The Rudolf Steiner Archive

Today we want to start from the question: Do only the beings of the physical plane that are close to human beings have consciousness? Or how does the consciousness of human beings relate to the other beings on the physical plane, to the consciousness of animals, of plants, and of so-called dead stone? Can we also speak of a consciousness of the other kingdoms of nature?

Imagine a small creature that could only see something of a person, for example, a finger moving. [That is all this little creature would see; but it cannot] form a concept of what underlies this movement. This little creature would also have no idea of the human soul and would only see and describe the expressions of his strength. But it could also be the same for a person in relation to other entities. The materialist sees the things, but does not speak of the actual soul of the earth. Could it not be the same for him as for the little creature, which walks around the human being and only sees and describes the details? The little creature itself has no soul consciousness and therefore cannot speak of the soul of the human being. Just like that little creature, the materialist also lacks the soul, therefore he does not recognize the soul of the earth.

The soul of the earth is higher than the human soul. All beings of the physical plane have consciousness. But the consciousness of man differs from that of the other beings in that he lives here on the physical plane with his consciousness.

But during sleep, the human consciousness is also on other planes. In so-called dreamless sleep, the human consciousness lives on the devachan plane, where plant consciousness is always at home. The animal's consciousness lies somewhere between humans and plants on the astral plane. The human being is the being that has its consciousness on the physical plane.

The animal has its consciousness on the astral plane. The plant has its consciousness on the devachan plane. Consciousness on the astral and devachan planes differs significantly from consciousness on the physical plane. For consciousness on the physical plane can only receive ideas and thoughts through the physical organs. Consciousness on the devachan and astral planes only perceives through images and imagination, as was the case with people in prehistoric times.

The conscious astral being has yet another peculiarity: It is not separate from other beings in the same way as the being that has consciousness on the physical plane is separate, but it lives much more behind and within other beings. For the being that has consciousness on the physical plane, it is necessary that everything be conveyed to it through the senses. If its consciousness of an object were astral, the eye would not convey the things; one would perceive nothing at all of an object. On the other hand, an image would arise from which one could deduce from its colors and configuration whether the object is pleasant or unpleasant. The images that previously arose from the objects and hovered in the soul are now completely obscured in today's people, because the physical consciousness is drawn over the objects directly. This is how sense consciousness arises.

Consciousness on the physical plane is a strictly defined circle, something solid that the other beings cannot enter. Consciousness on the astral plane is a cloudy, spiritual thing. Just as liquid, like water, differs from solid, so on the astral plane there is a flowing together of the different contents of consciousness.

Man has formed his physical body himself. Before that, an ancient animal kingdom existed. If one were to see these creatures, they would appear to today's humans like caricatures. The original astral body was able to transform those animals, to refine and develop them into humans. This earlier human being first had an astral consciousness. This first formed and shaped the physical body.

What was the purpose of this next evolution in the physical? Without passing through the physical, that earth creature with the dull consciousness would never have learned to say “I” to itself. The God who dwells in man today, the divine germ, could not enter the astral body other than by condensing it into the physical human body. Before that, the spirit of God was still completely outside the astral body; the “I” was the spirit of the deity. The astral consciousness was similar to water: “The spirit of God hovered over the face of the waters”. The “I” spirit hovered over the original waters of consciousness, over the astral bodies.

The nature kingdoms differ in the occult sense in the way the outer physical body relates to consciousness. Man has brought down consciousness to the physical plane, the animal to the astral plane and the plant to the devachan plane.

The plant becomes an animal when it has brought down consciousness to the astral plane, the animal becomes a human being when it carries consciousness down to the physical plane. The consciousness of the rock is on the higher parts of the devachan plan, namely on the fourth level. The Akashic Records are also located there on the border. The beyond is the plane of silence, a completely different form of existence than the Arupa region of devachan. In this realm lies the consciousness of the entire mineral world. In order to engage with the occult truths in a way that is not only constructive, it is necessary to get a sense of what the mineral actually is. The mineral is essentially different from all other creatures around man. And with mere manasic knowledge, one cannot come to a deeper understanding of the mineral world.

One must gain a moral relationship to the mineral world. To this end, the Rosicrucian schools drew people's attention to the chastity of the mineral world. Through its chastity, the mineral world is a model for man. Man is still flooded with desires and passions.

But imagine a human being so purified that his inner nature is as chaste, as unassuming and as self-contained as the mineral. One cannot say that the mineral kingdom is on a lower level than man. Man here on the physical plane only knows the skin of the mineral kingdom, which is related to the real mineral as the skin of man is to man himself. The mineral is a human being who lives only on the higher parts of the devachanic plane.

One cannot deny consciousness to the series of physical beings, but one must ascribe different forms of consciousness to them: there is a consciousness

— which manifests itself in form three levels lower down: today mineral,

— a consciousness that manifests itself in its forms two levels lower: today plants,

— a consciousness that manifests itself in its forms one level lower: today animals,

— a consciousness that manifests itself at the same level as the being [: today man].

This is the descending line of evolution. In ancient times, man once stood at the level where he is at the level of today's mineral. At that time, he had to be guided by other beings. The purpose of man's development is to emancipate himself from all such entities on the higher planes and to become such an entity on the higher planes himself.

The first stage of consciousness that man has undergone can be called “deepest trance consciousness”. The second stage of consciousness that man has undergone is still found in plants, the “deep sleep consciousness”. The third stage of consciousness that man has undergone is the “dream-filled sleep consciousness”. This “dream-filled sleep consciousness” is still found today in the animal kingdom, but actually only in those animals that have not developed warm blood. The animals that came into being later already have a slightly different consciousness; for example, the apes have a consciousness similar to that of humans. From the consciousness of dream-filled sleep, from the images of this consciousness, a higher animal kingdom develops. The fourth stage of consciousness, which man has reached today, is “object or subject consciousness”.

Today, man has hardly any connection with the first stage of consciousness. But he experiences the second stage, the deep sleep consciousness, during the night; it is an atavistic remnant from the time when he was completely in the sleep consciousness. The third consciousness has remained atavistically present in the chaotic world of dreams. The fourth stage, the normal consciousness, is today's everyday consciousness. The further course of human development consists in the fact that he develops himself up to an even higher consciousness. The fifth stage, which every human being will reach in the future, is where the astral consciousness joins the object consciousness again, where the human being will move fully consciously between the images.

A being with only astral consciousness cannot see the human form, but it can see what is going on inside the human being, every pain, every suffering and so on, it perceives all this, expressed in colors and forms. If object consciousness were to develop in this being, the images would gradually take on fixed boundaries and be superimposed over an object; this would emerge and everything that previously appeared as pleasure and pain would disappear.

Then [in addition to mere astral consciousness] there would come an even higher stage, [something would be added that goes beyond everything that happens in pleasure and pain in the human being]. The medium must extinguish the consciousness of the day and thereby loses the certainty of control. The clairvoyant, however, does not extinguish the physical consciousness, he retains the physical mind and all his physical abilities and in addition develops the consciousness of images. Thus the fifth stage is the conscious consciousness, which in reality encompasses approximately that part of the world that extends to the boundary of the devachan world.

The sixth stage is the state where sleep consciousness becomes a conscious state and delivers not images but sounds. This consciousness occurs in the higher degree of clairvoyance; it is the “otherworldly sound consciousness”. The reality of this is the Pythagorean music of the spheres. This otherworldly sound consciousness arises when sleep becomes not only dreamless but consciously aware in sounds. The awakening of the inner word corresponds to this. This is not a symbol, but true inner reality, the moment when things express themselves as they are. Man lives on the physical plane because he has the power to express his being himself in the I. But at this level of clairvoyance, all beings tell him their name. The whole world takes on the character of flowing sound, and each being in the world of flowing sound is a note that is different from all other beings.

About the even higher seventh state of consciousness, one can only say that it is there. To understand this, a region of the soul must be separable from the physical consciousness.

A human being goes through these seven states of consciousness in his evolution and is now in the middle of the development, at the fourth state. If we were at the fifth, we would also be in the middle again, if we were at a previous level of consciousness, one of the later ones would have disappeared and on the other hand another one would have appeared. So there are always seven levels that can be observed.

In the past, people went through a completely different state of life. Every state of consciousness must pass through seven states of life and every state of life through seven states of form. Seven states of form thus always form a state of life, and seven states of life make up an entire planetary development.

In the first life state, consciousness is three levels higher. In the second life state, consciousness is two levels higher. In the third life state, consciousness is one level higher.

The seven life states are called the “seven realms”. These are the three elemental realms: the mineral, animal and plant kingdoms. The three elemental realms precede the present state of life; human beings had to pass through them before they could emerge from the mineral realm into the fourth state of life, in which they now find themselves.

The process of passing through such a state of life has been called a “round” so far, and this includes seven form metamorphoses. So, in each state of consciousness, one passes through seven states of life and in each state of life, seven states of form. A total of seven times seven times seven metamorphoses of form. In occultism, it is written: 343. A great deal depends on the ability to read this number 7x 7x7 =343. All form states are what is understood by the third logos. The forty-nine life states are the second logos. The seven states of consciousness are the first logos.

Today we will consider evolution on our Earth in particular. First, let us briefly sum up what we have been considering so far.

In Earth evolution we are at the fourth level of conscious awareness, that is, on the fourth planet. Bright daytime conscious awareness develops step by step through 49 stages. The highest level on the preceding planet, which was Moon, was the perfection of a highly developed dream-level awareness. This was similar to the awareness we now see in the most highly developed animals. The physical human being—not the human being of soul and spirit, for he was then following another line of evolution and would only unite later with the physical—was then able to think in the kind of way which the dream-level awareness of today’s most highly developed animals permits. At the beginning of such an evolution process, it is our most essential nature which matters for the way we progress.

Animals, plants and minerals developed earlier than the human being. Everything which had then developed in such a way that it could progress further went into a kind of seed state with the human being and through a pralaya. On the Moon, the human seeds were sufficiently far advanced to develop the capacity for a higher dream-level awareness. The animals had only reached a dim dream-like level, plants an even lower one, and the minerals were at a still lower level of awareness. Anything not suitable for further development was cast off as a kind of cinder. In the next stage, Earth evolution, seeds existed for that kind of humans, animals, plants and minerals. This means seeds existed not only from the human world, but also from the animal, plant and mineral worlds, which were very different then from what we know as animals, plants and minerals today. The minerals were more in the kind of state one sees today with metals at exceedingly high temperatures.

The forms evolving step by step in our Earth evolution are not identical with the animals, plants and minerals of earlier times. They were already a stage ahead of what was needed for Earth. Only the human being found the conditions he needed on Earth. The other worlds therefore developed more or less as overripe fruit. They were unable to take root. These entities are therefore not really at home on this Earth itself, but only in the soil provided by entities which are at home here. They became parasites. The Moon animals and plants were used to living in a kama soil, being wholly in the psychic realm, and therefore could only find a soil on Earth when kama existed there. They thus became parasitic, like mistletoe, for example, which developed independent growth on the Moon but was not able to grow directly in the soil here on Earth. It was a power that had its justification on the Moon, but not on Earth. This made it a power which retards and affects the development of other plants. Satan is therefore the lord of parasites; he uses the powers that are parasitic. In Germanic mythology, the god Loki was hostile to Balder, god of the Earth. Everything which had come down from the lunar period was represented by Loki. No one on Earth could harm Balder, only the one who had come from the Moon. Balder was therefore felled by a mistletoe, which had its power from the Moon.

Our animals, which are evolving, and the human being, too, have developed a skeletal system on Earth. The animals which had already completed their evolution on the Moon did not have a skeletal system there. On Earth they have created an exoskeleton for themselves—a crust or shell. Examples are beetles, arachnids and so on. They came into Earth evolution from the Moon. All life forms which truly follow Earth evolution develop an endoskeleton. This is why Eve is said to have been created from a rib. So there were then two streams on Earth, firstly everything that could develop into animals, plants and minerals on Earth, and secondly human beings in their seed stage.

How did the higher development of the human being proceed? To have everything in him that would later enable him to reach the level of development he was destined to reach, the human being needed to eliminate anything that would otherwise have gone into parasitic development. He had to develop those three other worlds next to his own.

The first phase was the period of time which is called the ‘first round’ in the theosophical literature. In the first round the human being had to create the potential for the physical and Earthly mineral world out of himself, in the second round the plant world and in the third round the potential for the animal world, for that of which these worlds evolved would have prevented him from achieving what he has only been able to achieve by distilling his human nature. It was only in the fourth round that he had freed himself sufficiently from all the other worlds, that he was then prepared to be the vessel for the spirit which had floated around him, waiting for him. It was only in the fourth round that he had developed so far that the spirit was able to take possession of this purified body. He was increasingly able to spread himself, leaving behind him along the way, as his offerings, the mineral, plant and animal worlds. All higher development must be paid for by leaving other entities behind.

In the fourth round the human being is learning to govern the mineral world through his senses. He makes use of the nonliving, mineral world and will advance further and further in this. The vital energies of the plant world are not yet in his conscious control. The Atlanteans controlled them unconsciously, instinctively. Atlanteans also created their airships unconsciously. The task for the second half of the fourth round is to pour the spirit consciously into the inorganic world. This means that by the end of the fourth round, the mineral world will have been gradually absorbed by the human being. He will have physically transformed everything physical and mineral with his thought forms. It is his task to redeem the mineral world again, pouring in his mind and spirit and configuring it through his spirit. In the second half of the fourth round the human being will have gone on to control the astral. On the last globe, the archetypal one of the fourth round, the mineral world will be wholly alive.

In the first half of the fourth round human beings finally developed the ability to relate their senses to the mineral world. In the second half of the fourth round they will redeem the mineral world. Part of it will, however, remain behind, being eliminated since it is of no further use to human beings. This creates the 'eighth sphere', which is of no further use to human evolution but only to spirits of a higher kind. Later, when it has dissolved into cosmic dust, it will serve as material for the creation of new worlds. It will be taken up into other evolutionary streams; the human being cannot take it up for himself. First you have evolution, creation for the outside, then involution, when things are taken in again.

In the fifth round the mineral world will have gone. It will have been redeemed. In the first half of that round human beings will develop the higher senses that will enable them to relate to the plant world the way they now do to the mineral world; they will develop 'plant thinking'. The human being would then live in full conscious awareness in the Garden of Eden. Gravity will have gone. Everything will have metamorphosed into plants. In the second half of the fifth round, the human being will draw the whole of the plant world into himself again; he will redeem it in so far as he is able to redeem it. These worlds had of course been separated out at an earlier time to help humanity, being superfluous and an impediment to human evolution.

The same thing will then happen with regard to the animal world in the sixth round. Then the human being will be wholly human. In the seventh round the human being will develop his true intended nature in his atman—free of those other worlds, which he cast out, he will then develop his own godlike nature. Every round is a day of creation [in the biblical sense, transl.]. The seventh round will be the seventh day of creation when man becomes godlike and when God can rest from his labours.

From the middle of our own round, the fourth, evolution will need to take another direction. The mineral world shows the most marked separation. The human being relates to the world of matter, which is growing denser, in a wholly external way. Minerals, plants and animals are more closely related to the surrounding world than he is. The forces in a crystal live in the universe, making no claim to be special or separate. It is part of the whole. The claim to be separate and distinct will grow more powerful in stages. The human being is most separate and by himself, something which happened above all in the middle of the Lemurian race for the human being. A housing was created for the spirit. Then the spirit united with the human being. And with the spirit then working to emerge again, human beings began to integrate into that world again, doing so through community. First they had to establish a separate identity; then they developed communities in the spirit, brotherhood. What had been sympathy and antipathy at the kama level now becomes power of attraction by choice. A deliberately chosen brotherliness develops. Someone belonging to a lodge of brothers no longer knows the separation which others know; he does not separate from his group but integrates into it in full awareness.

The conscious awareness of an adept rests in his brotherhood or group. Spirits who have reached a certain level with this are called dhyanic spirits, the great creative energies. Brotherhood lodges develop into dhyanic spirits. Dhyanic spirits are like collections of cells. The brotherhood lodge of the adepts will be seen as a dhyanic spirit. Evolution again brings enrichment here. An important point lies in the middle of the fourth round: Human spirits begin to come together in a brotherhood, to develop a dhyanic spirit.

We thus feel that there is a vast difference between the first and second halves of a round. In the first half, the human being develops the organs by means of which he reaches out. In the second half he draws those organs into himself again. The first half is meant to prepare him for that withdrawal. In the second half of the round every spirit will find redemption for its own kind of life, at the appropriate level. ‘Round’ is also ‘cycle’ in esoteric terminology. In every cycle, evolution proceeds from the arupic to the archetypal. This is known as an ‘epicycle’ [= globes]. It is thus only in the second half of a cycle or round that an entity can gather karma, for this will be when it begins to be active. The karmic development of an entity will therefore have significance specifically on the plane where it is evolving at the time.

Spirits exist that guide physical evolution from higher planes. Their lowest form of evolution occurs in astral matter. Every nation, every race, every tribe has astral matter in common which is the material in which the spirit of the nation incarnates. The spirit of a nation is always a bit ahead of the individual members of the nation in its development. From the middle of a cycle onwards it is able to gather karma. We help to create the karma of the nation, the race, and so on. This is known as 'collective karma' it is something very real. The result is that spirits which are one level further ahead will also have karma.

International endeavors belong to an even more comprehensive spirit that embraces all the astral material of the Earth. The physical Earth is also the physical body for this spirit of the Earth, the planetary Logos which, if we rise to it, signifies the karma for the whole of Earthly evolution. International endeavors are the first step towards the great unity we shall have on the arupic plane. Theosophists live with the idea of this great all-inclusiveness, this concentration in one point.

My dear Friends,

I will now bring these few improvised hours of scientific study to a provisional conclusion. I want to give you a few guiding lines which may help you in developing such thoughts about Nature for yourselves, taking your start from characteristic facts which you can always make visible by experiment. In Science today—and this applies above all to the teacher—it is most important to develop a right way of thinking upon the facts and phenomena presented to us by Nature. You will remember what I was trying to shew yesterday in this connection. I shewed how since the 1890's physical science has so developed that materialism is being lifted right out of its bearings, so to speak, even by Physics itself. This is the point to remember above all in this connection.

The period when Science thought that it had golden proofs of the universality of waves and undulations was followed, as we say, by a new time. It was no longer possible to hold fast to the old wave-theories. The last three decades have in fact been revolutionary. One can imagine nothing more revolutionary in any realm than this most recent period has been in Physics. Impelled by the very facts that have not emerged, Physics has suffered no less a loss than the concept of matter itself in its old form. Out of the old ways of thinking, as we have seen, the phenomena of light had been brought into a very near relation to those of electricity and magnetism. Now the phenomena produced by the passage of electricity through tubes in which the air or gas was highly rarefied, led scientists to see in the raying light itself something like radiating electricity. I do not say that they were right, but this idea arose. It came about in this way:—The electric current until then had always been hidden as it were in wires, and one had little more to go on than Ohm's Law. Now one was able, so to speak, to get a glimpse of the electricity itself, for here it leaves the wire, jumps to the distant pole, and is no longer able as it were to conceal its content in the matter through which it passes.

The phenomena proved complicated. As we say yesterday, manifold types of radiation emerged. The first to be discovered were the so-called cathode rays, issuing from the negative pole of the Hittorf tube and making their way through the partial vacuum. In that they can be deflected by magnetic forces, they prove akin to what we should ordinarily feel to be material. Yet they are also evidently akin to what we see where radiations are at work. This kinship comes out most vividly when we catch the rays (or whatsoever it is that is issuing from the negative electric pole) upon a screen or other object, as we should do with light. Light throws a shadow. So do these radiations. Yet in this very experiment we are again establishing the near relation of these rays to the ordinary element of matter. For you can imagine that a bombardment is taking place from here (as we say yesterday, this is how Crookes thinks of the cathode rays). The “bombs” do not get through the screen which you put in the way; the space behind the screen is protected. This can be shewn by Crookes's experiment, interposing a screen in the way of the cathode rays.

We will here generate the electric current; we pass it through this tube in which the air is rarefied. It has its cathode or negative pole here, its anode or positive pole here. Sending the electricity through the tube, we are now getting the so-called cathode rays. We catch them on a screen shaped like a St. Andrew's cross. We let the cathode rays impinge on it, and on the other side you will see something like a shadow of the St. Andrew's cross, from which you may gather that the cross stops the rays. Observe it clearly, please. Inside the tube is the St. Andrew's cross. The cathode rays go along here; here they are stopped by the cross; the shadow of the cross becomes visible upon the wall of the vessel behind it. I will now bring the shadow which is thus made visible into the field of a magnet. I beg you to observe it now. You will find the shadow influenced by the magnetic field. You see then, just as I might attract a simple bit of iron with a magnet, so too, what here emerges like a kind of shadow behaves like external matter. It behaves materially.

Here then we have a type of rays which Crookes regards as “radiant matter”—as a form of matter neither solid, liquid or gaseous but even more attenuated,—revealing also that electricity itself, the current of electricity, behaves like simple matter. We have, as it were, been trying to look at the current of flowing electricity as such, and what we see seems very like the kind of effects we are accustomed to see in matter.

I will now shew you, what was not possible yesterday, the rays that issue from the other pole and that are called “canal rays”. You can distinguish the rays from the cathode, going in this direction, shimmering in a violet shade of colour, and the canal rays coming to meet them, giving a greenish light. The velocity of the canal rays is much smaller.

Finally I will shew you the kind of rays produced by this apparatus: they are revealed in that the glass becomes fluorescent when we send the current through. This is the kind of rays usually made visible by letting them fall upon a screen of barium platinocyanide. They have the property of making the glass intensely fluorescent. Please observe the glass. You see it shining with a very strong, greenish-yellow, fluorescent light. The rays that shew themselves in this way are the Roentgen rays or X-rays, mentioned yesterday. We observe this kind too, therefore.

Now I was telling you how in the further study of these things it appeared that certain entities, regarded as material substances, emit sheaves of rays—rays of three kinds, to begin with. We distinguished them as \(\alpha\)-, \(\beta\)-, and \(\gamma\)-rays (cf. the Figure IXc). They shew distinct properties. Moreover, yet another thing emerges from these materials, known as radium etc. It is the chemical element itself which as it were gives itself up completely. In sending out its radiation, it is transmuted. It changes into helium, for example; so it becomes something quite different from what it was before. We have to do no longer with stable and enduring matter but with a complete metamorphosis of phenomena.

Taking my start from these facts, I now want to unfold a point of view which may become for you an essential way, not only into these phenomena but into those of Nature generally. The Physics of the 19th century chiefly suffered from the fact that the inner activity, with which man sought to follow up the phenomena of Nature, was not sufficiently mobile in the human being himself. Above all, it was not able really to enter the facts of the outer world. In the realm of light, colours could be seen arising, but man had not enough inner activity to receive the world of colour into his forming of ideas, into his very thinking. Unable any longer to think the colours, scientists replaced the colours, which they could not think, by what they could,—namely by what was purely geometrical and kinematical—calculable waves in an unknown ether. This “ether” however, as you must see, proved a tricky fellow. Whenever you are on the point of catching it, it evades you. It will not answer the roll-call. In these experiments for instance, revealing all these different kinds of rays, the flowing electricity has become manifest to some extent, as a form of phenomenon in the outer world,—but the “ether” refuses to turn up. In fact it was not given to the 19th-century thinking to penetrate into the phenomena. But this is just what Physics will require from now on. We have to enter the phenomena themselves with human thinking. Now to this end certain ways will have to be opened up—most of all for the realm of Physics.

