The Rudolf Steiner Archive

This is the 6th of 12 lectures given by Rudolf Steiner at Berlin, in the Autumn of 1913 through the Spring of 1914. The title of the series of lectures is: Spiritual Science as “Lebensgut”. It was published in German as: Geisteswissenschaft als Lebensgut.

This lecture is to deal with a subject taken from the study of culture and art, and my purpose is to show you how Spiritual Science aims to penetrate to the essence of historical evolution and of the human personalities which find themselves within it.

History nowadays has come to be regarded as a science among the sciences. Nevertheless a very notable book recently published disputes the claim of history to be called a science on the grounds that it is only the concatenation of single events and achievements which cannot recur, at least in that particular form, a second or third time. The author argues as follows: If we have a number of facts, say about a raindrop, we can deduce laws which the raindrop obeys—that is, we can make a scientific statement because other raindrops follow the same laws; and this we can also do in the world which does in some way repeat itself. Historical facts on the other hand are unique; we can recount them but we cannot base on them anything that could be truly called a science.—Now if we accept the ideas and concepts which are nowadays regarded as scientific, we shall have to admit that our author is right. But it is very different if we look at history in the light which Lessing in his day tried to do in his “Education of the Human Race”; as an evolution, an upward movement of the whole of humanity in which the effective influences passing from one epoch to another, are the souls of human beings. Sense and meaning come into human history as soon as we cease looking at it just as a series of events occurring in some sort of sequence and never repeating themselves, and begin to believe that the souls of human beings continue their existence in successive earth lives, and that what influenced them in one life is carried over into the spiritual world and there made fruitful in the period between death and a new birth until it appears in a new life: so that a real progress and development is possible in the succession of historical events. In this way we can see a meaning in the study of single epochs; their significance lies in the new experiences which souls were unable to have at the age in which they lived but which they can now experience and carry over once more into later epochs. In this way and thanks to Spiritual Science we can once again regard history as a science.

Perhaps one of the best ways to reach some notion of such an evolution of human history—not in abstract theory but appealing to the feelings—is to study the great epochs of art and the great artists. We shall never be convinced of the reality of man's repeated lives on earth by any abstract argument. But if we seriously observe life and try by every means to understand the secrets of our existence, we shall find ourselves becoming gradually more and more convinced of the fact of repeated earth lives, the more we study reality as a whole. I hope to contribute something towards such a study by trying to show you the place which Michelangelo holds in the spiritual life of the West.

If we look at this spiritual life of the West and indeed of the whole of humanity in the light of this conception of repeated earth lives we shall soon come to see a real significance in such an evolution of man, for each successive epoch differs from the earlier one and human souls have correspondingly different experiences. Unless we take a very shortsighted view of human history, we cannot accept the notion that the human soul has been more or less what it is today since first it rose above the animal. If we look a little more deeply into earlier periods of history and especially if with the help of Spiritual Science we look at pre-Christian times, we shall find that the whole basic tone and quality, the whole constitution of the human soul was different in those earlier periods and has changed considerably in the course of human history, that in fact the structure of the soul has been perpetually changing in the successive epochs of human history. We shall see this particularly significantly if we take an artist like Michelangelo in the Sixteenth Century and study him in relation to artists of earlier ages who worked within the same field. Obviously in such a study we should look at Michelangelo's achievement side by side with that of the Greeks. But as soon as we look beneath the surface we shall see the immense difference there is between the two. In order to recognize this it is necessary to go briefly into the particular way in which Greek sculpture affects us.

It is a pity that a lecture like this cannot be given with lantern slides or other visual aids, though fortunately you can easily get access to first-rate reproductions of the material necessary in any History of Art and see for yourselves in actual detail, what I am describing. When Herman Grimm set about writing his wonderful book on Michelangelo in the 1850's, he could not give any illustrations at all—though the second edition published forty years later was illustrated and thus reveals clearly the secrets of Michelangelo which even Grimm's descriptions in his “Life” could not give. Modern reproductions make it even more possible to reach some insight into the basic ideas and forms which are to be found in the development of art through the ages.

If we let Greek art and especially Greek sculpture work on us, we shall certainly feel that the best of it (much of which may be no longer accessible to us) in the forms in which it appeared, must have spoken to the Greeks like a message from another world. This creation of form was possible to the Greeks because something lived in their souls which did not come to them immediately through their physical senses. They bore within themselves an inner feeling-knowledge of the way in which the human organism is formed. The whole of a Greek's general education contributed to this but it was also important that the Greeks lived at a different epoch of humanity when the soul was more closely interwoven with man's whole organism; for instance, in the movement of the hand they felt the particular angle the hand made with the arm; or they could feel the particular muscle extended by their hand or foot. The Greeks could feel this sort of thing—they could feel and experience how the organic and the soul were related. They had an immediately-felt knowledge of their own organism so that the artist did not need to look at outer nature or external models in order to create his forms. An inner knowledge gave them the understanding of their muscular structure and anatomy, and their inter-relationship. They could permeate their whole organism with their mood of soul which flowered within them. Even what survives to us of Greek sculpture reveals that when the sculptor set his hand to a statue of Zeus, for instance, his soul was permeated with a sort of Zeus feeling. He then knew what inner tensions this feeling could resolve and thus, from within outwards, he could give to matter is appropriate form. He put his soul into matter. It is natural that at the present day we should have no feeling for the very different mode of experience of the Greeks. But, that mode being given, anyone who looks properly at the works of Greek sculpture will perceive that they give expression to what man experienced as the activity of his soul. Greek sculpture in general expresses what lies within the soul. We need not concern ourselves whether this Zeus or this Hera and the rest are gods: that makes artistic study a matter of storytelling. What does matter is the way in which the Greek sculptor worked upon his Zeus or Hera—withdrawn into his life of soul, as we ourselves feel withdrawn when we experience in the organic process of muscular tension the activity of the soul in our organism, and the soul is attuned to their experience. This withdrawing, and this having to go out in order to enter space, to manifest itself in space, is characteristic of the plastic art of Greece. This is a world that strives to reveal itself. This is true also of the larger sculptured groups, at least as late as the “Laocoon”; their purpose is to make us feel something of a world of soul. Around and about us is the rest of the human world, and indeed ourselves; and the work of art has some relation to us only when we direct our soul towards it. Yet this work of art does not belong to the same space, the same world, in which we normally move and hold converse; it remains alien to it.

Suppose now we pass from these Greek sculptures to the “Moses” of Michelangelo. We shall feel compelled to say that no sculptor has ever given expression to the powerful will of Moses as he did. The whole impression is of a leader of his people who fills his people with his own spiritual power and pours his own will over a whole people and remains their leader far beyond his own lifetime. So completely does this Moses diffuse the sense of human power that we are quite ready to accept in it something which is quite unrealistic. The statue as we all know has two horns; but it is by no means sufficient just to say that these are the symbols of Moses' power. If a lesser artist than Michelangelo were to do a sculpture of Moses and give it two horns like this and justify them as symbols of power, we should not admire them because we should not believe in them. Yet Michelangelo sets before us his Moses as representative of his age so completely penetrated with force of will that he can put upon him these extraordinary horns; and we are quite prepared to believe in them. What matters is not what is actually represented but rather that we should believe in all the details of what is represented, even if they are unrealistic.

Now let us turn from Moses to the statue of David; and let us look at him in relation to what we have seen to be true of Greek sculpture. He is shown at that moment when in his heart he becomes fully aware of what lies before him; he is shown grasping his sling at the very moment before he accomplishes his deed. Earlier artists like Donatello (1386–1466) and Verrocchio (1436–1488) who had done a statue of David, had shown him with Goliath's head beneath his feet. Michelangelo chooses the moment when the soul becomes aware of its task, and that moment is given external expression, and we might well believe that the artist had firmly seized hold of some special inner condition of soul. But as with the “Moses,” so with the “David”—that is by no means all, there is something else equally important. Moses might quite easily get up and proceed further: for he exists within our space, and the same space which gives us life gives it to him also. These two statues are removed beyond what is a mere element of soul; they are set within the actual world around us; we should not feel at all surprised if we saw David actually using his sling.

Here is the significant change between the old and the new, and from this point of view Michelangelo is the most significant artist. While the Greeks had created works of art which deny the outer world and produce their effect on our souls as from another world, Michelangelo sets his figures into the same world in which we live; they share our life within that world. With a slight exaggeration we might say that while the statues of the Greek gods breathe only the air of the gods, Michelangelo's breathe the same air as ourselves. This is not just a matter of realism or idealism as we use those clichés: rather we should recognize that Michelangelo is the most important artist who takes his figures away from the realm of the soul and sets them within this earth existence of ours so that they live as real beings among men. Once we have accepted the fact that in the spiritual development of humanity a special task was laid upon Michelangelo, we shall not be surprised to discover that in his earliest youth he displayed the faculties necessary for this task, faculties which he brought with him from the spiritual world. Our scientific geneticists would have difficulty explaining the facts: how he was descended from a family that belonged to citizens of noble extraction but which had fallen on evil days, a family which certainly did not possess any of the qualities needed for the specific task that was to be Michelangelo's. At first it was intended that he should go to school like the others, but he was perpetually drawing and drawing in such a remarkable way that no one could imagine where he got it from. Finally his father sent him to study with Ghirlandaio, but great artist as the latter was the boy could learn nothing from him. Michelangelo's drawing sprang from some self-evident quality of genius. Through having his attention attracted to Michelangelo's drawings Lorenzo de Medici took him into his house and there he spent the three years 1489 to 1492; he had been born in 1475. His first object of search that seemed to him especially important was the relatively insignificant relics of antiquity, of Greek sculpture. But—and this is the characteristic thing—he very soon combined all that he saw, and which made so deep an impression on him, with an energetic and intensive study of anatomy. In his soul he acquired an exact knowledge of the inner structure of the human body. In all his works we can see the effect of these anatomical studies and of the knowledge he had acquired. Before the soul could experience anything or have some particular mood, he found it necessary to know the position of the muscles. So we can see how two currents were flowing together in Michelangelo and were to produce something more than any contemporary talents could create: humanity had now moved forward to a new epoch, and what the Greeks had been able to experience within themselves, by the inner “life sense” which was still active within them, Michelangelo had to acquire through external senses by close observation of outer nature and her structure.

This sort of example can show us how the development of the human soul moves on, how what was impossible for the soul in one epoch becomes possible in another, and how the highest achievement is possible at different times with different means. While he was still quite young, in 1498, Michelangelo attained the wonderful Pieta which we see immediately on our right when we enter St. Peter's. This work still bears traces of the Italian tradition deriving from Cimabue and Giotto it even has still a sort of Byzantine quality. Yet if we note carefully what he actually achieved in the Pieta, we can see how his exact and realistic study of the human body has influenced it. Thus he could create a sculpture which was the equal of the Greek because he had learned to observe externally.

Why had this become necessary? We can see this particularly well in the Pieta if we note how in the progressive development of humanity since the days of the Greeks something quite alien to them had entered in. The natural life sense which the Greeks possessed made it possible for them to reveal almost spontaneously how the human body actually appears in some particular mood. In between the time of the Greeks and the rise of Western Europe we have the world conception which reached its peak in Christianity but which originated in Judaism and still retained to some degree the old command, “Thou shalt not make any graven image of what is spiritual.” I don't know how many people have given much thought to the fact that between the age of the Greeks and the age of Michelangelo there came one in which it really was a fact that no image was to be made. The earliest Christians did not make any pictorial representation of Christ but employed only symbols—the fish symbol, the monogram of Christ. The same had been true of the Jews who had, of course, as one of their Ten Commandments, “Thou shalt not make any image of the Lord Thy God.” Yet when we enter the most important chapel of Christendom, the Sistine Chapel in Rome, we see the command disregarded by Michelangelo when, at the height of his creative powers, he painted the Father God on the ceiling of that chapel.

Michelangelo could achieve these new heights of church art only by disregarding that command. But between his time and that of the Greeks there had to be a period of preparation. And so we shall be able to realize that it is not just a false analogy when we say that successive epochs of humanity are like day and night, and that between the day periods there have to be nights during which human faculties pass into a sort of rest state, to appear again later in strengthened form. The achievements of Greek sculpture had to pass through a sort of formative period in sleep, during which even for that the command had to be heeded: “Thou shalt not make any graven image.” Then, however, there follows the day of wakening, in a new form, in Michelangelo. But whereas in nature things reappear in the same form and one day resembles another and the plant its earlier form, the progress of humanity shows this special characteristic that the souls, who carry over their fruits from one epoch to another, undergo at the same time some upward change and metamorphosis. But this rest period of the human faculties has first to occur in this and every other sphere.

Thus after this period during which sculpture rested, there appeared the Christian ideal: an inner quality of soul, a mood of greater inwardness. This is true, for instance of the Pieta in which the youthful mother holds on her lap her dead son; if we compare it with any Greek work of art, we shall see that it could have been created only in an age when the soul had become more inward. There is a marked difference between Michelangelo and the Greek sculptors; he stands at the beginning of the modern age, the age that is of materialism. Man's senses were beginning to be directed outwards so that they could pass through a period in which these senses could reach their highest and intensest development. But there must always be some counterbalance in human evolution. Thus we see in Michelangelo on the one hand an artist who poured his soul forth into the outer world that he might create his figures. On the other hand, that he should not merely create what the senses can see, he employed to the full everything he could assimilate from a period of evolution during which the soul had become more inward. This inner deepening he expressed by external means; he made himself sensitive to what was inward in outer nature. If we look at the dead body of the Christ we can see at once that this is a beautiful human body such as nature would wish to create—and Michelangelo could recreate that. But there is also something further, and indeed in a double aspect: first, the extraordinary peace in death that streams over this body; and second, if we look at the group as a whole—the countenance of the young mother who bears the adult body of her son Jesus Christ on her lap yet seems too young to be in any external sense that man's mother—we receive from the form of the hard stone the feeling that what lies before us in death is the warrant for the external life of the human soul. The deepest secrets and the greatest inwardness are expressed realistically through the natural means which Michelangelo had studied.

When Michelangelo returned from Rome to Florence we can see a remarkable drama unfolding itself. There was an old block of marble from which some earlier sculptor had unsuccessfully sought to hew some figure and which the Council of Florence handed over to Michelangelo to try and make something of. He happened at the moment to be working on his David, so he decided to use this particular block. Now if we follow this work as it proceeded, we shall be able to see how Michelangelo set about his task. His greatness consists largely in a period which was to depend wholly on sense observation, yet he carried over something from those earlier epochs, the life of which he could share, and could thus still have some immediate feeling of what Goethe called the spirit of outer nature.

Here I should like to refer to something which in general receives too little attention. If through Anthroposophy we make our souls once again sensitive to the weaving of imagination, we shall feel when we see a block of marble before us, that something specific should be made from it. It is not without significance that we find among the inhabitants of mountain districts all those stories about enchanted beings which their folk soul devises: when people see a block of stone before them, there is a plastic imagination which tells them that not much would be needed to convert it into an example of some quality of human or animal nature. Each type of stone calls for its own specific form, and each type has its own secrets which the artist must extract from it.

Michelangelo began work on the block and at first made it a sort of image of his thoughts. This was merely the first expression of his ideas, his feelings; as he looked at the stone he felt that thus the hand must lie and thus the foot, and thus everything else. He could, as it were, listen into the secrets hidden in the stone; that after all is what plastic art means. In the end we feel that the block was presented us with what lay hidden within it when everything had been removed that did not really belong to it. An artist of the quality of Michelangelo would never create in bronze or other materials what he did in stone.

For this purpose, however, Michelangelo, because he no longer had the life sense active within himself, had to fall back on what he could get from his anatomical studies. Thanks to his careful studies, and to the fact that he comprehended artistically what came to him from an earlier period, he stands at the opening of the modern age in the same relation to art and nature as science had led to in its own sphere. It is not just a coincidence that Galileo was born on the day that Michelangelo died. Here is a point of view that we should bear in mind, particularly when we are looking at his David.

This then is the characteristic quality of Michelangelo: that he has penetrated to the heart of nature as she showed herself in his times, from one point of view still closely akin to what had gone before but at the same time a growing point for what is to come. If he created Madonnas or some other Christian motif, the reason for this lay in the culture within which he lived—and that is perhaps truer of him than of most other artists. What he brought through his own soul into his times I have been trying to describe, and what we can see in other ways as well. The fundamental trait about Michelangelo's work is that he sets his creations within the same space in which we ourselves stand. Look at his Madonnas; in the earliest phase the child rests wholly on his mother's lap. But Michelangelo moves beyond that phase and puts himself quite realistically in the same space in which we ourselves live. Thus he releases the child from the repose and inner withdrawal; he cannot leave it as a bare expression; he must bring it into motion so that it may seem to live in our world. And if we look at the wonderful ceiling of the Sistine Chapel, on which he has represented so majestically the creation of the world, the Prophets and the Sibyls, and if we let all this produce its effect upon us, we shall find that what really interests us is not the thing actually expressed but the way in which Michelangelo has represented it. We shall feel, for instance, that the foreshortening of the legs, which brings to expression the very nerve of his art, as I have tried to describe it, interests us much more than the content, the story that is described and that could be expounded in various ways.

We need not be surprised then that Michelangelo sets himself the task, supported to begin with by the Pope, Julius II, to create something which would be directly associated with the life of his time, in a different way, however, from that in which Zeus or Hera or Apollo even in the form of the Apollo Belvedere were related to the Greek world. These, although they were the creation of the Greek world, belong to a space of their own and reveal that space. Michelangelo wanted to create a truly gigantic work but wanted also to pour into it the whole inner development, the basic character and fundamental nature of his times. Now to Michelangelo and many of his contemporaries, Pope Julius II, who loved to compare himself to St. Paul, seemed the mighty incorporation of his age; he was, and seemed to himself to be, the great master of his times. When a man holds such a place in his times, he has some special relation to the soul of others who affect them; and this whole stream of culture, the inmost essence of the times and all they signified, represented in one man, was to flow together and be made immortal in the gigantic monument of Pope Julius II. The monument was to include not only the Pope but Moses and St. Paul, and other figures that influence events and in the truest sense direct the times. The very stone was to carry to later ages the living message so that generations to come might look at this monument and see in it the direct picture on earth of the course and culture of the times of Michelangelo. A truly gigantic task; and we should not be surprised that the man who was bold enough to contemplate it aroused the awe of his contemporaries and was called by Pope Leo X “Il Terribile.”

