94. An Esoteric Cosmology: The Devachanic World (Heaven) I
07 Jun 1906, Paris Translated by René M. Querido Rudolf Steiner |
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We must distinguish between sleep that is filled with dreams and the state of deep sleep. Sleep that is filled with dreams is an expression of astral consciousness. Deep, dreamless sleep—the sleep that follows the first dreams—corresponds to the devachanic state. Nothing of it is remembered because it is a condition of unconsciousness for the physical being of ordinary man. |
In the Initiate there is continuity of consciousness through waking life, dream life and dreamless sleep. Let us now consider the condition of man in Devachan, after death. |
94. An Esoteric Cosmology: The Devachanic World (Heaven) I
07 Jun 1906, Paris Translated by René M. Querido Rudolf Steiner |
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Devachan is the Sanscrit term for the long period of time lying between the death and rebirth of man. After death, in the astral world, the soul first learns to cast off the instincts that are connected with the body. After this, the soul passes into Devachan for the long period that lies between two incarnations. The devachanic world is a state or condition of existence. It surrounds us even in earthly life, but we do not perceive it. In order, by way of analogy, to understand devachanic existence and its functions in earthly and cosmic life, it will be best to take our start from a consideration of the state of sleep. For the vast majority of human beings, sleep is a condition full of enigmas. During sleep, man's etheric body remains with his physical body and continues its vegetative, restorative functions, but the astral body and individual Ego leave the sleeping body and live an independent existence. The physical body is used up, consumed, as it were, by our conscious life. From morning till night man spends his forces; the astral body transmits sensations to the physical body which gradually exhaust it. At night, the astral body functions in quite a different way. It no longer transmits sensations which come from outside; it works upon them and brings order and harmony into what the waking life, with its chaotic perceptions, has thrown into disorder. By day, the function of the astral body is to receive and transmit; by night, during sleep, its function is to bring order, to build up and refresh the spent forces. In man's present stage of evolution, it is not possible for the astral body to do this work of restoration by night and at the same time to observe what is happening in the surrounding astral world. How, then, can man arrive at the point of being able to relieve his astral body of its work, in order to set it free for conscious existence in the astral world? The procedure adopted by the adept in order to release his astral body is, on the one hand, to train and develop such feelings and thoughts as possess, in themselves, a certain rhythm which can then be communicated to the physical body and, on the other, to avoid those which give rise to physical disorder. Joy or suffering that runs to extremes is avoided. The adept teaches the necessity for equanimity of soul. Nature is governed by one sovereign law which is that rhythm must enter into all manifestation. When the twelve-petalled lotus-flower which constitutes man's organ of astral-spiritual perception has developed, he can begin to work upon his body and imbue it with a new rhythm whereby its fatigue is healed. Thanks to this rhythm and the restoration of harmony it is no longer necessary for the astral body to perform the restorative work on the sleeping physical body which alone prevents it from falling into ruin. The whole of waking life is a process destructive of the physical body. Illnesses are caused by excessive activity of the astral body. Eating to excess affords a stimulus to the astral body which re-acts in a disturbing way on the physical body. That is why fasting is laid down in certain religions. The effect of fasting is that the astral body, having greater quiet and less to do, partially detaches itself from the physical body. Its vibrations are modulated and communicate a regular rhythm to the etheric body. Rhythm is thus set going in the etheric body by means of fasting. Harmony is brought into life (etheric body) and form (physical body). In other words, harmony reigns between the universe and man. This gives us some idea of the function performed by the astral body during sleep. Where is the Self, the Ego of man? In the world of Devachan, but he has no consciousness of it. We must distinguish between sleep that is filled with dreams and the state of deep sleep. Sleep that is filled with dreams is an expression of astral consciousness. Deep, dreamless sleep—the sleep that follows the first dreams—corresponds to the devachanic state. Nothing of it is remembered because it is a condition of unconsciousness for the physical being of ordinary man. Only after the attainment of higher initiation is man aware of his experiences in deep sleep. In the Initiate there is continuity of consciousness through waking life, dream life and dreamless sleep. Let us now consider the condition of man in Devachan, after death. At the end of a certain time, the etheric body disperses into the forces of the living ether. What is the next task of the astral body and Ego? A new etheric body has to be built for the incarnation that is to follow. Devachanic existence is devoted, in part, to this work. The substance of the etheric body, like that of the physical body, is not conserved. The substance of which the physical body is composed, is constantly changing—to the point of being wholly renewed in the course of seven years. Similarly, etheric substance is renewed, although its principles of form and inner structure remain the same under the influence of the higher Self. At death, this substance is given completely over to the ether-world and nothing remains from one incarnation to another, any more than the substance of the physical body remains. In each successive incarnation, therefore, the etheric body of man is entirely renewed. That is why there is such a change in the physiognomy and bodily form of man from one incarnation to another. The physiognomy and bodily form do not depend upon the will of the individual but upon his karma, his desires, passions and his involuntary actions. It is quite different in the case of an initiated disciple. He develops his etheric body in earthly existence in such a way that it is conserved and is fit to pass into Devachan after death. Here on Earth he is able to awaken, within his etheric forces, a ‘Life-Spirit’ which constitutes one of the imperishable principles of his being. The Sanscrit term for the etheric body which has developed into Life-Spirit is Budhi. When this principle of Life-Spirit has developed in the disciple, it is no longer necessary for him entirely to re-mould his etheric body between two incarnations. His period of devachanic existence is then much shorter and for this reason the same character, temperament and outstanding traits are carried forward from one incarnation to another. When the master in occultism has reached the point of conscious control not only of his etheric but of his physical body, another, higher spiritual principle comes into being—Spirit-Man (in Sanscrit, Atma). At this stage the Initiate preserves the characteristics of his physical body every time he incarnates on Earth. With unbroken consciousness, he passes from earthly to heavenly life, from one incarnation to another. Here we have the origin of the legend referring to Initiates who lived for a thousand or two thousand years. For them there is neither Kamaloca or Devachan but unbroken consciousness through deaths and births. The following objection to the idea of re-incarnation is sometimes made: When a man has accomplished his task in the physical world, he knows the Earth. Why, then, should he return? This objection would be justifiable if man were to return under similar conditions. But as a general rule, he returns to find a new Earth, a new humanity, even a new Nature. For all have evolved and he can enter a new apprenticeship, fulfil a new mission. These changing conditions of the Earth which determine the times of rebirth, are themselves determined by the passage of the Sun through the Zodiac. Eight centuries before Jesus the Christ, the vernal equinox fell with the Sun in the sign of the Ram. Reference is made to this in the legend of the Golden Fleece and in the name of the Lamb of God—the Christ. 2,160 years before that, the vernal equinox fell with the Sun in the sign of the Bull, a fact expressed in the cults of the Egyptian Apis or the Mithras Bull in Persia. 2,160 years before that again, the vernal equinox fell with the Sun in the sign of the Twins and we find this expressed in the cosmogony of the very ancient Persians, in the two opposing figures of Ormuzd and Ahriman. When the civilisation of Atlantis was destroyed and the age of the Vedas was beginning, the Sun at the vernal equinox was in the sign of Cancer, (inscribed as the sign of cancer) indicating the end of one period and the beginning of another. There has always been some consciousness among the peoples of the Earth of their relation to the heavenly constellations. The great periods of human civilisation are subject to the heavenly cycles and the movement of the Earth in its relation to Sun and stars. This fact explains the different characteristics of the various epochs and gives new meaning to the incarnations occurring in them. 2,160 years is approximately the time needed for the accomplishment of a male and a female incarnation—that is to say, for the two aspects under which the human being gathers all the experiences of one epoch. A new flora and a new fauna on Earth are brought forth on Earth by the Devas; they are an expression of the forms of Devachan. Darwin tries to explain the process of earthly evolution by the struggle for existence—but that is no explanation. The occultist knows that the flora and fauna of Earth are shaped by forces issuing from Devachan. The more man has advanced in his evolution, the more he can participate in this process. His influence upon the moulding of Nature is measured by the extent to which his consciousness has developed. The Initiate can work in the sphere where the germs of new plants come into being, for Devachan is the region where vegetation receives its form. In Kamaloca, man works at building up the animal kingdom. Kamaloca belongs to the Moon-sphere; Devachan to the Sun-sphere. Thus man is bound up with all the kingdoms of Nature. Plato speaks of the symbol of the Cross, saying that the soul of the world is bound to the body of the world as it were upon a Cross. What is the meaning of this symbol? It is an image of the soul passing through the kingdoms of Nature. In contrast to the human being, the plant has its root beneath and its organs of generation above, turned towards the Sun. The animal is at the intermediary stage, its organism lying, generally speaking, in the horizontal direction. Man and the plants stand vertically upright and with the animal form a Cross—the Cross of the world. In future ages there will be conscious participation on the part of man in the higher worlds after death in the work of building up the lower kingdoms of Nature. The consciousness of man will govern the circumstances whereby a new civilisation comes into being, concurrently with the appearance of a new flora. The divine mission of the Spirit is to forge the future. A time will come when there will be no question of ‘miracle’ or chance. Flora and fauna will be a conscious expression of the transfigured soul of man. Creative works on Earth are wrought by the Devas and by man. If we build a cathedral, we are working on the mineral kingdom. The mountains, the banks of the holy Nile are the work of the Devas the temples on the banks of the Nile are the work of man. And the aim is one and the same—the transfiguration of the Earth. In future ages man will learn to mould all the kingdoms of Nature with the same consciousness with which today he can give shape to mineral substances. He will give form to living beings and take upon himself the labours of the Gods. Thus will he transform the Earth into Devachan. |
320. The Light Course: Lecture X
03 Jan 1920, Stuttgart Translated by George Adams Rudolf Steiner |
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In anthroposophical lectures I have often given instances of how the dream is wont to symbolize. An undergraduate dreams that at the door of the lecture-theatre he gets involved in a quarrel. |
This was the impact which projected itself forward into the dream. The idea-forming faculty has indeed somehow linked up with the outer phenomenon, but in a merely symbolizing way,—in no way consistent with the real object. |
Cool and sober as it may seem, it is a dream—a dreaming while awake. Moreover, until we recognize it for what it is, we shall not know where we are in our Natural Science, so that our Science gives us reality. |
320. The Light Course: Lecture X
03 Jan 1920, Stuttgart Translated by George Adams Rudolf Steiner |
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My dear Friends, I will now bring these few improvised hours of scientific study to a provisional conclusion. I want to give you a few guiding lines which may help you in developing such thoughts about Nature for yourselves, taking your start from characteristic facts which you can always make visible by experiment. In Science today—and this applies above all to the teacher—it is most important to develop a right way of thinking upon the facts and phenomena presented to us by Nature. You will remember what I was trying to shew yesterday in this connection. I shewed how since the 1890's physical science has so developed that materialism is being lifted right out of its bearings, so to speak, even by Physics itself. This is the point to remember above all in this connection. The period when Science thought that it had golden proofs of the universality of waves and undulations was followed, as we say, by a new time. It was no longer possible to hold fast to the old wave-theories. The last three decades have in fact been revolutionary. One can imagine nothing more revolutionary in any realm than this most recent period has been in Physics. Impelled by the very facts that have not emerged, Physics has suffered no less a loss than the concept of matter itself in its old form. Out of the old ways of thinking, as we have seen, the phenomena of light had been brought into a very near relation to those of electricity and magnetism. Now the phenomena produced by the passage of electricity through tubes in which the air or gas was highly rarefied, led scientists to see in the raying light itself something like radiating electricity. I do not say that they were right, but this idea arose. It came about in this way:—The electric current until then had always been hidden as it were in wires, and one had little more to go on than Ohm's Law. Now one was able, so to speak, to get a glimpse of the electricity itself, for here it leaves the wire, jumps to the distant pole, and is no longer able as it were to conceal its content in the matter through which it passes. The phenomena proved complicated. As we say yesterday, manifold types of radiation emerged. The first to be discovered were the so-called cathode rays, issuing from the negative pole of the Hittorf tube and making their way through the partial vacuum. In that they can be deflected by magnetic forces, they prove akin to what we should ordinarily feel to be material. Yet they are also evidently akin to what we see where radiations are at work. This kinship comes out most vividly when we catch the rays (or whatsoever it is that is issuing from the negative electric pole) upon a screen or other object, as we should do with light. Light throws a shadow. So do these radiations. Yet in this very experiment we are again establishing the near relation of these rays to the ordinary element of matter. For you can imagine that a bombardment is taking place from here (as we say yesterday, this is how Crookes thinks of the cathode rays). The “bombs” do not get through the screen which you put in the way; the space behind the screen is protected. This can be shewn by Crookes's experiment, interposing a screen in the way of the cathode rays. We will here generate the electric current; we pass it through this tube in which the air is rarefied. It has its cathode or negative pole here, its anode or positive pole here. Sending the electricity through the tube, we are now getting the so-called cathode rays. We catch them on a screen shaped like a St. Andrew's cross. We let the cathode rays impinge on it, and on the other side you will see something like a shadow of the St. Andrew's cross, from which you may gather that the cross stops the rays. Observe it clearly, please. Inside the tube is the St. Andrew's cross. The cathode rays go along here; here they are stopped by the cross; the shadow of the cross becomes visible upon the wall of the vessel behind it. I will now bring the shadow which is thus made visible into the field of a magnet. I beg you to observe it now. You will find the shadow influenced by the magnetic field. You see then, just as I might attract a simple bit of iron with a magnet, so too, what here emerges like a kind of shadow behaves like external matter. It behaves materially. Here then we have a type of rays which Crookes regards as “radiant matter”—as a form of matter neither solid, liquid or gaseous but even more attenuated,—revealing also that electricity itself, the current of electricity, behaves like simple matter. We have, as it were, been trying to look at the current of flowing electricity as such, and what we see seems very like the kind of effects we are accustomed to see in matter. I will now shew you, what was not possible yesterday, the rays that issue from the other pole and that are called “canal rays”. You can distinguish the rays from the cathode, going in this direction, shimmering in a violet shade of colour, and the canal rays coming to meet them, giving a greenish light. The velocity of the canal rays is much smaller. Finally I will shew you the kind of rays produced by this apparatus: they are revealed in that the glass becomes fluorescent when we send the current through. This is the kind of rays usually made visible by letting them fall upon a screen of barium platinocyanide. They have the property of making the glass intensely fluorescent. Please observe the glass. You see it shining with a very strong, greenish-yellow, fluorescent light. The rays that shew themselves in this way are the Roentgen rays or X-rays, mentioned yesterday. We observe this kind too, therefore. Now I was telling you how in the further study of these things it appeared that certain entities, regarded as material substances, emit sheaves of rays—rays of three kinds, to begin with. We distinguished them as \(\alpha\)-, \(\beta\)-, and \(\gamma\)-rays (cf. the Figure IXc). They shew distinct properties. Moreover, yet another thing emerges from these materials, known as radium etc. It is the chemical element itself which as it were gives itself up completely. In sending out its radiation, it is transmuted. It changes into helium, for example; so it becomes something quite different from what it was before. We have to do no longer with stable and enduring matter but with a complete metamorphosis of phenomena. Taking my start from these facts, I now want to unfold a point of view which may become for you an essential way, not only into these phenomena but into those of Nature generally. The Physics of the 19th century chiefly suffered from the fact that the inner activity, with which man sought to follow up the phenomena of Nature, was not sufficiently mobile in the human being himself. Above all, it was not able really to enter the facts of the outer world. In the realm of light, colours could be seen arising, but man had not enough inner activity to receive the world of colour into his forming of ideas, into his very thinking. Unable any longer to think the colours, scientists replaced the colours, which they could not think, by what they could,—namely by what was purely geometrical and kinematical—calculable waves in an unknown ether. This “ether” however, as you must see, proved a tricky fellow. Whenever you are on the point of catching it, it evades you. It will not answer the roll-call. In these experiments for instance, revealing all these different kinds of rays, the flowing electricity has become manifest to some extent, as a form of phenomenon in the outer world,—but the “ether” refuses to turn up. In fact it was not given to the 19th-century thinking to penetrate into the phenomena. But this is just what Physics will require from now on. We have to enter the phenomena themselves with human thinking. Now to this end certain ways will have to be opened up—most of all for the realm of Physics. You see, the objective powers of the World, if I may put it so,—those that come to the human being rather than from him—have been obliging human thought to become rather more mobile (albeit, in a certain sense, from the wrong angle). What men regarded as most certain and secure, that they could most rely on, was that they could explain the phenomena so beautifully by means of arithmetic and geometry—by the arrangement of lines, surfaces and bodily forms in space. But the phenomena in these Hittorf tubes are compelling us to go more into the facts. Mere calculations begin to fail us here, if we still try to apply them in the same abstract way as in the old wave-theory. Let me say something of the direction from which it first began, that we were somehow compelled to bring more movement into our geometrical and arithmetical thinking. Geometry, you know, was a very ancient science. The regularities and laws in line and triangle and quadrilateral etc.,—the way of thinking all these forms in pure Geometry—was a thing handed down from ancient time. This way of thinking was now applied to the external phenomena presented by Nature. Meanwhile however, for the thinkers of the 19th century, the Geometry itself began to grow uncertain. It happened in this way. Put yourselves back into your school days: you will remember how you were taught (and our good friends, the Waldorf teachers, will teach it too, needless to say; they cannot but do so),—you were undoubtedly taught that the three angles of a triangle (Figure Xa) together make a straight angle—an angle of 180°. Of course you know this. Now then we have to give our pupils some kind of proof, some demonstration of the fact. We do it by drawing a parallel to the base of the triangle through the vertex. We then say: the angle \(\alpha\), which we have here, shews itself here again as \(\alpha'\). \(\alpha\) and \(\alpha'\) are alternate angles and therefore equal. I can transfer this angle over here, then. Likewise this angle \(\beta\), over here; again it remains the same. ![]() The angle \(\gamma\) stays where it is. If then I have \(\gamma = \gamma'\), \(\alpha = \alpha'\) and \(\beta=\beta'\), while \(\alpha'+\beta;' + \gamma'\) taken together give an angle of 180° as they obviously do, \(\alpha + \beta + \gamma\) will do the same. Thus I can prove it so that you actually see it. A clearer or more graphic proof can scarcely be imagined. However, what we are taking for granted is that this upper line A'B' is truly parallel to the lower line \(AB\),—for this alone enables me to carry out the proof. Now in the whole of Euclid's Geometry there is no way of proving that two lines are really parallel, i.e. that they only meet at an infinite distance, or do not meet at all. They only look parallel so long as I hold fast to a space that is merely conceived in thought. I have no guarantee that it is so in any real space. I need only assume that the two lines meet, in reality, short of an infinite distance; then my whole proof, that the three angles together make 180°, breaks down. For I should then discover: whilst in the space which I myself construct in thought—the space of ordinary Geometry—the three angles of a triangle add up to 180° exactly, it is no longer so when I envisage another and perhaps more real space. The sum of the angles will no longer be 180°, but may be larger. That is to say, besides the ordinary geometry handed down to us from Euclid other geometries are possible, for which the sum of the three angles of a triangle is by no means 180°. Nineteenth century thinking went a long way in this direction, especially since Lobachevsky, and from this starting-point the question could not but arise: Are then the processes of the real world—the world we see and examine with our senses—ever to be taken hold of in a fully valid way with geometrical ideas derived from a space of our own conceiving? We must admit: the space which we conceive in thought is only thought. Nice as it is to cherish the idea that what takes place outside us partly accords with what we figure-out about it, there is no guarantee that it really is so. There is no guarantee that what is going on in the outer world does really work in such a way that we can fully grasp it with the Euclidean Geometry which we ourselves think out. Might it not be—the facts alone can tell—might it not be that the processes outside are governed by quite another geometry, and it is only we who by our own way of thinking first translate this into Euclidean geometry and all the formulae thereof? In a word, if we only go by the resources of Natural Science as it is today, we have at first no means whatever of deciding, how our own geometrical or kinematical ideas are related to what appears to us in outer Nature. We calculate Nature's phenomena in the realm of Physics—we calculate and draw them in geometrical figures. Yet, are we only drawing on the surface after all, or are we penetrating to what is real in Nature when we do so? What is there to tell? If people once begin to reflect deeply enough in modern Science—above all in Physics—they will then see that they are getting no further. They will only emerge from the blind alley if they first take the trouble to find out what is the origin of all our phoronomical—arithmetical, geometrical and kinematical—ideas. What is the origin of these, up to and including our ideas of movement purely as movement, but not including the forces? Whence do we get these ideas? We may commonly believe that we get them on the same basis as the ideas we gain when we go into the outer facts of Nature and work upon them with our reason. We see with our eyes and hear with our ears. All that our senses thus perceive,—we work upon it with our intellect in a more primitive way to begin with, without calculating, or drawing it geometrically, or analyzing the forms of movement. We have quite other categories of thought to go on when our intellect is thus at work on the phenomena seen by the senses. But if we now go further and begin applying to what goes on in the outer world the ideas of “scientific” arithmetic and algebra, geometry and kinematics, then we are doing far more—and something radically different. For we have certainly not gained these ideas from the outer world. We are applying ideas which we have spun out of our own inner life. Where then do these ideas come from? That is the cardinal question. Where do they come from? The truth is, these ideas come not from our intelligence—not from the intelligence which we apply when working up the ideas derived from sense-perception. They come in fact from the intelligent part of our Will. We make them with our Will-system—with the volitional part of our soul. The difference is indeed immense between all the other ideas in which we live as intelligent beings and on the other hand the geometrical, arithmetical and kinematical ideas. The former we derive from our experience with the outer world; these on the other hand—the geometrical, the arithmetical ideas—rise up from the unconscious part of us, from the Will-part which has its outer organ in the metabolism. Our geometrical ideas above all spring from this realm; they come from the unconscious in the human being. And if you now apply these geometrical ideas (I will say “geometrical” henceforth to represent the arithmetical and algebraic too) to the phenomena of light or sound, then in your process of knowledge you are connecting, what arises from within you, with what you are perceiving from without. In doing so you remain utterly unconscious of the origin of the geometry you use. You unite it with the external phenomena, but you are quite unconscious of its source. So doing, you develop theories such as the wave-theory of light, or Newton's corpuscular theory,—it matters not which one it is. You develop theories by uniting what springs from the unconscious part of your being with what presents itself to you in conscious day-waking life. Yet the two things do not directly belong to one-another. They belong as little, my dear Friends, as the idea-forming faculty which you unfold when half-asleep belongs directly to the outer things which in your dreaming, half-asleep condition you perceive. In anthroposophical lectures I have often given instances of how the dream is wont to symbolize. An undergraduate dreams that at the door of the lecture-theatre he gets involved in a quarrel. The quarrel grows in violence; at last they challenge one-another to a duel. He goes on dreaming: the duel is arranged, they go out into the forest, he sees himself firing the shot,—and at the moment he wakes up. A chair has fallen over. This was the impact which projected itself forward into the dream. The idea-forming faculty has indeed somehow linked up with the outer phenomenon, but in a merely symbolizing way,—in no way consistent with the real object. So too, what in your geometrical and phoronomical thinking you fetch up from the subconscious part of your being, when you connect it with the phenomena of light. What you then do has no other value for reality than what finds expression in the dream when symbolizing an objective fact such as the fall and impact of the chair. All this elaboration of the outer world—optical, acoustic and even thermal to some extent (the phenomena of warmth)—by means of geometrical, arithmetical and kinematical thought-forms, is in point of fact a dreaming about Nature. Cool and sober as it may seem, it is a dream—a dreaming while awake. Moreover, until we recognize it for what it is, we shall not know where we are in our Natural Science, so that our Science gives us reality. What people fondly believe to be the most exact of Sciences, is modern mankind's dream of Nature. But it is different when we go down from the phenomena of light and sound, via the phenomena of warmth, into the realm we are coming into with these rays and radiations, belonging as they do to the science of electricity. For we then come into connection with what in outer Nature is truly equivalent to the Will in Man. The realm of Will in Man is equivalent to this whole realm of action of the cathode rays, canal rays, Roentgen rays. \(\alpha\)-, \(\beta\)- and \(\gamma\)-rays and so on. It is from this very realm—which, once again, is in the human being the realm of Will,—it is from this that there arises what we possess in our mathematics, in our geometry, in our ideas of movement. These therefore are the realms, in Nature and in Man, which we may truly think of as akin to one-another. However, human thinking has in our time not yet gone far enough, really to think its way into these realms. Man of today can dream quite nicely, thinking out wave-theories and the like, but he is not yet able to enter with real mathematical perception into that realm of phenomena which is akin to the realm of human Will, in which geometry and arithmetic originate. For this, our arithmetical, algebraical and geometrical thinking must in themselves become more saturated with reality. It is along these lines that physical science should now seek to go. Nowadays, if you converse with physicists who were brought up in the golden age of the old wave-theory, you will find many of them feeling a little uncanny about these new phenomena, in regard to which ordinary methods of calculation seem to break down in so many places. In recent times the physicists have had recourse to a new device. Plain-sailing arithmetical and geometrical methods proving inadequate, they now introduce a kind of statistical method. Taking their start more from the outer empirical data, they have developed numerical relations also empirical in kind. They then use the calculus of probabilities. Along these lines it is permissible to say: By all means let us calculate some law of Nature; it will hold good throughout a certain series, but then there comes a point where it no longer works. There are indeed many things like this in modern Physics,—very significant moments where they lose hold of the thought, yet in the very act of losing it get more into reality. Conceivably for instance, starting from certain rigid ideas about the nature of a gas or air under the influence of warmth and in relation to its surroundings, a scientist of the past might have proved with mathematical certainty that air could not be liquefied. Yet air was liquefied, for at a certain point it emerged that the ideas which did indeed embrace the prevailing laws of a whole series of facts, ceased to hold good at the end of this series. Many examples might be cited. Reality today—especially in Physics—often compels the human being to admit this to himself: “You with your thinking, with your forming of ideas, no longer fully penetrate into reality; you must begin again from another angle.” We must indeed; and to do this, my dear Friends, we must become aware of the kinship between all that comes from the human Will—whence come geometry and kinematics—and on the other hand what meets us outwardly in this domain that is somehow separated from us and only makes its presence known to us in the phenomena of the other pole. For in effect, all that goes on in these vacuum tubes makes itself known to us in phenomena of light, etc. Whatever is the electricity itself, flowing through there, is imperceptible in the last resort. Hence people say: If only we had a sixth sense—a sense for electricity—we should perceive it too, directly. That is of course wide of the mark. For it is only when you rise to Intuition, which has its ground in the Will, it is only then that you come into that region—even of the outer world—where electricity lives and moves. Moreover when you do so you perceive that in these latter phenomena you are in a way confronted by the very opposite than