The Rudolf Steiner Archive

[ 1 ] It is not possible to penetrate into the nature of waking consciousness without observing the state through which the human being passes during sleep, and it is impossible to solve the riddle of life without considering death. For a human being in whom there is no feeling for the significance of supersensible knowledge, doubts may arise in regard to such knowledge because of the way in which it carries on its considerations regarding sleep and death. Supersensible knowledge is able to understand the motives that give rise to such a distrust. For it is quite comprehensible when someone says that man is here for an active, purposeful life and his accomplishments are based upon his devotion to it; furthermore, that the occupation with states such as sleep and death can only result from an inclination to idle dreaming and can only lead to empty imaginings. The rejection of what is thus held to be “fantastic” may readily be looked upon as the expression of a healthy soul, and an inclination toward “idle dreaming” of this kind as something unhealthy, characteristic of persons lacking in vital energy and the joy of life, and who are incapable of “real accomplishment.” It is wrong to declare forthwith that such an opinion is false, for it contains a certain kernel of truth. It is a quarter-truth that must be supplemented by the other three-quarters belonging to it, and a person who sees the one-quarter very well, but who has no conception of the other three-quarters, will only be made distrustful by our combating the true one-quarter. It must, in fact, be acknowledged without question that a consideration of what lies concealed in sleep and death is unhealthy if it leads to a weakening, to an estrangement from real life, and we must admit that much that has called itself occult science in the world from time immemorial, and is practiced also today under that name, bears a character unhealthy and hostile to life. But this unsound element does not spring from true supersensible knowledge. On the contrary, the real fact is the following. Just as man cannot always be awake, he also cannot, in regard to the real conditions of life in its widest sense, get along without what the supersensible is able to offer. Life continues during sleep, and the forces that are active and creative during the waking state receive their strength and renewal from what is given to them by sleep. Thus it is with what can be observed in the manifest world. The domain of the world is greater than the field of this observation, and what is known about the visible universe must be supplemented and fructified by what can be known about the invisible. A human being who does not continually draw strength for his weakened forces from sleep must of necessity destroy his life. Likewise, a world concept that is not fructified by a knowledge of the hidden world must lead to desolation. It is similar with death. Living beings succumb to death in order that new life may arise. It is precisely the knowledge of the supersensible that can shed clear light upon the beautiful words of Goethe: “Nature has invented death that she might have abundant life.” Just as there could be no life in the ordinary sense of the word without death, so can there be no true knowledge of the visible world without insight into the supersensible. All knowledge of what is visible must plunge again and again into the invisible in order to evolve. Thus it is evident that the science of the supersensible alone makes the life of revealed knowledge possible. It never weakens life when it appears in its true form. When, having been left to itself, life becomes weak and sickly, supersensible knowledge strengthens it and makes it, ever and again, fresh and healthy.

[ 2 ] When man sinks into sleep, there is a change in the relationship of his members. That part of the sleeping man that lies in bed contains the physical and ether bodies, but not the astral body and not the ego. Because the ether body remains united with the physical body in sleep, the life-activities continue; for, the moment the physical body were left to itself, it would have to crumble to dust. What, however, is extinguished in sleep includes the mental images, pain and pleasure, joy and sorrow, the capacity to express a conscious will, and similar facts of existence. The astral body is the bearer of all this. An unbiased point of view can naturally never entertain the thought that in sleep the astral body is destroyed along with all pleasure and pain and the world of ideas and will. It simply exists in an other state. In order that the human ego and astral body not only be filled with joy and sorrow and all the other facts of existence mentioned above, but also have a conscious perception of them, it is necessary that the astral body be united with the physical and ether bodies. In the waking state, all three are united; in the sleeping state, the astral body withdraws from the physical and ether bodies. It assumes a different kind of existence from the one that falls to its lot during its union with the physical and ether bodies. It is the task of supersensible knowledge to consider this other kind of existence in the astral body. Observed from the standpoint of the outer world, the astral body disappears in sleep; supersensible perception must follow its life until it again takes possession of the physical and ether bodies on awakening. Just as in all cases where it is a matter of knowledge of the hidden things and events of the world, so supersensible observation is necessary for the discovery of the facts of the sleeping state in their particular form. If, however, what can be discovered by means of supersensible observation has once been uttered, it is comprehensible to truly unbiased thinking, for the processes of the hidden world reveal themselves in their effects in the manifest world. If it is seen how the revelations of supersensible perception make the sensory processes comprehensible, such a corroboration by means of life itself is the proof that can be required for such things. Anyone not desiring to employ the means for acquiring supersensible perception, indicated later on in this book, can have the following experience. He may at first accept the evidence of supersensible perception and then apply it to the manifest facts of his experience. He may, in this way, find that life has thereby become clear and comprehensible, and the more exact and thorough his observations of ordinary life are, the more readily will he come to this conviction.

[ 3 ] Although the astral body, during sleep, experiences no mental pictures and also no pleasure and pain, it does not remain inactive. On the contrary, it is just in the sleep state that a lively activity is incumbent upon it. It is an activity into which it must again and again enter in rhythmical succession, if it has been for a time active in connection with the physical and ether bodies. Just as the pendulum of a clock, after having swung to the left and returned again to the center, must swing to the right because of the momentum gathered in its left swing, so the astral body and the ego living within it, after having been active for a time in the physical and ether bodies must, as a result of this, unfold a subsequent activity, body-free, in a surrounding world of soul and spirit. For the ordinary conditions of human life, unconsciousness occurs during this body-free condition of the astral body and ego because it presents the antithesis of the state of consciousness developed in the waking state through union with the physical and ether bodies, just as the swing of the pendulum to the right is the antithesis of the swing to the left. The necessity of entering into this state of unconsciousness is experienced by the soul-spirit nature of man as fatigue. But this fatigue is the expression of the fact that the astral body and ego, during sleep, prepare themselves to transform, during the following waking state, what has arisen in the physical and ether bodies through purely organic formative activity when freed from the presence of the spirit and soul elements. This unconscious formative activity and what takes place in the human being during and by means of consciousness are antitheses that must alternate in rhythmic succession.—The physical body can retain the form and stature suitable for man only by means of the human ether body, which in turn receives its proper forces from the astral body. The ether body is the builder, the architect, of the physical body, but it can only build in the right way if it receives the impulse for this purpose from the astral body. In the astral body reside the prototypes according to which the ether body gives form to the physical body. During the waking state, the astral body is not filled with these prototypes of the physical body, or at least only to a certain degree, for, during the waking state, the soul puts its own images in the place of these prototypes. When man directs the senses toward his environment he forms, by means of perception, thought images that are likenesses of the world about him. These likenesses are at first disturbances for the images that stimulate the ether body to maintain the physical body. Were the human being able, through his own activity, to bring to his astral body the images that are required to give the right impulse to the ether body, then there would be no such disturbance. This very disturbance, however, plays an important role in human existence. It expresses itself in the fact that the prototypes for the ether body do not act to the full extent of their power during waking life. The astral body carries on its waking activity within the physical body. In sleep, it works upon the physical body from without.^c3

[ 4 ] Just as the physical body, for example, needs the outer world, which is of like nature to itself, to supply it with the means of subsistence, something similar is also the case with the astral body. Just imagine a physical human body removed from its surrounding world. It would have to perish. This demonstrates that without the whole physical environment it is not possible for the physical body to exist. In fact, the entire earth must be as it is, if human physical bodies are to exist upon it. The whole human body is, in reality, only a part of the earth; indeed, in a wider sense, a part of the whole physical universe. In this respect its relationship is similar, for example, to that of a finger to the entire human body. If the finger is severed from the hand, it can no longer continue to be a finger; it withers. This would also happen to the human body were it removed from the organism of which it is a member, from the life conditions offered it by the earth. If we were to lift it a sufficient number of miles above the earth's surface, it would perish just as the finger perishes that has been severed from the hand. If less consideration has been given to this fact in respect of the physical body and the earth than in respect of the finger and the body, it is simply because the finger cannot stroll about on the body in the way that the human being walks about on the earth, and because in the former case the dependence is more obvious.

[ 5 ] Just as the physical body belongs to the physical world in which it is embedded, so does the astral body belong to its own world; during waking life, however, it is torn out of this world of its own. What happens there may be illustrated by an analogy. Imagine a vessel filled with water. A drop within this whole mass of water is not something isolated. Let us, however, take a little sponge and with it absorb a drop from the whole. Something similar occurs with the human astral body on awaking. During sleep it is in a world like itself; in a certain sense it constitutes something that belongs to this world. On awaking, the physical and ether bodies suck it up; they fill themselves with it. They contain the organs through which the astral body perceives the outer world. But in order that it may acquire this perception, it must separate itself from its own world. From this world it can only receive the prototypes that it needs for the ether body.—Just as the physical body receives its food, for example, from its environment, so during the sleep state the astral body receives the images from the world about it. It lives there actually in the universe, separated from the physical and ether bodies, in the same universe out of which the entire human being is born. The source of the images through which the human being receives his form lies in this universe. During sleep he is harmoniously inserted into it, and during the waking state he lifts himself out of this all-encompassing harmony in order to gain external perception. In sleep, his astral body returns to this cosmic harmony and on awaking again brings back to his bodies sufficient strength from it to enable him to dispense with his dwelling within the cosmic harmony for a certain length of time. The astral body, during sleep, returns to its home and on awaking brings back with it renewed forces into life. These forces that the astral body brings with it on awaking find outer expression in the refreshment that healthy sleep affords. Further descriptions of occult science will show that this home of the astral body is more encompassing than that which belongs to the physical body of the physical environment in the narrower sense. Whereas the human being is physically a part of the earth, his astral body belongs to worlds in which still other cosmic bodies besides our earth are embedded. Therefore he enters, during sleep, into a world to which other worlds than the earth belong, a fact that will only become clear from later descriptions.

[ 6 ] It ought to be superfluous to call attention to a misunderstanding that can easily arise in regard to these facts, but to do so is not out of place in our age in which certain materialistic modes of thought are prevalent. Those who hold such thoughts can naturally say that it is only scientific to investigate the physical conditions of such a thing as sleep. They maintain that although scholars are not yet in agreement concerning the physical causes of sleep, yet one fact is certain: that definite physical processes must be assumed as lying at the foundation of this phenomenon. Oh! if people would only acknowledge the fact that supersensible knowledge in no way contradicts this assertion! It agrees with everything that is said from this point of view just as one agrees that in the physical erection of a house one brick must be laid upon another, and when it is finished, its form and cohesion can be explained by purely mechanical laws. In order that the house may be built at all, however, the thought of the builder is necessary. This thought is not to be discovered when merely the physical laws are investigated.—Thus, just as the thoughts of the builder of the house lie behind the physical laws that make the house comprehensible, so behind what physical science presents in an absolutely correct way lies the spiritual content of which supersensible knowledge speaks. It is true, this comparison is often presented when it is a matter of justification of a spiritual background of the world and it may be considered trivial. But in these things the point is not whether there is a familiarity with certain concepts, but rather whether they are properly evaluated in arguing the question. Opposing theories can have so great an effect on the power of judgment that the possibility of arriving at a proper evaluation is entirely excluded.

[ 7 ] Dreaming is an intermediate state between waking and sleeping. What dream experiences offer to thoughtful consideration is a multi-colored interweaving of a picture world that conceals within it certain rules and laws. This world of dreams seems to display an ebb and flow, often in confused succession. In his dream life, the human being is freed from the law of waking consciousness that fetters him to sense-perception and to the rules governing his power of reason. Yet dreams have certain mysterious laws that are fascinating and alluring to man's prescience, and that are the deeper reason why the beautiful play of fantasy underlying artistic feeling is readily likened to “dreaming.” It is only necessary to call to mind certain characteristic dreams to find this corroborated. Someone dreams, for example, that he drives away a dog that is rushing upon him. He awakens and finds himself in the act of unconsciously throwing off a part of the bedclothes that had pressed upon an unaccustomed part of his body and had, therefore, become burdensome. What does dreaming here make out of the sense-perceptible process? What the senses would perceive in the waking state, the life of sleep allows to remain in complete unconsciousness. It retains, however, something essential, namely the fact that the sleeping person wishes to ward off something. Around this fact sleep weaves a pictorial process. The images, as such, are echoes of waking-day life. The manner in which they are borrowed from it has something arbitrary about it. Every person has the feeling that under the same external provocation, the dream could conjure up different pictures in his soul, but they express symbolically the feeling that the person has something he wishes to ward off. Dreams create symbols; they are symbol-makers. Inner processes, too, can transform themselves into such dream symbols. A person dreams that a fire is crackling near him; in his dream he sees the flames. He awakens and finds that he has been too heavily covered and has become too warm. The feeling of too much warmth is symbolically expressed in the dream picture. Quite dramatic experiences can be enacted in dream. For example, a person dreams that he is standing at an abyss. He sees a child running toward it. In his dream he experiences all the agony of the thought: Oh! if the child would only take heed, would only pay attention and not fall into the abyss! He sees it falling and hears the dull thud of its body below. He awakens and becomes aware that an object hanging on the wall of his room had become loosened and, in falling, has made a dull sound. Dream life expresses this simple occurrence in an event that is enacted in exciting pictures.—For the present we do not need to enter into a consideration of why, in the last example, the moment of the dull thud of the falling object should spread out into a series of events that seem to extend over a certain period of time. We need only keep in mind how the dream transforms into a picture what sense-perception would offer were we awake.

[ 8 ] We see that as soon as the senses cease their activity, something creative asserts itself in man. This is the same creative element that is also present in completely dreamless sleep and there presents the soul state that appears as the antithesis of the soul's waking state. If this dreamless sleep is to take place, the astral body must be withdrawn from the ether and physical bodies. During the dream state, it is separated from the physical body in so far as it no longer has any connection with this body's sense organs, but it still retains a certain connection with the ether body. That the processes of the astral body can be perceived in pictures is due to this connection with the ether body. The moment this connection ceases, the pictures sink down into the darkness of unconsciousness, and we have dreamless sleep. The arbitrary and often absurd character of dream pictures rests upon the fact that the astral body, because of its separation from the sense organs of the physical body, cannot relate its pictures to the proper objects and events of the external environment. This fact becomes especially clear if we consider a dream in which the ego is, as it were, split up; when, for example, a person dreams that, as a pupil, he cannot answer a question put to him by his teacher, while directly afterwards the teacher, himself, answers the question. Because the dreamer cannot make use of the organs of perception of his physical body he is unable to relate the two occurrences to himself, as the same individual. Thus, in order to recognize himself as an enduring ego, he must be equipped with the external organs of perception. Only if a person had acquired the capacity of becoming conscious of his ego otherwise than through these organs of perception, would the enduring ego become perceptible to him outside his physical body. Supersensible consciousness must acquire these capacities, and the means of accomplishing this will be considered later on in this book.

[ 9 ] Even death occurs only because there is a change in the relationship of the members of man's being. What supersensible perception has to say about death can also be observed in its effects in the outer world, and by unbiased reason the communications of supersensible knowledge can be verified on this point also through observation of external life. The expression of the invisible within the visible is, however, less obvious in these facts. It is more difficult fully to feel the importance of what, in the events of external life, corroborates the communications of supersensible knowledge in this realm. Even more than in the case of many things already mentioned in this book it would be quite natural here to declare that these communications are simply figments of the imagination, if no heed is paid to the knowledge of how a clear indication of the supersensible is contained in the sensory.

[ 10 ] In passing over into sleep, the astral body only severs its connection with the ether and physical bodies, the latter remaining bound together; in death, the physical body, however, is severed from the ether body. The physical body is left to its own forces and must, for that reason, disintegrate as a corpse. When death occurs, the ether body enters into a state that it never experienced during the time between birth and death, except under rare conditions that will be spoken of later. It is now united with its astral body, without the presence of the physical body, for the ether body and astral body do not separate immediately after death. For a time they remain together by means of a force whose existence is easily to be understood. If it did not exist, the ether body could not sever itself from the physical body, for it is bound to it. This is seen in sleep when the astral body is unable to tear these two members of the human organism apart. This force begins its activity at death. It severs the ether body from the physical, with the result that the ether body is now united with the astral body. Supersensible observation shows that after death this union varies in different people. Its duration is measured by days. For the present this duration is only mentioned by way of information.—Later the astral body separates from its ether body also and continues on its way bereft of it. During the union of the two bodies man is in a condition that enables him to perceive the experiences of his astral body. As long as the physical body is present, the work of refreshing the worn out organs must begin from the moment the astral body is severed from it. With the severance of the physical body this work ceases. The force that is employed for this work when the human being sleeps remains after death and can now be used to make the astral body's own processes perceptible.

An observation that clings to the externals of life may say that these are statements that are clear to those endowed with supersensible perception, but there is no possibility of anyone else ascertaining the truth about them. This is not a fact. What supersensible perception observes in this realm, removed from ordinary perception, can be comprehended by ordinary thought power after it has once been discovered. This thought power must consider in the right way the relationships of life that are present in the manifested world. Thinking, feeling, and willing stand in such a relationship to each other and to the experiences of man in the outer world, that they remain incomprehensible if the manner of their revealed activity is not considered as the expression of an unrevealed activity. This manifest activity becomes clear to the judgment only when it can be looked upon, in its course within physical human life, as the result of what supersensible knowledge establishes for the non-physical. In regard to this activity we are, without supersensible knowledge, much like a man in a dark room without light. Just as the physical objects around us are perceived only in the light, so will what takes place through the soul-life of man be explicable only by means of supersensible knowledge.

During the union of the human being with his physical body, the outer world enters his consciousness in images; after casting off this body, what the astral body experiences when it is not bound to the outer world by means of physical sense organs becomes perceptible. It has at first no new experiences. Union with the ether body prevents it from experiencing anything new. What it does possess, however, is a memory of the past life. The still present ether body allows this memory to appear as a comprehensive, living picture. This is the first experience of the human being after death. He perceives the life between birth and death in a series of pictures spread out before him. During physical life, memory exists only during the waking state when man is united with his physical body. Memory is present only to the extent allowed by this body. Nothing is lost to the soul that makes an impression upon it during life. Were the physical body a perfect instrument for this, it would be possible at every moment of life to conjure up before the soul the whole of life's past. This hindrance disappears at death. As long as the human being retains the ether body, a certain perfection of memory exists, and it disappears to the degree that the ether body loses the form it had during its sojourn in the physical body, when it resembled the physical body. This is also the reason why the astral body after a time separates from the ether body. It can remain united with the latter only as long as the ether form, which corresponds to the physical body, endures. During life between birth and death, a separation of the ether body from the physical body takes place only in exceptional cases, and then only for a short time. If, for example, a person presses heavily upon one of his limbs, a part of the ether body may separate from the physical. When this occurs we may say that the limb has “gone to sleep.” The peculiar feeling one has at that time comes from the severance of the ether body. (Naturally, here also a materialistic mode of thought may deny the existence of the invisible within the visible and say that all this simply comes from the physical disturbance caused by the pressure.) In such a case, supersensible perception is able to observe how the corresponding part of the ether body passes out of the physical. If a person experiences an unusual shock, or something of the kind, a separation of the ether body from a large part of the physical body may result for a short time. This happens if a person for one reason or another sees himself suddenly near death; if, for example, he is on the verge of drowning, or if, on a mountaineering trip, he is in danger of a precipitous fall. What is told by people who have experienced such things comes very near the truth and may be corroborated by supersensible observation. They state that in such moments their entire life passed before the soul in a great memory-picture. Of the many examples that could be cited here, only one will be referred to because it originates with a person to whose mode of thinking all that has been said here about these experiences must appear as idle fancy. For anyone who takes a few steps in supersensible observation, it is always useful to become acquainted with the statements of those who consider this science as something fantastic. Such statements cannot be so lightly attributed to the prejudice of the observer of the supersensible. (Spiritual scientists may well learn a great deal from those who consider their endeavors nonsense, and they need not be disconcerted if there is no reciprocal “affection” in this respect on the part of the critics. To be sure, for supersensible perception itself there is no need of verification of its results through such experiences. It does not desire to prove anything by these references, but to elucidate its findings.) The eminent criminologist and well known researcher in many other fields of natural science, Moritz Benedict, relates a personal experience in his memoirs. Once, when he was near being drowned while bathing, he saw in memory his whole life before him as though in a single picture.—If others describe differently the pictures experienced under similar circumstances, even in a way that lets them appear to have little to do with the events of their past, this does not contradict what has been said. For the pictures that occur in the quite unusual condition of the separation of the ether body from the physical are often not readily explicable in regard to their relation to life. Proper consideration will always recognize this relationship. Neither is it an objection if someone, for example, once came near drowning and did not have the experience described. It must be remembered that this can only occur when the ether body is actually separated from the physical and at the same time remains united with the astral body. If through the shock a loosening of the ether and astral bodies also takes place, then the experience does not occur, because there exists complete unconsciousness, as in dreamless sleep.

[ 11 ] In the period immediately following death the experiences of the past appear summarized in a memory-picture. After the separation of the ether body and the astral body, the latter is left to itself in its further journey. It is not difficult to see that, within the astral body, everything remains that it has made its own through its own activity during its sojourn in the physical body. To a certain degree, the ego has developed spirit self, life spirit, and spirit man. As far as they are developed, they receive their existence, not from what exists as organs in the bodies, but from the ego. The ego is the very member that needs no external organs for self-perception; it also needs none in order to remain in possession of what it has united with itself. The objection can be made, “Why, then, is there no perception in sleep of this spirit self, life spirit, and spirit man, which have been developed?” There is none, because the ego is fettered to the physical body between birth and death. Even though in sleep the ego, united with the astral body, is outside the physical body, it remains, nevertheless, in close union with the latter, for the activity of the astral body is directed toward this physical body. Thus the ego with its perception is relegated to the external sense world and cannot therefore receive the revelations of the spirit in its direct form. Only at death does the ego receive these revelations because, at death, the ego is freed from its connection with the physical and ether bodies. Another world can flash up for the soul the moment it is withdrawn from the physical world that chains the soul's activity to itself during life. There are reasons why even at this moment all connections between man and the external sense world do not cease. Certain desires remain that maintain this connection. These are desires that the human being creates because he is conscious of his ego, the fourth member of his being. Those desires and wishes arising out of the nature of the three lower bodies can only be active within the external world, and when these bodies are laid aside the desires cease. Hunger is caused by the external body; it is silenced as soon as this outer body is no longer united with the ego. If the ego possessed no other desires than those arising from its own spiritual nature, it could at death draw complete satisfaction from the spiritual world into which it is translated. But life has given it still other desires. It has enkindled in the ego a longing for enjoyments that can only be satisfied through physical organs, although the desires do not have their origin in these organs themselves. Not only do the three bodies demand their satisfaction through the physical world, but the ego itself finds enjoyments within this world for which the spiritual world offers no means of satisfaction. For the ego there are two kinds of desires in life: the desires that have their source in the bodies, and therefore must be satisfied within these bodies, ceasing with the disintegration of these bodies, and the desires that have their source in the spiritual nature of the ego. As long as the ego is within the bodies, these desires also are satisfied by means of bodily organs, for in the manifestations of the bodily organs the hidden spirit is at work, and in all that the senses perceive they receive at the same time something spiritual. This spiritual element exists also after death, although in another form. All spiritual desires of the ego within the sense world exist also when the senses are no longer present. If a third kind of desire were not added to these two, death would signify merely a transition from desires that can be satisfied by means of the senses to those that find their realization in the revelation of the spiritual world. This third type of desire is produced by the ego during Its life in the sense world because it finds pleasure in this world also in so far as there is no spirit manifest in it.—The basest enjoyments can be a manifestation of the spirit. The gratification that the hungry being experiences in taking food is a manifestation of spirit because through the eating of food something is brought about without which, in a certain sense, the spirit could not evolve. The ego can, however, transcend the enjoyment that this fact of necessity offers. It may long for good tasting food, quite apart from the service rendered the spirit by eating. The same is true of other things in the sense world. Desires are created thereby that would never have come into being in the sense world had the human ego not been incorporated in it. But neither do these desires spring from the spiritual nature of the ego. The ego must have sense enjoyments as long as it lives in the body, also in so far as it is spiritual; for the spirit manifests in the sense world and the ego enjoys nothing but spirit when, in this world, it surrenders itself to that medium through which the light of the spirit radiates. It will continue to enjoy this light even when the sense world is no longer the medium through which the rays of the spirit pass. In the spirit world, however, there is no gratification for desires in which the spirit has not already manifested itself in the sense world. When death takes place, the possibility for the gratification of these desires is cut off. The enjoyment of appetizing food can come only through the physical organs that are used for taking in food: the palate, tongue, and so forth. After throwing off the physical body man no longer possesses these organs. But if the ego still has a longing for these pleasures, this longing must remain ungratified. In so far as this enjoyment is in accord with the spirit, it exists only as long as the physical organs are present. If it has been produced by the ego, without serving the spirit, it continues after death as desire, which thirsts in vain for satisfaction. We can only form an idea of what now takes place in the human being if we think of a person suffering from burning thirst in a region in which water is nowhere to be found. This, then, is the state of the ego, in so far as it harbors, after death, the unextinguished desires for the pleasures of the outer world and has no organs with which to satisfy them. Naturally, we must imagine the burning thirst that serves as an analogy for the conditions of the ego after death to be increased immeasurably, and imagine it spread out over all the other still existing desires for which all possibility of satisfaction is lacking. The next task of the ego consists in freeing itself from this bond of attraction to the outer world. In this respect the ego has to bring about a purification and emancipation within itself. All desires that have been created by it within the body and that have no inherent rights within the spiritual world must be rooted out.—Just as an object takes fire and is consumed, so is the world of desires, described above, consumed and destroyed after death. This affords us a glimpse into the world that supersensible knowledge designates as the “consuming fire of the spirit.” All desires of a sensual nature, in which the sensual is not an expression of the spirit, are seized upon by this “fire.” The ideas that supersensible knowledge must give in regard to these processes might be found to be hopeless and awful. It might appear terrifying that a hope, for whose realization sense organs are necessary, must change into hopelessness after death; that a desire, which only the physical world can satisfy, must turn into consuming deprivation. Such a point of view is possible only as long as one does not consider the fact that all wishes and desires, which after death are seized by the “consuming fire,” in a higher sense represent not beneficial but destroying forces in life. By means of such destructive forces, the ego tightens the bond with the sense world more strongly than is necessary in order to absorb from this very sense world what is beneficial to it. This sense world is a manifestation of the spirit hidden behind it. The ego would never be able to enjoy the spirit in the form in which it is able to manifest through bodily senses alone, did it not want to use these senses for the enjoyment of the spiritual within the sense world. Yet the ego deprives itself of the true spiritual reality in the world to the degree that it desires the sense world without the spirit. If the enjoyment of the senses, as an expression of the spirit, signifies an elevation and development of the ego, then an enjoyment that is not an expression of the spirit signifies the impoverishing, the desolation of the ego. If a desire of this kind is satisfied in the sense world, its desolating effect upon the ego nevertheless remains. Before death, however, this destructive effect upon the ego is not apparent. Therefore the satisfaction of such desires can produce similar desires during life, and man is not at all aware that he is enveloping himself, through himself, in a “consuming fire.” After death, what has surrounded him in life becomes visible, and by becoming visible it appears in its healing, beneficial consequences. A person who loves another is certainly not attracted only to that in him which can be experienced through the physical organs. But only of what can thus be experienced may it be said that it is withdrawn from perception at death; just that part of the loved one then becomes visible for the perception of which the physical organs were only the means. Moreover, the only thing that then hinders that part from becoming completely visible is the presence of the desire that can only be satisfied through physical organs. If this desire were not extirpated, the conscious perception of the beloved person could not arise after death. Considered in this way, the picture of frightfulness and despair that might arise in the human being concerning the events after death, as depicted by supersensible knowledge, must change into one of deep satisfaction and consolation.

