The Rudolf Steiner Archive

Dear friends,

Today I would like to insert into our studies a chapter of anthroposophy that we need for our examination of healthy responsibility and pathological irresponsibility as the physician and the priest must know them.

First of all it is important that we look into the question: What is really inherited by a human being? What is not inherited and must come to the human being in some other way? In evaluating healthy and sick individuals, a great deal depends upon whether one can differentiate between these two ingredients. Human beings come out of the spiritual, super-sensible worlds into the sense world: that means, they combine what is given them by heredity with what they bring from earlier earth lives and from life between death and the new birth. Then we see how they develop as a children, from day to day, from week to week. But if one does not perceive that they are four-membered beings, with physical body, etheric body, astral body, and ego organization, one is not in a position to understand their development, for one does not see what part each member is playing in this development. They have different origins; they come from different worlds.

First, human beings have their physical organism. The most striking phenomenon in the physical organism is that in the first period of life they have what we call “first teeth,” which last until the time we call “change of teeth.” The teeth are only the most obvious thing that is changed at this time. For the fact is that human beings only keep the physical substance they received at birth until the change of teeth. They are constantly stripping that physical material from their form.

The process is, of course, more complicated than is implied in the brief statement that in the course of every seven or eight years a person pushes off all physical substance and replaces it. The truth is near to that, but one need only look at the change of teeth itself to realize that this picture must be modified somewhat. For if this abstract assertion were correct, we would have new teeth every seven years. We get new teeth only once. The teeth are changed once and do not undergo any other renewal. They belong in this category in the most extreme sense. As a matter of fact, the course of human life is such that the older one becomes, the more one retains of old physical substance. A replacement of by far the greatest part of the substance does indeed take place in seven- to eight-year periods; but we must distinguish what remains behind. At the seventh year it is only the adult teeth that remain. After each subsequent period there remain also certain parts of the substance that are not replaced, although the greater part is indeed replaced in the course of seven or eight years. Thus a basic statement can be made for the first seven years. Human beings strip away all the physical substance they had when they were born, keeping none of it, keeping only the forces that have lived and worked in it during those years. These forces have so appropriated the fresh new substance that was constantly being aquired that at seven the physical body has been completely renewed, even to the teeth. And from that statement the understanding must follow that the principle of heredity as our current natural science conceives of it really holds good only for the first seven years of life. Only for those first seven years is it true that a person's characteristics come from parents and grandparents. The physical body of those first seven years provides, in a certain sense, a kind of model from which the artist working in the human being (who consists now in these years of etheric body, astral body, and ego) fashions a new physical body. We see how what we bring down from spiritual worlds—our individuality, our own being—and what we receive from heredity work together in artistic reciprocal activity. If a human being is an inwardly strong individual and brings an intensely strong inner astrality and ego nature, which in turn makes the etheric body strong, then we will see a young person shooting up who from inner strength keeps very little to the model, only copies it for the general form. Naturally, the universal human model must be preserved, and therefore an affinity is already there for the inherited human form; features of it definitely remain beyond the change of teeth. Still, to thoughtful observation it will be apparent that in the case of inwardly strong individuals important changes come after the change of teeth because such individuals follow only slightly the model they inherited.

If we investigate such an individual as St. Teresa, we find that these particularly strong individualities resemble their parents very closely in the first seven years, but then in the ninth and tenth years they develop in surprising ways. Then the real individual is emerging. In the strongest sense of the word, heredity only holds good for the first life period. What seems to appear later as heredity is not really heredity but must be recognized as a copy of the inherited model. The copy may be more or less exact; even so, it is not heredity; it is a copy of the inherited characteristics. The ordinary natural scientist considers this to be simply the principle of heredity carried further. But someone who really studies the nature of humanity will perceive that there is a complete qualitative difference between the resemblance to parents before the change of teeth and the resemblance after the change of teeth. Before, the forces of heredity are active. After, the forces that copy the model are active. To be exact, one can no more say that a human being has inherited what is carried between change of teeth and puberty than one can say of an artist copying the Sistine Madonna in the Dresden Gallery that the painting has caught the qualities of the Madonna through heredity!

You can see the particular kind of work the etheric body has to do. For in the years up to the change of teeth, the astral body and ego organization participate very little. The etheric body forms a new physical human body in accordance with the model. Why? Because, like the child during the first seven years, it is not yet able to receive other than a very special kind of impression from the outer world. Here we come upon an important secret of human evolution, a secret that answers the question: What does a child really perceive? The answer lies far away from present-day ideas.

We live, shall we say, between death and a new birth (or conception) in the spiritual world. In the spiritual world we are surrounded by realities very different from those found here in the physical world. We come out of that world into the physical world and continue our life in a physical body that we receive. Now in this physical world the same forces work further, although they are hidden from human sense perception. If you look at a tree, the same spiritual forces are working in it as those you encounter between death and new birth, only they are covered over, veiled, by the physical material of the tree. Everywhere in the physical world in which we live between birth and death, spiritual forces are active behind the sense-perceptible physical entities. We can think of the activities of the spiritual world continuing into this world in which we live between birth and death.

Now in the first seven years of life the child's whole being cannot unite with anything except this spiritual reality in all the colors, all the forms, all warmth, all cold. The child is fully aware when entering this physical world of the continuing spiritual activity. This awareness gradually diminishes up to the change of teeth. A sense impression is quite different to a child than to an adult. This fact is never recognized. To a child the sense impression is something entirely spiritual. For this reason if a child's father has a fit of anger, the child is not conscious of the angry gestures but of the moral state behind the gestures. It is this that passes into the child's body. During this time, therefore, the child is working with the forces that build a physical body in accordance with the child's own model—the body that will now be the child's own—and during this time is turned entirely toward spiritual foundations and works out of spiritual forces.

What does that mean? What is really working when spiritual forces are working? Obviously colors, forms, warmth, cold, roughness, smoothness work upon the sense perceptions. But behind all that, what is the fundamental force that is working? In reality, whatever has to do with an ego nature. Only invisible spiritual beings make an impression on the child, beings who have something to do with an ego nature, above all, beings of the spiritual hierarchies higher than human beings, but also the animal group-souls, and the group-souls of the elemental beings. In reality, all this is working upon the child. And out of these spiritual forces, out of these mighty spiritual dynamics the child forms a second body from the original model. It grows and is finally present as a complete second body when the change of teeth takes place. This is the body that the human being has built for itself since birth, the first body that is it's very own, a physical body built out of the spiritual world.

Thus we have in this first life period very special laws working within all that activates the child, in all the awkwardness and uncertainty that are in the soul and with which it moves. They come from the fact that constant adjustment is having to be made to the physical world, since the child is still dreamily and half-consciously immersed in the other surrounding world: the spiritual world. Someday when medicine reaches a proper spiritual outlook, this interplay between the spiritual and physical worlds during the first seven years of life will be seen as the true cause of the so-called “children's diseases.” Then we will have the explanation for a problem that today is solved in the medical books by empty words and formal elucidations that do not lead to any reality.

The etheric body has a great deal to do in these first seven years of life. It works quietly and steadily to develop the faculties that it will possess in the second seven-year period: independent faculties of memory leading toward the intellect. Whoever has an eye for it can see the greatest transformation in the child's soul-life when the first life period goes over into the second. The etheric body is now relieved of the work it had to accomplish—in the full sense of the word—to build the second body. It is relieved, freed. How it is freed, one can only realize if one perceives that at fourteen years not only the teeth remain but still more that had to be renewed, like the teeth, in the first life period. This now remains in the physical-material substance. What remains frees the etheric body—itself becomes free in the etheric body. Quantitatively it is a small thing, but qualitatively it is something of tremendous importance. It is what now becomes tremendously active as soul attributes, soul characteristics. What the human being saves by not having to create a third set of teeth (and much else that is taken care of by evolution in the same way as the teeth) enables something of the etheric body to be “left over.” What flowed during the first seven years into the physical development and is now “left over” from the physical development works now purely in the realm of soul, its nature depending upon the individual. With the faculties upon which you call as a teacher in school, the faculties you train, the child accomplished the great change from milk teeth to second teeth, and much else. With the forces that are saved by not having to form a third set of teeth, the child begins to develop soul faculties. This takes place in the depths of human nature. During the first seven years these soul forces had been entirely embedded in the physical development. We have to comprehend physical development as a soul-spiritual activity just as much as a physical activity. We see a spiritual entity active in the body in the first seven years of the human being, in the fullest sense of the word.

How does this relate to general human evolution? Those forces with which the human soul works in the first seven years of life are in the cosmos; they are sun forces. It is not only physical-etheric rays that stream down from the sun: in those physical-etheric sun rays, forces are streaming down from the sun that are identical with the forces by which our etheric body renews our physical body in the first seven years of life. It is the Sun Being (Sonnenentität) that works there. Look at the child—how the child works at a second physical body, copying from the model! The child is absorbing pure forces from the sunshine. One must understand that—how humanity stands within the cosmos! And when the child has certain etheric forces released at the change of teeth, they then work back upon the astral organization and ego organization. Then in the second life period human beings have access to what could not reach them at all in the first period. They now have access to the moon forces.

The etheric forces in the first seven years of life are sun forces. At the change of teeth we have access to the moon forces; these are identical with the forces of our astral body. Thus at the change of teeth human beings move from the sun sphere—in which, however, we also still remain, for it remains active in us—into the moon sphere. And now between change of teeth and puberty we work on ourselves with the moon forces. With the moon forces we now build our second own body (the third earthly body), in which not so much is replaced as in the first life period, but even so a great deal. Again forces remain behind, but they are now of an astral nature, and they are now transforming the soul. They were freed from their work on the body when we reached puberty. We have now reached a period in which we manifest certain forces that are now free in the soul, forces that had to work in the physical body between the ages of seven and fourteen.

So we work entirely in the first life period with what comes to us from the sun. And with the school child between change of teeth and puberty, it is sun forces that have now become free for soul activity. That is the great powerful fact we find in human evolution, that if one is educating a child's soul between change of teeth and puberty, one has to do purely with sun forces. The child-soul is so intimately related to what lives in the sunshine! One's heart can rejoice in such knowledge. The knowledge really sheds light on the relation between humanity and cosmos.

Moon forces are active in this second life period in the bodily development; they are not yet freed for the soul-life. They become free at puberty, and then they join the work on the soul. The change that takes place in the soul-life at puberty is caused by the fact that moon forces are now impressing themselves into the soul-life. So what a young person does in all kinds of behavior after the onset of puberty is a working together of sun and moon forces.

Thus we see into the depths of human evolution. We will stay clear of speaking of heredity in the crude sense in which natural science speaks of it. We will look in the opposite direction, to see what lives in the human activity of the child. It is the sun that lives in all the human activity of the child, and in the child's human thinking.

It is the sun that streams to us from the stone—for a stone has no light of its own, it can only reflect the sun's light to us. The natural researcher grants you that fact—but that is the very smallest, the most abstract detail! The child also reflects the sun forces back to us, between the seventh and fourteenth years. Just as we can designate the light reflected from the stone as sunlight streamed back to us, so we can designate what the child does in the second life period as “sun.” Sun is not merely there where it seems to be concentrated. This physical notion, that the sun is only there is like the notion of someone who looks at the soup in a soup bowl and sees a blob of fat floating on the top of it and thinks that the blob of fat is the soup.

Yes, our physical ideas are often very childish, and if one uncovers them and shows them for what they are, then people laugh. One could wish there were the same reaction to much that is happening today in the name of science, because it is pretty laughable. When someone takes the blob of fat to be the soup itself, that's the same as when that gold ball up there above us is regarded as the entire sun. In reality the sun fills the whole world.

Now let us look into the connection between the moon forces and the forces of reproduction. The forces of reproduction now gradually form the child's own second body that is built up between the seventh and fourteenth years and is finished when puberty begins. The human being takes in the reproductive forces during this time; this is plainly moon activity. These forces relate entirely to moon activity. They are the result of moon activity.

And now we reach the life period in which we must form our own third body (the fourth when counted from an external view), the time from puberty to the beginning of the twenties. The division of time in the later years is no longer so exact as the time between change of teeth and puberty. Now there is always more physical substance remaining behind; it stays fixed in the human being, it becomes permanent structure. Gradually a great deal of permanent structure accumulates. The older a person becomes, the less material is stripped away from the bones and replaced. Also in the rest of the organism certain parts need a longer time to separate off. And one can see a simple fact in connection with the teeth: that once one has got one's second set of teeth, whether one still has them later depends upon how long they last—just as with a knife, one only has it as long as it lasts. The knife can't renew itself. Teeth can't renew themselves either, really.

Obviously everything is in flow: there is renewal in the first place, but then it goes over into the state of nonrenewal. The teeth maintain their life process at a much slower tempo than the rest of the organism, so far as intensity is concerned. But therefore in reverse, the tempo is faster so far as quality is concerned, for they actually become bad before the other parts of the organism—for the reason that the other parts can always renew themselves. If the teeth were subject to the same laws as many other parts of the human organism, there wouldn't have to be any dentists. On the other hand, if the other parts of the organism were subject to the same laws as the teeth, we would all die young in this modern civilization of ours.

But now to go on. We are active in our organism in the first seven years of life with the forces of the sun, in the second seven years with the forces of the moon. In this second period the sun forces remain and the moon forces combine with them. In the third seven-year period, from puberty into the twenties, much more delicate forces are taken in, coming from the other planets. These other planetary forces appear in the human growth process, and because they work much less strongly than the sun or moon, their influence is outwardly much less visible. They had been working in the body between the fourteenth and the twenty-first years. Now at twenty-one, although it is hardly noticeable, they begin to work in the area of soul and spirit. Whoever has insight can see this remarkable change. Up to that moment only sun and moon have spoken out of human deeds. Now planetary forces modify that sun and moon activity. Actually people's coarse methods of observation afford very little capacity for grasping this change. But it is there.

Knowledge of these connections is necessary for someone concerned with the human being in health and in illness. For what do we really know of a human being, shall we say in the eleventh or twelfth year, if we don't know that the moon forces are working there? After that period, even though there are continually fewer parts to be renewed, the person must still renew them. Up to the twenty-first or twenty-second year, the sun, moon, and planets are working in succession into human growth. Then from the twenty-first to the twenty-eighth year the constellations of the fixed stars work. To be sure, this escapes ordinary observation. Only mystery wisdom tells of the entire zodiac playing into the human being between the beginning and the end of the twenties. Then the world becomes severe. It no longer wants to work into a person; it becomes harsh. Of this strange new relation of the human being to the world in the twenty-eighth, twenty-ninth year—that the world hardens toward us—of this, today's science hardly knows anything. Aristotle taught it to Alexander when he told him that we push against the crystal heaven and find it hard. Thus “the crystal heaven,” beyond the sphere of the fixed stars, acquires meaning for human comprehension. And one begins to realize that when we come to the end of our twenties, we find no more forces in the cosmos for our own renewal. Why do we not die, then, at twenty-eight years? Well, the surrounding world does in fact let us die at twenty-eight. It is true. Whoever sees humanity's relation to the world, whoever looks consciously out into the world, must say, “O world, in reality you sustain me only until my twenty-eighth year!” Only when one realizes this does one finally begin to understand the real nature of the human being.

For now what happens when the world withdraws its formative forces—forces that previously we had always been free to use to build ourself up? At this remarkable moment, when in the twenty-eighth year we begin to show clearly that the earlier forces of growth are now completely gone, some people begin to die off. Some hold on a little longer to the forces of growth that are flowing away. But even Goethe had grown smaller when he measured himself carefully. This was when he began to work again on the second part of Faust. Earlier he had already begun to fade. From the moment when the world deserts us, we have to manage our renewal ourselves, out of forces we have received up to that moment. Certainly when the parts of our organism that can be renewed are becoming fewer and fewer, we cannot work to give ourselves a new body in the same glorious measure that children use up to the change of teeth, when they are forming their first very own body from the model. But we have collected many, many forces from sun and moon and stars which we are carrying within us and which we need when at twenty-eight we have to begin to renew our physical-material body ourselves. This is the moment in earth-life when we find that we are now given complete responsibility for our human form. This moment of our life when we are put entirely on our own is the point of time toward which we have been striving, and from which we must go on. (Plate III, middle) We strive from childhood when we are receiving many cosmic forces, strive more and more toward a point lying at the end of our twenties, when we no longer build our growth out of cosmic forces. Whatever we do after that moment, we do from forces out of our own body. In the middle is the point at which we stop working with cosmic forces and begin to develop forces out of our own body.

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We often find a premature activity happening in some child from forces out of the child's own body. We become aware of it from certain pathological symptoms the child shows from the bones, for instance, becoming brittle, and particularly from becoming fat. But the connection between these things is not easily seen. In every moment of life a person is either striving toward this twenty-eighth-year point or away from it. You must realize that it is a kind of zero point, a kind of hypomochlion, a zero moment in time when we stand between ourselves and the world. Always in our inner dynamics we are striving toward it or from it. Whatever is happening in us is a striving toward a zero or away from a zero, something we do toward or away from nothingness. We are striving toward the point where the world is no longer active and we are not yet active. Between the two conditions is a kind of zero. There is something in us that is oriented toward nothingness. It is this that makes us free beings; that is why we can hold responsibility. It is rooted in the human constitution that we are responsible free beings, because at the moment of transfer from the world to ourselves we go through a point of zero. Just as the beam of a pair of scales goes through a point of zero from right to left, from left to right, and that point does not follow the laws to which the rest of the scales is subject. You can think when you have a pair of scales, (Plate III, right) here the mechanical laws you have learned are in force; this gives the scales an exact form—either this above and that below or the opposite. That is the law of scales, the law of leverage. You can carry the scales around; their relation remains the same everywhere, subject always to those mechanical laws wherever you take them—except at this point. This point is free. You can carry the point around as if it were not connected to a pair of scales: the scales remain unchanged. And so it is, when you take hold of yourself in your soul experiences at that point toward which first you strive, from which afterward you strive away: first the world is active, afterward you yourself, and here nothing is active. With the tendency toward and the tendency from, here where a hypomochlion sits, here can live freely that human capacity which is determined neither by nature nor by the world. Here is the point of origin of human freedom. Here is where responsibility is born.

If, therefore, one wants to be able to judge the degree of responsibility in, for instance, a person thirty-five years old—and I mean professionally, not merely a layman's opinion, or that of a dilettante—then one must ask oneself, has too much, perhaps, worked over from this person's abnormal development up to the point at the end of the twenties? Is the point moved more toward youth or more toward age? A person is properly responsible if the point is normal, if judging the whole individual from external life one can decide that the point is normal. If it lies too far back toward youth—that is, if the world ceased too soon to give its forces to some person—one may perhaps find that the person suffers easily, even though to a small degree, from compulsive ideas. The soul is becoming rigid and cannot be held fully accountable for its deeds.

If the point comes late, the question will be whether that person is hindered by his or her inner nature from developing complete freedom of soul and is too rigid physically, and for that reason cannot be held fully responsible. The physician and the priest are the ones who are competent to form this judgment, in the finest sense of the word. They will know that they can judge pretty accurately from people's appearance what their development has been, whether they are in balance, whether their life-hypomochlion is at the right spot, that is, at the right point of time, or is too early or too late. We will discuss physical appearance later, for even an intensive study of physiognomy belongs to pastoral medicine.

These are things that in the old mystery wisdom were regarded as very important for judgments of human life. They are things that have been forgotten and that must be brought again into our knowledge of the human being if that knowledge is to have any beneficial influence, if it is to be active in the right sense in medical and pastoral activity.

More about this tomorrow.

My dear friends,

You will recall how yesterday we had here a block of ice which we would have expected to fall apart in two pieces when we cut it with a wire from which a weight was hanging. Although you only saw the beginning of the experiment, you were able to convince yourselves that such was not the case, because as soon as the pressure of the wire liquefied the ice below, it immediately froze together again above the wire. That is to say a liquefaction took place only in consequence of the pressure. Therefore, since we preserved the ice as ice, the heat entity acted in such a way that the block closed itself up at once. I am using the expression advisedly.

Now this surprised you considerably at first, did it not? But it surprised you only because you are not accustomed to the matter of fact observation necessary if you are really to follow physical phenomena In another case you are making the same experiment all the time and do not wonder at it at all. For when you take up your pencil and pass it through the air, you are continually cutting the air and it is immediately closing up behind. You are then doing nothing else than what we did yesterday with the block of ice, but you are doing it in another sphere, in another realm. We can learn quite a little from this observation, for we see that when we simply pass the pencil through the air (the conditions under which we do this will not be taken up) that the properties of the air itself bring about the closing up of the material behind the pencil. In the case of the ice we cannot avoid the thought that the heat entity enters into the process in such a way that it contributes the same thing as is contributed by the nature of the air itself when the pencil passes through. You have here only a further extension of what I said to you yesterday. When you picture the air to yourselves and imagine it cut and closing up at once, the matter composing the air is responsible for all that you can perceive. When you are dealing with a solid body, such as ice, then the heat is active in the same manner as the material air itself is in the other case. That is, you met here with a real picture of what goes on in heat. And again you have established that when we observe the gaseous or vapor condition—air is vaporous, gaseous in reality—we have represented in a material way in the phenomena of gases a picture of what takes place in the heat entity.

And if we observe heat phenomena in a solid body we have fundamentally nothing other than the solid existing alongside of something taking place in the realm of the heat being. We see, as it were, before our eyes, the phenomena within the realm of heat which we see also playing through gas. From this we can conclude or rather simply state, since it is only the obvious that we are presenting, we can state the following: If we wish to approach the being of heat in its reality we must seek as well as we can to force our way into the realm of the gaseous, into the gaseous bodies. And in what goes on in gases we will see simply pictures of the phenomena within the heat realm. Thus nature conjures up before our eyes, as it were, pictures of processes in the heat being by a manifestation of certain phenomena in gases. Notice now, we are being led very far from the modern method of observation as practiced in natural science generally, not merely physics. Let us ask ourselves where the modern method really leads us ultimately. I have here a work by Eduard von Hartmann, in which he treats a special field from his point of view, namely the field of modern physics. Here is a man who has built up for himself entirely out of the spirit of the times a broad horizon, and who we may say, is therefore in a position to say something as a philosopher about physics. Now it is interesting to see how such a man, speaking entirely in the modern spirit, deals with physics. He begins the very first chapter as follows: “Physics is the study of transformations and movements of energy and of its separation into factors and their resummation.” Having said this, he must naturally add a further statement. He says further: “Physics is the study of the movements and transformations of energy (force) and of its resolution into factors and its summations. The validity of this definition is not dependent on how we consider energy. It does not rest on our considering it as something final, ultimate, nor on our looking upon it as really a product of some more widely embracing factors. Nor is it dependent on whether we hold this or that view of the constitution of matter. It only states all observations and perceptions of energy to rest on the fact that it can change place and form and be analyzed within these categories.” (View of the World According to Modern Physics by Edw. V. Hartmann, Leipzig, 1902, Hermann Haake, page 3)

Now what does it mean when one speaks in such a fashion? It means that an attempt is made so to define what is before one physically that there is no necessity to enter into its real nature. A certain concept of energy is formed and it is said: all that meets us from without, physically, is only a transformation of this energy concept. That is to say, everything essential is thrown out of one's concepts, and one is thought to be quite secure, because it is not realized that this is precisely the most insecure sort of a definition. But this sort of thing has found its way to a most unfortunate extent into our physical concepts. So completely has it entered in, my friends, that it is today almost impossible for us to make experiments that will reveal reality to us. All our laboratories, which we depend upon to do physical research, are completely given over to working out the theoretical views of modern physics. We cannot easily use what we have in the way of tools to reveal the essential physical nature of things. The cure for this situation is that first a certain number of people should become acquainted with the effect on methods of entering into the real physical nature of things. This group then will have to find the experimental method, the appropriate laboratory set-up to make possible a gradual entrance into reality. We need, in fact today, not merely to overhaul our view of the world in its conceptual aspect, but we need research institutes working to our manner of thinking. We cannot proceed as rapidly as we should in getting people to consider anthroposophy unless we are able to take them out of the rut in which modern thinking runs. Just as the physicists can point to factories to show plainly, very plainly, that what he says is true, so we must show people by experiments that what we say about things is correct. Naturally however, we must penetrate to real physical thinking before we can do this. And to think in real physical terms it is necessary that we bring ourselves into the state of mind indicated in these lectures, especially yesterday's lecture.