in the phenomena of sound or tone for instance. In sound or in musical tone, the very way man is placed into this world of sound and tone—as I explained in a former lecture—means that he enters into the sound or tone with his soul and only with his soul. What he then enters into with his body, is no more than what sucks-in the real essence of the sound or tone. I explained this some days ago; you will recall the analogy of the bell-jar from which the air has been pumped out. In sound or tone I am within what is most spiritual, while what the physicist observes (who of course cannot observe the spiritual nor the soul) is but the outer, so-called material concomitant, the movement of the wave. Not so in the phenomena of the realm we are now considering, my dear Friends. For as I enter into these, I have outside me not only the objective, so-called material element, but also what in the case of sound and tone is living in me—in the soul and spirit. The essence of the sound or tone is of course there in the outer world as well, but so am I. With these phenomena on the other hand, what in the case of sound could only be perceived in soul, is there in the same sphere in which—for sound—I should have no more than the material waves. I must now perceive physically, what in the case of sound or tone I can only perceive in the soul. Thus in respect of the relation of man to the external world the perceptions of sound, and the perceptions of electrical phenomena for instance, are at the very opposite poles. When you perceive a sound you are dividing yourself as it were into a human duality. You swim in the elements of wave and undulation, the real existence of which can of course be demonstrated by quite external methods. Yet as you do so you become aware; herein is something far more than the mere material element. You are obliged to kindle your own inner life—your life of soul—to apprehend the tone itself. With your ordinary body—I draw it diagrammatically (the oval in Figure Xb)—you become aware of the undulations. You draw your ether—and astral body together, so that they occupy only a portion of your space. You then enjoy, what you are to experience of the sound or tone as such, in the thus inwarded and concentrated etheric-astral part of your being. It is quite different when you as human being meet the phenomena of this other domain, my dear Friends. In the first place there is no wave or undulation or anything like that for you to dive into; but you now feel impelled to expand what in the other case you concentrated (Figure Xc). In all directions, you drive your ether—and astral body out beyond your normal surface; you make them bigger, and in so doing you perceive these electrical phenomena. ![]() ![]() Without including the soul and spirit of the human being, it will be quite impossible to gain a true or realistic conception of the phenomena of Physics. Ever-increasingly we shall be obliged to think in this way. The phenomena of sound and tone and light are akin to the conscious element of Thought and Ideation in ourselves, while those of electricity and magnetism are akin to the sub-conscious element of Will. Warmth is between the two. Even as Feeling is intermediate between Thought and Will, so is the outer warmth in Nature intermediate between light and sound on the one hand, electricity and magnetism on the other. Increasingly therefore, this must become the inner structure of our understanding of the phenomena of Nature. It can indeed become so if we follow up all that is latent in Goethe's Theory of Colour. We shall be studying the element of light and tone on the one hand, and of the very opposite of these—electricity and magnetism—on the other. As in the spiritual realm we differentiate between the Luciferic, that is akin to the quality of light, and the Ahrimanic, akin to electricity and magnetism, so also must we understand the structure of the phenomena of Nature. Between the two lies what we meet with in the phenomena of Warmth. I have thus indicated a kind of pathway for this scientific realm,—a guiding line with which I wished provisionally to sum up the little that could be given in these few improvised hours. It had to be arranged so quickly that we have scarcely got beyond the good intentions we set before us. All I could give were a few hints and indications; I hope we shall soon be able to pursue them further. Yet, little as it is, I think what has been given may be of help to you—and notably to the Waldorf School teachers among you when imparting scientific notions to the children. You will of course not go about it in a fanatical way, for in such matters it is most essential to give the realities a chance to unfold. We must not get our children into difficulties. But this at least we can do: we can refrain from bringing into our teaching too many untenable ideas—ideas derived from the belief that the dream-picture which has been made of Nature represents actual reality. If you yourselves are imbued with the kind of scientific spirit with which these lectures—if we may take them as a fair example—have been pervaded, it will assuredly be of service to you in the whole way you speak with the children about natural phenomena. Methodically too, you may derive some benefit. I am sorry it was necessary to go through the phenomena at such breakneck speed. Yet even so, you will have seen that there is a way of uniting what we see outwardly in our experiments with a true method of evoking thoughts and ideas, so that the human being does not merely stare at the phenomena but really thinks about them. If you arrange your lessons so as to get the children to think in connection with the experiments—discussing the experiments with them intelligently—you will develop a method, notably in the Science lessons, whereby these lessons will be very fruitful for the children who are entrusted to you. Thus by the practical example of this course, I think I may have contributed to what was said in the educational lectures at the inception of the Waldorf School. I believe therefore that in arranging these scientific courses we shall also have done something for the good progress of our Waldorf School, which ought really to prosper after the good and very praiseworthy start which it has made. The School was meant as a beginning in a real work for the evolution of our humanity—a work that has its fount in new resources of the Spirit. This is the feeling we must have. So much is crumbling, of all that has developed hitherto in human evolution. Other and new developments must come in place of what is breaking down. This realization in our hearts and minds will give the consciousness we need for the Waldorf School. In Physics especially it becomes evident, how many of the prevailing ideas are in decay. More than one thinks, this is connected with the whole misery of our time. When people think sociologically, you quickly see where their thinking goes astray. Admittedly, here too most people fail to see it, but you can at least take notice of it; you know that sociological ways of thought will find their way into the social order of mankind. On the other hand, people fail to realize how deeply the ideas of Physics penetrate into the life of mankind. They do not know what havoc has in fact been wrought by the conceptions of modern Physics, terrible as these conceptions often are. In public lectures I have often quoted Hermann Grimm. Admittedly, he saw the scientific ideas of his time rather as one who looked upon them from outside. Yet he spoke not untruly when he said, future generations would find it difficult to understand that there was once a world so crazy as to explain the evolution of the Earth and Solar System by the theory of Kant and Laplace. To understand such scientific madness would not be easy for a future age, thought Hermann Grimm. Yet in our modern conceptions of inorganic Nature there are many features like the theory of Kant and Laplace. And you must realize how much is yet to do for the human beings of our time to get free of the ways of Kant and Konigsberg and all their kindred. How much will be to do in this respect, before they can advance to healthy, penetrating ways of thought! Strange things one witnesses indeed from time to time, shewing how what is wrong on one side joins up with what is wrong on another. What of a thing like this? Some days ago—as one would say, by chance—I was presented with a reprint of a lecture by a German University professor. (He prides himself in this very lecture that there is in him something of Kant and Konigsberg!) It was a lecture in a Baltic University, on the relation of Physics and Technics, held on the 1st of May 1918,—please mark the date! This learned physicist of our time in peroration voices his ideal, saying in effect: The War has clearly shewn that we have not yet made the bond between Militarism and the scientific laboratory work of our Universities nearly close enough. For human progress to go on in the proper way, a far closer link must in future be forged between the military authorities and what is being done at our Universities. Questions of mobilization in future must include all that Science can contribute, to make the mobilization still more effective. At the beginning of the War we suffered greatly because the link was not yet close enough—the link which we must have in future, leading directly from the scientific places of research into the General Staffs of our armies. Mankind, my dear Friends, must learn anew, and that in many fields. Once human beings make up their minds to learn anew in such a realm as Physics, they will be better prepared to learn anew in other fields as well. Those physicists who go on thinking in the old way, will never be so very far removed from the delightful coalition between the scientific laboratories and the General Staffs. How many things will have to alter! So may the Waldorf School be and remain a place where the new things which mankind needs can spring to life. In the expression of this hope, I will conclude our studies for the moment. |
33. Biographies and Biographical Sketches: Jean Paul
Rudolf Steiner |
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[ 6 ] And it is not because Jean Paul plays too little, but because he is too serious. The 'dream that his imagination dreams of the world is so majestic that what the senses really perceive seems small and insignificant compared to it. |
Paul Nerrlich, Jean Paul, p. 138 £.). As soon as he is in Leipzig, the whole love dream has faded. His later relationships with women were just as playful with the feelings of love, including those with his wife. |
He had hoped to meet giants and titans of spirit and imagination, as he had imagined them in his dreams to the point of superhumanity. And he did find geniuses, but only human beings. He was not attracted to either Goethe or Schiller. |
33. Biographies and Biographical Sketches: Jean Paul
Rudolf Steiner |
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Jean Paul's personality[ 1 ] There are works of the mind that lead such an independent existence that one can devote oneself to them without thinking for a moment of their author. One can follow the Iliad, Hamlet and Othello, Iphigenia from beginning to end without being reminded of the personality of Homer, Shakespeare or Goethe. These works stand before the viewer like beings with a life all their own, like developed human beings that we accept for themselves without asking about their father. In them, not only the spirit of creation but also that of the creator is constantly before us. Agamemnon, Achilles, Othello, Iago, Iphigenia appear before us as individuals who act and speak for themselves. Jean Paul's characters, these Siebenkäs and Leibgeber, these Albano and Schoppe, Walt and Vult always have a companion who speaks with them, who looks over their shoulders. It is Jean Paul himself. The poet himself also speaks in Goethe's Faust. But he does so in a completely different way to Jean Paul. What has flowed from Goethe's nature into the figure of Faust has completely detached itself from the poet; it has become Faust's own being and the poet steps off the stage after he has placed his double on it. Jean Paul always remains standing next to his figures. When immersing ourselves in one of his works, our feelings, our thoughts always jump away from the work and towards the creator. Something similar is also the case with his satirical, philosophical and pedagogical writings. Today we are no longer able to look at a philosophical doctrine in isolation, without reference to its author. We look through the philosophical thoughts to the philosophical personalities. In the writings of Plato, Aristotle and Leibniz, we no longer remain within the logical web of thought. We look for the image of the philosopher. Behind the works we look for the human being struggling with the highest tasks and watch how he has come to terms with the mysteries and riddles of the world in his own way. But this idiosyncrasy has been fully expressed in the works. A personality speaks to us through the works. Jean Paul, on the other hand, always presents himself to us in two forms in his philosophical writings. We believe that he speaks to us from the book; but there is also a person next to us who tells us something that we can never guess from the book. And this second person always has something to say to us that never falls short of the significance of his creations. [ 2 ] One may regard this peculiarity of Jean Paul's as a shortcoming of his nature. For those who are inclined to do so, I would like to counter Jean Paul's own words with some modification: Every nature is good as soon as it remains a solitary one and does not become a general one; for even the natures of a Homer, Plato, Goethe must not become general and unique and fill with their works "all the halls of books, from the old world down to the new, or we would starve and emaciate from oversaturation; as well as a human race, whose peoples and times consisted of nothing but pious Herrnhutters and Speners or Antonines or Lutherans, would at last present something of dull boredom and sluggish advancement." [ 3 ] It is true: Jean Paul's idiosyncrasy never allowed him to create works that have the character of perfection through the unity and roundness of their form, through the natural, objective development of the characters and the plot, through the idealistic representation of his views. He never found the perfect stylistic form for his great spiritual content. But he penetrated the depths and abysses of the human soul and scaled the heights of thought like few others. [ 4 ] Jean Paul was predisposed to a life of the greatest style. Nothing is inaccessible to his fine powers of observation, his high flight of thought. It is conceivable that he would have reached the pinnacle of mastery if he had studied the secrets of art forms like Goethe; or that he would have become one of the greatest philosophers of all time if he had developed his decisive ability to live in the realm of ideas to greater perfection. An unlimited urge for freedom in all his work prevents Jean Paul from submitting to any formal fetters. His bold imagination does not want to be determined in the continuation of a story by the art form it has created for itself at the beginning. Nor does it have the selflessness to suppress inflowing feelings and thoughts if they do not fit into the framework of the work to be created. Jean Paul appears as a sovereign ruler who plays freely with his imaginative creations, unconcerned about artistic principles, unconcerned about logical concerns. If the course of a narrative, a sequence of thoughts, flows on for a while, Jean Paul's creative genius always reclaims his freedom and leads the reader down side paths, occupying him with things that have nothing to do with the main thing, but only join it in the mind of the creator. At every moment, Jean Paul says what he wants to say, even if the objective course of events demands something completely different. Jean Paul's great style lies in this free play. But there is a difference between playing with complete mastery of the field in which one moves, or whether the whim of the player creates formations which give the impression to those who look at things according to their own laws that one part of the formation does not correspond to the other. With regard to the Greek works of art, Goethe bursts out with the words: "I have the suspicion that the Greeks proceeded according to the very laws according to which nature proceeds and which I am on the track of", and: "These high works of art are at the same time the highest works of nature, which have been produced by men according to true and natural laws. Everything arbitrary and imaginary collapses; there is necessity, there is God." One would like to say of Jean Paul's creations: here nature has created an isolated area in which it shows that it can defy its own laws and still be great. Goethe seeks to achieve freedom of creation by incorporating the laws of nature into his own being. He wants to create as nature itself creates. Jean Paul wants to preserve his freedom by not paying attention to the laws of things and imagining the laws of his own personality into his world. [ 5 ] If Jean Paul's nature were not very cozy, his free play with things and feelings would have a repulsive effect. But his interest in nature and people is no less than Goethe's and his love for all beings has no limits. And it is attractive to see how he immerses himself in things with his feelings, with his rapturous imagination, with his lofty flight of thought, without, however, seeing through the essence inherent in these things. essence itself. One would like to apply the saying "love is blind" to the sensuality with which Jean Paul describes nature and people. [ 6 ] And it is not because Jean Paul plays too little, but because he is too serious. The 'dream that his imagination dreams of the world is so majestic that what the senses really perceive seems small and insignificant compared to it. This tempts him to embody the contradiction between his dreams and reality. Reality does not seem serious enough for him to waste his seriousness on it. He makes fun of the smallness of reality, but he never does so without feeling the bitterness of not being able to enjoy this reality more. Jean Paul's humor springs from this basic mood of his character. It allowed him to see things and characters that he would not have seen in a different mood. There is a way to rise above the contradictions of reality and to feel the great harmony of all world events. Goethe sought to rise to this height. Jean Paul lived more in the regions in which nature contradicts itself and becomes unfaithful in detail to what speaks from its whole as truth and naturalness. Appear therefore [ 7 ] Jean Paul's creations, measured against the whole of nature, appear to be imaginary, arbitrary, one cannot say to them: "there is necessity, there is God"; to the individual, to the individual, his sensations appear to be quite true. He has not been able to describe the harmony of the whole, because he has never seen it in clear outline before his imagination; but he has dreamed of this harmony and wonderfully felt and described the contradiction of the individual with it. If his mind had been able to vividly shape the inner unity of all events, he would have become a pathetic poet. But since he only felt the contradictory, petty aspects of reality, he gave vent to them through humorous descriptions. [ 8 ] Jean Paul does not ask: what is reality capable of? He doesn't even get to that. For this question is immediately drowned out by the other: how little this reality corresponds to the ideal. But ideals that are so unable to tolerate the marriage with harsh reality have something soft about them. They lack the strength to live fully and freshly. Those who are dominated by them become sentimental. And sentimentality is one of Jean Paul's character traits. If he is of the opinion that true love dies with the first kiss, or at least with the second, this is proof that his sentimental ideal of love was not created to win flesh and blood. It always retains something ethereal. Thus Jean Paul hovers between a shadowy ideal world, to which his rapturous longing is attached, and a reality that seems foolish and foolish in comparison with that ideal world. Thinking of himself, he says of humor: "Humor, as the inverted sublime, does not destroy the individual, but the finite through the contrast with the idea. For it there is no single folly, no fools, but only folly and a great world; unlike the common joker with his side-swipes, it does not single out individual folly, but humiliates the great, but unlike parody - in order to elevate the small, and elevates the small, but unlike irony - in order to set the great alongside it and thus destroy both, because before infinity everything is equal and nothing is equal." Jean Paul was unable to reconcile the contradictions of the world, which is why he was also helpless in the face of those in his own personality. He could not find the harmony of the forces of the soul that were at work in him. But these forces of the soul have such a powerful effect that one must say that Jean Paul's imperfection is greater than many a perfection of a lower order. Jean Paul's ability may lag behind his will, but this will appears so clearly before one's soul that one feels one is looking into unknown realms when one reads his writings. Boyhood and grammar school[ 9 ] Jean Paul spent his childhood, from the age of two to twelve, in Joditz an der Saale, not far from Hof. He was born in Wunsiedel on March 21, 1763 as the son of the tertius and organist Johann Christian Christoph Richter, who had married Sophia Rosina Kuhn, the daughter of the cloth maker Johann Paul Kuhn in Hof, on October 16, 1761. Our poet was given the name Johann Paul Friedrich at his baptism. He later formed his literary name Jean Paul by Frenching his first two first names. On i. August 1765, the parents moved to Joditz. The father was appointed pastor there. The family had grown in Wunsiedel with the addition of a son, Adam. Two girls, who died young, and two sons, Gottlieb and Heinrich, were added in Joditz. A last son, Samuel, was born later, when the family was already in Schwarzenbach. Jean Paul describes his childhood in a captivating way in his autobiography, which unfortunately only goes up to 1779. All the traits that later emerged in the man were already evident in the boy. The rapturous fantasy, which is directed towards an ideal realm and which values reality less than this realm, manifested itself at an early age in the form of a fear of ghosts that often tormented him. He slept with his father in a parlor of the Joditz rectory, separated from the rest of the family. The children had to go to bed at nine o'clock. But the hard-working father only came to Jean Paul in the parlor two hours later, after he had finished his night's reading. Those were two difficult hours for the boy. "I lay with my head under the comforter in the sweat of ghostly fear and saw in the darkness the weather light of the cloudy ghostly sky, and I felt as if man himself were being spun by ghostly caterpillars. So I suffered helplessly for two hours at night, until finally my father came up and, like a morning sun, chased away ghosts like dreams." The autobiographer gives an excellent interpretation of this peculiarity of his childhood. "Many a child full of physical fear nevertheless shows courage of mind, but merely for lack of imagination; another, however - like me - trembles before the invisible world, because imagination makes it visible and shapes it, and is easily frightened by the visible, because it never reaches the depths and dimensions of the invisible. Thus, even a quick physical danger -- for example, a running horse, a clap of thunder, a war, the noise of a fire -- only makes me calm and composed, because I fear only with my imagination, not with my senses." And the other side of Jean Paul's nature can also be seen in the boy; that loving devotion to the little things of reality. He had "always had a predilection for the domestic, for still life, for making spiritual nests. He is a domestic shellfish that pushes itself quite comfortably back into the narrowest coils of the shell and falls in love, only that each time it wants to have the snail shell wide open so that it can then raise its four tentacles not as far as four butterfly wings into the air, but ten times further up to the sky; at least with each tentacle to one of the four satellites of Jupiter." He calls this peculiarity of his a "foolish alliance between searching far and searching near - similar to binoculars, which double the proximity or the distance by merely turning around". The boy's attitude towards Christmas is particularly significant for Jean Paul's character. The joys that the near reality offered him could not fill his soul, however great the extent to which they materialized. "For when Paul stood before the tree of lights and the table of lights on Christmas morning and the new world full of splendor and gold and gifts lay uncovered before him and he found and received new things and new and rich things: so the first thing that arose in him was not a tear - namely of joy - but a sigh - namely about life - in a word, even to the boy the crossing or leap or flight from the surging, playful, immeasurable sea of the imagination to the limited and confining solid shore was characterized by a sigh for a greater, more beautiful land. But before this sigh was breathed and before the happy reality showed its powers, Paul felt out of gratitude that he must show himself in the highest degree joyful before his mother; - and this glow he accepted at once, and for a short time too, because immediately afterwards the dawning rays of reality extinguished and removed the moonlight of imagination." Not as a child, nor in later life, could Jean Paul find the bridge between the land of his longing, which his imagination presented to him in unlimited perfection, and the reality that he loved, but which never satisfied him because he could not see it as a whole, but only in detail, in the individual, in the imperfect. [ 10 ] On behalf of his mother, Jean Paul often visited his grandparents in Hof. One summer's day on his way home, as he looked at the sunny, glistening mountain slopes and the drifting clouds at around two o'clock, he was overcome by an "objectless longing, which was a mixture of more pain and less pleasure and a desire without memory. Alas, it was the whole man who longed for the heavenly goods of life, which still lay unmarked and colorless in the deep darkness of the heart and which were fleetingly illuminated by the incident rays of the sun." This longing accompanied Jean Paul throughout his life; he was never granted the favor of seeing the objects of his longing in reality. [ 11 ] There were times when Jean Paul wavered as to whether he was born to be a philosopher or a poet. In any case, there is a distinctly philosophical streak in his personality. Above all else, the philosopher needs to reflect on himself. The philosophical fruits ripen in the most intimate inner being of man. The philosopher must be able to withdraw to this. From here he must be able to find the connection to world events, to the secrets of existence. The young Jean Paul also shows a budding tendency towards self-reflection. He tells us: "I have never forgotten the phenomenon within me, which I have never told anyone about, where I stood at the birth of my self-consciousness, of which I know exactly where and when. One morning, as a very young child, I was standing under the front door and looking to the left at the wood, when suddenly the inner face, I am an I, came before me like a flash of lightning from the sky, and remained shining ever since: then my I had seen itself for the first time and forever." All the peculiarities of Jean Paul's character and those of his creations are already to be found in the earliest traits of his nature. It would be wrong to look for the cause of the physiognomy of his spiritual personality in his growth out of the limited conditions of his upbringing. He himself considers it a happy coincidence that the poet spent his childhood not in a big city but in the village. This generalization is certainly daring. For Jean Paul, because of his individual nature, it was fortunate that he received his first impressions in the idyll of Jodice. For other natures, another is certainly the natural one. Jean Paul said: "Let no poet be born and educated in a capital, but where possible in a village, at most in a small town. The overabundance and overstimulation of a big city are for the excitable child's soul like eating dessert, drinking distilled water and bathing in mulled wine. Life exhausts itself in him in boyhood, and he now has nothing more to wish for than at most the smaller things, the villages. If I think of the most important thing for the poet, of love, he must see in the city, around the warm earthy belt of his parental friends and acquaintances, the larger cold turning and icy zones of unloved people, whom he encounters unknown to him and for whom he can kindle or warm himself as little as a ship's people sailing past another strange ship's people. But in the village they love the whole village, and no infant is buried there without everyone knowing its name and illness and sorrow; - and this glorious sympathy for everyone who looks like a human being, which therefore extends even to the stranger and the beggar, breeds a concentrated love of humanity and the right strength of heart." [ 12 ] There was a real rage for knowledge in the boy Jean Paul. "All learning was my life, and I would have been happy to be taught like a prince by half a dozen teachers at once, but I hardly had the right one." Of course, the father who provided the elementary lessons was not the right man to satisfy this desire. Johann Christoph Christian Richter was an outstanding personality. He inspired his small parish, whose members were connected to him like a large family, with his sermons. He was an excellent musician and even a popular composer of sacred music. Benevolence towards everyone was one of his outstanding character traits. He did some of the work in his field and garden with his own hands. The lessons he gave his son consisted of letting him "merely learn by heart, sayings, catechism, Latin words and Langen's grammar". This was of little avail to the boy, who was thirsting for real spiritual nourishment. Even then, he sought to acquire on his own what was not available to him from outside. He created a box for himself in which he set up a "case library" "made entirely of his own little sedes, which he sewed together and cut out of the wide paper cuttings from his father's octave sermons". [ 13 ] On January 9, 1776, Jean Paul moved to Schwarzenbach with his parents. His father was appointed pastor there by a patron, Baroness von Plotho. Jean Paul now went to a public school. The lessons there did not meet his intellectual needs any more than those of his father. The principal, Karl August Werner, taught the pupils to read in a way that lacked all thoroughness and immersion in the spirit of the writers. The chaplain Völkel, who gave him private lessons in geography and philosophy, provided a substitute for those in need of knowledge. Jean Paul received a great deal of inspiration from philosophy in particular. However, it was precisely this man to whom the young mind's firmly pronounced, rigid individuality came to the fore in a brusque manner. Völkel had promised to play a game of chess with him one day and then forgot about it. Jean Paul was so angry about this that he ignored his beloved philosophical lessons and never went to see his teacher again. At Easter 1779, Jean Paul came to Hof to attend grammar school. His entrance examination revealed an unusual maturity of mind. He was immediately placed in the middle section of the Prima. Soon afterwards, on April 135, his father died. Jean Paul had no real luck with his teachers in Hof either. Neither principal Kirsch nor deputy principal Remebaum, the primary school teachers, made any particular impression on Jean Paul. And once again he felt compelled to satisfy his mind on his own. Fortunately, his relationship with the enlightened Pastor Vogel in Rehau gave him the opportunity to do so. He placed his entire library at his disposal and Jean Paul was able to immerse himself in the works of Helvetius, Hippel, Goethe, Lavater and Lessing. He already felt the urge to assimilate what he had read and make it useful for his own life. He filled entire volumes with excerpts of what he had read. And a series of essays emerged from this reading. The grammar school pupil set about important things. What our concept of God is like; about the religions of the world; the comparison of the fool and the wise, the fool and the genius; about the value of studying philosophy at an early age; about the importance of inventing new truths: these were the tasks he set himself. And he already had a lot to say about these things. He was already dealing independently with the nature of God, with the questions of Christianity, with the spiritual progress of mankind. We encounter boldness and maturity of judgment in these works. He also ventured to write a poem, the novel "Abelard and Heloise". Here he appears in style and content as an imitator of Miller, the Sigwart poet. His longing for a perfect world that transcended all reality brought him into the path of this poet, for whom there were only tears on earth over broken hearts and dried up hopes and for whom happiness only lies beyond death. The motto of Jean Paul's novel already shows that he was seized by this mood: "The sensitive man is too good for this earth, where there are cold mockers - in that world only, which bears weeping angels, does he find reward for his tears." [ 14 ] In Hof, Jean Paul already found what his heart needed most, participating friends: Christian Otto, the son of a wealthy merchant, who later became the confidant of his literary works; Johann Richard Hermann, the son of a toolmaker, a brilliant man full of energy and knowledge, who unfortunately succumbed to the efforts of a life rich in deprivation and hardship as early as 1790. Furthermore, Adolf Lorenz von Oerthel, the eldest son of a wealthy merchant from Töpen near Hof. In contrast to Hermann, the latter was a soft, sentimentalist full of sentimentality and enthusiasm. Hermann was realistically inclined and combined practical wisdom with a scientific sense. In these two characters, Jean Paul already encountered the types that he later embodied in his poems in manifold variations, as