240. Karmic Relationships VIII: Lecture IIV
24 Aug 1924, London Tr. Dorothy S. Osmond Rudolf Steiner |
---|
Beings are present in the mineral kingdom of nature, especially where the earth begins to grow green, and feels so fresh that we can scent its aroma and the aroma of the plants that cover it. But when we enter this sphere of elemental beings, we find that they can indeed inspire us with fear. |
240. Karmic Relationships VIII: Lecture IIV
24 Aug 1924, London Tr. Dorothy S. Osmond Rudolf Steiner |
---|
We shall best understand how karma is anchored in the individual and in the evolution of humanity, and how the single facts of karma lend themselves to description, if we begin by considering how human consciousness has evolved since the time when, even in his ordinary life, man had a direct, elementary perception of his karma. To-day it is a fact that in his waking consciousness man knows nothing of his karma. The world in which he lives from awaking to falling asleep prevents him from having any direct knowledge of his karma. But humanity has not always lived in the state of consciousness that is considered normal to-day. In olden times, moreover during the earlier Post-Atlantean periods of evolution, quite different states of consciousness prevailed, even in the everyday life of man. There are three states or conditions of normal consciousness to-day—I have often described them to you. Firstly, there is waking consciousness; secondly, dream-consciousness into which scattered reminiscences of the day's experiences make their way but mingled, too, with influences from the spiritual world; and lastly, sleep-consciousness proper, in which dimness and darkness surround the human soul and consciousness sinks away, so to speak, into unconsciousness.
It was not always thus. There was a time in man's evolution when the experiences of his everyday consciousness took quite different forms. Let us look back some eight or ten thousand years to the epoch immediately following the Atlantean catastrophe whereby many widespread forms of civilisation and culture were wiped out of existence. It was an epoch when land began to arise where formerly there had been sea, and sea to cover tracts that had once been land, a time moreover when the earth was destined to pass through a period of intense cold. We discover there a humanity which had survived the Atlantean catastrophe and was also endowed with three distinct kinds of consciousness but of an essentially different character from those of to-day. The prosaic, everyday consciousness of modern man in his waking hours, by which he sees other human beings and the creatures and happenings of nature in sharp outlines—this the men of those ancient times did not possess. They saw the human being without sharp contours, extending in all directions into the Spiritual, spreading out into the aura; and in this aura they saw his soul. Animals too were seen in great and mighty auras; in their case it was the inner processes—digestion, breathing and so forth—that became visible in the aura. Plants reached up with their blossoms into a sort of cloud which permanently surrounded the Earth. Everything was bathed in a dying astral light. The day-consciousness of men who lived directly after the Atlantean Flood was a gradually fading astral vision of the physical world. I say “fading,” for in its power of giving light it was gradually waning away; before the Atlantean catastrophe this power of vision in astral light had been much stronger and more intense. The awakening to this condition of consciousness—for the entering into it may be compared to an awakening—was very different from the awakening of normal man to-day, where the soul is confronted with chaotic dreams before passing into the waking consciousness of day. When these people of antiquity awakened it was no mere world of dreams that invaded their consciousness; they were within a world of reality of which they knew also that therein they had been among spiritual Beings of the higher Hierarchies and elementary spirit-beings. “Waking up” was for them as it might be with a man of to-day who leaves a place in which he has had many experiences and goes somewhere else where in a sphere of new experiences he remembers the others. When in those ancient times a man entered waking life, he had the new experiences of day; but the remembrances remained with him of how he had been in another world, with other beings, not with the physical human beings who together with the plants and animals are generally around him, but with disembodied human souls living between death and a new birth, and with other beings, too, who never incarnate on the earth. Man felt that he had departed from beings dwelling in the cosmos and was now placed into another world, into the world of physical experience between birth and death, Nevertheless he still preserved a memory of the spiritual world, the world through which human beings pass between death and a new birth. Vision of the spiritual world still streamed into his already fading astral vision. The condition of consciousness in which man to-day lives among purely physical beings did not then exist at all. In those times men had the following experience—it was not a dream but a picture that was graphic and real: when they passed into the day-consciousness and looked at trees, animals, mountains, rocks and clouds, they felt that this was the same world in which were living those spirit-beings and human souls who were not incarnate on the earth but living in the spiritual world that is man's habitation between death and a new birth. And then there came to these men a concretely real picture of how these beings pass into the trees and rocks while man is in his waking consciousness, how they disappear into the depths of the mountains or rise up to the heights of the clouds, steal away into all the created things of outer physical nature. On going into a forest, a man would, for example, notice a tree and know that it was the hiding place of a being with whom he had been together in the night. Men then saw clearly, as an Initiate can still see to-day, how spirit-beings made their way into physical habitations as though into their homes. No wonder that all these things passed over into the myths and that men talked of tree-spirits, water-spirits, spirits of clouds and mountains, for they saw their companions of the night disappearing into the mountains, into the waves, into the clouds, into the plants and the trees. Such was early dawn in the experience of the soul: men saw the spirit-world disappearing into the physical world of sense. They spoke reverently of the great and lofty Spirits as taking rest by day in these physical habitations; they spoke of the lesser, elementary beings who live among men and often among animals, as lurking in the things of nature. They expressed it even roguishly. But whether expressed in sublime and reverent language or in pleasantries, it was exactly what they felt about this condition of early dawn in the soul's experience. Picture it to yourselves. A human being had been in a spiritual world during the last phase of his sleep; it was when he awoke, and only then, that he clearly remembered having been in this spiritual world. How was this? Why did he only see this spiritual, super-sensible world as he awoke, when the spirits were already disappearing? Why did he only then see this spiritual, super-sensible world in which he lived between death and birth? It was because in those days, when during the last phase of his sleep man was able to see the spirit-world, he experienced yet a third condition of consciousness which conjured up another, an entirely different world before his soul. For it was so that during the time he was “asleep” in his earthly existence and present with power of vision in the spiritual world, he looked back on the evolution of his own karma. This third state of consciousness experienced by men during the epoch immediately following the Atlantean catastrophe, consisted in a vision of karma. This vision of their own karma was an absolute reality to them.
As the three states of consciousness alternate in the life of man to-day, so did ancient man experience successively the three conditions of a darkening astral vision, a vision of spiritual worlds and a vision of karma. It is a fact that in olden times a vision of karma was a reality of consciousness for man; we can truly say that man once had a consciousness by means of which he beheld the reality of karma. Evolution then took the following course. First of all this vision of karma ceased in the sleep that was of course no sleep as we understand it. The vision of karma began to grow dim. Of the facts of karma there only remained the knowledge possessed by the Initiates in the Mysteries. That which had once been vision and actual experience became a matter of learning and erudition. The ancient consciousness darkened and there only remained—so it was in the old Chaldean-Babylonian-Egyptian period—the power to look up into the spiritual world. Thus, in the centuries which preceded the Christian epoch, a vision of the super-sensible world still came about quite naturally, but the facts about karma were only taught, they were no longer seen. In the times immediately preceding the Christian era there was still an intense consciousness of the spiritual world, of the world in which man lives between death and a new birth, although the consciousness of karma had faded and was simply not there for humanity in general when the Christian era began. It is therefore understandable that special emphasis was laid upon man's connection with the spiritual world while he is in the disembodied state. Especially in the ancient Egyptian conception we can discern this intensely strong consciousness of the spiritual world, a purified, and clear-sighted consciousness of the world which man enters through the gate of death, when he becomes Osiris. But there is no consciousness any longer of repeated earthly lives. Then came the gradual approach of the time which has now reached its apex and properly belongs to the humanity of our day. Astral vision has sunk into the prosaic, matter-of-fact consciousness we have in ordinary life between awaking and falling asleep, when we only perceive, for example, that insignificant part of man which is enclosed by his skin and consists in flesh and bones and different vessels; that is all we see in our day-consciousness. One can well understand that people want to array it in all kinds of so-called beautiful clothes in an attempt to give it some importance, since deep down in the sub-consciousness there is a feeling that in itself it is of no significance and belongs, rightly, in the radiant, glowing garment of the aura, of the astral and Ego nature. And when men became aware of the change from the vision that sees the human being in his aura to the vision that sees only the unimportant, bodily part of him, they endeavoured to imitate in the clothing what had once been seen as the aura; so that the fashions of old—if I may put it so—were in a certain sense copies of the aura. As for modern fashions, well, I can assure you they are no such thing! The consciousness of the super-sensible world has taken on the form of chaotic dreaming. Man dreams it away! And in respect of the karma-consciousness, man is fast asleep. He would have the consciousness of karma if that part of his consciousness which is dreamless between falling asleep and awakening were suddenly to awake. Then he would have the consciousness of karma. Thus in the course of ten thousand years or thereabouts, the great change has taken place. Man “wakes” away—not only “sleeps” away—the spiritual reality in the physical world. He “wakes” away the Spiritual in nature, he “dreams” away the true spiritual world, he “sleeps” away his karma. This development was necessary, as I have often told you, in order that the consciousness of freedom might arise. But humanity must now again emerge from its present condition of consciousness. We have heard that what was a natural, albeit a dreamlike state of consciousness in olden times, namely knowledge of the super-sensible world and of karma, gradually grew dim and then became Mystery-teaching, while in the modern age of materialism it has been entirely lost. But in this age the possibility must again be found of building a bridge to consciousness both of the super-sensible world and of karma. This means, in other words: When we picture to ourselves how in olden times at early dawn, the spirit-beings with whom man lived from falling asleep to awakening hid themselves in trees and clouds, in mountains and rocks, so that in the day man could say to himself when he saw a tree or a rock or a spring: “A spirit has been enchanted into it, a spirit with whom I was together during my sleep-consciousness”—so now, by accepting the new Initiation-Science, we must learn in our present day-consciousness to recognise the spirit and as we look at every rock or tree or cloud or star, or sun or moon, to recognise the spiritual beings in all their diversity. We must set out on the path that leads to this. We must prepare for the time when it shall be even so. As truly as a man of olden time, on awakening, saw the spirit-beings with whom he had lived during the night steal into the trees and rocks, so truly for modern man shall the spirit-beings steal forth again from tree and rock and spring! It can really happen, and in this way. A man can lay aside the standpoint of ordinary prejudice in which he has been living, into which even children in the kindergarten are led to-day; he can put aside the prejudices that make him imagine he cannot with healthy human understanding see into the spiritual world. And when the Initiate comes and tells of things of the spiritual world and of events that happen there, then, although he cannot yet himself see, nevertheless by making use of his unprejudiced human understanding, he can be enlightened by the communications that are given concerning the spiritual worlds. This is indeed, and under all circumstances, the right first step for each one to-day. But difficulties are always cropping up ... Last year, after one of my lectures on how to attain knowledge of the spiritual worlds, a well-meaning paragraph appeared in a newspaper of some standing. We can really call it “well-meaning” and even “respectable” as compared with many vehement expressions of opposition to Anthroposophy to-day! In this lecture I had pointed out that there is no need to become clairvoyant in order to have knowledge of the spiritual world, but that when the seer imparts the knowledge it can be received and understood by the healthy human intellect. I had emphasised this very strongly. The man who wrote the paragraph said in all good faith: “Steiner wants to apply the healthy human intellect to knowledge of the super-sensible world. But so long as the human intellect remains healthy it can certainly know nothing of a super-sensible world; as soon as it does, it is no longer healthy.” I think I have never heard it put so honestly before! For it is after all what everyone is bound to say if he denies to the healthy human intellect a knowledge of the super-sensible world, and if he speaks in the usual way of the boundaries of knowledge. Either he must give up the present point of view, or he must agree with this assertion; no other way is really honest. A modern Initiate can speak from clear and conscious knowledge of how from every star a spirit-being is released, of how other spirit-beings are released from plants. They come forward to meet us as soon as we pass beyond external sense-observation. Every time we go out into nature we may see all around where nature begins to be a little elemental, kobold-like elementary beings coming out of their stony shelters; if we become friendly with them, especially with the elementary beings of the mineral world, we can see behind them higher Beings who finally lead up to the First Hierarchy, to the Seraphim, Cherubim and Thrones. It is a fact that if the exercises given in my book Knowledge of the Higher Worlds and its Attainment are practised regularly with strong inner energy, selflessness and devotion, they will lead—provided we have the necessary courage—to a new power of perception. We become able to see, for instance, in certain strata of the mountains, whole worlds of elemental beings lying hidden in rock and stone. They come forth on every side, they steal out, they grow big—and we discover that they have only been as it were rolled up and packed tight into these fragments of the elementary world. Beings are present in the mineral kingdom of nature, especially where the earth begins to grow green, and feels so fresh that we can scent its aroma and the aroma of the plants that cover it. But when we enter this sphere of elemental beings, we find that they can indeed inspire us with fear. For the beings we thus encounter are incredibly clever. We must be humble enough to say to ourselves, when we see these little dwarf-like beings emerging from the objects of nature: “How stupid man is! and how clever is this elemental world!” And because many do not like to say this in earnest, do not like even to admit that judged by spiritual perception a little new-born child is much wiser than a learned scholar, therefore these elementary beings withdraw from man's vision. If however we can discern them, the horizon is widened and the foreground opened up to us by these clever, playful little sprites leads away into a background that reaches right up to the Seraphim, Cherubim and Thrones. Thus by means of the exercises to which I referred, a man whose consciousness has been made clear and quick by the study of what humanity has learned through modern natural science, can enter this world of elemental beings, and thence a higher world. If by a loving surrender to nature we thus acquire a consciousness that is not “sicklied o'er” by the authority-ridden knowledge that holds the ground to-day, we may gradually rise through Initiation-knowledge to that knowledge which humanity has lost. And he who eventually attains the faculty to see the tree-spirits come forth from the trees—the same that the ancients saw stealing away in the dawn, and darting out again in the evening twilight—he will also be able, as he approaches a human being, to see emerge from him the figures of his earlier lives together with the evolution of his karma. For this kind of vision leads on to a vision of karma. In the mineral world, where at first we perceive the clever, mischievous little dwarfs, the vision leads us to the Seraphim, Cherubim and Thrones. In the plant world, the vision leads us to the Exusiai, Dynamis and Kyriotetes. In the animal world (when we see emerge from the animals their own spiritual beings) we are led to a vision of the Archai, Archangels and Angels. And in the human kingdom the vision leads to karma. Behind the manifestations of the Seraphim, Cherubim and Thrones, behind all the other Beings of the higher Hierarchies, behind all the elemental nature-spirits who startle us by their cleverness when they dart forth from the minerals, or who come to meet us with their gentle importunities from the plant world, behind all that comes from the animals—fierce, passionate and violent as that may be at times, and also icy cold—behind all that stands here so to speak as a foreground, we face the overwhelming, the sublime manifestations of karma. For behind all the mysteries of the world there lies, in truth, the great mystery of human karma. Having thus prepared our hearts and minds in the right way, we shall pass on in the remaining lectures to speak of particular facts of karma. |
240. Cosmic Christianity and the Impulse of Michael: Lecture IV
24 Aug 1924, London Tr. Dorothy S. Osmond Rudolf Steiner |
---|
Beings are present in the mineral kingdom of nature, especially where the earth begins to grow green, and feels so fresh that we can scent its aroma and the aroma of the plants that cover it. But when we enter this sphere of elemental beings, we find that they can indeed inspire us with fear. |
240. Cosmic Christianity and the Impulse of Michael: Lecture IV
24 Aug 1924, London Tr. Dorothy S. Osmond Rudolf Steiner |
---|
We shall best understand how karma is anchored in the individual and in the evolution of humanity, and how the single facts of karma lend themselves to description, if we begin by considering how human consciousness has evolved since the time when, even in his ordinary life, man had a direct, elementary perception of his karma. To-day it is a fact that in his waking consciousness man knows nothing of his karma. The world in which he lives from awaking to falling asleep prevents him from having any direct knowledge of his karma. But humanity has not always lived in the state of consciousness that is considered normal to-day. In olden times, moreover during the earlier Post-Atlantean periods of evolution, quite different states of consciousness prevailed, even in the everyday life of man. There are three states or conditions of normal consciousness to-day—I have often described them to you. Firstly, there is waking consciousness; secondly, dream-consciousness into which scattered reminiscences of the day's experiences make their way but mingled, too, with influences from the spiritual world; and lastly, sleep-consciousness proper, in which dimness and darkness surround the human soul and consciousness sinks away, so to speak, into unconsciousness.
It was not always thus. There was a time in man's evolution when the experiences of his everyday consciousness took quite different forms. Let us look back some eight or ten thousand years to the epoch immediately following the Atlantean catastrophe whereby many widespread forms of civilisation and culture were wiped out of existence. It was an epoch when land began to arise where formerly there had been sea, and sea to cover tracts that had once been land, a time moreover when the earth was destined to pass through a period of intense cold. We discover there a humanity which had survived the Atlantean catastrophe and was also endowed with three distinct kinds of consciousness but of an essentially different character from those of to-day. The prosaic, everyday consciousness of modern man in his waking hours, by which he sees other human beings and the creatures and happenings of nature in sharp outlines—this the men of those ancient times did not possess. They saw the human being without sharp contours, extending in all directions into the Spiritual, spreading out into the aura; and in this aura they saw his soul. Animals too were seen in great and mighty auras; in their case it was the inner processes—digestion, breathing and so forth—that became visible in the aura. Plants reached up with their blossoms into a sort of cloud which permanently surrounded the Earth. Everything was bathed in a dying astral light. The day-consciousness of men who lived directly after the Atlantean Flood was a gradually fading astral vision of the physical world. I say “fading,” for in its power of giving light it was gradually waning away; before the Atlantean catastrophe this power of vision in astral light had been much stronger and more intense. The awakening to this condition of consciousness—for the entering into it may be compared to an awakening—was very different from the awakening of normal man to-day, where the soul is confronted with chaotic dreams before passing into the waking consciousness of day. When these people of antiquity awakened it was no mere world of dreams that invaded their consciousness; they were within a world of reality of which they knew also that therein they had been among spiritual Beings of the higher Hierarchies and elementary spirit-beings. “Waking up” was for them as it might be with a man of to-day who leaves a place in which he has had many experiences and goes somewhere else where in a sphere of new experiences he remembers the others. When in those ancient times a man entered waking life, he had the new experiences of day; but the remembrances remained with him of how he had been in another world, with other beings, not with the physical human beings who together with the plants and animals are generally around him, but with disembodied human souls living between death and a new birth, and with other beings, too, who never incarnate on the earth. Man felt that he had departed from beings dwelling in the cosmos and was now placed into another world, into the world of physical experience between birth and death, Nevertheless he still preserved a memory of the spiritual world, the world through which human beings pass between death and a new birth. Vision of the spiritual world still streamed into his already fading astral vision. The condition of consciousness in which man to-day lives among purely physical beings did not then exist at all. In those times men had the following experience—it was not a dream but a picture that was graphic and real: when they passed into the day-consciousness and looked at trees, animals, mountains, rocks and clouds, they felt that this was the same world in which were living those spirit-beings and human souls who were not incarnate on the earth but living in the spiritual world that is man's habitation between death and a new birth. And then there came to these men a concretely real picture of how these beings pass into the trees and rocks while man is in his waking consciousness, how they disappear into the depths of the mountains or rise up to the heights of the clouds, steal away into all the created things of outer physical nature. On going into a forest, a man would, for example, notice a tree and know that it was the hiding place of a being with whom he had been together in the night. Men then saw clearly, as an Initiate can still see to-day, how spirit-beings made their way into physical habitations as though into their homes. No wonder that all these things passed over into the myths and that men talked of tree-spirits, water-spirits, spirits of clouds and mountains, for they saw their companions of the night disappearing into the mountains, into the waves, into the clouds, into the plants and the trees. Such was early dawn in the experience of the soul: men saw the spirit-world disappearing into the physical world of sense. They spoke reverently of the great and lofty Spirits as taking rest by day in these physical habitations; they spoke of the lesser, elementary beings who live among men and often among animals, as lurking in the things of nature. They expressed it even roguishly. But whether expressed in sublime and reverent language or in pleasantries, it was exactly what they felt about this condition of early dawn in the soul's experience. Picture it to yourselves. A human being had been in a spiritual world during the last phase of his sleep; it was when he awoke, and only then, that he clearly remembered having been in this spiritual world. How was this? Why did he only see this spiritual, super-sensible world as he awoke, when the spirits were already disappearing? Why did he only then see this spiritual, super-sensible world in which he lived between death and birth? It was because in those days, when during the last phase of his sleep man was able to see the spirit-world, he experienced yet a third condition of consciousness which conjured up another, an entirely different world before his soul. For it was so that during the time he was “asleep” in his earthly existence and present with power of vision in the spiritual world, he looked back on the evolution of his own karma. This third state of consciousness experienced by men during the epoch immediately following the Atlantean catastrophe, consisted in a vision of karma. This vision of their own karma was an absolute reality to them.
