The Origin and Development of Eurythmy
1923–1925
GA 277d
21 May 1924, Nuremberg
Translated by Steiner Online Library
Eurythmy Performance
Grave from the D major suite by J. S. Bach
Prelude in E-flat minor by J.S. Bach
“Als am dritten Tage” by Albert Steffen
“Zum Adam- und Eva-Tag” by Albert Steffen
Allegretto from the violin sonata in A major by César Franck
“An den Mistral” by Friedrich Nietzsche
Prelude in B-flat major by Frédéric Chopin
Allegro maggiore in G major, K. 301, by W. A. Mozart
“Das Sträußchen” by J. W. von Goethe
Allegro con brio in D major, Hob. XV1.37, by Joseph Haydn
Nocturne in E-flat major, Op. 9, No. 2, by Frédéric Chopin
“At Midnight” by Eduard Mörike
Intermezzo in A-flat major, Op. 76, No. 3, by Johannes Brahms
“The Ghosts at Mummelsee” by Eduard Mörike
Intermezzo in E minor, Op. 116,5 by Johannes Brahms
“Zwei Liebchen” by Eduard Mörike
“Nixe Binsefuß” by Eduard Mörike
Allegro in G minor from the “Teufelstriller Sonata” by Giuseppe Tartini
Grave aus der D-Dur-Suite von J. S. Bach
Präludium in es-moll von J.S. Bach
«Als am dritten Tage» von Albert Steffen
«Zum Adam- und Eva-Tag» von Albert Steffen
Allegretto aus der Violinsonate in A-Dur von César Franck
«An den Mistral» von Friedrich Nietzsche
Prälude in H-Dur von Frédéric Chopin
Allegro maggiore in G-Dur KV 301 von W. A. Mozart
«Das Sträußchen» von J. W. von Goethe
Allegro con brio in D-Dur Hob. XV1.37 von Joseph Haydn
Nocturne in Es-Dur op. 9,2 von Frédéric Chopin
«Um Mitternacht» von Eduard Mörike
Intermezzo in As-Dur op. 76,3 von Johannes Brahms
«Die Geister am Mummelsee» von Eduard Mörike
Intermezzo in e-moll op. 116,5 von Johannes Brahms
«Zwei Liebchen» von Eduard Mörike
«Nixe Binsefuß» von Eduard Mörike
Allegro in g-moll aus der «Teufelstriller-Sonate» von Giuseppe Tartini