[ 12 ] The first experiences after death are different in still another respect from those during life. During the time of purification man, as it were, lives his life in reverse order. He passes again through all that he has experienced in life since his birth. He begins with the events that immediately preceded death and experiences everything in reverse order back to childhood. During this process, everything that has not arisen out of the spiritual nature of the ego during life passes spiritually before his eyes, only he experiences all this now inversely. For example, a person who died in his sixtieth year and who in his fortieth year had done someone a bodily or soul injury in an outburst of anger will experience this event again when, in passing through his life's journey in reverse order after death, he reaches the place of his fortieth year. He now experiences, not the satisfaction he had in life from his attack upon the other person, however, but the pain he gave him. From what has been said above, it is at the same time also possible to see that only that part of such an event can be experienced painfully after death that has arisen from passions of the ego having their source only in the outer physical world. In reality, the ego not only damages the other person through the gratification of such a passion, but itself as well; only the damage to itself is not apparent to it during life. After death this whole, damaging world of passion becomes perceptible to the ego, and the ego then feels itself drawn to every being and every thing that has enkindled such a passion, in order that this passion may again be destroyed in the “consuming fire” in the same way it was created. Only when man in his backward journey has reached the point of his birth have all the passions of this kind passed through the fire of purification, and, from then on, nothing hinders him from a complete surrender to the spiritual world. He enters upon a new stage of existence. Just as, at death, he threw off the physical body, then, soon after, the ether body, so now that part of the astral body falls away that can live only in the consciousness of the outer physical world. For supersensible perception there are, thus, three corpses: the physical, the etheric, and the astral corpse. The point of time when the latter is thrown off by man is at the end of the period of purification, which lasts about a third of the time that passed between birth and death. The reason why this is so can only become clear later on, when we shall consider the course of human life from the standpoint of occult science. For supersensible observation, astral corpses are constantly present in the environment of man, which have been discarded by human beings who are passing over from the state of purification into a higher existence, just as for physical perception there are physical corpses in the world in which men dwell.

[ 13 ] After purification an entirely new state of consciousness begins for the ego. While before death the outer perceptions had to flow toward the ego in order that the light of consciousness might fall upon them, now, as it were, a world flows from within of which it acquires consciousness. The ego lives in this world also between birth and death. There, however, this world is clothed in the manifestations of the senses, and only there where the ego, taking no heed of all sense-perceptions, perceives itself in its innermost sanctuary is what otherwise appears veiled by the sense world revealed in its real form. Just as before death the self-perception of the ego takes place in its inner being, so after death and after purification the world of spirit in its plenitude is revealed from within. This revelation, in fact, takes place immediately after the stripping off of the ether body. But, like a darkening cloud, the world of desires, which are still turned toward the outer world, spreads out before it. It is as though dark demoniacal shadows, arising out of the passions “consuming themselves in fire,” intermingled with a blissful world of spiritual experience. Indeed, these passions are now not mere shadows, but actual entities. This becomes at once apparent when the physical organs are removed from the ego and it, therefore, can perceive what is of a spiritual nature. These creatures appear like distortions and caricatures of what the human being previously knew through sense-perception. Supersensible perception says about the world of the purifying fire that it is inhabited by beings whose appearance for the spiritual eye can be horrible and painful, whose pleasure seems to be destruction and whose passion is bent upon a spiritual evil, in comparison with which the evil of the sense world appears insignificant. The passions indicated, which human beings bring into this world, appear to these creatures as food by means of which their power receives constant strengthening. The picture thus drawn of a world imperceptible to the senses can appear less incredible if one for a moment observes a part of the animal world with unprejudiced eyes. For the spiritual gaze, what is a cruel, prowling wolf? What manifests itself in what the senses perceive in it? Nothing but a soul that lives in passions and acts through them. One can call the external form of the wolf an embodiment of these passions, and even if a person had no organs with which to perceive this form, he would still have to acknowledge the existence of the being in question, if its passions showed invisibly in their effects; that is, if a power, invisible to the eye, were prowling around by means of which everything could happen that occurs through the visible wolf. To be sure, the beings of the purifying fire do not exist for sensory, but for supersensible consciousness only; their effects, however, are clearly manifest: they consist in the destruction of the ego when it gives them nourishment. These effects become clearly visible when a well-founded pleasure increases to lack of moderation and excess, for what is perceptible to the senses would also attract the ego only in so far as the pleasure is founded in its own nature. The animal is impelled to desire only by means of that in the outer world for which its three bodies are craving. Man possesses nobler pleasures because a fourth member, the ego, is added to the three bodily members. But if the ego seeks for a gratification that serves to destroy its own nature, not to maintain and further it, then such craving can be neither the effect of its three bodies, nor that of its own nature. It can only be the effect of beings who, in their true form, remain hidden from the senses, beings who can set to work on the higher nature of the ego and arouse in it passions that have no relationship to sense existence, but can only be satisfied through it. Beings exist who are nourished by desires and passions that are worse than any animal passions, because they do not have their being in the sense world, but seize upon the spiritual and drag it down into the realm of the senses. For that reason the forms of such beings are, for supersensible perception, more hideous and gruesome than the forms of the wildest animals, in which only passions are embodied that originate in the sense world. The destructive forces of these beings exceed immeasurably all destructive fury existing in the visible animal world. Supersensible knowledge must, in this way, enlarge the human horizon to include a world of beings that, in a certain respect, stand lower than the visible world of destructive animals.

[ 14 ] When man, after death, has passed through this world, he finds himself confronted by a world that contains the spirit, producing a longing within him that finds its satisfaction only in the spirit. Now too, however, he distinguishes between what belongs to his ego and what forms the environment of this ego, that is, its spiritual outer world. Only, what he experiences of this environment streams toward him in the way the perception of his own ego streams toward him during his sojourn in the body. While in the life between birth and death his environment speaks to him through his bodily organs, after all bodies have been laid aside the language of the new environment penetrates directly into the “innermost sanctuary” of his ego. The entire environment of the human being is filled with beings of like nature with his ego, for only an ego has access to another ego. Just as minerals, plants, and animals surround him in the sense world and compose that world, so after death he is surrounded by a world that is composed of beings of a spiritual nature.—Yet he brings with him into this world something that does not belong to his environment there, namely, what the ego has experienced within the sense world. Immediately after death, and as long as the ether body was still united with the ego, the sum of these experiences appeared in the form of a comprehensive memory picture. The ether body itself is then, to be sure, cast off, but something from this memory picture remains as an imperishable possession of the ego. What has thus been retained appears as an extract, an essence made from all the experiences that the human being has passed through between birth and death. This is life's spiritual yield, its fruit. This yield contains everything of a spiritual character that has been revealed through the senses. Without life in the sense world, however, it could not have come into existence. After death the ego feels this spiritual fruit of the sense world as its own inner world with which it enters a world composed of beings who manifest themselves as only his ego can manifest itself in its innermost depths. Just as the plant seed, which is an extract of the entire plant, develops only when it is inserted into another world—the earth, so what the ego brings with it out of the sense world unfolds like a seed upon which the spiritual environment acts that has now received it. If the science of the supersensible is to describe what occurs in this “land of the spirits,” It can indeed only do so by portraying it in pictures. Still, these pictures appear as absolute reality to supersensible consciousness when it investigates the corresponding occurrences imperceptible to the physical eye. What is to be described here may be illustrated by means of comparisons with the sense world, for although it is wholly of a spiritual nature, it has, in a certain respect, a similarity to the sense world. For example, just as in the world of the senses a color appears when an object impresses the eye, in the “land of the spirits,” when a spiritual being acts upon the ego, an experience is produced similar to one made by a color. But this experience is produced in the way in which, in the life between birth and death, only the perception of the ego can be produced in the soul's inner being. It is not as though the light struck the human inner being from without, but as though another being were acting directly upon the ego, causing it to portray this activity in a colored picture. Thus all beings of the spiritual environment of the ego express themselves in a world of radiating colors. Since their origin is of a different kind, these color experiences of the spirit world are, naturally, of a character somewhat different from the experiences of physical color. The same thing can be said of other impressions that the human being receives from the sense world. The impressions that resemble most those of the sense world are the tones of the spiritual world, and the more the human being becomes familiar with this world, the more will it become for him an inwardly pulsating life that may be likened to tones and their harmonies in sensory reality. These tones, however, are not experienced as something reaching an organ from outside, but as a force streaming through the ego out into the world. The human being feels the tone as he feels his own speaking or singing in the sense world, but he knows that in the spiritual world these tones streaming out from him are at the same time manifestations of other beings poured out into the world through him. A still higher manifestation takes place in the land of spirit beings when the tone becomes “spiritual speech.” Then not only the pulsing life of another spirit being streams through the ego, but a being of this kind imparts its own inner nature to this ego. Without that separation which all companionship must experience in the physical world, two beings live in each other when the ego is thus permeated by “spiritual speech.” The companionship of the ego with other spirit beings after death is really of this kind.

Three realms of the land of spirits appear before supersensible consciousness that may be compared with three regions of the physical sense world. The first region is the “solid land” of the spiritual world, the second, the “region of oceans and rivers,” the third, the “atmospheric region.”—What assumes physical form on earth so that it may be perceived by means of physical organs is perceived in its spiritual nature in the first realm of the land of spirit beings. For example, the force that gives the crystal its form may be perceived there, but what thus appears is the antithesis of the form it assumes in the sense world. The space, which in the physical world is filled with the stone mass, appears to spiritual vision as a kind of cavity. Around this cavity, however, the force is visible that gives form to the stone. The color the stone possesses in the physical world is experienced in the spiritual world as the complementary color. Thus a red stone appears greenish in the spirit land and a green stone, reddish. The other characteristics also appear In their complementary forms. Just as stones, earth masses, and so forth, make up the solid land—the continental regions—of the physical world, so the structures described above compose “the solid land” of the spirit world.—Everything that is life within the sense world is the oceanic region in the spirit world. Life to the physical eye is manifest in its effects in plants, animals, and men. Life to spiritual vision is a flowing entity that permeates the land of spirits like seas and rivers. A still better analogy is that of the circulation of the blood in the body, for whereas oceans and rivers appear irregularly distributed within the physical world, there is a certain regularity, like that of the circulation of the blood, in the distribution of this streaming life of the land of spirit beings. This flowing life is heard simultaneously as a spiritual entoning.—The third realm of the spirit land is its “atmosphere.” What appears in the sense world as sensation exists in the spiritual realm as an all-pervading presence like the earth's air. Here we must imagine a sea of flowing feeling. Sorrow and pain, joy and delight flow through this realm like wind or a raging tempest in the atmosphere of the sense world. Imagine a battle raging upon earth. Not only human forms confront each other there, forms that can be seen with the physical eyes, but feelings stand forth opposing feelings, passions opposing passions. The battlefield is filled with pain as well as with human forms. Everything that is experienced there of the nature of passion, pain, joy of conquest, is present not alone in its effects perceptible to the senses, but the spiritual sense becomes conscious of it as atmospheric processes in the land of spirits. Such an event in the spirit is like a thunder storm in the physical world, and the perception of these events may be likened to the hearing of words in the physical world. Therefore it is said that just as the air surrounds and permeates the earth beings, so do “wafting spiritual words” enclose the beings and processes of the spirit land.

[ 15 ] There are still other perceptions possible in this spiritual world. What may be compared to warmth and light of the physical world is also present. What permeates everything in the spirit land, like warmth permeating earthly things, is the thought world itself, only here, thoughts must be imagined as living, independent entities. What is apprehended as thoughts in the physical world is like the shadow of what exists in the land of spirits as thought beings. If we imagine thought, as it exists in human beings, withdrawn from man and endowed as an active entity with its own inner life, then we have a feeble illustration of what permeates the fourth region of the spirit land. What man perceives as thoughts in his physical world between birth and death is only the manifestation of the thought world as it is able to express itself through the instrumentality of the bodies. But all such thoughts entertained by human beings, which signify an enrichment of the physical world, have their origin in this region. One need not think here merely of the ideas of the great inventors, of the geniuses. It can be seen how every person has sudden ideas that he does not owe merely to the outer world, but with which he transforms this outer world itself. Feelings and passions whose causes lie in the outer world have to be placed in the third region of the spirit land. But everything that can so live in the human soul as to make him a creator, causing him to transform and fructify his surroundings, is perceptible in its primeval, essential form in the fourth sphere of the spiritual world.—What exists in the fifth region may be compared with physical light. It is wisdom revealing itself in its innermost form. Beings belonging to this region shed wisdom upon their environment, just as the sun sheds light upon physical beings. What is illuminated by this wisdom appears in its true significance and meaning for the spiritual world, just as a physical object displays its color when it is shone upon by the light.—There exist still higher regions of the land of the spirits, descriptions of which will be found in a later part of this work.

After death, the ego is immersed in this world, together with the harvest that it brings with it from its life in the sense world. This harvest is still united with that part of the astral body that has not been thrown off at the end of the period of purification. Only that part falls away which after death was inclined with its desires and longings toward physical life. The immersion of the ego in the spiritual world, together with what it has acquired in the sense world, may be compared with the insertion of a seed into the ripening earth. Just as this seed draws substances and forces from its environment in order to develop into a new plant, so, too, unfolding and growth is the very essence of the ego being embedded in the world of spirit.—Within what an organ perceives lies hidden the force by means of which the organ itself is created. The eye perceives the light, but without the light there would be no eye. Beings that pass their lives in darkness develop no organs of sight. In this manner the whole bodily organism of the human being is created out of the hidden forces lying within what is perceived with these bodily members. The physical body is built up by the forces of the physical world, the ether body by those of the life world, and the astral body is formed out of the astral world. When the ego is now transplanted into the spirit land, it encounters those forces that remain hidden to physical perception. In the first region of the spirit land the spiritual beings are perceptible who always surround the human being and who have also fashioned his physical body. Thus in the physical world, man perceives nothing but the manifestations of those spiritual forces that have also formed his own physical body. After death, he is himself in the midst of these formative forces that now appear to him in their own, previously concealed, form. Likewise, in the second region he is in the midst of the forces composing his ether body. In the third region, forces stream toward him out of which his astral body has been organized. The higher regions of the spirit land also now impart to him what composes his form in his life between birth and death.

[ 16 ] These beings of the spirit world now co-operate with what man has brought with him as fruit from the former life and what now becomes a seed. By means of this cooperation man is built up anew as a spiritual being. In sleep the physical and ether bodies continue their existence; the astral body and ego are, to be sure, outside of these two bodies, but still united with them. Whatever influences the astral body and the ego receive in this state from the spiritual world can only serve to restore the forces exhausted during the waking period. When the physical and ether bodies have been laid aside, however, and when, after the period of purification, those parts of the astral body that are still connected with the physical world through their desires are also laid aside, all that streams toward the ego from the spirit world now becomes not only a perfector, but a recreator. After a certain length of time, which will be discussed in later parts of this work, an astral body has formed itself around the ego; the former can again dwell in ether and physical bodies befitting the human being between birth and death. He can again pass through birth and appear in a new earth existence into which the fruit of the previous life has been incorporated. Up to the time of re-forming a new astral body, man is a witness of his own re-creation. Since the powers of the spirit land do not reveal themselves to him by means of outer organs, but from within, like his own ego in self-consciousness, he is able to perceive this revelation as long as his mind is not yet directed to an outwardly perceptible world. The moment, however, the astral body is newly formed, his attention turns outward. The astral body once more requires an external ether and physical body. It therefore turns away from the revelations of the inner world. For this reason an intermediate state now begins, during which man sinks into unconsciousness. Consciousness can only reappear in the physical world when the necessary organs for physical perception have been formed. During this period in which consciousness, illuminated by inner perception, ceases, the new ether body begins to attach itself to the astral body and the human being can then again enter into a physical body. Only an ego that has of itself produced life spirit and spirit man, the hidden, creative forces in the ether and physical bodies, would be able to take part consciously in the attachment of these two members. As long as man is not developed to this point, beings who are further advanced than he in their evolution must direct the attachment of these members. The astral body is led by such beings to certain parents, so that he may be endowed with the proper ether and physical bodies.—Before the attachment of the ether body is completed, something extraordinarily significant occurs for the human being who is re-entering physical existence. He has, in his previous life, created destructive forces that became evident when he experienced his life in reverse order after death. Let us take again the example suggested above. A person had caused someone pain in an outburst of anger in the fortieth year of his previous life. After death, he met this pain of the other person in the form of a force destructive to the development of his own ego. So it is with all such occurrences of his previous life. On re-entering physical life, these hindrances to evolution confront the ego anew. Just as at death a kind of memory picture of the past life arose before the human ego, now a pre-vision of the coming life presents itself. Again he sees a tableau, which this time displays all the hindrances he must remove if his evolution is to make further progress. What he thus sees becomes the starting point of forces that he must carry with him into a new life. The picture of the pain that he has caused another person becomes the force impelling the ego, on re-entering life, to make reparation for this pain. Thus the previous life has a determining effect upon the new life. The actions of this new life are in a certain way caused by those of the previous life. This orderly connection between a former and a later existence must be considered as the law of destiny. It has become the custom to designate this law by the name karma, a term borrowed from oriental wisdom.

[ 17 ] The fashioning of a new corporeal organization is not the only activity that is required of the human being between death and a new birth. While this building up is taking place, man lives outside the physical world. But during this time the earth proceeds in its evolution. Within relatively short periods of time the earth changes its countenance. How did those regions, which at present are occupied by Germany, appear a few millennia ago? When man reappears in a new life, the earth as a rule presents quite a different appearance from the one it had in his previous life. While he was absent from the earth all sorts of changes have occurred. Hidden forces also are at work in this transformation of the face of the earth. Their activities proceed from the same world in which man dwells after death, and he himself must co-operate in this transformation of the earth. He can do so only under the guidance of higher beings, as long as he has not acquired, through the development of life spirit and spirit man, a clear consciousness concerning the relationship between the spirit and its expression in the physical. But he helps to transform the earthly conditions. It can be said that human beings, during the period between death and a new birth, transform the earth in such a way that its conditions harmonize with their own development. If we observe a particular spot on the earth at a definite point of time and observe it again after a long span, finding it in a fully changed condition, the forces that have wrought this change are the forces of the human dead. In this way men have a relationship with the earth also during the period between death and a new birth. Supersensible consciousness sees in all physical existence the manifestation of a hidden spirituality. For physical observation, it is the light of the sun, climatic changes, and similar phenomena that bring about the transformation of the earth. For supersensible observation, the forces of the human dead are active in the rays of light that fall upon the plants from the sun. By observing supersensibly one becomes aware of how human souls hover above the plants, how they change the surface of the earth, and so forth. The attention of the human being is not only turned upon himself and upon the preparation for his own new earth life; indeed, he is called upon to work spiritually upon the outer world, just as he is called upon to work physically in the life between birth and death.

[ 18 ] Not only from the land of spirit beings does human life affect the conditions of the physical world, however, but, vice versa, all activity in physical existence has its effects in the spiritual world. An example will illustrate what happens in this respect. A bond of love exists between mother and child. This love arises out of an attraction between the two that has its roots in the forces of the sense world. But it changes in the course of time; a spiritual bond is formed more and more out of the sensory, and this spiritual link is fashioned not merely for the physical world, but also for the land of spirits. This is also true for other relationships. What has been spun in the physical world through spiritual beings remains in the spiritual world. Friends who have become closely united in life belong together also in the land of spirits and, after laying aside their bodies, they are in much more intimate communion than in physical life. For as spirits they exist for each other through the manifestation of their inner nature in the same way that the higher spiritual beings manifest their existence to one another through their inner nature, as we have described above, and a tie that has been woven between two people brings them together again in a new life. Therefore, in the truest sense of the word, we must speak of people finding each other again after death.

[ 19 ] What has once taken place with a person, during the period from birth to death and then from death to a re-birth, repeats itself. Man returns to earth again and again when the fruit that he has acquired in one physical life has reached maturity in the land of the spirits. Yet, we must not think here of repetition without beginning and end, for the human being passed, at some time, from other forms of existence into those that take place in the manner described, and he will in the future pass on to others. A picture of these transitional stages will be presented when, subsequently, the evolution of the cosmos—in relation to man—is described from the standpoint of supersensible consciousness.

[ 20 ] The processes that occur between death and a new birth are, naturally, still more concealed for outer sensory observation than the spiritual element that underlies manifest existence between birth and death. This sensory observation can see the effects of this part of the concealed world only where they enter into physical existence. The question for sensory observation is, whether the human being who passes through birth into life brings with him something of the processes described by supersensible cognition as taking place between a previous death and birth. if someone finds a snail shell in which no trace of an animal is to be seen, he will nevertheless acknowledge that this snail shell has come into existence through the activity of some animal and will not believe that it has been constructed in its form purely by means of physical forces. Likewise, a person who observes a living human being and finds something that cannot have its origin in this life, can admit with reason that it originates in what the science of the supersensible described, if thereby a clarifying light is thrown upon what is otherwise inexplicable. Thus intelligent sensory observation would be able to find that the invisible causes are comprehensible through their visible effects, and to anyone who observes this physical life entirely without prejudice, the above will appear—with every new observation—more and more convincing. It is only a question of finding the right standpoint for observing the effects in outer life. For example, where are the effects of what supersensible cognition describes as processes of the time of purification? How do the effects of the experiences that man undergoes manifest themselves after this time of purification in the purely spiritual realm, according to the evidence of spiritual research?

[ 21 ] Problems enough force themselves into every earnest and deep consideration of life in this field. We see one person born in need and misery, equipped with only meager ability, and he appears to be predestined to a pitiable existence because of the conditions prevailing at his birth. Another will, from the first moment of his life, be cherished and cared for by solicitous hands and hearts; brilliant capacities unfold in him, he is cut out for a fruitful, satisfactory existence. Two contrasting points of view can be asserted in respect of such problems. The one adheres to what the senses perceive and what the intellect, bound to the senses, can grasp. This point of view sees no problem in the fact that one person is born to good fortune, the other to misfortune. Although such a point of view may not wish to use the word “chance,” still those who hold it are not ready to assume an interrelated web of laws that causes such diversities, and with respect to aptitudes and talents, this way of thinking adheres to what is said to be “inherited” from parents, grandparents, and other ancestors. It will refuse to seek the causes in spiritual events that man himself has experienced before his birth, and through which he has formed his capacities and talents, quite apart from the hereditary descent from his ancestors.—Another point of view will not feel satisfied with such an interpretation. It will hold that even in the outer world nothing occurs at a definite place or in definite surroundings without the necessity of presupposing a reason for the cause of it. Although in many instances these causes have not yet been investigated, yet they exist. An Alpine flower does not grow in the lowlands; there is something in its nature that unites it with the Alpine regions. Likewise, there must be something in a human being that causes him to be born in a definite environment. This is not to be explained by causes that lie merely in the physical world. To a serious thinker this must appear as though a blow dealt another should be explained not by the feelings of the aggressor, but rather by the physical mechanism of his hand.—Those who have this point of view must also be dissatisfied with all explanations of aptitude and talents as mere inheritance. Yet it may be said in this connection that obviously certain aptitudes continue to be inherited in families. During two and a half centuries musical aptitudes were inherited by the members of the Bach family. Eight mathematicians, some of whom in their childhood were destined for quite different professions, have appeared in the Bernoulli family. The “inherited” talents have always impelled them to take up the family profession. Furthermore, it can be shown through exact investigation of the line of ancestry of an individual that, in one way or another, the talents of this individual have appeared in the ancestors and that they present only a summation of inherited tendencies. The one having the second point of view mentioned will certainly not disregard such facts, but they cannot mean the same thing to him as to the other who rests his explanations solely upon the processes of the sense world. The former will point out that it is just as impossible for the inherited traits to sum themselves up into an entire personality as it is for the metal parts of a clock to form themselves into a clock. If the objection is made that the united activity of the parents can bring about the combination of traits and that this, as it were, takes the place of the clock-maker, he will reply, “Just look with impartiality at the completely new element in every child's personality; this cannot come from the parents for the simple reason that it does not exist in them.” ^c4

[ 22 ] Unclear thinking can cause great confusion in this realm. The worst is if those having the first point of view previously stated look on those having the second as opponents of what is based upon “sure facts.” But these latter may not even think of denying the truth or the value of these facts. They also see quite clearly, for example, that a definite spiritual predisposition, even a spiritual direction, is “inherited” in a family, and that certain capacities summarized and combined in one descendant result in a remarkable personality. They are ready to admit that the most illustrious name seldom stands at the beginning, but at the end of a blood relationship. But those holding this view should not be blamed if they are forced to draw conclusions from these findings quite different from those of the persons who merely hold to the facts of the senses. The latter may be countered by saying that the human being certainly displays the attributes of his ancestors, for the soul-spirit element, which enters into physical existence through birth, takes its physical form from what heredity gives it. But by this, nothing else is said than that a being bears the qualities of the medium in which it is immersed. The following is certainly a strange and trivial comparison, but the unprejudiced mind will not deny its justification when it is said that the fact that a human being appears clothed in the traits of his forebears gives no more evidence of the origin of his personal characteristics than the fact that he is wet because he fell into the water gives evidence of his inner nature. It can be said further that if the most illustrious name stands at the end of a blood relationship covering many generations, it shows that the bearer of this name needed this blood relationship in order to form the body required for the development of his entire personality. It is, however, no proof whatsoever of the “inheritance” of the personal element itself; in fact, for a healthy logic, this fact proves just the opposite. If indeed the personal gifts were inherited, they would have to stand at the beginning of this series of generations and be transmitted to the descendants. But the appearance of a great endowment at the end of a human series proves that it is not inherited.