As the three states of consciousness alternate in the life of man to-day, so did ancient man experience successively the three conditions of a darkening astral vision, a vision of spiritual worlds and a vision of karma. It is a fact that in olden times a vision of karma was a reality of consciousness for man; we can truly say that man once had a consciousness by means of which he beheld the reality of karma. Evolution then took the following course. First of all this vision of karma ceased in the sleep that was of course no sleep as we understand it. The vision of karma began to grow dim. Of the facts of karma there only remained the knowledge possessed by the Initiates in the Mysteries. That which had once been vision and actual experience became a matter of learning and erudition. The ancient consciousness darkened and there only remained—so it was in the old Chaldean-Babylonian-Egyptian period—the power to look up into the spiritual world. Thus, in the centuries which preceded the Christian epoch, a vision of the super-sensible world still came about quite naturally, but the facts about karma were only taught, they were no longer seen. In the times immediately preceding the Christian era there was still an intense consciousness of the spiritual world, of the world in which man lives between death and a new birth, although the consciousness of karma had faded and was simply not there for humanity in general when the Christian era began. It is therefore understandable that special emphasis was laid upon man's connection with the spiritual world while he is in the disembodied state. Especially in the ancient Egyptian conception we can discern this intensely strong consciousness of the spiritual world, a purified, and clear-sighted consciousness of the world which man enters through the gate of death, when he becomes Osiris. But there is no consciousness any longer of repeated earthly lives. Then came the gradual approach of the time which has now reached its apex and properly belongs to the humanity of our day. Astral vision has sunk into the prosaic, matter-of-fact consciousness we have in ordinary life between awaking and falling asleep, when we only perceive, for example, that insignificant part of man which is enclosed by his skin and consists in flesh and bones and different vessels; that is all we see in our day-consciousness. One can well understand that people want to array it in all kinds of so-called beautiful clothes in an attempt to give it some importance, since deep down in the sub-consciousness there is a feeling that in itself it is of no significance and belongs, rightly, in the radiant, glowing garment of the aura, of the astral and Ego nature. And when men became aware of the change from the vision that sees the human being in his aura to the vision that sees only the unimportant, bodily part of him, they endeavoured to imitate in the clothing what had once been seen as the aura; so that the fashions of old—if I may put it so—were in a certain sense copies of the aura. As for modern fashions, well, I can assure you they are no such thing! The consciousness of the super-sensible world has taken on the form of chaotic dreaming. Man dreams it away! And in respect of the karma-consciousness, man is fast asleep. He would have the consciousness of karma if that part of his consciousness which is dreamless between falling asleep and awakening were suddenly to awake. Then he would have the consciousness of karma. Thus in the course of ten thousand years or thereabouts, the great change has taken place. Man “wakes” away—not only “sleeps” away—the spiritual reality in the physical world. He “wakes” away the Spiritual in nature, he “dreams” away the true spiritual world, he “sleeps” away his karma. This development was necessary, as I have often told you, in order that the consciousness of freedom might arise. But humanity must now again emerge from its present condition of consciousness. We have heard that what was a natural, albeit a dreamlike state of consciousness in olden times, namely knowledge of the super-sensible world and of karma, gradually grew dim and then became Mystery-teaching, while in the modern age of materialism it has been entirely lost. But in this age the possibility must again be found of building a bridge to consciousness both of the super-sensible world and of karma. This means, in other words: When we picture to ourselves how in olden times at early dawn, the spirit-beings with whom man lived from falling asleep to awakening hid themselves in trees and clouds, in mountains and rocks, so that in the day man could say to himself when he saw a tree or a rock or a spring: “A spirit has been enchanted into it, a spirit with whom I was together during my sleep-consciousness”—so now, by accepting the new Initiation-Science, we must learn in our present day-consciousness to recognise the spirit and as we look at every rock or tree or cloud or star, or sun or moon, to recognise the spiritual beings in all their diversity. We must set out on the path that leads to this. We must prepare for the time when it shall be even so. As truly as a man of olden time, on awakening, saw the spirit-beings with whom he had lived during the night steal into the trees and rocks, so truly for modern man shall the spirit-beings steal forth again from tree and rock and spring! It can really happen, and in this way. A man can lay aside the standpoint of ordinary prejudice in which he has been living, into which even children in the kindergarten are led to-day; he can put aside the prejudices that make him imagine he cannot with healthy human understanding see into the spiritual world. And when the Initiate comes and tells of things of the spiritual world and of events that happen there, then, although he cannot yet himself see, nevertheless by making use of his unprejudiced human understanding, he can be enlightened by the communications that are given concerning the spiritual worlds. This is indeed, and under all circumstances, the right first step for each one to-day. But difficulties are always cropping up ... Last year, after one of my lectures on how to attain knowledge of the spiritual worlds, a well-meaning paragraph appeared in a newspaper of some standing. We can really call it “well-meaning” and even “respectable” as compared with many vehement expressions of opposition to Anthroposophy to-day! In this lecture I had pointed out that there is no need to become clairvoyant in order to have knowledge of the spiritual world, but that when the seer imparts the knowledge it can be received and understood by the healthy human intellect. I had emphasised this very strongly. The man who wrote the paragraph said in all good faith: “Steiner wants to apply the healthy human intellect to knowledge of the super-sensible world. But so long as the human intellect remains healthy it can certainly know nothing of a super-sensible world; as soon as it does, it is no longer healthy.” I think I have never heard it put so honestly before! For it is after all what everyone is bound to say if he denies to the healthy human intellect a knowledge of the super-sensible world, and if he speaks in the usual way of the boundaries of knowledge. Either he must give up the present point of view, or he must agree with this assertion; no other way is really honest. A modern Initiate can speak from clear and conscious knowledge of how from every star a spirit-being is released, of how other spirit-beings are released from plants. They come forward to meet us as soon as we pass beyond external sense-observation. Every time we go out into nature we may see all around where nature begins to be a little elemental, kobold-like elementary beings coming out of their stony shelters; if we become friendly with them, especially with the elementary beings of the mineral world, we can see behind them higher Beings who finally lead up to the First Hierarchy, to the Seraphim, Cherubim and Thrones. It is a fact that if the exercises given in my book Knowledge of the Higher Worlds and its Attainment are practised regularly with strong inner energy, selflessness and devotion, they will lead—provided we have the necessary courage—to a new power of perception. We become able to see, for instance, in certain strata of the mountains, whole worlds of elemental beings lying hidden in rock and stone. They come forth on every side, they steal out, they grow big—and we discover that they have only been as it were rolled up and packed tight into these fragments of the elementary world. Beings are present in the mineral kingdom of nature, especially where the earth begins to grow green, and feels so fresh that we can scent its aroma and the aroma of the plants that cover it. But when we enter this sphere of elemental beings, we find that they can indeed inspire us with fear. For the beings we thus encounter are incredibly clever. We must be humble enough to say to ourselves, when we see these little dwarf-like beings emerging from the objects of nature: “How stupid man is! and how clever is this elemental world!” And because many do not like to say this in earnest, do not like even to admit that judged by spiritual perception a little new-born child is much wiser than a learned scholar, therefore these elementary beings withdraw from man's vision. If however we can discern them, the horizon is widened and the foreground opened up to us by these clever, playful little sprites leads away into a background that reaches right up to the Seraphim, Cherubim and Thrones. Thus by means of the exercises to which I referred, a man whose consciousness has been made clear and quick by the study of what humanity has learned through modern natural science, can enter this world of elemental beings, and thence a higher world. If by a loving surrender to nature we thus acquire a consciousness that is not “sicklied o'er” by the authority-ridden knowledge that holds the ground to-day, we may gradually rise through Initiation-knowledge to that knowledge which humanity has lost. And he who eventually attains the faculty to see the tree-spirits come forth from the trees—the same that the ancients saw stealing away in the dawn, and darting out again in the evening twilight—he will also be able, as he approaches a human being, to see emerge from him the figures of his earlier lives together with the evolution of his karma. For this kind of vision leads on to a vision of karma. In the mineral world, where at first we perceive the clever, mischievous little dwarfs, the vision leads us to the Seraphim, Cherubim and Thrones. In the plant world, the vision leads us to the Exusiai, Dynamis and Kyriotetes. In the animal world (when we see emerge from the animals their own spiritual beings) we are led to a vision of the Archai, Archangels and Angels. And in the human kingdom the vision leads to karma. Behind the manifestations of the Seraphim, Cherubim and Thrones, behind all the other Beings of the higher Hierarchies, behind all the elemental nature-spirits who startle us by their cleverness when they dart forth from the minerals, or who come to meet us with their gentle importunities from the plant world, behind all that comes from the animals—fierce, passionate and violent as that may be at times, and also icy cold—behind all that stands here so to speak as a foreground, we face the overwhelming, the sublime manifestations of karma. For behind all the mysteries of the world there lies, in truth, the great mystery of human karma. Having thus prepared our hearts and minds in the right way, we shall pass on in the remaining lectures to speak of particular facts of karma. |
240. Morality and Karma
12 Nov 1910, Nuremberg Tr. Unknown Rudolf Steiner |
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Envy does not always take on the form of conscious green envy. Of course, if anyone is conscious of this feeling, he tries to get rid of it. Envy as such is a quality rooted in the astral body of man. |
240. Morality and Karma
12 Nov 1910, Nuremberg Tr. Unknown Rudolf Steiner |
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Today I must tell you a few things on morality and karma and tomorrow I shall speak on the appearance of Christ and reveal a few facts which have not yet been revealed. Theosophy becomes really fruitful if we can observe its influence on our own life and if it becomes living substance within us. Theosophical principles can be looked upon as interesting doctrines, but theoretically it is difficult to gain a real conviction of the truth implied by the spiritual-scientific doctrines, in the real meaning of the word. Of course, all theosophical facts discovered along the path of genuine spiritual-scientific investigation can be tested by the human intellect and recognized through logic; but if we take in spiritual-scientific truths we are still a long way from being able to test them. Among our audience many people prefer to tread an easier path, which is to accept spiritual truths on the authority of a teacher. This is far more comfortable. On the other hand, however, there is hardly any other alternative for the great majority of people, for the independent testing of spiritual-scientific truths is a very difficult path; the other path, of observing life in itself, is far easier. But if the laws of Karma hold good, life itself must take on a form which shows us how Karma works in the experiences of life and in the development of character. Those who strive after spiritual truths will more easily gain a conviction of these truths by observing facts supported by life itself. I shall take two widely-spread qualities as a starting point in this lecture. Taken as moral qualities, there has always been a strong, instinctive repugnance against them. ENVY and FALSEHOOD have always been considered as a special moral failing. This special aversion may be seen in the fact that in the case of no other human error is the repugnance so strong and instinctive as in the case of envy and falsehood. This feeling may be found in great men and in insignificant people. Benvenuto Cellini, who was a great man, once said that he felt himself capable of every kind of sin, but that he could not remember any real lie which he had told. Also Goethe found a certain relief in being able to say that he had never harboured any feeling of envy. Consequently the souls of the simplest people and the souls of highly developed men have an instinctive repugnance against envy and falsehood and defend themselves against them. Without taking into consideration the theosophical aspect it may be said, first of all, that envy and falsehood are visibly an offence against a fundamental element of social life: they are an offence against the feeling of compassion. Compassion does not only imply sharing another's grief and pain, but it also implies experiencing his value. Compassion is a quality which is not greatly developed among men. It still contains a great amount of egoism. Of Herder it is said, for instance (he intended to study medicine) that he fainted when he first entered an operating theatre where a corpse was to be dissected; he fainted not through compassion, but through weakness and egoism, because he could not bear that sight. Compassion must become less selfish; we should be able to rejoice at another person's success and rise; we should be able to look upon his good qualities without any feeling of bitterness. Compassion is a fundamental element in the soul life which we share with others because all human soul experiences are connected with each other. Envy and falsehood in particular offend against the capacity of appraising another person's value. We damage our fellow man through envy and falsehood. Envy and falsehood bring us in opposition to the course of the universe; by envy and falsehood we harm the laws which govern the world's course of events. They can easily be recognized as errors and people do not tolerate them. As a rule both envy and falsehood have occult backgrounds. Certain mysterious laws hold sway, which easily escape our observation, and they work in such a way that both envy and falsehood can arise in the same person in later years. Envy does not always take on the form of conscious green envy. Of course, if anyone is conscious of this feeling, he tries to get rid of it. Envy as such is a quality rooted in the astral body of man. We know that feelings, passions, etc. should be looked for in the astral body. There is a certain law according to which qualities arising in the astral body and which are so detestable that we wish to get rid of them, gradually insinuate themselves into the etheric body. There they take on delusive aspects and appear in the guise of certain definite judgments which we pass on other people. No envy is contained in these judgments, yet we criticize people and find everything in them bad. This is a secret form of envy which creeps into our etheric body. There it takes on the form of an opinion, of a critical judgment. We say: This person has done this or that, and our statement may seem perfectly correct; nevertheless it contains envy in a masked form. What has taken place? A very significant process has taken place. We know that the human soul passes through many incarnations and that there was a moment in the development of mankind when the tempters, Lucifer and Ahriman, crept into the human soul. In what form do Lucifer and Ahriman live within us today? This is not easy to discover without the aid of clairvoyant investigation, and Goethe expressed a deep truth when he said: “Folks do not notice the Devil, even when he takes them by the scruff of the neck!” IN fact, it is possible to ignore the devil; it is possible not to see him. From the standpoint of modern natural science it is easy to say that Mephistopheles does not exist; nevertheless, Lucifer and Ahriman live in human nature. Ahriman lives in the etheric body and Lucifer in the astral body of man. Lucifer is a power that tempts the human soul by drawing it down morally and by leading it away from its origin. He casts us into the depths of earthly nature and we should beware of this. Lucifer is the power that draws us down into the depths of passion. Ahriman, on the other hand, is the spirit of falsehood and error and he falsifies our judgments. Both Lucifer and Ahriman are powers which are hostile to human progress. Yet they get on very well with each other. Envy is a quality in which the Luciferic power comes to expression. It is a detestable quality and that is why people dislike it. They seek to get rid of it, to overcome it and drive it away. When a person first discovers that his soul is filled with envy, he begins to fight against Lucifer, the source of envy. What does Lucifer do in that case? He simply hands over the matter to Ahriman, and Ahriman darkens the human judgment. When we fight against Lucifer in the astral body, Ahriman can easily insinuate himself into the etheric body, darkening our judgments on other people. This is falsehood and falsehood is an Ahrimanic quality. People also feel a strong dislike for falsehood and they try to fight against it. When we try to overcome falsehood, we can see that Ahriman hands over the scepter to Lucifer, so that a quality creeps into the astral body which appears in the form of an extremely pronounced EGOISM. Egoism is restrained falsehood. These two qualities, falsehood and envy, are a crass expression of the way in which Lucifer and Ahriman work within the human soul. It is possible to observe the influence of envy and falsehood even in the course of a single incarnation. Let us now speak of facts which prove the truth of theosophical teachings. Let us observe a certain period in a person's life and let us suppose that this person was strongly addicted to telling lies. The law of Karma would in that case exercise its influence and we should wait until this becomes manifest. It is, however, possible to observe in the present incarnation the connection which exists between an earlier and a later period of life. A study of human life may show us that a person perhaps lost the habit of telling lies—for life itself is a great school—but he will reveal instead a new, plainly marked characteristic: a certain timidity. There are people who cannot look us in the face and it is possible to observe a certain relationship between a feeling of shyness in later life and hypocrisy at some earlier period of life. Another example: A person may be filled with the feeling of envy. When this has disappeared, when it has been overcome, we can observe that at some later period of life such a person is dependent on others; he will lack independence in the way in which he faces life—be a weak and swaying person. These connections between falsehood and shyness, envy and lack of independence, which can already be observed in one and the same incarnation, are Karmic connections. In reality, Karma works in such a way that a faint fulfillment of its laws already comes to expression in one and the same incarnation, though the decisive influence upon man's character only appears in the next incarnation. Helplessness and lack of independence will arise in old age, when envy appeared during youth. This is a faint nuance of the influence of Karma; it remains after death, works throughout kamaloka, etc., and it will be contained in the forces which build up the next life; it will become interwoven with the fundamental character which expresses itself in the three bodies: the physical, etheric and astral bodies. Goethe expressed this in a very fine way by saying: The desires of our youth are fully realized in our old age. This applies, of course, both to good and bad desires. In the next life the character qualities build up the three bodies, our character is then the architect of these three bodies. If envy has been a fundamental quality during one incarnation, it will exercise an influence upon the three bodies during the next incarnation and produce, as a result, a weak physical constitution. It works upon the human organism during the next incarnation. When we see someone facing life in a helpless and dependent way, we must say: “Envy must have been at work during his past incarnation,” and we should behave towards him accordingly. If the laws of Karma hold good, it will soon appear whether our attitude is justified. When we see someone entering life with bad health and a weak constitution, we may take for granted that envy played a certain part in his life during his past incarnation. When there is such a person in our environment, we must say that Karma led us together with him for a definite purpose: perhaps we were the object of his former envy. What can we now do for him? If Karma is a fact which can be reasonably accepted, if it is a valid truth, it should become manifest that by adopting the right attitude towards such a physically weak person in our environment, a good result can be achieved. What he needs is forgiveness; he needs to encounter this forgiving attitude in the widest measure. Under the condition that we have something to forgive him, we should envelop him in an atmosphere of forgiveness. “You have to forgive him something—therefore do it”; this is what we say to ourselves, but not to HIM—we shall act accordingly and await the result, and we shall see him gaining health and strength. Simply try to do what is right and the result will not fail to appear. This is how we may live in accordance with the laws of Karma and the whole of Theosophy will then become living substance. Now someone might come along and say: It is quite right that things should have gone wrong with that person, for this is the retribution for what he did during his past incarnation. It is very reasonable that things should have taken this course, because his Karma demands it. People who say this do not understand Karma, for to understand Karma we must know that another person's Karma does not concern us at all! The fulfillment of Karma will come of its own accord; our only task is to help him! We must, however, draw in everything which might bring about a favourable change in his Karma. To know and to feel this forms part of a deep understanding of Karma and its laws. It is another matter when someone is passing through an esoteric development; in that case advice may be given as to the best way in which he can live out his Karma. Moral qualities in fact produce results; they bring about Karmic effects. They may change during one incarnation. But in the next incarnation they must descend right down into the physical organism. We said that falsehood may change into timidity during one and the same incarnation, so that a person withdraws into himself. All the more will falsehood in one incarnation produce timidity in the next incarnation. Such a person is born as a timid soul, full of fears. He will not only be shy towards the people of his environment, but he will also fall a prey to certain pathological conditions of fear. The timidity which appeared in one incarnation as a slight karmic effect of falsehood, will therefore appear in the next incarnation as a fundamental organic quality also of the physical body. What is the right attitude towards a person in whose case we must assume that he told many lies during his past incarnation? We say to ourselves—we do not say this to him—and this should determine our actions: He will have told us many lies during a past incarnation; he misled us. We must try to bring him fruitful and valuable truths. Those who are led together with him by Karma must try to penetrate into his soul with love and devotion. Falsehood must be recompensed by truth; these are two extremes which bring about a kind of compensation. The secret of the whole matter is that a favourable influence cannot be exercised upon him by anyone, but just by those who are karmically connected with him. Those who adopt this attitude will see what good results can be achieved if he brings him positive truths and has real understanding for him. Karma is a real law; its result will appear in a very peculiar way. If we lovingly penetrate into the weaknesses of such people, our influence upon them will be an immense relief to them and bring them freedom and health. If we can immerse ourselves completely in them, we shall have a rejuvenating influence upon such people. Our attitude towards people may be an understanding one or a critical one. What is the effect? We may help them or be unable to help them. We may come towards a person with understanding; i.e., immerse ourselves lovingly in his soul, with a real understanding for his weaknesses, if Karma demands this from us, as a task. But we may also criticize him and remain by this. Let us observe life in both cases. What is the effect of criticism and rebuke upon the object of such rebuke? One effect can be that the reproaches helped him, but it may also be otherwise. People who habitually criticize and rebuke others will also bring about a certain result: a certain feeling of isolation will take hold of them; they will feel themselves cut off from the others. Let us compare this with the effects produced in one incarnation, when we immerse ourselves with love and understanding in the other person's soul, in spite of his failings. In this case, too, the result may be a good one or a bad one, but the effect upon the soul will undoubtedly be a favourable one. This shows us that entirely different laws hold sway when we remain standing, as it were, by criticism and rebuke, or when we progress as far as real understanding. Rebuke recoils upon ourselves and forms new Karma, but understanding gives rise to a store of wealth in the other soul; it dissolves Karma, smoothens it and eliminates it. This is a very significant fact in life. Let us now recapitulate the result of our observations in a sentence which constitutes a deep truth; namely, that we are in the position to be of very little help to ourselves, and that we can, on the other hand, harm ourselves greatly. We can, however, be of great help to others, whereas we cannot cause them much harm by our own errors. Our good qualities can therefore be of great help to others; our bad qualities cause us great harm, but cannot cause much harm to others, at least not permanently. This is a very peculiar law. It shows the effect of Karma in one and the same incarnation: for one who helps another person by his good qualities and by immersing himself lovingly in his soul, may be sure of a favourable effect in his own life at some later period. Do not say that this is egoism, that it is selfish to be good and noble. No, goodness must be something quite natural, and its good effect at some later time arises as a natural consequence. If we do not go beyond our own interests, if we have no understanding for other people and only criticize them, no good effects will arise. The strange thing is that unless we are good towards others we cannot progress; this is a condition for our own progress. This is a fundamental law passing over from one incarnation to the other, and appearing in a wonderful way. If in one incarnation we are instinctively led to goodness, if a kind of life instinct draws us towards a good life, this will appear in the next life as Theosophy, which will already have exercised its influence. Let us for instance imagine a person who was good to us at a time when we were not yet able to guide ourselves. Here we see a great difference between the different qualities of good—there are the good things in life which we do not deserve (we speak of undeserved good) and we can see that in one case its effect may be a favourable one, whereas in another case it is useless. The clairvoyant may now perceive something quite special: Another person's good actions towards us, at a time in which we did not deserve them, appear as goodness which we earned back from him. If this is the case, their effect upon us will be a good one; if this is not the case, they cannot have any good effect upon us. When we observe the workings of Karma we should bear in mind that every action has its effect, even though it may not immediately appear to the physical eye. The paths of Karma are very intricate paths, but if we study life we may understand them, for life contains the proofs for the way in which Karma works in the world. If we study Karma and act accordingly, the success in life itself will show us that we went out from a real law, which holds good. There are three ways in which we can face Karma: We may not believe in it at all; we may believe in it, and then we may apply the test by observing life itself. This will enable us to recognize the truth of its laws. Theosophy is not only a theoretical truth, but a search for proofs which establish this truth in life itself. |
94. Theosophy Based on the Gospel of John: Second Lecture
28 Oct 1906, Berlin Rudolf Steiner |
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The astral body of a Hottentot circles in wild dark red vortices, in a person like Schiller in bright green and yellow, in Franz of Assisi in wonderful blue. This is how the astral body is worked on. That which is consciously worked into the astral body from the I is called the spirit self or manas. |
94. Theosophy Based on the Gospel of John: Second Lecture
28 Oct 1906, Berlin Rudolf Steiner |
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We saw yesterday that the Gospel of John contains something that can only be experienced on higher levels of consciousness. Before such experiences are possible, the human being must first develop higher. The human being is a developing creature. We can observe this from subordinate to ever higher states. This is already shown by the difference between a savage and a civilized European, or between an ordinary person and a genius like Schiller, Goethe or Francis of Assisi. An unlimited potential for development is open to every human being. To understand this, let us take up yesterday's lecture and use a diagram to clarify the theosophical basic teachings on the development of the human being: During the following explanations, the diagram below will be drawn on the “board, starting from the bottom left.
