The Rudolf Steiner Archive

Well, gentlemen, we still have the last questions left over from the Jewish Sephiroth tree. In this Sephiroth tree, the Jews of antiquity actually enclosed their highest wisdom. And one could say: they enclosed in it the wisdom of the relationship between man and the world. We have often emphasized that the human being does not only consist of the visible parts that can be seen with the eye, but that the human being also consists of invisible, supersensible members. We have called these supersensible members the etheric body, the astral body, the ego or the ego organization. Now, all these things were known in ancient times, not in the way we have today, but people knew about them instinctively. This ancient knowledge has been completely lost. And today we believe that something like this Jewish Tree of Life, the Sephiroth Tree, is actually a fantasy. But it is not.

Now let us try to understand what the ancient Jews actually meant by this Sephiroth tree. They thought of it like this: Man stands there in the world, but the forces of the world act on him from all sides. If you look at man as he stands in the world (it is drawn), we can imagine him schematically drawn. This is how we imagine a material human being standing in the world. The ancient Jews imagined that the forces of the world were acting on him from all sides. Here I draw an arrow that goes into the heart: Thus the forces of the world act on man; here below the power of the earth,

Now the Jews have said: First of all, three forces act on the human head – I have indicated these in the drawing with these arrows: 1, 2, 3 – three forces on the human center, on the chest, on breathing and blood circulation mainly (arrows 4, 5, 6 of the drawing). Then three more forces act on the limbs of the human being (arrows 7, 8, 9), and a tenth force, which acts on the human being from the earth (arrow 10, from below). So ten forces, the ancient Jews imagined, act on the human being from the outside.

Let us first consider the three forces that come, so to speak, from the farthest parts of the universe and act on the human head, actually making the human head round, like an image of the whole round universe. These three forces, 1, 2, 3, are the noblest; they come, so to speak, if you want to use a later expression, with a Greek expression, for example, from the highest heavens. They shape the human head by making it a round image of the whole round universe.

Now, however, we must develop a concept at the same time, which could disturb you if I simply tell you. You see, in these ten concepts that the Jews have placed at the pinnacle of their wisdom, the first one at the top (1) has been terribly misused; for later, those people who succeeded in seizing power dragged the symbols of that power and the words for that power down into the outer realm of power. And so certain people who have appropriated the power of the nations and transferred it to their descendants have appropriated what is called a crown. In ancient times, a crown was a word for the highest spiritual gift that could be bestowed on a person. And the crown could only be worn by someone who, as I have explained to you, had gone through initiation, that is, someone who had attained the highest wisdom. It was a sign of the highest wisdom. I have already explained to you how the orders originally all meant something, but how they were later created out of vanity and no longer meant anything. In particular, however, we must consider this in relation to the term 'crown'. For the ancients, the crown was the epitome of all that superhumanity from the spiritual world has to bestow upon humanity. No wonder that the kings placed the crown on their heads. They were, as you know, not always wise and did not always have the highest gifts of heaven united in them, but they placed the sign on their heads. And when something like this is spoken according to ancient customs, it must not be confused with what has become of it through misuse. So the highest, the highest gifts of the world, the highest gifts of the spirit, which can descend upon man, which he can unite with his head when he knows much, that was called Kether, the crown, in ancient Judaism. Now, you see, that was the highest. That was what spiritually formed the head from the universe.

And then this human head still needed two other forces. These two other forces came to it from the right and from the left. It was thought: the highest comes down from above; from the right and left come the two other forces, the two world forces, which are spread throughout the universe. Now, the one that goes in through the right ear was called Chokmah = wisdom. Today, if we wanted to translate the word, we would say: wisdom. And on the other side, from the world, came in: Binah. Today we would say: intelligence (2 and 3 of the drawing). The ancient Jews distinguished between wisdom and intelligence. Today, every person who is intelligent is also considered to be wise. But that is not the case. One can be intelligent and think the greatest stupidity. The greatest stupidities are thought up very intelligently. In particular, when one looks at much of today's science, one has to say that this science is actually intelligent in all fields, but it is certainly not wise. The ancient Jews distinguished Chokmah and Binah, the ancient wisdom, from the ancient intelligence at an early stage. So the human head, everything that actually belongs to the sensory system in the human being, and also the nerves that are spread out in the sensory system, all this was designated by the three terms Kether, Chokmah, Binah - crown, wisdom, intelligence.

Thus, according to the view of the ancient Jews, the human head is constructed from the universe. There was therefore a strong awareness - otherwise such a doctrine would not have been developed - that man is a member of the whole universe. We can ask, for example, about the human body: What about the liver? Well, the liver gets its veins from the blood circulation; it gets its strength from the human environment. The ancient Jews said: Man receives the forces from the environment, which then, first in the mother's womb and later, cause his head to develop.

