The Rudolf Steiner Archive

We have once more pointed out in these lectures that in the most recent cultural period of human evolution, the fifth post-Atlantean period, the main force governing human soul life is the force of the intellect, the force of ideas living in thoughts. To this we had to add the statement that the force of thoughts is actually the corpse of our life of spirit and soul as it was before birth. More and more strongly in recent times this force of thought has emancipated itself from the other forces of the human being, and this was clearly felt by those spirits who wanted to attain a full understanding of the Christian impulse.

Yesterday I endeavoured to describe this, using the example of Calderón's Cyprianus. That drama depicts, on the one hand, the struggles which arise out of the old ideas of a nature filled with soul and, on the other, the strong sense of helplessness encountered by the human being who distances himself from this old view and is forced to seek shelter in mere thoughts. We saw how Cyprianus had to seek the assistance of Satan in order to win Justina—whose significance I endeavoured to explain. But in consequence of the new soul principle, which is now dominant, all he could receive from Satan was a phantom of Justina.

All these things show forcefully how human beings, striving for the spirit, felt in this new age, how they felt the deadness of mere thought life and how, at the same time, they felt that it would be impossible to enter with these mere thoughts into the living realm of the Christ concept. I then went on yesterday to show that the phase depicted in Calderon's Cyprianus drama is followed by another, which we find in Goethe's Faust. Goethe is a personality who stands fully in the cultural life of the eighteenth century, which was actually far more international than were later times, and which also had a really strong feeling for the intellectual realm, the realm of thoughts. We can certainly say that in his young days Goethe explored all the different sciences much as did the Faust he depicts in his drama. For in what the intellectual realm had to offer, Goethe did not seek what most people habitually seek; he was searching for a genuine connection with the world to which the eternal nature of man belongs. We can certainly say that Goethe sought true knowledge. But he could not find it through the various sciences at his disposal. Perhaps Goethe approached the figure of Faust in an external way to start with. But because of his own special inclinations he sensed in this Faust figure the struggling human being about whom we spoke yesterday. And in a certain sense he identified with this struggling human being.

Goethe worked on Faust in three stages. The first stage leads us back to his early youth when he felt utterly dissatisfied with his university studies and longed to escape from it all and find a true union of soul with the whole of cultural life. Faust was depicted as the struggling human being, the human being striving to escape from mere intellect into a full comprehension of the cosmic origins of man. So this early figure of Faust takes his place beside the other characters simply as the striving human being. Then Goethe underwent those stages of his development during which he submerged himself in the art of the South which he saw as giving form on a higher plane to the essence of nature. He increasingly sought the spirit in nature, for he could not find it in the cultural life that at first presented itself to him. A deep longing led him to the art of the South, which he regarded as the last remnant of Greek art. There, in the way the secrets of nature were depicted artistically out of the Greek world view, he believed he would discover the spirituality of nature.

And then everything he had experienced in Italy underwent a transformation within his soul. We see this transformation given living expression in the intimate form of his fairy-tale¹ about the Green Snake and the Beautiful Lily, in which, out of certain traditional concepts of beauty, wisdom, virtue and strength, he created the temple with the four Kings.

Then, at the end of the eighteenth century, we see how, encouraged by Schiller, he returns to Faust, enriched with this world of ideas. This second stage of his work on Faust is marked particularly by the appearance of the ‘Prologue in Heaven’, that wonderful poem which begins with the words: ‘The sun makes music as of old, Amid the rival spheres of heaven.’² In the drama as Goethe now conceives it, Faust no longer stands there as a solitary figure concerned solely with himself. Now we have the cosmos with all the forces of the universe ascending and descending, and within this cosmos the human being whom the powers of good and evil do battle to possess. Faust takes his place within the cosmos as a whole. Goethe has expanded the material from a question of man alone to a question encompassing the whole of the universe.

The third stage begins in the twenties of the nineteenth century, when Goethe sets about completing the drama. Once again quite new thoughts live in his soul, very different from those with which he was concerned at the end of the eighteenth century when he composed the ‘Prologue in Heaven’, using ancient ideas about nature, ideas of the spirit in nature, in order to raise the question of Faust to the level of a question of the cosmos. In the twenties, working to bring the second part of the drama to a conclusion, Goethe has returned once more to the human soul out of which he now wants to draw everything, expanding the soul-being once more into a cosmic being.

Of course he has to make use of external representations, but we see how he depicts dramatically the inner journeyings of the soul. Consider the ‘Classical Walpurgis-Night’ or the reappearance of the Helena scene, which had been there earlier, though merely in the form of an episode. And consider how, in the great final tableau, he endeavours to bring to a concluding climax the soul's inner experience, which is at the same time a cosmic experience when it becomes spiritual. Finally the drama flows over into a Christian element. But, as I said yesterday, this Christian element is not developed out of Faust's experiences of soul but is merely tacked on to the end. Goethe made a study of the Catholic cultus and then tacked this Christianizing element on to the end of Faust. There is only an external connection between Faust's inner struggles and the way in which the drama finally leads into this Christian tableau of the universe. This is not intended to belittle the Faust drama. But it has to be said that Goethe, who wrestled in the deepest sense of the word to depict how the spiritual world should be found in earthly life, did not, in fact, succeed in discovering a way of depicting this finding of spirituality in earthly life. To do so, he would have had to come to a full comprehension of the meaning of the Mystery of Golgotha. He would have had to understand how the Christ-being came from the expanses of the cosmos and descended into the human being, Jesus of Nazareth, and how he united himself with the earth, so that ever since then, when seeking the spirit which ebbs and flows in the stormy deeds of man, one ought to find the Christ-impulse in earthly life.

Goethe was never able to make the link between the spirit of the earth, ebbing and flowing in stormy deeds, in the weaving of time, and the Christ-impulse. In a way this may be felt to be a tragedy. But it came about of necessity, because the period of human evolution in which Goethe stood did not yet provide the ground on which the full significance of the Mystery of Golgotha could be comprehended. Indeed, this Mystery of Golgotha can only be fully comprehended if human beings learn to give new life to the dead thoughts which are a part of them in this fifth post-Atlantean period. Today there is a tremendous amount of prejudice, in thought, in feeling and in will, against the re-enlivening of the world of thought. But mankind must solve this problem. Mankind must learn to give new life to this world of thought which enters human nature at birth and conception as the corpse of spirit and soul; this corpse of thoughts and ideas must be made to live again. But this can only happen when thoughts are transformed—first into Imaginations, and then the Imaginations transformed into Inspirations and Intuitions. What is needed is a full understanding of the human being. Not until this becomes a reality, will what I told you yesterday be fully understood: That the world around us must come to be seen as a tremendous question to which the human being himself provides the answer. This is what was to have been given to mankind with the Mystery of Golgotha. It will not be understood until the human being is understood.

Let us look at a diagram of threefold man once more: the human being of the head or of the nerves and senses as discussed yesterday;

Earth

the human being of the rhythmic system or of the chest; and the human being of the metabolism and limbs.

Looking at the human being today, we accept him as the external form in which he appears to us. Someone dissecting a body on the dissecting table has no special feeling that the human head, for instance, is in any way very different from, say, a finger. A finger muscle is considered in the same way as is a muscle in the head. But it ought to be known that the head is, in the main, a metamorphosis of the system of limbs and metabolism from the preceding incarnation; in other words, the head occupies a place in evolution which is quite different from that of the system of limbs that goes with it.

Having at last struggled through to a view of the inner aspect of threefold man, we shall then be in a position to come to a view of what is linked from the cosmos with this threefold human being. As far as our external being is concerned, we are in fact only incarnated in the solid, earthly realm through our head organization. We should never be approachable as a creature of the solid earth if we did not possess our head organization, which is, however, an echo of the limb organization of our previous incarnation. The fact that we have solid parts also in our hands and feet is the result of what rays down from the head. But it is our head which makes us solid. Everything solid and earthly in us derives from our head, as far as the forces in it are concerned.

In our head the solid earth is in us. And whatever is solid anywhere else in our body rays down through us from our head. The origin of our solid bones lies in our head. But there is also in our head a transition to the watery element. All the solid parts of our brain are embedded in the cerebral fluid. In our head there is a constant inter-mingling vibration of the solid parts of our brain with the cerebral fluid which is linked to the rest of the body by way of the spinal fluid. So, looking at the human being of nerves and senses, we can say that here is the transition from the earthly element (blue) to the watery element. We can say that the human being of nerves and senses lives in the earthy-watery element. And in accordance with this, our brain consists of an intercorrespondence between the earthy and watery elements.

Now let us turn to the chest organism, the rhythmic organism. This rhythmic organism lives in the interrelationship between the watery and the airy element (yellow). In the lungs you can see the watery element making contact with the airy element. The rhythmic life is anintermingling of the watery with the airy element, of water with air. So I could say: The rhythmical human being lives in the watery-airy element.

And the human being of metabolism and limbs then lives in the transition from the airy element to the warmth element, in the fiery element (red, next diagram). It is a constant dissolving of the airy element in the warmth, the fiery element, which then seeps through the whole human being as his body heat. What happens in our metabolism and in our movements is a reorganization of the airy, gaseous element up into the warm, fiery element. As we move about, we constantly burn up those elements of the food we have eaten which have become airy. Even when we do not move about, the foods we eat are transformed airy elements which we constantly burn up in the warmth element. So the human being of limbs and metabolism lives in the airy-fiery element.

Human being of nerves and senses: earthy-watery element

Rhythmical human being: watery-airy element

Human being of limbs and metabolism: airy-fiery element

From here we go up even further into the etheric parts, into the light element, into the etheric body of the human being. When the organism of metabolism and limbs has transferred everything into warmth, it then goes up into the etheric body. Here the human being joins up with the etheric realm which fills the whole world; here he makes the link with the cosmos.

Ideas like this, which I have shown you only as diagrams, can be transformed into artistic and poetic form by someone who has an inner sense for sculpture and music. In a work of poetry such as the drama of Faust such things can certainly be expressed in artistic form, in the way certain cosmic secrets are expressed, for instance, in the seventh scene of my first Mystery Drama.³ This leads to the possibility of seeing the human being linked once more with the cosmos. But for this we cannot apply to the human being what our intellect teaches us about external nature. You must understand that if you study external nature, and then study your head in the same way as you would external nature, you are then studying something which simply does not belong to external nature as it now is, but something that comes from your former incarnation. You are studying something as though it had arisen at the present moment; but it is not something that has arisen out of the present moment, nor could it ever arise out of the present moment. For a human head could not possibly arise out of the forces of nature which exist. So the human head must not be studied in the same way as objects are studied with the intellect. It must be studied with the knowledge given by Imagination. The human head will not be understood until it is studied with the knowledge given by Imagination.

In the rhythmical human being everything comes into movement. Here we have to do with the watery and the airy elements. Everything

is in surging movement. The external, solid parts of our breast organization are only what our head sends down into this surging motion. To study the rhythmical human being we have to say that in this rhythmical surging the watery element and the airy element mingle together (see diagram, green, yellow). Into this, the head sends the possibility for the solid parts, such as those in the lungs, to be present (white). This surging, which is the real rhythmical human being, can only be studied with the knowledge given by Inspiration. So the rhythmical human being can only be studied with the knowledge given by Inspiration.

And the human being of limbs and metabolism—this is the continuous burning of the air in us. You stand within it, in your warmth you feel yourself to be a human being, but this is a very obscure idea. It can only be studied properly with the knowledge given by Intuition, in which the soul stands within the object. Only the knowledge given by Intuition can lead to the human being of metabolism and limbs.

The human being will remain forever unknown if he is not studied with the knowledge given by Imagination, Inspiration and Intuition. He will forever remain the external shell which is all that is recognized today, both in general and in science. This situation must not be allowed to remain. The human being must come once more to be recognized for what he is. If you study only the solid parts of the human being, the parts which are shown in the illustrations in anatomy textbooks, then, right from the start, you are studying wrongly. Your study ought to be in the realm of Imagination, because all these illustrations of the solid parts of the human organism ought to be taken as images brought over from the previous incarnation. This is the first thing. Then come the even more delicate parts which live in the physical constituents. These can only be studied with the knowledge given by Inspiration. And the airy-watery element can only be studied with the knowledge given by Intuition. These things must be taken into European consciousness, indeed into the whole of modern civilization. If we fail to place them in the mainstream of culture, our civilization will only go downhill instead of upwards.

When you understand what Goethe intended with his Faust, you sense that he was endeavouring to pass through a certain gateway. Everywhere he is struggling with the question: What is it that we need to know about this human being? As a very young man he began to study the human form. Read his discourse on the intermaxillary bone and also what I wrote about it in my edition of his scientific writings.⁴ He is endeavouring so hard to come to an understanding of man. First he tried by way of anatomy and physiology. Then in the nineties he explored the aspect of moral ideas which we find in the fairy tale of the Green Snake and the Beautiful Lily. Then, in Faust, he wants to depict the human being as he stands in the world. He is trying to pass through a gateway in order to discover how the human being does, in fact, stand in the world. But he lacks the necessary prerequisites; he cannot do it.

When Calderón wrote his drama about Cyprianus, the struggle was still taking place at a previous level. We see how Justina tears herself free of Satan's clutches, how Cyprianus goes mad, how they find one another in death, and how their salvation comes as they meet their end on the scaffold. Above them the serpent appears—on it rides the demon who is forced to announce their salvation.

We see that at the time when Calderon was writing his Cyprianus drama the message to be clearly stated was: You cannot find the divine, spiritual realm here on earth. First you must die and go through the portal of death; then you will discover the divine spiritual world, that salvation which you can find through Christ. They were still far from understanding the Mystery of Golgotha through which Christ had descended to earth, where it now ought to be possible to find him. Calderon still has too many heathen and Jewish elements in his ideas for him to have a fully developed sense for Christianity.

After that, a good deal of time passed before Goethe started to work on his Faust. He sensed that it was necessary for Faust to find his salvation here on earth. The question he should therefore have asked was: How can Faust discover the truth of Paul's words: ‘Not I, but Christ in me’?⁵ Goethe should have let his Faust say not only, to ‘Stand on free soil among a people free’,⁶ but also: to ‘stand on free soil with Christ in one's soul leading the human being in earthly life to the spirit’. Goethe should have let Faust say something like this. But Goethe is honest; he does not say it because he has not yet fully understood it. But he is striving to understand it. He is striving for something which can only be achieved when it is possible to say: Learn to know man through Imagination, Inspiration, Intuition. That he is striving in this way gives us the feeling that there is much more in his struggle and in his endeavour than he ever managed to express or than has filtered through into today's culture. Perhaps he can only be fully recognized by doing what I did in my early writings when I endeavoured to express the ‘world view which lived almost unconsciously in him. However, on the whole, his search has met with little understanding amongst the people of today.

When I look at this whole situation in connection with modern civilization, I am constantly reminded of my old teacher and friend, Karl Julius Schröer.⁷ I think particularly of how, in the eighties of the last century, Schröer was working on Faust and on Goethe's other plays, writing commentaries, introductions and so on. He was not in the least concerned to speak about Goethe in clearly defined concepts but merely gave general indications. Yet he was at pains to make people understand that what lived most profoundly in Goethe must enter into mainstream modern culture. On the fiftieth anniversary of Goethe's death, in 1882, Schröer gave an address: ‘How the future will see Goethe’. He lived with the dream that the time had already come for a kind of resurrection of Goethe. Then we wrote a short essay in Die Neue Freie Presse which was reprinted in the booklet ‘Goethe and Love’. This and other of his writings have now been acquired by our publisher, Der Kommende Tag, so remaindered copies can be acquired there, and there will also be new editions eventually. This essay ‘Goethe after 50 Years’ is a brief extract from that lecture, at which I was present. It contains a good deal of what Schröer felt at that time regarding the need for Goethe to be assimilated into modern culture. And then in this booklet ‘Goethe and Love’ he endeavoured to show in the notes how Goethe could be made to come alive, for to bring Goethe to life is, in a sense, to bring the world of abstract thoughts to life. In the recent number of Das Goetheanum I referred to a beautiful passage about this in the booklet ‘Goethe and Love’. Schröer says: ‘Schiller recognized him. When an intuitive genius searches for the character of necessity in the empirical realm, he will always produce individuals even though these may have a generic aspect. With his intuitive method of seeing the eternal idea, the primeval type, in the mortal individual, Goethe is perhaps not as alone as one might assume.’

While Schröer was writing this booklet in 1882 I visited him a number of times. He was filled to the brim with an impression he had had. He had heard somewhere how Oppolzer, a physician in Vienna, used a rather vague intuitive faculty when making his diagnoses. Instead of examining the patient in the usual way, he allowed the type of the patient to make an impression on him, and from the type of the patient he deduced something of the type of the illness. This made a strong impression on Schröer, and he used this phenomenon to enlarge on what he was trying to explain: ‘In medicine we extol the ability of great diagnosticians to fathom the disease by intuitively discerning the individual patient's type, his habitude. They are not helped by chemical or anatomical knowledge but by an intuitive sense for the living creature as a whole being. They are creative spirits who see the sun because their eyeis sunlike. Others do not see the sun. What these diagnosticians are doing unconsciously is to follow the intuitive method which Goethe consciously applied as a means of scientific study. The results he achieved are no longer disputed, though the method is not yet generally recognized.’

Out of a conspectus which included Oppolzer's intuitive bedside method, Schröer even then was pointing out that the different sciences, for example, medicine, needed fructifying by a method which worked together with the spirit.

It is rather tragic to look back and see in Schröer one of the last of those who still sensed what was most profound in Goethe. At the beginning of the eighties of the last century Schroer believed that there would have to be a Goethe revival, but soon after that Goethe was truly nailed into his coffin and buried with sweeping finality. His grave, we could say, was in Central Europe, in the Goethe-Gesellschaft, whose English branch was called the Goethe Society. This is where the living Goethe was buried. But now it is necessary to bring this living element, which was in Goethe, back into our culture. Karl Julius Schroer's instinct was good. In his day he was unable to fulfil it because his contemporaries continued to worship the dead Goethe. ‘He who would study organic existence, first drives out the soul with rigid persistence.’⁸

This became the motto, and in some very wide circles this motto has intensified into a hatred against any talk of spiritual things—as you can see in the way Anthroposophy is received by many people.

Today's culture, which all of you have as your background, urgently needs this element of revival. It is quite extraordinary how much talk there is today of Goethe's Faust, which after all simply represents a new stage in the struggle for the spirit which we saw in Calderón's Cyprianus drama. So much is said about Faust, yet there is no understanding for the task of the present time, which is to bring fully to life what Goethe brought to life in his Faust, especially in the second part. Goethe brought it to life in a vague, intuitive sensing, though not with full spiritual insight. We ought to turn our full attention to this, for indeed it is not only a matter of a world view. It is a matter of our whole culture and civilization. There are many symptoms, if only we can see them in the right light.

Here is an essay by Ruedorffer⁹ entitled ‘The Three Crises’. Every page gives us a painful knock. The writer played important roles in the diplomatic and political life of Europe before the war and on into the war. Now, with his intimate knowledge of the highways and byways of European-life, and because he was able to observe things from vantage points not open to most, he is seeking an explanation of what is actually going on. I need only read you a few passages. He wants to be a realist, not an idealist. During the course of his diplomatic career he has developed a sober view of life. And despite the fact that he has written such things as the passages I am going to read to you he remains that much appreciated character, a bourgeois philistine.

He deals with three things in his essay. Firstly he says that the countries and nations of Europe no longer have any relationship with one another. Then he says that the governing circles, the leaders of the different nations, have no relationship with the population. And thirdly he says that those people in particular who want to work out and found a new age by radical means most certainly have no relationship with reality.

So a person who played his part in bringing about the situation that now exists writes: ‘This sickness of the state organism snatches leadership away from good sense and hands responsibility for decisions of state to all sorts of minor influences and secondary considerations. It inhibits freedom of movement, fragments the national will and usually also leads to a dangerous instability of governments. The period of unruly nationalism that preceded the war, the war itself, and the situation in Europe since the war, have made monstrous demands on the good sense of all the states, and on their peace and their freedom to manoevre. The loss of wealth brought about by necessary measures has completed the catastrophe. The crisis of the state and the crisis in world-wide organization have mutually exacerbated the situation, each magnifying the destructive effect of the other.’ These are not the words of an idealist, or of some artistic spirit who watched from the sidelines, but of someone who shared in creating the situation. He says, for instance: ‘If democracy is to endure, it must be honest and courageous enough to call a spade a spade, even if it means bearing witness against itself. Europe faces ruin.’

