The Rudolf Steiner Archive

The original text is included in the volume of the Complete Edition of the works of Rudolf Steiner, entitled: Dar christliche Mysterium. (No. 97 in the Bibliographical Survey, 1961). This volume contains the texts and notes of thirty-one lectures, also of answers to questions, given by Rudolf Steiner in different places between 9th February, 1906 and 17th March, 1907.

All the formulae of a devotional or petitionary character, wise saws, aphorism and the like will be found at all times to contain much that touches upon the hidden mysteries of existence. But we must realize that all the different religions practiced prayer, but differed in one particular aspect in that some practiced prayer more in the form of so-called meditation, whilst Christianity and a few other religions practiced true prayer in the sense we know it to-day. On the whole, meditation is characteristic of the oriental religions. Meditation implies identification with some specific spiritual theme or object so that the meditator finds union with the divine Ground through this spiritual theme or object with which he is identified. Let us be quite clear that there are religions which, for example, prescribe for their members exercises in meditation, definite formulae of a devotional character on which they concentrate their mind, and as they concentrate upon these formulae they feel that divine spiritual life permeates their soul and that the individual, at this moment, is merged with the divine Ground. These formulae, however, belong to the mental realm. Fundamentally Christian prayer is no different except that its content is associated more with the emotional nature and feeling part of man. The Christian merges with the all-pervasive divine Being more through his emotions and feelings.

One should not imagine however that Christian prayer was always understood in this sense, nor indeed should it be understood in the manner in which it is frequently understood to-day. Now there exists an original, archetypal Christian prayer in which Christ Jesus Himself has indicated in the clearest possible way what attitude of mind the Christian should adopt towards prayer. And the injunction of this original prayer is simply this: “Oh my Father, if it be possible let this cup pass from me; nevertheless, not as I will, but as Thou willt.” Now let us look closely at these final words. We are first of all faced with a definite request—Christ asks to be spared the cup of suffering; but at the same time we are asked to surrender to the Divine Will: “Not as I will but as Thou willt.” This frame of mind which, when we pray, allows the Divine Will to pervade us, wills nothing for itself, but allows the Godhead to will in us, this frame of mind, this attitude of surrender must form the undercurrent, the key-note of prayer, if prayer is to reflect the Christian spirit.

So long as this spirit of humility prevails it is clear that it is impossible to practice petitionary prayer. And there are additional reasons why it is impossible to pray to God for the gratification of one's desires: one person would pray for rain, another for sunshine and both would be motivated by self interest. Or take the case where two armies are facing each other. Before the battle is joined each side prays for victory. But it is obviously impossible to grant both requests. But if the spirit in which one asks is, “Not my will but Thine be done”, then the petition is irrelevant—one surrenders to the divine Will. If I wish to make a particular request I leave it to the divine Being to decide whether my request should be granted or not.

This is the predominant spirit of Christian prayer and it is this spirit that gave birth to that universal, all-embracing prayer of Christian tradition, the Lord's Prayer, which according to Christian tradition was taught by Christ Himself. This prayer must, in fact, be reckoned amongst the most profound of all prayers. To-day we cannot really measure the full depth and dimensions of the Lord's Prayer as revealed by the original language in which it was taught. But the thought-content is so powerful that it could lose nothing of its effectiveness in translation into any language.

When we turn to the prayers of other peoples, we find, wherever religions have reached their high-point, prayers such as I have described to you. But when the various religions declined, these prayers inevitably lost something of their true character. They have become magical formulae, instruments of idolatry, and in the epoch when Christ Jesus taught His followers to pray, many of these magic formulae—all of which had their particular significance in their place of origin—were in common use. These magic formulae were always associated with worldly desires, with personal demands of a self-interested nature. Jesus taught that petitionary prayer, asking for oneself, was contrary to the Christian idea of prayer. Such prayers were secular in intention. When the Christian prays he should withdraw into his inner chamber, into the inner recesses of the soul where he can unite with the divine, spiritual Being. We must realize that in each of us dwells a spark of the Divine, that we partake of the Divine nature. But it would be wrong to assume that the creature is therefore commensurate with the Creator. When we say that man partakes of the Divine this does not imply that man himself is divine. A drop of water from the ocean is of the same element as the ocean, but is certainly not the ocean. So too the human soul is a drop from the ocean of the Godhead, but it is not God. Just as the drop can unite with its own element when returned to the ocean, so, as a drop from the Godhead, the soul unites spiritually in prayer or meditation with its God. This union of the soul with its God is called by Christ entering into the inner chamber.

Now that we have described the nature of Christian prayer and what is demanded of the Christian in prayer we shall be able to turn our attention to the content of the Lord's Prayer itself. I stated that the Lord's Prayer is the most all-embracing prayer. Therefore, in order to understand the Lord's Prayer, it is necessary to begin by widening the scope of our enquiries; we shall need to make many a detour in order to grasp its full meaning. We must study the being of man from a certain angle. As you know, we follow the traditional method which spiritual investigation has practiced over thousands of years. Let us briefly recall the nature of man's being.

First there is the physical body. Its substances and forces are identical with the mineral kingdom and the whole of inorganic nature. This physical body however is not, as the materialist imagines, simply an object in space, but it is also the lowest member of the human being. The next member is the etheric or life-body which man shares in common with the plants and animals, for every plant, animal or human being must call upon the chemical and physical substances so that they are galvanized into life, since of themselves they would remain inert. The third member is the astral body, the bearer of joy and sorrow, of impulses, desires and passions and the normal impressions of daily life. All these are the province of the astral body. Man shares this astral body only with the animal kingdom for the animal also is subject to joy and sorrow, impulses, desires and passions. To sum up, therefore: man shares the physical body in common with inorganic nature, the etheric with all that grows and propagates, with the entire plant kingdom, and the astral body with the animal kingdom. In addition there is a fourth member of his being which raises him above these kingdoms of nature and makes him the crown of Creation.

Such is the conclusion we arrive at after a little reflection. Now there is a name which differs from all others, the “ I ”, which can only refer to oneself. To everyone else I am a “thou”, and everyone else is a “thou” to me. As a name for the identity of the individual, the “ I ” can only arise within the soul itself; it cannot be experienced from without. The great religions have always been aware of this and therefore they said: when the soul recognizes itself as an “ I ”, then the God in man begins to speak, the God who speaks through the soul. The name “ I ” cannot be experienced from without, it must be experienced within the soul itself. This is the fourth principle or member of the human being.

The occult science of the Hebrews called this “ I ” the ineffable name of God. “Jahve” signifies simply “I am”. Wherever interpretations may be given by external scholarship, it really meant “I am”, namely, the fourth principle of the human being. Man consists of these four principles and we call them the four principles of man's lower nature.

Now if we wish to understand the being of man as a whole, we must look back into the history of human evolution. We can trace in retrospect the many and diverse peoples who precede us: the old Teutonic and Central European civilization, the Greco-Latin and Chaldean peoples, the Egyptians, Assyrians, Babylonians and Hebrews, the Persian peoples, even as far back as the Indian people from whom our present civilization stemmed. And in their turn the Indian people could look back to their forebears who dwelt in Atlantis, the continent which now forms the ocean-bed between Europe and America. Atlantis was destroyed by a series of deluges and vanished beneath the waters. The memory of this catastrophe has survived in the myths and legends of all peoples as the story of the Flood.

But even this civilization is not the oldest on earth. We can look back to still earlier times when man inhabited a continent that was situated approximately between the present Indo-China, Australia and Africa—ancient Lemuria, a continent of immemorial antiquity where totally different conditions from those of to-day prevailed. Usually we are not sufficiently aware of the vast and sweeping changes on earth in the course of human evolution. Now at this time the lower principles in man were already in eminence, and this continent was inhabited by beings consisting of the four principles, physical body, etheric body, astral body and the ego-nature. These beings were more highly organized than the highest animals of to-day, but had not reached the human stage. They were animal-men, yet different from the existing animals of our time. The latter are degenerate descendants which have evolved from these animal-men as a result of retardation and degeneration. The Lemurian beings, therefore, living at that time underwent a quite specific modification.

At that time they were ready to receive a certain force, the force of our higher soul to-day. There took place what we may describe as the union of the lower human nature with the human soul. Up to this time this human soul rested in the bosom of the Godhead, was an integral part of the Godhead Himself. Above therefore, in the realm of the spiritual, we have the divine-spiritual Being; below, the human envelopes consisting of four principles which had evolved so far that they were able to receive “drops” of this Godhead. We can illustrate what took place at that time by the following analogy. Picture a glass full of water. Let us imagine a number of sponges each containing a drop of this water. The drops which had previously formed an integral part of the water are now distributed amongst the sponges. This is a simple illustration which serves to show how the process of ensoulment took place at that time. Hitherto the soul had been one with the divine First Cause, just as the drop had been one with the water. These physical human envelopes behaved exactly as the sponges. These spiritual “drops”, separated from the common divine substance, became individualized. When they became souls they were like drops within the envelopes and from that moment actively began to fashion man as a physical and spiritual being such as he is to-day. These souls incarnated for the first time in the Lemurian epoch, then passed through innumerable incarnations and developed their physical body to its present stage. Thus parts of the Godhead were united with the lower principles of man's being. With each embodiment these souls progressively evolved, with each embodiment they became more perfect in order to attain a higher stage of being in the future.

This part of the higher nature which at that time was united with the lower nature and transformed it, and in the process of this transformation raised itself to a higher level, we call the higher principle of man's being: Spirit Self (Manas), Life Spirit (Buddhi), and Spirit Man (Atma). These are the aspects of the divine Essence by means of which man transforms in gradual stages his lower nature into the higher nature. By means of the force working within Manas he transforms his astral body, through the force of Buddhi he transforms his etheric body and through that of Atma the physical body. Therefore in order to attain the goal of his evolution he must transfigure and spiritualize these three bodies. Formerly, man consisted of the four lower principles—physical body, etheric body, astral body and ego, to which was added at that time the germ of higher development which in reality is an emanation of the highest spiritual principle, namely the higher Triad, the divine Essence, the spiritual potentiality of man. Now we can look at this higher aspect of human nature from two standpoints: on the one hand as the higher nature of man which he is to evolve in the course of evolution, or on the other, as an aspect of the divine Being from which he has emerged, as the Divine aspect in man. Christ takes the second point of view first. We shall follow the same course and enquire into the nature of these higher forces in human nature. We shall start from the highest principle, the force of Atma working within man.

I would now like to characterize for you the true nature and essence of this higher principle of human nature rather than to offer you some kind of superficial definition. That which becomes the force of Atma is, in so far as it is a force emanating from the Godhead, of a volitional nature. If you pause to reflect upon your own power of volition, upon your will power, then you have a pale copy, a pale reflection of that which proceeds from the force of Atma, from the Godhead. Will is the power or force which is least developed to-day. The will, however, has the potentiality to grow increasingly in strength until a time will come when it reaches its maximum potentiality, when it will be able to attain its goal, which the religions call the “Great Sacrifice”.

Now imagine you are looking into a mirror. Your reflection is a faithful copy of your physiognomy, imitates your every gesture, resembles you in every respect, but it is a lifeless image of yourself. You stand before the mirror as a living being and are faced with your lifeless image, which resembles you in every detail, but is without the living reality, the essential self. Imagine that your will had developed to the point when it was able to make the decision to sacrifice your own existence, your own being, or to surrender it to your reflected image. You would then be in a position to sacrifice yourself wholly in order to endow your reflected image with your own life. Of such a will we say: it emanates, it pours out its own nature. What Christianity terms “the divine Will of the Father” is the highest expression of the will.

Today, therefore, the human will is the least developed member of the soul forces. It is however in the process of developing such strength that it is able to consummate the “Great Sacrifice”. Volitional nature, in so far as it is an outpouring of Divinity, is the true nature of that which can develop as the power of Atma.

Let us now consider from the Christian standpoint the second principle of man's higher nature, Buddhi or Life Spirit, as an outpouring of the Godhead. You will have no difficulty in understanding this if you do not concentrate on the force radiating from itself in order to lend life to the reflected image, but upon the reflected image itself. The reflected image is an exact repetition of the original entity. It is the same—and yet not the same—when you apply this idea to the entire universe, showing how the divine Will as a center is reflected in all directions.

Imagine a hollow globe whose inner walls are reflecting surfaces. A center of illumination inside this globe is reflected in myriad sequins on the walls: everywhere the universal Will in endless multiplicity, everywhere reflected images, single aspects of the Godhead.

Consider the Cosmos in this way—the Universe as a reflection of the infinite Divine Will. The Divine Will is not present in any single being, but expresses itself in infinite diversity. The reflection of the Godhead—where the Godhead occupies the central position and yet at the same time by virtue of the “Great Sacrifice” pours life into every reflected image of Himself—is called in Christian terminology “the Kingdom”. And this expression, “the Kingdom”, is identical with the Buddhi in man. When we contemplate the creative and productive principle in the Universe, the principle that issues from the Divine First Cause, then the next higher principle associated with Atma is Buddhi, a vital spark of this creative principle. In the form of “Kingdom”, Buddhi is universal and cosmic.

Let us now turn our attention to the individual aspects of the “Kingdom”. So far we have only considered it as a whole. Let us now look into the separate entities. How do we distinguish between them? By what is called in Christian terminology “the Name”. Each separate entity is invested with a name and thus we distinguish respectively the manifold, and the particular. By “the Name” the Christian understands what is often called the “representation”, that which is characteristic of an object. Just as the individual is distinguished from his neighbor by the name, so too the name is felt to reflect at the same time a part of the divine Being. The Christian responds to this name in the right way when he realizes that every member of “the Kingdom” is an outpouring of the Divine, that every morsel of bread he consumes is an outpouring, a mirror and a part of the Godhead. The Christian must realize that this is true of the smallest things. In human nature man owes it to the individual Spirit Self that he becomes an individual over against the others. What in “the Kingdom” is “the Name”, man possesses in his individual Spirit Self or Manas through the fact that he is a special part of the Godhead, that he has his own particular name, the name which in the individual passes from incarnation to incarnation.

Thus this threefold nature is seen to be a manifestation of the Supreme Being and from this point of view Atma is “the Will” of the Godhead, Buddhi or Life Spirit “the Kingdom”, and Manas or Spirit Self “the Name”.

Let us now look at the four lower principles of human nature, starting from the lowest, the physical body. This body is composed of the same substance and forces as external nature, substances and forces which the body continually transforms. It is only through the processes of anabolism and catabolism in the physical organism of man that life is maintained. He can only continue to exist because he is continually renewed by the transformation of these physical substances. He is an integral part of the whole of physical nature. A finger cannot preserve its identity if severed—it withers the moment it is separated from the body; it keeps its identity because it is an integral part of the whole organism; in the same way the physical body cannot preserve its identity if detached from the Earth. Thus man only preserves his identity when he is intimately related to the elements of the Earth. It is only through the metabolic processes that his fundamental being is maintained. Such is the nature of the physical body.

The second principle is the etheric or life-body. We must realize that it is this body which activates the physical substances and forces. It is not only the bearer of growth and propagation and of biological phenomena in general, but also of all those qualities in man which are of a more permanent nature than the transient impulses, desires and passions. In what respect does it differ from the astral body? If you wish to understand wherein this difference lies then you need only look back to the time when you were only eight years old. Think of all that you have learnt since that time, of the vast store of concepts, ideas and lessons won from those experiences which have enriched your life. Then think how painfully slow are the changes in your etheric body. Think how choleric you were as a child and ask yourself if you are not still prone to fits of anger on frequent occasions. Think of how your tendencies or your temperament have largely remained unchanged. They have not changed so much as your personal experiences. All that we experience, all that we learn from experience can be compared to the minute hand of a clock and the changes in character, temperament and habits to the hour hand. This difference then is explained by the fact that the astral body is the bearer of the former, whilst the etheric body is the bearer of the latter. A change in your habits implies a change in your etheric body. The lessons learned from experience imply a change in the astral body.

The training of the student in true occultism does not depend on what he outwardly learns; all spiritual training modifies the etheric body. Therefore you have done more for your real occult development if you have succeeded in transforming a single deep-rooted trait than if you have acquired unlimited external knowledge. Accordingly we distinguish exoterically, that for which the etheric body is the vehicle, and esoterically, what the etheric body needs. The etheric body is also the vehicle of the faculty of memory, but not of memory as conscious recollection. Any strengthening of the memory, for example, is associated with a transformation of the etheric body; any weakening of the memory implies a change in the etheric body, a change in the power to remember. And there is an additional factor of vital importance. Man lives to-day on two levels. He is a member of a family, of a clan, a nation and so on, and he also possesses certain characteristics which he shares in common with others and which bind him to that relationship. The characteristics of the Frenchman are quite different from those of the German and these again are different from those of the Englishman. They all share certain characteristics of their descent. At the same time every man has his own individual characteristics through which he transcends the limitations of his nation and through which he establishes his particular identity. One is a member of a community by virtue of certain qualities or characteristics of the etheric body. It is these characteristics which determine one's membership of a nation, a race and especially of a community. That which makes it possible to transcend the limitations of this community originates in the astral body. The astral body determines man's individual tendencies.

Therefore it is important for man's life in the community that his etheric body should harmonize with the etheric bodies of those with whom he has to associate. If he cannot make this adjustment it is impossible for him to live with them: difficulties arise and he is rejected by the community, he becomes an outcast. The task of man's etheric body therefore is to adjust itself to the etheric bodies of others. The astral body determines man's individual tendencies; it must live in such a way that the individual does not commit personal sins. Personal sins are the consequences of errors on the part of the astral body, are in effect defects of the astral body. Failure to achieve harmony with the community is the consequence of defects of the etheric body. In the esoteric teachings of Christianity the correct term for the defects of the etheric body was “debt”, that which disturbs harmonious relationship with others. A defect of the astral body, a defect which stems from individuation was called in Christian esotericism “succumbing to temptation”. It is the impulses, passions and desires of the astral body which lead man into temptation. The astral body errs through its own inner defects. In this way Christian esotericism distinguished between “debt” and yielding to temptation.

Let us now turn to the fourth principle of the human being, the ego. We have already described the physical body which is continuously recreated by means of metabolic processes, the etheric body which may be burdened with “debt”, and the astral body which may succumb to temptation. The fourth principle, the ego, is the primal source of selfishness, of egoism. It is through the efforts and operation of the ego that what was a unity in the Godhead is now diffused among the many. The defection from the divine unity into individualized existence is the work of the ego. Hence Christian teaching attributed to the ego the real origin of self-seeking and egoism. So long as the separate entities were united in the Godhead, conflict could not exist among them. Conflict could only arise when they became individualized, i.e. separate egos. The mutual development through conflict, which is tantamount to egoism, is called in Christianity the transgression of the ego, and Christian tradition indicates very precisely the moment when this soul became incarnated in the body through the Fall into sin, the eating of the apple in Paradise. The real “sin” or transgression of the ego is designated by the term “evil”. Evil therefore is the defect or transgression of the fourth lower principle. Only the ego can succumb to evil, which arose through the eating of the apple. In Latin, “malum” means both evil and apple.

To sum up: the physical body and the physical elements of the environment are of the same nature. The physical body is sustained by the processes of metabolism, the continuous interchange of forces and substances. The etheric body is that which holds the balance between the different members of the community and may incur “debt”. Finally we have the astral body which must not fall into sin and the ego which must not become the victim of egoism, of evil. This lower Quaternary unites with the higher Triad, the divine Essence,

 ATMA BUDDHI MANAS (Will) (Kingdom) (Name) 

Now think of prayer as a union of man, who has withdrawn into his inner chamber, with the Godhead itself. In the original teaching of Christianity the soul is portrayed as divine, as a drop from the ocean of the Godhead. And the soul in its separateness must pray to be reunited with the immanent and transcendent Godhead. The origin of the divinity in man is given the name of the Father. And the goal of the soul's destiny, where the soul will be united with the Father is Devachan or heaven.

And now let us recall the nature of the primal or archetypal prayer. It is an appeal by the alienated soul to be united with the divine Fatherhood.

The purpose of this prayer was to beseech God for the consummation of the three higher principles, to pray that the Will, the highest manifestation of the Divine may be realized in man; that the second higher principle, the Kingdom, shall take possession of the soul; and that the third higher principle, the Name, shall be felt as holy. This prayer therefore would refer to the three higher principles of the divine in man. In respect of the four lower principles he would ask: may my physical body be granted the substances necessary to sustain it; may the etheric body strike a balance between its own debt and the debt of others; may man live in harmony with his neighbor. May the astral body not fall into temptation and may the ego not succumb to evil, the true outcome of what we ordinarily mean by egoism.

You should pray for union with the Father in the words of a primal or archetypal prayer. And you should pray in such a way that, as you pray, you meditate upon the single principles of your sevenfold being.