Thus Michelangelo returned to Rome in 1505 to discuss with Julius II the plans for his tomb, and he soon began on the preliminaries of the work. But petty jealousies brought it to a standstill and the Pope transferred his interests from the tomb to St. Peter's, the architect of which, Bramante, is said to have goaded him on because he feared the artistic greatness of Michelangelo. So Michelangelo had the bitter experience of being forbidden the Pope's presence though the Pope had summoned him to Rome. In fact, he was actually driven out and had to flee from Rome, only returning under a special safe conduct from the Pope.

Back in Rome he had to set about his new task, the painting of the ceiling of the Sistine Chapel; a task for which he had been commissioned as some compensation for the stopping of work on the tomb. Now though he had done a good deal of painting, he did not feel himself really to be a painter; nor did he regard himself as sufficiently prepared for his work. It was therefore with a sorrowing heart at having to give up work on the tomb, even if not with actual dislike, that he tackled the task which, as he said himself, was outside his own sphere but which kept him busy for the four years from 1508 to 1512.

Let us keep in mind what he has to tell us himself out of the depth of a sorrowing heart about this period of his life when he was at work on the ceiling—his head twisted backwards and his eyes distorted upwards to such an extent that months after the work was completed, he could read or study drawings only if he held the paper above his head. In addition, he did not receive the payments due to him and he lived in perpetual anxiety for his family in Florence whom he supported with every penny he could save. Under conditions like this he created one of the greatest works of art the world has seen, the noblest pattern that could be devised by the Christian world of the time. He sought to represent the whole story of man's evolution from the creation of the world to its highest point in the coming of Christ to earth and the Mystery of Golgotha. He successfully transferred from his sculpture to his painting the vital creative principle which informed his whole work. When we turn our gaze upwards to the ceiling, we really do feel as if God the Father were surging through the still chaotic space, and by His Word marvelously creating the world. But this space and this figure in all its details down to its flying hair, its glance and its gesture, all are part of the world in which we ourselves stand. We live together with this God the Father; we feel His creative Word surging through the world.

The way in which traditions from the past still echo in the work of Michelangelo can be seen particularly in his “Creation of Adam.” Michelangelo paints this with God the Father surging through space with hand outstretched, and with this hand touching that of the still-sleeping Adam. We can observe how sleep is gradually receding by the ray of light which passes from the index finger of God to that of Adam, who can be seen waking out of a sort of world existence into that of man. Within his cloudlike raiment which seems to be held aloft by the space-ordering powers, God the Father conceals the figure of a young woman just reaching maturity; she stands forth among the other Angel figures turning her curious glance to the just-waking Adam. According to the Bible Adam was first created and Eve created out of him but, for Michelangelo's Adam, Eve is brought forth from past ages by God the Father who conceals her in His raiment. Michelangelo can see more deeply than tradition could tell him into the secrets of creation; and what he saw is confirmed by the investigations of Spiritual Science into the male and female principles.

Let us now pass to the pictures of the Prophets and Sibyls, those beings who proclaim to man what is to come in the Christ-Impulse and the Mystery of Golgotha. Here again what matters is not the narrative element in the pictures but the purely artistic way in which Michelangelo has shaped these Jewish Prophets. All of them as they are seated there—one of them bending in deep thought over a book, another in meditation, a third perhaps in anger—point in the one direction which will only become clear to us if we turn our gaze towards the Sibyls.¹ These Sibyls are very peculiar figures and modern Christianity will have nothing to do with these heralds of the Mystery of Golgotha. What do they really signify?

In the Sixth Century B.C. philosophy came to birth, and unless we spin fantasies like Deussen we cannot really speak of the philosophy of any earlier times. Philosophy began in Ionia, and it was there that human thinking first tried to comprehend the world through its own powers. There we have the first instance of man reflecting about his own thought which led later to the immense developments in Plato and Aristotle. These Sibyls look like a sort of shadow of Aristotle, the man who raised thinking to the highest level of clarity. The first of them appear in Ionia: subconscious, dreamlike, mediumistic forces of the soul surge through them; they put into words, though often in confused form, what is given to them. Generally it is oracular sayings which they utter; often little more intelligible than we get from modern mediums. But there is something further in their utterances; they are pointers to the Christ Event and we have to take them just as seriously as we do, though from a different point of view, the utterances of the Jewish Prophets. How did the Sibyls come to make these utterances? The investigations of Spiritual Science show that the forces of the Sibyls come actually from the forces of the earth spirits which are directly related to the subconscious depths of the human soul. If we can feel what Goethe called the “spirits of bodies,” we shall be sensitive to the spirit surging in the wind, in the waters, in everything elemental. It was this spirit of bodies, spirit at its lowest level, the spirit nevertheless, which pointed the way to the Mystery of Golgotha, which possessed the Sibyls. The Prophets opposed this spirit. They sought to attain their purposes only by actual thinking by the conscious ego. They rejected everything that was subconscious or Sibyl-like, even if it foretold the highest things. Sibyls and Prophets stand over against each other like the North and South Poles—the Sibyls inspired by the spirit of earth, the Prophets by the cosmic spirit which lives not in the subconscious but in those experiences of the soul which are fully conscious. It was for this reason that the men who have written for us the story of Christ emphasized so strongly how He drove out the demons from those within whom the sibylline forces still worked: that is the after-effect of the Prophets whose aim it was to use their powers of reflection on everything that was higher than the sibylline. For this reason also, Christ Jesus was so insistent that these sibylline forces which showed themselves as demonic beings should be driven out.

Thus we have both the prophetic and the sibylline element proclaiming to us the Christ-impulse; that is the content, the theme of Michelangelo's work. How does he handle it? Let us take note of the Sibyls, and first the Persian. She holds a book immediately before her eyes so that she may foretell the future from what the book says; and she seems to be wholly possessed by lower elemental forces. In the case of the Erythrean Sibyl we can see from her countenance how forces live within her which are related to the spiritual evolution of humanity, but which concern the subconscious, not the fully conscious forces of the soul. A boy with a torch is lighting a lamp; every one of this Sibyl's movements expresses her elemental quality. The Delphic Sibyl stretches her hand towards a scroll; the wind sweeps through her and her raiment and hair flutter; she is directly bound up with the elemental forces of the earth which have gripped her soul so that she can utter her prophecies. In this way Michelangelo places the Sibyls within the realms of actual existence within which we live ourselves, and he expresses all this in external forms. If we then pass to the Cumaean Sybil with her opened lips and finally to the Libyan, we see in them, though transformed, what we must call the pagan proclamation of the Christ Impulse.

In the facial expression of the Prophets, in the movements and emotional turmoil of many of them, in the manner in which their eye reads as though it could never again leave the page—in all this we can see how they seize upon the truths which exist in eternity. We could not conceive of anything represented thus with artistic necessity that could use external forms so directly to express what was wanted as this juxtaposition of Prophets and Sibyls. We can read for ourselves, in these ceiling paintings, how the Christ-impulse was foretold. The whole of pre-Christian history is here put before our eyes—the ancestors of Mary, shown despite their number in majestic variation, and expressing always the character of the epoch through one of them.

How did Christ come into the world? And how did the world develop so that all human history until the coming of Christ could occur within it? The noblest answer that could be given in pictures is here on the ceiling of the Sistine Chapel.

Michelangelo hoped that after completing his task here he would be able to continue work on the Julius monument. But again nothing came of it for years and he was held up by the multifarious jobs to which in the meantime he had to apply himself. Of them we need not say anything here; but we should note the following—When developments at Rome prevented him from continuing with the monument, once again he was given a task of painting to do. He was to paint the two end walls of the Sistine Chapel. One he did complete, the Last Judgment. But what we can see there today in Rome is by no means what Michelangelo painted. Not only is the wall darkened by the smoke of the hundreds of candles used for the Mass, so that the original freshness of color has long since vanished, but even in his lifetime this mighty work was overpainted and spoiled by inferior artists who used the most appalling mixtures of paints and shading to clothe some of the too many figures which Michelangelo had painted naked. Yet in spite of all, we can see for ourselves how Michelangelo, the artist whose task it was to make the transition to the age of realism, created his figures within the same space in which we live. If we look at the portrait of “Christ as Judge of the World,” He will inevitably remind us much of Jupiter and Apollo. Herman Grimm, who copied this figure at close quarters, repeatedly stressed the likeness between this head and the Apollo Belvedere. We should remember that when Michelangelo came to Rome at the beginning of the sixteenth century the “Laocoon”, the “Hercules Torso” and other statues, had just been dug up (1506) and these survivals of antiquity made a deep impression on him, though he permeated everything that he did with what we can see to be his own creative principle. Thus it comes about that what men in general felt about the fate of the human soul in its earthly body, what they called the destiny of the Blessed and the Damned, can be seen in Michelangelo's painting growing out into space. If we look at it first through half-closed eyes we can see the cloud forms which appear as natural as those of real clouds. The Christ figure and the Angels with trumpets emerge quite naturally, so also do the souls of whom some are led into blessedness, others thrust down into hell. Michelangelo puts before us the deepest secrets of his work and reveals to us the hidden destiny of the human soul growing forth from what we ourselves know and what our senses show us.

Michelangelo was in actual fact deeply rooted in his own age. Those of you who can remember how I tried to represent Leonardo da Vinci and Raphael will have noticed how very differently I spoke of them. Unlike them, Michelangelo was rooted in what I have called the principle of his time.

He was nearly 90 when in 1564 he died. Every period of man's life can be creative; it depends only on what he can extract from it. His personality is closely related to what he has to give to the world. How different was Raphael who died in his middle thirties, just the age when the artist, more than other types, is doing work which will bear his own personal stamp. It is for this reason that we think of Raphael as a sort of revelation of super-sensible powers; there is nothing really personal that flows into his work. That is characteristic of him. Michelangelo is just the opposite; in every fiber of his work we see the color of his personality. Raphael wholly impersonal—Michelangelo wholly personal. If we try to judge by some set pattern as is so common with modern artists we shall never get the individual qualities of individual artists; we shall prefer one of them to the other, whereas both of them and Leonardo as well, have to be judged each by his own measure. Michelangelo's special quality is that in all his works, whether he worked in stone or in color, we find a peculiar artistic quality which was the expression of his time; hence the all-embracing character of his work which gives universal expression to what lives in him.

In order to make clear the way in which the spirit of Michelangelo developed I want to say a word about his work as builder and architect and to refer especially to what is his greatest achievement, that remarkable work of artistic mechanics, the Dome of St. Peter's at Rome, of which the present form is due really to him. He did not live to see it completed and died even before the drum was finished. But we possess sketches and drawings, and also the wooden model of the dome which was made with the greatest care and under his supervision from a clay model of his own construction. This dome was to express what in the end is the truly architectural problem of space; it was to enclose quite naturally the space within which a congregation of believers might meet. His feeling for space, his ability to transfer his artistic idea into the same world in which we live, helped him to think out in this wonderful way the architectural mechanics of space.

In Michelangelo we have a spirit who helped human evolution on its way because he had a maturity of soul which enabled him to imprint on the world of space and matter significant facts from the spiritual world. He stood wholly in the great current of his times yet his own inmost quality was not fully understood. A friend once wrote to him that even the Pope feared him; and yet in his soul there lived all the greatness of Christian impulses which flowed into his work. While he felt himself at one with the great Christian impulses he yet lived at the dawn of a later epoch—closely though it was still connected with earlier ages. The content of older Christian impulses still affected his soul and out of that he created something which in its form and artistic method was already part of the ties in which we ourselves live. Hence comes the mood of the poem which he wrote—probably during his last days as he looked back over his life—and which makes it clear what our relation is to him, and how we should allow his influence over us to work:

Now hath my life across a stormy sea
like a frail barque reached that wide port where all
are hidden, ere the final reckoning fall
of good and evil for eternity.

Now know I well how that fond phantasy,
which made my soul the worshipper and thrall
of earthly art, is vain; how criminal
is that which all men seek unwillingly.

Those amorous thoughts which were so lightly dressed
what are they when the double death is nigh?
The one I know for sure, the other dread.

Painting nor sculpture now can lull to rest
my soul that turns to His great Love on high
Whose arms to clasp us on the cross were spread.

(Translation by J. Addington Symonds)

Michelangelo was a great poet also, and the poems of his which survive show the same spirit which we have found in his sculpture and painting. The last three lines of this sonnet make it clear that he could never be at ease in the world, and that was fundamentally true of him all his life. He was a sort of hybrid, still part of the old but already living within the new. This is particularly evident in that work which he carried out at the instigation of one of the Popes: the tombs of Giuliani and Lorenzo dei Medici. It is not merely that the chief figures show us Michelangelo as we have come to know him—one of the Medici musing, the other vigorous of will, both at each moment ready to carry out what Michelangelo has set within them. There is something else very significant in this chapel: the four allegorical figures, arranged two and two: Day and Night, Dawn and Twilight. I have often gazed at them; in fact they are one of the things which by a sort of spiritual compulsion I always look at longest when I have had the privilege of being in Florence. These figures are not mere allegories without force and without vitality. Use every means that Spiritual Science gives you to look at them and think about them; then if we remember that what anthroposophy calls the ego and the astral body leave the physical and etheric bodies at night, and if we ask ourselves what qualities and gesture of the etheric body we should select to represent plastically the truth which Spiritual Science tells us—how, that is, we should picture the physical body of the sleeping human being if we really feel him to be what Spiritual Science describes him as being—we know that he should be represented in the form which Michelangelo has given to “Night”. It is not just a symbol of night but the true spiritual reality of man as he really is in sleep which we have before us in this female figure. Thus Michelangelo, who knew so well how to set the figures in his works within the same space in which we ourselves stand, was also well aware what it means if the soul and spirit leaves man's physical body but leave it with life still within it. If we also study the other individual members of the human being and then look at the other figures in the tomb, we shall see how closely they run parallel with what I once called spiritual chemistry.

Michelangelo stands at the beginning of the age whose task it was to trace out the inner qualities, especially those that exist within Christianity, if we understand it more inwardly and in the present age see how the human soul is to be found within the human ego as Anthroposophy teaches, in close relation with the soul which moves and surges through the world. We shall be very much moved if we picture Michelangelo shut way by himself in the Medici Chapel, working in the night alone till he was physically exhausted, yet with the strength that enabled him to carry out for many years afterwards all those other great works of his in Rome; and if we also realise that the forces were already active in him which we in our turn seek through spiritual science. That is why we feel him to be so closely akin to us - most closely perhaps if we sink ourselves as deeply as possible into these four realistic figures; for in them he showed how the spiritual in man is as much part of our life and being as he had done in earlier years with the figures of his Moses and David, or with the colour and form of his paintings in the Sistine Chapel.

Spiritual Science is always closely in harmony with the highest striving and hopes of those spirits among humanity who are themselves closest to true spiritual being and working. That is supremely the case with Michelangelo. If we start from this standpoint and try to get as close to his soul as we can, we shall feel that a soul like his cannot help feeling that it enters only once into earthly evolution and cannot carry the fruits of its life over into the future of human evolution. This transition-point had to be passed before the doctrine of reincarnation could be revived, a doctrine which men of today are ripe enough to accept if only they are willing. So let us look, once more at Michelangelo and observe him carefully, and see how although he bears clearly within himself the marks of the age in which we are living, yet he could not master the process of the world's evolution to which he had himself contributed so much.

Now hath my life across a stormy sea
like a frail barque reached that wide port where all
are hidden, ere the final reckoning fall
of good and evil for eternity.

Now know I well how that fond phantasy,
which made my soul the worshipper and thrall
of earthly art, is vain; how criminal
is that which all men seek unwillingly.

Those amorous thoughts which were so lightly dressed
what are they when the double death is nigh?
The one I know for sure, the other dread.

Painting nor sculpture now can lull to rest
my soul that turns to His great Love on high
Whose arms to clasp us on the cross were spread.

And yet we have the assurance which anthroposophy gives us: that nothing can really be destroyed which has been so significantly granted to the development of humanity as happened through Michelangelo, but that the fruits of what has been granted will continue active in further lives of so unique an individual as he was, and that the earth can never lose what has once been imprinted upon it. Even if the present age does not understand the doctrine of repeated earth lives any more than his contemporaries understood Michelangelo's paintings in the Sistine Chapel; even if it thinks the doctrine ridiculous or fantastic, it is just the greatest spirits that teach us most vividly how the meaning of life is to be found when we observe repeated earth lives and transfer into ever new ages what has been experienced in older epochs of mankind. And if Goethe once said that Nature had invented death in order that she might have so much life, spiritual science should add that not only was it to have life but to have it ever more richly and abundantly. This is the only thought we may find worthy to be set side by side with the thoughts which arise naturally in us when we gaze on the works of an artist like Michelangelo.

• 1. See Rudolf Steiner, Christ in the Spiritual World: The Search for the Holy Grail and The Four Sacrifices of Christ.

Dear friends, let us first of all remember those who are at the front, in the great arena of present-day events:

Spirits of your souls, guardian guides,
On your wings let there be borne
The prayer of love from our souls
To those whom you guard here on earth.
Thus, united with your might,
A ray of help our prayer shall be
For the souls it seeks out there in love.

And for those who because of those events have already gone through the gate of death:

Spirits of your souls, guardian guides,
On your wings let there be borne
The prayer of love from our souls
To those whom you guard in the spheres.
Thus, united with your might,
A ray of help our prayer shall be
For the souls it seeks out there in love.