Now, there are three other forces (4, 5, 6 in the drawing); these have more of an effect on the middle person, on the person in whom the heart is, in whom the lungs are. So they have an effect on the middle person; they come down less from above, they live more in the environment. They live in the sunshine that moves around on the earth, they live in wind and weather. The three forces that the ancient Jews mentioned come into consideration here: chesed, geburah, tiphereth. If we want to express this in today's terms, we could say: chesed = freedom; geburah = strength; tiphereth = beauty.

Let us start here with the middle power, with Geburah. I have told you that I want to draw the arrow in such a way that it goes into the heart! The power that man has, this heartiness, soul power and physical power at the same time, is indicated by the human heart. This is how the Jews imagined it: When the breath enters a person, when the breath enters the heart, not only the physical breathing forces enter from the outside, but also the spiritual power, Geburah, which is connected with the breath. We would therefore say, if we wanted to express it more precisely: the life force, the force through which he can also do something = Geburah. But on the one side of Geburah is what was called Chesed, human freedom. And on the other side is Tiphereth, beauty. Man is indeed the most beautiful thing on earth in his form! The old Jew imagined: “When I hear the heartbeat, I hear the life force that comes into man. When I stretch out my right hand, I feel that I am a free man; when the muscles stretch, the power of freedom comes. The left hand, which moves more gently and can grasp more gently, brings what a person does in beauty.

So these three forces: Chesed = freedom, Geburah = vitality, Tiphereth = beauty, correspond to that in man which is connected with breathing and blood circulation, with everything that is in motion and always repeats itself. The movement of sleeping, the change between day and night, also belongs to this. This also belongs to the movement; man also belongs to this.

But then, humans are also beings that can change their position in space, that can walk around, that do not have to stay in one place like plants. The animal can also walk around. Man has this in common with the animal. The animal has no Chokmah, no Tiphereth, nor Chesed, but it does have Geburah = life force. And the three that I have described, man has in common with the animal only in that he has the others.

This, that one can go around, that one is not bound to one place, the Jews called: Netsah, and that means that one overcomes the firmness of the earth, that one moves (arrow 7 of the drawing). Netsah is overcoming. Now, the one that has more effect on the center of the human being, where his center of gravity is - it is interesting, you know: that is the point, which is located here; it is slightly higher in the waking state and lowers in the sleeping state, which also testifies that there is something outside when we are sleeping - that which works in the center of the body, which also brings about reproduction in humans, which is therefore connected with sexuality, the ancient Jews called Hod. Today we would describe it with a word that would express something like compassion. You see, the expressions are already becoming more human. So Netsah refers to the outer movement - we go out into space - and Hod refers to the inner feeling, the inner movement, the inner compassion with the outer world, that is all Hod (arrow 8). Then under 9: Jesod; this is now the one on which the human being actually stands, the foundation. The human being thus feels bound to the earth; the fact that he can stand on the earth is the foundation, is Jesod. That he has such a foundation also comes from the forces that approach him from outside.

And then the forces of the earth itself work on him (Arrow 10), not only the surrounding forces, but the forces of the earth itself work on him. This was then called Malkuth. We would translate it today as: the field in which the human being works, the earthly outside world; Malkuth - the field. It is difficult to find the right expression for this Malkuth. One could say: realm, field; but all things have actually been misused, and today's names no longer describe what the old Jew felt: that the earth actually has an effect on him.

We need only imagine that we have the center of the human being here; a thigh bone begins on each side of the human being – this goes up to the knee, where the kneecaps would be. All these forces also act on these bones; but the fact that it is actually pierced like this, that it is actually a tube, is due to the penetration of the earthly forces. So everything where the earthly forces penetrate, that is what the old Jew called Malkuth, the field.

So you see, you have to get close to people if you want to talk about this Sephiroth tree! The Jews called the ten Sephiroth together: Kether, Chokmah, Binah, Chesed, Geburah, Tiphereth, Netsah, Hod, Jesod, Malkuth. These ten forces are what actually connects man with the higher, with the spiritual world. Only the tenth power, Malkuth, is sunk into the earth. So basically, this is the physical human being (pointing to the drawing), and the spiritual human being surrounds this physical human being, first as the earth forces below, but then as the forces that are already closer to the earth, but still work in from the surroundings: Netsah, Hod, Jesod. So all of this belongs spiritually to man, as these forces take effect. Then there are the forces that affect his blood circulation and breathing: Chesed, Geburah, Tiphereth. And then the noblest forces that affect man, that affect his brain system: Kether, Chokmah, Binah. So that the Jews actually thought of man as connected with the world on all sides, as I have colorfully depicted for you here. Man is indeed such that he also contains a supersensible element within him. And they imagined this supersensible element in this way.