the idealistic Siebenkäs compared to the realistic Leibgeber; as Walt compared to Vult. On May 19, 1781, Jean Paul was enrolled as a student of theology in Leipzig. University life[ 15 ] Conflicting thoughts and feelings waged a fierce battle in Jean Paul's soul when he entered the classrooms of the high school. He had absorbed opinions and views through avid reading; but neither his artistic nor his philosophical imagination wanted to unfold in such a way that what he had absorbed from outside would have taken on a fixed, individual structure. The basic forces of his personality were strong but indeterminate; the energy was great, the creative power sluggish. The impressions he received aroused powerful feelings in him, drove him to make decisive value judgments; but they did not want to form themselves into vivid images and thoughts in his imagination. [ 16 ] At university, Jean Paul only sought all-round stimulation. As the eldest son of a clergyman, it was part of the family tradition for him to study theology. If the intention of becoming a theologian ever played a role in his life, it did not last long. He wrote to his friend Vogel: "I have made it a rule in my studies to do only what is most pleasant to me, what I am least unskilled at and what I already find useful and consider useful. I have often deceived myself by following this rule, but I have never regretted this mistake. - To study what one does not love is to struggle with disgust, boredom and weariness in order to obtain a good that one does not desire; it is to waste one's powers, which one feels are made for something else, in vain on a thing where one can make no progress, and to withdraw them from the thing in which one would make progress." He lives at the university as a man of spiritual enjoyment who seeks only that which develops his dormant powers. He listens to lectures on St. John by Magister Weber, on the Acts of the Apostles by Morus; on logic, metaphysics and aesthetics by Platner, on morals by Wieland, on mathematics by Gehler; on Latin philology by Rogler. He also read Voltaire, Rousseau, Helvetius, Pope, Swift, Young, Cicero, Horace, Ovid and Seneca. The diary pages and studies in which he collects and processes what he has heard and read grow into thick volumes. He developed an almost superhuman capacity for work and a desire to work. He set down his views in essays that reflect his struggle for a free world view, independent of religious and scholarly prejudices. [ 17 ] The insecurity of his mind, which prevented Jean Paul from finding his own way in the face of the contemplation and appropriation of the foreign, would probably have held him back for a long time from appearing before the public with his attempts at writing if the bitterest poverty had not driven him to the decision: "To write books in order to be able to buy books." Jean Paul did not have time to wait until the bitterness he felt as a Leipzig student about the deplorable state of life and culture had turned into a cheerful, superior sense of humor. Early mature works emerged, satires in which the grumbling, criticizing man and not the poet and philosopher speaks out of Jean Paul. Inspired by Erasmus' "Encomium moriae", he wrote his "Praise of Stupidity" in 1782, for which he was unable to find a publisher, and in the same year the "Greenland Trials", with which he first appeared in public in 1783. When one reads these writings, one has the feeling that here is a man who not only vents his resentment on what he encounters that is wrong, but who painstakingly collects all the weaknesses and dark sides, all the stupidities and foolishness, all the mendacity and cowardice of life in order to pursue them with his wit. The roots through which Jean Paul connected with reality were short and thin. Once he had gained a foothold somewhere, he could easily loosen it again and transplant his roots into other soil. His life was broad, but not deep. This is most evident in his relationship with women. He did not love with the full elemental force of his heart. His love was a game with the sensations of love. He did not love women. He loved love. In 1783 he had a love affair with a beautiful country girl, Sophie Ellrodt in Helmbrechts. One day he wrote to her that her love made him happy; he assured her that her kisses had satisfied the longing that his eyes had aroused in him. But he also writes soon afterwards that he only stayed a little longer in Hof because he wanted to be happy in this place for some time before he would be happy in Leipzig (cf. Paul Nerrlich, Jean Paul, p. 138 £.). As soon as he is in Leipzig, the whole love dream has faded. His later relationships with women were just as playful with the feelings of love, including those with his wife. His love had something ghostly about it; the addition of sensuality and passion had too little elective affinity to the ideal element of his love. [ 18 ] The insecurity of the mind, the little connection of his being with the real conditions of life made Jean Paul a self-tormentor at times. He just flitted about reality; that is why he often had to go astray and reflect on his own personality. We read of a self-torture that went as far as asceticism in Jean Paul's devotional booklet, which he wrote in 1784. But even this asceticism has something playful about it. It remains stuck in ideal reverie. However profound the individual remarks he writes down about pain, virtue, glory-seeking, anger: one always has the impression that Jean Paul merely wanted to intoxicate himself with the beauty of his rules of life. It was refreshing for him to write down thoughts such as the following: "Hatred is not based on moral ugliness, but on your mood, sensitivity, health; but is it the other's fault that you are ill? ... The offending man, not the offending stone, annoys you; so think of every evil as the effect of a physical cause or as coming from the Creator, who also allowed this concatenation." Who can believe that he is serious about such thoughts, who almost at the same time wrote the "Greenland Trials", in which he wielded his scourge against writing, against clericalism, against ancestral pride in a way that does not betray the fact that he regards the wrongs of life as the effect of a physical cause? [ 19 ] The bitterest need caused Jean Paul to leave Leipzig like a fugitive on October 27, 1784. He had to secretly evade his creditors. On November 16, he arrived in Hof with his mother, who was also completely impoverished. Educator and years of travel[ 20 ] Jean Paul spent two years in Hof surrounded by a housebound mother and the most oppressive family circumstances. Alongside the noisy bustle of his mother, the washing and scrubbing, the cooking and flattening, the whirring of the spinning wheel, he dreamed of his ideals. Only the New Year of 1787 brought partial redemption. He became a tutor to the younger brother of his friend Oerthel in Töpen near Hof. There was at least one person in Chamber Councillor Oerthel's house who was sympathetic to the idealistic dreamer, who had a slight tendency towards sentimentality. It was the woman of the house. Jean Paul remembered her with gratitude throughout his life. Her loving nature made up for some of the things that her husband's rigidity and roughness spoiled for Jean Paul. And even if the boy he had to educate caused the teacher many a worry due to his suspicious character, the latter seems to have clung to his pupil with a certain love, for he later said of the early departed that he had had the most beautiful heart and that the best seeds of virtue and knowledge lay in his head and heart. After two years, Jean Paul left Oerthel's house. We are not informed of the reasons for this departure. Necessity soon forced him to exchange the old schoolmaster's office for a new one. He moved to Schwarzenbach to give elementary lessons to the children of his old friends, the pastor Völkel, the district administrator Clöter and the commissioner Vogel. [ 21 ] During his time in Hof and Töpen, Jean Paul's need for friendship bore the most beautiful fruit. If Jean Paul lacked the endurance of passion for devoted love, he was made for friendship that lived more in the spiritual element. His friendship with Oerthel and Hermann deepened during this time. And when they were taken from him by death in quick succession, in 1789 and 1790, he erected monuments to them in his soul, the sight of which spurred him on to ever new work throughout his life. The deep glimpses that Jean Paul was granted into the souls of his friends were a powerful stimulus for his poetic creativity. Jean Paul needed to lean on people who were attached to him with all their soul. The urge to transfer his feelings and ideas directly into another human soul was great. He could consider it fortunate that shortly after Oerthel and Hermann had passed away, another friend surrendered to him in loyal love. It was Christian Otto who, from 1790 until Jean Paul's death, lived through his intellectual life with selfless sympathy. [ 22 ] Jean Paul himself describes how he spent the period from 1783 to 1790. "I enjoyed the most beautiful things in life, autumn, summer and spring with their landscapes on earth and in the sky, but I had nothing to eat or wear and remained anemic and little respected in Hof im Voigtlande." It was during this time that his "Auswahl aus des Teufels Papieren nebst einem notwendigen Aviso vom Juden Mendel" was written. In this book, the creative satirist appears alongside the polemicist. The criticism has partly been transformed into narrative. People appear instead of the earlier abstract ideas. But what is still laboriously struggling for embodiment here emerges in a more perfect form in the three stories written in 1790: "Des Amtsvogts Freudel Klaglibell gegen seinen verfluchten Dämon"; "Des Rektors Fälbel und seiner Primaner Reise nach dem Fichtelberg" and in the "Leben des vergnügten Schulmeisterleins Maria Wuz in Auenthal". In these three poems, Jean Paul succeeds in drawing characters in which humanity becomes caricature. Freudel, Fälbel and Wuz appear as if Jean Paul were looking at his ideal image of man in mirrors, which make all the features appear diminished and distorted. But in doing so, he creates afterimages of reality. Freudel depicts the t'ypus of man, who at moments when he needs the greatest seriousness and solemn dignity becomes ridiculous through the trickery of his absent-mindedness or chance. Another kind of human caricature, which judges the whole world from the narrowest perspective of its own profession, is characterized in Fälbel. A schoolmaster who believes that the great French social upheaval would have been impossible if the revolutionary heroes had commented on the old classics instead of reading the evil philosophers. The Auenthal schoolmaster Maria Wuz is a wonderful picture of stunted humanity. In his village idyll, he lives human life on a microscopic scale, but he is as happy and content as none of the greatest sages can be. [ 23 ] It is difficult to decide whether Jean Paul was a good schoolmaster. If he was able to follow the principles he wrote in his diaries, then he certainly turned his pupils into what they were capable of becoming. But schoolmastering was certainly more fruitful for him than for his pupils. For he gained deep insights into young human nature, which led him to the great pedagogical ideas that he later developed in his "Levana". However, he would hardly have been able to endure the confines of the office for three years if he had not found in his visits to Hof a conductor that was entirely in keeping with his nature. He was a connoisseur of the intellectual pleasures that arise from relationships with talented and excitable people. In Hof, he was always surrounded by a crowd of young girls who swarmed around him and stimulated his imagination. He regarded them as his "erotic academy". He fell in love, as far as he could love, with each of the academy girls, and the intoxication of one love affair had not yet faded when another began. [ 24 ] This mood gave rise to the two novels "The Invisible Lodge" and "Hesperus". Gustav, the main character of the "Invisible Lodge", is a nature like Wuz, who only outgrows Wuz's existence and is forced to allow his tender heart, which could be content in a narrowly defined circle, to be tortured by harsh reality. The contrast between ideal sensuality and what is really valid in life forms the basic motif of the novel. And this motif becomes Jean Paul's great problem in life. It appears in ever new forms in his creations. In "The Invisible Lodge", the ideal sensuality has the character of a deep emotionalism that tends towards sentimentalism; in "Hesperus" it takes on a more rational form. The protagonist, Viktor, no longer merely raves with his heart like Gustav, but also with his mind and reason. Viktor actively intervenes in the circumstances of life, while Gustav passively allows them to affect him. The feeling that runs through both novels is this: the world is not made for good and great people. They have to retreat to an ideal island within themselves and lead an existence outside and above the world in order to make do with its wretchedness. The great man with a noble nature, a brilliant mind and an energetic will, who weeps or laughs at the world, but never draws a sense of satisfaction from it, is one of the extremes between which all Jean Paul's characters are to be placed. The other is the small, narrow-minded person with a subaltern attitude, who is content with the world because his empty mind does not conjure up dreams of a greater one. The figure of Quintus Fixlein in the 1794 story "Life of Quintus Fixlein drawn from fifteen boxes of notes" approaches the latter extreme; the following poem "Jean Paul's biographical amusements under the brainpan of a giantess", written in the same year, approaches the former. Fixlein is happy with modest plans for the future and the most petty scholarly work; Lismore, the main character of the "Amusements", suffers from the disharmony of his energetic will and weaker ability and from the other between his idealistically lofty ideas of human nature and those of his fellow human beings. The struggle that arises when a strong will that transcends the boundaries of reality and a human attitude that grows out of the limited conditions of a petty existence collide was depicted by Jean Paul in the book "Blumen-, Frucht- und Dornenstücke oder Ehestand, Tod und Hochzeit des Armenadvokaten F. St. Siebenkäs im Reichsmarktflecken Kuhschnappel" (Pieces of Flowers, Fruit and Thorns or the Marriage, Death and Wedding of the Poor Lawyer F. St. Siebenkäs in the Imperial Market Town of Kuhschnappel), published at Easter 1795. There are two people here who, because of their higher nature, do not know how to come to terms with the world. One, Siebenkäs, believes in a higher existence and suffers from the fact that this cannot be found in the world; the other, Leibgeber, sees through the nothingness of the world, but does not believe in the possibility of any kind of better. He is a humorist who thinks nothing of life and laughs at reality; but at the same time he is a cynic who cares nothing for higher things and considers all idealistic dreams to be bubbles of foam that rise from the muck of vulgarity as a haze to the scorn of humanity. Siebenkäs suffers at the hands of his wife Lenette, in whom philistine, narrow-minded reality is embodied; and Leibgeber suffers from his faithlessness and hopelessness. But he always rises above it with humor. He demands nothing extraordinary from life; that is why his disappointments are not great and why he does not consider it necessary to make higher demands of himself. [ 25 ] Even before finishing "Hesperus", Jean Paul had swapped his teaching and educational work in Schwarzenbach for one in Hof. In the summer of 1796, he undertook a trip to Weimar. Like the heroes of his novels in the midst of a reality that did not satisfy them, Jean Paul felt at home in the city of muses. In his opinion, everything that reality could contain in terms of grandeur and sublimity should have been crowded together in this small town. He had hoped to meet giants and titans of spirit and imagination, as he had imagined them in his dreams to the point of superhumanity. And he did find geniuses, but only human beings. He was not attracted to either Goethe or Schiller. Both had already made their peace with the world at that time; both had realized the great world harmony that allows man to make peace with reality after a long struggle. Jean Paul was not allowed to find this peace. His soul was made for the lust of the struggle between ideal and reality. Goethe seemed to him stiff, cold, proud, frozen against all men; Schiller rock-faced and hard, so that foreign enthusiasm bounced off him. Only with Herder did a beautiful bond of friendship develop. The theologian, who sought salvation beyond the real world, could be a comrade to Jean Paul, but not the worldlings Goethe and Schiller, the idolizers of the real. Jean Paul felt the same way about Jacobi, the philosophical fisherman in the murky waters, as he did about Herder. Understanding and reason penetrate reality and illuminate it with the light of the idea; feeling clings to the dark, the unrecognizable, to the world of faith. And Jacobi reveled in the world of faith, as did Jean Paul. This trait of his spirit won him the hearts of women. Karoline Herder raved about the poet of sentimentality, and Charlotte von Kalb admired in him the ideal of a man. [ 26 ] After his return from Weimar, Jean Paul's poetry lost itself completely in the vagueness of emotional indulgence and in an unworldly way of thinking and attitude in "Jubelsenior" and "Kampanerthal oder über die Unsterblichkeit der Seele" (1797). If the journey to Weimar had not strengthened his eyes for an unbiased contemplation of life, the varied wanderings that lasted from 1797 to 1804 did even less. He now lived successively in Leipzig, Weimar, Berlin, Meiningen and Koburg. Everywhere he established relationships with people, especially with women; everywhere he was welcomed with open arms. People were intoxicated by his ideas, which flowed from the depths of the emotional world. But the attraction they exerted on him soon wore off. He wrapped thick tentacles around the people he got to know, but soon drew these arms in again. In Weimar, Jean Paul spent happy days in the company of Frau von Kalb, Duchess Amalia, Knebel, Böttiger and others; in Hildburghausen, he carried his love game so far that he became engaged to Caroline von Feuchtersleben, only to part with her again soon afterwards. From Berlin he fetched the woman who really became his wife, Karoline, the second daughter of the senior tribunal councillor Maier. He entered into a marriage with her, which initially lifted him to the highest heights of happiness that a man can climb, and from which all happiness then disappeared to such an extent that Jean Paul only held on to her out of duty and Karoline endured it with submission and self-emptying. On her union with Jean Paul, this woman wrote to her father: "I never thought I would be as happy as I am. It will sound strange to you when I tell you that the high enthusiasm which carried me away when I met Richter, but which subsequently faded away as I descended into a more real life, is revived anew every day." And in July 1820, she confessed that she no longer had any right to his heart, that she felt poor and miserable in comparison to him. [ 27 ] In Meiningen and Koburg, Jean Paul was able to get to know the peaks from which the world is ruled. The dukes in both places were on the most friendly terms with him. He was not to be missed at any court festival. Anyone seeking intellectual entertainment and stimulation joined him. [ 28 ] Jean Paul's two most important poems, "Titan" and "Flegeljahre", were written during his years of wandering. His poetic power appears heightened, his imagination works in sharper outlines in these works. The characters are similar to those we encounter in his earlier works, but the artist has gained greater confidence in drawing and more vivid colors. He has also descended from depicting the outside of people into the depths of their souls. While Siebenkäs, Wuz and Fälbel appear like silhouettes, the Albano and Schoppe of the "Titan", the Walt and Vult of the "Flegeljahre" appear as perfectly painted figures. Albano is the man of strong will. He wants great things without asking where the strength to achieve them will come from. He has an addiction to breaking all the shackles of humanity. Unfortunately, it is precisely this humanity that is confined within narrow limits. A soft heart, an over-sensitive sensibility blunt the power of his imagination. He is unable to truly love either the rapturous Liana, with her fine nerves and boundless selflessness, or the ingenious, free-spirited Linda. He cannot love at all because his ideals make him demand more from love than it can offer. Linda wants devotion and nothing but devotion from Albano; but he thinks that he must first win her love through great deeds, through participation in the great war of freedom. He first wants to acquire what he could easily have. Reality in itself is nothing to him; only when he can combine an ideal with it does it become something to him. In view of the great works of art in Rome, it is not the secrets of art that open up to him, but his thirst for action awakens. "How in Rome a person can only enjoy and melt softly in the fire of art, instead of being ashamed and struggling for strength and action," he does not understand. But in the end this 'thirst for action only finds nourishment in the fact that it turns out that Albano is a prince's son and that the throne is his by inheritance. And his need for love is satisfied by the narrow-minded Idoine, who is devoid of any higher impetus. Opposite Albano is Schoppe, who is a body giver in a heightened form. He gives no thought to the nothingness of the world, for he knows that it cannot be otherwise. Life seems worthless to him; nothing has value for him but personal freedom and boundless independence. Only one struggle could have value for him, that for the unconditional freedom of the individual. He derides all other activities. Nothing frightens him more than his own ego. Everything else does not seem worth thinking about to him, not worth enthusiasm and not worth hatred; but he fears his ego. It is the only great mystery that haunts him. In the end, it drives him mad because it haunts him as a single being in the midst of an eerie void. [ 29 ] Something of this fear of the ego lived in Jean Paul himself. It was an uncanny thought for him to descend into the depths of the mind and see how the human ego is at work to produce all that springs forth from the personality. That is why he hated the philosopher who had shown this ego in its nakedness, Fichte. He mocked him in his "Clavis Fichtiana seu Leibgeberiana" (1801). [ 30 ] And Jean Paul had reason to shy away from looking into his innermost self. For in it, two egos engaged in a dialog that sometimes drove him to despair. There was the ego with the golden dreams of a higher world order, which mourned over the mean reality and consumed itself in sentimental devotion to an indefinite beyond; and there was the second ego, which mocked the first for its rapture, knowing full well that the indefinite ideal world could never be reached by any reality. The first ego lifted Jean Paul above reality into the world of his ideals; the second was his practical advisor, reminding him again and again that he who wants to live must come to terms with the conditions of life. He divided these two natures in his own personality between two people, the twin brothers Walt and Vult, and portrayed their mutual relationship in the "Flegeljahre". How little Jean Paul's idealism is rooted in reality is best shown in the introduction to the novel. It is not the concatenations of life that are supposed to make the enthusiast Walt a useful person for reality, but the arbitrariness of an eccentric who has bequeathed his entire fortune to the imaginative youth, but on condition that various practical obligations are imposed on him. Any failure to fulfill these practical obligations immediately results in the loss of part of the inheritance. Walt is only able to find his way through life's tasks with the help of his brother Vult. Vult attacks everything he starts with rough hands and a strong sense of reality. The two brothers' natures first complement each other for a while in a beautifully harmonious endeavor, only to separate later on. This conclusion again points to Jean Paul's own nature. Only temporarily did his two natures create a harmonious whole; time and again he suffered from their divergence, from their irreconcilable opposition. [ 31 ] Never again did Jean Paul succeed in expressing with such perfection what moved him most deeply in poetry as in the "Flegeljahre". In 1803, he began to record the philosophical thoughts he had formed about art over the course of his life. This gave rise to his "Preliminary School of Aesthetics". These thoughts are bold and shed a bright light on the nature of art and artistic creation. They are the intuitions of a man who had experienced all the secrets of this creation in his own production. What the enjoyer draws from the work of art, what the creator puts into it: it is said here with infinite beauty. The psychology of humor is revealed in the most profound way: the hovering of the humorist in the spheres of the sublime, his laughter at reality, which has so little of this sublime, and the seriousness of this laughter, which only does not weep at the imperfections of life because it stems from human greatness. [ 32 ] Jean Paul's ideas on education, which he set down in his "Levana" (1806), are no less significant. His sense of the ideal benefits this work more than any other. Only the educator really deserves to be an idealist. He is all the more fruitful the more he believes in the unknown in human nature. Every pupil should be a riddle for the educator to solve. The real, the educated should only serve him to discover the possible, the yet-to-be-formed. What we often feel to be a shortcoming in Jean Paul the poet, that he does not succeed in finding harmony between what he wants with his characters and what they really are: in Jean Paul, the teacher of the art of education, this is a great trait. And the sense for human weaknesses, which made him a satirist and humorist, enabled him to give the educator significant hints to counteract these weaknesses. Bayreuth[ 33 ] In 1804, Jean Paul moved to Bayreuth to make this town his permanent residence until the end of his life. He felt happy again to see the mountains of his homeland around him and to pursue his poetic dreams in quiet, small circumstances. He no longer created anything as perfect as the "Titan", the "Flegeljahre", the "Vorschule" and the "Levana", although his 'urge to be active took on a feverish character. Upsets about contemporary events, about the miserable state of the German Reich, an inner nervous restlessness that drove him to travel again and again, interrupted the regular course of his life. Half an hour away from Bayreuth, he had made himself a quiet home for a while in the house of Mrs. Rollwenzel, who cared for him like a mother and had made him famous. He needed the change of location in order to be able to create. While it was initially enough for him to leave his family home for hours every day and make the "Rollwenzelei" the scene of his work, this also changed later on. He traveled to various places: Erlangen (1811), Nuremberg (1812), Regensburg (1816), Heidelberg (1817), Frankfurt (1818), Stuttgart, Löbichau (1819), Munich (1820). In Nuremberg he had the pleasure of getting to know his beloved Jacobi, with whom he had previously only written, in person. In Heidelberg, his genius was celebrated by young and old alike. In Stuttgart, he became close to Duke Wilhelm von Württemberg and his talented wife. In Löbichau, he spent the most beautiful days in the house of Duchess Dorothea of Courland. He was surrounded by a society of exquisite women, so that he felt as if he were on a romantic island. [ 34 ] The fascinating influence that Jean Paul exerted on women, which was evident in Karoline Herder and Charlotte von Kalb and many others, led to a tragedy in 1813. Maria Lux, the daughter of a republican from Mainz who had played a role in the Charlotte Corday catastrophe, fell passionately in love with Jean Paul's writings, which soon turned into an ardent love for the poet she did not know personally. The unhappy girl was dismayed when she saw that her feeling of admiration for the genius was turning more and more stormily into a passionate affection for the man, and gave herself up to death. Sophie Paulus' affection in Heidelberg made a deeply moving impression, if not an equally shattering one. In constant vacillation between moods of fiery love and admirable renunciation and self-control, this girl consumes herself until, at the age of twenty-five and unsure of herself, she offers her hand to the old A. W. Schlegel in a union that is soon shattered by the conflicting natures. [ 35 ] The cheerful superiority that enabled him to create humorous images of life left Jean Paul completely in Bayreuth. What he still produces has a more serious tone. He is still unable to create characters who lead an existence appropriate to the ideal human nature he has in mind, but he does create characters who have made their peace with reality. Self-satisfied characters are Katzenberger in "Katzenbergers Badereise" (1808) and Fibel in "Leben Fibels" (1811). Fibel is happy, despite the fact that he only manages to write a modest book, and Katzenberger is happy in his study of abortions. Both are distorted images of humanity, but there is no reason to mock them, nor, as with Wuz, to look at their limited happiness with emotion. Schmelzle's "Des Feldprediger Schmelzles Reise nach Flätz", which was written before them (1807), differs from them. Fibel and Katzenberger are content in their indifferent, meaningless existence; Schmelzle is a discontented hare's foot who is afraid of imaginary dangers. But even in this poem there is nothing more of Jean Paul's great problem, of the clash between the ideal, fantastic dream world and actual reality. Nor is there any sense of a struggle between the two worlds in Jean Paul's last great poem, the "Comet", on which he worked for many years (1815 to 1820). Nikolaus Marggraf wants to make the world happy. His plans are indeed fantastic. But he never felt that they were just a dream. He believes in himself and his ideals and is happy in this belief. Essays written with reference to the political situation in Germany and those in which Jean Paul discusses general questions of science and life were written between the larger works. Some of them are collected in "Herbstblumine" (1810, 1815, 1820) and in his "Museum" (1812). The poet appears as a patriot in his "Freiheitsbüchlein" (1805), in the "Friedenspredigt" (1808) and in the "Dämmerungen für Deutschland" (1809). [ 36 ] During his time in Bayreuth, Jean Paul's humorous mood increasingly gave way to one that took the world and people as they were, even though he only saw imperfections and small things everywhere. He is disgruntled about reality, but he bears the disgruntlement. [ 37 ] The great humorist was not granted a cheerful old age. Three years before his end, he had to watch his son Max die, with whom he laid to rest a wealth of hopes for the future and most of his personal happiness. An eye ailment that afflicted the poet worsened in his last years until he became completely blind. The old man, who could no longer see the outside world, now immersed himself completely within himself. He now lived the life he thought no longer belonged to this world, even before death, and from the treasure trove of these inner experiences he drew the thoughts for his "Selina" or "On the Immortality of the Soul", in which he speaks like a transfigured person and believes he really sees what he has dreamed of all his life. Jean Paul died on November 14, 1825. "Selina" was not published until after his death. |
14. Four Mystery Plays: The Soul's Awakening: Scene 9
Translated by Harry Collison Rudolf Steiner |
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Equip my soul with strength That thou mayst not pass from me like a dream. In light which on the cosmic midnight shines, Which Astrid brings from soul-obscurity, Mine ego joins that self which fashioned me To serve its purpose in the cosmic life. |
Luna: Preserve, before the sense-life once again Makes thee to dream, the power of thine own will With which this moment hath presented thee. Think of the words that I myself did speak When at the cosmic midnight seen by thee. |
Maria: That woman, too, who near the temple stayed, I see her as she was in olden time, But not yet can my vision penetrate To where she is; how can I find her then When sense-life causeth me to dream again? The Guardian: Thou wilt discover her when thou dost see That being in the realm of souls whom she Doth count a shade amongst the other shades. |
14. Four Mystery Plays: The Soul's Awakening: Scene 9
Translated by Harry Collison Rudolf Steiner |
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A study in Hilary's house. A general atmosphere of seriousness pervades the room. Maria alone in meditation. Maria: (Astrid appears to right.) Astrid: Maria: Astrid: Maria: Astrid: Maria: (Immediately after the last words, as if summoned by them, Luna appears.) Luna: Maria: Luna: Maria: (The Guardian of the Threshold appears while the latter sentences are being uttered.) The Guardian: Maria: (Benedictus appears.) The cosmic word declares within thyself.’ Benedictus: Maria: Benedictus: Maria: The Guardian: Maria: The curtain falls while Maria, Astrid, and Luna are still in the room |
36. On the Life of the Soul: The Human Soul in Courage and Fear
11 Nov 1923, Translated by Samuel Borton Rudolf Steiner |
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If one fills the soul with something that afterward proves to be like a dream in its illusory character, and one experiences the illusory in its true nature, then one becomes stronger in one's own experience of self. In confronting a dream, one's thinking corrects the belief one has in the dream's reality while dreaming. Concerning the activity of fantasy, this correction is not needed because one did not have this belief. |
36. On the Life of the Soul: The Human Soul in Courage and Fear
11 Nov 1923, Translated by Samuel Borton Rudolf Steiner |
