers acquired in the last life to shape a suitable body with the material means at its disposal – a view that is also, and more purely, monistic, namely from the spiritual side. These twisted minds of the spiritual scientists will no longer be burned, we have become too humane for that, but they are trying to expose them to ridicule and destruction by making fun of them. One objection is usually raised against the return of the soul, namely that one cannot remember a past life; one knows nothing about it at all. A four-year-old child cannot yet do arithmetic either, but we allow for his development and in ten years he will be able to do arithmetic.

The same applies to our review of a past life, we are only at the beginning of our development, and here too, as in many other areas, it is at least conceivable that there will be progress before each soul comes to an ever-greater understanding of past lives. In the present life there are short periods of childhood that cannot be remembered, but nevertheless the present self was already present at that time. You will neither want nor be able to deny this, although you are unable to remember it. Thus, the possibility or impossibility of your remembering has nothing to do with your earlier real existence and with the past life of your soul in the decisive sense.

But why can't we remember earlier lives on earth? Our memory in the present body goes back to the point of development where the self experiences itself. At the beginning of our life on earth, this is not yet raised into consciousness, but the moment it happens coincides with the beginning of the possibility of remembering. Thus the ego forms, so to speak, the outer wall; as far as ego-consciousness exists, so far consciousness and memory extend. But from this also arises the possibility of treating this ego in such a way that it is transformed from the state in which it normally exists in man to a higher state. We must therefore overcome our present ego-consciousness; it is not easy to do so, and I will mention just one pointer.

We can free ourselves from looking backwards if we are able to look towards the future. To do this, we must accept everything that flows towards us from the present with composure and calmness, with equanimity, and revere the world's providence without worry. We must be unmoved by praise and blame, joy and pain; our soul must stand still, calmly awaiting everything, whether it portends life or death, pain or pleasure, while venerating the wisdom of the world's guidance. If we are indeed able to see such a perspective in the future, then the result will be a review of the past; our view will then expand first into the last previous and then into earlier earthly lives.

Although a knower today can confirm the suggested effect of such exercises, in addition to the many other necessary and more difficult works, it is easy to judge this as mere theory. But the knower, who speaks from his own experience, will not be deterred by this, whether one wants to hear him and judge his communications correctly, just as little as it deterred Francesco Redi when he was called a heretic, and just as it does not bother those who do spiritual science in a thorough way when they are called fantasists and twisted minds.

On further penetrating into the nature of cultural development, one will also come to the point of asking oneself: What is my position regarding the great development of humanity, especially regarding Christianity? Before Christ, many thousands of years of people had already lived; so what could those who lived with and after him base an advantage on to be allowed to take up the Christ impulse, and not also those who lived before Christ? Today humanity has advanced to such an extent that it can ask such profound questions. Especially in our time, when people are increasingly learning to think scientifically and historically, such questions must arise. Then spiritual science comes along and says: the same soul has lived through the events before and after the appearance of Christ. Such an objection does not exist for the spiritual scientific world view. It is the same souls that go to school in life before as well as after. These ideas, which partly show us relapses as well, will always give us courage and strength to face life anew, in which we can also recognize progress again in sufficiently long periods of time.

Those who have heard me speak on a number of occasions will know why spiritual science can afford to talk about all the branches of the natural sciences and to assess their methods, goals and progress. Goethe was able to say of himself that when he allowed his scientific gaze to ascend into lofty spiritual realms, he could still always recognize the natural sciences in the process. Spiritual science must always feel itself to be a ferment and work in this sense, so that the gulf between the spiritual and the external-materialistic view of science does not become too great, so that harmony can gradually come about, which is able to give the soul joy and strength, forces that offer the prospect of success and progress.

When it is emphasized that a healthy soul can only dwell in a healthy body, this is to be understood to mean that the healthy soul alone was able to prepare a healthy body as its dwelling, but not the other way around. Thus, spiritual science not only eliminates contradictions in theory, but also drives out all timidity and weakness of soul, so that humanity can then grow up healthy and strong to fulfill its tasks. Starting from social cooperation, a healthy ascent to the heights of material and especially spiritual development can then be achieved, as is destined for humanity. Man will then be more and more able to draw the spiritual secrets out of the spiritual worlds and transfer them into the physical world, thus fertilizing life there with them. But the soul is the place where both worlds touch. Humanity can become and remain strong and healthy if it allows what we can summarize in the words: “From worlds far away, mysterious and enigmatic

The rich abundance of material
It flows into the depths of the soul
From the heights of the world, full of content
The spirit's clarifying light.
They meet in man
To form a reality full of wisdom.

My dear attendees! If it is beyond doubt that we can learn something essential about the human being by observing humanity in its historical development, then it may well be said that, on the other hand, we can also learn something essential about the human soul by observing the religious life of humanity in human history. And if observations are to be made about the soul of human life, about the various religions, in the context of a cultural endeavor that is referred to as spiritual science – or as theosophy, as our time tends to call it – then it can only be done by considering the process of progress in religious life.

In the spiritual-scientific sense, we speak of a wisdom core of religions and are well aware that the religious element itself, that which can be designated as a religion, must not be confused with the wisdom core in the religions. This is the subject of Theosophy, which penetrates into the spiritual world with the opened eye of the seer.

Religious life unfolds the development of the soul through which we incline towards the spiritual world, the fire of the soul, the soul's perception of the spiritual world. This is what we have in mind. And we also have in mind what is going on in the spiritual world, what it contains. It is therefore the task of theosophy to speak about the content of wisdom. We do not want to speak about the content of the different religions, especially because even in theosophical circles misunderstandings upon misunderstandings have arisen among those who speak of a certain unity in religions.

It has become a catchword for many that the same wisdom and truth are contained indiscriminately in all religions. No attention is paid to the fact that humanity is in a state of constant development, and although human striving always includes a certain core of wisdom, one cannot speak in the abstract of unity in all religions because it is in a state of constant development.

We will start from a saying of Goethe's to further elaborate on this topic. Goethe, who knew how to grasp the essence of things in such a penetrating way, was the one who spoke of the fact that the one principle of action, which underlies the plant leaf, for example, runs through the whole plant as a unified whole. If you follow the plant up to the flower and the fruit, you will find that the leaves are formed everywhere as a unified plant organ. You find this in all the different plant forms.

But Goethe did not claim that it makes no difference whether one speaks of the green leaf or the flower leaf. Step by step, like the rungs of a ladder, the plant develops from leaf to leaf to the height of the flower.

In a similar way, we can speak of the unified core of religions, which runs from the distant past to our times, developing from the preceding to the succeeding, as in the plant from leaf to fruit. This is said by way of introduction to our topic.

If we want to look at development in a unified way, we have to go back to a very distant past to find a starting point. Everywhere we see the human being as a being that is connected to what is hidden behind the world of the senses. Therefore, we can never find the starting point if we base our search on material considerations. According to these, we would have to start from low forms of existence. We do not want to talk about this external doctrine of evolution today. It is not the one that corresponds to the results of spiritual science.

With its means, spiritual science also goes back to the distant past, but it sees not only the material, but also the spiritual and soul. While the natural scientist characterizes from the imperfect ancestral forms of man, the spiritual scientist can recognize — we can only touch on this today so as not to stray too far from our topic — that the further we go back in human development, the more we find that the soul of man shows completely different inner experiences. Man's primeval ancestor was much closer in soul and spirit to the world to which the modern man seeks to rise in his spiritual and religious feelings.

If we want to understand this relationship today, we have to recognize that prehistoric man, before he had clothed himself with the material shell, had developed as a spiritual-soul being from his spiritual-soul ancestors, that before he entered the physical world he was in the spiritual-soul world, and that in a relatively recent time he was closer to the beings from whose womb he sprang than he is at present.

The soul of the normal human being today depends on a physical and sensual environment. If it wants to recognize something, it does so through the intellect; it recognizes what the eyes can see, the ears can hear, and the hands can grasp. This external way of perceiving has only developed out of other forms of knowledge, out of a different kind of perception, out of the dark clairvoyance of primitive man. At this point, I must say something that may seem grotesque to those who have not yet delved deeply into the theosophical tenets; but what will soon become self-evident upon deeper penetration into them, as self-evident as the results of natural science.

We can go back to the area of our Earth where our ancestors lived and which science is also beginning to study, to the land that once existed between present-day Europe, Asia and Africa on the one hand and the American continent on the other, and from which the present-day Atlantic Ocean takes its name, the land of the Atlanteans, of which the Greek philosopher Plato also gives an account. We find that our ancestors lived in a form that was such that no remains could remain that paleontology could explore.

Today, when man reflects on his relationship to the outside world, we find that he lives in two sharply distinct states of consciousness. One fills his soul from morning, when he wakes up, until evening, when he falls asleep, the other from then until the next morning. The sensory impressions of the day gradually sink into the darkness of unconsciousness in the evening. In the morning, it is not at all the case that what is newly created again enables him to use the sense organs and the mind that is connected to the brain organ, but the altered form in which these are present brings with it the unconsciousness of the night and the consciousness of the day.

It was not like that for our Atlantic ancestors. It was quite different for them. When a person fell asleep at night – as I said, I am well aware that this must sound grotesque to material thinking – it was not the colorful, light-filled carpet of the sensory world that was transformed into unconsciousness, but rather the person lived themselves into a world of spiritual and soul perception, in which they had experiences. And just as people today speak of the world of the senses in minerals, plants, animals and their own kind in their environment, so did the Atlanteans speak of a spiritual world that they perceived at night. However, their perception during the day was not the same as it is today. When they woke up, everything was shrouded in mist, with objects showing few sharp contours. At that time, the consciousness of day and night was less distinct. Therefore, the word religion could not have had the same meaning for our Atlantic ancestors as it has today: the connection of the human soul with the invisible world. For them, the spiritual world was perception. The soul knew from experience: there is a spiritual world. It knew: I came from this spiritual world, descended into physical embodiment. Religion was there as an experience.

Now great upheavals occurred, not only those which science describes as the Ice Age, but which religion calls the Flood, although the truth about these events is much less accurately described in the former than in the latter. The face of the earth changed little by little. Europe, Asia and Africa on the one hand, and America on the other, developed.

Today we will only consider the stream of emigration that is of interest to our topic, which moved from west to east, gradually populating Europe, Asia, Africa and America, and creating the post-Atlantic cultures. Through leading personalities, the most valuable part of the Atlantic culture was established, in a completely different form than today's history teaches. Spiritual research shows us how the best was brought by great leaders to the center of Asia, from which the various colonies that underlie the various post-Atlantic cultures emanated.

The first major cultural influence went to northern India. The best of the traditions of those insights into the spiritual world, which were experiences of the Atlanteans, were given to the post-Atlantean population in the way that the individual peoples needed it. It was significant, highly developed people who founded the culture in India. We call these great founders the ancient Rishis, and we speak with tremendous reverence of these holy Indian Rishis.

But now, in order to get an idea of what they taught in times that preceded all Indian writing, we have to have some concept of the mood of this people. We speak of the ancient times of Indian culture. You may know that wonderful works of culture, full of the greatest wisdom and poetry, have been preserved in the Vedas. They are wonderfully beautiful, but they are only a faint echo of what the holy rishis originally taught; for only spiritual science can teach that. We have an echo of it in the Vedas, beautiful enough, but it does not come close to what the first great post-Atlantic teachers of humanity taught. What was the mood of the Indian people, these post-Atlantic people who had moved to India?

Those people who had most clearly preserved the memory of what could be experienced in the Atlantic period with the soul of a different nature had gone to India, the memory that man had reached into the spiritual world and had his real home there. This idea was lost when man was driven out into the physical world. There he had acquired logical thinking, but he had had to give up the old clairvoyance. Only the memory remained; with this in their soul these people looked at the surrounding physical world. The basic feeling was therefore that they had to leave the old clairvoyance. They looked up at the magnificent starry sky, at the sun, at the moon; the old Indian looked at the mountains, the blue vault of heaven, everything that makes up the beauty of the physical world, and at first none of this seemed to him to be a substitute for what the soul had once experienced in the spiritual realm. “Truth,” said the old Indian to himself, ‘exists only in the spiritual world; here in all the glories of the sensual world there is only Maya, only a veil that weaves itself over the spiritual world.’

Then it was natural for him when the Rishis came and told him that if man develops the potential of a spiritual eye or spiritual ear that is present in his soul, he can see into the spiritual world again. This development, which is similar to the appearance of light through an operation for those born blind, this development of the spiritual organs was called yoga development. This is what the holy rishis pointed out. They were the comforters of ancient India. They brought comfort from Maya and illusion.

This was the first religious wisdom in the post-Atlantean era. We must point out one particular point: the ancient holy rishis said: Even if you look at the starry sky, at the sun and moon, at the mountains and forests, everything is spiritual behind them. There are spiritual depths and spiritual beings behind them; only the spiritual eye and spiritual ear can perceive them. In death, man enters this spiritual world; but in the future, as they already taught, something of what is hidden behind all that is material and visible to our eyes will also appear within this material world, and will work as the forces through which all material things on earth can become visible. Beyond what we can tell, beyond the seven Rishis, there was still another entity; in ancient India it was called Vishva Karman. The old Rishis pointed to it by saying: “Look up at the sun, and in the light and rays flowing down, you see the source of all earthly growth.” Just as it is with man, that what you see with your eyes is only his physical body, the expression of an invisible, hidden within him, so in the whole world the physical is the expression of everything superphysical. With the light of the sun, spiritual energy also penetrates the earth. The outer physical garment is the sun of the spiritual, of Vishva Karman. There will come a time - so they said to the intimate disciples - when this central being of the sun will show itself in a completely different form. That was what grew out of the Indian mood.

Let us now turn to the second period of post-Atlantean culture, to ancient Persian culture. What is called historical in this context is only a later echo. In much earlier times, there was already something there that could connect people to the spiritual world. These Persian people had very different needs from the Indian people. The Indian culture was introspective and turned its gaze away from the world of the senses; it had no interest in the achievements of the senses. But it was the mission of the Persian people to conquer these. The first race to take an interest in the external world was the ancient Persian people, on whom the historical one is based. If the Indian culture had remained alone, we might have received wonderful achievements in... /gap; but all that industry and trade have gained for the good of humanity would not have come to us. This was the real mission of the Persians. They were the first to lay hands on the physical earth; the first traces of agriculture appeared.

These people also needed another proclamation. It received the same through that great individuality who is called Zarathustra or Zoroaster. We do not mean the personality that history designates and, in its manner, applies to a series of similar personalities following one another, and relatively late ascribes to the historical Zoroaster. Also... /gap] already names this leader of Persian culture 5000 years before the Trojan War. But we have to look even further back for this second founder of the post-Atlantic culture, who works for it just as the Rishis worked for the first. Only he had to speak quite differently. The Persian people had in their soul an inclination towards the physical world, therefore they were also exposed to its temptations and inclined to consider the external sensual as the only thing, not recognizing that behind it there is also a spiritual.

The ancient Persian people had little of the traditions that the Indian people possessed. Zarathustra also had to speak of the Sun in a similar way to the Rishis, of the Sun behind which is the Vishva Karman; but it had to be done much more vividly. He told them something like this: In that which appears to you as sunlight, there lives something that also lives in you as the excellent, that which you sense in the soul as your own inner being. The sun is the garment of a being of which there is something similar in your own life. — This inner essence of the physical was called the aura, and that which, as spirit, underlies the physical sun, he called the great aura, or Ahura Mazdao, from which the name Ormuzd was then derived. This is the god who lives in the sun and of whom an image lives in the human soul. Zarathustra pointed to him as the helper of man. When man lays hands on the physical world, cultivates it, draws fruit from it and gains nourishment from it, Ormuzd is the helper. He is your helper – this is how Zarathustra characterized the great sun spirit for his followers; and the spirit that deceives people, so to speak, about the fact that there is a spiritual aspect behind this material world, that incites people not to believe in it, he called the enemy of man: Ahriman, that is the opponent of the great sun aura.

In this way, he pointed out that a spiritual underlies all that is sensual. He pointed out that man is placed in the midst of this battle between light and darkness; that man is called to be a servant of the spirit of light by transforming the earth into an image of spiritual wisdom. He pointed to the physical world as something that not only hid but proclaimed the spiritual world. Zarathustra taught: But you must not seek for the spirit that is your helper only behind the world of sense; it is contained in all sense-world and when the time is ripe for it to show itself, to become manifest in a way that man can grasp and visualize, then it will appear. That was his teaching and he proclaimed it with wonderful words. Only a stammering is it, what one of it about so rendered:

I will speak, listen and hear me, you who long for it from far and near; I will speak, because he will be revealed in days to come. No longer shall the false teacher instill deception into the souls of men, the evil one who has confessed bad faith with his mouth. I will speak of that which is highest in the world, that which has taught Vishva Karman, the greatest of mankind. And he who does not want to hear my words will experience evil when in the course of time the spiritual will be proclaimed on earth.

We then come to the later post-Atlantean cultures and proceed to the third post-Atlantean – the Egyptian culture, in the time in which the ancient Egyptian culture flourishes. Today, we can only give a very small excerpt of it in terms of its spiritual and psychological content. For this culture, the question arose religiously: How does the individual soul that dwells in us, that has arisen from the spiritual and psychological home, relate to the spiritual that permeates the world?

In ancient times, man still partially reached into the spiritual world; now, however, man increasingly prefers to gain what external culture brings, and so we see in the third cultural epoch, in the Chaldean-Babylonian-Assyrian on the one hand and in the Egyptian on the other, how a further conquest of the physical world took place. We see how man no longer looked up at the starry sky to say: Maya lives in this one and behind the stars the actual spiritual, the Brahman —, but now people looked carefully at the course of the stars, and a wonderful science arose. In the movement of the stars, in their figures, man recognized an external realization of the intentions of the spiritual beings. Man gained interest in the sensory world in order to experience the divine through it. Now the sensory world had become the physiognomic expression of the divine for him. Thus, with geometry, the earth was also conquered. From the spiritual heights, man penetrated more and more into the sensory world with his knowledge. As a result, he became increasingly estranged from the spiritual world. The consequence was that completely different views had to arise about the connection between man and the spiritual.

The relationship between the human soul and the spiritual world is depicted in the Egyptian religion in the Osirissage. This recounts that Osiris ruled in the world. However, he was too good for his rule to remain on earth, so he was overcome by his hostile brother Typhon and placed in the coffin. His wife Isis could no longer save him and instead raised his son Horus. Osiris ascended into the spiritual world. The legend thus reports: This divine figure once lived on earth as a companion of men, but then had to withdraw into the spiritual world. This world was then given a kind of representative in the child Horus. — The ancient Egyptian was told that when he passed through the gate of death, he would not only be united with Osiris, but his soul itself would become Osirian, itself an Osiris, woven together with him. Man becomes spiritualized, becomes Osirian himself. If man had to say to himself: I belong with my innermost being to the spiritual world —, then he had to say to himself again: veiled is my connection with the spiritual world; but when it is taken from me, the veil, then I will be reunited with the spiritual world; because when the attempt was made with Osiris to put him in a box, he was transported to the spiritual world.

The Egyptian was aware that a Divine-Spiritual being lived in his soul, and that he could only be united with it after death. Only then would he become Osiris himself. The being that will be united with you as Osiris cannot take shape in this world, but it will take shape one day and exist in the physical world.

Thus we see in this third epoch how the prophecy continues. What the Rishis indicated to the Indians as Vishva Karman, what Zarathustra indicated to the Persians as Ahura Mazdao, that saw in Osiris the confessor of the Egyptian religion and predicted that this being would one day appear.

Let us now take a look at the fourth epoch, the Greco-Latin or Greco-Roman epoch. The conquest of the physical world goes even further there. Man has come so far that he is able to form a kind of marriage between what is experienced in the spirit and what becomes an event in the outer physical world. We see this in art, which is something for humanity, which is a reflection of the spiritual in all parts of matter at the same time. In Greek art, we see the spiritual connected to the external material as in a marriage. The greatness of the Greek temple is based on this. It is the direct imprint of what lived in the soul of the people of that time.

We can understand this principle of Greek art by observing the difference between a Greek temple and a Gothic cathedral. What is the difference? A lonely building, with the image of a god, far and wide no people, and yet a complete totality. This is how we find the Greek temple; its architecture speaks to us, and we say: It is the house of the god who dwells within, even when there are no people there. No people are needed in this temple.

With the Gothic church it is quite different. This is not meant as a criticism; each thing is in the right proportion to its purpose. With its pointed arches, its entire composition is only complete when the faithful multitude is inside. That is part of it. Such a comparison can truly symbolize how that marriage in Greek art between matter and spirit has been consummated.

And if we look at the Roman world, we see how the individual personality expresses the learning of the value of the physical world. And we can go even further back, to the Greek polis, to see how the concept of citizenship arose, which actually only comes to full expression in the Roman world and which can only be clearly recognized by going back comparatively to what the ancient Indian felt. While for him what was in the physical world was only a shadow of the real world and reality only existed in union with Brahman, just as for the Egyptian with Osiris - the Roman wanted to stand firmly in this physical world by feeling like a citizen.

An ancient Indian could never have understood a deity dwelling in the physical body, because the physical world was a shadow image of the spiritual one for him. The human personality only became fully understandable in the fourth epoch; therefore the predestined entity could only enter at this time. It was none other than the Christ, of whom the Rishis had spoken as the Vishva Karman, who at that time was only comprehensible in the spiritual world and who, in the epoch in which the physical world was most conquered, was realized here as a human being among humans.

This was prepared by the fact that people were sharply reminded of what constitutes the innermost nature of the person who actualizes such an entity. Hence the words: “If you do not believe Moses and the prophets...” (John 5:46-47, Luke 16:31). And anyone who understands John knows that in the “I am that I am” (Ex 3:14), the “ejeh asher ejeh” of Moses, nothing else should be proclaimed as the Christ, not should be talk not of the God of Yahweh, but of the prediction of the Christ: You shall acknowledge a God who can be grasped in the sensual world, who lives and weaves in everything around you, in lightning and thunder, in plants and minerals, in the whole world around you — If you want something that can be understood by you, how it lives and weaves, then you have to listen to that peculiar sound where the soul speaks to itself: “I am,” then you have to listen to your ego - that is the best expression at the same time for the image of the Godhead. What lives in every human being also lives as the all-pervading God; this also appeared in the greatest human being who walked the earth, the Christ. This divine essence appeared in the fourth cultural epoch.

Thus we see how the wisdom of the religions weaves and strives forward, like the leaf to the petal that holds the fruit, so we see that what the ancient Rishis taught is becoming more and more mature until it appears as the fruit in the man of God who walks the earth; and we see the necessity of progress in it. We see how, in certain respects, Christianity does indeed contain the same as the other religions; how it contains the unified, but again in a different form. Therefore, he is wrong who says that it depends on the same teaching being in it as in the other religions. As long as it depends on the content of the teaching, one can say that. But where the spiritual world-view is proclaimed as a teaching, as the ancient Rishis had to do, as Zarathustra and the leaders of the Egyptian Hermes religion, the leaders of the mysterious mysteries did, we have the same thing that we also prove in the commandments of Christ, yes! But to recognize that which the other religions only spoke of, that this is the Christ; to understand, to grasp a spiritual phenomenon as a personality, to understand the Christ, not just the teaching, that is what makes Christianity different.

When religions speak of the Logos that can be taught, Christianity must speak of the human Logos who has become the bearer of the religion. What previously could only be taught was now lived. The life itself of this teaching is the essence of Christianity. So those religious leaders could say of themselves: “I am the goal and the way.” Those leaders, a Zarathustra, a Moses could have said: “I am the way and the truth” — but only Christ could say: “I am the way, the truth and the life.” (John 14:6)

The wisdom at the core of all religions has become fruit in Christianity and thus seed. As we have now sought the origin of Christianity in the religions, tomorrow we want to talk about the future of Christianity, because it is as true that it contains the fruit of all other religions as it is that it contains the seed for a great development, because although almost two millennia have passed since the appearance of the personality of Christ on earth, we are only at the beginning of Christianity.

Thus we see how, in our age, people have gradually sought a connection with the Divine-Spiritual and look into what all peoples have felt to be the wisdom core of their religion. We recognize why this contains the power and strength that gives people the hope of achieving their goal.

Anyone who looks into the spiritual life of people in this way dares to add to the words of a great poet, Goethe's beautiful words:

Soul of man, how art thou like the water, Fate of man, how art thou like the wind,

evoking the idea that the life of the soul surges up and down like the waves of water whipped by the wind.

But he who contemplates the power that is in the life that flows through men adds: it is true that the wind whips the waves; but it is also true that the wind, the air, is permeated by light, and the light-filled air contains the element that conjures all sprouting life out of the earth. It is true that water, permeated by warmth, is driven up and becomes a cloud and comes down again as rain.

Man's soul is like water. It comes from heaven and rises to heaven. But it is also true that the blessing of prosperity comes from the fact that water, permeated by fire, has a blessing effect, and that in the same way, man's soul can be aglow with that fire of the ego, which feels akin to the light that rules through destiny and is comparable to the wisdom that permeates the world. Then the world of the soul will be filled with the feeling of divine wisdom. Thus the soul is something that may indeed fluctuate up and down, but is certain of its destiny and of its inner strength.

[In these lectures I would like to give a picture of the theosophical world view that is completely free of any dogmatics, by trying to show what is peculiar to our own spiritual life by looking at phenomena of it.]