You see, the objective powers of the World, if I may put it so,—those that come to the human being rather than from him—have been obliging human thought to become rather more mobile (albeit, in a certain sense, from the wrong angle). What men regarded as most certain and secure, that they could most rely on, was that they could explain the phenomena so beautifully by means of arithmetic and geometry—by the arrangement of lines, surfaces and bodily forms in space. But the phenomena in these Hittorf tubes are compelling us to go more into the facts. Mere calculations begin to fail us here, if we still try to apply them in the same abstract way as in the old wave-theory.

Let me say something of the direction from which it first began, that we were somehow compelled to bring more movement into our geometrical and arithmetical thinking. Geometry, you know, was a very ancient science. The regularities and laws in line and triangle and quadrilateral etc.,—the way of thinking all these forms in pure Geometry—was a thing handed down from ancient time. This way of thinking was now applied to the external phenomena presented by Nature. Meanwhile however, for the thinkers of the 19th century, the Geometry itself began to grow uncertain. It happened in this way. Put yourselves back into your school days: you will remember how you were taught (and our good friends, the Waldorf teachers, will teach it too, needless to say; they cannot but do so),—you were undoubtedly taught that the three angles of a triangle (Figure Xa) together make a straight angle—an angle of 180°. Of course you know this. Now then we have to give our pupils some kind of proof, some demonstration of the fact. We do it by drawing a parallel to the base of the triangle through the vertex. We then say: the angle \(\alpha\), which we have here, shews itself here again as \(\alpha'\). \(\alpha\) and \(\alpha'\) are alternate angles and therefore equal. I can transfer this angle over here, then. Likewise this angle \(\beta\), over here; again it remains the same.

The angle \(\gamma\) stays where it is. If then I have \(\gamma = \gamma'\), \(\alpha = \alpha'\) and \(\beta=\beta'\), while \(\alpha'+\beta;' + \gamma'\) taken together give an angle of 180° as they obviously do, \(\alpha + \beta + \gamma\) will do the same. Thus I can prove it so that you actually see it. A clearer or more graphic proof can scarcely be imagined.

However, what we are taking for granted is that this upper line A'B' is truly parallel to the lower line \(AB\),—for this alone enables me to carry out the proof. Now in the whole of Euclid's Geometry there is no way of proving that two lines are really parallel, i.e. that they only meet at an infinite distance, or do not meet at all. They only look parallel so long as I hold fast to a space that is merely conceived in thought. I have no guarantee that it is so in any real space. I need only assume that the two lines meet, in reality, short of an infinite distance; then my whole proof, that the three angles together make 180°, breaks down. For I should then discover: whilst in the space which I myself construct in thought—the space of ordinary Geometry—the three angles of a triangle add up to 180° exactly, it is no longer so when I envisage another and perhaps more real space. The sum of the angles will no longer be 180°, but may be larger. That is to say, besides the ordinary geometry handed down to us from Euclid other geometries are possible, for which the sum of the three angles of a triangle is by no means 180°.

Nineteenth century thinking went a long way in this direction, especially since Lobachevsky, and from this starting-point the question could not but arise: Are then the processes of the real world—the world we see and examine with our senses—ever to be taken hold of in a fully valid way with geometrical ideas derived from a space of our own conceiving? We must admit: the space which we conceive in thought is only thought. Nice as it is to cherish the idea that what takes place outside us partly accords with what we figure-out about it, there is no guarantee that it really is so. There is no guarantee that what is going on in the outer world does really work in such a way that we can fully grasp it with the Euclidean Geometry which we ourselves think out. Might it not be—the facts alone can tell—might it not be that the processes outside are governed by quite another geometry, and it is only we who by our own way of thinking first translate this into Euclidean geometry and all the formulae thereof?

In a word, if we only go by the resources of Natural Science as it is today, we have at first no means whatever of deciding, how our own geometrical or kinematical ideas are related to what appears to us in outer Nature. We calculate Nature's phenomena in the realm of Physics—we calculate and draw them in geometrical figures. Yet, are we only drawing on the surface after all, or are we penetrating to what is real in Nature when we do so? What is there to tell? If people once begin to reflect deeply enough in modern Science—above all in Physics—they will then see that they are getting no further. They will only emerge from the blind alley if they first take the trouble to find out what is the origin of all our phoronomical—arithmetical, geometrical and kinematical—ideas. What is the origin of these, up to and including our ideas of movement purely as movement, but not including the forces? Whence do we get these ideas? We may commonly believe that we get them on the same basis as the ideas we gain when we go into the outer facts of Nature and work upon them with our reason. We see with our eyes and hear with our ears. All that our senses thus perceive,—we work upon it with our intellect in a more primitive way to begin with, without calculating, or drawing it geometrically, or analyzing the forms of movement. We have quite other categories of thought to go on when our intellect is thus at work on the phenomena seen by the senses. But if we now go further and begin applying to what goes on in the outer world the ideas of “scientific” arithmetic and algebra, geometry and kinematics, then we are doing far more—and something radically different. For we have certainly not gained these ideas from the outer world. We are applying ideas which we have spun out of our own inner life. Where then do these ideas come from? That is the cardinal question. Where do they come from? The truth is, these ideas come not from our intelligence—not from the intelligence which we apply when working up the ideas derived from sense-perception. They come in fact from the intelligent part of our Will. We make them with our Will-system—with the volitional part of our soul.

The difference is indeed immense between all the other ideas in which we live as intelligent beings and on the other hand the geometrical, arithmetical and kinematical ideas. The former we derive from our experience with the outer world; these on the other hand—the geometrical, the arithmetical ideas—rise up from the unconscious part of us, from the Will-part which has its outer organ in the metabolism. Our geometrical ideas above all spring from this realm; they come from the unconscious in the human being. And if you now apply these geometrical ideas (I will say “geometrical” henceforth to represent the arithmetical and algebraic too) to the phenomena of light or sound, then in your process of knowledge you are connecting, what arises from within you, with what you are perceiving from without. In doing so you remain utterly unconscious of the origin of the geometry you use. You unite it with the external phenomena, but you are quite unconscious of its source. So doing, you develop theories such as the wave-theory of light, or Newton's corpuscular theory,—it matters not which one it is. You develop theories by uniting what springs from the unconscious part of your being with what presents itself to you in conscious day-waking life. Yet the two things do not directly belong to one-another. They belong as little, my dear Friends, as the idea-forming faculty which you unfold when half-asleep belongs directly to the outer things which in your dreaming, half-asleep condition you perceive. In anthroposophical lectures I have often given instances of how the dream is wont to symbolize. An undergraduate dreams that at the door of the lecture-theatre he gets involved in a quarrel. The quarrel grows in violence; at last they challenge one-another to a duel. He goes on dreaming: the duel is arranged, they go out into the forest, he sees himself firing the shot,—and at the moment he wakes up. A chair has fallen over. This was the impact which projected itself forward into the dream. The idea-forming faculty has indeed somehow linked up with the outer phenomenon, but in a merely symbolizing way,—in no way consistent with the real object. So too, what in your geometrical and phoronomical thinking you fetch up from the subconscious part of your being, when you connect it with the phenomena of light. What you then do has no other value for reality than what finds expression in the dream when symbolizing an objective fact such as the fall and impact of the chair. All this elaboration of the outer world—optical, acoustic and even thermal to some extent (the phenomena of warmth)—by means of geometrical, arithmetical and kinematical thought-forms, is in point of fact a dreaming about Nature. Cool and sober as it may seem, it is a dream—a dreaming while awake. Moreover, until we recognize it for what it is, we shall not know where we are in our Natural Science, so that our Science gives us reality. What people fondly believe to be the most exact of Sciences, is modern mankind's dream of Nature.

But it is different when we go down from the phenomena of light and sound, via the phenomena of warmth, into the realm we are coming into with these rays and radiations, belonging as they do to the science of electricity. For we then come into connection with what in outer Nature is truly equivalent to the Will in Man. The realm of Will in Man is equivalent to this whole realm of action of the cathode rays, canal rays, Roentgen rays. \(\alpha\)-, \(\beta\)- and \(\gamma\)-rays and so on. It is from this very realm—which, once again, is in the human being the realm of Will,—it is from this that there arises what we possess in our mathematics, in our geometry, in our ideas of movement. These therefore are the realms, in Nature and in Man, which we may truly think of as akin to one-another. However, human thinking has in our time not yet gone far enough, really to think its way into these realms. Man of today can dream quite nicely, thinking out wave-theories and the like, but he is not yet able to enter with real mathematical perception into that realm of phenomena which is akin to the realm of human Will, in which geometry and arithmetic originate. For this, our arithmetical, algebraical and geometrical thinking must in themselves become more saturated with reality. It is along these lines that physical science should now seek to go.

Nowadays, if you converse with physicists who were brought up in the golden age of the old wave-theory, you will find many of them feeling a little uncanny about these new phenomena, in regard to which ordinary methods of calculation seem to break down in so many places. In recent times the physicists have had recourse to a new device. Plain-sailing arithmetical and geometrical methods proving inadequate, they now introduce a kind of statistical method. Taking their start more from the outer empirical data, they have developed numerical relations also empirical in kind. They then use the calculus of probabilities. Along these lines it is permissible to say: By all means let us calculate some law of Nature; it will hold good throughout a certain series, but then there comes a point where it no longer works.

There are indeed many things like this in modern Physics,—very significant moments where they lose hold of the thought, yet in the very act of losing it get more into reality. Conceivably for instance, starting from certain rigid ideas about the nature of a gas or air under the influence of warmth and in relation to its surroundings, a scientist of the past might have proved with mathematical certainty that air could not be liquefied. Yet air was liquefied, for at a certain point it emerged that the ideas which did indeed embrace the prevailing laws of a whole series of facts, ceased to hold good at the end of this series. Many examples might be cited. Reality today—especially in Physics—often compels the human being to admit this to himself: “You with your thinking, with your forming of ideas, no longer fully penetrate into reality; you must begin again from another angle.”

We must indeed; and to do this, my dear Friends, we must become aware of the kinship between all that comes from the human Will—whence come geometry and kinematics—and on the other hand what meets us outwardly in this domain that is somehow separated from us and only makes its presence known to us in the phenomena of the other pole. For in effect, all that goes on in these vacuum tubes makes itself known to us in phenomena of light, etc. Whatever is the electricity itself, flowing through there, is imperceptible in the last resort. Hence people say: If only we had a sixth sense—a sense for electricity—we should perceive it too, directly. That is of course wide of the mark. For it is only when you rise to Intuition, which has its ground in the Will, it is only then that you come into that region—even of the outer world—where electricity lives and moves. Moreover when you do so you perceive that in these latter phenomena you are in a way confronted by the very opposite than in the phenomena of sound or tone for instance. In sound or in musical tone, the very way man is placed into this world of sound and tone—as I explained in a former lecture—means that he enters into the sound or tone with his soul and only with his soul. What he then enters into with his body, is no more than what sucks-in the real essence of the sound or tone. I explained this some days ago; you will recall the analogy of the bell-jar from which the air has been pumped out. In sound or tone I am within what is most spiritual, while what the physicist observes (who of course cannot observe the spiritual nor the soul) is but the outer, so-called material concomitant, the movement of the wave. Not so in the phenomena of the realm we are now considering, my dear Friends. For as I enter into these, I have outside me not only the objective, so-called material element, but also what in the case of sound and tone is living in me—in the soul and spirit. The essence of the sound or tone is of course there in the outer world as well, but so am I. With these phenomena on the other hand, what in the case of sound could only be perceived in soul, is there in the same sphere in which—for sound—I should have no more than the material waves. I must now perceive physically, what in the case of sound or tone I can only perceive in the soul.

Thus in respect of the relation of man to the external world the perceptions of sound, and the perceptions of electrical phenomena for instance, are at the very opposite poles. When you perceive a sound you are dividing yourself as it were into a human duality. You swim in the elements of wave and undulation, the real existence of which can of course be demonstrated by quite external methods. Yet as you do so you become aware; herein is something far more than the mere material element. You are obliged to kindle your own inner life—your life of soul—to apprehend the tone itself. With your ordinary body—I draw it diagrammatically (the oval in Figure Xb)—you become aware of the undulations. You draw your ether—and astral body together, so that they occupy only a portion of your space. You then enjoy, what you are to experience of the sound or tone as such, in the thus inwarded and concentrated etheric-astral part of your being. It is quite different when you as human being meet the phenomena of this other domain, my dear Friends. In the first place there is no wave or undulation or anything like that for you to dive into; but you now feel impelled to expand what in the other case you concentrated (Figure Xc). In all directions, you drive your ether—and astral body out beyond your normal surface; you make them bigger, and in so doing you perceive these electrical phenomena.

Without including the soul and spirit of the human being, it will be quite impossible to gain a true or realistic conception of the phenomena of Physics. Ever-increasingly we shall be obliged to think in this way. The phenomena of sound and tone and light are akin to the conscious element of Thought and Ideation in ourselves, while those of electricity and magnetism are akin to the sub-conscious element of Will. Warmth is between the two. Even as Feeling is intermediate between Thought and Will, so is the outer warmth in Nature intermediate between light and sound on the one hand, electricity and magnetism on the other. Increasingly therefore, this must become the inner structure of our understanding of the phenomena of Nature. It can indeed become so if we follow up all that is latent in Goethe's Theory of Colour. We shall be studying the element of light and tone on the one hand, and of the very opposite of these—electricity and magnetism—on the other. As in the spiritual realm we differentiate between the Luciferic, that is akin to the quality of light, and the Ahrimanic, akin to electricity and magnetism, so also must we understand the structure of the phenomena of Nature. Between the two lies what we meet with in the phenomena of Warmth.

I have thus indicated a kind of pathway for this scientific realm,—a guiding line with which I wished provisionally to sum up the little that could be given in these few improvised hours. It had to be arranged so quickly that we have scarcely got beyond the good intentions we set before us. All I could give were a few hints and indications; I hope we shall soon be able to pursue them further. Yet, little as it is, I think what has been given may be of help to you—and notably to the Waldorf School teachers among you when imparting scientific notions to the children. You will of course not go about it in a fanatical way, for in such matters it is most essential to give the realities a chance to unfold. We must not get our children into difficulties. But this at least we can do: we can refrain from bringing into our teaching too many untenable ideas—ideas derived from the belief that the dream-picture which has been made of Nature represents actual reality. If you yourselves are imbued with the kind of scientific spirit with which these lectures—if we may take them as a fair example—have been pervaded, it will assuredly be of service to you in the whole way you speak with the children about natural phenomena.

Methodically too, you may derive some benefit. I am sorry it was necessary to go through the phenomena at such breakneck speed. Yet even so, you will have seen that there is a way of uniting what we see outwardly in our experiments with a true method of evoking thoughts and ideas, so that the human being does not merely stare at the phenomena but really thinks about them. If you arrange your lessons so as to get the children to think in connection with the experiments—discussing the experiments with them intelligently—you will develop a method, notably in the Science lessons, whereby these lessons will be very fruitful for the children who are entrusted to you.

Thus by the practical example of this course, I think I may have contributed to what was said in the educational lectures at the inception of the Waldorf School. I believe therefore that in arranging these scientific courses we shall also have done something for the good progress of our Waldorf School, which ought really to prosper after the good and very praiseworthy start which it has made. The School was meant as a beginning in a real work for the evolution of our humanity—a work that has its fount in new resources of the Spirit. This is the feeling we must have. So much is crumbling, of all that has developed hitherto in human evolution. Other and new developments must come in place of what is breaking down. This realization in our hearts and minds will give the consciousness we need for the Waldorf School. In Physics especially it becomes evident, how many of the prevailing ideas are in decay. More than one thinks, this is connected with the whole misery of our time. When people think sociologically, you quickly see where their thinking goes astray. Admittedly, here too most people fail to see it, but you can at least take notice of it; you know that sociological ways of thought will find their way into the social order of mankind. On the other hand, people fail to realize how deeply the ideas of Physics penetrate into the life of mankind. They do not know what havoc has in fact been wrought by the conceptions of modern Physics, terrible as these conceptions often are. In public lectures I have often quoted Hermann Grimm. Admittedly, he saw the scientific ideas of his time rather as one who looked upon them from outside. Yet he spoke not untruly when he said, future generations would find it difficult to understand that there was once a world so crazy as to explain the evolution of the Earth and Solar System by the theory of Kant and Laplace. To understand such scientific madness would not be easy for a future age, thought Hermann Grimm. Yet in our modern conceptions of inorganic Nature there are many features like the theory of Kant and Laplace. And you must realize how much is yet to do for the human beings of our time to get free of the ways of Kant and Konigsberg and all their kindred. How much will be to do in this respect, before they can advance to healthy, penetrating ways of thought!

Strange things one witnesses indeed from time to time, shewing how what is wrong on one side joins up with what is wrong on another. What of a thing like this? Some days ago—as one would say, by chance—I was presented with a reprint of a lecture by a German University professor. (He prides himself in this very lecture that there is in him something of Kant and Konigsberg!) It was a lecture in a Baltic University, on the relation of Physics and Technics, held on the 1st of May 1918,—please mark the date! This learned physicist of our time in peroration voices his ideal, saying in effect: The War has clearly shewn that we have not yet made the bond between Militarism and the scientific laboratory work of our Universities nearly close enough. For human progress to go on in the proper way, a far closer link must in future be forged between the military authorities and what is being done at our Universities. Questions of mobilization in future must include all that Science can contribute, to make the mobilization still more effective. At the beginning of the War we suffered greatly because the link was not yet close enough—the link which we must have in future, leading directly from the scientific places of research into the General Staffs of our armies.

Mankind, my dear Friends, must learn anew, and that in many fields. Once human beings make up their minds to learn anew in such a realm as Physics, they will be better prepared to learn anew in other fields as well. Those physicists who go on thinking in the old way, will never be so very far removed from the delightful coalition between the scientific laboratories and the General Staffs. How many things will have to alter! So may the Waldorf School be and remain a place where the new things which mankind needs can spring to life. In the expression of this hope, I will conclude our studies for the moment.

Jean Paul's personality

[ 1 ] There are works of the mind that lead such an independent existence that one can devote oneself to them without thinking for a moment of their author. One can follow the Iliad, Hamlet and Othello, Iphigenia from beginning to end without being reminded of the personality of Homer, Shakespeare or Goethe. These works stand before the viewer like beings with a life all their own, like developed human beings that we accept for themselves without asking about their father. In them, not only the spirit of creation but also that of the creator is constantly before us. Agamemnon, Achilles, Othello, Iago, Iphigenia appear before us as individuals who act and speak for themselves. Jean Paul's characters, these Siebenkäs and Leibgeber, these Albano and Schoppe, Walt and Vult always have a companion who speaks with them, who looks over their shoulders. It is Jean Paul himself. The poet himself also speaks in Goethe's Faust. But he does so in a completely different way to Jean Paul. What has flowed from Goethe's nature into the figure of Faust has completely detached itself from the poet; it has become Faust's own being and the poet steps off the stage after he has placed his double on it. Jean Paul always remains standing next to his figures. When immersing ourselves in one of his works, our feelings, our thoughts always jump away from the work and towards the creator. Something similar is also the case with his satirical, philosophical and pedagogical writings. Today we are no longer able to look at a philosophical doctrine in isolation, without reference to its author. We look through the philosophical thoughts to the philosophical personalities. In the writings of Plato, Aristotle and Leibniz, we no longer remain within the logical web of thought. We look for the image of the philosopher. Behind the works we look for the human being struggling with the highest tasks and watch how he has come to terms with the mysteries and riddles of the world in his own way. But this idiosyncrasy has been fully expressed in the works. A personality speaks to us through the works. Jean Paul, on the other hand, always presents himself to us in two forms in his philosophical writings. We believe that he speaks to us from the book; but there is also a person next to us who tells us something that we can never guess from the book. And this second person always has something to say to us that never falls short of the significance of his creations.

[ 2 ] One may regard this peculiarity of Jean Paul's as a shortcoming of his nature. For those who are inclined to do so, I would like to counter Jean Paul's own words with some modification: Every nature is good as soon as it remains a solitary one and does not become a general one; for even the natures of a Homer, Plato, Goethe must not become general and unique and fill with their works "all the halls of books, from the old world down to the new, or we would starve and emaciate from oversaturation; as well as a human race, whose peoples and times consisted of nothing but pious Herrnhutters and Speners or Antonines or Lutherans, would at last present something of dull boredom and sluggish advancement."

[ 3 ] It is true: Jean Paul's idiosyncrasy never allowed him to create works that have the character of perfection through the unity and roundness of their form, through the natural, objective development of the characters and the plot, through the idealistic representation of his views. He never found the perfect stylistic form for his great spiritual content. But he penetrated the depths and abysses of the human soul and scaled the heights of thought like few others.

[ 4 ] Jean Paul was predisposed to a life of the greatest style. Nothing is inaccessible to his fine powers of observation, his high flight of thought. It is conceivable that he would have reached the pinnacle of mastery if he had studied the secrets of art forms like Goethe; or that he would have become one of the greatest philosophers of all time if he had developed his decisive ability to live in the realm of ideas to greater perfection. An unlimited urge for freedom in all his work prevents Jean Paul from submitting to any formal fetters. His bold imagination does not want to be determined in the continuation of a story by the art form it has created for itself at the beginning. Nor does it have the selflessness to suppress inflowing feelings and thoughts if they do not fit into the framework of the work to be created. Jean Paul appears as a sovereign ruler who plays freely with his imaginative creations, unconcerned about artistic principles, unconcerned about logical concerns. If the course of a narrative, a sequence of thoughts, flows on for a while, Jean Paul's creative genius always reclaims his freedom and leads the reader down side paths, occupying him with things that have nothing to do with the main thing, but only join it in the mind of the creator. At every moment, Jean Paul says what he wants to say, even if the objective course of events demands something completely different. Jean Paul's great style lies in this free play. But there is a difference between playing with complete mastery of the field in which one moves, or whether the whim of the player creates formations which give the impression to those who look at things according to their own laws that one part of the formation does not correspond to the other. With regard to the Greek works of art, Goethe bursts out with the words: "I have the suspicion that the Greeks proceeded according to the very laws according to which nature proceeds and which I am on the track of", and: "These high works of art are at the same time the highest works of nature, which have been produced by men according to true and natural laws. Everything arbitrary and imaginary collapses; there is necessity, there is God." One would like to say of Jean Paul's creations: here nature has created an isolated area in which it shows that it can defy its own laws and still be great. Goethe seeks to achieve freedom of creation by incorporating the laws of nature into his own being. He wants to create as nature itself creates. Jean Paul wants to preserve his freedom by not paying attention to the laws of things and imagining the laws of his own personality into his world.

[ 5 ] If Jean Paul's nature were not very cozy, his free play with things and feelings would have a repulsive effect. But his interest in nature and people is no less than Goethe's and his love for all beings has no limits. And it is attractive to see how he immerses himself in things with his feelings, with his rapturous imagination, with his lofty flight of thought, without, however, seeing through the essence inherent in these things. essence itself. One would like to apply the saying "love is blind" to the sensuality with which Jean Paul describes nature and people.