But now we can raise the question: What else did the Jews actually want to achieve with the ten sephirot, that they used to explain man's relationship to the world? Every Jewish pupil had to learn the ten sephirot, but not just so that he could list them; you would have a completely false idea if you thought that the teaching in the old Jewish schools was such that the main thing I have drawn on the board was the most striking thing. If one only wants to answer the question, “What is the Sephiroth tree?” one could quickly have finished it; you would have known it in a flash. People today are satisfied with asking, “What is the Sephiroth tree?” This and that is in it, what I have told you now. But that is not in relation to man! Instead, they just give you ten words and all kinds of fanciful explanations for them! But in relation to the human being, what I have told you is the right thing. But that was not the end of it in schools; rather, the Jewish pupil who was to learn science in the sense of the time had to learn much more about it.

Just imagine, gentlemen, you had only learned what the alphabet is and you would know if someone asked you: What is A, B, C, D and so on? - so the letters A, B, C, D and so on. You would have been able to list the twenty-two or twenty-three letters in a row. You wouldn't be able to do much with that! If any man could only enumerate the twenty-three letters, he could not do much with them, could he? But an ancient Jew who could only say: Kether, Chokmah, Binah, Chesed, Geburah, Tiphereth, Netsah, Hod, Jesod, Malkuth, so these ten Sephiroth could have enumerated, would have been regarded just the same. Anyone who had only answered in this way would have seemed to the Jews like someone who could say: A, B, C, D, E, F, G, H and so on. You have to learn more than just the alphabet, don't you; you have to learn to use the alphabet to read, you have to learn how to use the letters to read. Now, gentlemen, just think about how few letters there are and how much you have already read in your life! You just have to consider that. Take any book, take, I mean, for example, Karl Marx's “Capital” and look at it when you have the book in front of you: there is nothing on the pages but the twenty-two letters, nothing else! There are only the letters in it in the book. But what is inside is a lot, and it is all produced by the fact that the twenty-two letters are jumbled up: sometimes the A is before the B, sometimes before the M, sometimes the M before the A, the L before the I and so on, and that's how the whole complicated thing in the book comes about. If someone only knows the alphabet, he picks up the book and perhaps says: I understand everything in the book: there is A, B, C, only arranged differently; I know everything in the book. But he cannot read everything that is really written there inwardly, according to the meaning. You see, one must learn to read with what the letters are; one must really be able to jumble the letters in one's head and mind in such a way that meaning arises from them. And so the ancient Jews had to learn the ten sephiroth; for them, they were letters. You will say: Yes, they are words. But in the beginning, letters were also designated by words! This was only lost by the people when the letters came to Europe, in Greece.

It was not until the transition from Greek to Roman culture that something very significant happened. The Greeks called their A not A, but Alpha, and Alpha actually means: the spiritual man; and they called their B not B, but Beta, that is something like a house. And so every letter had a name. And the Greek could not have imagined that the letter is something else than what is called by a name. It was only when the transition from Greek culture to Roman culture took place that people no longer said Alpha, Beta, Gamma, Delta and so on. They no longer referred to the letters by their names, where each name indicated what such a letter meant. Instead, they said: A, B, C, D and so on, and the whole thing became abstract. Just as Greek culture was dying out and merging with Roman culture, the great cultural diarrhea began in Europe. In the midst of this huge diarrhea, the spiritual aspect of the path from Greek to Roman culture was lost.

And you see, Judaism was particularly great then. When they wrote down their Aleph, their first letter, they meant the human being. Aleph is that. They knew: wherever they placed this letter for the sensual world, what they expressed with this letter must apply to the human being. And so each letter that represented the expressions of the material world also had a name. And the names: Kether, Chokmah, Binah, Chesed, Geburah, Tiphereth, Netsah, Hod, Jesod, Malkuth, were the names for the spiritual letters, for that which one had to learn in order to read in the spiritual world. And so the Jews had one alphabet: Aleph, Beth, Gimel and so on - an alphabet with which they grasped the outer world, the physical world. But they also had the other alphabet, where they had only ten letters, ten Sephiroth, and with that they grasped the spiritual world.

You see, gentlemen, when I list the names for you, Kether, Chokmah, Binah, Chesed and so on, well, that's like A, B, C, D and so on. But then such an old Jew would have known how to say, as we jumble the letters, Kether, Chesed, Binah. And if he had said: Kether, Chesed, Binah, if he had rolled the dice like that, he would have said: In the spiritual world, the highest spiritual power brings about intelligence through freedom. - And with that he would have designated the higher beings who do not have a physical body, in whom the highest power of heaven brings about intelligence through freedom.