“Our Father which art in Heaven.” First you invoke the Father, then you prefer your petitions which are related to the three higher principles:

“Hallowed be Thy Name, Thy Kingdom come. Thy Will be done on earth as it is in heaven.”

Then follow the four petitions which refer to the four lower principles:

“Give us this day our daily bread. Forgive us our trespasses (our debts) as we forgive them that trespass against us (as we forgive our debtors).”

This implies reconciliation with our fellow men.

“Lead us not into temptation”—refers to the astral body, and “Deliver us from evil”, i.e. from all manifestation of egoism or self-interest—to the ego.

Thus the meaning of the evolution of the seven-principled being of man is incorporated in the seven petitions of the Lord's Prayer. The Lord's Prayer as a Christian prayer, is offered to Christians from out of a deep understanding of the being of man and it incorporates the sum of theosophic teaching concerning the nature of man. Prayers that are not of merely transient effect, but which possess the soul and rejoice the heart for thousands of years, are the fruit of deepest wisdom. Such a prayer could never have arisen through an arbitrary collocation of beautiful or sublime words. It is only because these words have been drawn from the deep well of wisdom that they possess the power to influence the soul of man for thousands of years.

To maintain that the simple-minded have no understanding of this wisdom is not a valid objection. They have no need of understanding, for the power of the Lord's Prayer stems from this wisdom and is effective even when there is no understanding of the wisdom content. It is important to have a right understanding of this. When we look at a plant we are captivated by its beauty. And the most simple minded will also be captivated though he may know nothing perhaps of the divine wisdom concealed in the plant. And the same is true of prayers that answer our deepest needs. One need know nothing of the wisdom they embody and yet such prayers possess none the less the power, the wisdom, the exaltation and the sanctity of prayer. If a prayer is born of the highest wisdom, it is not essential that we know of this wisdom. What is of importance is that we experience personally the power of that wisdom.

Only in our present epoch is it possible once more to throw light upon what Christ Jesus contributed to prayer and to discover afresh the power He has infused into it, especially the Lord's Prayer. And because this prayer has issued from the fountain head of wisdom concerning man himself and his sevenfold being it not only exercises a powerful and lasting influence upon the most untutored mind, but is all the more edifying for those who are able to discover its deeper meaning. And at the same time it loses nothing of that power which if has always exercised, a power that overwhelms yet exalts, for the whole of theosophy, of divine wisdom, is found in the Lord's Prayer.

Christ often spoke to the multitude in parables. When He was alone with His disciples He expounded the parables to them. From this wisdom-filled exegesis of the parables the disciples were to derive that power through which they could become His messengers and could learn how Christ Himself had attained that magic power through which His mission is destined to continue acting upon mankind for thousands of years.

In this way we come to understand the meaning of the Lord's Prayer.

My dear friends, in the lectures which have been held here for some weeks I have endeavoured to show you some of the things which have lived in human evolution—certain things connected with various inner impulses which have entered into the modern development of humanity. We have had to go very far back to find the origin of these impulses. We have sought to understand how, from out of the Atlantean civilisation, there flowed the relics of an ancient Atlantean Mystery magic. We have shewn how, in a state of decadence, this Atlantean civilisation still lived on amongst those peoples who were re-discovered in Europe through the re-discovery of America. We then sought to study the relics of another branch of Atlantean magic which sent its rays and streams from Asia throughout Europe. And so, we have seen coming from Atlantis a co-operation in a certain sense between the Eastern and Western pole. From out of these impulses which have remained over from Atlantis, we then sought to deepen ourselves concerning the nature of the Graeco-Roman epoch, which as we know, was a copy to a certain extent, of Atlantean civilisation, though of course on a higher stage. And then we tried to understand the two poles of the IVth Post Atlantean Period. That is, the pole of Greece and the pole of Rome. We then attempted to follow at least partially, the various impulses which were further active in our European life of civilisation. We have especially considered that impulse which came into the spiritual stream of Europe through the fact that the Templars had to undergo a certain fate, and that this fate of the Templars which works so powerfully, so deeply on our own souls, evokes spiritual forces into existence which have continued to work on in a spiritual way; inspiring, impelling, initiating all of those things which have contributed to the external path of the history of the peoples of Europe. And then we have continued to trace how these impulses pass over into a recent material. And in the last lecture, we saw at the end of the 18th century, it gives a peculiar colouring to those ideas which at that time confused the world, the ideas of Brotherhood, Freedom and Equality. Many such impulses as have been born in the course of centuries and flowed into European development could be characterised, but that must be left over to a later time.

I should now like to characterise, through certain significant impulses, the path of our own European life of civilisation, because it is essential that through a Spiritual Scientific observation one should learn to know more and more thoroughly the peculiarities of our own age, the age in which we are standing to-day. It is important for us to know how our own time is determined by that special spiritual structure of the 19th century. In this 19th century all those impulses of which I have spoken to you have been more or less veiled, covered up to a certain extent. I have often drawn your attention to the fact that, as regards the evolution of modern civilisation, the middle of the 19th century was a most important time;—it was that time in which in the 5th Post Atlantean civilisation something was to become especially active something which man knows and learns to produce through his intellect in so far as that is bound to the physical plane. We must rake this quite clear to ourselves. With the 5th Post Atlantean civilisation something of the nature of forces comes into the Post Atlantean development which was absolutely different from what occurred in the Graeco-Latin age in the 4th Post Atlantean epoch. Naturally the Greeks had intellect (verstand) but that was of quite a different nature from our own - our own intellect,—which has gone through the 5th Post Atlantean epoch and which, in the middle of the 19th century, really entered upon a quite definite crisis. That intellect which was developed in ancient Greece, and which, for instance, radiated in all that the Greeks created artistically, which radiated in all that the Greeks created in their State arrangements (which were not really State arrangements at all),—that intellect which worked through the Philosophy of Plato and Aristotle, that intellect which then was drawn over into the political being of Rome was utterly different from the intellect which arose in our own 5th Post Atlantean epoch. One can even prove this philosophically, as I have attempted to do in the first volume of my “Riddles of Philosophy.” With the Greeks, their ideas were really so existing that they perceived them just as we to-day can see colours, hear sounds, and have sense perceptions: so they could experience ideas. Now with our modern humanity the intellect is separated from outer perception and it works in the inner being of man; but it works in such a way as it must do when it is to be activated through the brain or, in general, through the physical organism. This has gradually brought about a certain state of affairs:—and please bear in mind, that by reason of the whole meaning of our civilisation, it had to be so. The tendency was gradually brought about in the 15th century, through this intellectual development, of permeating human life more and more with purely materialistic cognition, and practical life with the principle of mere utility, Utilitarianism. We have gradually seen with what necessity these things developed, how in the civilisation of the West of Europe certain impulses arose, and in connection with these impulses questions were put in the sphere of cognition. We have seen how these questions differed from others which arose, for instance, in the East of Europe. We have seen, for instance, how the West, through a long preparation was driven in the sphere of knowledge and in the practical sphere of life, to urge the spirit into a configuration which gradually put certain questions above all else. We have seen how in the West there gradually rose the tendency to study what I must call the affinity of all beings; and, when it comes to man, of studying what relates to the Birth of man and to Heredity. One can best understand Western civilisation (when it is striving for cognition) if one knows that these questions concerning the affinity of beings, and of Birth and Heredity, were dominant in the life of the West. From this there arose in the Western world, in their science of chemistry and physics, the seeking of the affinity of different forces of Nature which were regarded as modifications of one particular force of Nature. This tendency then extended to other spheres; in the sphere of Biology it was the affinity of various animals and plants which was investigated; and out of all of this man himself was explained—man, as he was thought to have developed, from a purely animal existence. One must say: To understand the birth of man in its affinity with other creatures on the Earth, was the culmination of these questions in the West.

The Eastern sphere on the other hand, sought in the realm of knowledge other questions: “What is Evil? What is the meaning of suffering in the world?” Never so much as in the East of Europe was there so much thinking concerning Evil and Sin. Of course, in the other spheres this was also the case, but nowhere with the same intensity and with the same genius as in the East. All the literary production of the East stands under the influence of the question: “What is Evil?” And the pains which in the West we applied to the problems of Affinity, were in the East applied to the investigation of Sin. The same thought which was employed in the West to investigate the natural connections of physical man as he passes through birth into existence, was applied in the East to understand Death. That same effort is employed in the East to understand Death. “How does man maintain himself aright as a soul, as he passes through Death? What does Death signify in the whole connection of Life?” That announced itself as a question in the East, one just as important for the East as the question concerning the natural Affinity of Man and the Birth of Man is for the West. Just as in the Western World we can prove that these problems of Birth and Happiness lay at the basis of their thinking, so we can show that in the Eastern world, (for example, in Solovieff) we can say that all his thinking is directed to the question of Evil and of Death. The difference is only this—that in the West one has already travelled a long way in one's investigation, whereas in the East they are still more or less at the beginning. Then, as you know, all these things passed over into the sphere of practical life, into the arranging of social life,—those ideas which we seek to realise in everyday life,—and if to a certain extent we investigate the most intimate impulses in the life of the West, we see that we can refer these to the thoughts concerning the Happiness of Man.

Please just bear in mind how this thinking concerning the Happiness of Man begins with the “Utopia” of Lord Bacon and the “Utopia” of Sir Thomas More, and we see how this same trend of thought has developed into the most diverse social programmes which have found expression in the West. Of course, social programmes have also come to expression in the East, but one can easily prove that in the East they spring from quite different impulses than have the social programmes of the West. All these, as well as the idea of Freedom which came to us from the French Revolution, and all the social ideas of the 19th century, all have as their aim the Happiness of Man. In the East we find, (of course still in the beginning) how there, instead of Happiness it is Redemption which is sought for—the inner freeing of the soul of man. There the longing exists to know how the soul of man can develop towards the overcoming of life. One understands this extraordinary interplay of impulses if one keeps this in mind. And we have seen how even a consideration of a somewhat higher kind, of the Lives written of Christ Jesus, has received its colouring from what lies in these same impulses and tendencies. In the West, we have that most characteristic and clever observer of the Life of Jesus—Jesus considered only as Jesus—just as one can consider any other human being, born from a certain race, a certain climate, or a certain nation. I refer to the “Life of Jesus” by Ernest Renan. Now in the East Jesus is little spoken of, and when one speaks of Jesus it is simply as a path along which one can come to the Christ. You find this very strongly in Solovieff.

Between these two, as I have told you, (and if one only has an eye for these things, a sense for what Goethe calls the UR-phenomenon, one knows how these three names are chosen)—between these two, Renan and Solovieff, there stands—a far more original and far clever man than the other two—David Frederick Strauss. Ernest Renan considers only the Jesus, Solovieff considers only the Christ; Ernest Renan transformed Jesus into a simple man, a human, one can almost say an “all too human” man Now with Solovieff this human element is completely lost. Man's gaze is directed into the spiritual world by Solovieff, when he considers the Christ; and he only speaks of moral, spiritual impulses. Everything with Solovieff is forced into a super earthly sphere. The Christ has nothing earthly, although He pours His effects into an earthly sphere. Between these two stands David Frederick Strauss. He does not deny Jesus—he admits that such a personality lives; but, just as Ernest Renan simply and solely considers Jesus as man, so to David Frederick Strauss, Jesus is only of significance in so far as on this Jesus for the first time is suspended the idea of the whole of humanity. Everything which man can long for or ever has longed for, from out of the Mysteries of all ages as the Idea of All-humanity, is attached to the Jesus of David Frederick Strauss. D. F. Strauss does not very much consider the earthly Life of Jesus only as a means whereby to show how in the age when Jesus appears, humanity had the longing to bring together all the myths which refer to the sum total of humanity, and to concentrate them on that Figure. And so, that which in Ernest Renan's Life is so full of colour, with D. F. Strauss becomes a kingdom of shadow, which only seeks to show how the Myths of Centuries all flow together. With D. F. Strauss Christ is not a figure cut off as with Solovieff, but is the idea of that which lives on throughout the whole of humanity—that Christ Who for thousands of years has poured Himself into humanity and developed through humanity. With D. F. Strauss, therefore we find only an idea of Jesus, united with an idea of Christ. With Ernest Renan, we have a personal and historical Jesus. With Solovieff we have a Christ Who is super-personal yet individual, but at the same time super-historic. He is super-personal yet individual, because He is a Being shut off, included in Himself, although at the same time He is an individual but transcending personality. Between these two stands D. F. Strauss, who has not to do with a vision,—a perception of the personal element working in Christ Jesus,—for this personal element is only, as it were, a point of support for all those myths streaming through humanity.

If one only keeps in mind this scheme obtained from a spiritual observation of the history of Europe, one can almost read straight off the various spiritual connections. You see, with Ernest Renan, a man who pre-eminently arose out of the Western civilisation, it is a question the whole time, of understanding how a certain country, a certain race could give birth to Christ Jesus. It is a question of the birth of Jesus. With Solovieff the question is especially: “What does Christ signify for human evolution? And how can Christ save what is born in man as a soul, how can He lead that again through the Gate of Death?”

And so, in the middle of the 19th century, as I have told you, that which lives in this evolution and which belongs especially to our 19th century, reached a certain crisis. At that time, the most extreme point was reached which one can strive for through physical, intellectual performance. In the course of the 19th century, the striving after happiness was gradually transformed into the striving for mere utility,—Utilitarianism. That is something which appears especially in the middle of the 19th century, both in the sphere of knowledge as also in the sphere of life:—the striving after mere utility. And that is something which especially disturbed those who understand the real eternal needs of the human soul, it disturbed them especially that the 19th century should bring forth a striving especially concentrated on the principle of Utilitarianism. Thus, we meet Materialism in the sphere of Knowledge, and Utilitarianism in the sphere of Practical Life. And those two things belong absolutely together.

Now I am not bringing forward these things in order to criticise them, but because they are necessary points of transition for humanity. Man had to go through this materialistic principle in the sphere of Knowledge, as he had to pass through the principle of Utilitarianism in the sphere of Practical Life. It was a question of how humanity should be led in the 19th century in order to pass in the right way through those necessary points of its development. We will therefore begin the consideration of these things this evening from a certain point of view, and then, on a later occasion I shall hope to enter into them more thoroughly.

Knowledge, especially that which in the West is, ae we know, concentrated on the phenomena of Birth and the question of Heredity, and this was placed in the service of Materialism, of Utilitarianism. Now let us make clear to ourselves what really happened in thought. As you know, Darwinism arose, which studied the problem of the Birth of Man, that is, the Origin of Man from a sequence of organisms; and Darwinism attempted to make popular certain quite definite views. We know also that something far more spiritual than Darwinism already stands in Goethe's “Theory of Evolution,” but Goethe's theory had for the time to remain more esoteric. And so, in the first place, the more coarse, materialistic form had to be taken up by humanity. We know too that in the last decades the most intimate pupils of Darwinism have attempted to undermine Darwinism itself in its materialistic colouring. But Darwinism, as it really entered the world of the I9th century, did not enter the world because the investigations of Nature, because science itself made it necessary—not even the natural scientists would maintain that. Oscar Hertwig, the best pupil of Haeckel says, that because human beings only wanted to keep in man the social and mercantile principles of utility during the I9th century, therefore they carried these principles over even into the external world. They simply wanted a reflection of their own thinking, and it was no external facts of nature which forced a Darwinistic view on humanity. So, it is no wonder that, on a closer investigation, one no longer finds these views substantiated. But, as human beings, we have come now to the principle of Utility.

Now Darwin also lived in a certain stream which strove after the principle of Happiness, the Happiness of Human beings, but a stream which was absolutely materialistic. Darwin came very near to that stream which belongs to the doctrine of Malthus. The teaching of Malthus proceeded from a certain definite view, a view that on the Earth in a certain way the means of life increases. That means the fruitfulness of the Earth can increase. But, side by side with this increase in the fruitfulness of the Earth the Malthusians also regarded the increase in the population of the Earth, in such a way as one is only able to regard it, if one does not take into consideration the idea of reincarnation. And they came to see that the fruitfulness of the earth—that is, the means of nourishment,—did not increase at the same rate as the increase in population. They thought: the increase in the nourishment runs its course according to the number [sequence] 1, 2, 3, 4, and so on which we call arithmetical progression; whereas the increase in population happens according to the numbers 1, 2, 4, 8 and so on, which as you know, is geometrical progression. The disciples of Malthus, on the basis of this view, developed the ideas which they thought they had to develop, keeping in mind the Happiness of humanity on the earth. All the time they had in front of them their calculated increase in population, and on the other side an increasing lack in the means of nourishment. From this proceeded the so-called Malthusian ideal—that is, the ideal of the `two children' system. It was said: Since nature has the tendency to impel men forward geometrically and only to impel the means of nourishment forward arithmetically, therefore the population must be restricted, which can be done through the two children system. Now, concerning this special application of the principle of Happiness in the whole stream of Materialism which one gets simply by studying the sequences of Birth according to a materialistic principle (which of course has blinded humanity), we need not speak further now, but Darwin started from the certainty of the principle that for all beings who live on the Earth, the means of nourishment increase in arithmetical progression, whereas the population increases in geometrical progression, And so for him there resulted a certain consequence. He said: If things transpire so the means of nourishment increasing at the rate of 1, 2, 3, 4 and so on, whereas the population increases at the rate of 1, 2, 4, 8, then there will be amongst the beings of the Earth an inevitable struggle for existence, and the struggle for existence must be a really operative principle. So, upon Malthusianism,—that means something which was meant absolutely for practical life,—Darwin based his system. Please bear in mind that Darwin did not derive his system from an observation of Nature, but from a theory. It was not an observation of Nature based on Knowledge which gave Darwin his impulse, but simply this principle of utility which said that by regulating the births so that the rate of birth did not grow greater than the rate in the increase of nourishment—one could thereby maintain a balance. Of course, it was thought that one could find the struggle for existence everywhere in Nature, and so the Darwinians said: All beings live immersed in a struggle for existence whereby the unfit are removed and the fit remain over. That means the Darwinian `survival of the fittest.' And so, you see, no cosmic principle full of wisdom is required, because now everything runs on by itself through the survival of the fittest. How suitable for the humanity of the I9th century to strip off everything of a spiritual nature and to live as far as possible only in material existence! One has no need to think of ideals if one lives only under the principle of the survival of the fittest. Nature can then go on entirely without ideals. As a matter of fact, one might even work against the course of Nature if one attempts to realise any ideals, because through one's ideals one might even cause an unfit individual to survive;—an individual who would go under in the struggle for existence!

My dear friends, that principle lived in the humanity of the 19th century everywhere, and was uttered more or less clearly. One lived under the impulse of thinking along these lines, even if one did not always say it quite so clearly. In short, a View of the World arose which sought to satisfy the humanity of the I9th century in this special manner. I just wanted to show you in this where lies the true impulse of Darwinism, because in the beautiful scientific Unions or Scientific Societies in general, people have sought to spread a materialistically coloured Darwinism as a kind of Gospel throughout humanity, without knowing what real impulse lay at the back of them. You see, humanity has a far greater preference for ideas which deceive it than for those which explain the truth. We could go on to bring forward many, many things which would simply be an expression of the fact that in the middle of the 19th century our civilisation and culture had reached a certain crisis, and it was a question for those who knew that certain things must never he quite killed,—things that they knew were necessary for the progress of humanity,—it was a question for those who knew, how, m such an age of mere utility, one could still maintain a spiritual civilisation and culture. And so, it was no accident but something founded in the purpose of the whole of human development, that when that principle of utility brought European development to a crisis in the middle of the 19th century, a personality such as Time. Blavatsky appeared who, through her natural endowment, was capable of revealing to humanity an extraordinary amount from out of the spiritual world itself. if anyone who is an astrologer wanted to consider this matter, he could undertake the following pretty experiment. He could take the point of time of the strongest utilitarian crisis of the 19th century, and for that point of time set up a horoscope. He would get just the same horoscope if he calculates the horoscope of Time. Blavatsky! This is simply a symptom that the self-evolving Cosmic Spirit in the course of time wanted to place a personality in the world through whose soul the opposite of Utilitarianism should come to expression. That principle of utility is absolutely established in Western civilisation, and against all this the Eastern civilisation has always held itself erect. Therefore, we see this peculiar play that, whereas in the West right into the sphere of Knowledge this Western principle is striven for out of a materialistic Darwinism, where a struggle for existence inserts itself into scientific observation,—that brutal struggle for existence against which attacks have always been made by the Russian investigators, whose research work you find collected by Kropotkin in his book, wherein he says that it is not a struggle for existence which lies at the basis of all animal species, but what he calls Mutual Aid. And so, about the middle of the 19th century we have Darwin's “Origin of Species” appearing in the West through the struggle for existence, and in the East, we have brought together by Kropotkin, the labour of a whole series of Russian scientists in his book “Mutual Aid,” which characterises the evolution of species by showing that just those species develop best of all who help each other mutually. Thus, on the one side as it were, at the one pole of the newer spiritual civilisation men are taught that those species develop best who suppress each other most of all, and then from the East, from the other pole, we are taught that those species develop best, the members of which are so endowed that they support each other mutually. That is extraordinarily interesting. One might say, that just as Darwin from out of the milieu of the West works m the middle of the 19th century, so from out of the aura of the East there worked that which was laid down in the soul of Blavatsky, but which could not come fully to development because the time was not yet at hand

We have seen how the West has come forward in a certain way already, whereas the East still stands at the beginning of this development. And so, in Blavatsky there appears a kind of beginning, the announcement of a soul-development. This soul-development of Blavatsky appeared entirely out of a Russian aura, in spite of the fact that her origin was not in itself entirely Russian. This soul, in her mediumship, was developed in a Russian way, but, in the course of her life she was completely led into Western civilisation,—she was so utterly led into Western civilisation that, as you know, she wrote her books in the language of the West; even as far West as America, this figure of Blavatsky was interwoven with the civilisation of our recent age. One might say that in Blavatsky the attempt was made to see how these two things could be intermingled. From all that I have told you concerning the evolution of Blavatsky, you will know that certain things were attempted through her, but, as you also know all meaning, all sense was snatched away from these very exempts. The works of Blavatsky are even chaotic, giving out great significant truths, hut all hopelessly mixed up with the most extraordinary rubbish. Now what, in reality, has proceeded from that impulse which was attempted with Blavatsky? With Blavatsky, the attempt was made to take occultism, which is a merely traditional occultism, and to propagate that. And what has followed from this, after Blavatsky's death right on to our own age? That you have experienced for yourselves right up to the humbug with Alcyone, and what is now developing from Mrs. Besant herself.