May the spirit we are seeking as we work towards spiritual knowledge, the spirit who has gone through the Mystery of Golgotha for the good of the earth, for the freedom and progress of man, be With you and the hard duties you have to perform!

This evening I intend to consider some of the things that are known about the way our physical world relates to the spiritual world, starting from certain events that concern us more closely within our own movement. This is such a closed and intimate circle that such a thing is possible. Above all, I know that I can justify what I am going to say also to those who were fellow-members during their physical life and will remain such during their further life. Some of the facts I intend to speak of today will relate to them.

Just in recent weeks, dear friends, karma brought it about that I was able to speak at the cremations of dear friends because I happened to be in the places where the cremations took place. No doubt something else also played a role, for at the time I was particularly concerned to obtain certain remarkable impressions arising from the presence of these individualities in the spiritual world by making contact with them when they had gone through the gate of death just a few days before.

As I have said a number of times, it depends on various circumstances whether one is able to gain impressions of one fact or another in the spiritual world. It depends above all on the degree to which it is possible to develop a strong inner bond with the souls concerned. One may sometimes believe one has a very special relationship with a particular soul only to find that it is not entirely so. On the other hand, there are souls where one does not realize that it is fairly easy to establish such a bond until actual contact is established after their death.

In the three cases I wish to speak of first of all, dear friends, an intense desire arose to receive impressions immediately after their death, impressions connected with the whole nature of those souls. I would say this came of itself in these particular cases. You know it is of course possible to pick up all kinds of threads when making a funeral oration, but in these cases something of an inner necessity arose to make really intense contact with the essence of those souls and put it into words at the cremation. I did not specifically intend to characterize the nature of the souls concerned at those ceremonies, but it arose like an illuminating necessity that this had to be. I am not saying that it would have to be the same in other cases. This illuminating necessity arose in the case of one of those souls because—and I am presenting this not as a law but as something I have gone through, an experience—after death the impulses arose for me from the spiritual world to define the essence of that soul. I did not have to find the words; the words arose of their own accord. They came. We shall see later on, dear friends, why that was so, for certain indications can already be given as to that soul's life after death.

First of all let me say a few things about the particular nature of such experiences so that the whole thing can be understood. If we Warn to gain an impression in the physical world we confront the object. We form ideas depending on the way we see or hear something or feel it by touch. We know that it is we ourselves who form the ideas. If one is dealing with a soul that has gone through the gate of death one will immediately notice that everything we produce Ourselves by way of thoughts, of words, really takes us away from the soul in question and that it is necessary to give ourselves up entirely to what is taking shape within us. If the impressions are then to be put into words it will indeed be necessary for us to have the potential within us for these words to form, being unable to do anything ourselves to make the words form in that particular way. We need to able to listen inwardly for those words. If we do listen for them Inwardly we also know with certainty: These words are not spoken by myself but by the soul which has gone through the gate of death.

That is what happened in recent weeks when an older member departed from us and from the physical plane.³⁸ This was an older member who had really entered into our movement with all her heart over a considerable number of years, bringing to life in her feelings, In her heart and mind, the idea and concepts spiritual science is able to give. With tremendous devotion she had identified in her soul with all that is alive and astir in spiritual science. It was now a matter of giving oneself over, as it were, to the impression that arose from this soul. And, strangely enough, it was the case—it has been possible to show this—that just a few hours after physical death had occurred Impressions arose that took the form not merely of verbal impressions but of audible, real words; like a characterization of that soul. Nothing could be done in relation to these words but as far as possible attempt to receive in its pure form what that soul was speaking through my own soul. One certainly must call it speaking in such a case. And those then were the words I spoke at the cremation. They were not my words, as I said, but words—and please consider the Words I shall now use carefully—that came from the soul which had gone through death:

Far into cosmic space I'll carry
My feeling heart; warm it shall grow
In fires wrought by sacred powers;

In cosmic thoughts I'll weave
My own thinking; clear it shall grow
In light of life that ever is renewed;

To depths of soul I'll guide
Devoted contemplation; strong it shall grow
For mankind's true and real goals;

In God's tranquility I thus will strive
Through life's hard struggles and all cares
Prepare my self to be a higher self.

Seeking the peace of joyful labours,
And sensing cosmic truth within my own,
I work towards fulfillment of man's task;

Then may I live in hope,
Going towards my soul's own star
Who in the spirit realm appoints my place.

When I spoke these words again at the end of the funeral oration I had to change the last verse as follows, though I had not known of this beforehand:

Then may I live in hope,
Going towards my star of destiny
Who in the spirit realm appoints my place.

It was clear what this was about. The individual concerned was endeavouring to impress into her very being that now had gone through death—the thoughts, ideas, feelings and experiences she had received through spiritual science over the years—impress them in such a way that these ideas and experiences became forces that would mould this individual after death, leaving their imprint. This individual had therefore used the ideas and concepts of spiritual science to put their mark, their imprint, on her own essential nature, shaping the way this essential nature would then continue on the soul's path in the spiritual world.

Soon after this we lost another friend, another member of our movement.³⁹ Again an intense need arose to define the essential nature of this member. This could not happen the way it had happened in the Previous case, however. In the previous case it really was true to say of the way the words were chosen that a soul that had gone through the gate of death was expressing itself, saying what it felt itself to be and what it wished to become; it expressed itself. In this second case the situation was that one had to put one's own soul in confrontation, as it were, and consider this soul in the spirit. Then this soul, too, expressed itself, but in words that this time took the material needed for self-characterization out of the soul of the observer. What the soul which had gone through the gate of death was doing therefore merely provided the stimulus to express what one had to feel about its essential nature now that it had gone through the gate of death. And so the following words arose and had to be sent out after the soul at the cremation:

You came among us,
And a living, innate sweetness
Spoke from the quiet power of your eyes—
Calmness full of life and soul Flowed in the waves
That from your eyes
Would let your inward weaving
Go out to things and human beings.
This inner nature was the soul
within your voice, with eloquence—
More by the nature of the word
Than in the word itself—
Revealing what lay hidden
within the beauty of your soul.
To the devoted love
Of hearts in sympathy
It would without words be revealed.
Sublimest beauty, silent, calm.
Of world-soul creation
This being could reveal to the perceptive heart.

These words were spoken at the beginning and the end of the funeral oration, after which the cremation began. And it was possible to observe, dear friends, that this moment—please note, not the moment when the words were spoken but the moment when the heat of the furnace took hold of the body—was the time when something of a first conscious moment after death occurred. I shall go into this in more detail later on. What I mean by ‘conscious moment’ is this immediately after death a review of life presents itself in the fain of a tableau in the ether body. This goes away after a few days. Now' at the time it proved necessary to have a fairly long interval between death and cremation. Death had occurred at 6 p.m. on the Wednesday; the cremation took place the following Monday at 11 am. At that point the time had already been reached when the life tableau was disappearing. The first moment when there was some degree of consciousness after the life tableau therefore came when the heat of the furnace took hold of the body. It then became clearly apparent that such a nature become spirit has a different way of seeing things' a different way of regarding the world, from a human soul that still remains in its physical body.

When we are in our physical bodies our perception of things in space is that they remain where they are when we move away from them. So if there is a chair standing here and I see it, and I then go a bit further away and look back, the chair is still there. I look back at it. As I continue on my way the chair is still there, it stays where it is. It is not the same for events taking place in time whilst we are within our physical bodies. The events we have let go past us in time do not remain stationary. An event that has passed has passed and we are only able to look back on it in memory. The only thing that links us to the event is our past. It is not like this for a spiritual entity, for this sees events as stationary, the way we see objects remain stationary in space here on earth. And the first impression received by the soul I spoke of was of the funeral and everything that was done and said at the ceremony. This had happened five or ten minutes earlier but for the dead person it was still there, still stood there the way objects stand in space for physical man. The first impression was one of looking back on the words that had been spoken, that is, above all, the words now sounding for her, the words I have just read to You. It really is the way Richard Wagner once put it out of a profound Intuition: ‘Time turns into space’⁴⁰ What has passed has not in fact passed where spiritual experience is concerned. It stands there the way objects stand in space for physical man.

So that was the first impression gained after death—the funeral and the words spoken at it. In this case the situation was such that this look back in time and the vision, as it were, of what had happened at the funeral cannot be said to mean that consciousness lit up and then remained. The twilight state I shall discuss later returned and it was some time before consciousness lit up again. Once more, slowly and gradually, consciousness comes to shine forth again. It takes months until it is so complete that we can say the dead individual has the whole of the spiritual world all around him. But at a later time, exactly through consciousness lighting up at a later time, this particular individual showed a tremendous need to look to this moment again and again, to this particular moment, and to get a clear picture of this moment. This fully agrees with what we are able to know about the whole behaviour of the human being after death, as I intend to show presently.

There is a third case, one that will also deeply concern our Berlin members. It is the case of our dear friend and member Fritz Mitscher⁴¹ who died recently. Fritz Mitscher went through the gate of death just before be had completed his thirtieth year. He would have been thirty on 26 February which lies just ahead.

In the case of Fritz Mitscher, when my thoughts were directed towards him after his death, it was above all the impulses arising from his intense devotion to our spiritual movement that entered into my own soul, the soul of the observer. He had been a truly exemplary Personality in this respect. An exemplary personality in that he—being by nature inclined towards erudition—more and more felt the inner necessity, a deep inner need, to move in a direction where he placed the whole of his erudition, all the knowledge he might acquit!' at the service of the spiritual scientific movement. This made ill one of the people who are so essential to the progress of our philosophy based on spiritual science. What is needed in the present time is that external science, external scientific endeavour, is used in such a way by the soul that this external scientific endeavour joins into the stream of knowledge obtained out of the spiritual world towards which we wish to direct our efforts. And that was the inspiration in the young soul of Fritz Mitscher. One could not help feeling, even in looking upon him in physical life, that he was very much on the right path as far as our movement was concerned.

Our friends will recall something I said when another death had occurred many years ago: Individuals who have taken in, as it were, what physical science has to offer to the present time are the very individuals who make important contributions to our movement after an early death. Our movement depends not only on souls that are incarnated on earth. If we did not have the energies of souls that have gone through the gate of death with earthly knowledge and there remain connected with the will that must flow through our movement, we certainly would not be able in our materialistic age to maintain the hope which we must maintain so strongly to enable us to progress.

Something therefore came to me from Fritz Mitscher's soul that may be epitomized in words I found I could only bring to expression in the way I shall now read to you. These are also the words spoken at his cremation.

Happy prospect come before us,
You appeared upon the plane
Where the earth-grown flowers of spirit
May revealed be to the seeker
Through the power of soul reality.

At the root of all your striving
Lay the purest love of truth;
And to work in light of spirit
Was your life's profound intent,
Never would your efforts cease.

Splendid gifts you had and nurtured,
Faithful, to the truth adhering,
Undeterred by worldly opposition,
Firm of step the bright path you pursued
That to knowledge of the spirit leads.

And you used the organs of the spirit
With persistence and great courage;
They would push away all error
To the edges of your path,
For the truth a space creating.

Your own self you were transforming
To reveal the purest light;
Letting sun force of the soul
Shine with might within your heart—
Here your cares lay and your joy in life.

Other cares and other joys
Scarcely ever touched your soul;
Recognition of the truth
Seemed to you to give life meaning
And a value that was real.

Happy prospect come before us,
You appeared upon the plane
Where the earth-grown flowers of spirit
May revealed be to the seeker
Through the power of soul reality.

Painful loss, most deeply felt,
You now vanish from the plane
Where the earth seeds of the spirit
Ripened in the womb of soul reality
To become awareness for the spheres.

Feel our loving gaze directed
To the heights where you are facing
Now a new and different task;
From those lofty spirit regions
Lend your strength to those you left behind.

Hear the prayer of our souls;
In it speaks our truth and faith:
To fulfil our task on earth we need
Powers great from lands where spirits dwell,
Strength that comes from friends who have died.

Happy prospect come before us,
Painful loss, most deeply felt—
Let us hope that in far nearness
Never lost to us, our lives you'll guide
As a soul star in the spirit realm.

Words like these, dear friends, have been shaped in such a way that they must be considered to have arisen through identification with the soul that has passed through death. They arise from necessity though not spoken by that soul itself, for that soul only provided the stimulus. They arise from necessity, through the energies coming from that soul, to be spoken exactly the way they have been spoken down to every detail. There really was nothing else in my mind where these words are concerned but those words in the form I have just read them to you. It therefore was extremely moving for me when during the night following the funeral the soul of our Fritz Mitscher replied, in a way, to what had been spoken at his funeral—not out of conscious awareness as yet, but out of his essential nature. His soul replied the effect that the following words came from it, that is, now from the soul which had gone through death:

My own self I was transforming
To reveal the purest light;
Letting Sun-force of the soul
Shine with might within my heart
Here my cares lay and my joy in life.

Others cares and other joys
Scarcely ever touched my soul;
Recognition of the truth
Seemed to me to give life meaning
And a value that was real.

It had never occurred to me when I had to write down those verses that they could also be said in such a way that every ‘you’ would become a ‘me’, every ‘your’ a ‘my’. What had come to life for me had merely been:

Your own self you were transforming
To reveal the purest light;
Letting sun force of the soul
Shine with might within your heart—
Here your cares lay and your joy in life.

Other cares and other joys
Scarcely ever touched your soul;
Recognition of the truth
Seemed to you to give life meaning
And a value that was real.

Now those words had been transposed in that way, and they could be transposed without changing the grammatical structure, merely changing ‘your own self’ to ‘my own self’, ‘Shine with might within your heart’ to ‘Shine with might within my heart’, and so on.

So there you have a strange connection between the words spoken here and the soul that had gone through the gate of death, a connection showing that the words spoken here truly did not merely return as an echo out of that soul but had undergone a meaningful change on their return. Let me merely mention that a certain feeling really and truly went through my soul when those words were shaped, as of necessity, providing the following nuance: It appeared to me to be necessary to give a specific mission to this particular soul as it went through the gate of death. We know how much resistance there is to our spiritual movement in the present materialistic age; how far from ready the world is for our spiritual movement. And if we a clear picture of what man is capable of achieving when in his earthly body we can indeed say that he needs assistance. This feeling found expression in the words:

Hear the prayer of our souls:
In it speaks our truth and faith:
To fulfil our task here on this earth
We need powers great from lands where spirits dwell,
Strength that comes from friends who have died.

Asking this soul, as it were, to make further use of the seeds acquired here, using them specifically to further our spiritual movement. That seemed to me to be a feeling that had to arise of necessity especially in the case of this soul.

You will have noted that these three cases of people so close to us have something in common, however much they may differ. What they have in common is that thoughts as to its essential nature were prompted to come up before the soul contemplating these things, a soul specifically stimulated to such contemplation by karma, because a funeral oration had to be given. There was necessity to give expression to its essential nature.

In the case of the first individual I spoke of—you known the spirit in which I am saying these things; only to provide insight, not to show off in any way—the situation was that I had also got to know that individual on the physical plane when she had joined the Society. You get to know a few things that happen when people are within our Society; but our friends will know that it is not my way to make special inquiries into the circumstances and so on of anyone, nor ask about one thing or another these persons have lived through here in their physical life, and so on. So it was not personal satisfaction I gained but rather the satisfaction arising from insight when also characterized this individual according to the nature of her soul the way it had lived through this life on earth. The only thing I had before me was the soul after death. It was not that it spoke the words I read to you first, but I had the soul before me the way it was now after death, in its peculiar nature after death. I really knew practically nothing of what had happened to her before she had joined our Society, nor of her life in so far as it did not have to do with meetings and so on, or the kind of occasions where one meets our members now and then. Yet it was specifically in this case that I found myself Induced, as though of necessity, to speak of certain aspects of her life, aspects relating to her whole life. of the relationship of the individual who had died—and she .had reached a great age—to her children and the work she did in her life. And as I said, it was not a matter of personal satisfaction but rather of satisfaction in having gained insight when the family then told me the0y really were able to recognize the person in question on the basis of what was said there. with every word intensely characteristic of her. The right picture had therefore also been presented of her personal life during her time on earth and the only possibility of this had been in perceiving the fruits of this life now that it had concentrated in the soul. The specific insight we gain from this is that in the case of this particular soul we perceive an intense need after death to direct the eye of the spirit to her own life. It definitely was through no merit of my own that I was able to characterize the personal life of this individual. What happened was that this individuality, though not conscious at the time, directed her soul essence to her own life, preparing for the conscious life after death that was to come. She directed powers that later were to become conscious to her own life, to what she herself had experienced. The Wings I was made to say could then be seen in thought pictures that arose as her soul was directed towards her own experiences. What I had to describe, therefore, was what this individual was unconsciously thinking of herself after death. And the important thing, the thing to be emphasized, is the fact that after death this individual felt an intense need unconsciously to direct her gaze to her own essential nature.

In the case of the second person, who woke, as it were, when the flames took hold of her body, it later showed itself—in a further spontaneous awakening of this kind—from her attitude to the very characteristic of her essential nature, that she had need to reach back as it were, to go back to this essential nature, to the words that characterized her essential nature. And, indeed, in the language—if you can call language what finds expression in the relationship between souls, whether they are incarnated or else not incarnated and already spiritual entities, already dead—in the way one is able to speak of such intercourse it really had to be said: when at a later point I was able to perceive a further awakening in the case of this individual, I was conscious of a deep joy because I had been able to find those particular words. For it became apparent that there had really been good collaboration with the dead person. It could be concluded that the soul of this person—you know I am speaking in analogies—expressed itself more or less as follows: it is good that it is there ‘It is good that it is there in that place.’ Such a feeling was revealed on the second awakening, as though the dead woman were showing that something had been enhanced, as it were, in the spiritual world because it has also been put in human words here on the physical earth and that this was something she needed, and it was good that it had become more fixed through the physical words on earth than she herself had been able to fix it. There was a need there for her to fix this. And it was a help to her that it had been reinforced in this way.

