The Rudolf Steiner Archive

My dear sisters and brothers,

New members have again come to this School today. It isn't possible to repeat every time the introduction which describes the duties and meaning of this Michael School. Therefore, I ask the members who wish to give the verses to the new members, to do so in the manner I will describe at the end of the Lesson, and to give them the introduction, which everyone who wishes to be a member of this School must necessarily know.

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And so, we will also begin directly today to inscribe in our souls the words which sound forth, to those who are open-minded enough, from all the kingdoms of nature and the hierarchies of the world which surround us as human beings. In the past, these words sounded forth to man from all the stones and plants, clouds, stars, from the sun and the moon, from the springs and the rocks. They sound forth to him in the present; they will sound forth to him in the future.

O man, know thyself!
So resounds the Cosmic-Word.
You hear it strong in soul,
You feel it firm in spirit.

Who speaks with such cosmic might?
Who speaks with such depth of heart?

Does it work through distant radiant space
Into your senses' sense of being?
Does it ring through weaving waves of time
Into your life's evolving stream?

It's you yourself who,
In feeling space, in experiencing time,

Create the Word, feeling foreign
In space's soulless void
Because you lose the force of thought
In time's destroying flow.

My dear sisters and brothers, in the description of the path of knowledge we have reached the place where we stand before the Guardian at the abyss of being. The Guardian of the Threshold has made clear to us that what surrounds us in the exterior world can never reveal our own being to us; how our observation of nature, what on and from the earth lives and moves, what shines and speaks from the realm of the stars—to the extent we can perceive it with the senses and with our reason—all that offers nothing to clarify the being of our own self; that the brightness, this glistening in the sunshine, this living and interweaving which is so grand and powerful, so beautiful and magnificent in the outer world, remains dark and gloomy for our true self-knowledge.

Then it was described how we approach the Guardian little by little, who appears to us in the figure of a spiritual cloud, thus showing us an image of ourselves, which in turn shows us what we should strive for as human beings in order to achieve self-knowledge.

Then we reached the Guardian of the Threshold. He showed us what the true shape of our willing, feeling and thinking is before the countenance of the gods. He showed us how being fainthearted and having fear of knowledge lives in us, as hate for knowledge, as doubt about the knowledge that is nevertheless in us, because the character of our times has driven it into us. He showed us the animal form of our willing, feeling and thinking. It must be a shattering experience for us when the Guardian of the Threshold awakens the forces which lead to true self-knowledge in our souls.

Then the Guardian of the Threshold raised us, first showing us, however, how our thinking, as we use it in normal life, is the corpse of the living thinking which was in us before we descended to physical-sensory existence. He showed us how our body, in earthly existence, is a coffin for the deceased living thinking, which lies in the coffin as a corpse. But we use this corpse for our usual abstract thinkingbetween birth and death in order to understand the things of the physical-sensory world.

Once we grasp how dead this thinking is, we can learn from the corpse that lies before us. We look at this corpse. We say to ourselves: This corpse could never have come into being the way it is now. It is what remains of a human being whose soul and spirit were within it. The living person, the ensouled person, the spiritualized person must have existed beforehand in what lies before us as a corpse. Thus, we approach the reality of our thinking when we become aware of its deadness, and realize that it is the corpse of the living thinking that was in us before we descended into physical-sensory earthly existence.

Then the Guardian reminds us that our feeling is only half-alive, whereas our willing is fully alive, but we are only conscious of this externally.

The Guardian of the Threshold also reminds us that in order to gradually find the transition to living thinking, we should look up to the heavenly heights; that to grasp the nature of feeling we should look out to the cosmic reaches, and to gain an idea of the nature of will we should look to the world's depths, to the earthly depths.

But at the same time the Guardian shows us how we are placed with our thinking—when we look up to the cosmic thinking in which our earthly-physical thinking is rooted—between light and darkness; how the light can be dangerous if we devote ourselves unilaterally to it, how the darkness can be dangerous if we devote ourselves unilaterally to it, how we must seek our direction and goal in the middle between light and darkness if we are to find the truth, how we stand in the middle between warmth and cold with our feeling, and how we can vanish in the sensual embers of feeling if we surrender ourselves to the warmth, and on the other hand harden in the cold.

The Guardian of the Threshold indicates to us how we should walk in the middle between soul-warmth and soul-cold on the Christ-path. The Guardian of the Threshold indicates to us that when we seek willing in the earthly depths we find ourselves in the middle between life and death; how life would have us vanish in timidity; how death would have us cramped in nothingness; that we must findwilling in the Middle Way. That, my dear sisters and brothers, is what the Middle Way is—as it has been described since ancient Mystery times—which the human being must tread if he wants to follow the path to the spirit.

The Guardian of the Threshold, before whom we stand as the earnest first representative of Michael, for the real leader of this School is Michael, gives us further guidance: how we can escape from this apparent thinking, from this dead thinking into the living essence of thinking. For this we must be prepared above all to strictly adhere to the laws which are prescribed for every esotericist in golden letters—he must only seize the gold—which the Guardian of the Threshold now repeats to us.

He makes us attentive to the yawning abyss of being before us, which we must fly over, because with earthly feet we cannot cross; how we will have then entered the spiritual world, for there on the other side of the yawning abyss deep, night-cloaked darkness is still before us. But we must enter beyond the yawning abyss of being into that deep, night-cloaked, cold darkness. Out of it warmth must come to us, out of it must come light which illumines our own Self, which warms our own Self. We cannot find the firm support-point in the spirit if, whenever we are over there, we do not remember the pledge that our soul makes, now that we are in this situation, after having received the previous admonitions from the Guardian of the Threshold, who now says:

Do not forget that as long as you are an earthly human being, even when you have crossed over to the spiritual world, that once you have returned you must adhere to the laws of the earth. When you enter the spiritual world with your thinking, you may not believe that when you return and organize your work and your thoughts in the earthly environment you may fly around dreaming within the earthly environment. You must reserve the flying for your thinking when you are in the spiritual world. You must practice deep, inner, intimate modesty, always wanting to be a man among men when you cross back to the ordinary world of ordinary consciousness. It is precisely by wishing to stay modest in the world, by abstaining from using the laws of the spiritual life in the ordinary world, that you will have the strength to grasp thinking in a way that it can serve you in spiritual worlds.

The Guardian of the Threshold therefore teaches us about thinking thus:

You climb down to the earthly element
With forces of your will unfolding;
As thinker you bestride the earthly realm,
Your animal-likeness will be shown
To you by your own force of thought;
The fear you feel of self you must
Transform into courage of soul.

We must go through this by letting the mantric verse work on us. We must, if we wish to enter into the essential element of the earth, that means in the spiritual element of the earth; we must, my dear sisters and brothers, come to the point where we realize that our thinking is at first animal-like. We must experience fear of our own Self that is still animal-like; then the fear will give birth to its opposite and become the courage we need. That is the Guardian of the Threshold's urgently strong, earnest admonition, which cuts deeply into the heart. He admonishes us that we should feel this way when we tread the earth-element. We have already heard about treading the elements from the Guardian of the Threshold.

He admonishes us further: when, as feeling beings, we enter the fluid element, in the world of the water-beings, that we should not be aware of fear of our own Self, but we should be aware of how we sleep dreaming in this water element, which is our sculptor, as we have seen. And it is just when we become conscious that we live a plant-like existence in our earthly human feeling, that this feeling awakens us, for it shows us how lame our Self is. We will awaken once we have the humility to recognize the lameness of our Self.

Thirdly, when we feel ourselves to be in the air element with our willing—first in the earth-element with thinking, then in the water-element with feeling, then with willing in the air-element—then we will feel in this air-element that we have nothing in willing except what our normal memory gives us: memory-image-forms. We must seize these image-forms, which rest passively in our thoughts, with the will; then we are grasping the air-element in inner images. And our own soul will appear to us as if it were ossified. If we eliminate the earth and the air in thought and imagine ourselves wanting to breathe in the air-element, how ossified will we seem. But just by feeling this death by cold that we pass through, the spiritual fire will come to us, which we need in order to really grasp our willing.

The verses are profound, which the Guardian of the Threshold presents to our souls. Only if we observe them well and have fear of ourselves and know that we are nullified if we only perceive the earth in thought, will we have the courage in our souls for living thinking. When we sense how lame in feeling we are on earth, half living and lame, will the strength grow in us which allows us to awaken, so that we are awake in spiritual life, with the feeling we had before we descended to earthly physical existence. Then, when we have willingly descended into the air-element with our memory, we feel sclerotic and shivering with cold. But it is just when we feel this shivering from the cold the opposite happens, the spiritual fire awakens, showing us that our earthly willing is sleeping, but rooted in the living willing which was in us before we descended to earthly existence. We must learn to remember our existence before we descended to earthly existence.

In respect to feeling, the Guardian of the Threshold admonishes us:

You live with the water-element
Through feeling's weaving dream alone;
To wake pervading water's being
Will show the soul in you
To be a sluggish plant-like being;
But lameness of your Self
Must Lead to self-awakening.

In respect to willing, the Guardian speaks:

You sense in the waves of air
The image-forms of memory only;
Through willing to seize the essence of air,
Your own soul will threaten you
As coldly hardened stone;
But self-hood's death by cold,
It must give way to spirit-fire.

[The mantra is written on the blackboard with the corresponding underlining:]

The Guardian speaks with great earnestness:

You climb down to the earthly element
With forces of your will unfolding
As thinker you bestride the earthly realm,
Your animal-likeness will be shown
To you by your own force of thought
The fear you feel of self you must
Transform into courage of soul.

You live with the water-element
Through feeling's weaving dream alone;
To wake pervading water's being
Will show the soul in you
To be a sluggish plant-like being;
But lameness of your Self
Must Lead to self-awakening.

You sense in the waves of air
The image-forms of memory alone;
Through willing to seize the essence of air,
Your own soul will threaten you
As coldly hardened stone;
But self-hood's death by cold,
It must give way to spirit-fire.

We descend from thinking to feeling in memory when we let this verse work on us. And when we arrive at the depths of memory—where soul-life otherwise vanishesbecause the images of memory arise anew—there is the boundary, just as a mirror is a boundary. What comes to us from without arrives at something like a memory-wall, then it returns again and again. If one does not look behind the mirror, one does not see behind the memory-wall. But here the Guardian of the Threshold advises us that we must push through what is otherwise a boundary in order to enter the realm of spirit.

After the Guardian of the Threshold has referred us more to our interior with his admonishing verses and has left us time to process the contents of the verses in the soul—for when we use these mantric verses in meditation, we must allow ourselves a very long time, especially at this point, so they can work in us with their force and really bring our I downward through thinking, feeling and remembrance to what lies behind all remembrance—then the Guardian tells us how we should comport ourselves in respect to the outer world.

He draws our attention again up to the light, which however only lives in us in what seem to be thoughts. It is light that thinks in us. When the light pervades us, it thinks in us. But in earthly life light is only the appearance of a thinking that thinks itself. If we don't go beyond it, untrue spiritual being will lead us to the illusion of self-hood rather than to true self-hood So we must realize that if we only concentrate on thinking, we will wind up with the illusion of self-hood. But it is just this understanding of ourselves as earthly human beings, after having gone through the delusion of self-hood—through thinking, which, however, is capable of carrying us over the abyss of being to grasp the world's hardships and problems—that will enable us to gradually find support for experiencing existence in thought.

From light's shining force
Your thoughts you retain within;
When shining light in you itself does think,
Will then an untrue spirit-being cause
Illusion of self-hood to arise in you.
Reflecting on the needs of earth
Preserves your human state of being.

Now the Guardian of the Threshold teaches us how in feeling, at first, we only retain the wonderful, all-embracing forms of the world. But when we only retain these forms in feeling, our spiritual experience remains powerless. Self-hood suffocates if we always only stare, feeling, at what has been formed in the world. But if we begin to love all that is worthy in the world around us, we find being in feeling and we rescue our humanity.

The world's forms you only retain
In feelings held fast within;
When world-form feels itself in you,
The powerless experience of spirit
Will stifle in you the sense of self-hood;
But love of all that's worthy on earth
Will rescue for you your human soul.

Generally, we try to hatch thoughts from earthly values. We only retain the illusion of light if we don't consider the earth's weighty problems. We retain what is formed on the earth only in vague feelings if we don't experience this earthly interweaving of forms and gestalt with love.

And what can we retain of the world's life by willing? Our willing exists in the world's life. But if we only retain it by willing, we again fail to reach being. When the life of the world completely engulfs us, destructive spiritual exaltation kills the experience of Self. Immersion in the world's willing causes spiritual exaltation to erupt, which kills us. But if we develop the will in spiritual dedication to the higher worlds, if we think about what we are willing in the physical-sensory world in a way that the gods act in us, who inspire and give impulse to our willing, if we will in the service of the gods, then God lets his being give impulse to us as humans, and we sense real being in godly permeated willing.

You only retain of worldly life
The will within;
If worldly life takes hold in full,
Destructive spirit exaltation
Will kill experience of Self in you;
But spirit-dedicated earthly willing
Allows the God in man to reign.

These are the three admonitions which the Guardian of the Threshold calls out to us in the most earnest moments.

[The mantra is written on the blackboard:]

The Guardian speaks as though the Cosmic-Word itself were resounding:

From light's shining force
our thoughts you retain within;

—It is as though the Guardian wanted to bring our attention to what we are actually doing. He says that we have not yet gotten over forming mere thoughts about light's shining—

When shining light in you itself does think,
Will then an untrue spirit-being cause
Illusion of self-hood to arise in you.
Reflecting on the needs of earth
Preserves your human state of being

The world's forms you only retain
In feelings held fast within

—Once again, the admonition that in our vague, unfocused feelings only what is so wonderfully formed by the world is alive. At first the forming of the world is apprehended in the microcosm through the vagueness of feelings—

When world-form feels itself in you

—that is, not when we sense the world-form with our feelings, but when the world-form penetrates us, the macrocosm into the microcosm—

When world-form feels itself in you,
Experience of spirit is powerless,

—we become aware of our own powerlessness—

When world-form feels itself in you,
Experience of spirit is powerless,
And stifles in you the sense of self-hood;
But love of all that's worthy on earth
Will rescue for you your human soul.

We need this rescuing, for we are about to cross over the abyss. If we only carry over the thoughts instilled by the illusion of light, if we only carry over the vague feelings about world-form, then spiritual exaltation destroys the true light on the other side; powerless feeling, asleep, destroys the experience of the spiritual. We need awareness of the earth's needs, of all that the earth suffers, in order to be worthy to cross over to the spiritual world and not be destroyed by worldly thinking. We need love for what is worthy on the earth in order not to be turned to dust if we cross over with vague feelings. And thirdly, for willing we need this:

You only retain of worldly life
The will within;
If worldly Life takes hold in full,

—and it will do so over there—

Destructive spirit exaltation
Will kill experience of Self in you;
But spirit-dedicated earthly willing
Allows the God in man to reign.

We may not merely carry over to the spiritual world what we have on this side. We must carry over a stronger soul than we have here. We must prepare the soul:

[As the following is spoken, the words between quotation marks are underlined on the blackboard:]

On the other side, we find “light's shining force”. It lives in our thinking. We need “Reflecting on the needs of earth”. Compassion for all the earth's suffering will preserve our “human state of being”.

Over there, because we are coming to the World-formation, we don't only need our “feelings”, we need “love for all that's worthy on earth”; then our “human soul” will be rescued. Here [in the first verse]: preserve our human state of being; here [in the second verse:] the human soul is rescued.

We must enter the full “worldly life”, which in our “willing” is only a weak reflection, is too flimsy to pass over. And we must develop “spiritually developed earthly willing” for the “god in man” to reign.

This is the escalation:

Light's shining force
World-formation
love for all that's worthy on earth

Thoughts
Feelings
Willing

We need:
Reflecting on the needs of earth,
Love for all that's worthy on earth,
Spiritually developed earthly willing;

for we need:
to preserve our human state of being,
to rescue the human soul,
to receive the reigning God within us.

That, my dear sisters and brothers, is what the Guardian places before our souls so that we may develop the wings of soul needed to cross over.

In the next esoteric lesson, to be held on Wednesday, it will be necessary that we receive the mantras through the Guardian of the Threshold—who in this case is Michael's representative at the threshold to the spiritual lands—the mantras which are the first that we speak when we arrive in the spiritual realm, which, however, appears before the human being when receiving these mantras as deep, night-cloaked, cold darkness.

Today, though, after this has been shown to our souls, let us again contemplate what speaks to us from all being, encouraging us toward all that the Guardian of the Threshold has placed before us with such firmness:

O man, know thyself!
So resounds the Cosmic-Word.
You hear it strong in soul,
You feel it firm in spirit.

Who speaks with such cosmic might?
Who speaks with such depth of heart?

Does it work through distant radiant space
Into your senses' sense of being?
Does it ring through weaving waves of time
Into your life's evolving stream?

It's you yourself who,
In feeling space, in experiencing time,

Create the Word, feeling foreign
In space's the soulless void
Because you lose the force of thought
In time's destroying flow.

And what has been placed before our souls by the Guardian of the Threshold's words is Michael's message in this rightfully established Michael School. If we receive them with the right attitude, Michael's being is present in this room, consecrating and strengthening what has been placed before our souls. Therefore, it may be accompanied by Michael's Sign. Michael's Sign is:

[in red]

and Michael's Seal, which he has impressed on the Rosicrucian mood for centuries, and which is expressed in the dictum:

ex deo nascimur

In Christo morimur

Per spiritum sanctum reviviscimus

The first words, “I revere the Father”, are spoken accompanied by the gesture:

The second words, “I love the Son” are accompanied by the gesture:

The third words, “I unite myself with the Spirit”, are accompanied by the gesture:

The first gesture means:

I revere the Father

the second gesture:

I love the Son

the third gesture.
I unite myself with the Spirit.

Thus, we may understand what is spoken as having been strengthened by Michael's sign and confirmed by Michael's Seal, which is thus, thus and thus, [indicating the Seal gestures on the blackboard] which is impressed over the Rosicrucian words.

So, should the verses live, which have been given through Michael's Sign, and sealed by the Michaelic Rosicrucian-School for your souls:

[Michael Sign]

The following is spoken, accompanied by the Seal Gestures:

ex deo nascimur

In Christo morimur

Per spiritum sanctum reviviscimus.

My dear sisters and brothers, the mantric verses which are given in this School may only be possessed by the School's rightful members, that is, those who have the blue membership certificate. Someone who could not be present at a lesson after the date of his admittance at which he could have been present, may receive the verses given after the date of his admittance from another member who has rightfully received them here in the School. For this it is necessary to obtain permission from either Dr. Wegman or myself.

This is not an administrative measure, but it is a basis of an occult school that a real action precedes something like this. Only the person who wants to give the verses to another may make the request to Dr. Wegman or to me, not the one who wants to receive them. Therefore, one can request the verses from another. But permission may not be requested by the one who is to receive the verses, but the one who is to give them. It would be useless for the recipient to ask.

Whoever copies something other than the mantras may keep it for a week; thereafter he is obliged to burn it, for what lives in this School should only live within the School and not outside it. This has nothing to do with power or arbitrary measures. It is all based on occult laws. Because if anything falls into the wrong hands, it loses its effectiveness for those for whom it is intended. If misuse prevails in that mantric verses or the contents of what is given here are given to the wrong people, the mantric verses and what is being given here lose their effectiveness for those who are present. These are facts, not some kind of arbitrary measures.

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The program for tomorrow is: again at 9.30 the Pastoral Medicine lesson, at 12 o'clock the speech-formation course, at 5.30 the course for theologians and at 8 o'clock the lecture for members.

This is the second lecture in the series entitled: Art and the Experiencing of Art. This lecture is also known as: The Being of the Arts.

Let us imagine a great snow-clad plain spread out before us and upon it here and there rivers and lakes hard frozen. The neighboring sea is mostly frozen over close to shore; further out huge floes are drifting; occasional stunted trees and bushes lift heads heavy with snow and icicles. It is evening. The sun has already set, leaving behind the golden splendor of its afterglow.

Before our eyes are two female figures and out of the afterglow is born—we might say is sent forth—a messenger from the higher worlds, who stands before the women and listens with close attention to what they are telling of their inmost feelings and experiences.

One of the two standing there hugs her arms tightly to her body, cowers together, and exclaims: “I am freezing cold.” The eyes of the other woman wander over the snow-clad plain, out to the frozen waters and over the trees thick with hanging icicles, and from her lips burst forth the words “how glorious this whole landscape is.” She is utterly heedless of her own feelings, utterly oblivious to her physical suffering from the cold. We feel warmth streaming into her heart, for she has no attention to spare for her physical bodily discomfort, being inwardly overwhelmed by the wonderful beauty of this chill and frozen scene. Then the sun sinks further and further, the color fades out of the afterglow and the two friends fall into a deep slumber. One of them, the one who had been so acutely conscious of the cold in her bodily self, sinks into a sleep which might easily become fatal; the other sinks into a sleep in which we can recognize the influence of the emotion expressed in the words “How glorious,” which continues to warm her limbs and keep them full of life throughout her slumber. And she hears the youth who, born out of the glory of the afterglow, says to her these words, “Thou art Art”; and then she falls asleep.

With her she took into her slumbers all the results of the impressions made upon her by the landscape which has been described; and a sort of dream mingled with her sleep. And yet it was not a dream, but in a certain way a reality, although of a unique kind akin to dreaming in its form. It was the manifestation of a reality which this woman's soul had barely been able to conceive before. For the experience that befell her was not a dream; it merely resembled one. That which she experienced may be described as “astral imagination.” And if we are to describe her visions we cannot do it otherwise than by setting forth in words the picture by means of which “imaginative” perception speaks.

For the soul of this woman became aware at that moment what the event signalized. By the words of the youth, “Thou art Art,” can be described intimately only by clothing the experiences of the imaginative perceptions in words. Accordingly let us thus clothe the impressions received by the soul of that woman through the channel of this imaginative percept.

The Dance

When her inner senses awoke and she began to take note of her surroundings, she became aware of a remarkable figure—very different in appearance from that which purely physical experience would lead one to anticipate in a spiritual figure, for it was poor in those characteristics which recall the world of the physical senses. The only manner in which it called to mind the world of the physical senses was by its outline, which resembled three interlacing circles. The circles stood one upon another, much as if one were horizontal, another vertical, the third running from right to left; and the currents which flowed through these circles and made their presence known were not reminiscent of any impression received by the physical senses; rather did they recall something purely psychic, something which can only be compared with the impressions and feelings of the soul. But a something streamed out from this figure which can best be described by saying that it was like a deep and repressed inner sorrow concerning some event. When the soul of the woman observed this she made up her mind to enquire “What is the cause of thy sorrow?” and this is the answer which came to her from that figure belonging to the spirit world: “Indeed, I have a real reason for manifesting this emotion, for I belong to a high spiritual race. I appear to thee now just as a human soul would appear, but thou must soar far into the realms of the hierarchies to discover the place whence I come. My sorrow is that mankind on the other side of my life, in the physical world where at present we are not dwelling, has robbed me of the last of my off-spring. I have descended to this level from the higher hierarchies, but men have torn the last of my descendants from me, taken him to live among them and chained him to a rock-like structure, after making him as little as possible.

Thereupon, this woman's soul felt drawn upon to ask, “Who exactly art thou? At this moment I can only describe things with the words which I remember as the result of life on the physical plane. How canst thou make me comprehend thy nature and the nature of thy offspring whom mankind has enchained?”

And the Spirit answered: “Over yonder in the physical world men describe me as one of the senses—as quite a minor sense—which they call equilibrium, which has become quite little, and is composed of three incomplete circles attached to one another in the ear. This is my last tiny offspring. They have torn him from me into the other world, and taken away that which belonged to him here, namely, the power to move freely in any direction. Similarly they have broken each of the circles, and attached him firmly on each side to a base. In this realm—as thou seest me now—I am not attached: I show perfect circles which ever way you look at me; I am complete in every direction. Now for the first time thou seest my real form.”

Thereupon the woman's soul felt compelled to ask, “In what way can I help thee?”

The figure from the spirit world replied, “Thou canst only help me by uniting thy soul with mine, and bringing into me over here all that men learn during physical life yonder through the sense of equilibrium. Thou wilt then grow to be a part of me; thou wilt become as great as I am myself; in this way thou wilt liberate thy sense of equilibrium and raise thyself—a spiritually free being—above thy attachment to the earth!”

And the soul of the woman did so. She became one with that figure of the spirit world. And in becoming one with it she became aware that she must carry out some purpose. So she put one foot in front of the other, changing repose into movement, and changing movement into dance, completed it as a form.

“Now thou hast transformed me!” cried the figure from the spirit world. Now I have become that which I can only become through thy agency if thou continuest to behave as thou hast just been behaving. Now I have become a part of thee, and become so in a manner that men can have only guessed at my real being. Now I have become the art of dance. Because thou hast will to remain a soul and hast not united thyself with physical matter, thou hast been enabled to set me free. And at the same time thou hast, by thine ordered steps, led me up to the spiritual hierarchies to which I belong, to the Spirits of Motion; and thou hast led me to the Spirits of Form by grouping thy steps into a rhythmic pattern. Thou hast brought me myself to Spirits of Form. But at present thou mayest go no further; for wert thou to advance but one step beyond what thou hast already done for me all that thou hast done would become useless. For it is the Spirits of Form who are charged with the bringing about of everything in the earth's evolution. Wert thou to intrude upon the mission of the Spirits of Form thou wouldst destroy everything thou hast accomplished; for thou couldst not help falling into the reign spoken of as the “Furnace of desire” by those who on earth describe the appearance of the spiritual worlds. Thy spiritual dance would be transformed into one arising out of mad passion. So long as men act on their very slightest knowledge of me as exhibited in their dances of today. But by doing only what thou hast just done and by grouping them into form thou makest in thy steps a copy of those mighty measures performed by planets and suns in the sky in order first to create the physical world of the senses!”

The Stage

The soul of the woman continued to live on in this condition of consciousness. And another spirit figure approached her—also very different in appearance from that which men, with their physical sense-perception, usually conceive when they think of a spirit form. The figure which confronted her was so to speak, bounded by a horizontal plane and consisted of only two dimensions, but it presented one unique characteristic. Although it was bounded by a horizontal plane, the soul of the woman, being in the condition of imaginative perception, could behold both sides of it at once, and this figure showed two totally different aspects—one on one side and one on the other.

Again the soul of the woman put a question to the figure, “Who art thou?”

And this figure replied, “My home is in the higher regions. I have come down to the region known to you as the region of the spirit, and which here is called the Region of the Archangels. I have descended to this level and was obliged to do so in order to come into touch with the physical realm of earth. But mankind tore the last of my offspring from me and took him away; and over yonder they have imprisoned him in their own physical form, where they call him one of their senses and describe him as the sense of individual movement—as that living part of themselves by which they move their limbs and other portions of their body.

And the soul of the woman asked, “What can I do for thee?” Thereupon also this figure said, “Make thine own being one with mine, so that thine own being becomes a part of mine!”

The soul of the woman did so. And she became one with this spirit figure and slipped entirely into it. Once more did this woman's soul expand, waxing great and beautiful. And the spirit figure said to her, Behold, by doing this thou has won the ability to endow the souls of men upon the physical plane with a special faculty which is exercised by a part of that nature which the youthful messenger assigned to thee; for by doing this thou hast become what is known as the “Art of pantomime, the art of expression by mimicry.”

And since the soul of this woman still kept a memory of her earthly form, for she had been asleep but a little while, she could pour into that form everything now contained in the figure before her. And she became the archetype of the art of acting.

“But thou must only go a certain distance,” said the figure from the spirit world. “Thou mayest only pour into the form just what thou expressest by movement. As soon as thou pourest in thine own desires, thou wilt distort the form into a grimace, and the destiny of thine art will be cut short. That is what mankind has been doing over there. They have been putting their desires and passions into their mimic pantomime in order to express themselves; But thou must let only selflessness come to expression; thus thou becomest merged with the archetype of the art of acting.”

Sculpture

The soul of the woman continued to live on in this state of consciousness, and another spirit figure drew near which veritably made itself manifest only on one plane, moving only along a line. The soul of the woman observed that this spirit figure also, moving on one plane was sorrowing, and when she enquired ““What can I do for thee?” the figure replied, “My home is in higher regions, in loftier spheres. But I have descended through the realms of the hierarchies to the one known to thee through the care of occult science as the Region of the Spirits of Personality, of which men possess only a copy,” For this figure too had to confess that on coming into touch with humanity it had lost the last of its offspring. And the figure continued, “Men call the last of my offspring their vitality, their sense of being alive, as long as they are on earth, meaning that which makes them aware of their own personalities; that which permeates them in the form of a momentary mood or pleasure, and that which lends energy and persistence to their individual forms. But they have fettered this sense in themselves.”