Thus, you have this example before you—an attempt to unite occultism with utilitarianism. Now in the way in which it was attempted there, it could not go on any further. Through that peculiar intermingling of something which was born in the East with what existed in the West, Blavatsky, whose soul was of a mediumistic nature, was intended to incorporate the spirituality of the West with the principle of Utilitarianism An Ahrimanic attempt was begun; and that is a terrible, a horrible, but powerful example of how an Ahrimanic attempt inserts itself, which tries, not only to bring out a certain knowledge concerning the supersensible world, but to place it entirely in the service of utility, of Utilitarianism. Blavatsky was surrounded by personalities who strove to keep her entirely in their own hands, but that never quite succeeded because she always slipped away from them in a certain way. But a certain number of men in the Western world endeavoured to get Blavatsky entirely into their own hands, and if that had succeeded, if the ideal of uniting spirituality with the principle of utility had been Utterly realised, we should experience something quite different to-day from that Bureau of Julia (Stead's Bureau); for the Bureau of Julia is only a posthumous, an unsuccessful attempt to amalgamate the principle of utility with spiritualism. What was attempted with Blavatsky was simply only a caricature, but if that had succeeded, we should have everywhere to-day Bureaus where, through mediums, we could get all kinds of information concerning what numbers would win in a lottery, what lady one should marry, whether one should sell out or keep for a time certain stocks and shares. And all that would be arranged from the information to be got from the spiritual world, through mediumship. The spiritual life would be placed utterly at the service of utility. The tragedy of Blavatsky consists in this,—that she was driven to and fro, between both poles, and therefore her life is of such an extraordinary psychological character. In Blavatsky's life, certain doors had to be opened through which one could look into the spiritual world, and so we see this extraordinary phenomenon appearing, of the withdrawal of the Individuality who used Blavatsky as a means of bringing revelations into the world concerning the spirit, while in its place appears that individuality whom Olcott characterises as the reincarnated Sea-Pirate of the 16th century, John King. John King, who then occupied himself in materialising tea cups and things of that kind, when they were especially needed! Into these things there plays a conflict between the principle of Utility and that principle which must work with more Utilitarianism in the course of the further development of humanity,—not by removing utility out of the world, but by directing it spiritually into the right paths. Because, my dear friends, you must not think that any spiritual civilisation of the future will ever be at enmity with life. The task of any true spiritual Science should be to bring Utilitarianism into the right waters.

But of this we shall attempt to speak in the next lecture. We shall then attempt to show the relation between the principle of utility of the most practical life of our present age, and that which should be a spiritual life within this life of practise. And therewith we shall contact one of the most important questions of the life of our present age.

As I said in my earlier lectures, the time has come for humanity to know certain truths concerning the spiritual background to the physical world. If people are not going to be prepared to accept these truths out of their own good will, they will be forced to learn them from the terrible events that will happen as time goes on.

The question may arise as to why now is the time for humanity to learn these truths, some of which are liable to shock people. They have of course existed for a long time, but humanity in general was protected and did not have to accept them. Many of these truths were carefully guarded in the ancient Mysteries, as you know, so that people in the surrounding areas were not exposed to the disturbing effect of these truths. Now, we have often said that it is fear of the great truths that prevents people from accepting them. Those who have this fear today—and there are indeed many of them—could of course say: Why cannot humanity go on in a kind of sleep state where these truths are concerned? As it is, people have grown tense and fearful in recent times, and why should they be exposed to those great and fearsome truths?

Let us go into this question, first of all considering why from now on humanity has to be treated differently, as it were, by the world of the spirit than has been the case so far in this post-Atlantean age.

In my earlier lectures I spoke of the non-physical world which borders directly on our physical world. This is the world humanity will need to know about in the time which lies just ahead. You know, as soon as you enter into a non-physical world, everything is different from the way it is here. You get to know certain entities, and above all things of a special nature which are hidden from the sight of weak humanity—‘sight’ here includes anything conveyed in insights and ideas.

Why has the human eye been deflected from this other world in the post-Atlantean age, right up to the present moment? It is because there are entities in this next-door world—other, higher worlds lie beyond it—which could only be made known to human beings under certain conditions. They have a specific function in the whole universe and especially also in human evolution. There are many different kinds of these entities in the other region.

Today I want to talk to you about one class of such entities, the class whose function in the great scheme of things is connected with human birth and death. You should never believe that human birth and death are actually as they present themselves to the senses. Spiritual entities are involved when a human being enters this physical world from the non-physical, and then leaves it again for the non-physical world. To give them a name, let us call them the 'elemental spirits of birth and death' for the moment. It is true that the individuals who until now were initiated in the Mysteries considered it to be their strict duty not to speak to people in general of these elemental spirits of birth and death. If one were to speak of them, and of the whole way in which these elemental spirits live, one would be speaking of something that would seem like red-hot coals to people, for this is how humanity has developed in the post-Atlantean age. We might also use another analogy. If people get to know more about the essential nature of these elemental spirits of birth and death and do so in full consciousness, they come to know powers which are inimical to life in the physical world.

Anyone with more or less normal feelings, even today, will be shaken to learn the truth that in order to bring about birth and death in the physical world, the divine spirits who guide world destinies have to use elemental spirits who actually are the enemies of everything human beings seek and desire for their welfare and well-being here in the physical world. If everything was done just to suit the wishes of human beings—to be comfortable in this physical world, be fit and well as we go to sleep and wake up again and go about our work—if all spirits were of a kind to see to it that we have such a comfortable life, birth and death could not be. To bring about birth and death the gods need entities whose minds and whole way of looking at the world give them the urge to destroy and lay waste to everything which provides for the welfare of human beings here in the physical world.

We have to get used to the idea that the world is not made as people would really like it to be and that there exists the element which in the Egyptian Mysteries was known as ‘iron necessity’. As part of this iron necessity, entities hostile to the physical world are used by the gods to bring about birth and death for human beings.

So we are looking at a world that is immediately next to our own, a world that day by day, hour by hour, has to do with our own world, for the processes of birth and death happen every day and every hour here on earth. The moment human beings cross the threshold to the other world they enter into a sphere where entities live and are active whose whole conduct, views and desires are destructive for ordinary physical human life. If this had been made known to people outside the Mysteries before now, if people had been given an idea of these entities, the following would inevitably have happened. If people who are quite unable to deal with their instincts and drives, with their passions, had known that destructive entities were present around them all the time, they would have used the powers of those destructive entities. They would not have used them the way the gods do in birth and death, however, but within the realm of physical life. If people had felt the desire to be destructive in some sphere or other, they would have had ample opportunity to make these entities serve them, for it is easy to make them serve us. This truth was kept hidden to protect ordinary life from the destructive elemental spirits of birth and death.

The question is, should we not continue to keep them hidden? This is not possible, and for quite specific reasons, one of which is connected with a great, important cosmic law. I could give you a general formula, but it will be better to use the actual form it is taking now and in the immediate future to demonstrate this law to you. As you know, not long ago growing numbers of impulses came into human evolution which did not exist before and which are quite characteristic of our present civilization. Try and go back in your mind to times not very long ago. You will find times when there were no steam locomotives, when people did not yet use electricity as we do now; times perhaps when only thinkers like Leonardo da Vinci¹ were able to have the idea, theoretically and on the basis of experiments, that humans could create apparatus which would enable them to fly. All this has come to realization in a relatively short time. Just consider how much depends on the use of steam, of electricity, of the changes in atmospheric density which has made airships possible, or the knowledge of statics which has led to the aeroplane. Consider everything which has come into human evolution in recent times. Think of the destructive powers of dynamite, etc., and you can easily imagine, seeing how swiftly this has gone, that new and different fabulous things of this kind will be the goal of future human endeavour. I think you can easily see that the ideal for the near future will be to have not more and more Goethes, but more and more Edisons. This really is the ideal of modern humanity.

Modern people do, of course, believe that all this—the telegraph, telephones, the use of steam Power, etc.—happens without the participation of spiritual entities. This is not the case, however. The development of human civilization involves the participation of elemental spirits, even if people do not know about it. Modern materialists imagine that the telephone and telegraph, and the steam engines driven long distances and also used by farmers, have been constructed merely on the basis of what people produce by the sweat of their brow. Everything people do in this respect is under the influence of elemental spirits. They are always involved and helping us in this. People are not taking the initiative on their own in this field—they are guided. In laboratories, workshops, really everywhere where the spirit of invention is active, elemental spirits are providing the inspiration.

The elemental spirits who have given impulses to our civilization from the eighteenth century onwards are of the same kind as those used by the gods to bring about birth and death. This is one of the mysteries which human beings have to discover today. And the law of world history of which I have spoken is that as evolution proceeds, the gods always rule for a time within a particular sphere of elemental spirits and then human beings enter into this same sphere and use the elemental spirits. In earlier times, the elemental spirits of birth and death essentially served the divine spirits who guided the world; since our day—and this has been going on for some time now—the elemental spirits of birth and death are serving technology, industry and human commerce. It is important to let this disturbing truth enter into our souls with all its power and intensity.

Something is happening in this fifth post-Atlantean period of civilization which is similar to something that happened in Atlantean times, during the fourth Atlantean period. I have spoken of this before. Up to the fourth Atlantean period the divine spirits who guide human evolution used certain elemental spirits. They had to use them because not only birth and death had to be brought about at that time, but also something else, which may be said to be closer to the earth. You will remember some of the descriptions I have given of the Atlantean age, when human beings were still flexible in their physical nature and their souls could make their bodies grow large or remain dwarf-like, with their outer appearance depending on their inner nature. Please call this to mind again.² Today the service certain elemental spirits give to the divine spirits on occasions of birth and death is clearly apparent in physical terms. In those times, when outer appearance was in accord with inner nature, certain elemental spirits were serving the gods for the whole of human life. When the Atlantean age had reached its fourth period, people again began to rule the elemental spirits, which had previously been used by the gods, to govern the growth and general physiognomy of human beings. Human beings gained control of certain divine powers and made use of them.

The consequence was that from about the middle of the Atlantean age it was possible for individuals who desired to harm their fellow human beings to use all kinds of creative powers on them—keeping them dwarf-sized in growth or making them into giants, or letting the physical organism develop in such a way that the individual concerned would be an intelligent person or a cretin. A terrible power was in human hands in the middle of the Atlantean age. You know, for I have drawn attention to this, that this was not kept secret, though not from any kind of evil intent. According to one of the laws of world history, something which initially was the work of the gods had to become the work of human beings. This led to serious mischief in the Atlantean age, so that over the last four or three periods of civilization the whole of Atlantean civilization had to be guided towards its own destruction. Our own civilization was saved and brought across from Atlantis, as I have described elsewhere, and you will recall my descriptions of what happened in the Atlantean age.

In the last three, or two, periods of post-Atlantean civilization in the fifth stage of earth evolution, work now done by the gods will again become work to be done by humanity. We are only in the early stages of the technological, industrial and commercial activities which proceed under the influence of the elemental spirits of birth and death. This influence and its effects will be increasingly more radical. Until now, the elemental spirits of birth and death have been guided by the gods and their influence has been limited to the coming into being and passing away of humans at the physical level. But the civilization of our own and future ages has to be such that these spirits can be active in technology, industry, commerce, and so on.

There is also another, quite specific, aspect to this. As I have said, these elemental spirits are the enemies of human welfare and want to destroy it. We have to see things straight and not have any illusions concerning the radical nature of this. Civilization must progress in the fields of technology, industry and commerce. But by its very nature such a civilization cannot serve the well-being of humanity in the physical world; it can only prove destructive to the human weal.

This will be an unpalatable truth for people who never tire of making great speeches on the tremendous advances made in modern civilization, for they see things in abstract terms and know nothing of the rise and fall which is part of human evolution. I have made brief reference to the causes of destruction in Atlantis. The commercial, industrial and technological civilization which is now in its beginnings harbours elements which will lead to the decline and fall of the fifth earth period. And we only see things straight and face reality if we admit that we are here beginning to work on something which must lead to catastrophe.

This is what it means to enter into iron necessity. Looking for an easy way out people might say: Alright, I won't take the tram. It might even go so far—though even members of the Anthroposophical Society are unlikely to take things this far—that people will not go on trains, and so on. This would be complete nonsense, of course. It is not a matter of avoiding things but of getting a clear picture, real insight into the iron necessities of human evolution. Civilization cannot continue in an unbroken upward trend; it has to go through a succession of rising and falling waves.

There is, however, something else which can happen, something people generally do not want to know about today but which is exactly what modern humanity will have to discover. Insight—a clear picture of the necessity which exists—is what will have to come to all human minds. It will necessarily mean that much will have to change in the frame of mind in which we consider the world. Human beings will need to live with inner impulses which they still prefer to ignore today, for these go against the good life they want. There are many such impulses. Let me give you just one example.

People today, especially if they want to be good people, wanting nothing for themselves but only to be selfless and desire the good of others, will of course seek to develop certain virtues. These, too, are iron necessities. Now, of course, there is nothing to be said against a desire for virtue, but the problem is that people are not merely desiring to be virtuous. It is quite a good thing to want to be virtuous, but these people want more. If one looks to the unconscious depths of the human soul one finds that in the present time people are not really much concerned to develop the actual virtues. It is much more important to them to be able to feel themselves to be virtuous, to give themselves up entirely to a state of mind where they can say: ‘I am truly selfless, look at all the things I do to improve myself! I am perfect, I am kind, I am someone who does not believe in authority.’ They will then, of course, eagerly follow all kinds of authorities. To feel really good in the consciousness of having one particular virtue or another is endlessly more important to people today than actually having that virtue. They want to feel they have the virtue rather than practise it.

As a result, certain secrets connected with the virtues remain hidden to them. They are secrets which people instinctively feel they do not want to know, especially if they are modern idealists who like to feel good in the way I have described. All kinds of ideals are represented by societies today. Programmes are made, and a society states its principles, which are to achieve one thing or another. The things people want to achieve in this way may indeed be very nice, but to find something nice in an abstract way is not enough. People must learn to think in terms of reality. Let us look at the aspect of reality when it comes to people having virtues. Perfection, benevolence, beautiful virtues, rights—it is nice to have them all in the outer social sphere. However, when people say: ‘It is our programme to achieve perfection in some particular way, benevolence in some particular direction, we aim to establish a specific right', they usually consider this to be something absolute which can be brought to realization as such. ‘Surely’, people will say, ‘it must be a good thing to be more and more perfect?’ And ‘What better ideal can there be but to have a programme that will make us more and more perfect?’ But this is not in accord with the law of reality. It is right, and good, to be more and more perfect, or at least aim to be so, but when people are actually seeking to be perfect in a particular direction, this search for perfection will after a time change into what in reality is imperfection. A change occurs through which the desire for perfection becomes a weakness. Benevolence will after a time become prejudicial behaviour. And however good the right may be that you want to bring to realization—it will turn into a wrong in the course of time. The reality is that there are no absolutes in this world. You work towards something that is good, and the way of the world will turn it into something bad. We therefore must seek ever new ways, look for new forms over and over again. This is what really matters.

The swing of the pendulum governs all such human efforts. Nothing is more harmful than belief in absolute ideals, for they are at odds with the true course of world evolution.

A good way of demonstrating things—not to prove, but merely to illustrate—is to use certain ideas. And to some extent, ideas from the physical sciences can be used as symbols to illustrate non-physical ideas. Imagine we have a pendulum suspended here (drawing on the board). Now you see, if you take the pendulum to this point, to one extreme, and then let go, it will go to this point to find its equilibrium. It follows this path. Why does it do so? Because it is subject to gravity, people say. It goes down, but once it has reached the lowest point does not stop there. The downward movement has given it a certain inertia, which it uses to move to the other side. It then goes down again. It means that when the pendulum travels this distance, the downward movement gives it sufficient energy to swing to the other side. This provides an analogy that may be used to give a strong visual image of one thing or another. Thus we may say: A virtue—perfection, benevolence—goes in this direction, but then goes in the opposite direction. Perfection becomes weakness, benevolence uncritical adoration, and right turns into wrong in the course of evolution.

People prefer not to consider such ideas today. Just imagine trying to explain to a solid middle-class citizen who is establishing a society which is to serve certain ideals: You are now setting up an ideal, but in making it part of the process of evolution you will create the opposite effect, and you will do so in a relatively short time. Well, he would think you are not only no idealist, but a real devil. Why should the effort to be perfect not go towards increasing perfection, and why should right not continue to be right for ever and ever? It is extremely difficult for people today to have ideas based on reality instead of ideas that are one-sided abstractions. Yet they will have to learn to have such ideas, for they will not progress without them. They will also have to become used to the idea that progress in civilization will gradually make it necessary for us to use the elemental spirits of birth and death. And in doing so, humanity will have to live with the fact that a destructive element becomes part of human evolution.

Every now and then, people who refuse to familiarize themselves with anthroposophy—which is the only means of finding the right attitude to such things—find the right ideas by themselves, from instinct. What is the significance of all this? The elemental spirits of birth and death are, of course, messengers of Ahriman. The iron necessity of world evolution forces the gods to use Ahriman's messengers to control birth and death. When they ask the elemental spirits to act on their behalf they do not allow the powers of these messengers to enter the physical world. But as civilization goes into its decline, from the fifth post-Atlantean period onwards, this element has to come in again, so that catastrophe may be brought about. Human beings must use these powers themselves. Ahriman's messengers are therefore an iron necessity; they have to bring about the destruction that will lead to the next step forward in civilization. This is a terrible truth, but it is so. And nothing will avail where this truth is concerned but to get to know it and to see it clearly. We shall be discussing this further and you will see how many things there are which call for the right attitude to these truths.

Instinct, I have said, makes some people realize that something is necessary. One such individual is Ricarda Huch,³ who has written a number of excellent books at the present time—though none that somehow comes even close to anthroposophy. Her latest work, on Luther's faith, is remarkable—not so much because of insight, but because of the instinct to be found in this book. If you read the first three chapters of the book you find there a strange cry—I think we may call it such—a cry for humanity to find again what has really been lost since Luther came on the scene. Before his day atavistic clairvoyance still existed. Ricarda Huch says that what humanity needs most of all today is to get to know the devil. She does not consider it so necessary for people to come to know God; it is much more important, she says, to get to know the devil.

Ricarda Huch does not know, of course, why this is necessary, but she has an instinctive feeling that it is so. Hence her remarkable cry for knowledge of the devil in the first chapters of the book. This is highly symptomatic and significant for our time. Her thinking is: People will come to know God again once they know that the devil is all around them. Individuals like this, who still do not want to take up anthroposophy, will always look for a way to apologize for their statements. Ricarda Huch does feel that people must get to know the devil as someone who is very real; but she immediately says, as a kind of apology, that one should not, of course, imagine the devil to be walking around in the street with horns and a tail. Oh, but he does walk around! ‘They never know the devil is about, Not even when he has them by the collar.’⁴ Modern abstract thinking immediately needs an apology, even if someone knows instinctively what is most urgently needed. But there is a good and real instinct for the present time behind this cry for the devil. People should not simply grow blindly, as if asleep, into what iron necessity demands of them in the immediate future, which is to use the messengers of the devil in our work in laboratories, workshops, banks and everywhere else. They have to use them so that civilization may progress; but they must know the devil, they must know that the keys which are used, say, to unlock the vaults have the devil's power in them. Ricarda Huch knows this instinctively, and people need to know it, for only knowledge will take us into the future in the right way. It is of immense importance that there are people who, out of instinct, point to the need which exists to know the devil and not walk past him fast asleep, for he is getting more and more powerful.