Or he would have said: Chokmah, Geburah, Malkuth - that would have meant: Through wisdom, the spirits bring forth the life force through which they work on earth. - He knew how to jumble all these things together like we jumble letters. So these disciples of the ancient Jews understood spiritual science in their own way through these ten spiritual letters. This tree, the Sephiroth tree, was therefore the same for them as the tree of the alphabet with its twenty-three letters is for us. These things have developed in a very strange way, you see: in the first two centuries after the emergence of Christianity, people knew about all these things. But when the Jews were scattered throughout the world, this way of knowing through the ten Sephiroth was also scattered. Individual Jewish students, who, as you may know, were then called Chachamim when they became students of the rabbi, these Chachamim still learned these things; but even there it was no longer really known how to read through these ten Sephiroth. For example, in the 12th century, a great dispute arose over two sentences; the first sentence was called: Hod, Chesed, Binah. Maimonides held on to this sentence. His opponent, on the other hand, claimed: Chesed, Kether, Binah. So people were already arguing about these sentences. You have to know: These sentences are derived from the Sephiroth tree; one person read it this way, another that, and put the elements together in different ways. But this art of reading had actually been forgotten since the Middle Ages. And the interesting thing is that later, in the middle of the Middle Ages, a man appeared, Raimundus Lullus – a very interesting person, this Raimundus Lullus!

You see, gentlemen, getting to know a person like that is actually extremely interesting. Imagine there was someone among you who was quite curious. He would say to himself: Now that I've heard about Raimund Lullus, I want to read up on him! First, take the encyclopedia, but then take any books that mention Raimund Lullus: Yes, if you read what is written about Raimund Lullus in today's books, you will split your sides laughing, because he would have been the most ridiculous person you could ever imagine! People say: This Raimundus Lullus, he wrote ten words on pieces of paper, and then he took something like you have in a game of hazard, a kind of roulette, where you spin, where you jumble up the story, and he would have always jumbled up these ten pieces of paper, and what would have come out, he would have written down, and that would have been his world wisdom. Well, when you read something like that, that words were simply written on ten pieces of paper and mixed up, and the man wanted to find something special by doing that, you have to hold your sides laughing, because it's a ridiculous person who would do something like that.

But that was not the case with Raimundus Lullus. He actually said the following: You can still go as far as you like with all that your earthly alphabet gives you, but you still cannot find the truth. And now he said: Your ordinary head is not good enough to find the truth. This ordinary head is like a roulette wheel that you spin, but there is nothing in it, so nothing can be found to win. Lullus told his fellow human beings: You have actually all become empty-headed, your head is nothing more, there is nothing more in it. And you must put such concepts as these ten sephiroth into your heads one day; you must learn to turn your heads from one of the sephiroth to the other until you learn to use the letters. That is what Raimundus Lullus told them. It is also written in his writings. He only used a picture for it, and the philosophers took the picture seriously and believed that he really meant a kind of roulette where you turn around to mix the tickets, while this roulette that he meant is supposed to be the supersensible recognition in the mind!

This Tree of Life, this Sephiroth Tree, is therefore the spiritual alphabet. People who lived in the West, in Greece, had a spiritual alphabet even in ancient times. And in the time of Alexander the Great and Aristotle, ten concepts were also given there in the Greek way. You can still find them today in all school logics: Being, property, relationship, and so on, and also ten such names, only that they are different because they are suitable for the West. But in the West these ten Greek letters of the spiritual alphabet have been understood just as little as the ones mentioned before.

But you see, it is actually quite an interesting story that is taking place in humanity. Over in Asia, those who still knew something learned to read in the spiritual world through this Sephiroth tree. And in the first centuries of Christianity, people who still knew something about the spiritual world learned to read according to the Aristotelian Tree of Life - over in Greece, in Rome and so on. But gradually everyone – those of the Sephiroth Tree and those of the Aristotle Tree – forgot what these things actually are, and could only list the ten terms. And now we simply have to use these things in such a way that we learn to read in the spiritual world, otherwise little by little people will be forgotten. You see, the following is a very interesting sentence. When a Jewish sage wrote or said: Geburah, Netsah, Hod, one would have to translate today as follows in German: the life-force hatches the dreams in the kidneys. But when one says today: the life-force hatches the dreams in the kidneys, one means physical forces, physical effects. But when the ancient Jew said Geburah, Netsah, Hod, he meant that what is in man as a spiritual being brings about what appears in dreams. Everywhere it was a spiritual assertion that was expressed by what arose from the random throwing together of the letters.

It is indeed only through spiritual science that it is possible today to get any information about these things. Because no one will tell you today that these ten sephiroth were such letters for the spiritual world. You won't hear it anywhere else, no one really knows it today! So you can say that the situation is such that today's science no longer knows most of the things that were once known in humanity, and they must first be regained.

