The Rudolf Steiner Archive

Let us consider today the second Mystery Drama, The Soul's Probation. You will have noticed that in our various stage performances, and especially in this play, an attempt was made to bring the dramatic happenings into connection with our anthroposophical world view. In this play in particular, we wanted to present on the stage in a very real way the idea of reincarnation and its effect on the human soul. I need not say that the incidents in The Soul's Probation are not simply thought out; they fully correspond with observations of esoteric study in certain ways, so that the scenes are completely realistic in a definite sense of the word. We can discuss this evening first of all the idea that a kind of transition had to be created, leading from Capesius' normal life to his plunge into a former life, into the time when he lived through his previous incarnation.

I have often asked myself since The Soul's Probation was written, what enabled Capesius to build a bridge from his life in a world where he had known—though certainly with a genial spirit—only what is given by external sense perception with a world view bound to the instrument of the brain; how it was, I say, that a bridge could be created from such a world to the one into which he then plunged, which could only be revealed through occult sense organs. I have often asked myself why the fairy tale, with the three figures at the rock spring (Scene Five) had to be the bridge for Capesius. Of course, it was not because of some clever idea or some deliberate decision that the fairy tale was placed just at this point, but simply because imagination brought it about. One could even ask afterward why such a fairy tale is necessary. In connection, then, with The Soul's Probation there came to me certain enlightening points of view about the poetry of fairy tales in general and about poetry in relation to anthroposophy.

A person could well put into practical use in his life the facts implicit in the division of the soul into sentient, intellectual, and consciousness souls, but when he does, riddles of perception will loom up in a simply elemental- emotional way with regard to his place in, and relationship to, the world. These riddles do not allow themselves to be spoken out in our ordinary language, with our ordinary concepts, for the simple reason that we are living today in too intellectual a time to bring to expression in words, or through what is possible in words, the subtle distinctions between the three members of our soul.

It is better to choose a method that will allow the soul's relationship to the world to seem diversified and yet quite definite and clear. What moves through the whole of The Soul's Probation as the connecting link between the events themselves and what is significant in the three figures, Philia, Astrid, and Luna, had to be expressed in delicate outlines; yet this had to call up strong enough soul responses to bring out clearly man's relationship to the world around him. It could be presented in no other way than to show how the telling of the fairy tale about the three women awoke in Capesius' soul, as a definite preparation for his development, the strong urge to descend into those worlds that only now are beginning to be perceived again by human beings as real.

There will now be a recital of the fairy tale, so that we can reflect upon it afterward.

(Scene Five: Tale of the Rockspring Wonder)

Once upon a time there was a boy
who lived—the only child of a poor forester—
within a woodland solitude. He knew
besides his parents hardly any other people.
His build was slender,
his skin almost transparent.
One could look long into his eyes:
they treasured deepest spirit wonders.
And though indeed few people entered
the circle of his life,
he never was in need of friends.
When in the nearby mountains
the golden sunlight glowed and glimmered,
the boy's rapt, musing eye drew forth
the spirit gold into his soul
until his heart resembled
the morning brightness of the sun.—
But when through darkening clouds
the morning sunrays could not pierce
and dreariness hung over mountain heights,
the boy's eye, too, grew dull;
a mood of sadness filled his heart.—
The spirit weaving of his narrow world
took hold of him so fully
that it was no less strange to him
than were his body and his limbs.
The trees and flowers of the woods
were all his friends:
there spoke to him from crown and calyx
and from the lofty tree-tops spirit beings
and what they whispered, he could understand.—
Such wondrous things of worlds unknown
unlocked themselves before the boy
whenever his soul conversed
with what most people would regard as lifeless.
At evening his anxious parents
from time to time missed their beloved child.—
The boy was at a spot nearby
where from the rocks a spring burst forth,
and waterdrops, dispersing thousandfold,
were scattered over stones.
When moonlight's silver glance,
in sparkling colours' sorcery,
was mirrored in the water's misty spray,
the boy could sit for hours on end
beside the rock-born spring.
And figures, formed by spirit-magic,
arose before his youthful vision
in rushing water and in moonlight's glimmer.
They grew into three women's forms
who told him of those things
toward which his soul's desire was turned.—
And when upon a gentle summer night
the boy was sitting at the spring again,
one woman of the three caught up a myriad of drops
out of the glittering spray
and gave them to the second woman.
She fashioned from the tiny drops
a chalice with a silver gleam
and passed it to the third.
She filled it with the moonlight's silver rays
and gave it to the boy,
who had beheld all this
with youthful inner sight.—
Now in the night
which followed this event,
he dreamed that he was robbed
by a fierce dragon of the chalice.
After this night the boy beheld
just three times more the wonder of the spring.
Henceforth the women came no more
although the boy sat musing
beside the rock-born spring in moonlight's silver sheen.
And when three hundred sixty weeks
had run their course three times,
the boy had long become a man
and left his parents' home and forest country
to live in a strange city.
One evening, tired from the day's hard toil,
he pondered on what life had still in store for him,
and suddenly he felt himself a boy,
caught up and carried to his rock-born spring.
Again he could behold the water-women
and this time heard them speak.
The first one said to him:

Remember me at any time
you feel alone in life.
I lure man's eye of soul
to starry spaces and ethereal realms.
And whosoever wills to feel me,
I offer him the draught of hope in life
out of my wonder goblet.—

And then the second spoke:

Do not forget me at the times
when courage in your life is threatened.
I lead man's yearning heart
to depths of soul and up to spirit heights.
And whosoever seeks his strength from me,
for him I forge the steel of faith in life,
shaped by my wonder hammer.—

The third one could be heard:

To me lift up your eye of spirit
when your life's riddles overwhelm you.
I spin the threads of thought that lead
through labyrinths of life and the abyss of soul.
And whosoever harbours trust in me,
for him I weave the living rays of love
upon my wonder loom.—

Thus it befell the man,
and in the night that followed this
he dreamed a dream:
a savage dragon prowled
in circles round about him,—
and yet could not come near him.
He was protected from that dragon by
the beings he had seen beside the rock-born spring
and who with him had left his home
for this far-distant place.

It seems to me that the world of fairy tales can quite rightfully be placed between the external world and everything that in past times man, with his early clairvoyance, could see in the spiritual world; with everything, too, that he can still behold today if, by chance, either through certain abnormal propensities or through a trained clairvoyance, he can raise himself to the spiritual world. Between the world of spirit and the world of outer reality, of intelligence, of the senses, it is the world of the fairy tale that is the most fitting connecting link. It would seem necessary to find an explanation for this position of the fairy tale and the fairy tale mood between these other two worlds.

It is extraordinarily difficult to create the bridge between these spheres, but I realized that a fairy tale itself could construct it. Better than all the theoretical explanations, a simple fairy tale really seems to build this bridge, a tale that one could tell something like this:

Once upon a time there was a poor boy who owned nothing but a clever cat. The cat helped him win great riches by persuading the King that her master possessed an estate so huge, so remarkably beautiful that it would amaze even the King himself. The clever cat brought it about that the King set forth and traveled through several astonishing parts of the country. Everywhere he went, he heard—thanks to the cat's trickery—that all the great fields and strange buildings belonged to the poor boy.

Finally, the King arrived at a magnificent castle, but he came a bit late (as often happens in fairy tales), for it was just the time when the Giant Troll, who was the actual owner of this wonderful place, was returning home from his wanderings over the earth, intending to enter his castle.

The King was inside looking at all its wonders, and so the clever cat stretched herself out in front of the entrance door, for the King must not suspect that everything belonged to the Giant Troll. It was just before dawn that the Giant arrived home and the cat began to tell him a long tale, holding him there at the front door to listen to it. She rattled along about a peasant plowing his field, putting on manure, digging it in, going after the seed he wanted to use, and finally sowing the field. In short, she told him such an endless tale that dawn came and the sun began to rise. The wily cat told the Giant to turn around and look at the Golden Maid of the East whom he surely had never seen before. But when he turned to look, the Giant Troll burst into pieces, for that is what happens to giants and is a law they have to conform to: they may not look at the rising sun. Therefore, through the cat's delaying the Giant, the poor boy actually came into possession of the wonderful palace. The clever cat at first had given her master only hope, but finally, with her tricks, also the great castle and the vast estate.

One can say that this simple little tale is extremely significant for its explanation of fairy tale style today. It is really so that when we look at men and women in their earthly development, we can see what most of them are—those who have developed on earth in the various incarnations they have lived through and are now incarnated. Each one is a “poor boy.” Yes, in comparison to earlier historical epochs, today we are fundamentally “poor boys” who possess nothing but a clever cat. We do, however, it's true, have a clever cat, which is our intelligence, our intellect. Everything the human being has acquired through his senses, whatever he now possesses of the outer world through the intelligence limited to the brain, is absolute poverty in comparison to the whole cosmic world and to what man experienced in the ancient Saturn, Sun, and Moon epochs. All of us are basically “poor boys,” possessing only our intelligence, something that can exert itself a little in order to promise us some imaginary property. In short, our modern situation is like the boy with the clever cat.

Actually, though, we are not altogether the “poor boy”; that is only in relation to our consciousness. Our ego is rooted in the secret depths of our soul life, and these secret depths are connected with endless worlds and endless cosmic happenings, all of which affect our lives and play into them. But each of us who today has become a “poor boy” knows nothing more of this splendor; we can at best, through the cat, through philosophy, explain the meaning and importance of what we see with our eyes or take in with our other senses. When a modern person wants somehow to speak about anything beyond the sense world, or if he wishes to create something that reaches beyond the sense world, he does it, and has been doing it for several hundred years, by means of art and poetry.

Our modern age, which in many ways is a peculiarly transitional one, points up strongly how men and women fail to escape the mood of being “poor boys,” even when they can produce poetry and art in the sense world. For in our time (1911), there is a kind of disbelief in trying to aim toward anything higher in art than naturalism, the purely external mirroring of outer reality. Who can deny that often today when we look at the glittering art and literature expressing the world of reality, we can hear a melancholy sigh, “Oh, it's only delusion; there's no truth in any of it.” Such a mood is all too common in our time. The King of the fairy tale, who lives in each one of us and has his origin in the spiritual world, definitely needs to be persuaded by the clever cat—by the intelligence given to man—that everything growing out of the imagination and awakened by art is truly a genuine human possession. Man is persuaded at first by the King within him but only for a certain length of time. At some point, and today we are living just at the beginning of such a time, it is necessary for human beings to find once more the entrance to the spiritual, divine world. It is today necessary for human beings, and everywhere we can feel an urgency in them, to rise again toward the spheres of the spiritual world.

There has first, however, to be some sort of bridge, and the easiest of all transitions would be a thoughtful activating of the fairy tale mood. The mood of the fairy tale, even in a quite superficial sense, is truly the means to prepare human souls, such as they are today, for the experience of what can shine into them from higher, supersensible worlds. The simple fairy tale, approaching modestly with no pretension of copying everyday reality but leaping grandly over all its laws, provides a preparation in human souls for once more accepting the divine, spiritual worlds. A rough faith in the divine worlds was possible in earlier times because of man's more primitive constitution, which gave him a certain kind of clairvoyance. But in the face of reality today, this kind of faith has to burst into pieces just as the Giant Troll did. Only through clever cat questions and cat tales, spun about everyday reality, can we hold him back. Certainly, we can spin those endless tales of the clever cat to show how here and there external reality is forced toward a spiritual explanation.

In broad philosophical terms, one can spin out a long- winded answer to this or that question only by referring to the spiritual world. One still keeps all this as a kind of memento from earlier times; with it one can succeed in detaining the Giant for a short time. What is with us from earlier times, however, cannot hold its own against the clear language of reality. It will burst into pieces just as the Giant Troll burst, on looking at the rising sun. But one has to recognize this mood of the bursting Giant. It is something that has a relationship to the psychology of the fairy tale. Because I find it impossible to describe such things theoretically, I can get at this psychology only through observing the nature of the human soul. Let me say the following about it.

Think for a moment how there might appear livingly, imaginatively, before someone's soul what we recently described in the lectures about pneumatosophy,¹ depicting briefly some details of the spiritual world. In these anthroposophical circles, we certainly speak a good deal about the spiritual world. Before a person's soul, it should come at first as a living imagination. There would be little explicit description, however, if you intended only to describe what urges itself forward toward the soul, even toward the clairvoyant soul. A queer sort of disharmony comes about when one mixes such truths as those about ancient Saturn, Sun, and Moon conditions, as described in our last three anthroposophical meetings,² into the dismal, ghostlike thoughts of modern times. Over against those things raised up before the soul, one is aware of man's narrow limits. Those secrets of divine worlds have to be grasped, it would seem, by something in us resembling a troll. A swollen, troll-like giant is what one becomes when trying to catch hold of the pictures of the spiritual world. Before the rising sun, then, one has voluntarily to let the pictures burst in a certain way in order for them to be in accord with the mood of modern times. But you can hold something back; you can hold back just what the “poor boy” held back. For our immediate, present-day soul to be left in possession of something, you need the transformation, the matter-of-fact transformation, of the gigantic content of the world of the imagination into the subtlety of the fairy tale mood. Then the human soul will truly feel like the King who has been guided to look at what the soul, this “poor boy” soul, actually does not possess. Nevertheless, it does come into possession of riches when the gigantic Troll bursts into pieces, when one sacrifices the imaginative world in the face of external reality and draws it into the palace that one's phantasy is able to erect.

In former times, the phantasy of the “poor boy” was nourished by the world of the imagination, but in view of today's soul development this is no longer possible. If, however, we first of all give up the whole world of the imagination and press the whole thing into the subtle mood of the fairy tale, which does not rely on everyday reality, something can remain to us in the fairy tale phantasy that is deep, deep truth. In other words, the “poor boy,” who has nothing but his cat, the clever intellect, finds in the fairy tale mood just what he needs in modern times to educate his soul to enter the spiritual world in a new way.

It therefore seems to me from this point of view to be psychologically right that Capesius, educated so completely in the modern world of ideas, though certainly with quite a spiritual regard for this world, should come to the realm of the fairy tale as something new that will open for him a genuine relationship to the occult world. So there had to be something like a fairy tale written into the scene to form a bridge for Capesius between the world of external reality and the world into which he was to plunge, beholding himself in an earlier incarnation.

What has just been described as a purely personal remark about the reason I had for putting the fairy tale at this very place in the drama coincides with what we can call the history of how fairy tales arose in mankind's development. It agrees wonderfully with the way that fairy tales appeared in human lives. Looking back into earlier epochs of human development, we will find in every prehistoric folk a certain primitive kind of clairvoyance, a capacity to look into the spiritual world. Therefore, we must not only distinguish the two alternating conditions of waking and sleeping in those early times, with a chaotic transition of dream as well, but we must assume in these ancient people a transition between waking and sleeping that was not merely a dream; on the contrary, it was the possibility of looking into reality, living with a spiritual existence. A modern man, awake, is in the world with his consciousness, but only with his sentient consciousness and with his intelligence. He has become as poor as the boy who had nothing but a clever cat. He can also be in the spiritual world in the night, but then he is asleep and is not conscious of it. Between these two conditions, early man had still a third, which conjured something like magnificent pictures before his soul. He lived then in a real world, one that a clairvoyant who has attained the art of clairvoyance also experiences as a world of reality, but not dreamlike or chaotic. Still, ancient man possessed it to such a degree that he could encompass his imaginations with conscious clarity. He lived in these three different conditions. Then, when he felt his soul widening out into the spiritual cosmos, finding its connection with spiritual beings of another kind close to the hierarchies, close to the spiritual beings living in the elements, in earth, water, air, and fire, when he felt his whole being widening out from the narrow limits of his existence, it must have been for him, in these in-between conditions, like the Giant who nevertheless burst into pieces when the sun rose and he had to wake up.

These descriptions are not at all unrealistic. Because today one no longer feels the full weight of words, you might think the words “burst into pieces” are put there more or less carelessly, just as a word often is merely added to another. But the bursting into pieces actually describes a specific fact. There came to the ancient human being, after he had felt his soul growing out into the entire universe and then, with the coming of the Golden Maid of the Morning, had had to adapt his eyes to everyday reality, there came to him the everyday reality like a painful blow thrusting away what he had just seen. The words really describe the fact.

But within us there is a genuine King, which is a strong and effective part of our human nature; he would never let himself be prevented from carrying something into our world of ordinary reality out of that world in which the soul has its roots. What is thus carried into our everyday world is the projection or reflection of experience; it is the world of phantasy, a real phantasy, not the fantastic, which simply throws together a few of the rags and tatters of life, but it is true phantasy, which lives deep in the soul and which can be urged out of there into every phase of creating. Naturalistic phantasy goes in the opposite direction from genuine phantasy. Naturalistic phantasy picks up a motif here and a motif there, seeks the patterns for every kind of art from everyday reality and stitches these rags of reality together like patchwork. This is the one and only method in periods of decadent art.

With the kind of phantasy that is the reflection of true imagination, there is something at work of unspecified form, not this shape nor that, and not yet aware of what the outer forms will be that it wants to create. It feels urged on by the material itself to create from within outward. There will then appear, like a darkening of the light-process, what inclines itself in devotion to external reality as image-rich, creatively structured art. It is exactly the opposite process from the one so often observed in today's art work. From an inner center outward everything moves toward this true phantasy, which stands behind our sense reality as a spiritual fact, an imaginative fact. What comes about is phantasy-reality, something that can grow and develop lawfully out of divine, spiritual worlds into our own reality, the lawful possession, one can say, of the poor lad—modern man—limited as he is to the poverty of the outer sense world.

Of all the forms of literature the fairy tale is certainly least bound to outer reality. If we look at sagas, myths, and legends, we will find features in all of them that follow only supersensible laws, but these are actually immersed in the laws of external reality as they leave the spiritual and go into the outside world just as the source material, historical or history-related, is connected to a historical figure. Only the fairy tale does not allow itself to be manipulated around real figures; it stays quite free of them. It can use everything it finds of ordinary reality and has always used it. Therefore, it is the fairy tale that is the purest child of ancient, primitive clairvoyance; it is a sort of return payment for that early clairvoyance. Let old Sober-sides, the pedant who never gets beyond his academic point of view, fail to perceive this. It doesn't matter; he needn't perceive it. The simple fact is that for every truth he hears, he asks, “Does it agree with reality?”

A person like Capesius is searching above everything else for truth. He finds no satisfaction in the question, “Does it agree with reality?” For he tells himself, “Is a matter of truth completely explained when you can say that it accords with the external world?” Things can really be true, and true and true again, as well as correct, and correct and ever correct, and still have as little relationship to reality as the truth of the little boy sent to buy rolls from the village baker. He figured out correctly that he would get five rolls for his ten kreuzers, but his figuring did not accord with reality; he practiced the same kind of thinking as the pedant who philosophizes about reality. You see, in that village, if you bought five rolls, you got an extra one thrown in—nothing to do with philosophy or logic, just plain reality.

In the same way Capesius is not interested in the question of how this or that idea or concept accords with reality. He asks first what the human soul perceives when it forms for itself a certain concept. The human soul, for one thing, perceives in mere external, everyday reality nothing more than emptiness, dryness, the tendency in itself continually to die. That is why Capesius so often needs the refreshment of Dame Felicia's fairy tales, needs exactly what is least true to outer reality but has substance that is real and is not necessarily true in the ordinary sense of the word. This substance of the fairy tale prepares him to find his way into the occult world.

In the fairy tale, there is something left to us humans that is like a grandchild of the clairvoyant experience of ancient human beings. It is within a form that is so lawful that no one who allows it to pour into his soul demands that its details accord with external reality. In fairy tale phantasy the poor boy, who has only a clever cat, has really also a palace obtruding directly into external reality. For every age, therefore, fairy tales can be a wonderful, spiritual nourishment. When we tell a child the right fairy tale, we enliven the child's soul so that it is led toward reality without always remaining glued to concepts true to everyday logic; such a relationship to reality dries up the soul and leaves it desolate. On the other hand, the soul can stay fresh and lively and able to penetrate the whole organism if, perceiving in the lawful figures of a fairy tale what is real in the highest sense of the word, it is lifted up far above the ordinary world. Stronger in life, comprehending life more vigorously, will be the person who in childhood has had fairy tales working their way into his soul.

For Capesius, fairy tales stimulate imaginative knowledge. What works and weaves from them into his soul is not their content, not their plot, but rather how they take their course, how one motif moves into the next. A motif may induce certain powers of soul to strive upward, a second motif persuades other powers to venture downward, still others will induce the soul forces to mingle and intertwine upward and downward. It is through this that Capesius' soul comes into active movement; out of his soul will then emerge what enables him finally to see into the spiritual world. For many people, a fairy tale can be more stimulating than anything else. We will find in those that originated in earlier times motifs that show elements of ancient clairvoyance. The first tales did not begin by someone thinking them out; only the theories of modern professors of folklore explaining fairy tales begin like that. Fairy tales are never thought out; they are the final remains of ancient clairvoyance, experienced in dreams by human beings who still had that power. What was seen in a dream was told as a story—for instance, “Puss in Boots,” one version of which I have just related. All the fairy tales in existence are thus the last remnants of that original clairvoyance. For this reason, a genuine fairy tale can be created only when—consciously or unconsciously—an imagination is present in the soul of the teller, an imagination that projects itself into the soul. Otherwise, it is not a true fairy tale. Any sort of thought-out tale can never be genuine. Here and there today, when a real fairy tale is created, it arises only because an ardent longing has awakened in the writer toward those ancient times mankind lived through so long ago. The longing exists, although sometimes it creeps into such secret soul crevices that the writer fails to recognize in what he can create consciously how much is rising out of these hidden soul depths, and also how much is disfigured by what he creates out of his modern consciousness.

Here I should like to point out the following. Nothing put into poetic form can actually ever be grounded in truth unless it turns essentially to such a longing—a longing that has to be satisfied and that longs for the ancient clairvoyant penetration into the world, or unless it can use a new, genuine clairvoyance that does not need to reveal itself completely but can flash up in the hidden depths of the soul, casting only a many-hued shadow. This relationship still exists. How many people today still feel the necessity of rhyme? Where there is rhyme, how many people feel how necessary it is? Today there is that dreadful method of reciting poetry that suppresses the rhyme as far as possible and emphasizes the meaning, that is, whatever accords with external reality. But this element of poetry—rhyme—belongs to the stage of the development of language that existed at the time when the aftereffects of the ancient clairvoyance still prevailed.

Indeed, the end-rhyme belongs to the peculiar condition of soul expressing itself since man entered upon his modern development through the culture of the intellectual or feeling soul (Verstandes- oder Gemütsseele). Actually, the time in which the intellectual or feeling soul arose in men in the fourth post-Atlantean cultural epoch (747 B.C. to 1413 A.D.) is just the time when in poetry the memory dawned of earlier times that reach back into the ancient imaginative world. This dawning memory found its expression in the regular formation of the end- rhyme for what was lighting up in the intellectual or feeling soul; it was cultivated primarily by what developed in the fourth post-Atlantean epoch.

On the other hand, wherever the culture of the fourth epoch had penetrated, there was an incomparable refreshment through the effects of Christianity and the Mystery of Golgotha. It was this that poured into the European sentient soul. In the northern reaches of Europe, the culture of the sentient soul had remained in a backward state, waiting for a higher stage, the intellectual soul culture that advanced from the Mediterranean and Southern Europe. This took place over the whole period of the fourth epoch and beyond, in order that what had developed in Central and Southern Europe, and in the Near East, could enter into the ancient sentient soul culture of Central Europe. There it could absorb the strength of will, the energy of will that comes to expression chiefly in the sentient soul culture. Thus, we see the end-rhyme regularly at home in the poetry of the South, and for the culture of the will that has already taken up Christianity, the other kind of rhyme—alliteration—as the appropriate mode of expression. In the alliterations of Northern and Central Europe we can feel the rolling, circling will pouring into the culture of the fourth epoch at its height, the culture of the intellectual or feeling soul.

It is astonishing that poets who want to bring to life, out of primeval soul forces in themselves, the memory of some primeval force in a particular sphere sometimes point back to the past in a quite haphazard fashion. This is the case with Wilhelm Jordan.³ In his Nibelungen he wished to renew the ancient alliterations, and he achieved a remarkable effect as he wandered about like a bard, trying to resurrect the old mode of expression. People did not quite know what to make of it, because nowadays, in this intellectual time of ours, they think of speech as an expression only of meaning. People listen for the content of speech, not the effect that the sentient soul wants to obtain with alliteration, or that the intellectual soul wants to achieve with the end-rhyme. The consciousness soul really can no longer use any kind of rhyme; a poet today must find other devices.

Fräulein von Sivers [Marie Steiner] will now let us hear a short example of alliteration that will characterize how the artist, Wilhelm Jordan, wished to bring about the renewal of ancient modes.

Und es nahten die Nomen, von niemand gesehen,
Zu geräuschlosem Reigen und machten die Runde
Um diese Verlobten. Ein leiser Lufthauch,
Das war die Meinung der Minneberauschten,
Winde sich murmelnd herein zum Kamine;
Doch hinunter zur Nachtwelt, zu Nibelheims Tiefen,
Und hinauf zu den Wolken zu Walhalls Bewohnern
Erklang nun für andere als irdische Ohren
Vernehmlich wie Seesturm der Nomen Gesang:

Dein eigen ist alles,
Dein Heil wie dein Unheil,
Dein Wollen und Wähnen,
Dein Sinnen und Sein.
Wohl kommen, gekettet
In ewige Ordnung
Die Larven des Lebens,
Die Scharen des Scheins.
Sie ziehen die Zirkel,
Sie zeigen die Ziele,
Sie impfen den Abscheu,
Sie wecken den Wunsch;
Doch dein ist das Dünken,
Und wie du geworden,
So wirst du dich wenden,
Wir wissen die Wahl.

Rough English Translation

And the Norns then came nearer but no one could see them;
In soft silent steps they circled and swayed
Around the Betrothed—who, burning with love,
Thought a breath of sweet air was blowing about them;
While down to the night-world, in Nibelheim's nethermost,
And high in the heav'ns to the hosts of Valhalla
The Norns sang their song, for other than earth-ears
As clear as the clamorous raging of sea storms:

All is thine own:
Thy healing or hating,
Desires or delusions,
Thy thought and thy life.
Chained will come, cheerless,
In order eternal,
The hosts of the hidden,
The Larva of Life.
They mark out their measures,
They forecast fulfillment,
They implant raging passion,
Awaken the will.
Yet thine is the thinking,
The fashioning, forming,
The testing and turning:
We challenge thy choice.

Wilhelm Jordan really did bring the alliteration to life when he recited his poetry, but it is something that a modern person no longer can relate to completely. In order to agree sympathetically with what Jordan proposed as a kind of platform for his intentions,⁴ one has to experience those ancient times imaginatively in those of the present. It is much like bringing to mind all the happenings of these last few days in our auditorium in the Architektenhaus during the Annual Meeting,⁵ and perceiving them shrouded in astral currents that make visible what was spoken there. Then one can also discover that what in these days repeatedly played into our efforts for knowledge and understanding is the pictorial expression of a Jordan idea; that is, one could rightly understand what he set up as a kind of program to revive a mood that had held sway in the old Germanic world:

... der Sprache Springquell ...
Bedarf nur der Leitung, um lauter und lieblich
Mit rauschendem Redestrom bis zum Rande
Der Vorzeit Gefäße wieder zu füllen
Und new zu verjüngen nach tausend Jahren
Die wundergewaltige uralte Weise
Der deutschen Dichtkunst.

(The source of speech requires only guidance to fill again to the brim the ancient vessels with rushing streams of verse, sonorous and beautiful; and after a thousand years to bring anew to life the wonder and the power of the ancient German art of poetry.)

But to attain this goal, an ear is needed that can perceive the sounds of speech. This belongs intrinsically to the imaginations of the ancient clairvoyant epoch, for it was then that the feeling for sounds originated. But what is a speech sound? It is itself an imagination, an imaginative idea.

As long as you say Licht (light) and Luft (air) and can think only of the brightness of the one and the wafting movement of the other, you have not yet an imagination. But the words themselves are imaginations. As soon as you can feel their imaginative power, you will perceive in a word like Licht, with the vowel sound “ee” predominating, a radiant, unbounded brightness; in Luft, with its vowel sound “oo,” a wholeness, an abundance. Because a ray of light is a thin fullness and the air an abundant fullness, the alliterating “I” expresses the family relationship of fullness. It is not unimportant whether you put together words that alliterate, such as Licht and Luft, or do not alliterate; it is not unimportant whether you string together the names of brothers or whether you put them together in such a way that the hearer or reader feels that cosmic will has brought them together, as in Gunther, Gemot, Giselher. Such an ancient imagination the sentient soul could perceive in the alliteration.

In the end-rhyme the intellectual soul could recognize itself as part of the ancient imagination. When language is made alive, its effects can be felt in the soul even into our dreams, where it can secrete certain imaginations for a person to become aware of in dream. These imaginations appear also to clairvoyance, correctly characterizing, for instance, the four elements. It does not always hold good, but if someone truly feels what, for example, Licht and Luft are, and lets this enter into a dream, there often blossoms out of the dream-fantasy something that can lead to a characterization of those elements, light and air. Human beings will not become aware of the secrets of language until it is led back to its origin, led back, in fact, to imaginative perception. Language actually originated in the time when man was not yet a “poor boy” but also when man had not yet a clever cat. In a way, he still lived attached to the Giant, imagination, and out of the Giant's limbs he was aware of the audible imagination imbuing each sound. When a tone is laid hold of by the imagination, then the sound originates, the actual sound of speech.

These are the things I wanted to bring to you today, in a rather unpretentious and disconnected way, in order to show how we must bring to life again what mankind once lost but that has been rescued for our time. Just as Capesius wins his way to it, we must win it back, so that human beings can grow rightly into the era just ahead of us and find their way into higher worlds, thus truly to participate in them.

• 1. Rudolf Steiner, The Wisdom of Man, of the Soul, and of the Spirit, Anthroposophic Press, Inc., Spring Valley, NY, 1971.
• 2. Rudolf Steiner, Inner Realities of Evolution, Rudolf Steiner Press, London, 1953.
• 3. Wilhelm Jordan (1819-1904), Nibelungen, Canto One, Sigfridsage.
• 4. In the 1925 German edition of this lecture there is the following footnote: “Translated into the language of spiritual science, one could say that Jordan wished instinctively to revive for the consciousness soul as poetry what the sentient soul had earlier developed quite naturally.”
• 5. December 10, 1911. Discussions took place on December 12, 14, 15.

Wherever we, as human beings, have striven for knowledge, whether as mystics or realists or in any way at all, the acquisition of self-knowledge has been demanded of us. But as has been repeatedly emphasised on other occasions, self-knowledge is by no means as easy to achieve as many people believe—anthroposophists sometimes among them. The anthroposophist should be constantly aware of the hindrances he will encounter in his efforts. But the acquisition of self-knowledge is absolutely essential if we are to reach a worthy goal in world-existence and if our actions are to be worthy of us as members of humanity.

Let us ask ourselves the question: Why is the achievement of self-knowledge so difficult? Man is a very complicated being. If we mean to speak truly of his inner life, his life of soul, we shall not begin by regarding it as something simple and elementary. We shall rather have the patience and perseverance, the will, to penetrate more deeply into the marvellous creation of the Divine-Spiritual Powers known to us as Man.

Before we investigate the nature of self-knowledge, two aspects of the life of the human soul may present themselves to us. Just as the magnet has North and South poles, just as light and darkness are present in the world, so there are two poles in man's life of soul. These two poles become evident when we observe a person placed in two contrasting situations. Suppose we are watching someone who is entirely absorbed in the contemplation of some strikingly beautiful and impressive natural phenomenon. We see how still he is standing, moving neither hand nor foot, never turning his eyes away from the spectacle presented to him, and we are aware that inwardly he is picturing his environment. That is one situation. Another is the following: a man is walking along the street and feels that someone has insulted him. Without thinking, he is roused to anger and gives vent to it by striking the person who insulted him. We are there witnessing a manifestation of forces springing from anger, a manifestation of impulses of will, and it is easy to imagine that if the action had been preceded by thought no blow need have been struck. We have now pictured two contrasting situations: in the one there is only ideation, a process in the life of thought from which all conscious will is absent; in the other there is no thought, no ideation, and immediate expression is given to an impulse of will. Here we have examples of the two extremes of human behaviour. The first pole is complete surrender to contemplation, to thought, in which the will has no part; the second pole is the impelling force of will without thought. These facts are revealed simply by observation of external life.

We can go into these things more deeply and we come then into spheres in which we can find our bearings only by summoning the findings of occult investigation to our aid. Here another polarity confronts us—that of sleeping and waking. From the elementary concepts of Anthroposophy we know that in waking life the four members of a man's being—physical body, etheric body, astral body and ego—are organically and actively interwoven, but that in sleep the physical and etheric bodies remain in bed, while the astral body and ego are outpoured into the great world bordering on physical existence. These facts could also be approached from a different point of view. We might ask: what is there to be said about ideation, contemplation, thinking—and about the will and its impulses on the one hand during waking life and during sleep on the other?

When we penetrate more deeply into this question it becomes evident that in his present physical existence man is, in a certain sense, always asleep, Only there is a difference between sleep during the night and sleep during the day. Of this we can be convinced in a purely external way, for we know that we can wake in the occult sense during the day, that is to say, one can become clairvoyant and see into the spiritual world. The physical body in its ordinary state is asleep to what is then and there happening and we can rightly speak of an awakening of our spiritual senses. In the night, of course, we are asleep in the normal way. It can therefore be said: ordinary sleep is sleep as regards the outer physical world; daytime consciousness at the present time is sleep as regards the spiritual world.

These facts can be considered in yet another light. On deeper scrutiny we realise that in the ordinary waking condition of physical life, man has, as a rule, very little power or control over his will and its impulses. The will is very detached from daily life. Only consider how little of all you do from morning to evening is really the outcome of your own thinking, of your personal resolutions. When someone knocks at the door and you say “Come in!”, that cannot be called a decision of your own thinking and will. If you are hungry and seat yourself at a table, that cannot be called a decision made by the will, because it is occasioned by your circumstances, by the needs of your organism. Try to picture your daily life and you will find how little the will is directly influenced from the centre of your being. Why is this the case? Occultism shows us that in respect of his will man actually sleeps by day, that is to say he is not in the real sense present in his will-impulses at all. We may evolve better and better concepts and ideas; or we may become more highly moral, more cultured individuals, but we can do nothing as regards the will. By cultivating better thoughts we can work indirectly upon the will but as far as life is concerned we can do nothing directly to it, for in the waking life of day, our will is influenced only in an indirect way, namely through sleep. When we are asleep we do not think; ideation passes over into a state of sleep. The will, however, awakes, permeates our organism from outside, and invigorates it. We feel strengthened in the morning because what has penetrated into our organism is of the nature of will. That we are not aware of this activity of the will becomes comprehensible when we remember that all conceptual activity ceases when we ourselves are asleep. To begin with, therefore, this stimulus shall be given for further contemplation, further meditation. The more progress you make in self-knowledge, the more you will find confirmation of the truth of the words that man sleeps in respect of his will when he is awake and sleeps in respect of his conceptual life when he is asleep. The life of will sleeps by day; the life of thought sleeps by night.

Man is unaware that the will does not sleep during the night because he only knows how to be awake in his life of thought. The will does not sleep during the night but it then works as it were in a fiery element, works upon his body in order to restore what has been used up by day.

Thus there are two poles in man, the life of observation and ideation, and the impulses of will; and man is related in entirely opposite ways to these two poles. The whole life of soul moves in various nuances between these two poles, and we shall come nearer to understanding it by bringing this microcosmic life of soul into relation with the higher worlds.

From what has been said we have learnt that the life of thought and ideation is one of the poles of man's life of soul. This life of thought is something which seems unreal to materialistically minded people. Do we not often hear it said: “Oh, ideas and thoughts are only ideas and thoughts!” This is intended to imply that if someone has [a piece] of bread or meat in his hand it is a reality because it can be eaten, but a thought is only a thought, it is not a reality. Why is this said? It is because what man calls his thoughts are related to what thoughts really are as a shadow-image is to the actual thing. The shadow-image of a flower points you to the flower itself, to the reality. So it is with thoughts. Human thinking is the shadowing forth of ideas and beings belonging to a higher world, the world we call the Astral plane. And you represent thinking rightly to yourself when you picture the human head thus—it is not absolutely correct but simply diagrammatic. In the head are thoughts but these thoughts must be pictured as living beings on the Astral plane. Beings of the most varied kinds are at work there in the form of teeming concepts and activities which cast their shadow-images into men, and these processes are reflected in the human head as thinking.