[ 23 ] It is not to be denied that those who speak of spiritual causation in life often add to the confusion. They often speak too much in general, indefinite terms. When it is declared that the inherited attributes are summed up into the personality of a human being, this can certainly be compared with the statement that the metal parts of a clock have assembled themselves. But it must also be admitted that many statements about the spiritual world are similar to the declaration that the metal parts of a clock cannot assemble themselves so that the hands move forward; therefore something spiritual must be present that takes care of the forward movement of the hands. In respect of such an assertion, he builds on a firmer foundation who says, “Oh, I shall not trouble about such ‘mystical beings’ who advance the hands of the clock; I am trying to learn to understand the mechanical relationships that bring about this forward movement of the hands.” For it is not a question of merely knowing that behind such a mechanism as the clock, for example, there stands something spiritual—the clock-maker—but it is of significance only to learn to know the thoughts in the mind of the clock-maker that have preceded the construction of the clock. These thoughts can be found again in the mechanism.

[ 24 ] All mere dreaming and imagining about the supersensible brings only confusion for they are incapable of satisfying the opponents. The latter are right when they say that such general references to supersensible beings are not an aid to the understanding of the facts. These opponents, it is true, may say the same thing about the definite indications of spiritual science. In this case, however, it can be shown how the effects of hidden spiritual causes appear in outer life. The following can be maintained: Suppose that what spiritual research has established by means of observation is true, namely, that man after death has passed through a period of purification and that he has experienced psychically during that time how a definite act, which has been performed in a previous life, is a hindrance to further evolution. While he was experiencing this, the impulse developed in him to rectify the consequences of this act. He brings this impulse with him into a new life, and it then forms the trait of character that places him in a position where this rectification is possible. Consider the totality of such impulses, and you have a reason for the destined environment in which a person is born.—The same may apply to another supposition. Again assume that what spiritual science says is true, namely, that the fruits of a past life are incorporated in the spiritual human seed, and that the land of the spirits in which this seed exists between death and rebirth is the realm in which these fruits ripen in order to appear again in a new life changed into talents and capacities, and to form the personality in such a way that it appears as the effect of what has been gained in a former life.—Anyone who makes these assumptions and, with them, observes life without prejudice will see that through them all facts of the sense world can be acknowledged in their full significance and truth, while at the same time everything becomes comprehensible that must remain forever incomprehensible to the one who, while relying only on physical facts, directs his attitude of mind toward the spiritual world. Above all, every illogical assumption will disappear, for instance the one mentioned above, that because the most important name stands at the end of a blood relationship series, the bearer of that name must have inherited his talents. Life becomes logically comprehensible by means of the supersensible facts communicated by spiritual science.

[ 25 ] The conscientious truth-seeker who, without personal experiences in the supersensible world, wishes to find his way within the facts will, however, still be able to raise an important objection. For it can be asserted that it is inadmissible to assume the existence of any fact whatever simply for the reason that something that otherwise is inexplicable can thereby be explained. Such an objection is surely wholly without meaning for the one who knows the corresponding facts from supersensible experience. In the subsequent chapters of this work, the path will be indicated that can be traveled for the purpose of becoming acquainted, not only with other spiritual facts to be described here, but also with the law of spiritual causation as an individual experience. However, the above objection can, indeed, have significance for the person who is not willing to tread this path, but what can be said in refutation of this objection is also valuable for the one who has decided to take this path. For a person who accepts this in the right way has made the best initial step that can be taken on the path.—It is absolutely true that we should not accept something, the existence of which we do not otherwise know, simply because something, which otherwise remains incomprehensible, can be explained by it. In the case of the spiritual facts mentioned, however, the matter is quite different. If they are accepted, this has not only the intellectual consequence that life becomes comprehensible through them, but by the admission of these assumptions into our thoughts something else is experienced. Imagine the following case. Something happens to a person that arouses in him a feeling of distress. He can take this in two different ways. He can experience distress over the occurrence and yield himself to its disturbing aspects, even perhaps sink into grief. He can, however, take it in another way. He can say, “In reality, I have in a past life developed in myself the force that has confronted me with this event; I have, in fact, brought this thing upon myself,” and he can arouse in himself all the feelings that can result from such a thought. Naturally, the thought must be experienced with the utmost sincerity and all possible force if it is to have such a result for the life of feeling and sensation. Whoever achieves this will have an experience that can best be illustrated by a comparison. Let us suppose that two men get hold of a stick of sealing wax. One makes intellectual observations concerning its “inner nature.” These observations may be very clever; if there is nothing to show this “Inner nature,” one might easily reply that this is pure fantasy. The other, however, rubs the sealing wax with a cloth and then shows that it attracts small particles. There is a tremendous difference between the thoughts that have passed through the head of the first man, arousing his observations, and those of the second man. The thoughts of the first have no actual results; those of the second, however, have aroused a force, that is, something actual, from its concealment.—This is also the case with the thoughts of the human being who imagines that, through a former life, he has implanted into himself the power to encounter an event. This mere thought arouses in him a real force by means of which he can meet the event quite differently from the way he would have met it had he not entertained this thought. The inherent necessity of this event, which otherwise he might have considered merely due to chance, dawns upon him, and he will at once understand that he has had the right thought, for it had the force to disclose to him the facts. If a person repeats such inner processes, they become the means of an inner supply of strength and thus they prove their truth through their fruitfulness, and this truth becomes manifest gradually and powerfully. These processes have a healthy effect in regard to spirit, soul, and body; indeed, in every respect they act beneficially upon life. Man becomes aware that in this way he enters in the right manner into the relationships of life, whereas he is on the wrong path when he considers only the one life between birth and death. His soul becomes stronger because of this knowledge.—Such purely inner proof of spiritual causation can only be produced by each person himself in his own intimate soul life, but everyone can have such proof. Anyone who has not produced this proof cannot, of course, judge its power. Anyone who has produced it can no longer have any doubt about it. It is not surprising that this is so, for it is only natural that what is so intimately connected with man's innermost nature, his personality, can also be satisfactorily proved only by means of the most intimate experience.—The objection cannot be made, however, that each person must deal personally with such matters since they have to do with an inner experience of this kind, and that they cannot be the concern of spiritual science. It is true that each person must have the experience himself, just as each person must himself understand the proof of a mathematical problem. The means by which the experience can be attained, however, holds good for everyone, just as the method of proving a mathematical problem holds good for everyone.

[ 26 ] It should not be denied that—aside from supersensible observations, of course—the proof by means of the forceproducing power of the corresponding thoughts just referred to, is the only one that holds its own if viewed with impartial logic. All other considerations are certainly important, but they all will possess something that offers a point of attack. To be sure, anyone who has acquired a sufficiently unprejudiced point of view will find something in the possibility and actuality of the education of man that has logically effective power of proof for the fact that a spiritual being is struggling for existence within the bodily sheath. He will compare the animal with the human being and say to himself that in the former, its normal characteristics and capacities appear at birth as something definite, which shows clearly how it is predestined by heredity and how it will develop in the outer world. See how the tiny chick from birth carries out vital functions in a definite way. In the human being, however, something enters into relationship with his inner life, through education, that can exist without any connection whatsoever with heredity, and he can make the effects of such outer influences his own. Anyone who teaches knows that forces from the inner being must come to meet such influences. If this is not the case, then all schooling, all education is meaningless. For the unprejudiced educator, there exists a clear-cut boundary between inherited characteristics and those inner human forces that shine through these characteristics originating in former earth lives. True, it is impossible to adduce “weighty” proofs for these things in the same way that certain physical facts may be demonstrated by means of the scales. But then, these things are the intimacies of life, and for the person who has a sense for such things, these impalpable evidences are likewise conclusive, even more conclusive than the obvious reality. That animals can be trained, that is, that they acquire qualities and faculties through education, offers no objection for the one who is able to see the essential thing. Aside from the fact that everywhere in the world transitions are to be found, the results of animal training do not fuse in like manner with the animal's personal nature, as is the case with human beings. It is even emphasized that the abilities the domestic animal acquires through training during its life with man, are inheritable, that is, that they have their effects in the species, not in the individual. Darwin describes how dogs fetch and carry without having learned to do so or having seen it done. Who would assert a similar thing in regard to human education?

[ 27 ] There are thinkers who through their observation pass beyond the opinion that the human being is constructed from without purely through the forces of heredity. They rise to the idea that a spiritual being, an individuality, precedes physical existence and forms it. Many of them do not find it possible to comprehend that there are repeated earth lives, and that in the intervening existence between lives the fruits of the previous ones act cooperatively as formative forces. Let us mention one out of the list of such thinkers. Immanuel Hermann Fichte, son of the great Fichte, in his work Anthropology² cites his observations that bring him to the following comprehensive conclusion:

The parents are not the producers of the child in the fullest sense of the word. They offer the organic substance, and not alone that, but at the same time the median, sensory soul element that expresses itself in temperament, in special soul coloring, in definite specification of impulses, and the like, the general source of which is ‘fantasy’ in that broader sense already proved by us. In all these elements of personality the mixture and peculiar union of the parent souls is unmistakable; there are good reasons, therefore, to explain these as purely a product of procreation; all the more so, if procreation is understood to be an actual soul process. We had to come to this conclusion. But the actual conclusive central point of the personality is lacking just here. For by means of a deeper, more penetrating observation we see that even those characteristics of mind and soul are only vestures and instruments for embracing the real spiritual, ideal aptitudes of man, capable of furthering or retarding them in their development, but in no way capable of bringing them into existence out of themselves.

And we read further:

Each person existed previously in accordance with his spiritual fundamental form, for spiritually considered, no individual resembles another any more than one species of animal resembles another. (see Note #3)³

These thoughts only go so far as to permit a spiritual being to enter the physical corporeality of man. Since, however, this spiritual being's formative forces are not derived from the causes of a former life, each time that a personality comes into existence a spiritual being of this kind would have to emerge out of a divine primal fount. Assuming this to be true, there would be no possibility of explaining the relationship that exists between the aptitudes struggling forth out of the human inner being and what approaches this inner being in the course of life from the outer earthly environment. The human inner being, which in every individual would have to spring from a divine primal source, would have to stand as a complete stranger before what confronts it in earth life. Only then will this not be the case—and so it is indeed—if this human inner nature had already been united with the external world—in other words, if it is not living in this world for the first time. The unbiased educator can clearly make the observation, “I bring something to my pupil from the results of earth life that is indeed foreign to his merely inherited characteristics, yet is something that makes him feel as if he had already been connected with the work in which these results of earth life have their source.” Only repeated earth lives, in connection with the facts in the spiritual realm between these earth lives as presented by spiritual research, can give a satisfactory explanation of the life of present day humanity, considered from every point of view.—The expression, “present day” humanity, was intentionally used here, for spiritual research finds that there was a time when the cycle of earth lives began, and that at that time conditions different from those of the present existed for the spiritual being of man as it entered into the corporeal sheath. In the following chapters we shall go back to this primeval state of the human being. When it will have to be shown, from the results of spiritual science, how this human being has attained his present form in relation to the evolution of the earth, we shall then be able to point out still more exactly how the spiritual essential core of man penetrates into the physical body from supersensible worlds, and how the spiritual law of causation—“human destiny”—is developed.

• c3. The connection between sleep and fatigue is, in most cases, not viewed in a manner demanded by the facts. Sleep is supposed to be a result of fatigue. That this thought is much too simple is shown by the fact that a man, not at all tired, may fall asleep while listening to an uninteresting lecture, or on some similar occasion. Whoever maintains that such an occasion tires the listener, tries to explain by a method that lacks a serious scientific attitude. Unprejudiced observation must lead to the conclusion that waking and sleeping present different relationships of the soul to the body, which must appear in the regular course of life in rhythmical sequence like the right and left swing of a pendulum. The result of such unprejudiced observation is that the filling of the soul with the impressions of the outer world awakes in it the desire, after experiencing this state, to enter another in which it is absorbed in the enjoyment of its own bodily nature. Two soul states alternate: the state of surrender to outer impressions and the state of surrender to one's own bodily nature. In the first state the desire for the second is unconsciously produced; the second state then takes its course in unconsciousness. The expression of the desire for the enjoyment of one's own bodily nature is fatigue. We must then actually say that we feel tired, because we wish to go to sleep, not that we wish to go to sleep because we feel tired. Since the human soul can, through habit, arbitrarily call forth in itself the states that of necessity appear in normal human life, it is possible that, when the soul makes itself insensitive to a given outer impression, it calls forth in itself the desire for enjoyment of its own bodily nature; that is to say, the soul goes to sleep, even though this state is not induced by the inner condition of the human being.
• c4. The statement that, if the personal talents of a human being were subject only to the law of heredity, they would have to show themselves not at the end but at the beginning of a blood relationship, might easily be misunderstood. It might be said that talents cannot show themselves at the beginning, for they must first be developed. But this is not a valid objection. For, if we wish to prove that something is inherited from a forebear, we must show how there is to be found again in the descendant what existed already previously. If it were shown that something was present at the beginning of a blood relationship that would be found again in the further course of its evolution, we might then speak of heredity. We cannot do this, however, if at the end something appears that previously did not exist. The reversal of the above sentence was only to show that in this case the idea of heredity is an impossible one.
• 2. Hermann Fichte, Anthropologie, p. 528. Brockhaus, Leipzig, 1860.
• 3. Immanuel Hermann Fichte, Anthropologie

[ 1 ] The essence of man's waking consciousness cannot be penetrated without observing the condition he lives through in sleep; so too, is the riddle of life insoluble without the study of death. People who have no feeling for the importance of supersensible knowledge will find grounds for skepticism in the very fact that it dwells so much on the facts of sleep and death. We can appreciate the motives of this kind of skepticism. For it is not unreasonable to insist that man is here to lead an active life, and that the more he is devoted to this life, the more efficient and creative he will be; to delve into such things as sleep and death can only spring from a tendency to idle dreaming and lead to nothing more than empty figments of the mind.

People may easily regard the refusal to indulge in such “empty figments” as a sign of mental health, and see in the pursuit of these “idle dreamings” something morbid, natural enough to those deficient in vitality and vigor, without ability to do creative work. We should do wrong merely to brush aside this opinion. There is in it a modicum of truth; it is a quarter-truth, and only needs to be complemented by the remaining three quarters. By arguing against it we only kindle the mistrust of those who see the one quarter well enough but are unaware of the other three.

A study of what lies hidden behind sleep and death is only morbid if it produces weakness and aversion from the realities of life. This may be granted without reservation. Admittedly moreover, much that has claimed the title of “Occult Science” in the past or is pursued today under this name, bears an unhealthy stamp, inimical to life. But the true science of the supersensible does not give rise to anything unhealthy of this kind.

The fact is rather this: As a man cannot always be awake, so for the full reality of life he cannot do without what the supersensible provides. Life goes on in sleep; the faculties with which we work and achieve results in waking consciousness derive strength and renewal from what sleep imparts. So too it is with what man is able to observe within the manifest world. The real world is wider than the field of this type of observation. Therefore the knowledge man can gain within the visible domain needs to be fertilized and complemented by all that he can come to know of the invisible. A man who did not ever and again derive from sleep the renewal of his exhausted powers would destroy his life; likewise, a way of thinking which is not made fruitful by the knowledge of hidden worlds must ultimately lead to emptiness and desolation.

So too with “death.” All living things are subject to death, to the end that new life may arise. It is the knowledge of the supersensible which throws clear light on Goethe's well-known saying, “Nature herself invented death, to have abundant life.” As without death there could be no life in the ordinary meaning of the term, so without insight into the supersensible there can be no true knowledge even of the visible world. Our knowledge of the visible must penetrate again and again to the invisible, that it may live and grow. Thus it becomes apparent that the science of the manifest world is awakened to essential life by the science of the supersensible. In its true form, the latter never has a weakening effect. Time and again it brings refreshment and healing into the outer existence which when abandoned to its own resources becomes weak and ill.

[ 2 ] When a man falls asleep the connection between the members of his being undergoes a change. What we see lying there on the bed includes the physical and the etheric body of the sleeper, but not the astral body nor the I or Ego. Inasmuch as the etheric body remains connected with the physical, the vital functions continue during sleep; left to itself alone, the physical body would of necessity disintegrate. It is the thoughts, the mental images, it is pain and pleasure, joy and grief, the power of giving conscious direction to the will, and all other things of this kind, which are blotted out in sleep. Now of all this the astral body is the bearer.

For an unbiased mind there can of course be no question of supposing that the astral body with its pains and pleasures, with its whole world of ideation and volition, is annihilated during sleep. It is still there, only in a different state. If the human I and astral body are not merely to contain pain and pleasure and all the other things above named, but to have conscious perception of them, the astral body must be united with the physical and etheric bodies, as indeed it is in waking life. In sleep it is not so; it has then withdrawn from the physical and the etheric bodies, as indeed it is in waking life. In sleep it is not so; it has then withdrawn from the physical and the etheric and entered into quite another mode of existence than pertains to it when united with them.

It is the task of supersensible science to investigate this other mode of existence. In sleep the astral body vanishes from external observation; supersensible perception must now trace it through the stages of its life, till on awakening it once more takes possession of the physical and the etheric body.

As with all other knowledge of the world's hidden realities, supersensible observation is necessary for the discovery of the spiritual facts concerning sleep; properly states, however, what has thus been discovered is intelligible to unbiased thinking. For the realities of hidden worlds are manifest in their effects. If we perceive how the processes of the sense-world are made intelligible by the information derived from supersensible perceptions, such confirmation by the facts of life is the kind of proof we may expect. Anyone not wishing to apply the methods—later to be described—for the attainment of supersensible perception, can have the following experience. To begin with, he may simply take the statements of supersensible science and apply them to what is manifest within the compass of his experience. He will discover that life becomes clear and intelligible to him in the process. Indeed the more exact and searching his study of the ordinary life he knows, the more will he be held to this conviction.

[ 3 ] Although the astral body during sleep experiences no ideas or thoughts in consciousness, though it is unaware of pain or pleasure or the like, yet it does not remain inactive. On the contrary, it is precisely during sleep that a most vital activity devolves upon it—an activity into which it has to enter again and again in rhythmical succession, when for a time it has been working in unison with the physical and the etheric body. A pendulum, returning to the middle after swinging left, will swing to the right through the very momentum it has gathered on the left. So it s with the astral body and the I or Ego which it bears within it. Having been active in the physical and etheric body for a time, for a succeeding period of time—precisely as an outcome of this activity—they need to live and move and have their being in a body-free condition, in an environment of pure soul and spirit.

As man is constituted in ordinary life, unconsciousness ensues during this body-free condition of the astral body and Ego. Unconsciousness is in effect the antithesis of the state of consciousness evolved in waking life by union with the physical and the etheric bodies, just as the swing of a pendulum to the right is the antithesis of the swing to the left. The need to enter into this unconscious state is felt by the human soul and spirit as tiredness, fatigue. Fatigue itself is the expression of the fact that during sleep the astral body and Ego are making themselves ready for the next waking state, when they will once again be undoing and reversing in the physical and etheric body what has arisen in the latter—through a purely organic and unconscious formative activity—while free from the soul-and-spirit. This unconscious formative activity, and what takes place in man during his conscious life and by virtue of it, are contrasting states which have to alternate in rhythmical succession.¹

[ 4 ] The form and shape, proper to the physical body of man, can only be maintained by means of a human etheric body, which in its turn must be endowed with the appropriate forces by the astral body. The ether-body is the form-giving agent or architect of the physical. But it can only form the physical body aright if it receives from the astral body the necessary guidance and stimulation. In the astral body are the “pattern-forms” or archetypes according to which the etheric body gives the physical its appointed shape.

Now in the waking life the astral body is not imbued with these archetypal patterns for the physical body, or only to a limited extent. For while awake the soul puts its own pictures, its own images, in their place. Turning his senses to the surrounding world, in the very act of perception man forms pictures, mental images of his surroundings. These images are, to begin with, “disturbers of the peace” for those pattern-forms which stimulate the etheric body in its work of building and maintaining the physical. Only if a man were able by his own inner activity to supply his astral body with such pictures as could give to the etheric body the right kind of stimulus, only then would there be no such disturbance. Yet the fact is that this very disturbance plays an essential part in human life, and as an outcome, while a man is awake the archetypal pictures for his etheric body cannot work with their full power. The astral body fulfills its waking function within the physical body; in sleep it works upon the latter from without.

[ 5 ] Just as the physical body—in the supply of nourishment for example—has need of the outer world to which it is akin, a similar thing is also true of the astral body. Imagine a human physical body taken right away from its appropriate surroundings; it would inevitably perish. The physical body's existence is impossible without the entire physical environment. The whole Earth must be as it is, if human physical bodies are to be present on it. In truth, this human body is but a portion of the Earth-planet, and in a wider sense of the whole physical Universe. In this respect it is as the finger is to the human body as a whole. Separate the finger from the hand—it cannot remain a finger; it will shrink and wither. Such too would be the fate of the human body if severed from the body of which it is a member—from the life-conditions with which the Earth provides it. Raise it a sufficient number of miles above the Earth and it will perish, as the finger does when cut off from the hand. As to his physical body, man may be less aware of this fact than with regard to the finger in relation to this body as a whole. But this is merely because the finger cannot walk about the body as man does about the Earth; hence the dependence is more obvious in the one case than in the other.

Even as the physical body is embedded in the physical world to which it belongs, so too the astral body belongs to a world of its own, from which however it is torn away by man's waking life. This may be illustrated by a comparison. Imagine a vessel full of water. Within the mass of water a single drop has no separate existence. But take a little sponge and draw a drop away, thus severing it from the total mass. Something of this kind happens to the human astral body on awakening. During sleep it is in a world of its own kind, a world to which it properly belongs. On awakening, the physical and the etheric body draw it in and fill themselves with it. These two bodies contain the organs whereby the astral body perceives the external world, to attain which perception it has to be detached from its own world. Yet from the latter alone can it derive the archetypal patterns which it needs for the etheric body.

As food and other necessities are received by the physical body from its environment, so do the pictures of the astral body's environment come to it during sleep. The fact is that the astral body is then living, outside the physical and the etheric, in the great Universe—the selfsame Universe out of which the entire man is born. For in that Universe is the source of the creative patterns,--the archetypal pictures to which man owes his form. In his true being he belongs to the great Universe and is in harmony with it. In waking life he detaches himself from the all-embracing harmony, in order to have outer perceptions. In sleep his astral body returns into the harmony of the Universe, whence on awakening he brings sufficient force into his bodies to enable him for a time once more to forgo the sojourn there.

The astral body thus returns to its pristine home during sleep, and on awakening brings with it into life newly strengthened forces. All this finds expression in the refreshment which a healthy sleep affords. As the further exposition of Occult Science will reveal, the home of the astral body is of far wider compass than the more obvious physical environment to which the physical body belongs. While as a physical being man is a member of the Earth, his astral body belongs to worlds wherein other heavenly bodies are contained besides our planet Earth. The astral body therefore, during sleep, enters a Universe to which other worlds than the Earth belong. But this can only be made fully clear in the further course of our explanations.

[ 6 ] Though it should really be superfluous, prevalent habits of materialistic thought render it not unnecessary to set aside a possible misunderstanding in this connection. People adhering to these ways of thought will be inclined to say: “Surely the scientific procedure is to investigate the physical conditions of such a thing as sleep. Though scientists may not yet be agreed as to its precise causation, this much at any rate is certain: physical processes of one kind or another can be assumed to underlie the phenomenon of sleep.” If only it were realized that supersensible science is not at all against such a contention! All that is said from this quarter is readily accepted, just as it will be admitted that for a house to come into physical existence one brick must be laid on the other, and that when the house is finished its form and its stability are explainable by purely mechanical laws. Yet for the house to come into being the thought of the architect was also necessary. This thought will not be discovered by mere investigation of the mechanical and physical laws. Behind the physical laws in terms of which the structure of the house can be explained, there are the thoughts of the creator. So too, behind what physical science and physiology are perfectly right in bringing forward, there are the hidden realities of which the science of the supersensible is telling.

Admittedly, the same comparison is frequently adduced to justify belief in a spiritual background of the world, and one may find it trite. But in these matters the point is not whether a line of thought is familiar, but whether we have given it due weight. We may well be prevented from appreciating the true weight of an idea because ideas derived from a contrary way of thinking have too much influence upon our judgment.

[ 7 ] A midway condition between waking and sleeping is dreaming. Reflecting on our dream-experiences, we are confronted by a world of pictures, iridescent and in manifold confusion, though not without some hint of underlying method. Pictures arise and fade away again, often bewildering in their sequence. Man in his dream-life is released from the laws which bind his waking consciousness to the perceptions of the senses and the logical rules of judgment. Yet in the world of dreams we seem to divine mysterious laws of its own, fascinating and alluring. This is the deeper reason why we are prone to compare with dreaming the play of fancy and creative imagination which our aesthetic and artistic sense delights in.