So it is not only pessimistic idealists who say that Europe is faced with ruin. The same is said especially by those who stood in the midst of practical life. One of these very people says:

‘Europe faces ruin. There is no time to waste by covering up mistakes for party political reasons, instead of setting about putting them to rights. It is for this reason alone, and not to set myself up as laudator temporis acti, that I have to stress that democracy must, and will, destroy itself if it cannot free the state from this snare of minor influences and secondary considerations. Pre-war Europe collapsed because all the countries of the continent—the monarchies as well as the democracies and, above all, autocratic Russia—succumbed to demagogy, partly voluntarily, partly unconsciously, partly with reluctance because their hand was forced. In the confusion of mind, for which they had only themselves to thank, they were incapable of recognizing good sense, and even if they had recognized it they would have been incapable of acting on it freely and decisively. The higher social strata of the old states of Europe—who, in the last century, were certainly the bearers of European culture and rich in personalities of statesmanlike quality and much world experience—would not have been so easily thrown from the saddle, rotten and expended, if they had grown with the problems and tasks of new times, if they had not lost their statesmanlike spirit, and if they had preserved any more worthwhile tradition than that of the most trivial diplomatic routine. If monarchs claim the ability to select statesmen more proficiently and expertly than governments, then they and their courts must be the centre and epitome of culture, insight and understanding. Long before the war this ceased to be the case. But indictment of the monarchs’ failures does not exonerate the democracies from recognizing the causes of their own inadequacies or from doing everything possible to eliminate them. Before Europe can recover, before any attempt can be made to replace its hopeless disorganization with a durable political structure, the individual countries will have to tidy up their internal affairs to an extent which will free their governments for long-term serious work. Otherwise, the best will in the world and the greatest capability will be paralysed, tied down by the web of the disaster which is the same wherever we look.’

I would not bother to read all this to you if it had been written by an idealist, instead of by someone who considers his feet to be firmly on the ground of reality because he played a part in bringing the current situation about.

‘The drama is deeply tragic. Every attempt at improvement, every word of change, becomes entangled in this web, throttled by a thousand threads, until it falls to the ground without effect. The citizens of Europe—thoughtlessly clutching the contemporary erroneous belief in the constant progress of mankind, or, with loud lamentations trotting along in the same old rut—fail to see, and do not want to see, that they are living off the stored-up labour of earlier years; they are barely capable of recognizing the present broken-down state of the world order, and are certainly incapable of bringing a new one to birth. On the other hand, the workers, treading a radical path in almost every country and convinced of the untenability of the present situation, believe themselves to be the bringers of salvation through a new order of things; but in reality this belief has made them into nothing more than an unconscious tool of destruction and decline, their own included. The new parasites of economic disorganization, the complaining rich of yester-year, the petit bourgeois descending to the level of the proletariat, the gullible worker believing himself to be the founder of a new world—all of them seem to be engulfed by the same disaster, all of them are blind men digging their own grave.’

Remember, this is not written by an idealist, but by one who shared in bringing about this situation!

‘But every political factor today—the recent peace treaties of the Entente, the Polish invasion of the Ukraine, the blindness or helplessness of the Entente with regard to developments in Germany and Austria—proves to the politician who depends on reality that although idealistic demands for a pan-European, constructive revision of the Paris peace treaties can be made, although the most urgent warnings can be shockingly justified, nevertheless, both demands and warnings can but die away unnoticed while everything rolls on unchanged towards the inevitable end—the abyss.’

The whole book is written in order to prove that Europe has come to the brink of the abyss and that we are currently employed in digging the grave of European civilization. But all this is only an introduction to what I now find it necessary to say to you. What I have to say is something different. Here we have a man who was himself an occupant of crucial seats of office, a man who realizes that Europe is on the brink of the abyss. And yet—as we can see in the whole of his book—all he has to say is: If all that happens is only a continuation of older impulses, then civilization will perish; it will definitely perish. Something new must come.

So now let me search for this new thing to which he wants to point. Yes, here it is, on page 67; here it is, in three lines: ‘Only a change of heart in the world, a change of will by the major powers, can lead to the creation of a supreme council of European good sense.’

Yes, this is the decision that faces these people. They point out that only if a change of heart comes about, if something entirely new is brought into being, can the situation be saved. This whole book is written to show that without this there can be no salvation. There is a good deal of truth in this. For, in truth, salvation for our collapsing civilization can only come from a spiritual life drawn from the real sources of the spirit. There is no other salvation. Without it, modern civilization, in so far as it is founded in Europe and reaches across to America, is drawing towards its close. Decay is the most important phenomenon of our time. There is no help in reaching compromises with decay. Help can only come from turning to something that can flourish above the grave, because it is more powerful than death. And that is spiritual life. But people like the writer of this book have only the most abstract notion of what this entails. They say an international change of heart must take place. If anything is said about a real, new blossoming of spiritual life, this is branded as ‘useless mysticism’. All people can say is: Look at them, bringing up all kinds of occult and mystical things; we must have nothing to do with them.

Those who are digging the grave of modern civilization most busily are those who actually have the insight to see that the digging is going on. But the only real way of taking up a stance with regard to these things is to look at them squarely, with great earnestness—to meditate earnestly on the fact that a new spiritual life is what is needed and that it is necessary to search for this spiritual life, so that at last a way may be found of finding Christ within earthly life, and of finding Him as He has become since the Mystery of Golgotha. For He descended in order to unite with the conditions of the earth.

The strongest battle against real Christian truth is being fought today by a certain kind of theology which raises its hands in horror at any mention of the cosmic Christ. It is necessary to be reminded again and again that even in the days when Schröer was pointing to Goethe as a source for a regeneration of civilization, a book appeared by a professor in Basel—a friend of Nietzsche—about modern Christian theology. Overbeck¹⁰ considered at that time that theology was the most un-Christian thing, and as a historian of theology he sought to prove this. So there was at that time in Basel a professor of theological history who set out to prove that theology is un-Christian!

Mankind has drifted inevitably towards catastrophe because it failed to hear the isolated calls, which did exist but which were, it must be said, still very unclear. Today there is no longer any time to lose.

Today mankind must know that descriptions such as that given by Ruedorffer are most definitely true and that it is most definitely necessary to realize how everything is collapsing because of the continuation of the old impulses. There is only one course to follow: We must turn towards what can grow out of the grave, out of the living spirit.

This is what must be pointed out ever and again, especially in connection with the things with which we are concerned.

• 1 . Floris Books, Edinburgh 1979. See, for instance, Rudolf Steiner, The Portal of Initiation & The Character of Goethe's Spirit as Shown in the Fairy Story (incl. a translation of the Fairy Story by Thomas Carlyle), Rudolf Steiner Press, New Jersey 1961.
• 2 . Johann Wolfgang von Goethe, Faust, Part One, ‘Prologue in Heaven’. The English versions of the quotations from Faust are taken from the translation by Bayard Taylor, with the exception of these lines from the ‘Prologue in Heaven’, which are translated by Shelley. (Tr.)
• 3 . The Portal of Initiation. A Rosicrucian Mystery through Rudolf Steiner, transl. Ruth and Hans Pusch, Steiner Book Centre, Toronto, 1973.
• 4 . Rudolf Steiner Goethes Naturwissenschaftliche Schriften, mit Einleitungen, Fussnoten und Erlauterungen im Text (Goethe's Natural Scientific Writings) in Kürschners Deutsche National-Litteratur. On the intermaxillary bone see Volume 1.
• 5 . Galatians 2, 20
• 6 . Part Two, Act 5, Great Outer Court of the Palace.
• 7. Karl Julius Schröer, 1825-1900. On his booklet Goethe und die Liebe (Goethe and Love) see Rudolf Steiner's collected essays 1921-1925 in Der Goetheanumgedanke inmitten der Kulturkrisis der Gegenwart, p.111. GA 36.
• 8 . Faust Part One. The Study.
• 9 . J.J. Ruedorffer, Die drei Krisen. Eine Untersuchung fiber den gegenwartigen politischen Weltzustand (The Three Crises. A consideration of the present state of world politics.) Stuttgart/Berlin 1920.
• 10. Franz Overbeck, 1837-1905.

The spiritual and psychic experiences of the characters, sketched in this series of scenic pictures called ‘The Guardian of the Threshold,’ are a continuation of those which appeared before in my life pictures called ‘The Portal of Initiation’ and ‘The Soul's Probation,’ and are supposed to take place about fifteen years later than the occurrences in ‘The Portal of Initiation.’

The three plays together form an organic whole.

In ‘The Guardian of the Threshold’ the following persons and beings appear:

1. REPRESENTATIVES OF THE ELEMENT OF SPIRIT:
   
   1. Benedictus, Leader of the Temple of the Sun and the teacher of a number of people who appear in ‘The Guardian of the Threshold.’
   2. Hilary True-to-God, Grand Master of the Mystic League, represented in a former incarnation in ‘The Soul's Probation’ as the Grand Master of a Mystic Brotherhood.
   3. Johannes Thomasius, a pupil of Benedictus, some-times called Johannes and sometimes Thomasius.


2. REPRESENTATIVES OF THE ELEMENT OF DEVOTION:
   
   4. Magnus Bellicosus, Preceptor of the Mystic League, known as Germanus in ‘The Portal of Initiation.’
   5. Albertus Torquatus, Master of the Ceremonies in the Mystic League, known as Theodosius in ‘The Portal of Initiation.’
   6. Professor Capesius.


3. REPRESENTATIVES OP THE ELEMENT OF WILL:
   
   7. Frederick Trustworthy, Master of the Ceremonies in the Mystic League. The Reincarnation of the Second Master of the Ceremonies of the Spirit-Brotherhood in ‘The Soul's Probation’, and known as ‘Romanus’ in ‘The Portal of Initiation.’
   8. Theodora, a Seeress, in whom the Element of Will is changed into a simple gift of prophecy.
   9. Doctor Strader.


4. THE REPRESENTATIVES OF THE ELEMENT OF SOUL:
   
   10. Maria, a pupil of Benedictus.
   11. Felix Balde.
   12. Dame Felicia, his wife.


5. BEINGS FROM THE SPIRIT WORLD:

   Lucifer.
   Ahriman.

6. BEINGS OF THE ELEMENT OF HUMAN SPIRIT:

   The Double of Thomasius.
   The Soul of Theodora.
   The Guardian of the Threshold.

Philia, Astrid, & Luna, the spiritual beings through whose agency the human soul forces are connected with the Cosmos.

The Other Philia, the spiritual being who hinders the union of the soul-powers with the Cosmos.

The Voice of Conscience.

These spiritual beings are not intended to be allegorical or symbolic, but realities, who to spiritual perception are exactly like physical persons.

The following persons are the reincarnations of the twelve peasants in ‘The Soul's Probation’:

1. Ferdinand Fox.
2. Michael Nobleman.
3. Bernard Straight.
4. Francesca Humble.
5. Mary Steadfast.
6. Louisa Fear-God.
7. Frederick Clear-Mind.
8. Casper Hotspur.
9. George Candid.
10. Mary Dauntless.
11. Erminia Stay-at-Home.
12. Katharine Counsel.

In ‘The Guardian of the Threshold’ the nature of the reincarnation is not to be regarded as a law holding good generally, but as something which can only happen at a turning-point of time. Hence, for example, the incidents of Scene 8 between Strader and the twelve others are only possible at such a period. The spiritual entities taking part in this play are by no means to be considered as merely allegory or symbol. For any one who recognizes the spiritual world as reality, the beings there exist, just as much as physical men in the sense-world, and as such they may be portrayed. Spiritual beings do not have human form, as they are bound to have upon the stage. If the writer of these psychic incidents in pictures considered these beings to be allegories, he would not have represented them in the way he has done.

The systematic arrangement of the characters into groups (3 x 4) is not intentional or in the original plan of the play; it is a result—by way of afterthought—of the incidents, which are sketched out quite independently, and fall naturally into such a division. It would never have occurred to the author to include it in the original plan; but it may be permitted to cite it here as a result.

The scheme of stage decoration is in accordance with the planetary signs shown in Dr. Steiner's Occult Seals and Symbols. In Scene 2, the walls and furniture, etc., are decorated with Dr. Steiner's architectural design for Jupiter. Scene 4 is devoted to Venus. And Dr. Steiner's symbols for the Sun govern the little wooden hut and all its appurtenances in Scene 5. To the other scenes no architectural design is applicable.

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The costumes are as follows:

Except when officiating as Hierophant Benedictus is in black frockcoat and trousers; Hilary, Bellicosus, Torquatus, and Trustworthy are in dark frockcoats, etc., except when acting as officers in the Temple or as leaders in the Mystic League. Johannes is in a dark blue velveteen suit, short coat, breeches, and stockings. Capesius, when he is in the soul, e.g., in scenes 3 and 6, appears quite young, beardless, and in flimsy blue and white robes; at other times in ordinary modern attire.

Theodora, modern with a coloured stole. Strader, modern, short brown jacket; except in Scene 4, where he is in grey lavender.

Maria, modern with stole.

Felix Balde, a blue tunic trimmed with fur.

Felicia Balde, modern with stole.

Lucifer, flowing crimson and gold robes, long golden hair, and crowned when on his throne.

Ahriman in yellow robes.

The Guardian of the Threshold, conventional angel with a flaming sword.

Philia, Astrid, Luna, and the Other Philia, flowing muslin robes of many colours, but Astrid is in white.

The reincarnated male peasants are in frockcoats of very brilliant colour, crimson, chocolate, blue, etc. The trousers, coat and waistcoat are always to match. The women are in modern costumes with stoles; F. Humble in lilac; M. Steadfast in blue; M. Dauntless in green; E. Stay-at-Home in light and dark cherry; K. Counsel in cerise; L. Fear-God in brown; Fox has red hair, and a red-brown suit.

See also the notes on the costumes in the two preceding plays. The brethren of the Mystic League are clad as follows: blue robe long and full, blue belt, a short blue mantle thrown over the back and attached to the front by broad bands of a lighter blue. These bands meet on the breast in a large circular blue band of the same shade, within which are three circular red seals, the one surmounting the other two, and upon each of these there is a black pentagram. The cap is blue, about three inches high, flat at the top, and has six sides.

The green parts = remains of the Lemurian continent. On Earth, everything is in development. We would encounter a very different configuration of the Earth in Lemuria; a much higher temperature. Everything that is solid today would then be found in a liquid state. Metals would flow. We assume that this temperature would not harm their beings. The Lemurian continental parts were of a completely different nature, not emerging from the liquid element, but rather slightly liquid parts in a sea of fire, and only when it cooled down did this fire become dangerous to the more solid parts. The destruction happened because the remaining fire became dangerous to the cooled parts. The fire was what the Lemurians used to form everything; a fine etheric fabric was around the fiery-liquid mass in which the continents floated; the people were cloud-like fiery-flooding figures.

As differentiation occurred, fire was banished into fire basins, humans were able to work with firepower, came to black magic and perished in the fire. About a million years ago there was more differentiation.

The red was soft masses, more waxy continents; the air was much denser than it is today; the water was much thinner, still related to what we call the element from which life with form originated [...] . Even more related to the watery in plants, so that people were more related to what surrounded them. They could not yet easily penetrate the air; the water much thinner, like today's fog, was more related to them. There was more life force in this rarefied water than in today's denser, more differentiated water. People felt much more akin to the elements because of this kinship. The result was that they could use the power contained within them. Example of a locomotive with mineral steam propulsion. Grains have a similar stored energy to coal. Today's man cannot convert it into motive power; the Atlanteans were able to supply their engines with seed power.

He crossed the few plant species in order to use the power, and through skillful crossbreeding experiments, he produced the many varieties of plants and animals. This is where the difference to the Darwinian theory lies. No scientist wants to deny that these many species have emerged from a few; it is just that all hypotheses have been shattered, such as “(struggle for existence, ”sexual breeding choice, because science is faced with the fact that man himself is the breeder.

The Atlanteans were equipped with the power of seed, vril. The fourth root race had the plan of life at its disposal and ruled over everything with the power of seed; the fifth root race can only use mineral power. The Atlanteans had small airships that they heated with the power of seed. These moved in the dense air, close to the ground, and steered over the mountains. The water was thinner and was therefore used for the fine arts, especially in the city of golden gates.

Within the root race are seven sub-races that underwent migrations. First, the original people.

Rmoahals, people who still resembled the last Lemurians, with a fairly physical organization, living in nature itself. Their descendants, the Tlavatli peoples, organized themselves up to develop the dominant element of the Atlanteans, memory, which found its first peak in the third race, among the Toltecs. They had cities that were built entirely according to the principle of intuitive architecture - as it is degenerated today in beaver dams.

A rock, a natural garden, was continued in the buildings, as it were. In complete harmony with nature, they created fabulously beautiful dwellings; the canalization system was magnificent, cleanliness even greater.

Gradually, these peoples had developed an ever more highly cultured way of life. The sons of the fire mist had grown into adepts with schools of adepts; the rulers were taken from among the adepts themselves. It was impossible for them to be unworthy, because people knew how to regulate inheritance by choosing the appropriate parents. This secret, the secret of birth, was almost completely lost. Everything was based on memory, which extended beyond what they experienced between birth and death. It was taken for granted that a son had a shared memory with his father, grandfather, and so on, so that they mastered the knowledge and arts of their fathers through intuition. Thus, breeding was more important than education. All knowledge was therefore more a matter of trial and error than of study. Hence there were also other schools: more workshops where people learned how to do things. There was no counting involved; instead, people memorized and remembered. [No one was educated; no one could have described what their family tree would have looked like.] The temples were ancestral temples; the later cult of ancestors is a degeneration of this culture of ancestors, which was based on memory. History was recorded in symbols. Until the middle of the third race, mastery of the vril force was strictly held by the adepts, who understood the symbols that had to be learned first.

The fourth race, the original Turanians, were the first to have degenerated. They stole the secret of the vril force and became black magicians.

In the fifth race, the first announcement of thought and combination: the Ur-Israelites. They remained mixed between the sixth and seventh races; they were the progenitors of today's Aryan root race, bringing over the power of memory and adding combination.

The sixth race was that of the Akkadians, more towards Asia. It was the people who already understood the combining, calculating activity in the sense of practical enterprise. They were a trading people. They are the ones who brought something that did not exist before: primal jurisprudence, that is, rules for the mutual relations of people. The seventh sub-race, the Mongols, realized the Atmic principle of unity in religious matters. The others looked up at the starry sky and saw the divine in the power of the stars. The Toltecs had felt the power of Vril as divine, then worked it out intellectually until it was worshipped by the Mongols as “Tao”.

The Greeks in their tradition have expressed many things. Three types in the images of the gods:

- the Zeus type, that of the fifth root race,

- the satyr, faun circle, related to the primeval Egyptian mummies in the face, represents the memory of the Atlantean type. Satyr – eastward = faun: bringing the memory of peoples living to the west.

- Hermes: god of merchants, bearing everything that set the tone for the Atlanteans: the snake as a symbol of the healing vril force, god of doctors. Wings indicated an intimate relationship with nature; winged god who survived the flood. So that the three types are truly historical documents.

Greek mythology, related to Greek esotericism: the

Egyptian Hermes, in Egypt the adepts had retreated – and related to the great artists of the Atlanteans; under the

name of Hermes they summarized their adepts' knowledge. Hence

the relationship between the esoteric Hermes and the god of trade.

Now the time came, similar to the Lemurian one. The continents condensed, the Turanians used the vril force to draw water, so that the continents were shaken by its own power. Due to the condensation of the water, it was not possible to hold the water at its points; the evil arts, evil were the ferment of progress. Due to the proliferation of mischief, the sea condensed. The extracted life force, which pushed the molecules apart, caused the opposite pole, the power over the condensed sea was lost. They themselves extracted the power that held the sea together.

The life force in the plants of the Atlantians was still connected to the life force of the Atlantians themselves; when he made changes to himself, he could cause the plants to grow slower or faster.

So we have to change our ideas to have the concept of development.

Let us survey a few cosmological facts. Evolution is focused on the development of states of consciousness. The present state of consciousness is one stage – it is the fourth. It has been preceded by three and will be followed by three. We are now in the waking state.

The seer, looking back into the past, finds that this was preceded by a dream state; somewhat lighter than in our more highly developed animals; and duller, but more comprehensive than present-day man can imagine. This consciousness included the plant world. Man could then see life flowing through the plants, germinating, sprouting. It is something that we still find in some mediums: a duller but more comprehensive state of consciousness.

Before that, we find a state that we can call sleep trance; it is even duller and even more comprehensive; the entities were able to see not only life, but also directly pain and joy; today we can only see the gestures of it. The dream state symbolized pain and joy through form, just as dreams still symbolize today. Everything was expressed in symbolic forms in those days, and our present-day symbolizing is an atavism of the earlier state of consciousness. Even the sleep trance, this dreamless sleep consciousness, can still be studied in mediums today.

The third state of consciousness – looking backwards – is the deep trance; it is also called the induced trance. It is very rare today, but can be achieved in pathological states, and then the medium constructs chains of worlds.

So we have come to know four states of consciousness: deep trance, dreamless sleep, the dream state and waking daytime consciousness. Man has gone through these four states. What has been achieved at each stage must be summarized and passed on to the next in the bud.

This gathering together is called Pralaya, the unfolding is called Manvantara; the state of consciousness itself is called a planet.

The next state that awaits us is the psychic state, which is similar to the previous one and is associated with an expansion, but at the same time a maintenance of the waking state of consciousness. The consciousness now advances in stages: the expansion occurs, but with an alert daytime consciousness. This is the development of the clairvoyant. All the theosophical teachings come from this expanded state of daytime consciousness. This psychic state of consciousness now grants the clairvoyant insight into the beautiful life stream that can be seen flowing through all plants; it can be seen when you subtract the plant, it can best be compared to the color of a peach blossom and can also be seen in humans, only - clouded by Kama.