As well as the life of thought in the human soul, there is also the life of feeling. Feelings fall into two categories: those of pleasure and sympathy and those of displeasure and antipathy. The former are aroused by good deeds, benevolent deeds; antipathy is aroused by evil, malevolent deeds. Here there is something more than and different from, the mere forming of concepts. We form concepts of things irrespectively of any other factor. But our soul experiences sympathy or antipathy only in respect of what is beautiful and good, or what is ugly and evil. Just as everything that takes place in man in the form of thoughts points to the Astral plane, so everything connected with sympathy or antipathy points to the realm we call Lower Devachan. Processes in the Heavenly World, or Devachan, are projected, mainly into our breast, as feelings of sympathy or antipathy for what is beautiful or ugly, for what is good or evil. So that in our feelings for the moral-aesthetic element, we bear within our souls shadow-reflections of the Heavenly World or Lower Devachan.

There is still a third province in the life of the human soul which must be strictly distinguished from the mere preference for good deeds. There is a difference between standing by and taking pleasure in witnessing some kindly deed and setting the will in action and actually performing some such deed. I will call pleasure in good deeds or displeasure in evil deeds the aesthetic element as against the moral element that impels a man to perform some good deed. The moral element is at a higher level than the purely aesthetic; mere pleasure or displeasure is at a lower level than the will to do something good or bad. In so far as our soul feels constrained to give expression to moral impulses, these impulses are the shadow-images of Higher Devachan, of the Higher Heavenly World.

It is easy to picture these three stages of activity of the human soul—the purely intellectual (thoughts, concepts), the aesthetic (pleasure or displeasure), and the moral (revealed in impulses to good or bad deeds)—as microcosmic images of the three realms which in the Macrocosm, the great Universe, lie one above the other. The Astral world is reflected in the world of thought; the Devachanic world is reflected in the aesthetic sphere of pleasure and displeasure; and the Higher Devachanic world is reflected as morality.

 Thoughts: Shadow-images of Beings of the Astral Plane (Waking) Sympathy and Antipathy: Shadow-images of Beings of Lower Devachan (Dreaming) Moral Impulses: Shadow-images of Beings of Higher Devachan (Sleeping) 

If we connect this with what was said previously concerning the two poles of the soul-life, we shall take the pole of intellect to be that which dominates the waking life, the life in which man is mentally awake. During the day he is awake in respect of his intellect; during sleep he is awake in respect of his will. It is because at night he is asleep in respect of intellect that he is unaware of what he is happening with his will. The truth is that what we call moral principles, moral impulses, are working indirectly into the will. And in point of fact man needs the life of sleep in order that the moral impulses he takes into himself through the life of thought can become active and effective. In his ordinary life today man is capable of accomplishing what is right only on the plane of intellect; he is less able to accomplish anything on the moral plane for there he is dependent upon help coming from the Macrocosm.

What is already within us can bring about the further development of intellectuality, but the Gods must come to our aid if we are to acquire greater moral strength. We go to sleep in order that we may plunge into the Divine Will where the intellect does not intervene and where Divine Forces transform into the power of will the moral principles we accept, where they instill into our will that which we could otherwise receive only into our thoughts.

Between these two poles, that of the will which wakes by night and of the intellect which is awake by day, lies the sphere of aesthetic appreciation which is continuously present in man. During the day man is not fully awake—at least only the most prosaic, pedantic individuals are always fully awake in waking life. We must always be able to dream a little even by day when we are awake; we must be able to give ourselves up to the enjoyment of art, of poetry, or of some other activity that is not concerned wholly with crass reality. Those who can give themselves up in this way form a connection with something that can enliven and invigorate the whole of existence. To give oneself up to such imaginings is like a dream making its way into waking life. Into the life of sleep you know well that dreams enter; these dreams in the usual sense, dreams which permeate sleep-consciousness. Human beings need also to dream by day if they do not wish to lead an arid, empty, unhealthy waking life. Dreaming takes place during sleep at night in any case and no proof of this is required. Midway between the two poles of night dreaming and day dreaming is the condition that can come to expression in fantasy.

So here again there is a threefold life of soul. The intellectual element in which we are really awake brings us shadow-images of the Astral Plane when by day we give ourselves up to a thought—wherein the most fruitful ideas for daily life and great inventions originate. Then during sleep, when we dream, these dreams play into our life of sleep and shadow-images from Lower Devachan are reflected into us. And when we work actively during sleep, impressing morality into our will—we cannot be aware of this actual process but certainly we can of its effects—when we are able to imbue our life of thoughts during the night with the influence of Divine Spiritual Powers, then the impulses we receive are reflections from Higher Devachan, the Higher Heavenly World. These reflections are the moral impulses and feelings which are active within us and lead to the recognition that human life is vindicated only when we place our thoughts at the service of the good and the beautiful, when we allow the very heart's blood of Divine Spiritual life to stream through our intellectual activities, permeating them with moral impulses.

The life of the human soul as presented here, first from external, exoteric observation and then from observation of a more mystical character is revealed by deeper (occult) investigation. The processes that have been described in their more external aspect can also be perceived in man through clairvoyance. When a man stands in front of us today in his waking state and we observe him with the eye of clairvoyance, certain rays of light are seen streaming continually from the heart towards the head. Within the head these rays play around the organ known in anatomy as the pineal gland. These streamings arise because human blood, which is a physical substance, is perpetually resolving itself into etheric substance. In the region of the heart there is a continual transformation of the blood into this delicate etheric substance which streams upwards towards the head and glimmers around the pineal gland. This process—the etherisation of the blood—can be perceived in the human being all the time during his waking life.

The occult observer is able to see a continual streaming from outside into the brain, and also in the reverse direction, from the brain to the heart. Now these streams, which in sleeping man come from outside, from cosmic space, from the Macrocosm, and flow into the inner constitution of the physical body and etheric bodies lying in the bed, reveal something remarkable when they are investigated. These rays vary greatly in different individuals. Sleeping human beings differ very drastically from one another, and if those who are a little vain only knew how badly they betray themselves to occult observation when they go to sleep during public gatherings, they would try their level best not to let this happen!

Moral qualities are revealed distinctly in the particular colouring of the streams which flow into human beings during sleep; in an individual of lower moral principles, the streams are quite different from what is observable in an individual of noble principles. Endeavours to dissemble are useless. In the face of the higher Cosmic Powers, no dissembling is possible. In the case of a man who has only a slight inclination towards moral principles the rays streaming into him are a brownish red in colour—various shades tending toward brownish red. In a man of high moral ideals the rays are lilac-violet in colour. At the moment of waking or of going off to sleep a kind of struggle takes place in the region of the pineal gland between what streams down from above and what streams upward from below. When a man is awake the intellectual element streams upwards from below in the form of currents of light, and what is of moral-aesthetic nature streams downwards from above. At the moment of waking or of going off to sleep, these two currents meet, and in the man of low morality a violent struggle between the two streams takes place in the region of the pineal gland. In the man of high morality there is around the pineal gland as it were a little sea of light. Moral nobility is revealed when a calm glow surrounds the pineal gland at these moments. In this way a man's moral disposition is reflected in him, and this calm glow of light often extends as far as the heart. Two streams can therefore be perceived in man—the one Macrocosmic, the other, Microcosmic.

To estimate the significance of how these two streams meet in man is possible only by considering on the one hand what was said previously in a more external way about the life of the soul and how this life reveals the threefold polarity of the intellectual, the aesthetic and the moral elements that stream downwards from above, from the brain toward the heart; and if, on the other hand, we grasp the significance of what was said about turning our attention to the corresponding phenomenon in the Macrocosm. This corresponding phenomenon can be described today as the result of the most scrupulously careful occult investigation of recent years, undertaken by individuals among genuine Rosicrucians. These investigations have shown that something similar to what has been described in connection with the Microcosm also takes place in the Macrocosm. You will understand this more fully as time goes on.

Just as in the region of the human heart the blood is continually being transformed into etheric substance, a similar process takes place in the Macrocosm. We understand this when we turn our minds to the Mystery of Golgotha—to the moment when the blood flowed from the wounds of Jesus Christ.

This blood must not be regarded simply as chemical substance, but by reason of all that has been said concerning the nature of Jesus of Nazareth it must be recognised as something altogether unique. When it flowed from His wounds, a substance was imparted to our Earth, which in uniting with it, constituted an Event of the greatest possible significance for all future ages of the Earth's evolution—and it could take place only once. What came of this blood in the ages that followed? Nothing different from what otherwise takes place in the heart of man. In the course of Earth evolution this blood passes through a process of “etherisation.” And just as our human blood streams upwards from the heart as ether, so since the Mystery of Golgotha the etherised blood of Christ Jesus has been present in the ether of the earth. The etheric body of the Earth is permeated by the blood—now transformed—which flowed on Golgotha. This is supremely important. If what has thus come to pass through Christ Jesus had not taken place, man's condition on the Earth could only have been as previously described. But since the Mystery of Golgotha it has always been possible for the etheric blood of Christ to flow together with the streamings from below upward, from heart to head.

Because the etherised blood of Jesus of Nazareth is present in the etheric body of the Earth, it accompanies the etherised human blood streaming upwards from the heart to the brain, so that not only those streams of which I spoke earlier meet in man, but the human blood-stream unites with the blood-stream of Christ Jesus. A union of these two streams can, however, come about only if a person is able to unfold true understanding of what is contained in the Christ Impulse. Otherwise there can be no union; the two streams then mutually repel each other, thrust each other away. In every epoch of Earth evolution understanding must be acquired in the form suitable for that epoch. At the time when Christ Jesus lived on Earth, preceding events were rightly understood by those who came to His forerunner, John, and were baptised by him according to the rite described in the Gospels. They received baptism in order that their sin, that is to say, the karma of their previous lives—karma which had come to an end—might be changed; and in order that they might realise that the most powerful Impulse in Earth evolution was about to descend into a physical body. But the evolution of humanity progresses and in our present age what matters is that people should recognise the need for the knowledge contained in Spiritual Science and be able so to fire the streams flowing from heart to brain that this knowledge can be understood.

If this comes to pass, individuals will be able to receive and comprehend the event that has its beginning in the Twentieth Century: this event is the appearance of the Christ as an Etheric Being in contradistinction to the Physical Christ of Palestine. For we have now reached the point of time when the Etheric Christ enters into the life of the Earth and will become visible—at first to a small number of individuals through a form of natural clairvoyance. Then in the course of the next three thousand years, He will become visible to greater and greater numbers of people. This will inevitably come to pass in the natural course of development. That it will come to pass is as true as were the achievements of electricity in the nineteenth century. A number of individuals will see the Etheric Christ and will themselves experience the event that took place at Damascus. But this will depend upon such men learning to be alert to the moment when Christ draws near to them. In only a few decades from now it will happen, particularly to those who are young—already preparation is being made for this—that some individual here or there has certain experiences. If he has sharpened his vision through having assimilated Anthroposophy, he may become aware that suddenly someone has come near to help him, to make him alert to this or that. The truth is that Christ has come to him, although he believes that what he saw is a physical man. He will come to realise that what he saw was a super-sensible being, because it immediately vanishes. Many a human being will have this experience when sitting silent in his room, heavy-hearted and oppressed, not knowing which way to turn. The door will open, and the etheric Christ will appear and speak words of consolation to him. The Christ will become a living Comforter to men. However strange it may as yet seem, it is true nevertheless that many a time when people—even in considerable numbers—are sitting together, not knowing what to do, and waiting, they will see the Etheric Christ. He will Himself be there, will confer with them, will make His voice heard in such gatherings. These times are approaching, and the positive, constructive element now described will take real effect in the evolution of mankind.

No word shall be said here against the great advances made by culture in our day; these achievements are essential for the welfare and the freedom of men. But whatever can be gained in the way of outer progress in mastering the forces of nature, is something small and insignificant compared with the blessing bestowed upon the individual who experiences the awakening soul through Christ, the Christ who will now be operative in human culture and its concerns. Men will thereby acquire forces that make for unification. In very truth Christ brings constructive forces into human culture and civilisation.

If we look into early post-Atlantean times, we would find that men built their dwelling places by methods very different from those used in modern life. In those days they made use of all kinds of growing things. Even when building palaces they summoned nature to their aid by utilizing plants interlaced with branches of trees and so on, whereas today men must build with broken fragments. All the culture of the external world is contrived with the aid of products of fragmentation. And in the course of the coming years you will realise even more clearly how much in our civilised life is the outcome of destruction.

Light itself is being destroyed in this post-Atlantean age of the Earth's existence, which until the time of Atlantis was a progressive process. Since then it has been a process of decay.* What is light? Light decays and the decaying light is electricity. What we know as electricity is light that is being destroyed in matter. And the chemical force that undergoes a transformation in the process of Earth evolution is magnetism. Yet a third force will become active and if electricity seems to work wonders today, this third force will affect civilisation in a still more miraculous way. The more of this force we employ, the faster the earth will tend to become a corpse and its spiritual part prepare for the Jupiter embodiment. Forces have to be applied for the purpose of destruction, in order that man may become free of the Earth and that the Earth's body may fall away. As long as the earth was involved in progressive evolution, no such destruction took place, for the great achievements of electricity can only serve a decaying Earth. Strange as this sounds, it must gradually become known. By understanding the process of evolution we shall learn to assess our culture at its true value. We shall also learn that it is necessary for the Earth to be destroyed, for otherwise the spiritual could not become free. We shall also learn to value what is positive, namely the penetration of spiritual forces into our existence on Earth.

* See also the section at the end of the text, containing answers given by Dr. Steiner to questions.

Thus we realise what a tremendous advance was signified by the fact that Christ lived for three years on the Earth in a human body specially prepared in order that He might be visible to physical eyes. Through what came to pass during those three years men have been made ready to behold the Christ who will move among them in an etheric body, who will participate in earthly life as truly and effectively as did the Physical Christ in Palestine. If men observe such happenings with undimmed senses they will know that there is an etheric body that will move about in the physical world, but is the only etheric body able to work in the physical world as a human physical body works. It will differ from a physical body in this respect only, that it can be in two, three, nay even in a hundred, a thousand places at the same time. This is possible only for an etheric, not for a physical form. What will be accomplished in humanity through this further advance is that the two poles of which I have spoken, the intellectual and the moral, will more and more become one; they will merge into unity. This will come about because in the course of the next millennia men will become aware of the presence of the Etheric Christ in the world; more and more they will be influenced in waking life too by the direct working of the Good from the spiritual world. Whereas at the present time, the will is asleep by day, and man is only able to influence it indirectly through thought, in the course of the next millennia, through the power which from our time onwards is working in us under the aegis of Christ, it will come about that the deeds of men in waking consciousness too can be directly productive of Good.

The dream of Socrates, that virtue can be taught, will come true; more and more it will be possible on Earth not only for the intellect to be stimulated and energized by this teaching but for moral impulses to be spread abroad. Schopenhauer said, “To preach morality is easy; to establish it is very difficult.” Why is this? Because no morality has yet been spread by preaching. It is quite possible to recognise moral principles and yet not abide by them. For most people the Pauline saying holds good, that the spirit is willing but the flesh is weak. This will change, because the moral fire streaming from the figure of Christ will intensify recognition of the need for moral impulses. Man will transform the earth by feeling with ever-increasing strength that morality is an essential part of it. In the future, to be immoral will be possible only for individuals who are goaded in this direction, who are possessed by evil demons, by Ahrimanic, Asuric Powers and more-over aspire to be so.

In time to come there will be on Earth a sufficient number of individuals who teach morality and at the same time sustain its principles; but there will also be those who by their own free decision surrender themselves to the evil Powers and thus enable an excess of evil to be pitted against a good humanity. Nobody will be forced to do this; it will lie in the free will of each individual.

Then will come the epoch when the Earth passes into conditions of which, as in so much else, Oriental Occultism and Mysticism alone give some idea. The moral atmosphere will by then have gathered strength. For many thousands of years Oriental Mysticism has spoken of this epoch, and since the coming of Gautama Buddha it has spoken with special emphasis about that future condition when the earth will be bathed in a “moral-ether-atmosphere.” Ever since the time of the ancient Rishis it was the great hope of Oriental Mysticism that this moral impulse would come to the Earth from Vishva-Karman or, as Zarathustra proclaimed, from Ahura Mazdao. Thus Oriental Mysticism foresaw that this moral impulse, this moral atmosphere, would come to the Earth from the Being we call the Christ. And it was upon Him, upon Christ, that the hopes of Oriental Mysticism were set.

Oriental Mysticism was able to picture the consequences of that event but not the actual form it would take. The mind could picture that within a period of 5,000 years after the great Buddha achieved Enlightenment, pure Akashic forms, bathed in fire, lit by the sun, would appear in the wake of One beyond the ken of Oriental Mysticism. A wonderful picture in very truth: that something would happen to make it possible for the Sons of Fire and of Light to move about the Earth, not in physically embodiment but as pure Akashic forms within the Earth's moral atmosphere. But then, so it was said, in 5,000 years after Gautama Buddha's Enlightenment, the Teacher will also be there to make known to men what the nature of these wonderful forms of pure Fire and Light are. This teacher—the Maitreya Buddha—will appear 3,000 years after our present era and will speak of the Christ Impulse.

Thus Oriental Mysticism unites with the Christian knowledge of the West to form a wonderfully beautiful unity. It is also disclosed that he who will appear three thousand years after our era as the Maitreya Buddha will have incarnated again and again on the Earth as a Bodhisattva, as the successor of Gautama Buddha. One of his incarnations was that of Jeshu ben Pandira, who lived a hundred years before the Christian era. The being who incarnated in Jeshu ben Pandira is he who will one day become the Maitreya Buddha, and who from century to century returns ever and again in a body of flesh, not yet as Buddha, but as Bodhisattva. Even now there proceeds from him who later on will be the Maitreya Buddha, the most significant teachings concerning the Christ Being and the Sons of Fire—the Agnishvattas—of Indian Mysticism.

The indications by which the Being who is to become the Maitreya Buddha can be recognised are common to all genuine Eastern mysticism and to Christian gnosis. The Maitreya Buddha who, in contrast to the Sons of Fire, will appear in a physical body as Bodhisattva, can be recognised by the fact that in the first instance his early development gives no intimation of the nature of the individuality within him. Only those possessed of understanding will recognise the presence of a Bodhisattva in such a human being between the ages of thirty and thirty-three, and not before. Something akin to a change of personality then takes place. The Maitreya Buddha will reveal his identity to humanity in the thirty-third year of his life. As Christ Jesus began His mission in His thirtieth year, so do the Bodhisattvas, who will continue to proclaim the Christ Impulse, reveal themselves—in the thirty-third year of their lives. And the Maitreya Buddha himself, as transformed Bodhisattva, speaking in powerful words of which no adequate idea can be given at the present time, will proclaim the great secrets of existence. He will speak in a language that has first to be created, for no human being to-day could formulate words such as those in which the Maitreya Buddha will address humanity. The reason why men cannot be addressed in this way at the present time is that the physical instrument for this form of speech does not yet exist. The teachings of the Enlightened One will not stream into men as teachings only, but will pour moral impulses into their souls. Words such as will then be spoken cannot yet be uttered by a physical larynx; in our time they can be present only in the spiritual worlds.

Anthroposophy is the preparation for everything that the future holds in store. Those who take the process of man's evolution seriously resolve not to allow the soul's development to come to a standstill but to ensure that this development will eventually enable the spiritual part of the Earth to become free, leaving the grosser part to fall away like a corpse—for men could frustrate the whole process. Those who desire evolution to succeed must acquire understanding of the life of the spirit through what we to-day call Anthroposophy. The cultivation of Anthroposophy thus becomes a duty; knowledge becomes something that we actually feel, something towards which we have responsibility. When we are inwardly aware of this responsibility and have this resolve, when the mysteries of the world arouse in us the wish to become Anthroposophists, then our feeling is true and right. But Anthroposophy must not be something that merely satisfies our curiosity; it must rather be something without which we cannot live. Only then are our feelings what they ought to be, only then do we live as building stones in that great work of construction which must be carried out in human souls and can embrace all mankind.

Anthroposophy is a revelation of world-happenings which will confront the men of the future, will confront our own souls whether still in the physical body or in the life between death and a new birth. The coming changes will affect us, no matter whether we are still living in the physical body or whether it has been laid aside. Understanding of these events must however be acquired during life in the physical body if they are to take effect after death. To those who acquire some understanding of the Christ while they are still living in the physical body, it will make no difference, when the moment comes for vision of the Christ, whether or not they have already passed through the gate of death. But if those who now reject any understanding of the Christ have already passed through the gate of death when this moment arrives, they must wait until their next incarnation, for such understanding cannot be acquired between death and rebirth. Once the foundation has been acquired, however, it endures, and then Christ becomes visible also during the period between death and the new birth.

And so Anthroposophy is not only something we learn for our physical life but is of essential value when we have laid aside the physical body at death.

This is what I wished to impart to you today as a help in answering many questions. Self-knowledge is difficult because man is such a complex being. The reason for this complexity is that he is connected with all the higher Worlds and Beings. We have within us shadow-images of the great Universe and all the members of our constitution—the physical, etheric, astral bodies and the ego—are worlds for Divine Beings. Our physical body, etheric body, astral body and ego form one world; the other is the higher World, the Heaven world. Divine-spiritual Worlds are the bodily members of the Beings of the higher spheres of cosmic existence.

Man is the complex being he is because he is a mirror-image of the spiritual world. Realisation of this should make him conscious of his intrinsic worth. But from the knowledge that although we are reflected images of the spiritual world we nevertheless fall far short of what we ought to be—from this knowledge we also acquire, as well as consciousness of our worth as human beings, the right attitude of modesty and humility towards the Macrocosm and its Gods.

Rudolf Steiner's Answers to Questions at the End of the Lecture

Translated by George Adams

Question: How are the words used by St. Paul, “to speak in tongues” (Cor. I: 12), to be understood?

Answer: In exceptional human beings it can happen that not only is the phenomenon of speaking present in the waking state, but that something otherwise present in sleep-consciousness only, flows into this speaking. This is the phenomenon to which St. Paul refers. Goethe refers to it in the same sense; he has written two very interesting treatises on the subject.

Question: How are Christ's words of consolation received and experienced?

Answer: Men will feel these words of consolation as though arising in their own hearts. The experience may also seem like physical hearing.

Question: What is the relation of chemical forces and substances to the spiritual world?

Answer: There are in the world a number of substances which can combine with or separate from each other. What we call chemical action is projected into the physical world from the world of Devachan—the realm of the Harmony of the Spheres. In the combination of two substances according to their atomic weights, we have a reflection of two tones of the Harmony of the Spheres. The chemical affinity between two substances in the physical world is like a reflection from the realm of the Harmony of the Spheres. The numerical ratios in chemistry are an expression of the numerical ratios of the Harmony of the Spheres, which has become dumb and silent owing to the densification of matter. If one were able to etherealise material substance and to perceive the atomic numbers the inner formative principle thereof, he would be hearing the Harmony of the Spheres.

We have the physical world, the astral world, the Lower Devachan and the Higher Devachan. If the body is thrust down lower even than the physical world, it comes into the sub-physical world, the lower astral world, the lower or evil Lower Devachan, and the lower or evil Higher Devachan. The evil astral world is the province of Lucifer, the evil Lower Devachan the province of Ahriman, and the evil Higher Devachan the province of the Asuras. When chemical action is driven down beneath the physical plane—into the evil Devachanic world—magnetism arises. When light is thrust down into the sub-material—that is to say, a stage deeper than the material world—electricity arises. If what lives in the Harmony of the Spheres is thrust down farther still, into the province of the Asuras, an even more terrible force—which it will not be possible to keep hidden very much longer—is generated. It can only be hoped that when this force comes to be known—a force we must conceive as being far, far stronger than the most violent electrical discharge—it can only be hoped that before some discoverer gives this force into the hands of humankind, men will no longer have anything un-moral left in them.

Question: What is electricity?

Answer: Electricity is light in the sub-material state. Light is there compressed to the utmost degree. An inward quality too must be ascribed to light; light is itself at every point in space. Warmth will expand in the three dimensions of space. In light there is a fourth; it is of fourfold extension—it has the quality of inwardness as a fourth dimension.

Question: What happens to the Earth's corpse?

Answer: As the residue of the Moon-evolution we have our present moon which circles around the Earth. Similarly there will be a residue of the Earth which will circle around Jupiter. Then these residues will gradually dissolve into the universal ether. On Venus there will no longer be any residue. Venus will manifest, to begin with, as pure Warmth, then it will become Light and then pass over into the spiritual world. The residue left behind by the Earth will be like a corpse. This is a path along which man must not accompany the Earth, for he would thereby be exposed to dreadful torments. But there are Beings who accompany this corpse, since they themselves will by that means develop to a higher stage.

Reflected as sub-physical world:

Astral World—the province of Lucifer
Lower Devachan—the province of Ahriman
Higher Devachan—the province of the Asuras

Translated by Gertrude Teutsch

The concepts concerning the super-sensible world and its relationship with the world of the senses have been discussed here in a long series of lectures. It is only natural that, again and again, the question should arise, “What is the origin of knowledge concerning the super-sensible world?” With this question or, in other words, with the question of the inner development of man, we wish to occupy ourselves today.

The phrase “inner development of man” here refers to the ascent of the human being to capacities which must be acquired if he wishes to make super-sensible insights his own. Now do not misunderstand the intent of this lecture. This lecture will by no means postulate rules or laws concerning general human morality, nor will it challenge the general religion of the age. I must stress this because when occultism is discussed the misunderstanding often arises that some sort of general demands or fundamental moral laws, valid without variation, are being established. This is not the case. This point requires particular clarification in our age of standardization, when differences between human beings are not at all acknowledged. Neither should today's lecture be mistaken for a lecture concerning the general fundamentals of the anthroposophic movement. Occultism is not the same as anthroposophy. The Anthroposophical Society is not alone in cultivating occultism, nor is this its only task. It could even be possible for a person to join the Anthroposophical Society and to avoid occultism altogether.

Among the inquiries which are pursued within the Anthroposophical Society, in addition to the field of general ethics, is also this field of occultism, which includes those laws of existence which are hidden from the usual sense observation in everyday human experience. By no means, however, are these laws unrelated to everyday experience. “Occult” means “hidden,” or “mysterious.” But it must be stressed over and over that occultism is a matter in which certain preconditions are truly necessary. Just as higher mathematics would be incomprehensible to the simple peasant who had never before encountered it, so is occultism incomprehensible to many people today. Occultism ceases to be “occult,” however, when one has mastered it. In this way, I have strictly defined the boundaries of today's lecture. Therefore, no one can object—this must be stressed in the light of the most manifold endeavors and of the experience of millennia—that the demands of occultism cannot be fulfilled, and that they contradict the general culture. No one is expected to fulfill these demands. But if someone requests that he be given convictions provided by occultism and yet refuses to occupy himself with it, he is like a schoolboy who wishes to create electricity in a glass rod, yet refuses to rub it. Without friction, it will not become charged. This is similar to the objection raised against the practice of occultism.

No one is exhorted to become an occultist; one must come to occultism of one's own volition. Whoever says that we do not need occultism will not need to occupy himself with it. At this time, occultism does not appeal to mankind in general. In fact, it is extremely difficult in the present culture to submit to those rules of conduct which will open the spiritual world.

Two prerequisites are totally lacking in our culture. One is isolation, what spiritual science calls “higher human solitude.” The other is overcoming the egotism which, though largely unconscious, has become a dominant characteristic of our time.

The absence of these two prerequisites renders the path of inner development simply unattainable. Isolation, or spiritual solitude, is very difficult to achieve because life conditions tend to distract and disperse, in brief to demand sense-involvement in the external. There has been no previous culture in which people have lived with such an involvement in the external. I beg you not to take what I am saying as criticism, but simply as an objective characterization.

Of course, he who speaks as I do knows that this situation cannot be different, and that it forms the basis for the greatest advantages and greatest achievements of our time. But this is the reason that our time is so devoid of super-sensible insight and that our culture is so devoid of super-sensible influence. In other cultures—and they do exist—the human being is in a position to cultivate the inner life more and to withdraw from the influences of external life. Such cultures offer a soil where inner life in the higher sense can thrive. In the Oriental culture there exists what is called Yoga. Those who live according to the rules of this teaching are called yogis. A yogi is one who strives for higher spiritual knowledge, but only after he has sought for himself a master of the super-sensible. No one is able to proceed without the guidance of a master, or guru. When the yogi has found such a guru, he must spend a considerable part of the day, regularly, not irregularly, living totally within his soul. All the forces that the yogi needs to develop are already within his soul. They exist there as truly as electricity exists in the glass rod before it is brought forth through friction. In order to call forth the forces of the soul, methods of spiritual science must be used which are the results of observations made over millennia. This is very difficult in our time, which demands a certain splintering of each individual struggling for existence. One cannot arrive at a total inward composure; one cannot even arrive at the concept of such composure. People are not sufficiently aware of the deep solitude the yogi must seek. One must repeat the same matter rhythmically with immense regularity, if only for a brief time each day, in total separation from all usual concerns. It is indispensable that all life usually surrounding the yogi cease to exist and that his senses become unreceptive to all impressions of the world around him. He must be able to make himself deaf and dumb to his surroundings during the time which he prescribes for himself. He must be able to concentrate to such a degree—and he must acquire practice in this concentration—that a cannon could be fired next to him without disturbing his attention to his inner life. He must also become free of all memory impressions, particularly those of everyday life.

Just think how exceedingly difficult it is to bring about these conditions in our culture, how even the concept of such isolation is lacking. This spiritual solitude must be reached in such a way that the harmony, the total equilibrium with the surrounding world, is never lost. But this harmony can be lost exceedingly easily during such deep immersion in one's inner life. Whoever goes more and more deeply inward must at the same time be able to establish harmony with the external world all the more clearly.

No hint of estrangement, of distancing from external practical life, may arise in him lest he stray from the right course. To a degree, then, it might be impossible to distinguish his higher life from insanity. It truly is a kind of insanity when the inner life loses its proper relationship to the outer. Just imagine, for example, that you were knowledgeable concerning our conditions on earth and that you had all the experience and wisdom which may be gathered here. You fall asleep in the evening, and in the morning you do not wake up on Earth but on Mars. The conditions on Mars are totally different from those on Earth; the knowledge that you have gathered on Earth is of no use to you whatsoever. There is no longer harmony between life within you and external life. You probably would find yourself in a Martian insane asylum within an hour. A similar situation might easily arise if the development of the internal life severs one's connection with the external world. One must take strict care that this does not happen. These are great difficulties in our culture.

Egotism in relation to inward soul properties is the first obstacle. Present humanity usually takes no account of this. This egotism is closely connected with the spiritual development of man. An important prerequisite for spiritual development is not to seek it out of egotism. Whoever is motivated by egotism cannot get very far. But egotism in our time reaches deep into the innermost soul. Again and again the objection is heard, “What use are all the teachings of occultism, if I cannot experience them myself?” Whoever starts from this presumption and cannot change has little chance of arriving at higher development. One aspect of higher development is a most intimate awareness of human community, so that it is immaterial whether it is I or someone else having the experience. Hence I must meet one who has a higher development than I with unlimited love and trust. First, I must acquire this consciousness, the consciousness of infinite trust toward my fellow man when he says that he has experienced one thing or the other. Such trust is a precondition for working together. Wherever occult capacities are strongly brought into play, there exists unlimited trust; there exists the awareness that a human being is a personality in which a higher individuality lives. The first basis, therefore, is trust and faith, because we do not seek the higher self only in ourselves but also in our fellow men. Everyone living around one exists in undivided unity in the inner kernel of one's being.

On the basis of my lower self I am separated from other humans. But as far as my higher self is concerned—and that alone can ascend to the spiritual world—I am no longer separated from my fellow men; I am united with my fellow men; the one speaking to me out of higher truths is actually my own self. I must get away completely from the notion of difference between him and me. I must overcome totally the feeling that he has an advantage over me. Try to live your way into this feeling until it penetrates the most intimate fiber of your soul and causes every vestige of egotism to disappear. Do this so that the one further along the path than you truly stands before you like your own self; then you have attained one of the prerequisites for awakening higher spiritual life.

In situations where one receives guidance for the occult life, sometimes quite erroneously and confusedly, one may often hear that the higher self lives in the human being, that he need only allow his inner man to speak and the highest truth will thereby become manifest. Nothing is more correct and, at the same time, less productive than this assertion. Just try to let your inner self speak, and you will see that, as a rule, no matter how much you fancy that your higher self is making an appearance, it is the lower self that speaks. The higher self is not found within us for the time being. We must seek it outside of ourselves. We can learn a good deal from the person who is further along than we are, since there the higher self is visible. One's higher self can gain nothing from one's own egotistic “I.” There where he now stands who is further along than I am, there will I stand sometime in the future. I am truly constituted to carry within myself the seed for what he already is. But the paths to Olympus must first be illuminated before one can follow them.

A feeling which may seem unbelievable is the fundamental condition for all occult development. It is mentioned in the various religions, and every practical occultist with experience will confirm it. The Christian religion describes it with the well-known sentence, , which an occultist must understand completely, “Except ye become as little children, ye shall not enter the kingdom of heaven.” This sentence can be understood only by he who has learned to revere in the highest sense. Suppose that in your earliest youth you had heard about a venerable person, an individual of whom you held the highest opinion, and now you are offered the opportunity to meet this person. A sense of awe prevails in you when the moment approaches that you will see this person for the first time. There, standing at the gateway of this personality, you might feel hesitant to touch the door handle and open it. When you look up in this way to such a venerable personality, then you have begun to grasp the feeling that Christianity intends by the statement that one should become like little children in order to enter the kingdom of heaven. Whether or not the subject of this veneration is truly worthy of it is not really important. What matters is the capacity to look up to something with a veneration that comes from the innermost heart.

This feeling of veneration is the elevating force, raising us to higher spheres of super-sensible life. Everyone seeking the higher life must write into his soul with golden letters this law of the occult world. Development must start from this basic soul-mood; without this feeling, nothing can be achieved. Next, a person seeking inner development must understand clearly that he is doing something of immense importance to the human being. What he seeks is no more nor less than a new birth, and that needs to be taken in a literal sense. The higher soul of man is to be born. Just as man in his first birth was born out of the deep inner foundations of existence, and as he emerged into the light of the sun, so does he who seeks inner development step forth from the physical light of the sun into a higher spiritual light. Something is being born in him which rests as deeply in most human beings as the unborn child rests in the mother.

Without being aware of the full significance of this fact, one cannot understand what occult development means. The higher soul, resting deep within human nature and interwoven with it, is brought forth. As man stands before us in everyday life, his higher and lower natures are intermingled, and that is fortunate for everyday life. Many persons among us would exhibit evil, negative qualities except that there lives along with the lower nature a higher one which exerts a balancing influence. This intermingling can be compared with mixing a yellow with a blue liquid in a glass. The result is a green liquid in which blue and yellow can no longer be distinguished. So also is the lower nature in man mingled with the higher, and the two cannot be distinguished. Just as you might extract the blue liquid from the green by a chemical process, so that only the yellow remains and the unified green is separated into a complete duality, so the lower and higher natures separate in occult development. One draws the lower nature out of the body like a sword from the scabbard, which then remains alone. The lower nature comes forth appearing almost gruesome. When it was still mingled with the higher nature, nothing was noticeable. But once separated, all evil, negative properties come into view. People who previously appeared benevolent often become argumentative and jealous. This characteristic had existed earlier in the lower nature, but was guided by the higher. You can observe this in many who have been guided along an abnormal path. A person may readily become a liar when he is introduced into the spiritual world, because the capacity to distinguish between the true and the false is lost especially easily. Therefore, strictest training of the personal character is a necessary parallel to occult training. What history tells us about the saints and their temptations is not legend but literal truth.

He who wants to develop towards the higher world on any path is readily prone to such temptations unless he can subdue everything that meets him with a powerful strength of character and the highest morality. Not only do lust and passions grow—that is not even the case so much—but opportunities also increase. This seems miraculous. As through a miracle, the person ascending into the higher worlds finds previously hidden opportunities for evil lurking around him. In every aspect of life a demon lies in wait for him, ready to lead him astray. He now sees what he has not seen before. As through a spell, the division within his own being charms forth such opportunities from the hidden areas of life. Therefore, a very determined shaping of the character is an indispensable foundation for the so-called white magic, the school of occult development which leads man into the higher worlds in a good, true, and genuine way. Every practical occultist will tell you that no one should dare to step through the narrow portal, as the entrance to occult development is called, without practicing these properties again and again. They build the necessary foundation for occult life.