Those who know how strongly I have resisted anything propagandistic, any kind of propaganda, will also know how strongly I have opposed the view that Theosophy is about importing some alien, oriental world-view into our time, and how I have emphasized that Theosophy must be life; direct, real life. If Theosophy were something that had only come into the world through the Theosophical Society, then one could indeed have very little trust in it. How could it be that humanity would have to wait thousands of years for the new gospel of Theosophy! Rather, it is the renewal of the spiritual current rooted in the human soul that we are dealing with in the Theosophical Society. But what should interest people of the present time most is to see how their favorite geniuses are completely imbued with what is called Theosophy, the theosophical worldview.

Apart from all the rest, there is one great German personality whose work, especially the work of his later life, is completely rooted in this worldview: Goethe. The combination of Goethe and theosophy may initially come as a surprise; but anyone who, like me, has been studying Goethe for more than twenty years, in particular the profound Goethean “Faust” poetry, will become more and more familiar with what I will try to explain today. Over the years, I have come across many explanations of Faust, many Faust researchers, and many attempts to penetrate the marvel of this Faustian poetry. What I will present to you has come to me alone, in the most unforced way, all by itself. In the first of the two lectures I will speak about Goethe's gospel, proceeding from Goethe's “Faust” poetry, and in the next lecture I will give some views of Goethe from this point of view. We will then try, after I have inserted a lecture on the basic concepts of theosophy, to grasp Goethe where he reveals himself to us most profoundly and is least understood: in his fairy tale of the green snake and the beautiful lily, which one only has to understand to get a deep insight into the wisdom of the world on the one hand and into the innermost nature, into the innermost soul of Goethe on the other. In a casual way, these Goethe lectures can be followed by reflections on the great initiates of all times and on Ibsen. I will then try to insert a lecture on the significance of Siegfried, Parzival and Lohengrin.

Goethe was a theosophist by nature, by the innermost meaning of his life. Above all, he was a theosophist because he never accepted any limits to his understanding, any limits to his knowledge and work, but was deeply imbued with the idea that there is no human point of view from which we cannot advance to a higher one, from which the world reveals itself not only in a broader context but also in a more meaningful way. Goethe's entire makeup was determined by the world view we are discussing here. His world view assumed that man stands in a deeply related relationship to the rest of the world and that this rest of the world is not merely material, not merely outwardly physical, but equally spiritual, that a divine, creative, active spirit expresses itself in the whole world. This, one could say, is pantheism. But pantheism assumes that an indeterminate divine essence spreads throughout the world and also animates man. The theosophical world view, however, assumes that it is not an indeterminate, incomprehensible essence, but a spiritual essence to which we can ascend more and more, and that we can enter into a relationship with this spiritual essence; [ascend to a living relationship with the great God].

Goethe was suited to this kind of relationship by his very nature. Even as a seven-year-old boy, he sought out the god. He built an altar with plants and stones and incense on top, took a burning glass, and when the first rays of the rising sun shone in through the window, he collected the sunbeams so that they ignited the incense. Thus this compilation was an altar for him, on which he performed a service to nature, a service to the gods. [He wanted to ignite a sacrificial service from the fire of nature], so innate was this world view for him. When he then got to know more and more about the world itself in Leipzig and delved into the individual sciences, an insight came to him that is entirely theosophical. He tells us about it in “Poetry and Truth”. He says: “When we survey the various religions and philosophies of the world, we find something in common everywhere, a common core of truth. Wherever religion, philosophy, or worldview has emerged, whether in mythical-allegorical or philosophical form, everywhere man seeks to find the connection between his lower self and the deepest part of his soul, which is called the divine and through which he can gain a connection with the divine itself. Thus the wise of all times have shown the pendulum swing between the lower and the higher self, and we see how this is expressed in fairy tales, myths and legends; it can be found everywhere.

When Goethe himself passed the threshold of death after his studies in Leipzig and had returned to Frankfurt, he devoted himself to mystical studies. You can read in “Poetry and Truth” what kind of impact Goethe had from that time, and what emerged in him when he had become thoroughly familiar with natural science during his time in Strasbourg. This is expressed in no better way than in the fact that he decided to express the whole human urge for wisdom and for oneness with the divine nature in a great poem, the “Faust” poem. In doing so, he draws on the world of legends through which the late Middle Ages suggested the contrast between the old and the new era.

Faust is the kind of person who wants to free themselves from all tradition, from the basic ideas of the Middle Ages, and to penetrate from their own breast to a higher knowledge. Goethe did not let Faust perish, as the sixteenth century still did, but rather he redeemed him through the power of his own striving soul. In doing so, he placed the entire problem on a new footing, so that even today we must feel every word of this poem as an expression of our own thoughts and feelings. I will discuss some of the details in the following lectures. For now, I must lead you directly into what this is about.

First of all, after Goethe had presented Faust as a striving human being in his youth and brought his “Faust” poetry with him to Weimar, and had risen to a purer knowledge and worldview, he placed his “Faust” on a new foundation in the 1890s. At the beginning of Faust we find the Prologue in Heaven. Here Goethe wants to show us what his Faust epic is about. He wants to tell us nothing other than this: human destiny is not determined only in this physical world, it is determined in higher, spiritual worlds. If you remember my lectures this winter, I said at the time: the physical world that surrounds us is not the only world; there are higher worlds, the world of the soul or the astral world and what we call the devachanic world, the spiritual world, heaven. That which undergoes a struggle in the outer world is not only significant for the outer world, but is a reflection of forces from the supersensible worlds. When we penetrate into the soul world, we enter into a world of colorful existence. The astral world can be perceived by those whose spiritual senses are open as a world glowing with colors, of a beauty and sublimity, but also of a dreadfulness and cruelty that are never found in our physical world. The devachanic world can be described as a sounding one. The Pythagorean music of the spheres can truly be heard by those whose spiritual ears are open; it is not merely an allegory, but a reality.

It is therefore extremely interesting that Goethe, quite appropriately, I would say using a technical term of the mystic or theosophist, describes this world of Devachan in his “Prologue in Heaven”. The planets and the sun are endowed with souls. Goethe speaks appropriately in the sense of mysticism; so he must also express that he finds that sound in this world. And so he really does begin this “Prologue in Heaven”:

The sun resounds in the ancient way
In brother spheres of competitive song,
And its prescribed journey
It completes with a thunderclap.

The sun does not sound in the physical sense, and anyone who says that it is only an image is saying a superficiality. You can see where Faust, having gone through the purification, is to be raised to Devachan, how precisely Goethe speaks of this devachanic world:

For spiritual ears the new day is already born

Here Goethe speaks of spiritual ears, of the sounds of the spiritual world. We describe it not in the form of poetic images, but in the language of theosophical science. In the “Prologue in Heaven,” almost every word can be interpreted in a way that is consistent with our worldview. In this, we see an important principle of human existence. You all know about the law of karma. You know that when a person passes through the gate of death, they take with them the experiences they have had in this world, and that they then take the fruits of this world with them in such a way that they extract, so to speak, something eternal from this earthly world. Because his thoughts are a reflection of the spiritual world, he can take the fruits with him into the spiritual world. It is entirely in keeping with the law of karma when God calls out to the angels:

And what floats in fluctuating appearance
Attach it with lasting thoughts.

Of course, anyone who wants to can say that these are poetic images. But anyone who, like Goethe, not only dealt with mysticism practically for decades before writing these things, but also became thoroughly acquainted with medieval mysticism, knows that Goethe drew these things from mystical thinking and perception. We know that the theosophical worldview traces its basis back to the great sages, to higher spiritual individuals who have already reached the level that the average person will only rise to in the future. These great sages are the great teachers of humanity. It has been criticized that Theosophy speaks of such unknown sages. Goethe also speaks of such unknown sages when Faust, imbued with the vanity of knowledge in the first monologue, wants to grasp the source of life and has already glimpsed a reflection of divine life.

Only now do I recognize what the wise man says:
'The spiritual world is not closed;
Your mind is closed, your heart is dead!
Rise up, disciple, and bathe unflinchingly
The earthly breast in the dawn!'

This is an expression that occurs in the mystics of all times. Jakob Böhme called the work with which he began his mystical career “Aurora”. Goethe puts “dawn” in quotation marks. He expresses something that he knew from his practical mysticism as an inner experience, not a general phrase, a general saying; he speaks entirely in the technical mystical sense.

If we take a look at Faust, what do we see in the first part? You know that we distinguish between a lower self, the self that experiences the world through the doors of the senses and, purified through many paths, finally ascends to the higher self. If you read through the first part, you will find a description of the struggle of the lower self of man with the surrounding world. Faust must first pass this struggle before he can come to the truly mystical realization within himself. From the very beginning, he strives for this realization. And again, we are faced with some sentences that only those familiar with the theosophical worldview can understand. When Faust recognizes his connection with the higher self, he turns to the earth spirit. This is a masterpiece of the description of the soul's life; [the astral body of the earth, spiritually wrought and woven from the fruits of the immortal soul's garment].

In the flood of life, in the storm of action
I surge and surge, weaving to and fro! Birth and grave, an eternal sea, a changing weaving, a glowing life, so I create at the whirring loom of time and weave the living garment of the Godhead.

This description, especially the last line, is very meaningful for every mystic. It expresses how the soul, from the earlier experiences of this self, works and weaves a form that remains eternal.

Faust must turn away like a timid, twisted worm. He is not yet mature enough to penetrate to the sources of life. He must guide his self through the world by the hand of the tempter Mephistopheles. Goethe gives this a form in the sense of ancient Hebrew mysticism. “Mephis” means “corrupter”, and “Tophel” means “liar”. These are the forces and entities that are always present in the world as obstacles. While man strives forward, they hold him back, and in the moral world they become the tempters. The tempter is Mephistopheles. He leads Faust through the regions of the lower self, through all kinds of experiences of our lower self.

We see how Faust is unsatisfied by the science of the mind. The highest learning can be no more than an occupation with the sensory world. He is then led through passion and so on to purification. Faust now wants to approach the spirit from whom he had to turn away. He encounters this spirit again in the scene “Forest and Cave”. He can now address the spirit in such a way that he can express a fundamental belief, as you can find it in any theosophical book. It appeals to him that this spirit can show him that in all beings we find our brothers, as we are connected to all, and that when we find our kinship with all brothers, we find our own divine self. In a beautiful way, Goethe describes in images the ascent of man in his knowledge.

Sublime Spirit, thou gavest me, gavest me everything,
why I asked. Thou didst not in vain
turn thy face to me in the fire.
Gavest me the glorious nature for my kingdom,
the strength to feel and enjoy it. You do not allow cold, astonished visitors, you grant me the privilege of looking into their deep chests, as into the bosom of a friend. You lead the line of the living before me, and teach me to know my brothers in the silent bush, in air and water.

It is wonderful that Goethe led his Faust to this confession of looking into one's own self. After going through a series of temptations, Faust, who in his lower self sees the transience of life, gains insight into the possibility of truly recognizing the higher self.

Faust, after having been deeply crushed by the misfortunes of life, is now to be led up to higher levels. Before that, he only experienced what can be experienced by the lower egoism. Now he works at the imperial court for the lower self of others. In the midst of this work, in the midst of the transience of the world, Faust is brought to an immediate mystical point of view. Goethe himself rejected the view that the second part of “Faust” is anything other than the purest expression of truly mystical soul life. He was asked by a friend whether he wanted to end his “Faust” as he wrote in the first part:

A good man in his dark urges
Is well aware of the right path.

Oh no, replied Goethe, Faust ends in old age, and in old age one becomes a mystic. But that would be enlightenment. Once Goethe had attained a worldview that allowed a free view into the spiritual world, he could no longer let Faust end in the sense of the Enlightenment. So in 1827, he said to Eckermann about the second part of Faust: I have conceived Faust in such a way that the images are also interesting, dramatic for the mind. Everyone can take pleasure in the images. But for the initiate, there is something quite different in my “Faust”. You will see that many a riddle is hidden in it. Although Goethe did not include anything inscrutable in the second part of “Faust”, there is something that cannot be found for the superficial mind.

At court, the emperor demands that Paris and Helen appear before everyone. We are confronted with a problem that takes us beyond the physical world. Goethe captures it in its deepest sense. Faust must descend to the “mothers”. The scholars have interpreted many things into it. For those who are endowed with mystical knowledge, it is clear what is meant here. In all mysticism, the highest soul of the world has always been described as something feminine. This is quite appropriate, because what man calls knowledge, higher life, arises in his soul when he allows himself to be fertilized by the forces that work in the universe. Knowledge is a fertilization process; that is why all mysticism has sought the eternal in the feminine, in the “mothers”. The theosophical world view sees the highest that the human soul can achieve in the higher, upper trinity, in Sanskrit: Manas, Budhi, Atman; spirit self, life spirit and actual spirit of man. This higher trinity must be developed in man if he is to come to true self-knowledge. But then he attains the connection with the eternal sources of existence. Goethe indicates that this is a trinity by having the tripod set up among the mothers, with fire flowing out of it. Mysticism knows this fire as the primal matter. Faust can use it to bring up the spiritual essence of Paris and Helen. The spiritual essence is not above or below, which is why Mephistopheles says:

Sink then! I could also say: rise!

This shows how that which is eternal, brought up by Paris and Helena, is brought up from the soul-spiritual world.

But in order for man to rise to this pure spiritual level, it is crucial that he is so far purified that the desires of the body, the lower qualities of the soul and the instincts are purified, that man no longer craves this highest spiritual, but that he relates to this highest in a selfless way. When Faust brings it up, he demands it passionately, and that causes an explosion. Faust still needs to be purified and cleansed. He must learn the secret of how human nature is structured, how the three members of body, soul and spirit work together to form a whole. Established psychology only recognizes body and soul. It is a science that has stopped at two-thirds of the human being because it does not recognize the threefold nature of the human being. School psychology may feel very learned, but to anyone who sees through things, it is the most amateurish thing imaginable. Faust is meant to recognize how body, soul and spirit connect, this deep secret of human nature. At this point, we can eavesdrop on Goethe at his most profound, as he has become a complete mystic, as he has immersed himself in the knowledge that is also found in our theosophical textbooks.

First, Faust is to get to know the soul. This is presented to us in a peculiar but appropriate way, by leading Faust back to the laboratory where he was before and where the homunculus is now being created. This homunculus is nothing other than an image of the human soul. And it is wonderfully understandable every word, if you touch the homunculus as a soul without a body, as a soul that has not yet incarnated. The homunculus

does not lack spiritual qualities,
But it is all too lacking in the tangible and practical.

When the soul is free of the body, when it appears without the covers of physicality, then it is clairvoyant, not dependent on seeing through the senses. It sees into the innermost part of human nature. It does not just perceive what has an external color, sounds in external tones, but it perceives the impulses, the most intimate thoughts of the person. This is something that can be perceived clairvoyantly, the extra-physical world. Goethe lets the homunculus be clairvoyant. The entire dream of Faust is described by the homunculus, who sees into the depths of the human soul. We can go through the entire second part of “Faust” in this way: the soul is expressed in the homunculus.

The third part of the human being, the body, is that which has developed from the most imperfect to the most perfect, not only in the sense of natural science, but also in the sense of mysticism. But mysticism does not just look at how the physical has developed from the most imperfect to the most perfect, as modern science does. Mysticism also shows how the physical has developed through the mineral kingdom, the plant kingdom, the animal kingdom, and finally to the human being. The body has developed along this path until it has become capable of connecting with the soul. In the second part of Faust, Goethe presents this gradual development of the physical body in magnificent images. He has the homunculus Mephisto and Faust led to the fields of the 'Classical Walpurgis Night'. There he is brought together with Proteus, who guides the transformation of the physical form, and with the wise men Thales and Anaxagoras, who know how the physical transformations take place. It is shown how this homunculus, as a soul, can acquire a body by living through all the kingdoms of nature. It must begin at the bottom, with the mineral kingdom, and then slowly move on to the higher realms. Goethe describes in a wonderful way how this embodiment rises from the mineral kingdom to the plant kingdom. Goethe coined an expression to describe this so wonderfully vividly:

It grunet so

- the plant structure!

Only at a certain stage of development, what is called sex life, that this connects with all the formative forces that were present earlier. Goethe expresses this by letting Eros connect with the homunculus struggling for design at this stage. This is how Goethe described how the soul is structured until it is ready to receive the spirit. We have reached the end of the second act of the second part of Faust. Faust has learned the secret of how the three parts of human nature are connected: the immortal, the eternal, which is in the realm of the “mothers”, the soul and the body. This is how a person can incarnate. This is how that which also lived physically in the external world and belonged to times long past, Helen, can also incarnate again. We meet her again at the beginning of the third act. She has incarnated, Helen is standing before Faust in the flesh. Thus Faust has passed through mystical knowledge, he has experienced the secret of becoming human.

I have said that in every mysticism the soul in man is presented as something feminine. Then the struggle for the higher, the striving for the higher is expressed precisely in Faust's striving for Helena. Faust unites with Helena. This is initially the symbolic expression of an inner experience. Faust seeks the higher, and there the spiritual is born. Poetry expresses this symbolically through the union of the soul's masculine and feminine, whereby higher spiritual knowledge is begotten: Euphorion. Euphorion represents how the spirit in human nature comes to life in mystical moments. The mystic knows these moments. But there is one thing he still has to learn: At first, what he experiences is only a fleeting moment, only a celebratory moment in life, a moment of mystical insight; then he must return to his profession, to his everyday studies. These mystical insights are celebratory moments; but celebratory moments die quickly: Euphorion dies quickly. What follows is drawn deeply from mystical consciousness. Euphorion, after he has disappeared again into the spiritual realm, calls out to his mother Helena:

Do not leave me alone in the dark realm,
mother!

This is a voice that everyone who has experienced mystical moments has heard at some point. The spiritual always calls to the soul, the “mother”: “Do not leave me alone, seek me!” Here theory cannot speak, only direct experience can speak, in order to recognize the full depth of what is at stake here. The mystical moments of celebration are represented by Euphorion. Faust's serene worldview, in comparison with what has happened at the imperial court, now comes to light. Faust is now to be led to experience not only individual moments of celebration of mystical contemplation, for that is still an imperfect state. The perfect mystic works from the spiritual world; he works selflessly, like a messenger of the deity, as if the deity itself were creating. This is how it is with Faust when he has reached higher levels.

But Faust is not yet so far that he is above all the temptations that the lower self suffers. Nothing must speak to the mystic's senses anymore; the senses must become a gateway for the spiritual. Once again, for the last time, Faust succumbs to temptation. Something disturbs his eye, so he has the hut of Philemon and Baucis removed. That was the last external temptation; henceforth he can no longer be tempted by his senses.

But there is still something in man that appeals to his lower self, that is the memory that still clings to his lower self, that repeatedly pulls him down into this lower world. This is symbolized by the fact that worry approaches Faust. But this trial also comes from him. Faust goes blind. Now it is suggested that, by going blind, Faust becomes a seer: a bright light shines within, while it becomes dark and gloomy on the outside. He has become a mystic in the most beautiful sense, he has become a clairvoyant, he sees into the spiritual world.

Faust has gone through a struggle through the stages of the lower and higher self to the depths of the mystical worldview. This struggle between the lower and higher is a struggle between good and evil. Now, in a spirited riddle in the second part of the first act, Goethe has just hinted at how good and evil work together to allow the human fighter to pass through the middle for purification. Commentators have tried in vain to explain this line.

What is both dreaded and always welcome?
What is longed for and always chased away?
What is constantly defended?
What is harshly scolded and accused?
Whom may you not summon here?
Whom does everyone like to hear named?
What approaches your throne's steps?
What has banished itself away?

You will hardly find a solution to these riddle words in Faust commentaries. But for those who know the deeper meaning of “Faust”, they will be resolved naturally. We can go through line by line and need only say “evil” for the first line and “good” for the second, and we have the complete solution to the riddle. This is how Goethe describes the battle between good and evil in man, and he has Faust become a mystic.

Goethe can only hint at the last stages of development, and he uses mystical symbolism. Every line is deeply significant for the mystical path, the mystical stages that the mystic goes through in practical development. And then, at the end, Goethe indicates to us that this is what he really meant in the second part of “Faust”. He stood there alone when he came to this mystical realization.

If you read “Faust” in your youth, you will find a lot, later you will find more and more and even later still more. Today, I too have been able to describe only a glimpse of what is in “Faust”. The second part of “Faust” is something quite different from what was intended in the first part. The old Goethe is only understood if you take it so deeply. He knew that there were many people around him who would defend the young Goethe against the old one. In a moment of resentment, he spoke out about those who only want to accept the earlier works and what is otherwise easy to understand, saying, “Goethe has grown old.” To them he cries:

They praise Faust
And what else
In my works roars
In their favor.
The old Mick and Mack
That is very happy;
It means the pack of ragamuffins,
One would not be more!

Goethe knew that “he still was it,” also knew that he could not be understood.

In the second part of “Faust”, Goethe has hidden many secrets for the initiate who wants to hear them. And then, to suggest that he wants “Faust” to be understood in a mystical sense, he has closed the second part with the “Chorus mysticus”. There he shows us how he sees nothing in the ephemeral but a parable for the imperishable, for the eternal. That is the view of mysticism or theosophy, that what is present in the senses is only a parable for the imperishable. That which man can never attain in the sensual world, that which he strives for in the sensual world, to recognize the real meaning of life, this “inadequate” becomes an “experience” in the higher world through practical mysticism; and what cannot be described can be experienced. Then the spiritual powers slumbering in man are awakened; he not only perceives with his senses, but is led up into the higher worlds. That which is “indescribable” for the sensual world is done, now in the higher worlds. And that which the mystics of all times have called the 'feminine', the highest, that to which the lower strives, that which Goethe sought in the 'mothers', in the 'feminine', the 'eternally feminine', the highest in the human soul, that draws man upwards. This is the fundamental confession of Goethe, the mystic, which he has expressed here and which shines back on all that he has mysteriously incorporated into his “Faust”:

All that is
transient is but a parable;
The inadequate
Here it becomes an event;
The indescribable
Here it is done;
The eternal feminine
Draws us on.

Eight days ago, I tried to explain Goethe's world view through his “Faust”. We saw that Goethe presents the great struggle of the universe, the spiritual universe, between good and evil, as it unfolds in man and around man, in the way it is in the sense of mysticism or what we call theosophy. We have seen that where Goethe points people to worlds beyond the sensual, he does so in such a way that we can clearly see from his expressions his intimate knowledge of what we in Theosophy hold as our conviction. We have seen this in “Prologue in Heaven” and in the way he lets the Earth Spirit speak, but also in what we can see as a reference to the spiritual world and as a juxtaposition of the lower and higher self. We have taken a closer look at the address to the Earth Spirit and seen how Goethe introduces his Faust to the world, which we have called the world of higher knowledge, by showing how the human being is composed of the physical, the soul and the spiritual. We have been able to show this by the descent of Faust to the “Mothers”, by the characteristic properties of the homunculus, which cannot be made plausible in any other way, and then by the re-humanization of Helena in the “Classical Walpurgis Night”. We have seen how he ascends to knowledge, ascends to the heights of a spiritual Montserrat, to the heights of knowledge and mystical experience, concludes with the words that he has the Chorus mysticus say, and in doing so suggests the sense in which he wants Faust to be understood.

What Goethe expressed here is not a figment of his imagination, nor is it meant in a merely poetic sense, because Goethe has always seen the expression of secret natural laws in art, which he expressed at another time as follows: Art should be based on the deepest foundations of knowledge. There is no doubt that if we follow Goethe to the height of his life, if we look up and look up to the spiritual worlds, then we will be able to demonstrate a continuous increase to truly mystical heights in Goethe himself. Last time, I already pointed out that the direction of Goethe's gaze to the spiritual was not only in his nature, but was already present when he had already established a world view for himself, when he tried to make clear to himself when he entered Weimar, how things in nature are connected, when he sought a spiritual essence that underlies all nature. Last time I already spoke about the “Nature” hymn that he wrote in Weimar. In it, he addresses nature directly, but in such a way that it becomes a direct expression of a spiritual essence for him. You can see from every word in this prose hymn that he addresses nature as a being of a spiritual nature. In the book “On Natural Science” in General, he says about nature:

Nature! We are surrounded and embraced by it, unable to step out of it or to get deeper into it. Uninvited and unwarned, she takes us into the cycle of her dance and carries us away with her until we are tired and fall out of her arms [...] She has thought and is constantly pondering; but not as a human being, but as nature[...] She has no language or speech, but she creates tongues and hearts through which she feels and speaks [...] I did not speak of her. No, what is true and what is false, she has spoken it all. Everything is her fault, everything is her merit.