[ 6 ] And it is not because Jean Paul plays too little, but because he is too serious. The 'dream that his imagination dreams of the world is so majestic that what the senses really perceive seems small and insignificant compared to it. This tempts him to embody the contradiction between his dreams and reality. Reality does not seem serious enough for him to waste his seriousness on it. He makes fun of the smallness of reality, but he never does so without feeling the bitterness of not being able to enjoy this reality more. Jean Paul's humor springs from this basic mood of his character. It allowed him to see things and characters that he would not have seen in a different mood. There is a way to rise above the contradictions of reality and to feel the great harmony of all world events. Goethe sought to rise to this height. Jean Paul lived more in the regions in which nature contradicts itself and becomes unfaithful in detail to what speaks from its whole as truth and naturalness. Appear therefore

[ 7 ] Jean Paul's creations, measured against the whole of nature, appear to be imaginary, arbitrary, one cannot say to them: "there is necessity, there is God"; to the individual, to the individual, his sensations appear to be quite true. He has not been able to describe the harmony of the whole, because he has never seen it in clear outline before his imagination; but he has dreamed of this harmony and wonderfully felt and described the contradiction of the individual with it. If his mind had been able to vividly shape the inner unity of all events, he would have become a pathetic poet. But since he only felt the contradictory, petty aspects of reality, he gave vent to them through humorous descriptions.

[ 8 ] Jean Paul does not ask: what is reality capable of? He doesn't even get to that. For this question is immediately drowned out by the other: how little this reality corresponds to the ideal. But ideals that are so unable to tolerate the marriage with harsh reality have something soft about them. They lack the strength to live fully and freshly. Those who are dominated by them become sentimental. And sentimentality is one of Jean Paul's character traits. If he is of the opinion that true love dies with the first kiss, or at least with the second, this is proof that his sentimental ideal of love was not created to win flesh and blood. It always retains something ethereal. Thus Jean Paul hovers between a shadowy ideal world, to which his rapturous longing is attached, and a reality that seems foolish and foolish in comparison with that ideal world. Thinking of himself, he says of humor: "Humor, as the inverted sublime, does not destroy the individual, but the finite through the contrast with the idea. For it there is no single folly, no fools, but only folly and a great world; unlike the common joker with his side-swipes, it does not single out individual folly, but humiliates the great, but unlike parody - in order to elevate the small, and elevates the small, but unlike irony - in order to set the great alongside it and thus destroy both, because before infinity everything is equal and nothing is equal." Jean Paul was unable to reconcile the contradictions of the world, which is why he was also helpless in the face of those in his own personality. He could not find the harmony of the forces of the soul that were at work in him. But these forces of the soul have such a powerful effect that one must say that Jean Paul's imperfection is greater than many a perfection of a lower order. Jean Paul's ability may lag behind his will, but this will appears so clearly before one's soul that one feels one is looking into unknown realms when one reads his writings.

Boyhood and grammar school

[ 9 ] Jean Paul spent his childhood, from the age of two to twelve, in Joditz an der Saale, not far from Hof. He was born in Wunsiedel on March 21, 1763 as the son of the tertius and organist Johann Christian Christoph Richter, who had married Sophia Rosina Kuhn, the daughter of the cloth maker Johann Paul Kuhn in Hof, on October 16, 1761. Our poet was given the name Johann Paul Friedrich at his baptism. He later formed his literary name Jean Paul by Frenching his first two first names. On i. August 1765, the parents moved to Joditz. The father was appointed pastor there. The family had grown in Wunsiedel with the addition of a son, Adam. Two girls, who died young, and two sons, Gottlieb and Heinrich, were added in Joditz. A last son, Samuel, was born later, when the family was already in Schwarzenbach. Jean Paul describes his childhood in a captivating way in his autobiography, which unfortunately only goes up to 1779. All the traits that later emerged in the man were already evident in the boy. The rapturous fantasy, which is directed towards an ideal realm and which values reality less than this realm, manifested itself at an early age in the form of a fear of ghosts that often tormented him. He slept with his father in a parlor of the Joditz rectory, separated from the rest of the family. The children had to go to bed at nine o'clock. But the hard-working father only came to Jean Paul in the parlor two hours later, after he had finished his night's reading. Those were two difficult hours for the boy. "I lay with my head under the comforter in the sweat of ghostly fear and saw in the darkness the weather light of the cloudy ghostly sky, and I felt as if man himself were being spun by ghostly caterpillars. So I suffered helplessly for two hours at night, until finally my father came up and, like a morning sun, chased away ghosts like dreams." The autobiographer gives an excellent interpretation of this peculiarity of his childhood. "Many a child full of physical fear nevertheless shows courage of mind, but merely for lack of imagination; another, however - like me - trembles before the invisible world, because imagination makes it visible and shapes it, and is easily frightened by the visible, because it never reaches the depths and dimensions of the invisible. Thus, even a quick physical danger -- for example, a running horse, a clap of thunder, a war, the noise of a fire -- only makes me calm and composed, because I fear only with my imagination, not with my senses." And the other side of Jean Paul's nature can also be seen in the boy; that loving devotion to the little things of reality. He had "always had a predilection for the domestic, for still life, for making spiritual nests. He is a domestic shellfish that pushes itself quite comfortably back into the narrowest coils of the shell and falls in love, only that each time it wants to have the snail shell wide open so that it can then raise its four tentacles not as far as four butterfly wings into the air, but ten times further up to the sky; at least with each tentacle to one of the four satellites of Jupiter." He calls this peculiarity of his a "foolish alliance between searching far and searching near - similar to binoculars, which double the proximity or the distance by merely turning around". The boy's attitude towards Christmas is particularly significant for Jean Paul's character. The joys that the near reality offered him could not fill his soul, however great the extent to which they materialized. "For when Paul stood before the tree of lights and the table of lights on Christmas morning and the new world full of splendor and gold and gifts lay uncovered before him and he found and received new things and new and rich things: so the first thing that arose in him was not a tear - namely of joy - but a sigh - namely about life - in a word, even to the boy the crossing or leap or flight from the surging, playful, immeasurable sea of the imagination to the limited and confining solid shore was characterized by a sigh for a greater, more beautiful land. But before this sigh was breathed and before the happy reality showed its powers, Paul felt out of gratitude that he must show himself in the highest degree joyful before his mother; - and this glow he accepted at once, and for a short time too, because immediately afterwards the dawning rays of reality extinguished and removed the moonlight of imagination." Not as a child, nor in later life, could Jean Paul find the bridge between the land of his longing, which his imagination presented to him in unlimited perfection, and the reality that he loved, but which never satisfied him because he could not see it as a whole, but only in detail, in the individual, in the imperfect.

[ 10 ] On behalf of his mother, Jean Paul often visited his grandparents in Hof. One summer's day on his way home, as he looked at the sunny, glistening mountain slopes and the drifting clouds at around two o'clock, he was overcome by an "objectless longing, which was a mixture of more pain and less pleasure and a desire without memory. Alas, it was the whole man who longed for the heavenly goods of life, which still lay unmarked and colorless in the deep darkness of the heart and which were fleetingly illuminated by the incident rays of the sun." This longing accompanied Jean Paul throughout his life; he was never granted the favor of seeing the objects of his longing in reality.

[ 11 ] There were times when Jean Paul wavered as to whether he was born to be a philosopher or a poet. In any case, there is a distinctly philosophical streak in his personality. Above all else, the philosopher needs to reflect on himself. The philosophical fruits ripen in the most intimate inner being of man. The philosopher must be able to withdraw to this. From here he must be able to find the connection to world events, to the secrets of existence. The young Jean Paul also shows a budding tendency towards self-reflection. He tells us: "I have never forgotten the phenomenon within me, which I have never told anyone about, where I stood at the birth of my self-consciousness, of which I know exactly where and when. One morning, as a very young child, I was standing under the front door and looking to the left at the wood, when suddenly the inner face, I am an I, came before me like a flash of lightning from the sky, and remained shining ever since: then my I had seen itself for the first time and forever." All the peculiarities of Jean Paul's character and those of his creations are already to be found in the earliest traits of his nature. It would be wrong to look for the cause of the physiognomy of his spiritual personality in his growth out of the limited conditions of his upbringing. He himself considers it a happy coincidence that the poet spent his childhood not in a big city but in the village. This generalization is certainly daring. For Jean Paul, because of his individual nature, it was fortunate that he received his first impressions in the idyll of Jodice. For other natures, another is certainly the natural one. Jean Paul said: "Let no poet be born and educated in a capital, but where possible in a village, at most in a small town. The overabundance and overstimulation of a big city are for the excitable child's soul like eating dessert, drinking distilled water and bathing in mulled wine. Life exhausts itself in him in boyhood, and he now has nothing more to wish for than at most the smaller things, the villages. If I think of the most important thing for the poet, of love, he must see in the city, around the warm earthy belt of his parental friends and acquaintances, the larger cold turning and icy zones of unloved people, whom he encounters unknown to him and for whom he can kindle or warm himself as little as a ship's people sailing past another strange ship's people. But in the village they love the whole village, and no infant is buried there without everyone knowing its name and illness and sorrow; - and this glorious sympathy for everyone who looks like a human being, which therefore extends even to the stranger and the beggar, breeds a concentrated love of humanity and the right strength of heart."

[ 12 ] There was a real rage for knowledge in the boy Jean Paul. "All learning was my life, and I would have been happy to be taught like a prince by half a dozen teachers at once, but I hardly had the right one." Of course, the father who provided the elementary lessons was not the right man to satisfy this desire. Johann Christoph Christian Richter was an outstanding personality. He inspired his small parish, whose members were connected to him like a large family, with his sermons. He was an excellent musician and even a popular composer of sacred music. Benevolence towards everyone was one of his outstanding character traits. He did some of the work in his field and garden with his own hands. The lessons he gave his son consisted of letting him "merely learn by heart, sayings, catechism, Latin words and Langen's grammar". This was of little avail to the boy, who was thirsting for real spiritual nourishment. Even then, he sought to acquire on his own what was not available to him from outside. He created a box for himself in which he set up a "case library" "made entirely of his own little sedes, which he sewed together and cut out of the wide paper cuttings from his father's octave sermons".

[ 13 ] On January 9, 1776, Jean Paul moved to Schwarzenbach with his parents. His father was appointed pastor there by a patron, Baroness von Plotho. Jean Paul now went to a public school. The lessons there did not meet his intellectual needs any more than those of his father. The principal, Karl August Werner, taught the pupils to read in a way that lacked all thoroughness and immersion in the spirit of the writers. The chaplain Völkel, who gave him private lessons in geography and philosophy, provided a substitute for those in need of knowledge. Jean Paul received a great deal of inspiration from philosophy in particular. However, it was precisely this man to whom the young mind's firmly pronounced, rigid individuality came to the fore in a brusque manner. Völkel had promised to play a game of chess with him one day and then forgot about it. Jean Paul was so angry about this that he ignored his beloved philosophical lessons and never went to see his teacher again. At Easter 1779, Jean Paul came to Hof to attend grammar school. His entrance examination revealed an unusual maturity of mind. He was immediately placed in the middle section of the Prima. Soon afterwards, on April 135, his father died. Jean Paul had no real luck with his teachers in Hof either. Neither principal Kirsch nor deputy principal Remebaum, the primary school teachers, made any particular impression on Jean Paul. And once again he felt compelled to satisfy his mind on his own. Fortunately, his relationship with the enlightened Pastor Vogel in Rehau gave him the opportunity to do so. He placed his entire library at his disposal and Jean Paul was able to immerse himself in the works of Helvetius, Hippel, Goethe, Lavater and Lessing. He already felt the urge to assimilate what he had read and make it useful for his own life. He filled entire volumes with excerpts of what he had read. And a series of essays emerged from this reading. The grammar school pupil set about important things. What our concept of God is like; about the religions of the world; the comparison of the fool and the wise, the fool and the genius; about the value of studying philosophy at an early age; about the importance of inventing new truths: these were the tasks he set himself. And he already had a lot to say about these things. He was already dealing independently with the nature of God, with the questions of Christianity, with the spiritual progress of mankind. We encounter boldness and maturity of judgment in these works. He also ventured to write a poem, the novel "Abelard and Heloise". Here he appears in style and content as an imitator of Miller, the Sigwart poet. His longing for a perfect world that transcended all reality brought him into the path of this poet, for whom there were only tears on earth over broken hearts and dried up hopes and for whom happiness only lies beyond death. The motto of Jean Paul's novel already shows that he was seized by this mood: "The sensitive man is too good for this earth, where there are cold mockers - in that world only, which bears weeping angels, does he find reward for his tears."

[ 14 ] In Hof, Jean Paul already found what his heart needed most, participating friends: Christian Otto, the son of a wealthy merchant, who later became the confidant of his literary works; Johann Richard Hermann, the son of a toolmaker, a brilliant man full of energy and knowledge, who unfortunately succumbed to the efforts of a life rich in deprivation and hardship as early as 1790. Furthermore, Adolf Lorenz von Oerthel, the eldest son of a wealthy merchant from Töpen near Hof. In contrast to Hermann, the latter was a soft, sentimentalist full of sentimentality and enthusiasm. Hermann was realistically inclined and combined practical wisdom with a scientific sense. In these two characters, Jean Paul already encountered the types that he later embodied in his poems in manifold variations, as the idealistic Siebenkäs compared to the realistic Leibgeber; as Walt compared to Vult. On May 19, 1781, Jean Paul was enrolled as a student of theology in Leipzig.

University life

[ 15 ] Conflicting thoughts and feelings waged a fierce battle in Jean Paul's soul when he entered the classrooms of the high school. He had absorbed opinions and views through avid reading; but neither his artistic nor his philosophical imagination wanted to unfold in such a way that what he had absorbed from outside would have taken on a fixed, individual structure. The basic forces of his personality were strong but indeterminate; the energy was great, the creative power sluggish. The impressions he received aroused powerful feelings in him, drove him to make decisive value judgments; but they did not want to form themselves into vivid images and thoughts in his imagination.

[ 16 ] At university, Jean Paul only sought all-round stimulation. As the eldest son of a clergyman, it was part of the family tradition for him to study theology. If the intention of becoming a theologian ever played a role in his life, it did not last long. He wrote to his friend Vogel: "I have made it a rule in my studies to do only what is most pleasant to me, what I am least unskilled at and what I already find useful and consider useful. I have often deceived myself by following this rule, but I have never regretted this mistake. - To study what one does not love is to struggle with disgust, boredom and weariness in order to obtain a good that one does not desire; it is to waste one's powers, which one feels are made for something else, in vain on a thing where one can make no progress, and to withdraw them from the thing in which one would make progress." He lives at the university as a man of spiritual enjoyment who seeks only that which develops his dormant powers. He listens to lectures on St. John by Magister Weber, on the Acts of the Apostles by Morus; on logic, metaphysics and aesthetics by Platner, on morals by Wieland, on mathematics by Gehler; on Latin philology by Rogler. He also read Voltaire, Rousseau, Helvetius, Pope, Swift, Young, Cicero, Horace, Ovid and Seneca. The diary pages and studies in which he collects and processes what he has heard and read grow into thick volumes. He developed an almost superhuman capacity for work and a desire to work. He set down his views in essays that reflect his struggle for a free world view, independent of religious and scholarly prejudices.

[ 17 ] The insecurity of his mind, which prevented Jean Paul from finding his own way in the face of the contemplation and appropriation of the foreign, would probably have held him back for a long time from appearing before the public with his attempts at writing if the bitterest poverty had not driven him to the decision: "To write books in order to be able to buy books." Jean Paul did not have time to wait until the bitterness he felt as a Leipzig student about the deplorable state of life and culture had turned into a cheerful, superior sense of humor. Early mature works emerged, satires in which the grumbling, criticizing man and not the poet and philosopher speaks out of Jean Paul. Inspired by Erasmus' "Encomium moriae", he wrote his "Praise of Stupidity" in 1782, for which he was unable to find a publisher, and in the same year the "Greenland Trials", with which he first appeared in public in 1783. When one reads these writings, one has the feeling that here is a man who not only vents his resentment on what he encounters that is wrong, but who painstakingly collects all the weaknesses and dark sides, all the stupidities and foolishness, all the mendacity and cowardice of life in order to pursue them with his wit. The roots through which Jean Paul connected with reality were short and thin. Once he had gained a foothold somewhere, he could easily loosen it again and transplant his roots into other soil. His life was broad, but not deep. This is most evident in his relationship with women. He did not love with the full elemental force of his heart. His love was a game with the sensations of love. He did not love women. He loved love. In 1783 he had a love affair with a beautiful country girl, Sophie Ellrodt in Helmbrechts. One day he wrote to her that her love made him happy; he assured her that her kisses had satisfied the longing that his eyes had aroused in him. But he also writes soon afterwards that he only stayed a little longer in Hof because he wanted to be happy in this place for some time before he would be happy in Leipzig (cf. Paul Nerrlich, Jean Paul, p. 138 £.). As soon as he is in Leipzig, the whole love dream has faded. His later relationships with women were just as playful with the feelings of love, including those with his wife. His love had something ghostly about it; the addition of sensuality and passion had too little elective affinity to the ideal element of his love.

[ 18 ] The insecurity of the mind, the little connection of his being with the real conditions of life made Jean Paul a self-tormentor at times. He just flitted about reality; that is why he often had to go astray and reflect on his own personality. We read of a self-torture that went as far as asceticism in Jean Paul's devotional booklet, which he wrote in 1784. But even this asceticism has something playful about it. It remains stuck in ideal reverie. However profound the individual remarks he writes down about pain, virtue, glory-seeking, anger: one always has the impression that Jean Paul merely wanted to intoxicate himself with the beauty of his rules of life. It was refreshing for him to write down thoughts such as the following: "Hatred is not based on moral ugliness, but on your mood, sensitivity, health; but is it the other's fault that you are ill? ... The offending man, not the offending stone, annoys you; so think of every evil as the effect of a physical cause or as coming from the Creator, who also allowed this concatenation." Who can believe that he is serious about such thoughts, who almost at the same time wrote the "Greenland Trials", in which he wielded his scourge against writing, against clericalism, against ancestral pride in a way that does not betray the fact that he regards the wrongs of life as the effect of a physical cause?

[ 19 ] The bitterest need caused Jean Paul to leave Leipzig like a fugitive on October 27, 1784. He had to secretly evade his creditors. On November 16, he arrived in Hof with his mother, who was also completely impoverished.

Educator and years of travel

[ 20 ] Jean Paul spent two years in Hof surrounded by a housebound mother and the most oppressive family circumstances. Alongside the noisy bustle of his mother, the washing and scrubbing, the cooking and flattening, the whirring of the spinning wheel, he dreamed of his ideals. Only the New Year of 1787 brought partial redemption. He became a tutor to the younger brother of his friend Oerthel in Töpen near Hof. There was at least one person in Chamber Councillor Oerthel's house who was sympathetic to the idealistic dreamer, who had a slight tendency towards sentimentality. It was the woman of the house. Jean Paul remembered her with gratitude throughout his life. Her loving nature made up for some of the things that her husband's rigidity and roughness spoiled for Jean Paul. And even if the boy he had to educate caused the teacher many a worry due to his suspicious character, the latter seems to have clung to his pupil with a certain love, for he later said of the early departed that he had had the most beautiful heart and that the best seeds of virtue and knowledge lay in his head and heart. After two years, Jean Paul left Oerthel's house. We are not informed of the reasons for this departure. Necessity soon forced him to exchange the old schoolmaster's office for a new one. He moved to Schwarzenbach to give elementary lessons to the children of his old friends, the pastor Völkel, the district administrator Clöter and the commissioner Vogel.

[ 21 ] During his time in Hof and Töpen, Jean Paul's need for friendship bore the most beautiful fruit. If Jean Paul lacked the endurance of passion for devoted love, he was made for friendship that lived more in the spiritual element. His friendship with Oerthel and Hermann deepened during this time. And when they were taken from him by death in quick succession, in 1789 and 1790, he erected monuments to them in his soul, the sight of which spurred him on to ever new work throughout his life. The deep glimpses that Jean Paul was granted into the souls of his friends were a powerful stimulus for his poetic creativity. Jean Paul needed to lean on people who were attached to him with all their soul. The urge to transfer his feelings and ideas directly into another human soul was great. He could consider it fortunate that shortly after Oerthel and Hermann had passed away, another friend surrendered to him in loyal love. It was Christian Otto who, from 1790 until Jean Paul's death, lived through his intellectual life with selfless sympathy.

[ 22 ] Jean Paul himself describes how he spent the period from 1783 to 1790. "I enjoyed the most beautiful things in life, autumn, summer and spring with their landscapes on earth and in the sky, but I had nothing to eat or wear and remained anemic and little respected in Hof im Voigtlande." It was during this time that his "Auswahl aus des Teufels Papieren nebst einem notwendigen Aviso vom Juden Mendel" was written. In this book, the creative satirist appears alongside the polemicist. The criticism has partly been transformed into narrative. People appear instead of the earlier abstract ideas. But what is still laboriously struggling for embodiment here emerges in a more perfect form in the three stories written in 1790: "Des Amtsvogts Freudel Klaglibell gegen seinen verfluchten Dämon"; "Des Rektors Fälbel und seiner Primaner Reise nach dem Fichtelberg" and in the "Leben des vergnügten Schulmeisterleins Maria Wuz in Auenthal". In these three poems, Jean Paul succeeds in drawing characters in which humanity becomes caricature. Freudel, Fälbel and Wuz appear as if Jean Paul were looking at his ideal image of man in mirrors, which make all the features appear diminished and distorted. But in doing so, he creates afterimages of reality. Freudel depicts the t'ypus of man, who at moments when he needs the greatest seriousness and solemn dignity becomes ridiculous through the trickery of his absent-mindedness or chance. Another kind of human caricature, which judges the whole world from the narrowest perspective of its own profession, is characterized in Fälbel. A schoolmaster who believes that the great French social upheaval would have been impossible if the revolutionary heroes had commented on the old classics instead of reading the evil philosophers. The Auenthal schoolmaster Maria Wuz is a wonderful picture of stunted humanity. In his village idyll, he lives human life on a microscopic scale, but he is as happy and content as none of the greatest sages can be.

[ 23 ] It is difficult to decide whether Jean Paul was a good schoolmaster. If he was able to follow the principles he wrote in his diaries, then he certainly turned his pupils into what they were capable of becoming. But schoolmastering was certainly more fruitful for him than for his pupils. For he gained deep insights into young human nature, which led him to the great pedagogical ideas that he later developed in his "Levana". However, he would hardly have been able to endure the confines of the office for three years if he had not found in his visits to Hof a conductor that was entirely in keeping with his nature. He was a connoisseur of the intellectual pleasures that arise from relationships with talented and excitable people. In Hof, he was always surrounded by a crowd of young girls who swarmed around him and stimulated his imagination. He regarded them as his "erotic academy". He fell in love, as far as he could love, with each of the academy girls, and the intoxication of one love affair had not yet faded when another began.