First man must develop the ability to distinguish in every situation throughout his life what is unimportant from what is important, that is, what is perishable from the imperishable. This requirement is easy to indicate but difficult to carry out. As Goethe says, it is easy, but what is easy is hard. Look, for instance, at a plant or an object. You will learn to understand that everything has an important and an unimportant side, and that man usually takes interest in the unimportant, in the relationship of the matter to himself, or in some other subordinate aspect. He who wishes to become an occultist must gradually develop the habit of seeing and seeking in each thing its essence. For instance, when he sees a clock he must have an interest in its laws. He must be able to take it apart into its smallest detail and to develop a feeling for the laws of the clock. A mineralogist will arrive at considerable knowledge about a quartz-crystal simply by looking at it. The occultist, however, must be able to take the stone in his hand and to feel in a living way something akin to the following monologue: “In a certain sense you, the crystal, are beneath humanity, but in a certain sense you are far above humanity. You are beneath humanity because you cannot make for yourself a picture of man by means of concepts, and because you do not feel. You cannot explain or think, you do not live, but you have an advantage over mankind. You are pure within yourself, have no desire, no wishes, no lust. Every human, every living being has wishes, desires, lusts. You do not have them. You are complete and without wishes, satisfied with what has come to you, an example for man, with which he will have to unite his other qualities.”

If the occultist can feel this in all its depth, then he has grasped what the stone can tell him. In this way man can draw out of everything something full of meaning. When this has become a habit for him, when he separates the important from the unimportant, he has acquired another feeling essential to the occultist. Then he must connect his own life with that which is important. In this people err particularly easily in our time. They believe that their place in life is not proper for them. How often people are inclined to say, “My lot has put me in the wrong place. I am,” let us say, “a postal clerk. If I were put in a different place, I could give people high ideas, great teaching,” and so on. The mistake which these people make is that they do not enter into the significant aspect of their occupation. If you see in me something of importance because I can talk to the people here, then you do not see the importance of your own life and work. If the mail-carriers did not carry the mail, the whole postal traffic would stop, and much work already achieved by others would be in vain.

Hence everyone in his place is of exceeding importance for the whole, and none is higher than the other. Christ has attempted to demonstrate this most beautifully in the thirteenth chapter of the Gospel of John, with the words, “The servant is not greater than his lord; neither he that is sent greater than he that sent him.” These words were spoken after the Master had washed the feet of the Apostles. He wanted to say, “What would I be without my Apostles? They must be there so that I can be there in the world, and I must pay them tribute by lowering myself before them and washing their feet.” This is one of the most significant allusions to the feeling that the occultist must have for what is important. What is important in the inward sense must not be confused with the externally important. This must be strictly observed.

In addition, we must develop a series of qualities.¹ To begin with, we must become masters over our thoughts, and particularly our train of thought. This is called control of thoughts. Just think how thoughts whirl about in the soul of man, how they flit about like will-o'-the wisps. Here one impression arises, there another, and each one changes one's thoughts. It is not true that we govern our thoughts; rather our thoughts govern us totally. We must advance to the ability of steeping ourselves in one specific thought at a certain time of the day and not allow any other thought to enter and disturb our soul. In this way we ourselves hold the reins of thought life for a time.

The second quality is to find a similar relationship to our actions, that is, to exercise control over our actions. Here it is necessary to undertake actions, at least occasionally, which are not initiated by anything external. That which is initiated by our station in life, our profession, or our situation does not lead us more deeply into higher life. Higher life depends on personal matters, such as resolving to do something springing totally from one's own initiative even if it is an absolutely insignificant matter. All other actions contribute nothing to the higher life.

The third quality to be striven for is even-temperedness. People fluctuate back and forth between joy and sorrow. One moment they are beside themselves with joy, the next they are unbearably sad. Thus, people allow themselves to be rocked on the waves of life, on joy or sorrow. But they must reach equanimity and steadiness. Neither the greatest sorrow nor the greatest joy must unsettle their composure. They must become steadfast and even-tempered.

Fourth is the understanding for every being. Nothing expresses more beautifully what it means to understand every being than the legend which is handed down to us, not by the Gospel, but by a Persian story. Jesus was walking across a field with his disciples, and on the way they found a decaying dog. The animal looked horrible. Jesus stopped and cast an admiring look upon it, saying, “What beautiful teeth the animal has!” Jesus found within the ugly the one beautiful aspect. Strive at all times to approach what is wonderful in every object of outer reality, and you will see that everything contains an aspect that can be affirmed. Do as Christ did when he admired the beautiful teeth on the dead dog. This course will lead you to the great ability to tolerate, and to an understanding of every thing and of every being.

The fifth quality is complete openness towards everything new that meets us. Most people judge new things which meet them by the old which they already know. If anyone comes to tell them something new, they immediately respond with an opposing opinion. But we must not confront a new communication immediately with our own opinion. We must rather be on the alert for possibilities of learning something new. And learn we can, even from a small child. Even if one were the wisest person, one must be willing to hold back one's own judgment, and to listen to others. We must develop this ability to listen, for it will enable us to meet matters with the greatest possible openness. In occultism, this is called faith. It is the power not to weaken through opposition the impression made by the new.

The sixth quality is that which everyone receives once he has developed the first five. It is inner harmony. The person who has the other qualities also has inner harmony. In addition, it is necessary for a person seeking occult development to develop his feeling for freedom to the highest degree. That feeling for freedom enables him to seek within himself the center of his own being, to stand on his own two feet, so that he will not have to ask everyone what he should do and so that he can stand upright and act freely. This also is a quality which one needs to acquire.

If man has developed these qualities within himself, then he stands above all the dangers arising from the division within his nature. Then the properties of his lower nature can no longer affect him; he can no longer stray from the path. Therefore, these qualities must be formed with the greatest precision. Then comes the occult life, whose expression depends on a steady rhythm being carried into life.

The phrase “carrying rhythm into life” expresses the unfolding of this faculty. If you observe nature, you will find in it a certain rhythm. You will, of course, expect that the violet blooms every year at the same time in spring, that the crops in the field and the grapes on the vine will ripen at the same time each year. This rhythmical sequence of phenomena exists everywhere in nature. Everywhere there is rhythm, everywhere repetition in regular sequence. As you ascend from the plant to beings with higher development, you see the rhythmic sequence decreasing. Yet even in the higher stages of animal development one sees how all functions are ordered rhythmically. At a certain time of the year, animals acquire certain functions and capabilities. The higher a being evolves, the more life is given over into the hands of the being itself, and the more these rhythms cease. You must know that the human body is only one member of man's being. There is also the etheric body, then the astral body, and, finally, the higher members which form the basis for the others.

The physical body is highly subject to the same rhythm that governs outer nature. Just as plant and animal life, in its external form, takes its course rhythmically, so does the life of the physical body. The heart beats rhythmically, the lungs breathe rhythmically, and so forth. All this proceeds so rhythmically because it is set in order by higher powers, by the wisdom of the world, by that which the scriptures call the Holy Spirit. The higher bodies, particularly the astral body, have been, I would like to say, abandoned by these higher spiritual forces, and have lost their rhythm. Can you deny that your activity relating to wishes, desires, and passions is irregular, that it can in no way compare with the regularity ruling the physical body? He who learns to know the rhythm inherent in physical nature increasingly finds in it an example for spirituality. If you consider the heart, this wonderful organ with the regular beat and innate wisdom, and you compare it with the desires and passions of the astral body which unleash all sorts of actions against the heart, you will recognize how its regular course is influenced detrimentally by passion. However, the functions of the astral body must become as rhythmical as those of the physical body.

I want to mention something here which will seem grotesque to most people. This is the matter of fasting. Awareness of the significance of fasting has been totally lost. Fasting is enormously significant, however, for creating rhythm in our astral body. What does it mean to fast? It means to restrain the desire to eat and to block the astral body in relation to this desire. He who fasts blocks the astral body and develops no desire to eat. This is like blocking a force in a machine. The astral body becomes inactive then, and the whole rhythm of the physical body with its innate wisdom works upward into the astral body to rhythmicize it. Like the imprint of a seal, the harmony of the physical body impresses itself upon the astral body. It would transfer much more permanently if the astral body were not continuously being made irregular by desires, passions, and wishes, including spiritual desires and wishes.

It is more necessary for the man of today to carry rhythm into all spheres of higher life than it was in earlier times. Just as rhythm is implanted in the physical body by God, so man must make his astral body rhythmical. Man must order his day for himself. He must arrange it for his astral body as the spirit of nature arranges it for the lower realms. In the morning, at a definite time, one must undertake one spiritual action; a different one must be undertaken at another time, again to be adhered to regularly, and yet another one in the evening. These spiritual exercises must not be chosen arbitrarily, but must be suitable for the development of the higher life. This is one method for taking life in hand and for keeping it in hand. So set a time for yourself in the morning when you concentrate. You must adhere to this hour. You must establish a kind of calm so that the occult master in you may awaken. You must meditate about a great thought content that has nothing to do with the external world, and let this thought content come to life completely. A short time is enough, perhaps a quarter of an hour. Even five minutes are sufficient if more time is not available. But it is worthless to do these exercises irregularly. Do them regularly so that the activity of the astral body becomes as regular as a clock. Only then do they have value. The astral body will appear completely different if you do these exercises regularly. Sit down in the morning and do these exercises, and the forces I described will develop. But, as I said, it must be done regularly, for the astral body expects that the same process will take place at the same time each day, and it falls into disorder if this does not happen. At least the intent towards order must exist. If you rhythmicize your life in this manner, you will see success in not too long a time; that is, the spiritual life hidden from man for the time being will become manifest to a certain degree.

As a rule, human life alternates among four states. The first state is the perception of the external world. You look around with your senses and perceive the external world. The second is what we may call imagination or the life of mental images which is related to, or even part of, dream life. There man does not have his roots in his surroundings, but is separated from them. There he has no realities within himself, but at the most reminiscences. The third state is dreamless sleep, in which man has no consciousness of his ego at all. In the fourth state he lives in memory. This is different from perception. It is already something remote, spiritual. If man had no memory, he could uphold no spiritual development.

The inner life begins to develop by means of inner contemplation and meditation. Thus, the human being sooner or later perceives that he no longer dreams in a chaotic manner; he begins to dream in the most significant way, and remarkable things reveal themselves in his dreams, which he gradually begins to recognize as manifestations of spiritual beings. Naturally the trivial objection might easily be raised that this is nothing but a dream and therefore of no consequence. However, should someone discover the dirigible in his dream and then proceed to build it, the dream would simply have shown the truth. Thus an idea can be grasped in an other-than-usual manner. Its truthfulness must then be judged by the fact that it can be realized. We must become convinced of its inner truth from outside.

The next step in spiritual life is to comprehend truth by means of our own qualities and of guiding our dreams consciously. When we begin to guide our dreams in a regular manner, then we are at the stage where truth becomes transparent for us. The first stage is called “material cognition.” For this, the object must lie before us. The next stage is “imaginative cognition.” It is developed through meditation, that is through shaping life rhythmically. Achieving this is laborious. But once it is achieved, the time arrives when there is no longer a difference between perception in the usual life and perception in the super-sensible. When we are among the things of our usual life, that is, in the sense world, and we change our spiritual state, then we experience continuously the spiritual, the super-sensible world, but only if we have sufficiently trained ourselves. This happens as soon as we are able to be deaf and dumb to the sense world, to remember nothing of the everyday world, and still to retain a spiritual life within us. Then our dream-life begins to take on a conscious form. If we are able to pour some of this into our everyday life, then the next capacity arises, rendering the soul-qualities of the beings around us perceptible. Then we see not only the external aspect of things, but also the inner, hidden essential kernel of things, of plants, of animals, and of man. I know that most people will say that these are actually different things. True, these are always different things from those a person sees who does not have such senses. The third stage is that in which a consciousness, which is as a rule completely empty, begins to be enlivened by continuity of consciousness. The continuity appears on its own. The person is then no longer unconscious during sleep. During the time in which he used to sleep, he now experiences the spiritual world.

Of what does sleep usually consist? The physical body lies in bed, and the astral body lives in the super-sensible world. In this super-sensible world, you are taking a walk. As a rule, a person with the type of disposition which is typical today cannot withdraw very far from his body. If one applies the rules of spiritual science, organs can be developed in the astral body as it wanders during sleep—just as the physical body has organs—which allow one to become conscious during sleep. The physical body would be blind and deaf if it had no eyes or ears, and the astral body walking at night is blind and deaf for the same reason, because it does not yet have eyes and ears. But these organs are developed through meditation which provides the means for training these organs. This meditation must then be guided in a regular way. It is being led so that the human body is the mother and the spirit of man is the father. The physical human body, as we see it before us, is a mystery in every one of its parts and, in fact, each member is related in a definite but mysterious way to a part of the astral body. These are matters which the occultist knows. For instance, the point in the physical body lying between the eyebrows belongs to a certain organ in the astral organism. When the occultist indicates how one must direct thoughts, feelings, and sensations to this point between the eyebrows through connecting something formed in the physical body with the corresponding part of the astral body, the result will be a certain sensation in the astral body. But this must be practiced regularly, and one must know how to do it. Then the astral body begins to form its members. From a lump, it grows to be an organism in which organs are formed. I have described the astral sense organs in the periodical, Lucifer Gnosis. They are also called Lotus flowers. By means of special word sequences, these Lotus flowers are cultivated. Once this has occurred, the human being is able to perceive the spiritual world. This is the same world he enters when passing through the portal of death, a final contradiction to Hamlet's “The undiscover'd country from whose bourn no traveler returns.”

So it is possible to go, or rather to slip, from the sense world into the super-sensible world and to live there as well as here. That does not mean life in never-never land, but life in a realm that clarifies and explains life in our realm. Just as the usual person who has not studied electricity would not understand all the wonderful workings in a factory powered by electricity, so the average person does not understand the occurrences in the spiritual world. The visitor at the factory will lack understanding as long as he remains ignorant of the laws of electricity. So also will man lack understanding in the realm of the spirit as long as he does not know the laws of the spiritual. There is nothing in our world that is not dependent on the spiritual world at every moment. Everything surrounding us is the external expression of the spiritual world. There is no materiality. Everything material is condensed spirit. For the person looking into the spiritual world, the whole material, sense-perceptible world, the world in general, becomes spiritualized. As ice melts into water through the effect of the sun, so everything sense-perceptible melts into something spiritual within the soul which looks into the spiritual world. Thus, the fundament of the world gradually manifests before the spiritual eye and the spiritual ear.

The life that man learns to know in this manner is actually the spiritual life he carries within himself all along. But he knows nothing of it because he does not know himself before developing organs for the higher world. Imagine possessing the characteristics you have at this time, yet being without sense-organs. You would know nothing of the world around you, would have no understanding of the physical body, and yet you would belong to the physical world. So the soul of man belongs to the spiritual world, but does not know it because it does not hear or see. Just as our body is drawn out of the forces and materials of the physical world, so is our soul drawn out of the forces and materials of the spiritual world. We do not recognize ourselves within ourselves, but only within our surroundings. As we cannot perceive a heart or a brain—even by means of X-ray—without seeing it in other people through our sense organs (it is only the eyes that can see the heart), so we truly cannot see or hear our own soul without perceiving it with spiritual organs in the surrounding world. You can recognize yourself only by means of your surroundings. In truth there exists no inner knowledge, no self-examination; there is only one knowledge, one revelation of the life around us through the organs of the physical as well as the spiritual. We are a part of the worlds around us, of the physical, the soul, and the spiritual worlds. We learn from the physical if we have physical organs, from the spiritual world and from all souls if we have spiritual and soul organs. There is no knowledge but knowledge of the world.

It is vain and empty idleness for man to “brood” within himself, believing that it is possible to progress simply by looking into himself. Man will find the God in himself if he awakens the divine organs within himself and finds his higher divine self in his surroundings, just as he finds his lower self solely by means of using his eyes and ears. We perceive ourselves clearly as physical beings by means of intercourse with the sense world, and we perceive ourselves clearly in relation to the spiritual world by developing spiritual senses. Development of the inner man means opening oneself to the divine life around us.

Now you will understand that it is essential that he who ascends to the higher world undergoes, to begin with, an immense strengthening of his character. Man can experience on his own the characteristics of the sense world because his senses are already opened. This is possible because a benevolent divine spirit, who has seen and heard in the physical world, stood by man in the most ancient times, before man could see and hear, and opened man's eyes and ears. It is from just such beings that man must learn at this time to see spiritually, from beings already able to do what he still has to learn. We must have a guru who can tell us how we should develop our organs, who will tell us what he has done in order to develop these organs. He who wishes to guide must have acquired one fundamental quality. This is unconditional truthfulness. This same quality is also a main requirement for the student. No one may train to become an occultist unless this fundamental quality of unconditional truthfulness has been previously cultivated.

When facing sense experience, one can test what is being said. When I tell you something about the spiritual world, however, you must have trust because you are not far enough to be able to confirm the information. He who wishes to be a guru must have become so truthful that it is impossible for him to take lightly such statements concerning the spiritual world or the spiritual life. The sense world corrects errors immediately by its own nature, but in the spiritual world we must have these guidelines within ourselves. We must be strictly trained, so that we are not forced to use the outer world for controls, but only our inner self. We are only able to gain this control by acquiring already in this world the strictest truthfulness. Therefore, when the Anthroposophical Society began to present some of the basic teachings of occultism to the world, it had to adopt the principle: there is no law higher than truth. Very few people understand this principle. Most are satisfied if they can say they have the conviction that something is true, and then if it is wrong, they will simply say that they were mistaken. The occultist cannot rely on his subjective honesty. There he is on the wrong track. He must always be in consonance with the facts of the external world, and any experience that contradicts these facts must be seen as an error or a mistake. The question of who is at fault for the error ceases to be important to the occultist. He must be in absolute harmony with the facts in life. He must begin to feel responsible in the strictest sense for every one of his assertions. Thus he trains himself in the unconditional certainty that he must have for himself and for others if he wishes to be a spiritual guide.

So you see that I needed to indicate to you today a series of qualities and methods. We will have to speak about these again in order to add the higher concepts. It may seem to you that these things are too intimate to discuss with others, that each soul has to come to grips with them on its own terms, and that they are possibly unsuitable for reaching the great destination which should be reached, namely the entrance into the spiritual world. This entrance will definitely be achieved by those who tread the path I have characterized.

When? One of the most outstanding participants in the theosophical movement, Subba Row, who died some time ago, has spoken fittingly about this. Replying to the question of how long it would take, he said, “Seven years, perhaps also seven times seven years, perhaps even seven incarnations, perhaps only seven hours.” It all depends on what the human being brings with himself into life. We may meet a person who seems to be very stupid, but who has brought with himself a concealed higher life that needs only to be brought out. Most human beings these days are much further than it seems, and more people would know about this if the materialism of our conditions and of our time would not drive them back into the inner life of the soul. A large percentage of today's human beings was previously much further advanced. Whether that which is within them will come forth depends on many factors. But it is possible to give some help. Suppose you have before you a person who was highly developed in his earlier incarnation, but now has an undeveloped brain. An undeveloped brain may at times conceal great spiritual faculties. But if he can be taught the usual everyday abilities, it may happen that the inner spirituality also comes forth.

Another important factor is the environment in which a person lives. The human being is a mirror-image of his surroundings in a most significant way. Suppose that a person is a highly developed personality, but lives in surroundings that awaken and develop certain prejudices with such a strong effect that the higher talents cannot come forth. Unless such a person finds someone who can draw out these abilities, they will remain hidden.

I have been able to give only a few indications to you about this matter. After Christmas, however, we will speak again about further and deeper things. I especially wanted to awaken in you this one understanding, that the higher life is not schooled in a tumultuous way, but rather quite intimately, in the deepest soul, and that the great day when the soul awakens and enters into the higher life actually arrives like the thief in the night. The development towards the higher life leads man into a new world, and when he has entered this new world, then he sees the other side of existence, so to speak; then what has previously been hidden for him reveals itself. Maybe not everyone can do this; maybe only a few can do it, one might say to oneself. But that must not keep one from at least starting on the way that is open to everyone, namely to hear about the higher worlds. The human being is called to live in community, and he who secludes himself cannot arrive at a spiritual life. But it is a seclusion in a stronger sense if he says, “I do not believe this, this does not relate to me; this may be valid for the after-life.” For the occultist this has no validity. It is an important principle for the occultist to consider other human beings as true manifestations of his own higher self, because he knows then that he must find the others in himself. There is a delicate distinction between these two sentences: “To find the others in oneself,” and “To find oneself in the others.” In the higher sense it means, “This is you.” And in the highest sense it means to recognize oneself in the world and to understand that saying of the poet which I cited some weeks ago in a different connection: “One was successful. He lifted the veil of the goddess at Sais. But what did he see? Miracle of miracles! He saw himself.” To find oneself—not in egotistical inwardness, but selflessly in the world without—that is true recognition of the self.

• 1. For another description of these exercises, see Occult Science, an Outline (Anthroposophic Press, Spring Valley, New York, 1972) Chapter 5, p. 283.

A number of things make it seem precarious to speak about fairy tales in the light of spiritual investigation. One of them is the difficulty of the subject itself, since the sources of a genuine and true fairy tale mood have in fact to be sought at deep levels of the human soul. The methods of spiritual research often described by me must follow convoluted paths before these sources can be discovered. Genuine fairy tales originate from sources lying at greater depths of the human soul than is generally supposed, speaking to us magically out of every epoch of humanity's development.

A second difficulty is that, in regard to what is magical in fairy tales, one has to a considerable extent the feeling that the original, elementary impression, indeed the essential nature of the fairy tale itself is destroyed through intellectual observations and a conceptual penetration of the fairy tale. If one has the justified conviction in regard to explanations and commentaries that they destroy the immediate living impression the fairy tale ought to make in simply letting it work on one, then one would far rather not accept explanations in place of their subtle and enchanting qualities. These well up from seemingly unfathomable sources of the folk-spirit or of the individual human soul-disposition. It is really as though one were to destroy the blossom of a plant, if one intrudes with one's power of judgment in what wells up so pristinely from the human soul as do these fairy tale compositions.

Even so, with the methods of spiritual science it proves possible nonetheless to illumine at least to some extent those regions of the soul-life from which fairy tale moods arise. Actual experience would seem to gainsay the second reservation as well. Just because the origin of fairy tales has to be sought at such profound depths of the human soul, one arrives as a matter of course at the conviction that what may be offered as a kind of spiritual scientific explanation remains something that touches the source so slightly after all as not to harm it by such investigation. Far from being impoverished, one has the feeling that everything of profound significance in those regions of the human soul remains so new, unique and original that one would like best of all to bring it to expression oneself in the form of a fairy tale of some kind. One senses how impossible any other approach is in speaking out of these hidden sources.

It may be regarded as entirely natural that someone like Goethe who attempted, alongside his artistic activity, to penetrate deeply into the background, into the sources of existence, in having something to communicate of the soul's profoundest experiences, did not resort to theoretical discussion. Instead, having gained insight into the underlying sources, he makes use of the fairy tale once again for the soul's most noteworthy experiences. This is what Goethe did in his Fairy Tale of the Green Snake and the Beautiful Lily, wanting, in his fashion, to bring to expression those profound experiences of the human soul that Schiller set forth in a more philosophical-abstract form in his Letters Concerning the Aesthetic Education of the Human Race. It lies in the nature of what is magical in fairy tales that explanations cannot ultimately destroy their productive mood. For, whoever is able to arrive at the aforementioned sources from the standpoint of spiritual investigation, discovers a peculiar fact. (If I were to say all that I should like to say about the nature of fairy tales, I would have to hold many lectures. Hence, it will only be possible today to put forward a few indications and results of investigation.)

That is to say, whoever seeks to come to the aforementioned sources from the standpoint of spiritual research finds that these fairy tale sources lie far deeper down in the human soul than do the sources of creativity and artistic appreciation otherwise. This applies even with regard to the most compelling works of art—the most moving tragedies for instance. Tragedy depicts what the human soul can experience in connection with powers the poet tells us derive from the tremendous destiny uplifting it, while overwhelming the individual. The shock-waves of tragedy derive from this destiny, but such that we can say: The entanglements, the threads spun in the course of the tragedy and unraveled again are inherent in definite experiences of the human soul in the external world. These are in many respects hard to foresee, since for the most part we penetrate only with difficulty into the particular make up of the individual. Still, they can be surmised and fathomed in sensing what takes place in the human soul in consequence of its relation to life. In experiencing something tragic, one has the feeling, in one way or another, a particular soul is entangled in a particular destiny, as this is presented to us.

The sources of fairy tales and of the moods out of which they arise lie deeper than these entanglements of tragedy. The tragic, as well as other forms of artistic expression, results for us, we may feel, in seeing the human being—for instance at a particular age, a particular period of life—at the mercy of certain blows of destiny. In being affected by a tragedy, we necessarily assume that the human being is led to the corresponding involvements of destiny as a result of particular inner experiences. We sense the need to understand the specific human beings presented to us in the tragedy with their particular sets of experiences. A certain circumscribed range of what is human comes to meet us in the tragedy, as in other works of art.

In approaching fairy tales with sympathetic understanding, we have a different feeling than the one just described, since the effect of the fairy tale on the human soul is an original and elemental one, belonging to effects that are hence unconscious. In sensing what comes to meet us in fairy tales we find something altogether different from what a human being in a particular life situation may become involved in. It is not a matter of a narrowly circumscribed range of human experience, but of something lying so deep, and so integral to the soul, as to be “generally human.” We cannot say, a particular human soul at a particular age of life, in a certain situation, encounters something of the kind. Rather, what comes to expression in the fairy tale is so deeply rooted in the soul that we identify with it no matter whether as a child in the first years of life, whether in our middle years, or whether in having grown old.

What comes to expression in the fairy tale accompanies us throughout our lives in the deepest recesses of the soul. Only, the fairy tale is often a quite freewheeling and playful, pictorial expression of underlying experiences. The aesthetic, artistic enjoyment of the fairy tale may be as far removed for the soul from the corresponding inner experience—the comparison can be ventured—as say, the experience of taste on the tongue when we partake of food is removed from the complicated, hidden processes this food undergoes in the total organism in contributing to building up the organism. What the food undergoes initially evades human observation and knowledge. All the human being has is the enjoyment in tasting. The two things have seemingly little to do with each other in the first instance, and from how a particular food tastes, no one is capable of determining what purpose this food has in the whole life-process of the human organism. What we experience in the aesthetic enjoyment of the fairy tale is likewise far removed from what takes place deep down in the unconscious, where what the fairy tale radiates and pours forth out of itself joins forces with the human soul. The soul has a deep-rooted need to let the substance of the fairy tale run through its spiritual “veins,” just as the organism has a need to allow the nutrients to circulate through it.

Applying the methods of spiritual research that have been described for penetrating the spiritual worlds, at a certain stage one acquires knowledge of spiritual processes that continually take place quite unconsciously in the depths of the human soul. In normal everyday life, such spiritual processes unfolding in the soul's depths surface only occasionally in faint dream experiences caught by day-consciousness. Awakening from sleep under especially favorable circumstances, one may have the feeling: You are emerging out of a spiritual world in which thinking, in which a kind of pondering has taken place, in which something has happened in the deep, unfathomable background of existence. Though apparently similar to daytime experiences, and intimately connected with one's whole being, this remains profoundly concealed for conscious daily life.

For the spiritual researcher who has made some progress and is capable of initial experiences in the world of spiritual beings and spiritual facts, things often proceed in much the same way. As far as one advances, one still arrives again and again, so to speak, only at the boundary of a world in which spiritual processes approach one out of the deep unconscious. These processes, it must be said, are connected with one's own being. They can be apprehended almost the same way as a fata morgana appearing to one's spiritual gaze, not revealing themselves in their totality.

That is one of the strangest experiences—this peering into the unfathomable spiritual connections within which the human soul stands. In attentively following up these intimate soul occurrences, it turns out that conflicts experienced in the depths of the soul and portrayed in works of art, in tragedies, are relatively easy to survey, as compared to the generally-human soul conflicts of which we have no presentiment in daily life. Every person does nonetheless undergo these conflicts at every age of life.

Such a soul conflict discovered by means of spiritual investigation takes place for example, without ordinary consciousness knowing anything of it, every day on awakening, when the soul emerges from the world in which it unconsciously resides during sleep and immerses itself once again in the physical body. As already mentioned, ordinary consciousness has no notion of this, and yet a battle takes place every day in the soul's foundations, glimpsed only in spiritual investigation. This can be designated the battle of the solitary soul seeking its spiritual path, with the stupendous forces of natural existence, such as we face in external life in being helplessly subjected to thunder and lightning—in experiencing how the elements vent themselves upon the defenseless human being.

Though arising with stupendous force, even such rare occurrences of Nature experienced by the human being are a trifling matter as compared with the inner battle taking place unconsciously upon awakening. Experiencing itself existentially, the soul has now to unite itself with the forces and substances of the physical body in which it immerses itself, so as to make use of the senses and of the limbs once again, these being ruled by natural forces. The human soul has something like a yearning to submerge itself in the purely natural, a longing that fulfils itself with every awakening. There is at the same time, as though a shrinking back, a sense of helplessness as against what stands in perpetual contrast to the human soul—the purely natural, manifesting in the external corporeality into which it awakens. Strange as it may sound that such a battle takes place daily in the soul's foundations, it is nonetheless an experience that does transpire unconsciously. The soul cannot know precisely what happens, but it experiences this battle every morning, and each and every soul stands under the impression of this battle despite knowing nothing of it—through all that the soul inherently is, the whole way it is attuned to existence.

Something else that takes place in the depths of the soul and can be apprehended by means of spiritual investigation presents itself at the moment of falling asleep. Having withdrawn itself from the senses and from the limbs, having in a sense left the external body behind in the physical sense-world, what then approaches the human soul may be called a feeling of its own “inwardness.” Only then does it go through the inner battles that arise unconsciously by virtue of its being bound to external matter in life—and having to act in accordance with this entanglement. It feels the attachment to the sense world with which it is burdened as a hindrance, holding it back morally. Other moral moods can give us no conception of what thus transpires unconsciously after falling asleep, when the human soul is alone with itself. And all sorts of further moods then take their course in the soul when free of the body, in leading a purely spiritual existence between falling asleep and waking up.

However, it should not be supposed that these events taking place in the soul's depths are not there in the waking state. Spiritual investigation reveals one very interesting fact in particular, namely that people not only dream when they think they do, but all day long. The soul is in truth always full of dreams, only the human being does not notice this, since day consciousness is stronger as compared to dream consciousness. Just as a weaker light is drowned out by a stronger one, so what continually takes place in the course of waking consciousness as an ongoing dream-experience is drowned out by day consciousness. Though not generally aware of it, we dream all the time. And out of the abundance of dream experiences, of dreams that remain unconscious, presenting themselves as boundless in relation to the experiences of day consciousness, those dreams of which the human being does actually become conscious, separate themselves off. They do so much as a single drop of water might separate itself from a vast lake. But this dreaming activity that remains unconscious is a soul-spiritual experience. Things take place there in the soul's depths. Such spiritual experiences of the soul located in unconscious regions take their course much as chemical processes, of which we are unconscious, take place in the body.

Connecting this with a further fact arising from these lectures, additional light may be shed on hidden aspects of the soul-life spoken of here. We have often stressed—this was emphasized again in the previous lecture—that in the course of humanity's development on the earth, the soul-life of human beings has changed. Looking back far enough, we find that primeval human beings had quite different experiences from those of the human soul today. We have already spoken of the fact—and will do so again in coming lectures—that the primeval human being in early periods of evolution had a certain original clairvoyance. In the manner of looking at the world normal today in the waking state, we receive sense impressions from an external stimulus. We connect them by means of our understanding, our reason, feeling and will. This is merely the consciousness belonging to the present, having developed out of older forms of human consciousness. Applying the word in the positive sense, these were clairvoyant states. In an entirely normal way, in certain intermediate states between waking and sleeping, human beings were able to experience something of spiritual worlds. Thus, even if not yet fully self-conscious, human beings were by no means as unfamiliar in their normal consciousness with experiences taking place in the depths of the soul, such as those we have spoken of today.

In ancient times human beings perceived more fully their connection with the spiritual world around them. They saw what takes place in the soul, the events occurring deep within the soul, as connected with the spiritual in the universe. They saw spiritual realities passing through the soul and felt themselves much more related to the soul-spiritual beings and facts of the universe. This was characteristic of the original clairvoyant state of humanity. Just as it is possible today to come to a feeling such as the following only under quite exceptional conditions, in ancient times it occurred frequently—not only in artistic, but also in quite primitive human beings.

An experience of a quite vague and indefinite nature may lie buried in the depths of the soul, not rising into consciousness—an experience such as we have described. Nothing of this experience enters the conscious life of day. Something is nonetheless there in the soul, just as hunger is present in the bodily organism. And just as one needs something to satisfy hunger, so one needs something to satisfy this indefinite mood deriving from the experience lying deep within the soul. One then feels the urge to reach either for an existing fairy tale, for a saga, or if one is of an artistic disposition, perhaps to elaborate something of the kind oneself. Here it is as though all theoretical words one might make use of amount to stammering; and that is how fairy tales arise. Filling the soul with fairy tale pictures in this way constitutes nourishment for the soul as regards the “hunger” referred to.

In past ages of humanity's development every human being still stood closer to a clairvoyant perception of these inner spiritual experiences of the soul, and with their simpler constitution people were able—in sensing the hunger described here far more directly than is the case today—to seek nourishment from the pictures we possess today in the fairy tale traditions of various peoples. The human soul felt a kinship with spiritual existence. Without understanding them, it sensed more or less consciously the inner battles it had to undergo, giving pictorial form to them in pictures bearing only a distant similarity to what had taken place in the soul's substrata. Yet there is a palpable connection between what expresses itself in fairy tales and these unfathomable experiences of the human soul.

Ordinary experience shows us that a childlike soul disposition frequently creates something for itself inwardly, such as a simple “companion”—a companion really only there for this childlike mind, accompanying it nonetheless and taking part in the various occurrences of life. Who does not know, for instance, of children who take certain invisible friends along with them through life? You have to imagine that these “friends” are there when something happens that pleases the child, participating as invisible spirit companions, soul companions, when the child experiences this or that. Quite often one can witness how badly it affects the child's soul disposition when a “sensible” person comes, hears the child has such a soul companion, and now wants to talk it out of this soul companion, even perhaps considering it salutary for the child to be talked out of it. The child grieves for its soul companion. And if the child is receptive for soul-spiritual moods, this grieving signifies still more. It can mean the child begins to ail, becoming constitutionally infirm. This is an altogether real experience connected with profound inner occurrences of the human soul.

Without dispersing the “aroma” of the fairy tale, we can sense this simple experience in the fairy tale which tells of the child and the toad, related by the Brothers Grimm.¹ They tell us of the girl who always has a toad accompany her while eating. The toad, however, only likes the milk. The child talks to the animal as though with a human being. One day she wants the toad to eat some of her bread as well. The mother overhears this; she comes and strikes the animal dead. The child ails, sickens, and dies.

In fairy tales we feel soul moods reverberate that do absolutely in fact take place in the depths of the soul, such that the human soul is actually not only cognizant of them in certain periods of life, but simply by virtue of being human, irrespective of being a child or an adult. Thus, every human soul can sense something re-echo of what it experiences without comprehending it—not even raising it into consciousness—connected with what in the fairy tale works on the soul as food works on the taste buds. For the soul, the fairy tale then becomes something similar to the nutritional substance as applied to the organism. It is fascinating to seek out in deep soul experiences what re-echoes in various fairy tales. It would of course be quite a major undertaking actually to examine individual fairy tales in this regard, collected as they are in such numbers. This would require a lot of time. But what can perhaps be illustrated with a few fairy tales can be applied to all of them, in so far as they are genuine.

Let us take another fairy tale also collected by the Brothers Grimm, the fairy tale of “Rumpelstiltskin.” A miller asserts to the king that his daughter can spin straw into gold and is requested to have her come to the castle, so the king can ascertain her art for himself. The daughter goes to the castle. She is locked in a room and given a bundle of straw with which to demonstrate her art. In the room she is quite helpless. And while she is in this helpless state, a manikin appears before her. He says to her: “What will you give me, if I spin the straw into gold for you?” The miller's daughter gives him her necklace and the little man thereupon spins the straw into gold for her. The king is quite amazed, but he wants still more, and she is to spin straw into gold once again. The miller's daughter is again locked in a room, and as she sits in front of all the straw, the little man appears and says, “What will you give me, if I spin the straw to gold for you?” She gives him a little ring, and the straw is once more spun into gold by the little man. But the king wants still more. And when she now sits for the third time in the room and the little man again appears, she has nothing further to give him. At that the little man says, if she becomes queen one day, she is to grant him the first child she gives birth to. She promises to do so. And when the child is there, and the little man comes and reminds her of her promise, the miller's daughter wants a postponement. The little man then says to her: “If you can tell me what my name is, you can be free of your promise.” The miller's daughter sends everywhere, inquiring after every name. In learning every name, she wants to find out what the little man's name is. Finally, after a number of vain attempts, she actually succeeds in discovering his name—Rumpelstiltskin.

