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The Rudolf Steiner Archive

a project of Steiner Online Library, a public charity

Search results 221 through 230 of 593

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6. Goethe's Conception of the World: Afterword to the New Edition (1918)
Tr. Harry Collison

Rudolf Steiner
In my book Goethe's Standard of the Soul: as illustrated in Faust and in the Fairy Story of the Green Snake and the Beautiful Lily 1 will be found something of what may be said about Goethe from the specially spiritual-scientific point of view.
2. A Theory of Knowledge: Examination of the Content of Experience
Tr. Olin D. Wannamaker

Rudolf Steiner
These illustrations, we believe, insure us against the objection that the realm of our experience already reveals endless distinctions among its objects before thinking appears on the field: that a red surface, for instance, is different from a green surface even without any activity of thought. That is true. But any one who would bring this argument to bear against us has entirely misconstrued our assertion.
2. The Science of Knowing: An Indication as to the Content of Experience
Tr. William Lindemann

Rudolf Steiner
At the same time, we believe that in this we are safe from the objection that our world of experience in fact shows endless differences in its objects even before thinking approaches it. After all, a red surface differs from a green one even if we do not exercise any thinking. This is correct. If someone wanted to refute us by this, however, he would have misunderstood our argument totally.
111. Introduction to the Basics of Theosophy: Theosophy, Goethe and Hegel 06 Mar 1908, Amsterdam

That Goethe has recognized the spiritual in man is shown not only by a poem from the 1780s, “The Mysteries,” in which he speaks about the Rosicrucian symbol: the black cross with the red roses; he gives his creed even more beautifully in the “Fairytale of the Green Snake and the Beautiful Lily” and in his Faust poem. The speaker refers to Goethe's comment to Eckermann, in which he says that his Faust can be viewed from two perspectives: firstly, it is something for people in the theater, but then there is also something in it for the initiate who sees the spiritual life behind the sensual life of man.
54. Inner Development 07 Dec 1905, Berlin

Rudolf Steiner
You can compare this mixture with a mixture of a yellow liquid and a blue one in a glass, resulting in a green liquid in which we can no longer distinguish yellow and blue. The lower nature is mixed with the higher one in the human being that way and both are not to be distinguished. As you can extract the blue liquid from the green liquid by chemical means, so that only the yellow fluid remains, and the uniform green is separated into a duality, in blue and yellow, you separate the lower nature from the higher one by means of the esoteric development.
54. Esoteric Development: Inner Development 07 Dec 1905, Berlin
Tr. Gertrude Teutsch, Olin D. Wannamaker, Diane Tatum, Alice Wuslin

Rudolf Steiner
This intermingling can be compared with mixing a yellow with a blue liquid in a glass. The result is a green liquid in which blue and yellow can no longer be distinguished. So also is the lower nature in man mingled with the higher, and the two cannot be distinguished. Just as you might extract the blue liquid from the green by a chemical process, so that only the yellow remains and the unified green is separated into a complete duality, so the lower and higher natures separate in occult development.
286. Ways to a New Style in Architecture: True Aesthetic Laws of Form 05 Jul 1914, Dornach
Tr. Harry Collison

Rudolf Steiner
Otherwise—to use a radical and therefore paradoxical expression—if the agricultural labourer who is perpetually surrounded by green had no ego whereby he reaches beyond the sea of colour, he would go about with a greenish skin; and the skin of the city man, living perpetually among grey houses and seldom leaving them, would have a horrible greyish tint—that is to say if primordial forces were at work., Our astral body none the less is immersed in the flowing sea of colour, but all that the astral body absorbs from this sea of colour has taken on a different activity. Our hair is not coloured, nor if we had feathers would they be coloured by what the astral body absorbs; instead of this, we have perceptions and feelings in connection with colour without diffusing the colours through our being. If we were simply to absorb the green or blue or red into our astral body and diffuse them through our being, thus giving ourselves the colouring of the outer world, we should have quite a different relationship to the world of colour than is actually the case.
345. The Essence of the Active Word: Lecture III 13 Jul 1923, Stuttgart
Tr. Hanna von Maltitz

Rudolf Steiner
Every sleeping rosebud you empathise with the waiting, creating, living light rose in the earthly depths. So it is with all plants. Look at the green cover of plants over the earth and experience that which sprouts out of the earth as green, in the depths of the earth, as quite light-filled but permeated with deep violet, which appears in the world, weaving through it with life.
302. Education for Adolescents: Lecture Seven 18 Jun 1921, Stuttgart
Tr. Carl Hoffmann

Rudolf Steiner
You see, today we have the surface of the earth, on it the green plants. How do we today imagine the processes taking place in the world of plants? Here, too, our knowledge is limited to the explanations of the chemical analyses and syntheses taking place in the one hundred or so elements.
One would like to see the interaction of chlorophyll, the green color of the plant, with some outer entities during the plant’s growth as a process similar to that taking place in a test tube.
311. The Kingdom of Childhood: Answers to Questions 20 Aug 1924, Torquay
Tr. Helen Fox

Rudolf Steiner
In the real world there is, for example, the sea. It is represented by colour (green); above it is the sky, also represented by colour (blue). If these colours are brought together you have the sea below and Diagram 1 the sky above (see sketch).
We cannot really paint the tree: we can only bring in light and shade, and green, or, Diagram 3 a little yellow, if you like, if the fruit happens to be lovely apples.

Results 221 through 230 of 593

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