The Rudolf Steiner Archive

The musical element

When speaking of the arts, Rudolf Steiner (1861–1925) emphasizes that the musical element increasingly belongs to the future of humanity.¹ In the following words he points to the mission of music:

Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter. For if music were to become materialistic, it would actually be false: it is not ‘there’! Every other form of matter is present in the world and is insistent. But musical sounds are not to be found in the material world in their original form. We have to devise a means of producing them; they must first be made. The soul element that lives in the human being lies between the notes. But today, because the world has become so unmusical, people are scarcely aware of it.²

This passage also witnesses to Steiner's own particular mission at the beginning of the twentieth century: to sow seeds in the cultural life which could enable humanity to find its way from estrangement to cooperation with the world of spirit. This concept is of immense practical importance in a century which has allowed the forces of technology and finance to encroach into the realm rightly belonging to the free human spirit. About the time of these lectures, Steiner was responding to requests from many professional quarters for advice which would provide creative stimuli. Lecture courses were given to experts seeking renewal in their particular fields: science, medicine, agriculture, religion, the arts, education and therapeutic education. ‘The development of anthroposophical activity into the realm of art resulted out of the nature of anthroposophy.’ The art of eurythmy, however, occupies a unique position as the newly-born daughter of anthroposophy itself.³

For Steiner, it is not only music; all the arts are to become more musical. Steiner is concerned with living, creative activity. He communicated this vision most succinctly in a far-reaching lecture in Torquay. (See Note 1) Like J. M. Hauer (1883–1959), whose theoretical writings were known to him, Steiner uses the Greek Melos (‘tune’) for pure pitch (Melodie—‘melody’, of course, includes rhythm and beat. See also Steiner's own lecture notes, p. 10). Both Hauer and Steiner use Melos to indicate the actual creative principle in music. ‘Melos is the musical element,’ Steiner claims (Lecture 4). In this translation I have retained Melos where it is employed.

In speech, Melos only ‘peeps through’. But it ‘poured into’ oriental architecture, which ‘really did transpose music into movement’. ‘Oriental architecture has within it a great deal of eurythmy,’ we read in Lecture 5. The word ‘rhythm’ comes from the Greek rhuthmos (measured motion, time rhythm), from rhe-ein (to flow). The word ‘eurhythmy’ is an architectural term: ‘beautiful proportion, hence beautiful, harmonious movement’ (Oxford English Dictionary). Laurens van der Post mentions the ‘eurhythmic grace’ of certain beautiful animal movements in his African writings. ‘Eurythmy’ and Melos, accordingly, have existed and do still exist both in nature and in human culture. Both worlds unite in the art of eurythmy, which cultivates Melos, and was brought to birth through Rudolf Steiner. (Otto Fränkl-Lundborg claims the spelling of ‘eurythmy’ without the ‘h’ is philologically correct; rho as suffix loses its aspirate. See Das Goetheanum, 49. Jg., Nr. 30, 26.7.70, p. 246).

Steiner, like Hauer, uses the expression das Musikalische (‘the musical’) more often than die Musik (‘music’), and in this way emphasizes the inner activity before the technicalities of the craft come into consideration. This is a supremely important detail. In English we have to extend this to phrases like ‘the musical element’, or ‘the realm of music’, which may be clumsy, but they are accurate. What Steiner has in mind and continuously refers to is the musical essence. This is not only the concern of musicians but it is the underlying creative, transforming force of life itself, present in all vital human expression. Moreover, it bears a direct relationship to the path of mankind's inner development. This development can be prepared and assisted by the inner activity of individuals on the path of initiation, which is described by Steiner as a process of development through God's grace, involving Imagination, Inspiration and Intuition (spiritual vision, inner hearing and a higher life).⁴

Long, long before the human being enters consciously into the stages of initiation, he is able to express these individual experiences in images, and this is done through music! In the last analysis genuine music is essentially a developing drama of life taking its course in musical sounds, which are an external picture of what the soul consciously experiences in the life of initiation.⁵

We may sense that Steiner channelled his own musicality into his work as a teacher of humanity, and this he confirmed more than once:

It gave me particular pleasure to be told one day by one of our artistically-gifted friends that some of the lecture cycles I have given could be transcribed into symphonies purely on the basis of their inner structure. Some of the courses are indeed based in their structure on something very like this. Take for instance the lecture course given in Vienna on life between death and a new birth: you will see that you could make a symphony of it.⁶

The art of eurythmy has been given to us as a gift from the future. Its evolution depends upon each individual eurythmist, musician and speaker developing an inner listening with his or her artistic feeling. This must be developed, not in an ecstatic way, but as a spiritual path the individual undertakes while within the body. This inner activity, Steiner insists (in answer to Hauer), can be revealed in art by raising sensory experience.⁷ The present lecture course may prove to be the best companion on such a path, which is akin to the practising of a musician. This is a demanding exercise, but however small the progress, it forms the substance of true art, and can be offered as nourishment to a world in need.⁸

One of the questions today concerns recorded sound (see Appendix 6). After following the arguments concerning recordings, it can be refreshing to return to the present course of lectures. Though modestly described as ‘only a beginning’, Steiner begins where many of the great musicians of his time, and the ensuing decades, leave off.⁹

Music's turning point

Steiner characterizes music as the art which ‘contains the laws of our ego’.¹⁰ If we could consciously dive down into our astral body, the musician in us, we could perceive the cosmic music that has formed us: ‘... with the help of the astral body, the cosmos is playing our own being ... The ancients felt that earthly music could only be a mirroring of the heavenly music which began with the creation of mankind.’ Modern humanity has been led into the muddy, materialistic swamp of darkness and desire, which obscures this music. But there is a path of purification leading to perception of the music of the spheres once again. When we hear a symphony we dive with soul and spirit into the will, which is usually asleep in daytime consciousness. Art—‘even the nature of major and minor melodies’ - can bring life to the connection between man and cosmos (in other words, anthroposophy); to what might appear as dead form. Steiner warns ‘that these things are not a skeleton of ideas!’ hinting that his Theosophy was written musically, not schematically.

The present lectures on eurythmy represent Steiner's greatest contribution to musical studies. When he gave them in 1924, he advised the eurythmists to study Hauer's theoretical writings. Hauer was a musician who discovered atonal melody, or twelve-note music, at the same time (or even just before) as Schönberg did by a different route. Both composers endeavoured to get beyond the materialistic swamp through spiritual striving.¹¹ By 1924 Hauer had published his own attempt at a Goethean theory of music,¹² and his Deutung des Melos (Interpretation of Melos, questions to the artists and thinkers of our time) includes an appreciation of Goethe's Theory of Colour.¹³ In these eurythmy lectures, Steiner appears to agree with Hauer's diagnosis of the modern situation as ‘noise’; Wagner's music, for example, is ‘unmusical music’, though it has its justification. Steiner seems to agree with Hauer's spiritual principle of Melos, ‘the actual musical element’ (to Hauer ‘movement itself’, or the ‘TAO’, the interpretation of which is ‘the only true spiritual science’). He reproduces Hauer's correspondence of vowels and intervals, writing in his notebook Hauer's list of examples (Notebook, p. 10), and he retells the story of the Arab listening to a contrapuntal piece, who asks for it to be played ‘one tune at a time’. But Steiner certainly does not agree with Hauer's answer to the challenge of materialism. ‘Those who deride materialism are bad artists, bad scientists,’ Steiner declares.¹⁴ Instead of criticism, he offers help.

In his profound study on Bach, Erich Schwebsch suggests that eurythmy arrived just at the right time in the evolution of mankind.¹⁵ His justification of music eurythmy is unlikely to be supplanted. With the founding of music eurythmy, a new beginning opens up for the art of music too. This thought was also expressed by the musician and eurythmist Ralph Kux.¹⁶ It remains for me to draw attention to the counter-phenomenon accompanying this new beginning.

The counter-tendency, so strongly marked in Hauer's thought and life, artificially separates itself from the human roots of music. Steiner's answer to Hauer's dissatisfaction with western culture was to give a further impetus to music eurythmy (already born but still in its infancy) by tracing the origin of music back to the human being. Through a conscious ‘turning inside out’ within the organism, at the point of departure in the collar-bone, the cosmic music that formed us (flowing in between the shoulder-blades) is released and made available for artistic ends.¹⁷ Music today, he implies, is not a purely spiritual, meditative affair, leading (as later in Hauer's career) a reclusive life. The music of the spheres sought along the old paths ‘out there’ in the cosmos leads to an abstract caricature today. The living connection is to be found on earth, in the human being.¹⁸ Steiner was in all things concerned with living, creative activity. The arts are the means whereby inner activity and experience become outer expression: ‘to present the soul and spirit in fullest concentration ... is basically the highest ideal of all art.’¹⁹ The arts remind us of the meaning in our earthly destiny. Steiner's meditative verse, written for Marie Steiner at Christmas 1922, begins: ‘The stars once spake to man’—but what leads to the future is ‘what man speaks to the stars’.²⁰

Albert Steffen expresses it clearly: there is a splitting of the way ‘concerning the life or death of music as such ... The whole of humanity stands before this alternative. There is no way back. Every individual has to go through it or come to grief.’²¹ In one of his most inspired articles, H. Pfrogner (a musicologist and authority on twentieth-century developments) characterizes the one path of experience as the way of ‘universal concord’, and the other as ‘ego concord’.²² The former path leads to universal spirituality, to a dissolving of the self. The latter path leads to a maturing of the self. Pfrogner accociates the former spirituality with the impulse emanating from the conspiracy of Gondishapur (seventh century AD - further details can be found in Ruland).²³ which echoes on in Islamic culture; the maturing spirituality he associates with the Christian west. All inclination to ‘dissolve the ego’, whose new richness of content was brought by Christ, spiritually subscribes to Arabism, whereas all steps toward strengthened responsibility follow the latter path. But this latter path leads to an extension of the diatonic system, ‘that resounding image of the human being pure and simple’ (Pfrogner).

The path to overcome materialism, further elucidated by Pfrogner,²⁴ will not be reached by avoiding the swamp of man's egotism and hastily ‘reaching for the stars’ (the arrangement of twelve) to the exclusion of the diatonic system (based on the number seven). Lurking in such a counter-reaction to romanticism (which, like Viennese classicism, arose in the age of materialism as a protest) is an implied denial of the Christ-event. ‘Christ Jesus inaugurated an evolution in human nature, based on the retention of the ego's full consciousness. He inaugurated the initiation of the ego,’ Steiner explains.²⁵ ‘With Christ,’ F. Rittelmeyer reminds us in his last book, ‘the whole orientation of humanity is changed. And from now on we no longer look back with longing to the past, to a "golden age" of the primal beginning, but look forward toward fulfilment, creating the future ...’²⁶ There is a path through the swamp which has been trodden by composers such as Bartok, Hindemith, Messiaen, Martinu, Sibelius, Vaughan Williams, Shostakovich, Britten, Tippett, Hartmann, Henze, Schnittke, Gubaidulina, Pärt and many others (following in their own ways the example of the modern ‘Prometheus’, Beethoven).²⁷

Musical art of the future

On more than one occasion, Steiner, speaking of the future of music, pointed to ‘finding a melody in the single note’.²⁸ In the eurythmy lectures he points out that this does not mean listening to the acoustic ‘chord of overtones’ in a single note—on which Hauer and Hindemith base their theoretical work. It is a supersensible experience. One of the climaxes of the investigations of Pfrogner and H. Ruland (one of the former's successors), is the working out of Steiner's hints of a development of our tonal system.²⁹

Here mention should be made of two other pioneers in musical studies whose work is acknowledged by Ruland in his Expanding Tonal Awareness. Ernst Bindel developed the relationship between mathematics and music.³⁰ (Without some mathematics there can be no responsible step towards a musical future.) The other pioneer is H. E. Lauer,³¹ whose account of the evolution of tonal systems has subsequently been considerably developed by Ruland.

We conclude with a suggestion regarding ‘artistic longing’, made by Steiner some months before the lectures translated here:

‘If someone feels that here on earth he does not fulfil what lies in his archetype, with its abode in the heavens, there arises in him an artistic longing for some outer image of that archetype. Whereupon he can gain the power to become an instrument for expressing the true relation of man to the world by becoming a eurythmist. The eurythmist says: All the movements which I ordinarily carry out here on earth do less than justice to the mobile archetype of man. To present the ideal human archetype I must begin by finding a way to unite with its movements.’ These movements, through which the human being endeavours to imitate in space the movements of his heavenly archetype, constitute eurythmy.³²

Steiner wrote in his Notebook (see p. 131 below) for the present eurythmy course:

In the musical element the spatial human being is transformed into the non-spatial human being—the spiritual human being is the inner origin of the musical element.

Artistic people often think more naturally in evocative images, rather than with philosophical or technical concepts about ‘the spiritual human being’ or ‘the heavenly archetype’. And ultimately the inner life cannot express itself other than in images. Artistic readers looking for direction to surmount materialism may be able to grasp the necessity for decisive action more directly in the form of a picture. It may be appropriate to recall a passage from one of Selma Lagerlöf's novels to show the precision of Steiner's statement. An image of the Christ-child is kept in a basilica run by Franciscan monks. An Englishwoman plans to steal this image and replace it with a cheap imitation.

When the copy was ready she took a needle and scratched into the crown: ‘My kingdom is only of this world.’ It was as if she was afraid that she herself would not be able to distinguish one image from the other. And it was as if she wished to appease her own conscience. ‘I have not wished to make a false Christ-image. I have written in his crown: “My kingdom is only of this world”.’³³

Stourbridge, Michaelmas 1993
Alan Stott

• 1. R. Steiner, True and False Paths in Spiritual Investigation, GA243, (RSP 1975). An accurate translation of the section on music (last part of the final lecture of 24.8.22) appears in Lea van der Pals, op. cit., p. 71ff. Compare: ‘The basic mood of the new world-conception [since the Mystery of Golgotha] is musical, whereas the basic mood of the old world was sculptural. The basic mood of the new age is really musical, and the world will become ever more musical. In order to continue rightly on the path of human evolution, we must know the importance of striving towards a musical element and not repeating the old sculptural one’ (R. Steiner, Der Baum des Lebens and der Baum der Erkenntnis des Guten and Bosen [‘The tree of life and the tree of knowledge of good and evil’], lecture Dornach 31.7.15, GA162 [translation A. S.]; see also Appendix 4, ‘R. Steiner, Torquay, 22.8.24’, in Vol. 2).
• 2. R. Steiner, Eurythmy as Visible Singing, GA278, Lecture 3.
• 3. The name ‘anthroposophy’ (‘wisdom of the human being’) is not used in any of Steiner's basic books. It appeared before the world for the first time one year after the founding of the Anthroposophical Society (1913), in the final chapter of R. Steiner, Riddles of Philosophy [original edition 1914, English translation AP 1973], ‘A brief outline of an approach to anthroposophy’. In this chapter, reference is made to the author's Truth and Science (1882), The Philosphy of Freedom (1894), and the lecture ‘The psychological foundations and epistemological position of spiritual science’, delivered before the Philosophical Congress, Bologna, 18.4.11.
  
  ‘Eurythmy has grown out of the soil of the anthroposophical movement, [originating] like a gift of destiny’ (R. Steiner, ‘Eurythmy, what it is and how it originated’, lecture Penmaenmawr 26.8.23 in Eurythmy as Visible Song [London and New York 1932], p. 1). ‘The artistic element will be an elixir of life of the anthroposophical movement’ (R. Steiner, introduction to a eurythmy performance on the occasion of the founding of the General Anthroposophical Society, Dornach 5.1.24, in GA277, p. 423). See also R. Steiner, Das Goetheanum in seinen zehn Jahren’ (‘The Goetheanum, ten years in retrospect’), essay of 14.1.24 in GA36, and Tb635 p. 131. For a detailed account, see R. Steiner, Die Entstehung and Entwicklung der Eurythmie (‘The origin and development of eurythmy’, translation in progress) GA277a (Dornach 1965), and R. Steiner, Eurythmie—die Offenbarung der Sprechende Seele (‘Eurythmy—revelation of the speaking soul’) GA277 (Dornach 1972), a collection of introductions to performances, and so on; a paperback mainly consisting of selections is published: Eurythmie, Tb642 (Dornach 1986). Some introductions are translated in R. Steiner, Eurythmy, an Introduction (AP 1984); the lecture 14.2.20 is translated in The Inner Nature of Music, op. cit.
• 4. Rational thinking is not jettisoned in favour of ‘mysticism’ or something else. The spiritual activity within thinking itself can be strengthened for investigating and creating within the realm of the spirit. The spiritual activity of pure thinking, the higher union of science and religion demonstrated by Steiner, was prophesied, for example, by Emerson: ‘No man ever prayed heartily without learning something. But when a faithful thinker, resolute to detach every object from personal relations and see it in the light of thought, shall, at the same time, kindle science with the fire of the holiest affections, then will God go forth anew into the creation’ (R. W. Emerson, tract on ‘Nature’, Chapter VIII, [1836]. See also a recent study on Emerson, Richard G. Geldard, The Esoteric Emerson [The Lindisfarne Press, West Stockbridge, Mass., 1993]).
• 5. R. Steiner, Art as seen in the Light of Mystery Wisdom, GA275, Lecture 30.12.14 (RSP 1984).
• 6. R. Steiner, Practical Advice to Teachers (RSP 1976), GA294. The lecture course referred to is R. Steiner, The Inner Nature of Man and the Life Between Death and a New Birth, Vienna 9-14.4.14, GA153 (RSP 1959). Steiner aimed at a marriage of form and content in his work, which is the lofty artistic ideal. After the Christmas Foundation of 1923/4, he reached a new level in this respect. In connection with the subject matter of GA153, compare: ‘Contrary to the works of architects, sculptors and painters, musical works must be repeatedly generated anew; they flow onwards in the surge and swell of their melodies, a picture of the soul, which in its incarnations always has to experience itself afresh in the progressive stream of time. The soul flows down from its spiritual homeland and returns thither—likewise its shadow-images: notes and harmonies. Hence the intimate effect of music on the soul’ (R. Steiner, lecture Berlin 12.11.06, The Inner Nature of Music [AP 1983]).
  
  Steiner confirmed that: ‘For anyone who would read my Occult Science as today one would read a novel or any other book, passively giving oneself to it, it is really only a thicket of words—and so are my other books. It is only someone who knows in every moment of reading that he must create out of his own soul's depths, and through his most intimate will—which the books should stimulate—only this person is able to regard these books as musical scores from which he can experience the true music. This active experience of the individual soul, moreover, is what we need’ (R. Steiner, Heilfaktoren fir den sozialen Organismus, lecture Dornach 2.7.20, GA198). See also R. Steiner, The Gospel of St John, Lecture XI, Hamburg 30.5.08, GA103 (RSP 1978); GA278, Lecture 6, Endnote 39 in Vol. 2.
  