[ 24 ] This mood gave rise to the two novels "The Invisible Lodge" and "Hesperus". Gustav, the main character of the "Invisible Lodge", is a nature like Wuz, who only outgrows Wuz's existence and is forced to allow his tender heart, which could be content in a narrowly defined circle, to be tortured by harsh reality. The contrast between ideal sensuality and what is really valid in life forms the basic motif of the novel. And this motif becomes Jean Paul's great problem in life. It appears in ever new forms in his creations. In "The Invisible Lodge", the ideal sensuality has the character of a deep emotionalism that tends towards sentimentalism; in "Hesperus" it takes on a more rational form. The protagonist, Viktor, no longer merely raves with his heart like Gustav, but also with his mind and reason. Viktor actively intervenes in the circumstances of life, while Gustav passively allows them to affect him. The feeling that runs through both novels is this: the world is not made for good and great people. They have to retreat to an ideal island within themselves and lead an existence outside and above the world in order to make do with its wretchedness. The great man with a noble nature, a brilliant mind and an energetic will, who weeps or laughs at the world, but never draws a sense of satisfaction from it, is one of the extremes between which all Jean Paul's characters are to be placed. The other is the small, narrow-minded person with a subaltern attitude, who is content with the world because his empty mind does not conjure up dreams of a greater one. The figure of Quintus Fixlein in the 1794 story "Life of Quintus Fixlein drawn from fifteen boxes of notes" approaches the latter extreme; the following poem "Jean Paul's biographical amusements under the brainpan of a giantess", written in the same year, approaches the former. Fixlein is happy with modest plans for the future and the most petty scholarly work; Lismore, the main character of the "Amusements", suffers from the disharmony of his energetic will and weaker ability and from the other between his idealistically lofty ideas of human nature and those of his fellow human beings. The struggle that arises when a strong will that transcends the boundaries of reality and a human attitude that grows out of the limited conditions of a petty existence collide was depicted by Jean Paul in the book "Blumen-, Frucht- und Dornenstücke oder Ehestand, Tod und Hochzeit des Armenadvokaten F. St. Siebenkäs im Reichsmarktflecken Kuhschnappel" (Pieces of Flowers, Fruit and Thorns or the Marriage, Death and Wedding of the Poor Lawyer F. St. Siebenkäs in the Imperial Market Town of Kuhschnappel), published at Easter 1795. There are two people here who, because of their higher nature, do not know how to come to terms with the world. One, Siebenkäs, believes in a higher existence and suffers from the fact that this cannot be found in the world; the other, Leibgeber, sees through the nothingness of the world, but does not believe in the possibility of any kind of better. He is a humorist who thinks nothing of life and laughs at reality; but at the same time he is a cynic who cares nothing for higher things and considers all idealistic dreams to be bubbles of foam that rise from the muck of vulgarity as a haze to the scorn of humanity. Siebenkäs suffers at the hands of his wife Lenette, in whom philistine, narrow-minded reality is embodied; and Leibgeber suffers from his faithlessness and hopelessness. But he always rises above it with humor. He demands nothing extraordinary from life; that is why his disappointments are not great and why he does not consider it necessary to make higher demands of himself.

[ 25 ] Even before finishing "Hesperus", Jean Paul had swapped his teaching and educational work in Schwarzenbach for one in Hof. In the summer of 1796, he undertook a trip to Weimar. Like the heroes of his novels in the midst of a reality that did not satisfy them, Jean Paul felt at home in the city of muses. In his opinion, everything that reality could contain in terms of grandeur and sublimity should have been crowded together in this small town. He had hoped to meet giants and titans of spirit and imagination, as he had imagined them in his dreams to the point of superhumanity. And he did find geniuses, but only human beings. He was not attracted to either Goethe or Schiller. Both had already made their peace with the world at that time; both had realized the great world harmony that allows man to make peace with reality after a long struggle. Jean Paul was not allowed to find this peace. His soul was made for the lust of the struggle between ideal and reality. Goethe seemed to him stiff, cold, proud, frozen against all men; Schiller rock-faced and hard, so that foreign enthusiasm bounced off him. Only with Herder did a beautiful bond of friendship develop. The theologian, who sought salvation beyond the real world, could be a comrade to Jean Paul, but not the worldlings Goethe and Schiller, the idolizers of the real. Jean Paul felt the same way about Jacobi, the philosophical fisherman in the murky waters, as he did about Herder. Understanding and reason penetrate reality and illuminate it with the light of the idea; feeling clings to the dark, the unrecognizable, to the world of faith. And Jacobi reveled in the world of faith, as did Jean Paul. This trait of his spirit won him the hearts of women. Karoline Herder raved about the poet of sentimentality, and Charlotte von Kalb admired in him the ideal of a man.

[ 26 ] After his return from Weimar, Jean Paul's poetry lost itself completely in the vagueness of emotional indulgence and in an unworldly way of thinking and attitude in "Jubelsenior" and "Kampanerthal oder über die Unsterblichkeit der Seele" (1797). If the journey to Weimar had not strengthened his eyes for an unbiased contemplation of life, the varied wanderings that lasted from 1797 to 1804 did even less. He now lived successively in Leipzig, Weimar, Berlin, Meiningen and Koburg. Everywhere he established relationships with people, especially with women; everywhere he was welcomed with open arms. People were intoxicated by his ideas, which flowed from the depths of the emotional world. But the attraction they exerted on him soon wore off. He wrapped thick tentacles around the people he got to know, but soon drew these arms in again. In Weimar, Jean Paul spent happy days in the company of Frau von Kalb, Duchess Amalia, Knebel, Böttiger and others; in Hildburghausen, he carried his love game so far that he became engaged to Caroline von Feuchtersleben, only to part with her again soon afterwards. From Berlin he fetched the woman who really became his wife, Karoline, the second daughter of the senior tribunal councillor Maier. He entered into a marriage with her, which initially lifted him to the highest heights of happiness that a man can climb, and from which all happiness then disappeared to such an extent that Jean Paul only held on to her out of duty and Karoline endured it with submission and self-emptying. On her union with Jean Paul, this woman wrote to her father: "I never thought I would be as happy as I am. It will sound strange to you when I tell you that the high enthusiasm which carried me away when I met Richter, but which subsequently faded away as I descended into a more real life, is revived anew every day." And in July 1820, she confessed that she no longer had any right to his heart, that she felt poor and miserable in comparison to him.

[ 27 ] In Meiningen and Koburg, Jean Paul was able to get to know the peaks from which the world is ruled. The dukes in both places were on the most friendly terms with him. He was not to be missed at any court festival. Anyone seeking intellectual entertainment and stimulation joined him.

[ 28 ] Jean Paul's two most important poems, "Titan" and "Flegeljahre", were written during his years of wandering. His poetic power appears heightened, his imagination works in sharper outlines in these works. The characters are similar to those we encounter in his earlier works, but the artist has gained greater confidence in drawing and more vivid colors. He has also descended from depicting the outside of people into the depths of their souls. While Siebenkäs, Wuz and Fälbel appear like silhouettes, the Albano and Schoppe of the "Titan", the Walt and Vult of the "Flegeljahre" appear as perfectly painted figures. Albano is the man of strong will. He wants great things without asking where the strength to achieve them will come from. He has an addiction to breaking all the shackles of humanity. Unfortunately, it is precisely this humanity that is confined within narrow limits. A soft heart, an over-sensitive sensibility blunt the power of his imagination. He is unable to truly love either the rapturous Liana, with her fine nerves and boundless selflessness, or the ingenious, free-spirited Linda. He cannot love at all because his ideals make him demand more from love than it can offer. Linda wants devotion and nothing but devotion from Albano; but he thinks that he must first win her love through great deeds, through participation in the great war of freedom. He first wants to acquire what he could easily have. Reality in itself is nothing to him; only when he can combine an ideal with it does it become something to him. In view of the great works of art in Rome, it is not the secrets of art that open up to him, but his thirst for action awakens. "How in Rome a person can only enjoy and melt softly in the fire of art, instead of being ashamed and struggling for strength and action," he does not understand. But in the end this 'thirst for action only finds nourishment in the fact that it turns out that Albano is a prince's son and that the throne is his by inheritance. And his need for love is satisfied by the narrow-minded Idoine, who is devoid of any higher impetus. Opposite Albano is Schoppe, who is a body giver in a heightened form. He gives no thought to the nothingness of the world, for he knows that it cannot be otherwise. Life seems worthless to him; nothing has value for him but personal freedom and boundless independence. Only one struggle could have value for him, that for the unconditional freedom of the individual. He derides all other activities. Nothing frightens him more than his own ego. Everything else does not seem worth thinking about to him, not worth enthusiasm and not worth hatred; but he fears his ego. It is the only great mystery that haunts him. In the end, it drives him mad because it haunts him as a single being in the midst of an eerie void.

[ 29 ] Something of this fear of the ego lived in Jean Paul himself. It was an uncanny thought for him to descend into the depths of the mind and see how the human ego is at work to produce all that springs forth from the personality. That is why he hated the philosopher who had shown this ego in its nakedness, Fichte. He mocked him in his "Clavis Fichtiana seu Leibgeberiana" (1801).

[ 30 ] And Jean Paul had reason to shy away from looking into his innermost self. For in it, two egos engaged in a dialog that sometimes drove him to despair. There was the ego with the golden dreams of a higher world order, which mourned over the mean reality and consumed itself in sentimental devotion to an indefinite beyond; and there was the second ego, which mocked the first for its rapture, knowing full well that the indefinite ideal world could never be reached by any reality. The first ego lifted Jean Paul above reality into the world of his ideals; the second was his practical advisor, reminding him again and again that he who wants to live must come to terms with the conditions of life. He divided these two natures in his own personality between two people, the twin brothers Walt and Vult, and portrayed their mutual relationship in the "Flegeljahre". How little Jean Paul's idealism is rooted in reality is best shown in the introduction to the novel. It is not the concatenations of life that are supposed to make the enthusiast Walt a useful person for reality, but the arbitrariness of an eccentric who has bequeathed his entire fortune to the imaginative youth, but on condition that various practical obligations are imposed on him. Any failure to fulfill these practical obligations immediately results in the loss of part of the inheritance. Walt is only able to find his way through life's tasks with the help of his brother Vult. Vult attacks everything he starts with rough hands and a strong sense of reality. The two brothers' natures first complement each other for a while in a beautifully harmonious endeavor, only to separate later on. This conclusion again points to Jean Paul's own nature. Only temporarily did his two natures create a harmonious whole; time and again he suffered from their divergence, from their irreconcilable opposition.

[ 31 ] Never again did Jean Paul succeed in expressing with such perfection what moved him most deeply in poetry as in the "Flegeljahre". In 1803, he began to record the philosophical thoughts he had formed about art over the course of his life. This gave rise to his "Preliminary School of Aesthetics". These thoughts are bold and shed a bright light on the nature of art and artistic creation. They are the intuitions of a man who had experienced all the secrets of this creation in his own production. What the enjoyer draws from the work of art, what the creator puts into it: it is said here with infinite beauty. The psychology of humor is revealed in the most profound way: the hovering of the humorist in the spheres of the sublime, his laughter at reality, which has so little of this sublime, and the seriousness of this laughter, which only does not weep at the imperfections of life because it stems from human greatness.

[ 32 ] Jean Paul's ideas on education, which he set down in his "Levana" (1806), are no less significant. His sense of the ideal benefits this work more than any other. Only the educator really deserves to be an idealist. He is all the more fruitful the more he believes in the unknown in human nature. Every pupil should be a riddle for the educator to solve. The real, the educated should only serve him to discover the possible, the yet-to-be-formed. What we often feel to be a shortcoming in Jean Paul the poet, that he does not succeed in finding harmony between what he wants with his characters and what they really are: in Jean Paul, the teacher of the art of education, this is a great trait. And the sense for human weaknesses, which made him a satirist and humorist, enabled him to give the educator significant hints to counteract these weaknesses.

Bayreuth

[ 33 ] In 1804, Jean Paul moved to Bayreuth to make this town his permanent residence until the end of his life. He felt happy again to see the mountains of his homeland around him and to pursue his poetic dreams in quiet, small circumstances. He no longer created anything as perfect as the "Titan", the "Flegeljahre", the "Vorschule" and the "Levana", although his 'urge to be active took on a feverish character. Upsets about contemporary events, about the miserable state of the German Reich, an inner nervous restlessness that drove him to travel again and again, interrupted the regular course of his life. Half an hour away from Bayreuth, he had made himself a quiet home for a while in the house of Mrs. Rollwenzel, who cared for him like a mother and had made him famous. He needed the change of location in order to be able to create. While it was initially enough for him to leave his family home for hours every day and make the "Rollwenzelei" the scene of his work, this also changed later on. He traveled to various places: Erlangen (1811), Nuremberg (1812), Regensburg (1816), Heidelberg (1817), Frankfurt (1818), Stuttgart, Löbichau (1819), Munich (1820). In Nuremberg he had the pleasure of getting to know his beloved Jacobi, with whom he had previously only written, in person. In Heidelberg, his genius was celebrated by young and old alike. In Stuttgart, he became close to Duke Wilhelm von Württemberg and his talented wife. In Löbichau, he spent the most beautiful days in the house of Duchess Dorothea of Courland. He was surrounded by a society of exquisite women, so that he felt as if he were on a romantic island.

[ 34 ] The fascinating influence that Jean Paul exerted on women, which was evident in Karoline Herder and Charlotte von Kalb and many others, led to a tragedy in 1813. Maria Lux, the daughter of a republican from Mainz who had played a role in the Charlotte Corday catastrophe, fell passionately in love with Jean Paul's writings, which soon turned into an ardent love for the poet she did not know personally. The unhappy girl was dismayed when she saw that her feeling of admiration for the genius was turning more and more stormily into a passionate affection for the man, and gave herself up to death. Sophie Paulus' affection in Heidelberg made a deeply moving impression, if not an equally shattering one. In constant vacillation between moods of fiery love and admirable renunciation and self-control, this girl consumes herself until, at the age of twenty-five and unsure of herself, she offers her hand to the old A. W. Schlegel in a union that is soon shattered by the conflicting natures.

[ 35 ] The cheerful superiority that enabled him to create humorous images of life left Jean Paul completely in Bayreuth. What he still produces has a more serious tone. He is still unable to create characters who lead an existence appropriate to the ideal human nature he has in mind, but he does create characters who have made their peace with reality. Self-satisfied characters are Katzenberger in "Katzenbergers Badereise" (1808) and Fibel in "Leben Fibels" (1811). Fibel is happy, despite the fact that he only manages to write a modest book, and Katzenberger is happy in his study of abortions. Both are distorted images of humanity, but there is no reason to mock them, nor, as with Wuz, to look at their limited happiness with emotion. Schmelzle's "Des Feldprediger Schmelzles Reise nach Flätz", which was written before them (1807), differs from them. Fibel and Katzenberger are content in their indifferent, meaningless existence; Schmelzle is a discontented hare's foot who is afraid of imaginary dangers. But even in this poem there is nothing more of Jean Paul's great problem, of the clash between the ideal, fantastic dream world and actual reality. Nor is there any sense of a struggle between the two worlds in Jean Paul's last great poem, the "Comet", on which he worked for many years (1815 to 1820). Nikolaus Marggraf wants to make the world happy. His plans are indeed fantastic. But he never felt that they were just a dream. He believes in himself and his ideals and is happy in this belief. Essays written with reference to the political situation in Germany and those in which Jean Paul discusses general questions of science and life were written between the larger works. Some of them are collected in "Herbstblumine" (1810, 1815, 1820) and in his "Museum" (1812). The poet appears as a patriot in his "Freiheitsbüchlein" (1805), in the "Friedenspredigt" (1808) and in the "Dämmerungen für Deutschland" (1809).

[ 36 ] During his time in Bayreuth, Jean Paul's humorous mood increasingly gave way to one that took the world and people as they were, even though he only saw imperfections and small things everywhere. He is disgruntled about reality, but he bears the disgruntlement.

[ 37 ] The great humorist was not granted a cheerful old age. Three years before his end, he had to watch his son Max die, with whom he laid to rest a wealth of hopes for the future and most of his personal happiness. An eye ailment that afflicted the poet worsened in his last years until he became completely blind. The old man, who could no longer see the outside world, now immersed himself completely within himself. He now lived the life he thought no longer belonged to this world, even before death, and from the treasure trove of these inner experiences he drew the thoughts for his "Selina" or "On the Immortality of the Soul", in which he speaks like a transfigured person and believes he really sees what he has dreamed of all his life. Jean Paul died on November 14, 1825. "Selina" was not published until after his death.

A study in Hilary's house. A general atmosphere of seriousness pervades the room. Maria alone in meditation.

Maria:
A starry soul, on yonder spirit-shore,
Draws near,—draws near me clad in spirit-light,
Draws near with mine own self, and as it nears—
Its radiance gains in power,—and gains in calm.
O star within my spirit-circle, what
Doth thine approach shed on my gazing soul?

(Astrid appears to right.)

Astrid:
Perceive that which I now can bring to thee;
From cosmic strife 'twixt darkness and the light
I stole thy power of thought I bring it now
From out its cosmic midnight's wakening
With service true back to thine earthly form.

Maria:
My Astrid, thou hast ever till to-day
Appeared to me as shining shadow-soul;
What turns thee now to this bright spirit-star?

Astrid:
I kept the lightning's and the thunder's power
For thee, that they might stay within thy soul,
And now thou canst behold them consciously—
When of the cosmic midnight thou dost think.

Maria:
The cosmic midnight!—Ere for this earth-life
My self enclosed me in my body's sheath,
In Saturn's coloured light kept endless watch!
Mine earthly thoughts concealed from me before
This spirit scene in soul-obscurity
Now in soul clarity it doth emerge.

Astrid:
Thyself in cosmic light didst speak these words:
‘Of thee, Duration, would I crave a boon
Pour out thyself into this blessedness
And let my guide, and let that other soul
Now dwell with me therein in peacefulness.’

Maria:
Dwell with me also. O thou moment blest,
In which this spirit happening creates
New powers of self. Equip my soul with strength
That thou mayst not pass from me like a dream.
In light which on the cosmic midnight shines,
Which Astrid brings from soul-obscurity,
Mine ego joins that self which fashioned me
To serve its purpose in the cosmic life.
But how, 0 moment, can I hold thee fast,
So that I do not lose thee when once more
My senses feel earth clearness once again?
Their power is great; and often, if they slay
The spirit-vision, it stays dead e'en when
The self in spirit finds itself again.

(Immediately after the last words, as if summoned by them, Luna appears.)

Luna:
Preserve, before the sense-life once again
Makes thee to dream, the power of thine own will
With which this moment hath presented thee.
Think of the words that I myself did speak
When at the cosmic midnight seen by thee.

Maria:
My Luna, from the cosmic midnight thou
Hast brought me hither mine own power of will
To be my prop throughout my life on earth.

Luna:
The Guardian's warning followed thus my words:
‘Then shalt thou see thyself in other guise,
E'en in a picture of an olden time,
And know how strength for lofty spirit-flight
E'en from disaster may the soul's wings gain.
A soul may never wish itself to fall;
Yet, when it falls it must a lesson learn.’

Maria:
Whereto doth thy word's power now carry me?
A spirit-star on yonder shore of souls!
It gleams, it draweth nigh—in spirit-form;
Draws nigh with mine own self; and, as it nears,
The light grows denser and within the light
Forms darken, taking on their being's shape!
A youthful mystic, and a sacred flame,
The stern call of the highest hierophant
To tell the vision seen within the flame!
The group of mystics overcome with fear
At that young mystic's self-acknowledgment.

(The Guardian of the Threshold appears while the latter sentences are being uttered.)

The Guardian:
Hear once again within thy spirit-ear
The stern call of the highest hierophant.

Maria:
‘O human soul, read now what through the flame

(Benedictus appears.)

The cosmic word declares within thyself.’
Who spoke the words my thought brings back to me,
Recalling them from waters of the soul?

Benedictus:
With mine own words thou callest me to thee.
When in times past I uttered this command,
It did not find thee ready to respond.
And so it stayed in evolution's womb;
The course of time kath lent new force thereto
Which flowed therein from out thine own soul's life;
And so it wrought in later lives on earth
In thy soul's depth although thou knew'st it not.
It let thee find me as thy guide again;
By conscious thought it now transforms itself
Into a powerful motive in thy life.
‘This holy mystic rite, which we perform,
Hath not importance for ourselves alone;
Fate's stream of cosmic evolution pours
Through word and deed of sacred priestly rites.’

Maria:
Thou didst not speak this word within that place.
The hierophant did speak, who used to be
Thy colleague in that ancient mystic band.
He knew e'en then that powers of destiny
Foresaw the ending of this mystic band.
Unconsciously the hierophant beheld
The beauteous rising of the rosy dawn
Which to the spirit-stream of earth foretold
A new sun over Hellas should arise.
So he forbore to send the powerful thought
Which he should have directed to my soul.
The cosmic spirit's instrument was he
At that initiation, during which
He heard the whispering stream of cosmic life.
He spoke a word from out his inmost soul
‘One thing especially I deeply feel:
The solitude of this stern spirit-shrine.
Why do I feel so lonely in this place?’

Benedictus:
In his soul there was planted even then
The germ of solitude, which later on
Matured to soul-fruit in the womb of time.
This fruit Capesius as mystic now
Must taste, and so must follow Felix' steps.

Maria:
That woman, too, who near the temple stayed,
I see her as she was in olden time,
But not yet can my vision penetrate
To where she is; how can I find her then
When sense-life causeth me to dream again?

The Guardian:
Thou wilt discover her when thou dost see
That being in the realm of souls whom she
Doth count a shade amongst the other shades.
She seeks to reach it with strong power of soul.
She will not free it from the world of shades
Till in her present body, through thine aid,
She hath beheld her long past life on earth.

Maria:
Like some soul-star my highest guardian glides,
In glowing light toward my shore of souls;—
His light spreads peace, far round the wide flung space;—
His light hath grandeur;—and his dignity
Makes strong my being in its inmost depth;
In this peace will I now submerge myself;—
I feel before that through it I shall find
My way to fullest spirit-wakefulness.
And ye, too, messengers into my soul—
I'll keep within myself as beacon-lights.
Upon thee, Astrid, will I call when thought
Would from soul-clearness fain withdraw itself.
And thee, O Lima, may my prayer then find
When will-power slumbers deep in my soul depth.

The curtain falls while Maria, Astrid, and Luna are still in the room

The habits of thinking that have come to be accepted in the modern study of nature [Naturerkenntnis] can yield no satisfying results for the study of the soul. What one would grasp with these habits of thinking must either be spread out in repose before the soul or, if the object of knowledge is in movement, the soul must feel itself extricated from this movement. For to participate in the movement of the object of knowledge means to lose oneself in it, to transform oneself, so to speak, into it.

How should the soul grasp itself, however, in an act of knowing in which it must lose itself? It can expect self-knowledge only in an activity in which, step by step, it comes into possession of itself.

This can only be an activity that is creative. Here, however, a cause for uncertainty arises at once for the knower. He believes he will lapse into personal arbitrariness.

It is precisely this arbitrariness that he gives up in the knowledge of nature. He excludes himself and lets nature hold sway. He seeks certainty in a realm which his individual soul being does not reach. In seeking self-knowledge he cannot conduct himself in this way. He must take himself along wherever he seeks to know. He therefore can find no nature on his path to self-knowledge. For where she would encounter him, there he is no longer to be found.

This, however, provides just the experience that is needed with regard to the spirit. One cannot expect other than to find the spirit when, through one's own activity, nature, as it were, melts away; that is, when one experiences oneself ever more strongly in proportion to one's feeling this melting away.

If one fills the soul with something that afterward proves to be like a dream in its illusory character, and one experiences the illusory in its true nature, then one becomes stronger in one's own experience of self. In confronting a dream, one's thinking corrects the belief one has in the dream's reality while dreaming. Concerning the activity of fantasy, this correction is not needed because one did not have this belief. Concerning the meditative soul activity, to which one devotes oneself for spirit-knowledge, one cannot be satisfied with mere thought correction. One must correct by experiencing. One must first create the illusory thinking with one's activity and then extinguish it by a different, equally strong, activity.

In this act of extinguishing, another activity awakens, the spirit-knowing activity. For if the extinguishing is real, then the force for it must come from an entirely different direction than from nature. With the experienced illusion one has dispersed what nature can give; what inwardly arises during the dispersion is no longer nature.

