The Rudolf Steiner Archive

In my presence today, I intend to speak to you about things that can help the seeking human mind to understand the events of the present a little more deeply. These things should not be discussed in an external way, but rather, some should be pointed out that can help man, so to speak, in a spiritual expansion of understanding of our present time. This intention, which I have had for a long time for this visit to Stuttgart, we also want to carry out. We still have the lecture next Sunday.

In view of the many things that, I would say, like waves of our time — I say this with full deliberation — play into our movement from the outside, it seems necessary to me, however, to begin today with a kind of introduction to present some principles that may be suitable to dispel some misunderstandings which can arise all too easily in our time, which hates the depth of thought and feeling, about anthroposophy, which on the other hand can be suitable for gaining a correct relationship within ourselves to what anthroposophy can be for us.

Let us try to pose the question as follows: What are we seeking when we choose the path into the anthroposophical movement? — In this way, we seek to gain the opportunity to find a relationship to the spiritual world that corresponds to the needs for this spiritual world that arise in us from the forces and living conditions of the present. No one comes to us who cannot gain access to the spiritual world by more direct routes than those we have at our disposal. No one comes to us who cannot gain access to the spiritual world by the routes that have been fully recognized for centuries and that are only as direct as people have forgotten to reflect on the justification for what has become part of the general necessities of life. On the other hand, there is much discussion about the justification for something that must, as it were, first appear in the world. We cannot often enough bear in mind what, out of the spirit of our time, anthroposophy should be and wants to be, and bring it into connection with what is in us that can push towards anthroposophy, that wants to bring us to anthroposophy.

You see, my dear friends, Anthroposophy would not be there if it were only for the one or other person who finds it appealing to agitate for such ideas, as they live in Anthroposophy, now, we use the unofficial expression. Anthroposophy arises entirely from the realization that there are searching souls in our time who can only find what they are seeking through the path of Anthroposophy. Anthroposophy is not pursued because someone wants it, but because souls long for it. The fact that some may deny this does not count against it, for much that is subconscious and unconscious lives in the soul and, when interpreted correctly, represents nothing other than the longing for Anthroposophy. Above all, if we single out one thing from this anthroposophy, it is the longing to recognize the greatest impulse of earthly development, the Christ impulse, in a way that is appropriate to the needs of the present, to find the path to the Christ impulse in the way that the heart must long for if it really wants to understand itself within the living conditions of the present. Now such general, abstract sentences, as I have just uttered, are certainly plausible to someone who has been grounded in anthroposophy for years. But what it is about is this: to really permeate one's soul with the spirit of these words in such a way that they do not remain merely abstract, merely theoretical in us, but that they become the content of our whole life, above all the content of our way of thinking.

I have already given an example here that is particularly characteristic: I once gave a lecture in a town in southern Germany on the subject of 'Bible and Wisdom', in which I tried to explain how a positive Christian, especially if he understands himself correctly, can find his way to anthroposophy. I described how anthroposophy, through its presuppositions, can penetrate more deeply into the great and inexhaustible secrets of the original book of humanity, the Bible. After the lecture, two Catholic priests who had attended the lecture approached me. And from what they said, it was clear that they could not really object to anything in particular from their Christian doctrine, as they understood it, as they knew it as theologians - perhaps not so much as priests bound by any obligations as theologians. So they went off on a side track and said: Yes, you see, there is nothing special to be said from our point of view against what you have just said today, except this: When we speak, we speak in such a way that everyone can understand what we are saying. They also speak of Christianity, but only for those who have reached a certain level of education or have specially prepared themselves for this kind of thing. “I replied: Yes, you see, Reverend, what you or I think about the question of what should be said to all people is not the point, because that leads the whole topic down the path of personal opinion. It is not particularly remarkable that everyone believes that what they do is universally valid for all people. Why should one be surprised at that; otherwise they would not do it! But what you or I think is right is not the point. Our way of doing research on the spirit begins with rising above personal opinion and facing reality, true reality. In our case, this reality is very close. It lies simply in the answer to the question: Do all the people for whom you believe you speak – you do believe you speak for all people, don't you? – still come to church with you? The question answers a fact – the question of whether you think you speak for all people. That it should apply to all people is only your opinion; the other corresponds only to a fact. Tell me whether all people go to church! — They could not answer me except that a number of people do not go to church. That

185 refutes you, I said, because then you are not speaking for those who do not go to church. And among them are numerous people to whom I have to speak, and who also have the right to find the way to Christ in the present.

This means not judging according to what one personally considers to be true or false, but subordinating one's judgment to the demands and tasks of reality. It is, however, much more comfortable to theorize about what is right or wrong than to study reality in detail, constantly listening attentively to what reality demands of us. Anthroposophy does not want to be something other than an answer to questions that it does not ask itself, but that the hearts and souls ask in the present, when they understand each other properly. And I am aware that the questions that are asked in my writings, which are already very numerous, are not asked by me. The answers are given by me in many cases, but the questions are not asked by me. The questions are posed by what the culture of the time brings forth, by what, for example, natural science in the culture of the time brings forth, by what anyone who is interested in the demands of the time must ask, and who, above all, is serious about the most important needs of the souls of the present.

If we call these conditions to mind, then it becomes clear that a basic intention, a basic view, a basic tendency and a basic attitude prevail throughout the anthroposophical literature. If one goes through all these writings, not with the benevolent attitude that we may have gained within our circle, but with the critical eye that one can gain from the present-day culture, then one will find one thing as the core of all this anthroposophical literature. That is, that everything aims to bring the human soul that which this human soul must long for above all in the present: independence, the power of judgment from one's own inner being. I have often had to resist the urge to write popularly from this or that side. I have always resisted this urge for the simple reason that the point of anthroposophical literature is not to give people articles of faith that they can accept at will in a lightly veiled form, but rather to call on them to use their own powers of judgment and search their own souls. Anyone who wants to can see that this is the case throughout all of this anthroposophical literature.

Nowhere is the aim to evoke blind faith. Of course, there are things told that cannot be verified without further ado, but they are told as facts of the spiritual world that anyone can accept as messages and to which they can apply their critical standard, to ever greater and greater extent, if they wish. And we have seen that in recent times friends who have sympathetically examined the matter have managed to approach even the most subtle things to a high degree with the probe of an unprejudiced criticism. What is contained in the anthroposophical literature referred to here need never shrink from this unprejudiced criticism. This unprejudiced criticism will pass it; it will pass it all the better, the more unprejudiced this criticism is: Never will anyone hear anything different from me when it comes to this question than this: Test, test, test, but do not stop at testing, but seek to test by trying to get deeper and deeper into things with the means of present thinking. Because this is the aim, the writings of this literature can make people independent.

Now, however, one experiences many things when one surveys the way in which anthroposophy is received. I met people again and again who listened to one or the other lecture, read one or the other small writing, and then no longer showed themselves. That is their right, of course, and no one should be reproached for it. And when they were asked by an acquaintance why they no longer appeared - in all friendship, of course, not as if they were being reproached - they replied: “Yes, if we go into the matter in more detail, we fear being convinced.” This is certainly a significant word, but it also points to significant facts. What is being attempted is precisely this: to break away from the hereditary evil of our time, from the positing of personal opinions, from the positing of personal thecri, and to direct souls to that which the spirituality of the world itself says, if we find the possibility to surrender ourselves to this spirituality of the world with all our soul and to speak of the methods, to speak of the means by which the soul can attain to listening to the spirituality of the world itself.

A world view that emerges in this way from the deepest needs of the time, but which so thoroughly contradicts what people of the present believe, will only slowly and gradually find its way into the souls of men. Human souls cling to what is familiar; human souls prefer to hear their own water-clear thinking from the pulpit and to be able to say of what they hear: “I have thought that for a long time.” The anthroposophical teachings that are emerging in the present are certainly not truths that have been “thought for a long time”. But in the eyes of many people this is precisely the main mistake, that they cannot say to themselves: “I have thought that for a long time” — and that they do not want to say to themselves: “If I dig deep enough within myself, I will not express a personal opinion, but something that is connected with the developmental factors of humanity.” — We will come back to such developmental factors of humanity many times during my stay in Stuttgart this time. So it is understandable that many obstacles and hindrances arise when people try to approach anthroposophy, to approach spiritual science.

My book “How to Know Higher Worlds” is widely read over time, not only within those who belong to the various circles of the Anthroposophical Society, but it is also widely read outside the Society at the present time. When reading this book in particular, an experience can be made again and again that is extraordinarily characteristic. Someone reads the book “How to Know Higher Worlds” and writes me a letter about it. And of course, I am always pleased when someone writes me an intelligent letter about any book or about anything else, but especially about the book “How to Know Higher Worlds”. But the usual thing is that the letter that is written is the clearest proof, the clearest proof that the person concerned has not understood the book at all and has translated the most important things of the book into the most materialistic attitude of the present. Because what people usually go for when they come across this book is the following. But let us send something in advance: a whole host of doubts can arise in the mind of someone reading the book “How to Know Higher Worlds”, and there are already many people who can testify that I am always ready to discuss these doubts with people, and so I certainly do not want what I am saying now to appear as if it should deter anyone from writing the letter I just mentioned. No one should be deterred from writing this letter, but the letter is very often written with people getting stuck on one particular thing, where the thing immediately turns into materialism for them. Much is said in the book 'How to Know Higher Worlds', which, when properly observed, leads people to find their own way into the spiritual world, from within themselves, from their soul. This book is designed to make people as independent as possible, not to impose anything on them in any subjective way, but only to remove the obstacles so that they can find the truth themselves. The best way to begin to take in this book would be to appropriate its content in inner deed. But then people get stuck on the sentence: The one who has attained the necessary maturity will find his spiritual teacher if only he searches for him correctly. — So, there we have it! I write a letter to the one who wrote the book, and he becomes my spiritual teacher; that's the simplest thing! There we have the materialistic explanation. The fact that this passage could be the most sacred incentive for a person seeking independence to continue searching in order to find the path, which might consist of something completely different than writing a letter to someone: You, give me instructions - that is very uncomfortable for many readers of the book. They do not search enough in the book. And so this book, How to Know Higher Worlds, is one of the most widely read books in the German-speaking world today, and has been translated into many foreign languages, despite the fact that it is one of the most misunderstood books. And yet it is child's play to understand if you just let it sink in without prejudice. And don't translate it into materialistic comfort.

To some extent, people today are looking for what they are accustomed to seeking in other areas. How deeply ingrained it has become in people today not to help themselves, that is, not to learn what can help them in one situation or another, but to be helped and not to worry about the principles by which they are helped. Why should we trouble ourselves today about the best way to live in terms of our health? We let ourselves be prescribed for by someone who is there for that purpose, and then we do not need to check the principles according to which he prescribes; we hand over our fate to the one who is set up as an authority. Why should we not be particularly inclined to surrender our destiny to someone else when we are on the spiritual path, the most important human path? But what if the very work that inspires us to do so is dedicated above all to making the human soul independent!

It may be said that scientific research in particular has reached a certain level today, and that this level of scientific research would be accessible to those who are called upon today to represent the natural sciences if most of them did not simply become absorbed in their subject and did not go beyond the boundaries of their subject. If only, I might say, a dozen of the official representatives — and only these are listened to today — would make an honest effort to examine with the most profound honesty what is contained in my 'Occult Science: An Outline of the Fundamental Principles of the Science of Man and Nature', ' and in my 'Theosophy', they would find everything confirmed from the side that can be characterized by saying: Look at life, whether life does not confirm what can be experienced through spiritual science, what is sought here from the spiritual world! — Anyone who really masters natural science today comes to the verification of what anthroposophically oriented spiritual science gives. This is absolutely a truth. But we are faced with the peculiar fact that precisely those who could undertake such an examination are absolutely not concerned about it, have not been concerned about it until now — I am ignoring those who, in our circles, have received the stimulus for it — that no one has set themselves the task of really testing the spiritual-scientific results of anthroposophy against the, fully understood, natural-scientific research of the present! The spiritual-scientific research really has no need to fear this test; it will pass it. It should only be employed, it will be passed. But admittedly, in a time when one is not even inclined to go into the most primitive truths, this test will perhaps take a long time.

The urge not only to be logical, but to be realistic, that is, to form one's judgment not only according to abstract logic, but by immersing oneself in reality, this urge is possessed by few in our present time. Many strive to be logical, but only after going behind logic a certain way is it possible to see the scope of logic itself; otherwise one does not even realize what confusion one can create with such very consistent judgments. You see, it is logical to be always consistent with one's own judgment or consistent with someone else's judgment, but it can lead to rather strange collisions. Charles V, the Austrian, and the French king Francis I came to the same conclusion. They were, so to speak, in complete agreement with regard to a certain idea that they wanted to realize. Francis said: “My dear brother wants exactly the same as I do. We both want exactly the same thing. — They both wanted to conquer Milan! Yes, you see, you notice it — namely when you say the postscript. But that such judgments are swarming around and dominate precisely contemporary thinking, to the detriment of this present, few in the present have the inclination to even think of it.

It is remarkable how – forgive the philistine image – enlightened minds today sometimes approach judgment by going at it from the wrong end, as if someone were to put a horse's bridle on by the tail instead of by the head. But such a bridling is immediately accepted if the person concerned is officially authorized. Anyone with a sense for the living in thinking, feeling and willing could have suffered real torments for many years from the way much thinking is done in the present. I still remember hearing my first lecture in Vienna on elliptic function theory – forgive the word, but it depends on the mind of the person what I want to express, and not on whether one or the other understands what I am using now. So I heard lectures by Professor Leo Königsberger, who was already famous at the time. He was so famous that after being appointed a professor he could write to the government right away to request to be appointed a court councillor, not just a professor. So when I attended his first lecture, he came to the question: What about numbers? People assume positive and negative numbers. Positive numbers correspond to the money I have, negative numbers to the money I don't have, the money I owe. But there are other numbers. Now mathematicians use a line with an O in the middle to denote positive and negative numbers: plus 1, plus 2; minus 1, minus 2. And then the famous Gauss added a new line of numbers so that you can fill the plane with different types of numbers. I don't want to talk about the justification of this number level, but Leo Königsberger began his lecture on elliptic functions by saying, “It could now be that someone would say today that one could just as well take numbers perpendicular to this plane.” When I, as a very young badger of sixteen or seventeen, learned about the story of the plane of numbers, I immediately raised an objection: I said that then one could also think of space as being filled with numbers. The teacher kindly reassured me by saying, “Well, just wait until the next few centuries!” — which, of course, made a great impression on me, the young badger. Now I heard Leo Königsberger in Vienna address the same question. He said, “Let's assume there are these three types of numbers, not just the numbers that lie in the plane of the two lines, but the numbers that lie in the third dimension. We hypothetically assume that such numbers exist, and I would multiply such a number by another number. Now I will show you that when you multiply them, the product can sometimes be zero. But since that can never be the case, there can be no such number. Well, you see, having to listen to this is torture. I don't want to talk about whether the whole story is right or not, but if you accept one thing and don't accept the other, and claim that because the product is zero, there can be no such number, then having to listen to this is torture, because of course the correct thing is that if you have two numbers that equal zero, you have to assume that zero can be created by multiplication, not the opposite; that is the most obvious thing. But whether these judgments live in mathematics, whether these judgments live in political notes, for example in Mr. Wilson's notes, they always lead back to the same forms of thought. But if these forms of judgment live in those judgments that want to be effective for the fate of humanity, then an error in judgment means something quite different from an error in a merely limited scientific speculation, as it is in many respects the teaching of Leo Königsberger.

It must be emphasized, as it is characteristic of our time, that people do not want to adapt their judgment to reality. They do not want to live in reality because they do not want to in the simplest things. They want to assume that the simplest things are what they want, not what reality dictates. It is of the greatest importance that we should learn to think differently in many respects, in order to escape from much of the mischief of the present time. We must learn not merely to think differently, but to think differently. If people with their old habits of thinking could really grasp anthroposophically oriented spiritual science, then they would be able to familiarize themselves more quickly with spiritual scientific truths. But these should not be grasped with the old habits of thinking, but rather with the new thinking, and people find that extremely difficult.

Now, these are some of the reasons why it is so difficult at present to get through with anthroposophically oriented spiritual science, simply because it has to confront the very, very nearest prejudices. But precisely because this is the case, spiritual science is not really fought against, because, it must be admitted, the fight against spiritual science is on very shaky ground. Go and look for those scientific discussions that seriously and thoroughly try to deal with spiritual science as it stands; go and look for treatises or the like of this caliber! Anyone who has ever looked into it will see how little there is in this direction. But perhaps it is not convenient to proceed in this way. You see, a few years ago a student told me that he was preparing to do his doctorate in philosophy at a very well-known university: he wanted to write a dissertation that had been recommended to him by a famous professor. This dissertation was to be about the great Russian thinker Solowjow. At that time, not much more had been printed by Solowjow than a few things that had been published by Nina Hoffmann; much more came out later. I asked the student: Why does the professor advise you to write your dissertation about this Solowjow? “Yes,” said the student, ‘the professor knows nothing about this philosopher and would like to learn something.’ ‘So that's the best way: you let the student write a doctoral thesis on Solovyov, if the student knows Russian; then you learn something about him.’ So the doctoral thesis on Solovyov was written. But a great many doctoral theses are written out of the same sentiment. In many cases, this is a maxim for how topics for doctoral theses are given. But in this way a certain scientific attitude is cultivated, one might say bred. The professor in question could only have really got to know Solowjow if he had intended not only to be a professor of philosophy but also to get to know contemporary philosophy through one of its most outstanding representatives. He would have had to try to study Solowjow himself as best he could, even though only a small part of Solowjow's work has been translated and he does not know Russian himself. It is an uncomfortable path, but it can be said that for many people who want to come to their own conclusions about spiritual science, the path to getting to know spiritual science is much more uncomfortable today. Because there is still a difference between a professor having a dissertation written about Soloviev or about spiritual science. With Soloviev it is still more or less possible to form an opinion by the time the dissertation is finished, because the student is well trained to give this opinion in the sense in which philosophy is taught. But what should a modern professor do with a dissertation about spiritual science, for example? He would be completely at a loss. And even more uncomfortable, of course, is the way of not getting to know the subject indirectly through a dissertation, but rather by studying the subject itself exhaustively in some way.

But all these things are no obstacle for the honest seeker of truth in the present day; he may be longing for spiritual science. Many of you know this, my dear friends. But for most people in today's world, it is an obstacle to recognize this spiritual science, to do anything other than to drill this spiritual science to the ground. They do not approach it, and since it does not come from them, it must be drilled to the ground. You cannot do that in a matter-of-fact way; today, the facts already show that. For those who have tried to approach spiritual science have not, as a rule, become opponents; they have certainly not become blind followers, but they have not become opponents either. There are those too. But a large part of our contemporaries simply have a personal interest in extinguishing this spiritual science, in making it impossible in the present. If they try to do this through honest literary debate, using whatever arguments they have against it, whatever arguments someone else has, then of course there is nothing to be said against it. But that is just what they do not want, it is too inconvenient. It is much more convenient to play the whole thing over into the personal sphere, not to talk about what is said in spiritual science, but to talk about all kinds of other things. And that, you see, is precisely what is being attempted in our immediate present today and will be attempted more and more in the near future, and to which I would like to draw your attention. Because this will lead to a situation in which numerous dissatisfied people, who become dissatisfied for personal reasons within our society, can easily be turned into tools for those who want to eliminate anthroposophy from the world, but do not strive for it in an honest way – they would not achieve their goal by honest means either – they do not strive for scientific discussion, but avoid the honest path, and instead seek to attach some kind of scandal to the spiritual science movement and to personalize everything.

Since my time for talking about factual matters has expired, so that no one can say that I am taking up your time for matters related to the Society and its interests instead of dealing with the factual questions, I may add the following now: There are more and more people who are suitable to be used by those who are characterized in this way, and if one is honest about anthroposophically oriented spiritual science, one has an obligation to point out these things more precisely.

There is a person – many years ago his name first appeared before our eyes – who comes from a small town. One day Dr. Steiner received a letter, as they so often occur: “I feel unhappy in my situation, I would like to improve my situation”. And one of the letters that had this tone asked for advice on how the person concerned should act: whether he would do better to marry into a house or a business, or whether he should seek his way in the world in some other way. Yes, you have to tell the truth, unembellished, if you want to get to the bottom of things, and if you do not want to be blind to what will happen in the near future. Now it was made clear to the man that we cannot deal with the question of whether he should marry into a family or not, but since he did not let up, we willingly provided him with some information that was suitable to meet his need for spiritual instruction, which he claimed to have. By devoting himself to such spiritual things as he imagined them to be, he very soon came to the conclusion that it would be beneath a great mind like his to take care of a business in a small town. He longed for larger circles. He had apparently saved some money and came to Berlin. He found that

"It is quite nice to pursue the humanities alone, but he also felt a special artistic talent in himself, and he now demanded that society promote this. It's nice to help people, isn't it. The samples that the person in question gave of his art spoke against any talent, but some people learn so much even without talent that it sometimes meets strict requirements. And so it came about that the person in question was recommended to various members who could create this or that for him, that he should be supported. But it always turned out that the matter failed precisely because the person in question wanted to practice an art but not learn anything, because he thought he could do more than all the teachers who wanted to take care of him. And the consequence was that, because he ran away from every teacher, in the end nothing could be done at all. One had indulgence after indulgence, but nothing special could be done, nothing pleased the person concerned. For, of course, in his eyes this was again such a blatant case of how the world misunderstands the nascent genius! That no one else could honestly share this view, yes, my dear friends, it was truly not our fault. That is the main thing, all other things are secondary. And so it was with this person as it is with many. They first seek advancement within our society, and when this advancement is not granted to them according to their mind, they become opponents. And then they come forward with all kinds of things. Of course, they never talk about what is behind things. They come up with all kinds of things that are best refuted by first explaining the reasons. Of course, in this case it was pure offended vanity and incompetence. And everything else that was added as a fuss was the most foolish invention, the most foolish fantasy. But today, of course, you find the journals that take up these things. Because the person I mean is called Erich Bamler. And if you really get to the bottom of things in such undertakings, then you don't need to take on such an essay, which mostly doesn't mean anything, because all the individual things don't express what they say, but

41n0 they arise from quite different things. And it is actually foolish to seriously want to refute the non-essential. Because that is not what is important, but what lies behind it.

Let us take another case: a man who is not exactly lacking in vanity found himself years ago, after first objecting to anthroposophy in general, in this anthroposophy. I was the very last person to have sought out this personality. He presented himself. It turned out that there were many things that did not exactly mean that this personality was striving for completely impersonal goals in our society. That cannot be demanded, of course, so it cannot be criticized if sometimes personal goals are also accommodated to some extent. Sometimes such personal aims are accommodated because in this way many people can be led to what is right after all. And so it happened that at first the person concerned was quite satisfied with us. He wrote a pamphlet, in fact. I even condescended to write an epilogue to it, and the pamphlet was also taken up by our publishing house. He was on good terms with us; we were people who could be talked to. Then the person in question had another work printed, and after this work had had various fates, which are now of no concern to us, he offered it to the Philosophical-Anthroposophical Publishing House again. However, it was impossible to include this work in the Philosophical-Anthroposophical Publishing House. On the first pages of this writing, it says that I had only hinted at certain things about the Christ problem, and that the gentleman in question would like to elaborate on them. I am not saying this out of hurt vanity, although in this case I am being accused of it; but the sentence in which it is attributed to me is a blatant untruth, because the matter mentioned did not take place. Without taking into account the fact that I might have had reason not to go further, things are then elaborated in a way that may remind one of another story that took place, of which this story is at least a miniature version. I will have to come back to this other story as well, and I will do so briefly in a moment. In this writing by the gentleman in question, all kinds of things that I had only said in lectures were simply stated. Dr. Steiner was quite right to take umbrage at this and rejected the manuscript for publication. And because his manuscript was rejected, the man became an opponent. Now, of course, if you are writing an article for a journal, you cannot say: The Anthroposophical Society is fundamentally bad because the Philosophical-Anthroposophical Publishing House rejected my manuscript. That won't do! But that would have been the truth! So, despite the fact that the person concerned has been informed about the matter countless times, the fairy tale about contradictions is invented. The person concerned knows very well what the situation is regarding these contradictions, but he writes newspaper articles about them! What these newspaper articles say is of no significance, because the person concerned did not become an opponent because of this matter. He could have known about this long before he joined. He became an opponent for the stated reason. Some doubt whether one can so easily make the hypothesis: What is afterwards is also causally conditioned by what went before; but it remains conspicuous, nevertheless, that the antagonism of Mr. Max Seiling followed immediately upon the rejection of his writing by our publishing house. Of course it is easy to deny such a thing, to object to it in all sorts of ways, but it is not a matter of what one or the other objects to, but of what the facts are.

It is indeed reminiscent of a somewhat more ingenious case; this is only a miniature version of it. The more ingenious case is that of a gentleman who had been to America but is a good European. He was summoned here to Germany by a long-standing member and listened to all kinds of lectures. He tried hard to get the lectures that had been given years ago by demanding them from this person or that. After he had faithfully packed up everything he had copied, he went back to America. He said there that he had been here, that he had familiarized himself with my teaching, but that he could not be satisfied with my teaching, but had to go much deeper, so one would find in his work many things that are not yet to be found in my books. For when he had exhausted everything that could be found with me, he was called to a master who dwells somewhere in the Transylvanian Alps; he then told him many things that he is now incorporating into his book. But now everything that he incorporated into his book was what he had overheard here in the lectures and copied down! And then the book was called: “Rosicrucian Worldview”. It was published in America and caused a great stir: the book, that was a combination of what he had heard from me here, and what the master was supposed to have told him in the Transylvanian Alps. People did not need to check what I had said, nor could they, because it had been said in part in our internal lectures. But not only did this appear as a book written in English and American, but a German bookshop was also found that translated the book and published it as “Weltanschauung der Rosenkreuzer” (The Rosicrucians' World View). The editor was Dr. Vollrath.

These are just a few examples of how it is done, my dear friends! These things may well be pointed out. Attention must be paid to them, because they show the means by which, on the one hand, we make use of what is growing on our soil and, on the other, how we fight it. It may well be said that perhaps never before have worse means been used to fight against anything than are now being used to fight against us, especially against anthroposophically oriented spiritual science! You will therefore understand that we have been forced, as it were, to resort to the only means of averting the disaster, although it may not bring about any improvement if everyone joins forces to cause the greatest possible difficulties for the personalities associated with the matter. But one thing must be considered: too much has been said about this matter, but always actually for deaf ears. Therefore, there is no other choice than to submit to a certain iron necessity in order to serve the matter, to which we must all be devoted, in an appropriate way. This iron necessity simply arises. Suppose spiritual science were to appear as literature, were there as literature. It would then be quite impossible – in theory it is possible, but in view of the concrete facts it would be quite impossible – for all these things to attach themselves to spiritual science, as they have done and will continue to do in the most terrible and unworthy manner. What we have to distinguish from the spiritual science movement, which wants to be a pure knowledge movement, a world view movement of the present day, is the Anthroposophical Society. The idea of the Anthroposophical Society is a good one, but in practice, as I see it, it is developing in many ways, not as I see it, but as the facts teach us, in many ways, so that every day we are confronted with things that show, and this is no exaggeration, how within this Anthroposophical Society, cliques develop with a certain ease, especially personal interests for and against, in the most extensive way. It is difficult to separate personal interests from purely factual ones in the context of a society. But think that precisely through the social activities, the floodgates are opened to those people who do not want to confront spiritual science through honest discussion, but who want to bring down spiritual science by the detour of personal defamation, through personal slander. Because one can say this: they want to bring down spiritual science.

Years ago, I decided to accommodate the wishes of various members for personal meetings, to the youngest and oldest members in the broadest way. Only in recent years, when things were already so close, did I sometimes have to deviate sporadically from the old practice; but only sporadically, in exceptional cases. Despite the fact that it has been emphasized time and again that what is available in the literature and what is said here in the lectures contains plenty of material that the individual needs for his or her own development, so that personal consultations could only relate to an expression from person to person to person, it will happen time and again that the most outrageous lies — excuse the expression — are told within the Society in connection with the personal contact of members with me, and outsiders then seek ways to all kinds of defamation and slander. By this I mean that all too often within the Society people are quite inclined to use a nice-sounding little word for their own deep satisfaction when they have one. How good it does some people, for example, when they can say: I have become an esoteric disciple. — And how good it does some people when they can say: Yes, you know, that is something very mysterious, I am not allowed to tell you that; I am not allowed to tell you anything about it. — Putting oneself in the limelight, giving oneself a certain prestige, that is what is behind many an expression that is used and which is then often misused by outsiders in a quite malicious way. All these things, which are now being used with malicious intent, could never have happened if what was being put in a false light were not in line with legitimate desires and perhaps an equally legitimate accommodation of these desires, but which, in view of what the outside world is making of it, cannot be maintained, however difficult it may be for me, my dear friends. Of course, everyone can maintain friendly relations in society, but the iron necessity compels me to stop giving private audiences. I am particularly sorry for this because some will say: Why should the innocent suffer with the guilty? But if you are in a society, that is of course the karma of the society, and the matter cannot be done differently. All those private conversations that were sought out, in view of those malicious slanders, must simply stop. |

Don't think that I am any less sorry for that than you are, but I know that, just as everything I have said about such things was spoken in vain, my speaking today would also be spoken in vain if measures were not taken that simply force people to realize the seriousness of the matter.

It is easy to fabricate slanderous stories about what is said in private conversations with individual members, if these slanderous stories reach the point where, for example, it is said here or there that this or that member has been hypnotized. Now, my dear friends, in the face of these things I shall have to take a different line altogether, from which you will see — and I am really speaking out of a simple sense of duty towards our movement — that I am now and in this matter, in the very bitterest seriousness, for the sake of the sanctity of spiritual science. If a movement like this is based simply on the principle of not encroaching on anyone's sphere of freedom, and if this is strictly observed, if everything that encroaches on a person's sphere of freedom is strictly rejected, and if one then proceeds with these very things, then it is necessary that one day everything that is to grow on our soil will grow in the full light of day. When things grow in full public view, then the ground will be cut from under the slanderers. But there will be no other method in the future. Therefore, I will strive, as far as it depends on me, to ensure that in the future anthroposophically oriented spiritual science will increasingly take place in the full light of the public. It does not have to shy away from the public. And today I declare explicitly: With regard to the private conversations that have taken place with members for years, I release everyone from the promise not to speak about the content of the conversation. Everyone can share, as much as they themselves find appropriate, what has ever occurred in a private conversation with a member. Nothing will be found that should be kept from the light of day. Then one will no longer be able to pussyfoot around with things that are on the following ground. I will give you an example of how these things can be used against the most blatant ignorance and the will to be most blatantly ignorant.

Not only Erich Bamler, but also others who are fighting just as “honestly” as he is, have put forward and basically believe that among all sorts of esoteric principles this one would also have been given to them: “Look at everything around you in the light of necessity, as if it were necessary, as a given necessary fate.” It is comforting for a time, as long as one believes oneself to be supported within society, when one has been given such a rule to say: “I am an esoteric disciple, for I meditate continually: ‘See everything around you in the light of necessity’.” But why has this rule been given to those people, why has this rule been advised to them? For the simple reason that they needed it according to the state of their soul! It was a piece of advice that did not encroach on their freedom at all, but a piece of advice whose scope and esotericism you may judge if I point out the following to you: Schopenhauer says in his essay on the freedom of the will, towards the end of his essay, concerning our attitude towards the course of the world and fate: “Everything that happens, from the greatest to the smallest, happens necessarily”; and he speaks of the calming effect of the realization of the inevitable and necessary. So people have been advised to do nothing other than what Schopenhauer himself considers a proven way of overcoming certain forms of depression.

Now, when speculating on the most blatant ignorance and on the will to the most blatant ignorance, people can, of course, be told all kinds of beautiful fairy tales: that one has turned green and blue, especially in the legs, by following such principles. And for those who want to make something esoteric out of thin air, these things can, of course, be used as slander. But precisely when we know that the things that are being done in anthroposophically oriented spiritual science are actually required by necessary needs, then we will be able to understand that such a measure as the one mentioned above must one day be taken, simply for the reason that it must be seen that the things at issue are meant seriously. Do not complain to me, who feels it just as hard as you do; complain to those whom I have clearly pointed out to you, and who make it impossible for such a measure to be avoided. Today it is very difficult for me, for reasons of principle, to have to refuse private conversations, which numerous members desire. Of course I also know that this will in turn be used against me, but I cannot act according to personal reasons, but according to what is necessary for our movement. That means that I must submit to the principle of taking what is said seriously, for whatever reason it may be taken as a pretext for calumny or slander by those who do not honestly want to refute spiritual science but who want to do away with it in some other way.

Examine much of what has occurred; you will find that the causes always come from society. It is very rare for society to be attacked; the point of attack is usually me or my immediate surroundings. Examine the things. But by attacking me, it is the case that they want to attack spiritual science in me. Because one way or another, it is of no importance to them whether a foolish esoteric piece of advice is given here or there; there are enough of those in the world. But what people do care about is that spiritual science in the anthroposophical orientation is a cultural factor of our time, that it wants to have a say. People do care about that. They do not care about esoteric Winkel esoterics, but they do care about someone who, according to his destiny, cannot remain an esoteric Winkel esoteric. You would not want to meet an esoteric Winkel esoteric if he sat in front of fifty people in Berlin and gave them advice. The attacks only began when the number of books exceeded a certain number. It would be a sin against the spirit of anthroposophically oriented spiritual science to let it perish when it might be possible to prevent it by having to do without certain things, perhaps only for a while, because the morality of people today turns out the way it has now turned out.

We have often seen how things are misrepresented; but how it is done in the case of anthroposophically oriented spiritual science, how things are invented that are not there at all and something quite different from what has taken place is told, that is one of the greatest rarities, even in the history of mankind.

All this is not said to, as they say in Austria, grumble or gripe, or to some extent to rant, but it is said because the symptoms are now appearing daily that the intention is to put an end to our spiritual movement in the way indicated, and because the tendency must arise to see the snowball at the top, and not just the avalanche when it has reached the bottom. Just a few hours before I came here, among other things, a letter was read to me in which it was once again related that two people had come together; I will not mention any names, so such a case can simply be cited as an example. The one is accused of hypnotizing the other, of even sitting behind the other and meditating into the other's neck so that all kinds of harmful things arise in the soul of the person concerned. And then the matter is pursued further. It is only one case, the last one, no, not the last one, there was another one after that, but it is the one that I read about three hours ago. Today it is a harmless matter, but in a few years it may no longer be so: that one person is supposed to have sat behind another in order to meditate all kinds of harmful things into the neck of the other person and thereby exert influence. There is no doubt that the person concerned is as harmless as possible in this matter. But today, my dear friends, this plays between two members; in a few years it will be made into a “Steiner case”, which in turn provides a very nice case for such “studies”. Perhaps it will happen more quickly and will not take a few years.

So, please understand that I am truly faced with an extremely difficult dilemma if I have to resort to saying, on the one hand, that an attempt must be made to make spiritual science fully public. Nobody will be left wanting as a result, nobody will somehow not find what they need to find because everything is in the public domain. But all the gossip: that is something mysteriously mystical, you must not say that and so on – that should no longer be able to give rise to all kinds of slander. No matter how friendly our dealings may be, they must not be any other than those between friends for the time being, because private conversations must stop as a matter of principle for the time being. Perhaps this will force our dear members, however inconvenient it may be, to pay a little more attention to things and take care of the matters that have been neglected so far.

As I said, please forgive me for bringing up these matters here today; I only did so after the actual lecture was already over, but I had to bring them up because they are related to the vital issues of the Anthroposophical Society and the anthroposophical movement. This, and not any lack of friendliness, is why I very much regret not being able to hold the private conversations with our dear members, which I have always been happy to do, in the near future. Then it will not be possible, really not possible in the concrete, to create what the malicious enemies are so keen to seek. — Because, my dear friends, you could of course make an objection, and everyone does it of their own accord in an understandable way, namely by saying: But he could talk to me. This has been said by each of those who are now launching their attacks in the most abusive manner; and some of those who are now the tools of their protectors were brought into society by very, very respected members of society. In some respects, it must change, but it can only change through the members.

Dear attendees! When people of the present reflect on today's plight, today's misery, they first ask about the causes of this plight, this misery. And he also asks: How can we escape from the confusion, from the chaos of social human development that we have fallen into? Such questions will usually be directed towards the particular inclinations of today's man and towards the most immediate external causes, which lie in the terrible events of the last five to six years. Or their thoughts will be directed to measures that address the external factors in order to alleviate the suffering and chaos in which we find ourselves. However, many people will not be satisfied with what the very last few years can tell them. He will turn his attention to a longer period of time, to the last decades, perhaps centuries, during which, albeit less vividly for humanity, what has come to expression so terribly in recent years has prepared itself, as, figuratively speaking, a thunderstorm prepares itself over a long period of sultriness, and then suddenly discharges. But even here, we get stuck in seeking external causes and in seeking external measures to alleviate the misery. In a way, one-sidedly, with such thinking, with such a feeling, one is quite right. And to what extent one is right, what can fruitfully arise from an understanding of our world situation with regard to the external, I will take the liberty of talking about in more detail the day after tomorrow, ladies and gentlemen. Today, however, I would like to speak of those causes that were at work in the human inner life and that present humanity will have to consider changing if it wants to escape from the chaotic situation in which it finds itself.

Is it not, then, readily apparent to any observer who takes a somewhat closer and benevolent look at what is going on in humanity today, that we are in this age, in which we hear from so many hearts, from so many souls, we hear the call for a more social organization of our conditions than those we have had so far, is it not strange that, despite hearing this call, we see intense anti-social impulses prevailing everywhere in our present humanity? Yes, that is precisely the difficulty that confronts the serious observer of our world situation: the fact that one is supposed to direct one's energies towards a more social organization of our human life at a time when, from the depths of the soul, anti-social drives are rising up throughout our entire civilized world. This emergence of anti-social instincts is connected with the fact that it is very difficult for today's human being to fulfill a longing that is not even consciously, but more or less unconsciously, in his soul, but which, even if unconsciously, asserts itself so strongly in today's humanity that it often comes to the fore in a pathological way, both morally and even outwardly physically. The longing — as I said, it is not easily recognized, because for many people today it still expresses itself unconsciously — the longing is this: in a new way, in the way that people have been educated over the past decades, and even through the last three to four centuries, in the way of gaining a relationship to that which, as an inkling at least, if not as a fully articulated consciousness, lives in every soul, as an inkling of a superhuman being in our transitory, in our sensual human existence. One could say that today's human being is in search of the supersensible human being. And anyone who looks more deeply into the needs of our present time will, above all, feel that it is the first duty of the spiritual aspirant to meet this yearning and longing of contemporary humanity.

One of the most important tasks of our time is to satisfy this inner soul longing, which expresses itself in this yearning and longing. But the way in which people in the broadest circles still want to meet this longing today is not how I will speak to you this evening. What I will have to say to you is spoken from a point of view that I have been presenting for years now as anthroposophical spiritual science.

The task of anthroposophical spiritual science is to seek a path into the supersensible world for people who have absorbed the ideas, sensations, feelings and will impulses of modern times that have emerged from the scientific worldview. From this point of view, what can be said about present-day humanity is either found incomprehensible or unnecessary in the broadest circles today. The spiritual researcher is told: “You are offering something understandable; well, yes, but I won't be able to offer you anything that is so easy to understand, as many still offer today's people, who start from the inner comfort of the soul, which, with regard to the highest goals of spiritual human striving, exists in today's people. Everyone today admits that one must make some effort if one wants to get to know the scientific work that leads to knowing something, say, about the mountains of the moon or the moons of Jupiter; or about the cells of the organism. But when it comes to knowing something about the supersensible world, one rejects out of inner laziness the idea of going a similar difficult path. Today many still say: Man must come to the supersensible foundations of the human being and the world through simple confession or through simple, simple belief in the Bible. What anthroposophical spiritual science has to say is considered too complicated. But this is precisely one of the main problems of our time; one of the problems that underlie our confused social aspirations.

Those who are familiar with human life know that it is insufficient to remain at this simplicity of faith and confession; insufficient because if one cannot regard to the supersensible, if one remains in this comfort zone, then one cannot master the great questions of social life that are confronting humanity in our present time. We do not yet see it, but we will soon see how those who always want to remain with the “simple faith of the confession” cultivate the kind of thinking in humanity that is now manifesting itself in the social turmoil across Europe and in the civilized world in general.

They are calling on people to return to the simple faith of the confession, because they do not know that remaining with this simple faith has produced what appears today as chaos and confusion.

Therefore, anthroposophical spiritual science regards it as a first duty to speak to the present human being about these things from its very different point of view. When the present human being hears the intimation in his heart, in his soul, about the supersensible human being, then he looks up at himself in a kind of self-knowledge, away from the world. What presents itself to the human being, according to the state of the present consciousness? Today, when a person reflects on his own being, he expresses what presents itself to him when he reflects on his own being by saying: This human being consists of body and soul. And then the person believes that he gets to know his body by observing it with his senses; by then seeking to grasp the sensory observation with the thinking mind. And for that which man cannot attain by this path, he turns to current science, to natural science, to that which biology, physiology and so on have to say about the human body. And then man believes that he really knows something about the one part of the human being, about the human body, when he has taught himself in this way. And then he may also reflect on what lives in the depths of his soul as thinking, feeling and willing. But when he brings to consciousness what is in the depths of his soul, he is immediately confronted with the great mystery of the human being. For he must find that Yes, that which appears to me externally as my body is something quite different, something radically different, from that which reveals itself within my soul as thinking, feeling and willing. And then the human being asks: What is the relationship between what reveals itself to me inwardly as soul and what is external to me as body? And underlying this human puzzle lies something great and powerful in human nature. At the root of it lies the great question of the meaning of life; the question: How can I, if I believe that life should have a meaning, ever believe that what lives in what appears to me as the transient, sensual human body can arise and disappear with this external, sensual body? What is the relationship between the soul and this external, sensual body?

When this question confronts him, in most cases man cannot perceive it as anything other than a comprehensive mystery. And if he turns from his own, as a rule impotent, thinking about this question to those who, in accordance with today's thinking, want to scientifically determine the relationship between body and soul, he usually finds that they have no more to say than what he has already encountered in such a mysterious way: Philosophical and other worldviews leave the serious questioner in this field truly quite unsatisfied.

Spiritual science, as it is meant here, therefore takes completely different paths to the supersensible, and it cannot speak about this supersensible in any other way than in a way that is very different from the way of external science. For hardly anyone becomes a true spiritual researcher who has not learned, learned in his own way, how impossible it is to recognize anything about the supersensible human being through ordinary reflection and ordinary external science. Not only must one speak differently when discussing these things from the standpoint of anthroposophical spiritual science than what the senses and the mind offer to man, but one must also speak in a different way. And that is precisely why one is still little understood today because this way is unfamiliar. What is understood better, at least one believes this, is simple, unadorned faith. But this no longer satisfies humanity, which has been educated over the last three to four centuries. If you want to hear the spiritual researcher talk about the very first starting points of his spiritual science, you will hear something different from him than you hear from those who have gone through the external science of nature today.

Isn't it the case that when someone who has become a “specialist” in some field, as they say, tells us about what he has gone through in the laboratory, in the clinic, in the observatory, that he he speaks about everything he is talking about with a certain calmness, so that one can see that his state of mind was quite even while he was working on this or that scientific subject in the laboratory or in the clinic or in the observatory. The spiritual researcher cannot speak to you in this way about his way of knowing. Ask him how he arrived at his insights, and he will not be able to speak to you of that indifferent research that is of the kind I have just characterized. Instead, the spiritual researcher will have to speak to you of the inner soul struggles, the suffering and pain that his soul went through in surmounting them before he could take any step towards the insights we will be talking about this evening. The spiritual researcher who has come to real knowledge of the supersensible has repeatedly faced inner abysses in the face of which it seems as if the soul must plunge into nothingness. And he knows how to tell what it means to muster all one's strength in order to develop that in the soul which carries the soul into those regions in which the real supersensible human being, not just an illusion, can be seen.

This is what the spiritual researcher really has to go through within himself. For he must have a different relationship to external nature and to himself than the ordinary researcher. I do not wish to be misunderstood, my dear audience, so I will say from the outset: the one who has become a spiritual researcher in the sense meant here does not disdain the natural science of the present day, which has achieved such great triumphs. On the contrary, he regards it as the fundamental condition for his spiritual research that he has first familiarized himself with the great and powerful results of natural science of the last few centuries. And he fully recognizes this natural science. For only in this way does he know how to look beyond this natural science in order to penetrate into the spirit to which the human being also belongs.

The natural scientist is right to speak of certain limits to his knowledge of nature. And it is precisely the most cautious natural scientists who have said that natural science always leads people to concepts and ideas that cannot be taken further in the study of nature. Hasty people then speak of such limits as a restriction of human knowledge in general. The cautious natural scientist knows that he cannot go beyond these limits with natural research alone. He will therefore, as long as he remains a natural scientist, stop at these limits; let us say, at such concepts that present themselves to natural research as unbridgeable gaps, such as the essence of matter, the essence of force, and many others; the natural scientist stops there. The spiritual researcher cannot do that. The spiritual researcher begins his work precisely where the natural scientist must stop, by fighting out inner struggles with what is the limit of natural science. The whole inner life of the soul must be brought into activity. And while the natural scientist stops at such limits, the spiritual researcher begins to find his way vividly into ideas and concepts and perceptions and feelings of such limits. Then he experiences something by delving ever deeper into that which science cannot or should not say anything about; then he senses what it actually means to live with the limits of natural knowledge.

What I am going to say now, my dear audience, can of course be seen as not being logically provable in the usual sense. For it is not something that has been thought up. It is what spiritual research experiences at a certain point in its development.

In this inner, living experience, the spiritual researcher comes to a great, shattering conclusion by experiencing what can be experienced at the limits of natural knowledge: He has to give himself the answer out of inner experience, out of his own experience, that we as human beings could never become social beings in our physical-sensual life between birth and death if we were to transcend the limits of natural knowledge. In a remarkable way, we are adapted to the way of the world as human beings. We would not have something – this is recognized by the spiritual researcher in experience – we would not have something in our human nature if we were not stopped by limits when we want to explore nature; we would not have something very essential; we would not have that which is a basic condition of our social, human coexistence; we would not have in us the power of love.

You see, dear attendees, that is the first harrowing experience on the path into the supersensible world, that you get to know human nature in such a way that you say to yourself: We must be limited in our view of nature, then from us in looking at nature, the power that submerges into everything without limits; then we humans would pass each other by in physical life, could not develop sympathy and antipathy, could not develop the most diverse nuances of love, without which life cannot be. In order for man to live between birth and death, it is necessary that he be limited with regard to his knowledge of nature. Within this limit, the power of love can then arise. But this also points the way in which the path can nevertheless be followed, which, in a sense, leads to the knowledge of the supersensible world.

We have the power of love in ordinary life because we are physical human beings to a certain degree; and this degree is more or less sufficient for our external social life – admittedly very little in some epochs, as in the present – but when it is fully developed, it is sufficient for our external social life. What is necessary with regard to this power of love and other things in order to take the spiritual path into the supersensible, I have described in detail in my book 'How to Know Higher Worlds'; today I can only hint at a few fundamental things, but that shall be done.

Above all, it is necessary that when one has gone through what I have just mentioned, one can be imbued with a certain inner state of mind that a person in ordinary life has only to a very limited extent; I would call this state of mind 'intellectual humility'. If you go through what I have described, you come to say to yourself: No matter how talented you are in terms of ordinary thinking and research skills, you have to admit to yourself: You cannot penetrate into the supersensible world at all with these ordinary thinking and research skills. That is what a person wants. That is why he is intellectually immodest in ordinary life.

But it is precisely this intellectual immodesty that must first be combated. We must be able to say the following, for example. Let us assume that a five-year-old child has a volume of Goethean poems in his hand. With his abilities, he will not be able to do with this volume of Goethean poems what should be done with it by virtue of the essence of this volume of poems. Just as this five-year-old child faces the essence of this book of poems, so — we must admit in intellectual modesty — we face the world and ourselves in relation to the supersensible essence with our ordinary abilities to think, feel and research. Just as a five-year-old child must first develop the abilities that will enable him to approach the essence of a book of poetry, so too, in full intellectual humility, must the human being, if he wants to become a spiritual researcher, first develop ordinary thinking, ordinary feeling and ordinary will. And just as the soul and physical abilities of a five-year-old child are developed from the outside through his education, so anyone who wants to know something about the supersensible world from direct perception must take his soul development into his own hands. But that means, my dear audience, that one must be able to make the confession in a real inner soul modesty: The strength you need to recognize the supersensible must be developed within yourself. And it must be developed in detail.

As a rule, one will not come to this development at all if one is not made aware of it through the experiences I have already described today, that no matter how deeply one has penetrated into the outer world of natural phenomena, that with this thinking, with the achievements about the outer natural phenomena, one can know nothing about what is going on in the human body, in order, for example, to gain a relationship to what we, as thinking, call an important soul activity. There one must first bring this thinking to a completely different level than it is in ordinary life. One must develop this thinking further. This can be done if one performs certain

of the soul that one does instinctively and unconsciously in ordinary life, if one gets into the habit of making these actions more and more conscious. I will pick out two things from the many things that the spiritual researcher has to do in this regard. The first is that the spiritual researcher must develop the powers of attention and interest in a completely different way than they are developed in ordinary life. In ordinary life, we become aware of something when our senses are drawn to it. We then direct our attention to the thing when we are made aware of it by external impressions.

But as a rule we do not exert ourselves out of the innermost power of our soul to strengthen the power of attention; something from outside awakens our interest. In ordinary life, it is always the case with a person that the interest aroused from outside makes his soul attentive. If a person now practices earnestly and worthily to be attentive, to pay constant and long attention to that which he wants to be attentive to only out of the inner power of thought, if he turns his interest to things that do not impose themselves on him, to which he turns out of his very own, innermost initiative , he does such exercises as I have described in my book “How to Know Higher Worlds.” The path into the supersensible worlds is a long one, but if a person practices for a long time, he will finally notice that his thinking becomes quite different from what it is in ordinary life. He notices that this thinking begins to acquire an inner vitality. And he notices that he actually has a completely new kind of inner, living thinking in him, thinking that is set in motion from within. One really sees through what develops as a new thinking through effort, through a development; one really sees this when one patiently and gradually sees it arise in the soul: You have your old thinking; your thinking that more or less passively joins in with things, that continues even when you are not making an effort, when you are not somehow exerting your senses or your mind as the basis of this thinking. This thinking continues, it does not sleep. But as if standing above this thinking, observing it going on beside it, like a kind of dream, there then stands the other, the completely bright, never dreamy thinking, which one develops in the way I have just characterized.