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The habits of thinking that have come to be accepted in the modern study of nature [Naturerkenntnis] can yield no satisfying results for the study of the soul. What one would grasp with these habits of thinking must either be spread out in repose before the soul or, if the object of knowledge is in movement, the soul must feel itself extricated from this movement. For to participate in the movement of the object of knowledge means to lose oneself in it, to transform oneself, so to speak, into it. How should the soul grasp itself, however, in an act of knowing in which it must lose itself? It can expect self-knowledge only in an activity in which, step by step, it comes into possession of itself. This can only be an activity that is creative. Here, however, a cause for uncertainty arises at once for the knower. He believes he will lapse into personal arbitrariness. It is precisely this arbitrariness that he gives up in the knowledge of nature. He excludes himself and lets nature hold sway. He seeks certainty in a realm which his individual soul being does not reach. In seeking self-knowledge he cannot conduct himself in this way. He must take himself along wherever he seeks to know. He therefore can find no nature on his path to self-knowledge. For where she would encounter him, there he is no longer to be found. This, however, provides just the experience that is needed with regard to the spirit. One cannot expect other than to find the spirit when, through one's own activity, nature, as it were, melts away; that is, when one experiences oneself ever more strongly in proportion to one's feeling this melting away. If one fills the soul with something that afterward proves to be like a dream in its illusory character, and one experiences the illusory in its true nature, then one becomes stronger in one's own experience of self. In confronting a dream, one's thinking corrects the belief one has in the dream's reality while dreaming. Concerning the activity of fantasy, this correction is not needed because one did not have this belief. Concerning the meditative soul activity, to which one devotes oneself for spirit-knowledge, one cannot be satisfied with mere thought correction. One must correct by experiencing. One must first create the illusory thinking with one's activity and then extinguish it by a different, equally strong, activity. In this act of extinguishing, another activity awakens, the spirit-knowing activity. For if the extinguishing is real, then the force for it must come from an entirely different direction than from nature. With the experienced illusion one has dispersed what nature can give; what inwardly arises during the dispersion is no longer nature. With this activity something is needed that does not come into consideration in the study of nature: inner courage. With it one must take hold of what inwardly arises. In the study of nature one needs to hold nothing inwardly. One lets oneself be held by what is external. Inner courage is not needed here. One forgets it. This forgetting then causes anxiety when the spiritual is to enter the sphere of knowledge. Fear is felt because one might grope in a void if one no longer could hold onto nature. This fear meets one at the threshold to spirit knowledge. And fear causes one to recoil from this knowledge. One now becomes creative in recoiling instead of in pressing forward. One does not allow the spirit to shape creative knowledge in oneself; one invents for oneself a sham logic for disputing the justification of spirit knowledge. Every possible sham reason is brought forward to spare one from acknowledging the spiritual, because one retreats trembling in fear of it. Instead of spirit knowledge, then, there arises out of the creative force that which now appears in the soul when it draws back from nature, the enemy of spirit knowledge: first, as doubt concerning all knowledge that extends beyond nature; and then, as the fear grows, as an anti-logic that would banish all spirit knowledge to the realm of the fantastic. Whoever has learned to move cognitively in the spirit often sees in the refutations of this knowledge its strongest evidence; for it becomes clear to him how in the soul, step by step, the refuter chokes down his fear of the spirit, and how in choking it he creates this sham logic. With such a refuter there is no point in arguing, for the fear befalling him arises in the subconscious. The consciousness tries to rescue itself from this fear. It feels at first that should this anxiety arise, it would inundate the whole inner experience with weakness. It is true, the soul cannot escape from this weakness, for one feels it rising up from within. If one ran away it would follow one everywhere. He who proceeds further in the knowledge of nature and, in his dedication to it feels obliged to preserve his own self, never escapes from this fear if he cannot acknowledge the spirit. Fear will accompany him, unless he is willing to give up the knowledge of nature along with spirit knowledge. He must somehow rid himself of this fear in his pursuit of the science of nature. In reality he cannot do so. The fear is produced in the subconscious during the study of nature. It continually attempts to rise up out of the subconscious into consciousness. Therefore one refutes in the thought world what one cannot remove from the reality of soul experience. And this refutation is an illusory layer of thought covering the subconscious fear. The refuter has not found the courage to come to grips with the illusory, just as in the meditative life he has to obliterate illusion in order to attain spiritual reality. For this reason he interposes the false arguments of his refutation into that region of the life of the soul that now arises. They soothe his consciousness; he ceases to feel the fear that, all the same, remains in his subconscious. The denial of the spiritual world is a desire to run away from one's own soul. This, however, represents an impossibility. One must remain with oneself. And because one may run away but not escape from oneself, one takes care that in running one loses sight of oneself. It is the same with the entire human being in the soul realm, however, as it is with the eye with a cataract. The eye can then no longer see. It is darkened within itself. So, too, the denier of spirit knowledge darkens his soul. He causes its darkening through sham reasoning born of fear. He avoids healthy clarification of the soul; he creates for himself an unhealthy soul darkening. The denial of spirit knowledge has its origin in a cataract affliction of the soul. Thus one is ultimately led to the inner spiritual strength of the soul when one is willing to see the justification of spirit knowledge. And the way to such a knowledge can be had only through the strengthening of the soul. The meditative activity, preparing the soul for spirit knowledge, is a gradual conquest of the soul's “fear of the void.” This void, however, is only a “void of nature,” in which the “fullness of the spirit” can manifest itself if one wishes to take hold of it. Nor does the soul enter this “fullness of the spirit” with the arbitrariness it has when acting through the body in natural life; the soul enters this fullness at the moment when the spirit reveals to the soul the creative will, before which the arbitrariness, existing only in natural life, dissolves in the same way as nature herself dissolves. |
91. Inner and Outer Evolution: On Meditation II
18 Aug 1904, Graal Rudolf Steiner |
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If we extend [the review] not to twelve hours, but to twenty-four hours, we will see that it is good. The dreams will be only confusedly conscious at first, but it is good that one extends one's memory, for thereby the sense of the astral is sharpened, and the consciousness becomes continuous. One learns to understand that the dream life has a higher reality. To man the astral appears in distorted images, because man is not able to see properly. Later comes the moment when during the dream man is fully conscious, and this leads to the continuity of consciousness, so that it becomes indifferent whether we are awake or dreaming. |
91. Inner and Outer Evolution: On Meditation II
18 Aug 1904, Graal Rudolf Steiner |
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The purpose of the evening review is to turn the life of the past into lessons for the life of the future. Some say: yes, I do it every day. Self-examination is also a double-edged sword; it is fruitful only when it really detaches the higher self from [the lower]. People do not become strangers enough to themselves, worrying ... This is not unjustified, theosophy does not say to become hard-hearted; but often we prevent something by worrying and worrying about past things, prevent doing better. The purpose of meditative work is to pull oneself out; during the day one can have sorrow and worry, during the review [one must reject them] as well as the everyday thoughts. It is good to make this day review from backward to forward. For man lives toward the future, and in truth the future is approaching, perfection is at the end. If we extend [the review] not to twelve hours, but to twenty-four hours, we will see that it is good. The dreams will be only confusedly conscious at first, but it is good that one extends one's memory, for thereby the sense of the astral is sharpened, and the consciousness becomes continuous. One learns to understand that the dream life has a higher reality. To man the astral appears in distorted images, because man is not able to see properly. Later comes the moment when during the dream man is fully conscious, and this leads to the continuity of consciousness, so that it becomes indifferent whether we are awake or dreaming. This is also the way in which the masters teach the occult disciples. One should not care whether one is a valuable personality or not. As for the morning meditation, it is mainly a matter of having a completely sightless consciousness, so that this void is filled with spiritual content ... or scripture. Let's try to bring about this emptiness by imagining the absolute, dark and empty space that has no boundary. The state we have to invoke is just like when we are asleep. To exclude the senses and the memory is the art. Then we imagine the absolute empty and dark space, and then out of this blackest darkness we let rise: "aum mani padme hum" - then the formula and the elevation to the higher self. Again darkness - and then as on a wall the sentence. Sitting down more often, when there is time and opportunity, and thinking of nothing at all is a good exercise. It is hard to resist the always angry thoughts. This even strengthens the physical organism. Very significant is to get free the brain with present astral body. A strong reason why the astral body is egoistic is the thoughts; everyone surrounds himself with a shell that is astral. When the thoughts are taken away, this astral stuff dissolves again, and nothing is better than when an organism is left to itself. Man has such a harmonious heart, lungs and so on, because the higher formers have created on it and he could ruin little. One acquires also thereby a certain exercise to scare away thoughts. With the concentration it is necessary that from it is sharply separated the thinking, the speculating about a [meditation] sentence. We must already be finished with it. Such a sentence comes from higher experience and always contains more than we know. Even the inspired one meditates on his own sentences. So firm is his belief that it is higher revelation. Patience must be so long, even in failure, that the unconditional belief that things will get better one day does not waver. Not forcing things, not forcing, is necessary. Patience must be there in tremendous measure; it is it that comes over the occult student in the Meditation must be poured out completely. It is through this that he becomes a disciple. As the plant does not skip a single one to get to the last, crowning one, so the disciple; never skip an intermediate link; detour where necessary; form is adapted to the cleft of the rock. Patience, constancy and steadfastness are the qualities of the divine nature that we have to develop. It is a matter of mind, not of success. The devotional part then follows. Phrases: Let us keep in mind the one that basically man is more perfect as a physical being than as astral and mental. Imperfection lies in the fact that man today is a tripartite being and still clumsy in the handling of what are the higher principles and in the free use of the lower principles. For he can never become happy if he abandons himself to the lower principles like the animal, which does not have its mental body on the same plan as its physical and astral. Animals can be trained, but man works through the animal again to the higher plan, which then works down. But only the one who moves freely on the mental plane, only an occultist, is allowed to do that. Man must keep the balance between his mental and physical nature, oscillate back and forth between both. This is already expressed in the exterior. The animal is horizontal; the human being is imprinted with being torn out of the physical vitality. This uprightness of the head is conditioned by the balancing between the physical and the higher spiritual. Because it is so, the head of man as a sign of his intellectuality is the organ which is pushed in the middle ... The animal head is only instinctive. In occult relation the human head is quite different from the animal one. With the animal completely ... With man a beginning; the stream is poured out into the animal and has found its end there - dead end. With man there is a new beginning; through all the openings of the head all the streams go on, so that man through his head is a bridge, a connecting link between the higher and lower nature. ![]() The animal eye looks out only to the sensed object; the human eye connects the mental image with the object, and thereby opens to the spirit; while the animal eye forms a cul-de-sac. The main human openings are related to space by the seven planets, to time by the seven days of the week. The sacred line in the world, the lemniscate, is to be traced here; we recognize in this way the occult placement of man in the world-entirety. Through the right eye passes the second principle, Budhi; through the left the third principle, Manas; through the right ear the mind soul; through the left the sentient soul; through the right nostril the etheric body; through the left nostril the astral body, Linga sharira. And on the top of the head, in the future, there will be an opening for the outpouring of Atman. Through the mouth flows the Word, which must always be thought through. Through the seven planets these main openings are placed in relationship to space. The top opening on the head has a connection with Jupiter, the right eye is connected with Mercury, the right ear with Saturn, the right nostril with the Sun, the left nostril with the Moon, the left ear with Mars, the left eye with Venus. Through the seven days of the week they are connected with time. Here it is necessary to notice the Sacred Line of the World. It points us to the occult construction of man in the universe. ![]() Concentration is followed by a prayer part, which should consist of awe and reverence [toward] the great spirits who have penetrated deeply into the mysteries of nature and the universe and who are above ordinary human nature. When the moon is waning, nothing new should enter into meditation.
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14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison Rudolf Steiner |
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So that thy soul-life could release itself From thought's dream-play within thine earthly frame. Too weak it felt itself to wander forth From out world distances to depths of soul; Too strong to gaze at lofty spirit-light Through all the darkness that surrounds the Earth. |
: Thoughts hovered around Like weaving of dreams And built themselves in To souls that are here— Then will that creates And feeling that stirs And thought that loth work The dreamer aroused— (Philia, Astrid, and Luna vanish. |
The man replied: ‘Thou dost but weave wild dreams Into men's spirits, and deceiv'st their souls.’ And since the day which witnessed this event The child who can bring light to breathing souls Hath often suffered slander from mankind. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison Rudolf Steiner |
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A space not circumscribed by artificial walls but enclosed by intertwined plants like trees and structures which spread out and send shoots into the interior. Owing to natural phenomena the whole is moving violently and is sometimes filled with storm. The stage is divided into two groves, separated for a short distance by a row of trees. The grove on right of stage is red, that on the left is blue, the former is appropriated later by Lucifer and his Spirits, and the latter by Ahriman and his Spirits. The dance movements are set to music. Maria and Capesius are on the stage as the curtain rises; then Benedictus, Philia, Astrid, Luna, the Other Philia, Lucifer, Ahriman, and Creatures which move in a dancing fashion and which represent thoughts, lastly the Soul of Dame Balde. Benedictus (only audible, not yet visible): Capesius (in astral garb): Maria: Capesius: Benedictus (still invisible): Capesius: Maria: Benedictus (appears from the background): Capesius: Benedictus: Capesius: Benedictus: (A cheerful subdued light diffuses itself. Philia, Astrid, and Luna appear in glowing clouds.) (Exeunt Capesius and Maria.) Voices (which sound together, spoken by Philia, Astrid, and Luna.): (While this sounds, Lucifer approaches from one side, and Ahriman from the other. They go to their thrones raised on each side at the back of the stage, facing the audience; Lucifer on the right of the stage, Ahriman on the left.) Lucifer (in a loud voice, emphasising every word): (On Lucifer's side, beings with golden hair, dressed in crimson and radiantly beautiful representing thoughts, begin to move. These carry out, in a dancing fashion, movements which represent the forms of thought corresponding to Lucifer's words.) Ahriman (speaking in a loud, hoarse voice): (After these words Lucifer's group is still and the thought-beings on Ahriman's side move and carry out dancing movements which make forms corresponding to his words. They have grey hair and are clad in indigo blue, being square in build, and in appearance distinguished more by force than beauty. After this the movement from both groups is carried on together.) Lucifer: (The thought-beings on Lucifer's side repeat their movements.) Ahriman: (The thought-beings on Ahriman's side repeat their movements, then again both together.) Lucifer: (Repetition of the movements in Lucifer's group.) Ahriman: (Repetition of the movement in Ahriman's group.) (The movements of each group are then repeated four times separately and thrice together.) (The thought-beings vanish left and right; Lucifer and Ahriman remain: Philia, Luna, and Astrid advance from the background, and speak together the words they spoke before with the following alteration.) Philia, etc.: (Philia, Astrid, and Luna vanish. Enter Capesius in astral garb, and after he has spoken a few words Maria joins him, though at first he cannot see her.) Capesius: Maria: Capesius: Maria: Capesius (hesitatingly): Maria: Lucifer: Maria: Ahriman: (As Ahriman finishes speaking, Benedictus appears.) Capesius: Benedictus: Capesius: Benedictus: (Dame Balde in her ordinary dress appears in the background beside Benedictus.) Dame Balde (in a meditative voice suitable for fairy tales): (Philia, Astrid, Luna, and the Other Philia appear in a cloud of light.) Philia: Astrid: Luna: The Other Philia: Curtain falls whilst Benedictus, Capesius, Maria, Dame Balde, Lucifer, and Ahriman, and the four Soul-forms, are still in their places |
270. Esoteric Instructions: Seventh Recapitulation Lesson
20 Sep 1924, Dornach Translated by John Riedel Rudolf Steiner |
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However, we see the feeling of the day-person unfolding in dream pictures that are louder, purer, and we learn to know through the observation, that feeling as seen from the spirit, and in the spirit, is dreaming. But what kind of dreaming is feeling? In this feeling the person dreams not alone the individual person, but therein dreams the whole surrounding world-consciousness.6 Our thinking is ours alone, therefore it is also only appearance. |
How in the diminishment of dreams Living streams from world afar; Here it says Willing ascends from bodily depths, and here Living streams from world afar. |
270. Esoteric Instructions: Seventh Recapitulation Lesson
20 Sep 1924, Dornach Translated by John Riedel Rudolf Steiner |
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My dear brothers and sisters! Since the Christmas Conference an esoteric impulse goes through the entire Anthroposophical Society, and those members of the Anthroposophical Society who have recently taken part in the general members' lectures will have noticed just how this esoteric impulse flows through all that is worked on within the Anthroposophical Movement and through all that is still to be worked on. This was a necessity, a necessity which above all has been given out of the spiritual world, from which certainly flow the revelations which should live in the Anthroposophical Movement. It was a necessity which arose out of the spiritual world. With this, however, an imperative emerged, in particular out of the spiritual world, out of which the revelations flow which should live in the Anthroposophical movement. This emerged out of the spiritual world. This imperative was fashioned as a specific kernel for Anthroposophical esoteric life, to make a kernel for true esoteric living. Thereby the imperative was given in a certain measure to build a bridge over to the spiritual world itself. The spiritual world in a certain sense revealed itself in having to fashion such a school. For an esoteric school cannot be made out of human caprice, or what people might call human idealism. Rather this Esoteric School must be the body of something flowing out of spiritual life itself, so that in all that happens in such a school, it presents itself as the external expression what happens from an activity specifically in the supersensible, in the spiritual world itself. In this fashion this esoteric school could not have been made without having surveyed the will, which frequently has been brought forth in members' lectures, the will which since the last third of the nineteenth century has actually been guiding human spiritual affairs, the Will of Michael. This Michael Will is one of those forces which in the course of time has intervened out of the spiritual world in sequence ever and again in the cycles of human destiny. When we look back in time at evolution, we find that this same Michael Will, which we can also call the Michael Regency, was active in the spiritual affairs of humanity, in the great questions of civilization, before the Mystery of Golgotha during the time of Alexander. Then what had been brought forth in Greece through the Mysteries, both the underworld Chthonic and the celestial Mysteries, that this was to be carried abroad into Asia, carried abroad into Africa. Whenever and wherever the Will of Michael has dominion, a cosmopolitan spirit is always present. The differentiations among people on earth are overcome in an era of Michael. After this deeply significant activity, linked with the spreading of Aristotelianism and of Alexandrianism, which was an activity of Michael, after this followed other activities linked with Oriphiel.1 After the Oriphiel-linked activity came the Anael activity, the Zachariel activity, then the significant Raphael activity, then the Samael activity, then the Gabriel activity, which extended into the nineteenth century. Since the late seventies of the nineteenth century, we stand once again under the sign of Michael's regency. It is beginning, but the Michael-Impulses must flow in, and can certainly become clear to you, my brothers and sisters, through the general members' lectures, Michael-Impulses must flow in a conscious way into all genuine, rightfully constituted esoteric work. And through all that is connected with the impulse of the Christmas Conference, through all that has been brought forth, is the possibility of this being the kernel of the Anthroposophical Movement’s forming an esoteric school to be seen as the esoteric school inspired and guided by Michael himself. Thereby it rightfully stands its ground in our time as a spiritual institution. And a person must feel, a person who would rightfully become a member of this school, that this must become a part of one’s life in deepest sincerity. And a person who would rightfully become a member of this school must feel not merely belonging to an earthly community, but also to a supersensible community, whose leader and guide is Michael himself. As a consequence, what is communicated here should not be taken as my word, but rather in so far as it is the content of the lesson it should be taken as that which Michael has to make known esoterically in this age to those who feel themselves belonging to him. Therefore, what these lessons contain will be the Michael communication for our era. And thereby, since it is that, the Anthroposophical Movement will contain its specific spiritual vigor. To this end it is necessary that what may be called membership in this school will be acquired with utmost sincerity. It is still necessary, my dear brothers and sisters, fundamentally and deeply necessary, that in an ever more earnest way, it is necessary to point to the holy sincerity with which the school must be taken up. Here within this school, it must be said once again, and ever and again, that in Anthroposophical circles much too little seriousness prevails for what actually flows through the Anthroposophical Movement, and, at least among the esoteric members of this esoteric school, a kernel of humanity will be drawn forth, which will gradually rise to the necessary earnest sincerity. Therefore, it is necessary that the leadership of this school really reserves to itself the responsibility to recognize only those as rightful, worthy members of the school who, in every detail of their lives, would be worthy representatives of Anthroposophical endeavors, and the decision as to whether or not that is the case must rest with the leadership of the school. Do not see this, my dear brothers and sisters, as a limitation of freedom. The leadership of the school must have freedom and be free to recognize who belongs to this school and who does not, just as much as each of you will freely choose whether or not to belong to this school. But it must throughout be an idealistic spiritual freely-borne pact, so to speak, that will be made between the members of the school and the leadership. In no other way could the esoteric development be considered healthy, and especially in no other way worthy of the actuality of this esoteric school standing under the immediate impact of the potency of Michael himself. The leadership of the school must, in the strictest sense of the word, manage what has just been said. That it does so may become evident to you, my dear friends, through what has taken place since the relatively brief existence of the school, that eighteen to twenty expulsions have occurred, because the earnest serious quality which is essential to the school was not adhered to. Conscientious care of the mantric maxims, so that they do not fall into unauthorized hands, is the first obligation, but also to actually be a worthy representative of Anthroposophical affairs. I need only mention a few facts in order to indicate how little, in actuality, the Anthroposophical Movement is grasped fully in earnest, how little earnestness penetrates the Anthroposophical Movement. I have mentioned this to some of you individually. It has happened that members of the school have reserved their seats here with the blue certificates which give them the right to be present in the school. It has happened in the Anthroposophical Society that whole piles of News Sheets, intended only for members, have been found in the tram running from Dornach to Basel. I could enlarge this list in the greatest variety of ways. Again and again, it happens that the most dumbfounding incidents occur as a result of the lack of seriousness. Even things which are taken seriously in everyday life, as soon as the same things practiced seriously in ordinary life are practiced within the Anthroposophical Movement, they are not taken seriously. These are all matters which must be taken into account in relation to the firm structure which this school must have. Therefore, these things must be said, for if one fails to pay attention to these matters, one cannot worthily receive the revelations from the spiritual world which are given here in this school. At the close of each lesson attention is expressly drawn to the fact that the individuality of Michael himself is present while the revelations of the school are being given, and this is confirmed through the Sign and Seal of Michael. All these things must live in the hearts of the members. Dignity, profound dignity, must prevail in everything, even to what connects one’s thoughts to the school. For in all of this there can live only what today an esoteric streaming through the world should carry. And all this is included in the responsibilities each individual has. The mantric maxims written here on the board can only be possessed, in the strictest sense of the word, by those who have the right to participate in the school. If a member of the school is prevented on some occasion from taking part in the lessons in which mantric verses are given, another member who has received these verses in the school can communicate the verses. In every single case, however, for every single person to whom the verses are to be given, permission must be requested either from Frau Dr. Wegman or from myself. When permission has been given for one person it then remains in effect. But for every other person permission must again be requested from Frau Dr. Wegman or from me. This is not an administrative regulation, it is something which is demanded, in the strictest sense, by the rules of occult life. For it must be understood that every act of the school must remain connected with the school's leadership, and this begins with the fact that one requests permission if something is to occur which belongs to the sphere of responsibility of the school. Not the one who is to receive the mantras should request permission, but the one who transmits them, according to the procedures which I have just described. If someone writes down anything during the lesson, other than the mantric verses, something which has been said, that person is obligated to keep it only eight days and then to burn it. All these things are not arbitrary regulations, but are connected with the occult fact that esoteric matters are only effective when they are encompassed by a certain attitude of heart and mind, which those who are recognized as responsible members of the school have. The mantras lose their effectiveness when they come into unauthorized hands. This rule is so firmly inscribed into the world's order that the following incident once occurred and a whole series of mantras became ineffective, which had been current within the Anthroposophical Movement. It was possible for me to give to a number of people some mantric verses. I gave the mantras also to a certain person. This person had a friend who was clairvoyant to a certain degree. It then came about, as both friends were sleeping in the same room, that the clairvoyant friend, during the time that the other was merely repeating the mantra in his mind, the clairvoyant read it mentally and then misused it by giving it to others as coming from him. One first had to investigate the incident, which then brought to light why the mantras in question became ineffective for all those who possessed them. You may not, therefore, my dear brothers and sisters, take these matters lightly, because the rules of esoteric life are strict, and no one who has committed such a mistake should excuse himself with the thought that he couldn't help himself. If someone lets a mantra pass through his head in thought, and someone else observes this clairvoyantly, the one who thinks the mantra certainly cannot do anything about this. But the events occur, nevertheless, according to an iron law of necessity. I mention this incident in order that you may see how little arbitrariness is involved in these matters, and to show how in these matters there is contained what is read directly from the spiritual world, what corresponds with the habits and customs of the spiritual world. Nothing is arbitrary in what takes its course in a rightfully constituted esoteric school. And there should ray out from the esoteric school into the rest of the Anthroposophical Movement that earnest quality about which we have spoken. Only then will this school be for the Anthroposophical Movement what it should be. But it will be necessary to be honest with oneself, and acknowledge that one acts sometimes out of personal motives, and if so, one should not dress the matter up as if it were inspired by devotion to the Anthroposophical Movement. Naturally, I certainly don't intend to say that nothing should occur out of personal motives, for it is a matter of course that people today must be personal. But then it is necessary that in what is personal the truth must be acknowledged. For instance, if someone travels here to Dornach for personal pleasure, he or she should therefore admit this and not make out otherwise. There's nothing wrong with traveling to Dornach for personal pleasure! Indeed, it is, by the way, very good when one comes here. But one should admit the personal pleasure and not dress it up as pure devotion to spiritual life. I mention this, but I might equally well have chosen a different example, which might be closer to reality, for it is, in fact, true that when most of our friends travel to Dornach, the readiness to sacrifice, the spirit of sacrifice, is indeed involved, and that in this particular example, the traveling to Dornach, in at least some degree, untruthfulness played a role. But I chose this example precisely because of the fact that it hits home least and is thus less hurtful. If I had chosen other examples, the basic quite calm mood of soul, a truly serene mood in the hearts and souls of all those who are sitting here, would have been less likely to rise to the occasion. After this introduction I would like to start with the verse which is both the beginning and the end of what comes before you here as the declaration of Michael, which contains what is spoken to all human beings who have an unencumbered sense for it, by all things and beings in the world, if one listens to what is said with the soul. For everything that lives in the mineral, plant, and animal kingdoms, that sparkles down from the stars, that works into our soul from the realm of the hierarchies, from all that crawls on the earth worm-like, that moves living upon the earth, out of all that speaks in rock and spring, in forest and field and mountains and thunder and clouds and lightning, out of all this spoke to the open-minded human being in the past, speaks to him in the present, will speak in all futures:
The last lesson concluded, my dear brothers and sisters, following the final admonitions that the Guardian of the Threshold imparts before crossing the yawning abyss of being, with the Guardian of the Threshold having spoken weighty, human-heart-moving words:
Weighty, portentous, significant experiences have entered our hearts, through all that the Guardian of the Threshold has spoken at Michael's behest. All that he has spoken was spoken in order to prepare us for the demeanor which we must have, when after the door is opened, we cross over the yawning abyss of existence, where one does not go by walking with earthly feet, where one only goes by flying with the soul, when the soul out of a spiritual attitude, out of spiritual love, out of spiritual feeling grows wings. So now, my dear brothers and sisters, will be described what the human being experiences when he stands beyond the yawning abyss of existence. The Guardian of the Threshold instructs, “Turn around and look back! Until now you have looked toward what appeared to you a black, night-bedecked darkness, concerning which you had to surmise that it will become bright and will illumine the source of your own self. I allowed it, on the occasion of the last admonitions, so says the Guardian of the Threshold, I allowed it to grow brighter, at first very gently. First you feel light dawning around you. But turn around, look back!” As one who has crossed the yawning abyss of being now turns around and looks back, he beholds his person of earth, what he is during physical incarnation, over there in that part of existence which he has left, that now lies yonder in the province of the earth. He beholds his own person of earth over there. He has entered and embodies himself with his spirit-soul being in spirit existence. The earthly sheath, the earthly formation, now stands over yonder. It stands yonder in that region in which we were at first with our entire human being, where we have seen all that crawls below and flies above, where we have seen the sparkling stars, the warm sun, where we have seen what lives in wind and weather, and where we have stood, knowing that in all of this, despite all that is so majestic that rays out and gives light in the sun, despite all its beauty and greatness, there in the field of sense-existence, where we have stood and said to ourselves that our own human being's essence is not within it, that you must seek beyond the yawning abyss of existence, in what from the other, from the sense-bound side appears to you as black, night-bedecked darkness. The Guardian of the Threshold has shown us in the three beasts what we actually are. Now there is described how, within the darkness which is growing bright, which is beginning to lighten up, we should begin by looking back on what we are as human beings in the sense-world, together with what was formerly our only world in sense-bound earth existence. Now the Guardian of the Threshold points in a very definite way to the one who stands over there as the earth-person, who is ourself, in earth existence, that being to whom we must return again and again, into whom we must penetrate over and over again when we step forth from the spiritual world and enter into the duties of our work on earth, when we return to earth existence. For we may not become dreamers and light-headed enthusiasts. We must return, in every respect, to earthly life and obligations. For this reason, the Guardian of the Threshold directs us to look on the person who stands over yonder, who we ourselves are, in such a way that he makes us attentive, at first, to who and what this person is. [An outline of the human form was drawn on the blackboard.] The human being is aware that he perceives the outer world through the senses [the eye is drawn] which are localized, primarily, in the head and that he perceives his thinking through the activity of his head. But the Guardian of the Threshold now remarks, “Look inside this head.” It is as if you look into a dark cell, for you do not see the light which is working within it. But the truth is that what you carried within you as thinking over there in the sense world is the mere appearance of reality, is mere picture-images, not much more than mirror-pictures. The Guardian of the Threshold admonishes us to be very conscious of this fact, but also to be conscious of the fact that what lives in earthly thinking only as appearance, as we learned in earlier lessons, is the corpse of living thinking, in which we lived in the spiritual-soul world before we descended into this earth-existence. In that existence thinking was alive. Now, thinking rests as dead thinking, as the semblance of thinking, in the coffin of our body. All thinking which we make use of in the sense world is dead thinking. It was alive before we descended to earth. What did this thinking make? It first made all that, which within the top of the body, within the head, within this dark cell, so it shows itself for sensory appearance, all that is light-making being.2 The brain, which sits there inside as the supporting pillar of thinking, has been made out of living thinking. [The interior of the head, yellow, was drawn on the blackboard.] And living thinking it is that first makes the supporting pillar for our semblance of thinking on earth. Look at the convolutions of the brain, look at all you bear within you in the dark cell of the head, which makes earthly thinking possible for you, my brothers and sisters. Look behind that thinking, which is only appearance in the cabinet of the head, and you will then discover how into what here above is felt as thinking [drawing, red arrows] there streams the force of willing, there pours up into thinking the force of willing, so that each thought is irradiated by will. It can be felt how the will flows into thinking. We look back thus from beyond the threshold and see how that other human being, who we ourselves are, has streaming out of the body into the head the willing’s undulations, willing at work, and eventually, if we follow it back in time, traveling as far as our former incarnations on earth, at work over here from past worlds into the present incarnation are thought-undulations which build our head, finally passing over into the appearance of thinking here in this incarnation. Therefore, we should be stout and strong,3 the Guardian of the Threshold says to us, and imagine the dead thinking thrown out into world-nothingness, for it is mere appearance. And the willing which arises there we should regard as that which from former earth-incarnations crosses over to dwell and move and work and make4 us finally into a thinker. There, within [see drawing, yellow] are the formative world-thoughts.5 These formative world-thoughts first take effect, that we can have intrinsically human thoughts. Therefore, the first word of the Guardian of the Threshold after he has allowed us to cross the threshold, after he has informed us that the door is opened, that we can become a true human being, therefore the first word which he there speaks is:
The first words that we hear over there, as we look back upon the form, the gestalt which we ourselves are, which stands here before our soul's gaze, which we direct back from over there: [The heading and the first verse with the underlined words were written on the blackboard.]
Then the Guardian of the Threshold adds to this, and one must exert oneself in order to hear it. Just imagine yourself looking back at what you yourself are, who stands over yonder, then turn again and look into the darkness and try with all possible inner imaginative force of memory, as when you retain an after-image, a physical after-image held in your eye, try with maximum force to sketch there something like a kind of gray outline form of what you have seen over yonder, but avoid making a sketch of anything else other than a gray outline. [Drawing continued.] There then appears, if one succeeds in seeing this gray outline-figure, there appears behind this gray outline the image of the moon [the sickle moon is drawn, yellow] with the gray silhouette in front of it. If one is now able to maintain inner quiet, one sees in the distance the moon. The gray silhouette becomes something that is both over there and at the same time arises within one. If we practice in this way, again and again, we feel approaching the spirit-form of the head, which one has yonder, not the physical form, but the spirit-form of the head, which we have over there, then will the person feel coming toward him what karma brings him from former incarnations on earth [yellow arrow to the right of the sickle moon]. Therefore, in meditating, you should meditate on the image I have drawn here in gold, the sickle moon with this arrow. Let the mantra run, let it play out, then bring up the image as a reminder for what can gradually lead one to become familiar with what emerges in force from prior lives on earth. As a second step the Guardian of the Threshold instructs with a more forceful gesture, pointing to what lives as feeling in the person over there, who we ourselves are, and he admonishes us to correctly see this feeling as a dream dawning. And in the act, we will see feeling, which in spite of this person over there is made much more real than is thinking, for thinking is appearance, yet feeling is half real. However, we see the feeling of the day-person unfolding in dream pictures that are louder, purer, and we learn to know through the observation, that feeling as seen from the spirit, and in the spirit, is dreaming. But what kind of dreaming is feeling? In this feeling the person dreams not alone the individual person, but therein dreams the whole surrounding world-consciousness.6 Our thinking is ours alone, therefore it is also only appearance. Our feeling is something in which the world to some extent lives. World-consciousness is within it. Now we must look to acquiring the greatest possible restfulness of heart, which the Guardian admonishes us to do. If we acquire the greatest possible restfulness of heart, so that we can extinguish what moves and lives as feeling in dream pictures, just as dreaming is extinguished in deep sleep, then we come upon the truth of feeling and can see personal feeling interwoven with world living that is present in spirit around us. And then the true spirit-person appears to us, which lives and moves in the body, initially in its half-existence. Emerging from the sleeping feeling appears to us the person. We feel ourselves over there on the other side of the Threshold in this way, on the other side of the yawning abyss of existence in our essence as a human being, since feeling has fallen asleep and world-creative might has appeared around us, might that lives in feeling. Therefore, the Guardian admonishes us:
[The second stanza was written on the board and compared with the first.]
Here [in the first verse] it was behind, here it is into [into was underlined]. Every word is significant in mantric verses.
Here it is thinking, here feeling, here sensory-light, here wafting of soul. Wafting is much more real than light’s appearance. [In the second verse feeling's was underlined but not wafting of soul.]
Here it says Willing ascends from bodily depths, and here Living streams from world afar. [In the second verse Living was underlined.]
It progresses. Here [in the first verse] there is let flow through the strength of your soul. Here [in the second verse] one must let human feeling waft away. [waft away was underlined.]
There [in the first verse] it was willing, which is still within the person. Here it is world living. [In the second verse world living was underlined.]
The progression is in contrast to world-thought-creating. [In the second verse human being's power was underlined.] The Guardian of the Threshold instructs us to look back once again on the form, the gestalt that stands over there, the one we ourselves are in earth existence, and once again we should take up the gray image, but now take it up in such a way that we retain it, after having turned away from ourselves, and in our soul-life we turn it in a circle, so that it persists as we turn it. We shall find that when we rotate the image in this way in a circle, the sun appears, in its appearance behind the silhouette turning in the circle. [drawing, red]. In this experience we become aware how in the moment we are drawn out of spiritual worlds into physical earth consciousness, our etheric body has drawn itself together out of the world ether. Therefore, just as the previous picture belongs to the first verse [The drawing of the gray silhouette and the first verse were numbered 1.], we should add this picture to the second verse [The red drawing of the rotating image and the second verse were numbered 2.]. Then the Guardian of the Threshold directs us to our willing, that acts in our limbs. He sternly makes us aware that everything connected with the will is sleeping in us when we are awake. For just as the thought works downward, as I explained last time and therefore may say today, just as the thought warms downward into the limb’s movement, just so willing emerges, which becomes clear in spiritual discernment, in spiritual observation. This is hidden from ordinary consciousness just as life is hidden in sleep. Now we are to look, and from the start, to behold willing within our limbs sunk in deep sleep. There willing sleeps. The limbs sleep. This we should have as a firm thought in mind. For then, when we have this, we are able to realize how thinking, that is the origin of willing in earthly man, sinks down into the limbs. Then it becomes light in the human being. Willing becomes bright. It wakes up. When we first see it in its sleeping condition, we find that it awakens when thinking sinks downward and light streams upward from below, light which is indeed none other than the forces of gravity. Feel in your legs, feel in your arms the force of gravity when you just let everything hang down. That is what streams upward, what unites itself with the downward streaming thinking. We see human willing transforming itself into its reality and thinking appearing as what, in a mysterious, magical way ignites the will in man. This is, in actuality, the magical activity, the magical effect of thinking, which the will carries out. There is magic. This we now realize. The Guardian of the Threshold says:
in the surrounding aura
[This third verse, with certain words underlined, was now written on the board.]
To that, imagine the Guardian of the Threshold again beckoning us to look down at what is over there, who we ourselves are, to retain an image, but this time not to turn round but rather to allow this image to sink into the earth beneath the form that stands there. We look over there. There stands over there, who we ourselves are. We form the image for ourselves and form within us the powerful force to look downward, as though a lake were there and we would see this image by looking down and under, so that we see it now as if within the earth, but not as a reflected image, but as an upright picture. We imagine the earth, [The arc was drawn.] with the third verse. [This drawing and the third verse were numbered 3.] We imagine the earth, how its gravity-forces ascend, how the gravity-forces shine into the limbs, feet, and arms [arrows]. In what we perceive later we have a foreshadowing of how the gods work together with human beings between death and a new birth, in order to fulfill karma. It is this about which the Guardian of the Threshold admonishes us, when he speaks to us for the first time after we have crossed the yawning abyss of existence:
Always, the circle closes. Again, we look back upon the point from which we set out, hearing out of all beings and all processes of the world:
With his communication, Michael is present in this rightly constituted school. His presence is confirmed by his sign, which should have dominion over all that will be given in this school [The Michael sign was drawn on the blackboard.], and it is confirmed through his seal which he has impressed upon the esoteric striving of the Rosicrucian School, which lives symbolically in the threefold maxim Ex Deo Nascimur, In Christo Morimur, Per Spiritum Sanctum Reviviscimus. And as Michael impresses his seal, the first sentence is spoken in this gesture [The lower seal gesture was drawn on the blackboard.], the second sentence in this gesture [The middle seal gesture was drawn on the blackboard.], and the third sentence in this gesture [The upper seal gesture was drawn on the blackboard.]. The first gesture signifies [Beside the lower seal gesture was written:]
It lives silently while we speak the Ex Deo Nascimur. The second gesture signifies [Beside the middle seal gesture was written:]
It lives silently while we speak the In Christo Morimur. The third gesture signifies [beside the upper seal gesture was written:]
It lives silently in the sign, that there is Michael's Seal, as we speak the Per Spiritum Sanctum Reviviscimus. And so is confirmed today’s Michael proclamation substance through the Sign and Seal of Michael. [The Michael sign was made and with the three seal gestures was spoken:] Ex Deo Nascimur, In Christo Morimur, Per Spiritum Sanctum Reviviscimus. I have to announce that the course for theologians will take place tomorrow at 10:45. The speech formation and dramatic course at 12 o'clock. In the afternoon at 5 there will be a eurythmy presentation, and at 8 o'clock in the evening, or, if the eurythmy finishes late, at 8:15 or 8:30, the members' lecture. ![]() ![]() The Guardian is heard in the gradually brightening darkness:
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66. Mind and Matter — Life and Death: Soul Enigma and World Enigma: Research and Contemplation in German Intellectual Life
17 Mar 1917, Berlin Rudolf Steiner |
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For in dreams man experiences that he cannot unfold his soul-spiritual, because it seems too powerless, in will impulses within that which is present in the dream images. And because the will impulses are lacking, because the spirit and soul intervene so little in the etheric in the dream that the soul itself becomes aware of these will impulses, the chaotic fabric that the dream represents arises. |
We do not see the connections in fate, just as we do not see in the dream what is actually weaving and living there as the real thing. Just as material processes always underlie the dream, surging into the ether, so the soul and spiritual anchored in the will surge towards the outer world. |
66. Mind and Matter — Life and Death: Soul Enigma and World Enigma: Research and Contemplation in German Intellectual Life
17 Mar 1917, Berlin Rudolf Steiner |
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In my last lecture I tried to show how it is due to misunderstandings if there is so little understanding between those who direct their research and attention to the soul and its processes and those who direct their attention to the material processes in the human organism, which proceed — well, as one will call it — as accompanying phenomena or also, as materialism maintains, as necessary causes for the psychic events. And I tried to show what the reasons for such misunderstandings are. Today I would like to draw attention to the fact that wherever real, true knowledge is sought, such misunderstandings, and also misunderstandings in a different direction, must necessarily arise if one does not take into account in the process of knowledge itself, which, in the course of more intimate, especially longer research, imposes itself more and more on the spiritual researcher as a direct experience, as an inner experience. It is something that at first seems very strange when it is expressed: In the field of world-views, that is to say in the field of knowledge of the spiritual-real or in general the knowledge of the sources of existence, if one, I might say, is too entangled in certain conceptions, in certain concepts, then one must of necessity enter upon such a view of the human soul that can absolutely be refuted, and just as well be proved. Therefore, the spiritual researcher will increasingly deviate from what is otherwise customary in matters of world view, namely, to present this or that in support of one or the other view, which would be similar to what is called proof or even refutation in ordinary life. For in this field, as I said, everything can be proved with certain reasons, everything can be refuted with certain reasons. Materialism can be rigorously proven in its entirety, and it can be rigorously proven when it engages in individual questions of life or existence. And one will not be able to simply knock out of the field that which a materialist can cite in support of his views, if one simply wants to refute his view from opposite points of view. It is the same for someone who represents a spiritual existence. Therefore, anyone who really wants to research spiritual matters must not only know the arguments in favor of a particular worldview, but must also know all the arguments against it. For the remarkable result emerges that the actual truth only emerges when one allows what speaks for a matter and what speaks against a matter to take effect on the soul. And anyone who allows his mind to be fixed, I might say, on any web of concepts or images of a one-sided world view will always close his mind to the fact that the opposite can also assert itself in the soul, that the opposite must even appear right to a certain degree. And so he will be in a situation, like someone who wanted to claim that human life could only be sustained by inhalation. Inhalation presupposes exhalation; the two belong together. But this is always the case with our concepts and ideas that relate to questions of world view. We can put forward a concept that affirms something, we can put forward a concept that denies it; the one demands the other, like inhalation demands exhalation, and vice versa. And just as real life can only appear, can only reveal itself through exhalation and inhalation, when both are present, so can the spiritual only come to life in the soul when one is able to respond in an equally positive way to both the pros and cons of a matter. The affirmative concept, the affirmative idea, is within the living whole of the soul, so to speak, like an exhalation; the negative concept, like an inhalation; and it is only in their living interaction that that which relates to spiritual reality is revealed. Therefore, it is not at all appropriate for spiritual science to apply the usual methods that one is so accustomed to in everyday literature, where this or that is proved or refuted. The spiritual scientist realizes that what is presented in a positive way can always have a certain justification when it relates to questions of world view, but so can the opposite phenomenon. But when one advances in matters of world-conception to that direct life which lives in positive and negative concepts, just as physical life lives in inhalation and exhalation, then one comes to concepts which really take in the spirit directly, to concepts which are equal to reality. One must then, however, often express oneself differently than one expresses oneself according to the habits of thinking in ordinary life. But the way in which one expresses oneself arises out of the living, active inner experiencing of the spirit. And the spirit can only be inwardly experienced, not outwardly perceived in the way of material existence. Now you know that one of the most important questions of our world view, and one that was also treated in the first lectures I gave here this winter, is the question of substance, of matter. And I would like to touch on this question today from the point of view I have just hinted at, as an introduction. We cannot come to terms with the question of substance or matter if we keep trying to form ideas or concepts of what matter actually is; if we want to understand, in other words, what matter is. Anyone who has really wrestled with such questions, which are remote for many people, knows what such questions are all about. For if he has wrestled with it for a time, without yielding to any prejudice, then he comes to a completely different point of view regarding such a question. He comes to a point of view that makes him consider more important the way one behaves in one's soul when forming such a concept as that of matter. This wrestling of the soul itself is raised into consciousness. And then one arrives at a view precisely on these riddle-questions, which I could express in the following way. He who wants to understand matter, substance, in the way it is usually understood, is like a person who says: I now want to get an impression of darkness, of a dark room. What does he do? He lights a light and regards this as the right method to get the impression of the dark room. It is, in fact, the most absurd thing one could do. And it is equally absurd — but one must become aware of this through a marked struggle — to believe that one will ever be able to cognize matter by setting the spirit in motion to illuminate matter with the spirit, as it were. Only where the spirit can be silent in our body itself, in the sensation of the senses, where the life of representation ends, only there does an external process penetrate into our inner being. There we can - by letting the spirit be silent and experiencing this silence of the spirit - have matter, substance, truly represented in our soul, so to speak. One does not arrive at such concepts through ordinary logic; or if one does arrive at them through ordinary logic, then they turn out, I might say, to be much too thin to evoke real conviction. Only when one wrestles in the indicated way in one's soul with certain concepts, then they lead one to such a result as I have indicated. Now the opposite is also the case. Let us assume that someone wants to grasp the spirit. If he seeks it, for example, in the purely external material form of the human body, he is like someone who, in order to grasp the light, extinguishes it. For the secret of the matter is that the external sensual nature itself is the refutation of the spirit, the extinguishing of the spirit. It reproduces the spirit just as illuminated objects reflect light. But nowhere can we, if we do not grasp the spirit in living activity, ever find it from any material processes. For that is precisely the essence of material processes: that the spirit has transformed itself into them, that the spirit has been transformed into them. And if we then try to recognize the spirit from them, then we misunderstand ourselves. I wanted to say this by way of introduction so that more and more clarity can come about what the cognitive attitude of the spiritual researcher actually is, and how the spiritual researcher needs a certain breadth and mobility of the life of ideas in order to penetrate the things that are to be penetrated. With such concepts it is then possible to illuminate the important questions, which I also touched on last time here, and which I will only briefly mention in order to move on to our considerations today. I said: As things have developed in the newer formation of the spirit, a one-sided view of the relationship between the soul-spiritual and the bodily-physical has increasingly come about, which is expressed by the fact that today the soul-spiritual is actually only sought within that part of the human body that lies in the nervous system or in the brain. In a sense, the soul-spiritual is assigned to the brain and nervous system alone, and one regards the rest of the organism more or less as an adjunct to the brain and nervous system when speaking of the soul-spiritual. Now I have tried to explain the results of spiritual research in this field by pointing out that one can only arrive at a true understanding of the relationship between the human soul and the human body if one places the whole human soul in relation to the whole physical body. But then it becomes clear that there is a deeper background to the structure of the human soul as a whole, into the actual life of perception, into the life of feeling and into the life of will. For only the actual life of perception of the soul is bound to the nervous organism in the way that modern physiological psychology assumes. On the other hand, the life of feeling — and here I must make it clear that I do not speak of it as it is presented to us, but as it arises — is related to the breathing organism of the human being, to everything that is breathing and is connected with breathing, in the same way as the life of presentation is related to the nervous system. So we must allot to the breathing organism the life of feeling of the soul. Then further: that which we call the life of will is in an equal relationship to that which we must call metabolism in the body; naturally right down into its finest ramifications. And by taking into account the fact that the individual systems in the organism are intertwined — metabolism naturally also takes place in the nerves —, I would like to say that at these outermost ends things interpenetrate. But a true understanding is only possible if we look at things in this way, if we know that the impulses of will can be attributed to metabolic processes in the same way as imaginative experiences can be attributed to processes in the human nervous system or in the brain. Of course, such things can only be hinted at at first. And for the very reason that they can only be hinted at, objections are possible over and over again. But I do know one thing for certain: if we approach the subject with the whole range of anatomical and physiological research, that is, if we consider everything that anatomical and physiological research is, then there will be complete harmony between the spiritual scientific assertions I have made and the natural scientific assertions. On a superficial examination — let me just put forward the objection as a particularly characteristic one — objections can, of course, be raised against such a comprehensive truth. Someone might say: Let us first agree that certain feelings are connected with the respiratory organism; for the fact that this can be shown very plausibly for certain feelings cannot actually be doubted by anyone. But someone might say: Yes, but what about the fact that we perceive melodies, for example, that melodies arise in our consciousness? The feeling of aesthetic pleasure is connected with melodies. Can we speak here of some kind of relationship between the respiratory organism and that which quite obviously arises in the head and which, according to physiological findings, is so clearly connected with the nervous organism? As soon as we look at the matter properly, the correctness of my assertion immediately becomes completely clear. Namely, one must then take into consideration that with every exhalation an important process in the brain occurs in parallel: that the brain would rise during exhalation if it were not held down by the skullcap – breathing propagates into the brain – and vice versa; during inhalation the brain sinks. And since it cannot rise and fall because the skullcap is there, what is known to physiology occurs: the change in the blood flow occurs, what is known to physiology as brain breathing takes place, that is, certain processes that occur in parallel with the breathing process in the nerve environment. And in this encounter of the breathing process with what lives in us as sounds through our ear, what happens is that feeling is also connected to the respiratory organism in this area in the same way as the mere life of thinking is connected to the nervous organism. I will only hint at this because it is something particularly remote and therefore provides a close objection. If one could agree with someone on all the details of the physiological results, no such details would contradict what was presented here last time and what has been presented again today. Now it is my task to continue our discussion in a similar way to the last lecture. And for that I must go into a little more detail about the way in which the human being develops sensory perception in order to show what the actual relationship is between the sensory perception that leads to representations and the life of feeling and will, and indeed the life of the human being as soul, as body and as spirit. Through our sensory life, we come into contact with our sensory environment. Within this sensory environment, natural science distinguishes certain substances, or, to be more precise, forms of substance, for it is these that are important here. If I wanted to speak in terms of physics, I would have to say aggregate states: solid, liquid, gaseous. But now, as you all know, physical and scientific research adds something else to these material forms. When science wants to explain light, it is not satisfied with just accepting the material forms that I have just mentioned. Instead, it reaches for what appears to it to be more subtle than these types of matter; it reaches for what is usually called ether. The concept of ether is, of course, an extraordinarily difficult one, and it can be said that the various thoughts that have been formed about what should be said about ether are conceivably diverse and manifold. Naturally, all these details cannot be discussed here. It should only be noted that natural science feels compelled to establish the concept of ether, that is, to think of the world not only as filled with the denser substances that can be perceived directly by the senses, but as filled with ether. The characteristic feature is that natural science cannot use its methods to determine what ether actually is. This is because natural science always needs material foundations for its actual work. But the ether itself always eludes material foundations, so to speak. It appears in connection with material processes, it causes