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The Rudolf Steiner Archive

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Search results 111 through 120 of 702

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265a. Lessons for the Participants of Cognitive-Cultic Work 1906–1924: The Square, Tao, Dawn, Jachin, and Boaz 24 Sep 1912, Basel

In the future, people will begin to feel a connection between the spoken word and colors. They will feel green when talking about unimportant things; yellow will arise when speaking selfishly; red will be there when fighting egoism.
We should gradually develop a sense for this language so that when we speak more for entertainment, we feel immersed in green; in yellow when we say very selfish words; in elemental red as a punishment for evil; and in blue when we turn to the spiritual.
265a. Lessons for the Participants of Cognitive-Cultic Work 1906–1924: The Three Sheaths of Christ 06 Feb 1913, Berlin

As a consequence of this, the cross now appears in the spiritual world, growing out of the earth like a green bush, seized by flames of fire, charred and entwined with seven red roses. The cross with the body of the Lord is the symbol of the Mystery of Golgotha (the death of the physical body).
And then we see that wood of the cross in the etheric world as sprouting, sprouting wood, green, living wood, charred by the flames of hatred, with only the seven blooming roses appearing on it, representing the sevenfold nature of Christ; then we have the image of the second “mystery of Golgotha”, which has now taken place in the etheric world.
Eurythmy as Visible Singing: Overleaf: The Eurythmy Figures
Translated by Alan P. Stott

The words written in the two sketches are : orange—orange, violett—violet, rot-Karmin—carmine red, blaurot—bluish red, grüngreen, Melos—Melos, Rhythmus—rhythm, Takt—beat. (See also Endnote 47 in Vol. 2.) [IMAGE REMOVED FROM PREVIEW] Eurythmy figure for the major triad [IMAGE REMOVED FROM PREVIEW] Eurythmy figure for the minor triad
214. The Mystery of the Trinity: The Mystery of Truth III 29 Jul 1922, Dornach
Translated by James H. Hindes

He did so in the pictures and imagery in his Fairy Tale of the Green Snake and the Beautiful Lily.26 In all the figures in this fairy tale we are to see powers of the soul working together to impart to man his true dignity, in freedom.
You see, his description of the sense images in the Fairy Tale of the Green Snake and the Beautiful Lily. are wonderfully beautiful, yet it cannot be said that the final freeing of the crippled prince is intuitively obvious and real; it is only symbolically real.
Johann Wolfgang von Goethe, Fairy Tale of the Green Snake and the Beautiful Lily, (Blauvelt, NY: Steinerbooks, 1979).27.
68d. The Nature of Man in the Light of Spiritual Science: The Education of the Child from the Point of View of Spiritual Science 10 Jan 1907, Berlin

Answer: Take the following example: If you look at a white surface with red squares on it, and then after a while look at an empty white surface, you will find that the squares that you previously saw as red now appear green to your eye on the empty white surface. The red that one was looking at has turned into green in the person. Green is now a soothing, calming color. Even the overly lively, nervous child, who has a lot of red in his environment, transforms this red into soothing, calming green.
350. Rhythms in the Cosmos and in the Human Being: The Effects of Light and Color in Earthen Materials are Reflected in the Heavenly Bodies 09 Jun 1923, Dornach
Translated by Steiner Online Library

The rainbow has a red band, then it turns orange and yellow, then the band turns green, then blue, then the band turns a little darker blue, indigo blue and then the band turns violet.
Now I don't see a white body, but I see the seven colors of the rainbow, the seven consecutive colors red, orange, yellow, green, blue, indigo, violet. So through the prism I see what is actually white, what is incandescent, in seven colors.
You will say: when I look through Bee there, I see red, orange, yellow, green and so on. There is yellow there too, you will say. So when I look through it, the yellow will be particularly strong here, you will say, it will be an especially bright yellow, a very luminous yellow.
31. Collected Essays on Cultural and Contemporary History 1887–1901: Goethe Day in Weimar 18 Jun 1898,

Webb and that several copies had been made available to members of the Society (published by Longmans Green & Co, 39 Paternoster Row, London). Mr. Ruland then drew attention to a new bust of Goethe from the studio of the well-known sculptor Rumpf in Frankfurt am Main, which was unveiled to the public for the first time today and which greeted the audience promisingly from the living green of the leafy plants behind the speaker's platform.
118. The Advent of Christ in the Ethereal World: Higher Worlds and Their Connection with Ours 12 Apr 1910, Rome

If he sees a rose, for example, he recognizes in it a symbol of life and says to himself: clear green sap rises in the stem, flowing from leaf to leaf, but at the top, in the flower crowning the plant, it transforms into the red juice of the rose.
The red blood is the expression of higher spirituality and stands above the green sap of the plant, which is symbolically colored red in the flower. The rose is indeed a subordinate being, but it is like an ideal for man.
He will ennoble and purify himself, and his blood will become chaste and pure like the green sap of plants. And it is this purified blood of the spiritualized man that I see symbolized in the red rose-blood.
266II. From the Contents of Esoteric Classes II: 1910–1912: Esoteric Lesson 03 Dec 1910, Kassel
Translator Unknown

Even though Lucifer and Ahriman combat the direct working of the divine spirit, they're nevertheless wanted by the spirit, for it's only through such resistance that the ego becomes fully objective in the physical world. Without Ahriman we wouldn't see a plant's green as such, but only the spiritual being that's in the plant. A single plant is like a hair in the earth's body.
111. Introduction to the Basics of Theosophy: Man's Life in the Light of Occult Science 10 Mar 1908, Arnheim

The colors that are in the environment – be it red, blue, green and so on – all have a certain deep meaning for the development of the internal organs, as far as the physical organs are concerned; and many mistakes are made here.
For example, if you see a red spot on a black background, you will soon see that green lingers. This means that while you are looking at red, the inner organism perceives green. And so, when a child is excited and you bring red into its environment, red will not affect the child as you think it will.
Therefore, you have to dress a child who is restless in red clothes, while conversely, when a child is very calm, too calm, lethargic, green, blue, dark colors are needed. You have to listen to me carefully. It is very easy to make the following objection, which is made again and again.

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