With really no work of art other than fairy tales does one have such a sense of joy over the immediate picture presented, while yet knowing of the profound inner soul-experience out of which the fairy tale is born. Though the comparison may be trivial, it is perhaps still apt: Just as a person can be aware of the chemistry of food and still find a bite to eat flavorful, so it is possible to know something of the profound inner experiences of soul that are only experienced, not “known,” and that come to expression in fairy tale pictures in the manner indicated. In fact, unknowingly the solitary human soul—it is after all alone with itself during sleep, as also in the rest of life even when united with the body—feels and experiences, albeit unconsciously, the whole disparate relation in which it finds itself in regard to its own immense tasks, its place within the divine order of the world.

The human soul does indeed feel how little it is capable of in comparing its ability with what external Nature can do, in transforming one thing into another. Nature is really a great magician, such as the human soul itself would like to be. In conscious life it may light-heartedly look past this gulf between the human soul and the wise omniscience and omnipotence of the spirit of Nature. But at deeper levels of soul experience, the matter is not done away with so easily. There, the human soul would necessarily go to rack and ruin if it were not after all to feel within it a more profound being inside the initially perceptible one, a being it can rely on, of which it can say to itself: As imperfect as you now still are—this being within you is cleverer. It is at work within you; it can carry you to the point of attaining the greatest skill. It can grant you wings, enabling you to see an endless perspective spread out before you, leading into a limitless future. You will be capable of accomplishing what you cannot as yet accomplish, for within you there is something that is infinitely more than your “knowing” self. It is your loyal helper. You must only gain a relation to it. You have really only to be able to form a conception of this cleverer, wiser, more skillful being than you yourself are, residing within you.

In calling to mind this discourse of the human soul with itself, this unconscious discourse with the more adroit part of the soul, we may feel reverberating in this fairy tale of “Rumpelstiltskin” what the soul experiences in the miller's daughter who cannot spin straw into gold, but finds in the little man a skillful, loyal helper. There, deep in the substrata of the soul—in pictures, the distinctive aura of which is not destroyed through knowing their origin—the profound inner life of soul is given.

Or, let us take another fairy tale.—Please do not take it amiss, however, if I connect this with matters having an apparently personal tinge, though not at all meant in a personal sense. The essential point will become clear in adding a few observations.

In my Esoteric Science you will find a description of world evolution. It is not my intention to talk specifically about this now—that can be left for another occasion. In this world evolution our earth is spoken of as having gone through certain stages as a planet in the cosmos, comparable to human lives that follow one upon the other. Just as the individual human being goes through lives that follow each other sequentially, so our earth has gone through various planetary life-stages, various incarnations. In spiritual science, we speak, for certain reasons, of the earth as having gone through a kind of “Moon” existence before beginning its “Earth” existence, and prior to this a kind of “Sun” existence. Thus, we may speak of a Sun-existence, a planetary predecessor existence of our Earth-existence, as having been present in a primeval past—an ancient Sun, with which the earth was still united. Then, in the course of evolution a splitting off of Sun and earth took place. From what had originally been “Sun,” the moon separated itself off as well, and our sun of today, which is not the original Sun, but only a piece of it, so to speak. Thus, we may speak, as it were, of the original Sun and of its successor, the sun of today. And we may also refer to the moon of today as a product of the old Sun. If spiritual scientific investigation follows the evolution of the earth retrospectively to where the second sun, the sun of today, developed as an independent cosmic body, it has to be said that at that time, of the creatures that might have been externally perceptible to the senses, among the animals, only those existed that had developed to the stage of the fishes.

These things can all be looked up more precisely in Esoteric Science. They can be discovered only by means of spiritual scientific investigation. At the time they had been discovered and written down by me in EsotericScience, the fairy tale in question was quite unknown to me. That is the personal factor I should like to add here. I am able to establish with certainty that it was quite unknown to me, since I only later came across it in Wilhelm Wundt's Ethnic Psychology,² whose sources I only then followed up further.

Before briefly outlining the fairy tale, I should like to say one thing in advance: Everything the spiritual researcher is able to investigate in this way in the spiritual world—and the things just referred to do have to be investigated in the spiritual world, since they are otherwise no longer extant—everything investigated in this way presents a world with which the human soul is united even so. We are connected with this world in the deepest recesses of our souls. It is always present, indeed we unconsciously enter this spiritual world in normal life upon falling asleep. Our soul is united with it and has within it not only the soul's experiences during sleep, but also those relating to the whole of evolution referred to here. Were it not paradoxical, one would like to say: in the unconscious state, the soul knows of this and experiences itself in the ongoing stream issuing from the original Sun and subsequently from the daughter sun we now see shining in the sky, as well as from the moon, also a descendant of the original Sun. And in addition, the soul experiences the fact that it has undergone an existence, soul-spiritually, in which it was not yet connected with earthly matter, in which it could look down on earthly processes; for instance, on the time in which the fish species were the highest animal organisms, where the present sun, the present moon, arose and split off from the Earth. In unconscious regions, the soul is linked to these events.

We shall now briefly follow the outline of a fairy tale found among primitive peoples, who tell us: There was once a man. As a human being, he was, however, actually of the nature of tree resin and could only perform his work during the night, since, had he carried out his work by day, he would have been melted by the Sun. One day, however, it happened that he did go out by day, in order to catch fish. And behold, the man who actually consisted of tree resin, melted away. His sons decided to avenge him. And they shot arrows. They shot arrows that formed certain figures, towering one over the other, so that a ladder arose reaching up to heaven. They climbed up this ladder, one of them during the day, the other during the night. One of them became the sun, and the other became the moon.

It is not my habit to interpret such things in an abstract way and to introduce intellectual concepts. But it is a different matter to have a feeling for the results of investigation—that the human soul in its depths is united with what happens in the world, to be grasped only spiritually, that the human soul is connected with all this and has a hunger to savor its deepest unconscious experiences in pictures. In citing the fairy tale just outlined, one feels a reverberation of what the human soul experienced as the original Sun, and as the arising of sun and moon during the fish epoch of the Earth. It was in some respects a quite momentous experience for me—this is once more the personal note—when I came across this fairy tale, long after the facts I have mentioned stood printed in my Esoteric Science. Though the notion of interpreting the whole matter abstractly still does not occur to me, a certain kindred feeling arises when I consider world evolution in the context of another, parallel portrayal—when I give myself up to the wonderful pictures of this fairy tale.

Or, as a further example, let us take a peculiar Melanesian fairy tale. Before speaking of this fairy tale, let us remind ourselves that, as shown by spiritual investigation, the human soul is also closely linked to prevailing occurrences and facts of the universe. Even if stated rather too graphically, it is still nonetheless true in a certain respect, from a spiritual scientific point of view, if we say: When the human soul leaves the physical body in sleep, it leads an existence in direct connection with the entire cosmos, feeling itself related to the entire cosmos. We may remind ourselves of the relationship of the human soul, or for example, of the human “I” with the cosmos—at least with something of significance in the cosmos. We direct our gaze to the plant world and tell ourselves: The plant grows, but it can only do so under the influence of the sun's light and warmth. We have before us the plant rooted in the earth. In spiritual science we say: the plant consists of its physical body and of the life-body which permeates it. But that does not suffice for the plant to grow and unfold itself. For that, the forces are required that work on the plant from the sun.

If we now contemplate the human body while the human being sleeps, this sleeping human body is in a sense equivalent to a plant. As a sleeping body it is comparable to the plant in having the same potential to grow as the plant. However, the human being is emancipated from the cosmic order which envelops the plant. The plant has to wait for the sun to exert its influence on it, for the rising and setting of the sun. It is bound to the external cosmic order. The human being is not so bound. Why not? Because what spiritual science points out is in fact true: the human being exerts an influence from the “I”—outside the physical body in sleep—upon the plant-like physical body, equivalent to what the sun exerts on the plant. Just as the sun pours its light out over the plants, so does the human “I” pour its light over the now plant-like physical body when the human being sleeps. As the sun “reigns” over the plants, so the human “I” reigns, spiritually, over the plant-like sleeping physical body. The “I” of the human being is thus related to the sun-existence. Indeed, the “I” of the human being is itself a kind of “sun” for the sleeping human body, and brings about its enlivening during sleep, brings it about that those forces are replenished that have been used up in the waking state. If we have a feeling for this, then we recognize how the human “I” is related to the sun. Spiritual science shows us in addition that, just as the sun traverses the arc of heaven—I am of course speaking of the apparent movement of the sun—and in a certain respect the effect of its rays differs according to whether it stands in this or that constellation of the zodiac, so the human “I” also goes through various phases in its experience. Thus, from one phase it works in one way, from a different phase it works in another way on the physical body. In spiritual science one acquires a feeling for how the sun works differently onto the earth according to whether it does so, for example, from the constellation of Aries, or from the constellation of Taurus, and so on. For that reason, one does not speak of the sun in general, but of its effect in connection with the twelve signs of the zodiac—indicating the correspondence of the changing “I” with the changing activity of the sun.

Let us now take everything that could only be sketched here, but which is developed further in Esoteric Science, as something to be gained as soul-spiritual knowledge. Let us regard it as what takes place in the depths of the soul and remains unconscious but takes place in such a way that it signifies an inner participation in the spiritual forces of the cosmos that manifest themselves in the fixed stars and planets. And let us compare all this, proclaimed by spiritual science as the secrets of the universe, with a Melanesian fairy tale, that I shall again outline only briefly:

On a country road lies a stone. This stone is the mother of Quatl. And Quatl has eleven brothers. After the eleven brothers and Quatl have been created, Quatl begins to create the present world. In this world he created, a difference between day and night was still unknown. Quatl then learns that there is an island somewhere, on which there is a difference between day and night. He travels to this island and brings a few inhabitants from this island back to his country. And, by virtue of their influence on those in his country, they too come to experience the alternating states of sleeping and waking, and the rising and setting of the sun takes place for them as a soul experience.

It is remarkable what reverberates once again in this fairy tale. Considering the fairy tale as a whole there re-echoes, with every sentence, so to speak, something of world secrets, something of what, in the sense of spiritual science, the soul experiences in its depths. One then has to say: The sources of fairy tale moods, of fairy tales generally, lie in hidden depths of the human soul. These fairy tales are presented in the form of pictures, since external happenings have to be made use of in order to provide what is to be spiritual nourishment for the hunger that wells up as an outcome of the soul's experiences. Though we are far removed from the actual experiences in question, we can sense how they reverberate in the fairy tale pictures.

With this in mind, we need not wonder that the finest, most characteristic fairy tales are those handed down from former ages when people still had a certain clairvoyant consciousness and found easier access to the sources of these fairy tale moods. Further, it need not surprise us that in regions of the world where human beings stand closer to spirituality than do the souls of the Occident, for example in India, in the Orient in general, fairy tales can have a much more distinctive character.

Neither need we be surprised that in the German fairy tales that Jacob and Wilhelm Grimm collected in the form told them by relatives and others, often simple people, we come upon accounts reminiscent of the periods of European life in which the great heroic sagas arose. Fairy tales contain attributes found in the great heroic sagas. It need not surprise us to hear that it belatedly came to light that the most significant fairy tales are even older than the heroic sagas. Heroic sagas after all show human beings only at a particular age of life and in particular situations, while what lives in fairy tales is of a generally-human nature, accompanying human beings at every age, from their first to their last breath. It need not surprise us if the fairy tale also insistently depicts, for example, what we have referred to as a profound experience of the soul, the feeling of the soul's inadequacy on awakening in regard to the forces of Nature it helplessly faces and is only a match for, if it has the consolation of knowing at the same time: Within you, there is something that transcends your personal self, and makes you in a certain respect the victor once again over the forces of Nature.

In sensing this mood, one has a feeling for why human beings so often find themselves up against giants in fairy tales. Why do these giants appear? Well, as an image, these giants arise as a matter of course from the whole tone of the soul in wanting to make its way into the body again in the morning, seeing itself confronted by the “giant” forces of Nature occupying the body. What the soul senses there as a battle, what it then feels is altogether real—not in rational terms, but as corresponds to depictions of the manifold battles of the human being with giants. When all this comes to meet it, it clearly senses how it possesses only one thing, its shrewdness, in this whole battle—in its stand in confronting giants. For, this entails the feeling: You could now reenter your body, but what are you, as against the immense forces of the universe! However, you do have something not there in these giants, and that is cunning—reason! This does in fact stand unconsciously before the soul, even if it has also to say to itself, that it can do nothing against the immense forces of the universe. We see how the soul transposes this literally into a picture in giving expression to the mood in question:

A man goes along a country road and comes to an inn. In the inn he asks for milk-soup (blancmange). Flies enter the soup. He finishes eating the milk-soup, leaving the flies. Then he strikes the plate, counts the flies he has killed, and brags: “A hundred at one blow!” The innkeeper hangs a sign around his neck: “He has killed a hundred at one blow.” Continuing along the country road, this man comes to a different region. There a king looks out the window of his castle. He sees the man with the sign around his neck and says to himself: I could well use him. He takes him into his service and assigns him a definite task. He says to him: “You see, the problem is, whole packs of bears always come into my kingdom. If you have struck a hundred dead, then you can certainly also strike the bears dead for me.” The man says: “I am willing to do it!” But, until the bears are there, he wants a good wage and proper meals, for, having thought about it, he says to himself: If I can't do it, I shall at least have lived well until then.—When the time came, and the bears were approaching, he collected all kinds of food and various good things bears like to eat. Then he approached them and laid these things out. When the bears got there, they ate until they were full to excess, finally lying there as though paralyzed; and now he struck them dead one after the other. The king arrived and saw what he had accomplished. However, the man told him: “I simply had the bears jump over a stick and chopped off their heads at the same time!” Delighted, the king assigns him another task. He says to him: “Now the giants will soon also be coming into my land, and you must help me against them as well.” The man promised to do so. And when the time approached, he again took a quantity of provisions with him, including a lark and a piece of cheese. On actually encountering the giants, he first entered into a conversation with them about his strength. One of the giants said: “We shall certainly show you that we are stronger,” taking a stone and crushing it in his hand. Then he said to the man: “That is how strong we are! What can you do as compared to us?” Another giant took an arrow, shooting it so high that only after a long time did the arrow come down again and said: “That's how strong we are! What can you do as compared to us?” At this, the man who had killed a hundred at one blow said: “I can do all that and more!” He took a small piece of cheese and a stone, spreading the stone with cheese, and said to the giants: “I can squeeze water out of a stone!” And he squashed the cheese so that water squirted out of it. The giants were astonished at his strength in being able to squeeze water from a stone. Then the man took the lark and let it fly off, saying to the giants: “Your arrow came back down again, the one I have shot, however, goes up so high that it does not come back down at all!” For the lark did not return at all. At that, the giants were so amazed, they agreed among themselves that they would only be able to overcome him with cunning. They no longer thought of being able to overcome him with the strength of giants. Nonetheless, they did not succeed in outwitting him; on the contrary, he outwitted them. While they all slept, he put an inflated pig's bladder over his head, inside which there was some blood. The giants had said to themselves: Awake, we shall not be able to get the better of him, so we shall do it while he sleeps. They struck him while he slept, smashing the pig's bladder. Seeing the blood that spurted out, they thought they had finished him off. And they soon fell asleep. In the peaceful quiet that overcame them, they slept so soundly that he was able to put an end to them.

Even though, like some dreams, the fairy tale ends here somewhat indefinitely and on an unsatisfactory note, we nonetheless have before us a portrayal of the battle of the human soul against the forces of Nature—first against the “bears,” then against the “giants.” But something else becomes evident in this fairy tale. We have the man who has “killed a hundred at one blow.” We have an echo of what lives at the deepest unconscious levels of the soul: the consolation in becoming aware of its own shrewdness over against these stronger, overwhelming forces. It is not a good thing when what has been presented artistically in pictures is interpreted abstractly. That is not at all what matters. On the other hand, nothing of the artistic form of the fairy tale is diminished if one has a feeling for the fact that the fairy tale is an after-echo of events taking place deep within the soul. These events are such that we can know a great deal about them, as much as one can come to know by means of spiritual investigation—yet, in immersing ourselves in fairy tales and experiencing them, they still remain original and elementary.

In researching them, it is certainly agreeable to know that fairy tales present what the soul needs on account of its deepest experiences, as we have indicated. At the same time, no fairy tale mood is destroyed in arriving at a deeper recognition of the sources of subconscious life. Presented only abstractly, we find these sources are impoverished for our consciousness, whereas the fairy tale form is really the more comprehensive one for expressing the deepest experiences of the soul.

It is then comprehensible that Goethe expressed in the significant and evocative pictures of the Fairy Tale of the Green Snake and the Beautiful Lily what he was abundantly able to experience, and which Schiller chose to express in abstract-philosophical concepts. Thus, despite having thought a great deal, Goethe wanted to say in pictures what he felt concerning the deepest underlying strata of human soul-life. And because the fairy tale relates in this way to the innermost soul, it is precisely the form most suited to the child. For it may be said of fairy tales that they have brought it about that what is most profound in spiritual life is expressed in the simplest possible form. In fact, one gradually comes to feel that in all conscious artistic life there is no greater art than that which completes the path from the uncomprehended depths of soul-life to the delightful, often playful pictures of the fairy tale.

An art capable of expressing in the most self-evident form what is hard to comprehend is the greatest and most natural art, an art intimately related to the human being. And just because, in the case of the child, the essential human being is still united in an unspoilt way with the whole of existence, with the whole of life, the child especially needs the fairy tale as nourishment for its soul. What depicts spiritual powers can come alive more fully in the child. The childlike soul may not be enmeshed in abstract theoretical concepts if it is not to be obliterated. It has to remain connected with what is rooted in the depths of existence.

Hence, we can do nothing of greater benefit for the soul of the child than in allowing what unites the human being with the roots of existence to act upon it. As the child still has to work creatively on its own physical formation, summoning the formative forces for its own growth, for the unfolding of its natural abilities, it senses wonderful soul nourishment in fairy tale pictures that connect it with the roots of existence. Since, even in giving themselves over to what is rational and intellectual, human beings can still never be wholly torn away from the roots of existence, they gladly turn again at every age to the fairy tale, provided they are of a sufficiently healthy and straightforward soul disposition. For there is no stage of life and no human situation that can estrange us altogether from what flows from fairy tales—in consequence of which we could cease having anything more to do with what is most profound in human nature or have no sense for what is so incomprehensible for the intellect, expressed in the self-evident, simple, primitive fairy tale and fairy tale mood.

Hence, those who have concerned themselves for a long time with restoring to humanity the fairy tales that had been rather glossed over by civilization, individuals such as the Brothers Grimm, understandably had the feeling—even if they did not adopt a spiritual scientific view—that they were renewing something that belongs intimately to human nature. After an intellectual culture had done its part over a period of centuries to estrange the human soul, including the soul of the child, such collections of fairy tales as those of the Brothers Grimm have quite properly found their way again to all human beings receptive for such things. In this way they have become once more the common heritage of children's souls, indeed of all human souls. They will do so increasingly, the more spiritual science is not just taken as theory, but becomes an underlying mood of the soul, uniting it more and more in feeling with the spiritual roots of its existence.³

In this way, by means of the dissemination of spiritual science, what genuine fairy tale collectors, those truly receptive for fairy tales as well as those who present them have declared, will prove well-founded. This is what a certain individual, a true friend of fairy tales, often said in lectures I was able to hear.⁴ It is a wonderfully poetic utterance which at the same time summarizes what results from such spiritual scientific considerations as we have presented today. It may be formulated in words this man spoke—knowing as he did how to love fairy tales, collecting them, and appreciating them. He always liked to add the saying:

“Fairy tales and sagas are comparable to a good angel, granted human beings as a companion from birth on their life's wanderings, to be a trustworthy comrade throughout—offering comradeship, and making life inwardly into a truly ensouled fairy tale!”⁵

• 1. in “Tales About Toads”
• 2. published in 10 volumes, 1900-1920
• 3. In 1856 Wilhelm Grimm wrote: “Common to all fairy tales is a residual faith reaching back into ancient times, expressing itself in a pictorial grasp of supersensible things.”
• 4. This is in all probability a reference to Rudolf Steiner's friend and teacher Karl Julius Schröer (1825-1900), professor of literature at the Technische Hochschule (Institute of Technology) in Vienna, discoverer of the Oberufer Christmas Plays, and described by Rudolf Steiner as “a researcher in the style of the Brothers Grimm.” (Document of Barr, Sept. 1907.)
• 5. Schröer was in turn quoting Wilhelm Grimm

Room. Dominant note rose-red. Large rose-red chairs are arranged in a semicircle. To the left of the stage a door leads to the auditorium. One after the other, the speakers introduced enter by this door; each stopping in the room for a time. While they do so, they discuss the discourse they have just heard in the auditorium, and what it suggests to them.

Enter first Maria and Johannes, then others. The speeches which follow are continuations of discussions already begun in the auditorium.

Maria:
My friend, I am indeed distressed to see
Thy spirit and thy soul in sadness droop,
And powerless to help the bond that binds
And that has bound us both for ten blest years.
E'en this same hour, filled with a portent deep
In which we both have heard and learned so much
That lightens all the darkest depths of soul,
Brought naught but shade and shadow unto thee.
Aye, after many of the speakers' words,
My listening heart could feel the very dart
That deeply wounded thine. Once did I gaze
Into thine eyes and saw but happiness
And joy in all the essence of the world.
In pictures beauty-steeped thy soul held fast
Each fleeting moment, bathed by sunshine's glow—
Flooding with air and light the forms of men
Unsealing all the depths and doubts of Life.
Unskilled as yet thine hand to body forth
In concrete colour-schemes, those living forms
That hovered in thy soul; but in the hearts
Of both of us there throbbed the joyous faith
And certain hope that future days would teach
Thine hand this art—to pour forth happiness
Into the very fundaments of Being;
That all the wonders of thy spirit's search
Unfolding visibly Creation's powers
Through every creature of thine art would pour
Soul rapture deep into the hearts of men.
Such were our dreams through all those days of yore
That to thy skill, mirrored in beauty's guise,
The weal of future men would trace its source.
So dreamed mine own soul of the goal of thine.
Yet now the vital spark of fashioning fire
That burned within thee seems extinct and dead.
Dead thy creative joy: and well-nigh maimed
The hand, which once with fresh and youthful strength
Guided thy steadfast brush from year to year.

Johannes:
Alas, 'tis true; I feel as if the fires
That erstwhile quickened in my soul are quenched.
Mine eye, grown dull, doth no more catch the gleam
Shed by the flickering sunlight o'er the earth.
No feeling stirs my heart, when changing moods
Of light and shade flow o'er the scenes around;
Still lies my hand, seeking no more to chain
Into a lasting present fleeting charms,
Shown forth by magic elemental powers
From utmost depths of Life before mine eyes.
No new creative fire thrills me with joy.
For me dull monotone obscures all life.

Maria:
My heart is deeply grieved to hear that thou
Dost find such emptiness in everything
Which thrives as highest good and very source
Of sacred life itself within my heart.
All, friend, behind the changing scenes of life
That men call ‘Being,’ true life lies concealed
Spiritual, everlasting, infinite;
And in that life each soul doth weave its thread.
I feel afloat in spirit potencies,
That work, as in an ocean's unseen depths,
And see revealed all the life of men,
As wavelets on the ocean's upturned face.
I am at one with all the sense of Life
For which men restless strive, and which to me
Is but the inner self that stands revealed.
I see, how oftentimes it binds itself
Unto the very kernel of man's soul,
And lifts him to the highest that his heart
Can ever crave. Yet as it lives in me
It turns to bitter fruitage, when mine own
Touches another's being. Even so
Hath this, my destiny, worked out in all
I willed to give thee, when thou cam'st in love.
Thy wish it was to travel at my side
Unhesitating all the way, that soon
Should lead thee to a full and perfect art.
Yet what hath happened? All, that in mine eyes
Stood forth revealed in its own naked Truth
As purest life, brought death, my friend, to thee
And slew thy spirit.

Johannes:
Aye. 'Tis so indeed.
What lifts thy soul to Heaven's sun-kissed heights
When through thy life it comes into mine own
Thrusts my soul down, to death's abysmal gloom.
When in our friendship's rosy-fingered dawn
To this revealment thou didst lead me on,
Which sheds its light into the darkened realms,
Where human souls do enter every night,
Bereft of conscious life, and where full oft
Man's being wanders erring: whilst the night
Of Death makes mock at Life's reality.
And when thou didst reveal to me the truth
Of life's return, then did I know full well
That I should grow to perfect spirit-man.
Surely, it seemed, the artist's clear keen eye,
And certain touch of a creator's hand,
Would blossom for me through thy spirit's fire
And noble might. Full deep I breathed this fire
Into my being; when—behold—it robbed
The ebb and flow of all my spirit's power.
Remorselessly it drove out from my heart
All faith in this our world. And now I reach
A point where I no longer clearly see,
Whether to doubt or whether to believe
The revelation of the spirit-worlds.
Nay more, I even lack the power to love
That which in thee the spirit's beauty shows.

Maria:
Alas! The years that pass have taught me this
That mine own way to live the spirit-life
Doth change into its opposite, whene'er
It penetrates another's character.
And I must also see how spirit-power
Grows rich in blessing when, by other paths,
It pours itself into the souls of men.
(Enter Philia, Astrid, and Luna.)
It floweth forth in speech, and in these words
Lies power to raise to realms celestial
Man's common mode of thinking; and create
A world of joy, where erstwhile brooded gloom.
Aye, it can change the spirit's shallowness
To depths of earnest feeling; and can cast
Man's character in sure and noble mould.
And I—yes, I am altogether filled
By just this spirit-power, and must behold
The pain and desolation that it brings
To other hearts, when from mine own it pours.

Philia:
It seemed as though the voices of some choir
(Enter Prof. Capesius and Dr. Strader.)
Mingled together, uttering manifold
Conceptions and opinions, each his own,
Of these who formed our recent gathering.
Full many harmonies there were indeed,
But also many a harsh-toned dissonance.

Maria:
Ah, when the words and speech of many men
Present themselves in such wise to the soul,
It seems as though man's very prototype
Stood centred there in secret mystery:
Became through many souls articulate,
As in the rainbow's arch pure Light itself
Grows visible in many-coloured rays.

Capesius:
Through changing scenes of many centuries
We wandered year on year in earnest search;
Striving to fathom deep the living force
That dwelt within the souls of those who sought
To probe and scan the fundaments of being,
And set before man's soul the goals of life.
We thought that in the depths of our own souls
We lived the higher powers of thought itself;
And thus could solve the riddles set by fate.
We felt we had, or seemed at least to feel,
Sure basis in the logic of our mind
When new experiences crossed our path
Questioning there the judgment of our soul.
Yet now such basis wavers, when amazed
I hear to-day, as I have heard before,
The mode of thought taught by these people here.
And more and more uncertain do I grow,
When I perceive, how powerfully in life
This mode of thought doth work. Full many a day
Have I spent thus, thinking how I might shape
Time's riddles as they solved themselves to me
In words, that hearts might grasp and trembling feel.
Happy indeed was I, if I could fill
Only the smallest corner of some soul
Amongst my audience with the warmth of life.
And oftentimes it seemed success was mine,
Nor would I make complaint of fruitless days.
Yet all results of teaching thus could lead
Only to recognition of this truth
So loved and emphasized by men of deeds,
That in the clash of life's realities,
Thoughts are dim shadows, nothing more nor less:
They may indeed wing life's creative powers
To due fruition, but they cannot shape
And mould our life themselves. So have I judged
And with this modest comment was content:
Where pale thoughts only work, all life is lamed
And likewise all that joins itself to life.
More potent than the ripest form of words,
However art might weave therein her spell,
Seemed nature's gift, man's talents—and more strong
The hand of destiny to mould his life.
Tradition's mountainweight, and prejudice
With dull oppressive hand will always quench
The strength of e'en the very best of words.
But that which here reveals itself in speech
Gives men, who think as I do, food for thought.
Clearly we saw the kind of consequence
That comes when sects, in superheated speech,
Blind souls of men with dogma's seething stream.
But nought here of such spirit do we find;
Here only reason greets the soul, and yet
These words create the actual powers of life,
Speaking unto the spirit's inmost depths.
Nay even to the kingdom of the Will
This strange and mystic Something penetrates;
This Something, which to such as I, who still
Wander in ancient ways, seems but pale thought.
Impossible, it seems, to disavow
Its consequences; none the less, myself
I cannot quite surrender to it yet.
But it all speaks with such peculiar charm
And not as though it really meant for me
The contradiction of experience.
It almost seems as if this Something found
The kind of man I am, insufferable.

Strader:
I would associate myself in fullest sense
With every one of thy last spoken words:
And still more sharply would I emphasize
That all results in our soul-life, which seem
To spring forth from the influence of ideas,
Cannot in any wise decide for us
What actual worth of knowledge they conceal.
Whether there lives within our mode of thought,
Error or truth—'tis certain this alone
The verdict of true science can decide.
And no one would with honesty deny
That words, which are, in seeming only, clear,
Yet claim to solve life's deepest mysteries,
Are quite unfit for such a scrutiny.
They fascinate the spirit of mankind,
And only tempt the heart's credulity;
Seeming to open door into that realm
Before which, humble and perplexed, now stands
The strict and cautious search of modern minds.
And he who truly follows such research
Is bound in honour to confess that none
Can know whence streams the wellspring of his thought,
Nor fathom where the depths of Being lie.
And though confession such as this is hard
For souls who all too willingly would gauge
What lies beyond the ken of mortal mind,
Yet every glance of every thinker's soul
Whether directed to the outer side,
Or turned towards the inner depths of life,
Scans but that boundary and naught beside.
If we deny our rational intellect
Or set aside experience, we sink
In depths unfathomable, bottomless.
And who can fail to see how utterly
What passeth here for revelation new,
Fails to fit in with modern modes of thought.
Indeed it needs but little thought to see,
How totally devoid this method is
Of that, which gives all thought its sure support
And guarantees a sense of certainty.
Such revelations may warm listening hearts,
But thinkers see in them mere mystic dreams.

Philia:
Aye, thus would always speak the science, won
By stern sobriety and intellect.
But that suffices not unto the soul,
That needs a steadfast faith in its own self.
She ever will give heed to words that speak
To her of spirit. All she dimly sensed
In former days, she striveth now to grasp.
To speak of the Unknown may well entice
The thinker, but no more the hearts of men.

Strader:
I too can realize how much there lies
In that objection; how it seems to strike
The idle dreamer, who would only spin
The threads of thought, and seek the consequence
Of this or that premise, which he himself
Hath formed beforehand. Me—it touches not—
No outer motive guided me to thought.
In childhood I grew up 'mid pious folk
And, following their custom, steeped my soul
In sense-intoxicating images
Of future sojourn in celestial realms,
Wherewith they seek to comfort and beguile
Man's ignorance and man's simplicity.
Within my boyish soul I sensed the throb
Of utmost ecstasy, when reverently
I raised my thoughts to highest spirit-worlds;
And prayer was then my heart's necessity.
Thereafter in a cloister was I trained;
Monks were my teachers, and in mine own heart
The deepest longing was to be a monk,—
An echo of my parent's ardent wish.
For consecration did I stand prepared
When chance did drive me from the cloistered cell;
And to this chance I owe deep gratitude.
For, many days before chance saved my soul
It had been robbed of inward peace and quiet;
For I had read and learned of many things,
That have no place within the cloister-gate.
Knowledge of nature's working came to me
From books that were forbidden to mine eyes;
And thus I learned new scientific thought.
Hard was the struggle as I sought the path
Wandering through many a way to find mine own;
Nor did I ever gain by cunning thought
Whate'er of truth revealed itself to me.
In fierce-fought battles have I torn the roots
From out my spirit's soil of all that brought
Peace and contentment to me when a child.
I understand indeed the heart that fain
Would soar up to the heights—but for myself,
When once I recognized that all I learned
From spirit-teaching was an empty dream,
I was compelled to find the surer soil
That science and discovery create.

Luna:
We may surmise, each after his own kind,
Where sense and goal of life doth lie for each.
I altogether lack the power to prove
According to the science of to-day,
What spirit-teaching I have here received:
But clear within my heart I feel and know
My soul would die without this spirit-lore,
As would my body, if deprived of blood.
And thou, dear doctor, 'gainst our cause dost fight
With many words, and what thou now hast told
Of thy life's conflict lends them weight indeed
Even with those who do not understand
Thy learned argument. Yet would I ask
(Enter Theodora.)
Exactly why it is that hearts of men
Receive the word of Spirit readily,
As though self-understood: yet when man seeks
Food for his spirit in such learned words
As thou didst use his heart grows chill and cold.

Theodora:
Although I am at home 'mid just such men
As circle round me here, yet strangely sounds
This speech I have just heard.

Capesius:
What strangeness there?

Theodora:
I may not say. Do thou, Maria, tell.

Maria:
Our friend has oftentimes explained to us
What strange experiences come to her.
One day she felt herself completely changed,
And none could understand her altered state.
Estrangement met her wheresoe'er she turned
Until she came into our circle here.
Not that we fully understand ourselves
What she possesses and what no one shares.
Yet we are trained by this our mode of thought
The unaccustomed to appreciate,
And feel with every mood of humankind.
One moment in her life, our friend perceived,
All that seemed hers aforetime, disappear;
The past was all extinguished in her soul.
And since these wondrous changes came to her,
This mood of soul hath oft renewed itself;
It doth not long endure; and other times
She lives her life as ordinary folk.
Yet whensoe'er she falls into this state,
The gift of memory doth fade away.
She loseth from her eyes the power to see
And senseth her surroundings, seeing not.
With a peculiar light her eyes then glow,
And pictured forms appear to her. At first
They seemed like dreams; anon they grew so clear,
That we could recognize without a doubt
Some prophecy of distant future days.
Full many a time have we seen this occur.

Capesius:
It is just this that little pleaseth me
Amongst these men; who mingle with good sense
And logic, superstition's fallacies.
'Twas ever thus where men have walked this path.

Maria:
If thou canst still speak so, thou dost not yet
Perceive our attitude towards these things.

Strader:
Well, as for me, I freely must confess,
That I would sooner revelations hear
Than speak of questionable spirit-themes.
For even if I fail to read aright
The riddle of such dreams, yet those at least
I count as facts; and would 'twere possible
To see one instance of the mystery
Of this strange spirit-mood before mine eyes.

Maria:
Perchance it is for look, she comes again.
And it doth seem to me as though e'en now
This mystic spirit-mood would show itself.

Theodora:
I am compelled to speak. Before my soul
A pictured form stands wrapped in robes of light;
From which strange words are sounding in mine ears.
I feel myself in future centuries,
And men do I behold as yet unborn:—
They also see the pictured form; they too
Can hear the words it speaks, which thus resound—
'O ye, who lived in faith's security,
Take comfort now in sight, and look on Me.
Receive new life through Me. For I am He
Who lived within the souls of those who sought
To find Me in themselves, by following
The gospel-words My messengers did bring
And by their own devotion's inward power.
The light of sense ye saw—believe ye now
In the creative spirit-world beyond.
For now indeed ye have yourselves achieved
One atom of divine prophetic sight.
Oh, breathe it deep, and feel it in your souls.'
A human form steps from that sphere of light.
And speaks to me: ‘Thou shalt make known to all
Who will give ear to thee, that thou hast seen
What all mankind shall soon experience:
Once, long ago, Christ lived upon the earth,
And from this life ensued the consequence
That in soul-substance clad He hovers o'er
The evolution of humanity,
In union with the earth's own spirit-sphere;
And though as yet invisible to men,
When in such form He manifests Himself,
Since now their being lacks that spirit sight,
Which first will show itself in future times;
Yet even now this future draweth nigh
When that new sight shall come to men on earth.
What once the senses saw, when Christ did live
Upon the earth; this shall be seen by souls
When soon the time shall reach its fullness due.’
(Exit.)

Maria:
This is the first time we have heard her speak
In such a manner to so many folk.
At other times she felt constrained to speech,
Only when two or three were gathered round.

Capesius:
To me indeed it seems most curious,
That she, as though commanded or required,
Should find herself to revelation urged.

Maria:
It may so seem; but we know well her ways
If at this moment she desired to send
Her inward soul-voice deep into your souls,
The only reason was, that unto you
The source, whence came her voice, desired to speak.

Capesius:
Concerning this strange future gift of sight;
Whereof she spake, as dreaming, we have heard
That he, who of this circle is the soul,
Hath oft already given full report.
Is it not possible that from his words
The content of her speech hath origin,
The mode of utterance coming from herself?