Then one comes to an inner discovery, to an inner experience, which I would now like to describe as the second shattering event on the way into the supersensible worlds: one experiences inwardly that one's ordinary thinking cannot be distinguished from one's outer physical activity; but that the thinking that one develops through one's own power, that proceeds in such a way that one experiences it: It has nothing to do with any external physical activity; it has nothing to do with any nervous or other activity. When you think as I have just described, you know that you are moving in a purely spiritual element with your thinking, and you have your physical self beside you; you have really stepped out of your body. And now you realize that this human being, when it carries out its thinking in this way, when it carries out its inner soul activity, as it is often described in the everyday illusions of human beings. People also believe in many cases, based on today's popular science, that they are indulging in materialistic ideas: we have developed the nervous system into the wonderful brain; in this brain one can see how research in human development is progressing; with each stage of thinking, the brain develops further. And then people say: So thinking, imagining, arises through the activity of the brain, through the activity of the nervous system. And basically, people who know nothing of the independent bodiless thinking that I have just described to you cannot help it, if they are somehow religious, but think of the illusory body.

But the one who gets to know bodiless thinking knows from direct experience another. Let me give you an image: Imagine you are walking along a muddy path; on this path you find furrows; you find impressions in the softened soil that resemble human footsteps. Do you think that someone who now believes that down there, below the surface of the earth, there are forces at work that cause something like impressions of human footsteps to appear on the surface is saying something correct about this fact? No, the person who judges the situation correctly is the one who knows that the furrows have been pressed into the soft soil from the outside. The person who has come to know independent, bodiless thinking knows that the spiritual soul is as independent of the nervous system and the brain as the carriage rolling down the street is independent of the feet of the person walking down the street. Body-free thinking carves furrows into the brain. It is no wonder that, as thinking unfolds in the course of human development, the brain shows imprints of that which develops thinking everywhere. But it is a terrible illusion, one that misleads humanity, to believe that what the brain fears and thereby causes thinking in some way arises from within the nervous system. Only the living, body-free thinking that develops and unfolds out of intellectual modesty can provide insights into that which leads to the immortal human being.

Then, through this body-free thinking, one gets to know the first supersensible part of the human being, that which I have mentioned in my writings - names are not important, but one must have names for things - the etheric body or formative body. This is something that the human being carries within them, just as they carry their physical body, but it is something that cannot be grasped by the external senses and by ordinary thinking; it can be grasped when the human being develops this imaginative thinking - as I call it - which I have been talking about today. Then this imaginative thinking becomes a [mental organ] with which he sees the spiritual human content, the formative forces that permeate the human being, just as the human being has the physical body.

Thus one ascends to the first supersensible aspect of human existence. But one cannot ascend in this way without undergoing other experiences as one ascends to body-free thinking. From the relationship between the limits of knowledge and the power of love in the human being, of which I have spoken to you, you will be able to divine that there are deep, mysterious relationships between the powers of knowledge in the human being and social human life. If a person acquires supersensible thinking, as I have just described it, then he finds a new way in which social life, which takes place between human souls and human beings, is shaped.

We meet people in life. We develop a strong sympathy for some people and a less strong sympathy for others; we may even develop antipathy for some people. But a network of relationships with other people, shaped by the power of love, runs through our entire lives as we interact with others. If one learns to recognize the power of supersensible thinking, then this leads to the realization that the sympathies and antipathies we develop for the people we meet in the physical world come from the fact that we were already connected with these souls before we went through birth or conception. Through the development of thinking, the spiritual view of the world in which we have lived opens up from the physical life – we have lived spiritually and soulfully just as we live here physically and corporally – in which we have lived as in a spiritual world before we descended into the physical world through conception and birth. In our time, it is possible to see into the spiritual world from which we descended before our birth, through a powerful development of thinking out of intellectual modesty. It is neither speculation nor fantasy when we say from such knowledge: How you meet people here in life, soul to soul, is the continuation of how you met them, now entirely in the spirit, in the supersensible world, before those people who enter into relationships here descended into this sensual world. Just as man has been seeking out natural scientific connections in a new way for three to four centuries, so from today onwards he will have to seek them out - otherwise he will never feel his suspicions about the supernatural satisfied - he will have to seek out spiritual connections to the supernatural worlds.

It must be admitted that, when we speak in these terms today, we are still speaking of something quite incomprehensible and incredible to present-day humanity. But anyone who is familiar with the history of cultural development knows the significant way in which people relate to the great cultural advances. It was in the first half of the nineteenth century when a college of physicians and other scholars were asked whether railways should be built. They delivered the verdict – I am not telling a fairy tale, but something that is documented – that railways should not be built because they would undermine the health of those who travel in them due to the great vibrations during the journey. And if they are to be built after all, they said, if people are to be found who will travel in the railways, then at least large, high board walls must be erected to the left and right of the railway so that those who pass the railroad will not suffer from concussion. — Thus fear expressed itself against real progress.

Such fear lives unconsciously in humanity today before the supersensible. We will not be able to fight the anti-social instincts of humanity until we engage in this field, not believing that we get mental concussion when the supernatural is spoken of.

That, dear attendees, is the one link of the human being that looks into prenatal life.

In yet another way, man can take his development into his own hands through the modesty of his soul. This is when, as in the first case I described, he can further develop his thinking if he further develops his will. There is something again that the whole human being develops unconsciously in the course of his life. Let us just admit, my dear audience, that basically we change from week to week, from year to year, from month to month in the purely external development of the human being. We are always learning from life. Just look back at how different you are from ten or twenty years ago. But what we developed in ourselves then, we developed unconsciously. We did not learn to take our further development as human beings, our higher development as human beings, into our own hands. And again, there are methods – you can also read more about this in my book 'How to Know Higher Worlds' – by which one can learn continuously from life; whereby one looks at everything that presents itself in life in such a way that we intervene actively; then we say to ourselves: What we have done there – if we ourselves were higher, more maturely developed, we could do it better. If we constantly develop this modesty in relation to the will – our development can go on and on – and take the opportunity to take our will development into our own hands in the same way that we took our thinking development into our own hands in the way described above, then it turns out that we find our way into the supersensible world in a different direction. What we are now developing within us by further developing our willpower is that, as we go through life, we can always become our own spectator. We then become, as it were, as if we were floating above ourselves asleep at night and looking at our body lying in bed from the outside. Thus, through the inner development of the willpower of the soul, we learn to see ourselves in everything we do.

That, ladies and gentlemen, is a strong human power. By immersing yourself in this power, you become independent of your body to a higher degree than simply by developing your thinking. In this way you get to know the higher supersensible being of the human being; that which I would like to call the body of movement, or - don't shudder back, it's just a name - the astral body of the human being. We learn to recognize what is supersensible in us by merely making an effort to move our hands, by working, by developing our will in our own growth, in our own human development. Then, in addition to the etheric body, we get to know the astral body of the human being, which, because we have it, uniquely and solely enables us to truly express the will in the outer world.

But when one experiences within oneself what willpower, developed in this way, actually is, then one looks into the supersensible world in a different direction. Then you first experience: You behave in one of two ways towards people you come into social contact with; you do them good or you do them little good; you do them something purposeful or inappropriate; you act towards them in such a way that they experience the consequences of your action. By developing the powers of will as I have just described, we learn to recognize that we experience what lives through the astral body, through the actual spiritual-soul. The expression 'body' is just an expression. What we develop there carries our supersensible being through the gate of death; and we will experience the continuation of what we have developed in our relationships with people here in the physical world in the manner just described in the spiritual world after death. That is to say, in the spiritual vision, there is an immediate insight into the world that we experience when we have passed through the gate of death. That which connects man with the spiritual world becomes visible when he develops the powers of his soul as I have described. But then, my dear audience, these two powers come together. The power that develops out of thinking, out of living thinking, and the power that develops out of the will, they enter into an inner marriage, as it were. And then, then the contemplation of one's own development becomes something new for man; then something quite new becomes what we call the history of mankind. Oh, the ordinary, external knowledge knows little about this history of mankind, only the external facts. But what is called history today is actually nothing more than a fable convenante. What lives in history, what advances humanity through history, is only really learned in its truth, with the forces that I have just described to you. There one learns to recognize how the spiritual rules in the historical development of humanity.

Now, I do not want to describe to you in abstract terms what I have to say in this field, but I would like to present to you what can have a direct bearing on the great tasks of humanity in the present day. The one who, as I am now doing, looks at more recent human history from the spiritually developed soul forces finds a significant turning point in the development of humanity in the middle of the fifteenth century.

You see, in life, things are often said that are actually illusions or one-sided truths. For example, it is often said that nature – and what is meant is basically the whole of world affairs – nature does not make leaps. In a sense this is true, but in another sense it is completely untrue. Nature is constantly making leaps. Look at a growing plant: the green leaf makes the leap to the colored petal, to the stamens, to the pistil and so on in further growth. So it has also happened in history, leaps and bounds continually; these leaps are not noticed because man does not follow the workings of history in a spiritual way, but only externally. The one who follows the development in history in a spiritual way can clearly see that since the middle of the fifteenth century the human spiritual condition in the civilized world has become quite different than before. We have to distinguish a long period of human development from our own, which began in the middle of the fifteenth century and in which we are still immersed in our developmental epoch. The immediately preceding developmental epoch began around the eighth century BC and lasted from the seventh century BC to the middle of the fifteenth century AD, which external history does not tell. If you look at history as I have described it today, it becomes clear that people were very different in the epoch that began in the eighth century BC and ended in the middle of the fifteenth century. People were so different then that I will briefly illustrate this with an image.

You all know, dear attendees, that today, as he develops in his childhood years, the human being goes through parallel stages with his soul and spirit in relation to his physical development. Just consider – and you can read about what this means in my little booklet 'The Education of the Child from the Point of View of Spiritual Science' – how deeply the change of teeth towards the seventh year intervenes in what is developing in the child. And for those who are able to observe well, how important it is that what intervenes in the life of the child intervenes in the soul and spirit much more intensively than people usually believe. This is the first epoch in which, alongside physical development, the human being undergoes a parallel development in relation to his soul and spirit. Man ends the second epoch with sexual maturity in the fourteenth or fifteenth year. Man develops quite differently between the seventh and fourteenth year. And again differently, but in such a way that he still has parallelism with physical development, up to the twenty-first year. And anyone who is able to observe closely in our time will see that today's humanity still shows a parallelism in terms of the spiritual and soul up to the age of twenty-seven. Then this parallelism ceases. Then, to a certain extent, we emancipate ourselves inwardly from the physical and bodily in relation to our spiritual and soul. Then these developments no longer go hand in hand. But what I am now describing as a characteristic of present human development, and on which everything that happens between human beings, everything in the human totality depends, was different before the middle of the fifteenth century, it was different throughout the whole long period, although it developed from the eighth century BC to the middle of the fifteenth century. For a much longer time, the human being was afflicted with a parallelism. Even into one's early thirties, one could still experience physical changes that corresponded to psychological changes, although not as strongly as during the change of teeth and sexual maturation. And anyone who really wants to understand what was there in the world with Greek culture, what entered human development with Greek culture, must know that what is usually called Greek human nature, what one perceives as the harmony of Greek culture, what has been felt in such a way that the offspring and also the aftermath of Greek culture are carried into our time, that this is based on this longer ascending developmental capacity of the bodily-physical of human nature. This goes parallel with that which the spiritual-soul qualities are. In the case of the Greeks and Romans, the spiritual-soul qualities were such that one can say: The powers of understanding and feeling developed more instinctively; instinctive feeling, instinctive logic, instinctive understanding, instinctive powers of research are found in that period.

Since the middle of the fifteenth century, the instinctive understanding has been replaced by the self-conscious powers of understanding and feeling. Everything in the state and in society, in the social organism, was different in the period from the eighth century BC to the fifteenth century AD than it can be in our age. From the innermost core of human development, that which stands for today's humanity in the outside world developed. The newer natural science with all that lies in the human soul could never have developed, the new industrialism could never have developed if, around the middle of the fifteenth century, something had not happened in human development that can be called the transition from instinctive to independent soul and emotional powers. Since the middle of the fifteenth century, therefore, man has wanted to place himself at the apex of his personality out of his inner nature. From these inner impulses of human development follows that which is outer economic life, which is economic, industrial order, which is also a scientific direction of knowledge; follows that which can be characterized in such a way that one says: Man, because he was to become self-conscious since the middle of the fifteenth century, had to develop a kind of materialism more or less in the realms of the intellect and also in the practical realm. To a certain extent, he had to be abandoned by the instincts of spiritual life. But today the time has come again when man, self-consciously, must also rise from the attainment of orientation in the material to the conscious grasping of spiritual life, as I have described it.

Now, the best way to see what has changed in the development of humanity is to turn one's gaze to the most significant event that has occurred within this development in the course of the entire human evolution on earth, to the event that gives the actual meaning to the evolution of humanity and the earth, when one turns one's gaze to the Mystery of Golgotha, through which Christianity was founded.

What did humanity, which developed its soul and physical powers as I have described from the eighth century BC to the fifteenth century AD, what did this humanity, which also remained capable of physical development, feel until the 1930s in the face of what mysteriously took place at the Mystery of Golgotha? With the powers of the soul that arise from the instinctive mind and instinctive soul, that arise from a body that, like ours, was only capable of development until the end of the 1920s, was capable of development until the 1930s, this humanity of the Greco-Latin age was able to look at the Mystery of Golgotha and feel a supersensible event in the event of Golgotha. This humanity of the Greco-Latin age could look at the mystery of Golgotha and feel a supersensible event in the event of Golgotha, which broke into human earthly development. In those days people instinctively understood that not just any man had lived in Nazareth or in Palestine at all, but that in this man Jesus of Nazareth a supersensible entity had lived, which the human beings before the development of Christianity could not look at because they were not yet connected with the earth. Through the event of Golgotha, a spiritual essence that had not previously been connected with human development on earth entered this human development through the body of Jesus of Nazareth. Humanity, which was capable of development until the middle of the fifteenth century in the way I have described, understood this instinctively.

The development from the mid-fifteenth century to the present should have been different. There was no rule of instinctive understanding or instinctive powers of mind. Unlike the period up to the end of the 1920s, our bodies did not develop into our 30s; but instead of becoming independent today after about the 27th year, we develop the human personality to full freedom through the physical nature. But this education to freedom must find the spirit within itself. Therefore, it must look outward for a while and see only matter. If the spirit were to reveal itself to us through matter, we would have no need to educate ourselves to become spiritual. But under the influence of these human developmental impulses, even the truth of Golgotha has been subject to change. He who, inwardly, does not consider the prejudices of present-day external knowledge, but who inwardly considers the development of humanity's thoughts about Christianity throughout the centuries, knows that in the materialistic age that had to come over humanity since the middle of the fifteenth century, but that must be overcome again from today on, he knows that with that also the views on the mystery of Golgotha had to be materialized. We have already experienced it in the course of the nineteenth century and particularly at the beginning of the twentieth century that people, including theologians, were almost proud no longer to speak of Christ as a supersensible being who lived in the body of Jesus of Nazareth; but they found it better, as they say, for the enlightened man of the present to speak merely of the 'simple man of Nazareth'. They have lost the Christ and describe the man of Nazareth in materialistic terms, as if the Christ had not lived in him as a supersensible, supermundane entity. They describe him only as a highly developed human being, but still only as a developed “human being”.

Modern humanity also had to go through this test. But it is a test, ladies and gentlemen. And by finding our way out of self-conscious reason, out of self-conscious powers of mind, out of intellectual modesty into the supersensible worlds, as I have described it, we will also find our way back to a supersensible understanding of Christianity. We will consciously learn to look at the Mystery of Golgotha as the people of the Greek era did, as people until the middle of the fifteenth century instinctively looked at the Mystery of Golgotha, which broke into human development after the first third of that Greek-Latin period as the earth's actual meaning. It will be a significant event in the more recent development of humanity when, through the conquest of the spiritual world, through the knowledge of the supersensible human existence, man will also find his way to the mystery of Golgotha in a new way.

Then this new knowledge of Christ will be able to take hold in the souls of the whole civilized world. Then this new Christ idea will overcome what today adheres to the conceptions of Christ out of conventional narrow-mindedness, even out of narrow-mindedness of religious creeds. People, however they may otherwise stand in terms of races and nations, if the path to the mystery of Golgotha is confidently found, they will find this path throughout the civilized world. Then, starting from this impulse, something will come that is being sought today, but from a utilitarian point of view. Today we hear of people who cling to the external, to the pursuit of a League of Nations. And one of those people, who unfortunately were also quite overestimated in Germany at a certain time, one of those who lead people into such abstractions, one of those people is Woodrow Wilson. When one speaks as he does about the founding of a League of Nations, one speaks about something for which one does not first create the conditions out of reality. Those who today speak of the fact that a League of Nations should arise from the aspirations of individual peoples speak in such a way that one can see that they have never grasped the great parable of the Tower of Babel. For what does he actually want? He wants to continue building the Tower of Babel. He wants to leave the nations as they are; he wants to found the League of Nations through the very thing by which they have become nations out of the unified whole. This will result in an illusion, in an abstraction. But it is the other way around. Through a new spiritual life, it is necessary to establish that which can be common to all human souls: the realization of the spiritual center of human development; the realization of the supersensible nature of the Mystery of Golgotha in its significance for all humanity, without distinction of religion and race and nationality. From this perception, from this looking to the Christ-event, the unique Christ-event, will come the real power for the new League of Nations. And people throughout the world, throughout the civilized world, will not find harmony until they have found the path to a new Christianity out of a new conquest of the spirit, a new Christianity that can unite people throughout the world. So we see: This provides the insight that I was able to describe to you, that it leads beyond birth and death to the eternal, supersensible nature of the human being. We see that this realization leads at the same time to such a penetration of human development that it must be one of the most important tasks of the present time. And if one grasps human nature at such a depth that one does not merely encounter the outer human being that today's outer scientific knowledge encounters, if one grasps the human being in such a way that one, out of intellectual modesty, the strength to develop further, as one has developed from childhood to the point where one has arrived in ordinary life, then one also finds the words that unite people.

A strong chaos lives over the civilized earth, a terrible confusion. In every soul must arise the longing to find the way out of such confusion, out of such chaos, confusion and chaos are great. The power that must be applied to escape from them must also be great; it must overcome strong, great prejudices. Even today, for many people, the prejudice that must be overcome may seem too strong, the path to the new understanding of the supersensible event of Golgotha must be taken. For humanity today has before it – we will now have to illuminate this from the outside in the next lecture – two paths. One path goes to the left, the other goes to the right. We can take a one-sided approach by letting the pendulum swing between the two, that which has developed in materialism, in the egoistic personality forces, since the middle of the fifteenth century. But we can also go to the right and consciously conquer the spirit again from our industrial and scientific age. If we learn to recognize that social, supersensible life is inherent in the development of humanity, then what many today still consider a superstition or an illusion will become a realization, that which Lessing pointed out, namely, repeated earthly lives. Lessing, the enlightened man, was the first to point out, as in the dawn of modern times, in his 'Education of the Human Race', that human beings go through repeated earthly lives as long as the earth is in its development. Between these repeated earthly lives, he lives in a spiritual-soul world from which he descends into the physical world through birth or conception, and from which he then ascends again through the gate of death. To find one's way into the great that has already begun with such thoughts with Lessing, with Herder, with Goethe and so on, leads in the right direction. And we in Central Europe, we must now, since the time of external adversity and external misery has perhaps begun for us, [that must] already be said in our difficult time, we must learn to tie in again with those steps that were taken in Central Europe by the great German minds that I have just mentioned, into the supersensible world. And we must have the courage to take further such steps, to go further into the supersensible world. Otherwise humanity will fall back into what can be characterized in the following way.

If humanity wants to go only to the left, then it will continue to develop that which had to come over humanity for a time so that the human being could develop his free personality. From a different point of view, I already described this in the early nineties in my book “The Philosophy of Freedom”. In order to achieve freedom, man had to develop what led him into the newer age in such a way that he mechanized his spirit. He only overlooks that which is machine-like in the outer world and comprehends it. If he stops at this, he cannot awaken his soul to what I have described today as awakening out of intellectual and volitional modesty; then, in addition to the mechanization of the spirit, there is the vegetarianization of the soul, the drowsiness of the soul. But then, because the body becomes ignoble if it is not glowed through by the spirit-illuminated soul, animalization occurs for the body in addition to the drowsiness of the soul. Then the social demands arise out of the animal instincts. This can be seen in the present. We have a mechanized spiritual life. But we also have the drowsy, plant-like soul, the vegetative soul, with regard to the supersensible human being. And we have what is currently emerging in Eastern Europe, on the large-scale Russian folk soul, as this folk soul is killing; emerging like a new set of social demands, but which is nothing more than the speech of animalized man. That is the third.

If we really want to find a way out of today's chaos and confusion, then we must look without prejudice at the fact that we in Central Europe, and that Western civilization have developed the mechanization of the mind and the drowsiness of the soul, and that as a result, in the East, the animalized passions , which man today only fears but must learn to understand in order to overcome them, so that he can come out of this illusionary, this corrupt socialism of the East and into a true socialism, which we want to talk about the day after tomorrow, a socialism that is permeated by the spirit and the soul. It is necessary for human beings not to go the way of mechanizing the spirit, of making the soul become like that of a vegetable, of animalizing the body, but to go the way that leads them to a penetration of the supersensible human nature and the supersensible nature of the world in general. That he may receive from his higher developed self-consciousness of modern times in his spirit the light, in his soul the warmth, the spiritual, and thereby in his body the ennobling that will lead to real social love, to genuine brotherhood. Only if we find the way to the illumination of the spirit, to the spiritualization of the soul, to the ennobling of the body, only then will we be able to enter into a better future. Then it will not be external matter, the economic process, but spirit and soul that will lead us into this new order. However, the spirit can only guide man if man meets the spirit halfway; if man allows his intellect to glow with humility through the spirit; if man allows the soul to be permeated by what he can experience as spirit. And do not believe that everyone in our time should become a spiritual researcher themselves, although to a certain extent anyone can become a spiritual researcher today; as I explained in my book 'How to Know Higher Worlds'. But while in all other fields one can only look to the belief in authority of scientists in science, what people would like to claim is not true: that supersensible truths, when they are researched, can only be found to be true on the basis of belief in authority. No, human nature is so created that if it only removes the prejudices that the last four centuries have piled up before the human soul, then every single human soul, even if not yet today, will be able to look into the supersensible world and accept what the spiritual researcher has investigated. What the astronomer or the physiologist investigates is accepted by other people. Today, based on common sense, every soul can find the path into this supersensible world through the mere revelation of those who have researched this supersensible world. Then this soul will also find the path into a true social life. Because this social life can never be based on mere natural necessity, on mere external economic or economic necessity. The purified social life can only be based on freedom. But the freedom of external life can only be based on that highest freedom, which must be developed in the innermost part of the human soul. All external freedom may only be in the future, so that humanity may emerge from confusion and chaos. All external freedom may only be the direct announcement of the inner liberation of the human soul.

May man find the way to this inner liberation through the path of the spirit and of soul-searching, so that he can also find it to the outer social liberation.

Those who reflect on such questions of human mental life as those on our winter program this year, on character, conscience, on the healthy and sick soul, on life and death, mysticism and so on, those who reflect on such questions will perhaps be able to be reminded again and again of a saying of an old sage from the fifth century BC, Heraclitus, whom is called the “Dark” because of the significantly deep nature of his thinking. He, Heraclitus, spoke the words:

You cannot fathom the depths of the soul, even if you wanted to travel all the roads. The soul has such deep reasons.

We are reminded of this depth of the soul in many ways when dealing with matters of the soul. But only slowly and gradually, over the course of this winter, can we, so to speak, engage with the deeper questions of the soul life.

Today and tomorrow, we will deal with phenomena of human inner life that are perhaps no less interesting precisely because they are closer to the most everyday and because one thinks about them less. It is in such phenomena that the noblest and highest core of human inner life, which we call self-consciousness, is obscured for certain periods of time in a certain relationship, obscured by all kinds of feelings, but mainly by affects.

Today we will deal with one of these affects, which plays a significantly profound role in the human soul. We will deal with the force within us that underlies anger and everything related to it. When speaking of the soul qualities and expressions of the human soul, one can ask: How is it that the human soul, which is supposed to lift itself ever higher and higher intellectually and morally through its self-awareness, is repeatedly thrown back by impulses of the kind that anger is? Is a quality of the soul like anger a mere hindrance on the path of human beings upwards to the great ideals of life? And in a practical sense, too, such questions are of the greatest importance in our immediate lives.

The educator, anyone who is entrusted with the care of another person, will readily admit and will recognize how important it is to know what role an emotion like anger plays in the soul's life. Once we recognize such a thing, we can treat everything connected with it in a correspondingly tactful and wise manner. However, our present consideration of the soul life will encounter the greatest difficulties in dealing with such a question as the meaning of anger. Only a deeper penetration into the undercurrents of existence, into the winding paths of the spiritual life, allows us to provide some insights into such a question. So today we will first have to allow something to enter our soul that those of our revered listeners who are present at these lecture cycles have heard from a certain quarter, who have been present more often at these lecture cycles.

But it will be necessary again and again to allow the unique nature of the human being to enter our soul if we want to understand human expressions and effects of force. From a spiritual point of view, the mission of anger is to be considered today. Here we must consider man, not only as he presents himself to our outer senses, to the intellect that is bound to the instrument of the brain, and which is limited to processing the impressions that direct sense observation provides. For such a spiritual-scientific consideration, that which the senses see and which the human intellect, conscious in this sense, can comprehend, is only a part of the human being. That part of the human being that we can perceive with our senses – external science is only concerned with the physical body insofar as it is a science of nature, and in a certain respect it is right with this limitation – spiritual science calls the physical human being. But beyond that, it distinguishes the higher nature of the human being. What we call the physical body has the same composition of substances and forces as everything we call the mineral kingdom, the seemingly dead nature around us. The same world of forces is in our physical body as it is out there in the world.

But there is also a question that the ordinary human mind can ask and to some extent answer, namely, whether these forces and substances that are at work in the human body and that are the same as those in the rest of mineral nature act in the same way as they do in the rest of mineral nature. The answer is no, they do not. When the human physical body – and the physical body of any living being, for that matter – is left to itself, it follows the laws of the mineral world. We see this when the physical body is left to itself at the point of death. We see the way in which the composition of the physical body works when it is left to its own physical and chemical forces. That which, from the beginning of physical life to the end, fights against the physical and chemical forces so that they cannot follow their own path, which they only follow in death, we call the first link of higher human nature – do not be put off by expressions, stick to the concepts – we call the etheric body or the life body. With this, we ascend to the first supersensible link of human nature.

Even for someone who merely employs logic and the instrument bound to the physical, such a life body can be reasonably inferred. For someone who stands on the ground of spiritual science, this life body is a fact of the same reality as the world of sounds and colors. And the spiritual researcher can say to those who reply: “This etheric or life body does not exist at all.” It is not perceptible to the ordinary senses, just as color is not perceptible to someone who is blind. But it exists for the person who has developed the corresponding powers in his soul so that he can really perceive this life body as a fact.

All these things can be discussed in the course of winter in a different context. Today it must be left at that. — Then we come to the third link of the human being, which is called the astral body. This astral body is the carrier of pleasure and suffering, of joy and pain, of urges, desires and passions. This astral body is what humans have in common with animals, just as they have the etheric or life body in common with plants and the physical body in common with minerals. For reason, this astral body, if it is to make use of logic in an unbiased way, can be something that can be logically deduced. For spiritual research, it is a fact, something that is just as present for the perception of the spiritual researcher as color is for the eye and sound is for the ear. Thus, in the astral body we have a second link in the supersensible human being.

And if we ascend further in the composition of human nature, we come to what he no longer has in common with the other realms of nature around him, what we call human self-consciousness or its expression, the ego. This ego is that which, so to speak, every sensible human nature is surprised by when it perceives it for the first time. I would like to quote again the beautiful saying of Jean Paul, when he was still a boy and stood in the courtyard of his parents' house and felt the 'I' for the first time [gap]. From now on, the question of God and immortality was understandable to him. It would be so easy to arrive at the human 'I', at an understanding of it, if one were to say to oneself: There is something expressed in the I that is distinguished from all other concepts or names by the very fact that it is spoken. Anyone can call a table a 'table' and a chair a 'chair'. But when you say the word 'I', it denotes something that only refers to itself, but that has no meaning and cannot be applied to your higher self-awareness when it is spoken by another. Your “I” can never sound sweet to your ear if it is not meant to signify your own soul. This is truly the expression for the “shrouded sanctuary” of the human soul. This is the expression that, as in a short monologue, describes the essence of the human being within, or what can also be described as the divine in human nature.

We have thus placed the four aspects of the human being: physical body, etheric body, astral body and I, before your soul. When we look at the person as he stands before us, these four elements are what constitute his interaction, his mutual interpenetration. What is significant is that the human being is not a closed being, that he is not a being who is finished at any given moment, but a being who is in the process of living development, a being who progresses from this or that stage of progress to another stage.

What then is the nature of this human development? What is the interplay between these aspects of the human being, which we can call the wonder of human development? They interact in the way that presents itself to our minds when we consider what an astral body might look like in a person at a low level of cultural development, and in a person at a higher level of cultural development, in that he does not live in his wild desires and instincts, that he does not desire and crave everything that comes to him in terms of the senses, but that he has purified his urges and desires through the ideals of moral life. You can place two people side by side: the one whose senses are still covetous, who still desires what his senses present to him; and the other, with fine tact and a sense of duty, who shows that he has undergone a refinement of his soul, has purified and cleansed it.

What is this purification based on? It is based on the fact that the human being works from his ego on the other members of his being. The ego has done this, which has become out of instincts, desires and passions. The ego has purified the astral body, transformed instincts, desires and passions, made them into something different from what they were before. In spiritual science, the part of the astral body that the ego has already transformed – insofar as the ego has worked with full consciousness on the transformation of drives and passions, on its moral perfection, on the transformation of the astral body – is called the “spirit self”, or, in an expression of oriental philosophy, the “manas” of the human being.

In general, we can say that in present human development, the human ego has only just reached the point of working on the manas or spirit self, consciously working. In the future, the high spiritual ideal for human beings will be to consciously work not only on the astral body, on the purification of passions, instincts and desires, but also on the transformation of the etheric or life body. Today, human beings can only work unconsciously on this etheric body. What he once transformed in his life body is called the spirit of life or Budhi in spiritual science.

And now an even higher ideal in the sense of spiritual science arises before the human soul; this is an ideal in which the human soul today, when it has a sense of it, can be overcome by a sense of vertigo at the height and grandeur and sublimity of the future of human development. When man is able to work consciously on the physical body, then he will also rework the physical body from his ego or self-awareness.

Today, a person can only do this unconsciously. But you can see it happening in everyday life. You just have to look at life impartially. Imagine a person who feels shame, that is, he feels something in his soul as if he wanted to hide something about himself; a blush of shame rises to his face. What does that mean? A purely inner experience has triggered a physical process, a redistribution of the blood. It is the same when a person turns pale. The blood then moves from the surface to the inner parts. This is a process in the physical body that takes place unconsciously. What a person consciously works on in his physical body is referred to in spiritual science as the Atma or spiritual man.

If we describe the course of human development in this way, we can say that the human being consists of a physical body, an etheric body, an astral body and an I. If the I transforms something of the astral body, the spirit self or manas arises. If something of the etheric body is transformed, the life spirit or budhi arises. And if the physical body is transformed, then the spiritual man or Atma arises.

But that is not the only thing that comes into consideration. When a person can also look at his ideal, in which he has completed the transformation of the astral body, then he has unconsciously already worked on this astral body from his I. He already has something within him that can be described by saying that the I lives in the astral body. That part of the astral body that is not consciously transformed by the I, but which - as we shall see is correct - is already an instrument of the I, is called the sentient soul by spiritual science.

But the etheric or life body has already been transformed to a certain extent by the I, and today it already serves the I as an instrument in a certain way. The I has already sent its power into the etheric or life body. Insofar as this body is merely an etheric body, it is connected with the forces of reproduction and growth. But insofar as the etheric body is transformed by the I, we call it the mind soul or emotional soul of the human being.

But the physical body of the human being is also transformed and becomes an instrument of the I. This physical body of the human being, insofar as it is an instrument of the I, serves precisely as a sensory organ; through the wonderful apparatus of the sensory organs, it serves the consciousness of the I. That is why we call that part of the physical body that is capable of being an instrument of the ego the consciousness soul, which thus dwells in the physical body.

Thus, in the sense of spiritual science, we first have three bodily members: the physical body, the etheric body and the astral body; then three soul members in which the ego lives to a certain extent: the sentient soul , the soul of feeling, and the soul of mind; and finally, by making use of these three members, the I works them over in a conscious way to become the spiritual self, the spirit of life and the spiritual human being.

This is a meaningful scheme. But it is not just a scheme, it is an active force. Only the one in whom it becomes so alive that he sees the forces of the individual human members interacting, comprehends human development. Yes, this human nature is deep, deep, as Heraclitus correctly said. Thus we see the human ego at its work, and within the human body we see the transformation of the inner soul-elements of the human being. If we want to understand this ego, we must ask ourselves, above all, what is the present stage of the human ego, what has it achieved, conquered by working, partly unconsciously, on its astral body? What it has conquered lies in what we can describe with the words: The I makes the human being a being capable of judgment, a being that judges from within, be it judgments of the intellect, feelings or will; this makes the human being a being capable of judgment.

This says a great deal when one says that it makes a human being a being capable of judgment, a being that can think, feel and want from reasonable judgments. It is said that one really learns to distinguish between what is the sensation of a physical being and what is the impulse of a human being. When we look at animals, we can find all the qualities of the human soul in animals to a certain extent. We find sympathies and antipathies in animals, even what is analogous to one of the highest feelings of the human soul, an analogy to love. We find analogies to what we call human intellectual activity. It is easy to observe in the animal kingdom how everything works similarly to that in humans; but who could fail to recognize the difference between what is present in humans and what is present as a quality in animals? We can say with certainty, based on the animal's organization and form, what it will be driven to do in this or that case. Necessity is quite different in the case of a human being who ponders the question: Should you do this or should you not do it? He weighs it up before coming to a decision. Only those who do not look closely at the matter can fail to see the enormous difference. In the course of his development, man has acquired the power of judgment through the interplay of his development, which has just been characterized.

If we want to place before our soul the highest ideal of this discerning human being in relation to an area, in relation to human coexistence, in relation to the way two people relate to each other, two things arise. If we look at the judgment that confronts people, it is the concept of justice and the concept of love. When the human being places the concept of justice before him, he will be able to say to himself: Justice is something that can be regarded as a higher ideal. This means harmony, balance in life's circumstances. One need only think of good and evil, right and wrong. But what is it that afflicts the human soul when it utters the word “justice,” when it surrenders to the concept of justice? It is something cold that the human soul experiences in its feeling when it surrenders to this concept. It feels justice as a necessity, as something that must be, as something that man must submit to based on his sound judgment.

The soul feels differently when it contemplates the concept related to justice, so to speak, the concept of love. Here the soul does not feel coldness, but inner warmth, something of what elevates human nature, because it must say to itself: That is only a truly human ideal when justice is no longer practiced because it is perceived as a necessity, but because one loves what is right, because one loves to do what should be done.

Thus, justice and love stand side by side as a cold ideal that is nevertheless recognized as necessary, and as a warm ideal that fills our soul with inner fire. And in them is contained what the human soul sees as the two ideals when it asks itself: In what direction must it develop its power of judgment first? That through her judgment, through her deliberations, through what lives in her, she experiences the coexistence of human beings in such a way that it is in the sense of justice and love. - In this sense, man looks up to justice and love as two lofty ideals of development, and he sees, enclosed in the interplay of his forces, that which leads to justice and love in coexistence.

That is how it is. But one cannot understand human development, or development in general, without another feeling, which provides insight into the actual nature of development. Development is something that, if it is to flourish, must include something else. And this other process can perhaps best be described by the word maturing. Maturation over time is something that cannot be separated from the concept of development. And we understand each other best when we apply the concept of maturation to the concept of the human ego itself.

Take the life of a single human being, take it in the sense that a serious observer of existence should take it. Is it possible to expect the same of a person in their third year as in their twelfth or sixteenth year? That is impossible. The same cannot possibly be expected of a developing being when the interplay of forces is such that it is developing. There is a time for every stage of development, and it is detrimental to the being's overall development to transgress this law of maturation. It is also detrimental to the individual's human development between birth and death to expect something of the ego at one stage of life that should only be expected at a different stage of life, according to the degree of maturity. But it is also unhealthy to expect a person at a lower stage of development, who has not yet sufficiently purified his passions and instincts, to do things that can only be expected of such an ego in a truly fruitful way after it has gone through the various stages of purification. This is how it is when the human ego sees such significant ideas as justice and love as ideals and says to itself: You must rise up — so that they work like two great guiding stars in the life of man. But the path must be traveled in the right way. If we now consider not the individual life, but the whole of human life over the course of centuries and millennia, how the human ego returns and works on the human being, then we will have a complicated fact before us, which is very compelling to draw attention to the maturing process. If – and this can only be stated today, but will be touched on from various points of view during the winter lectures – if the human being not only lives once between birth and death, but returns again and again, then what spiritual science recognizes as a necessary consequence of development, that the I does not live only once between birth and death, but returns again and again, then it is [conceivable] that spiritual science recognizes as a necessary consequence of development, that the I does not live only once in this life between birth and death, but undergoes successive embodiments.

During all these embodiments, the I works in such a way that it has worked in the distant past on the astral body, etheric body and physical body, so that the sentient soul, mind or mind soul and consciousness soul; let us continue to work so that spirit self, spirit of life and spiritual man will arise. The forces of this development permeate each other in interplay and unite in the ideals of justice and love. This work is done by the “I”. Thus, if we take the word experience in the right way, we must understand that at every moment of life – if we speak of different embodiments, in every single embodiment – the soul acts on the other members of the body in the right way, that the “I” works on every work on every single development, that it does not do too much in terms of acquiring justice and love; for the ego should never go further in relation to what is capable of judgment within it, and it cannot go further than its degree of maturity makes possible.

But what is the regulator in this relationship? What ensures that the ego does not go beyond the degree of maturity at certain stages? Do we understand what the regulator is, what ensures that the ego can at least do the right thing at each stage? What is said here can only be understood if we turn our attention to something that is becoming clearer and clearer to people through spiritual science: If we turn our attention to what man's knowledge, his insights, his ideas and concepts (to name briefly the means by which we know the world) give him, we see that these are not found in man alone, but are poured out over the whole world.

Man tries to understand the world by forming concepts and ideas about the world. Just as you cannot scoop water out of a glass that does not contain water, you cannot scoop wisdom out of a world that is not full of wisdom. Man draws wisdom out through his judgment, through his capacity for knowledge. He comprehends the plant because it is constructed in a way that is full of wisdom. He forms concepts. It is nonsense and foolish to believe that man could form a concept about the plant if the plant itself were not built according to this concept. What man draws out of the world is poured out into the world and underlies things. In the human soul, what is poured out in the rest of the world or in nature outside appears in a different form as wisdom.

If you want to visualize this, all you need to do is think about the following. It took a long time in the development of mankind for man to reach a certain stage of historical development, let us say, to produce paper. Try to imagine the sum of thoughts and work that were necessary to produce paper so that it could enter human development. One could say, if one wanted to speak grotesquely, that within the wasp world this paper was not invented thousands of years ago, but much longer before, because the wasp nest is built from the same material that we have as paper. We have real paper there. What man produces in his materials is worked out into the outer nature.

As such stages, you can realize how what man has acquired as wisdom is poured out into the world. The world is permeated by wisdom and built up of judgments. Wisdom is a rediscovery of judgments that are spread like a net over all existence in nature. Wisdom-filled furnishings are not only to be found in what human consciousness works out, what human beings shape in their souls; wisdom-filled furnishings can be found everywhere. They were already there when the human ego could not yet consciously work. And it was this wisdom-filled work that made it possible for the human ego to work on the physical body, the etheric and astral bodies, even before it was able to work consciously. But this wisdom must also be out there in life today. The human ego is not yet so far advanced that it can find the right thing all by itself, that which would correspond to a much higher power of judgment.

What I want to say becomes clear when you consider the following. Imagine a person standing before a child that he wants to educate. The child does something that it should not do. It becomes necessary for an action to take place; it can be punishment or something else. Such a thing is possible. One possibility is that the educator says that the pupil is doing something incorrectly. The educator dislikes this, and it is possible that he may become angry and that this anger may develop to a certain degree, in an impulse to a certain action. That is one possibility. The other possibility, however, is that the educator, although he has seen the injustice and felt displeasure, remains calm, feels composure and, based on mere judgment and a certain maturity of soul, does what is necessary as a punishment or otherwise in the case in question. Outwardly, the same can happen. The difference lies in the soul being filled with anger one time and with composure the other.

When we consider this difference, we will ask ourselves: Why is there anger in the one case and composure in the other? Would the person who looks at what the child is doing with anger be able to do the right thing in the case in question because of the maturity of his or her self? If you look at life, you will say to yourself that as a rule he will not be able to do the right thing. It takes a certain degree of maturity of the ego to do the right thing despite not feeling any emotion and remaining cold and calm, but still loving the matter at hand and loving what should be. A certain degree of maturity is required for this. And every person stands at a certain point in relation to this maturity. The human ego cannot always have the degree of composure that enables it to do the right thing despite not feeling any emotion. To do so, the human ego must develop to a certain level. What would the educator do if he were calm and did not feel anger? Then the educator would stand by with his composure, do nothing, and leave the matter be.

The wise order of the world ensures that the I is guided towards what is right, at least to some extent, by forces other than those to which it has not yet matured. Before the I is mature enough to act from serenity, it acts out of affect, out of anger. Here we see that in the course of development, the human ego does work on the human astral body, so that in the course of development the astral body develops in such a way that composure blossoms; but as long as the ego is not yet able to attain this maturity, it does not want to work on this composure, then the human being should be driven by something within him to do something. One such mechanism, and a very important one at that, which allows the ego to mature within the astral body and yet still drives it to enter into a certain relationship with its fellow human beings before it is mature, is anger. Just as, for example, the outer nature in its plant kingdom, in its animal kingdom, is wisely arranged, so is everything that we can call the astral nature of human beings wisely arranged. It is arranged in such a way that people enter into a relationship with each other before they can build themselves up completely on the basis of their ideals of justice and love, using their power of judgment. The forerunner of serenity is anger.

In development, it must be the case that what leads up to higher levels of development can also lead to error. If man did not now enter into error, he could not work his way to the truth. So even if anger gets out of hand, if we consider it in its full significance, we can see how it works. Take a young person in his youth, who is not yet able to develop certain ideals; but he sees this or that injustice in his environment; he comes to what one can call a noble anger. And what one can call noble anger at what he cannot approve of, that works in him to help the soul mature into working out in itself what the great ideals of life can become. Like a mother substance, the self, left to its own devices, is made mature through qualities such as anger. That the self is made mature can also be seen from other facts. Because the young man never sees his ideals realized in his environment in the case of things that he cannot yet have any concept of, he repeatedly feels the same noble anger at what displeases him. When people look into life, they can perceive that all the noble surges of anger in youth later come out as love and gentleness. He who views life in its entirety sees the transformation of youthful anger into the love and gentleness of old age.

Thus we see how love and justice, which stand before the human soul as lofty ideals, but which the ego must mature — for it takes an enormous effort to develop the system of human justice and the truth, the real of love, which is not burdened by clouded feelings, we see how justice and love, these high ideals, have set up wrath as a champion in the human social order. It is wrath's [mission] to prepare love.

This is understandable when you consider that what is supposed to become judgment in reality threatens to degenerate into extremism. If we consider the various embodiments, we can say that what a person brings with them in the way of justice and love goes back to a time when they were not yet able to recognize what the right balance should be, when they had no idea of the true feeling of love, but when what arises is anger. Like the dawn of the sun, so shines the nobility of anger, the noble anger that precedes love. In wisdom, the powers that rule the world have placed the nobility of anger in the astral body before a full consciousness of love can be developed, before love can become full justice in the soul.

In times when things were examined more closely than today, it was possible to determine what was in the soul members just by their names. If we go back to the great Greek philosopher Plato, we will find that Plato calls that which we call the consciousness soul, the reasonable soul. But what we call the intellectual or mind soul must be endowed with the ideals of justice and love, and Plato calls this the wrathful soul. What we call the sentient soul, Plato calls the desires soul.

If we turn to Aristotle, we find that he uses similar terms in a similar way; we can also see that they correspond exactly to the expressions of spiritual research. Why does Plato call the soul that precedes the consciousness soul, the wrathful soul? He calls it that because not only wrath but also all wisdom-filled institutions are written into this soul, because he found the wisdom that was poured out into the world also poured out in the human astral body, precisely as a wrathful soul.

In the case of those who have looked more deeply into the nature of the soul, we find that the essence is already indicated in the name. The person who, from the point of view of spiritual science, looks at what passes through the ages as legends and myths of the peoples, as a transmission of the peoples, makes a remarkable discovery in his soul. What might be called the “science of the green table” can answer when you ask where this or that myth comes from: “That is folk poetry.” Only someone who is unfamiliar with folk poetry can speak of folk poetry in this way. But anyone who delves deeper and shines a light into this or that saga or myth will make the remarkable discovery that it contains great wisdom. Before humanity was educated by logical judgment, by pondering and counting, as is right today, before this ability to judge led to the contemplation of truth, another, clairvoyant recognition led to it, to contemplate the truth. So the myths and legends are something quite different than they initially appear. They become an expression of profound truths.

A saga that leads us into the depths of the truth that interests us today was processed by the Greek tragedian Aeschylus in his “Prometheus Bound”. When we delve into the life of this poet, who lived two thousand years before us, we are seized by the world view that permeates his poetry, the world view that is poured out in the Greek myths, the world view of the Greek people.

I could fill the entire lectures over the winter if I wanted to tell you what there is to say about “Prometheus”. This poem ties in with the myths that the name Prometheus encompasses. You are all familiar with the Prometheus myth. Let us briefly recall it. When the Greeks looked back in time, they saw ancient generations of gods at work within our earthly nature, within our earthly and cosmic evolution. Today it is not intended to explain what is meant by this. Imagine that they are personifications of natural forces, or whatever and however you want; that is not the point today. The Greeks saw two ancient dynasties of gods: Uranus and Gaea; these ancient dynasties of heavenly gods, who brought about the first processes on our Earth, were replaced by the dynasty of Titans; the dynasty of Titans to which Cronus and Saturn belonged. Kronos was the son of Uranos. We are told that the Titans, with Kronos at their head, seized power and overthrew the old Uranos. We can assume from the outset – and this is pointed out, and it is true – that according to Greek belief, certain forms of life existed in ancient times that were subject to different rulers then than in later epochs of development. Anyone who is aware that the forms of events change over time will admire the ingenious view of Greek myth, which expresses the beginning of [earthly] development, that interplay of simple primal forces of the world, through the marriage between Uranus and Gäa, and then expresses a later epoch by saying that the Titans appear. The whole face of the earth changes, so that other forms of life, of happening and becoming are there. Thus, in the Titans, we have a second generation of gods, forces that work within the development of the earth. Why is the generation of Titans replaced by the generation whose leader is Zeus? He is, so to speak, a member of the youngest of the generations of gods. He therefore overthrew Kronos and his followers into an unknown world, a hidden world to which the Titans belong, and in which Zeus is the one who exercises world domination.

In Zeus's fight against the Titans, Prometheus, a descendant of the Titans, sided with Zeus. It was he who helped Zeus to achieve his goal. But Prometheus experiences a bitter disappointment, so to speak. He helped Zeus to achieve world domination. Within what the Greeks imagined as a succession of these three corporations of the gods: Uranus, Titans and Zeus's generation, human beings developed into various abilities, they developed into certain stages. When Zeus had taken over the rule, human beings had developed to the point where they could absorb the impressions of their surroundings into their consciousness.

If we understand this Greek myth in the right way, if we really engage with it in a spiritual-scientific way, then we find that the Greek genius, where it expresses itself mythically, takes the concept of development into account in a wonderful way. People who can see what is a few steps in front of their noses believe that as long as man and his consciousness have moved up from the animal to the human form in the sense of today's natural science, they have always been as they are today. So human consciousness is also in a state of development. It has only gradually taken on the forms it has today.

If we go back on the basis of research that is no longer accessible to external natural science, but [rather] to spiritual science, we would come to ancient stages of human consciousness where judgment and deliberation were not yet present. Instead, however, there was an image consciousness, an image consciousness that works differently, that works in such a way that when a person encounters an impression, an image arises within him. He knew directly through the images, through the impressions that the image made on his feelings, he knew in an old, dim consciousness that is preserved like an old relic, like a traditional heirloom in a dream. An old, dim, clairvoyant consciousness was there in those days. It was only into this consciousness that man first acquired the ability to conceptualize. Everything was in development; above all, human consciousness.

This is expressed in the fact that Zeus has taken power. Consciousness increasingly makes way for what is to develop into judgment and deliberation. The sure insight that was conveyed by images was lost. Man only began with the first facts of calculating and counting and considering. People were clumsy. They became dull in relation to their old consciousness. They could no longer grasp their environment. They lived in an almost inhuman way. But out of this dullness there developed more and more that which, as we have indicated, was present in the first beginnings and which worked in man in such a way that it gradually brought him to judge, brought him to posit out of his ego into the world something that was not there before. Call it power, call it essence. The Greek genius expresses it by saying: Prometheus works in human nature that sense which makes it possible for human nature to process the individual things of life into art productions by means of tools. Prometheus is the great benefactor of mankind who, in the name of love, has given humanity what it will continue to develop ever further. Zeus, that is the disappointment that Prometheus experiences, would only have developed in man what is independent of judgment, independent of calculation and deliberation, what has not led to the arts. Zeus had left man without fire.

Travelers will tell you that higher animals, for example monkeys, were spectators and saw travelers warming themselves by the fire. If the travelers leave the fire while it is still burning, they will also warm themselves; but what they do not do is to bring wood and make a fire themselves. This is closely related to the making of fire, to the foresight to bring about something that will serve one later. The foresight is interpreted in Prometheus, who is the forward thinker. The becoming is interpreted by the Greek genius in the form of Prometheus. In Zeus, we see that which is not active in the human ego, that which does not make the human being capable of judgment, but which only works in the human astral body. The Greeks focus on human nature, and they say to themselves: the threefold nature of man — whether they say it to themselves in this form or not is irrelevant — is made up of drives, desires and instincts. These must play against each other. What permeates the astral nature with wisdom was seen by the Greeks in Zeus. What penetrates the human I, what leads the I to a higher level, was seen in Prometheus.

Thus Zeus and Prometheus faced each other, like the I reflecting judgment and intellect and the astral body. Thus they fight against each other in the I, which purifies the astral body. When the Greek allows us to see the whole astral nature, he says to himself: When we look at the human being with his astral body and his I — he stands in the world, suffering pain and joy, doing good and evil; pain and joy, good and evil, are in need of balance. It causes displeasure in the human soul when good is unrewarded and without success, and evil goes unpunished or is successful in the wrong way. It is justice that brings about balance in suffering and joy, in good and evil.

But when we survey the world, says the Greek Genius, then we see that in the world, within human nature and the human astral body, justice is very limited. Man is powerless; that is how the Greek genius felt with regard to justice. Now he looks out into nature, sees and says: Development is what comes before our soul in the sunrise and sunset, in the rise and fall of the plant world; what comes before us is everything that does not comes up to the human astral body; that something is at work in it that is connected with human nature, that is connected with the whole world as something that is a far deeper justice than man in his powerlessness can realize. — He then looked up and said to himself: There must be hidden forces and powers after all, that are behind what we can see, and that have a balancing effect.