  The implications for the musician are discussed by Erich Schwebsch in his pioneer study on anthroposophy and music. He concludes: ‘The cosmology of Occult Science contains in its thoughts the best exercises for a meditative musician who is searching for new forms today’ (E. Schwebsch, J. S. Bach and Die Kunst der Fuge [Stuttgart 1988], Chapter 4 ‘Musik als Offenbarung des Geistes. Aphoristische Betrachtungen’, p. 193 [J. S. Bach and ‘The Art of Fugue’; translation of Chapter 4 in manuscript, ‘Music as revelation of the spirit. Aphoristic observations’]).
• 7. In his first lecture, before the Goethe Society, Vienna 1888, Steiner said: ‘Beauty is not the divine in a cloak of physical reality; no, it is physical reality in a cloak that is divine. The artist does not bring the divine on to the earth by letting it flow into the world; he raises the world into the sphere of the divine’ (R. Steiner, Goethe as Founder ofa new Science of Aesthetics [Rudolf Steiner Pub., Co., London c.1927]). Steiner claims that this lecture, already in 1888, contains ‘a sound foundation for anthroposophy and the anthroposophical way of thinking’ (Preface to the second edition, 1919). The lecture suggests an acid test for what is truly new. Movements exist today which bear the adjective ‘spiritual’ but do not attempt any transformation. Indeed, it is often stated that ‘no musical knowledge is necessary’! Is not the call for courage against despondency and inadequacy met right here with every individual?
• 8. See Schwebsch, Endnote 6. Pfrogner, in the chapter ‘und was nun? (‘and what now?’) in his extensive study on The living world of music’, presents a clear vision of tasks for the future: ‘No longer l'art pour l'art, but simply and solely: l’art pour l’homme will be the saying of the hour. This “art for human beings”, however, will have to be an art totally “from human beings”, an art in the above-mentioned sense “raised” from the human being, if it should be true “nourishment for life” ’ (H. Pfrogner, Lebendige Tonwelt [Langen Müller, München/Wien 1981], p. 474, trans. A.S.).
• 9. For example: Bruno Walter, Theme and Variations (Hamish Hamilton, London 1947), and On Music and Music-Making (Faber, London 1957); W. Furtwängler, Concerning Music (Boosey and Hawkes, London 1953); Artur Schnabel, My Life and Music (C. Smythe, New York and Gerrards Cross 1988), and Music and the Line of Most Resistance (Princeton 1942); Edwin Fischer, Reflections on Music (Williams & Norgate, London 1951); R. Vaughan Williams, National Music and other Essays (OUP 1987); J. Ma. Corredor, Conversations with Casals (Duddon, New York 1956).
• 10. R. Steiner, Art as seen in the Light of Mystery Wisdom, lecture 29.12.24, GA275 (RSP 1984).
• 11. For the best introduction to this perspective, see H. Pfrogner Zwölfordnung der Töne (Zürich/Leipzig/Wien 1953), reprinted in H. Pfrogner, Zeitwende der Musik (Langen Müller, München/Wien 1986), translation in manuscript, ‘Music's turning point of time’.
• 12. J. M. Hauer, Vom Wesen des Musikalischen (1920, later editions Robert Lienau, Berlin-Lichterfelde), translation in progress, ‘The essence of music’.
• 13. J. M. Hauer, Deutung des Melos (Tal & Co. Verlag, Leipzig/Wien/Zürich 1923), translation in manuscript ‘The interpretation of Melds’.
• 14. R. Steiner, The Arts and Their Mission, lecture Oslo, 18.5.23, GA276 (AP 1964), p. 111.
• 15. Schwebsch presented his eloquent conclusion already in 1930: ‘But all inner experience of the soul when it is ripe to that end, wishes to become visible, perceptible. The soul world desires to become objective. The first beginning for this becoming visible of vitally filled musical movement, from the All rising up behind the Nothing [an echo from Goethe's Faust, Part 2, 6256. Translator's note.] of the vanishing past, at the exact nadir of time, is the art of music eurythmy: visible singing, newly created by Rudolf Steiner’ (E. Schwebsch, op. cit., p. 211). Chapter 4 is more than the title suggests. It is an anthroposophical musician's ‘credo’, which applies to Steffen's essay (see Endnote 21 below), too.
• 16. R. Kux and W. Kux, Erinnerungen an Rudolf Steiner and R. Kux, Eurythmie and Musik (Mellinger Verlag, Stuttgart 1976), translation in manuscript ‘Recollections of R. Steiner, and eurythmy and music’.
• 17. See R. Steiner, The Essentials of Education, lecture 10.4.24 a.m. (RSP 1982), p. 58. The physiology is explained in A. Husemann, The Harmony of the Human Body (Floris Books, Edinburgh 1994; German edition, Der musikalische Bau des Menschen [Verlag Freies Geistesleben, Stuttgart 1989]). Note, for example, with what careful scholarship Dr Husemann explores what ‘beim Aufireten’ (‘by stepping’, or ‘with the first step’) from Lecture 7 must mean (Section 31, p. 189ff.). See also Endnote 43 on Ansatz, in Vol. 2.
• 18. Compare Steiner: ‘Since the Mystery of Golgotha we cannot speak of the music of the spheres as did Pythagoras, but we can speak of it in another way. An initiate might even today speak as Pythagoras did, but the ordinary inhabitant of the earth in his physical body can speak of the music of the spheres and of the cosmic life only when he experiences in his soul, "Not I, but Christ in me", for the Christ within him has lived in the music of the spheres and in the cosmic life. But we must go through this experience in ourselves; we really must receive Christ into our souls’ (R. Steiner, lecture Norrköping, 16.7.14, in Christ and the Human Soul GA155 [RSP 1984], pp. 69-70). The harmony of the spheres is heard ‘in deep sleep’ by the initiate ‘as if they were the notes of trumpets and the rolling of thunder’ (R. Steiner, An Esoteric Cosmology GA93a [St George Publications, Spring Valley, New York 1978], lecture Paris 30.5.1906, reported by E. Schure, p. 45. Steiner's proclamation of Christ rests on knowledge. By the turn of the century, he could say: ‘The unfolding of my soul rested upon the fact that I had stood in spirit before the Mystery of Golgotha in most inward, most earnest solemnity of knowledge’ (R. Steiner, The Course of my Life [New York, 1951], closing sentence of Chapter XXVI, p. 276). ‘Spiritual science is concerned not merely to talk about the Christ, but to declare what the Christ wishes to say to people in our time, through the medium of human thoughts.’ R. Steiner, lecture Zürich 4.2.19., in The Inner Aspect of the Social Question GA193, (RSP 1950), p. 16.
  
  Steiner indicates what amounts to 84 (= 7 x 12) meditations for musicians: ‘You have in the fixed stars a wonderful cosmic instrument, and the players of this instrument of the zodiac and fixed stars are the gods of the planets beyond’ (lecture Dornach, 2.12.22, in The Inner Nature of Music GA283 [AP 1983], pp. 42-3); see also R. Steiner, The Gospel of St Matthew (especially lectures Berne, 3,4, 10 and 12.10.10), GAl23 (RSP 1965); R. Steiner, Universe, Earth and Man, lecture Stuttgart 12.8.08 [RSP 1987], p. 118ff. See also Appendices 3 and 5 in Vol. 2.
• 19. R. Steiner, GA277, op. cit., p. 320.
• 20. R. Steiner, Verses and Meditations (RSP 1961), pp. 96-97 In this connection, compare Beckh's definition of ‘cosmic’: ‘the revelation of the spirit within the earthly realm’ (H. Beckh, Die Sprache der Tonart [Urachhaus, Stuttgart 1977], p. 20, English translation ‘The language of tonality’, in manuscript).
• 21. Albert Steffen, ‘Musik’ in Der Künstler and die Erfiillung der Mysterien (Dornach 1964), translation in the British Newsletter, forthcoming. An artist could base his life on this astonishing essay. 21
• 22. H. Pfrogner, Chapter 17 in Zeitwende..., op. cit.
• 23. Compare: ‘Absolute objectivity ultimately demands the sacrifice of the personality’ (Hauer, Vom Wesen des Musikalischen [Leipzig/Wien 1922], p. 40), with: ‘When the human being became a personality, God also had to become a personality in order to save him, to give him the possibility of rising again’ (R. Steiner, Egyptian Myths and Mysteries [AP 1971], p. 139). Another twentieth- century scientist, comparing his life to that of Goethe's, declared that his goal was ‘to penetrate into the secret of the personality’; the ‘central concept’ of his psychology is ‘the principle of individuation’ (C. G. Jung, Memories, Dreams and Reflections [Fontana, London 1967], pp. 232 and 235, italics original). Sir Julian Huxley summarizes Teilhard de Chardin, the scientist-seer: ‘persons are individuals who transcend their merely organic individuality in conscious participation’ (Introduction to Teilhard, The Phenomenon of Man [Collins 1959/Fontana 1965], p. 20/21). A vague pantheism is avoided: ‘Union differentiates’, and ‘the more "other" [grains of consciousness] become in conjunction, the more they find themselves as "self" as they make for the ‘Omega point’ of evolution (op. cit., p. 261/288). See Endnote 20 in Vol. 2.
• 24. See H. Pfrogner, Zeitwende..., op. cit., and Lebendige Tonwelt, op. cit., for informed views on musical development right up to the twentieth century.
• 25. R. Steiner, The Gospel of St Matthew, lecture Berne 9.10.10 (RSP 1965). Steiner explains the meaning of the atonement: ‘The One sufferred for all, so that through the world-historic initiation a substitute has been created for the old form of initiation ... Through inner vision, through true mysticism, community with Christ is possible’ (R. Steiner, Foundations of Esotericism, lecture Berlin, 27.9.05 [RSP 1983], p. 14)
• 26. F. Rittelmeyer, Christus (Urachhaus, Stuttgart 1936), p. 38 (translation in MS). Rittelmeyer's mature relationship to John's Gospel, with its hidden music, informs his major works. For Rittelmeyer on music, see A. Stott: ‘Friedrich Rittelmeyer and the "Song of the earth's perfecting"’ in The Threshing Floor, May/June 1988 (Floris Books, Edinburgh). Another study on the Christ- Impulse is C. E. Raven, Jesus and the Gospel of Love (Hodder & Stoughton, London 1931/49), see especially Chapter XV, ‘Christ in the Twentieth Century’.
• 27. The following reference to Beethoven's entelechy is the only one that has come to my notice: ‘I was deeply impressed when a while ago I heard from a famous musician that in a personal conversation Rudolf Steiner said "Beethoven is Prometheus"’ (E. Kolisko, ‘Beethoven’, from a series of articles under the title ‘Reincarnation’ in The Modern Mystic, September 1938).
• 28. See Endnote 17 in Vol. 2.
• 29. See H. Ruland, Expanding Tonal Awareness (RSP 1992).
• 30. Ernst Bindel, Die Zahlgrundlagen der Musik im Wandel der Zeiten (Stuttgart 1985); translation in progress ‘The numerical basis of music in its development’.
• 31. H. E. Lauer, ‘The Evolution of Music through Changes in Tone-Systems’ in Cosmic Music, edited by J. Godwin (Inner Traditions, Rochester, Vermont 1989). Lauer also wrote Musik and Musiker (Selbstverlag, undated).
• 32. R. Steiner, The Arts and Their Mission, lecture Dornach 27.5.23, GA276 (AP 1964).
• 33. Selma Lagerlöf, The Miracles of Antichrist (Gay & Bird, London 1899), p. 14.

My dear Friends,

In times past when men had a more intense, but of course still instinctive, feeling of what it is in man that reveals itself in his speaking, they were aware of the process that does actually take place in the forming of speech, a process that consists in the astral body laying hold—quite simply—of the etheric. today we speak and talk, knowing no more of what is going on within us at the time than we do in regard to any other of our actions; for of the complicated inner processes that accompany all human activities we are quite unaware. And it is of course only right that we do not watch our actions too closely while we are doing them, or they would lose their spontaneity. But one who sets out to be an artist in the forming of speech and in the use of mime and gesture must learn to recognise how astral body and ether body have here found their way into an independent co-operation; at any rate, during the time of his training the reality of this should be constantly present to his consciousness. The artist must have felt—I do not say he must have seen, but he must have experienced in feeling what it means when we say that through the working together of astral body and ether body a second man has been begotten within us, has been set free within us, and lives in speech.

The life that now makes its appearance is, however, so richly and delicately formed within that it is in fact difficult for us to perceive how, over and above the content of our speaking, something is detaching itself from us in the whole body of the speech; and that is why it is so important that during his training the student should learn to apprehend what is happening here with his speaking, apprehending it with the insight of an artist. For he can do so; and it will help him more than anything else to make his speaking inwardly strong and mobile. With this end in view, let him practise his exercises as far as possible as though he were a person who cannot speak but wants to. This is a situation that can well occur in life, for it is only in connection with other human beings that we ever learn to speak.

There have been not a few instances in history of persons who have grown up in solitude, living almost the life of a wild animal. Such persons, in spite of possessing good and sound organs both for hearing and for speaking, have yet not learned to speak. If in course of time someone discovered them, he was bound to assume that they could quite well have learned to speak, and had only not done so because they were not together with other human beings.

It has generally been found, however, that human beings left in this way in solitude do make a kind of modest attempt at speaking. They will produce some such sounds as hum, ham, häm, him—that is to say, the sound h swept along into the production of gesture with some rather undefined vowel sound in between. And on investigating this groping attempt at speech, we find that as we boom out this sound-sequence, we can become conscious of how our astral body is here seizing hold of our ether body. Try uttering again and again these sounds: hum, ham, häm and so on, and you will feel as though something were liberating itself from you and living purely in vibrations. If you were to introduce this as an exercise in schools of dramatic art, and have the pupils booming out hm, it would create a most singular impression; you would feel as though a great buzzing were rising up out of you all, like an independent entity on its own. Anyone who has had this experience will readily agree that we have here an excellent first exercise for the forming of speech.

Let your students begin with practising: hm, hum, ham, häm, and it will bring movement into their speaking.

hm, hum, ham, häm.

They must of course then go on to something else; for if they continued with that exercise alone, you would be leaving them in the condition of savages. The point is, that for their start they should go back to the first elements where speech begins to free itself, begins to come forth from the human being.

Let me say here, in parenthesis, that one should not of course use this method with children. It has no pedagogical value. As soon as we begin to study things with the eye of an artist, it becomes necessary to make a clear distinction between the different spheres of life. Anthroposophy never tends to disturb or confuse the different kinds of human activity; on the contrary it assigns to each its proper sphere, and furthers its growth and progress in that sphere.

And now, how shall we continue our instruction? We have in the course of these lectures learned to distinguish among the consonants’ impact’ or ‘thrust’ sounds, and then again ‘breath’ or ‘blown’ sounds. We become either throwers of the spear (in the impact sounds) or trumpeters (in the breath sounds). In between we have the ‘wave’ sound l, and the trembling or ‘vibrating’ sound r in its various forms—the palatal r, the tongue r. These two come in between.

Now it is important to see what lies behind this grouping of the consonants For it is no arbitrary grouping, made to fit into some scheme. It is derived from the speech organism, and a fact of far-reaching significance lies behind it.

When we speak, we ‘form’ the air. This is true of all speaking of whatever kind or quality: we speak by forming the air. And we form it in ever so many different ways. Now you can get a magnificent feeling of this forming of the air, if you repeat over and over again hm, hum, ham. For you have here what I might describe as speech in full swing. Once you have experienced the great swing of speech, you will feel as you go through the impact sounds—d, t, b, p, g, k, m, n—that when you come to say hm, you would really like to achieve at long last the actual push or impact, you would like to take yourself with the hm right into it. And at the same time you can feel that you want to mould the body of the air out there in front of you to an enclosed form or figure. And you are really wanting to do this, not only with m but with all the sounds that I have named in this left-hand column (see page 378). You do not quite succeed; the endeavour shows itself only in nascent condition. Nevertheless, in the case of all these sounds there is the desire on our part to enter with them into the enclosed form that is taking shape out there in the air. As we utter these’ impact’ sounds, we feel we would like to mould the air to a complete and shut-in form. And now we can well imagine we want to go farther and see what these forms are like.

When we form the sound d, we are really wanting to form in the air a figure rather like a kind of runnel which we hold up before us like this, so that it is closed in front. That is the kind of form we want to be making as we say d.

When we say b, it is as though we were wanting to make an enclosed form rather like a little ship.

With k, we have the definite feeling of wanting to form with our speech something like a tower or pyramid

With all these sounds we are conscious of a desire to harden the air. What we would like best of all is that the air would crystallise for us. We have indeed clearly the feeling, as we utter the sounds, that actual bodily forms are there before us spirting up into the air; and we are even surprised that these forms do not begin to fly about. As we come to feel our speaking, we are astonished that when we put forth all our strength, we cannot see b and p, d and t, g and k flying about around us, that we cannot see ms flying about like spirals or ns like the curled-up tails that animals sometimes have. We are quite astonished that this does not happen. For the remarkable thing is that these impact sounds, although we form them in the air, have all the time an inclination to the earth element. With these sounds, in fact, we work right into that which is earth in the world of the elements; they are proper to the element of earth. (See table on page 378.) And from this correspondence of impact sounds with the element of earth we can learn something that will be most useful for us in our study of speech.

For if, as we speak k, we imagine before us a crystal form shaped somewhat like a tower, if we hold this form clearly before our mind's eye, that will do a great deal towards purifying our utterance of the sound. It will also make supple the organs we use in speaking the sound. And we shall find it a wonderful help if while speaking the sound m we imagine a climbing plant—some variety of bindweed, for example—that twines itself round the stem of another plant.

And then for n, we cannot do better than think of the woodruff, with its wreath of petals at the top of the stem.

Thus, to find the inner content of impact sounds, we have to go to the earth, we have to conjure it forth from the element of earth.

Suppose you want, for example, to get to know more intimately the inner configuration of the sound p. Call up before your mind's eye the sunflower plant, that bold-faced annual that lifts itself up to such a height. Look at its enormous overhanging golden flowers that spread out their centres so conspicuously for all to see. There you have the sound p most marvellously displayed.

To call forth from the forms and shapes in which the earth element manifests, to conjure up from them the impact sounds, will bring our speaking a stage onward. And then, what this exercise does for us will have to be brought into the lovely and smooth-running flow of speech. Let me show you how this can be achieved.

Think of the pyramid, which so well expresses a k; for as we say k, we live—in speech—in the pyramid Now let the pyramid fall down and crumble to dust. This will mean, we let the k sound pass over into the l sound, and do you see? What before was solid and firm, is now all in flow, runs away like water. k–l—it runs away like water. What is it in a Keil (a wedge) that makes it of value for you? A wedge that won't wedge itself in, a wedge that doesn't run in has no sense. The k is right too, for a wedge has a shape like a pyramid when you stand it up on end; but the main point for you about a wedge is that it slips in easily. Keil—the word is marvellously pregnant of meaning. Speak the word, and feel at the same time what the Keil does, feel the cleft it makes as it eases its way in. Feel then also how the firm solid element meets with hindrances as it goes over into flow, and how these find expression in the vowel, in the ei. In truth, a wonderful word! You can do the same with all the impact sounds. Bring them together with l, and you will find you are bringing them into a right and beautiful flow of speech.

You can also go the other way about, you can begin with something that is in flow and arrest it, establish it Practise saying the word Diele (a deal or plank). It flows in the mouth wonderfully. And now take it backwards. Set out with what is living and in flow, and carry it into the earth element, letting it become fast and firm. Diele reversed takes on a most beautiful form: Lied (a song). The song, to begin with, lives—in the soul; it is then given form, and wrought into a poem: Lied. You should learn to feel what lies behind these transitions from one sound to another.

Take now the sound t and follow it with an l. T expresses a hardening, a making firm; and then what has been made firm goes sloping away in l. In the word Tal (a dale or valley) you have a wonderful picture of this process. The land that has been pressed down hard runs out on to the plain below.

Now reverse the process. Take what is in flow and make it firm; and you have a Latte (a lath).

The sap in the living wood is in flow, and becomes hardened in the lath. Going through a word in this way, entering right into the feeling of each sound in turn, you come at last to the word's own secret.

Suppose now we go through the same process as we did with Keil, but take this time some tool we can manipulate by ourselves and turn easily in any direction. For a wedge, we usually require of course the help of a hammer; now we will take instead a tool with which we can make nearer contact—the one I have in mind is actually rather like a little boat that we can steer whither we will: Beil (an axe). The word answers well to the description and demonstrates quite clearly the difference between k and b.

Now take Beil backwards. Begin with the flow and then make it fast. Instead of bringing your axe into swing, you now bring what is alive into form, enclosing it in firm form—and you have Leib (a body).

Continued practice in uniting impact sounds with the wave sound 1 will work wonders for you. Your speaking will have clearly defined contours, and will at the same time flow well; your words will be formed and finished and yet follow one another in the sentence with ease and fluency.

From now on, therefore, let this association of impact sounds with the wave sound l be designated as the ‘Stoss-Wellen’ (Impact-Wave,—‘press-home and let-flow’). For special attention should be given to this sound-process in speech training. Students can learn from it how to form and frame their single words and at the same time also how to bring them into flow, so that the whole sentence runs like a smoothly flowing stream. All this can be learned from the practice of ‘Stoss-Wellen.’ To describe things of this kind, we have, you see, to look round for new expressions.

Taking our start in this way from impact sounds and going on to 1, we find that we have passed from earth to water. For in the impact sounds we have the element of earth and in l that which essentially signifies the fluid element, water. You can even hear in the sound an imitation of water. But now let us suppose that water becomes so tenuous that it begins to vibrate and quiver inwardly; in effect, we begin to find ourselves in the element of air. The water is evaporating, is turning gaseous, is wanting all the time to pass into the inwardly aeriform condition. This means, we are no longer satisfied to remain in the perpetual inner flow of the watery element; the inner vibration of air must now begin for us. We have this in the sound r. The air that we use for speaking, vibrates inwardly in r. R belongs to the element of air.

Imagine you have a box in front of you. You open it, hoping to find in it a present from a friend. You feel sure there is something really exciting in that box. You open it—and there is nothing there, nothing at all! And all that flow of feeling in you (l) evaporates. Before, the moisture on your tongue had been all in movement. You open the box, and air comes to meet you, nothing but quivering air. You exclaim: Leer!¹ (empty). In this word leer the whole course of your experience is described—even to your starting-back which is so forcibly expressed in the double e. It would indeed be impossible to find a more adequate description of your disappointment than is given in this gesture ... and this word leer. Gesture and word taken together reproduce the experience with marvellous accuracy.

A great deal can be learned by observing words in this manner; continuing in such a study, the actor will be able to fulfil with freedom and fluency all that is required of him.