Maria:
If matters thus did stand, we should not deem
Her words of any consequence or weight:
But we have tested this condition well.
Before she came into our circle here,
Our friend had never heard in any way
Of that same leader's speeches, nor had we
Heard aught of her before she came to us.

Capesius:
Then what we have to deal with is a state,
Such as so often happens, contrary
To all the laws of nature; and which we
Must merely estimate as some disease.
And only healthy thought, securely based
On fully conscious sense-impressions, can
Pass judgment on the riddles set by life.

Strader:
Yet even here one fact presents itself;
And what we now have heard must have some worth—
For, even if we set aside all else
It doth compel the thought that spirit-power
Can cause thought-transference from soul to soul.

Astrid:
Ah me, if ye would only dare to tread
The ground your mode of thought doth choose to shun:
As snow before the sunlight's piercing glare
Your vain delusion needs must melt away,
Which makes the moods revealed, in such minds
Appear diseased, abnormal, wonderful.
They are suggestive, but they are not strange.
And small this wonder doth appear to me
When I compare it with the myriad
Of wonders that make up my daily life.

Capesius:
Nay, nay, one thing it is to recognize
What lies before our eyes on every side,
But quite another, what is shown us here.

Strader:
Of spirit 'tis not necessary to speak
Until there are things shown to us which lie
Outside the strictly circled boundary
Set by the laws of scientific thought.

Astrid:
The clear shaft of the sunlight on the dew
Which glistens in the morning's golden light,
(Enter Felix Balde.)
The hurling stream that riseth 'neath the rock,
The thunder rumbling in the cloud-wrapped sky,
All these do speak to me a spirit tongue:
I strove to understand it and I know
That of this speech's meaning and its might,
Only a faint reflection can be glimpsed
Through your investigations, as they are.
And when that kind of speech sank deep within
My heart, I found my soul's true joy at last.
Nor could aught else, but human words alone
And spirit teaching grant this gift to me.

Felix Balde:
Those words rang true indeed

Maria:
I must essay
To tell what joy fills all my heart to see
(Enter Felicia Balde.)
For the first time here with us yonder man,
Of whom we oft have heard; and joy doth cause,
The wish to see him here full many times.

Felix Balde:
It is not usual for me that I should
Associate with such a crowd of men:
And not alone unusual—

Felicia:
Aye, 'tis so.
His nature drives us into solitude
Away from all; year in, year out, we hear
Scarce any other converse save our own.
And if this good man here from time to time
(Pointing to Capesius.)
Came not to linger in our cottage home,
We scarce should realize that other men,
Besides ourselves, live on the earth at all.
And if the man, who spake such wondrous words
But recently in yonder lecture-hall,
And who affected us so potently,
Did not full many a time my Felix meet,
When he is gone about his daily tasks,
Ye would know nought of our forgotten life.

Maria:
So the professor often visits you?

Capesius:
Assuredly. And I may tell you all,
The very deep indebtedness I feel
To this good woman, who doth give to me
In rich abundance, what none other can.

Maria:
And of what nature are these gifts of hers?

Capesius:
If I would tell the tale, then must I touch
A thing that verily doth seem to me
More wonderful than much that here I've heard,
In that it speaks more nearly to my soul.
But were I in some other place, these words
Would hardly pass the barrier of my lips;
Yet here they seem to flow therefrom with ease.
In my soul-life there often comes a time
When it doth feel itself pumped out and dry.
It seems as though the very fountain-head
Of knowledge had run dry within my heart.
Then can I find no word of any kind
Worthy to speak or worthy to be heard.
And when I feel such spirit barrenness
I flee to these good people, and seek rest
In their reviving, peaceful solitude;
Then Mistress Felix tells me many a tale
Set forth in wondrous pictures, manifold,
Of beings, dwelling in the land of dreams,
Who lead a joyous life in fairy realms.
When thus she speaks, her tone and speech recall
Some oft-told legend of the ancient days.
I ask no question whence she finds these words
But this one thing alone I clearly know:
That new life flows therefrom into my soul,
And sweeps away its dull paralysis.

Maria:
To hear such splendid witness to the skill
Of Dame Felicia doth, in wondrous wise,
Harmoniously blend in every way
With all that Benedictus told to us
About his friend's deep hidden knowledge-founts.

Felix Balde:
He who spake words to us just now, which showed
(Benedictus appears at the door.)
How in the realm of universal space,
And vast eternities his spirit dwelt,
Hath surely little need to speak o'er much
Of simple men.

Benedictus:
Thou errest friend. For me
Infinite value hath each word of thine.

Felix Balde:
It was presumption only, and the bent
Of idle talk, when thou didst honour me
To wander at thy side our mountain paths.
Only because thou didst conceal from me
How much thyself dost know, I dared to speak.
But now our time is up, and we must go—
A long way hence doth lie our quiet home.

Felicia:
It hath been most refreshing once again
To come amongst mankind: and yet I fear
It will not happen very soon again:
There is no other life which Felix deems
Better than living in his mountain heights.
(Exeunt Felix and his wife.)

Benedictus:
Indeed I well believe his wife is right,
Nor will he come again for many days.
It needed much to bring him here to-day.
And yet the reason lies not in himself
Why no one knoweth aught of him or his.

Capesius:
He only seemed to me eccentric, strange;
And many an hour I found him talkative
When I was with him; but his mystic speech
And strange discourse remained obscure to me,
When he revealed all that he claims to know.
He spoke of solar beings housed in rocks;
Of lunar demons, who disturb their work;
And of the sense of number hid in plants;
And he who listens to him cannot long
Keep clear the thread of meaning in his words.

Benedictus:
And yet 'tis also possible to feel
As if the powers of Nature, through these words,
Sought to reveal themselves in their true state.
(Exit.)

Strader:
Already do I feel forebodings strange
That now dark hours are coming in my life.
For since the days of cloistered solitude,
Where I was taught such knowledge, and thereby
Struck to the very darkest depth of soul,
Not one experience has stirred me so,
As this weird vision of the seeress here.

Capesius:
Indeed I cannot see that aught of that
Should prove unnerving. And I fear, my friend,
That if thou once dost lose thy certainty,
Dark doubt will soon envelop all thy thought.

Strader:
Too true! And 'tis the fear of just this doubt
That causeth me full many an anxious hour.
From my experience I know nought else
Of this strange gift of seership, save that when
Life's vexing problems sorely trouble me,
Then, ghostlike, riseth from dark spirit-depth,
Before my spirit's eyes, some phantom form
Like some dream-being, grim and terrible,
Pressing with fearful weight upon my soul,
And clutching horribly around my heart.
It seems to speak right through me words like these:
‘If thou dost fail to gain the victory
O'er me with those blunt weapons of thy thought,
Thou art a fleeting phantom, nothing more,
Formed by thine own deluded imagery.’

Theodosius:
That is the destiny of all such men,
As do approach the world by thought alone.
The spirit's voice dwells deep in every soul.
Nor have we strength to pierce the covering
That spreads itself before our faculties.
Thought doth bring knowledge of things temporal,
Of things that vanish in the course of time:
The everlasting and all spirit-truth
Are found but in the inner depths of man.

Strader:
If, then, the fruitage of a pious faith
Is able to give rest to weary souls,
Such souls may wander safely in that path,
And find sufficiency within themselves.
And yet the power of knowledge, pure and true,
Doth never bloom on such a. path as this.

Theodosius:
Yet there can be no other way to light
True spirit-knowledge in the hearts of men.
Pride may seduce and change to fantasies
The soul's true depths of feeling, and may see
A vision only where faith's beauty lies.
One thing alone of all we here have heard
From spirit-teaching of the higher worlds,
Strikes clear upon our honest human sense:
That only in the spirit-world itself
The soul can feel itself in its true home.

The Other Maria:
So long as man feels need of speech alone,
And nought besides, so long such words as these
May satisfy bim: but the fuller life
With all its strife, its yearnings after joy,
And all its sorrow, needeth other food
To nourish and sustain the fainting soul.
For me, an inner voice did drive me on
To spend all the remaining days of life
Which were allotted me, in helping those
Whom stress of destiny had smitten down
And plunged in deepest poverty and need.
And far more oft I found it necessary
To soothe the anguish of the soul of man
Than heal his body's pain and suffering.
But I have felt indeed in many ways
My will's weak impotence to comfort men.
So that I am compelled to seek fresh strength
From out the treasured store which floweth forth
Abundantly from spirit-sources here.
The quickening warmth of words which greet my sense,
Flows forth with magic force into my hands;
And thence, like healing balsam, forth again,
When those hands touch some sorrow-laden soul.
It changeth on my lips to strengthening words
Which carry comfort unto pain-racked hearts.
The source of words like these I do not ask;
I feel their truth—they give me living life.
And every day more clearly do I see,
That they derive their strength not from my will
In all its weakness, but create anew
Myself each day unto myself again.

Capesius:
Yet surely there are men enough on earth
Who, though they lack such revelation's aid,
Perform innumerable deeds of good?

Maria:
In sooth there is no lack of men like these
In many places; but my friend doth mean
A different thing; and if thou didst but know
The life she led, thou wouldst speak otherwise.
Where unused powers in full abundance dwell
There love will cause the seed to germinate
In rich abundance in the heart's good soil.
But our friend here exhausted life's best powers
In never-ending toil beyond her strength;
And all her will to live lay crushed and dead
Beneath the cruel weight of destiny,
Which fell upon her. All her strength she gave
To careful guidance of her children's weal:
And low already had her courage ebbed
When early death took her loved husband home.
In such a state as this, days dull and drear
Seemed all fate had in store whilst life remained.
But then the powers of destiny prevailed
To bring her 'neath the spell of spirit-lore;
And soon with us she felt the vital force
Of life break forth in her a second time.
Fresh aims in life she found, and with them came
Fresh courage once again to fight and strive.
And thus in her the spirit hath achieved
In very truth to fashion from decay
A new and living personality.
And when the spirit in such fruit as this
Shows its creative potency, we learn
It s nature, and the way it speaks to us.
And, if no pride lies hidden in our speech,
And highest moral aims live in our hearts;
If we believe that in no way at all
Our teaching is our own;—but that alone
The spirit shows itself within our souls—
Then may we surely venture to assert
That in thy mode of thinking may be found
But feeble shadows waving to and fro
Athwart the real true source of human life:
And that the spirit, which ensouls our work
Is linked in inward harmony with all
That weaves the web of destiny for man
Deep in the very fundaments of life.
I have been privileged for many years
To give myself to vital work in life:
And during all this time more bleeding hearts
And yearning souls have come before mine eyes,
Than many would conceive were possible.
I do esteem thy high ideal flight,—
The proud assurance of thy sciences:
I like to see the student-audience,
Respectful, sit and listen at thy feet:
And that to many souls thy work doth bring
Ennobling clarity of thought, I know.
But yet regarding thought like this, it seems,
Trustworthiness can only dwell therein
So long as thought lives in itself alone.
Whereas the realm of which I am a part
Sends into deep realities of life
The fruitage of its words, since it desires
To plant in deep realities its roots.
Far, far away from all thy thought doth lie
The written word upon the spirit-heaven
Which with momentous tokens doth announce
New growth upon the tree of humankind.
Thought on the old lines clear and sure may seem,
Yet can it only touch the tree's coarse bark,
And never reach the living sap within.

Romanus:
For my part I do seek in vain the bridge
That truly leadeth from ideas to deeds.

Capesius:
'Tis true our friends do over-estimate
The power that can be wielded by ideas,
But thou dost in another way mistake
The actual course of true reality:
For it is certain that ideas must form
The germ of all the actual deeds of men.

Romanus:
If this friend doth so many deeds of good,
The impulse thereunto lies in herself
And her warm-hearted nature, not in thought.
Most certainly 'tis needful for man's soul,
After the busy day of toil and work,
With noble thought to edify the mind.
But yet 'tis only schooling of man's will
In harmony with all his skill and power
To undertake some real work in life
Which will help forward all the human race.
When whirr of busy wheels sounds in mine ears,
Or when I see some creaking windlass drawn
By strong stout hands of men content to work,
Then do I sense indeed the powers of Life.

Germanus:
Often in careless speech have I maintained
That I preferred things droll and humorous
And held these only full of wit and charm,
Deeming that for my brain at any rate,
They always would provide material
Best fitted to fill up the time that lies
Between my recreation and my work.
But now quite tasteless to me seem such things;
The Power Invisible hath conquered me;
And I have learned to feel that there may be
More powerful forces in humanity,
Than all our wit's frail castles in the air.

Capesius:
And did it seem that nowhere else but here
'Twas possible to find such spirit-powers?

Germanus:
Indeed the life I used to live did offer me
Full many a type of spiritual work:
Yet cared I not to pluck or taste its fruit.
But this strange mode of thought which blossoms here
Seems to attract and draw me to itself
However little I desired to come.

Capesius:
Most pleasant hath this hour of converse been,
And we are debtors to our hostess here.
(Exeunt all, except Maria and Johannes.)

Johannes:
Oh, stay a little while yet by my side,
I am afraid:—so desperately afraid:—

Maria:
Tell me; what is it aileth thee, my friend?

Johannes:
The first cause was our leader's speech; and then
The chequered converse of these people here.
It all hath moved and stirred me through and through.

Maria:
But how could simple speeches such as these
Seize on thine heart with such intensity?

Johannes:
Each word seemed in that moment unto me
A dreadful symbol of our nothingness.

Maria:
Indeed it was significant to see
Pour forth in such short time so many kinds
Of life and man's conflicting tendencies,
In all the speeches that we lately heard.
Yet 'tis indeed a most peculiar trait
Of life, as it is lived amongst us here,
To bring to speech the inner mind of man;
And much that otherwise comes slowly forth,
Stands here revealed in little space of time.

Johannes:
A mirrored picture 'twas of fullest life
That showed me to myself in clearest lines:
This spirit-revelation makes me feel
That most of us protect and train one trait
And one alone in all our character,
Which thus persuades itself it is the whole.
I sought to unify these many traits
In mine own self and boldly trod the path
Which here is shown, to lead unto that goal;
And it hath made of me a nothingness.
Keenly I feel what all these others lack,
And yet I sense as keenly that they all
Have actual part in life itself, whilst I
Stand but on unsubstantial nothingness.
It seemed whole lines of life ran into one
Significant in those brief speeches here.
But then mine own life's portrait also rose
And stood forth vividly within my soul.
The days of childhood first were painted there,
With all its fullness and its joy in life:
Then came the picture of my youthful prime
With that proud hopefulness in parent-hearts
Awakened by the talents of their son.
Then dreams concerning my career in art,
Which formed life's all in those old happy days,
Surged up from out my spirit's inmost depths
Exhorting to fulfil my cherished hopes;
And then those dreams in which thyself didst see
How I translated into coloured form
The spirit-life that liveth in thy soul.

Then saw I tongues of fire spring up and lick
Around my youthful dreams and artist hopes,
Reducing all to dust and nothingness.
Thereafter rose another pictured form
From out that drear and dreadful nothingness—
A human form, which once had linked its fate
In faithful love with mine in days long past.
She sought to hold me by her when I turned
Long years ago unto my home again,
Called to attend my mother's funeral rites.
I heeded not, but tore myself away;
For mighty was the power that drew me here
To this thy circle and the goals of life
Which here are set before our eager gaze.
In those dark days I felt no sense of guilt
When I did rend in twain the bond of love,
That was unto another soul its life.
Nor later when the message came to me
How that her life did slowly pine away,
And finally was altogether quenched
Did I feel aught of guilt until to-day;
But full of meaning were those recent words
In yonder chamber which our leader spake;
How that we may destroy by power misused
And perverse thought the destiny of those
Whom bonds of loving trust link to our souls.
Ah, hideously these words again resound
Out of the picture, thence re-echoing
With ghastly repetition from all sides:
‘Her murderer thou art! her hast thou slain!’
Thus whilst this weighty speech hath been for all
The motive to probe deep within themselves,
Within my heart it hath brought forth alone
The consciousness of this most grievous guilt.
By this new means of sight I can perceive
How far astray my striving footsteps erred.

Maria:
And at this moment, friend, in dark domains
Thou walkest, and none else can help thee there,
Save he, in whom we all do put out trust.
(Maria is called away; re-enter Helena.)

Helena:
I feel constrained to linger by thy side
A little while; since now for many weeks
Thy gaze hath held so much of grief and care.
How can the light, which streams so radiantly
Bring gloom unto thy soul, which only strives
With utmost strength to seek and know the truth?

Johannes:
Hath then this light brought naught but joy to thee?

Helena:
Not the same joy as that which once I knew,
But that new joy which springeth from those words,
Through which the spirit doth reveal itself.

Johannes:
Natheless I tell thee that the self-same power,
Which doth in thee create, can also crush.

Helena:
Some error must have crept into thy soul
With cunning tread, if this be possible;
And if dull care instead of happiness,
And moods of sorrow flow forth from the source
Of truth itself instead of spirit-bliss
In free abundance: seek then in thyself
The stumbling-blocks that thus impede thy way.
How often are we told that only health
Is the true fruitage of our teaching here,
Which makes to blossom forth the powers of life.
Shall it then show the contrary in thee?
I see its fruitage in so many lives,
Which gather trustingly around me here.
Their former mode of life grows day by day
Strange and still stranger to such souls as these;
As well-springs are fresh opened in their hearts,
Thenceforth renewing life within themselves.
To gaze into the primal depths of being
Doth not create those passionate desires
Which torture and torment the souls of men.
(Exit.)

Johannes:
It took me many years to understand
And know the vanity of things of sense
When spirit-knowledge is not joined with them
In close and intimate companionship.
But that the words of highest wisdom's light
Uttered by thee, are empty vanity
One single moment hath sufficed to prove.

There are several reasons why it would seem a somewhat risky enterprise to speak about fairy tales in the light of spiritual science.

First of all, the subject is indeed difficult, for the source of what one can call the true fairy tale mood lies deep down within the human soul. The methods of spiritual science that I have often described must take their way along extremely convoluted and lengthy paths in order to find this source. We little suspect how deeply hidden lie the springs that have given rise through centuries of human history to all the enchantment of genuine fairy tale poetry.

In the second place, it is just this poetic enchantment that causes one to feel strongly about fairy tales; studying them or trying to explain them with one's own ideas must surely destroy their fresh spontaneity, yes, even the whole effect of the tales. We often hear it said quite rightly that explanations and commentaries of poetry spoil the immediate, lively, artistic impression that a poem should give us; we want it to affect us simply on its own. All the more should this apply to the infinitely subtle and bewitching quality of the poetic tales arising from the deep, almost bottomless springs of the folk soul or from single human hearts. They flow out in such an original way that intruding our own strong judgment would seem like tearing a flower to pieces.

Nevertheless, spiritual research does find it possible to throw some light into those regions of soul that give rise to the poetic mood of the fairy tale. In doing this, the second doubt will be allayed. Simply by searching out the sources and wellsprings from which fairy tales flow, deep down in human soul nature, we can be completely sure that the explanations of spiritual science will touch those depths so gently that they are not harmed. Just the opposite: the wonder of everything lying down there in the human soul is so new, so original, so individual that one has oneself to resort to a kind of fairy tale in speaking about it all; nothing else will do to describe these hidden springs.

Goethe, for one, moving beyond his work as an artist in order to plunge fully into the wellsprings and sources of life, would not take to theoretical discussion nor destroy the fairy tale's living water with his scrutiny when he wanted to reveal one of the most profound insights into the human soul. No, as soon as he had won these insights, it seemed natural to use the fairy tale itself to describe what lives and comes to expression in the soul at its deepest level. In his Tale of the Green Snake and the Beautiful Lily, Goethe tried to express in his own way the extraordinary soul experiences that Schiller brought forward in a more abstract, philosophical style in the Aesthetic Education of Man.

The very nature of fairy tale enchantment leads us to believe that explaining and trying to understand it will probably never destroy the creative mood; to dig down into those wellsprings with the resources of spiritual research is to discover something quite remarkable. If I were to talk about fairy tales as much as I'd like to do, I would have to give many lectures. Today it will be possible to bring only a few hints regarding the results of research.

A person who attempts the spiritual exploration of the fairy tale sources will find that they lie in far more profound depths of the soul than those from which other works of art emerge, even for instance, the most awe-inspiring tragic drama. In a tragedy, the poet shows us how the human soul experiences the gigantic powers of fate that exalt as well as crush their victim. Fate is the cause of the ordeals and shocks of tragedy. We find that the tangled threads woven together and then unraveled in tragic drama belong more or less to what an individual has to suffer from the outside world. However difficult this may be to discern, requiring as it does our finding the way into the uniqueness of a human soul, it is nevertheless quite possible for anyone sensitive to the impact of life itself upon the soul. A tragedy, we feel, shows us how an individual is entangled in this or that fateful life-situation.

However, the source of fairy tale mood and fairy tale poetry lies still deeper than the complexities of tragedy. For one thing, we can feel that tragedy concerns itself—as do other artistic creations—with an individual who in a certain period of life, at a certain age, is exposed to some kind of misfortune. We take it for granted that when tragic drama affects us, it is because a human being is brought through his own unique experiences to what is happening; we realize that it is one single person with his own special destiny that we must come to understand. Here, as in other works of art, we meet a particular, circumscribed sphere of life.

It is altogether different, we feel, when we come knowingly to fairy tale poetry and its mood. The effect of a fairy tale on our soul is spontaneous, elementary, and therefore remains unconscious. When we try to get a feeling for it, however, we can find that what a fairy tale expresses is not about one person in a particular situation in life, is not a limited portion of life, but rather something so integrated in human experience that it has to do with the comprehensive truth of all mankind. It is not about some special individual who finds himself at a certain time of life in a singular dilemma; what the fairy tale describes lies so completely in everyone's soul nature that it represents actual experience to children in their early years to persons of middle age and even to old men and women.

Throughout our whole lifetime the fairy tale happenings picture our most profound experiences of soul, even though the style is light, playful and picturesque. The artistic enjoyment of a fairy tale, in its correspondence to inner soul experiences, can be compared—a rather bold comparison—to the relationship of an enjoyable taste on the tongue to the hidden, complex proceedings in the rest of the body, where the food takes up its task of nourishing the organism. What lies in that further process, after our pleasure in its taste, is not at all evident to our observation or understanding. Both things seem at first to have little to do with each other; no one is able to say, from savoring a food, what its particular use will be in the life processes of the body. And so it is with our joy in the art of the fairy tale. It is far, far removed from what is happening at the same time, all unconsciously, deep in the soul. There the essence of the fairy tale is pouring forth, satisfying the soul's persistent hunger for it. Just as our body has to have nutritive substances circulating through the organism, the soul needs fairy tale substance flowing through its spiritual veins.

Using the methods of research described in my books as a way to approach the higher worlds, you will discover, at a certain level of spiritual knowledge, the spiritual processes working unconsciously in the depths of the soul. In our ordinary life we are aware of these spirit impulses within our soul only when they surface as gentle dreams, caught at rare times by our waking consciousness. Now and then we may have such a special waking up that we realize: You are emerging out of a spiritual world where there is thinking and where there are intentions, and where something was happening down in the unapproachable grounds of your existence that was somehow akin to daily happenings; this something seems an intimate part of your own being but is completely hidden from your waking, everyday life.

It is often the same story with the spiritual researcher, even when he has progressed as far as experiencing a world of spiritual beings and spiritual deeds. However much further he then advances, he nonetheless reaches again and again the same edge of a world out of whose deep unconsciousness there come towards him spiritual impulses, impulses connected with himself. They appear to his spiritual gaze like a Fata Morgana but they do not yield themselves up to him completely.

This very peculiar experience is what awaits one on looking into the unfathomable spiritual relationships belonging to the human soul. It is fairly easy to follow attentively and understand certain intimate soul happenings, for example, the emotional conflicts that also lie there within the soul and that are revealed in art, in tragic drama. But far more difficult are the quite common human conflicts, which in our daily life we simply cannot imagine are there, and yet every one of us undergoes them at every period of our life.

One such soul conflict discovered by spiritual research takes place without the ordinary consciousness being aware of it: our waking up every day, when the soul leaves the world it has been in during sleep and slips down into the physical body. As I said, we have normally not the slightest knowledge of this, yet every morning our soul is engaged in a battle that the spiritual researcher can catch only to a slight degree: it is the battle of the single, lonely human soul meeting the gigantic powers of nature. Thunder and lightning and everything else in the elements that we have to confront out in the world unload their great strengths on us as we stand there more or less helplessly. All that tremendous power, however, even when we meet it head on, is a small thing compared to the unconscious battle at the moment of waking up, when our soul—alive only to itself up to then—has to unite with the pressures and substances of a purely physical body. The soul needs this organism in order to use the bodily senses that are governed by the laws of nature and to use also the bodily limbs in which the powers of nature prevail. There is something like a yearning in the soul to dip down into this sheer natural state, a yearning satisfied each time by waking up, and yet at this very moment there is a shrinking back, a feeling of utter helplessness in the face of the eternal opposition existing between the soul and the nature-related physical body, into which one awakens. It may sound strange that this daily battle takes place in the depths of our soul—but then it takes place in complete unconsciousness. The soul knows nothing of what it has to undergo every single morning, but nevertheless it is burdened by the conflict, which affects its very nature and its individual character.

There is something else happening in these depths, which can be caught on the wing by spiritual research; it occurs at the moment of falling asleep. The human soul withdraws from the sense world and from the bodily limbs and has more or less left behind the physical body in the physical-sense world. Then there comes to the soul what one may describe as an awareness of its inwardness. At that moment it begins to experience unconsciously the inner battles caused by its constraint in a physical body in the waking state, where it has to act in consequence of its entanglement in matter. It is aware of its bent toward the burdensome sense-world, which, however, represses its morality. In falling asleep and during sleep, the soul is alone with itself and pervaded unconsciously by so moral an atmosphere that it can hardly be compared to the morality we know in ordinary life. Besides other impressions, it is this that the soul experiences when it is outside the physical body and living a purely spiritual existence between falling asleep and waking up.

We should not imagine that all these occurrences in our soul are simply absent when we are awake. Spiritual research can show one very interesting effect as an example: we do not dream only when we believe we are dreaming but we actually dream the whole day long. In truth, our soul is full of dreams all the time, even though we don't notice it, for our waking consciousness is more forceful than the dream consciousness. As a somewhat weak light is extinguished altogether in the presence of a stronger one, our day-consciousness extinguishes what is continually running parallel to it, the dream experience in the depths of our soul. We dream all the time, but we are seldom conscious of it. Out of those abundant and unconscious dream experiences—an infinitely greater number than our waking perceptions—a few rise up like single drops of water shaken out of an immense lake; these are the dreams we become conscious of. But the dreaming that stays unconscious is perceived by the soul spiritually. In its depths many things are being experienced. Just as chemical processes that we are unaware of take place in the body, there are spiritual experiences taking place within us in unconscious regions of the soul.

We can throw more light into these hidden depths of soul life by adding something else to the facts we have mentioned. It has often been emphasized, and especially so in my last lecture, [Raphaels Mission im Lichte der Wissenschaft vom Geiste (January 30, 1913); The Mission of Raphael (unpublished MS).] that in the course of evolution on earth, human soul life has undergone a complete change. When we look far, far back into the past of humankind, we find the soul of ancient man having totally different experiences from those today. In earlier lectures we spoke about early mankind's primitive clairvoyance; we will speak further about it in the future. We look out at the world today in the wide-awake condition of soul that is normal, taking in sense impressions from outer stimuli, working on them with our intelligence, reason, emotions, and will forces—but this form of consciousness is merely the one that holds good for the present day. This modern consciousness has developed out of the earlier forms in ancient days that we can call—in the best sense of the word—clairvoyant; people were able in certain intermediate conditions between waking and sleeping quite normally to experience something of the spiritual worlds. At that time a person, even though he could not become really conscious of himself, would not find the experiences we have been describing as taking place in the depths of the soul at all unfamiliar or strange.

In ancient times the human being could more fully perceive his union with the spiritual world outside himself. He saw how everything going on in his soul, the happenings deep in his soul, were related to certain spiritual realities alive in the universe. He saw these realities moving through his soul, felt closely related to the spirit-soul beings and realities of the universe. This was a characteristic of mankind's primeval clairvoyance. In ancient times, not only artists but quite primitive people frequently had a feeling that I am going to describe, which today we arrive at only in quite special moods.

It can really happen that, living gently in the depths of the soul, as gently as anything can be, there is an experience of the spiritual realities mentioned above, one that does not come to consciousness. Nothing of it is perceived in the wide-awake life of the day. But something is there in the soul, just as hunger often is there in the physical organism, and just as we have a need for something to satisfy our hunger, we have also a need for something to satisfy this delicate need in our soul.

It is at this moment that one feels urged either to come to a fairy tale or a legend that one knows, or else, perhaps, if one has an artistic nature, to create something of the kind oneself, even though one senses that all the words one could theoretically use would only reach a kind of stammering about such experiences. This is how the fairy tale images arise. The nourishment that satisfies the hunger we spoke of is just this conscious filling of the soul with fairy tale pictures. In the earlier times of mankind's evolution, the human soul was closer to a clairvoyant perception of its inner spiritual experiences; often, therefore, the simple country folk felt this hunger more distinctly than we do today, and this led them to search for nourishing pictures arising out of their creative soul life; we find these today in the fairy tales coming down to us as folk traditions in various parts of the world. In those earlier times the human soul felt its connection to spiritual existence and felt more or less consciously the inner battles it had to undergo, even without understanding them. The soul formed these into pictures and images which had only a distant resemblance to what was happening in its depths. But still one can feel that there is a connection between the happenings of a fairy tale and the unfathomable, profound experiences of the soul.

It is evident—many can confirm this—that the heart of a child often succeeds in creating for itself a comrade or “friend” who is present only for that child and who stays at its side through all its coming and going. Probably everyone knows children with such invisible spirit-friends. These unseen playmates you have to imagine as being with the child wherever he is, sharing all his joys and sorrows. And then you see someone coming along, a so-called “intelligent” person, who hears about this invisible playmate and tries to talk the child out of it, even believes it's a healthy thing he's doing—but it has a bad effect on the child's feeling-life. A child will grieve for his soul-comrade and if he is susceptible to spiritual-soul moods, the grief will be weighty and can develop into a pining away or sickliness. This is actual experience, related to deep, inward happenings of the human soul.

We can take to heart, without dispelling the fragrance of such a tale, the Grimms' story of the child and the paddock (a small frog). A little girl lets the paddock eat with her out of her bowl of bread and milk; the paddock only drinks the milk. The child talks to the little creature as to another human being, saying one day, “Eat the bread crumbs as well, little thing.” The mother hears this, comes out to the yard, and kills the paddock. And now the child loses her rosy cheeks, wastes away and dies.

In this tale we can feel an echo of certain moods that really and truly are present in the depths of our soul. They are there not only at certain periods of our life, but whether we are children or adults, we recognize such moods because we are human beings.

Every one of us can feel reverberating in us how this something we experience but don't understand, something we don't even bring to consciousness, is connected with the effect of the fairy tale on our soul like the taste of food on our tongue. And then the fairy tale becomes for the soul very much like nutritious food when it is put to use by the whole organism. It is tempting to search in these deep-lying soul experiences for what reverberates in each different tale. Of course it would be a tremendous task over a long time, given the great collections of fairy tales from everywhere in the world, to probe into them just for this. However, what can be looked at in a few tales can be used in a general way for all of them, if the few are genuine fairy tales.

Take one of the stories that the brothers Grimm collected, “Rumpelstiltskin”. When a miller claims that his daughter can spin straw into gold, the king has him bring her to the castle in order to test her art. She comes to the king, is locked in a room with a bundle of straw and “there sat the poor miller's daughter and for the life of her could not tell what to do”. As she begins to weep, there appears a little man who says, “What will you give me if I spin the straw into gold for you?” The girl gives him her necklace and the little man spins the straw into gold. The king next morning is astonished and delighted but wants more; she should spin straw into gold again. She is locked in another room with even more straw, and when the little man appears again and asks, “What will you give me if I spin the straw into gold for you?” she gives him her ring. By morning all the straw is spun into glittering gold. But the king is still not satisfied. The manikin comes again, but now the girl has nothing more to give him. “Then promise me, if you should become queen, to give me your first child,” says the little man, and so she promises. And when, after a year, the child is there and the manikin comes and reminds the queen of her promise, she begs him to wait. “I will give you three days' time,” he replies. “If you know my name by that time, you shall keep your child.” The miller's daughter sends messengers far and wide. She must find every name and also the particular name of the little man. Finally, after several wrong guesses, she succeeds in naming the little man by his right name: Rumpelstiltskin.

No other work of art gives us the feeling of utmost inner joy as the fairy tale with its unsophisticated pictures, yet we can also know the deep soul experience from which such a tale arises. It is a prosaic but accurate comparison to say, we can know a great deal about the chemistry of our food and still take pleasure in something delicious we're eating. And so we can know and understand something about these deep inner soul experiences in us that are felt but not “known”—and that emerge as the pictures of fairy tales.

Indeed our solitary soul, this miller's daughter, is a lonely thing, both in sleep and in waking life, even though she is harbored in our body. The soul feels (but unconsciously) the great antithesis she has to live in; she experiences (but does not understand) her unending task, her own anchorage in divine worlds.

The soul will always be aware of other insignificant abilities in comparison to those of outside nature. Nature is the mighty enchantress, who can transform one thing into another in a trice—something the soul would like to be and do.

In everyday consciousness, one can submit with a good grace to this disparity between the human being and the omnipotent wisdom of the spirit of nature. In the depths of the soul, however, things are not so simple. The soul would certainly come to grief if she did not surmise that within her own conscious being a still deeper being is present, something she can trust, something she might be able to describe like this:

You, Soul, are still at such an imperfect stage—but there is something in you, another entity, who is far more clever than you, who can help you to accomplish the most difficult tasks and give you wings to rise up and look over wide perspectives into an infinite future. Someday you will be able to do what is still impossible, for there is something within you that is far, far greater than the part of you now that “knows”; it will be a loyal helper if you can enter into an alliance with it. But you must truly be able to form a concept of this creature who lives within you and is so much wiser, cleverer, more skilful than you are yourself.

When you try to imagine this conversation of the soul with itself, an unconscious conversation with the more capable part of the soul, you can then try to catch this nuance in the Rumpelstiltskin fairy tale: what the miller's daughter had to experience in not being able to spin straw into gold and then finding a loyal helper in the little manikin. It is impossible to blow away the fragrance of those pictures, even when we know their origin, deep down in our soul life. Let us take another tale. Please forgive me if it is connected with things that seem to have a personal coloring; it is not meant to be personal. It makes it somewhat easier to explain if I add this small personal note.

In my book Occult Science [ An Outline of Occult Science, Anthroposophic Press, New York, 1972.] you will find a description of the evolution of the world. I don't intend to speak about it now—possibly on another occasion. During this evolution of the world our earth has passed through certain stages as a planet in the universe, and these stages can be compared to the stages of life in the individual human being. Just as individuals go through one life after another, the earth itself has had various planetary stages or embodiments. In spiritual science, for certain reasons, we speak about the earth—before its “earth” stage began—as having a “moon” stage and before that, a “sun” stage. There was a sun evolutionary period as a planetary pre-stage of our earth in the primordial past; an ancient sun was still united with the earth, from which—at a later stage—it split away. The moon also split away from what originally was the sun. Our sun today is not the original one but only a piece of it; we can speak of an ancient sun-stage of the earth and also of our present sun. Spiritual research can look back to the time in earth evolution when the second sun, our present one, developed as an independent body in the universe. In searching for the existence at that time of beings actually perceptible to the senses, it finds only the lower species up to the level of the fishes.

You can read all this in more detail in Occult Science, and there you will be able to understand it. The actual details, however, can be found only through the scientific methods of spiritual research. At the time they were discovered and I wrote them down (more precisely, they were not discovered just when I wrote them down but they were, one can say, discovered for me and I wrote them down in Occult Science) the following fairy tale was quite unknown to me—and this is the personal note I wanted to add. I can verify the fact that it was unknown then, for I found it much later in Wundt's Elements of Folk Psychology and traced it then back to its source.

Before I give you a short summary of the fairy tale, let me say this: Everything the spiritual researcher finds in the spiritual world—and what was just described had to be found in the spiritual world, for otherwise it would no longer exist—everything in that world is very much connected with the human soul. In the very deepest roots of our soul we are united with that world. It is always at hand; we enter it unconsciously as soon as we fall asleep in a normal way. In our union with that world, our soul holds within itself not only its sleep experiences but also all those experiences related to world evolution as we have described them. It is a paradox but one can say that the soul knows unconsciously that it experienced the stream of evolution from the original sun to its daughter, the sun we see shining in the sky, and to the moon that is also a child of the original sun. Moreover, the soul can recognize that it was living through a soul-spiritual existence at that time, for it was not yet united with earthly substance. It could look down then on earthly happenings, for example, when the highest animal organisms were the fish-prototypes, at the time when the present sun and moon developed by separating from the earth. In the unconscious, the soul is connected with these happenings.