These powers are the ones that are powerful in the face of the human impotent being; they are the powers of justice, so that they prevail everywhere, that they can count on these powers that work with might and power to bring about balance and that do not succumb to human powerlessness. They are hidden, and there they must be. The Greek genius saw them and called them the Titans for the reason that they do not have human powerlessness; and Themis, the goddess of justice, belongs to the special female Titans.

Thus, before the eyes of the Greek genius, there is an all-pervasive justice in the realm of the Titans. But then it must transform itself into love. The warm feeling of love must absorb it. That is why it is not Themis who is worshiped as the figure who also penetrates into man, who leads him to the ideal of justice, to love, but the son of Themis, Prometheus. He is the one who takes hold of human beings in their very essence. While Zeus belongs to the realm that pours wisdom and balance into human knowledge on earth, insofar as the astral comes into consideration, Prometheus pours into the human I that which should bring this I ever further forward.

However, we can recognize a force in the individual human being that prevents the I from going too far in its development, a force that stands in its way. Just as anger precedes the still immature composure, the Greek genius saw the interplay of Prometheus' deed with Zeus' anger in the great cosmic context. Zeus is the one who has to watch over the human development of the self so that it does not advance too quickly. Therefore, he must create balances. Prometheus provides people with what is common to ordinary people: understanding, reason, feeling, that is, what comes from the ability to judge.

But this means that something else has emerged in human development. In the human being who has advanced from the earlier to this stage, his consciousness has narrowed. When man still had his old consciousness, the clairvoyant one, man saw through his image consciousness into his spiritual, at least into his soul world. This is connected with a conscious appearance of image forms, so that man can see into a soul world that is hidden from the mind and sense consciousness. Thus a world withdrew from human consciousness. The gaze was tied down on earth, while at the same time advancing to a higher level. What man had implanted as his ideals of justice and love had to pay the price of being banished to the outer sensual world, to earth.

This was the counteraction of the astral. As man developed his ego further, the astral worked like a counterblow. Whereas man could formerly see into the world of the soul, this counterblow obscured the view into the world of the soul, and the view remained limited to the outer physical world. He was chained to the world of the earth. What was in Prometheus chained him to the earth. And so Prometheus was chained to the earth in human nature through what works as a counterbalance in the astral nature in the realm of Zeus, through the wrath of Zeus, forged to the earth. He had developed a higher ability. But it was darkened by the wrath of Zeus.

There are all possible degrees between the brightness of consciousness that a person has during the day and the darkness during sleep. What occurs in affect is, to a certain degree, its darkness. And the cosmic degree of darkness was that human consciousness was chained to the physical world. The consciousness that should have looked into the spiritual world was paralyzed. This paralysis was the chaining of Prometheus to the rock.

The forward-looking in Greek human nature is precisely depicted in the myth in the Prometheus myth. And the Greek tragedian presents this in such a powerful way in the “Prometheus Bound”. If you let the nerve of this wonderful drama take effect on you, then you will see what confronts you in it; what you encounter is something of which one can say: it stands in the world like an old heirloom from earlier times. Certainly, man has developed in a certain way, but all development does not proceed in a straight line. There are always heirlooms from old developments; they do not fit into later times; they seem out of place. Imagine a being with the old image consciousness in our time – it is an impossible being; it cannot possibly find its way in today's world. It is not for nothing that the human soul's powers change. They change so that they are adapted to human conditions on earth.

The image consciousness is adapted to the earlier earth conditions. The mind consciousness corresponds to the present time. The artist presents this to us in the form of Io. She represents a being that has emerged from the level of consciousness of the ancients. What will become of this [image consciousness when it occurs in our time]? Madness! What is the image of the earlier time supposed to say? It may be that one also has the ability to say it, but these abilities are not good. They produce error and deception for the soul.

The Greek genius represents such an awareness, which has remained like an old heirloom, so that error and deception and illusion arise, by seeing the hundred-eyed Argus. Images confront her. But these are deceptions, illusions, that is illusion. Even if this consciousness, when it has seized the human soul abilities, when this consciousness would also fall into madness, one must not believe that it will not have a meaning. That which the developed consciousness has grasped has only grasped one part of the human being, the brain, and has made it its organ.

But the Io is still working on people today. This is human future development, that all the forces that can be there will appear in later times in new forms, like the Io with its consciousness in ancient times. So she is a madwoman. But how she will be when that in human nature which the subconscious works on connects with what is higher human nature, then human judgment will be conscious; the Prometheus in human nature will be redeemed. The Greek sets this whole thing in the past, and in a way it also refers to past events. Just as he was able to extract the meaning of each individual move of the drama from this train of Prometheus bound with Io, he could also extract it from the drama.

I could only hint at where the drama's nerve lies. I could show how the playwright's mind was filled with what is in human nature and how it interacts. That is why Aeschylus was able to show how anger arises from the astral body when the ego is bound in the cosmos, so that it can mature and develop the abilities that are appropriate to it, as it were, projected out of the cosmos into inner human nature. Through this powerful drama, we will see how anger has the mission of being a harbinger of love. In a certain respect, this is also what connects us with the noble word truth, which is related to human nature in a different way to anger.

We will see how Goethe has incorporated into his “Pandora” what he himself felt in his deepest soul about these riddles of life. But because humanity today is so far removed from spiritual science, from that which lives in the soul of a poet, the poems like “Pandora” were not understood. This was already the case in Goethe's time. That is why Goethe felt lonely at the height of his life. In this loneliness, he also felt many dangers – as people still say today: In his youth, Goethe still wrote understandably, but in his old age he came down and wrote [unintelligible]. – In contrast to this, Goethe once broke out in words that you will find spoken in his works: “There they praise my Faust and what else is in my works... and there the old rag-tag believes it is no longer.” That is how he felt about the misunderstood spiritual world. Especially when you are looking at the human soul and want to understand it practically, then you have to start from spiritual science. You have to be able to observe the interplay of forces and the meaning of the individual forces, as spiritual science presents them to us. Then we can look into the deep abysses of the soul in such a way that we can apply it practically. Only then do we understand as different fruits that which speaks to us spiritually from this point of view [through] Aeschylus in his drama [of] Zeus towards Prometheus, whom we will only understand when we understand what the mission of anger is in the astral body for the development of the I into the ability to love. The veil that we must lift if we want to penetrate to our satisfaction and to the right practical life is lifted so that we can say: Certainly, when we look at the soul in a spiritual scientific way, we feel how deep the fundamental tone is, and we also feel that we are on the way to penetrating into this ground. Spiritual science will first advise us to strive for the right thing little by little in order to penetrate the ideals and insights of the soul life that are to be attained; it will show us how to make the words of the ancient sage from the fifth and sixth century, whom we can remember when we explore the depths of the soul to find the boundaries of the soul, understandable in a new way, starting from these ideals. It will be difficult if we also travel a distance, because the soul's ground is infinitely deep.

My dear guests!

I must ask you to excuse me for speaking in German and not in Dutch; however, I will have to show you a number of photographs to illustrate today's lecture, and they will not be in German, but international.

The anthroposophically oriented spiritual movement from Dornach has been working on this for the last twenty years or so. In the early years, however, the Anthroposophical Society was a member of the general Theosophical Society, but I never put forward anything other than what I currently represent. And when, after this anthroposophy had been tolerated for a while within the Theosophical Society, it was then found to be too heretical and was to a certain extent expelled, the Anthroposophical Society was founded as an independent society.

The anthroposophical movement definitely wants to reckon with the scientific attitude of the contemporary civilized world, it does not want to be anything sectarian or the like, but it wants to have a serious stimulating effect on the various sciences of our time, on the religious consciousness and also on the artistic and social life of the present.

By around 1909, the anthroposophical movement had grown to such an extent within Central Europe that it was impossible for it to work without its own building, and so a number of long-standing members came up with the idea of erecting their own building for anthroposophy. And when I was approached with the intention of erecting such a building, a very specific impulse immediately arose from the nature of anthroposophical work. Otherwise, if one had been forced by some spiritual movement to construct a building of one's own, one would have gone to some master builder and had him construct a Renaissance building or a Gothic building or a Greek building or something similar.

It would have been impossible for anthroposophically oriented spiritual science to proceed in such an outward manner. For this is not something that merely seeks to spread a theoretical culture, but anthroposophically oriented spiritual science emerges from the source of the full human being. I have taken the liberty of explaining how it emerges from this source of full humanity in the two previous lectures here in this hall. But because this is so, because anthroposophy is not merely a one-sided theoretical science, but because it is something for the whole of human life in all its forms of activity, this anthroposophical movement also had to create its own architectural style out of its sources at the moment when it was faced with the necessity of erecting its own building. And we have succeeded in creating such a building. It is not yet finished, but it is already finished to such an extent that courses were held in it last fall and will be held again at Easter. We have succeeded in erecting such a building on the Dornach Hill near Basel in Switzerland.

I said that the style of this Goetheanum, the attempt at a new style of building, was also formed from the same sources from which spiritual science was born, naturally with all the dangers, with all the shortcomings with which such a first attempt at a new style must be associated. Anthroposophy really emerges from the sources of being, not from thoughts or mere experimental and intellectually extended investigations, from the sources of existence itself. Therefore, in all its work, it must connect itself with the creative forces that are active in nature itself, for example, because the ultimate creative forces in nature are, as I have explained in the previous lectures, themselves of a spiritual nature.

I may perhaps use a comparison. Take a nut. It has a nut kernel; this nut kernel is formed in a lawful way. But there is also the nutshell; it could not be otherwise as it is, since the nut is as it is. The same force that shapes the nut kernel also shapes the nutshell in a unique way. Just as the nut kernel is shaped by natural law, so is the nutshell.

In Dornach, anthroposophical spiritual science is taught from the podium. The results of anthroposophical spiritual science are explored. Artistic representations are offered which are an outward expression - artistic, not symbolic or straw allegorical, but artistic - of that of which spiritual science itself is the expression. Therefore, around all this, around the kernel, so to speak, the shell must also be formed, which is [formed] precisely out of the same laws.

Therefore, an architecture has been cultivated in Dornach that is [designed] from the same sense, from the same spirit as anthroposophical spiritual science itself. Sculpture is done there out of exactly the same spirit, painting out of the same spirit. When someone stands on the podium and speaks in ideas, it is just another form of expression of what the pillars speak, what the paintings on the walls speak, what the sculptures speak. Everything is, if I may put it this way, cast from a single mold.

People are so afraid that nothing artistic would be created in this way, but only something symbolic or allegorical. Well, ladies and gentlemen, in Dornach there is not a single symbol, not a single allegory, but everything is attempted to be given in artistic form. The aim is not to somehow embody the ideas that are presented through images, that would be inartistic. Rather, the one spiritual life that underlies it can be shaped artistically at one time, and at another time it can be shaped ideally, in thought, scientifically. Art in Dornach is not a didactic expression of a science, for example, but it is one representation, and science is the other representation of the same great spiritual unknown from which anthroposophical spiritual science draws everything it wants to give humanity.

The entire external design of the Dornach building had to be accordingly. Anyone who looks at this Dornach building will see a double-domed structure, with two circular cylinders standing side by side, but interlocking, and two hemispherical domes above them, which are joined together in the circular segment by a somewhat difficult mechanical construction. Since in Dornach what can be researched through spiritual science is to be brought to the world, this must be reflected in the building itself. The small domed building is a kind of stage in which mystery plays and the like are performed. Eurythmy is also performed, but many other things are planned. The podium for the speaker is located between the small and large domed rooms. The large dome room is the auditorium or audience room for almost a thousand people. This double-domed building expresses the fact that anthroposophical spiritual science has something to say to the world of the present and the future in spiritual, general human and social terms, which I took the liberty of discussing in the two previous lectures.

If you approach the building from the west [and] come towards the main portal, which is oriented to the west, you will first see the following view (Fig. 5). The bottom of the building is made of concrete; at the top is a terrace that leads around the building in a stylized curve. This wooden structure stands on this concrete foundation. The domes are covered with that wonderful Nordic slate that is found in the slate quarries that can be seen on the journey from Kristiania to Bergen, from the Vossian slate quarries. This slate fits in wonderfully with the main idea of Dornach. Concrete and wood are both processed in such a way that an architectural style emerges which can be characterized as the transformation of the existing geometric, symmetrical, mechanical, static, dynamic architectural styles into an organic architectural style. Not as if any organic form had been imitated in the architectural forms of Dornach, that is not the case, but rather I tried, in the sense of Goethe's theory of metamorphosis, to become completely integrated into the natural creation of organic forms and to obtain organic forms which, by metamorphosing them, could then form a whole in the Dornach building; organic forms which are such that each individual form must be in the place where it is.

Imagine the nature of organic forms. Think of something seemingly quite insignificant in the organic form of the human organism: an earlobe. You will have to say to yourself: This earlobe, in the place where it is, could not be otherwise, as it is, if the whole organism is as it has just revealed itself. The smallest and the largest thing in an organic context has its very specific form at its place in the organism. This has been carried over into the building concept of Dornach.

I know very well how much can be objected to this organic principle of building from the point of view of the old architectural styles. But this organic building style was once coined in the Dornach building concept. It may be rejected from the old point of view, but after all, everything new was rejected from the old point of view. In any case, however, if one can make friends with the transformation of static-dynamic, geometric building forms into organic ones, then one will find that all transitions from one organic form to another - not organic [natural] forms, for nothing is naturalistically imitated - [can be experienced] with the same inner regularity as, say, the plant leaf that is at the bottom of the stem, metamorphoses when it appears further up the stem, always [is] the same form, but alternating with the greatest variety.

So in Dornach you will find certain organic forms carried into the building concept everywhere, as they are carved out of the wood here, as they appear here on the entrance pillars as capitals. Here on the side windows (Fig. 4, 12) you can see the same motif, on the windows of the side wing (Fig. 13) too, apparently no longer similar, but nevertheless the same metamorphosed, just as the motif of the green leaf reappears in the flower petal.

If you look at the building from the inside and the outside, you can get the impression: If any motif is near the gate, it is worked differently, so that you can see that the motif has less to bear against the gate, while it has to brace itself against the whole weight of the building. All of this, as it is taken into account in nature in the formation of the bones and muscle shapes, is definitely carried out in Dornach's building concept. Take a look at the bone form within the formation of the knee, it is designed in a wonderfully natural and ingenious way so that certain bones, which form the foundation bones, carry what lies on them. They are expanded and retracted in the right place. Feeling one's way into the forms of organic formation, of carrying, of weight, that was necessary in order to build Dornach.

Here (Fig. 5) you enter. Here is a room to put down your clothes, here is a staircase inside, through which you walk up. You can walk around this terrace and at the same time have a distant view over the countryside, the Swiss Jura.

The same picture, slightly shifted and closer (Fig. 6).

Here (Fig. 7) you can see the building as it presents itself to you from the southwest. Here the gallery, below the concrete building.

The building as you see it when you approach it from the north (Fig. 1), so that you have the large dome in front of you, [here] the small dome. Here the two domes are joined together.

From a point in the north, the building (Fig. 2). Here you can see a strange structure. This is the one that is most criticized. It is the building that stands near the building. I started by looking at the lighting and heating machines as if they were the kernel of a nut, and constructing a shell over it out of concrete, which is extremely difficult to work with artistically. Those who still criticize this building today don't consider what would be standing there if no effort had been made to create something artistic out of the artistically brittle concrete material: there would be a red chimney. I would like to ask people whether that would be more beautiful than what is certainly a first attempt to stylize something out of concrete, which has some shortcomings, but is nevertheless a first attempt to create something artistic in these things.

Here (Fig. 3) the building seen from the northeast. Here is a house that was already standing when we were given the building plot. A house that we very much hope we will be able to buy one day. You can imagine for what purpose we would like to acquire it; of course it disturbs the whole aspect of the building.

Here is the interlocking of the domes (Fig. 17). Here the main wing, here the main entrance (Fig. 10).

Here is the studio where the stained glass windows were made (Fig. 103). It was listed as a studio for grinding the stained glass windows.

Behind it is the boiler house again (Figs. 106, 107). In a neighboring village, Arlesheim, there is a particularly tastelessly built church. I have nothing to say against it, but it is honestly tasteless. Nevertheless, the Swiss Association for the Beautification of Swiss Buildings has managed to say that this [our] building disfigures this part of Switzerland: just take a look at the beautiful church in Arlesheim.

The ground plan (Fig. 20). Main entrance, organ room, auditorium. Here is the lectern. The stage area. Here are the two side wings with the individual rooms for the performing actors and other artists. Here you can see seven columns on both sides. Here in the curve six columns. These seven pillars are not formed out of some mystical urge in the number seven, but purely out of artistic feeling. Just as the violin has four strings, so the artistic feeling here has resulted from inner reasons that a certain artistic development and in turn an artistic conclusion can be achieved by developing just seven motifs. With these pillars, the risk was taken not to design the capital and architrave motifs as repetitions, but in a lively development. When you enter from the west portal, you come across the first two columns. However, they are symmetrical. But if you move on from the first to the second column, the capital of the second column, the base, the architrave above the second column is designed in a way that must be organic. It is designed in such a way that one had to live into the creation and creation of the forces of nature if one wanted to artistically shape the second pillar motif out of the first, the third again out of the second and so on, until a certain conclusion was reached in the seventh pillar motif.

Many visitors come to Dornach and ask: What does the individual chapter mean? You can't ask that at all about art. The essential thing is that one pillar emerges artistically and formally from the other pillar. Whereas in the static architectural style we are actually only dealing with symmetry, with repetitions of the same motif, here we are dealing with a living evolution from the first to the seventh column. I will show the columns later, then you can see this.

Section through the building (Fig. 21).

Original model, cut vertically in the middle (Fig. 22). I originally had to work out the whole building as a model, so that even the building plan, ground plan and elevation, as they were based on, were formed according to this model. This whole model is precisely the embodiment of the Dornach building concept, is conceived in the same way as spiritual science itself is conceived, is to a certain extent another expression for that for which the one expression is spiritual science itself.

Right next to the main entrance, the main portal in the west (Fig. 15). The pictures were taken at a time when construction was still in full swing.

A little further on from the main entrance (Fig. 12). Here the part containing the stairs to go up. Here is a house nearby. This house was built in a very special way. After all, we built the entire structure through the understanding of our anthroposophical friends. The fact that the Dornach hill was used to build this house is explained by the fact that a friend in Basel, near Basel, bought this building plot a long time ago to build a summer house for himself; he then gave us this plot as a gift. We were then able to build there. The friend also wanted to have his house here. And that's when I was given the task - various conditions made it necessary - to stylize a house, a family home with fifteen rooms, out of concrete material. It was a bit of a gamble. There are certainly still flaws in this house, which is formed out of the artistic nature of the brittle concrete material. But such things have to be done for the first time.

A side wing (Fig. 17). These two side wings are inserted like a crossbeam. Here the main motif is again metamorphosed. Everywhere the same and yet again something different, one could say, is contained in the building forms.

Front façade of a side wing (Fig. 14). Here again the motif that is at the main entrance, very widened, designed with rich material, here once more sparingly designed in the same metamorphosis. A certain law of symmetry is observed everywhere, but this is combined with asymmetry. This asymmetry gives the building an artistically pleasing effect and great variety.

Taken somewhat larger, the motif of the façade of one such side wing (Fig. 11).

We enter through the concrete entrance in the west, imagine (Fig. 23). Then we first come to the stairs leading up here. This would be the room where you put your clothes. Then you go to the front, here you enter the auditorium. Here I have dared to make the column shape organic.

[Then] for example this shape here (Fig. 24): There are three motifs standing perpendicular to each other. How did this form come about? Not through any kind of philosophizing, but purely out of feeling. You can say to yourself: anyone who has first entered through the main portal and then wants to come into the auditorium must be able to move in a certain way towards the thought and feeling of what he wants to hear in Dornach from an anthroposophically oriented spiritual view: Here you may enter for the security of your soul, to gain a firm foothold within yourself. Here you may enter in such a way that no illusions of life shall beguile you; that no kind of wavering shall come over you. This has been sensitively expressed here in this motif.

Then you see here a pillar supporting the staircase (Fig. 25). The staircase motif itself is designed in such a way that it is organically braced against the building, in this case against the exit. Here it is carried by a column that does not imitate organic motifs in a naturalistic way, but is just as organically shaped as the forms of living creatures in nature are shaped by the creative forces of nature. How this pillar stands up, how it supports something on one side, where the load to be carried is lighter, how it braces itself against this side, where the main load of the building lies, is expressed in the smallest things in the same way as the earlobe shape expresses the affiliation to the whole human organism. Every form in Dornach must be perceived as a necessity in its place.

Here (Fig. 26) is a motif that I have executed in the various metamorphoses. Here it is made of concrete, in the upper section of wood. It's a front piece for a radiator. As I said, in Dornach the individual forms emerge from each other in a metamorphic way, and there are no abstract forms that are merely appropriate to the underground art, but everything is realized in a strictly organic artistic way.

Here (Fig. 27) you can see the room that you enter when you climb the staircase that has just been built. This is a wooden building. Here is a pillar supporting the ceiling. Everything that immediately follows in the interior is handcrafted by a large number of our friends. It must be emphasized again and again that a large number of friends have gathered in Dornach over many years, all of whom have worked out these individual sculptural forms, which were given to them in the model, by hand. In a sense, the entire wooden structure is the handiwork of the anthroposophical friends. And that is something that could have been exemplary at the same time for the loving cooperation of a group of people.

If you now enter and look backwards in the auditorium, you can see the organ loft here. This is the model (Fig. 30). The idea is not to place the organ in a cavity, but to take the organ and shape the architecture accordingly. Additional motifs were then added during the elaboration.

Here is the interior (Fig. 29). When you enter the interior, you can see the organ porch where the singers stand. Here are the first three columns. I will explain the picture of the column formation in a moment. Above the columns are the architraves, which also show progressive motifs.

Here is the organ loft (Fig. 28).

Here is the space above the organ, sculpted out of wood (Fig. 33). Please take a look at the chapter. It is composed of simple forms. We will make the transition to the next and next capital and architrave forms. You don't have to think about how one capital emerges from another, but it is simply perceived like a leaf on the stem of a plant from which others now emerge metamorphically. Thus the next motifs here are always formed quite sensitively from the previous ones.

Here you have the simple capital motif of the first column (fig. 34).

The first column and the second column (Fig. 35). If you think of the simple motif from top to bottom, from bottom to top, you can imagine how it grows. The drops from above grow into this form, and from below the forms grow to meet them in more complicated shapes. It is the same with the architrave motifs.

Second column motif (fig. 36): already more complicated.

Second and third columns together (fig. 37): Again organically metamorphosed, the third column is obtained from the second column.

The third column on its own (Fig. 38).

Third and fourth pillars together (Fig. 39). What is still simple here has become more complicated. You make very special discoveries in the process. I simply let one motif emerge from the other according to artistic feeling. In doing so, I realized that it is only through this artistic approach that one can really understand the essence of evolution in nature. One usually imagines that the first forms in a developmental process are the simpler ones, which then become more and more complicated. This is not the case. If you work artistically, allowing one to emerge from the other, then you end up shaping the simpler into the more complicated, but when the complication has reached a certain level, things become more harmonious, but simpler again. This is how evolution works: from the simple to the complicated and then back to simplification. This discovery is surprising at first. You create something like this from the purely artistic and then find that it actually corresponds fully to the artistic creation of nature.

Consider the human eye: it is the most perfect, but not the most complicated. Certain organs of lower beings, the fan in the eye, the xiphoid process, are absorbed by the human eye. You come to that by yourself if you shape purely artistically.

Something very strange also happened to me. I said I had to form seven pillars, really not out of any mystical inclination. The seventh pillar turned out to be the end; you couldn't go any further, the motifs had been fulfilled. But later I discovered that if I took the convex shape of the seventh pillar and reshaped it a little artistically, it went straight into the concave, hollowed-out shape of the first pillar. I wasn't looking for that. It was the same with the sixth and second pillars, and also with the third and fifth pillars. I discovered that the capitals and the pedestal figures were something that emerged naturally from the work in the sense of an evolution. This is not something I was looking for. Even in nature itself, such surprising formal relationships arise. When you create artistically, you get these things that confront you from the individual forms, and you come to a deep respect for the mysterious working and weaving firstly in nature, but secondly in the world of forms itself, which you can penetrate imaginatively and artistically and by looking at it.

A column on its own has become relatively complicated (fig. 42). But you will see that by thinking of this motif in such a way that it grows from top to bottom, from bottom to top, something emerges that I did not aim for; but when people look at it, they will say: He has formed the staff of Mercury. I didn't want to form that, but it came out like that.

It spreads out, grows, thus creating this complicated motif (fig. 41), then the motifs become simpler.

Here you can see this motif (Fig. 43). Now I couldn't go any further in the complication. By thinking of it as growing and perceiving it as growing, I created this simpler motif.

The last two columns with their architraves above them (fig. 45). The column directly in front of the stage entrance (fig. 46).

In this way, you can see how the individual capitals came about, how the entire column motifs developed artistically in their evolution.

Here we are in front of a plinth (Fig. 48). I wanted to show these pedestals in turn, one after the other, how they develop apart in the same way as the capitals.

All pedestals (figs. 48-54). First becoming more complicated, then simpler again.

Here you can see from the auditorium into the stage area (Fig. 57). Here you can see the painted interior of the stage dome. Here the architrave above the columns of the auditorium. Here the auditorium closes off the stage area. Still in progress is the gap that connects the auditorium with the stage area (Fig. 56).

Another view from the auditorium, whose last columns you can see, into the stage area (Fig. 55). Here the painted stage dome. With regard to the painting of the two domes, however, I cannot give you such pictures, or rather I cannot give you pictures that speak as clearly as I can about the other. For with regard to the painting of the Dornach building, what I once described as the essence of modern painting has been very seriously striven for and followed, at least in the small dome room. Everything that is created in painting must be extracted from color.

The world of color is a world unto itself. The person who immerses himself in the world of color learns to recognize the creativity of each individual color; he learns to recognize the creativity that lies in the harmony of colors. Those who know how red affects human perception, how red speaks from within, those who know that blue has a formative, creative effect, come to shape the painterly world out of the colors

This is roughly what they tried to create when painting the small domed room in Dornach. The essential thing is always, if I may put it this way, the spot of color in a certain place. Although the figurative is born out of color, everything is originally conceived out of color. Light, dark and colors are actually the only things that are justified when you depict something painterly with the help of the surface; drawing is actually a mendacity. Take the horizon line: the blue sky above, the greenish sea below. If you paint it like this, then the horizon emerges by itself as the creature of the color encounter. And so it is with all lines in real painting. In painting, form is the work of color. This is what was attempted in Dornach.

There (Fig. 64) you first see what is under the dome, the architrave motif, directly above the group that is to be placed in the east of the building as the sculptural center of this building, so to speak. A motif from the small domed room (Fig. 66). I ask that these motifs be judged in the same way as those of the large domed room, except that six columns are intended on both sides; thus the whole shapes and designs are “ben other.

A capital motif of the small domed room (fig. 58-63).

The first thing in the painting of the small domed room when you enter it (Fig. 73). Of course, you will only get a real sense of what I can show you now when you feel this [photographic] reproduction in its defects, when you say to yourself: What is this actually? There should be color! Of course it is also color, everything is taken out of the color.

Here is a child flying towards a kind of fist figure (fig. 69). The child is red-yellow, the fist figure in blue.

Here fist (fig. 70), [here] the child (fig. 69). This fist figure roughly represents the civilization of the fifteenth, sixteenth century, in which we are actually all still immersed. However, that which takes shape from that civilization in external theoretical science is basically only a surface. The person who lives into the world view that has emerged through the newer natural sciences with his whole human being feels death strongly on the one side and budding, germinating life on the other. These two polar opposites confront us precisely from the present-day view of nature. Just take the following: The way we describe nature, we use terms that are basically taken from the dead, the mineral. Our natural scientists see an ideal in thinking of plant and animal life along the lines of the mineral, perhaps even being able to work experimentally in this direction. The idea of death is very strong (Fig. 71). On the other hand, if we delve into our self-consciousness, there is that life which is polar opposite to death, which we feel in particular when we allow the life of a child to affect us uninfluenced by knowledge. It is entirely in keeping with the feeling that a fist figure appears here, painted out of the blue.

[Here] the only word you will find in the entire structure: ICH (Fig. 72).

It is at this time, when this fist figure enters modern civilization, that we first really get to know the ego as the abstract content of self-consciousness. As you know, older languages still have the I in the verb. In this age, the ego is peeled out, set apart, when at the same time this culture appears, the political contrasts of which I have just described. This is the first motif that confronts us in the painting of the small dome.

Here Faust (fig. 70), here Death (fig. 71) as the contrast to the child. It is precisely the most modern cognitive and spiritual life that is to emerge in this motif, but out of the color, out of the yellow-reddish tone of the child, the blue tone of Faust, the brownish-blackish tone of this skeleton.

An angel-like figure above Faust (fig. 74). In a sense, everywhere below is a figure representing the more human, above it a spirit figure, the inspirer, the inspiring figure.

Here (fig. 75) is an image born out of the sensibility of Greek culture, i.e. more in the past. The fist figure was conceived out of modern culture, which we are still part of. Here is a kind of Pallas Athena figure, perceived from Greek culture, with the inspiring figure above it (Fig. 76).

Also such an inspiring, spirit-like figure (fig. 77).

Here (fig. 78) going further back an initiate of the Egyptian culture, above him the inspiring figure, so that everything worked out of the color is really intended here as figurative, which even represents the successive cultures and their evolution.

Here again two figures (fig. 79), and below them the figure that I will show you in larger size later. This is a kind of man of more recent times, a man of the present Central European culture. That which is ambivalent in this man of the present is expressed in his inspiration, which is above him. Here is a Luciferian figure. In this Luciferic figure there is to live all that which lives in that human nature, that through which man wants to go beyond himself, through which he falls into the rapturous, mystical, theosophical. The other, the Ahrimanic, through which he falls into the philistine, the intellectual-materialistic. These two opposites are in every human being today. Man seeks a balance between this duality. Everything in him that leads pathologically to fever, to pleurisy, is in this Luciferic form; everything that leads to sclerosis, to calcification, is in this Ahrimanic form.

Here (Fig. 81) you see one thing, in a sense the human being with those forces that age him, drive him towards sclerosis, drive him mentally towards intellectuality, towards materialism. Man would be like this, despite the fact that no one desires it so much, so Mephistopheleanahrimanic, if he had no heart, if he were merely a man of intellect. He is in all of us, but we also have a heart.

This (Fig. 80) is the one who represents us if we only had a heart and no mind. The Luciferic figure: rapturous, mystical, theosophical, everything that wants to go beyond the human being. Here is the human being who, with the help of these two again polar, contour-like opposing effects, really feels duality and can only bear it if the child is placed by his side. The man of the present in his ambivalent nature. Here (fig. 82) still somewhat larger, the same man who feels conflict within himself.

Here (figs. 83, 84) we come somewhat closer to the center. Here two figures, one painted more light, the other more dark. I have always taken the view that the Russian people's soul contains the man of the future. Today, only in the East is everything distorted. Today, through Lenin and Trotsky, the East is working towards the death of culture, towards the most terrible destruction. For all that which is at work in the East as forces of decline in the most terrible way can only lead to the destruction of all culture. But that is not what corresponds to the Russian national soul. And if nothing else would bring down Lenin and Trotsky, the Russian people's soul would one day bring them down. But the Russian people's soul is such that every Russian has his own shadow next to him. There is not only the ambivalent man as in Central Europe, who carries Lucifer and Ahriman within him, the enthusiastic and the materialistic, there is a man who has a second man beside him. This shadow must first be absorbed by the man of the future, but then he will also become the man of the future.

Here (Fig. 83) the inspiring angel, above it a centaur figure. When the man of the future will have attained his maturity, this figure will be that which may be put forward as the actual inspirer next to the angelic figure; today he is still centaur-like.

Here (Fig. 84) this centaur figure, the starry sky in between, so rightly sensing that evolution in the spirit which hovers between the angelic and the animal. Man stands, as it were, between the animal, which has assumed a human form in its passions and instincts, and the angelic, in which the ahrimanic is transformed into the spiritual and thereby receives its cosmic justification.

Here (fig. 85) from the other side, symmetrically situated, the angel, the centaur figure, carved out of the yellow.

Here you can see what is painted in the middle: a kind of representative of humanity (fig. 86). Anyone who sees this representative of humanity may feel as if it were an embodiment of the figure of Christ. This Christ figure in the middle is shaped as I had to place it according to my supersensible view of the Christ figure, which I believed, as this being really lived in Palestine at the beginning of our era. The traditional figure of Christ with the beard was only invented in the fifth or sixth century. Today we have to go back through spiritual scientific research to the time when Christ lived in Palestine in order to be able to discover his form through extrasensory vision. I make no claim to be believed authoritatively that this is the true figure of Christ, but I see it this way and I hold from the depths of my being that this is the figure of Christ. Below it, carved into a rock, is the figure of Ahriman. From the right arm of the

The figure of Christ emanates lightning bolts that snake around the ahrimanic figure. The Ahrimanic figure is everything that man would be if he had only reason, only intellect, only a materialistic attitude, not a heart. Above it is the figure of Lucifer, carved out of the red, all that which in man tends to rapture, to fantasy, to one-sided theosophy, to mysticism.

Here (Fig. 87) you see this figure of Lucifer, the face painted entirely out of the red, above the figure of Christ.

The Ahrimanic figure (fig. 88), the countenance - the wings are bat-like in the Ahrimanic figure - bound by the lightning bolts emanating from the hand of Christ. Of course, it all depends on how you perceive it from the color.

Here is the head of the Christ figure (fig. 90). This is what is painted into the dome at the very east end of the small dome room. Below this painting - Christ, Lucifer, Ahriman - is a nine and a half meter high wooden group (Fig. 93); again in the middle is the representative of humanity, who can be perceived as Christ. Twice above it is the Lucifer motif, twice below it the Ahriman motif. And then out of the rock an elemental being, which looks at the Christ in the midst of Lucifer and Ahriman like a natural being.

Here (fig. 91) the first model of the Christ figure in profile, as I made it in order to base the wooden group, the sculpture on it.

En face the first model; it is somewhat defective (fig. 92). A model of the Ahriman figure (Fig. 99). A Lucifer figure (Fig. 101), at the side of the wooden figure in the middle.

Another Lucifer (Fig. 98). Above it, carved out of the rock, an elemental being bending its head, as it were, and looking at Christ in union with Lucifer and Ahriman. I have dared to form a face quite asymmetrically, so that it is carved out of the composition. This is usually done in such a way that the composition is made up of the individual figures. Here in the wooden group, the individual figure is always created from the meaning and spirit of the whole composition, hence this asymmetry. It is a completely asymmetrical face, but it has to be like this at the point in the composition where it is in the group.

Here you have the heating and lighting house (Fig. 106) standing on its own, the rear front completely adapted to the machines that are inside. The whole thing is only finished when the smoke comes out of the top. Then these extensions will also be perceived as justified. Artistically, one creates from the form and cannot give an abstract explanation as to why it is this way or that. Some people think they are leaves, others think they are ears. That's not the point, it's the form that matters, which adapts on the one hand to growing out of the boiler house and on the other hand to what happens in the boiler house.

The glass house in which the glass windows have been cut (Fig. 103). These windows are located in the auditorium. They are cut out of monochrome glass panes, i.e. glass panes tinted with a single color. They have a certain history: We had first ordered glass panes from a factory near Paris in the spring of 1914, but the shipment was so delayed that it simply disappeared on the battlefield; we never saw anything of it. We had to buy the panes a second time.

The idea is that the motif is now cut out of the single-colored glass pane using special machines. The pane is then inserted and the work of art is created in the sunlight that passes through. This is connected with the whole idea of building in Dornach. In buildings everywhere else, you have to deal with walls that close off the room. In Dornach you have walls that don't evoke the idea at all: You are closed off. Everything I have now shown you is actually designed to make the walls artistically transparent. The viewer or listener has the feeling in the building that the wall is transparent, artistically transparent through its form, and that he is in contact with the whole wide universe. This is expressed artistically and physically through these glass windows, which are actually only a kind of score, as they are worked out as glass etchings. They become works of art when the sunlight shines through them. In other words, what is inside the building expands into the outer, sunlit nature. The glass cutting had to be done in this studio, which now serves as the building office.

The door to the glass house (Fig. 104). Not even philistine door handles, but completely new door handles (Fig. 105).

[Now] a small sample of the stained glass windows. All kinds of motifs cut out of the single-colored glass pane, but they only make sense to enjoy when you are standing in front of them.

Here (Fig. 112) a pair of people, the feelings of this pair of people carried out in what is around them.

Another window motif, scratched out of the glass (fig. 110). The glasses are not all of the same color, but one color is always followed by another. So that when you enter the building, you can see the different colors from the various windows. The whole room is then illuminated with a symphony of colors, which is artistically perceived as being composed of the most diverse colors. Now, ladies and gentlemen, I have taken the liberty of presenting to you the architectural concept of Dornach in the eighty pictures I have shown you. I have also taken the liberty of explaining to you how this Dornach building concept aims to replace merely static, geometric, symmetrical building with organic building. This had to happen because this spiritual science, as I have represented it here in my lectures, is not merely a one-sided science, but full of life; because it wants to draw fully from the source of world and human life. Therefore, it is not merely a phrase when it is said that religion, art and science and social life should be united with one another, but that the building in its new architectural style simply had to express the same thing out of the whole essence of this spiritual science that is expressed in the spiritual science itself through thoughts or laws.

My esteemed audience, through the willingness of a large number of understanding friends to make sacrifices, we have brought the building so far that last fall we were able to have about thirty experts, people of practice, hold courses in this building, and shorter courses are to be held again at Easter. However, the building is not yet finished. We can only express the hope that we will be able to complete this building, from which a spiritual-scientific movement, which will also bring the social liberation that is necessary for the people of the present and the near future, will emanate. For this, however, it will be particularly necessary to have the international understanding that I described yesterday as the basis for a world school association that works towards the liberation of spiritual life as one member of the tripartite social organism. It will be necessary for this spiritual life to be promoted and supported by the World School Association in an international way.

With regard to the building of Dornach, I know very well what can be objected to from older points of view, from old architectural styles. But if we never dared to do anything new, the development of humanity could not progress. And the impulse to move forward has to do above all with that which wants to emanate from Dornach as anthroposophically oriented spiritual science. Forward in the development of humanity, according to the goals that I indicated yesterday at the end of the lecture.

We know, in that we have also formed this outer shell of anthroposophical spiritual science in the building of Dornach, the Goetheanum, what all can be criticized about this building, what all can be objected to it. We have only one justification for ourselves, which is ultimately decisive for everything new: we must dare to try this new thing. And we always remember what is true: that what is justified will work its way through against all resistance if it is justified. If it is not justified, it will be eliminated and will do little harm to humanity. In the face of all opposition, it will become clear whether the building idea of Dornach is justified as an outer shell for anthroposophically oriented spiritual science. We can only say: we think it is justified, and that is why we dared to do it!

My dear Friends,

I would like today to centre our study around a scene from a play of Hamerling's that can serve to illustrate many things that I have been explaining. A course of lectures on a subject of this kind is necessarily all too short, and I can in any case do no more than make a few suggestions in the hope that these may stimulate you in your work. None the less, although our time is short, I propose to use the present hour to throw light by practical example upon the importance of what I have said about developing, in preparation for speaking on the stage, a feeling for word and a feeling for sound, in contradistinction to the feeling for sense and idea. today, therefore, we will take this practical demonstration as a basis for our study; and it is my intention to speak the parts in such a way as will enable you to glean at least an elementary understanding of how a reading rehearsal should go, if it is to prepare the ground for the actual performance of the play on the stage. Thus, having in the first part of our course given our attention to the forming of the speech, we shall now be considering all that has to do with production as such, with the right forming of the stage-picture.

It goes without saying that before any such rehearsal, the explanations I have been giving of what is required for an artistic way of speaking must have already taken root in the unconscious, and be present there as artistic instinct. Where mention is made of these matters at all in rehearsal, it will be presumed that in those who are to take part, the feeling for sound and the feeling for word have, by long practice, become a complete matter of habit. It will, in fact, be of quite other matters that one will have to speak there, alluding only as need arises to the fundamental principles of speech formation; for of these the actor should bring with him an intimate knowledge, no less surely than a pianist who is preparing himself—or, maybe, a pupil—for a concert brings with him the faculty he has acquired for piano-playing.

The scene I propose to take is the opening scene of a drama of Robert Hamerling, entitled Danton and Robespierre, a play that is concerned, as the title tells us, with the French Revolution. I have chosen it because I think the moods that come into consideration for this scene—and I need not remind you how important it is for the moods to find clear expression in the performance—are such as can easily be conveyed to the minds and hearts of people in general. For they are unmistakable and sharply distinguishable in their colouring. The scene is moreover also valuable for us, in that the moods give opportunity for transforming, by stage technique, even the most prosaic content into an artistic formation of sound and word.

We are here transported into an important moment in the history of the French Revolution, when the mood of the public was undergoing a change. That stage in the revolution is just being reached when the popularity of Danton is beginning gradually to give way before the popularity of Robespierre. A great number of people are on the point of transferring their loyalty and devotion from the one to the other.

Let us first of all see that we understand the true nature of the people's loyalty to Danton. Some were loyal to him out of a sincere and faithful devotion, in others their loyalty was prompted rather by their own political aspirations; but all might be said to regard him with what I may almost call a savage admiration. Consequently, we find permeating the scene something of the sound- and word-feeling—I am speaking here from the point of view of stage technique—that results from the working together of a (wonder and admiration for Danton) and o (a certain rude affection for the man). The scene is pervaded by an a-o (ah-oh) mood, in the sense in which I have explained this to you in the earlier lectures. Tune your feeling to the sounds a-o, and you will have the mood that prevails at the beginning of the scene.

Loyalty to Robespierre was of quite another kind. At first it only reached men's hearts in a fitful, spasmodic way. The lean and lanky man, looking so like a schoolmaster, whose words cut like knives, did not easily inspire admiration in his fellowmen; he had to seize on every opportunity to win it. In fact, the first stage of Robespierre's popularity was marked by a kind of wariness and caution. In the case of individuals as well as of the masses, it was out of a certain defensive attitude that admiration for Robespierre was born. Translated into feeling for sound, it is a sounding together of e (ay in ‘say’) and a. So that in the people's feeling for Robespierre we have the mood that you can hear in e-a.

In this scene, therefore, which evinces throughout a delicate instinctive feeling on Hamerling's part for sound and word, we have to find the transition in the whole speaking of the parts from a-o to e-a. And we shall be able to do so if we look into the scene carefully. That is indeed the reason I have chosen it, because of all we can learn from it.

Hamerling built up the scene with an instinctive discernment for what is required in dramatic art. I shall draw attention, as we go along, to features that would require to be noted in the reading rehearsals. My remarks will naturally be rather sketchy; in actual rehearsals, the various points would need to be further elucidated. For we have here a scene that can provide us with an excellent lesson in the very things we are concerned with in these lectures.

Note how we are introduced, first of all, to a countryman who had been in Paris fifteen years before and never once since. The man has been deaf during the last six years, and on this account it has easily come about that he has as good as slept through whatever echoes of the big events penetrated into the provinces; he has heard nothing of all that went on. He was treated for his deafness by the village barber who was also something of a surgeon, as was still usual in those days, but with no particular success; and he was advised to go to Paris. One can certainly have one's doubts as to whether even in Paris the cure would be such an easy matter! However, here he is again in Paris, cured of his deafness and bearing his part in the change-over of moods that I have described—but all the time as one who has only just become able after six years to hear what is being said around him. You will find at once the basic tone for this man's speaking if you give yourself up to an a feeling that is tinged with o. Let us see what this will mean. For throughout the first part of the scene, the countryman will be the chief figure. The whole attention of the audience will be centred upon him. It might even be said that the other characters are present only in order to give colour and variation to the main interest that attaches throughout to this man. Actually, the success of the play as a whole will depend to a great extent upon how the part of the countryman is played in this first scene.

We know of course that a signifies wonder and admiration. The mood is a little modified in this character of the countryman, but the actor will do the part well if he takes pains to speak, as much as he can, with his mouth open. (I shall be dealing with gesture and mime in the later lectures; today I will confine my remarks to the speaking.) This will allow the a mood, which is the prevailing mood of the scene, to pass almost imperceptibly into o, which is what the part requires.

From the very outset, we sense also that a change of mood is imminent; we are moving towards the transition from the a-o to the e-a mood. This is portrayed for us with wonderful artistic skill. You can feel here with what a delicate touch Hamerling works; and that is what I want you to notice before all else—the artistic achievement, quite apart from the prose content of the scene. The countryman is put there on purpose that we may be still hearing the echo of the mood connected with Danton, while at the same time having our expectation aroused for the gradual transition to the mood that is connected with Robespierre, the mood that we can clearly detect in the second part of the scene where the conversation of the various characters goes clanging back and forth like sounding brass.

So much for a rough sketch of the mood in which you will have to experience this scene if you want to take part in it and form your speaking in the right way.

The scene is laid in an open space in front of Notre-Dame.

DER LANDMANN. Wenn ich nur erfahren könnte, warum sie den steinernen Bildern überall rote Mützen aufsetzen... Ich finde mich nicht mehr zurecht in diesem verwünschten Paris, obgleich ich vor fünfzehn Jahren einmal dagewesen.

(Zwei Bürger treten auf.)

ERSTER BURGER. Auf dem Stadthause wimmelt's bereits wie in einem Ameisenhaufen.—

ZWEITER BURGER. Mein Nachbar, der Barbier Rabaud, hat soeben die Göttin der Vernunft frisiert.

---

COUNTRYMAN. If only I could find out why the statues everywhere have red caps on their heads.... I no longer know my way about in this accursed Paris although I was once here fifteen years ago.

(Enter two citizens.)

FIRST CITIZEN. The Town Hall's already swarming like an ant-heap?

SECOND CITIZEN. My neighbour, the barber Rabaud, has just been dressing the hair of the Goddess of Reason.

These citizens are fellows of quite another stamp than our countryman. They are Parisians, who exhibit to the full the mood that was then uppermost in Paris; and they give a new colouring to the countryman's words that have set the motif at the beginning of the scene. We are to think of the first citizen as having a kind of i (ee) mood, and the second a rather quieter and more serious ii (French ü in ‘du’) mood. You will remember how I explained these in the earlier lectures.

‘ZWEITER BÜRGER: Mein Nachbar, der Barbier Rabaud, hat soeben die Göttin der Vernunft frisiert.’

Yes, you are right! The audience will laugh at these words; but they must be spoken with all the seriousness of one who is taking a responsible part in a revolution. And that is a seriousness of an altogether different stamp from the seriousness with which we are accustomed to approach everyday affairs.

You have to picture the countryman saying those first words of his alone, to himself. Then the citizens come an the scene. They stand at a little distance from him, and now he goes up to them.

DER LANDMANN. (sich nähernd) Auf ein Wort, ihr Herren—

ERSTER BÜRGER. ‘Ihr Herren?’—Da seht die ländliche Unschuld!—Es gibt keine Herren mehr, Bauerntölpel!

DER LANDMANN. Um Vergebung, wie komm' ich von hier in die Königstrasse?

ERSTER BÜRGER. Es gibt keine Könige mehr. Die Strasse heisst jetzt Sansculottenstrasse.

LANDMANN. Finde mich nicht mehr zurecht hier in Paris, obgleich ich vor fünfzehn Jahren dagewesen. Alle Plätze, alle Strassen anders.—Heut' Morgen komm' ich an einer Kirche vorüber, denke: trittst ein, hörst eine Messe. Da seh' ich ein Gedräng' von Leuten, und auf der Kanzel steht ein Mann, der predigt. Komme gerade recht zum Worte Gottes, denk' ich und hör' andächtig zu. Da merk' ich aber, dass der Mann auf der Kanzel entsetzlich fluchte, obgleich ich ihn nicht recht verstand. War so ein schneidiges, gelbes, dünnes Männchen, meinte jeden Augenblick, es werde ihm der Schaum vor den Mund treten. Als er aufhörte zu reden, da fingen die Leute wüst zu schreien an und taten wie besessen und klatschten gar mit den Händen, dass mir die Ohren gellten.—Ich schlug ein Kreuz und ging.

ZWEITER BÜRGER. (lachend) Armer Tropf, du bist unter die Frommen der Jacobinerkirche geraten.—

LANDMANN. Darauf kam ich in eine andere Kirche.
Da sah ich einen Heiland auf dem Kreuz:
dem war ein grosser Schnurrbart
angestrichen, und eine rote Mütze aufgesetzt,
und drunter stand geschrieben: ‘Jesus Christ
von Nazareth, der erste Sansculotte’.
Weiss denn die Obrigkeit von solchem Unfug nichts?

ZWEITER BÜRGER. Mensch, hör' einmal, wie kommt's, dass du so wenig Wind hast vom neuesten Weltlauf? Sitzt ihr Bauern auf den Ohren?

LANDMANN. Ich bin sechs volle Jahre taub gewesen. Vorige Woche—

ZWEITER BÜRGER. Dekade sagt man jetzt—DekadeLANDMANN. Ei, wie? Dekade muss ich sagen? Also vorige Dekade—doch nein, es war noch Ende April—

ZWEITER BÜRGER. Floreal, du verwünschter Kerl, Floreal—

LANDMANN. Floreal? Potztausend! Ihr habt eine verwunderliche Art zu reden in Paris!—Nun also im Floreal sagte ich zu unserem Dorfbader: ‘Herr’, sagte ich, `ihr versteht den Teufel von der Sache; ich gehe nach Paris und lasse mich dort heilen!’ Gesagt, getan. Ich ging, als ich das Reisegeld beisammen hatte, und verwichenen Sonntag—

ERSTER BÜRGER. Es gibt keinen Sonntag mehr.

LANDMANN. Was? keinen Sonntag?

---

COUNTRYMAN. (approaching) A word, gentlemen—

FIRST CITIZEN. ‘Gentlemen?’ Hark to his innocence! There aren't any gentlemen nowadays, you country bumpkin!

COUNTRYMAN. Beg pardon, how do I get to King Street?

FIRST CITIZEN. There aren't any more kings. The street's called Sansculotte Street now.

COUNTRYMAN. Oh, I'm properly astray in your Paris although I was here fifteen years ago. All the squares, all the streets, different.—This morning I came to a church and thought to myself: let's go in and hear Mass. Inside I find a crowd of folk and a man in the pulpit preaching. Just in time to hear God's word, think I, and listen all devout. But then I notice that the man in the pulpit is using terrible language, though I didn't understand him well. He was such a sharp-spoken, yellow, lean little bit of a man; it seemed every moment as if he was going to foam at the mouth. As soon as he stopped talking the people began to cry out wildly, behaved as if possessed, and clapped their hands enough to break my ear-drums.—I crossed myself and came out.