“What can I do for thee?” asked the soul of the woman. Once more the figure demanded, “Thou must make thyself a part of mine own being. Thou must abandon all human feeling of selfhood and dissolve thyself in my form—thou must merge thyself in me and become one with me!”

And the soul of the woman did so. And she became aware that although the figure had an extension on only one plane, she herself was filled with power radiating in every direction, and that she was now completely occupying the body that she wore on Earth, the body she remembered and which appeared to her here the more radiant and beautiful in consequence. Then the spirit figure said, “By this act of thine thou hast attained to something which endows thee with another individual talent in the great domain after which thou hast been named. At this moment thou hast become that which mankind over yonder possesses, though only as a possibility; thou hast become one with the archetype of the Art of Sculpture”

The soul of the woman became merged with the archetype of sculpture, and could now itself pour out a talent into the souls of men by reason of that which it had taken up into itself. By the aid of that Spirit of Personality she was able to pour this into the souls of men; she could do this in the form of talent. And by doing so she endowed mankind upon the earth with plastic fancy, with the ability to create in plastic outline.

“But thou must not go a step further than thou hast gone! Thou must abide entirely within the limits of thy form. For that which is in thee may only be taken up as far as the Spirits of Form and the regions where they dwell. For if thou goest beyond, thou wilt function as the realm which arouses human passions; if thou dost not stay within the limits of noble form nothing good can possibly be wrought within thy sphere. But if thou abidest within the noble confines of thy form, thou canst pour into that form that which can only be realized in the distant future. And then, although humanity is far from having attained the bodies by means of which they can enact with purity of life that which to-day is given over to quite other forces within them, Thou wilt be allowed to show them what humanity will at some time experience in a purified state, upon the future planet of Venus, when their bodies will have become quite different from what they are now. Thou canst contrast them with the human forms of to-day, and show how pure and chaste the human form of the future is to be.”

And out of the sea of changing figures in the imaginative perception there arose something resembling the archetype of the Venus of Milo.

“Thou mayst go only a certain length in the moulding of form. The instant thou passest the boundaries of form even a little, as soon as thou destroyest the powerful personality whose office it is to hold the human form together, thou standest at the boundary of that which can be beautiful and a work of art.”

And once more a form arose from the tossing waves of the changing sea of astral imaginative world. And it's aspect disclosed that its content had brought the human figure to the edge of the boundary where the form would break the coherence of the personality, where the personality would be lost is a step or two further were taken. And the form of the Laokoon arose out of the picture in the astral world.

Architecture

And the soul of the woman continued to enjoy new experiences in the world of imagination. A figure now drew near concerning which she knew, “This being is not to be found yonder on the physical plane; the physical plane contains nothing capable of manifesting it; I am becoming aware of it for the first time. There are so many things upon the physical plane which distantly recall this figure—but nothing so complete in outline as that which I see here.” It was a strangely austere figure which, in response to an inquiry of the woman's soul, announced that its home was in wide-flung regions, not merely in lofty ones, but that at present it was obliged to function in the realm of the hierarchies known as the Spirits of Form. “Mankind over yonder.” Said this figure to the soul of the woman, “has never been able to give an exact representation of me, or bring anything into being which exactly corresponds to me. For my form, as it appears here, does not exist on the physical plane. Therefore they had to break me into pieces, and only through my having been shattered by them I am able to lend thee certain faculties, if thou accomplishest that which thou canst accomplish by joining thyself to me and becoming one with me. By this means thou canst place a creative picture-making faculty in the souls of men. But because this faculty is torn to bits in the world of men the whole of it can only appear as scattered fragments which come up individually here and there. No part of me can be termed a human sense, and therefore mankind has been unable to bind me. They have only been able to tear me to pieces. From me too have they taken my last offspring; but they have torn him into pieces.”

Once again—not shrinking for the moment from the sacrifice of being torn to pieces—did the soul of this woman unite herself with this spirit being. Thereupon the spirit being said to her, “Now thou hast once more become, through this act of thine, another individual faculty of that which thou hast been called as a whole; thou hast become the archetype of architecture, and of the art of building. Thou canst bestow upon mankind the archetype of architectural fancy, by pouring into their souls that which thou hast just attained. But thou wilt be only able to bestow upon them an architectural fancy showing them single ideas if thou wilt follow up these ideas by which they will be able to build structures having the effect of something spreading downwards from the spiritual world, such as the Pyramids represent.”

“Thou wilt endow men with the ability to make what can only be a copy of what I am, by leading them to devote the science of building to the erection of a spiritual temple and not to the construction of something to be used for earthly purpose, and causing them to impress this character on its very exterior.” And now there appeared—as the pyramid had formerly arisen from the tossing astral sea—the Greek Temple.

And another figure arose out of this tossing astral sea—a figure that did not strive downwards from above, seeking to broaden out below, but one that strove upwards, becoming younger the higher it ascended; a third figure into which architectural fancy had to be born:—the Gothic Cathedral.

Painting

And the soul of this woman continued to live on within the world of the imagination, and another figure came up to her, even stranger and still more remarkable than the preceding. Something streamed out of it which felt like the warmth of love, and something again that produced quite a chilling effect

“Who art thou” said the soul of the woman.

“I have a name rightly applied over yonder among those only on the physical plane who bring men intelligence from the spiritual world. They understand how to apply only my name correctly, for I am called intuition, and I come hither from a wide-flung realm. And inasmuch as I have taken my way from a wide-flung realm to come down into the world I may say that I have come from the realm of Seraphim!”

This figure of intuition was of the nature of the Seraphim. And once more the soul of the woman said, “What dost thou desire me to do?”

“Thou must unite thyself with me! Thou must dare to unite thyself with me! Then wilt thou be able to kindle in the souls of mankind on earth a faculty which again is a part of their inventive activity, and whereby thou wilt become an individual faculty in that whole which the youth earlier described thee as being”

The soul of the woman resolutely undertook this deed, and by so doing she became something which was in actual fact very different and very remote from a human bodily figure, something which could have been appreciated only by one who has looked deep into the soul of man himself. For that into which the soul of the woman had been transformed could only be compared with something purely astral, something etheric within it.

“Because thou didst this,” said the seraphic spirit figure named Intuition, “thou art now capable of endowing men with the faculty which consist of representing ideas in color, and thus hast become the archetype of the art of painting. Thou wilt therefore be able to kindle faculty in men; to bestow it upon one of their senses, the eye, which contains a property that in its thought-activity is not affected by the individual human ego—namely comprehensive outlook upon the outer world—now that thou thyself possessest the painter's gift for visualizing ideas in color. And through this sense men will be able to see, shining through the surface of things which appear lifeless and soulless to ordinary vision, their soul being. Men will be able through this faculty of yours, to animate with soul all the qualities of color and of form. Which they ordinarily discern upon the surface of things. Moreover, they will so make use of their art that soul shall speak through form, and that color shall not convey merely an external sense-impression, but that the color which they spread with magical skill upon their canvas shall relate something about the inner nature of color, just as everything having its origin in me passes outwards from the inmost recesses. Thou wilt be able to give men a faculty by means of which they can, by their own soul-light, carry even into lifeless nature, otherwise regarded as a mere soulless mass of forms and colors, the quality known as soul-motion. And thou wilt be able to give them the means of transforming that motion into repose, and so fixing the changeable aspects of the outer physical world. The fleeting momentary tints down which the glory of the rising sun noiselessly speeds—the colors to be found in lifeless nature—these thou wilt teach them to preserve!”

And a picture rose out of the surging sea of imaginative world, a picture representing a landscape. And another picture rose up representing something else which the spirit figure explained by the following comment: “That which occurs in the experience of human life, whether the time be long or short, whether it takes place in a minute or an hour or in centuries, and which is concentrated into one short moment, that experience thou wilt teach men to record through this faculty which thou art bestowing upon them. Even when the past and the future cross each other with a mighty sweep, even when the two movements of the past and future collide, wilt thou instruct men how to record the instant of the collision as a point of undisturbed rest lying between them.” And out of the tossing world of imagination rose Leonardo da Vinci's picture The Last Supper.

“But thou wilt have difficulties as well. And thy greatest difficulties will occur when thou allowest men to exercise this faculty of thine upon objects already possessed of movement and soul, objects into which they have already sent movement and soul from the physical plane. There it will be the boundary where the copy of the original archetype which thou art, can still be called “Art.” “Yet danger is close at hand. And out of the tossing sea of the imaginative world rose the Portrait.

Music

And the soul of the woman continued to live on in the imaginative world. Another figure approached her—a strange figure once again, and one resembling nothing to be found in the physical world—also one that maybe termed a “heavenly figure” and not to be compared with anything upon the physical plane. The soul of the woman asked, “Who art thou?” and the figure replied, I have on earth a name that is rightly employed by those only who bring messages to men from the spirit world; these people call me Inspiration. I come hither from a wide-flung realm, but my immediate abode is in the region known—where the spiritual world is spoken of among men—as the region of the Cherubim.”

The figure from the realm of the Cherubim freed itself from the embrace of the imaginative world. Again to a question asked by the soul of the woman, “What can I do for thee? What am I to do?” it answered, “Thou must transform thyself into myself. Thou must become one with me!”

Despite the danger attendant on such an action, the soul of the woman dissolved itself into the being of this Cherubim. And when she did this, she became still more unlike all physical forms which are to be found upon earth. While one could say of the former figure, “There is at least something having analogy with it to be found on earth,” one could only describe this figure by saying that it possessed a being utterly foreign to everything earthly and incapable of being compared with anything on earth. The very soul of the woman became quite unlike all earthly things; her appearance became such that one could see that she had herself passed over into a spirit realm, and belonged, with her whole being, to the spirit realm, which is not found in the world of the senses.

“Because thou hast done this, thou canst implant a faculty in the souls of men. And when this faculty is absorbed into the souls of men on earth, it will live in those souls in the form of musical fancy. Men will have nothing they can take from outside, so far has thy faculty estranged them from the earth—they will have nothing external upon which to record the impression received by the soul itself beneath thy inspiring influence. They must fan those impressions into flame in a new manner by means of a sense with which they are familiar in quite a different connection. They will have to give a new form to the sense of tone; they will have to find the musical tone in their own souls, as if they were creating from heavenly heights! And when men create in this fashion, something will flow out of their own individual souls which will be like a human reflection of all that can only grow and blossom imperfectly in external nature. From the human soul will flow reflected forth the murmuring of the brook, the power of the wind, the roll of the thunder. It will not be a copy of these things, but something that will step forth as self-evidently a sister of all these beauties of nature which flow, as it were, out of unknown spirit depths. This is what will surge forth from out of the souls of men. They will be enabled to create something that will enrich the earth, which is new to the earth, that would not have come into existence without this faculty of thine—something that is like a seed for the future of the earth. And thou wilt confer on them the ability to express certain living emotions in their souls which never could be uttered if mankind were confined to their present endowments of thought and conception. All the feelings which cause human language to shrivel up, or which would freeze to death if they were dependent upon verbal conception would be sheer poison, will attain through thee the possibility of breathing out the innermost being of the soul over the circumference of the earth, upon the wings of song and ballad, and the imprinting upon that circumference something that would otherwise not be there. All complicated and profound emotions, all emotions existing like a mighty world itself within the human soul—emotions which could otherwise never come to external expression in such shape and which could only be experienced by exploring, by means of the human soul, universal history and cosmic space and all other realms shut out from external experience (for all the opposing currents flowing through centuries and millennia would have to flow into the picture in order to show what mankind has learned at one time and another)—all this can be compressed by men, through thy faculty and poured into a form which they have made their own—the musical symphony.”

And the soul of the woman understood how one brings down what we call inspiration from the spirit heights of the world, and how this should be expressed by the normal human soul; she understood that this can only be expressed by musical sound. The soul of the woman now knew that if the occult investigator desires to describe the world of inspiration, and if this world is to be reproduced upon the physical plane by physical means so as to be more than a mere copy—if it is to be presented directly to human beings, this can only be accomplished through a musical work of art. And the soul of the woman understood how a musical composition could express such a stupendous event as Ouranos kindling his own emotion in the fire of Gaia's love, or how it could portray what happened when Kronos desired to illuminate his inner spirit nature with the light of Zeus!

Such were the deep experiences attained by the soul of that woman through contact from the Cherubim.

Poetry

And the soul of the woman continued to live on into that which is called the imaginative world. And another figure approached her: once again very different from anything to be found upon earth. To the question of the woman's soul, “Who art thou?” this spirit figure replied, “My name is only used correctly by those in the physical world who declare spiritual events to men. For I am Imagination! My home is in a distant country, but from that far country I have betaken myself to that region of the hierarchies known as the region of the Spirits of Will.”

“What can I to do for thee?” the soul of the woman once more enquired.

This figure also demanded that the soul of the woman should unite its own being with this figure from the Spirits of Will. And once more the soul of the woman became very unlike the ordinary soul figure; she was transformed entirely into a figure of soul.

“By doing this thou hast obtained the ability to breathe into the souls of men that faculty which men on earth know as poetic or lyric fancy. Thou hast become the archetype of poetic fancy. And through thee, men will be able to express in speech something they could never express if they were to cleave to the outer world with a desire to reproduce only what is found in the physical world. Thou wilt endow men with the ability to express through thy fancy all that comes into touch with their own will, and which could not be expressed in any other form or stream out of the human soul through earthly means. Thou wilt enable men to express this. On the wings of thy rhythm and thy meter and all the gifts thou wilt be able to offer to men, they will express things for which speech would otherwise be far too coarse an instrument. Thou wilt enable them to express that which otherwise could not be expressed at all.”

And in the vision of Poetry there appeared the events of the centuries in the history of nations, and its inspiring effect upon entire races.

“Moreover, thou wilt be able to compass something that could never be represented by any outward physical event. Thy messengers will be the skalds and the poets of all the ages. They will put into their epics the compact history of human epochs, and thou wilt be able to lend a magic life upon the stage to the forms assumed by the will when heated passions are arrayed against one another. Thou wilt now show, how men, fighting upon solid earth, would vie in vain, how the shock of conflicting passions brings death to one side and victory to the other. Thou wilt give men the possibility of dramatic art!”

And the soul of the woman became aware at this moment of an inner experience such had only to be described by the use of our earthly expression “an awakening.”

How did she come to awake? She woke up by becoming aware of what we may call reflected images of things not to be found upon the earth itself. She herself had become of one nature with imagination. That which lives on our earth as poetry is a reflection of imagination. The soul of the woman beheld the reflection of imagination in the art of poetry. And through beholding this she awoke. She had to forsake the dreamlike spiritual world, it is true, by reason of her awakening; yet she had come at any rate to a region that resembles—though it be but a lifeless reflection thereof—the spirit life of spiritual imagination. This is how she came to wake.

And when she awoke she observed that the night had passed. Once more the snow-clad landscape lay stretching around her; the drifting icebergs were floating off the shore and the icicles hanging on the trees. But as she awoke she noticed the other woman lying by her side, nearly rigid with the cold she had endured without being inwardly warmed by the impression “Oh! How glorious!” which her companion had received from this snowy scene. The soul of the woman who had encountered all these experiences during the night now became aware that the other woman, who had nearly frozen to death from inability to receive impressions in the spirit world, was Human Knowledge! And she took charge of her in order to be able to bestow upon her some of her own warmth. She comforted and tended her, and the other woman gradually grew warm under the influence of what the soul of her companion had brought back as the result of her night's experiences.

In the east the dawn heralding the sun's approach begins to spread over the landscape, and its glow grows rosier and rosier. And now that she is awake the soul of the woman who had met with these experiences during the night can behold and hear the things that human creatures all the world over speak about when they have had a dim inner intimation of realities that can be experienced in the world of the imagination. She hears amid the chorus of human voices the utterances sung by the noblest among them, representing their conjectures about matters upon which they are in no wise informed by imagination, but which they let pour out of the innermost depths of their soul as a beacon for mankind. She hears the voice of the poet who has apprehended the majesty of the experience that can come into the human soul out of the imaginative world. She understands now that she must act as the savior of what upon earth is half frozen knowledge; she understands that she must warm it and permeate it with her own nature, especially with her art nature, and that she must recount the memories of her dreams during the night to this half frozen knowledge. And she observes how that which was half congealed can thaw into life again with the speed of the wind, so soon as knowledge accepts in the form of perception that which is brought to it in the form of revelation.

Once again she gazes into the dawn which becomes a symbol to her of the state out of which she has awakened, and a symbol also of her own imaginings. And she understands the lines of the poet who has sung so wisely as the outcome of his premonitions. That which her new spiritual powers sang to her now comes ringing from the whole wide earth:—

Only through the dawn of Beauty
Shalt thou reach the realm of Truth!

The main intention of these lectures is to build a bridge from spiritual-scientific knowledge to the kind of conception of life which our time demands, and I intend also giving a few indications on this theme in the coming days.

What we call modern life takes living hold of all those people who, through living in towns or in similar circumstances, have been torn away from a direct connection with nature. And we know that since the advent of modern life people have always thought about its significance both for the intellectual as well as the material progress of human civilisation. And now it is time that the impulses we are acquiring from spiritual science should enter into modern life. Gradually we shall have won through to the feeling that with respect to many a thing that meets us in life today we need spiritual science as a kind of compensation for those things in modern life that weaken, we might actually say destroy, something of the general divine-spiritual life forces of man.

People who are able, by means of the first stages of the life of initiation, really to let modern civilisation affect them in all its aspects, will have experiences that give them deeper insight into the significance which modern life has for man's whole existence, than that obtained from an external view of life unsupported by spirituality. People who have taken the first steps in the life of initiation will pass differently through the experience of spending a night in a train or on a steamer, especially if they sleep on the journey. What is different for the person who is in these first stages of initiation and the one who has not had any connection with it is that the experiences become conscious for the former, and he finds out what is actually happening to him when he spends a night travelling on a train or a ship, especially if he goes to sleep. Of course the person who does not acquire initiation knowledge of things also undergoes the effects that an experience of that sort has on the whole human organism. With regard to the whole effect on the human being there is, of course, no difference.

If we want to understand what these indications actually mean we must recall to memory a spiritual scientific truth which you no doubt know, namely, that whilst we are asleep our ego and astral body are outside our physical and etheric body. In fact, because of certain limitations which cosmic laws impose on us in the natural order of things, our ego and astral body are very close to our physical body and etheric body in a case like this, so that if we are asleep on a train journey our ego and astral body are right inside all the rattling, rumbling and braking going on in the wheels and the engine of the train. And it is just the same on a modern steamer. We are inside everything going on around us. We are inside these not exactly musical experiences in our surroundings, and you need only have taken the very first steps in initiation to notice on waking up that when the ego returns with the astral body into the physical body and etheric body they bring with them what they experienced while they were being squeezed through the machinery, for they really were inside the moving machinery right up to the moment of waking.

We bring all this disharmonious squeezing and tearing back into our physical and etheric body, and if you have ever woken up with all the after-effects of what the engines of a steamer or a train have done to your ego and astral body, and bring that into your waking consciousness, you will notice how little it synchronises with what is going on within you in the way of a kind of experience the ego and the astral body have of the inner harmony of the physical and etheric body. You do in fact bring back with you the wildest confusion, the most frightful din of pulling, screeching and rattling and if you are sensitive to it you will feel that the effect on the etheric body really is as though your physical body were being bruised and dismembered—which is, of course, a clumsy expression, but you will not misunderstand. This is an absolutely unavoidable side-effect of modern life, and I want to give a word of warning right at the outset, as the kind of lecture I want to give today can very easily rouse what I would call theosophists' hidden arrogance, which flourishes very well here and there.

I am not making a general allusion, of course, let alone a particular allusion, for when one holds a talk on a matter like this, one immediately provokes judgments. I think that in the case of this theosophists' arrogance, it can easily happen that people imagine they must take great care not to expose themselves to these destructive forces; that they must protect themselves from all the influences of modern life; that they must closet themselves in a room containing the right surroundings, with walls of the colour indicated by theosophy, to make sure that modern life cannot reach them in any way that would be harmful to their bodily organisation.

I really do not want my lectures to have this effect. Everything of the nature of withdrawing and protecting oneself from the influences of all that we necessarily have to encounter as world karma arises out of weakness. But anthroposophy can only strengthen the human soul (Gemüt), and should develop those forces that inwardly strengthen and arm us against these influences. Therefore, never within the compass of our spiritual movement could any kind of recommendation be given to cut oneself off from modern life, or to turn spiritual life into a kind of hothouse culture. This could never apply in the realm of true spiritual culture. Although it is understandable that weaker natures prefer to withdraw from modern life and go into one or another kind of settlement where they are out of reach of it, the fact remains that this arises not from strength but from weakness of soul. Our task, however, consists in strengthening our soul life by permeating ourselves with the impulses of spiritual science and spiritual research so that we are armed against the onslaughts of modern life, and so that our souls can stand any amount of hammering and knocking and are still capable of finding their way into the divine-spiritual realms right through the hammering and knocking of the ahrimanic spirits.

One thing must be taken into account, however, which I have often referred to. We human beings do not only sleep at night. We actually sleep in the daytime as well, only we do not notice our daytime sleep as much as our nighttime sleep. During the night our thought life is dimmed down, and because our soul lives predominantly in our thoughts we are, as a matter of course, more aware of the dimming down of our thought life during nighttime sleep. During the day our life of will is more at rest, yet we are less aware of this because we live less in our will. All the arguing the philosophers have done about the freedom and lack of freedom of the will is due to this. As they have not taken into account that they are investigating the will whilst they are daytime sleepers and therefore cannot arrive at its true nature, they talk a lot of nonsense about free will and unfree will, indeterminism and determinism. In actual fact, whilst we are open to the waking life of day, we are only conscious of our will life to a very small degree; it dips down into the subconscious, into the region that belongs purely to the astral body.

Thus during our waking day, too, we are involved in all that modern life has produced around us in the way of the stress and noise of modern technology. During the night it is more our life of thought and feeling that becomes submerged in the noise and stress, during the day it is more our life of feeling and will.

Now in the course of human evolution what we call modern life has not always existed. It came on the scene essentially at the beginning of the fifth post-Atlantean epoch.⁴ The beginning of the fifth post-Atlantean epoch actually coincides with the beginning of the modern age. What does modern intellectual culture say about the beginning of the modern age? As we know, modern intellectual culture is proud of the achievements of modern life. It is expressed somewhat like this: Throughout antiquity and the Middle Ages people were incapable of developing a real observation of nature such as could have led to natural science. This did not happen until modern times. And when people talk of modern times like this they are speaking of the time which began with the fifth post-Atlantean epoch. That was when people broke away from the old way of observing nature and observed it impartially, solely according to abstract laws. And it was through this knowledge of the laws of nature that natural science came into the position of opening up the possibility of mastering the forces of nature, and mastering them in an unprecedented way, as we so often hear. Yet this is just what modern technology is. And the characteristic nature of modern technology arose as a result of man acquiring knowledge of natural laws and then proceeding to use the material world to fashion his machines according to these natural laws, machines with which he can then work back on nature and life by filling modern life with them and creating his own technological setting; that is, modern life in its essence and function. Thus we see that it is the modern age that has established real natural science and the resultant mastery over nature and its forces.

You often hear people speaking like this. However if we speak like this we are speaking Ahriman's language for this is using the language of Ahriman. But let us see if we can translate this language of Ahriman into the real and true language that we are trying to acquire again by means of spiritual science, a language where words not only acquire the meaning ascribed to them through observation of external nature, but also acquire the meaning ascribed to them when we look at the cosmos in its entirety, that is, both as nature and as spiritual life.

Let us start by looking quite superficially at what happens when we develop modern technology. What is happening in the first place is just work being carried out in two stages. The first stage consists of destroying the interrelationships of nature. We blast out quarries and take the stone away, maltreat the forests and take the wood away, and the list could go on—in short, we get our raw materials in the first instance by smashing and wearing down the interrelationships in nature. And the second stage consists of taking what we have extracted from nature and putting it together again as a machine according to the laws we know as natural laws. These are the two stages, if we look at the matter on the surface.

But what is it like if we look below the surface? Looking at it from inside, the matter is like this: When we take things from nature, mineral nature to begin with, we know from previous lectures that this is linked with a certain feeling of well-being belonging to the elemental spiritual beings that are within it. This, however, does not concern us so much now. What is important here is that we cast out of nature the elemental spirits belonging to the sphere of the regular progressive hierarchies who, in fact, are the very spirits who maintain nature. In all natural existence there are elemental spiritual beings. When we plunder nature we squeeze out the nature spirits into the sphere of the spirit. That is, in fact, what is constantly happening during the first stage. We smash and plunder material nature and thus release the nature spirits, driving them forth from the sphere allotted them by the Jehovah gods into a realm where they can fly about freely and are no longer bound to their allotted dwelling places. Thus we can call the first stage the casting out of the nature spirits. The second stage is the one where we put together what we have plundered from nature, according to our knowledge of natural laws. Now when we construct a machine or a complex of machines out of raw material according to our knowledge of natural laws, we put certain spiritual beings into the things we construct.

The structure we make is by no means without its spiritual beings. In constructing it we make a habitation for other spiritual beings, but these spiritual beings that we conjure into our machines are beings belonging to the ahrimanic hierarchy. Thus at the first stage we encounter nature spirits who are in progressive evolution and cast them out and at the second stage we unite these ahrimanic spirits with our mechanisms or other products of technology. This means that by living in this technological milieu of modern times we create an ahrimanic setting for everything that goes on in us in a sleeping state, by night or day. So it is no wonder that a person at the first stages of initiation, bringing back with him into his waking life all that he has experienced outside in the way of noise and confusion, feels its destructive character when he comes back into his physical and etheric body with this in his ego and his astral body. For he is bringing back into his own organism the results, as it were, of his having been in the company of the ahrimanic elemental spirits. Thus we could say that at the third stage, at the cultural level, we have technology around us, stuffed full of ahrimanic spirits which we have put there. This is what things look like from inside.

Now if we turn our attention away from the occult side of modern life and look back at those times when people slept with only a thin partition dividing them from nature, a partition through which spirit could easily pass, and when their daytime work was within the realm of nature that still harboured regular spirits of the Jehovah hierarchy, we have to admit that in those times people's souls, their egos and astral bodies, brought back into their physical and etheric bodies the kind of nature spirits that had an enlivening effect on their inner life of soul. And the further we go back in the history of mankind's evolution the more we find what is becoming a greater and greater rarity today, namely that people did not fill themselves with the ahrimanic spirits of technology, but with nature spirits that were progressing on a straight path and which the good spirits of the hierarchies, if we may use the expression, have linked to the events and being of nature.

Now man will only attain the kind of connection he needs in order to be truly human if he seeks it in his inner life, if he delves so far down into the depths of his soul that he reaches the forces that connect him with the spirit of the cosmos, out of which he was born and in which he is embedded, but from which he can be separated. A separation has already taken place in his sense perception and intellect, and now again through his being filled with ahrimanic beings in the course of modern life, as we have seen. Only by penetrating into the depths of his own being will man find the connection with divine spiritual beings that he needs for his salvation, the spiritual hierarchies that are progressing on a straight path. This connection with the spiritual hierarchies for which we were actually born, in the spirit, this living connection with them, is made difficult to the highest degree by the saturation of the world by modern technology. Man is being, as it were, torn away from his spiritual-cosmic connections, and the forces which he should be developing within him to maintain his link with the spiritual-soul being of the cosmos are being weakened.

A person who has already taken the first steps in initiation will therefore notice how the mechanical things of modern life penetrate into man's spiritual-soul nature to such an extent that a great deal of it is smothered and destroyed. He will also notice that the destruction of these forces makes it particularly difficult for him really to develop those inner forces which unite the human being with the ‘rightful’ spiritual beings of the hierarchies—please do not misunderstand the word. When a person who has taken the first steps in initiation tries to meditate in a modern railway carriage or on a modern steamer, he makes a great effort, of course, to activate the necessary forces of vision to lift him into the spiritual world, yet he notices the ahrimanic world filling him with the kind of thing that opposes this devotion to the spiritual world, and the struggle is enormous. You could call it an inner struggle experienced in the etheric body, a struggle that wears you out and crushes you. Other people who have not taken the first steps in initiation also go through this struggle of course, and the only difference is that the student of initiation experiences it consciously. Everyone has to go through it; the effects of this are experienced by everyone.

It would be the worst possible mistake to say that we should resist what technology has brought into modern life, that we should protect ourselves from Ahriman by cutting ourselves off from modern life. In a certain sense this would be spiritual cowardice. The real remedy for this is not to let the forces of the modern soul weaken and cut themselves off from modern life, but to make the forces of the soul strong so that they can stand up to modern life. A courageous approach to modern life is necessitated by world karma, and that is why true spiritual science possesses the characteristic of requiring an effort of the soul, a really hard effort.