Is it not true that the modern physicist observes what happens, and when he observes it, he at once bends every effort to strike out from the perceived phenomena all that he cannot reduce to calculation. Let us now make this experiment in order to place before our minds today something that we will build on in the course of subsequent lectures. We set up this paddle which can be turned in a liquid and arrange it so that the paddle rotated by means of this apparatus will transmit mechanical world. As a result of the fact that this mechanical work is transmitted to the water in which the paddle is immersed, we will have a marked rise in temperature. There is thus brought before us in the most elementary experimental way what is called the transformation of mechanical energy into warmth or thermal energy. We have now a temperature of 16° and after a short time we will note the temperature again. (Later the rise in temperature was determined.)

Let us now return for a moment to what has already been said. We have tried to grasp the destiny, so to speak, of physical corporeality, by carrying the corporeality through the melting and boiling points. That is, by making solid bodies fluid and fluid bodies gaseous. I will now speak of these things in the simplest terms possible.

We have seen that the fundamental property of solid bodies is the possession of form. The solids do not show form-building forces as these latter act in liquids before evaporation has had time to take place. Solids have a form of themselves. Liquids must be enclosed in a vessel, and in order to form a liquid surface, as they do everywhere, they require the forces of the entire earth. We have indeed, brought this before our souls. This requires us to make the following statement: When we consider the liquids of the whole earth in their totality, we are obliged to consider them as related to the body of the earth in its totality. Only the solids emancipate themselves from this relation to the earth, they take on an individuality, assume their own form. If now we bring to bear the method by which ordinary physics represents things on what is called gravity, on what causes the formation of the liquid surface, then we must do it in the following way. We must, if we are to stick to the observable, in some way introduce into individualized solid bodies the thing that is essential in this horizontal liquid surface. In some way or other, we must conceive of that which is active in the liquid surface, and which is thought of under the heading of gravity as within solids which, therefore, in a certain way individualize gravity. Thus we see that solids take gravity up within themselves. On the other hand we see that at the moment of evaporation the formation of liquid surface ceases. Gas does not form a surface. If we wish to give form to a gas, to limit the space occupied by it, we must do so by placing it in a vessel closed on all sides. In passing from the liquid to the gas we find that the surface formation ceases. We see dissipated this last remainder of the earth-induced tendency to surface formation as shown by the liquid. And we see also that all gases are grouped together in a unity, as illustrated by the fact that they all have the same co-efficient of expansion; gases as a whole represent material emancipated from the earth.

Now place these thoughts vividly before yourselves: you find yourselves on the earth as a carbonaceous organism, you are among the phenomena produced by the solids of the earth. The phenomena produced by the solids are ruled by gravity which, as stated, manifests itself everywhere. As earth men you have solids around you that have in some way taken up gravity for their form-building. But consider the phenomena manifested by the solids in the case I spoke of yesterday where you added in thought a liquid surface to the system—in this phenomenon you have a kind of continuum, something you can think of as a sort of invisible fluid spread out everywhere. Thus solids of the earth, in so far as they are free to move, manifest as a whole what may be considered as a fluid state. They constitute something similar to what is manifested in a material fluid. We can therefore say: since we are placed on the earth we are aware of this, calling it gravity. Working on the liquid it forms a surface.

Imagine now, that we were as human beings able to live on a fluid cosmic body, being so organized that we could exist on such a body. We would then live in the surface of this liquid, and we would have the same relation to the gaseous, striving outward in all directions that we now have to the fluid. This means nothing more or less than that we should be unaware of gravity. To speak of gravity would cease to have a meaning. Gravity rules only solid planetary bodies and is only known to those beings who live on such bodies. Beings who could live on a fluid planet would know nothing of gravity. It would not be possible to speak of such a thing. And beings who lived on a gaseous planetary body would regard as normal something which would be the opposite of gravity, a striving in all directions away from the center. If I may express myself somewhat paradoxically I might say: Beings dwelling on a gaseous planet instead of seeing bodies falling toward the planet would see them always flying off. We must think in really physical terms and not merely in mathematical terms, which stand outside of reality if we are to find the path here. Then we can state the matter thus: Gravity begins when we find ourselves on a solid planet. In passing from the solid to the gaseous planet, we go through a kind of null-point, and come to an opposite condition to that on the solid planet, to a manifestation of forces in space which may be considered negative in respect to gravity. You see therefore that as we pass through the material states, we actually come to a null-point in spatiality, to a sphere where the spatiality is zero. For this reason we have to consider gravity as something quite relative. But when we conduct heat to a gas (the experiment has been shown to you) this heat which always raises the diffusing tendency in the gas shows you again the picture I am trying to bring before you. Does not that which is active in the gas really lie on the far side of this null-point on this side of which gravity is active? Is it not possible for us to think the matter through further, still remaining in close contact with the actual phenomena when we say that going from a solid to a gaseous planet we pass through a null-point? Below we have gravity; above, this gravity changing into its opposite, in a negative gravity. Indeed we find this, we do not have to imagine it. The being of heat does just what a negative gravity would do. Certainly, we have not completely attained our goal but we have reached a point where we can comprehend the being of heat in a relative fashion to such an extent that the matter may be stated so: The being of heat manifests exactly like the negation of gravity, like negative gravity. Therefore, when one deals with physical formulae involving gravity and sets a negative sign in front of the symbol representing gravity, it is necessary to think of the magnitude in question not as a gravity quantity nor as a line of action of gravity, but as a heat quantity, a line of action of heat. Do you not see that in this way we can suffuse mathematics with vitality? The formulae as they are given may be looked upon as representing a gravitational system, a mechanical system. If we set negative signs in front of “g” then we are obliged to consider as heat what formerly represented gravity. And we realize from this that we must grasp these things concretely if we are to arrive at real results. We see that in passing from the solid to the fluid we go through a condition in which form is dissolved. The form loses itself. When I dissolve a crystal or melt it, it loses the form that it previously had. It goes over into that form which is imposed upon it by virtue of the fact that it comes under the general influence of the earth. The earth gives it a liquid surface and I must put this liquid into a vessel if I am to preserve it.

Now let us consider another general phenomenon which we will approach more concretely later. If a liquid is divided into sufficiently small particles there comes about the formation of drops, which take on the spherical shape. Fluids have the possibility, when they are finely enough subdivided, of emancipating themselves from the general gravitational field and of manifesting in this special case that which otherwise comes to light in solids as crystalline shape. Only, in the case of fluids, the peculiarity is that they all take on the form of the sphere.

If now, I consider this spherical form, I may regard it as the synthesis of all polyhedral shapes, of all crystal forms.

When I pass from the fluid to the gas, I have the diffusion, the dissolution of the spherical form, but in this case, outwardly directed. And now we come to a rather difficult idea. Imagine to yourselves that you are observing some simple form, say a tetrahedron, and you wished to turn it inside out as you might do a glove. You will then realize that in going through this process of turning inside out it is necessary to pass through the sphere. Moreover, all the form relations become negative and a negative body appears. As the tetrahedron is put through this transformation, you must imagine to yourselves that the entire space outside the tetrahedron is filled, within it is gaseous. With this outside space filled you must imagine in a tetrahedral hole. There it is empty. You must then make the quantities related to the tetrahedron negative. Then you have formed the negative, the opened-up tetrahedron, in place of the one filled with matter. But the intermediate condition between the positive and the negative tetrahedron is the sphere. The polyhydric body goes over into its negative only by passing through the spherical as a null-point.

Now let us follow this completely in the case of actual bodies. You have the solid body with definite form. It goes through the fluid form, that is the sphere, and becomes a gas. If we wish to look rightly on the gas we must look upon it as a form, but as a negative form. We reach a type of form here which we can comprehend only by passing through the zero point into the negative. That is to say, when we go over to the gaseous, the picture of the phenomena of heat, we do not enter into the region of the formless. We enter only into a region more difficult to comprehend than the one in which we live ordinarily where form is positive and not negative. But we see just here that any body in which the fluid state is in question is in an intermediate position. It is in the state between the formed and that which we call the “formless,” or that of negative form.

Do we have any example where we can actually follow this? Aside from what is in our immediate environment, an example which we observe but do not really enter into vitality? We can do it when we consider the phenomenon of the melting of a solid or the evaporation of a liquid. But can we in any way enter vitally into this? Yes, we can and as a matter of fact we do so continually. We experience this process by virtue of our status as earth men, and because the earth, or at least the part of it on which we live, is a solid upon which are other solids involving many phenomena which we observe. In addition there is embedded in the earthly and belonging to it, the fluid state. The gaseous also belongs to it. Now there comes about a great distinction between what I will call Wärmenacht and Wärmetag. (I use these terms in order to lead us nearer to an understanding of the problem.) What is Wärmenach? Wärmenacht and Wärmetag are simply what happens to our earth under the influence of the heat being of the cosmos. And what does happen? Let us take up these phenomena of the earth so that we can grasp what can be easily understood by our thinking. Under the influence of the Wärmenach, that is during the time when the earth is not exposed to the sun, while the earth is left to herself and is emancipated from the influence of the cosmic sun being, she strives for form as the droplet takes on form when it can withdraw itself from the general force of gravitation. We have therefore, when we consider the general striving of the earth for form, the characteristic of the Wärmenach as compared to ordinary night. It is quite justifiable for me to say in this connection that the earth strives toward the drop form. Many other tendencies are operative during the Wärmenach, such as a tendency toward crystallization. And what we experience every night is a continuous emergence of forces tending toward crystallization. During the day under the influence of the being of the sun, a continual dissolving of this tendency toward crystallization is present, a continual will to overcome form.

And we may speak of the “dawn” and “twilight” of this heat condition. By dawn we mean that after the earth has sought to crystallize during the Wärmenach, this crystallization process dissolves again and the earth goes through the sphere state in her atmosphere and seeks to scatter herself again. Following the Wärmetag comes a twilight condition where the earth again starts seeking to form a sphere and crystallize during the night. We have thus to think of the earth as caught up in a cosmic process consisting in a drawing together in the Wärmenach when the motion of the earth turns it away from the sun, a tendency to become a crystal. At the proper time this is checked when the earth is led through the dawn condition, through the sphere. Then the earth seeks to dissipate her forces through the cosmos until the twilight condition reestablishes the opposite forces. In the case of the earth we do not have to do with something fixed in the cosmos, but with something that vibrates between two conditions, Wärmetag and Wärmenach. You see it is with such things as this that our research institute should deal. To our ordinary thermometer, hygrometers, etc., we should add other instruments through which we could show that certain processes of the earth, especially of the fluid and gaseous portions, take place at night otherwise than during the day. You can see further that we have here a rational leading to a physical view by which we can finally demonstrate with appropriate instruments the delicate differences in all the processes in liquids and gases during the day and during the night. In the future we must be able to make a given experiment during the day and at a corresponding hour of the night and have measuring instruments that will show us the difference in the way the process goes by day and by night. For by day those forces tending toward crystallization in the earth do not play through the process, but by night, they do. Forces arise that come from the cosmos in the night. And these cosmic forces that seek to crystallize the earth necessarily have their effect on the process. Here is opened a way of experimentation which will show the relation of the earth to the cosmos. You can realize that the research institute that must in the future be established according to our anthroposophically oriented views of the world will have weighty problems. They must reckon with the things which today are taken into account only rarely. Naturally we do take them into account today, with light phenomena at least in certain cases when we have to darken the room artificially, etc. But in other phenomena that take place within a certain null sphere, we do not. Then, when we have made these facts obvious and have demonstrated them, we will replace by them all kinds of theoretical forces in atoms and molecules.

The whole matter as it is understood now rests on the belief that we can investigate everything during the day. In this new sort of investigation, we will, for instance, first find in crystallization differences depending on whether we carry out the same experiment during the day or during the night. This is the sort of thing our attention must be turned to especially. And on such a path will we first come to true physics. For today, physical facts really stand in a chaotic relation to each other. We speak for instance of mechanical energy, of acoustical energy. But it is not to be understood that when we think about these things in the correct way mechanical energy can only operate where there are solids. The fluid realm lies between the purely mechanical and the acoustical energies. Indeed, when we leave the region in which we observe most readily the acoustical energy, the gaseous region, then we come to the region of the next state of aggregation, as it is called, to heat. This lies above the gaseous, just as the fluid lies above the solid. We may tabulate these things as follows:

X
Heat
Gaseous-acoustical
Fluid
Solid mechanical

We find the mechanical as a characteristic of the solid state. In the gaseous we find acoustical energy as the characteristic. Just as we have left out the fluid here, so we must leave out the heat realm and above we find something that I will at this time indicate by X. Thus we have to look beyond the heat region for something. Between this X and our acoustic phenomena playing themselves out in the air would lie the being of heat, just as the fluid condition lies between the gaseous and the solid states. We are trying, you see, to grasp the nature of heat in all the ways we can, to approach it by all possible paths. And when you say to yourselves: the fluid condition lies between the gaseous and X, you must in a similar way seek to pass from the heat condition to the X condition. You must find something which lies on the far side of the heat region just as for instance the tone world as it is expressed in the air lies on this side of the heat region. By this means you see how to attempt to build such real concepts of the physical as will lead you out of the mere abstract. Geometry really comprehends space forms but can never comprehend the mechanical except as motion. The concepts we are forming attempt really to include the physical. They immerse themselves in the nature of the physical and toward such concepts must we strive. Therefore I would think these are properly the sort of thing that should belong to what lies at the foundation of the “Free Waldorf School.” The attempt should be made to extend the experimental in the manner indicated here today. What is very much neglected in our physical processes, time and the passage of time, will thus be drawn into physical experiments.

Continuing with yesterday's considerations concerning the inability of the scientific world conception to grasp the nature of man, we can say that in all domains of science something is missing that is also absent in the mathematical-mechanistic sphere. This sphere has been divorced from man, as if man were absent from the mathematical experience. This line of thought results in a tendency to also separate other processes in the world from man. This in its turn produces an inability to create a real bridge between man and world.

I shall discuss another consequence of this inability later on. Let us focus first of all on the basic reason why science has developed in this way. It was because we lost the power to experience inwardly something that is spoken of in Anthroposophy today and that in former times was perceived by a sort of instinctive clairvoyance. Scientific perception has lost the ability to see into man and grasp how he is composed of different elements.

Let us recall the anthroposophical idea that man is composed of four members—the physical body, the etheric body, the astral body and the I-organization. I need not go into detail about this formation, since you can find it all in my book Theosophy.⁵⁹ When we observe the physical body and consider the possibility of inward experiencing one's physical body—we should begin by asking: What do we experience in regard to it? We experience what I have frequently spoken about recently; namely, the right-left, up-down, and front-back directions. We experience motion, the change of place of one's own body. To some extent at least, we also experience weight in various degrees. But weight is experienced in a highly modified form. When these things were still experienced within our various members, we reflected on them a good deal; but in the scientific age, no one gives them any thought. Facts that are of monumental importance for a world comprehension are completely ignored. Take the following fact. Assume that you have to carry a person who weighs as much as you do. Imagine that you carry this person a certain distance. You will consciously experience his weight. Of course, as you walk this distance, you are carrying yourself as well. But you do not experience this in the same way. You carry your own weight through space, but you do not experience this. Awareness of one's own weight is something quite different. In old age, we are apt to say that we feel the weight of our limbs. To some extent this is connected with weight, because old age entails a certain disintegration of the organism. This in turn tears the individual members out of the inward experience and makes them independent—atomizes them, as it were—and in atomization they fall a prey to gravity. But we do not actually feel this at any given moment of our life, so this statement that we feel the weight of our limbs is really only a figure of speech. A more exact science might show that it is not purely figurative, but be that as it may, the experience of our weight does not impinge strongly on our consciousness.

This shows that we have an inherent need to obliterate certain effects that are unquestionably working within us. We obliterate them by means of opposite effects (“opposite” in the sense brought out by the analogy between man and the course of the year in my recent morning lectures.⁶⁰ Nevertheless, whether we are dealing with processes that can be experienced relatively clearly, such as the three dimensions or motion, or with less obvious ones such as those connected with weight, they are all processes that can be experienced in the physical body.

What was thus experienced in former times has since been completely divorced from man. This is most evident in the case of mathematics. The reason it is less obvious in other experiences of the physical body is that the corresponding processes in the body, such as weight or gravity, are completely extinguished for today's form of consciousness. These processes, however, were not always completely obliterated. Under the influence of the mood prevailing under the scientific world conception, people today no longer have any idea of how different man's inner awareness was in the past. True, he did not consciously carry his weight through space in former times. Instead, he had the feeling that along with this weight, there was a counterweight. When he learned something, as was the case with the neophytes in the mysteries, he learned to perceive how, while he always carried his own weight in and with himself, the counter-effect is constantly active in light. It can really be said that man felt that he had to thank the spiritual element indwelling the light for counteracting, within him, the soul-spirit element activity in gravity. In short, we can show in many ways that in older times there was no feeling that anything was completely divorced from man. Within himself, man experienced the processes and events as they occurred in nature. When he observed the fall of a stone, for example, in external nature (an event physically separated from him) he experienced the essence of movement. He experienced this by comparing it with what such a movement would be like in himself. When he saw a falling stone, he experienced something like this: “If I wanted to move in the same way, I would have to acquire a certain speed, and in a falling stone the speed differs from what I observe, for instance, in a slowly crawling creature.” He experienced the speed of the falling stone by applying his experience of movement to the observation of the falling stone. The processes of the external world that we study in physics today were in fact also viewed objectively by the man of former times, but he gained his knowledge with the aid of his own experiences in order to rediscover in the external world the processes going on within himself.

Until the beginning of the Fifteenth Century, all the conceptions of physics were pervaded by something of which one can say that it brought even the physical activities of objects close to the inner life of man. Man experienced them in unison with nature. But with the onset of the Fifteenth Century begins the divorce of the observation of such processes from man. Along with it came the severance of mathematics, a way of thinking which from then on was combined with all science. The inner experience in the physical body was totally lost. What can be termed the inner physics of man was lost. External physics was divorced from man, along with mathematics. The progress thereby achieved consisted in the objectifying of the physical. What is physical can be looked at in two ways. Staying with the example of the falling stone, it can be traced with external vision.

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To see what happened to the older world view at the dawn of the Fifteenth Century, let us look at a man in whom the transition can be observed particularly well; namely, Galileo.⁶¹ Galileo is in a sense the discoverer of the laws governing falling objects. Galileo's main aim was to determine the distance traveled in the first second by a falling body. The older world view placed the visual observation of the falling stone side by side with the inward experience of the speed needed to run at an equal pace. The inner experience was placed alongside that of the falling stone. Galileo also observed the falling stone, but he did not compare it with the inward experience. Instead, he measured the distance traveled by the stone in the first second of its fall. Since the stone falls with increasing speed, Galileo also measured the following segments of its path. He did not align this with any inward experience, but with an externally measured process that had nothing to do with man, a process that was completely divorced from man. Thus, in perception and knowledge, the physical was so completely removed from man that he was not aware that he had the physical inside him as well.

At that time, around the beginning of the Seventeenth Century, a number of thinkers who wanted to be progressive began to revolt against Aristotle,⁶² who throughout the Middle Ages had been considered the preeminent authority on science. If Aristotle's explanations of the falling stone (misunderstood in most cases today) are looked at soberly, we notice that when something is beheld in the world outside, he always points out how it would be if man himself were to undergo the same process. For him, it is not a matter of determining a given speed by measuring it, but to think of speed in such a way that it can be related to some human experience. Naturally, if you say you must achieve a particular speed, you feel that something alive, something filled with vigor, will be needed for you to do this. You feel a certain inner impetus, and the last thing you would assume is that something is pulling you in the direction you were heading. You would think that you were pushing, not that you were being pulled. This is why the force of attraction, gravity, begins to mean something only in the Seventeenth Century.

Man's idea about nature began to change radically; not just the law of falling bodies, but all the ideas of physics. Another example is the law of inertia, it is generally called. The very name reveals its origin within man. (There is a play on words here. The German term for inertia, Trägheit, really means laziness.) Inertia is something that can be inwardly felt but what has become of the law of inertia in physics under the influence of “Galileoism?” the physicist says: A body, or rather a point, on which no external influence is exercises, which is left to itself, moves through space with uniform velocity. This means that throughout all time-spans it travels the same distance in each second. If no external influence interferes, and the body has achieved a given speed per second, it travels the same distance in each succeeding second.

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It is inert. Lacking an external influence, it continues on and on without change. All the physicist does is measure the distance per second, and a body is called inert if the velocity remains constant.

There was a time when one felt differently about this and asked: How is a moving body, traveling a constant distance per second, experienced? It could be experienced by remaining on one and the same condition without ever changing one's behavior. At most, this could only be an ideal for man. He can attain this ideal of inertia only to a very small degree. But if you look at what is called inertia in ordinary life, you see that it is pretty much like doing the same thing every second of your life.

From the Fifteenth Century on, the whole orientation of the human mind was led to such a point that we can fairly say that man forgot his own inward experience. This happens first with the inner experience of the physical organism—man forgets it. What Galileo thought out and applied to matters close to man, such as the law of inertia, was not applied in a wide context. And it was indeed merely thought out, even if Galileo was dealing with things that can be observed in nature.

We know how, by placing the sun in the center instead of the earth, and by letting the planets move in circles around the sun, and by calculating the position of a given planetary body in the heavens, Copernicus produced a new cosmic system in a physical sense. This was the picture that Copernicus drew of our planetary, our solar system. And it was a picture that certainly can be drawn. Yet, this picture did not make a radical turn toward the mathematical attitude that completely divorces the external world from man. Anyone reading Copernicus's text gets the impression that Copernicus still felt the following. In the complicated lines, by means of which the earlier astronomy tried to grasp the solar system, it not only summed up the optical locations of the planets; it also had a feeling for what would be experienced if one stood amid these movements of the planets. In former ages people had a very clear idea of the epicycles the planets were thought to describe. In all this there was still a certain amount of human feeling. Just as you can understand the position of, let us say, an arm when you are painting a picture of a person because you can feel what it is like to be in such a position, so there was something alive in tracing the movement described by a planet around its fixed star. Indeed, even in Kepler's⁶³ case—perhaps especially in his case—there is still something of a human element in his calculating the orbits described by the planets.

Now Newton applies Galileo's abstracted principle to the heavenly bodies, adopting something like the Copernican view and conceiving things somewhat as follows: A central body, let us say a sun, attracts a planet in such a way that this force of attraction decreases in proportion to the square of the distance. It becomes smaller and smaller in proportion to the square, but increases in proportion to the mass of the bodies. If the attracting body has a greater mass, the force of attraction is porportionately greater.

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If the distance is greater, the force of attraction decreases, but always in such a way that if the distance is twice as great, the attraction is four times less; if it is three times as great, nine times less, and so forth. Pure measuring is instilled into the picture, which, again, is conceived as completely abstracted from man. This was not yet so with Copernicus and Kepler but with Newton, a so-called “objective” something is excogitated and there is no longer any experience, it is all mere excogitation. Lines are drawn in the direction in which one looks and forces are, as it were, imagined into them, since what one sees is not force; the force has to be dreamed up. Naturally, one says “thought up” as long as one believes in the whole business; but when one no longer has faith in it, one says, “dreamed up.”