Now look at this short folk tale that can be found among several primitive peoples: There was once a man who was made of resin. He worked only at night. If he had worked in the daytime, the sun would have melted him. One day, however, he did go outside, for he wanted to catch some fish. And lo! the man made of resin melted away. His sons made up their minds to take revenge. They shot off their arrows. They shot so well that the arrows formed figures, towering one above the other. They became a ladder, reaching right up into the sky. The two sons climbed up the ladder, one by day, the other by night. And one son became the sun, the other son became the moon.

It is not my custom to explain such tales with abstract, intellectual ideas. Everyone can realize, however, through spiritual research how the human soul is deeply connected with everything happening in the world, how the soul can be understood only through spiritual means, and how it hungers to enjoy the picture-images of its unconscious experiences—this is truly different. If you feel this, you will also feel, vibrating like an echo of this folk tale, just what human souls experienced at the time of the primordial sun and then at the origin of the sun and moon during the time of fish-development in earth evolution. It was for me a most important event—and this is the personal note—to discover, long after these things were described in Occult Science, this particular tale. Even though I would never wish to explain it in an abstract way, a certain feeling comes over me when I look at the evolution of the world, a feeling that is twin-brother to the one I get from immersing myself in the wonderful picture-images of the folk tale.

We can look at another story, this one from the Melanesian Islands. Before we hear it, let us recall that according to spiritual research the human soul is closely connected to the present-day happenings and facts of the universe. It may be too picturesque, but nevertheless quite correct from the spiritual-scientific standpoint, to describe the life of the soul when it leaves the body in sleep as completely related to and united with the whole universe. One possibility of remembering or understanding this relationship of our ego, for example, to the cosmos, at least to something significant in the cosmos is to look at the plants. They can grow only when they have the light and warmth of the sun. They are rooted in the earth and consist, as spiritual science tells us, of a physical body interwoven by an etheric body. This is not enough, however, to cause the plants to unfold and blossom; they must also have the forces of the sun shining down on them.

Looking at the human body during sleep, we see to some degree its equivalence to a plant. Our sleeping body is like a plant, in that it has the same power to grow. But the human being has freed himself from the cosmic order in which the plant is caught. A plant has to wait for sunlight to come to it, the rising and setting of the sun. It is dependent, as we humans are not, on the external cosmic order. Why are we not? Because of a fact that spiritual research has discovered, that the human ego, which in sleep is outside the plant-like body, unfolds for the body what the sun unfolds for the plant. The sun pours its light over the plant; the human ego shines too, resting spiritually over the sleeping body. And the human ego is related to the life of the sun; it is itself a kind of sun for the plant-like human body, engendering its growth during sleep, repairing its various forces that have been used up during the daytime. In perceiving this, we realize how much like the sun our ego is. As the sun moves across the sky—of course I am speaking of its apparent movement—the effect of the sun's rays changes according to the constellations of the zodiac from which they come to earth. In the same way, spiritual science shows us ever more clearly that the human ego passes through the various phases of its experience; the physical body is influenced according to each aspect. We perceive the sun's effect on earth, with the help of spiritual science, according to whether it is passing through Aries, or Taurus, or any other constellation. Rather than refer to the sun in general terms, it is preferable to describe the effect of the sun from one of the twelve constellations of the zodiac. As we consider the sun's passage through the constellations, we become aware of its relationship to the ever-changing ego.

All this is described much more fully in Occult Science; it can be acquired as spirit-soul knowledge. We can perceive it as something that takes place unconsciously in the depths of the soul and yet takes place as an inward involvement with the spiritual powers of the cosmos alive in the planets and constellations.

Let us compare these secrets of the universe, disclosed by spiritual science, with the following Melanesian tale, which I will sketch very briefly.

In the road is a stone. The stone is the mother of Quatl, and Quatl has eleven brothers. After Quatl and his brothers were created, Quatl began to create the world. But in this world that Quatl created, there was no change of night and day. Quatl heard about an island where there was a difference between the day and the night. He traveled to that island and brought a host of beings back to his own land. And through the power of these beings, those in Quatl's land came into the alternation of sleeping and waking. Sunrise and sunset occurred for them as soul happenings.

It is amazing what vibrates as echo from this story. If you read the whole thing, you will find that every sentence vibrates with the tones of world secrets, just as our soul vibrates in its depths when it hears how spiritual science describes those secrets. It is true: the source of fairy tale mood and fairy tale poetry lies in the depths of the human soul! The tales are simply pictures using external happenings to help characterize the soul experiences we have described; the pictures are nourishment for the hunger arising from these experiences. This must also be true: we are quite distant from the experience but nevertheless we can feel them echoing in the fairy tale picture-images.

When all this has been said, we should not be surprised to find that the most beautiful and characteristic fairy tales have come to us from those very early times when human beings had a certain clairvoyant consciousness. Because of this, they were able to come close to the wellsprings of fairy tale mood and poetry; it is not at all strange that from those parts of the earth where souls are closer to spiritual sources than in the western world, for example in India or the Orient, fairy tales can have an especially distinctive character.

Furthermore, in German we find Jacob and Wilhelm Grimm's Children's and Household Tales, which they collected by listening to their relatives or other more or less simple, unsophisticated people telling stories that remind us of the ancient European sagas; even the fairy tales contain elements of the great stories of heroes and gods. We should not be surprised to hear that the most significant fairy tales have now been proven older than the sagas. The hero stories, after all, describe someone at a certain time of life in a particular difficulty, while the fairy tales show us what is relevant to every single person at every period of life from his first breath to his last. Then we understand how a fairy tale can press into itself the deep-seated soul experience on awakening from sleep, of feeling completely inadequate in the face of the powers of nature; how, too, one feels equal to it only with the consoling knowledge that something greater than oneself is present in the soul that may even allow one to triumph over the forces of nature.

When you have a feeling like this, you will understand why there are so many giants that have to be dealt with in the tales. Indeed, they make their appearance without fail as an image out of the soul's mood on waking up—of its wanting to enter the body and seeing the “gigantic” forces of nature alive there. The battle the soul has to undergo is exactly what corresponds—though this cannot be understood perhaps with the intellect—to the various descriptions of people having to fight giants. The soul realizes when confronted by battles with giants that it has only one advantage—and that is its cleverness. This is the soul's perception: You can slip into your body but what can you do about those tremendous forces of the universe? Why, there's one thing the giants don't have that you do have ... cleverness! reason! Unconsciously this lives in the soul even when it realizes the small strength it has; we find that the soul, put into this position, can express itself in the following pictures:

A man was going along the road. He came to an inn, went in, and asked for a bowl of milk soup. Flies by the dozen were buzzing around; some fell into the soup, the others he swatted. When he counted a hundred dead flies on the table, he boasted, “A hundred with one blow!” The innkeeper hung a medallion around his neck that said: He killed a hundred with one blow.

The man went further and came to a castle where the king was looking out of his window. When he caught sight of the wayfarer and his medallion, the king thought to himself, “This is a fellow I can make use of!” The king hurried out and took the man into his service to do a certain task. “There is a pack of bears coming ever and again into my kingdom. Look! if you've killed a hundred with one blow, you can put an end to those bears.” The man said, “I'll do it!” But first he demanded his wages and plenty of food before the bears should arrive, for he thought he might as well enjoy his life for a while, in case it should be cut short. Now came the time when the bears were expected; he collected together all the sweet things bears like to eat, and laid them ready.

The bears came, ate up everything they found and were so well stuffed that they had to lie down to sleep off their greed. And now as they lay helpless, the man came and finished them off. When the King arrived, the man told him, “I simply chopped off their heads while they jumped over my stick!” The King was delighted with this brave fellow and gave him a still harder task. “Look! The giants will soon be coming back into my kingdom. You must help me with them.” The man promised and when the time came, he collected a great amount of good things to eat, which he took along with him, besides a young lark and a piece of cheese. Sure enough, he met the giants and began to boast about how strong he was. One of them said, “We'll show you how much stronger we are!” Taking up a stone, he squeezed it into a powder. “Do that likewise, little man, if you're as strong as we are.” The other giant aimed an arrow up into the sky, shot it off, and only after a very long time, it dropped down again. “Do that likewise, little man, if you're as strong as we are.” At that, the man who had killed a hundred with one blow told them, “I can do better than that.” He took up a stone, stuck his piece of cheese on it and said, “Watch me press water out of the stone!” Sure enough, when he squeezed, water squirted out of the cheese. The giants were astonished. Then the man took the lark and let it fly upwards, saying, “Your arrow came back, but mine will go up so high that it never comes back!” Sure enough, the lark did not return. The giants were so astonished that they decided that they would have to overcome him with cunning, for it seemed that they couldn't manage it with strength. However, they failed to get the better of the man with cunning, for he got the better of them. They lay down together to sleep and in the dark the man put over his head a pig's bladder that was blown up and filled with blood. The giants told one another, “We can't overcome him when he's awake, so we'll have to wait until he sleeps.” As soon as he was asleep, they attacked him with great blows on the head and broke the pig's bladder. The blood gushed out; the giants were sure they had finished him off. Therefore they laid themselves to rest and slept so peacefully that it was easy for the man to put an end to them.

Just as it is in dreams, this fairy tale peters out in a somewhat vague, unsatisfactory way; nevertheless we do find in it the conflict of the human soul with the forces of nature, first with the “Bears” and then with the “Giants.” But something more is in the fairy tale. The man who “killed a hundred with one blow” stands out so clearly that we feel something vibrating in the unconscious depths of our soul to the utter trust he had in his cleverness, even in the face of those powerful forces he found so “gigantic.” It is wrong to try to explain in abstract detail the picture-images created with such artistry, and this is not the intention here. Nothing actually can disturb the character of a fairy tale if you feel how it echoes our inward soul processes. And these inner processes—however much one knows about them, however much as spiritual science itself can know about them—you do become ever and again entangled in them; then, experiencing them in a fairy tale, you see them in their most elemental, primary form. Knowledge of these soul-happenings, when it is present, does not destroy the ability to transform them into fairy tale magic.

It is certainly stimulating for the spiritual researcher to discover in fairy tales just what the human soul has need of when confronting its innermost experiences. The fairy tale mood can never be disturbed, for research that is able to arrive at the wellsprings of the tales in subconscious life will find there something that becomes poorer for the ordinary consciousness when it is described abstractly. The fairy tale itself is the most perfect description of these deepest of soul experiences. Now one can understand why Goethe put into the manifold eloquent picture-images of his Tale of the Green Snake and the Beautiful Lily the rich experiences of life that Schiller expressed in abstract philosophical terms. It was pictures that Goethe wanted to use—even though he was otherwise very much given to thought—in order to express his most profound perception of the subconscious roots of human soul life.

Because fairy tales belong to our innermost feeling and emotional life and to everything connected with it, they are of all forms of literature the most appropriate for children's hearts and minds. It is evident that they are able to combine the richest spiritual wisdom with the simplest manner of expression. One has the feeling that in the magnificent world of art there is no greater art than this one, which traces the path from the unknown, unknowable depths of the soul to the charming and often playful fairy tale pictures.

When what is most difficult to understand is able to be put in the most clearly perceptible form, the result will be great art, intrinsic art, art that belongs at a fundamental level to the human being. Human nature in the child is linked to the life of the whole world in such a primary way that children must have fairy tales as soul-nourishment. The expression of spiritual force can move much more freely when it comes towards a child. It should not be entangled in abstract, theoretical ideas if the child's soul is not to become dry and disturbed, instead of remaining linked to the deep roots of human life.

Therefore there is nothing of greater blessing for a child than to nourish it with everything that brings the roots of human life together with those of cosmic life. A child is still having to work creatively, forming itself, bringing about the growth of its body, unfolding its inner tendencies; it needs the wonderful soul-nourishment it finds in fairy tale pictures, for in them the child's roots are united with the life of the world. Even we adults, given to reason and intelligence, can never be torn away from these roots of existence; we are most connected with them just when we have to be fully involved with the life of the time. Therefore at various parts of our life, if we have a healthy, open-hearted mind, we will happily turn back to fairy tales. Certainly there is not a single age or stage of human life that can take us away from what flows out of a fairy tale, for otherwise we would be giving up the deepest and most important part of our nature; we would be giving up what is incomprehensible for the intellect: a sensing within ourselves, a sense for what is pictured in a simple fairy tale and in the simple, artless, primordial fairy tale mood.

The brothers Grimm, and other collectors like them, devoted long years to bringing the world the somewhat civilized fairy tales they had gathered out of the folk tradition. Although they had no help from spiritual science, they lived wholeheartedly with these tales, convinced that they were giving human beings what belonged intrinsically to human nature itself. When you know this, you will understand that although the age of reason did its best for a hundred years or so to alienate everyone, even children, away from fairy tales, now things are changing. Fairy tale collections like the Grimms' have found their way to every person who is alive to such things; they have become the property and treasure of every child's heart, yes, property of all our hearts. This will grow even stronger when spiritual science is no longer considered just a theory but becomes a mood of soul, one that will lead the soul perceptively towards its spiritual roots. Then spiritual science, moving and spreading outwards, will be able to confirm everything that the genuine fairy tale collectors, fairy tale lovers, fairy tale tellers wanted to do.

To sum up what spiritual science would like to say today in describing the fairy tale, we can take the poetic and charming tribute that a devoted friend of the tales [Ludwig Laistner (1848 – 1896)] liked to use in his lectures, some of which I was able to hear. He was a man who understood how to collect the tales and how to value them.

“The fairy tale is like a good angel, given us at birth to go with us from our home to our earthly path through life, to be our trusted comrade throughout the journey and to give us angelic companionship, so that our life itself can become a truly heart- and soul-enlivened fairy tale!”

We saw yesterday that the Gospel of John contains something that can only be experienced on higher levels of consciousness. Before such experiences are possible, the human being must first develop higher.

The human being is a developing creature. We can observe this from subordinate to ever higher states. This is already shown by the difference between a savage and a civilized European, or between an ordinary person and a genius like Schiller, Goethe or Francis of Assisi. An unlimited potential for development is open to every human being. To understand this, let us take up yesterday's lecture and use a diagram to clarify the theosophical basic teachings on the development of the human being:

During the following explanations, the diagram below will be drawn on the “board, starting from the bottom left.

We have thus seen that man has his physical body in common with all inanimate beings, the etheric body with all plants in our physical world, and the astral body with all animal creatures in his environment. We then saw that man, in terms of his development, differs from all other beings in that he can say “I” to himself.

The “I” is by no means a simple entity. On closer inspection, it is also something that is structured. The animal feels, has desire and passion, the plant does not; the animal because it already possesses an astral body. In this, the I develops in man. But this I has been at work long before man became clearly aware of it. A look at the development of humanity teaches us more about this.

The earth has not always been as it is today. Its face has repeatedly changed; the present continents have not always been there. During the penultimate earth period, a continent called Atlantis was located where the Atlantic Ocean now rages. Traces of it and the story of its downfall have been preserved in ancient legends. In the Bible, the Flood is meant by this. The ancient fathers of a different nature, whose descendants we are, experienced this. In this old Atlantis, the air and water conditions were quite different from what they are now. The whole thing was shrouded in a dense fog. In the words Nebelheim, Niflheim, we still have a hint of this. There was no rain and no sunshine; instead of rain, only fog currents; instead of sun, only diffuse illumination. Only after long periods did the fog condense as water. The sun only penetrated a little, like a faint premonition, through the constant fog. In such an environment, people also lived a completely different mental and spiritual life than today. It was only towards the end of the Atlantic period, roughly in the area of present-day Ireland, that people began to show self-awareness for the first time, and to think clearly and logically. In the mists there was no possibility of distinguishing objects as we do today. Man only develops a consciousness like ours in relation to his surroundings. As the objects emerged from the mists, so did the physical eye; and in the same measure the consciousness soul developed, and within it the self-aware ego. Even then, man could speak.

If we go back even further to the earliest times of Atlantis, we find that man looked significantly different. He had no external vision at that time, but a different way of perceiving, in images. To understand this state of consciousness, imagine a very vivid dream that reflects something of your surroundings. The following “dream” may serve as an example. A student dreams that he is standing at the door of the lecture hall, and another student deliberately brushes against him, which is a serious offense that can only be atoned for by a duel. He challenges him, they drive into the forest, the duel begins, the first shot rings out. Then our student wakes up – he has pushed over the chair next to his bed. Had he been awake, he would have noticed that a chair had fallen over. But because his consciousness soul had descended into sleep, he perceived with a deeper, less developed soul power. The dramatic action of the dream is a pictorial transformation of an external process.

The processes of consciousness in the ancient Atlanteans were similar. Although the images were more regulated and ordered, they did not have a clear perception of their surroundings. The life of feeling expressed itself quite characteristically in fine perceptions of touch and color. If the early Atlantean perceived a warm mist that symbolized itself to him in red, he knew that something pleasant was approaching him. Or if he encountered another person who was unpleasant to him, this was also indicated to him by a very specific sensation that became an image, an ugly color tone. But warmth, for example, was symbolized to him in a beautiful red cloud. This happened in many degrees and variations. The early Atlanteans thus had visual perceptions. We only have such perceptions in the case of pain, which is obviously only within us, however much it is caused by the outside world and can become loud. Our pain is also experienced inwardly, spiritually, and is thus truer than the external facts.

The Atlanteans, however, already developed ordered ideas. Not so the Lemurians. The Atlantean period was preceded by the Lemurian period. Man was not yet able to express language. He was merely able to internalize what the animal also feels. Thus, what we call the sentient soul developed in him. The continent of Lemuria, which was destroyed by the forces of fire, we have to imagine between Africa, Australia and Asia.

But now back to our scheme: IIIa sentient soul, IIIb intellectual soul, IIIc consciousness soul are all three transformations, ennobled transformations from the astral body. It is only towards the end of the Atlantean period that man becomes capable of consciously working on himself. What does he do now?

Up to now, cosmic forces have lifted man up in his development. Now man begins to consciously take his development into his own hands, to work on himself, to educate himself. On which body does he now begin his work? It is important to pay strict attention to the sequence here. First, man was and is able to work on and in his astral body. And on this level of ability, the human being of the present day is still standing today. In general, we can say of today's human being: He uses his experiences and experiences to transform his astral body. Later we will see that a higher level of development consists of working into the lower bodies. Let us first stay with the first: with the ability to transform the astral body.

To do this, let us compare the civilized man with the savage. The savage first follows his instincts, desires and passions, every craving, without restraint. But then he can begin to work on his self. To certain instincts he says: remain; to others: leave. Thus, for example, the man-eater ceases his habit of eating his own kind; in so doing, he leaves a certain stage of civilization and becomes another. Or he learns to act logically, learns, for example, to plow. Thus his astral body becomes more and more structured. Formerly external powers determined man, now he does it himself. The astral body of a Hottentot circles in wild dark red vortices, in a person like Schiller in bright green and yellow, in Franz of Assisi in wonderful blue. This is how the astral body is worked on. That which is consciously worked into the astral body from the I is called the spirit self or manas. With the conscious working in of the I, something very special begins. Before that, however, before one comes to the formation of this manas, that part which the animal also has remains completely unchanged in the astral body. Despite the growth of intellect, the astral body can remain essentially unchanged, full of animal desires. But there are influences that do transform the sentient body: conscious religiosity and art. From these we draw strength to overcome and ennoble ourselves, which is a much stronger power than mere morality. Man has as much of the spirit or Manas as he has worked into his astral body. This is not something external, it is a transformation product of what used to be the sentient soul.

As long as I am merely working on my sentient body, I use my achievements to transform this my astral body. All the morality in the world cannot achieve more, nor can all intellectuality. But if true religiousness is at work in me, this stronger power expresses itself through the astral body and works its way into the next lower one, the etheric body. This is naturally a much greater achievement than when the ego merely works with the astral, because the raw material of the etheric body is much coarser and more resistant than the finer astral body. We call the result of this transformation the spirit of life or Budhi. The spirit of life is thus the spiritualized life body. In the Orient, someone who had brought it to the highest level was called a Buddha. This tremendous moral power proceeds from consciousness when the three souls are governed by a strong ego. These are preparatory steps for humanity in general. Only the chela works consciously in his etheric body. The chela aims to spiritualize everything, even into his etheric body. The chelaship is concluded when he has allowed Budhi to stream completely into his life body, so that the life body, which he ennobles from the I, has become a life spirit.

In the third stage, man reaches the highest principle that is currently accessible to us. He is able to work down to his physical body. In doing so, he rises above the level of the chela and becomes a “master”. When, on the second step, Budhi glows through his etheric body, the human being gains control not only of moral principles but also of his character. He can change his temperament, his memory, and his habits. Today's human being has only a very imperfect command of all these. To understand the task of the chela, compare yourself as you are now with yourself when you were ten years old. How much knowledge have you gained since then, and how little your character has changed! The content of the soul has changed quite radically, but the habits and inclinations only very slightly. Those who were hot-tempered, forgetful, envious, inattentive as a child are often still so as adults. How much our ideas and thoughts have changed, how little our habits! This gives you a clue to estimate how much tougher, firmer, more difficult to shape the etheric body is compared to the astral body. Conversely, how much more fruitful and consequential an improvement achieved in the etheric body!

The following sentence can be used as an example of the different speeds at which transformation is possible: What you have learned and experienced has changed like the minute hand of the clock, your habits like the hour hand. Learning is easy, unlearning is difficult. You can still recognize yourself from the writing of yesteryear, because that is also a habit. It is easy to change views and insights, but difficult to change habits. Changing this tenacious thing, habit, little by little, is the task of the chela. This means becoming a different person by creating a different etheric body, thus transforming the life body into the life spirit. This puts the forces of growth in your hands. Habits are among the manifest growth forces. If I destroy them, the vis vitalis, the power of growth, is released and placed at my disposal, to direct my consciousness. Christ says: “I am the way, the truth and the life.” Christ is the personification of the power that changes the life body.

Now to the third stage. There is something that is even more difficult to bring under the control of free will than our habits and emotional stirrings: the physical body in its animal and vegetative, mechanical or reflexive dependency. There is a stage of human development in which no nerve is activated, no blood corpuscle rolls without the human being's conscious will. This self-transformation reaches into conditions and states that were fixed long, long before Atlantis and Lemuria, and are therefore the hardest to reverse: into cosmic primeval states. In this work, man develops Atman, the spiritual man. The potential for this is present in every human being today. This whole cycle depends on the attainment of fully clear self-awareness.

The most powerful and potent laws are those of the breathing process. The entire spiritual being depends on lung breathing, because it is the outer expression of the gradual drawing in of the I. In ancient Atlantis, this potential emerged through the saying of the I. In Lemuria, man did not breathe through lungs, but through gill-like organs. Nor did he walk as we do today, but floated or swam in a more fluid element, where water and air were not yet separated. To maintain his balance, he had an organ analogous to the swim bladder of a fish. As the air gradually separated, the swim bladder was transformed into our present lungs. The development of the sense of self runs parallel to the development of the lungs. This is still expressed in the words: “And God breathed into the man his breath of life, and he became a living soul.” Atman means nothing other than “breath”. The regulation of the breath is therefore one of the most powerful tools in the work of yoga, which teaches the control of all bodily functions. Here we look into a future in which human beings will have transformed themselves from within.

Conscious work in the etheric body is therefore a mastery.

Conscious work in the physical body: mastery.

The human being perceives the growth into these two stages as an opening up of new worlds, new environments, comparable only to the feelings of the child when it emerges from the dark, warm womb into the cold, light world at birth. The moment of generating Budhi is called second birth, rebirth, awakening in all mysteries. As man formerly left an inner world, of which only echoes remain in dreams, so he enters a new world as one awakened to the same world on a higher level. In those ancient times, man perceived the world with the help of his own inner images. On the future level of higher clairvoyance, man steps out of himself and sees behind the essence of things; he sees their souls. It is a kind of clairvoyance that is directed outwards and highlights the 'inherent essence' of things. The seer penetrates, for example, below the surface of the plant or stone. This outward-directed clairvoyance, with full mental alertness, not only illuminates the very basis of his own soul, but also that of the beings and things outside of himself. This is how development takes place.

Modern man lives in the manasical state, that is, he is able to change something in his astral body, but not yet in his etheric body, and least of all in his physical body. Therefore, man takes in from another only as much as corresponds to his stage of development. “You are like the spirit you understand, not like me!” This saying also applies here.

According to Christian terminology, the designations correspond:

Why is Budhi called the “Word”? This brings us to the edge of one of the great mysteries, and we will see the great significance of the term “Word”.

We have seen that man spiritualizes his life body through the Budhi. What does the life body do in man? Growth and reproduction, everything that distinguishes the living being from the mineral. What is the highest expression of the life body? Reproduction, growth beyond itself. What becomes of this last expression of the life body when man consciously covers the path back to spiritualization? How is this reproductive power transformed, what becomes of it when it is purified, spiritualized? — In the human larynx you have the purification, the transformation of the reproductive power, and in the articulated vowel sound, in the human word, you have the transformed reproductive capacity. Analogous to the law “All is below as above”, we find the corresponding process in the physical: the breaking of the voice, the mutation at the time of sexual maturity. All that becomes spirit emanates from the word or the content of the word. This is the very first glimpse of Budhi, when the first articulated sound emerges from the human soul. A mantram has such a significant effect because it is a spiritually articulated word. A mantram is therefore the means for the chela to work down into the depths of his soul.

Thus, in the physical, we have the power of reproduction, through which life is generated and passed on beyond the physical body, becoming something permanent. And just as the physical generative organs transmit bodily life, so the organs of speech — tongue, larynx and breath — transmit spiritual life like an ignition device. In the physiological, the close connection between voice and procreation is obvious. We encounter it in the song of the nightingale, in courtship display, voice change, vocal magic, in singing, cooing, crowing, roaring. We can truly call the larynx the higher sexual organ. The word is the power of procreation for new human spirits; in the word, man achieves a spiritualized creative power. Today, man rules the air with the word, by shaping it rhythmically and organically, by stirring it and enlivening it. On a higher level, he is able to do this in the liquid and finally in the solid element. Then you have transformed the word into the creator's word, for man will achieve this in his development because it was originally so. The life body, emanated from the word of the primal spirit, - this is to be taken literally. That is why Budhi is called the “word”, which means nothing other than: I am.

Thus we see with geometrical clarity the words of the miracle in St. John's Gospel: “In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. In him was life, and the life was the light of men.” The astral body, which is radiant as the stars, becomes the Word-light; the Primordial God, the Life and the Light, these are the three fundamental concepts of the Gospel of John. John had to develop to the point of Budhi in order to grasp what was revealed in Christ Jesus. The other three Evangelists were not so highly developed. John gives the highest, he was an awakened one. John is the name given to all who are awakened. This is a generic name, and the resurrection of Lazarus in the Gospel of John is nothing more than a description of this awakening. The writer of the Gospel of John, whose name we will hear later, never calls himself by any other name than “the disciple whom the Lord loves”. This is the term for the most intimate disciples, for those in whom the teacher and master has succeeded in awakening the disciple. The description of such an awakening is given by the author of the Gospel of John in the resurrection of Lazarus: “the Lord loved him,” he could awaken him.

Only if we approach such religious documents as the Gospel of John with the deepest humility can we hope to arrive at a literal understanding and to grasp at least a small part of its sacred content.

Last night I tried to give some thoughts here about what a spiritual scientific worldview sets out to achieve, about the sources from which it originates, and I tried to draw attention to how this spiritual scientific worldview wants to place itself in a similar way in the spiritual cultural development of humanity, as the natural scientific worldview placed itself in the spiritual life of humanity centuries ago. Most of the honored audience is aware that here in this country, near Basel, on a hill surrounded by beautiful natural surroundings, in Dornach, a building is to be erected - work on this building has already progressed to a certain extent - that is intended to serve the spiritual-scientific world view, and which is to be, so to speak, a place where this spiritual-scientific world view can be cultivated in a right and dignified way.

Now, of course, it is certainly not possible to judge anything that is unfinished. But among the many voices and judgments that have come from the outside world to those who have to do with this building, there is so much that is adventurous, so much that is completely misunderstood and inaccurate, that it might perhaps be of interest to talk here in this city, in whose vicinity this building is located, about the principle of what is intended with this building. I would like to make it clear that this evening I will not be discussing the artistic or other details of this building, but will confine myself to a general description of what characterizes this building as a setting for spiritual scientific research. Anyone who has become familiar with the spiritual scientific world view and at the same time is aware of the prevailing habits of thought and feeling in the present day will not be at all surprised when those who have not yet concerned themselves much with the spiritual scientific world view see all kinds of fantastic, dreamy, perhaps even crazy and twisted things in it. Basically, however, this will appear quite natural to anyone whose whole soul is immersed in the spiritual-scientific world view. But nor will anyone be surprised that the architectural framework of such a structure, which - and this should be stated explicitly - is undertaken as a first, weak attempt, can often appear to the outside world as something adventurous, fantastic, and strange. After all, what lives in this spiritual-scientific world-view current, with all the people who profess this world-view current, is often and quite understandably taken at face value today.

To mention just one thing, really only as something symptomatic: After a lecture I was once asked whether a woman who embraces the spiritual scientific world view must wear her hair short and eccentric clothing. Surely that is not particularly appealing? Yes, I was also asked whether anyone could believe that women could somehow advance in their spiritual development by cutting their hair and wearing peculiar clothes? Such questions have really been asked, and they are actually not fundamentally different from some of the strange things that can be heard from some quarters, not only about the way the Dornach building is shaped, but also about what is to be done in this Dornach building, what mysterious things are to take place in this building in the future. I believe that an understanding of the design of this building as a house for spiritual science can best be gained by sketching out at least a few strokes of the origin of the building.

Spiritual science has been practised by a number of people for years. It goes without saying that at the beginning of its development it had to be cultivated in the spaces that are currently available in the world. Now it became apparent in various cities, including one in Germany, that the premises that had been used until then were gradually becoming too small as the number of participants in the spiritual-scientific worldview grew. So they thought about how to build their own house in this city for the cultivation of the spiritual-scientific worldview. Since the spiritual-scientific worldview not only produces certain ideas of beauty and art from its sources, but can also have a fertilizing effect on artistic creativity itself, the aim was to construct a building that, in its uniqueness, would be a framework for spiritual science, so that the world of feeling corresponding to this way of thinking would be expressed in the artistic form.

Another idea was connected with this. The need arose to express what spiritual science has to say about the laws and facts of the spiritual world not only through words, which in a certain way can only hint at the spiritual facts and spiritual laws hidden behind the physical, but to express it in a living presentation, one could say - if the word is taken with the necessary seriousness - to express it through a theatrical presentation. How could one arrive at this necessity for a theatrical presentation from the spiritual science itself?

Well, spiritual science wants to be something that, although the human soul rises through spiritual science to the regions of spiritual life, of the invisible and the supersensible, nevertheless directly engages with life. Spiritual science does not want to be something unworldly and escapist; in the strictest sense of the word, it wants to be a servant of life, a servant of life for those souls who, for enlightenment about what they experience in life, need insight into the deep connections of existence.

Take, for example, something very close at hand. People meet each other in life. We know that one soul meets another; perhaps at first the other person does not make any particular impression on the first, even though the first has the opportunity to get to know them well. In this way, you get to know hundreds and hundreds of people without being particularly impressed by any of them. But it is not like that with one soul. You feel drawn to this one soul in the first hour, perhaps even earlier, in the deepest sense. You feel something related in it; you do not ask what the relationship is; but that, of which we are not even aware, lives in the subconscious depths of the soul's life. It becomes the shaping of our further life. We are brought together with such a personality by bonds that are of deep, most important significance for our further life.

Spiritual science shows that man has a soul essence that can be brought, through the development of himself, to lift itself out of the physical and can be viewed purely spiritually. Spiritual science, not through philosophical speculation but through direct, real soul experience, thus learns that an eternal being, which goes through birth and death and is linked to the physical body for the time between birth - or let us say conception - and death, is present in man. And just as we have seen that our soul essence, before it enters its physical existence through birth or conception from a spiritual world, was already present in earlier earthly lives, so too does spiritual science show that our soul essence, when it has passed through the gate of death, has gone through a life between death and a new birth, in order to then bring to expression in a new life what it has carried through the spiritual world as results, as fruits one might say, of this life, in order to shape it anew in a new life. All these things are difficult for today's way of thinking to understand, but at the same time they are things that in the not too distant future will certainly have entered into the general consciousness of mankind to such an extent that human life will no longer be imaginable without these things being taken for granted.

Now, in response to what was said yesterday, I would like to say that even in ordinary life, without a person becoming a spiritual researcher, he goes out of his physical body with his soul every night from the moment he falls asleep until he wakes up and lives in a purely spiritual world. I already mentioned yesterday that dreams arise, dreams about the nature of external experiences, about the nature of what passes by during the day. Of course, these dreams are not such that they can provide enlightenment about the spiritual worlds. But if one does not approach the dream life superficially, as often happens today, but interprets it oneself with the probe of spiritual research, if one can see through the chaotic, the fantastic of dream experiences with understanding, and if one can separate from these what is only reminiscence, only memory of everyday life, then something remains at the bottom of the dream images that can be characterized as saying: there is something in dreams that has not been lived out in ordinary physical life.

Let us assume that we met with some personalities one day. We can then dream of them and of what we experienced with them. What we dream can be completely different from any memories, but it does not have to be that way. These experiences that we had with individual personalities can be transformed in such a way that we say to ourselves: “You neither experienced this in being with these personalities, nor did you think this.” The whole thing has shifted, so to speak, and something different has emerged from it. And if you now investigate – I can only briefly hint at this – you realize that in this unexperienced, but in the dream pushing through, something lives out of what still keeps us away from the personalities we have come together with, but what contains the seeds of something that will be experienced with them in a later life, something that is carried through the gate of death and will bring one together again with these personalities in a later life.

Now it seems fantastic what I am saying, but the one who can examine dreams in a spiritual scientific way knows that in these dreams, albeit chaotically, that which becomes fate for a person in later lives is already announced in the soul. We carry something in the depths of our minds that reaches into the distant, distant future, and what is just as decisive for our destiny in later life as the plant germ is for the formation of the flowers and leaves of the plant. And in the same way, in what we experience as fate, we can see the results of what was formed in the core of our soul in earlier earthly experiences. This is how man stands in the world. When he meets another person, there are forces at the bottom of his soul, soul forces, which he is not aware of, but in which he is alive. I would like to say that human life is interwoven, permeated and interwoven by that which determines man, which sometimes determines him to the most important and weighty actions of his life, but which does not come up so much in full day consciousness. How we place ourselves in life, how we place ourselves in the whole world, how we are determined by other people, by the whole world and its events, is based on hidden, supersensible experiences.

'If you look at modern dramatic art, it represents above all what takes place consciously in front of people. And it is quite natural that a drama appears all the more transparent the more it is composed merely of what can be directly surveyed. Those deeper forces that determine the human soul, that are connected with the soul, insofar as there is something in this soul that goes beyond birth and death, cannot be represented in ordinary drama. But the fact that life is dominated by such forces is an immediate result of spiritual science. Now spiritual science, by living out itself, not theoretically, not philosophically, but genuinely artistically, can come to a dramatic representation of life through something other than the word, so that in the play, in the way how the dramatic characters are juxtaposed and grouped, how the entire dramatic action is shaped, the deepest forces of life are expressed, which we do not talk about in ordinary life and which we often do not bring to consciousness. What determines and rules life from its depths can basically only be understood if one looks into this life with the same methods that spiritual science uses to look into what is behind external nature, into what transcends and determines the world. A deepening of human relationships, a deepening of the human soul's relationship to the world, that is what must underlie such drama, I would say, such dramatic expression of the facts of spiritual science.

So, in order to, so to speak, sensualize what spiritual science has to say about human life, dramatic representations had to be presented. In the early days we had to present such dramatic performances in ordinary theaters. It is understandable that the ordinary theaters, which are really - nothing at all should be said against them - intended for quite different tasks and goals, cannot provide the right setting for what this spiritual scientific worldview wants. Thus the idea arose from these and other reasons, arising out of pure necessity, to carry out such a building project ourselves and in doing so to combine an auditorium with a space – which does not need to be called a 'stage' – a space that is suitable for allowing such performances, drawn from the spiritual-scientific point of view, to be performed in it.