And now let us suppose that we take this vibration, this quivering, and form it, out there in the air. You will soon see what happens if you study a trumpet, not of course the metal part, but what goes on inside the trumpet when you blow. Study this carefully. Provide yourself with a highly sensitive thermometer and see what it will reveal inside the trumpet, when the vibration begins to assume forms and figures corresponding to certain tones. You will find different temperatures registered in different parts of the trumpet. This is as much as to say that the processes taking place in the trumpet express themselves in the element of fire. And the same is true of all breath sounds. When we utter feelingly the sounds: h, eh, j, sch, s, f, w, we are taken over into the element of fire or warmth. For these sounds live in the element of warmth.

You will also see from this what happens when you say hum. You set out from the warmth element; you are working, to begin with, with your own warmth. In the h you release your warmth, you let it out. Then you catch hold of what you have placed outside you and feel it as a consolidation of your being, of your whole being: hum. You take hold of your warmth and make it fast and firm: hum, ham, and so on.

Again, suppose you want to picture something that is alive, that has life in itself and is ready to go on living on its own. Continued practice with ‘breath’ or ‘blown’ sounds will bring you this experience. Words that have only such consonants are not so frequently met with, because what is alive is not posited by us as easily as are fixed objects; nevertheless you will find them here and there, where something that is outside in space is pictured as alive and unstable; and here you will again have opportunity to make interesting studies. Say, you want to express that an object is alive, but its life is uneasy, is precarious. You may describe the object as schief (aslant, on the incline).² The word itself suggests that the object could at any moment—instead of remaining in life—fall over and come to grief: schief.

Suppose, however, you want, on the other hand, to consolidate what is alive and mobile. Then you will have to see how you can make stand up straight something that is naturally, of itself, full of weaving, flowing life. Imagine before you a form. At first it is a tiny little form. It grows and grows; it rises, runs up higher and higher and becomes eventually quite tall. But now you want to express that the living, weaving form has shot up in a line. You say it is schlank (lank or slender). You begin with the sch, which tells of life, and go into the l (flowing), and then, with the k, which makes the life stand up in a straight line, you come back in the end to an impact sound.

There is still another transition that should without fail be practised by any student who wants to form his speech artistically. For he will want to be able to speak so that his speaking streams out over the audience. He will not attain this by concentrating on the individual sounds he has to utter; rather does it depend on the whole general character he is able to give to his speaking.

For an actor, this is obviously a matter of first importance. His words must penetrate to the farthest limits of the theatre, they must become a living presence throughout the space of the auditorium. This result can be achieved by the following exercise; and he who knows it will find himself in possession of an esoteric secret of the art of speech. The exercise consists in letting the vibrating air move on into breath sounds, thus: Reihe, reihen, reich, rasch, Reis, reif.

And supposing you want the very sound itself to have a hypnotising effect, you can do as the lawyer did of whom we were speaking yesterday, who advised his client to say: veiw. A fine and delicate perception lies behind the use of this sound-sequence in the piece we were studying yesterday. It is, I may say, quite wonderful how many features and details in those old plays, features that were of course introduced quite instinctively, are in perfect accord with the laws of human life.

And so, in order that our speaking shall mould the sentence plastically, we must learn to form in it especially the sounds that belong to earth and water; and for our speaking to be alive and effective we must learn to give form to the air- and fire-sounds—the air-sound r and the breath sounds. I do not mean to imply that what we say will have to be expressed with these sounds. But by practising sound sequences that contain earth sounds and the water sound, we can learn to form a sentence so that it has an inner plastic force; and we can on the other hand learn how to speak impressively, so that we may with comparative certainty assume that what we say has penetrated, has gone home, by practising the exercise I gave just now, the exercise that goes between the air sound r and the fire sounds. The actor will need to develop his speaking in both these directions: he must speak beautifully, and he must also impress his listener. And I have given you here the technique whereby he can learn both.

There is still another thing which is necessary for one who wants to make progress in the forming of speech. He has to acquire the faculty of carrying into the realm of the intimate every feeling or impression that is awakened in him from without; he must be able to bring it right home to himself in an intimate way. Let me make this clear by an example.

Take the sensation that many of you are experiencing in these days when the ‘inner configuration of the air’ in this lecture room forces itself upon your notice. Some of you, I know, feel it distinctly uncomfortable. We will take the most simple and primitive sensation that someone may have. He perceives that it is hot in here—with all the other feelings that can go with this experience. Or let us say that for his feeling the room is warm—simply warm.

Now, anyone who has interested himself at all in the forming of speech will know that a word like ‘warm’ can be spoken in a variety of ways. You are probably familiar with the delightful little story illustrative of the saying: Der Ton macht die Musik.³ Little Itzig writes home to his father: ‘Dear Father, send me a gulden!’ The father cannot read, so takes the letter to a notary who reads out to him in a peremptory, rude tone of voice: ‘Dear Father, send me a gulden!’ ‘Whatever next! The good-for-nothing little scamp will get no money out of me, if he writes like that! Is that really what he says?' But now the poor father cannot after all find it in his heart to leave the matter at that, so he goes to the parson. The parson takes the letter and reads out to him in a gentle, quiet tone : ‘Dear Father, send me a gulden!’ ‘Is that really what he says?’ ‘Certainly!’ replies the parson. ‘The dear little fellow, I'll send him one right away!’ Yes, everything depends, you see, on the tone of voice! Similarly, the word `warm' can be spoken in many different ways. But, my dear friends, if that is so, we must be able to bring into the sounds of the word all the different fine shades of feeling that we want to express. And that has to be learned; we have to learn how to do it.

Let us return to our supposition that someone feels the room warm. (I choose this for my example, since I have a suspicion that quite a number of you may be experiencing this feeling at the present moment.) And now let him follow the experience back into the subjective. Let us imagine he shuts his eyes, forgets there are other people around him and says to himself: Es saust (I feel a buzzing or whizzing sensation in my head!). He calls the ‘being warm’ a sensation of buzzing because he can feel it like that when he withdraws into himself and experiences it subjectively. Try to distinguish different kinds of buzzing that you can experience. When you are very cold, you feel inside you quite another kind. One could imagine, it might almost become a habit to have, when the room is warm, this inner sensation of buzzing.

warm: a buzzing sensation.

Practise this, entering into the inner feeling of it; and it will help you to make your intonation of the word ‘warm’ accord with the precise shade of experience that you want it to express. Exercises of this kind should be included in your training.

Take another: I am cold. Es perlet (I feel a tingling, a stinging sensation—and this time, especially in my legs and arms).

cold: a tingling or stinging sensation.

The more of such examples that you can find for yourselves, the better. See where you can take some word that expresses a perception or sensation, and lead it over into an experience that is more intimate, that touches you more nearly. To carry over in this way a perception that is at first more remote and separate into the realm of the intimate will give to your speaking the right inner ‘feeling’ tone.

So we have now four properties of speech:

The feeling tone of speech,
The beautiful, smooth flow of speech,
The revelation of oneself that is given out in speech,
The penetrating and convincing power of speech.

These are, every one of them, a matter of technique. The actor has simply to learn the technique for achieving them.

In past ages, such things were known instinctively, and men were also aware of their fine spiritual significance. In the school of Pythagoras, for example, the pupils had to recite strongly marked rhythms, the aim being to intervene by this means in human evolution, taking hold of what was instinctive and developing it further by education.

Take a line of verse that runs in trochees or dactyls, such as:

Singe, unsterbliche Seele, der sündigen Menschen Erlösung!⁴

A rhythm of this nature, chanted in a kind of singing recitative, Pythagoras would use in his school to tame the passions of men. He knew its power. And he knew also that verse in the iambic rhythm has the.effect of stirring up the emotions. Such things were well known to the men of earlier times, just as they knew too that the art of music takes us back to the Gods of the past, the plastic and pictorial arts lead us an to the Gods of the future, while the art of drama, standing between the two, conjures up the Spirits of the time in which we live.

We too must learn to perceive truths of this nature. A knowledge of them must return again among mankind; only then will art be able to take its right place in life.

It is really also quite remarkable how strongly the instinctive can still make itself feit in this domain. Look at the popular poetry composed by the Austrian poet Misson, the Piarist monk who wrote in dialect. If you study Misson's biography and read of all the other things that he did, you will find that he obviously wanted this poetry to have a soothing, calming effect. He accordingly chose for it, not the iambic metre but, notwithstanding that he was writing in dialect, the hexameter.

Naaz, iazn loos, töös, was a ta sa, töös sàckt ta tai Vada.
Gottsnam, wails scho soo iis! und probiast tai Glück ö da Waiden.
Muis a da sàgn, töös, was a da sa, töös las der aa gsackt sai.
Ih unt tai Muida san alt und tahoam, wöast as ee, schaut nix aussa.
Was ma sih schint und rackert und plàckt und àbi ta scheert töös
Tuit ma für d'Kiner, was tuit ma nöd ails, bald s'nöd aus der Art schlàgn’!—
Es mar aamàl a presshafts Leut und san schwari Zaiden,
Graifan s' am aa, ma fint töös pai artlinga rachtschàffan Kinern ...

You can feel, as you listen to the lines, their soothing, quieting influence.

If you want to lead straight over to the spiritual, if you want to take your hearers away from the physical and lead them up to where they can move in the realm of the spirit, then you will have to use the iambic metre, but still forming the speaking gently, quietly.

And this is one of the reasons that prompted Goethe, for example, to write his dramas in iambics, one of the reasons also why our Mystery Plays have been written largely in iambic verse. A sensitive perception for such things will have to live within us, if we want to have again true schools of dramatic art. In such schools it must be known that speech is alive, that gesture is alive, that everything that happens on the stage is alive and active and sends its influence out far and wide.

or, using English letter:

• 1. Pronounce like our word ‘lair’, but letting the r vibrate.
• 2. Schief (pronounced like our word’ sheaf’) is the word used to describe the Leaning Tower of Pisa.
• 3. It's the tone that makes the music.
• 4. Sing, O immortal soul, the redemption of sinful mankind!

Among the fundamental principles underlying Spiritual Science and to which your attention has been drawn in previous lectures, the most prominent is the idea of Reincarnation. According to this generally unpopular and little understood concept, it is maintained that human individuality is constrained to manifest again and again in a single personality, during its enfoldment in the course of repeated earth-lives. It has been previously pointed out that many and diverse questions are associated with this conception, and that such is the case will become more and more apparent as we proceed.

What deep meaning, we might ask, underlies the fact that the span of man’s life on earth is destined to recur, not once only, but many times, and that during each successive period between rebirth and death human individuality persists. When we study the evolution of mankind in the light of Spiritual Science, we find therein a progressive purport, a design of such nature that each age and each epoch presents in some fashion a different content, and we realize that human evolution is ever destined to maintain a definite upward trend. Thus do we become aware of a profound latent significance, when we know that the varied influences which act upon mankind are indeed potent and become absorbed over and over again by the Ego during the course of human development. A condition which is only possible because man, with all that comprises his being, is brought into contact not once alone, but recurrently, with the great living stream of evolution.

When we regard the whole evolutionary process as a rational progression, ever accompanied by fresh contents, there dawns a true comprehension of those Great Spiritual Beings who set the measure of progress. We are then able to realize the import and proper relation of these outstanding leaders, from whom have come new thoughts, experiences and impulses destined to further the advancement and progressive evolution of humanity.

During this Cycle of Lectures I shall speak of many such Spiritual Beings who have acted as guides to mankind, and at the same time bring forward and elucidate various matters connected with this subject. The first human individuality to claim our attention from such a point of view is Zarathustra, about whom, although there is much discussion in these days, little is known; for as far as external investigation goes his history is especially problematical, as it is shrouded in mystery and unrecorded in ancient documents.

When we consider the characteristics of such a personality as Zarathustra, whose gifts to mankind, as far as they are preserved for us, seem so strange to our present age, we at once realize how great is the dissimilarity in man’s whole being at different periods of earthly progress. Casual reflection might easily lead to the conclusion, that from the very beginning humanity has always had the same ideas concerning morality, the same general thoughts, feelings and conceptions as those which exist in our time. From previous lectures, however, and from others which will follow, you will know through the teachings of Spiritual Science that during man’s development great and important changes take place, especially as regards the life of the human soul, the nature of human apprehension, emotions and desires. Further, you will realize that man’s consciousness was very differently constituted in olden days; and that there is reason to believe that in the future yet other stages will be reached in which the conscious condition of mankind will vary considerably from its normal state to-day.

When we turn our attention to Zarathustra we find that we must look back over an extremely long period. According to certain modern researches, he is considered to be a contemporary of Buddha; the approximate date of his life being fixed at some six to six and a half centuries before the birth of Christianity. It is, however, a remarkable and interesting fact that other investigators of late years, after carefully studying all existing traditions concerning Zarathustra, have been driven to the conclusion that the personality concealed beneath the name of the ancient founder of Persian religion must have lived a great many centuries before the time of Buddha. Greek historians have stated over and over again that the period ascribed to Zarathustra should be put back very many, possibly five to six thousand years before the Trojan War¹

From the above, and from what has been learned through research in many directions, we can now feel certain that historical investigators will in the end be unwillingly forced to acknowledge that the claims of Grecian scholarship regarding the great antiquity of the Zarathustran era, as indicated by ancient tradition, are justly founded and must be accepted as authentic. Spiritual Science, in its statements and theories, fully concurs with the old Greek writers who already in olden days had fixed the period of the founder of Persian religion so far back in time. We have, therefore, good reason for maintaining that Zarathustra, living as he did thousands of years before the birth of Christianity, was doubtless confronted with a very different class of human consciousness from that which exists in our present age.

It has often been pointed out, and we will again refer to this matter, that in ancient times the development of human consciousness was such that the old ‘dream state’, or ‘clairvoyant condition’ (we will avoid misusing this term, as is so often done in these days), was in every way perfectly normal to man, so that his conceptions and ideas were such that he did not contemplate the world from that narrow perceptual point of view that is so prevalent to-day.

We can best picture the impressions made by the world upon the consciousness of the ancients, if we turn our thoughts to that last enduring remnant of the old clairvoyant state, namely, dream consciousness. We all know those fluctuating dream pictures that come to us at times, the most of which carry no meaning, and are so often merely suggestive of the outer world, although there may now and then intrude some higher level of conscious thought; dream visions, which in these days we find so difficult to interpret and to understand. We might say that our sleep consciousness runs its course pictorially in ever-changing scenes, and which are at the same time symbolical. For instance, many of us have had the experience that events connected with some impressive happening—say, a conflagration—have been after a time once more figuratively manifested to us in a dream. Let us now consider for a moment this other horizon of our sleeping state, where clings in truth that last remnant of a conscious condition belonging to a by-gone age in the grey and distant past.

The consciousness of the ancients was such that in reality they lived in a life of imagery. The visions which came to them were not merely indefinite unrelated creations, for they had reference to an actual outer world. In olden days primitive man was capable of intermediate conscious states, between those which prevail when we sleep and when we are awake; then it was that he lived in the presence of the Spirit-World, and the Spirit-World entered into his being. To-day this door is closed, but in those ancient times such was not the case. It was while in this intermediate condition that man became aware of visions which resembled to some extent dream pictures, but were definite in their manifestation of a spirit life and of spiritual achievement existing beyond the perceptual world. Although in the Zarathustran era, such visions had already become somewhat confused and vague, there was nevertheless still close contact with the world of spirit, therefore these ancients could say from direct observation and experience: ‘In the same way as I realize this outer physical world and this perceptual life, even so do I know that there exists another conscious condition belonging to a different region—a spiritual realm—related to that which is material, and where I do of a verity experience and observe the workings of the Divine Spirit.’

It is a fundamental principle underlying the evolution of the human race, that in no case can any one quality be developed except at the expense of some other attribute; hence it came about that from epoch to epoch, the faculty through which in olden times mankind obtained a clear inner vision of the spiritual realms became ever less and less pronounced. Our present day exact methods of thought, our power of expression, our logic, all that we regard as the most important driving forces of modern culture did not exist in the remote past. Such faculties have been acquired during later periods at the expense of the old clairvoyant consciousness, and it is now for mankind to regain and cultivate this long-lost power. Then in the future of human evolution a time will come when in addition to man’s purely physical consciousness, his intellectuality and his logic, he will again approach the condition of the ancient seer.

We must differentiate between the upward and downward tendency of human consciousness. Evolution has a deeper meaning when we realize that in the beginning man was entirely of a spiritual realm, where he lived in the soul, and that when he descended into the physical world it was ordained that he should gradually relinquish his clairvoyant power in order that he might acquire qualities born of the existing purely physical conditions; such as intellectuality and logic. When this stage in his development has run its course he will again return to the world of spirit.
Regarding the circumstances connected with these curious clairvoyant states and experiences of the ancients we have no historical record. Zarathustra lived in that same remote age, and was one of those great leading personalities who gave immense stimulus to the advancement of culture and civilization. Such guiding personalities must ever draw from the creative source that which we may term Illumination, whereby they are initiated into the higher mysteries of the world, irrespective of the standard of normal human consciousness existing in their time. Other such outstanding personalities of whom mention will be made during these lectures are: Hermes, Buddha and Moses.

Zarathustra lived at least 8000 years before the present era, and those glorious gifts to civilization which emanated from his illumined spirit have been reflected in the great cultural progress of humanity. His influence has long ago been clearly recognized, and can be detected even to this day, by all who take note of the mysterious currents underlying the whole of human evolution.

We now realize that Zarathustra belonged essentially to those Great Ones in whose souls lived a measure of the spiritual elements of truth, wisdom and perception, far surpassing the customary standard of human consciousness of their period. His mission was to proclaim to his fellow men, in that part of the world later known as the Persian Empire, those grand truths which emanated from the superperceptual regions—a world utterly beyond the apprehension of man’s normal consciousness in that dim and distant age.

If we would understand the true significance of Zarathustra’s teachings, we must remember that it was his task to present to a certain section of humanity, in an intelligible manner, a particular world aspect; while on the other hand, various movements which had been in progress among the peoples of other regions, had given a different trend to the whole sphere of man’s culture.

The personality of Zarathustra is of special interest because he lived in a territory, contiguous upon its South side to a country which was inhabited by Indian tribes, upon whom spiritual blessings flowed in quite a different manner. When we look forward from those by-gone times we find upon the selfsame soil where dwelt these ancient Indian tribes, the peoples among whom at a later period arose the poets of the Vedas. To the North, where spread the great Brahman Doctrine, is situated that region which was permeated throughout by the powerful and compelling teachings of Zarathustra. But that which he gave to the world was in many respects fundamentally different from the teachings of the great Ieaders among the Indians, whose words have lived on in the moving poetry of the Vedas, in their profound philosophy, and has reached yet an echo in that final glorious blaze of light—The Revelation of the Buddha.

We can understand the difference between that which was born of the flow of thought from Zarathustra and the teachings of the ancient Indians, when we bear in mind that we may approach the region of the superperceptual world from two sides. Already in other lectures we have spoken of the path which man must traverse in order that he may enter into the spirit realms. There are two possible methods by which he may raise the energy of his soul, and the capacities latent in his inner being, so much above their normal level that he can pass out of this perceptual into the superperceptual world. The one method is that by which man enters or retires, more and more deeply into his soul, and thus merges himself in his very essence. The other leads behind the veil which is spread around us by our material state. Man can enter the superperceptual region by both these methods.

When we experience within our very being a deepening of all values of our spiritual feelings, conceptions and ideas—in short, of our soul impulses; when in fact we creep more and more into ourselves, so that our spiritual powers become ever stronger and stronger; then can we, as it were, in some mystic way merge ourselves within and pass through all that we hold of the physical world to our actual spirit essence—the soul Ego—which Ego continues from incarnation to incarnation, and is not perishable but everlasting. When we have overcome our lusts and passions and all those experiences of the soul which are ours because we are of the body in a physical world, then can our true being pierce the surrounding veil and for ever enter the world of spirit.

On the other hand, if we develop those powers which will enable us not merely to be sensible of the outer world with its colours, tone sensations, heat and cold; and if we so strengthen our spiritual forces that we shall be aware of that which lies beyond the colours, the sound, the heat and the cold, and all those other earthly sense-perceptions which hang as a mist about us—then will the enhanced powers of our soul take us behind the enshrouding cloud and into that boundless superperceptual region which is without confine and stretches ever into the infinite.

There is one way leading to the Spirit-World which we may term the ‘Mystical Method’, and another which is properly called ‘The Method of "Spiritual Science"‘. All great spiritual personalities have followed these paths, in order to attain to those truths and revelations which it was their mission to impress upon humanity in the form of cultural progress. In primeval times man’s development was of such nature, that great revelations could only come to the people of any particular race, through one of these methods alone. But from that period on, in which the Greeks lived, that is, at the dawn of the Christian era, these two separate thought currents commingled, and became more and more one single cultural stream. When we now speak of entering the higher spheres, we understand, that he who would penetrate into the superperceptual region, develops both qualities of power in his soul. The forces necessary to the ‘Mystical Method’ are evolved within the inner being, and those essential to the course of ‘Spiritual Science’, are strengthened while man is yet conscious of the outer world. There is to-day no longer any definite separation of these two paths, as since about the time of that epoch marked by the life of the Grecian race, these two currents have run their course together—in the one, revelation comes about through a mystic merging of man’s consciousness within his very being—in the other, the veil is torn asunder by the enhanced power of his spiritual forces, and man’s awareness stretches outward into the great cosmos.