In the case of our dear friend Fritz Mitscher you can of course see quite clearly that the night following the cremation he picked up the thread immediately and made use of the words spoken here, to get a clear picture of his own essential nature, to be clear about himself.

In all three cases, therefore, there has been a looking towards one's own essential nature. These, of course, are the things that first of all touch our souls, our hearts, because of their purely human quality, their purely human aspect. But spiritual insights can only be gained from the world that is at hand if they are ready to come to us as a boon. You cannot force it; such insights must be waited for. And it is particularly in this context that we can perceive the strange ways of karma.

The day after the second of the people I have mentioned had died in Zurich I was in Zurich myself. We were walking past a bookshop and in that bookshop I saw a book I had read years before. The way it is with the life I lead, I would not have found it easy to lay hands on that book in what is supposed to be my library, for that is in a peculiar state due to my living in many places. Years ago, as I said, I had read a book by the Viennese philosopher Dr Ernst Mach,⁴² and this bookshop was offering it secondhand. I felt I wanted to read it again, or at least look at it again. When I reached the third page something presented itself to my eyes that I had long since lost sight of, an interesting comment Ernst Mach had made about man acquiring self-knowledge, about the difficulty man had in getting to know himself. I am quoting almost word for word what it says on page 3 in the book written by Ernst Mach, a university professor, on Analyzing One's Feelings:

As a young man I was walking along a street one day and there encountered a person who aroused the feeling in me that he had a most unpleasant, disagreeable face. And it gave me quite a fright to discover that it was my own face I had encountered, my own face meeting me in a mirror.

So he was walking in the streets, and mirrors inclined towards each other reflected his own mirror image to him. And when he saw himself he said: That is someone with an unpleasant, disagreeable face I am coming up against there. Immediately afterwards the author adds another such comment concerning lack of self-knowledge. He says:

One day I returned home tired from a journey and got on a bus. I saw another man getting on from the opposite side and thought to myself: What kind of down-at-heel schoolmaster is that getting on there! And lo and behold, it was I myself. The mirror on the bus had shown me my own reflection.

Professor Mach adds: ‘I therefore knew the style and bearing of my profession better than I did my own.’

Here we have something of a pointer to show how difficult it is for man to recognise himself even when it comes to his purely external appearance. We do not even know what we look like in three dimensional space, not even if we are university professors. You can see that from this very candid confession.

It is interesting that such an example can be quoted in the context of the case I have referred to, for I think you'll agree that it shows how here, in the physical body, self-knowledge need not be all that much of an obstacle to whatever we need to achieve on earth. You can be a renowned professor and know as little about yourself as this man has told in his book. I have mentioned this example because it is strange that it presented itself to the mind's eye when the soul was, directed to take fresh note of how someone who has died feels a need to grasp his own essential nature, to perceive it. Here in the physical world it is perfectly possible to manage without self-knowledge, I'd say, with regard to anything concerning the purely material aspects of our lives. It is not, however, possible to gain knowledge of the spiritual worlds without self-knowledge. We shall discuss this in a week's time. For external, material concerns, however, we can manage without self-knowledge. Yet as soon as the soul has gone through the gate of death, self-knowledge will be the first thing it needs. This is particularly evident from the experience I have described. Self-knowledge has to be the starting point.

You see, a materialist tends to stick at the question as to whether consciousness persists after death. Spiritual science has shown that when the soul had gone though the gate of death it does not in fact suffer from lack of consciousness but rather has too much of it. A kind of awakening will come at a later stage, not because it is necessary to acquire a new consciousness after death but because there is dazzling consciousness, too much consciousness, and this needs to be gradually subdued in the early stages. You will find more about this in the Viennese cycle⁴³ which has also appeared in print. After death, man has too much conscious awareness, an overpowering awareness, and he needs to get his bearings first in this world of over- powering awareness. Gradually he will achieve this and as he does so his awareness will be less in degree than before. Conscious awareness must first be subdued, just as over-powerful sunlight has to be subdued. A gradual subduing of consciousness has to be achieved. So we cannot speak of an 'awakening' in the terms that apply in the physical world, but of recovering from a superabundance of conscious awareness to the point where it becomes bearable, depending on what we have experienced in the physical world. This requires the following: to get our bearings in this flood of light that is our awareness after death, we need knowledge of our own essential nature as a starting point. We have to be able to look back upon our own essential nature to find the guidelines, as it were, for an orientation in the spiritual world. Lack of self-knowledge is what hinders conscious awareness after death. We have to find ourselves in the flood of light. And so you see why a need arises to characterize the person who has died, to assist them to find themselves.

This is something we gain as a kind of general insight from such Personal experiences that concern us closely. After death, when the etheric life-tableau has disappeared. there is a gradual development. It is based on our getting to know our life, our own life here on earth, as it gradually dawns out of the spiritual worlds. Once the tableau has passed this is our only aim after death. Everything that is part of the spiritual world will be around us. What we have to get to know above all else, however, is our own essential nature. The concepts and ideas familiar to us from spiritual science will then help us, providing the means of orientation. As you can see in the first case, the self-criticism which showed itself had been possible only through the spiritual science she had taken in, so that it was possible to look at her own essential nature and the words could come: ‘To depths of soul I'll guide devoted contemplation; strong it shall grow for mankind's true and real goals’.

The real intention with all this is to lift our spiritual scientific movement out of mere theory and gradually make it into something that the soul is able to take hold of in a living way, into a stream within which we are truly alive, active and present. We shall then know what goes on in the spiritual world around us, just as in the physical world We know that around us is the air we breathe, however much the ignorant may, and indeed will, deny this. That is the future destiny of man: to know something of the fact that just as the air is there for and around the physical body, so the spiritual world is present all around and can be experienced by the soul. This spiritual world relates more to the soul, as it were, the way the air does to the body: it shapes and fashions the soul, filling it with its essence.

We are also able to give certain details of the fate of the soul after death in individual cases. The reason why such things are discussed in more intimate detail at the present time is that in the momentous, but also painful, events of our time, death is letting its breath pass through the world and our age is demanding countless deaths in sacrifice. We are specially challenged therefore to concern ourselves with the occurrence of death in the present age.

We know, dear friends, that when the human being goes through the gate of death he has handed over his physical body to the earth, to the elements of the earth; the ego and astral body have then departed from the physical body. Now, in the second case today we saw that the ether body had already been cast off when cremation took place; the ether body goes away within a few days. There is one particular question that really comes to the fore in the present time. So many people are going through the gate of death in the very flower of their youth these days. Transferring a purely physical concept to the spiritual sphere—where it has even greater validity than in physical life—we may ask the question: ‘What happens with the ether bodies of these people who have gone through the gate of death; the ether bodies that separate off after a number of days? What happens with such a youthful ether body?’ Such a person who goes through the gate of death in his twentieth, twenty-fifth, thirtieth, thirty-fifth Year' or even earlier, puts his ether body aside. This, however, is an ether body that could still have done work here in physical life, would have had energies still for many years. It was karma that this ether body could not use it energies, yet those energies are still within it. They could have continued to be effective here in physical life for Many years to come. Physicists are right in saying that energies are never lost; here on earth they are transformed. This applies even more so in the spiritual world. These energies relating to someone fallen in battle when still young, energies that could still have supported physical life for many years, do not convert to anything else. They are just there. And we are already able to say, particularly in view of the events of our time, that these energies become part of the essential being of the folk soul of the people concerned. This receives those energies so that they are then active everywhere within the folk soul. Those are true spiritual energies, energies from the human being which are present in addition to his ego and his astral body, his individual personality which he carries through the period between death and rebirth. For the future it will be important to understand as far as possible that these energies are also present in the folk soul, that they are present within it in the general activity this folk soul is going to unfold; present as energies, not entities. There they will be the most fruitful, I should say the most sun-like. radiant energies.

There is another instance I would like to refer to. one that is very close to our hearts. It has no direct bearing on present events, but the way it happened and what has become of it can all the same cast some light for us on all the cases where an unspent ether body is put aside when death has occurred at an early age. In the autumn we experienced the death of a member's child, a child seven years of age.⁴⁴ The death of this child occurred in a strange way. He was a good boy, mentally very much alive already within the limits set for a seven-year-old; a good, well-behaved and mentally very active child. He came to die because he happened to be on the very spot where a furniture van overturned, crushing the boy so that he died of suffocation. This was a spot where probably no van went past before nor will go past again, but one did pass just that moment. It is also Possible to show in an outer way that all kinds of circumstances caused the child to be in that place at the time the van overturned, circumstances considered chance if the materialistic view is taken. He was getting some food supplies for his mother and left a bit later that particular evening, having been held up. If he had gone five minutes earlier he would have been well past the place where the van overturned. He had also left by another door than usual; just on this one occasion by another door! Leaving by the other door he would have passed to the right of the van. The van overturned to the left. Studying the case in the light of spiritual science and of karma it will be seen to demonstrate very clearly that external logic, quite properly used in external life, proves flimsy in this case and does not apply.

One example I have quoted a number of times is that of a person who was walking by a river and fell into the water at a point where a stone was lying. Superficially it may indeed appear that the man stumbled over the stone, fell into the water and thus came to his death. The obvious conclusion will be that he drowned. A post mortem examination would however have shown that he suffered a stroke and therefore died and fell into the water. Thus he fell into the water because he was dead and did not die because he fell into the water. Cause and effect have been confused. Things that seem perfectly logical in external life may be completely wrong.

Superficially, the death of young Theodor Faiss could also be described as a most unfortunate accident. In reality, however, the karma of this child was such that the ego, to put it bluntly, had ordered the van and the van overturned to fulfil the child's karma. So there we have a particularly young ether body. The child could have grown up and reached the age of seventy. The energies in the ether body would have been enough for seventy years but they went through the gate of death after seven years. The whole event took place in Dornach as you know. The father had been drafted into the German army and was not there at the time: he died quite soon after, having been wounded at the front. The whole thing happened in the immediate neighbourhood of the building and from that time the aura of the building at Dornach contains the energies from the ether body of this child. A person working for this building and able to perceive the spiritual energies involved in the project will find within them the energies of this child. Quite apart, therefore, from the ego and astral body which have entered the spiritual world, to be active there between death and rebirth, the unspent ether body has now united with the whole of the spiritual aura of the building at Dornach. Deep and significant feelings attach to such insights for they do not represent knowledge of the dry numerical kind we take into our minds, but insights received into the soul with deep gratitude. Mindful of this, I shall never even for a moment fail to remember, in anything I have to do for that building at Dornach, that these energies are contributing to the project, helping me in the project. Here theoretical insight merges into life itself.

Being aware of this, dear friends, you will understand that it is possible to get some idea now, at a time when countless ether bodies pass through the gate of death without having achieved fulfillment on earth, as to what will happen when the sun of peace returns again, after the twilight of war. Then the energies, the ether forces of those who have passed through the gate of death, the gate of suffering, will want to unite with the souls that are active here on earth, unite with than for the good of the earth and for progress on earth. This means, however, that there will have to be people on earth who appreciate these things, who will be aware of the fact that the people who have made their sacrifice to the age are up there in the spiritual world in their residual ether bodies. They want to join in the work of this world. Their work will only be wholly fruitful if there are receptive souls here that are Prepare{ to unite their thoughts with what comes to them from the spiritual world. These are momentous times, but also difficult and painful times. For their fruits it is immensely important that thoughts are created out of a science that acknowledges the spirit, thoughts that are then able to unite with the thoughts coming down from the ether bodies of those who have died in sacrifice. Thus we have an indication that even in the midst of these difficult times, under the sign of suffering also and of death, we are under the sign of greatness, that the difficult things which are happening also remind us that they are intended to give rise to an age that is more open to the spirit than the past age has been. What must not happen is that those who have made the sacrifice will have to look down on an earth world for which they have given themselves, to contribute to its progress and salvation, and find themselves unable to take action because there are no souls sending receptive thoughts out towards them. We therefore must see spiritual science as something that is alive, a living element that will be needed in the time that is to come. particularly with regard to the events of the present day. It is this which I have been summing up again and again in the words I shall now speak, in the spirit of and in accord with what we have been considering:

Out of courage shown in battle,
Out of the blood shed in war,
Out of the grief of those who are left,
Out of the people's deeds of sacrifice
Spirit fruits will come to grow
If souls with knowledge of the spirit
Turn their mind to spirit realms.

• 38. Lina Grosheintz-Rohrer. See Rudolf Steiner: Unsere Toten (GA 261), address given in Basle on 10 January 1915.
• 39. Sybil Colazza. See Unsere Toten (GA 261), address given in Basle on 10 January 1915.
• 40. ‘Time here turns into space.’—Gurnemanz in Parcifal, Act 1.
• 41. See Rudolf Steiner: Unsere Toten (GA 261), address given in Basle on 5 February 1915.
• 42. Mach, Ernst (1838 –1916): Analyse der Empfindtuigen und das Verhaltnis des Physischen vim Psychischen Jena 1900, p 3.
• 43. Rudolf Steiner: Inneres Wesen des Menschen und Leben zwischen Tod und newer Geburt (GA 153), 1914. English translation of some of the lectures in The Inner Nature of Man and Life Between Death and a New Birth (tr. D.S. Osmond and C. Davy) (London) Anthroposophical Publishing Co., 1959.
• 44. The child in question was Theo Faiss. See Rudolf Steiner: Unsere Toten (GA 261), address given in Dornach on 10 October 1914.

In these, days I must bring before you some facts which can shed light upon the great events of our time. Next Sunday too I shall have to direct your attention and your feelings to certain aspects which can throw some light upon the events which so deeply move our hearts and souls in the present time. To-day I wish to give, as it were, a kind of basis, a kind of preparation, by guiding your souls towards certain powers and forces which are active in man's historical existence. They can only be recognised through the insight given by spiritual science and are not immediately perceptible to the ordinary consciousness. Let me point out to-day certain facts of human development, certain more or less sub-conscious facts. But let us set out from the truth that what takes place, as it were, in the hidden depths of every human being, can be recognised in the successive supersensible stages of knowledge, as described in my book A Path of Initiation (Knowledge of the Higher Worlds): it can be recognised through the so-called, imaginative knowledge, inspirative knowledge and intuitive knowledge. Yesterday, in my public lecture, I emphasized that this must always be borne in mind: namely that the spiritual scientist who reveals something concerning the spiritual worlds, as a result of knowledge gained by imaginative, inspirative and intuitive perceptions, should not add anything which does not already exist, even without his knowledge in those spiritual regions in which every human soul is at home. The spiritual scientist merely draws, attention to something which always weaves and lives in the world, and he, shows how the individual human soul lives in it. Such knowledge is therefore of importance not only for those who intend to penetrate into the stream of occult experiences, but it is of importance also for every human soul, for under every circumstance it constitutes an inner reality for all, tut an inner reality which cannot be recognised by the ordinary perception in life.

Let me therefore set out from certain facts concerning human nature in general which are accessible to the imaginative perception. Every day we may observe an enigmatic process—at least it is an enigma to ordinary science—which alternates rhythmically in our life: WAKING and SLEEPING.

We already know that during, our waking state we belong to the physical world of the earth with our four parts or members, with the physical body, the etheric body, the astral body and the Ego. We know that during our sleeping state, that is to say, from the moment of falling asleep to the moment of waking up, we exist in the physical world only with our physical body and with our etheric body and that we withdraw, as it were, into a purely spiritual world with our astral body and with our Ego. What presents itself to the spiritual perception of the spiritual investigator, may be characterised by saying: The spiritual investigator simply perceives something which, always takes place in man, for example when he abandons his physical and etheric body on falling asleep, and ascends with his astral body and Ego into regions pertaining to a higher world. The spiritual-scientific investigator simply watches a process which takes place in man, in every man, whenever he falls asleep.

We may therefore say: The spiritual investigator only observes something which would present itself to every human soul if in the state of sleep, not in the: dreaming state, it could look down upon the world so as to discover among the objects in this world its physical and etheric body, but as something which exists outside the sleeping soul. But we should not think that from, the standpoint of sleep we would see our physical body and our etheric body which we left, behind in the same way in which we perceive with physical eyes the. objects which surround, us in the physical world. In order to see the world in the way in which we perceive it from the moment of waking up to the moment of falling: asleep, we must use our physical eyes, our physical sense-organs. We do not use our senses when we arc outside our physical, body and our etheric body. If we were suddenly to become clairvoyant during our sleep, we would not perceive anything of all that we see during our waking condition, nor in the way in which we perceive it then. And then we do not perceive our physical body and our etheric body in the same way in which we see our physical form when we look into a mirror. It is quite wrong to think that we behold our physical and etheric body as if we were bending over it with our astral body and our Ego, that we view them from this standpoint and, see them as if in a mirror. This is not the case. What presents itself to the imaginative-knowledge is that everything which we are accustomed to see in our waking state of consciousness during our ordinary life disappears in the end, it really vanishes from our sight. In reality, our physical body and our etheric body then appear to us as if they were extended into a world, enlarged into a world; they appear to us as if they were connected with the whole world of the earth. We behold them ... and we are conscious of the fact that we are looking upon our physical body and our etheric body, but we behold them in such a way that to begin with they constitute for us as it were the only existing world.

Even as in our waking state we are surrounded by mountains, rivers and clouds, by the sun and the stars, etc., and look upon these as our environment, so when we are outside our physical and etheric body and look upon our environment, we behold our physical and etheric body as if enlarged into a world. We really behold this. We do not look upon anything else. And we envisage it in the same way in which we ordinarily view the different objects on the earth.