I am mentioning all this about the origin of our plan because all sorts of things have been said about what this building should contain. It has been thought that ghosts will only haunt the place, that ghosts will be cited there, that people will come into contact with all kinds of ghosts. No, that is not the case, but it is a matter of seriously grasping the depths of life, which are there, which people long and thirst for, and which are presented to the human soul through spiritual science, not through spooks and ghosts, but through artistic creation, artistic design with the means, which must be means of expression for that which has been hinted at as grounding life ever more deeply. It is with these means, these forms of expression, that spiritual science should speak to the audience in this building. This building in Dornach is therefore intended to be a house for cultivating spiritual science through the word and spiritual science through presentation. It goes without saying that as spiritual science advances, many other things will be connected with it, but it had to be be mentioned.

Now, basically, everything that is expressed in art, if it is to be real art, is a revelation of that which works through the human soul as a world view. Otherwise, art remains a mere appendage of life, an idle addition to life. Let us try to imagine ourselves in those art epochs that were truly great epochs of artistic development. Of course, because of the limited time available to us today, we can only touch on the most characteristic aspects, but let us try to realize how, in the dawn of the Italian Renaissance, Renaissance painting, in all that it offered, was in the deepest, most characteristic sense of the word an expression of what permeated and inspired the Christian world view at that time, what was revealed in it. There we see in Leonardo da Vinci's, in Michelangelo's, in Raphael's creations, what pervaded the mind as a world view. All art that does not flow with inner necessity from a world view is only an addition to life and not art in the real sense.

However, it must be clear that when we speak of a “world view,” we do not mean that it demands to flow out into art, as it were, and also not in such a way that this world view only touches our minds, as is the case with some modern philosophical or scientific world views that only affect the mind. When a worldview is built on mere philosophical or scientific concepts and ideas based on reason, there is no need to create or shape the framework, the architecture, in which the word of this worldview is expressed. But when a worldview seizes the entire human soul, when everything that vibrates in the human soul, in feelings and will impulses, is seized by this worldview, when the whole person belongs to this worldview, then this worldview is one that is not merely conceived, but brings the human being into connection with the whole world around him, then this world view is one that does not merely live in its concepts, but, by forming its relationship to the world around it, sees in all that it sees in its surroundings a continuation of its own inner in every tree, every cloud, every mountain.

Everything that surrounds us externally and everything that can be spiritually assumed behind what surrounds us externally wants to be grasped in a living connection with what we experience inwardly. Through his world view, the human being wants to grow together with everything that surrounds him; he wants to grasp his surroundings, not only in abstract understanding, but he wants to grasp spiritually and soulfully with his whole mind what extends out there in space. When, therefore, the world view takes hold of the whole person, it demands to flow out and radiate into the form, into everything that surrounds us. Since we cannot pursue a worldview in the great outdoors according to the needs of today's life, since it does not provide us with the space in which we can pursue a worldview, a spiritual-scientific worldview demands that it be framed by that with which the person pursuing this worldview is truly and inwardly connected.

Let us just realize that there is a core of being in every human being that is spiritual and soulful, that goes out of the human being in sleep. Let us realize that this spiritual-soul core of our being can become independent of the physical human being by recognizing, by grasping the whole world in a living, cognizing way. This core of being unites with the outer world in a completely different way than the human being who only uses the senses and his brain-bound intellect. While we are in the world of the senses, the human being stands here; the world is outside, is, as it were, spatially removed. As we advance into spiritual knowledge, we have to recognize that this spiritual knowledge is something that is much more intimately connected with the things and beings that are to be grasped by this spiritual knowledge than the sensual things are grasped by our senses. When the spiritual researcher with his soul-spiritual relates in such a way that he recognizes outside of his body – as I explained yesterday – he merges, as it were, identifies with everything in the environment. While we, when we stretch out our hand and point to something sensual, keep this sensuality outside of us, when we recognize something spiritually or soulfully, we connect with everything that fills the spiritual and soul world; we immerse ourselves in the spiritual and soul realm.

Let us now bear in mind that this spiritual scientific worldview should be expressed in the artistic realm. Is it not natural then that the need arises to have such an architecture, such an artistic framework, from which the soul can imagine: if you take the next thing that surrounds you here, should it not be something that arises directly from your spiritual-soul life itself; should it not be something that you would like to experience when you want to be with your immediate surroundings? Well, it necessarily follows that a very special form, a very special spatial arrangement, emerges. When we make a physical gesture, we are satisfied when the hand or the arm takes on the form of this gesture. When we speak of the spiritual context in which the soul comes into contact with its surroundings through spiritual knowledge, the gestures come out of us, the gestures directly populate our surroundings; that which otherwise lives in our skin, in that we are physical human beings, that comes out of us in spiritual knowledge, one might say it becomes a spiritual gesture that lovingly embraces the surroundings.

What this spiritual gesture wants to grasp, what it wants to touch, what it wants to see, the forms in which it wants to live, that is what the basic design must provide for a building in which spiritual science is practised. The forms, the colors, everything artistic must arise directly out of that which can be experienced with the world when it is understood spiritually. Thus, a building that is to serve the spiritual scientific world view is so directly connected to the essence of spiritual science itself in its forms, colors, and everything that is created, that spiritual science must transform itself out of its ideas and words into artistic forms. And by transforming itself in this way into artistic forms, it creates the necessary artistic framework for what must be done within the structure.

Now, very specific difficulties arise here from the thought habits of our time. Spiritual science is really only in its beginning, and that which shines forth for the human being, perhaps not so very far in the future, for the one who stands in spiritual science with his whole soul, is nevertheless quite fundamentally present in what we can pursue in the present as spiritual science. Hence it is that among those who today approach spiritual science, there are many who, though not attached to outward materialistic prejudices, are still attached to other prejudices. How often must we see that just those who approach spiritual science with inner zeal of their soul, often with fanatical zeal, yes, even too fanatical zeal, with fanatical zeal that borders on untruthfulness, still cling to all kinds of concepts from mysticism and theosophy, which one would like to overcome through true spiritual science. Do we not very often hear a popular definition of mysticism today: Mysticism is that which cannot be understood, that which cannot be grasped. Mysticism is that which must remain hidden. Some people believe themselves to be infinitely profound when they utter the word “occult” every quarter of an hour, when they say, “These are occult truths!” It is precisely through the clarity made possible by spiritual science that one would like to eliminate such things.

I myself have experienced (please forgive me for mentioning such examples in order to characterize them) how, twenty-seven or twenty-eight years ago, in the city where I lived at the time, various Theosophists approached me and explained what otherwise reasonable people take for an ordinary poem or a dramatic poem, or otherwise a work of art or even a painting, they have explained it by looking for this or that meaning in it, which one must first spin into it if one wants to find it in it. If they wanted to say something very significant to show that they know more than ordinary reasonable people, then they said: That is abysmally deep! That was something you could hear at every turn back then; it was thought to be a very special way of saying something. Sometimes people don't seek to penetrate the things of the world, but rather to put something into them, to mix something in; and what they don't understand, what they don't penetrate, seems particularly deep to them.

We have even had to experience, for example, that Shakespeare's 's “Hamlet” drama, which everyone must take as self-explanatory, has been interpreted by Theosophists in such a way that one principle is seen in Hamlet, another principle in other characters and yet another in yet others; all sorts of things were pulled in and added. It was miserable, terrible. One could say: Yes, this Shakespeare did not just want to depict this dreamy Danish prince, but a particular principle. As if the work of art would gain something by turning a human being into an allegorical-symbolic straw man and a dramatic structure into an external skeleton of Theosophical-philosophical truths! It can happen that one seeks what is truly deeper in the symbols and allegories, while life becomes impoverished when one sees it only in symbols and allegories.

The rich life becomes impoverished when one believes that one can find something deeper in the symbols. There are people who see something special in putting a pentagram on any old wall or anywhere else. They don't realize what this pentagram is, they don't understand it at all, but this pentagram, that is the number five, the pentagram is directed upwards, you can talk a lot about it, you can whisper and obscure a lot about it and obscure, and if you can say something that is not really connected with the five lines that are intertwined, then you are convinced that you have said or expressed something particularly profound. Or even if you attach the snake staff, the so-called Caduceus, somewhere, then you believe you have done something very special. Anyone who somehow puts up such abstract symbols and forms and believes that they have something to do with art is like someone who has notes in front of him and spins and theorizes all kinds of abstractions about their form, while only the person who has a natural relationship to the notes, to whom the musical concepts arise, can truly appreciate the notes, in that the sound fixed in the notes comes to life in such a way that the sound lives in the mind. Only in relation to what lives in the mind can that which is recorded with the external note symbols have any meaning.

When it comes to a building that is intended to serve true spiritual science, it is only natural to have to deal with such misconceptions, which come from false mysticism, false theosophy, and all kinds of adventurous ideas. If the intention is not to express some kind of empty concepts in stone and wood, but to depict something artistic, then it is eminently necessary that nothing be given a symbolic form by a philosophical or theosophical idea or some mystical non-idea , but it is necessary that what emanates from the idea, what the mind experiences inwardly, shapes itself through the creative power of the soul into form and color, so that the art does not need an explanation, but explains itself. Art that needs an explanation is not art at all.

The aim is that anyone who understands the language of this structure should not need an explanation of the structure. Of course, no one who has not learned Spanish cannot understand a Spanish poem. Those who understand the language of spiritual science do not need an explanation of the structure; for them, without a word being said, there is something self-explanatory in this structure because they have their joy, their upliftment, an inner realization of the soul forces from the direct connection with what is standing there, with what really lives in the form and in the color. One would like to say that a picture is no longer a real work of art, where one needs to write below what it actually represents. A picture is only a work of art when one has only to look at it and when all that the picture has to say follows from what one sees. If we therefore seek symbolism or allegory in the Dornach building, if we seek something that requires us to answer the question, “What does this or that mean?” after every step, then nothing will be found in the Dornach building that corresponds to this. But if we seek something in the Dornach building that provides answers to the question, “Which forms does one find beautiful who has a spiritual-scientific feeling? What forms would he who wishes to gather his spiritual strength around him like to have around him? Then the answer to these questions will be found in the Dornach building.

But in a certain respect spiritual science is something that seeks to establish itself as a new element in our cultural life. It is therefore understandable that such a setting must also be something that, in a certain way, introduces something new into our artistic life. And here, at this point, I would like to emphasize that I ask you not to believe that what one might have in mind as architecture, or as an artistic expression of what spiritual science can give, has already been achieved in the Dornach building. The Dornach building is a beginning, and as a beginning it is as incomplete as any beginning can be. The limited funds that were available, despite the fact that the building took up considerable funds for certain concepts, only allowed the very first step to be taken. And even the work that was necessary from circles of friends could initially only make a very first start on what can present itself to the soul as a new style of art, as it must arise out of spiritual science itself.

Therefore, I would ask you to consider this Dornach building only from the point of view of a very first, primitive beginning, with all the defects and imperfections of a beginning; to consider it only from the point of view of asserting aspects of artistic creation of forms that correspond to spiritual-scientific feeling and sensing, not to spiritual-scientific thinking, but to feeling and sensing when it is artistically intensified. What is being built today, still very imperfectly, on that beautiful hill outside, is really the primitive beginning of something that will one day be formed into a real beauty, into an adequate expression of what spiritual science has to give to human cultural development. Therefore, it must seem quite understandable when so many objections are raised from this or that side against what is being built out there, when so much is found to be imperfect and incomplete. But I would like to mention some of the, one could say, basic feelings that can guide one in the architecture of such a building.

As I said, I cannot go into details today due to the limited time. I would just like to recall a saying of Michelangelo, in reference to the old master of architectural art, Vitruvius, a saying that truly reflects the idea, the essence of architecture. Michelangelo says: Only he who knows human anatomy is capable of truly grasping the inner necessity that underlies an architectural plan. It is a strange saying, but for someone who can engage with such things, it is perfectly understandable. When we survey the whole of nature, when we bring to our soul all the forces at work in nature, when we bring to our soul the formations that live in nature, then we ask ourselves: for an unbiased observer of the whole of nature and the world, where does all this world-becoming, all this world activity, point to? They point ultimately to the human form. In the human form, there is something before us of which we can say, in terms of form and in terms of the way it expresses itself, that Goethe's words apply: 'Man is placed at the summit of nature, so he regards himself as a whole nature that has to produce a summit within itself once again. To do so, he elevates himself by permeating himself with all perfections and virtues, invoking choice, order, harmony and meaning, and finally rising to the production of the work of art, which takes a prominent place alongside his other deeds and works.

That that which man himself then reshapes when he, as an artist, continues nature, so to speak, will therefore gain the most diverse points of reference precisely from what has been shaped from the whole world and its secrets into the human form, the human structure with all its gestures, with all its life. Today, it is not possible to go into architectural styles or the development of architecture. Those who are truly familiar with the development of architecture know that, while it is true that the essence of artistic creation is most difficult to see in architectural art, it is also expressed in this architectural art. But because this essence of artistic creation is most difficult to see in architectural art, it shall be shown in sculpture. The same could be shown in painting, in music, in other arts.

In our time, precisely because the materialistic view and attitude has taken hold of everything, there is little real insight into what the essence of artistic creation actually is, which is the emergence of art from the inner soul activity of the human being. Today, the artist is so often obliged to rely on the model, and the person who looks at something that is a work of art has the first question: Is this natural? Does it depict this or that naturally? Such judgments do not belong to real art, but to the decline of art. Real art is connected with what happens inwardly in man. When the sculptor creates a face, something of the feelings and inner soul experiences must truly live in him, which the physiognomy, which even the gesture of the face, conjures up from the depths of the soul. If it lives in the soul of the artist, then what lives in him feeling and creating can pour out into what he shapes.

The forms that we reproduce architecturally are not so close to what we experience directly or what lives in our soul. But in a certain way, what can be architecturally designed does arise from what is experienced in the human soul. I have already indicated how the gesture is continued, how that which can be created in the environment emerges from the movement, from the gesture - not from the gesture that the physical hand makes, but from the gesture that the spiritual organs make when they want to grasp the immediate environment. What is experienced inwardly, to be shaped in forms and colors and in other artistic means so that one stands in everything in it, so that what one creates in space as forms and colors is a continuation of the inner being that flows out into the forms, into all curves and inclinations, into all colors that cover the walls: that is what spiritual science wants to show.

Let us look at how the building should be designed from this point of view. As was explained in the description of the genesis, the challenge is to present to the audience's eyes and ears something that becomes clear to human knowledge through the results of spiritual science. Spiritual science is something that should be absorbed by the soul in a concentrated way; those who want to absorb what is presented in spiritual science must be concentrated. We are therefore dealing with a space for the audience and a space for what is to be presented from the sources of spiritual science.

When a person is collected, he must close himself off from the outside world; he must, as it were, hold his powers together. This is the outer nature of the structure. What kind of space will have to be created if what is in the people who are in such a space is to express itself meaningfully, but also to continue in the surroundings? It is quite clear, not for abstract concepts but for artistic sensibilities, that a rotunda must be created and that, above all, the collection can best be presented in a dome-shaped space. The dome-shaped conclusion expresses what is really alive there, not in a symbolic or allegorical way, but rather in such a way that, as it were, an excavation is made in the room, I would say, that the space is pushed back, and the way the space is pushed back results in the architectural form. In essence, therefore, such a building, which is based on interior design, must be a building that takes its form from the fact that what happens in it vibrates and bumps into its surroundings, and that the vibrations persist. What I have only hinted at so far could be developed further. It would then become clear that two rotundas are created by the two departments - the one derived from the humanities and the other from the audience; two rotundas that are connected, however, that must belong together. This would become clear, not through abstract thought, but by feeling it out in a very artistic way. The two interconnected round structures would arise in the middle, overlapping and closed at the top by parts of spherical surfaces (Figs. 1, 3, 8, 9).

It goes without saying that the exterior architecture, I would say, is of lesser importance for such a building, which is dedicated to inner contemplation and concentration. Everything that seeks to be artistically shaped in forms and colors must arise from within, must be projected from the inside out. What is formed on the outside is, so to speak, that which arises from the fact that, by repelling the waves of the world, the other waves of the world approach again, meet with what reaches out into space; and in the encounter, what is formed is, if I may use the word, the outer form, the outer decoration. But the whole must be formed out of this fundamental idea. Out of this fundamental idea, but out of the felt, sensed fundamental idea, this outer form necessarily arose. Technically, it was not at all easy to execute what you see executed there: to join spherical surfaces together in such a way that the thing can technically exist. And I may mention here that we were able to solve this problem, which has not been solved in architecture before, through the insight and efforts of a Basel engineer friend of ours. In this way we gave the outer form.

In the same way, we must think about how the building itself is to be designed. If you walk around the building, you will find three gates (Figs. 3-9). These three gates are designed in such a way that you may wonder about their forms. Why are these forms exactly as they appear to us? Is there an answer to the question: Do these gates have to be designed in this way?

Yes, you can get an answer, but it cannot be an abstract, philosophical one, nor can it be an unartistic one , but one could say something like this: Yes, I also know something else where something comes in from the outside into an interior, how people will enter through the gate into the interior, I know, for example, the human eye. Light enters through the eye to do its work, the weaving of light, inside the human being. And now do not ask for some abstract idea of how the eye is formed, but feel how the light necessarily evokes a very specific design of the eye. In order for light to come from the outside into the human interior, it needs the eye; in order for the light to propagate, it must come into the interior through something that is designed like the eye. Look at our gates, then you will have to give the answer: Let us assume that there are people who want to gain a certain relationship with spiritual science; these people enter this room from the outside through the gate. The fact that they enter, felt and sensed vividly, should be expressed in these forms of the gate.

And again, we enter the room (Figs. 28, 29). From the way I have depicted it, you can see that there are spectators sitting in it. In the smaller room, which is also a round structure and adjoins the other (Figs. 55, 62), something is taking place that is a revelation. It is not a ghostly or spectral revelation, but a natural revelation of the results of spiritual science, only it is completely transformed from the philosophical-theoretical into the artistic. There are spectators concentrating on what is happening in the space of the performance. The spectators' attention rushes through the space. Now let us imagine that this space, completely animated by the attention of the spectators, should reveal itself within itself. The whole atmosphere, which, so to speak, must take hold of the soul when it feels: There are spectators, there are listeners, there are attentive people, people in whose souls what is happening before them is taking place, this whole atmosphere, this feeling is continued in the structure of the columns that run along the room, is continued in the peculiar sculptural forms that .

There is a single axis of symmetry that runs from the entrance through the center of the room, and the shapes on the individual columns indicate that the audience's attention is directed towards the performance space, and that what emanates from the performance space in turn comes towards them (Fig. 29). If you look at what the columns are supporting, you will recognize from the forms carved out of the wood how attention really does encounter what comes towards it from the representational space, and how this is continued. It is not just depicted, it is really captured in the gestures in these wooden structures in the living life.

The whole thing is designed down to the material. I have heard it said that it is a complicated idea of these Theosophists out there in Dornach that they make their wooden columns in such a way that they always use different woods for the individual columns. Such a question arises precisely from the urge to get something philosophical and theoretical as an answer, and not an artistic feeling, not something that reaches in from direct life. What can one say in answer to someone who asks: Why do you make your columns out of different types of wood? One can perhaps answer: Have you ever seen a violin with only A strings? No, there are different strings; it has to do with the design of the violin. The whole structure is built for life, for direct feeling and sensing, right down to the material. Therefore, the structure should express what lives in spiritual science completely artistically and only artistically, not abstractly meaningfully. It was, of course, necessary for the individual artistic fields to develop in very specific ways, because spiritual science, as it were, seeks to penetrate the secrets of existence in the sensory world. This means that what would otherwise be developed as art only in direct connection with sensuality is shaped in a different way.

The interior of that dome – which can only be called a dome in a figurative sense, because it is not a dome at all, but only a spherical termination – this interior is painted (Figs. 29, 62). But this painting is based on something other than what usually underlies painting. Of course, the painting cannot depict what really is in the materialistic sense of the word. This painting shows the way in which a being, an object, a landscape is illuminated, what flits across the external material reality; it shows what in the next moment can no longer be there, it shows the fleeting, that for which the objects are only the cause of its being there. In a still completely different sense, our painting must have an effect.

Do you remember what I said before: that the essence of artistic creation is that the artist himself is present in what is created by the artist, that the artist, by shaping the material, shapes something that lives within him, where he is inwardly present, not painting after something external, but rather shaping the external itself according to what is within him. That this can also be transferred precisely to the principle of painting may not yet be universally understood today. But there is a way of thinking about it: How would you experience it in your mind if you, I would say, saw the world through and through red? Would it affect your mind differently? That the question is justified was known to those who had a somewhat deeper connection to art at all times. Goethe, for example, remarked that if someone wanted to depict how, at the end of earthly existence, the wrath of the world would pour out over all that is sinful in humanity, this divine wrath would have to shine in a red-hot light. Here we see how colors merge into the moral, into the soul-spiritual.

What do we experience in red, in green, in blue? Just as the form can be experienced, so can the color. Then one is not dealing with a reproduction of the colors of what light offers as a coloration; then one crawls into the color, so to speak, and experiences the essence of the color, and by living out in the color, one creates from the essence of the color itself. Thus, in our entire wall painting, nothing should be copied, but from the inner reason of things, insofar as they have something to do with color or with the moral, the spiritual-soul, which is expressed in color, the form should be created from the color itself. What is painted on the walls should express itself, not something else; it should speak to us through itself.

And so the whole structure is formed in such a way that the walls, as it were, are not real walls. The spiritual scientist is convinced that, just as he as a physical person is surrounded by air and the rest of the physical world, he as a spiritual being is surrounded by the spiritual, with all its entities and processes, which fills and fulfills the world. While a building is otherwise designed to be thought of as complete, it must be said of our building that, however much it is a frame for the gathering audience, it is at the same time something that cancels itself out. Seen from within, this ceiling should give the impression that basically there is nothing there, but that we know that by looking up at this ceiling, this ceiling lifts itself up; it becomes a spiritual direction, into infinite spiritual expanses it is the beginning. We will basically have no walls despite the frame, but something that is permeable, that leads into distant worlds, into vast worlds. And it is the same with architecture, with sculpture, with column forms, with everything that surrounds us. It should not shut us off; it should lead us out into the expanses and distances of the spiritual world. The walls must be placed in such a way that one says: when one takes the step out, that must be the first thing, and if one pursues this further, one comes out into the expanses of the spiritual world. Walls that destroy themselves through what they are, that is what, in a certain respect, is the goal of a new art, even if, as I have indicated, it is only in its very beginning.

And something else may be said. Anyone who enters our building today will be able to say: Yes, everything that is so often regarded as the actual architecturally correct, as the noblest forms of architecture, is basically no longer there here. And there is some truth to that. If we take an extreme case and look at a Greek building in its harmonious forms, built by the forces that act outside as spatial forces, brought into beautiful harmony, then we cannot say: our building is designed in the same way. The Greek building is designed in such a way that it represents the highest level of utilization of the forces of space, of pressure, or, as they are called, of gravity, which otherwise fills space. In our case, a breath of the living and weaving permeates the entire building. While we have something mathematical in Greek temple construction, something that comes from the mere interplay of forces, which is nevertheless inanimate, even if it is composed in the most beautiful harmony, in rhythm and proportion, our building is conceived in such a way that one can have the feeling that something alive is quietly passing through its lines, as something highly alive passes through the human form. Life pulses and vibrates through that which is expressed in forms. This is true; but therein lies the progress of architecture.

I would need many hours to discuss the architectural principles of style; how Greek gradually leads to that which brings life into architecture. In the future, the hitherto dead architectural form will truly come to life. We can only make an imperfect very first start. But this start must be made, and something dynamic, something invigorating, something that moves must be introduced into the purely physical-mathematical forms. Here, too, we may refer to Michelangelo's saying: Only he who knows human anatomy is able to form a true conception of the inner necessity on which an architectural plan is based.

But we find that when we look at the human form as it we see in the truly spiritually understood anatomy, that alongside all its movement and life, there is something that already presents itself in life as something dead, as something merely mathematical: the way in which the structure of our bone system relates to each other. The way in which we physically move the various parts of our skeletal system in relation to each other shows that something dead and mathematical is present in the life of a human being, that death is contained in it. And now it is possible to bring just as much life into the dead structure as there is death in the living human being. And that is what has been attempted with our structure. It has been lifted out of the rigidity of the merely mathematical, of merely following lines and adding forces. It has been imbued with life, with organicity, as much as there is dead matter in a living human being. The living element in the human being can only exist because the dead is mixed in with it in a certain way.

Our building takes on the appearance of life because what is merely joined together dead is given the appearance of life, the appearance of the living is lent to it. And at one point, it is shown what underlies it as a basic idea of spiritual science, that this spiritual science should stir up something in the soul that brings the soul into intimate contact with life. Spiritual science should make people life-friendly and devoted to life. In spiritual science, people should find something that introduces them to life, that makes them strong and powerful for life, which is becoming ever more complicated. Therefore, our building must also have something that directly shows how to not just put something together and paint it with the means that are available to us as human beings, but something must be presented here that expresses the tendency for our building to be in close contact with the whole world so that not only we as human beings work on the building but the whole world works on it.

This is attempted by transforming the earlier glass painting into a kind of glass etching (Figs. 102, 103). A special kind of artistic treatment of the windows in the Dornach building will be found. I can only hint at it. The window panes will not be treated in the way that stained glass was treated in the past. Instead, the panes of different colors will be treated in such a way that a special etching technique is used to scrape out the form from the glass, so that the corresponding figures are created by the fact that the light from outside can penetrate through the different thicknesses of the glass and the outer light, by holding the glass against it, works together with us. A glass pane like this is not a work of art in itself; it is only when it is installed and the external light passes through the glass pane that the work of art is created. Glass etching, through which sunlight penetrates directly into the interior of the room through various drawings on the glass. Here we have the whole world working together in the way that light can come in from the outside into the interior, which, during events, usually has to be illuminated with the artificial light of the modern age, with electric light.

And so it must be said that such a building is not intended to to represent something particularly abstract, something quite strange, which a few good-for-nothings of life perceive as a pleasant place to stay, but rather it should be presented in such a way that it is sought out by precisely those who need a boost for their lives, so that they can get to know life in its depths. It was not allowed to put something there that has nothing to do with what today's culture is. Therefore, the most recent material was used quite consciously. In addition to the part that was made of wood, for reasons that cannot be discussed today, the most recent concrete material was used, and an attempt was made, because artistic creation must really shape out of the material, to use this concrete material in such a way as to express, materially, if I may use the paradox, the most spiritual with this most recent, most material product. Not something outlandish should be collected, but that which the time yields should be used for the ideas that are supposed to bring, precisely for the time that works through external materiality, the spiritual, the ideal, the spiritual-soul.

Next to the building, you can see something else that many people today find particularly crazy (Figs. 100, 101). This is something that arose from the question: How should the whole building be heated? For certain reasons, one did not want what is in this annex to be inside the building itself, mainly for artistic reasons. Should one now build a chimney in the current way, should one put all that such a chimney requires with a boiler house in the way it is often put in the world? That was the question, and at the same time, the task of using concrete for such a construction had to be solved. Now this had to be solved: what concrete casing should be given to such a boiler house? How should what is formed in concrete be constructed? Certainly, the forms that have emerged will not be understood by very many people today. But that is how it is with everything that is built as something new. But people will learn to understand.

The boiler house is only completely finished when smoke comes out of it; that belongs to the forms. And people will one day understand that the forms carved out of the concrete material really relate to what happens inside, to the whole idea of the building – artistically speaking – like the nutshell to the nut. Just as we feel that the nutshell is designed for the nut – the nutshell has to be designed for the sake of the nut, and it would be ugly if it were not designed to be a proper shell for the nut – so what is going on in the boiler house must be enveloped in such a shell, like the strange concrete building that stands next to our Dornach building. So you see that artistic considerations have played a part everywhere. They were questions of artistic feeling, questions of feeling, not questions of allegorical or symbolic meaning.

I have taken up a great deal of your time and yet I have only been able to present to you, I might say, the most elementary main ideas of our Dornach building, without going into the actual fundamental artistic aspects. But perhaps it is precisely through what I have taken the liberty of discussing with you that it has become apparent how such a building must be formed, so to speak, out of the needs of modern life. And anyone who visits this building will also be able to find that this beautiful landscape, which lies around the Dornach hill, this beautiful landscape that continues on all sides, has something in the Dornach building that can be said in the same way as for many successful buildings: they really grow out of the earth, it is as if the earth were sending the power upwards for their creation. Those who allow the forms of mountains and hills, the whole of nature out there, to work on their soul, will find in the outer form of the Dornach building, to a certain extent, an architectural continuation of all of nature.

Therefore, those who were able to erect this building in this beautiful country can greet with particular joy that this has become possible, that it has been shaped by the circumstances. And I believe that those for whom this building is so close to their worldview are filled with a deep sense of gratitude that it was possible to erect this building in this part of the country. It may be called a kind fate that those people who are out there in the world, one in this, the other in that profession, one in this, the other in that place in the world, may stop at certain times of the year on the beautiful Dornach hill and get there, for what they have to do in the outside world, strength of life, strengthening of life, through that collection which is to be sought in our building and which is to be expressed through the forms, through the art of building.

In this context, it may perhaps be mentioned that it is perfectly understandable, indeed self-evident, that people who, through their lives, are able to be where they want, to build where they want, will build their houses near the building. It is indeed a great joy to see, from many points of view, that the building will be surrounded by a number of houses, perhaps later a larger number of houses, in which people will live who are in tune with the purpose of the building. But the main thing is not what is called this colony; the main thing is the building, which wants to be neither a church nor a temple, but precisely that which can be called an embrace of the spiritual-scientific world view. And because this building wants to be what has been described, it wants to serve people who are out there in the world, some of whom work here and others there. Our worldview cannot have much time for theosophical or mystical worldviews, or whatever you want to call them, through which people withdraw from the immediate life of the present, gathering in colonies to pursue their whims and fantasies and dreams in idleness. Spiritual science is not intended for idlers, for people who do nothing but sit together dreaming in what they call colonies. Our world view is not intended for them, but for people who want to work diligently on what is being achieved in the present for human labor, for human salvation and human progress; for these people, who are in the prime of life, for people who have something to do in life, this structure is intended. They should only be there during the times that are their life Sundays, their life holidays, when they come together to gain strength for the innermost forces of the soul for the rest of their active lives. We certainly do not want to found a colony for idlers, but we want to create something that serves life as it presents itself to people in our time, in our cultural epoch. We want to serve what is demanded of people in our cultural epoch. Of course, this is not a criticism of people who want to retire or have a summer house and recover, so that something can arise that can be called a colony surrounding the building. From certain points of view, this will have great advantages, but the basic idea requires that I express what I have just expressed.

Anyone who has grasped what has been said about spiritual science in connection with the design of this house in Dornach will no longer need to be told that this spiritual-scientific worldview is not hostile or opposed to this or that religious belief, this or that way of relating to the supersensible world. On the contrary, spiritual science wants to bring to the human soul that which lives behind physical-sensory phenomena, wants to bring this to the human soul in a way that has not been possible through the achievements of human culture to date, but which is demanded by the future. Just as from a certain point in the development of humanity, the Copernican worldview, the worldview of a Galileo, a Kepler, everything that is connected with modern science, was required for the outer space, so in our time something is required for the life of the soul, something that must come in, just as the scientific worldview has come in, something that will serve life in its moral , its spiritual-soul development, just as natural science has served material life.

Just as progress was indispensable and necessary there, so progress in the spiritual-soul sphere is indispensable and necessary, and in the future people will be just as unable to live without what spiritual science has to give as people today are unable to live without the achievements of natural science. Just as true scientific progress cannot in any way hinder religious elevation to the supersensible, the religious connection of the soul with the supersensible, so the spiritual scientific world view will not do this either. On the contrary, this may be particularly emphasized: While the natural-scientific world view easily leads man to what may be called a soul that does not want to concern itself with anything supersensible, that believes that a satisfactory world picture can be formed from what natural science itself provides, spiritual science shows us that man's soul is in contact with supersensible worlds. And by opening up these supersensible worlds to the human soul, it will deepen precisely the religious need.

Just as our building does not want to be a temple or a church, so spiritual science does not want to be anything that replaces any religion. On the contrary, anyone who penetrates into the depths of the world in a spiritual scientific way will be led back to religious life. What the individual then does with his religious belief is his personal business; spiritual science does not concern itself with this. Spiritual science aims to found a spiritual-scientific world view; it does not alienate people from their religious beliefs; it can only lead them more intimately, more deeply, more energetically into their religious life. And if one were to really see through the very core of true spiritual science, then religious beliefs would have very little to object to against this spiritual science. Rather, they would say: “Due to many things that have arisen in the has estranged many a soul, but now a current is coming that brings people together with the supersensible worlds; this will awaken and fertilize religious life in its depths. Once people have gained an understanding for it, they will no longer see spiritual science as something that encroaches on the religious communities, but as something that must necessarily come into the world, but that comes into the world in such a way that a religious person must welcome it as something gratifying.

But here too we see that there is still much remains to be done if our contemporaries are to develop a true and genuine understanding of what spiritual science wants and what it has to do in all areas of life – for example, in relation to the arts, but one could say the same in relation to social issues – in a world in which human conditions are becoming increasingly more complicated and complex as we look towards the future. And for many areas, indeed for all areas of life, it can be shown that spiritual science wants to be there to sow the seeds of renewal of life as it will be needed. This renewal of life, its inner necessity can be recognized by anyone who sees through life. The task of spiritual science is not to replace religion, nor to found another religion. The task of spiritual science is not to appear somehow polemically or critically against what has been artistically created so far. But like every genuine world view, one that takes hold not only of our abstract intellect, our ideas and concepts, but of the whole human being, must express itself artistically, so must spiritual science express itself artistically. And the first step in this direction is the building in Dornach – a primitive beginning, as I said.

It will be understood that spiritual science is able to deepen religious life and to fertilize art. But spiritual science wants to be a science, albeit a science that is close to the most intimate needs of the human soul. And it wants to be such a science, a strong promoter of the life that our time needs. Therefore, for everything artistic, for everything social, for religious and many other special areas of life, we can say what Goethe said in relation to the religious feeling of man:

He who possesses science and art also has religion. Those who do not possess these two, have religion.

Those who truly possess spiritual science and who immerse themselves in the artistic perception that flows from spiritual science in a feeling-based way, for them it can be said, once again summarizing a feeling, this time a Goethean feeling, which is also what every stone, every piece of wood in our building should express: Those who possess science (in the sense of spiritual science) and those who possess art (especially art in the sense of spiritual science) also possess religion. This is what can be said for religion and for many other areas of life from the point of view of spiritual science. Therefore, the feelings that should flow through my reflections today may end with Goethe's words – even if this only refers to the religious current, what applies to religion also applies to the other areas of life:

Those who possess science and art also have religion.
Those who do not possess these two may have religion.

In the last lecture we retraced the past of man more particularly from the point of view of his form and his body. We will now consider the past as regards his states of consciousness.

The following questions often arise before the mind: Is man the only being upon Earth who possesses self consciousness? Or again: What is the relation between the consciousness of man and that of the animals, plants and metals? Have these lower kingdoms of life any consciousness at all?

Imagine that a tiny insect crawling on the body of a man could see only his finger. It could have no conception whatever of the organism as a whole, nor of the soul. We ourselves are in exactly the same position as regards the Earth and other beings indwelling it. A materialist has no conception of the soul of the Earth and, as a natural result, he is not aware of the existence of his own soul. Similarly, if a tiny insect is unaware of the soul of man, this is because it has no soul with which to perceive.

The Earth-soul is much more sublime than the soul of man and man knows nothing of it. In reality, all beings have consciousness but man's consciousness is quite different, inasmuch as in our age it is perfectly attuned to the physical world.

As well as the waking state (corresponding to the physical world), man passes through other conditions of consciousness. During dreamless sleep, his consciousness lives in the devachanic world. The consciousness of the plant is always devachanic. If a plant ‘suffers,’ the suffering brings about a change in devachanic consciousness. The animal has astral consciousness, corresponding to the dream-life of man.

These three states of consciousness are very different. In the physical world we evolve ideas simply by means of the sense organs and the outer realities with which these organs put us into touch. In the astral world, we perceive the surrounding milieu only in the form of pictures, feeling at the same time as if we were part of them.

Why does man, who is conscious in the physical world, feel himself separate from all that is not himself? It is because he receives all his impressions from a milieu which he perceives very distinctly outside his body. In the astral world, on the contrary, we do not perceive by means of the senses but by the sympathy which makes us penetrate to the heart of everything we encounter. Astral consciousness is not confined within a relatively limited field; in a certain sense it is liquid, fluidic. In the devachanic world, consciousness is as diffused as a gas might be. There is no resemblance whatever with physical consciousness, into which nothing penetrates except by way of the senses.