The next super-physical consciousness extends to all sensations, to pain and feelings. The clairvoyant learns to see them when he can see the astral body – and also the lower mental world.

The highest spiritual state of consciousness provides insight into the higher mental world and extends to the planets.

Thus, all further development is based on seven states of consciousness.

Each state of consciousness has seven life stages to go through. These are also called the seven kingdoms. They are: the first, the second, the third elementary kingdom, the mineral, the vegetable, the animal kingdom and the human kingdom.

The physical body has already passed through the seven stages, the astral body will only penetrate them in the next round.

The passage through a realm is called a round.

Each state of life must again pass through seven states of form.

Between each state of life and the next there is another small pralaya.

The form states are designated as arupa (the actually still formless, only striving for development), rupa, astral, physical, plastic, intellectual, archetypal. The seventh state is the result of the six preceding ones; after the chela has been able to form himself plastically and intellectually, he creates, as it were, the skeleton to which the following can attach themselves, which in turn has to shoot out of the germ. It is the archetype.

Beyond the spiritual state of consciousness is the mastery; the spiritual state of consciousness is the highest that the chela can reach, in which he can see over all the others. After that, the mastery begins for him.

Our present physical state would shine for the clairvoyant in a color that most resembles a beautiful green; the astral state in a bright yellow; the rupa-form state in orange; the arupa-form state in rose red. The color tones of the future phases are blue, indigo, violet.

In the esoteric language, the preceding planets are called the “moon” and the sun.

The state of consciousness that man reached on the moon gave a result, as did the previous one; the first state of consciousness gave the deepest result.

The mystic finds within himself what he saw spread around him; what is now our inner life was once all around us; what our life with the world is now will later be our inner life; we have to assimilate everything. Our entire outer nature will fade away, but it will become inner life. What is spread out is called evolution, what is gathered together is called 'involution.

Thus, the mystic will find the earlier stages of expansion within himself when he delves into himself. The result of these earlier stages is ego-consciousness; the earth has the task of developing this ego-consciousness - Ahamkara the Indian calls it.

The ability to perceive is linked to the third state of consciousness, that of dream sleep; the mystic experiences it again, swimming directly in the stream of life, and he experiences it to an increased degree, since he transfers his present day consciousness to that state. The Indian calls this state Chita, the mystic language calls it “the waters, the sea of life”; Suso, Ruysbroek, Böhme - speak of a “merging in the heavenly tincture,” of a “tasting of life” - through direct insight into earlier states, which are found again in the depths of consciousness. It is a wandering back in time, not in space.

If you go back even further, you will find a state of consciousness that is only known to the chela who has maintained the continuity of consciousness even through sleep. The laws of nature are the only thing you can grasp from this state of consciousness. Today they are present in the rudimentary manas; manas is what is left of it. The chela perceives thoughts in a state of deep sleep – devachan. This state is created by raising the dreamless sleep to consciousness. The Indian calls it

The last state of consciousness, in which everything that can be seen in the rounds and planetary development is experienced, is deification or union with God, in fact: union with the primal creative power of a cosmos. “Mokscha” is what the Indian calls it. The chela only reaches it immediately before adeptness. What flashes up in man is not only the perception of thoughts, but also of the ‘I’. It is a merging with humanity; it is the realization: Budhi. That teaching, which has flowed out of the conscious seeing of Budhi, is therefore called ‘Esoteric Buddhism’.

We have thus become acquainted with the states of consciousness just described under the names: Ahamkara, Chita, Jujuksha or Manas, Mokscha or Budhi.

Through Ahamkara, man becomes aware of himself.

Through Chita, he becomes aware of the expressions of the beings around him.

Through manas, he becomes aware of the inner life of beings.

Through budhi, of the essence of the beings around him.

This continuous thread of development, which takes the states of consciousness through 343 stages, we call the Pitri.

Spengler speaks of the sleeping plant-life and uses expressions such as these: “A plant has Being without Waking-being. In sleep all beings become plants: the tension with the environment is extinguished, the rhythm of life goes on. A plant knows only the relation to the When and Why. The pressing of the first green tips out of the winter-earth, the swelling of the buds, the whole mighty process of blossoming, giving out aroma, shining, ripening: all this is the wish for the fulfilling of a destiny and a continuous yearning question after the When.”

In contrast to this is the awakeness of animals and men. Awakeness develops an inner life. But this is torn away from cosmic being. It seems as though, in the experiences of awakeness, nothing remains of the urging, driving cosmic forces which become destiny in the plant-world. This feeling of being torn away is fully worked out in Spengler's views.

In the life of men, the plant-like element continues to work. It rules in the subconscious activities which appear as the results of the mysterious forces of the “blood.” Out of the “blood” arises what lives as the element of destiny in mankind. In contrast to this, what is formed by waking consciousness appears as a chance addition to the true Being. Spengler finds sharply etched words to describe the insignificance of waking consciousness in relation to the really creative plant-like forces in human nature: “Thinking gives itself much too high a rank in life because it does not notice or recognize other methods of apprehension and thereby loses its unprejudiced view. In truth all professional thinkers—and in all cultures almost these alone are vocal—have, as. a matter of course, held cold abstract reflection to be the activity by which men attain to ‘last things’.” Rather than being profound, it is a fairly easily achieved insight which Spengler expresses with the words: “But though man is a thinking being he is far from a being whose whole life consists in thinking.” This is as true as “that two and two are four.” But for any truth it is important just how one places it into life-connections. And Spengler never once inserts thinking into life: he places it beside life. He does this because he grasps it only in the form in which it appears in modern scientific research. There it is abstract thinking. In this form it is reflection on life, not a force of life itself. Of this thinking one may say that what works formatively in life comes out of the sleeping plant-element in man; it is not the result of waking abstraction. It is true that “The real life, history, knows only facts. Life-experience and human knowledge address themselves only to facts. The acting, willing, struggling man, who daily asserts himself against the facts and makes them useful to himself or succumbs to them, looks down on mere truths as something insignificant.”

But this abstract thinking is only a phase in the development of human life. It was preceded by a picture-thinking, which was bound up with its objects and pulsed in the deeds of men. Admittedly this thinking works in a dreamlike way in conscious human life, but it is the creator of all the early stages in the various cultures. And if one says that what appears as the deeds of men in such cultures is a result of the “blood” and not of thinking, then one abandons all hope of grasping the driving impulses of history and plunges into a clouded materialistic mysticism. For any mysticism which explains the occurrence of historical events through this or that quality of soul or spirit is clear in comparison to the mysticism of the “blood.”

If we take up such a mysticism, we cut off the possibility of rightly evaluating that period of time in which human evolution progressed from the earlier pictorial forms of thinking to the abstract method. This is not, in itself, a force which drives us to action. While this worked toward the formation of scientific research, men were subject, in their actions, to the after-effects of the old impulses springing from picture-thinking. It is significant that in occidental culture during recent centuries abstract thinking continually grows while action remains under the influence of the earlier impulses. These take on more complicated forms but produce nothing essentially new. Modern men travel on railroads in which abstract thoughts are realized, but they do so out of will-impulses which were working already before railroads existed.

But this abstract thinking is only a transitionary stage of the thinking capacity. If we have experienced it in its full purity, if we have absorbed in a full human way its coldness and impotence, but also its transparency, then we shall not be able to rest content with it. It is a dead thinking, but it can be awakened to life. It has lost the picture-quality which it had as a dream-experience, but it can attain this again in the light of an intenser consciousness. From the dream-like picture, through fully conscious abstraction, to an equally fully conscious imagination: this is the evolutionary course of human thinking. The ascent to this conscious imagination stands before the men of the Occident as the task of the future. Goethe gave a start toward it when, for the understanding of the forming of plants, he demanded the idea-picture of the archetypal plant. And this imaginative thinking can engender impulses to action.

One who denies this and stops with abstract thinking will certainly come to the view that thinking is an unfruitful appendix to life. Abstract thinking makes the cognizing man a mere spectator of life. This spectator-standpoint shows itself in Spengler. As a modern man he has lived himself into this abstract thinking. He is a significant personality. He can feel how, with this thinking, he stands outside of life. But life is his main interest. And the question arises in him: What can a man do in life with this thinking? But this points us to the tragedy in the life of modern man. He has raised himself to the level of abstract thinking, but he does not know how to do anything for life with it. Spengler's book expresses what is a fact for many persons, but which they have never noticed. The men of our culture are fully awake in their thinking, but with their awakeness they stand there perplexed.

Spengler's Decline of the West is a book of perplexity. The author has a right to speak of this decline. For the forces of decay, to which others passively succumb, work actively in him. He understands them, yet he refuses to come to those forces of ascent which can be achieved in waking. Therefore, he sees only decline and expects the continuation of this in the mystic darkness of the “blood.”

An alarming trait runs through Spengler's presentation. Accomplished intellectual soul-constitution, grown confused concerning itself, approaches the events of the historical life of man only to be repeatedly overpowered by these facts. The agnosticism of modern times is taken with such complete earnestness that it is not only formulated theoretically but raised to a method of research. The various cultures are so described that each sets before us a picture which drives us to flee from our own Waking-being. But this flight is not into the fruitful dreams of the poet, which plunge into life and transform cold thinking into spirit; much more is it a flight into an artificial and oppressive nightmare. Glittering abstract thinking, which is afraid of itself and seeks to drown itself in dreams!

My dear friends:

Let us, first of all, turn our thoughts to those who stand out there upon the battlefields, where historic events are being enacted, and who must be answerable with body, soul and spirit for these tremendous happenings of the present time.

Spirits ever watchful. Guardians of their souls,
May your vibrations waft,
to the Earth-men committed to your charge.
Our souls' petitioning love:
That, united with your power,
Our prayer may helpfully radiate
To the souls it lovingly seeks.

And for those who, in consequence of these events, have already passed through the gate of death:—

Spirits ever watchful. Guardians of their souls,
May your vibrations waft,
To the Men of the Spheres committed to your charge,
Our souls' petitioning love:
That, united with your power,
Our prayer may helpfully radiate
To the souls it lovingly seeks.

And that Spirit whom we seek to know through our Spiritual Science, who passed through the Mystery of Golgotha for the salvation of the earth, for the progress and freedom of mankind—may He be with you and your difficult duties.

It is our striving to penetrate, knowingly and at the same time livingly, in so far as this is possible, into those worlds which are closed to the usual everyday knowledge, the usual intellectual knowledge—bound to the physical plane.

For, in the life in which man is enclosed in his physical body, he stands in a world, as we have become accustomed to think during the course of years, which is only a part, a small part, of the entire actual world. As we come together so seldom, it is not possible, at these meetings, to explain everything from its foundations. How well founded these things are, that must be spoken of at such meetings, which take place only at less frequent intervals, and by what means they are established—this we must assume to be known from other meetings and through our books. For particularly at such a gathering it may, indeed, be our desire to learn something more important and more essential about what has just been referred to, about the greater, real world, which embraces both the physical and the spiritual world.

Since we last gathered here, many things have taken place within the circle which nurtures our spiritual science. A larger number of our dear friends have passed through the portal of death. Also, since the beginning of this hard war time, friends have passed through the portal of death who had to take part directly in these great events. In other words, within our circle, we are ourselves touched by the great spiritual world, because souls who were among us have entered this spiritual world after laying aside their bodies. It lies within the attitude which results from our Spiritual Science that, for us, the souls who have left the physical plane, who are received by another world, remain united with us, as they were united with us while they still looked at us with physical eyes and could speak to us by means of the instrument of the physical body.

Precisely when we approach the world which has received into itself our dead, in this moment, as we draw nearer to the souls of the so-called dead, we learn to know all those shattering experiences which must heap themselves upon our soul where it seeks to look across the threshold which separates us from the spiritual world, when it seeks to enter the world which can only be seen in the disembodied state of the soul. And you will perhaps understand that many of the words spoken here to-day resound out of the many feelings which have passed through my own soul in the course of the year, since we last saw one another.

Particularly during the last year, I have often had to say to our friends, that the right confidence can be gained only gradually, by one who sees into the fundamental conditions of existence, when he knows that those who have passed through the portal of death and who were faithful fellow-workers here on earth, will remain so also after death; so that in our work we quite certainly do not lose those souls who have won an understanding of our work, because they were already united with us here before they passed through the portal of death. And just among such souls there are such faithful fellow-worker that we may say: Even if the enemies and the lack of understanding here on the physical plane are sometimes so strong in opposition to our work, and become ever stronger, as we can well see, yet we may still have faith that Spiritual Science will penetrate into the evolution of mankind, because we can win this faith through our connection with the disembodied souls who have reached an understanding of the whole significance of our work for the course of man's development.

Of course, just when the human being, by means of his opened soul, approaches the world in which the so-called dead are—we can speak in this way, although it is, of course, the entire spiritual world in which the dead are to be found—precisely then, when the human being is able to approach this world as a visitor, as one who accompanies the dead into the spiritual world, he learns to know again and again that which has also been emphasised here: that, in reality, the concepts, the percepts and ideas which we form concerning the world, since we form them as we do because we are in a physical body, must be changed, must be made pliant, flexible, so that they can also encompass the secrets of the spiritual world. The man of to-day is adapted very strongly to the purely material perception of his surroundings, and thus he also forms concepts according to a purely material perception. For this reason, it becomes especially difficult for him to penetrate into the spiritual world even by means of concepts. In fact, many people believe that it is not possible to attain to an understanding of the spiritual world, if we are not able to see into it. They believe this, however, only because their ideas have become stiff and dead, through the fact that they have too strongly accustomed themselves to think only about the physical world.

Now that I have made these introductory remarks, I should like to speak to you to-day particularly about certain things in connection with the life of the so-called dead.

We know that, if we wish to consider the life between death and a new birth, we must consider and notice carefully how the human being forms himself of four parts, which are well known to us: physical body, etheric body, astral body and Ego.

If we consider, to begin with, the most outward fact regarding the dead a fact visible even from the physical plane, we find it to be the fact that man lays aside his physical body. We do not need to go into the different ways by which this physical body becomes united with the earth, be it by means of fire or decay—these differ, after all, only in regard to the time which they require.

But, even when we consider this fact, that the physical body falls away from the whole being of man in the moment of death and unites itself with the earth, as we say,—if we consider even this fact only with regard to its meaning for the physical plane, we shall have considered it, in reality, in a very inadequate way. And, in fact, it is often considered in a most inadequate way by persons of all manner of spiritual-scientific tendencies, who allow themselves still to be led astray by all sorts of moral conceptions, which do indeed penetrate into spiritual realms, to a certain extent, but are unfitted, in many respects, to understand in the right way the penetration of the spiritual into the physical world.

All physical events have also their spiritual significance. There is no physical event which has not, at the same time, a spiritual significance. In this case, then, the physical event is that our physical body falls away from us and is at the same time separated into its parts, into its molecules, into its atoms, and given over to the earth.

Now, it is a great prejudice of the modern materialistic world-conception, which has, however, held mankind more or less in its grip already for a long time, that the human body, as we carry it about from birth until death, or let us say from conception until death, that this human body simply falls into the smallest possible parts, into atoms, and that these atoms are then incorporated in the earth, or the sphere of the earth, and thereafter remain atoms, and then pass over as such into other beings.

Through the modern materialistic mode of investigation one comes very easily to such a preconception. But this mode of conception is, after all, nothing but nonsense, in view of spiritual science. It is nonsense. For, in reality, there are no such things as atoms, in the sense in which the chemists assume them. What the smallest parts of our bodies finally become, under all circumstances, regardless of the way in which we, as bodies, are united with the earth, is warmth. Our whole physical organism finally transforms itself, in reality, in one way or another, in a short or a long time, into warmth.

For this reason, we often speak, as you know, in spiritual science of warmth as a fourth physical state of aggregation, whereas physics does not acknowledge it as such, but only as a kind of characteristic. But it is this warmth which is, in reality, given to the earth; this is given over to the earth. Thus, from our physical body, we give to our earth—Warmth.

The warmth which is to be found in the earth, is, in reality, intimately connected with what human beings leave behind. Man does not transform himself into air, water, etc. These are only transitional stages through which he passes. Those parts of him which become air and water become at last warmth. Yes, even though it may be after a long time, even though the last remnants of matter may pass over into warmth only after hundreds of years, indeed, even though what belongs to the bone-system may pass over into warmth only after thousands of years, it is transformed finally into warmth.

If you go into Museums to-day, you will find skeletons of ancient men who lived upon earth in bygone ages, yet the time will indeed come when what is present there to-day as skeletons, will exist only as warmth within the body of the earth.

In any case, however, the way in which we are united with the earth, through warmth, is the materialistic way. The fact that even our physical body remains connected with the earth, has a great, an essential, importance for the one who has passed through the gate of death. He passes into the spiritual world. He leaves his body to the earth. This is an experience, an event, for the so-called dead. He has the experience:—“Your body passes away from you”. We must realise that this is an experience.

What is an experience? Well, you can form a conception of what it is, if you consider the experiences on the physical plane. It is an experience, if you have some new sensation, or feeling which you have never had before, and you learn to understand this. You have added something to your soul which you did not possess before a new concept, a new perception.

But now imagine such a small experience increased into a very great one. It is something mighty, something unfathomably mighty, that the human being experiences, which gives him the possibility between death and birth to see, to realise, to grasp the fact that he lays this physical body aside, that he gives over to the planet which he is leaving. It is a very great experience, an experience which naturally cannot be compared with any experience on earth—a mighty experience. The value of an experience lies in the fact that something remains in our soul as a result, as a consequence, of this experience. We may, therefore, ask the question:—What then remains as a result, as a consequence of this experience of the falling away of the physical body from the entirety of our being?

Indeed, if we were not able to have this experience when we pass through the gate of death, of knowingly participating in the falling away of our physical body, we should never be able to develop an Ego-consciousness after death. The Ego consciousness is aroused after death through this experience of the falling away of the physical body. For the dead it is of the greatest significance that he is able to say:—“I see my physical body slipping away from me and disappearing.” And, on the other hand:—“I see growing within me, out of this event, the feeling—I am an Ego.”

We may express this with the paradox words:—“If we were unable to experience our death from the other side, we would not have an Ego-consciousness after death.”

Just as the human soul entering existence through birth or, let us say, through conception—gradually becomes accustomed to the use of the physical apparatus and thereby acquires the Ego-consciousness within the body, so does the human being acquire the Ego consciousness after death, from the other side of existence, through the fact that he experiences the falling away of the physical body from the whole human being.

Consider now, for a moment, what this means. When we contemplate Death from the physical side of existence, we may say that it appears to us as the end of existence—as that which has beyond it, as far as the physical outlook is concerned, “Nothing”. Viewed from the other side, Death as such is a most wonderful thing, which can ever anew stand before man's soul. For it signifies that man can always have the feeling of the victory of spiritual life over physical life. And just as long as we can always have before us the conception of our birth here, in physical life—for no one can have the conceptual nature of his birth through physical means alone, indeed, no one knows anything about his birth through his own physical experience—just so surely do we always have before us, when we become fully conscious after death, a direct experience of the event of our death.

At the same time, this event of our death contains nothing which is in any way depressing; on the contrary, this death event, viewed from the other side, is the greatest, most wonderful and beautiful event which can appear before our soul. For it always places before us, in its entirety, the greatness of the idea that in the spiritual world, consciousness, self-consciousness is the result of death—that death stimulates this self-consciousness, in the spiritual world.

Secondly, we must observe the second member of our human existence, the etheric body. We find, with the help of the elementary presentations which we have all shared in, in the interval since we last met together, that this ether-body remains with us for a brief—a relatively brief—period after death, but after this, it is also laid aside. We know, too, that a certain importance must be attributed to the fact that our etheric body—the same one we possessed on earth—remains still united with us after death, for several days.

So long as we still carry this etheric body, after having laid aside our physical body, we can still think everything that we were able to think during our physical existence. We can, therefore, survey all the thoughts which we carry in us, as in a mighty picture. We see those thoughts which we experienced during life, in the life-picture which has often been described to you. Our whole life lies before us like a panorama, during the days in which we still carry our etheric body with us; and we have it before us simultaneously, i.e. we see it all at one glance. For, what we call memory, here, in the physical world, arises, to be sure, in the etheric body, but it is bound, nevertheless, to the physical body. This physical body we have laid aside. We see our thoughts. We do not draw them out of the depths that are connected with the physical body, but we see them; and we survey, as if in a panorama, the life which we have just passed through.

We then lay aside this etheric body. But this etheric body which we lay aside, remains visible for us, throughout our entire remaining life after death. It is outside, but it remains visible to us. It unites itself with the whole universe; nevertheless, whatever happens to it there, remains visible to us—we see it.

And this is one of the mysteries of death: that, so long as we carry our etheric body, we see in a panorama what we had in us in the form of thoughts while we were alive—we survey, as it were, what is outside us as being united with, woven into, the world; we see that, after death, it forms part of our surrounding world, not of our Ego. In this experience, it actually is as if that which weaved and lived in us as our etheric body, during life, were now entering the life of the etheric world outside.