We look upon our own bodily structure as if it were a whole world. And a strange thing appears: This world which we behold, appears to us in such—away that in failing asleep we experience it in the same way in which we experience the earth in the spring: it has shed off its snow covering and brings forth green shoots, and once more prepares itself for the growth and vegetation of everything that is produced upon it; everything begins to grow and to green. When we fall asleep and behold the physical body and the etheric body enlarged into a world, we behold them in such a way that we experience them as it were like a planet that is awakening in the spring. And this continues throughout the condition of sleeping. What we see in it, the mighty pictures which really appear to us in their extension as a planet, prepare to pass over into summer, just like the earth faces Sommer, when its spring is coming to an end. This is how we pass through sleep, if we live through it in the right way.

We go as it were through the sleeping state as far as a point in which we feel: our physical body and our etheric body carry a growing, greening life to the flowering stage, indeed to the stage of the development of fruits—everywhere we behold that everything is growing and flourishing.

If I may express myself in detail I must say: To the imaginative vision the sight which thus appears, presents to be sure a paradoxical aspect. When we survey the surface of the earth with our physical eyes, we are conscious of the fact that the plants grow upwards from below; but when we observe from outside what takes place in our body, and take the vegetable world as a comparison, it is as if its roots were to penetrate into our body from above, and its flowers would grow into the body. Bo that we then experience a world that is completely upside down, and its fruits grow into us.

We then discover that these fruits which penetrate into, us really bring to expression the strengthening which is brought by sleep, this strengthening of which we are conscious. And this enables us to know (because everything which we thus perceive in the imagination are forces) that by passing over into the condition of sleep, our physical body and our etheric body which remain lying on the bed, receive forces from the whole cosmos. We behold how the forces which express themselves in pictures of plants growing out of the world, come to us from the cosmos. We behold how the cosmos sends a whole vegetation into our bodily structure. And this gives us the sure knowledge that on falling asleep we abandon our body because from the moment of waking up to the moment of falling asleep our astral body and our Ego keep the physical body and the etheric body away from the influences of the cosmic forces. By going out ourselves, we make our physical and etheric body free for the influences of the whole cosmos, which sends in these forces—elemental, not physical forces—expressed in the above-mentioned imaginations.

Whenever we fall asleep, a connection is established between our physical and etheric body and the whole cosmos. In the waking condition, we live in the physical world, but when we are asleep our physical and etheric body live in the sphere which may be designated as the elemental world, the world of pure forces, which presents itself to us in the form of the above mentioned imaginations.

And where are we ourselves, with our astral body and our Ego? This has frequently been described and it is also contained in many books: With our Ego and our astral body we live in the world which has been described as the world of the Higher Hierarchies, among the Beings whom we designate as Angeles, Archangels, Archai, and so forth. Into these Beings and into this world penetrate the astral body and the Ego. Even as during our waking state we know of the existence of the creatures pertaining to the animal world, to the vegetable world, and to the mineral world, and stand above them, as it were, as human beings, by taking them into our thoughts, so we ourselves are now taken in by the Beings of the Higher Hierarchies. I might say, we are absorbed by them like thoughts.

The significant thing is that we can say: Whereas there below our physical body and our etheric body enter in connection with the forces of the whole cosmos, we ourselves become thoughts from the moment of falling asleep to the moment of waking up, as if we were real Beings woven out of the essence of thought and will. We become the thoughts of Beings of the Higher Hierarchies. Even as WE think Nature, so do the Beings of the Higher Hierarchies think US.

If we wish to speak exactly, it is therefore not correct to say: When we abandon the physical body, we think the world. It is instead correct to say: We experience that we are the thoughts of the world of the higher Hierarchies. If thoughts had consciousness and could experience themselves during our waking state, this is how we should experience ourselves outside the physical body, as thoughts of the higher Beings.

And how do we experience through imaginative knowledge the moment of waking-up again? When we gradually approach the moment of waking up, we really experience it in the same way (we may again compare this Imagination with external Nature) in which we experience the approach of winter, with its destructive and paralyzing effect on the greening growing life of summer. We dive down into the physical and etheric body when we wake up, and even as the winter brings cold and frost which destroy the glory of summer, so we dive into the physical and etheric body in the same way in which the winter dives down into the earth. We destroy the forces which entered from the elemental sphere of the cosmos into our physical and etheric body like a vegetation or an animal world, we destroy them in the same way in which the winter destroys the glory of summer.

When we are awake, our presence within the physical and etheric body brings about a condition comparable to the one in which the cosmos places the earth in winter: We spread winter over our own physical and etheric being, by penetrating into it.

This shows you at the same time that comparisons often used from physical points of view are not correct from the spiritual aspect. Of course, we feel that we are connected with the whole cosmos and that our experiences are a microcosmic image of the macrocosmos. But when people wish to compare their microcosmic life with the life of the macrocosm, they like to say: When we wake up, this is like the approach of spring in our life, aid our waking life is like summer,—the autumn is like the fatigue which we feel in the evening and our sleeping life is like winter. But the very opposite is true. Summer, life is the sleeping life, and winter life is the waking life! This is the truth.

When the spiritual investigator really investigates these conditions, he discovers that by rising up with his Ego and astral body into the spheres of the higher Hierarchies, where he is thought, as it were, by the higher Beings, not only the forces of the elemental world influence his physical body and his etheric body, but that certain Beings of the higher Hierarchies also influence our physical body and our etheric body. Not only the elemental world, consisting of FORCES, but real BEINGS, the Beings of the Hierarchies, of the Higher hierarchies, are active within our physical body and our etheric body.

Here a strange thing presents itself: Namely, we can perceive that when we fall asleep we penetrate into conditions which are quite different from those of our waking state. As stated, everything which can thus be said, is based upon the fact that spiritual research allows us to watch how the process of falling asleep and of waking up takes place. And spiritual investigation discovers that from the moment of waking up to the moment of falling asleep, our physical body and our etheric body are, for example, also subjected to the influence of that Being of the Higher Hierarchies whom we must experience as FOLK-SPIRIT, as FOLK-SOUL, as the Folk-Soul to whom we belong.

When we wake up, we do not only dive down into our physical body and into our etheric body, but also into the processes which take place in them as the result of the activity of the Folk-Soul. And a peculiar thing appears—please note this carefully, for we who wish to penetrate into spiritual science must observe the connections in the world more deeply than through the ordinary external perception—the following strange thing appears: When we fall asleep, we do not only dive down into those Beings of the Higher Hierarchies that correspond to our individual development, but also into the spiritual Beings whom we must look upon as Folk-Souls from the moment of falling asleep to the moment of waking up, we penetrate into the connection of all the other Folk-Souls, except into the Folk-Soul to which we ourselves belong. Let us note this carefully: During cur waking state we live immersed in the spiritual facts produced in our physical body and etheric body by OUR OWN Folk-Soul; from the moment of waking up to the moment of falling asleep, we live as it were together with our own Folk-Soul.

But in addition to our own Folk-Soul, there exist in the world all the other Folk-Souls of the other nations. When we fall asleep, we penetrate into the connection of these OTHER Folk-Souls; we do not dive down into one of these other Folk-Souls (let us bear this in mind clearly), but into their joint activity, into what they do together, as a community. Only our own Folk-Soul is excluded from this connection during the night.

We cannot escape entering into connection also with all the Folk-Souls that pertain to the other nations in which we are not incarnated during one particular incarnation. Whereas during the day, in our waking state, we belong to our own Folk-Soul, we belong during our sleeping state to the other Folk-Souls—but only in so far as they work together. When we are awake, we follow the intentions of the individual Folk Soul, into whose sphere we were born in a definite incarnation.

But it is possible to penetrate, even during the sleeping state, into the Being of an individual Folk-Spirit that is not our own. Whereas in our normal condition we live, when awake, within our own Folk-Soul, i.e. within his activity, and during sleep in the joint activity of the other Folk-Souls, we can dive down into an individual Folk-Soul, when we are asleep, if during our fife we are filled with glowing hatred for the activities of this other Folk-Soul. Though it may sound absurd, it is nevertheless true—and in our movement, we must learn to bear such truths calmly—it is nevertheless true that when a person is filled with glowing hatred for another nation, he condemns himself thereby to sleep with the Folk-Soul of that nation during the night, to live together with him.

Here we touch upon truths which show us that behind that veil which conceals the spiritual worlds to the ordinary observation, life begins to acquire a deeply earnest character and that it is uncomfortable, in a certain way, to be an adherent of spiritual, science. For from certain aspects spiritual science begins to treat certain matters earnestly which in ordinary life are looked upon as uncomfortable and which are mercifully withdrawn from us through the fact that in ordinary life the truth is not revealed to us. Although as followers of spiritual science we must stand with both, feet upon the ground which external life provides, we must nevertheless deal quite earnestly with such a fundamental principle, when we rise up to realms where other characteristics of life begin to reveal themselves.

You see, my book A WAY OF INITIATION speaks of that moment when we rise up to the spiritual world (indeed, every human being is in the spiritual world, it is simply a question of his being able to recognise a world which always exists round about him),—when that easy union, that unity of our being in which We live here in the physical world, ceases to exist. Divisions arise; but in addition to the division mentioned in that book, the one which may be observed after the encounter with the Guardian of the Threshold, there are other divisions, one for example, which is of deepest significance for our whole life of feeling. We should recognise that although we must do our duty fully towards the nation to which we belong in one particular incarnation and give it our love unstintingly, this nation stands within the whole process of evolution of the earth. We should realise that in view of the fact that through our Ego and our astral body we are also SPIRITUAL beings, we belong to the whole, of humanity and should therefore have impulses which we share with the whole of mankind. Spiritual science does net admit that we should, live in the world in a one-sided manner; these two sides of our being must be harmonised. We should realise that in our present incarnation we can love the nation to which we belong even though we are spiritual scientists, we can love it as deeply as any patriot, but the same time wo must bring this love in harmony with the feelings which unite us with the WHOLE of mankind.

Spiritual science above all unites us with the whole of mankind because it reveals to us that through our Ego and our astral body we are connected with humanity as a whole. To establish harmony between contrasts—this is what spiritual science more and more demands from those who dedicate themselves to it with earnestness and with worthy feelings. And it is harmful to mistake spiritual science for that unclear mysticism which always seeks to mix up the demands of external physical life with the truths to which we should ascend when we penetrate into the spiritual world. For that unclear mysticism which seeks to bring into ordinary life the things which spiritual science reveals in a true light, that unclear mysticism will, for example, never be able to harmonise the love for one's own nation with the love for the whole of mankind and it will lead instead to a vague mystical cosmopolitanism.

This, may be compared, as I have, done, with that equality wh.is always advanced by vague theosophists, the equality of all religions on earth. In an abstract way, it is possible to say that the truth is of course, contained in every religion. But this is the same as saying: On the table there are pepper, salt, cayenne and many other spices; they are all the same, for they are condiments. So, I may put cayenne into my coffee or sugar into my soup, this does not matter, for all condiments are the same Exactly the same, logic is applied by people who vaguely talk in a mystical way of the equal essence in all religions, instead of penetrating into the true essence of everything that appears in the evolution of the earth. The essential thing is to avoid emphasizing again and, again that all nations are, as it were, expressions of the universally human; it is instead essential to recognise the. specific task of each nation, as given, by the folk-soul. Fundamental points for this may be found in the lectures published long ago, which, were given several years before the war, so that they were not influenced by the present events and consequently it cannot be said that they are the result of war influences! I mean the lectures comprised in the cycle “THE MISSION OF THE SINGLE FOLK-SOULS IN CONNECTION WITH THE NORTHERN GERMANIC MYTHOLOGY.

In the present time above all it is important to reflect over such earnest things, so that the harmony between universal love and. the love for one's nation may be found. We need not recoil from describing the characteristics of each single nation, in so far as it is a nation, for the individual human being always, rises above his nation, but you will see from the remarks which I made that.it is necessary.to give such a description without any hatred. Even as we cannot recognise the true nature of a plant if we hate that plant,—for in that case we would describe our hatred—so it is not possible.to recognise the characteristics of a nation if we describe the qualities which we dislike in that nation, or if our description includes things inspired by our feelings of antipathy.

Those who are able, to rise to the standpoints of spiritual science should ceaselessly endeavour to gain insight not only into the uniform essence of the world, but into the harmony of its manifold characteristics. We should be able to feel warmest love for the nation to which we belong, in this warmth of feeling we need not be behind any other person, yet at the same time we should, be able to unite this with everything which unites us with humanity as a whole, with our feelings for the whole of mankind, as a great all-encompassing being

As stated, we shall deal more fully with these things the day after tomorrow how let me explain that when we pass over from the waking to the sleeping condition, when we are taken in and received by the Beings of the higher Hierarchies, we really cast off the physical body and the etheric body which connect us with one particular incarnation. We therefore cast off our national character when we are asleep. When we are asleep, we are simply “human beings,” endowed with all the qualities which we must have through all the experiences gained as human, beings. But at the same time, when we observe from the spiritual-scientific standpoint what takes place with man both in his waking and sleeping conditions, we perceive that when he is asleep, when he lives in the spiritual world with his Ego and his astral body and also his physical body and his etheric body belong to the great cosmos, that then the single life which takes its course, as it were., within the compass of the skin, ceases, for our narrow individual self becomes extended to the great Self.

Consider now that, as a rule, in the course of twenty-four hours we always pass through a summer and a winter condition. Also, the earth passes through these conditions of summer and winter, but in the course of one year. Why does the. Earth pass through these states during the course of one year? Because the earth is, like man, a living Being? but upon another stage of the world of the Hierarchies. If we observe the whole earth physically, such as it exists, round about us, it is only the body of the earth, and even as man bears within him soul and spirit, so the earth also has its soul and its spirit. Our sleeping and waking conditions alternate in the course of twenty-four hours, whereas the earth sleeps and wakes during the course of one year. The earth is awake from autumn to spring, and it is asleep in the summer. We may therefore say that in the summer we are embedded in a sleeping earth. It is not true that the earth Is awake in the summer and asleep in the winter; this trivial comparison taken from ordinary life is hot correct. It is instead correct to say that with the approach of autumn the earth begins to wake up as a soul-spiritual being, and that it is most wide awake in the middle, of winter. The Spirit of the Earth is most deeply engrossed in thought in the middle of the winter, and with. the approach of spring, his thoughts gradually begin to ebb away, and in the summer the Spirit of the Earth is sound asleep; when life outside is budding and growing it is sound asleep.

As human beings, we are not only connected through our physical body with the body of the. Earth, but we are also connected with the Spirit of the Earth. Many lectures have shown you that through the Mystery of Golgotha the Spirit Whom we designate as the Christian Spirit, as the Spirit of Christ, united Himself with the Spirit of the Earth. Ever since the Mystery of Golgotha, the Spirit of Christ lives in the Spirit of the Earth. Consequently, if people wish to celebrate a festival expressing the fact that the Spirit of Christ lives in the Spirit of the Earth, what should be the right season for it?—Not summer, but winter would be the right season for such a festival, the very heart of winter. This festival is the Christmas Festival.

For this reason, the Christmas Festival and everything that develops from it is celebrated in the middle of winter. This proceeded from the real knowledge of the people who in the past fixed the Christian festivals of the year. The Christmas festival was fixed in accordance with occult truths, not with historical facts, because in regard to what now constitutes humanity, man is in the winter time united with that condition of earthly existence which is most wide awake, because his own soul-spiritual part is embedded in the soul-spiritual part of the earth. In the winter, he lives together with the waking earth.

And what do we find in the case of past races of whom we know that they built up their service to the world and their knowledge of the world upon a kind of dreamlike clairvoyance? They must above all have based themselves upon that which lives in the SLEEPING Spirit of the Earth. In contrast to the men of more modern times, these ancient peoples must have risen to the truths received in unconscious inspirations in the form most suited to them, when the Spirit of the Earth was immersed in deepest sleep, when it withdrew almost completely in sleep. We therefore find among these peoples whose cults and knowledge were drawn out of a more sleeping, dreaming state, the MIDSUMMER FESTIVAL, in contrast to the Christmas Festival which is suited to a more modern human race.

What was continued in an external way and what our materialistic, age did not understand at all, has its truly deep foundation in a spiritual, reality. Now we live in an age in which people should again begin to think and to feel in a different way from that of past epochs. The task of the past epoch was to make us familiar with the sphere of materialistic thinking and feeling. And the past centuries had to bring human souls in contact with materialistic thought and feeling. Indeed, the development of the earth had to pass through this materialistic epoch. And it is wrong if we only criticize materialism, for materialism had to enter the., evolution of the earth. But now we live in an epoch in which materialism must be overcome, an epoch in which a SPIRITUAL conception must enter the human souls. This is the more or less distinct or unclear feeling of all those who feel attracted, by our spiritual-scientific goals, by our spiritual-scientific world conception. These souls feel that the time has approached in which the spiritual world should be grasped consciously, whereas in the past it had to be perceived in a dreamlike way. Spiritual science exists for the purpose of understanding the world in a conscious way.

The past epoch was therefore the epoch of materialism. You see, because humanity had to dive down, as it were, into materialism, the strong impulse which leads it up again, had to be active above all during the age of materialism. This is the Christ Impulse. The preparation began when the Christ Impulse entered the development of the earth. During the 14th/15th century it was in its most active stage, but when the Christ Impulse approached humanity was already preparing itself for its dive into materialism. The Christ Impulse existed in the evolution of the world as an objective fact, yet the people, who lived in the time when it appeared, were least of all able and ready to grasp it. Now we live in an epoch in which we must begin to understand what took place.

What do we see? We may study the strange course followed by the Christ Impulse in the historical development up to the present time. We see that when the Christ Impulse entered the evolution of humanity through the Mystery of Golgotha it was not grasped at all by those who lived at that time. Let us try to form a picture of what people did in their cleverness! We find that all hinds of theological systems arose during the first Christian centuries which immediately followed the Christ Impulse. People began to dispute as to the way in which they were to think of the Trinity, and so forth. Throughout these, centuries there were endless theological disputes, and It would be the worst possible mistake to study the influence of the Christ impulse by studying these theological disputes which lasted for so many centuries. The people who were disputing over the Christ Impulse did not understand anything of the way in which the Christ Impulse stands at the very centre of evolution.