In olden times before the Grecian or Christian era, these two possible methods were in operation separately among different peoples, and we find them working in close proximity, but in divers ways, in the Indian culture which found expression among the Vedas, on the one hand, and that of Zarathustra, further North, on the other. All that we look upon with such wonder in the ancient Indian culture, and which later found expression through Buddha, was achieved by inner contemplation, and turning away from the outer world—through causing the eyes to become less sensitive to physical colours, the ears to physical sounds, and bringing about a deadening of the sense organs in general to the perceptual veil—so that the inner soul forces might be strengthened:—Thus did man press on to Brahma, there to feel himself unified with that which ever works and weaves as the Inner Spirit of the Universe,—In this way originated the teachings of the Holy Rishis, which live on in the poetry of the Vedas, in the Vedantic philosophy, and in Buddhism.

The Doctrine of Zarathustra was, however, entirely based upon the other method above-mentioned. He taught his disciples the secret of strengthening their powers of apprehension and cognition, in order that they might pass beyond the mists surrounding the outer perceptual world. He did not say to his followers, as did the Indian teachers: ‘Turn away from the colours, and from the sounds, and from all outer sense-impressions, and seek the path to the spiritual realms only through the merging of yourselves within your very souls’,—but he spoke thus:—‘Strengthen your powers of perception, in order that you may look around upon all things, the plants, the animals, that which lives in the air and in the water, upon the mountains, and in the depths of the valleys, and cast your eyes upon the world.’ We know that the disciples of the Indian mystics regarded this earth upon which we live as merely maya (illusion), and turned from it in order to attain to Brahma. On the other hand, Zarathustra counselled his followers not to draw away from the material world, but to pass outward and beyond it, so that they might say:—‘Whenever we experience perceptual manifestations in the outer physical world, we realize that therein lie concealed and beyond our sense perceptions the workings and achievements of the spirit.’

It is remarkable that the two paths should have been thus united in early Grecian times, and just because in that period true spiritual knowledge was more profound than in our day (which we are inclined to regard as so amazingly enlightened!) all things found expression in imagery, and the images gave rise to Mythology. Thus do we find these two thought currents commingled and fostered in the Grecian culture—The Mystical tending inward, and the Zarathustran outward into the great cosmos.

That such was the case becomes evident from the fact, that one of these paths was named after Dionysos, that mysterious god who was reached when man merged himself ever deeper and deeper within his inner being, there to find a questionable sub-human element, as yet unknown, and from which he first developed into man. It was this unclean and half-animal residue to which was given the name of Dionysos. On the other hand, all that comes to us when we regard our physical sense perceptions from a purely spiritual standpoint, was termed Apollo. Thus we find in ancient Greece, in the Apollo current of thought, the teaching of Zarathustra; and in the Dionysos current, the doctrine of mystical contemplation, side by side in contrast. In Greece they united and operated conjointly—the Zarathustran and the Mystical Methods, those methods which had been at their highest level, working separately, in the days of the ancient Indians.

Here we might say, that already in olden times these two thought currents were destined to commingle in the coming Grecian cults of Apollo and Dionysos, and thenceforward they would continue as one; so that in our present cultural period, when we raise ourselves to a certain spiritual understanding, we find them still unified and enduring.

It is very remarkable, and one of the many riddles which present themselves to the thinking mind, that Nietzsche in his first work, The Birth of Tragedy from the Spirit of Music, gave evidence of a vague suspicion that in the Grecian creeds of Dionysos and Apollo, the Mystical current meets the stream of scientific spiritual thought.

A further matter of interest lies in the fact, that Zarathustra actually taught his disciples to recognize in detail, the hidden workings of the Spirit in all material things, and from this starting-point the whole of his gifts to culture emanated. He emphasized that it was not sufficient for man merely to say:—‘There before us spreads a material world, behind which ever works and weaves the Divine Spirit.’ Such a statement might appear at first sight full of significance, it leads, however, only to a general pantheistic outlook, and means nothing more, than that some vague nebulous spirit underlies all material phenomena. Zarathustra, like all other great personalities of the past who were exalted and had direct contact with the Spirit-World, did not present these matters to his followers and the people in any such indefinite and abstract manner; he pointed out, that in the same way as individual physical happenings vary in import, so is it with the latent spiritual factor, it being sometimes of greater and sometimes of less moment. He further stated that the sun, regarded purely from the physical point of view as a member of the stellar system, is the source of all earthly phenomena, life, and activity, while concealed within is the centre of spiritual existence in so far as we are immediately concerned.

These things Zarathustra impressed earnestly and clearly upon his disciples, and, using simple words, we can picture him as addressing them somewhat as follows:—‘When you regard man, you must realize that he does not only consist of a material body—such is but an outer expression of the spirit which is within. Even as the physical covering is a manifestation in condensed and crystallized form of the true spiritual man, so is the sun which appears to us as a light-giving mass when considered as such, merely the external manifestation of an inner spiritual sun.’ In the same way as we term the human spirit element as distinguished from the physical, The Aura, to use an ancient expression, so do we call the all-embracing hidden spiritual part of the sun, The Great Aura (Aura Mazda); in contradistinction to man’s spiritual component, which is sometimes called the Little Aura.

Now, Zarathustra named all that lies hidden within and beyond man’s mere apprehension of the physical sun—‘Aura Mazda’ or ‘Ahura Mazdao’—and considered this element as important to our spiritual experiences and conditions, as is the physical sun to the wellbeing of plants and animals, and all that lives upon the face of the earth. There behind the physical sun lies the Spiritual Master—The Creator—‘Ahura Mazdao’ or ‘Aura Mazda’, and from ‘Ahura Mazdao’ came the name, ‘Ormuzd’, or, ‘The Spirit of Light’.

While the Indians mystically searched their inner being, in order to attain to Brahma—The Eternal—who shines outward as a point of light from within man’s essence, Zarathustra urged his disciples to turn their eyes upon the great periphery of existence, and pointed out that there within the body of the sun, dwells the great Solar Spirit—Ahura Mazdao—‘The Spirit of Light’. He taught them that, just in the same way as when man strives to raise his spirit to perfection, so must he ever battle against his lower passions and desires, against the delusive images suggested by possible deception and falsehood, and all those antagonistic influences within, which continually oppose his spiritual impulses. Thus must ‘Ahura Mazdao’ face the opposition of ‘The Spirit of Darkness’—‘Angra Mainyus’ or ‘Ahriman’.

We can now realize how the great Zarathustran conception could be evolved from experiences born of sensations and sense contents. Through these, Zarathustra could advance his disciples to a point where he could make clear to them that:—Within man there is a ‘Perfecting Principle’, which tells him that whatever may be his present condition this principle will work persistently within, and through it he may raise himself ever higher and higher; but at the same time there also operate impulses and inclinations, deceit and falsehood, all tending towards imperfection. This Perfecting Principle must therefore be developed and expanded, in order that the world may be destined to attain to wiser and more advanced states of perfection; it is the ‘Principle of Ahura Mazdao’, and is assailed throughout the whole world by Ahriman—‘The Spirit of Darkness’—who through imperfection and evil brings shadows into the light. By following the method above outlined, Zarathustra’s disciples were enabled to realize and to feel, that in truth each individual man is an image of the outer universe.

We must not seek the true significance of such teaching in theories, concepts and ideas; but in active vivid consciousness and in the sensations impressed when through it man realizes that he is so related to the universe that he can say:—‘As I stand here, I am a small world, and as such I am a replica of the Great Cosmos.’ Just as we have within us a principle of perfection, and another which is antagonistic, so throughout the universe is Ormuzd opposed by Ahriman. In these teachings the whole cosmos is represented as typical of a widespread human being; the forces of greatest virtue are termed Ahura Mazdao, while against these operate the powers of Angra Mainyus.

When a man realizes that he is in direct contact with the workings of the universe and the attendant physical phenomena, but can only apprehend the perceptual, then as he begins to gain spiritual experience, a feeling of awe may come over him (especially if he is materialistic in thought) when he learns through Spectrum Analysis, that the same matter which exists upon the earth is found in the most distant stars. It is the same with Zarathustranism, when man feels that his spiritual part is merged in that of the whole cosmos, and that he has indeed emanated from its great spirit. Herein lies the true significance of such a doctrine, which was not merely abstract in character, but on the contrary wholly concrete.

In this present age it is most difficult to make people understand (even when they have a certain sense for the spiritual that lies behind the perceptual) that it is necessary to a true and spiritually scientific view of the cosmos, that there be more than one central unity of spirit-power. But even as we distinguish between the separate forces in Nature, such as Heat, Light, and Chemical forces, so in the world of spirit must we recognize not merely one centralized power (whose existence is not denied) but we must differentiate between it and certain subservient uplifting forces, whose spheres of action are more circumscribed than are those of the all-embracing spirit. Thus it was that Zarathustra made a distinction between the omnipotent Ormuzd, and those spirit beings by whom he was served.

Before we turn to a consideration of these subservient spirit entities, we must draw attention to the fact that the Zarathustran theory was not a mere Dualism—a simple doctrine of two worlds—the worlds of Ormuzd and of Ahriman; but that it maintained that underlying this double flux of cosmic influence, is a definite unity—a single power—which gave birth to both The Realm of Light (Ormuzd) and to The Realm of Darkness (Ahriman). It is not easy to gain a right understanding of Zarathustra’s conception concerning this ‘Unity’ underlying Ormuzd and Ahriman. With reference to this point the Greek authors state that the ancient Persians worshipped, and regarded as a ‘Living Unity’, that which lay beyond the light, and which Zarathustra termed ‘Zervane Akarene’. How can we gain a comprehension of what Zarathustra in his teachings meant by ‘Zervane Akarene’ or ‘Zaruana Akarana’?

Let us consider for a moment the course of evolution; this we must regard as of such nature, that all beings tend towards greater and greater perfection. So that if we look into the future, we see more and more of the radiance from the Light-Realms of Ormuzd; but if we turn our eyes upon the past, we realize how the powers of Ahriman, which oppose Ormuzd, are circumstanced; and we then know that with the passing of time, these must be conquered and for ever ended.

We will now picture to ourselves that the path into the future and that into the past each lead to the same point; a conception which present-day man finds most difficult to grasp. Let us take as an example a circle; if we pass along the circumference from the lowest point in one direction, we come to the opposite point above, if, however, we go along the other side, we come to the same point. When we consider a larger circle, then the circumference is flatter, and we must traverse a greater distance in each case. We will now suppose a circle to expand ever more and more, then ultimately the path on either side becomes a straight line, and is infinite. But just before the circle becomes infinite we would reach the same point whether we went by the one path or the other. Why, then, should not the same happen when the circumference is so flattened that the periphery becomes a straight line? In this case the point at infinity on the one must be identical with that on the other, and therefore we must be able to travel to it, from the lowest point in one sense (say, positive), and return as if coming from the opposite (negative) direction. This means that when our conception is infinite, we have a straight line extending without limit on either side, but which is in reality the circumference of an infinite circle.

The abstraction given above lies at the basis of Zarathustra’s conception of what he termed Zaruana Akarana. Here, with regard to time, we look in one direction into the future, in the other into the past, and when we consider an infinite period time closes in upon itself as in a circle. This self-contained and infinite time circle is symbolically represented as a serpent eternally biting its own tail, and into it is woven upon the one side, The Power of Light, shedding upon us continually a greater and greater radiance; and upon the other, The Power of Darkness, becoming ever more and more profound. When we are midway, then is the light (Ormuzd) intermingled with the shadows (Ahriman); all is interwoven in the self-embracing infinite Flux of Time, ‘Zaruana Akarana’.

There is something more about this ancient cosmic conception; its basic ideas were treated seriously, there were no mere vague statements such as:—‘Without and remote from all that is material in this perceptual world, beyond those things which affect our eyes, our ears, and sense organs in general—abides The Spirit’. But it was definitely asserted, that in everything which could be seen and apprehended, therein could be discerned something of the nature of spirit signs, or a manifestation of the Spirit-World.

If we take a sheet of paper upon which are inscribed alphabetical characters, these may be combined into words; but we must first have learnt how to read. Without this ability no one could read about Zarathustra; for they would merely perceive certain characters which could only be followed with the eyes. Actual reading can only take place after it is clearly understood how to connect such characters with that which is within the soul. Now, Zarathustra discerned a written sign underlying all that was in the perceptual world, particularly in the manner in which the stars are grouped in the universe. Just as we recognize written characters upon paper, so did Zarathustra descry in the starry firmament something similar to letters, conveying a message from the Spirit-World. Hence, arose an art of penetrating into the World of Spirit, and of deciphering the signs indicated by the arrangement of the stars, and of finding a method of reading and construing from their movements and order, in what manner and way those spiritual beings that are without, inscribe the facts concerning their activities in space.

Zarathustra and his disciples had a paramount interest in these matters. To them it was a most important sign that Ahura Mazdao, in order to accomplish his creations and to reveal his message to the world, should (in the language of Modern Astronomy) ‘describe a circular path’. This fact was regarded as a sign traced in the heavens indicating in what manner Ahura Mazdao worked, and the relation which his activities bore to the universe as a whole. It is important that Zarathustra was able to point out that the constellations of the Zodiac, taken together as forming a closed curve in space, should symbolize a continuous and also retroactive time flux; and we can realize that there is indeed a most profound significance underlying the statement, that one branch of this time-curve stretches outward into the future, while the other leads backward into the remote past. Zaruana Akarana is that bright band of stars, later known as the Zodiac, that self-contained time-line ever traversed by Ormuzd, The Spirit of Light. In other words, the passage of the sun across the constellations of the Zodiac is an expression of the activity of Ormuzd; while the Zodiac itself is the symbol of Zaruana Akarana. In reality, Zaruana Akarana and The Zodiac are identical terms, just in the same way as are Ormuzd and Ahura Mazdao.

There are two special circumstances to be considered in this connection. First, when the passage of the sun through the Zodiac takes place while it is light, as in the summer. At such time the solar radiance falls full upon the earth, bringing with it the power emanating from those spiritual forces ever flowing outward from the Light-Realms of Ormuzd. That part of the Zodiac traversed by Ahura Mazdao in the daytime, or during the summer, denotes the manner in which He works and weaves unhindered by Ahriman. On the other hand, those Zodiacal constellations which lie far beneath the horizon—dark regions through which we might picture the passage of Angra Mainyus—are symbolical of the Kingdom of The Shadows.

We have stated that Zarathustra regarded Ormuzd as associated with the bright sections of the Zodiac (Zaruana Akarana), while he looked upon Ahriman as connected with the gloom. In what way do the activities of Ormuzd and Ahriman find expression in our material world? In order to understand this point we must realize that the effect of the solar rays is different in the morning from that at noon; varying as the sun ascends from Aries to Taurus, and again during its descent toward the horizon. The influence exerted is not the same in winter as in summer, and differs with every passing sign of the Zodiac. Zarathustra regarded the changing aspects of the sun in connection with the Zodiacal constellations as symbolical of the activities of Ormuzd proceeding from different directions, and from which came those spiritual beings that are both His servants and His sons, and who are ready at all times to execute His commands. These are the ‘Amschaspands’ or ‘Ameschas Pentas’, subservient entities, to each of whom is allotted some special duty.

While Ormuzd controls all active functions in the Light-Realms, the Amschaspands undertake that specific work which finds expression in the transmission of the sun’s light when in Aries, Taurus, Cancer, etc. But the true vital activity of Ormuzd is manifested in the full radiance of the sun, shining throughout all bright signs of the Zodiac, from Aries to Libra or Scorpio. Following the Zarathustran line of thought, we might say:—‘It is as though the evil powers of Ahriman came through the earth from those dark regions where abide his servants—his own Amschaspands—who are opposed to the good genii standing by the side of Ormuzd.’ Zarathustra actually distinguished between twelve different subservient spirit entities; six or seven on the side of Ormuzd, and five or six on that of Ahriman. These are regarded as typical of good or evil genii (Amaschas Pentas—lower spirits), according as to whether their influence comes with the sun’s rays from the bright Signs of the Zodiac, or emanates from those which are in gloom.

Goethe had the subservient spirits of Ormuzd in mind when he wrote the following words at the beginning of Faust in the ‘Prologue of Heaven’:

‘But ye, God’s sons in love and duty,
Enjoy the rich, the ever-living Beauty!
Creative Power, that works eternal schemes,
Clasp you in bonds of love, relaxing never,
And what in wavering apparition gleams
Fix in its place with thoughts that stand for ever!’²

(Trans: BAYARD TAYLOR)

From the above it is apparent that the conception which Goethe formed of ‘God’s sons’ as the servants of the Highest Divine Power, is similar to Zarathustra’s concept concerning the Amschaspands, of which, as already stated, he recognized twelve different kinds. Again, subservient to these Amschaspand entities, according to Zarathustranism, are yet lower orders of spiritual powers or forces, among which some twenty-eight separate types are usually distinguished. These are the so-called ‘Izarads’ or ‘Izeds’; the number of different classes into which they may be divided is, however, indeterminate, being variously estimated from twenty-four up to twenty-eight, and even as high as thirty-one. There is yet a third division of spiritual powers or forces, termed by Zarathustra ‘Ferruhars’ or ‘Frawaschars’. According to our conceptions, the Ferruhars have the least influence of any upon our tendencies and dispositions in the material world, and are regarded as that spiritual element which permeates the great macrocosm, and underlies all perceptual physical activity. They are the reality behind everything of which we are conscious and appears to us as merely external and material.

While we picture the Amschaspands as controlling the twelve forces which are at work during all physical effects engendered by the action of light, and the Izeds, as governing those which influence the animal kingdom, so do we consider the Ferruhars, in addition to possessing the quality above-mentioned, as spiritual entities having under their guidance the ‘Group-Souls’ of animals.

Thus did Zarathustra discern a specialized realm beyond this perceptual universe—a perfectly organized superperceptual world—and his concept was absolutely definite, and in no sense of the nature of an abstraction. Behind Ormuzd and Ahriman he pictured Zaruana Akarana, further the good and bad Amschaspands, below these the Izeds, and lastly the Ferruhars.

Man, as he is fashioned, is a replica in miniature of the great universe, and therefore all forces operative in the cosmos must be present in some manner within his being. Just as the benevolent powers of Ormuzd are expressed during that inner struggle to attain to perfection, and the unclean forces of Ahriman are in evidence while there is gloom and temptation, so do we find also the trace of other spiritual powers—those of the lower genii.

I will now make a definite statement, which when viewed from the standpoint of modern cosmic ideas, is liable to awaken bitter feeling, namely:—I assert that before long it will be discovered and recognized by external science, that a superperceptual element underlies all physical phenomena, and that latent spirit exists in everything that comes within the limits of our sense perceptions. Further, that science will be driven to admit, that in the physical structure of man there is much that is a counterpart of those forces which permeate and spread life throughout the whole universe, and which flow into the body, there to become condensed.

Let us go back to the Zarathustran Doctrine, which in many ways is similar to that of Spiritual Science. According to its concepts, Ormuzd and Ahriman are regarded as influencing mankind from without. Ormuzd being the source of inward impulses toward perfection, while Ahriman is ever in opposition. The Amschaspands also exert spiritual activity, if we consider their forces as being, so to speak, condensed in man, then it should be possible to trace and recognize their action to the point of physical expression.

In Zarathustra’s time, anatomy, as we understand it to-day, did not exist. Zarathustra and his disciples, by means of their spiritual insight, actually saw the cosmic streams to which reference has been made; they appeared to them in the form of twelve cosmic outpourings, flooding in upon man, there to maintain activity. Thus it came about that the human head was regarded by Zarathustra’s followers as a symbol of the inflowing of the seven good, and five evil, Amschaspands. Within man we have a continuance of the Amschaspand flux; how, then, is this flux to be recognized at this much later period? The anatomist has discovered that there are twelve principal pairs of brain nerves, which pass from the brain into the body. These are the physical counterparts, as it were, of the twelve condensed Amschaspand out-flowings, namely, twelve pairs of nerves of extreme potency in bringing about either the highest perfection, or the greatest evil. Here, then, we find reappearing in our present age, but transformed into material terms, that concept which had come to Zarathustra from the Spirit-World, and which he preached to his disciples.