SECOND CITIZEN. (laughing) Poor simpleton, you landed up among the pious worshippers at the Jacobins' Church.—

COUNTRYMAN. Thereupon came I to another Church
And there I saw a Saviour on the Cross:
A great moustache was daubed upon His face,
A red cap had been set upon His head,
While underneath was written ‘Jesus Christ
Of Nazareth, the first of sansculottes’.
Do those who rule know nothing of such shame?

SECOND CITIZEN. Listen, you man. How comes it that you know so little of what's going on now in the world? Do you peasants stop up your ears?

COUNTRYMAN. I've been deaf over six years. Last week—

SECOND CITIZEN. We say decade now—decade

COUNTRYMAN. Eh? Decade have I got to say? Well, last decade–but no, it was still April—the end of April—

SECOND CITIZEN. Floreal, confound you, Floreal

COUNTRYMAN. Floreal? Zounds! You have an odd way of talking in Paris !—So in Floreal I said to our village barber, Sir,' say I,’ you don't understand a damned thing about it. I'm going to Paris to be cured.' No sooner said than done. Directly I'd got together the journey money, I started; and last Sunday—

FIRST CITIZEN. There's no Sunday any more.

COUNTRYMAN. What? No Sunday?

The name of the month is not after all a matter that touches him very nearly; that he can accept. Now he is called upon to grasp the further fact that there are no longer any Sundays!

ERSTER BÜRGER. Quintidi, guter Freund, wenn Euch Euer Leben lieb ist—

LANDMANN. Nun meinetwegen! Am Crainte de Dieu also kam ich hier in Paris an, und heute, Gott sei Dank—

ZWEITER BÜRGER. Gott sei Dank? Mensch, du nennst da ein bankrottes Haus! Die Firma Gott und Sohn mit der Prokuraführung des heiligen Geistes hat falliert—

LANDMANN. Was? auch keinen Gott? da soll ja doch—

ZWEITER BÜRGER. Räsoniere nicht, Mensch, und schweig, und lass' deine Füsse, so geschwind sie können, dich wieder nach deinem Dorfe zurücktragen. Du könntest Unglück haben auf dem Pflaster von Paris. Du könntest hier deinen Kopf verlieren, unversehens, wie einen Knopf von deinen Hosen. Mach' dich auf die Beine, Mensch—du bist verdächtig—

LANDMANN. Wieso verdächtig? Was nennt ihr denn verdächtig?

ZWEITER BURGER.Verdächtig? Sieh', das ist zum Beispiel einer,
der Lilien in seinem Garten pflanzt—
auch einer, dessen Bruder oder Vetter
ins Ausland ging mit einem Emigranten
als Kammerdiener—oder einer, der
im Traum das Wörtlein König flüstert—oder
der bleich wird, wenn sie seinen Nebenmenschen
an die Laterne hängen—

Mach', dass du fortkommst, sonst lassen sie dich den Karpfensprung machen auf dem Grèveplatz—

LANDMANN. Ich verstehe euch nicht.

ZWEITER BURGER. Ich will sagen, sie werden dich durchs rote Fenster gucken lassen—

LANDMANN. Ich verstehe euch noch immer nicht.

ZWEITER BÜRGER. Dummkopf! sie werden dich (macht eine bezeichnende Geberde) mit dem grossen Nationalrasiermesser rasieren! Verstehst du's noch nicht ?—Du wirst das grosse Los in der Lotterie der heiligen Guillotine gewinnen! Verstehst du's jetzt?

LANDMANN. Hol' mich der Geier, wenn ich diese Heilige jemals im Kalender gelesen habe.

ERSTER BÜRGER.
Das ist eine wunderliche Heilige.—
So eine Art von Eisenjungfrau, scharf
verseh'n mit Schneidezähnen—Denke dir
zwei Galgenhölzer und ein blankes Beil
Querbalkengleich von oben—nun, du legst
den Kopf auf einen Block—das Beil fällt nieder,
ein wenig von der Seite—so—und sichelt
den Kopf im Hui so glatt und reinlich dir
herunter, dass es eine Lust zu sehn. Der Kopf
merkt gar nicht, dass er keinen Rumpf mehr hat,
und niest deshalb auch manchmal unbefangen,
als wäre nichts geschehn, noch in dem Sack,
in welchen ihn der Knecht des Büttels wirft—
als hätt' er etwa nur’ne starke Prise
geschnupft.—Guillotinieren heisst man das:
's ist’ne schöne, sanfte Todesart.

LANDMANN. Guillotiniert man viel?<

ERSTER BÜRGER. So ein Schock täglich; auch mehr, wenn schönes Wetter ist.

---

FIRST CITIZEN Quintidi, friend, if you value your life—

COUNTRYMAN. Oh, well, it's all the same to me! So in the fear of God I came here to Pans, and today, thank God—

SECOND CITIZEN ‘Thank God?’ Why, man, that firm's gone bankrupt! The house of God and Son, with its junior partner the Holy Ghost, has failed—

COUNTRYMAN. What? No God either? But then—

SECOND CITIZEN. No arguing, man. Shut up, and let your feet carry you back to your village as quick as they can. You might come to harm in the streets of Paris. You might lose your head unexpectedly like a button off your breeches. Make off, man, you're a suspicious character—

COUNTRYMAN. What d'you mean, suspicious? What d'you call suspicious?

SECOND CITIZEN.
Suspicious? Hark, this man, for instance, is:
The one who lilies in his garden plants—
And also one whose brother or whose cousin Follows some emigrant as serving-man
To foreign parts—or then again a man
Who whispers in his dreams the small word ‘King', Or turns a chalky white to see them hang
One of his fellows to the lamp-post?

Make haste and be off, otherwise you will come to a sorry end on the Place de Grève?

COUNTRYMAN. I don't understand you.

SECOND CITIZEN. I'm wanting to tell you that they'll make you look through the’ red window'—

COUNTRYMAN. I still don't understand.

SECOND CITIZEN. Blockhead! They'll do this (makes a descriptive gesture), they'll shave you with the great national razor! Don't you understand yet ?—You'll win the big prize in the lottery of Saint Guillotine. Now do you understand?

COUNTRYMAN. The devil take me if I've ever seen that saint in the Calendar.

FIRST CITIZEN.
This is a very funny kind of saint,
This maiden made of iron and well provided
With finely sharpened teeth that bite. Just think,
Two gallows posts and then a shining axe
In cross-beam fashion from above—you lay
Your head upon a block, the axe comes down
A little from one side, like this, and mows
Your head inside your hat so smoothly down,
So neatly off—a pleasure 'tis to see!
Your head marks not that it has lost its trunk
And therefore sometimes sneezes, quite unmoved,
Just as if nought was wrong, e'en in the sack
As if it had, p'raps, taken a good pinch
Of snuff—it's guillotining that the people call it.
It is a fine and easy way o' dying.

COUNTRYMAN. Do they do much guillotining?

FIRST CITIZEN. Quite a lot, every day, and more when the weather's fine.

And now a sansculotte makes his appearance. When you come to look carefully at this sansculotte, you will find you can best enter into his part by combining the a mood with the i mood. For he has undoubtedly wonder and astonishment, and these have fired him with enthusiasm; but he has at the same time, as it were in the background, the pleasure and enjoyment that his own self-consciousness affords him.

(Ein Schwarm von zerlumpten Männern und Weibern kommt gezogen, voran ein Sansculotte, der ein Beinkleid auf einer Pike trägt.)

Wüstes Geschrei: Ça ira! Ça ira!

DER SANSCULOTTE. (zu dem LANDMANN und den beiden BÜRGERN) Angeschlossen, Patrioten! angeschlossen und eingestimmt! Ça ira! Zu Ehren der Hose da, die wir eben einem Aristokraten abgezogen, weil er auf keine andere Weise ein Sansculotte werden wollte. Ça ira!

WEIBER. (den LANDMANN umringend) Komm auf ein Tänzchen, Bäuerlein! Komm, wir tanzen die Carmagnole!

SANSCULOTTE. (zum LANDMANN, ihm ins Ohr schreiend) Ça ira gesungen, du Schelm, Ça ira!

LANDMANN. (ängstlich) Verzeiht, ich bin gar nicht musikalisch!

SANSCULOTTE. Höre, Kerl! wenn du nicht dümmer bist als die Rinder in deinem Stall, so musst du Ça ira brüllen können, so gut als einer—

LANDMANN. Verzeiht, ihr Herren—

SANSCULOTTE. ‘Ihr Herren!’ Habt ihr's gehört? An die Laterne mit dem Schuft!

---

(A swarm of ragged men and women come straggling along, led by a sansculotte holding aloft a pair of breeches on his pike.)

Wild shouting of the song ‘Ça ira, Ça ira!’

SANSCULOTTE. (to the COUNTRYMAN and the two CITIZENS)
All united and all of one mind, patriots! All united and all of one mind! Ça ira! Do honour to the breeches here that we've taken off an aristocrat, because he wouldn't be a sansculotte anyhow else! Ça ira!

WOMEN. (surrounding the COUNTRYMAN) Come and dance, peasant! Come along with you, we're dancing the carmagnole!

The sansculotte has noticed that the countryman does not hear very well.

SANSCULOTTE. (to the COUNTRYMAN, shouting in his ear)
Ça ira's being sung, you knave. Ça ira!

COUNTRYMAN. (anxiously) Excuse me, I'm not a bit musical!

SANSCULOTTE. Listen, fellow! If you're not more stupid than your own oxen you must be able to roar out Ça ira as well as a—

COUNTRYMAN. Excuse me, gentlemen?

SANSCULOTTE. ‘Gentlemen!’ Did you hear that? To the lamp-post with the blackguard!

In those days anyone who dared in Paris address a man as ‘gentleman’ was hung up on the nearest lamp-post.

ERSTER BURGER. Lasst ihn laufen; er ist volle sechs Jahre taub gewesen and erst heute wieder geheilt worden.

SANSCULOTTE. Dann hätte das erste, was er hörte, sein sollen, dass es keine Herren mehr gibt. Nicht einmal der Mainzer Nachtwächter singt mehr: ‘Lobet Gott den Herrn!’ sondern: ‘Lobet Gott den Bürger!’—Schlingel! kein Franzose benennt jetzt mehr den anderen Herr, sondern—

LANDMANN. Ich begreife, man sagt jetzt Kerl, Tropf, Schlingel, Schelm, und so dergleichen—

SANSCULOTTE. Was?

LANDMANN. Ihr tituliert mich so—

SANSCULOTTE. Dummkopf! das ist was anderes. Bürger sind jetzt alle Franzosen, hörst du! nicht mehr, noch weniger!

LANDMANN. So sind wir's draussen auch in der Provinz, so gut als ihr, und können ein Wort mit drein reden?

SANSCULOTTE. ‘Dreinreden?’ Hört ihr, Leute ? Der Kerl ist ein Föderalist! Ein verlaufener Girondistenknecht! er faselt von Autonomie der Provinz!

---

FIRST CITIZEN. Let him be; he's been deaf for six years and only just cured today.

SANSCULOTTE. Then the first thing he ought to have heard is that there are no more gentlemen. Not even the night watch at Mainz calls out any more ‘Praise God, gentlemen!’ but ‘Praise God, citizens!’—You clown, no Frenchman calls another ‘gentleman’ any longer, but—

COUNTRYMAN. I know. Now you say fellow, booby, clown, scoundrel, and things like that—

SANSCULOTTE. What?

COUNTRYMAN. That's what you call me—

SANSCULOTTE. Blockhead! That's a different matter. All we French now are just citizens, d'you hear that? Neither more nor less!

COUNTRYMAN. And are we in our province just as good as you, and can we put in our say?

SANSCULOTTE. ‘Put in our say?’ D'you hear that, folk? The fellow is a federalist, a runaway Girondist! He's drivelling about the autonomy of the provinces!

The day of the Girondists is past and over. The sansculotte imagines that the countryman is thinking of the autonomy that was enjoyed by the provinces when they were in power.

WEIBER. Hängt ihn, hängt ihn! er ist ein Föderalist! (Man will ihn ergreifen.)

LANDMANN. (ängstlich schreiend) Scharwache! Polizei! Zu Hilfe!—Mörder! Räuber! Diebe! Zu Hilfe! (Einige lachen.)

WEIBER. Er nennt Sansculotten Räuber und Mörder! An die Laterne!

ALLGEMEINES GESCHREI. An die Laterne! (Man ergreift ihn.)

DER SANSCULOTTE. (dazwischen tretend) Einen Augenblick, Bürger! Keine blinde Wut!—Wenn man Septembermann gewesen, wie ich, so weiss man, wie das rechte Verfahren in solchen Dingen ist.—Höre, Schlingel!

LANDMANN. Was hab' ich denn verbrochen?

SANSCULOTTE. (würdevoll) Mit dieser Frage verteidigt sich kein französischer Bürger und Patriot. Ob Föderalist oder nicht, ich will dir beweisen, dass du zehnmal gehängt zu werden verdienst, auch wenn du der republikanischen Freiheit nie ein Haar gekrümmt haben solltest. Ich frage dich bloss: Was hast du getan für die Freiheit? Wie hast du dich kompromittiert für die Freiheit? Was hast du getan, um gehängt zu werden, wenn eine Reaktion.einträte und die Gemässigten ans Ruder kämen?

LANDMANN. Ich? O—wartet nur, ich besinne mich ja seht, es fällt mir etwas ein.—Ich fand einmal im Wald einen halbverhungerten Mann unter einem Haufen dürrer Streu versteckt—der machte mir solch jämmerlich flehende Zeichen (denn hören konnt' ich nur wenig von wegen der Taubheit) dass ich ihn mit nach Hause nahm, ihn labte und in aller Stille beherbergte. Als er abzog, vergass er in der Dachstube etliche zerknitterte Papiere, aus welchen ich ersah, dass es ein gar wichtiger Mann gewesen sein musste, einer von denen, die jetzt hier in Paris regieren—so einer aus eurem—wie heisst's doch gleich? hab' heute davon gehört—aus eurem Nationalkonvent.—Sah auch aus den Papieren, wie er hiess. Er hiess Bri—ha, es fällt mir schon ein, Brissot.?

(Grosse Sensation im Volke, dann wildes Geschrei: Verräter! Verräter! Schurke!)

SANSCULOTTE. Still!—(Zum LANDMANN) Unglückseliger! du hast das Haupt der dem Henker verfallenen Girondisten und Föderalisten, der Gemässigten, der heimlichen Volksverräter bei dir beherbergt!—Mensch, deine Sache ist eine verlorene. Dir ist nicht mehr zu helfen! Hängt ihn!

VOLK. An die Laterne!

ERSTER BÜRGER. Ach, lasst ihn doch! Ihr seht ja, dass er ein Dummkopf ist, und sechs Jahre lang ist er taub gewesen.

EINIGE STIMMEN. Was? der Gewürzkrämer verteidigt ihn? Auch ein Verräter!

ERSTER BÜRGER. Bin ich nicht ein guter Patriot? Hab' ich nicht kürzlich bei der grossen Hungersnot meinen Zuckervorrat pfundweise ans Volk verteilt, ohne Entgeld?

EIN FISCHWEIB. Du betrogst uns mit dem Gewicht! Als ich mein Pfund zu Hause nachwog, da fehlte dran ein halbes Lot!

WEIBER. Hängt sie alle beide!

EINER AUS DEM VOLKE. Hier vor dem Bücherladen des wackeren Patrioten Momoro!

(Man zerrt den Bauer gegen den Laternenpfahl, der vor Momoros Laden steht.)

MOMORO. (tritt aus der Tür, sein Käppchen, das er auf dem kahlen Kopfe trägt, lüftend) Guten Morgen, Sansculotten! Was belieben die freien Männer und edlen Bürger zu treiben hier vor meiner Tür?

---

WOMEN. Hang 'im, hang 'im! He's a federalist! (They make as if to setze him.)

COUNTRYMAN. (shouting in alarm) Watchman! Police! Help! Murder! Robbers! Thieves! Help! (Some laughter.)

WOMEN. He's calling sansculottes robbers and murderers! To the lamp-post!

GENERAL CRY. To the lamp-post! (He is seized.)

SANSCULOTTE. (stepping between them) One minute, citizens! No blind rage!—When one's been a September man, like me, one knows the right way to act in these matters.—Listen, Clown!

COUNTRYMAN. What have I done wrong?

SANSCULOTTE. (with dignity) No citizen and patriot of France stands up for his rights by asking that question. Whether you're federalist or not, prove to you that you deserve ten times over to be hanged, even if you've done nothing to hurt republican freedom. I simply ask what you've done for freedom? Have you euer compromised yourself for freedom? What have you done to risk hanging if reaction sets in and the moderates come to power?

COUNTRYMAN. I? Oh—Wait a bit, I'm calling to mind—yes, it's just coming back to me. Once in a wood I found a half-starved man under a heap of dry straw—he made such pitiful, beseeching signs to me, for I couldn't hear much on account of my deafness, that I took him home and gave him something to eat and kept him in hiding. When he went off he forgot some scraps of paper in the attic; from these I saw that he must have been a very important man, one of those who rule now here in Paris, one of those belonging to your—what d'you call it, I've heard the name today—to your National Convention—even saw from the papers what he called himself. His name was Bri—yes, it comes back to me, Brissot—

(Great Sensation among the people, then a wild shout: Traitor, traitor, villain!)

SANSCULOTTE. Silence!—(To the COUNTRYMAN) Wretched man! You sheltered the chief of the Girondists and federalists who have fallen to the hangman, chief of the moderates, of the secret betrayers of the people!—Man, it's all up with you. Nothing can help you now! Take him and hang him!

PEOPLE. To the lamp-post!

FIRST CITIZEN. Oh, leave him alone. See what a blockhead he is, and he's been deaf for six years—

VOICES IN THE CROWD. What? The grocer sticks up for him? He's a traitor too!

FIRST CITIZEN. I'm not a good patriot, then? Didn't I, a short time ago, during the great famine, divide up all my sugar and give it to the people by the pound, and that gratis ?

FISHWIFE. You didn't give us fair weight! When I got home it was live grammes short!

WOMEN. Hang both of them!

A VOICE FROM THE CROWD. Here, in front of the bookshop of the honest patriot Momoro!

(The peasant is dragged towards the lamp-post in front of Momoro's shop.)

MOMORO. (comes out of the door, raising the Linie cap that covers his bald head) Good morrow, Sansculottes! What does it please our free men and noble citizens to do here in front of my door?

Momoro is a citizen too, and moreover, as we shall see, a man of some importance who stands with the whole force of his personality right in the immediate moment of the revolution. He is, however, at the same time, beginning to feel that the ground under his feet is getting a bit shaky.

Fresh people now come forward and prepare the way for a new mood, the mood that I characterised as reminiscent of sounding brass. We are, in fact, at the moment when loyalty to Danton is passing away, in favour of loyalty to Robespierre. We must accordingly watch for die transition from the a—o mood to the e—a mood. Loyalty to Robespierre is quietly stealing in, and that fact must find expression in the whole mood of the scene from now on.

EINER AUS DEM VOLK. Guten Morgen, Bürger Momoro. Wir hängen einen Föderalisten, einen Girondistenknecht—

MOMORO. Gerade hier vor eines Patrioten Tür? Lasst das bleiben, ehrenwerte Bürger der Republik! Wozu haben wir denn das Revolutionstribunal, das ja ohnedies im ganzen wenig zu wünschen und zu hängen übrig lässt? Und überhaupt, tut mir den Gefallen, hängt keinen, bevor er die neuesten Broschüren gelesen hat, die in meinem Buchladen soeben erschienen. Wenn ihr einen solchen Menschen tötet, so verfault der Kerl unnütz unter der Erde und labt höchstens die Würmer. Wenn ihr ihm aber Zeit lasst, die neuesten Broschüren zu lesen, so könnt ihr den widerhaarigsten Aristokraten in einen feuerspeienden Patrioten verwandeln, der hingeht und sich mit Freudentränen in den Augen jeden Augenblick für die Republik totschlagen lässt. Ich frage: was ist besser?—Da seht einmal (er weist einen Pack Flugblätter und Broschüren vor): ‘Neueste Trauerrede auf den Tod des göttlichen Marat’—‘Laternenpfahl und Guillotine; fliegende Blätter für Freiheit, Gleichheit und allgemeine Menschenliebe’—‘Neuer und unfehlbarer Plan, royalistische Städte binnen drei Tagen mit Nelkenöl in die Luft zu sprengen’—

ONE OF THE PEOPLE. Good morrow, Citizen Momoro. We're hanging a federalist, a Girondist?

---

MOMORO. What? Just here at the door of a patriot? Wait a bit, honourable citizens of the Republic. What is the Revolutionary Tribunal for, which on the whole leaves us very little to wish for and very few people to hang? At least do me the favour not to hang anyone till he has read the latest pamphlet that has just appeared in my shop. When you kill a man of this sort the fellow rots uselessly in the ground and at best feeds the worms. But when you give him time to read the latest pamphlet, you may change the most cross-grained aristocrat into a fire-spitting patriot who goes off ready to die at any moment for the Republic. I ask you, which is the better? Just look (he points to a pile of broadsheets and pamphlets): ‘Latest Funeral Oration on the Death of the Godlike Marat’—‘Lamp-post and Guillotine'; leaflets on liberty, equality and universal human love.’ New and infallible Plan to blow up Royalist Towns with Oil of Cloves’?

Momoro talks the most naturally of them all, and helps to lead over to the new phase of the revolution. He is, at the moment, in high esteem, and this must be apparent to the audience.

VOLK. Hoch Momoro, der Patriot!

MOMORO. Es lebe die Republik!—Alles für wenige Sous!(Viele drängen sich herbei, die Blätter zu kaufen.)

SANSCULOTTE. Du verkaufst deine Scharteken zu teuer, Bürger Momoro!

MOMORO. Keinen Sou verdien' ich dran. Ihr kennt mich!

IN ZEITUNGSAUSRUFER. Der ‘Vater Duchêsne’! Der ‘Vater Duchêsne' von heute! Zwei Sous das Blatt!—Er ist verzweifelt wild heute, der Vater Duchêsne!—Kauft das Journal des gefeierten Patrioten Hebert!—in 30 000 Exemplaren verbreitet! Er ist verzweifelt wild heute, der Vater Duchêsne!—

MOMORO. (nachspottend) ‘Er ist verzweifelt wild heute der Vater Duchêsne!’ So ruft er alle Tage. 30 000 Exemplare? Allen Respekt vor dem Bürger Hebert, aber ich habe mir sagen lassen, dass ganze Stösse seines Journals gratis in die Gasthöfe wandern—für die ‘Bedürfnisse’ der Reisenden! hahaha! für die ‘Bedürfnisse’ der Reisenden!—Das Gediegenste, was aus den Federn der Patrioten fliesst, findet man doch immer noch bei Momoro. In meinem Hinterstübchen haben schon unter dem Königtum die radikalsten Männer Klub gehalten und halten da noch Klub heutigen Tages.—

ZEITUNGSAUSRUFER. (spottend) Ja, Graukopf, sie halten Klub bei deinem jungen Weibchen.

MOMORO. Tropf! sie bringen ihr den neuen republikanischen Kalender bei, der den Weibern so schwer in den Kopf will. Und mehr! noch mehr! 0, die Patrioten wissen den alten Momoro zu schätzen, und um ihn zu ehren, haben sie, müsst ihr wissen, keine andere als eben sein Weibchen zur Göttin der Vernunft erkoren. Schon am frühen Morgen ist sie heut' abgeholt worden auf das Stadthaus, damit man für das Fest sie würdig herausputze. Nun ihr werdet sehen! Auf diesem selben Platze wird sie prangen.

ZEITUNGSAUSRUFER. Und dir werden zur Feier des Tages die Hörner vergoldet?

VOLK. Es lebe Momoro und sein Weibchen!

MOMORO. (zu einem Manne, der ein Plakat an die Mauer klebt) Mensch, du klebst ja dein Plakat hier über ein anderes.

DER MANN. Ach, das alte ist ein gemässigtes; das da aber ist von der Kommune.—

VOLK. (das sich indes immer zahlreicher gesammelt) Von der Kommune? lasst doch sehen!

EINER AUS DEM VOLKE. (lesend) ‘Hebert und Chaumette laden das souveräne Volk zum heutigen Feste der Vernunft, das denkwürdig bleiben wird für alle Zeiten!’—

VOLK. Hoch Hebert! Hoch Chaumette! Hoch die Republik! Ça ira! (Die Weiber tanzen)

EIN STELZFUSS. (im Gedränge) Heissa! springt und brüllt, wie ihr wollt, aber tretet einem verdienten Krieger der Republik sein hölzernes Bein nicht weg!

---

PEOPLE. Cheers for Momoro the patriot!

MOMORO. Long live the Republic! Any one of these for a few sous!

(Many of the crowd press round him to buy the leaflets.)

SANSCULOTTE. You sell your trash too dear, Citizen Momoro!

MOMORO. Why, I don't make a sou on them. You know me!

NEWSPAPER-VENDOR. ‘Father Duchêsne’! ‘Father Duchêsne’ ! today's ‘Father Duchêsne’! He's desperately savage today is Father Duchêsne! Buy the paper of the good old patriot Hebert! 30,000 copies given out! He's desperately savage today is Father Duchêsne!—

MOMORO. (ridiculing him) ‘He's desperately savage today is Father Duchêsne.’ That's what he calls out all day. 30,000 copies? With all due respect to Citizen Hebert I venture to say that whole stacks of his paper find their way into the inns gratis—‘For the requirements of travellers’ ! Ha! Ha! Ha! ‘For the requirements of travellers’!—What is of value from the pens of the patriots is still always to be found at Momoro's. In my room behind the shop, even under the King, all the most radical men used to meet, still meet today?

NEWSPAPER-VENDOR. (mockingly) Yes, old fellow, the club meets where your young wife is.

MOMORO. Booby! They explain to her the recent Republican Calendar which takes so long to get into the head of a woman! What's more, what's more—Oh, the patriots know how to appreciate old Momoro, and how to do him honour; you must know they have chosen no one else but his little wife to be the Goddess of Reason. today, quite early, she was taken to the Town Hall to be all properly decked out for the festival. You'll see. She'll be on show in this very square.

NEWSPAPER-VENDOR. And will your horns be gilded for the occasion?

PEOPLE. Long live Momoro and his little wife!

MOMORO. (to a man sticking a placard on the wall) Hi, you, you're sticking that on top of another—

THE MAN. Oh, that old thing is one of those moderates, but this, here, comes from the Commune—

PEOPLE. (gathering round in their numbers) From the Commune, let's see!

ONE OF THE PEOPLE. (reading aloud) ‘Hebert and Chaumette invite the sovereign people today to the Festival of Reason which will remain in memory for all time!’

PEOPLE. Cheers for Hebert! Cheers for Chaumette! Cheers for the Republic! Ça ira! (The women dance.)

MAN WITH WOODEN LEG. (among the crowd) Hurray! Jump and shout as much as you like but don't stamp off the wooden leg of a deserving soldier of the Republic!

For at this point, in order to show how the mood is changing, moving all the time in the direction of the note that has been sounded by Robespierre, a new speaker steps forward from among the crowd, who is under a certain disability—a man with a wooden leg. The crowd, we shall find, is gradually working its way free of the completely different mood that has hitherto prevailed and beginning to enter into the mood that is connected with Robespierre. The i (ee) mood that belongs to him, begins to be heard.

SANSCULOTTE. (auf ihn zugehend) Was seh' ich? Battiste, du wieder in Paris? Verflucht—dein Bein

STELZFUSS. Hainbuchenes Kernholz—

SANSCULOTTE. Brav gefochten für die Republik? Nicht Tod noch Teufel gefürchtet ? Nie in Gefangenschaft geraten?

STELZFUSS. Bin ein einziges Mal von feindlichen Reitern allein überfallen worden, and da waren ihrer bloss vier—

SANSCULOTTE. Viele Strapazen ausgestanden?

STELZFUSS. Donnerwetter! Ihr habt es leicht, hier im warmen Paris als Ohnehosen herumzulaufen: aber im Feld kampieren und auf Vorposten stehen, ohne Schuh', in einer Kälte, bei welcher die Kinder im Mutterleibe erfrieren, so dass wir Schiesspulver in den Branntwein tun mussten, um uns den Magen zu erwärmen? Dann wieder tagelang fechten in der Sonnenglut—

SANSCULOTTE. Ach, was schadet das dem Krieger im Eifer des Gefechts?

STELZFUSS. Natürlich, wenn dir eine Kanonenkugel den Kopf wegreisst, so stirbst du nicht am Sonnenstich—

EINER AUS DEM VOLKE. Bist du nicht der, den sie als jungen Burschen den kleinen Barbier nannten—Gehilfe beim Barbier Flatte in der Strasse Pompadour?

STELZFUSS.
Der bin ich und habe mein Handwerk nicht verlernt—
Zu Lille, wenn eine Bombe niederflog
und vor mir platzte, griff ich eine Scherbe
vom Boden auf, gebrauchte sie als Schüssel
mit Seif' und Wasser und rasierte dann
so zwanzig Kameraden auf dem Fleck.
Ei, das gefiel euch wohl hier in Paris,
wenn die Armee mit den geschwungenen Fahnen
wegwedelte von Frankreichs Leib des Auslands
Schmeissfliegenschwarm, der zahllos ihn umschwirrt—
Wenn ihr vernahmt, dass wir so Sieg auf Sieg
erfochten, dachtet ihr da hinterm Ofen
wohl auch daran, wie oft wir barfuss liefen
und nichts zu beissen hatten als Patronen,
und oft nicht einmal die?

SANSCULOTTE. Was? lassen nicht die Weiber von Paris ihre Männer zerrissen laufen, um Zelttücher und Uniformen für euch zu nähen? Behelfen wir uns nicht statt der klingenden Münze mit lumpigen wertlosen Assignaten? Was? Wir nicht an euch gedacht? Und sind wir etwa müssig gewesen, indess ihr im Felde standet? In den Septembertagen hättest du hier sein sollen?

STELZFUSS. Kann mir's denken—erinnere mich noch recht gut, wie du vor drei Jahren einmal bei einem Volksfeste dem Pferde des Generals Lafayette, ohne dass es der General merkte, den Schweif an einen Laternenpfahl bandest, weil die Stute damit immer dir und anderen, die hinter dir standen, ins Gesicht flunkerte?

SANSCULOTTE. Possen! Aber in den Septembertagen...

STELZFUSS. Ist es denn wahr, dass ihr in diesen Septembertagen zuletzt auch die sämtlichen seltenen Tiere in der Menagerie von Versailles habt über die Klinge springen lassen?

SANSCULOTTE. Was? Die sämtlichen seltenen Tiere? Nein, nur die Löwen und Adler, weil das die Könige der Tiere sind, und dann was die sogenannten Wappentiere sind, wie sie die Aristokraten in ihren Wappen hatten?

STELZFUSS. Teufelskerle! Wie kam euch denn das so auf einmal?

SANSCULOTTE. Weiss nicht. Auf einmal, sagst du? Gar nicht auf einmal Es kam so nach und nach, wie der Appetit mit dem Essen?

STELZFUSS. Was sagten denn die Gemässigten?

SANSCULOTTE. Kein Wort. Hinter den Sansculotten stand die Kommune, und diese selber deckte der breite Rücken Dantons, der sich damals eben zum erstenmal aufgerichtet hatte als ein brüllender Leu. Gegen den waren die anderen nur ein Rudel bissiger Hunde. Jetzt ist er träg geworden und überhaupt, wie alles grosse Getier, nicht so beständig munter und beisslustig wie die kleineren Kläffer—

EINER AUS DEM VOLK. Ah, diesem Simson haben's auch die Weiber angetan?

SANSCULOTTE.
Ja, ja, doch sag ich euch,
steht der noch einmal auf, so lang er ist,
stösst er die Decke durch und reisst die Säulen
im Tempel um, grad' wie der Simson auch—

EIN ANDERER. Ach was, der steht nicht wieder auf. Den hat der andre unter’sich gebracht. Und dieser andre ist schlau?

STELZFUSS. Wer?

SANSCULOTTE. Ei wer? Hast du von Robespierre im Lager nicht gehört?

STELZFUSS. Robespierre? Robespierre? Ist das das kleine steife Männchen, das man spottweise das’ Talglicht von Arras’ nennt, weil er von Arras kam und gern glänzen wollte, aber nicht heller flackerte als eine Talgkerze? Sie lachten ihn immer aus, wenn er in der Nationalversammlung sprechen wollte.

SANSCULOTTE. Das war damals. Der führt jetzt im Nationalkonvent, im Wohlfahrtsausschuss, im Jacobinerklub das grosse Wort.

STELZFUSS. Ich sah ihn einmal—nur von fern. Trägt er nicht Brillen?

SANSCULOTTE. Nein.

STELZFUSS. Es kam mir doch so vor.

SANSCULOTTE. Er hat ein gelbes Gesicht und bläulich- gräuliche Ränder um die Augen—die wirst du in deiner Einfalt aus der Entfernung für Brillen gehalten haben?

STELZFUSS. Bleich im Gesicht?

SANSCULOTTE.
Gelb—grau—nein, eigentlich—wie soll ich sagen?
Graugrün, wenn man's genau nimmt—tiefe Augen
und widerhaar'ge Braun—ein schlichtes Männchen;
nichts gegen Danton! Aber wenn vor dir
hier Danton steht, der mächtige Koloss,
und dort das schneid'ge Männchen Robespierre
sprichst du mit dem frei von der Leber weg
wie mit dem jovialsten Kameraden,
und vor dem andern stockt die Rede dir
im Schlund—nicht grad' als ob er dich so dreist
ansäh', im Gegenteil, sieht eher etwas schüchtern
und unbehilflich aus vor vielem Volk—
doch geh' nur einmal auf die Galerie
des Nationalkonvents, sobald er spricht:
da kennst du ihn nicht mehr. Wenn festen Schritts
er steigt zur Rednerbühne, wird's so still,
dass du die Mäuschen pfeifen hören kannst
in ihren Löchern. Steht er anfangs dann
aufrecht und ruhig droben wie ein Pfahl
und spricht gelassen, denkst du: nun, er spricht nur eben
wie ein Schulmeister, oder wie ein Pfaff
spricht auf der Kanzel—plötzlich aber wirft
er ein paar Worte hin mit einer Stimme,
so kalt und scharf wie Stahl—in einem Ton,
dass dir ein Schauer über'n Rücken läuft-
Und fängt dann gar der Winkel seines Mundes
zu zucken an, und ruft er bittersüss
in seiner scharfen, schneidigen Manier:
‘Du armes Volk!’ und’ Tugendhaftes Volk!’
da packt dich was im Herzen wie ein Krampf:
du legst die Hand ans Messer, wenn du eins
verbirgst an deiner Brust, und möchtest gern
dich vor ihm niederwerfen und ihn fragen,
wen du zuerst von den verfluchten Feinden
der Republik damit durchstossen sollst—
Zuweilen aber schweigt er wochenlang
und lässt die anderen reden. Es geschehe
viel Dinge noch, von welchen man nicht weiss,
ob sie ihm lieb sind oder leid. Zuweilen
laviert er bloss und wartet auf den Wind.

Eben in letzter Zeit ist er wieder sehr schweigsam geworden?

---

SANSCULOTTE. (going up to him) What? You, Battiste, back in Paris? Damn it all—your leg—

WOODEN LEG. The prime cut of a hornbeams

SANSCULOTTE. Well fought for the Republic? No fear of death or the devil and never taken prisoner?

WOODEN LEG. Only once, fallen upon by enemy cavalry and then they were four to?

SANSCULOTTE. Stood up to plenty of hardship?

WOODEN LEG. By Jupiter! You've an easy time here in warm Paris, running around as sansculottes; but to camp out in the fields and to be on outpost duty without shoes in a cold that's enough to freeze a baby in its mother's womb, so that we had to put gunpowder in our brandy to warm up our stomachs? Then the whole day long to fight in the blaze of the sun?

SANSCULOTTE. Oh! What does that matter to anyone in the heat of the battle?

WOODEN LEG. Naturally if a cannonball takes off your head you can't be said to die of sunstroke—

ONE OF THE PEOPLE. Are you the one they used to call the little barber when you were a bit of a thing—used to help Barber Hatte in Pompadour Street?

WOODEN LEG. That's me, and I've never forgotten my trade—
Once when a bomb came down at Lille and burst
In front of me I seized a fragment up
From off the ground and used it as a dish,
And then with soap and water, on the spot,
Gave a good shave to twenty of our lads.
Ha, this pleased you all right well in Paris here
When our brave army with its colours flying
Swept from our France the dirty foreign flies
Which in a countless swarm did buzz around.
When you did hear of all the victories
That we were gaining, from beside your stoves
Had you a thought how often with bare feet
We went about and nothing had to eat
But cartridges—not even those at times?

SANSCULOTTE. What? Don't the wives of Paris let their men go in rags while they stitch at tent-cloths and uniforms for you? Don't we have to put up with dirty, worthless paper in place of ringing coins? What? We don't think about you? And are we idle when you're fighting? You should have been here in the September days—

WOODEN LEG. I can imagine—I remember quite well how three years ago on a people's holiday, without the General noticing it, you bound the tail of Lafayette's mare to the lamp-post because it cavorted about in your very faces?

SANSCULOTTE. Buffoonery! But in those September days...

WOODEN LEG. Is it true then that in those September days you put to death the whole collection of rare animals in the menagerie at Versailles?

SANSCULOTTE. What? The whole menagerie? No, only the lions and eagles because they are the kings among the animals; besides they're what are in the so-called coats-of-arms that aristocrats used to bear.

WOODEN LEG. You devils! How did that suddenly come into your heads?

SANSCULOTTE. I don't know. Suddenly, did you say? It wasn't a bit sudden. It came gradually—like appetite comes with eating—

WOODEN LEG. What said the moderates?

SANSCULOTTE. Not a word. The Commune is behind the sansculottes, and that's protected by Danton's broad back, and just at that time he was beginning to roar like a lion. Compared with him the others were only a pack of biting dogs. He's become lazy nowadays and like all the great beasts not always so full of vigour and lust for using his teeth as the small curs are—

ONE OF THE PEOPLE. Ah! This Samson too has been bewitched by the women!

SANSCULOTTE. Yes, yes, but I would have you know
When upright he does stand he is so tall
He'd push the ceiling through, break down the pillars,
Just as did once your Samson in the temple—

ANOTHER. Oh well! He no longer stands at his full height. He's under the other now, and this other is crafty—

WOODEN LEG. Who?

SANSCULOTTE. Who Haven't you heard of Robespierre in your camp ?

WOODEN LEG. Robespierre? Robespierre? Is that the stiff little man they call in fun the ‘tallow candle of Arras' because he came from Arras and wanted to shine but gave no more light than a flickering tallow candle? They laughed him out of court when he wanted to speak in the National Assembly.

SANSCULOTTE. That was in those days. He leads now in the debates in the National Convention or in the Committee of Public Safety—in the Jacobin Club too.

WOODEN LEG. I saw him once—only from a distance. Doesn't he wear spectacles?

SANSCULOTTE. No.

WOODEN LEG. It looked as if he did.

SANSCULOTTE. He has a yellow face and a blue-grey rim round his eyes, which you in your ignorance may at a distance have taken for spectacles—

WOODEN LEG. Pasty-faced?

SANSCULOTTE. Yellow—grey—no indeed, what shall I say?
Grey-green, to be exact, with deep-set eyes
And stubborn brow—a simple, little
man, Nothing compared with Danton! But if here
That great Colossus Danton were to stand
And there the little sharp-edged Robespierre,
With Danton one could speak out at one's ease
As with the friendliest among one's mates,
But with the other all your talk would be
Stuck in your throat; not that he's arrogant,
Quite on the contrary for he seems shy
And at a loss before a lot of folk—
But hear him at the National Convention!
You will not know him; when with a firm step
He goes up to the rostrum, all's so still
That you can hear the piping of the mice
Inside their holes. He to begin with stands
Upright and cool above us like a pillar
And speaks so calm, you think: well, now he talks
Just like a schoolmaster, or like a priest
Talks in a pulpit—then, quite suddenly
He hurls out a few words, but with a voice
As cold and sharp as steel, and in a tone
That sends a shudder running down your back;
And then the corner of his mouth begins
To twitch and he cries' out, so bittersweet,
In that sharp way so full of energy,
‘O you poor folk’ and ‘O you virtuous folk!’
And something seizes on your heart like cramp,
And if you have a knife concealed about you
You grasp it firmly, with the strong desire
To throw yourself before him and to ask
Which, to begin with, of the cursed foes
Of the Republic you should plunge it in.
But sometimes he is silent weeks on end
Letting the others speak. Many things occur
Of which one does not know whether they please
Or do not please him. Then too there are times
When he just tacks and waits upon the wind.
He's been quite silent recently again—

Note the skilful way in which the personality of Robespierre is introduced. The sansculotte abandons his role as sansculotte, and suddenly shows himself as a marvellous portrayer of character. If this moment in the scene is rendered with the colouring that it has been my intention to give to it in my reading, then in this speech that the sansculotte addresses to the people around him, the audience will eel the swing-over of loyalty of which we have spoken. The critical moment of transition has come; and as we go on, I shall indicate here and there some of the points that it would be important for a producer to have in mind The second mood is now upon us, it overwhelms the scene as though with a confused and deafening noise; I compared it, you will remember, to the clash of sounding brass.

EIN SCHREIBER DER KOMMUNE. (erscheint mit Handlangern, die Bretter und Handwerksgeräte mit sich tragen) Platz da! Platz, Sansculotten! Das Gerüst für die Göttin der Vernunft und für die Redner wird aufgeschlagen! Der Festzug wird in kurzer Zeit da sein.

---

CLERK TO THE COMMUNE. (appears with workmen carrying planks and tools) Make way there; make way, sansculottes. The stand is to be put up for the Goddess of Reason and the orators. The procession will shortly be here.

Here we have the ö (French eu in ‘feu’) mood. It has to be spoken forward; we must let the speaking strike on to the front part of the palate.

VOLK. Ça ira! Es lebe die Göttin der Vernunft!

SCHREIBER. (zu den Handlangern) Hierher, ihr Leute! in der Mitte des Platzes! Notre-Dame gerade gegenüber! (Die Handlanger machen sich an die Arbeit.)

---

PEOPLE. Ça ira. Long live the Goddess of Reason!

CLERK. (to his men) Here, you people! In the middle of the square! Over there by Notre Dame! (The men set to work.)

From now on, the women speak more in the ei (as in ‘height’) mood. With the entry of Robespierre into the conversation, the revolutionary impulses begin to be imbued with a sort of coy and affectionate enthusiasm—e a.

EIN WEIB. Seht nur, dass es nicht wieder so geht, wie im vorigen Jahre bei dem grossen Feste, wo sich ein paar Kerle unter den Brettergrund des Gerüstes versteckten—vermutlich um die Männer und Frauen, die darauf standen, in die Luft zu sprengen, bis man sie entdeckte, hervorzog und totschlug—

DER SCHREIBER. (schäkernd) Ach, das waren bloss ein paar Verehrer eures Geschlechts, die durch die Ritzen herauf- blinzelten... Was läge daran, wenn man heute der Vernunft ein wenig nach den Waden guckte? Sein Augenmerk auf die Vernunft und all ihr Detail zu richten, ist ja fortan Bürgerpflicht!

WEIBER. (ihn umringend) Du Schelm!—Werden sie bald da sein?

SCHREIBER. Sogleich.

WEIBER. Heissa, gleich werden sie da sein! Es lebe Hebert und Chaumette! Es lebe die Kommune! Es lebe der Konvent! Es lebe Danton! Es lebe Robespierre!

A WOMAN. Look to it that what happened last year at the great fête doesn't happen again, when a few fellows hid underneath the platform—as it was thought, to blow up the men and women on it—till they were discovered and pulled out and killed—

---

CLERK. (waggishly) Aha! They were simply one or two worshippers of your fair sex squinting through the crevices. ... What of it if today, too, someone has a peep at the Goddess of Reason's legs? To make Reason in all her details his aim, is henceforth one of the obligations of a citizen!

WOMEN. (pressing round him) You rogue! Will they soon be here?

CLERK. They're just coming.

WOMEN. Hurray! They're just coming! Long live Hebert and Chaumette! Long live the Commune! Long live the Convention! Long live Danton! Long live Robespierre!

(Translated by V. E. W.)

I wanted to show you by practical example how a scene like this should be treated. I have laid on the colouring a little more strongly than would be necessary in a performance, because I wanted you to have a particularly clear picture of how the different moods come severally to expression in the treatment of sound. We saw, for example, that the countryman has to be spoken throughout with the mouth open, for he is to reveal the a mood; a slight intoning of a should even be audible in every sound he utters. Similarly, you will find the clerk has to speak so that something of an i enters into each one of his sounds. His voice is always in front of that i-boundary in the mouth, of which I was speaking the other day, and is continually striking the front part of the palate. It is by paying careful attention to details like this, that we can gradually learn to give form and style to our speaking on the stage.

My dear Friends,

today we will take first a reading from Goethe that will illustrate for you many of the things of which we have been speaking in the previous lectures. You will have seen from the readings you listened to a few days ago—taken first from the earlier, and then for comparison from the later Iphigenie—what sort of an ideal for drama was living in Goethe at the beginning of his work as a playwright. He brought this form of drama to a kind of perfection in Götz von Berlichingen, also in some of the scenes in Faust, Part I. Goethe was working here essentially out of a feeling for prose—not yet out of an artistic forming of speech.

The first Iphigenie, which may be described as the German Tasso, proclaims itself at once, in contradistinction to the Roman, as a striking example of well-formed prose, although a prose that has, under the influence of the poetic content, been allowed to run into rhythm.

It was on his visit to Italy that Goethe began to interest himself in the artistic forming of speech. Contemplation of Italian art awakened in him a perception of how man's formative powers work, how they shape and mould a material artistically. With the whole strength of his soul, Goethe set himself to work his way through to what he now saw to be art in its purity. And this led him to feel that wherever possible he must re-mould his earlier work, he must form it anew, letting its form arise now from the language, from the formative qualities of speech.

Goethe accomplished this in an eminent manner with the material he had at hand in his earlier Tasso and Tasso. And in Tasso he succeeded even in letting the speech shape the whole drama throughout. This was an achievement of remarkable originality. There is perhaps no other work of its kind where the conscious endeavour has been made to develop a drama entirely within the formative activity of speech itself.

Now, it will of course be evident from what I was saying yesterday that speech formation alone is not enough; drama must have in addition mime and gesture. The intellect of the spectator—for that too should undergo artistic development as he watches the play—needs to see the gesturing as well as to hear the words. This was not sufficiently clear to Goethe at the time when he was working at his Roman Tasso and Tasso; he had not yet realised the importance of mime and gesture as an integral part of drama. Hence it is that we have in Tasso so striking an example of a drama where it is all a matter of speech, where everything follows from the forming of the speech.

But now put yourself in the position of having to produce Goethe's Tasso. As you begin to develop your picture of the stage, scene by scene, you will find that many different possibilities are open to you for your stage settings. It will certainly not be easy to introduce modifications into the form of the speech, for speech has here been brought to a certain artistic perfection; but your picture of the stage you will find you can plan in the most varied ways. There is, however, a passage in Tasso where, as producer, you will come up against an insuperable difficulty. It is in the scene where Tasso makes himself intolerable to the Princess, acting in such a way as to give a most unfortunate turn to the whole drama. Here the producer is helpless. There is, in fact, no way out. Call on all the artistic means at your disposal, and see whether as producer you can make a success of this passage. You will not be able to do it. That such moments occur in plays must be known and recognised, if the art of the stage is to be cultivated in the right manner. You will of course finally manage to devise some way of meeting the situation, but you will not be able to give artistic form to your pis alle.

This instance from Tasso can serve to show that in his work as dramatist Goethe did not altogether find the way from the forming of speech to the development of full drama that lives and weaves on the stage. That, one must admit, is an important fact; and the importance of it can be clearly seen in the further development of Goethe's work. For what do we find?

In his Tasso and Tasso, Goethe may be said to live in the speech, to live in it as a supreme and perfect artist. In the sphere of speech, these two plays are unsurpassed. Goethe himself knew well of course that drama could not stop here, that it must develop further. While still in Italy, he composed also many scenes for his Faust. These, however, did not take on a Roman character. The ‘Witches' Kitchen’, for example, was composed in Italy, and is thoroughly northern, thoroughly Gothic in the old sense. Goethe knew that for these scenes he must wrest himself free of the Italian influence that surrounded him, must forget all about it and be a complete northerner. This comes out also in the letters he was writing at the time. What had been possible with Tasso and with Tasso was not possible with the material he was dealing with in Faust.

And now we can follow the development a step further. Goethe began to write Die natürliche Tochter. In this play he shows that he wants to come right out on to the stage. He is not going to continue working in speech alone, he means to concern himself with the whole picture presented to the audience. He planned here a trilogy, but it was never completed; we have no more than the first part. As a matter of fact, only fragments, mere torsos, remain to us of all the plays that Goethe began after this time. Even Pandora—a work that was grandly conceived, as can be seen from the rough sketch the author made of the whole—was never completed. Faust alone was finished, but finished in such a way that only in the speech was the poet happy and successful; for the rest, he drew on tradition. The last grand scene is derived from the traditional imaginative conceptions of Roman Catholicism. Goethe did not find in himself the sources for that scene.

Inherent of course in all this lies Goethe's profound honesty; Faust alone he finishes, and that, as can plainly be seen, out of a certain inability! The other plays he leaves unfinished, because he knew he could not complete them without entirely re-forming them. A dishonest artist would have finished them. Naturally, it is easy enough to polish off plenty of plays if one has no inclination or ability to delve down to the very deeps and make contact with the Archai of all creating. Oh yes, one can then complete many things to one's own satisfaction!

A number of different people have set out to complete Schiller's Demetrius, for example, but not one among them all has left us an artistic creation; no single ending proposed can be said to develop the play artistically. And it is art that we must really begin again to care about and expect to find. We must get to know art in its foundations, we must develop again a genuine artistic sensitiveness. For a long time this has been lacking. Traditions have survived, they have been handed down; but sensitiveness to true art—that is what our civilisation needs. The art of the stage has unique opportunity for helping this sensitiveness to develop: it can turn to good account the living relationship that subsists between stage and spectator. Unless we seize on this opportunity, we shall not get any farther.

In order to show you—or I should rather say, remind you, for I assume you are all of you familiar with the play—in order to remind you how far the forming of the speech dominated Goethe's dramatic work in the period of its highest attainment, we will ask you now to listen to the first scene from his Torquato Tasso. Frau Dr. Steiner will recite it for us.

(Frau Dr. Steiner): Let me first recall to you the setting of the scene. It takes place in a garden ornamented with columns carrying the busts of epic poets. In the foreground are Virgil on the right and Ariosto on the left.

(PRINZESSIN, LEONORE)

PRINZESSIN

Du siehst mich lächelnd an, Eleonore,
Und siehst dich selber an und lächelst wieder.
Was hast du? Lass es eine Freundin wissen!
Du scheinst bedenklich, doch du scheinst vergnügt.