Perhaps there is something else that is characteristic—I mention it only in passing: In Paradise, too, it was a woman who instinctively allowed the functions of the devil to enter into Paradise. I think it is not much to the credit of men in our civilization that they are still calling this kind of thing superstition and refuse to have anything to do with it, once again leaving it to a woman. It may indeed be characteristic that a woman, Ricarda Huch, is calling for the devil, just as once in Paradise it was Eve who let in the devil. This merely as a passing comment.

It is the devil who will and must be the bearer of our future civilization. This is a harsh truth, but it is important. It is intimately bound up with the fact that destructive powers will have to enter into the future progress of civilization. Above all—and I will speak of this tomorrow—destructive powers will have to enter into the whole field of education, and especially the education of children, unless the matter is taken in hand with wisdom. Because of the general trend of civilization, and the customary practices and emotions of people, destructive powers will also enter more and more into the whole social sphere. They will above all bring more and more destruction into the actual relationships between people.

Humanity should seek to bring Christ's words to realization: ‘Where two or three are gathered together in my name, there am I in the midst of them.’⁵ Technological and commercial progress will not bring this to realization, but rather: Where two or more want to fight and assault each other in my name, there am I in the midst of them. This will happen more and more in the social life and because of this there is a general difficulty today in presenting truths which will bring people together.

Let us conclude by being clear in our minds, at least for the moment—we shall continue with the subject tomorrow and the day after—about the frame of mind in which people generally receive truths. People do not like to be told truths today because they simply do not believe truth to be something which comes to human beings directly from the world of the Spirit. Modern people believe truth must always be something grown in their own garden. People in their twenties have their own point of view, they do not need to be convinced of a truth, they do not need to have the truth revealed to them, they have their own point of view. And someone who has eagerly fought for the truth, a young fellow of twenty-four, just finished at university where he may have attended lectures on philosophy—he has his point of view and enters into discussion with another who has just as eagerly fought for his own truth. Each of them believes that the absolute certain truth grows in his own garden, even if the soil has not been prepared. People are not inclined to receive truths; they announce themselves the possessors of truth. This is the characteristic element in the present time.

Ricarda Huch has put it rather nicely. She points out that in the period of Enlightenment in Europe, our present state of mind, or call it what you will, which is absolutely awash with chauvinism, was preceded by Nietzscheanism, which was far more sublime than anything connected with native pride and chauvinism. Many, many people became followers of Nietzsche and it was he who set up the ideal of the ‘tawny beast’. People actually had little idea of what this meant. Ricarda Huch says: People who did not even have what it takes to be a decent pet rabbit fancied themselves as ‘tawny beasts’ of the kind Nietzsche presented.⁶ There you have the modern bourgeois point of view. One does not have what it takes to be a decent rabbit, but if someone establishes a high ideal—that is how they like to see themselves! One considers oneself to be this, without doing anything to achieve it. People do not feel they need to develop, for they cannot bear the idea of being something in the future; they want to be something now. This splits them apart into human atoms, each with his own point of view, with no one able to understand anyone else.

There, in this mood where no one can understand anyone else, you see the destructive powers at work in human society. This is driving people apart. It was, of course, the devil who presented people with the temptation to be ‘tawny beasts’. They did not actually become such beasts, but even so, the nineteenth-century impulses which destroy social life in the twentieth century have certainly taken root. We will continue with this tomorrow.

• 1. Leonardo da Vinci, 1452–1519.
• 2. Examples are the chapter on the evolution of the world and the human being in Occult Science. An Outline (trans. by G. and M. Adams; Rudolf Steiner Press, London 1969) and the chapter on our Atlantean forebears in Cosmic Memory (translated by K. E. Zimmer; Steinerbooks, New York 1976).
• 3. Ricarda Huch (1864–1947), German writer: Luthers Glaube, Briefe an einen Freund (Luther's faith, letters to a friend), Leipzig: Insel-Verlag 1916. A new edition of the work appeared in 1964.
• 4. Quote from Goethe's Faust, Part 1, scene in Auerbach's Tavern. Trans. by Philip Wayne; Penguin.
• 5. Matthew 18:20.
• 6. The German term for ‘tawny beast’ is ‘blonde Bestie’. Nietzsche experts are in two minds about the interpretation of the term. It comes from Nietzsche's Zur Genealogie der Moral (1887, I, 11): ‘das Raubtier, die prachtvolle nach Beute lstern schweifende blonde Bestie’ (the predator, that magnificent blonde/tawny beast roaming far and wide lusting for prey). One interpretation is that this refers to the Janissary, a ‘killing order’ of warriors who in their boyhood had been taken from Christian families by the Turks and, thus removed from the humanizing influence of a family, trained to be utterly ruthless and inhuman. Other experts, and clearly also Ricarda Huch, think the term refers to a lion. (Translator.)

In the evening hours of our Christmas Gathering,¹ I should like to give you a kind of survey of human evolution on the earth, that may help us to become more intimately conscious of the nature and being of present-day man. For at this time in man's history, when we can see already in preparation events of extraordinary importance for the whole civilisation of humanity, every thinking man must be inclined to ask: ‘How has the present configuration, the present make-up of the human soul arisen? How has it come about through the long course of evolution?’ For it cannot be denied that the present only becomes comprehensible as we try to understand its origin in the past.

The present age is however one that is peculiarly prejudiced in its thought about the evolution of man and of mankind. It is commonly believed that, as regards his life of soul and spirit, man has always been essentially the same as he is to-day throughout the whole of the time that we call history. True, in respect of knowledge, it is imagined that in ancient times human beings were childlike, that they believed in all kinds of fancies, and that man has only really become clever in the scientific sense in modern times; but if we look away from the actual sphere of knowledge, it is generally held that the soul-constitution which man has to-day was also possessed by the ancient Greek and by the ancient Oriental. Even though it be admitted that modifications may have occurred in detail, yet on the whole it is supposed that throughout the historical period everything in the life of the soul has been as it is to-day. Then we go on to assume a prehistoric life of man, and say that nothing is really known of this. Going still further back, we picture man in a kind of animal form. Thus, in the first place, as we trace back in historical time, we see a soul-life undergoing comparatively little change. Then the picture disappears in a kind of cloud, and before that again we see man in his animal imperfection as a kind of higher ape-being. Such is approximately the usual conception of to-day.

Now all this rests on an extraordinary prejudice, for in forming such a conception, we do not take the trouble to observe the important differences that exist in the soul-constitution of a man of the present-time, as compared even with that of a relatively not very far distant past,—say, of the 11th, 10th, or 9th century A.D. The difference goes deeper when we compare the constitution of soul in the human being of to-day and in a contemporary of the Mystery of Golgotha, or in a Greek; while if we go over to the ancient Oriental world of which the Greek civilisation was, in a sense, a kind of colony, we find there a disposition of soul utterly different from that of the man of to-day. I should like to show you from real instances how man lived in the East, let us say, ten thousand, or fifteen thousand years ago, and how different he was in nature from the Greek, and how still more different from what we ourselves are.

Let us first call to mind our own soul-life. I will take an example from it. We have a certain experience; and of this experience, in which we take part through our senses, or through our personality in some other way, we form an idea, a concept, and we retain this idea in our thought. After a certain time the idea may arise again out of our thought into our conscious soul-life, as memory. You have perhaps to-day a memory-experience that leads you back to experiences in perception of some ten years ago. Now try and understand exactly what that really means. Ten years ago you experienced something. Ten years ago you may have visited a gathering of men and women. You formed an idea of each one of these persons, of their appearance and so on. You experienced what they said to you, and what you did in common with them. All that, in the form of pictures, may arise before you to-day. It is an inner soul-picture that is present within you, connected with the event which occurred ten years ago. Now not only according to Science, but according to a general feeling,—which is, of course, experienced by man to-day in an extremely weak form, but which nevertheless is experienced,—according to this general feeling man localises such a memory-concept which brings back a past experience, in his head. He says:—‘What lives as the memory of an experience is present in my head.’

Now let us jump a long way back in human evolution, and consider the early population of the Orient, of which the Chinese and Indians as we know them in history were only the late descendants: that is, let us go back really thousands of years. Then, if we contemplate a human being of that ancient epoch, we find that he did not live in such a way as to say: ‘I have in my head the memory of something I have experienced, something I have undergone, in external life.’ He had no such inner feeling or experience; it simply did not exist for him. His head was not filled with thoughts and ideas. The present-day man thinks in his superficial way that as we to-day have ideas, thoughts, and concepts, so human beings always possessed these, as far back as history records; but that is not the case. If with spiritual insight we go back far enough, we meet with human beings who did not have ideas, concepts, thoughts at all in their head, who did not experience any such abstract content of the head, but, strange as it may seem, experienced the whole head; they perceived and felt their whole head. These men did not give themselves up to abstractions as we do. To experience ideas in the head was something quite foreign to them, but they knew how to experience their own head. And as you, when you have a memory-picture, refer the memory-picture to an experience, as a relationship exists between your memory-picture and the experience, similarly these men related the experience of their head to the Earth, to the whole Earth. They said:—‘There exists in the Cosmos the Earth. And there exists in the Cosmos I myself, and as a part of me, my head; and the head which I carry on my shoulders is the cosmic memory of the Earth. The Earth existed earlier; my head later. That I have a head is due to the memory, the cosmic memory of earthly existence. The earthly existence is always there. But the whole configuration, the whole shape of the human head, is in relation to the whole Earth.’ Thus an ancient Eastern felt in his own head the being of the Earth-planet itself. He said: ‘Out of the whole great cosmic existence the Gods have created, have generated the Earth with its kingdoms of Nature, the Earth

with its rivers and mountains. I carry on my shoulders my head; and this head of mine is a true picture of the Earth. This head, with the blood flowing in it, is a true picture of the Earth with the land and water coursing over it. The configuration of mountains on the Earth repeats itself in my head in the configurations of my brain; I carry on my shoulders my own image of the Earth-planet.’ Exactly as our modern man refers his memory-picture to his experience, so did the man of old refer his entire head to the Earth-planet. A considerable difference in inner perception!

Further, when we consider the periphery of the Earth, and fit it, as it were, into our vision of things, we feel this air surrounding the Earth as air permeated by the Sun's warmth and light; and in a certain sense, we can say: ‘The Sun lives in the atmosphere of the Earth.’ The Earth opens herself to the Cosmic universe; the activities that come forth from herself she yields up to the encircling atmosphere, and opens herself to receive the activities of the Sun. Now each human being, in those ancient times, experienced the region of the Earth on which he lived as of peculiar importance. An ancient Eastern would feel some portion of the surface of the Earth as his own; beneath him the earth, and above him the encircling atmosphere turned towards the Sun. The rest of the Earth that lay to left and right, in front and behind—all the rest of the Earth merged into a general whole.

Thus if an ancient Oriental lived, for example, on Indian soil, he experienced the Indian soil as especially important for him; but everything else on the Earth, East, West, South of him, disappeared into the whole. He did not concern himself much with the way in which the Earth in these other parts was bounded by the rest of Cosmic space; while on the other hand not only was the soil on which he lived something important, but the extension of the Earth into Cosmic space in this region became a matter of great moment to him. The way in which he was able to breathe on this particular soil was felt by him as an inner experience of special importance.

To-day we are not in the habit of asking, how does one breathe in this or that place? We are of course still subject to favourable or unfavourable conditions for breathing, but we are no longer so conscious of the fact. For an ancient Oriental this was different. The way in which he was able to breathe was for him a very deep experience, and so were many other things too that depend on the character of the Earth's relation and contact with cosmic space. All that goes to make up the Earth, the whole Earth, was felt by the human being of those early times as that which lived in his head.

Now the head is enclosed by the hard firm bones of the skull, it is shut in above, on two sides and behind. But it has certain exits; it has a free opening downwards towards the chest. And it was of special importance for the man of olden time to feel how the head opens with relative freedom in the direction of the chest. (See Drawing). And as he had to feel the inner configuration of the head as an image of the Earth, so he had to bring the environment of the Earth, all that is above and around the Earth, into connection with the opening downwards, the turning towards the heart. In this he saw an image of how the Earth opens to the Cosmos. It was a mighty experience for a man of those ancient times when he said: ‘In my head I feel the whole Earth. But this Earth opens to my chest which carries within it my heart. And that which takes place between head, chest and heart is an image of what is borne out from my life into the Cosmos, borne out to the surrounding atmosphere that is open to the Sun.’

A great experience it was for him, and one of deep meaning, when he was able to say: ‘Here in my head lives the Earth. When I go deeper, there the Earth is turning towards the Sun; my heart is the image of the Sun.’ In this way did the man of olden times attain what corresponds to our life of feeling.

We have the abstract life of feeling still. But who of us knows anything directly of his heart? Through anatomy and physiology, we think we know something, but it is about as much as we know of some papier-mâché model of the heart that we may have before us. On the other hand, what we have as a feeling-experience of the world, that the man of olden times did not have. In place of it he had the experience of his heart. Just as we relate our feeling to the world in which we live, just as we feel whether we love a man or meet him with antipathy, whether we like this or that flower, whether we incline towards this or that, just as we relate our feelings to the world—but to a world torn out, as it were, in airy abstraction, from the solid, firm Cosmos—in the same way did the ancient Oriental relate his heart to the Cosmos, that is, to that which goes away from the Earth in the direction of the Sun.

Again, we say to-day: I will walk. We know that our will lives in our limbs. The ancient man of the East had an essentially different experience. What we call ‘will’ was quite unknown to him. We judge quite wrongly when we believe that what we call thinking, feeling and willing were present among the ancient Eastern races. It was not at all the case. They had head experiences, which were Earth experiences. They had chest or heart experiences, which were experiences of the environment of the Earth as far out as the Sun. The Sun corresponds to the heart experience. Then they had a further experience, a feeling of expanding and stretching out into their limbs. They became conscious and aware of their own humanity in the movement of their legs and feet, or of their arms and hands. They themselves were within the movements. And in this expansion of the inner being into the limbs, they felt a direct picture of their connection with the starry worlds. (See Drawing). ‘In my head I have a picture of the Earth. Where my head opens freely downwards into the chest and reaches down to my heart, I have a picture of what lives in the Earth's environment. In what I experience as the forces of my arms and hands, of my feet and legs, I have something which represents the relation the Earth bears to the stars that live far out there in cosmic space.’

When therefore man wanted to express the experience he had as ‘willing’ human being—to use the language of to-day,—he did not say: I walk. We can see that from the very words that he used. Nor did he say: I sit down. If we investigate the ancient languages in respect of their finer content, we find everywhere that for the action which we describe by saying: I walk, the ancient Oriental would have said: Mars impels me, Mars is active in me. Going forward was felt as a Mars impulse in the legs.

Grasping hold of something, feeling and touching with the hands, was expressed by saying: Venus works in me. Pointing out something to another person was expressed by saying: Mercury works in me. Even when a rude person called some one's attention by giving him a push or a kick, the action would be described by saying: Mercury was working in that person. Sitting down was a Jupiter activity, and lying down, whether for rest or from sheer laziness, was expressed by saying: I give myself over to the impulses of Saturn. Thus man felt in his limbs the wide spaces of the Cosmos out beyond. He knew that when he went away from the Earth out into cosmic space, he came into the Earth's environment and then into the starry spheres. If he went downwards from his head, he passed through the very same experience, only this time within his own being. In his head he was in the Earth, in his chest and heart he was in the environment of the Earth, in his limbs he was in the starry Cosmos beyond.

From a certain point of view such an experience is perfectly possible for man. Alas for us, poor men of to-day, who can experience only abstract thoughts! What are these in reality, for the most part? We are very proud of them, but we quite forget what is far beyond the cleverest of them,—our head; our head is much more rich in content than the very cleverest of our abstract thoughts. Anatomy and physiology know little of the marvel and mystery of the convolutions of the brain, but one single convolution of the brain is more majestic and more powerful than the abstract knowledge of the greatest genius. There was once a time on the Earth when man was not merely conscious as we are of thoughts lying around, so to speak, but was conscious of his own head; he felt the head as the image of the Earth, and he felt this or that part of the head—let us say, the optic thalamus or the corpora quadrigemina—as the image of a certain, physical mountainous configuration of the Earth. He did not then merely relate his heart to the Sun in accordance with some abstract theory, he felt: ‘My head stands in the same relation to my chest, to my heart, as the Earth does to the Sun.’ That was the time when man had grown together, in his whole life, with the Cosmic Universe; he had become one with the Cosmos. And this found expression in his whole life.

Through the fact that we to-day put our puny thinking in the place of our head, through this very fact we are able to have a conceptual memory, we are able to remember things in thought. We form pictures in thought of what we have experienced as abstract memories in our head. That could not be done by a man of olden times who did not have thoughts, but still had his head. He could not form memory pictures. And so, in those regions of the Ancient East where people were still conscious of their head, but had as yet no thoughts and hence no memories, we find developed to a remarkable degree something of which people are again beginning to feel the need to-day. For a long time such a thing has not been necessary, and if to-day the need for it is returning it is due to what I can only call slovenliness of soul.

If in that time of which I have spoken one were to enter the region inhabited by people who were still conscious of their head, chest, heart and limbs, one would see on every hand small pegs placed in the earth and marked with some sign. Or here and there a sign made upon a wall. Such memorials were to be found scattered over all inhabited regions. Wherever anything happened, a man would set up some kind of memorial, and when he came back to the place, he lived through the event over again in the memorial he had made. Man had grown together with the earth, he had become one with it with his head. To-day he merely makes a note of some event in his head. As I have pointed out already, we are beginning once more to find it necessary to make notes not only in our head but also in a note-book; this is due as I said, to slovenliness of soul, but we shall nevertheless require to do it more and more. At that time however there was no such thing as making notes even in one's head, because thoughts and ideas were simply nonexistent. Instead, the land was dotted over with signs. And from this habit, so naturally acquired by men in olden times, has arisen the whole custom of making monuments and memorials.

Everything that has happened in the historical evolution of mankind has its origin and cause in the inner being of man. If we were but honest, we should have to admit that we modern men have not the faintest knowledge of the deeper basis of this custom of erecting memorials. We set them up from habit. They are however the relics of the ancient monuments and signs put up by man in a time when he had no memory such as we have to-day but was taught, in any place where he had some experience, there to set up a memorial, so that when he came that way again he might re-experience the event in his head; for the head can call up again everything that has connection with the earth. ‘We give over to the earth what our head has experienced’—was a principle of olden times.

And so we have to point to a very early time in the ancient East, the epoch of localised memory, when everything of the nature of memory was connected with the setting up of signs and memorials on the earth. Memory was not within, but without. Everywhere were memorial tablets and memorial stones. It was localised memory, a remembering connected with place.

Even to-day it is still of no small value for a man's spiritual evolution that he should sometimes make use of his capacity for this kind of memory, for a memory that is not within him but is unfolded in connection with the outer world. It is good sometimes to say: I will not remember this or that, but I will set here or there a sign, or token; or, I will let my soul unfold an experience about certain things, only in connection with signs or tokens. I will, for instance, hang a picture of the Madonna in a corner of my room, and when the picture is before me, I will experience in my soul all that I can experience by turning with my whole soul to the Madonna. For there is a subtle relation to a thing belonging so intimately to the home as does the picture of the Madonna that we meet with in the homes of the people, when we go a little way eastwards in Europe; we have not even to go as far as Russia, we find them everywhere in Central Europe. All experience of this nature is in reality a relic of the epoch of localised memory. The memory is outside, it attaches to the place.

A second stage is reached when man passes from localised to rhythmic memory. Thus we have first, localised memory; and secondly, rhythmic memory.

We have now come to the time when, not from any conscious, subtle finesse, but right out of his own inner being, man had developed the need of living in rhythm. He felt a need so to reproduce, within himself, what he heard that a rhythm was formed. If his experience of a cow, for instance, suggested ‘moo,’ he did not simply call her ‘moo,’ but ‘moo-moo,’—perhaps, in very ancient times, ‘moo-moo-moo.’ That is to say, the perception was as it were piled up in repetition, so as to produce rhythm. You can follow the same process in the formation of many words to-day; and you can observe how little children still feel the need of these repetitions. We have here again a heritage come down from the time when rhythmic memory prevailed, the time when man had no memory at all of what he had merely experienced, but only of what he experienced in rhythmic form,—in repetitions, in rhythmic repetition. There had to be at any rate some similarity between a sequence of words. ‘Might and main,’ ‘stock and stone’—such setting of experience in rhythmic sequence is a last relic of an extreme longing to bring everything into rhythm; for in this second epoch, that followed the epoch of localised memory, what was not set into rhythm was not retained. It is from this rhythmic memory that the whole ancient art of verse developed—indeed all metrical poetry.