There is, however, in all this a point of controversy. It is so easy for anyone in our day to maintain that the statements of Spiritual Science become wholly fantastical when it is alleged that Zarathustra, speaking of twelve Amschaspands, had in mind something connected with the twelve pairs of nerves which are in the human head! But the time will come when the world will gain yet another item of knowledge, for it will be discovered in what manner, and form the spirit, which permeates and lives throughout the universe, continues active in man.

The old Zarathustranism has arisen once again in our modern physiology. For in the same way as the twenty-eight to thirty-one Izeds are the servants of the Amschaspands, so are the twenty-eight spinal nerves subordinate to those of the brain. Again, the Izeds, who are present in the outer universe as a spirit flux, enter the human body, and their sphere of action is in those nerves which stimulate the lower soul-life of man; in these nerves they crystallize, as it were, and assume a condensed form. And where the Ized-flux, as such, entirely ceases, and the term ‘nerve’ can no longer be applied, is the actual centre where our personality receives its crowning touch. Further, those of our thoughts which rise slightly above mere cognition and simple brain action, are typical of the Frawaschars or Ferruhars.

Our present period is connected in a remarkable manner with the Doctrine of Zarathustra. Through his teachings and by means of his spiritual archetypes, Zarathustra was enabled to enlighten his people regarding those regions which spread beyond the perceptual world, while his imagery was ever as a flowing contact with that which lies hidden behind the veil. With reference to this great doctrine it is most significant that after it had acted as an inspiration to humanity for a long period, always tending to promote greater and greater effort in various directions of cultural progress—only to lose its influence from time to time—there should arise once more, in our day, a marked tendency toward a mystical current of thought.

It was the same with the Greeks after the two methods of approach to the Spirit-World had commingled, for they also, at times, showed a preference for either the mystical or the Spiritual Scientific thought current. It is owing to the modern predominating interest in mysticism that many people find themselves drawn towards the Indian Spiritual Science, or Method of Contemplation. Hence it is, that the most essential and deeply significant aspects of Zarathustranism—in fact, its very essence—hardly appear in the spiritual life of our time, although there is abundant evidence of the nature of Zarathustra’s concepts and his methods of thought. But all that lies at the very base, and is absolutely vital to his doctrine, is in a sense lost to our age.

When once we realize that in Zarathustranism is contained the spiritual prototype of so many things which we have rediscovered in the domain of physical research (numerous examples of which might be quoted), and of others that will be rediscovered later, then will a fundamental chord in our culture give place to one which will be founded upon the old Zarathustran teachings. It is remarkable that the profound attention which Zarathustranism paid to macrocosmic phenomena caused the world to recede, as it were, or appear of less moment; while in nearly all other beliefs with which a flood of mystical culture is associated, the outer world plays an important part, this is also the case in our materialism.

That great fundamental concept concerning two opposing basic qualities, and which recurs again and again throughout the religious doctrines of the world, we regard in the following manner; we consider it as symbolized by the antithesis of the sexes—the male and the female—so that in the old religious systems which were founded upon mysticism, the Gods and Goddesses were in reality, antithetical symbols of two opposing currents which flow throughout the universe. It is amazing that the teachings of Zarathustra should rise above these conceptions, and picture the origin of spiritual activity in so different a manner, portraying the good, as the resplendent, and the evil as the shadows.

Hence, the chaste beauty of Zarathustranism and its nobility, which transcends all those petty ideas which play so ugly a part in our time, when any endeavour is made to deepen man’s conception of spiritual life. Where the Greek writers state that the Supreme Deity in order to create Ormuzd, must also create Ahriman, so that He should obtain an antithesis; then, since Ahriman opposed Ormuzd, we have an example of how one primordial force is conceived as set against another. This same idea finds expression in the Hebrew, where evil comes upon the world through the woman—Eve—but we find nothing in Zarathustranism concerning ills that the world suffered through the antithesis of the sexes.

All those hateful ideas which are disseminated throughout our daily literature, pervading our very thoughts and feelings, distorting the true significance of the phenomena of disease and health, while failing to comprehend the intrinsic facts of life, will disappear, when that wholly different concept, the antithesis exhibited by Ormuzd and Ahriman—a conception so lofty and so powerful when compared with present-day paltry notions—is once more voiced in the words of Zarathustra, and enters to permeate and influence our modern culture. In this world, all things pursue their appointed course, and nothing can hinder the ultimate triumph of Zarathustran conceptions, which will, little by little, insinuate themselves into the life of the people.

When we look upon Zarathustra in this way, we realize that he was indeed a Spirit, who in bygone times brought potent impulses to bear upon human culture. That such was the case becomes evident, if we but follow the course of subsequent events which took place in Asia Minor, and later among the people of Assyria and Babylonia, on down to the Egyptian period, and further even to the time of the spreading of Christianity. Everywhere we find in different lines of thought something which may be traced back, and shown to have its origin in that Great Light, which Zarathustra set blazing for humanity.

We can now understand how it was that a certain Greek writer (who wished to emphasize the fact that some among the Leaders had always given their people instruction in matters that they would only require at a later period in their culture) should have stated, that while Pythagoras had obtained all the knowledge that he could from the Egyptians concerning the methods of Geometry, from the Phænicians concerning Arithmetic, and from the Chaldeans concerning Astronomy—he was forced to turn to the successors of Zarathustra, in order to learn the secret teachings regarding the relation of humanity to the Spirit-World, and to obtain a true understanding of the proper conduct of life. The writer who made these statements regarding Pythagoras further asserts that the Zarathustran method for the conduct of life leads us beyond antitheses, and that all antitheses can be considered as culminating in the one great contrast of Good and Evil, which opposing condition can be finally absorbed, only by the purging away of all evil, falsehood and deceit. For instance, the worst enemy of Ormuzd is regarded as that one which bears the name of Calumny, and Calumny is one of the outstanding characteristics of Ahriman. The same writer states that Pythagoras failed to find the purest and most ideal ethical practice, namely, the one directed toward the moral purification of man, among either the Egyptians, the Phænicians, or the Chaldeans; and that he had again to turn to Zarathustra’s successors, in order to acquire that lofty conception of the universe which leads mankind to the earnest belief that through self-purification alone may evil be overcome. Thus did the great nobility and oneness of Zarathustra’s teachings become recognized among the ancients.

We would here mention that the statements made in this lecture are supported in every case by independent historical research; and we should carefully weigh all assertions coming from the representatives of other sciences, and judge for ourselves, whether or no they are in accord with our fundamental concepts. For instance, take the case of Plutarch, when he said that in the sense of Zarathustranism, the essence of Light as it affects the earth, is regarded as of supreme loveliness, and that its spiritual counterpart is Truth. Here is a definite statement made by an ancient historian, which is in complete agreement with all that has been said. We shall also find as we proceed that many historical events become clear and understandable when we take into consideration the various factors to which we have drawn attention.

Let us now go back to the ancient Vedantic conception; this was based upon the mystical merging of man within his very being; but before he can attain to the inner Light of Brahma, he must meet with, and pass through, those passions and desires which are induced by wild semi-human impulses that are within him, and which are opposed to that mystical withdrawal within the spirit-soul, and into the eternal inner being. The Indian came to the conclusion that this could only be accomplished, if pending his mystic merging in Brahma, he could successfully eliminate all that we experience in the perceptual world which stimulates sensuous desires, and allures through colours and through sounds. Just so long as these play a part during our meditations, so long do we keep within us, an enemy opposed to our mystical attainment to perfection.

The Indian teacher said:—‘Put away from yourselves all that can enter the soul through the powers that are external; merge yourselves solely within your very being—descend to the Devas—and when you have vanquished the lower Devas, then will you find yourselves within the kingdom of the Deva of Brahma; but shun the realm of the Asuras, whence come those malignant ones who would thrust themselves upon you from the outer world of Maya; from all such you must turn away, whatsoever may befall.’

Zarathustra, on the other hand, spoke to his disciples after this fashion:—‘Those who follow the leaders among the people of the South can make no advance along the path which they have chosen, because of the different order of their search after those things which are of the Spirit; in such manner can no nation make headway. The call is not alone to mystic contemplation and to dreaming, but to live in a world which provides freely of all that is needful—man’s mission lies with the art of agriculture, and the promotion of civilization. You must not regard all things as merely Maya, but you must penetrate that veil of colours, and of sounds, which is spread around you; and avoid everything that may be of the nature of the Devas, and which because of your inner egoism, would hold you in its grasp. The region wherein abide the lower Asuras must be traversed, through this you must force your way, even up to the highest; but since your being has been especially organized and adapted to this intent, you must ever shun the dark realms of the Devas.’

In India, the teaching of the Rishis was otherwise, for they said to their followers:—‘Your beings are not suitably organized to seek that which lies within the Kingdom of the Asuras—therefore avoid this region and descend to that of the Devas.’

Such was the difference between the Indian and Persian culture. The Indian peoples were taught that they must shun the Asuras and regard them as evil spirits; this was because through the method of their culture they were only aware of the lower Asuras; the Persians, on the other hand, who found only low types of Devas in the Devas regions were adjured by their leaders thus:—‘Enter the Kingdom of the Asuras, for you are so constituted that you may attain even unto the highest of them.’

There lay within the impulse that Zarathustra gave to mankind a great fervour, which found expression when he said:—‘I have a gift to bestow upon humanity which shall endure and live throughout the ages, and will smooth the upward path, overcoming all false doctrines, which are but obstacles diverting man from his struggle toward the attainment of perfection.’ Thus did Zarathustra feel himself to be the servant of Ahura Mazdao, and as such he experienced personally the opposition of Ahriman, over whose principles his teachings should enable mankind to achieve a sweeping victory. This conviction he expressed in impressive and beautiful words, to which reference is found in ancient documents. These, however, were necessarily inscribed at a later date; but what Spiritual Science tells us concerning Zarathustra and his pronouncements comes from other sources. Throughout all his telling adjurations there rings forth the inner impulse of his mission, and we feel the power of that great passion which overcame him, when, as the opponent of Ahriman and the Principle of Darkness, he said:—‘I will speak! draw nigh and listen unto me, ye that come with longing from afar, and ye from near at hand—mark my words!—No more shall he, the Evil One, this false teacher, conquer the Spirit of Good. Too long hath his vile breath bemingled human voice and human speech. But now I will denounce him in the words which The Highest—The First One—has put into my mouth, the words which Ahura Mazdao has spoken. To him who will not harken unto my words, and who will not heed that which I say unto you—to him will come evil—and that, ere ever the world hath ended its cycles.’

Thus spoke Zarathustra, and we can but feel that he had something to impart to humanity, which would leave its impress throughout all later cultural periods. Those among us who have understanding and will but pay attention to that which persists in our time, even if only dimly apparent, who will note with spiritual discernment the tenor of our culture, can even yet, after thousands of years, recognize the echo of the Zarathustran teachings. Hence it is that we number Zarathustra among Great Leaders such as Hermes, Buddha, Moses, and others, about whom we shall have much to say in subsequent lectures. The spiritual gifts possessed by these Great Ones, and the position which they occupied among men, are indicated, and fitly expressed in the following words:—

‘God sends us Spirits that shine as stars,
From the spheres of eternal love.
May we behold that glorious light,
They reflect from the realms above.’³

• 1. the date of which has been placed at about 1200 B.C.
• 2. Doch ihr, die echten Göttersöhne,
  Erfreut euch der lebendig reichen Schöne!
  Das Werdende, das ewig wirkt und lebt,
  Umfass euch mit der Liebe holden Schranken,
  Und was in schwankender Erscheinung schwebt,
  Befestiget mit dauernden Gedanken.
• 3. Es leuchten gleich Sternen
  Am Himmel des ewigen Seins
  Die gottgesandten Geister.
  Gelingen möge es alien Menschenseelen,
  Im Reiche des Erdenseins
  Zu schauen ihrer Flammen Licht!

[ 1 ] The accounts of the “Life of Jesus” which can be submitted to historical examination are contained in the Gospels. All that does not come from this source might, in the opinion of one of those who are considered the greatest historical authorities on the subject, Harnack,^62a be “easily written on a quarto page.” But what kind of documents are these Gospels? The fourth, that of John, differs so much from the others that those who believe themselves obliged to follow the path of historical research in order to study the subject come to the conclusion: “If John possesses the genuine tradition about the life of Jesus, that of the first three Evangelists (the Synoptists) is untenable; if the Synoptists are right, the fourth Gospel must be rejected as a historical source.” (Otto Schmidel, Die Hauptprobleme der Leben Jesu-Forschung, Principal Problems of Research into the Life of Jesus, p. 15.) This is a statement made from the standpoint of the historical investigator. In the present work, where we are dealing with the mystical content of the Gospels, such a point of view is neither to be accepted nor rejected. But attention must certainly be drawn to such an opinion as the following: “Measured by the standard of consistency, inspiration, and completeness, these writings leave very much to be desired; even when measured by the ordinary human standard they suffer from many imperfections.” This is the opinion of a Christian theologian (Harnack in Wesen des Christentums, The Nature of Christianity). If one agrees that the Gospels have a mystical origin one finds that apparent contradictions can be explained without difficulty, and one also discovers harmony between the fourth Gospel and the other three. None of these writings are meant to be mere historical tradition in the ordinary sense of the word. They do not profess to give a historical biography. What they intended to give was already foreshadowed in the traditions of the Mysteries, as the typical life of the Son of God. It was these traditions which were drawn upon, not history. Now it was only natural that these traditions should not be in literal agreement in every Mystery center. Nevertheless the agreement was so close that the Buddhists narrated the life of their divine man in almost the same way as the Evangelists narrated the life of Christ. But naturally there were differences. We need only assume that the four Evangelists drew from four different Mystery traditions. It is evidence of the towering personality of Jesus that in four writers belonging to different traditions, he awakened the belief that he so perfectly corresponded with their type of an initiate that they were able to describe him as one who lived the typical life marked out in their Mysteries. Each of them described his life according to his own Mystery traditions. And if the narratives of the first three Evangelists (the Synoptists) resemble each other, it proves nothing more than that they drew upon similar Mystery traditions. The fourth Evangelist saturated his Gospel with ideas in many respects reminiscent of the religious philosopher Philo. This simply proves that he was rooted in the same mystical tradition as was Philo. In the Gospels one finds various elements. First, facts are related which appear to lay claim to being historical. Second, parables exist in which the narrative form is used only to portray a deeper truth. And third, teachings meant to be taken as the content of the Christian conception of life, are included. In John's Gospel no actual parable is present. The source from which he drew was a mystical school which believed parables to be unnecessary.—The role of professedly historical facts and parables in the first three Gospels is clearly shown in the account of the cursing of the fig tree. In Mark 11:11–14 we read: “And Jesus entered into Jerusalem, and into the temple: and when he had looked round about upon all things, and now the eventide was come, he went out unto Bethany with the twelve. And on the morrow when they were come from Bethany, he was hungry: and seeing a fig tree afar off having leaves he came, if haply he might find any thing thereon: and when he came to it he found nothing but leaves; for the time of the figs was not yet. And Jesus answered and said unto it, No man eat fruit of thee hereafter for ever.” In the corresponding passage in Luke's Gospel he relates a parable (Luke 13:6, 7): “He spake also this parable; A certain man had a fig tree planted in his vineyard and he came and sought fruit thereon and found none. Then said he unto the dresser of his vineyard, Behold these three years I come seeking fruit on this fig-tree, and find none; cut it down; why cumbereth it the ground?” This parable symbolizes the worthlessness of the old teaching, represented by the barren fig tree. What is meant metaphorically, Mark relates as an apparently historical fact. Therefore we may assume that, in general, facts related in the Gospels are not to be taken as only historical, or as if they were to hold good only in the world of the senses, but as mystical facts, as experiences recognizable only by spiritual vision, and which stem from various mystical traditions. If we admit this, the difference between the Gospel of John and the Synoptists ceases to exist. For mystical interpretation, historical research should not be taken into account. Even if one or the other Gospel were written a few decades earlier or later, to the mystic all of them are of equal historical worth, John's Gospel as well as the others.

[ 2 ] The “miracles” also do not present the least difficulty when interpreted mystically. They are supposed to break through the laws of nature. They do this only when they are considered as occurrences which are supposed to have taken place in the physical, transitory sphere in such a way that ordinary sense-perception could have seen through them without difficulty. But if they are experiences which can be seen through only at a higher level, the spiritual level of existence, then it is a matter of course that they cannot be grasped by the laws of physical nature.

[ 3 ] Thus it is first of all necessary to read the Gospels in the right way: then we shall know in what manner they speak of the Founder of Christianity. Their intention is to report in the style in which communications were made through the Mysteries. They narrate in the way a mystic would speak of an initiate. However, they give the initiation as the unique characteristic of one unique Being. And they make the salvation of humanity depend on the fact that men cleave to this uniquely initiated Being. What had come to the initiates was the “Kingdom of God.” This unique Being has brought the Kingdom to all who will cleave to him. What was formerly the personal concern of each individual has become the common concern of all those willing to acknowledge Jesus as their Lord.

[ 4 ] We can understand how this came about if we admit that the wisdom of the Mysteries was embedded in the religion of the Israelite people. Christianity arose out of Judaism. We need not be surprised therefore to find engrafted on Judaism together with Christianity, those Mystery-conceptions which we have seen to be the common property of Greek and Egyptian spiritual life. If we examine folk religions we find various ideas about the spiritual. If we trace back to the deeper wisdom of the priests, which in each case proves to be the spiritual nucleus of the differing folk religions, we find agreement everywhere. Plato is aware that he agrees with the priest-sages of Egypt as he sets forth the main content of Greek wisdom in his philosophical conception of the world. It is said that Pythagoras traveled to Egypt and India and was instructed by the sages in those countries. Thinkers who lived in the earlier days of Christianity found so much agreement between the philosophical teachings of Plato and the deeper meaning of Moses' writings that they called Plato the Moses of the Greek tongue.⁶³

[ 5 ] Thus Mystery wisdom existed everywhere. In Judaism it acquired the form it had to assume if it was to become a world religion. Judaism awaited the Messiah. It is not surprising that when the personality of a unique initiate appeared, the Jews could only conceive of him as being the Messiah. Indeed, this circumstance sheds light on the fact that what had been an individual concern in the Mysteries became the concern of a whole people. From the beginning the Jewish religion had been a religion of the people. The Jewish people regarded itself as one organism. Its Jao was the God of the whole people. If the Son of this God were to be born he must be the Redeemer of the whole people. The individual mystic was not permitted to be saved by himself; the whole people must share in the redemption. Thus it is rooted in the fundamental ideas of the Jewish religion that One is to die for all.⁶⁴—And it is also certain that there were Mysteries in Judaism which could be brought into the religion of the people, out of the dimness of a secret cult. A fully developed mysticism existed side by side with the priestly wisdom connected with the outer formulas of the Pharisees. This secret Mystery wisdom is described in the same way among the Jews as it is elsewhere. One day when an initiate was speaking of it, his hearers sensed the secret meaning of his words and said, Old man, what hast thou done? O that thou hadst kept silence! Thou thinkest to navigate the boundless ocean without sail or mast. This what thou art attempting. Wilt thou fly upwards? Thou canst not. Wilt thou descend into the depths? An infinite abyss is yawning before thee. The Kabbalists, from whom the above is taken, also speak of four rabbis. These four rabbis sought the secret path to the divine. The first died, the second lost his reason, the third caused tremendous desolation, and on!y the fourth, Rabbi Akiba, entered and returned in peace.⁶⁵

[ 6 ] Thus we see that also in Judaism there was a soil in which an initiate of a unique kind could develop. He needed only say to himself: I will not let salvation be limited to a few chosen people. I will let all people participate in this salvation. He had to carry out into the world at large what the elect had experienced in the temples of the Mysteries. He had to be willing to take it upon himself, through his personality, in spirit, to be to his community what the cult of the Mysteries hitherto had been to those who took part in it. Indeed he could not at once give the experiences of the Mysteries to the whole community. Neither would he have wished to do so. But he wished to give to all the certainty of what in the Mysteries was perceived to be truth. He wished to cause the life which flowed in the Mysteries to flow through the further historical evolution of humanity. Thus he would raise mankind to a higher stage of existence. “Blessed are they that have not seen, and yet believe.” He wished to plant unshakably in human hearts, in the form of faith, the certainty that the divine really exists. A man who stands outside initiation and has this faith certainly will go further than one who is without it. It must have weighed on the heart of Jesus like a nightmare that among those standing outside there may have been many unable to find the way. He wished to lessen the gulf between those to be initiated and the “people.” Christianity was to be a means by which everyone could find the way. If anyone is not yet ready, at least he is not cut off from the possibility of sharing, to a certain degree unconsciously, in the stream flowing through the Mysteries. “The Son of Man is come to seek and to save that which was lost.” Even those who cannot yet participate in initiation may enjoy some of the fruits of the Mysteries. Henceforth the Kingdom of God is not dependent on “external observances”: “Neither shall they say Lo here! or, lo there! for, behold, the kingdom of God is within you.” With Jesus the point in question was not so much how far this or that person advanced in the kingdom of the spirit, as that all should be convinced that such a spiritual kingdom exists. “In this rejoice not, that the spirits are subject unto you; but rather rejoice, because your names are written in heaven.” That is, have faith in the divine; the time will come when you will find it.