Thus we can say that through Newton the whole abstracted physical mode of conception becomes generalized so far that is applied to the whole universe. In short, the aim is to completely forget all experience within man's physical body; to objectify what was formerly pictured as closely related to the experience of the physical body; to view it in outer space independent of the physical corporeality, although this space had first been torn out of the body experience; and to find ways to speak of space without even thinking about the human being. Through separation from the physical body, through separation of nature's phenomena from man's experience in the physical body, modern physics arises. It comes into existence along with this separation of certain processes of nature from self-experience within the physical human body (yellow in sketch). Self experience is forgotten (red in Fig. 1)

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By permeating all external phenomena with abstract mathematics, this kind of physics could not longer understand man. What had been separated from man could not be reconnected. In short, there emerges a total inability to bring science back to man.

In physical respects you do not notice this quite so much; but you do notice it if you ask: What about man's self-experience in the etheric body, in this subtle organism? Man experiences quite a bit in it. But this was separated from man even earlier and more radically. This abstraction, however, was not as successful as in physics. Let us go back to a scientist of the first Christian centuries, the physician Galen.⁶⁴ Looking at what lived in external nature and following the traditions of his time, Galen distinguished four elements—earth, water, air and fire (we would say warmth.) We see these if we look at nature. But, looking inward and focusing on the self-experience of the etheric body,⁶⁵ one asks: How do I experience these elements, the solid, the watery, the airy and the fiery in myself? Then, in those times the answer was: I experience them with my etheric body. One experienced it as inwardly felt movements of the fluids; the earth as “black gall,” the watery as “phlegm,” the airy as “pneuma” (what is taken in through the breathing process,) and warmth as “blood.” In the fluids, in what circulates in the human organism, the same thing was experienced as what was observed externally. Just as the movement of the falling stone was accompanied by an experience in the physical body, so the elements were experienced in inward processes. The metabolic process, where (so it was thought) gall, phlegm, and blood work into each other, was felt as the inner experience of one's own body, but a form of inward experience to which corresponded the external processes occurring between air, water, fire and earth.

Here, however, we did not succeed in completely forgetting all inner life and still satisfying external observation. In the case of a falling body, one could measure something; for example, the distance traveled in the first second. One arrived at a “law of inertia” by thinking of moving points that do not alter their condition of movement but maintain their speed. By attempting to eject from the inward experience something that the ancients strongly felt to be a specific inner experience; namely, the four elements, one was able to forget the inner content but one could not find in the external world any measuring system. Therefore the attempt to objectify what related to these matters, as was done in physics, remained basically unsuccessful to this day. Chemistry could have become a science that would rank alongside physics, if it had been possible to take as much of the etheric body into the external world as was accomplished in the physical body. In chemistry, however, unlike physics, we speak to this day of something rather undefined and vague, when referring to its laws.⁶⁶ What was done with physics in regard to the physical body was in fact the aim of chemistry in regard to the etheric body. Chemistry states that if substances combine chemically, and in doing so can completely alter their properties, something is naturally happening.

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But if one wants to go beyond this conception, which is certainly the simplest and most convenient, one really does not know much about this process. Water consists of hydrogen and oxygen; the two must be conceived as mixed together in the water somehow but no inwardly experiencable concept can be formed of this. It is commonly explained in a very external way: hydrogen consists of atoms (or molecules if you will) and so does oxygen. These intermingle, collide, and cling to one another, and so forth. This means that, although the inner experience was forgotten, one did not find oneself in the same position as in physics, where one could measure (and increasingly physics became a matter of measuring, counting and weighing.) Instead, one could only hypothesize the inner process. In a certain respect, it has remained this way in chemistry to this day, because what is pictured as the inner nature of chemical processes is basically only something read into them by thought.

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Chemistry will attain the level of physics only when with full insight into these matters, we can again relate chemistry with man, though not, of course, with the direct experience possessed by the old instinctive clairvoyance. We will only succeed in this when we gain enough insight into physics to be able to consolidate our isolated fragments of knowledge into a world conception and bring our thoughts concerning the individual phenomena into connection with man. What happens on one side, when we forget all inner experience and concentrate on measuring externals (thus remaining stuck in the so-called “objective”) takes its revenge on the other side. It is easy enough to say that inertia is expressed by the movement of a point that travels the same distance in each succeeding second. But there is no such point. This uniform movement occurs nowhere in the domain of human observation. A moving object is always part of some relationship, and its velocity is hampered here or there. In short, what could be described as inert mass,⁶⁷ or could be reduced to the law of inertia, does not exist. If we speak of movement and cannot return to the living inner accompanying experience of it, if we cannot relate the velocity of a falling body to the way we ourselves would experience this movement, then we must indeed say that we are entirely outside the movement and must orient ourselves by the external world. If I observe a moving body (see Fig. 7) and if these are its successive positions, I must somehow perceive that this body moves. If behind it there is a stationary wall, I follow the direction of movements and tell myself that the body moves on in that direction. But what is necessary in addition is that from my own position (dark circle) I guide this observation, in other words, become aware of an inward experience. If I completely leave out the human being and orient myself only out there, then, regardless of whether the object moves or remains stationary, while the wall moves, the result will be the same. I shall no longer be able to distinguish whether the body moves in one or the wall behind it in the opposite direction. I can basically make all the calculations under either one or the other assumption.

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I lose the ability to understand a movement inwardly if I do not partake of it with my own experience. This applies, if I may say so, to many other aspects of physics. Having excluded the participating experience, I am prevented from building any kind of bridge to the objective process. If I myself am running, I certainly cannot claim that it is a matter of indifference whether I run or the ground beneath me moves in the opposite direction. But if I am watching another person moving over a given area, it makes no difference for merely external observation whether he is running or the ground beneath him is moving in the opposite direction. Our present age has actually reached the point, where we experience, if I may put it this way, the world spirit's revenge for our making everything physical abstract.

Newton was still quite certain that he could assume absolute movements, but now we can see numerous scientists trying to establish the fact that movement, the knowledge of movement, has been lost along with the inner experience of it. Such is the essence of the Theory of Relativity,⁶⁸ which is trying to pull the ground from under Newtonism. This theory of relativity is a natural historical result. It cannot help but exist today. We will not progress beyond it if we remain with those ideas that have been completely separated from the human element. If we want to understand rest or motion, we must partake in the experience. If we do not do this, then even rest and motion are only relative to one another.

• 59. Rudolf Steiner, Theosophy (Spring Valley, NY: Anthroposophic Press, 1971), pp. 1–39.
• 60. Rudolf Steiner, Man and the World of Stars: The Spiritual Communion of Mankind (New York: Anthroposophic Press, 1963), pp. 141–172.
• 61. Galileo Galilei: Pisa 1564–1642 Arcetri by Florence. Discovered isochromism in pendulum, hydrostatic scales, laws of free fall, law of inertia. Numerous astronomical inventions with self-constructed telescope. An Inquisition trial resulted in a banning of the Copernican world system. See Riddles of Philosophy, The Spiritual Guidance of Man, and Laurenz Muellner's speech, “Die Bedeutung Galilei's fuer die Philosophie,” Vienna 1894. (Reprinted in Anthroposophie, 1933/34:29).
  
  His Sermons de Motu Gravium (About the Effects of Gravity) contain the results of his investigations in Pisa. They first only circulated in manuscript copies; first edition: 1854. The final version is in the Discorsi e Dimenstrazioni Mathematiche Intomo a Due Nuove Scieme, published 1638 in Leyden. Also see L. Muellner's speech.
• 62. Such opponents were Bacon, Bruno, Galilei. See Riddles of Philosophy and the speech of L. Muellner, p. 103.
• 63. Johannes Kepler: Weil der Stadt (Wuerttemberg) 1571–1630 Regensburg. Mathematician, physicist, astronomer, discoverer of the astronomical telescope. Astronomer and mathematician to three emperors. Persecuted as a Protestant. Totally exhausted through his life misery, he died prematurely at the “Reichstag” at Regensburg, where he hoped to secure his subsistence. To calculate his three laws of the motion of the planets he used the observation data of Tycho Brahe, whose follower he was at the court of Prague. On the other hand, the Copernican planetary system was the starting point for the finding of the three laws of the planets. Kepler was the first who tried to interpret the motion of the planetary orbit and moved the center of force to the sun. See The Spiritual Guidance of Man and, about the three planetary laws Das Verhaeltnis der Verschiedenen Naturwissenschaftlichen Gebiete zur Astronomie (Dornach: Rudolf Steiner Verlag, 1981), GA Bibl. Nr. 323.
• 64. Galen: Pergamon, Asia Minor 129 A.D.–199 Rome. Physician and philosopher. Studies in Pergamon and travel for study to Corinth, Smyrna, and Alexandria. Personal physician of Emperor Marcus Aurelius. His one hundred and fifty medical texts with fifteen commentaries were the basis for future medicine and pharmacology. One hundred twenty-five texts concerning philosophy, mathematics, and jurisprudence.
• 65. Rudolf Steiner, A Road to Self Knowledge: The Threshold of the Spiritual World (London: Rudolf Steiner Press, 1975), pp. 19–27,100–106.
• 66. This is confirmed in chemical textbooks. They speak of chemistry as “a primarily empirical science.” In its laws one cannot come to mathematically definite values but to approximate numbers, whose limits are defined in tabular form. Therefore authors of chemical subject books need to add limiting explanations, such as “usually is valid,” or “generally one can say.” Chemical laws are mostly derived from physical laws, as for instance in the main theses of thermodynamics. It is thought unscientific to think otherwise than mechanically. Literature: H. Remy, Lehrbuch der Anorganischen Chemie, 7th ed., 2 vols. (Leipzig: 1954), Volume I, pages 14–23, 37, 50, 71–73.
• 67. See Georg Unger, Vom Bilden Physicalischer Begriffe, Volume 1, pages 41–49 and 57.
• 68. See Footnote 40.

In the future all teaching must be founded on a real psychology—a psychology which has been gained through an anthroposophical knowledge of the world. Of course it has been widely recognised that instruction and education generally must be built up on psychology, and you know that Herbartian pedagogy, for instance, which has influenced great numbers of people, founded its educational standards on Herbartian psychology. Now during the last few centuries and up to recent times there has been something present in the life of man which prevents a real practical psychology from coming into being. This can be traced to the fact that in the age in which we now are, the age of the Consciousness Soul, man has not yet reached the spiritual depth which would enable him to come to a real understanding of the human soul. But those concepts which have been built up in past times in the sphere of psychology—the science of the soul—out of the old knowledge of the fourth Post-Atlantean period, have become more or less devoid of content to-day: they have become mere words. Anyone who takes up psychology or anything to do with psychological concepts will find that there is no longer any real content in the books on the subject. They will have the feeling that psychologists only play with concepts. Who is there to-day for instance who develops a really clear conception of what mental picture or will is? In psychologies and theories of education you can find one definition after another of mental picture and of will, but these definitions will not be able to give you a real mental picture, a real idea, either of mental picture itself or of will. Psychologists have completely failed—owing to an external, historical necessity, it is true—to make any connection between the soul life of the individual human being and the whole universe. They were not in a position to understand how the soul-life of man stands in relation to the whole universe. It is only by perceiving the connection between the individual human being and the whole universe that it is possible to arrive at the idea of the being “man.”

Let us look at what is ordinarily called mental picture. We must develop this, as well as feeling and willing, in the children, and to this end we must first of all gain a clear conception of the mental picture. Anyone who looks with an open mind at what lives in men as this activity will at once be struck by its image character. The mental picture is of the nature of an image. And those who try to find in it the character of existence or being are subject to a great illusion. What would it be for us if it were “being”? We certainly have elements of being in us also. Think only of our bodily elements of being: to take a somewhat crude example: your eyes, they are elements of being, your nose or your stomach, that is an element of being. It will be clear to you that you live in these elements of being, but you cannot make mental pictures with them. You flow out with your own nature into the elements of being, and you identify yourself with them. The possibility of understanding, of grasping something with your mental pictures arises from the fact that they have an image character, that they do not so merge into us that we are in them. For indeed, they do not really exist, they are mere images. One of the great mistakes of the last period of man's evolution during the last few centuries, has been to identify being with thought as such. Cogito ergo sum (I think therefore I am), is the greatest error that has been put at the summit of recent philosophy, for in the whole range of the Cogito there lies not the sum but the non sum. That is to say, as far as my knowledge reaches I do not exist, but there is only image.

Now when you consider the image character of mental picturing you must above all think of it qualitatively. You must consider its mobility, one might almost say its activity of being, but that might give too much the impression of being, of existence, and we must realise that even activity of thought is only an image activity. Everything which is purely movement in mental picturing is a movement of images. But images must be images of something; they cannot be merely images as such. If you think of the comparison of mirror images you can say to yourselves: out of the mirror there appear mirror images, it is true, but what is in the mirror images is not behind the mirror, it exists independently somewhere else. It is of no consequence to the mirror what is to be reflected in it; all sorts of things can be reflected in it. When we have thus clearly grasped that the activity of mental picturing is of this image nature, we must next ask: of what is it an image? Naturally no outer science can tell us this, but only a science founded on Anthroposophy. Mental picturing is an image of all the experiences which we go through before birth, or rather conception. You cannot arrive at a true understanding of it unless it is clear to you that you have gone through a life before birth, before conception. And just as ordinary mirror images arise spatially as mirror images, so your life between death and re-birth is reflected in your present life and this reflection is mental picturing. Thus when you look at it diagrammatically you must mentally picture the course of your life to be running between the two horizontal lines bounded on the right and left by birth and death.

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You must then further represent to yourself that mental picturing is continually playing in from the other side of birth and is reflected by the human being himself. And it is because the activity which you accomplish in the spiritual world before birth or conception is rejected by your bodily nature that you experience mental picturing. For true knowledge this activity is a proof, because it is an image, of life before birth.

I want to place this first before you as an idea (we shall come back to a real explanation of these things later) in order to show you that we can get away from the mere verbal explanations which you find in psychologies and theories of education, and arrive at a true understanding of what the activity of mental picturing is, by learning to know that in it we have a reflection of the activity which was carried on by the soul before birth or conception, in the purely spiritual world. All other definitions of mental picturing are of absolutely no value, because they give us no true idea of what it is.

We must now investigate will in the same way. For the ordinary consciousness will is really a very great enigma. It is the crux of psychologists simply because to the psychologist will appears as something very real but basically without content. For if you examine what content psychologists give to will you will always find that this content comes from mental picturing. As for will itself it has no immediate real content of its own. Then again the fact is that there are no definitions of will: these definitions of will are all the more difficult because it has no real content. But what is will really? It is nothing else but the seed in us of that which after death will be reality of spirit and of soul. Thus when you picture to yourself what will be our spirit-soul reality after death, and picture it as seed within us, then you have will. In our drawing our life's course ends with death on the one side, and will passes over beyond it.

Thus we have to picture to ourselves: mental picturing on the one hand, which we must conceive of as an image from pre-natal life; and will, on the other hand, which we must conceive of as the seed of something which appears later. I beg you to bear clearly in mind the difference between seed and image. For a seed is something more than real, and an image is something less than real; a seed does not become real until later, it carries within it the ground of what will appear later as reality; so that the will is indeed of a very spiritual nature. Schopenhauer had a feeling for this truth, but naturally he could not advance to the knowledge that will is a seed of the Spirit-Soul as it unfolds after death in the spiritual world.

Now we have divided man's soul-life into two spheres, as it were: into mental picturing, which is in the nature of image, and will, which is in the nature of seed, and between image and seed there lies a boundary. This boundary is the whole life of the physical man himself who reflects back the pre-natal, thus producing the images of mental picturing, and who does not allow the will to fulfil itself, thereby keeping it continually as seed, allowing it to be nothing more than seed. Now we must ask: what are the forces that really bring this about?

We must be quite clear that in man there are certain forces which reflect back the pre-natal reality and hold the after death reality in seed. And now we come to the most important psychological concepts of facts which are reflections of the forces described in my book Theosophy—reflections of sympathy and antipathy. Because we can no longer remain in the spiritual world (and here we come back to what was said yesterday) we are brought down into the physical world. In being brought down into the physical world we develop an antipathy for everything spiritual so that we radiate back the spiritual, pre-natal reality in an antipathy of which we are unconscious. We bear the force of antipathy within us, and through it transform the pre-natal element into a mere mental picture or image. And we unite ourselves in sympathy with that which radiates out towards our later existence as the reality of will after death. We are not immediately conscious of these two, sympathy and antipathy, but they live unconsciously in us, and they signify our feeling, which consists continually of a rhythm, of an alternating between sympathy and antipathy.

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We develop within us all the world of feeling, which is a continual alternation—systole, diastole—between sympathy and antipathy. This alternation is continually within us. Antipathy on the one hand changes our soul life into picture image: sympathy, which goes in the other direction, changes our soul life into what we know as our will for action, into that which holds in germ what after death is spiritual reality. Here we come to the real understanding of the life of soul and spirit. We create the seed of the soul life as a rhythm of sympathy and antipathy.

Now what is it that you ray back in antipathy. You ray back the whole life, the whole world, which you have experienced before birth or conception. That has in the main the character of cognition. Thus you really owe your cognition to the shining in, the raying in of your pre-natal life. And this cognising, which possesses great reality before birth or conception, is weakened to such a degree through antipathy that it becomes only a picture image. Thus we can say: this cognising comes up against antipathy and is thereby reduced to mental picture.

If antipathy is sufficiently strong something very remarkable happens. For in ordinary life after birth we could not picture mentally if we did not do it in a measure with the very force which has remained in us from the time before birth. When you use this faculty to-day as physical man you do not do it with a force which is in you, but with a force which comes from a time before birth, and which still works on in you. You might suppose it ceased with conception, but it remains active, and we make our mental pictures with this force which continues to ray into us. You have it in you, continually living on from pre-natal times, only you have the force in you to ray it back. You have this force in your antipathy. When in your present life you make mental pictures, each such process meets antipathy, and if the antipathy is sufficiently strong a memory image arises. So that memory is nothing else but a result of the antipathy that holds sway within us. Here you have the connection between the purely feeling nature of antipathy which rays back in an indefinite manner, and the definite raying back, the raying back of the activity of perception in memory, an activity which is carried out in a pictorial way. Memory is only heightened antipathy. You could have no memory if you had so great a sympathy for your mental pictures that you could devour them; you have a memory only because you have a kind of “disgust” for them, you fling them back and in this way make them present. That is their reality.

When you have gone through this whole process, when you have produced a mental picture, reflected this back in the memory, and held fast the image element, then there arises the concept. This then is one side of the soul's activity: antipathy, which is connected with our pre-natal life.

Now we will take the other side, that of willing, which is in the nature of a germ in us and belongs to the life after death. Willing is present in us because we have sympathy with it, because we have sympathy with this seed which will not be developed until after death. Just as our thinking depends upon antipathy, so our willing depends on sympathy. Now if this sympathy is sufficiently strong—as strong as the antipathy which enables mental picturing to become memory—then out of sympathy there arises imagination. Just as memory arises out of antipathy so imagination arises out of sympathy. And if your imagination is sufficiently strong (which only happens unconsciously in ordinary life), if it is so strong that it permeates your whole being right down into the senses, then you get the ordinary picture forms* through which you make mental pictures of outer things. This activity has its starting point in the will. People are very much mistaken when in speaking psychologically they constantly say: “We look at things, then we make them abstract, and thus we get the mental picture.” This is not the case. The fact that chalk is white to us is a result of the application of the will, which by way of sympathy and imagination has become picture form.¹ But when we form a concept, on the other hand, it has quite a different origin; for the concept arises from memory.

Here I have described to you the soul processes. It is impossible for you to comprehend the being of man unless you understand the difference between the elements of sympathy and antipathy in man. These elements, as I have described, find their full expression in the soul world after death. There sympathy and antipathy hold sway undisguised. I have been describing the soul-man who, on the physical plane, is united with the bodily man. Everything pertaining to the soul is expressed and revealed in the body, so that on the one hand we find revealed in the body what is expressed in antipathy, memory and concept. All this is bound up with the nerves in the bodily organisation. While the nervous system is being formed in the body all that belongs to the pre-natal life is at work there. The pre-natal life of the soul works into the human body through antipathy, memory and concept, and hereby creates the nerves. This is the true concept of nerves. All talk of classifying nerves as sensory and motor is meaningless, as I have often explained to you.

Similarly, in a certain sense, the activity of willing, sympathy, picture-forming and imagination works out of the human being. This is bound to the seed condition; it can never really come to completion but must perish at the moment it arises; it has to remain as a seed, and the seed must not evolve too far. Thus it must perish in the moment of arising. Here we come to a very important fact about the human being. You must learn to understand the whole man, spirit, soul and body. Now in man there is something continually being formed which always has the tendency to become spiritual. But because out of our great love, albeit selfish love, we want to hold it fast in the body, it never can become spiritual; it loses itself in its bodily nature. We have something within us which is material but which is always wanting to pass over from its material condition and become spiritual. We do not let it become spiritual, and therefore we destroy it in the very moment when it is striving to become spiritual—I refer to blood, the opposite of the nerves.

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Blood is really a “very special fluid.” For it is the fluid which would whirl away as spirit if we were able to remove it from the human body so that it still remained blood and was not destroyed by other physical agencies—an impossibility while it is bound to earthly conditions. Blood has to be destroyed in order that it may not whirl away as spirit, in order that we may retain it within us as long as we are on the earth, up to the moment of death. For this reason we have perpetually within us: formation of blood—destruction of blood—formation of blood—destruction of blood: through in-breathing and out-breathing.

We have a polaric process within us. We have those processes within us which, working through the blood and blood-vessels, continually have the tendency to lead our being out into the spiritual. To talk of motor nerves, as has become customary, does not correspond to the facts, because the motor-nerves would really be blood-vessels. In contrast to the blood all nerves are so constituted that they are constantly in the process of dying, of becoming materialised. What lies along the nerve-paths is really extruded, rejected material. Blood wants to become ever more spiritual—nerve ever more material. Herein consists the polaric contrast. In the later lectures we shall follow these fundamental principles further and we shall see how this can give us help to arrange our teaching in a hygienic way, so that we can lead a child to health of soul and body, and not to decadence of spirit and soul. The amount of bad education now prevalent is because so much is unknown. Although physiology believes it has discovered a truth when it talks of sensory and motor nerves, it is nevertheless only playing with words. Motor nerves are spoken of because of the fact that when certain nerves are injured, i.e. those which go to the legs, a man cannot walk when he wants to do so. It is said that he cannot walk because he has injured the nerves which, as motor nerves, set the leg in motion. In reality the reason why he cannot walk is that he has no perception of his own legs. This age in which we live has been obliged to entangle itself in a mass of errors, so that, through having to disentangle ourselves from them, we may become independent human beings.

Now you will have seen, from what I have here developed, that really the human being can only be understood in connection with the cosmos. For when we make mental pictures we have what is cosmic within us. We were in the cosmos before we were born, and our experience there is now mirrored in us; we shall be in the cosmos again when we have passed through the gate of death, and our future life is expressed in seed form in what rules our will. What works unconsciously in us works in full consciousness for higher knowledge in the cosmos.

We have a threefold expression of this sympathy and antipathy revealed in our physical body. We have, as it were, three centres where sympathy and antipathy interplay. First we have a centre of this kind in the head, in the working together of blood and nerves, whereby memory arises. At every point where the activity of the nerves is broken off, at every point where there is a gap, there is a centre where sympathy and antipathy interplay. Another gap of this kind is to be found in the spinal marrow; for instance, when one nerve passes in towards the posterior horn of the spinal marrow and another passes out from the anterior horn. And again there is such a gap in the little bundles of ganglia, which are embedded in the sympathetic nerves. We are by no means such simple beings as it might seem. In three parts of our organism, in the head, in the chest and in the lower body, there are boundaries at which antipathy and sympathy meet. In perceiving and willing it is not that something leads round from a sensory to a motor nerve, but a direct stream springs over from one nerve to another, and through this the soul in us is touched; in the brain and in the spinal marrow. At these places where the nerves are interrupted we unite ourselves with our sympathy and antipathy to the soul-life; and we do so again where the ganglia systems are developed in the sympathetic nervous system.

