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The Rudolf Steiner Archive

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Your search for hiram returned 10 results

93. The Temple Legend: The Mystery known to Rosicrucians 04 Nov 1904, Berlin
Tr. John M. Wood

Rudolf Steiner
Hereupon the Queen of Sheba consented to become Hiram's bride. He, however, was set upon by the three apprentices and murdered. But before he died, Hiram managed to throw the Golden Triangle into a well.
She is the representative of the true human soul, taking her position between Hiram and Solomon and uniting herself with Hiram in the fourth and fifth epochs, because he is still engaged in building the Temple.
Suddenly he heard a strange voice coming from above, and crying, “Hiram, Hiram, Hiram!” He raised his eyes and beheld a gigantic human figure. The apparition continued: “Come, my son, be without fear, I have rendered thee incombustible; cast thyself into the flames.”
93. The Temple Legend: The Essence and Task of Freemasonry from the Point of View of Spiritual Science I 02 Dec 1904, Berlin
Tr. John M. Wood

Rudolf Steiner
Because of this, Solomon is disinclined to oppose the enemies of Hiram and to stand out against them. A Syrian stonemason, a Phoenician carpenter and a Jewish miner were antagonistic towards Hiram.
Hiram was powerless to do anything. But suddenly a voice called out to him: ‘Hiram! Hiram! Hiram!’ He was ordered by the voice to plunge into the sea of fire.
The Molten Sea was now restored by means of the hammer. Hiram and Queen Balkis then met again outside the city. She became his wife, but Hiram was unable to avert the jealousy of Solomon and the revenge of the three fellow craftsmen.
93. The Temple Legend: Freemasonry and Human Evolution (men only) 23 Oct 1905, Berlin
Tr. John M. Wood

Rudolf Steiner
Thus Tubal-Cain is born out of the race of Cain and thus, later on, will Hiram-Abiff or Adon-Hiram be born from the same lineage. I have reserved to myself …[See note].5 Among the Abelites, you find the strongest representative in Solomon.
Some of Hiram's apprentices, whom he had refused to make into Masters, came to Solomon's aid. Now they sought to spoil Hiram's masterpiece, the casting of the Molten Sea. Instead of it coming out as a work of art, streams of fire spurted out in every direction. Hiram-Abiff tried to quench it all with water, but all he achieved by this was a complete wreck. A rain of fire sprayed down on everything, including Hiram-Abiff.
93. The Temple Legend: Freemasonry and Human Evolution (women only) 23 Oct 1905, Berlin
Tr. John M. Wood

Rudolf Steiner
Tubal-Cain (Genesis 4:21–22), the master of brass and ironwork, Jubal, from whom the pipers and violinists descend, and Hiram, the builder of Solomon's Temple (I Kings 7:13) are numbered among the descendants of Cain. So, with Hiram, we have arrived at the transition from the third to the fourth Post-Atlantean epoch,3 when priestly rule turned into rule by kings.
Three of Hiram's apprentices are discontented because he did not promote them to the Master's Degree. They conspire to hurt him.
As Hiram, in despair, gives himself up for lost he is led to the centre of the earth by a figure whom he recognises as Tubal-Cain.
167. Things in Past and Present in the Spirit of Man: Death and Resurrection 18 Apr 1916, Berlin
Tr. E. H. Goddard

Rudolf Steiner
Now, in most of these brotherhoods, the personality to which this symbol is attached is called Hiram; this symbol is connected with what is called the legend of Hiram. Thus the name of Hiram, the architect of King Solomon who according to the legend built the Solomon Temple with King Solomon and then as a result of certain of his servants becoming his enemies, Hiram was killed and his death is shown in a symbolic way.
Now, when you consider that the death of Hiram, the resurrection of Hiram is led before the brothers of the lodges, so indeed, we have the connection with the Easter thought.
You can really notice the difference when you lead a symbol such as the death and resurrection of Hiram in front of human beings who have only been educated for the external material life. They find it very comical, very superfluous.
93. The Temple Legend: Concerning the Lost Temple and How it is to be Restored I 15 May 1905, Berlin
Tr. John M. Wood

Rudolf Steiner
Another of Cain's descendants was Tubal-Cain, who worked in metal. The architect Hiram-Abiff was descended from the same race. Abel was a shepherd. He held firmly to what he found, he took the world as it was.
He could not build the temple himself; he lacked the art. Hence he appointed the architect Hiram-Abiff, the descendant of the lineage of Cain. Solomon was divinely handsome. When the Queen of Sheba met him, she thought she saw an image of gold and ivory.
When the Queen of Sheba saw the temple and asked who the architect was, she was told it was Hiram. And as soon as she saw him, he seemed to her to be the one who was predestined for her. King Solomon now became jealous; and indeed, he entered into league with three apprentices who had failed to achieve their master's degree, in order to undermine Hiram's great masterpiece, the Molten Sea.
93. The Temple Legend: The Essence and Task of Freemasonry from the Point of View of Spiritual Science II 09 Dec 1904, Berlin
Tr. John M. Wood

Rudolf Steiner
To continue the quotation from Heckethorn regarding ‘Blue Masonry:’ ‘Without the Royal Arch Degree Blue Masonry is incomplete, for we have seen in the Legend of the Temple that, through the murder of Hiram, the Master's word was lost; that word is not recovered in the Master's Degree, its substitute only being given; hence the lost word is recovered in the Royal Arch Degree.
93. The Temple Legend: Concerning the Lost Temple and How it is to be Restored IV 05 Jun 1905, Berlin
Tr. John M. Wood

Rudolf Steiner
Solomon built the Temple but only with the help of Hiram-Abiff; in association with this Son of Cain he appropriated the arts needed for erecting the Temple.
93. The Temple Legend: Concerning the Lost Temple and How it is to be Restored II 22 May 1905, Berlin
Tr. John M. Wood

Rudolf Steiner
The temple had to be a symbol,illustrating man's own body. Therefore, builders were sent for—Hiram-Abiff—who understood the practical arts that could transform man himself into a god. Two images in the Bible relate to this: one is Noah's Ark, and the other is the Temple of Solomon.
93. The Temple Legend: The Royal Art in a New Form 02 Jan 1906, Berlin
Tr. John M. Wood

Rudolf Steiner
Whoever heard my last lecture about Freemasonry26 will remember my telling you about the Freemasonry legend of Hiram-Abiff, and how at a particular point he makes use of the Tau sign, when the Queen of Sheba wanted him to call together once more the workers engaged in building the Temple. Now the people working together in social partnership would never appear at Solomon's command; but at the signal of the Tau—which Hiram-Abiff raised aloft—they all appeared from all sides. The Tau sign symbolises a totally new power, based on freedom, and consisting in the awakening of a new natural force.