Take this letter that I have drawn for you here: Aleph 8. What does this Aleph mean for the sensory world? Well, it represents a person. This is how he stands, sending out his power. That is this line (drawing). He raises his right hand: that is this line; he stretches out the other hand: that is this line. So this first letter Aleph expresses man. And every letter expressed something – even in Greek – just as the first letter expresses “man”.

You see, gentlemen, today people no longer have any sense of how things are connected. The first letter for man was called Aleph by the Hebrews, Alpha by the Greeks, and by this they meant what moves spiritually in man, what is spiritual behind the physical man. But now you also have an old German word. First of all, it is used when a person has special dreams. When a spiritual person presses him, then this is called the nightmare, the nightmare. One says that something comes over the person that possesses him. But then, from nightmare, emerged elf, and then elf, the elf - these spiritual beings, the elves; the human being is only a condensed elf. The word Elf, which goes back to Alp, may still remind you of Alpha in Greek. You only have to omit the A to get Alph – ph is the same as our F – a spiritual being. Because the F has been added, we say: the Aleph in man, the Alp in man. If you omit the vowels everywhere, as is customary in Jewish, you get directly Alph = EIf for the first letter. People pronounce: Elf for this spiritual being. One speaks of elves. Of course, today one says: These are beings that the ancients invented out of their imagination. We no longer believe in it. But the ancients said: You only need to look at the human being itself to see the alph. The alph is just inside the body, and it is not a fine, ethereal being, but a dense physical being inside the human being. But people have long since forgotten how to understand the human being.

And so you experience the most droll thing, gentlemen. Just imagine that in the second half of the 19th century the following came about - I don't want to say anything against it, such things can happen -: a table was taken, people sat around it, let's say eight people; they place their hands, which then touch at the outermost ends, on the table top, and then the table starts to dance! Then they count the dance steps of the table, and form words out of them, also out of letters. These are spiritualistic sessions. What do people believe? They believe: Well, when we think, then nothing comes out of real knowledge; real knowledge must fall to us from somewhere. Now, in truth, it is so that the people who say that could certainly say it about themselves, because they are mostly those who are thoughtless and do not want to reflect, who would like the truth to come to them from somewhere without their own work. So eight of them sit around a table, then they have the table turned over, the first time A, the second time B, then C and so on, and from that they then form words – and those are then spiritualist revelations. Isn't that so, the wisdom came to them; they did not achieve it themselves!

But look, what should one actually say to such people? Such people want to recognize the spiritual world; that is their honest intention, to recognize the spiritual world. You cannot see the spirits; you cannot see or hear them because they have no body. So people think: they can use the table as a body, and in this way they can make themselves a little understood. Incidentally, it usually comes out as very general things that can be interpreted in different ways! But in any case, you have to say to these people: There you are, eight people sitting around the table; you want a spirit to come that makes itself heard. But aren't you spirits yourselves? You are spirits yourselves, sitting around there! Look at yourselves and seek the spirit within yourselves. There you will be able to find a much greater spirit. You will not assume that you will only be seen when you strike through a table, but when you use your limbs, your voices, and above all your powers of thought in a human way! Therefore it is indeed the case, and there is no need to doubt it, that when eight people sit around a table the table will begin to dance because the subconscious forces are acting on it. That is how it is, but it does not come out as something that would not come out in a much higher sense if a person were to exert his own Alpha or Aleph within himself.

But in the transition from Greek to Roman culture, people have forgotten Aleph. The first letter means A yes, only believe, the first letter means only A, that is, keep your mouth shut! But nothing comes of it. Once a wife got so fed up with her husband constantly lecturing from science. He had learned a lot and always lectured. She found it terribly annoying. And so one day she said to him: “You always want to lecture!” - “If you want to lecture, then shut up!” - Yes, actually the content has been completely lost. The Greeks did not think of one A, one Alpha, without thinking of the human being. They were immediately reminded of the human being. And they did not have a beta without remembering a house in which man lives. The alpha is always man. They imagined something similar to man. And at beta, they imagined something that is around man. Then the Jewish Beth and the Greek beta became the envelope around the alpha, which is still inside as a spiritual being. In the same way, the body would be the Beth, the Beta, and the Alpha would be the spirit within. And now we speak of the “alphabet” - but for the Greeks this means: “man in his house”, or also: “man in his body”, in his covering.