material processes; but it cannot be grasped, so to speak, by the means that are tied to the material foundations. Therefore, a peculiar concept of ether has emerged, especially in recent times, which is actually extraordinarily interesting. The concept of ether that can be found among physicists today tends to say: ether must be that which, whatever else it may be, in any case has none of the properties that ordinary matter has. Thus, natural science points beyond its own material foundations by saying of the ether that it has what it cannot find with its methods. Natural science comes precisely to the assumption of an ether, but not to filling this ether concept with any content with its methods. Now, spiritual research yields the following. Natural science starts from the material basis, spiritual research starts from the basis of soul and spirit. The spiritual researcher, if he does not arbitrarily stop at a certain boundary, is driven to the concept of ether in the same way as the natural scientist, only from the other side. The spiritual researcher attempts to include in his knowledge that which is active and effective within the soul. If he were to stop at what he can experience inwardly in ordinary soul life, then in this field he would not even go as far as the natural scientist who accepts the concept of ether. For the natural scientist at least formulates the concept of ether and accepts it. The student of the soul who does not arrive at a concept of ether on his own initiative is like a natural scientist who says: What do I care about what else is alive there! I assume the three basic forms: solid, liquid, gaseous bodies; I do not concern myself with what is supposed to be even thinner. This is indeed how the science of the soul usually proceeds. But not everyone who has worked in the field of soul research does it this way; and particularly within that extraordinarily significant scientific development, which is based on German idealism that became established in the first third of the nineteenth century, — not in this idealism itself, but in what then developed out of it —, we find attempts to approach the ether concept from the other side, from the spiritual-soul side, just as natural science ascends from the material side to the ether. And if you really want to have the ether concept, you have to approach it from two sides. Otherwise you will not be able to come to terms with it. Now, the interesting thing is that the great German philosophical idealists, Fichte, Schelling and Hegel, despite their insistent thinking and conceptualizing, which I have often characterized here, still did not have the ether concept. They could not, so to speak, strengthen their inner soul life, could not so energize it that the ether concept would have presented itself to them. On the other hand, in those who allowed themselves to be fertilized by this idealism, who, so to speak, allowed the thoughts that were generated at that time to continue to work in their souls, although they were not as great geniuses as their idealist predecessors, this ether concept arose out of this soul research. We find this concept of ether first in Immanuel Hermann Fichte, the son of the great Johann Gottlieb Fichte, who was also a disciple of his father, in that he allowed what Johann Gottlieb Fichte and his successors, Schelling and Hegel, had done in their souls to continue to work within him. But by condensing it, as it were, to greater inner effectiveness, he came to say to himself: When one looks at the soul-spiritual life, when one, I might say, measures it on all sides, then one comes to say to oneself: This soul-spiritual life must run down into the ether, just as solid, liquid, and gaseous matter runs up into the ether. The lowest part of the soul must, as it were, open into the ether in the same way that the highest part of the material opens into the ether at the top. And Immanuel Hermann Fichte formed certain characteristic ideas about this, through which he really did come from the spiritual-soul to the boundary of the ether. We read in his “Anthropology” 1860 - you will find the passage quoted in my last book “Vom Menschenrätsel” -: “In the material elements....the truly enduring, that unifying form principle of the body cannot be found, which proves effective throughout our entire life.” “So we are pointed to a second, essentially different cause in the body.” “In that it contains that which is actually enduring in metabolism, it is the true, inner, invisible body, but one that is present in all visible materiality. The other, the outer appearance of the same, formed from incessant metabolism, may henceforth be called 'body', which is truly not enduring and not one, but the mere effect or afterimage of that inner corporeality, which throws it into the changing material world, just as, for example, the magnetic force prepares a seemingly dense body from the parts of iron filings, but which atomizes in all directions when the binding force is withdrawn. Now, for I. H. Fichte, an invisible body lived in the ordinary body, which consists of external matter, and we could also call this invisible body the etheric body; an etheric body that brings the individual particles of matter of this visible body into their forms, shapes them, and develops them. And I. H. Fichte is so clear that this etheric body, to which he descends from the soul, is not subject to the processes of the physical body, that for him it is enough to have insight into the existence of such an etheric body to get beyond the riddle of death. For I. H. Fichte says in his “Anthropology”: “It is hardly necessary to ask how man himself behaves in this process of death. Even after the last, visible act of the life process, he remains in his essence, in his spirit and organizing power, exactly the same as he was before. His integrity is preserved; for he has lost nothing of what was his and belonged to his substance during his visible life. He returns only in death to the invisible world, or rather, since he had never left it, since it is the actual persisting in all visible, - he has only stripped a certain form of visibility. “Being dead” means only no longer remaining perceptible to the ordinary sense perception, in the same way that even the actual reality, the ultimate reasons for bodily phenomena, are imperceptible to the senses.I have shown with I. H. Fichte how he advances to such an invisible body of the soul. It is interesting that in many places in the heyday of German idealistic intellectual life, the same thing emerged. Some time ago I pointed out a solitary thinker who was a school director in Bromberg and who dealt with the question of immortality: Johann Heinrich Deinhardt, who died in the 1860s. He initially approached the question of immortality like the others, by trying to get behind this question of immortality through ideas and concepts. But for him, more emerged than for those who merely live in concepts. And so the editor of that treatise on immortality written by J. H. Deinhardt was able to cite a passage from a letter that the author wrote to him in which Deinhardt says that although he had not yet communicate the matter in a book, but that his inner research had clearly shown him that during his life between birth and death, man works on the development of an invisible body, which is released into the spiritual world at death. And so many other phenomena of German intellectual life could be cited in favor of such a direction of research and contemplation. They would all prove that in this direction of research there was a desire not to stop at what mere philosophizing speculation, mere living in concepts can yield, but to strengthen the inner soul life in such a way that it reaches the density that reaches the ether. Of course, the real mystery of the ether will not yet be solved from within by following the paths these researchers have taken, but it can be said, so to speak, that these researchers are on the path to spiritual science. For this mystery of the ether will be solved as the human soul undergoes those inner processes through practice, which I have often characterized here and which are described in more detail in my book “How to Know Higher Worlds”. Man does, however, gradually attain to really reaching the ether from within by going through these inner soul processes. Then the ether will be directly there for him. But only then is he capable of grasping what a sense perception actually is, what is actually present in sensory perception. In order to present this today, I must, so to speak, approach the question from a different angle. Let us approach what actually takes place in metabolic processes for humans. Roughly speaking, we can think of the metabolic processes in the human organism as taking place in such a way that they essentially have to do with the liquid element of substance. This will be easy to see if one is even slightly familiar with the most viable scientific ideas in this field. What is a metabolic process lives, so to speak, in the liquid element. What breathing is, lives in the airy element; in breathing we have an interaction between inner and outer air processes, just as in metabolism we have an interaction between material processes that have taken place outside our body and those that take place inside our body. What happens when we perceive with our senses and follow it with our imagination? What does that actually correspond to? In the same way that fluid processes correspond to metabolism and airy processes to breathing, what corresponds to perception? Perceptual processes correspond to etheric processes. Just as we live, as it were, with metabolism in the liquid, we live with breathing in the air, we live with perception in the ether. And inner etheric processes, inner etheric processes that take place in the invisible body, of which has just been spoken, touch with external etheric processes in sensory perception. If one objects: Yes, but certain sensory perceptions are obvious metabolic processes! — it is particularly striking for those sensory perceptions that correspond to the so-called lower senses, smell, taste — a closer look would show that what is material belongs to the metabolism itself, and that in every such process, even in tasting for example, an etheric process takes place through which we enter into relationship with the outer ether, just as we enter into relationship with the air with our physical body when we breathe. Without an understanding of the etheric world, an understanding of the sensations is not possible. | And what actually happens? Well, what happens there can basically only be understood when one has brought the inner soul process so far that the inner etheric-physical has become a reality. This will be the case when what I have recently called imaginative visualization in my lectures here has been achieved. When the images have been strengthened by the exercises that you can find in the book mentioned above, so that they are no longer abstract images, which we otherwise have, but are images full of life, then they can be called imaginations. When these images have become so full of life that they are imaginations, then they live directly in the etheric, whereas when they are abstract images, they only live in the soul. They spread into the etheric. And then, when one has so far brought it in one's inner experimentation that one experiences the ether as a living reality within oneself, then one can experience what happens in the sense perception. The sensation consists in this – I can only present this today as a result – that, as the external environment sends the etheric from the material into our sense organs, it creates those gulfs of which I spoke the day before yesterday, so that what is outside also becomes internal within our sense realm; for example, we have a sound, so to speak, between the sense life and the external world. Then, as a result of the outer ether penetrating our sense organs, this outer ether is killed. And as the outer ether enters our sense organs in a deadened state, it is revived by the inner ether of the etheric body counteracting it. This is the essence of sensory perception. Just as in the breathing process, death and life come into being when we inhale oxygen and exhale carbonic acid, so there is an interaction between the quasi-dead ether and the living ether in the sense of feeling. This is an extraordinarily important fact for spiritual science. For that which cannot be found through philosophical speculation, on which the philosophical speculation of the last centuries has so often failed, can only be found through spiritual science. Sensory perception can thus be recognized as a fine interaction between external and internal ether; as the animation of the ether killed in the sensory organ from the inner etheric body. So that what the senses kill in us from the environment is inwardly revived by the etheric body, and we thereby come to what is precisely perception of the external world. This is extraordinarily important, for it shows how, even when he is giving himself up to sense perception, man lives not only in the physical organism but also in the ethereal supersensible, and how the whole life of the senses is a life and weaving in the invisible etheric. This is what the deeper researchers have always suspected in the characterized time, but it will be raised to certainty through spiritual science. Among those who recognized this significant truth, I will mention the almost completely forgotten J.P.V. Troxler. I have already mentioned him in earlier lectures here in earlier years. In his Lectures on Philosophy, he said: "Even in the past, philosophers distinguished a fine, noble soul body from the coarser body... a soul that has an image of the body, which they called a schema, and which was the higher inner human being... In more recent times, even Kant in Dreams of a Spirit-Seer seriously dreams, in jest, of an entire inner spiritual human being who carries all the limbs of the outer one on his spirit body; Lavater also writes and thinks in the same way... ." These researchers were also aware that the moment one ascends from mere material observation to the observation of this supersensible organism within us, one has to pass from ordinary anthropology to a kind of knowledge that comes to its results by way of inner observation. It is therefore interesting that both I. H. Fichte and Troxler are clear about the fact that anthropology must be elevated to something else if it is to grasp the whole human being. I. H. Fichte says in his 'Anthropology': "Sensual consciousness... with the entire, also human, life of the senses, has no other significance than to be the site in which the supersensible life of the spirit is realized, in that through free conscious deed it introduces the otherworldly spiritual content of the ideas into the world of the senses... This thorough grasp of the human being now elevates “anthropology in its final result to ‘anthroposophy’.” We see from this current of German intellectual life, which, I would say, drives idealism from its abstractness to reality, the inkling of an anthroposophy. And Troxler says that one must assume a super-spiritual sense in conjunction with a super-sensible spirit, and that one can thus grasp the human being in such a way that one no longer has to deal with an ordinary anthropology, but with something higher: "If it is now highly gratifying that the latest philosophy, which... . in every anthroposophy.. . must reveal itself in every anthroposophy, it cannot be overlooked that this idea cannot be a fruit of speculation, and that the true individuality of man must not be confused either with what it sets up as subjective spirit or finite ego, nor with what it juxtaposes to it as absolute spirit or absolute personality. With Anthroposophy, something is not presented that emerges, as it were, out of arbitrariness, but something that inevitably leads to that spiritual life, which once it is engaged in, experiences concepts and ideas not only as concepts and ideas, but condenses them to such an extent - and I would like to use the expression again - that they lead into reality, that they become saturated with reality. But, and this is the defect of this research, if one merely rises from the physical to the etheric body, one still does not get along; but one only comes to a certain limit, which must be exceeded, however, because beyond the etheric only the soul-spiritual lies. And the essential thing is that this soul-spiritual can only enter into a relationship with the physical through the mediation of the etheric. Thus, we have to look for the actual soul of the human being in that which now works completely super-etherically in the etheric, so that the etheric in turn shapes the physical as it is itself shaped, permeated, and lived through by the soul. Let us now try to grasp the human being at the other pole, the will pole: We have said that the life of the will is connected with the metabolism. Inasmuch as the impulse of the will expresses itself in the metabolism, it lives, not merely in the external physical metabolism, but, since the whole human being is within the boundaries of his being, the etheric also lives in what develops as metabolism when a will impulse proceeds. Spiritual science shows that the opposite of sensory perception is present in the will impulse. While in sensory perception the outer ether is, as it were, animated by the inner ether, so that the inner ether pours into the dead ether, in the case of the will impulse, when it arises from the soul spiritual, then through metabolism and everything connected with it, the etheric body is loosened and driven out of the physical body in those areas where the metabolism takes place. So here we have the opposite: the etheric body, as it were, withdraws from physical processes. And therein lies the essence of acts of will, in that the etheric body withdraws from the physical body. Now those revered listeners who have heard the earlier lectures will remember that, in addition to imaginative knowledge, I have distinguished between inspired knowledge and the actual intuitive knowledge. And just as imaginative knowledge is the result of such a strengthening of the soul life that one comes to the etheric life in the way indicated earlier, so intuitive knowledge is given by the fact that one learns, so to speak, in one's soul life to participate through powerful impulses of will, even to evoke what one can call withdrawal of the etheric body from physical processes. Thus in this area the soul-spiritual extends into the physical-bodily. When a volitional impulse originally emanates from the soul-spiritual, it finds the etheric, and the consequence is that this etheric is withdrawn from some metabolic area of the physical body. And from this working of the soul-spiritual through the etheric upon the bodily, there arises what may be called the transmission of a volitional impulse to some bodily movement, to some bodily activity. But it is only when we consider the human being as a whole in this way that we arrive at his actual immortal part. For as soon as we learn to recognize how the spiritual-soul element weaves in the ether, it also becomes clear to us that this weaving of the spiritual-soul element in the ether is independent of those processes of the physical body that are included in birth, conception and death. And in this way it is possible to truly rise to the immortal in the human being, to that which connects with the body that one receives through the hereditary current and which is maintained when the human being passes through the gate of death again. For the eternal spiritual is connected with that which is born and dies here, indirectly through the etheric. It has become clear that the concepts presented by spiritual science are very much at odds with today's thinking habits and that it is difficult for people to find their way into these concepts. It may be said that one of the obstacles to this finding one's way in, besides others, is that so little effort is made to seek the real connection between the spiritual and soul life and the bodily in the way suggested today. Most people long for something quite different from what spiritual research can actually provide. What is it actually that takes place in man when he imagines? An etheric process that only interacts with an external etheric process. But in order for a person to be in this direction in a healthy mental and physical way, it is necessary for that person to become aware of where the boundary is where the inner and outer ether touch. This mostly happens unconsciously. It becomes conscious when the human being rises to imaginative knowledge, when he experiences inwardly the rain and movement of the ether, and his coming together with the outer ether, which dies in the sense organ. In this interaction between the inner and outer ether, we have, so to speak, the outermost limit of the effectiveness of the ether in general on the human organism. For that which is in our etheric body, for example, primarily affects the organism in terms of growth. There it is still active within the organism, forming it. It gradually organizes our organism so that it adapts to the outside world, as we see when a child grows up. But this inwardly formative grasp of the physical body by the ether must reach a certain limit. If it goes beyond this limit through some morbid process, then what lives and moves in the ether, but which should maintain itself in the etheric, encroaches upon the physical organism, so that what should remain as ether movement is, as it were, interwoven into the physical organism. What then happens? That which should actually only be experienced inwardly as an image, occurs as a process in the physical body. Then it is what is called a hallucination. When the ether process crosses its boundary into the physical, because the body, through its disease, does not offer the right resistance, then what is called a hallucination arises. Now, many people who want to enter the spiritual world actually desire hallucinations above all. Of course, the spiritual researcher cannot offer them that, because hallucination is nothing more than the reproduction of a purely material process, a process that takes place in relation to the soul beyond the boundaries of the body, that is, in the body. On the other hand, what leads to the spiritual world is that one goes from this boundary back into the soul and instead of hallucinations, one comes to imagination, and imagination is a purely mental experience. And because it is a purely mental experience, the soul lives in the spiritual world in the imagination. But in this way the soul also lives in fully conscious penetration of the imagination. And it is important to realize that imagination, that is, the right way to gain spiritual knowledge, and hallucination, are opposites and also destroy each other. He who hallucinates through a diseased organism blocks the path to true imagination; and he who has true imagination is most safely guarded from all hallucination. Hallucination and imagination are mutually exclusive and mutually destructive. But the same is true at the other pole of the human being. Just as the etheric body can encroach upon the physical body, can sink its formative power into the physical body, and thereby cause hallucinations, that is, purely physical processes, so on the other side, through certain morbid formations of the organism or through induced fatigue or other conditions of the organism, the etheric, as it was characterized in the act of will, can emerge in an irregular manner. Then it may happen that instead of the etheric really being withdrawn from the physical metabolic region in a correct act of will, it remains within, and the purely physical activity of the physical metabolic region encroaches upon the etheric , so that the etheric becomes dependent on the physical, whereas in normal will-manifestation the physical is dependent on the etheric, which in turn is determined by the soul-spiritual. When this happens through such processes as I have indicated, then, I might say, the compulsive act, which consists in the physical body with its metabolic processes forcing its way into the etheric, so to speak pushing itself into the etheric body, gives rise to the morbid counter-image of hallucination. And if the compulsive act is evoked as a pathological phenomenon, then one can again say: it excludes what is called intuition in spiritual scientific knowledge. Intuition and compulsive behavior are mutually exclusive, just as hallucination and imagination are mutually exclusive. This is why there is nothing more soulless than, on the one hand, hallucinators, because hallucinations are just hints at bodily conditions that should not be; and, on the other hand, for example, the whirling dervishes. The dance of the dervish comes about through the physical body pushing into the etheric, so that it is not the etheric that brings about the effect from the spiritual-soul, but basically only regular compulsive actions occur. And anyone who believes that they can find revelations of the soul in the dancing dervish should first of all study spiritual science in order to realize that the dancing dervish is proof that the spirit, the spiritual-soul, has left its body; that is why he dances in this way. And, I would like to say, only a little more extensive is that which is not dancing, but which, for example, is automatic writing, mediumistic writing. This also consists in nothing more than first driving the spiritual-soul out of the human being completely, and allowing the physical body, which has been pushed into the etheric body, to unfold as it does when it has become empty, as it were, of the inner ether and now comes under the control of the surrounding outer ether. All these subjects lead away from spiritual science, not toward it, although nothing should be objected to them from the standpoint of those from whom they usually meet with so much opposition. In the dancing dervish one can study what a danced art, a truly artistic dance, should be. The artistic dance should consist precisely in the fact that each individual movement corresponds to a volitional impulse, which can also become conscious to the person concerned, so that one is never dealing with a mere intrusion of physical processes into ethereal processes. Only spiritualized dance is artistic dance. The dancing of the dervish is only the denial of spirituality. Some will object: But it does show the spirit! It does, but how? You can study a shell if you take in and look at the living shell; but you can also study it when the living shell is gone, by looking at the shell: the shape of the shell is reproduced in the shell, the shape born out of life. But in a similar way, we also have a reproduction of the spiritual, a dead reproduction of the spiritual, when we are dealing with automatic writing or with a whirling dervish. That is why it resembles the spiritual as much as the shell resembles the mussel, and why it can be so easily confused. But only when we truly penetrate into the spiritual can we have the right understanding of these things. If we start from the bodily, through the sensation of the senses, and ascend to the realm of the imagination, which then transfers itself into the soul-spiritual, we come to recognize in this way, in a spiritual-scientific way, that what is aroused by the sensations of the senses is, as it were, deposited at a certain point and becomes memory. Memory arises from the fact that the sensory impression continues in the body, so that not only can the etheric work from within in the sensory impressions themselves, but the etheric can now also be active in what the sensory impression has left behind in the body. Then what has gone into memory is brought up again from remembrance. Of course, it is not possible to go into these things in more detail in the short time of a one-hour lecture. But one will never come to a real understanding of what imagination and memory are, and how they relate to the soul and spirit, if one does not advance in the spiritual-scientific sense on the path that has been indicated. At the other pole, there is the whole current that flows from the spiritual-soul of the will impulses down into the physical body, through which the actions are effected. In the ordinary life of man, the sense life comes to remembrance and remains, as it were, in the act of remembering. Remembrance is placed before the soul-spiritual, so that the latter is not aware of itself, of how it creates and is active through the sensations of the senses. Only a vague, confused notion arises that the soul lives and weaves in the etheric, when this soul, living and weaving in the etheric, is not yet so strengthened in this etheric weaving that all etheric weaving breaks at the boundary of the physical. When the soul-spiritual interweaves the etheric body in such a way that what it expresses in the etheric body does not immediately break at the physical body, but is so sustained in the etheric that it reaches the boundaries of the physical body, but is still noticed in the etheric, then the dream arises. And the life of dreams, when it is really studied, will become proof of the lowest form of supersensible experience of man. For in dreams man experiences that he cannot unfold his soul-spiritual, because it seems too powerless, in will impulses within that which is present in the dream images. And because the will impulses are lacking, because the spirit and soul intervene so little in the etheric in the dream that the soul itself becomes aware of these will impulses, the chaotic fabric that the dream represents arises. What dreams are on the one hand, on the other hand there are those phenomena in which the will, coming from the soul-spiritual, intervenes in the outer world through the etheric-physical , but is just as little aware of what is actually happening there as he is able to become aware in the dream, due to the weak activity of the spiritual-soul, that the human being is living and breathing in the spiritual. Just as the dream so to speak represents the attenuated sense perception, so something else represents the intensified effect of the spiritual-soul, the intensified effect of the will impulses; and that is what we call fate. We do not see the connections in fate, just as we do not see in the dream what is actually weaving and living there as the real thing. Just as material processes always underlie the dream, surging into the ether, so the soul and spiritual anchored in the will surge towards the outer world. But in ordinary life the soul and spiritual are not organized in such a way that the spirit itself can be seen in its activity in what happens to us as the succession of so-called fateful experiences. At the moment we grasp this succession, we learn to recognize the fabric of fate, we learn to recognize that just as in ordinary life the soul obscures the spiritual through ideas, in fate it obscures the spiritual through affect, through sympathy and antipathy, with which it takes in the events that come to it as life events. In the moment when one sees through sympathy and antipathy in a spiritual-scientific way, when one really grasps the course of life's events objectively and calmly, one notices how everything that happens in our lives between birth and death is either the after-effect of previous lives on earth or the preparation for later lives on earth. Just as, on the one hand, natural science does not penetrate to the spiritual and soul, not even to the etheric, when it seeks the relationships between the material world and the imagination, so at the other pole, natural science cannot cope with its efforts today. Just as it clings to material processes in the nervous organism in the life of the imagination, so at the other pole it clings to something unclear, which, I might say, hovers nebulously between the physical and the soul. These are precisely the areas where one must become fully aware of how world-view concepts can be both proven and refuted. And for those who insist on proof, the positive has much to recommend it; but one must also be able to experience the negative inwardly, in keeping with one's insights, as with exhalation one inhales. Recently, what is called analytical psychology has emerged. This analytical psychology is, I would say, inspired by good intuitions. For what does it want? This analytical psychology, or as it is usually called today, psychoanalysis, wants to descend from the ordinary soul life to that which is no longer contained in the ordinary present soul life, but is a remnant of earlier soul experience. The psychoanalyst assumes that mental life is not exhausted in the present mental experience, in the conscious mental experience, but that consciousness dips down into the subconscious. And in much of what appears in the mental life as a disturbance, as confusion, as this or that defect, the psychoanalyst sees an effect of what surges down in the subconscious. But what the psychoanalyst sees in this subconscious is interesting. When you hear what he lists in this subconscious, it is first of all deceived hopes in life. The psychoanalyst finds some person who suffers from this or that depression. This depression does not have to originate in the present conscious mental life, but in the past. Something occurred in mental experience in this life. The person has since emerged from it, but not completely; a residue remains in the subconscious. He has experienced disappointments, for example. Through education and other processes, he has come to terms with these disappointments in his conscious mental life, but in the subconscious they live on. There they surge, as it were, to the very edge of consciousness. There it then produces the unclear mental depression. The psychoanalyst thus searches in all kinds of disappointments, in deceived hopes of life that have been drawn down into the subconscious, for that which determines the conscious life in a dark way. He also searches for this in what colors the soul life as temperament. In what the soul life colors out of certain rational impulses, the psychoanalyst seeks a subconscious that, as it were, only strikes against consciousness. But then he comes to a broad area — I am only reporting here — which the psychoanalyst grasps by saying: 'The animalistic mud of the soul is playing up into conscious life'. Now, it is not at all denied that this basic sludge is present. In these lectures I myself have already pointed out how certain mystics have experiences in that something, be it for example the erotic, is subtly brought up and plays into consciousness, so that one believes to have particularly exalted experiences, while only the