• 62a. Adolf Harnack (1851–1930), well-known German professor of theology, editor of Works of the Apostolic Fathers (1877), author of essays on New Testament literature and history, and the Lehrbuch der Dogmengeschichte, History of Dogma, 1885 (English transl. 7 vols. 1894–99). In 1892 he published an important controversial work on the Apostles' Creed, in 1893 a history of early Christianity, in 1900 a very popular work published in English translation as What is Christianity, (referred to by Rudolf Steiner in this book), and a number ot other works, some translated into English, among them being Luke the Physician (1907) and The Sayings of Jesus (1908). Rudolf Steiner frequently referred to the work of Harnack in his lectures.
• 63. Numenius of Apameia in Syria (latter half 2nd century AD), a Neo-Pythagorean philosopher and forerunner of the Neo-Platonists, is one of those reputed to have spoken to this effect, calling Plato “an Atticizing Moses.”
• 64. John 11:50—“Nor consider that it is expedient for us, that one man should die for the people, and that the whole nation perish not.”
• 65. The Talmud, Hagigah, Chapter II, 14 b: “Our Rabbis taught: Four men entered the Garden (the Paradise) (or, ascended to heaven;) ... the first of them cast a look and died ... The second looked and became demented ... The third mutilated the shoots. Rabbi Akiba returned unscathed.” (This translation is from The Soncino Talmud, published by The Soncino Press Ltd., London, and is used by permission of that organization through S. M. Bloch, Director.)

In the wisdom schools of Plato and Pythagoras, students were only allowed to penetrate to the higher sources of knowledge after studying mathematics. Eternal wisdom was only revealed through pure selflessness, and mathematics was the only science that could educate people to this, because it serves no purpose, no selfish satisfaction, and only teaches the pure relationships, the pure laws of the basic forms.

Man's development is a descent from the All-Unity to the particular and a gradual ascent in conscious freedom to the realization of his connection with the All and return to the General. Therefore, from the mental point of view, the dead stone is a model of the higher for man. In it the great connection is still preserved; in it only the law of causality is effective; what sets it in motion, it gives to the outside world. It extends from the mental into the physical, for pure thought is enclosed within it. Its life is only form. Thus the sun, which as a physical image of the Logos is at home in the mind, and the whole mineral kingdom can be regarded as a great laboratory of physical and chemical forces.

With the plant, which has its origin one stage lower, in the astral, life begins and with it the process of isolation. It draws nourishment into itself from outside in order to increase in size; it wants to grow and spread. It is the beginning of egoism. However, the plant can develop one stage higher; it develops from the astral through the physical realm up to the etheric sphere. The animal that arises in the etheric sphere already feels, it not only wants food to grow, it wants to take from the outside world that which creates pleasure for itself and appropriate it. It feels life as pleasure and suffering; it rises and develops to the astral.

And man as such, who has his origin in the physical and, as a creature of nature, has reached the point of perceiving the outside world and perceiving himself as an individual, is at his lowest in his egoism, yet he can elevate himself in thought to the mental sphere, although he can only perceive in the physical, because he lives with his brain and his visible body in the mineral kingdom. But he carries all the elements of the universe within him, he has passed through all the realms, and the powers of all rest in him as principles; he can consciously develop them from within himself. What we see is the physical body, it belongs to the mineral kingdom, but through prana, the life principle, it also lives in the etheric sphere of the plant world, it has its etheric body; and further, it also lives through sensation in the astral world, in its astral body, and through rational perception in the mental world, through the kama-manas principle. In the lower world, man possesses four bodies with the principles. But he is also connected to the higher world, since he has his origin there. He can develop his mental body and advance from the conception of the individual and the many to the idea of the type; he can develop the causal body and ascend to the higher world of the trinity of manas-budhi-atma. In the sphere of Budhi he will form his thoughts out of astral matter, he will be able to create the Mayavi-rupa body, he will live and work out of his causal soul, be a creator himself and become one again with the totality.

This upper trinity, to which man must develop, is, however, in truth deeply hidden within him, it underlies his being; he must liberate it in succession – “As above, so below”. The multiplicity that we see is nothing other than the principle of unity, the Logos, which has dissolved into multiplicity. Disharmony can only arise in multiplicity because the many separateness, which are all parts of the spirit, can come into conflict with each other. When this multiplicity reunites to form a whole, our cosmos becomes a whole again, it becomes the Logos again, harmony. “As above, so below!” – Atma, the highest principle in our cosmos, in our mineral kingdom, to which we count the stars with their orbits and all the stars and all the forces in nature, has at the same time penetrated the deepest into matter; our physical organs are essentially animated and held together by Atma. Atma as the highest principle has its counterpart in the physical realm.

The Budhi principle has only penetrated into the etheric and astral spheres, forming the essence of the plant and animal world, their etheric and astral bodies. When man, originally still in connection with the divine geniuses, forming a whole with them, separated into an individual being in the astral sphere and attained to ego-consciousness through imagination, then Manas, the third principle, descended into the astral sphere: united with Kama, enclosed in the brain of man, he formed his Kama-Manas body. Man has passed through all realms on the descending arc of his development. We carry Atma as a mineral cosmos within us; it is our physical body; Budhi as a living, sentient cosmos in our prana and kamakörper; and Manas, in its connection with Kama, forms our Kama-Manas-body. He is the fourth principle in the lower world and at the same time forms the transition to the higher mental world. It is the connecting bridge to it. When freed from all lower sheaths, manas reunites with budhi in selfless radiance into the universal.

Of all the entities, the human being is most deeply immersed in egoism and a separate existence. He has absorbed everything and carries the whole trinity of Atma-Budhi-Manas within himself. In the mineral kingdom, Atma is spread out; it rests in its entirety in the rock, which is still directly connected to the cosmos. In the plant and animal world, dualism is already present; Budhi penetrates into the etheric and astral worlds, and the plant and animal world is built from life and sensation. Manas, wisdom, hovers above them and brings about the wisdom that is expressed in nature, in the wonderful conformity to law of the structure of all animals' rational actions. But man draws Manas into himself. Wisdom can no longer affect him from the outside. Bound up with Kama, enclosed in his mental body, wisdom is clouded for him. Man is a condensation into the single form of chemical-physical processes that take place in the mineral cosmos. Man is also active in the astral world through his feelings, desires and passions. He ceaselessly creates astral beings in that sphere, which have a truly living, material existence there, because the matter of the astral world consists of surging sensations such as envy, hatred, goodwill, anger and so on. There, the beings created by human feelings lead their special existence as elemental beings; there are also beings from other worlds that require the astral sphere for their development, and then there are the astral bodies of the souls awaiting their human incarnation. Furthermore, there are the devas, who also come from other worlds and often seek to influence people. There are the four Deva-Rajas, who form the physical bodies according to the astral scheme from the four elements of fire, water, air and earth, which the Lipikas, the lords of karma, have formed from the mental substance of the individuality.

The higher development of man depends on conscious concentration and meditation, which must be practiced daily and carried out according to certain rules. By detaching himself daily, in the morning hours, even if only for five minutes, from all impressions of the outside world and directing all his concentration to a revealed thought of eternity, he will gradually connect with the cosmos and take part in its rhythmic movement. Through this consistent daily retreat from the transitory world of appearances, for the short time of his meditation, man gradually ascends to the Arupa sphere. By thinking through a sentence that contains an eternal universal truth, so that it takes on life, the human being draws out its entire content and absorbs it. The control of thought and meditation, strictly practiced daily, must not serve the individual's own education and expansion of the mind; it must be done with the awareness that in doing so we are helping and working with the development of our cosmos. All our uncontrolled, “real” thinking constantly disturbs this regular process. The person who wants to develop his astral senses must also learn to control his feelings and awaken in himself a sense of reverence for the wisdom of highly developed beings; and he must cultivate a devotional surrender, in proper appreciation of the distance to that higher wisdom. Every evening, the person practicing meditation should review the past day, look upon failures without regret or remorse, and learn from them in order to benefit from the experiences and improve. Meditation should not be forced; it should not separate the person from their surroundings or change their usual existence. On the contrary, the person should surrender to their nature without worry. He will learn more from the collection and overview at the end of the day than if he tried to force himself to become a better person.

If man wants to ascend to higher development, where the first Logos flows into the second, he must become a chela and develop the qualities of a chela within himself. He must gradually develop four main qualities within himself:

First: the power of discrimination, the distinction between the permanent and the transitory; that is, man must learn to recognize in the transitory, in that which he perceives, the formative power that is permanent. All things that our senses perceive have an inherent power that seeks crystallization, just as salt, which is dissolved in warm water, [forms crystals when the water cools]. The arable soil is ground crystal, the seed contains the power to become a plant and fruit, and the vertebral bone has the potential to develop into a skullcap. Thus the lancelet, which consists only of the spinal column, is a miniature image of the first living, sentient form in which the Logos manifested itself. The enormous first fish, which consisted only of a gelatinous mass, is the ancestor that carried in its vertebrae the possibility for the development of amphibians, fish, mammals and humans. Thus, the physical human being is to be understood only as a temporary phenomenon that changes its mineral substances daily and whose sense organs will not remain as they are today, but will adapt to the higher human stages of development and carry the power of transformation within themselves.

The second quality to be developed is the appreciation of what is lasting. Knowledge becomes perception. We learn to value what is lasting more highly than what is passing, which increasingly loses its value in our estimation. And so the developing chela is led by the development of the first two qualities to the third by itself, to the development of certain soul abilities.

a) Thought control.

The chela must not allow himself to look at things from only one point of view. We grasp an idea and consider it to be true, while in fact it is only true from that one aspect or point of view; we must later also look at it from the opposite point of view and hold up the reverse side to every obverse. Only in this way do we learn to control one thought with another.

b) Control of actions.

Man lives and acts in the material world and is placed in the temporal. He can only comprehend a small part of the world of phenomena and is bound by his activity to a certain circle of the transitory. Daily meditation helps the chela to focus and control his actions. He will consider only the enduring in them and place value only on the action with which he can helpfully serve the higher development of his fellow human beings. He will lead the abundance of the phenomenal world back to the highest unity.

c) Tolerance.

The chela will not allow himself to be dominated by feelings of attraction and repulsion. He will seek to understand all - criminals and saints - and although he experiences emotionally, he will judge intellectually. What is correctly recognized as evil from one point of view can be judged as necessary and logical from a higher aspect.

d) Tolerance.

Accepting good and bad fortune with equanimity, not letting them become determining powers that can influence us. Not letting joy and pain push us out of our direction. Keeping oneself free from all external influences and influxes and asserting one's own direction.

e) Faith.

The chela should have a free, open, unbiased heart for the higher spiritual. Even where he does not immediately recognize a higher truth, he should have faith until he can make it his own through knowledge. If he wanted to proceed according to the principle of “testing everything and keeping the best,” he would apply his judgment as a standard and place himself above the higher spiritual, closing himself to its penetration.

f) Equilibrium.

The last soul ability would result as the outcome of all the others as equilibrium, as a sense of direction, soul balance. The chela gives direction to himself.

And so he would now have to develop the fourth quality within himself: the will to freedom, to the ideal. As long as we still live in the physical, we cannot attain full freedom, but we can develop the will to freedom within us, strive towards the ideal. We can free ourselves from external circumstances and no longer react to external impulses, but make the law within us, the enduring, the guiding principle of our thinking and acting, living not in the passing personality, but in our individuality, which is enduring and strives for unity.

The name Lucifer inspires a slight sense of dread in some, and is usually associated with notions of antipathy. Is this justified? The name Lucifer means: light bearer, light bringer. Medieval beliefs were different, but for those who have studied the deep knowledge of the world, Lucifer actually denotes something quite different.

Spiritual beings play a role in human life. The religions of the East speak of deva and dhyani chohan, the more Western religions, such as Christianity, speak of angels and archangels. To those who are familiar with the spiritual worlds, they represent something true and real. Higher beings play a role in human life. Lucifer is also understood to be among the guiding personalities, the leading or seducing ones.

Here we must be clear about dualism – duality – which plays a role in all areas of life. The ancients, including Pythagoras, speak of this duality: light and darkness, male and female, positive and negative magnetism, and we could cite many more such dualities. – When we make a glass rod electrically positive by rubbing it, we simultaneously make the rubbing material electrically negative. The electricity of glass and that of the rubbed material are related to each other as light is to darkness. In the Persian creation myth, we find Ormuzd and Ahriman: good deity, evil deity. Everything that drives the world forward is done by the good god, while everything that hinders it is withdrawn by the evil god. They place man in the middle.

Remember that everything in the world has a good and an evil side. What do human beings, with their culture, not owe to fire. And on the other hand, how destructive the power of fire can be in volcanic phenomena. Germany's great poet Schiller sang gloriously about this in “The Bell”: “Beneficial is the power of fire...” and so on.

This duality also works in man himself. For centuries, the one principle was seen as evil. A distinction was made between divine - good, and luciferic - evil. In the story of creation, the luciferic principle was represented as a snake. Man had to grow out of a dull nature, so the snake came and opened his eyes to good and evil, and thus another principle was opposed to the divine one. The ancient Indians called the Rishis a snake.

We have to go much deeper into the development of the human soul to see what reality underlies the Lucifer principle. In more recent times, views on this have undergone changes. These were already evident in the old Faust saga. Goethe reshaped it to meet human needs. Faust not only wanted to immerse himself in divine science, he also wanted to make a covenant with evil powers. Then he no longer wanted to approach theology, he wanted to remain a medical doctor. He put the Bible behind the bench and that was considered a reason to fall into the hands of evil forces. In Goethe's work, the crux of the matter is in the second part of Faust: “Whoever strives, we can redeem.” So it is not something destructive, but rather a power is evoked that is not opposed to the deity.

If we want to understand this power, we must realize how man fits into the world around him. Man forms one of the kingdoms; alongside him we have the mineral kingdom, the vegetable kingdom and the animal kingdom. Man perceives himself as a self-aware being and carries within himself all these kingdoms; he is the bearer of all these natures. He has a physical body in common with the mineral, and he also shares the etheric or life body with the plant. Through his world of feelings, which, as the astral body, is the carrier of passions, instincts, desires, he has something in common with the animal. Thus, man is in an interdependent relationship with the three realms.

Man can only sustain his life by breathing. He draws in the air of life – oxygen – into himself, combines the latter with carbon in his body and exhales this poison – carbonic acid. But man and animal could not live if the plant did not continually renew this air of life. Man and animal owe the possibility of life to the plant. The plant owes it to the mineral. It is only logical to extend this chain of development beyond man, not only to lower beings but also to higher ones. Just as man belongs to lower beings, so he also belongs to higher ones. The fact that man does not see higher beings is no reason why they should not exist. Higher senses can bring man this perception.

Man is first of all a tetrad: physical body, etheric body, astral body and the I. He is a developing being. How does his development take place? A savage still follows his animal instincts, he follows every urge; the one who is higher up only follows certain urges, and those who are very high up, let us say, for example, Schiller or Francis of Assisi, follow even fewer of the lower urges, but transform them into ideals. This results in an upward development of the astral body. The inferior man also has an astral body, but he has done little work in it. A superior man raises his astral body from the animal stage to a higher, nobler and more perfect form. The astral body consists of two parts: what other entities have given him, and what he himself has worked into it. That which he has worked into it himself, we call “Manas”, spirit self, and we thus designate the fifth limb of man. Manas is nothing other than the transformed astral body. But man can do much more than transform his astral body. An undeveloped person knows nothing of morality, law, logic; he has developed little Manas.

But there are even deeper changes. In the ninth and tenth centuries, people did not all have such perfect ideas, but much of what they had learned was incorporated into their astral bodies, because it is the carrier of everything we can learn in the world. What we learn changes quickly, but habits and temperaments change more slowly. We could compare what changes quickly with the minute hand of a clock and what changes more slowly with the hour hand. But there is also the opportunity to change what we are used to, and in doing so we change the etheric or life body: because it is denser, it makes it more difficult for the ego to change. As much as the human being changes his etheric body, so much 'budi' arises in him. Religions are instructions on how to work “Budhi” into the etheric body, while morality only changes the astral body. In the highest sense, art does the same as religions.

Thus you can now find the human being with six limbs, even if manas and budhi are only present in him in a germinal state. But there is already secret training that develops the etheric body. What is taught to the individual is doctrine; what transforms humanity is an influence on the budhi, is secret training. A chela, an occult disciple, works in his etheric body.

But what is hardly present in the seed is the Atman. It is such a strong power that a person can work with it right into his physical body. What can a person do in his physical body today? A person who can develop as an artistic human being, as a chela, can become master of his habits. But the person who has worked this seventh link, this Atman, into himself, also learns to control his pulse. And with this, he becomes partaker of the eternal. This is an achievement of mastery.

Now we see the human being with manas, budhi and atman. We now know that man, we said the I, stands in relation to the three lower realms, and now we see that he stands in relation to a realm above him, the divine realm, through what he has worked into himself as Manas. In this divine realm we have to seek the Elohim, divine spirits, of whom the Bible, as Jehovah, names one.

Through his Manas, his spiritual self, man is linked to the higher worlds. Therefore, we speak of man as one who is becoming, an evolving God. Christ Jesus says, “You are gods.” (John 10:34) Man will one day look back on his present spiritual level and he will feel like a human being who has grown out of it completely.

If we believe in evolution, we must also consider this for other beings, and looking back, we see that our older brothers, the Elohim, with them Jehovah, on an earlier planet or on the earlier embodiment of the earth, occupied the same stage that man now occupies on the present embodiment of the earth. The law of embodiment is not only the basis of man, but of all beings. Goethe speaks of the Earth Spirit: “In the flood of life, in the storm of action, I surge up and down,” and so on. The Earth was seen by individuals as a spiritual being and man as its members. The Earth was often embodied and in its previous embodiment it brought the present gods to the level of man. And in a later incarnation, the present-day human being will take on the level of his older brothers, the Elohim or gods. God, the Nameless, the Unfathomable, is not spoken of here. Elohim or Deva, better translated into German as: spirits.

To illustrate this “progressive” view, I will give an albeit trivial example: just as a student passes through different classes, the class that present humanity is going through is what the gods went through in their previous incarnation on Earth. Students also remain in classes, and so there were beings that did not go through this class completely.

Where do they stand today between humans and gods? They are higher beings than humans, but lower than the gods. In a sense, they are familiar with humans. The following law exists: Each of the basic parts of the human being is developed in an incarnation on earth. In the present incarnation on earth, the manas is developing; in the earlier incarnation, the astral body. The essential thing in this development on earth was that man has changed his entire astral body, that he no longer has anything of the animal in him. Through the development of the manas, he can enter into contact with manasic beings. Only when the atman is developed can he develop independently. Today, older brothers work, later still older ones in budhi and still older ones in atman. The higher spirits that have remained are related to the human astral body. They have already tasted of the Divine. Just as in Manas, demigods also help us to assert ourselves and to glow with the Divine. We would remain trapped in lower instincts if it were not for this stimulation. Thus the passions are transformed into higher instincts. There would only be a barren realm of moral principles, but they would not pulsate in man.

The Old Testament has wonderfully developed this law. The entities that evoke enthusiasm, the glow of love for the manasic, are called Luciferic entities. Thus, Lucifer is the one who evokes the astral passion for the divine in man. He thus arouses in him the desire to learn to love the divine, not as a duty, but as an inclination. He adds independence to submission. He is the instigator of human freedom.

Man becomes free only by following the divine out of his own urge. This is reflected in the biblical story of creation. God guided man, he could not choose. Then the serpent came, and the thought came into man, not only to live in God is desirable, but to become God himself, to carry the image of the deity in [himself] as a personality. Through Lucifer — biblically expressed through the serpent — the human body became the light bearer, as Lucifer himself was the light bearer, until Christ entered the world as “I am the light of the world” (John 8:12) and realized the principle of love for the divine. External knowledge, knowing what the laws of the world are, now seems dull to man. This external knowledge should grasp our inner being, should intervene directly as theosophy, as an independent inner experience. This is how Lucifer anchors himself in man. This research is called the school of Luciferian striving. These people are called: children of Lucifer.

If the gods gave science, Lucifer gave enthusiasm.

God: Revelation.

Lucifer: freedom.

We have a filial relationship with God; Lucifer awakened the feeling of being an independent being, of freedom. Devotion was a voluntary sacrifice. As everywhere, there must be a duality: God and Lucifer.

Thus, the Luciferic entities have not been left behind for no reason. They are those who strive to lead us to the divine by our own free choice. To do so, man must also have the opportunity to be evil. He can certainly become divine without it, but only through free choice.