We are united with our experience with the cosmos. Just as we develop activities which have to be continued in the cosmos, so does the cosmos constantly develop with us the activity of antipathy and sympathy. When we look upon ourselves as men, then we see ourselves as the result of the sympathies and the antipathies of the cosmos. We develop antipathy from out of ourselves, the cosmos develops antipathy together with us; we develop sympathy, the cosmos develops sympathy with us.

Now as human beings we are manifestly divided into the head system, the chest system, and the digestive system with the limbs. But please notice that this division into organised systems can very easily be combated, because when men make systems to-day they want to have the separate parts neatly arranged side by side. If we say that a man is divided into a head system, chest system, and a system of the lower body with the limbs, then people expect each of these systems to have a fixed boundary. People want to draw lines where they divide, and that cannot be done when dealing with realities. In the head we are principally head, but the whole human being is head, only what is outside the head is not principally head. For though the actual sense organs are in the head, we have the sense of touch and the sense of warmth over the whole body. Thus in that we feel warmth we are head all over. In the head only are we principally head, but we are secondarily head in the rest of the body. Thus the parts are intermingled, and we are not so simply divided as the pedants would have us be. The head extends everywhere, only it is specially developed in the head proper. The same is true of the chest. Chest is the real chest but only principally, for again the whole man is chest. For the head is also to some extent chest as is the lower body with the limbs. The different parts are intermingled. And it is just the same in the lower body. Some physiologists have noticed that the head is “lower body.” For the very fine development of the head-nerve system does not really lie within the outer brain layer of which we are so proud; it does not lie within but below the outer layer of the brain. For the outer covering of the brain is, to some extent, a retrogression; this wonderful artistic structure is already on the retrograde path; it is much more a system of nourishment. So that in a manner of speaking, we may say a man has no need to be so conceited about the outer brain for it is a retrogression of the complicated brain into a brain more used for nourishment. We have the outer layer so that the nerves which are connected with knowing may be properly supplied with nourishment. And the reason that our brain excels the animal brain is only that we supply our brain nerves better with nourishment. We are only able to develop our higher powers of cognition because we are able to nourish our brain nerves better than the animals are able to do. Actually the brain and the nervous system have nothing to do with real cognition but only with the expression of cognition in the physical organism.

Now the question is: why have we the contrast between the head system (we will leave the middle system out of account for the present) and the polaric limb system with the lower body? We have this contrast because at a certain moment the head system is breathed out by the cosmos. Man has the form of his head by reason of the antipathy of the cosmos. When the cosmos has such aversion for what man bears within him that it pushes it out, then the image or copy arises. In the head man really bears the copy of the cosmos in him. The roundly formed head is such a copy. The cosmos, through antipathy, creates a copy of itself outside itself. That is our head. We can use our head as an organ for freedom because it has been pushed out by the cosmos. We do not regard the head correctly if we think of it as incorporated in the cosmos as intensively as is our limb-masses system, in which are included the sexual organs. Our limb system is incorporated in the cosmos and the cosmos attracts it, has sympathy with it, just as it has antipathy towards the head. In the head our antipathy meets the antipathy of the cosmos; there they come into collision. And in the rebounding of our antipathies upon those of the cosmos our perceptions arise. All inner life which rises on the other side of man's being has its origin in the loving sympathetic embrace between the cosmos and the limb system of man.

Thus the human bodily form expresses how a man, even in his soul nature, is formed out of the cosmos, and also what he then takes from the cosmos. If you look at it from this point of view you will more easily see that there is a great difference between the formation of the mental picture and the formation of will. If you work exclusively and one-sidedly on the building up of the former, then you really point the child back to his pre-natal existence, and you will harm him if you are educating him rationalistically, because you are coercing his will into what he has already done with—the pre-natal life. You must not introduce too many abstract concepts into what you bring to the child. You must rather introduce imaginative pictures. Why is this? Imaginative pictures stem from picture-forming and sympathy. Concepts, abstract concepts, are abstractions; they go through memory and antipathy, and they stem from the pre-natal life. If you use many abstractions in teaching a child, you involve him too intensely in the production of carbonic acid in the blood, namely in processes of the hardening of the body, and decay. If you bring to the child as many imaginations as possible, if you educate him as much as possible by speaking to him in images, then you are actually laying in the child the germ for the preservation of oxygen, for continuous growth, because you point to the future, to what comes after death. In educating we take up again in some measure the activities which were carried out with us men before birth. We must realise that mental picturing is an activity connected with images, originating in what we have experienced before birth or conception. The spiritual Powers have so dealt with us that they have planted within us this image activity which works on in us after birth, If in our education we ourselves give the children images we are taking up this cosmic activity again. We plant images in them which can become germs, seeds, because we plant them into a bodily activity. Therefore, whilst as educators we acquire the power to work in images we must continually have the feeling: you are working on the whole man; it echoes, as it were, through the whole human being, if you work in images.

If you yourselves continually feel that in all education you are supplying a kind of continuation of pre-natal super-sensible activity, then you will give to all your education the necessary consecration, for without this consecration it is impossible to educate at all.

To-day we have learnt of two systems of concepts: cognition, antipathy, memory, concept: willing, sympathy, picture-forming, imagination: two systems which we shall be able to apply practically in all that we have to do in our educational work. We will speak further of this tomorrow.

• 1. Imaginationen

The following lecture is included in Bn/GA 275. It is lecture 8 of 8 in the series entitled, Art in the Light of Mystery Wisdom. It is also known as, Working with Sculptural Architecture—2.

To the impulses necessary for the transformation of the present age belongs an ever wider and more comprehensive understanding of the processes of the human soul in those regions which open to Imaginative, Inspired and Intuitive observation. For what first makes our world into a whole, raising us above Maya and leading us into true reality, lies within those spheres which open to this observation. It must be emphasized again and again that what we are striving towards as a new spiritual knowledge cannot consist in any warming-up of the results of an earlier clairvoyance. It is true that many people aspire to such a warming-up of an earlier clairvoyance, but the time for this clairvoyance is past, and only atavistic echoes of it can appear in certain individuals. However, the stages of human existence that we must surmount do not disclose themselves through a revival of old clairvoyance, and thus we will endeavor to consider once again that which must lie at the basis of the new clairvoyance. We have often spoken of the principle of this, and today we shall try to do this again, but from another side.

Let us start once more from something we all know, from the fact that, during daytime waking consciousness, man lives with his ego and astral body in his physical and etheric body. During the last few days I have emphasized that this waking state of man, from waking until falling asleep, is not a fully-awake condition, because there is still something asleep in man. What we experience as our will is really only partially awake. Our thoughts are awake from waking until falling asleep, but the will is something which we exercise quite dreamily. On this account much of the pondering on the freedom of the will, and on freedom in general, is in vain, because people have not noticed that what they know of the will in waking daily life is really only a dream or a tale of will impulses. When they will, and represent something to themselves concerning it, they are of course awake. But how the will arises and passes over into action, of this man can only dream in daily waking life.

If you lift a piece of chalk and then think about this action, then you have of course an idea of it in your mind. But without clairvoyance, how the ego and astral body flow into the hand—how the will spreads out there—you can know nothing more of this in ordinary day consciousness than you know of a dream while you are dreaming. Man only dreams of real willing during ordinary waking life, and in most things we do not even dream, we sleep. You can clearly conceive of how you put a morsel of food on a fork; you can also conceive to a certain extent of how you bite this morsel; but how you swallow the morsel, this you do not even dream. For the most part you are quite unconscious of it, just as you are unconscious of your thoughts when you are asleep. A great part of the activity of will while man is awake is similarly performed in a half-sleeping condition.

For instance, if we were not asleep as regards our powers of desire and the feeling impulses connected with them, we would develop an extraordinary activity. We would follow the actions we perform right into the body; everything we fulfilled as will impulse we would follow inwardly—into our blood, and into all the blood vessels. This means that if you could follow the lifting of a piece of chalk with reference to the will impulse, you would be able to follow what takes place in your hand, right into all the blood vessels. You would see from within the activity of the blood and the feelings attached to it, for example, the gravity of the particles of chalk, and things of that nature, and would thereby become aware that you were following your nerve-paths and the etheric fluidity found therein. You would inwardly experience yourself, along with the activity of blood and nerves. This would be an inner enjoyment of your own blood and nerve activity. But during our life on earth this inner enjoyment of our own blood and nerve activity must be withheld from us, otherwise we would go through life in such a way that in everything we did we would experience this inner self enjoyment. But man, as he has become, may not have this enjoyment, and the secret of why he may not we again find expressed in a part of the Bible towards which we should always feel the greatest reverence.

After those things had taken place which are expressed in the Paradise-Myth, man was permitted to eat of the Tree of Knowledge but not of the Tree of Life. Eating of the Tree of Life would mean this inner gratification, and this must not happen to man. I cannot develop this motif further here today because it would us lead too far, but through your own meditation on the motif here touched upon you will be able to make further discoveries for yourselves. However, starting from this point, there is something else you can keep in mind which can be of essential importance for you: we are unable to eat of the Tree of Life, i.e., enjoy within our inner being our own blood and nerve activity—we cannot do this—yet something happens, especially when observing the world through our senses and our intellect, which is closely connected with such an inner enjoyment. In the perception of any object in the outer world, and in pondering over any object in the outer world, we follow the senses, that is, when we follow the eyes, nose, ears and taste nerves, we follow the path of the blood vessels. And when we think, we follow the path of the nerves. But we cannot perceive what else might have been perceived along the path of the blood and the nerves. What we might have perceived in the blood is reflected through the senses; it is as it were thrown back, and from this, sense impressions arise. And that which is conducted along the path of the nerves is also reflected and brought to where the nerve paths reach their end, and is then reflected as our thoughts.

Just suppose for once that a man appeared who was in a position not merely to follow along the path of his blood under the influence of the outer world, and then to receive reflection of what his blood does; not merely to follow his nerves, and receive reflected back what his nerves do, but to experience inwardly what is denied us in regard to the blood and sense nerves, to experience inwardly what leads to the eye, to experience inwardly the blood as it tends towards the nerves and the eyes. This he would enjoy inwardly, at least in regard to those parts of the blood and nerves. It was in this way that those forms arose that belong to the old clairvoyance. For what is reflected back for us are but images, finely filtrated images, as it were, of what is contained in the blood and nerves. Cosmic mysteries are contained in our blood and nerves, but such cosmic mysteries as are already exhausted, because we have developed beyond them. We only learn to know ourselves when we learn to know the Imaginations which are revealed to us when we experience ourselves within the blood extending to the senses; and we only learn to know those Inspirations destined to up-build us when we live within the nerves extending to our senses.

A whole inner world is thus built up. This inner world can consist of a sum of Imaginations, whereas in perceiving the outer physical world in a way fitted to our earth evolution we perceive reflections and reflected images of what takes place in blood and nerves. We are unable, when deeply sunk in the inner enjoyment of ourselves, to get beyond the senses, but only reach the point where the blood streams enter the senses. Man then experiences the Imaginative world so that he seems as it were to swim in the blood as a fish in water. But this Imaginative world is in truth no outer world, but a world which lives in our blood. When a man lives in the nerves which extend to the senses, he experiences an Inspired world, a world of sphere-tones, and a world of inward pictures. This is also cosmic, but it is nothing new, it is merely something which has completed its task in that it has streamed into our nerve and blood system.

The clairvoyance which thus arises, and which does not lead man beyond himself, but leads him rather deeper into himself, is a self-enjoyment, truly a real self-enjoyment. This is why in a certain sense it produces a higher bliss in people when they become clairvoyant in this way, that is, when they experience a new world. This way of becoming clairvoyant is on the whole a falling back to an earlier stage of evolution. For what I have just described, the life within ones own sense organs and blood, did not exist at that time in the form it does now, although the nervous system was already foreshadowed.

This kind of perception was the normal kind of perception on the Old Moon, and in what existed at that time in the tendencies toward the formation of nerves, a man was inwardly aware of himself. Blood was not yet developed within him, it was more something which came to him from outside like a warm breath, as the sun's rays come to us. Therefore what now on earth is a conscious perception of the inner blood system was on the Moon the normal perception of the outer world.

If therefore the nerve is here the boundary between the human inner and outer world, then what is now nerve was already foreshadowed on the Moon. While following the nerves a man was able to perceive what revealed itself to him as an inner, Imaginative world, which was a part of himself. He perceived how he himself is included in the cosmos. He also was aware Imaginatively of what came to him as a breath from outside… not from within. This perception has now fallen from him, what was outside him on the old Moon has become inward, as the circulation of the blood in earthly evolution. The old perception is therefore a going-back to the Old Moon evolution.

It is well to know of such things, because again and again things arise that are of this kind of clairvoyance. What appears clairvoyantly in this way has no need of being developed by those difficult paths of meditation and concentration described in How to Attain Knowledge of the Higher Worlds. This clairvoyance, which arises through learning to live inwardly in ones nerves and blood—to feel satisfaction in oneself—is in general but a finer development of the organic life, a refinement of what a man experiences when he eats and drinks. When all is said such clairvoyance is not the task set before man today, but is rather something that arises as a hothouse plant through our bringing to a more refined existence that self-enjoyment afforded us by eating, drinking and similar things. Just as an inner after-effect arises in an epicure when he has drunk Rhinewine or Mosel, which of course rises only to an Imagination of taste but does not work formatively, so in many people a refined inner enjoyment arises, and this is their clairvoyance.

A great deal of clairvoyance is nothing else but a refined, rarified, hothouse-like after-enjoyment of life. Attention must frequently be drawn to these things in our day. For I may tell you that the last time the secrets concerning these things were still known, when people still spoke of them in literature, was really the first half of the 19th century. Then came the second half of the 19th century, with its so highly-rated discoveries—highly-rated from their point of view—when all understanding for these things and for the finer connections of existence was lost. It may be added parenthetically that people have not yet lost the enjoyment experienced under the influence of the coarser, let us say more selfish enjoyment; they can still live with the after-pleasure of eating and drinking, in fact these have even been developed to a certain high degree in this materialistic age.

But in such things, man lives in a cyclic, rhythmic movement. And the materialistic age, because it has extinguished what was formerly a general feeling—the passing of self-enjoyment into the senses, nerves, and blood-circulation—can therefore give itself up ever more thoroughly to the impressions of eating and drinking. We can easily observe the complete “volt face” and transformation which has taken place in this connection within a relatively short time. We have but to look at a hotel menu card from the 70's, and compare it with one of today, and we see what strides life has made in refined enjoyment, in the self-gratification of our own bodies. But such things also progress in cycles, for everything can only be reached to a certain degree, and just as a pendulum can only rise to a certain point and must then return, so mere physical enjoyment must recede when it has reached a certain point. It will then come to pass that when the keenest epicures, those who have the greatest longing for enjoyment, stand before the most daintily prepared repast, they will not yearn for it, but will say: “Ah! I cannot. All that is finished for me.” This also will come in time, for it is a necessity of evolution. Everything passes in cycles.

The other side of life is that which man experiences during sleep. His life of thought is asleep, and naturally, entirely different connections make their appearance. I have already said that in the first half of the 19th century people still had insight into these things. The clairvoyance which arises through following ones own blood and nerve paths was still called, in accord with certain memories, the Pythic clairvoyance, because it was in fact related to what lay at the root of the pythic clairvoyance of antiquity.

Other connections are present during the life of sleep. Man with his ego and astral body is then outside the physical and etheric body. Ideas from ordinary life are then suppressed and weakened, but man lives continually from falling asleep till waking in a state of longing for his physical body. Sleeping consists essentially in this, that man, from the moment he begins to sleep, develops longings for his physical body. These longings increase until a climax is reached when he is forced back more and more towards his physical body. The longing for ones physical body becomes ever greater and greater in the state of sleep. And because longing fills the ego and astral body like a cloud, the life of thought is dimmed. Perceptions become dim because desire for the physical body pervades the ego and astral body like a cloud. Just as we cannot see the trees in a wood if mist spreads over everything, neither can we ask variance of our inward life of perception if the mist of our desire spreads over it.

But it may happen that this life of desire becomes so strong during sleep that man not merely develops this desire when outside his physical and etheric body, but he becomes greedy to such an extent that he partially seizes on this inner part of his physical and etheric body so that he reaches with his desire to the furthest limits of his blood and nerve paths, he sinks through as it were from outside into the extremities of the senses of circulation, and into the ultimate ends of the nerve paths.

In ancient times, when the Gods still helped man with such experiences, they were entirely regular and good. The ancient Hebrew Prophets, for example, who did such great things for their people, performed what they did and received their prophetic gifts because they applied such infinite love to the blood and nerve structure of their people, and even in the sleeping state they did not entirely absent themselves from what lived physically in this people. These ancient Hebrew prophets were seized by such longing, filled with such love, that they remained united even in sleep with the blood of the people to whom they belonged. It was because of this that they received their prophetic gifts.

This is the physiological origin of these gifts, and most beautiful and splendid results came from what has just been told you. The prophets of different peoples were of such significance to these peoples just because, while outside the physical body, they still lived with this physical body in the way described.

As explained, a certain consciousness of this still existed up to the first half of the 19th century in the life of mankind. As the first clairvoyance described here was called Pythic clairvoyance, so the clairvoyance of which I have just spoken, in which a man dives down into the blood and nerve paths of the physical body with what otherwise lives outside the physical and etheric body during sleep, was called Prophetic clairvoyance.

If you pursue the literature of the first half of the 19th Century—even if it cannot be described with the exactitude and precision of modern spiritual science—you still find descriptions of pythic and prophetic clairvoyance. The distinction between them is not recognized today, because people can no longer understand what they read of pythic and prophetic clairvoyance.

Neither kind of clairvoyance is that which is really capable of advancing mankind at the present time. These are the kinds of clairvoyance that were valid for ancient times. The modern clairvoyance, which must develop more and more towards the future, can come neither by enjoying what penetrates our body from within during waking conditions, nor by diving down into this body from outside in a state of sleep, but from love—not for ourselves, but for that portion of mankind to which our body belongs. The earlier forms are stages of development which have been outgrown.

Modern clairvoyance must develop as a third kind of clairvoyance that does not involve desire for laying hold of the physical body from without, nor as enjoyment of the physical body from within.

That which lives within and is capable of penetrating our body, enjoying it inwardly, and that which can seize the body from without, must be detached from the body if modern clairvoyance is to arise. Neither must enter into any further connection with the body other than in the [normal] incarnation between birth and death, so that blood and nerves can be enjoyed neither from within nor from without; but each must remain connected with the body in pure renunciation of such self-enjoyment and such self-love. A connection with the body must nevertheless remain, for otherwise, death would take place. Man must remain united with the body which belongs to him during his physical incarnation on earth, remain united with it through those members which in a sense stand far, or at least relatively far, from the activity of blood and nerve. A release from blood and nerve activity must be attained.

When man no longer finds inward enjoyment along the paths which lead to his senses, or penetrates his own being from outside as far as to the senses, but when he can enter into such union with himself both from within and from without so as to really lay hold in a living way of that which in physical existence is the symbol of death, and can unite himself with that which gives the expectancy of physical death, the condition we are considering is then reached. For considered physiologically, we really die because we are capable of developing a bony system—a skeleton. When we are capable of comprehending our bones, which through a wonderful intuition people recognize as the symbol of death—the bony skeleton—and which is so far removed from the blood and nervous systems, we then attain to something which is higher than pythic and prophetic clairvoyance, we come to what we can call the Clairvoyance of Spiritual Science.

In this spiritual scientific clairvoyance, we no longer grasp only a part of human nature, we grasp the whole man. And fundamentally, it is all one whether we grasp it from within or from without, because this kind of clairvoyance can no longer be an “enjoyment,” it is no longer a refined pleasure, but a going forth into the divinely spiritual forces of the All. It is a becoming-one with the cosmos, an experience no longer of man and of what is secreted in man, but an experience that is a living within the deeds of the Beings of the higher Hierarchies, a real raising of oneself above self-enjoyment and self-love. Just as our thoughts are members of our souls, so man must become, as it were, a thought, a member of the higher Hierarchies. To allow oneself to be thought, pictured, perceived by the higher hierarchies, this is the principle of the clairvoyance of spiritual science. It is being taken up, not taking up.

I hope that what I am now saying may very definitely become the subject of your further meditations, for precisely those things that I have explained today are capable of stimulating very much in all of you, and this can serve toward an ever deeper and more comprehensive penetration to the real impulses of our spiritual scientific stream. How much earnestness is necessary for this penetration into our spiritual scientific stream has been spoken of often in these past days. Something might be realized of what is—I do not say willed, but what must be willed—within this spiritual stream, if as many as possible would resolve to ponder in a living way this threefold form of knowledge of higher worlds, so that clearer and ever clearer ideas might arise concerning what we all desire at bottom, and which is so easily confused with what is far easier and more comfortable to acquire.

We have in fact worked from cycle to cycle of lectures for no other purpose than to bring together, ever more and more, ideas and concepts. It is necessary to study these ideas and concepts, and in this way we prepare in ourselves those impulses of soul which lead to real spiritual scientific clairvoyance. Often because one has sipped a little here or there of what is imparted within our spiritual scientific stream, and thereby given some part of our human nature to pythic or prophetic clairvoyance—because of this one may perhaps become proud and haughty. When this is the case opinions arise as are often heard when one or another says: I need not study every detail, I do not require what is said in this cycle. What I hear I already know, and so on. The principle of living in a few Imaginations which might be called blood and nerve Imaginations, still exists in many. Many think they possess something quite special if they have a few blood and nerve Imaginations. But this is not what leads us to selfless labor for human evolution; such a tarrying in blood and nerve imaginations leads only to a heightening of self-enjoyment, to a refined egoism. In this event, it may be that a more refined egoism is cultivated through the pursuit of spiritual science than exists even in the outside world.

Naturally, in referring to such things, one never speaks of these matters to those who are present, and never of the members of the anthroposophical society who are present. Yet it may be mentioned that societies exist in which people are to be found who, according to the principles of these societies, bring themselves to co-operate, not with true selflessness, but to undertake preferably that which kindles the blood or nerve Imaginations. They then think they can be excused from anything else. They attain to such an atavistic clairvoyance—or perhaps they do not attain to it, but merely to the feelings which are held to be an accompaniment of the phenomenon of such Imaginative clairvoyance. These feelings are not a conquest of egoism, but only a higher blossoming of it. One finds within such societies—the anthroposophical society being excepted from politeness—that although their duty is to develop love and esteem, harmony and compassion, at the profoundest depths of their souls one finds disharmony, quarrelsomeness, mutual calumniation, etc, growing more and more from member to member. I venture to express myself thus, because, as I have said, I always exclude the members of the anthroposophical. society.

We then see how, that where an especially strong light should arise, deep shadows are also cast. It is not so much as if I wished to place blame on such things, or believed they could be rooted out at once, between today and tomorrow. That is impossible because they arise naturally. However, each one can at least work on himself. And it is not good if the consciousness is not at least directed to such matters.