With this activity something is needed that does not come into consideration in the study of nature: inner courage. With it one must take hold of what inwardly arises. In the study of nature one needs to hold nothing inwardly. One lets oneself be held by what is external. Inner courage is not needed here. One forgets it. This forgetting then causes anxiety when the spiritual is to enter the sphere of knowledge. Fear is felt because one might grope in a void if one no longer could hold onto nature.

This fear meets one at the threshold to spirit knowledge. And fear causes one to recoil from this knowledge. One now becomes creative in recoiling instead of in pressing forward. One does not allow the spirit to shape creative knowledge in oneself; one invents for oneself a sham logic for disputing the justification of spirit knowledge. Every possible sham reason is brought forward to spare one from acknowledging the spiritual, because one retreats trembling in fear of it.

Instead of spirit knowledge, then, there arises out of the creative force that which now appears in the soul when it draws back from nature, the enemy of spirit knowledge: first, as doubt concerning all knowledge that extends beyond nature; and then, as the fear grows, as an anti-logic that would banish all spirit knowledge to the realm of the fantastic.

Whoever has learned to move cognitively in the spirit often sees in the refutations of this knowledge its strongest evidence; for it becomes clear to him how in the soul, step by step, the refuter chokes down his fear of the spirit, and how in choking it he creates this sham logic. With such a refuter there is no point in arguing, for the fear befalling him arises in the subconscious. The consciousness tries to rescue itself from this fear. It feels at first that should this anxiety arise, it would inundate the whole inner experience with weakness. It is true, the soul cannot escape from this weakness, for one feels it rising up from within. If one ran away it would follow one everywhere. He who proceeds further in the knowledge of nature and, in his dedication to it feels obliged to preserve his own self, never escapes from this fear if he cannot acknowledge the spirit. Fear will accompany him, unless he is willing to give up the knowledge of nature along with spirit knowledge. He must somehow rid himself of this fear in his pursuit of the science of nature. In reality he cannot do so. The fear is produced in the subconscious during the study of nature. It continually attempts to rise up out of the subconscious into consciousness. Therefore one refutes in the thought world what one cannot remove from the reality of soul experience.

And this refutation is an illusory layer of thought covering the subconscious fear. The refuter has not found the courage to come to grips with the illusory, just as in the meditative life he has to obliterate illusion in order to attain spiritual reality. For this reason he interposes the false arguments of his refutation into that region of the life of the soul that now arises. They soothe his consciousness; he ceases to feel the fear that, all the same, remains in his subconscious.

The denial of the spiritual world is a desire to run away from one's own soul. This, however, represents an impossibility. One must remain with oneself. And because one may run away but not escape from oneself, one takes care that in running one loses sight of oneself. It is the same with the entire human being in the soul realm, however, as it is with the eye with a cataract. The eye can then no longer see. It is darkened within itself.

So, too, the denier of spirit knowledge darkens his soul. He causes its darkening through sham reasoning born of fear. He avoids healthy clarification of the soul; he creates for himself an unhealthy soul darkening. The denial of spirit knowledge has its origin in a cataract affliction of the soul.

Thus one is ultimately led to the inner spiritual strength of the soul when one is willing to see the justification of spirit knowledge. And the way to such a knowledge can be had only through the strengthening of the soul. The meditative activity, preparing the soul for spirit knowledge, is a gradual conquest of the soul's “fear of the void.” This void, however, is only a “void of nature,” in which the “fullness of the spirit” can manifest itself if one wishes to take hold of it. Nor does the soul enter this “fullness of the spirit” with the arbitrariness it has when acting through the body in natural life; the soul enters this fullness at the moment when the spirit reveals to the soul the creative will, before which the arbitrariness, existing only in natural life, dissolves in the same way as nature herself dissolves.

The purpose of the evening review is to turn the life of the past into lessons for the life of the future. Some say: yes, I do it every day. Self-examination is also a double-edged sword; it is fruitful only when it really detaches the higher self from [the lower]. People do not become strangers enough to themselves, worrying ...

This is not unjustified, theosophy does not say to become hard-hearted; but often we prevent something by worrying and worrying about past things, prevent doing better. The purpose of meditative work is to pull oneself out; during the day one can have sorrow and worry, during the review [one must reject them] as well as the everyday thoughts. It is good to make this day review from backward to forward. For man lives toward the future, and in truth the future is approaching, perfection is at the end. If we extend [the review] not to twelve hours, but to twenty-four hours, we will see that it is good. The dreams will be only confusedly conscious at first, but it is good that one extends one's memory, for thereby the sense of the astral is sharpened, and the consciousness becomes continuous. One learns to understand that the dream life has a higher reality. To man the astral appears in distorted images, because man is not able to see properly. Later comes the moment when during the dream man is fully conscious, and this leads to the continuity of consciousness, so that it becomes indifferent whether we are awake or dreaming. This is also the way in which the masters teach the occult disciples.

One should not care whether one is a valuable personality or not. As for the morning meditation, it is mainly a matter of having a completely sightless consciousness, so that this void is filled with spiritual content ... or scripture. Let's try to bring about this emptiness by imagining the absolute, dark and empty space that has no boundary. The state we have to invoke is just like when we are asleep. To exclude the senses and the memory is the art. Then we imagine the absolute empty and dark space, and then out of this blackest darkness we let rise: "aum mani padme hum" - then the formula and the elevation to the higher self. Again darkness - and then as on a wall the sentence.

Sitting down more often, when there is time and opportunity, and thinking of nothing at all is a good exercise. It is hard to resist the always angry thoughts. This even strengthens the physical organism. Very significant is to get free the brain with present astral body.

A strong reason why the astral body is egoistic is the thoughts; everyone surrounds himself with a shell that is astral. When the thoughts are taken away, this astral stuff dissolves again, and nothing is better than when an organism is left to itself. Man has such a harmonious heart, lungs and so on, because the higher formers have created on it and he could ruin little. One acquires also thereby a certain exercise to scare away thoughts.

With the concentration it is necessary that from it is sharply separated the thinking, the speculating about a [meditation] sentence. We must already be finished with it. Such a sentence comes from higher experience and always contains more than we know. Even the inspired one meditates on his own sentences. So firm is his belief that it is higher revelation.

Patience must be so long, even in failure, that the unconditional belief that things will get better one day does not waver. Not forcing things, not forcing, is necessary. Patience must be there in tremendous measure; it is it that comes over the occult student in the

Meditation must be poured out completely. It is through this that he becomes a disciple. As the plant does not skip a single one to get to the last, crowning one, so the disciple; never skip an intermediate link; detour where necessary; form is adapted to the cleft of the rock. Patience, constancy and steadfastness are the qualities of the divine nature that we have to develop. It is a matter of mind, not of success.

The devotional part then follows.

Phrases: Let us keep in mind the one that basically man is more perfect as a physical being than as astral and mental. Imperfection lies in the fact that man today is a tripartite being and still clumsy in the handling of what are the higher principles and in the free use of the lower principles. For he can never become happy if he abandons himself to the lower principles like the animal, which does not have its mental body on the same plan as its physical and astral. Animals can be trained, but man works through the animal again to the higher plan, which then works down. But only the one who moves freely on the mental plane, only an occultist, is allowed to do that.

Man must keep the balance between his mental and physical nature, oscillate back and forth between both. This is already expressed in the exterior. The animal is horizontal; the human being is imprinted with being torn out of the physical vitality. This uprightness of the head is conditioned by the balancing between the physical and the higher spiritual. Because it is so, the head of man as a sign of his intellectuality is the organ which is pushed in the middle ...

The animal head is only instinctive. In occult relation the human head is quite different from the animal one. With the animal completely ... With man a beginning; the stream is poured out into the animal and has found its end there - dead end. With man there is a new beginning; through all the openings of the head all the streams go on, so that man through his head is a bridge, a connecting link between the higher and lower nature.

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The animal eye looks out only to the sensed object; the human eye connects the mental image with the object, and thereby opens to the spirit; while the animal eye forms a cul-de-sac.

The main human openings are related to space by the seven planets, to time by the seven days of the week. The sacred line in the world, the lemniscate, is to be traced here; we recognize in this way the occult placement of man in the world-entirety.

Through the right eye passes the second principle, Budhi; through the left the third principle, Manas; through the right ear the mind soul; through the left the sentient soul; through the right nostril the etheric body; through the left nostril the astral body, Linga sharira. And on the top of the head, in the future, there will be an opening for the outpouring of Atman. Through the mouth flows the Word, which must always be thought through. Through the seven planets these main openings are placed in relationship to space.

The top opening on the head has a connection with Jupiter, the right eye is connected with Mercury, the right ear with Saturn, the right nostril with the Sun, the left nostril with the Moon, the left ear with Mars, the left eye with Venus. Through the seven days of the week they are connected with time. Here it is necessary to notice the Sacred Line of the World. It points us to the occult construction of man in the universe.

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Concentration is followed by a prayer part, which should consist of awe and reverence [toward] the great spirits who have penetrated deeply into the mysteries of nature and the universe and who are above ordinary human nature.

When the moon is waning, nothing new should enter into meditation.

Right Eye Second Principle, Budhi Mercury
Left eye Third principle, Manas Venus
Right ear mind soul Saturn
Left ear sentient soul Mars
Right nostril etheric body Sun
Left nostril astral body moon

A space not circumscribed by artificial walls but enclosed by intertwined plants like trees and structures which spread out and send shoots into the interior. Owing to natural phenomena the whole is moving violently and is sometimes filled with storm. The stage is divided into two groves, separated for a short distance by a row of trees. The grove on right of stage is red, that on the left is blue, the former is appropriated later by Lucifer and his Spirits, and the latter by Ahriman and his Spirits. The dance movements are set to music. Maria and Capesius are on the stage as the curtain rises; then Benedictus, Philia, Astrid, Luna, the Other Philia, Lucifer, Ahriman, and Creatures which move in a dancing fashion and which represent thoughts, lastly the Soul of Dame Balde.

Benedictus (only audible, not yet visible):
Within thy thinking, cosmic thoughts do live.

Capesius (in astral garb):
There echoes Benedictus' noble voice;
His words are ringing in the spirit here,
And are the same as in the book of life
Are written down to aid his pupils' work,
Which souls on earth find hard to understand
And which are even harder to fulfil.
What part of spirit-land is this, where sound
The words which serve to test the souls on Earth?

Maria:
Hast thou abode so long in spirit-land
In such a way that thou hast learned so much
And yet this region is unknown to thee?

Capesius:
What lives here in its own reality
Souls, versed in spirit-ways, can grasp with ease;
Each thing explains itself through something else.
The whole may stand revealed in light, when part
Seen by itself, may often still seem dark.
But when a spirit-essence doth unite
With earthly nature to create some work,
The soul begins to lose her grasp of things.
And not alone a part, but e'en the whole
Is oft concealed from her by darkness deep.
Why words which come in Benedictus' book
And which were written for men's souls on Earth,
Should echo here, within a place like this,
That is the problem which doth offer here.

Benedictus (still invisible):
Within thy feeling, cosmic forces play.

Capesius:
Again there come the words which on the Earth
Did Benedictus to his pupils trust;
And here in his own voice they echo forth.
They stream through all the limitless expanse
Of this great realm arousing darksome powers.

Maria:
I feel already what I must pass through
Within the boundless spaces of this realm;
And Benedictus' nearness draws me on.
In this place he will let me gaze on things
Incomprehensible to souls on Earth
The while they dwell in bodies bound by sense,
And e'en whilst serving spirit-pupilship.
So must the master bring them to this place
Where words do not depend on human speech,
But are imprinted on their souls by signs;
Here he transforms to speech world happenings—
A world-descriptive language for the soul.
I'll loose my inmost being from the Earth,
Condensing all my powers within my soul,
And so await whate'er may be revealed
To indicate my way through spirit-space.
And then when I return to life on Earth
'Twill be a thought which, when recalled will shine
As knowledge in mine inmost depth of soul.

Benedictus (appears from the background):
Win thou thyself in power of cosmic thought,
Lose thou thyself in life of cosmic force;
Thou shalt find earthly aims reflect themselves
Through thine own being in the cosmic light.

Capesius:
So Benedictus is in spirit here
And not his words are echoing.
Doth then the teacher bring the lore of earth
To vivify and work in spirit-realm?
But what can be the meaning here of words
Which he doth use on earth in other ways?

Benedictus:
Capesius, thou hast in thine earth-life
Entered within my circle, though in truth
Thou ne'er wart conscious of thy pupilship.

Capesius:
Capesius is not within this place;
And his soul will not hear him spoken of.

Benedictus:
'Thou wilt not feel thou art Capesius
But him in spirit thou shalt see and know.
For thee the powerful work of thought hath now
In thy soul-body oped the spirit-life.
So that thy soul-life could release itself
From thought's dream-play within thine earthly frame.
Too weak it felt itself to wander forth
From out world distances to depths of soul;
Too strong to gaze at lofty spirit-light
Through all the darkness that surrounds the Earth.
I must accompany each one who gains
The spirit-light from me in earthly life
Whether he knows, or Both not know, that he
Came as a spirit-pupil to myself.
And I must lead him further on those paths
Which he in spirit learned to tread through me.
Thou hast through thy soul-sight in cosmic space
Learned to draw nigh the spirit consciously
Since loosed from body thou canst follow it.
But, not yet freed from thought, thou canst not see
True being in the spirit-realm as yet.
Thy senses' body thou canst lay aside,
But not the fine corporeal web of thought.
Thou only canst perceive the world in truth
When nothing of thy personality
Remains to cloud the clearness of thy sight.
He only who hath learned to view his thoughts
As things outside himself, e'en as the seer
Beholds his earthy form released from him,
Can penetrate to spirit verities.
So look upon this picture that it may
Turn into knowledge through clairvoyant powers
Thoughts, whose true being is built up in space
To forms, which mirror forth the thoughts of men.

(A cheerful subdued light diffuses itself. Philia, Astrid, and Luna appear in glowing clouds.)

(Exeunt Capesius and Maria.)

Voices (which sound together, spoken by Philia, Astrid, and Luna.):
Let thoughts hover round
Like weaving of dreams
And build themselves in
To souls that are here;
Let will that creates
And feeling that stirs
And thought that doth work
The dreamer arouse—

(While this sounds, Lucifer approaches from one side, and Ahriman from the other. They go to their thrones raised on each side at the back of the stage, facing the audience; Lucifer on the right of the stage, Ahriman on the left.)

Lucifer (in a loud voice, emphasising every word):
Within thy will do cosmic beings work.

(On Lucifer's side, beings with golden hair, dressed in crimson and radiantly beautiful representing thoughts, begin to move. These carry out, in a dancing fashion, movements which represent the forms of thought corresponding to Lucifer's words.)

Ahriman (speaking in a loud, hoarse voice):
These cosmic beings do but puzzle thee.

(After these words Lucifer's group is still and the thought-beings on Ahriman's side move and carry out dancing movements which make forms corresponding to his words. They have grey hair and are clad in indigo blue, being square in build, and in appearance distinguished more by force than beauty. After this the movement from both groups is carried on together.)

Lucifer:
Within thy feeling cosmic forces play

(The thought-beings on Lucifer's side repeat their movements.)

Ahriman:
The cosmic forces are but mocking thee.

(The thought-beings on Ahriman's side repeat their movements, then again both together.)

Lucifer:
Within thy thinking cosmic thought doth live.

(Repetition of the movements in Lucifer's group.)

Ahriman:
The cosmic thought doth but bewilder thee.

(Repetition of the movement in Ahriman's group.)

(The movements of each group are then repeated four times separately and thrice together.)

(The thought-beings vanish left and right; Lucifer and Ahriman remain: Philia, Luna, and Astrid advance from the background, and speak together the words they spoke before with the following alteration.)

Philia, etc.:
Thoughts hovered around
Like weaving of dreams
And built themselves in
To souls that are here—
Then will that creates
And feeling that stirs
And thought that loth work
The dreamer aroused—

(Philia, Astrid, and Luna vanish. Enter Capesius in astral garb, and after he has spoken a few words Maria joins him, though at first he cannot see her.)

Capesius:
The soul lives out her life within herself:
Believes she thinks because she does not see
Thoughts all spread out in space in front of her—
Believes she feels, because the feelings show
No flash like lightning leaping from the clouds;
She sees this realm of space, and gazeth on
The clouds above her ...; and were this not so,
Supposing that the lightning were to flash,
And not an eye looked up above to see,
She needs must think the lightning was in her.
She sees not Lucifer, from whom the thoughts
Spring forth, from whom the feelings flow!
And thus she thinks she is alone with them.
Why doth delusion lead her captive thus?
O soul, give answer to thyself ... yet ... whence?
From out thyself? Ah, nay ... perhaps that, too,
Were answered ... not by thee ... but Lucifer. ...

Maria:
And if it were; why then shouldst thou not seek?
Go forth into the deep to find it there ...

Capesius:
A being here, who hears the speech of souls?

Maria:
Souls are not here divided each from each
As when within the body they are pent.
Here each soul hears itself in other's speech.
So dost thou only speak unto thyself
When I say: ‘Seek thine answer in the deep.’

Capesius (hesitatingly):
Ah, in the deep there threatens darksome ... fear.

Maria:
Yea truly, fear is there: but ask thyself,
As thou hast forced thy way within her realm
If she doth not reveal herself to thee.
Ask Lucifer, before whom thou dost stand
If on thy weakness he is pouring fear.

Lucifer:
Who flees from me will love me all the same.
Children of Earth have loved me from the first
And only think that hatred is my due.
So do they ever seek me in my deeds.
If I had not as ornament to life
Sent beauty to their souls, they would long since
Have pined away in truth's cold empty forms
Throughout the long dull progress of the Earth.
'Tis I who fill the artist's soul with power
And whatsoe'er of beauty men have seen
Hath had its prototype within my realm—
Now ask thyself, if thou shouldst fear me still.

Maria:
In these domains which Lucifer commands
Fear hath not verily her proper place.
From hence he must send forth into men's souls
Not fear, but wishes, as his gifts to men.
Fear comes from quite another realm of power.

Ahriman:
At birth I was the equal of the gods,
Who have curtailed my many ancient rights.
I wished in such a way to fashion men
For Lucifer, my brother, and his realm,
That each should bear his own world in himself.
For Lucifer in spirit worlds but seeks
To show himself as peer among his peers;
To others he but shows his form sublime;
He ne'er would seek imperious rulership.
I wished to give unto mankind such strength
That they might grow to equal Lucifer.
And had I stayed within the realm of gods
This too had been in primal days fulfilled.
The gods however willed to rule on Earth,
And from their kingdom they did one day thrust
My power into the depth of the abyss,
So that I might not make mankind too strong.
And thus 'tis only from this place I dare
Send out my powerful strength upon the Earth.
But in this way my power turns into Fear.

(As Ahriman finishes speaking, Benedictus appears.)

Capesius:
He who hath heard what both these two powers here
Spake from their places out into the worlds
May know from this where he can look and find
Both fear and hatred in their own domains.

Benedictus:
In cosmic speech thou shalt perceive thyself;
And feel thyself in cosmic power of thought.
And as thou now didst see outside thyself
What thou didst dream was all thine inmost self,
So find thyself, and shudder now no more
At that one word thou hast a right to use
To prove thine own existence to thyself—

Capesius:
So once more I belong to mine own self!—
Now will I seek myself, because I dare
To see myself in cosmic thought and live.

Benedictus:
And thou must add all this which thou hast won
To victories of old to give the world.

(Dame Balde in her ordinary dress appears in the background beside Benedictus.)

Dame Balde (in a meditative voice suitable for fairy tales):
Once on a time there lived a child of God
Who had affinity with those who weave
The thoughtful wisdom of the spirit-realms.
This child, brought up by truth's almighty Sire
Grew up within his realm to ancient strength.
And when his body, radiant with light,
Did feel his ripened will creative stir,
He often looked with pity on the Earth
Where souls of men were striving after truth.
Then to the Sire of truth the child would say:
‘The souls of men are thirsting for the drink
Which thou canst hand to them from out thy springs.’
With earnest speech the Sire of truth replied:
‘The springs, of which I am appointed guard,
Let light stream forth from out the spirit-suns;
Only such beings dare to drink the light
As need not thirst for air that they may breathe.
Therefore in light have I brought up a child
Who can feel pity for the souls on Earth
And manifest the light 'midst breathing men.
So turn and go unto mankind and bring
The light that's in their souls to meet my light
Enfilled with confidence and spirit-life.’
So then the shining light-child turned, and went
To souls who keep themselves alive by breath.
And many good men found he on the Earth,
Who offered him with joy their souls' abode.
These souls he turned to gaze with grateful love
Upon their Sire who dwells in springs of light.
And when the child heard from the lips of men
And joyous mind of men, the magic word
Of fantasy, he knew himself alive
Dwelling with gladness in the hearts of men.
But one sad day there came unto the child
A man who cast upon him chilling looks.
‘I turn the souls of men on earth toward
The Sire of truth who dwells in springs of light—’
Thus to the strange man did the light-child speak.
The man replied: ‘Thou dost but weave wild dreams
Into men's spirits, and deceiv'st their souls.’
And since the day which witnessed this event
The child who can bring light to breathing souls
Hath often suffered slander from mankind.

(Philia, Astrid, Luna, and the Other Philia appear in a cloud of light.)

Philia:
Now let every soul
That drinks of the light
Awake to full power
In cosmic expanse.

Astrid:
So too let the spirit
That knoweth no fear
Arise in full power
In cosmic domains.

Luna:
Let man who doth strive
To reach to the heights
In Beings' foundation.
Hold fast with full strength.

The Other Philia:
Let man struggle on
To him who bears light
And opens out worlds
Which quicken in men
The sense of delight.
This beauty so bright
Awakened in souls,
Inspired to admire,
The spirit leads on
To realms of the gods.
Achievement consoles
The feelings that dare
The threshold to tread,
Which strictly doth guard
'Gainst souls that feel fear.
And energy finds
A will that grows ripe
And fearless doth stand
'Fore powers that create
And fashion the worlds.

Curtain falls whilst Benedictus, Capesius, Maria, Dame Balde, Lucifer, and Ahriman, and the four Soul-forms, are still in their places

My dear brothers and sisters! Since the Christmas Conference an esoteric impulse goes through the entire Anthroposophical Society, and those members of the Anthroposophical Society who have recently taken part in the general members' lectures will have noticed just how this esoteric impulse flows through all that is worked on within the Anthroposophical Movement and through all that is still to be worked on.

This was a necessity, a necessity which above all has been given out of the spiritual world, from which certainly flow the revelations which should live in the Anthroposophical Movement. It was a necessity which arose out of the spiritual world.

With this, however, an imperative emerged, in particular out of the spiritual world, out of which the revelations flow which should live in the Anthroposophical movement. This emerged out of the spiritual world. This imperative was fashioned as a specific kernel for Anthroposophical esoteric life, to make a kernel for true esoteric living. Thereby the imperative was given in a certain measure to build a bridge over to the spiritual world itself.

The spiritual world in a certain sense revealed itself in having to fashion such a school. For an esoteric school cannot be made out of human caprice, or what people might call human idealism. Rather this Esoteric School must be the body of something flowing out of spiritual life itself, so that in all that happens in such a school, it presents itself as the external expression what happens from an activity specifically in the supersensible, in the spiritual world itself. In this fashion this esoteric school could not have been made without having surveyed the will, which frequently has been brought forth in members' lectures, the will which since the last third of the nineteenth century has actually been guiding human spiritual affairs, the Will of Michael.