We need only call to mind a few characteristic dreams to find all this confirmed. A man will dream, for example, that he is chasing away a dog which has been rushing at him. He awakens and finds himself in the unconscious act of pushing away a portion of the bed-clothes which had been weighing on an unaccustomed part of his body and had become oppressive. In such an instance, what does the dream make of the real, sense-perceptible event? To begin with, the life of sleep leaves entirely in the unconscious what the senses would have perceived in waking life. But it holds fast to one essential—the fact that we are wanting to ward something off—and around this it weaves an imaginary sequence of events. In substance these imaginary pictures are like echoes from the waking life of the day-time, echoes selected at random. The dreamer will generally feel that with the same external cause his dream might just as well have conjured up quite other pictures. Only in one way or another they would relate, in this instance, to the sensation of having to ward something off. The dream, therefore, creates symbolic pictures; it is in fact a symbolist. Inner bodily conditions too can be translated into dream-symbols of this kind. A man will dream that a fire is crackling beside him; he sees the very flames. On awakening, he finds that he put on too many bed-clothes and has grown too hot. The feeling of excessive heat comes out symbolically in the picture of the fire.

Experiences of the most dramatic kind can be enacted in a dream. For instance, a man dreams that he is standing near the edge of a cliff and sees a child running towards it. The dream lets him undergo all the tortures of the thought, “What if the child should fail to notice and fall over!” Presently he sees the child fall and hears the dull thud of the body down below. He wakes up and finds that a familiar object, hanging on the wall of the room, has worked loose and made a dull sounds as it fell. A simple enough event—the dream-life turns it into a sequence of dramatic pictures, full of suspense and excitement.

For the present we need not stop to ponder, how and why—in the last example—the instantaneous thud of the falling object gets extended into a whole series of events, seeming to occupy a considerable time. The point is that the dream translates what waking sense-perception would have shown, into scenes and pictures.

[ 8 ] We see from this that when the senses create from their activity, immediately a creative faculty begins to stir in man. It is the same creative faculty which is at work in fully dreamless sleep, there giving rise to the state of soul we were describing as the antithesis of the waking state. For dreamless sleep, the astral body has to be withdrawn both from the etheric body and from the physical. In dreaming, while separated from the physical body—no longer joined to the physical sense-organs—it still remains connected to some extent with the etheric. The very fact that what is going on in the astral body is perceived in pictures, is due to its connection with the etheric body. The moment this connection too is severed, the pictures fade into complete unconsciousness; dreamless sleep ensues.

The arbitrary, often nonsensical character of dream-pictures is due to the fact that the astral body, disconnected as it is from the sense-organs of the physical, cannot relate its pictures to the proper objects and events of the external world. This becomes very evident when we contemplate the kind of dream in which the I, the Ego, is in a sense divided. For instance, one dreams of oneself as a pupil who cannot answer a question the schoolmaster is putting; yet in the very next moment the master himself gives the required answer. Unable to make use of the organs of perception of his physical body, the dreamer cannot relate the two events to himself as to one and the same person. Even to recognize himself as a continuous and coherent I, man therefore needs to be equipped with outer organs of perception. Only if he had attained the faculty to be aware of his own I without the help of such organs of perception, only then would the continuity and oneness of the I still be perceptible to him even outside the physical body. For supersensible consciousness, faculties of this kind must indeed be acquired. The way to do so will be dealt with in a later chapter.

[ 9 ] Not only sleep; death too is due to a change in the mutual connection between the members of man's being. And here once more, what is apparent to supersensible perception can also be seen in its effects within the manifest world. Here once again, unbiased thinking will find the statements of supersensible science confirmed by the facts of external life, though in this instance the impress of the invisible in the visible domain is less in evidence, and it is therefore not so easy to realize the weight and bearing of those realities of outer life which answer to the statements of supersensible science. Here even more than for other things already dealt with in this volume, if the mind is not open to discern the way in which the sense-perceptible domain relates to the supersensible and indicates the latter's presence, it is only too easy to pronounce the findings of Occult Science mere figments of imagination.

[ 10 ] When a man falls asleep, whereas his astral body is released from its connection with the etheric and physical bodies, the latter still remain united. Not so in death. Left to its own unaided forces, the physical body will now inevitably disintegrate. For the etheric body, on the other hand, death brings about a condition in which it never was throughout the whole time between birth and death, save in exceptional circumstances to be mentioned later. For the etheric is now united with its astral body, and the physical body is no longer with them. The fact is that the etheric and astral bodies do not separate immediately after death. They hold together for a time, by virtue of a force which obviously must be there, for otherwise the etheric body could never have freed itself form the physical, to which it is tenaciously attached, as is shown by the fact that in sleep the astral body fails to part them. At death, the force that holds the etheric and astral bodies together becomes at least effective, detaching the etheric from the physical. To begin with therefore, the etheric body after death is united with the astral body. Supersensible observation shows that this their union varies from one individual to another. All we need say at the moment is that it lasts for a short time—for a few days—after which the astral body frees itself from the etheric body also, and goes on its way without it. While the connection of the two persists, man is in a condition consciously to perceive the experiences of his astral body. So long as the physical body was there, the separation of the astral body from the physical in sleep involved the immediate commencement of its work upon the physical body from without, for the renewal of the outworn organs. With the severance of the physical body at death, this work is at an end. But the spiritual forces which were expended on it during sleep are still there and can now serve a different end, namely to make perceptible the processes within the astral body as such.

From a point of view which would restrict scientific observation to the outer aspects of life, it will be said: “These are so many assertions, evident no doubt to those endowed with supersensible perception; men who are not thus endowed have no way of assessing the truth.” Yet this is not so. Even in this domain, remote though it may seem from ordinary sight and thought, what the science of the supersensible observes can be taken hold of, once discovered, by the normal faculties of thought and judgment. One need only ponder with due judgment the manifest and given relationships of human life. The thinking, feeling and willing of man are related to one another, and to his experiences in and with the outer world, in ways that are unintelligible unless the manifest activities and relationships are understood as the expression of an unmanifest. To thoughtful contemplation, what is here manifest remains opaque and untransparent till we are able to interpret the way the way it takes its course within the physical life of man, as an outcome of non-physical realities disclosed by supersensible cognition. Unillumined by the science of the supersensible, it is as though we were in a dark room without a light. Just as we cannot see the physical objects around us until we have a light, so too we cannot explain what goes on in and through the soul-life of man till we have knowledge of the supersensible.

While man is joined to his physical body, the outer world enters his consciousness in images. After the physical body has been laid aside, he becomes aware of the experiences the astral body undergoes when unconnected with the outer world by physical sense-organs. To begin with, the astral body has no essentially new experiences. Its still remaining connection with the etheric body stands in the way of any new experience. But it possesses in an enhanced degree the memory of the past earth-life, which memory the etheric body—being still united with it—makes to appear in a vivid, all-embracing tableau.

Such is the first experience of the human being after death. He sees his past life from birth till death in a vast series of pictures, simultaneously spread out before him. During this earthly life, memory is only present while—in the waking state—man is united with his physical body. Moreover, it is only present to the limited extent the physical body permits. Yet to the soul herself nothing is lost; everything that has ever made an impression on the soul during this life is preserved. If the physical body were but a perfect instrument for the purpose, it would be possible for us at every moment to conjure up before the soul the whole of our past earthly life. At death all hindrance is removed, and while man still retains the ether-body he has a relatively perfect memory. This vanishes, however, in proportion as the ether-body loses the form it had while it indwelt the physical—a form which bears a fundamental likeness to the latter. This also is the reason why the astral body after a time separates from the etheric. For the astral body can only remain united with the etheric while the latter retains the imprint, the form that corresponds to the physical body.

During the life between birth and death a severance of the etheric body from the physical only takes place in exceptional cases and then only for a short duration. When, for example, a man subjects an arm or leg to an unusual pressure, a portion of the etheric body may become separated from the physical. We say then that the limb has “gone to sleep.” The peculiar sensation it gives is in fact due to the severance of the etheric body. (Here too, of course, materialistic thinking can deny the invisible within the visible, maintaining that the effect is merely due to the physical or physiological disturbances induced by the excessive pressure.) In such a case supersensible perception actually sees the corresponding part of the etheric body moving out and away from the physical. Now when a man undergoes an altogether unaccustomed shock or something of that nature, a like severance of the etheric may ensue for a brief space of time over a large proportion of the body. This happens if he is brought very near to death, as on the point of drowning, or when in imminent danger of a fall in mountaineering.

What is related by individuals who have had such experiences comes very near the truth. Supersensible observation confirms it. They tell how at such a moment the whole of their past life appeared before them in a vast tableau of memory. Among the many examples that might be cited, we select one, the author of which—by the whole tenor of his thought—would have rejected as empty fancies what is here said about these matters. Incidentally, when one is taking the first steps in supersensible observation it is always useful to familiarize oneself with the findings of those who think the science of the supersensible fantastic. They are less easily attributed to favorable bias. (Let occult scientists learn as much as they can from those who deem their efforts futile. If the latter do not respond in kind we need not feel discouraged. Supersensible observation does not of course depend on these evidences for the verification of its results, and in adducing them the intention is not to prove, only to illustrate.)

The eminent anthropologist and criminologist Moritz Benedict, a scientist distinguished too in other branches of research, tells in his reminiscences of an experience of his own. Once he was very nearly drowned while bathing. He saw the whole of his past life in memory before him as though in a single picture.

It is no contradiction if others have described quite differently the pictures they experienced on such occasions, to the extent sometimes that there seemed little connection with the events of their past lives. For the pictures that arise during this altogether unaccustomed state of severance from the physical body are often not so easy to elucidate in their relation to the human being's life. None the less, if thoroughly gone into, some such relation will always be discerned. Nor is it valid to object that someone on the point of drowning did not have the experience at all. For the experience is only possible when the etheric body, while severed from the physical, remains united with the astral. It will not occur if the shock brings about a detachment of the etheric from the astral body too, since there will then be complete unconsciousness, just as there is in dreamless sleep.

[ 11 ] Once more, then: gathered together in a great memory-tableau, the past life of man comes before him during the time immediately following his death. Thereafter, the astral body—severed now from the etheric—goes on its further way alone and by itself. It is not difficult to see that in this astral body there will no remain whatever it has made its own by dint of its own activity while living in the physical. The Ego has to some extent elaborated Spirit-Self, Life-Spirit and Spirit-Man. These, in so far as they are evolved, owe their existence to the Ego to the I—not to the organs of the bodies. Now by its very essence the I is the being which needs no outer organs for its perception. No more does it need outer organs to retain what it has once united with itself.

It may perhaps be objected: why, then, in sleep is there no perception of the evolved Spirit-Self, Life-Spirit and Spirit-Man? There is none because from birth until death the Ego is chained to the physical body. In sleep, it is true, it is with the astral body outside the physical. Yet even then it remains in close connection with the latter, for to the physical body the activity of the astral body, closely associated with the Ego, is directed. Bound as it is to the physical throughout earthly life, the Ego is dependent for its perceptions on the outer world of the senses; it cannot yet receive the manifestations of the spiritual in its original and proper form. Such manifestations can only come to the human Ego when released by death from its connection with the physical and etheric bodies. In life, the physical world holds the soul's activities chained to itself; another world can light up for the soul the moment it has been drawn forth, out of the physical body.

Yet there are reasons why even at this juncture man's connection with the external, sense-perceptible world does not altogether cease. Cravings, in effect, persist, maintaining the connection. These are the cravings man engenders for himself through the very fact that he is Ego-conscious—endowed with an Ego, the fourth member of his being. The cravings and desires which spring from the nature of the three lower bodies can only take effect in the outer world; when these bodies are laid aside, these cravings cease. Due as it is to the external body, hunger is naturally silenced when this body is no longer joined to the Ego. When death has taken place, the Ego, if it had now no other cravings than derive from its own spiritual nature, could draw full satisfaction from the spiritual world into which it is then transplanted. But life has given it other cravings besides these. Life has kindled in it a longing for enjoyments which, while only satisfiable by means of physical organs, are not in essence attributable to these organs. Not only the three bodies crave for satisfaction through the physical world; the Ego too finds enjoyments in this world—enjoyments such that in the spiritual world there are no objects to satisfy the longing for them.

Two kinds of wishes are proper to the Ego during earthly life. First are the wishes which, originating as they do in the three bodies, have to be satisfied in and through the bodies; these wishes naturally cease when the bodies disintegrate. Secondly there are the wishes which originate in the spiritual nature of the Ego. So long as the Ego is living in the bodies, these wishes too will find their satisfaction by means of bodily organs. For the unmanifest, the spirit, is at work here too—manifested through the organs of the body. In and with all that they perceive, the outer senses are at the same time receiving a spiritual portion. This spiritual portion is present also after death, though in a different form. Therefore the spiritual that the Ego craves for in the world of the senses is still available to it when these senses are no longer there.

If then a third kind of wish were not added to these two, death would merely signify the passing on from cravings satisfiable by means of bodily senses, to such as find fulfillment in the direct revelations of the spiritual world. But there are wishes of a third kind—wishes which the Ego engenders for itself while living in the sense-world inasmuch as it takes pleasure in this world even where the latter is not making manifest the spirit.

The lowest kinds of enjoyment can be true manifestations of the spirit. The satisfaction food affords to a hungry creature—this too is a manifestation of the spirit. For by the creature's nourishment something is accomplished, without which—in one essential direction—the spiritual itself could not evolve. But the I of man is able to go beyond this due enjoyment. The I can long for the tasty dish, quite apart form the function nourishment fulfils and in the fulfilling of it serves the spirit. The same applies to many other things belonging to the “sensual” world—that is to say, the world of the senses. Desires are thus engendered which would never have occurred in the sense-perceptible world of Nature, had not the I of man entered this world. Nor is it from the spiritual being of the I as such that these desires spring. The natural enjoyments of the senses are needed by the Ego—even as a spiritual being—while living in the body. In and through sense-perceptible Nature the spiritual manifests itself; it is none other than the spirit which the Ego is enjoying when given up to sensual manifestations through which the spirit-light is shining. In the enjoyment of this light it will continue, even when the nature of the outer sense is no longer the medium through which the spiritual light is radiating.

For sensual desires on the other hand, from which the living spirit is absent, there can be no fulfillment in the spiritual world. Therefore when death ensues the possibility of their assuagement is utterly cut off. The enjoyment of tasty food can only be brought about by means of the bodily organs—tongue, palate and the like—used in taking of food. These organs man no longer has when the physical body haw been laid aside. And if the Ego still feels need of such enjoyment, the need must remain satisfied. In so far as the enjoyment is in harmony with the spirit, it will be present only as long as the physical organs are there. But in so far as the human I has fostered it without thereby serving the spirit, the wish for the enjoyment will persist after death, vainly thirsting for satisfaction.

What now goes on in man can only be imagined if we think of one who has to suffer burning thirst in a desert country where no water is to be found. Such is the lot of the human I after death in so far as it harbors unextinguished cravings for the enjoyments of the outer world and has no organs for their satisfaction. Only, if thirst is here to serve as a comparison for the Ego's plight after death, we must imagine it boundlessly enhanced and extended to all the manifold cravings which may still persist, for the assuagement of which there is no possibility whatever.

The next stage through which the Ego passes is that it gradually frees itself from all these bonds of attachment to the outer world. In this respect it has to bring about within itself a purging and a liberation. All the desires the Ego has engendered while living in the body and that have not their rightful home within the spiritual world, must now be extirpated. As a combustible material is seized and burned by fire, so is the world of cravings dissolved and annihilated after death.

Herewith we peer into a world which supersensible wisdom has very properly described as “the consuming fire of the spirit.” This “fire” seizes hold of every craving which is not only sensual—related, that is, to the sense-perceptible world—but is so in such a way that in its essential nature it does not express the spirit. Pictures like these, in terms of which supersensible insight cannot but describe what actually happens after death, may appear terrible and cheerless. Well may it seem appalling that a hope, for the satisfaction of which sensory organs are that a hope, for the satisfaction of which sensory organs are required, must after death give way to utter hopelessness, or that a wish which the physical world alone is able to fulfill, must change into the burning want of fulfillment. Yet one can only think in this way while failing to perceive that all the wishes and cravings, seized upon after death by the “consuming fire,” represent forces which are not wholesome but in a higher sense destructive, inimical to life. These forces cause the Ego to form closer bonds of attachment to the sense-world than are needed in order to receive from this world that which will serve the Ego's progress. Nature—the “world of the senses”—is a manifestation of the hidden spiritual. There is a form in which the spiritual can only become manifest by means of bodily senses, and in this form the Ego would never be able to receive it, were it not to use the senses for the enjoyment of what is spiritual in the garb of Nature. But the Ego becomes estranged from the world's real and true and spiritual content when cravings for sensual enjoyments through which the spirit is no longer speaking. While sensual enjoyment as an expression of the spirit helps to uplift and evolve the Ego, that which does not express the spirit spells its impoverishment and desolation. And though a craving of this latter kind may lead to satisfaction and enjoyment within the sense-world, its emptying and devastating effect upon the I of man is still there. Only that this effect does not become perceptible to the I until after death. While life goes on, the enjoyment consequent on such a craving can beget new wishes of its kind, and man does not become aware that by his own doing he is enveloping him in a consuming fire. The fire that enveloped him already during life is made perceptible to him after death, and in so doing becomes transmuted into its wholesome and beneficial consequences.

When one human being loves another, he is not only attracted by those of the other's features which are directly sensible by physical organs of perception. And yet of these alone can it be said that death will render him unable any longer to perceive them. On the other hand, after death there becomes visible in the beloved the very reality of being for the perception of which the physical organs were but the means. Moreover then the one thing that will mar this perfect visibility will be the persistence of cravings which can only be satisfied by means of physical organs. Nay, if these cravings were not purged, conscious perception of the beloved would not be possible at all after death. Looked at in this light, the terrible and hopeless picture which the after-death events described by supersensible science might at first sight be seeming to convey, gives place to one that is deeply comforting and satisfying.

[ 12 ] In yet another respect our experiences after death are different from those we have in life. During the time of purification, man—in a sense—lives backwards. He goes again through all that he experienced in life, ever since his birth. Starting from the events immediately preceding death, he re-experiences it all in reverse order, back into childhood. And as he does so, there become visible to him all those things in his life which did not truly spring from the spiritual nature of the Ego. These too he now experiences in an inverted way. Say for example that a man dies in his sixtieth year, and that at the age of forty, in an outburst of anger, he caused another person pain in body or in soul. He will experience the event in consciousness again after death, when in his backward journeying through life he arrives at his fortieth year—the moment when it happened. But he will no experience, not the satisfaction he felt in giving vent to his anger, but instead the suffering the other person underwent through his unkindness. The example shows that what is painful in the after-death experience of an event of this kind is due to a craving to which the Ego gave way—a craving which had its origin in the outer material world and in this alone. In truth, by giving vent to such a craving the ego was doing harm not only to the other human being but to itself; only the harm done to itself remained invisible during life. After death the whole world of harmful cravings becomes perceptible to the Ego. The man now feels drawn to every being and to every object by contact with which a craving of this kind was ever kindled in him, so that the craving may be destroyed even as it originated—destroyed in the consuming fire.

When in his backward journeying man has attained the moment of his birth, all such cravings having now undergone the cleansing fire, there is no longer anything to hinder his unimpaired devotion to the spiritual world. He enters on a new stage of existence. Just as in death the physical body, and soon after it the etheric body was laid aside, so now there falls away and disintegrates the part of the astral body which is unable to live save in the consciousness of the external, physical world. Therefore for supersensible science there are no less than three corpses—physical, etheric and astral. The point of time at which the astral corpse is shed is given by the fact that the period of purification lasts about a third as long as the past life between birth and death. Why this is so will only be clear at a later stage, when the whole course of human life has been more thoroughly gone into in the light of Occult Science. For supersensible perception there are ever present in man's environment the astral corpses cast aside by those who are passing form the stage of purification on to higher levels of existence. It is analogous to what is obviously true for physical perception: physical corpses come into being where human communities are living.

[ 13 ] After the time of purification an entirely new state of consciousness begins for the I of man. Before death, perceptions came to him from without, for the light of his consciousness to fall upon them. Now, as it were, a world of coming to him—into his consciousness—from within. It is a spiritual world, in which the I is also living between birth and death. Here however, it is veiled in the manifestations of the senses; and only when—turning aside from all outward perceptions—the I becomes aware of itself in the inmost “holy of holies” of its being, what otherwise is shrouded in the veils of sense-perceptible Nature, makes itself known directly and in its pristine form. Like to this inner perception of the I before death, “form within outward” is the manifestation of the spiritual world in its fullness, after death and when the time of purification has been absolved.

This kind of manifestation is indeed already there as soon as the etheric body has been laid aside, but like a darkening cloud the world of cravings obscures it, clinging still to the external world. It is as though a blissful world of purely spiritual consciousness were to be interspersed with black demonic shadows, due to the cravings that are being purged in the consuming fire. Indeed these cravings are now revealed to be no mere shadows but very real beings; this becomes evident to man's Ego as soon as the physical organs are taken from him and he is thereby enabled to perceive what is spiritual. The beings look like distortions and caricatures of what was known to him hitherto by sense-perception. For of this realm of the purging fire, supersensible observation must relate that it is inhabited by beings whose appearance of the spiritual eye can only kindle pain and ghastly horror. Their very joy seems to consist in destruction; their passion is directed to an evil compared to which the evils known to us in the outer world seem insignificant. Whatever man takes with him thither by way of cravings of the kind above defined, appears as nourishment to these beings—nourishment by means of which they constantly renew and reinforce their powers.

The picture we have thus been painting of a world imperceptible to the outer senses may seem less incredible if one will look with open mind at well-known aspects of the animal creation. What, to the eye of the spirit, is a ruthlessly prowling wolf? What is revealing itself in the figure of the wolf as the outer senses see it? Surely it is none other than a soul that lives in cravings and acts out of its cravings. The very form of the wolf may be described as an embodiment of its cravings. Even if man had no organs to perceive this outer form, he would still have to recognize the wolf's existence if the cravings, though invisible, made themselves felt in their effect—if there were on the prowl a power invisible to human eye, yet by whose agency all that the visible wolf is doing were being done.

The beings of the purging fire are not present to the outer senses—only to supersensible consciousness. Their effects however are only too evident, in that they tend to destroy the Ego that gives them nourishment. When right enjoyment is carried to intemperance or to excess these effects are made visible enough.

Nature too, as perceived by the outer senses, would entice the Ego, but only in so far as the enjoyment were true to the Ego's own essential being. An animal is urged by instinct to desire that alone of the outer world for which its three bodies crave. Man has higher forms of enjoyment because he has not only the three bodily members but the fourth, the I—the Ego. If then the Ego craves for forms of satisfaction which serve, not the furtherance or maintenance but the destruction of its own being, such desires can neither be the outcome of the three bodies nor of the Ego's proper nature. They can only be the work of beings whose true shape and form remain hidden from the senses, but who gain access precisely to the higher nature of the Ego and entice it into cravings unfounded in the nature of the senses, yet only satisfiable by its means. In effect, there are beings whose food consists of cravings and passions more evil and pernicious than those of any animal, for they live not in the true nature of the senses but seize the spiritual and drag it down on to the sensual level. Their forms and features are to the spiritual eye more hideous and ghastly than those of the most savage animals. The latter, after all, do but incorporate natural passions, natural desires. The destructiveness of these beings boundlessly exceeds the wildest ravings known to us in the animal world as seen by the outer senses. Supersensible knowledge must in this way extend man's outlook to a world of beings who in a sense are on a lower level than any visible animal, even the most noxious and destructive.

[ 14 ] When after death man has passed through this world, he finds himself face to face with a world of pure spiritual content—a world, moreover, which begets in him only such longings as will find satisfaction in the purely spiritual. But he still distinguishes what appertains to his own I or Ego from what constitutes his environment, which we might also call the “spiritual outer world” for the Ego. Only, once more, his experiences of this environment come to him in the same way in which the inner perception of his own I came to him while living in the body. While in the life between birth and death the environment of man speaks to him through the organs of his bodies, when he has laid all the bodies aside the language of his new environment of man speaks to him through the organs of his bodies, when he has laid all the bodies aside the language of his new environment speaks directly into the inmost “holy of holies” of the I am. Now therefore the whole environment of man is replete with beings alike in kind to his own I, for in effect, only an I has access to an I. Even as minerals, plants and animals, surrounding him in the world of sense, constitute sense-perceptible Nature, so after death man is surrounded by a world composed of spiritual Beings.

Yet he brings with him thither something more—something which in yonder world is not his environment. In effect, he brings with him what his Ego has experienced while living in the sense-world. The sum-total of these his experiences first appeared to him in an all-embracing memory-tableau immediately after death, while the etheric body was still connected with his Ego. The ether-body was then laid aside, but something of the memory-tableau remained as an enduring possession of the Ego. It is as thought an extract, a quintessence, were distilled of all the experiences that had come to the human being between birth and death. This is the thing that endures. It is the spiritual yield, the fruit of life. The yield, once more, is of a purely spiritual nature. It contains all the spiritual content, manifested during life through the outer senses. Spiritual though it is, without man's sojourn in the sense-world it could never have come into existence. After death, the I of man feels this spiritual fruit, culled in the world of the senses, to be his own—his inner world. With this possession he is entering into the spiritual world—a world composed of beings who manifest themselves as an I alone can manifest itself in its own inmost depths. A seed, which is a kind of extract of the whole plant, can only develop when planted in another world—the earthly soil. What the Ego brings with it from the sense-world is like a seed—a seed received into the spiritual world, under whose influences it will now develop.

The science of the supersensible can at most give pictures in attempting to describe what happens in this “Land of Spirits.” Yet the pictures can be true to the reality. Experiencing the facts invisible to the external eye, supersensible consciousness can feel these pictures of them to be true. The spiritual realities can thus be illustrated by comparisons from sense-perceptible Nature. Purely spiritual though they are, they none the less bear a certain likeness to this world of Nature. As in this world a color will appear when the eye receives an influence from the appropriate object, so too in Spirit-land, under the influence of a spiritual Being, the Ego will experience a kind of color. Only the color-experience will come about in the way in which the Ego's own inner self-perception—and this alone—comes about during the life between birth and death. It is not as though light from outside were impinging on him; rather as though another Being directly influenced the Ego of man, impelling him to represent the influence to himself in a color-picture. Thus do all Beings in the spiritual environment of the Ego find expression in a world radiant with color.