Let us try to understand how the Christ Impulse really worked. Let me indicate a few facts as an illustration. Let us take an event which took place in the 4th century, in the year 312 A.D. on the 26th of October, an event which changed, as it were, the future map of Europe completely. It took place when Constantine called the Great, the son of Constantius Chlorus, moved against Maxentius, the ruler of Rome and gained a victory over him, whereby Christianity also became victorious in an external way in the Occident. For Constantine raised Christianity to the rank of official religion of the State. But was it his own cleverness which inspired all these deeds? Were the events which then took place the outcome of his cleverness? We cannot say that this was the case. For what occurred? Maxentius, the emperor of Rome, on hearing that Constantine was approaching, first consulted the Sibylline Books, so that he tried to grasp the world's events in a dreamlike way. What these Books revealed to him, was interpreted as follows: The right “deed would be done” by the one who being the ruler of Rome would leave the city and wage battle outside the walls of Rome. This was the most unusual advice which could be imagined. For Constantine had a far, far stronger army than Maxentius; nevertheless, he could not have won had Maxentius remained within the walls of Rome, But Maxentius followed the advice of the Sybil line Books and moved out of Rome. Also, in Constantine's army, the victory was not gained by the generals, but Constantine had a dream in which he saw the symbol of Christ, and in obedience to this dream he ordered that the Cross, the symbol of Christ, should be carried in front of his armies. He made his subsequent deeds depend on the revelations of that dream.

This battle, which gave a decisive aspect to the whole map of Europe of that time, was not waged by generals, nor determined by human cleverness, but by dreams and prophecies. If the events had followed the course dictated by human consciousness, and not influences coming from sub-conscious depths, everything in Europe would have taken on a different aspect.

Theologians were quarrelling over the true essence of Christ—whether He was born in Eternity together with the Father or whether he was born in Time, whether He was of equal rank with the Father, and so forth. But their thoughts did not contain anything of the Christ Impulse! The Christ Impulse worked in the sub-consciousness of human beings. It did not work through the Ego, but through the astral body. The Christ Impulse was a reality, and it worked in such a way that people did not need to understand it. This is the important and essential fact. The way in which the Christ Impulse worked, is as independent of the way in which people grasped it, as a thunderstorm is independent of what people learn in a laboratory concerning the electrical machine, and so forth.

This time has now come in which we must immerse ourselves CONSCIOUSLY into the influence of the Christ Impulse. In the historical events, however, the Christ Impulse is active as a force.

Let us pass over from this example to one which belongs to a later epoch. Here we must consider something which I already explained to you. It is important to know, in connection with the materialistic epoch, that when people wished to immerse themselves in the spiritual world, they could do this best of all in the winter. In that epoch, we therefore come across the conception that during the Thirteen Nights in the middle of winter specially gifted natures could obtain the gift of inspirations from the spiritual world. Every nation has legends which tell us how specially gifted people, who do not pass through an Initiation, but obtain inspirations through their own nature, through elemental forces which work in them, become inspired during the nights from Christmas Eve to the Three Kings' Day (Epiphany), during the Thirteen Holy Nights. Recently, a Very beautiful legend was discovered in Norway, the legend of OLAF ASTESON, who went to a church on Christmas Eve and began to sleep. He slept until the 6th of January, and when he woke up, he was able to relate in pictures the events which took place in the soul-realm—the Spirit-realm as we call it. He expressed them in pictures, but he had experienced all this during the Thirteen Nights. Such legends may be found everywhere. They are not simply legends, for in fact there always existed specially gifted people who passed through a kind of Nature-Initiation. Elemental forces were, active within them in this natural initiation, which we can only attain through the will, by faithfully following the indications given for the path leading to initiation.

We may therefore say: During the materialistic epoch, we can always come across people who were able to unite themselves with the Spirit of the Earth in the middle of winter, when the Spirit of the Earth is most wide awake, and they were thus able to receive inspirations. This was the epoch in which the Christ Impulse that had united itself with the earth, could not work through human consciousness. We must think of specially receptive souls, who could receive inspirations from the spiritual world. And we find that such souls receive the impulses which inspire their deeds, they receive their inspirations from the spiritual world, in the Thirteen Holy Nights, until the 6th of January. This was necessary, and it appeared again and again in small and great events that in the course of history there were people with such a spiritual disposition that when the right moment arrived for them, when they could live through these Thirteen Winter Nights, a spiritual impulse entered into them, and in that epoch this was above all the Christ Impulse. During the materialistic epoch, natural initiations which did not depend on conscious human activity, took place most easily of all in these Thirteen Holy Nights. And whenever such initiations appear, we find that they took place during these Thirteen Nights.

There is one event which induces even those who are least inclined to recognise the spiritual world (and to-day very few people are inclined to do so), to admit that in the 15th century Spiritual Powers really entered the course of history through the medium of a young girl, the Maid of Orleans, Joan of Arc. It can be proved historically that also in this case the whole map of Europe took on a different aspect because tie Maid of Orleans aided the French in the war against the English people who reflect over such things will discover that in accordance with human plans, everything would have followed a different course if the shepherd maiden had hot interfered—and through her, the forces of the spiritual world. The Maid of Orleans was only an instrument for the forces which were then at work. The influence which worked through her was the Christ Impulse.

But a natural initiation was required for this, and such an initiation could only have taken place, as it were, during the Thirteen Nights until the 6th of January. The Maid of Orleans must therefore have been in a kind of sleeping condition from the 24th of December to the 6th of January, and been specially open to the spiritual influences which are active just in that period. We must therefore assume that the Maid of Orleans must have lived through the period from the 24th of December to the 6th of January in a not fully conscious state and received the Christ Impulse. And the Maid of Orleans indeed passed through such a condition in a very marked way! It cannot be experienced more markedly than during the sleeping condition which precedes birth, during the last days in which a child lives in the mother's body, just before birth. External human consciousness is then not able to take in anything, for it lives in a sleeping state, and when the child within the mother's body reaches the end of its time and approaches birth, this is the best condition of sleep this last period in the mother's body. The Maid of Orleans was actually born on the 6th of January, and this is the great mystery connected with her: that she passed through a Nature-Initiation during the thirteen days which preceded her birth. Specially sensitive people assembled in the village on the 6th of January on which the Maid of Orleans was born, said that something special must have happened; they felt that something special had occurred in their village: The Maid of Orleans was born, she passed through a natural initiation during that sleep In her mother's body, that sleep which was so significant to her, the sleeping condition just before her birth.

This shows us that spiritual Beings are really at work below the threshold of consciousness, behind the events which are accessible to human consciousness. It shows us the meaning of a history that only reckons with information gained by documents and external reports! But the Gods work along different paths and use other means: They place a Maid of Orleans into the world, through her special Karma in that particular incarnation she is able to take in the Christ Impulse and work through it. At the right moment, the Gods allow the Christ Impulse to flow into the development of humanity. Of course, both factors had to be there: for we must consider the special individual Karma of the Maid of Orleans. This must be added. Not every child born on the 6th of January could fulfil the same deeds.

We can therefore really say: The Christ Impulse worked through forces in man which did not rise up into human consciousness. Only now we again live in an age in which we should take in consciously the impulses which sought to enter the historical development by other ways than the conscious one.

I wished to call up in you a feeling of how the sub-conscious powers really work, and that external history, studied upon the foundation of documents and external records, is really quite superficial. In the present time, it is good to study history. For now, above all we can see that great, mighty and heroic events are taking place, joined to deeds of Sacrifice. But at the same time, we can see that the events of our time are accompanied, as it were, by the effects of the crassest materialism, by that consistent form of materialism which seeks to explain everything which is now taking place.as the result of merely external conditions. This is evident through the fact that one nation makes the other responsible for the present events. People wish to judge everything from outside, and they seek in others the guilt for what is taking place. But also in the present time the true cause and reasons for what is taking place should be sought in the depths of subconscious events. But we shall speak of this the day after tomorrow.

The present epoch can more than any other admonish people to follow spiritual impulses of knowledge, also in view of the blood which is shed on the battlefields. When peace will spread out its wings over the countries now at war, people will make a discovery; They will discover that such tremendous conflagrations in the history of the world cannot be explained by drawing in external causes! They will discover that it is not possible to explain them. To-day people still say—particularly the cleverest people: “It is not right to speak of the things which gave rise to this war let history speak of this.” And they think that they are particularly clever when they say: “In 50 or in 100 years' time, history will reveal the true causes of this war.”

But what we now designate as history will never be able to explain the causes of the present events: People will see that a historical survey cannot grasp the true cause. Other aids will have to be drawn in: This is particularly evident through an occult observation of the present time.

What is one of the most evident facts in the present time which is so fraught with destiny? Oh, one of its most obvious facts is undoubtedly the one that so many young people are passing through the portal of death! We know what takes place with them when they pass through the portal of death. We know that a human being first goes out of his physical body with his etheric body, his astral body and his Ego, and that after, e.g. relatively short time he sheds his etheric body and continues his pilgrimage with an extract of the etheric body. But can you not imagine that there must be a difference between an etheric body shed between the 20th and 30th year of life, an etheric body which might still have continued its functions in life for many decades, and an etheric body cast off at a later age? Yes, there is a great difference! When a person dies as a result of illness or old age, the etheric body has fulfilled its task. But, in the case of a young person—and countless young people are^-now passing through the portal of death—the etheric body has not yet been able to fulfil all that it might have fulfilled.

Let me now give you a concrete example of what takes place with an etheric body torn away violently, as it were, from its physical body. Of course, many examples can be given. But let me give you an example which we actually experienced here at Dornach last autumn. We experienced it at the site where the Goetheanum stands. A family that lives near the Goetheanum had a little son aged seven, really a wonderful little boy. He was so good that when his father had to leave for the front, little seven year old Theo told his mother: “Now I must work specially hard, for I must help you in things, where father used to help you.” One, evening after a lecture a person belonging to our circle came and told us that little Theo was missing since that evening.—One could only suppose that, there must have been an accident. On that evening, through circumstances which in ordinary life, are designated as a “coincidence,” a furniture van had passed through a lane, through which no van had passed for years, and through which no van ever passed since. At a certain spot, it overturned. Little Theo was in the small house called the Canteen, where the friends who work on the Building get their meals. He would have left sooner, but by a strange coincidence he was held up by someone and instead of going out by the usual door which would have led him down a certain path, he went out through another door and passed by the furniture van at the very moment when it fell over. The van fell on top of him. This is an example, which clearly shows how Karma works.

I have often used a simple comparison in order to show how frequently people mix up cause and effect! A man is seen walking along the banks of a river. Suddenly he falls into the water. A stone is found at the place_; where the man fell into the river. The man is drawn out of the water but he is already dead. On investigating matters, people will give the following account of the accident in the full belief that they are telling the truth: The man stumbled over the stone, fell into the river and was drowned. Yet it would have sufficed to examine things more carefully and one would have discovered that death was not due to the fact that the man fell into the water, but he fell into the river because he was dead, for he had had a stroke. Consequently, the case was quite different from what people imagined it to be. Thus, we see how easy it is to mistake cause and effect, and particularly in ordinary science cause and effect are always mixed up.

In Theo's case, Theo himself was the cause of the accident; it was he who caused the van to pass by at a certain moment and he attracted the van so that it fell on top of him. This should he borne in mind as the secret of the whole case.

But let us now consider the continuation; A human being who dies accidentally in the very prime of life! If one's heart is intimately united with the whole work on the Building at Dornach and if at the same time one has the possibility to observe the influences which work in this Building, it is possible to say: The etheric body so violently torn away from little Theo, now lives in atmosphere of the Goetheanum Building, and the most beautiful forces of inspiration for the work connected with it, can be gained by uniting one's soul with the enlarged etheric body, extended as it were, to a small world, which lives in the atmosphere of the Goetheanum. I shall never hesitate to admit unreservedly that many things which I was able to discover at that time in connection with our Building, I owe to the fact that I turned my own soul to the etheric body of little Theo that was active in the atmosphere of the Building. Of such kind are the connections in the world. The real individuality of the human being passes on, but the etheric body that might still have sustained life for many decades, remains behind.

Consider now how many etheric bodies soar above us in the spiritual atmosphere and will also soar above those who come after us! They are the etheric bodies that remained behind, the etheric bodies of those who passed early in life through the portal of death in the present epoch so heavily laden with destiny. We do not speak here of the paths trodden by the INDIVIDUALITIES, but of a special spiritual atmosphere created by the etheric bodies that remained behind. The human beings here on earth will live in this atmosphere. They will be submerged in an atmosphere which is filled by these etheric bodies whose life-forces were sacrificed, in order that humanity may progress through the tragic events which are taking place particularly in the present time.

It will be necessary however to feel what these etheric bodies desire, for these etheric bodies will be the best inspirers of mankind in the future. A beautiful age of spirituality might dawn, if true understanding, an inner understanding of the heart, is brought towards these etheric bodies, if people listen to what they wish to say. All these etheric bodies can in the future aid humanity to rise up to spiritual heights. For this reason, it is so important that there should be souls on earth who are able to feel what is penetrating into the atmosphere of the future, through the medium of these etheric bodies. You learn something, concerning the nature of these etheric bodies not only by recounting that man consists of a physical body, of an etheric body, of an astral body and of an Ego, but also by learning to know the secret of the influence exercised, by these etheric bodies and of how this influence will work in the future.

Those who are already now followers of spiritual science prepare the souls so that they become receptive for the messages of these etheric bodies. Let us therefore turn our souls to the spiritual world, for in so doing, we prepare ourselves and those who come after us to feel the heritage of the dead, to feel what the dead demand from mankind in the future. If spiritual science can stimulate human souls in such a way that they can turn their spiritual sense towards the spiritual worlds, the effect which grows out of the blood/courage/suffering and sacrifice will be great and powerful indeed. Let me therefore recapitulate at the end of this lecture the feelings which can animate us, when our souls, which follow spiritual science, are directed towards the great events of our time:

Aus dem Mut der Kampfer,
Aus dem Blut der Schlachten,
Aus dem Leid Verlassenem,
Aus des Volkes Opfertaten
Wird er wachsen Geistesfrucht,
Lenken Seelen geistbewusst
Ihren Sinn ins Geisterreich

Translation

From the courage of the fighters
From the blood of the battles,
From the sorrow of the abandoned,
From the nation's deeds of sacrifice,
Shall spring forth a spiritual fruit,
If souls, spiritually conscious, direct
Their understanding towards the Spirit-realm.

In connection with many painful events that have recently happened we have been considering the Problem of Death.

I should like to call your attention today first to something of a more general character which is connected with the problem and which can be discovered through the means given us by Initiation Science. One must picture to oneself that when the human being passes through the gate of death he comes into a world which is quite different for him from what is often imagined. It is a tendency in human nature which may very well be understood, to picture the realm on the other side of death, the spiritual kingdom into which we enter through the Gate of Death, as being similar to the kingdom of the mind and senses in which we live between birth and death. I say it is an understandable tendency to picture this kingdom on the other side of death somewhat as a kind of continuation of the kingdom here. But one is then in error. For it is difficult to find words from the treasures of our speech which make it possible to characterise the experiences between death and a new birth, words which are even in a slight degree adequate. I have, as you know, often mentioned that our speech is calculated for the physical world and we must, as it were, adjust our relation inwardly to the words if we wish to make them words capable of expressing that which lies on the other side of death.

Moreover the mode in which these words come forth from the soul when the soul must characterise something which lies on the other side of death is quite different from the mode in which words come forth from us in the world of the mind and senses. This mode of expressing oneself about the spiritual world, its beings and its phenomena is much more a self-surrender to this spiritual world and a letting oneself be bestowed upon the words.

Such words as I have communicated to you in respect of persons who have died were not formed as one forms words when one wants to bring something to expression in the outer physical world, but they were so formed as if they poured into one's soul from the being in question. So that the being gives them, pours them in, and we now have the feeling that—we are expressing something or other that we see through these words, but we have throughout the feeling: through us something is expressing itself, something that uses us to a certain extent, as its organ, in order to express itself, in order to objectify itself in spiritual speech. So it is quite a different proceeding, it is a self-surrender with one's soul to the being with whom one is concerned, and such a self-surrender that the being finds the possibility of expressing with our instruments its own inner nature and its own inner experiences. When one frames the word it is not like the adapting of oneself to something external, but like a surrender of the word to the being in question, like a placing of the word at this being's disposal, so that the being can then itself make use of our words.

Thus it is quite a different method of placing oneself in objectiveness, from the method here in the world of the mind and senses. One of the very first conditions, therefore, of gaining a right relation to the spiritual world, is a certain mobility of the inner nature, a certain adaptability to the most varied individuals, a continuous possibility of going out from oneself and betaking oneself into other individuals. If one really wants to express with a certain surety of aim—if I may put it thus—that which is in the supersensible world and lives therein, as is the case with one who has gone through the gate of death, one must first and foremost be healed of what can be called the earthly ego-delusion. One must have succeeded in thinking of oneself as little as possible, in setting oneself as little as possible in the central point of the universe. One must, if one has a strong predilection for speaking a good deal about oneself, for brooding a good deal over oneself, conquer this tendency; since this much speaking of oneself, much brooding over oneself, is actually the very worst path to self-knowledge. If one has the tendency to speak much of oneself, to judge everything so that first of all one is mindful of how one is oneself placed in the world, and what one signifies to the world, if one has this tendency, then one is badly fitted for finding oneself rightly in the spiritual world or for bringing anything at all of the spiritual to expression.

One is most occupied with oneself in the spiritual sense when in the earthly sense one is least so occupied, thinks about oneself least, for what in the earthly sense is the most interesting of all to us, the connection of the world with our own person, is for the spiritual world the most devoid of importance. So we shall always find that the way into the true spiritual reality becomes very difficult when at every opportunity we must find occasions, according to our inner nature, to speak of ourselves, to speak of what we could be worth to the world, if need be, and so forth—less or more.