We have thus seen that man has his physical body in common with all inanimate beings, the etheric body with all plants in our physical world, and the astral body with all animal creatures in his environment. We then saw that man, in terms of his development, differs from all other beings in that he can say “I” to himself. The “I” is by no means a simple entity. On closer inspection, it is also something that is structured. The animal feels, has desire and passion, the plant does not; the animal because it already possesses an astral body. In this, the I develops in man. But this I has been at work long before man became clearly aware of it. A look at the development of humanity teaches us more about this. The earth has not always been as it is today. Its face has repeatedly changed; the present continents have not always been there. During the penultimate earth period, a continent called Atlantis was located where the Atlantic Ocean now rages. Traces of it and the story of its downfall have been preserved in ancient legends. In the Bible, the Flood is meant by this. The ancient fathers of a different nature, whose descendants we are, experienced this. In this old Atlantis, the air and water conditions were quite different from what they are now. The whole thing was shrouded in a dense fog. In the words Nebelheim, Niflheim, we still have a hint of this. There was no rain and no sunshine; instead of rain, only fog currents; instead of sun, only diffuse illumination. Only after long periods did the fog condense as water. The sun only penetrated a little, like a faint premonition, through the constant fog. In such an environment, people also lived a completely different mental and spiritual life than today. It was only towards the end of the Atlantic period, roughly in the area of present-day Ireland, that people began to show self-awareness for the first time, and to think clearly and logically. In the mists there was no possibility of distinguishing objects as we do today. Man only develops a consciousness like ours in relation to his surroundings. As the objects emerged from the mists, so did the physical eye; and in the same measure the consciousness soul developed, and within it the self-aware ego. Even then, man could speak. If we go back even further to the earliest times of Atlantis, we find that man looked significantly different. He had no external vision at that time, but a different way of perceiving, in images. To understand this state of consciousness, imagine a very vivid dream that reflects something of your surroundings. The following “dream” may serve as an example. A student dreams that he is standing at the door of the lecture hall, and another student deliberately brushes against him, which is a serious offense that can only be atoned for by a duel. He challenges him, they drive into the forest, the duel begins, the first shot rings out. Then our student wakes up – he has pushed over the chair next to his bed. Had he been awake, he would have noticed that a chair had fallen over. But because his consciousness soul had descended into sleep, he perceived with a deeper, less developed soul power. The dramatic action of the dream is a pictorial transformation of an external process. The processes of consciousness in the ancient Atlanteans were similar. Although the images were more regulated and ordered, they did not have a clear perception of their surroundings. The life of feeling expressed itself quite characteristically in fine perceptions of touch and color. If the early Atlantean perceived a warm mist that symbolized itself to him in red, he knew that something pleasant was approaching him. Or if he encountered another person who was unpleasant to him, this was also indicated to him by a very specific sensation that became an image, an ugly color tone. But warmth, for example, was symbolized to him in a beautiful red cloud. This happened in many degrees and variations. The early Atlanteans thus had visual perceptions. We only have such perceptions in the case of pain, which is obviously only within us, however much it is caused by the outside world and can become loud. Our pain is also experienced inwardly, spiritually, and is thus truer than the external facts. The Atlanteans, however, already developed ordered ideas. Not so the Lemurians. The Atlantean period was preceded by the Lemurian period. Man was not yet able to express language. He was merely able to internalize what the animal also feels. Thus, what we call the sentient soul developed in him. The continent of Lemuria, which was destroyed by the forces of fire, we have to imagine between Africa, Australia and Asia. But now back to our scheme: IIIa sentient soul, IIIb intellectual soul, IIIc consciousness soul are all three transformations, ennobled transformations from the astral body. It is only towards the end of the Atlantean period that man becomes capable of consciously working on himself. What does he do now? Up to now, cosmic forces have lifted man up in his development. Now man begins to consciously take his development into his own hands, to work on himself, to educate himself. On which body does he now begin his work? It is important to pay strict attention to the sequence here. First, man was and is able to work on and in his astral body. And on this level of ability, the human being of the present day is still standing today. In general, we can say of today's human being: He uses his experiences and experiences to transform his astral body. Later we will see that a higher level of development consists of working into the lower bodies. Let us first stay with the first: with the ability to transform the astral body. To do this, let us compare the civilized man with the savage. The savage first follows his instincts, desires and passions, every craving, without restraint. But then he can begin to work on his self. To certain instincts he says: remain; to others: leave. Thus, for example, the man-eater ceases his habit of eating his own kind; in so doing, he leaves a certain stage of civilization and becomes another. Or he learns to act logically, learns, for example, to plow. Thus his astral body becomes more and more structured. Formerly external powers determined man, now he does it himself. The astral body of a Hottentot circles in wild dark red vortices, in a person like Schiller in bright green and yellow, in Franz of Assisi in wonderful blue. This is how the astral body is worked on. That which is consciously worked into the astral body from the I is called the spirit self or manas. With the conscious working in of the I, something very special begins. Before that, however, before one comes to the formation of this manas, that part which the animal also has remains completely unchanged in the astral body. Despite the growth of intellect, the astral body can remain essentially unchanged, full of animal desires. But there are influences that do transform the sentient body: conscious religiosity and art. From these we draw strength to overcome and ennoble ourselves, which is a much stronger power than mere morality. Man has as much of the spirit or Manas as he has worked into his astral body. This is not something external, it is a transformation product of what used to be the sentient soul. As long as I am merely working on my sentient body, I use my achievements to transform this my astral body. All the morality in the world cannot achieve more, nor can all intellectuality. But if true religiousness is at work in me, this stronger power expresses itself through the astral body and works its way into the next lower one, the etheric body. This is naturally a much greater achievement than when the ego merely works with the astral, because the raw material of the etheric body is much coarser and more resistant than the finer astral body. We call the result of this transformation the spirit of life or Budhi. The spirit of life is thus the spiritualized life body. In the Orient, someone who had brought it to the highest level was called a Buddha. This tremendous moral power proceeds from consciousness when the three souls are governed by a strong ego. These are preparatory steps for humanity in general. Only the chela works consciously in his etheric body. The chela aims to spiritualize everything, even into his etheric body. The chelaship is concluded when he has allowed Budhi to stream completely into his life body, so that the life body, which he ennobles from the I, has become a life spirit. In the third stage, man reaches the highest principle that is currently accessible to us. He is able to work down to his physical body. In doing so, he rises above the level of the chela and becomes a “master”. When, on the second step, Budhi glows through his etheric body, the human being gains control not only of moral principles but also of his character. He can change his temperament, his memory, and his habits. Today's human being has only a very imperfect command of all these. To understand the task of the chela, compare yourself as you are now with yourself when you were ten years old. How much knowledge have you gained since then, and how little your character has changed! The content of the soul has changed quite radically, but the habits and inclinations only very slightly. Those who were hot-tempered, forgetful, envious, inattentive as a child are often still so as adults. How much our ideas and thoughts have changed, how little our habits! This gives you a clue to estimate how much tougher, firmer, more difficult to shape the etheric body is compared to the astral body. Conversely, how much more fruitful and consequential an improvement achieved in the etheric body! The following sentence can be used as an example of the different speeds at which transformation is possible: What you have learned and experienced has changed like the minute hand of the clock, your habits like the hour hand. Learning is easy, unlearning is difficult. You can still recognize yourself from the writing of yesteryear, because that is also a habit. It is easy to change views and insights, but difficult to change habits. Changing this tenacious thing, habit, little by little, is the task of the chela. This means becoming a different person by creating a different etheric body, thus transforming the life body into the life spirit. This puts the forces of growth in your hands. Habits are among the manifest growth forces. If I destroy them, the vis vitalis, the power of growth, is released and placed at my disposal, to direct my consciousness. Christ says: “I am the way, the truth and the life.” Christ is the personification of the power that changes the life body. Now to the third stage. There is something that is even more difficult to bring under the control of free will than our habits and emotional stirrings: the physical body in its animal and vegetative, mechanical or reflexive dependency. There is a stage of human development in which no nerve is activated, no blood corpuscle rolls without the human being's conscious will. This self-transformation reaches into conditions and states that were fixed long, long before Atlantis and Lemuria, and are therefore the hardest to reverse: into cosmic primeval states. In this work, man develops Atman, the spiritual man. The potential for this is present in every human being today. This whole cycle depends on the attainment of fully clear self-awareness. The most powerful and potent laws are those of the breathing process. The entire spiritual being depends on lung breathing, because it is the outer expression of the gradual drawing in of the I. In ancient Atlantis, this potential emerged through the saying of the I. In Lemuria, man did not breathe through lungs, but through gill-like organs. Nor did he walk as we do today, but floated or swam in a more fluid element, where water and air were not yet separated. To maintain his balance, he had an organ analogous to the swim bladder of a fish. As the air gradually separated, the swim bladder was transformed into our present lungs. The development of the sense of self runs parallel to the development of the lungs. This is still expressed in the words: “And God breathed into the man his breath of life, and he became a living soul.” Atman means nothing other than “breath”. The regulation of the breath is therefore one of the most powerful tools in the work of yoga, which teaches the control of all bodily functions. Here we look into a future in which human beings will have transformed themselves from within. Conscious work in the etheric body is therefore a mastery. Conscious work in the physical body: mastery. The human being perceives the growth into these two stages as an opening up of new worlds, new environments, comparable only to the feelings of the child when it emerges from the dark, warm womb into the cold, light world at birth. The moment of generating Budhi is called second birth, rebirth, awakening in all mysteries. As man formerly left an inner world, of which only echoes remain in dreams, so he enters a new world as one awakened to the same world on a higher level. In those ancient times, man perceived the world with the help of his own inner images. On the future level of higher clairvoyance, man steps out of himself and sees behind the essence of things; he sees their souls. It is a kind of clairvoyance that is directed outwards and highlights the 'inherent essence' of things. The seer penetrates, for example, below the surface of the plant or stone. This outward-directed clairvoyance, with full mental alertness, not only illuminates the very basis of his own soul, but also that of the beings and things outside of himself. This is how development takes place. Modern man lives in the manasical state, that is, he is able to change something in his astral body, but not yet in his etheric body, and least of all in his physical body. Therefore, man takes in from another only as much as corresponds to his stage of development. “You are like the spirit you understand, not like me!” This saying also applies here. According to Christian terminology, the designations correspond:
Why is Budhi called the “Word”? This brings us to the edge of one of the great mysteries, and we will see the great significance of the term “Word”. We have seen that man spiritualizes his life body through the Budhi. What does the life body do in man? Growth and reproduction, everything that distinguishes the living being from the mineral. What is the highest expression of the life body? Reproduction, growth beyond itself. What becomes of this last expression of the life body when man consciously covers the path back to spiritualization? How is this reproductive power transformed, what becomes of it when it is purified, spiritualized? — In the human larynx you have the purification, the transformation of the reproductive power, and in the articulated vowel sound, in the human word, you have the transformed reproductive capacity. Analogous to the law “All is below as above”, we find the corresponding process in the physical: the breaking of the voice, the mutation at the time of sexual maturity. All that becomes spirit emanates from the word or the content of the word. This is the very first glimpse of Budhi, when the first articulated sound emerges from the human soul. A mantram has such a significant effect because it is a spiritually articulated word. A mantram is therefore the means for the chela to work down into the depths of his soul. Thus, in the physical, we have the power of reproduction, through which life is generated and passed on beyond the physical body, becoming something permanent. And just as the physical generative organs transmit bodily life, so the organs of speech — tongue, larynx and breath — transmit spiritual life like an ignition device. In the physiological, the close connection between voice and procreation is obvious. We encounter it in the song of the nightingale, in courtship display, voice change, vocal magic, in singing, cooing, crowing, roaring. We can truly call the larynx the higher sexual organ. The word is the power of procreation for new human spirits; in the word, man achieves a spiritualized creative power. Today, man rules the air with the word, by shaping it rhythmically and organically, by stirring it and enlivening it. On a higher level, he is able to do this in the liquid and finally in the solid element. Then you have transformed the word into the creator's word, for man will achieve this in his development because it was originally so. The life body, emanated from the word of the primal spirit, - this is to be taken literally. That is why Budhi is called the “word”, which means nothing other than: I am.
Thus we see with geometrical clarity the words of the miracle in St. John's Gospel: “In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. In him was life, and the life was the light of men.” The astral body, which is radiant as the stars, becomes the Word-light; the Primordial God, the Life and the Light, these are the three fundamental concepts of the Gospel of John. John had to develop to the point of Budhi in order to grasp what was revealed in Christ Jesus. The other three Evangelists were not so highly developed. John gives the highest, he was an awakened one. John is the name given to all who are awakened. This is a generic name, and the resurrection of Lazarus in the Gospel of John is nothing more than a description of this awakening. The writer of the Gospel of John, whose name we will hear later, never calls himself by any other name than “the disciple whom the Lord loves”. This is the term for the most intimate disciples, for those in whom the teacher and master has succeeded in awakening the disciple. The description of such an awakening is given by the author of the Gospel of John in the resurrection of Lazarus: “the Lord loved him,” he could awaken him. Only if we approach such religious documents as the Gospel of John with the deepest humility can we hope to arrive at a literal understanding and to grasp at least a small part of its sacred content. |
32. Collected Essays on Literature 1884-1902: A Gottsched Memorial
11 Aug 1900, Rudolf Steiner |
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A man like Gottsched cannot be understood by those for whom the words: “All theory is gray, my dear friend, and the golden tree of life is green” are a gospel. They never consider that the spirit speaks in such a way, which has previously said: “Despise reason and science, man's highest power! |
32. Collected Essays on Literature 1884-1902: A Gottsched Memorial
11 Aug 1900, Rudolf Steiner |
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Erected by Eugen Reichel in Memory of Gottsched IA book 1 to stir up the minds lies before us. Eugen Reichel has undertaken to redraw the picture of his East Prussian compatriot Gottsched. He considers the image that the world has created of this man to be a distorted one. “The Germans think they know Gottsched; they imagine that they have judged him exhaustively when they repeat what his opponents and their short-sighted or frivolous epigones have said, namely that he was a schoolmaster who, although he may have striven for the good with inadequate strength , but a narrow-minded, conceited schoolmaster who was completely out of touch with life, art and poetry and who knew how to talk eloquently about literature when we still had no literature of our own.» With the boldest courage of thought, Reichel contrasts this judgment with his own, that Gottsched was “not only not a narrow-minded schoolmaster, but rather a thinker and poet who was at the height of life, far ahead of his contemporaries, who were floundering far below him in powerlessness and intellectual narrow-mindedness; a revolutionary in all areas of intellectual life, a courageous fighter, equipped with the sharpest intellectual weapons, against the rigid, dead formalism that prevailed around him in art and literature, in the pulpits and lecture halls, in the schools and intellectual salons; a bold, far-sighted representative of free thought, free research and free speech.» As you can see, this is a re-evaluation on a grand scale! Reichel approached his task based on Gottsched's life's work, which he had thoroughly researched. If there are literary duties, it seems to me that for all those who want to have a say in the future of German intellectual life, the duty will be to deal with this “Gottsched monument”. It is the ideal book for such a goal. A bold pathfinder in the realm of thought leads the reader along the way; a man of sharply defined intellectual physiognomy expresses his energetic views on the man he wants to bring closer to his contemporaries and to posterity on 104 pages; and then he lets Gottsched speak for himself on 188 pages. The chapters: Gottsched's self-portrait, the German, the judge of his time, the moralist, the satirist, the advocate for women and expert on women, the opponent of duels and war, the politician, the teacher and educator, the enlightener, the friend of science and nature, the linguist, the purist, the theater reformer, the playwright, the poet, the orator, the critic, the aesthete, the sage. A chapter entitled “Gottsched as judged by his students and admirers” concludes the book. Everyone is given the opportunity to form their own opinion. There will be few who will not be surprised when they put the book down – surprised at how little it is suited to forming an opinion about Gottsched based on what our literary histories have to say about him. And the few who will not be surprised are the incorrigible ones. They cannot be helped. How highly one or the other assesses the man, of whom a new image is conveyed to him here, is not important at first. He will have to correct what each of them has. He will find enough that needs correcting in it. That's enough for today. I'll save any further comments on the content for the next issue. I'm naive enough to believe that I'll then be speaking to quite a few owners of the book. II“For about ten years, one of the main trends of my life's work has been the fight for Gottsched.” With these words, Eugen Reichel introduces his “Gottsched Monument”. Under the current conditions of German intellectual life, only a man who stands on the high ground of the freest judgment could think of this fight, or even fall for it. Reichel is this man. He is one of those who can smile when so many others call themselves “free spirits”. For he can only breathe spiritually in the air of self-acquired judgment. Only those who have felt enough disgust for those who want to persuade the world to communicate endlessly and who are unable to do anything but reproduce what this world has inoculated them with, understand what that means. Read them, the noble historians of intellectual life! Read those from the nineties! What do they mostly write? Slightly revised editions of the writings that came to them from the eighties. And what did the chroniclers of intellectual life do in the eighties? They “improved” the editions of those from the seventies. Only rarely does someone come along who dares to really rewrite a chapter of the past. And if he does dare to do so, he risks a great deal. He is usually branded a dilettante by those who are at the “cutting edge of research”. He is denounced as a stubborn person who should first learn about what the files “have long since closed”, who “lacks the most elementary occurrences of his subject”. There is an even more effective means. This is the method of silence. The “files on Gottsched have long been closed” too. But they have not been properly revised for a long time. And they were created at a time that was most unfavorable for Gottsched. They were created by people who believed that they could only achieve what they wanted if they laid the groundwork for something completely new, if they broke with all tradition. Today, we owe our entire intellectual life to the current that felt it necessary to break with Gottsched in the second half of the last century. To be unjust to Gottsched was a necessity for this current. One can certainly understand such injustice. But what reason is there to drag on forever the judgments that were passed on Gottsched at that time? Reichel describes the battle between Gottsched and his opponents in vivid detail. “It seems strange when even a man like Danzel, who was relatively well-disposed towards Gottsched, says that Gottsched saw in ‘Messia’ the enemy that threatened him with complete destruction, and that he therefore had to fight him with the utmost severity...' “Gottsched had” - says Reichel - ‘demanded that the poet be the first to have knowledge of man, to observe nature faithfully: but now a ’turgid poet attracted the attention of the immature public, who painted things that no eye had seen, no ear had heard and that had not entered the heart of man; but in doing so, he made the grossest mistakes in merely human imitations. So here was a much more serious danger, which Gottsched, as a theorist as well as an artist, felt obliged to confront more than anyone else in Germany. These artistic concerns were joined by two others that undoubtedly became decisive for the position that Gottsched took on the “Messiah”: For a lifetime, he had fought not only for the liberation of science and, above all, philosophy from the rule of the clergy, but also for a poetry that was to be kept pure of all Christian dogma – but in the “Messiah”, the Orthodox faith celebrated its most unbridled orgies. He had also tried to systematically prepare a national poetry – but in the “Messiah” German poetry suddenly became a thing without a fatherland, floating in the most sultry Christian air. Gottsched therefore saw himself forced, if he was serious and honest not only about his life's work but also about the spiritual-aesthetic and secular-national culture of his people, to fight on two fronts, and it is to his undying honor that he found the courage to enter this initially hopeless struggle.» When Gottsched began his apprenticeship, intellectual life in Germany was in a state of chaos. He brought harmony to this chaos. In almost all, at least in the most significant areas of artistic and scientific life, he became the guiding spirit. And he did so as a universal personality. He united scattered knowledge into great ideas, he provided perspectives from which the experiences and observations, which lay scattered as a disorderly mass, could be fruitfully surveyed. And everywhere he applied the highest standards to things. He is the reformer of the German theater. He is so because he knew how to instill the higher life of art into a low form of activity. And his reformatory activity was of this kind in the greatest conceivable scope. Today, we attribute much of our intellectual life to Lessing, which Lessing could never have accomplished if he had not gone to school with Gottsched. Today, we may ask - and we may do so all the more after Reichel's work - whether we have not been driven into a blind alley by our blind adoration of Lessing. Lessing has been called the first German journalist. Perhaps this is more justified than we think. But perhaps our entire education has become too journalistic as a result of Lessing. Lessing lacked something that gives all education its true focus: the center of a firmly established worldview. For a long time, there was a dispute as to whether Lessing was a Leibnizian or a Spinozist. This is significant. His ideas constantly wavered back and forth, sometimes to Spinoza, sometimes to Leibniz. He was both and neither. Our entire general education has been given a similar impetus by Lessing. It lacks the right depth. Gottsched wanted to give it precisely this depth. His entire work is philosophical. Not philosophical in the sense of idle speculation, but philosophical in the sense that he strives everywhere to deepen judgment, to harmonize the world of ideas. Had Gottsched not lost his influence, our general education would have continued to develop in the direction in which he had brought it: we would have become less journalistic, but therefore more solid. Gottsched has been criticized for processing old observational material. Yes, that is why he is called a mere compiler. Well, then: call all the leading minds compilers who look at long-known observations from a new point of view, so that new laws of nature emerge from their compilations. If you want to be consistent, say it: Julius Robert Mayer did nothing but compile long-known physical observations. That is what the good editor of the Physical Journal said to himself and sent Mayer his compilation back. Now, of course, every average physicist says that the greatest discovery of theoretical physics in the nineteenth century was hidden in this compilation. It is strange to see people smiling at the “old pedant” Gottsched today. Who are the people who smile like that? Pedants on the one hand – and scatterbrains on the other. What would Gottsched say to the “method” of some literary historians who today dismiss him as a pedant? And the others who move on to the agenda via the “old wig” could really do with a little of the discipline of Gottsched's judgment. IIIWith a fitting word, Eugen Reichel points out the short-sightedness that underlies most of the common judgments about Gottsched. “To look down on Gottsched with contempt because he has not yet created an 'Oberon, a 'Don Carlos, a 'Wallenstein' or an 'Erlkönig' would be just as pointless as if one were to ridicule Gutenberg because he did not immediately invent the printing press.” (Gottsched Monument, p. 55.) In a great number of accounts of the intellectual history of the last century, one can see how Gottsched disturbs the circles that one has constructed in order to understand this intellectual life. In Max Dessoir's “History of Modern German Psychology” (Volume 1: From Leibniz to Kant, Berlin, Duncker & Humblot, 1894), we read in a footnote: “Gottsched's influence on the development of philosophy was not insignificant. His manual, “First Principles of the Whole of World Wisdom, in which all the philosophical sciences are treated in their natural interconnection in two parts (theoretical and practical),” even experienced an eighth edition after his death. This number is of delightful eloquence.” I agree with that, but it seems to me that there is little inclination to digest eloquence in the right way. It even seems to me that a sentence like Max Dessoir's (on p. 62 f. of his aforementioned work) imposes a duty on historical reflection with regard to Gottsched that has been neglected until now. I am quoting this sentence here because it proves how closely the intellectual life of the previous century is intertwined with Gottsched's work. It reads: “Nothing is more characteristic of the deeply religious nature of the German people than the theological origin of Pietism and freethinking. In the struggle against the rigid externals and narrow-mindedness of the prevailing theology, both have grown in directions that are so different from each other; while the one liberated individual thought, the other provided satisfaction for the sensitive heart. Wolff has drawn up an inventory of “Christianity within the bounds of pure reason,” and Gottsched has created a conceptual poetics in which poetry appears as an elevated art of rhetoric." Just look at what literary historians see as the difference between Gottsched and his opponent Bodmer. Max Koch expresses this in the “History of German Literature from the Earliest Times to the Present” (by Prof. Dr. Fr. Vogt and Prof. Dr. Max Koch) ($. 