If the Supreme is to be free, then it must be anchored in the other nature. In this way, God and luciferic entities work towards perfection and freedom.

Question & Answer: Question: [What does the] sphinx mean?

Rudolf Steiner: What the mind is trying to grasp today is nothing new as a concept. The pyramids represent the ancient views of our ancestors: there are four lines on which they stand = the fourfold nature of the human being, physical body, etheric body, astral body with the I. That is the foundation. Above it rises the triangle, representing the three basic parts that the ego works out of the four: Atman, Budhi, Manas. The trinity is not yet complete. If you want to feel this, then you must look at the sphinx. She represents the lower nature and from the eye the riddle of future development radiates towards you. In it, man prophetically seeks his future.

Question: [Not handed down.]

Rudolf Steiner: There are two writings – they are not actually writings in the strict sense – one is kept by a religious community, a church in secret, the other is kept by a master, a great leader of humanity.

Whether this applies to Romance and Germanic peoples is not necessary to discuss further here. It is a disaster for a people when those who are or are supposed to be leaders speak a different language and have different thoughts. Today there is one area where such a gap exists: it is the area of religious life. I will speak of the basis of this religious gap: the Bible.

Questions that occupy all people are: Where do people come from, what is the meaning, the goal of life, what is the essence and what is its form? Endless layers seek the solution to such questions in the Bible; but precisely what matters, the living feeling and attitude to the Bible, is lacking. There is a gulf between the theologians who study the Bible and the believers, and when someone says, “We want it to close,” for the time being it is only a wish. There are enough reasons, even without resorting to mysticism and occultism, to believe that the gulf is widening. There comes a time when teachers and believers no longer understand each other. People usually do not realize how great this gap is. Teachers of the past, who studied the Bible, based their teachings on the highest truths. There was a sense that what the Bible contains is something unspeakably high, that one is wise at the beginning, becomes wiser as one understands more and more. Teachers were formed through this wisdom-filled study of the Bible, and there were teachers. Those who listened, who listened intently, felt that this was where wisdom could be found. This is not to say that there are no such men today.

If we look back 150 years, there was still something of that feeling towards the Bible, a feeling of sacred awe, that such writing should be treated quite differently. Goethe was also familiar with this. Today, all this seems difficult to understand. We must realize that the spirit of materialism is not very intrusive where it appears as theoretical materialism. We see this in Haeckel's views. These are not the worst. The worst is the one that guides people to understand things materially and to see only what is tangible and to overlook the meaning behind it.

We want to touch on two things: biblical criticism and inspiration.

Tell a materialist about inspiration and he will laugh at you. Nevertheless, it is the current that we now call theosophical that is reawakening the dulled sense of the concept of inspiration. Inspiration, that is, inspiration from a higher world, would take a different position on what is in the Bible than on another book. The writer of those books was a point of passage, a conduit for the transmission of higher knowledge. This is a crude way of expressing the concept of inspiration, which is completely misunderstood, even in theology. Materialistic believers have suffered the greatest harm.

We will now only talk about what some Bible scholars say. Older and newer ones state that certain statements are made to us that prove that Moses could not have written the books in question, that passages must have been written centuries after Moses, that therefore the passages in question cannot be from him. I will mention one example that most likely makes people head shy. It is the twofold account of the creation of man. First it says: God created man male and female (Gen. 1:27). To make it quite clear: it does not say male and female. Then it says that God created man first and then the woman, his rib (Gen. 1:21-22). What is the basis for this? This is particularly characteristic. It was said that one and the same personality could not give rise to two different descriptions, so they must have been welded together.

So they searched the Bible for contradictions. Furthermore, they found certain differences in style and expression, so they concluded again that these are different sources and that some collector has combined both.

Let us take the six- or seven-day work. It presents in lofty thoughts the creation of the world from the first formation to the day on which God rested. It is a cosmic work that points out to us in vivid terms and intense images that we are dealing with an ancient document of inspiration. The creation of Adam, the leading to the animals, Eve's fall into sin, the snake as a symbol of sin (Genesis 3) led to the assumption that the six- or seven-day work came from a different source. Supercritical Bible researchers found the two designations: Elohists and Jahvehists; others found other discrepancies, so that finally it became clear what is now called the Rainbow Bible.

Thus the Bible work is fragmented. Now you may think that my word should be Bible criticism. That is not the case at all. I only know that in few areas so much diligence, ingenuity and intellect has been applied as to the fragmentation of the Bible. The original fervor, the devotion to this book, as inspiration from another world, has suffered. Now it is necessary to shine a light into this cleft in order to bring it back together again. It depends on the meaning behind it. I would like to use an example to illustrate the state of the art of this question. I will use a simple experience - I have experienced it - to explain. For many years I worked in the Goethe Archive in Weimar. In the records Goethe organized in the 1880s, there was a foreign transcript whose content he mistook for his own thoughts. However, he could not remember how he came to have this essay. When I came to Weimar in 1889, there were doubts that the essay was actually by Goethe. It was a scholarly question. I was able to prove that at that time Goethe had a man by the name of Tobler at his side, of whom Goethe said that he had an excellent memory. I thought that this settled the question; Goethe expressed the thoughts that Tobler wrote down, and so Goethe is the author. It is the passage that you find in the last Goethe volume: “Nature we are” and so on to the final sentence “Love is the crown”. A famous Goethe scholar – I won't mention any names, we owe him a great debt of gratitude – was keen to prove that the ink for these words had not flowed from Goethe's pen. It is not a sufficient comparison, but it is similar to biblical research. Efforts are made to prove when the content was created historically, factually, sensually, because thinking has a materialistic tendency. The sense of the spirit has been lost.

Now something else has to be added. Again, I can best make it clear with an example. Take geometry, this very ordinary school geometry. You can understand it from itself. You do not need to know how it came about. What does a schoolboy know about Euclid? What do we care who wrote it first? What matters is to explore it. When a learned house for all languages, which knows nothing about geometry, approaches Euclid, he is not yet explored by that. So something monstrous can come out at times. No philologist, no matter how famous, will understand Vedanta philosophy just because he is a philologist. If you know geometry, you know Euclid.

The question that now arises is: Is there any possibility at all of investigating the Bible? One must first know the worlds of which the Bible speaks, only then is one a qualified investigator. Is there access to the great riddles of existence? This is the path followed by the theosophical worldview. Just as there are ways to understand geometry, there are means and ways to penetrate into the spiritual world. A number of people are already walking these paths; they are seeking wisdom about the higher worlds. The result is that with each step one takes, the old religious documents arise before him in ever new forms. What does it matter from which sources, if we have the truth?

You know that for theosophical views, this world that we can see and touch is considered one world. This world would be different for us if we had other senses. Fichte once used the example: Imagine you are the only seeing person among blind people and enter the world of people who only grope around. You would be considered a fantasist if you still ascribed the quality of color to things. No one has the right to say that something is not. A person's perception depends on their organs, and how many of them they have.

Through the principle of initiation, an inner sense reveals itself to man, and with it the next world opens up to him, the imaginative or astral world, so called because it works in images. This pictorial consciousness can be tapped into. Those who apply the method described will enter this world. There is nothing, absolutely nothing of magic about it. The imaginative world presents itself as a flowing sea of light and color. These are not mere spots, but clearly defined forms, inwardly glowing and bright. So you rise to the world from which you come.

Develop these organs further and you will enter the world of inspiration. The School of Pythagoras called this world the harmony of the spheres. This is not an image, it is reality. It is not a sensual sound. Goethe and others point to this harmony of the spheres. Christianity calls it the Kingdom of Heaven or the Heavenly Kingdom. Goethe has his Faust say: “The sun resounds in the ancient way” and so on. That is not a poetic image. He knew that this was how to describe the characteristic. In the second part, Goethe says, “Sounds for spiritual ears” and so on, and by that he means the same thing.

This, then, is the world of inspiration, and beyond that is the world of intuition. There, there is an experience of the “thing in itself”, as our great philosopher Kant called it. There, love is something much higher, there is a merging with things.

Those who engage with the meaning of the concept of inspiration know what it means. In this way, a person can go through the world in his development. First, with the sensual eyes and the physical mind, the materialistic development of the human being begins. His astral development preceded this. Just as ice is related to water – water in another form – so your body is soul. Before it took on this form, it was merely soul. You lived in a world that can only be perceived by the imaginative senses. If you examine the world only with the outer senses, you can describe what Haeckel describes. It is all true, but only insofar as the ice remains only ice.

Go back even further, and the human soul was not yet condensed into the physical. The line does not end with imaginative knowledge. The soul has lived much earlier and comes to a point in its development that opens up the soul of man. Imagine this development in such a way that the soul lived separately because the physical world was not yet ready to offer it a suitable body. The world was a kind of stream in which the human being floated.

What enabled man to reclassify? A very specific organ, a kind of swim bladder was transformed into lungs. These were the times when the body became capable of being a condensed soul. In the Bible this is referred to as: “God breathed into the man the breath of life and he was a living soul.” (Genesis 2:7) There is an even higher world than that of inspiration. If we go even further, man was spirit. The body is a condensed soul; the soul is a condensed spirit.

As soon as one enters inspiration from imagination, male and female disappear. The Bible says: God created man male and female – undifferentiated. (Genesis 1:27) They all were in the spiritual body. Even without taking the Bible into consideration, we can establish this. Anyone who approaches the Bible quite freely today will feel it literally.

There are four possible attitudes towards the Bible:

1. The naive person takes it as it is offered to him.
2. the enlightened person sees it as a childish folk fantasy. These are the freethinkers. But some of them, and one of their most important representatives, Bruno Wille, has come to a symbolic interpretation.
3. Those who are beyond cleverness find a mystical-symbolic meaning for the Bible.
4. The theosophist adopts a literal interpretation.

Then comes the time when the person says to himself, “Now you are beginning to understand some of it.” One comes to assume that where one cannot keep up, one just does not yet understand. The Bible is conquered in such a way that the gap is filled again, and those who create the means to do so are inspired men. Those who grasped this initially did so under the influence of inspiration. We are heading towards a new conquest of the Bible and a new relationship between wisdom and the Bible.

Today, it is our turn to explain the relationship between the Bible and wisdom in more detail, but first we need to discuss the “Old Testament” some more. Yesterday, we only mentioned the creation of man and the important passage: God breathed into the man and so on. (Genesis 2:7) Today, we want to try to penetrate the content of the original source of the Bible. So let us first consider what may arouse wonderment in people. It is useful to pick out individual facts. The long lives of the patriarchs in the Bible can arouse amazement. The material scientist would of course say: that is not possible. A theosophy that indulges in generalizing a concept says: Adam, Seth and Enoch are not to be understood as individual people, but as tribes; thus, they are names of tribes. It is not that simple. We have to go deeper into the laws of life. We have to refrain once and for all from symbolizing and allegorizing, and not ask: What does it mean?

I have already spoken to you about the cause of this old age in another context. At the time, I cited a conversation between two poets, Anzengruber and Rosegger. You know Rosegger's charming description of the mountain people. Everything he presents to us has been carefully observed. When you see Anzengruber's plays, you see farmers who stand firmly on their feet. Now something very strange. Anzengruber never lived among farmers. He lived in the city and didn't like to go out. Rosegger said to him: If you would observe the farmers more closely, you would be able to describe them much better. Anzengruber replied: I have never seen farmers, but my father, mother, grandparents were farmers, and that has remained in my blood and rumbles in me.

Direct inheritance seems much more vivid than when the blood is mixed. This is still the case today when a son comes from unmixed blood. In the past, this was the case to a high degree; it was not only in the imagination. In the old days, people did not marry outside their tribe. It was considered a great sin to step outside the blood. In all ancient peoples you find sagas and structures where breaking this commandment had to be atoned for. No blood brotherhood existed among ancient peoples, and what was in the blood was a completely different power. In those days, consanguinity brought with it a kind of clairvoyance. Today that has passed, today it would even cause harm. This clairvoyance was expressed in such a way that one not only lived in the imagination, but one had real memories that went back a long way. Just as you remember your youth today, so one remembered events from the life of the father, grandfather and great-grandfather. Today's man does not believe that. At that time, what the father had done was felt as: I have done it. For today, this is a highly wonderful situation. Thus, what was the experiences of the fathers, as in Anzengruber, passed into the memory. You could have felt your father as your self at that time, so that you did not say “I” to yourself, but you took father, mother, grandfather and great-grandfather all together as “I”, you felt the whole generation as “I”. So Adam was everything that people felt for centuries as a common consciousness, patriarchs are a whole generation embracing self-awareness. You have to know that consciousness arose through blood-brotherly memory. This is how we understand those statements in the Bible, and a great wisdom is revealed to us. So I could explain from chapter to chapter how theosophy is based on our religious feeling.

And now from the “Old Testament” to the “New”, to the actual Gospel. We distinguish the time before Christ Jesus and the time after Christ Jesus. The coming of Christ Jesus into this world is the most significant, most powerful event in the development of humanity. Something completely new occurred there. Recent research has gradually unraveled the Gospels. Contradictions were sought and these have done little to further understanding. What confusion would such a dissection of the Apocalypse create, for example? I will mention only one fact here: the secret revelation of John was seen by Bible researchers as a prophecy of future events of humanity, or even of past ones. For example, some said that the presbyter John lived after Nero and only wrote what happened in terms of earthquakes, plagues and so on. Now I still want to point out a remarkable passage where great events and upheavals were brought about by a beast. The number of this beast is a human number, “666”. The researchers have heard something ringing here; they have heard that things have been expressed through numbers, certain names, forms. There was a possibility of using the alphabet as numbers. This was the practice in certain secret schools. Now researchers have found out, diligent, hard-working researchers, that Nero is supposed to mean the beast, just to avoid believing that there is something spiritual behind it. They simply did not know what it was. The true theosophist must first learn wisdom to understand the meaning of the Bible.

666 is composed of 400, 200, 60 and 6. This means or is called: Sorat. This also has a specific sign: a staff with two wings or ram horns. (Rev 13:11) That is the sign for this being. Spiritual science sees in everything not only a material but also a spiritual essence; for example, the sun is the body of the sun soul. For spiritual science, it is the spirit that moves people forward; its opponent is Sorat – 666. The Book of Revelation says: This beast has two horns, like a lamb or a ram. If you know these things, then you also know what the writer says. You see that you first have to know what it is about, and this requires wisdom.

Augustine, the recognized church teacher of various denominations, said an important sentence regarding the secular position of Christianity: “What is called Christianity has always been there, only that the true religion, which has always existed, has been understood in different ways.

But where did Christianity live before Christ Jesus appeared? In the mystery. What was mystery? That which is today called a church, school or art institution. The knowledge of things was used as a preparation to then serve as an introduction to understanding, just as the divine spirit bent down and ascended again. There one also learned to listen to the secrets of world existence expressed in sounds. Richard Wagner felt this again and tried to reproduce it. Such schools existed, and each person was first tested to see if they were capable of being gradually introduced to a tangible self-awareness through their comprehension, feeling, and understanding. This was the initiation or initiation. There were different levels, because people progressed to different degrees. One thing was necessary: that one went through a prescribed course of development, and this was passed on in the schools of the initiated. The different levels had different names:

1st stage: the Ravens.
2nd degree: the Occultists.
3rd degree: the fighters.
4th level: the lions.
5th stage: had a national name, for example, Persians. Christ says of Nathanael: true Israelite. (John 1: 47)
6th stage: the sun hero (son). 7th stage: one did not say (father).

Let us take one of the 6th stage, a sun hero. His life was as it has been for thousands of years. He could no more stray from his prescribed path than the sun can step out of its orbit, and so he follows the strictly harmonious world orbits. If he were to step out, an unimaginable disaster would occur, as if the sun were to step out. In ancient, ancient legends, there is talk of solar heroes: Hermes, Buddha, Zarathustra, Pythagoras; even in Germanic countries: Siegfried, with a few changes, a basic type. Why is that? Because in those days the process was exactly the opposite of what it is today. The old principle was: not to concern oneself with everyday matters, but to seek the essential. At that time, one described what one had to go through for initiation. The prescribed life of a thousand years was the description of life. Hermes had lived according to this prescription, and thus, when he described his life, he described what others had already experienced before him.

We will better understand the matter if we understand the meaning of the stages: one was used to form the character, another brought the phenomena of the astral world closer, and others brought explorations of even higher worlds. When one had grasped that at the time, then something special occurred. Then there was a final act of initiation. The initiate, through the initiated hierophant, was brought into a state in which the body was dead for three and a half days. The etheric and astral bodies were drawn out and wandered around in the spiritual worlds, guided by the high priest-hierophant. Then they were led back into the body and the person received a new name. Now he knew from his own experience what happens in the spiritual worlds, and was now reborn. He could bear witness that the spiritual life conquers death. Every time a person came back into the body, he woke up with the cry: “My God, my God, how you have glorified me.

Only those who achieved the victory of life over death could attain knowledge. This has happened over and over again in the secret schools of spirituality. This process has been veiled.

Compare this with the description of the life of Christ Jesus. In his case, what happened within in the mysteries took physical appearance. First came the test by the wise man, then came the baptism, and finally he was placed in a coffin similar to a cross. Outwardly, this took place historically in the Mystery of Golgotha. Some do not want to understand this and say, “You interpret it that way and take it as a historical event.”

The hanging on the cross is the outer representation of what previously applied prophetically to the initiated; a deep meaning that is mystically and historically true at the same time. It is as if you were entering a temple of art, where a drama depicts the year 1920 and what was seen would later come true. Before that, the mysteries depicted what later happened in the life of Christ Jesus. Those who described this life brought over ancient initiatory traditions from prophetic mysteries. Such a solar hero had to live according to the rules of initiation. They existed for thousands and thousands of years and therefore the same applied to the Gospels. Hence the great agreement, the exclamation: my God, my God, how hast thou glorified me, or: how hast thou forsaken me, looks very similar in writing and pronunciation. So Augustine could say: Christianity is the true religion.

The saying, “Blessed are they that have not seen, and yet have come to believe” (John 20:29), referred to the vision of the initiates. Thus the Gospels are the same as the ancient books of initiation. They existed before Christ Jesus. But He lived through them in the physical world, because the mighty power of this unique personality made it possible. Thus Christianity appears to us as the fulfillment of ancient wisdom, and in the Bible we have what could be experienced in the initiations, the wisdom of the initiates.

The simple person who simply approaches the Bible builds his heart on it, and with fervor he feels the wisdom that underlies it all. No one would feel this wisdom if wisdom did not bring the Bible about.

Today, with a few exceptions, people are no longer able to approach it with faith. A new understanding of the Bible must now be opened up. I will give you a comparison here. In the Middle Ages, people swore by the books of Aristotle. Galileo could not do that. He was the first to perform an autopsy on a human body and to show that certain nerves originate in the brain and not, as Aristotle taught, in the heart. At that time, things really contradicted each other, and Galilei said: Get rid of the whole of Aristotle. — What about today? What Aristotle called a nerve was not a nerve at all, and so Aristotle was proved right again. First you have to go to the things themselves, then you come back to Aristotle.

The same thing must happen with regard to the Bible. What he himself sees, imagined inspiration – figuratively presenting inspiration, independent of any book, describes the spiritual researcher, and we can thus assume that what he himself sees is literally written correctly. When we understand this, great reverence for this book arises, and we feel that this Redeemer's life was truly written by inspiration.

Through such an achievement, our relationship to the spiritual worlds will change, and we will learn to look up to the inspired with great reverence. First, a bridge must be found to those who are exploring the wisdom of the Bible. The teacher will be wiser, the listener more fervent – the hearts of teachers and believers will resonate. That will be the success of Theosophy:

two things will come:

1. wisdom independent of the Bible,
2. How

Thus the book that used to be sacred will become sacred to us again, and so a true spiritual movement will be the reconquest of the ancient wisdom taught by the Bible. Through the Bible, the most free knowledge and true progress must be made fruitful again for religious life through theosophy. Questions

Question: [Not handed down].

Rudolf Steiner: Everything is in development, including the I. This I has emerged from a group I. Just as the finger of your hand does not feel itself as an I, so the human being at that time felt itself as a group I.

Question: [Not handed down].

Rudolf Steiner: There are personalities who were contemporaries of Christ Jesus. There are no historical sources about him. One passage in Josephus is a forgery; and so is one in Tacitus. Historians therefore say: There is no testimony of this Christ Jesus.

In our time there are deeply initiated people; but if someone wanted to prove historically whether there were initiates after 1900 years, they would find nothing about the initiates. But today there are personalities who were contemporaries who know and can testify that they stood eye to eye with Christ Jesus.

Question: Does keeping silent develop certain powers?

Rudolf Steiner: Through the suppression of certain words that are not said. Certain religious communities are led according to certain basic laws. The Trappists know full well that whoever is a good man of silence now will be a good speaker in the next incarnation.