This Michael Will is one of those forces which in the course of time has intervened out of the spiritual world in sequence ever and again in the cycles of human destiny. When we look back in time at evolution, we find that this same Michael Will, which we can also call the Michael Regency, was active in the spiritual affairs of humanity, in the great questions of civilization, before the Mystery of Golgotha during the time of Alexander. Then what had been brought forth in Greece through the Mysteries, both the underworld Chthonic and the celestial Mysteries, that this was to be carried abroad into Asia, carried abroad into Africa. Whenever and wherever the Will of Michael has dominion, a cosmopolitan spirit is always present. The differentiations among people on earth are overcome in an era of Michael.

After this deeply significant activity, linked with the spreading of Aristotelianism and of Alexandrianism, which was an activity of Michael, after this followed other activities linked with Oriphiel.¹ After the Oriphiel-linked activity came the Anael activity, the Zachariel activity, then the significant Raphael activity, then the Samael activity, then the Gabriel activity, which extended into the nineteenth century. Since the late seventies of the nineteenth century, we stand once again under the sign of Michael's regency. It is beginning, but the Michael-Impulses must flow in, and can certainly become clear to you, my brothers and sisters, through the general members' lectures, Michael-Impulses must flow in a conscious way into all genuine, rightfully constituted esoteric work.

And through all that is connected with the impulse of the Christmas Conference, through all that has been brought forth, is the possibility of this being the kernel of the Anthroposophical Movement’s forming an esoteric school to be seen as the esoteric school inspired and guided by Michael himself. Thereby it rightfully stands its ground in our time as a spiritual institution. And a person must feel, a person who would rightfully become a member of this school, that this must become a part of one’s life in deepest sincerity. And a person who would rightfully become a member of this school must feel not merely belonging to an earthly community, but also to a supersensible community, whose leader and guide is Michael himself. As a consequence, what is communicated here should not be taken as my word, but rather in so far as it is the content of the lesson it should be taken as that which Michael has to make known esoterically in this age to those who feel themselves belonging to him. Therefore, what these lessons contain will be the Michael communication for our era.

And thereby, since it is that, the Anthroposophical Movement will contain its specific spiritual vigor. To this end it is necessary that what may be called membership in this school will be acquired with utmost sincerity. It is still necessary, my dear brothers and sisters, fundamentally and deeply necessary, that in an ever more earnest way, it is necessary to point to the holy sincerity with which the school must be taken up.

Here within this school, it must be said once again, and ever and again, that in Anthroposophical circles much too little seriousness prevails for what actually flows through the Anthroposophical Movement, and, at least among the esoteric members of this esoteric school, a kernel of humanity will be drawn forth, which will gradually rise to the necessary earnest sincerity. Therefore, it is necessary that the leadership of this school really reserves to itself the responsibility to recognize only those as rightful, worthy members of the school who, in every detail of their lives, would be worthy representatives of Anthroposophical endeavors, and the decision as to whether or not that is the case must rest with the leadership of the school.

Do not see this, my dear brothers and sisters, as a limitation of freedom. The leadership of the school must have freedom and be free to recognize who belongs to this school and who does not, just as much as each of you will freely choose whether or not to belong to this school. But it must throughout be an idealistic spiritual freely-borne pact, so to speak, that will be made between the members of the school and the leadership. In no other way could the esoteric development be considered healthy, and especially in no other way worthy of the actuality of this esoteric school standing under the immediate impact of the potency of Michael himself.

The leadership of the school must, in the strictest sense of the word, manage what has just been said. That it does so may become evident to you, my dear friends, through what has taken place since the relatively brief existence of the school, that eighteen to twenty expulsions have occurred, because the earnest serious quality which is essential to the school was not adhered to.

Conscientious care of the mantric maxims, so that they do not fall into unauthorized hands, is the first obligation, but also to actually be a worthy representative of Anthroposophical affairs.

I need only mention a few facts in order to indicate how little, in actuality, the Anthroposophical Movement is grasped fully in earnest, how little earnestness penetrates the Anthroposophical Movement. I have mentioned this to some of you individually. It has happened that members of the school have reserved their seats here with the blue certificates which give them the right to be present in the school. It has happened in the Anthroposophical Society that whole piles of News Sheets, intended only for members, have been found in the tram running from Dornach to Basel. I could enlarge this list in the greatest variety of ways. Again and again, it happens that the most dumbfounding incidents occur as a result of the lack of seriousness. Even things which are taken seriously in everyday life, as soon as the same things practiced seriously in ordinary life are practiced within the Anthroposophical Movement, they are not taken seriously.

These are all matters which must be taken into account in relation to the firm structure which this school must have. Therefore, these things must be said, for if one fails to pay attention to these matters, one cannot worthily receive the revelations from the spiritual world which are given here in this school. At the close of each lesson attention is expressly drawn to the fact that the individuality of Michael himself is present while the revelations of the school are being given, and this is confirmed through the Sign and Seal of Michael.

All these things must live in the hearts of the members. Dignity, profound dignity, must prevail in everything, even to what connects one’s thoughts to the school. For in all of this there can live only what today an esoteric streaming through the world should carry. And all this is included in the responsibilities each individual has.

The mantric maxims written here on the board can only be possessed, in the strictest sense of the word, by those who have the right to participate in the school. If a member of the school is prevented on some occasion from taking part in the lessons in which mantric verses are given, another member who has received these verses in the school can communicate the verses. In every single case, however, for every single person to whom the verses are to be given, permission must be requested either from Frau Dr. Wegman or from myself. When permission has been given for one person it then remains in effect. But for every other person permission must again be requested from Frau Dr. Wegman or from me. This is not an administrative regulation, it is something which is demanded, in the strictest sense, by the rules of occult life. For it must be understood that every act of the school must remain connected with the school's leadership, and this begins with the fact that one requests permission if something is to occur which belongs to the sphere of responsibility of the school. Not the one who is to receive the mantras should request permission, but the one who transmits them, according to the procedures which I have just described. If someone writes down anything during the lesson, other than the mantric verses, something which has been said, that person is obligated to keep it only eight days and then to burn it.

All these things are not arbitrary regulations, but are connected with the occult fact that esoteric matters are only effective when they are encompassed by a certain attitude of heart and mind, which those who are recognized as responsible members of the school have. The mantras lose their effectiveness when they come into unauthorized hands. This rule is so firmly inscribed into the world's order that the following incident once occurred and a whole series of mantras became ineffective, which had been current within the Anthroposophical Movement.

It was possible for me to give to a number of people some mantric verses. I gave the mantras also to a certain person. This person had a friend who was clairvoyant to a certain degree. It then came about, as both friends were sleeping in the same room, that the clairvoyant friend, during the time that the other was merely repeating the mantra in his mind, the clairvoyant read it mentally and then misused it by giving it to others as coming from him. One first had to investigate the incident, which then brought to light why the mantras in question became ineffective for all those who possessed them.

You may not, therefore, my dear brothers and sisters, take these matters lightly, because the rules of esoteric life are strict, and no one who has committed such a mistake should excuse himself with the thought that he couldn't help himself. If someone lets a mantra pass through his head in thought, and someone else observes this clairvoyantly, the one who thinks the mantra certainly cannot do anything about this. But the events occur, nevertheless, according to an iron law of necessity.

I mention this incident in order that you may see how little arbitrariness is involved in these matters, and to show how in these matters there is contained what is read directly from the spiritual world, what corresponds with the habits and customs of the spiritual world. Nothing is arbitrary in what takes its course in a rightfully constituted esoteric school. And there should ray out from the esoteric school into the rest of the Anthroposophical Movement that earnest quality about which we have spoken. Only then will this school be for the Anthroposophical Movement what it should be. But it will be necessary to be honest with oneself, and acknowledge that one acts sometimes out of personal motives, and if so, one should not dress the matter up as if it were inspired by devotion to the Anthroposophical Movement. Naturally, I certainly don't intend to say that nothing should occur out of personal motives, for it is a matter of course that people today must be personal. But then it is necessary that in what is personal the truth must be acknowledged. For instance, if someone travels here to Dornach for personal pleasure, he or she should therefore admit this and not make out otherwise. There's nothing wrong with traveling to Dornach for personal pleasure! Indeed, it is, by the way, very good when one comes here. But one should admit the personal pleasure and not dress it up as pure devotion to spiritual life.

I mention this, but I might equally well have chosen a different example, which might be closer to reality, for it is, in fact, true that when most of our friends travel to Dornach, the readiness to sacrifice, the spirit of sacrifice, is indeed involved, and that in this particular example, the traveling to Dornach, in at least some degree, untruthfulness played a role. But I chose this example precisely because of the fact that it hits home least and is thus less hurtful. If I had chosen other examples, the basic quite calm mood of soul, a truly serene mood in the hearts and souls of all those who are sitting here, would have been less likely to rise to the occasion.

After this introduction I would like to start with the verse which is both the beginning and the end of what comes before you here as the declaration of Michael, which contains what is spoken to all human beings who have an unencumbered sense for it, by all things and beings in the world, if one listens to what is said with the soul. For everything that lives in the mineral, plant, and animal kingdoms, that sparkles down from the stars, that works into our soul from the realm of the hierarchies, from all that crawls on the earth worm-like, that moves living upon the earth, out of all that speaks in rock and spring, in forest and field and mountains and thunder and clouds and lightning, out of all this spoke to the open-minded human being in the past, speaks to him in the present, will speak in all futures:

O Man, know yourself!
So sounds the word of worlds
You hear it soul-forcefully,
You feel it spirit-powerfully.

Who speaks so world-mightily?
Who speaks so heart-inwardly?

Does it work streaming through space
Into your sense’s self-experiencing?
Does it sound weaving through time
Into your life's evolving stream?

Are you the one, who yourself
In sensing space, in experiencing time
Creates the word, feeling yourself
Estranged in space’s soul-emptiness,
As you lose the power of thinking
In time’s destroying stream?

The last lesson concluded, my dear brothers and sisters, following the final admonitions that the Guardian of the Threshold imparts before crossing the yawning abyss of being, with the Guardian of the Threshold having spoken weighty, human-heart-moving words:

Enter
The door is opened
You will become
A true human being

Weighty, portentous, significant experiences have entered our hearts, through all that the Guardian of the Threshold has spoken at Michael's behest. All that he has spoken was spoken in order to prepare us for the demeanor which we must have, when after the door is opened, we cross over the yawning abyss of existence, where one does not go by walking with earthly feet, where one only goes by flying with the soul, when the soul out of a spiritual attitude, out of spiritual love, out of spiritual feeling grows wings.

So now, my dear brothers and sisters, will be described what the human being experiences when he stands beyond the yawning abyss of existence. The Guardian of the Threshold instructs, “Turn around and look back! Until now you have looked toward what appeared to you a black, night-bedecked darkness, concerning which you had to surmise that it will become bright and will illumine the source of your own self. I allowed it, on the occasion of the last admonitions, so says the Guardian of the Threshold, I allowed it to grow brighter, at first very gently. First you feel light dawning around you. But turn around, look back!”

As one who has crossed the yawning abyss of being now turns around and looks back, he beholds his person of earth, what he is during physical incarnation, over there in that part of existence which he has left, that now lies yonder in the province of the earth. He beholds his own person of earth over there. He has entered and embodies himself with his spirit-soul being in spirit existence. The earthly sheath, the earthly formation, now stands over yonder. It stands yonder in that region in which we were at first with our entire human being, where we have seen all that crawls below and flies above, where we have seen the sparkling stars, the warm sun, where we have seen what lives in wind and weather, and where we have stood, knowing that in all of this, despite all that is so majestic that rays out and gives light in the sun, despite all its beauty and greatness, there in the field of sense-existence, where we have stood and said to ourselves that our own human being's essence is not within it, that you must seek beyond the yawning abyss of existence, in what from the other, from the sense-bound side appears to you as black, night-bedecked darkness.

The Guardian of the Threshold has shown us in the three beasts what we actually are. Now there is described how, within the darkness which is growing bright, which is beginning to lighten up, we should begin by looking back on what we are as human beings in the sense-world, together with what was formerly our only world in sense-bound earth existence.

Now the Guardian of the Threshold points in a very definite way to the one who stands over there as the earth-person, who is ourself, in earth existence, that being to whom we must return again and again, into whom we must penetrate over and over again when we step forth from the spiritual world and enter into the duties of our work on earth, when we return to earth existence. For we may not become dreamers and light-headed enthusiasts. We must return, in every respect, to earthly life and obligations. For this reason, the Guardian of the Threshold directs us to look on the person who stands over yonder, who we ourselves are, in such a way that he makes us attentive, at first, to who and what this person is. [An outline of the human form was drawn on the blackboard.] The human being is aware that he perceives the outer world through the senses [the eye is drawn] which are localized, primarily, in the head and that he perceives his thinking through the activity of his head.

But the Guardian of the Threshold now remarks, “Look inside this head.” It is as if you look into a dark cell, for you do not see the light which is working within it. But the truth is that what you carried within you as thinking over there in the sense world is the mere appearance of reality, is mere picture-images, not much more than mirror-pictures.

The Guardian of the Threshold admonishes us to be very conscious of this fact, but also to be conscious of the fact that what lives in earthly thinking only as appearance, as we learned in earlier lessons, is the corpse of living thinking, in which we lived in the spiritual-soul world before we descended into this earth-existence. In that existence thinking was alive. Now, thinking rests as dead thinking, as the semblance of thinking, in the coffin of our body. All thinking which we make use of in the sense world is dead thinking. It was alive before we descended to earth.

What did this thinking make? It first made all that, which within the top of the body, within the head, within this dark cell, so it shows itself for sensory appearance, all that is light-making being.² The brain, which sits there inside as the supporting pillar of thinking, has been made out of living thinking. [The interior of the head, yellow, was drawn on the blackboard.] And living thinking it is that first makes the supporting pillar for our semblance of thinking on earth.

Look at the convolutions of the brain, look at all you bear within you in the dark cell of the head, which makes earthly thinking possible for you, my brothers and sisters. Look behind that thinking, which is only appearance in the cabinet of the head, and you will then discover how into what here above is felt as thinking [drawing, red arrows] there streams the force of willing, there pours up into thinking the force of willing, so that each thought is irradiated by will. It can be felt how the will flows into thinking.

We look back thus from beyond the threshold and see how that other human being, who we ourselves are, has streaming out of the body into the head the willing’s undulations, willing at work, and eventually, if we follow it back in time, traveling as far as our former incarnations on earth, at work over here from past worlds into the present incarnation are thought-undulations which build our head, finally passing over into the appearance of thinking here in this incarnation.

Therefore, we should be stout and strong,³ the Guardian of the Threshold says to us, and imagine the dead thinking thrown out into world-nothingness, for it is mere appearance. And the willing which arises there we should regard as that which from former earth-incarnations crosses over to dwell and move and work and make⁴ us finally into a thinker. There, within [see drawing, yellow] are the formative world-thoughts.⁵ These formative world-thoughts first take effect, that we can have intrinsically human thoughts.

Therefore, the first word of the Guardian of the Threshold after he has allowed us to cross the threshold, after he has informed us that the door is opened, that we can become a true human being, therefore the first word which he there speaks is:

Look behind thinking's sensory light,
How in the darkened spirit-cell
Willing ascends from bodily depths;
Through the strength of your soul
Let dead thinking flow into worldly void;
And willing, it shall arise
As world-thought-creating.

The first words that we hear over there, as we look back upon the form, the gestalt which we ourselves are, which stands here before our soul's gaze, which we direct back from over there: [The heading and the first verse with the underlined words were written on the blackboard.]

The Guardian is heard in the gradually brightening darkness:

Look behind thinking's sensory light,
How in the darkened spirit-cell
Willing ascends from bodily depths;
Through the strength of your soul
Let dead thinking flow into worldly void;
And willing, it shall arise
As world-thought-creating.

Then the Guardian of the Threshold adds to this, and one must exert oneself in order to hear it. Just imagine yourself looking back at what you yourself are, who stands over yonder, then turn again and look into the darkness and try with all possible inner imaginative force of memory, as when you retain an after-image, a physical after-image held in your eye, try with maximum force to sketch there something like a kind of gray outline form of what you have seen over yonder, but avoid making a sketch of anything else other than a gray outline. [Drawing continued.]

There then appears, if one succeeds in seeing this gray outline-figure, there

appears behind this gray outline the image of the moon [the sickle moon is drawn, yellow] with the gray silhouette in front of it.

If one is now able to maintain inner quiet, one sees in the distance the moon. The gray silhouette becomes something that is both over there and at the same time arises within one. If we practice in this way, again and again, we feel approaching the spirit-form of the head, which one has yonder, not the physical form, but the spirit-form of the head, which we have over there, then will the person feel coming toward him what karma brings him from former incarnations on earth [yellow arrow to the right of the sickle moon].

Therefore, in meditating, you should meditate on the image I have drawn here in gold, the sickle moon with this arrow. Let the mantra run, let it play out, then bring up the image as a reminder for what can gradually lead one to become familiar with what emerges in force from prior lives on earth.

As a second step the Guardian of the Threshold instructs with a more forceful gesture, pointing to what lives as feeling in the person over there, who we ourselves are, and he admonishes us to correctly see this feeling as a dream dawning. And in the act, we will see feeling, which in spite of this person over there is made much more real than is thinking, for thinking is appearance, yet feeling is half real. However, we see the feeling of the day-person unfolding in dream pictures that are louder, purer, and we learn to know through the observation, that feeling as seen from the spirit, and in the spirit, is dreaming.

But what kind of dreaming is feeling? In this feeling the person dreams not alone the individual person, but therein dreams the whole surrounding world-consciousness.⁶ Our thinking is ours alone, therefore it is also only appearance. Our feeling is something in which the world to some extent lives. World-consciousness is within it.

Now we must look to acquiring the greatest possible restfulness of heart, which the Guardian admonishes us to do. If we acquire the greatest possible restfulness of heart, so that we can extinguish what moves and lives as feeling in dream pictures, just as dreaming is extinguished in deep sleep, then we come upon the truth of feeling and can see personal feeling interwoven with world living that is present in spirit around us. And then the true spirit-person appears to us, which lives and moves in the body, initially in its half-existence. Emerging from the sleeping feeling appears to us the person. We feel ourselves over there on the other side of the Threshold in this way, on the other side of the yawning abyss of existence in our essence as a human being, since feeling has fallen asleep and world-creative might has appeared around us, might that lives in feeling. Therefore, the Guardian admonishes us:

Look into feeling's wafting of soul,
How in the diminishment of dreams
Living streams from world afar;
Through calm of heart in sleep
Let human feeling waft away;
And world living shall come alive
As human-being's-power.

[The second stanza was written on the board and compared with the first.]

Look into

Here [in the first verse] it was behind, here it is into [into was underlined]. Every word is significant in mantric verses.

feeling’s wafting of soul,

Here it is thinking, here feeling, here sensory-light, here wafting of soul. Wafting is much more real than light’s appearance.

[In the second verse feeling's was underlined but not wafting of soul.]

How in the diminishment of dreams
Living streams from world afar;

Here it says Willing ascends from bodily depths, and here Living streams from world afar.

[In the second verse Living was underlined.]

Through calm of heart in sleep
Let human feeling waft away;

It progresses. Here [in the first verse] there is let flow through the strength of your soul. Here [in the second verse] one must let human feeling waft away. [waft away was underlined.]

And world living shall come alive

There [in the first verse] it was willing, which is still within the person. Here

As human-being's-power.

The progression is in contrast to world-thought-creating. [In the second verse human being's power was underlined.]

The Guardian of the Threshold instructs us to look back once again on the form, the gestalt that stands over there, the one we ourselves are in earth existence, and once again we should take up the gray image, but now take it up in such a way that we retain it, after having turned away from ourselves, and in our soul-life we turn it in a circle, so that it persists as we turn it. We shall find that when we rotate the image in this way in a circle, the sun appears, in its appearance behind the silhouette turning in the circle. [drawing, red]. In this experience we become aware how in the moment we are drawn out of spiritual worlds into physical earth consciousness, our etheric body has drawn itself together out of the world ether. Therefore, just as the previous picture belongs to the first verse [The drawing of the gray silhouette and the first verse were numbered 1.], we should add this picture to the second verse [The red drawing of the rotating image and the second verse were numbered 2.].

Then the Guardian of the Threshold directs us to our willing, that acts in our limbs. He sternly makes us aware that everything connected with the will is sleeping in us when we are awake. For just as the thought works downward, as I explained last time and therefore may say today, just as the thought warms downward into the limb’s movement, just so willing emerges, which becomes clear in spiritual discernment, in spiritual observation. This is hidden from ordinary consciousness just as life is hidden in sleep. Now we are to look, and from the start, to behold willing within our limbs sunk in deep sleep. There willing sleeps. The limbs sleep. This we should have as a firm thought in mind. For then, when we have this, we are able to realize how thinking, that is the origin of willing in earthly man, sinks down into the limbs. Then it becomes light in the human being. Willing becomes bright. It wakes up. When we first see it in its sleeping condition, we find that it awakens when thinking sinks downward and light streams upward from below, light which is indeed none other than the forces of gravity. Feel in your legs, feel in your arms the force of gravity when you just let everything hang down. That is what streams upward, what unites itself with the downward streaming thinking. We see human willing transforming itself into its reality and thinking appearing as what, in a mysterious, magical way ignites the will in man. This is, in actuality, the magical activity, the magical effect of thinking, which the will carries out. There is magic. This we now realize. The Guardian of the Threshold says:

Look over willing's bodily-working

in the surrounding aura

How in sleeping fields of work
Thinking descends from forces of head;
Through soul-viewing brought to light
Let human willing be transformed;
And thinking, it shall appear
As willing’s-magical-essence.

[This third verse, with certain words underlined, was now written on the board.]

Look over willing's bodily-working
How in sleeping fields of work
Thinking descends from forces of head;
Through soul-viewing brought to light
Let human willing be transformed;
And thinking, it shall appear
As willing’s-magical-essence.

To that, imagine the Guardian of the Threshold again beckoning us to look down at what is over there, who we ourselves are, to retain an image, but this time not to turn round but rather to allow this image to sink into the earth beneath the form that stands there. We look over there. There stands over there, who we ourselves are. We form the image for ourselves and form within us the powerful force to look downward, as though a lake were there and we would see this image by looking down and under, so that we see it now as if within the earth, but not as a reflected image, but as an upright picture.

We imagine the earth, [The arc was drawn.] with the third verse. [This drawing and the third verse were numbered 3.] We imagine the earth, how its gravity-forces ascend, how the gravity-forces shine into the limbs, feet, and arms [arrows]. In what we perceive later we have a foreshadowing of how the gods work together with human beings between death and a new birth, in order to fulfill karma.

It is this about which the Guardian of the Threshold admonishes us, when he speaks to us for the first time after we have crossed the yawning abyss of existence:

Look behind thinking's sensory light,
How in the darkened spirit-cell
Willing ascends from bodily depths;
Through the strength of your soul
Let dead thinking flow into worldly void;
And willing, it shall arise
As world-thought-creating.

Look into feeling's wafting of soul,
How in the diminishment of dreams
Living streams from world afar;
Through calm of heart in sleep
Let human feeling waft away;
And world living shall come alive
As human-being's-power.

Look over willing's bodily working,
How in sleeping fields of work
Thinking descends from forces of head;
Through soul-viewing brought to light
Let human willing be transformed;
And thinking, it shall appear
As willing’s-magical-essence.

Always, the circle closes. Again, we look back upon the point from which we set out, hearing out of all beings and all processes of the world:

O Man, know yourself!
So sounds the word of worlds
You hear it soul-forcefully,
You feel it spirit-powerfully.

Who speaks so world-mightily?
Who speaks so heart-inwardly?