Thus he places himself in this nature, which he has conceived entirely spiritually, and speaks of nature as the external expression of a spiritual essence. Since Goethe addressed nature in this way, he was bound to ascend. For this is how he presents the physical incarnation: He imagines that the soul is above nature. It is true that it belongs to the great whole of the world, and he therefore also speaks of a higher nature. But by speaking of the lower nature, of the various changes, of the metamorphoses of nature, he builds the world view in the sense of the mystical. To give an example, I mention Paracelsus. Without him, Goethe is inconceivable. Through Paracelsus, Goethe is more understandable. I do not want to claim that Paracelsus' teachings can be adopted wholesale. Do not think that I want to speak in favor of those who today want to speak again as Paracelsus spoke. But we could still learn an infinite amount from such a highly chosen spirit. Goethe also learned an infinite amount from him. Just one word to show how Goethe strove in the spirit of Paracelsus: Paracelsus places himself before the true essence of man, soul and spirit, embodying himself in the archetypes of nature, in the mineral kingdom, plant kingdom, animal kingdom, where it is expressed in a one-sided way, in order to finally express itself in the most versatile way in man. In the various minerals, plants and animals, letters have been created with which the great All-Spirit has ultimately written the human being. This shows the depth of Paracelsus' insight into the human being. When Goethe sets out to study the development of the world's creatures from the imperfect to the perfect, he expresses himself in a similar way to Paracelsus. Every day, Frau von Stein received answers to questions about how his thoughts were maturing. Once, when he thought he was on the trail of a particularly important discovery, he said to her, “My spelling has helped me.” He meant that he had tried to get to know the plants and animals, which, like Paracelsus, were letters for him in solving the great mystery that man represents for man. In this way, Goethe wanted to proceed from the beginning of his study of nature, in order to seek the great spiritual connection in all beings. So, from the outset, he sought what he called the “primordial plant”, which was said to live in all plants and which, in essence, is the spirit of plant existence. Then he rose to the “primordial animal” and sought to prove the “primordial animal” in the animals. Metamorphosis of Plants and Metamorphosis of Animals – you only need to read them to have the most beautiful theosophical treatise on plants and animals you could ever find. It was precisely this attitude that led Goethe, soon after his arrival in Weimar, to an important scientific discovery. Until the time when Goethe became involved in the study of nature, the fact that humans are superior to animals had to be found in the existence of special individual organs. That humans differ in their physical constitution from the higher animals, however, was already addressed by Herder in his “History of Humanity”. Herder was Goethe's teacher to a significant extent. It was said at that time: All higher animals have the upper incisors in a special intermaxillary bone. Only humans do not have such an intermaxillary bone. Goethe said: The difference between humans and other beings is of a spiritual-mental nature. But the difference cannot be found in such a detail, which is why humans must also have an intermaxillary bone. Researchers have long resisted recognizing this discovery by Goethe. But today it is taken for granted that the discovery is based on a full fact. So even then, Goethe made this great scientific discovery out of his own convictions. In Italy, he studied the plant and animal world with the aim of finding ways and means of gaining an overview of these beings. In his Metamorphosis of Plants and Animals, he produced a masterpiece in this regard. The idea that Goethe carried out is an idea that can already be found on a large scale in Giordano Bruno. Giordano Bruno, for example, as is to be expected of anyone who truly sees into the depths of nature and the universe, is one of those who assumes that humans go through various incarnations, who assumes that humans have often been here before and will often return. The body of man, as we see it before us, shows us how soul and spirit expand in space. And when man dies, soul and spirit contract, they become, as it were, punctual, in order to expand again and then contract again. Thus existence alternates between expansion and contraction. Man ascends by becoming more and more perfect with each new expansion, only to contract again and pass through the purely spiritual realm. These thoughts were conceived by Giordano Bruno and were extended by Goethe to include plant and animal life. The whole metamorphosis shows us that the plant consists of the flower and the root in contraction and unfolding. This can also be found in Swedenborg's books, where he noted down the fundamental discoveries he made, which then bore fruit in Goethe and come to us again through him. Now some scholars from the Nordic academies have joined forces to publish Swedenborg's writings, and it remains to be seen how much science in all fields of natural science can be found in Swedenborg. Goethe studied Swedenborg, and there is an interesting doctoral dissertation from the University of Berlin by Hans Schlieper, in which the connection between the writings of Goethe and Swedenborg is demonstrated. If you want to gain insight into how Swedenborg developed these ideas, then you need only read Emerson's “The Representatives of the Human Race” and look up the article on Swedenborg. There you will find the ideas that bore such extraordinary fruit in Goethe. But you will also find that the various kingdoms of nature must ultimately find their culmination in the human being, that ultimately it must be shown how the soul emerges from the small world in order to find its unity in the larger world, in the cosmos. Schiller also expressed this in a magnificent way. In his correspondence with Goethe, Schiller writes on August 23, 1794:

For a long time now, although from a considerable distance, I have been observing the course of your mind and have noted the path you have set out on with ever-renewed admiration. You seek what is necessary in nature, but you seek it by the most difficult route, which any weaker force would do well to avoid. You take all of nature together to get light on the individual; in the totality of its manifestations, you seek the explanation for the individual. From the simple organization, you ascend, step by step, to the more complicated ones, to finally build the most complicated of all, the human being, genetically from the materials of the entire structure of nature. By recreating it, as it were, you seek to penetrate its hidden technology. A great and truly heroic idea that amply demonstrates how your mind holds the rich totality of its ideas together in a beautiful unity. You could never have hoped that your life would be enough for such a goal, but even just embarking on such a path is worth more than any other ending – and you have chosen, like Achilles in the Iliad between Pythia and immortality.

I could read on, and you would find that every single word of Schiller is aptly applied to Goethe. Goethe himself spoke beautifully about the relationship between man as a microcosm and the rest of nature, showing with tremendous power of words how not a single detail but the whole spirit of nature lives in man, how this whole spirit comes to the realization of itself. Whoever remembers the beautiful words spoken by the German mystics will know, among others, the saying: “The Godhead lives in man, and in man God has created an organ to behold Himself.” In his book on Winckelmann, Goethe says, where he speaks of antiquity:

When the healthy nature of man works as a whole, when he feels in the world as in a great, beautiful, dignified and valuable whole, when the harmonious comfort gives him a pure, free delight - then the universe, if it could feel itself, would exult as if it had reached its goal and would admire the summit of its own becoming and being.

What does Goethe say here that is different from what he presents in his “Faust” as the transition of all realms through nature? Goethe was never satisfied with the materialistic view of nature. And when Holbach had created a particularly crass expression in this regard, he opposed him as a young man. Goethe says about it, he [had] found nothing in it but a barren speculation, but not a real explanation of nature. Furthermore, matter was supposed to have existed from eternity, and from eternity it was supposed to have been in motion, and through this motion it was supposed to have produced the phenomena of existence. Thus Goethe dismissed materialism. Goethe always strove to find harmony between what he calls spiritual nature and what the incorporation of spiritual nature represents. Therefore, he was a follower of the doctrine that sees the embodiment of the spirit in our physicality, in the outer forms of nature. Goethe held this point of view throughout his life and elevated this point of view to ever clearer forms. Now, however, this point of view requires something else. It requires that we recognize that the human being is not complete. The realms of perfection must continue beyond the human being. This is the theosophical worldview. Thus, as Theosophists, we do not take the view that the human being is somehow complete. But just as there are also more imperfect beings, we also recognize that we have more perfect and more imperfect human brothers, and that there are some who have progressed far beyond the measure of other people. These are the great teachers who endeavor to lead people up to ever higher and higher worlds. This is a realm from the lowest beings to the gods. We recognize that man will one day rise to divinity, and we already recognize an order today that begins with the lower spirits and does not end until physical existence is exhausted and we look up to heights and beings that fill the gap between human beings and beings that humans only have an inkling of. In this sense, that he looked up to higher spiritual entities, Goethe spoke his poem from the first Weimar period, the well-known poem “The Divine”:

Noble be man,
Helpful and good!
For that alone
Distinguishes him
From all beings
We know.
Hail to the unknown Higher beings We intuit! Man shall be like them! His example teach us Those believe.

This is the poem in which Goethe spoke of the stages of ascent to higher beings. Those who have heard the theosophical lectures here before will know that in theosophy we recognize an unbroken succession of beings, from today's average human being to the higher beings, that we know that among us there are brothers who have reached high levels, who are our teachers, but who have withdrawn from the hustle and bustle of people because they need to have freedom. Only a number of disciples are able to see them. Those who rise to the fervor of deep truths, to a corresponding realization, which must be a free one, can hear these elevated human individualities. Goethe then speaks of these higher individualities. I only need to quote the poem “Symbolum”. In it, he speaks of the holy awe that must permeate us in the face of the truth and the spiritual world. Goethe is therefore speaking here of the voices of the spirits and the masters. This will show you the profound agreement between Goethe and what we call the theosophical world view. Now I would also like to show you that such an agreement really goes very far in Goethe. You know that in the theosophical world view we speak of the fact that human beings do not only have a physical body. This physical body is a subordinate body of the human being. Then we have the etheric double body. This can be seen by those whose psychic organs are open. It can be seen when the physical body is subtracted. Then the same space that the human being occupies is filled by the etheric body. It looks like the color of a peach blossom. Then comes the astral body, the expression of feelings, instincts, desires and passions. The Theosophical worldview calls this body “kama-rupa.” These three superimposed bodies are spoken of today. It is said that there is a parallel in our physical nature. The so-called occultist says that the physical body has an external parallel in what we call solid bodies, that what we call the etheric body has a similarity to the liquid, and that the astral body has a sensual parallel in everything that appears gaseous and airy. Everything that takes shape in the life of the senses and the life of the instincts is referred to as an image of the astral body. In mystical form, we speak of a deity that creates these formations. This is nothing other than 'Kama'. When studying cloud formations, Goethe spoke, entirely in line with this world view, of the fact that for him, too, the expression of the formation of water reveals an image of the soul, a KamaRupa:

When the deity Camarupa, high and holy,

Gathers the folds of the veil, disperses them,
Delights in the changing forms,
Now freezes, then vanishes like a dream,
we marvel and hardly believe our eyes;

With the exception of the term “Camarupa”, you can rediscover Goethe's theosophical worldview. The question now is: How is Goethe connected to what we really call the theosophical movement and how it was not created only by the Theosophical Society. The Theosophical Society merely popularizes the old theosophical teachings that have always been present. Before 1875, the principle was strictly adhered to that the theosophical teachings must be secret, that only those who profess very specific prerequisites and conditions can learn them. In my magazine Luzifer-Gnosis, you will find something discussed that can lead you to higher things. In earlier times, the theosophical teachings were only practiced in the narrowest of circles, in the so-called secret schools. Only those who had attained certain degrees could receive certain teachings. A certain degree of secrets was only imparted to a person when he had attained certain degrees. The most important society was that of the Rosicrucians, a top secret society. Whatever you find about it in books, you can call a hoax, as far as I'm concerned. What can be found in literature and what is accessible to scholarship is not Rosicrucianism. The brothers only knew each other. At the top were twelve initiates. Only the thirteenth was the leader. The outer symbol was the cross with roses. The society had, despite being a secret society, a great influence on the course of intellectual development. In the time when materialism did not yet dominate the major circles, a very great intellectual influence could still be exercised. The Rosicrucian Society is the one whose tradition and inner significance Goethe also knew. He became acquainted with it at an early stage. During the time when he was staying in Frankfurt after a very serious illness during his studies in Leipzig, he was initiated into the secrets of the Rosicrucians by a certain personage. More and more, this mysticism became absorbed in Goethe. Now he wanted to express what he had to say in this regard in a very profound poem. At the time he wrote this poem, he proved himself to be a practical mystic in that he understood life as practical mysticism. Only under certain conditions was he taught the most intimate things. Mrs. von Stein was one of his intimates. He could not imagine this connection any differently, as if he had already belonged to her in a previous life. That is the important thing. Not the dogma of reincarnation; the main thing is to understand life from this point of view. So Goethe once said, to make clear to himself his deep connection, his relationship with Mrs. von Stein: In times gone by, you were surely once my sister or my wife. That is the way he interprets reincarnation here and in other ways. Of course, Goethe regards this as his secret. He speaks of it only to his intimates. That is why you can quote some things from Goethe that seem to contradict him. You can also find this with other mystics. We know that this is the case. Now Goethe has expressed something of an ascent, of a spiritual order in the Rosicrucians in the aforementioned poem. This poem has become so dear to Mrs. von Stein that it is called “The Secrets”. It was never finished. The greatness of the poem should have been much more extensive. He might have been able to express himself if it had had as many verses as there are days in a year. But he did express the following clearly: firstly, this basic idea and, secondly, the view that a kernel of truth can be found in all religions, that all great religions contain a basic teaching, the so-called wisdom religion, and that the various wisdom religions are embodied in individual great initiates who are connected to one another in a brotherhood, that they differ according to their inclinations, the nature of the country and so on. Brahmanism, Buddhism, Confucianism, the teachings of Hermes, Judaism, Christianity; they all contain a common core of truth. They are different because those who truly grasp the human being in his spiritual essence know that it is not a matter of implementing an abstract dogma, but that one must speak to each person in his own way. You only have to possess the core of truth, then you can clothe it in the customs of every country. You will find that our theosophical teachings have rebuilt the ancient teachings of the rishis within the Hindu religion, just as they have in Europe. Even in a form that will again be able to withstand science. So we can speak to every people in their own language. But a common core of truth lives in all these languages. This was also the view of the Rosicrucians, as expressed by Goethe in the poem “The Mysteries”. You will see how much mysticism and theosophy lives in Goethe when we consider his secret revelations in the fairy tale of the green snake and the beautiful lily. But now let us look at this Rosicrucian coloring in his poem, which has remained a fragment. Goethe knows that there will not be many who will be able to understand this poem “The Mysteries”. He also knows that this poem contains so much that no one should dare to believe that they can fully understand it. But he expresses it clearly that he allows us to see into his deepest soul:

A wondrous song is prepared for you;
Listen gladly, and summon everyone!
The path is laid through mountains and valleys;
Here the view is restricted, there it is free again,
And when the path gently slips into the bushes,
do not think that it is a mistake;
We want, when we have climbed enough,
to reach our goal at the right time.

Then he shows how Brother Mark walks to a lonely monastery. In this live twelve hermits, the initiates, led by the thirteenth, whom Goethe calls Humanus, who encompasses all of them. In each of these twelve, one of the great world religions is embodied. Depending on the diversity of countries and times, the different religions are different, and in each of the initiates, each of the religions is different. In a college, however, they work for all of humanity. The leader Humanus is called that because he is such a late incarnation that the highest truth and knowledge is expressed in him in a peculiar way. Those people who are in relatively early incarnations, who have not yet undergone many embodiments, receive the lessons of life and ascend to such an extent that they carry the deepest core of truth within them as a matter of course. Then they do not need to study in the new incarnation, then they are such — through certain signs of their birth this is symbolically foretold — that they, as must be said of the great initiated of humanity, radiate the wisdom of the world. One such incarnation is Humanus. After he has spread the spirit around him in his environment, he ascends to higher spheres. Brother Markus is another such incarnation. When he appeared, Goethe said of him that he gave the impression, for higher reasons, that a higher wisdom must come into the world. Brother Markus appears to be simple. But he is a late iteration of human existence. At the same moment, as Goethe says, Brother Markus is led into the brother lodge, where the twelve are united, when Humanus is allowed to leave the twelve, where only his spirit remains in them, where the spirit ascends to the higher spheres. Brother Markus takes his place. This is the government of humanity that Goethe wanted to depict here.

He sees the emblem gloriously erected,
Which stands for the consolation and hope of the world,
To which many thousands of minds are bound,
To which many thousands of hearts have fervently prayed,
Which destroys the power of bitter death,
Which waves over so many victorious banners:
A fountain of refreshment permeates the weary limbs, He sees the cross and lowers his eyes.

From the very beginning, this poem shows us how Goethe has the spiritual guidance of humanity carried out by the twelve. Thirty years later, a number of students approached him with the request that he provide some explanations. He also tried to say something about this poem. I will only mention a few things to you. He spoke entirely in the theosophical sense:

In order to confess the further intention, indeed the plan in general and thus also the purpose of the poem, I reveal that the reader should be guided through a kind of ideal Montserrat and, after taking his way through the different regions of the mountain, rock and cliff heights, occasionally return to wide and happy plains. Each of the knightly monks would have been visited in his home and, through the climatic and national differences, it would have been learned that the most excellent men from all corners of the earth might gather here, where each of them would quietly worship God in his own way.

Now he shows us how Brother Mark is led into the forecourt. Goethe did not live to depict the actual interior. But then we are shown who Brother Humanus is:

And if you ask me what is the name of the one chosen,
Whom the eye of caution chose?
Whom I often praise, but never enough,
On whom so many incredible things happened?
Humanus is the name of the saint, the wise man,
The best man I have seen with my own eyes:
And his gender, as the princes call it,
You should also know along with his ancestors.

He also shows here how such a leader has risen to such heights. The lower self must have sacrificed itself. We will see this in the sacrifice of the serpent when we speak of the “fairytale”. But here we see how the leader of the twelve chosen ones saves his higher self, his soul. How he has gone through this dying and becoming, and has not remained a dull guest on the dark earth, but has awakened the God-man in himself. He tells us clearly and distinctly that he sees this higher self as a feminine. To save it, the lower self must be killed. In the beautiful symbolism of the poem “The Secrets”, Goethe describes the upward development of a being like the thirteenth. He expresses it like this:

As the third man, I tell more and more freely,
How a spirit of the mother promised him early on,
And how a star at his baptism celebration
shone more brilliantly in the evening sky,
and how a vulture with outstretched wings
settled in the courtyard among the doves;
not striking fiercely and, as usual, doing harm,
he seemed to gently invite them to unity.
Then he modestly kept from telling us
how, as a child, he overcame the adders
Which he found entwined around his sister's arm,
Tightly wound around the sleeping girl.
The nurse fled, leaving the infant lying;
He strangled the snake with a sure hand:
The mother came and saw with joyful trembling
Her son's deeds and her daughter's life.

The sister is the innermost part of the soul, the same as the eternal feminine that draws us in. The adder is what must be shed. He adds the following explanation to the symbolum:

When nature has elevated a person,
It is no wonder that he succeeds in many things;
We must praise the power of the Creator in him,
Who brings weak clay to such honor:
But when a man, when a man, in the hardest test of life,
Conquers himself;
Then we can show him to others with joy
And say: 'That is he, that is his own!'

When the God-man is born in the soul, then all power rushes forward into the distance:

For all power rushes forward into the distance,
To live and work here and there;
On the other hand, from every side, the stream
Of the world narrows and hinders and sweeps us along:
In this inner storm and outer strife,
The spirit hears a word that is hard to understand:
'From the power that binds all beings, Man frees himself who overcomes himself.'

Many readers of Goethe's Faust will feel something very significant for every human soul and heart when they hear the poet's words resound, which depict how Faust, this representative of humanity's highest aspirations, how this Faust, after having gone through everything that can be our science of the most diverse branches can achieve, stands at a loss, struggling for a knowledge that means more than the satisfaction of the theoretical needs of the mind, that encompasses everything that is most needed by man in his darkest hours, for consolation and for uplifting of life, for strength of existence and for creativity in reality. And when we are pointed by the poet's words to a possibility of soaring beyond mere intellectual theory into the realm of the spiritual world, when we are pointed to the fact that there is something higher to be gained than theory and wisdom of the mind, it may well may well urge us, if we are interested in what is to be incorporated under the name of theosophy into modern spiritual paths, to look at what has flowed into German cultural life through Goethe from this particular angle. We may be urged to look into what actually lies behind that expression of Goethe's when, as Faust, he beholds the sign of the macrocosm before his eyes, he says that he now knows what the wise man means by the words:

The spiritual world is not closed,
Your mind is closed, your heart is dead!
Rise up, bathe, disciple, undaunted
The earthly breast in the morning dawn!

This is, in a sense, an invitation from Goethe's work itself to be viewed from the standpoint of spiritual science. Such a consideration of the work of great personalities who have had a profound effect on cultural life is very much in the realm of spiritual science, for this science can never fall into the error of other currents in claiming that everything that is truly valuable in terms of human knowledge has been created only through them. Mankind could then have little trust in a realization that would arise with the saying: “Like a shot from a pistol, it has only just been created.” Since human thinking and striving has existed, people have searched for truth. Should all those who preceded the truth researchers in question have searched in vain, only to be caught up in error?

How can we behave in a manner befitting a worthy attitude if we keep saying how we have come so gloriously far precisely with our wisdom? Theosophy does not make such demands. It seeks only to have the ancient wisdom that has always flowed into the hearts of those who have striven for truth and wisdom put into a special form and shape; this shall be given a new form that corresponds to the present life. Therefore, it is part of the task of Theosophy to inquire of the great minds of the past how their striving relates to what we are exploring today through our spiritual science.

We choose one who has achieved something so significant, Goethe, and if we place next to him someone who is unknown today and has been so for a long time, not unknown by name but by what he has wanted and commanded, Hegel, , then today's reflections may show us how, precisely, theosophical life makes it possible for us to appreciate some of the unrecognized, because theosophy is an instrument for finding and recognizing depths that would not be revealed in any other way. If we first immerse ourselves in Goethe, it is truly not difficult for us to find in his nature that basic trait of spiritual-scientific will and knowledge, which is characterized by seeing the invisible of the spiritual world in everything visible.

In everything visible we see the outer physiognomy of a spiritual, the outer expression of something supersensible, just as we see in the human countenance the expression of what lives in the spirit, in the soul. But we must not look at Goethe as some sycophants do, saying that Goethe had in his mind's eye what all mankind longs for, but was unwilling to express in clear words, unable to express it in quite definite forms of words, and that he sought to express it here in more obscure, nebulous feelings. The Swabian Vischer, the author of “Auch Einer”, has already raged about the fact that one wants to find Goethe's creed in the fact that Faust speaks to Gretchen:

Feeling is everything;
name is sound and smoke,
fogging up heavenly glow.

As true as that was in conversation with Gretchen, it is just as untrue in all other respects, for not everyone who has a sincere aspiration wants a Gretchen wisdom, although in many cases it is only striven for as a Gretchen wisdom. But in Goethe, something quite different had been alive from his youth, from his boyhood on. If we follow him back to his childhood, we do not find any kind of spiritual-scientific knowledge, but we do find the same emotional formation of the soul, the whole attitude of a theosophically thinking person. We see the seven-year-old boy unsatisfied by all kinds of emotional experiences from all the external religious forms that flow to him from his surroundings; but he can vaguely sense and feel a higher spiritual reality. He searches his father's botanical collection for all kinds of plants, selects all kinds of mineral objects and places them on a music stand, which is his altar. And already in his boyhood, in his yearning child's soul, he wants to make a sacrifice to the great God of nature, as he later calls him in clear words, who is conjured up by what happens in the world, he wants to bring him so mysteriously before his soul. He takes a small incense stick, places it on top and, by focusing the first rays of the morning sun, ignites the candle. In this way, he performs his sacrifice with a candle lit by the forces of nature itself. Even as a boy, he thinks of what is hidden and enchanted behind the physiognomy of nature. And that remained in his soul throughout his life. It sounds wonderful to us when we hear his prose hymn, which he speaks to a writer as an expression of what nature means to him, soon after his arrival in Weimar. It is the hymn “Nature”:

Nature! We are surrounded and embraced by it – unable to step out of it, and unable to get deeper into it. Uninvited and unwarned, she takes us into the cycle of her dance and carries on with us until we are tired and fall out of her arms.

Or when we think of the great words: everything is nature. She invented death in order to have much life. And so it goes on. Goethe himself later confessed that the poem was based on the idea that a spirit dwells in all natural processes, just as a spirit also underlies everything that is personal. He seeks the physiognomy of spiritual life; through this we see him driven to observe nature in its interrelationships. We cannot go into detail about him as a naturalist here, but we may point out that he goes beyond what was to become his specialized field of study in every respect. We see in him everywhere the endeavor, which can already be seen during his student years, that the individual natural object should provide him with information about the interrelationships in life. To this end, he later studied in Weimar; he attended Loder's lectures on bone structure, comparative anatomy and so on. He did not want to consider only the fragmented parts of nature; we see from this that on his Italian journey he wrote: “After all that I have seen here of plants and animals, I would like to make a journey to India, not to explore new things, but to look at the old in my own way.” His way of looking at things, however, is to see writing in everything, which mysteriously expresses the spiritual life behind it. That Goethe has this in mind becomes particularly clear to us when we see how he brings all life under one point of view, under one perspective. In Italy, he gains an initial idea of what Greek art can mean to his great mind. Before that, he had discussed many things with Herder. He educated himself through Spinoza's thinking to the idea of a divine-creative essence behind the phenomena; but he was not satisfied with this. He wanted to recognize a divine-spiritual essence in man himself. He writes to his friends from Italy, as he stands before the work of art that has given him the secret of Greek art: There is necessity, there is God. I have the feeling that the Greeks proceeded according to the same laws by which nature works, and I am on their trail.

Thus, art is the continuation of nature's creative process. The artist should immerse himself in the laws of the world and then continue nature's work; what nature allows to pass from the supersensible to the sensual at a lower level, the artist should do at a higher level. In his book on Winckelmann, he says:

When the healthy nature of man works as a whole, when he feels in the world as in a great, beautiful, dignified and valuable whole, when harmonious comfort gives him pure, free delight - then the universe, if it could feel itself, would exult as if it had reached its goal and would admire the summit of its own becoming and being.