Well, gentlemen, it is actually terribly funny. Take a dictionary in your hand today, then look up all the wisdom that mankind has in the alphabet. If someone - you won't do it - starts at A and stops at Z, then he would have all the wisdom in himself. Yes, but according to what can this wisdom be arranged in man? According to the alphabet, according to what can be known about the human being. It is very interesting: people have spread all wisdom because they no longer knew that it actually points to what comes from the alphabet. If you translate alphabet, it comes out, if you put it a little differently: human wisdom, human knowledge - again expressed with a Greek word: anthroposophy, human wisdom. And that is what every encyclopedia says. Actually, every encyclopedia should include anthroposophy, because it is only arranged according to the alphabet, according to human wisdom, “the human being in his body.” It is terribly funny: actually every encyclopedia represents a skeleton, where in the alphabetically arranged science the old wisdom has disappeared. All flesh and blood has gone, all the muscles and nerves have fallen away. Now go to the encyclopedia; it contains only the dead skeleton of the old science. Now a new science must arise that does not just have the dead skeleton, like the encyclopedia, but really has everything about the human being again, flesh and blood and so on: that is anthroposophy! Therefore, one would like to throw all these encyclopedias to the devil, although they are needed today, because they are the dead skeleton of an old science. A new science must be founded!

You see, gentlemen, that is what you can learn from the Sephiroth tree if you understand it in the right way. It was very useful of Mr. Dollinger to ask this question, because it has taken us a little deeper into anthroposophy.

Next time on Wednesday at nine o'clock.

[ 1 ] Since we last met here, our anthroposophical movement has made some important progress. After I left here, we prepared a long series of lectures in Stuttgart, which were initially to be given within Germany. My work in mid-February was devoted to preparing these lectures. And then, from about mid-February, a larger number of our friends, led by the teachers of the Waldorf School and the Stuttgart staff, but also including a number of younger friends who had only recently joined the anthroposophical movement, began a somewhat more extensive series of lectures in the most important cities in Germany, which will not be completed until the Stuttgart university course begins on March 12.

[ 2 ] These lectures arose from the realization that something radical must be done for the anthroposophical movement and everything that is its result — or at least should be — and everything connected with it. It is, of course, extremely difficult to fill halls to capacity in cities where only small groups of our friends are working for our cause. But in these difficult times, everything that is possible must be done.

[ 3 ] The lectures were specifically intended to on the one hand, to show how anthroposophical spiritual science has to position itself in relation to the great cultural and civilizational questions of the present, and then to show what consequences for social life must follow from this anthroposophical basic view. The tenor of the lectures that have just been given and are still being given in a large number of German cities was precisely in this direction. Dr. Boos has contributed to this series of lectures from here and will continue to do so in various German cities, and we will see whether this strong initiative we have attempted to take meets with understanding in our present time, with the understanding that is so necessary for our present time.

[ 4 ] After the preparatory lectures for this lecture series were completed on February 17, I was able to travel to Holland to give a series of lectures for the anthroposophical spiritual movement. The lectures I gave there were essentially aimed at showing how anthroposophical spiritual science arises from all the demands of contemporary civilization, and how this anthroposophical spiritual science can be something essential and important for those souls of the present who are truly seeking today. I gave a series of lectures in a number of Dutch cities, initially on two topics: “Anthroposophical spiritual science in its essence and in its relationship to the great civilizational questions of the present day,” and then “Questions of education, teaching, and practical life from the perspective of anthroposophically oriented spiritual science.”

[ 5 ] I spoke on these questions on February 19 in Amsterdam, on the 20th in Hilversum, on the 21st in Utrecht; on February 22, I was able to give a slide lecture in the afternoon about our building in Dornach. On the 23rd, I gave a lecture in The Hague, on the 24th again in Utrecht; on the 25th, I gave a lecture at the Technical University in Delft on economic organization under the influence of the threefold social order. The lecture for the 26th had been announced but was canceled because I had to rest my voice, as I had to give a lecture to our university friends in The Hague on the morning of the 27th and, in the evening of the same day, I had another public lecture in The Hague on educational and teaching issues from the perspective of spiritual science. On the afternoon of the 28th, I gave a slide lecture in The Hague about our building in Dornach, and on the same evening I gave the second public lecture in Amsterdam. On March 1, I gave a lecture in the university auditorium in Amsterdam on the topic “Anthroposophy and Philosophy.” On March 2, I gave a public lecture in Rotterdam. On March 3, I gave a public lecture in Hengelo in Holland. This is a place that is particularly interesting because it is, I would say, basically an artificially created place. In the 1960s and 1970s, industrialists first established special welfare facilities there, and Hengelo gradually developed out of what was actually industrial-social thinking. This becomes particularly clear when you visit the nursery school there. I only had a short time there, but I visited the classes, and it was particularly striking that these little children are different from, say, those you find today in the first grade of a Waldorf school. Those children are simply taken from the population, as is the result of today's civilization. It's different in Hengelo. In Hengelo, there were initially certain industrial welfare institutions, and the people who settled there worked there in the 1970s; their children now work in the industrial establishments that have sprung up there, and the children of these working people, the second generation, were now in kindergarten. You could see it very clearly; they are not children picked up off the street, but have been artificially nurtured, if I may say so, by several generations of a civilization that emerged, in a sense, from the thinking of that time, naturally to their advantage, but nevertheless artificially nurtured, and they bear the mark of an artificial civilization. It is, of course, difficult everywhere to counter the prejudice that is so prevalent in the world today, especially when one finds oneself, I would say, in such an environment. I have indicated to you in various lectures how, especially at the beginning of the last third of the 19th century, we had a wave of liberalism across Europe, a wave of free thinking which, if it had been able to find a continuation on the spiritual side, would probably have achieved something extremely significant. Instead, we were driven back into reaction because we had a materialistic scientific spirit that no longer corresponded to the liberal aspirations of the time. It is strange how karmic things work.

