The Origin and Development of Eurythmy
1923–1925
GA 277d
16 May 1924, Dornach
Translated by Steiner Online Library
Eurythmy Performance
Nocturne in E-flat major, Op. 9, No. 2, by Frédéric Chopin
“At Midnight” by Eduard Mörike
Intermezzo in A-flat major, Op. 76, No. 3, by Johannes Brahms
“Die Geister am Mummelsee” (The Ghosts at Mummelsee) by Eduard Mörike
Intermezzo in E minor, Op. 116, No. 5, by Johannes Brahms
“Zwei Liebchen” (Two Sweethearts) by Eduard Mörike
Allegro from the “Devil's Trill Sonata” by Giuseppe Tartini
“Nixe Binsefuß” (The Mermaid Binsefuß) by Eduard Mörike
Presto from the Devil's Trill Sonata by Giuseppe Tartini
Grave in D major by J. S. Bach
Als am dritten Tage (On the Third Day) by Albert Steffen
Zum Adam- und Eva-Tag (On Adam and Eve's Day) by Albert Steffen
Allegretto in A major, 1st movement from the 1st Violin Sonata by César Franck
“An den Mistral” by Friedrich Nietzsche
Prelude in B-flat major by Frédéric Chopin
Allegro by G. F. Handel
Allegro maggiore in G major, K. 301, by W. A. Mozart
Allegro con brio in D major, Hob. XV1.37, by Joseph Haydn
Nocturne in Es-Dur op. 9,2 von Frédéric Chopin
«Um Mitternacht» von Eduard Mörike
Intermezzo in As-Dur op. 76,3 von Johannes Brahms
«Die Geister am Mummelsee» von Eduard Mörike
Intermezzo in e-moll op. 116,5 von Johannes Brahms
«Zwei Liebchen» von Eduard Mörike
Allegro aus der «Teufelstrillersonate» von Giuseppe Tartini
«Nixe Binsefuß» von Eduard Mörike
Presto aus der «Teufelstrillersonate» von Giuseppe Tartini
Grave in D-Dur von J. S. Bach
«Als am dritten Tage» von Albert Steffen
«Zum Adam- und Eva-Tag» von Albert Steffen
Allegretto in A-Dur, 1. Satz aus der 1. Violin-Sonate von César Franck
«An den Mistral» von Friedrich Nietzsche
Prelude in H-Dur von Frédéric Chopin
Allegro von G. F. Händel
Allegro maggiore in G-Dur KV 301 von W. A. Mozart
Allegro con brio in D-Dur Hob. XV1.37 von Joseph Haydn