Then comes the time, as you know, when we carry with us—of that which we carried here on the physical plane—only the Ego and the astral body, and when we, of course, look back. upon what we were. We then experience ourselves in an entirely different way from the way we did in the physical body—we experience ourselves with an enhanced consciousness, with a consciousness which death has founded in us.

We must never think, for instance, as the fanatics so easily do, that this life between death and a new birth is an unconscious experience for the soul. Connected with this life, is a stronger, more intensive consciousness, than is the consciousness belonging to the physical body—only that it has an entirely different form. And, of course, we can approach the way in which we should imagine the dead, only by taking all that Spiritual Science can give us, to help us to transform those conceptions which are suited to purely physical objects and events here on the physical plane.

Thus we now live, as we see, within our Ego and our astral body. We have cast off our etheric body. It is united with objective existence.

For one who is able to enter the spiritual world, it is a moving experience, indeed—and from this standpoint also, I may say—to visit and accompany the dead with whom one is able to find a contact; it is a moving experience to follow, not only the individual life of the dead between death and a new birth, but also, for instance, to follow what the dead beholds: that part of himself which is now contained, as his etheric body, in the woof of the world, which is now for him an exterior world, an objective world. It is deeply moving to observe what, the dead has just given over to the etheric world. Thus we may experience the dead in a twofold way, as it were. We can experience that part of him which he has passed on to the etheric world; and we can experience also that part which contains his consciousness after death.

I repeat, that this first contact with what the dead leave behind in the etheric world, is deeply moving. It would move us even if we were unable to come into contact with the Being itself, which continues to live between death and a new birth, and which carries both the consciousness and the self-consciousness of the deceased, but could come into contact only with what he had left behind. Even then this kind of experience would move our souls most deeply—it would have that moving quality peculiar to all contacts with the spiritual world.

And a part of what especially moves us is the actual, living experience that such spiritual substance as has here been indicated—indeed, that etheric spiritual thing which has been left behind by the dead—is, in reality, always round about us. Just so truly as we are living in the air which surrounds man everywhere, just so truly are we, at the same time, surrounded by what the dead have left behind them, as etheric spirituality. In this world, in which we stand, even with our physical bodies there is also that spiritual element which I have just mentioned. Just as we are surrounded by the air, so are we, in the same way, surrounded by what the dead leave behind. It is only states of consciousness that sever us from the spiritual world—we are not separated from them through spatial conditions, but only through conditions of consciousness.

Consider, for instance, the following fact:—Let us imagine a human being who is striving to carry out the following soul exercises. But I should like to emphasize that such soul-exercises must be carried out in perfect calmness of soul. If anyone becomes in any way excited through these exercises, he will damage himself. If soul-exercises are carried on in the way described here and in our literature, so that they are real soul-exercises, and our physical being does not take part in them, then they can never damage a human being in the very least—they cannot even damage his soul. Yet we should not on the other hand, be able to penetrate into spiritual knowledge, did we not call attention to such things, now and again.

Let us suppose that someone does the following exercise, and that he says to himself:—With my eyes I see red, blue, etc. And now he proceeds by experiencing something that is in a certain sense alive—when he sees red, blue green, etc.

Gradually, we begin to realise that, after all, we live in the physical world—especially our modern materialistic age—in a very coarse way—that we do not notice the finer experiences which come to us.

This finer element may be experienced if we take notice of the more purely soul-impression made upon us—let us say by colours—but also by other sense-impressions. Of course everybody knows, roughly speaking, that when he looks upon a blue surface, the impression it leaves will not be the same as that left by a red surface. A red surface—and I must emphasize this particularly—even when a person is not made nervous by looking at it, has something that attacks something which comes out of the surface, as it were, and thrusts itself at us. Whereas blue, for instance, awakens the opposite sensation—it remains quietly in its place; nothing comes toward us, out of the blue. On the contrary, we feel—if we are able to accompany colour-impressions with a fine feeling—that we can penetrate into this blue with our soul forces, that we can press through it.

Green is, as it were, in a rythmical state of balance. This is why it has so beneficent an effect upon us, as the plant's covering of the earth. Green works upon us in such a way that we are able, in part, to penetrate into it, while at the same time it comes back again toward us. When we look out upon the wide green field, we have this impression, that we enter into something; yet, at the same time, that it comes toward us. This is what constitutes the refreshing effect made upon us by a wide green field.

You will be able to convince yourselves of this fact: that human beings have noticed that it is possible to live with colour as it were, and if you read in Goethe's Theory of Colours—which, to be sure, is understood by very few persons of to-day—the chapter on the ethical effects of colours, you will find indicated the corresponding feeling to be experienced through each colour. Thus we find that we can experience colours ... we can also experience other sense-impressions; but, for the moment, we are speaking about colours, in order to have an example.

We can live with colours in such a way that blue, for example, calls to life in our souls a force that resembles the longing which goes forth from us and which is taken up kindly by blue.

In the case of red, something always arises which seems to come toward us and will not leave us alone—something that wishes to overpower us, as it were.

When we thus feel colours, we may have a soul-experience—a moral soul-experience, as it were. Of course, not every human being can carry on such experiences in any one incarnation; but I am describing them to you, in order that you may see how the different worlds are interrelated.

If, accordingly, a man were to carry on these exercises, he would live far more purely in the world of colours. And if he did them in connection with other sense-impressions, he would likewise live more purely in the other sense-impressions. In that case, however, something else would very soon have to arise—something different would take place.

Suppose that such a person were to experience the blue sky in this living way; he would in this case, not simply have the blue above him, (this is, moreover, a very subjective blue; for, in reality, there is no vault above us) but he would feel it above him as the inner surface of a beneficent, inner hemisphere, everywhere receiving his soul-life—a hemisphere, behind the apparent surface of which the soul's experience could penetrate.

It is because of this that human beings who experience the world in a deeper sense, speak as did Jacob Böhme, for instance, who did not say:—“When we see the blue vault of heaven ...”, but, rather:—“When we see the depths”. In these words, “When we see the depths”, we find contained the whole experience of “blue”.

But there is another parallel phenomenon which arises, if we so completely penetrate into the life of colour, that soul-experiences begin to light up when we see colours. There is then awakened in us the ability to make use of a very brief space of time, which we should otherwise not use at all.

When you face an exterior object in ordinary physical life, you see it—you see a certain colour. And, indeed, this is the starting-point of your impression. Then you are able to think about it. You can form a conceptual idea of the colour. But it is with the act of vision that you begin to live with the object. Yet, nevertheless, this is not the actual beginning of what takes place. Even the modern physiologist, working in the laboratories, knows that a certain time elapses between the effect upon our eye, and the arising of the idea connected with the colour blue. Thus, we see that, first of all, the blue colour works upon our eye. We do not immediately perceive it, but a certain time elapses, and only then do we become conscious of it.

You may read, even in ordinary books, how experiments connected with these things are carried on nowadays in the laboratories. Certain kinds of apparatus are constructed; and then the attempt is made to cause a certain impression—the student is the experimental rabbit. He must register, by means of another apparatus, when he receives the impression, so that one can establish the small fraction of time which elapses between the moment an impression strikes our sense-organs, and the moment we grow conscious of this. A certain space of time elapses. In this short interval, we do not as yet, for instance, experience the blue colour, (in the case of an impression of blue), but we do experience the moral effect of the colour. This works in us. Thus, the whole process of how the soul pours itself into the blue colour, how it is accepted with a kindly pleasure—all this lives in us already—the soul-element of the colour is active in us before anything else. Only, this activity remains unconscious; man does not perceive it. Man does not begin to develop his consciousness of the colour, until the colour arises. He does not notice what precedes the colour-sensation.

Now, let us think for a moment: when one is impelled to notice more particularly this moral impression of colours, this soul-experience of colours, then something special appears. We notice this when we should colour some sort of a surface—i.e. when we paint, or transmit colours in any way at all, which ought first to arise out of thoughts. In any real painting, the artist works out of the soul-impression of the colours. In this case, it is not as it is with the artist who simply uses a model—who simply imitates the model; but, rather the real artist knows that, because he has called forth a particular soul-impression, he must therefore use red; whereas, on some other surface, he uses blue, because he has called forth this or that soul-impression.

This is the way, you see, in which all of the painting has been worked out in our Dornach Building. The application of the colours has here arisen entirely out of the soul-element—which indeed must then shine through the colours. Yet, in order to achieve this, it was necessary, in the deepest sense of the word, first of all to have the Building in ourselves—as a Soul Being. The way in which the Building faces the world will be identical with the way in which it has grown out of “the Building”, as a Soul-Being.

People would perceive the thing out of which this Dornach Building has grown, were they able to make use of that short interval of time elapsing between the moment in which the Building strikes their sense-organs, and the moment in which the impression reaches their consciousness.

Any one, moreover, who has a share in the erection of the Building, must himself create all that is in it—its forms and colours—out of that short interval of time.

I have led you in a more scientific way, I might say, to something which may appear difficult to you. But we must also overcome difficulties such as these. Moreover, the possibility may arise, even in this modern Age, as if through an act of grace—and, in a certain sense, we are constantly being favoured by an act of grace, through the simple fact that we are in the world—for man to hold fast, in some way, to this moment. He will see something, and will at times be able to feel that something reciprocal has taken place between himself and the object which he sees outside—if he succeeds in bringing it to his consciousness. He will say to himself, when he sees something:—When I am looking at it, it seems almost as if I had already seen it before this moment.

Perhaps you have all become familiar with the experience of facing a being or an object, and then feeling, as it were, as if, after all, it is not there before you for the first time, when it makes an impression on your consciousness, but that it had already come nearer—indeed, it had come quite close. This creeping nearer—as one might call it—can indeed at times be observed. But, in ordinary life, what here takes place within this brief space of time, lies beyond our consciousness—beyond the threshold.

The moment we are able to bring into our consciousness what thus lies just beyond the threshold, we make an important spiritual discovery. I shall again bring it to your minds by citing a special case. Many of you have already heard about this. Perhaps I have also mentioned it here, in this place. Last year, a little boy died in close proximity to the Goetheanum Building; he was crushed by a furniture-van. The etheric body of this little boy is now united with the Dornach Building—forms the aura of the Dornach Building and lives in this aura. And when some artistic work must be carried out, in connection with this Building, forces come out of this etheric body, which then, of course, appears enlarged. We can feel these forces in us, in the same way that we feel the Building within our souls.

Why is this so? Because the world of which I have just spoken—that world which is always round about us, but which we do not perceive because it remains unnoticed until its impressions reach us—contains the etheric bodies of the dead, and the dead are looking on these bodies. What the dead see of our world—what the dead look upon—is contained in the etheric world which surrounds us. And we should always see it, if we could, so to speak, look into it before we look out into the physical world—if we were able to take even a little step across the threshold.

This does not, however, prevent the dead from being active in this world, through what they have left behind. We are surrounded by a world in which the etheric bodies of the dead are living. In some way or other, they are connected with that world. And only because what lives in the etheric must first come into contact with our physical body, and must set the physical apparatus into movement, do we fail to perceive this powerful weaving around us, of what the dead leave behind them, in etheric form, in our world. But we must acquire the feeling that it is our duty to enrich our world, in our conceptual ideas, by including in it, in the first place, what is contained in the whole etheric world, through the etheric bodies of the dead.

The dead themselves are not in this world—but only the etheric bodies which they have left behind. We cannot find the dead themselves in so easy a way—although even this “easy way” is difficult.

The dead, after they have laid aside their etheric bodies, continue to live in their astral bodies and their Egos. You can gauge to what extent we must transform our conceptions, if you bear in mind that everything pertaining to thought, is stripped off with our etheric bodies, which pass over into the exterior etheric world. After death, we do not keep the thoughts which we have collected here, in our physical body. All that pertains to thought becomes an exterior world. The one who has died, does not look upon his thoughts after death in the same way in which he looked upon thoughts which he formed during his life, and which he then remembered and drew up out of his sub-consciousness. After death he looks upon his thoughts as if they were an etheric painting; he sees his thoughts in the world outside. Thoughts are something exterior for one who has passed through the portal of death—they are outside. What reveals itself here through feeling and will, remains connected with our individuality. It continues to live in our astral body and in our Ego.

Our Ego lights up in self-consciousness through the contemplation of the moment of death. Our astral body is kindled because the thoughts contained in the picture before us, penetrate into the astral body. Thus we experience them in our astral body.

In the physical body, on the other hand, we experience thoughts by drawing them up from within us. After death, we experience thoughts by looking at them as we look at the stars, or as we look out at the world and the mountains, and they make an impression upon us; we take up this impression and experience it in our astral body and our Ego. Thus we see that just the opposite thing takes place: Whereas here on Earth we look upon thoughts as something within us, we must consider them as being something external, after death. Our life then dissolves in the world, flows out in the world.

It is important for us to bear this in mind and not to adopt the idea that the world after death is like a fine, thin repetition of the physical world here—an idea which is often accepted in spiritist circles. It is in fact something entirely different. And it is different, for the reason that our thoughts are Beings outside of us. Now, at the moment we begin to call up before our souls, conceptual ideas like these, we notice not only that we need a certain freedom from prejudice, as I might say, in order to accept Spiritual Science, but also that we must have a certain kind of ability to render our concepts more fluid, to transform our concepts—and that we cannot claim to be able to picture what is in the spiritual world with the same concepts and ideas which we have here, in the physical world.

Consequently, one who is in a position to visit—let us say—a so-called dead person, must first learn how to carry on this intercourse with the dead. Whereas, here, when we meet a person, we come into contact with his inner life through the fact that he expresses this inner life in words or gestures, we find instead, in the case of the dead, that if we wish to come into contact with him, he shows us what he wishes to tell us in the objective world. We see, as it were, in the form of imaginations, which he shows us, what it is that he experiences, and what he wishes to say to us. I might say that the dead person, when we ask him something, says to us: Look over there—it is there that you will find what I am now experiencing.

But all of this is a rapid process. The dead, accordingly, as you see from what I have said, have the capacity to see supersensibly the thoughts which we, here on earth, can experience only in an inward, invisible way. Only if we acquire the capacity to behold thoughts in union with him, are we able to share in his experience, for this reason, he has the special capacity, as a dead person—as a so-called dead person—to share with us the experience of our thoughts.

We are particularly struck by this in the case of a certain phenomenon which I should like to touch upon. When someone whom we have loved has departed from us, we continue, as we all know, to cherish our thoughts of him within our souls. We think about the experiences we have had in common, about the feelings we have shared with him, and so forth. The dead person, as I have said, beholds thoughts. He can also see our thoughts, and he can even distinguish very soon the thoughts which he himself has, in the form of impressions of the spiritual world—these are Imaginations of what is contained in the spiritual world, and thoughts living in the soul of a human being who is still dwelling in a physical body. He can distinguish these thoughts. His own inner experience enables him to make this distinction. For, you see, the difference is really very great. When a deceased person (and exactly the same thing applies to an initiate) has to experience a thought about something which exists only in the spiritual world, he must himself experience this thought, actively. He must himself first follow the thought—every position of it, as it were. It is difficult to make this process clear; but I might explain it as follows:—Suppose a painting were hanging before us, here. But supposing you were to see this painting only when you yourself had traced its lines and painted its colours—followed all the details. This is what the dead can do. He paints every thought he sees; he himself creates the thoughts anew, as it were, and experiences his own activity. A large portion of the life between death and a new birth consists in this—in a creative copying of what exists in the spiritual world as thought-formations. We must learn to create these anew, with the dead—then we know that these are forms of thought which pertain only to the spiritual world.

The experience is different when we look down from the spiritual world upon the thoughts living in the human beings who have been left behind in the physical world. In this case, it is not necessary to re-create them; but these thoughts actually come to meet us, so that the dead person can remain passive. Just as a flower does not need first to be drawn or painted by us, but immediately makes an impression upon us, so it is with the thoughts coming from those who are still alive. These thoughts actually arise in a way similar to the way in which impressions arise, here in the physical world.

And this is just what uplifts, gladdens and warms the dead, in the thoughts of the living whom they have loved. For it is a very special sphere of activity for the dead—this being able to look into the thoughts of those whom they have left behind and who loved them. This is a special world for them.

It would be possible—would it not—for us to experience the physical world, as if it contained only what arises in the mineral, animal and vegetable kingdom and in the kingdom of man. In this case, for example, the physical world would contain no Art. Art would have to be added to all this—it would have to be created in addition to what we actually need. Yet Art is the very element which, from a soul-aspect of human evolution, must not be absent in the world, in spite of the fact that Nature would be just as perfect as it is, even if there were no Art. Thus, the dead could go on living, if necessary—although it would be like the human being living in a barren, lifeless, naked world of Nature, a world devoid of Art—were the peculiar circumstance to arise that everyone who had died were to be immediately forgotten, after death, by those who had loved him. Whatever can be seen as thoughts, remaining in the souls of those who love the dead, is something which is, to be sure, an additional element, going beyond the immediate requirements of the world of the dead; yet, at the same time, it uplifts and beautifies the life of the dead. It cannot be compared with Art in the physical world—that is to say, it can be compared, but the comparison is a lame one—for it means for the dead, as I have said, an uplifting, a beautifying element, yet in a far higher sense than the beautifying influence of Art is for us, here, in the physical world.

Thus it is deeply significant for the whole existence of the world, if we unite our thoughts with the thoughts of the dead, and especially if we do this in the form which we have often spoken about, here. Above all, we should approach the dead with thoughts clothed in that language, in that language of concepts which is common both to the living and to the dead—in the language which we speak here, in Spiritual Science. For the dead understand what constitutes the contents of Spiritual Science, just as well as do the living. And, moreover, it never becomes alien to the dead.

It is precisely through the bringing together of conceptual ideas such as these, I believe, that we shall be able gradually to form a plastic picture of the spiritual world. We can thus find our way into what lies beyond the threshold—whence, in reality, there flows forth all that exists for us on this side of the threshold.

In the face of these phenomena, we must bear in mind that present-day humanity is shortsighted in its vision of the world—and this is justified, to be sure, because it forms part of the universal plan—at the same time, it really is more shortsighted than it needs to be. For, you see, when a materialistic person of the present day forms his ideas, his conceptions of the world, he thinks that these are the universally-accepted human ideas and conceptions. You know how difficult it is to convince a materialistically-minded person that there are also other ways of thinking than his own. The standpoint taken by the materialist causes him to say that anyone who does not think as he does is a fool. There is no greater inward intolerance than that of a materialist.

Hence, a materialistic person actually thinks, generally speaking:—“Oh, of course, in the past, men thought all manner of things as to the existence of the spiritual; they could hardly move a step, in their daily life, without suspecting the presence of spirits everywhere, or indeed without seeing them. But all this was sheer fancy—now, at last, we have progressed so far that we have discarded this childish play of the human race.”

And yet it would seem as if human beings ought to be able to see at each step how nonsensical such a conception really is.

I shall try to make this clear to you, by citing an example, which may appear to be far-fetched, and from an entirely different side than the one we have discussed to-day in essence.

Let us think, for a moment, about that picture, which we have often discussed from various aspects, relating to the first stage of human evolution on earth—of man's life in Paradise, as we find it described in the Bible. Let us think about this picture of Adam and Eve in Paradise, the first human beings—Eve biting into the apple and giving the apple to Adam. Let us think of the picture of the Serpent on the Tree, tempting Eve.

When the painter of our day paints this picture—and even to-day, the modern painters still occasionally do paint it—he paints it, to be sure, in such a way that the picture will show a woman as true to Nature as possible, and a still more naturalistic man, because this is modern ... Impressionism, Expressionism, and I do not know what else; in any case, a very naturalistic woman and a still more naturalistic man, then a naturalistic landscape, and a naturalistic serpent showing, of course, greedy naturalistic teeth, etc. This is actually the way it is painted.

Painters have not always painted in this way, however; for such a picture would not render the true facts, as we know them. We know that in the Serpent, we may recognize a symbol of the real Tempter, Lucifer. Moreover, Lucifer is a Being who, as we know, remained behind during the Moon Period, and who—in the way in which he appears during the Earth Period—may be symbolized by the Serpent. Nevertheless, the Serpent is not Lucifer, and this must somehow become evident, spiritually. In other words, this Lucifer must also be seen with the forces of the soul—he must be seen from within, through the effort of inner forces.

How is it possible to see him, my dear friends? Indeed, we bear within us all the impressions of Lucifer. We actually carry them about within us. Just as we carry about the impressions of Ahriman, so we carry these in us, also.

Now I shall explain to you as briefly as possible, without any proofs or detailed explanations—these you must find for yourselves, in our already existing literature on this subject—how it is possible to form a conception of Lucifer.

Man carries about within him the impulses of Lucifer. They live in him in such a way that they are centred in his head, and from there they permeate the astral body where the Luciferic principle has remained within him; that is to say they force their way into his head—whereas otherwise it is the Spirits of Form which have moulded his head—and they also force their way into what is formed by the astral force into the spinal cord.