Only in the third stage does that develop which we still know to-day,—temporal memory, when we no longer have a point in space to which memory attaches, nor are any longer dependent on rhythm, but when that which is inserted into the course of time can be evoked again later. This quite abstract memory of ours is the third stage in the evolution of memory.

Let us now call to mind the point of time in human evolution when rhythmic memory passes over into temporal memory, when that memory first made its appearance which we with our lamentable abstractness of thought take entirely as a matter of course; the memory whereby we evoke some-thing in picture-form, no longer needing to make use of semi-conscious or unconscious rhythmic repetitions in order to call it up again.

The epoch of the transition from rhythmic memory to temporal memory is the time when the ancient East was sending colonies to Greece,—the beginning of the colonies planted from Asia in Europe. When the Greeks relate stories of the heroes who came over from Asia and Egypt to settle on Grecian soil, they are in reality relating how the great heroes went forth from the land of rhythmic memory to seek a climate where rhythmic memory could pass over into temporal memory, into a remembering in time.

We are thus able to define quite exactly the time in history when this transition took place,—namely, the time of the rise of Greece. For that which may be called the Motherland of Greece was the home of a people with strongly developed rhythmic memory. There rhythm lived. The ancient East is indeed only rightly understood when we see it as the land of rhythm. And if we place Paradise only so far back as the Bible places it, if we lay the scene of Paradise in Asia, then we have to see it as a land where purest rhythms resounded through the Cosmos and awoke again in man as rhythmic memory,—a land where man lived not only as experiencing rhythm in a Cosmos, but as himself a creator of rhythm.

Listen to the Bhagavad-Gita and you will catch the after-echo of that mighty rhythm that once lived in the experience of man. You will hear its echo also in the Vedas, and you will even hear it in the poetry and literature—to use a modern word—of Western Asia. In all these live the echoes of that rhythm which once filled the whole of Asia with majestic content and, bearing within it the mysteries of the environment of the Earth, made these resound again in the human breast, in the beat of the human heart. Then we come to a still more ancient time, when rhythmic memory leads back into localised memory, when man did not even have rhythmic memories but was taught, in the place where he had had an experience, there to erect a memorial. When he was away from the place, he needed no memorial; but when he came thither again he had to recall the experience. Yet it was not he who recalled it to himself; the memorial, the very Earth, recalled it to him. As the head is the image of the Earth, so for the man of localised memory the memorial in the Earth evoked its own image in the head. Man lived completely with the Earth; in his connection with the Earth he had his memory.

The Gospels contain a passage that recalls this kind of memory, where we are told that Christ wrote something in the Earth.

The period we have thus defined as the transition from localised memory to rhythmic memory is the time when ancient Atlantis was declining and the first Post-Atlantean peoples were wandering eastward in the direction of Asia. For we have first the wanderings from ancient Atlantis—the continent that to-day forms the bed of the Atlantic Ocean—right across Europe into Asia, and later the wanderings back again from Asia into Europe. The migration of the Atlantean peoples to Asia marks the transition from localised memory to rhythmic memory, which latter finds its completion in the spiritual life of Asia. The colonisation of Greece marks the transition from rhythmic memory to temporal memory—the memory that we still carry within us to-day.

1. Localised Memory.
2. Rhythmic Memory.
3. Temporal Memory.

And within this evolution of memory lies the whole development of civilisation between the Atlantean catastrophe and the rise of Greece,—all that resounds to us from ancient Asia, coming to us in the form of legend and saga rather than as history. We shall arrive at no understanding of the evolution of humanity on the Earth by looking principally to the external phenomena, by investigating the external documents; rather do we need to fix our attention on the evolution of what is within man; we must consider how such a thing as the faculty of memory has developed, passing in its development from without into the inner being of man.

You know how much the power of memory means for the man of to-day. You will have heard of persons who through some condition of illness suddenly find that a portion of their past life, which they ought to remember quite easily, has been completely wiped out. A terrible experience of this kind befell a friend of mine before his death. One day he left his home, bought a ticket at the railway station for a certain place, alighted there and bought another ticket. He did all this, having lost for the time the memory of his life up to the moment of buying the ticket. He carried everything out quite sensibly. His reason was sound. But his memory was blotted out. And he found himself, when his memory came back, in a Casual Ward in Berlin. It was afterwards proved that in the interval he had wandered over half Europe, without being able to connect the experience with the earlier experiences of his life. Memory did not re-awaken in him till he had found his way—he himself did not know how—into a Casual Ward in Berlin.

This is only one of countless cases which we meet with in life and which show us how the soul-life of the man of to-day is not intact unless the threads of memory are able to reach back unbroken to a certain period after birth.

With the men of olden time who had developed a localised memory, this was not the case. They knew nothing of these threads of memory. They, on the other hand, would have been unhappy in their soul-life, they would have felt as we feel when something robs us of our self, if they had not been surrounded by memorials which recalled to them what they had experienced; and not alone by memorials which they themselves had set up, but memorials too erected by their forefathers, or by their brothers and sisters, similar in configuration to their own and bringing them into contact with their own kinsmen. Whereas we are conscious of something inward as the condition for keeping our Self intact, for these men of bygone times the condition was to be sought outside themselves—in the world without.

We have to let the whole picture of this change in man's soul pass before our eyes in order to realise its significance in the history of man's evolution. It is by observing such things as these that light begins to be thrown upon history. To-day I wanted to show, by a special example, how man's mind and soul have evolved in respect of one faculty—the faculty of memory. We shall go on to see in the course of the succeeding lectures how the events of history begin to reveal themselves in their true shape when we can thus illumine them with light derived from knowledge of the human soul.

• 1. Die Weihnachtstagung zur Begründung der Allgemeinen Anthroposophischen Gesellschaft. Jahresausklang und Jahreswende 1923/24 by Rudolf Steiner, Collected Works, Dornach 1962.

Gesture which is to be used for the expression of music must be gesture rising out of actual experience, and this can only be an experienced gesture if the underlying experience is there first.

You will understand this if you once more place before your soul the origin of music and speech in the human being. [7] Music and language, that is to say, the sounds of music and of speech, are connected with the whole human being. When the human being sings or speaks, the experience of the singing or speaking is in the astral body and ego.

Now everything that lives in the astral body and ego has its physical manifestation in air and warmth. Let us suppose that someone is singing or speaking. Imagine to yourselves as vividly as possible how the sound-formation of speech or music comes about. The formations of speech and music live purely as soul-element in the astral body and ego. Along with the astral body and ego they are then imparted to the air, to the organs of breathing and everything connected with them; they are imparted to the air and the organs of breathing by and through the astral body.

But you know that when any body, [like] a volume of air, is compressed, it becomes warmer. It becomes inwardly warmer. Compression causes an increase of inner warmth. When such a body expands, it uses this warmth again in the process of expansion. In the oscillating air, that is to say, in the alternation between condensed and rarefied air, there are continual fluctuations of temperature: warm, cold; warm, cold; warm, cold.

Thus there enters into the stream of singing or speaking the element of warmth. The ego lives in this element of warmth, and singing and speech gain their inwardness through this. Musical sound and the sounds of speech actually acquire their inner quality of soul from the warmth that, as it were, is carried on the waves of this air (which form the sound purely outwardly); warmth is carried on the actual flowing waves of the air. The astral body is active in the flowing air itself, and the ego lives in the warmth which flows on the waves of the air. But the astral body and ego are not only present in the air and warmth, they are also present in the fluid and solid elements of the human body. When a human being speaks or sings, the astral body and ego are partially withdrawn from there, and limit themselves to the air and warmth. Singing and speaking do in fact entail a withdrawal of the astral body and ego from the structure of the human body, but not completely, as in sleep. This is a partial withdrawal from the solid and fluid elements of the human body, which then remain behind. From this you will see that when someone speaks or sings, something takes place in his whole body.

We will now try to become aware of how the human being perceives what is taking place here. We know that the sounds of speech and of singing are activated by the larynx and all that is connected with it. The human being perceives by means of the ear. Here we have two organs clearly placed at the periphery of the body. Feeling is poured into these organs. In the senses there is the actual active feeling, active feeling of the soul. We feel with the eye; we feel with the ear. But it is also feeling which stimulates activity in the larynx and its neighbouring organs. Feeling is at work here. The imagination (Vorstellung) is merely pushed into the feeling. It is feeling which is at work. The human being, as it were, is specialized in the organs connected with hearing, speech and singing when he sings or takes in what is sung, or speaks or takes in what is spoken. Hence the actual experiences remain in the ear and larynx, and do not really enter into consciousness. [8]

Everything that can be laid hold of by the senses, and everything that can be expressed through the organs of speech, can also be expressed by the entire body, by the entire human being. In the movements of eurythmy, the whole human being becomes a sense-organ. The whole range of feeling, as it streams and strongly pulsates through the body, becomes incitement and an organ of perception—the whole range of feeling with the human being as the instrument. And so what otherwise remains an experience of the ear or larynx only, now has to become an experience of the whole human being. When it becomes an experience of the whole human being, it quite naturally becomes gesture. Once the experience is understood, is laid hold of, then the experience becomes gesture. Let us make this clear with a few examples. Think of a musical sound as such, and in order to have a starting point, take any note as keynote.

The connection of the sound with feeling will become clear to you when you recall that the animal (which is of a lower order than man) breaks forth into sound as the result of a sensation of well-being, of pleasure, or of some sort of pain. Now pleasure, comfort and pain are experiences of feeling. Ultimately every sound uttered by the human being originates from some such basic source. When the human being experiences pleasure or well-being, he feels impelled to utter sounds. Why? Why does the human being utter sound? You might say he could also remain silent. Why does the human being break out into sound when he is overcome with delight?

What does a feeling of pleasure imply? To be overcome with pleasure really means that we lose ourselves in our surroundings. Everything which induces pleasure means that the human being is losing himself. And everything painful means an excessive awareness of himself. You are aware of yourself too strongly when you are in pain. Just think how much more aware of yourself you are when you are ill, or experience some kind of pain, than you are when the whole body is free from pain. When we are in pain we are too strongly within ourselves, and we are excessively aware of ourselves. In pleasure, on the other hand, we nearly, or even utterly, are losing ourselves. Harmonious feeling is brought about by the balance between pleasure and pain, by giving ourselves up entirely to neither the pleasure nor the pain.

Why does the human being give vent to sound when experiencing pleasure, pain, or any other nuance of feeling—each of which in the last resort leads back either to pleasure or pain? Why does he produce sound? He does so in order to keep a hold on himself when he is at the point of losing himself in pleasure. The sound enables him to keep hold of himself; otherwise in this pleasure his astral body with his ego would leave him. By giving vent to sound he is able to keep hold of himself. This is at the root of all phenomena in which sound is produced by a living being. (For instance, the moon works very strongly upon certain creatures, such as dogs. It threatens to tear away a dog's astral body. And the dog barks at the moon because by this means it anchors its astral body.)

When the human being gives vent to sound for itself (and any note may be regarded as the keynote) it means that he is resisting this tendency to lose himself in pleasure. He is holding fast to his astral body.

And when the ego and astral body sink down into pain, then, because the human being is too intensely aware of himself, he quite rightly tries to tear himself away from himself by the utterance of some note or sound. In the plaintive sound of the minor mood there is an effort to tear free from an excessive awareness of self.

When we think of it, by saying this we are already speaking in gesture. There is not the least need to interpret anything artificially, because we speak in gesture. We need only to understand what occurs here, and we speak in gesture. If I say: ‘I have sunk too deeply into myself and must tear myself out of myself- then indeed it is beyond doubt that some sort of gesture which proceeds from me is a natural gesture, and is the actual expression of what I experience. It expresses what the experience is. And so the understanding of such an experience already indicates the gesture. You cannot do otherwise when describing the experience than to describe the gesture. For this reason the movements of eurythmy are not arbitrary, but actually reveal what is experienced.

Now let us suppose that someone, either in pleasure or pain, has produced a sound which we will regard as the keynote. The underlying mood is unfinished; it cannot stay like that, for if it did, the person in question would be constantly obliged to sing the keynote or to utter a sound. When experiencing pleasure he would never be able to cease uttering this sound; he would have to sustain it forever if the sound itself did not exert a certain calming influence. The human being cries out into the world as a result of pleasure or pain, and here is an incomplete condition of human experience, an unfinished condition of soul for human experience.

Let us now take the transition from keynote to octave. In the transition from keynote to octave, the octave simply falls into the keynote. It is as if you stretched out your hand and came into contact with an object. Through this external touch the longing you felt for something outside yourself is satisfied. In the same way the octave comes to meet you from the world in order to calm the prime within itself. That which was unfinished to begin with is now complete. When the octave is added to the prime, a wholeness is created again. In the course of these lectures you will see how the gestures come about by themselves if we penetrate to a true understanding of the underlying experience. [9]

Let us consider [the interval of] the fifth—the fifth which is united in some way to the keynote. It is essential here truly to acquire the experience of the fifth. The remarkable thing about the fifth is that when the human being holds the keynote and the interval of the fifth from it, he feels he is a completed human being. The fifth is the human being.

Naturally such things can only be expressed in the language of feeling—nevertheless, [we can say] the fifth is the human being. It is exactly as if the human being inwardly extended as far as his skin, as if he laid hold of his own skin and enclosed himself off within it. The fifth is the skin as it encloses the human being. And never, in the realm of musical sounds, can the human being feel his humanity so strongly as he does when he is experiencing the fifth in relation to the keynote. What I have just said may be more intelligible in the following considerations.

Let us now compare the experience of the fifth with that of the seventh and the third. The experience of the seventh (sounding either harmonically or melodically) involves those sounds which were especially favoured in the world of ancient Atlantis; it was the interval that gave them special delight. [10] Why was this? It was because in the epoch of ancient Atlantis, people's experience of going outside themselves was still a positive one. In the seventh we really do go out of ourselves. In the fifth we go as far as the skin; in the seventh we are outside ourselves. We leave ourselves in the seventh. Indeed in the seventh as such there is absolutely nothing soothing. It might be said that when a person cries out in the keynote because he is being hurt, and then adds the seventh to it, he is really crying out about the crying, in order to escape from it again. He is quite outside himself. Whereas the fifth is experienced at the surface of the skin, and the human being feels his humanity, in the seventh there is the feeling of breaking through the skin and going into his surroundings. He goes out of himself; he feels he is in his surroundings.

In the third there is a distinct feeling of not reaching as far as the skin, but of remaining within yourself. The experience of the third is very intimate. You know that what you settle with the third you settle with yourself alone. Just try out how unfamiliar the experience of the fifth is compared to the experience of the third. The feeling of the third is an intimate one which you settle with yourself in your heart. In the fifth you feel that other people too can see what you experience, because you go as far as the skin. It is only by means of feeling that such things can be experienced. And in the experience of the seventh you are outside yourself.

And now recollect what I said yesterday. The gesture which characterizes the keynote is the step. This step gives us the position. The third is characterized either by an accompanying or a following gesture of one arm, indicating an entering into movement, while following in the direction of this gesture. The direction of the gesture is followed in such a way that if it is the major third, you still remain within your arm. You remain within it. I have characterized the fifth as something that you form. You return, just as the skin forms the human being on all sides. In the triad, regardless of whether it is major or minor, we have:

Inner activity: the step
Remaining within yourself: the movement
Closing off what is outside: the formation

Now the point is this: When trying to give clear expression to the remaining-within-yourself in the third, it is possible to vary the movement. In order to introduce some variety, you might, for instance, stretch out your arm and, while continuing the direction of the gesture, move in some way such as this (right arm stretched out, the hand moving up and down). Now you are within yourself. Thus the interval of the third is well expressed when you first take up the position, and then make the movement—continuing, however, to move within the movement. Now you have inwardness.

Suppose that you are dealing with a major third. Then you will show inwardness by making the arm movement go away (out) from yourself. If you express the minor third, you remain more within yourself, which you indicate with your arm back towards yourself (inwards). You have a gesture that really expresses the experience of the third. [11]

If you want to experience these things you must repeatedly practise the corresponding gesture and try to see how the experiences of the intervals actually flow from the gesture, and how they are within it. Then the corresponding experience will grow together with the gesture, and you will possess that which makes the matter artistic. The experience will grow with the gesture. Only then will the matter become artistic.

In the experience of the seventh this is especially apparent. With the seventh, the essential thing is that you go out of yourself, for it is a going-out-of-yourself. Somehow the gesture has to show that you go out of yourself (you stretch out the arm, turning the hand while shaking it). The natural expression of the seventh is a movement which you do not follow, but in which the hand is allowed to be shaken. And when you compare the experience of the fifth with that of the seventh, you will feel in the fifth the necessity of closing off, of giving it form, of making so to speak an enclosing movement. This is not possible in the experience of the seventh, for in the seventh it is as if your skin disappears while experiencing the seventh, and you stand there as a sort of flayed Marsyas. [12] The skin flies away and the whole soul goes out into the surroundings. If you want to introduce the other arm as well into the movement to support the seventh experience, you can do so, of course, for there is never a question of pedantry or retaining something schematic. In such a case you would have somehow to indicate the seventh with the other hand. Of course this must be beautifully done.

Thereby you will experience, when you enter deeply into the matter in this way, that the experience itself becomes gesture. And eurythmy will only prosper when the experience itself becomes gesture.

A eurythmist must become in some respects a new human being compared to what he or she was before, because in general, through the fact that we speak or sing, we have brought about a certain attentiveness to what we actually want in the gesture. We lead over what we want in gesture into speech and song. When we retrieve it, gesture arises. And a professional eurythmist (if I may use such a philistine expression)* has to feel it absolutely natural to translate everything into gesture. Indeed, when mixing in ordinary, polite society, a eurythmist cannot help feeling a sense of restraint and restriction at not being able to eurythmize all sorts of things in front of people. Isn't it true, that just as the painter itches to paint when he sees something and is unable to (for he would like to paint everything but cannot always be at it, and thus has to restrain himself), so too a tired eurythmist is actually something terrible? A eurythmist cannot manifest fatigue as something natural. It is really dreadful to see a eurythmist sitting down tired during a rehearsal, for it is exactly (isn't it?) as if someone suddenly became rigid or got paralysed. I have sometimes observed in eurythmy rehearsals that eurythmists sit down when there is a little pause. Such things do not, I believe, happen in Dornach, but here and there it does occur. I probably turn quite pale, for my blood runs cold at this quite impossible sight of a tired eurythmist. There is no such thing! In life, of course, there is such a thing, that is the paradox, but you must sense that this is so. So I do not say you must not sit down if you are tired, but I do say: If you do, you must regard yourself as a caricature of a eurythmist!

These things must be said in order that the fundamental mood of the artistic process may be brought into the matter, for art has to be based upon the mood, upon that which runs through everything like a connecting thread. And especially such an art as eurythmy, where the whole human being is involved, can never prosper if this mood is lacking, if this mood does not permeate everything.

When these things have become real experiences, you will simply and truly feel eurythmy as you do speaking and singing. You must accustom yourselves, however, just as you experience the sounds of language, to experience singing too for the activity of eurythmy. It is quite true to say that the eurythmist must experience the musical element in a fuller sense than, for instance, a singer does. With a singer it depends upon his entering right into the musical sound, taking hold of it, being able to hear it, and living in an element in which his body comes to his assistance to a marked degree. The body does not come to the assistance of the eurythmist; for in eurythmy it is the soul which must engage in the gesture what the senses or larynx have to do in singing and speaking.

It is necessary to preface the description of the actual movements by this somewhat lengthy introduction, for these things are especially important for the whole feeling of the eurythmic element. The eurythmic element will not be understood if such things are not entered into with intensity. An understanding must be acquired by the eurythmist for all that I have stressed when giving introductions to performances, but which in the present time is rarely correctly understood. I often say that the prose content of the words do not make for the poetical element, the artistic and poetic element. There are people today who read a poem as though it were prose. You do not have the poem there. The prose content does not constitute the poem. The poem is what lives in the musical, sculptural and pictorial element of the words, in their melodic motifs, rhythm and beat, and so on. Anyone who wishes to express what should be expressed in poetical form, must be vividly aware that the words must not be used merely on account of their meaning, but arranged according to the beat, the rhythm, the melodic motifs, or that which is pictorial in the formation of the sounds, and similar things.

We have, consequently, to go one stage beyond the mere content of language, for in so far as its actual content is concerned, language is inartistic. It exists for prose. This is the inartistic element in language. Not until language is fashioned, not until it is given shape and form, does it become artistic.

What has been said here about language is quite obvious for singing, of course. We can see that our age does not care much for real artistic creation, for it happens that modern music [1924] too exhibits the tendency that does not allow the actual music, the progression of notes, to speak for itself, but tries to express something quite different by this means.