LEONORE

Ja, meine Fürstin, mit Vergnügen seh' ich
Uns beide hier so ländlich ausgeschmückt.
Wir scheinen recht beglückte Schäferinnen,
Und sind auch wie die Glücklichen beschäftigt.
Wir winden Kränze. Dieser, bunt von Blumen,
Schwillt immer mehr und mehr in meiner Hand;
Du hast mit höherm Sinn und grösserm Herzen
Den zarten, schlanken Lorbeer dir gewählt.

PRINZESSIN

Die Zweige, die ich in Gedanken flocht,
Sie haben gleich ein würdig Haupt gefunden:
Ich setze sie Virgilen dankbar auf.
(Sie kränzt die Herme Virgils.)

LEONORE

So drück' ich meinen vollen frohen Kranz
Dem Meister Ludwig auf die hohe Stirne—
(Sie kränzt Ariostens Herme.)
Er, dessen Scherze nie verblühen, habe
Gleich von dem neuen Frühling seinen Teil.

PRINZESSIN

Mein Bruder ist gefällig, dass er uns
In diesen Tagen schon aufs Land gebracht:
Wir können unser sein und stundenlang
Uns in die goldne Zeit derDichter träumen.
Ich liebe Belriguardo, denn ich habe
Hier manchen Tag der Jugend froh durchlebt,
Und dieses neue Grün und diese Sonne
Bringt das Gefühl mir jener Zeit zurück.

LEONORE

Ja, es umgibt uns eine neue Welt!
Der Schatten dieser immer grünen Bäume
Wird schon erfreulich. Schon erquickt uns wieder
Das Rauschen dieser Brunnen. Schwankend wiegen
Im Morgenwinde sich die jungen Zweige.
Die Blumen von den Beeten schauen uns
Mit ihren Kinderaugen freundlich an.
Der Gärtner deckt getrost das Winterhaus
Schon der Zitronen und Orangen ab.
Der blaue Himmel ruhet über uns,
Und an dem Horizonte löst der Schnee
Der fernen Berge sich in leisen Duft.

PRINZESSIN

Es wäre mir der Frühling sehr willkommen,
Wenn er nicht meine Freundin mir entführte.

LEONORE

Erinnere mich in diesen holden Stunden,
O Fürstin, nicht, wie bald ich scheiden soll.

PRINZESSIN

Was du verlassen magst, das findest du
In jener grossen Stadt gedoppelt wieder.

LEONORE

Es ruft die Pflicht, es ruft die Liebe mich
Zu dem Gemahl, der mich so lang entbehrt.
Ich bring' ihm seinen Sohn, der dieses Jahr
So schnell gewachsen, schnell sich ausgebildet,
Und teile seine väterliche Freude.
Gross ist Florenz und herrlich, doch der Wert
Von allen seinen aufgehäuften Schätzen
Reicht an Ferraras Edelsteine nicht.
Das Volk hat jene Stadt zur Stadt gemacht,
Ferrara ward durch seine Fürsten gross.

PRINZESSIN

Mehr durch die guten Menschen, die sich hier
Durch Zufall trafen und zum Glück verbanden.

LEONORE

Sehr leicht zerstreut der Zufall, was er sammelt.
Ein edler Mensch zieht edle Menschen an
Und weiss sie festzuhalten, wie ihr tut.
Um deinen Bruder und um dich verbinden
Gemüter sich, die euer würdig sind,
Und ihr seid eurer grossen Väter wert.
Hier zündete sich froh das schöne Licht
Der Wissenschaft, des freien Denkens an,
Als noch die Barbarei mit schwerer Dämmrung
Die Welt umher verbarg. Mir klang als Kind
Der Name Herkules von Este schon,
Schon Hippolyt von Este voll ins Ohr.
Ferrara ward mit Rom und mit Florenz
Von meinem Vater viel gepriesen! Oft
Hab' ich mich hingesehnt; nun bin ich da.
Hier ward Petrarch bewirtet, hier gepflegt,
Und Ariost fand seine Muster hier.
Italien nennt keinen grossen Namen,
Den dieses Haus nicht seinen Gast genannt.
Und es ist vorteilhaft, den Genius
Bewirten: gibst du ihm ein Gastgeschenk,
So lässt er dir ein schöneres zurück.
Die Stätte, die ein guter Mensch betrat,
Ist eingeweiht; nach hundert Jahren klingt
Sein Wort und seine Tat dem Enkel wieder.

PRINZESSIN

Dem Enkel, wenn er lebhaft fühlt wie du.
Gar oft beneid' ich dich um dieses Glück.

LEONORE

Das du, wie wenig andre, still und rein
Geniessest. Drängt mich doch das volle Herz,
Sogleich zu sagen, was ich lebhaft fühle;
Du fühlst es besser, fühlst es tief und—schweigst.
Dich blendet nicht der Schein des Augenblicks.
Der Witz besticht dich nicht, die Schmeichelei
Schmiegt sich vergebens künstlich an dein Ohr:
Fest bleibt dein Sinn und richtig dein Geschmack,
Dein Urteil grad, stets ist dein Anteil gross
Am Grossen, das du wie dich selbst erkennst.

PRINZESSIN

Du solltest dieser höchsten Schmeichelei
Nicht das Gewand vertrauter Freundschaft leihen.

LEONORE

Die Freundschaft ist gerecht, sie kann allein
Den ganzen Umfang deines Werts erkennen.
Und lass mich der Gelegenheit, dem Glück
Auch ihren Teil an deiner Bildung geben;
Du hast sie doch, und bist's am Ende doch,
Und dich mit deiner Schwester ehrt die Welt
Vor allen grossen Frauen eurer Zeit.

PRINZESSIN

Mich kann das, Leonore, wenig rühren,
Wenn ich bedenke, wie man wenig ist,
Und was man ist, das blieb man andern schuldig.
Die Kenntnis alter Sprachen und des Besten,
Was uns die Vorwelt liess, dank' ich der Mutter;
Doch war an Wissenschaft, an rechtem Sinn
Ihr keine beider Töchter jemals gleich,
Und soll sich eine ja mit ihr vergleichen,
So hat Lucretia gewiss das Recht.
Auch, kann ich dir versichern, hab' ich nie
Als Rang und als Besitz betrachtet, was
Mir die Natur, was mir das Glück verlieh.
Ich freue mich, wenn kluge Männer sprechen,
Dass ich verstehen kann, wie sie es meinen.
Es sei ein Urteil über einen Mann
Der alten Zeit und seiner Taten Wert;
Es sei von einer Wissenschaft die Rede,
Die, durch Erfahrung weiter ausgebreitet,
Dem Menschen nutzt, indem sie ihn erhebt;
Wohin sich das Gespräch der Edlen lenkt,
Ich folge gern, denn mir wird leicht, zu folgen.
Ich höre gern dem Streit der Klugen zu,
Wenn um die Kräfte, die des Menschen Brust
So freundlich und so fürchterlich bewegen,
Mit Grazie die Rednerlippe spielt;
Gern, wenn die fürstliche Begier des Ruhms,
Des ausgebreiteten Besitzes, Stoff
Dem Denker wird, und wenn die feine Klugheit,
Von einem klugen Manne zart entwickelt,
Statt uns zu hintergehen, uns belehrt.

LEONORE

Und dann, nach dieser ernsten Unterhaltung,
Ruht unser Ohr und unser innrer Sinn
Gar freundlich auf des Dichters Reimen aus,
Der uns die letzten lieblichsten Gefühle
Mit holden Tönen in die Seele flösst.
Dein hoher Geist umfasst ein weites Reich,
Ich halte mich am liebsten auf der Insel
Der Poesie in Lorbeerhainen auf.

PRINZESSIN

In diesem schönen Lande hat man mir
Versichern wollen, wächst vor andern Bäumen
Die Myrte gern. Und wenn der Musen gleich
Gar viele sind, so sucht man unter ihnen
Sich seltner eine Freundin und Gespielin,
Als man dem Dichter gern begegnen mag,
Der uns zu meiden, ja, zu fliehen scheint,
Etwas zu suchen scheint, das wir nicht kennen
Und er vielleicht am Ende selbst nicht kennt.
Da wär' es denn ganz artig, wenn er uns
Zur guten Stunde träfe, schnell entzückt
Uns für den Schatz erkennte, den er lang'
Vergebens in der weiten Welt gesucht.

LEONORE

Ich muss mir deinen Scherz gefallen lassen,
Er trifft mich zwar, doch trifft er mich nicht tief.
Ich ehre jeden Mann und sein Verdienst,
Und ich bin gegen Tasso nur gerecht.
Sein Auge weilt auf dieser Erde kaum;
Sein Ohr vernimmt den Einklang der Natur;
Was die Geschichte reicht, das Leben gibt,
Sein Busen nimmt es gleich und willig auf:
Das weit Zerstreute sammelt sein Gemüt,
Und sein Gefühl belebt das Unbelebte.
Oft adelt er, was uns gemein erschien,
Und das Geschätzte wird vor ihm zu nichts.
In diesem eignen Zauberkreise wandelt
Der wunderbare Mann und zieht uns an,
Mit ihm zu wandeln, teil an ihm zu nehmen:
Er scheint sich uns zu nahn, und bleibt uns fern;
Er scheint uns anzusehn, und Geister mögen
An unsrer Stelle seltsam ihm erscheinen.

PRINZESSIN

Du hast den Dichter fein und zart geschildert,

Der in den Reichen süsser Träume schwebt.
Allein mir scheint auch ihn das Wirkliche
Gewaltsam anzuziehn und festzuhalten.
Die schönen Lieder, die an unsern Bäumen
Wir hin und wieder angeheftet finden,
Die, goldnen Aepfeln gleich, ein neu Hesperien
Uns duftend bilden, erkennst du sie nicht alle
Für holde Früchte einer wahren Liebe?

LEONORE

Ich freue mich der schönen Blätter auch.
Mit mannigfalt'gem Geist verherrlicht er
Ein einzig Bild in allen seinen Reimen.
Bald hebt er es in lichter Glorie
Zum Sternenhimmel auf, beugt sich verehrend
Wie Engel über Wolken vor dem Bilde;
Dann schleicht er ihm durch stille Fluren nach,
Und jede Blume windet er zum Kranz.
Entfernt sich die Verehrte, heiligt er
Den Pfad, den leis ihr schöner Fuss betrat.
Versteckt im Busche, gleich der Nachtigall,
Füllt er aus einem liebekranken Busen
Mit seiner Klagen Wohllaut Hain und Luft;
Sein reizend Leid, die sel'ge Schwermut lockt
Ein jedes Ohr, und jedes Herz muss nach—

PRINZESSIN

Und wenn er seinen Gegenstand benennt,
So gibt er ihm den Namen Leonore.

LEONORE

Es ist dein Name, wie es meiner ist.
Ich nähm' es übel, wenn's ein andrer wäre.
Mich freut es, dass er sein Gefühl für dich
In diesem Doppelsinn verbergen kann.
Ich bin zufrieden, dass er meiner auch
Bei dieses Namens holdem Klang gedenkt.
Hier ist die Frage nicht von einer Liebe,
Die sich des Gegenstands bemeistern will,
Ausschliessend ihn besitzen, eifersüchtig
Den Anblick jedem andern wehren möchte.
Wenn er in seliger Betrachtung sich
Mit deinem Wert beschäftigt, mag er-auch
An meinem leichtem Wesen sich erfreun.
Uns liebt er nicht—verzeih, dass ich es sage!—
Aus allen Sphären trägt er, was er liebt,
Auf einen Namen nieder, den wir führen,
Und sein Gefühl teilt er uns mit; wir scheinen
Den Mann zu lieben, und wir lieben nur
Mit ihm das Höchste, was wir lieben können.

PRINZESSIN

Du hast dich sehr in diese Wissenschaft
Vertieft, Eleonore, sagst mir Dinge,
Die mir beinahe nur das Ohr berühren
Und in die Seele kaum noch übergehn.

LEONORE

Du, Schülerin des Plato! nicht begreifen,
Was dir ein Neuling vorzuschwatzen wagt?
Es müsste sein, dass ich zu sehr mich irrte;
Doch irr' ich auch nicht ganz, ich weiss es wohl.
Die Liebe zeigt in dieser holden Schule
Sich nicht, wie sonst, als ein verwöhntes Kind:
Es ist der Jüngling, der mit Psychen sich
Vermählte, der im Rat der Götter Sitz
Und Stimme hat. Er tobt nicht frevelhaft
Von einer Brust zur andern hin und her;
Er heftet sich an Schönheit und Gestalt
Nicht gleich mit süssem Irrtum fest, und büsset
Nicht schnellen Rausch mit Ekel und Verdruss.

PRINZESSIN

Da kommt mein Bruder! Lass uns nicht verraten,
Wohin sich wieder das Gespräch gelenkt:
Wir würden seinen Scherz zu tragen haben,
Wie unsre Kleidung seinen Spott erfuhr.

---

TORQUATO TASSO
by Goethe
Act I. Scene 1.

(PRINCESS and LEONORA, habited as shepherdesses.)

PRINCESS

Smiling thou dost survey me, Leonora,
And with a smile thou dost survey thyself.
What is it? Let a friend partake thy thought!
Thou seemest pensive, yet thou seemest pleased.

LEONORA

Yes, I am pleased, my princess, to behold
Us twain in rural fashion thus attir'd.
Two happy shepherd-maidens we appear,
And like the happy we are both employed.
Garlands we wreathe, this one, so gay with flowers,
Beneath my hand in varied beauty grows;<
Thou hast with higher taste and larger heart
The slender pliant laurel made thy choice.

PRINCESS

The laurel wreath, which aimlessly I twin'd,
Hath found at once a not unworthy head;
I place it gratefully on Virgil's brow.
(She crowns the bust of Virgil.)

LEONORA

With my full joyous wreath the lofty brow
Of Master Ludovico, thus I crown—
(She crowns the bust of Ariosto.)
Let him whose sportive sallies never fade,
Receive his tribute from the early spring.

PRINCESS

My brother is most kind, to bring us here
In this sweet season to our rural haunts;
Here, by the hour, in freedom unrestrain'd,
We may dream back the poet's golden age.
I love this Belriguardo; in my youth
Full many a joyous day I linger'd here,
And this bright sunshine, and this verdant green,
Bring back the feelings of that bygone time.

LEONORA

Yes, a new world surrounds us! Grateful now
The cooling shelter of these evergreens.
The tuneful murmur of this gurgling spring
Once more revives us. In the morning wind
The tender branches waver to and fro.
The flowers look upwards from their lowly beds,
And smile upon us with their childlike eyes.
The gardener, fearless grown, removes the roof
That screened his citron and his orange-trees;
The azure dome of heaven above us rests;
And, in the far horizon, from the hills
The snow in balmy vapour melts away.

PRINCESS

Most welcome were to me the genial spring,
Did it not lead my friend away from me.

LEONORA

My princess, in these sweet and tranquil hours,
Remind me not how soon I must depart.

PRINCESS

Yon mighty city will restore to thee,
In double measure, what thou leavest here.

LEONORA

The voice of duty, and the voice of love,
Both call me to my lord, forsaken long,
I bring to him his son, who rapidly
Hath grown in stature, and matured in mind,
Since last they met—I share his father's joy.
Florence is great and noble, but the worth
Of all her treasur'd riches doth not reach
The prouder jewels that Ferrara boasts.
That city to her people owes her power;
Ferrara grew to greatness through her princes.

PRINCESS

More through the noble men whom chance led here,
And who in sweet communion here remain'd.

LEONORA

Chance doth again disperse what chance collects.
A noble nature can alone attract
The noble, and retain them as ye do.
Around thy brother, and around thyself,
Assemble spirits worthy of you both,
And ye are worthy of your noble sires.
Here the fair light of science and free thought
Was kindled first, while o'er the darkened world
Still hung barbarian gloom. E'en when a child,
The names resounded loudly in mine ear,
Of Hercules and Hippolyte of Este.
My father oft with Florence and with Rome
Extoll'd Ferrara! Oft in youthful dream
Hither I fondly turn'd, now am I here.
Here was Petrarca kindly entertain'd,
And Ariosto found his models here.
Italia boasts no great, no mighty name,
This princely mansion hath not call'd its guest.
In fostering genius we enrich ourselves;
Dost thou present her with a friendly gift,
One far more beautiful she leaves with thee.
The ground is hallow'd where the good man treads;
When centuries have roll'd his sons shall hear
The deathless echo of his words and deeds.

PRINCESS

Yes, if those sons have feelings quick as thine;
This happiness full oft I envy thee.

LEONORA

Which purely and serenely thou, my friend,
As few beside thee, dost thyself enjoy.
When my full heart impels me to express
Promptly and freely what I keenly feel,
Thou feel'st the while more deeply, and—art silent.
Delusive splendour doth not dazzle thee,
Nor wit beguile; and flattery strives in vain
With fawning artifice to win thine ear;
Firm is thy temper, and correct thy taste,
Thy judgment just, and, truly great thyself,
With greatness thou dost ever sympathise.

PRINCESS

Thou shouldst not to this highest flattery
The garment of confiding friendship lend.

LEONORA

Friendship is just; she only estimates
The full extent and measure of thy worth.
Let me ascribe to opportunity,
To fortune too, her portion in thy culture,
Still in the end thou hast it, it is thine,
And all extol thy sister and thyself
Before the noblest women of the age.

PRINCESS

That can but little move me, Leonora,
When I reflect how poor at best we are,
To others more indebted than ourselves.
My knowledge of the ancient languages,
And of the treasures by the past bequeath'd,
I owe my mother, who, in varied lore
And mental power, her daughters far excell'd.
Might either claim comparison with her,
'Tis undeniably Lucretia's right.
Besides, what nature and what chance bestow'd
As property or rank I ne'er esteem'd.
'Tis pleasure to me when the wise converse,
That I their scope and meaning comprehend;
Whether they judge a man of bygone times
And weigh his actions, or of science treat,
Which, when extended and applied to life,
At once exalts and benefits mankind.
Where'er the converse of such men may lead,
I follow gladly, for with ease I follow.
Well pleas'd the strife of argument I hear,
When, round the powers that sway the human breast,
Waking alternately delight and fear,
With grace the lip of eloquence doth play:
And listen gladly when the princely thirst
Of fame, of wide dominion, forms the theme,
When of an able man, the thought profound,
Develop'd skilfully with subtle tact,
Doth not perplex and dazzle, but instruct.

LEONORA

And then, this grave and serious converse o'er,
Our ear and inner mind with tranquil joy
Upon the poet's tuneful verse repose,
Who through the medium of harmonious sounds
Infuses sweet emotions in the soul.
Thy lofty spirit grasps a wide domain;
Content am I to linger in the isle
Of poesy, her laurel groves among.

PRINCESS

In this fair land, I'm told, the myrtle blooms
In richer beauty than all other trees;
Here, too, the Muses wander, yet we seek
A friend and playmate’mong their tuneful choir
Less often than we seek to meet the bard,
Who seems to shun us, nay, appears to flee,
In quest of something that we know not of,
And which perchance is to himself unknown.
How charming were it, if in happy hour
Encountering us, he should with ecstasy
In our fair selves the treasure recognise,
Which in the world he long had sought in vain!

LEONORA

To your light raillery I must submit,
So light its touch it passeth harmless by.
I honour all men after their desert,
And am in truth toward Tasso only just.
His eye scarce lingers on this earthly scene,
To Nature's harmony his ear is tuned.
What history offers, and what life presents,
His bosom promptly and with joy receives,
The widely scatter'd is by him combined,
And his quick feeling animates the dead.
Oft he ennobles what we count for naught;
What others treasure is by him despis'd.
Thus moving in his own enchanted sphere,
The wondrous man doth still allure us on
To wander with him and partake his joy;
Though seeming to approach us, he remains
Remote as ever, and perchance his eye,
Resting on us, sees spirits in our place.

PRINCESS

Thou hast with taste and truth portray'd the bard
Who hovers in the shadowy realm of dreams.
And yet reality, it seems to me,
Hath also power to lure him and enchain.
In the sweet sonnets, scattered here and there,
With which we sometimes find our trees adorn'd,
Creating like the golden fruit of old
A new Hesperia, perceiv'st thou
not The gentle tokens of a genuine love?

LEONORA

In these fair leaves I also take delight.
With all his rich diversity of thought
He glorifies one form in all his strains.
Now he exalts her to the starry heavens
In radiant glory, and before that form
Bows down, like angels in the realms above.
Then stealing after her through silent fields,
He garlands in his wreath each beauteous flower;
And should the form he worships disappear,
Hallows the path her gentle foot hath trod.
Thus like the nightingale, conceal'd in shade,
From his love-laden breast he fills the air
And neighbouring thickets with melodious plaints.
His blissful sadness and his tuneful grief
Charm every ear, enrapture every heart—

PRINCESS

And Leonora is the favour'd name
Selected for the object of his strains.

LEONORA

Thy name it is, my princess, as’tis mine.
It would displease me were it otherwise.
Now I rejoice that under this disguise
He can conceal his sentiment for thee,
And am no less contented with the thought
That this sweet name should also picture me.
Here is no question of an ardent love,
Seeking possession, and with jealous care
Screening its object from another's gaze.
While he enraptur'd contemplates thy worth
He in my lighter nature may rejoice.
He loves not us—forgive me what I say—
His lov'd ideal from the spheres he brings,
And doth invest it with the name we bear;
His feeling we participate; we seem
To love the man, yet only love in him
The highest object that can claim our love.

PRINCESS

In this deep science thou art deeply vers'd,
My Leonora, and thy words in truth
Play on my ear, yet scarcely reach my soul.

LEONORA

Thou Plato's pupil! and not comprehend
What a mere novice dares to prattle to thee?
It must be then that I have widely err'd;
Yet well I know I do not wholly err.
For love doth in this graceful school appear
No longer as the spoilt and wayward child;
He is the youth whom Psyche hath espous'd;
Who sits in council with the assembled gods.
He hath relinquish'd passion's fickle sway,
He clings no longer with delusion sweet
To outward form and beauty, to atone
For brief excitement by disgust and hate.

PRINCESS

Here comes my brother! let us not betray
Whither our converse hath conducted us;
Else we shall have his raillery to bear,
As in our dress he found a theme for jest.
(From the translation by Anna Swanwick.)

(Dr. Steiner): One fact has been entirely forgotten in the drama of recent years. When I tell you what it is, you will not very easily believe me; but I have been present at scarcely a single performance in recent years where the fact that we hear with our ears has not been forgotten. It seems such a simple obvious fact; and yet, from the point of view of art, it has been quite overlooked. The drama of our time has been working on the peculiar assumption that we hear- with our eyes ! It is accordingly considered necessary that whenever an actor is listening to another actor, he shall look straight towards him. In real life, it is certainly customary to turn to the person who is speaking, and it is perhaps justified there as a mark of politeness. Politeness is undoubtedly a praiseworthy virtue, it may even in certain circumstances be reckoned as one of the virtues that go to make up the moral code; and I am far from wanting to imply that there is no need for an actor to be polite; on the contrary! The actor on the stage, however, owes politeness first of all to the audience. (I do not mean some individual there; I shall have important things to say about the audience in the later lectures.) The only politeness that is due from the actor is in his relation to the audience, but in that he must not fail. It must never once be allowed to happen, for instance, that the audience see before them an actor speaking from the back of the stage, and four or five or more others standing in the foreground, turning their backs on the auditorium. That the stage should ever present such a picture is due to the intrusion there in recent years of the dilettantism that wants merely to imitate life. Blunders of this kind will disappear altogether as soon as we begin to take account again of style.

And where a true feeling for style is present, what difference will it make? We shall find we are perfectly able to arrange our positions on the stage so that only on the rarest occasion does an actor need to turn his back to the audience—only, that is, where a particular situation in the play absolutely requires it. As a matter of fact, nothing should ever happen on the stage for which there is not a compelling motive inherent in the play itself.

Take the case of smoking. In what I said yesterday I did not at all mean to convey the impression that I am against the smoking of cigarettes on the stage. But can there be any genuine motive behind it, when a number of persons, obviously merely to fill up dead moments with a bit of mime, are continually lighting cigarettes and smoking them in between their words, or even—as I have often seen—trying to cover their ignorance of rightly formed speech by standing there talking, holding cigarettes in their mouths as they speak? Yes, that does happen. All manner of detestable tricks of this sort have been finding their way on to the stage.

If, however, a boy of seventeen or eighteen years old comes on the stage and lights a cigarette, then there may well be a perfectly definite motive behind the action: we are to understand that the young fellow is anxious to pose as grown-up. He wants us to see that he is quite a man. In that case, the lighting of the cigarette has behind it a conscious motive that originates in the play itself, and I would thoroughly commend it—as I certainly do when in the plays of today I see boys and girls of seventeen or eighteen (the age of the part, of course, not of the actor) lighting their cigarettes. There, it is right and good; the action must, however, always be prompted directly by the situation in the play.

Do you see what is implied here—what demand we are making on behalf of art? We are asking that everything done on the stage shall be directly consequent on the inner texture of the play as an artistic creation. If our work is to have form and style, we must be able to see how every single detail in the acting springs straight from the fundamental intentions of the play. I have mentioned the matter of cigarettes merely as an example.

Suppose it happens in a play that one person is giving a command, and one, two or three others are receiving it. There you have a clear situation to be staged. As to the manner and bearing of the one who is giving the command, I need only refer you to what I said the other day, when we went through the several gestures for the variously spoken word—the incisive, hard, gentle, etc. What we have now to consider is the behaviour, in dumb show, of those who are receiving a command. Naturally, what they would find easiest would be to stand with their backs to the audience, for then there would be no need for them to act at all. But there is no occasion for them to take up such a position; in fact, it mustn't be done, it would be quite inartistic.

There are two things the audience must be able to see in one who is receiving a command. First, it must be evident that he is listening while the command is being given. And this, even when instead of facing the speaker he faces them, the audience will have no difficulty in seeing. If an actor who is receiving a command should ever turn his back to the audience, then we would have necessarily to conclude that he had some very particular reason for doing so. Imagine the speaker standing behind him, on his right; then the listener can still quite properly face the audience. He will be listening with his right ear and the audience will be able to see that he is doing so, by the way he turns just a little in that direction. No situation can possibly occur in a play where a listener is not perfectly well able to face the audience. And then, if the actor has his mime under proper control, the audience can see also in his countenance the impression that the command is making upon him. For that has to be seen too; it is the second of the two things that must be clearly visible to the spectator. The listener will therefore present to the audience a three-quarter profile more or less, his head inclined a little in the direction of the voice and slightly forwards. And if he has gone through beforehand the other exercises that I described yesterday, then as he assumes this position and enters into the feeling of it, his facial muscles will instinctively be set working in such a manner that the audience will see expressed in his countenance the nature of the command he is receiving. And if, in addition, he shows a tendency to move his arms and hands—not outwards, but more in the way of drawing them towards him—the gesture will be complete, will be exactly as it should be.

And now, my dear friends, you will probably be wanting to say: But if I were to arrange the stage with three or four actors all listening in the way you describe, it would look stereotyped, it would look as if it were according to some set plan.

Raphael would not have said so ! He would no doubt have introduced slight modifications into the gesture of the second listener, or of the third and so on, but the essential spirit and character of the gesture he would have maintained in them all. Raphael was not of course a producer; but he would, as onlooker, as critic, have demanded that gesture. He would, as I said, have modified it a little here and there, but the very similarity of gesture in the listeners would have impressed Raphael as aesthetically right. And should it ever be a case of some individual actor wanting his own way, then no question but that the stage picture as a whole must always receive the first consideration.

What I have been describing has reference to the receiving of a command. We can, however, also consider how it will be with mere listening. One actor is speaking and others are listening. The gesturing here will naturally be not unlike what we have found to belong to the receiving of a command. The speaker's gesture will of course again be from among those I indicated in connection with the different categories that I named for the word : incisive, gentle, etc.; the precise gesture of the listener will have to be carefully determined in the following way.

Let us suppose the content of what he has to say requires the speaker to speak quite slowly, so that his speaking falls into the category we named: slow, deliberate. We know then what his gesture will be. But what kind of a gesture will the listener have to make? The listener will have to adopt the gesture of a speaker who utters quick, decided words. Why is this?

When someone speaks in a quick, incisive tone of voice, he tends involuntarily to make sharply defined gestures; you will remember how we designated them as ‘pointing’ gestures. The narrator, who is speaking slowly, will not make these pointing gestures; he will make the movements with the fingers that I showed at the end of yesterday's lecture. The listener, however, will—silently, to himself– accentuate, as he listens, the important words. He will thus be in • the condition for incisive speaking—speaking, as it were, inaudibly, within; and he will accordingly be right in making the pointing gestures. Then you will have a perfect harmony of gesture: the one making those finger movements that belong to the telling, the other making the’ pointing’ finger movements that rightly accompany the listening. These are suggestions that you can study and work out in detail for yourselves.

Take another case. Again we have an actor relating something; but this time the content has the effect of making him speak his words out abruptly, as though they were cut short. This kind of speaking will always mean that the speaker particularly wants to drive home what he is telling; otherwise he would not tell it in that manner When the dramatist lets us see that a great deal depends on getting some information across to the listener, then the narrator will have to speak in this way, cutting his words short, and he will at the same time make the corresponding ‘flinging away’ gesture with his fingers—this gesture that you will remember I showed you before. The listener, on the other hand, will be true to his part and show the right response if he listens with all his ears—comes, that is, inwardly into the mood of a speaker who gives his words their full tone and value. Suppose someone wants to make sure of my taking in what he is telling me. Then I must stand before him in the manner of a full-toned speaker; for since I have to feel in full measure what he is saying, I must make the gesture that we saw to be right for the word that is spoken in full measure. These are ways to establish a right relationship between speaker and listener.

It must only not be forgotten that what I have now been recommending should never be noticeable on the stage; it should have been so thoroughly worked with that it has passed over entirely into an instinctive sensitiveness for what is true in art. If ever a movement gives the appearance of being studied or artificial, that movement is immediately false. For in art, everything is false unless it is the artistic itself that the spectator has before him—the artistic itself as style.

Consider in this connection what a difference there will be in their whole manner of speaking between some character in a drama who wants to convince, and one who wants to persuade. This difference must be brought out on the stage.

Situations occur where we want to persuade another person, we want to talk him round. One can have this desire in a good or in a bad sense—or somewhere between the two. You have a classic and grand instance of persuasion in the famous saying of Wallenstein: ‘Max, bleibe bei mir! ’ (Max, stay with me!).¹ There you have, not the will to convince, as will be evident from the context, but the will to persuade.

Now, you could not imagine Wallenstein standing in front of Max Piccolomini, wringing his hands and saying: ‘Max, bleibe bei mir!’ But you can, and indeed you must, imagine him clapping Max on the shoulder, or showing at least an inclination to do so. That is the gesture that belongs properly to the words. Where, on the other hand, it is a question of trying to carry conviction by reasoning, the speaker must make some gesture upon his own person. He will have to clasp his hands, for example, or touch himself somewhere with his hands. He feels a need to discover within himself the power of conviction—as it were, to track it down. If, however, the speaker wants to persuade, he should make the gesture of touching the other person—or at least let it begin, making a movement, that is, which, if carried further, would be a complete gesture of touching.

Note carefully also the fine distinctions we have to make for different kinds of persuasion. We may, for example, be using persuasion with the intention of giving comfort. Much will then depend on our powers of persuasion in the good sense of the word, for the one who needs comfort has not time to be convinced; what he wants, as a rule, is to be persuaded, not to be convinced by reason. We shall find, however, it makes a great difference whether we are in this way using persuasion to bring comfort, or are, for instance, wanting something from the other person.

If we want to bring comfort, then we make this gesture of touching; it will work naturally and harmoniously, whether we only begin it, or carry it to completion. It need really only be begun. We can take the other's hand, or lay the palm of our hand on his forearm. The audience will then instinctively receive the right impression.

This gesture will, however, not be right if you are wanting something for yourself, as in the famous example I quoted just now, not even if your wish be inspired by the very best intentions. ‘Max, bleibe bei mir !’ The actor who says these words will not lay his hand on Max's arm; he will have to place his hand on Max's shoulder or on his head, or anyway make a gesture of beginning to do so. Things like this will have to be grasped in all their exact detail, if we are ever to have again a genuine art of production that concerns itself with the whole practical work of the stage.

And now let us go a little farther; for there are many more details of gesture and posture that require to be studied. We need, for example, to develop an artistic perception for the following. When a person is standing in front of you, you may be seeing him in profile, in part profile, or in full face; and there is a meaning for each of these three ways of being seen. Anyone who is an attentive observer of life will know how people sometimes place themselves instinctively so that others are seeing them in one or other of these ways. In real life a kind of affectation lies behind it, but in art it is done for artistic reasons. I once knew a professor (he was a German) who never lectured without presenting himself in profile to his audience—and not only before ladies, to whom he frequently gave lectures, but before his own men students too; and he knew very well what it meant.

Standing in profile always calls up instinctively in the onlooker a sense of being in the presence of intellectual superiority. You cannot look at a person in profile without being impressed with his intellectual superiority—or inferiority, as the case may be; for in real life inferiority also occurs. The front-face view can never, for unprejudiced observation, tell us whether the person is clever or stupid. Looking him full in the face, we can remark whether he is a good or a bad man, whether he is kindly disposed or selfish; but if we want to observe whether he is clever or dull, we must see him in profile. And since one who makes use of profile is sure to be a person who believes himself to be clever, we shall know he is wanting in this way to show us his cleverness.

The actor should also make here an additional gesture; he should at the same time hold his head back a little. Then the audience will be bound to feel that he is impressing his hearers with his intellectual superiority. If therefore you want the acting to be artistic, you must arrange that an actor who is to speak a passage wherein he has to appear superior to the one he is addressing shall turn his complete profile to the audience, holding his head back a little as he speaks. We must, you know, once and for all rid the stage of dilettantism. We must create again the possibility for students to learn the preliminaries for the art of the stage, just as painters have to learn how to use colour. For unless one has learned and studied these things, one is not an actor, one is not acting artistically, but at best merely performing à la Reinhardt or Bassermann!

But now, suppose you stand before the audience in part profile. That will express, not intellectual superiority but intellectual participation in what the other is saying, especially if at the same time the head be inclined forward a little, so. A listener can in this way show to the audience that he is following the speaker with his understanding. It may, however, be that you want rather more the listener's feelings to be apparent to the audience. In this case, whilst the other is speaking, the listener must as far as possible allow the audience to see him full face.

The situation on the stage can really come alive when the speaking is accompanied by these postures in the listener. Where the speaking is intended to make an impression on his intellect, you will choose for the listener the profile position; where it is rather his heart that is to be touched, you will let him stand full face to the audience. When details of this nature begin to be clearly envisaged and understood, then the art of the stage will be able to emerge from dilettantism and once again acquire content. We shall be able to see from the way an actor stands or walks, whether it is more with the intellect or with the feelings of the heart that he is participating in the situation.

Passing on now to consider the will, we find that for the expression of will there has always to be movement, and here you will have to pay particular regard to what I said about form in movement. The expression of will or resolve calls forth in another an answering impulse of will. We know how this happens in life. Someone gives expression to his will in a certain direction. We listen to him. We can fall in with his will, or we can ourselves ‘will’ to hinder it. There you have the two extreme situations, and there are naturally many intermediate possibilities.

A will that gives in to the will of the other must always be accompanied with a movement from left to right, either of the whole person or of the arms. Try it out for yourselves on the stage. Let one actor say something that has will in it, and another be standing there and making this gesture—that goes from left to right. You will feel at once that there is agreement on the part of the listener; the gesture expresses that he too wills the same thing Let him, however, make a right-to-left movement, and he is obviously on the defensive and may even be considering how he can put hindrances in the other's way. Still greater emphasis can be given to this’ will to oppose’ if the movement is made expressly with the head—naturally, the rest of the body also sharing in it.

These are among the things that will have to be taught in a school for production that sets out to be comprehensive and take the whole art of the stage for its province. You will remember I told you yesterday—it may have seemed as though I were making rather paradoxical statements—I told you that in practising running one learns instinctively the walking that is required for the stage, and that leaping helps to modify the walking in the right way, making it now quicker, now slower, and that wrestling develops hand and arm movements, and so on. How is all this to be put into practice?

The first thing the school will have to do is to arrange for the students to practise Running, Leaping, Wrestling, something in the nature of Discus-throwing, something like Spear-throwing; for that will help them to come easily and readily into all the bodily movements that are needed on the stage. Then we shall at any rate be saved from a feeling one has sometimes nowadays about an actor as soon as ever he comes on: that fellow, we feel, has no proper control of his body. How often we have the impression that all those people who are dancing and hopping about up there on the stage have not their bodies under control! They would have quite a different relation to their bodies if, right at the beginning of their training, they had practised these exercises.

The next thing will be to draw forth from each exercise the particular ability it can develop for the stage. Let the students practise running for a quarter to half an hour, and then for half to three-quarters of an hour stage-walking; and the same with leaping and wrestling. For they must be able to unite the two : the exercise, and the skill in movement that the exercise helps them to acquire. And in order that, when they come to the last exercise, they may really succeed in drawing forth from their body the forming of the word, the four preceding exercises should be practised in the following way.

For the practice of walking, and of modified walking, for the practice also of arm and hand movement and of play of countenance, you should have a reciter who does the speaking, while the student makes, in silence, the corresponding gesture or facial expression. And as far as these first four steps in the training are concerned, the same method should be continued even later on for one who is wanting presently to appear on the stage. He should practise his gestures, to begin with, without yet saying a word, while the speaker of the company does the speaking. This will give him the opportunity to make himself entirely familiar with the gestures in dumb play. When the students come to the fifth exercise, they can begin to speak; they can accompany the gesture with the speaking—which up to now they have been practising only separately, without gesture, in recitative. These two, gesture and the forming of the word, have then to be consciously combined, consciously fitted into one another. Only so will our acting have the necessary artistic style.

The men of ancient India had a theory of the origin of man which, while it resembled our modern one, bespoke more feeling for the spiritual. For they too looked upon a certain species of ape as akin to man; but they were more consistent than we in their adherence to the mistaken theory. These apes, they said, can speak; they only don't want to—partly out of obstinacy and partly because they are a little bashful about it. If they are in any way human, if they are on the way to becoming man, then it follows that they must be able to speak. That was the conclusion, the perfectly correct conclusion of the ancient Indians. And I am always reminded of it when I meet with lack of temperament in the very people who need it. For I know well that these people have temperament; they are only unwilling to show it. I mean that quite seriously; the people of today are far more temperamental than they seem. We think it improper to show temperament; but it is by no means always so, and especially not in the case of little children. And yet how annoyed we often are when children begin to show temperament! But there too, you know, we shall have to learn to be more understanding!

When we have a school of dramatic art, planned in the way I have indicated, we shall not need to have any misgivings about arranging for the students to practise leaping and wrestling and discus-throwing. If only the teacher has temperament, and does not go about with a long face, but is a person gifted with some humour, then that of itself will help to evoke in the students the necessary temperament. They will soon stop being shy of exhibiting it. We have the means at our disposal for evoking temperament, we only don't use them. And for art, in so far as its practice is concerned, temperament is an essential factor. My dear friends, we must know this; we must know how intrinsically temperament belongs to art.

To write books on mysticism may not require temperament. If the books please, well and good; the readers do not the the author. But in those arts where the human being presents himself in person, there has to be temperament; there has to be also enhanced temperament—that is to say, humour. And therewith the moment is reached where it can all begin to be esoteric. And that is what we are minded to achieve in these lectures—that our study shall take us right into the esoteric aspect of the whole matter.

• 1. Schiller's Wallenstein, Act III, Scene 18.
• 2. Heinrich Laube (1806–1884). In an article written in 1898, Rudolf Steiner referred to Laube as this master of all producers.' He worked mainly in Vienna.

Once upon a time a Society was founded with a programme announcing as its central aim: “The abolition of egoism”. All its members had to pledge themselves to cultivate selflessness and freedom from egoism in any form. This Society had elected a President, as all societies do, and the thing now, was to gain support for its fundamental principle in the world at large.

It was emphatically laid down over and over again and in the most diverse ways that no member at any time or place (and especially within the Society) should cherish the slightest egoistic wish or give utterance to any kind of selfish desire.

Now this was certainly a Society with an uncommonly praiseworthy programme and an exalted human goal. But one could not immediately say that the members were seeking to exemplify in themselves the primary point in their programme, for they scarcely allowed themselves to become acquainted with unselfish human wishes. The following scene was often enacted within the Society. A member would say: “Yes, I would like this and that. But if I were to put it to the Chairman, I would be advancing an egoistic wish, and that would never do.” Another member would reply: “Quite simple—I'll go on your behalf. I shall be acting as your representative, and in putting forward your wish I shall be doing something entirely selfless. But listen—there is something I would like. Naturally, it is something quite egoistic, so according to our programme I can't propose it.” The first member would then say: “If you are to be so unselfish on my account, I will do something for you. I will go to the Chairman on your behalf and ask him for what you want.” And so it turned out. One of the two went first to the Chairman and then, two hours later, the other member went. Both had put forward quite unselfish wishes.

“Once upon a time”, I said—of course this Society has never existed. But anyone who looks round him in daily life will perhaps agree that a little of this Society is always present everywhere. At all events, my intention was only to indicate how “egoism” is one of those words which most readily become catch-words unless they are used in a direct connection with whatever they designate; otherwise they appear in disguise and deceive us into passing casually over them.

Today we will take this catch-word, egoism, and its opposite, altruism or selflessness. We shall not treat them as catch-words, but will try to penetrate a little way into the nature of egoism. When we examine these things from the standpoint of Spiritual Science, we are not so much concerned with whatever sympathy or antipathy may be evoked by this or that human characteristic, or how it may be assessed in accordance with some prevailing judgment—these are not important points. What matters much more, is to show how the relevant characteristic originates in the human soul, and within what limits it is valid; and if it must be fought against, to determine how far it can be combated through human nature or through other existent beings.

In its literal sense, egoism is the characteristic which impels a man to give first place to his own advantage and the enhancement of his own personality, while its opposite, altruism, aims at placing human faculties at the service of others, indeed, of the whole world.

A simple consideration will show us how precarious our position is if we think only of the word egoism, and fail to enter into the thing itself. Suppose that someone proves himself to be a great benefactor in one way or another. It could well be that he is a benefactor only out of egoism, perhaps out of quite petty forms of egoism, perhaps out of vanity and the like. On the other hand, if a man is dubbed an egoist without more ado, this is by no means the last word on his character. For if a man seeks only to satisfy himself but otherwise has noble qualities, so that he sees the service of others as the best way forward for himself, we might perhaps be well pleased with such an “egoist”. This may sound like a mere play on words, but is more than that, for in fact this playing on words permeates our entire life and shows itself in all realms of existence.

For everything we find in man we can find something analogous in the rest of the world. Schiller has a verse which indicates how in the realms of Nature something symbolical of an outstanding human quality can be found:

Seek you the highest, the greatest?
The plant can teach it to you.
What the plant does without willing it,
Go you and do by willing it.⁴²

Schiller here brings before us the being of the plant and urges man to develop in his own character something as noble as the plant is on its own level. And the great German mystic, Angelus Silesius, says much the same:

Not asking why or wherefore blooms the rose
Cares not for herself or whether men behold her.⁴³

Here again we are called to look at the plant world. The plant draws in whatever it needs for growth; it asks no why or wherefore; it flowers because it flowers and cares not whom it may concern. And yet, it is by drawing its life-forces and everything it needs for itself from its environment that the plant acquires whatever worth it can have for its environment and finally for men. Indeed, it attains the highest degree of usefulness that can be imagined for a created being, if it belongs to those realms of the plant world which can be of service to higher beings. And it will now be an idle triviality to repeat here a familiar saying, although it has been quoted so often:

When herself the rose adorns,
She adorns the garden.⁴⁴

When the rose is as beautiful as it can be, the garden is adorned. We can connect this with the word, egoism, and say: When the rose strives quite egoistically to be as beautiful as she can, and to grace herself with the finest possible form, then through her the garden becomes as beautiful as possible. Can we take this result from a lower level of existence and apply it in some way to man? We have no need to do this, for it has been done already by many others, and by Goethe best of all.

When Goethe wishes to express what man is in the most authentic sense, and how he manifests most truly his worth and the entire content of his existence, he says: “When a man's healthy nature works as a whole, when he feels himself to be living in the world as in a great and beautiful and worthy whole, when this harmony brings him a pure, free joy, then the universe, if it could come to be aware of its own self, would cry out in exultation at having reached its goal and would marvel at the height which its own being and becoming had attained.”

This passage is from Goethe's splendid book on Winckelmann,⁴⁵ and elsewhere in the same book he says: “Placed upon the summit of Nature, man sees himself as another complete nature, with the task of achieving another summit in himself. To this end he heightens his powers, imbuing himself with all perfections and virtues, invoking choice, order, harmony and meaning, and finally rising to the creation of a work of art.”

Goethe's whole mood shows that he is referring here to the artist only as a specialised example and that he really means: Placed upon the summit of Nature, man gathers together everything that the world can express in him and finally displays to the world its own image, mirrored from within himself; and Nature would rejoice if she could perceive in the human soul this reflected image of herself.

What else does this mean than that everything which surrounds us in the world, as Nature and as spirit, concentrates itself in man, rises to a summit, and becomes in individual men, in the individual human Ego, as beautiful, true and perfect as it can? Hence, man will best fulfil his existence if he draws in as much as possible from the outer world and makes his own everything that can blossom and bear fruit in himself.

This view of things implies that man can never do enough to combine in himself whatever the surrounding world offers, in order to manifest through himself a kind of supreme achievement of Nature. Anyone who wishes to call that “egoism” may do so. Then one could say: The human ego is there to be an organ for elements in Nature which would otherwise remain forever hidden and which can come to expression only through being concentrated in the spirit of man. But although it is natural for man to gather these elements from the natural world into himself, it also lies in his nature to bring error and confusion into the general law which leads the lower realms in outer existence towards the highest levels. This is bound up with what we call human freedom. Man could never enjoy a free existence if he were not capable of misusing in a one-sided way certain forces within him—forces which can lead to the heights and can also pervert existence and perhaps even make a caricature of it. A simple comparison will make this clear. Let us go back to the plant.

It does not generally occur to us to speak of egoism in connection with the plant. It was only in order to bring out clearly the law of egoism that we said: What comes to expression in the plants could be called egoism. Normally, we do not speak of egoism in their case. If we consider the plant world in a spiritual and not a materialistic sense, we can see that the plant is in a certain sense proof against egoism. On the one hand, the conditions of its life require it to make itself as beautiful as it can, without asking who will benefit from its beauty.

But when the plant has risen to the highest expression of its individual being, it is on the verge of having to give all this up. The plant world has a peculiar characteristic. Goethe puts this finely in his Prose Sayings: “The law of vegetable growth reaches its highest manifestation in the blossom and of this, in him, the rose is the summit. ... The fruit can never be beautiful, for then the vegetable law retreats and becomes again merely a law.”⁴⁶ Thus it was clear to Goethe that the plant gives expression to its own law most vividly when it flowers. At this moment, however, it must be prepared to yield up its beauty to the process of fructification, for it is now called upon to sacrifice its highest self on behalf of its successor in the form of the seed-bud. There is something great in this act of self-sacrifice by the plant at the moment when it is rising to the point of imprinting its Ego, as it were, on its appearance. So on this lower level, we see how in Nature egoism progresses to a certain stage, and how it then destroys and surrenders itself in order that something new may emerge. The highest manifestation of the plant, its individuality—as we may call it—which achieves its summit of beauty in the flower, begins to fade directly the new plant-seed is produced.

Now let us ask: Does anything similar occur on the human level? Yes, if we consider Nature and spiritual life in terms of the spirit, we find that something quite similar does occur in man. For man is not intended merely to reproduce his kind and to carry on the human species; he is called upon to transcend the species and to exist as an individual. We shall come to know the true form and nature of egoism in man only if we look at his being in the light of previous lectures.

In Spiritual Science, we do not regard man as consisting only of a physical body, which he has in common with the mineral kingdom. We speak of higher members of his being: the etheric body which he has in common with all living things, and the astral body, or consciousness body, the bearer of pleasure and pain, joy and sorrow, which he has in common with the animal kingdom. And we say, that within these three members lives the true kernel of his being, the Ego. We must regard the Ego as the bearer of egoism both when the latter is justified and when it is unjustified. Man's development depends entirely on the work accomplished by the Ego in transforming the other three members of his being. At first, on a primitive level, his Ego is the slave of these other members; he follows all the urges, desires and passions that come from his astral body. But the further his development goes, the more will he be doing to purify his astral body, so that he transforms it into something which is ruled by his higher nature, by his Ego, and his Ego becomes increasingly the ruler and purifier of the other members of his being.

As you have heard in previous lectures, man is now in the midst of this development. In so far as he transforms his astral body, he creates what we call Spirit-self, or, in the terminology of oriental philosophy, Manas. In the future it will be possible for him to transform by degrees his etheric body, and so to create what we call Life-spirit, or Buddhi. And when finally he masters the processes in his physical body, the transformed part of it will be what we call Atman, or Spirit-man. So we look towards a future condition in which man will rule consciously, from out of his Ego, over all his activities.

These future faculties have been in preparation for a very long time. The Ego has already worked, unconsciously or subconsciously, on the three other members of man's being. In the far distant past the Ego transformed a part of the astral body, also called the sentient body, into the Sentient Soul; a part of the etheric body into the Intellectual Soul, and a part of the physical body into the Consciousness Soul. Today we shall be concerned especially with the relationship of the sentient body to the Sentient Soul.

When we observe a human being from the time of his birth and see how his faculties gradually emerge—as though from the hidden depths of his bodily nature, we can say: Here the Sentient Soul is working its way out into the light of day. The Sentient Soul, as we have seen, is fashioned by the Ego out of the sentient body, and the sentient body is built up from the young child's entire environment. We can understand this if we recall Goethe's saying: “The eye is formed by light for light.”⁴⁷ If we consider any sense-organ whereby man becomes conscious of the external physical world, we must set against Schopenhauer's one-sided statement,⁴⁸ that we could not see the light if we had no eyes, the equally valid statement that if there were no light, there would be no eyes. Through endless ages, as Goethe says, the all-pervading light worked on the human organism so as to fashion the sense-organ which is now able to look on the light. We can discern in the world around us the forces which have produced in man the faculties which enable us to become conscious of it. Thus the entire sentient body, the whole fabric whereby we enter into a relationship with the outer world, has been woven from its living forces. We have no share in this achievement. The astral body is a product, a flowering, of the surrounding world. Within the astral body the Sentient Soul emerges, formed by the work of the Ego from the substance of the sentient body. So the Ego lives in the sentient body and draws from it the substance of the Sentient Soul.

Now the Ego can work in a twofold way. First, it can develop in the Sentient Soul those faculties which are in harmony with the faculties and characteristics of the sentient body. An example from the field of education will make this clear. It is precisely from the field of education that we can draw the most beautiful and practical examples of what Spiritual Science is.