419): “The contrast between Gottsched and Bod mer, for he, not the reserved Breitinger, is the instigator and caller in the great literary war that is now breaking out, is based on the difference between the two men, not merely on the differences in their artistic convictions. The parable handed down by English literary history of the friendly battle of wits between two men of completely different natures can be applied to their dispute: the ponderous, tall East Prussian, built like a galleon, towering above his opponent in erudition , solid, but slow in his movements - the small, lively Swiss, lower in build, but nimble in sailing, able to take advantage of all winds, thanks to the speed of his wit and his imagination.» Yes, we even find a highly remarkable confession in this book (p. 422): “The Leipzig and Zurich critical schools of poetry could therefore have existed side by side, and soon after the great literary war, people no longer really knew what they had been arguing about.” All oppositions of the kind that Bodmer and his successors made against Gottsched are, for anyone who has delved into the structure of the human mind, highly incomprehensible. I would like to express myself on this through a grotesque analogy. I imagine a pugnacious fellow who stands up and wants to rebuke nature because it is pedantic enough to create lions, bears, horses, pigs and monkeys, while it would be much more appropriate to the richness of its creative power not to adhere to specific forms, but to let a small beast, half pig, half camel, emerge from the lioness. Instead of reserving itself the full extent of freedom, nature forces itself into regular formations. I am certainly not suited to be seen as a despiser of Goethe. Therefore, I can afford to say that I also see Goethe as a master of nature when he says of Gottsched that the “fanwork, which actually destroys the inner concept of poetry, was quite completely put together by him in his critical poetry.” What Goethe touches on here was the delusion that all those who believed they had to take up arms against Gottsched were caught up in. They wanted to illuminate the innermost reasons for beauty and artistry and discover their origins in the innermost nature of man. But they believed that Gottsched wanted to force poetry into fixed, pedantic rules once and for all. But can nature ever be denied the freedom to constantly change its formulas, even though it creates sharply defined forms? Did Gottsched take away the poetic genius's ability to metamorphose the laws, since he sought to discover the laws expressed in existing poetry and to present them in their natural context? It is not the person who blurs everything into a primordial soup and then raves about the inexhaustible, mystical sources of existence who comes close to the secrets of nature and the creation of the mind, but rather the person who recognizes the human mind's ability to reveal the secrets of existence in clear, sharply defined ideas. Only those who do not progress in their own thinking beyond colorless, bloodless conceptual templates are able to rail against the realization of the law. But those who elevate the spirit to vital and vitalizing ideas know that they are hitting the essential core of the world with their ideas. That clarity leads to shallowness: this is a conviction that has unfortunately found far too wide a distribution in this century. It is not wrong to attribute the opposition to Gottsched in many cases to this conviction. It is a pity that the critics make their own shallowness all too much a characteristic of clarity, which they do not even know. A man like Gottsched cannot be understood by those for whom the words: “All theory is gray, my dear friend, and the golden tree of life is green” are a gospel. They never consider that the spirit speaks in such a way, which has previously said: “Despise reason and science, man's highest power! Let the lying spirit strengthen you only in the works of illusion and magic, and I will have you already without fail.” Those who believe that all intellectual interest can be exhausted in one-sided aesthetic and literary elements will never be able to recognize the value of a personality whose strong roots are to be found in things that must underlie all aesthetic and literary matters if the latter are not to be left hanging in the air. Eugen Reichel emphasizes this point: “The possibility of a just appreciation of Gottsched's life's work was also made more difficult” by the fact that in the period following Gottsched, the aesthetic tendency was “unduly emphasized”, because he “never forgot, despite all his powerful promotion of the aesthetic sense, that a healthy, strong people has other tasks to fulfill than just aesthetic-literary ones.” The emphasis on aesthetics in the period of our classical intellectual life has given us the feeling that art is not just a pleasant addition to life, but a necessity for every humane existence. But it is a bad thing when a great truth is distorted by small minds. Such small minds have now taken to the high horse – for those who can see, however, this high horse is just a boy's hobbyhorse – and proclaim every day how infinitely futile all “dry”, “sober” ideas are compared to the “intuitive”, “fantasy-filled” spiritual life that relies on its “feeling”. The swarm of minds that have never really taken a step into the realm of ideas, but at most have sniffed around in one of the usual world-view guidebooks or, in boyish fashion, have occupied themselves with a philosophical Robinson novel, are currently talking about great world-view questions, telling us what satisfies them or what does not satisfy them. A work like Eugen Reichel's “Gottsched Monument” seems to me particularly suited to discredit the ideological Robinsonades among those who have still retained the health of judgment and the ability to rise to meaningful ideas. No one is more qualified to erect this monument to the great man of the last century than Eugen Reichel. He is the right person for the job because he combines the pure clarity of ideas with poetic imagination. Those who have the loudest voices today have, however, also ignored Reichel's voice. They have an instinctive antipathy to voices that come from a higher sphere than the sentimentalism of genuine world-view Robinson Crusoe enthusiasts. They dissolve everything into an unclear mental porridge. They love comfort, which is cozy with their “gray, dear friend, etc.” - We others, who know something higher than the enchanting birdsong and the starry sky and “eternal love”, we have the optimism that the boys' entertainment books do not belong to the world in matters of worldview. We will even be very pleased if the swarm spirits keep away from mature enterprises, such as Reichel's book is. But this book must nevertheless overcome the resistance of the dull world. Take the volume, which is also artistically presented on the outside, in front of you: you will read into Gottsched's explanations, which speak to us as if they were written today. And when one or the other comes to the chapters on drama, then he will perhaps feel a little ashamed that he has allowed himself to be told new truths by the dilettante revolutionaries of the art world in the past decades, when the great “pedant” Gottsched had already said it from the fountain of an outstanding worldview a hundred and fifty years before. This Gottsched, who truly did not forget life in favor of scholarship. Read what he says: “The other type of bad writing is the pedantic style, which people who have only studied in the old-fashioned way, who grew up in school and who do not know the ways of the world at all, tend to use. They measure everything according to their school rules. And even though they have the best writings of the Latins and Greeks in their hands every day, they do not imitate the elegance of these in their writing, but always remain with their school slovenliness.» But to the dreamers who talk of “the highest knowledge” and dream of “living in the light”, one must say, with Gottsched: “Dreams are dreams: they are disorderly ideas of our minds that arise when the imagination, in sleep, is not bound by the rules of reason. Nothing is so absurd that we cannot dream it sometimes.” Eugen Reichel has written a book for the waking world.
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95. At the Gates of Spiritual Science: The Three Worlds
23 Aug 1906, Stuttgart Tr. Charles Davy, E. H. Goddard Rudolf Steiner |
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We see things, too, in their complementary colours: yellow instead of blue, green instead of red. In the first region of Devachan we see the archetypes of the physical world in so far as it has no life—the archetypes, that is, of the minerals—but also the archetypes of plants, animals and men in so far as their physical forms are concerned. |
95. At the Gates of Spiritual Science: The Three Worlds
23 Aug 1906, Stuttgart Tr. Charles Davy, E. H. Goddard Rudolf Steiner |
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When one speaks of the knowledge of higher realms possessed by Initiates but not yet accessible to ordinary people, one often hears an objection to the following effect: What use to us is this knowledge you say you have of higher worlds if we cannot look into these worlds for ourselves? I will reply by quoting some beautiful words by a young contemporary whose destiny it has been to become widely known—Helen Keller.6 In her second year she became blind and deaf, and even in her seventh year this human child was little more than an animal. Then she met a teacher of genius,7a woman who gave her love, and now, at the age of twenty-six, Helen Keller is certainly one of the most cultured of her compatriots. She has studied the sciences and is astonishingly well read; she is acquainted with the poets, both classical and modern; she also has a good knowledge of the philosophers, Plato, Spinoza and so on. Although the realms of light and sound are for ever closed to her, she retains an impressive courage for living and takes delight in the beauty and splendour of the world. In her book, Optimism,8 there are some memorable sentences. “Night and darkness lay around me for years and then came one who taught me, and instead of night and darkness I found peace and hope.” Or again, I have won my way to heaven by thinking and feeling.” Only one thing could be given to her, deprived as she was of sight and hearing, with the sense-world accessible to her only through the communications of others. The lofty thoughts of men of genius have flowed into her soul, and through the reports of those who can speak with knowledge she shares in our familiar world. That is the situation of anyone who hears of higher worlds only through the communications of others. From this comparison we can see how important such communications are for a person who is himself not yet able to see into these higher worlds. But there is a difference here. Helen Keller has to say to herself: “I shall never be able to see the world with my own eyes.” But every normal person can say to himself: “I shall be able to see into the higher worlds when the eyes of my spirit are opened.” The spiritual eyes and ears of everyone can be opened, if he brings enough patience and perseverance to the task. Others again ask: How long will it take me to achieve this faculty of spiritual sight? To this an admirable reply has been given by that notable thinker, Subba Row.9 He says: One man will achieve it in seventy incarnations, another in seven; one in seven years, another in seven months or seven days or seven hours; or it will come, as the Bible says, “like a thief in the night”. As I have said, the eyes of the spirit can be opened in every person, if he has the necessary energy and patience. Everyone, accordingly, can derive joy and hope from the communications of another, for what we are told about the higher worlds is not mere theory, unrelated to life. As its fruits it brings us two things we must have if we are to lay hold of life in the right way—strength and security—and both are given in the highest measure. Strength comes from the impulses of the higher worlds; security comes when we are consciously aware that we have been created from out of the invisible worlds. Moreover, nobody has true knowledge of the visible world unless he knows something also of two other worlds. The three worlds are:
These three worlds are not spatially separate. We are surrounded by the things of the physical world which we perceive with our ordinary senses: but the astral world is in this same space; we live in the other two worlds, the astral and devachanic worlds, at the same time as we live in the physical world. The three worlds are wherever we ourselves are, only we do not yet see the two higher worlds—just as a blind man does not see the physical world. But when the “senses of the soul” are opened, the new world, with its new characteristics and new beings, emerges. In proportion as a man acquires new senses, so are new phenomena revealed to him. Let us turn now to closer study of the three worlds. The physical world need not be specially characterised. Everyone is familiar with it and with the physical laws which obtain there. We get to know the astral world only after death, unless as initiates we are already aware of it. Anyone whose senses are opened to the astral world will at first be bewildered, because there is really nothing in the physical world with which he can compare it. The astral world has a whole range of characteristics of its own and he has to learn many new things. One of the most perplexing aspects of this world is that all things appear reversed, in a sort of mirror-reflection, and he has to get used to seeing everything in a new way. For instance, he has to learn to read numbers backwards. We are accustomed to read the figures 3, 4, 5, as 345 but in the astral world we have to read them backwards as 543. Everything appears as its mirror-reflection, and it is essential to be aware of this. The same law applies also to higher things—in the field of morality, for instance. People do not at first understand this. It may happen that they see themselves surrounded by black, malignant forms which threaten and terrify them—this happens with very many people and they mostly have no idea what it signifies. The fact is that these figures are their own impulses, desires and passions, which live in what we call the astral body. Ordinary people do not see their own passions, but these may sometimes become visible as a result of processes active in the brain and soul, and then they appear as mirror-images. You see the mirror-images of your desires in the same way as when looking into a mirror you see reflected images of the objects around you. Everything that comes out of you seems to be going into you. Further, time and events move backwards. In the physical world you see first the hen and then the egg. In the astral world you see the egg and then the hen that laid it. Time in the astral moves backwards: you see first the effect and then the cause. This explains how prophecy is possible—if it were not for this reversal of the time-sequence it would be impossible to foresee events. It is by no means useless to recognise these peculiarities of the astral world. Many myths and legends are concerned with them in a wonderfully wise way—for example, the story of the choice of Hercules. Hercules, we are told, once felt himself to be in the presence of two female forms, one beautiful and seductive who promised him pleasure, good fortune and happiness, the other plain and serious, who promised him hard work, weariness and renunciation. The two forms represent vice and virtue, and the story tells us quite rightly how the two natures appeared to Hercules in the astral, one urging him to evil, the other to good. In the mirror-picture they appear as the forms of two women with opposite qualities—vice as beautiful, voluptuous and fascinating, virtue as ugly and repulsive. All such images appear in the astral world reversed. Scholars attribute these legends to the folk-spirit (Volksgeist) but that is not true. Nor do these legends grow up by chance: the great Initiates created them out of their wisdom and imparted them to humanity. All myths, legends, religions and folk-poetry help towards the solution of the riddles of the world, and are founded on the inspiration of Initiates. The higher worlds convey to us the impulses and powers for living, and in this way we get a basis for morality. Schopenhauer10 once said: “To preach morality is easy, to find a foundation for it, difficult.” But without a true foundation we can never make morality our own. People often say: Why worry about the knowledge of higher worlds so long we are good men and have moral principles? In the long run no mere preaching of morality will be effective; but a knowledge of the truth gives morality a sound basis. To preach morality is like preaching to a stove about its duty to provide warmth and heat, while not giving it any coal. If we want a firm foundation for morality, we must supply the soul with fuel in the form of knowledge of the truth. In occultism there is a saying which can now be made known: In the astral world, every lie is a murder. The full significance of this saying can be appreciated only by someone who has knowledge of the higher worlds. How readily people say: “Oh, that is only a thought or a feeling; it exists only in the soul. To box someone's ears is wrong, but a bad thought does no harm.” No proverb is more untrue than the one which says: “You don't have to pay for your thoughts.” Every thought and every feeling is a reality, and if I let myself think that someone is a bad man or that I don't like him, then for anyone who can see into the astral world the thought is like an arrow or thunderbolt hurled against the other's astral body and injuring it as a gunshot would. I repeat: every thought and every feeling is a reality, and for anyone with astral vision it is often much worse to see someone harbouring bad thoughts about another than to see him inflicting physical harm. When we make this truth known we are not preaching morality but laying a solid foundation for it. If we speak the truth about our neighbour, we are creating a thought which the seer can recognise by its colour and form, and it will be a thought which gives strength to our neighbour. Any thought containing truth finds its way to the being whom it concerns and lends him strength and vigour. If I speak lies about him, I pour out a hostile force which destroys and may even kill him. In this way every lie is an act of murder. Every spoken truth creates a life-promoting element; every lie, an element hostile to life. Anyone who knows this will take much greater care to speak the truth and avoid lies than if he is merely preached at and told he must be nice and truthful. The astral world is composed in the main of forms and colours similar to those of the physical world, but the colours float freely, like flames, and are not always associated with a particular object, as they are in the physical world. There is one phenomenon in the physical world—the rainbow—which can give you some idea of these floating colours. But the astral colour-images move freely in space; they flicker like a sea of colours, with varying and ever-changing forms and lines. The pupil gradually comes to recognise a certain resemblance between the physical and astral worlds. At first the sea of colour appears uncontrolled, unattached to any objects; but then the flakes of colour merge together and attach themselves, not indeed to objects but to beings. Whereas previously only a floating shape was apparent, spiritual beings, called gods or devas, now reveal themselves through the colours. The astral world, then, is a world of beings who speak to us through colour. The astral world is the world of colours; above it is the devachanic world, the world of spirit. The pupil learns to recognise the spiritual world through a quite definite event: he comes to understand the profound utterance of Indian wisdom, “Tat tvam asi”11—“That thou art”. Much has been written about this saying, but to the pupil its true meaning becomes clear for the first time when he passes from the astral world into the world of Devachan. Then for a moment he sees his physical form outside himself and says, “That thou art”; and then he is in the world of Devachan. And so another world appears to him; after the world of colours comes the world of musical sounds which in a certain sense was there already without the significance it now has. The world of Devachan is a world of sounds the sounds which Pythagoras12 called the music of the spheres. The heavenly bodies as they pursue their courses can be heard resounding. Here we recognise the harmony of the Cosmos and we find that everything lives in music. Goethe,13 as an Initiate, speaks of the Sun resounding; he indicates the secret of Devachan. When Faust is in heaven, in the spiritual world, surrounded by Devas, the Sun and the spheres speak in music:
Goethe means the spirit of the Sun, which really does sound forth to us in music if we are in the world of Devachan. We can see that this is indeed what Goethe means because he keeps the same image later, in the Second Part of Faust, when Faust is again caught up into this world:
When we enter the devachanic world the astral world remains fully present; we hear the devachanic, and we see the astral, but under a changed aspect, offering us a remarkable spectacle. We see everything in the negative, as though on a photographic plate. Where a physical object exists, there is nothing; what is light in the physical world appears dark, and vice versa. We see things, too, in their complementary colours: yellow instead of blue, green instead of red. In the first region of Devachan we see the archetypes of the physical world in so far as it has no life—the archetypes, that is, of the minerals—but also the archetypes of plants, animals and men in so far as their physical forms are concerned. This is the region which provides as it were the basic skeleton of Spirit-land. It can be compared with the solid land on Earth and is therefore called the “Continental Mass” of Devachan. When a man is observed over there by an Initiate, the physical space he occupies appears dark, but round him is a radiant halo. When our senses have become more delicately organised, the archetypes of life are added: everything that has life flows over the Earth like water. Here the minerals cannot be seen because they have no vibrant life; but plants, animals and men can be seen very well. Life circulates in Devachan like blood in the body. This second region is called the “Ocean” of Devachan. In a third region, the “Atmosphere”, we encounter feelings and emotions, pleasure and pain, wherever they are active in the physical. Physical forms then are like solid foundations, the Continents, of Devachan. Everything that has life forms its Ocean. Everything that pleasure and pain signify are its Atmosphere. The content of all that is suffered or enjoyed on Earth, by men or by animals, is displayed here. Thus to the Initiate a battle appears like a great thunderstorm, fiery flashes of lightning, powerful claps of thunder. He sees, not the physical actions that occur in the battle, but the passions of the opposing armies, and these appear to him like the heavy clouds and lightning-flashes of a thunderstorm. The fourth region transcends everything that might still have existed even if there had been no mankind. It includes all man's original thoughts which enable him to bring something new into the world and to act upon it, no matter whether the thoughts are those of an ignorant or a learned man, of a poet or a peasant. They need not involve any great discoveries; they may belong to everyday life. After these four regions we come to the boundary of the spiritual world. Just as the sky at night looks like a hollow globe encircled by stars, so it is with this boundary of Devachan. But it is a highly significant boundary; it forms what we call the Akasha Chronicle. Whatever a person has done and accomplished is recorded in that imperishable book of history even if there is no mention of it in our history books. We can experience there everything that has ever been done on Earth by conscious beings. Suppose the seer wants to know something about Caesar:14 he will take some little incident from history as a starting-point on which to concentrate. This he does “in the spirit”; and then around him appear pictures of all that Caesar did and of all that happened round him—how he led his legions, fought his battles, won his victories. All this happens in a remarkable way: the seer does not see an abstract script; everything passes before him in silhouettes and pictures, and what he sees is not what actually happened in space; it is something quite different. When Caesar gained one of his victories, he was of course thinking; and all that happened around entered into his thoughts; every movement of an army exists in thought. The Akasha Chronicle therefore shows his intentions, all that he thought and imagined as he was leading his legions; and their thoughts, too, are shown. It is a true picture of what happened, and whatever conscious beings have experienced is depicted there. (Plants, of course, cannot be seen.) Hence the Initiate can read off the whole past history of humanity—but he must first learn how to do it. These Akasha pictures speak a confusing language, because the Akasha is alive. The Akasha image of Caesar must not be compared with Caesar's individuality, which may already have been reincarnated again. This sort of confusion may very easily arise if we have gained access to the Akasha pictures by external means. Hence they often play a part in spiritualistic séances. The spiritualist imagines he is seeing a man who has died, when it is really only his Akasha picture. Thus a picture of Goethe may appear as he was in 1796, and if we are not properly informed we may confuse this picture with Goethe's individuality. It is all the more bewildering because the image is alive and answers questions, and the answers are not only those given in the past, but quite new ones. They are not repetitions of anything that Goethe actually said, but answers he might well have given. It is even possible that this Akasha image of Goethe might write a poem in Goethe's own style. The Akasha pictures are real, living pictures. Strange as these facts may seem, they are none the less facts.