Now you must not misunderstand me, for it is not my intention to make any anti-Wagnerian propaganda. Time and again I have emphasized Wagner's significance in the culture of our age. This, however, is not because I regard his music as being ‘musical music’, but rather because we have to admit the demand of the present age for ‘unmusical music’. It is apparent to me that unmusical music has its justification in our age. Fundamentally speaking, Wagner's music is unmusical. [13] And it is really necessary in an age like ours, when music should also become gesture, to point the way to musical experience as such, when musical experience is to be expressed in gesture, and to show how the interval of the third represents inwardness, and the fifth a boundary, the seventh a going-out-of-yourself. And what is it that gives the feeling of inner satisfaction in the octave? The inner satisfaction in the octave is due to the fact that here, I would like to say, we get away from the danger inherent in the seventh. We escape from this danger inherent in the seventh and re-find ourselves outside.

With the octave it is like this, as if—with the seventh—you had become a flayed Marsyas, without your skin, the soul departing, the skin flying off and is getting away; but now you feel in the octave: ‘I am stripped of my skin, but it is coming, returning, I'll have it in a moment, it is about to return, it is there approaching and yet it is still outside.’ You have indeed grown somewhat, you have expanded and become fuller. It is as though you grow while experiencing the octave.

Obviously, then, the movement for the experience of the octave is not the same as that for experiencing the seventh. The experience is attained by turning round the whole hand outside yourself. The interval of the octave is expressed by turning the hand, starting with the palm facing outwards. If you wish to give full expression to the octave, you can of course make the same movement in this way too (in the same way, but carried out with both arms and hands). Here again it is self-evident that these things must be practised so well that they become second nature. Just as the musician has to get the producing of the notes into his fingers, so the eurythmist must get the corresponding gestures into his or her whole body.

This is why it is so necessary for the basic elements of eurythmy to be repeatedly practised. Such elementary movements as those I have briefly indicated (and shall develop further in the course of the next few days) must become second nature so it is no longer necessary to think about them, any more than it is necessary to think about the letters of a word that is spoken. If we say the word ‘letter’ we do not need to think, for we know quite well how its component sounds have to be pronounced. And so we have to reach the point where the movements for the intervals, triads, and so on, are produced out of ourselves quite naturally. You will then see how easily the other things arise. And above all you will increasingly realize how the experience passes over into gesture.

In order to understand this, let us deal with the difference between concords and discords. As you know, triads are concordant or discordant; a four-note chord is actually always discordant.

You will have realized yesterday from the movements for the triads, that in order to give expression to the experiences of the triad, the assistance of the whole human being must be invoked. In the first place we have what I characterized as the step. The step essentially entails the use of one leg. Then, with both major and minor chords, we have the movement with one arm, and the forming with the other. You may say: ‘I have nothing else to use.’ Well, as you do have two legs, you have a means of expressing a chord of four notes. And now you may say: I really cannot step forwards with one leg and backward with the other, simultaneously. And yet you can do this if you jump. You see, we arrive at this quite naturally.

There is no other means of presenting a four-note chord than by jumping somewhat, moving one leg forwards and the other backwards. This is how a four-note chord is presented. But think for a moment what happens here. It would be difficult, as well as not looking particularly beautiful, to jump without bending the knees. You cannot jump easily with totally stiff legs, quite apart from the ungraceful appearance. In jumping you must bend at the knees, so that in the jumping movement necessary for the four-note discord (because of the nature of the body and its relation to the environment) you really get the bending of the knees as the gesture for the discord. The natural movement for a discord is the bending of the knees entailed by jumping.

From this, however, something else arises. If you have a discordant triad you can again apply the same principle. With a concordant triad you take a step forwards; with a discordant triad you must also make a bending movement. There is no necessity to bend as with jumping, but you can bend. And so you express the discordant triad by moving with bended knees. You can discover this from the fact that a four-note chord (which is always a discord) can only be done by a jump in order to set both legs into movement; for you just do not have four members of your body in order to express a discord of four notes, so you have to jump, coupled with bending. This gives us, therefore, bending as the expression of the discord.

Now just as a musician has to practise his exercises, a tremendous inner liveliness is attained by practising the alternation between discords and concords, passing from one to the other simply with a view to experiencing in their gestures the change of mood, the change in the actual feeling.

If you think of all I have just said, you will find the experience of the fourth of particular interest. In the third we are intimately within ourselves. In the fifth we come just to the boundary of the body. The fourth lies between. And the fourth has this striking characteristic, that here the human being experiences himself inwardly, although not so intimately as in the third. But he does not even reach his surface. He experiences himself beneath this surface. He remains, as it were, just beneath it. He separates himself from the surrounding world, and creates himself within himself. He does not form himself, as in the fifth, where the external world also compels this forming, but he forms himself out of the needs of his own soul. The experience of the fourth is such that the human being feels his humanity through his own inner strength, whereas in the fifth it is through the world that he feels his humanity. In the fourth he says to himself ‘You are really too big; you cannot experience yourself because you are so big. Make yourself a little smaller, yet stay as important as your size.’ In the fourth you make yourself into a snug, comfortable dwarf Thus the fourth demands a very strong relation to yourself. You can achieve this when, instead of simply going outwards or inwards as in the third, you draw the fingers sharply together as if to concentrate the strength of the hand in itself In this way the fourth is expressed and revealed.

These, then, are the principles which have to be considered before entering more deeply into the gestures of the musical element, for without the experience of these principles no truly artistic gestures can come about. I am sure you will have plenty to do when you come to work through all these details. It is better therefore not to give too many gestures in one session, for what has been given must first be assimilated. So we shall continue tomorrow.

#160;

Notes:

1. It has a bourgeois ring in German. Translator's note.

There is nothing in the study of myths that leads so deeply into theosophical thinking as the Nordic saga poetry. If the European can think his way into it, he can find his way from there and penetrate ever deeper into the esoteric realms. An understanding of these sagas of Nordic myth can only be attained in advanced stages of life. The Nordic myths were essentially the subject of the Nordic mysteries. A distinction is made between Western European and Northern European mysteries. In Scandinavia and Russia there were the Drottenmysterien, in England and the West the Druid mysteries. Both mysteries have disappeared. “Druid means ‘oak’. The priest or sage in the Nordic world was called ”the oak.”

The replacement of the Nordic belief in gods is communicated to us in a beautiful mystery. In the conquest of the oak by Boniface, we see Christianity's struggle with the Druid mystery. The basic tenor of the Nordic mysteries is tragic. There is something tragic about all the myths of Central Europe and the North. The Twilight of the Gods represents the downfall of the Nordic world of gods. After their downfall, a new sun god, a new Baldur, is to assert himself. In the other, non-Nordic mysteries, there is always a hopeful and confident element.

What was experienced in advance in the mysteries was to be fulfilled. The Apocalypse predicts a future in which Christianity is to be fulfilled. In the Nordic myth, something different had been predicted. There, the downfall of the Nordic gods was experienced through Christianity. It is from this point of view that the new mystery must be understood, through the four stages.

The first step is that of the first Nordic sub-race of the fifth root race. In Central Europe, Christianity was spread among the fifth sub-race of the fifth root race. Four sub-races preceded this. The secret of the four sub-races is that they show how Christianity was to replace what preceded it in the fifth sub-race.

We now go back into a dark past, to the first sub-race of the fifth root race on Nordic soil. There were the Drotten initiations in the north at that time. In primitive temples, half nature, half building, a sacred tent was erected, in which two deities were depicted as ruling the world: Hu and Ceridwen. Hu is Osiris, Ceridwen is Isis, the human being is Horus. There were three degrees of initiation: first, [Eubaten]; second, bards; third, druids. Those who were initiated into the three degrees underwent a transformation such that, by awakening their higher abilities, they became the god Baldur. The mystic had to say to himself: “You must become the resurrected Baldur, who was killed by the god Loki.” Then the initiation mead was handed to him and the initiation ring was given. The mead is analogous to the Indian Soma drink.

In the Nordic initiation, the initiate was first made aware of the development of the Earth and the conditions that preceded it on the earlier planets. On Earth, we should learn until we go beyond the possibility of error. Our life will then be transformed into a kind of rhythm, in relation to only very bright mental activity.

Logical thinking has only gradually emerged from a developmental process. Later, a general human sense of morality will develop as logical thinking is developing now.

What is error on one planet is disease on the next. What remains error on Earth today will be disease on the next planet, to the same extent that the beings capable of error have been left behind. We would not have the harmonious organism today if this harmony had not been developed out of the chaos of the moon. We owe the wonderful organization of our body to the development of the moon. The illnesses that still exist in our time are what remained behind from the error present on the moon. This is what did not reach perfection in the development of the moon. That was the view of the Druid mysteries. For what was left behind, a plant was taken as the descendant of the moon's development. Our plants grow out of the mineral earth. The whole moon was a living being. The plants developed on this living being. There was no actual mineral kingdom, but only a stone plant kingdom and an animal kingdom that lies somewhere between today's plant and animal kingdoms.

Mistletoe was the symbol of what was left of the moon. It draws its nourishment from the living. It is the symbol of all entities and products that hold back or harm the earth. Loki, who still ruled on earth from the moon, had brought to earth what should have found its actual phase of development on the moon.

Baldur is the god of the sun, the bringer of all life, the active powers of the sun. Loki is his necessary opponent. Baldur was frightened by heavy dreams that were to come true afterwards. All creatures take an oath not to harm Baldur, except the mistletoe; no one can kill him, only the harmful in the development of the earth. That is why mistletoe is thrown from Hödur to Baldur. Hödur is the blind, mechanical necessity which must make use of what has been left behind earlier in order to overcome Baldur. That was one part of the mystery. The other part was that blind, mechanical necessity was overcome by the introduction of harmony through the Christ experience. In Christ a new Baldur must arise.

There was a society of twelve great initiates. A thirteenth was their leader. He was not yet ahead of the twelve others at that time. These initiates were called Sige or Sig. When he reached a certain age, he was able to surrender his individuality to a higher individuality, to receive a higher individuality within himself. This is one of the highest mysteries - in the case of Christ Jesus, the descent of the dove. Sig's individuality was replaced by the individuality of Odin or Wotan. This is the same one who had already lived as a great initiate at the time of the Atlanteans. During the downfall of the Atlantean race, what was then tropical Europe gradually became a cold, foggy realm. The remains of the Atlanteans emerged from the ice land. The emergence of Wotan is presented in such a way that initially the ice masses are there. From this, what comes across from the Atlantean world saves itself. The cow Audhumbla licks the ice masses.

Wotan goes through two incarnations, through Buri and Bör. Then he becomes Wotan because of the chela individuality of the chela Sig. Everything that was in the chela Sig becomes what is associated with the name Sig. In the first sub-race, it is Wotan, who is confronted by Hönir or Wile and Loki or We.

Wotan had to undergo a difficult test after he had incarnated. For nine days after he had been wounded on the side where the heart is located, he had to hang on the gallows. Then Mimir came and taught him the runic writing - a model of the Christ fact. Then came his resurrection. This was the initiation of the first sub-race of the fifth root race.

Wotan now presented the origin of mankind in the mystery itself. First our earth was created, but without the minerals and plants. Everything was contained in a great individuality, the giant Ymir. He was overcome by Wotan, Wile and We. From him - the Adam Kadmon - the whole earth was created. From his skullcap they made the vault of heaven and so on. It was the macrocosmic man. From him the gods form the earthly structures. Dwarves also emerge from the giant's body and live inside the earth.

From the plant people the three gods find, from Ask and Embla - from ash and elm - they shaped the physical man. The three gods build the shells of the people:

Wotan or Odin - Sthula sharira
Wile or Hönir - Linga sharira
We or Loki - Kama/Karana sharira

Wotan-Odin gave the spirit, Hönir-Wile gave life and the lawfulness, Loki-We gave warmth and color, the Kama.

This is how the human shells of the gods were constructed. The dwarf is the little human being who is actually the spiritual being. This was the spark that came to fertilize the human being from the middle of the Lemurian period, which will develop into Manas, Buddhi and Atma. The human ego must first develop in the depths, otherwise it would be immediately transformed into a rigid mineral by the sunlight.

The initiation for the second sub-race was as follows: Wotan is said to have the potion of wisdom, and the second sub-race is said to develop slowly up to the same stage. The wisdom is formed by the giant Suttung. He guards the potion of wisdom. The giant's daughter is Gunnlöd. Wotan cannot get to the potion of wisdom. Therefore, he transforms himself into a snake and enters the sanctuary of Gunnlöd. There he remains for three days. The snake is the self, endowed with wisdom.

What happened in the Lemurian period is now repeating itself. The three gods find the dwarf Andwari as Hreidmar's son, Pike and Otter. Otter has the shape of an otter. He is slain by Loki. The father is to receive the hide of the Otter, decorated inside and out with gold. This signifies the permeation of man with the gold of wisdom. Before that, the sthula sharira, the linga sharira and the karana sharira have been formed. Loki kills what was on earth before, the otter, and brings in wisdom, the gold.

Besides the other gold, there was also a golden ring. Before he came into our present earthly development, man was in completely different circumstances. At that time he did not receive the impressions through the gates of the senses. The ring signifies being locked up in the sensations of the senses, which make the self into a special being – the Nibelungen ring.

In the third sub-race, Wotan and those who belonged to him were initiated once more. He had brought the Cup of Wisdom into the home of the gods. There the potion or cup of wisdom was guarded by Mimir. He had the wisdom that led us forward. At the transition from the Lemurian race, man had only one eye through which he was not yet closed off from the outside world. With it he could perceive what was useful or harmful to him. When man closed himself through the ring of sensuality, this eye receded. The gift he now received had to be bought by a sacrifice. Wotan had to buy the new gift by sacrificing the cyclopean eye - not one of the other two eyes.

The Wälsungs and their descendants from Wotan, Sigmund, Sigurd, Siegfried, that is the race of the initiates within the fourth sub-race. In Siegfried the last of the initiations takes place. He conquers the dragon, that is, the lower nature. He now becomes invulnerable to everything lower. He purifies himself through catharsis, through the consciousness of the higher. He must pass through the fire of passion. In this way he acquires Brunhilde. He remains vulnerable only at the point where one carries the cross. It was said that the next initiate would not be vulnerable there.

In the old Norse mythology, King Atli – Atlanti – emerges from the Atlantean era. He is the great Atlantean initiate. He only shies away from the representative of the Christian initiate, the Pope.

To gain an idea of this evolution we must have recourse not to abstractions but to pictures, for pictures have a living, creative quality that is not contained in the pure idea. The picture is a symbol in one world but corresponds to a reality in a higher world.

We know that before developing to its present stage, our Earth passed through a phase called the Old Moon period. But this Old Moon phase of evolution is not to be confused with the satellite we now see in the sky, nor to any other planet that astronomy might ever discover. The heavenly bodies visible today are bodies which have been mineralised. The human eye can only see objects which contain mineral elements and reflect the light, in other words, objects which have a physical body. When the occultist speaks of the mineral kingdom, he is not merely referring to the stones but to the milieu at the central core of which the consciousness of man unfolds. Many scholars regard living beings as mere machines and reject the idea of a vital force. This mentality is a result of the fact that our organism is unable really to behold life. The occultist, on the other hand, says that in our age man lives in the mineral world.

Think of the human eye. It is a highly complicated mechanism, a kind of ‘dark chamber,’ with the pupil as a window and the crystalline as a lens. The whole body of man is composed of a number of physical organs, equally delicate and complicated. The ear is like a harpsichord with a key-board and fibres for strings. And the same may be said of every sense-organ.

The consciousness of modern man is only awakened if connection is established with his physical or mineral body. True, it awakens first in the physical world, but it must none the less gradually light up in the other members of man's being—in the member that is constituted by the life-forces (the plant-nature of man), in the member that is chiefly dominated by the forces of feeling (the animal-nature), and finally in the Ego.

Truth to tell, man only knows what is mineral in the universe. He does not know the essential laws underlying the animal's life of instinct and feeling, and the growth of plants. He simply sees their physical expressions. Try to conceive a plant in super physical existence, having lost its mineral substance—it would be invisible to our physical eyes.

But even though man knows only the mineral, at least he has it in his power. He works it, moulds it, smelts and combines it. He fashions the face of the Earth anew. He is able to do this in our age with the help of machines. If we go back to remote historic ages when as yet no human hand had been laid on the Earth, we find it as it issued from the hands of the Gods. But ever since man began to exercise control over the mineral kingdom, the Earth has been changing, and we may foresee an age when the whole face of the Earth—which at the beginning was the work of the Gods—will have received the stamp imparted by the hand of man.

In the beginning, form was given to all created things by the Gods. This power of giving form has passed from the Gods to men, in so far as the mineral kingdom is concerned. In ancient traditions it was taught that man must accomplish the task of transforming the Earth in fulfillment of a threefold goal, namely the realisation of truth, beauty, goodness. It is for man to make the Earth into a temple of truth, beauty and goodness. And then, those who come after him will look upon his work as we now look upon the mineral world which came forth from the hands of the Gods. Neither cathedrals nor machines have been built in vain. The Gods have given form to the crystal which we extract from the Earth, just as we build our monuments and our machines. Just as in the past the Gods created the mineral world from a chaotic mass, so our cathedrals, inventions and even our institutions are the germs from which a future world will come to birth.

Having transformed the mineral world, man will learn to transform the plants. This denotes a higher power. Today, man erects buildings; in future times he will be able to create and give shape to plant-life by working upon plant-substance. At a still higher stage, he will give form not only to living beings but to conscious beings. He will have power over animal life. When he has reached the stage of being able to reproduce his like by an act of conscious will, he will accomplish, at a higher level, what he accomplishes today in the mineral world.

The germ of this sublime power of generation, cleansed of all element of sensuality, is the word. Man became a conscious being when he drew his first breath; consciousness will reach its stage of perfection when he is able to pour into the words he utters, the same creative power with which his thought is endowed today. In this age, it is only words that he communicates to the air. When he has reached the stage of higher creative consciousness, he will be able to communicate images to the air. The word will then be an Imagination—wholly permeated with life. In giving body to these images, he will be giving body to the word which bears and sustains the image. When we no longer simply embody our thoughts in objects, as for instance when we make a watch, but give body to these images, they will live.

And when man knows how to impart life to what is highest in him, these ‘images’ will lead a real and actual existence, comparable to animal existence. At the highest stage of evolution, man will thus be able, finally, to reproduce his own being. At the end of the process of the Earth's transformation, the whole atmosphere will resound with the power of the Word. Thus man must evolve to a stage where he will have the power to mould his environment in the image of his inner being. The initiate only precedes him along this path.

It is evident that the Earth today cannot produce human bodies such as will be produced at the final stage of evolution. When that final stage has come, these bodies will be a fit expression of the Logos. The one great Messenger, He alone Who manifested in a human body like our own, this power of the Logos, is Christ. He came at the central turning-point of evolution, to reveal its goal.

And now let us enquire into the form in which the Spirit of man lived before this Spirit entered into him by way of the breath. The Earth is a reincarnation of an earlier planet—of the Old Moon. In this lunar period of evolution, the pure mineral did not yet exist. The planetary body was composed of a substance somewhat akin to the nature of wood a substance midway between the mineral and the plant. Its surface was not hard like the mineral—indeed it was liken to turf. It brought forth beings by nature half-plant, half-mollusc, and was inhabited by a third kingdom of beings at a stage of existence midway between the human being and animal. These beings were endowed with a dreamlike, imaginative consciousness. We can envisage the kind of matter of which their ‘bodies’ were composed, by thinking of the nerve-substance of the crayfish. This matter densified to become the substance of which the brain is now composed. On the Old Moon, this matter remained in a more fluid state but on Earth it required a protective sheath of bone—the skull. In this sense, all the substances of which we are composed are ‘extracts’ of the macrocosm. All this preparatory activity in the universe was necessary in order that the Ego might descend into man.

We have heard that man was only ready to receive the germ of his Ego, when, on Earth, he began to breathe the air around him. Did he then breathe on the Moon?

The further we go back in the periods of evolution, the higher the temperature. Atlantis was bathed in hot vapours. In earlier times still, the air was pure warmth; before that again, fire. Fire was there in the place of air. The Lemurians breathed fire. That is why it is said in occult writings that the first Teachers of men were the Spirits of Fire. When physical man appeared on the Earth, air became his element of life. But man changes this air, in that he transforms it into carbonic acid and the breathing-process has thus caused the materialisation of our globe to descend still one degree lower. The equilibrium is restored by the plant-world.

In times to come, the physical body will disappear; man and the Earth will live as astral forms. Physical substance destroys itself by its own forces. But before this metamorphosis comes about, a cosmic night will fall, just as a previous cosmic night marked the transition of the Old Moon evolution to that of our present Earth.