Thus, for Goethe, the human spirit is that which already lives in the strict nature, in rocks and plants, what develops there through the animal, becomes conscious for Goethe in the innermost human being, and when man pours his spirit into forms, then he himself creates as higher nature beyond himself. But this was something he was born with, to see the spirit in everything he saw, it was natural for him, so natural that the momentous conversation between Goethe and Schiller after a lecture by Batsch in Jena could take place. Schiller remarked afterwards that there was always something bleak about looking at nature only in detail and never as a whole. Goethe replied that one could also proceed differently, one could also go from the whole to the parts and base one's actual observation on the spiritual. He then drew the symbolic picture of a plant and said of it that it was the original plant and contained all others within itself; with it, one could form and invent new plants in any way, from the lowest to the highest plants. Schiller, who at that time could not rise to such heights, soon worked his way to this view himself. But now he replied to Goethe that what he had sketched was not an experience, but an idea. Goethe did not understand this at all, but rather thought that if it was an idea, then he saw his idea with his eyes. Here two worldviews stand starkly opposed to each other. Schiller believed that he could only grasp the spiritual through abstraction; Goethe through the beholding of the idea with spiritual eyes. Goethe was clear about the fact that the spirit lives in everything, that creative spirits prevail under the sensual, and Goethe not only developed this world view in a theoretical way, but he also embedded this world view in his works, in everything he did in a poetic way. This is particularly evident when we try to grasp the depth of the second part of Faust.

At that time, this world view was by no means limited to Goethe or found only in a few people; rather, it was an intellectual atmosphere in which Germany's best minds lived at the time, and Hegel also grew out of this intellectual philosophy. Of course, for many who have only heard a little about Hegel, he is a dismissed philosopher, one of the great bearers of error of the past. When people approach great minds, they behave very strangely. There is a beautiful writing by a Russian scholar, Chwolson: Hegel, Haeckel and the Twelfth Commandment. In it, a good characterization is given in a certain way. The author is an excellent physicist; he is good at drawing the conclusions that can rightly be drawn from our present-day world view. His twelfth commandment is actually very self-evident; but it is not understood by many. It reads: “You shall never write anything about which you know nothing!” Those who are well-versed in intellectual life know that Chwolson does not understand Hegel; so he is a perfect example of his commandment. It is easy to ridicule when something is taken out of context. One must know the whole context. Hegel is a mind that was ripe, very ripe, but was only coming into its own for the first time with its own ideas. Born in Stuttgart as early as 1770, he published his first work, which for those who are superficial in spiritual matters is perhaps in many ways quite incomprehensible today, only in his old age. But this work should be deeply significant for anyone who wants to scale heights in spiritual life. It is the “Phenomenology of Spirit”. It must appear to us as if it springs from spiritual life through its outward genesis.

He shows that he was able to disregard the things of the external world in the utmost concentration. It took tremendous intensity of spiritual power to write these subtle things; the last pages were written while the cannons thundered in the Battle of Jena. There this work was completed, which was to introduce us to the spiritual world. And he always took his time; almost a decade later his “Logic” was published, and we also have an encyclopedia and a work on jurisprudence by him. The majority of his works emerged from his lectures through his students. It is difficult to give just one picture of the meaning and spirit of Hegel's teaching in a few words, but it is perhaps possible to give a broad outline. There has been much ridicule because Hegel wanted to construct the whole world, all objective being out of the spirit, out of the idea, because he first builds up nothing but concepts, nothing but a world of ideas that can only be followed through the human intellect; therefore, it is said that he did not research experience, but wanted to get everything out of the spirit, which one can only experience in this way by examining nature. This is where the greatest error in judging Hegel lies; it is quite wrong to say that Hegel wanted to spin the whole world a priori out of his head. He was quite clear that reality was spread out in space, but he also knew that behind this objective reality there are spiritual connections that man grasps in the images of ideas. What could he do about seeing the idea in things? He explored the world empirically, but he just saw more than the others. Nature also gave him the ideas beyond the gross material, just as it was with Goethe. Could Goethe and Hegel help it that the others could not find these ideas? Those who can't find them then believe that Hegel spun them out of his head. Lichtenberg, the great German humorist, once spoke of a book and a human being and said: When a book and a human head collide and it sounds hollow, it is not always the fault of the book. And when the human head and nature collide and the head remains empty because it cannot find any ideas, it is truly not nature's fault. Hegel made it his task to erect that which expands in space into the mighty structure of ideas that he calls his logic. That fabric of ideas, of which he figuratively says that it is the god that he was before the creation of nature. That was more than a figure to him. From abstract being to absolute being, one has something before oneself like a creation. He says: The diamond web of concepts and ideas is something in which the things of nature are woven. This web became a mirror image for him, from which nature apparently comes to meet him again. He follows nature through all its stages to show how it is the idea, the creative thought, that lives in everything. He considers the mineral, plant and animal kingdoms, then the human being; he shows how the human spirit gradually becomes more and more perfect until it stands out through understanding and reason to the contemplation of the spirit in the external world. It is a gigantic edifice that rises before us, even if it is flawed in detail. It is a building that anyone can construct, and at the same time it is a good training, since one concept necessarily arises from the other, and every conceptual mass must fit into what is created in ideas. At most, we only find a similar necessity where the human mind delves into the connections provided by mathematics. There will come a time when we will again ascend to this significant schooling of the spirit.

When we try to sense how spirit and nature are combined in Goethe and Hegel, do we not feel the spirit of theosophical perception? Yes, we do feel it. Only one thing will be missing for the spiritual scientist in Hegel, which he finds in Goethe in the words of “Faust”, which Goethe calls “Chorus mysticus”:

All that is transient
Is but a parable;
The inadequate
Here it becomes an event;
The indescribable
Here it is done;
The eternal feminine
Draws us on.

Let us take the first three lines. We see nature as it arises and passes away in its individual parts; everything that has to go through birth and death is a parable for the eternal, the transcendental, for everything that stands behind it. Here, Hegel is a kindred spirit to Goethe; he, the philosopher, expresses the same thing intellectually: “All that is transitory in nature is a parable of the eternal world of ideas.” Then follows something that the poet could aspire to, but that was lost to the philosopher:

The inadequate,
here it becomes an event;
the indescribable,
here it is done.

If we feel these words correctly, we notice here where Hegel's purely logical explanation of the world is lacking. We can also apply the tighter discipline in this ascent to this network of concepts and ideas that lies behind the transitory. But there is something in this web of ideas that is inadequate, but which cannot become an event through intellectual contemplation alone. Hegel means: In this logical structure I have before me the God before He has entered into His appearance. But we must feel: Yes, you have something of the God who could have appeared to you as the great plan of the world, into which everything is fitted. But this web of ideas lacks life, and Hegel felt that.

The philosopher, the mere logician, cannot penetrate to the supersensible life. Here his mind, which was set up mainly for logic, could not penetrate. All idea is inadequate when it comes to letting the content flow out. From the realm of shadows, reality radiates when life comes to the structure of ideas. This life can only be found if man does not just stop at what is presented to his intellect, but must take the path to the stages of higher knowledge. Man must begin to let the spirit live in himself. For this, one needs a kind of knowledge that does not live only in sharply contoured concepts, but in what we have often mentioned here: in the realm of images and imagination, which represent a kind of knowledge that strives beyond all conceptualization. Behind all ideas lies a world of creative principles that is richer than all ideas. This is the inadequacy that can never enter into the idea, that must and can be experienced if one goes beyond the idea to the image that the poet has, or to the supersensible reality, to the spiritual. That is why the poet Goethe was able to approach what was missing for Hegel.

In the second part of Faust, Goethe comes as close as possible to what we today call a theosophical world view. He strives for nothing less than to include in the content of the highest spiritual human culture that which connects human beings to the great spiritual realm, which they sensed as children, sought as adults, and expressed in the fairy tale of the green snake and the beautiful lily. He really wants to place these secrets before his soul, secrets about the spiritual and sensual-physical aspects of the human being. He also seeks to do the same in the second part of Faust, but we must approach it with different eyes than those usually used by scholars. We must take something on board that will strike some of today's interpreters of Faust as something quite crazy; but we will find confirmed what Goethe says to Eckermann: “I have worked in such a way that those who only want something for their own external curiosity will get their money's worth, but for esotericists I have included many a secret.

First, Faust is led through the small world. After he has gone through sensual happiness and sensual misery, we see how he is to be accepted into a circle of ideas where the greatest secrets of the nature of the world are to become clear to him. He is introduced to the great world. Faust wishes to unite with the Greek Helen, who has long since died. She is to unite with Faust as a physical woman. For Faust and Goethe, Helena means something quite different than for most people. For them, she is the representative of the people and creativity that Goethe admired in the Greeks, of whom he said that they had come to the bottom of the secret of all natural creativity and hinted at it in their works of art.

But only if we are well prepared can we experience the mystery that the eternal, the immortal in man can come to us in a new embodiment; nothing less than the riddle of embodiment confronts us here. Faust strives for Helena – he touches her, but at first there is an explosion because he is not yet inwardly purified, and he must first grasp the secrets of the incarnation, which are shown to Faust step by step. For Goethe, the human being also consists of the physical human being, who represents the outer physicality of the human being, that which he has in common with all the surrounding minerals. Then there is also a second link in Goethe's view: the soul, the astral body, the carrier of desires and so on. For Goethe too, the spirit is supreme, for it is the true eternal essence that hurries from embodiment to embodiment, undergoing incarnation after incarnation. And Faust is to experience how spirit, soul and body come together to form this sensual world. He must first recognize where the eternal is when it is not physically embodied on earth. The eternal is in a purely spiritual realm. Therefore Faust must be led down into the spiritual realm, into that kingdom where the “Mothers” are, the primeval mothers of all spiritual beings. Mephistopheles stands by Faust's side with the key to the kingdom of the Mothers, which he hands over to Faust. That is what Mephistopheles can do; he can describe the outer realm, but he cannot enter into it. He is the representative of the purely intellectual human being; he even describes the realm as nothingness. Therefore, he is the representative of realism, of monism. One should reach the threshold of spiritual life; the strictest science has the key, but it only opens the door. Those who have only sensual experience still clearly speak the words of Mephisto that there is nothing in the spiritual realm. But Faust replies what should be replied even today:

In your nothingness I hope to find the All.

And Faust descends into the realm of the mothers and brings up the living eternal spirit of Helen, that which moves from embodiment to embodiment. Whoever follows and understands the description of the “realm of the mothers” will recognize the knower in Goethe in every word.

Sink then! I could also say: Rise!

In this realm, this is the same — our concepts of space are no longer sufficient. The Mothers sit on a glowing tripod. This is the symbolic suggestion for what is actually eternal in man, which is divided into: Manas, Budhi, Atma or spirit self, life spirit and spirit man. This symbol of the tripod, surrounded by the eternally creative mothers, expresses enough in such a meaningful place. The spirit that Faust brings must be enveloped in the astral and physical sheaths, and that is what happens. Goethe presents what stands between the spirit and the physical body in the middle of it, the astral world, in Homunculus. That which has nothing to do with anything in the physical world, which is created separately from the spirit of Helena, but which is later to connect with it, that is the astral in man, that which dwells in the physical body in man. Goethe does everything to point out that in Homunculus we have the astral in man. If the astral could be separated from the physical, then it would have to be clairvoyant – it would have to see clairvoyantly into the astral world. It is no longer clairvoyant in the physical body. And Goethe presents the homunculus as clairvoyant. As soon as he appears, he sees what Faust dreams; he sees the whole world of ideas of Faust. And if we go further – are we not clearly told:

He does not lack spiritual qualities,
but he is all too lacking in the tangible and practical.

– after all, he lacks the physical. Homunculus is a soul that wants to embody itself. In every word that is spoken, one can recognize Goethe's opinion in the indicated direction. But Goethe's words must also be understood in the right sense.

It will! The masses are stirring more clearly
The conviction of the true, the true.

We find this even in commentaries on Faust: in Wagner, the conviction of the true is stirring. But what is meant is that the astral nature begets in a way that is above human procreation. It is a conviction—like Übermensch. It is difficult for people to understand Goethe where he is esoteric. Even during his lifetime, he had to hear people always pointing out what he had poured into it from the abundance of his youthful nature and his poetic feeling, for which one does not need much to understand it. He dealt with such people nicely. A note was found in his estate:

They praise Faust
And what else
In my works
In their favor.
The old Mick and Mack
Is very pleased;
The pack of ragamuffins thinks
It's no longer them!

They also believe the spiritual researcher. Goethe points out in everything that he wants to characterize in Homunculus this second link of the human being, that this soul, before it can take up the spirit, must unite with all that is in the lower kingdoms of nature. We see how the astral passes through all the kingdoms of nature up to the human being. With Faust, Mephisto and Homunculus, he therefore leads us to the classical Walpurgis Night. This is an important chapter that tells us what Homunculus actually wants. There are the creative forces in nature, and Homunculus wants to learn the secret of how to structure the physical shell around himself as an astral being, how to start from the mineral kingdom in the lowest realm and put shell after shell around himself — up to the human realm you have time. In the transition from the mineral to the vegetable, Goethe finds the beautiful expression: “It grunelt so” (it grunts). It is then shown how he progresses further up to where he is ready to create a physical shell from the elements. That is when Eros appears, love. When a person wants to step out of the spiritual into the sensual, then, according to the great secrets, spirit, soul and body must combine. When the three unite, then the human being can appear before us in a sensual and spiritual way. Helena is docile, the eternal spirit has come up from the realm of the mothers. Homunculus has surrounded himself with sensual matter, united with the spirit, and Helena stands before us. The poet could not have portrayed the embodiment any differently. In the third act, the secret of becoming is presented.

The inadequate, here it becomes an event,

he says in summary, what he wants to express after this examination. There, where we ascend the higher path of knowledge to higher forms, there the spirit shows itself as creating, alive, there it is placed before our soul in a living form. And we see what the spirit must also have if it is not to be a mere specter of eternal ideas – it must have will. He suggests that it must not only have thoughts and concepts. The indescribable, that must be done, that is the will. He confronts us as a capacity for knowledge, where we feel the innermost source of the highest knowledge flowing in us. When we turn away from all sensual and physical things. Man can reach this level, and Faust has reached it. Goethe shows us this symbolically by making Faust go blind at the highest level, so that he cannot see the physical.

But within, a bright light shines.

We find ourselves in the deeds of the spiritual world:

The indescribable, here it is done,

that which cannot be described with words from the world of the senses. We see how the living, logical, willing spirit can flow into us. And this fertilizes what is considered feminine in the highest sense, the soul. Thus we understand what Goethe means by the last words of “Faust” when we know that the soul is always represented as something feminine that needs to be fertilized and that draws us towards everything that becomes action. This is what Goethe wants to show us.

I have only been able to give a few rough strokes. What has been said about Hegel will show you that Hegel was on the path of theosophy. He went as far as he could. With tremendous energy, he researched nature, sought and found the connections. Goethe, the poet, went even further. In his poetic images, he sought to expand the rigid contours of conceptual images, that which is to become wisdom and science in life, by capturing the living spirit. Thus, through his Faust, Goethe truly affirmed that it was a deep truth to him, which he emphasized at the starting point of his scientific writings, that we see the external things of the physical world because our senses are created for external sensual things. The external image presents itself as our eyes are:

If the eye were not solar,
It could never behold the sun;
If not in us the God-own power,
How could we divine delight!

Just as the physical sun is seen through the physical eye, so is the spirit the creator of the spiritual eye in man, and is seen through the spiritual eye in its effectiveness. These words are the result of his world view. This is how he understands the spirit that permeates the world, and this is how he has struggled in his strength to a realization that only a few find. He says to one of his friends at the very end of his life: “The most important thing I have written is not for the great world, but for a few who can seek the same on spiritual paths.

What he has achieved for a few must become common property for many. It must not remain a theoretical world-view but must take hold of mind and will. And so, precisely those who approach Goethe's and Hegel's world-views from a spiritual-scientific point of view must come to the conviction of how much Theosophy can be found in both of them. This conviction is summarized in the words of the wise man:

The spiritual world is not closed,
Your mind is closed, your heart is dead!
Rise up, bathe, disciple, undaunted
The earthly breast at dawn!

I

In the ninth edition of his "Natural History of Creation", Ernst Haeckel speaks of the new paths and broad perspectives that open up to art from the point of view of the scientific world view. Among the works filled with the spirit of this world view, he mentions "the many interesting poems of the brilliant Viennese poet Eugenie delle Grazie, especially the modern epic "Robespierre". It is now more than fifteen years since the name Marie Eugenie delle Grazie first appeared in a circle within the German intellectual life in Austria. A small collection of poems, a story "The Gypsy Woman", an epic "Hermann" and a drama "Saul" were published by her in quick succession. These were the creations of a lady not yet twenty years old. The intellectual, distinguished Austrian philosopher B. Carneri was not alone in his feelings about the poet, which he summarized in 1894 in the following sentences: "Given the magnificence of the subject matter and its happy mastery (Hermann) is a huge achievement for such a young age. Much of the praiseworthy can also be emphasized in 'Saul', but we would only like to speak of actual genius in the 'Gypsy'. Through her descriptions of nature, vivid sculpture and the passion that breaks through in full, this short story offers us a masterpiece whose melodious prose proves that Fräulein delle Grazie is also naturally gifted with what Friedrich Nietzsche calls 'the third ear'."

A great, unique personality announced itself in these poems. A life, young in years, rich in content, rich above all in those sufferings that lead to the gates of knowledge with a demanding mind, spoke out. There was no doubt that delle Grazie had the great passion that leads from the personal lot into the comprehensive mysteries of the fate of the world and that perceives the questions of the world as problems of one's own heart. Ten years passed before the poetess published any more. Then a collection of poems "Italische Vignetten", "Rebell" and "Bozi", two short stories, the great epic "Robespierre" and a third volume of poetry appeared in quick succession. The basic mood of delle Grazie's first creations is once again expressed; her viewpoint has become that of the modern world view in the highest sense of the word. There is probably no other personality who has experienced the pain of the collapse of an old ideal world and a new world of knowledge so deeply, so shatteringly as Marie Eugenie delle Grazie. Her feelings go in two directions, and in both directions they are great. What Schiller consoled himself with at all times: that man could flee from the common reality into the noble realm of ideals, this consolation was not granted to delle Grazie. The new natural science has directed its gaze to the real, which appears to it as the only thing that exists. The poet cannot believe in an eternal divine order that only uses nature to realize an ideal realm and goal; she is completely filled with the knowledge that the eternal mother, nature, indiscriminately conjures up creatures from her dark womb to satisfy the infinite lust that she has in creating and is unconcerned about the fate of her children. Whatever beautiful, great and sublime things arise in the world: they did not arise for the sake of beauty, greatness and sublimity, they arose because nature has the lustful urge to create. And they were all enthusiasts, the idealists who dreamed of the great goals of life. They owe their existence to the cunning of voluptuous nature. What would people's existence be if a Buddha, a Socrates, a Christ did not come from time to time and tell people that they were born for higher things. But no ideal can deceive those who look deeper. Mankind should only be incited from time to time by its idealists to believe something other than what the omnipotence of nature really accomplishes. Nature is voluptuous and demonic at the same time: it wants to satisfy itself by giving birth to people, and it tricks the poor creatures into believing in the dream and foam of ideals so that they are distracted from the true content of existence.

What a proud, profoundly comfortable nature has to suffer from such sentiments can be seen in delle Grazie's poetry. Anyone who is unable to empathize with the greatness of these poems must lack one of the feelings that have cut so deeply into the heart of contemporary man. Either he has never felt the great longing within himself as a personal destiny, which the mighty ideals of mankind, the urge to go beyond and the belief in the gods have brought forth and kept alive again and again, or the modern world view, which has broken over our intellectual life like a mighty earthquake, must have passed him by more or less without a trace. I have no doubt that this modern view of the world contains within it germs of higher spiritual spheres, more beautiful, more sublime than all the old ideals; but I do not believe that joys will ever fully triumph over suffering; I do not believe that hope will ever conquer renunciation. It seems to me as certain as that light is born of darkness: that the bright satisfaction of knowledge must arise from the deepest pain of existence. And the great pain of existence, that is the lifeblood of delle Grazie's existence, that is the lifeblood of delle Grazie's art. We have this element in our lives as an opponent of the worst thing that can consume us: superficiality. The regions in which delle Grazie walks are those through which anyone who wants to reach the heights of life must pass. Only the dearly bought knowledge, only that which has risen from the abyss, has value. Delle Grazie's poems show the price that every recognizer must pay. No matter where we end up. Delle Grazie's path is rooted in the depths of the human soul. It is true: her poems exude a weariness of the present and a hopelessness for the future. But I don't want to be one of those in whom none of this resonates.

II

There was a point in Rome's development where human greatness coincided most closely with human nothingness. Caesaric power was combined with weakness, artistic height with ethical rottenness. The mouth that commanded nations greedily craved the kiss of the most wretched woman; a master's mind became a slave's mind when the embraces of high-ranking prostitutes subdued it. These "Vignettes" by Marie Eugenie delle Grazie (Leipzig, Breitkopf & Härtel [1892]) reveal how this is still fossilized in the remnants of the old days, but still clearly visible to the clairvoyant eye:

Divine dignity and divine rights
Have you boldly arrogated to yourselves,
Spirit and virtue became servants,
Where the arbitrariness splashed great.

She sings of the Roman Caesars. She expresses the mood that took hold of her in the Eternal City with the words:

With elegiac whispers
Looks from the barren Palatine
A single pine tree gloomily
Towards the silent forum.

A number of poems have sprung from the impressions that Tasso's traces have left in the poetess:

At your tomb all vain imaginings die,
Here your glory sits enthroned in majestic peace,
But where man suffered, I found tears,
And I was allowed to sob and dream here like you!

Under the title "Images and Figures", delle Grazie shares her feelings at the sight of great Italian works of art, such as Guercino's Sant' Agnese, Maderna's St. Cecilia, Belvedere's Apollo, Otricoli's Zeus and Michelangelo's Moses. The poem "Two Madmen" from the cycle "Sorrento" juxtaposes Tasso and Nietzsche, who both walked on this ground:

Two great men walked these paths
And often both stand suddenly before my mind:
Tasso, the prince of poets by the grace of God,
And Friedrich Nietzsche ... equal was their gain,
And folly was his name ...

Delle Grazie has seen all the glory that is to be seen in Italy:

Like all of them, you drew me to you,
Enchanted, enraptured and beguiled,
On ruins you lied to me of a happiness,
That you destroyed hard in the sun's glare

Your worldview also speaks clearly from this book:

But I am not resentful ... I am going home again,
Even if with a crudely broken walking stick-
I bring back with him the old torments
And here as there I lay him on a grave! -

Lajos describes the feelings that seized him at the moment when his opponent's life was in his power with the words: "He turned pale to the lips, his knees trembled as if he had caught the Danube fever, and suddenly he pulled down his hat and saluted me deeply ... and smiled like a fool ... Then I felt so well, so well, I tell you, for now I knew that one could do worse to one's enemy than murder him, and that my torment was at an end, because I could no longer hate the one standing before me; it came into my throat like disgust - I spat out against him, threw the shotgun back into the reeds, took my fiddle and left ..." And then he says of the man he has humiliated: "Wherever he can, he rants at me to the people, and would love to set the pandurs and the magistrate on my neck, but he can't say anything right against me, and he won't even say that he was too bad to kill me! But he's like air to me; even if I have to breathe it in, I can always give it back - there! That's how indifferent he is to me!" The experience with the nobleman became a source of great insight for Lajos. He realized how to look at the world without hate and love. "What happened to my love, what happened to my hatred?" he says. "It's all over, and back then I thought I would die from it! Anyone who has experienced something like this in himself becomes calm and cannot do wrong even to his enemy!" "If I have bad eyesight and bump my head on a post - is it the post's fault or mine? The post is there and has its right, and I am there and would also have my right if my eyes weren't bad - I could avoid it, couldn't I? And if I could like a good-for-nothing and hate a scoundrel, wasn't I just so blind? They weren't, and that's why I had to bang my heart and skull against them like the post! But who am I to believe when I can deceive myself like that, when every man is twice: as he was born and as I think he is? And do I know what I am like? Many people avoid me - they do me no harm, but they want to do me even less good! Why is that? Have I done something wrong? Well, they're right too! I think to myself, because everyone who lives only wants himself, even if he thinks he likes someone else so much!" These are words of wisdom that only a life to which existence has revealed itself without veil can give birth to. People call Lajos a "rebel elf" because he despises them. And the nobleman says of him: "He is capable of anything." But these words mean nothing more than that the nobleman is incapable of recognizing how the poor gypsy's independent soul can express itself. To him it is an element that is moved by elemental forces, effective from depths of which the average brain has no idea. The unknown, the dark forces in the gypsy's head and heart fill the nobleman with a sense of dread. He only feels safe with people who, like himself, have inherited their character from their forefathers, or those who have been beaten into slavery by the knout.

Two other "rebels" stand opposite the gypsy, the rebel of thought and feeling, in delle Grazie's story: Istvän, the former political rebel and hero of freedom, who, at the side of his "practical" Susi, has risen to the much-admired heights of the "real politician", and Bändi, whose rebel soul unleashes itself in the wildest curses, but without the revolutionary fire in his chest preventing him for the time being from serving as a coachman for the nobleman, whom he would like to sic all the devils on. The last two "rebels" are put up with by the society of comfort-seekers, for the Istväns are harmless if their Susis have the opportunity to put on fat comfortably, and the Bändis may grumble, but they make useful beasts of burden. These rebels are not feared, as they integrate themselves into society, albeit reluctantly; but the rebels of the Lajos type are regarded like a mountain that has once acted as a volcano and then closed up again. A new eruption is feared at any moment. The average people have no idea that the fire materials pushing outwards have turned into noble substances on the inside.