If we employ these methods in ordinary life, which is also ruled inwardly by spiritual forces and impulses, we do not get on well. Here one can find the most remarkable connections. I have met with people who for instance greatly lamented that they found it extraordinarily difficult to get up, that the decision to lift themselves up was very difficult. I have even made the acquaintance of people who have calmly acknowledged that if there were no external circumstance compelling them to rise, on the whole they would prefer not to get up at all. One can always find an inner connection between the whole being of man and such a predilection. These people as a rule would be those who tell one much, very much about themselves, who have a great deal to say about what is sympathetic or antipathetic to them, what they have come across in this or that place, to their benefit or detriment ... and similar things. One who desires to prepare himself properly for a really objective grasp of the spiritual world must pay attention to such connections. For we must observe life if we wish to enter into reality. And you may be quite sure of this: as human beings, through our natural predisposition, there is nothing as a rule to which we are less disposed, than to take life objectively. We are to nothing so much inclined as to take ourselves in too much earnest and to observe outer life with too little earnestness. One only struggles through quite gradually to words which can then become really true guiding lines of life, and with great geniuses one can often see how they go through a great deal, in order then to impress their whole life-wisdom into a single word. Then this signifies something quite different from what it would when spoken by just anyone in the ordinary daily course.

I once drew attention—it was in connection with the lectures which I held in Norrköping—to how easily one can utter the great, the impressive words of the aged John: “Children, love one another.” But it means something quite different if a foolish person, some youngster says it, or if John says it at the end of a full life in which much, very much had been undergone here upon earth.

It is not only a matter of whether the saying is true, but also from what background of the soul it is spoken, from what background it arises. Goethe, too, from a rich, full life, wrestled through to a beautiful saying, the deep meaning of which one must fathom, though it cannot be understood as people imagine, using it in every situation of life. To understand it thus is—I should like to use the paradoxical term—far too simple, for to understand it thus is possible for every child. But as it must be understood, as Goethe understood it upon the foundation of a rich, and over rich life-experience—I refer to the words, “Know thyself and live in peace with the world”—is not possible to every child. But the linking together of these two sentences shows us that there is no self-knowledge which does not really lead to the sentence “Live in peace with the world.”

I really wanted to review all these things as much as possible in detail since they are far more important than you at first believe. But I must indicate them and leave much to your own meditation. I should like only to point out that, according to the statements of many persons there is a lack of material for meditation. put there is really no lack of it, if one only has the goodwill to let the meditation material be found in life, offer itself as such from life.

Now he who passes through the portal of death is directly, through this fact, removed from all the illusory relationships in which he lives, in which he is ensnared here, so long as he dwells in the physical body. He is removed from them for they were forced upon him as we know through the fact of his being incorporated in the physical body. He is above all removed from many functions which had become sympathetic to him in the life between birth and death, and which naturally, since he lacks the physical body, he can no longer carry out after death. The whole mode of living, of the relation to the universe, becomes a completely different one, and you can get an idea when you meditate upon the Vienna cycle “Life between Death and a New Birth”, of the quite different manner in which one must place oneself to the world if one desires to make concepts about this life between death and a new birth. One must only try, falteringly to coin the words which were sought for there, to experience them quite intimately. In such matters this is imperatively necessary.

I have already pointed out recently that the moment of death is really not to be compared with the moment of birth into physical human life except superficially. In the ordinary course of life, if one is not supported by clairvoyant knowledge, one does not remember back to the physical birth in the physical body. Through the capacities given us by the earth we remember no further back than the fact of being born—not even so far. If there are people today who believe that they know everything through the senses, they do not reflect that they cannot know the very origin of their earth-life through sense-impressions. They can only know it by being informed about their birth or by being told on the foundation of an often not consciously but in fact unconsciously accepted inference. There are only these two methods of knowing that one has been born if one has not the aid of clairvoyant forces;—to have it related to one, or to make a deduction, an inference—other men were born, I am similar to other men, therefore at some time I too was born. A correct deduction.

And any other method of arriving at the fact of one's own birth with earthly forces, except to be told about it, or to make this inference by analogy, any other method than these two does not exist for the faculties of earth, so already by the effort to come to a knowledge of our own birth we discover that it is not possible to find a foundation for the truth of it in mere experience of the senses. The moment of death is utterly dissimilar from the moment of birth, for one can always behold the moment of death, whereas one cannot with ordinary earthly faculties in the physical body behold the moment of birth. In the spiritual world in the time between death and new birth one can always behold the moment of death from the instant when one has brought it for the first time to one's consciousness. There it stands although not perhaps as we see it with its terror, from this side of life, but it stands there a wonderfully beautiful event of life, as a coming forth of the soul and spirit nature of the human being from the physical-sensible sheath, it stands there as the liberation of the Willing and Feeling impulses from the fleeting, the objective fleeting Thought-being.

That directly after death a person is not in a position to behold this moment of death immediately, is connected with the fact that we have, not too little consciousness, after death, after the entrance of death, but on the contrary, that we have too much consciousness. Only remember what is said in the Vienna lectures, that we find ourselves not in too little wisdom but in too much wisdom, in an unending, overflowing wisdom pressing upon us from all sides. To be without wisdom is impossible to us after death. This comes over us like a light, flooding us from every direction, and we must first succeed in circumscribing ourselves, in orientating ourselves, where to begin with if we are not orientated. Thus through this circumscribing of the whole highly-pitched consciousness down to the degree of self-consciousness which we can bear in accordance with our earthly preparation for death, we come to that which we call “the awakening” after death.

We awake directly after death too vividly, and we must first diminish this awakening to the degree corresponding to the faculties which we have prepared for ourselves through our experiences in our various earth-incarnations. So it is a struggle to stand our ground in the consciousness breaking in upon us from all sides.

And now comes something in which we must all—both after death and also if we would rightly enter Initiation—first cure ourselves, as it were, of the habits of the physical-sensible life. In order to be thoroughly understood I should like to link this on to something. When we began in Berlin to carry on our movement of Spiritual Science in quite a small circle, we were at first joined by various people. We were at that time a very small circle. One day not long after we had begun to work, a member of this circle came and explained that he must withdraw again. He had seen that we were not on the right path, for it was not a matter of seeking all the things that we sought, but of seeking Unity. That was an idee fixe with this person. In a long conversation he developed the fixed idea of Unity and then left us in order to seek unity. He thought to arrive at the supersensible just through this seeking for Unity, through this idee fixe of Unity. But the idea of oneness or unity is something only resulting from the last abstractions of the outer physical life. This striving after oneness is in fact the most material towards which one can strive. It is precisely of this oneness-striving that one must be cured if one wishes to stand correctly in the spiritual world. Here in the sense world it is so easy to say: we must seek oneness everywhere, we must seek unity in the plurality, in the multiplicity. But that is something which only has significance for the physical sense world here. For when we pass through the gate of death then we do not have multiplicity, but something which comes before our soul as an overwhelming consciousness. When we have passed through the portal of death we have nothing but oneness around us, continuous oneness. It is then a matter of rightly finding plurality, multiplicity. We must strive there for nothing else than to come out of oneness into multiplicity.

Now I should like to give you a correctly formed idea of how a person comes into multiplicity out of oneness. Let us suppose that one passes through the portal of death, enters into this world of surging spiritual life of wisdom. One enters first into this world, which to begin with stupefies us when we awaken there. We do not distinguish ourselves within it at all. So much is it oneness that we do not distinguish ourselves in it, we do not make a differentiation between ourselves and the universe, but rather we belong completely to the universe; all is one.

But now let us answer the question, and I pray you to ponder not a little but very much upon the answer that I will give. Now we reply to a question: What actually is this oneness into which we are there received? Remember all the beings of the higher hierarchies of which nine are known to you, or ten if we count mankind. In each hierarchy is a whole host of beings. These all think. It is not man alone who thinks. All the beings of these higher hierarchies think. Consider therefore this whole host of beings in whom we are received when we have stepped through the portal of death. They are around us, for in stepping through the portal of death we are received by the complete fullness of being. At first we do not perceive them. We are within them, but we do not perceive them. That which surges around us at first is just this oneness. But what is this oneness? It is the thoughts of all the hierarchies merging into one another. What all the hierarchies think together; this thought-world of the hierarchies indistinguished as to what one hierarch, what the other hierarch thinks;—this is the Light-Being of Thought that surges round us, this oneness.

Therefore we live in the thoughts of the hierarchies flowing together to a oneness. Therein we live.

And now what is the further course of our life after death? Our concern is to gain a relation to the separate beings, to lift ourselves out of the ocean of thought where all the thoughts of the hierarchies flow together, and to gain a relation to the single beings, to the multiplicity. After death we must not only gain a relation to the commingled unity of the surging Thought-essence of the hierarchies—for that is given to us, but we must work through so that we gain a relationship to the single beings of the hierarchies. How do we gain this?

Now at first we are flooded with this ocean of the thoughts of the hierarchies merging and flowing together. Through what we have acquired for ourselves in our physical body there condenses at the gate of death to which we look back, our own inner being lifting itself out of the material coverings. That gives us strength of will. That gives a will-impulse of a feeling nature, and a feeling-impulse of a will-nature. These we inwardly become aware of in beholding the being which ascends from the body which we are after death. Through this we are in the position to some extent of attracting our “will-rays.” And when we place such a will-ray somewhere, which we create out of the force of death, which is born with death, then we obliterate at another place, and at a third place, etc. at various places through the strength of our will-impulse we obliterate the thought-world surging around us. And inasmuch as we obliterate it there comes to meet us in the hollow space of the surging ocean of thought, if I may say so, the thought of a hierarch, the being that lives within it in the spiritual world.

Whereas here in the physical world we exert ourselves to find a thought for the thing which we see, in the spiritual world, where, as I have pointed out, thought stands in profusion at one's beck and call, we must obliterate the thought, drive it away. Then the beings approach us. We must be master of the thoughts, then the beings approach us. And the strength to become master of the thought, to cast the thought out of our field of sight, as it were, whereby the being approaches us in the sea of the surging thought-world, this strength we receive through the fact that as a beautiful beginning of our spiritual life after death the vision of dying, of death itself, comes to meet us, and becomes our teacher in the obliterating. For death becomes to us after death the teacher of obliterating, the stimulator of that will force wherewith we must obliterate the thoughts in the surging sea of light.

Herewith is indicated the entirely different manner in which the human being stands to his surroundings after death and before; how he must proceed in the world of the senses by establishing himself there, having the atmosphere around him and then being obliged to wait until something comes into the atmosphere. On the other hand, after death he must so proceed that he has the Light-sphere of Thought around him and within it he must then himself obliterate the thoughts that lie before him in his field of vision, in which the beings concerned then appear to him. For here one has to do with beings, as I have indicated in my book, “The Threshold of the Spiritual World.” Thus one comes out of unity into multiplicity. Monism in the sense understood by many people is only a world-concept for the Gate of Death. For there in the most marked degree an urgent necessity arises for seeking multiplicity. To seek oneness is a last fetter, a theoretical fetter of life as understood by the senses.

But what is it then that we actually accomplish there? Well, it is an activity by which we make room for the hierarchies to approach us. Our being, as you know, is then spread over the whole universe (I have repeatedly spoken of this,) and we make room by creating these hollow places, as it were, so that what is objective to us after death, can appear. Never can what is objective in the spiritual world appear to us if we take our own being into the spiritual world; we can only discern the other in the spiritual world if on the spot where the other is to appear we obliterate our own being; and that happens in this way.

This is an inner characterization of the process which is also necessary if we wish to reach the dead in the manner I described to you at the beginning of the lecture, where one has to acquire the power of letting the dead speak, of letting the dead express themselves. One must then try to drive away one's thinking and feeling from where the dead is, to drive away oneself, and where one has driven that away, impulses come forth from the depth of being which, without our will, place the words in our mouth which must come to us if we wish to express the objective being of one who is not incorporated in the physical body.

You see, that which here in the physical world is in a way the weakest in man, willing and feeling, (they are the weakest parts of the human soul and the most unclear), over which we are least master, gains a special significance if we are to perceive in the spiritual world. On the other hand, that which here in the physical world is the strongest of all, thought-concepts—we prefer to live, as you know, in illusion and concepts, since there we can be most dominant—is the weakest in the spiritual world. One cannot make much beginning there with illusions, for illusions still disguise for us this overflowing oneness of thought-essence. Our concern is not an exercising of the life of thought, but a development of our life of will and feeling, and this too is the essential in meditation. In meditation it does not matter so much what we picture, but, as I have emphasised repeatedly, to picture with inner strength. it is a matter of inner energy, of feeling and sensation while we meditate, that is, of a will element which we develop in meditation, and which we develop more strongly if we have so to exert ourselves as in meditation we ought to exert ourselves, spiritually exert ourselves. What is most opposed of all to real progress in the spiritual world is the longing to dream, the longing to form illusions about outer reality, because in this way we make our will continually weaker and weaker. One makes the will weakest of all if one cultivates the parasites of the life of idea, if one makes illusions for oneself over all sorts of external things. Above all, the way into the spiritual world does not draw near to us by our holding life at a distance, but by understanding that not an impoverishment of the outer life, but only an enrichment, can lead into the spiritual world. People would like so much to grow into the spiritual world through weakness and not through strength. One grows into the spiritual world by weakness if the outer world, the world of life, does not interest one, when one cannot fulfill the Goethe maxim “Know thyself, and live in peace with the world.”

I should like to point out before I go further in these studies of death, that in all human activity of an artistic nature there must lie as foundation a “playing in” of that activity of the human soul which is necessary for this human soul after death. As regards artistic activity it is precisely the will-element which must be impregnated into the artist from the spiritual world, not so much the element of observation. In our age of the decay of art and especially of artistic labour, the opposite is taking place. In our age of degeneration that element is being elaborated even in the artistic world, which makes the conceptual life more sophisticated. Therefore in our age, artists are becoming more and more dependent on models and copies. They can do extremely little if they have no models or copies. Hence in our age it will come about more and more that the artist will isolate himself in his art. But it can never reach real art if one isolates oneself in art. That is the opposite of what ought to be.

What happens, then, if someone is creating a human being through art, in painting or sculpture, and he does not occupy himself with the inner forces which build up this human being, with the dynamic forces, but merely goes out and gets a model and uses the model as one uses things in looking at them? He is then departing from the real principle of artistic creation. Artistic creation begins when one creates an inwardly willed picture of how the nose stands out here, of how the forehead is vaulted there; one does not see the things outwardly, but can penetrate into them inwardly. That is what matters.

And so in a special way it is also the case with nature. In nature it is a matter of really living within the activities of nature. And here I will call your attention to something which the human being immediately experiences when he has passed through the portal of death, which here, in the physical world, however, remains more or less unknown to him.

When we paint, we paint preferably that which is spread, one might say, over the surface of things. We paint light and shade. We paint colours. Now outer nature is furnished with light and colour from the fact that she does not accept them, but throws them back. Over there is the object and it throws us back light and colour. That is between us and the object. Mineral things are, for instance, minerals, because they cannot receive light and colour, within, because they reflect them externally. There within the colour, man lives with his soul. After death he withdraws into it at once; there he knows himself in light and colour, but here he does not know himself within them. When he comes before the landscape as landscape painter, he must have something of what is between him and the landscape, he must be able to rise into it, he must, as it were, bring something into the physical world which only actually becomes reality when the human being has passed through the gate of death. This gives the similarity between artistic creation and the standing within the spiritual world, although the artist is for the most part unaware that the spiritual world pulsates and flows through him, nor is he conscious of the necessity of being pulsated through by the spiritual world. Precisely on this account the design of our building has been made as it has been made, because we must pay attention as I have often said, just to what is not there, not to what is there. Just the hollow forms which have been left free have to be considered, not what is actually there. In so far, through carrying our stream of Spiritual Science into the practical domain, a beginning has been made which had to be made in our present epoch of culture.

You see, such inter-penetrations of the spiritual world into human life as through, let us say, the Death Spectrum, were by no means so unusual in times lying not so very far behind us. Today it is something unusual, and as a natural gift it will become more and more unusual. It will occur less and less as a natural gift. But the less the human being here in the physical world can form some kind of connection with the spiritual manifoldness, the more he will be fettered when he has passed through the gate of death. The possibility of creating those hollow forms would entirely cease if mankind should quite lose connection with the spiritual world, as must necessarily happen in the mere external progress of world events. We know that the old clairvoyance must become entirely lost. but if that inner relation to the spiritual world were not to be re-established through Spiritual Science, a man would gradually lose the possibility, after death, of actually living in the spiritual world, of having a real, actual existence. Through the backward-survey of his life, which always remains for him, where the beholding of death is something quite actual, he would be spell-bound, almost as if confined in a prison.

Therefore in the case of those who, if I may say so, go through the gate of death strengthened by Spiritual Science, it is to be seen that comparatively quickly after death they gain freedom, free activity in the spiritual world. Hence the point is for a man to replace by the strengthening of Spiritual Science what was earlier given to him by natural aptitude—the gaining of a relation to the super-sensible, to spiritual phenomena.

If from a natural aptitude one can see something like a Death Spectrum (and people in earlier times which do not lie so far behind us used always to see the death-spectrum—only it is a lost faculty)—one sees this death-spectrum through the separation from the body. This enables one to see the single, individual phenomena. These single phenomena are carved out of the oneness ... and that is the important thing ... this carving out of the oneness ... to learn how to do this. But the possibility of learning how to do it is entirely lost with the loss of the natural, atavistic clairvoyance, and it must be replaced by growing into Spiritual science. It will be this strengthening given by Spiritual Science, through which the necessary faculty for artistic creation in every sphere will be called forth in the future. The sculptor, the painter, the poet, will not be able to create if they do not strengthen themselves through Spiritual Science. Today people are still afraid of this. But the fear which comes to expression when a musician, a painter, a poet, says: ‘Since I have to engage in and struggle with all manner of things this kills the original artistic creative power in me’—can be heard everywhere. This is only a fear of the strength that is necessary if the domain of human art is really to last into the future. Men are still afraid today of what in their inner being must come forth precisely as the strongest force. Times will come in human evolution where artistic faculties must ripen through the strengthening acquired through Spiritual Science.