You so often hear people saying “These books of modern spiritual science are difficult; they make you exert yourself in order to develop your soul forces and really penetrate into spiritual science.” This is why ‘well-meaning’ people—and I am saying this in inverted commas—keep on coming to me and saying that they want to smooth out difficult passages for their fellow men and change what is written in rather a difficult style into something as trivial as can be—and these last words are not said in inverted commas. However, it belongs to the essence of spiritual science that it makes demands on soul activity, that you do not accept spiritual-scientific truths lightly, as it were, for it is not just a matter of taking in what spiritual science says about one thing and another, but of how you take it in. You should take it in by dint of effort and soul activity. To make spiritual science your own you must work at it in the sweat of your soul—please forgive me for not being very polite. That belongs to the business of spiritual science, if you will excuse the mundane expression.

It shows a further misunderstanding of the actual nerve of spiritual science if people shy away from the difficult ideas and conceptual structures of spiritual science. And don't we know how many people shy away from it, how many people would prefer to dream—the Lord gives it to His Own in sleep! They would far rather have things conjured up before them in all kinds of visions of the spiritual world than acquire knowledge through the activity of exerting their inner life of soul. We know how many people there are who prefer having visions rather than sitting down and studying a difficult book of spiritual science, even though it is capable of speaking to the human soul forces that are asleep during ordinary daily life, for spiritual science really does activate the part of man that is otherwise unconscious and transport him into the life of the spiritual world. The right approach is not to receive conscious daily life apathetically and to grope in the dark, but to make an effort out of soul activity to get through what is given for the development of thoughts and ideas. For when you make an effort and have the courage to make yourself at home in this development of thoughts and ideas, this brave and active effort will bring you to the stage where mere theorising on what is given and mere acceptance in thought passes over into seeing and really being in the spiritual world. However, the really modern conception of life that arises for us from these considerations is that, because of our technological surroundings, we descend into a kind of ahrimanic sphere and become filled with ahrimanic spirituality.

The most terrible calamity would have come about in earth evolution if, in earlier ages, provision had not been made for these experiences of ahrimanic spirituality that world karma is bringing to modern mankind. Life always progresses like the swing of a pendulum. It is experienced like a pendulum swinging in one direction or the other. You cannot say “Beware of Ahriman!” for nothing can protect you from him. And if someone longs to shut himself up in a room surrounded by the colour that suits him best, where he has no factories near him or trains passing by if he can possibly help it, but is completely cut off from modern life, there are many, many ways in which ahrimanic spirituality can get into his soul. Even though he withdraws from modern life, modern spirituality will still reach him.

Now something entered into human evolution that, as it were, held off the calamity, and I gave an indication of this a long time ago in a lecture cycle in Munich.³ We must take all these things together, for that is also part of the active experiencing of modern spiritual science. Man has been given art; art, which also takes its raw material from nature by reducing and wearing it down, and at the second stage puts it together again to make something new, with a breath of life in it, although it is only of a pictorial nature. The life of the artistic impulses given us in the past has the capacity, as I said in Munich, to imbue its material with a more luciferic spirituality. Luciferic spirituality, beauty as an illusion, in fact everything that has an effect on man through the medium of art, leads man away from matter into the spirit, yet it does so through the life in the material. Lucifer is the spirit who constantly wants to flee from matter and bear man into the life of the spirit in an unjustified way. That is the other swing of the pendulum. It is only because we have to go through a technological atmosphere in the present incarnation that it is possible for us to come into connection with Ahriman, whereas in earlier incarnations we were more connected with a quality that could be steeped in art. Thus we are countering certain luciferic forces by means of the present-day ahrimanic forces, which together form a balance, whilst the pendulum of life swung one way in the past and swings the other way now.

What spiritual science quite specifically has to want at the present time is that human beings do not sleep and dream through what world karma is imposing on them. Yet people who wish to know nothing about spiritual science do sleep and dream through all the influences of Ahriman and Lucifer. They are exposed to these influences even if they themselves know nothing about them. But ‘life cannot go on like this; life has to be lived consciously from now on, and that is what spiritual science is for, so that people do not go through the world sleeping and dreaming, but understand what is around them. For this to happen, however, we must really get down to the subtleties of our spiritual-scientific business—if you will forgive the word. Such subtleties often go unnoticed, and this is the sort of thing I find when I read through transcripts of lectures I have given. Often what is of essential importance to me does not appear at all in the transcript. Just look at two examples of this. I used a certain sentence a little while ago and did not say that spiritual science wants something, but that spiritual science should want it, or has to want it. That is a particular expression which comes quite naturally to a person who is speaking out of the spirit of spiritual science, for spiritual science leads as a matter of course to a more impersonal grasp of the truths of spiritual life than other sciences do. Speaking in the manner of other sciences we would say “Spiritual science wants something”. But spiritual science says “what it should want or must want” And I say “The way I must express myself” and not “The way express myself”.

A great deal depends on such subtleties; we must not pass them by. On the contrary we must begin to believe that everything depends on spiritual science taking hold of man's innermost soul forces, and that it is capable of transforming them. Therefore it will not do to approach spiritual science with the kind of thinking one is in the habit of using in ordinary life. People are still largely unaware of what I mean by this. This can be seen, actually sensed, so to speak, in certain crude symptoms in the evolution of ordinary science.

Let us take one example out of many. Modern science of religion—irreligious science of religion—is especially proud of the fact that it has found a connection between New Testament utterances and commandments and Old Testament and heathen utterances and commandments. People have followed up the origin of every phrase in the Lord's Prayer, for instance, and said “This particular phrase comes from here and that one from there”. If you hear it like this it can sound credible. Yet the moment you approach the Mystery of Golgotha in a spiritual world-historical light you notice that all these things appear in a new context, and that the important thing is not the discovering that all these expressions were there in earlier times but looking at them in the context which gives them a new shade of meaning. In this respect the Old and the New Testament differ entirely. Subtle things like this convey the essence of the Mystery of Golgotha. The words and even the word connections often stay the same but their shade and colouring is different, and that makes all the difference.

There is something tremendous behind the fact, for instance, that the conception of the ego in the whole evolutionary system of language is quite differently constructed the further back we go in pre-Christian times, than it is later on when we go forwards from the Mystery of Golgotha. The way people spoke about the ‘I’ changed, and this can be seen in the configuration of language. When the ‘I’ becomes part of the word for the verb, as is the case in many languages, it signifies something entirely different from when it is separated from the verb and spoken as a separate word, and so on.

The important thing is to work our way with the help of spiritual science to an approach to life which looks consciously at the things which influence our human organism of spirit, soul and body. The way I have described man's relationship to his technological surroundings is, of course, only in its beginning stages. It was about four centuries ago that things began to get like they are today. Then the nineteenth century that was so proud of itself took a tremendous leap forward in the ahrimanisation of human life. Yet a great deal more will take place in future human evolution in the direction of this ahrimanisation. We have been in it for about four hundred years. It is coming slowly and gradually. It has already reached a certain climax among the vast numbers of our fellowmen who, because of the isolation caused by living in towns, hardly have any connection any more with real nature spirits. I once said, symbolically, that it is important for man's development to be able to distinguish oats from barley. Yet really, how many people are there in a town environment today who cannot tell the difference any more between oats and barley! Perhaps they can distinguish the plants, as that is comparatively easy in the case of oats and barley, but where the grains are concerned they can no longer tell the one from the other. If they have lived in a town or were actually born there, they usually cannot tell the difference.

Now it happens like this in the evolution of mankind, that when human beings have progressed a stage, this progress is always bound up with another experience that is at another stage, as it were, in a parallel stream. And this has happened. Whilst technological life has been drawing modern man closer to Ahriman in the way I have described, he has also been getting closer to him in another way. When a spiritual view of history replaces the crude way of viewing history introduced by materialism, people will understand what spiritual science has to say on this matter.

If we go back to the time that preceded the last four centuries, man not only had a different relationship to his environment than he has today, but he had, above all, an entirely different relationship to something that comes to expression in himself, really comes to expression in himself; he had a different connection with his speech, to the way he spoke. Speech does not only contain what modern materialistic science believes it does; there is something in speech which in many ways is connected with man's not fully-conscious experiences, which often occur in the subconscious realms of his being, and which are therefore interpenetrated by spiritual beings. Spiritual beings live and are active in man's speech, and when man forms words, elemental spiritual beings pour into these words. During human conversations spiritual beings fly about the room on the wings of the words. This is why it is so important that we pay attention to certain subtleties of speech, and do not simply let uncontrolled feelings get the better of us when we speak.

Right into the fifteenth and sixteenth centuries we could say that man still possessed the remnant of a living experience of the elemental spirituality contained in language. The spirituality of language was still active within him, for language is in a certain respect more inspired and spiritual in many ways than an individual human being. It is only occasionally nowadays that we notice a person reverting from a materialistic way of thinking to a feeling for the inspired spirituality of language.

On one occasion⁴ here I gave a very clear if trivial example showing in what way a person's mind can revert from the materialistic role of today. On the whole it still happens to many people, but they are not immediately aware of it. If someone is travelling down the Rhine and he speaks for instance of the ‘old Rhine’, what does he mean? No doubt he feels something. But what is he referring to? When people speak of the ‘old Rhine’ I do not think they mean the riverbed, the hollow in the ground. That would be the only permanent part, of course. But we cannot discover what else the ‘old Rhine’ is supposed to be, for the water is certainly absolutely new; it keeps flowing on, and if you try and find anything old except the hollowed out riverbed, it cannot be done. The old Rhine! Language is more inspired than man, because the language obviously means the River God, even if people are not conscious of it. One is describing the elemental being that belongs to it very suitably when one says the ‘old Rhine’.

That is a rough example. This spirituality, this belief in spirituality exists throughout language. And a feeling, at least, for this connection with spirituality in language still really existed in the disposition of soul of all the peoples of Europe, during the course of the fourth post-Atlantean epoch and right up to modern times as far as the fifteenth and sixteenth century. If you are not aware of this fact you cannot have the right feeling for the beginning of the St. John's Gospel. For the opening words of the St. John's Gospel, “In the beginning was the Word”, arose, in fact, out of a consciousness that the part the word plays within the whole human organism and human life, provides the connection for man, by way of elemental spirituality in the first place, to the whole of the world lying behind the world of the senses.

If, with the means that spiritual science puts at our disposal, we observe the way human life has run its course from the Middle Ages up to modern times, and are able to look right into the soul, we shall in fact find that man's relationship to speech was altogether different in the fourth post-Atlantean epoch, even in the last phase of it that lasted up till the fourteenth and fifteenth century. Whenever they spoke people heard undertones, genuine undertones. People no longer believe this, because nowadays human beings really only live in the material aspect of the sounds of speech. A spiritual element joined with the sound as though it sounded again an octave lower. Thus when people spoke, or heard people speaking, something resounded in the words that was not differentiated according to one or another language, but was of a universal human character. One can really say that when human experience comes to expression, as it were, in the flowering of the separate languages, mankind today experiences the flowering as a vibrating of sounds in the ear, and experiences the sounds as something that have a meaning. Whereas in earlier times they experienced a steeping of the whole element of speech in something that joined with it and was not differentiated into the various languages. The dividing line between the one experience and the other fell in the fifteenth and sixteenth century. Mankind was torn away from the genius of language.

Nobody can understand the actual jolt mankind was given in the fifteenth, sixteenth and seventeenth centuries, unless he studies the special character of this damping down of undertones in the experiencing of speech. Something was lost to mankind, and this comes to light in the happenings of the times, whether they be battles or peacetime creations. Before the point of time mentioned the human soul still experienced it. Whenever people spoke, this resounding of undertones in the experiencing of speech still lived in human souls. That is why the whole of history has an entirely different quality before this turning point, than afterwards. Through spiritual science we must develop a spiritual ear, as I would like to call it, for the completely different tone that events had in the Middle Ages than they have today, as human souls were connected to their experiences in quite a different way in those times.

I will choose the Crusades as an example of a general human soul-experience. They are only conceivable in the way they came about in the Middle Ages if we know of the existence of these spiritual undertones in the experiencing of language. The present-day peoples of Middle and Western Europe would most certainly not be so affected by the words of Clermont's synod:⁵ God wills it—Dieu le vent—as the peoples of the Middle Ages were. The reasons for this, however, can only be recognised if we take into account what has just been said.

An important phenomenon in all modern intellectual life is also connected with this. The whole formation of modern history has to do with this. If you once envisage history with these subtle language undertones in mind, you will understand why, at the point of time I have indicated, the various European nationalities grouped themselves together, those nationalities who before that time had quite different relationships with one another; who were governed by quite different impulses in their relationships to one another. The way the different nationalities group themselves in the various parts of Europe, right up to the present day, has to do with impulses that we interpret quite falsely if we go back from the present to the Middle Ages to look for the origins of nations, without bearing in mind the tremendously important rubicon that had to be crossed in the life of the soul.

I can only give you indications of these themes whereas they would actually require a whole series of lectures. The most important part of all this must be left to your meditation, which will discover what can be found as a result of these indications. What I would hope to have achieved is to have given you a picture of how to build a bridge between spiritual science and knowledge of life, and shown you how spiritual science can lead to a conscious approach to the reality in which we live. Having spoken of the real foundations on which these indications are based, it would appear quite natural that this modern age of ours makes a renewal of many things necessary, compared to the past. Through being placed today by world karma in a setting that functions in an especially ahrimanic way, and through having to make our soul forces strong enough to find our way into spiritual spheres, despite all the hindrances that come to us from ahrimanic spirituality, our souls are in need of different kinds of sustenance than before. For the same reason art must also adopt new paths in all its branches.

Art obviously had to speak differently to the souls that were less exposed to the attacks of Ahriman than we are today. Art has to speak in a new way to souls today, and our Goetheanum building⁶ is meant to be the very first step, really and truly the very first step towards art of this kind, and not anything perfect. It is an attempt actually to create the kind of art that calls on the soul to be active, on the lines of the whole conception of modern life, yet a spiritual conception of modern life. Let us remember the frightfully trivial comparison I made regarding the Goetheanum building a few weeks ago. I asked, “How does the effect our Goetheanum building is intended to have, compare with that of an older building, or an older work of art in general?

A work of art from the past made an impression by means of its forms and colours. Its forms and colours made an impression. If we make a diagram of it and the form is like this, this form had an effect on the eye (he did a drawing). What was in space and what the form was filled out with, was what made the impression. And it is the same with the colours. The colours on the walls made the impression.

I said that our building is not intended to be like that; our building is meant to be—and this is the terribly trivial comparison—like a jelly mould that does not exist for its own sake but for the sake of the jelly. Its function is to give a form to what is put into it, and when it is empty you can see what it is for. What it does to the jelly is the important thing. And the important thing with our building is what a person who goes inside it experiences in the innermost depths of his soul, when he feels the contours of the forms. All that the forms do is set the process going that creates the work of art. The work of art is what the soul experiences when it feels the shape of the forms. The work of art is the jelly. What has been built is the jelly mould, and that is why we had to try and proceed on an entirely new principle.

Likewise what you will find in the way of paintings in our Goetheanum building will not be there for their direct effect, as used to be the case with art in the past, but will be there for the soul to encounter, so that the experience resulting from this encounter will be a work of art. This of course involves a metamorphosis—I can only give indications of all this—the metamorphosis of an old artistic principle into a new one, which we can depict by saying that when the sculptural, the pictorial element is taken a stage further, it is led over into a kind of musical experience. There is also the opposite step, from the musical element back into the sculptural-pictorial.

These are things which are not created arbitrarily by the human soul, but have to do with the innermost impulses we have to go through, because we are in the first third of the fifth post-Atlantean epoch. It has been, as it were, ordained by the spiritual beings that guide this evolution.

A start has to be made in every realm. If people find things about our building that are imperfect they may be assured that the people who are actually engaged in building it will find far more imperfections than the people who criticise it—far, far more. There are faults to be found in it which people who just look at it would not think of. But that is not the point. The point is that a start is being made, for there are so many things that have to happen. The important thing is not the perfection we achieve in what we must will to happen, but that a start is made on what has to come to life here, however imperfect it has to be. For everything new that comes into the world is imperfect compared with old things that have stood the test of time. Things that are old have reached their highest level, whereas new creations are still in their infancy. That is quite obvious.

I will begin tomorrow where we have stopped today, and consider the renewal of an artistic conception of the world and the connection this has with the whole cultural life of today.

• 4. 1413. See Rudolf Steiner's Occult Science, an Outline, chapter on ‘Future Evolution of the World and of Mankind#8217;, Rudolf Steiner Press, London 1979.
• 3. Secrets of the Threshold, lecture VI, Anthroposophical Publishing Co., London 1928.
• 4. On 3rd October 1914, towards the end of the first lecture on Occult Reading and Occult Hearing, Rudolf Steiner Press, London 1975.
• 5. convened by Pope Urban II in 1095. Here the decision was taken for the First Crusade.
• 6. Laying of foundation stone 20th September 1913. Burning of the Goetheanum, 31st December 1922.

Our end-of-year festival will begin with Frau Dr. Steiner giving us a recitation of the beautiful Norwegian legend of Olaf Åsteson, of whom we are told that at the approach to Christmas he fell into a kind of sleep which lasted for thirteen days; the thirteen holy days that we have explored in various ways. In the course of this sleep he had significant experiences, that he was able to narrate when he awoke.

During these past days we have examined various things that make us aware that the spiritual-scientific outlook gives us a new approach to an understanding of gems of wisdom which, in past times, people realised belonged to spiritual worlds. Time and again we shall encounter this prehistoric knowledge of the spiritual worlds in one instance or another, and we shall continually be reminded that what was known in former ages, was due to the fact that the human being was so organised at that time that he had the kind of relationship with the whole of the cosmos and its happenings that we would now call being immersed with his human microcosm in the laws or the activities of the macrocosm, and that in this process of immersion in the macrocosm he was able to experience things that deeply concern the life of his soul, but which are hidden from him as long as he lives as microcosm on the physical plane and is equipped only with a knowledge given him by his senses and an intellect bound to the senses.

We know that only a materialistic outlook can believe that man is the only being in the world order equipped with thinking, feeling and willing, whereas a spiritual point of view must acknowledge that just as there are beings below the human level, there are also beings above the human stage of thinking, feeling and willing. The human being can live his way into these beings when, as microcosm, he immerses himself in the macrocosm. However, in this case we should have to speak of the macrocosm not only as a macrocosm of space, but as if the course of time were of significance in cosmic life. Just as in order to kindle the light of the spirit within him when he wants to descend into the depths of his own soul, man has to shut himself off from all the impressions his environment can make on his senses and has, as it were, to create darkness round him by closing off his sense perception, likewise the spirit we can call the spirit of the earth has to be shut off from the impressions of the rest of the cosmos. The outer cosmos has to have least effect on the earth spirit if the earth spirit is to be able to concentrate its forces within. For then the secrets will be discovered that man has to discover in conjunction with the earth spirit, because the earth has been separated as earth from the cosmos.

The time when the outer macrocosm exercises the greatest effect on the earth is the time of the summer solstice, midsummer. And many accounts of olden times connected with festive presentations and rituals remind us that festivals like these take place at the height of summer; that in the midst of summer, the soul, in letting go the ego and merging with the life of the macrocosm, surrenders in a state of intoxication to the impressions from the macrocosm.

On the other hand, the legendary or other kind of presentations of that which could be experienced in olden times remind us that when impressions from the macrocosm have least effect on the earth, the earth spirit, concentrated within itself, experiences within the eternal All, the secrets of the earth's life of soul, and that if man enters into this experience at the point of time when the macrocosm sends least light and warmth to the earth, he learns the most holy secrets. This is why the days around Christmas were always kept so sacred, because whilst man's organism was still capable of sharing in the experience of the earth, man could meet the spirit of the earth during the point of time when it was most concentrated.

Olaf Åsteson, Olaf the son of earth, experiences various secrets of the cosmic All whilst he is transported into the macrocosm during the thirteen shortest days. And the nordic legend which has recently been extricated from old accounts, tells of these experiences Olaf Åsteson had between Christmas and New Year up till the 6th January. We often have reason to remember this former manner in which the microcosm took part in the macrocosm, and we can then take these things further. First of all, however, let us hear the legend of Olaf Åsteson, the earth son, who during the time in which we are now, experienced the secrets of cosmic existence in his meeting with the earth spirit. Let us listen to these experiences.

The Dream Song

I

Come listen to my song!
The song of a nimble youth.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

II

He laid him down on Christmas Eve
And soon lay deeply sleeping.
Nor could he awaken
Until the people went to church
Upon the thirteenth day.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

He laid him down on Christmas Eve
And he slept long indeed!
He could not awaken
Until the bird was on the wing
Upon the thirteenth day.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

Olaf could not awaken
Until the sun shone o'er the peaks
Upon the thirteenth day.
Then saddled he his nimble horse
And rode in haste to the church.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

The priest was at the altar
Reading holy mass
When Olaf alighted at the gate
To tell the many dreams
That had passed through his soul
When he did sleep so long.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

Then old and young they all gave heed,
To Olaf's words they harkened
That told them of his dreams

Of Olaf Åsteson will I sing,
Who lay and slept so long.

III

‘I laid me down on Christmas Eve
And soon lay deeply sleeping.
Nor could I awaken
Before the people went to church
Upon the thirteenth day.

The moon shone bright
And all the paths led far away.

I was borne up into the clouds
Thrown down to the ocean's depths,
And whosoever will follow after
Good cheer he will not find.

The moon shone bright
And all the paths led far away.

I was borne up into the clouds
Then hurled into murky swamps,
And I saw the horrors of hell
And also heaven's light.

The moon shone bright
And all the paths led far away.

I had to go through deep, dark clefts
Where heaven's rivers rushed and roared.
The power to see them was not mine
Yet I could hear their roaring.

The moon shone bright
And all the paths led far away.

My coal-black horse he did not neigh,
Nor did my good hounds bark,
The bird of morning did not sing
For a wonder lay on all.

The moon shone bright
And all the paths led far away.

I had to travel in spiritland
Through stretch on stretch of thorny heath,
My scarlet mantle was torn to shreds
The nails of my feet likewise.

The moon shone bright
And all the paths led far away.

Then I came to the Gjallar Bridge
Suspended in the windblown heights,
Studded it is with rich red gold
And the nails thereon have sharp points.

The moon shone bright
And all the paths led far away.

The spirit snake he struck at me
The spirit hound bit me,
And lo! the bull did bar the way.
These are the three beasts of the bridge,
Most wicked are they all.

The moon shone bright
And all the paths led far away.

The hound he is a snappish beast
The serpent waits to strike,
The bull is ready to attack!
And no one may pass o'er the bridge
Who will not honour truth!

The moon shone bright
And all the paths led far away.

I passed o'er the Gjallar Bridge
On dizzy heights and narrow.
I who had waded in the swamps . . . .
Behind me now they lie!

The moon shone bright
And all the paths led far away.

I had waded in the swamps
There seemed no foothold I could find
As I passed o'er the Gjallar Bridge
Earth did I feel within my mouth
As the dead who lie in their graves.

The moon shone bright
And all the paths led far away.

To the waters then I came,
’Twas where the icy masses gleamed
Like unto flames of blue. . . .
And God did guide me in my steps
That I did not come close.

The moon shone bright
And all the paths led far away.

So I went on the wintry way
And saw on my right hand:
Like unto paradise it was,
Light shining far and wide.

The moon shone bright
And all the paths led far away.

God's Holy Mother then I saw
Amidst most wondrous glory!
‘Now take thy way to Brooksvalin,
the place where souls are judged!’

The moon shone bright
And all the paths led far away.

IV

In other worlds I tarried then
Through many nights and long;
And God alone can know
The suffering I saw there—

In Brooksvalin, where souls
World judgment undergo.

I could see a young man
Who in life had killed a child.
Now he must carry him always
And stand in mud to his knee

In Brooksvalin, where souls
World judgment undergo.

Also I saw an old man
Wearing a cloak of lead;
Thus was he punished,
The miser on earth,

In Brooksvalin, where souls
World judgment undergo.

And men appeared before me
Wearing apparel of fire;
So does their dishonesty
Weigh on their poor souls

In Brooksvalin, where souls
World judgment undergo.

Children I also saw,
Glowing coals beneath their feet,
In life they did their parents ill,
Now must their spirits feel it

In Brooksvalin, where souls
World judgment undergo.

And to a house I had to go
Where witches toiled in blood;
This was the blood of those
Who had enraged them whilst on earth,

In Brooksvalin, where souls
World judgment undergo.

Now there came riding from the North
Wild hordes of evil spooks,
Led by the Prince of Hell,

In Brooksvalin, where souls
World judgment undergo.

This horde riding from the North
Was the wickedest ever seen;
And the Prince of Hell rode out in front,
And he rode on his coal-black steed

In Brooksvalin, where souls
World judgment undergo.

Yet now came a host from the South
Bringing holy calm,
And at their head rode Saint Michael
At the side of Jesu Christ

In Brooksvalin, where souls
World judgment undergo.

The souls weighed down by sin
Had to tremble in anguish and fear!
Their tears ran down in streams
To hear of their wicked deeds

In Brooksvalin, where souls
World judgment undergo.

Michael stood in majesty
And weighed the souls of men
Upon his heavenly scales,
And near him, judging, stood
The Lord of Judgment, Jesu Christ

In Brooksvalin, where souls
World judgment undergo.

V

Blessed is he who in earthly life
Gives shoes unto the poor;
He does not need, with naked feet,
To walk on the heath of thorn.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Unto the poor gave bread!
For nothing of harm can come to him
From the hounds of spiritland.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Gave corn unto the poor!
The horns of the bull are no threat to him
When he crosses the Gjallar Bridge.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Unto the poor gives clothes!
He need not fear the freezing wastes
Of ice in Brooksvalin.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

VI

And young and old they all gave heed,
To Olaf's words they harkened
That told them of his dreams.
You have slept long indeed. . . .
Awaken now, O Olaf Åsteson!

My dear friends, we have just heard how Olaf Åsteson fell into a sleep that was to reveal to him the secrets of worlds that are hidden from the world of the senses and ordinary life on the physical plane. This legend brings us tidings of ancient knowledge and insight into the spiritual worlds, which we shall regain once more through what We call the spiritual-scientific world outlook.

You have often heard the words that are included in all proclamations concerning the human soul's entry into the spiritual world, namely, that man beholds the spiritual world only when he experiences the gates of death and then enters into the elements. This means that the elements of earth existence do not surround him in the way they do in ordinary life on the physical plane, in the form of earth, water, air and fire, but that he is lifted above this sensory exterior of the elements and enters into what these elements really are when you know their true nature, where beings exist that have a relationship with man's soul experience.

We could feel that Olaf Asteson experienced something of this descent into the elements when we come to the part where Olaf reaches the Gjallar Bridge and crosses over it on to the paths of the spiritual world that all led far away. What a vivid description we are given of his experience as he descends into the element of earth. It is described in such detail that he tells us he himself feels earth in his mouth like the dead who lie in their graves. And then there is a clear indication of his going through the element of water, and of all that can be experienced in the watery element when one also experiences its moral quality. Then he also indicates how man meets with the elements of fire and of air.

All this is described in a wonderfully graphic way and centred in the experience of the human soul meeting the secrets of the spiritual world. The legend was found at a later date; it was collected at the place where it lived orally among the people. Parts of the legend in their present form are no longer the same as in the original. No doubt the graphic description of the experiences in the earth realm originally came first and then the experiences in the realm of water. And the experiences in the realms of air and of fire were no doubt far more differentiated than they are in the feeble after-echo that we have today, and which was found centuries later.

The conclusion was undoubtedly also much more impressive and less sentimental, for in its present form it does not in the least remind us of the sublime language of olden times, nor of the capacity to raise one on to a superhuman plane that used to exist in folk legends. The present conclusion merely moves on on a human level, and the reason why it is moving is purely because of its connection with such deep secrets of the macrocosm and of human experience.

If we rightly understand the season of the year in which we now are, we have a strong urge to remember the fact that humanity used to possess a knowledge—even if it was less defined and clear-cut—that has been lost and which has to be regained. And the question can arise in us, that as we surely recognise today that that particular kind of knowledge has to return if mankind is to be made whole, then should we not consider it one of our most urgent tasks to do everything we can to bring knowledge like that into the culture of the present?

Many things will have to happen in order for this change to come about in the right way, in what I would like to call the feeling content of man's world conception. One thing will be particularly necessary—I say one, for it is one among many, but you can only take one at a time—it will be essential for human souls to acquire on the basis of our spiritual-scientific world conceptual stream, reverence and devotion for what was known in ancient times in the old manner about the deep secrets of existence. People must arrive at the feeling that during the materialistic age they have neglected the development of this reverence and devotion.

We must get the feeling of how dried-out and empty this materialistic age is, and how proud of our intellectual knowledge mankind was in the first centuries of the fifth post-Atlantean epoch, in face of the revelations of ancient religion and knowledge handed down from former times, which, when approached with the necessary reverence, truly give us the feeling that they contain the most profound wisdom. Fundamentally speaking we have no reverence for the Bible nowadays, either! Disregarding the kind of atrocious modern research that tears the whole Bible to shreds, we have merely to look at the dry and empty way we approach the Bible today armed, as it were, only with the knowledge of the senses and ordinary intellectual powers, and at the way we can no longer muster a feeling for the tremendous greatness of human perception that comes to meet us in some of its passages. I would like to refer to a passage from the second Book of Moses, chapter 33, verse 18:

And Moses said to God, ‘I beseech thee, shew me thy glory.’