Needless to say, since the manner of their origin is so very different, the color-experiences of the spiritual world differ in character from those we enjoy in the world of Nature. The same applies to other kinds of sense-impression which man receives from this world. It is the sounds of the spiritual world which are most like the corresponding impressions of the sense-world. The more man lives his way into the spiritual world, the more does it become for him an inner life and movement, comparable to the sounds and harmonies of sense-perceptible reality. Only he feels the sound, not as approaching an organ of perception from outside, but as a power flowing outward into the world from his own Ego. He feels it as in the sense-world he would feel his own speech or song; yet in the spiritual world he is aware that the sounds, even while proceeding from himself, are in reality the manifestation of other Beings, pouring themselves into the World through him.

There is a yet higher form of manifestation in the Spirit-land, when spiritual sound is enhanced to become the “spiritual Word.” Not only does the surging life and movement of another spiritual Being then pour through the I of man; the Being himself communicates his inmost being to the I. Without the remnant of separation which in the world of the senses even the most intimate companionship must have, two beings live in one-another when the Ego is thus poured through and through by the spiritual Word. In all reality, such is the Ego's companionship with other spiritual beings after death.

Three distinct regions of Spirit-land—the land of Spirits—are apparent to supersensible consciousness. We may compare them with three domains of sense-perceptible Nature. The first is as it were the “solid land” of the spiritual world; the second the “region of oceans and rivers;” the third the “air” or “atmosphere.

Whatever assumes physical form upon Earth and is thus made perceptible to physical organs, is seen in its spiritual essence in the first region of Spirit-land. For example, one may there perceive the power which builds the form of a crystal. Only what there reveals itself is like the antithesis of what appears to the senses in the outer world. The space which is here filled by the rocky material appears to the spiritual eye as a kind of hollow or vacuum; while all around the hollow space is seen the force building the form of the stone. The characteristic color which the stone has in the sense-world is experienced in the spiritual world as its complementary. Seen therefore from Spirit-land, a red stone is experienced with a greenish and a green stone with a reddish hue. Other properties too appear as their antithesis. Even as stones, rocks and geological formations constitute the solid land—the continental region—of the world of Nature, so do the entities we have been describing constitute the “solid land” of the spiritual world.

All that is life in the sense-world is the oceanic region of the spiritual world. To the eye of sense, life appears in its effects—in plants and animals and human beings. To the eye of the spirit, life is a flowing essence, like seas and rivers pervading the Spirit-land. Better still is the comparison with the circulation of the blood in the human body. For while the seas and rivers in external Nature appear as though distributed irregularly, there is a certain regularity in the distribution of the flowing life above all which is experienced as living spiritual sound.

The third region of Spirit-land is the airy sphere or “atmosphere.” All that is feeling and sensation in the outer world is present in the spirit-realm as an all-pervading element, comparable to the air on Earth. We must imagine an ocean of flowing sensation. Sorrow and pain, joy and delight, are wafted in that region as are wind and tempest in the atmosphere of the outer world. Think of a battle being fought on Earth. Not only are there facing one another the figures of the combatants which the outer eye can see. Feelings are pitted against feelings, passions against passions. Pain fills the battlefield no less than the forms of men. All that is there of passion, pain, victorious exultation, exists not only in its outer sense-perceptible effects; the spiritual sense becomes aware of it as a real event in the airy sphere of Spirit-land. Such an event is in the spiritual like a thunderstorm in the physical world. Moreover the perception of such events may be compared to the hearing of words in the physical world. Hence it is said: Even as the air enwraps and permeates the inhabitants of earth, so does the wind of the Spirit—the “wafting of the spiritual Words”—enwrap and permeate the beings and events of Spirit-land.

[ 15 ] Further perceptions are possible in the spiritual world, comparable to the warmth and also to the light of the physical world. Warmth permeates all earthly things and creatures, and it is none other than the world of thoughts which in like manner permeates all things in Spirit-land. Only these thoughts must be conceived as independent living Beings. The thoughts man apprehends within the manifest world are but a shadow of the real thought-being, living in the land of Spirits. One should imagine the thought, such as it is in man, lifted out of him and as an active being endowed with an inner life of its own. Even this is but a feeble illustration of what pervades the fourth region of Spirit-land. Thoughts in the form in which man perceives them in the physical world between birth and death are but a manifestation of the real world of thoughts—the kind of manifestation that is possible by means of bodily organs The thoughts man cultivates—those above all which signify an enrichment of the physical world—originate in this region of Spirit-land. This does not only apply to the ideas of great inventors or men of genius. Fruitful ideas “occur” to every human being—ideas he does not merely borrow from the outer world, but which enable him to work upon this world and change it. While feelings and passions occasioned by the external world belong to the third region of Spirit-land, all that can come to life in the soul of man so that he becomes creative, acting on his environment in such a way as to transform and fertilize it, is manifested in its archetypal being in the fourth region of the spiritual world.

The prevailing element of the fifth region may be likened to the light of the physical world. It is none other than Wisdom, manifested in its pristine, archetypal form. Beings belong to that region who pour Wisdom into their environment, even as the Sun sheds light upon physical creatures. Whatsoever the Wisdom shines upon, is revealed in its true significance for the spiritual world, just as a physical creature reveals its color when the light is shining on it. There are yet higher regions of Spirit-land; we shall refer to them again in later chapters.

Such is the world in which the I of man is steeped after death, with the yield he brings with him from his life in the outer world of sense. This yield, this harvest, is still united with the part of the astral body which was not cast off when the time of purification was over. For, as we saw, only part of the astral body then falls away—namely the part which with its wishes and cravings clung to the physical life even after death. The merging of the Ego into the spiritual world with all that it has gained from the sense-world may be likened to the embedding of a seed into the ripening earth. The seed draws to it the substances and forces of the surrounding soil, so that it may unfold into a new plant. In like manner, development and growth are of the essence of the I of man when planted in the spiritual world.

In what an organ perceives also lies hidden the creative force to which the organ is due. It is the eye that perceives the light, and yet without the light there would be no eye. Creatures that live perpetually in the dark fail to develop organs of sight. Thus the whole bodily man is created out of the hidden forces of what the several members of his bodies are able to perceive. The physical body is built by the forces of the physical world, the ether-body of those of the world of life; the astral body has been formed out of the astral world. Transplanted into Spirit-land, the Ego meets with these creative forces, which remain concealed from physical perception. Spiritual beings who, though unseen, surround man all the time, and who have built his physical body, become perceptible to him in the first region of Spirit-land. While in the physical world he can perceive no more than the outer manifestation of the creative and formative spiritual powers to which his own physical body is due, after death he is in their very midst. They now reveal themselves to him in their original and proper form, previously hidden from him. In like manner, throughout the second region he is amid the creative forces of which his ether-body consists, and in the third there flow towards him the powers of which his astral body is formed and organized. The higher regions too of Spirit-land now pour in upon him the creative powers to which he owes the very form and substance of his life between birth and death.

[ 16 ] These Beings of the spiritual world henceforth collaborate with the fruit of his former life which man himself has brought with him—the fruit which is now about to become the seed. And by this collaboration man is built up anew—built, to being with, as a spiritual being. In sleep the physical and etheric bodies are still there; the astral body and the Ego although outside, are in communication with them. The influences from the spiritual world received by the astral body and the Ego during sleep can only serve to repair the faculties and forces exhausted in the waking hours. But when the physical and the etheric body, and after purification the parts of the astral body which were still chained to the physical world by desire, have been cast off, what flows to the Ego from the spiritual world becomes not only the repairer; henceforth it is the re-creator. And after a lapse of time (as to the length of which we shall have more to say,) the Ego is again invested with an astral body, able to live in an etheric and physical body such as are proper to the human being between birth and death. He can be born again and re-appear in a new earthly life, in which the fruits of his former life have been incorporated.

Till his investment with a new astral body, man is the conscious witness of his own re-creation. And as the Beings of Spirit-land reveal themselves to him not through external organs but from within, like his own inmost I in the act of self-awareness, he can perceive the revelation so long as his attention does not yet incline towards a world of outer percepts. But from the moment when his astral body has been newly formed, he begins again to turn his attention outward. The astral once again demands an external body—physical and etheric—and in so doing turns away form what is manifested purely from within. Hence there now comes an intermediate condition during which man is plunged into unconsciousness. Consciousness will only be able to re-awaken when in the physical world the necessary organs—organs of physical perception—have been developed. During this intermediate time—the spiritual consciousness illumined by purely inner perception having faded—a new etheric body begins to be formed and organized about the astral body. This being done, man is prepared to re-enter into a physical body. Consciously to partake in the last two events—his re-equipment with an etheric and with a physical body—would only be possible for an Ego which by its own spiritual activity had developed the hidden creative forces of these bodies, in other words, Life-Spirit and Spirit-Man. So long as man has not yet reached this stage, Beings more advanced in evolution than himself have to direct the process. Such Beings guide the astral body towards a father and mother, so as to endow it with the appropriate etheric and physical bodies.

Now before the new etheric body has been formed and incorporated with the astral body, an event of great significance is undergone by the human being about to re-enter physical existence. In his preceding life, as we saw, he engendered hindering and disturbing forces, revealed to him during his backward journeying after death. Let us return to the above example. At age forty in his former life, in a sudden upsurge of anger, a man did harm to another. He was confronted after death by the other's suffering, as a force hindering the development of his own Ego. So too with all such occurrences of the preceding life. Now on re-entry into physical life these hindrances to his development confront the I of man. As after death a kind of memory-tableau of the past, he now experiences a pre-vision of his coming life. He sees it in a kind of tableau once again, showing him all the obstacles he must remove if his development is to go forward. What he thus sees becomes the source of active forces which he must carry with him into the coming life. The picture of the suffering he caused his fellow-man becomes a force impelling his Ego, now about to enter earthly life once more, to make good the hurt which he inflicted. Thus does the former life wield a determining influence upon the new; the deeds of the new life are, in a way, caused by the deeds of the old. In this relationship of law and causation between an earlier and a later life we have to recognize the real Law of Destiny—often denoted by a word taken from Oriental Wisdom, the law of “Karma.”

[ 17 ] The building of a new bodily organization is however not the only activity incumbent upon man between death and a new birth. While this is going on he lives outside the physical world. But this world too is going forward in its evolution all the time. In comparatively short periods of time the face of the Earth is changed. What did it look like a few thousand years ago, say in the regions of Middle Europe? When man appears again in a new life, the Earth will as a rule be looking very different from what it did last time. Much will have altered during his absence, and in this changing of the face of the Earth, here once again hidden spiritual forces are at work. These forces issue from the very same spiritual world in which man sojourns after death, and he himself is working in and with them; he too has to cooperate in the necessary transformation of the Earth. So long as he has not yet developed Life-Spirit and Spirit-Man and thus attained clear consciousness of the connection between the spiritual and its physical expression, he can of courser only do this under the guidance of higher Beings. None the less, he participates in the work of transforming the conditions upon Earth, and it is true to say: During the time between death and a new birth human beings are at work transforming the condition of the Earth so that it shall accord with what has been evolving in themselves. Picture a region or locality on Earth such as it was at a given time in the past, and then again—profoundly changed—a long time after; the forces which have wrought the change are in the realm of the dead. Thus are the souls of men still in communication with the Earth even between death and a new birth. Supersensible consciousness sees in all physical existence the outer manifestation of hidden spiritual realities. To physical observation, it is the rays of the Sun, changes of climate and the like which bring about the transformation of the Earth. To supersensible observation, in the light-ray falling from the Sun upon the plants and virtues of the dead are working. We become conscious of how the souls of men are hovering about the plants, changing the earthly soil, and other things of this kind. Man's activity after death is devoted not only to himself—not only to the preparation for his own new earthly life—but he is called to work upon the outer world in a spiritual way, even as in the life between birth and death it is his task to work upon it physically.

[ 18 ] Not only does the life of man in Spirit-land influence and modify the prevailing conditions of the physical world, but conversely too, his life and action in physical existence have their effect in the spiritual. To take one example: there is a bond of love between a mother and her child. The love proceeds from a natural attraction, rooted in forces of sense-perceptible Nature. Yet in course of time it is transformed. The natural grows ever more into a spiritual bond, and this is welded not only for the physical world but for the spiritual.

So too it is with many other relationships of life. Threads that are spun in the physical world by spiritual beings persist in the spiritual world. Friends who were closely united in this life belong together in Spirit-land as well; nay, when their bodies have been laid aside, they are in still more intimate communion. For as pure spirits they are there for each other in the way that was described before; it is from within that spiritual beings manifest themselves to one-another. Moreover, bonds that have once been woven between one human being and another will lead them together again in a new life on Earth. Thus in the deepest sense it is true that we find one-another again after death.

[ 19 ] The cycle of human life from birth till death and thence to a new birth repeats itself periodically. Again and again man returns to the Earth when the fruits gained in a preceding physical life has ripened in Spirit-land. But this is not a repetition without beginning or end. Time was when man advanced from other forms of existence to those here described, and in the future he will pass on to different ones again. We shall gain an idea of these transitions in due course, when in the light of supersensible consciousness we shall be describing the evolution of the World in its relation to Man.

[ 20 ] For outer observation, what does on between death and a new birth is of course still more hidden than the underlying spiritual reality of manifest existence between birth and death. As to this part of the hidden world, sensory observation will only see the corresponding effects when they enter into physical existence. The question is, therefore, whether on entering this life through birth man brings with him any evidence of the events since a preceding death, described by supersensible science. Finding a snail's shell in which no trace of any animal can be detected, we shall admit that the shell was produced by an animal's activity and vital functions. We cannot imagine this form to have been the product of mere inorganic forces. In like manner, if in our contemplation of man's earthly life we find what cannot possibly have had its origin in this present life, we can admit with reason that is may be the outcome of what the science of the supersensible describes, if in fact, a light of explanation thereby falls on the otherwise inexplicable. Here therefore too, wide-awake observation with the senses and the thinking mind can find the visible effects intelligible in the light of invisible causes. A man who looks at life with fully open mind will come to see increasingly that this is right; it will impress itself on him with every new observation. The question only is to find the appropriate point of view in each instance. Where, for example, are the effects to be seen of what the human being underwent during the time of purification described by supersensible science? How do the effects appear of his experiences after purification in a purely spiritual real—once more, according to the researches of spiritual science?

[ 21 ] Riddles enough impress themselves upon our thought whenever we earnestly reflect on human life. We see one man born in misery and need, equipped with scanty talents. By the very circumstances of his birth he seems predestined to a life of hardship and limitation. Another is tended and looked after with every care and solicitude from the first moment of his existence. Brilliant faculties unfold in him; he seems predestined to a fruitful and fully satisfying life. In face of such questions two different ways of thought and feeling can make themselves felt. The one wants strictly to adhere to what is seen by the outer senses and understood by the intellect which takes its data from them. A man of this way of thinking will see no deeper question in the fact that one human being is born to happiness, another to ill fortune. And even if he does not have recourse to the word “chance,” he will not think of looking for a deeper law or causal nexus to which these things might be due. As to the presence or the lack of innate talents, he will insist that these are “inherited” from parents, grandparents and other forebears. He will decline to seek the causes in spiritual experiences the individual himself went through before his birth, whereby he shaped his gifts and talents for himself quite apart from physical heredity.

A man imbued with the other way of thought and feeling will not be satisfied with this. Surely—he will aver—even in the manifest world nothing happens in a given locality and environment without some underlying cause. And though in many instances our science may not yet have found them, we can assume the causes to be there. An alpine flower does not grow in low-lying plains; there is something in its nature belonging to the alpine heights. So too there must be something in a human being, causing him to be born into a given environment. Nor is it adequate to look for causes within the physical world alone. To one who thinks more deeply, undue insistence on these causes is like attempting to explain the fact that one man hit another, not by the feelings of the one who dealt the blow but by the physical mechanism of his hand.

This other way of thinking will feel equally dissatisfied with the attributing of gifts and talents to “heredity” alone. Of course it may be pointed out how talents have been and are sometimes inherited in families. For two and a half centuries musical talents were inherited by members of the Bach family. No less than eight mathematicians of distinction sprang form the Bernoulli family. Though some had very different careers mapped out for them in childhood, again and again the “hereditary” talent drew them into the family profession. It might also be contended that by a detailed study of his ancestry a particular man's talents can be shown to have appeared in one way or another in his forebears, so that he is merely benefiting by the summation of inherited potentialities.

A man whose thinking leans towards the spiritual will certainly not disregard evidences of this kind, and yet for him they cannot be what they are to those who want to base all their explanations on facts accessible to the outer senses. He will point out that inherited potentialities cannot of their own accord add up into a complete and integrated personality, any more than the several metallic parts will of their own accord assemble into the watch. And if objection is made that the conjunction of the parents can surely have brought about the combination, thus as it were taking the watchmaker's place, he will answer: Look but with open vision, how altogether now a thing is the personality of every child we see! This cannot possibly come from the parents, for the simple reason that it is not there in them.

[ 22 ] Unclear thinking may give rise to much confusion here. It is silliest of all when those of the former way of thinking represent those of the latter as disregarding and opposing well-established facts. For it need never occur to them to deny the truth or value of the facts alleged. They too can fully see that a mental or spiritual gift or even bent of mind will be “inherited” in a particular family, or that inherited potentialities, added and combined in a descendant, have produced a man or woman of eminence. Readily will they acquiesce when told that the most eminent name is seldom to be found at the head but generally at the latter end of a line of descent. But it should not be taken amiss when they derive from all those things quite other thoughts than do those who will not go beyond super-sensible data. For to the latter the following answer can be made. Certainly a man bears the stamp of his forebears, for the soul-and-spirit, entering physical existence through birth, derives the bodily element from what heredity provides. But this is to say no more than that an entity naturally bears the features of the medium in which it is immersed! It is a quaint and no doubt a trite comparison, yet to an open mind it is surely apposite: A man who has fallen into the water will be wet, but his wetness is no evidence of his inner nature. No more is a human beings' however obvious investment with some of the characteristics of his forebears evidence as to the origin of those which are uniquely his. Moreover this too may be said: If the most eminent name comes at the end of a line of descent, it shows that the bearer of the name required that very line of blood-relationship to form the body needed in this life for his own individual development and expression. It is no proof of the hereditary character of what he—individually—was. Indeed to healthy logic it proves, if anything, the reverse. For if individual gifts were inherited, they surely would appear at the beginning of a line of descent and be handed down from thence to the individual descendants. That they appear at the end, is evidence that they are not hereditary.

[ 23 ] Now it cannot be denied that many of those who believe in spiritual causes also tend to make confusion worse confounded. They talk too much in vague and general terms. To maintain that a man is the mere sum-total of his inherited characteristics may indeed by like saying that the metallic parts have assembled of their own accord into the watch. Yet it must also be granted that many would-be arguments on behalf of a spiritual world are as though one were to say: “The metallic parts of a watch cannot of themselves join up so as to drive the hands forward; therefore there must be some spiritual entity driving them forward.” As against such a construction, the man who answers: “What do I care for ‘mystical’ being of this kind? I want to know the mechanical construction by means of which the forward movement is in fact produced,” is building on far better ground. The point is not to be vaguely aware that underlying the mechanical contrivance—the watch, in this instance—there is the spiritual entity, the watchmaker. The thing of practical significance is to get to know the thoughts in the mind of the watchmaker—thoughts which preceded the making of the watch. These thoughts are in the mechanism and can be found there.

[ 24 ] Merely to dream and spin fancies about the supersensible can only lead to confusion and is least likely to satisfy opponents. They are quite right in contending that the vague reference to supersensible begins in no way helps one to understand the facts. Many opponents, it is true, will make the same objection to the precise and clear descriptions of spiritual science. But in this case it can be pointed out how the effects of hidden spiritual causes are manifested in external life. It can be said: Assume for once that what is claimed to have been found by spiritual observation is actually true. Assume that after death a man passed through a time of purification, when he experienced in soul how a thing done by him in a preceding life was going to be an evolutionary hindrance. While he had this experience, there grew in him the impulse to make good the consequences of his action. This impulse he brings with him into a new life; the presence of it is a trait in his nature, leading him to the place and situation where the needed opportunity is given. Think of all impulses of this kind, and you have a cause for the particular human environment into which the man was destined to be born.

Or take another assumption. Suppose once more: what spiritual science tells is true. The fruits of a past life on Earth are embodied in the spiritual seed of man. The Spirit-land wherein he sojourns between death and a new earthly life is the realm where these fruits ripen, to re-emerge in the new life transmuted into aptitudes and talents and making him the man his is, so that his present character and being appear as the effect of what was gained in a former life. Take this as a hypothesis and with it candidly look out into life. If it consistent, in the first place, with a healthy recognition of the outer facts—facts accessible to the senses—in their full truth and import. At the same time it makes intelligible ever so many things which, if one had to rely upon the outer facts alone, must remain unintelligible to anyone whose mind and feeling do not incline towards the spiritual world. Above all, it will put an end to that inverted logic, of which a typical instance was the proposition that because the most eminent name occurs at the end of a hereditary tree, therefore the man who bears it must have inherited his gifts. The supersensible facts ascertained by spiritual science makes life intelligible to sound logic and straightforward thinking.

[ 25 ] Still, the conscientious seeker after truth, without experience of his own in the supersensible world yet looking for a deeper understanding of the facts, may have another difficulty at this point, the force of which should be admitted. He may contend: Surely we cannot assume that a thing is true merely because it helps explain the otherwise inexplicable. Needless to say, this objection will not trouble those who know the thing in question by their own supersensible experience. Later on in this book a path will be indicated which one may go along, to learn to know by one's own experience not only the other spiritual facts here described but the law of spiritual causation too. But for those who do not want to take this path, the difficulty remains. Moreover even for those who do, what will now be said in answer to it may be of value. Rightly received and understood, it is indeed the very best way of taking the first step.

Certainly we ought not to assume things of the existence of which we have no other knowledge, merely because they give a satisfying explanation of the otherwise inexplicable. But with the spiritual facts here adduced the case is really different. To assume them has not the mere intellectual consequence of making life intelligible theoretically. When we receive them—even as hypotheses—into our thoughts, we experience far more than this, and different in kind. Think of a man to whom a great misfortune happens, from which he suffers deeply. He can meet the occurrence in either of two ways. He can experience the pain of it, give himself up to this emotion and maybe even succumb to his distress. But he can fact it in a different way, saying to himself: “In reality, it was I who in the past life planted in myself the forces which have now confronted me with this occurrence. I have inflicted it upon myself.” He can now kindle in himself all the feelings which this thought may carry in its train. Of course the thought must be entertained with great earnestness and intensity to have an adequate effect upon his life of feeling. But anyone who manages to do this will make a very significant discover—best illustrated by a comparison. Each of two men, let us suppose, is given a stick of sealing-wax. The one indulges in intellectual reflections upon its “inner nature.” His thoughts may be profound, but if this inner nature is in no way revealed he will very soon be told that they are vain speculation. The other rubs the sealing-wax with a silken cloth and demonstrates how it will attract small bodies. There is a vital difference between the thoughts that passed through the first man's head, giving rise to his philosophical reflections, and those of the second man. The former are without factual consequence, whereas the latter have led to a force of Nature—a real and potent fact—being conjured forth from its hidden state.

Such are the thoughts of one who thinks how in a former life he planted in himself the force that led him into a painful misfortune. The mere idea that this was so kindles in him a real power—a power to meet the event quite differently than he could do without it. It dawns upon him how inherently necessary, how essential was the event which he could otherwise only have looked upon as an unfortunate mischance. With direct insight he will realize: “This thought was right, for it has had the power to reveal to me the real state of affairs.” Inner experiments of this kind, actively repeated, become an ever increasing source of inner strength, and by their fruitful outcome prove their truth. The demonstration grows impressive—ever more so. In spirit and in soul, and physically too, the experience is health-giving—in all respects a positive and beneficial influence upon one's life. A man becomes aware that with such thoughts he takes his proper stand amid the ups and downs of life, whereas if he were only thinking of the single life between birth and death he would be giving himself up to illusions. Knowledge of reincarnation fortifies his inner life.

Admittedly, this intimate and searching proof of the spiritual law of causation can only be gained by each man for himself, in his own inner life. And it is really possible for everyone. No-one who has not gained it for himself can judge of its demonstrative power, while those who have can hardly doubt it any more. We need not be surprised that this is so. For where a thing is so bound up with a man's individuality, his inmost being, it is but natural that it can only be adequately proved by his own inner experience.

This does not mean however that because it answers to an inner experience of the soul the question can only be settled by each man for himself and therefore cannot be the subject-matter of a valid spiritual science. True, everyone must have the experience himself, just as everyone has to perceive for himself the proof of a theorem in mathematics. But the pathway by which the experience is reached, no less than the method of proving the mathematical theorem, is universally valid.

[ 26 ] Apart of course from actual observation in the supersensible, the proof above described is undeniably the only one which by the potency an fertile outcome of its thoughts stands firm in face of every fair and rational approach. Other considerations may be of great significance, and yet in all of them a sincere opponent may find loopholes. One other thought—evident enough to fair-minded insight—does however deserve mention. The very fact of education—that man is educable—goes a long way to prove that in the human child there is a spiritual being clad in a bodily garment and working his way through into life. Compare man with the animal. The characteristic properties and faculties of the animal are apparent from birth onward—a well-defined totality, of which the plan is manifestly given by heredity and then develops by contact with the outer world. See how the chick begins to fulfill the functions of its life as soon as ever it is hatched. How different with man! While he is being educated things which may well have no connection whatever with his heredity meet him and come into relation with his inner life. He proves able to assimilate and make his own the effects of these external influences. As every educator is aware, powers and faculties from the pupil's own inner life must come to meet these influences; if they do not, schooling and education are useless. An educator of sufficient insight will even mark the clear dividing line between the inherited tendencies and those inner faculties of his pupils which ray right through the latter, originating as they do in former lives.

True, in this field we cannot offer proofs as literally “weighty” as are the scientific proofs for which a balance is used in a physical experiment. But we are dealing here with the more intimate realities of life. To a sensitive thinker the kind of evidence just indicated, intangible though it is, has a validity even more cogent than that of tangible and ponderable data.

Animals too can of course be trained to develop special qualities and aptitudes, as though by education. But if we once discern what is essential, this is no valid objection. Quite apart from the fact that transitions between one thing and another are everywhere to be found, the effects of training do not merge into the animal's individual being as in the case of man. We are even told how the skills and aptitudes domestic animals acquire by their association with man or by deliberate training can be inherited. In other words, the effect is not individual but generic. Darwin describes how dogs will “fetch and carry” without previous training and without ever having seen it done. Who would say the same of human education?

