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The Rudolf Steiner Archive

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Search results 41 through 50 of 584

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29. Collected Essays on Drama 1889–1900: The Old and the Young 02 Mar 1890,
Tr. Automated

Rudolf Steiner
When a school of thought and artistic movement has lived out its full potential, when it has brought to fruition all the secret seeds slumbering within it, then it steps away from the stage of history of its own accord, then it gives birth to the new from within itself. It is downright outrageous when the green youth take credit for this "greenness", when they claim it as an advantage, as something special. No, dear "young gentlemen", young people have always been green, but never as cheeky as they are today. Twenty-year-old boys have always written poems and the like, but it has never occurred to them to proclaim themselves the bearers of entirely new epochs.
What we would like to shout to the gentlemen of "Modern Poetry", "Society" and the other representatives of the "Green" principle is: learn something! Nothing is more dangerous than judging before one has reached spiritual maturity.
196. The History and Actuality of Imperialism: Lecture III 22 Feb 1920, Dornach
Tr. Frank Thomas Smith

Rudolf Steiner
We say today—I beg you to pay special attention to this, let's take something quite banal, quite common: “The tree is green.” This is a manner of speaking which is common to the second stage of human development. Perhaps you will understand me better if you imagine that we try to paint this opinion—that “the tree is green.” You cannot paint it! There will be some white surface and green will be added, but nothing about the tree has been painted. And when something of the tree is painted which isn't green all you do is disturb the effect even more.
As we still have no idea of how everything in the world is alive, and how to express ourselves about what is alive, we form such judgments as “The tree is green,” which presupposes that a relationship exists between something and the color green, whereas the color green is itself the creative element, the force which acts and lives.
53. Goethe's Gospel 26 Jan 1905, Berlin

Rudolf Steiner
In his Faust Goethe shows the development of the human being from the lower to the higher soul forces and as we will still see also in the Fairy Tale of the Green Snake and the Beautiful Lily. His view was: only somebody who has passed the stages of development, who has felt attracted to the divine, who has passed doubts, has the full conviction, has gained the confidence and has brought himself from disharmony to harmony.
Goethe expressed this view even deeper in The Fairy Tale of the Green Snake and the Beautiful Lily. Goethe himself said of the last passages of Faust in the conversations with Eckermann that he wanted to show Faust ascending the Montserrat.
Note: Es grünelt so: the verb “grüneln” is a nonce word: being or becoming something that reminds of green; the translation of this sentence reads: “the air smells fresh and green.”
14. Four Mystery Plays: The Soul's Awakening: Scene 5
Tr. Harry Collison

Rudolf Steiner
For then thou bearest to them on thy rays That which in pictures fashioneth powers for me. Lucifer: (Bluish-green glittering under-garment, reddish outer-garment, shaped like a mantle and gleaming brightly, which extends into wing-like outlines; his upper part is not an aura but he wears a mitre of deep red bordered with wings; on his right wing a blue shape having the appearance of a sword; a yellow shape, like the ball of a planet (Venus), is supported by his left wing.
Strader's Soul: (Toward the left of the stage; only his head is visible; it is in a yellowish-green aura with red and orange stars. At this moment on Strader's immediate left appears the soul of Capesius.
Below, his robe, becoming broader, shades into blue-green; around his head is an aura of red, yellow and blue; the blue blends into the blue-green of the entire robe.
90a. Theosophy, Christology and Mythology: Description of the Rounds 05 Jan 1904, Berlin

Rudolf Steiner
These are of a kind of form between the watery and the airy. Everything is in a foggy state of green color. You could only compare the whole structure to a water pond with all kinds of green aquatic plants moving and stirring. The entities that are in there all have the transparent glowing green color. Then another pralaya occurs and what I have described as the mulberry appears again. The state becomes astral.
All the structures that have emerged also take on this protein-like matter, from the densest protein to the completely gelatinous protein. The whole has turned green, and the entities that have emerged with the boundary are so far that they show the mucus-like animal formation; in forms from radiating shapes up to ape-like shapes.
183. Occult Psychology: Lecture II 18 Aug 1918, Dornach
Tr. Unknown