One can thoroughly understand that just because a certain stress must be worked out within such societies, the shadow-sides also make themselves felt, and that what flourishes outside in life often flourishes all the more vigorously within such societies. Nevertheless a certain bitter feeling is evoked when this appears in societies that should naturally (otherwise the society would have no meaning) develop a certain brotherliness and unity, and when, with this closer contact, certain qualities that exist but fleetingly outside are developed with all the greater intensity. Since the Anthroposophical Society—being present—is excepted, it is all the more possible for us to think over these things objectively, as non-participators, so that we can learn to know them more intimately. And if we find such things anywhere in the world, we do not regard them as anything other than what they are. We believe—if anyone thinks he understands anthroposophy with especial depth, yet reveals certain qualities which not only show themselves in him as they do in the world, but more intensely—that these things are not incomprehensible, but realize that they are comprehensible, yet as matters we must fight. We can frequently only fight them when we have really understood them.

This is also something which shows us how life is connected with the spiritual scientific view, and can only reach its goal when it is understood as acceptance of life, as an art of life; when it is carried into all life. How beautiful it would be if each single relationship of life, let us now say of the Anthroposophical Society, showed itself to be in such mutual harmony as is attempted in the forms of our building, where the separate forms pass over into each other, and all are in harmony one with another; if it could be in life as it is in the building, if the whole life of our society could be as we would have it through the beautiful co-operation of those who are active on the building; so that this labor which is already something harmonious and noble, might be a copy of that which finds expression in the building itself.

Thus the inner meaning of the life-principle of our building, and the inner meaning of the co-operation of the souls should ... no, would rather not say that. Thus the inner meaning of the co-operation in the forms of our building should find a path outwards into each separate relationship of the life of our Society—should in its inward construction stand before us as an ideal. I should like to assure you that I did not make a slip when I omitted a sentence just now. I left it out with full intention, and many a time that also is said which one did not say.

Summing up, what I have put before you during the last few days is a theme varying in the most diverse manner, and what I would fain lay on your hearts especially is this: that you not only place the thoughts and ideas of spiritual science, the results of spiritual investigation, before your intellect, before your reason, but that you receive that which lives in spiritual science into your hearts. For the salvation of the future progress of mankind really depends upon this. I say this without presumption, and anyone who attempts to study but a little the impulses of our evolution and the signs of our time can recognize this for himself.

With this the series of lectures, what I have permitted myself to give you at this turning point of the year is concluded.

What we can discuss in these two days will naturally be fragmentary, and I shall address myself chiefly to the needs of teachers. My subject will neither deal with the aesthetics of music nor is it intended for those who wish their enjoyment of art impaired by being told something that is supposed to add to a comprehension of this enjoyment. I would have to speak differently concerning both the aesthetics of music—as conceived from today's standpoint—and the mere enjoyment of it. Now I wish to create a general foundation, and tomorrow I shall go into a few things that can be of significance in preparing such a general foundation in musical instruction. We can go into more detail another time.

It must be pointed out that all the concepts used in other areas of life fail the moment one is obliged to speak about the musical element. It is hardly possible to discuss the musical element in the concepts to which one is accustomed in ordinary life. The reason is simply that the musical element really does not exist in the physical world. It must first be created in the given physical world. This caused people like Goethe to consider the musical element as a kind of ideal of all forms of art. Hence, Goethe said that music is entirely form and substance and requires no other content save that within its own element. This is also why, in the age when intellectualism valiantly struggled for an understanding of music, the strange distinction was made between the content of music and the subject of an art form. Hanslick in particular made this distinction in his book, The Beautiful in Music, which emerged out of the above struggle.¹ Naturally, Hanslick ascribes a content to music, though in a one-sided manner, but he denies music a subject. Indeed, music does not have a subject that exists in the outer physical world such as is the case with painting. Even in our age, in which intellectualism wishes to tackle everything, there is a feeling that intellectualism cannot reach the musical element, because it can deal only with something for which there are outer subjects. This explains the strange fact that nowhere in the well-meant instruction of music appreciation does tone physiology (acoustics) have anything to say about the musical element. It is widely admitted that there is a tone physiology only for sounds; there is none for tones. With the means customary today one cannot grasp the element of music. If one does begin to speak about the musical element, it is thus necessary to avoid the ordinary concepts that otherwise we use to grasp our world.

Perhaps the best way to approach what we wish to arrive at in these lectures would be to take present history as our starting point. If we compare our age with former times, we find our age characterized in a specific way in relation to the musical element. One can say that our age occupies a position between two musical feelings [Empfindungen]; one such feeling it already has, the other not yet. The feeling that our age has attained, at least to a considerable degree, is the feeling for the interval of the third. In history we can easily trace how the transition from the feeling for the fifth to the third came about in the world of musical feeling. The feeling for the third is something new. The other feeling that will come about but as yet does not exist in our age is the feeling for the octave. A true feeling for the octave actually has not yet developed in humanity. You will experience the difference that exists in comparison to feelings for tone up to the seventh. While the seventh is still felt in relation to the prime, an entirely different experience arises as soon as the octave appears. One cannot actually distinguish it any longer from the prime; it merges with the prime. In any case, the difference that exists for a fifth or a third is absent for an octave. Of course, we do have a feeling for the octave, but this is not yet the feeling that will be developed in time; in the future the feeling for the octave will be something completely different and will one day be able to deepen the musical experience tremendously. Every time the octave appears in a musical composition, man will have a feeling that I can only describe with the words, “I have found my ‘I’ anew; I am uplifted in my humanity by the feeling for the octave.” The particular words I use here are not important; what is important is the feeling that is evoked.

These things can be understood, understood with feeling, only if one becomes clear that the musical experience at first does not have the relationship to the ear that is normally assumed. The musical experience involves the whole human being, and the ear's function in musical experience is completely different from what is normally assumed. Nothing is more incorrect than the simple statement, “I hear the tone or I hear a melody with my ear.” That is completely wrong ” a tone, a melody, or a harmony actually is experienced with the whole human being. This experience reaches our consciousness through the ear in quite a strange way. As you know, the tones we ordinarily take into consideration have as their medium the air. Even if an instrument other than a wind instrument is used, the element in which tone lives is still in the air. What we experience in tone, however, no longer has anything to do with the air. The ear is the organ that first separates the air element from tone before our experience of tone. In experiencing tone as such, we thus actually feel a resonance, a reflection. The ear really hurls the airborne tone back into the inner being of man in such a way that it separates out the air element; then, in that we hear it, the tone lives in the ether element. It is the ear's task—if I may express it in this way—actually to overcome the tone's resounding in the air and to hurl the pure etheric experience of tone back into our inner being. The ear is a reflecting apparatus for the sensation of tone.

Now we must understand the entire tone experience in man more deeply. I must repeat that all concepts come into confusion in encountering the tone experience. We say so lightly that man is a threefold being: nerve-sense man, rhythmic man, and metabolic-limb man. For all other conditions, this is as true as can be. For the tone experience, however, for the musical experience, it is not quite correct. Musical experience does not actually exist in the same sense as sense experience does for the other senses. The sense experience in relation to musical experience is essentially much more introspective than other experiences, because for musical experience the ear is only a reflecting organ; the ear does not actually bring man into connection with the outer world in the same way as does the eye, for example. The eye brings man into connection with all visible forms of the outer world, even artistic forms. The eye is important to a painter, not merely to someone who looks at nature. The ear is important to the musician only in so far as it is in the position of experiencing, without having a relationship to the outer world such as the eye has, for instance. For the musical element, the ear is of importance merely as a reflecting apparatus. We must actually say that regarding the musical experience, we must view the human being first of all as nerve man, because the ear is not important as a direct sense organ but instead as transmitter to man's inner being. The ear is not a link to the outer world—the perception of instrumental music is a quite complicated process about which we shall speak later—and is of no immediate importance as a sense organ but only as a reflecting organ.

Contributing further, what is important in the musical experience is that which is related to man's limb system, through which the element of music can pass into that of dance. Man's metabolic system, however, is not as important here as it is otherwise. In speaking of the musical experience, therefore, we discover a shifting of man's three-fold organization and find that we must say: nerve man, rhythmic man, limb man (not metabolic-limb man). Some perceptions are ruled out as accompanying factors. They are there because man is a sense being, and his ear also has significance as a sense organ, but not the significance we must ascribe to it in other conditions of the world. The metabolism is also an accompanying factor and does not exist in the same way as elsewhere. Metabolic phenomena appear, but they have no significance. Everything that lives in the limbs as potential for movement, however, has tremendous significance for the musical experience, since dance movements are linked with the musical experience. A great portion of the musical experience consists of one's having to restrain oneself from making movements along with the music. This points out to us that the musical experience is really an experience of the whole human being.

Why is it that man today has an experience of the third? Why is he only on the way to acquiring an experience of the octave? The reason is that in human evolution all musical experience first leads back to the ancient Atlantean time—unless we wish to go back further, which serves no purpose here. The experience of the seventh was the essential musical experience of the ancient Atlantean age. If you could go back into the Atlantean age, you would find that the music of that time, which had little similarity to today's music, was arranged according to continuing sevenths; even the fifth was unknown. This musical experience, which was based on an experience of the seventh through the full range of octaves, always consisted of man feeling completely transported [entrückt]. He felt free of his earthbound existence and transported into another world in this experience of the seventh. At that time he could just as well have said, “I experience music,” as “I feel myself in the spiritual world.” This was the predominant experience of the seventh. Up into the post-Atlantean age, this continued to play a great role, until it began to have an unpleasant effect. As the human being wished to incarnate more deeply into this physical body and take possession of it, the experience of the seventh became faintly painful. Man began to find the experience of the fifth more pleasant, and for a long time a scale composed according to our standards would have consisted of d, e, g, a, b, and again d, and e. There was no f and no c. For the early post-Atlantean epochs, the feeling for f and c is missing; instead, the fifths throughout the tonal range of different octaves were experienced.

In the course of time, the fifths began to be the pleasurable experience. All musical forms, however, in which the third and what we call c today are excluded, were permeated with a measure of this transporting quality. Such music made a person feel as if he were carried into a different element. In the music of the fifths [Quintenmusik], a human being felt lifted out of himself. The transition to the experience of the third actually can be traced back into the fourth post-Atlantean epoch, in which experiences of the fifth still predominated. (To this day, experiences of the fifth are contained in native Chinese music.) This transition to the experience of the third signifies at the same time that man feels music in relation to his own physical organization. For the first time, man feels that he is an earthly being when he plays music. Formerly, when he experienced fifths, he would have been inclined to say, “The angel in my being is beginning to play music. The muse in me speaks.” “I sing” was not the appropriate expression. It became possible to say this only when the experience of the third emerged, making the whole musical feeling an inward experience; the human being then felt that he himself was singing.

In the age when the fifths predominated, it was impossible to color music in a subjective direction. Subjectivity only came into play in that the subjective felt transported, lifted into objectivity. Not until man could experience the third did the subjective element feel that it rested within itself. Man began to relate the feeling for his destiny and ordinary life to the musical element.

Something now began to have meaning that would have had none in the ages of the experience of the fifth, namely major and minor keys. One could not even have spoken then of a major key. Major and minor keys, this strange bond between music and human subjectivity, the actual inner life of feeling—in so far as this life of feeling is bound to the earthly corporeality—come into being only in the course of the fourth post-Atlantean epoch and are related to the experience of the third. The difference between major and minor keys appears; the subjective soul element relates itself to the musical element. Man can color the musical element in various ways. He is in himself, then outside himself; his soul swings back and forth between self-awareness and self-surrender. Only now is the musical element drawn into the human being in a corresponding way. One thus can say that the experience of the third begins during the fourth post-Atlantean epoch and with it the ability to express major and minor moods in music. Basically, we ourselves are still involved in this process. Only an understanding of the whole human being—one that must reach beyond ordinary concepts—can illustrate how we are involved in this process.

One naturally gets into the habit of speaking in general concepts even in anthroposophy. One thus says that man consists of physical body, etheric body, astral body, and “I.” One has to put it like that to begin with in order to describe the human being in stages, but actually the matter is more complicated than one thinks. When we look at the embryonic development of earthly man, we find that, preceding this descent from the spiritual world to the physical world, the human “I” descends spiritually to the astral and etheric. In penetrating the astral and etheric, the “I” is then able to take hold of the physical embryo, giving rise to the forces of growth and so on. Though physical forces take hold of the human embryo, they in turn have been affected by the descent of the “I” through the astral and etheric into the physical. In the fully developed human being living in the physical world, the “I” works spiritually, through the eye, for example, directly upon the physical, at first bypassing the astral and etheric. Later, from within the human organism, the “I” connects itself again with the astral and etheric. We bring into ourselves the etheric and astral only from within out. We thus can say that the “I” lives in us in a twofold way. First, inasmuch as we have become human beings on earth, the “I” lives in us by having descended into the physical world in the first place. The “I” then builds up from the physical with the inclusion of the astral and etheric. Secondly, when we are adults, the “I” dwells in us by virtue of gaining influence over us through the senses or by taking hold of our astral nature. There it gains influence over our breath to the exclusion of the actual “I” sphere of the head, where the physical body becomes the organ of the “I.” Only in the movements of our limbs—if we move our limbs today—do we still have in us the same activity of nature or the world that we had within us as embryos. Everything else is added. The same activity that worked in you when you were an embryo is active today when you walk or dance. All other activities, especially the activity of the head, came about later as the downward streams of development were eliminated.

Now the musical experience actually penetrates the whole human being. The cause for this is the spiritual element that descended the farthest and took hold of the as yet formless earthly being in, I would like to say, an other-than-human manner. It then laid the foundation for embryonic development and today expresses itself in our movements and gestures. This element that dwells thus in man is at the same time the basis of the lower tones of an octave, namely c, c-sharp, d and d-sharp. Now, disorder comes in—as you can see on the piano—because the matter reaches the etheric. Everything in man's limb system—in other words, his most physical component—is engaged with the lowest tones of each and every octave. Beginning with e, the vibrating of the etheric body plays an essential role. This continues to f, f-sharp, and g. Beyond this point, the vibrations of the astral body enter in. Now we reach a climactic stage. Beginning with c and c-sharp, when we reach the seventh we come to a region where we actually must stand still. The experience comes to a half, and we need a completely new element.

By the beginning form the first tone of the octave, we have begun from the inner “I,” the physical, living, inner “I”—if I may express it in this way—and we have ascended through the etheric and astral bodies to the seventh. We must now pass over to the directly experienced “I,” in that we arrive at the next higher octave. We must say, as it were: man actually lives in us in all seven tones, but we do not know it. He pushes against us in c and c-sharp. Pushing upward from there, in f and f-sharp, he shakes up our etheric and astral bodies. The etheric body vibrates and pushes up to the astral body—the origin of the vibration being below in the etheric body—and we arrive at the astral experience in the tones up to the seventh. We do not know it fully, however, we know it only through feeling. Finally, the feeling for the octave brings us to find our own self on a higher level. The third guides us to our inner being; the octave leads us to have, to feel, our own self once more. You must take all these concepts that I use only as substitutes and in each case resort to feelings. Then you will be able to see how the musical experience really strives to lead man back to what he lost in primeval times. In primeval times, when the experience of the seventh existed—and therefore, in fact, the experience of the entire scale—man felt that he was a unified being standing on earth; at that time when he heard the seventh, he also experienced himself outside his body. He therefore felt himself in the world. Music was for him the possibility of feeling himself in the world. The human being could receive religious instruction by being taught the music of that time. He could readily understand that through music man is not only an earthly being but also a transported being. In the course of time, this experience increasingly intensified. The experience of the fifth arose, and during this time man still felt united with what lived in his breath. He said to himself—though he did not say it, he felt it; in order to express it, we must word it like that—“I breath in, I breath out. During a nightmare I am especially aware of the experience of breath due to the change in my breathing. The musical element, however, does not live in me at all; it lives in inhalation and exhalation.” Man felt always as if he were leaving and returning to himself in the musical experience. The fifth comprised both inhalation and exhalation; the seventh comprised only exhalation. The third enabled man to experience the continuation of the breathing process within. Based on all this, you find a specific explanation for the advancement from the pure singing-with-accompaniment that existed in ancient times of human evolution to independent singing. Originally, singing was always produced along with some outer tone, an outer tone structure. [Tongebilde]. Emancipated singing actually came about later; emancipated instrumental music is connected with that. One can now say that in the musical experience man experienced himself as being at one with the world. He experienced himself neither within nor outside himself. He would have been incapable of hearing an instrument alone; in the very earliest time he could not have heard one isolated tone. It would have appeared to him like a lone ghost wandering around. He could only experience a tone composed of outer, objective elements and inner, subjective ones. Hence, the musical experience was divided into these two, the objective and the subjective.

This whole experience naturally penetrates today into everything musical. On the one hand, music occupies a special position in the world, because, as yet, man cannot find the link to the world in the musical experience. This link to the world will be discovered one day when the experience of the octave comes into being in the manner previously outlined. Then, the musical experience will become for man proof of the existence of god, because he will experience the “I” twice: once as physical, inner “I,” the second time as spiritual, outer “I.” When octaves are employed in the same manner as seventh, fifths, and thirds—today's use of octaves does not approach this yet—it will become a new form of proving the existence of God. That is what the experience of the octave will be. People will say to themselves, “When I first experience my ‘I’ as it is on earth, in the prime, and then experience it a second time the way it is in spirit, then this is inner proof of God's existence.” This is a different kind of proof, however, from that of the ancient Atlantean, which he gained through his experience with the seventh. Then, all music was evidence of God's existence, but it was in no way proof of man's existence. The great spirit took hold of the human being and filled him inwardly the moment he participated in music. The great progress made by humanity in the musical element is that the human being is not just possessed by God but takes hold of his own self as well, that man feels the musical scale as himself, but himself as existing in both worlds. You can imagine the tremendous profundity of which the musical element will be capable in the future. Not only will it offer man what he can experience in our ordinary musical compositions today, which have come a long way indeed, but man will be able to experience how, while listening to a musical composition, he becomes a totally different person. He will feel changed, and yet again he will feel returned to himself. The further cultivation of the musical element consists of this feeling of a widely diverse human potential. We thus can say that f has already joined the five old tones, d, e, g, a, and b, to the greatest possible extent, but not yet the actual c. This must still be explored in its entire significance for human feeling.

All this is extraordinarily important when one is faced with the task of guiding the evolution of the human being regarding the musical element. You see, up to about the age of nine, the child does not yet possess a proper grasp of major and minor moods, though one can approach the child with them. When entering school, the child can experience major and minor moods in preparation for what is to come later, but the child has neither one nor the other. Though it is not readily admitted, the child essentially dwells in moods of fifths. Naturally, one can resort in school to examples already containing thirds, but if one really wishes to reach the child, musical appreciation must be based on the appreciation of the fifths; this is what is important. One does the child a great kindness if one confronts it with major and minor musical moods as well as an appreciation for the whole third-complex sometime after the age of nine, when the child asks important questions of us. One of the most significant questions concerns the urge for living together with the major and minor third. This is something that appears between ages nine and ten and that should be specifically cultivated. As far as is possible within present-day limits of music, it is also necessary to try to promote appreciation of the octave at around age twelve. What must be offered the child in the way of music thus will be adapted once again to the various ages.

It is tremendously important to be clear that music fundamentally lives only inwardly in man, namely, in the etheric body; regarding the lowest tones of the scale, the physical body is naturally taken along too. The physical body, however, must push upward into the etheric body, which in turn pushes upon the astral body. The “I,” finally, can barely be touched.

While we always dwell within our brains with our crude and clumsy concepts regarding the rest of the world, we leave the musical element the instant we develop concepts about it. This is because the unfolding of concepts takes place on a level above that of the musical realm. We must leave music behind when we think, because tone begins to develop shades within itself—prosaic science would say that it exhibits a particular number of vibrations—and is no longer experienced as tone. When tone begins to develop shades within itself, the concept arises that becomes objectified in sound [im laut]. In the sound of speech, the concept really cancels out the tone, in so far as tone is sound, though not in so far as tone harmonizes with the sound, of course. Then, the actual musical experience reaches down only to the etheric body, and there it struggles. Certainly, the physical pushes upward into the lower tones. If, however, we were to go all the way down into the physical, the metabolism would be included in the musical experience, which would then cease to be a pure musical experience. In fact, this is attained in the contra-tones so as to make the musical experience somewhat more piquant, as it were. Music is driven slightly out of its own element in the contra-tones.²

The actual musical experience that takes its course completely within—neither in the “I” nor in the physical body but in etheric and astral man—the inward-etheric body, i.e. down to the tones of the great octave.³ The contra-tones below only serve the purpose of allowing the outer world to beat, as it were, upon the musical element. The contra-tones appear when man strikes outward with the musical element and the outer world rejects it. This is where the musical element leaves the soul element and enters that of matter. When we descend to the contra-tones, our soul reaches down into the element of matter, and we experience how matter strives to become musically ensouled. This is what the position of contra-tones in music basically signifies.

All this leads us to say that only a truly irrational understanding—an understanding of the human being beyond the rational—will permit us to grasp the musical element in a feeling way and to acquaint the human being with it.

We shall continue in more detail tomorrow.

• 1. Edward von Hanslick (1825–1904), music critic and author in Vienna. His book, The Beautiful in Music (trans. Gustav Cohen, Indianapolis: Bobbs-Merril, 1957), first appeared in 1954.
• 2. Contra-tones are the tones below contra-c: (see diagram)
• 3. The great octave refers to the tones between c³ and c² below middle c.

In today's lecture, my task will be to contribute something to the understanding of what lies in the artistic impulses that carry the building idea of Dornach, in order to then develop this building idea in more detail in the next of these lectures. It will be necessary for me to say something about these artistic impulses, so to speak, because strong misunderstandings have spread about them.

The point is, and this is clear from what I said here eight days ago about the development of the Dornach building from our entire anthroposophical movement, that the Dornach building should in no way create something that could be called the carrying of abstract spirituality into what is actually artistic. The Dornach building should be created entirely by artistic forces. And this building should mark the beginning of a development towards this goal, so that what works in spiritual science as a spiritual being can also flow out, stream out into artistic forms, into artistic designs and so on. This is something that had to be fought for against certain tendencies that very easily run in the opposite direction, especially in such a movement as anthroposophy.

It is very easy for all kinds of mystifying elements to enter into such a movement. These elements push towards the abstract through a false mystification, and which actually – because the artistic element must express itself in the shaping and forming of the external – bypass this artistic element and strive towards the symbolic, towards the allegorical. They want to keep the spirit in its abstract form, so to speak, and see in the outwardly shaped and formed only a symbolic illustration of the spiritual.

This leads to a killing, a paralysis of everything truly artistic. In this direction, due to the penetration of false mysticism from the theosophical into the anthroposophical movement, one has had to experience all sorts of things. For example, a play like “Hamlet”, which is an artistic creation, was interpreted allegorically and mystically, so that one figure was understood as the spiritual self, the other as the astral body, and so on. There is endless allegorizing among those who would like to profess such a spiritual movement, and I once had to experience the following, for example: When I tried to discuss the well-known painting 'Melancholy' by Dürer in such a way that I traced everything that lives in this painting back to the chiaroscuro and showed how Dürer wanted to penetrate the secrets of the chiaroscuro, of the chiaroscuro, to contrast the light with the dark, the darkness with the light, in the most varied of ways, a voice was heard from the audience saying, “Yes, but can't we understand this picture on an even deeper level?” The deep interpretation was obviously sought in the fact that one wanted to extract from the artistically captured chiaroscuro an abstract-allegorical interpretation of what is depicted in the picture, which Dürer has already forbidden by placing the polyhedron in the picture to suggest how important it was to him to express the chiaroscuro variety that becomes visible when you compare differently directed surfaces, differently positioned surfaces of a polyhedron or the different surface layers of a sphere with any spreading light. That it is infinitely deeper to look into this working and weaving of light and darkness and to spread one's own spirit over this weaving of light and darkness, that for the one who feels artistically, it can be infinitely deeper than the abstract-intellectual allegorical interpretation of such images, such an interrupter had no understanding.