The second story, "Bozi", is satirical. The subject matter is taken from that part of Hungary where people, buffaloes, pigs and chair judges live so close to each other, are eternally in each other's way and yet cannot leave each other behind; this milieu, which unites the fatalism of half-Asia with Christian beliefs and Turkish legal practice with the theories of the corpus juris and the tripartium so peacefully and unchallenged! "Bozi" is a buffalo. But a very special kind of buffalo. Not a herd buffalo, but a master buffalo. He does not conform to the rules that God and the people in his habitat have given the buffalo; he leaves his home when he pleases in order to spread fear and terror among the people. He particularly likes it when he can appear among a large crowd of people on festive occasions and wreak havoc. However, he had to pay for such an undertaking with his freedom. He was kept behind strictly locked doors and was only allowed outside at night when people were asleep. But this made things even worse. For if he had previously filled people with horror as a buffalo, now he was a ... Devil. Because anyone who encountered the animal at night thought it was the prince of hell incarnate. The "enlightened" village doctor, who owns Meyer's Dictionary of Conversations and can look everything up in it, was no more protected from this by his scientific education than Mr. du Prel was protected from spiritualism by his philosophical education. The good doctor believes that it was a "supernatural" being that attacked him at night until he is brought his coat, which he lost while fleeing from the ghost, and is told that the buffalo has brought home the protective covering wrapped around his horns. Another time, part of the village community, led by the mayor and with the sacristan and holy water at their side, go out because the "devil" has appeared again and has even taken one of the village residents. The devil is to be fought. The whole village community can't do anything because they tremble with terror when they arrive at the place where the "evil one" is raging. Only one foolish man, who is also there and believes in neither God nor the devil, sees what is really there - the buffalo, strikes at it and wounds it. The others go away with long noses.

The story is written with the kind of humor that testifies not only to a complete mastery of the art medium, but also to a firm world view. Hypocritical religiosity, undigested enlightenment, the modern superstition of the "clever people" is hit and exposed in this short story.

The epic "Robespierre" was published in 1894. More than in any other work of poetry of our time, one should have seen in this epic a profound expression of contemporary feeling. But the harsh critics of "modernism" passed it by rather carelessly. They do not do much better than the much-maligned professors of aesthetics and literary history, who rarely have a feeling for the truly great of their own time. One of the most lauded literary judges of the present day, Hermann Bahr, found it not beneath his dignity to begin a short review of "Robespierre" with the words: "Otherwise blameless and nice people, who have nothing at all of the artist, are suddenly compelled to ape the gestures of the poets." Anyone who speaks like this knows the airs and graces of "modernism", but not its deeper forces. M. E. delle Grazie's poetry is the reflection of the modern world view from a deep, strongly feeling, clear-sighted soul endowed with great artistic creative power. Just as the image of the French Revolution presents itself to a deep and proud nature, so has delle Grazie portrayed it. Just as Agamemnon, Achilles, Ulysses and the other heroes of the Trojan War appear before our imagination in vivid figures when we let Homer's "Iliad" work its magic on us, so do Danton, Marat, Robespierre when we read delle Grazie's epic. Only those who are blind to the spirit of our time or only understand its pose can fail to recognize the significance of this poetry. There is nothing petty in the painful tones struck here. When delle Grazie describes suffering and pain, she does not do so because she wants to point out the misery of everyday life, but because she sees disharmony in the great development of humanity. Robespierre is the hero in whose soul lives everything that humanity has always called idealism. He ends tragically because the great dream of the ideals of humanity that he dreams must necessarily ally itself with the mean aspirations of lower natures. Rarely has a poet looked so deeply into a human soul as delle Grazie did into Robespierre's.

A personality who climbs to the heights of humanity in order to come to the terrible realization that life's ideals are illusions, deluded by nature, drunk on existence, to the poor victim man - Robespierre stands before us as such a personality. In the place of the genius of death, he, who wants to lead humanity to the light, hears the words:

"How deceptive is your blind zeal! ... Do you not realize that all around us
The poisonous seed of life grows thick and disgusting?
It is a graveyard on which we stand - yet ourselves,
How pure and happy, because unconsciously and without torment
Germs the young green here from the rot! How unearthly cheerfulness it weaves around
The rotten little crosses all around and almost ashamed
They crumble - what should be the sign
Of the misery of existence in this blessed place?
No, know: here I wander to be happy
And quietly dream of my paradise:
The paradise of unmoved peace.
But a few steps further I dwell,
And, as you see, not lonely: hut after hut
Surrounds the cemetery, and in each one throbs-
What did you call it? -, the warm pulse
Of being: sickness and vice,
Poverty and suffering, the hollow-cheeked skeleton of misery,
And everything, everything that damns, consciously
And feeling to decay! Itself, there is
The cross's own place, there rises
The brazen colossus of pain, there groans
Despair, on the blood-washed torture
Of being strained in vain and unheard
Her gruesome: "My God, why have you left me
Forsaken me?! There I look when the deception
Of being to beguile my mind anew
And want to blind - and that huge cross,
That grows out of the earth, longing for heaven
Ascends and yet finally fearful and shrill
With this call turns from hope:
It then says to me anew, full of majesty:
"Be desireless, and you have redeemed yourself"

If one is to go to the poet's country in the sense of the well-known saying, in order to understand the poet, one must decide, in order to recognize Marie Eugenie delle Grazie, to wander over realms that lie in the regions of the highest spiritual interests of mankind. There one is led over rich worlds of life, full of life and vitality, filled with ardent desire; but in this life pulsate poisonous substances, flowers sprout that bear decay as their innermost destiny - beauty is resplendent, but it is resplendent like mockery and impotent splendor - sublimity glistens, but it is irony in itself. To the veil-covered eye, the greatest appears; remove the veil, and the "greatest" dissolves into haze and mist, into empty, stale nothingness.

The poet devoted ten years, the best of her life, to her work. During this time, her immersion in the history of the great French liberation movement went hand in hand with the study of modern science. She rose to the heights of human existence, where one sees through the deep irony that lies in every human life, where one can smile even at the nothingness of existence because one has ceased to desire it.

In the book of poems that delle Grazie followed "Robespierre", we read the confession of painful renunciation that the poet brought to the contemplation of the world and life. Of "Nature" she says:

.... Pulling her triumphal chariot
We all: panting, sweaty and yet
Blissful too: for as a mirage swings
Hope before us and happiness and every illusion,
That they have created for our scorn,
And we, the addiction-poisoned army of slaves,
Call ideals. - And so we rush in a lustful hurry
And madly we chase along, until treacherously
The strength leaves us, the breath fades and farther
For ever our goal floats on golden clouds,
Until helpless and panting we
Collapse - then she cheers demonically,
Then she shouts her cruel "Evo&!" and directs
Crushing over a thousand victims
The chern spokes of her biga!

In her "Robespierre", Marie Eugenie delle Grazie has admirably mastered the immense material that was available to her in the French liberation movement, with its wealth of ideas, characters, destinies and actions. She is as much a master in the characterization of people as she is a brilliant portrayer of events. The whole gamut of the human heart and mind, from the devoted instincts of goodness to the most hideous instincts of the animal in man, from the impulses of the demon-driven fanatic that rise deep from the undercurrents of the soul to the abstract theorist living in sophisticated conceptual worlds: the poet exposes everything, in the same way the deep motifs, the hidden sources of human characters and temperaments as the small traits in which nature so often hints at the great. Conditions in which the guilt and aberrations of long ages and generations are symbolically expressed, dramatic situations in which tremendous doom is preparing or dramatically rushing towards catastrophe, are depicted in vivid vividness, in deeply penetrating painting. The court of Louis XVI, with its rotten splendor, with its loudly speaking dialectic of guilt and doom, is presented to us in succinct outlines, as is the dull air of the dive in which the hunted human creature, the starved poverty, the thirst for freedom that turns into hatred are discharged. The poet's ability to cope with the diversity of human nature becomes clear when one compares her characterization of Louis XVIL, Marie Antoinette, Necker and the courtiers at Versailles with that of Marat, Danton, Mirabeau, Saint-Just and Robespierre. A dying court milieu, the convulsive convulsions of the popular soul: everything comes into its own artistically. Wherever the storm of feelings of freedom expresses itself in bloody deeds, wherever the spirit announces itself in words, which either age the traditions of the centuries or allow the mysterious fermentations of the human soul to burst forth as if from a dark night: delle Grazie's art of depiction is at home everywhere. The dull dwellings of the cultural slaves, where the enslaved humanity expresses itself in the darkest images, is just as perfectly depicted as the surging turmoil of world-shaking logic and rhetoric in the National Assembly, as is the terrible storm that erupts in the Bastille Storm, as is the hollow splendor, the glistening prejudice, the blind weakness and vain grandeur of the Versailles court. The "mysteries of humanity", which reflect the eternal pondering of world logic, appear no less clearly before our eyes than the arguments of the day and the motives born in haste of man, who in other times lived an animalistic, dull life, but within this movement becomes the driving motor of far-reaching, luminous developments.

See how Danton enters the turmoil in "Saint-Antoine" in the "desolate neighborhood of hunger", where "the bitter misery looks out of half-loose eyes", all-round clear, with all the peculiarities of his personality.

... massive, deeply bowed head,
As if he fears to carry away deck and walls here,
A new spirit enters the smoky room.
Towards him, grinning and devoted
The dirty innkeeper of the tavern; and through
The surprised guests long rows
It travels like a flash of lightning and sweeps them upwards.
"Danton!" "He himself!" "Welcome!" Not a greeting,
It is a single sigh of fainting,
As if he brought air and manhood to their hatred.
A broad laugh around the fleshy lips,
The pining open ones, Danton stands
Motionless there first. The small eye
Only flashes from its deep-set sockets,
Puffing up, breathing in an instant, wide
And greedily the leaf-scarred nostrils open.
'Tis like a smell of sweat of brutal power
Around him, like an alien atmosphere,
Which is pregnant with energy, like lightning
A summer sky. What the crowd loves
And respects - to this it was! Trains, loud
And open like the road, a roadway
Of life and stained by it like them;
Their cynical laughter, their bitter rumbling
And undignified forgiveness, from the crown to
To the sole of the rabble's rough lines,
And no law but that of their own strength!

In this way, the poet knows how to place the personality in the situation in an atmospheric and deeply true way. In this way, she is able to let the unspoken characters that live in the shapeless spirit of the people grow together with the spirit of the individual, the generality with the individuality.

In this way, delle Grazie is also able to find the transition, the harmony between the silent, lifeless nature and the wanderings of the human heart. The poet's depictions of nature carry a rare artistic life, a peculiar grandeur and truth.

If you want to recognize delle Grazie's personality in its full depth, you have to read the volume "Gedichte", which was published by Breitkopf & Härtel in Leipzig in 1897. The passion and depth of the most direct personal feeling is revealed here in the highest, most general thoughts of humanity, a world view that wrestles with cosmic riddles speaks to us as the pulse of daily life. A hymn may reflect the tone and view of this poetry:

In the circle of the living walks
And walks from mouth to mouth
A terrible whispered word
Its brazen sound, it makes
The rosy cheeks blanch,
The most jubilant dithyrambos
of madness, and the most dazzling fairy tales
Of existence are torn apart by it, and
Fade away with him for eternity.

The crown of thorns of sorrow,
The rosaries of happiness
And diadems of glory
They all, all entwine,
Entangled and overgrown
The pale asphodel of death! Whose wings rustle,
He trembles, and to whom his hollow voice resounds,
He has lied for the last time ...

Decay and rot are fermenting
In our veins, decay guides us
According to its law, and what lives and breathes,
decay has created it,
Decay destroys it too! A filthy vortex
Full of mystery and madness circles
Life, and our pygmy race, it circles
With it: in blind weakness, droll dignity and powerlessness ...

All victorious and free only reigns
The giant Death: with flashing sword he mows
The glistening lie of existence away
And speaks, for eternity
Pointing to dust and decay,
The one, eternal truth: "It is nothing!"

Rarely will one be able to admire the creations of delle Grazies even where one does not share the feelings and views of a poet. Because even where you have to say "no", you are aware that you are saying "no" to greatness.

• 1. "The Rebel", "Bozi". Two stories by M. E. delle Grazie. Leipzig. Breitkopf & Härtel.

Today I would like to continue our examination of the things we began eight days ago. Not long ago, one of our Theosophical friends showed me a letter written in response to an invitation from a southern German pastor to the Theosophical friend. Our friend thought it might be a good idea to invite the gentleman in question to the lecture on the wisdom teachings of Christianity because he believed that the gentleman was actually preaching Theosophy and that a connection could be made between Theosophy and the pastor's understanding of Christianity. The answer given by the person concerned was interesting. He refused to come that evening. He was prevented by external circumstances. But he said that he had studied Theosophy and had also tried to read some issues of “Lucifer - Gnosis” and that he could see from them that the purpose of Theosophy is to renew certain old Gnostic ideas. He could not really see anything special in all these efforts, because he preferred to gain a direct relationship with his God and not to be satisfied with a relationship with divinity that was mediated by many intermediate beings. This is a very characteristic answer, which I mention because it is given by so many people today. A great many people say this, and I say this not as a criticism of our contemporaries, but simply as an observation, for the phenomenon is as justified as can be. It arises entirely from our sense of the times. I say that this answer is given frequently today. People think that one is actually doing something that does not quite correspond to today's consciousness and feelings if one assumes, in addition to the sensual world in which we live and the divinity that permeates the world, a whole series of intermediate beings, let us say gods or spiritual entities. For four centuries, humanity has been educated in this view. It is therefore not surprising that such a feeling has become general today, and that people believe that Theosophy has a little too much to do with all the different spirits and spiritual entities, with a whole hierarchy of spiritual entities between people, and of which one can have no consciousness, but only an inkling.

The doctrine of such a large number of spiritual beings is not new, but as old as humanity itself. The time in which one believes one can ignore this feeling of the spiritual is actually short in relation to the great time of development. Where there was an awareness of the real significance and depth of the spiritual world, there was never the widespread opinion that one can disregard spiritual beings and their knowledge. I have often mentioned here that Theosophy as such is nothing particularly new, that it only represents the popularization, the generally understandable proclamation of teachings, which have always been cultivated in the so-called brotherhoods. Only the way in which people came by these teachings was different in the past centuries than it is today. Fifty years ago, one could not have spoken of all the things we are talking about today. At that time, anyone who wanted to know something like that was definitely required to seek admission to a so-called occult school, and no one was introduced to such significant and far-reaching ideas as can be found today in every little manual of Theosophy. You had to acquire the ability to become acquainted with such things slowly and gradually, you had to complete and study degree after degree. Each new degree one acquired first entitled one to take in certain higher views. And the education within such a degree consisted in one getting the feeling that what one received in the ascending development of mankind from the teachers of occult schools was the true, correct and essential. This was not because it was forbidden - no criticism of the occult teacher - but because one gradually became convinced that it would be nonsense to criticize the occult teachers, just as it would be absurd for a child to criticize the multiplication table before he could do so, or for a student of geometry if he was not yet ready to understand it. In the same way, in the past one would never say, “I don't like that, it doesn't suit me,” and so on. One took it for granted because one was prepared for it.

Today we are obliged to introduce a further circle without such preparation and to speak of the elementary teachings of occultism. I have often explained the reasons why spiritual teaching is proclaimed before all people. Do not think that what we are allowed to proclaim of these occult teachings is the whole teaching of occultism. It is the very first. And the times will not come for a long time yet when the deeper teachings can be communicated. But these too will come, when it will also be possible to open up higher spiritual worlds. Today it is only necessary to proclaim and introduce people to as much as the course of time requires of us. Those who are sitting here have, for the most part, been here often, and for this reason assertions and communications can be made here all the time, which appear grotesque and paradoxical to those on the outside, to those who come to a public lecture, fantastic, if not crazy. But the deeper truths, especially those that constitute the very nerve of life, the deepest laws of world knowledge, these teachings appear at first to those who are only captivated by external sensuality and to what is otherwise said to them about the spiritual world as illusory, as paradoxical. For those who penetrate deeper and deeper into today's world, it is precisely what our senses teach us in our ordinary lives and what our minds can convey to us that appears as an illusion. Now, for centuries, humanity has lost the power to truly distinguish between spiritual things, and that, my esteemed audience, is something you consider to be essential in the introduction to today's lecture, that humanity's powers of discernment have somewhat diminished over the last four centuries.

This is why objections can be made as in the letter mentioned. Imagine what such an objection means. It is exactly the same as if you wanted to make someone a suggestion that they should come to a lecture on botany and they wrote back: I have read a little about botany, read that it distinguishes between different plants - orchids, oaks, palms and so on - but it does not interest me further. I don't want to distinguish between individual plants, I want to be content with a general, direct feeling of plant life as such. I know that the world has plants: oaks, lilies, tulips, poplars - these are plants; but it is an exaggerated gnosis for me to first have to distinguish between lilies, firs, tulips, poplars. I am content with the fact that in general there is something spiritual, something divine that permeates the world. What are people talking about with such entities? Such a person is in the same situation as the one who objects to the distinction in botany. Humanity has lost some of this discernment over the centuries. But this discernment must be awakened again today. That is precisely the purpose of the theosophical worldview. For one who knows the spiritual connections, it is really not an easy decision to go before the world and speak of the great connections between the great spiritual beings, because he knows how hard it is to achieve understanding in this time and how man can be misled by such discussions about the spiritual beings. But at the same time, one must look into the course of the spiritual world.

It is little known that the phenomena of the world occur in so-called cycles. Today, in materialistic times, the regular, rhythmic course of even fatal phenomena in the world is overlooked. But he who looks into the hustle and bustle of the great human spiritual life sees something approaching, something that is revealing itself more and more to humanity. What I am about to say is also paradoxical, but it will only be recognized all too clearly in some time, perhaps in the not too distant future. What is in store for humanity, must be in store simply because of the materialism that has been preparing itself for four centuries, that is a certain loss of spiritual life, a confusion in spiritual life, which would most certainly develop into a kind of spiritual disease, into a kind of epidemic, if the teachers of spiritual life did not work to counteract this spiritual epidemic through their teachings. We would be facing that today. It is slowly preparing itself. Those who do not have eyes do not see, and those who do not have ears do not hear, even if they are in psychiatry. But those who can observe spiritually know the danger that man is in. This danger need not come, but it would come if the human spirit is not strengthened again through life, that is, if it does not receive a true center. The purpose of Theosophy is to produce firm, strong character in the depths of the soul, and not to allow any spiritually vacillating nature to arise. He who scurries about with his knowledge, flitting like a will-o'-the-wisp through the outer material phenomena of existence, today inclined to this person and tomorrow to that, is exposed to the great danger of losing his spiritual center. And it does not help if we imbue this scurrying with general ideas of divinity and spirituality. Just as the only ruler and safe in the plant kingdom is he who has learned botany, so only he can be sure of the spiritual beings — which are there after all — who has knowledge of the spiritual world.

In the past, no one ever said anything about higher spiritual entities. Those who were mature enough sought and found it. They came to people who could initiate them by no mere coincidence. It was the great spiritual human magnetism that necessarily draws the student to the teacher. They may seemingly encounter an innocent person, in the waiting room or on the train, where they may have to sit for hours. Then you will enter into conversation with such a person. It seems to be by chance, but in reality it is a necessity for you. You may find in such a person the one who has the most significant influence on you, who may be your occult teacher. So it has come about that this inner psychic magnetism has diminished to such an extent that this power no longer plays. You no longer find it so easy to connect with the actual spiritual teachers.

Therefore, it has become necessary to develop the occult teachings in an elementary way through the spoken word to the larger masses of our contemporaries, so that everyone can say to themselves, there and there is a center; if I want, I can join. Actually, no one should be asked to join any secret science current. How far the individual goes must be his absolutely free decision. One should never act under the sign of occultism, as is the view today. Such agitation brings about what should not be in this field. Those who join without actually being seekers say, “I like this and I don't like that – and this is not the right thing.” Actually, the principle of social union is not the right one, as in Buddhism. It is only a surrogate today because people join together socially for everything. What is right in occultism is the grouping.

Nor is there any sense in joining a society for the purpose of occultism, just as there is no sense in joining in relation to geometry. You can learn geometry from someone who knows geometry, but you cannot discern the truth of geometry in a society. The occult is a small circle within our society. The Theosophical Society is an administrative matter. But the occult life cannot be cultivated in any other way than the one I have tried to explain. Those who have settled into the occult life know that the great security of the inner soul character can only be achieved if one has the power of discernment within the spiritual world.

I had to presuppose this because, with teachings such as we will now develop, we will encounter the same contradictions over and over again.

Now I would like to expand on what we discussed last time. I have already indicated that there are four levels of knowledge. These four steps have always been cultivated wherever there have been occultists. Not arbitrarily, my esteemed audience, through deliberation, through reasoning, through speculation, has humanity gained knowledge of the higher spiritual worlds and their beings, but by forming the spiritual organs through which one can gain experience in these higher worlds.

Now let us briefly bring these stages of higher life before our soul. The ordinary knowledge that is peculiar to all people in the world is called material knowledge. This material knowledge is almost the only thing that people today know. Almost no other form of knowledge is known today than this material knowledge. You seek it in everyday life, whether you are dancing, cooking or doing something else, and you recognize in this way. But even in the anatomical dissecting room, in the laboratory and in all of science, there is nothing but material knowledge. It is the first step of knowledge. It is not the case that the occultist wants to criticize material knowledge. Material knowledge has its full justification in life. It must be said, however, that there are higher levels of knowledge. You have to be aware of this material knowledge in its individual parts.

There are four elements involved in material cognition. Now, please follow me closely. What belongs to ordinary material cognition? Imagine that you are to look at this flower from the point of view of material cognition. Four things are necessary for this material cognition to come about. First, the flower, which is the object. Secondly, the image of the object. If you want to appreciate something like this at all, you have to engage in such subtle things. Thirdly, the concept. This is something different from the image. The concept is attained through inner spiritual work. The image remains as an impression of the object on your soul. But the concept is something else. I will make it even clearer.

Imagine: many people have looked at the starry sky. They either had the image without the concept or the concept and also the image. The astronomer has a concept of the starry sky and the image; the farmer has an image of it, but no concept. You can see here that the concept and the image are different. Let's take the concept of a circle. The circle is a line that extends equally from the center.

The fourth is the I, yourself. If you consider these four things, you have the components of ordinary material knowledge. That by which the image comes about in material cognition is called sensation.

The second level of knowledge, which also exists, differs from the first in that the external object is absent, and with it the sensation. That which gives you the stimulus for the image is gone. All that you recognize in this way, that an object has an effect on you, is precisely not the second level of knowledge. You have to imagine that the whole world is gone. Now, the materialistic person says that there is nothing left at all. But that is what matters, that you still have something. Indeed, the one who does not undergo development has nothing left when he closes his eyes. He has the empty, dark space around him. The second stage of realization is developed through so-called meditation. The external object has gone. What is still present is the image, the concept and the I. These three are still there. The fact that there is no external object, only the image, tempts many to say: this is fantasy.

It can be, and it will always be fantastic if it is not systematically developed. To regard it as fantastic just because one has only an image would be foolishness. If someone could invent the dirigible balloon in a dream and then realize it, it does not matter whether he made the discovery while dreaming or while awake. If you can become convinced that what appears to you in dreams is true, then it is right – and that is what it is about. The object that otherwise causes sensation must be replaced. What occurs is what in occultism is called illumination. And this whole cognition, which again has four parts – namely image, concept, I and illumination – is now called imaginative cognition. This imaginative cognition is trained through meditation. I have often described how this is done. One cannot meditate without the guidance of someone who has experience in this field. Meditation proceeds in such a way that the meditator really loses sight of the objects around him, that he makes himself blind and deaf and then also loses his memory, so that the soul is completely empty of external objects. You have to be able to fire a cannon without paying attention, then you have achieved the stillness of the soul.

Then, through practice, illumination must be stimulated. You can recognize that you have achieved something by noticing that your dreams no longer have a chaotic character. You have to pay attention to the fact that the dream world is calm and steady. In the case of ordinary people, their dream world is usually one in which they have reminiscences or in which they experience the moods of their external lives in their dreams. So when he meditates, the dream world begins to take on a regular character. He then gets to know things he does not know. Dreams speak in symbols first. This must be felt. But that is where people usually go too far. They try to interpret these dream images. But they should not be interpreted intellectually. The legend of digging for treasure also refers to this fact. It says that when you dig a treasure, you must not speak, otherwise it cannot come out. Even if you say something inwardly, that is, quibble, that is already a danger. You can only speak to someone who has precise experience of this matter. But if you quibble, then the intellect begins to act like a scorching, burning fire on the fine spiritual life.

One should experience dreams very intimately, treat them like very delicate things to which one surrenders with intuition, and not interpret things in sharp, rough lines of the mind. One must do this for the reason that the dream images, when they occur with a reality value, then have such a rich and comprehensive reality value that the ordinary powers of the mind are not sufficient to grasp them. They destroy their inner life when they approach the cobweb-like inner structures with the outer mind. This is how this wonderful life begins, how the inner illuminations begin, and soon you become aware that a new world is opening up in them. Through them you get to know something that is quite different from this ordinary, material world around you.

I would like to understand how it is structured in terms of a way of perceiving within the illumination. Take this flower, for example. It is yellow and has green leaves. Let's look at the colors first. These colors are spread over the surface of the object, so to speak. Think about the fact that you usually perceive color as appearing spread over the surface of the body. Try to consider how seldom it happens that you see colors separate from objects. At most, you have this with a rainbow. You can roughly imagine this when you see a sunbeam entering a dusty room. You have a rough sense of a color. Now imagine that the yellow is not attached to the object, but is free like flakes of color floating through space. Now imagine a room like this, filled in all directions with these color flakes and color formations, and you will have something approximating what you will see when you visualize the world of illumination in terms of colors.