[ 27 ] Now there are thinkers who see beyond the mistaken notion that man is outwardly pieced together by mere hereditary forces. They rise to the idea that a spiritual being, an individuality, precedes and helps to form the bodily existence. But many of them are not yet able to realize the fact of repeated lives on Earth, the fruits of earlier lives playing a decisive part during an intermediate spiritual form of existence. We will cite one of these thinkers, Immanuel Hermann Fichte—son of the great philosopher—who in his Anthropolgie (p. 528) sums up his observations as follows:

“The parents are by no means the progenitors in the full sense of the word. What they contribute is the organic material, and not only this; also the intermediate qualities of heart and mind and sensibility, shown in the temperament, in shades of feeling, instinctive tendencies and the like, the common source of all which we found in the imaginative power—Phantasie—using this word in the wider sense already indicated. In all these elements of a man's personality, the mingling and conjunction of the souls of his parents is unmistakable. These we may justly regard as a simple outcome of procreation, the more so since the act of procreation—as we were driven to admit—is an event in the soul-life too. Yet in all this the core and coping-stone of the individuality is not yet contained. For as a deeper penetration shows, even these subtler traits of heart and mind and feeling are but a sheath, an instrument, a vestment to contain the essentially spiritual, ideal potentialities of the man himself. True, they can further—or it may be hinder—these potentialities in their development, but they can never bring them forth out of themselves.”

A little later on (p. 532) Fichte adds:

“As to his archetypal spiritual form each human being pre-exists. Spiritually seen, two human individuals are no more like one another than are two animal species.”

These ideas only go so far as to allow that a spiritual being enters the physical, bodily nature of man to indwell it. But as they ail to attribute the form-giving powers of this being to causes originating in former lives, a fresh spiritual being would have to issue from the Divine Source of all, every time a human personality arose. On this assumption it would not be possible to explain the undoubted relationship between the innate tendencies which work their way outward from a man's inner being, and what comes to meet this inner being from his external, earthly and social environment during the course of his life. The inner being of man, springing for each single one—as it were, new-born—from the Divine Fount, would then confront what is to meet him in the earthly life as a complete stranger. This will only not be the case as indeed we know it is not—if the man's inner being has already been connected with this inner world and is not living in it for the first time. An open-minded teacher and educator can attain this perception: “What I am bringing to my pupil out of the fruits of human life on Earth is to a great extent foreign to his mere hereditary endowment, and yet it somehow touches him as though he had already been a participant—partaking in the work to which the fruits are due.”

Only repeated lives on Earth—taken together with the events in the spiritual realm between, as shown by spiritual science—can give a satisfying explanation of the life of present-day mankind when looked at in an all-round way. We say expressly, “present-day mankind.” Spiritual research reveals that there was a time when the cycle of man's earthly lives first began. Moreover the conditions then obtaining for the entry of his spiritual being into the bodily sheaths differed from those of today. In the next chapters we shall be going back to that primeval state of man, and in so doing it will emerge from the results of spiritual science how he evolved into his present form, in close connection with the evolution of the Earth as such. Then too it will be possible to indicate more fully how the spiritual core of man's being enters from supersensible worlds into the bodily vestments, and how the spiritual law of causation—how human destiny works itself out.

• 1. Supplementary Notes section.

Our present age, inartistic as it is, shows little awareness of the fact that recitation stands midway between speaking, or reading, which are not artistic, and artistically developed singing. In many circles there is a feeling that really anyone can recite – and this, of course, is not unconnected with the fact that in these same circles everyone flatters himself that he can also write poetry. It would not so easily enter anyone's head that someone could be a musician, or a painter, without having previously undergone any sort of artistic training. When we consider current views on the art of recitation, we are obliged to admit that, just as in people's ideas about the real nature of poetry, there is also a certain lack of clarity as to the nature of the art of recitation. As to how this art of recitation must use its instrument – the human voice in connection with the human organism – even for this there is no clear understanding. This is undoubtedly connected with the fundamental absence, in our present age, of any earnest feeling for the true nature of poetry. There is no doubt that poetry stands in a relationship with the whole being of man quite different to that of ordinary prose, of whatever kind this may be; everything that man must recognize as that higher world to which he belongs with the soul and spiritual parts of his being poetry must also stand in a certain connection with all this. Along with the lack of clarity which gradually invaded ideas concerning man's relationship with the super-sensible world, there also came about another partial lack of clarity, concerning man's relationship with that world which is expressed in the art of poetry. I should like to draw attention to two facts – things which resound to us from ancient times, though from quite different peoples, with quite differently evolved characters.

One fact, though one which today is passed over so lightly, is something to which Homer, the great writer of Greek epic, draws our attention at the beginning of both his poems: namely, that what he wished to convey to the world as his poetry did not come from himself.

‘Sing, O Muse, of the anger of Peleus' son Achilles ...’

It is not Homer, but the Muse who is singing. Our age can no longer take this seriously – for the understanding that lies hidden behind the opening of the Homeric poem had, in fact, already been extinguished by the eighteenth century, with its intellectual conceptions. When Klopstock began his Messiah, he did indeed look at the beginning of the Homeric poems; but in this respect he lived entirely in abstract ideas, intellectualistic ideas, and these could only lead him to say: the Greeks still believed in gods, in the Muses – modern man can replace this only by his own immortal soul. Thus, Klopstock begins with the words:

‘Sing, immortal soul, of sinful man's redemption.’

Now this opening of the Messiah, for anyone who can see into these things, is a document of the very greatest significance. And in the nineteenth century, too, all feeling had been completely lost for what Homer meant to convey – that when I reveal myself in poetry, it is really something higher that is revealed in me: my “I” withdraws, my ego withdraws, so that other powers make use of my speech-organism; divine-spiritual powers make use of this speech-organism in order to reveal themselves. One must, therefore, regard what Homer placed at the opening of his two poetic creations as something worthy of more serious consideration than is usually accorded to such things today.

It is remarkable how something similar, and yet quite different, resounds to us from a certain period in the development of Central Europe, a period to which the Nibelungenlied points – although it was not written down until a later date. This begins in a manner similar to, yet quite different from Homer:

‘To us in olden maeren is many a marvel told’

“In olden maeren” – what are maeren, for those who still have a living feeling and perception for such things? I cannot go into all this in detail, but I need only allude to the real meaning of this expression, maer – Nachtmar (nightmare): for this same expression is used to describe certain dreams which are caused by being oppressed, as it were, by an Alp – by a nightmare. In this nightmare, this Alp, we have the last atavistic traces of what is indicated in the Nibelungenlied, when it says: “To us in olden maeren is many a marvel told…”; something is here related which does not come out of normal day-time ego-consciousness, but from a kind of perception which proceeds in the manner of the consciousness we possess in an especially vivid dream such as the nightmare, the maeren. Here again our attention is directed not to ordinary consciousness, but to something which is revealed, through ordinary consciousness, from super-sensible spheres. Homer says: “Sing, O Muse, of the anger of Peleus' son Achilles ...”; and the Nibelungenlied says: “To us in olden maeren is many a marvel told.” What is referred to in the first instance? To that which is, in reality, brought forth by the Muse, when she makes use of the human organism, begins to speak through the human organism, to vibrate musically; our attention is directed to something musical which permeates the human being, and which speaks from greater depths than are reached by his ordinary consciousness. And when the Nibelungenlied says: “To us in olden maeren is many a marvel told …” – it is something which permeates human consciousness as a perception similar to seeing, as something like visual perception, to which we are referred. The Nibelungenlied indicates something plastic and formative, something imaginative; in the Homeric epic we are given something musical. Both, however, from different sides, show us what wells up in poetry from the profounder depths of human nature, something which takes hold of the human being and finds utterance through him. One must have a feeling for this, if one is to experience the way in which true declamation gives expression in poetry, and takes hold of the human instrument of speech – though, as we shall see later, this involves the entire human organism.

The manner, the whole way in which a human being is built up is an outcome of the forces of the spiritual world. And again, the whole manner in which a human being is able to bring his organism into movement when he declaims or recites poetry – this, too, must be the result of a spiritual force holding sway in the human organism. One must learn to trace this working of the spirit in the human organism when the art of poetry is expressed through recitation or declamation. Declamation then becomes what the human organism can be, when it is tuned in the most various ways. In order to gain a practical, artistic realization of these things in some detail, we would now like to show you what must live in declamation when something more of the nature of folk-poetry, or folk-song, is taken into consideration; we shall then proceed to something which is more definitely art – poetry. We hope to show you how fundamentally different the effect of declamation must be, depending on whether it sounds forth from those depths of human nature from which earnestness, or tragedy, resound; or whether it comes from those surface realms of the human organization from which gaiety, satire and humour emanate. Only when we have learned to apprehend these things quite concretely today will I permit myself to give certain intimations of the connection between poetry and recitation and declamation. From these, we will then show how there results an exact method of educating oneself in artistic recitation and declamation.

We will ask Frau Dr. Steiner to declaim a poem of Goethe: a folk-poem in its whole tone and mood – Goethe's “Heidenröslein”.

HEIDENRÖSLEIN

Sah ein Knab' ein Röslein stehn,

Röslein auf der Heiden,

War so jung und morgenschön,

Lief er schnell, es nah zu sehn,

Sah's mit vielen Freuden.

Röslein, Röslein, Röslein rot,

Röslein auf der Heiden.

Knabe sprach: Ich breche dich

Röslein auf der Heiden,

Röslein sprach: Ich steche dich,

Dass du ewig denkst an mich,

Und ich will's nicht leiden.

Röslein, Röslein, Röslein rot,

Röslein auf der Heiden.

Und der wilde Knabe brach

's Röslein auf der Heiden;

Röslein wehrte sich und stach,

Half ihm doch kein Weh und Ach,

Musst' es eben leiden.

Röslein, Röslein, Röslein rot,

Röslein auf der Heiden.

Johann Wolfgang von Goethe.

[Comparable in English in many respects is:

MY HEART'S IN THE HIGHLANDS

My heart's in the Highlands, my heart is not here;

My heart's in the Highlands a-chasing the deer;

Chasing the wild deer, and following the roe;

My heart's in the Highlands, wherever I go. –

Farewell to the Highlands, farewell to the North;

The birth-place of Valour, the country of Worth:

Wherever I wander, wherever I rove,

The hills of the Highlandsfor ever I love. –

Farewell to the mountains high cover'd with snow;

Farewell to the straths and green valleys below:

Farewell to the forests and wild-hanging woods;

Farewell to the torrents and loud-pouring floods. –

My heart's in the Highlands, my heart is not here;

My heart's in the Highlandsa-chasing the deer:

Chasing the wild deer, and following the roe;

My heart's in the Highlands, wherever I go. –

Robert Burns (1759-1796.]

We will now ask Frau Dr. Steiner to recite to us “Erlkönigstochter”, which gives opportunity for a quite special style in the rendering of folk-poems.

Herr Oluf reitet spät und weit,

Zu bieten auf seine Hochzeitleut':

Da tanzten die Elfen auf grünen Land,

Erlkönigs Tochter reicht ihm die Hand.

‘Willkommen, Herr Oluf, was eilst von hier?

Tritt her in den Reihen und tanz mit mir.’ –

‘Ich darf nicht tanzen, nicht tanzen ich mag,

Frühmorgen ist mein Hochzeittag.’ –

‘Hör’ an, Herr Oluf, tritt tanzen mit mir,

Zwei güldne Sporen schenk' ich dir;

Ein Hemd von Seide, so weiss und fein,

Meine Mutter bleicht's im Mondenschein.’ –

‘Ich darf nicht tanzen, nicht tanzen ich mag,

Frühmorgen ist mein Hochzeittag.’ –

‘Hör’ an, Herr Oluf, tritt tanzen mit mir,

Einen Haufen Goldes schenk' ich dir.’ –

‘Einen Haufen Goldes nahm’ ich wohl;

Doch tanzen ich nicht darf, noch soll.’

‘Und willt, Herr Oluf, nicht tanzen mit mir,

Soll Seuch' und Krankheit folgen dir.’ –

Sie tät einen Schlag ihm auf sein Herz,

Noch nimmer fühlt er solchen Schmerz.

Sie hob ihn bleichend auf sein Pferd:

‘Reit heim zu deinem Bräutlein wert.’

Und als er kam vor Hauses Tiir,

Seine Mutter zitternd stand dafür.

‘Hör’ an, mein Sohn, sag’ an mir gleich,

Wie ist dein' Farbe blass und bleich?’ –

‘Und sollt’ sie nicht sein blass und bleich?

Ich traf in Erlenkönigs Reich.’ –

‘Hört an, mein Sohn, so lieb und traut,

Was soll ich nun sagen deiner Braut?’ –

‘Sagt ihr, ich sei im Wald zur Stund’,

Zu proben da mein Pferd und Hund.’ –

Frühmorgen als es Tag kaum war,

Da kam die Braut mit der Hochzeitschar.

Sie schenkten Met, sie schenkten Wein.

‘Wo ist Herr Oluf, der Bräutigam mein?’ –

‘Herr Oluf, er ritt in Wald zur Stund’,

Er probt allda sein Pferd und Hund.’ –

Die Braut hub auf den Scharlach rot,

Da lag Herr Oluf, und er war tot.

Johann Gottfried Herder (1744-1803).

[Comparable in style in English is:

LA BELLE DAME SANS MERCI

O, what can ail thee, knight-at-arms,

Alone and palely loitering?

The sedge has wither'd from the Lake,

And no birds sing.

O, what can ail thee, knight-at-arms,

So haggard and so woe-begone?

The squirrel's granary is full,

And the harvest's done.

I see a lily on thy brow,

With anguish moist and fever dew;

And on thy cheeks a fading rose

Fast withereth too.

I met a lady in the meads,

Full beautiful – a faery's child,

Her hair was long, her foot was light,

And her eyes were wild.

I made a garland for her head,

And bracelets too, and fragrant zone;

She look'd at me as she did love,

And made sweet moan.

I set her on my pacing steed,

And nothing else saw all day long;

For sidelong would she bend, and sing

A faery's song.

She found me roots of relish sweet,

And honey wild, and manna dew,

And sure in language strange she said –

‘I love thee true’.

She took me to her elf in grot,

And there she wept and sigh'd full sore,

And there I shut her wild wild eyes

With kisses four.

And there she lulled me asleep

And there I dream'd – Ah! woe betide!

The latest dream I ever dream'd

On the cold hill side.

I saw pale kings and princes too,

Pale warriors, death-pale were they all;

Who cried – ‘La Belle Dame sans Merci

Hath thee in thrall!’

I saw their starved lips in the gloam,

With horrid darning gaped wide,

And I awoke and found me here,

On the cold hill's side.

And this is why I sojourn here

Alone and palely loitering,

Though the sedge has wither'd from the lake,

And no birds sing.

John Keats (1795-1821).]

Now we will present Goethe's two poems “Olympos” and “Charon”, where we shall find an opportunity to demonstrate recitation or declamation as the case may be. In the Poem “Olympos”, which is drawn more from the pictorial element, we have the art of declamation; while the more metrical “Charon” is drawn more from the musical element.

OLYMPOS

Der Olympos, der Kissavos,

Die zwei Berge haderten;

Da entgegnend sprach Olympos

Also zu dem Kissavos:

‘Nicht erhebe dich, Kissave,

Turken – du Getretener.

Bin ich doch der Greis Olympos,

Den die ganze Welt vernahm.

Zwei und sechzig Gipfel zähl ich

Und zweitausend Quellen klar,

Jeder Brunn hat seinen Wimpel,

Seinen Kämpfer jeder Zweig.

Auf den höchsten Gipfel hat sich

Mir ein Adler aufgesetzt,

Fasst in seinen mächt'gen Klauen

Eines Helden blutend Haupt.’

‘Sage, Haupt! wie ist's ergangen?

Fielest du verbrecherisch?’ –

Speise, Vogel, meine Jugend,

Meine Mannheit speise nur!

Ellenlänger wächst dein Flügel,

Deine Klauen spannenlang.

Bei Louron, in Xeromeron

Lebt' ich in dem Kriegerstand,

So in Chasia, auf'm Olympos

Kämpft’ ich bis ins zwölfte Jahr.

Sechzig Agas, ich erschlug sie,

Ihr Gefild verbrannt’ ich dann;

Die ich sonst noch niederstreckte,

Türken, Albaneser auch,

Sind zu viele, gar zu viele,

Dass ich sie nicht Ahlen mag;

Nun ist meine Reihe kommen,

Im Gefechte fiel ich brav.

CHARON

Die Bergeshöhn, warum so schwarz?

Woher die Wolkenwoge?

Ist es der Sturm, der droben kämpft,

Der Regen, Gipfel peitschend?

Nicht ist's der Sturm, der droben kämpft,

Nicht Regen, Gipfel peitschend;

Nein, Charon ist's, er saust einher,

Entführet die Verblichnen;

Die Jungen treibt er vor sich hin,

Schleppt hinter sich die Alten;

Die Jüngsten aber, Säuglinge,

In Reih' gehenkt am Sattel.

Da riefen ihm die Greise zu,

Die Junglinge, sie knieten:

‘O Charon, halt! halt am Geheg,

Halt an beim kühlen Brunnen!

Die Alten da erquicken sich,

Die Jugend schleudert Steine,

Die Knaben zart zerstreuen sich

Und pflücken bunte Blümchen.’

Nicht am Gehege halt’ ich still,

Ich halte nicht am Brunnen;

Zu schöpfen kommen Weiber an,

Erkennen ihre Kinder,

Die Männer auch erkennen sie,

Das Trennen wird unmöglich.

Johann Wolfgang von Goethe.

[A similar contrast is presented within the work of Donne, between the vivid, declamatory style of “The Sunne Rising” and the more sustained, metrical “Elegie: His Picture”:

THE SUNNE RISING

Busie old foole, unruly Sunne,

Why dost thou thus,

Through windowes, and through curtaines call on us?

Must to thy motions lovers seasons run?

Sawcy pedantique wretch, goe chide

Late schoole boyes, and sowre prentices,

Goe tell Court-huntsmen, that the King will ride,

Call countrey ants to harvest offices;

Love, all alike, no season knowes, nor clyme,

Nor houres, dayes, moneths, which are the rags of time.

Thy beames, so reverend and strong

Why shouldst thou thinke?

I could eclipse and cloud them with a winke,

But that I would not lose her sight so long:

If her eyes have not blinded thine,

Looke, and to morrow late, tell mee,

Whether both the ‘India's of spice and Myne

Be where thou leftst them, or lie here with mee.

Aske for those Kings whom thou saw'st yesterday,

And thou shalt heare, All here in one bed lay.

She'is all States, and all Princes, I,

Nothing else is.

Princes doe but play us; compar'd to this,

All honor^'s mimique; All wealth alchimie.

Thou sunne art halfe as happy’as wee,

In that the world's contracted thus;

Thine age askes ease, and since thy duties bee

To warme the world, that's done in warming us.

Shine here to us, and thou art every where;

This bed thy center is, these walls, thy spheare.

ELEGIE: HIS PICTURE

Here take my Picture; though I bid farewell,

Thine, in my heart, where my soule dwels, shall dwell.

‘Tis like me now, but I dead, 'twill be more

When wee are shadowes both, than 'twas before.

When weather-beaten I come backe; my hand,

Perhaps with rude oares torne, or Sun beams tann'd,

My face and brest of hairecloth, and my head

With cares rash sodaine stormes, being o'rspread,

My body'a sack of bones, broken within,

And powders blew staines scatter'd on my skinne;

If rivall fooles taxe thee to 'have lov'd a man,

So foule, and course, as, Oh, I may seeme then,

This shall say what I was: and thou shalt say,

Doe his hurts reach mee? doth my worth decay?

Or doe they reach judging minde, that hee

Should now love lesse, what hee did love to see?

That which in him was faire and delicate,

Was but the milke, which in loves childish state

Did nurse it: who now is growne strong enough

To feed on that, which to disused tasts seemes tough.

John Donne (1573-1631).]

We will now pass on to a more highly-wrought verse-form – the sonnet; and sonnets by Hebbel and Novalis will now be recited.

DIE SPRACHE

Als höchstes Wunder, das der Geist vollbrachte,

Preist ich die Sprache, die er, sonst verloren

In tiefste Einsamkeit, aus sich geboren,

Weil sie allein die andern möglich machte.

Ja, wenn ich sie in Grund und Zweck betrachte,

So hat nur sie den schweren Fluch beschworen,

Dem er, zum dumpfen Einzelsein erkoren,

Erlegen wäre, eh' er noch erwachte.

Denn ist das unerforschte Eins und Alles

In nie begrifftnem Selbstzersplitt‘rungsdrange

Zu einer Welt von Punkten gleich zerstoben:

So wird durch sie, die jedes Wesenballes

Geheimstes Sein erscheinen lässt im Klange,

Die Trennung vollig wieder aufgehoben!

Friedrich Hebbel (1813-1863).

ZUEIGNUNG

I

Du hast in mir den edeln Trieb erregt,

Tief ins Gemüt der weiten Welt zu schauen;

Mit deiner Hand ergriff mich ein Vertrauen,

Das sicher mich durch alle Stürme trägt.

Mit Ahnungen hast du das Kind gepflegt,

Und zogst mit ihm durch fabelhafte Auen;

Hast als das Urbild zartgesinnter Frauen,

Des Jünglings Herz zum höchsten Schwung bewegt.

Was fesselt mich an irdische Beschwerden?

Ist nicht mein Herz und Leben ewig dein?

Und schirmt mich deine Liebe nicht auf Erden?

Ich darf fier dich der edlen Kunst mich weiten;

Denn du, Geliebte, willst die Muse werden, –

Und stiller Schutzgeist meiner Dichtung sein.

II

In ewigen Verwandlungen begrusst

Uns des Gesangs geheime Macht hienieden,

Dort segnet sie das Land als ew'ger Frieden,

Indes sie hier als Jugend uns umfliesst.

Sie ist's, die Licht in unsre Augen giesst,

Die uns den Sinn für jede Kunst beschieden,

Und die das Herz der Frohen und der Müden

In trunkner Andacht wunderbar geniesst.

An ihrem vollen Busen trank ich Leben:

Ich ward durch sie zu allem, was ich bin,

Und durfte froh mein Angesicht erheben.

Noch schlummerte mein allerhöchster Sinn;

Da sah ich sie als Engel zu mir schweben,

Und flog, erwacht, in ihrem Arm dahin.

Novalis (1772-1801).

[The following three poems show some characteristics of the English sonnet:

ON THE GRASSHOPPER AND CRICKET

The poetry of earth is never dead:

When all the birds are faint with the hot sun,

And hide in cooling trees, a voice will run

From hedge to hedge about the new-mown mead;

That is the Grasshopper's – he takes the lead

In summer luxury, – he has never done

With his delights; for when tired out with fun

He rests at ease beneath some pleasant weed.

The poetry of earth is ceasing never:

On a lone winter evening, when the frost

Has wrought a silence, from the stove there shrills

The Cricket's song, in warmth increasing ever,

And seems to one in drowsiness half lost,

The Grasshopper's among some grassy hills.

John Keats

SONNET

O Nightingale, that on yon bloomy Spray

Warbl'st at Eve, when all the Woods are still,

Thou with fresh hope the Lovers heart dost fill,

While the jolly hours lead on propitious May,

Thy liquid notes that close the eye of Day,

First heard before the shallow Cuckoo's bill,

Portend success in love; O if Jove's will

Have linkt that amorous power to thy soft lay,

Now timely sing, ere the rude Bird of Hate

Foretell my hopeless doom in som Grove ny:

As thou from year to year hast sung too late

For my relief; yet hadst no reason why:

Whether the Muse or Love call thee his mate,

Both them I serve, and of their train am I.

John Milton (1608-1674).

SONNET

\

My galy charged with forgetfulnes

Thorrough sharpe sees in wynter nyghtes doeth pas

Twene Rock and Rock; and eke myn ennemy, Alas,

That is my lorde, sterith with cruelnes;

And every owre a thought in redines,

As tho that deth were light in suche a case.

An endles wynd doeth tere the sayll apase

\

Of forced sightes and trusty ferefulnes.

A rayn of teris, a clowde of derk disdain,

\

Hath done the wered cordes great hinderaunce;

\

Wrethed with errour and eke with ignoraunce.

The starres be hid that led me to this pain;

\

Drowned is reason that should me consort,

And I remain dispering of the port.

Sir Thomas Wyatt (1503-1542).]

And now, in order to show how another, the very opposite mood must be drawn from quite different realms of the human organization when this serves as the instrument for poetry and declamation, we will end with something humorous and satirical – choosing a poem by Christian Morgenstern.

ST. EXPEDITUS

Einem Kloster, voll von Nonnen,

waren Menschen wohlgesonnen.

Und sie schickten, gute Christen,

ihm nach Rom die schönsten Kisten:

Äpfel, Birnen, Kuchen, Socken,

eine Spieluhr, kleine Glocken,

Gartenwerkzeug, Schuhe, Schürzen...

Aussen aber stand: Nicht stürzen!

Oder: Vorsicht! oder welche

wiesen schwarzgemalte Kelche.

Und auf jeder Kiste stand ‘Espedito’, kurzerhand.

Unsre Nonnen, die nicht wussten,

wem sie dafür danken mussten,

denn das Gut kam anonym,

dankten vorderhand nur IHM,

rieten aber doch ohn’ Ende

nach dem Sender solcher Spende.

Plötzlich rief die Schwester Pia

eines Morgens: Santa mia!

Nicht von Juden, nicht von Christen

Stammen diese Wunderkisten –

Expeditus, o Geschwister,

heisst er und ein Heiliger ist er!

Und sie fielen auf die Kniee.

Und der Heilige sprach: Siehe!

Endlich habt ihr mich erkannt.

Und nun malt mich an die Wand!

Und sie liessen einen kommen,

einen Maler, einen frommen.

Und es malte der Artiste

Expeditum mit der Kiste. –

Und der Kult gewann an Breite.

Jeder, der beschenkt ward, weihte

kleine Tafeln ihm und Kerzen.

Kurz, er war in aller Herzen.

II

Da auf einmal, neunzehnhundert-

fünf, vernimmt die Welt verwundert,

dass die Kirche diesen Mann

fürder nicht mehr dulden kann.