And so what is present in this building had to be seen as an initial, weak attempt, in many respects fought for in the face of those aspirations that strive towards allegory and symbolism. These can be seen sufficiently when one enters some particularly solemnly decorated rooms where Anthroposophical spiritual science is practised and sees that attempts are being made to begin with colours and all kinds of paintings and drawings, but that these attempts ultimately leads to nothing other than offending every artistic feeling by painting a hideous rose cross, when what matters is only the allegory of showing some symbolism in seven roses painted in a certain way on a cross. I must mention this so that, if anthroposophically oriented spiritual science is also to show its artistic fertility to the world, it is known that what is attempted artistically must not be confused with all the abominations that easily arise from symbolizing and allegorizing, especially on such mystical ground as I have indicated.

It is absolutely essential that the true spiritual scientist should realize through direct insight what the essence of the ideal consists in, so that he can find the transition from the ideal to what must be expressed in prose words, even though these prose words are only an inadequate means of revelation for the rich revelation of the spiritual world itself, and that this necessary prose presentation, which must also take on certain forms if it is to do justice to the spiritual world, is sharply contrasted with the actual artistic presentation, including that of the supersensible vision, which has nothing of symbolizing or allegorizing in it.

That is why I had to point out in the lecture I gave to you on declamation and recitation that it is nonsense to fantasize and allegorize all sorts of things into my mystery dramas that are actually anthroposophical theory. The point of the dramas is to be understood artistically; and I myself, if I may make this personal comment, suffer the most unspeakable pain when someone presents me with abstract concepts that are supposed to “explain” these mystery dramas. These mystery dramas have been seen and experienced down to the last word, down to the tone of voice, as they stand, and the one who introduces allegorization does not understand them. He cannot really bring out the measure of super-sensibility that lies in them, for he only imprints the intellectual concepts into what should actually be experienced in the artistic sense. And so it is with everything else that is to arise artistically from those impulses from which spiritual science itself arises.

I would like to say it clearly, although it may sound a little pedantic: no art can of course arise from spiritual science itself, as it is communicated in words; only allegory and symbolization can arise from it. But from those spiritual impulses that stand behind spiritual science, that drive spiritual science itself out of themselves like a branch, from those, as another branch from the same origin, artistic creation also arises. Therefore, those who understand spiritual science in the abstract and then want to translate it into art will never be able to create anything other than straw-like allegories or lifeless symbols.

It has been said many times that symbols and allegories can be found in this building. If you look at the building properly, you won't be able to find a single symbol or allegory in it. Everything is meant to be – although some things have been left in initial attempts – in such a way that it has flowed into the form, the design, the color. And because misunderstandings can easily arise in this regard, I would like to discuss a few artistic matters with you today, so that, as I said, I can get to the actual building idea next time and characterize it in very specific terms.

I would like to assume that, when we once had to perform that scene from the second part of Goethe's “Faust” in the carpentry workshop, in which the Kabirs appear, I tried to create the three Kabirs plastically from the supersensible vision that arises when one tries to penetrate the mysteries of Samothrace. So I tried to visualize these Kabirs in order to be able to bring them on stage. Now these three Kabirs were there in three dimensions. Then a personage who was very close to our movement wanted to give some other people an idea of these Kabirs, who could not see them here, or who wanted to have a souvenir of the way in which the Kabirs were vividly reconstructed here, and the question arose as to whether these Kabir sculptures should be photographed.

For someone who has a feeling for sculpture, however, every photograph of a sculpture is a killing of the actual sculptural work of art. And so I decided to simply reproduce these Kabir statues in a drawing, in chiaroscuro, that is, using a different technique. So from the outset they were conceived two-dimensionally on the surface, and so it was possible to photograph them and disseminate them through photography. So you see: if you really stand on the soil of those life forces that pulsate in spiritual science, then above all you acquire a truly artistic feeling for the artistic means you use, and you acquire emotionally, not intellectually, what lives in existence.

Let me mention the following example, which leads us more into the intimacies of the artistic empathy of the world process, which we then try to shape. Let us assume that one wanted to create a kind of sculptural representation of humanity, as I attempted in my sculptural group, which includes a figure similar to Christ (Figs. 94-98). If you want to create a sculpture of this representative of humanity, you would be led to feel quite differently about what is present in the formation of the head than about what is present in the rest of the human being's form, which lives outside the head.

In sculpting, you feel what appears as a huge difference in the human being. In sculpting, where one is dealing with the shaping of surfaces, one feels that a formative impulse must be at work in the head, which, as it were, pushes inwards, draws away from the outside, but which shapes from within; and one feels that in the rest of the human being, one encounters that which is shaped in precisely the opposite sense. It is not so important to say that one thing happens from within and the other from without – that would lead to an abstract, intellectual description again – but rather it is important to have the opposite feelings when developing any form out of the depths of the world process develops some form that can only be shaped from the inside out, or when one takes out a form that can only be shaped from the outside in, in which one can see, as it were, how the external world forces concentrate and shape from the outside in.

If one continues in this feeling and sensing, then one comes to understand how, through having different feelings for the head than for the rest of the organism, one experiences something as a sculptor that is neither gravity nor vertically acting buoyancy nor even spreading force. Pure spreading force is what we feel in the light. Gravity alone is what we feel in our own weight and experience in particular in the aging of the human being, if one can take a look at this aging in true introspection. Of these two forces, gravity and buoyancy, one senses a kind of interaction in such a way that, I would say, the buoyancy forces, those forces that tear the plastic away from the earthly, can be felt more in the head, and the forces that work upwards from the earth's gravity and, as it were, drive the body upwards, these are felt more in the shaping, in the plastic formation of the rest of the body.

But, my dear attendees, when one has really felt this, and – especially when one has metamorphosed this feeling into artistic creation – when one really lives not in an abstract idea, but in this feeling and endeavors to bring into the material that which one feels there, then one feels a strong difference... [gap in the shorthand]. For example, in sculpture there is something to be sensed, such as the balance of two forces, of which the sculptor himself need know nothing. Even someone who knows about such forces as spreading force, gravity and buoyancy force, completely forgets it in sculpting; it is none of his business there, he lives purely in feeling the spreading of the forces of the surface, in feeling how the surface expands in space, or in shaping the surface itself. If you have not appropriated anything abstractly conceptual – that is, if you can completely shed the cloak of the ideal when you immerse yourself in artistic creation – then, in a sense, you become a different person emotionally when you immerse yourself in artistic creation; then you also acquire a feeling for the diversity of artistic means of expression.

And when one moves from working with sculpture to working with painting, one comes to say to oneself: All that one has to say about sculpture in terms of the way in which forces acting vertically and in the direction of propagation interact, of heavy elements and light elements, all that one has to have put aside when dealing with color and its nuances in painting. Because there it is about creating not out of the line, not out of the form, but out of the color, so that one completely stops feeling differently towards the head than towards the rest of the organism, as the sculptor does. In painting, one feels that difference disappear that arose for the sculptor between the head and what is not the head in a human being. This completely balances out and becomes something completely different, an inner intensity that cannot be represented by a contrast of lines, but can only be represented by penetrating into the intensity of the color nuances, so that it is not possible to go into detail, for example, on what still stands out very strongly in sculpture.

And if you want to overcome it, you can only do so if you push the sculpture to a certain degree of consciousness, as I did with my central group for this building. But if you move on to painting, it is a matter of thoroughly rejecting any thinking in lines and moving on to the feeling that creates purely from color. And however strange it may seem to someone who speaks of a spiritualization of art in a falsely abstract sense, it must still be said: for someone who thinks in terms of painting, the most important thing is that there is a certain color nuance at a certain point on a certain surface and that, when one moves from this color nuance to another point on the surface, other color nuances are there. It is about creating from color.

In this creative process, however, the artist is supported by what I would call the experience of color, the experience of blue, the experience of yellow, the experience of red. What the artist has, in experiencing yellow and red as if they were attacking him, and experiencing blue as if he had to chase after it with his soul, as if he had to expand himself, is what transforms into creativity within him and what then gives him the opportunity to transform the sensation into what is to become a work of art. If, for example, one is faced with the task of painting any surface, then it is a matter of nuancing between so-called light, warm colors and dark, cold colors. If one has the color experience, one can create out of this color experience, just as the musician creates out of the sound experience. Then it is a matter of the form arising out of the color itself, so that one does not draw and then smear color into the spaces created by the drawing spaces that arise through drawing, smearing the color in, but rather it is a matter of starting from the color experience and allowing the line experience, the form, to arise from the color experience. That is why I said at one point in the first of my mystery dramas - that is, I had a character say it, to whom I put it in the mouth - that the form must be “the color's work”.

Fundamentally, we must be aware that all drawing and all thinking in drawing is actually a lie compared to painting. For example, when I see the blue sky, with the sea-green of the surface of the sea below, I have the blue of the sky above, the green of the sea below, and the line of the horizon simply arises from seeing, from the experience of color. And I am actually lying when I draw a horizon line that is not actually there (Fig. 114). This must now be thoroughly examined, otherwise one will not be able to enter into that world, which can be experienced through all the means of artistic expression, through the colors and their nuances, as well as through the concepts and ideas, if these concepts and ideas are really rooted in the spiritual and are not abstracted from ordinary human consciousness.

You see, here it is not so much a matter of expressing spiritual science in all kinds of forms, but rather of gaining impulses for artistic observation, which are just as necessary in the course of human development as spiritual science itself. But they are required as something special. It is the case that on the one hand there is the spiritual-scientific stream and on the other hand there is the artistic stream, which in a certain way must now also take on new forms. Therefore, I say to everyone who stands before this group, which is to become the central group here: One can feel something in the central figure like the Christ-figure, but it must be felt, it must not be thought that the name Christ is there. It will certainly not be written on the outside, but it does not even have to be thought, rather, the intuitive experience must take place within us, which draws our attention to how we must look at the matter, so that we develop reverence, develop high regard, develop the intuitive perception of the depths of the human being. So there should be nothing but feeling, nothing but experiencing in feeling, the same feelings that we experience, for example, when we immerse ourselves spiritually in the figure of Christ. But everything we experience spiritually when we immerse ourselves in the figure of Christ through spiritual science must not be carried over into what is formed plastically or pictorially. What is formed plastically or pictorially must be born out of form, out of line, out of surface. And this life in form, in line, in surface, in color, in word itself, is what later develops such forms, such painting, as it is to appear here in this building before you.

What I have said now has little to do with the building itself, but only with the artistic attitude and artistic feeling that underlies the entire building idea of Dornach. It should always be borne in mind that it is at the beginning of the development of that architectural style, that artistic language of form, which can be expected to flourish in a special way in the future. Because I would not rebuild this building in the same way a second time. Not because I consider the artistic attitude on which it is based to be misguided – that is not the case – but because everything that is alive is also constantly evolving, so that a second time all those mistakes would be avoided and everything that could be said in terms of impulses for perfection could be taken into account. But I see all this myself and take it much more seriously than those who often call themselves critics of the building. I know the mistakes very well today and know what could be avoided if the building were to be rebuilt, and what could be brought into it if it were to be rebuilt. And it is necessary that all the details of the building idea from Dornach be taken up in this way.

To take one detail, I would like to mention the small dome (Fig. 57). Later, at the end of this hour, we will raise the curtain and you can then take a look at the small dome. Above all, I would like this small dome to be understood in such a way that nothing abstract is fantasized into it. For in this small dome, in which I myself am essentially involved – this is of course not to say anything special about the also in turn initial and in many respects perhaps amateurish in the painting of this small dome – an attempt has been made to paint really out of color, out of the color experience. In fact, this color experience should be understood in such a way that one sees, above all, the color nuance at a particular point. It could not be a matter of, for example, at a certain point where, let us say, the blue was to be emphasized, where the blue was experienced according to its position near the opening, further away from the center, contrasting with the color effects in the center, of thinking of a fist (Fig. 70) and paint it there because one feels a kinship of the nature of the fist with the blue color, but it could only be a matter of developing the color experience of the blue at this point and then letting the form, the shape, the essence arise out of the color. It had to become what it is there out of necessity.

From this you can see that it is not important to the person who originally gave rise to the idea of forming a figure out of the color experience of blue at this point, which then leads the feeling back to the sixteenth century, reminiscent of the Faust figure, but rather that it is important to him to give birth to form and essence out of the living color. And if, in the end, interpretations are attributed to the works, then one must be aware that these are interpretations from the outside, that they may help one or another subjectivity to experience this or that; but I myself prefer it if you completely forget, when facing this small dome, that there is something Faustian, something Apollonian ( Fig. 76) or of any doppelgänger (Fig. 84) and the like, and that you first surrender to the pure color experience from which the whole is born, and that you are initially just as indifferent to whether there is a Faust crouching there or some other figure, just as the person who wanted to create from the color was indifferent to whether this figure emerged. It just came out because the world lives in color.

But one must not take the starting point from the linear or symbolic boundaries of the being; rather, one must take the starting point from painting from the color experience, from moving in color, so that the color and especially the color harmonization and disharmonization come to life as such. One will then see that one narrows one's view of the world if one tries to translate the intellectually abstract world view — even one that arises as spiritual science — simply symbolically, allegorically into color or into form. Rather, one will see that when one immerses oneself in color, the whole richness of the life of color overflows one and that in this immersion in the world of color one has, that one still discovers a new world. While with every allegory you only bring the world you already have into the colorful world, if you start from the colored experience itself, you discover a new world that is as creative in itself as the world you have in mind when you summarize the external natural fact in abstractions or in natural laws.

In this description – because everything artistic, when it is discussed, must be described – I had to show you how an attempt has been made here in this building, not to secretly incorporate anything into the plastic forms, into the color nuances, but to experience the secrets of these worlds ourselves, which give us the means to express them artistically. And when one experiences the secrets of these worlds, then one gradually frees oneself from all straw-like allegorizing and straw-like symbolizing. In painting, for example, one learns to overcome the line, even in the representation of the copperplate engraving or the woodcut, and to allow form to arise purely out of the contrast between light and dark. It is out of such experiences, not out of abstract thought, that the building idea of Dornach has come into being, out of what can be experienced in colour, in form, in surface, what can be felt as that which strives upwards, freeing itself from burdens, as that which works downwards, bearing burdens, bringing them to life within itself.

All this is here in architecture, sculpture, painting, even in the window panes - the nature of which I will also discuss next time - felt, experienced, not thought; because all abstract thinking is the death of art. The life of art is born only out of form, out of color, out of the burdened, out of the carrying, out of the rounded, out of the angular – I now mean “rounded” and “angular” as a verb. And when one can live in the round, in the angular, in the burden, in the carrying, in the arching, in the covering and opening, in the plastically rounding, in the surface giving, in the expressing the interior in the exterior through the special surface treatment, when one can experience what arises like beings in the waves from the surface of the sea, when one experiences from the living colors, then the forms are formed in such a way that they are a creation of the color. Then there is truly no allegorization, no symbolization; then, alongside that world of abstraction or the merely non-sensuous spiritual, a completely new world arises, a world that Goethe called the sensuous-suprasensible world. This world is not, however, killed by the merely intellectual, and it is brought to life when one knows how to set the spirit within oneself in motion, not by going so far in the contemplation of the external that the sensual contemplation leads to the linking of thoughts, but in such a way that one sees the supersensible directly in the external, in the sensual. When the inner life, which in Expressionism always seeks to give rise to thought, is restrained to such an extent that it does not reach thought, but remains in the mere experience of the formative, of that which permeates the surface with the intensity of color and when the world is experienced in this way, as it can only be experienced in the element of sensation, not in the element of thought, then this experience can truly provide the stimulus for a new art.

[Before the lecture Rudolf Steiner spoke to the audience regarding the Founding of the Dutch National Society. See GA 259]

We will use the time that is available for lectures at the Goetheanum between now and Christmas in such a way that those who are here in anticipation of the Christmas Meeting may absorb as much as possible of what the Anthroposophical Movement can convey to the hearts of men. Those who will be here until Christmas will therefore be able to bring their thoughts to bear upon what can still be given. I shall not deal with matters concerning the international Anthroposophical Society—that will be done at the meeting to be held shortly—but I shall try to formulate our studies in a way that will help to prepare the right mood of soul for the forthcoming Christmas Gathering. I shall therefore speak from a different point of view of a subject with which I have been dealing in recent weeks and I will begin by saying something about man’s life of soul, leading on from there to a survey of cosmic secrets.

Let us start from something quite straightforward and consider what happens in man’s life of soul if he practises self-mindfulness beyond the point I actually had in mind when I was writing the articles in the Goetheanum Weekly. These four articles can serve as an introduction to what we are now to study.

If we practise self-mindfulness thoroughly and comprehensively we shall realise how the life of soul can be enhanced and intensified. What happens in the first place is that we let the external world work upon us—as we have done from childhood onwards—and then we have thoughts which are the product of our inner world. Indeed, what makes us human beings in the real sense is that we allow the effects produced in us by the external world to live on further in our thoughts and are able to experience ourselves inwardly in these thoughts. We create a world of mental pictures which in a certain way reflects the impressions made upon us from outside. It is probably not very helpful to our inner life to ponder a great deal upon how the external world is reflected in our soul. By doing that we simply acquire a shadowy picture of the world of ideas within us. A better form of self-mindfulness is to concentrate on the activity itself, endeavouring to experience ourselves in tire actual element of thought without regard to the external world, pursuing in thought what came to us as impressions of the external world.

It will depend on a man’s particular nature whether he is then led more in the direction of abstract thoughts; he may or may not devise philosophical world-systems or make schedules of everything in existence. Another man who has reflected about things that have made an impression upon him and then goes on spinning thoughts, may be following certain fantasies. We will not go further into how this inner thinking without any external impressions takes its course according to a man’s temperament, character or other traits. We will rather make ourselves conscious of the fact that it is important, as far as our senses are concerned, to withdraw from the external world and live in our thoughts and mental pictures, developing them to further stages, often perhaps merely as possibilities.

Some people, of course, consider this unnecessary. Even in difficult times like the present you will often find people who are occupied with their business the whole day in order to provide all kinds of things required by the world, afterwards getting together in little groups to play cards, dominoes or similar games, in order—as is frequently said—to ‘pass the time away’. But it will not often happen that people come together in groups in order to exchange thoughts, for example, about what might have happened in connection with the day’s business if things had gone differently in one way or another. They would not find that as entertaining as playing cards, but they would at least have been carrying their thoughts to further stages. And if on such an occasion they also retained a healthy feeling for reality there is no reason why such thinking should end in fantasy.

This living in thoughts leads finally to what you will experience if you read The Philosophy of Freedom properly. If you read that book as it is meant to be read you will understand what it means to live in thoughts. The Philosophy of Freedom is based upon experience of reality; but at the same time it was entirely the product of thinking. Hence you will find a fundamental tone in the book. I conceived it in the 1880’s and wrote it in the early 1890’s; but from men who at that time ought at least to have taken notice of the book, I was faced with misunderstanding everywhere. There is a particular reason for this: even those who are called thinkers today are unable to experience their thinking otherwise than as a picture of the outer physical world.

And then they say: perhaps something belonging to a superphysical world might arise in a man’s thinking but then this thinking which is acknowledged to be within him would have to be able to experience something supersensible outside him, in the sense that a table or chair are outside him. This was approximately Eduard von Hartmann’s conception of the function of thinking.

Then he comes across The Philosophy of Freedom. In that book the argument is that to experience thinking in the real sense means that a man can come to no other realisation than this: If you live in thinking in the real sense, you are living in the Cosmos even if, to begin with, somewhat diffusely. This connection in the most intimate experience of thinking with the secrets of the world-process is the root-nerve of The Philosophy of Freedom. Hence the statement is made in the book that in thinking we grasp one corner of the whole world-mystery.¹

This may be putting it simply, but what is meant is that when a man experiences thinking in the real sense he no longer feels outside the mystery of world-existence but within it; he no longer feels outside the Divine but within the Divine. If he comprehends the reality of thinking within himself, he comprehends the Divine within himself.

This was the point that people could not grasp. For if a man really comprehends it, if he has made efforts to achieve this kind of thinking, he finds himself no longer within the world that was previously his, but he is now within the etheric world. It is a world of which he knows that it is not conditioned by any part of the physical Earth but by the whole cosmic sphere. He is within the etheric Cosmos, and he can no longer have any doubts about the law and order of this cosmic sphere if he has grasped thinking as it is understood in The Philosophy of Freedom. Etheric experience, as it may be called, has now been achieved and a notable step forward in life has been taken.

Let me characterise this step as follows.—Our thinking in ordinary consciousness is concerned with tables, chairs, human beings, of course, and so forth; we may think of other things too in the outside world. With our thinking we comprehend these things from the centre of our being. Everyone is aware that with his thinking he wants to comprehend the things of the world. But once you achieve the experience of thinking I described just now, you are not grasping the world; nor are you riveted in your ego. Something quite different happens. You get the feeling—and quite rightly—that with your thinking which is not localised in any particular place, you grasp everything inwardly. You feel you are making contact with the inner man. Just as in ordinary thinking you stretch your spiritual ‘feelers’ outwards, so with this thinking which experiences itself in itself, you are continually stretching inwards, into your own being. You become object, object to yourself.

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It is a very significant experience to realise that whereas hitherto it was always the world that you grasped, now, having this experience of thinking it is your own self you have to grasp. In the course of this firm grasp of your own self you come to realise that you have broken through your skin. You grasp yourself inwardly and in the same way you begin to grasp the whole world-ether from within, not of course in all its details but you know with certainty that this ether spreads over the whole cosmic sphere with which you are living together with stars, sun, moon, and so forth.

There is a second way in which a man can develop his life of soul. Instead of being wholly occupied with thoughts that are prompted from outside, he gives himself up to his memories. If he does this and makes the process an inner reality he will again have a quite definite experience. The experience of thinking I have just described to you does actually lead a man to his own self; he grasps his own self and this process gives him a certain satisfaction. But when he passes on to the experiencing of memories he will find, if he is inwardly active in the real sense, that the most striking feeling is not that of approaching his own self. That is what happens in the experience of thinking; and for that reason man will find freedom in the course of this thinking, a freedom which depends entirely upon the personal element in him. That is why a ‘philosophy of freedom’ must take its start from the experience of thinking, for it is through this experience that a man finds his own self, finds his bearings as a free personality. This does not happen in the case of the memory experience. If a man proceeds with real earnestness, and is able to immerse himself entirely in the experience, he will have the feeling of being liberated from himself, of getting away from himself. That is why memories which enable the present to be forgotten are the most satisfying—I do not say they are always the best, but in many cases they are the most satisfying.

You can certainly get an idea of the value of memory if your memories can carry you out into the world, no matter how utterly dissatisfied you may be with the present and wish you could get right away from it. If you can waken memories which, as you give yourselves up to them, give you an enhanced feeling of life, this will be a preparation for what memory can ultimately become.

Memory can become more real if you recall with the greatest possible intensity something you actually experienced years or even decades ago. Suppose, for instance, you turn to a collection of old papers and take out letters you wrote on some particular occasion. You put these letters in front of you and let them carry you back into the past. Or it would be preferable not to take letters which you wrote yourself or which others wrote to you, because the subjective element would be too strong there. Try, rather, to get hold of your old schoolbooks, and peep into them as you did when you first went to school. In this way you can actually call back the past into your life. The effect is remarkable. If you do what I suggest you will entirely transform your present state of mind. You must exercise a little ingenuity here although almost anything will serve. For instance, a lady might come across a dress she has not worn for twenty years; she puts it on and is transported back into the conditions prevailing at that time. You must choose something that will bring the past with the greatest possible reality into the present. In this way you can separate yourself radically from your present experience.