The atmosphere of the Moon contained nitrogen, just as today the atmosphere of the Earth contains oxygen, and it was the predominance of nitrogen which brought about the end of the Old Moon period and the onset of a cosmic night. The cyanides on Earth are survivals from the conditions existing at the final stages of the Old Moon evolution. That is why they have a destructive effect on Earth, for the Earth is not their proper sphere. They are the poisonous remains of life in another age.

Animal-man, as he lived on the old Moon, is thus the ancestor of earthly, physical man; the Spirit within man is the offspring of the Spirits of Fire in the lunar period. The Beings who on the Old Moon were incarnate in the fire, incarnated, on Earth, in the air. But now, has anything of the action of these Spirits of Fire remained in man? On the Old Moon, living beings had no warm blood. What was it that gave rise to the warmth of the blood and, as a consequence, to the life of passions?—The fire which was inbreathed by the beings of the Old Moon and which lives again on Earth in their blood. And the Spirit of the air surrounds the body which contains the heritage of the Old Moon evolution, namely, the warmth of the blood, the brain, the spinal fluid, the nerves.

These examples serve to show that a close study of the transformation of substances is required before we can begin to understand the great processes of metamorphosis which took place during the earlier periods of the Earth's evolution. At a stage still earlier than that of the Old Moon, the planetary sphere which has now become our Earth had a body composed merely of gaseous substance; before that again, we can only speak of a body of sound. It is in this sound—the Cosmic Word—that man's evolution has its origin, proceeding thence towards light, fire, air. Only in the fourth condition does consciousness flash up in the Spirit of man. From this point onwards, the directing force bestowed by the Logos has its rise from within man's own being and his conscience becomes his rightful guide. His primordial being comes to expression in the ‘I,’ the Ego. The conscious Ego is the realisation in man of the Christ Principle.

Yesterday [Public lecture, Munich 19th November 1911, ‘From Paracelsus to Goethe’. (Not published in English.)⁴³ we heard that in still later epochs men will be able to behold Him in even higher forms in the aesthetic and moral spheres. But when we speak in this way of the Christ Impulse we are concerned with ideas which will be resolutely opposed above all by the churches of Christendom. Great and incisive measures have been and are necessary in the onward progress of human evolution in order to promote increasing understanding of the Christ Impulse. Hitherto, indeed, such understanding has been lacking. And anyone who considers modern theology will realise not only the futility of the attitude maintained by the opponents of Christianity, but also by those who claim to be its steadfast adherents. The theosophical movement in the West should have become that stream of spiritual life which out of true and genuine sources awakens understanding for Christianity in the modern age, but such endeavours met with strong opposition.

It is important to understand the real sources of Christianity, but owing to lack of time they cannot all be mentioned today. We shall speak only of those which have been accessible to mankind since the thirteenth century.

Since the thirteenth century the movement connected with the name of Christian Rosenkreutz has been an integral part of the spiritual life of mankind. Spiritual measures of a very definite kind were necessary in the thirteenth century to enable the influence connected with this name to become part of the spiritual life of the modern age. At the time when the spiritual world was entirely shut off from human vision, a council of twelve wise men came together. All the spiritual knowledge then existing, of the world and its secrets, was gathered from their separate different spheres into this council. By means of certain occult processes, the wisdom that had passed over from Atlantis to the holy Rishis had been transmitted to seven of these twelve men. In four others lived the wisdom of the sacred mysteries of the Indian, Persian, Egyptian and Greco-Roman epochs respectively. And what existed in those days of the kind of culture which was to characterise the fifth post-Atlantean epoch constituted the wisdom of the twelfth. The whole range of spiritual life was accessible to these twelve.

Now it was known at that time that a certain individuality who had been a contemporary of the Mystery of Golgotha was to be born again as a child. Meanwhile, through a number of incarnations, this individuality had unfolded a power of deep and fervent piety, devotion and love. The council of the twelve wise men took this child into their care soon after he was born; shut off from the outside, exoteric world, he came under no influence save theirs; they cared for all his bodily needs and were also his teachers. The manner of the child's development was altogether unique; the profound spirituality he bore within him as the fruit of many incarnations came to expression, too, in his outer, bodily form. He was a weak and sickly child, but his body became marvelously transparent. He grew up and developed in such a way that a radiant, shining spirit indwelt a body that had become transparent. Through the processes of a profoundly wise form of education, all the wisdom from the ages preceding and during post-Atlantean times which the twelve wise men were able to give forth, rayed into his soul. By way of the deeper soul-forces, not by way of the intellect, the treasures of all this wisdom united in the soul of this child. He then fell into a strange condition. For a certain period of time he ceased to take nourishment; all external functions of life were as though paralysed, and the whole of the wisdom received by the child rayed back to the twelve. Each of them received back what he had originally given, but now in a different form. And those twelve wise men felt: Now, for the first time, the twelve great religions and world conceptions have been given to us, united into one interconnected whole. And henceforward what we call rosicrucian Christianity lived in the twelve men.

The child lived only a short time longer. In the external world we give the name Christian Rosenkreutz to this individuality. But it was not until the fourteenth century that he was known by this name. In the fourteenth century he was born again and lived then for more than a hundred years. Even when he was not incarnated in the flesh, he worked through his etheric body, always with the purpose of influencing the development of Christianity in its true form as the synthesis of all the great religions and systems of thought in the world. And he has worked on into our time, either as a human being or from his ether body, inspiring all that was done in the West to establish the synthesis of the great religions. His influence today is increasing all the time. Many a person of whom we do not expect it, is a pupil chosen by Christian Rosenkreutz. Already today it is possible to speak of a sign by means of which Christian Rosenkreutz calls to one whom he has chosen. Many people can discover this sign in their life; it may express itself in a thousand ways, but these different manifestations all lead back to a typical form which may be described as follows.

The selection may, for example, happen in the following way. A man embarks upon some undertaking; he spares no effort to make it successful and forges straight ahead towards his goal. While he is ruthlessly making his way in the world (he may be a thorough materialist), suddenly he hears a voice saying: ‘Stop what you purpose to do!’ And he will be aware that this was no physical voice. But now suppose that he abstains from his project. Then he will be able to realise that if he had continued ruthlessly towards his goal, he would certainly have been led to his death.

These are the two fundamentals: that he knows with certainty, firstly, that the warning came from the spiritual world, and secondly, that death would have come to him had he persisted in his undertaking. This is therefore revealed to one who is to become a pupil: You have actually been saved, moreover by a warning proceeding from a world which, to begin with, you are not within. So far as earthly circumstances are concerned, death has already come to you and your further life is to be regarded as a gift. And when the person in question realises this he will be led to the resolve to work in a spiritual movement. If the resolve is taken, this means that the choice has been accomplished. This is how Christian Rosenkreutz begins to gather his pupils around him, and many human beings, if they were sufficiently alert, would be conscious of such an event in their life.

The human beings of whom it can be said that they were, or will be, united in this way with Christian Rosenkreutz, are those who should be the pioneers of a deeper understanding of esoteric Christianity. This stream of spiritual life connected with Christian Rosenkreutz provides the highest means for enabling the Christ Impulse to be understood in our time. The beginning was already made long, long ago—a hundred years before the Mystery of Golgotha, through Jeshu ben Pandira, whose essential mission it was to make preparation for the coming of Christ. He had a pupil, Matthew, whose name subsequently passed over to his successor who was living at the time of Jesus of Nazareth. The greatest deed wrought by Jeshu ben Pandira was that he was the originator and preparer of the Gospel according to St. Matthew. The content of this Gospel derives from a ritual of initiation, and passages such as that concerning the temptation, and others, too, originate from enactments in the ancient mysteries. All these processes in the evolution of humanity were to be enacted on the physical plane too. This was written down in outline by the pupil of Jeshu ben Pandira.

Jeshu ben Pandira was not spared from the hard fate he himself predicted; he was stoned, and his corpse was suspended on a cross. The original chronicle was preserved in the hands of a few of his adherents, in deep secrecy. We can best follow what happened to it later on when the great Church father Jerome⁴⁴ himself says that he had received the document of the Matthew Gospel from a Christian sect. The original record was held at that time in the secret keeping of a small circle and through certain circumstances came into the hands of Jerome. He was charged by his bishop with the task of translating it. Jerome himself narrates this; but he says at the same time that because of the form and manner of the transcription, it should not pass into the hands of the outside world. He wanted to translate it in such a way that its secrets would remain secret—and he says, furthermore, that he himself does not understand it. The nature of what came into existence in this way was such that one man could express it in one way and another in a different way in secular language. And this is how it has come down to posterity. In reality, therefore, the world does not yet possess the Gospels in their true form. There is every reason and justification then for spiritual research today, in shedding new light upon the Gospels, to go back to the Akashic Record, because there and there only are they to be found in their original form.

Let there be no mistake about it. Christianity in its true form has yet to be separated out from the trash. One sign among many others indicates how necessary this is. For example, in the year 1873 in France a count was taken of those who could be said to belong inwardly and genuinely to Catholicism. They amounted to one third; the other two thirds proved no longer to be adherents in the real sense—and these two-thirds were certainly not composed of people who never feel the need of religion! Life is such that the religious longings of men do incline towards the Christ, but the true sources of Christianity must be rediscovered. And it is to this end that the stream of spiritual life going out from Jeshu ben Pandira flows into unity with the other stream which, at the beginning of the thirteenth century, is connected with the name of Christian Rosenkreutz.

It is also necessary for us to know that one of the characteristics of the incarnations of the Bodhisattva is that in his youth he cannot be recognised as such. Between his thirtieth and thirty-third year a great revolution takes place in the soul and the personality is fundamentally transformed. For example a Moses or Abraham individuality can be possessed by the personality of a Bodhisattva at this time of his life.

About 3,000 years after our present time this Bodhisattva will become the Maitreya Buddha. And then his influence from the spiritual world will flow into the hearts of men as a magic, moral power. In this way the two streams work together, the stream of the Maitreya Buddha and the Western stream connected with Christian Rosenkreutz.

• 43. Yesterday we heard: in the public lecture in Munich on 19th November 1911 ‘Von Paracelsus zu Goethe’. There is no transcript of the lecture. See the corresponding lecture given in Berlin on 16th November 1911 in—‘Menschengeschichte im Lichte der Geistesforschung’ (Human History in the Light of Spiritual Research) GA 61 Dornach, 1962.
• 44. when ... Jerome himself says: see Rudolf Steiner ‘From Jesus to Christ’, Carlsruhe, October 1911; Rudolf Steiner Press, London, 1973.

Carl Unger from the lecture “Esotericism” given at the opening conference of the second Goetheanum building on Michaelmas 1928.¹ Carl Unger (1878–1929) was one of the first members of all departments of Rudolf Steiner's Esoteric School and was a member of the leadership of the Anthroposophical Society from 1908 until his death.

The nature of esotericism cannot be described in a few words. I would like to try to gain some insights into the position of esotericism in the present day.

Rudolf Steiner often said that there was always an esoteric element in the various epochs, but that something different was always referred to as esotericism. However, at all times, esotericism included an attitude of mind that lay outside the ordinary life and knowledge of the respective time, a difficult path that first had to be taken in order for people to strive and develop.

I would like to point out the transitions from the third cultural epoch to the fourth and from the fourth to the fifth epoch. The impulse of the third epoch is emerging again in our time, and so there is ample reason to occupy ourselves with it.

From Rudolf Steiner's “Occult Science” ² we know how the cosmic developmental processes of an earlier time become the path of initiation for a later one.

In this sense, we can look at the ancient Indian mysteries as a repetition of the Saturn development in the polaric time, and we can look at the Persian path of initiation, in which the ancient solar development was reflected in its repetition during the Hyperborean time. Then we stand in the third post-Atlantic culture, the Egyptian-Chaldean epoch, which also contains the history of the Hebrew people. Ancient lunar forces well up in the soul, as they had changed throughout the Lemurian period. In ancient Lemuria, man still lived in magical connection with the elements of the earth; to a large extent, he could influence and conquer the forces of nature. We find this magical potency of the ancient times transformed and living on in the mystery centers of the third culture; we must indeed describe the esotericism prevailing in them as magical. What had been preserved as a cultural symbol from that time could only have been formed under the influence of a magical esotericism. Only a select few had access to it, and they were trained for it through tremendously hard and difficult trials. Often selected as young children, they had to undergo years of psychological and spiritual training to prepare them for the organic interaction of forces in their bodies, until they were able to experience the death of the mystic. This required the unconditional submission of the disciple to the teacher, who, by manipulating spiritual forces, detached the higher limbs of the disciple from the physical body and then guided them back again. Initiation could only be achieved through the magical assistance of the hierophant. And it was from the mystery centers that the nations were led and guided to cultural progress through magical powers and powerful suggestions.

The mystery centers themselves were protected by magical means against the intrusion of unauthorized persons. Whoever entered without permission, or whoever did not prove himself, perished. We find allusions to this protection of the holy places right up to the Old Testament: no one except the high priest himself may enter the Holy of Holies; any unconsecrated person who approaches it suffers death. Of course I know that there are materialistic interpretations of this in every detail; they only show that anyone who makes or believes such interpretations understands nothing of the things they are dealing with.

Then followed the Greek period, in which the memory of Atlantis was particularly alive and permeated the mystery being. It had a “secret esotericism”. It no longer shaped directly into the physical and bodily, but it became indirectly effective through the experience of the soul in the awakening consciousness. It sparked enthusiasm, the powers of inspiration, “being filled with the god,” and through art it developed spirit-begetting powers in human life.

To the same extent that the power to protect the mysteries through magic was lost, the secrecy of the esoteric was established and sought under oaths and threats. Those who betrayed the mysteries were persecuted and punished by death.

We still have traces of secret esotericism in the present day in the various secret societies; they cultivate the remains of ancient times in forms and rituals that they endeavor to keep strictly secret. There, too, betrayal is punished.

Today, however, we are dealing with completely different impulses. We have emerged from the era of magical efficacy and secret esotericism, because the mystery has been brought into the light of the public. The Mystery of Golgotha brought the turning point, in that Christ consciously broke through the barriers of old efficacy - and then, with his death and resurrection, “fulfilled” the mystery wisdom of all time, and “before all the people”. The knowledgeable people of that time also recognized this, which is why he was accused of betraying the mysteries. In the New Testament it says of Christ: “For he has done signs before the people,” so they sought “a cause against him.”

Rudolf Steiner presents this fundamental difference between the Christ-act and all previous initiations in his book ² (1902), GA 8, and in many lectures. The Mystery of Golgotha is meant to reach the whole world; it is a cosmic event; in it we have the liberation of the mystery being. Since the Mystery of Golgotha, we must recognize esotericism as a free one; that is the essential point. Rudolf Steiner took up this fact and, during the second period of his work in the Anthroposophical Society, introduced us ever more deeply into the Mystery of Golgotha with the help of the Gospels. By sharing with us the results of his spiritual scientific research into the cosmic deed of Christ Jesus, he opened up a new understanding for us of the biblical accounts as well; genuine and true reverence for the soul arose anew from such insight into the religious documents. Placed in this context, the individual word of the Bible regained its sacred, all-encompassing truth; the individual word was experienced in its esoteric power.

Rudolf Steiner wanted to convey to the people who had come together in the Anthroposophical Society an esoteric teaching appropriate to the spiritual situation of our fifth cultural epoch. He wanted to show them the paths to a Christian esoteric development by further developing the methods of supersensible research in a way that was appropriate for the time of the consciousness soul, based on an understanding of ancient occult tradition.

I would like to illustrate this a little with words that he himself used. Rudolf Steiner once said: People do not consider that in each of my lectures, including public lectures, there is a wealth of esoteric information. The lectures must only be able to be properly received. He said this after it was no longer possible during the war years to cultivate esotericism in the usual way, and members approached him with the request to resume this esotericism. Rudolf Steiner wanted to characterize what he wanted to be understood by “esoteric” in today's world. On another occasion he said: “I would like to draw your attention to an esoteric book that, although it is right in front of everyone, is not understood as such by anyone, namely Fichte's ‘Wissenschaftslehre’ (The Theory of Knowledge). In the same sense, Rudolf Steiner described every table of logarithms as esoteric, i.e. it is part of the understanding of the same that the person acquires the scientific prerequisites through learning, musters the goodwill to work out the necessary preparations. For us, it all comes down to taking such words very seriously.

But how did Rudolf Steiner cultivate esotericism in our society?

Anyone who has followed Rudolf Steiner's path since the turn of the century could have experienced the following: Rudolf Steiner often sought the ground for certain presentations, and it could happen that he shared something from his spiritual research with a very small group, sometimes even only with three, two or even just one person - on a trial basis. He conducted a kind of primeval experiment to see how far the present consciousness could 'bear' these things. He would present some new research result to a few people in this way. One could ask questions and discuss the matters. After some time, however, one could experience him putting the same question to a larger circle, for example to the circle of people who formed an esoteric group. But then it happened that Rudolf Steiner presented the context to all members of the Anthroposophical Society; and if one waited a little longer, he began to speak about the same fact in lectures to the public.

You see how the esoteric, i.e. the spiritual, which is still inaccessible to ordinary experience, had to be introduced step by step into contemporary consciousness. The soil had to be plowed step by step so that the seed could be sown. But these things were certainly meant for all people from the very beginning. Rudolf Steiner broke through the wall that had enclosed the spiritual life of the new era until the end of the Kaliyuga [1899]. Even today there are initiates of different directions, progressive and conservative. Rudolf Steiner, however, wanted to give people everything they would prove themselves ready for. Just as Jesus Christ went through the Mystery of Golgotha for all people, so here too no one should be excluded.

However, it should be noted that the spiritual world also has its laws, and does not allow those who do not have the will to prepare themselves to approach it. The effort that the individual has to expend, the circumstances and the state of consciousness ensure that no unauthorized person can approach the things. The mystery protects itself through itself; today it needs no means, neither of magic nor of secrecy.

In the methodology of the paths to the esoteric, Rudolf Steiner provided protection for the mystery. These paths are such that in the preparation, in what Rudolf Steiner called the “study” of anthroposophy, lies the awakening power for true self-knowledge of the human being. The call, “O man, know thyself,” which resounds from the mysteries, penetrates the soul that is seriously striving for spiritual knowledge of anthroposophy. In the practice of the soul, it transforms the ordinary experience of the self into true self-awareness, out of which a new sense of human responsibility arises: responsibility to the spirit. In the awakening of the spiritual self, the soul feels at home among spiritual beings; under their gaze, a new moral soul attitude arises in it. Just as the 'old knowledge' required protection through magic or secrecy, so the new knowledge is based on the true self-knowledge of the human being and the spiritual responsibility that blossoms from it. This is why Rudolf Steiner brought everything into the public sphere with the Christmas Conference ³. He wanted a new mystery movement whose impulses could lead directly to the Christ event; free esotericism is the only thing possible today. Just as magical esotericism shaped physical events, and secret esotericism awakened new powers of experience through the art of the soul, so free esotericism addresses the human spirit.

• 1. Carl Unger, “Schriften” II, Stuttgart 1966, Verlag Freies Geistesleben. Esotericism (1928), lecture “Esotericism”, p. 224ff
• 2. “Occult Science: An Outline of Occult Science” (1910), GA 13
• 2. “Christianity as Mystical Fact and the Mysteries of Antiquity”
• 3. See “The Christmas Conference for the Founding of the General Anthroposophical Society 1923/24”, GA 260.

I would like to say a few words about the building idea, with the supporting, direct view of the building. From the outset, the view could arise that if one must first speak about such a building, it indicates that it does not make the necessary impression as an artistic work; and in many cases, what is thought about the building of Dornach, about the Goetheanum in the world, is thought from a false point of view influenced by a sensory view. For example, the opinion has been spread that the building in Dornach is meant to symbolize all kinds of things, that it is a symbolizing building. In reality, you will not find a single symbol when looking at this building, as is popular in mystical and theosophical societies. The building should be able to be experienced entirely from artistic perception and has also been created from these artistic perceptions in its forms, in all its details. Therefore, it must work only through what it is itself. Explaining has become popular, and people then want explanations; but in mentioning this here before you, I also say that such explaining of an artistic work always seems to me to be not only half, but almost completely unartistic, and that I will now give you a kind of lecture in the presence of the building, a lecture that I fundamentally dislike, if only because I have to speak to you in abstract terms about the details that arose in my mind when designing the building, the models and so on, and what was created from life. I would rather speak to you about the building as little as possible.