erotic, “the animalistic basic mud of the soul,” is brought up and sometimes interpreted in a deeply mystical sense. One can still see in such a poetically delicate mystic as Mechthild of Magdeburg how erotic feeling goes into the details of the images. These things must be clearly grasped so that no errors are made in the spiritual-scientific field. For anyone who wants to penetrate the spirit must be particularly aware of all the paths of error, not to avoid them, but to avoid them. But anyone who speaks of this animalistic basic mud of the soul, who only speaks of disappointed hopes in life and the like, does not go deep enough into the life of the soul: he is like a person walking across a field in which nothing can yet be seen and who believes that it contains only the soil or even the manure, whereas in fact this field already contains all the fruits that will soon come up as grain or other things. When speaking of the basic mud of the soul, one should also speak of what is embedded in it. Certainly, there are disappointed hopes contained in this basic mud; but at the same time, what is embedded in it contains a germinating power that represents what – when the human being has passed through the gate of death into the life that between death and a new birth, and then enters into a new earth-life, makes something quite different out of the deceived hopes than a depression, that makes out of them that which then in a next life leads to disillusionment, to hardening. What the psychoanalyst seeks in the disappointed hopes of life in the depths of the soul, if he delves deeply enough, is what is being prepared in the present life in order to intervene fatefully in the next life. Thus, if we dig around and search through the animalistic mud of the ground without dirtying our hands, as is unfortunately so often the case with psychoanalysts, we find the spiritual and mental weaving of fate that extends beyond birth and death with the spiritual and mental life of the soul. Analytical psychology is precisely the kind of psychology that can be used to learn how everything is right and everything is wrong when it comes to questions of world view, namely from one side or the other. Nevertheless, there is an enormous amount that can be said in support of the one-sided assertions of the psychoanalysts; therefore a refutation will not greatly impress those who are sworn to these concepts. But if one learns to recognize what speaks for and against with the attitude of knowledge that was characterized at the beginning of this lecture, then it is precisely from the pros and cons of the soul that one will experience what really works. For, I might say, between what can be observed in the soul, as psychologists do, who only go to the level of consciousness, and what the psychoanalyst finds down in the animalistic mud of the soul, lies the realm that belongs to the spiritual-soul-eternal, which goes through births and deaths. The exploration of the human soul also leads to a correct relationship with the external world. Modern science has not only spoken about the ether in an indeterminate way, but it is also spoken about in such a way that the greatest mysteries of the world are actually attributed to it: what then took on solid forms, became planets, suns and moons, and so on. In this view, the soul and spiritual processes at work in man are regarded as no more than a mere episode. There is only dead ether, back and front. If one gets to know the ether only from one side, then one can come to such a construction of the becoming of the world, to which the subtle Herman Grimm — I have quoted his saying before, but it is so significant that it can always be brought before the soul again — says the following words. By familiarizing himself with how one thinks that the dead etheric mist of the cosmos has given rise to that out of which life and spirit are now developing, and by measuring it against Goethe's world view, he comes to the following saying: “Long ago, in his (Goethe's) youth, the great Laplace-Kantian fantasy of the origin and eventual destruction of the globe had already taken hold. From the rotating nebula – as children already learn at school – the central drop of gas forms, from which the Earth will later develop. As it solidifies into a sphere, it goes through all the phases, including the episode of human habitation, and finally to plunge back into the sun as burnt-out cinders: a long process, but one that is perfectly comprehensible to today's audience, and one that no longer requires any external intervention to come about, except for the effort of some external force to maintain the sun at the same temperature. No more fruitless prospect for the future can be imagined than the one that is supposed to be imposed on us today as scientifically necessary in this expectation. A carrion bone that a hungry dog would avoid would be a refreshing, appetizing piece compared to this last excrement of creation, as which our earth would finally fall back to the sun, and it is the curiosity curiosity with which our generation absorbs the like and believes, a sign of a sick imagination, which the scholars of future epochs will one day expend a great deal of ingenuity to explain as an historical phenomenon of the times."What appears here again within German intellectual life as a feeling born out of a healthy soul life is shown in a true light by spiritual science. For, as one learns to recognize, how the animation of the dead ether through the soul, through the living ether, comes about, then through inner experience one comes away from the possibility that our world building could ever have arisen from a dead etheric. And this riddle of the world takes on a quite different form when we become acquainted with the corresponding riddle of the soul. We now recognize the ether itself in its living form, we recognize how the dead ether must first arise out of the living. So that by going back to the beginning of the world, we must come back to the soul and see in the spiritual-soul the origin of that which is developing today. But while this spiritual-soul substance remains a mere hypothesis, a mere figment of the imagination, in relation to the outer riddles of the world, so long as one does not learn about the whole life and weaving of the etheric through spiritual science in the encounter of the living ether from within with the dead ether from without, it is precisely through spiritual science that the cosmic fog itself becomes a living, spiritual-soul substance. As you can see, the riddles of the soul also open up a significant perspective for the riddles of the world. I must pause on this perspective today. You can see that a true contemplation of outer and inner life from the point of view of spiritual science leads across the ether into the spiritual-soul realm, both in the soul itself and in the outer world. On the other hand, there is the attitude of knowledge such as I have described in the case of a man whom I mentioned last time. Today we can at least surmise that from the corporeal as conceived by spiritual science, the bridge leads directly up to the spiritual-soul, in which ethics, morality, and morals are rooted, which originate in the spirit, just as the sensual leads into the spiritual. But in its study of purely external material things, science has arrived at a point of view that denies that ethics is rooted in the spiritual at all. Today, people are still too embarrassed to deny ethics itself, but they say the following about ethics, which is at the end of Jacques Loeb's lecture, which I presented last time with reference to the beginning. There he says, who comes to a brutal denial of ethics through scientific research: “If our existence is based on the play of blind forces and is only a work of chance, if we ourselves are only chemical mechanisms, how can there be an ethic for us?” The answer to this is that our instincts form the root of our ethics, and that instincts are just as hereditary as the formative components of our body. We eat and drink and reproduce, not because metaphysicians have come to the conclusion that this is desirable, but because we are mechanically induced to do so. We are active because we are mechanically compelled to do so by the processes in our nervous system, and, if people are not economic slaves, the instinct of “successful triggering or successful work determines the direction of their activity. The mother loves her children and takes care of them, not because metaphysicians had the idea that this was beautiful, but because the instinct of brood care, presumably through the two sex chromosomes, is just as firmly determined as the morphological characters of the female body. We enjoy the company of other people because we are forced to do so by hereditary conditions. We fight for justice and truth and are willing to make sacrifices for them because we instinctively want to see our fellow human beings happy. That we have an ethic is due solely to our instincts, which are chemically and hereditarily laid down in us in the same way as the shape of our body." Moral action leads back to instincts! Instincts lead back to physical-chemical action! The logic is, however, very threadbare. Of course, one can say that one should not wait for the metaphysicians to work out some metaphysical principles before acting ethically, but that is the same as saying: should one wait for the metaphysicians or the physiologists to discover the laws of digestion before digesting? I would therefore recommend to Professor Loeb not to investigate the physiological laws of digestion in the same brutal way as he attacks the metaphysical laws of ethical life. But one can say: one can be an important natural scientist today – but the habits of thought are such that they cut you off, as it were, from all spiritual life, that you no longer have an eye for this spiritual life at all. But this always goes hand in hand with the fact that you can, as it were, prove a defect in thinking, so that you never really have everything that goes into a thought. One can indeed have strange experiences in this regard. I have already presented such an experience here some time ago; but I would like to present it again because it ties in with the ideas of a very important contemporary natural scientist, who is also one of those whom I attack precisely because I hold him in high esteem in one field. This naturalist has made great contributions in the field of astrophysics and also in certain other fields of natural science. But when he wrote a book summarizing the world view of the present and the development of this world view, he makes a remarkable statement in the preface. He is, so to speak, enchanted by how wonderfully far we have come in being able to interpret everything scientifically, and with a certain arrogance, as is common in such circles, he points to earlier times when this was not the case. Goethe, saying: “Whether one can really say that we live in the best of times is not clear; but that, in terms of scientific knowledge, we live in the best of times for knowledge compared to earlier times, we can refer to Goethe, who says:
With this, a great naturalist of the present day concludes, that is, with a confession that he takes from Goethe. He has only forgotten that it is Wagner who makes this confession and that Faust says to this confession when Wagner has left:
This great researcher forgot to reflect on what Goethe actually says the moment he refers to Wagner to express how wonderfully far we have come. One can, I would say, see where thinking leaves off in the pursuit of reality. And we could cite many more examples if we were to delve a little deeper into contemporary scientific literature. Since I hold the aforementioned natural scientist in high regard, as I have said, it will certainly not be taken amiss if I were to assert the true Goethean attitude in the face of such natural science, which puffs itself up by also claiming to be able to provide information about the spirit. For although we can forgive many a monist for being unable to grasp the spirit due to the weakness of his thinking, it is dangerous when the attitude that appears in Jacques Loeb and in the characterized natural scientist, who characterizes himself as Wagner but believes he is characterizing himself as Goethe, spreads more and more into the widest circles through the belief in authority. And it does. Those who penetrate into what spiritual science can give in terms of attitude may, if they follow the example of the natural scientist, even if it may not seem reverent enough to some, come to the genuine Goethean attitude by taking up Goethe's words, with which I would like to conclude this lecture:
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224. Pneumatosophy: The Riddles of the Inner Man
23 May 1923, Bern Translated by Frances E. Dawson Rudolf Steiner |
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What we do there we can, of course, do only according to what we have accomplished here in the earth life; and that also is revealed to us in a certain sense in the relation of sleep to waking. Just think how chaotic the dream is! I do not undervalue the wonderfully varied multiplicity and the grandeur of the dream; but we must nevertheless recognize that the dream, compared with the earth life, in whose images it is clothed, is chaotic. You need only to recall that dream which I have mentioned before as an illustration (Volkelt told this dream, according to a report from Württemberg, but we know of such, do we not?). |
—You see a dream can be as chaotic as that—strangely chaotic. But just what does it mean that the dream acts so chaotically? |
224. Pneumatosophy: The Riddles of the Inner Man
23 May 1923, Bern Translated by Frances E. Dawson Rudolf Steiner |
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My dear Friends, what I should like to bring to you now will have to be said—as has everything that I have had to say recently about Anthroposophy—with a certain undertone called forth by the painful event which befell our work and our Society on last New Year's Eve: the Goetheanum in Dornach, for the time being, is no more; it was consumed by flames in the night before the New Year. And all who witnessed the destruction in this one night of the work of ten long years, accomplished by so many of our friends, and performed by them with complete devotion—all who have loved this Goetheanum very much, just because of this work, and because of what the Goetheanum was to us, will of necessity be weighed down by the thought that we no longer have this particular outer sign of Anthroposophical activity. For, even if some other building for our work shall arise on the same site—which should by all means occur—owing to the trying circumstances of the present time it can, of course, never be the old Goetheanum. Therefore, behind all that I have had to say since those days there actually stands in the background the fearful glow of the flames, which in such a heart-rending way interrupted the development of all our work. Since this outer sign has vanished, we must dedicate ourselves all the more to laying hold of the inner forces and inner realities of the Anthroposophical Movement and of what is connected with it for the entire evolution of humanity. Let me begin then with a sort of consideration of the nature of the human being. I have presented very much of this kind here in your midst, and I should like now to consider again one phase from a certain point of view. I should like to start with a consideration of the human being entering the world, of the human being who has descended from the pre-earthly existence and is, as it were, taking his first steps here in the life on earth. We know, of course, that at the time of this entrance into the earth-life, a condition governs the soul which has a certain similarity to the ever-recurring condition of man's sleep-life. As the ordinary consciousness has no remembrance, upon awaking, of that which the soul-spiritual part of man has experienced between going to sleep and waking up (with the exception of the varicolored multiplicity of dreams, which actually float away, as we know, when we sink into sleep or when we wake, and which for the ordinary consciousness do not result from deep sleep)—as, then, the ordinary consciousness has no remembrance of this condition, so for the entire earth life this same consciousness remembers only back to a certain point of time in childhood. With one person this point of time is somewhat earlier, with another later. What occurs in the earthly life prior to this is really as much concealed from the ordinary consciousness as are the events of the sleep state. Of course, it is true that the child is not actually sleeping; it lives in a sort of dreamy, indefinite inner activity; but from the point of view of the whole later life, this condition is at least not very much removed from dream-filled sleep. There are three activities, however, which set in at this time, three things. which the child is learning. There is what we ordinarily sum up in the expression learning to walk, then what is connected with learning to speak, and what for the child is connected with learning to think. Now, in the expression “learning to walk”, for the sake of our own convenience we actually characterize something which is extraordinarily complex in an exceedingly brief way. We need only to recall how the child is at first utterly unadapted to life, how it gradually gains the ability to accommodate its own position of balance to the space in which it is to move during the entire life. It is not merely “learning to walk” which we observe in the child, but a seeking for the state of equilibrium in the earthly life. Connected with learning to walk is all use of the limbs. And for anyone who is able to observe such a matter in the right way, the most remarkable and most important of life's riddles actually find expression in this activity of learning to walk; a whole universe comes to expression in the manner in which the child progresses from creeping to the upright position, to the placing of the little feet, but also in addition to holding the head upright and to the use of arms and legs. And then anyone who has a more intimate insight into how one child steps more on the heel, and another is more inclined to step on the toes, will perhaps have an inkling of what I shall now have to tell you with regard to the three activities mentioned and their relation to the spiritual world. Only, I should like first to characterize these three activities as to their outer aspects. On the basis of this effort to attain equilibrium—or, if I may express myself now somewhat more learnedly, perhaps also somewhat more pompously, this search for a dynamic of life—on the basis of this effort, learning to speak is then developed. For, anyone who is able to observe knows quite well that the normal development of the child proceeds in such a way that learning to speak is developed on the basis of learning to walk and to grasp. With regard to learning to talk it will be noticed at the very first how the firm or gentle tread of the child is expressed in the act of talking, in the accenting of the syllables, in the force of the speech. And it will be noticed further how the modulation of the words, how the forming of the words, has a certain parallel with the way the child learns to bend the fingers or to keep them straight, whether it is skillful or unskillful. But anyone who can then observe the entire inner nature of the human organization will be able to know—what even the present-day teaching of evolution concedes—that “right-handed” people not only have the speech-center in the left third convolution of the forehead, in the so-called Broca convolution, which represents in a quite simple physiological way the characteristic relation between speech and the ability to grasp, the entire ability to handle the arm and the hand, if I may make use of the pleonasm; but we know also how closely the movement of the vocal cords, the whole adjustment of the speech organism, takes on exactly the same character which the movements of walking and grasping assume. But in the normal development of the child, speech which, as you know, is developed in imitation of the environment, cannot develop at all unless the foundation is first laid in the quest of the state of equilibrium in life. With regard to thinking: Even the more delicate organs of the brain, upon which thinking depends, are developed in turn from the speech organization. No one should suppose that in the normal development of the child thinking could be evolved before speech. Anyone who is able to observe the process will find that with the child speech is not at first an expression of “thinking”—not at all! It would be ridiculous to believe that. But, with the child, speech is an expression of feeling, of sensation, of the soul-life. Hence you will see that at first it is interjections, everything connected with feelings, which the child expresses by means of speech. And when the child says “Mama” or “Papa”, it expresses feelings toward Mama or Papa, not any sort of concept or thought. Thinking is first developed from speech. It is true that among human beings many a thing is disarranged, so that someone says, “This child learned to speak before it walked.” But that is not the normal development, and in the rearing of a child one should by all means see to it that the normal course of development is actually observed: walking—speaking—thinking. However, the real character of these activities of the child is truly perceived only when we observe the other side of human life: that is to say, if we observe how in later life these activities are related to each other in sleep; for they arise out of sleep, as I have indicated, or at least out of the dreamlike sleep of the child. But what do these activities signify during the later earth life? In general, it is not possible for the scientific life of the present day to enter into these things. It actually knows only the exterior of the human being; it knows nothing of the inner relationships of the human being with the Cosmic Being, in so far as the Cosmic Being is spiritual. In every realm human civilization, if I may use the expression—or let us say human culture—has been developed to a certain materialism, or naturalism. Do not think that I wish here to upbraid materialism: if materialism had not come into human civilization, human beings would not have become free. Materialism is therefore a necessary epoch in the evolution of humanity. But today we must be very clear as to the way we have to go now—as well as in the future. And we must be clear about this in every realm. In order that what I now have to say may be better illustrated, I should like to make it clear to you by means of an example. You all know and can learn from my books that earth humanity, before it passed through those cultural epochs which are only partly similar to the present one—the ancient Indian, the ancient Persian, the Egypto-Chaldean, the Greco-Latin, and then our own—passed through the so-called Atlantean catastrophe. And during this Atlantean catastrophe the humanity which is now the European, Asiatic, and American civilized humanity lived chiefly on a continent where there is now sea—namely, the Atlantic Ocean. At that time this area was occupied mostly by land, and for a very long time, humanity had been developing upon this Atlantean continent. You can read in my books and cycles what humanity passed through during those epochs. I will not speak of other human experiences during the ancient Atlantean time, but only of musical experiences. The entire musical experience of the ancient Atlantean would necessarily appear very curious, even grotesque, to a man of the present time, if he could hear it—which, of course, he cannot do. For what the ancient Atlanteans were in quest of in music was, for example, the chords of the seventh. These chords of the seventh had the peculiarity of affecting the souls of these ancient people—in whose bodies we were all ensheathed, for in repeated earth lives we passed through that time also—in such a way that they were immediately transported out of their bodies when they lived in their music, this music which took into special consideration the chords of the seventh. They knew no other frame of mind in music than a state of rapture, of enthusiasm, a state in which they were permeated by the God; and, when their extraordinarily simple instruments sounded—instruments intended only for accompaniment to singing—then such an Atlantean immediately felt himself to be actually weaving and living in the outer spiritual world. Then came the Atlantean catastrophe. Among all post-Atlanteans there was next developed a preference for a sequence of fifths. You probably know that for a long time thereafter fifths played a most comprehensive role in musical development; for example, in ancient Greece, fifths played a quite extensive role. And this preference for a sequence of fifths had the peculiarity of affecting people in such a way that, when they experienced music, they now no longer felt drawn out of their bodies, to be sure, but they felt themselves to be soul and spirit within their bodies. During the musical experience they completely forgot physical experience; they felt that they were inside their skin, so to speak, but their skin was entirely filled with soul and spirit. That was the effect of the music, and very few people will believe that almost up to the tenth and eleventh Christian century the natural music was as I have described it. For not until then did the aptitude for thirds appear, the aptitude for the major and the minor third, and everything of the nature of major and minor. That came relatively late. But with this late development there was evolved at the same time the inner experience of music. Man now remained within himself in musical experience. Just as the rest of the culture at this time tended downward from the spiritual to the material, so in the musical sphere the tendency was downward, from the experience of the spiritual into which he passed in ancient times when he experienced music at all, to the experience of music within himself—no longer as far outward as to the skin, but entirely within himself. In this way there first appeared also at that time the major and minor moods, which are actually possible only when music is inwardly experienced. Thus, it can be seen how in every domain man has descended from the spiritual into the material, but also into himself. Therefore, we should not always merely say, in a narrow-minded fashion, that the material is something of minor value, and we must escape from it. The human being would not have become truly human at all, if he had not descended and laid hold upon the material life. Precisely because he apprehended the spiritual in the material, did the human being become a self-conscious, independent Ego-Being. And today, with the help of Anthroposophical spiritual science, we must again find the way back into the spiritual world—in all realms we must find the way. This is the reason it is so painful that the artistic endeavor, made by means of the Goetheanum at Dornach, has been obliterated as is now the case. The way into the spiritual world must be sought in every realm. Let us next consider one activity which the child learns—namely, speech—with regard to the entire evolution of the human being. It must really be said that what the child learns there is something magnificent. Jean Paul, the German poet, has said that in the first three years of life—that is, the years in which the essential things we learn are to walk, to speak and to think—the human being learns much more than in the three academic years. Meanwhile the “three” academic years have become many, but a man still learns no more in those three years than he learns as a child in the first three years of life.—Let us now consider speech. In speaking there is first the outer physical-physiological factor: that is, the larynx and the rest of our speech organs are set in motion. They move the air, which becomes the medium of tone. Here we have, in a way, the physical-physiological part. But in what we say there is soul also. And the soul permeates and gleams through all that we utter in the sounds. In as far as speech is something physical, man's physical body and his etheric body have a share in it. As a matter f course, these are silent from the time of going to sleep until the time of wakening. That is, the normal human being does not speak between going to sleep and waking; but in as much as the soul and the ego have a share in speech, they—the astral body and ego—take with them the soul power of speech, when they pass out of the physical and etheric bodies at the time of going to sleep—and they actually take with them everything of a soul nature which the person has put into his speech during the whole day. We are really different beings each evening, for we have been busy talking all day long—one more, another less, many all too much, many also too little—but, no matter, we have been occupied with talking throughout the day, and we have put our souls into what we have said. And what we have put into our speech, that we take with us into sleep, and it remains our being between sleeping and waking. Now it may be that in our present materialistic age the human being no longer has any notion that idealism or spirituality may be expressed in the speech. People today usually have the idea that speech is intended to express only the external, the tangibly-objective. The feeling that ideals may be expressed in the speech has almost entirely disappeared. For this reason, it is also true that people today generally find so “unintelligible” what is said to them about “spirit”. For what do people say to themselves when spirit is mentioned? They admit that “words” are being used, but of these words people know only that they indicate what can be grasped or seen. The idea that words may also signify something else, something supersensible, invisible, people no longer like at all. That may be one way in which people regard speech; but the other may, of course, be that people shall find the way again to idealism even in words, even in language, knowing that a soul-spiritual experience may sound through each word, as it were. What a person who lives entirely in the materialism of the language, so to speak, carries over in sleep into the spiritual world brings him, strangely enough, into a difficult relation with the world of the Archangels, the Archangeloi, into which he should enter each night between going to sleep and waking; while the one who preserves for himself the idealism of speech, and who knows how the genius of the language lives in it, comes into the necessary relation to the Hierarchy of the Archangeloi, especially to that Archangel to whom he himself belongs in the world between sleeping and waking. Indeed, this is expressed even in outer world phenomena. Why do people today seek so frantically for an outer relation to the national languages? Why did this frightful misfortune come upon Europe, which Woodrow Wilson has considered good fortune?—but he was a curious illusionist.—Why then did this great misfortune come upon Europe, that freedom is bound up with the convulsive desire to make use of the national languages, even of the smallest nations? Because in reality the people are frantically seeking externally a relationship which they no longer have in spirit: for in going to sleep they no longer have the natural relation to the language—and also, therefore, not to the Hierarchy of the Archangeloi! And humanity will have to find the way back again to the permeation of all that pertains to language with idealism, if they do not wish to lose the way into the spiritual world. How does humanity today regard what takes place for the individual human being between going to sleep and waking? People do not take account of this sleep condition at all. If we recollect our past life, we seem to have before us a complete life picture. That is not the case; the time spent in sleep has regularly dropped out; the whole picture is continuously interrupted. We always connect the morning with the previous evening, but between them is the night. And what has occurred during sleep in the night constitutes outwardly, in the first place, at least a third of the human life (at all events, among “respectable” people it is so); and, secondly, it is much more important for the inner man than the outer activity during the whole day. To be sure, the outer activity is more important for external civilization; but our inner development during life is brought about by our coming into relation with the spiritual world in the right way while we sleep during the night. And the same is true regarding what forms the basis of the other activities; that is to say, if the human being in his actions—that is, what he does throughout the entire realm of the movements which he first learns upon entrance into the earth life—if he puts idealism into the whole realm of his actions, that is, if his life contains idealism in its realization, then the human being finds again the right relation with the Hierarchy of the Archai. And if the thoughts contain idealism, if they are not materialistic, the human being finds during sleep the relation with the Hierarchy of the Angels. This is what we discover if, with the help of Anthroposophical spiritual science, we inquire into the relation to the sleep state of these three activities acquired during childhood. But this relation may be revealed in a much more comprehensive degree, if we observe the entire life of the human being in the cosmos. You are acquainted with the description in my book Theosophy. When the human being passes through the gate of death, he first experiences for some days the condition which consists in the dissipation of the thoughts, of the concepts. We may express it by saying that the etheric body expands into the distances of the cosmos, the human being “loses” his etheric body. But that is the same as if I say that man's concepts and thoughts are dissipated. But what does that actually mean: that the concepts and thoughts are dissipated? It really means very much. It means, namely, that our entire waking life departs from us. Our entire waking life departs from us in the course of two or three days, and nothing at all would be left of our life, if we did not then live through that of which we remain unconscious during the earth life; that is, if we did not then begin to live through in full consciousness what we have experienced during our sleep life. This sleep life is spiritually infinitely richer, more intense, than the waking life. Whether the sleep be short or long, the sleep-life is each time a reversed repetition of the day life, but with a spiritual impulse: What you have accomplished as actions during the day brings you at night into a relation to the Archai, to the Primal Powers; what you have said in the daytime brings you at night into a relation to the Archangeloi, the Archangels; and your thinking brings you in the same way into a relation to your Angel-being, to the Angeloi. And what man experiences during sleep is independent of time. It is unnecessary to say: “Very well, but the following is possible: At night I go to sleep; something makes a noise; something awakens me; in this case I certainly cannot complete my going back over the day in retrospect.” Even so it is completed, because the time relations are entirely different; that can be experienced in a moment which otherwise might continue for hours if the sleep were undisturbed. During sleep the time relations are quite different from those of the day. Therefore, it can be stated positively, and must so be stated, that each time a person sleeps he once again experiences in retrospect what he has lived through here in the physical world since the last waking, but this time in spiritual manner and substance. And when the waking life of concepts is dissipated into the cosmos, a few days after death, then the human being lives through the very experiences which he had during the third of life spent in sleep. I have, therefore, always had to describe how man requires a third of his earth-life in order then to live through what he has experienced during the nights of his life. Naturally, it is essentially like the day life, but it is experienced in a different way. And at that time, as the second condition after death, he lives through this retrogression, when he actually experiences once again, in a third of the time, the entire life back to birth. Then when he has again arrived at his birth, he enters into that condition which I have already described to you here in another connection; that is, he enters into that condition in which every conception of the world is essentially altered for him. You see, here on earth we are in a definite place; the world is around us. We know ourselves very little, indeed, with the ordinary consciousness. The world we observe with the outer senses; that we know. Perhaps, you will say that the anatomists know the inner part of the human being very well. Not at all; they know only the outer aspect of the inner being. The real inner part is something entirely different.