With ordinary-level consciousness we are too close to ourselves in our actual experience to be able to make it into anything valuable. We must be able to stand at a distance from ourselves. Now a man is farther away from himself when he is asleep than when he is awake, for during sleep his astral body and ego are outside his physical and etheric bodies. You will be able to approach this astral body, which as I have said, is outside the physical body during sleep, if you summon up some past experience as vividly as possible into the present. You will probably not believe what I am telling you because you will be reluctant to attribute such significance to something as comparatively trivial as the awakening of past experiences by looking at an old dress. But just put it to the test, and if you succeed in conjuring up some past experience into the present so vividly that you are wholly engrossed in it and can be entirely oblivious of the present, you will find that you are drawing near to your astral body as it is in sleep.

But you will be mistaken if you think that all you have to do is to look right or left, and that you will see a shadowy form that is your astral body; that is not how things work. You must pay attention to what actually happens, which may for instance be that after such experiences you see the dawn and the sunrise very differently from hitherto. On this path you will gradually begin to feel the warmth of the dawn as something prophetic, having a kind of natural prophetic power. You will begin to feel the dawn as something spiritually forceful and that there is some connection between that power and an inner sense within yourself; and although at first you may regard it as an illusion, you will eventually feel that there is some relationship between the dawn and your own being. Through the experience I have described you will gradually come to feel, as you look at the dawn: this dawn does not leave me alone. There is an inner connection between my own being and the dawn. The dawn is a quality of my own soul. At this moment I am myself the dawn—If you have been able to unite yourself with the dawn in such a way that you experience its coloured radiance out of which the sun rises, in your very heart as a living feeling—then you will also feel that you are actually travelling across the heavens with the sun, that as I put it just now, the sun will not leave you alone, that it is not a case of you being here and the sun there, but that in a sense your existence stretches right up to that of the sun—in fact that you journey through the day in company with the fight.

If you develop this feeling, not out of thinking but out of memory in the way I described, if you can develop these experiences out of the power of memory, then you will find that things which you have perceived with your physical senses begin to look different, enabling spirit-and-soul to become manifest; when you have acquired the feeling of travelling with the sun, all the flowers in the field will look different to you. The flowers do not merely display the red or yellow colours on their surface; they begin to speak spiritually to your soul. The flower becomes transparent; a spiritual element in the flower begins to stir and the blossoming becomes a sort of speaking. In this way you are actually uniting your soul with external Nature. In this way you get the impression that there is something behind this Nature, that the light with which you are connected is borne by spiritual Beings. And in those spiritual Beings you gradually recognise the characteristics described by Anthroposophy.

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Let us look at the two stages of feelings which I have just been describing. The first feeling which can be brought by thinking inwardly experienced, is one of expansion. The feeling of being in a confined space ceases altogether. Your experience widens and you have a definite feeling that within your inner being there is a kernel which extends into the Cosmos and is of the same substance as the Cosmos. You feel at one with the etheric substance of the Cosmos. But when you are standing on the Earth you feel that your feet and legs are drawn down by the Earth’s force of gravity; you feel that your whole being is bound firmly to the Earth. At the moment when you have the experience of thinking you no longer feel bound to the Earth; you feel dependent upon the wide expanse of the cosmic sphere. You feel that everything comes inwards, not from below, as it were from the centre of the Earth upwards but from the cosmic expanse, the Universe. And you feel that to understand Man, this sense that something is streaming in from the cosmic expanse must be present.

This applies even to a true understanding of the human form. If I want to give expression to the human form in sculpture or in painting, I must picture to myself that only the lower part of the head proceeds from the inner bodily and spatial nature of man. I shall not be able to get the right spirit into the work unless I am able to convey the impression that the upper part of the head has been brought from outside. The lower part of the head must seem to have come from within outwards, but the upper from outside inwards.

If you looked with artistic understanding at the paintings in the small cupola of the now destroyed Goetheanum, you will have seen that this principle was everywhere observed: the lower part of the face was always represented as having grown from within the human being and the upper part of the head as something given him from the Cosmos. This was particularly evident in times when these things were known. You will never understand the form of the head in a genuine Greek sculpture unless you associate this feeling with it, for it was out of similar feelings that the Greeks created their works of art.

And so in the Thinking experience you will feel yourself united with the surrounding Universe.

Now it might be imagined that this process would simply continue further outwards as you pass from the Thinking experience to the Memory experience. But it is not so. If you succeed in developing within yourself the Thinking experience you will finally have the impression of the Third Hierarchy: Angeloi, Archangeloi, Archai. Just as you can picture man’s bodily experience here on Earth in the working of gravity or in the process of the digestion of foodstuffs, you can picture the conditions under which the Beings of the Third Hierarchy live if, through this Thinking experience, instead of trudging around the confines of Earth you feel yourself borne by forces coming to you from the ultimate boundary of the Cosmos.

Thinking Experience: Third Hierarchy

Now if you pass from the Thinking experience to the Memory experience it is not a matter of being able to reach this ultimate boundary of the cosmic spheres. You can, it is true, reach this boundary if you know the reality of the Thinking experience. But the Memory experience leads to a different result. Suppose, for example, you have here some object—a crystal or a flower or an animal. What happens when you pass from the Thinking experience to all that the Memory experience can offer, is that you can see right into the object.

The gaze which had extended to the ultimate boundary of the cosmic expanse, supplemented by the Memory experience, penetrates into the essence of things. You do not in that case press on into indefinite abstractions but this extended gaze perceives the spiritual quality in all things. For instance, it perceives the spiritual Beings who are active in the light, or the spiritual Beings who are active in the darkness. So we can say: the Memory experience leads us to the Second Hierarchy.

Memory Experience: Second Hierarchy

Now there is something in man’s life of soul which is not subject to the limitations of memory. Let us be clear about what it is. Memory gives our soul its special colouring. Suppose we come across a man who criticises everything adversely, who diffuses his own bitterness over everything we talk about, who whenever we tell him about something really beautiful, at once speaks of something unpleasant. In such a case we may know with certainty that this characteristic is connected with his memory. Memory gives the soul its colouring.

But there is still something else. We may meet a man who faces us with an ironic sneer particularly when we say something to him, or he wrinkles his forehead or puts on a tragic expression. Or he may give us a friendly look so that we are cheered not only by what he says but by his look. When something important is said during a lecture it is interesting to give a momentary glance at the faces of the audience and see the ironic expressions on some lips, the foreheads with or without wrinkles, the blank or lively expressions on the faces. What is being expressed there is not merely memory that has persisted in the soul and gives the soul its colouring but something that has gone over from memory into a man’s physiognomy, into his different gestures, into his whole bearing. If a man takes in nothing, if his countenance betrays the fact that all the sufferings, sorrow and joy in his life have left him unimpressed, that too is characteristic. A face that has remained smooth and unlined, or one that is deeply furrowed by the tragedy or seriousness of life is as characteristic as one that expresses much happiness. In such cases, what otherwise remains part of the life of soul-and-spirit as the outcome of the power of memory has passed over into actual physical form. The effect is so strong that it is expressed outwardly in later life in a man’s gestures and physiognomy independently of his temperament which remains inward. For in old age we have not always the same temperament as we had in childhood. Our temperament in old age is often a result of what we have undergone in life and has become memory in the inner life of soul.

What enters into a man inwardly in this way, may again—though this is more difficult—become reality. It is comparatively easy to bring before the eyes of our soul something we experienced in childhood or perhaps many years ago, and so make the memory of it a fact. It is more difficult to transpose oneself into the temperament we had in childhood or in our earlier years. But the practice of such an exercise can bring results of immense significance. And even more is achieved if we can deepen this experience inwardly than if it is merely an external act.

Something can certainly be achieved in a man if, say at the age of forty or fifty—naturally within the obvious limits in such circumstances—he plays the games he played in childhood, if he jumps as he did then, or even if he tries to make the same kind of face he made when, as an eight-year-old, his aunt gave him a sweet! If he can transpose himself back into the actual gesture or posture of that moment, again he will find that something is brought into his life whereby he is led to the conviction that the outer world is the inner world and the inner world is the outer world.

We can then penetrate with our whole being into a flower, for instance, and then, in addition to the Thinking experience and the Memory experience we have what I will call, in the truest sense, a Gesture experience. In this way we acquire an idea of how the spiritual is directly at work within the physical.

You cannot, with full consciousness, inwardly apprehend the gesture you made, perhaps twenty years ago in response to some outer provocation, without realising the union of the physical and the spiritual in all things. But then you will have arrived at the experience of the First Hierarchy.

Gesture Experience: First Hierarchy

The Memory experience enables us to identify ourselves with the dawn when we confront it, and to feel and inwardly experience its glowing warmth. But with the Gesture experience, what confronts us in the dawn will unite with everything that can be experienced as colour or tone in the objective world.

When we simply look at the objects around us that are illumined by the sun, we see them as they can reveal themselves to the light. But the dawn changes when we pass gradually from the Memory experience to the Gesture experience.

The colour experience detaches itself entirely from materiality in any form; it becomes a living reality of soul-and-spirit, abandons the space in which the outer, physical dawn appears to us and the dawn begins to speak to us of the mystery of the connection of the Sun with the Earth. We experience how the Beings of the First Hierarchy work. If we still direct our gaze to the dawn and it still appears almost as it did during the Memory experience, we learn to recognise the Thrones. Then the dawn dissolves away; the colour becomes living being, becomes soul, becomes spirit, speaks to us of the relation of the Sun to the Earth as it was in the ancient Sun period, speaks to us in such a way that we experience the Cherubim. Finally, if with the enthusiasm and reverence aroused in us by this twofold revelation of the dawn, by the revelation of Thrones and Cherubim, we live onwards, there penetrates into us from the dawn, transformed now into living being, experience of the nature of the Seraphim.

Thinking Experience: Third Hierarchy
Memory Experience: Second Hierarchy
Gesture Experience: First Hierarchy

In all that I have been describing to you today, my aim has been to indicate how, by simply passing in the life of soul from Thinking to Gesture man can develop feelings in himself—to begin with no more than feelings—of the spiritual foundations of the Cosmos right up to the sphere of the Seraphim.

• 1. See Chapter III, entitled Thinking in the service of Knowledge.

On the one hand, it is necessary to show people the necessity of the separation and free organization of spiritual life by looking at the threads of spiritual life in the present. On the other hand, it is necessary to show everything that ultimately shows how economic life must be based on the associative principle.

Above all, a sure judgment must be called for in order to prevent the individual from doing anything in economic life that cannot be fruitfully integrated into that economic life. In the spiritual life, it is the case that the judgment must always ultimately come from the individual person; therefore, through a free spiritual life, the individual person must be able to fully come into his or her own; the state must be brought about in which each person can individually come into his or her own according to his or her abilities. In economic life, this would be of no use at all. On the contrary, it would be harmful because the economic judgment of an individual person has no value at all. It can never be rooted in reality.

Anyone familiar with anthroposophy will readily understand this. For what constitutes spiritual life ultimately flows from within the human being. A person must shape what he brings with him through birth out of himself. Admittedly, he shapes it through interaction with his environment. He also acquires experience, be it external, be it internal, be it physical, be it spiritual experience. But the process that unfolds must come from his very individual abilities. Now, if we want to intervene in economic life, we have nothing in our humanity that could be as decisive for social life as the individual abilities of the individual.

These individual abilities enrich the general life of humanity when they are applied by the human being. If he simply applies them, community life is enriched. In economic life as such, that is, insofar as one is dealing with the exchange and valuation of goods, nothing is present from the human being other than his needs. Man, as it were, knows nothing about economic life and its necessities as an individual through anything other than his needs; he knows that he has to eat and drink to a certain extent, he has individual needs. But these individual needs are only important to himself, only to himself,

What a person produces intellectually has significance for everyone else; what he produces intellectually is, in fact, a priori socially significant. The needs that a person has, and for the sake of which he must desire that there be an economic life, have significance only for himself. Economically, he can only know how to provide for himself. But this in no way provides a social yardstick, nowhere the basis for a social judgment. For it simply excludes what is to be effective in the social life if one has only one yardstick for what one needs oneself. Therefore, a social judgment can never be built on that knowledge, which is taken from one's own needs. The individual has no basis for social judgment. If he acts from what he is as an individual, that is, simply takes his needs into account, then applies his intellect and abilities, not to produce something for the general public, as in intellectual life, but to satisfy his needs, then he acts under all circumstances as an anti-social being.

That is why all cleverness is of no help when it comes to economic judgments. I must again and again cite the example of the defense of the gold standard in the course of the 19th century. If you read the parliamentary reports and other things that, for example, also originated from practitioners in defense of the gold standard in individual countries, you can actually find a great deal of individual acumen everywhere. What was said was actually completely clever, one might say. One gains respect for human capacity when one still reads the speeches that were held about the gold standard today. But just what the cleverest people said always culminated in the fact that the gold standard would contribute significantly to promoting free trade in the world. And the reasons that were put forward to support this judgment, that free trade would result from the gold standard, are actually indisputable. But the opposite has happened everywhere! Everywhere in the wake of the gold standard, the need for protective tariffs and the like has arisen. Everywhere, free trade has been restricted. And this example shows to an eminent degree that individual human cleverness is of no help when it comes to economic questions, even if it is as prominent as it was in the 19th century. It is a mistake for individuals to want to act economically on the basis of individual judgments.

The necessity of associations follows with apodictic certainty. Only when people who are active in the most diverse branches and elements associate with each other, and what one person knows in one field is supplemented and expanded by what another knows, only then does a common judgment arise that can then be transformed into economic action and lead to social recovery. There is no way to escape the necessity of association, if one simply points out this basic fact. Furthermore, what happens to economic life as such under the influence of threefolding? What do we actually have in economic life? We have three factors.

The first is that which arises from expertise in the production of this or that. Whether you want to mine coal, grow grain, raise livestock or supply some industry, you have to be an expert in the field.

The second thing is that, in our present economic life, the movement of goods, of the necessities of life, must be properly directed. Trade must be conducted in the right way. Goods must be transported to the places where they are needed. For only there do they have their real value. Otherwise they are not commodities, but only objects. One must distinguish between them. Something, even food, can, when it is in any place, be merely an object and not a commodity. For if there is an enormous amount of food of a certain quality in any place, without people needing it, there are only as many goods as people can use up. The others are merely objects, and they only become commodities when they come to the places where they can be used. Without trade, no object is a commodity. This is the second point. But this second point is intimately connected with human labor. For the transformation of natural and other objects from objects into commodities occurs precisely through human labor. If you think about it, you will find that this transformation of objects into commodities is actually quite equivalent to the expenditure of human labor. The labor begins with what we take from nature. It is always possible to trace it back to the object's character, and if you can trace it back to that, then you cannot speak of any economic character of the object. It only becomes economic when it comes into circulation. Only then does it become something that has significance for the economy as a whole. But this is connected with the overall structure and development of human labor, with the type and time and so on of human labor.

The third thing in the economy is that you know what is needed. Because only by knowing what is needed over a certain territory can you produce in a reasonable way. An item that is produced too much will inevitably become cheap; and an item that is produced too little will inevitably become expensive. The price depends on how many people are involved in the production of an item. That is the fundamental and vital question of economics, that it starts from the satisfaction of needs, and from the free satisfaction of needs. What is at issue here cannot be determined by statistics because it is part of a living process. It can only be determined by people associated with a particular territory simply becoming humanly acquainted with those who have this or that need, know the sum of the needs humanly and can negotiate from a purely human, living point of view, not from a statistical point of view, how many people are needed to produce an item. So that in the life of the association, one has first of all those people who set out to educate themselves about the existing needs in a given area, which of course arises from economic foundations, and develop the will to initiate negotiations about how many people in any economic sector must produce so that the needs can be satisfied. All this must be linked to having a sense of the freedom of needs. In no way should any opinion prevail among those who have the task just described, whether any need is justified or not, but it must be merely a matter of objectively establishing a need.

Combating senseless needs, luxurious, harmful needs, is not the responsibility of the economic life of the association, but only of the influence of the spiritual life. Meaningless and harmful needs must be eliminated by educating people in spiritual life to refine their desires and perceptions. A free spiritual life will certainly be able to do this. To put it bluntly: cinemas must not be banned by the police, but people must be educated in such a way that they do not acquire a taste for them. That is the only healthy way to combat harmful influences in social life. The moment needs as such are assessed by the economy or the state, we no longer have a threefold social order, but a chaotic mixture of spiritual, economic and other interests. The threefold social order must be taken seriously down to its innermost fibers. Spiritual life must be truly placed on its own footing. It is not free when some kind of censorship authority exists, when this or that can be forbidden in the sphere of human needs. No matter how fanatical you are, you can rail against cinemas; that does not affect the free spiritual life. The moment you call for the police, the moment you shout: That should be forbidden, you impair the free spiritual life. This must be remembered, and one must not shrink from a certain radicalism.

So initially, the associations will have to deal with people who inform themselves about the needs within a certain territory and then initiate negotiations, not make laws, about the necessary production.

So you see, you can characterize the matter somewhat differently, then perhaps it will even, I would say, seem somewhat more mundane. But finally, by way of illustration, it can also be said that initially the associations will need objectified agencies and agents who are not only interested in ensuring that the person for whom they work sells as much as possible, but who also ask themselves: What needs are there? – and who are then experts in how to produce in order to satisfy these needs.

Thus we have, I might say, the first link of the associations. The second link is taken from the series of those who have to supply the market, who, therefore, when a product is manufactured somewhere, have to arrange for its transportation, or initiate negotiations for it to be transported to the place where it is needed. So we find, so to speak, experts in consumption, experts in trade and, thirdly, experts in production. However, these are taken from the free spiritual life, because this includes everything that flows from the spiritual into productive life through abilities.

You see, representatives of all three limbs of the social organism will be present in the economic associations; only the associations themselves will belong only to the economic link and will only deal with economic matters: with the consumption, circulation and production of goods and the pricing that results from this. Therefore, in the threefold social organism, there are corporations that have sole competence within the respective link. In the economic associations, nothing but economic issues are discussed; but in the associations, of course, the people who have their abilities and competencies for the negotiations come from the free spiritual life and the legal-state. It is therefore not a matter of placing the three elements of the social organism schematically next to each other, but of having administrations and corporations with expertise in the individual matters. That is what it is about.

The details will be clear to you from the “key points”. First of all, it is a matter of always appealing to the intellectual life with regard to capital, by saying: the person who has brought together the means of production through his abilities remains in the business as long as these abilities are present. Determining this is a matter for the intellectual life. Then it still attributes so much judgment to him that he can determine his successor. That also belongs to the free spiritual life. And if he cannot or will not do it himself, the free corporation of the free spiritual life decides. You see, everything that is a function of abstract capitalism passes over into the work of the free spiritual life within economic life. It is exactly the same as in the human organism. The blood is connected with the circulatory system, but it passes into the head and pulses through it. It is exactly the same with the real social organism. Therefore it is, in a sense, fatal that, especially abroad, particularly in Nordic countries, there has been such a strong tendency to speak of a “tripartite division” of the social organism instead of “tripartition”. This “tripartite” social organism naturally gives rise to terrible misunderstandings. It is a division that is not a division. The individual members must interact with each other. We must create a clear understanding of this.

And we can hope that the reasonable bourgeois, like the proletarians, will gradually come to understand the matter. We already had the beginnings of this in Stuttgart in 1919; elsewhere, a start may have been made here or there. But the opposition from all sides has become so active that we, with our few people, have not been able to hold out for the time being. Therefore, we have now called upon your strong forces so that a kind of strengthening of our advocacy for the threefold social organism can occur. It is now absolutely necessary, I would even say urgent, that a strong push be made for everything that emerges from anthroposophical spiritual science and what threefolding of the social organism is. Because in a certain respect, it is still a matter of our temporary existence or non-existence. We should not deceive ourselves about this.

But we must work towards great clarity in everything. That is why I have tried again to give as clear an idea as possible of associative life. If anyone wants to know more about associations, we can do that this evening by answering all kinds of questions. It must be a constant feature of our lectures that we strive for clarity and that we try to evoke an understanding of how lack of clarity in our public and social affairs has brought about our present situation. I will give you an example of this.

When you are asked about this or that today, people come to you with schematic questions. They ask you: what about capital, what about small businesses, what about land and so on? Well, with regard to healthy social conditions, the land question is settled in my “Key Points”, although it seems to have only been touched on in a subordinate clause. But everything that is otherwise discussed today stems from the fact that land is involved in our social life in an incredibly convoluted way.

When the newer economic life arose and imposed the character of a commodity on everything, for example, labor, so that everything can be bought, then land also became a commodity. You could buy and sell it. But what is actually involved in this buying and selling of land? If we want to understand this, we have to go back to very primitive conditions, in which the feudal lord had acquired a certain piece of land either by conquest or in some other way, and gave it to those who were to work it, who then, in kind or in other forms of payment, gave him a certain quota in return, which initially meant the origin of land rent. But why did the people give this rent to him, to the feudal lord or to the church, to the monastery? Why did they give it to him? What made it plausible for them to make such payments? Nothing else made it more plausible for them than if they, as small owners, worked on their land and soil to till and harvest it, since anyone could come along and chase them away. Being able to work the land requires protection of the land and soil. Now, in most cases, the feudal lords themselves had an army, which they maintained from the tributes, and that was for the protection of the land. And the land rent was paid not for the right to work the land, but for the protection of the land. The right to work the land had arisen entirely out of necessity, since the landowner himself could not work all the land. This had nothing to do with any other circumstances. But the land had to be protected. And that is what the dues were paid for. In the same way, the dues were paid to the monasteries. The monasteries themselves maintained armies with which they protected the land, or they were bound by some kind of treaty here or there in such a way that the land was secured by some other power relationship. If you trace the origin of the land rent, you have to see it as a tax for the protection of the land and soil. If we consider this original meaning of the land rent, we see that it refers to times when very primitive conditions prevailed, when, in economic terms, sovereign feudal lords or monasteries ruled who obeyed no one.

These conditions ceased, first in the West and only later in Central Europe, in that certain rights that the individual had - in certain areas of Germany they ceased to be individual rights at the very latest - were gradually transferred to individual princes, which was by no means an economic but a political process. The rights were transferred. With the transfer of the rights, the protection of the land was also transferred. It then became necessary for the prince to maintain the armies. For this he naturally had to demand a levy. Gradually, the systematization of the tax system came about, which weighs so heavily on us today. This was added to the other, but curiously the other remained! It lost its meaning, because the one who was now the landowner no longer needed to spend anything on the protection of land and property; the territorial prince or the state was now there for that. But the land rent remained. And with the new economic life, it gradually passed into the ordinary circulation of goods. The fact that the connection between land rent and land lost its meaning meant that land rent could be turned into a profit-making object. It is pure nonsense that has become reality. There is something in the process of circulation of values that has basically completely lost its meaning, but which is still treated today as a commodity.

Such things can be found everywhere in our economic life. They have arisen from some justified things. Something else has taken the place of these justified things. But the old has remained. And some new process has taken it up and introduced the senseless into social life.

If you now simply take economic life as it is – if you are a professor of economics and thus have the task of thinking as little as possible in the sense I have characterized it before – then you define the land rent as it is written in the books today. And as something so senseless, it also figures in life today. So you can see how much work there is to be done to make people understand that we not only have nonsense in our system of thought, but also everywhere in economic life. And when the individual sighs under economic life, it is actually from such undergrounds. What is needed today is to arrive at a more thorough, unprejudiced, comprehensive thinking than that which can be developed by sitting in today's educational institutions.

For ultimately, what kind of thinking is being developed there today? The thinking that is perhaps characterized by mathematics is being developed. But it is being developed in such a way that it stands apart from all reality. Then they develop the kind of thinking that can be learned through experimentation, that can be learned through systematics. They develop the kind of thinking that has finally become a mere formality in the hands of people like Poincare, Mach and so on, something that they merely call “summarizing external reality.” In short, they do not develop any kind of thinking at all! And because they do not develop any thinking, they cannot do anything in economics at all.