And the Lord said, ‘I will make all my goodness pass before thee, and I will proclaim the name of the Lord before thee; and will be gracious to whom I will be gracious, and will shew mercy on whom I will shew mercy.’

But then the Lord said, ‘Thou canst not see my face: for there shall no man see me, and live.’

And the Lord said, ‘Behold, there is a place by me, and thou shalt stand upon a rock:

And it shall come to pass, while my glory passeth by, that I shall put thee in a clift of the rock, and will cover thee with my hand while I pass by:

And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen.’

If you gather together various things we have taken up in our hearts and souls during the years we have been working with spiritual science and then approach this passage, you can have the feeling that infinite wisdom is speaking to us there and how, in the materialistic age, human ears are so deaf that they hear nothing of the infinitely deep wisdom that comes to us from this passage. I would like to take this opportunity to refer you to a booklet that has been published under the title Worte Mosis by Bruns Publishing Co. in Minden, Westphalia, because certain things out of the five Books of Moses have been translated better in this booklet than in other editions. Dr. Hugo Bergmann, the publisher of Worte Mosis, has taken a lot of trouble over the interpretation.

The fact that man, if he wants to penetrate to the spiritual world, has to acquire a totally different relation to the world than that which he has to the sense world, has often been stressed. Man has the sense world all about him. He looks at the sense world and sees it in its colours and forms and hears its sounds. The sense world is there, and we are in the midst of it, feeling its influence, perceiving it and thinking about it. That is how we relate to the sense world. We are passive and the sense world, as it were, works its way into our souls. We think about the sense world and make mental images of it.

Our relationship is quite different when we penetrate into the spiritual world. One of the difficulties consists in getting the right idea of what a person experiences when he enters the spiritual world. I have attempted to characterise some of these difficulties in my booklet Die Schwelle der geistigen Welt (‘The Threshold of the Spiritual World’). We make mental images of the sense world and we think about it. If we go through all a person has to go through if he wants to follow the path of initiation, something occurs that can be described like this: We ourselves relate to the beings of the higher hierarchies in the same way as the things around us relate to us; they make a mental image of us, they think us. We think the objects around us, the minerals, plants and animals; they become our thoughts, whereas we are the conceptions, thoughts and perceptions of the spirits of the higher hierarchies. We become the thoughts of the Angeloi, Archangeloi, Archai and so on. They take us in, in the same way as we take in the plants, animals and human beings. And we must feel their sheltering protection when we say, ‘The beings of the higher hierarchies think us, they make mental images of us. These beings of the higher hierarchies take hold of us with their souls’. In fact we can actually picture that when Olaf Asteson fell asleep he became a mental image of the spirits of the higher hierarchies, and in the course of his sleep these beings of the higher hierarchies experienced what the beings of the earth spirit were experiencing (these are, of course, a plurality for us). And when Olaf Asteson sinks back into the physical world he remembers what the spirits of the higher hierarchies experienced in him.

Let us imagine for a moment that we are setting out on the path of initiation. How can we relate to the spiritual world, which is a host of spiritual beings of the higher hierarchies, into which we wish to enter? How can we relate to them? We can appeal to them and say ‘How can we enter into you, how do you reveal yourselves to us?’ And then, when we have acquired an understanding of the different kind of relationship the human soul has to the higher worlds, there will sound forth to us, as it were from the spiritual worlds, ‘You cannot perceive the spiritual world the same way as you perceive the sense world, the way the sense world appears before you and impinges on your senses. We must think you, and you must feel yourself in us. You must feel the kind of experience in you which a thought you think in the sense world would have if it could experience itself within you. You must surrender yourself to the spiritual world, then the beings of the higher hierarchies who can reveal themselves to you will enter into you. This will stream into your soul and live within it, bringing grace, in the same way as you live in your thoughts when you think about the sense world. If the spiritual world wishes to favour you and have compassion on you, it will fill you with its love!’

But you must not imagine that you can approach spiritual beings in the same way as you approach the sense world. Just as Moses had to creep into the cave, you must go into the cave of the spiritual world. You have to put yourself there. Like a thought lives in you, you must be taken up into the life of the spiritual beings. You yourself must live as a universal thought in the macrocosm. To have experiences there of your own accord is not possible during earthly life between birth and death, but only after you have passed through death. No one can experience the spiritual world in this way before he has died, yet the spiritual world can come close to you, bless you and fill you with its love. And if after, or whilst you are within the spiritual world, you develop your earthly consciousness, the spiritual world will shine into this consciousness.

Just as when an object is outside us we confront it, and when it enters our consciousness it is inside us, the soul of man is within the cave of the spiritual world. The spiritual world passes through him. Here, man confronts things. When man enters the spiritual world the beings of the higher hierarchies are behind him. There, he cannot see their face, just as a thought cannot see our face when it is within us. Our face is in front and the thoughts are behind, so they cannot see our face. The whole secret of initiation is concealed in the words Jehovah speaks to Moses.

And Moses said to God, ‘I beseech thee, shew me thy glory.’

And the Lord said, ‘I will make all my goodness pass before thee, and I will proclaim the name of the Lord before thee; and will be gracious to whom I will be gracious, and will shew mercy on whom I will shew mercy.’

But then the Lord said, ‘Thou canst not see my face; for there shall no man see me, and live.’—Initiation does indeed bring you to the Gate of Death.

And the Lord said, ‘Behold, there is a place by me, and thou shalt stand upon a rock:

And it shall come to pass, while my glory passeth by, that I shall put thee in a cleft of rock, and will cover thee with my hand while I pass by:

And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen.’

It is the opposite of the way we perceive the sense world. You must muster a lot of the spiritual-scientific effort you have developed over the years, in order to encounter a revelation like this with the right kind of reverence and devotion. Then human souls will gradually acquire more and more of this feeling of reverence towards these revelations; and this reverence, this devotion, is among the many things we need in order that the change we have been speaking of can come about in mankind's spiritual culture.

The time when the macrocosm sends down least influence to the earth, the days from Christmas over New Year until roughly the 6th of January, can be a suitable time not only for remembering the facts of spiritual knowledge, but also for remembering the feelings we have to develop as we take up spiritual science. We are really and truly taken up again into the life of the spirit of the earth, together with whom we form a whole, and in which ancient clairvoyant knowledge lived, as this legend of Olaf Åsteson shows us. Humanity in the materialistic age has in many ways lost this reverence and devotion for spiritual life. It is most essential to see to it that this reverence and devotion come back, for without them we shall not develop the mood to approach spiritual science in the right way. Unfortunately the mood with which spiritual science is spproached to start with is still the same mood we have for ordinary science. A thorough change will have to come about in this respect.

Having lost the understanding for the spiritual world, mankind has also lost the proper relation to the being of man, to humanity. The materialistic world conception produces chaotic feelings about universal existence. These chaotic feelings about the world and humanity were bound to come in the age of materialism. Think of a time—and this is our time, the first centuries of the fifth post-Atlantean cultural epoch—when people no longer had any real awareness that the being of man is threefold: a bodily nature, soul and spirit. For it really is like that. The threefold nature of man, which, to us, is one of the basic elements of spiritual science, was something that people did not have the slightest notion of from the first four centuries of the fifth post-Atlantean cultural epoch right into our time. Man was just man, and any talk of membering his being in the way we do into body, soul and spirit was considered complete nonsense.

You might imagine that these things are valuable only in the sphere of knowledge, but that is not so. They are important not only as knowledge, but for the whole manner in which man faces life. In the fourth century of modern times, or, as we say in our language, during the fifth post-Atlantean cultural period, three great words came to the fore in which people saw, or at least endeavoured to see, the essence of human striving on earth. Important though these words are, what made them significant was the fact that they appeared at a time when mankind knew nothing of the threefold nature of man. Everyone heard of liberty, equality and fraternity.

It was a profound necessity that these words were heard at a certain time in modern civilisation. People will only really understand these words when the threefold membering of the human being is understood, because until then they will not realise the significance these words can have with regard to man's real being. Whilst these words are being approached with the sort of chaotic feelings that are engendered by the thought that man is man, and the threefold membering of man is nonsense, human beings will find no guidance in these three words. For the three words, as they stand, cannot be directly applied to one and the same level of human experience. They cannot be. Simple considerations which do not perhaps occur to you because they seem too simple for such weighty matters, can go to show that if they are taken on the same level, what these three words mean can come into serious conflict.

Let us start by looking at the realm where we find fraternity in its most natural form. Take human blood relationship, the family, where there is no need to instil brotherly love because it is inborn, and just think how it warms the heart to see real genuine brotherhood among a family, to see everyone united in a brotherly way. And yet—without losing any of the wonderful feeling we can have about this brotherly love—let us have a look at what can happen to a family fraternity just because of this brotherliness. Brotherliness is justified within a family, yet a member of a family can be made unhappy by it, and can long to get away from it because he feels he cannot develop his own soul within the family fraternity and must leave it in order to develop in freedom. So we see that freedom, the unfolding in freedom of the life of the soul, can come into conflict with even the best-meant brotherliness.

Obviously a superficial person could maintain that it is not proper brotherliness if it does not agree with a person's freedom. But people can say anything they like. No doubt they can say that everything agrees with everything else. I recently saw a thesis in which one of the articles that had to be proved was that a triangle is a quadrangle. You can of course plead for a thing like that, you can even prove exactly that a triangle is a quadrangle! And you can also fully prove that fraternity and freedom are compatible. But that is not the point. The point is that for the sake of freedom many a realm of brotherliness has to be—and in fact is—forsaken. We could give further examples of this.

If we wanted to count up the discrepancies between fraternity and equality it would take us a long time. Obviously we can say in abstracto that everyone can be equal, and can show that fraternity and equality are compatible. But if we take life seriously it is not a question of abstractions but of looking at reality. The moment we realise that the human being has a bodily nature that lives on the physical plane, a soul nature that actually lives in the soul world, and a spiritual nature that lives in the spiritual world, we have the right perspective for the connection between these profound words. Brotherliness is the most important ideal for the physical world, freedom is for the soul world, and insofar as man enters into the realm of the soul we ought to speak of the freedom of the soul, that is, of the kind of social conditions that fully guarantee the soul its freedom. If we bear in mind that in order to develop the spirit and enter spirit land we, that is, each one of us, has to strive for spirit knowledge from our own point of view, we shall soon see where we would get with our spiritual conceptions if each one of us only went his own way and we all filled ourselves with a different content.

As human beings we can only find one another in life if we seek the spirit, each one for himself, yet can arrive at the same spiritual content. We can speak of the equality of spiritual life. We can speak of fraternity on the physical plane and with regard to everything that has to do with the laws of the physical plane and which affects the human soul from the physical plane; liberty with regard to all that comes to expression in the soul in the way of laws of the soul world; equality with regard to everything that comes to expression in the soul in the way of laws of the spirit land.

So you see, a Cosmic New Year must come about, where there will be a sun that will increase in power to give warmth and to radiate light: a sun that must bring light-filled warmth to many a thing that lived on during the age of darkness, yet was not understood. It is characteristic of our time that many a thing is striven for and expressed in words, yet is not understood.

This, too, can bring us to feel reverence and devotion for the spiritual world. For if we ponder on the fact that many people strove for fraternity, liberty and equality in the fourth century of the fifth post-Atlantean epoch and uttered these words without understanding them properly, it is possible for us to see an answer to the question, ‘Where did these words come from?’ The divine-spiritual universal order implanted them into the human soul at a time when we did not understand them, in order that key words of this kind might lead us on to true universal understanding. We can notice the wise guidance in world evolution even in things like this. We can observe this guidance everywhere, whether in past ages or in more recent times, observing that often we do not notice until afterwards that something we did previously was actually wiser than the wisdom we had at our command at the time. I drew attention to this at the very beginning of my book, The Spiritual Guidance of Man.

However, if you look, for instance, at the fact that in world evolution, in the evolution of man, a part is played by directional words that can only gradually be understood, you might be reminded of an image we can use when we want to characterise this period of the fifth post-Atlantean cultural epoch that is drawing to a close. In many respects it can really be compared with the season of Advent where the periods of daylight grow shorter and shorter. And now in our time, when we can begin to have knowledge of revelations of the spiritual worlds again, evolution is entering the phase that we can picture as the days growing longer and longer, and we can speak of this season really being comparable to the thirteen days and to the time of increasing daylight.

But it goes deeper than this. It would be absolutely wrong if we were only to find bad things to say of the materialistic age of the past four centuries. Modern times were ushered in by the great discoveries and inventions that are called ‘great’ in the materialistic age, sailing round the world, for instance, discovering lands that were not previously known and starting to colonise the earth. That was the beginning of materialistic civilisation. And then the time gradually came when people were almost stifled by materialistic civilisation. The time arrived when all our spiritual forces were applied to understanding and grasping material life. Insights, understanding and visions of the spiritual world existing in ancient knowledge were forgotten more and more, as we have seen.

Yet it is wrong to have nothing but bad things to say about this age. It would be far better to put it this way: ‘The human soul has been thinking materialistically and founding a materialistic science and culture in the part of it that is awake, but this human soul is a totality.’ If I wanted to put it schematically I could say that one part of the human soul founded materialistic civilisation. This part was inactive before that, and people knew nothing about external science and outer material life; at that time the spiritual part was more awake. (He did a drawing.) During the past four centuries the part of the soul was awake that founded materialistic civilisation, and the other part was asleep. And, in truth, during the age of materialistic culture, the seeds were being sown in the sleeping parts of the soul for the forces we can now develop in humanity to bring us to spirituality again. During these centuries mankind was really an Olaf Asteson as far as spiritual knowledge was concerned. That really was so. And humanity has not yet woken up! Spiritual science must awaken it. A time must come when both old and young must hear the words that are being spoken by the part of the human soul that was asleep in the age of darkness.

The human soul has slept long indeed, but world spirits will approach and call to it, ‘Awaken now, O Olaf Asteson!’—Only we have to prepare ourselves in the right way, so that it does not happen that we are faced with the call, ‘Awaken now, O Olaf Åsteson!’ and have not the ears to hear it. That is why we are engaged in spiritual science, so that we shall have the ears to hear, when the call to be spiritually awake sounds in human evolution.

It is a good thing if man remembers sometimes that he is a microcosm and that he can be receptive to certain experiences if he opens himself to the macrocosm. As we have seen, the present season is a good one. Let us try to make this New Year's Eve a symbol for the New Year's Eve that has to come to mankind in earth evolution, a New Year's Eve that will herald a new era bringing ever more light, soul light, vision, knowledge of what lives in the spirit and which can stream and flow into the human soul from out of the spirit. If we can bring the microcosm of our experience on this New Year's Eve into connection with the macrocosm of human experience over the whole earth, we shall then have the kind of feelings we ought to experience, sensing as we do the dawning of the great new Cosmic Day of the fifth post-Atlantean epoch, at whose beginning we stand, and the midnight of which we want to understand worthily.

The Dream Song: Draumkvaedet, see collection Norske Folkeviser, edited by Thorwald Lammers, Kristiania 1910, by Aschehoug & Co.

Rudolf Steiner spoke about the Norwegian Dream Song of Olaf Asteson on 1st January 1912, 7th January 1913 and 31st December 1914, and his talks were always accompanied by Marie Steiner-von Sivers reciting the Dream Song. These three lectures or addresses were put together as a volume and published in 1958 as an enlarged new edition of the lecture ‘Cosmic New Year’. Ingeborg Möller-Lindholm, the Norwegian poetess (1878–1964), drew Rudolf Steiner's attention to the old legend, and it is largely due to her initiative that this extraordinary folk epic has acquired such an important place in the anthroposophical movement. Through her help we are in a position to include in this edition the notes she made of her conversation with Rudolf Steiner. We have also included in the references, several points from a lecture Ingeborg Möller-Lindholm gave on the Dream Song of Olaf Asteson, which she kindly put at our disposal in translation, and which we have attributed accordingly.

---

Notes on the Dream Song by IngeborgMöller-Lindholm of Lillehammer

In June 1910 Dr Steiner held a cycle of lectures in Oslo entitled The Mission of the Individual Folk Souls in Relation to Teutonic Mythology. As I lived in Oslo and had a large room at my disposal, I invited to tea about forty anthroposophical friends who had come to Oslo for this occasion. Dr Steiner and Frau Marie Steiner had also agreed to come. I asked Dr Steiner the previous day whether he could tell us something about the unusual Norwegian folk epic, ‘The Dream Song of Olaf Åsteson’. Rudolf Steiner smiled amiably and said he would first have to have read or heard it. I saw the point of this. Then he himself made the suggestion that he should arrive the next day an hour before the other guests, so that I could read the song to him and make a rough translation. And that is what happened.

While I read it to him, Dr Steiner sat with his eyes closed and listened intently. He was obviously deeply affected by the unusual content of the song. After tea the Dream Song was read out in Norwegian by a member of the Society, whereupon Dr Steiner gave a short but moving lecture on the song. In particular he dwelt on the fact that these events took place during the time of the twelve holy nights when extraterrestrial influences are at their strongest. He also gave special mention to the name of Olaf Asteson. Olaf or Olcifr means the ‘one left behind’ after his predecessors have gone. He is the one who passes on the blood of the father of the generations. Ast means love; so he is ‘the Son of Love’.

Dr Steiner asked me to translate the song into German. He himself did not know Norwegian, let alone the old dialect in which the Dream Song had been written down, and which was difficult even for modern Norwegians. To begin with I made the excuse that I did not have a sufficient command of the German language to convey the wonderful musical rhythm. Dr Steiner said that did not matter, I should just translate the song literally word for word, so that he could get an exact picture of the content. I did this in the course of the autumn and sent him the translation, which was very prosaic and in many respects extremely inadequate. Later on Rudolf Steiner put the song into its own characteristic rhythms and gave several lectures on it. It was also used for eurythmic presentation, especially at Christmas time.

Dr Steiner told me in 1913 that I should not think that Olaf the Saint was the original Olaf Åsteson. (St. Olaf, a Norwegian king, died in 1035 at the battle of Stiklestad, championing the cause of Christendom.) There had been several people with the name of ‘Olaf Åsteson’, said Dr Steiner. It was a kind of mystery title.

Dr Steiner was in Norway again after the First World War, in 1921 and 1923. On these occasions he stayed with engineer Ingero. Mrs Ragnhild Ingero, who died a few years ago, told me that Dr Steiner had talked to her about the Dream Song. He had meanwhile gone into it further and discovered new things. One of these was that the song was much older than people believed. It originated about 400 AD. At that time there was a great Christian initiate in this country. He founded a mystery school in Southern Norway; the place was not mentioned. His mystery name was Olaf Asteson, and the song describes his initiation. Originally, so Dr Steiner says, the song was much longer and had twelve sections, one for each sign of the zodiac. The song describes Olaf Asteson's journey through the whole zodiac and what he saw and experienced there. Today we only have fragments of the original song. The aforesaid mystery school continued into the early Middle Ages. The leader was always called Olaf Åsteson

Dr Steiner said that in course of time he would publish these facts and other important things connected with the song. However he did not want to do this until he had found certain external proofs of his findings. He thought he would be able to find these . But the burning of the Goetheanum, excessive work and finally illness and death prevented this intention being realised. Now these indications are all we have.

I have given much thought to these findings of Dr Steiner's and have come to the conclusion that this mystery school was possibly in Skiringssal. This place is or rather was in Vestfold, a region in south-western Norway. In old legends it has always been described as a holy place. Vikings who died on foreign soil wished to be buried in Skiringssal. There was also a kaupang there (market). Archaeologists are excavating things at present which they assume to be remains of this market. Up to now, though, nobody has been able to prove conclusively where Skiringssal is. At the time of the mystery school it lay on the coast; however loam deposits have now ‘pushed’ the place further inland. Skiringssal means ‘The Hall of Purification’. Skim means baptism or purification (old Norwegian)

Where did the first Olaf Asteson come from? It has been historically proved that Irish-Scottish monks were in this country long before Christianity was officially introduced. According to legend, Joseph of Arimathea came to the British Isles as early as the first century AD, and began his missionary work there. There have been mystery centres in Ireland since very early times. The tribes on the neighbouring islands were heathen. The Irish-Scottish Church, also called the Culdee Church, arose as a result of the confluence of the work of the Christian missionaries and ancient Druid wisdom. It flourished in many places as early as 300 to 400 AD. There were churches, schools and monasteries, despite the fact that these were always under attack from powerful heathen tribes of the neighbourhood. Many priests and monks died a martyr's death. This Culdee Church was based in particular on the Gospel of St. John and the preaching of the apostle John. It was like the first communities of Christians and contrasted strongly with the Petrine or Roman Catholic Church. But the latter was victorious. The Culdee Church was destroyed and dissolved in the year 664 AD. It sent a lot of missionaries to various European countries both before and after being externally destroyed. This Church was definitely of an esoteric nature. Many things suggest that the first Olaf Asteson was a representative of this spiritual stream.

‘Among these Norwegian people, who still possess many things in their popular tongue that approach very closely the threshold of occult secrets, possibilities existed for souls to remain connected longer with everything living and working behind outer material phenomena,’ said Rudolf Steiner in his lecture on Olaf Asteson in Berlin on 7th January 1913, in Der Zusammenhang des Menschen mit der elementarischen Welt (Man's Connection with the Elemental World), GA 158, 1970.

Theorem: Light seen through dark, appears yellow. Dark seen through light, appears blue. At the boundary between light and dark, colors appear.

1. If you look at a black circle on a white field through a convex-cut glass, the circle enlarges, and around it you see a yellow border.

Also when the dark spreads into the light, yellow appears.

2. If you magnify a white circle on a dark field through a convex ground glass, you see a blue edge (Figure 2)

3. If you look at a white circle on a black field through a concave-cut glass, you see a reduced circle surrounded by a yellow rim.

4. If you look at a black circle on a white background through a concave cut glass, you see it surrounded by a blue border, because as the white spreads into the dark, blue appears.

White and black are the two poles of light. Yellow and blue are the two poles of color. Green is the mixture of yellow and blue. (Gray is the mixture of white and black.) All other colors are shades.

Color is created by light and dark interacting at their boundaries without mixing. When they mix, white-gray or a hazy color is created.

If one looks at a black circle through a prism, the shape elongates and becomes an ellipse. Two edges are formed, one yellow and one blue; where it is narrow, the yellow edge is formed, where it is wide, the blue edge. In the other case the analogous event happens.

A white stripe, viewed through the prism, is shifted so that on one side light is passed over dark, on the other dark is passed over light; thus in the first case a blue edge stripe is formed, in the second a yellow one is formed.

If I take a wider prism, a red stripe joins the yellow one, and a violet one joins the blue one on the outside.

If the prism is still wider, orange still emerges in between on one side and indigo on the other.

If the prism is of a width such that the two poles of color mix, the result is green.

All colors seen in such a way through a prism are subjective.

Now let's move on to objective colors—in a darkroom.

By letting the rays of light pass through a prism, we deflect the white circle formed on the screen, draw it out, and it acquires colored edges.

What was seen subjectively earlier emerges precisely in objective colors on the screen.

The same element which gave birth to egoism, to a love which is selfish, now gives birth to a new feeling, high above everything that is entangled in the physical sphere. Wisdom withdraws in order to give birth to love out of that part of the elements which is still chaste and virgin. This love is the Christ, the Christian principle. Unselfish love opposed to selfish love, this is the great process of evolution which must take place through the mysterious involution-process of death, the destruction of physical matter. The contrasts of life and death are drawn by Wagner in sharp outlines.

The wood of the Cross symbolizes life which has withered away, and upon this Cross hangs the new everlasting Life which will give rise to a new epoch.

A new spiritual life proceeds out of the Twilight of the Gods. Richard Wagner's longing, to set forth the Christ principle in all its depth, after his description of the four phases of northern life, appears in his Parsifal. This is the fifth phase. Because Wagner felt so deeply the tragic note contained in the northern world conception of evolution he also felt it incumbent upon him to set forth the glorification of Christianity.

Parsifal.

The deeper we penetrate into Richard Wagner's work, the more we shall find in it cosmic-mystical problems, and riddles of life.

It is very significant that after having described the whole primordial age of the Germanic peoples in the four phases of the Ring of the Nibelungs, Richard Wagner created an eminently Christian drama, the work with which he closed his life: Parsifal. We must penetrate into Richard Wagner's personality if we wish to understand what lives in Parsifal.

For Richard Wagner, the character of Jesus of Nazareth was beginning to take on a definite shape ever since his fortieth year. At first he intended to create an entirely different work of art, by setting forth the infinite love for the whole of mankind which lived in Jesus of Nazareth. He conceived the fundamental idea of this drama when he was fifty, and it was to be entitled, “The Victor”. This work shows us the deep world-conception which was the source of the poet's intuitions. The contents of the drama is briefly as follows

Arnanda, a youth of the noble Brahmin caste, is loved passionately by Prakriti, a Chandala maiden, that is, of a lower, despised caste. He renounces this love and becomes a disciple of Buddha. According to Wagner's idea, the Chandala maiden was the reincarnation of a woman belonging to the highest Brahmin caste, who had haughtily spurned the love of a Chandala youth, and whose karmic punishment it is to be born again within the Chandala caste. When she has reached a point in her development enabling her to renounce her love, she also becomes a disciple of Buddha.

You see, therefore, that Wagner grasped the problem of karma in all its depth, out of the true spirit of Buddhism; when he was about fifty years old he had developed to the extent of being able to create a drama of such deep moral force and earnestness as “The Victor”. All these thoughts then flow together in his Parsifal, but at the same time the Christ-problem stands in the centre of the drama. Out of Parsifal streams the whole profundity of this medieval problem.

Wolfram von Eschenbach was the first one to give a poetical shape to the mystery of Parsifal. In him we find the same theme, created out of the deepest substance of the Middle Ages. In the highest minds of the Middle Ages who were imbued with spiritual life lived something which the initiated named the exaltation of love. Before and after, there were Minnesingers, minstrels of love. But there was a great difference between what was formerly understood as love in the Germanic countries, and what arose later on in Christianity as purified love.

This is illustrated and handed down to us in “Armer Heinrich” (“Poor Henry”). Hartmann von der Aue's “Poor Henry” is filled with the spiritual life which the crusaders brought back from the Orient. Let us place before us briefly the, contents of “Poor Henry”: A Swabian knight who has always been fortunate in life is suddenly struck by an incurable disease, which can only be healed through the sacrifice and death of a pure virgin. A virgin is found who is willing to sacrifice herself. They go to Salerno to a celebrated physician. At the last moment, however, Henry regrets the sacrifice and does not wish to accept it. The virgin remains alive. Henry regains his health after all, and they get married.

Here we have, therefore, a pure virgin and her sacrifice on behalf of a man who has only lived a life of pleasure and who is saved through her sacrifice. A mystery lies, concealed in this. From the standpoint of the Middle Ages, Minnesinging was looked upon as something which had been handed down from the four phases of ancient Germanic life, as contained in the sagas which Wagner placed before us in his Tetralogy. Love based on the life of the senses was considered at that time as something which had been overcome; love was to rise again spiritually, linked up with the feeling of renunciation.

In order to realise what took place, we must collect all the factors which reconstruct for us the expression, the physiognomy of that past period. And then we shall be able to understand what induced Wagner to set forth this legend.

The earliest Germanic races had a legend which we can trace throughout history, one of the root-legends which can also be found in a somewhat different form in Italy and in other countries. Let us place before you, the outline of this legend: A man has learnt to know the pleasures and joys of this world, and penetrates into a kind of subterranean cavern. There he meets a woman of exceeding great charm and attraction. He experiences the joys of paradise, nevertheless he longs to return to the earth. Finally he comes out of the mountain and returns to life.—This is a legend which we can find everywhere in Europe, and it appears to us very clearly in Tannhäuser. If we study this legend we shall find that it is, to begin with, the personification of love in the Germanic countries before the great turning point of the times. Life in the world outside is renounced for a retirement in the cavern to the joys brought by the old kind of love, by the goddess Venus.

In this form the legend has no real point of issue, no possibility of looking up to something higher. It arose before love underwent the already mentioned transformation. Later on, in the early times of Christianity when love began to take on a spiritual form, people sought to throw a glaring light on these earlier periods and on this paradise in the cave of Venus, as a contrast to the other paradise which they had found.

At this point we must consider our fifth root-race. When the floods had buried Atlantis, the sub-races of the fifth root-race gradually emerged: the Indian, the Median-Persian, the Assyrian-Babylonian-Semitic, the Graeco-Latin races. When the Roman culture began to flow off, our fifth sub-race emerged, the Germanic races in which we now live and which have a special significance for Christian Europe.