Does it work streaming through space
Into your sense’s self-experiencing?
Does it sound weaving through time
Into your life's evolving stream?

Are you the one, who yourself
In sensing space, in experiencing time
Creates the word, feeling yourself
Estranged in space’s soul-emptiness,
As you lose the power of thinking
In time’s destroying stream?

With his communication, Michael is present in this rightly constituted school. His presence is confirmed by his sign, which should have dominion over all that will be given in this school [The Michael sign was drawn on the blackboard.], and it is confirmed through his seal which he has impressed upon the esoteric striving of the Rosicrucian School, which lives symbolically in the threefold maxim Ex Deo Nascimur, In Christo Morimur, Per Spiritum Sanctum Reviviscimus. And as Michael impresses his seal, the first sentence is spoken in this gesture [The lower seal gesture was drawn on the blackboard.], the second sentence in this gesture [The middle seal gesture was drawn on the blackboard.], and the third sentence in this gesture [The upper seal gesture was drawn on the blackboard.].

The first gesture signifies [Beside the lower seal gesture was written:]

I honor the Father.

It lives silently while we speak the Ex Deo Nascimur. The second gesture signifies [Beside the middle seal gesture was written:]

I love the Son

It lives silently while we speak the In Christo Morimur. The third gesture signifies [beside the upper seal gesture was written:]

I unite with the Spirit

It lives silently in the sign, that there is Michael's Seal, as we speak the Per Spiritum Sanctum Reviviscimus.

And so is confirmed today’s Michael proclamation substance through the Sign and Seal of Michael. [The Michael sign was made and with the three seal gestures was spoken:] Ex Deo Nascimur, In Christo Morimur, Per Spiritum Sanctum Reviviscimus.

I have to announce that the course for theologians will take place tomorrow at 10:45. The speech formation and dramatic course at 12 o'clock. In the afternoon at 5 there will be a eurythmy presentation, and at 8 o'clock in the evening, or, if the eurythmy finishes late, at 8:15 or 8:30, the members' lecture.

The Guardian is heard in the gradually brightening darkness:

Look behind thinking's sensory light
How in the darkened spirit cell
Willing ascends from bodily depths;
Through the strength of your soul
Let dead thinking flow into worldly void;
And willing, it shall arise
As world-thought-creating.

Look into feeling's wafting of soul
How in the diminishment of dreams
Living streams from world afar;
Through calm of heart in sleep
Let human feeling waft away;
And world living shall come alive
As human-being's-power.

Look over willing's bodily working,
How into sleeping fields of work
Thinking descends from forces of head;
Through soul-viewing brought to light
Let human willing be transformed;
And thinking, it shall appear
As willing’s-magical-essence.

Ex Deo Nascimur
In Christo Morimur
Per Spiritum Sanctum Reviviscimus
I honor the Father
I love the Son
I unite with the Spirit

• 1. In a notebook of Rudolf Steiner, dated August 18, 1924, under morning lecture, Torquay, appears an entry about the different epochs: 1979–1510 Gabriel (Moon), 1510–1190 Samael (Mars), 1190–850 Raphael (Mercury), 850–500 Zachariel (Jupiter), 500–150 Anael (Venus), 150–200 Oriphiel (Saturn).
• 2. lichtschaffendes Wesen
• 3. stark
• 4. herüberwellt und webt und wirkt und macht
• 5. schaffenden Weltgedanken
• 6. Weltendasein

In my last lecture I tried to show how it is due to misunderstandings if there is so little understanding between those who direct their research and attention to the soul and its processes and those who direct their attention to the material processes in the human organism, which proceed — well, as one will call it — as accompanying phenomena or also, as materialism maintains, as necessary causes for the psychic events. And I tried to show what the reasons for such misunderstandings are. Today I would like to draw attention to the fact that wherever real, true knowledge is sought, such misunderstandings, and also misunderstandings in a different direction, must necessarily arise if one does not take into account in the process of knowledge itself, which, in the course of more intimate, especially longer research, imposes itself more and more on the spiritual researcher as a direct experience, as an inner experience. It is something that at first seems very strange when it is expressed: In the field of world-views, that is to say in the field of knowledge of the spiritual-real or in general the knowledge of the sources of existence, if one, I might say, is too entangled in certain conceptions, in certain concepts, then one must of necessity enter upon such a view of the human soul that can absolutely be refuted, and just as well be proved.

Therefore, the spiritual researcher will increasingly deviate from what is otherwise customary in matters of world view, namely, to present this or that in support of one or the other view, which would be similar to what is called proof or even refutation in ordinary life. For in this field, as I said, everything can be proved with certain reasons, everything can be refuted with certain reasons. Materialism can be rigorously proven in its entirety, and it can be rigorously proven when it engages in individual questions of life or existence. And one will not be able to simply knock out of the field that which a materialist can cite in support of his views, if one simply wants to refute his view from opposite points of view. It is the same for someone who represents a spiritual existence. Therefore, anyone who really wants to research spiritual matters must not only know the arguments in favor of a particular worldview, but must also know all the arguments against it. For the remarkable result emerges that the actual truth only emerges when one allows what speaks for a matter and what speaks against a matter to take effect on the soul. And anyone who allows his mind to be fixed, I might say, on any web of concepts or images of a one-sided world view will always close his mind to the fact that the opposite can also assert itself in the soul, that the opposite must even appear right to a certain degree. And so he will be in a situation, like someone who wanted to claim that human life could only be sustained by inhalation. Inhalation presupposes exhalation; the two belong together. But this is always the case with our concepts and ideas that relate to questions of world view. We can put forward a concept that affirms something, we can put forward a concept that denies it; the one demands the other, like inhalation demands exhalation, and vice versa. And just as real life can only appear, can only reveal itself through exhalation and inhalation, when both are present, so can the spiritual only come to life in the soul when one is able to respond in an equally positive way to both the pros and cons of a matter. The affirmative concept, the affirmative idea, is within the living whole of the soul, so to speak, like an exhalation; the negative concept, like an inhalation; and it is only in their living interaction that that which relates to spiritual reality is revealed. Therefore, it is not at all appropriate for spiritual science to apply the usual methods that one is so accustomed to in everyday literature, where this or that is proved or refuted. The spiritual scientist realizes that what is presented in a positive way can always have a certain justification when it relates to questions of world view, but so can the opposite phenomenon. But when one advances in matters of world-conception to that direct life which lives in positive and negative concepts, just as physical life lives in inhalation and exhalation, then one comes to concepts which really take in the spirit directly, to concepts which are equal to reality. One must then, however, often express oneself differently than one expresses oneself according to the habits of thinking in ordinary life. But the way in which one expresses oneself arises out of the living, active inner experiencing of the spirit. And the spirit can only be inwardly experienced, not outwardly perceived in the way of material existence.

Now you know that one of the most important questions of our world view, and one that was also treated in the first lectures I gave here this winter, is the question of substance, of matter. And I would like to touch on this question today from the point of view I have just hinted at, as an introduction.

We cannot come to terms with the question of substance or matter if we keep trying to form ideas or concepts of what matter actually is; if we want to understand, in other words, what matter is. Anyone who has really wrestled with such questions, which are remote for many people, knows what such questions are all about. For if he has wrestled with it for a time, without yielding to any prejudice, then he comes to a completely different point of view regarding such a question. He comes to a point of view that makes him consider more important the way one behaves in one's soul when forming such a concept as that of matter. This wrestling of the soul itself is raised into consciousness. And then one arrives at a view precisely on these riddle-questions, which I could express in the following way.

He who wants to understand matter, substance, in the way it is usually understood, is like a person who says: I now want to get an impression of darkness, of a dark room. What does he do? He lights a light and regards this as the right method to get the impression of the dark room. It is, in fact, the most absurd thing one could do. And it is equally absurd — but one must become aware of this through a marked struggle — to believe that one will ever be able to cognize matter by setting the spirit in motion to illuminate matter with the spirit, as it were. Only where the spirit can be silent in our body itself, in the sensation of the senses, where the life of representation ends, only there does an external process penetrate into our inner being. There we can - by letting the spirit be silent and experiencing this silence of the spirit - have matter, substance, truly represented in our soul, so to speak.

One does not arrive at such concepts through ordinary logic; or if one does arrive at them through ordinary logic, then they turn out, I might say, to be much too thin to evoke real conviction. Only when one wrestles in the indicated way in one's soul with certain concepts, then they lead one to such a result as I have indicated.

Now the opposite is also the case. Let us assume that someone wants to grasp the spirit. If he seeks it, for example, in the purely external material form of the human body, he is like someone who, in order to grasp the light, extinguishes it. For the secret of the matter is that the external sensual nature itself is the refutation of the spirit, the extinguishing of the spirit. It reproduces the spirit just as illuminated objects reflect light. But nowhere can we, if we do not grasp the spirit in living activity, ever find it from any material processes. For that is precisely the essence of material processes: that the spirit has transformed itself into them, that the spirit has been transformed into them. And if we then try to recognize the spirit from them, then we misunderstand ourselves.

I wanted to say this by way of introduction so that more and more clarity can come about what the cognitive attitude of the spiritual researcher actually is, and how the spiritual researcher needs a certain breadth and mobility of the life of ideas in order to penetrate the things that are to be penetrated. With such concepts it is then possible to illuminate the important questions, which I also touched on last time here, and which I will only briefly mention in order to move on to our considerations today.

I said: As things have developed in the newer formation of the spirit, a one-sided view of the relationship between the soul-spiritual and the bodily-physical has increasingly come about, which is expressed by the fact that today the soul-spiritual is actually only sought within that part of the human body that lies in the nervous system or in the brain. In a sense, the soul-spiritual is assigned to the brain and nervous system alone, and one regards the rest of the organism more or less as an adjunct to the brain and nervous system when speaking of the soul-spiritual. Now I have tried to explain the results of spiritual research in this field by pointing out that one can only arrive at a true understanding of the relationship between the human soul and the human body if one places the whole human soul in relation to the whole physical body. But then it becomes clear that there is a deeper background to the structure of the human soul as a whole, into the actual life of perception, into the life of feeling and into the life of will. For only the actual life of perception of the soul is bound to the nervous organism in the way that modern physiological psychology assumes. On the other hand, the life of feeling — and here I must make it clear that I do not speak of it as it is presented to us, but as it arises — is related to the breathing organism of the human being, to everything that is breathing and is connected with breathing, in the same way as the life of presentation is related to the nervous system. So we must allot to the breathing organism the life of feeling of the soul. Then further: that which we call the life of will is in an equal relationship to that which we must call metabolism in the body; naturally right down into its finest ramifications. And by taking into account the fact that the individual systems in the organism are intertwined — metabolism naturally also takes place in the nerves —, I would like to say that at these outermost ends things interpenetrate. But a true understanding is only possible if we look at things in this way, if we know that the impulses of will can be attributed to metabolic processes in the same way as imaginative experiences can be attributed to processes in the human nervous system or in the brain.

Of course, such things can only be hinted at at first. And for the very reason that they can only be hinted at, objections are possible over and over again. But I do know one thing for certain: if we approach the subject with the whole range of anatomical and physiological research, that is, if we consider everything that anatomical and physiological research is, then there will be complete harmony between the spiritual scientific assertions I have made and the natural scientific assertions. On a superficial examination — let me just put forward the objection as a particularly characteristic one — objections can, of course, be raised against such a comprehensive truth. Someone might say: Let us first agree that certain feelings are connected with the respiratory organism; for the fact that this can be shown very plausibly for certain feelings cannot actually be doubted by anyone. But someone might say: Yes, but what about the fact that we perceive melodies, for example, that melodies arise in our consciousness? The feeling of aesthetic pleasure is connected with melodies. Can we speak here of some kind of relationship between the respiratory organism and that which quite obviously arises in the head and which, according to physiological findings, is so clearly connected with the nervous organism? As soon as we look at the matter properly, the correctness of my assertion immediately becomes completely clear. Namely, one must then take into consideration that with every exhalation an important process in the brain occurs in parallel: that the brain would rise during exhalation if it were not held down by the skullcap – breathing propagates into the brain – and vice versa; during inhalation the brain sinks. And since it cannot rise and fall because the skullcap is there, what is known to physiology occurs: the change in the blood flow occurs, what is known to physiology as brain breathing takes place, that is, certain processes that occur in parallel with the breathing process in the nerve environment. And in this encounter of the breathing process with what lives in us as sounds through our ear, what happens is that feeling is also connected to the respiratory organism in this area in the same way as the mere life of thinking is connected to the nervous organism.

I will only hint at this because it is something particularly remote and therefore provides a close objection. If one could agree with someone on all the details of the physiological results, no such details would contradict what was presented here last time and what has been presented again today.

Now it is my task to continue our discussion in a similar way to the last lecture. And for that I must go into a little more detail about the way in which the human being develops sensory perception in order to show what the actual relationship is between the sensory perception that leads to representations and the life of feeling and will, and indeed the life of the human being as soul, as body and as spirit.

Through our sensory life, we come into contact with our sensory environment. Within this sensory environment, natural science distinguishes certain substances, or, to be more precise, forms of substance, for it is these that are important here. If I wanted to speak in terms of physics, I would have to say aggregate states: solid, liquid, gaseous. But now, as you all know, physical and scientific research adds something else to these material forms. When science wants to explain light, it is not satisfied with just accepting the material forms that I have just mentioned. Instead, it reaches for what appears to it to be more subtle than these types of matter; it reaches for what is usually called ether. The concept of ether is, of course, an extraordinarily difficult one, and it can be said that the various thoughts that have been formed about what should be said about ether are conceivably diverse and manifold. Naturally, all these details cannot be discussed here. It should only be noted that natural science feels compelled to establish the concept of ether, that is, to think of the world not only as filled with the denser substances that can be perceived directly by the senses, but as filled with ether. The characteristic feature is that natural science cannot use its methods to determine what ether actually is. This is because natural science always needs material foundations for its actual work. But the ether itself always eludes material foundations, so to speak. It appears in connection with material processes, it causes material processes; but it cannot be grasped, so to speak, by the means that are tied to the material foundations. Therefore, a peculiar concept of ether has emerged, especially in recent times, which is actually extraordinarily interesting. The concept of ether that can be found among physicists today tends to say: ether must be that which, whatever else it may be, in any case has none of the properties that ordinary matter has. Thus, natural science points beyond its own material foundations by saying of the ether that it has what it cannot find with its methods. Natural science comes precisely to the assumption of an ether, but not to filling this ether concept with any content with its methods.

Now, spiritual research yields the following. Natural science starts from the material basis, spiritual research starts from the basis of soul and spirit. The spiritual researcher, if he does not arbitrarily stop at a certain boundary, is driven to the concept of ether in the same way as the natural scientist, only from the other side. The spiritual researcher attempts to include in his knowledge that which is active and effective within the soul. If he were to stop at what he can experience inwardly in ordinary soul life, then in this field he would not even go as far as the natural scientist who accepts the concept of ether. For the natural scientist at least formulates the concept of ether and accepts it. The student of the soul who does not arrive at a concept of ether on his own initiative is like a natural scientist who says: What do I care about what else is alive there! I assume the three basic forms: solid, liquid, gaseous bodies; I do not concern myself with what is supposed to be even thinner. This is indeed how the science of the soul usually proceeds.

But not everyone who has worked in the field of soul research does it this way; and particularly within that extraordinarily significant scientific development, which is based on German idealism that became established in the first third of the nineteenth century, — not in this idealism itself, but in what then developed out of it —, we find attempts to approach the ether concept from the other side, from the spiritual-soul side, just as natural science ascends from the material side to the ether. And if you really want to have the ether concept, you have to approach it from two sides. Otherwise you will not be able to come to terms with it. Now, the interesting thing is that the great German philosophical idealists, Fichte, Schelling and Hegel, despite their insistent thinking and conceptualizing, which I have often characterized here, still did not have the ether concept. They could not, so to speak, strengthen their inner soul life, could not so energize it that the ether concept would have presented itself to them. On the other hand, in those who allowed themselves to be fertilized by this idealism, who, so to speak, allowed the thoughts that were generated at that time to continue to work in their souls, although they were not as great geniuses as their idealist predecessors, this ether concept arose out of this soul research. We find this concept of ether first in Immanuel Hermann Fichte, the son of the great Johann Gottlieb Fichte, who was also a disciple of his father, in that he allowed what Johann Gottlieb Fichte and his successors, Schelling and Hegel, had done in their souls to continue to work within him. But by condensing it, as it were, to greater inner effectiveness, he came to say to himself: When one looks at the soul-spiritual life, when one, I might say, measures it on all sides, then one comes to say to oneself: This soul-spiritual life must run down into the ether, just as solid, liquid, and gaseous matter runs up into the ether. The lowest part of the soul must, as it were, open into the ether in the same way that the highest part of the material opens into the ether at the top. And Immanuel Hermann Fichte formed certain characteristic ideas about this, through which he really did come from the spiritual-soul to the boundary of the ether. We read in his “Anthropology” 1860 - you will find the passage quoted in my last book “Vom Menschenrätsel” -:

“In the material elements....the truly enduring, that unifying form principle of the body cannot be found, which proves effective throughout our entire life.” “So we are pointed to a second, essentially different cause in the body.” “In that it contains that which is actually enduring in metabolism, it is the true, inner, invisible body, but one that is present in all visible materiality. The other, the outer appearance of the same, formed from incessant metabolism, may henceforth be called 'body', which is truly not enduring and not one, but the mere effect or afterimage of that inner corporeality, which throws it into the changing material world, just as, for example, the magnetic force prepares a seemingly dense body from the parts of iron filings, but which atomizes in all directions when the binding force is withdrawn.

Now, for I. H. Fichte, an invisible body lived in the ordinary body, which consists of external matter, and we could also call this invisible body the etheric body; an etheric body that brings the individual particles of matter of this visible body into their forms, shapes them, and develops them. And I. H. Fichte is so clear that this etheric body, to which he descends from the soul, is not subject to the processes of the physical body, that for him it is enough to have insight into the existence of such an etheric body to get beyond the riddle of death. For I. H. Fichte says in his “Anthropology”:

I have shown with I. H. Fichte how he advances to such an invisible body of the soul. It is interesting that in many places in the heyday of German idealistic intellectual life, the same thing emerged. Some time ago I pointed out a solitary thinker who was a school director in Bromberg and who dealt with the question of immortality: Johann Heinrich Deinhardt, who died in the 1860s. He initially approached the question of immortality like the others, by trying to get behind this question of immortality through ideas and concepts. But for him, more emerged than for those who merely live in concepts. And so the editor of that treatise on immortality written by J. H. Deinhardt was able to cite a passage from a letter that the author wrote to him in which Deinhardt says that although he had not yet communicate the matter in a book, but that his inner research had clearly shown him that during his life between birth and death, man works on the development of an invisible body, which is released into the spiritual world at death.

And so many other phenomena of German intellectual life could be cited in favor of such a direction of research and contemplation. They would all prove that in this direction of research there was a desire not to stop at what mere philosophizing speculation, mere living in concepts can yield, but to strengthen the inner soul life in such a way that it reaches the density that reaches the ether.

Of course, the real mystery of the ether will not yet be solved from within by following the paths these researchers have taken, but it can be said, so to speak, that these researchers are on the path to spiritual science. For this mystery of the ether will be solved as the human soul undergoes those inner processes through practice, which I have often characterized here and which are described in more detail in my book “How to Know Higher Worlds”. Man does, however, gradually attain to really reaching the ether from within by going through these inner soul processes. Then the ether will be directly there for him. But only then is he capable of grasping what a sense perception actually is, what is actually present in sensory perception.

In order to present this today, I must, so to speak, approach the question from a different angle. Let us approach what actually takes place in metabolic processes for humans. Roughly speaking, we can think of the metabolic processes in the human organism as taking place in such a way that they essentially have to do with the liquid element of substance. This will be easy to see if one is even slightly familiar with the most viable scientific ideas in this field. What is a metabolic process lives, so to speak, in the liquid element. What breathing is, lives in the airy element; in breathing we have an interaction between inner and outer air processes, just as in metabolism we have an interaction between material processes that have taken place outside our body and those that take place inside our body. What happens when we perceive with our senses and follow it with our imagination? What does that actually correspond to? In the same way that fluid processes correspond to metabolism and airy processes to breathing, what corresponds to perception? Perceptual processes correspond to etheric processes. Just as we live, as it were, with metabolism in the liquid, we live with breathing in the air, we live with perception in the ether. And inner etheric processes, inner etheric processes that take place in the invisible body, of which has just been spoken, touch with external etheric processes in sensory perception. If one objects: Yes, but certain sensory perceptions are obvious metabolic processes! — it is particularly striking for those sensory perceptions that correspond to the so-called lower senses, smell, taste — a closer look would show that what is material belongs to the metabolism itself, and that in every such process, even in tasting for example, an etheric process takes place through which we enter into relationship with the outer ether, just as we enter into relationship with the air with our physical body when we breathe. Without an understanding of the etheric world, an understanding of the sensations is not possible. |

And what actually happens? Well, what happens there can basically only be understood when one has brought the inner soul process so far that the inner etheric-physical has become a reality. This will be the case when what I have recently called imaginative visualization in my lectures here has been achieved. When the images have been strengthened by the exercises that you can find in the book mentioned above, so that they are no longer abstract images, which we otherwise have, but are images full of life, then they can be called imaginations. When these images have become so full of life that they are imaginations, then they live directly in the etheric, whereas when they are abstract images, they only live in the soul. They spread into the etheric. And then, when one has so far brought it in one's inner experimentation that one experiences the ether as a living reality within oneself, then one can experience what happens in the sense perception. The sensation consists in this – I can only present this today as a result – that, as the external environment sends the etheric from the material into our sense organs, it creates those gulfs of which I spoke the day before yesterday, so that what is outside also becomes internal within our sense realm; for example, we have a sound, so to speak, between the sense life and the external world. Then, as a result of the outer ether penetrating our sense organs, this outer ether is killed. And as the outer ether enters our sense organs in a deadened state, it is revived by the inner ether of the etheric body counteracting it. This is the essence of sensory perception. Just as in the breathing process, death and life come into being when we inhale oxygen and exhale carbonic acid, so there is an interaction between the quasi-dead ether and the living ether in the sense of feeling.

This is an extraordinarily important fact for spiritual science. For that which cannot be found through philosophical speculation, on which the philosophical speculation of the last centuries has so often failed, can only be found through spiritual science. Sensory perception can thus be recognized as a fine interaction between external and internal ether; as the animation of the ether killed in the sensory organ from the inner etheric body. So that what the senses kill in us from the environment is inwardly revived by the etheric body, and we thereby come to what is precisely perception of the external world.

This is extraordinarily important, for it shows how, even when he is giving himself up to sense perception, man lives not only in the physical organism but also in the ethereal supersensible, and how the whole life of the senses is a

life and weaving in the invisible etheric. This is what the deeper researchers have always suspected in the characterized time, but it will be raised to certainty through spiritual science. Among those who recognized this significant truth, I will mention the almost completely forgotten J.P.V. Troxler. I have already mentioned him in earlier lectures here in earlier years. In his Lectures on Philosophy, he said:

"Even in the past, philosophers distinguished a fine, noble soul body from the coarser body... a soul that has an image of the body, which they called a schema, and which was the higher inner human being... In more recent times, even Kant in Dreams of a Spirit-Seer seriously dreams, in jest, of an entire inner spiritual human being who carries all the limbs of the outer one on his spirit body; Lavater also writes and thinks in the same way... ."