Thus, if we were to draw the head of a man and prolongation, the spine, the result would be a Serpent, a serpent like form, with a human head. Of course, the whole thing should be imagined as an astral form—the head to some extent still resembling a human head, and the spinal cord appended to it and turning around like a serpent. Imagine this projected objectively—and you will have a serpent with a human head. That is, Lucifer viewed externally, in the form of an image, assumes the aspect of a serpent with a human head. Not a serpent with a serpent's head, for that would no longer be a Lucifer—that would be an earthly serpent, which has already, as an earthly creature, been subjected to the influence of the Spirits of Form.

Hence, if a painter wished to paint Lucifer on the Tree, he would have to imagine the Serpent coiled around the Tree with a human head looking out above. He would then be painting out of the knowledge gained through our Spiritual Science.

Thus, we should have to picture Adam and Eve by the side of the Tree, and—coiled into the Tree—the astral shape of the spinal cord, resembling, as I have said, a serpent body, together with the image of the human head. If the woman Eve, sees it first, it will, of course, take on the form of a woman's face.

If you go into the Museum here, and look at the painting of Master Bertram, you will see there, that in the Middle Ages this kind of serpent was still portrayed coiled on the Tree, as I have explained. It is most striking and sublime; for it proves to us that a painter living in the very heart of the Middle Ages could paint from out of the true and real concepts of the spiritual world. This is an undeniable proof for the fact that we need not go back so very many centuries; and there are many documents, still existing to-day, to show us that in those days people still knew something of what our present materialistic humanity has already forgotten.

Of course, in an exterior history of Art, this fact which I have just mentioned is never touched upon. Nevertheless, anyone—by adopting not only the modern materialistic attitude, but also the materialistic standpoint or conception—can convince himself that both the vision of the spiritual, and the disappearance of this vision, are events of only a few centuries ago. Anyone here in Hamburg can convince himself of this, by going to the Museum and looking at this Paradise-picture of Master Bertram, he will find, there, the irrefutable proof, furnished on the physical plane, that it was not at all so long ago that men were able, by means of atavistic clairvoyance—as we may call it—to look into the spiritual world, and to have knowledge of its mysteries in a way that was entirely different from the way of to-day.

We need only think how blindly people go through the world to-day; how, if they only wished to do so, they could convince themselves, even externally, on the physical plane that evolution takes place, in the human race.

The significant fact is that during the course of the last three to four centuries, the formerly extant, more atavistic and unconscious clairvoyance has been disappearing. For, naturally, Master Bertram would not have been able to develop Spiritual Science. He merely saw, still saw in the etheric world, what Lucifer was really like, and then painted him accordingly. It was an unconscious, instinctive clairvoyance.

In order that man should acquire the external form of vision, the old way of looking at the spiritual world had to disappear. But it must be acquired anew by man. And the time must gradually come, only of course, this must be in the sphere of consciousness—when what has been lost, must be striven after anew. For this reason, the way must be prepared by Spiritual Science. People can approach the spiritual world again only if they study Spiritual Science. But this Spiritual Science must really bring an insight into the spiritual world.

To-day it is possible to prove scientifically, as it were how far natural science can bring the world forward. When a scientifically-trained person to-day speaks about such matters, he really speaks about the soul-apparatus, about the bodily instrument of soul-life. Now, if you try to investigate in the descriptions available to-day—they are generally called psycho-physiology—even those written by the most significant modern scientists, you will find there, what they have to say about the soul-instrument. You will find that these people express themselves, everywhere, in a most peculiar way. They say, for instance:—Let us consider the life of impressions and reactions, and the life of conceptual ideas; to this life of impressions and conceptual ideas belongs, in every case, the soul-apparatus. And then they describe what happens in the brain and in the nervous system when a man has impressions or forms conceptions. The parallel bodily process can always be found. But when these scientists approach feeling and the will, they cannot find a parallel bodily process. They cannot find anything.

That a thing like this does not come to light, but remains unnoticed, is due only to the fact that natural science and its rear-guard—we cannot really say rear-guard, because a rearguard is useful, and the monistic rear-guard of natural science is entirely superfluous—because natural science and its rearguard, the Monists, simply crow about the fact that for every process of thought and sensation, a certain physical parallel process is to be found, and that thought and sensation are bound to the brain. But they do not speak of shades of feeling or will. At the most, they speak of shades of feeling—in other words, a certain nuance of conceptual thought. But they do not go as far as feeling and will.

And the honest scientists say:—Our science does not extend as far as feeling and will. You can read for yourselves what I have just said, in the natural-scientific literature. It is possible to corroborate it in all spheres of science. For instance, in the case of Dr. Th. Ziehen, the well known modern psychiatrist and psycho-physiologist—in his book, you can find most easily of all a confirmation of what I have just said. He points out the single processes which correspond to thought and to sensation. He goes as far as certain shades of feeling; but he does not reach to actual feeling and will. Thus he disavows feeling and will. They do not exist at all, he says.

Now could we really find any clearer scientific proof than this, for the fact that natural-scientific thought extends only over the sphere of the temporal—only over that which we lay aside with death; whereas, at the same time, there is something that extends beyond this, living, precisely, as I have indicated, in feeling and will, and yet so far removed from the body that the scientist simply does not find it, indeed he rejects it and disavows it!

This is, accordingly, the reason why the scientists boast that feeling and will do not exist: because they cannot be found by the ordinary science. Indeed, it is natural science itself, as we see, that proves to us today that feeling and will are not bound to the body as such, like thought and sensation.

This is connected with the fact that our thoughts separate themselves from us; after death they appear spread out, outside of us. Feeling and will remain ours. And out of feeling and will springs forth the power to create the thought-tableau. He who wishes to do so to-day, can show by means of what is strictly scientific, that feeling and will are not connected with what we call “Nature”, but that, on the contrary, they pass out after death, as astral body and Ego, and remain united with the human individuality—kindling themselves to a new consciousness, in the way that I have described, through the fact that what spreads itself out is all etheric, that is, mirrors itself first in the astral body and then in the Ego when the astral body has been laid aside.

This is all as it should be. Modern science does not refute Spiritual Science, but confirms it. It really does confirm it. If it were possible to arouse even a little understanding, it would be seen that, for a right understanding, it is precisely an honest natural science that points to a justification of Spiritual Science, even in all its separate details.

Spiritual Science is, as you see—in view of all that has been said—something which must in our day begin to enter into the development of humanity, which must begin to have a grip on humanity, because otherwise the human race will reach the point where it will understand only the temporal, and when it will know nothing of the eternal, which lives in us. The time will come, when people will first recognise this, and when they will also concern themselves more with the development of their feeling-life. For only through feeling and will do we unite ourselves with the world which is not devoid of thought.

The objection might be made:—Very well, then, you feel the spiritual world, but you do not will it. But no, it is precisely through feeling and will that we are united with the objective thought-world—with the thoughts that live, and which we do not merely think. And just as truly as in the past mankind possessed a power of seeing into the spiritual world, just so truly will it have to win this power again in the future. Man will be able to win it again, however, only if he determines first to enter a little way into the thought-world which is no longer recognised by our generation, as coming from the spiritual world.

In order to attain this, a very great deal of what is rumoured about to-day as concept and percept will have to be corrected. Indeed, it would be hard to believe how thoughtlessly, as a matter of fact, human beings of to-day—allow me to use a paradox—how thoughtlessly human beings think. This really would be hard to believe. They make definitions which they are unshakably convinced are right, and cannot be refuted in any way. It belongs to the task of the spiritual scientist, however, to test all the more carefully what it is that convinces people so unshakably—just because it appears to them to be entirely logical and thus they are convinced of it. What, for instance—they think—could be a better definition than this, when someone is asked, in this modern materialistic Age of ours “What is a true concept?”—that he answers by saying:—“It is a true concept, when I form an inner picture of an object which is actually present, outside in the world. This is then a true picture of an object which exists outside.” In other words, everyone, in our day, would give this definition: “Truth consists in the conformity of a picture which we form in thought, to something actually existing outside.” We can now very easily show, however, if we examine concepts, that true concept has nothing to do with what we usually call by this name—has nothing whatever to do with it, in so far as it is supposed to be a picture of something having actual existence. It can easily be shown that actual existence goes along quite another path than does the picture which we fancy to be concept. You see, if this were true: that a concept is only true when it conforms with something having actual existence, naturally, then, it would also be true only so long as that which has actual existence verifies it.

Thus a concept might be compared with a portrait which someone has made of a human being. The portrait is good, if it resembles the person in question. Yet it has nothing to do with his being. The fact that the picture corresponds to the person, does not lead to an inner truth in the picture. Imagine to yourself that you have painted the picture of some man who then dies, soon afterwards. At first, the picture corresponded to what was there, but afterwards to what no longer exists. There is no connection between actual existence or life, and the portrait; as far as life is concerned, it is an entirely indifferent matter whether the picture is a true one or not. Such a connection is quite imaginary, when we look at things really logically. The essential thing is to experience things inwardly. It is this inner experience which humanity must again acquire.

In order to acquire this, however—and it is just during these hard, sorrowful days that we can be brought to realise in a special measure how necessary this is—in order to acquire this, it is necessary above all that humanity should acquire again a feeling for Truth, for real Truth.

Materialism gradually estranges us completely from Truth. We have gone astray through materialism—and especially where the idea of Truth is concerned. Compare for yourselves, for instance, the journalistic descriptions of today—and how many people read nothing but the newspapers, nowadays—compare these with the real events, which you may happen to have seen yourself! When you read this again, in the newspapers, you will find that the reporter has written it up in the way that he believes will make an impression on his readers. All feeling that such descriptions should correspond to the Truth grows weaker and weaker. And so long as this feeling for Truth does not permeate humanity, the impulse that leads from the sense-world into the spiritual world cannot be awakened to activity in human souls. For, with this want of any concepts of Truth in our thoughts, our concepts become falsified. How often, for instance, do we come across the following case:

Someone writes about Spiritual Science—let us suppose about what I have published in connection with Spiritual Science. He writes about this, and he cannot help saying—owing to his materialistic mentality—that everything is invented, and that it is not permissible to invent such things. And then he continues by investigating the question of how it can be possible for a man to be so fantastic.

As a matter of fact, this article actually appeared not so very long ago. The writer tries to find out how it is possible that a man can be so fantastic! And then he relates where this man comes from—in this case, it was I—where he used to live (not his recent abode, but where the writer reports him to have lived) and how it is because of his peculiar race-mixture that he can invent such fantastic things. And then this reporter himself invents the most incredible things, impelled by his materialistic mentality. And here you have an example of what I mean: People simply take hold of lies, and allow truth to become inwardly distorted.

Of course, no direct proof can be supplied for this. Yet what could be more false than to accuse someone of inventing fantastic things, and then to invent the most incredibly fantastic things about him, oneself! If you will study our modern life carefully, you will find that there is a very widespread lack of any feeling of responsibility, which would see to it that everything one says should correspond to the Reality. Unless we possess this feeling for Truth most intensively, we cannot gain access to the spiritual world. Nor can we understand why we must believe to be true, what Spiritual Science brings down for us as Truth, from the spiritual world.

But our thinking is far too inadequate for a true contemplation of this sort—and we cling too much to our own personal interests, to be able to see how untruthfulness glitters in everything and how its fragments can be found in all the happenings of life.

A true feeling, a true conception of this is what should occupy our thoughts, and should constitute the first preparatory steps in Spiritual Science. Thoughts like these should be, I might say, a kind of conscious preparation for what Man's future really should be. For, the welfare of the human race can become a reality only if our souls become united again with the spirit. Spiritual Science is not something that we seek in the form of a new kind of sensation, but something whereof we know that it must arise, because humanity needs it. And we ought to feel indebted, as it were, to Spiritual Science, if we observe, in a clear and lucid way the course of human evolution.

How much richer we grow, through what Spiritual Science can give us, because the world widens out for us more and more, through the fact that spiritual reality is added to physical reality, in human evolution! Human beings have been more and more cut off, in this materialistic age, from the world in which man lives between death and a new birth. Spiritual Science must give back to them, again, that life which comprises the whole human being—including that part which remains when man no longer possesses a physical body. In this respect, the physical world has nothing to give us.

It can weigh heavily, very heavily, upon our souls—especially just at the present difficult time—to see a volume like the one by Ernst Haeckel, which has just appeared. He calls it “Thoughts of Eternity”. Now, Ernst Haeckel is one of the most distinguished men of our day. This book, “Thoughts of Eternity”, starts out with the present Great War. What is the chief content of this book? The chief content of this newest book by Haeckel, “Thoughts of Eternity”, is expressed in these words: What can this particular war teach us? Thousands and thousands of people die a death of external violence, without any necessity whatsoever. “Must we not see”—asks Haeckel—“in this very war, the proof for the fact that all thoughts on eternity and infinity are absurd? Does not this same war, which ruins men's lives through outer chance, such as a bullet, for example—does it not show us that there is nothing beyond ordinary physical life?”

Of course, there will be other people of our day, who will be led to a different kind of thinking about eternity, through these events—to quite the opposite kind of thoughts of eternity, to thoughts which, in any case, call up in us the feeling that those who pass through the portal of death in times such as these continue their tasks for humanity in other worlds, and that the very sacrifice which they make, partly constitutes, in their new life, the starting point for what they have to fulfil when they no longer carry a physical body.

It is possible to prove all sorts of things, through ordinary science: it is possible to prove, for instance, that ordinary science enables man to construct all sorts of excellent kinds of apparatus, which raise the standard of human life and advance human civilisation—in a peaceful sense. Yet this same science can also construct the most terrible things—for the destruction of human life. External science enables man to construct both good and destructive things, and to prove all sorts of facts.

In order really to penetrate into the world where the eternal lives, there is need for Spiritual Science. And this Spiritual Science—I have already spoken to you about this, at least to some of you—shows us, among other things, and makes it quite clear to us, that those who leave their physical body at an early age, before the ordinary span of life on the physical plane has elapsed, give over their etheric body to the etheric world, and continue to live as individualities. Then, the spirit and the sense of Spiritual Science show us that such an etheric body, which would still have been able to support a physical body for a long time, still contains vital forces, when it is handed over to the etheric world—forces which would have been able to keep the physical body alive for decades. It exists in the etheric world, as illustrated by the example I have already cited to you.

What a human being acquires, through his sacrificial death continues to live in his individuality. It continues to live in him, especially at a time like the present; and we are able to gain an insight into the significance of what is taking place only when we look at things with our spiritual eyes, through Spiritual Science. Then our attention will be drawn to the fact that the spiritual counterpart of what is now happening on European soil, as the spiritual correlation, the spiritual parallel process of the mighty and sorrowful events taking place on the physical plane, here in Europe—since all physical events are under the guidance of the spiritual world—must flow through physical events, into the future of human evolution.

But this will bear fruit only if human souls, living in physical bodies on the earth, acquire a consciousness of the fact that an active and helping influence is going out to them—from those forces which live in the spiritual world as the result of thousands and thousands of sacrificial deaths: and that they can submit themselves to this influence, in a sense, in order to be able to continue in the future their activity on this earth—united with the dead through that consciousness of the reality of a spiritual world, which can be acquired by the human soul.

This is what Spiritual Science must give to men—also in connection with these events now taking place. And human beings will then be able to render fruitful for the future, in the right way, the spiritual counterpart of this mightiest of all world-events, and they will be able also to think and to feel, in the right way.

From the courage of fighters,
from the blood of battles,
from the sorrow of those who are left behind,
from a nation's sacrifice,
will ripen spiritual fruit—
if, toward the spirit-kingdom,
souls will spirit-conscious turn.

[ 1 ] During these fateful times, in central European cities, I have had to give lectures based on some of the views developing in me for thirty-five years about the thought-worlds of a series of German and Austrian personalities. I wanted to speak about personalities in whose thoughts urgent life questions were striving for a solution, and in whose spiritual struggles the essential nature of the German people (Volkheit) also revealed itself. I would like to take what I expressed there as the leading thoughts for this book. This book is meant to speak about the striving of the human spirit for knowledge of its own being, in connection with seekers who pursued neither their own personal infatuations in knowledge nor arbitrary aesthetic inclinations, but rather thoughts that arise from an irresistible, healthy urge of human nature and are native to the heart's needs of a people, in spite of the spiritual heights toward which those seekers were striving. We will be speaking, to be sure, about personalities whose sense for the realities of life is often denied by those who do not want to acknowledge that the human being is confused and incapacitated by the surface of reality if he cannot confront it with understanding for the spirit holding sway in the depths. Thoughts struggling for a knowledge of the spirit are often repellent to that attitude of soul which is far too eager to cite Goethe in opposing such thoughts: “Gray, dear friend, is all theory—and green the golden tree of life.” That attitude of soul disregards the fact that these words come from Goethe's sense of humor and are put into the devil's mouth as a teaching the devil considers good for a pupil of his.

It does not affect a life-sustaining thought to be called gray by a view catering to comfortableness in thinking; this view regards the grayness of its own theory as the golden radiance of the green tree of life.

[ 2 ] It goes against the feeling of many to speak about the effects of a people upon the world views of personalities who spring from this people. To do so, they believe, contradicts the obvious truth that knowledge of the true is a treasure of life possessed by all men in the same way. This is really just as valid for the highest thoughts of a world view as it is for the commonplace truth that two times two is four. But just because this is so obvious, one should not suppose without going further into the matter, that this obvious fact has been overlooked by someone seeking, within the being of the thinkers of a people, the roots of the people from which these thinkers stem. The human spirit, after all, lives not only in the abstract formation of certain concepts; it also draws its life from forces which souls, out of their most intimate experiences, allow to sound along with the insights born from these experiences. Goethe felt this when he wrote to a friend: “To judge by the plants and fish I have seen in Naples and Sicily, I would, if I were ten years younger, be very tempted to make a trip to India, not in order to discover something new, but rather to contemplate in my own way what has already been discovered.” Goethe in fact knows how something already discovered can be seen in a new light when it is regarded in a new way. And what humanity develops in the way of thoughts for its spiritual life about questions of knowledge speaks not only about what people are seeking, but also about how they seek. Someone receptive to such thoughts feels in them the soul pulse that heralds the life from which they shine into our reason. Just as it is true that in a thought one also learns to know its thinker, it is evident that in a thinker one can behold the people from which the thinker has arisen.

As to the content of truth dwelling in a thought and as to whether a mental picture (Vorstellung) has grown from the roots of genuine reality: these can certainly be determined only by powers of knowledge that are independent of place and time. Still, as to whether a particular thought, as to whether an idea leading the human spirit in a certain direction, arises within a certain people: this does depend upon the sources from which the spirit of this people can draw. Karl Rosenkranz certainly did not want to prove anything about the truth of Hegel's thought from the fact that he brought these thoughts into connection with the German folk spirit, when in 1870 he wrote his book Hegel as the German National Philosopher. He held the view he had already expressed in his description of Hegel's life: “A true philosophy is the deed of a people ... But at the same time, for philosophy, insofar as it is philosophy, the particularities of its folk origins are of no importance at all. There, the universality and necessity of its content and the perfection of its proof are alone of significance. Whether the true is recognized and expressed by a Greek or German, by a Frenchman or an Englishman, carries no weight for the true itself, as true. Every true philosophy, therefore, as a national philosophy is at the same time a universally human one and, in the larger course of humanity, an indispensable part. It has the power to spread absolutely through all peoples, and for every people there comes the time when that people must acquire for itself the true philosophy of the other peoples, if it wants in other ways to further and assure its own progress.”

[ 3 ] One's antipathy to the folk aspect of the thoughts in a world view can also assume other forms. Out of a recognition of the folk aspect of such thoughts one can raise an objection against their cognitive value. One might believe that such thoughts are thrust thereby into the realm of imagination, and that one must speak of them in the same way as of a German poetry, for example, whereas it would be inadmissible to speak in the same sense of a German mathematics or a German physics. There are people who see every world view—every philosophy—as a poetic work in concepts (Begriffsdichtung). Such people do not need to concern themselves with the objection that arises out of the feeling described above. But what this book presents is not written from that point of view. This book takes the position that no one can speak seriously about a world view who does not ascribe a cognitive value to it, who does not presuppose that its thoughts stem from realities common to all people. One can also say: “That is correct, in general; but a world view valid and common to all people is an ideal that has nowhere been realized as yet; all existing world views still carry with them what has been imposed upon them by the imperfection of human nature.” But we can dispense with any discussion here of imperfections existing in world views because of that human factor. For, it is certainly not our intention, in the folk characteristics of the thoughts in world views, to seek excuses for the weakness of such thoughts, but rather grounds for their strength. Therefore, we can leave out of our considerations here the assertion that thinkers, in fact, just as they are dependent upon their personal standpoints, are also dependent upon what adheres to them from their people; and that, just because of this, they cannot win through to a universally human world view. This book speaks about a series of personalities in such a way that their thoughts are acknowledged as really having universal human validity. What are characterized as errors or as one-sided views are spoken of only insofar as one can see in them roundabout ways to the truth. If an unconditionally valid objection could spring from the feeling mentioned above, such an objection would be justified with respect to the way in which the thoughts in world views are brought into connection, in this book, with the essential being of the German people.