The sentient body is built up from a child's environment. Hence all those concerned with bringing up and educating a child have an influence on the sentient body, from the very beginning of its physical existence. They can help the sentient body to acquire the soul-qualities that are in harmony with its characteristics, as indicated by the Ego; but they can also pass on things which contradict these characteristics. If a child is brought up and educated in such a way that he can feel a living interest in everything that meets his eyes, if he can rightly rejoice in colours and forms, if musical tones give him happiness, if he can gradually bring about harmony between the impressions that come to him from outside and the feelings of joy and pleasure, of sympathetic interest in life, that arise in the Sentient Soul—then the child's inner response will be in consonance with a true picture of existence; then the inner life of his soul will harmonise with outer existence. Then, secondly, we can say that a human being does not live only within himself, capable only of fashioning a Sentient Soul in his sentient body; he can go out beyond himself. Nor is he capable only of seeing and hearing; he can pour himself out into the surrounding world and live in whatever his sentient body transmits to him. Then we have not only harmony between sentient body and Sentient-Soul; we have harmony also between the outer world and the experiences of the Sentient Soul. Then man is truly a kind of mirror of the universe; a kind of microcosm which—as Goethe said—enjoys the feeling of living in the wide expanse of a great and beautiful world.

We can take another example. If a child were to grow up on a desert island, far from any human society, some of its faculties would not develop. It would be deprived of speech, of thinking power, and of all those noble qualities which can light up only through living together with other human beings, for these are qualities which belong to man's inner being, to his soul.

Now man can develop in such a way that he goes out from himself, with his attributes, and creates harmony between himself and the world around him. Or he can let his endowments harden and dry up within himself. This happens if he fails to respond to the colours, tones and so on that he receives from the outer world, and so is unable to give them back enriched with his own interest and pleasure. A man becomes inwardly hardened if he keeps to himself whatever he acquires from associating with other people, instead of making it contribute to human intercourse. If he secludes himself, choosing to live entirely within himself, a disharmony arises between him and his environment. A cleft opens between his Sentient Soul and his sentient body. If, after enjoying the advantages of human progress, he fails to place at the service of mankind the benefits that can flourish only in a social milieu, a gap arises between himself and his surroundings, whether it be the outer world, to which he can no longer respond, or his human environment, to which he owes his finest interests. The result is that he becomes inwardly dried up, for he cannot be advanced or enlivened by anything that comes to him from outside if it is torn from its roots, and this is what happens if he fails to allow his soul-life to flow out into the world around him. And if he continually reinforces his seclusion from the outer world, the effect is that his soul-life tends to wither and die away. This is precisely the bad side of egoism, and we must now characterise it in greater detail.

When egoism takes this form, so that man is not continually nourished and vitalised by the outer world, he is heading for his own extinction. That is the check generally imposed on egoism, and thereby the true nature of egoism is made clear. For whereas man, by absorbing the forces of the surrounding world, enables the world to attain a summit in himself, he then has to do consciously what the plant does unconsciously. At the very moment when the plant is in course of imprinting its inner being on its visible form, the power behind the plant leads its egoistic principle over into a new plant. But man, as a self-conscious being and an Ego-bearer, is required to bring about by his own efforts this development in himself. At a certain stage he must be prepared to surrender whatever he has received from outside and to give birth, within his own Ego, to a higher Ego; and this higher Ego will not become hardened, but will enter into a harmonious relationship with the entire world.

The knowledge that a one-sided egoism destroys itself can be verified by ordinary observation of life. One needs only to look at people who are unable to take any active interest in the great and beautiful ordering of nature from which the human organism draws its form and substance. How painful it is for anyone who understands these things to see how some people pass indifferently by the world to which they owe their eyes and ears; how they cut themselves off from the world in which their existence is rooted and wish only to be left alone with their inward brooding. Then we see how this perverted way of living brings its own penalty. Anyone who follows it goes through life in a state of chronic boredom; he pursues one desire after another, not realising that he is seeking satisfaction in vague phantoms, when he should be giving himself out to the world from which his own existence has come about. Anyone who goes through life saying: People are a burden, I have no use for them, they disturb my life, I am too good for this world—anyone who talks like that should merely reflect that he is repudiating the origin of his existence. If he had grown up on a desert island, far from the human society that he regards as not good enough for him, he would have remained dumb and would never have developed the faculties he now has. All that he finds so great and praiseworthy in himself would be absent, were it not for the people he has no use for. He should realise that he has separated himself from his environment by his own willful choice, and that in fact he owes to his environment the very faculties which now repudiate it.

If a man pursues this course, he not only kills the interest he might have taken in nature and human life, his own life-force declines and he condemns himself to a desolate, dissatisfied existence. All those people who indulge in world-weariness because they find nothing anywhere to interest them, should for once ask themselves: What is my egoism doing to me? Here a cosmic law is indicated. Wherever egoism takes a perverted form, it has a desolating effect on living. That is the good thing about egoism: if it is carried to an extreme, it destroys the egoist.

If now we take the great law that we have gained from studying egoism and apply it to the various faculties of the human soul, we can ask, for example: How does egoism affect the Consciousness Soul, through which man acquires knowledge of the world around him? In other words, when can a piece of knowledge prove fruitful? It will be truly fruitful only if it brings a man into harmony with the rest of the world. This means that the only concepts and ideas that can invigorate the human soul are those drawn from the life of the great outer world, and then only if we are in harmony with the outer world. That is why all ways of knowledge which seek, above all, to reach the great truths of existence, step by step, are so health-giving for the soul, and also, therefore, for the physical body. On the other hand, anything that leads us away from a living connection with the world, as solitary inward brooding does, or anything that brings us into discord with the world, will have a hardening effect.

Here is an appropriate occasion to refer once more to the widely misunderstood saying, “Know thyself!”, which has a meaning valid for all epochs. Only when a man realises that he belongs to the whole world, that his Self is not confined within his skin but is spread out over the whole world, over sun and stars, over all earthly creatures, and that this Self has only created an expression of itself within his skin—only if he recognises that he is interwoven with the entire world—only then can he make proper use of the saying, “Know thyself”. For self knowledge is then world-knowledge. A man who fails to realise this is like a finger which imagined it could achieve an individual existence apart from the rest of the organism. Cut it off, and in three weeks it will quite certainly no longer be a finger. The finger has no illusions about that; only man supposes that he could do without any connections with the world. World-knowledge is self-knowledge and self-knowledge is world-knowledge. Any sort of inward brooding is merely a sign that we cannot get away from ourselves. Very great harm is therefore done when in certain theosophical circles today it is said: A solution of the riddle of existence will not be found in the world outside, or in phenomena permeated by the spirit, but in your own self. “Look for God in your own breast”—that is the injunction often heard. “You need not exert yourself to seek for revelations of the cosmic Spirit out there in the universe. You have only to look within yourself; you will find it all there.” This kind of instruction does the student very bad service. It makes him proud and egoistic with regard to knowledge. The result is that certain theosophical directives, instead of training a person in selflessness, instead of freeing him from himself and bringing him into relation with the great riddles of existence, have a hardening effect on him. One can appeal to man's pride and vanity by telling him: “You need learn nothing from the world; you will find it all in yourself.” We appeal to truth when we show that to be in harmony with the great world can enable a man to become greater in himself and therefore greater in the world.

This applies also to human feeling and to the entire content of the Intellectual Soul, which gains in strength when a man knows how to achieve harmony between himself and the outer world. Strength and power are not acquired by sitting down and brooding all day long over such questions as—“What shall I think now? What shall I do? What's that pain I feel coming on again?”—but by opening the heart to everything great and beautiful in our surroundings, and by showing interest and understanding for everything that warms the hearts of others, as well as for their wants and privations. In this way we strengthen the life-forces in the realm of feeling within us; we overcome narrow minded egoism and we enhance and enrich our Ego by bringing the true form of egoism into harmony with our environment.

This comes out very clearly when we consider the human will and the Consciousness Soul itself. A man who exerts his will only for himself and his own advantage will always feel inwardly dissatisfied. Only when he can see his resolves reflected in the outer world and his will-impulses realised in action—only then can he say that he has brought his willing into harmony with outer events. And here we learn that our inner strength and power are not developed by anything we will for ourselves, but by whatever we will for the outer world and for other people. Our willing becomes reality and its reflection shines back to us. As our eyes are formed by light, so is our strength of soul developed by our actions and activities.

Thus we see how man, as a self-conscious being, is able through a right comprehension of his “I”, his Ego, to arrive at harmony between himself and the world around him, until he grows out of himself and accomplishes the birth of what we may call a higher man. In this way he brings forth something in himself, even as a plant on a lower level brings forth out of itself a new being at the moment when it is in danger of becoming hardened in its own existence. That is how we must understand egoism. The human Ego, having been fructified by the surrounding world, brings forth on the heights of existence a new Ego, and will then be ripe to flow out into actions which would otherwise give expression only to worthless demands and useless moral postulates. For only through world-knowledge can the will be fired to act on the world in return. Whatever points may be set out in the programmes of societies, however many societies may have “universal human love” at the head of their programmes, these moral injunctions will have no practical effect.

All the ordinary preaching of human love is as though a stove were standing in a cold room and someone says to it: “Dear stove, your moral duty as a stove is to warm the room”. You could go on like that for hours or days—the stove would not be moved to make the room warm. Similarly, men will not be moved by sermons to practise human love, even if you were to preach to them for centuries that men ought to love one another. But bring the human Ego into connection with the content of the whole world, let people participate in the radiance of flowers and in all the beauties of Nature, and you will soon see that this participation is a foundation for the higher participation that can arise between human being and human being.

By gaining knowledge of human beings and human nature, man learns to meet the faults and good qualities of others with understanding. Wisdom of this kind, derived from approaching the world with living insight, passes over into the blood, into action and will. And what we call human love is born from it. Just as babbling to the stove is useless, when what we need to do is simply to bring wood and start a fire, so should we bring to human beings the fuel that will kindle, warm and illuminate their souls; and the fuel required is knowledge of the world, so that understanding of human nature and harmonious consonance between the human Ego and the outer world are brought about. Then we shall in fact be kindling human love—a love that can flow from heart to heart and draw human beings together, teaching them that actions performed only for ourselves have a deadly, desolating effect upon us, while actions that have a helpful influence on the lives of others are reflected back to enhance our own strength. Through a right understanding of egoism, accordingly, our Ego is enriched and enabled to develop, if, as far as possible, we realise our own Self in the service of another, and strive to cultivate not only personal feeling, but fellow feeling, as far as we can. That is how the nature of Egoism is seen by Spiritual Science.

The subject we have touched on today has deeply interested all the thinkers who have pondered seriously on human existence. The nature of egoism was bound to concern outstanding men during the 18th century, a time when man as an individual had broken free from certain ties with his social environment. One of these outstanding men was Goethe. And he has given us a work, Wilhelm Meister's Years of Apprenticeship and its sequel Wilhelm Meister's Year's of Travel, which we can take as an example, as if drawn from the world, of his thoughts on the nature of egoism.

Just as Faust occupied Goethe throughout his life, so did Wilhelm Meister. As early as the seventeen-sixties, Goethe felt that he had the task of depicting, in the peculiar life of Wilhelm Meister, a kind of mirror-image of his own life, and it was in his old age, when he was nearing his death, that he completed the Years of Travel. It would take us too far to go into the details of Wilhelm Meister, but perhaps you will allow me to outline the problem of egoism as we meet it here in Goethe.

A thoroughgoing, refined egoist, one might say, is portrayed here. Wilhelm Meister was born into the merchant class, but he is enough of an egoist to abandon this calling, in spite of the claims of duty. What, then, does he really want? We are shown how he wants to develop his own Self to the highest degree and with the utmost freedom. He has a dim presentiment of becoming some kind of perfected man. Thus Goethe leads Wilhelm Meister through the most varied experiences, so as to show how life works upon this individuality in order to raise it to a higher level. Of course, Goethe is well aware that Wilhelm Meister is driven around by all sorts of circumstances and reaches no definite goal. Hence at one point he calls him a “poor wretch”.⁴⁹ But at the same time he knows that although a man may have to work his way through folly and errors, he is led by certain forces to a certain goal, or at least along a certain path. It was Goethe's opinion, which never left him, that human life is never completely at the mercy of chance, but is subject, like all things, to laws—indeed, spiritual laws. Therefore Goethe says that the whole human race can be regarded as a great individual, striving upwards and making itself the master of chance.⁵⁰

Goethe's intention, accordingly, is to show Wilhelm Meister as intent always on heightening, enriching and perfecting his Ego. At the same time, he leads Wilhelm Meister into a way of life which is, strictly speaking, at one remove from actuality. The whole character of the 18th century can help us to understand why Wilhelm Meister is led away from pursuing a career in the world of real events and brought into the theatre, where he mingles with people who present an appearance, a picture, of life. Art itself is, in a certain sense, an image of life. It is not part of immediate reality but raises itself above this reality. Goethe knew very well that the artist, standing alone with his art, is in danger of losing the firm ground of reality from under his feet. It has been well said that the Muse may accompany a man but cannot lead him through life.

To begin with, Wilhelm Meister gives himself over entirely to the forces that belong to art, and especially the art of the theatre, with its beautiful illusions. If we follow the course of his life, we find that he is habitually torn to and fro between dissatisfaction and joy, and these swings of feeling are evident already during his time in the theatre. At last he experiences a kind of model performance of Hamlet, and this gives him a certain satisfaction within the limits of the theatrical world. His Ego is enhanced.

Two episodes are particularly important for understanding this first part of the story, the Years of Apprenticeship, and they show clearly that Goethe had the nature of egoism at the back of his mind. The first episode concerns little Mignon, who is found by Wilhelm Meister in somewhat dubious company and accompanies him as a wonderful attendant for a while.

Some very significant remarks about Mignon were made to Chancellor von Müller⁵¹ by Goethe in his old age. He referred to Madame von Stael's comment that all the part about Mignon was an episode which did not really belong to the story. Goethe agreed that anyone interested only in the external narrative might say that the Mignon episode could be left out. But it would be quite wrong to suppose, Goethe continued, that the part about Mignon was only an episode; in fact, the whole of Wilhelm Meister had been written on account of this remarkable figure.

Goethe was apt to express himself somewhat radically in conversation and to say things that are not to be taken literally. But if we go more deeply into the matter, we can come to see why he spoke in this way to Chancellor von Müller. In the figure of Mignon—this is not a personal name but means simply “the darling”—we are shown a human being who lives just long enough for the germ of anything that can properly be called egoism to develop in her. The whole psychology of Mignon is most remarkable. In her own naive way she expresses everything that could be called participation in the whole world. She never gives any sign of acting from selfish motives. Things that other people do out of self-interest are done by her quite naturally. She is naive in the sense that egoism has not yet awoken in her. Directly Wilhelm Meister embarks on an episode in his life which breaks his bond of union with Mignon, she fades away and dies, just as a plant withers when it has reached a certain stage in its existence. She is not yet a fully human person, not yet an “Ego”; she represents a childlike naiveté in relation to everything in the world around her. She dies as a plant dies, and one could indeed apply to her the lines:

Not asking why or wherefore blooms the rose,
Cares not for herself or whether men behold her.

One might say that two apparently identical actions are different when they are performed by different persons! What other people do out of egoism Mignon does naturally, and directly that there could be a question of an egoistic impulse arising in her soul, she dies. That is the enchantment of her character: we have before us a human being without ego-hood who slips through our fingers at the first stirring of egoism within her. And since Goethe was specially interested in egoism in Wilhelm Meister, it is quite conceivable that he should have said in effect at the time: What you are looking for in Wilhelm Meister, you will find in his counterpart, Mignon. The impulse that shows itself in the little creature, and dies with her at the moment of its appearance, is the same impulse that plagues Wilhelm Meister with so many difficulties when he tries to develop his Ego, and on account of which he has to go through a complete education in the school of life.

We then find woven into the story of Wilhelm Meister the apparently unconnected part called Confessions of a Beautiful Soul. It is known that these confessions are taken almost word for word from a diary kept by Goethe's friend, Susanne von Klettenberg. They show, one might say, the nature of egoism at its highest point. This beautiful soul, Susanne von Klettenberg, rose indeed to high levels, but these confessions bring out the danger of egoism, the reverse side of the enrichment of the Ego, for it is her own development that Susanne von Klettenberg describes.

First, she relates how, like other people, she delighted in the world around her. Then, one day, something awakens in her soul and tells her: “Living within you is something that will bring you nearer to the God within you.” These inward experiences have the effect of estranging her from the outer world; she no longer feels any interest in it. But she finds continual joy and blessedness and inward happiness in her experience of communion with what she inwardly calls her “God”. She withdraws entirely into her inner life. Yet this beautiful soul cannot escape from the feeling that her chosen way of life is nothing else than a refined form of egoism.

The dawning of this type of spiritual element in the soul, where it estranges a person from the outer world, shuts him off from his environment and makes him cold and heartless towards it, may bring him some satisfaction and a certain happiness, but in the long run it does him no good. By alienating him from the world around him it has a desolating effect on his soul. But this beautiful soul is also an energetic, striving soul, and she goes on from stage to stage.

She is not able to sever herself entirely from the impressions that come from the outer world and can lead to harmony with it. So she is forever seeking the mysteries that underlie the symbols of the various religions, hoping to see reflected there the divinity that had arisen in her soul. But whatever she can experience in these outer forms is not enough for her; she is resolved to go further. Finally, she is led to a remarkable stage in her life. One day she says to herself: Everything human on our earth was not too mean for God to descend and incarnate himself in a man. And at that moment she feels that the outer world is not debased by being only an expression of the spiritual rather than the spiritual itself, or because it represents a decadence of the spiritual; for now she feels that the outer world is permeated by the spirit and that man has no right to detach himself from his environment.

Then another experience comes to her and she says to herself: It was a true event that is said to have taken place in Palestine at the beginning of our era. She enters into this and experiences in herself the whole life of Christ Jesus up to His crucifixion and death. She experiences the divine in herself in such a way that—as she clearly describes—everything which appears to the physical senses as external image recedes and becomes purely spiritual experience; the invisible becomes visible and the inaudible, audible. Now she feels herself united not with an abstract divinity, but with a divine presence belonging to the earthly world. But she has again withdrawn in a certain sense and cannot find her way back into ordinary life. Then something comes to her which enables her to see in every natural object, in every detail and circumstance of daily life, the imprint of the spiritual; and she regards this as a kind of highest stage. And it is characteristic of Goethe that it was for him a kind of confession to be able to communicate the Confessions of a Beautiful Soul.

What was it that Goethe wished to indicate here as an important point in Wilhelm Meister's education? Wilhelm Meister was to read the manuscript and be led by it to a higher stage. He was to be shown that a man cannot do enough to develop in himself an active life of soul; he cannot go far and high enough in what may be called intercourse with the spiritual world; but also that to shut himself off from the outer world cannot lead to a satisfying existence, and that he can understand the great world around him only when his own enriched inner being flows out to meet it.

Thus Goethe wishes to show that a man can take the surrounding world just as it is; he will then see it as ordinary and trivial and will remain bound to the commonplace. But then he will perhaps say to himself: All that is commonplace: the spiritual can be found only by looking within oneself. And we can indeed find the spiritual there, on a very high level. But we are then all the more in duty bound, for our own sake, to return to the outer world; and now we find that the commonplace has a spiritual dimension. The same world stands before a trivially minded man and a man who has found the spirit within himself. The former accepts the ordinary trivial world of present-day Monism; the latter, having first enriched his spiritual faculties and developed the appropriate organs in himself, is aware of the spiritual behind everything perceived by the senses. Thus, for Goethe, inner development is an indirect way of gaining knowledge of the world. This is evident, above all, in the soul characterised as Wilhelm Meister. He is helped to progress by the influences that work on him from the hidden side of life.

Towards the end of the Years of Apprenticeship we are shown that behind Wilhelm Meister there is something like an occult society, which guides a human being while remaining invisible to him. Some critics have complained that this kind of thing belongs to the 18th century and can have no interest for people today. For Goethe, however, something quite different was involved. He wished to show that Wilhelm Meister's Ego really had to find its way through the various labyrinths of life, and that a certain spiritual guidance of mankind does exist. The “Society of the Tower”, by which Wilhelm Meister is guided, was meant to be only the outer garment of spiritual powers and forces by which a man is led, even though the course of his life may lie through “folly and confusion”; and by these invisible powers Wilhelm Meister was guided.

In our time, such things are dismissed with a condescending smile. But in our time, also, the Philistines have acquired the sole right to pass judgment on personalities such as Goethe. Anyone who knows the world will concede that no-one can find more in a man than he has in himself. And anyone could say it in relation to Goethe. But that is just what the Philistine does not say; he believes he has found in Goethe everything there is to find. For he possesses the entire range of wisdom and can survey it from his vantage-point! Naturally, he makes Goethe into a Philistine, but that is not Goethe's fault.

Wilhelm Meister's life is continued in the Years of Travel. Both Philistines and non-Philistines have been moved to protest at the lack of composition and the inartistic character of this sequel. Yes, indeed, Goethe served up something rather dreadful here. In his prime, out of his life-experience, he had wanted to show a person finding their way through the labyrinths of life, had wanted to present a mirror-image of himself in a certain sense; and he has told us how this was composed. He had taken great pains over the first part of the Years of Travel, but printing began before the later part was finished, and the printer set the type faster than Goethe could write. Goethe then had somehow to sketch out the rest. In earlier years he had written various tales and stories, for example the story of the “Holy Family”, the story of the “Nutbrown Maiden”, the “Tale of the New Melusine”, and others. All these are included in the Years of Travel volume, although never intended for it. Goethe inserted these stories at various points and made quick transitions between them. Obviously, anything like orderly composition was ruled out; but still the work did not go fast enough.

Goethe had various other writings left over from earlier years, and these he now gave to his secretary, Eckermann, saying: “Slip in somewhere whatever can be slipped in!” So Eckermann patched in these remnants, and naturally the separate items are often very loosely connected. Hence it can well be said that this is an entirely formless work, and anyone is at liberty to judge it in this way from an artistic standpoint. But, after all, not a line of it was written by Eckermann. It is all by Goethe, and throughout he was giving expression to experiences of his own, with the figure of Wilhelm Meister constantly before him. Thus he was able to bring in events from his own life which had set their mark on his soul. And since Wilhelm Meister is a reflected image of himself, the various episodes meander through the story even as they had meandered through his own life, and the picture we gain from them is by no means irrelevant.

It has been said that the narrative lacks tension and is repeatedly interrupted by sagely discourses. Some people criticise the book from the ground up without having read it. They are, of course, right from their own point of view, but it is not the only one. We can learn an immense amount from these Years of Travel if we can muster the interest and the goodwill to raise ourselves to the level of the experiences from which Goethe learnt so much. And that is something. Must every piece of writing be skillfully composed if it can be of service to us in some other way? Is a lack of formal design so fatal? Perhaps the wealth of wisdom in Wilhelm Meister is fatal for those who know everything and have nothing more to learn.

It is precisely in this second part of Wilhelm Meister that we find described in a wonderful way how the Ego can rise to ever higher levels and become the peak of existence. We are shown in a particularly beautiful way how Wilhelm Meister takes his son Felix to a remarkable educational establishment. This, too, has been condemned by the Philistines. They have not stopped to think that Goethe had no intention of presenting this establishment as though it existed somewhere or other in the real world. He wished to give a kind of symbolic survey of the nature of education in his “pedagogical province”.

People who visit this establishment are surprised to see how the life of the soul is given expression in certain gestures. In one gesture the hands are folded on the breast and the eyes turned upwards. In another, the hands are clasped behind the back while the pupils stand side by side. Especially significant is the gesture which gives an impression of the soul bowing towards the earth. If questions are asked about the meaning of all this, one is told that the boys are taught to kindle in their souls the “three venerations”, whereby the soul's development can be carried to ever higher levels. The three venerations are presented as the most important of all educational principles. First, a man must learn to look up with veneration to what is above him. Then he must learn to venerate what lies beneath him, so that he may realise how he himself has grown up from it. Then he must learn to venerate what stands beside him as equality between man and man, for only thus can he learn to venerate his own Ego in the right way. By these means he will be brought into harmony with the world around him and egoism cannot go astray.

We are then shown how the most important religions are to carry their influences into the human soul. The folk or ethnic religions should take the form of gods or spirits standing above man. The philosophical religions, as they could be called, are to inculcate veneration for our equals. And the teaching that leads us down into existence and enables us to look with proper veneration on death, sorrow and the hindrances in the world—this teaching, though it can easily be despised, leads to a right understanding of the Christian religion. For it is emphasised that the Christian religion shows how God came down into a physical body, took on himself all the misery of life and went through everything human. Veneration for what is below us should especially promote a right understanding of the Christian religion.

Thus the development of the human being is set before us with precision. Goethe describes how Wilhelm Meister is led to a kind of temple, where deeply significant pictures of the three religions are brought before the souls of the pupils from their earliest youth, and we are shown how everything in this utopian school is intended to produce a harmonious whole. But the school gives expression even more to the wise principle that from his earliest years a human being should grow up in such a way that, on the one hand, he finds harmony with his environment, while, on the other, he finds it possible to lead his Ego to ever-greater heights.

This principle is applied to all details. For example, a boy's age is not indicated by the clothes he wears. He is offered a varied range of garments and has to choose those he prefers. In this way the individual characteristics of the pupils are brought out. Moreover, since a kind of esprit de corps is always apt to develop, with the result that a weaker boy will imitate a stronger by choosing the same outfit, to the detriment of his own individuality, the rule is that garments are exchanged for others at frequent intervals. In brief, Goethe wished to show how the growing boy should be educated, even down to his gestures and clothes, in a way that will lead him to a life in harmony with the world around him, while promoting his inner freedom as an individual.

It has been said that all this is a fantasy and that nothing like it has ever existed. But Goethe meant to imply only that the plan could be realised somewhere at some time; the thoughts in question would flow out into the “all and everywhere” and would find an embodiment when and where they could. Those who think this impossible might be advised to read Fichte;⁵² he set a high ideal before his students, but he knew what he was doing, and to those who called themselves realists while knowing little about reality, he said: We know as well as you do: and perhaps better, that ideals cannot be realised immediately in ordinary life, but ideals must be there, in order to act as regulators in life and to be transmuted into living. That must be emphasised ever and again. And of those who reject all ideals, Fichte said that in the reckoning of Providence they were left out; but may a good God—he added—grant them rain and sunshine at the right times, a good digestion and, where possible, good thoughts! This saying could be turned against those who assert that the educational establishment in Goethe's Wilhelm Meister could never exist in reality. It could exist, both in its principles and in its details, if there were people ready to give effect to such principles in a setting of everyday life.

A second episode in the Years of Travel introduces a remarkable personality, Makarie, who exemplifies in the highest degree a union of the individual Ego with the great Self of the world. Goethe shows us here a personality who is inwardly awakened and has developed the spirit in herself to such an extent that she lives in the spirit that permeates the world. The liberation of her inner powers gives her the knowledge that an expert astronomer acquires from calculating the courses of the stars. The highest spiritual-scientific researches are indicated by Goethe when he describes how through spiritual science the soul can enter into the life of the universe, and how self-knowledge can become world-knowledge and world-knowledge, self-knowledge. Thus in a series of pictures we are shown how the human self must pursue its development. Rightly understood, Wilhelm Meister is from beginning to end an example of how the development of man is related to the nature of egoism.

If we find in a writer an exposition of a problem so important for Spiritual Science, this is for us a further proof—already apparent in our considerations of Faust, the Tale of the Green Snake and the Beautiful Lily, and Pandora⁵³—that in Goethe we have a genius who is at one with our Spiritual Science in its true sense. Goethe himself speaks in this sense when he says, in effect: We can grasp the nature of egoism only if we know that the wisdom of the cosmos had to lead man out of spiritual existence to the point where he could fall into the temptations of egoism. If this possibility had not been open to him, he could not have become the flower of all that surrounds him in the outer world. But if he succumbs to the temptations of egoism, he incurs a sentence of death on himself. The wisdom of the cosmos has ensured that everything good in the world can be overturned and appear in man as freedom, but directly he misuses his freedom and overturns himself, a measure of self-correction comes in.

Here again we have a chapter which shows us how everything bad and sinful in human nature, if we consider it from a higher standpoint, can be transmuted into good—into a pledge of man's eternal, ever ascending progress. And so, if we are not afraid to descend into the depths of pain and evil, all the teachings of spiritual science will lead us eventually to the heights, and will confirm the beautiful words which resound to us from the wisdom and poetry of ancient Greece:

Man is the shadow of a dream, but when
The sun-ray, Heaven-sent,
Shines in upon him, then
His day is bright,
And all his life transfused with sheer delight.⁵⁴

• 42. From the poem “Das Höchste”, 1795.
• 43. From the “Cherubinischen Wandersmann” by Angelus Silesius (1624–1677), Book 1, Verse 289.
• 44. End of the poem “Welt und Ich” by Friedrich Rückert (1788–1866).
• 45. See note 5.
• 46. “Sprüche in Prosa”, vol. V, p.495 of Goethes Naturwissenschaftliche Schriften
• 47. See “Entwurf einer Farbenlehre”, vol. III, p.88 of Goethes Naturwissenschaftliche Schriften
• 48. Rudolf Steiner is here presumably referring to the sentence from Schopenhauer's introduction to his treatise “On Vision and Colours”: “That the colours which ... appear to clothe the objects are really only in the eye”.
• 49. In the conversation with Chancellor von Müller of 22nd January 1821.
• 50. “Spruche in Prosa”, vol. V, p.482 of Goethes Naturwissenschaftliche Schriften
• 51. In the conversation of 29th May, 1814.
• 52. Johann Gottlieb Fichte, 1762–1814. “Vorbericht” to Einige Vorlesungen über die Bestimmung des Gelehrten.
• 53. Rudolf Steiner is here referring to the lectures on 22nd and 24th October 1908: “Goethe's Secret Revelation, Exoteric and Esoteric” and on 11th and 12th March 1909: “The Riddles in Goethe's Faust, Exoteric and Esoteric”.
• 54. Cf. Pindar (522–C.448 B.C.) Pythian Odes, 8th Ode, 5th Epode.

You hear repeatedly if one talks about anthroposophy that it originates from the fantastic inspirations of single personalities. Many people at least judge that way who fancy themselves as capable. However, one has to say from the start that this anthroposophic spiritual knowledge wants to cover a research field that contains the most important interests of the human life generally. Hence, isolated attempts were done repeatedly at all times to cultivate this field. But one must say that these were mostly only light flashes in our time which were cast on this field by this or that outstanding personality who contemplated the human spiritual life. These light flashes with which one always has the sensation that they come from quite different origins of the human being than the knowledge that refers to the outside sense perception.

Unsurprisingly, an unaware cognitive instinct makes the human beings illuminate this field by such light flashes repeatedly, because on this field there are the most important soul riddles which the human being has to face over and over again with his feeling, thinking and willing. The human being has to feel: if he does not take a position to these questions, it has an effect on his soul that you can compare with a kind of bodily illness. The soul life becomes banal; it feels exposed to all kinds of “addictions”—I would like to say—if the doubts, the uncertainties emerge concerning these questions. However, in our times the human beings were less eager to satisfy their desire for knowledge, which arises from such impulses, with spiritual food. Who did not know the fashion of those who could afford it to visit the most different sanitariums where, actually, for many people nothing was extinguished but that desire for knowledge of which one liked, actually, to be unaware in the usual life. What the human beings searched in sanitariums and similar institutions, were, strictly speaking, only suggestions with which they did not want to be present, so to speak, with their souls and which should meet those mysterious desires about which I have just spoken and which one does not want to satisfy spiritually.

A picture repeatedly emerges to me if I have to contemplate such questions. When I was—to visit somebody—in a sanitarium just at a time when the different guests were passing and when I found out for myself after the conversation and the sight of single patients that that who mostly needed recovery of his nervous system was the doctor in charge. The others needed much less recovery of their nervous systems than the doctor in charge needed.

On this field, single persons who dealt more intensely with questions of the spiritual life have cast single light flashes that arose to them from the depths of their souls. Besides, one thing always became known that would run like a red thread also today through the considerations of this evening. The fact that in the human being, as he walks on earth today, another human being sleeps and rests who is not perceived due to the conditions of the usual life because he sleeps quieter in the usual human being than dream images exist in him which emerge and disappear.

However, one thing always struck just spirited persons when they found out for themselves how this second human being rests in the usual human being: they could not conceive this sleeping human being without bringing him together with death in any way. More or less instinctively, the one or the other personality recognised that just as the phenomena of the outer sense perceptible physical life are associated with the laws of existence, of growth, of birth and so on, this second human being sleeping in the first is associated intimately with death, with fading. You notice that it is a great, important moment for persons of knowledge if they have to think the higher human being in the usual human being associated with the forces of death.

Such a personality is the philosopher and psychologist Karl Fortlage (1806-1881). I want to take an important statement as starting point that he did in a course of eight psychological lectures in 1869. In these lectures, you can find the following, quite important place:

 “If we call ourselves living beings and attribute a quality to ourselves which we have in common with animals and plants, we inevitably understand by the living state something that never leaves us and always continues in sleep and in the wake state in us. This is the vegetative life of nourishing our organism, an unaware life, a sleeping life; it is outbalanced in the breaks of waking by the life of consumption. The brain makes an exception here because this life of nourishing, this sleeping life, is outbalanced in the breaks of the waking by the life of consumption. In these breaks the brain is exposed to prevailing consumption and gets consequently into a state which would bring about the absolute weakening of the body or death, if it extended to the other organs.”

After Fortlage has come to this strange statement, he continues this consideration with the following, profound words: “Consciousness is a little and partial death, death is a big and complete consciousness, an awakening of the whole being in its innermost depths.”

You realise that such a light flash, emerging from the depths of the soul, illuminates the coherence of death and consciousness what accompanies us during our wake life always and makes up, actually, the human being. Fortlage gets to an idea of the relationship of death and consciousness, realising that that which seizes all human beings at once at the moment of death works in microcosm if we unfold our consciousness during the wake life. Every conscious act is in microcosm the same as death is on a large scale. So that—as to Fortlage—the real death if it occurs is the emergence of an enclosing consciousness, which puts the human being into a supersensible world, while he is put into the physical world if his soul needs the physical body between birth and death.

Fortlage wrote many volumes on psychology. However, such light flashes appear only now and again in his writings. The remaining contents of his writings even deal with that which one finds so normally today in psychology: the association and course of mental pictures, the emergence of desires and so on, briefly, with all those questions on which one ventures solely in psychology and which are far away from that what, actually, interests the whole human being in psychology, which are far away from the main questions of freedom and immortality.

The considerations of this evening deal with the question of immortality while in some weeks here I hold a talk about freedom from the same viewpoint.

Even if Fortlage is concerned with the subordinate questions in his vast psychological research, and in such a way that this kind of activity cannot lead to the highest questions, at least, such light flashes are found with him. However, one reproved him for it. Eduard von Hartmann reproved Fortlage sharply that he would have left the path of science introducing such a coherence into the strict science as that of consciousness and death.

Well, one may say, not only Fortlage but also many personalities produced in single light flashes something of knowledge that refers to this characterised second human being sleeping in the sense-perceptible human being. However, these were isolated light flashes.

Anthroposophy has the task now to systemise, to make methodical that what has come up instinctively in single light flashes like manifestations of higher knowledge from the depths of the human soul, so that that which originates from it can place itself as a fully valid science beside the modern natural sciences. However, it is necessary that that who wants to form an opinion about anthroposophy casts off some prejudices that easily result from certain advantages of modern science.

I had to say, the human being whom spiritual science considers is something sleeping in the normally waking human being. From it, however, it is explicable that everything that refers to this second human being is generally drowned as it were at first in our consciousness by the sensory experience and the needs of our personal life. If in this usual life now and again such light flashes appear, they disappear faster than a dream does. No miracle, hence, that most people once say to themselves after the absolutely entitled judgement of our time: indeed, what emerges there from the soul and will manifest of this low sounding sleeping human being, this does—if it appears with those who call themselves spiritual researchers—the impression of something dreamish, fantastic. Our time does not want to get involved with such phantasms. It has rapidly finished its judgement: nonsense, this is something that has arisen from the imagination of single ones.

However, something else could be right. How would it be if it were right that one could get such weak images as they exist in dream of that what lives in the human being beyond birth and death what is the everlasting of the human nature compared with the transient? If this held true, one would have to renounce either any knowledge of the everlasting in the human being if one did not want to recourse to images of imagination or dream life, or one would have to bring the logical discipline into this world that usually seems to be fantastic, the sense of methodical research that one applies to the sense-perceptible world. One has to raise the images with certain soul forces, so that they do not only scurry like dreams, but also become as distinct and impressive as the images of the usual consciousness are.

Is anyone able to do this? Today it is difficult to bring home to a human being that one is able to do it even in scientific sense because today one regards natural sciences as the only science that has a strictly reasonable methodology. If one distinguishes other sciences, one accepts them, actually, only as far as they are founded methodically after the pattern of natural sciences. One has to say for certain fields: what natural sciences have brought up in modern times as mental pictures, showed that it must be that way if they want to control the area which is assigned to them. However, one must also say that one cannot approach the everlasting life of the human being with these mental pictures.

These images cannot be appropriate to the same extent to solve the riddles of nature and the riddles of the human soul. To the latter one has to add something else. Which means must be applied to make the soul so strong that it can bring up the mental pictures which rest sleeping below in our consciousness and can apply the strict discipline and methodology of thinking to them, about which I have spoken in particular in my book How Does One Attain Knowledge of Higher Worlds?. As in former talks, I want again to emphasise some viewpoints of these writings. One gets no idea of the approach of the spiritual researcher what he has to do, actually, to behold into the spiritual world with his soul if one does not realise what one can experience as a whole human being with the suitable desire for knowledge at certain limiting points of knowledge to which just the modern natural sciences lead.

Modern natural sciences give that who dedicates himself to them not only explanations, which nobody admires more than the spiritual researcher does, of the outer physical course, of various things which have an impact on the practical life, but natural sciences give that who dedicates himself from certain viewpoints an inner education of the soul life. More than one was able in former stadia of scientific cognition, today one is prepared to spiritual research cognitively, actually, just by natural sciences. One should not be restricted by that what natural sciences have to say about the outside world in their own field.

One should rather be able to soar an inner discipline of the soul life by the way one does research in nature. The mental pictures that natural sciences deliver can explain the outer nature only; after their contents, they have nothing to say about the spiritual life. But while one applies them devotedly, they educate that human being by the way who is able to take care of that what goes forward in him, of certain inner living conditions which bring along him to receive a concept, an inner experience of that soul life beyond the body.

I know very well that this concept—living with his soul beyond the body—is for many people the summit of nonsense today. However, this never minds. Everybody can convince himself that the inner experience gives him the certain insight of the life beyond the body if he goes through such soul exercises as I have indicated them in my writings or as I want to pronounce them, in principle, here.

One can experience especially important things if one just arrives at that boundary area of cognitive life to which natural sciences lead so often. You know, many people speak of the big boundary questions of cognition. One speaks of the fact that the human soul comes to a border if it wants to know about whether the world is infinite or limited spatially or temporally, if the soul wants to know whether it is subject to an irresistible constraint in all its actions or whether it is free.

Indeed, these are the highest boundary questions. Du Bois-Reymond put such boundary questions in his famous speech about the limits of the knowledge of nature, about the seven world riddles. You can experience the deepest impression if you feel out of the pain of a person longing for knowledge how such a person stands at such a boundary place.

I could bring in many examples. Such an example is contained in the writings of the famous aesthetician and philosopher Friedrich Theodor Vischer (1807-1887). If one reads his writings, one has often to stop with that what he experiences at such boundary places of cognition. He wrote a nice treatise on a book that the philosopher Johannes Volkelt (1846-1930) had written about the dream fantasies.

In this treatise that reproached Vischer that he had mixed with the spiritists, Vischer states such a place where he shows what he had experienced at the boundary places of cognition. He said, it is most certain that the human soul cannot be in the body; however, it is also most certain that it is not beyond the body. Here we have such a boundary question, which is paradoxical, because it has an entire contradiction in itself, as those are which one meets just always then when one delves devotedly in strict natural sciences, in life generally. The soul cannot be in the body; however, it can also not be beyond the body!—Why does one get to such contradiction?

At such border places where such contradictions appear, the scientific cognition is not at all helpful and it is most annoying if one believes that it helps something. Then, however, most people are soon ready with their judgement. They simply say in such a case, well, up to here just the human knowledge reaches; we are not able to get further.—However, it is not that way. Because Vischer had the prejudice, he experienced the contradiction only. However, he did not experience what one can do to get further with his soul at such border places. Here the usual cognition must stop and a particular experience of the soul has to begin. Here you must be able to forget as it were what the images of the usual life are because they lead you just to this border place only. You must be able to experience this here. Here you must be able to struggle with that what faces you if you let yourself in for such a contradiction. One should experience such contradictions with the whole soul. Then something new faces the soul like from spiritual depths that it cannot experience without this experience of such contradictions.

One has formed mental pictures of how, for example, lower animals that still have no senses develop senses in contact with the outside world. An inner life existed; it is confronted with the outer world, adapts itself to the outer world, and experiences the impulses of the outer world. While before the life pulsates in the organism and then everywhere stumbles against the sensory outside, it develops, we say, a sense of touch. First, it is a kind of internal tunnelling, then bumping against the borders of the externally spatial. Nevertheless, the being learns in the contact with the outside world to adapt itself; it forms a kind of picture of the outside world by the sense of touch; by the collisions with the border, this sense of touch develops.

One can compare to this image of that what develops the outer senses in the lower organisms what the soul experiences if it gets to such border places of cognition. There the soul really experiences in such a way, as if you bump against anything in the darkness that you have outside at first. Then that differentiates itself, which you experience there in such contradictory mental pictures that one forms at boundary places of knowledge. As the sense of touch arises as a physical sense from the undifferentiated cells, a spiritual existence arises from the mental, while the soul bumps against the border of the spiritual world. You really bump against the spiritual world. However, you also adapt yourself to it. You experience the significant that you have the soul first as it were as an undeveloped soul organism, which the outside spiritual world faces, then however, this soul develops spiritual senses of touch and spiritual eyes, spiritual ears in the further process to perceive that with which it is confronted at first.

I gladly believe that today those people who feel the urge to experience something of the spiritual world would prefer if one could teach the ability of perceiving the spiritual world while one imposes them mystically or as the case may be. Some people believe this. Nevertheless, it is not that way. What opens the spiritual world to us is inner soul work. This inner soul work really leads to that which I have indicated. The human being who changes his soul into an organised soul knows that his soul gets free from the body, when pushing against the spiritual and perceives the spirit. Getting free from the body is a result of inner perception. Since also that which I have explained just now appears repeatedly with persons of knowledge.

It is strange, how the course develops which I have described spiritual-scientifically with those who have worked through the longings for knowledge.

Let me bring in an example of Vischer once again, the example of a quotation by him by which he shows how he felt placed repeatedly at those boundary places of cognition where one cannot help perceiving contradictions, but contradictions that cannot be solved while you solve them logically, but while you settle down into them and develop your spiritual organs.

In particular, the following contradiction appeared to Vischer over and over again: the brain should be the organ of the soul, should produce mental pictures as it were; but if one becomes engrossed in the being of the mental pictures, one cannot regard them as cerebral products. This is such a boundary place of cognition; Vischer says referring to it:

“No mind, where no nerve centre, where no brain, the opponents say.”—Vischer himself does not say it—“No nerve centre, no brain, we say if it were not prepared from below on countless levels. It is simple to jibe at a spirit rumbling about in granite and lime—it is not more difficult than if we ask mockingly how the proteins in the brain soar ideas. The human knowledge cannot measure the level differences. It will remain a secret how it appears and happens that nature behind which the spirit still must slumber is such perfect counterblow of the spirit that we get bumps from it. It is a diremption of such apparent totality that with Hegel's alterity and exasperation, as witty as the formula may be, nothing is said; the asperity of the imaginary partition is simply covered. One finds the right recognition of the cutting edge and the thrust of this counterblow with Fichte, but no explanation of it.”

This portrayal is very strange. Friedrich Theodor Vischer feels facing a limit of knowledge; he describes his experience. How has he to describe it?

He gets to the expression: “we get bumps from it.” He gets to the expression: “cutting edge and thrust of the counterblow.”—One sees the soul that wants to differentiate to develop internal spiritual organs by which it can experience the supersensible outside world, in which it lives.

For a long time in the history of humanity, it was an obstacle to soar spiritual organs in the right way because one believed only the human thinking that takes the sense impressions as starting point could solve certain questions, just the questions of God, freedom and immortality.

Well, thinking is important, because strictly speaking a big part of those exercises that one must do to attain spiritual organs consists of a higher development of thinking than the thinking is which one uses in natural sciences. However, if you only abandon yourself to the usual thinking, that originates from the usual human being not from that second human being sleeping in you. This thinking does not lead into the spiritual world; this thinking can only realise that it is in the spiritual world. However, no unbiased person concedes that thoughts are something that lives in the sensory world; however, these thoughts contain nothing but impressions of the sensory world if they are taken from the usual human nature. People with deeper inner life have always felt like in flashes of inspiration where to the human thinking leads if it is left to itself, emancipated from the outer sense perception.

You can find—if you have experience of the spiritual-scientific literature—such light flashes with numerous personalities which sometimes are, however, darkness flashes. With them, one has to stop and observe to which cliffs the human cognitive life leads if this life is sincere and honest to itself and does not fool itself with all kinds of prejudices, and does not apply all kinds of methods taken from other, verified fields to the soul life itself. Again an example of many:

A man who really struggled with knowledge problems and riddles is Gideon Spicker (1840-1912) who taught philosophy at the University of Münster until few years. Gideon Spicker took the education for the spiritual as starting point. The deepest knowledge questions arose to him from theology. Some years ago, he wrote two nice booklets: From the Cloister to the Academic Lectureship. Destinies of a Former Capuchin (1908) and In the Turning Point of the Christian World Period. A Philosophical Confession of a Former Capuchin (1910); in the one he describes his life, in the other his knowledge desire.

At a place, one has to pause particularly where this former Capuchin, who then became a professor, expresses himself about the experience that he had with thinking that he had emancipated from the sensory experience. However, he did not have the courage to go into spiritual science; he did not develop the power of thoughts so far that it wakes the spiritual organs, so that he faced a spiritual world, felt with his soul being in the realm of the supersensible. Because he was at such a border place where he experienced something with the thinking, he expressed himself as follows:

“To which philosophy one confesses, whether to a dogmatic or skeptical, to an empiric or transcendental, a critical or eclectic one: all without exception take an unproven and unprovable proposition as starting point, namely the necessity of thinking. No investigation gets to this necessity, as deeply as it may prospect one day. It must be absolutely accepted and can be founded by nothing”—he means the necessity of thinking—“every attempt to prove its correctness always requires it. Beneath it a bottomless abyss yawns, a nightmarish darkness illuminated by no beam of light. We do not know, where from it comes, neither where to it leads. Whether a merciful God or a bad demon put it in the reason, both are uncertain.”

However, no human being speaks this way who has learnt a little bit only, has maybe learnt very much, and puts up all kinds of philosophy from the learnt concepts. Thus a human being speaks who has worked through what the knowledge researcher can go through if he submerges with his soul forces only deeply enough into that undergrounds of inner experience into which one can submerge where one is confronted with the cliffs, the partitions which one only penetrates if the spiritual organs really awake if they become consciousness.

In my life, I became acquainted with a number of such persons like Gideon Spicker, and I have tried to reflect such characters in the picture of Strader in my mystery dramas. However, I had to experience with it that just those who are often called followers of anthroposophy misunderstood me to the greatest extent. While the persons whom these dramas show are taken out of the real, comprehensive life, from that life that should just show the necessity and the validity of spiritual science from the other areas of modern existence, weird persons believed, I would write such roles that are tailor-made for those who should represent them, whereas I was just a far cry from this.

I could show with a comparison what such a person experiences who does not get to the knowledge of spirit but to the insight of the necessity of thinking. Someone who gets to the knowledge of spirit knows that if one not only wants to consider the thinking but experiences it, he does not experience, indeed, that beyond the thinking that Gideon Spicker describes, the bottomless abyss, the nightmarish darkness illuminated by no beam of light, but he experiences the spiritual world beyond this thinking that bears the sense-perceptible reality. He experiences with his soul in this supersensible area. He also experiences that there is no uncertainty whether a merciful God or a bad demon has been put in the reason, but he experiences and observes the spiritual that penetrates the reason, as the sense perceptible world penetrates the sensory observation.

However, one must say that the thinking—if it is left to itself if it is only thought, and is not experienced—that such a development of the soul life can be compared—you forgive for the somewhat odd comparison—with a hungry organism. If one believes to be able to recognise something of the highest questions by mere thinking—God, freedom, immortality—, then one resembles a person who does not want to still his hunger with food from the outside, but lets the hunger develop. As little as you can develop a hungry organism, so that it balances out its needs in itself, just as little you can attain any spiritual content of the soul and any solution of the questions of God, freedom, immortality if you abandon yourself only to the thinking. As you starve on and on unless you eat, you cannot attain the spiritual development if you think only on and on.

The older philosophical metaphysics wanted this. As hard as it is, it is true: this outdated metaphysics that is something new, however, to some people is nothing but a science that suffers from mental malnutrition.

However, it is not enough that you gain this knowledge only to understand the inner experience correctly. As you have to understand that mere thinking leads to mental malnutrition if this thinking does not brace itself up for inner experience, you have also to understand that much knowledge of the outer sense-perceptible reality and its processing by the intellect, by methodical research do not lead to any knowledge of the soul.

You will convince yourselves if you take common textbooks of psychology that one normally starts speaking about the nervous system. What one says, otherwise, about the human organism is borrowed from physiology, from natural sciences.

Now I have to stress repeatedly not to be misunderstood that spiritual science is a far cry from misjudging what natural sciences have reached concerning the secrets of the nervous life, the secrets of the human organism. I do not want to discount its value. Nevertheless, the value is in another area than in that of the soul knowledge. You may abandon yourself to the mere thinking, then you starve; but abandoning yourself to the outer observation for the knowledge of the soul life only resembles the supply of all kinds of stuff that is indigestible. If you fill your stomachs with stones or the like, the human organism cannot make anything from this indigestible stuff.

Thus you cannot suppose, if you take the scientific results simply in such a way as they are and do not process them mentally, that you receive any enlightenment of the spiritual world, of the life of the soul in the supersensible realm. In our times, people abandoned themselves to the most different mental pictures that should explain how actually the soul relates to the body. Not only that there the oddest fairy tales are bustling about in that what one often calls science. One wants to eradicate fairy tales and superstition from the outer life, in science they often flourish, one only notes it in science just as little as one noted it in the outer life of former times. That fairy tale also belongs to it that the nerves are telegraph wires to the soul that pass on the outer sensory impressions, then again other nerves are there which direct the will impulses to the periphery. About this fairy tale, one would not like to talk at all, because what is meant with this comparison is far away from reality and arises only from an unnoticed scientific superstition.

However, I would like to emphasise two mental pictures that are also widespread today with those who contemplate the relationship of the body and the soul.

Some people believe that they have to regard the body or the nervous system as a kind of tool of the soul, as if the soul is a being that uses the body like a tool. The others who cannot realise how a mental-spiritual being should find a working point to work on something material like the body got even to the weird mental picture of the mental-bodily parallelism. There the processes of the body should proceed for themselves. Without the soul working on the body like a cause or the body reacting on the soul, the soul life should proceed in parallel with the bodily processes. One current always accompanies the other, but the one does not work on the other. Wundt (Wilhelm W., 1832-1920), Ebbinghaus (Herman E., 1850-1909), Paulsen (Friedrich, 1846-1908) and many others dedicate themselves to this weird parallelism theory.