Not that Wagner was aware of all these things, but he possessed an unerring feeling for the world-situation and felt what tasks were incumbent upon the races; he felt it just as clearly as if he had known spiritual science.

You know that every one of these races was inspired by great initiates. The fifth root-race arose out of the ancient Semitic races. A trace of this origin still lives in all the sub-races which have so far constituted the fifth root-race. You know that after the destruction of Atlantis by the great flood the peoples who had emigrated and had thus been preserved from destruction were led by Manu, a divine guide, into Asia, into the desert of Gobi. Cultural influences went out from there to India, Persia, Assyria, Egypt, Greece, Rome, and even to our own countries.

History can no longer trace the first semitic streams of influence upon human civilisation when contemplating the ancient Aryan civilisation. This influence appears more clearly only in the third sub-race, in the Egyptian-Semitic-Babylonian peoples. The people of Israel even derive their name from it. Christianity itself may be led back, as a fourth influence, to a semitic impulse. If we continue studying the development of these influences we shall find the semitic impulse in the Moorish culture which penetrated into Spain, and spread over the whole of Europe influencing even Christian monks.

Thus the primal semitic impulse reaches as far as the fifth sub-race.

We see the impulses of one great stream penetrate five times into the earliest civilisations. We have one great spiritual stream coming from the South, which is met by another stream arising in the North, which penetrates into four phases of the early northern civilisation and develops until it meets the first stream, thus flowing together with it. A childlike, unworldly nation dwelt in northern Europe and these early inhabitants underwent the influence of the stream of culture coming from the South at the turning point of the 12th and 13th century. This new culture penetrated into these regions like a spiritual current of air. Wolfram von Eschenbach was entirely under the influence of this spiritual current.

The northern civilisation is symbolized in the legend of Tannhäuser, which also contains an impulse from the South. Everywhere we come across something which may be designated as a semitic impulse.

There was one thing, however, which was, felt very strongly: namely, that the Germanic races were a last link in this chain of development and that something entirely new would arise, preparing something completely different within the sixth sub-race: the higher mission of Christianity. The Germanic peoples longed for this new form of Christianity: a Christianity was to be called into life which had nothing to do with what had been taken over from the South. A contrast arose between Rome and Jerusalem; “Rome on the one side and Jerusalem on the other” was the battle-cry under which the crusaders fought. The idea that Jerusalem must be the centre was never lost.

A spiritual Jerusalem, rather then a physical one, was borne in mind: Jerusalem as a spiritual centre, and at the same time as an outpost of the future.

It was felt that the fifth sub-race had to serve still another purpose, that it had to fulfil a special task. The old impulses had ceased, something entirely new was to come, a new spiral curve in the civilisation of the world began. What had come from the South was only an attempt; the kernel was now to be peeled out of its skins. At the turn of the Middle Ages it was felt that something old, which had been experienced as a boon, was setting and had come to an end, and that the longing for something new contained a new impulse which was gradually coming into life. These were the feelings which lived particularly in the strong personality of Wolfram von Eschenbach.

Consider now the new period. Imagine this feeling rising up anew in a period of decadence, and then you will find in it something of what lived in Wagner. Many things had in the meantime taken place which were formerly experienced as decay of the race. Richard Wagner felt this particularly strongly ever since his conscious life began. The chaos which surrounds us to such a great extent to-day, the chaos in which the masses waste away through sickness, contain both the symptoms of decay and of a new life.

The misery of the great masses of European people, whose spiritual life remains hidden in darkness, who are cut away from education and culture, has never been experienced more deeply than by Richard Wagner, and for this reason he became a revolutionary in the year 1848, for the following thought weighed heavily on his heart: It lies within our power to help in accelerating the downward course of the wheel, or in guiding it up again.

This is the idea of Bayreuth. The events of 1848 were only an insignificant symptom of the coming spiritual movement. If we grasp this, we shall be able to understand how Richard Wagner came to his race-problem, dealt with in his prose-writings. He expresses himself more or less as follows: In Asia, in the Hindoo race, we may find something of the primordial force of the Aryan race. Some of the strong spiritual forces of the Aryan race exist for a chosen few, for the Brahmin caste. The lower castes are excluded, but a high spiritual standpoint is reached by the Brahmins. Then we may find in the North a more childlike race (thus Wagner continues), which has passed through the four stages of evolution within the race itself. These people delight in hunting; killing is a joy to them, but this pleasure in taking away life is a symptom of decadence. It is a deep, occult fact that life is strangely connected with knowledge, with the development of man in the direction of higher spiritual knowledge. Everything man doer, in the way of cruelty or of destruction of life takes away from him the pure spiritual forces. For this reason, those who increase the forces of egoism, who tread the black path, must destroy life. (In Mabel Collin's “Flita”, the story of a woman dealing in black magic, Flita destroys unborn existences, because she needs life in order to maintain her power.)

There is a deep connection between the taking away of life and the life of man. In the eternal course of evolution this is a lesson which must be learnt and experienced. But it is another matter if during a certain period of evolution people take away life in a naïve way. Once upon a time the act of killing made man feel his own strength. This may be said of the ancient Germanic races, the hunting peoples. Ever since Christianity has appeared, it is a mortal sin to kill, and killing is now a symptom of decadence in a race.

This was the foundation of the view which induced Wagner to become a strict vegetarian. In his opinion, the only way in which a race may grow in strength is through a nourishment which does not imply killing.

The feeling that a new impulse had to come produced in Wagner also his ideas concerning the influence of the Jews upon our present civilisation.

He was not anti-semitic in the present, odious way, but he felt that Judaism as such had finished to play its role, and that the semitic impulses must die out. This gave rise to his call for emancipation from these impulses. A powerful spiritual direction made him feel that something new must replace earlier influences. This is connected with his ideas about the Germanic races. He made a clear distinction between the development of the soul and of the race. This distinction must be made by saying: We were all incarnated in the Atlantean race. Whereas the souls have risen higher, the races have degenerated. Every step we ascend is connected with a descent. For every man who grows more noble-minded there is one who sinks down lower. There is a difference between the soul dwelling within the race-body and the race-body itself. The more a human being resembles the race to which he belongs, the more he loves what is transient and is connected with the qualities of his race, the more he will degenerate with the race. The more he emancipates himself, lifting himself out of the peculiarities of his race, the more his soul will have the possibility to incarnate more highly. Richard Wagner knows that in fighting against the Semitic element we should not fight against the souls who are incarnated within the race, but only against the race as such, which has finished to play its role. Wagner thus makes a distinction between the descending evolution of the race and the ascending evolution of souls. He felt the necessity of this ascending evolution just as keenly as a medieval soul, just as keenly as Wolfram von Eschenbach, or Hartmann von der Aue.

We must consider once more what is contained in the fact that in “Armer Heinrich” (Poor Henry) Henry is healed by a pure virgin. Henry has lived, to begin with, a life of the senses, his Ego is born out of his race. This “Ego” begins to all as soon as it begins to hear the higher call, the call meant for humanity in general. The soul grows ill because it connects itself with something which is only rooted in the race: with a form of love which is rooted in the race. Now this lower kind of love living within the race must develop into a higher form of love. What lives within the race must be redeemed by something higher, by the higher, purer soul that is ready to sacrifice herself for the striving soul of man.

You know that the soul consists of a male and a female part, and that the impressions of the senses which enter the soul push this soul-element into the background.

“The eternal Feminine draws us along!” (“Das Ewig-Weibliche zieht uns hinan!” Goethe, Faust II). Salvation means that sense-life must be overcome. We find this redemption also in “Tristan and Isolde”.

The historical expression for the overcoming of sense-life is “Parsifal”. He is the representative of a new Christianity. He becomes the King of the Holy Grail because he redeems what has once been held in the bondage of the senses and thus brings into the world a new principle of love. What lies at the foundation of Parsifal? What is the meaning of the Holy Grail? The earliest legend which appears at the turning-point of the Middle Ages tells us that the Holy Grail is the cup which was used by Jesus Christ at the Lord's Supper, the cup in which he offered the bread and the. wine and in which Joseph of Arimataea caught up the blood streaming out of Christ's wound. The spear which caused this wound and the chalice were born up by angels, who held it suspended in the air until Titurel found them and built upon Montsalvat (which means: the Mountain of Salvation) a castle in which he could guard these treasures. Twelve knights gathered together to serve the Holy Grail. The Holy Grail had the power to avert the danger of death from these knights and to supply them with everything they needed for their life. Whenever they looked upon it they acquired new spiritual strength.

On the one side, we have the temple of the Holy Grail with its knights, and on the other, the Magic Castle of Klingsor with his knights, who are, in reality, the enemies of the knighthood of the Holy Grail. We are confronted with two forms of Christianity. One kind is represented by the knights of the Holy Grail and the other by Klingsor. Klingsor is the man who has mutilated himself in order not to fall a prey to the senses. But he has not overcome his desires, he has only taken away the possibility to satisfy them. Thus he lives in a sensual sphere. The maidens of the magic castle serve him, and everything belonging to the sphere of desires is at his disposal. Kundry is the real temptress in this kingdom: she attracts everyone who approaches Klingsor into the sphere of sensual love. Klingsor has not destroyed desire, but only the organ of desire. He personifies the form of Christianity which comes from the South and introduced an ascetic life; it eliminated a sensual life, but it could not destroy desire; it could protect against the tempting powers of Kundry. A higher element was perceived in the power of a spirituality which rises above sensual life into the sphere of purified love, not through compulsion, but through a higher, spiritual knowledge.

Amfortas and the knights of the Holy Grail strive after this, but they do not succeed in establishing this kingdom So long as the true spiritual force is lacking, Amfortas yields to the temptations of Kundry. The higher spirituality personified in Amfortas falls a prey to the lower memory.

Thus we are confronted with two phenomena. On the one hand, Christianity which has become ascetic and is unable to reach a higher spiritual knowledge; and on the other hand, the spiritual knighthood which falls a prey to Klingsor's temptation until the redeemer appears who vanquishes Klingsor. Amfortas is wounded and loses the sacred spear; he must guard the Holy Grail as a sorrow-laden king. This higher Christianity is therefore diseased and suffering; it must guard the mysteries of Christianity in sorrow until a new saviour appears. And this saviour appears in Parsifal.

Parsifal must first learn his lesson, he passes through tests; he then becomes purified and finally attains spiritual power, the feeling of the great oneness of all existence. Richard Wagner thus unconsciously comes to great occult truths. First of all to compassion. Parsifal at first passes through a scale of experiences which fill him with compassion for our older brothers, the animals. In his violent desire to embrace knighthood he has abandoned his mother Herzeleide, who has died of a broken heart. He has battled and killed. The dying glance of an animal then taught him what it means: “to kill”.

The second stage consists in rising above desire, without killing desire from outside.

So he reaches the sanctuary of the Grail, but he does not as yet understand his task. He learns his lesson through life, He falls into temptation through Kundry, but he stands the test. Just when he is about to fall, he rises above desire; a new pure love shines forth within him like a rising sun.

Something flares up which we already discovered in the Twilight of the Gods: “Incarnatus est de spiritum sanctum ex Maria Virgine”, born of the Spirit through the Virgin, (the higher love, which is not filled with sensual feelings).

The human being must awaken within him a soul which purifies everything transmitted by the senses. because virgin substance, virgin matter, will give birth to the Ego of the Christ. The lower female element in the human soul dies and will be replaced by a higher female element which lifts him up to the Spirit.

A higher virgin power faces the seducing Kundry. Kundry, the other female element pertaining to sex which draws man down, which seeks to draw him down, must be overcome.

Kundry has already lived once as Herodias who asked for the head of John the Baptist, Herodias, the mother of Ahasver. The force which cannot find peace and seeks everywhere a sensual love, this force takes on the form of a love which must first be purified, undergo a transformation, like Kundry. Emancipation from a love dependent on the senses—this is the mystery which Richard Wagner has woven into his Parsifal.

This thought permeates all the works of Richard Wagner. Even in his “Flying Dutchman” the intuitive force of his nature leads him to the same problem, for in this work we find that a virgin is willing to sacrifice herself for the Dutchman, thus redeeming him from his long wanderings. And the same problem is contained in “Tannhäuser”. The singer's contest on the Wartburg is set forth as a contest between the singer of the old sensual love, Heinrich von Ofterdingen, and Wolfram von Eschenbach, who is the representative of the new, spiritual Christianity. He overcomes Heinrich von Ofterdingen, who has called in the aid of Klingsor from Hungary, but Wolfram overcomes both. Now we are able to understand Tristan more deeply, because we know that what lives in him is not the killing of love, but the overcoming of the race, or the purification of love.

Richard Wagner rose from Schopenhauer's “Denial of the Will” to a purification of the will.

Wagner even expressed this purification in his “Meistersingers”, where Hans Sachs' feelings toward Eve undergo a purification when he seeks to win her for himself. This is expressed not so much in the text, as in the music.

All this has streamed together in his Parsifal. Richard Wagner looked back upon the ancient ideal of the Brahmins, and perceived with sorrow the symptoms of decay in the present race. He wished to give rise to a new impulse born out of art. In his Festivals at Bayreuth he had in mind to redeem the race by giving it a new spiritual content.

This was the spirit which prompted Nietzsche, so long as he was connected with Wagner, to write about “Dyonisian Art”. He felt that these Festivals contained something of the spirit of the ancient Mysteries. The Mysteries had contributed to the development of the human race up to the fourth sub-race. In the Mystery-temple of Dyonisos it was possible to experience this uplifting impulse, and in the North, the initiates, the druids, spoke of the twilight of the gods out of which a new race would come forth, would have to come forth.

Our civilisation, with its task of introducing Christianity, stands in the very midst of these ideas. Sorrowfully the Greek disciple of the Mysteries spoke of the man “who would come to fulfil the Mysteries”.

Richard Wagner saw the time approaching when Christianity, developing out of the fifth sub-race, would have to be fulfilled. He brought faith also to those “who could not see”. A time will come when the God of the Mysteries will rise again from the human into the divine sphere. The twilight of the gods of the ancient northern saga shows us this ascent, in the gods' journey to Walhalla along the rainbow-bridge. The time draws near and must be fulfilled when Christianity begins to speak its own characteristic language, when “those who believed will be able to see again”. Bayreuth thus shows us two currents of civilisation: The renewal of the Mysteries of Greece, and a new Christianity—thus uniting what had become severed.

Richard Wagner and all those who surrounded him felt this, and Edouard Schuré had the same feeling about this art. He saw in it the prologue introducing the union of what had become severed in the past.

Religion, art and science were united in the ancient primordial drama: then came the division and three separate currents began to flow out of the one source contained within the Greek Mysteries.

Each current owes its development to the fact that it went its own separate way. In the course of time a “religious” element arose for the soul, an “artistic” one for the senses, and a “scientific” one for the understanding.

This was inevitable, for perfection could be reached only if man unfolded every one of his capacities separately until they attained the highest point of development.

If religion is led toward the highest form of Christianity, it is willing to become reunited with art and science. Art—poetry, painting, sculpture and music—will reach the summit if it becomes permeated with true religion. And science, which has reached its full development in the modern period, has really given the impulse for the reunion of these three currents.

Richard Wagner, one of the first who felt the impulse leading to a reunion of art, science and religion, has offered this to humanity as a new gift.

He felt that Christianity is again called upon to unite everything. And he poured this new Christianity into his Parsifal.

The Good Friday music, expressing Wagner's own Good Friday feelings, re-echoes in our ear as if it were the great current of a new civilisation. The Good Friday experience revealed to him that the individual development of the soul and the development of the race must go separate ways, that the souls must be lifted up and saved, that it is our task to awaken the soul to new life, in spite of the tragic fate connecting the body with the race, with the forces which are doomed to decay.

To fill the world with tones pointing to a new future, this is what Richard Wagner wished to set forth at Bayreuth, this is the newly rising star which he pointed out to us. At least a small part of humanity should listen to the tones of the future age.

Wagner's life-work ends with apocalyptic words, the apocalypse which he wished to proclaim to his period, as a true prophet who knew that a new age would dawn very soon:

“Die Gesichte, die ich sehe,
Will ich Euch künden!”

“The visions I see

let me proclaim to you!”

Today I wish to make a brief survey of the Rites and Orders of Freemasonry, as I agreed to do. Of course I can only impart to you the main essentials, as the whole subject is so comprehensive, and so many inessential things are connected with it.

The basis for the whole of Freemasonry is to be found in the Temple Legend concerning Hiram-Abiff or Adonhiram about whom I have already spoken in connection with the Rosicrucian Order.¹ Everything to do with what is called the secret of Freemasonry and its tendency is expressed in this Temple Legend.² We are led to a kind of Genesis or theory of evolution of the human race. Let us therefore recall to mind the essentials of this Temple Legend.

One of the Elohim united himself with Eve and out of this union of a divine creative spirit with Eve, Cain was born. Then another of the Elohim, Jehovah or Adonai, created Adam, who is to be regarded as the primal man of the third Root Race. This Adam then united himself with Eve, and from this union Abel was born. Thus at the outset of human evolution there are two starting points: Cain, the direct descendant of one of the Elohim with Eve, and Abel, who, with the help of a divinely created human being, Adam, is the true representative of Jehovah.

The whole conception underlying the creation story according to the Temple Legend is based upon the fact that there is a kind of enmity between Jehovah and everything which is derived from the other Elohim and their descendants, the ‘Sons of Fire’—this being the designation of the descendants of Cain according to the Temple Legend. Jehovah creates enmity between Cain and his race, and Abel and his race. The outcome of this was that Cain slew Abel. That is the arch-enmity which exists between those who receive their existence from the divine worlds, and those who work out everything for themselves. The fact that Abel makes the sacrifice of an animal to Jehovah, while Cain brings the fruits of the earth, is an illustration, which the Bible gives too, of this contrast between the race of Cain and the race of Abel. Cain has to wrest from the earth with hard labour the fruits which are necessary for the sustenance of mankind; Abel takes what is already living, what has been prepared for his livelihood. The race of Cain creates, as it were, the living out of the lifeless. Abel takes up what is already alive, what is already imbued with the breath of life. Abel's sacrifice is pleasing to God, but Cain's is not.

Thus we find two kinds of human being characterised in Cain and Abel. The one consists of those who accept what God has prepared for them. The others—the free humanity—are those who till the soil and labour to win living products out of what is lifeless. Those who regard themselves as Sons of Cain are they who understand the Temple Legend and wish to live by it. Out of the race of Cain spring all those who are the creators of the arts and sciences of mankind: Tubal-Cain who is the first true architect and the God of smithies and working tools; and also Hiram-Abiff, or Adonhiram, who is the hero of the Temple Legend. This Hiram is sent for by King Solomon, famous for his wisdom, who belongs to the race of Abel, those who receive their wisdom from God. Thus this contrast appears once more at the court of Solomon—Solomon the wise, and Hiram the independent worker, who has achieved his wisdom through human striving.

Solomon called to his court Balkis, the Queen of Sheba, and when she arrived her impression of him was as of a statue made of gold and precious stones; it was as though she were looking at a monument bestowed on mankind by the gods. As she gazed in wonderment at the great Temple of Solomon, her desire was to meet the architect of this wonderful building, and her wish was fulfilled. Merely through a single glance which the architect cast on her, she was able to appreciate his true worth. Solomon was immediately seized by a kind of jealousy of Hiram. This grew as Balkis demanded that all the workers engaged in the building of the Temple should be presented to her. Solomon declared that this was impossible, but Hiram conceded to her wishes. He climbed onto a slight eminence, made the mystical sign of the Tau and, behold, all the workers streamed towards him. The will of the Queen had been fulfilled.

Because of this, Solomon is disinclined to oppose the enemies of Hiram and to stand out against them. A Syrian stonemason, a Phoenician carpenter and a Jewish miner were antagonistic towards Hiram. These three fellow craftsmen had been totally denied the Master Word by Hiram-Abiff. The Master Word is that which would have enabled them to work independently as master builders. The Master Word is a secret which is imparted only to those who have made the grade. Therefore they came to the decision to do Hiram some harm.

The opportunity for this came about as Hiram-Abiff was about to fulfil his masterpiece, the casting of the Molten Sea. The movement of the waters was to be held fast in Form. The surging sea was to be preserved alive artistically in a rigid form. That is the point. The three apprentices conspired to make the casting in such a way that instead of flowing into the mould it would flow out over the surroundings. Hiram tried to arrest the flow of the fiery mass by throwing water over it, but this caused the metal to spray up into the air and descend again with great force in a rain of fire. Hiram was powerless to do anything. But suddenly a voice called out to him: ‘Hiram! Hiram! Hiram!’ He was ordered by the voice to plunge into the sea of fire. This he did and he sank down ever deeper until he reached the centre of the earth where fire has its origin. There he met two figures, his ancestor Tubal-Cain, and Cain himself. Cain was irradiated with the brightness of Lucifer, the angel of light. Then Tubal-Cain gave Hiram his hammer which had the magical property of restoring all things to their proper order and he said to him: You will beget a son who will gather about him a race of wise folk, and you will be the progenitor of those who have been born out of fire which brings wisdom and makes man thoughtful. The Molten Sea was now restored by means of the hammer.

Hiram and Queen Balkis then met again outside the city. She became his wife, but Hiram was unable to avert the jealousy of Solomon and the revenge of the three fellow craftsmen. He was slain by them. The only thing he was able to save was the Triangle with the Master Word engraved upon it, which he threw into a deep well. Then Hiram was buried and a branch of acacia was planted on his grave. The acacia branch betrayed the whereabouts of the grave to Solomon, and the Triangle was also discovered. It was sealed up and buried in a place known to only a few people—twenty-seven in all. [It was agreed that] the new Master Word should be the word first uttered after the finding of the corpse—it is the word which is used by the Freemasons. The Freemasons trace back their origin, with some justification, to the Temple Legend and to the old days in which the Temple was built by Solomon as a lasting memorial to the secret of the fifth Root Race.

And now we have to learn to understand how mankind can benefit by Freemasonry. That is not so easy. A person who gets to know something of the complicated initiation ceremonies of Freemasonry might be inclined to ask: is what takes place in such ceremonies very trivial and petty?

I will now describe to you the initiation ceremony of an apprentice wishing to join the Order of Craft Masonry.³ Just imagine someone has decided that he wants to become a member of the Craft Masonry. It consists of three degrees: Apprentice, Fellow Craftsman and Master Mason. After these three degrees come higher degrees which lead the candidate into occult knowledge. I will now describe what happens to a novice about to be initiated into the first degree,⁴ that is the degree of apprentice. When he is brought into the Lodge building for the first time, he is led into a remote chamber by the Brother Warden and left for some minutes to his own thoughts. Then he is deprived of all metal he has about him, such as gold, silver and other metals, his clothes are rent at the knee and the heel of his left shoe is trodden down. In this condition he is led into the midst of the brethren who are assembled in another room, a cord is passed round his neck and a sword is pointed at his naked breast. In this state he is confronted by the Worshipful Master, who asks him if he is still determined to undergo initiation. Then he is cautioned very seriously and during the further procedures the meaning of the treading down of the heel and other procedures are explained to him. There are three things which he is obliged to forego. If he is unable to forswear these three things he will never be accepted as a Freemason. He is told: If you retain the slightest curiosity about anything, then you must leave this house immediately. Secondly, he is told: If you should hesitate to acknowledge every one of your failings and mistakes, then you must leave this house immediately. Thirdly: If you are unable to rise in spirit above all things which differentiate one human being from another, then you must leave this house immediately. These three things are most strictly required from every candidate for initiation.

Then a kind of frame is held in front of the candidate. through which he is thrown, while at the same time an unpleasant noise is produced, so that he flies through the frame with the worst of feelings. In addition to this they shout to him that he is being thrown into Hell. At that same instant, a trapdoor is closed with a bang, and he is given the impression of being in very peculiar surroundings. His skin is then scratched slightly, so that blood is made to flow, and at the same time a gurgling sound is made by those around him, giving him the impression that he is losing a great deal of blood. After that three hammer blows are struck by the Worshipful Master. What is said thereafter in the Lodge must be treated in the strictest secrecy. Were the candidate to reveal it, his connection with Freemasonry, would be changed, just as the drink he is offered also changes: sweet from the one side, bitter from the other. This drink is handed to him in an artfully constructed vessel, so that the drink is sweet from one side, but when turned around it changes to bitter. That is to symbolise how it will be for the candidate if he betrays the secrets.

After these proceedings he is led to a flight of stairs in a room which is very dimly lit. This staircase is so constructed that it moves and thereby gives the impression that one has descended a long way, whereas one has really only descended a short distance. It is the same when the candidate falls. When he thinks he has fallen into a deep well, he has in reality only fallen a very short way. At this point it is explained to him that he has arrived at a decisive moment. In addition to this he is blindfolded again when he is by the staircase. Then the Brother Warden is asked: ‘Brother Senior Warden, deem you the candidate worthy of forming part of our Society?’ If the answer is ‘Yes’ he is then further asked: ‘What do you ask for him?’ He is obliged to answer: ‘Light’. Then the bandage is removed from the candidate's eyes and he sees himself in an illuminated chamber. Then follows the basic question: ‘Do you recognise who is your Master?’ He makes answer: ‘Yes, it is he who is wearing a yellow jacket and blue trousers.’ The blue trousers refer to the rank he possesses. Then he receives the three attributes of apprenticeship: Sign, Grip and Word. The Sign is a symbol of the same kind as occult symbols ... [Gap] The Grip is a special kind of handclasp to be used when shaking hands. These handclasps are different in the case of an apprentice and in the case of a Master. The Word changes according to degree, It does not behove me to reveal what the Words are.

After that, the person concerned can be admitted to his apprenticeship. On admission he is asked: ‘How old are you?’ He makes answer: ‘Not yet seven years.’ He has to serve seven years as an apprentice before he can progress to become a journeyman.

When someone has progressed so far that he is eligible for his Master I s degree, the initiation ceremony is somewhat more difficult. The main thing is, however, that what is contained in the Temple Legend is actually carried out in practice on the candidate himself. He who wishes to attain to the Master's degree is led into one of the rooms in the Lodge building and has to lie in a coffin and to undergo the same fate as the Master-builder Hiram suffered. Then the new Sign, Grip and Word are revealed to him. The Word is the same as the Master Word which was uttered at the finding of Hiram's body. The signs by which a Master is known are extremely complicated. Recognition is achieved with the help of many forms and gestures.

The Freemasonry Masters call themselves ‘Children of the Widow’. Thus the Company of the Masters is directly derived from the Manicheans. I shall still speak about the connection between Manicheism and Freemasonry.⁵

The task of Freemasonry is connected with that belonging to the whole of the fifth Root Race. You could, of course, from the point of view of modern rationalist thinking, dismiss all I have told you about the initiation of an apprentice and the various ceremonies connected therewith as mere tomfoolery and play acting. But that is not what it is. All the things I have mentioned are the outward symbolical enactment of ancient occult practices which once took place on the astral plane through the mystery schools. Such proceedings, therefore, which take place symbolically among Freemasons, are carried out on the astral plane in the mystery temples. The initiation into the degree of a Master, the lying in the coffin and so on, is actually something which takes place on a higher level. However, in Freemasonry, it only takes place symbolically.

One could now ask: Where does all this lead? A Freemason should be conscious of the fact that one should act on the physical plane in a way which will maintain a connection with the spiritual worlds. It makes a difference whether one is a member of a community which believes in symbols which help to create a higher community, or whether ... [Gap] A Freemason need not necessarily have different thoughts from the man in the street, but his feelings are quite different. Feelings are connected with symbolical enactments, and it is not a matter of indifference whether or no a feeling of this kind is aroused, because it corresponds with a certain rhythm on the astral plane.

The meaning behind the first part of the ceremony—the taking away of metal objects—is that the candidate should not retain about his person anything which he has not produced by his own labours. A feeling for this is necessary for anyone who has had his attention drawn to the significance of symbols. He should also retain an enduring memory of the tearing of the trousers at the knee. He should think upon the fact that he ought to present himself in life as if he were appearing completely naked in the eyes of his fellow men. In like manner, the treading down of the heel should act as a constant reminder that—even though he may be strong as far as Freemasonry is concerned—he nevertheless is made vulnerable through his heel of Achilles. All subsequent parts of the ceremony have basically a meaning of this kind—particularly in the case of the eerie feeling which is engendered when a cold, sharp-edged sword is laid against his breast. That is a feeling which persists for a long time and becomes focussed in a suggestion which returns to his mind at important moments and reminds him that he should develop a kind of cold-blooded attitude. Cold-bloodedness should be the suggestion he receives. Complete responsibility for his own actions is what is symbolised by the cord laid about his neck which can be drawn tight at any moment. Presence of mind is suggested by the procedures connected with trapdoors, moving stairways, etc. Those are procedures which take place quite differently in the mysteries because they are performed on the astral plane.