Indeed, a method of economics has gradually emerged – Lujo Brentano handled it particularly cleverly – that develops out of understandable needs the theory that one should not think at all about what economic life should be, but only observe it correctly. Well, one should imagine how one is somehow to arrive at a science of economic life by mere observation! It would be like advising the pedagogue to just observe the children. It would never be possible to develop an activity from it. That is why our economic theorists are so terribly sterile, because they have the method of passively confronting external reality.

And the other side of the coin becomes apparent when people really do start to intervene in economic life. On the one hand, they developed a science that only observes. But when war came to Central Europe, they were suddenly supposed to intervene in economic life, even to the point of influencing price formation. What was the result? The economist Terhalle summarized the results: First, he said, and he cites countless scientific proofs in his book on “Free or Fixed Pricing?” First: things have been done in such a way that you can see that the people who did it didn't know what was important at all. Secondly, they are based on theoretical schematisms that have so little to do with reality that, by applying them, they ruin reality. Thirdly, in influencing the formation of prices, it has come about that individual trades have not been helped but harmed; and fourthly, honest craftsmanship and trade have been harmed in favor of profiteering! Just imagine what it means for an official economist to have to judge the political and governmental economic activity of recent years on the basis of economic research: that it has favored profiteering at the expense of honest trade and craftsmanship! One has only to sense what this actually means. These things must be said to people, as clearly as possible, so that one can see how powerless our civilization has become in the face of reality.

If we do not clarify such things as I have just told you with regard to land rent, we will not be able to show people the necessity of the associations; because just imagine the associations installed in the most makeshift way: immediately, experience reveals how damagingly all the unnatural things in economic life affect the formation of prices. This cannot come to light, of course, if economic life is organized in such a way that the agents go out into the countryside and do business for the individual enterprises. There they cannot be confronted with the connection between production and consumption. They do not have the interest to focus on how much should be produced. For them, only the one self-evident “truth” applies, that their master can produce as much as possible. This interest in the master's production being as strong as possible must be replaced by the positive knowledge: how many producers must there be, because we have seen that there is such and such a demand for an article, so that it must be ensured that not too many and not too few work on the territory in question for this purpose? The objective interest must take the place of the interest in the individual entrepreneur. That is what matters in the association.

Now we have to show people how economic life, because it has so many absurd elements in it – because in addition to the land rent, there are many others – is already pushing for integration. The cartel system, with the quota allocation of profit, demand, sales and so on, the merging, the amalgamation – what does it arise from? In Europe it takes more the form of a cartel, in America more that of a trust. It arises from the fact that the individual can no longer produce due to the many absurd elements that are in economic life. Just think how different it is today, when everything is pushing towards large-scale enterprise, than it was when the sole trader or small business owner was part of economic life. What can a person ask today if they want to start their own business? They can only ask how the market for a particular product is doing, whether there is demand for a particular product. A product that is in demand seems promising, a product that is not in demand does not seem promising.

In the past, when the number of entrepreneurs was small, it did not matter much; only when there were too many did the individual ones perish. But suppose that everything tends towards large-scale enterprise, when it is noticed that a particular article is needed and that something can be earned from it. By setting up the large-scale enterprise, you abolish the very thing from which you concluded that it was necessary to set up the large-scale enterprise! Because everything tends towards large-scale enterprise, what used to be decisive for the individual small entrepreneur is no longer decisive. This is why the necessity for mergers arises. And so we have cartels, trusts and so on, because the leading circles were quite careless with regard to consumption. Because they did not care about it, these mergers arise only out of the interests of the producers. Consumption is not taken into account.

The essential thing is that it is shown: You can no longer get by in economic life without association. Therefore, the one-sided associations of cartels and trusts, which, however, arise from mere production interests, must be supplemented by being based on an understanding of consumption, on an insight into the needs of a particular territory. Thus the trusts and cartels, by being caricatures of what should arise, show how necessary it is to move in a certain direction, in the direction of association. One has only to look at what kind of associations should now be created.

Characterization must be based on real life in all cases. Then perhaps we shall be able to make people understand how necessary associations are for economic life. And so it will actually be a matter of giving the lectures you now want to give in terms that are as clear as possible. The prerequisite must be that what is given in the “key points” is basically a kind of axiom of modern social life. It is never necessary to prove the Pythagorean theorem in all its individual objects. But it must prove itself in all its individual objects. Just as little is it necessary to prove the insight into social conditions, as it is gained, in detail; it is proved as such by its content, like the Pythagorean theorem. And one has only to show how things must be integrated into life. This must be taken into account.

And I would like to say this: Let us really consider our activity in such a way that it connects with what has already been done. That is why I said yesterday: It is necessary to look at our movement as a whole and not to be embarrassed to present what has been done to the people and to tell them that it is there. We have an experience again and again, in fact in a truly alarming way: When I go somewhere to give a lecture, there is a table of books at the entrance of the hall. It is only looked at if I do not mention any of the books. If I do mention one, it is bought. Usually there are not enough of them available. The others are passed over. Well, I always regret that there are so many books. You can't mention them all in a single lecture. Therefore, we must also face the present with a sense of reality. I recommend that you do not disdain any opportunity to recommend the Dreigliederungszeitung where you can, because we must reach the stage where the Dreigliederungszeitung becomes a daily newspaper. But we will not reach that stage unless we make it more popular than it is. So, we must face reality to that extent. But don't forget to recommend something else as well! Otherwise the other things will be returned unpurchased in huge numbers. It may look strange to say such things in serious lectures, but if we don't say them, they are very often not done either. And we have come together to agree on the things that should be done. Because we want to do something in the near future.

I have already shown that the Apocalypse is built up on the number principle—one of the occult principles—from a certain view point. From my explanations about the fundamental rhythmic numbers in the universe and in man earlier today you may have seen how deeply numbers are grounded in the universe, to the extent that they can disclose rhythmical things.

The buildup in accordance with numbers is quite natural with occult revelations which are written in the way that the Apocalypse of John is. According to the modern principle of initiation the visions that the Apocalypticer speaks about arise if one has Imaginations before one and Inspiration speaks into them. Then one sees the Imaginations spread out before one in a pictorial way and Inspirations speak through them. However, when this occurs one has a number principle whereby the number 7 is always the most perfect one for all occultists. This is practically a tenet of occultism: 7 is the most perfect number. The number principle enables one to follow things up. You shouldn't think that this number 7 has much content or that its content is very important for one. But it is of very great importance when one is listening to Inspirations. If one lives in the number seven one can understand Inspirations in many different ways. I will give you an example. Let's suppose someone feels that there are important spiritual backgrounds behind his own age. Of course most people around the world feel the spiritual backgrounds in their own time; this is only natural from a human point of view, but it is rather arbitrary nevertheless. For if I am an observer in 1924, the observation year is 1924, whereas if someone else is an observer in the year 1905, that is the observation year, and so on. However, if I am the observer at any time and I know what I'm observing, and I'm able to go 7 impressions back from any given impression, then according to the laws of the spiritual world whatever makes the seventh impression explains the first one, and the fourteenth one explains both of these. So this is really a methodic principle to find one's way into what something can tell one. Just as one has to know the language which someone is speaking in order to understand him, so the main thing is to be able to live in this number seven.

This is the way one has to look at these things. For this revelation of the number seven is very complicated. All kinds of things in the universe are arranged in accordance with the number seven, and to a lesser extent according to twelve and other numbers. One can follow up the events which explain things from every point through multiples of 7.

We can do this precisely in connection with the fact that we indicate such an important point yesterday, which really seems to be extremely important in our age where Michael is regulating things in the world. We pointed out that John's significant vision of the woman clothed with the sun, the dragon under her feet, giving birth to a little boy will appear to men in a particular form in the near future. Therewith we have gained an extremely important point of departure; and from this point of view an apocalypse, every apocalypse and especially John's Apocalypse is the most impressive if one grasps what one is standing in in this way.

When I tried to interpret the Apocalypse in Nuremberg in 1908 it was an entirely different time in the entire Anthroposophical movement. The main thing then was to interpret Anthroposophy by means of the Apocalypse, as it were. One can interpret a great deal through the Apocalypse, and the events in the world which it was important to mention at that time could already be seen in the Apocalypse. However, as I already mentioned a number of times, you should identify yourselves with the Apocalypse and realize that the Apocalypse describes a large number of events which proceed in accordance with multiples of seven. Since I pointed to the events which are connected with the woman clothed with the sun and the dragon under her feet, you will be able to tell in which Apocalyptic point of time we're living from the point of view of the experiences of the consciousness soul.

My lectures in 1908 dealt more with the evolution of mankind in general, and with the evolution of the astral body, but with respect to the consciousness soul which doesn't run parallel with the other evolutionary processes, but pushes into them we're really living in the age of the trumpet sounds today.

We're standing at the beginning of the development of the consciousness soul, and we only hear the trumpet sounds if this consciousness soul elevates itself to the point where it can have supersensible visions, because people do not interpret what goes on down below in a supersensible way today. The significant thing today is that people accept things indifferently and that they do not interpret them in a supersensible way. In Anthroposophical lectures I have often referred to a particular point in the 19th century in this connection, namely to the beginning of the 1840s. I said that the beginning of the forties is a significant incision into the development of the civilized world, from a spiritual viewpoint. It is the culmination of materialism, as it were. Everything that is connected with materialism was already decided in 1843/44. What happened after this until now is basically only an after effect of this, and everything that happens in the future will also be an after effect. This point in time at the beginning of the forties is really extremely important for what has happened to the civilized population of Europe and its American appendage, for the breaking in of Ahrimanic powers into human affairs was a tremendously intensive one. You can say: yes, but there were even worse events after the years 1843/44. However, this only seems to be the case. You have to remember that Ahriman is smarter than human beings. Ahriman did his most important work in 1843/44, and he arranged things in the way that he does this in accordance with his intelligence. This is the low point in the materialistic path, or the summit, if you prefer. Then men continued to go about their business, and the things they did later on are sometimes seemingly nastier, but they are not as terrible for the totality of human evolution. If one looks at them from a spiritual viewpoint, they are the after effects of what was projected at the beginning of the forties. The sixth angel began to blow his trumpet at the beginning of the forties and he will continue to sound until the events of which I spoke yesterday will begin at the end of the 20th century, when the seventh trumpet will begin to sound.

We are definitely in the midst of the three woes. This is the second woe that civilized humanity is going through in the age of the consciousness soul, which was preceded by the fifth trumpet back to 150 years earlier. And if we follow the trumpets back with respect to the seven-foldness of the consciousness soul, we arrive at a somewhat earlier point in time. The consciousness age begins in 1413 down below here on earth; but things have shifted, and earlier times work into them. The trumpet sounds go back to about the age of the Crusades. In real occult centers one always looked upon this time of the Crusades up to our time as the age of the trumpet sounds, in a certain sense. You will be able to connect the stages which are described in the Apocalypse' with outer events. For instance, when Copernicanism takes hold and when materialism sets in one third of the human beings are killed, that is, they stop developing their full spirituality. And the plague of locusts which is described in the Apocalypse is really very shocking.

Here one comes to something which one doesn't like to talk about, although of course it belongs to the things that priests must deal with. This plague of locusts is with us in a very prominent way from a purely consciousness standpoint. Of course such things should not be discussed when we speak in a theoretical way or when we speak to humanity in general, where cures for sick conditions can always occur. But if it's a question of priestly activities, then of course one must know with whom one is dealing, just as one has to know this for normal humanity.

As a rule, the people who call themselves liberals or democrats are very glad if they can point to evidence that the number of people in a particular region on earth is increasing tremendously. An increase in the population is something which is very much desired, especially by politically minded democratic and liberal people, and also by people who think that they are free thinkers and intellectuals.

Now first of all this is not quite correct, because the statistics are based on errors; people usually look at one part of the earth and they don't realize that the other parts of the earth were more densely populated in previous times than they are today. It is not quite correct; however, on the whole it is correct in the sense that there is a kind of a surplus of human beings who are already appearing in our time who have no egos, who are not really human. This is a terrible truth. They walk around and are not incarnations of an ego; they enter into the physical line of heredity and receive an etheric body and an astral body. In a certain way they are equipped with an Ahrimanic consciousness, and they look human if one doesn't look too closely, but they are not human beings in the full sense of the word.

This is a terrible truth, which is present, it's a truth, and when the Apocalypticer speaks about the plague of locusts during the trumpets epoch he is referring directly to human beings. Here again one can see how good the Apocalypticer's vision is, for such men in their astral body look exactly the way the Apocalypticer describes them—like etheric locusts with human faces. One definitely has to think about such supersensible things in this way, and priests must know about such things. For a priest is a minister. Hence he must also be able to find words for everything that happens in such a soul. They're not always bad souls; they can just be souls who get to the soul stage but are lacking an ego.

One will certainly realize this when one runs into these human beings. A priest has to know this, for after all there is fellowship among men with regard to such matters. People with normal souls suffer through their association with such persons who really go through the world like human locusts. The question can and must arise: How should one behave towards such human beings? It is often very difficult to relate to such people because they feel things deeply, they can feel things very deeply, but one notices that there is no real individuality in them. However, one must of course take care to keep the fact that they have no individualities from them, otherwise insanity will necessarily result. But even though one has to conceal this from them, it's a question of arranging things for such souls—after all they are souls, even though they're not spirits—in such a way that these people can develop in the company of others, that they can make connections with others and go along with them, as it were. These human beings display the nature and essence of human beings fairly closely until their 20th year. The intellectual or mind soul only emerges around age 20, and this makes it possible for the ego to live out its life on earth.

Anyone who says that one shouldn't act in a sympathetic way to such ego-less, individuality-less people, since they won't incarnate again and because they have no individuality—is very much mistaken. He would also have to say that one shouldn't behave in a sympathetic way towards children. One must decide what is really inside such men in each individual case. Sometimes such men contain posthumous souls, that is, posthumous with respect to the actual or normal human souls that arose at a particular time in evolution and which incarnate repeatedly as men. These are souls which remained behind, or they are souls which returned belatedly from other planets, to which almost all human beings went during a certain age. Such souls may be present in such human bodies. Thus we must consciously educate such men like permanent children.

All of this is really secreted in the Apocalypse. And if one takes these ideas in the Apocalypse that are given as Imaginations, they sometimes cut into one's heart in a terrible way. It's really horrible the way he talks about all kinds of suffering that will befall mankind on earth with regard to our age; we can only say that a great deal of this is already here as far as the spiritual aspects go.

Then of course there are mildly grand ideas like the angels who come down with incense and a censer. There's a reference to the smoke of incense. Then our gaze immediately falls upon a great deal which happened at the time of the Crusades. The trumpets go back to the Crusades. What we see in the sphere of the consciousness soul enters the consciousness soul of humanity during the Crusades epoch.

Here one finds that consciousnesses of individual personalities arise during the time of the Crusades and what is connected with this, who really had tremendously strong impressions from their experiences of the spiritual world. Here we really meet what I would like to call geniuses of piety. It's very important for us to realize that we meet geniuses of, religiousness there.

If we go further back, we find that for the consciousness sphere the period between the Mystery of Golgotha and the time of the Crusades and everything that is connected with this is a smaller epoch that corresponds to the opening of the seven seals. One can only understand this completely if one realizes the following. Just think of how many personalities arise during the time of the Crusades who direct almost all of their religiousness into their depths, into their intensity of feeling, into an inner mystical experience. This begins at that time, whereas previously one looked up into the whole universe when one wanted to perceive the divine world; the previous state of affairs also existed in tone-setting places, although there was a continual battle with the stream that proceeded from Rome. They had an understanding for the God who lives, weaves and works in the sensory phenomena to which they looked up. However, at some point everything was more or less directed within. The great geniuses of mysticism appear. Previously one received divine revelations through the perception of the universe; afterwards we have a feeling of the, inner kindling of light which the human heart can feel, so that divine things can be illuminated from within men.

The stages which the Apocalypse describes are also present here. We have the first, quiet, victorious advance, where the spreading out of Christianity depends on the victorious spirit and word, where Christianity spreads out in the sub-depths of the social life at that time. Then we have a second epoch, where the spread of, Christianity takes away a lot of what one could call peace from the world. Christianity participates quite a bit in the wars which take place in a second epoch. Then we see an epoch where a gradual dying out of the inner impulse of Christianity occurs, where Christianity becomes the state religion, which of course is a dying of the real Christian impulse. Then we have the period which corresponds to the fourth seal, when Islam breaks in in the way I described. And so it goes; seal after seal is opened, and then what occurs under the influence of significant religious geniuses and under the influence of the Crusades is something that one can observe if one follows up what really happened more exactly. In this respect all the history books are really a falsification of history.

Up till the Crusades the spread of Christianity in a good sense through the repeated efforts of countless members of monastic orders and also in a more external and bad sense, occurred through the direct inspiration of the Palestinian stories. Of course, the gospels were only referred to by priests and not by laymen, but the things that happened were definitely influenced by what the priests learned from the gospels. The priests had the gospels and the cultic rites; the cult gradually became something that reflected the supersensible world in a sensory way. The priests looked upon the sacrifice in the mass as a direct portal to the supersensible world, and therefore they looked up to the starry heavens less and less for their divine, spiritual inspiration. All of the wonderful prophecies and wisdom which I mentioned this morning in connection with ancient astrology and astrosophy disappeared almost entirely by the time of the Crusades.

During the time of the Crusades we suddenly see people appearing who travelled from east to west. Some of them are coming back from the Crusades, and others who came a little later had taken a deep interest in the secrets of the Orient. A large number of writings were brought from the east that were later lost or destroyed. They were definitely brought, but not many of them survived because people didn't watch their literary possessions as vigilantly then as one does today. However, the cosmic Christianity which they contained was handed down by word of mouth from about the time of the Crusades. People began to develop a deep interest in this at the time of the Crusades.

A kind of 7th seal is opened here. And one could say that things have really changed with regard to people's respect for written things. For instance, it's still uncertain at the moment, but if this Italian professor really did find handwritten things by Livius, you can imagine what a storm the Italian state will kick up in order to acquire them. And yet you wouldn't have to go back too far to get to a time when the state would have been quite indifferent to whether or not this or that had been found. This is something which has only developed rather recently.

I once witnessed a find like this. When I was at the Goethe and Schiller archives we received a letter by Goethe which looked rather odd; it was dirty and terribly torn. To us this was a real crime; that was no way to treat Goethe's letters. We tried to find out what was behind this. And we discovered that the letter had once been in the possession of Kuno Fischer, and he had simply sent Goethe's original letters to the printers with his notes and comments in the margins, without bothering to copy them. It was a bit miraculous that this letter had survived, since one generally doesn't keep manuscripts.

Thus it's not too surprising that the Christianity that was still alive in the Orient, or the orientalism that helped to explain Christianity were spread by the Crusades. What we would call cabalistic truths spread and a few people who might have known much more than Jakob Boehme lived at a time when no one thought that this was strange, whereas during Jakob Boehme's time the fact that someone like him existed created a sensation.

It is the time of the Crusades, where we want to point to what was going on in men's consciousnesses, and not so much to the outer events that are described in history books,—it's the time when the seal age gave way to the trumpet age. People with a little depth to them have always had a feeling about the time of the Crusades which made them say: Ah yes, the trumpet sounds; if I look at the thing from supersensible viewpoints it's really terrible what is going on there with respect to human souls. However, men on earth don't hear the trumpets, even though they're there.

A great many people should be aware of this trumpet period, since we're living at the time of the 6th trumpet, and you know what the most important effects and characteristics of this trumpet are. We're told that a third part of the men are killed, as I mentioned. Of course this doesn't happen all at once. But this killing refers to the absence of an ego in those men who had already been prepared previously through their locust forms.

These are things which force priests to look more deeply into the structure of what actually occurs. After all, priests are supposed to be dealing with supersensible things. We are surrounded by supersensible things in all directions, and what one can observe in human beings through the fact that they have a physical body is only one segment of human life. As soon as we press into the supersensible world we see that people do things of which they are often not aware. It could be that it's in someone's karma to behave in a particular way towards another human being in this earth life; and one can sometimes not know what it does to the other person's life if he goes by him without paying any attention to him. Of course later on karma will exert much more force and the thing will be adjusted; but maybe it could have been adjusted in this lifetime already. Someone who should have had something to do with another human being in this life cannot be moved to do it and he passes him by. One doesn't necessarily have to notice this in outer life on the physical plane. No real objections to this can be made, since the person concerned has done all of his duties, from a conventional outer viewpoint, but perhaps he did something that can strike terribly deep wounds into something which is connected with world evolution. Then one cannot say that one is dealing with super-terrestrial things, but with supersensible things, for supersensible things are constantly happening on earth.

It will be necessary to understand the Apocalypse in a serious way, to the extent that the one whom I called the etheric Christ will make himself visible within humanity. Therefore, it was due to a very healthy feeling which came up out of your deepest sub-consciousness that you wanted to make the Apocalypse into the object of these studies. Perhaps you initially had a different idea about what I can give about the Apocalypse at this time, but that you wanted to hear something about the Apocalypse from me was definitely the voice of the times in your hearts. And one can say that the fact that the need arose in you to understand the Apocalypse shows that you have a certain relationship with John the Apocalypticer, since you priests belong together and have become united in such tendencies. Since this permeation with the spirit of the Apocalypse is very necessary for you, you will not find any contradiction in the fact that one can find various sevenfold epochs, that one can really begin them anywhere and that one then discovers how things proceed; but if one cannot look upon the number principle as the methodic thing one won't find any connections in world evolution at all. Therewith we have really touched upon the productive side of the Apocalypse for our time.

Now we usually find other events sprinkled into the Apocalypse at the places where one set of seven goes over into the next one. that we run into here is very much in need of an explanation. If one only reads the Apocalypse in an external way one might think that there are so and so many numbers of human beings who have the seal of God on their foreheads in a particular epoch, so that they are among the fortunate ones who are rescued, or saved, or, however one wants to put it, whereas the others cannot be saved. This, is something which can be depressing if one reads the Apocalypse in a thoughtful way.

However, one should realize that there is always a difference between racial development and individual development in ancient writings. One should realize that no one felt at all depressed in earlier times when one said that so and so many will be saved in a particular race, whereas the others will be destroyed. No one included himself among these because one thought in a realistic way. It's just like today, where everyone is anxious to have his life insured.

Here one calculates how long one will probably live. Insurance companies don't accept people who will probably die soon because if they insured a lot of people who will soon die, their cash boxes would soon be empty. They want to have people who live a long time and make a lot of payments. Hence one must calculate the insured's probable life expectancy on the basis of past experience through probability calculus, which is a very interesting method of calculation. I have never found that anyone felt that he had to die at the moment he was supposed to according to the no doubt correct methods of the insurance companies. There's no such thing. One doesn't feel obliged to die. And this is based on a reality. As soon as one gets into numbers one is not grasping the stage of spirituality at which a particular human individuality is.

When one says such things, one is touching upon a certain mystery and an occult secret. This is based on the fact that one thinks that if one has 1,2,3,4,5 individualities and one counts them and then uses the number—already in counting them—that this must also be of importance for the spiritual world. But it is not important in the same way. Numbers enter in at the moment when the spiritual world breaks through and becomes manifest. As for instance when it becomes manifest in the world year or in breathing, or wherever the spiritual world breaks through. So that if one ascends to a spiritual consciousness, one needs the number at the boundary or threshold into the spiritual world. One doesn't get further there if one doesn't have a number or something similar to a number. But once on has crossed the threshold and one wants to do something with numbers, nothing fits. Therefore, when an occult writer like the Apocalypticer speaks of racial development which takes place on earth, he can very well say that there are so and so many people in this category—and we will see next time what these numbers mean—but a single human individuality cannot feel that he is affected by this, because these numbers refer to the development of races and not to human individualities. We will go into how all of this is possible the next time.