It is already the case that a new stylistic form, a new artistic form of expression, is viewed with a certain mistrust in the present. I can still hear a word that I heard many decades ago when I was studying at the Technical University, where Ferstel gave his lectures. In one of them, he says: “Architectural styles are not invented, an architectural style grows out of the character of a nation.” Therefore, Ferstel is also opposed to the invention of any new architectural style or type of building. What is true about this idea is that the style that is to stylize the characteristics of a people must emerge not from an abstraction, but from a living world view, which is at the same time a world experience and, from this point of view, comprehensively encompasses the chaotic spiritual life of contemporary humanity. On the basis of this thoroughly correct idea, it becomes necessary to transform what was peculiar to previous architectural styles into organic building forms by incorporating the symmetrical, the geometrically static, and so on.

I am well aware of what can be said, and rightly said from a certain point of view, by someone who has become inwardly attuned to previous architectural styles, against what has been attempted here in Dornach as an architectural style: the transference of geometrical-symmetrical-static forms into organic forms. But it has been attempted. And so you can see in these forms of construction that this building here is an as yet imperfect first attempt to express the transition from these geometric forms of construction to the organic. It is certain that the development of humanity is moving towards these forms of construction, and when we again have the impulses of clairvoyant experience, I believe that these forms of construction will play the first, leading role. This building should be understood in the same way through its relationship with the organizing forces of nature as the previous buildings are understood through their relationship with the geometrical-static-symmetrical forces of nature. This building is to be viewed from this point of view, and from this point of view you will understand how every detail within the building idea for Dornach must be completely individualized here. Just think of the lobe of your ear: it is a very small part of the human organism, but you cannot well imagine that an organic form such as the lobe of the ear is suited to grow on the big toe. This organ is completely bound to its place within the organism. Just as you find that within the whole organism a supporting organ is always shaped in such a way that it can have a static-dynamic effect within the organism, so too the individual forms in our building in Dornach had to be such that they could serve the static-dynamic forces. Every single form had to be organized in such a way that it could and had to be in its place what it now appears to be. Look at each arch from this point of view, how it is formed, how it flattens out towards the exit, for example, how it curves inwards towards the building itself, where it not only has to support but also to express support in an organic way, thereby helping to develop what only appears to be completely unnecessary in organic formation. Ordinary architecture leaves out what goes beyond the static, which the organism develops. But one senses that the building idea has been transferred to the organic design of the forms, and that this is also necessary.

You will have to look at every column from this point of view; then you will also understand that the ordinary column, which is taken out of the geometric-static, has been replaced by one that does not imitate the organic – everything is so that it is not imitated naturalistically – but transferred into organically made structures. It is not an imitation of an organic structure. You will not understand it if you look for a model in nature. But you will understand it if you understand how human beings can live together with the forces that have an organizing effect in nature and how, apart from what nature itself creates, such organizing forms can arise. So you will see in these column supports how the expansion of the building, the support, the inward pointing, and, in the same way as, say, in the upper end of the human thigh, the support, the walking, the walking and so on, is embodied statically, but organically and statically. From this point of view, I also ask you to look at something like the structure with the three perpendicular formations at the top of the stairs here below. The feeling arises here of how a person feels when he climbs the stairs. He must have a feeling of security, of spiritual unity in all that goes on in this building, indeed in everything he sees in this building. Everything came to me entirely from my own intuitive perception. You may believe it or not, but this form came to me entirely from my own artistic intuition. As I said, you may believe it or not, but it was only afterwards that it occurred to me that this form is somewhat reminiscent of the shape of the three semicircular crescents in the human ear, which, when injured, cause fainting, so that they directly express what gives a person stability. This expression, that stability is to be given to the human being in this structure, comes about in the experience of the three perpendicular directions. This can be experienced in this structure without having to engage in abstract reflection. One can remain entirely in the artistic.

If you look at the wall-like structures while handling them, you will find that natural forces have been poured into the forms, but in such a way that these forms, which are radiator covers, are first worked out of the concrete material of the building, and then further up out of the material of the wood, and that they are thereby metamorphosed. You will find that in these structures the process of metamorphosis is elevated to the artistic. It is the idea of the building that should have a definite effect on such radiator covers, which are designed in such a way that you immediately feel the purpose and do not need to explore it intellectually first. This is how these elementary forms, half plant-like, half animal-like, came to be felt. Only after having shaped them out of the material does one realize that they must be so. And it also follows that it is necessary to metamorphose them, depending on whether they are in one place or another, depending on whether they are long and low or narrower and higher. All this does not result from calculating the form, but the forms shape themselves out of the feeling in their metamorphosis, as for example here, where we have come so far, where the building is a concrete structure in its basement and where one has to empathize with the design of what concrete is. You enter here at the west gate. This is the room where you can leave your coat. The staircase, which leads up here on the left and right, takes you up to the wooden structure containing the auditorium, the stage and adjoining rooms.

Please follow me up the stairs to the auditorium.

We are now entering a kind of foyer. You will notice the very different impression created by the wooden cladding compared to the concrete cladding on the lower floor.

I would like to note here: When you have to work with stone, concrete or other hard materials, you have to approach it differently than when you have to work with soft materials, such as wood. The material of wood requires you to focus all your senses on the fact that you have to scrape corners, concaves, and hollows out of the soft material, if I may use the expression. It is scraping, scraping out. You deepen the material, and only by doing so can you enter into this relationship with the material, which is a truly artistic relationship. While when working with wood you only succeed in coaxing out of the material that which gives the forms when you focus your attention on deepening, when working with hard material you do not have to do with deepening. You can only develop a relationship with the hard material by applying it, by working convexly, by applying raised surfaces to the base surfaces, for example when working with stone. Grasping this is an essential part of artistic creation, and it has been partially lost in more recent times.

You will see when we enter the auditorium how each individual surface, each capital, is treated individually. A capital in this organic structure can only be such that one feels: in what follows each other, a kind of repetition cannot be created, as is otherwise the case with symmetrical-geometric-static architectural styles. In this building, which is the product of an organic idea, you have only a single axis of symmetry, running from west to east. You will find a symmetrical arrangement only in relation to this, just as you can find only a single axis of symmetry for a higher organism, not out of arbitrariness but out of the inner organization of forces of the entity in question.

At this point, I would like to mention that the treatment of the walls also had to be completely different under the influence of the organic building idea than it was before. A wall was for earlier architects what demarcates a space. It had the effect of being inside the room. This feeling had to be abandoned in this building. The walls had to be designed in such a way that they were not felt as a boundary, but as something that carries you out into the vastness of the macrocosm; you have to feel as if you are absorbed, as if you are standing inside the vastness of the cosmos. The walls had to be made transparent, so to speak, whereas in the past every effort was made to give the wall such artificial forms that it was closed and opaque. You will see that the transparent is used artistically at all, and that was driven from elementary foundations into the physical in these windows, which you see here and which you will see under construction. If you see windows in the sense of the earlier architectural style, you will actually have to have the healthy sense that they break through the walls, they do not fit into the architectural forms, but they only fit in through the principle of utility. Here, artistic feeling will be needed down to the last detail. There was a need to present the wall in such a way that it is not something closed, but something that expands outwards, towards infinity. I could only achieve this by remembering that, using a single-colored windowpane, you can, as it were, scratch out designs using a kind of etching method, a glass etching method. And so monochromatic window panes were purchased, which were then worked on in such a way that the motifs one wanted could be scratched out with the diamond pencil. So for this purpose, a glass etching technique was conceived, and the windows emerged from that.

When you consider the motifs of the windows, you must not think that you are dealing with symbolic design alone. You can see it already on this larger windowpane: nothing is designed on these windowpanes other than what the imagination produces. There are mystics who develop a mysticism with superficial sentences and strange ideas and constantly explain that the physical-sensual outer world is a kind of maja, an illusion. People often approach you and say that so-and-so is a great mystic because he always declaims that the outer world is a maja. There is something about the human physical countenance that is maya, that is thoroughly false, that is something else in truth. What appears on this windowpane is not something that symbolizes; it is a being that is envisaged, only it does not look to the spiritual observer as it appears to the senses. The larynx is the organ of vision for the etheric; the larynx is already Maja as a physical larynx, and that which is a mere physical-sensual view is not reality. What is behind it spiritually? The spiritual fact that what is whispered into the ear, left and right, are world secrets. So that one can truly say: the bull speaks into the left ear, the lion into the right ear. If one wants to express this as a motif in a picture or in words, then one can only attach to the word that which is already in the picture itself. However, one must be clear about the fact that one can only understand such a picture if one lives in the world view from which it has emerged. A person who does not have a living Christian feeling will also not be able to behave sympathetically towards the pictorial representations that Christian art has produced.

The artist experiences a lot when he lives into a vision; but such an experience must not be translated into abstract thoughts, otherwise it will immediately begin to fade. An example of the artist's experience is this: When Leonardo da Vinci painted his Last Supper, which is now so dilapidated that it can no longer be appreciated artistically, people thought it was taking too long. He could not finish the Judas because this Judas was to emerge from the darkness. Leonardo worked on this painting for almost twenty years and was still not finished. Then a new prior came to Milan and looked at the work. He was not an artist; he said that Leonardo, this servant of the church, should finally finish his work. Leonardo replied that he could do it now; he had always only sketched the figure of Judas because he had not found the model for it; now that the prior was there, he had found the model for Judas in him, and the painting would now be quickly completed. - There you have such an external, concrete experience. Such external, concrete experiences play a much greater role in all the artist's work than can be expressed in such brief descriptions.

Dear attendees, you have entered the building through the room below the organ and the room for the musical instruments. If you look around after entering, you will see that the architectural idea is initially characterized by the floor plan depicting two not quite completed circles, whose segments interlock. It seems to me that the necessity for shaping the building in this way can already be seen when approaching the building from a certain distance and if one has an idea of what is actually supposed to take place in the building. I will now explain in more detail what the building idea is. First of all, I would like to point out that you can see seven columns arranged in symmetry solely against the west-east axis, closing off the auditorium on the left and right as you move forward. These seven columns are not formed in such a way that a capital shape, a pedestal shape or an architrave shape above it is repeated, but the capital, pedestal and architrave shapes are in a continuous development.

The two columns at the back of the organ area have the simplest capital and pedestal motifs: forms that, to a certain extent, strive from top to bottom, with others striving towards them from bottom to top. This most primitive form of interaction between above and below was then metamorphosed into the following forms of architraves, capitals and pedestals. This progressive metamorphosis came about through artistic perception, in that, when I was developing the model, I tried to recreate what occurs in nature. What takes place in nature, where an unnotched leaf with primitive forms is first formed at the bottom of the plant, and then this primitive form metamorphoses the further up it goes, into the indented, intricately designed leaf, even transformed into petal, stamen and pistil, which must be imitated - albeit not in a naturalistic way. One must place oneself inwardly and vitally into it and then create from within, as nature creates and transforms, as it produces and metamorphoses. Then, without reflection, but out of much deeper soul forces than those of reflection, one will achieve such transformations of the second out of the first, of the third out of the second, and so on.

It can be misunderstood that, for example, in the fifth column and in the architrave motifs above the fourth column, something like a kind of Mercury staff appears. One could now believe that the caduceus was placed in these two positions by the intellect. I believe that someone who had worked from the intellect would probably have placed the caduceus in the architrave motif and below it - the intellect has a symmetrizing effect - the column motif with the caduceus. The person who works as we have done here finds something else. Here, with the motif that you see as the fourth capital motif, only by sensing the metamorphosing transformation, without me even remotely thinking of forming a Mercury staff, this Mercury staff emerged as a petal emerges from the sepal. I did not think of a past style, but of the transformation of the fourth capital motif from the third. One can see how the forms that have gradually emerged in the development of humanity have developed quite naturally.

Then we come to the epoch when man intervenes in the evolution of his soul-life. When this is individualized and worked into the column, it follows later what is worked on this architrave surface earlier. That is why you see the caduceus on the capital later than on the architrave.

A plant that is thin and delicate develops different leaf shapes than a sturdy one. Compare just a shepherd's purse with a cactus, and you will see how the filling and shaping of space is expressed in the figurative design. At the same time, a cosmic secret emerges in it, as one feels evolution all around. There has been much talk of evolution in recent times, but little feeling for it. One only thinks it out with the mind. One speaks of the evolution of the perfect from the imperfect. Herbert Spencer and others have done much harm in this regard, and the idea has arisen that is completely justified in the mind, but which does not do justice to the observation of nature: In intellectual thinking, one starts from the assumption that in evolution, the simpler forms are at the beginning and that these then later become more and more differentiated. Spencer in particular has worked with such evolutionary ideas. But evolution does not show it that way. There is indeed a differentiation, a complication of the forms; but then one comes to a middle and then the forms simplify again. What follows is not more complicated, but what follows is simpler again. You can see this in nature itself. The human eye, which is the most perfect, has, so to speak, achieved greater simplicity than the eye forms of certain animals, which, for example, have the xiphoid process, the fan, which has disappeared again as the eye in evolution moved further up to become human.

Thus it is necessary that man connects with the power of nature, that he feels the power of nature, that he makes the power of nature his own power and creates out of this feeling. So it has been attempted to design this building in an entirely organic way, to design every detail in its place as it must be individualized from the whole. You can see, for example, that the organ is surrounded by sculpted motifs that make it appear as if the organ is not simply placed in the space, but that it works out of the entire organic design as if growing out of it. So everything in this building must be tried to be made in the same way.

You see here the lectern on which I stand. With it, the first consideration was to create something in this place that would, as it were, grow out of the other forms of construction, but in such a way that it would also express the idea that from here, through the word, one strives to express everything that is to be expressed in the building. At the moment when a person speaks here, the forms of the spoken word must continue in such a way that, like the nose on a face, its form reveals what the whole person is. Anyone who has made artistically inspired nose studies can turn a nose study into the “architectural style”, the physiognomy of the whole person. No one can ever have a nose other than the one they have, and there could never be a lectern here other than the one that is here. However, if one asserts this, it is meant in one's own view; one can only act in one's own view.

That an attempt has been made here to truly metamorphose the body can be seen from the fact that the motifs here in the glass windows are in part really such motifs that arise as images of the soul's life. For example, look at the pink window here. You will see on the left wing something coming out like the west portal of the building; on the right wing you see a kind of head. There you see a person sitting on a slope, looking towards the building, and another person looking towards the head. This has nothing to do with speculative mysticism; it is an immediate inner visual experience. This building could not have been created in any other way than by mysteriously sensing the shape of the human head in it, and the organic power on the one hand and the shape of the human head on the other hand result in the intuitive shape of the building. Therefore, the person sitting on the slope sees the metamorphosis of the building in his soul, sometimes as a human head, sometimes as the building revealing itself to the outside world. This provides a motif that leads, if I may say so, to an inner experience.

There you will find in the blue windowpane a person who is aiming – on the left – to shoot a bird in flight. In the right-hand pane you will see that the person has fired. The bird in the left-hand field is in a sphere of light. Around the man you will see all kinds of figures vividly alive in the astral body, one when he is about to shoot, the other when he has fired. This is a reality, but one from mundane life. I can imagine that those who always want to be dripping with inner exaltation may be offended if they experience such things as they are meant here, simply as a human being shooting. Yes, I was pleased when an Italian friend once used a somewhat crude expression about theosophists, who are such mystics. The friend who had already died said it, and I may say it in the very esteemed company here, because the person concerned was a princess, and what a princess says, that can also be said. She glossed over such people, who always want to live in a kind of inner elevation, by saying that they are people with a “face up to their stomachs”. I also repeat her not quite correct German. Now, ladies and gentlemen, the same idea was also implemented in painting. I can only talk about the actual painting, about spiritual painting, by referring to the small dome. Only in the small dome was it possible for me to carry out what I have indicated as the challenge of a newer painting: that behind the effort to create a window experience, drawing disappears altogether. I had one of my characters in the first mystery drama express this as follows: that the forms appear as the work of color. For when one feels with the feeling for painting, then one feels the drawing, which is carried into the pictorial, as a lie. When I draw the horizontal line, it is actually a reproduction of something that is not there at all. When I apply the blue sky as a surface and the green below, the form arises from the experience of the color itself. In this way, every pictorial element can be formed. Within the world of color itself lies a creative world, and the one who feels the colors paints what the colors say to each other in creation. He does not need to stick to a naturalistic model; he can create the figures from the colors themselves. It is the case that nature and also human life already have a certain right to shape the moral out of the colored with a necessity.

Yesterday, Mr. Uehli quite rightly pointed out how newer painters already have an intuitive sense of such effects resulting from light and dark, from the colors themselves, and how they come to paint a double bass next to a tin can. They are pursuing the right thing in itself, that it is only a matter of seeing how the light gradates in its becoming colored when it falls on a double bass and then continues to fall on a tin can. That is the right thing. But the wrong thing is that this is again based on naturalistic experience. If you really live in the colors, it arises from the colored something other than a can and a bass violin. The color is creative, and how it puts together, but it is a necessity of the mere colored out, you have to experience. Then you do not make a can next to a bass violin, because that is again outside the colored.

So here I have tried to paint entirely from the colors. If you see the reddish-orange spot here next to the blue spot and the black spot, this is initially a vivid impression from the colors. But then the colors come to life, then figures emerge from them, which can even be interpreted afterwards. But just as little as one can make plants with the human mind here, so one can just as little paint something on them that one has thought up with the human mind. One must first think when the colors are there, just as the plant must first grow before one can see it.

And so a Faust figure with Death and the Child emerged. The entire head emerged from the colors with all its figuration. Only in the human soul does a spiritual-real object form by itself.

For example, you can see above the organ motif how something is painted that a philistine, a person attached to the sensual world, will naturally perceive as madness. But you will no longer perceive it as madness when I tell you the following: If you close your eyes, you will, as it were, feel something inside the eye, like two eyes looking at each other. What takes place inwardly can certainly be developed further in a certain way. Then what, when viewed in a primitive way, looks like two eyes glowing out of the darkness towards you, and what is experienced inwardly, can be shaped in such a way that, when projected outwards, an entire beyond, an entire world-genesis can be seen in it. Here again an attempt has been made to create out of color what the eye experiences when, by narrowing the pupil, it sees itself in the darkness. One need not merely read the secrets of the mind, one can see them - suddenly they are there.

In a similar way, attempts have been made to bring other motifs into reality, again not from the naturalistic imitation of signs and forms, but entirely from color. The ancient Indians and their inspiration, the seven Rishis, who in turn were inspired by the stars to paint with an open head, is, if you do it that way now, abstract, actually nonsense; I say that quite openly. But when one experiences what was experienced in the ancient Indian culture in the relationship between the disciple and the guru, the teacher, one feels as if the ancient Indian did not have a skullcap, but as if it had evaporated, and as if he were not a human being who lives in his skin, but one feels as a sevenfold being, as if his soul power were composed of the seven soul rays of the holy Rishis of ancient Atlantis, enlightening him, and that he then communicated to his world that which he revealed, not from his own spirit but from the spirit of the holy Rishis. The more one works out what is said here, the more one comes closer to what has been painted here. The intuitive perception has first placed itself in ancient India, in ancient Atlantis. That which can be seen there has been painted on the wall here, and only afterwards can one speculate when it is there. This is how the message can relate to artistic creation. This is how everything in this building should actually come about.

You will find this building covered with Nordic slate. The building idea must be felt through to the point of radiating outwards. The slate, or the material used to cover it, must shine in a certain way in the sunlight. It seemed to happen by chance here – but of course there is always an inner necessity underlying it. When I saw the Nordic slate in Norway from the train, I knew that it was the right material to cover the building. We were then still able to have the slate shipped from Norway in the pre-war period. You will certainly feel the effect when you look at the building from a distance in good sunshine.

My main concern while the building was being constructed was the acoustics. During the construction, the building was of course also provided with scaffolding on the inside so that work could be carried out upstairs. This did not produce any acoustics, the acoustics were quite different, that is, they were a caricature of acoustics. Now it so happens that the acoustics of the building were also conceived from the same building idea. My idea was that I could expect the acoustic question to be solved for the lecturer by occult research. You know how difficult it is; you cannot calculate the acoustics. You will see how it has been achieved, but to a certain degree of perfection, to carry out the acoustics. You may now ask how these seven pillars, which contain the secret of the building, are connected with the acoustics. The two domes within our building are so lightly connected that they form a kind of soundboard, just as the soundboard of a violin plays a role in the richness of sound. Of course, since the whole, both the columns and the dome, are made of wood, the acoustics will only reach perfection over the years, just as the acoustics of a violin only develop over the years. We must first find a way to have a profound effect on the material, to be able to feel through the building idea what is now sensed as the acoustics of this building. You will understand that the acoustics must be sensed best from the organ podium. You will also see that when two people here in the middle talk to each other, an echo can be heard coming down from the ceiling. This seems to be an indication from the world being that one may only speak from the stage or the lectern within the building and that the building itself does not actually tolerate useless chatter from any point.

Now, dear attendees, I have tried to tell you what can be said in this regard while looking at the building. I will have to supplement what I have spoken today in my presentation of the building idea, which I will give at the final event next Saturday. Then I will say what can still be said. Now we have to clear the hall for the next lecture.