What was the object of this shutting-off of consciousness which followed the stage of imaginative consciousness? If such a shutting-off had not taken place, man could never have said ‘I’ of himself. The divine germ could not have penetrated into his being in the course of evolution if it had not been for the crystallisation of his physical body. Where, then, was this divine Spirit before the solidification of the Earth and of consciousness? Genesis tells us: “The Spirit of God moved upon the face of the waters.” The divine Spirit, the spark of the Ego, was still in the astral world.

In higher Devachan, beyond the fourth degree, referred to in occultism as Arupa (without body), where Akasha (negative substance) has its rise—there is the home of the consciousness of the minerals. We must try to reach a deep and true understanding of the mineral kingdom and discover our moral link with it. The Rosicrucians in the Middle Ages taught their disciples to revere the chastity of the mineral,—“Imagine,” they said, “that while retaining his faculties of thinking and feeling, a man becomes as pure and free from desire as the mineral,—He then possesses an infallible power—a spiritual power.”—If we can say that the spirits of the several minerals are living in Devachan, we can say equally correctly that the spirit of the minerals is like a man who might live only with devachanic consciousness.

In other beings, then, the existence of consciousness must not be denied. Man has traversed all these degrees of consciousness on the descending curve of evolution. Originally he resembled the minerals, in this sense, that his Ego lived in a higher world and guided him from above. But the aim of evolution is to free man from being subject to beings endowed with a consciousness higher than his own and to bear him to a point where he himself is fully conscious in higher worlds.

All these levels of consciousness are contained within man today:

1. The consciousness of the mineral-corresponding to deep sleep.
2. The consciousness of the plant-ordinary sleep.
3. Animal consciousness-dream-life.
4. Physical, objective consciousness-the normal waking state. The two former states are atavistic survivals.
5. A consciousness which repeats the third stage but retains the acquired quality of objectivity. Images have definite colours and are realised as being quite distinct from the perceiver. The subjective sense of attraction or repulsion vanishes. In this new imaginative consciousness, the faculty of reason that has been acquired in the physical world retains its own powers.
6. Sleep itself—not the dream—here becomes a conscious state. We do not only behold images but we enter into the living essence of beings and hear their inner tones. In the physical world we give names to things but the names are merely outer appellations. Only man can express his own being from within by saying ‘I’—the ineffable name of conscious individuality. By this word we distinguish our own personality from the rest of the universe. But when we become conscious of the world of sound, each being, each thing communicates its own true name; in clairaudience we hear the sound which expresses its innermost being and rings forth as a tone in the universe that is distinct from all others.
7. One stage further and deep sleep becomes a conscious state. Description is impossible, for this condition passes beyond the limits of comparison. All that can be said is that it exists.

Such are the seven states of consciousness through which man passes, and he will pass through others too. There is always one central state, with three beneath and three above. The three higher states reproduce, in a higher sense, the three lower. A traveler is always at the centre of the horizon. Each state of consciousness develops through seven states of life, and each state of life through seven states of form. Thus seven states of form always constitute one state of life; seven states of life compose one whole period of planetary evolution, for example that of our Earth.

The seven states of life culminate in the formation of seven kingdoms, of which four are actually visible: the mineral, plant, animal and human kingdoms. In each state of consciousness, therefore, man passes through 7 x 7 states of form this brings us to 7 x 7 x 7 metamorphoses (343).

If we could envisage in one single tableau the 343 states of form, we should have a picture of the third Logos.

If we could envisage the 49 states of life, we should have a picture of the second Logos.

If we could envisage the 7 states of consciousness, we should have a conception of the first Logos.

Evolution consists in the mutual interaction of all these seven forms. In order to pass from one form to the other, a new spirit is necessary (the action of the Holy Spirit). In order to pass from one state of life to another, a new power is necessary (the action of the Son). In order to pass from one state of consciousness to another, a new consciousness is necessary (the action of the Father).

Christ Jesus brought a new state of life and was in very truth the Word made Flesh. With the coming of the Christ, a new force entered into the world, preparing a new Earth in a new relationship with the heavens.

[ 1 ] In this chapter we shall describe a number of cases from the practice of the Clinical and Therapeutic Institute at Arlesheim. They will show how, with the help of a knowledge of spiritual man, it is possible to achieve such a thorough picture of the disease that diagnosis directly teaches us the remedy which should be used. Fundamental to this is a view which recognizes the process of illness and of healing as one complete cycle. The illness begins with an irregularity in the composition of the human organism with respect to its parts, which have been described in this book. It has already reached a certain stage when the patient is received for treatment. Our object must now be to bring about a reversal of all the processes which have taken place in the organism since the beginning of the illness, so that we arrive at length at the previous state of health of the organism. A process of this kind, reversing on itself, cannot be accomplished without the organism as a whole undergoing some loss in the forces of growth, which are equivalent to those forces which the human organism - needs during childhood in order to increase in size. The therapeutic substances must therefore be so composed as not only to bring the diseased process back to its starting-point, but also to support the reduced vitality again. To some extent this latter effect must be left to dietary treatment. But as a general rule, in the more serious cases of illness, the organism is not in a condition to evolve sufficient vitality in the assimilation of its food. Therefore the actual treatment will also have to be constituted so as to give the organism the necessary support in this respect. In the typical remedies supplied by our clinical/therapeutic institutes, this provision has been made throughout. Hence it will only be realized on closer inspection, why a given preparation contains particular constituents. In estimating the course of the disease, not only the localized pathological process, but the changes suffered by the organism as a whole must be considered and included in the reversing process. How this is to be conceived in detail will be shown by the individual cases we shall now describe. We shall then continue the more general considerations.

First Case

[ 2 ] A twenty-six years old woman patient. The whole personality reveals an extraordinarily labile condition. It is clear from the patient that that part of the organism, which we have here called the astral body, is in a state of excessive activity. One observes that the ego-organization has only slight control over the astral body. As soon as the patient begins to do some work, the astral body develops a state of agitation. The ego-organization tries to make itself felt, but is constantly repulsed. This causes the temperature to rise in such a case. A well regulated digestion depends mainly on a normal ego-organization. The impotence of this patient's ego-organization expresses itself in an obstinate constipation. The migraine-like conditions and vomiting from which she suffers are a consequence of this disturbance in the digestive activity. In sleep, her impotent ego-organization shows itself in a deficient organic activity from below upward and impaired expiration. The consequence is an excessive accumulation of carbonic acid in the organism during sleep, which shows itself organically in palpitations on awakening; psychologically in anxiety, and screaming. Physical examination can show nothing other than a lack of those forces which bring about a regular connection of the astral, etheric and physical bodies. Owing to the excessive activity of the astral body in itself, too little of its powers can flow over into the physical and the etheric. The latter, therefore, have remained too delicate in their development during the period of growth. This has shown itself on examination in the patient's slight build and weak body, and also in the fact that she complains of frequent back pain. The latter arises because in the activity of the spinal cord the ego-organization must make itself felt most. The patient talks of many dreams. The reason is that the astral body, separated in sleep from the physical and the etheric, unfolds its own excessive activity. We must start with the fact that the ego-organization needs to be strengthened and the over-activity of the astral body lowered. The former is attained by selecting a remedy that is suitable to support the weakened ego-organization in the digestive tract. Such a remedy is to be found in copper. Applied in the form of a copper ointment compress to the region of the loins, it has a strengthening effect on the deficient inner warmth coming from the ego-organization. This is observed in a reduction of the abnormal activity of the heart and the disappearance of anxiety. The excessive activity of the astral body in itself is combated by the smallest doses of lead taken orally. Lead draws the astral body together and awakens in it the forces through which it unites more intensely with the physical body and the etheric. (Lead poisoning is composed of an over-intense union of the astral with the etheric and physical bodies, so that the latter are made subject to excessive breakdown processes.) The patient recovered visibly under this treatment. Her labile condition gave way to a certain inner firmness and assurance. Her moods, recovering from their disrupted state, grew inwardly calm and contented. The constipation and back pain disappeared; likewise the migrainous conditions and the headaches. The patient's capacity for work was restored.

Second Case

[ 3 ] A forty-eight year old man. He had been a robust child with an active inner life. During the war, as he informed us, he had undergone a five months' treatment for nephritis and been discharged as cured. Married at the age of thirty-five, he had five healthy children; a sixth child died at birth. At the age of thirty-three, as a consequence of mental overwork, he began to suffer from depression, tiredness and apathy. These conditions increased continuously. At the same time he began to feel spiritual despair. He is confronted by questions, in which his profession—that of a teacher—appears to him in a negative light, which he cannot meet with anything positive. The illness shows an astral body which has too little affinity with the etheric and physical, and is rigid in itself. The physical and etheric bodies are thus enabled to assert their own inherent qualities. The feeling of the etheric not being rightly united with the astral body gives rise to states of depression; while the deficient union with the physical produces fatigue and apathy. That the patient is in a state of spiritual despair is due to the fact that the astral body cannot make use of the physical and the etheric. Consistently with all this, his sleep is good; for the astral body has little connection with the etheric and physical. For the same reason he has great difficulty in waking up. The astral body is loath to enter the physical. It is only in the evening, when the physical and etheric bodies are tired, that their normal union with the astral begins to take place. Therefore the patient becomes properly awake in the evening. This whole condition indicates that it is necessary first of all to strengthen the astral body in its activity. This can always be attained by giving arsenic internally in the form of a mineral water. It becomes clear that the particular individual is seen to gain more command over his body after some time. The connection between the astral and the etheric is strengthened; the depression, apathy and fatigue cease. But the physical body also, which through its long defective union with the astral has become sluggish and immobile, must be helped; this is done by giving treatment with a mild dose of phosphorous. Phosphorous supports the ego-organization, enabling it to overcome the resistance of the physical body. Rosemary baths are used to open a way out for the accumulated products of metabolism. Curative eurythmy re-establishes the harmony of the individual members of the organism (nerve-sense system, rhythmic system, motor and metabolic system), impaired as they are by the inaction of the astral body. Finally, by giving the patient elder-flower tea, the metabolism, which has gradually become sluggish owing to the inactivity of the astral body, is restored to a normal condition. We were able to observe a complete cure in this case.

Third Case

[ 4 ] This patient was a musician, thirty-one years old, who visited our clinic during a concert tour. He was suffering from a severe inflammatory and functional disturbance of the urinary tract, catarrhal symptoms, fever, excessive bodily fatigue, general weakness, and incapacity for work.

[ 5 ] The past history of the patient showed that he had repeatedly suffered the same condition. Examination of the patient's spiritual state revealed a hypersensitive and exhausted astral body. The susceptibility of the physical and etheric body to catarrhal and inflammatory conditions was a consequence of this. Already as a child, the patient had a weak physical body, badly supported by the astral. Hence measles, scarlet fever, chicken-pox, whooping-cough and frequent attacks of sore throat; at the age of fourteen, there was an inflammation of the urethra, which recurred at the age of twenty-nine in conjunction with cystitis. At the age of eighteen, pneumonia and pleurisy; at twenty-nine, pleurisy again, following on an attack of influenza; and at the age of thirty, catarrhal inflammation of the frontal sinus. There is also a perpetual tendency to conjunctivitis.

During the two months which he spent at our hospital the patient's temperature curve rose at first to 39.9¡C, after which, it descended, only to rise again on the fourteenth day; it then fluctuated between 37¡ and 36¡, occasionally rising above 37¡ and falling to 35¡. Such a temperature curve gives a clear picture of the changing states of the ego organisations. Such a curve arises when the effects of the semi-conscious contents of the ego-organization find expression in the warmth-processes of the physical and etheric bodies without being reduced to a normal rhythm by the astral. In this patient, the whole capacity of action of the astral body was concentrated on the rhythmic system, where it found expression in his artistic talent. The other systems fell short. As a significant result of this, the patient suffers from severe fatigue and insomnia during the summer. In the summer season, considerable demands are made upon the astral body by the outer world. Its inner capacity for activity recedes. The forces of the physical and etheric body become predominant. In the general perception of one's sense of well being, this manifests as severe fatigue. At the same time the weakened capacity for action of the astral body hinders its separation from the physical. Hence the insomnia. The deficient separation of the astral body from the etheric finds expression in anxious and unpleasant dreams, arising from the sensitivity of the etheric body to the lesions in the physical organism. Characteristically, the dreams symbolize these lesions in images of mutilated human beings. Their terrifying aspect is simply their natural quality and emphasis of feeling. As a consequence of the astral body functioning deficiently in the metabolic system, there is a tendency to constipation. And owing to the independence of the etheric body, which is too little influenced by the astral, the protein received as food cannot be completely transformed from vegetable and animal protein into human. Hence, protein is excreted in the urine, so that it is positive for albumen. If the astral body is functioning deficiently, processes will arise in the physical body which are really foreign processes in the human organism. Such processes express themselves in the formation of pus. This represents, as it were, an extra-human process within the human being. Thus in the sediment of the urine we actually find pure pus. But this formation of pus is accompanied by a parallel process in the soul. The astral body works as little psychically on the experiences of life, as it works physically on the substances of food. While extra-human substances are produced in the form of pus, mental and psychic contents of a extra-human character arise at the same time, as a keen interest in abnormal relationships of life, forebodings, premonitions and the like. We therefore set out to bring a balancing, purifying and strengthening influence to bear upon the astral body. As the ego organization is very much alive, its activity could be used, in a manner of speaking, as a carrier of the therapeutic remedy. The ego-organization, which is directed toward the external world, is most readily approached by influences whose direction is from without inward. This is achieved by the use of compresses. We first apply a compress of Melilotus, a remedy which works upon the astral body in such a way as to improve the balance and distribution of its forces, counteracting their one-sided concentration on the rhythmic system. Naturally the compresses must not be applied to that part of the body where the rhythmic system is especially concentrated. We applied them to the organs where the metabolic and motor systems are concentrated. We avoided compresses around the head, because the mood swings of the ego-organizations proceeding from the head, would have paralysed the effect. For the Melilotus to take effect, it was also necessary to assist the astral body and ego-organization, by drawing them together. This we sought to do by the addition of oxalic acid, derived from Radix bardanae. Oxalic acid works in such a way as to transform the activity of the ego-organization into that of the astral body. In addition, we gave oral remedies in very diluted doses; with the object of bringing the excretions into a regular connection with the influences of the astral body. We tried to normalise the excretions directed from the head organization by means of potassium sulphate. Those processes that depend upon the metabolic system in the narrower sense of the word, we sought to influence by potassium carbonate. We regulated the excretion of urine with Teucrium. We therefore gave a medicament, consisting of equal parts of potassium sulphate, potassium carbonate and Teucrium. The whole treatment had to reckon with a very labile balance in the whole, physical, psychical and spiritual organism. Thus we had to provide complete bed rest for physical rest, and mental quiet for spiritual balance; this alone made possible the proper interaction of the various remedies. Movement and agitation render such a complicated therapeutic process almost impossible. On completion of the treatment, the patient was restored to bodily strength and vigour, and was mentally in good condition. With such a labile state of health, it goes without saying that any external disruption may bring about a recurrence of one or another disturbance. It is part of the total treatment that in such a case such events should be avoided.

Fourth Case

[ 6 ] A child, who was brought to our clinic twice, first at the age of four, and then at the age of five and a half years. Also the mother of the child, and the mother's sister. Diagnosis led us from the illness of the child to that of her mother and of the sister. As for the child, we received the following information: it was a twin, born six weeks prematurely. The other twin died in the last stage of foetal life. At the age of six weeks, the child was taken ill, began to scream excessively, and was admitted to hospital. They diagnosed pyloric stenosis. The child was partly breast fed by a wet nurse and partly fed artificially. At the age of eight months it left the hospital. On the first day after arrival home the child had a convulsion, which recurred daily for the next two months. During the attacks the child became stiff, with the eyes deviated. The attacks were preceded by fear and crying. The child also squinted with the right eye and vomited before the attack began. At the age of two and a half years there was another attack lasting five hours. The child was again stiff and lay there as though dead. At the age of four there was an attack lasting half an hour. According to the report we received, this was the first attack which was seen to be accompanied by fever. After the convulsions that had followed directly on the return from hospital, the parents had noticed a paralysis of the right arm and the right leg. At two and a half the child made the first attempt to walk, but was only able to step out with the left leg, dragging the right after it. The right arm, too, remained without volition. The same state prevailed when the child was brought to us. Our first concern was to determine the condition of the child with respect to the members of the human organization. This was attempted independently of the syndrome. We found a severe atrophy of the etheric body, which, in certain parts, received only a very slight influence from the astral body. The region of the right chest was as though paralysed in the etheric body. On the other hand, there was a kind of hypertrophy of the astral body in the region of the stomach. The next thing was to establish the relation between this diagnosis and the syndrome. There could be no doubt that the astral body strongly involved the stomach during the process of digestion, which, however, owing to the paralysed condition of the etheric body was blocked at the transition from the gut to the lymph. Hence the blood was under-nourished. We thus attached great importance to the symptoms of nausea and vomiting. Convulsions always occur when the etheric body becomes atrophied and the astral gains a direct influence over the physical without the mediation of the etheric body. This was present to the greatest extent in the child. Moreover, if, as in this case, the condition becomes permanent during the period of growth, those processes which prepare the motor system to receive the will normally fail to take place. This showed itself in the uselessness on the right side in the child. We had now to relate the condition of the child to that of the mother. The latter was thirty-seven years old when she came to us. At the age of thirteen, she told us, she had already reached her present size. She had bad teeth at an early age, and had suffered in childhood from rheumatic fever, and maintained that she had had rickets. Menstruation began comparatively early. At the age of sixteen she had had a disease of the kidneys and she told of convulsive conditions which she had had. At twenty-five she had constipation owing to cramp in the sphincter ani, which had to be stretched. Even now she suffered from cramp on defaecation. Diagnosis by direct observation, without drawing any conclusions from this syndrome, revealed a condition extraordinarily similar to that of the child. But everything appeared in a far milder form. We must bear in mind that the human etheric body has its special period of development between the change of teeth and puberty. In the mother this expressed itself thus: with their deficient strength, the available forces of the etheric body enabled growth to take place only until puberty. At puberty the special development of the astral body begins and, being hypertrophied, now overwhelms the etheric body and takes hold of the physical organization too intensely. This showed itself in the arrest of growth at the thirteenth year. The patient was, however, by no means dwarf-like, on the contrary, she was very big; this was because the growth forces of the etheric body, deficient though they were, had worked uninhibited by the astral body and so brought about a large expansion of the volume of the physical body. But these forces had not been able to enter properly into the functions of the physical body. This showed itself in the appearance of rheumatic fever and, at a later stage, convulsions. Owing to the weakness of the etheric body there was a particularly strong influence of the astral body on the physical. Now this influence is a disintegrating one. In the course of normal development it is balanced by the regenerative forces during sleep, when the astral body is separated from the physical and the etheric. If, as in this case, the etheric body is too weak, the result is an excess of disintegration, which showed itself in the fact that she had the first filling already in the twelfth year. Moreover, if great demands are made on the etheric body as in pregnancy, on every such occasion the condition of the teeth grows worse. The weakness of the etheric body with respect to its connection with the astral was also shown by the frequency of the patient's dreams and by the sound sleep which she enjoyed in spite of all irregularities. Again the weakness of the etheric body shows itself in that foreign processes unmastered by the etheric take place in the physical body, and reveal themselves in the urine as protein, isolated hyaline casts, and salts.

[ 7 ] Very remarkable was the relationship of these disease-processes in the mother with those of her sister. As to the composition of the members of the human being, diagnosis revealed almost exactly the same. A feebly working etheric body and hence a preponderance of the astral. The astral body was, however, weaker than that of the mother. Accordingly, menstruation had begun early as in the former case, but instead of inflammatory conditions she had only pains due to an irritation of the organs, e.g. the joints. In the joints the etheric body must be particularly active if the vitality is to go on in the normal way. If the activity of the etheric body is weak, that of the physical body will predominate, a fact which appeared in this case in the swollen joints and in chronic arthritis. The weakness of the astral body, that did not work enough in the subjective feeling, was indicated by her liking for sweet dishes, which enhanced the experience of the astral body. When the weak astral body is exhausted at the end of the day, then, if the weakness persists, the pains will increase in intensity. Thus the patient complained of increased pain in the evening. The connection between the pathological conditions of these three patients points to the generation preceding that of the two sisters, and more especially to the grandmother of the child. It is here that the real cause must be sought. The disordered equilibrium between the astral and etheric bodies in all three patients can only have been founded in a similar condition in the grandmother of the child. This irregularity must have been due to a deficiency of the embryonic organs of nutrition, especially the allantois development by the astral and etheric bodies of the grandmother. A deficient development of the allantois must be looked for in all three patients. We determined this to begin with by purely spiritual-scientific methods. The physical allantois, passing into the spiritual realm, is metamorphosed into the effectiveness of the forces of the astral body. A degenerated allantois gives rise to a lessened efficiency of the astral body, which will express itself, especially, in all the motor organs. Such was the case in all three patients. It is indeed possible to recognize, from the constitution of the astral body that of the allantois. From this it will be seen that our reference to the preceding generation was not the result of drawing far-fetched conclusions, but of real spiritual-scientific observations.

[ 8 ] To anyone who is irritated by this fact, we would say that our statements here are not inspired by any love of paradox; rather by the wish not to withhold existing knowledge from anyone. Conceptions of heredity will always remain dark and mystical, as long as we shrink from recognizing the metamorphosis from the physical to the spiritual and vice-versa, which takes place in the sequence of the generations.

[ 9 ] Therapeutically, such an insight could of course only lead us to perceive the right starting-point for a healing process. Had not our attention thus been drawn to the hereditary aspect, had we merely observed the irregularity in the connection between the astral and etheric bodies, we should have used therapeutic substances which affect both these members of the human being. Such remedies however would have been ineffective in our case, for the damage, running through the generations, was too deep-seated to be made good within the etheric and astral bodies themselves. In a case like this, one must work on the organization of the ego; here it is, that one must bring to bear all those influences which relate to a harmonizing and strengthening of the etheric and astral bodies. One can achieve this if one gains access to the ego-organization through intensified sensory stimuli, (Sensory stimuli work upon the ego-organization.) For the child, we attempted this in the following way: we bandaged the right hand with a 5% iron pyrites ointment and simultaneously we massaged the left half of the head with ointment of Amanita caesarea. Externally applied, pyrites, compound of iron and sulphur, has the effect of stimulating the ego-organization to make the astral body more alive and increase its affinity to the etheric. The Amanita substance, with its peculiar content of organized nitrogen, gives rise to an influence proceeding from the head, which, working through the ego-organization, makes the etheric body more alive and increases its affinity to the astral. The healing process was supported by curative eurythmy, which moves the ego-organization as such into quickened activity. This brings what is externally applied into the depths of the organization. Initiated in this way, the healing process was then intensified, with remedies making the astral and etheric bodies especially sensitive to the influence of the ego-organization. In rhythmic daily succession we gave a decoction of solidago in baths, massaged the back with a decoction of Stellaria media and gave orally willow bark tea (which particularly affects the receptivity of the astral body) and stannum 0.001 (which particularly makes the etheric body receptive). We also gave diluted doses of poppy juice, to allow the damaged organization to give place to the healing influences. In the mother's case, the latter kind of treatment was mainly adopted, since the inherited forces had worked far less than in the succeeding generation. The same applied to the sister of the mother. While the child was still with us in the clinic, we established that it became more easily guided and the general psychological condition was improved. It grew far more obedient, for example; movements which it had carried out very clumsily, it now accomplished with greater skill. Subsequently the aunt reported that a great change had taken place in the child. It had grown quieter and the excess of involuntary movements had decreased; the child is now sufficiently adroit to be able to play by itself, psychologically the former obstinacy has disappeared.

Fifth Case

[ 10 ] A woman patient, twenty-six years old, came to our clinic suffering from the serious consequences of influenza and bronchitis which she had undergone in 1918; this had been preceded in 1917 by pleurisy. Following the influenza, she had never properly recovered. In 1920 she was very emaciated and weak, with a slight temperature and night sweats. Soon after the influenza, back-pains began, which worsened continuously up to the end of 1920. Then, with violent pain, a curvature in the lumbar region became apparent. At the same time there was a swelling of the right forefinger. A rest cure had considerably lessened the back-pains. When the patient came to us, she was suffering from a cold abscess on the right thigh; her body was distended with slight ascites. There were catarrhal sounds over the apices of both lungs. Digestion and appetite were good. The urine was concentrated, with traces of protein. Spiritual-scientific investigation revealed a hypersensitivity of the astral body and the ego-organization; such an abnormality expresses itself to begin with in the etheric body, which produces, in place of the etheric functions proper, an etheric impress of the astral functions. The astral functions are destructive. Thus, the vitality and the normal process of the physical organs showed themselves to be stunted. This is always connected with processes occurring to some extent outside man, but taking place in the human organism. Hence the cold abscess, the lumbar pains, the distended abdomen, the catarrhal symptoms in the lungs, and also the deficient assimilation of protein. The treatment must therefore seek to reduce the sensitivity of the astral body and the ego-organization. This may be done by administering silicic acid, which always strengthens the inherent forces against sensitivity. In this case we gave powdered silicic acid in the food and in enemata. We also diverted the sensitivity by applying mustard plasters to the lower back. The effect of this depends upon the fact that it induces sensitivity of its own accord, thus relieving the astral body and ego-organization of theirs. By a process which damps down the over-sensitivity of the astral body in the digestive tract, we were able to divert the astral activity to the etheric body where it ought normally to be. We achieved this by minute doses of copper and carbo animalis. The possibility that the etheric body might withdraw from the normal activity of digestion, to which it was unaccustomed, was countered by administering pancreatic fluid.

[ 11 ] The cold abscess was punctured several times. Large quantities of pus were evacuated by aspiration. The abscess grew smaller and the distended stomach decreased in that the pus-formation grew continuously less and finally disappeared. While it was still flowing we were surprised one day by a renewed rise in temperature. This was not inexplicable to us, since, with the above-described constitution of the astral body, small psychological excitements could give rise to such fever. However, one must differentiate between the explanation of fever in such cases and its strongly harmful effect. For under these conditions, such a fever is the mediator for a profound intervention of the processes of destruction in the organism. One must provide at once for a strengthening of the etheric body, which will then paralyse the harmful effects of the astral. We gave high potency silver injections and the fever sank. The patient left the clinic with a twenty pounds' increase in weight, and in a stronger condition. We are under no illusion as to the necessity for further treatment to consolidate the cure.

Interpolation

[ 12 ] With the cases hitherto described, we wished to characterize the principles whereby we seek to find the therapeutic substances out of the diagnosis. For the sake of clear illustration we selected cases where it was necessary to proceed along very individual lines. But we have also prepared typical therapeutic substances applicable to typical diseases. We will now deal with a few cases where such typical medicaments were used.

Sixth Case. Treatment of Hay Fever.

[ 13 ] We had a patient with severe symptoms of hay fever. He had suffered with it from childhood. He came to us for treatment in his fortieth year. For this disorder we have our preparation “Gencydo”. This we used in this case at the time—the month of May—when the disease was at its worst. We treated him with injections and locally by painting the inside of the nose with “Gencydo” fluid. Following this there was a marked improvement, at a time of the year when formerly the patient had suffered severely from hay fever, undertaking a journey, he reported feeling incomparably better than in former years. In the hay fever season of the next year, he was travelling again from America to Europe and only had a far milder attack than previously. The repetition of the treatment achieved a tolerable condition for this year. For a thorough cure, treatment was repeated the next year, although he had no actual attack. In the fourth year the patient himself described his condition in the following words: “In the spring of 1923, I again began the treatment, as I was expecting fresh attacks. I found my nasal mucous membranes far less sensitive than before. I had to spend my time working among flowering grasses and pollen-producing trees. I also had to ride all through the summer along hot and dusty roads. Yet with the exception of a single day, no symptoms of hay fever occurred the whole summer, and I have every reason to believe that on that single day it was an ordinary cold, not an attack of hay fever. In thirty-five years this was the first time that I could stay and work unhindered in an environment where in former years I experienced real hell.”

Seventh Case. Treatment of Sclerosis.

[ 14 ] A woman patient, sixty-one years old, came to our clinic with sclerosis and albuminuria. Her immediate condition was the sequel of an attack of influenza, with slight fever and disturbances of the stomach and intestines. She had not felt well again since the influenza. She complained of difficult breathing on waking, attacks of vertigo, and a pounding sensation in the head, ears and hands, which was especially troublesome on waking, but occurred also when she walked or climbed uphill. Her sleep was good. There was a tendency to constipation. The urine contained protein. Her blood pressure was 185mm Hg. We took our start from the sclerosis which was noticeable in the over-activity of the astral body. The physical and etheric bodies were unable to receive the full activity of the astral. In such a case, excess activity of the astral body remains, which the physical and etheric do not re-absorb. The normal and firm poise of the human organization is only possible when this re-absorption is complete. Otherwise, as in this case, the non-absorbed part will make itself felt in attacks of vertigo and subjective sensory illusions, pounding etc. Also the non-absorbed part takes hold of the digested substances, forcing certain processes upon them before they have penetrated into the normal metabolism. This became apparent in the tendency to constipation, in the excretion of albumen, also in the stomach and intestinal disorders. The blood pressure is raised in such a case because the excess activity of the astral body also heightens the activity of the ego, and this reveals itself in raised blood pressure.—We treated the case mainly with our remedy, “Scleron”; we supplemented this with very minute doses of belladonna, only as an aid to counteract immediately the attacks of vertigo. We gave elder-flower tea to help the digestion, regulated the action of the bowels by enemas and laxative tea, and ordered a salt free diet, because salts tend to aggravate sclerosis. A comparatively quick improvement was the result. The attacks of vertigo receded, likewise the pounding. The blood pressure went down to 112mm Hg. The patient's subjective feeling visibly improved. During the subsequent year the sclerosis made no further progress. At the end of a year the patient came to us again with the same symptoms in a lesser degree. A similar treatment brought about a further improvement; now, after a lapse of considerable time since the treatment it is evident that the sclerosis is producing no further degeneration of the organism. The external symptoms characteristic of sclerosis are on the decline, and the accompanying rapid aging of the patient is no longer there.

Eighth Case. Treatment of a Goitre.

[ 15 ] A woman patient, who came to us in the thirty-fourth year of her life. She is typical of an individual whose psychic state is strongly influenced by a certain heaviness and fragility of the physical body. Every word she utters seems to cost her an effort. Very characteristic is the concavity in the whole shape of her face; the root of the nose is as if it were held back within the organism. She tells us that she was delicate and sickly even as a schoolgirl. The only actual disease that she went through was a slight attack of measles. She was always pale and very tired and had a poor appetite. She was sent from one doctor to another, and the following were diagnosed in succession: Infection of the apex of the lung, gastritis, anaemia. In her own mind the patient felt that she was not so much physically ill, but rather psychologically.

[ 16 ] Having given this part of her history, we will now indicate the spiritual-scientific diagnosis, in order to examine everything further against the latter.

[ 17 ] The patient reveals a highly atonic condition of the astral body. The ego-organization is thus held back, as it were, from the physical and etheric bodies. The whole life of consciousness is permeated by a subtle, dull drowsiness. The physical body is exposed to the processes arising from the ingested substances. Therefore, these substances are transformed into parts of the human organization. The etheric body in its coherent vitality is too strongly muted by the ego and the astral body; hence the inner sensations, namely, the sense of well-being and the sense of the orthostasis of the body become far too vivid, and the activity of the external senses is too dull. All the bodily functions thus have to take a course whereby they come into disharmony with one another. Inevitably the feeling arises in the patient that she cannot hold the functions of her body together with her own ego. This appears to her as a powerlessness of the soul. Hence she says she is more psychologically than physically ill. If the powerlessness of the ego and astral body increases, disease conditions must arise in various parts of the body, as is also indicated by the different diagnoses. Powerlessness of the ego expresses itself in irregularities of glands, such as the thyroid and the suprarenal; also in disorders of the stomach and intestinal system. All this is to be expected in the patient and does in fact occur. Her goitre and the condition of her stomach and intestinal system correspond entirely with the spiritual-scientific diagnosis. Most characteristic is the following: owing to the powerlessness of the ego and the astral body the need for sleep is partly satisfied during waking life, the patient's sleep is therefore lighter than a normal person's. To her, this appears as a persistent insomnia. In connection with this, she has a sense of easily falling asleep and easily awakening. Also in this connection she thinks she has many dreams, they are not, however, real dreams but mixtures of dreams and waking impressions. Thus they do not remain in her memory and are not powerfully exciting, for her excitability is lowered. In the inner organs the powerlessness of the ego first expresses itself in the lungs. Infection of the apex of the lung is in reality always a manifestation of a weak ego organization. The metabolism not being fully taken care of by the ego leads to rheumatism. Subjectively these things come to expression in the patient's general fatigue. Menstruation began at the age of fourteen; the weak ego organization cannot supply a sufficient unfolding of its forces to repress and restrain the menstrual process once it has come into flow. The work of the ego in this act of restraint comes as a sensation into consciousness through those nerves that enter the spinal cord in the region of the sacrum. Nerves insufficiently permeated by the currents of the ego-organization and the astral body are painful. Thus the patient complains of lower back pain during menstruation. All this led us in the following way to treatment. We have discovered that Colchicum autumnale has a powerfully stimulating action on the astral body, notably on the part that corresponds to the organization of the neck and head. Hence, we apply Colchicum autumnale to all those diseases which have their most important symptom in goitre. Accordingly, we gave the patient five drops of our Colchicum preparation three times a day; the goitre swelling receded and the patient felt much relieved. When the astral body is thus strengthened, it mediates a better functioning of the ego-organism, so that remedies which can work upon the organs of digestion and reproduction keep their strength in the organism. As such a remedy we used wormwood enemas, mixing them with oil, since oil stimulates the digestive tract. With this remedy we attained a considerable improvement. We hold that this treatment can develop its particularly favourable influence about the thirty-fifth year of life, for at this age the ego-organization has a strong affinity to the rest of the organism and can be readily stimulated, even when weak. The patient was thirty-four years old when she came to us.

Ninth Case. Migrainous Conditions in the Menopause.

[ 18 ] This patient came to us at the age of fifty-five. She informed us that she had been weak and delicate as a child; during childhood she had measles, scarlet fever, chicken pox, whooping cough and mumps. Menstruation began at the age of fourteen to fifteen. The bleeding was unusually intense and painful from the outset. In the fortieth year she underwent an oopherohysterectomy because of a tumour in the lower abdomen. She also reported that she suffered since the age of thirty-five from a migrainous headache lasting three days, every three or four weeks, which in her forty-sixth year developed into a cerebral illness lasting three days with unconsciousness. The spiritual-scientific diagnosis of her current condition is as follows: General weakness of the ego organization, which expresses itself in that the activity of the etheric body is insufficiently immobilized by the ego organization. Hence the vegetative organic activity extends over the head and nerve-sense system to a far greater degree than is the case when the ego-organization is normal. This diagnosis is corroborated by certain symptoms. Firstly a frequent urgency of micturition. This is due to the fact that the normally developed astral body which regulates the secretion of the kidneys is unopposed by a normally restraining ego-organization of sufficient strength. A second symptom is the long time she took to fall asleep and her tiredness on awakening. The astral body has difficulty in leaving the physical and etheric, for the ego is not strong enough in drawing it away. And when she has awakened, the vital activity, working on after sleep, was perceived as a feeling of fatigue owing to the weakness of the ego. A third symptom is to be found in the scarcity of her dreams. The pictures which the ego-organization can impress upon the astral body are feeble and cannot express themselves as vivid dreams.

[ 19 ] These perceptions led to the following treatment: we had to pave the way for the ego-organization to the physical and etheric bodies. We did this by compresses with a two per cent Oxalis solution on the forehead in the evening, compresses with a seven per cent solution of Urtica dioica on the lower abdomen in the morning, and compresses with a twenty per cent solution of lime blossom on the feet at midday. The object was, in the first place, to tone down the vital activity during the night; this was brought about by the oxalic salt, which exercises within the organism the function of suppressing an excessive vital activity. In the morning we had to ensure that the ego-organization could find its way into the physical body. This was done by stimulating the circulation. The iron effect of the stinging nettle (Urtica dioica) was applied for this purpose. Finally, it was desirable to assist the penetration of the physical body by the ego-organization in the course of the day. This was done by the downward drawing action of the lime blossom compresses at midday. We have already referred to the headaches to which the patient had become subject, with their intensification at the forty-sixth year of life. For us there was connection between the headaches and the cessation of the menses after the operation and their intensification with unconsciousness as a compensatory symptom for the menopause. We first tried to effect an improvement by the use of antimony. This should have worked if we had been concerned with the general metabolism, regulated by the organization of the ego. There was, however, no improvement. This proved to us that we were dealing with the relatively independent part of the ego-organization which primarily regulates the organs of reproduction. For the treatment of this, we see a specific remedy of the root of Potentilla tormentilla at a very high dilution, and in fact this worked.