All these theories suffer from the fact that they do not realise what the coherence of the soul with the body is based on. This coherence can be expressed neither by the fact that one says, the body is the tool of the soul, nor that one says, the soul processes proceed in parallel with the bodily phenomena.

However, I am able to bring only forward that what I can say that encompasses a wide field as a result and observation of anthroposophy. Everybody can find the other reasons in my various writings. Nevertheless, I would like to show the essentials briefly today.

If one wants to express the relationship of soul and body correctly, one has to say, as far as one considers the human being, everything bodily of the human being turns out to be for a real observation neither as tool nor as a process running alongside but as a creation of the soul in microcosm and on a large scale.

It is nothing bodily at the human being that is no creation of the soul. However, one has to cast off some prejudices and to take up new concepts from spiritual science if one wants to envisage this far-reaching idea that everything bodily is a creation of the soul.

Already in microcosm, this is in such a way if we form any mental picture if a feeling emerges in us. Yes, only because one has not learnt to observe spiritually and bodily, one believes that there something exterior works on a finished body; the exterior effect spreads to the finished body through the eye or ear, then the effect continues inwardly. Have an unbiased look at the suitable theories. You will find everywhere that they are not at all based on real observations but on prejudices. Since what really goes forward if we perceive if we hear anything, is already carried out, actually, for the most part when we become aware of it, and is strictly speaking always a developmental process in the body. A beam of light hits us and causes something. It is in the same world in which our body is. In our body, something goes forward. What goes forward in it is of the same kind, only in microcosm, as it is if on a large-scale forces form our organism on a large scale. As the forces of growth and other forces form our organism, something is formed in us if a beam of light hits us if a tone hits us and so on. That which is formed there as something subtle in us is reflected in the soul that is not in the body but always in the supersensible realm. We become aware of the reflection. The process, however, which must take place there for the wake consciousness must be a destructive process, a little death.

We cannot completely convince ourselves of the consciousness, of the soul being with the help of the usual consciousness processes, and with bodily-spiritual observation. Nevertheless, if we come on what also accompanies our usual awake life, on the forming of memories, we come already nearer to that which I have just said. Someone who is able to observe what goes forward in the human being knows: what makes a mental picture aware to us does not lead straight away to memories. No, something has always to run alongside, another process has to take place. If you have sense for observation, look at a pupil who studies hard ever so much; what he must perform as auxiliary exercises, so that that which he takes up also goes over into his memory. For a subconscious accompanying process must proceed always. That which we know does not remain to us, but that which goes alongside the consciousness in the subconsciousness. However, that which happens there in our organism by this side flow of the consciousness is still very similar to the growth processes of childhood.

The origin of mental pictures is a growth process in microcosm. Usually we grow like with tremendous power in proportion to the small growth process that takes place in us, unnoticed in the usual life if memory forms. Under the surface of the current of the conscious mental pictures, events happen which carry the memories; and this is very like the growth processes. Do you ask why one can well train the memory just in your youth? Because you still have fresh growth forces in yourselves, because they have not yet withered. However, I can always give such single proofs only; you can prove what I have said with many single observations.

Our usual imagining, feeling and willing intervenes already in such a way that it is reflected not only and makes aware what happens; but in such a way as concerning the memory an undercurrent is there for our conscious life, there is also an upper current. As one does not note the undercurrent—one notes it at most if the pupil studies hard and does movements and knocks its head to support this undercurrent—, one does not note the upper current all the more. However, this upper current belongs above all to that second human being who sleeps there in the usual human being, while we think, feel, and will in our usual life.

Just as the current of memory proceeds beneath the consciousness, something purely mental proceeds above the consciousness, something that does not intervene at all anyhow in the body. Because this conscious soul life has such hyper-experience, I would like to say, the forces of growth are not sufficient for this conscious soul life, for the entire soul life at all. The forces that lead the human being to birth are not sufficient. These forces could only evoke that in the human being that we perceive with the sleeping organism.

At the moment when the consciousness intervenes with its upper currents in the organism, those forces which also destroy this organism finally at death must intervene in the organism. These forces are destructive forces, so that the forces of growth must balance out them in sleep. Only then, one understands the supersensible life of the soul if one knows how far the purely organic reaches subsensibly.

I do not like speaking about personal experiences; what I tell, however, is associated substantially with that which I generally have to bring forward. I confess that I intensely pursued the problems about which I speak today and in my writings since for more than thirty years on all ways that may arise. These ways have to lead the soul into the area of spiritual life and in the coherence of this spiritual-mental life with the bodily life. I have found that—if you go about your work scientifically in the sense of our time honestly and sincerely—you really can obtain many fertile things, while you discipline yourself scientifically. On this way then you just find those questions for whose solution the usual natural sciences do not suffice. Yes, just from scientific thinking one gets other observation results about what is in natural sciences, actually.

The question of the nature of the nervous system was one of the biggest ones to me for decades, which the scientific psychologists, the psychological scientists regard as the organ of the soul who imagine that in the nerves an inner activity takes place, which is similar to other organ activities. Well, such activities also proceed in the nerves, but they do just not serve the forming of mental pictures, of feelings and will impulses. They serve the nutrition of the nerves, the production of the nervous substance if it has been consumed. They just do not serve the soul life; however, they must be there, so that the soul life can take place. I use a comparison that I have used here already once.

If you consider the nervous system as something that must be there for the soul life, you just have something, as if you say, the ground must be there, so that I do not fall into the depth if I want to go. However, if I go and the ground is soft, I leave behind tracks. Then someone will completely err who checks the ground and searches the forces in it, which my footprints have produced from inside. As little as these forces produce tracks from inside, any inner forces of the brain and nervous system produce the tracks that originate from imagining, feeling, and willing. There the mental works which prevails in the supersensible area.

Before one does not realise this and experiences it as real observation, one can generally come to no understanding of the true nature of the soul. That which is on the bottom of the soul life in the nervous life is not the organic processes of the nervous system—they lead to another direction—, this is that which I would like to specify now. I have brought in the preceding personal remark, so that you realise that I do not frivolously pronounce something such substantial that it is hard gained what I say about the nervous life: while organic forces go into the nervous ramifications, the human being goes over from life to death. In the nervous ramifications, the human being dies perpetually, if he uses these nervous ramifications for thinking, feeling, or willing.

The organic life does not continue as the growth conditions do, but it dies away, while ramifying in the nerves. While it dies away, it prepares the ground for the spiritual development, for the purely supersensible mental. As I remove the air with a pump from a container, produce vacuum, and then the air completely flows again into the container by itself, in the same way mental life flows in the dead part of the nervous system perpetually if the organism sends the partial death into it.

Hence, the partial death is the basis of consciousness. If one recognises that the human being does not need to pour his organic forces into his body to make this body the place of the soul, but that the human being needs to kill his organic experience to withdraw this organic life constantly from the places to which the nerves give the opportunity, you notice how the supersensible soul life can develop in the sensory body, however, after it has created this sensory body first. Since the same soul, which thinks, feels and wills in the time from conception to death, exists also before. The spiritual world is not anywhere in a cloud-cuckoo-land, it is there where the sense-perceptible world is also; it penetrates it. Where sensory effects are, they originate from supersensible, spiritual effects. This same soul lives in the supersensible world that has formed the body and has changed it into the apparatus reflecting the processes to it of which you can become aware. Before it came to conception, it lived in the supersensible world, and in this life on earth, it is connected with the supersensible world. This soul exists already since centuries, before it enters the sense-perceptible existence at conception. As in the life between birth and death this soul has created the body as its image and unfolds its life with this image of the body, the life of the soul unfolds the forces that develop the forces of heredity from the supersensible world.

It is correct that that which we pass on originates in the successive generations. However, our soul works already on them. We insert the forces in our ancestors by the effects of our soul that we receive then as inherited. Thus, we develop our whole organism from the spiritual world as we form something with the memory in microcosm; and only the base, the opportunity of it is given by the sensory heredity. The body is completely a creation of the mental-spiritual. As well as the single experience between birth and death is based on a creation of the spiritual, the entire human body is also based on the spiritual-mental. However, there are incorporated not only the forces of growth in this developmental current but also the forces that appear finally in the total sum as death which is only the outside of immortality.

Since while the mental-spiritual puts the body in the world, is reflected with it, it experiences its own life in the supersensible area. However, at the same time it destroys the body because the upper current mentioned just now develops. As every consciousness is based on a partial death, the complete death is nothing but the withdrawal of the soul from the body that is the beginning of a different experience of the soul. We know: as we develop memories between birth and death, we developed the inner human being in the supersensible current who goes through births and deaths who is everlasting.

What I have indicated as soul experience is not anything that the spiritual researcher produces, it is the characterised second human being whom one only oversleeps, otherwise, but is always in the human being. Spiritual research is nothing but making people aware of that what is perpetual and eternal in the human being, so that he can go through death. If you are able to move with your mental in the spiritual in the intimated way as you move with your senses in the physical-sensory, then you know that you live as a human being also in a spiritual world as one lives with the senses in a physical world. As one distinguishes the mineral, plant and animal realms in the physical world, one distinguishes realms in the spiritual world, which are full of beings that become more and more spiritual the higher you ascend to which the human being belongs with his soul, as he belongs with his body to the physical realms. Briefly, the soul consciously enters in the spiritual world.

I would like to call this worldview Goetheanism after its origins, as well as I would call the building in Dornach Goetheanum that is dedicated to this worldview. Since not on some daydreams but on the healthy condition on which the Goethean worldview is based that is also based what I mean as anthroposophy. Goethe differed in his view of the physical things just by such conditions from that what originated later as natural sciences. However, Goethe developed such scientific concepts that these concepts may sit heavily in the soul's stomach like stones, but can be transformed, so that you reach the mental realm with these scientific concepts. Goethe himself did not yet found spiritual science; he did not get around to doing this. Nevertheless, he developed his theory of metamorphosis so that you only need to develop the internal experience from the principles further, then you also attain knowledge of the mental-spiritual experience.

Whereto does the common psychology, actually, come? A very significant philosopher of the present, Franz Brentano (1838-1917), who died recently, had a rich knowledge life behind himself. He was a fighter in this area; last, he found asylum during this war in Zurich. He attempted to cope with thinking, feeling, and willing his whole life through, beside his other profound researches in the psychological field. These three concepts play a particular role in psychology. Franz Brentano did not advance further than to a classification, did not advance where one can grasp the mental itself only as something living. If one clusters imagining, feeling, willing so simply mechanically, one has three classes. To grasp the mental as something living, one has to grasp the mental, now, however, the spiritual-mental, in such a way as Goethe tried to grasp the outer physical things with his theory of metamorphosis, as Goethe imagined the green leaves of the stalk transformed into the petals, even into the fruit organs. As he attempted to explain all organs by a transformation into each other, one must not only leave thinking, feeling, and willing side by side, but also gain the living transition of them.

There I can bring in the research results again which matured in myself for a long time. Our will is not only put so externally beside the feeling and the imagining, but the feeling has simply originated as a metamorphosis of the will in such a way as the petal forms from the stalk leaf; and imagining develops from feeling. At the end the anthroposophist gets to the result that the will is basically a young being which if it becomes older changes into feeling, and if it becomes even older into thinking, into mental pictures. In the imagining the same is always mysteriously contained which is also inside feeling and willing. However, we do not experience how mental pictures arise from feeling.

However, if the soul has developed its spiritual organs, it experiences a mysterious feeling in all its mental pictures, but not a feeling which is bound to our body, but which leads us on the detour of the mental picture into the vastnesses of the spiritual world. You experience—if you are not led by the feeling into your bodily, but are led into the vastnesses of the spiritual world—that supersensible in which we are between death and a new birth. Then you experience the supersensible world with higher knowledge than the usual mental pictures are, with spiritual-mental knowledge.

However, most people would like to experience this supersensible world after the methods of the sensory world. They are not contented to experience it only in pictures, in Imaginations. They would like to experience it with the senses. However, as the body has to die to become pure spirit, one has to cast off the sensory knowledge that combines with the material. Knowledge has to become Imagination, so that in the Imaginative experience which is as subtle as imagination, but not so arbitrary, the sensory-material is cast off, and a picture of that reality is already attained between birth and death that the human being experiences after death.

Hence, nobody can hope to recognise the supersensible who would like to hear voices or to get other material effects like the spiritists do, while because of a weird self-deception these want to tackle, actually, the supersensible and put something sense-perceptible to themselves. With that subtle spiritual experience, which must happen if one wants to experience the imperishable human being, just many people are not content today. Only this supersensible experience can lead us to the real knowledge of the soul being in the supersensible field that leads us to a true view of the relationship of the body to the soul and that of the soul to the body.

As the feeling changes into imagining, the willing does it too. As one can find a feeling mysteriously in every mental picture, one also discovers a will impulse, which does not lead us to the movements of the limbs, to sensory actions, but leads us from imagining into the supersensible world.

If one discovers the young soul being of willing in the old-grown soul being of imagining, one discovers in this willing which is experienced purely spiritually those forces which work from the preceding life on earth on this life on earth. Then the repeated lives on earth and the intermediate lives in the purely supersensible world become real observation; then the human being gets to the real supersensible knowledge.

One could think that the supersensible knowledge is there only to satisfy the human need of knowledge. Let me quite briefly, at the end, only indicate with few words that this does not hold true. One could believe that only the human need of knowledge is satisfied, but this has its deep practical significance. Indeed, one is concerned with progress in the evolution of humanity. The Copernican worldview, the modern natural sciences came only, after humanity had gone through other levels before. Thus, the anthroposophical spiritual science only originates if the urge to recognise the supersensible is strong enough in the human beings. Many people who know that there is a supersensible world still believe that today the human beings are not ripe to develop those free cognitive forces to wake the sleeping human being. The opposite is the case! Today the human being thirsts for supersensible knowledge. He numbs himself only as I have said at the beginning of this talk.

This cannot go on this way for other reasons, too. One can recognise nature without ascending to laws that make the soul life explicable. You can even say that you can recognise nature the better, the more you keep away from any mental-spiritual while developing physical laws. The physical laws will be the more suited for their field, the less one confuses them with laws that refer only to the mental-spiritual. One has already to say this. However, as soon as it concerns the complete understanding of human life, so that our understanding can intervene in the development of this human life, as soon as it concerns the social and political living together, as soon as it concerns generally finding a right relation from human being to human being, something else is necessary. Then the thoughts that are formed only after the pattern of natural sciences are not sufficient.

Unfortunately, humanity has got used very much to thinking life after such thought forms after which one imagines natural processes. Thus people also have instinctively familiarised themselves with the social life, with the political living together in such a way and also to form it as the spirit forms which only is just used to thinking physical laws. More and more this has developed that way during the last four centuries. As it is correct if natural sciences exclude the spirit from their field, it is insufficient for the human living together, for everything that is connected with society, with sociology to develop thought forms that originate only from natural sciences. One does not become ready with how the human beings have to live together all over the world if one wants to develop this living together after political, after social ideals that are produced after the pattern of scientific principles.

One example of many: when this tragic war broke out, one could hear from many sides, just from the people who called themselves experts of the laws of human living together: this war can last no longer than at most four to five months.—In full seriousness, these persons said this from their scientifically developed thinking, which also exists with that who is not a physical scientist. Just the greatest experts spoke this way. How sadly has reality disproved these mental pictures! Nobody who figures spiritual-scientifically out the world can dedicate himself to such mistakes because he knows which difference exists between escapist mental pictures and realistic ones.

What fulfils our souls as spiritual science brings us together with reality; it puts us into the full reality. A social science, which really copes with this living together of human beings around the whole world which should not bring in instincts, impulses to the human beings which discharge as the today's dreadful, catastrophic events discharge—such a social science can arise only from the conditions which spiritual science gives. Since it deals not with a part of life but with the whole life; hence, it only can generate mental pictures and concepts that cope with reality.

If people do not force themselves to build up their social thinking based on spiritual science, humanity will not come out of the calamities that discharge today so frightfully. I can appreciate what goes out from the people who one calls pacifists or similarly. However, such things cannot be decided by mere orders, cannot be decided by the fact that one decrees: this and that must be.

One can absolutely agree with that which must be. However, if one only produces the orders, only the laws of the usual thinking, it is in such a way, as if one says to a stove: dear stove, it is your duty to heat the room; hence, heat the room.—It will not heat the room, without putting wood into it and making a fire.

Just as little all the usual ideas of peacekeeping et cetera are sufficient. It concerns that one not only says, human beings, love each other, but that one puts heating material into the human souls. However, these are concepts that arise from the living conception of spiritual life.

Since the soul does not only belong to the material, it belongs to the spiritual life. One does often not understand even today, what it means that this human soul belongs to the supersensible area. One usually thinks that one is with the laws which one develops today already in the supersensible area. One does not do this.

Just in the fields of serious science one often starts realising already that it is also significant to check for human experience not only that which scientific prejudice has sketched out in the last decades but also that there other concepts, other ideas are necessary.

Did we not experience the strange play in the last time that one of the most loyal disciples of Haeckel, Oscar Hertwig (1849-1922), the famous physiologist, wrote a book in which he says farewell to the whole outwardness of Darwin's theory which wants to explain the evolution only with a sum of contingencies, of coincidences, which does not want that forces intervene in this evolution that one cannot recognise with mere outer observation. Thus, one experienced the strange case that Oscar Hertwig wrote a significant book in the last time: The Origin of Organisms — a Refutation of Darwin's Theory of Chance (1916). In this book in which serious science itself attempts to come out from the only material, to ascend to the spiritual, Oscar Hertwig closes his explanations with the following considerations:

“The interpretation of Darwin's theory which is so ambiguous with its indefiniteness also permitted a versatile use in other fields of the economic, social, and political life. From it everybody could get desired answers, like from a Delphi oracle, concerning its practical applications on social, political, hygienic, medical, and other fields and refers as affirmation of his assertions to the Darwinian biology with its immutable physical principles. However, if now these putative principles are no real ones”—Oscar Hertwig believes to have proved that—, “should there not be social dangers with its versatile practical application on other fields? Nevertheless, do not believe that the human society can use phrases like the relentless struggle for existence, the selection of the fittest, the natural perfection etc. transferring them to the most different fields without being deeper influenced in the whole direction of its ideation. One could easily prove this assertion with many phenomena of modern times. Just therefore the decision of truth and error of Darwinism is beyond the scope of biological science.”

There you recognise how a naturalist realises: what the human beings think and what of their thoughts changes over into their impulses, that prepares and develops what then in the outer reality comes into being; the spiritual is also the creator of the material in the social field.

If the material appears in such figure as today, one has to search other reasons in the spiritual than someone searches them who goes forward with his concepts of the social only after the pattern of natural sciences. Spiritual science that is based on occultism will work different on the social life; it will not speak only of a relentless struggle for existence, but it will figure out what positions itself as something spiritual in that which appears in nature only as struggle for existence. It considers not only the existence after the outside, but after that which the spirit has poured into it; it will not only judge the course of evolution by its functionality but also by that which has been put as something ethical in the course of purposefulness. It will not only speak of perfection by natural selection but of the creative spirit that flows into the developmental current and creates the natural selection as well as the soul creates its body. It will search the bases of the social laws above all in the supersensible.

There we can already realise that spiritual science is not something that satisfies mere knowledge, but something that is intimately associated with the practical need, with the whole course of life. The future will demand those bases of thinking just for the practical life that can originate only from spiritual science.

Why are the human beings reluctant even today to accept spiritual science? Just from that which I have said now one can get an answer. We were mainly concerned this evening how spiritual science pursues the riddle of immortality. However, death separates us from immortality. We have realised that just in the course of life we have to recognise the perpetual intervention of death. In ancient times, one always said, someone who enters into the spiritual world must experience death symbolically.

It is maybe a radical diction, but it is true. Between our world of the senses and the intellect that analyzes the sensory observations and the world of immortality is no world of growth but of death. One has to envisage death; one has to look at the destructive forces that counteract the forces that just natural sciences regard as the forces of growth.

This produces something similar in the area of knowledge, as it is the fear of death in the outer life. One can already speak of the fact that people do not have the courage to penetrate that area through which one must go if one wants to enter into the supersensible. The human beings shrink from it. They do not know it. They deceive themselves with all kinds of theories and prejudices of limits of knowledge, with any only material significance of life. They rather deceive themselves than that they pass that gate courageously through which one can come only from the sensory to the extrasensory world. However, the gate is that by which one must recognise the nature of death. Since it is true: the human being will find adequate harmony of his soul only if he can absorb the secrets of immortality.

Nevertheless, to the fruit of knowledge that can be enjoyed as immortality one gets only if one ploughs over the ground of death. However, one must not be afraid of it. As the human being overcomes the deadly fear of knowledge in the area of cognition, a science of the immortal, of the supersensible will originate. Tomorrow I speak about the fact that this science of the supersensible disturbs nobody's religious confession. I hope that I do not engage your attention tomorrow as long as today; but I was not able to shorten this basic talk.

When once our construction, dedicated to spiritual science, is finished in Dornach, it contains a sculptural group at an important place. This group primarily presents three figures. In the middle of this group a figure stands as, I would like to say, the representative of the highest human which could develop on earth. Hence, one can also feel this figure of the highest human in the earth development as Christ, Who lived in the body of Jesus of Nazareth for three years within the earth development. It is the particular task to form this Christ figure in such a way that one can see, on one side, the concerning being living in a human earthly body, however, this earthly body being spiritualised in every look, in everything that is in it by Christ Who entered from cosmic, from spiritual heights in the thirtieth year of his life in this earthly body.

Then two other figures are to be found, one on the left side, the other on the right side of the Christ figure, if I am allowed to call this figure the Christ figure. This Christ figure stands there like before a rock which towers up in particular on the left side of Christ, so that its peak is above the head of the Christ figure. On top of the rock is another figure, a winged figure; but the wings are broken, and this figure falls, because it has broken wings, into the chasm. What has to be worked out artistically in particular is the way how this Christ figure raises the left arm. Because the Christ figure raises his left arm, it happens that this falling being breaks the wings. But this must not look in such a way, as if possibly Christ broke the wings of this being, but the whole must be artistically arranged so that, while Christ raises the arm, already lies in the whole movement of the hand that he has an infinite compassion, actually, also with this being. However, this being does not endure what flows up through the arm and hand and what is still visible because the fingers of the stretched hand hollowed the rock, as it were. What this being feels in itself, because it comes near to the Christ being, I would like to dress in the words: I cannot bear anything pure like that shining on me.

It is that which lives in this being and lives so substantially in this being that its wings are broken and it falls consequently into the chasm. This is one especially significant artistic task. You notice what could be missed if Christ stood there plastically and such a force were simply emitted by raising the hand, so that He breaks the wings of this being so that it falls into the chasm. Then it would be Christ who would shine on this being like with hatred and make it fall. However, this must not be shown that way, but the being should make itself fall. Since this being who is shown falling down with broken wings is Lucifer.

On the other side, toward the right side of the Christ figure where the rock has a projection the rock will be hollowed out there. In this hollow is also a winged figure. This figure turns to the rock cavity on top with his arm-like organs. You have to imagine: on the right the rock cavity and in this cavity the winged figure which has, however, quite differently formed wings than the figure on top of the rock. This figure has more aquiline wings, the figure in the cave bat-like wings. The latter figure locks itself up in the cave, you see it in chains, and you see it working there on the ground hollowing out the earth.

The Christ figure in the middle turns his right hand downwards. Whereas it turns its left hand upwards, it turns the right hand downwards. It will be a significant artistic task again not to show this in such a way, as if Christ wanted to put this figure which is Ahriman in chains, but that Christ Himself has an infinite compassion for Ahriman. However, Ahriman cannot endure this; he writhes in pains by that which the hand of Christ emits. This causes that the veins of gold, which are at the bottom in the cave, wind like strings around Ahriman's body and tie it up. Just as that which happens with Lucifer happens by himself, it also happens with Ahriman. Then we will attempt to paint the same motive above the sculptural group, but the view of the painting must be completely different from that of the sculpture. So that we have this group of three figures: Christ, Lucifer, and Ahriman as a sculpture group at the bottom and above them the same motive painted.

We put this relationship of Christ, Lucifer, and Ahriman in our Dornach building because spiritual science shows us in a certain way really that concerning the understanding of the Christ Impulse the next task is that, finally, the human being learns to know which relationship exists in the world between these three powers Christ, Lucifer, and Ahriman. Since, indeed, up to now one often talks about Christianity and the Christ Impulse, but that which has entered the world by the Christ Impulse, actually, as a result of Christ's Death and Resurrection, this has not yet become completely clear to the human beings. One speaks probably of the fact that there is Lucifer that there is Ahriman, but while one speaks of Lucifer and Ahriman, one speaks very often in such a way, as if one had to flee them, as if one had to say almost always: I want to know nothing, nothing at all about Lucifer and Ahriman.

If the divine-spiritual powers, which are found in the way, as I have described it in the public lecture yesterday, also wanted to know nothing about Lucifer and Ahriman, the world would just not be able to exist. You do not position yourselves in the correct relationship saying: Lucifer, I avoid him! Ahriman, I avoid him! You rather have to look at that which the human being has to strive for as a result of the Christ Impulse like the equilibrium position of a pendulum. The pendulum is in the middle in balance; however, it must swing to and fro. That is similar also in the earth development of the human being. The human being must tend on one side to the luciferic principle, on the other side to the ahrimanic principle, but he must learn and stand firmly on that which Paul said: “not I, but Christ in me.”

We have to understand Christ in his effectiveness absolutely as a reality. That is we must be clear to us that this really happened which flowed by Christ's Death and Resurrection in our earth development. How well or how badly people understood this up to now, it does not depend on it, but on the fact that it was there that it has worked in the human earth development. One could say a lot that people have not yet understood of the Christ Impulse. And spiritual science will contribute a little piece to the understanding of that what flowed in from spiritual heights by the Mystery of Golgotha as the Christ Impulse onto the earth development. To realise Christ's working, we want to make clear to us, as this has also happened at other places, two moments of the earth development of humankind, two moments which became important in the whole western development.

You know from history, what an important moment it was, when Constantine, the son of Constantius Chlorus, defeated Maxentius, and Christianity was introduced by Constantine externally in the western development. Constantine had to go into that important battle against Maxentius through which Constantine then made Christianity the state religion in his western empire. The whole map of Europe would have become different if in those days this battle had not taken place against Maxentius. But strategic art, that of what people were capable with their intellects in those days, did not decide this battle really, but something else.

Maxentius made read up in the so-called Sibylline Books, the prophetic books of Rome, and got the advice to lead his army out of the walls of Rome, whereas they would have been saved well within the walls. So he positioned his troops in the free field against the army of Constantine. However, Constantine had a dream before the battle which indicated to him: if you go in the sign of the Mystery of Golgotha against Maxentius, you arrive at a big goal.—And carrying the sign of the Mystery of Golgotha, the cross, Constantine went to the battle with an army about three quarters smaller than that of Maxentius. Filled with enthusiasm by the power which came from the Mystery of Golgotha, Constantine won that important battle through which Christianity was introduced externally in Europe. If we remember what people understood of the Christ Impulse with their intellects in those days, we find an endless theological quarrelling.

People quarrelled whether Christ is identical from eternity with the Father and the like more. One must say: it does not depend on that which people knew about the Christ Impulse in those days, but on the fact that it was there, the Christ Impulse, that it induced the necessary events by Constantine, by a dream of Constantine. It depends on the reality of Christ, on the real power of Christ. In our spiritual science, we only begin understanding the Christ Impulse.

Another moment was that when in the fight between France and England Europe was formed in such a way that one can say: if France had not been victorious against England in those days, all the circumstances would have become different. But how had this happened?—The Christ Impulse has just worked in the subconscious of the soul up to now, when it has to become more aware. We see then in the western spiritual development the Christ Impulse seeking for those conditions in the human souls through which it can be effective with individual human beings. Legends have preserved the way how the Christ Impulse in the western spiritual development can make itself noticeable. These legends point partly back to old pagan times, when everywhere understanding of Christianity was prepared just in paganism.

If the soul does not strive for initiation consciously in the way I have described in How Does One Attain Knowledge of the Higher Worlds?, but gets it as it were in natural way, as it was filled with the Christ Impulse by a natural initiation. The most convenient time in which this Christ Impulse is able to inspire the soul is the time of the Christmas Eve up to the Epiphany day, the time from the 25th December to the 6th January. We can understand that if we get the following clear in our mind: for the esoteric knowledge it is unambiguously evident that our earth is not only that of which the geologists talk. That is only like the skeleton of the human being. But our earth also has its own spirituality. And Christ has just entered the earth aura. This earth sleeps and wakes as we sleep and are awake in twenty-four hours. We have to realise the fact that the earth sleeps during the summertime and is awake in the wintertime. The spirit of the earth is the most awake in these twelve or thirteen nights from Christmas to Epiphany. In olden times, in which—as you know from the various representations in my lectures—the human beings had a dreamlike clairvoyance and experienced the spiritual principle of the world that way. The most convenient time was the summertime. It is quite natural that somebody who wants to rise in a more dreamlike clairvoyance to the spiritual has it easier during the sleeping time of the earth, in the summertime. Hence, it was the St. John's-tide which was the most convenient in olden times to raise the strength of the soul to the spiritual. The new, more conscious way has replaced the old way in which the spiritual was working into the earth; now it is the best time when the earth is awake.

Hence, the legends tell us that especially gifted human beings, human beings who are particularly suitable because of their karma, get a special condition of consciousness at the Yuletide which is only externally similar to sleep but inspires it internally, so that the human being was raised to the world we call the spirit-land. There is a very nice legend, the Norwegian legend of Olaf Åsteson about whom is told to us that he goes to the church at the Christmas Eve, falls into a sleep-like state and wakes up at the sixth January and can tell what he experienced in this state similar to sleep. This Norwegian legend actually explains to us that Olaf Åsteson experienced something that one feels at first like the soul-world, then something that one feels like the spirit-land, only just everything in pictures, in Imaginations.

This time was the most convenient in those epochs in which the human beings were not yet so advanced as in our time. Today, the times are over in which the Christ Impulse can flow into the souls like by a natural initiation. Today, the human beings have to ascend to initiation as consciously as it is described in How Does One Attain Knowledge of the Higher Worlds? We live in a time in which natural initiations become rarer and rarer and completely disappear, finally, so that we do not have to count any more on them. But, basically, one can call a physical initiation that through which the Christ Impulse worked on the soul of the simple farmer girl, the Maid of Orleans, who brought about the victory of the French over the English. This victory reshaped the European map wondrously. The human reason could not perform that, but that which guided the Maid of Orleans in those days and outstripped all the skill of the military leaders, by which Europe got a new figure. It was the Christ Impulse, which worked on the unconscious of a single personality, but worked so that then from this personality spread out what was efficient in history.

We would have to notice if anything similar could have taken place as a natural initiation with the Maid of Orleans if the soul of the Maid of Orleans had been inspired in the nights from the 25th December to the 6th January. In the course of life it seems that such a matter cannot be verified that the Maid of Orleans also was once during twelve or thirteen days from the 25th December to the 6th January in a sleep-like state in which the Christ Impulse would have worked on her, so that she would be able to work as a human being only like the cover of the Christ Impulse on the battlefields of France. Nevertheless, it was that way. For there is a time which—if the karma of the concerning individuality makes it possible—can be filled with such a sleep-like state. This is the time of the last days in which the human being still lives in the body of the mother, before he sees the physical earth light. The human being lives there in a dreamlike state similar to sleep. He has not yet seen anything by the senses that takes place externally in the world. If a human being were particularly suitable by his karma to take up the Christ Impulse during these last days in which he lives in the body of the mother, these days would also be days of the natural initiation. Then such a human being would open his eyes for the first time already strengthened by the Christ Impulse lying in him after the initiation, that means in this case, after his birth. And such a human being would have to be born on the 6th January. The Maid of Orleans was born on the 6th January. This is the secret of the Maid of Orleans that she was born on the 6th January that she spent the time from Christmas up to the Epiphany day in that peculiar state similar to sleep in the body of the mother and got a natural initiation. Consider the deep connections which are behind the external development which one normally calls history. What is shown externally in history with the help of documents is as a rule even the most insignificant. The simple date which is registered in our calendar that the Maid of Orleans was sent into the world on the 6th January is of authoritative historical significance. The forces work from the supersensible realm on the sensory realm that way. We have to read this occult writing which shows us the forces working from the supersensible realm on the sensory realm. So the Christ Impulse flowed into the Maid of Orleans like by a natural initiation, already before her physical birth.

I want to explain these matters to arouse a feeling in you that forces and connections unknown to the external view are effective behind that what one normally calls history. However, the Christ Impulse guides history, of the European humankind in particular, since the Mystery of Golgotha. In the East, in Asia a world view remained of which one can say: it has not yet approached the Christ Impulse in its feelings. Indeed, the European was enticed to call the Indian views particularly deep. But this is the typical of Hinduism—generally of the whole Asian religious feeling—that it stands with all its feelings before the Christ Impulse, but has preserved the state which was there in the religious feeling of the earthly humankind before the Christ Impulse. Lagging behind in the development always means taking up something luciferic. Hence, the Asian religious development carries a luciferic element in itself. If we look over at the Asian religious development, we must notice: indeed, we can see a lot in it that humankind had already once that it had to leave, however. But we have partly to purify that all in the western culture from the luciferic element, to raise it partly in such a way that the Christ-principle can flow into it.

If we go from Asia to Europe, we find in the east of Europe, in the Russian culture, the orthodox Christianity spread out which has stopped on a former level of the Christian development which did not want to go along which wanted to keep something luciferic. Briefly, we look at the East, we have what, I would like to say, the wise guidance of the world left behind in the whole development of humankind as the luciferic element.

Let us look at the West, particularly at the American civilisation, and then we have another characteristic. The typical of this American civilisation is that everything is searched for in the external. A lot of significant things are thereby produced indeed; but everything is searched for in the outside. Take an example. If we see in Europe, in particular in Central Europe, that a human being who did not have any opportunity in his life at first to turn his soul to Christ and the powers of the spiritual world and suddenly changes his life because of something, then interests us what has taken place in his soul. It does not interest us that he experienced a jump in his development, we find this everywhere.

Since most inaccurate is the saying which the external science has stamped: nature does not make jumps.¹—From the green plant leaf to the red petal is a big jump; from the petal to the chalices is again a big jump. It is an absolutely wrong saying, and the truth of the development is based just on the fact that everywhere jumps are made. The fact that a human being if he has lived for a while so externally is able to tend suddenly to spirituality induced by anything, in that we are not interested in particular. But the internal power which achieves such a conversion to spirituality interests us. We want to look into the soul of such a human being; we want to know what brought him to such a conversion. We are interested in the soul.

How does the American make it?—He makes something very peculiar. In America, one could often observe such conversions. Now, the American lets such people write letters who experienced a conversion. Then he puts all these letters together on a small heap and says: I received letters from two hundred people, more or less. Fourteen percent of those who experienced such a conversion wrote that they were suddenly attacked by fear of death or hell; five percent because of altruistic motives; seventeen percent because of striving for moral ideals; fifteen percent experienced pangs of conscience; ten percent because they observed teachings given to them; thirteen percent because they have seen that others were converted—by imitation; nineteen percent because they were forced, while they were thrashed at the suitable age, and so on. One selects the most extreme souls, sorts them and receives a result which is based on “sure data.” That is registered then in the books which one spreads as “psychology” among people. All the other documents are uncertain to these people, are only based on subjectivity, they say. There you have an example that something innermost is made superficial. That holds true in many respects in America. In the time which demands a particular spiritual deepening the most superficial spiritualism is rampant in America. One wants to have everything as something sensory.

Spiritual life is grasped materialistically that way. We could still give many such examples which would show you that the civilisation of the West is seized by Ahriman. This is the other deflection of the pendulum. If we look at the East, we have the luciferic element, if we look at the West, we have the ahrimanic element. The infinitely important task we have in Central Europe between West and East is to find the balance. Hence, we would like to put the biggest of the spiritual demands of our time in our Dornach building as a sculptural group: to find the balance between the relation to Lucifer and the relation to Ahriman. Then one will only recognise what the Christ Impulse wanted from the earth development if one puts outside Christ not so simply, but if one knows correctly that Christ is that power which shows us the relation to Lucifer and Ahriman exemplarily.

That the relation of the human being and Christ to Lucifer and Ahriman is not yet recognised clearly, this may become illustrative to you by the following. Also the greatest, which contains the greatest in one respect, is not always free of that which must still be there as an one-sidedness in time. Indeed, one cannot appreciate that picture enough which Michelangelo painted in the Sistine Chapel in Rome, The Last Judgement, this miraculous picture. Christ triumphing, directing the good human beings to one side, the bad human beings to the other. Let us look at this Christ. He does not have the features which we would like to give the Christ figure that should stand in our Dornach construction. It must become evident that Christ raises the hand in compassion, even though Lucifer is there above. Lucifer should not be brought down by the power of Christ, but he falls down because he cannot endure what shines from Christ in his nearness. Christ raises his eye and folds the forehead while raising the folded forehead to Lucifer.

Ahriman is overcome not by the hatred of Christ, but he feels that he cannot endure what flows out from Christ. However, Christ stands in the midst as somebody who introduces the Parzival element in the modern age. He has to get the others to overcome themselves not by His power, but by His existence, so that they overcome themselves and not he overcomes them. With Michelangelo, we still see Christ sending the good human beings to heaven and the bad ones to hell by His power. This is not the right Christ in future, but this is a Christ who is still very luciferic. That does not reduce our esteem of that picture. The whole significance of this picture is recognised, but one has to admit that Michelangelo could not yet paint Christ because the world development was not yet so far. It must clearly be seen that one has not only to turn the sense to Christ, but that one has to turn the sense to the threefold being: Christ, Lucifer, and Ahriman. I can only indicate that. Only in future, spiritual science finds out everything that lies in this secret: Christ in relation to Lucifer and Ahriman.

But now consider the following: if we look at the East, we look at luciferic powers even in the near East. In the West, we look at ahrimanic powers. In spiritual science, we have to get into the habit of considering the matters not with sympathy and antipathy and also the peoples and folk-souls not with sympathy and antipathy, but in such a way as they are in their characteristics. What one calls the national characteristic of a human being who stands in his people, depends—above all—on that which is effective in the physical and etheric bodies. When we live from falling asleep to waking up with our soul and mind as an astral body and ego, we live beyond the normal national element. We live only from waking up to falling asleep in our nationality when we are in our physical body. That is why the nationality is also something the human being overcomes gradually during his stay in kamaloka. The human being there strives for the generally human, while he overcomes the nationality in kamaloka to live then in the generally human for the longest time between death and new birth. It belongs to the qualities which are taken off in kamaloka, also that which makes us a national human being.

The single nationalities are very different from each other in this regard. Compare a French human being and a Russian human being. The French human being has the characteristic that he seizes that particularly which the folk-soul brings in his physical and etheric bodies during his life between birth and death that he lives particularly in it. This expresses itself in the fact that the Frenchman—not as an individual human being but as a Frenchman—has an idea of that which is a Frenchman; the fact that he puts ahead that above all which is, actually, a Frenchman. But these ideas which the French, also all the other neo-Latin peoples, have of their nationality cause that the ideas of their nationality are deeply stamped into their etheric bodies. When the Frenchman goes through the gate of death, he already detaches the etheric body after some days; then this etheric body is a clearly defined figure which exists in the etheric world for a long time. The etheric body cannot dissolve because the ideas of his nationality are deeply stamped on it; these ideas hold together the etheric body. That is why we see the field of death filled with clearly defined etheric bodies if we look westwards.

Look at the East now, at the Russian human being. It is the peculiarity of this Russian human being that he has such an etheric body in himself that it dissolves relatively quickly when the soul goes through the gate of death. This is the difference between the West and the East. The etheric bodies, which the West-European human beings take off after death, have the peculiarity that they want to be clearly defined. What the French calls “gloire” stamps itself to his etheric body firmly as national gloire, so that he is condemned to turn his spiritual view to this etheric body, to himself for long, long times after death. The Russian human being, however, looks at himself only a little after death. That is why the West-European human being is exposed to the ahrimanic influence; the materialisation of the etheric body is again exposed to the ahrimanic principle. The dissolution of the etheric body, the quick merging of the etheric body is accompanied by a feeling of lust, and this is just the peculiar, an instinctive feeling of lust in the national. How is this expressed in the East?

Central Europe does not understand that, as it also does not feel in that. If one pursues Dostoyevsky and Tolstoy or others who were setting the tone who talk always about the “Russian human being,” this is a feeling of lust in the national which cannot define itself. Even with Solovyov, we find that something sultry is living in his philosophy that is not compatible with the clearness and cleanness the Central European human being searches for. What is effective in Europe as a spiritual power is connected with all that. In Central Europe another, a middle state exists, namely something that one could explain even further than it was possible in the public lecture yesterday. I said: something exists in Central Europe that is an inner striving nature. Goethe would have written his Faust in exactly the same way in the forties of the last century: strive again and again.—But this striving is innermost nature. In Central Europe, the mystics appeared who did not only want to recognise the divine-spiritual, but wanted to experience it with their own souls. The mystics wanted to internally experience the Christ event. If one takes Solovyov, one thinks that he goes out above all from that: Christ died once historically for humankind. This is quite right, but Solovyov sees the spiritual life like a cloud outside himself, who sees that as it were everything already has happened, while the Central European human being demands that everybody experiences Christ in himself time and again. Master Eckhart would have possibly replied the following even to somebody like Solovyov. If Solovyov emphasised repeatedly that Christ must go through death, so that the human being can be a human being, Master Eckhart would say: you look at Christ as one looks at something external. It does not matter that we always look at the historical events only, but we ourselves have to experience Christ inside, we have to discover something inside that goes through such states like Christ, at least spiritually, so that Christ is experienced spiritually.

It seems tricky and fantastic indeed if anybody says to the modern humankind: the whole development, even the folk-soul worked in Central Europe, so that this connection of the ego with the Christ principle is expressed in the language: I-CH (= I) = Jesus Christ. I-CH which is composed in such a way that it means “I.” While one pronounces I (ich) in Central Europe, one pronounces the name of Christ. So near one wants to feel the ego with Christ, so intimately connected with it. One knows this intimate living together with the spiritual world, as it must be striven for in Central Europe in any spiritual field, neither in the West nor in the East. Hence, something must happen in the twentieth century, so that the Christ-principle can spread out gradually over the whole European continent in suitable way. I emphasised it often in various lecture cycles that in November 1879 that spiritual being whom we call the archangel Michael ascended to a special level of development. Michael became, so to speak, the leading spirit. Now this leading spirit prepares the event which I indicated in the first of my mystery dramas as the appearance of the etheric Christ over the earth, the event which must take place in the twentieth century. Then it will happen that single souls at first, then more and more souls know: Christ is there in reality, Christ walks again on earth, but in an etheric figure, not in a physical figure.

This must be prepared. If in the course of this twentieth century the spiritual eyes of certain souls were opened clairvoyantly—and this will happen—for the life of the etheric world, they would be disturbed by those etheric bodies which spread out from Western Europe. They would behold them first, and one would see the figure of Christ wrongly. Hence, Michael must fight a battle in Europe. He has to contribute something that these West-European clearly defined etheric bodies are dissolved in the etheric world. For that he has to take those etheric bodies which enjoy dissolving, the etheric bodies in the East, and must fight with them against the West. This causes that since 1879 a violent struggle prepares itself in the astral world between the Russian and the West-European etheric bodies, and this struggle is raging in the whole astral world. It is actually a violent struggle in the astral world, led by Michael, between Russia and France. This forms the basis of the battle in the astral world, raging in Europe.

As we are often stupefied by the fact that something that takes place here in the physical world is the opposite of that in the spiritual,² managed by Ahriman's seduction, which is based mainly on the ahrimanic element, namely on twenty billions which France gave Russia, is the physical expression of a battle that is raging between French and Russian souls, of a battle in which Central Europe is put with its striving for meeting the Christ in its innermost soul element. And Europe is enslaved by karma that one has to experience just in Central Europe tragically what the East with the West and the West with the East has to fight out. The matters which externally the German element has to fight out with the French element are to be understood only in such a way that the German is just in the middle between the East and the West and serves as an anvil for both sides. Since that which is pushed together by both sides in Germany is negotiated by these both sides in truth. This is the spiritual truth which is completely different from the external events in the physical world. Imagine how different the spiritual truth is from the external events in the physical world. Indeed, everything like that sounds absurd to the modern human beings, but it is the truth. This truth must stupefy us.

But another matter is also exceptionally significant. Indeed, it counters everything that history can show us that England, after it was always an ally of Turkey against Russia, must fight now suddenly with Russia against Turkey. One can understand this gainsay if one does the following occult observation. While here below on the physical plane England is an ally of Russia and fights against the Turkish element, the following presents to the occult observation. If one observes this struggle clairvoyantly and looks as it were from below up at the physical plane and then at the astral plane, it becomes apparent: in the North, Russia seems to be allied with England, and in the South-East Turkey seems to be allied with England. This is due to the fact that the alliance between England and Russia has significance only on the physical plane, but there is no reflection in the spiritual world, because it is completely based on material interests. From below one sees England and Russia united only on the physical plane in the North. In the South-East, one sees through the physical plane to the astral plane where the English are allies of the Turks and are fighting against Russia. On one side, England fights together with Russia on the physical plane, and on the other side Russia is combated by England. We have to look at the external events this way, in so far as they manifest themselves as external history. Since that which lies behind is something completely different.

A time will come in which the human beings talk about the present events quite differently than it happens now. One must say that the whole war literature has something rather unpleasant. Something pleasant is also said, but also a lot of unpleasant things. Above all one matter is unpleasant. It is always said: today one cannot yet speak about the question: who is responsible for the war? Et cetera.—People console themselves passing over the matters. They say: in future one finds out of the documents in the archives, who was responsible for the war.—Concerning the external events the matter, however, is not hard to be found at all if one judges without passion. Chamberlain³ is right in his “war articles” even if he is mistaken in the details, when he says that one can know the most certain just about this war. This is right that no doubt exists about that, only one has to put the right question. A question can only be answered unambiguously, for example, if it is put correctly. It is the question: who could have prevented this war?

The always returning question: who is responsible for this war? And still many other questions, are not just right. Who could have prevented the war?—No other answer can be given than: the Russian government could have prevented the war.—One will only be able to find the right definition of the impulses which work in detail. Of course, the war, intended by the East since decades, could not have come unless a certain relation had existed between England, Russia, and France, so that one can ascribe the bigger guilt also—if one wants—to England. But all these matters do not take into consideration which causes are behind that showing the whole world war as a necessity. It is naive to think that the war could have failed to come. Now the people talk, as if this war did not need to come. It is the result of the European karma.

I wanted to indicate something by the spiritual contrasts between the East and the West. It does not depend on the fact that we ask, so to speak, for the outer causes in particular, because they are not important. We must only know that this war is a historical necessity. The single causes are not important there.

But all the heterogeneous effects to which we will have to position ourselves correctly are important. One effect can appear to us as particularly important. It is a great, typical phenomenon that such a war produces many unused etheric bodies. Because this is the biggest war which humankind has waged in its conscious historical development, this characteristic also exists to a very high degree. Unused etheric bodies are produced. The etheric body can supply the human being for long, until the human being is seventy, eighty, or ninety years old. However, during the war human beings are sacrificed in the prime of life. When the human being goes through the gate of death, he takes off the etheric body, as you know, after a short time; but the etheric body of somebody who was killed in action is taken off in such a way that it could still have supplied this human life in a physical body for long, for decades.

In physics one accepts that energy does not get lost. However, that also applies to spirituality. The forces of these etheric bodies, which early go to the etheric world, remain available. Think now that countless unused etheric bodies of those are there who go as young human beings through the gate of death. Nevertheless, it is something particular with these etheric bodies. I would like to explain this at an example which is obvious to our movement and to lead then to the etheric bodies of the warriors gone through death which are contained in the etheric world in the next future.

In this autumn, we experienced the death of the little son of an anthroposophical family which is employed in the area of our Dornach construction. This boy, Theodor Faiss, was seven years old. His father once lived in Stuttgart, and then he came as a gardener to Dornach in the area of the construction and lived there with his family. He himself was soon called up to the army after outbreak of the war and was in a military hospital at the time of the accident. The little, seven-year-old Theodor was a real sunny child, a wonderful, dear boy. Now one day the following happened. We had just a lecture as I give them in Dornach after the construction work. After the lecture somebody came and reported that the little Theodor Faiss has not come back to his mother since the late afternoon. It was ten o'clock in the evening, and one could imagine nothing but that a big tragedy has happened. A removal van had arrived in this afternoon and had gone a way near the so-called canteen where it had to turn round. This carriage had reached a place in those days, in which, one is allowed to state this, no such a big carriage has gone for many decades before, generally maybe no removal van has ever gone and just as little after. Now the little Theodor, before this van had turned round, had been in the canteen. He had been detained there a little bit, otherwise he would have gone sooner with the provisions he had got in the canteen for the dinner. Then he went the way home—it is only a short distance—so that he was just at that place where the van toppled over and fell on him, the little Theodor. Nobody had noticed it, even the coachman did not. He had only got his horses to safety when the carriage toppled over, and did not know that the child was under it. When the absence of the child was reported to us, we had to try to lift the carriage. The friends got tools, and the mobilised Swiss soldiers helped us. Of course, the child was already dead since possibly a half past five o'clock in the afternoon. The removal van had crushed it straight away, it died of suffocation.

There we have such a case to which one can apply what I often tried to make clear using a comparison that one confuses cause and effect. Imagine that we see a person going along a riverbank. The person falls into the river. One runs to him and finds a stone where the person fell into the river and thinks that the person tripped, then fell in the river and died this way. One says that the person has died because he fell into the river. But if one dissects him, one maybe finds that he experienced a heart attack and fell consequently dead into the water. He did not die because he fell into the water, but he fell into the water because he died. You find such mistakes of cause and effect in the judgement of life very frequently and in the usual science even more.

The karma of the little Theodor had run off in a certain way, so that one can really say: he ordered the carriage to that place. I mention this case which is externally exceptionally tragic, because we deal with the etheric body of a child which could have supplied through the life of this child still for decades. This etheric body is passed over with its unused forces to the spiritual world, the etheric world. Where is he? What does he do?—Somebody who is obliged to work on the Dornach construction since that time with artistic intentions, generally to have thoughts in the area of the construction knows if he beholds clairvoyantly at the same time: this whole etheric body and its forces is increased in the aura of the Dornach construction. We have to distinguish: the individuality is somewhere else, it goes its own way, but the etheric body is expelled after some days and exists now in the construction. Never will I hesitate before saying that among the forces which one needs to Intuition the forces of this etheric body are, sacrificed to the construction. Behind life the connections are often completely different than anybody only suspects it. This etheric body has become protecting powers of the construction. Something great is in such a connection.

Consider now, what a big sum of strength goes up to the spiritual world in the unused etheric bodies of those who go now through the gate of death as a result of the military events.