We have heard that the Atlanteans were still consciously at home in the spiritual world where they experienced day consciousness. So-called night consciousness was experienced in the physical world. We have subsequently followed the descent of humanity during the post-Atlantean era through the different cultural-epochs up to the Greco-Latin when Christ Jesus appeared on the earth.

We will now once again study our own time, the fifth cultural epoch. Because men's intelligence today is being directed solely to the physical plane, humanity has descended far more deeply into the physical world than was the case during the other main epochs of culture. Materialism has led to a tremendous upsurge of intellectual power and activity, with merely the satisfaction of physical needs in view. The typical hallmark of our epoch has crystallized, for example, in the department store. The culture of the present age works only for the needs of the physical plane, but it works with a subtlety hitherto unachieved. It is therefore clear to occultism why the contrast between religion and science, expressed as it is in the many different movements is so great and the cleft between them so wide. The conflict between religion and science, under which art also suffers, is always in evidence when the level of culture declines. This can be detected in the science of today, which has become irrevocably entangled in a materialistic and abstract mode of thinking. Philosophy is not something absolute but a mode of thinking that has come into existence in the course of evolution; it has certain antecedents and must be amenable to change. Before philosophical thinking, (which originated in the sixth century B.C. among the Greeks,) came into existence, the kind of knowledge then current was an extract of the wisdom contained in the Mysteries. The source of this wisdom was inner experience in the soul, experience in which the secrets of world happenings were revealed. When the human soul lost the ancient faculty of intuitive vision the intellectual analysis of sensory and soul perceptions began. But in the early days, through inner vision that was still possible for the philosophers, or through tradition, they still knew of the existence of the old Mystery wisdom and applied to it the intellectual faculty that was then developing. Seership was still the source of the wisdom of Pythagoras and Plato; Aristotle, the founder of logic, was the first to apply the technique of pure thought. Aristotelianism dominated thought throughout the Middle Ages, experiencing its heyday in Scholasticism. But an abyss gradually opened between knowledge and faith. Between reason and its mental technique on the one side and super-sensible truth on the other, a cleft arose, finding its ultimate expression in Kant. There is to be found in Kant and his philosophy one of the blind alleys into which materialistic thinking had led, and Kant, unfortunately, was the one who fertilized the whole of modern philosophy.

But it is not with the object of criticizing modern science that the spiritual investigator draws attention to such facts. He reveals them in order to shed light on the path that can lead away from the fossilizing of thoughts. There is only one solution, which is that science, art and religion, the three branches of culture, must again be united and mutually enrich each other; spiritual life must stream from them. To achieve this union is the task of Western spiritual science. It must establish harmony between faith and knowledge, the two aspects that the soul can no longer unite within itself. Even in our material. world nothing whatever takes place in which the spiritual is not an active factor. The spiritual is always the creator of the physical. The much vaunted philosophical pragmatism of James can only be designated as pseudo-spirituality, having a materialistic conception of the spiritual. For all that, however, it has also done a certain amount of good.

Our epoch places stress on the tremendous importance of heredity. In reference to this it must be said, from the point of view of the science of the spirit, which regards the physical as a product of the spiritual, that in the pathological manifestations attributed to heredity the spiritual is being obstructed by the physical and cannot take effect. But the spirit has, after all, only descended into physical matter and will ascend again when its experiences in the physical have been gathered. Everything in the world is in process of evolution, so too physical man and his organs. We know that man's physical body contains organs that today no longer function. They are organs of the past, the remnants of which we still bear within us. We also have within us the foundations for organs of the future, organs that today are in process of transition or transformation. First and foremost of these organs is the human heart, which contains striated muscle. The heart is a veritable nightmare for materialistic anatomy because it is an involuntary organ that consists of smooth as well as striated muscle, which is to be found in all voluntary organs in man. In point of fact, unsuspected by science, it is an organ of the future and is on the way to becoming a voluntary organ in the human being. In the initiate today it has already developed. The larynx, too, is an organ of the future, connected with the deep mystery of procreation. There is an indication of this at the present time in the break of the voice at puberty. In the far distant future, man will “utter” his offspring into existence, for the larynx will become a creative organ. The future of humanity lies in giving shape to the soul and spiritual in material forms. Man is on the way to spiritualization, in order to work ever more consciously at the transformation of his bodies. It behoves us to engender strength for this future task by adopting a spiritual conception of the world. Moreover, the feeling of becoming collaborators in this glorious evolution should fill us with happiness and vigor.

Let me now say a few words about the the great cosmic laws of karma and reincarnation. On Old Moon these laws were not yet in existence. The beginning of a process of reincarnation such as exists at present can first be spoken of when the ego is being incorporated into the earth, that is to say, from the middle of the Lemurian epoch until the middle of the Atlantean. For the animal, whose ego is the group soul, there is even today no reincarnation. The connection between an animal species and the ego belonging to it is to be found in the astral world. For the group soul of lions, for example, the death of a lion here on the physical plane means as much as it means to you to cut a fingernail. A lion is at first an astral structure, reaching down like a strand from the group soul; it descends to the physical plane, densifies, and at the death of the individual lion this astrality passes back again to the astral plane. The group soul draws it in again like a limb. On Old Moon the human soul underwent the same process. The human soul was then a member of its group soul and returned to it. The soul, as the Bible puts it, is sheltered in the bosom of Father Abraham.

Reincarnation and karma first began to have meaning during the Lemurian epoch and in time will cease to have significance. Man will then enter permanently into a spiritual world in which he will continue to be active. When, for example, man has developed the impulse of brotherliness in himself, the growth of races will cease, will be overcome. In the sixth cultural epoch, human beings will already understand better how to arrange their lives; concepts of race will no longer have validity. Men will no longer order their lives according to external, physical considerations but rather on a spiritual basis. In the seventh cultural epoch, which will reflect that of ancient India, there will once again be distribution into castes, but a voluntary distribution. Changes in the process of evolution constantly take place, yet continual progress is certain. In the Atlantean epoch, the middle epoch of our earth's evolution, the significant point occurred that is designated by the now complete penetration of the ego into man's physical body. The process began in the middle of the Lemurian epoch after the exit of the moon from the earth. Humanity has continued to evolve and when the concept of brotherliness finds practical fulfilment on the earth, races will be superseded. Karma will also then be overcome.

What is the law of karma? The principle of making good in a subsequent incarnation what was reprehensible in a preceding one. Differentiation must be made between karma that takes effect inwardly and one that has more external results. Karma taking effect inwardly is connected with the forming of character, talents and habits. Karma that manifests in more external ways takes the form of the conditions of life in which a man is placed, such as family, nationality and so forth. We will now consider more closely how karma works in physical life. For example, what appears in one life as urge or impulse, desire and ideation, emerges in the next life, or one of the following lives, as habit. From good habits a fine, well-knit, healthy physical body will come into existence in the next incarnation. A bad habit snakes its appearance in another life in the form of an illness or as a tendency to illness. Thus, the causes of illnesses are to be sought in the inclinations and habits of a previous life. The actual destiny of an individual is, on the contrary, the result of his former deeds. A person who radiates much love in one life will, in another, be able to stay young, inwardly as well as outwardly, for a long time. A person who harbors many feelings of hatred in one life will age prematurely in another. Individuals who abandon themselves to an ordinary, indolent life, which avoids all forms of spirituality, deprive themselves of something for their subsequent life that will be difficult for them to retrieve.

Now let me add a few words on the subject of initiation. At all times the leaders of humanity have drawn upon its fountainhead. The great individualities who presided over the Mysteries and whom we call the Masters have guided and led humanity. To understand this better we will consider the principle of initiation. Truth to tell, it is only possible since the time of the Atlantean catastrophe to speak of an initiation available to human beings because the process of initiation has also been subject to development and change in accordance with the needs of human beings. This is true not only in its outer forms.

Why is man in sleep unaware of sensory impressions although he is surrounded by a material world? It is because during the night his intellect is not working. The physical and etheric bodies of a man asleep remain in bed; his astral body and ego emerge and are in the spiritual world. But why is it that he perceives nothing of the spiritual world that is all around him and into which his astral body and ego enter during the night? It is because the astral body of the average human being who leaves the physical body during sleep at night has no astral sense organs. Hence, it is impossible for him to perceive any-thing in the astral world. Through initiation or spiritual training, the chaotic astral mass, which the astral body of the average individual reveals itself to be, is organized in such a way that it gradually begins to develop organs and can then have perceptions during the night. In normal life man is not yet able to form organs in his astral body. To be capable of this the power in his inner life must be essentially strengthened. This is achieved through definite exercises of meditation, concentration, and other indications. In his feelings and life of thought the pupil must give himself up to certain mental pictures, choosing subjects that tally only slightly or not at all with reality. Mental pictures that represent objects in the outer world are not suitable for developing organs in the astral body. But visualize a figure, for example, such as that of the Rose Cross, the black cross with the seven red roses, and if you practice the exercise with the necessary vigor and patience, you will experience something through it according to your degree of development. You will transform your astral body thereby, generating organs in it. These mental pictures should riot be abstractions; the right feelings and perceptive experiences must be involved. Only then will the desired results be achieved.

There are three different kinds of initiation, all of which lead to the same goal. There are three paths, the choice of one of which depends upon a man's individuality. One initiation is that of wisdom; it is the fitting goal for Indian and Oriental training. This path is fraught with great dangers for European and Western bodies and is therefore not the right one. The, second initiation is based upon the life of feeling; it is the fundamentally Christian path. Only few individuals can still take this path because it demands a strong power of devotion and piety. The third path of initiation is the Rosicrucian training, the path of the initiation of thinking and of will. It leads to union with the forces of the other paths of initiation. The final goal is definite in the case of every initiation, but in the course of evolution it must be adjusted in accordance with the current needs of souls and the possibilities offered by the human body.

The pupil of the old initiation was compelled to be entombed in a grave for three and a half days and was as if dead. His etheric and astral bodies were outside his physical body and in the spiritual world. The hierophant watched over the process and called the neophyte back to life. After his awakening he was a witness of the spiritual world. Such was the form of the old initiation; today that process is no longer necessary. The Christian and the Rosicrucian initiations have such powerful effects that the human being involved can achieve what, through the old initiation, was meant to be brought about by the emergence of the higher members from the physical body. The impressions from the spiritual world are now imprinted into the astral and etheric bodies without lethargy being induced for three and a half days. The modern initiation, if we like to call it so, once the purification or catharsis of the astral body has been achieved, brings about effects that lead to genuine spiritual sight and knowledge of the spiritual world based on actual experience; the impressions received by the soul in the spiritual world are then imprinted in the astral and etheric bodies. That is what is called illumination in the course of occult development.

Devachan (abode of the Gods) corresponds to the heaven of the Christians, the spiritual world of the occultists.

These regions of existence are beyond the range of our physical senses, although they are intimately connected with this world. In attempting to describe them, we must have recourse to allegories and symbols. The words of human language are only adapted to express the world of sense.

There are seven distinct stages or degrees of Devachan. The seven stages are not definite ‘localities’ but conditions or states of the life of soul and Spirit. Devachan is everywhere present; it envelops us as does the astral world, only it is invisible. By dint of training, the Initiate acquires, one by one, the faculties necessary for beholding it.

At the first stage of clairvoyance, greater order enters into dreams; man sees marvelous forms and hears words that are pregnant with meaning. It becomes more and more possible to decipher the meaning of dreams and to relate them to actuality. We may dream, for example, that a friend's house is on fire and then hear that he is ill. The first faint glimpses of Devachan give the impression of a sky streaked with clouds which gradually turn into living forms.

At the second stage of clairvoyance, dreams become precise and clear. The geometrical and symbolic figures employed as the sacred signs of the great religions are, properly speaking, the language of the creative Word, the living hieroglyphs of cosmic speech. Among such symbols are: the cross, the sign of life; the pentagram or five-pointed star, the sign of sound or word; the hexagram or six-pointed star (two interlaced triangles) the sign of the macrocosm reflected in the microcosm, and so forth. At the second stage of clairvoyance, these signs—which we today delineate in abstract lines—appear full of colour, life and radiance on a background of light. They are not, as yet, the garment of living beings, but they indicate, so to say, the norms and laws of creation. These signs were the basis of the animal forms chosen by the earliest Initiates to express the passage of the Sun through the Zodiacal constellations. The Initiates translated their visions into such signs and symbols. The most ancient characters employed in Sanscrit, Egyptian, Greek and Runic scripts—every letter of which has ideographic meaning—were the expressions of heavenly ciphers.

At this stage of his seership, the disciple is still at the threshold of Devachan. His task is to penetrate into Devachan, to find the path leading from the astral world to the first stage of the devachanic world proper. This path was known to all the occult schools and even during the first centuries, Christianity contained esoteric teaching of which traces can be found. The ancient methods of Initiation, however, were abandoned from the beginning.

In the Acts of the Apostles, mention is made of Dionysius the Areopagite. He was an initiated disciple of St. Paul and taught an esoteric Christianity. Later on, at the Court of Charles the Bald in the ninth century, John Scotus Erigena again taught the esoteric doctrines. Esoteric Christianity was then gradually obscured by dogma. When the Initiate has penetrated into Devachan, however, he finds that the descriptions given by Dionysius of this world are correct.

The rhythmic breathing practised in Yoga was one of the methods by means of which man was enabled to penetrate the world of Devachan. A certain sign that this entrance has been made is a conscious experience indicated in Vedic philosophy by the words: tat twam asi (Thou art That).

In dream, man beholds his own bodily form from without. He sees his body stretched on the couch but merely as an empty sheath. Around this empty form shines a radiant, ovoid form—the astral body. It has the appearance of an aura from which the body has been eliminated. The body itself seems like a hollow, empty mould. It is a vision where everything is reversed as in a photographic negative. The soul of crystal, plant and animal is seen as a kind of radiation, whereas the physical substance appears as an empty sheath. But it is only the phenomena of Nature that so appear—nothing that has been made by the hands of men. At the first stage of Devachan, we are contemplating the astral counterparts of the phenomena of the physical world. This region has been spoken of as the ‘continents’ of Devachan—the ‘negative’ forms of the valleys, mountains and physical continents.

If he enters into deep meditation while the breath is held, man reaches the second stage of Devachan. The moulds which represent physical substance are seen to be filled with spiritual currents—the currents of life universal. This is the ocean of Devachan. At this stage the Initiate enters the well-spring of all life. This life has the appearance of a network of vast streams with their tributaries. At the same time there is a strange and new experience of living within the metals. Reichenbach, the author of L'Od, speaks of this phenomenon in connection with sensitive subjects who were able to detect different metals wrapped in paper.

The Beings living in the region which becomes perceptible at the second stage of clairvoyant vision are called by Dionysius the Areopagite, the Archangels. [In German, Erzengel,—Erz = ore, mineral.] They represent the living soul of the minerals.

To attain the third stage of Devachan, thought must be freed from bondage to the things of the physical world. Man can then live consciously in the world of thought, quite independently of the actual content of thought. The pupil must experience the function of pure intellect, apart from its content. A new world will then be revealed. To the perception of the ‘continents’ and ‘waters’ of Devachan (the astral soul of things and the streaming currents of life) will be added the perception of its ‘air’ or ‘atmosphere.’ This atmosphere is altogether different from our own; its substance is living, sonorous, sensitive. Waves, gleams of light and sounds arise in response to our gestures, acts and thoughts. Everything that happens on Earth reverberates in colours, light and sound. Whether it be in sleep or after death, the echoes of Earth can be experienced in these ‘airs’ of Devachan. It is possible, for example, to experience the effects of a battle. We do not actually see the battle, nor hear the cries of the soldiers and the booming of the cannons. Strife and passions appear in the form of lightning and thunder. Thus Devachan does not separate us from the Earth, but reveals it to us from outside, as it were. We do not experience sorrow and joy as if they were arising in ourselves; we behold them objectively, as a spectacle. Devachan is a school of apprenticeship where we learn to regard sorrows and joys from a higher point of view, where we strive to transmute suffering into joy, failures into renewed efforts, death into resurrection.

This has nothing in common with the passive contemplation and more or less egotistic bliss of heaven conceived of by certain writers on religion who think that the sufferings of the damned are part of the bliss of the elect. Devachan is a living heaven, where the overwhelming urge to sympathy and action contained in the human soul is faced with a boundless field of activity and a vista of infinity.

At the fourth stage of Devachan, the archetypes of things arise—not the ‘negatives’ but the original types. This is the laboratory of the Cosmos wherein all forms are contained, whence creation has proceeded; it is the home of the Ideas of Plato, the ‘Realm of the Mothers’ of which Goethe speaks in Faust in connection with Helena. In this realm of Devachan, the Akashic Record of Indian philosophy is revealed. In our modern terminology we speak of this Record as the astral impression of all the events of the world. Everything that passes through the astral bodies of men is ‘fixed’ in the infinitely subtle substance of this Record as in a sensitive plate. To understand the images which hover in the astral nimbus of the Earth, we must have recourse to analogies. The human voice pronounces words which set up waves of sound, penetrating by the ears into the brains of others, where images and thoughts are evoked. Each of these words is a wave of sound with an absolutely definite form which—if we could see it—is distinct from all others. Let us imagine these words congealing somewhat as water congeals to ice by sudden, intense cold. In such a case the words would descend to Earth as congealed air and we could recognise each word by its form.

And now, instead of a process of densification, let us imagine the reverse. We know that matter can pass through the most solid to the most rarified states: solid, liquid, gaseous. Matter can be subtilised to a point at which we are led over to ‘negative’ matter—Akasha. Events on Earth impress themselves into this akashic substance and can be rediscovered there even those which occurred in far remote ages of the past.

Akashic pictures are not static and immobile. They unroll before the eye of the seer as living tableaux where objects and persons move and even speak. The astral form of Dante would speak as he spoke in his own milieu. It is almost invariably this kind of image that is seen in spiritualistic séances, where it is thought to be the spirit of the dead.

Our task is to learn how to decipher the pages of this book of living images and to unroll the innumerable scrolls of the ‘Chronicle’ of the universe. This can only be done if we are able to distinguish between appearance and reality, between the human sheath and the living soul. Daily discipline and long training are necessary if false interpretations are to be prevented. Definite answers to questions, for example, might be received from the form of Dante thus perceived. But they do not emanate from the individuality of Dante, for the individuality continues to evolve; they emanate from the ancient figure of Dante, ‘fixed’ in the etheric milieu of his time.

The fifth realm of Devachan is the sphere of heavenly harmony. The higher regions of Devachan are characterised by the fact that all sounds have a greater clarity, brilliance and richness. In a mighty harmony we hear the voice of all beings. This harmony was called by Pythagoras, the ‘Music of the Spheres.’ It is the living, Cosmic Word. To the clairvoyant who has now become clairaudient, each being communicates his true name in a definite sound or tone. In Genesis, Jehovah takes the hand of Adam and Adam gives all beings their names. On Earth, the individual is lost among the crowd of other beings. In the highest sphere of Devachan, each being has his own particular sound; yet at the same time the Initiate is united with all beings, becomes one with his environment.

The Initiate who has attained to this degree is called the ‘Swan.’ He hears the sounds through which his master speaks to him and then communicates them to the world. The singing swan of Apollo brings to the ears of men the tones of the Beyond. The swan is said to come from the land of the Hyperboreans—that is to say from the world where the Sun sinks to rest, from heaven.

At this point, the Initiate passes to a sphere beyond the world of stars. He no longer reads the Akashic Records from the side of the Earth but from the side of the heavens. The Akashic Record becomes the occult script of the stars and the Initiate experiences the primal source of the universe, of the Logos.

In the myths, we find indications of this degree of the Swan, notably in the Middle Ages in the Grail stories which give expression to experiences in the devachanic world. All the exploits there described are by knights of the Grail, who represent the great spiritual impulses given to mankind by command of the masters.

The time when the legend of the Grail was composed, under the inspiration of high Initiates, is the age when the reign of the Bourgeoisie began and when the movement connected with the freedom of great cities had its rise, coming from Scotland into England and thence to France and Germany. When he is a free citizen, man aspires unconsciously to truth and divine life. In the legend of Lohengrin, Elsa represents the soul of man in the Middle Ages, striving to develop what is always expressed in occultism by a female figure. Lohengrin, the knight who comes from an unknown country, from the Castle of the Holy Grail, to deliver Elsa, represents the master who is the bearer of truth. He is the messenger of the Initiate and is borne by the symbolic swan. The messenger of the great Initiates is a “Swan.” None may ask his true name nor whence he comes. His authority may not be doubted. By his words he must be believed; by the truth shining in his countenance he must be recognised. He who has not this faith is incapable of understanding, unworthy to listen. That is why Lohengrin forbids Elsa to ask his name and whence he comes. The Swan is the chela who bears the master.

The disciple who has reached the fifth degree of initiation is sent by the master into the world. The legend of Lohengrin is a description of events occurring in the higher worlds. The light of the Logos—the solar and planetary Word—shines through the myths and legends of the ages.