The candidate must then take the oath. Everything about him is horrible, dark, the room only lit by one or two tiny flames. I want you to consider this oath in its full portent: ‘I hereby swear that by Word, Sign and Grip I shall never disclose anything which is henceforth revealed to me within this Lodge. Should I betray any of the secrets, I will allow any of the Brethren who may get to know about it, to slit my throat and wrench out my tongue.’ That is the oath of the apprentice. Still more dreadful is the oath of the journeyman, who consents to having his breast cut open and his heart torn out and thrown to the birds. The oath which the Master has to swear is so terrible that it cannot be repeated here.

These things are used as a means of evoking a certain kind of rhythm in the sensations of the astral body. The result of this is that the spirit is influenced intuitively. This influencing of the spirit was the main purpose of the masonic initiation in ancient times—Freemasonry is really very ancient.

The Freemasons of old were actually stonemasons. They performed all the duties of a mason. They were the builders of temples and public buildings in ancient Greece, where they were known as Dionysiacs.⁶ The building work was carried out in the service of the temple of Dionysus. In Egypt they were the builders of the pyramids, in ancient Rome, the builders of cities, and during the Middle Ages they built cathedrals and churches. After the thirteenth century they also began to build independently of the authority of the Church. At this time the expression ‘Freemason’ came into use. Before that they were under the authority of the religious communities and were the recognised architects.

Let us take our start from the fact that the Freemasons were the builders of the pyramids, of the mystery temples, and of the churches. You will easily gain the conviction—especially by reading Vitruvius⁷ —that the manner in which architecture was formerly studied is quite different from our present method. One did not study it at that time by making calculations, but instead, definite intuitions were imparted by means of symbols.

If you read in Luzifer⁸ how the Lemurians developed their building capacity you will get an inkling of the way in which this art was then practised. It is not possible today to build in that manner. With amazement and wonder we behold the buildings of the ancient Chinese and of the Babylonians and Assyrians, and know that they were constructed without a knowledge of our present-day mathematics. We behold the wonderful engineering feat of Lake Moeris in Egypt; a lake which was constructed to collect water which could be diverted into irrigation channels in times of need. It was not built with our modern engineering technique. The wonderful acoustic effects produced in old buildings were achieved in a way which modern architects are not yet able to imitate. At that time men were able to build by means of intuitive faculties, not through rational understanding.

The whole of this kind of architecture stood in relationship to a knowledge of the universe. If you take the Egyptian pyramids, for instance, their measurements correspond to certain measurements in heavenly space, to the distances of the stars in space. The whole configuration of stellar space was depicted in these buildings. There was a connection between the individual building and the dome of heaven. The mysterious rhythm presented to our gaze when we behold the starry heavens—not just with our outer sense, but with an intuitive gaze which penetrates to higher relationships, to rhythmical relationships—that was what the original architects included in their building, because they were building out of the universe.

This art of building was taught in a fashion as different from our own as the teaching of the art of medicine among certain primitive tribes today differs from our own. Our teaching today stems from the intellect. In primitive tribes the doctor is not trained like our doctors, but has certain occult forces developed in him. He has to undergo a bodily training which would be horrible for anybody of a nervous or weak disposition living in our modern culture. This training teaches him indifference to joy and pain and he who is indifferent to these is already in possession of occult powers. The extent to which the astral body could originally be trained was so great that it led to the development of powers which were designated as the Royal Art, which is an art derived from the mighty symbols of heavenly proportions.

Now you will have an idea of what Freemasonry used to be and you will realise that it had to outgrow its real task. It was bound to lose its significance as the world became rationalistic. It had its meaning when the fourth cultural epoch was still being developed. The fifth epoch brought about the loss of its importance. Today, Freemasons are no longer masons. Anybody can become a member. For occultists, symbols have a real meaning. A symbol that is merely a symbol, merely a copy or image, has no meaning; there is only significance in what can become a reality, in what can become a living force. If a symbol acts upon the spirit of humanity in such a way that intuitive forces are set free, then we are dealing with a true symbol. Today, Freemasons say they have symbols which mean this or that. An occult symbol, however, is one which takes hold of the will and leads over into the astral body. Inasmuch as our culture has become an intellectual culture, Freemasonry has lost its meaning.

Regarding connections with Manicheism ... [Gap]⁹ And after that come the high degrees, which extend as far as the ninetieth, indeed the ninety-sixth degree, and start at the fourth degree. The importance of the first three degrees has gradually been transferred to the high degrees. There is a kind of residue still remaining in what is called the ‘Royal Arch’,¹⁰ which is still extant in Freemasonry today. About these lighter sides and some of the darker sides of Freemasonry we shall have to speak again.

• 1 . Lecture 5 of 4th November 1904.
• 2 . See note 3 to lecture 5 of 4th November 1904.
• 3 . Craft Masonry covers the three degrees of Entered Apprentice, Fellow Craftsman and Master Mason. It is referred to by Heckethorn as ‘Blue Masonry’ and by Rudolf Steiner as ‘Johannesmaurerei.’ See notes 2 and 11 to the succeeding lecture (lecture 8, 9th December 1904).
• 4 . For this description Rudolf Steiner again drew on the account given in Charles William Heckethorn's Secret Societies, (pp. 267–271) some passages of which were marked by him accordingly.
• 5 . It is not known whether this intention was carried out.
• 6 . Dionysiacs are mentioned by Heckethorn pp. 79 and 250.
• 7 . Vitruvius Poflio, royal architect under Caesar Augustus, wrote his ten-volume work, De Architectura, between 16 and 13 B.C., drawing from Greek sources and from his own experiences.
• 8 . Rudolf Steiner refers here to articles which he at that time contributed to his periodical Luzifer, later known under the title Luzifer Gnosis, which were then published in book form and are available in English under the title Cosmic Memory, (Rudolf Steiner Publications, Chapter ‘Lemuria’).
• 9 . See note 5.
• 10. Since the Tolerance Agreement of 1813 the ‘Royal Arch Degree’ has passed as the Fourth Degree. See note 16 to the succeeding lecture, also the notes about ‘Goethe's relationship to Rosicrucianism’ which appear as an appendix to these lectures.

Today we will explain a great allegory, and deal with an object which is known to occult science as the image or teaching of the lost temple which has to be rebuilt. I have explained in earlier lectures¹ why in occult science one starts from such images; today we shall see what an enormous number of ideas are contained in essence in this image. Thereby I will also have to touch upon a theme which is much misunderstood by those who know little or nothing about theosophy. There are some people who do not understand that theosophy and practical [everyday things] go hand in hand, that they must work together throughout the whole of life. Therefore I shall have to speak about the connection between theosophy and the practical things of life. For, basically, when we take up the theme of the lost temple which has to be rebuilt, we are speaking about everyday work.

I shall, indeed, thereby be in the position of a teacher who prepares his pupils for building a tunnel. The building of a tunnel is something eminently practical. Someone might well say: building a tunnel is simple; one only has to start digging into a hill from one side and to excavate away until one emerges at the other side. Everyone can see that it would be foolish to think in this way. But in other realms of life that is not always perceived. Whoever wishes to build a tunnel must, of course, first of all have a command of higher mathematics. Then he will have to learn how it is to be made, technically. Without practical engineering knowledge, without the art of ascertaining the right level, one would not be able to keep on course in excavating the mountain. Then one must know the basic concepts of geology, of the various rock strata, the direction of the water courses and the metallic lodes in the mountain, and so on.. It would be foolish to think that someone would be able to build a tunnel without all this prior knowledge, or that an ordinary stone mason could construct a whole tunnel.

It would be just as foolish if one were to believe that one could begin building human society from the point of view of ordinary life. However, this folly is perpetrated not merely by many people, but also in countless books. Even one today supposes himself called upon to know and decide how best to reform social life and the state. People who have hardly learnt anything write detailed books about how society should best be shaped, and feel themselves called to found reform movements. Thus there are movements for reform in all spheres of life. But everything done in this way is just the same as if someone were to try to cut a tunnel with hammer and chisel. That is all a result of not knowing that great laws exist which rule the world and spring forth out of the life of the spirit. The real problem of our day consists in this ignorance [of the fact] that there are great laws for the building of the state and of the social organism, just as there are for building a tunnel, and that one must know these laws in order to carry out the most necessary and everyday tasks in the social organism. Just as in building a tunnel, one has to know about the interaction of all the forces of nature, so must anyone wishing to start reforming society know the laws [which interweave between one person and the next] . One must study the effect of one soul on another, and draw near to the spirit. That is why theosophy must lie at the basis of every practical activity in life. Theosophy is the real practical principle of life; and only he who starts from theosophical principles and carries them over into practical life can feel himself called as able to be active in social life.

That is why theosophy should penetrate all spheres of life. Statesmen, social reformers and the like are nothing without a theosophical basis, without theosophical principles. That is why, for those who study these things, all work in this field, everything done today to build up the social structure, is external patchwork and complete chaos. For one who understands the matter, what the social reformer is doing today is like somebody cutting stones and piling them one on top of another in the belief that a house will thereby come into being of its own accord. First of all a plan of the house must be drawn up. It is just the same if one asserts that, in social life, things will take shape of their own accord. One cannot reform society without knowing the laws of theosophy.

This way of thinking, which works according to a plan, is called Freemasonry. The medieval Freemasons, who dealt with and made contracts with the clergy, about how they should build, wanted nothing else than to shape outer life in such a way that—along with the Gothic cathedral—it could become an image of the great spiritual structure of the universe. Take the Gothic cathedral. Though composed of thousands of individual parts, it is built according to a single idea, much more comprehensive than the cathedral itself. To become complete in itself, divine life must flow into it, just as light shines into the church through the multi-coloured windows. And when the medieval priest spoke from the pulpit, so that the divine light shone in his listener's hearts just like the light shining through the coloured panes, then the vibrations set up through the preacher's word were in harmony with the great life of God. And the life of just such a sermon, born out of the life of the spirit, set itself forth in the cathedral itself. In like manner, the whole of outer life should be transformed into the Temple of the Earth, into an image of the whole spiritual structure of the universe.

If we go still further back in time, we find that it is just this way of thinking which was mankind's from the very earliest times. Let me explain what I mean by way of an example. Our epoch is the time of the chaotic interaction of one human being with another. Each individual pursues his own aims. This epoch was preceded by another one, the age of the ancient priestly states. I have often spoken about the cultural epochs of our fifth Great Epoch. The first of these was the ancient Indian epoch, the second, that of the Medes and the Persians, the third, that of the Babylonians, the Assyrians, the Chaldeans, the Egyptians and the Semites, and the fourth was the Graeco-Roman period. We are now in the fifth epoch.

The fourth and fifth cultural epochs were the first ones to be based on the intelligence of men, of individual men.

We have a great monument to the conquest of the old priestly culture by the intelligence of men in art, in the Laocoon.² The Laocoon priest entwined with serpents—the symbol of subtlety—symbolises the conquest, by the civilisation of intelligence, of the old priestly culture, which held other views about truth and wisdom, and about what should happen. It is the overcoming of the third cultural epoch by the fourth. That is represented in still another symbol, in the saga of the Trojan Horse. The intelligence of Odysseus created the Trojan Horse, by means of which the Trojan priestly culture was overthrown.

The development of the old Roman State out of the ancient Trojan priestly culture is described in the saga of Aeneas. The latter was one of the outstanding defenders of Troy, who afterwards came over to Italy. There it was that his descendants laid the foundation of ancient Rome. His son Ascanius founded Alba Longa and history now enumerates fourteen kings up to the time of Numitor and Amulius. Numitor was robbed of his throne by his brother Amulius, his son was killed and his daughter, Rhea Silvia, was made to become a vestal virgin, so that the lineage of Numitor should die out. And when Rhea gave birth to the twins, Romulus and Remus, Amulius ordered them to be thrown in the Tiber. The children were rescued, suckled by a she-wolf, and brought up by the royal shepherd Faustulus.

Now history speaks about seven Roman kings: Romulus, Numa Pompilius, Tuflus Hostilius, Ancus Martius, Tarquinius Pliscus, Servius Tullius and Tarquinius Superbus.

Following Livy's account³ it used to be believed that the first seven kings of Rome were real personalities. Today, historians know that these first seven kings never existed.

We are therefore dealing with a saga, but the historians have no inkling of what lies behind it. The basis of the saga is what follows:

The priestly state of Troy founded a colony, the priestly colony of Alba Longa (Alba, an alb, or priest's vestment).⁴ It was a colony of a priestly state and Amulius belonged to the last priestly dynasty. A junior priestly culture sprang from this, which was then cut off by a civilisation based on cleverness. History tells us no more about this priestly culture. The veil which was spread over the priestly culture of the earliest Roman history, is lifted by theosophy. The seven Roman kings represent nothing else than the seven principles as we know them from theosophy. Just as the human organism consists of seven parts—Sthula-Sharira [physical body], Linga-Sharira [etheric], Kama-Rupa [astral], Kama-Manas [ego], higher Manas [spirit-self], Buddhi [life-spirit] and Atma [spirit-man]—so the social organism was conceived, as it formed itself at the time, as a sequence in seven stages. And only if it was developed according to the law of the number seven, which lies at the base of all nature, was it able to prosper. Thus the rainbow has seven colours; red, orange, yellow, green, blue, indigo, violet. Likewise there are seven [intervals in the scale]: first, second, third, fourth, fifth, and so on; likewise the atomic weights in chemistry follow the rule of the number seven. And that permeates the whole of creation. Hence it was self-evident to the Guardians of the Ancient Wisdom that the structure of human society must also be regulated by such a law. According to a precisely worked out plan, these seven kings are seven stages, seven [integral] parts. This was the usual way of inaugurating a new epoch in history at that time. A plan was devised, since this was considered a means of preventing any stupidities, and a law was written for it. This plan was actually there at the beginning. Everyone knew that world history was guided according to a fixed plan. Everyone knew: When I am in the third phase of the fourth epoch, I must be guided by this and that. And so, at first, in ancient Rome, one still had a priestly state with a plan at the basis of its culture, which was written down in books, called the Sibylline Books. These are nothing else than the original plan underlying the law of the sevenfold epoch, and they were still consulted when needed in the earliest days of the Roman Empire.

The physical body was taken as a model for the foundations. That is not so unreasonable. Today people are inclined to treat the physical body as something subordinate. People look down on the physical with a kind of disdain. However, that is not justified, because our physical body is our most exalted part. Take a single bone. Take a good look at the upper part of a thigh bone and you will see how wonderfully it is constructed. The best engineer, the greatest technician, could not produce anything so perfect, if he were set the task of attaining the greatest possible strength using the least amount of material. And so the whole human body is constructed in the most perfect way. This physical body is really the most perfect thing imaginable. An anatomist will always speak with the utmost admiration of the human heart, which functions in a wonderful way, even though human beings do little else throughout life than imbibe what is poison for it. Alcohol, tea, coffee and so on attack the heart in the most incredible fashion. But so wonderfully has this organ been built that it can withstand all this into ripe old age.

The physical body, the lowest of the bodies, therefore possesses the greatest perfection. Less perfect, on the other hand, are the higher bodies, which have not yet gained such perfection in their development: the etheric body and the astral body continually offend against our physical body through the attacks of our lust, desires and wishes. Then follows, as the fourth [principle], the real baby [of them all], the human ego, which like a wandering will-o’-the-wisp, must still wait for the future to offer it those rules which will act as a guide for its conduct, just as the physical body has long since had.

When we develop a social structure, we must have that which will make the foundations firm. Thus the saga allows Romulus, the first Roman king, who represents the first principle, to be raised to heaven as the god Quirinus. The second king, Numa Pompilius, the second principle. embodies social order; he brought laws for ordinary living. The third king, Tullus Hostilius, represents the passions. Under him, the attacks against divine nature begin, causing discord, struggle and war, through which Rome became great. Under the fourth king, Ancus Martius, the arts develop, those things which spring out of Kama-Manas, [the human ego].

Now the four lower principles of man are not able to give birth to the three higher principles, the fifth, sixth andc seventh. This is also symbolised in Roman history. The fifth-Roman king, Tarquinius Priscus, was not engendered out of the Roman organism, but was introduced into Roman culture from the Etruscan culture as something higher. The sixth king, Servius Tullus, represents the sixth member of the human cyclic law, Buddhi. He is able to rule over Kama [the astral body], the physical-sensual counterpart of Buddhi. He represents the canon of the law. The seventh king, Tarquinius Superbus, the most exalted principle, is he who must be overthrown, since it is not possible to maintain the high level, the impulse, of the social system.

We see it demonstrated in Roman history that there must be a plan underlying the building of the state, just as for any other building in the world. That the world is a temple, that social life must be structured and organised, and must have pillars like a temple, and that the great sages must be these pillars—it is this intention which is permeated with the ancient wisdom. That is not a kind of wisdom which is merely learned, but one which has to be built into human society. The seven principles were correctly applied. The only person able to work towards the building up of society is he who has absorbed all this knowledge, all this wisdom, into himself. We would not achieve much as theosophists if we were to restrict ourselves to contemplating how the human being is built up from its different members. No, we are only able to fulfil our task if we carry the principles of theosophy into everyday life. We must learn to put them to use in such a way that every turn of the hand, every movement of a finger, every step we take, bears the impress, is an expression of the spirit. In that case we shall be engaged in building the lost temple.

Along with that, however, goes the fact which I mentioned recently—that we should take into ourselves something of the greatness and all embracing comprehensiveness of the universal laws. Our habits of thought must be permeated by that kind of wisdom which leads from great conceptions into the details—just in the same way as house construction starts from the finished and complete plan and not by laying one stone upon another. This demand must be made if our world is not to turn into chaos. As theosophists we should recognise the fact that law is bound to rule in the world as soon as we realise that every step we make, every action of ours, is like an impression stamped in wax by the spiritual world. Then we shall be engaged in the building of the temple. That is the meaning of the temple building: whatever we set ourselves to do must be in conformity to law.

The knowledge that man has to include himself in the construction of the great world temple has become increasingly forgotten. A person can be born and die today without having any inkling of the fact that laws are working themselves out in us, and that everything we do is governed by the laws of the universe The whole of present-day life is wasted, because people do not know that they have to live according to laws. Therefore the priestly sages of ancient times devised means of rescuing, for the new culture, something of the great laws of the spiritual world. It was, so to speak, a stratagem of the great sages, to have hidden this order and harmony in many branches of life—yes, even so far as in the games which men use for their recreation at the end of the day. In playing cards, in the figures of chess, in the sense of rule by which one plays, we find a hint, if only a faint one, of the order and harmony which I have described. When you sit down with someone to a game of cards, it will not do if you do not know the rules, the manner of playing. And this really conveys a hint of the great laws of the universe. What is known as the sephirot of the Cabbala, what we know as the seven principles in their various forms, that is recognised again in the way in which the cards are laid down, one after the other, in the course of the game. Even in the allurements of playing, the adepts have known how to introduce the great cosmic laws, so that, even in play, people have at least a smack of wisdom. At least for those who can play cards, their present incarnation is not quite wasted. These are secrets, how the great Adepts intervene in the wheel of existence. If one told people to be guided by the great cosmic laws, they would not do so. However, if the laws are introduced unnoticed into things, it is often possible to inject a drop of this attitude into them. If you have this attitude, then you will have a notion of what it is which is symbolised in the mighty allegory of the lost temple.

In the secret societies, among which Freemasonry belongs, something connected with the lost temple and its future reconstruction has been described in the Temple Legend. The Temple Legend is very profound, but even the present-day Freemasons usually have no notion of it. A Freemason isnot even very easy to distinguish from the majority of people, and he does not carry much of importance with him in new life. But if he lets the Temple Legend work upon him, it is a great help. For whoever absorbs the Temple Legend receives something which, in a specific way, shapes his thinking in an orderly fashion. And it [all] depends on ordered thinking. This Temple Legend is as follows:

Once one of the Elohim united with Eve, and out of that Cain was born. Another of the Elohim, Adonai or Jehovah-Yahveh, thereupon created Adam. The latter, for his part, united with Eve, and out of this marriage Abel was born. Adonai caused trouble between those belonging to Cain's family and those belonging to Abel's family, and the result of this was that Cain slew Abel. But out of the renewed union of Adam with Eve the race of Seth was founded.

Thus we have two different races of mankind. The one consists of the original descendants of the Elohim, the sons of Cain, who are called the Sons of Fire. They are those who till the earth and create from inanimate nature and transform it through the arts of man. Enoch, one of the descendants of Cain, taught mankind the art of hewing stone, of building houses, of organising society of founding civilised communities. Another of Cain's descendants was Tubal-Cain, who worked in metal. The architect Hiram-Abiff was descended from the same race.

Abel was a shepherd. He held firmly to what he found, he took the world as it was. There is always this antithesis between people. One sticks to things as they are, the other wants to create new life from the inanimate, through art. Other nations have portrayed the ancestor of these Sons of Fire in the Prometheus saga⁵ It is the Sons of Fire who have to work into the world the wisdom, beauty and goodness from the all-embracing universal thought, in order to transform the world into a temple.

King Solomon was a descendant of the lineage of Abel. He could not build the temple himself; he lacked the art. Hence he appointed the architect Hiram-Abiff, the descendant of the lineage of Cain. Solomon was divinely handsome. When the Queen of Sheba met him, she thought she saw an image of gold and ivory. She came to unite herself with him.

Jehovah is also called the God of created form,⁶ the God who turns what is living into a living force, in contrast with that other Elohim who creates by charming life out of what is lifeless. To which of these does the future belong? That is the great question of the Temple Legend. If mankind were to develop under the religion of Jehovah all life would expire in form. In occult science, that is called the Transition to the Eighth Sphere.⁷ But the point in time has now arrived when man himself must awaken the dead to life. That will happen through the Sons of Cain, through those who do not rely on the things around them, but are themselves the creators of new forms. The Sons of Cain themselves frame the building of the world.

When the Queen of Sheba saw the temple and asked who the architect was, she was told it was Hiram. And as soon as she saw him, he seemed to her to be the one who was predestined for her. King Solomon now became jealous; and indeed, he entered into league with three apprentices who had failed to achieve their master's degree, in order to undermine Hiram's great masterpiece, the Molten Sea. This great masterpiece was to be made by casting it. Human spirit was to have been united with the metal. Of the three apprentices, one was a Syrian mason, the second was a Phoenician carpenter, and the third was a Hebrew miner. The plot succeeded: the casting was destroyed by pouring water over it. It all blew apart. In despair the architect was about to throw himself into the heat of the flames. Then he heard a voice from the centre of the earth. This came from Cain himself, who called out to him: ‘Take here the hammer of the world's divine wisdom, with which you must put it all right again.’ And Cain gave him the hammer. Now it is the spirit of man which man builds into his astral body, if he is not to let it remain in the condition in which he received it. This is the work which Hiram now had to do. But there was a plot against his life. We shall proceed from there next time.

I wanted to recount the legend up to this point, to show how, in the original occult brotherhoods, the thought lived, that man has a task to fulfil; the task of restructuring the inanimate world, of not being satisfied with what is already there. Wisdom thus becomes deed through its penetration of the inanimate world, so that the world should become a reflection of the original and eternal spirituality.

Wisdom, Beauty, Strength are the three fundamental words of all Freemasonry. So to change the outer world, that it becomes a garment for the spiritual—that is its task. Today, the Freemasons themselves no longer understand this, and believe that man should work on his own ego.⁸ They regard themselves as particularly clever when they say that the working masons of the Middle Ages were not Freemasons. But the working masons were precisely those who have always been Freemasons, because outward structure was to become the replica of the spiritual, of the temple of the world, which is to be constructed out of intuitive wisdom. This is the thought which formerly under lay the great works of architecture, and was carried through into every detail.

I will illustrate by an example the superiority of wisdom over mere intellect. Let us take an old Gothic cathedral, and consider the wonderful acoustics, which cannot be matched today, because this profound knowledge has been lost.

The famous Lake Moeris in Egypt is just such a wonder-work of the human spirit. It was not a natural lake, but was constructed through the intuition of the wise men, so that water could be stored in time of flood, for distribution over the whole country in time of drought. That was a great feat of irrigation.

When man learns to create with the same wisdom with which the divine powers have created Nature and made physical things, then will the temple be built [on earth]. It does not depend upon how many separate things we have the power to create out of our own wisdom; we must however just have the attitude of mind that knows that only by means of wisdom can the temple of humanity be created.

When, today, we go about the cities, here there is a shoe shop, there a chemist, further on a cheese-monger and a shop selling walking sticks. If just now we do not want anything, why should that concern us? How little does the outward life of such a city reflect what we feel, think and perceive! How very different it was in the Middle Ages. If a person walked through the streets then, he saw the house fronts built in the resident's style, manner and character. Every door knob expressed what the man had lovingly shaped to suit his spirit. Go, for instance, through a town such as Nuremberg: there you will still find the basis of how it used to be. And then, by contrast, take the fashionable abstraction that no longer has anything to do with people. That is the age of materialism and its chaotic productions, to which one has step by step come from an earlier spiritual epoch.

Man was born from a nature which was once so formed by the gods that everything within it fitted the great scheme of the world, the great temple. There was once a time when there was nothing on this earth upon which you could gaze without having to say to oneself: Divine beings have built this temple to the stage in which the human physical body was perfected. Then the higher principles (the psychic forces) [of man's nature] took possession of it, and through this disarray and chaos came into the world. Wishes, desires and emotions brought disarray into the temple of the world. Only when, out of man's own will, law and order once again shall speak in a loftier and more beautiful way than the gods once did in creating Nature, only when man allows the god within him to arise, so that like a god he can build towards the temple—only then will the lost temple be regained.

It would not be right if we were to think that only those who are able to build should do so. No, it depends upon the attitude of mind, even if one knows a great deal. If one has the right direction to one's thinking, and then one engages in social, technical and juristic reform, then one is building the lost temple which is to be rebuilt. But should one start reforms—however well-intended they may be—lacking this attitude of mind, then one is only bringing about more chaos. For the individual stone is useless, if it does not fit into the overall plan [of the building]. Reform the law, religion, or anything else—as long as you only take account of the particular item, without having an understanding of the whole, it only results in a demolition.

Theosophy is thus not just theory, but practice, the most practical thing in the world. It is a fallacy to suppose that theosophists are recluses, not engaged in shaping the world. If we could bring people to engage in social reform from a theosophical basis,⁹ they would achieve much of what they want swiftly and surely. For, without needing to say anything against particular movements, they only lead to fanaticism if pursued in isolation. All separate reform movements—emancipators, abstainers, vegetarians, animal protectors and so forth—are only useful if they all work together. Their ideal can only be properly realised in a great universal movement that leads in unity to the universal world temple.

That is the idea that lies behind the allegory of the lost temple which has to be rebuilt.

Notes from replies to questions

Question: What is the difference between the sons of Cain and the sons of Abel?

Answer: The sons, of Cain are the unripe ones; the sons of Abel are the over-ripe ones. The sons of Abel turn to the higher spheres when they have finished with these incarnations. The sons of Abel are the Solar Pitris [those who underwent their human stage on the Old Sun]; the sons of Cain are the most mature of the Lunar Pitris [those who passed their human stage on the Old Moon].

Question: Why have so many mystical and masonic associations developed?

Answer: All higher work is only to be undertaken in an association. The Knights of the Round Table generally numbered twelve.

Question: Are you acquainted with the work of Albert Schaffle?¹⁰

Answer: Albert Schaffle wrote a work about sociology, and the account he gives is much more masonic than what emanates from the lodges of Freemasonry.

• 1 . e.g., lectures 3 and 5 of 30th September and 4th November 1904.
• 2 . In this connection see lecture held in Munich, 14th March 1910, published in: Metamorphoses of the Soul.
• 3 . Titus Livius (59 B.C.—A.D. 17), Roman historian; author of a history of Rome (Annales) from the foundation of the city to the death of Drusus (9 B.C.); of the 142 books of this history, 35 of them and epitomes of most of the rest are extant.
• 4 . A white vestment reaching to the feet, worn by the celebrant at Mass over the cassock and having long pointed sleeves. The oldest type of vestment derived from Egyptian and Hebrew times.
• 5 . See lecture 4 of 7th October 1904 in the present volume.
• 6 . See lecture of 25th October 1905 in: Foundations of Esotericism, Rudolf Steiner Press, London, 1983.
• 7 . See note 26 to lecture 6 given on 11th November 1904.
• 8 . At this point the texts diverge: according to Seiler it is ‘egoistical’ egos; according to Vegelahn and Reebstein ‘spiritual’ egos, which might have resulted from a mis-hearing or mistake in writing and could have been ‘own’ egos—(geistigen = eigenen).
• 9 . Rudolf Steiner was working towards establishing a reform of the social life soon after the end of the Great War. See: ‘The Threefold Order of the Body Social.’ RSE 252, 253 and 254.
• 10. Albert Eberhard Friedrich Schäffle, 1831–1903, sociologist, wrote much on this subject. In another connection Rudolf Steiner mentions his work: Bau und Leben des sozialen Körpers (‘Construction and Life of the Body-Social’), a four volume work published in Tübingen, 1875–78.