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294. Practical Course for Teachers: On Drawing up the Time-table
04 Sep 1919, Stuttgart Tr. Harry Collison Rudolf Steiner |
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In winter we say: ‘It is brown.’ In spring we say: ‘It is green.’ In summer we say: ‘It is leafy.’ These are its attributes.” In this way we first show the child the difference between something which endures and its attributes, and say: “When we use a word for what persists, it is a noun; when we use a word for the changing quality of something that endures it is an adjective.” |
294. Practical Course for Teachers: On Drawing up the Time-table
04 Sep 1919, Stuttgart Tr. Harry Collison Rudolf Steiner |
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You will have seen from these lectures, which lay down methods of teaching, that we are gradually nearing the mental insight from which should spring the actual timetable. Now I have told you on different occasions already that we must agree, with regard to what we accept in our school and how we accept it, to compromise with conditions already existing. For we cannot, for the time being, create for the Waldorf School the entire social world to which it really belongs. Consequently, from this surrounding social world there will radiate influences which will continually frustrate the ultimate ideal time-table of the Waldorf School. But we shall only be good teachers of the Waldorf School if we know in what relation the ideal time-table stands to the time-table which we will have to use at first because of the ascendancy of the social world outside. This will result for us in the most vital difficulties which we must therefore mention before going on, and these will arise in connection with the pupils, with the children, immediately at the beginning of the elementary school period and then again at the end. At the very beginning of the elementary school course there will, of course, be difficulties, because there exist the time-tables of the outside world. In these time-tables all kinds of educational aim are required, and we cannot risk letting our children, after the first or second year at school, fall short of the learning shown by the children educated and taught outside our school. After nine years of age, of course, by our methods our children should have far surpassed them, but in the intermediate stage it might happen that our children were required to show in some way, let us say, at the end of the first year in school, before a board of external commissioners, what they can do. Now it is not a good thing for the children that they should be able to do just what is demanded to-day by an external commission. And our ideal time-table would really have to have other aims than those set by a commission of this kind. In this way the dictates of the outside world partially frustrate the ideal time-table. This is the case with the beginning of our course in the Waldorf School. In the upper classes1 of the Waldorf School, of course, we are concerned with children, with pupils who have come in from other educational institutions, and who have not been taught on the methods on which they should have been taught. The chief mistake attendant to-day on the teaching of children between seven and twelve is, of course, the fact that they are taught far too intellectually. However much people may hold forth against intellectualism, the intellect is considered far too much. We shall consequently get children coming in with already far more pronounced characteristics of old age—even senility—than children between twelve and fourteen should show. That is why when, in these days, our youth itself appears in a reforming capacity, as with the Scouts (Pfadfinder) and similar movements, where it makes its own demands as to how it is to be educated and taught, it reveals the most appalling abstractness, that is, senility. And particularly when youth desires, as do the “Wandervögel,” to be taught really youthfully, it craves to be taught on senile principles. That is an actual fact to-day. We came up against it very sharply ourselves in a commission on culture, where a young Wandervögel, or member of some youth movement, got up to speak. He began to read off his very tedious abstract statements of how modern youth desires to be taught and educated. They were too boring for some people because they were nothing but platitudes; moreover, they were platitudes afflicted with senile decay. The audience grew restless, and the young orator hurled into its midst: “I declare that the old folks to-day do not understand youth.” The only fact in evidence, however, was that this half-child was too much of an old man because of a thwarted education and perverted teaching. Now this will have to be taken most seriously into account with the children who come into the school at twelve to fourteen, and to whom, for the time being, we are to give, as it were, the finishing touch. The great problems for us arise at the beginning and end of the school years. We must do our utmost to do justice to our ideal time-table, and we must do our utmost not to estrange children too greatly from modern life. But above all we must seek to include in the first school year a great deal of simple talking with the children. We read to them as little as possible, but prepare our lessons so well that we can tell them everything that we want to teach them. We aim at getting the children to tell again what they have heard us tell them. But we do not adapt reading-passages which do not fire the fantasy; we use, wherever possible, reading-passages which excite the imagination profoundly; that is, fairy tales. As many fairy tales as possible. And after practising for some time with the child this telling of stories and retelling of them, we encourage him a little to tell very shortly his own experiences. We let him tell us, for instance, about something which he himself likes to tell about. In all this telling of stories, and telling them over, and telling about personal experiences, we guide, quite un-pedantically, the dialect into the way of educated speech, by simply correcting the mistakes which the child makes—at first he will do nothing but make mistakes, of course; later on, fewer and fewer. We show him, by telling stories and having them retold, the way from dialect to educated conversation. We can do all this, and in spite of it the child will have reached the standard demanded of him at the end of the first school year. Then, indeed, we must make room for something which would be best absent from the very first year of school and which is only a burden on the child's soul: we shall have to teach him what a vowel is, and what a consonant is. If we could follow the ideal time-table we would not do this in the first school year. But then some inspector might turn up at the end of the first year and ask the child what “i” is, what “l” is, and the child would not know that one is a vowel and the other a consonant. And we should be told: “Well, you see, this ignorance comes of Anthroposophy.” For this reason we must take care that the child can distinguish vowels from consonants. We must also teach him what a noun is, what an article is. And here we find ourselves in a real dilemma. For according to the prevailing time-table we ought to use German terms and not say “artikel.” We have to talk to the child, according to current regulations, of “Geschlechtswort” (gender-words) instead of “artikel,” and here, of course, we find ourselves in the dilemma. It would be better at this point not to be pedantic and to retain the word “artikel.” Now I have already indicated how a noun should be distinguished from an adjective by showing the child that a noun refers to objects in space around him, to self-contained objects. You must try here to say to him: “Now take a tree: a tree is a thing which goes on standing in space. But look at a tree in winter, look at a tree in spring, and look at a tree in summer. The tree is always there, but it looks different in winter, in summer, in spring. In winter we say: ‘It is brown.’ In spring we say: ‘It is green.’ In summer we say: ‘It is leafy.’ These are its attributes.” In this way we first show the child the difference between something which endures and its attributes, and say: “When we use a word for what persists, it is a noun; when we use a word for the changing quality of something that endures it is an adjective.” Then we give the child an idea of activity: “Just sit down on your chair. You are a good child. Good is an adjective. But now stand up and run. You are doing something. That is an action.” We describe this action by a verb. That is, we try to draw the child up to the thing, and then we go from the thing over to the words. In this way, without doing the child too much harm, we shall be able to teach him what a noun is, an article, an adjective, a verb. The hardest of all, of course, is to understand what an article is, because the child cannot yet properly understand the connection of the article with the noun. We shall flounder fairly badly in an abstraction when we try to teach him what an article is. But he has to learn it. And it is far better to flounder in abstractions over it because it is unnatural in any case, than to contrive all kinds of artificial devices for making clear to the child the significance and the nature of the article, which is, of course, impossible. In short, it will be a good thing for us to teach with complete awareness that we are introducing something new into teaching. The first school year will afford us plenty of opportunity for this. Even in the second year a good deal of this awareness will invade our teaching. But the first year will include much that is of great benefit to the growing child. The first school year will include not only writing, but an elementary, primitive kind of painting-drawing, for this is, of course, our point of departure for teaching writing. The first school year will include not only singing, but also an elementary training in the playing of a musical instrument. From the first we shall not only let the child sing, but we shall take him to the instrument. This, again, will prove a great boon to the child. We teach him the elements of listening by means of sound-combinations. And we try to preserve the balance between the production of music from within by song, and the hearing of sounds from outside, or by making them on the instrument. These elements, painting-drawing, drawing with colours, finding the way into music, will provide for us, particularly in the first school year, a wonderful element of that will-formation which is almost quite foreign to the school of to-day. And if we further transform the little mite's physical training into Eurhythmy we shall contribute in a quite exceptional degree to the formation of the will. I have been presented with the usual time-table for the first school year. It consists of:
Then:
We shall not be guilty of this, for we should then sin too gravely against the well-being of the growing child. But we shall arrange, as far as ever it is in our power, for the singing and music and the gymnastics and Eurhythmy to be in the afternoon, and the rest in the morning, and we shall take, in moderation—until we think they have had enough—singing and music and gymnastics and Eurhythmy with the children in the afternoon. For to devote one hour a week to these subjects is quite ludicrous. That alone proves to you how the whole of teaching is now directed towards the intellect. In the first year in the elementary school we are concerned, after all, with six-year-old children or with children at the most a few months over six. With such children you can quite well study the elements of painting and drawing, of music, and even of gymnastics and Eurhythmy; but if you take religion with them in the modern manner you do not teach them religion at all; you simply train their memory and that is the best that can be said about it. For it is absolutely senseless to talk to children of six to seven of ideas which play a part in religion. They can only be stamped on his memory. Memory training, of course, is quite good, but one must be aware that it here involves introducing the child to all kinds of things which have no meaning for the child at this age. Another feature of the time-table for the first year will provoke us to an opinion different from the usual one, at least in practice. This feature reappears in the second year in a quite peculiar guise, even as a separate subject, as Schönschreiben (literally, pretty writing = calligraphy). In evolving writing from “painting-drawing” we shall obviously not need to cultivate “ugly writing” and “pretty writing” as separate subjects. We shall take pains to draw no distinction between ugly writing and pretty writing and to arrange all written work—and we shall be able to do this in spite of the outside time-table—so that the child always writes beautifully, as beautifully as he can, never suggesting to him the distinction between good writing and bad writing. And if we take pains to tell the child stories for a fairly long time, and to let him repeat them, and pay attention all the time to correct speaking on our part, we shall only need to take spelling at first from the point of view of correcting mistakes. That is, we shall not need to introduce correct writing, Rechtschreiben (spelling), and incorrect writing as two separate branches of the writing lesson. You see in this connection we must naturally pay great attention to our own accuracy. This is especially difficult for us Austrians in teaching. For in Austria, besides the two languages, the dialect and the educated everyday speech, there was a third. This was the specific “Austrian School Language.” In this all long vowels were pronounced short and all short vowels long, and whereas the dialect quite correctly talked of “Die Sonne” (the sun), the Austrian school language did not say “Die Sonne” but “Die Sohne,” and this habit of talking becomes involuntary; one is constantly relapsing into it, as a cat lands on his paws. But it is very unsettling for the teacher too. The further one travels from north to south the more does one sink in the slough of this evil. It rages most virulently in Southern Austria. The dialect talks rightly of “Der SÅ«Å«n”; the school language teaches us to say “Der Son.” So that we say “Der Son” for a boy and “Die Sohne” for what shines in the sky. That is only the most extreme case. But if we take care, in telling stories, to keep all really long sounds long and all short ones short, all sharp ones sharp, all drawn-out ones prolonged, and all soft ones soft, and to take notice of the child's pronunciation, and to correct it constantly, so that he speaks correctly, we shall be laying the foundations for correct writing. In the first year we do not need to do much more than lay right foundations. Thus, in dealing with spelling, we do not yet need to let the child write lengthening or shortening signs, as even permitted in the usual school time-table—we can spend as long as we like over speaking, and only in the last instance introduce the various rules of spelling. This is the kind of thing to which we must pay heed when we are concerned with the right treatment of children at the beginning of their school life. The children near the end of the school life, at the age of thirteen to fourteen, come to us maltreated by the intellectual process. The teaching they have received has been too much concerned with the intellect. They have experienced far too few of the benefits of will- and feeling-training. Consequently, we shall have to make up for lost ground, particularly in these last years. We shall have to attempt, whenever opportunity offers, to introduce will and feeling into the exclusively intellectual approach, by transforming much of what the children have absorbed purely intellectually into an appeal to the will and feelings. We can assume at any rate that the children whom we get at this age have learnt, for instance, the theorem of Pythagoras the wrong way, that they have not learnt it in the way we have discussed. The question is how to contrive in this case not only to give the child what he has missed but to give him over and above that, so that certain powers which are already dried up and withered are stimulated afresh as far as they can be revived. So we shall try, for instance, to recall to the child's mind the theorem of Pythagoras. We shall say: “You have learnt it. Can you tell me how it goes? Now you have said the theorem of Pythagoras to me. The square on the hypotenuse is equal to the sum of the squares on the other two sides.” But it is absolutely certain that the child has not had the experience which learning this should give his soul. So I do something more. I do not only demonstrate the theorem to him in a picture, but I show how it develops. I let him see it in a quite special way. I say: “Now three of you come out here. One of you is to cover this surface with chalk: all of you see that he only uses enough chalk to cover the surface. The next one is to cover this surface with chalk; he will have to take another piece of chalk. The third will cover this, again with another piece of chalk.” And now I say to the boy or girl who has covered the square on the hypotenuse: “You see, you have used just as much chalk as both the others together. You have spread just as much on your square as the other two together, because the square on the hypotenuse is equal to the sum of the squares on the other two sides.” That is, I make it vivid for him by the use of chalk. It sinks deeper still into his soul when he reflects that some of the chalk has been ground down and is no longer on the piece of chalk but is on the board. And now I go on to say: “Look, I will divide the squares; one into sixteen, the other into nine, the other into twenty-five squares. Now I am going to put one of you into the middle of each square, and you are to think that it is a field and you have to dig it up. The children who have worked at the twenty-five little squares in this piece will then have done just as much work as the children who have turned over the piece with sixteen squares and the children who have turned over the piece with nine squares together. But the square on the hypotenuse has been dug up by your labour; you, by your work, have dug up the square on one of the two sides, and you, by your work, have dug up the square on the other side.” In this way I connect the child's will with the theorem of Pythagoras. I connect at least the idea with an exercise rooted significantly in his will in the outside world, and I again bring to life what his cranium had imbibed more or less dead. Now let us suppose the child has already learnt Latin or Greek. I try to make the children not only speak Latin and Greek but listen to one another as well, listen to each systematically when one speaks Latin, another Greek. And I try to make the difference live vividly for them which exists between the nature of the Greek and Latin languages. I should not need to do this in the ordinary course of teaching, for this realization would result of itself with the ideal time-table. But we need it with the children from outside, because the child must feel: when he speaks Greek he really only speaks with the larynx and chest; when he speaks Latin there is something of the whole being accompanying the sound of the language. I must draw the child's attention to this. Then I will point out to him the living quality of French when he speaks that, and how it resembles Latin very closely. When he talks English he almost spits the sounds out. The chest is less active in English than in French. In English a tremendous amount is thrown away and sacrificed. In fact, many syllables are literally spat out before they work. You need not say “spat out” to the children, but make them understand how, in the English language particularly, the word is dying towards its end. You will try like this to emphasize the introduction of the element of articulation into your language teaching with those children of twelve to fourteen whom you have taken over from the schools of to-day.