These researchers were also aware that the moment one ascends from mere material observation to the observation of this supersensible organism within us, one has to pass from ordinary anthropology to a kind of knowledge that comes to its results by way of inner observation. It is therefore interesting that both I. H. Fichte and Troxler are clear about the fact that anthropology must be elevated to something else if it is to grasp the whole human being. I. H. Fichte says in his 'Anthropology':

"Sensual consciousness... with the entire, also human, life of the senses, has no other significance than to be the site in which the supersensible life of the spirit is realized, in that through free conscious deed it introduces the otherworldly spiritual content of the ideas into the world of the senses... This thorough grasp of the human being now elevates “anthropology in its final result to ‘anthroposophy’.”

We see from this current of German intellectual life, which, I would say, drives idealism from its abstractness to reality, the inkling of an anthroposophy. And Troxler says that one must assume a super-spiritual sense in conjunction with a super-sensible spirit, and that one can thus grasp the human being in such a way that one no longer has to deal with an ordinary anthropology, but with something higher:

"If it is now highly gratifying that the latest philosophy, which... . in every anthroposophy.. . must reveal itself in every anthroposophy, it cannot be overlooked that this idea cannot be a fruit of speculation, and that the true individuality of man must not be confused either with what it sets up as subjective spirit or finite ego, nor with what it juxtaposes to it as absolute spirit or absolute personality.

With Anthroposophy, something is not presented that emerges, as it were, out of arbitrariness, but something that inevitably leads to that spiritual life, which once it is engaged in, experiences concepts and ideas not only as concepts and ideas, but condenses them to such an extent - and I would like to use the expression again - that they lead into reality, that they become saturated with reality.

But, and this is the defect of this research, if one merely rises from the physical to the etheric body, one still does not get along; but one only comes to a certain limit, which must be exceeded, however, because beyond the etheric only the soul-spiritual lies. And the essential thing is that this soul-spiritual can only enter into a relationship with the physical through the mediation of the etheric. Thus, we have to look for the actual soul of the human being in that which now works completely super-etherically in the etheric, so that the etheric in turn shapes the physical as it is itself shaped, permeated, and lived through by the soul.

Let us now try to grasp the human being at the other pole, the will pole: We have said that the life of the will is connected with the metabolism. Inasmuch as the impulse of the will expresses itself in the metabolism, it lives, not merely in the external physical metabolism, but, since the whole human being is within the boundaries of his being, the etheric also lives in what develops as metabolism when a will impulse proceeds. Spiritual science shows that the opposite of sensory perception is present in the will impulse. While in sensory perception the outer ether is, as it were, animated by the inner ether, so that the inner ether pours into the dead ether, in the case of the will impulse, when it arises from the soul spiritual, then through metabolism and everything connected with it, the etheric body is loosened and driven out of the physical body in those areas where the metabolism takes place. So here we have the opposite: the etheric body, as it were, withdraws from physical processes. And therein lies the essence of acts of will, in that the etheric body withdraws from the physical body.

Now those revered listeners who have heard the earlier lectures will remember that, in addition to imaginative knowledge, I have distinguished between inspired knowledge and the actual intuitive knowledge. And just as imaginative knowledge is the result of such a strengthening of the soul life that one comes to the etheric life in the way indicated earlier, so intuitive knowledge is given by the fact that one learns, so to speak, in one's soul life to participate through powerful impulses of will, even to evoke what one can call withdrawal of the etheric body from physical processes. Thus in this area the soul-spiritual extends into the physical-bodily. When a volitional impulse originally emanates from the soul-spiritual, it finds the etheric, and the consequence is that this etheric is withdrawn from some metabolic area of the physical body. And from this working of the soul-spiritual through the etheric upon the bodily, there arises what may be called the transmission of a volitional impulse to some bodily movement, to some bodily activity. But it is only when we consider the human being as a whole in this way that we arrive at his actual immortal part. For as soon as we learn to recognize how the spiritual-soul element weaves in the ether, it also becomes clear to us that this weaving of the spiritual-soul element in the ether is independent of those processes of the physical body that are included in birth, conception and death. And in this way it is possible to truly rise to the immortal in the human being, to that which connects with the body that one receives through the hereditary current and which is maintained when the human being passes through the gate of death again. For the eternal spiritual is connected with that which is born and dies here, indirectly through the etheric.

It has become clear that the concepts presented by spiritual science are very much at odds with today's thinking habits and that it is difficult for people to find their way into these concepts. It may be said that one of the obstacles to this finding one's way in, besides others, is that so little effort is made to seek the real connection between the spiritual and soul life and the bodily in the way suggested today. Most people long for something quite different from what spiritual research can actually provide. What is it actually that takes place in man when he imagines? An etheric process that only interacts with an external etheric process. But in order for a person to be in this direction in a healthy mental and physical way, it is necessary for that person to become aware of where the boundary is where the inner and outer ether touch. This mostly happens unconsciously. It becomes conscious when the human being rises to imaginative knowledge, when he experiences inwardly the rain and movement of the ether, and his coming together with the outer ether, which dies in the sense organ. In this interaction between the inner and outer ether, we have, so to speak, the outermost limit of the effectiveness of the ether in general on the human organism. For that which is in our etheric body, for example, primarily affects the organism in terms of growth. There it is still active within the organism, forming it. It gradually organizes our organism so that it adapts to the outside world, as we see when a child grows up. But this inwardly formative grasp of the physical body by the ether must reach a certain limit. If it goes beyond this limit through some morbid process, then what lives and moves in the ether, but which should maintain itself in the etheric, encroaches upon the physical organism, so that what should remain as ether movement is, as it were, interwoven into the physical organism. What then happens? That which should actually only be experienced inwardly as an image, occurs as a process in the physical body. Then it is what is called a hallucination. When the ether process crosses its boundary into the physical, because the body, through its disease, does not offer the right resistance, then what is called a hallucination arises. Now, many people who want to enter the spiritual world actually desire hallucinations above all. Of course, the spiritual researcher cannot offer them that, because hallucination is nothing more than the reproduction of a purely material process, a process that takes place in relation to the soul beyond the boundaries of the body, that is, in the body. On the other hand, what leads to the spiritual world is that one goes from this boundary back into the soul and instead of hallucinations, one comes to imagination, and imagination is a purely mental experience. And because it is a purely mental experience, the soul lives in the spiritual world in the imagination. But in this way the soul also lives in fully conscious penetration of the imagination. And it is important to realize that imagination, that is, the right way to gain spiritual knowledge, and hallucination, are opposites and also destroy each other. He who hallucinates through a diseased organism blocks the path to true imagination; and he who has true imagination is most safely guarded from all hallucination. Hallucination and imagination are mutually exclusive and mutually destructive.

But the same is true at the other pole of the human being. Just as the etheric body can encroach upon the physical body, can sink its formative power into the physical body, and thereby cause hallucinations, that is, purely physical processes, so on the other side, through certain morbid formations of the organism or through induced fatigue or other conditions of the organism, the etheric, as it was characterized in the act of will, can emerge in an irregular manner. Then it may happen that instead of the etheric really being withdrawn from the physical metabolic region in a correct act of will, it remains within, and the purely physical activity of the physical metabolic region encroaches upon the etheric , so that the etheric becomes dependent on the physical, whereas in normal will-manifestation the physical is dependent on the etheric, which in turn is determined by the soul-spiritual. When this happens through such processes as I have indicated, then, I might say, the compulsive act, which consists in the physical body with its metabolic processes forcing its way into the etheric, so to speak pushing itself into the etheric body, gives rise to the morbid counter-image of hallucination. And if the compulsive act is evoked as a pathological phenomenon, then one can again say: it excludes what is called intuition in spiritual scientific knowledge. Intuition and compulsive behavior are mutually exclusive, just as hallucination and imagination are mutually exclusive. This is why there is nothing more soulless than, on the one hand, hallucinators, because hallucinations are just hints at bodily conditions that should not be; and, on the other hand, for example, the whirling dervishes. The dance of the dervish comes about through the physical body pushing into the etheric, so that it is not the etheric that brings about the effect from the spiritual-soul, but basically only regular compulsive actions occur. And anyone who believes that they can find revelations of the soul in the dancing dervish should first of all study spiritual science in order to realize that the dancing dervish is proof that the spirit, the spiritual-soul, has left its body; that is why he dances in this way.

And, I would like to say, only a little more extensive is that which is not dancing, but which, for example, is automatic writing, mediumistic writing. This also consists in nothing more than first driving the spiritual-soul out of the human being completely, and allowing the physical body, which has been pushed into the etheric body, to unfold as it does when it has become empty, as it were, of the inner ether and now comes under the control of the surrounding outer ether. All these subjects lead away from spiritual science, not toward it, although nothing should be objected to them from the standpoint of those from whom they usually meet with so much opposition. In the dancing dervish one can study what a danced art, a truly artistic dance, should be. The artistic dance should consist precisely in the fact that each individual movement corresponds to a volitional impulse, which can also become conscious to the person concerned, so that one is never dealing with a mere intrusion of physical processes into ethereal processes. Only spiritualized dance is artistic dance. The dancing of the dervish is only the denial of spirituality. Some will object: But it does show the spirit! It does, but how? You can study a shell if you take in and look at the living shell; but you can also study it when the living shell is gone, by looking at the shell: the shape of the shell is reproduced in the shell, the shape born out of life. But in a similar way, we also have a reproduction of the spiritual, a dead reproduction of the spiritual, when we are dealing with automatic writing or with a whirling dervish. That is why it resembles the spiritual as much as the shell resembles the mussel, and why it can be so easily confused. But only when we truly penetrate into the spiritual can we have the right understanding of these things.

If we start from the bodily, through the sensation of the senses, and ascend to the realm of the imagination, which then transfers itself into the soul-spiritual, we come to recognize in this way, in a spiritual-scientific way, that what is aroused by the sensations of the senses is, as it were, deposited at a certain point and becomes memory. Memory arises from the fact that the sensory impression continues in the body, so that not only can the etheric work from within in the sensory impressions themselves, but the etheric can now also be active in what the sensory impression has left behind in the body. Then what has gone into memory is brought up again from remembrance.

Of course, it is not possible to go into these things in more detail in the short time of a one-hour lecture. But one will never come to a real understanding of what imagination and memory are, and how they relate to the soul and spirit, if one does not advance in the spiritual-scientific sense on the path that has been indicated.

At the other pole, there is the whole current that flows from the spiritual-soul of the will impulses down into the physical body, through which the actions are effected. In the ordinary life of man, the sense life comes to remembrance and remains, as it were, in the act of remembering. Remembrance is placed before the soul-spiritual, so that the latter is not aware of itself, of how it creates and is active through the sensations of the senses. Only a vague, confused notion arises that the soul lives and weaves in the etheric, when this soul, living and weaving in the etheric, is not yet so strengthened in this etheric weaving that all etheric weaving breaks at the boundary of the physical. When the soul-spiritual interweaves the etheric body in such a way that what it expresses in the etheric body does not immediately break at the physical body, but is so sustained in the etheric that it reaches the boundaries of the physical body, but is still noticed in the etheric, then the dream arises. And the life of dreams, when it is really studied, will become proof of the lowest form of supersensible experience of man. For in dreams man experiences that he cannot unfold his soul-spiritual, because it seems too powerless, in will impulses within that which is present in the dream images. And because the will impulses are lacking, because the spirit and soul intervene so little in the etheric in the dream that the soul itself becomes aware of these will impulses, the chaotic fabric that the dream represents arises.

What dreams are on the one hand, on the other hand there are those phenomena in which the will, coming from the soul-spiritual, intervenes in the outer world through the etheric-physical , but is just as little aware of what is actually happening there as he is able to become aware in the dream, due to the weak activity of the spiritual-soul, that the human being is living and breathing in the spiritual. Just as the dream so to speak represents the attenuated sense perception, so something else represents the intensified effect of the spiritual-soul, the intensified effect of the will impulses; and that is what we call fate.

We do not see the connections in fate, just as we do not see in the dream what is actually weaving and living there as the real thing. Just as material processes always underlie the dream, surging into the ether, so the soul and spiritual anchored in the will surge towards the outer world. But in ordinary life the soul and spiritual are not organized in such a way that the spirit itself can be seen in its activity in what happens to us as the succession of so-called fateful experiences. At the moment we grasp this succession, we learn to recognize the fabric of fate, we learn to recognize that just as in ordinary life the soul obscures the spiritual through ideas, in fate it obscures the spiritual through affect, through sympathy and antipathy, with which it takes in the events that come to it as life events. In the moment when one sees through sympathy and antipathy in a spiritual-scientific way, when one really grasps the course of life's events objectively and calmly, one notices how everything that happens in our lives between birth and death is either the after-effect of previous lives on earth or the preparation for later lives on earth. Just as, on the one hand, natural science does not penetrate to the spiritual and soul, not even to the etheric, when it seeks the relationships between the material world and the imagination, so at the other pole, natural science cannot cope with its efforts today. Just as it clings to material processes in the nervous organism in the life of the imagination, so at the other pole it clings to something unclear, which, I might say, hovers nebulously between the physical and the soul.

These are precisely the areas where one must become fully aware of how world-view concepts can be both proven and refuted. And for those who insist on proof, the positive has much to recommend it; but one must also be able to experience the negative inwardly, in keeping with one's insights, as with exhalation one inhales. Recently, what is called analytical psychology has emerged. This analytical psychology is, I would say, inspired by good intuitions. For what does it want? This analytical psychology, or as it is usually called today, psychoanalysis, wants to descend from the ordinary soul life to that which is no longer contained in the ordinary present soul life, but is a remnant of earlier soul experience. The psychoanalyst assumes that mental life is not exhausted in the present mental experience, in the conscious mental experience, but that consciousness dips down into the subconscious. And in much of what appears in the mental life as a disturbance, as confusion, as this or that defect, the psychoanalyst sees an effect of what surges down in the subconscious. But what the psychoanalyst sees in this subconscious is interesting. When you hear what he lists in this subconscious, it is first of all deceived hopes in life. The psychoanalyst finds some person who suffers from this or that depression. This depression does not have to originate in the present conscious mental life, but in the past. Something occurred in mental experience in this life. The person has since emerged from it, but not completely; a residue remains in the subconscious. He has experienced disappointments, for example. Through education and other processes, he has come to terms with these disappointments in his conscious mental life, but in the subconscious they live on. There they surge, as it were, to the very edge of consciousness. There it then produces the unclear mental depression. The psychoanalyst thus searches in all kinds of disappointments, in deceived hopes of life that have been drawn down into the subconscious, for that which determines the conscious life in a dark way. He also searches for this in what colors the soul life as temperament. In what the soul life colors out of certain rational impulses, the psychoanalyst seeks a subconscious that, as it were, only strikes against consciousness. But then he comes to a broad area — I am only reporting here — which the psychoanalyst grasps by saying: 'The animalistic mud of the soul is playing up into conscious life'. Now, it is not at all denied that this basic sludge is present. In these lectures I myself have already pointed out how certain mystics have experiences in that something, be it for example the erotic, is subtly brought up and plays into consciousness, so that one believes to have particularly exalted experiences, while only the erotic, “the animalistic basic mud of the soul,” is brought up and sometimes interpreted in a deeply mystical sense. One can still see in such a poetically delicate mystic as Mechthild of Magdeburg how erotic feeling goes into the details of the images. These things must be clearly grasped so that no errors are made in the spiritual-scientific field. For anyone who wants to penetrate the spirit must be particularly aware of all the paths of error, not to avoid them, but to avoid them. But anyone who speaks of this animalistic basic mud of the soul, who only speaks of disappointed hopes in life and the like, does not go deep enough into the life of the soul: he is like a person walking across a field in which nothing can yet be seen and who believes that it contains only the soil or even the manure, whereas in fact this field already contains all the fruits that will soon come up as grain or other things. When speaking of the basic mud of the soul, one should also speak of what is embedded in it. Certainly, there are disappointed hopes contained in this basic mud; but at the same time, what is embedded in it contains a germinating power that represents what – when the human being has passed through the gate of death into the life that between death and a new birth, and then enters into a new earth-life, makes something quite different out of the deceived hopes than a depression, that makes out of them that which then in a next life leads to disillusionment, to hardening. What the psychoanalyst seeks in the disappointed hopes of life in the depths of the soul, if he delves deeply enough, is what is being prepared in the present life in order to intervene fatefully in the next life.

Thus, if we dig around and search through the animalistic mud of the ground without dirtying our hands, as is unfortunately so often the case with psychoanalysts, we find the spiritual and mental weaving of fate that extends beyond birth and death with the spiritual and mental life of the soul. Analytical psychology is precisely the kind of psychology that can be used to learn how everything is right and everything is wrong when it comes to questions of world view, namely from one side or the other. Nevertheless, there is an enormous amount that can be said in support of the one-sided assertions of the psychoanalysts; therefore a refutation will not greatly impress those who are sworn to these concepts. But if one learns to recognize what speaks for and against with the attitude of knowledge that was characterized at the beginning of this lecture, then it is precisely from the pros and cons of the soul that one will experience what really works. For, I might say, between what can be observed in the soul, as psychologists do, who only go to the level of consciousness, and what the psychoanalyst finds down in the animalistic mud of the soul, lies the realm that belongs to the spiritual-soul-eternal, which goes through births and deaths.

The exploration of the human soul also leads to a correct relationship with the external world. Modern science has not only spoken about the ether in an indeterminate way, but it is also spoken about in such a way that the greatest mysteries of the world are actually attributed to it: what then took on solid forms, became planets, suns and moons, and so on. In this view, the soul and spiritual processes at work in man are regarded as no more than a mere episode. There is only dead ether, back and front. If one gets to know the ether only from one side, then one can come to such a construction of the becoming of the world, to which the subtle Herman Grimm — I have quoted his saying before, but it is so significant that it can always be brought before the soul again — says the following words. By familiarizing himself with how one thinks that the dead etheric mist of the cosmos has given rise to that out of which life and spirit are now developing, and by measuring it against Goethe's world view, he comes to the following saying:

What appears here again within German intellectual life as a feeling born out of a healthy soul life is shown in a true light by spiritual science. For, as one learns to recognize, how the animation of the dead ether through the soul, through the living ether, comes about, then through inner experience one comes away from the possibility that our world building could ever have arisen from a dead etheric. And this riddle of the world takes on a quite different form when we become acquainted with the corresponding riddle of the soul. We now recognize the ether itself in its living form, we recognize how the dead ether must first arise out of the living. So that by going back to the beginning of the world, we must come back to the soul and see in the spiritual-soul the origin of that which is developing today. But while this spiritual-soul substance remains a mere hypothesis, a mere figment of the imagination, in relation to the outer riddles of the world, so long as one does not learn about the whole life and weaving of the etheric through spiritual science in the encounter of the living ether from within with the dead ether from without, it is precisely through spiritual science that the cosmic fog itself becomes a living, spiritual-soul substance.

As you can see, the riddles of the soul also open up a significant perspective for the riddles of the world. I must pause on this perspective today. You can see that a true contemplation of outer and inner life from the point of view of spiritual science leads across the ether into the spiritual-soul realm, both in the soul itself and in the outer world.

On the other hand, there is the attitude of knowledge such as I have described in the case of a man whom I mentioned last time. Today we can at least surmise that from the corporeal as conceived by spiritual science, the bridge leads directly up to the spiritual-soul, in which ethics, morality, and morals are rooted, which originate in the spirit, just as the sensual leads into the spiritual. But in its study of purely external material things, science has arrived at a point of view that denies that ethics is rooted in the spiritual at all. Today, people are still too embarrassed to deny ethics itself, but they say the following about ethics, which is at the end of Jacques Loeb's lecture, which I presented last time with reference to the beginning. There he says, who comes to a brutal denial of ethics through scientific research:

“If our existence is based on the play of blind forces and is only a work of chance, if we ourselves are only chemical mechanisms, how can there be an ethic for us?” The answer to this is that our instincts form the root of our ethics, and that instincts are just as hereditary as the formative components of our body. We eat and drink and reproduce, not because metaphysicians have come to the conclusion that this is desirable, but because we are mechanically induced to do so. We are active because we are mechanically compelled to do so by the processes in our nervous system, and, if people are not economic slaves, the instinct of “successful triggering or successful work determines the direction of their activity. The mother loves her children and takes care of them, not because metaphysicians had the idea that this was beautiful, but because the instinct of brood care, presumably through the two sex chromosomes, is just as firmly determined as the morphological characters of the female body. We enjoy the company of other people because we are forced to do so by hereditary conditions. We fight for justice and truth and are willing to make sacrifices for them because we instinctively want to see our fellow human beings happy. That we have an ethic is due solely to our instincts, which are chemically and hereditarily laid down in us in the same way as the shape of our body."

Moral action leads back to instincts! Instincts lead back to physical-chemical action! The logic is, however, very threadbare. Of course, one can say that one should not wait for the metaphysicians to work out some metaphysical principles before acting ethically, but that is the same as saying: should one wait for the metaphysicians or the physiologists to discover the laws of digestion before digesting? I would therefore recommend to Professor Loeb not to investigate the physiological laws of digestion in the same brutal way as he attacks the metaphysical laws of ethical life. But one can say: one can be an important natural scientist today – but the habits of thought are such that they cut you off, as it were, from all spiritual life, that you no longer have an eye for this spiritual life at all. But this always goes hand in hand with the fact that you can, as it were, prove a defect in thinking, so that you never really have everything that goes into a thought.

One can indeed have strange experiences in this regard. I have already presented such an experience here some time ago; but I would like to present it again because it ties in with the ideas of a very important contemporary natural scientist, who is also one of those whom I attack precisely because I hold him in high esteem in one field. This naturalist has made great contributions in the field of astrophysics and also in certain other fields of natural science. But when he wrote a book summarizing the world view of the present and the development of this world view, he makes a remarkable statement in the preface. He is, so to speak, enchanted by how wonderfully far we have come in being able to interpret everything scientifically, and with a certain arrogance, as is common in such circles, he points to earlier times when this was not the case. Goethe, saying: “Whether one can really say that we live in the best of times is not clear; but that, in terms of scientific knowledge, we live in the best of times for knowledge compared to earlier times, we can refer to Goethe, who says:

It is a great delight
to place oneself in the spirit of the times,
to see how a wise man thought before us,
and how we have then finally come so gloriously far.

With this, a great naturalist of the present day concludes, that is, with a confession that he takes from Goethe. He has only forgotten that it is Wagner who makes this confession and that Faust says to this confession when Wagner has left:

How can the mind not lose all hope,
When it is always stuck with stale evidence,
Digging for treasure with a greedy hand
And happy when it finds earthworms!

This great researcher forgot to reflect on what Goethe actually says the moment he refers to Wagner to express how wonderfully far we have come. One can, I would say, see where thinking leaves off in the pursuit of reality.

And we could cite many more examples if we were to delve a little deeper into contemporary scientific literature. Since I hold the aforementioned natural scientist in high regard, as I have said, it will certainly not be taken amiss if I were to assert the true Goethean attitude in the face of such natural science, which puffs itself up by also claiming to be able to provide information about the spirit. For although we can forgive many a monist for being unable to grasp the spirit due to the weakness of his thinking, it is dangerous when the attitude that appears in Jacques Loeb and in the characterized natural scientist, who characterizes himself as Wagner but believes he is characterizing himself as Goethe, spreads more and more into the widest circles through the belief in authority. And it does. Those who penetrate into what spiritual science can give in terms of attitude may, if they follow the example of the natural scientist, even if it may not seem reverent enough to some, come to the genuine Goethean attitude by taking up Goethe's words, with which I would like to conclude this lecture:

It is a great horror
to put oneself in the shoes of souls like that,
how greedily they touch the material
and rush past the spirit!