A few more reflections on the lost temple. We must regard Solomon's temple as the greatest symbol. Now the point is to understand this symbol. You know the course of events from the Bible, how it began. In this case, we are not dealing with mere symbols, but in fact with outward realities, in which, however, a profound world-historic symbolism finds its expression at the same time. And those who built the temple were aware what it was meant to express.

Let us consider why the temple was built. And you will see that each word in the Bible's account of it¹ is a deeply significant symbol. In this you need only consider in what period the building was erected. Let us particularly recall the Biblical explanation for what the temple was to be. Yahveh addressed this explanation to David: ‘A house for My Name’—that is, a house for the name Yahveh. And now let us make clear what the name Yahveh signifies.

Ancient Judaism became quite clear, at a particular time, about the holiness of the name Yahveh. What does it mean? A child learns, at a certain moment in its life, to use the word ‘I’. Before that, it regards itself as a thing. Just as it gives names to other things, so it even calls itself by an objective name. Only later does it learn to use the word ‘I’. The moment in the lives of great personalities when they first experience their own ‘I’, when they first become aware of themselves, is charged with significance. Jean Paul recounts the following incident:² as a small boy he was once standing in a barn in a farmyard: at that moment he first experienced his own ‘I.’ And so serene and solemn was this instant for him, that he said of it: ‘I then looked into my innermost soul as into the Holy of Holies.’

Mankind has developed through many epochs and everyone conceived themselves in this objective way up to Atlantean times; only during the Atlantean epoch did man develop to the stage where he could say ‘I’ to himself. The ancient Hebrews included this in their doctrines.

Man has passed through the kingdoms of Nature. Ego consciousness rose in him last of all. The astral, etheric and physical bodies and the ego together form the Pythagorean square. And Judaism added thereto the divine ego which descends from above, in contrast with the ego from below. Thus, a pentagon has been made out of the square. This was how Judaism experienced the Lord God of its people, and it was therefore a sacred thing to utter the ‘Name’. Whereas other names, such as ‘Elohim’ or ‘Adonai’, came increasingly into use, only the anointed priest in the Holy of Holies was allowed to utter the name ‘Yahveh.’³ It was in the time of Solomon that ancient Judaism came to the holiness of the name Yahveh, to this ‘I’ which can dwell in man. We must take Jehovah's challenge to man as something that sought to have man himself made into a temple of the most holy God. Now we have gained a new conception of the Godhead, namely this: the God which is hidden in man's breast, in the deepest holiness of man's self, must be changed into a moral God. The human body is thus turned into a great symbol of the Inner Sanctuary.

And now an outward symbol had to be erected, as man is God's temple. The temple had to be a symbol,illustrating man's own body. Therefore, builders were sent for—Hiram-Abiff—who understood the practical arts that could transform man himself into a god. Two images in the Bible relate to this: one is Noah's Ark, and the other is the Temple of Solomon.⁴ In one way both are the same, yet they also have to be distinguished.

Noah's Ark was built to preserve mankind for the present stage of human existence. Before Noah, man lived in the Atlantean and Lemurian epochs. At that time he had not built the ship which was to carry him across the waters of the astral world into earthly existence. Man came by the waters of the astral world, and Noah's Ark carried him over. The Ark represents the construction built by unconscious divine forces. From the measurements given, its proportions correspond to those of the human body, and also with those of Solomon's Temple.⁵

Man has developed beyond Noah's Ark, and now he has to surround his higher self with a house created by his own spirit, by his own wisdom, by the wisdom of Solomon.

We enter the Temple of Solomon. The door itself is characteristic. The square used to function as an old. symbol. Mankind has now progressed from the stage of four-foldness to that of five-foldness, as five-membered man who has become conscious of his own higher self. The inner divine Temple is so formed as to enclose the five-fold human being. The square is holy. The door, the roof and the side pillars together form a pentagon.^{6, 7} When man awakens from his fourfold state, that is, when he enters his inner being—the inner sanctuary is the most important part of the temple—he sees a kind of altar; we perceive two cherubim which hover, like two guardian spirits, over the Ark of the Covenant, the Holy of Holies; for the fifth principle [of man's being], which has not yet descended to earth, must be guarded by the two higher beings—Buddhi and Manas. Thus man enters the stage of Manas development.

The whole inner sanctuary is covered in gold, because gold has always been the symbol of wisdom. Now wisdom enters the Manas stage. We find palm leaves as the symbol of peace. That represents a particular epoch of humanity, and is inserted here as something which only came to expression later, in Christianity. The temple leaders guarded this for itself, in this way suggesting something to do with later developments.

Later, in the Middle Ages, the idea of Solomon's Temple was revived again in the Knights Templars,⁸ who sought to introduce the Temple thinking in the West. But the Knights Templars were misunderstood at that time (e.g. trial of Jacques Molay, their Grand Master). If we wish to understand the Templars, we must look deeply into human history. What the Templars were reproached with in their trial rests entirely on a major misunderstanding. The Knights Templars said at the time: ‘Everything we have experienced so far is a preparation for what the Redeemer has wished for. For,’ they continued, ‘Christianity has a future, a new task. And we have the task of preparing the various sects of the Middle Ages, and humanity generally, for a future in which Christianity will emerge into a new clarity, as the Redeemer actually intended that it should. We saw Christianity rise in the fourth cultural epoch; it will develop further in the fifth, but only in the sixth is it to celebrate the Glory of its resurrection. We have to prepare for that. We must guide human souls in such a way that a genuine, true and pure Christianity may come to expression, in which the Name of the Most High may find its dwelling place.’

Jerusalem was to be the centre and from there the secret concerning the relationship of man to the Christ should stream out all over the world. What was represented symbolically by the temple should become a living reality. It was said of the Templars, and this was a reproach to them, that they had instituted a kind of star-worship, or, similarly, a sun-worship . However, a great mystery lies behind this. The sacrifice of the Mass was originally nothing else but a great mystery. Mass fell into two parts; the so-called Minor Mass, in which all were allowed to take part; and, when that had ended, and the main body [of the congregation] had gone away, there followed the High Mass, which was intended only for those who wished to undergo occult training, to embark on the ‘Path’. In this High Mass the reciting of the Apostolic Creed took place first; then was expounded the development of Christianity throughout the world, and how it was connected with the great march of world evolution.

The conditions on earth were not always the same as today. The earth was once joined to the sun and the moon. The sun separated itself, as it were, and then shone upon the earth from outside. Later, the moon split away. Thus, in earlier times, the earth was quite a different kind of dwelling place for man. Man was quite different physically, at that time. But when the sun and the moon split off from the earth, the whole of man's life underwent a change. Birth and death took place for the first time, man reincarnated for the first time, and for the first time the ego of man, the individuality, descended into the physical body, to reincarnate itself in continuous succession. One day that will cease again. The earth will again become joined to the sun, and then man will be able to pass through his further evolution on the sun. Thus we have a specific series of steps, according to which the sun and man move together. Such things are connected with the progress of the sun across the vault of heaven.

Now everything that happens in the world is briefly recapitulated in the following stages. Everything has been repeated, including the evolution of the global stages in the first, second and third Great Epochs. *See scheme at the end of the notes to lecture 10. It came about, then, that man descended into reincarnation. The sun split away [from the earth] during the time of transition from the second to the third Great Epoch, the moon during the third epoch [Lemuria]. Now the earth develops from the third to the sixth epoch, when the sun will again be joined to the earth. Then a new epoch will start in which man will have attained a much higher stage and will no longer incarnate.

This teaching concerning the course of evolution came into the world through religion in the shape of the story of Noah's Ark. In this teaching, what was to happen in the future was foreshadowed. The union of the sun with the earth is foreshadowed in the appearance of Christ on earth. It is always so with such teachings. For a time what happens is a repetition of the past, then the teaching begins to be a prefiguring of the future. Each individual cultural epoch, as it relates to the evolution of consciousness for each nation, is connected with the progression of the sun through the zodiac.

You know that the time of transition from the third to the fourth cultural epoch was represented by the sign of the Ram or Lamb. The Babylonian-Assyrian epoch gathered together in the sign of the Bull all that was important for its time. The previous Persian age was designated in the constellation by the sign of the Twins. And if we go still further into the past we would come to the sign of the Crab for the Sanskrit culture. This epoch, in which the sun was in Cancer at the time of the spring equinox, was a turning point for humanity. Atlantis had been submerged and the first Sub-Race [cultural epoch] of the fifth Great Epoch had begun. This turning point was denoted by the Crab. The next cultural epoch similarly begins with the transition of the sun into the sign of the Twins. A further stage of history leads us over into the culture of Asia Minor and Egypt, as the sun passes into the sign of the Bull. And as the sun continues its course through the zodiac, the fourth cultural epoch begins, which is connected in Greek legend with the Ram or Lamb (the saga of Jason and the search for the Golden Fleece). And Christ Himself was, later on in early Christian times, represented by the Lamb. He called Himself the Lamb.

We have traced the time from the first to the fourth-cultural epoch.⁹ The sun proceeds through the heavens, and now we enter the sign of the Fishes, where we are ourselves at a critical point. Then, [in the future], in the time of the sixth epoch, the time will arrive when man will have become so inwardly purified that he himself becomes a temple for the divine. At that time the sun will enter the sign of the Water Carrier. Thus the sun, which is really only the external expression of our spiritual life, progresses in heavenly space. When the sun enters the sign of the Water Carrier at the spring equinox, it will then be understood completely clearly for the first time.

Thus proceeded the High Mass, from which all the uninitiated were excluded. It was made clear to those who remained that Christianity, which began as a seed, would in the future bear something quite different as fruit, and that by the name Water Carrier was meant John [the Baptist] who scatters Christianity as a seed, as if with a grain of mustard seed. Aquarius or the Water Carrier means the same person as John who baptised with water in order to prepare mankind to receive the Christian baptism of fire. The coming of a ‘John/Aquarius’ who would first confirm the old John and announce a Christ who would renew the Temple, once the great point of time should have arrived when Christ will again speak to humanity—this was taught in the depths of the Templar Mysteries, so that the event should be understood.

Moreover, the Templars said: Today we live at a point in time when men are not yet ripe for understanding the great teachings; we still have to prepare them for the Baptist, John, who baptises with water. The Cross was held up before the would-be Templar and he was told: You must deny the Cross now, so as to understand it later; first become a Peter, first deny the scriptures, like Peter the Rock who denied the Lord. That was imparted to the aspirant Templar as a preliminary training.

People generally understand so little of all this that even the letters on the Cross are not interpreted aright. Plato said of it that the world soul would be crucified on the world body.¹⁰ The Cross symbolises the four elements. The plant, animal and human kingdoms are built out of these four elements. On the Cross stands: JAM= water = James; NOUR = fire, which refers to Jesus himself; RUACH = air, the symbol for John; and the fourth JABESCHAH = earth or rock, for Peter.

Thus there stands on the Cross what is expressed in the names of the [three] Apostles [and Jesus]. While the one name J.N.R.I. denotes Christ himself. ‘Earth’ is the place where Christianity itself must at first be brought, to that Temple to which man himself has brought himself so as to be a sheath for what is higher. But this Temple [Gap in text]¹¹

The cock, which is the symbol for both man's higher and lower selves, ‘crows twice’ [Mark 14:30]. The cock crows for the first time when man descends [to earth] and materialises himself in physical substance; it crows for the second time when man rises again, when he has learnt to understand Christ, when the Water Carrier appears. That will be in the sixth cultural epoch. Then man will understand spiritually what he should become. The ego will have attained a certain stage then, when what Solomon's Temple stands for will be reality in the highest sense, when man himself is a temple for Yahveh.

Before that, however, man still has to undergo three stages of purification. The ego is in a threefold sheath: firstly, in the astral body, secondly, in the etheric body, thirdly in the physical body.

As we are in the astral body, we deny the divine ego for the first time, for the second time in the etheric body, and for the third time in the physical body. The first crow of the cock is threefold denial through the threefold sheath of man. And when he has then passed through the three bodies, when the ego discovers in Christ its greatest symbolical realisation, then the cock crows for the second time.

This struggle to raise oneself up to a proper understanding of Christ, first passing through the stage of Peter none of the Templars found it possible, under torture, to make clear to the judges.

At the outset, the Templars put themselves in a position, as if they had abjured the Cross. After all of this had been made clear to the Templar, he was shown a symbolical figure of the Divine Being in the form of a venerable man with a long beard (symbolising the Father). When men have developed themselves, and have come to receive in the Master a leader from amongst themselves, when those are there who are able to lead humanity, then, as the Word of the guiding Father, there will stand before men the Master who leads men to the comprehension of Christ.

And then it was said to the Templars: When you have understood all this, you will be ripe for joining in building the great Temple of the Earth; you must so co-operate, so arrange everything, that this great building becomes a dwelling place for our true deeper selves, for our inner Ark of the Covenant.

If we survey all this, we find images having great significance. And he in whose soul these images come alive, will become more and more fit to become a disciple of those great Masters who are preparing the building of the Temple of Mankind. For such great concepts work powerfully in our souls, so that we thereby undergo purification, so that we are led to abounding life in the spirit.

We find the same medieval tendency as manifested in the Knights Templars, in two Round Tables as well, that of King Arthur, and that of the Holy Grail. In King Arthur's Round Table can be found the ancient universality, whereas the spirituality proper to Christian knighthood had to be prepared in those who guarded the Mystery of the Holy Grail. It is remarkable how calmly and tranquilly medieval people contemplated the developing power (fruit) and outward form of Christianity.

When you follow the teaching of the Templars, there at the heart of it is a kind of reverence for something of a feminine nature. This femininity was known as the Divine Sophia, the Heavenly Wisdom. Manas is the fifth principle. the spiritual self of man, that must be developed, for which a temple must be built. And, just as the pentagon at the entrance to Solomon's Temple characterises the fivefold human being, this female principle similarly typifies the wisdom of the Middle Ages, This wisdom is exactly what Dante sought to personify in his Beatrice. Only from this viewpoint can Dante's Divine Comedy be understood. Hence you find Dante, too, using the same symbols as those which find expression in the Templars, the Christian knights, the Knights of the Grail, and so on. Everything which is to happen [in the future] was indeed long since prepared for by the great initiates, who foretell future events, in the same way as in the Apocalypse, so that souls will be prepared for these events.

According to legend we have two different currents when humanity came to the Earth: the children of Cain, whom one of the Elohim begat through Eve, the children of the Earth, in whom we find the great arts and external sciences. That is one of the currents; it was banished, but is however to be sanctified by Christianity, when the fifth principle comes into the world. The other current is that of the children of God, who have led man towards an understanding of the fifth principle. They are the ones that Adam created. Now the sons of Cain were called upon to create an outer sheath, to contain what the sons of God, the Abel-Seth children, created.

In the Ark of the Covenant lies concealed the Holy Name of Yahveh. However, what is needed to transform the world, to create the sheath for the Holy of Holies, must be accomplished again through the sons of Cain. God created man's physical body, into which man's ego works, at first destroying this temple. Man can only rescue himself if he first builds the house to carry him across the waters of the emotions, if he builds Noah's Ark for himself. This house must set man on his feet again. Now those who came into the world as the children of Cain are building the outward part, and what the children of God have given is building the inner part.

These two streams were already current when our race began ... [Gap]¹²

So we shall only understand theosophy when we look upon it as a testament laying the ground for what the Temple of Solomon denotes, and for what the, future holds in store. We have to prepare for the New Covenant, in place of the Old Covenant. The old one is the Covenant of the creating God, in which God is at work on the Temple of Mankind. The New Covenant is the one in which man himself surrounds the divine with the Temple of Wisdom, when he restores it, so that this ‘I’ will find a sanctuary on this earth when it is resurrected out of matter, set free.

So profound are the symbols, and so was the instruction, that the Templars wanted to be allowed to confer upon mankind. The Rosicrucians are none other than the successors to the Order of the Templars, wanting nothing else than the Templars did, which is also what theosophy desires: they are all at work on the great Temple of Humanity.

• 1 . First Book of Kings, Chapters 5–7. Second Book of Chronicles, Chapters 3–4. Ezekiel, Chapters 40–42.
• 2 . Jean Paul (pseudonym for Jean Paul Friedrich Richter) 1763–1825, poet, writer of novels, and thinker. The episode here related was recorded in his childhood reminiscences.
• 3 . This took place once a year on the Day of Atonement. Leviticus, Chapter 16, verses 29–34: ‘And this shall be an everlasting statute unto you, to make an atonement for the children of Israel, for all their sins, once a year.’
• 4 . According to notes of a lecture by Rudolf Steiner given in Cologne on 28th December 1907 (not yet published in German, but intended for inclusion in Volume 101 of the complete edition) he there states:
  
  ‘Were we to take millennia into account rather than centuries, we would observe how the form of the human body undergoes change according to the thoughts, feelings, and conceptual criteria of previous millennia; and the mighty leading powers of evolution give to man the right concepts at the right time, so that even the human form becomes transformed ...
  
  ‘How did the whole length, breadth and height of the physical body of today actually evolve? It is a result of what was at first contained in the astral and etheric bodies. That was where the thoughts, pictures, feelings, etc., at first resided. You will better be able to understand what I have to say if you call to mind a process which takes place immediately after physical death. It happens then that the physical body is at first forsaken by the etheric and astral bodies. Sleep consists in the fact that the astral body and ego withdraw leaving the physical body and ether body lying in bed. Death is differentiated from sleep through the fact that in the former state the physical body alone remains behind on the bed and the ether body withdraws along with the other two members of man's being. A strange phenomenon then takes place which could be described as a sensation, but which is connected with a kind of concept: the person feels as if he were expanding and then the memory-tableau occurs; but before that happens he feels himself expanding in all directions—he gains dimension on all sides.
  
  ‘This viewing of his ether body in huge dimensions is a very important concept; for it had to be induced into Atlantean man at a time when his etheric body was not so closely knit up with his physical body as it was to be in post-Atlantean times. This concept which occurs in man at death today had first to be aroused in him at that time. If a person were to visualise the approximate dimensions which are experienced by man today when he expands at death, then he has built up the motive, the thought form, which is able to bring his physical body into approximately its present form. If, therefore, the true measurements were held up in front of a person whose etheric body was at times separated from his physical body, they would take on the form that the physical body has today. And this form would have been induced into man primarily by those who are leaders of mankind's development. The exact account of this is contained in the various stories of the flood, particularly the Biblical account. If you were to visualise man more or less surrounded by those forms which the etheric body must have in order that the physical body can be built up according to its proper dimensions, then you would have the same dimensions as Noah's Ark.
  
  ‘Why are the exact measurements of Noah's Ark given in the Bible? So that man, who was to be the bridge from Atlantean times to post-Atlantean times, would have a structure—300 cubits long, 50 cubits broad, 30 cubits high—which he must have around him in order to build up the proper thought form, to develop the right motive, out of length, breadth and height, to build up the post-Atlantean body in the right way. There you have a symbol from which the dimensions of your present-day body have been taken and which are the result of the thought form which Noah experienced in the Ark. It is not for nothing that Noah was placed in the Ark and that the Ark was described in this way. The Ark was built thus so that the human body could be properly formed in post-Atlantean times. The whole of mankind was reared in the use of effective symbols. Man carries with him at the present day the measurements of Noah's Ark. When man stretches his hands upwards the measurements of the Ark come to expression in the measurements of man's present-day body. Now man has evolved from Atlantis to post-Atlantis. In the epoch which will follow ours, the sixth epoch, man's body will again be quite differently formed; and today, too, man must experience those thought forms which will enable him to create for the next epoch the motives to provide the proper measurements for the bodies. That must be presented to man. Today the measurements of man's body are in the proportion 300 to 50 to 30. In the future his body will be built up quite differently. What will supply present-day man with the thought form for building up his future body? That is also told us. It is the measurements of the Salomonic Temple. And these measurements of the Salonionic Temple, when realised in physical form, represent, with profound symbolical significance, the whole physical Organisation of the man of the next epoch, the sixth great epoch.
  
  ‘Everything which is effective in mankind takes its start from inside the human being, not from outside. What appears as thought and feeling at one period is outward form in the next. And the individualities who guide mankind must implant the thought forms into him many thousands of years in advance, if they are to become outward reality later. There you have the working of the thought forms which are activated by such symbolical figures. They have a very real meaning.’
• 5 . It has not been possible to identify the literary source to which Rudolf Steiner here refers.
  
  In the Cabbala of Agrippa von Nettesheim (Scheible edition, Stuttgart, 1855), it is stated in the chapter concerning ‘The Measurement, Relationship and Harmony of the Human Body:’
  
  Yes, God himself instructed Noah in the building of the Ark according to the measurements of the human body, just as he himself incorporated into the whole world-mechanism the symmetry of man; and therefore the latter is called the macrocosm, the former the microcosm. With reference to the above some microcosmologists determine the measurements of the human body as being six foot, the foot being ten degrees and the degree being five minutes; this amounts to sixty degrees or 300 minutes, the same number of geometrical cubits as, according to the description of Moses, were contained in the length of the Ark. just as the human body, however, has a length of 300 minutes, a breadth of 50 and a thickness of 30, so had the Ark of Noah not only a length of 300 cubits, but also a width of 50 and a depth (or height) of 30, from which it will be seen that there is a relationship of 6 to 1 of the length to the breadth, 10 to 1 of the length to the depth and 5 to 3 of the breadth to the depth.’
  
  Further to this, Franz Coci in his work: Detailed Calculation of the Three Dimensions of Noah's Ark from the Standpoint of Geometry and Mechanics, (translated from Polish into German by Wenzel Bauernopl, Bilin, 1899), demonstrated mathematically that: ‘The only fitting and possible relationship of width to height of a four-sided hollow body, which combines the use of the least amount of material with the greatest stability, would be to take 5 (more exactly 5.322232) for the width and for the height 3 (more exactly 2.967768) equal parts. And this is the ratio in which the Ark actually was built.’
• 6, . The version here translated is the version from the notes of Berta Reebstein-Lehmann. Walter Vegelahn's version is only fragmentary. It is rendered thus: ‘The ... Temple is so formed that it encloses the fivefold human being. That ... is the most important thing about the Temple. The square is holy, the roof, the roof-covering and the side pillars together form ... In front of the altar stood two cherubim.’
• 7. First Book of Kings, Chapter 6, verse 31: ‘And for the entering of the oracle he made doors of olive tree: the lintel and side posts were a fifth part of the wall.’ The gloss referring to ‘fifth part’ gives the alternative ‘five-square.’
  
  Emil Bock in his Old Testament History, Volume 3, in speaking about the Temple of Solomon says:
  
  ‘The third, inmost chamber in the west, the Holy of Holies (Debir), was screened by a wooden partition containing a pentagonal doorway and covered by a curtain of four colours.’
• 8 . See in this connection Rudolf Steiner's later and more detailed accounts of the Templars, e.g., lecture of 2nd October 1916 in Dornach (‘The Templars,’ copy Z 156), also: lecture of 25th September 1916, (sixth lecture of the series R. 45): Inner Impulses working in the Evolution of Mankind.
• 9 . The text is quite plainly only preserved in an incomplete form. In connection with the cultural epochs and the course of the sun through the zodiac see Rudolf Steiner's lecture given in Dornach, 8th January 1918, in the lecture course entitled: ‘Ancient Myths,’ (RSE 564).
• 10. Rudolf Steiner often quotes this passage from Timaeus, but he gives it in the formulation which Vincenz Knauer uses, a Viennese philosopher personally known to him, whose book: Die Hauptprobleme der Philosophic ... etc: (‘The Development and Partial Solution to the Main Philosophical Problems from The time of Thales to Robert Hamerling’), formed part of his personal library. In this particular version the passage here quoted has the following wording: ‘God laid this soul in cross-formation through the universe and spread out over it the world body.’ In the English translation of this passage (Penguin Classics, 1971, p. 48) it reads as follows: ‘He then took the whole fabric and cut it down the middle into two strips, which he placed crosswise at their middle points to form a shape like the letter X; he then bent the ends round in a circle and fastened them to each other opposite the point at which the strips crossed, to make two circles, one inner and one outer.’
  
  In the opinion of the Ancients there were two circles of greatest significance in the universe: the heavenly equator and the ecliptic. The translator of the copy which was in the possession of Rudolf Steiner, (Vincenz Knauer), makes a comment on the passage in question which reads as follows: ‘And so, in the arguments of Plato it is the soul itself which, as a result of a mysterious process, spreads itself out in the spatial image of the ecliptic and the equator. If the position of these two largest circles to one another is visualised in the form of the Greek letter X (Chi—thought of as lying horizontally) then that would be a very appropriate comparison. For these two circles cut one another at an angle of 23 1/2 degrees. The motion of the equator is in the direction from east to west (when the observer faces north), but the motion of the ecliptic is from west to east.’ In addition to this it may be said that the Church Father Justin the Martyr, C 100—C 165, in the first of his Apologies, points to the fact that the source of Plato's teaching regarding—world creation was, in all probability, the account of the raising of the brazen serpent in the wilderness by Moses (Chapter 21, verses 4–9).
• 11. This passage is very incomplete. In the Vegelahn text there are only the words as given above. In the text given by Reebstein it continues: ‘But the Temple is not yet understood by man,’ perhaps the correct rendering should be: ‘But the building of the Temple is not yet understood by man.’
• 12. In the Vegelahn text this sentence finds an incomplete continuation: ‘These two streams already made themselves felt at the beginning of our race—the old stream which entered evolution at a time when the gods were still engaged in creating the world, and the second ... which must always continue to build in this Temple of Wisdom ...’

Since we have spoken several times about Christianity and its present and future development, we have reached the point where today we have also to consider the meaning of the Cross symbol—not so much historically as factually.

You know, of course, what an all-embracing and symbolical meaning the emblem of the Cross has had for Christianity; and today I would like just to shed light on the connection between the Cross symbol and the significance of Solomon's Temple for world history.

Indeed there exists a so-called holy legend about the whole development of the Cross; in it we are dealing less with the Cross sign or its universal symbolical meaning, than with that very special and particular Cross of which Christ speaks, the very Cross on which Christ Jesus was crucified. Now you know too that the Cross is a symbol for all men, and it is found not only in Christianity, but in the religious beliefs and symbolism of all peoples, so that it must have the same common significance for all mankind. However, what particularly interests us today is how the Cross symbol acquired its basic significance for Christianity.

The Christian legend about the Cross¹ is as follows: we shall begin with it.

The wood or tree from which the Cross had been taken is not ordinary wood, but—so the legend relates—was, in the beginning, a scion of the Tree of Life, which had been cut for Adam, the first man. This scion was planted in the earth by Adam's son, Seth, and the young tree developed three trunks which grew together. The famous rod of Moses² was later cut from this wood. Then, in the legend, the same wood plays a role in connection with King Solomon's Temple in Jerusalem. That is, it was to have been used as a main pillar, in building the Temple. But then something peculiar came to light. It appeared that it would not fit in any way. It would not let itself be inserted in the Temple, and so it was laid across a brook, as a bridge. Here it was little valued until the Queen of Sheba came; as she was crossing it, she saw what the point about this piece of wood was. Here indeed she had for the first time met again with the meaning of the wood [used for this] bridge, which lay there between the two spheres, between the bank on this side and the bank on the other side, for crossing over the stream. So then, the Cross on which the Redeemer hung was made out of this [same] wood, after which it set out upon its various further travels.

Thus you see that the point of this legend is to do with the origin and evolution of the human race. Adam's son Seth is supposed to have taken this scion from the Tree of Life, and it then grew three trunks. These three trunks symbolise the three principles, the three underlying forces of nature, Atma, Buddhi and Manas, which have grown together and form the trinity which is the foundation of all growth and all development. It is apt that Seth—the son of Adam who took the place of Abel, murdered by Cain should have planted the scion in the earth.

You know that on the one hand we are dealing with the Cain current [of evolution] and on the other hand with the descendants of Abel and Seth. The sons of Cain, who work upon the outer world, cultivate the sciences and arts in particular. They are the ones who bring in the stones from the outer world to build the Temple. It is through their art that the Temple is to be built. The descendants of the line of Abel/Seth are the so-called Sons of God, who cultivate the true spiritual part of man's nature. These two currents were always somewhat in antithesis. On the one hand we have the worldly activity of man, the development of those sciences which serve man's comfort and outward life in general; on the other hand we have the Sons of God, occupied with the development of man's higher attributes.

We must make ourselves clear about it: the viewpoint from which the Legend of the True Cross springs, makes a firm distinction between the mere outward building of the World Temple through science and technology, and what as religious warp and woof works towards the sanctification of the whole Temple of Humanity., Only because this Temple of Humanity is given a higher task—only because the outer building, so to speak, serving as it does only our convenience, makes itself into an expression of the House of God—can it become a receptacle for the spiritual inner part in which the higher tasks of humanity are nurtured. Only because strength is transformed into striving for heavenly virtue outward form into beauty, the words of man's ordinary intercourse into the words that serve divine wisdom, and thus only because the worldly is remodelled into the divine, can it attain its perfection. When the three virtues, Wisdom, Beauty and Strength, become the receptacle of the divine, then will the Temple of Humanity be perfected. That is how the viewpoint underlying this legend looks at the matter.