Then, at all events, there will be less of the scandalous thing that is prevalent today, namely, that in very early youth and out of nothingness, people vaunt themselves artists and are, in their own opinions, artists.

When this kind of art does not succeed, they think it is entirely due to lack of appreciation on the part of the world. This nonsensical state of things will gradually cease. The art of the future will be an art of maturity and it will not be until a comparatively late age in life that a man will feel inwardly mature enough to engage in art. it will no longer be believed that in later life it is impossible for a man to have the forces requisite for artistic creation—forces of youth as they are often called; far rather will it be found that only by the deepening and strengthening acquired through Spiritual Science can the forces that will lead to artistic creation in the future be liberated from the inner being. But people are still afraid of these forces today. They are afraid of what has to be attained. Many artists have a holy terror of this emergence of the inner depths of their being, and when they hear that it is not the external, earthly man, but the higher man within them who should be the creative artist, they are thrown into the most utter confusion. It is difficult to imagine more complete confusion than that of a certain modern artist when he realised that it is the Genius in the inner man, the being who belongs to the spiritual world, who is really the creator in the artist. An artist of modern times expressed his holy terror of the spiritual world in approximately the following words:

“Genius is a terrible disease. In the heart of every writer there is a monster who devours his feelings directly they have been born. Who will be victorious—the disease over the man or the man over the disease? A man must be great indeed if he is to hold the balance between his character and his genius. If a poet is not a giant, if he does not possess the strength of a Hercules, he must either forfeit his heart or his talent.”

The very flesh of one's soul, so to speak, creeps when such words are uttered. For they are simply an expression of the holy terror which exists in the human being in regard to things that are connected with the spiritual world. Moreover the last sentence is quite consistent, although the author is unaware of how consistent it is ... The fact that he speaks of giants, of Hercules, is very characteristic. It is very significant that precisely these words come into his mouth—or rather into his pen.

So the view may actually be held that the human being must be victorious by virtue of what he is in earthly life ... for this is contained in the words, whereas true knowledge will reveal that the healthy genius within a man will penetrate and take hold of him, will make him into its instrument.

Another modern writer refers and adds to the sentences I have just read, in strange, extremely strange words. He says: “Let us picture the tragic destruction of Laocoön as described in the Aenead. With natural horror and repugnance the citizens of Troy witness the gigantic snakes strangling Laocoön and his sons. The spectators feel fear, compassion and certainly wish to save the victims; however different their conditions of soul may be, nevertheless the moment of will undoubtedly plays a very important part ... but just imagine a sculptor in the midst of this shocked and excited crowd, a sculptor who sees the terrible catastrophe taking place before his eyes as the subject of a future work of art. Amid the general excitement of these shouting, frenzied, praying people, he remains the unruffled observer. All moral instincts in him are at this moment suppressed by the desire for aesthetic experience.”

This, forsooth, is supposed to be necessary for the creation of a work of art: A crowd of people who are not artists stand there with deep compassion, unable to help, and together with them, a simpleton, a dunderhead, who has no inkling of the pain caused by it all. And this dunderhead is supposed to be the true artist who is capable of portraying the scene; he stands there in his stupidity merely as an observer: Things have come to such a pass at the present time that people dare to demand of the artist that he shall be a dunderhead when faced with life's phenomena, in order that he may be “objective.” He must tear compassion and sympathy out of his heart; he must become a dull-headed simpleton and only then, according to what is said here, will he be able to depict something capable of interesting other human beings.

When people have it in them to evolve such a view of art, they cannot help being seized by the most terrible of all Ahrimanic forces. Such a view denotes the decadence of art that is produced by the fear and dread of spiritual reality. People do not know that if a man wants to be an artist he must feel events with still deeper sympathy, still deeper compassion and must be able, at a later moment to look at the same events objectively out of this deep sympathy, making us love them as we may love a being who is strange to us. Out of this still deeper quality of sympathy we must be capable of art that is creative. The perversion of outlook has reached such a point today that the opposite of truth is trumpeted forth to the world as consummate wisdom. And I am convinced that there are infinite numbers of people who consider this dullness very clever and who regard this laudation of insensitive stupidity in the artist as the final discovery of what art really is. Such is the present day and it is for us to seek in Spiritual Science that support and strengthening which enable us to realise that we ourselves are living in the world into which the human being also enters, in the natural course of events, when he passes through the Gate of Death.

For us, art is related to death; it is related to the higher life: to be related to death means to be related to higher life.

In order to enter the spiritual world we must in many respects be capable of ideas and mental pictures quite different from those which must fill us for the purpose of understanding the world we experience between birth and death. We must pierce through Maya not only in such a way that we take this Maya to be the same everywhere, thinking that when we have broken through it at one point we are already in the spiritual world. The density of Maya is different at different places in life. This we shall find when we confront diverse spheres of life.—Maya is woven out of different materials. Although it is Maya, it is woven out of different materials at different places in life.

Suppose we get to know a child in its physical existence; we form ideas about the being of the child, ideas built up from our experiences of meeting the child in the physical body. There could be no greater error than to carry this picture into the spiritual world for the purpose of really getting to know this being when it has passed through the Gate of Death.

In the death of Theo Faiss, a terribly touching karmic event has happened among us recently. It would be a false picture of him if we were merely to enlarge the idea we formed of this child as we met him in the physical world, if we were simply to project this picture into the spiritual world. In just such a being the very greatest maturity can be observed soon after death. We can find the forces which brought the child into the physical world through birth—and which have not been allowed by karma to live themselves out in the physical world—we can find these forces interwoven in the cosmic forces and we gradually realise that a mature soul has struggles through death to cosmic existence, is growing little by little towards the heavenly spheres. And when such a soul was a child in the last incarnation we can perceive that this soul is able, comparatively quickly, to develop to the point where it directs the forces that are now merging into the cosmos. Then we learn to know the human being as he is after death; it is as though with his own being he were directing the forces which were contained in his death spectrum and are now weaving themselves into the cosmos. Thus the human being grows into that creative activity which we may call the heavenly creative activity. Then his feeling that is coloured by will, and the element of will that is coloured by feeling, grow together with the universe outside him. Just as when we, as children in the physical body, gradually adapt ourselves with our sense-organs to the external world, just as we then grow into the faculty of vision, so do we grow, after death, into the essential realities we grow into the unfolding of will.

If we allowed these things to work upon us in the sense of Spiritual Science, we should observe, little by little, how the Maya of external life is woven with different strengths at different places. Maya is difficult to pierce in cases like the death of a little child, because most of the external manifestations disturb what must replace them if we are to have a true picture of what the human being is after death.

But there are also human beings with whom it is comparatively easy to pierce through the warp and woof of Maya; it is easy because the truth of their being has been able to connect itself deeply even with the Maya existing in them in the physical world between birth and death. There are such men, men who bring down treasures of inner, spiritual richness at their birth into the physical world and who are able to weave into their being and life what they have brought down from the spiritual world. They are those human beings whom we needs must love because of what the Creators in their love have made of them; often we do not ask why we love them; love for them is a matter of course. Such human beings are like living witnesses to the spiritual world, because even here in the physical world they are extraordinarily like their own spiritual being, and because the web of Maya only through the existence of love, of course, but through this very love—can very soon be dispersed, enabling us to gaze into the depths of the soul.

Our attitude to such human beings must have a certain delicacy, a certain intimate delicacy because they have brought down a very, very great deal from the spiritual world into physical existence and because then, after death, they stand like living witnesses to the profound truth that the impulses of the spiritual world live on in all the manifestations of this physical world. If we behold such human beings after their death, it is as though they were wanting to say to us: Thus were we before and the fact that we lived in such deep, and inward truth is now confirmed when we have passed through the Gate of Death.—Thus do they stand as apostles of faith after death too, as apostles of the faith which allows us to have belief in the life we spend here in the physical world.

Since the death of our friend Sybil Colaxxa, she too stands there like an apostle of the faith that the world in which we live is permeated with spirituality. And here it is necessary to explain why the strange thing happened in her case that the sight of her spiritual being confirmed what she revealed through the sheaths of external life in the physical world to everyone who knew and learned to love her. Hence the different tone in the words that had to be spoken out of her soul; it was because her essential quality as an individual was precisely that quality of which I have just spoken:

Mark well that the presentation of the past, the use of the imperfect tense, passes over into the present, the present tense, because observation of the life in the body harmonised with the vision of the life after death. This is expressed in the words themselves. Words that are coined out of the spiritual world contain their own necessity. Thus the words had to be: This Being filled with soul they voice, a voice which, eloquent more through the quality of the words than the words themselves, revealed what lay hidden within that soul, and is working on, existing. “... Existing” therefore, not “existed.”

(verkundet—the present tense—can also be used. Here the two periods of time flow together.)

Now let us think of a soul like Fritz Mitscher, a friend who, to our great pain, has died so recently. The nature of this soul can best be described by those who knew him in words which may sound abstract and dry, but which really do express it: he was an objective human being. Fritz Mitscher was an absolutely objective human being. There can hardly have been any occasion when he spoke about himself. Even if he ever did, it only seemed that he was speaking of himself in describing his relations to something or other in the external world. His “I” was practically never even on the horizon ... let alone at the centre of what he said. It is natural for an elder person when he is speaking with a younger one about all kinds of things in life to bring the conversation back to himself, but it was characteristic of Fritz Mitscher that when opportunity was there for him to speak of himself, he avoided it, and diverted the conversation from himself to what he had experienced round about him, describing it with the art he had acquired from Spiritual Science. In the true sense of the word he was an objective human being. He did not think about what he signified to the world, about the position of his own “I” in the world. His interests were all purely objective, interests which express themselves so characteristically when a man is little concerned about the position he gains in the world. Fritz Mitscher was one of those men who, from the very beginning, was passionately eager, even in passing conversation, to convey to others with absolute objectivity the truths he held most sacred; this eagerness was always present because he was one of those who are interested in the cause itself and not in the person and the position of the individual personality in the world. And when he spoke before an audience he entered into the subject with the greatest purity, never losing his way in the psychical impurity of speaking about himself. It was this that was so characteristic of him. And it was this that made him so eminently capable of grasping the world in such a way that through the medium of the idea, the thought, the mental picture, he really entered into the world; he did not become remote from the world but really entered into it. And so through thought, through idea, he lived right into world-connections, lived together with the world, lived in his “I”—because he spoke so little of himself—and not only in his skin, but right into the heart of things. it is really only human beings of this kind who truly understand ideals in the world, life in ideas and in morals. To live in ideas and ideals is not merely to have ideas and ideals; ideas and ideals are easily come by, they can be picked as easily as blackberries. What matters is not that a man has ideas and ideals, but that he has them in the purity of the life of thought, and human beings without number shirk this purity. They flee from thought in hosts. My dear friends, we need only call up the Imagination, the real imagination of pure thinking, of the life in pure thought, in sense-free thoughts and ideas; we need only picture this pure wellspring of soul-existence and then try to place the specters of human beings around it, and we shall find that in whole hosts they flee from this pure spring of the sense-free world of thought. They say: “But this is barren, dry, it is something that tears love out of one's heart, it is cold, icy.” And they flee in hosts; only a few stand steadfast in purity of soul. These few are the true philosopher-souls, the men who are really gifted for philosophy. And such men as Fritz Mitscher belong to them.

That is why it is almost a matter of course for such souls to grow into their connections in the most natural possible way—or, better said, for their karma to bring them into these connections. In the case of Fritz Mitscher this was so in a high degree. It could never be noticed in him that he sought any position out of an intention formed in physical life. He always allowed himself to be led to his tasks by the flow of karma. Here again you have those truly philosophical natures who will always have to be led to their tasks rather than that they will press forward to some task out of egotistical will. For these truly philosophical natures know all too well in their deep feelings and in their impulses too, that a man is, in reality, never ripe for a task, that only immeasurable vanity can give rise to the belief that he is mature, and he always anticipates in advance something that can only be achieved later on. when a man has only a little of this attitude, he feels in his life something of an inner calling. And the life then will be filled, as it were, with the: “Know thyself!” Knowledge of the self is best attained when a man speaks and thinks little of his “I”. his work and labours in life will then be permeated by the: “Know thyself, live with the world in peace!”

Such was Fritz Mitscher's motto. A life like this continues in the spiritual world and remains what it was, save that in the spiritual world the fruit grows from the seed. In such cases we must abandon the point of view—for it would be unreal—which would make us ask: “What would have come out of such a being if he had been able to stay longer in the physical world?” This is an unreal point of view. The real point of view leads us to the greatness, the wonder of such a soul being taken up into the spiritual worlds. What this soul is now called upon to achieve in the spiritual worlds is related to the experiences between birth and death as the fruit of the plant to the seed, so that the life here is actually revealed as a seed for the spiritual life after death. And so when a being who has lived in objectivity is seen after death, words which characterise this objectivity of outlook in life inevitably sink into the soul, but they are words which also characterise the relationship to the surrounding world, how the whole being stood right within the world. It was necessary to speak of Fritz Mitscher in this way. The characteristic element in these words was precisely this difference between the seed here and the plant which develops in yonder world. This is how I explain to myself the words being as they were

Fritz Mitscher was an individuality who became, in an outstanding degree, what many of our dead friends have actually become since they entered into the spiritual world. They become our most effective co-workers in the field of the spiritual life we have to cultivate; they become those to whom we look upwards with special gratitude when we have to think of the tasks of the present and future spiritual evolution, tasks that can be fulfilled only slowly and with difficulty within earth-existence with the forces that are incarnated in physical bodies. In thinking of friends who have passed through the Gate of Death, including our friend Morgenstern, it always seems to me to be right to ask that they will remain among us in order that through their forces much will be able to be done in our spiritual movement that it is impossible to do with earthly forces alone.

It is this that must be sent as a last greeting from the Earth to such individualities, and it must be expressed clearly and emphatically in connection with Fritz Mitscher, a dear friend who with his youthful forces will be our strong helper, a true consolation when consolation is needed. And it is often needed.

Especially during the most recent period of our work, creative activities and striving, so many things have made us realise how great are the hindrances of the physical plane—truly they are not imagined hindrances—how stubbornly the prejudices of human beings oppose what must be achieved among us, and how violent the opposition often is.

We need only take one such example.—People outside our stream of Spiritual Science write pamphlets ... Truly I am not saying these things for personal reasons, because I feel myself to be only a feeble instrument of the spiritual movement that has to bear us ... Pamphlet after pamphlet is written with the object of declaring that our adherents accept everything without putting it to the test, accept it in faith and belief and confidence; it is suggested that nothing exists among us except blind faith. Our movement is described by the outside world as if all our adherents were credulous simpletons, simply running after the confidence they feel. So it is in the outside world.

But within the precincts, this confidence—if we mean a confidence that exists in the deep foundations of souls and does not merely lie in words—this confidence is often by no means so conspicuous. There is a great contradiction between what we are accused of in pamphlets and what ought to exist in such rich abundance within the precincts of our society. There is yawning contradiction! I say what I have to say here without criticism and above all without bitterness, without in the least wanting to hit at any single personality—but concerning many things I said here in the autumn, it has been stated in writings that Dr. Steiner hawks about his occult researches into such matters—meaning matters about which I have spoken ... he hawks about his occult powers in connection with the things that were spoken about. If it has been possible for such a thing to have been written, then it is a clear proof of the fact that the element of which we are accused in the world is by no means so firmly rooted in the deeper forces of the souls among us, although in many ways it may exist in the upper maya of consciousness. Let it be said once and for always that the teaching presented here is based upon no principle of authority whatever, and belief in it as dogma is never demanded. It is given in order that it may be tested in all details. But for anyone to set himself up as a kind of judge as to what I myself should include in my occult investigations and exclude from them—this is a spiritual tyranny which most certainly is not born of the element that must be present in the Society, although up to a certain point it need not be present for the purpose of taking in spiritual Science; this is a spiritual tyranny emanating from unconscious lack of confidence. Confidence is not needed for the purpose of receiving teachings; but confidence is needed for the realization that it is not for the spiritual investigator to be told what he has to bring from the spiritual world but that it must be Presumed that the representative of Spiritual Science knows himself what he has to do; he has himself to decide what falls within the field of his investigations. Confidence is needed here; this kind of confidence can never be unprofitable to the movement, because it does not transcend the limits of the personal and does not touch the teaching. But a fact like this denotes—as many similar facts denote—that great obstacles and hindrances do exist and that within our spiritual movement we must carry out as a duty—far removed from anything that looks like desire in our work—what leads from insight into inner necessity. This duty will always be done, however sourly, it is done (‘sourly’ according to the ordinary meaning of the word.) But precisely when we realise that we may give to our dear Dead a kind of personal charge to be together with our forces, then there arises for our movement a feeling of security which the physical world could never afford.

And so, in thinking of our beloved Dead, there flows into our movement and into its impulses, something that is supersensible, not springing from what we have here, something that could never, in the physical world itself, give wings to our work. It is possible for supersensible impulses to flow into the Maya of our society-activities, for us to feel secure—because what we do, contains not merely the forces of the physical plane but supersensible forces too. Our beloved Dead have remained with us, although not in physical existence, and we therefore feel security in work which feels itself to be within the flow of spiritual evolution:

So do we speak with reality of our beloved Dead as companions, co-workers, as those who are invisibly among us. Thus concretely do we seize the invisible being, giving the hand physically for the last time to the friend in the visible world and then receiving this hand spiritually, after death from the supersensible world. In this exchange of hand-clasps we have the symbol for work within a Society that is not intended to be a mouthpiece for the physical world but is to call the supersensible worlds too, into its activities. For such work, for such activities, we want to build a centre on this hill. May there be a home here for this work!