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295. Discussions with Teachers: First Lecture on the Curriculum
06 Sep 1919, Stuttgart Tr. Helen Fox, Catherine E. Creeger Rudolf Steiner |
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Also, we do not hesitate to link this drawing to simple painting, placing the colors next to each other so that the children get a feeling for what it means to place red next to green, next to yellow, and so on. On the basis of what we achieve through this, we will be able to introduce the children to writing in the way that we have already considered from the perspective of educational theory. |
295. Discussions with Teachers: First Lecture on the Curriculum
06 Sep 1919, Stuttgart Tr. Helen Fox, Catherine E. Creeger Rudolf Steiner |
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My dear friends, it would still be possible, of course, to present many more details from the field of general pedagogy. However, since we are always forced in such cases to conclude prematurely, we will use the remaining time this morning to take our general discussions of education over into an outline of instructional goals for the individual grades. In our general pedagogical studies, we have been trying to acquire the right point of view for dividing up the subject matter with regard to the development of the growing human being. We must always remember the necessity of consolidating our instruction in the way that I demonstrated. For example, we can proceed from mineralogy to geography or use ethnological characteristics to link history and geography when we deal with cultural history in a spiritual way. Bearing in mind this possibility of proceeding from one subject to another, let’s go through the subject matter we want to present to our young charges and divide it into individual categories. The first thing we need to consider when we welcome children into the first grade is to find appropriate stories to tell them and for them to tell back to us. In the telling and retelling of fairy tales, legends, and accounts of outer realities, we are cultivating the children’s speech, forming a bridge between the local dialect and educated conversational speech. By making sure the children speak correctly, we are also laying a foundation for correct writing. Parallel to such telling and retelling, we introduce the children to a certain visual language of forms. We have them draw simple round and angular shapes simply for the sake of the forms. As already mentioned, we do not do this for the sake of imitating some external object, but simply for the sake of the forms themselves. Also, we do not hesitate to link this drawing to simple painting, placing the colors next to each other so that the children get a feeling for what it means to place red next to green, next to yellow, and so on. On the basis of what we achieve through this, we will be able to introduce the children to writing in the way that we have already considered from the perspective of educational theory. The natural way to go about it would be to make a gradual transition from form drawing to the Latin alphabet. Whenever we are in a position to introduce the Latin alphabet first, we should certainly do so, and then proceed from the Latin alphabet to German script. After the children have learned to read and write simple handwritten words, we make the transition to printed letters, taking the Latin alphabet first, of course, and following it up with the German.1 If we proceed rationally, we will get far enough in the first grade so that the children will be able to write simple things that we say to them or that they compose themselves. If we stick to simple things, the children will also be able to read them. Of course we don’t need to aim at having the children achieve any degree of accomplishment in this first year. It would be completely wrong to expect that. The point is simply that, during the first grade, we should get the children to the point where they no longer confront the printed word as a total unknown, so to speak, and are able to take the initiative to write some simple things. This should be our goal with regard to language instruction, if I may put it like that. We will be helped in this by what we are going to consider next—namely the elasticity and adaptability that the children’s speech organs can gain from instruction in singing. Without our making a special point of it, they will develop a greater sensitivity to long and short vowels, voiced or voiceless sounds, and so on. Even though this may not be our intention in teaching music, the children will be introduced nonetheless to an auditory understanding of what the instrument of the voice produces in music—in a simple way at first, so that they can get ... well, of course it’s impossible to get an overview of sounds, so I would actually have to invent a word and say: so that they can get an “overhearing” of it. By “overhearing” I mean that they really experience inwardly the single thing among the many, so that they are not overwhelmed by things as they perceive them. In addition to this we must add something that can stimulate the children’s thinking when we tell them about things that are close at hand, things that will later appear in a more structured form in geography and science. We explain such things and introduce them to the children’s understanding by relating them to things that are already familiar—to familiar animals, plants, and soil formations, or to local mountains, creeks, or meadows. Schools call this “local history,” but the purpose is to bring about a certain awakening in the children with regard to their surroundings; a soul awakening, so that they learn to really connect with their surroundings. At the beginning of the second grade, we will continue with the telling and retelling of stories and try to develop this further. Then the children can be brought gradually to the point of writing down the stories we tell them. After they have had some practice in writing down what they hear, we can also have them write short descriptions of what we’ve told them about the animals, plants, meadows, and woods in the surroundings. During the first grade it would be important not to touch on issues of grammar, and so on, to any great extent. In the second grade, however, we should teach the children the concepts of what a noun is, what an adjective is, and what a verb is. We should then connect this simply and graphically to a discussion of how sentences are constructed. With regard to descriptions, to thoughtfully describing their surroundings, we continue with what the children began in the first grade. The third grade is essentially a continuation of the second with regard to speaking, reading, writing, and many other things. We will continue to increase the children’s ability to write about what they see and read. Now we also try to summon up in them a conscious feeling for sounds that are short, long, drawn out, and so on. It is good to cultivate a feeling for articulating speech and for the general structure of language when the children are in third grade—that is, around the age of eight.2 At this point, we attempt to convey an understanding of the different types of words and of the components and construction of a sentence—that is, of how punctuation marks such as commas and periods and so on are incorporated into a sentence. Once again, with regard to telling and retelling, the fourth grade is a continuation of the third. When we take up short poems in the first and second grade, it’s good to make a point of allowing the children to experience the rhythm, rhyme, and meter instinctively, and to wait to make them aware of the poem’s inner structure--that is, everything that relates to its inner beauty—until the third and fourth grades. At that point, however, we try to lead everything the children have learned about writing descriptions and retelling stories in writing over into composing letters of all kinds. Then we try to awaken in the children a clear understanding of the tenses, of everything expressed by the various transformations of a verb. At around age nine, the children should acquire the concepts for what they need in this regard; they should get a feeling for it, so that they don’t say “The man ran” when they should have said “The man has run”—that is, that they don’t confuse the past tense with the present perfect. Children should get a feeling for when it is proper to say “He stood” rather than “He has stood,” and other similar things that have to do with transformations in what a verb expresses. In the same way, we attempt to teach the children to feel instinctively the relationship between a preposition and its object. We should always make sure to help them get a feeling for when to use “on” instead of “at,” and so on. Children who are going on ten should practice shaping their native language and should experience it as a malleable element. In the fifth grade, it is important to review and expand on what we did in the fourth grade, and, from that point on, it is important to take into account the difference between active and passive verb forms. We also begin asking children of this particular age not only to reproduce freely what they have seen and heard, but also to quote what they have heard and read and to use quotation marks appropriately. We try to give the children a great deal of spoken practice in distinguishing between conveying their own opinions and conveying those of others. Through their writing assignments, we also try to arouse a keen distinction between what they themselves have thought, seen, and so forth, and what they communicate about what others have said. In this context, we again try to perfect their use of punctuation. Letter writing is also developed further. In the sixth grade, of course we review and continue what we did in the fifth. In addition, we now try to give the children a strong feeling for the subjunctive mood. We use as many examples as possible in speaking about these things so that the children learn to distinguish between what can be stated as fact and what needs to be expressed in the subjunctive. When we have the children practice speaking, we make a special point of not allowing any mistakes in the use of the subjunctive, so that they assimilate a strong feeling for this inner dimension of the language. A child is supposed to say, “I am taking care that my little sister learn [subjunctive] how to walk,” and not, “I am taking care that my little sister learns to walk.”3 We now make the transition from personal letters to simple, concrete business compositions dealing with things the children have already learned about elsewhere. Even as early as the third grade we can extend what we say about the meadows and woods and so on to business relationships, so that later on the subject matter is already available for composing simple business letters. In the seventh grade, we will again have to continue with what we did in the sixth grade, but now we also attempt to have the children develop an appropriate and flexible grasp of how to express wishing, astonishment, admiration, and so on in how they speak. We try to teach the children to form sentences in accordance with the inner configuration of these feelings. However, we do not need to mutilate poems or anything else in order to demonstrate how someone or other structured a sentence to express wishing. We approach it directly by having the children themselves express wishes and shape their sentences accordingly. We then have them express admiration and form the sentences accordingly, or help them to construct the sentences. To further educate their ability to see the inner flexibility of language, we then compare their wishing sentences to their admiring ones. What has been presented in science will already have enabled the children to compose simple characterizations of the wolf, the lion, or the bee, let’s say. At this stage, alongside such exercises, which are directed more toward the universally human element in education, we must especially foster the children’s ability to formulate practical matters of business. The teacher must be concerned with finding out about practical business matters and getting them into the student’s heads in some sensible fashion. In the eighth grade, it will be important to teach the children to have a coherent understanding of longer pieces of prose or poetry; thus, at this stage we will read a drama and an epic with the children, always keeping in mind what I said before: All the explanations and interpretations precede the actual reading of the piece, so that the reading is always the conclusion of what we do with the material. In particular, however, the practical business element in language instruction must not be disregarded in the eighth grade. It will be important that we make it possible for children who have reached the fourth grade to choose to learn Latin. Meanwhile, we will have already introduced French and English [as foreign languages] in a very simple fashion as soon as the children have entered school. When the children are in the fourth grade, we introduce them to Latin by having them listen to it, and we ask them to repeat little conversations as they gradually gain the ability to do so. We should certainly begin with speaking the language for the children to hear; in terms of speaking, we will attempt to achieve through listening what is usually accomplished in the first year of Latin instruction. We will then take this further according to the indications I gave in the lectures on educational theory, to the point where our eighth-grade graduates will have a mastery of Latin that corresponds to what is ordinarily taught in the fourth year of high school. In other words, our fourth graders must accomplish approximately what is usually taught in the first year of high school and our fifth and sixth graders what is usually taught in the second and third years respectively; the remainder of the time can be spent on what is usually taught in the fourth year. Parallel to this we will continue with French and English [as foreign language] instruction, taking into account what we heard in the theoretical portion of these lectures. We will also allow those who choose to study the Greek language to begin doing so. Here too, we proceed in the manner we heard about in the theoretical portion. Specifically, we attempt again to develop the writing of Greek letters on the basis of form drawing. It will be of great benefit to those who now choose to learn Greek to use a different set of letters to repeat the initial process of deriving writing from drawing. Well, you have seen how we make free use of familiar things from the immediate surroundings for our independent instruction in general knowledge. In the third grade, when the children are going on nine, it is quite possible for this instruction to provide them with an idea of how mortar is mixed, for instance—I can only choose a few examples—and how it is used in building houses. They can also have an idea of how manuring and tilling are done, and of what rye and wheat look like. To put it briefly, in a very free way we allow the children to delve into the elements of their immediate surroundings that they are capable of understanding. In the fourth grade we make the transition from this type of instruction to speaking about what belongs to recent history, still in a very free way. For example, we can tell the children how it happened that grapes came to be cultivated locally (if in fact that is the case), or how orchards were introduced or how one or the other industry appeared, and other similar things. Then, too, we draw on the geography of the local region, beginning with what is most readily available, as I have already described. In the fifth grade, we make every effort to begin to introduce the children to real historical concepts. With fifth graders, we need not hesitate at all to teach the children about the cultures of Asian peoples and of the Greeks. Our fear of taking the children back into ancient times has occurred only because people in our day and age do not have the ability to develop concepts appropriate to these bygone times. However, if we constantly appeal to their feelings, it is easy enough to help ten- and eleven-year-olds develop an understanding of the Greeks and Asian peoples. Parallel to this, as I showed you earlier, in geography we begin to teach the children also about soil formations and everything that is economically related to them, dealing first with the specific part of the Earth’s surface that is most readily available. Greek and Roman history and its aftereffects (until the beginning of the fifteenth century) belong to the sixth grade. In geography we continue with what we did in the fifth grade, taking a different part of the Earth and then linking its climatic conditions to astronomical conditions, examples of which we experienced yesterday afternoon. In the seventh grade, it is important to get the children to understand how the modern life of humanity dawned in the fifteenth century, and we then describe the situation in Europe and so on up to about the beginning of the seventeenth century. This is one of the most important historical periods, and we must cover it with great care and attention. Indeed, it is even more important than the time immediately following it. In geography, we continue with the study of astronomical conditions and begin to cover the spiritual and cultural circumstances of Earth’s inhabitants, of the various ethnic groups, but always in connection with what the children have already learned about material cultural circumstances—that is, economic circumstances—during their first two years of geography lessons. In the eighth grade, we try to bring the children right up to the present in history, including a thorough consideration of cultural history. Most of what is included in history, as it is ordinarily taught, will only be mentioned in passing. It is much more important for children to experience how the steam engine, the mechanized loom, and so on have transformed the Earth than it is for them to learn at too young an age about such curiosities as the corrections made to the Emser Depesche.4 The things our history books contain are the least important as far as the education of children is concerned. Even great figures in history, such as Charlemagne, should basically be covered only in passing. You will need to do a lot of what I told you yesterday about aids to guiding abstract concepts of time over into something concrete. Indeed, we must do a very great deal of it. Now I probably do not need to tell you that even the subjects we have discussed so far will help the children develop an awareness of the spirit that permeates everything present in the world, an awareness that the spirit lives in our language, in the geographical elements covering the Earth, and in the flow of history. When we try to sense the living spirit in everything, we will also find the proper enthusiasm for conveying this living spirit to our students. Whenever we do this, we will learn to compensate our students for what the religious denominations have been doing to humanity since the beginning of the modern era. These religious denominations, which have never made the free development of the individual a priority, have cultivated materialism from various angles. When it is not permissible to use the entire content of the world to teach people that the spirit is active, religious instruction becomes a breeding ground for materialism. The various religious denominations have made it their task to eliminate all mention of spirit and soul from any other form of instruction because they want to keep that privilege for themselves. Meanwhile the reality of these things has dried up as far as the religious denominations are concerned, and so what is presented in religious instruction consists merely of sentimental clichés and figures of speech. All the clichés that are now so terribly apparent everywhere are actually due more to religious culture than to international culture, because nowadays the emptiest clichés, which human instincts then carry over into outer life, are being promoted by the religious denominations. Certainly ordinary life also creates many clichés, but the greatest sinners in this respect are the religious denominations. It remains to be seen, my dear friends, how religious instruction—which I will not even touch on in these discussions, because that will be the task of the congregations in question—will affect other types of instruction here in our Waldorf school. For now religious instruction is a space that must be left blank; these hours will simply be given over to the religion teachers to do whatever they choose. It goes without saying that they are not going to listen to us. They will listen to their church’s constitution, or to their church gazette or that of the parochial school administration. We will fulfill our obligations in this respect, but we will also quietly continue to fulfill our obligation to summon up the spirit for our children in all the other subjects.
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99. Theosophy of the Rosicrucian: The New Form of Wisdom
22 May 1907, Munich Tr. Mabel Cotterell, Dorothy S. Osmond Rudolf Steiner |
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Then, however, the Initiation took increasing effect in him and finally, as he grew more conscious of it, he was able to produce that remarkable prose-poem known as “The Fairy Tale of the Green Snake and the Beautiful Lily”;—one of the most profound writings in all literature. Those who are able to interpret it rightly know a great deal of the Rosicrucian wisdom. |
99. Theosophy of the Rosicrucian: The New Form of Wisdom
22 May 1907, Munich Tr. Mabel Cotterell, Dorothy S. Osmond Rudolf Steiner |
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The title of this course of lectures has been announced as “Theosophy according to the Rosicrucian Method.” By this is meant the wisdom that is primeval, yet ever new, expressed in a form suitable for the present age. The mode of thought we are about to study has existed since the fourteenth century, A.D. in these lectures; however, it is not my intention to speak of the history of Rosicrucianism. As you know, a certain kind of geometry, which includes, for instance, the Pythagorean Theorem, is taught in elementary schools of the present day. The rudiments of geometry are learnt quite independently of how geometry itself actually came into being, for what does the pupil who is learning the rudiments of geometry today know about Euclid? Nevertheless it is Euclid's geometry that is being taught. Only much later, when the substance has been mastered, do students discover, perhaps from a history of the sciences, something about the form in which the teaching that is accessible even in elementary schools today originally found its way into the evolution of humanity. As little as the pupil who learns elementary geometry today is concerned with the form in which it was originally given to mankind by Euclid, as little need we concern ourselves with the question of how Rosicrucianism developed in the course of history. Just as the pupil learns geometry from its actual tenets, so shall we learn to know the nature of this Rosicrucian wisdom from its intrinsic principles. Those who are acquainted merely with the outer history of Rosicrucianism as recorded in literature know very little about the real content of Rosicrucian Theosophy. Rosicrucian Theosophy has existed since the fourteenth century as something that is true, quite apart from its history, just as geometrical truths exist independently of history. Only a fleeting reference, therefore, will here be made to certain matters connected with the history of Rosicrucianism. In the year 1459, a lofty, spiritual Individuality, incarnate in the human personality who bears in the world the name of Christian Rosenkreuz, appeared as the teacher, to begin with of a small circle of initiated pupils. In the year 1459, within a strictly secluded spiritual Brotherhood, the Fraternitas Roseae Crucis, Christian Rosenkreuz was raised to the rank of Eques lapidis aurei, Knight of the Golden Stone. What this means will become clearer to us in the course of these lectures. The exalted Individuality who lived on the physical plane in the personality of Christian Rosenkreuz worked as leader and teacher of the Rosicrucian stream again and again in the same body, as occultism puts it. The meaning of the expression “again and again in the same body” will also be explained when we come to speak of the destiny of the human being after death. Until far into the eighteenth century, the wisdom of which we are here speaking was preserved within a strictly secret Brotherhood, bound by inviolate rules which separated its members from the exoteric world. In the eighteenth century it was the mission of this Brotherhood to allow certain esoteric truths to flow, by spiritual ways, into the culture of Middle Europe; and thus we see flashing up in an exoteric culture many things that are clothed, it is true, in an exoteric form, but which are, in reality, nothing else than outer expressions of esoteric wisdom. In the course of the centuries many people have endeavoured, in one way or another, to discover the Rosicrucian wisdom, but they did not succeed. Leibnitz tried in vain to get at the source of Rosicrucian wisdom. But this Rosicrucian wisdom lit up like a flash of lightning in an exoteric work which appeared when Lessing was approaching the close of his life. I refer to Lessing's Education of the Human Race. If we do but read it between the lines, then (but only if we are esotericists) we shall recognise in its unusual utterances that it is an external expression of Rosicrucian wisdom. This wisdom lit up in outstanding grandeur in the man in whom European culture and, indeed international culture, was reflected at the turn of the eighteenth century—in Goethe. In comparatively early years Goethe had come into contact with a source of Rosicrucianism and he then experienced, in some degree, a very remarkable and lofty Initiation. To speak of Initiation in connection with Goethe may easily be misleading; at this point therefore it will be well to indicate something of what happened to Goethe during the period after he had left the Leipzig University and before he went to Strassburg. He passed through an experience which penetrated very deeply into his soul and expressed itself outwardly in the fact that during the last period of his stay in Leipzig, he came very near to death. As he lay desperately ill, he had a momentous experience, passing through a kind of Initiation. To begin with, he was not actually conscious of it but it worked in his soul as a kind of poetic inspiration and the process by which it flowed into his various creations was most remarkable. It flashes up in his poem entitled “The Mysteries,” which his closest friends have considered to be one of his most profound creations. And indeed this fragment is so profound that Goethe was never able to recapture the power to formulate its conclusion. The culture of the day was incapable of giving external form to the depths of life pulsating in this poem. It must be regarded as issuing from one of the deepest founts of Goethe's soul and is a book with seven seals for all his commentators. Then, however, the Initiation took increasing effect in him and finally, as he grew more conscious of it, he was able to produce that remarkable prose-poem known as “The Fairy Tale of the Green Snake and the Beautiful Lily”;—one of the most profound writings in all literature. Those who are able to interpret it rightly know a great deal of the Rosicrucian wisdom. At the time when Rosicrucian wisdom was intended to flow gradually into the general life of culture, it happened, in a manner of which I need not speak further now, that a kind of betrayal took place. Certain Rosicrucian conceptions found their way into the world at large. This betrayal on the one hand, and on the other the fact that it was necessary for Western culture during the nineteenth century to remain for a time on the physical plane uninfluenced by esotericism—these two facts made it imperative that the sources of Rosicrucian wisdom, and above all its great Founder, who since its inception had been constantly on the physical plane, should, to all appearances, withdraw. Thus during the first half and also during a large part of the second half of the nineteenth century, little of the Rosicrucian wisdom could be discovered. Only now, in our own time, has it become possible again to make the Rosicrucian wisdom accessible and allow it to flow into general culture. And if we think about this culture we shall discover the reasons why this had to be. I will now speak of two characteristics of the Rosicrucian wisdom, which are important in connection with its mission in the world. One has to, do with the attitude of the human being towards this Rosicrucian wisdom-which must not be identified with the occult form of Christian-Gnostic wisdom. We must touch briefly upon two facts appertaining to the spiritual life if we are to be clear about the fundamental character of Rosicrucian wisdom. The first of these is the relationship of the pupil to the teacher; and here again there are two aspects to consider. We shall speak, first, of “Clairvoyance,” and secondly, of what is sometimes called “Belief in Authority.” “Clairvoyance”—the term is really inadequate—comprises not only spiritual seeing but also spiritual hearing. These two faculties are the source of all knowledge of the world's hidden wisdom and true knowledge of the spiritual worlds can come from no other source. In Rosicrucianism there is an essential difference between the actual discovery of spiritual truths and the understanding of them. Only those who have developed spiritual faculties in a fairly high degree can themselves discover a spiritual truth in the higher worlds. Clairvoyance is the necessary pre-requisite for the discovery of a spiritual truth, but only for its discovery. For a long time to come, nothing will be taught exoterically by any genuine Rosicrucianism that cannot be grasped by the ordinary logical intellect. That is the essential point. The objection that clairvoyance is necessary for understanding the Rosicrucian form of Theosophy is not valid. Understanding does not depend upon the faculty of seership. Those who are incapable of grasping the Rosicrucian wisdom with their thinking have simply not developed their logical reasoning powers to a sufficient extent—that is all. Anyone who has absorbed all that modern culture is able to give; who is not too lazy to learn and has patience and perseverance can understand what a Rosicrucian teacher has to impart. Those who have doubts about Rosicrucian wisdom and who say that they cannot grasp it must not cast the blame on the fact that they are incapable of rising to the higher planes. The fault lies in their unwillingness either to exert their reasoning powers sufficiently or to put the experiences gained from general culture to adequate use. Just think of the tremendous popularisation of wisdom that has taken place since the appearance of Christianity down to the present day, and then try to picture Christian Rosicrucianism as it was in the fourteenth century. Think of the relation of a human being then living in the world, with his teachers. It was only possible in those days to work by means of the spoken word. People do not, as a rule, rightly appraise what tremendous development has taken place since that time. Think only of what has been achieved by the art of printing. Think