Occult students with a softer nature than Westerners do very special exercises. Westerners are much too compact for that. But because of their soft nature, the Orientals have the opportunity to do these exercises. The Oriental yogi sits down and looks at the color of such a flower, turns all his attention to that color, lives in that color so that he is able to withdraw his attention completely from the object and fix it only on the color, then he acquires the ability to hold the color even when the object is gone. Then it becomes possible for him to gradually bring this floating world of color into consciousness.

The same can be said for the world of sound and for other forms of the world. You see: Man conquers a whole new field of perception. This world and these color flakes are always and everywhere there. These color flakes are not irregular, they are not just clouds flying around, but just as objects on the physical earth plane are not just blocks, but also entities, so too do entities reveal themselves in this flaky world of colors. They have no bones and no flesh, they are incarnated in the substance that I have just described.

So these are the bodies of certain entities. The forms of the entities that you can get to know, once you have generated the illumination so that you can perceive them in this space, are mostly the bodies of the spirits of the twilight. So you can perceive them as the outstanding spirits of this sphere: the spirits of the twilight, the lunar or moon Pitris. Such beings people themselves once were on the planet preceding our Earth. They have only attained their present form through their condensation. Those beings who have not attained human condensation, who have remained at that level, stand today in that world as Lunar Pitris, as spirits of the twilight.

Just as one has to become familiar with each realm in turn, ascending from the mineral realm to the plant realm to the animal realm, and one must not lump all three realms together, so too can we now ascend further to the realm of the lunar Pitris, who can manifest themselves in this so-called elemental realm. This is the first elemental realm - actually the third.

We have not been talking in vague terms, but have indicated a path that leads to the perception of a type of being that you will get to know in planetary development. These twilight spirits play a very special role in this. These are the beings that are closest to man in the spiritual world. Next time I will share something about the relationship between man and these spiritual beings. These entities are present around you and influence you continuously.

At the next level of realization, the image also disappears. So only the concept and the ego remain. This state is achieved through concentration. This consists of the person associating certain parts with certain parts of the organism. That which prevents him from blindly fantasizing, from inventing concepts, is something similar to the illumination of the previous level and the sensation of the level before that. So we have sensation, illumination and now, at the third stage, inspiration. Here, the object and the image are absent, and the concept acquires content through the inspiration that occurs. So here you are dealing with the I, the concept and inspiration.

Illumination has something light-like about it, which is why it is also called illumination. Inspiration is completely free of all these pictorial representations. Here the human being floats in the purely spiritual world. That is why it is also said that his ideas take on a content without the need for them to be images first. It is the word 'imageless' that can be used to compare it to. That is why it is also said that at this stage, a person receives the inner word, that is, he is able to find truths through inspiration, in that the spiritual world works into his understanding in such a way that it is not the image that affects him, but that the spirit speaks directly to him. The language of the spiritual world itself flows into his concepts. That is inspiration. It is the conversation with the beings of a spiritual world. The person is quietly closed in on himself, rejects everything visionary, everything pictorial, keeps quiet and still, and the spirits tell him the truth. That is the level of inspiration, the inner word. This level of inspiration makes it possible for a person to not only see objects wherever he goes, but for them to tell him something everywhere, so that he can hear everywhere what is buzzing around in a new space. This level of knowledge is what Goethe means when he speaks the words at the beginning of the prologue in heaven: “The sun resounds in the old way in the brother spheres of value singing.” This is not a phrase, it is reality. He speaks of the spiritual sun that resounds. The whole world becomes a resounding world that teaches us significantly about the inner core of our being. In this world, we then make acquaintance with a higher group of spiritual beings, which we call the sun spirits or also the fire spirits. Just as we got to know the spirits of twilight there, we get to know the spirits of fire here.

So we have: mineral kingdom, plant kingdom, animal kingdom, spirits of twilight, spirits of fire. The realization at this level is a volitional realization, because the power that one must particularly develop is the will. A special training of the will through concentration, through inner willpower and will education. One then makes the acquaintance of the beings that are growth-producing power, power of reproduction and so on. We get to know this in this way. That which exists everywhere of these fire spirits lives in all growing entities. The one who rises to an inspired realization is one who 'hears the grass growing'. The proverbs are often tremendous words of wisdom. At this level, all growth is heard. That which makes the beings grow is the power that lives in the fire beings.

Finally, there is still the [fourth] stage. The concept is still missing. Then there is only the I. There is no more recognition in the concept, there is a recognition without concept, a pure life in the spiritual. You creep into the beings you want to recognize. The coarsest form of recognition is in the material. Think how little you are able to penetrate a flower. You have to stay outside. In imaginative cognition, you have the images around you. In inspired cognition, the sounds from the outside world come to you. But now you enter into the beings. You are every being you recognize. Space and time cease to exist. You are where you recognize the corresponding being. You are no longer different from that being. Your ego has submerged in that being. And that is the realization through intuition – intuitive realization.

These are the four stages of realization. Through this intuitive realization, you get to know not only the outer appearance of the beings, but the beings in their inner being. The I expands to include the whole environment. The person who has attained this higher realization is called the “swan”. Lohengrin is led from a spiritual world into the physical world by a swan. Through this gift, one attains a knowledge that is only accessible to those who have the gift of transformation into these beings. If you want to rise to the level at which intuitive recognition stands, you must present yourself in such a way that intuitive recognition can transform into you. That is why Zeus had to transform himself into a swan so that he could be grasped. The legends all have a great relationship to this world existence.

Through this intuitive knowledge, you rise to the level of entities called the spirits of personality or the spirits of selfishness. Everything that lives in us as a principle, as an essence of selfishness, comes from this spiritual realm, the realm of the spirits of selfishness or personality. The spirits of selfishness have always been at work. First, the physical body is worked on by the spirits of selfishness, then the etheric body, and then the astral body. Therefore, as a kama-manasic being, man is an egoist. What he thinks is what is independent and also what is selfish. What these beings are can only be recognized when one stands at the stage that one can crawl into the being, into the ego of the beings. There you get to know the spirits of the personality.

So you see that it is not just talk when you find something like this in my 'Lucifer' or in Mrs. Besant's books, even if perhaps not under the same names. The spirits are not invented, but gained through the stages of knowledge. Therefore, we distinguish: mineral kingdom, plant kingdom, animal kingdom, human, lunar Pitris or spirits of twilight, fire spirits or solar Pitris, spirits of egoism or spirits of personality - Suras and Asuras. Then the higher realms: spirits of form, spirits of movement and spirits of wisdom. We will talk about these four spiritual levels next time.

But you can already apply what I have said today in practice, namely that if you know something about this nature, even if you do not yet rise to the level of direct experience in this way, you will gain inner strength if you know even just a little. Man would completely lose his center in the coming decades if the knowledge of these things did not come. These entities do not exist in cloud-cuckoo-land, but surround us continually. The person standing in front of me is not just a human being, but interrelated with him is the Lunar-Pitri, the Solar-Pitri, the spirits of selfishness and so on. And they are constantly active in this person. I recognize something incompletely when I only have the outer person in front of me. Just imagine how insecure you would become if you were to go blind. Orientation in the new world is only made possible by new senses. In the same way, knowledge in the world is only made possible by knowing what is there. It makes us feel secure to know that such things exist, that such things are there. It is therefore necessary for humanity to know such things. In the fourth century, higher spiritual beings still led man, unconsciously. That is the higher development. The meaning of the materialistic time is that the spirits have fled to reappear in his consciousness. Man has descended into darkness to consciously ascend to the light again. That would be the greatest harm if man remained down here in darkness and did not find his way back to the light. The theosophical doctrine has not been brought out of mere caprice, but because it is a necessity for humanity. There have always been individuals in secret societies who had the realization. But it must become much more general. That is why the popular way in which these teachings are spread in theosophy.

Today we will explain a great allegory, and deal with an object which is known to occult science as the image or teaching of the lost temple which has to be rebuilt. I have explained in earlier lectures¹ why in occult science one starts from such images; today we shall see what an enormous number of ideas are contained in essence in this image. Thereby I will also have to touch upon a theme which is much misunderstood by those who know little or nothing about theosophy. There are some people who do not understand that theosophy and practical [everyday things] go hand in hand, that they must work together throughout the whole of life. Therefore I shall have to speak about the connection between theosophy and the practical things of life. For, basically, when we take up the theme of the lost temple which has to be rebuilt, we are speaking about everyday work.

I shall, indeed, thereby be in the position of a teacher who prepares his pupils for building a tunnel. The building of a tunnel is something eminently practical. Someone might well say: building a tunnel is simple; one only has to start digging into a hill from one side and to excavate away until one emerges at the other side. Everyone can see that it would be foolish to think in this way. But in other realms of life that is not always perceived. Whoever wishes to build a tunnel must, of course, first of all have a command of higher mathematics. Then he will have to learn how it is to be made, technically. Without practical engineering knowledge, without the art of ascertaining the right level, one would not be able to keep on course in excavating the mountain. Then one must know the basic concepts of geology, of the various rock strata, the direction of the water courses and the metallic lodes in the mountain, and so on.. It would be foolish to think that someone would be able to build a tunnel without all this prior knowledge, or that an ordinary stone mason could construct a whole tunnel.

It would be just as foolish if one were to believe that one could begin building human society from the point of view of ordinary life. However, this folly is perpetrated not merely by many people, but also in countless books. Even one today supposes himself called upon to know and decide how best to reform social life and the state. People who have hardly learnt anything write detailed books about how society should best be shaped, and feel themselves called to found reform movements. Thus there are movements for reform in all spheres of life. But everything done in this way is just the same as if someone were to try to cut a tunnel with hammer and chisel. That is all a result of not knowing that great laws exist which rule the world and spring forth out of the life of the spirit. The real problem of our day consists in this ignorance [of the fact] that there are great laws for the building of the state and of the social organism, just as there are for building a tunnel, and that one must know these laws in order to carry out the most necessary and everyday tasks in the social organism. Just as in building a tunnel, one has to know about the interaction of all the forces of nature, so must anyone wishing to start reforming society know the laws [which interweave between one person and the next] . One must study the effect of one soul on another, and draw near to the spirit. That is why theosophy must lie at the basis of every practical activity in life. Theosophy is the real practical principle of life; and only he who starts from theosophical principles and carries them over into practical life can feel himself called as able to be active in social life.

That is why theosophy should penetrate all spheres of life. Statesmen, social reformers and the like are nothing without a theosophical basis, without theosophical principles. That is why, for those who study these things, all work in this field, everything done today to build up the social structure, is external patchwork and complete chaos. For one who understands the matter, what the social reformer is doing today is like somebody cutting stones and piling them one on top of another in the belief that a house will thereby come into being of its own accord. First of all a plan of the house must be drawn up. It is just the same if one asserts that, in social life, things will take shape of their own accord. One cannot reform society without knowing the laws of theosophy.

This way of thinking, which works according to a plan, is called Freemasonry. The medieval Freemasons, who dealt with and made contracts with the clergy, about how they should build, wanted nothing else than to shape outer life in such a way that—along with the Gothic cathedral—it could become an image of the great spiritual structure of the universe. Take the Gothic cathedral. Though composed of thousands of individual parts, it is built according to a single idea, much more comprehensive than the cathedral itself. To become complete in itself, divine life must flow into it, just as light shines into the church through the multi-coloured windows. And when the medieval priest spoke from the pulpit, so that the divine light shone in his listener's hearts just like the light shining through the coloured panes, then the vibrations set up through the preacher's word were in harmony with the great life of God. And the life of just such a sermon, born out of the life of the spirit, set itself forth in the cathedral itself. In like manner, the whole of outer life should be transformed into the Temple of the Earth, into an image of the whole spiritual structure of the universe.

If we go still further back in time, we find that it is just this way of thinking which was mankind's from the very earliest times. Let me explain what I mean by way of an example. Our epoch is the time of the chaotic interaction of one human being with another. Each individual pursues his own aims. This epoch was preceded by another one, the age of the ancient priestly states. I have often spoken about the cultural epochs of our fifth Great Epoch. The first of these was the ancient Indian epoch, the second, that of the Medes and the Persians, the third, that of the Babylonians, the Assyrians, the Chaldeans, the Egyptians and the Semites, and the fourth was the Graeco-Roman period. We are now in the fifth epoch.

The fourth and fifth cultural epochs were the first ones to be based on the intelligence of men, of individual men.

We have a great monument to the conquest of the old priestly culture by the intelligence of men in art, in the Laocoon.² The Laocoon priest entwined with serpents—the symbol of subtlety—symbolises the conquest, by the civilisation of intelligence, of the old priestly culture, which held other views about truth and wisdom, and about what should happen. It is the overcoming of the third cultural epoch by the fourth. That is represented in still another symbol, in the saga of the Trojan Horse. The intelligence of Odysseus created the Trojan Horse, by means of which the Trojan priestly culture was overthrown.

The development of the old Roman State out of the ancient Trojan priestly culture is described in the saga of Aeneas. The latter was one of the outstanding defenders of Troy, who afterwards came over to Italy. There it was that his descendants laid the foundation of ancient Rome. His son Ascanius founded Alba Longa and history now enumerates fourteen kings up to the time of Numitor and Amulius. Numitor was robbed of his throne by his brother Amulius, his son was killed and his daughter, Rhea Silvia, was made to become a vestal virgin, so that the lineage of Numitor should die out. And when Rhea gave birth to the twins, Romulus and Remus, Amulius ordered them to be thrown in the Tiber. The children were rescued, suckled by a she-wolf, and brought up by the royal shepherd Faustulus.

Now history speaks about seven Roman kings: Romulus, Numa Pompilius, Tuflus Hostilius, Ancus Martius, Tarquinius Pliscus, Servius Tullius and Tarquinius Superbus.

Following Livy's account³ it used to be believed that the first seven kings of Rome were real personalities. Today, historians know that these first seven kings never existed.

We are therefore dealing with a saga, but the historians have no inkling of what lies behind it. The basis of the saga is what follows:

The priestly state of Troy founded a colony, the priestly colony of Alba Longa (Alba, an alb, or priest's vestment).⁴ It was a colony of a priestly state and Amulius belonged to the last priestly dynasty. A junior priestly culture sprang from this, which was then cut off by a civilisation based on cleverness. History tells us no more about this priestly culture. The veil which was spread over the priestly culture of the earliest Roman history, is lifted by theosophy. The seven Roman kings represent nothing else than the seven principles as we know them from theosophy. Just as the human organism consists of seven parts—Sthula-Sharira [physical body], Linga-Sharira [etheric], Kama-Rupa [astral], Kama-Manas [ego], higher Manas [spirit-self], Buddhi [life-spirit] and Atma [spirit-man]—so the social organism was conceived, as it formed itself at the time, as a sequence in seven stages. And only if it was developed according to the law of the number seven, which lies at the base of all nature, was it able to prosper. Thus the rainbow has seven colours; red, orange, yellow, green, blue, indigo, violet. Likewise there are seven [intervals in the scale]: first, second, third, fourth, fifth, and so on; likewise the atomic weights in chemistry follow the rule of the number seven. And that permeates the whole of creation. Hence it was self-evident to the Guardians of the Ancient Wisdom that the structure of human society must also be regulated by such a law. According to a precisely worked out plan, these seven kings are seven stages, seven [integral] parts. This was the usual way of inaugurating a new epoch in history at that time. A plan was devised, since this was considered a means of preventing any stupidities, and a law was written for it. This plan was actually there at the beginning. Everyone knew that world history was guided according to a fixed plan. Everyone knew: When I am in the third phase of the fourth epoch, I must be guided by this and that. And so, at first, in ancient Rome, one still had a priestly state with a plan at the basis of its culture, which was written down in books, called the Sibylline Books. These are nothing else than the original plan underlying the law of the sevenfold epoch, and they were still consulted when needed in the earliest days of the Roman Empire.

The physical body was taken as a model for the foundations. That is not so unreasonable. Today people are inclined to treat the physical body as something subordinate. People look down on the physical with a kind of disdain. However, that is not justified, because our physical body is our most exalted part. Take a single bone. Take a good look at the upper part of a thigh bone and you will see how wonderfully it is constructed. The best engineer, the greatest technician, could not produce anything so perfect, if he were set the task of attaining the greatest possible strength using the least amount of material. And so the whole human body is constructed in the most perfect way. This physical body is really the most perfect thing imaginable. An anatomist will always speak with the utmost admiration of the human heart, which functions in a wonderful way, even though human beings do little else throughout life than imbibe what is poison for it. Alcohol, tea, coffee and so on attack the heart in the most incredible fashion. But so wonderfully has this organ been built that it can withstand all this into ripe old age.

The physical body, the lowest of the bodies, therefore possesses the greatest perfection. Less perfect, on the other hand, are the higher bodies, which have not yet gained such perfection in their development: the etheric body and the astral body continually offend against our physical body through the attacks of our lust, desires and wishes. Then follows, as the fourth [principle], the real baby [of them all], the human ego, which like a wandering will-o’-the-wisp, must still wait for the future to offer it those rules which will act as a guide for its conduct, just as the physical body has long since had.

When we develop a social structure, we must have that which will make the foundations firm. Thus the saga allows Romulus, the first Roman king, who represents the first principle, to be raised to heaven as the god Quirinus. The second king, Numa Pompilius, the second principle. embodies social order; he brought laws for ordinary living. The third king, Tullus Hostilius, represents the passions. Under him, the attacks against divine nature begin, causing discord, struggle and war, through which Rome became great. Under the fourth king, Ancus Martius, the arts develop, those things which spring out of Kama-Manas, [the human ego].

Now the four lower principles of man are not able to give birth to the three higher principles, the fifth, sixth andc seventh. This is also symbolised in Roman history. The fifth-Roman king, Tarquinius Priscus, was not engendered out of the Roman organism, but was introduced into Roman culture from the Etruscan culture as something higher. The sixth king, Servius Tullus, represents the sixth member of the human cyclic law, Buddhi. He is able to rule over Kama [the astral body], the physical-sensual counterpart of Buddhi. He represents the canon of the law. The seventh king, Tarquinius Superbus, the most exalted principle, is he who must be overthrown, since it is not possible to maintain the high level, the impulse, of the social system.

We see it demonstrated in Roman history that there must be a plan underlying the building of the state, just as for any other building in the world. That the world is a temple, that social life must be structured and organised, and must have pillars like a temple, and that the great sages must be these pillars—it is this intention which is permeated with the ancient wisdom. That is not a kind of wisdom which is merely learned, but one which has to be built into human society. The seven principles were correctly applied. The only person able to work towards the building up of society is he who has absorbed all this knowledge, all this wisdom, into himself. We would not achieve much as theosophists if we were to restrict ourselves to contemplating how the human being is built up from its different members. No, we are only able to fulfil our task if we carry the principles of theosophy into everyday life. We must learn to put them to use in such a way that every turn of the hand, every movement of a finger, every step we take, bears the impress, is an expression of the spirit. In that case we shall be engaged in building the lost temple.

Along with that, however, goes the fact which I mentioned recently—that we should take into ourselves something of the greatness and all embracing comprehensiveness of the universal laws. Our habits of thought must be permeated by that kind of wisdom which leads from great conceptions into the details—just in the same way as house construction starts from the finished and complete plan and not by laying one stone upon another. This demand must be made if our world is not to turn into chaos. As theosophists we should recognise the fact that law is bound to rule in the world as soon as we realise that every step we make, every action of ours, is like an impression stamped in wax by the spiritual world. Then we shall be engaged in the building of the temple. That is the meaning of the temple building: whatever we set ourselves to do must be in conformity to law.

The knowledge that man has to include himself in the construction of the great world temple has become increasingly forgotten. A person can be born and die today without having any inkling of the fact that laws are working themselves out in us, and that everything we do is governed by the laws of the universe The whole of present-day life is wasted, because people do not know that they have to live according to laws. Therefore the priestly sages of ancient times devised means of rescuing, for the new culture, something of the great laws of the spiritual world. It was, so to speak, a stratagem of the great sages, to have hidden this order and harmony in many branches of life—yes, even so far as in the games which men use for their recreation at the end of the day. In playing cards, in the figures of chess, in the sense of rule by which one plays, we find a hint, if only a faint one, of the order and harmony which I have described. When you sit down with someone to a game of cards, it will not do if you do not know the rules, the manner of playing. And this really conveys a hint of the great laws of the universe. What is known as the sephirot of the Cabbala, what we know as the seven principles in their various forms, that is recognised again in the way in which the cards are laid down, one after the other, in the course of the game. Even in the allurements of playing, the adepts have known how to introduce the great cosmic laws, so that, even in play, people have at least a smack of wisdom. At least for those who can play cards, their present incarnation is not quite wasted. These are secrets, how the great Adepts intervene in the wheel of existence. If one told people to be guided by the great cosmic laws, they would not do so. However, if the laws are introduced unnoticed into things, it is often possible to inject a drop of this attitude into them. If you have this attitude, then you will have a notion of what it is which is symbolised in the mighty allegory of the lost temple.

In the secret societies, among which Freemasonry belongs, something connected with the lost temple and its future reconstruction has been described in the Temple Legend. The Temple Legend is very profound, but even the present-day Freemasons usually have no notion of it. A Freemason isnot even very easy to distinguish from the majority of people, and he does not carry much of importance with him in new life. But if he lets the Temple Legend work upon him, it is a great help. For whoever absorbs the Temple Legend receives something which, in a specific way, shapes his thinking in an orderly fashion. And it [all] depends on ordered thinking. This Temple Legend is as follows:

Once one of the Elohim united with Eve, and out of that Cain was born. Another of the Elohim, Adonai or Jehovah-Yahveh, thereupon created Adam. The latter, for his part, united with Eve, and out of this marriage Abel was born. Adonai caused trouble between those belonging to Cain's family and those belonging to Abel's family, and the result of this was that Cain slew Abel. But out of the renewed union of Adam with Eve the race of Seth was founded.

Thus we have two different races of mankind. The one consists of the original descendants of the Elohim, the sons of Cain, who are called the Sons of Fire. They are those who till the earth and create from inanimate nature and transform it through the arts of man. Enoch, one of the descendants of Cain, taught mankind the art of hewing stone, of building houses, of organising society of founding civilised communities. Another of Cain's descendants was Tubal-Cain, who worked in metal. The architect Hiram-Abiff was descended from the same race.

Abel was a shepherd. He held firmly to what he found, he took the world as it was. There is always this antithesis between people. One sticks to things as they are, the other wants to create new life from the inanimate, through art. Other nations have portrayed the ancestor of these Sons of Fire in the Prometheus saga⁵ It is the Sons of Fire who have to work into the world the wisdom, beauty and goodness from the all-embracing universal thought, in order to transform the world into a temple.

King Solomon was a descendant of the lineage of Abel. He could not build the temple himself; he lacked the art. Hence he appointed the architect Hiram-Abiff, the descendant of the lineage of Cain. Solomon was divinely handsome. When the Queen of Sheba met him, she thought she saw an image of gold and ivory. She came to unite herself with him.

Jehovah is also called the God of created form,⁶ the God who turns what is living into a living force, in contrast with that other Elohim who creates by charming life out of what is lifeless. To which of these does the future belong? That is the great question of the Temple Legend. If mankind were to develop under the religion of Jehovah all life would expire in form. In occult science, that is called the Transition to the Eighth Sphere.⁷ But the point in time has now arrived when man himself must awaken the dead to life. That will happen through the Sons of Cain, through those who do not rely on the things around them, but are themselves the creators of new forms. The Sons of Cain themselves frame the building of the world.

When the Queen of Sheba saw the temple and asked who the architect was, she was told it was Hiram. And as soon as she saw him, he seemed to her to be the one who was predestined for her. King Solomon now became jealous; and indeed, he entered into league with three apprentices who had failed to achieve their master's degree, in order to undermine Hiram's great masterpiece, the Molten Sea. This great masterpiece was to be made by casting it. Human spirit was to have been united with the metal. Of the three apprentices, one was a Syrian mason, the second was a Phoenician carpenter, and the third was a Hebrew miner. The plot succeeded: the casting was destroyed by pouring water over it. It all blew apart. In despair the architect was about to throw himself into the heat of the flames. Then he heard a voice from the centre of the earth. This came from Cain himself, who called out to him: ‘Take here the hammer of the world's divine wisdom, with which you must put it all right again.’ And Cain gave him the hammer. Now it is the spirit of man which man builds into his astral body, if he is not to let it remain in the condition in which he received it. This is the work which Hiram now had to do. But there was a plot against his life. We shall proceed from there next time.

I wanted to recount the legend up to this point, to show how, in the original occult brotherhoods, the thought lived, that man has a task to fulfil; the task of restructuring the inanimate world, of not being satisfied with what is already there. Wisdom thus becomes deed through its penetration of the inanimate world, so that the world should become a reflection of the original and eternal spirituality.

Wisdom, Beauty, Strength are the three fundamental words of all Freemasonry. So to change the outer world, that it becomes a garment for the spiritual—that is its task. Today, the Freemasons themselves no longer understand this, and believe that man should work on his own ego.⁸ They regard themselves as particularly clever when they say that the working masons of the Middle Ages were not Freemasons. But the working masons were precisely those who have always been Freemasons, because outward structure was to become the replica of the spiritual, of the temple of the world, which is to be constructed out of intuitive wisdom. This is the thought which formerly under lay the great works of architecture, and was carried through into every detail.