Grausam schallt von Rom es her:

Expeditus ist nicht mehr:

Und da seine lieben Nonnen

längst dem Erdental entronnen,

steht er da und sieht sich um –

und die ganze delt bleibt stumm.

Ich allein hier hoch im Norden

fühle mich von seinem Orden,

und mein Ketzergriffel schreibt:

Sanctus Expeditus – bleibt.

Und weil jenes nichts mehr gilt,

male ich hier neu sein Bild: –

Expeditum, den Gesandten,

grüss’ ich hier, den Unbekannten

Expeditum, ihn, den Heiligen,

mit den Assen, den viel eiligen,

mit den milden, weissen Haaren

und dem fröhlichen Gebaren,

mit den Augen braun, voll Güte,

und mit einer grossen Düte,

die den uberraschten Kindern

strebt ihr spärlich Los zu lindern.

Einen güldnen Heiligenschein

geb’ ich ihm noch obendrein

den sein Lacheln um ihn breitet,

wenn er durch die Lande schreitet.

Und um ihn in Engeiswonnen

stell’ ich seine treuen Nonnen:

Mägdlein aus Italiens Auen,

himmlisch lieblich anzuschauen.

Eine aber macht, fürwahr,

eine lange Nase gar.

Just ins ‘Bronzne Tor’ hinein

spannt sie ihr klein Fingerlein.

Oben aber aus dem Himmel

quillt der Heiligen Gewimmel,

und holdselig singt Maria:

Santo Espedito - sia!

Christian Morgenstern (1871-1914).

[An excerpt from “The Rape of the Lock” shows the great English satirist in a comparatively rare mood of good humoured and friendly mocking. It comes from Canto II:

But now secure the painted vessel glides,

The sun-beams trembling on the floating tides;

While melting music steals upon the sky,

And soften'd sounds along the waters die;

Smooth flow the waves, the Zephyrs gently play,

Belinda smil'd, and all the world was gay.

All but the Sylph – with careful thoughts opprest,

Th' impending woe sat heavy on his breast.

He summons strait his Denizens of air;

The lucid squadrons round the sails repair:

Soft o'er the shrouds aerial whispers breathe,

That seem'd but Zephyrs to the train beneath.

Some to the sun their insect-wings unfold,

Waft on the breeze, or sink in clouds of gold;

Transparent forms, too fine for mortal sight,

Their fluid bodies half dissolv'd in light.

Loose to the wind their airy garments flew,

Thin glitt'ring textures of the filmy dew,

Dipt in the richest tincture of the skies,

Where light disports in ever-mingling dyes,

While ev'ry beam new transient colours flings,

Colours that change whene'er they wave their wings.

Amid the circle, on the gilded mast,

Superior by the head, was Ariel plac'd;

His purple pinions op'ning to the sun,

He rais'd his azure wand, and thus begun.

Ye Sylphs and Sylphids, to your chief give ear,

Fays, Fairies, Genii, Elves, and Daemons hear!

Ye know the spheres and various tasks assign'd

By laws eternal to th' aerial kind.

Some in the fields of purest Aether play,

And bask and whiten in the blaze of day.

Some guide the course of wand'ring orbs on high,

Or roll the planets thro' the boundless sky.

Some less refin'd, beneath the moon's pale light

Pursue the stars that shoot athwart the night,

Or suck the mists in grosser air below,

Or dip their pinions in the painted bowl

Or brew fierce tempests on the wintry main,

Or o'er the glebe distil the kindly rain.

Others on earth o'er human race preside,

Watch all their ways, and all their actions guide:

Of these the chief the care of Nations own,

And guard with Arms divine the British Throne.

Our humbler province is to tend the Fair,

Not a less pleasing, tho' less glorious care;

To save the powder from too rude a gale,

Nor let th' imprison'd essences exhale;

To draw fresh colours from the vernal Flow'rs;

To steal from rainbows e'er they drop in show'rs

A brighter wash; to curl their waving hairs,

Assist their blushes, and inspire their airs;

Nay oft, in dreams, invention we bestow,

To change a Flounce, or add a Furbelow.

This day, black Omens threat the brightest fair

That e'er deserv'd a watchful spirit's care;

Some dire disaster, or by force, or slight;

But what, or where, the fates have wrapt in night.

Alexander Pope (1688-1744)]

Now the art of recitation must undoubtedly follow the poetry. Recitation introduces the human element into poetry, for the human organization itself furnishes the instrument of artistic expression. How this instrument is used in singing and in recitation – that is something which has indeed been much investigated: we have already taken the opportunity here of pointing out, in response to certain questions, how many methods (one method after another!) exist in our present age, to singing and recitation. For in a certain sense we have entirely lost the deeper, inner relationship between poetic utterance or expression and the human organization. I will take as_. a starting-point next today something apparently quite physiological – and next time, after our detour through physiology, we shall be able to show you what poetry, as expressed in recitation and declamation, really demands.

Let us look first at something which has been frequently mentioned during the lectures of the last few days: the human rhythmic system. The human being is organized into the system of nerves and senses – the instrument for the thought-world, for the world of sense-representations, and so on; the rhythmic system – the instrument for the development of the feeling world, and for all that is mirrored from the feeling-world and plays into the world of mental representations; and the metabolic system – through which the will pulsates, and in which the will finds its actual physical instrument. [Note 4]

First, let us look at the rhythmic system. In this rhythmic system, two rhythms interpenetrate each other in a remarkable way. In the first place, we have the breathing-rhythm. This is essentially regular – though everything living is different in this respect, and it varies from individual to individual – so that in the case of healthy people, we are able to observe 16-19 breaths per minute. Secondly, we have the pulse-rhythm, directly connected with the heart. Naturally, when we take into account that in this rhythm we are dealing with functions of a living being, again we cannot cite any pedantic number; but, generally speaking, we may say that the number of pulse-beats per minute, in a healthy human organism, is approximately 72. Hence we can say that the number of pulse-beats is about four times the number of respirations. We can thus represent the course of the breath in the human organism, and how while we take one breath, the pulse intervenes four times. Now let us devote our minds for a moment to this interaction of the pulse-rhythm and the rhythm of the breath to this inner, living piano (if I may so express myself) where we experience the pulse rhythm as it strikes into the course of the breathing-rhythm. Let us picture the following: one breath inhaled and exhaled; and a second inhaled and exhaled; and, striking into this, the rhythm of the heart. Let us picture this in such a way that we can see that in the pulse-rhythm, which is essentially connected with the metabolism, which touches on the metabolic system, the will strikes, as it were, upwards; thus we have the will-pulses striking into the feeling-manifestations of the breath-rhythm. And let us suppose that we articulate these will-pulses, in such a way that we follow the will-pulses in the words, inwardly articulating the words to ourselves. Thus we have, for instance: long, short, short; long, short, short; long, short, short – one breath-stream; then we make a pause, a kind of caesura, we hold back; then, accompanying the next drawing of the breath, we have the heart-rhythm striking into it: long, short, short; long, short, short; long, short, short.

¾ È È ¾ È È ¾ È È || ¾ È È ¾ È È ¾ È È ||

Then, when we allow two breaths to be accompanied by the corresponding pulse-beats, and between them we make a pause, a pause for breath – we have the hexameter. [Note 5] We can ask: what is the origin of this ancient Greek verse metre? It originated from the harmony between blood-circulation and breathing. The Greek wished to turn his speech inward, so that, having suppressed his “I”, he orientated the words according to the pulse-beats, allowing these to play upon the stream of breath. Thus he brought his whole inner organization, his rhythmic organization, to expression in his speech: it was the harmony between heart-rhythm and breath-rhythm that resounded in his speech. To the Greek, this was more musical – as if it resounded up from the will, resounded up from the pulse-beats into the rhythm of the breath.

You know that what remained as the last, atavistic remnant of the old clairvoyant images – the Alp, the nightmare – found expression in pictures, and is connected with the breathing-process: and there is still a connection between the pathological form of the Alpdruck and breathing.

Now let us assume – for me it is more than an assumption – that in those primaeval times when his experience was more closely connected with the internal processes, man went out more with the breath; the movement was more from above downwards. And then he put into one breath:

¤ ¤ ¤

‘To us in olden maeren'

Again, three high-tones: three times the perception of how the pulse beats into the breathing, and how this brings to expression an experience that is more visual, finding expression in the light and shade of the language, in the high and low tones. In the Greek we have something metrical long, short, short; long, short, short; long, short, short; whereas in the Nordic verses we have something with more declamatory impetus – high-tone and low-tone:

¤ ¤ ¤ ¤ ¤ ¤

‘To us in olden maeren is many a marvel told

¤ ¤ ¤ ¤ ¤ ¤

Of praise-deserving heroes, of labours manifold ...'

It is the interaction of the breathing-rhythm and the rhythm of the heart, the rhythm of the pulse. Just as the Greek experienced a musical element and expressed this in metre, so the Nordic man experienced a pictorial element, which he expressed in the light and shade of the words, in the high-tones and low-tones. But there was always the knowledge that one was submerged in a state of consciousness where the “I” yielded itself up to the divine-spiritual being which reveals itself through the human organism – which forms this human organism so that it may be played upon as an instrument through the pulsation of the heart, through the breathing-process, through the stream of exhaled and inhaled breath:

È ¾ È ¾ È ¾ È || ¾ È ¾ È ¾

You know that many breathing-techniques have been discovered, and much thought given to methods of treating the human body to facilitate correct singing or recitation. It is much more to the point, however, to penetrate the real mysteries of poetry and recitation and declamation: for both of these will proceed from the actual, sensible-super-sensible perception of the harmony between the pulse, which is connected with the heart, and the breathing-process. As we shall see next time, each single verse-form, each single poetic form including rhyme, alliteration, and assonance, may be understood when we start from a living perception of the human organism, and what it does when it employs speech artistically. This is why it was quite justified when people who understood such things spoke, more or less figuratively, of poetry as a language of the gods: for this language of the gods does not speak the mysteries of the transient human “I”; it speaks in human consciousness, speaks musically and plastically the cosmic mysteries – it speaks when the super-sensible worlds play, through the human heart, upon the human breath.

It is through declamation and recitation that the art of poetry is accorded its true value. So I shall allow myself – not, however, out of allegiance to any abstract principle or any wish to claim that a world-view which springs from the needs of our time must cast its reforming light in some way or other over everything – I shall allow myself on quite other grounds to say a little about recitation and declamation from the vantage-point of the life- and world-conception represented at this Congress. We shall only recapture an inner, a genuine soul-understanding of poetry when we are in a position to find our way to the real homeland of poetic art. And this real homeland of poetic art is in fact the spiritual world – though it is not that intellectual, that conceptual or ideational factor in the spiritual world particularly cultivated in our own time. For this more than anything else has a paralysing effect on poetry.

We shall see most clearly what is meant by this when we are reminded that one of the most significant products of this art resounds to us out of the revolutions of time along with a particular avowal on the part of its creator, or perhaps creators. The Homeric epics invariably begin with the words “Sing, O Muse...” Nowadays we are only too inclined to treat such a phrase as more or less a cliché. But when it was first coined it was no cliché – it was an inner experience of the soul: whoever it was that conceived the poem out of the spirit, whence this phrase was also drawn, knew how he was immersed through his poetic faculty in a region of human existence and experience different to that in which we stand in immediatesense-perception, or when our power of intellect takes hold conceptually of sense-impressions. The poet knew that his inner being was seized by an objective spiritual force. That human consciousness has indeed undergone a change in this respect in the course of evolution has, I would say, been documented historically.

When Klopstock, drawing upon the German spiritual life, wished to sing of the great deed of the Messiah, as Homer had sung the past events of Hellas, he did not say “Sing, O Muse...”, but “Sing, immortal soul, of sinful man’s redemption.” Here something of greater intensity is indicated, something connected directly with the human and its self-reliance. Here man has come to himself in his individual personality.

Yet we can add: if the mode of consciousness which lives in our modern world of ideas and observations were the sole criterion, we should lose poetry and art altogether. All the same, it is necessary that here, too, what was suitable for mankind at one time should now assume other forms. But these new forms can only arise if the way into the spiritual world is rediscovered; for such a path alone makes it possible for the human “I” to be laid hold of again by the spiritual world – not as in former times, in an unconscious, dreamy fashion, but in accordance with the needs of the present day: in full consciousness. That this need not be bound up with a crippling of imaginative activity – this is not generally recognized today. It will come to be understood, however, as the world and life-conception put forward here gains more and more ground. If we enter into the spiritual world with circumspection – in full consciousness and with a developed feeling of personality – it will exert no crippling effect on our direct perception or on the vital participation in things and beings so necessary to poetry and art in general. If, however, we abstract ourselves from things in ideas, standing aside from them in purely intellectual concepts, our knowledge will yield nothing that can become a direct artistic creation. But if we plunge down into what pervades the world as a vibrant spiritual essence we will find again, along this spiritual path what poetry and art as a whole were fundamentally seeking all along.

From such a spiritual approach the poet will have before his soul what recitation and declamation must re-create for his audience. The poet must submerge himself in the element of speech. This experience of submersion was still to be found among the Greeks, and even in earlier forms of Central European spiritual life, such as the Germanic. In primaeval ages of humanity, if one wished to receive the divine-spiritual and bring it to expression as it spoke in the soul, one dived down not only into the element of speech, but also into what flowed within speech, like the waves of the sea – into the breath. And in earlier times, when the ancient spiritual life was still valued above science, art or religion in isolation, in the period when that spiritual life came into being, poetry, too, was not isolated. It grew isolated at the stage when the felt vitality of the breath (as manifestation of the efficacy of man’s innermost will) was taken up into more exalted regions of organic life: into the element of speech.

In due course today we have arrived at the element of thought. And from the thought-element we can experience only a sort of “upthrust” of the breath. What held sway in ancient times in Central Europe in the form of an unconscious feeling whenever man felt the poetic urge was the pulsating of the blood. Taking hold with the will, this formed the breathstream from within, into tone; whereas when the man of Greek or Graeco-Roman times waxed poetic he lived more in what flowed from the breathing-rhythm in the way of a picture or conception, and in what musically formed the sound, tone and line through metre, number and syllable.

Goethe’s whole being, his essential soul-nature, was born from the spirit of Central Europe. The writings of his youth derived their imaginative, pictorial form from an experience, an instinctive feeling of how human breathing pushes up, through the will-pulsating waves of the blood, into the formation of tone and sound – and so into the expressivity of the human soul. In this way he attained the qualities we admire so much in his youth, even when he appears to be speaking in prose. We have the prose-poems of Goethe’s youth, like the marvellous Hymn to Nature, where the ruling principle is that where we feel the language permeated by a kind of breathing which pulsates on the waves of the blood. It was from some such sense that the young Goethe initially composed his Iphigeneia. In this composition we feel how something from the Nibelungenlied, or the Gudrunlied, still lives and weaves in the prose, welling up and working in its high and low intonations. It calls attention to the upward thrust of the will into what comes to be man’s head-experience. This rhythm, thrown upward into configurations of thought, is what we can admire in the poems of Goethe’s youth, including the first version of his Iphigeneia.

But Goethe longed to get away to Italy. A time came when he could no longer come to terms with himself without undertaking a journey to Italy, which he did in the ’eighties. What was it that he longed for in his innermost being at that time? He longed to enter more deeply into human individuality – to enter into the whole human being with what lived in the high and low tones, creating in speech-formation an effect like the forms of a Gothic cathedral. He wanted to blend this with the even-measured flow he was seeking and believed was accessible only in the south, in Italy, in the wake of what had lived in Greek culture. Out of this, stemming from his feeling for such art as was still to be seen, came an understanding of Greek art He understood that the Greeks created their art in accordance with the same laws that govern the productions of nature; and of this he believed himself to have uncovered the clue. He believed, too, that he had traced these laws in speech-formation. He brought speech into a deeper connection with the breath. Then, in Rome, he refashioned his Iphigeneia accordingly. We must distinguish sharply between the northern Iphigeneia as first conceived and what came about when he refashioned it in Rome – even though the difference between the original and the Roman verse-Iphigeneia is really quite slight. It turned it into a poem that no longer lives simply in high and low tones; it became a work where in quite a different way – and not in any trivial sense, but as regards the whole of its speech-formation - the psychical experience of the blood-rhythm, the circulation with its deeper rhythm, plays over into the tranquil metre of the breathing-rhythm and the element of thought. In this way, what represented a declamatory form in the Nordic Iphigeneia is transformed in the Roman version into recitation.

By juxtaposing the one Iphigeneia with the other in this way, we can clearly discern the difference between declamation and recitation. Recitation leads us more deeply into human nature, and creates, too, more from its depths, seizing upon the whole blood-circulation as well as the breathing. But because in declamation the will (as it surges in the depths) is caught up into the highest part of man’s spiritual and soul-being, into the breath, it appears to us as the more forceful – living as it does in high and low tones. It does not only engage the flow of rhyme and verse, but evokes something which goes out into the world – perhaps even with a certain belligerence – as alliteration. In this there is a beauty that is peculiar to the north.

We do not wish today to give theoretical explanations, but to make known what should be present in an artistic sensibility. We will therefore firstly present the declamatory, in Goethe’s Nordic Iphigeneia; and then contrastingly the recitative, in the Roman composition. [Note 25]

[The magnificent language of the Authorized Version puts it on a different level to any other translation in English. There can be no doubt of its own high literary qualities, and it furnishes us with fine examples of poetry for declamation, as in this version of the ninetieth Psalm:

Lord, thou hast bene our dwelling place in all generations.

Before the mountaines were brought forth,

or ever thou hadst formed the earth and the world:

even from everlasting to everlasting thou art God.

Thou turnest man to destruction: and sayest,

Returne yee children of men.

For a thousand yeeres in thy sight

are but as yesterday when it is past:

and as a watch in the night.

Thou carriest them away as with a flood, they are as a sleepe:

in the morning they are like grasse which groweth up.

In the morning it flourisheth, and groweth up:

in the evening it is cut downe, and withereth.

For we are consumed by thine anger:

and by thy wrath are we troubled.

Thou hast set our iniquities before thee:

our secret sinnes in the light of thy countenance.

For all our dayes are passed away in thy wrath:

we spend our yeeres as a tale that is told.

The dayes of our yeeres are three-score yeeres and ten,

and if by reason of strength they be fourescore yeeres,

yet is their strength labour and sorrow:

for it is soone cut off, and we flie away.

Who knoweth the power of thine anger?

even according to thy feare, so is thy wrath.

So teach us to number our daies: that wee may

apply our hearts unto wisedome.

Returne (O LORD) how long?

and let it repent thee concerning thy servants.

O satisfie us early with thy mercie:

that we may rejoyce, and be glad all our dayes.

Make us glad according to the dayes wherein thou hast afflicted us:

and the yeeres wherein we have seene evil.

Let thy worke appeare unto thy servants:

and thy glory unto their children.

And let the beautie of the LORD our God be upon us,

and establish thou the worke of our hands upon us:

yea, the work of our hands establish thou it.

Metrical translations of the Psalms are numerous; but many of them have no aims beyond fitting the verses to a tune. The version begun by Sir Philip Sidney and completed by his sister, the Countess of Pembroke, however, brought all the literary resources of the classical tradition in Renaissance poetry to bear on the problem of making an authentically poetic translation. The result is that the ninetieth Psalm is here drastically transformed into a recitative vein:

DOMINE REFUGIUM

Thou’our refuge, thou our dwelling,

O Lord, hast byn from time to time:

Long er Mountaines, proudly swelling,

Above the lowly dales did clime:

Long er the Earth, embowl’d by thee,

Bare the forme it now doth beare:

Yea, thou art God for ever, free

From all touch of age and yeare.

O, but man by thee created,

As he at first of earth arose,

When thy word his end hath dated,

In equall state to earth he goes.

Thou saist, and saying makst it soe:

Be noe more, O Adams heyre;

From whence ye came, dispatch to goe,

Dust againe, as dust you were.

Graunt a thousand yeares be spared

To mortall men of life and light:

What is that to thee compared?

One day, one quarter of a night.

When death upon them storm-like falls,

Like unto a dreame they grow:

Which goes and comes as fancy calls,

Nought in substance all in show.

As the hearb that early groweth,

Which leaved greene and flowred faire

Ev’ning change with ruine moweth,

And laies to roast in withering aire:

Soe in thy wrath we fade away,

With thy fury overthrowne

When thou in sight our faultes dost lay,

Looking on our synns unknown.

Therefore in thy angry fuming,

Our life of daies his measure spends:

All our yeares in death consuming,

Right like a sound that, sounded, ends.

Our daies of life make seaventy yeares,

Eighty, if one stronger be:

Whose cropp is laboures, dollors, feares,

Then away in poast we flee.

Yet who notes thy angry power

As he should feare, soe fearing thee?

Make us count each vitall hower

Make thou us wise, we wise shall be.

Turne Lord: shall these things thus goe still?

Lett thy servantes peace obtaine:

Us with thy joyfull bounty fill,

Endlesse joyes in us shall raigne.

Glad us now, as erst we greeved:

Send yeares of good for yeares of ill:

When thy hand hath us releeved,

Show us and ours thy glory still.

Both them and us, not one exempt,

With thy beauty beautify:

Supply with aid what we attempt,

Our attempts with aid supply.

Mary Herbert, Countess of Pembroke (1561-1621).]

Goethe followed up his incursion into the new poetic sphere of his remodelled Iphigeneia with works like his “Achilleis”, from which a passage will now be recited. Here in Goethe we find something that shows us how poetry springs from the whole man, how it should emerge from the whole man and take shape as recitation and declamation.

I might seem, at first glance, to be propounding a mechanical interpretation of reciting and declaiming, if I were to point to something in the nature of man as the origin of recitation and declamation: this something is to be found, however, precisely along the spiritual path.

As an art, poetry has the task of enlarging again what prose has atomized and contracted into the single word. The harmony of sounds, the melodious flow of sound in the picture-formation of speech, of mundane speech, is in this way “canopied over,” as we might say, by a second, spiritual speech. The prose-speaker clothes in words those thoughts he wants to convey, along with whatever of individual experience he can. The poet draws back from such rhetoric, to a much more profoundly inward human experience. [Note 26] He reverts to a level at which (as I have already indicated) the rhythms of breathing and the circulatory system become perceptible, as they vibrate through the language of poetry. We shall only get to the bottom of rhyme, metre, the pictorial and the melodic in speech, by comprehending human nature spiritually, even down to the physical. We have, then, as one pole of the rhythmical in man, the breathing; and as the other pole, circulation. In the interaction of breathing and circulation is expressed something which is first given, in its simplest ratio, when we attend to the resonance of breathing and circulation in the flow of human speech. In breathing, we draw a particular number of breaths every minute – between sixteen and eighteen. And over the same period we have, an average, about four times as many pulse‑beats. Circulation and breathing interact, so that the circulation plays into the breath, and the breath in turn weaves into the circulation its slower rhythm. It is an apprehension of such an harmonious interchange between pulse-beat and breathing that echoes on in speech. Formed and transformed in various ways, it produces the after-effect of a pictorial or a musical speech-formation, which is then brought to expression by the poet.

I said – and the point has actually been raised – that the fundamental law of poetry, the interaction of breathing and circulation that I have elicited from human morphology might be considered mechanical and materialistic. But the spiritual life that holds sway and works in the world can only be grasped if we trace that life right into its material formations; only if the life of man’s spirit and soul is pursued to those depths where it lives out its expression in corporeal functions. These bodily workings will then act as a firm wall to hurl back, like an echo, what derives from the laws of a profounder spirituality – a spirituality of direct experience pouring itself out into speech.

Goethe sensed how in earlier stages of human culture man stood in a deeper relation, as it were, to his own nature. He too sought to enter into an earlier epoch’s feeling for poetic forms and revivify them. It is actually of deep significance that at the highest point in the development of German poetry, Goethe pointed away from the crude, prosaic stress popularly taken for recitation and declamation, to a special kind of what can be called – and deservingly – a real speech-formation. To rehearse the iambics of his Iphigeneia, Goethe stood in front of the actors with his baton. He knew that what had to be revealed was, above all, the imagery he wanted to incorporate, while the prose-content was there merely as a ladder by which to scale the heights of the full, spiritual sense – the sound and the picture-quality of speech that must evolve from it. We must pierce through the given prose-content of a poem into the truly poetic. Schiller’s experience in his best creations, of an initially indefinable melody, a musicality onto which he then threaded the prose-content, was not a personal peculiarity. As regards the words, some of Schiller’s poems could even have had a different content to the one they currently possess. In a true poet there is everywhere, in the background of the rhetorical speech, a quality that must simply be felt. And only when it does justice to the musical in speech-formation will true poetry stand revealed.

If we turn to what is often taught today as recitation and declamation, it is with a keen sense of something having, in these uncultured times, gone amiss. The voice itself is strengthened, and great value is attached to technical adjustment of the organism: this is because no-one is any longer able to live in a direct relationship with recitation and declamation (not to mention singing), and we transfer to material tampering with the body what should be experienced on a quite different plane. The important thing in teaching recitation and declamation is that the pupil should on no account be made to do anything but live with speech-formation as such and the soul-resonance of living with speech-formation, in such a way as to bring him to listen properly. For anyone who is capable of listening correctly to what may come over in poetry, the appropriate breathing, proper disposition of the body, etc., will come about of their own accord – as a response to proper listening. It is important to let the pupil live in the actual element of declamation and recitation, and leave all the rest to him. He must become absorbed in the objective realities of tone, in “musical pictoriality” and in authentically poetic formations. In this way alone, paradoxical as it may sound, can we get the pupil to develop an ear for what he hears declaimed to him and thereby sensitivity to what moves spiritually over the waves of sound he hears. Only when he experiences something in his surroundings, we might say, and not in himself – and even though to begin with this experience is illusory, it must be cultivated – only then will he be able to refer back to himself what he feels vibrant in the world around him. It is only through the recital of certain aesthetically fashioned word-sequences, which have a special relation to human morphology, that we ought to learn breath-control or anything else connected with the adjusting of the voice. In this way we shall best meet the requirements of Goethe’s artistic perception and the sensitivity we value so greatly.