Rudolf Steiner
We get the other pole when we can perhaps incorporate in the following way what, adjoining the universal soul-spiritual here, is swimming and hovering towards the human physical face: yellow, green, orange; green running into the blue. Figure 3 Here you get from the right side what I might call the side view of the normal aura of man.
His being, what he himself is, is here represented in the aura by what I nave made run from bright green into blue violet (see diagram 2). But by passing over into blue-violet it leaves off being man and becomes the encircling cosmos.
What is red here (diagram 2) runs into things and is changed; again, what is green and blue is also changed. Actually, things all intermix with one another: in spite of this, however, the sketch is correct in the main and corresponds with the facts.
196. Spiritual and Social Changes in the Development of Humanity: Fourteenth Lecture 14 Feb 1920, Dornach

Rudolf Steiner
For the more abstract concepts I would have to draw green, and for that which is in us as memory-based concepts, I would have to draw yellow as a transition from green to red through orange.
Thus, one can indeed see that the ability to remember is related to the ability to think through their inner properties in the same way that the color red relates to the color green; and just as green relates to blue, so does intelligence relate to the activity of the senses. Now, however, we have other abilities in the human soul, abilities that are more or less bound to physical corporeality in the strictest sense in us as earth people.
And if I wanted to draw the will as it is today, I would have to draw a blue-green. So that man is a dual being, an upper man (circle at the top), who is essentially a knower, and a lower man (circle at the bottom), who is essentially a desirer, feeling and willing regarded as the two poles of desire.
225. Cultural Phenomena — Three Perspectives of Anthroposophy: The Three Perspectives of Anthroposophy: The Physical 20 Jul 1923, Dornach

Rudolf Steiner
And to help us recall this as accurately as possible, I would like to design the drawing in the following way. I will indicate green for the part of the etheric body that seems inward. The physical body is discarded at death anyway, so we need not consider it at this point.
So that I now have to draw what is colored red on the outside in the earthly state as the inner part, and what is colored green on the inside, I have to draw green on the outside. The entire etheric body turns in on itself. But this turning around is connected with an immeasurably rapid enlargement of the etheric body.
As green, so to speak, goes through the etheric body turning to the other side, we lose it completely and we get a very different world as an impression.
31. Collected Essays on Cultural and Contemporary History 1887–1901: Friedrich Kirchner 19 Aug 1893,

Rudolf Steiner
A journey through the most recent German poetry A well-intentioned book lies before us. The "greens" of our modern literature are bravely read without throwing the baby out with the bathwater. It is readily acknowledged that there is some good in the modern Musenalmanachen alongside the most ghastly barbarism and the rhymed and unrhymed silliness and dullness.
Our universities and secondary schools, with their materialistic view of nature, their systemless accumulation of empirical facts and their aesthetic-less literary history, are no counterweight to the neglected aesthetic undercurrents and the uneducated grandiloquence of the "Greens". The generation that studied Vischer and Carriere or Rosenkranz and Schasler in order to find a clear expression for its dull aesthetic sensibilities has outlived itself.
188. Goetheanism as an Impulse for Man's Transformation: Goetheanism as an Impulse for Man's Transformation 12 Jan 1919, Dornach
Tr. Violet E. Watkin

Rudolf Steiner
Whither are we obliged to go if we wish to understand the Goethe who wrote the fairy tale of The Green Snake and the Beautiful Lily? Consider what is written about the fairy tale of The Green Snake and the Beautiful Lily in the little book on Goethe already mentioned.
This fairy tale of The Green snake and the Beautiful Lily that has sprung from a soul transformed, sprang forth after the soul found the bridge from pagan experience as it still finds utterance in the Hymn in Prose.
Certainly, in this fairy story of The Green Snake and the Beautiful Lily there is no talk of Christ. But just as little as Christ asked of a good follower that he should always just be saying Lord, Lord!

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