[ 6 ] For example, in the last few days, I gave this lecture in Hengelo for the local industrialists and people associated with them, and I saw how what has actually been broken off, what is lacking only in its spiritual continuation, is still having an effect on the present. When I came back here, I happened to pick up a book from my bookshelf that is of some interest in connection with these things. This book, which is not particularly significant as a work—it is a book that deals with philosophical questions—was written by the former Bonn University philosopher Jürgen Bona Meyer; but it is the copy that belonged to the well-known materialist Arnold Dodel, who worked in Zurich. In this book, you can see how far he read it. Up to, I believe, page 114—it has, let's say, 460 pages—there are pencil marks and notes everywhere, and from these notes one can see how, at that time, materialism fought “bullishly” against what was still emerging from the old philosophy, albeit in the clumsy manner of the Bonn University philosopher Bona Meyer. ; how materialism fights, how materialism quarrels, but also how materialism appears with incredible arrogance. You see, my dear friends, that is what broke the momentum of a better will at that time and what shows that it is absolutely necessary to delve deeper into a spiritual life if we want to make progress in civilization, if we do not want to rush headlong into decline, which is so clearly perceptible everywhere, especially in the economic sphere, I would say, which is obvious to everyone, if we do not want to rush headlong into decline. For the fact that the sixties and seventies did not allow a spiritual life to arise is what has actually caused all the misfortune of recent times.

[ 7 ] In addition to these lectures, which I gave in various places, we had eurythmy performances on February 20 in Hilversum, February 22 in Amsterdam, February 26 in Rotterdam, and February 27 in The Hague. On February 27, there were three events in The Hague: a branch event in the morning, a eurythmy performance in the afternoon, and the public lecture in the evening. Then there was another eurythmy event on March 2 in Amsterdam, which I was unable to attend, but Mr. Stuten gave the introductory remarks because I had to give my public lecture in Rotterdam that day.

[ 8 ] What can be said here is that everywhere there is a clearly perceptible longing among people for spiritual nourishment, for that which can advance the soul. Eurythmic performances have been planned and some have already been held in Cologne and Essen, and will be held in Mannheim, Karlsruhe, Freiburg, and Stuttgart. The other things I would like to mention are those that have often had to be discussed here, which accompany our movement like a shadow; the more our movement proves its inner necessity, the more intense the opposition becomes. This opposition has the peculiar characteristic that as it spreads and grows, it simultaneously becomes increasingly mean and base. For example, on February 28 in Amsterdam, when I entered the concert hall, a man was standing there distributing leaflets containing, in a very sleazy manner, roughly the same things that are being spread here by Pastor Kully's newspaper and other similar publications.

[ 9 ] So you see, these things are not localized, but spread all over the world, and everything is being done to spread them. The opposition, I must mention again and again, is much better organized, much more active than the Anthroposophical Society is organized in this direction or develops organized activity. On the contrary, when an activity is undertaken here or there, numerous friends of ours who do not like it want us to let ourselves be beaten up and carry around the bruises without defending ourselves in any way.

[ 10 ] Cute things come to mind when one considers, for example, the, one might say, strangely appearing “School of Wisdom” in Darmstadt run by Count Hermann Keyserling. It has published a kind of brochure, but a rather thick booklet, “Der Weg zur Vollendung” (The Way to Perfection), which appeared with the well-known so-called “belly band” that advertised books carry, and there it is advertised that my attacks would be “dealt with”: “Dealing with Steiner's attacks.” — First of all, this writing is actually extremely comical. What someone who has read a little of this pamphlet told me a few days ago is almost true, namely that its actual content is that anyone who has not moved in the circles of the School of Wisdom in Darmstadt is actually a stupid fellow in this world! That is indeed more or less the content of this “Path to Perfection.” But the following is also quite cute, for example. You know that I deliberately called Count Hermann Keyserling a liar in my public lecture in Stuttgart because he really did lie, and he took offense at that; while he says that the other judgments I have made about his philosophy can be left alone — he leaves them alone! — he turns against this accusation with an extremely significant justification: He says: If I had simply said that what he claimed was not true, then he would understand; but he did not have time to do any special research on Steiner, so one must understand that he could also spread incorrect things. Now, you see, that is so characteristic of all these ignorant people of the present day, who, in addition to being ignorant, are also lazy, terribly lazy, and even derive a certain right from their laziness not to know certain things. So when you accuse them of lying, they say they don't have time to research Steiner, which means they don't have time to convince themselves of the things they claim. Of course, they don't need to research Steiner, but then they should keep their mouths shut about what they don't know — I want to be polite. If they keep their mouths shut, no one will reproach them; but if they trumpet incorrect things and then say they don't have time to learn the correct things, then that is indeed a symptom of the terrible moral and intellectual decay of our so-called intellectuals today, especially of such parlor intellectuals as Count Hermann Keyserling.