—If you call to mind today something which you experienced ten years ago, then you have in the memory something which is in your soul, do you not? It is condensed, a brief remembrance of, perhaps, a very, very extended experience. But it is merely a soul picture of something which you have passed through in the earth life. But now enter into yourself—not now into your memories, but into your physical organism, that is, the apparently physical organism—and observe the wonderful construction of your brain, of your lungs, and so forth. Within you there, rolled up as it were, are—not the experiences of this earth life, but rolled together there is the whole cosmos, the entire universe. Man is really a small universe, a microcosmos. In his organs the whole universe is rolled together. But the human being does not know this with the ordinary consciousness. When he is on earth, he has the memory of his experiences. He does not know that he himself in his physical nature is, as it were, the embodied memory of the whole cosmos.—When, therefore, the backward journey through the life, which I have just indicated, has been completed, then, between death and a new birth, we enter into a cosmic life, where we are not, as now, surrounded by the world with its mountains, clouds, stars, seas, and so on, but where our environment consists of the riddles of the inner human being, where everything concerning the mysteries of the inner human being of which we are deprived in the earth life, now constitutes our environment. Here on the earth, as you know, we live within our skin, and we know about the stars, clouds, mountains, rocks, animals, and plants. Between death and a new birth we know about the human being. All the mysteries of the human being are our environment. And do not suppose that it is a less interesting environment than that of the earth! To be sure, the starry heavens are magnificent, the mountains and the seas are grand; but what the inner being of man contains in a single small vessel is grander and mightier than our earth environment, when between death and a new birth we are surrounded by it in its majestic greatness. The human being is the world between death and a new birth, and he must be the world, because we prepare the next earth life. Together with the Beings of the Higher Hierarchies, we must help to prepare the future earth man. As we here are occupied with our outer culture and civilization, as here on earth we make boots or coats, use the telephone, do people's hair, give lectures, do something artistic, or whatever belongs to our present civilization, so, between death and a new birth, together with the Beings of the Higher Hierarchies, we prepare what the human being is, and what we ourselves shall again be in the physical body in the next earth life. That is the goal of spiritual culture, and it is grander, infinitely grander and more magnificent than the goal of earthly civilization. Not without reason have the ancients called the physical human body a “Temple of the Gods”, because together with the Gods, with the Beings of the Higher Hierarchies, this human physical body is formed between death and a new birth. That is what we do, that is where we are with our ego—among the Beings of the Higher Hierarchies, working on humanity, together with the Beings of the Higher Hierarchies. We move about, as it were, among the Beings of the Higher Hierarchies; we are spirits among spirits. What we do there we can, of course, do only according to what we have accomplished here in the earth life; and that also is revealed to us in a certain sense in the relation of sleep to waking. Just think how chaotic the dream is! I do not undervalue the wonderfully varied multiplicity and the grandeur of the dream; but we must nevertheless recognize that the dream, compared with the earth life, in whose images it is clothed, is chaotic. You need only to recall that dream which I have mentioned before as an illustration (Volkelt told this dream, according to a report from Württemberg, but we know of such, do we not?). A city lady visited her sister, who was the wife of a country parson, and she dreamed that she went with her sister to church to hear a sermon; but everything was quite peculiar; for, after the Gospel was read and the pastor went up to the pulpit, he did not begin to preach, but instead of raising his arms, he lifted wings, and finally began to .crow like a cock! Or recall another dream in which a lady said she had just dreamed of considering what good thing she should cook for her husband, and nothing at all occurred to her until finally the thought came to her that she still had an old pickled grandmother upstairs in the attic, but she would be very tough yet.—You see a dream can be as chaotic as that—strangely chaotic. But just what does it mean that the dream acts so chaotically? What does it really mean? While we sleep, we are, with our ego and astral body, outside of our physical and etheric bodies. And during that time we experience again in reverse order—especially with regard to the moral significance—all that we have done, have said and have thought during the day. We live through that in reverse order. We are preparing for ourselves our karma for the next earth life, and this appears in pictures already in the time between going to sleep and waking. But these pictures are still very bungling; for when, upon waking, we are again about to enter into the physical body, the picture does not yet fit in properly: that is, we are not able to conceive things in conformity with the macrocosm; instead we conceive something entirely different, perhaps a “pickled grandmother”. That is because, with regard to what we have already formed in our sleep, we do not understand the adaptation to the human physical body. This adaptation to the human physical body is exceedingly difficult; and we acquire it in that working together, which I have described, with the Beings of the Higher Hierarchies between death and a new birth. There the soul-spiritual self must first readjust what otherwise in the dream so often enters so awkwardly, when the sleep consciousness is again fully overcome, and the person without his own cooperation has plunged again into his old physical body. This soul-spiritual self, between death and a new birth, must penetrate all the mysteries of the physical body, in order that the body may be built up in the right way. For the body is really not formed by the parents and grandparents alone. To believe that is one of the perfect follies of science. (We are justified in making such a statement!) For how does science approximately set forth this human development? Well, it says that as the basis of material substance we have molecules, which are built up in a complicated way from atoms. The albumen molecule, which is contained in the embryo-cell, is the most complicated of all, and because it is so complicated (naturally no scientist can describe it, but he points to its exceeding complexity) because it is so complicated, a human being can originate from it. That is the simplest sort of explanation of the human being! It is simply asserted that the entire human being is already contained in the molecule; it is merely a very complicated molecule.—The truth is, however, that the albumen molecule must completely revert to chaos, must become dust of disorganized matter, if a human being is to originate from it. We have in the outer world organized matter in crystals, in plants, and so on: if anything is to originate, even a plant, or an animal, then the matter must first completely return to dust. And only when it no longer has a definite form does the entire cosmos work upon the tiny bit of stuff, making in it an image of itself. How is it, then, with the human being? Between death and a new birth, we form this human image, with all its mysteries, into which we weave our karma, and we send this image down before us into the body of the mother. So we have first formed the spirit germ—only, this is very large in comparison with the physical germ—and this descends into the matter which has become chaotic. That is the truth—not what the present-day physiology dreams. In this time of which I have been speaking, the Ego lives as a soul-spiritual being among soul-spiritual Divine Beings, actively occupied with learning to know completely the inner human being as such for the next earth life. Of that which is then spiritually experienced in tremendous majesty and grandeur, an image marvelously appears in the child in the individual actions in attaining equilibrium. It is very interesting to see how the Primal Powers, or Archai, work over from the life between death and a new birth into the whole effort of the child to attain balance or, as we trivially say, to learn to walk. Anyone who can see in everything earthly an image of the spiritual can see in all the practice in walking, in the use of the hands, and so on, an image of those soul-spiritual deeds which we performed between death and a new birth in seeking spiritual equilibrium as an ego among higher egos. And, when we have completed those conditions in which we are a spirit among spirits, in which we prepare what is to be manifested in our earth life in the body, in the members, through which we again become a human being of such and such a nature, and experience our karma—when we have passed through these conditions yonder in the world between death and a new birth, then a condition appears in the pre-earthly life in which we can no longer distinguish the individual spiritual Beings with whom we have worked for so long, but in which there is only a general perception of the spirit. We know then, to be sure, that we live in a spiritual world; but, because we are now already approaching the earth life, the impression which the spiritual world makes upon us becomes one of greater uniformity, and is no longer a perception of the particular, individual spiritual Beings. I can express myself by means of a trivial comparison, in order that we may be able to understand one another, but please be very clear about this, namely, that in doing so I refer, nevertheless, to something very exalted. If a little cloud appears somewhere in the distance, you say that it is a little cloud; but when you approach it, you become aware that it is a swarm of gnats. Then you are distinguishing the separate individuals. Well, in the spiritual world between death and a new birth, it is reversed: there you distinguish at first the single individualities of the spiritual Beings; then the impression becomes a general one. What I mean is that the manifestation of the spiritual replaces experience of the spiritual. Indeed, this condition, which separates us, as it were, from the spiritual world, because we are already seeking the way down to earth again—this condition is reflected now in the inner something within us which forms the basis of human speech. Suppose we speak. It begins with the larynx (that is not exact, but approximate), and the other organs of speech are set in motion. But behind this there lies that which is essential. What is essential lies in the heart, behind the larynx; it lies in the breathing process and everything connected with it. Just as learning to walk, seeking equilibrium, is an earthly image of our movements in the spiritual world, so that which underlies speech is likewise an earthly image of the condition of manifestation in which we perceive the divine-spiritual Beings only as a blurred mass. So the child experiences again when it learns to walk a condition which it has gone through between death and a new birth. And when we have sent down the spiritual germ of our physical body, when through conception it has gradually become united with the body of the mother, then we are still above. At the end of the time before earthly embodiment, we draw together our etheric body out of all the regions of the universe. And that action, which takes place in the supersensible world in attracting the etheric body, finds expression in the child's learning to think. Now you have the three successive conditions: experience in the spiritual world in learning to walk; manifestation of the spiritual world in learning to speak. (For this reason, that which as Cosmic Word underlies speech we call the Cosmic Logos, the inner Word. It is the manifestation of the universal Logos, in which the spiritual expresses itself, as do the gnats in the swarm of gnats; it underlies speech.) And then what we do in the forming of our etheric body, which actually thinks in us—we think the whole night through, only we are not present with our ego and astral body—that is the last part which we gather together for ourselves before we descend to earth, and that activity is what extends over into the thinking. Thus, in learning to walk, to speak, and to think, the baby organizes into the physical body what it brings down from the pre-earthly existence. This is what leads to real spiritual knowledge and also at the same time to the artistic and the religious comprehension of the world; namely, that we are able to relate each single occurrence in the physical sense existence to the spiritual world. Those people who would always like to speak of the divine-spiritual only “in general” I have often likened to a man who should go out into a meadow, and to whom should be pointed out daisies, dandelions, wild chicory, whereupon he would say: “All that does not interest me; they are all just flowers!” That is easy, to say they are all just flowers. But something in the flower-being is differentiated there. And so it is also in the spiritual world. Naturally, it is easy to say that something spiritual underlies everything of a sense-physical nature. But the point is that we should know more and more what spiritual something lies at the foundation of the various sense-physical phenomena; for only in this way can we from the spirit actually lay hold again upon the sense-physical course of life. By means of this principle, for example, our Waldorf School pedagogy becomes a unique pedagogy, which actually considers the human being. This will appear even more clearly when once this pedagogy shall be developed for the child's first years. As there it would be adapted to learning to walk, to speak, and to think, and the further evolution of these faculties, so we now naturally adapt the method to the years following the sixth and seventh, in such a way that we consider questions such as these: What embodies itself in the child at this moment? What comes to expression in the child's life, with each week, with each month, of that which existed before birth? Thus the pedagogy is really developed from the spirit. That is one of the impulses of which we must rediscover many, if humanity does not wish to remain in the downward course, but intends to begin to ascend. We must find the way again into the spiritual world; but we shall be able to do this only when we learn quite consciously to find ways and means to act and to speak from the spirit. In the time immediately following the Atlantean catastrophe, human beings lived from the spirit—that is, each individual—because each could be told on the basis of the point of time at which he was born, what his karma was. At that time astrology did not signify that dilettantism which it often represents today, but it signified livingly experiencing the deeds of the stars with them. And as a result of this living experience, it was revealed from the Mystery Temple to each individual human being how he had to live. Astrology had a vital significance for the individual human experience. Then came the time, about the 6th, 5th and 4th pre-Christian centuries, in which people no longer experienced the mysteries of the starry heavens, but in which they experienced the course of the year. What do I mean by it when I say that human beings experienced the “course of the year”? It means that they knew from direct perception that the earth is not the coarse clod which present day geology contemplates. Upon such an earth as geology represents, plants could never grow, to say nothing of the appearance of animals and human beings. There could be none of these, because the earth of the geologists is a rock; and something will grow directly on a rock only if the entire cosmos works upon it, only if it is united with the whole universe. What man must learn again today was known even in ancient times, namely, that the earth is an organism and has a soul. It is true that this earth-soul also has its special destiny. Suppose it is winter here with us, Christmas time, the time of the winter solstice—that is the time when the earth soul is fully united with the earth. For, when the cover of snow is over the earth, when, as it were, a mantle of cold surrounds the earth, then the earth-soul is united with the earth, rests within it. It is also true then that the earth-soul, resting within the earth, sustains the life of a multitude of elemental spirits. When today a naturalistic view believes that the seeds which I plant in the earth in the autumn merely lie there until the following spring, that is not true; the seeds must be protected throughout the winter by the elemental spirits of the earth. This is all connected with the fact that during the winter time the earth-soul is united with the earth-body. Now let us take the opposite season, that is, midsummer, St. John's season. Exactly as the human being inhales the air and exhales it, so that at one time it is within him and at another time outside of him, so the earth breathes in her soul—that is during the winter; and at the height of summer, St. John's season, the earth-soul is entirely breathed out, sent out into the far reaches of the cosmos. At that time the earth-body is, as it were, “empty” of the earth-soul. The earth in her soul lives with the events of the cosmos, the course of the stars, and so on. Therefore, in ancient times there were the winter-mysteries, in which man experienced the union of the earth-soul with the earth; and then there were the summer-mysteries, in which man was able to perceive the mysteries of the universe, from the experience which the earth-soul shared with the stars, for it was granted to the human souls of initiates to follow the earth-soul out into the cosmic spaces. That people had a consciousness of these things you can learn even from the fragments of ancient tradition which are still extant.—It is now a long while ago, but I often sat—right here in Berlin—with an astronomer, who was very famous here, and who started a fearful agitation about the Easter Festival, saying that it was very disturbing when the Easter Festival, let us say for example, did not fall each year at least on the first Sunday in April, and it was awful that it should be on the first Sunday after the spring full moon. Naturally, it helped not at all to give reasons against his argument, for the fact which lay at the root of the matter was the fear that a dreadful confusion was caused in the debit and credit columns of the ledger, if Easter falls at a different time each year! This movement had already assumed rather large dimensions. (I once mentioned the fact here that on the first page of the ledger there usually stand the words, “With God”, but generally what is in these books is not exactly “with God”.) In those times when the Easter Festival was established according to the course of stars—when the first Sunday after the spring full moon was dedicated to the sun,—in those times a consciousness still existed that in the winter season the earth-soul is in the earth; that at St. John's season the earth-soul is wholly outside in cosmic spaces, and in the spring it is on the way to cosmic spaces. Therefore, the spring festival, the Easter Festival, cannot be established only with reference to the earth, on a definite day, but must be regulated according to the constellations of the stars. There is a deep wisdom in this, which comes from the times when, as a result of the ancient instinctive clairvoyance, human beings were still able to perceive the spiritual reality in the course of the year. We must attain to this again, and we can attain to it again in a certain sense if we lay hold upon the tasks of the present in connection with just such explanations as we have carried on together here. I have already often said here that, of the spiritual Beings with whom man is united each night, in the way I have told you—for instance, through speech with the Archangels—certain Beings are the ruling spiritual powers throughout a certain period of time. In the last third of the 19th century the Michael-time began, that time in which the Spirit who in the records is usually designated Michael, became the determinative Spirit in the affairs of human civilization. These things are repeated in cycles. In ancient times men knew something of all these spiritual processes. The ancient Hebrew age spoke of Jahve, but it spoke always of the “countenance of Jahve”, and by the countenance was meant the Archangels who actually mediated between Jahve and the earth. And when the Jews expected the Messiah on earth, they knew that it was the time of Michael; that Michael was the agent of Christ's activity on earth. They misunderstood, however, the deeper significance of that fact. Now, since the '70's of the 19th century, the time has come again for the earth when the Michael Power is the ruling spiritual power in the world, and the time has come when we must understand how to bring spirituality into our actions, to arrange our life from the spirit. That means to “serve Michael”—not to order our life merely from the material point of view, but to be conscious that he who has the overcoming of the low Ahrimanic Powers as his mission—that is, Michael—must become our Genius, so to speak, for the evolution of civilization. How can he become that? Well, he can become our guiding spirit if we call to mind how we can again make connections with the course of the year in the spiritual sense. There is actually great wisdom in the entire cosmic course in the fact that we may unite with the spring festival the festival of the resurrection of Christ Jesus. The historical connection—I have often explained it—is a completely right one: The only possibility is for the spring festival—that is, the Easter Festival—to occur on a different day each year, precisely because it is viewed from the other world. Only we upon the earth have the narrow-minded conception that “time” runs along evenly, that one hour is always as long as another. We determine time by means of our earthly expedient, mathematics; whereas, for the actual spiritual world, the cosmic hour is something living. There one cosmic hour is not equal to another but is longer or shorter. Therefore, it is always possible to err if we establish from the earthly point of view something which should be fixed according to the heavens. The Easter Festival has been established rightly in accordance with the heavens. What kind of a festival is it? It is that festival which is intended to remind us, and which once reminded humanity with the greatest vividness, that a God descended to earth, took up his abode in the man, Jesus of Nazareth, in order that, at the time when human beings were approaching the development of the ego, they would be able in a suitable manner to find the way back through death into the spiritual life. I have often explained this here. The Easter Festival is, therefore, that festival in which man sees in the Mystery of Golgotha death and immortality following it. We look upon this spring festival in the right sense when we say to ourselves: Christ has affirmed the immortality of man in that He Himself has conquered death; but we human beings only rightly understand the immortality of Christ Jesus if we appropriate this understanding during the earth life; that is, if in our souls we vitalize our relation to the Mystery of Golgotha, and if we are able to free ourselves from that materialistic concept which would dissociate from the Mystery of Golgotha all spiritual significance. Today people no longer wish to acknowledge “Christ” at all, but merely “the humble man of Nazareth, Jesus.” A man would feel embarrassed, as it were, in the presence of his own scientific instincts, if he were to grant that the Mystery of Golgotha involves a spiritual mystery in the middle of earth existence—namely, the death and resurrection of the God. When we experience that fact spiritually, we prepare ourselves to have spiritual experience of other things also. This is the reason it is so important for the human being of the present time to attain the possibility of experiencing, at the outset, the Mystery of Golgotha as something purely spiritual. Then he will experience other spiritual facts, and he will find the approach, the way, to the spiritual worlds through the Mystery of Golgotha. But then, beginning with the Mystery of Golgotha, the human being must understand the Resurrection while he still lives; and, if he feelingly understands the Resurrection while he lives, he will thereby be enabled to pass through death in the right way. In other words, Death and Resurrection in the Mystery of Golgotha should teach the human being to reverse the condition; that is, during life to experience Resurrection within the soul, in order that, after this inner soul resurrection, he may pass through death in the right way. That experience is the opposite of the Easter experience. At the Easter season we should be able to immerse ourselves in the Death and Resurrection of the Christ. As human beings, however, we need also to be able to immerse ourselves in what is for us resurrection of the soul, in order that the resurrected soul of man may pass rightly through death. As we in the spring acquire the true Easter mood when we see how the plants then germinate and sprout, how nature is resurrected, how nature overcomes the death of winter, so we shall be able, when we have experienced summer in the right way, to acquire a feeling of certainty that the soul has then ascended into cosmic spaces. We are then approaching the autumn, September is coming, the autumnal equinox; the leaves which in the spring became budding and green, now become brownish, yellowish, and drop off; the trees stand there already partly denuded, nature is dying. But we understand this slowly dying nature if we look deeply into the process of decay, into the approach of the snowy covering of the earth and say to ourselves: There the earth-soul is returning again to the earth, and it will be entirely within the earth when the winter solstice shall have come. It is possible to feel this autumn-time with the same intensity as the spring-time. And if we feel in spring, at Easter-time, the Death and Resurrection of the God, then we shall be able to feel in the autumn the resurrection and death of the human soul; that is, the experience of resurrection during the earth-life in order to pass through death in the right way. Then, however, we must understand also what it signifies for us, for our present time, that the earth-soul is breathed out into the cosmic spaces during St. John's season, in the summer, is there united with the stars, and comes back again. He who has insight into the mystery of this succession of the seasons in the course of the year knows that the Michael-force, which in former centuries did not come down to earth, now comes down through the nature forces! So that we are able to meet the autumn with its falling leaves, when we perceive the Michael-force coming down from the clouds to the earth. Indeed, the name “Michael” is to be found in the calendars on this date, and Michaelmas is a festival day among the peasants; but we shall feel the present time spiritually, in such a way that earthly human events are for us closely connected with the events of nature, only when we again become capable of understanding the year's progression to such an extent that we shall be able to establish in the course of the year the annual festivals, as people of old established them from their ancient dream-like clairvoyance. The ancients understood the year, and on the basis of the mysteries which I have been able only to indicate today, they established Christmas, Easter and the St. John's Festival. At Christmas people give one another gifts, and do some other things also; but I have often explained, when I have given Christmas and Easter lectures here, how little remains with humanity today of these ancient institutions, how everything has become traditional and external. If we shall come to understand again the festivals, which today we merely celebrate but do not understand, then, from the spiritual knowledge of the course of the year, we shall also have the power to establish a festival which will have true significance only for the humanity of the present time: that will be the Michael Festival at the end of September, when autumn approaches, the leaves become withered, the trees become bare, nature moves toward decay—just as it moves toward the sprouting of the Easter season. We shall have the power to establish such a festival, if in decaying nature we perceive how then the earth-soul unites itself with the earth, and how the earth-soul brings Michael with it from the clouds! If we have the force to create from the spirit such a festival as shall again bring into our social life a community of interest, then we shall have done it from the spirit; for then we shall have originated something among us of which the spirit is the source. It would be more important than all the rest of social reflection and the like—which, in the present confused conditions, can only lead to something if the spirit is in them—if, to begin with, a number of intelligent persons were to unite in order to establish again upon earth something from the cosmos: that is, to originate something like a Festival of Michael, which would be worthy of the Easter Festival, but as an autumn festival would be the counterpart of the Easter Festival! If people were able to decide upon something the motive for which lies only in the spiritual world, but which in such a festival would again bring among men a feeling of common interest, something which would be created in the immediate present, out of the full, joyous human heart, that would result in something which would socially unite people again. For in ancient times the festivals made strong bonds between human beings. Just consider what, has been done, and what has been said and thought on behalf of the festivals and at the festivals for the whole civilization! That is what has been gradually interwoven into the physical world through the fixing of festivals directly out of the spirit. If people of today could decide in a worthy manner to establish a Michael Festival at the end of September, it would be a deed of the greatest significance. For this purpose, people would have to have courage, not merely to dispute about outer social organizations and the like, but to do something which will unite the earth with the heavens, which will again connect physical conditions with spiritual conditions. Then, because by this means the spirit would again be brought into earthly affairs, something would actually happen among men which would be a mighty impulse for the extension of our civilization and of our whole life. There is naturally no time to set forth in detail all that this would mean for scientific, religious and artistic experience, but such a new festival, created from the spirit, in grand style, would affect these realms just as did the ancient festivals. And how much more important would be such a creation from the spiritual world, than all that is developed today in social tirades. For what would be the significance of such a creation? Oh, it signifies much for the deep observation of the human soul, if I see what a man intends, or if I understand his words rightly. If we today are able to learn from observation how the whole cosmic course operates when autumn approaches, if we can unriddle, can decipher, the entire physiognomy of the universe, and out of our knowledge can act creatively, then we shall disclose not only the willing of human beings in the creation of such a festival, but we shall disclose the willing of Spiritual Beings, of Gods! |