But one can understand the reply that must be made to this feeling only if one can free oneself from a belief which also causes serious misapprehensions in other ways. This belief is that the diverse thought-configurations of thinkers who are searching into questions of how to view the world are in fact just so many different, mutually incompatible world views.

[ 4 ] Out of this belief the natural-scientifically minded person often opposes the mystic, and the mystic often opposes the natural-scientifically minded person. The scientist believes that natural-scientific knowledge alone is the true result of research into reality; it is from this knowledge that one must gain thoughts able to bring understanding of the world and of life, so far as this understanding is attainable to man. The mystic adheres to the view that the true being of the world reveals itself only to mystical experience, and that the thoughts of the natural-scientifically minded person cannot lay hold of genuine reality. The “monist” is content only when he pictures the existence of a unified foundation for the material and the spiritual world. One kind of monist sees this foundation consisting in the material elements and their effects, in such a way that spiritual phenomena become for him manifestations of the material world. Other monists ascribe true being only to the spirit, and believe that everything material is only a kind of spirituality. The dualist sees in any such unification a misunderstanding both of the essential being of matter and of the spirit. In his view, both must be regarded as regions of the world that are more or less independent in themselves.

A long list would result if one wanted to characterize even just the most outstanding of these supposed world views. Now there are in fact many people who believe they have gone beyond all talk of world views. They say: “I guide myself in knowledge according to what I find within reality; what some world view or other considers reality to be does not concern me.” Such people do indeed believe this; but their behavior shows something totally different. They do, in fact, more or less consciously, or even unconsciously, adhere in the most definite manner to one or another world view. Even though they do not express or think this world view directly, they do develop their picture of the world along its lines and oppose, reject, or treat the mental pictures of other people in a way corresponding to this “world view.”

[ 5 ] A misapprehension of the relationship of man to the world outside him underlies the conscious or unconscious belief in any such supposed world views. The person who is caught up in this misapprehension does not distinguish rightly between what man receives from the outer world for the formation of his thoughts, and what he brings up out of himself when he forms thoughts.

[ 6 ] When one notices that two thinkers express different thoughts about the questions of life, one all too readily has the feeling: If both were bringing true reality to expression in their thoughts, they would have to say the same thing, not something different. And one thinks that the difference cannot have its basis in reality but must lie only in the personal (subjective) way thinkers grasp things. Even though this is not always openly acknowledged by those who speak about world views, this opinion does underlie—more or less consciously, or even unconsciously—the spirit and style of their words. In fact, the thinkers themselves for the most part live in just such a preconception. They express their thoughts on what they consider reality to be, regard these thoughts as their “system” and rightful world view, and believe that any other direction in thought is based on the personal peculiarities of the thinker.

The presentation in this book has a different view as its background. (This view, to be sure, can at first be presented here only as an assertion. I hope the reader will be able to find in the book itself some substantiation for this assertion. In many of my other books I have made every effort to bring much more of this substantiation.) Two divergent directions in thought, in their essential nature, can often be understood only by regarding their differences to be like those between two photographs of one tree taken from two different sides. The pictures are different; their differences, however, are not based upon the nature of the camera, but rather upon the position of the tree relative to the camera. And this position is something lying just as much outside the camera as the tree itself. The pictures are both true views of the tree. The divergent elements of two world views do not prevent them both from bringing true reality to expression.

The confusion in ideas arises when people do not understand this, when they make themselves—or are made by other people—into materialists, idealists, monists, dualists, spiritualists, mystics, or even into Theosophists, and when they mean to express by this that one arrives at a true view about life's sources only if one's whole way of thinking is in tune with one of these concepts. But it is reality itself that one wants to know from one side through materialistic ideas, from another side through spiritual ideas, from a third side as a unity (monon), from a fourth as a duality. The thinking person would like to encompass the essential being of reality through one way of picturing things. And when he notices that he undertakes this in vain, he gets around this fact by saying: All our mental pictures about the roots of real life have a personal (subjective) form, and the essential being of the “thing-in-itself” remains unknowable.

So much confusion in our thought life could be cleared up by realizing that many a person, in speaking of a world view different from his own, is like someone who—knowing a picture of a tree taken from one side, and being presented with a picture taken from another side—does not want to admit that it is a “correct” picture of the same tree! [ 7 ] Many “practical” people, to be sure, seek refuge from such tormenting philosophical questions by saying: “Let those fight about these things who have the leisure and the desire for it; that doesn't affect reallife; real life does not have to bother about that,” But only those can speak in this way, after all, who have absolutely no inkling of how far removed their thoughts are from the real driving powers of life. It is such people whose picture stood before the soul of Johann Gottlieb Fichte when he spoke the words: “Although, within the sphere that ordinary experience has drawn around us, people themselves are thinking more universally and judging more correctly, perhaps, than ever, still the majority of them are totally confused and blinded as soon as they are supposed to go even a short distance outside that sphere. If it is impossible to rekindle in them the spark of higher genius once that has been extinguished, then one must let them remain peacefully within that sphere, and, insofar as they are useful and indispensable within that sphere, let their value, in and for that sphere, remain undiminished. But when they themselves now demand that everything to which they cannot lift themselves be brought down to their level, when they demand, for example, that all printed matter should be like cookbooks, arithmetic books, or service regulations, and when they decry everything that cannot be used in this way, then they themselves are in error in a major way.—We others know, perhaps as well, perhaps even better than they, that ideals as such cannot appear in outer reality. We only assert that reality must be judged according to ideals and, by those who feel the strength within them to do so, must even be changed according to ideals. When people cannot convince themselves of this fact, very little is lost to them, given that they already are who they are; and mankind loses nothing. It merely becomes clear that such people cannot be counted upon in any plan to ennoble mankind. Mankind will doubtless proceed on its way; and may benevolent nature hold sway over such people and bring them rain and sunshine at the right time, wholesome nourishment and undisturbed circulation of their juices, and also clever thoughts!”

It is actually a disaster when the ideas, fruitful for life, of the individual world views are kept at a distance from this life by the belief that their differences prove them all to be subjectively colored by the thinkers' ways of picturing things. Through this a semblance of justification is given to the talk of those opponents of ideas just characterized. It is not the content of thinkers' world views that condemns these world views to fruitlessness for life, but rather the belief, following in their wake, that a particular direction in thought must reveal all of reality or else these are all views with a merely personal coloring.

This book would like to show the extent to which the truth—and not just personally colored views—lives in the ideas of individual thinkers, in spite of their differences.

[ 8 ] Only by trying to know how far reality reveals itself in its relation to man through different ways of picturing things does one also struggle through to a sound judgment about what originates in the being of the thinker who is observing the world. One sees how the nature of one thinker is moved toward one relationship between extrahuman (objective) reality and man, and how that of another thinker is moved more toward a different relationship. First of all one sees the sharply marked, personal direction of a personality's thought. Because one notices how his world view is based upon a personal tendency in thought, one is tempted to believe that his world view is therefore only a personal (subjective) way of picturing things. But if one recognizes how a personal tendency in thought, in fact, moves the thinker to adopt a particular viewpoint through which extrahuman (objective) reality can place itself in a particular relationship to him, then one wrests oneself from the confusion into which one can fall by looking at the different world views.

[ 9 ] Many people will perhaps reply to this: Yes, from a certain point of view, all that is completely obvious and does not need to be stated beforehand. But the person who says this is often precisely the one who, in his judgments and actions, violates this view of truth and reality everywhere.

[ 10 ] But the view we have presented is not meant to justify every human opinion that regards itself as a world view. Actual errors, faultiness in the sources of knowledge, viewpoints from which only a beclouded fantasy would want to create thoughts for a world view: all this will in fact reveal itself in the light toward which our view is pressing. By seeking to experience the extent to which the one reality manifests itself in divergent human thoughts, our view can also hope to see where a human opinion is rejected by reality itself.

[ 11 ] If one senses how the forces of a people work in the thinkers of a people, then this sense stands in complete harmony with the view presented here. A people does not want to decide how a thinker is to shape his thoughts; but, together with other forces determining his viewpoint, his people affects the relationship to existence through which reality, in one direction or another, manifests itself to him. His people need not cloud his power of vision; it can prove particularly able to put the thinker belonging to it in a place where he can develop a certain way of picturing the truth common to all mankind. His people does not want to judge his knowledge; but it can be a faithfully supportive adviser on the way to truth. Indications about the extent to which this can be sensed with respect to the German people are meant to be given in this book by portraying a series of personalities who have arisen out of this people. The author of this book hopes that one will recognize his sense that a loving, thoughtful penetration into the particular soul nature of one people does not necessarily lead to a non-recognition and disregard for the being and worth of other peoples. At another time it would be unnecessary to state this specifically. It is necessary today in view of the feelings that are expressed from many sides about what is German.

[ 12 ] It is completely natural for the author of this book to speak about the part played in spiritual life by both German and German-Austrian personalities; he is, after all, a German-Austrian by birth and education, who lived his first three decades of life in Austria, and then a period of time—which will soon be just as long—in Germany.

In his book The Riddles of Philosophy he has expressed his thinking on the place held by most of the personalities discussed in this present book within the general spiritual life. It was not his intention to repeat here what he said there. He can readily understand that someone could hold a different view than he does about the choice of the personalities portrayed. But, without striving for completeness in anyone direction, he wanted simply to portray some things that have become perception and life experience for him.

Rudolf Steiner
Berlin, May 1916

Addition, for the Second Edition of 1918

[ 13 ] If, as an observer, one confronts the “thinking, observations, and contemplations” of a personality, one can sense that one is observing forces at work in the soul of such a personality which give the direction and particular characteristics to his way of picturing things, but which he himself does not make into a content of his thinking. This sense must not lead to the vain opinion that one can place oneself as observer above the personality observed. The fact that, as an observer, one has a different viewpoint than the observed personality makes it possible for one to say many things that the other has not said—that he has indeed not confronted in his own thinking, but has left within his unconscious soul life—because through his not saying certain things, what he did say attained its full significance. The more significant what a man has to say is, the more extensive is that which holds sway unconsciously in the depths of his soul. What is unconscious in this way, however, sounds forth in the souls of those who penetrate into the thinking and contemplations of such a personality. And they may also raise it into consciousness, because for them it can no longer hinder what they want to say.

[ 14 ] The personalities with whom this book is concerned seem, to a particularly strong degree, to be of the kind that stimulate one to press on through what they have said to what they have left unsaid. Therefore the author of this book, from the viewpoint he has taken, believed he could make his presentation a complete one only by adding the final chapter, “New Perspectives.” He believes that in doing so he has not introduced something into the views of these personalities that does not belong there, but rather has sought the source from which these views, in the true sense of their thought content, have flowed. In this case what was left unsaid is a rich seed bed from which what has been said grew as individual fruits. If, in observing these fruits, one also becomes aware of the seed-bearing ground from which they have sprung, then precisely through this one will realize how—with respect to what the soul must experience in dealing with the most significant riddles of man—one can find in the personalities portrayed in this book a profound stimulus, powerful indications in sure directions, and strengthening forces in gaining fruitful insights. By looking at things in this way one can overcome the aversion to the seeming abstraction of the thoughts of these personalities that prevents many people from approaching them at all. One will see that these thoughts, regarded in the right way, are filled with a boundless warmth of life—a warmth that the human being must seek if he really understands himself rightly.

[ 1 ] The loneliness I then experienced in respect to that which I bore in silence within me as my world-conception, while my thoughts were linked to Goethe on one side and to Nietzsche on the other – this loneliness was my experience also in relation to many other personalities with whom I felt myself united by bonds of friendship but who none the less energetically opposed my spiritual life.

[ 2 ] The friend whom I had gained in early years but whose ideas and my own had become mutually so divergent that I had to say to him: “Were that true which you think concerning the essential reality of life, then I had rather be the block of wood under my feet than a man” – this friend still continued bound to me in love and loyalty. His welcome letters from Vienna always carried me back to the place which was so dear to me, especially because of the human relationships in which I was there privileged to live.

[ 3 ] But if this friend undertook in his letters to speak about my spiritual life, a gulf then opened between us.

[ 4 ] He often wrote me that I was alienating myself from what is primal in human nature, that I was “rationalizing the impulses of my soul.” He had the feeling that in me the life of feeling was changed into a life of mere thought, and this he sensed as a certain coldness proceeding from me. Nothing which I could bring to bear against this view of his could do any good. I could not avoid seeing that the warmth of his friendship gradually diminished because he could not free himself of the belief that I must grow cold as to what was human since I passed my soul-life in the region of thought.

That, instead of being chilled in this life of thought, I had to take with me into this life my full humanity in order by this means to lay hold upon reality in the spiritual sphere – this he would never grasp.

[ 5 ] He failed to see that the purely human persists, even when it is raised to the realm of the spirit; nor could he see how it is possible to live in the sphere of thought; it was his opinion that one can there merely think and must lose oneself in the cold region of abstractions.

[ 6 ] Thus he made me out a “rationalist.” In this view of his I felt there was the grossest misunderstanding of what was reached by my spiritual paths. All thinking which turns away from reality and spends itself in the abstract – for this I felt the innermost antipathy. I was in a condition of mind in which I would develop thought drawn from the sense world only to that stage at which thought tends to veer off into the abstract; at that point, I said to myself, it ought to lay hold upon the spirit. My friend saw that I moved in thought out of the physical world; but he failed to realize that in that very moment I stepped over into the spiritual. Therefore, when I spoke of the really spiritual, this was to him quite non-existent, and he received from my words merely a web of abstract thoughts.

[ 7 ] I was deeply grieved by the fact that, when I was really uttering that which had for me the profoundest import, yet to my friend I was talking of a “nothing.” Such was my relationship to many persons.

[ 8 ] What so entered into my life I had to perceive also in my conception of the understanding of nature. I could recognize as right only that method of nature-research in which one applies one's thought to the task of looking through the objective relationships of sense-phenomena; but I could not admit that one should by means of thought elaborate concerning the region of sense-perception hypotheses which then are to be referred to a supersensible reality but which, in fact, constitute a mere web of abstract thoughts. At that moment in which thought has completed its work in fixing that which is rendered clear by the sense-phenomena themselves, when rightly viewed, I did not desire to begin with the framing of hypotheses, but in perception, in the experiencing of the spiritual which in reality lives, not behind the sense world, but within it.

[ 9 ] What I then held firmly as my own view in the middle of the 'nineties I later set down briefly as follows in an article I published in 1900 in No. 16 of the Magazin für Literatur: “A scientific analysis of our activity in cognition leads ... to the conviction that the questions which we have to address to nature are a result of the peculiar relationship in which we stand to the world. We are limited individualities, and for this reason we can become aware of the world only in fragments. Each piece, of and for itself, is a riddle; or, otherwise expressed, it is a problem for our understanding. But the more we come to know the details, the clearer does the world become to us. One act of becoming aware makes clear the others. Questions which the world puts to us and which cannot be answered with the means which the world gives us – these do not exist. For monism, therefore, there are on general principles no limits to knowledge. At one time this or that may not be clarified, because we are not yet in position, as to either space or time, to find the things which are there concerned. But what is not found to-day may be found to-morrow. Limits determined in this manner are only accidental, such as will vanish with the progress of experience and of thought. In such cases the formation of hypotheses legitimately comes into play. Hypotheses should not be formed in regard to anything which by its nature is inaccessible to our understanding. The atomic hypothesis is utterly without foundation when it is considered, not merely as an aid to abstract thought, but as a declaration regarding real being beyond the reach of our qualitative experience. A hypothesis must be merely an opinion regarding a group of facts which, for accidental reasons, is inaccessible to us but which belongs by nature to the world given to us.”

[ 101 ] I stated this view regarding the forming of hypotheses because I wished to show that “limitations of knowledge” were not proven, and that the limitations of natural science were a necessity. At that time I did this as to the understanding of nature only in a side reference. But this way of forming thoughts had always laid down the road for me to advance farther by means of the knowledge of spirit beyond that point at which one dependent upon the knowledge of nature reached the inevitable “limitation.”

[ 11 ] A contentment of soul and profound inner satisfaction were mine at Weimar by reason of the artistic element brought into the city by the art school and the theatre, and the musical people associated with these.

[ 12 ] In the teachers and students of painting in the art school there was revealed what was then struggling out of the ancient traditions toward a new and direct perception and reflection of nature and life. A good many among these painters might properly have been considered “seekers.” How that which the painter had as colour on his palette or in his colour-pot could be applied to the surface in such a way that what the artist created should bear a right relationship to Nature as she lives and becomes visible to man's eyes in creating – this was the question which was constantly heard in the most varied forms, in a manner stimulating, often pleasantly fanciful, and from the artistic experience of which there originated the numerous paintings that were displayed by Weimar artists in the frequent art exhibitions.

[ 13 ] My artistic experience was not then so broad as my relation to experiences in the realm of knowledge. Yet I sought in the stimulating intercourse with the Weimar artists for a spiritual conception of the artistic.

[ 14 ] To retrospective memory, that which I then experienced in my own mind seems very chaotic – when the modern painter who sensed the mood of light and atmosphere and wished to give these back took up arms against the “ancients” who knew from tradition how this or that was handled. There was in many of them a spiritualized striving – derived from the most primitive forces of the soul – to be “true” in the reproduction of nature.

[ 15 ] Not thus chaotic, however, but in most significant forms appeared to my mind the life of a young painter whose artistic way of revealing himself harmonized with my own evolution in the direction of artistic fantasy. This artist, then in the bloom of youth, was for some time in the closest intimacy with me. Him also life has borne far away from me; but I have often recalled in memory the hours we spent together.

[ 16 ] The soul-life of this young man was all light and colour. What others expressed in ideas he uttered by means of “colours in light.” Indeed, his understanding worked in such a way that he combined things and events of life as one combines colours, not as mere thoughts combine which the ordinary man shapes from the world.

[ 17 ] This young artist was once at a wedding festival to which I also had been invited. The usual festival speeches were being made. The pastor took as content of his talk the meaning of the words bride and groom. I endeavoured to discharge the duty of speaking – which rested upon me because I was a frequent visitor at the friendly home from which the bride came – by talking of the delightful experiences which the guests were permitted to enjoy at that home. I spoke because I was expected to speak. And I was expected to make the sort of speech “belonging to” a wedding feast. So I took little pleasure in “the role” I had to play. After me arose the young painter, who also had long been a friend of the family. From him no one expected anything; for everybody knew that such ideas as are embodied in toasts simply did not belong to him. He began somewhat as follows: “Over the glimmering red crest of the hill the glance of the sun poured lovingly. Clouds breathing above the hill and in the gleam of the sun; glowing red slopes facing the sunlight, blending into triumphal arches of spiritual colours giving a pathway to earth for the downward striving light. Flower surfaces far and wide; above these the air, gleaming yellow, slips into the flowers awakening the life in them ...” He spoke in this way for a long while. He had suddenly forgotten all the wedding merriment about him and begun “in the spirit” to paint. I do not know why he ceased thus to speak in painter fashion; I suppose his coat-tail was pulled by someone who was very fond of him, but who also wished equally that the guests should come to a peaceful enjoyment of the wedding roast meat.

[ 18 ] The young painter's name was Otto Fröhlich. He often sat with me in my room, and we took walks and excursions together. While Otto Fröhlich was with me, he was always painting “in the spirit.” In his company one could forget that the world has any other content than light and colour.

[ 19 ] Such was my feeling about this young friend. I know that whatever I had to say to him I placed before his mind clothed in colours in order to make myself intelligible to him.

[ 20 ] And the young painter really succeeded in so guiding his brush and so laying on the colours that his pictures were in a high degree a reflection of his own luxuriant, living colour fantasies. When he painted the trunk of a tree, there appeared on the canvas, not the delineated shapes of a picture, but rather that which light and colour reveal from within themselves when the tree-trunk gives them the opportunity to manifest their life.

[ 21 ] In my own way I was seeking for the spiritual substance of colour in light. In him I was forced to see the secret of the being of colour. In Otto Fröhlich there stood beside me a man who individually bore instinctively within him as his experience that which I was seeking for the taking up of the colour-world through the human soul.

[ 22 ] It gave me pleasure to be able through this very search of mine to give the young friend many a stimulus. The following was an instance. I myself experienced in a high degree the intensive colours which Nietzsche describes in the Zarathustra chapter on “the most hateful man.” This “Valley of Death,” described like a painting by Nietzsche, held for me much of the secret of the life of colour.

[ 23 ] I gave Otto Fröhlich the advice to paint poetically the picture done by Nietzsche in word colours of Zarathustra and the most hateful man. He did this. And now something really remarkable came to pass. The colours concentrated themselves, glowing and very expressive, in the figure of Zarathustra. But this figure as such did not come out fully, since in Fröhlich the colours themselves could not yet unfold themselves to the extent of creating Zarathustra. But so much the more living did the colour variations boil up into the “green snakes” in the valley of the most hateful man. In this part of the picture all of Fröhlich lived. But now the “most hateful man” There it would have required the line, the characteristic of painting. This Fröhlich refused. He did not yet know how there actually lives in colour the secret of causing the spiritual to take on form through the very handling of the colour itself. So “the most hateful man” became a reproduction of the model called by the Weimar painters “Füllsack.” I do not know whether this was really the name of the man always used by the painters when they wished to deal with the characteristically hateful; but I know that “Füllsack's” hatefulness was no longer merely conventional, but had something of genius in it. But to place him thus unchanged as a copy in the picture where Zarathustra's soul revealed itself shining in countenance and in apparel, when the light conjures forth true colour-being out of its intercourse with the green snakes – this ruined the painting of Fröhlich. Thus the picture failed to become what I had hoped might come to pass through Otto Fröhlich.