of the thousands and thousands of channels through which, thanks to this discovery, the highest achievements of Culture have been able to flow into civilisation. From books down to the latest newspaper article, you can perceive the innumerable channels through which countless ideas flow into life. These channels have only been open for mankind since that time and they have had the effect of making the Western intellect assume quite different forms. The Western mind has worked quite differently since then and the new form of wisdom had necessarily to reckon with this fact. A form had to be created which would be able to hold its ground in face of all that flows into life along these thousands of channels. Rosicrucian wisdom can hold its own against any objection that might be raised by either popular or technical science. Rosicrucian wisdom contains within itself the sources which enable it to counter every objection made by science. A true understanding of modern science, not the dilettante understanding to be found even in University Professors, but understanding that is free from abstract theorising and materialistic conjectures, standing firmly upon the basis of facts and not going beyond them, can find from science itself the proofs of the spiritual truths of Rosicrucianism. A second point concerning the relationship between teacher and pupil in Rosicrucianism is that the relationship of the pupil to the “Guru” (as the teacher is called in the East) is fundamentally different from that prevailing in other methods of Initiation. In Rosicrucianism this relationship cannot in any way be said to be based upon belief in authority. Let me make this clear to you by an example drawn from everyday life. The Rosicrucian teacher desires to stand in no different relation to his pupil than does a teacher of mathematics to his students. Can it be said that the student of mathematics depends upon his teacher simply out of belief in authority? No! And can it be said that the student of mathematics does not need the teacher? Some people may argue that he does not, because he may have discovered how to teach himself from good books. But this is simply a different situation from the one where student and teacher are sitting in front of each other. In principle, of course, self-instruction is possible. Equally, every human being, provided he reaches a certain stage of clairvoyance, can discover the spiritual truths for himself but this would be a much lengthier path. It would be senseless to say: My own inner being must be the sole source of all spiritual truths. If the teacher knows the mathematical truths and imparts them to his pupil, the pupil is no longer called upon to have “belief in authority” for he grasps these truths through their own inherent correctness and all he needs is to understand them. So is it with all occult development in the Rosicrucian sense. The teacher is the friend, the counselor, one who has already lived through the occult experiences and helps the pupil to do so himself. Once a man has had these experiences he need as little accept them on authority as in mathematics he need accept on authority the statement that the three angles of a triangle are equal to 180°. In Rosicrucianism there is no “authority” in the ordinary sense. It is far rather a matter of what is required for shortening the path to the highest truths. That is the one side of the question; the other is the relation of the spiritual wisdom to culture in general. These lectures will show you that it is possible for truth to flow directly into practical life. We are not setting up a system that is applicable in theory only; we are speaking of teachings which can be put to use in practical life by anyone who desires to know the foundations of the science of worlds and to allow the spiritual truths to flow into everyday life. Rosicrucian wisdom must not stream only into the head, nor only into the heart, but also into the hand, into our manual capacities, into our daily actions. It does not take effect as sentimental sympathy; it is the acquisition, by strenuous effort, of faculties enabling us to work for the well-being of humanity. Suppose some society was to proclaim human brotherhood as its aim and was to do no more than preach brotherhood. That would not be Rosicrucianism. For the Rosicrucian says: Suppose a man is lying in the road with a broken leg. If fourteen people stand around him pityingly but not one of them is able to help, the whole fourteen together are of less importance than a fifteenth who comes, perhaps, without any sentimentality at all, but is able to and actually does deal with the broken leg. The attitude of the Rosicrucian is that what counts is knowledge able to take hold of and intervene effectively in life. Rosicrucian wisdom considers that repeated talk about pity and sympathy has an element of danger in it for continual emphasis upon sympathy denotes a kind of astral sensuality. Sensuality on the physical plane is of the same nature on the astral plane. It is the attitude that is always only willing to feel and not to know. Knowledge that is capable of taking effect in practical life—not, of course in the materialistic sense but because it is brought down from the spiritual worlds—this is what enables us to work efficaciously. Harmony flows of itself from knowledge that the world must progress; and it flows all the more surely because it arises quite naturally out of knowledge. Of a man who knows how to deal with a broken leg, people might say: If he is no friend of humanity, he may just let the sufferer lie. Such a thing would be possible in the case of knowledge pertaining only to the physical plane. But it would not be possible for spiritual knowledge. There is no spiritual knowledge that would refrain from entering into practical life. This, then, is the second aspect of Rosicrucian wisdom, namely, that it can be discovered only through the powers of clairvoyance but can be understood by normal human reason. It may seem strange to say that in order to have experiences in the spiritual world you must become clairvoyant, but that in order to understand what the clairvoyant sees, this is not necessary. A seer who descends from the spiritual worlds and tells of what comes to pass there, bringing to the knowledge of men something that is necessary for humanity at the present time, can be understood if those who listen are willing to understand. For the constitution of the human being is such that it can be intelligible to him. First of all we shall study the seven-fold nature of man according to the Rosicrucian teaching. We shall consider the whole nature of man as he confronts us; we shall learn to understand the nature of the physical body, which everyone thinks he knows all about but in reality knows nothing. As little as we can see the oxygen in water but must separate it from the hydrogen in order to recognise it, as little do we see the real physical human being when we look at another man standing before us. Man is a combination of physical body, etheric body, astral body and the other higher members of his being, as water is a combination of oxygen and hydrogen. The being who stands before us is the sum total of all these members! If we are to see the physical body alone, the astral body must have separated from it: this is the condition in dreamless sleep. Sleep is a kind of higher chemical separation of the astral body with the higher members of man's nature, from the etheric and physical bodies. But even then it cannot be said that we have the real physical body before us. The physical body is alone only at death, when the etheric body too has left it. This has a direct and concrete bearing. I will make it clear to you by means of an example. Think of some particular part of the astral body. In the remote past, the pictures which the human being perceived in dim, shadowy clairvoyance, worked very differently than do mental images today. These pictures were impressed, first of all, into the astral body. Let us suppose that at one time pictures of the three dimensions of space—length, breadth, and depth—were impressed into the astral body. This picture of three-dimensional space which was once impressed into the astral body through the old, dim clairvoyance was carried over into the etheric body. Just as a seal is pressed into liquid sealing wax, so did the astral picture impress itself into the etheric body and this in turn moulded the forms of the physical body. Thus the picture of three-dimensional space built an organ in a particular area of the physical body. Originally there was a picture in the astral body of the three perpendicular directions of space; this picture impressed itself, like a seal into wax, into the etheric body and a certain part of the etheric body moulded an organ in the interior of the human ear, namely, the three semi-circular canals. You all have them within you; if they are in any way impaired you cannot orientate yourself within the three directions of space; you get giddy and cannot stand upright. Thus are the pictures of the astral body connected with the forces of the etheric body and the organs of the physical body. The whole physical body of man in its plastic forms is nothing else than a product of the pictures of the astral body and the forces of the etheric body. Hence those who have no knowledge of the astral and etheric bodies cannot understand the physical body. The astral body is the predecessor of the etheric body and the etheric body is the predecessor of the physical body. Thus the matter is complicated. The three semi-circular canals are a physical organ, just as is the nose. All noses differ from one another although there may be resemblance between the noses of parents and children. If you were able to study the three semicircular canals in the ears of human beings, you would find difference and resemblance just as in the case of noses, for these canals may resemble those of the mother or father. What is not inherited is the innermost spiritual core of being, the Eternal in man which passes through the successive incarnations. Individual talents and faculties are not determined by the brain. Logic is the same in mathematics, in philosophy, or in practical life. The difference in the quality of the faculties becomes apparent only when logic is applied in domains where knowledge depends, for instance, upon the functioning of the semi-circular organs in the ear. Mathematical talent will be particularly marked when these organs are highly developed. An example of this is the Bernoulli family, which produced a succession of fine mathematicians. An individual may possess great incipient talent for music or some other art, but if he is not born into a human body that has inherited the requisite organic structures, he cannot bring these talents to expression. So you see, the physical world cannot be understood without knowledge of how it is constituted. The Rosicrucian does not consider it his task to withdraw in any way from the physical world. Certainly not! For what he has to do is to spiritualise the physical world. He must rise to the highest regions of spiritual life and with the knowledge there obtained labour actively in the physical world, especially in the world of men. This is the Rosicrucian attitude-the direct outcome of Rosicrucian wisdom. We are about to study a system of wisdom which will enable us to understand even the smallest things; and we shall not forget that the smallest thing in the world can be of importance to the greatest, that the smallest thing, in its rightful place, can lead to the highest of goals! |
69c. A New Experience of Christ: Raphael's Mission in the Light of Science: From the Spirit
19 May 1913, Stuttgart Rudolf Steiner |
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Nature makes leaps: plants make a giant leap in their development between the root and the green leaf, then another giant leap between the green leaf and the blossom, and yet another between the blossom and the fruit. |
69c. A New Experience of Christ: Raphael's Mission in the Light of Science: From the Spirit
19 May 1913, Stuttgart Rudolf Steiner |
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Dear attendees! The subject of today's reflection will somewhat cross the boundaries that have usually been drawn here in such spiritual scientific reflections. Nevertheless, it seems useful to me to consider human spiritual life in a broader sense in relation to what the human soul can feel about the results of this spiritual science. Moreover, if we consider contemporary history, this evening's reflection, perhaps, as a kind of spiritual-scientific challenge, places itself directly into this spiritual life of the present, for the consideration of Raphael, if we consider it in the way it is usually done, presents people with many puzzles, really great spiritual-cultural-scientific puzzles. And perhaps we may be confronted with the necessity of extending our spiritual-scientific considerations to such areas in particular, especially if we allow the fate of a significant contemporary art researcher in relation to Raphael to have some effect on our souls – an art historian who, I believe, is so not only in the scholarly, in the usual scientific sense, but who is so above all because the nineteenth century beat in his heart as directly as in few personalities: Herman Grimm. He is one of those art historians who were always not only with reason and intellect, not only with the usual scientific sense, but with the whole soul in their subject. And anyone who is familiar with Herman Grimm's art and cultural writings knows how much of what is directly moving the present intellectually pulsates within him, how his riddles about many subjects of intellectual life are the riddles of our era. And if spiritual science is to prove more and more fruitful, then it will have to seek contact with the way in which the entire spiritual cultural life seeks to approach such riddle-questions. Herman Grimm – he was the son of Wilhelm Grimm and the nephew of Jakob Grimm, the great linguist – was truly a nineteenth-century spirit. This great expert on Goethe and this significant spirit, who wrote the wonderful book about Michelangelo, died at the turn of the twentieth century. Whoever delves into Herman Grimm's work on Michelangelo will feel how, in his contemplation, the entire time from which Michelangelo was born comes to life, how Michelangelo's soul comes to life before us, how he stands out from his era, how this becomes art, artistic creation in his soul - a rounded image in a rare sense! And we can take other works by Herman Grimm, for example his important work on Goethe, and find that he has a direct, personal relationship to everything concerning Goethe, which reveals more of Goethe's character, of Goethe's inner being, than many scholarly considerations can give. And so it is with many.Now it is, in a sense, characteristic that Herman Grimm also wrote a “Life of Raphael”. However, he felt differently about this “Life of Raphael” than he did about the Life of Michelangelo or even the Life of Goethe. Herman Grimm himself confessed that he had repeatedly tried to solve the riddle of Raphael and that at certain times he had indeed sought a kind of conclusion with his Life of Raphael; but every time he approached the riddle of Raphael again, he knew how imperfectly he had dealt with Raphael in his own soul. Again and again he made a new approach; and so we have a wonderful essay that he wrote shortly before his death, which is only the introduction to a book that should have been more extensive, in which he once again attempts, shortly before his death, to place the image of Raphael before his own soul, to solve the riddle of Raphael for himself in a certain way, insofar as such riddles can be solved by human souls at all. Thus we see on the one hand a struggling spirit who, in accordance with his entire disposition, is immersed in artistic life and in the contemplation of artistic life, who creates a wonderfully rounded image of Michelangelo, we see how he is aware that he has really to have brought this image to a kind of conclusion; we see how this struggling soul fights throughout his entire life to present the enigma of Raphael, and does not finish it, so that he makes a new attempt immediately before his death, which again is not finished. Why is that? Yes, a mere scholar would have been finished in some sense, but not a mind like that, which immersed itself in its task with all its soul and wanted to resurrect the image of Raphael. The closer Herman Grimm approached Raphael, the more he wanted to resurrect the image of Raphael in his soul, the more it revealed itself to him as emerging in an enigmatic way from the entire human development; it presented itself to him in such a way that, the more closely one looks at it, one is led to delve into the deepest mysteries of the human soul itself and to gain an understanding of what such a human soul is, which grows out of the entire picture of human development as a great mystery. And when one follows the other side of Herman Grimm's work, one has the feeling that a mind such as his, which has grown so intimately together with the spiritual culture of the nineteenth century, is making attempts everywhere to find the way – yes, which way? The path that the spiritual researcher knows as his own. I can only gently hint here at the wonderfully intimate way in which Herman Grimm presents a death, a dying, at the end of his significant book 'Unüberwindliche Mächte' (Insurmountable Powers), and in this dying the detachment of what has been presented here more often than the detachment of the etheric body from the physical body. We see Herman Grimm's soul wrestling tenderly and intimately, but no less urgently, to find the paths that spiritual science in particular wants to unlock. Thus, when one contemplates this remarkable art historian, one can really get the idea: something lives in him that is a question of our age in particular. And because the pulse of our time lived in him, this question lived with particular vibrancy in his soul - the spiritual-scientific question that we wanted to approach in all the considerations that have been employed here. But it is precisely in such a struggle as Herman Grimm's with Raphael's image that one sees that if one gets stuck in the nineteenth-century way of looking at things, one will not be able to cope with the greatest riddles, if one sincerely and without hypocrisy tries to solve such riddles with the awareness of having to delve into ever deeper depths. From the contemplation of spiritual science, the answer will emerge more and more, which I can only hint at, why Herman Grimm could not finish his contemplation of Raphael. However grotesque it may sound to some, the reason for this is that he was able to approach the gate of spiritual science everywhere, but could not unlock this gate anywhere according to the spirit of his century, according to the conditions of the whole becoming of the nineteenth century. So let the attempt be made to approach Raphael, not from some spiritual-scientific dogma or law, but with that which, as the whole mood of the soul, is able to penetrate into our minds when we face Raphael's painting. In spiritual scientific research it is much more important – and this is ultimately what impresses itself on our souls – that we look at the things of the world in a certain mood, than to apply all possible laws that may arise from spiritual research in a stereotypically abstract way. That is certainly not what the human soul should do in spiritual science. How did Raphael appear to Herman Grimm, this nineteenth-century spirit? This man speaks strange words. I will quote them to you verbatim so that we can, so to speak, fully immerse ourselves in the way this man seeks to gain a personal relationship to his subject through his research. Thus Raphael appears to him as a spirit, to understand which he needs to draw on the most intimate depths of human development. Not on the basis of an epoch, but as if born out of the whole development of humanity – great and powerful on the background of human development, that is how he appears to him; and for those who can feel, words such as those written by Herman Grimm in the last fragmentary pages about Raphael, which he wrote as if born out of a final attempt to understand Raphael, have a profound effect. There Herman Grimm says:
No matter what scholars may think about it, someone who can open his soul to something very special will experience something special in his soul when he looks at a person like Herman Grimm, who has immersed himself in an object throughout his life and in whose feeling something lives that makes him speak about Raphael in such a way that he elevates him to a citizen of world history, to a being that stands out from the entire development of humanity. And Herman Grimm, too, may appear differently to others, if one wishes to do him justice from a certain emotional point of view. Herman Grimm said:
And so the question is raised: What riddles can Raphael's appearance pose to someone who has penetrated his soul through what comes from the spiritual-scientific contemplation of the world? Well, spiritual science speaks of development in time in a dual sense; this dual sense has been touched on here several times. First of all, spiritual science speaks of how humanity progresses from epoch to epoch in its earthly development, so that one recognizes that spirit and meaning are in this development, that spiritual laws can therefore be found. In terms of these spiritual laws, we can see how humanity in prehistoric times was led in a different way in its development across the earth than it was later; we can see how other, [new] impulses and impacts worked in accordance with these spiritual laws into our time. In the spiritual-scientific sense we distinguish precisely between the individual epochs, and therefore one cannot be satisfied with the trivial statement that natural development never makes a leap. This statement can certainly be quite correct if it is interpreted in a certain way; but just try to observe nature: you will see how such a saying, which is so easily spoken in a trivial way, has only a very limited meaning. Nature makes leaps: plants make a giant leap in their development between the root and the green leaf, then another giant leap between the green leaf and the blossom, and yet another between the blossom and the fruit. Nature leaps everywhere, and it is no different in the history of mankind. The individual epochs do not, as a comfortable worldview would have it, simply and successively merge into one another, but rather they are sharply distinguished from one another in character. And anyone who takes a close look at these human epochs will find that the human soul is capable of recognizing something special in each epoch, of experiencing something special. Even if one finds the word pedantic that Lessing used: that world history is an education of the entire human race - in a certain sense this word is justified. Just as the individual, starting from a primitive stage of his spiritual life, rises to ever new impulses, which he then experiences in the outer world and in his own inner being, so it is also the case for all of humanity throughout the earth. This is one way in which spiritual science views the development of humanity across the earth. The other way of looking at it relates to the human soul's participation in this ongoing education. And here spiritual science - as has been explained so often and also the day before yesterday here - states as a result: the human being goes through this earth development in repeated earth lives, so that the human soul participates in the successive epochs that we, looking back, can ask ourselves how our own souls in earlier epochs of the development of the earth, in earlier lives on earth, participated in what the development of the earth could give the human soul each time. Again and again our souls were embodied on earth in bodies to absorb that which then became impulses for later epochs. Thus, in its successive lives, the human soul participates in everything that can flow into it from the impulses of the entire human development on earth. There are, let us say, compassionate minds who forgive Lessing for speaking from such a point of view at the height of his life in his significant work “The Education of the Human Race” about repeated lives on earth, because only through this - [through this idea of repeated lives on earth] - did it become clear to him which forces actually carry the whole evolution of humanity through history: only through the fact that the human souls themselves carry over what they absorb in one epoch into other epochs, and the human soul does not belong to only one epoch in isolation, but recurring again and again to the successive epochs, so that it is a citizen of all of history. If we can start from this point of view, that in a very peculiar way, what each human soul has absorbed as impulses in earlier epochs, then it comes to us before the soul, as in particular an outstanding mind [like Raphael] can be found in the outcome of all that his soul has gone through in earlier lives on earth in any epoch. We will not search pedantically and abstractly for cause and effect, but we will acquire a feeling for how a soul can become immersed in an epoch, and we feel in this soul, basically, in a very special way, the entire previous life on earth that such a soul - and every human soul - has lived through in its own unique way. If we now look at a relatively short period of time in terms of the development of the earth, but one that is close at hand for the present study of humanity, namely the historical millennia, and compare it with the millennia that preceded the historical ones , then something arises for spiritual scientific research that has been mentioned here often: the human soul itself has undergone transformations so that it was very different in ancient times than in later times or than in the present. It must be pointed out that our ordinary present intellectual thinking, which has achieved its triumph in science, is a product of development that has only gradually emerged. Spiritual science must take the word 'development' very seriously and see this development not only in the succession of external forms, but above all in the work of the human soul. Only in spiritual science does this development of the human soul present itself differently than in external science. Spiritual science turns its gaze back to ancient times, to times even earlier than the historical ones, and finds that the human soul was endowed with a kind of primitive clairvoyance. Today I can only hint at these things; they are explained in more detail in other lectures. What our intellectual thinking is today, through which we come to self-awareness and recognize ourselves inwardly as human beings, had to develop first. In ancient times, the whole imaginative life of man was such that he had certain intermediate states between waking and sleeping, like dream images. These were not mere dream images, but they were symbolic expressions of the reality that surrounded him. He perceived in a kind of ancient clairvoyance. Then humanity developed further, and our present understanding, our imagination and other things, as they are peculiar to present humanity, were incorporated as an element of a new impulse. Now we find a significant break in the great period of human development that precedes us, which presents itself to us through a very wonderful epoch of this human development. That is the time of Greek culture. For those who look at human development with the trained eye of a spiritual researcher, Greek culture appears as a kind of middle ground between two separate lines of development in human history. If we look at Greek culture, then, because our present consideration is to culminate in the view of an artist, the artistic aspect is the most important for us. This artistic aspect was, however, in full harmony with the whole Greek spirit, and this Greek spirit only appears to him who, shortsightedly, regards the development of humanity — as today's spirit does — in such a way that human souls were actually about the same as they are today. For those who look closely at the characteristic features of human development, the picture is quite different. I would like to start with a specific example: when an artist approaches his art today, let us say sculpture, it is quite natural and self-evident for our present time, because it lies in the character of our time, now, let us say it dryly, that he works from a model, that he has the model of nature before him, that he imitates nature. This corresponds to our current view, our current environment, which artistically suggests the soul's contemplation that confronts nature and seeks the truth by conjuring up images of things in the soul. This is what modern science does, and in a certain way this is also what modern art does. [But this is only right and proper for our time, for this is what the intellectual contemplation of the world wants; it wants man to gain the true or the false image of nature through contemplation and to create images of nature in his imagination, which he then confronts as a self-aware human being. This was not yet the case in Greek times, and those who believe that the Greek artist did it the same way as the modern artist are wrong. The modern artist has to do it this way because the human soul has become more and more internalized; because in our time the human soul is no longer able to form that intimate bond with nature by immersing itself in the objects themselves. It presents itself as distinct from the things, it imitates them. This is how today's man acquires his power of judgment, but it is also how he acquires his full self-confidence in the world. It was different in the Greek world. In the Greek world, the soul was still intimately connected with all that is physical, corporeal; and because it was more intimately connected with all this, it was also intimately connected with what the physical, corporeal is connected with, with the surrounding nature. What lives and moves in nature, experienced this in the human soul as it really is in nature. The human soul did not stand opposed to nature, it was in nature, living with the foundations of nature. If a Greek artist wanted to create any old statue in sculpture, spiritual research shows us that it would have been quite unnatural for him to imitate something externally. If he wanted to depict a statue, say of Mars or Zeus — figures that he all humanized —, it was his primary concern to feel what the soul of Mars or Zeus experienced. And because the soul impulses and feelings poured directly and objectively into the soul, the artist felt in every gesture, in every movement, in every posture, in every look, what the soul experienced. He was actually inwardly Mars, Zeus, and therefore knew what a hand, what a muscle looked like. He created his immediate inner experience. He did not create according to nature because the soul did not merely experience the soul, but also experienced what was bodily in the environment. This separation [of the soul's co-experience from nature] – that has only come about. In ancient Greece, the soul was still part of natural existence. But if we go back even further than ancient Greece, we come closer and closer to the times when there was still a kind of clairvoyance, when man went beyond the physical and felt the spiritual that lay behind it – and was connected to the spirit that hovers behind the sensual world. From the innermost depths of the world, from