By way of illustration – not of any theory, but of the foregoing remarks there will now be recited a passage from Goethe’s “Achilleis”. [Note 27]

[Since the hexameter in its true, classical form can only occasionally be reproduced successfully in English, C. Day Lewis performed the service of devising a metre which sounds convincingly like it. He used it to evoke the heroic and epic associations of classical poetry in relating, for example, an episode from the Spanish Civil War in “The Nabara”. This extract is from “Phase One”:

Freedom is more than a word, more than the base coinage

Of statesmen, the tyrant’s dishonoured cheque, or the dreamer’s mad

Inflated currency. She is mortal, we know, and made

In the image of simple men who have no taste for carnage

But sooner kill and are killed than see that image betrayed.

Mortal she is, yet rising always refreshed from her ashes:

She is bound to earth, yet she flies as high as a passage bird

To home wherever man’s heart with seasonal warmth is stirred:

Innocent is her touch as the dawn’s, but still it unleashes

The ravisher shades of envy. Freedom is more than a word.

I see man’s heart two-edged, keen both for death and creation.

As a sculptor rejoices, stabbing and mutilating the stone

Into a shapelier life, and the two joys make one –

So man is wrought in his hour of agony and elation

To efface the flesh to reveal the crying need of his bone.

Burning the issue was beyond their mild forecasting

For those I tell of – men used to the tolerable joy and hurt

Of simple lives: they coveted never an epic part;

But history’s hand was upon them and hewed an everlasting

Image of freedom out of their rude and stubborn heart.

C. Day Lewis (1904-1972)

An earlier solution to the problem was a rather more radical departure from the hexameter for a five-foot line, and the blank-verse pentameter remains the natural epic metre in English. Milton employed it in recreating many of the features of classical epic in Paradise Lost, as may be illustrated from the following passage (Book VI, 189-214):

So saying, a noble stroke he lifted high,

Which hung not, but so swift with tempest fell

On the proud Crest of Satan, that no sight,

Nor motion of swift thought, less could his Shield

Such ruin intercept: ten paces huge

He back recoild; the tenth on bended knee

His massie Spear upstayd; as if on Earth

Winds under ground or waters forcing way

Sidelong, had push’t a Mountain from his seat

Half sunk with all his Pines. Amazement seiz’d

The Rebel Thrones, but greater rage to see

Thus foil’d their mightiest, ours joy find, and shout,

Presage of Victorie and fierce desire

Of Battel: whereat Michaël bid sound

Th’ Arch-angel trumpet; through the vast of Heav’n

It sounded, and the faithful Armies rung

Hosanna to the Highest: nor stood at gaze

The adverse Legions, nor less hideous join’d

The horrid shock: now storming furie rose,

And clamor such as heard in Heav’n till now

Was never, Arms on Armour clashing bray’d

Horrible discord, and the madding Wheeles

Of brazen Chariots rag’d; dire was the noise

Of conflict; over head the dismal hiss

Of fiery Darts in flaming vollies flew,

And flying vaulted either Host with fire.

John Milton.]

And now, to illustrate declamation, Goethe’s “Hymnus an die Natur” (abridged, as occasion demanded, for a Eurythmy performance).

Natur! Wir sind von ihr umgeben und umschlungen –

unvermögend aus ihr herauszutreten, und unvermögend,

tiefer in sie hinein zu kommen. Ungebeten und ungewarnt

nimmt sie uns in den Kreislauf ihres Tanzes auf

und treibt sich mit uns fort, bis wir ermüdet sind

und ihrem Arm entfallen.

Sie schafft ewig neue Gestalten; alles ist neu, und

doch immer das Alte. Sie baut immer und zerstört

immer.

Sie lebt in lauter Kindern; und die Mutter, wo ist

sie? – Sie ist die einzige Künstlerin; sie spielt ein

Schauspiel; es ist ein ewiges Leben, Werden und

Bewegen in ihr. Sie verwandelt sich ewig, und ist

kein Moment Stillestehen in ihr.

Ihr Tritt ist gemessen, ihre Ausnahmen selten, ihre

Gesetze unwandelbar. Gedacht hat sie und sinnt beständig.

Die Menschen sind alle in ihr, und sie in allen.

Auch das Unnatürlichste ist Natur, auch die plumpste

Philisterei hat etwas von ihrem Genie.

Sie liebt sich selber; sie freut sich an der Illusion.

Ihre Kinder sind ohne Zahl.

Sie spritzt ihre Geschöpfe aus dem Nichts hervor.

Leben ist ihre schönste Erfindung, und der Tod – ihr

Kunstgriff, viel Leben zu haben.

Sie hüllt den Menschen in Dumpfheit ein und spornt

ihn ewig zum Lichte. Man gehorcht ihren Gesetzen,

auch wenn man ihnen widerstrebt; man wirkt mit ihr,

auch wenn man gegen sie wirken will.

Sie macht alles, was sie gibt, zur Wohltat.

Sie hat keine Sprache noch Rede, aber sie schafft

Zungen und Herzen, durch die sie fühlt und spricht.

Ihre Krone ist die Liebe.

Sie macht Klüfte zwischen allen Wesen, und alles will

sie verschlingen. Sie hat alles isoliert, um alles

zusammenzuziehen.

Sie ist alles. Sie belohnt sich selbst und bestraft

sich selbst, erfreut und quält sich selbst. Vergangenheit

und Zukunft kennt sie nicht. Gegenwart ist ihr Ewigkeit.

Sie ist gütig, sie ist weise und still.

Sie ist ganz, und doch immer unvollendet.

Jedem erscheint sie in einer eignen Gestalt. Sie

verbirgt sich in tausend Namen und ist immer dieselbe.

Sie hat mich hereingestellt, sie wird mich auch

herausführen. Ich vertraue mich ihr. Alles hat

sie gesprochen. Alles ist ihre Schuld, alles ist

ihr Verdienst!

[Perhaps the nearest parallel in English is the unrestricted and freely expansive rhythm of Blake. He celebrates not Nature, but the spirits (the Sons of Los) in Nature in these extracts from his Milton pl. 27,66 – 28,12; pl. 31, 4 – 22:

Thou seest the Constellations in the deep & wondrous Night:

They rise in order and continue their immortal courses

Upon the mountains & in vales with harp & heavenly song,

With flute & clarion, with cups & measures fill’d with foaming wine.

Glitt’ring the streams reflect the Vision of beatitude,

And the calm Ocean joys beneath & smooths his awful waves:

These are the Sons of Los, & these the Labourers of the Vintage.

Thou seest the gorgeous clothed Flies that dance & sport in summer

Upon the sunny brooks & meadows: every one the dance

Knows in its intricate mazes of delight artful to weave:

Each one to sound his instruments of music in the dance,

To touch each other & recede, to cross & change & return:

These are the Children of Los; thou seest the Trees on mountains,

The wind blows heavy, loud they thunder thro’ the darksom sky,

Uttering prophecies & speaking instructive words to the sons

Of men: These are the Sons of Los: These are the Visions of Eternity,

But we see only as it were the hem of their garments

When with our vegetable eyes we view these wondrous Visions.

The Sky is an immortal Tent built by the Sons of Los:

And every Space that a Man views around his dwelling-place

Standing on his own roof or in his garden on a mount

Of twenty-five cubits in height, such space is his Universe:

And on its verge the Sun rises & sets, the Clouds bow

To meet the flat Earth &the Sea in such an order’d Space:

The Starry heavens reach no further, but here bend and set

On all sides, & the two Poles turn on their valves of gold;

And if he move his dwelling-place, his heavens also move

Where’er he goes, & all his neighbourhood bewail his loss.

Such are the Spaces called Earth & such its dimension.

As to that false appearance which appears to the reasoner

As of a Globe rolling thro’ Voidness, it is a delusion of Ulro.

The Microscope knows not of this nor the Telescope: they alter

The ratio of the Spectator’s Organs, but leave Objects untouch’d.

For every Space larger than a red Globule of Man’s blood

Is visionary, and is created by the Hammer of Los:

And every Space smaller than a Globule of Man’s blood opens

Into Eternity of which this vegetable Earth is but a shadow.

William Blake.]

And now we will adduce some examples of the lyric – to be precise, from two poets, both Austrian: Robert Hamerling and Anastasius Grün.

The lyric diverges from epic and dramatic poetry in that, as far as speech-formation is concerned, its aesthetic quality must be experienced directly. In a way, all lyric strives to obliterate the immediate content of consciousness – at any rate to some degree. It would restore to man’s being a sense of universal participation. One might say that in lyric there is always a damping down of conscious experience. With a poet like Hamerling, a once widely influential poet who compared with then is now largely forgotten, we can indeed observe how personal experience passes over into a lyrical experience. Here we have a personality whose soul wants to share inwardly with every fibre of its being in the entire life of the world. He wants to share in the life of colour that meets him from the world. And thus the unconscious elements of human life come to play a part in him. We can still see the after-effects of this colourful experience in him when he tries to give it shape by casting it in antique forms. Particularly in Hamerling’s lyric poetry we can feel the true Austro-German lyricism. He is in a sense perhaps the most representative of Austro-German poets. The German spoken in Austria, deriving as it does from several dialects to become the common parlance and also the so-called “literary language” of Austrian poetry – this language has something which marks it off from the other forms of German language, fine discriminations which are of special interest to poetry and speech-formation. Compared with other varieties of German we might say that Austrian German has a subdued quality: yet in this quality there lingers a delicate sense of humour; this language became that of Austrian poetry. This soft humorous sound and intimate soul-quality that comes across in Austrian speech is not readily found in other forms of German – except possibly dialects. And here we have something which brings us, so to speak, close to antiquity.

It is at any rate remarkable that so outstanding a poet as Joseph Misson should have resorted to Austrian dialect for his “Da Naz, a niederösterreichischer Bauerbui geht in d’Fremd”, and that he arrived at a type of hexameter in which he felt artistically at home. We might add that the idealism of thought natural to someone who lives with Austrian German imparts an idealistic tinge to all the German inner feeling in this little piece of Central Europe.

We encounter this even in the formation of speech in Hamerling’s lyrics, which convey the feeling as if on the wings of a bird, while continually catching the bird again in powerfully moulded forms. This is really possible only with the soft humour of Austrian German. If we recapture this in declamation by taking what lives in Hamerling’s lyrical poetry and allow it to be heard elsewhere, it strikes a German from a different region as being cornpletely German and yet he feels what is German in the language to have been idealized. This is what gives Hamerling’s lyricism its nobility and what makes his verve and colour genuinely artistic as well as spontaneous.

How differently this appears in our other poet, Anastasius Grün! In accordance with the unique character of the Austrian disposition, he had a real feeling for what ought to mediate between East and West – for the mutual understanding of people all over the earth. The mood of 1848 finds expression most nobly and beautifully in Anastasius Grün’s poem Schutt – and in other of his poems too. It is this prologue to Schutt that will be recited. So, on the one hand we have, in Hamerling, a poet who really created more for declamation, yet found for it a metrical form and in Anastasius Grün a poet who takes over a recitative principle straight from the language. We would now like to demonstrate this in a poem by Anastasius Grün which, from its contents, might be entitled “West und Ost”; and in two poems by Robert Hamerling: “Nächtliche Regung” and “Vor einer Genziane”.

WEST UND OST

Prolog zu ‘Schutt’

Aug’ in Auge lächelnd schlangen

Arm in Arm einst West und Ost;

Zwillingspaar, das liebumfangen

Noch in einer Wiege kost’!

Ahriman ersah’s, der Schlimme,

Ihn erbaut der Anblick nicht,

Schwingt den Zauberstab im Grimme,

Draus manch roter Blitzstrahl bricht.

Wirft als Riesenschlang’ ins Bette,

Ringelnd, bäumend, zwischen sie

Jener Berg’ urew’ge Kette,

Die nie bricht und endet nie.

Lässt der Lüfte Vorhang rollend

Undurchdringlich niederziehn,

Spannt des Meers Sahara grollend

Endlos zwischen beiden hin.

Doch Ormuzd, der Milde, Gute,

Lächlend ob dem schlechten Schwank,

Winkt mit seiner Zauberrute,

Sternefunkelnd, goldesblank.

Sieh, auf Taubenfitt’chen, fächelnd,

Von der fernsten Luft geküsst,

Schifft die Liebe, kundig lächelnd;

Wie sich Ost and Westen grüsst!

Blütenduft und Tau und Segen

Saugt im Osten Menschengeist,

Steigt als Wolke, die als Regen

Mild auf Westens Flur dann fleusst!

Und die Brücke hat gezogen,

Die vom Ost zum West sich schwingt,

Phantasie als Regenbogen,

Der die Berge überspringt.

Durch die weiten Meereswüsten,

Steuernd, wie ein Silberschwan,

Zwischen Osts und Westens Küsten

Wogt des Lieds melod’scher Kahn.

Anastasius Grün (1806-1876).

[The poem that follows demonstrates the English sense of delicacy and restraint, and the subtle humour to which the language was in its own way particularly suited – perhaps especially around Marvell’s time:

ON A DROP OF DEW

See how the Orient Dew,

Shed from the Bosom of the Morn

Into the blowing Roses,

Yet careless of its Mansion new;

For the clear Region where ’twas born

Round in its self incloses:

And in its little Globes Extent,

Frames as it can its native Element.

How it the purple flow’r does slight,

Scarce touching where it lyes,

But gazing back upon the Skies,

Shines with a mournful Light;

Like its own Tear,

Because so long divided from the Sphear.

Restless it roules and unsecure,

Trembling lest it grow impure;

Till the warm Sun pitty it’s Pain,

And to the Skies exhales it back again.

So the Soul, that Drop, that Ray

Of the clear Fountain of Eternal Day,

Could it within the humane flow’r be seen,

Remembring still its former height,

Shuns the sweat leaves and blossoms green;

And, recollecting its own Light,

Does, in its pure and circling thoughts, express

The greater Heaven in an Heaven less.

In how coy a Figure wound,

Every way it turns away;

So the World excluding round,

Yet receiving in the Day.

Dark beneath, but bright above:

Here disdaining, there in Love.

How loose and easie hence to go:

How girt and ready to ascend.

Moving but on a point below,

It all about does upwards bend.

Such did the Manna’s sacred Dew destil;

White, and intire, though congeal’d and chill.

Congeal’d on Earth: but does, dissolving, run

Into the Glories of th’ Almighty Sun.

Andrew Marvell (1621-1678).]

NÄCHTLICHE REGUNG

Horch, der Tanne Wipfel

Schlummertrunken bebt,

Wie von Geisterschwingen

Rauschend überschwebt.

Göttliches Orakel

In der Krone saust,

Doch die Tanne selber

Weiss nicht, was sie braust.

Mir auch durch die Seele

Leise Melodien,

Unbegriffne Schauer,

Allgewaltig ziehn:

Ist es Freudemahnung

Oder Schmerzgebot?

Sich allein verständlich

Spricht in uns der Gott.

VOR EINER GENZIANE

Die schönste der Genzianen fand ich

Einsam erblüht tief unten in kühler Waldschlucht.

O wie sie durchs Föhrengestrüpp

Heraufschimmerte mit den blauen, prächtigen Glocken:

Gewohnten Waldespfad

Komm’ ich nun Tag um Tag

Gewandelt und steige hinab in die Schlucht

Und blicke der schönen Blume tief ins Aug’...

Schöne Blume, was schwankst du doch

Vor mir in unbewegten Lüften so scheu,

So ängstlich?

Ist denn ein Menschenaue nicht wert

Zu blicken in ein Blumenantlitz?

Trübt Menschenmundes Hauch

Den heiligen Gottesfrieden dir,

In dem du atmest?

Ach, immer wohl drückt Schuld,

Drückt nagende Selbstanklage

Die sterbliche Brust und du, Blume, du wiegst

In himmlischer Lebensunschuld

Die wunderbaren Kronen:

Doch blicke nicht allzu vorwurfsvoll mich an!

Sieh, hab’ ich doch Eines voraus vor dir:

Ich habe gelebt:

Ich habe gestrebt, ich habe gerungen,

Ich habe geweint,

Ich habe geliebt, ich habe gehasst,

Ich habe gehofft, ich habe geschaudert;

Der Stachel der Qual, des Entzückens hat

In meinem Fleische gewühlt;

Alle Schauer des Lebens und des Todes sind

Durch meine Sinne geflutet,

Ich habe mit Engelchören gespielt, ich habe

Gerungen mit Dämonen.

Du ruhst, ein träumendes Kind,

Am Mantelsaum des Höchsten, ich aber;

Ich habe mich emporgekämpft

Zu seinem Herzen,

Ich habe gezernt an seinen Schleiern,

Ich habe ihn beim Namen gerufen,

Emporgeklettert

Bin ich auf einer Leiter von Seufzern,

Und hab’ ihm ins Ohr gerufen: ‘Erbarmung!’

O Blume, heilig bist du,

Selig und rein;

Doch heiligt, was er berührt, nicht auch

Der zündende Schicksalsblitz?

O, blicke nicht allzu vorwurfsvoll mich an,

Du stille Träumerin;

Ich habe gelebt, ich habe gelitten!

Robert Hamerling (1830-1889).

[Something of the same fusion of lyric flight and precision of form can be felt in the following poem:

THE MORNING-WATCH

O Joyes! Infinite sweetnes! with what flowres,

And shoots of glory, my soul breakes, and buds!

All the long houres

Of night, and Rest

Through the still shrouds

Of Sleep, and Clouds,

This Dew fell on my Breast;

O how it Blouds,

And Spirits all my Earth! heark! In what Rings,

And Hymning Circulations the quick world

Awakes, and sings;

The rising winds,

‘And falling springs,

Birds, beasts, all things

Adore him in their kinds.

Thus all is hurl’d

In sacred Hymnes, and Order, The great Chime

And Symphony of nature. Prayer is

The world in tune,

A spirit-voyce,

And vocall joyes

Whose Eccho is heav’ns blisse.

O let me climbe

When I lye down! The Pious soul by night

Is like a clouded starre, whose beames though said

To shed their light

Under some Cloud

Yet are above,

And shine, and move

Beyond that mistie shrowd

So in my Bed

That Curtain’d grave, though sleep, like ashes, hide

My lamp, and life, both shall in thee abide.

Henry Vaughan (1621-1695).]

And to close, we shall introduce part of the Seventh Scene from my Mystery Play, The Portal of Initiation.

One is in a unique position when trying to give poetic form to the life of the super-sensible. For, to begin with, one seems to be withdrawing far from the solid ground of external reality. One is thus exposed to the additional danger, that anyone not readily familiar and quick with spiritual matters takes our intention to be allegorical or symbolic. Neither symbol nor allegory has any place in the aesthetic viewpoint arising from the sort of perception we advocate here. It is assuredly no more the abstractions of symbolism than it is a straw-stuffed allegory that we attempt, but a living portrayal of perceptions actually more distinct than our ordinary sense-perceptions, because apprehended by the soul directly, unmediated by bodily organs. Only for someone unable to rouse these perceptions to life in himself do they seem abstract or hollow. I hope to limit my remarks on this subject to a few words, for it does not do to dwell over much on one’s own accomplishments. These Mystery Plays concern the spiritual and soul development of Johannes Thomasius, who is to be brought little by little to a direct super-sensible experience of the spiritual world. This has to a certain extent been achieved when once he has succeeded in overcoming a range of inner obstacles, and made various advances. There then comes a moment at which he finds, in what has hitherto been known to him as the external world of the senses and the intellect (which infiltrates the senses only as the thinnest and most abstract spirituality), he comes upon a pervading activity of concrete spiritual beings and concrete spiritual events. The occurrences in a human soul who reaches this stage of initiation are complex. Everything so far experienced in light or sound, or in the other elements of the external world, figures for the higher mode of experience in a different guise. It is actually like a transformation in which the world is experienced as a drawing together and struggling up of the soul-forces of thinking, feeling and willing to another form of existence. As to how these soul-forces share in such a transformation of man, and how this participation stands in intimate relation to the entire cosmos – that is what is presented in the scene from the Mystery Drama.

One of the characters – Maria – who has raised her life up into the spiritual, describes first how those forces come together which are to inspire the soul’s individual forces. Philia, Astrid and Luna are seen as the powers of the soul which hold sway in real, living people, and play a part in inspiring the man Johannes Thomasius. What the human soul may come to be, out of the whole world, out of the totality of the world what it can become in the moment that true understanding of spiritual life arises there: that is the subject of this representation. While one apparently withdraws in such a representation more than ever from the ground of reality, yet (as who should know better than their creator?) the characters formed in this way actually stand before the soul no less concretely than any external thing. Many people, of course, will not be drawn into such matters: they call everything allegorical that leads beyond sense-perception. In defence, Hamerling asked in his Ahasver: Can anyone help me out of this predicament – that Nero stands here and symbolizes cruelty? We introduce symbolism only to the extent that reality itself is a kind of symbol. It is exactly when we come to shape spiritual forms that we feel how every detail, down to the minuter shades, has been directly experienced. And we perceive a spiritual entity of this kind not in concepts, but in words, in nuances of sound. No-one, I believe, could create out of the energies of the spirit and attain to that degree of life who cannot himself enter vitally into language. He may then employ the spirit of language, with its wonderful inner wisdom, its wonderful formation of feeling and its impulses of will, to that end – so as to grasp things in their particularity. If he cannot put to use those unconscious spiritual pulsations which proceed from everyday life, he will not be able to avail himself of the language to present the spiritual world. We need not grow less poetic because our presentations take us into the spiritual world. For there we enter the native country of poetry and art.

All poetry has originated from the soul and spirit. Since, therefore, man finds himself confronted by the spiritual essences of things, the lyric flight, the epic power and the dramatic form that live in him can never be lost. These cannot be destroyed if the art of poetry returns, as to its own proper home, to the realm of the spirit.

From The Soul’s Probation, Scene 2: [Note 28]

MARIA: Ihr, meine Schwestern, die ich

In Wesenstiefen finde,

Wenn meine Seele sich erweitet,

Und in die Weltenfernen

Sich selbst geleitet,

Entbindet mir die Seherkräfte

Aus Aetherhöhen,

Und führet sie auf Erdenpfade;

Dass ich im Zeitensein

Mich selbst ergründe,

Und die Richtung mir geben kann

Aus alten Lebensweisen

Zu neuen Willenskreisen.

PHILIA: Ich will erfüllen mich

Mit strebendem Seelenlicht

Aus Herzenstiefen;

Ich will eratmen mir

Belebende Willensmacht

Aus Geistestrieben;

Dass du, geliebte Schwester,

In alten Lebenskreisen

Das Licht erfühlen kannst.

ASTRID: Ich will verweben

Sich fühlende Eigenheit

Mit ergebenem Liebewillen;

Ich will entbinden

Die keimenden Willensmächte

Aus Wunschesfesseln

Und dir das lähmende Sehnen

Verwandeln in findendes Geistesfühlen;

Dass du, geliebte Schwester,

In fernen Erdenpfaden

Dich selbst ergriinden kannst.

LUNA: Ich will berufen entsagende Herzensmächte,

Und will erfestigen tragende Seelenruhe;

Sie sollen sich vermählen

Und kraftendes Geistesleuchten

Aus Seelengründen heben;

Sie sollen sich durchdringen,

Und lauschendem Geistgehör

Die Erdenfernen zwingen;

Dass du, geliebte Schwester,

In weitem Zeitensein

Die Lebensspuren finden kannst.

MARIA (after a pause):

Wenn ich mich entreissen kann

Verwirrendem Selbstgefühl,

Und mich euch geben darf:

Dass ihr mein Seelensein

Mir spiegelt aus Weltenfernen:

Vermag ich zu lösen mich

Aus diesem Lebenskreise

Und kann ergründen mich

In andrer Daseinsweise.

(a longer pause and then the following)

In euch, ihr Schwestern, schau’ ich Geisteswesen,

Die Seelen aus dem Weltenall beleben.

Ihr könnt die Kräfte, die in Ewigkeiten keimen

Im Menschen selbst zur Reife bringen.

Durch meiner Seele Tore dürft’ ich oft

Den Weg in eure Reiche finden,

Und Erdendaseins Urgestalten

Mit Seelenaugen schauen.

Bedürftig bin ich eurer Hilfe jetzt,

Da mir obliegt, den Weg zu finden

Von meiner gegenwärtigen Erdenfahrt

In langvergangne Menschheitstage.

Entbindet mir das Seelensein vom Selbstgefühl

In seinem Zeitenleben.

Erschliesset mir den Pflichtenkreis

Aus meiner Vorzeit Lebensbahnen.

From The Soul’s Probation, Scene 2:

MARIA: You, my sisters,

I find when in the depths of being

my soul, expanding, guides itself

into the reaches of the universe.

Release for me the powers of seeing

out of etheric heights

and lead them down to earthly paths

so that I may explore and find myself

in course of time

and give direction to myself

to change old ways of life

into new spheres of will.

PHILIA: I will imbue myself

with striving light of soul

out of the heart’s own depths;

I will breathe in

enlivening power of will

out of the spirit’s urging;

that you, beloved sister,

within old spheres of life

may feel and sense the light.

ASTRID: I will weave into one

a selfhood’s feeling of itself

with love’s forebearing will;

I will release

the burgeoning powers of will

from fetters of desire,

transform your languid yearning

to certainty of spirit sensing;

that you, beloved sister,

on paths of earth far distant

explore and find your Self.

LUNA: I will call forth renouncing strength of heart

and will confirm enduring soul-repose.

These shall unite and raise

empowering spirit light

out of the depths of soul;

they shall pervade each other

and shall subdue far distances of earth

to the listening spirit ear;

that you, beloved sister,

in time’s wide ranges

may find the traces of your life.

MARIA (after a pause):

When I can tear myself away

from the bewildering sense of Self

and give myself to you

so that you reflect to me my soul

from world-wide distances:

then I can free myself

out of this sphere of life

and can explore and find myself

in other states of being.

(a long pause, then the following)

In you, my sisters, I see spirit beings

that quicken souls out of the cosmos’ life.

You bring to full maturity in man himself

the forces germinating in eternities.

Through portals of my soul I often

could find my way into your realm

and could behold with inner eyes

the archetypes of earth existence.

I now must ask your help:

it has become my duty

to find the way that leads

from present life on earth

to long past ages of mankind.

Release my soul-life from its sense of self

in time-enclosed existence.

Open for me the sphere of duty, brought

from my life journey in ancient days.

Trans. R. and H. Pusch.