I will illustrate by an example the superiority of wisdom over mere intellect. Let us take an old Gothic cathedral, and consider the wonderful acoustics, which cannot be matched today, because this profound knowledge has been lost.

The famous Lake Moeris in Egypt is just such a wonder-work of the human spirit. It was not a natural lake, but was constructed through the intuition of the wise men, so that water could be stored in time of flood, for distribution over the whole country in time of drought. That was a great feat of irrigation.

When man learns to create with the same wisdom with which the divine powers have created Nature and made physical things, then will the temple be built [on earth]. It does not depend upon how many separate things we have the power to create out of our own wisdom; we must however just have the attitude of mind that knows that only by means of wisdom can the temple of humanity be created.

When, today, we go about the cities, here there is a shoe shop, there a chemist, further on a cheese-monger and a shop selling walking sticks. If just now we do not want anything, why should that concern us? How little does the outward life of such a city reflect what we feel, think and perceive! How very different it was in the Middle Ages. If a person walked through the streets then, he saw the house fronts built in the resident's style, manner and character. Every door knob expressed what the man had lovingly shaped to suit his spirit. Go, for instance, through a town such as Nuremberg: there you will still find the basis of how it used to be. And then, by contrast, take the fashionable abstraction that no longer has anything to do with people. That is the age of materialism and its chaotic productions, to which one has step by step come from an earlier spiritual epoch.

Man was born from a nature which was once so formed by the gods that everything within it fitted the great scheme of the world, the great temple. There was once a time when there was nothing on this earth upon which you could gaze without having to say to oneself: Divine beings have built this temple to the stage in which the human physical body was perfected. Then the higher principles (the psychic forces) [of man's nature] took possession of it, and through this disarray and chaos came into the world. Wishes, desires and emotions brought disarray into the temple of the world. Only when, out of man's own will, law and order once again shall speak in a loftier and more beautiful way than the gods once did in creating Nature, only when man allows the god within him to arise, so that like a god he can build towards the temple—only then will the lost temple be regained.

It would not be right if we were to think that only those who are able to build should do so. No, it depends upon the attitude of mind, even if one knows a great deal. If one has the right direction to one's thinking, and then one engages in social, technical and juristic reform, then one is building the lost temple which is to be rebuilt. But should one start reforms—however well-intended they may be—lacking this attitude of mind, then one is only bringing about more chaos. For the individual stone is useless, if it does not fit into the overall plan [of the building]. Reform the law, religion, or anything else—as long as you only take account of the particular item, without having an understanding of the whole, it only results in a demolition.

Theosophy is thus not just theory, but practice, the most practical thing in the world. It is a fallacy to suppose that theosophists are recluses, not engaged in shaping the world. If we could bring people to engage in social reform from a theosophical basis,⁹ they would achieve much of what they want swiftly and surely. For, without needing to say anything against particular movements, they only lead to fanaticism if pursued in isolation. All separate reform movements—emancipators, abstainers, vegetarians, animal protectors and so forth—are only useful if they all work together. Their ideal can only be properly realised in a great universal movement that leads in unity to the universal world temple.

That is the idea that lies behind the allegory of the lost temple which has to be rebuilt.

Notes from replies to questions

Question: What is the difference between the sons of Cain and the sons of Abel?

Answer: The sons, of Cain are the unripe ones; the sons of Abel are the over-ripe ones. The sons of Abel turn to the higher spheres when they have finished with these incarnations. The sons of Abel are the Solar Pitris [those who underwent their human stage on the Old Sun]; the sons of Cain are the most mature of the Lunar Pitris [those who passed their human stage on the Old Moon].

Question: Why have so many mystical and masonic associations developed?

Answer: All higher work is only to be undertaken in an association. The Knights of the Round Table generally numbered twelve.

Question: Are you acquainted with the work of Albert Schaffle?¹⁰

Answer: Albert Schaffle wrote a work about sociology, and the account he gives is much more masonic than what emanates from the lodges of Freemasonry.

• 1 . e.g., lectures 3 and 5 of 30th September and 4th November 1904.
• 2 . In this connection see lecture held in Munich, 14th March 1910, published in: Metamorphoses of the Soul.
• 3 . Titus Livius (59 B.C.—A.D. 17), Roman historian; author of a history of Rome (Annales) from the foundation of the city to the death of Drusus (9 B.C.); of the 142 books of this history, 35 of them and epitomes of most of the rest are extant.
• 4 . A white vestment reaching to the feet, worn by the celebrant at Mass over the cassock and having long pointed sleeves. The oldest type of vestment derived from Egyptian and Hebrew times.
• 5 . See lecture 4 of 7th October 1904 in the present volume.
• 6 . See lecture of 25th October 1905 in: Foundations of Esotericism, Rudolf Steiner Press, London, 1983.
• 7 . See note 26 to lecture 6 given on 11th November 1904.
• 8 . At this point the texts diverge: according to Seiler it is ‘egoistical’ egos; according to Vegelahn and Reebstein ‘spiritual’ egos, which might have resulted from a mis-hearing or mistake in writing and could have been ‘own’ egos—(geistigen = eigenen).
• 9 . Rudolf Steiner was working towards establishing a reform of the social life soon after the end of the Great War. See: ‘The Threefold Order of the Body Social.’ RSE 252, 253 and 254.
• 10. Albert Eberhard Friedrich Schäffle, 1831–1903, sociologist, wrote much on this subject. In another connection Rudolf Steiner mentions his work: Bau und Leben des sozialen Körpers (‘Construction and Life of the Body-Social’), a four volume work published in Tübingen, 1875–78.

I stated yesterday that those Beings who are to be considered as Folk Spirits have reached a stage of development when they work from within the ‘I’ upon their etheric or life-body, when they fashion this body from out of the inmost depths of the soul.

Now it will be said, of course, that the work upon the etheric body is not immediately perceptible to the senses or to external observation but only to clairvoyant consciousness, and this must be admitted. None the less, if the activity of these Beings, of these Folk Spirits, invades the life of man, then there must be on the other hand some visible indication, some tangible evidence, some kind of impression or reflection of this work of the Folk Spirits or Archangelic Beings, in proof of this. Furthermore these Beings must also possess in a certain sense a physical body. They must be able to express their corporeality in some form or other. And these Beings whose activity is expressed in this physical form must give some indication of their presence in the world of man, for in the final analysis the human body must be associated with the work of these spiritual Beings.

Let us begin with the etheric body of these Beings and their work in the transformation of this body. Here we must first of all refer to the investigations of clairvoyant consciousness. Where does clairvoyant research find evidence for the existence of the etheric body of these Archangelic Beings? And how are we to understand this work? You all know that the surface of the Earth shows different configurations and that the different regions of the Earth provide widely differing conditions for the unfolding of attributes peculiar to the various peoples. The materialist believes that climate, vegetation, or perhaps water availability and other factors determine the distinctive features or characteristics of a particular people. That such is the outlook of the materialist is not surprising, for his consciousness is limited to the phenomenal world. Clairvoyant consciousness presents a different picture. Whoever is endowed with clairvoyant consciousness and visits the various countries is aware that his familiarity with the particular kind of vegetation, with the characteristic configuration of the rocks, does not exhaust his knowledge of that country or provide a complete picture of a particular geographical area. To speak of a particular aroma and aura associated with a certain region is, in the eyes of the materialist, to deal in unrealities. To clairvoyant consciousness there extends over every region of the Earth a peculiar spiritual cloud-like formation that we call the etheric aura of that particular region. This etheric aura varies according to the landscape: in Switzerland it is different from Italy and again different in Norway, Denmark or Germany. Just as every man has his own etheric body, so a kind of etheric aura hovers above every region of the Earth's surface.

This etheric aura differs considerably from other etheric auras, from that of man, for example. The etheric aura of the human being is part of him as long as he lives. It is united to his physical body and only undergoes modification in so far as man progressively develops during his lifetime and lifts himself to a higher moral and intellectual plane. Then we are always conscious that this etheric aura begins to be inwardly transformed, develops a certain inner light, a luminous quality. The etheric auras that can be perceived over the various countries are of a different nature. Admittedly they preserve a fundamental tone or quality which persists over long periods of time. But, at the same time, these etheric auras are prone to rapid changes, and in this respect they differ from the human auras which change slowly and gradually, and only from within. These auras extending over the various countries change in the course of human evolution when a people migrates and occupies new territory. The strange feature is that the etheric aura over a certain region depends in fact not only upon the etheric emanations from the soil, but also upon the people which was last domiciled there.

Those, therefore, who wish to follow how the destinies of our human race are shaped on Earth, endeavour to follow the interpenetration of this aspect of the etheric auras which is peculiar to the different geographical regions. The various etheric auras of Europe underwent considerable change at the time of the migrations of the peoples. Thus the etheric aura of a particular, region is subject to change, to sudden transformations which may even have their source in external factors to some extent. Every one of these etheric auras is, in a certain respect, a fusion of the emanations from the soil and the inheritance of the migrations of the peoples. When we observe this aura we must clearly understand that the saying, everything in the external world apprehended by the senses is only maya or illusion, which is so freely quoted by Theosophists is seldom grasped in its fullest implications. Though often repeated, its implications are largely ignored, and it rarely leads to a change of attitude to life. It becomes virtually an empty phrase; in face of the stern realities of life it is forgotten and people cling to their old materialistic outlook. The green vegetation, the peculiar configuration of the landscape which we see around us is, in reality, only maya or illusion; it is a precipitation, as it were, of the active principle in the etheric forces. Indeed only that aspect of the external world is dependent upon this etheric aura, upon which this aura, i.e. a living, organizing principle, can exert an influence. The Archangels who embody the spiritual laws cannot intervene in the physical laws. Where, therefore, only physical laws are operative, as in the configuration of mountain ranges, in the contours of the landscape and so on, in all cases where physical conditions determine the great changes in a people, the influence of the Archangels cannot take effect. They are not sufficiently advanced in their evolution to be able to intervene in purely physical conditions. Because they are unable to do this, because they are not free agents, they are compelled at certain times to wander over the surface of the Earth, They incarnate somewhat after the fashion of a physical incarnation, in that which is represented by the configuration of the landscape, in that which is subject to physical laws. The etheric body of the people cannot as yet enter into this domain, cannot, as yet, penetrate into it and organize it. Therefore a suitable territory is selected and from this union of the etheric body now permeated with spiritual soul-forces, and the geographical area, is born that charm or fascination which a people radiates, which is dimly sensed by one who is not clairvoyant, but which a clairvoyant who sees into the secret hearts and minds of the people is able to discern.

Now how does the activity of the Archangels, the Folk Souls, work into the etheric aura that extends over a country? What is the function of the Archangel, how does he work into the people who inhabit this country and live within this aura of the Folk Spirit? This influence expresses itself in three ways. The etheric aura of the people interpenetrates, permeates man; it affects three aspects of his being. The interplay of these three aspects creates the peculiar characteristic of the person who lives in this etheric aura of the people. This etheric aura acts upon the three temperaments, the choleric, phlegmatic and sanguine temperaments, which are themselves rooted in his affective life, but not upon the so-called melancholic temperament. In general, therefore, the potent influence of the etheric aura of a people streams into these three temperaments. In the single individual these three temperaments may be variously commingled and interact in a wide variety of ways. There are infinite possibilities of interaction, as when one temperament influences another or dominates it, and so on. Here lies the source of the multiplicity of types we meet with in Russia, Norway and Germany. The national characteristics of an individual are determined by that which works into the temperaments. The difference between the several individuals depends entirely upon the extent to which the three temperaments are commingled. National temperaments, therefore, vary in accordance with the extent of the interpenetration of the folk-aura.

Thus the Folk Spirits are active everywhere. They follow, however, the path peculiar to them. The fact that they work into the temperaments is not vital for their own development; they only do so because they are involved in the interplay of cosmic and terrestrial forces. It is a volitional act, a necessary part of their mission. At the same time their own ego-development must be taken into account. They themselves must further their evolution, move across the face of the Earth and incarnate in a particular region. This is central to their mission; their influence upon the temperaments of men is of secondary importance. Naturally, man himself also benefits through their work; it reacts upon him. And equally, the activity of man reacts upon the Folk Spirits. We shall discuss later the significance of the individual human beings for the Folk Spirit. This is important. But it is essential that we should be able to follow the progress of one of these Folk Spirits and see how he incarnates on Earth, lives again for a time in the spiritual world and then incarnates again elsewhere. When we observe these recurrent changes we are still only observing the ego-interests of these Beings. Picture to yourselves quite realistically the etheric body of the human being embedded in the etheric body of the people; then picture the interaction of the human etheric body and the etheric body of the people, and think too of how the latter is reflected in the temperaments of the people, in the mingling of temperaments in the single individuals. Therein lies the secret of how the Folk Spirit or Nation Spirit reveals his character within a particular people. Having said this, we have, in effect, described the full scope of the most important work of the true Archangels or Folk Spirits.

We should by no means have exhausted the characteristics of a people if we were to take into consideration only the character of an individual member of this people. This is the function of the Archangelic Beings, who are the real Spirits of the indigenous groups of the same language-stock.

Now, as you can readily imagine, this does not complete the picture of a people, for if the Archangel, the guiding Folk Spirit, did not contact other Beings on the same territory and did not work in conjunction with them in the etheric body of man, many of the characteristics of a people would not originate at all. Man is the stage upon which the Archangels meet with yet other Beings who cooperate with the Archangels and, so to speak, work in conjunction with them. From this cooperative endeavour something totally different emerges.

When, with clairvoyant consciousness, we study the different peoples, we find, strange to relate, besides the Archangelic Beings already described, other mysterious Beings who are related to the Archangels in certain respects, but who are otherwise totally different from them, in that they are more potent Beings than the Archangels themselves. In this weaving into the temperaments the Folk Spirit works in an extremely subtle and intimate way upon the individual human soul. But there are other Beings who exercise a much more potent influence. From our general knowledge of the Hierarchies we must be quite clear about these Beings; we shall then be able to name these other Beings who are perceived by clairvoyant consciousness. You must think of the sequence of the Hierarchies of Spirits in the following way:

• Man
• Angels
• Archangels
• First Beginnings, Archai or Spirits of Personality
• Powers (Exusiai) or Spirits of Form

There are yet other Spirits of a higher order who do not concern us today.

If you recall what we spoke of yesterday—and you will find a detailed description in the information contained in my books Cosmic Memory¹ and Occult Science—an Outline you will know that it was the Archangels who underwent their human stage on Old Sun. At that time those Beings whom we call Spirits of Form or Powers, who are now two stages higher than the Archangels, were at the Archangel stage; they were Beings such as the Folk Spirits we have described today. That was their normal stage of evolution.

Now there is a strange mystery attaching to evolution—the law of deferred development. In accordance with this law certain Beings remain behind at each stage of evolution, so that in the succeeding stage they have not reached their normal rank. They retain the characteristics which belong to earlier stages. Throughout the evolution of mankind there have always been Beings who remained behind and amongst them are also certain Spirits of Form or Powers. Their deferred development took a very singular form. Whilst they are Spirits of Form or Powers in terms of certain attributes, and by virtue of certain attributes are able to exercise the powers that belong at the present time solely to the Spirits of Form who have bestowed the ego upon man at the Earth-stage, they cannot, as yet, realize this completely because they do not possess the necessary attributes. They have remained behind, with the result that they did not undergo their Archangelic stage on the Old Sun, but are now experiencing it in the Earth-stage. Hence they are Beings who are now at the stage of the Folk Spirits, but endowed with quite different attributes. Whilst the Folk Spirits work in a subtle way into the life of man because they are two stages above him and are consequently still related to him, these Spirits of Form are four stages above the human stage. They possess, therefore, a vast array of potent forces which would not be suitable for working so intimately into man. They would act more vigorously and would have no other sphere for their activity than that in which the normal Folk Spirits work.

The difficulty is that one must first learn to discriminate in the spiritual world. Those who imagine that a few ideas suffice for the understanding of the higher worlds are very much mistaken. With a few superficial ideas they would certainly contact the Archangels. But one must distinguish between the Archangels who have reached the Archangel stage in the normal way and those who ought to have reached that stage during the Old Sun condition of the Earth. Thus, other Beings are at work in the same domain as the Folk Spirits or Archangels, Beings who stand at the same level as the Archangels, but are endowed with very different, with more robust attributes such as are possessed by the other Spirits of Form and who are able therefore to penetrate deeply into human nature. In what respects has man been influenced by the Spirits of Form during his Earth existence? He could not have developed ego-consciousness if the Spirits of Form had not given the brain its present form. Beings such as these are able to work even into the configuration of the human form although they are only at the stage of the Archangels. They compete with the Folk Spirits in the domain where the Folk Spirits are active.

The first and major effect of this contact between these Spirits with their different approaches is the birth of language which could not arise without the fully developed form and structure of the human body. In the structure of man we see the activity of these other Folk Spirits who are associated with the forces of Nature and with man. We must not ascribe the birth of language solely to these Beings who subtly work into the folk temperament and who, as Beings two stages above man, imprint their formal configuration upon a people. The Beings who are responsible for language are Beings of great creative energy for they are in reality ‘Powers’, i.e. Spirits of Form. They exercise effective influence upon the Earth because they have remained on Earth, whereas their colleagues, the normal Spirits of Form, work in the ‘I’, work from the Sun into the cosmic spaces. Before the advent of Christ Jesus men worshipped Jahve, or the Jehovah Being; thereafter they worshipped the Being of Christ as the One who shed His Spirit upon them from the Cosmos. As to the Spirits of language, we must say that man cherishes precisely that aspect of language which has remained on Earth. We must learn to accustom ourselves to new points of view. Man is in the habit of projecting his own ideas into the universe. He would be wrong to regard the sacrifice these higher Beings have made in their evolution after the fashion of a schoolgirl who has failed to gain promotion. They do not remain behind because they have neglected their studies, but from motives of higher wisdom which is omnipresent in the world. If certain Beings had not renounced their normal stage of development on Old Sun and had not undergone their evolution on Earth, we should never have known the birth of language on Earth. In certain respects man should feel deep affection for his native language because it was from motives of love that higher Beings remained behind with him and renounced certain attributes in order that man should be able to evolve in accordance with the decrees of higher wisdom. Just as we must regard “hurrying forward” as a kind of sacrifice, so we must also look upon “remaining behind” at earlier stages of evolution as a kind of sacrifice and we must clearly realize that man could not have acquired certain attributes if such sacrifices had not been made.

Thus we see how two kinds of Beings of different rank work alternately in the etheric body of man and in that of the Folk Spirit in question, namely, the Archangels who have followed a normal development and those Spirits of Form who have remained behind at the Archangel stage and have sacrificed their own evolution in order to implant in man during his life on Earth his native language. They had to be endowed with the power to transform the larynx and the organs of speech in such a way that these organs could manifest physically as speech. National sentiments, national temperament, together with the national language must be seen as the result of the cooperation of these Beings. Language, speech and national characteristics, these can be compassed solely by the Folk Spirits in conjunction with the Spirits of Form, because with their greater energy and superior powers the latter had remained behind at the Archangel stage. Cooperation of this nature takes place therefore in the realms where the Folk Spirits are active. Similar cooperative activity is also to be found in yet another domain.

I pointed out yesterday that other forces also are active—the First Beginnings, the Archai or Spirits of Personality, who during the Earth-existence represent what is called the Zeitgeist, the Spirit of the Age. These work in such a way that from their own ego, from their psychic organization, they work into the physical body and thus activate the forces of the physical body. If, at a certain moment, something arises as a result of the activity of the Zeitgeist, something manifests itself in the Spirit of an Age which furthers the progress of mankind, we must assume that this corresponds to the utilization of physical forces in our Earth life. A moment's reflection will show that definite prior conditions of a physical order are necessary in order to provide for certain contingencies in the Spirit of the Age. Kepler, Copernicus and Pericles could not possibly have lived in any other age or under other circumstances. Personalities are the product of the specific conditions of their time, conditions which at a definite moment of time are created and determined by the higher Beings working on the physical plane. Now these physical conditions must not be regarded as isolated phenomena, but as particular configurations in the physical constitution of our Earth. Sometimes these configurations stand out in bold relief; at other times, when the Spirit of the Age directs his influence in a certain direction, physical objects will inevitably take on a quite definite pattern. You will recall that on one occasion, when for the first time specially polished lenses were used, some children playing in the glass polisher's workshop assembled them in such a way as to create the optical effect of a telescope, so that the inventor of the telescope, having discovered from observation the underlying principle, only needed to apply it to achieve practical results. This is an historic fact. Imagine the number of physical processes involved before this result could be achieved. The lenses had first of all to be invented, polished and then assembled in the appropriate manner. Chance would account for this, you might say, but only on condition that you refuse to acknowledge the law that operates in such circumstances. This concatenation of outward circumstances is the work of the Archai, the Primal Forces. Their work is the consequence of focusing their activity at a particular place, an activity which otherwise, as Spirit of the Age, is expressed in a variety of ways. Think of how many inventions would remain forever unknown if this work of the Archai had not taken place in their etheric bodies. It is really the work of the Archai which acts in this way and is directed to this end.

Now if the activity of the Archai takes this form and is responsible for directing the Spirit of the Age, the question arises: how do these Spirits of the Age intuitively sense the progress of mankind? They create a situation in which man appears to be stimulated fortuitously by external circumstances. It must not be accounted as pure fiction if this sometimes occurs. I need only remind you of the swinging lamp in the cathedral at Pisa where, by observing the regular oscillations of the lamp, Galileo discovered the law of the pendulum and how, later on, Kepler and Newton were stimulated to make their discoveries. I could quote innumerable cases of the coincidence of external events and human thought which would explain how the prevailing ideas of an age are intuitively sensed by the Archai, ideas which influence man's development, determine his progress and subject it to law. In this domain also, those Beings who have normally become Spirits of Personality during our Earth-existence, work in conjunction with other Beings, who, because they remained behind on the Old Moon, are at present not Spirits of Form or Powers as they ought to be on Earth, but are now for the first time working as Spirits of Personality.

Thus those Beings who remained behind in their evolution not at the Old Sun stage, but only at the Old Moon stage, are now Spirits of Personality. They do not possess the attributes which they should normally have, i.e. they do not “intuit” in the manner of the backward Spirits of Form. They do not stimulate man from without; they work more subtly, they leave it to man himself to observe the changes in his physical being; they stimulate inwardly, fashion the inner configuration of the brain and encourage a certain trend of thought. Hence the thought-life of man at different epochs is motivated from within, so that each epoch has its own definite mode of thought. This depends upon the delicate configurations of the thought-life, upon its inner patterns. Here the backward Spirits of Form who preserve the characteristics of the Spirits of Personality work within man and create a certain way of thinking, a quite specific pattern of ideas. Thus, from epoch to epoch, man is not only guided according to the will of the intuiting Spirits of Personality who induce him of his own volition to follow a certain course of action, but he is impelled as if by inner forces, so that thought starts from within and manifests itself externally in a physical form, just as language, on the other hand, is a manifestation of the backward Spirits of Form. Thus the way of thinking is an expression of those Spirits of Form who in our age are known as Spirits of Personality. These are not, therefore, Spirits of Personality who work in a subtle and intimate way and leave man to his own devices; they take possession of him and drive him irresistibly on. Hence you can always find in those men who are stimulated by the Spirit of the Age, these two types. Those persons who are stimulated by the true Spirits of the Age at their normal stage of development are the true representatives of their time. We can look upon them as men who were destined to appear; we feel certain that their activities were predestined. There are also others, however, in whom are active those Spirits of Personality who are, in reality, Spirits of Form. Those are the Spirits whom we called the ‘Thought Spirits’, who during the Old Moon cycle advanced to their present rank. Man is the stage upon which the activities of these Beings are coordinated. This is demonstrated by the mutual interaction between language and thought, by the reciprocal relationship not only between the Spirits at the same stage of development, but also by the reciprocal relationship between the normal Archangels who determine national sentiment and temperament and those just described—i.e. not only between the Spirits of Form who are at the Archangel stage, but also between those Spirits of Personality who, in reality, are ‘backward’ Spirits of Form.