The matters are connected differently than the human beings can imagine. The world karma takes place differently. Spiritual science must be there just to replace fantastic ideas with spiritually true ideas. We can imagine hardly—to mention only one example—something more fantastic or untrue from the spiritual point of view than something that took place in the last decades. A special “peace society”⁴ was founded to put the law at the place of the war, as one said, “the International Law.”—In no time of humankind such dreadful wars were waged as since the “peace society” exists. In the last decades, this peace movement had a monarch among its particular protectors who waged the bloodiest and cruelest wars which ever were waged in world history. So that the installation of the peace movement from the part of the czar must really appear as the biggest comedy which was played in world history, the biggest comedy and at the same time the most hideous comedy. One has to call that luciferic seduction. This can well be investigated in details. One can say, it stupefies the soul if one sees—one may look at the matters as one wants—in the beginning when these war impulses entered Europe, Central Europe, where one assembled like in the Berlin Reichstag, people talking almost about nothing. One has only spoken a little, but the matters have spoken. A lot has been spoken in the West like in the East. But one has the most stupefying impression in a certain way of that what has been spoken in the St. Petersburg Duma by the different parties. In the various way the representatives of the Duma have really brought forward nothing else than the empty phrases with the biggest fire of enthusiasm. It was stupefying. This is a luciferic seduction. However, everything shows us that the fire, which burns during this war, is a warning fire, and that the human beings have to pay attention.

Everything that happens now points to the fact that at least some souls must say to themselves: it cannot go on that way as it has gone in the world, spirituality must flow into the human development. Materialism has found its karma in this most dreadful war of all the wars. In certain respect this war is the karma of materialism. The more the human souls see this, the more they will get beyond arguing, whether this one or that one is responsible for the war, and say to themselves: this war was sent to us in world history that it is an admonisher that we should turn to a spiritual understanding of the whole human life.

Materialism makes not only the souls of the human beings materialistically minded; it also corrupts the logic and makes the feeling dull. Within Central Europe, one still has to see something that is connected with that which I have said: that one has to deal most intimately with the further development of the Christ Impulse just in Central Europe. But that belongs to it that one has to start understanding the spirits who have already laid the germs. Only one example: Goethe wrote a theory of colours. The physicists look at it as something, about which they say compassionately smiling: what has the poet understood of the colours? He was just a dilettante.—Since the eighties of the nineteenth century I try to help the Goethean theory of colours on the road to success against modern physics. This cannot be understood. Why can it not be understood? Because the materialistic principle, which came from the British folk-soul, penetrated Central Europe. Newton whom Goethe had to combat won the victory over that which issued from Goethe's spirit. Goethe also founded a theory of evolution in which is shown by grasping spiritual laws how the beings advance from the most imperfect condition to the most perfect. This was too hard to understand. When Darwin brought his theory of evolution, the people accepted it, because they could understand it easier. Darwin was victorious over Goethe. The materialistic thinker who was inspired by the British folk-soul was victorious over Goethe who got everything from the most intimate dialog with the German folk-soul.

Ernst Haeckel has experienced something tragic. He lived mentally through his whole life on that which Huxley and Darwin have given to him. The materialism of Ernst Haeckel is basically a very English product. When the war broke out, Haeckel was outraged about what happened from the British islands. He was one of the first to send back the English medals, certificates and honourings. What must be sent back, however, are not the certificates, medals and honourings, but the English coloured Darwinism and the English coloured physics. One has to call that in mind, so that one sees what can be striven for in the Central European area as an intimate being together with the laws of the world.

One can corrupt the childish soul mostly if one already pours out in it that which develops then in only materialistic colouring. The centuries have worked towards it. Among the Britons over there, Ahriman inspired a great author, so that this author wrote a work which was completely intended to influence the soul materialistically from the childish age on in such a way that one does not notice it, because one does not consider it preparing materialism. This is Robinson Crusoe. The whole way, as Robinson is described, is so clever that these ideas of Robinson Crusoe if they are taken up prepare the mind in such a way that it can later think only materialistically. Humankind is not yet cured of inventors of such Robinsons; they always existed and exist even today. I could give many examples.

I talk about these matters not to say anything against the peoples of the West who have to be as they are, but to show how in Central Europe the human beings have to find the connection with the big, only germ-like values of the future development. The role of Austria is also significant in particular. In the last decades, one could see some spirits striving for high ideals like Hamerling⁵ in poetry, like Carneri⁶ who wanted to deepen Darwinism concerning moral, and like Bruckner⁷ and other artists in all kinds of fields. It matters such a self-reflection of the people

Now we look at the unused etheric bodies which exist there. These etheric bodies were taken off by human beings who learnt during a big event to sacrifice themselves for something that there is no longer for them, not as anything sensory at least: for the people. If somebody talks today as a spiritual scientist about the fact that there a folk-soul is as an archangel et cetera, then they laugh at him. What one calls folk-soul in materialism is only the summary of the qualities which the human beings of a people have. What the materialist calls people is only the sum of the human beings who live together and look similar in an area. We speak about a people in such a way that we know: the folk-soul exists as a real being of the archangel's rank. Even if anybody who sacrifices himself who goes through death for his people has no clear idea of a real folk-soul on the field of the events, nevertheless, he confirms by the way he goes through death that he believes in a further effectiveness after this death that he believes that there is more than that which the eyes see in the people: its connection and its keeping together with the supersensible realm.

Everybody who goes through death, whether he knows it more or less, goes through this death, confirming that there is a supersensible world; this is stamped to his etheric body. So that in future except those who will live on the physical earth when peace has taken place again, the unused etheric bodies will live for ever sending these tones to the music of the spheres: there is more in the world than that which can be seen only with physical eyes. Spiritual truth sounds into the music of the spheres by that which the dead leave behind in their etheric bodies, apart from that which they take with their individualities which they carry through the life between death and new birth.

However, one has to listen to that which will live and sound from these etheric bodies. For these etheric bodies were taken off by human beings who, confirming the truth of the spiritual world, went through death. The biggest sin of humankind will be if it does not listen to that which the dead call to it by their warning etheric bodies. How much is the view to the spiritual world enlivened if one has to imagine that the fathers and mothers, the sisters and brothers, sons and daughters, who lose dear relatives and friends, must say to themselves: what was there sacrificed, lives for the whole humankind, admonishing that which has to come.

If one relied on the events of the physical world, one could not have a lot of hope for the prosperous progress of the spiritual movement which should be cultivated in our spiritual-scientific world view. When recently a good, loyal co-worker died, in the thirtieth year of his life, there was in my words, which I directed to this soul after he has gone through the gate of death, the entreaty that he would like to co-operate as faithfully and courageously on our spiritual-scientific field as he co-operated here faithfully and devotedly, using everything that he knew. He co-operated diligently here on the physical plane, this co-worker. I gave him this as a message for his life between death and new birth that he may co-operate after death as he done it before death, because we count on these dead, the so-called dead, as on the living.

Our spiritual-scientific world view must be vivid, so that the abyss is overcome between the so-called dead and the living that we feel the dead among us like living human beings. We want not only theory, but life. That is why we also point to the fact that a living bond exists between those who live on earth when peace is again, and those who went through the gate of death. The human beings will be able to learn from the dead, will have to learn how these dead help in the big spiritual progress which must seize the earth.

Sometimes one recognises in life that the human logic does not suffice. I would like to give you an example, not for personal reasons, but to characterise the way people position themselves to our movement. Some years ago, one could read an article about our spiritual science in a South German very serious magazine written by a famous philosopher of the present. Spiritual science was treated there in such a way that it could make a certain impression on the people because the article was written by a great philosopher. The editor of the magazine prided himself in particular that he could publish an article on spiritual science by such a famous man. Of course, everything was shown badly and erroneously; a totally askew picture of spiritual science was given. What did the editor need, however, to see what a judgment about our movement he had delivered, actually, in his monthly magazine?

Then the war came. That man who had written the article wrote some letters to the editor. These letters contain the most repellent things one can generally say about the Central European culture. He ranted and sneered terribly about this Central European culture. The editor printed these letters as an example of how brainlessly one can think about this culture. Now he says: this person writes, nevertheless, as only a person can write who should be in the lunatic asylum.—The fact is that such a thing was necessary for a good editor to see that the man should be in the lunatic asylum who wrote this article about spiritual science some years ago and wreaked much havoc outwardly. If the man had to be in the lunatic asylum, he should already be there at that time. But at that time he wrote an article about spiritual science.

Such matters happen in the world. Quite different supports have to come to get a judgment than those the human being has today. However, the spiritual scientist stands firmly on the ground that shows clearly that truth finds its way. But spiritual science must have an effect on the development of humankind, so that the necessary matters take place. Like in that time, when the emperor Constantine had to complete his task, the Christ Impulse had to work from the spiritual world on the subconscious, like with the Maid of Orleans the Christ Impulse had to work, so that happened what had to happen, the Christ Impulse has to go on working, only now more in the consciousness. There must be souls in future who know: up there in the spiritual world are those who sacrificed themselves with their individualities and request us to follow them and believe in the effectiveness of spirituality they got through death. But also the forces of the unused etheric bodies call into the future what one only needs to understand to take up it in our own souls. On earth, however, must be the souls who hear this. Souls must be there who prepare themselves by the right and living understanding of our spiritual science. Our spiritual science has to create souls here on earth that are able to have premonitions of what the etheric bodies of the dead up there speak in future. The souls who know: there up are the forces which can admonish the human beings who had to be left to their own resources on earth. If here below souls aware of spirit direct their senses to the hidden tones of the spiritual world, the right fruits will originate from all the blood that flowed, from all the sacrifices that were accomplished, from all the grief that had to be endured and must still be endured. Looking at the hope which may be expressed that a lot of souls may be found by spiritual science who can hear these voices which sound from the spiritual world in particular as a result of this war, I would like to speak, to sum up, the last words of this consideration, words which should express only as a feeling what I would like to stimulate in your souls:

From the courage of the fighters,
From the blood of the battles,
From the grief of the bereaved,
From the nation's sacrifices
Will grow up the fruits of spirit
If souls aware of spirit turn
Their senses to the spirit-land.

With such emotions in the heart we always want to penetrate ourselves with the sense of the rose cross, so that this rose cross is considered rightly by us as the slogan of our working and weaving and feeling. Not the black cross only. Somebody who tears the roses from the black cross would only have the black cross, would be enslaved by Ahriman. The black cross is the life striving for the bare matter. And anybody who tears the cross from the roses and prefers only to have the roses does not find the right. Since the roses, separated from the cross, would raise us to life, but this life would strive egoistically for spirituality and not reveal something spiritual in the material. Not only the cross, not only the roses, but the roses on the cross, the cross bearing the roses, both in harmonious interaction: this is our right symbol.

• 1. Carl Linné in his Philosophia Botanica, Stockholm 1751
• 2. agreement by the French president Faure and Czar Nicholas II in 1897
• 3. Houston Stewart Chamberlain: New War Essays, Munich, 1915
• 4. peace conferences in the Hague from 1899 to 1907, convened on the initiative of Czar Nicholas II
• 5. Robert Hamerling (1830–1889), cf. The Riddle of the Human Being and Autobiography, Rudolf Steiner's Collected Works volumes 20 and 28
• 6. Bartholomäus von Carneri (1821–1909), cf. Methodical Foundations of Anthroposophy, Rudolf Steiner's Collected Works volume 30.2.29
• 7. Anton Bruckner (1824–1896), Austrian composer

This lecture is also known as The Creation of a Michael Festival and Cosmic Word and Individual Man. It is the 5th of 7 lectures in a lecture series that is entitled, The Human Soul in its Connection with Godly-Spiritual Individualities.

My dear Friends, what I should like to bring to you now will have to be said—as has everything that I have had to say recently about Anthroposophy—with a certain undertone called forth by the painful event which befell our work and our Society on last New Year's Eve: the Goetheanum in Dornach, for the time being, is no more; it was consumed by flames in the night before the New Year. And all who witnessed the destruction in this one night of the work of ten long years, accomplished by so many of our friends, and performed by them with complete devotion—all who have loved this Goetheanum very much, just because of this work, and because of what the Goetheanum was to us, will of necessity be weighed down by the thought that we no longer have this particular outer sign of Anthroposophical activity. For, even if some other building for our work shall arise on the same site—which should by all means occur—owing to the trying circumstances of the present time it can, of course, never be the old Goetheanum. Therefore, behind all that I have had to say since those days there actually stands in the background the fearful glow of the flames, which in such a heart-rending way interrupted the development of all our work. Since this outer sign has vanished, we must dedicate ourselves all the more to laying hold of the inner forces and inner realities of the Anthroposophical Movement and of what is connected with it for the entire evolution of humanity. Let me begin then with a sort of consideration of the nature of the human being. I have presented very much of this kind here in your midst, and I should like now to consider again one phase from a certain point of view.

I should like to start with a consideration of the human being entering the world, of the human being who has descended from the pre-earthly existence and is, as it were, taking his first steps here in the life on earth. We know, of course, that at the time of this entrance into the earth-life, a condition governs the soul which has a certain similarity to the ever-recurring condition of man's sleep-life. As the ordinary consciousness has no remembrance, upon awaking, of that which the soul-spiritual part of man has experienced between going to sleep and waking up (with the exception of the varicolored multiplicity of dreams, which actually float away, as we know, when we sink into sleep or when we wake, and which for the ordinary consciousness do not result from deep sleep)—as, then, the ordinary consciousness has no remembrance of this condition, so for the entire earth life this same consciousness remembers only back to a certain point of time in childhood. With one person this point of time is somewhat earlier, with another later. What occurs in the earthly life prior to this is really as much concealed from the ordinary consciousness as are the events of the sleep state. Of course, it is true that the child is not actually sleeping; it lives in a sort of dreamy, indefinite inner activity; but from the point of view of the whole later life, this condition is at least not very much removed from dream-filled sleep.

There are three activities, however, which set in at this time, three things. which the child is learning. There is what we ordinarily sum up in the expression learning to walk, then what is connected with learning to speak, and what for the child is connected with learning to think. Now, in the expression “learning to walk”, for the sake of our own convenience we actually characterize something which is extraordinarily complex in an exceedingly brief way. We need only to recall how the child is at first utterly unadapted to life, how it gradually gains the ability to accommodate its own position of balance to the space in which it is to move during the entire life. It is not merely “learning to walk” which we observe in the child, but a seeking for the state of equilibrium in the earthly life. Connected with learning to walk is all use of the limbs. And for anyone who is able to observe such a matter in the right way, the most remarkable and most important of life's riddles actually find expression in this activity of learning to walk; a whole universe comes to expression in the manner in which the child progresses from creeping to the upright position, to the placing of the little feet, but also in addition to holding the head upright and to the use of arms and legs. And then anyone who has a more intimate insight into how one child steps more on the heel, and another is more inclined to step on the toes, will perhaps have an inkling of what I shall now have to tell you with regard to the three activities mentioned and their relation to the spiritual world. Only, I should like first to characterize these three activities as to their outer aspects.

On the basis of this effort to attain equilibrium—or, if I may express myself now somewhat more learnedly, perhaps also somewhat more pompously, this search for a dynamic of life—on the basis of this effort, learning to speak is then developed. For, anyone who is able to observe knows quite well that the normal development of the child proceeds in such a way that learning to speak is developed on the basis of learning to walk and to grasp. With regard to learning to talk it will be noticed at the very first how the firm or gentle tread of the child is expressed in the act of talking, in the accenting of the syllables, in the force of the speech. And it will be noticed further how the modulation of the words, how the forming of the words, has a certain parallel with the way the child learns to bend the fingers or to keep them straight, whether it is skillful or unskillful. But anyone who can then observe the entire inner nature of the human organization will be able to know—what even the present-day teaching of evolution concedes—that “right-handed” people not only have the speech-center in the left third convolution of the forehead, in the so-called Broca convolution, which represents in a quite simple physiological way the characteristic relation between speech and the ability to grasp, the entire ability to handle the arm and the hand, if I may make use of the pleonasm; but we know also how closely the movement of the vocal cords, the whole adjustment of the speech organism, takes on exactly the same character which the movements of walking and grasping assume. But in the normal development of the child, speech which, as you know, is developed in imitation of the environment, cannot develop at all unless the foundation is first laid in the quest of the state of equilibrium in life.

With regard to thinking: Even the more delicate organs of the brain, upon which thinking depends, are developed in turn from the speech organization. No one should suppose that in the normal development of the child thinking could be evolved before speech. Anyone who is able to observe the process will find that with the child speech is not at first an expression of “thinking”—not at all! It would be ridiculous to believe that. But, with the child, speech is an expression of feeling, of sensation, of the soul-life. Hence you will see that at first it is interjections, everything connected with feelings, which the child expresses by means of speech. And when the child says “Mama” or “Papa”, it expresses feelings toward Mama or Papa, not any sort of concept or thought. Thinking is first developed from speech. It is true that among human beings many a thing is disarranged, so that someone says, “This child learned to speak before it walked.” But that is not the normal development, and in the rearing of a child one should by all means see to it that the normal course of development is actually observed: walking—speaking—thinking.

However, the real character of these activities of the child is truly perceived only when we observe the other side of human life: that is to say, if we observe how in later life these activities are related to each other in sleep; for they arise out of sleep, as I have indicated, or at least out of the dreamlike sleep of the child. But what do these activities signify during the later earth life?

In general, it is not possible for the scientific life of the present day to enter into these things. It actually knows only the exterior of the human being; it knows nothing of the inner relationships of the human being with the Cosmic Being, in so far as the Cosmic Being is spiritual. In every realm human civilization, if I may use the expression—or let us say human culture—has been developed to a certain materialism, or naturalism. Do not think that I wish here to upbraid materialism: if materialism had not come into human civilization, human beings would not have become free. Materialism is therefore a necessary epoch in the evolution of humanity. But today we must be very clear as to the way we have to go now—as well as in the future. And we must be clear about this in every realm. In order that what I now have to say may be better illustrated, I should like to make it clear to you by means of an example.

You all know and can learn from my books that earth humanity, before it passed through those cultural epochs which are only partly similar to the present one—the ancient Indian, the ancient Persian, the Egypto-Chaldean, the Greco-Latin, and then our own—passed through the so-called Atlantean catastrophe. And during this Atlantean catastrophe the humanity which is now the European, Asiatic, and American civilized humanity lived chiefly on a continent where there is now sea—namely, the Atlantic Ocean. At that time this area was occupied mostly by land, and for a very long time, humanity had been developing upon this Atlantean continent. You can read in my books and cycles what humanity passed through during those epochs. I will not speak of other human experiences during the ancient Atlantean time, but only of musical experiences.

The entire musical experience of the ancient Atlantean would necessarily appear very curious, even grotesque, to a man of the present time, if he could hear it—which, of course, he cannot do. For what the ancient Atlanteans were in quest of in music was, for example, the chords of the seventh.

These chords of the seventh had the peculiarity of affecting the souls of these ancient people—in whose bodies we were all ensheathed, for in repeated earth lives we passed through that time also—in such a way that they were immediately transported out of their bodies when they lived in their music, this music which took into special consideration the chords of the seventh.

They knew no other frame of mind in music than a state of rapture, of enthusiasm, a state in which they were permeated by the God; and, when their extraordinarily simple instruments sounded—instruments intended only for accompaniment to singing—then such an Atlantean immediately felt himself to be actually weaving and living in the outer spiritual world.

Then came the Atlantean catastrophe. Among all post-Atlanteans there was next developed a preference for a sequence of fifths. You probably know that for a long time thereafter fifths played a most comprehensive role in musical development; for example, in ancient Greece, fifths played a quite extensive role. And this preference for a sequence of fifths had the peculiarity of affecting people in such a way that, when they experienced music, they now no longer felt drawn out of their bodies, to be sure, but they felt themselves to be soul and spirit within their bodies. During the musical experience they completely forgot physical experience; they felt that they were inside their skin, so to speak, but their skin was entirely filled with soul and spirit. That was the effect of the music, and very few people will believe that almost up to the tenth and eleventh Christian century the natural music was as I have described it. For not until then did the aptitude for thirds appear, the aptitude for the major and the minor third, and everything of the nature of major and minor. That came relatively late. But with this late development there was evolved at the same time the inner experience of music. Man now remained within himself in musical experience. Just as the rest of the culture at this time tended downward from the spiritual to the material, so in the musical sphere the tendency was downward, from the experience of the spiritual into which he passed in ancient times when he experienced music at all, to the experience of music within himself—no longer as far outward as to the skin, but entirely within himself. In this way there first appeared also at that time the major and minor moods, which are actually possible only when music is inwardly experienced.

Thus, it can be seen how in every domain man has descended from the spiritual into the material, but also into himself. Therefore, we should not always merely say, in a narrow-minded fashion, that the material is something of minor value, and we must escape from it. The human being would not have become truly human at all, if he had not descended and laid hold upon the material life. Precisely because he apprehended the spiritual in the material, did the human being become a self-conscious, independent Ego-Being. And today, with the help of Anthroposophical spiritual science, we must again find the way back into the spiritual world—in all realms we must find the way. This is the reason it is so painful that the artistic endeavor, made by means of the Goetheanum at Dornach, has been obliterated as is now the case. The way into the spiritual world must be sought in every realm.

Let us next consider one activity which the child learns—namely, speech—with regard to the entire evolution of the human being. It must really be said that what the child learns there is something magnificent. Jean Paul, the German poet, has said that in the first three years of life—that is, the years in which the essential things we learn are to walk, to speak and to think—the human being learns much more than in the three academic years. Meanwhile the “three” academic years have become many, but a man still learns no more in those three years than he learns as a child in the first three years of life.—Let us now consider speech. In speaking there is first the outer physical-physiological factor: that is, the larynx and the rest of our speech organs are set in motion. They move the air, which becomes the medium of tone. Here we have, in a way, the physical-physiological part. But in what we say there is soul also. And the soul permeates and gleams through all that we utter in the sounds. In as far as speech is something physical, man's physical body and his etheric body have a share in it. As a matter f course, these are silent from the time of going to sleep until the time of wakening. That is, the normal human being does not speak between going to sleep and waking; but in as much as the soul and the ego have a share in speech, they—the astral body and ego—take with them the soul power of speech, when they pass out of the physical and etheric bodies at the time of going to sleep—and they actually take with them everything of a soul nature which the person has put into his speech during the whole day. We are really different beings each evening, for we have been busy talking all day long—one more, another less, many all too much, many also too little—but, no matter, we have been occupied with talking throughout the day, and we have put our souls into what we have said. And what we have put into our speech, that we take with us into sleep, and it remains our being between sleeping and waking.

Now it may be that in our present materialistic age the human being no longer has any notion that idealism or spirituality may be expressed in the speech. People today usually have the idea that speech is intended to express only the external, the tangibly-objective. The feeling that ideals may be expressed in the speech has almost entirely disappeared. For this reason, it is also true that people today generally find so “unintelligible” what is said to them about “spirit”. For what do people say to themselves when spirit is mentioned? They admit that “words” are being used, but of these words people know only that they indicate what can be grasped or seen. The idea that words may also signify something else, something supersensible, invisible, people no longer like at all. That may be one way in which people regard speech; but the other may, of course, be that people shall find the way again to idealism even in words, even in language, knowing that a soul-spiritual experience may sound through each word, as it were.

What a person who lives entirely in the materialism of the language, so to speak, carries over in sleep into the spiritual world brings him, strangely enough, into a difficult relation with the world of the Archangels, the Archangeloi, into which he should enter each night between going to sleep and waking; while the one who preserves for himself the idealism of speech, and who knows how the genius of the language lives in it, comes into the necessary relation to the Hierarchy of the Archangeloi, especially to that Archangel to whom he himself belongs in the world between sleeping and waking. Indeed, this is expressed even in outer world phenomena. Why do people today seek so frantically for an outer relation to the national languages? Why did this frightful misfortune come upon Europe, which Woodrow Wilson has considered good fortune?—but he was a curious illusionist.—Why then did this great misfortune come upon Europe, that freedom is bound up with the convulsive desire to make use of the national languages, even of the smallest nations? Because in reality the people are frantically seeking externally a relationship which they no longer have in spirit: for in going to sleep they no longer have the natural relation to the language—and also, therefore, not to the Hierarchy of the Archangeloi! And humanity will have to find the way back again to the permeation of all that pertains to language with idealism, if they do not wish to lose the way into the spiritual world.

How does humanity today regard what takes place for the individual human being between going to sleep and waking? People do not take account of this sleep condition at all. If we recollect our past life, we seem to have before us a complete life picture. That is not the case; the time spent in sleep has regularly dropped out; the whole picture is continuously interrupted. We always connect the morning with the previous evening, but between them is the night. And what has occurred during sleep in the night constitutes outwardly, in the first place, at least a third of the human life (at all events, among “respectable” people it is so); and, secondly, it is much more important for the inner man than the outer activity during the whole day. To be sure, the outer activity is more important for external civilization; but our inner development during life is brought about by our coming into relation with the spiritual world in the right way while we sleep during the night.

And the same is true regarding what forms the basis of the other activities; that is to say, if the human being in his actions—that is, what he does throughout the entire realm of the movements which he first learns upon entrance into the earth life—if he puts idealism into the whole realm of his actions, that is, if his life contains idealism in its realization, then the human being finds again the right relation with the Hierarchy of the Archai. And if the thoughts contain idealism, if they are not materialistic, the human being finds during sleep the relation with the Hierarchy of the Angels. This is what we discover if, with the help of Anthroposophical spiritual science, we inquire into the relation to the sleep state of these three activities acquired during childhood.

But this relation may be revealed in a much more comprehensive degree, if we observe the entire life of the human being in the cosmos. You are acquainted with the description in my book Theosophy. When the human being passes through the gate of death, he first experiences for some days the condition which consists in the dissipation of the thoughts, of the concepts. We may express it by saying that the etheric body expands into the distances of the cosmos, the human being “loses” his etheric body. But that is the same as if I say that man's concepts and thoughts are dissipated. But what does that actually mean: that the concepts and thoughts are dissipated? It really means very much. It means, namely, that our entire waking life departs from us. Our entire waking life departs from us in the course of two or three days, and nothing at all would be left of our life, if we did not then live through that of which we remain unconscious during the earth life; that is, if we did not then begin to live through in full consciousness what we have experienced during our sleep life. This sleep life is spiritually infinitely richer, more intense, than the waking life. Whether the sleep be short or long, the sleep-life is each time a reversed repetition of the day life, but with a spiritual impulse: What you have accomplished as actions during the day brings you at night into a relation to the Archai, to the Primal Powers; what you have said in the daytime brings you at night into a relation to the Archangeloi, the Archangels; and your thinking brings you in the same way into a relation to your Angel-being, to the Angeloi.

And what man experiences during sleep is independent of time. It is unnecessary to say: “Very well, but the following is possible: At night I go to sleep; something makes a noise; something awakens me; in this case I certainly cannot complete my going back over the day in retrospect.” Even so it is completed, because the time relations are entirely different; that can be experienced in a moment which otherwise might continue for hours if the sleep were undisturbed. During sleep the time relations are quite different from those of the day. Therefore, it can be stated positively, and must so be stated, that each time a person sleeps he once again experiences in retrospect what he has lived through here in the physical world since the last waking, but this time in spiritual manner and substance. And when the waking life of concepts is dissipated into the cosmos, a few days after death, then the human being lives through the very experiences which he had during the third of life spent in sleep. I have, therefore, always had to describe how man requires a third of his earth-life in order then to live through what he has experienced during the nights of his life. Naturally, it is essentially like the day life, but it is experienced in a different way. And at that time, as the second condition after death, he lives through this retrogression, when he actually experiences once again, in a third of the time, the entire life back to birth. Then when he has again arrived at his birth, he enters into that condition which I have already described to you here in another connection; that is, he enters into that condition in which every conception of the world is essentially altered for him.

You see, here on earth we are in a definite place; the world is around us. We know ourselves very little, indeed, with the ordinary consciousness. The world we observe with the outer senses; that we know. Perhaps, you will say that the anatomists know the inner part of the human being very well. Not at all; they know only the outer aspect of the inner being. The real inner part is something entirely different.—If you call to mind today something which you experienced ten years ago, then you have in the memory something which is in your soul, do you not? It is condensed, a brief remembrance of, perhaps, a very, very extended experience. But it is merely a soul picture of something which you have passed through in the earth life. But now enter into yourself—not now into your memories, but into your physical organism, that is, the apparently physical organism—and observe the wonderful construction of your brain, of your lungs, and so forth. Within you there, rolled up as it were, are—not the experiences of this earth life, but rolled together there is the whole cosmos, the entire universe. Man is really a small universe, a microcosmos. In his organs the whole universe is rolled together. But the human being does not know this with the ordinary consciousness. When he is on earth, he has the memory of his experiences. He does not know that he himself in his physical nature is, as it were, the embodied memory of the whole cosmos.—When, therefore, the backward journey through the life, which I have just indicated, has been completed, then, between death and a new birth, we enter into a cosmic life, where we are not, as now, surrounded by the world with its mountains, clouds, stars, seas, and so on, but where our environment consists of the riddles of the inner human being, where everything concerning the mysteries of the inner human being of which we are deprived in the earth life, now constitutes our environment. Here on the earth, as you know, we live within our skin, and we know about the stars, clouds, mountains, rocks, animals, and plants. Between death and a new birth we know about the human being. All the mysteries of the human being are our environment. And do not suppose that it is a less interesting environment than that of the earth! To be sure, the starry heavens are magnificent, the mountains and the seas are grand; but what the inner being of man contains in a single small vessel is grander and mightier than our earth environment, when between death and a new birth we are surrounded by it in its majestic greatness. The human being is the world between death and a new birth, and he must be the world, because we prepare the next earth life. Together with the Beings of the Higher Hierarchies, we must help to prepare the future earth man. As we here are occupied with our outer culture and civilization, as here on earth we make boots or coats, use the telephone, do people's hair, give lectures, do something artistic, or whatever belongs to our present civilization, so, between death and a new birth, together with the Beings of the Higher Hierarchies, we prepare what the human being is, and what we ourselves shall again be in the physical body in the next earth life.

That is the goal of spiritual culture, and it is grander, infinitely grander and more magnificent than the goal of earthly civilization. Not without reason have the ancients called the physical human body a “Temple of the Gods”, because together with the Gods, with the Beings of the Higher Hierarchies, this human physical body is formed between death and a new birth. That is what we do, that is where we are with our ego—among the Beings of the Higher Hierarchies, working on humanity, together with the Beings of the Higher Hierarchies. We move about, as it were, among the Beings of the Higher Hierarchies; we are spirits among spirits.

What we do there we can, of course, do only according to what we have accomplished here in the earth life; and that also is revealed to us in a certain sense in the relation of sleep to waking. Just think how chaotic the dream is! I do not undervalue the wonderfully varied multiplicity and the grandeur of the dream; but we must nevertheless recognize that the dream, compared with the earth life, in whose images it is clothed, is chaotic. You need only to recall that dream which I have mentioned before as an illustration (Volkelt told this dream, according to a report from Württemberg, but we know of such, do we not?). A city lady visited her sister, who was the wife of a country parson, and she dreamed that she went with her sister to church to hear a sermon; but everything was quite peculiar; for, after the Gospel was read and the pastor went up to the pulpit, he did not begin to preach, but instead of raising his arms, he lifted wings, and finally began to .crow like a cock! Or recall another dream in which a lady said she had just dreamed of considering what good thing she should cook for her husband, and nothing at all occurred to her until finally the thought came to her that she still had an old pickled grandmother upstairs in the attic, but she would be very tough yet.—You see a dream can be as chaotic as that—strangely chaotic. But just what does it mean that the dream acts so chaotically? What does it really mean?

While we sleep, we are, with our ego and astral body, outside of our physical and etheric bodies. And during that time we experience again in reverse order—especially with regard to the moral significance—all that we have done, have said and have thought during the day. We live through that in reverse order. We are preparing for ourselves our karma for the next earth life, and this appears in pictures already in the time between going to sleep and waking. But these pictures are still very bungling; for when, upon waking, we are again about to enter into the physical body, the picture does not yet fit in properly: that is, we are not able to conceive things in conformity with the macrocosm; instead we conceive something entirely different, perhaps a “pickled grandmother”. That is because, with regard to what we have already formed in our sleep, we do not understand the adaptation to the human physical body. This adaptation to the human physical body is exceedingly difficult; and we acquire it in that working together, which I have described, with the Beings of the Higher Hierarchies between death and a new birth. There the soul-spiritual self must first readjust what otherwise in the dream so often enters so awkwardly, when the sleep consciousness is again fully overcome, and the person without his own cooperation has plunged again into his old physical body. This soul-spiritual self, between death and a new birth, must penetrate all the mysteries of the physical body, in order that the body may be built up in the right way. For the body is really not formed by the parents and grandparents alone. To believe that is one of the perfect follies of science. (We are justified in making such a statement!) For how does science approximately set forth this human development? Well, it says that as the basis of material substance we have molecules, which are built up in a complicated way from atoms. The albumen molecule, which is contained in the embryo-cell, is the most complicated of all, and because it is so complicated (naturally no scientist can describe it, but he points to its exceeding complexity) because it is so complicated, a human being can originate from it. That is the simplest sort of explanation of the human being! It is simply asserted that the entire human being is already contained in the molecule; it is merely a very complicated molecule.—The truth is, however, that the albumen molecule must completely revert to chaos, must become dust of disorganized matter, if a human being is to originate from it. We have in the outer world organized matter in crystals, in plants, and so on: if anything is to originate, even a plant, or an animal, then the matter must first completely return to dust. And only when it no longer has a definite form does the entire cosmos work upon the tiny bit of stuff, making in it an image of itself. How is it, then, with the human being? Between death and a new birth, we form this human image, with all its mysteries, into which we weave our karma, and we send this image down before us into the body of the mother. So we have first formed the spirit germ—only, this is very large in comparison with the physical germ—and this descends into the matter which has become chaotic. That is the truth—not what the present-day physiology dreams.

In this time of which I have been speaking, the Ego lives as a soul-spiritual being among soul-spiritual Divine Beings, actively occupied with learning to know completely the inner human being as such for the next earth life. Of that which is then spiritually experienced in tremendous majesty and grandeur, an image marvelously appears in the child in the individual actions in attaining equilibrium. It is very interesting to see how the Primal Powers, or Archai, work over from the life between death and a new birth into the whole effort of the child to attain balance or, as we trivially say, to learn to walk. Anyone who can see in everything earthly an image of the spiritual can see in all the practice in walking, in the use of the hands, and so on, an image of those soul-spiritual deeds which we performed between death and a new birth in seeking spiritual equilibrium as an ego among higher egos.

And, when we have completed those conditions in which we are a spirit among spirits, in which we prepare what is to be manifested in our earth life in the body, in the members, through which we again become a human being of such and such a nature, and experience our karma—when we have passed through these conditions yonder in the world between death and a new birth, then a condition appears in the pre-earthly life in which we can no longer distinguish the individual spiritual Beings with whom we have worked for so long, but in which there is only a general perception of the spirit. We know then, to be sure, that we live in a spiritual world; but, because we are now already approaching the earth life, the impression which the spiritual world makes upon us becomes one of greater uniformity, and is no longer a perception of the particular, individual spiritual Beings.

I can express myself by means of a trivial comparison, in order that we may be able to understand one another, but please be very clear about this, namely, that in doing so I refer, nevertheless, to something very exalted. If a little cloud appears somewhere in the distance, you say that it is a little cloud; but when you approach it, you become aware that it is a swarm of gnats. Then you are distinguishing the separate individuals. Well, in the spiritual world between death and a new birth, it is reversed: there you distinguish at first the single individualities of the spiritual Beings; then the impression becomes a general one. What I mean is that the manifestation of the spiritual replaces experience of the spiritual.

Indeed, this condition, which separates us, as it were, from the spiritual world, because we are already seeking the way down to earth again—this condition is reflected now in the inner something within us which forms the basis of human speech. Suppose we speak. It begins with the larynx (that is not exact, but approximate), and the other organs of speech are set in motion. But behind this there lies that which is essential. What is essential lies in the heart, behind the larynx; it lies in the breathing process and everything connected with it. Just as learning to walk, seeking equilibrium, is an earthly image of our movements in the spiritual world, so that which underlies speech is likewise an earthly image of the condition of manifestation in which we perceive the divine-spiritual Beings only as a blurred mass. So the child experiences again when it learns to walk a condition which it has gone through between death and a new birth.

And when we have sent down the spiritual germ of our physical body, when through conception it has gradually become united with the body of the mother, then we are still above. At the end of the time before earthly embodiment, we draw together our etheric body out of all the regions of the universe. And that action, which takes place in the supersensible world in attracting the etheric body, finds expression in the child's learning to think.

Now you have the three successive conditions: experience in the spiritual world in learning to walk; manifestation of the spiritual world in learning to speak. (For this reason, that which as Cosmic Word underlies speech we call the Cosmic Logos, the inner Word. It is the manifestation of the universal Logos, in which the spiritual expresses itself, as do the gnats in the swarm of gnats; it underlies speech.) And then what we do in the forming of our etheric body, which actually thinks in us—we think the whole night through, only we are not present with our ego and astral body—that is the last part which we gather together for ourselves before we descend to earth, and that activity is what extends over into the thinking. Thus, in learning to walk, to speak, and to think, the baby organizes into the physical body what it brings down from the pre-earthly existence.

This is what leads to real spiritual knowledge and also at the same time to the artistic and the religious comprehension of the world; namely, that we are able to relate each single occurrence in the physical sense existence to the spiritual world. Those people who would always like to speak of the divine-spiritual only “in general” I have often likened to a man who should go out into a meadow, and to whom should be pointed out daisies, dandelions, wild chicory, whereupon he would say: “All that does not interest me; they are all just flowers!” That is easy, to say they are all just flowers. But something in the flower-being is differentiated there. And so it is also in the spiritual world. Naturally, it is easy to say that something spiritual underlies everything of a sense-physical nature. But the point is that we should know more and more what spiritual something lies at the foundation of the various sense-physical phenomena; for only in this way can we from the spirit actually lay hold again upon the sense-physical course of life.

By means of this principle, for example, our Waldorf School pedagogy becomes a unique pedagogy, which actually considers the human being. This will appear even more clearly when once this pedagogy shall be developed for the child's first years. As there it would be adapted to learning to walk, to speak, and to think, and the further evolution of these faculties, so we now naturally adapt the method to the years following the sixth and seventh, in such a way that we consider questions such as these: What embodies itself in the child at this moment? What comes to expression in the child's life, with each week, with each month, of that which existed before birth? Thus the pedagogy is really developed from the spirit.

That is one of the impulses of which we must rediscover many, if humanity does not wish to remain in the downward course, but intends to begin to ascend. We must find the way again into the spiritual world; but we shall be able to do this only when we learn quite consciously to find ways and means to act and to speak from the spirit.

In the time immediately following the Atlantean catastrophe, human beings lived from the spirit—that is, each individual—because each could be told on the basis of the point of time at which he was born, what his karma was. At that time astrology did not signify that dilettantism which it often represents today, but it signified livingly experiencing the deeds of the stars with them. And as a result of this living experience, it was revealed from the Mystery Temple to each individual human being how he had to live. Astrology had a vital significance for the individual human experience. Then came the time, about the 6th, 5th and 4th pre-Christian centuries, in which people no longer experienced the mysteries of the starry heavens, but in which they experienced the course of the year. What do I mean by it when I say that human beings experienced the “course of the year”? It means that they knew from direct perception that the earth is not the coarse clod which present day geology contemplates. Upon such an earth as geology represents, plants could never grow, to say nothing of the appearance of animals and human beings. There could be none of these, because the earth of the geologists is a rock; and something will grow directly on a rock only if the entire cosmos works upon it, only if it is united with the whole universe. What man must learn again today was known even in ancient times, namely, that the earth is an organism and has a soul.

It is true that this earth-soul also has its special destiny. Suppose it is winter here with us, Christmas time, the time of the winter solstice—that is the time when the earth soul is fully united with the earth. For, when the cover of snow is over the earth, when, as it were, a mantle of cold surrounds the earth, then the earth-soul is united with the earth, rests within it. It is also true then that the earth-soul, resting within the earth, sustains the life of a multitude of elemental spirits. When today a naturalistic view believes that the seeds which I plant in the earth in the autumn merely lie there until the following spring, that is not true; the seeds must be protected throughout the winter by the elemental spirits of the earth. This is all connected with the fact that during the winter time the earth-soul is united with the earth-body.

Now let us take the opposite season, that is, midsummer, St. John's season. Exactly as the human being inhales the air and exhales it, so that at one time it is within him and at another time outside of him, so the earth breathes in her soul—that is during the winter; and at the height of summer, St. John's season, the earth-soul is entirely breathed out, sent out into the far reaches of the cosmos. At that time the earth-body is, as it were, “empty” of the earth-soul. The earth in her soul lives with the events of the cosmos, the course of the stars, and so on. Therefore, in ancient times there were the winter-mysteries, in which man experienced the union of the earth-soul with the earth; and then there were the summer-mysteries, in which man was able to perceive the mysteries of the universe, from the experience which the earth-soul shared with the stars, for it was granted to the human souls of initiates to follow the earth-soul out into the cosmic spaces.

That people had a consciousness of these things you can learn even from the fragments of ancient tradition which are still extant.—It is now a long while ago, but I often sat—right here in Berlin—with an astronomer, who was very famous here, and who started a fearful agitation about the Easter Festival, saying that it was very disturbing when the Easter Festival, let us say for example, did not fall each year at least on the first Sunday in April, and it was awful that it should be on the first Sunday after the spring full moon. Naturally, it helped not at all to give reasons against his argument, for the fact which lay at the root of the matter was the fear that a dreadful confusion was caused in the debit and credit columns of the ledger, if Easter falls at a different time each year! This movement had already assumed rather large dimensions. (I once mentioned the fact here that on the first page of the ledger there usually stand the words, “With God”, but generally what is in these books is not exactly “with God”.) In those times when the Easter Festival was established according to the course of stars—when the first Sunday after the spring full moon was dedicated to the sun,—in those times a consciousness still existed that in the winter season the earth-soul is in the earth; that at St. John's season the earth-soul is wholly outside in cosmic spaces, and in the spring it is on the way to cosmic spaces. Therefore, the spring festival, the Easter Festival, cannot be established only with reference to the earth, on a definite day, but must be regulated according to the constellations of the stars. There is a deep wisdom in this, which comes from the times when, as a result of the ancient instinctive clairvoyance, human beings were still able to perceive the spiritual reality in the course of the year. We must attain to this again, and we can attain to it again in a certain sense if we lay hold upon the tasks of the present in connection with just such explanations as we have carried on together here.

I have already often said here that, of the spiritual Beings with whom man is united each night, in the way I have told you—for instance, through speech with the Archangels—certain Beings are the ruling spiritual powers throughout a certain period of time. In the last third of the 19th century the Michael-time began, that time in which the Spirit who in the records is usually designated Michael, became the determinative Spirit in the affairs of human civilization. These things are repeated in cycles. In ancient times men knew something of all these spiritual processes. The ancient Hebrew age spoke of Jahve, but it spoke always of the “countenance of Jahve”, and by the countenance was meant the Archangels who actually mediated between Jahve and the earth. And when the Jews expected the Messiah on earth, they knew that it was the time of Michael; that Michael was the agent of Christ's activity on earth. They misunderstood, however, the deeper significance of that fact. Now, since the '70's of the 19th century, the time has come again for the earth when the Michael Power is the ruling spiritual power in the world, and the time has come when we must understand how to bring spirituality into our actions, to arrange our life from the spirit. That means to “serve Michael”—not to order our life merely from the material point of view, but to be conscious that he who has the overcoming of the low Ahrimanic Powers as his mission—that is, Michael—must become our Genius, so to speak, for the evolution of civilization. How can he become that?

Well, he can become our guiding spirit if we call to mind how we can again make connections with the course of the year in the spiritual sense. There is actually great wisdom in the entire cosmic course in the fact that we may unite with the spring festival the festival of the resurrection of Christ Jesus. The historical connection—I have often explained it—is a completely right one: The only possibility is for the spring festival—that is, the Easter Festival—to occur on a different day each year, precisely because it is viewed from the other world. Only we upon the earth have the narrow-minded conception that “time” runs along evenly, that one hour is always as long as another. We determine time by means of our earthly expedient, mathematics; whereas, for the actual spiritual world, the cosmic hour is something living. There one cosmic hour is not equal to another but is longer or shorter. Therefore, it is always possible to err if we establish from the earthly point of view something which should be fixed according to the heavens. The Easter Festival has been established rightly in accordance with the heavens.

What kind of a festival is it? It is that festival which is intended to remind us, and which once reminded humanity with the greatest vividness, that a God descended to earth, took up his abode in the man, Jesus of Nazareth, in order that, at the time when human beings were approaching the development of the ego, they would be able in a suitable manner to find the way back through death into the spiritual life. I have often explained this here. The Easter Festival is, therefore, that festival in which man sees in the Mystery of Golgotha death and immortality following it. We look upon this spring festival in the right sense when we say to ourselves: Christ has affirmed the immortality of man in that He Himself has conquered death; but we human beings only rightly understand the immortality of Christ Jesus if we appropriate this understanding during the earth life; that is, if in our souls we vitalize our relation to the Mystery of Golgotha, and if we are able to free ourselves from that materialistic concept which would dissociate from the Mystery of Golgotha all spiritual significance. Today people no longer wish to acknowledge “Christ” at all, but merely “the humble man of Nazareth, Jesus.” A man would feel embarrassed, as it were, in the presence of his own scientific instincts, if he were to grant that the Mystery of Golgotha involves a spiritual mystery in the middle of earth existence—namely, the death and resurrection of the God.

When we experience that fact spiritually, we prepare ourselves to have spiritual experience of other things also. This is the reason it is so important for the human being of the present time to attain the possibility of experiencing, at the outset, the Mystery of Golgotha as something purely spiritual. Then he will experience other spiritual facts, and he will find the approach, the way, to the spiritual worlds through the Mystery of Golgotha. But then, beginning with the Mystery of Golgotha, the human being must understand the Resurrection while he still lives; and, if he feelingly understands the Resurrection while he lives, he will thereby be enabled to pass through death in the right way. In other words, Death and Resurrection in the Mystery of Golgotha should teach the human being to reverse the condition; that is, during life to experience Resurrection within the soul, in order that, after this inner soul resurrection, he may pass through death in the right way. That experience is the opposite of the Easter experience. At the Easter season we should be able to immerse ourselves in the Death and Resurrection of the Christ. As human beings, however, we need also to be able to immerse ourselves in what is for us resurrection of the soul, in order that the resurrected soul of man may pass rightly through death. As we in the spring acquire the true Easter mood when we see how the plants then germinate and sprout, how nature is resurrected, how nature overcomes the death of winter, so we shall be able, when we have experienced summer in the right way, to acquire a feeling of certainty that the soul has then ascended into cosmic spaces. We are then approaching the autumn, September is coming, the autumnal equinox; the leaves which in the spring became budding and green, now become brownish, yellowish, and drop off; the trees stand there already partly denuded, nature is dying. But we understand this slowly dying nature if we look deeply into the process of decay, into the approach of the snowy covering of the earth and say to ourselves: There the earth-soul is returning again to the earth, and it will be entirely within the earth when the winter solstice shall have come.

It is possible to feel this autumn-time with the same intensity as the spring-time. And if we feel in spring, at Easter-time, the Death and Resurrection of the God, then we shall be able to feel in the autumn the resurrection and death of the human soul; that is, the experience of resurrection during the earth-life in order to pass through death in the right way. Then, however, we must understand also what it signifies for us, for our present time, that the earth-soul is breathed out into the cosmic spaces during St. John's season, in the summer, is there united with the stars, and comes back again. He who has insight into the mystery of this succession of the seasons in the course of the year knows that the Michael-force, which in former centuries did not come down to earth, now comes down through the nature forces! So that we are able to meet the autumn with its falling leaves, when we perceive the Michael-force coming down from the clouds to the earth. Indeed, the name “Michael” is to be found in the calendars on this date, and Michaelmas is a festival day among the peasants; but we shall feel the present time spiritually, in such a way that earthly human events are for us closely connected with the events of nature, only when we again become capable of understanding the year's progression to such an extent that we shall be able to establish in the course of the year the annual festivals, as people of old established them from their ancient dream-like clairvoyance. The ancients understood the year, and on the basis of the mysteries which I have been able only to indicate today, they established Christmas, Easter and the St. John's Festival. At Christmas people give one another gifts, and do some other things also; but I have often explained, when I have given Christmas and Easter lectures here, how little remains with humanity today of these ancient institutions, how everything has become traditional and external. If we shall come to understand again the festivals, which today we merely celebrate but do not understand, then, from the spiritual knowledge of the course of the year, we shall also have the power to establish a festival which will have true significance only for the humanity of the present time: that will be the Michael Festival at the end of September, when autumn approaches, the leaves become withered, the trees become bare, nature moves toward decay—just as it moves toward the sprouting of the Easter season. We shall have the power to establish such a festival, if in decaying nature we perceive how then the earth-soul unites itself with the earth, and how the earth-soul brings Michael with it from the clouds! If we have the force to create from the spirit such a festival as shall again bring into our social life a community of interest, then we shall have done it from the spirit; for then we shall have originated something among us of which the spirit is the source. It would be more important than all the rest of social reflection and the like—which, in the present confused conditions, can only lead to something if the spirit is in them—if, to begin with, a number of intelligent persons were to unite in order to establish again upon earth something from the cosmos: that is, to originate something like a Festival of Michael, which would be worthy of the Easter Festival, but as an autumn festival would be the counterpart of the Easter Festival! If people were able to decide upon something the motive for which lies only in the spiritual world, but which in such a festival would again bring among men a feeling of common interest, something which would be created in the immediate present, out of the full, joyous human heart, that would result in something which would socially unite people again.

For in ancient times the festivals made strong bonds between human beings. Just consider what, has been done, and what has been said and thought on behalf of the festivals and at the festivals for the whole civilization!

That is what has been gradually interwoven into the physical world through the fixing of festivals directly out of the spirit. If people of today could decide in a worthy manner to establish a Michael Festival at the end of September, it would be a deed of the greatest significance. For this purpose, people would have to have courage, not merely to dispute about outer social organizations and the like, but to do something which will unite the earth with the heavens, which will again connect physical conditions with spiritual conditions. Then, because by this means the spirit would again be brought into earthly affairs, something would actually happen among men which would be a mighty impulse for the extension of our civilization and of our whole life. There is naturally no time to set forth in detail all that this would mean for scientific, religious and artistic experience, but such a new festival, created from the spirit, in grand style, would affect these realms just as did the ancient festivals. And how much more important would be such a creation from the spiritual world, than all that is developed today in social tirades. For what would be the significance of such a creation? Oh, it signifies much for the deep observation of the human soul, if I see what a man intends, or if I understand his words rightly. If we today are able to learn from observation how the whole cosmic course operates when autumn approaches, if we can unriddle, can decipher, the entire physiognomy of the universe, and out of our knowledge can act creatively, then we shall disclose not only the willing of human beings in the creation of such a festival, but we shall disclose the willing of Spiritual Beings, of Gods!