We must therefore picture—quite in the sense of this legend—that up to the appearance of Christ Jesus on earth, there were two tendencies: the one, that built the earthly temple, that had its impact on the doings of men, so that at a later time the Divine Word that had come to earth through the Christ Jesus, could be received. A dwelling had to be prepared for the appearance of the Divine Word on earth. Next, the Divine itself should for a while develop itself upwards over the course of time as a kind of parallel tendency to the second current. Hence a distinction is made between the sons of men, the descendants of Cain, who were to prepare the worldly aspect, and the sons Abel/Seth, who cultivated the divine aspect, until the two streams could be united with each other, Christ Jesus united these two streams. The Temple had first to be built outwardly, therefore, until, in the shape of Christ Jesus, He should arrive Who was able to raise it up again in three days. On the one hand, then, we have the current of the Sons of Cain, and on the other that of the Abel/Seth line, both of which are preparing the development of mankind, so that the Son of God can then unite the two sides, and make the two streams into one. This finds expression in the holy legend in a profound way.

Seth himself is the one who planted the scion that he had taken for Adam from the Tree of Life, and raised a tree with three trunks. What is the meaning of this triple stemmed tree? Nothing else at all than the trinity, Atma, Buddhi and Manas, the threefold higher nature of man which will be implanted in his lower principles. But within man this is veiled at first. Through his three bodies—physical, etheric and astral—man is at first like an outer covering for the real divine trinity, Atma, Buddhi and Manas. You must imagine, therefore, that the trinity of physical, etheric and astral body are like an outer representation of the higher forces of Atma, Buddhi and Manas. And just as the artist fashions outer forms or expresses a certain idea in colours, so these three coverings also express a work of art. If you conceive these higher principles as the idea of a work of art, you will have come half way to grasping how the life of these three bodies is made up.

Now man is indeed living in his physical, etheric and astral sheaths, together with his ‘I’, through which he will so transform his threefold nature that the three higher principles find their appropriate dwelling place and feel at home here on earth. That had to be provided for by the Old Covenant. Through the arts of the race of Cain, it had to bring Sons of Men into the world, and through these Sons of Men were to be produced all the outward things that would serve the physical, etheric and astral bodies. What outward things were these?

The things which serve the physical body are firstly all that is contrived by technology to satisfy the physical body and provide for its comfort. Then, what we have in the way of the social and political institutions which [regulate] men's living together, what relates to nourishment and reproduction [of the race], all serve the development of the etheric body. And working upon the astral body we have the sphere of moral codes and ethics, bringing the instincts and emotions under control, which regulate and raise up the astral nature to a higher stage.

Thus, during the Old Covenant, the Sons of Cain were building the Three-tiered Temple. In all this, since it is made up of our outer institutions—in which you can includeour dwellings and tools, the social and political organs, the system of morals—is the building of the Sons of Cain, that serves the lower members of man's nature.

The other tendency worked alongside, presided over by the Sons of God, their pupils and followers. From this stream come the servants of the divine world order, the attendants of the Ark of the Covenant. In them we find something which, as a separate current, runs parallel to [that of] those who serve the external world. They occupied a special position. Only after Solomon's Temple hadbeen erected was the Ark of the Covenant to be placed inside it; that is to say, everything else had to be made subservient to the Ark of the Covenant, to be arranged around it. Everything which was formerly of a worldly nature was to become an external expression, an outer covering, for what the Ark of the Covenant meant for mankind. The meaning of the Temple of Solomon will best be understood by whoever visualises it as something which expresses outwardly in its physiognomy what the Ark of the Covenant should be, in its soul nature.

What has given life to man's outward three bodies, has been taken by the Sons of God from the Tree of Life. That is symbolically expressed in that building wood later used for Christ's Cross. It was first given to the Sons of God. What did they do with it? What is the deeper meaning of the wood of the Cross? In this holy legend about the wood of the Cross lies a very deep meaning.

For what in general is the task of the human being in his earthly evolution? He has to raise the present three bodies with which he is endowed to a higher stage. Thus, he must raise his physical body to a higher realm and likewise his etheric and astral bodies. This development is incumbent upon humanity. That is the real sense of it: to transform our three bodies into the three higher members of the whole divine plan of creation.

There is another kingdom above that which man has immediately and physically around him. But to which kingdom does man in his physical nature belong? At the present stage of his evolution, he belongs with his physical nature to the mineral kingdom. Physical, chemical and mineral laws hold sway over man's physical body. Yet even as far as his spiritual nature is concerned, he belongs to the mineral kingdom, since he understands through his intellect only what is mineral, Life, as such, he is only gradually learning to comprehend. Precisely for this reason, official science disowns life, being still at that stage of development in which it can only grasp the dead, the mineral. It is in the process of learning to understand this in very intricate detail. Hence it understands the human body only in so far as it is a dead, mineral thing. It treats the human body basically as something dead with which one works, as if with a substance in a chemical laboratory. Other substances are introduced into [the body], in the same way that substances are poured into a retort. Even when the doctor, who nowadays is brought up entirely on mineral science, sets about working on the human body, it is as though the latter were only an artificial product.

Hence we are dealing with man's body at the stage of the mineral kingdom in two ways: man has acquired reality in the mineral kingdom through having a physical body, and with his intellect is only able to grasp facts relating to the mineral kingdom. This is a necessary transitional stage for man. However, when man no longer relies only on the intellect but also upon intuition and spiritual powers, we will then be aware we are moving into a future in which our dead mineral body will work towards becoming one that is alive. And our science must lead the way, must prepare for what has to happen with the bodily essence in the future. In the near future, it must itself develop into something which has life in itself,recognise the life inherent in the earth for what it is. For in a deeper sense it is true, it is the thoughts of man that prepare the future. As an old Indian aphorism rightly says: What you think today, that you will be tomorrow.

The very being of the world springs out of living thought; not from dead matter. What outward matter is, is a consequence of living thought, just as ice is a consequence of water; the material world is, as it were, frozen thoughts. We must dissolve it back again into its higher elements, because we grasp life in thought. If we are able to lead the mineral up into life, if we transform [it into] the thoughts of the whole of human nature, then we will have succeeded, our science will have become a science of the living and not of dead matter. We shall raise thereby the lowest principle [of man]—at first in our understanding, and later also in reality—into the next sphere. And thus we shall raise each member of man's nature—the etheric and the astral included—one stage higher.

What man formerly used to be, we call, in theosophical terminology, the three Elementary Kingdoms [See the chart at the end of the notes to Lecture 10]. These preceded the Mineral Kingdom in which we live today; that is, the Kingdom to which our science restricts itself, and in which our physical body lives. The three Elementary Kingdoms are bygone stages [of evolution]. The three Higher Kingdoms—the Plant Kingdom, the Animal Kingdom and the Human Kingdom—which will develop themselves out of the Mineral Kingdom, are as yet only at a rudimentary stage.

The lowest principle in man, [the physical body,] must indeed still pass through these three kingdoms, just as it is at present passing through the Mineral Kingdom. Just as today man lives in the Mineral Kingdom with his physical nature, so in the future he will live in the Plant Kingdom, and then rise to still higher Kingdoms. Today with our physical nature we are in a transitional stage between the Mineral and Plant Kingdoms, with our etheric nature in transition from the Plant Kingdom to the Animal Kingdom, and with our astral nature in transition from the Animal Kingdom to the Human Kingdom. And finally, we extend beyond the three Kingdoms into the Divine Kingdom, with that part which we have in the Sphere of Wisdom, where we extend in our own nature beyond the astral.

Thus man is engaged in an ascent. But this is not brought about by any outer contrivance or construction, but by the living self which is awakened in us; which does not use mere outward building stones, but works in a creative and growing way. This force of life must enter into evolution and must first take hold of man's innermost being; his religious life must be gripped by living forces. Therefore what the Sons of Cain did for the lower members of man's nature during the Old Covenant was a kind of preparation, and what the prophets, the guardians of the Ark of the Covenant, did was like a prophetic forecast of the future. The Divine should now descend into the Ark of the Covenant, into the soul, so that it may itself dwell in the Temple as Holy of Holies.

Adam, the first man, was already endowed, from the Tree of Life, with these living forces of metamorphosis and transformation, the creatively working forces that re-shape Nature. But [these forces] were entrusted to those not engaged in the work of outward building, to the Sons of God, the sons of Abel and Seth. Through Christianity, these forces should now become common property; the two streams should unite together. And it is basically a Christian attitude today which holds that nothing external, no temple, no house, no social institution, ought to be created, that is not red hot with inner life, with the life-giving force rather than the mineral force that can only manipulate things.

The first attempt which was made to guide the lower nature of man to a higher stage was Solomon's Temple, as we have seen. The pentagon was to be seen at the entrance as the great symbol, for man was to strive towards the fifth principle [of his nature]; that is to say, human nature had to raise itself up from the lower principles to the higher, each member [of man's being] was to be ennobled.

And here we come to the Cross's real meaning, which has led it to acquire such basic and real significance as a symbol of Christianity. What is the Cross? There are three Kingdoms towards which mankind is striving—the Plant Kingdom, the Animal Kingdom and the Human Kingdom. Today man finds his reality in the Mineral Kingdom, to which plants, animals and man belong. You should see it as it is meant in all creeds of wisdom, that man as a being of soul and spirit is a part of the universal soul, the world soul as Giordano Bruno, for example, called it.³ Perhaps the individual soul is like a drop in the world soul which we can imagine as a great ocean. Now Plato said about this, that the world soul has been crucified on the world body.⁴

The world soul, as it expresses itself in man, is spread out over the Mineral Kingdom. It must raise itself above this, and evolve upwards to the three higher Kingdoms. Hence it must become incorporated in the Plant, Animal and Human Kingdoms during the next three Rounds. The fourth Round is nothing else than the incorporation of the human soul into the Mineral Kingdom, the fifth Round into the Plant Kingdom, the sixth into the Animal Kingdom, and finally the seventh Round is the embodiment of man into the Human Kingdom proper, in which man will become wholly an image of the Godhead. Until then man has to take the world body as his sheath three times.

If we take a look at mankind's future, it presents itself to us as threefold materiality—vegetable, animal and human. This human [substance] is not the same, however, as the substantiality we have today; for the latter is mineral, since man has indeed so far only arrived at the mineral cycle [in his evolution]. Only when the lowest Kingdom has [become] the Human Kingdom, when there are no more lower beings, when all beings have been redeemed by man through the force of his own life, then he will have arrived in the seventh Round, where God rests, because man himself creates. Then will have come the seventh Day of Creation, in which man will have taken on the likeness of God. These are the stages in the story of creation.

Now plant, animal and man, as they stand before us today, are only the germ of what they are to become. The plant of today is only a symbolical indication of something which is to appear in the next human evolutionary cycle in greater glory and clarity. And when man has overcome and stripped off animality, he will have become something of which today he is only a hint. Thus the Plant, Animal and Human Kingdoms are the three material kingdoms through which man has to pass; they are to be world body, and the soul has to be crucified on this world body.

Be clear from now on about the respective positions of plant, animal and man. The plant is the precise counterpart of man. There is a very deep and significant meaning in our conceiving the plant as the exact counterpart of man, and man as the inverse of plant nature. Outer science does not concern itself with such matters; it takes things as they present themselves to the outer senses. Science connected with theosophy, however, considers the meaning of things in their connection with all the rest of evolution. For, as Goethe says,⁵ each thing must be seen only as a parable.

The plant has its roots in the earth and unfolds its leaves and blooms to the sun. At present the sun has in itself the force which was once united with the earth. The sun has of course separated itself from our earth. Thus the entire sun forces are something with which our earth was at one time permeated; the sun forces then lived in the earth. Today the plant is still searching for those times when the sun forces were still united with the earth, by exposing its flowering system to those forces. The sun forces are the [same as those which work as] etheric forces in the plants. By presenting its reproductive organs to the sun, the plant shows its deep affinity with it; its reproductive principle is occultly linked with the sun forces. The head of the plant, [the root] which is embedded in the darkness of the earth,is on the other hand similarly akin to the earth. Earth and sun are the two polar opposites in evolution.

Man is the inverse of the plant; [the plant] has its generative organs turned towards the sun and its head pointing downwards. With man it is exactly the opposite; he carries his head on high, orientated towards the higher worlds in order to receive the spirit—his generative organs are directed downwards. The animal stands halfway between plant and man. It has made a half turn, forming, so to speak, a crosspiece to the line of direction of both plant and man. The animal carries its backbone horizontally, thus cutting across the line formed by plant and man, to make a cross. Imagine to yourselves the Plant Kingdom growing downward, the Human Kingdom upward, and the Animal Kingdom thus horizontally; then you have formed the Cross from the Plant, Animal and Human Kingdoms.

That is the symbol of the Cross.

It represents the three Kingdoms of Life, into which man has to enter. The Plant, Animal and Human Kingdoms are the next three material Kingdoms [to be entered by man]. The whole evolves out of the Mineral Kingdom; this is the basis today- The Animal Kingdom forms a kind of dam between the Plant and Human Kingdoms, and the plant is a kind of mirror image of man. This ties up with human life—what lives in man physically—finding its closest kinship with what lives in the plant. It would take many lectures to confirm that thoroughly; today I can only hint at it. When man wants to maintain his physical life activity, he can best do so with a plant diet, since he would then be consuming what originally had an affinity with the physical life activity of the earth. The sun is the bearer of the life forces, and the plant is what grows in response to the sun forces. And man must unite what lives in the plant with his own life forces. Thus his food-stuffs are, occultly, the same as the plant. The Animal Kingdom acts as a dam, a drawing back, thereby interposing itself crosswise against the development process, in order to begin a new flow.

Man and plant, while set against each other, are mutually akin; whereas the animal—and all that comes to expression in the astral body is the animal—is a crossing of the two principles of life. The human etheric body will provide the basis, at a higher stage, for the immortal man, who will no longer be subject to death. The etheric body at present still dissolves with the death of the human being. But the more man perfects and purifies himself from within, the nearer will he get to permanence, the less will he perish. Every labour undertaken for the etheric body contributes towards; man's immortality. In this sense it is true that man will gain more mastery of immortality, the more evolution takes place naturally, the more it is directed towards the forces of life—which does not mean towards animal sexuality and passion.

Animality is a current which breaks across human life it was a retardation, necessary for a turning point in the stream of life. Man had to combine with animality for a while, because this turning point had to take place. But he must free himself from it again and return again to the stream of life.

At the beginning of our human incarnations on earth we were endowed with the force of life. That is symbolically expressed in the legend, where Adam's son, Seth, took the scion from the Tree of Life; this was then further cultivated by the Sons of God, [which expressed] that threefold human nature, which had to be ennobled.

After that, Moses cut his rod from this wood of life. This rod of Moses is nothing else than the external law. But what is external law?

External law is present when someone who has to erect An external building has a plan—that is, a systematic scheme on paper—so that the outward building stones can be shaped and fitted together according to the plan. Thus, the law underlying the plan of a state is external law. Mankind is under Moses' rod. And anyone who follows a moral code out of fear or in hope of reward, is only following the external law. Moreover, whoever looks at science only in an external way, is only following external law; for what else can there [then] be in it but external laws! All the laws we are acquainted with in science are such external laws; through them, however, we will never find that way through to higher human nature, but will only follow the law of the Old Covenant, which is the Rod of Moses. However, this external law should be a model for the inner law. Man must learn inwardly to follow law. This inner law must become for man the impulse of life; out of the inner law he must learn to follow external law. One does not make the inner law reality by concocting a plan; instead one has to build the Temple out of inner impulse, so that the soul streams forth in the work of joining the stones together. He who lives in the inner law is not the one who merely follows the laws of the state, but he to whom they are the impulse of his life, because his soul is immersed in them. And it is not he who follows a moral code out of fear or because of reward who is a moral person, but he who follows it because he loves it.

As long as mankind was not ripe for following the law inwardly, as long as man was under a yoke, and the Rod of Moses was present, in the law, so long would the law lie in the Ark of the Covenant; until the Pauline principle, the principle of grace came to man, giving him the possibility of becoming free from the law. The profundity of the Pauline doctrine lies in its making a distinction between law and grace. When law becomes inflamed with love, when love has united with the law, that then is grace. That is how the Pauline distinction between law and grace is to be understood.

Now we can follow the legend of the Cross still further. The wood was used as a bridge between two riverbanks. because it did not suit as a pillar in Solomon's Temple. This was a preparation. The Ark of the Covenant was in the Temple, but the Word-become-Flesh was not yet there. The wood of the Cross was laid as a bridge across a stream; only the Queen of Sheba recognised the worth of the wood for the temple, which should live in the consciousness of the soul of all humanity. Now the same wood was used for the construction of the Cross on which the Redeemer hung. He who unites the two earlier currents [of evolution], who allows the worldly and the spiritual to flow into each other, the Christ, is Himself joined to the living Cross. That is how He can carry the wood of the Cross as something [external] which He carries on His back. He is Himself united with the wood of the bridge, and can therefore take the dead wood upon Himself.

Man is today drawn into higher nature. Formerly he lived in lower nature. In the Christian sense he now lives in higher nature, and the Cross—the lower nature—he carries forward as something alien, through his inner living forces. Religion now becomes the living force in the world, now the life in external nature ceases, the Cross becomes entirely wood. The outer body [of man] now becomes a vehicle for the inner living force. There the great mystery consummates itself: the Cross is taken on [man's] back.

Our great poet Goethe presented the idea of the bridge in a beautiful and significant way in his ‘Fairy Story of the Green Snake and the Beautiful Lily,’⁶ where he has a bridge being built, by the snake laying itself across the river as a living bridge. All the more advanced initiates use this same symbol for one and the same thing.

Thus we have become acquainted with the deep inner meaning of the holy legend of the Cross. We have seen how the revolution was prepared for, which Christianity brought about, and which must fulfil itself more and more as time goes on by Christianising the world. We have seen how the Cross, inasmuch as it is the image of the three external bodies, dies; how it is only able to form an external union between the three lower and the three higher Kingdoms, between the two banks divided by the stream—the wood of the Cross could not become a pillar in Solomon's Temple—until man recognises it as his own particular symbol. Only then, when he sacrifices himself, makes his own body into the Temple, and becomes able to carry the Cross, will the merging of the two streams be made possible.

That is why the Christian churches have the symbol of the Cross in their foundations; thereby expressing the secretion of the living Cross in the outward edifice of the Temple. However, these two streams, the living divine stream on the one hand, and the worldly mineral stream on the other, have become united in the Redeemer hanging on the Cross, where the higher principles are in the Redeemer Himself, and the lower ones in the Cross. And henceforth this connection must now become organic and living, as the Apostle Paul expressed particularly deeply. Without [a knowledge of] what has been discussed today, the writings of the Apostle Paul cannot be understood. It was clear to him that the Old Covenant, which creates an antithesis between man and the law, must come to an end. Only when man unites himself with the law, takes it upon his back, carries it, will there no longer be any contradiction between man's inner nature and the external law. Then that which Christianity seeks to achieve, is achieved.

‘With the law sin came into the world.’⁷ That is a profound saying of Paul's. When is there sin in the world? Only when there is a law which can be broken. But when the law becomes so united with human nature that man only does good, then there can be no [more] sin. Man only contradicts the law of the Cross as long as it does not live within him, but is something external. Therefore Paid sees the Christ on the Cross as the conquest of law and the conquest of sin. To hang on the Cross means to be subjected to the law—and that is a curse. Sin and the law belong together in the Old Covenant, the law and love belong together in the New Covenant. It is a negative law which is involved in the Old Covenant; but the law of the New Covenant is a living positive law. He who united the Old Covenant with His own life is the One who has overcome it. He has at the same time sanctified it.

That is what is meant by those words of Paul which are to be found in the Epistle to the Galatians, Chapter 3:11–13.: ‘But that no man is justified by the law in the sight of God, is evident, for the just shall live by faith and the law is not of faith, but the man that doeth them shall live in them. Christ hath redeemed us from the curse of the law, being made a curse for us, for it is written: Cursed is every one that hangeth on a tree.’

With the word ‘tree’ [literally ‘wood’ in the German Bible] Paul connects the concept with which we have been dealing today. We must indeed keep penetrating deeper into what the great initiates have said. We do not come closer to Christianity by adapting it to what might be termed our demands, by adapting it to the contemporary materialist judgments that deny anything higher—but by continually raising ourselves further into spiritual heights. For Christianity was born of initiation and we shall only understand it and be able to believe that it contains infinite depths, if we abandon the view that we have to bring Christianity nearer to contemporary ideas; but instead raise our anti-spiritual materialist thinking back again to Christianity. The contemporary view must raise itself from what is mineral and dead to what is living and spiritual, if it is to understand Christianity.

I have presented these views so as to arrive at a conception of the New Jerusalem.

Answer to a question^†

Question: Is the legend very old?

Answer (1): This legend existed at the time of the mysteries, but it was not written down. The mysteries of Antioch were Adonis mysteries. In them was celebrated the Crucifixion, the Entombment and the Resurrection as an outer image of initiation. The mourning of the women at the Cross already appeared there; this appeared to us again in [the persons] of Mary and Mary Magdalen. This links up with a version, similar to that in [this] legend, which is also to be found in the Apis and Mithras mysteries and again in the Osiris mysteries. What was still apocalyptic there, is fulfilled in Christianity. The old apocalypses change into new legends, in the same way that John portrays the future in his Revelations.

Answer (2): The legend is historically medieval, but was previously recorded in all its completeness by the Gnostics. The further course of the Cross is given there. Moreover, the medieval version also contains indications of this; the medieval legends indicate the way to the mysteries less clearly; but we can trace them all back. This legend is connected with the Adonis mysteries, with the Antioch legend, in which the Crucifixion, Entombment and Resurrection become an outward image of inner initiation. The mourning women also appear there, and there is a connected version which is very similar to the Osiris legend. Everything that is apocalyptic in these legends is fulfilled Christianity. The Queen of Sheba sees deeper and is versed in the true wisdom.

• 1 . Parts of this legend are to be found in The Golden Legend or Lives of the Saints, a collection of legends from the thirteenth century by Jacobus de Voragine, translated into English by William Caxton (edited by F.S. Ellis, Temple Classics, 1939). In this the death of Adam is described and how he sent ‘Seth his son into Paradise for to fetch the oil of mercy, where he received certain grains of the fruit of the tree of mercy by an angel ...
  
  ‘And then he laid the grains or kernels under his father's tongue and buried him in the vale of Hebron; and out of his mouth grew three trees of the three grains, of which trees the cross that our Lord suffered his passion on was made ...’ In another place in the same work we are told more about the history of the wood of the cross. Under the section headed ‘The Invention of the Holy Cross’ it is stated:
  
  ‘... it is read in the Gospel of Nicodemus that, when Adam waxed sick, Seth his son went to the gate of Paradise terrestrial for to get the oil of mercy for to anoint withal his father's body ...
  
  ‘In another place it is read that the angel brought him a branch, and commanded him to plant it in the Mount of Lebanon. Yet find we in another place that he gave him of the tree that Adam ate of, and said to him that when that bare fruit he should be guerished and all whole. When Seth came again lie found his father dead and planted this tree upon his grave, and it endured there unto the time of Solomon. And because he saw that it was fair, he did hew it down and set it in his house named Saltus. And when the Queen of Sheba came to visit Solomon she worshipped this tree, because she said the Saviour of all the world should be hanged thereon ...
  
  ‘Then, after this history, the cross by which we be saved came of the tree by which we were damned.’
  
  This extract of The Golden Legend by William Caxton differs from the German version in that some details given by Caxton are omitted in the German and vice versa. The fact that the tree was not found suitable for the building and was used as a bridge over which the Queen of Sheba was to pass is not mentioned in the English text.
  
  In Bilder Okkulter Siegel und Säulen. Der Munchner Kongress, Pfingsten 1907, und seine Auswirkungen, Bibl. 284, there is a comprehensive note dealing with the source of the Temple Legend. It is there said that, according to the research of Otto Zockler (Das Kreuz Christi, chapter headed: ‘Medieval Legends concerning the Wood of the Cross,’ Gutersloh 1875—preserved in the University Library, Basle) the legend about the three seeds from the Tree of Life forms part of a complicated series of legends from the twelfth century onwards. The earliest literary mention of Adam being buried on Golgotha is quoted by the Alexandrian Church Father, Origen, from a tradition out of the second century, to which was added the tradition of Seth's journey to Paradise which is recorded in the third century in the Nicodemus Gospel, which originally contained an account of the fetching of the Oil of Mercy for the healing of Seth's sick father, Adam. It was only in later centuries that the genealogical connection between the wood of the Tree of Paradise and the Cross of Christ was established in its various forms.
  
  This legend, including the elaborations concerning Seth's journey to Paradise for the three seeds, was freely quoted by Rudolf Steiner on many occasions including: The present lecture on 29th May 1905, lectures in Leipzig on 15th December 1906 (Bibl. 97), in Berlin on 17th December 1906 (Bibl. 96), in Munich on 21st May 1907 (Bibl. 284), in Cassel on 29th June 1907 and in Basle on 25th November 1907 (both in Bibl. 100) and in Dornach on 19th December 1915 (Bibl. 165).
  
  In his lecture in Cassel, The Golden Legend was characterised as having provided a subject for occult instruction since the most ancient times and, referring to Seth, it interprets his mission as of one who could see ‘into the end times, when the harmony between the two principles of mankind would be re-established.’ By the two principles is meant the two trees pertaining to the red and purple blood which are represented in the two pillars of the Temple.
  
  As is evident from the interpretation of the legend by spiritual science the pictures which it presents are symbolic of the Fourth Degree in the Rosicrucian initiation, which is characterised by the ‘Finding of the Philosopher's Stone’ and is also known as the guldene, or ‘golden degree.’ This gives us an esoteric explanation of why it was usually referred to by Rudolf Steiner as The Golden Legend.
  
  There is a much longer and more detailed version of this legend in an old Cornish legend (The Ancient Cornish Drama, edited and translated by Edwin Norris, Oxford University, 1859).
  
  In this version there is not only the account of the fetching of the Oil of Mercy by Seth, but also of the attempt by Solomon to incorporate the wood from this tree into the Temple and its final rejection.
  
  The portion of this drama relating to the Oil of Mercy is also to be found in Lyra Celtica, an anthology of Celtic poetry edited by E. A. Sharp and J. Matthay Oohn Grant, Edinburgh, 1932).
• 2 . Also, according to a mystic Hebrew source, the rod of Moses inscribed with the unutterable name of God is nothing else than the Tree of Life. In the Midrasch Wojoscha (the smaller Midrasch commentary on the later legends of the Old Testament) it is said: ‘I (Moses) asked her (Zippora) where he (Jithro) obtained this tree? She answered: It is the rod which the Holy One, Blessed may He be! created on the sabbath eve after having created His world. The Holy One, Blessed may He be! handed it to the first man, who handed it to Chanoch, who handed it to Noa, who handed it to Sem, who handed it to Abraham, who handed it to Jacob, who brought it with him to Egypt and gave it to Joseph his son. When Joseph died, the Egyptians plundered his house and brought this roc to Pharoah's palace. My father Jithro was one of Pharoah's great astrologers, he saw the rod, conceived a desire for it, stole it and brought it to his own house. On this rod was inscribed the unutterable name of God and the ten plagues which the Holy One, Blessed may He be! would one day cause to fall on the Egyptians in the land of Egypt ... And how many days and how many years did this rod lie already in my father's house until the day when he took it in his hand, went out into the garden and planted it in the ground. When he returned to the garden to fetch it he found that it had already sprouted and grown blossoms.’ (Quoted from Hans Ludwig Held: ‘Von Golem und Shem.’ from the periodical: Das Reich, January 1917).
• 3 . Philotheus Giordano Bruno (1548–1600) De rerum Principiis Elementis et Causis, Dialogue: ‘Universal reasoning is the most inward, real and individual faculty and a potential part of the World Soul.’
• 4 . See note 10 to the preceding lecture.
• 5 . Second part of Faust, end chorus: ‘All things transitory are but a likeness.’
• 6 . Goethe: Fairy Tale of the Green Snake and the Beautiful Lily, Floris Books, 1979. See also Goethe's Standard of the Soul as illustrated in Faust and in the Fairy Story of the Green Snake and the Beautiful Lily, Anthroposophical Publishing Company, London, 1925; and Goethe's Secret Revelation and the Riddle of Faust, Rudolf Steiner Publishing Company, London, 1933.
• 7 . ‘With the law sin came into the world.’
  The Epistle of Paul to the Romans, Chapter 5, verse 13 and Chapter 8, verse 2.
• †. Text (1) is taken from Seiler's notes, text (2) from those of Reebstein.