These two kinds of Beings are reflected in the make-up and being of man. It is extremely interesting to observe this relationship when, with occult knowledge and insight, we study the different peoples. We are then able to follow the way in which the normal Folk Spirits work and take their directions from the Spirits of the Age; how these Folk Spirits work in the inner being of man in conjunction with the Spirits of language and also with the Spirits of thought who work into the thoughts of man. Within man there are not only normal and abnormal Archangels, but also the Archangels in contrast to the abnormal Spirits of Personality who from within determine the pattern of thought of a particular epoch. I have already mentioned that I proposed to touch upon conditions which you must accept with your spiritual understanding and which must be clothed in ordinary language because no language has as yet been invented which would make all this clear and credible. I am therefore obliged to use a terminology which is somewhat figurative. None the less MY description of the situation accords with an important fact in the evolution of mankind. It is most interesting and instructive to follow the evolution of humanity in recent times and to discover that a mutual agreement was once arrived at between one of the guiding Folk Spirits who is a normal Archangel, and an abnormal Spirit of Personality who works in the inner being of man as Spirit of the Thought-forces. The far-reaching consequences of this agreement are reflected in a particular epoch of history. In order to make this agreement fully effective a harmonious relationship was established with the corresponding normal Archangel who was the guiding Spirit of language at that time. Thus there was a moment in the evolution of mankind when the normal and abnormal Archangels worked together and when; furthermore, the mode of thinking which was brought about from within by an abnormal Spirit of Personality, was super-added. The harmonious relationship between these spiritual Beings is reflected in the ancient Indians of the first post-Atlantean epoch. It was owing to the concatenation of circumstances at the time of the ancient Indian culture that these Beings were able to work in closest harmony. This is the source of the historical role of the Indian people. The prolonged effects of this concerted action could still be felt in those later epochs when records of ancient Indian tradition were still extant. That is the reason why the sacred Sanscrit language exercised such a powerful influence and had such telling effects upon culture, both in the past and in later epochs. This power was the work of the Archangels who were responsible for language. The strength of the Sanscrit language depends upon that harmonious relationship of Beings of which I have just spoken. It accounts for the uniqueness of Indian philosophy which, as creative thought expressive of the inner life, is unsurpassed by any other people, and it also explains the inner perfection of thought so characteristic of the Indian culture. In all other continents different conditions prevailed. The picture I have just presented refers only to the Indian culture of that epoch. Hence it is so infinitely fascinating to follow up these trains of thought which assume their characteristic pattern because they have resulted, not from the predominance of the normal Archangel over the abnormal Archangel, but from the harmonious interaction of these Beings, because every thought was literally assimilated by the temperament of the people and elaborated with loving care at the time when the Indian people represented the first flowering of the post-Atlantean culture. And the language preserved its powerful influence because conflict had not arisen there which otherwise might have arisen, because the normal and abnormal Archangels acted in concert. Thus language, the spontaneous overflow of a pure, uncorrupted temperament, is itself an expression of that temperament. That is the secret of the first post-Atlantean civilization.

And we must also bear in mind that in all other peoples these Beings or forces cooperate in their diverse ways—the normal Folk Spirit or Archangel, the abnormal Archangel and the abnormal Time Spirit who works through the brain (working. not as a normal Time Spirit, but from within the body); and finally the true Time Spirit who transmits intuitively the thought-life to the people. We shall really understand a people when we feel intuitively the activity of these Beings or forces and estimate; the contribution each makes to the constitution of a people. It is difficult, therefore, for those who do not take into consideration the occult forces in the evolution of mankind, to provide a satisfactory definition of the word ‘folk’. If you look up the word ‘folk’ or ‘people’ in a book on ethnology you will find the strangest assortment of definitions. The authors must of necessity give different interpretations because one will respond more to what stems from the normal Archangels, another to what stems from the, abnormal Archangels and a third to what stems from the several personalities of the people. Each has a different response which will modify his definition. But we have learned through Spiritual, Science that these definitions need not of necessity be false; they are simply subject to maya or illusion. A writer's statements will betray how far he is the victim of Maya or how far he has left out of account the various forces at work. If, from the anthroposophical standpoint, we compare a people such as the Swiss who occupy the same territory and are trilingual with peoples who are uni-lingual we shall inevitably have widely different conceptions of what constitutes a people.

We shall discuss later why it is that in some peoples the Spirit of Personality is the more active agent, that is, why their mode of life is determined by the cooperation of the several personalities. We shall also meet with peoples on Earth whose life is largely determined by the abnormal Spirit of Personality. These Spirits of Personality do not contribute to the further development of the peoples. A study of the character of the North American people shows a people who, for the time being, are under an abnormal Spirit of Personality. We shall therefore only understand world history, in so far as it consists of the history of peoples, if we observe the normal and abnormal Archangels, the normal and abnormal Spirits of Personality in their mutual relationships and cooperative activity and at the same time follow up their influence upon the successive peoples in the course of the world's history.

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• 1. Original title: Aus der Akasha Chronik. Published with the title of Cosmic Memory by Rudolf Steiner Publications, Inc., New York. (Obtainable from Rudolf Steiner Press, London. See the list of literature at the end of this volume.)

In these lectures, some of the occult signs and symbols will be discussed in such a way that the meaning and significance of such symbols and signs will be revealed not only to the mind but also to the senses and the soul.

You all know that in occultism, in Theosophy, the most diverse symbols and signs are used, and you also know that sometimes a great deal of ingenuity and speculation is applied to interpreting such signs and symbols. These lectures will now show us that much of this acumen and speculation is misplaced, and that speculation and acumen are not at all the abilities by which one can come close to the real meaning of occult signs and symbols. For the occultist, signs and symbols are by no means limited to what is listed as such in the usual manuals and writings. Rather, we find occult signs and symbols most frequently where we might least expect them: In myths and tales rooted in the people, deep occult truths are hidden. The mistake usually made in the interpretation of such myths and legends is simply that too much ingenuity, too much speculation is applied; one might almost say that too much is sought in a rational, too much reason is sought in a deep sense. Of course, a series of four lectures cannot exhaust this subject, but only treat it aphoristically. Nevertheless, what we discuss should be presented in such a way that we can form a conception of the relationship between the occult signs and symbols and the higher worlds, namely, what is called the astral world and the devachanic or spiritual world.

You know that even in ordinary language, when we want to imply something higher, we often use certain figurative similes. For example, if we want to use an image for knowledge or for insight, we say “light” or also “light of knowledge”. Behind these simple expressions of our language there is sometimes something extraordinarily profound. Those who use such expressions are often not even aware of the origin and therefore often have no idea how, for example, the image of light relates to knowledge or insight. They take it as a figure of speech, just as poets use figures of speech today. We would be quite wrong if we thought of occultism only in terms of such a figurative meaning. Things are much, much deeper. What in modern language is called symbolic, what is called pictorial, and what is also called an allegory, is as a rule misleading. It is easy to think that a sign has been arbitrarily chosen for something. In occultism, no sign is ever chosen arbitrarily. When a sign is used in occultism for a thing, there is always a deeper connection.

However, we will not be able to truly understand this connection between occult signs and symbols and the higher worlds if we do not delve a little into how man, from the point of view of occultism, relates to his environment. When occultism, or that elementary part of occultism that is proclaimed today as Theosophy, will one day fulfill its mission in the world in a deeper sense - with that only a beginning has been made - when it will one day come to the various branches of our life and culture are permeated by the truths and impulses of occultism, then the whole emotional and intuitive life of man, his whole relationship to the world around him, will change fundamentally. If we want to describe how today's human being relates to the environment, we have to say: for a number of centuries, the human being has increasingly developed a relationship to the environment that is very abstract, very intellectual, very materialistic. A person walking through the fields today, whether in spring, summer or fall, usually sees what meets the eye, what the senses can perceive, what the mind can combine from the sensory perceptions. If a person is aesthetically inclined and has a poetic sensibility, they imbue their perceptions with feelings and emotions, feeling sadness and pain at one natural phenomenon and elation, joy, and delight at another.

But even where, in the case of modern man, dry, sober sensual perception gives way to poetic and artistic feeling, it is actually only a beginning of what must be given through occultism, not to reason, not to the mind, not to the heads, but to the souls and the hearts. Only then will Theosophy become a significant factor in life, when it gives us not just a mental summary of all kinds of events in the physical, astral and devachanic planes, but when it becomes so ingrained in our souls that our souls feel, sense and learn differently. We must realize that through Theosophy and Occultism there will really come to pass more and more what we emphasized in our lecture yesterday: Humanity will learn to see in what is expressed in the outer world, as it presents itself to the senses, the physiognomy, the gestures, the facial expressions, through which what is soulful and spiritual is revealed behind things. We will learn to see an expression of the spiritual and soul-life in what is going on outside in the surrounding world, in the movements of the stars, just as we see an expression of something soul-like in the hand movements or in the gaze of a person. And so we will learn, for example, to see in the brightening air an external manifestation of internal processes of spiritual beings that truly permeate the air, the water and the earth.

Let us try to imagine how nature appears around us when we elevate ourselves to a concept of the soul and spirit that lives around us. Once we have opened ourselves up to this, we have to ask ourselves: What about the souls of the creatures living around us on the physical plane, the souls of animals, plants and minerals? What is in these three kingdoms of nature, besides what is physically presented to our senses? If we consider the animal kingdom, it differs quite substantially from the human being in spiritual and mental terms. What we have in the individual human being, enclosed within the boundaries of his skin, we do not have in the same way in the individual animal. The individual animal can rather be compared to an individual limb of a human being. We can compare all formally identical animals, so for that matter all lions, all tigers, all pikes, all flies and so on, everything in the animal kingdom that has the same form, with a limb of the human being, for example with the fingers of the hand. If we take the ten fingers of the human being, we will not be tempted to ascribe a soul to each of the ten fingers that would be endowed with ego. We know that all ten fingers belong to a single human being. We ascribe the I-soul to the individual human being. Just as we ascribe the I-soul to a single human being, we ascribe an I-soul to an entire species of animal; whether you call it the same group or species soul is not important. What is important is that we think of things as flowing into each other, fluctuating. Thus, in the case of a group of animals of the same form, we must assume that the same thing underlies them as underlies the individual human being: the I-soul. However, we must not look for this soul of the animal groups where we look for the I-soul of the human being. The place where this I-soul of the human being is between birth and death is the physical plane. This is not to say that this I-soul, by its nature and essence, belongs only to the physical plane, but the human I-soul lives on the physical plane. This is not the case with the group I-ness of animals. For these group Iches of animals, to which the individual animals belong that are of the same nature, it does not depend on the place where the individual animals are; whether a lion is in Africa or here in a menagerie, it makes no difference. The individual animals all belong to the same group I, and the group I is on the astral plane. So if we want to find the ego of a group of similarly shaped animals, we have to go clairvoyantly to the astral plane; and on the astral plane, the group ego of the animals in question is as complete a personality as a human being is on the physical plane. If a man puts out his ten fingers, and you put up a wall here, and the man puts his ten fingers through the ten holes in the wall, then someone standing outside the wall sees only the ten fingers; if he wants to find the ego behind the ten fingers, he must go behind the wall. So you must imagine that we have to see the individual lion as part of the group ego of all lions. If you go to the astral plane, you will find there a lion-genus individuality or personality of all lions, just as you find the individuality for the ten fingers of the human being behind the wall. The same applies to the other similarly formed animal species. And when you “walk” on the astral plane, you will find the astral plane populated by these animal group-I's, which you will encounter there just as you would encounter individual people here on the physical plane. The only difference is that these group-I's reach out for the separate animal individuals on the physical plane, just as you reach through the wall for the individual ten fingers.

But there is an enormous difference between the nature, the inner character of the group-I of the animals and that which is the character of the individual human being. This difference will seem very paradoxical to you, but it exists. There is a peculiar fact here: if you compare the intelligence and wisdom of the animal group-I on the astral plane with the intelligence and wisdom of humans here on the physical plane, you will find that the animal group-I are much cleverer. Everything they have to do is done with the greatest matter-of-factness. In the course of evolution, the human being must first bring his I to that wisdom which the animal group-Iche already have on the astral plane. These animal group-Iche lack one thing, however, which the human being here on the physical plane has to develop throughout the entire evolution on earth. This specific element is not to be found at all in the animal group-Iche. This is the element of love, everything that is love - from the simplest form of blood love between blood relatives to the highest ideal love of a universal brotherhood of man. This element is being developed by humanity within the evolution of the earth. The animal group-egos also have feelings, perceptions and volitional impulses. The mission of the human being here on earth is to develop love; this is lacking in the animals. The basic element of the group ego of animals is wisdom, just as the basic element of the human ego is love.

If we now want to find out how we ourselves are to perceive the revelations of these animal group-Iche within the surrounding nature, we only have to remember that everything around us here are revelations of spiritual events and spiritual beings. Those who are not endowed with clairvoyant abilities cannot, of course, take those “walks” on the astral plane whereby they encounter the population of animal group-Iche there as they encounter physical human Iche here on the earth. But even those who are not clairvoyant can perceive the effects, the deeds of what the group-Iche do here on the physical plane. He can observe how every year, when autumn approaches, the birds fly in the direction from northeast to southwest to the warmer regions, and how they fly back in very specific paths when summer approaches. If you compare the individual paths according to their height and direction for the individual bird species, you begin to suspect that there is wisdom, deep wisdom in all of this. Who is in charge of all this? The animal group egos are in charge. Everything that the various animal species accomplish here on our planet is an effect, an action of the animal group egos. And if you follow these actions of the animal group egos, you will find that, essentially, these animal group egos span the circumference of the earth, that they unfold as forces around the circumference of the earth. The earth is circled by forces of the most manifold kind, by forces that go around the earth in the most manifold convolutions, in straight and crooked and snake-like lines. Man can see these forces here only in their effects, in their revelations. When he grasps these revelations, he can divine what, with clairvoyant ability, leads him to the group Iches of the animals. Thus we can learn to empathize with the wisdom that takes place in our animal kingdom. What the genera and species do reveals something of the deeds of the animal group-I.

The situation is different for the plant world. For the plant world, too, the occult observer sees a series of I's, but there are far fewer I's for the plant world than for the animal world; they are more limited in number. Again, whole groups of plants belong to a common I, and these lie, when we visit them, in an even higher world. While the animal group I's are on the astral plane and live out their lives in the astral that flows around and envelops our Earth, the plant group I's are to be found in the lower regions of the Devachan plane, in what we are accustomed to calling in Theosophy the Rupa parts of the Devachan plane. There they live as closed personalities; just as people do here, the group-I-ities of plants walk there. Along with other beings that do not have a physical body at all, the plant-I-ities are there and form the population on the lower devachan plan.

How does a person find their way into the perception of these plant group-I-ities? The perception itself is ultimately tied to the development of clairvoyant abilities. But this development leads from lower levels upwards, ever higher and higher. What one must first develop in order to ascend to these abilities is feeling and sensation for the matter. Real, true clairvoyant abilities are always based first on the development of feelings and sensations, but not on trivial, egoistic feelings, no, on deeper and more devoted feelings. This is something completely different.

When you look at a plant, you must first of all focus your attention on the fact that the plant develops its roots into the soil, that it pushes its stem upwards, unfolds its leaves upwards, gradually transforming them into sepals and a corolla, in which the fruit then forms. It is important to realize that we cannot compare the plant to the human being in this way. We must not compare the human being to the plant in such a way that we compare the head of the human being to the corolla of the plant and his feet to the root. That is completely wrong. In occult schools, it has always been pointed out and said: You must compare the plant and the human being. But you have to compare them in such a way that you compare the head of man with the root of the plant. Just as the plant turns its root towards the center of the earth, so man turns his head into the universe; and just as the plant chaste turns its blossom and its fruit organs towards the sun, man shamefully turns his fruit organs straight down, where the plant turns its root. That is why occultism says: Man is the upturned plant. The plant appears like a human being standing on its head; the animal stands in between.

In what is usually called a plant, only the physical body and the etheric body of the plant are present. But the plant also has its astral body and its I. But where is the astral body, and where is the I of the plant? We can ask about this place, because it is only a general definition of the matter when one says that the group I of plants is on the lower Devachan plan. We can indicate quite precisely where the astral body of the plants and where the ego of the plants is. The astral body of the plants, and indeed the astral body of all plants that exist on our globe, is the same as the astral body of the earth itself, so that the plant is immersed in the astral body of the earth. In terms of location, the plant-I am in the center of the earth. From the occult point of view, we can understand the earth as a great organism, as a living being that has its astral body; and the individual plants that are on our earth are the limbs. Individually, separately, they only have the physical body and the etheric body. In the individual plant, the individual lily, the individual tulip and so on, there is no consciousness; the earth has its consciousness, its astral body and its I. But there are not only plant 'I's; there are also other spiritual entities. We must not ask whether there is room for all of them. They are interwoven, and they can get along very well there. So when you look at the individual plant, you can only ascribe to it the properties of a physical body and a life body, but not consciousness as an individual being. But plants do have a consciousness, and it is connected with the consciousness of the Earth, it is part of the consciousness of the Earth. Just as we human beings have a consciousness that encompasses joy and sadness, and these interpenetrate each other, so the individual astral bodies of plants permeate the astral body of the Earth, and the plant 'I's permeate the center of the Earth. The living plant occupies the same position in the organism of our earth as milk in the animal organism. Similar astral forces underlie the process by which the plant sprouts from the earth, greens and flowers, and by which the cow gives milk. When you pick a plant with its flower, it does not feel unpleasant for the earth. The earth has its astral body and has feelings there, and when you pick a plant, it feels the same as when a calf sucksleaks, it feels a kind of sense of well-being. When you remove what has grown out of the ground, the earth does not have the individual plant - a sense of well-being. If, on the other hand, you tear out the plant by the roots, it is for the earth as if you were tearing flesh from an animal; it has a kind of feeling of pain.

If we delve into this, not just in the abstract terms of group-I-ness, but in such a way that we transform the empty abstract concepts into feelings and sensations, then we learn to live with the processes of nature; our observation of nature becomes a living sensation. When we walk through the fields in autumn and see the man with the scythe mowing the grain, we get an inkling that, to the same extent as the scythe passes through the stalks and cuts them off, something like spiritual winds is breathing feelings of well-being over the field. And so it is. What the clairvoyant sees in the astral body of the earth is the spiritual source of what has just been described. For the one who sees into these things, the mowing of the grain is not an indifferent process. Just as one can feel and see in a person, through one experience or another, that astral forms of a very specific kind arise, so one can see these astral expressions of the earth's sense of well-being sweeping across the fields in autumn. It is different when the plow cuts furrows through the earth and reworks the roots of the plants. The plowing through with the plow causes pain to the earth; we see feelings of pain emerging. In response to what has just been said, one could easily object that it would be better under certain circumstances to remove plants from the earth by their roots and replant them than to walk across a meadow and tear up all kinds of flowers out of idleness. Such an objection may well be correct from a moral point of view, but here we have a completely different point of view. It could, of course, be better for a person who is just beginning to go gray to pluck out the first gray hairs if he finds this right for aesthetic reasons, but it still hurts him. It is a completely different point of view when we say: plucking the flowers does the earth good, and when we dig up the plant by the roots, it hurts the earth. Life enters the world through pain. The child that is born causes pain to the mother who gives birth to it. This is an example of how we must learn not only to recognize but also to empathize with nature in our environment.

This extends to the mineral kingdom. Minerals also have their I, only the I of minerals lies even higher; it lies in the upper parts of the Devachan plan, which theosophical literature is accustomed to call the Aupa-Devachan. These group 'I's of the minerals are also partially self-contained entities, just as the human 'I's are on the physical plane, as the group 'I's of the plants are on the lower devachan plane, and as the group 'I's of the animals are on the astral plane. On the physical plane, you have only a physical body of minerals, but the minerals also have an astral body and an etheric body. The seer sees the living connections; he knows that when he goes out to a quarry and sees the workers cutting stones there, something is felt there just as when you cut into the flesh of an organism. And while the workers are at work, astral currents flow through the stone realm. What belongs to the mineral as an astral body can be found in the lower parts of the Devachan plan, and the I of the minerals is to be found in the upper parts of the Devachan plan. The group I of the stones feels pain and pleasure. When you break stones, the mineral group I feels pleasure, pleasure. This may seem paradoxical at first, but it is true nonetheless. If you only think in analogies, you might believe that when you smash a stone, it hurts the stone just as much as if you were to wound a living being. But the more you smash the stone, the more pleasure the mineral ego feels. Now you may ask: When does the mineral ego feel pain? You can perceive pain for the mineral ego in the following example. Take a glass of water in which table salt has been dissolved. Now cool the water in the glass until the salt separates out as solid crystals, thereby re-solidifying the mineral substance. Pain arises in this separation of the solid. Similarly, pain would arise if you were to reassemble all the individual pieces into which you had broken a stone. In the group ego of the minerals, pleasure arises whenever the mineral dissolves, and pain arises whenever it solidifies. A feeling of well-being arises when you dissolve salt in heated water, and a feeling of pain arises when the cooling of the water causes the salt to crystallize.

If we imagine this in a larger, cosmic context, we can see how the formation of our earth and our minerals is connected to such a process. If we trace the formation of our Earth far back in time, we come to ever higher temperatures, to ever greater warmth of our Earth; and we encounter a state of our Earth in the Lemurian period when the individual stones had dissolved, when even the minerals that have now crystallized into solid form ran out, as iron runs out today in ironworks when it is liquefied. All our minerals have undergone a process similar to the one you are experiencing on a small scale when the dissolved salt is deposited in a glass when the water cools down. In this way, everything has solidified and contracted on earth. This solidification has taken place in such a way that solid crystals have gradually been embedded in the liquid earth through contraction. Only through this solidification could the earth become the dwelling place for today's physical humanity.

However, this solidification is to be understood in such a way that it reached a peak in a certain period of time. This peak has now been passed in a certain way, and today we can already see a process of dissolution to a greater or lesser extent. When the Earth has reached its goal, when people have purified and spiritualized themselves to the extent that they can no longer draw anything out of the Earth, then the Earth itself will also be spiritualized again. Then all its mineral inclusions will have become fine and ethereal, so that the Earth can pass into an astral state, which it also had before it became physical. The physical process of dissolution is a transitional state to this.

When we look at the earth at the time when it was preparing to become the solid place, the solid ground on which we walk at our present stage of development, we see an ongoing process of suffering for the earth. As it becomes more and more solid, it suffers and “groans in pain”. Our existence has been achieved through its pain. And we find an increase of this pain in the early part of the so-called Atlantean period. From the time when man gradually brought about his own purification, the earth also attained liberation from pain and suffering. This process is not yet far advanced. The greater part of the solid ground that lies under our feet still suffers today, and when we turn our clairvoyant gaze to it, the solid ground is a revelation of the sighs of the earth's being. Whoever studies these facts from the occult and then rediscovers them in the great religious scriptures, will realize from what depth of the spiritual world these scriptures are written. We develop more and more a feeling of reverence for these religious documents. Through our experience, we can thus empirically recognize, by looking at the facts of the outer world, what real foundations underlie St. Paul's saying: “All nature groans in pain, awaiting adoption as a child.” Translate this saying of St. Paul's for yourself: All becoming earth is a becoming under pain, a drawing together into the firm under pain, so that afterwards for their beings the “adoption as children,” the spiritualization, can take place.

In what is really called the Secret School we must begin with such images from our environment, which, when they are looked at, awaken feelings in us. One begins by imparting to the pupil who wishes to undergo a training such images and concepts that enable him to see what is happening in nature not only as an external process, but to feel it as an inner experience with his whole soul, to feel how the becoming of our earth, its solidification, is like pain. This image of pain represents a real spiritual fact. In true occultism, images are not something invented, but are derived from real spiritual facts. No philosophy, no speculation, not the greatest acumen can unravel such an image; only the knowledge of the facts of the higher worlds leads to understanding. In occultism, all images are expressions of spiritual facts.

I just wanted to give you a hint today of how what we acquire in elementary theosophy as ideas, concepts and notions gradually leads to experiences; and every image in occultism is taken only from experiences. If you take, for example, the well-known image of the swastika, you can find the most astute interpretations for this image in the various scriptures. How did it originally come into occultism? This image is nothing other than the reflection of what we call the astral sense organs. Through a certain approach, through training, the human being can develop astral sense organs. These two lines (it is being drawn) are actually movements in the astral body, which are seen by the clairvoyant as fiery wheels or flowers. They are called lotuses.

For these wheels or lotus flowers – of which, for example, the two-petalled one is located in the area of the eyes and the sixteen-petalled one in the area of the larynx – for these astral sense organs, which appear as a luminous phenomenon in the astral world, is the sign, the image, the swastika. Or let us take another symbol, the so-called pentagram. You cannot find the original meaning of the pentagram by speculation or philosophy. The pentagram is a reality; it is a picture of the working of currents, of force currents that are found in the etheric body of the human being. There is a certain flow of forces in a person from the left foot up to a certain point on the head, from there to the right foot, from there to the left hand, from there through the body, through the heart to the right hand, and from there back to the left foot, so that you can draw into the person – into his head, arms, hands, legs, feet – the pentagram.

You have to imagine it as a force effect, not just as a geometric figure. In the etheric body of the human being you have the pentagram. The force effects follow exactly these lines of the pentagram. The lines can take the most varied contortions, but they always remain drawn as a pentagram on the human body. The pentagram is an etheric reality, not a symbol, but a fact.

Thus every symbol in occultism is an image of a fact in the spiritual world. One recognizes its significance only when one can point to the world in which this fact is rooted. Therefore, even the greatest acumen cannot lead to the interpretation of occult signs. The meaning of occult signs and symbols can only be found through experience [of spiritual worlds], and only with the realization of their meaning can man do something with them. It is therefore by no means useless for man to be told and told something that was first found through clairvoyant ability. And from the fact that has been researched, man can in turn be led back to the causes of that fact itself.

The same applies to signs and symbols as to ancient legends and myths. It is a theory based on erudition that legends and myths were invented by folk poetry. The people do not make up stories. All legends and myths are remnants of a time when man was still clairvoyant to a certain extent. What we are told in European legends and myths are records of facts that people saw in the past. Everything in these legends, fairy tales and myths was originally seen clairvoyantly and is the retelling of original clairvoyant experiences. That is what mythology is all about: the retelling of clairvoyant experiences.

Even today we can follow all the events related in mythology on the astral plane. The deeds of Wotan or Odin are real happenings. We must seek realities behind the occult signs, symbols and seals. And the less one allows oneself to be tempted to undertake an interpretation of these signs out of speculation, the better it is.

This lecture series is intended to guide us into the factual sense of occultism. No sign is invented or conceived; it is a picture or reproduction of a real process in the spiritual world. And all the stories we encounter in mythologies are renditions of what people saw when a large proportion of people still had clairvoyant powers.