the laws that do not resemble the external, the soul created those forms that now correspond all the more to the laws of the external world. Even in philosophers such as Plato, Pythagoras and Socrates, we find human souls that still reach down below the surface. In Greek thought, the soul is not yet internalized in the human personality; it is still rooted in the world of the senses. Modern man has freed himself; he can only confront nature and imitate it. But in this way the soul, having become stronger, attains inner stability and a firm footing within itself. Thus the human soul of primeval times was unfree and dependent on the all-pervading spirit; thus the Greek soul was directly within nature, not yet separating spirit and nature; and thus the modern soul is set apart from its surroundings, grasping itself in its inwardness. Now there is no period of time for art that shows us as clearly as in a leap in the characterized sense how this art, on the one hand, still demands the greatness and significance of experiencing nature and, on the other hand, has to reckon with the deepened inwardness of the human soul - [it is the time in which great artists like Leonardo, Michelangelo, and Raphael created their works]. It is characteristic that the event falls into the time of Greek culture, which gave the human soul internalization above all else and which, through its impulses, contributes to the education of the human soul: the emergence and establishment of Christianity. And it seems mighty and wondrous to us when we look at the development of humanity from the most comprehensive interdenominational point of view, regardless of any narrow-denominational point of view, and see how, from the time of the emergence of Christianity, what we can call the internalization of the human soul arises in a lawful manner, and which I am now trying to characterize. You can particularly see this when you try to look at a mind from the first Christian centuries, a mind like Augustine's. Just delve into something like the “Confessions” of Augustine – worth reading for anyone who wants to delve into the spirit of the times, in the best sense of the word. And one thus gains a sense of the infinite inwardness of human soul experience, which breaks into human development and shows itself in a soul like that of Augustine. And compare the whole life, the whole inward nature of Augustine's soul life with what [all of] Greek art, even the harrowing tragedies of an Aeschylus, of a Sophocles, could give. In the great Aeschylus and the great Sophocles we find the connection between man and his environment everywhere. However ingenious the characterizations may appear to us, the people everywhere do not stand out in such a way that we can speak of an internalization of the soul life to the same degree as in the powerful and forceful way in which this inwardness of the human spirit appears to us in Augustine. We will only be able to see the whole spiritual course of human development when we recognize this impulse of internalization as an historical law, even if we do not want to tie in with the Christ impulse in any conventional way. For these things are present, as surely as the sun is present in space. They can be grasped spiritually as the effects of the sun on the planets in space. [This development has particularly led to a certain inartistic way of looking at things in the so-called Renaissance, the golden age of human-spiritual development.] But art will never be able to disappear from human development; it will only seek for itself that which is possible for it in the lawful general character of an age. And so we see in the epoch at the turn of the fifteenth to the sixteenth century, in which Raphael's life also falls, how there is a struggle, firstly, to make art possible and, secondly, to take into account in art what has also occurred in the development of art in a lawful manner with the internalization of the human soul. In this mighty transitional epoch, Raphael's spirit matured. And how does he appear to us? In a wonderful way he appears to us! Raphael was born in Urbino in 1483, the son of a goldsmith who was also a painter and from whom he received his first painting lessons. Orphaned at an early age, Raphael was apprenticed to the most important painter in Italy at the time, Pietro Perugino in Perugia. From Perugino, we see Raphael receiving, so to speak, the first stimulus for what would then rise to such tremendous greatness. But when you consider Raphael's environment, first in Urbino, then in Perugia, and then again Raphael's soul itself, this consideration becomes a mystery wherever you look; for this Raphael soul stands within its environment like something that does not grow out of this environment itself, but that places itself within this environment as if coming from completely different home climes. And only those who are short-sighted with regard to these things can still strive to explain Raphael in terms of what surrounded him. Raphael grew up in Perugia, where he learned from the most important painter in Italy at the time. If we first look at the master himself, we see a thoroughly Christian man, counting on the Christian moment of the soul's interiorization. If we let the overall impression of his pictures sink in, we find this justified everywhere. Yes, out of the traditions of his time, this master of Raphael painted the Christian figures, the inner soul of man seeking the paths of eternity. He painted the figures of the holy legend in such a way that the struggling, searching human soul, in need of eternity, finds satisfaction in these figures. But in every stroke of these paintings by Perugino, we also see that he was not present with the innermost fibers of his soul in what he painted from tradition. You can see this clearly when you look at the still existing pictures, at the mild, but still quite understandable face of Perugino from his time: This soul, living in these features, has sought to internalize the art from what he has conjured up on the canvas, from tradition; but the soul was not completely there. This not fully internalized tradition, that was the essential thing that Raphael had of his master. If we consider the surroundings of Perugia, we see wonderful nature that awakens in every sentient human soul a feeling for the riddles of natural existence, for the eternal values that lie in earthly existence. But what took place in this environment? Struggle after struggle within a passionate people. And it must be assumed that the place where Raphael grew up learning was characterized by struggles, by terrible struggles, which the individual families and clans fought among themselves in the struggle for supremacy in the city. Entire families moved out and then besieged those left behind in the city. Raphael was surrounded by all this. Try to imagine someone who grew up in Perugia and compare him to Raphael. You would see how the former would have lived with all of this and absorbed the life around him – you can almost touch it. There is a promising tale told by a chronicler, a historian who was just such a person, who was there; he tells how, among these warring factions, one of the heroes of such a faction rode into the city like a sort of St. George or Mars, riding into the city on horseback, powerfully fighting for his followers, and how he rode down everything that opposed him with his horse - a picture from Perugia at that time! We see this scene, as described by the chronicler, depicted in a painting by Raphael - elevated to the spiritual and soul realm, in which everything that has a direct effect on the observer of this scene is swept away. We see how a life confronts us here that only a soul can experience, which hovers above the whole and only captures what is inwardly, spiritually presented in such a scene, and then later conjures it onto the canvas. This is how Raphael appears to us: at home in worlds that do not belong to this sensual world, at home in spiritual realms with which his soul is completely interwoven in its inwardness. And the immediate environment in which he is placed gave him nothing else than that he was allowed to look at it. A spirit, as if from completely different homelands, who can never be explained by his environment for clear thinking and clear observation, who brings something with him, adds something that is not in the environment. And what did Raphael learn from his master? It is precisely that which makes Raphael the wonderful phenomenon of artistic and human development that he did not learn from his master. For we feel with Raphael that the main feature of the newer period, the internalization of the human soul - the self-evident internalization that is connected with everything he creates - is precisely what is missing in Perugino, but that it is present in every fiber of Raphael and pours directly into what he lives out in his forms, in his art. We feel how a piece of Raphael's deepest inwardness lives on the canvas everywhere when we immerse ourselves in his paintings. This was something that Raphael took from the heights of heaven and not from Perugino, something that he brought in like a messenger from completely different worlds. Whoever tries to grasp this internalization not only in dogmas and doctrines, in external laws that can be grasped in concepts, but with the whole soul, will feel it flowing out of every creation of Raphael, so that in Raphael's greatest creations we have precisely that which we can say: It is now something quite different from what lies in Greek art. There lived that which man has directly experienced in soul and body and at the same time shaped in forms. In Raphael, we see the inner soul of man as poured out and confronting us in forms, the soul that has separated itself from natural existence, pouring out and confronting us as a new world, as a creation of the most inwardly human soul - not in a certain way in nature, but like a new creation - the interior of the human soul striving outwards again and artistically embodying itself there. Those who call only those a Christian who believe in Christian dogmas, we want to leave to themselves for today's reflection. Those who recognize the Christian trait in the inwardness of the human soul, who see this Christian impulse at work, who see how the human soul breaks away from the outer world and turns inwards to reflect, how it seeks the Christ impulse within - because the human being, having separated from nature, needs such a point of support - will understand why this impulse was given precisely at this time. Those who are able to recognize and feel this more than dogma-less Christianity, this Christianity that is no longer regarded as Christian by some, will understand when the spiritual scientist researcher feels how in Raphael's soul, even before his birth, the basic trait of Christianity was alive, how in all that Raphael felt and experienced, a Christian soul was born, a soul that entered the whole environment as a Christianized soul, a soul with which the Christian way of life was born at the same time, a soul that was Christian through everything that lived in it. And this Christianity in Raphael's soul cannot be explained by anything in the environment. When it is put this way, it looks like an assertion, and it cannot be proven with mathematical certainty; such things arise through intimate immersion in the essence of such a soul. You can see in Raphael, when you let his soul pass before you, how it stands out and differs from another soul that only during its life entered into the internalization of Christianity. By contrasting Raphael with another figure, we can see the difference between a soul that is born a Christian and therefore incorporates the Christian message into every line of its creations, and a soul that only gradually embraces Christian impulses. Let us continue to observe Raphael in relation to his immediate surroundings. When he was transferred to Florence in 1504, he came into an environment where the after-effects of Savonarola were still vividly felt and where the atmosphere was still strongly influenced by what Savonarola had brought to Florence. The spirit of Savonarola himself was still perceptible in the followers and opponents of Savonarola in Florence, for example in Fra Bartolommeo, who was one of Raphael's friends. When you place a soul like Savonarola's side by side with Raphael's, so to speak, as a contemporary soul, you notice a difference. How naturally the Christianized, the way of the whole Christianized soul, comes to us in Raphael; this soul of Raphael does not first have to become Christian, it does not fanatically represent Christianity; it never does that. Raphael's soul does not need to indulge in Christian dogmas either; this soul draws such lines, applies such colors, as correspond to Christian interiorization; it lives Christian from birth. How different is the soul of Savonarola! He assimilates Christianity in such a way that he fights for the heroic, the great, the significant, and the moral of Christianity bit by bit. He is kindled bit by bit during his development by what one can feel as an impression of Christianity. She is a soul who is only becoming familiar with Christianity, who is fanatical about Christianity, and we can see how she is gradually drawn to Christianity and lives so close to Christianity that the internalized Christian soul must pour out again - powerfully, and therefore one-sidedly and fanatically. There is an enormous difference. If you do not dogmatize, but consider how, in the moment when one ascends to spiritual-scientific contemplation, everything becomes infinitely versatile, where the evidence does not arise as in the field of mathematics, where everything has sharp contours, then it becomes clear to him who is not merely acquainted with scientific dogmas and laws but has imbued himself with the impulses of spiritual science that this, which has just been attempted to be developed, is illuminated with infinite clarity by the two souls. When spiritual science shows us how Raphael's soul - I only want to hint at these things gently, not roughly, as it must be done in spiritual science when one comes across individual concrete facts - when spiritual science illuminates for us how a soul like Raphael's was already in an earlier life , how it absorbed the power of Christianity and passed through life between death and a new birth with this power of Christianity, then one can also understand the transformation by which he can now live out in a serene form in soul-spiritual powers that which he once experienced with strength. The only way to make sense of the riddle is to say to oneself: Yes, that which has direct Christian impact, right down to the dogmatic, has not been experienced by a soul like Savonarola in the past, but was only in that life at the time of Raphael that it was able to gradually live its way into Christianity from other forms of life, into a stage that the Raphael soul had already passed through in an earlier life. Of course, I too find it natural that a large part of humanity today still finds what has just been said absurd and ridiculous. I will never be surprised - together with all those who know the fundamentals of spiritual science - when something like this is found to be absurd and ridiculous. But the time will come when people will realize how deeply rooted is what can be said about human souls through the spirit, which has just been used to explain the very different nature of the soul of Savonarola compared to that of Raphael. The doctrine of repeated earthly lives will prove fruitful. And yet another trait comes to light when we study Raphael's soul. If we probe his soul in this way, we find that it is so thoroughly Christian that Raphael was not at all disturbed by the unchristian environment of the popes when he came to Rome. Indeed, a soul in which Christianity lived so naturally could more easily cope with the environment, not taking offense at Julius II, the pope of whom Machiavelli, who was certainly not particularly moral himself, said that he was a devilish soul, a man who would have liked to bare his teeth at anyone who crossed him. And of the following popes, with whom Raphael lived, there is not much of a Christian tale to tell either. A soul like Savonarola's clashes with such popes. He confronts them as the Baptist once confronted people in his apt words, but not the soul of Raphael, who has already gone through this in some previous life, which we will not talk about here. Raphael's soul remains untouched in its Christian self-evidence. But artistically, his soul must be active. Artistry must be a continuation of what appeared as art in the Greek world. He must seek what he does not have within himself, and he must seek it in his surroundings. We see him, for example, walking around among the excavated ruins and ancient tombs in Rome, taking in everything, really absorbing from the outside that which is peculiar to Greek art, which he must marry with that which is self-evident to him, with Christian inwardness. It is as if Raphael's soul in a previous life had had the opportunity to be so close to Christianity that Christianity was born as a matter of course with this soul in the existence of Raphael, but that in a previous life it had been far removed from Greek culture and now had to absorb this Greek culture from the outside in order to marry it with the Christianity that he brings with him as a matter of course from a previous life. It is as if what appears out of the spiritual as a necessary result of a previous existence on earth grows together with what this soul must now take in from the outside - in contrast to the Savonarola soul. Thus the two kinds of forces that confront us in this Raphael soul grow together. And it will no longer be absurd and ridiculous to look for Raphael in an earlier life somewhere in a Christian environment that was far removed from Greek culture, which at that time poured powerful impulses into this soul, which remained dormant until this soul life had been transformed - until the next birth, of course, now without any fanaticism and without many other things that are only remotely similar to fanaticism. When this soul was reborn, it sought, because it had been far removed from Greek culture, to find it where it could, in order to absorb this Greek culture into itself. If we can recognize the spiritual currents that came together in Raphael from a spiritual scientific perspective, can we grasp them, then we learn to understand how both had such a significant effect on this soul: [on the one hand] the natural Christian internalization through his individuality and [on the other hand] the Greek element, through the environment into which the soul was drawn because it lacked that which was an important, a great point of passage through all epochs of human development. We see how Raphael, through the merging of these two things, one individual and one rooted in the general development of humanity and not received from Raphael's earlier incarnation, rises on the great tableau of general human development as if to a [special] summit. Then we understand that what arises in his soul, so infinitely internalized, is what now confronts us from his creations. If Raphael is a typically Christian soul and in it the Christian principle and the general human element of Greek culture are combined in a lawful manner, if Raphael thus absorbs the great currents of the present cycle of human development, then we may assume that something lives in his soul itself that is like an image of the lawfulness of human progress. And so that my explanations do not seem too “mystical” to you and the “fantasy” does not seem too grotesque to you, I would now like to show you how a soul takes in something like an image of the great currents of world development , how it presents, as it were, small epochs within itself like images of great human epochs – for it is in such epochs that the development of humanity takes place – I would like to show, not with my words, but again with the struggling Herman Grimm, who says something very remarkable. In his last work, Herman Grimm wants to depict the most important highlights of Raphael's work, but how strangely he speaks of this creative, creating soul of Raphael, how curiously. For Herman Grimm, the development of Raphael's creations becomes a law of the whole world – he regards seven works as the greatest in Raphael's development. And of these seven works he says:
A spirit that appears to the unprejudiced observer as if it were to incorporate the epochs of human development, such a spirit appears to the art observer, who looks for the characteristic, in his development in such a way that he ascends from year to year to higher and ever higher peaks; and because the last four years are not complete, the last work is also not finished. It is often said that man is a microcosm in relation to the macrocosm; an epochal spirit like Raphael appears to us here as a microcosm of human and spiritual development itself. And how does he embody this? We need only turn our gaze to the two large and powerful, if now, one might say, poorly overpainted and poorly preserved, two rooms in the Vatican in the Camera della Segnatura, one of which - whether rightly or wrongly, it remains to be seen - is called “The School of Athens” and the other “The Disputa”. The whole of human development is depicted in these two pictures, which are placed opposite each other and touch the human soul so deeply. In one of the pictures, Greek culture is represented by the ennobled figures on the left and right, as it were expressing itself in the question: [Where has humanity come to, to what point has it progressed in the entire age of Greek culture,] where man still lived with the immediate surroundings of the outside world? Everything, down to the architecture, reflects the spirit of this development in this single image. It is wrong to comment on it or interpret it in a pedantic, philistine way; it is right to try to summarize in a feeling what humanity has received on its way to Greek culture, where life in the external world has been replaced by the internalization of the human soul of the human soul, if one summarizes the entire life of humanity in an elapsed time with everything for which the human soul has longed, what it has striven for, has achieved, in one feeling: It flows towards us, it lives in this image that which this feeling fulfills with content. It is not necessary to paint the individual figures. I consider it a bad thing when travelers stand in front of a painting with a “Baedeker” in their hands and read: This is such and such - Aristotle, Plato, Ptolemy, Pythagoras. What do we care about all the names, what do all the comments and explanations give us? The artistic breath that comes down from this picture is also what streams out of the Greek work of art – the breath that is there from the development of humanity itself, when we look at it with a sensitive, artistic heart. Then the epoch of interiorization on the opposite wall: above, the symbols of the supernatural; below, representing people, how the supersensible flows into their souls in order to interiorize them. The whole mighty contrast of an ancient time and the time of internalization, and again the breath of the new internalization itself, they flow towards us from what is called - again rightly or wrongly - “Disputa”. From what Raphael's soul had grown, he conjured it into these scenes. And one feels it so clearly, if one can feel truthfully what lies in the souls in these two different cycles of human development, the pre-Christian and the post-Christian times. If one abstains from all intellectual judgment, all inartistic commenting – that nonsense of subjective interpretation that has become so widespread, especially in theosophical circles – and abandons oneself to direct sensation, if one artistically immerses oneself in the things one feels drawn to Raphael, to a human soul that has married interiorization in artistic creation with kinship with all spiritual things in nature, as it was present in earlier epochs. Again – when you cross over from Florence to Bologna and have the picture in front of you: in the middle the female figure, looking upwards in a visionary manner – I don't need to mention the name, you may assume, for my sake, that this is the “Saint Cecilia” - so expressed that in every gesture, in every line, in every color scheme, the soul's detachment from the physical is shown. She looks up, so that both from the central figure, as from the four surrounding ones, it is clear: The earthly instruments fall to the ground directly from the feeling; but the soul, which is directed upwards – we feel that its tones have fallen silent – listens to what is born as if from the supersensible, what sounds through the world, warming it like the music of the spheres, in the presence of which earthly music fades away. Only a soul that feels so inwardly as the Raphael soul could conjure this on the canvas, on the wall. And only a soul that was like the Raphael soul could create the highest that the human soul can feel, straight from the depths of the human soul. If spiritual science in its universality wants to elevate the human soul to the origin of human existence, then it comes to what has been explained here many times: that we may be surrounded by many things on earth, that we may look at many things, but that precisely that which presents itself to us in strict spiritual scientific contemplation as the innermost part of our nature, that is of extra-terrestrial origin – it lives, as I said the day before yesterday, in the spiritual and soul that surrounds us, just as the Earth's atmosphere physically surrounds us; and we feel that this, which is the most human of all, is born out of the spirit. If we want to have a representation of that, of the most human of the human, if we want to feel and experience in our soul what spiritual science is able to stimulate in the soul, then we feel the earth with everything that belongs to the earth, we disappear and the most human of the human floats by, our soul is absorbed in the extra-terrestrial worlds. It turns its gaze outwards to seek in these extra-terrestrial worlds that which is the origin of man; and it transports itself outwards, seeking to sensualize the supersensible in the cloud-forming regions. From the cloud-forming regions, we find the image of the most human of humanity pressing towards the earth, as Raphael lets this mysterious union of mother and son float in, born out of the stylized clouds. Our soul rises from the feeling that flashes in us in the figure of the so-called “Saint Cecilia” to the delicately tangible supersensible feeling of the mystery of man originating from extraterrestrial worlds. And when we allow this feeling, which awakens an infinite warmth in our soul, to be just feeling – it is the one feeling into which the currents of spiritual scientific contemplation ultimately converge – when we allow this feeling to prevail within us and seek a satisfactory representation – seek something that meets the feeling from the outside – then we imagine the “Sistine Madonna” from Dresden. The spiritual feeling grows together with what Raphael has depicted in this picture. Line and color, hand movement and gesture present to us what is meant: the encounter of spiritual ideals with the highest artistic ideals, with the religious feelings in us, the encounter of that feeling which, in all that is pictorial, is able to flame, the encounter of this feeling with what flows towards us from Raphael's creation, the encounter of the feeling with the creature of the imagination, which itself has grown out of such a feeling. One may gladly fall silent when one has reached the description of the feelings that ultimately lead to the grasp of the supersensible. Raphael, however, appears to us as a riddle that is the task of spiritual science. And deep down we can understand why someone like Herman Grimm, who everywhere penetrates to spiritual science and longs to find in Raphael's figures something that corresponds to spiritual science, but because he cannot find it, leaves his observation unfinished. Such an example shows quite clearly what has had to be said so often: the legacy of the nineteenth century consists in the fact that the external science of that century, the external observation and the external recreation of nature, was destined to reach a peak that cannot be admired enough. But it has left behind riddles, so that in our age this external science must lead to spiritual science. One is enriched and stimulated to occupy oneself with Raphael spiritually when one considers the peculiar struggle of Herman Grimm. And then one can feel how peculiar it must have been in the soul of Herman Grimm, and one comes to say the same thing that has been attempted here with all too inadequate means. It is strange that in the introduction to his consideration of Raphael we find a peculiar thought sprouting up in Herman Grimm's soul – just as thoughts sometimes arise from the deep, subconscious regions of the soul – a peculiar thought that makes one wonder: why precisely this thought when considering Raphael's soul?
- he doubts that the soul will truly live again in later incarnations.
It is strange, one might say, grotesquely dryly: precisely where Herman Grimm cannot approach Raphael's life because he cannot view it from the point of view of repeated earthly lives, the idea of repeated earthly lives occurs to him. When one looks at Raphael, he says, one is drawn to the thought of starting life all over again. We need not comment further on such a thought, but merely let it hint, as it does from the subconscious in Herman Grimm, who will one day be the solution to the Raphael riddle. And if we must see the solution to many of the riddles that live in every human soul - the smallest as well as the greatest - in the fact of repeated lives on earth, then the great riddles of human development will also become particularly understandable to us at their peak if we are able to draw on the doctrine of repeated lives on earth. Then an infinitely deep meaning flows into the developmental history of humanity. And when we are imbued with the feeling that souls like Raphael's themselves put the forces of humanity into them, in order to apply them in a new life in new forms, then we feel vividly towards Raphael what Herman Grimm once concluded and at the same time began his reflection on Raphael with, and with what we also want to conclude what should be explained by today's reflections on Raphael. Particularly when one sees, in the sense of spiritual-scientific observation, how deeply Raphael's soul is rooted in the whole sense of human development, then one really feels what Herman Grimm suggests at the beginning of his consideration of Raphael. And here too spiritual science shows us, not in abstract forms, what the inner life of the soul is, but it kindles devotion to everything that is full of spirit, full of strength and fruitful in human development. What Herman Grimm was able to say from the depths of his soul can only emerge from such a contemplation as we have given today. Yes, with such a feeling we may look up to Raphael, and so we can say:
Yes, and the development of humanity is intertwined with such a power, which flows into its sphere because it will, must live in ever new aspects in this soul, and this power will in turn flow out into other souls. So spiritual research can also express the same words that Herman Grimm said:
And spiritual science can add: The power that was in his soul will live on and on, in ever new and new forms, in ever more creative development of humanity! |