[ 24 ] Although I could not but realize the sociability in my nature, yet at Weimar I never felt in overwhelming measure the impulse to betake myself where the artists, and all who felt socially bound up with them, spent the evenings.

[ 25 ] This was in a romantic “Artists' Club” remodeled out of an old smithy opposite the theatre. There, united together in a dim-coloured light, sat the teachers and students of the Academy of Painting; there sat actors and musicians. Whoever sought for sociability must feel himself impelled to go to this place in the evenings. And I did not feel so impelled just for the reason that I did not seek companionship, but thankfully accepted it when circumstances brought it to me.

[ 26 ] In this way I became acquainted with individual artists in other social groups, but did not come to know the artistic world.

[ 27 ] To know certain artists at Weimar in those days was of vital value. For the tradition of the Court and the extraordinarily sympathetic personality of the Grand-duke Carl Alexander gave to the city an artistic standing which drew to Weimar, in one relation or another, everything artistic which was active in that period.

[ 28 ] There, first of all, was the theatre with the good old traditions – disinclined in its leading representatives to allow a naturalistic flavour to come into evidence. And where the modern would fain show itself and expunge many a pedantry, which nevertheless was always associated with good traditions, there modernity was kept far away from that which Brahm propagated on the stage and Paul Schlenther through the press as the “modern conception.” Among these “Weimar moderns” the chief of all was that wholly artistic noble fire-spirit, Paul Wiecke. To see such men take in Weimar the first steps of their artistic career gave one an ineradicable impression, and was a comprehensive school of life. Paul Wiecke used the basement of a theatre which, because of its traditions, annoyed the elemental artist. Very stimulating hours have I spent at the home of Paul Wiecke. He was on terms of intimate friendship with my friend Julius Wahle, and because of this I came very close to him. It was often delightful to hear Wiecke grumbling over almost everything that he must endure when he had to do the dress rehearsals for a new performance. Then, with this in mind, to see him play the role that he had so abused, and which nevertheless, through his noble endeavour after style and through his beautiful spiritualizing fire, afforded one a rare enjoyment.

[ 29 ] Richard Strauss was then making his beginning in Weimar. He was second director along with Lassen. The first compositions of Richard Strauss were performed in Weimar. The musical craving of this personality revealed itself as a piece of the very spiritual life of Weimar. Such a joyful unreserved acceptance of something which in the act of its acceptance became an exciting problem of art was then possible at Weimar alone. Round about one the peace of the traditional – a highly prized and worthy mood; now enters amid this Richard Strauss with his Zarathustra Symphony or even his music for the buffoon. Everything wakes up in tradition, reverence, worth; but it wakes up in such a way that the assent is lovable, the dissent harmless – and the artist can find in the most beautiful way the reaction to his own creation.

[ 30 ] How many hours long we sat at the first performance of Richard Strauss's music drama Guntram, in which the lovable and humanly so distinguished Heinrich Zeller played the leading role and almost sang himself out of voice!

[ 31 ] Indeed, this profoundly sympathetic man, Heinrich Zeller – even he had to leave Weimar in order to become what he did become. He had the most beautiful elemental gift of song. He needed for his unfolding an environment which, with the utmost patience, permitted that such a gift should in developing itself experiment over and over again. And so the evolution of Heinrich Zeller is to be numbered among the most human and beautiful things which one could ever experience. Besides, Zeller was such a lovable personality that one must count the hours one could spend with him among the most stimulating possible.

[ 32 ] And thus it came about that, although I did not often think of going in the evening to the Artists' Club, yet, if Heinrich Zeller met me and said I must go with him, I always yielded gladly to this demand.

[ 33 ] The state of things at Weimar had also its dark side. That which is traditional and peace-loving often held the artist back as if in a sort of seclusion. Heinrich Zeller became very little known to the world outside of Weimar. What was at first suited to enable him to spread his wings later crippled these wings. And so it was always with my dear friend Otto Fröhlich. He needed, like Zeller, the artistic soil of Weimar, but the dim spiritual atmosphere absorbed him too much in its artistic comfort.

[ 34 ] And one felt this “artistic comfort” in the pressure of Ibsen's spirit and that of other moderns. There one shared with everything – the battle waged by the dramatist, for example, in order to find the style for a Nora. Such a seeking as one could there observe occurs only where, through the propagation of the old stage traditions, one meets with difficulties in the effort to represent what comes from poets who have begun, not like Schiller with the stage, but like Ibsen with life.

[ 35 ] But one also shares in this reflection of this modernism out of the “artistic comfort” of the theatrical public. One ought to find a middle way between the two circumstances: first, that one is a dweller in “classical Weimar,” and, on the other hand, that what has made Weimar great has been its constant understanding for the new.

[ 36 ] It is with great happiness that I remember the productions of Wagner's music dramas at which I was present in Weimar. The Director von Bronsart developed a specially understanding devotion to this type of theatrical productions. Heinrich Zeller's voice then reached its most exquisite value. A remarkable gift as a singer belonged to Frau Agnes Stavenhagen, wife of the pianist Bernhard Stavenhagen, who was also for a long time director at the theatre. Frequent music festivals brought the representative artists of the time and their works to Weimar. One saw there, for example, Mahler as director at a music festival when he was just getting his start. Ineradicable was the impression of the way in which he used the baton – not aiding music in the flood of forms, but as the experience of a supersensible hidden something visibly pointing amid the forms.

[ 37 ] What came before my mind from these Weimar events – seemingly quite unrelated to me – is really deeply united with my life. For these were excitations and states which I experienced as pertaining in the deepest manner to me. Often afterwards, when I have encountered a person, or the work of a person, with whom I have shared experiences at his beginning at Weimar, I have recalled with gratitude this Weimar period through which so much became intelligible because so much had gathered from elsewhere there to pass through its germinal stage. Thus I then experienced in Weimar the artistic strivings in such a way that in regard to most of these I had my own opinion, often very little in harmony with those of other persons. But at the same time I was just as intensely interested in everything which others felt as in my own feelings. Here also there came to pass within me a twofold mental life.

[ 38 ] This was a genuine discipline of the mind, brought to me by life itself in the course of destiny, in order that I might find my way out from the “either or” of abstract intellectual judgment. This sort of judgment erects barriers separating the mind from the spiritual world. In this there are not beings and occurrences which admit of such an “either or” judgment. In the presence of the supersensible one must become many-sided. One must not merely learn theoretically, but must take everything to dwell in the innermost emotions of the soul's life, in order to view everything from the most manifold points of view. Such standpoints as materialism, realism, idealism, spiritualism, as these have been elaborated in the physical world by personalities with abstract ways of thinking into comprehensive theories in order that they may signify something for things in themselves, – these lose all interest for one who knows the supersensible. He knows, for example, that materialism cannot be anything else but the view of the world from that point from which it reveals itself in material phenomena.

[ 39 ] It is a practical training in this direction when one finds oneself in the midst of an existence which brings the life whose waves beat outside of one's own so inward as to become as close as one's own judgments and feelings. But for me this was true of much in Weimar. It seems to me that at the close of the century this ceased to be true there. Until then the spirit of Goethe and of Schiller still rested upon everything. And the lovable old Grand-duke, who moved about with such distinction in Weimar and its vicinity, had as a boy seen Goethe. He truly felt very strongly his “Your Highness,” but he always showed that he felt himself a second time ennobled through the work that Goethe did for Weimar.

[ 40 ] It was the spirit of Goethe which worked so powerfully from all directions at Weimar that to me a certain side of the experience of what was happening there became the practical mental discipline in the right conception of the supersensible worlds.

My dear friends!

On January 29, 1827, Goethe said to his friend Eckermann about the then already advanced second part of “Faust”:

But everything is sensual and, when presented on the stage, will catch everyone's eye. And that is all I wanted. If only the crowd of spectators take pleasure in the appearance; at the same time, the initiated will not miss the higher meaning, as is the case with The Magic Flute and other things.

In this way, Goethe expressed that he himself allows a deeper meaning to be recognized in his works. It is well known that explanations of Goethe's deeper worldview are met with the objection: You yourselves put all sorts of things into the works that Goethe did not mean at all. This objection could easily be refuted. Only someone who does not want to apply all the powers of their soul to get behind the meaning of the poem can say this. We will counter all these objections with what Goethe said in his conversation with Eckermann. Goethe appears to us as one of those artistic figures who did not allow themselves to be inspired by the arbitrariness of fantasy or the randomness of external experience, but rather strove to recognize and explore the great riddles of existence. Goethe was a serious and profound seeker. The direction of his quest can be seen in his very earliest childhood disposition. Nowhere can such a direction confront us as powerfully as in what Goethe told us about the time when he was seven years old. He takes the best minerals and rocks from his father's collection of natural objects and arranges them in a regular form on a music stand. This is the altar on which he wants to offer sacrifices to the god of nature. At the top he places incense cones, which he ignites with the help of a burning glass through the collected rays of the rising morning sun. For him, natural products are the expression of the primal divine forces of nature. Through the rays of the morning sun that he had captured, he had kindled a natural fire, a sacred fire through the essence of the divine forces of nature itself. With this, he wanted to make an offering to the god of nature; in this way, he wanted to come closer to the great god of nature. In this childlike way, Goethe's entire spiritual relationship to the cosmos is expressed. On higher levels, we see young Goethe's confession again in his prose hymn “Nature”, when he was already working in Weimar:

Nature! We are surrounded and embraced by her – unable to step out of her, and unable to get deeper into her. Uninvited and unwarned, she takes us into the cycle of her dance and carries on with us until we are tired and fall out of her arms.

Then he addresses all the beings of nature, how they are revelations of the spirit that is present in nature. Finally, he says:

She has brought me in, she will also lead me out. I trust her. She may do with me as she pleases. She will not hate her work. I did not speak of her. No, what is true and what is false, she has spoken everything. All is her fault and all is her merit.

And before that it says:

With a few draughts from the cup of love, she indemnifies for a life full of toil.

After his student days in Leipzig, Goethe had an important inner experience: on his sickbed, he learned to feel the seriousness of life. In Frankfurt, he then undertook all kinds of strange studies with friends and delved into many mystical and alchemical works. He met people who were involved in mysticism and who sought the God, the Christ, within themselves. Then in Strasbourg he met the other great mind, Herder, by whose side he gained a keen eye for nature, which was then expressed in his scientific studies and writings. When Goethe had moved to Weimar, we often find him in Jena, like a student, listening to the lectures of Loder and other scholars in order to get closer to the divine power in nature. He always sees a manifestation of the spirit in everything that presents itself materially. While he was still in Strasbourg, he came across a book by a materialistic French encyclopedist. It made a great impression on him. He says about it in “Poetry and Truth”:

But how hollow and empty we felt in this dreary atheistic half-night [...] Matter was supposed to have existed from eternity, and moved from eternity, and now, with this movement, right and left and in all directions, it was supposed to produce the infinite phenomena of existence without further ado.

Then he continues:

But he knew as little about nature as we do: for having nailed up a few general concepts, he immediately leaves them behind in order to transform that which appears in nature as higher than nature, or as higher nature, into material, heavy, and indeed moving, but directionless and formless nature, and thereby believes he has gained a great deal.

This is a critique that Goethe could also make of today's materialistic science. Those who immerse themselves in Goethe will soon notice that when he talks about nature, he speaks from great depths, from the spirit that we call the theosophical worldview. It was in the fourteenth century when this was already being cultivated in the Rosicrucian current. Nothing reliable about it has been reported by outsiders. Only the initiates knew what really mattered.

There is a poem by Goethe, “The Mysteries”, where a personality comes to a kind of monastery and meets a gathering of enlightened personalities, twelve in number. A thirteenth is with them, who is about to die. His twelve brothers speak of him in the most beautiful, appreciative terms. Some traits of this great man, who stands as the knower of the world, are then told. It is said that as a boy he had already killed the adder, which signifies the overcoming of the lower nature. Then, after many meaningful words, the lines follow:

From the power that binds all beings,
The man who overcomes himself is freed.

One who has overcome himself is presented in this poem “The Secrets” by Goethe. The whole situation in which the brother, to whom this greatness is being told, is led into, appears to the knowledgeable as the Grail or Parzifal situation. Goethe could not complete the poem, the material was too great. He once gave a student an explanation of it. He hinted at a league of enlightened people who had joined together in a brotherhood. Each of them represents one of the great religious systems of the world. The great emissaries of these are united in a brotherhood, where there must be one of the leaders who sees the unity, the core of wisdom, in the religions. What Goethe says here could be made the principle of the theosophical movement. Goethe points here to what every initiate knows, that there is a secret union. Goethe lets the newcomer see the mysterious symbol at the gate: the cross with the roses entwined. Goethe wanted to point out that there is such a mystery within the modern world, as there have been such initiates in all times.

Goethe then sought God further as an artist during his Italian journey. He sought God in the universe, in all his creations that breathe the divine greatness; he also sought him in the creations of men, in art, which was a continuation of nature for him. He wrote on September 6, 1787 in the diary of his Italian journey:

These great works of art, which are also the greatest works of nature, have been created by man according to true and natural laws. All that is arbitrary and imagined collapses; there is necessity, there is God.

Of Greek art, Goethe says:

I have a suspicion that they proceeded according to the very laws by which nature proceeds and which I am on the trail of.

He expresses the connection between man and nature beautifully in his book about Winckelmann:

When the healthy nature of man works as a whole, when he feels himself in the world as a great, beautiful, dignified and valuable whole, when harmonious comfort gives him pure, free delight – then the universe, if it could feel itself, would exult as if it had reached its goal and would admire the summit of its own becoming and being. For what is the purpose of all the effort of suns and planets and moons, of stars and milky ways, of comets and nebulae, of worlds that have come into being and are still in the process of becoming, if not ultimately for a happy human being to unconsciously enjoy his existence?

That which lives in man, in the depths of man, as a spiritual-mental entity, that is Nature herself, and for man she becomes conscious in the soul of man. It was this intuitive perception that guided Goethe when he attempted to shape the legend of Faust in a new form. This legend expressed what a number of people felt at that time. In the medieval Faust, we see a man who wants to recognize the divine in nature itself. In the Middle Ages, the search for the divine in nature was seen as apostasy. The divine was only to be found in the religious record of the Bible. On the other side was the legend of Faust, who seeks the divine in nature and makes a pact with the devil. On the other side was Luther, who, as the legend goes, threw the devil's inkwell at his head. Faust falls prey to the devil; he became a worldly man and a physician who wants to recognize the great God in nature. In the Middle Ages, such people were called “sons of the devil”. Goethe brings something new to the Faust idea; his guiding principle is:

Whoever strives, we can redeem.

A striving person who seeks the sources of nature, who seeks the spirit of nature, must reach the goal. Goethe is serious about the interpretation. Where man not only seeks something soulful and spiritual in himself, but where he rises to the realization that everything around us is ensouled, there he is on the right path. When we look at the human being, we have to say that our finger, for example, is only conceivable as a limb of our entire organism. Man lives under the illusion of personal self because man devotes himself to the idea that he is independent and self-sufficient, and not a member of the whole earth organism. But if man were to be lifted several miles above the earth, he would no longer be able to live; he would have to [suffer a miserable death by] suffocation and wither away like the finger of my hand if it were to be cut off. Goethe recognizes the earth organism. There is a deep recognition in his desire to let Faust penetrate to the sources of life and to characterize the spirit of the earth with the words:

In the flood of life, in the storm of action
I surge up and down,
weaving back and forth!
Birth and grave,
an eternal sea,
a changing weaving,
a glowing life,
so I create at the whirring loom of time
and weave the living garment of the Godhead.

How Goethe has placed himself in the spirit of the cosmos, how he feels and senses the spirit in the cosmos, and how he also lives in the human heart, is shown when he has Faust speak with the same Earth Spirit elsewhere. There we recognize that Goethe sees the same work in every tree, every plant, as in man:

Exalted Spirit, thou hast given me, given me everything
I asked for. Thou didst not turn thy face to me in fire in vain.
Thou gavest me the glorious kingdom of nature
and the power to feel and enjoy it. Thou dost not
allow only cold, astonished visitors,
granting me to look into her deep chest,
as into the bosom of a friend.
You lead the line of the living
past me, and teach me my brothers
in the silent bush, in air and water.
And when the storm roars and creaks in the forest,
the giant spruce toppling, crushing neighboring branches
And neighboring trunks squashing down,
And her fall dull hollow the hill thunders,
Then you lead me to the safe cave, show
Then myself, and my own chest
Secret deep wonders open up.

We will find the theosophical ideas in Goethe again, without compulsion.

There is talk of Pythagorean music of the spheres. At higher levels of human development, there are experiences that are similar to those of a person born blind who undergoes a successful operation and suddenly gains sight – only much more magnificent and powerful. Such a spiritual operation does exist. In it, we learn about things and beings that are all around us in the world. The world of the spirit, of which Fichte spoke to his audience in 1813, then opens up for us. He says: “A new sense is needed for this.” When one speaks of these worlds to people, it often happens to those who speak as it happens to a seeing person among a group of blind people, to whom he speaks of color, shine and light. Everything that is said theosophically about this spiritual world is spoken entirely in the spirit of Fichte. The theosophist does not speak of a beyond. How many worlds we perceive around us depends on how many organs we have for perceiving these worlds. As many dormant abilities as are awakened in us open up as many new worlds for us. For the human being of today, there is initially a level of consciousness through which he perceives sensual and externally perceptible things. Then there is another level of consciousness for those who have attained the ability of higher vision. A new world of color, splendor and light opens up before their mind's eye. This world is called the astral world. An even higher world can be perceived when one attains continuity of consciousness, where the manifestations of a higher world manifest themselves in a way called sounds. The devachanic world is a sounding world. This world is then taken over into everyday consciousness so that one can also perceive it when walking among everyday things, among tables and chairs. The theosophical worldview speaks of a world of the soul, the astral world, and of a devachanic world, the world of the spirit, which can be perceived by those whose spiritual eyes and ears are open. Where Goethe has Faust placed between the forces of good and evil, he lets the words resound:

The sun resounds in the ancient way
In the spheres of the brothers' song,
And its prescribed journey
It completes with a thunderclap.

When most people say that this is a poetic image, they misunderstand the poet if they think he is making up a phrase. A true poet does not do that. The physical sun does not resound. But if we look at the sun as the expression of a spiritual organism, then we can speak of the sun resounding. In the second part of Faust, Goethe lets him encounter a similar situation. It says:

Hark! Listen to the storm of the hours!
For spiritual ears,
The new day is already being born.
Rock gates creak and rattle,
Phoebus' wheels roll and clatter,
What a roar is brought by the light!
It drums and trumpets, eye blinks and ear is amazed,
unheard-of things are not heard.

These are the depths of wisdom from which Goethe draws. Those who do not know that Goethe sought to draw from the sources of esoteric wisdom do not understand Goethe well. He himself said that the deep meaning of his poetry would not remain hidden.

The second part of “Faust” has always been a big problem for people, also the fact that Mephistopheles, the representative of evil forces, is associated with Faust. Goethe researchers have also written an infinite amount about Mephistopheles. The word is composed of “Mephis” – is equal to Verderber – and “Tophel” – is equal to liar. At the same time, this leads us to the fact that Goethe was able to draw from sources where exactly this meaning of Mephistopheles could be found. We get to know the esoteric Goethe from the second part of “Faust”. People have thought a great deal about the homunculus. Some interpreters of Faust suggest that the homunculus represents humanistic research. Faust scholars can also be seen grappling with the question of what the “mothers” represent.

Occult teachings have always distinguished between the physical, mental and spiritual nature of the human being. Even today's materialistic science regards the physical nature. The soul world belongs to what we have characterized as the astral. The spirit belongs to the devachanic world. As in all mysticism, for Goethe the physical body is the transient one. The soul is that which forms the connection between what is transient in time and the spiritual eternal. For Goethe, the human being is also composed of three parts: body, soul and spirit. For the one who thus considers the structure of human nature, what happens to him when a person enters this world? He comes from the eternal sphere of Devachan. The source of spiritual existence is spoken of as the “Mothers”. The threefold source of the human being is with the Mothers. The eternal corresponds to the spirit. The soul also has an eternal archetype. In Theosophy, this is referred to by the Sanskrit words: Atma, Budhi, Manas. This is referred to as the divine trinity, which is with the mothers, of which man is a threefold image. Goethe wants to depict this, the way in which the threefold nature of man is composed of spirit, soul and body. A long-dead person is to stand before Faust: Helen. The example of Helen is to be used to illustrate the development of humanity. The re-emergence of the spirit in a new form is to be shown there. The three parts of the human being are to come together again.

Goethe depicts the soul itself through the homunculus, which is the astral body of the human being; it longs to be embodied. The spirit must join it; it is with the mothers. Now Goethe actually describes the journey to the mothers in a very appropriate way. Mephisto says to him as Faust enters the realm of the mothers:

Sink away! I could also say: rise!

There is no difference between up and down in Devachan. Then he shows him the tripod, which shows him the way to the mothers, the threefold nature of man. Faust succeeds in bringing up the ghost of the deceased Helena. Faust is not yet ready to fully understand this. When he wants to embrace Helena passionately, an explosion follows.

Homunculus is created; this is precisely the human astral body. This astral body is to receive a physical body. Goethe has him guided down to the ancient Greek philosophers. He wants to have the “thoroughly practical” for the astral soul. Now he is to learn from the Greek philosophers how to come into being and develop. The entire development through stones, plants and up to the human being is then described. The process of passing through the plant kingdom is aptly described as “it grunts so”. Finally, we see the possibility arise that the body connects with the soul when Eros comes. Homunculus is dashed to pieces against the shell carriage of Galathea; as a spirit he no longer exists, he has connected with the elements.

In the great world poem, we see how Goethe embodied his view in it. Goethe describes his view differently in the fairy tale of the green snake and the beautiful lily. The way the “fairy tale” was created should make it clear that what is expressed here is possible. During the time of their friendship, Goethe and Schiller published the Letters on Aesthetic Education as a kind of dowry. Schiller asked Goethe to make a contribution. Goethe wrote to him that he could not express what he had to say in a philosophical way, but that he would present it in a pictorial form. So he wrote the fairy tale of the green snake and the beautiful lily. If we want to understand what Goethe meant by the “fairytale”, we only need to read what Schiller wrote to Goethe at the time. Schiller sees in the realm of beautiful appearance, in the realm of artistic appearance, an intermediate realm that elevates people from the realm of necessity, of sensual nature, to inner freedom. He sees in the artist the person who finds the spiritual in the physical, so that the sensual is spiritualized. In this way, art can help people to rise above the sensual world. It is a means for them to purify and spiritualize their instincts. People may then follow their instincts when they have been so purified that they no longer go against the spirit, so that people cannot help but want the ideal. Goethe presents this in a great image, but one that is drawn from infinite depths. In the will-o'-the-wisp in the fairy tale, who cross a river and have to promise the ferryman to pay for their journey with three onions, three artichokes and three cabbages, we recognize the lower self of man , the ego nature, which has the potential to develop the three-part, higher, future nature, namely the wisdom nature or manas, the kind nature or budhi, piety and the strength nature or atma, strength. The development of man to this higher trinity is called initiation, which is carried out in the mysteries. Gradually, in the great process of evolution of humanity, all people will become initiates.

In all esotericism, water is used to describe the astral world.

Human soul, how like thou art to water!

says Goethe. There are two types of human nature: one that acquires wisdom in selfishness, the other that acquires wisdom by working from experience to experience. If the astral — the river — is to accept the gold, the wisdom acquired in vanity, then it will flare up. In esotericism, the original is represented by the lotus flowers, by something that can be peeled off so that a germ remains. The will-o'-the-wisps represent the human ego that only wants to shine; the snake represents the human ego that identifies itself with wisdom. Goethe once said:

If the eye were not solar
How could we see the light?

When the snake glows from within, it can enter the temple, where humanity acquires the three highest goods, which are represented by three kings: wisdom, piety or beauty and strength. The old man with the lamp represents the way in which most people are now enlightened. Religion is symbolized by the old man's wife. The beautiful lily represents the eternal, which man can only attain when he has been purified. The highest kills all that is living and immature. But through mystical death, man attains the highest spiritual gifts. In this fairy tale, Goethe has embedded the deepest truths of esotericism. In it, he shows how man attains the highest goods of humanity through the sacrifice of his lower nature. The same idea is expressed in the saying that appears in the West-Eastern Divan, in the poem that begins:

Tell no one, only the wise,
Because the crowd would scoff.

In the end, he speaks of the sacrifice of the lower nature and the spiritual rebirth of man:

And so long as you do not have this,
this: Die and become!
If you are only a dull guest
on the dark earth.

If one wants to understand the deeper meaning of such significant works as the Apocalypse, then one must gain a deep insight into the structure of the world and the entire development of the world. Therefore, for the time when I could not be present, I asked Miss von Sivers to discuss the theory of evolution, the theory of the development of the various worlds that are somehow related to our Earth, here for a few hours. It has become clear that the way in which the development has been presented here has been seen as something individual. (It has happened entirely in line with my intentions, in which I have conducted research into it myself.)

Before we can make any kind of useful progress in the Apocalypse - which we may approach again soon, where you will see what depths are contained in it, in esoteric Christianity in general - we must first become clear about certain concepts of our solar and planetary system. Therefore, I myself will make some insertions about the development of our planet and our solar system. We are now going to tackle some very difficult parts of theosophical or mystical teachings, and so I have to say a few words in advance about how you should approach such material.

Above all, be aware that the Apocalypse is one of the most important and profound works in the world, containing the greatest of secrets. And also be aware that explaining the Apocalypse is an extremely difficult task, because there can be so little preparation for such an understanding at the present time. Hardly any explanation of the Apocalypse was given in Europe during the nineteenth century. Only now, after a long time, are we able to speak of the Apocalypse again. Be aware that the explanation of the Apocalypse as we give it is related to the very deepest secrets, and that you are hearing something in our time that was closed to man through the course of spiritual development and through the general course of the world. One must be lenient with oneself if not everything can be clear and transparent from the beginning. It is not possible for the difficult to be clear from the start.

The final explanation of the Apocalypse is one of the deepest secrets of initiation, and the veil that can be lifted today is already extraordinarily deep. We could not move on if we did not include some information about the world system with which our Earth is connected.

In connection with the matters that have been discussed in my absence, I would like to send some advance information. Miss von Sivers has presented the development of the earth and the sun in a way that I am able to present. However, the views of the various occult researchers in this field are only seemingly opposed. You must not believe that if something seems to contradict itself, that is a real contradiction. So if Mr. Schouten believes he has found a contradiction between what has been presented here and what he knows from our esteemed comrade Leadbeater, then of course it requires a kind of illumination on the whole, how to understand such things; we will discuss this in detail. Above all, please note that no practical mystic claims to be presenting a universally valid dogma. Neither Leadbeater nor I make such a claim. Each presents what he is able to present as the results of his observations. And please do not interpret what is presented here as anything other than a story that someone tells about what he has experienced. It can be discussed, it makes no claim to dogmatic value, they are not tenets. At first one might object: If different researchers in this field contradict each other, how can one ever arrive at clarity? But that is not the case. If you read travel descriptions of the most diverse regions, you will see how different even these descriptions are. And the observations of occult researchers are just as varied as these observations. With some understanding, which is difficult in this area, one always, without exception, comes to exactly the same results. There is never any real contradiction between two occult researchers if they both proceed in the necessary objective manner, really working with all the means of occult research.

However, one might not even realize the way in which research in this field comes about at all. I would like to speak here first of all about the case that has been discussed here, namely the case that constitutes a point of difference - not in the rest of esotericism, but in the younger current that has found expression in the Theosophical movement [as in Sinnett, Leadbeater and Blavatsky]. The theosophical movement is actually a very young movement compared to the occult movement. It was founded in 1875. But occultism is thousands of years old. In Europe, there were the same teachings as those brought by Theosophy; Theosophy also existed in Europe, only in the eighteenth century it receded somewhat because materialism did not allow these things to be spoken of. Materialism is something that has a scaring effect on the sacred science of occultism.

Within the theosophical movement itself, an apparent contradiction arises with regard to this teaching of the development of our earth. When the great teachers of the theosophical movement, whom we call the masters, first shared some of the secret knowledge with European students, so-called lay chelas, it was actually this European lay student, our revered friend Sinnett, who wrote the first effective book, Esoteric Buddhism, based on the master's teachings. There was a great deal that was unclear to this lay disciple. This was to be expected, for all European thinking differs quite significantly from the way an actual occultist, an actual esoteric, thinks. A person who is equipped with European cultural concepts - and you must not forget that the modern human being grows up entirely in the prejudices of the present day - easily misunderstands what the esotericist is saying because he translates it into his concepts, which are derived from materialism. Thus there was a certain initial disparity when the exalted master gave the first teachings to Sinnett through the mediation of Helena Petrovna Blavatsky about the development of our earth.

Our Earth has reached our present state after having passed through a very different state, and it will change again into a different state when it has gone through this present state. We can express this by saying that the Earth is undergoing transformations. The first Theosophists illustrated these three metamorphoses - the state of our earth that preceded the present one, the present state and the one that follows - by drawing three spheres, which were also called globes.

The esotericist does not refer to what rock and metal complexes are as “earth”, but rather he also refers to what belongs to the earth: the mineral world, the plant world, the animal and human world. Then we have to imagine this earth as emerging from an earlier state. You don't have to imagine it like the present earth either, but rather imagine the earth at that time in a much finer matter, not at all in a physical matter, but in a matter that can be imagined something like what we call the human astral body, which envelops and permeates the human being in the form of a cloud. The Earth at that time consisted of such matter. This state has condensed to our present physical state. That is why it was called the astral globe preceding our Earth. The following one, into which our Earth will transform, is again similar to this state in terms of matter; it is also astral. In contrast to the astral globe, the third globe is called the plastic globe, because if you look at the earth in this astral state, it appears undifferentiated to you, a mass in which you can distinguish many fewer entities than in the third globe.

Above all, you will see the difference when you look at people. People are present on all three globes. On the first globe, people were in such a state that they were completely dependent on the external forces acting on them. People in our time, on our physical earth, have their hands, their legs, they can walk, can move, can move their mouths - today, all of this is at their own discretion. This was not yet present to the same extent on the astral globe; at that time, man was still much more of an automaton. He reproduced what external forces stimulated in him. He moved his hands because external stimuli affected him. He was at the mercy of external stimuli. This has changed, man has become more independent on the globe we call our earth. And that will be even more different when we will be on the third, the plastic globe. The physical body has disappeared, the earth is in dissolution, darkness has fallen. Then the human being will not only be able to move his limbs, but he will be able to shape his own form at will, so that the human being – while he has a permanent physiognomy today – will not be able to hide his feelings through his physiognomy. In his outer appearance, he will give an immediate impression of what lives within him. We will be able to extend our hands, not just move them. Man will be able to form himself plastically from within. His form will be the result of what lives within him. Life will express itself more in form.

These three stages of development are not the only ones that our earth goes through. This astral globe was preceded by another, and the plastic one will be followed by another. While here [on the astral globe] the entities we are dealing with – including human beings – are in a substance that is equivalent to our astral body, here [on the globe that preceded the astral one] the human being and all entities, in fact the whole earth, are in a matter that is equivalent to the mental aura, the thinking body of the human being. On this globe, everything is dependent on external stimuli. But that does not appear in our astral matter. What lives here can never be seen, not even with the senses of a clairvoyant. There is only sound, which the 'clairaudient' can perceive. Everything is spiritual sound. The spiritual sounds buzz around on this globe in confusion and are the same as the intermingling colors on the astral globe. It is a globe that is called the Rupa globe. This is the form that we know on our Earth in the physical state in the air waves. So is the infinitely fine matter of which our thoughts are formed. Only thought-matter was present on earth at that time when it was in that state. This globe gradually passed into the astral globe through condensation. 'Rupa' means form.

Man will be in a similar state again when he has gone through the plastic state. On the plastic globe, passions and feelings express themselves extremely vividly, while here [on the intellectual globe] in the higher state, everything is expressed in tones. This sound world in which the person will live will be quite different from the sound world of the descending line of the Rupa globe. When the clairvoyant moves within this globe and perceives the entire sound world, he perceives something similar to what you hear when you are sitting in a hall in which a symphony is being played, but it is purely spiritual and is not heard with physical ears. While you perceive something like a symphony descending [on the rupa globe], you perceive words ascending [on the intellectual globe], an articulated sound world with the expression of the world of thoughts and ideas living in man.

These two globes are each preceded by another – one descending, one ascending. These are the Arupa globes. They are formless. The people in those days were such that in this whole world, which is even finer than the Rupa world, nothing lived except individual sounds, with a very specific timbre. These individual tones, which did not yet harmonize, which did not yet form into melodies, but lived as individual tones, were very substantial. Among these beings were individual basic essences of plants and animals, and above all, every human being, as he is today, was already present as a tone. Each person at that time had a different tone. This makes the human being a being that is different from all others. This tone, with a very specific coloration, is the human being again when he arrives at the globe, which we will call the archetypal globe. There the human being is again a tone, but from this tone everything that he has experienced resounds. It is a tone [of great abundance] from which the whole rich experience of the human being resounds. It is difficult to visualize this, but as I said, it can be imagined in such a way that this [on the Rupa globe] is a poor tone, while [on the archetypal globe] this is a tone that speaks of everything that a person has gone through at the various stages of development.

If you follow this, you will have an idea of how the earth transforms into its various states. A group of related metamorphoses is called a planetary chain. The term is not entirely accurate because it is a schematic drawing. If I were to design the drawing in such a way that it better reflected the facts, I would have to draw all the spheres in a single place. We do not have a succession of new spheres appearing one after the other, but a transformation.

This first Arupa sphere condenses, and out of it arises the state of the Rupa sphere. From this arises the astral sphere, and this then condenses to such an extent that the earth is formed from it. And then the following would come, but in such a way that I would have to draw all of this on top of each other. You may only understand the drawing as a schematic one. So we are dealing with seven successive transformations that the planet undergoes.

Initially, it was mistakenly imagined that transformations do not take place, but that there are seven spheres distributed in space and that life passes from one globe to the next.

This is not a problem if that is how you imagine it at first, because it is difficult to get the ideas right at such a high level anyway. And so it does no harm to speak of a wave of life flowing from globe to globe.

It is different that the following idea has been created by the master's first message. It has been thought that the wave of life flows from one globe to the other. In relation to the globes - at least in relation to two of them - ideas have crept in as if the first and third globes correspond to Mars and Mercury.

The master explained after further inquiry that Mars and Mercury have nothing to do with the development of humanity on Earth. For the occultist, this is an absolute impossibility, because Mars and Mercury are physical globes, but the others are not physical. Mars and Mercury are in the same physical state as the Earth, so they also have the physical form of a planetary chain like the Earth.

So Mars is the physical representative of a planetary chain just like our Earth. It is the same with Mercury. Later, more and more researchers came to us who were not only able to follow these things from what the masters told them, but who also learned from their own observations. They learned the methods. This view can be somewhat misleading about the facts.

There are methods by which the clairvoyant can transport themselves back to the astral globe and also forward to the plastic globe, the globe “Three”. When you place yourself in the state of astral clairvoyance and direct your thoughts to the point where the astral globe must be found, then you can see what it was like when our animals, plants and minerals were in this position. You can see it clearly before you. When you place yourself in such a state, in the state of an astral clairvoyant, you are not only united with, not only in the astral world you have visited, but you are also in the astral worlds that are related to the one you have visited, that are therefore in the same state. One is present in all cosmic bodies that are in the same state. In this respect, clairvoyants perceive space and time in exactly the same way. They make no distinction at all. When one projects oneself back to the globe that preceded our Earth, when one is on the planet, one is also on all planets that resemble the state of the Earth at that time. The clairvoyant is then actually on those planets that today belong to the planets of our solar system and are in this state. Not all planets are in the same state. Mars is physically today, but it is only at the stage of development at which our Earth was at the time when it was going through the astral state. The Earth was then able to solidify, to become physical. Today's Mars is in this position. It is at the stage of the third globe, but not astral, but physical. Now one can perceive what is present in this state. If you place yourself in this state of Mars, then you are not only on our Earth, but also on Mars.

So now you can study the present state of Mars clairvoyantly, and you may make an interesting discovery. What you could otherwise only observe astrally, in cloud formations, you can observe on Mars today. It is as if it had suddenly turned to stone. So when we examine Mars, we may feel almost as if we had left this Mars some time ago. [A person today, here on our Earth, has never lived on Mars.] We were, however, in an astral form when we left it. Today's Mars looks as if man had left it and come over to Earth. This is the interesting problem, which can lead one to believe that one once lived on Mars. This astral globe “One” should not be confused with Mars.

Mercury is further advanced in its development than our Earth. It has already reached the state that people will have reached when we have astral plasticity. The beings of Mercury can endure the physical state. Earth people will undergo this state on an astral plastic globe. But Mercury gives us an idea of what man will become when he is on a plastic globe. For them, plasticity is compatible with the physical state. [So there is a relationship]. But the planets themselves have their chains, and only through their stages of evolution can it appear as if the development on Earth has something to do with them. The beings that live on Mercury and Mars are not human-like. They undergo completely different evolutions. People can only be physical on the physical Earth, while the Martians can be physical with the qualities of the astral human, and the Mercury beings are plastic on the physical globe, which people can only be on the plastic globe.

Thus we have completed what we call the planetary chain, namely the planetary chain of our earth. This planetary chain emerged from another planetary chain. Next time I will show how our earth developed out of another planet, just as we had the lunar epoch in the past. What remained of that epoch is contained in our present moon. Our present moon is not the earth's predecessor, it is only a condensed physical piece of it, a slag, so to speak. When we say that the beings of the earth developed from the moon, it is not entirely accurate, but within the limits of what I have said, it is quite correct. We will get to know a somewhat similar seven-part chain during this lunar epoch, so that we can say: Before the earth came into its sevenfold structure, it developed in the sevenfold structure of the lunar epoch. This sevenfold lunar epoch is characterized by the fact that people at that time did not yet have the bright consciousness of the mind that people have today, but rather a consciousness similar to a dream trance. This is the echo of the earlier dull consciousness.

Furthermore, we are dealing with a planet that can no longer be found in our space. This planet has become what the sun is today, through various intermediate phases. That is why the sun is a planet in the old esotericism. Esotericism does not mean the physical sun, but the father of our physical sun. Next time I will explain the sun predecessor of the earth.

Our Earth has therefore passed through one, two, three globes of seven links each and is now in the fourth globe of the chain, which also has seven links, making 28 links in total. In the future, it will pass through three more links that will be similar to Jupiter and Venus and so on. The next link in the chain, which will contain highly developed human beings, a planet that is not in a physical state, we will still get to know, and finally we will be able to pursue the actual goal of our earth development.

So there are still three globes to come, each with seven members, equal to 21 members, so that we have 7 x 7 members, that is 49 metamorphoses that we have to go through. These 49 metamorphoses are not written down by the esotericist in the same way as by the modern man. [Esotericism does not use the decimal system, but the system of seven.] 66 does not mean 66 to the esotericist, but [6 x 6 =] 36; according to the system of seven, that makes: 7 x 7 = 49. Thus you can understand what it means when the esoteric writes 77. For him, this does not mean 77, but 7 x 7 = 49 metamorphoses. On each planet there are seven root races. So we have seven chains, each with seven planets or globes, and each globe with seven root races, which makes a total of 343 states. This number plays a certain role in the Secret Doctrine. In the early days, the matter was very poorly understood. The relationship with the master is such that one solves the problem oneself, and then receives the answer from the master, whether it is right or not.

Further notes, presumably on a question-and-answer session regarding the lecture of January 30, 1905

When you look at the Earth from the outside, it appears to be a sphere with a green undertone. [The Earth has a green base color.] While it is relatively easy to examine the earlier stages, it is difficult to see the later ones. The Akashic Records do not speak to this, they only provide the intentions. In science, there are similar methods for looking back and for looking ahead. If a scientist has hydrogen and oxygen and an electric current, he knows that water will result.

The astral globe of our Earth is completely re-materialized astral globe – only more elaborate. The astral world has already prepared birth and death.

The Moon has a very dense physical body. It also has something similar to an astral body. It relates to the Earth as the negative photographic plate relates to the positive. Everything that appears joyful on Earth is a very sad thing when it appears on the Moon. Everything there means just the opposite. It is impossible for the psychic vision to see the astral matter. With the psychic power of the Earth, one does not see the astral sphere of the Moon. When one studies the operations performed during karmic investigations into the karma of people, one enters the region where one can perceive something of this moon itself.

The number 666 means 216 - 6x6x6. The most perfect state, the seventh, is missing from the Apocalypse.

[666 is the number of the beast, and this number is obtained by crossing out the two upper globes of each chain. These two upper globes are those of the deity. A chain is a round.]

It is difficult to say anything about the time of the next catastrophe, because the one who knows about it cannot say anything. Our fifth race will perish through the struggle of everyone against everyone. One cannot say anything about the timing. One must also not talk about numbers. Perhaps something can be said about this in the course of the lecture series. We are, after all, in a time when things are developing extremely quickly. The nineteenth century in the astral means as much as the previous millennium. It is progressing at an ever faster pace. This can also be observed in the root races. Towards the end of the cycles, life is greatly accelerated.

The Bible calls the seventh state on the intellectual globe bliss. In India it is called Devachan. The seventh state is always a state of bliss, only in quite different degrees on the different planets.