[ 11 ] What is remarkable about this is that it is already clear today that these people are incapable of doing anything scientific, simply because they are far too comfortable in their scientific or literary positions to seriously engage with the humanities. People like Professor Fuchs in Göttingen are particularly in this situation. Because these people have no scientific understanding of the humanities, they resort to other means, and these other means consist of destroying the movement in some questionable way. When I arrived back in Stuttgart from Holland, I was surprised to find that the article in the Frankfurter Zeitung, which had of course been published in the meantime, had gone further and was now entitled, because of our measures regarding the Upper Silesian question, “Traitors to Germanness,” and talked about treason and all sorts of other things. It is very characteristic that these things are being used to destroy this matter from behind.

[ 12 ] Well, these things are only proof of the low means to which our representatives of the present intellectual life resort, and you can see from these things that not a single word spoken here has been unjustified, that I was compelled to characterize our educational institutions, especially the universities, in this way. That we need a thorough metamorphosis here, that we need a thorough reorganization of our universities in particular, is something that must be recognized more and more. And from this point of view, it is certainly to be welcomed with joy that, despite the fierce opposition that arises from the other side, a small circle of university students is now coming together to work on introducing anthroposophically oriented spiritual science into the university system. This is evident in the preparation of such undertakings as the Stuttgart university course and the university course to be held here, which will begin on April 3.

[ 13 ] That, my dear friends, is what I wanted to share with you to give you a picture of the activities of the last few weeks.

[ 14 ] What I would like to discuss with you today is a kind of summary of truths that we already know from one source or another, but which must repeatedly come to the fore in our minds if we want to draw inspiration from the depths of spiritual scientific knowledge for what is necessary for human activity in the present.

[ 15 ] I have often spoken to you about how different currents interact to form the world in which we live, and we are familiar with the terminology: Luciferic, Ahrimanic, and that which is, in a sense, the equilibrium between the two currents and which is best expressed for us when we speak of the Christ current. You know that the central group of our building is intended to express precisely the mystery of this trinity of the Luciferic, Ahrimanic, and Christian.

[ 16 ] When we look at the human being, who is ultimately the confluence of the forces of the cosmos, we can see exactly how these three currents, one might say, work through him. We know that we must clearly distinguish in the human being what is essentially — you know how to understand this — the head or head organization, which is also essentially the carrier of the nerve-sense system. We know that we must then distinguish the rhythmic system, which as the most important part comprises the respiratory rhythm and the circulation of the blood, that is, everything that proceeds rhythmically, and that the third member of the outer human being is the metabolic system, which is closely connected with the development of the limb system. But we also know that we can understand this trinity of the human being in a spiritual sense. For the nervous-sensory organization, the head or brain organization, is essentially the carrier of everything that is imagination and thinking. The rhythmic organization is the carrier of everything that is feeling life, and the metabolic organization is the carrier of the life of the will.

[ 17 ] Now let us be clear about the following: We only have real daytime consciousness, daytime consciousness permeated by full light, through our nerve-sense system, through the life of imagination that develops in this nerve-sense system. The rhythmic system, or, we could also say, the chest system, is the carrier of the life of feeling. This is where feelings develop in the middle part of the soul. And that in which feelings have their physical basis is the rhythmic system. This life of feeling, as we have often said, is not permeated by clear, bright consciousness in the same way as the realm of ideas. If we approach human soul life with an open mind, we cannot help but say that emotional life has no greater clarity of consciousness than dream life. Dream life, which takes place in images, and emotional life are equally conscious and equally unconscious. They only appear different because emotional life is not experienced in images, but in something spiritual and essential that does not take shape as an image. Dreams are lived out in images. This is what distinguishes emotional life from dream life. But in terms of the intensity of consciousness, the two do not differ.

[ 18 ] Completely shrouded in unconsciousness, as the human being otherwise is when asleep, from falling asleep to waking up, is then the life of the will, whose physical basis is the system of metabolism and limbs. In relation to the life of the will, the human being, while awake, is entirely a sleeping being. By will, the human being actually sees only what comes about through his will, which he then imagines, just as he imagines something else. But what is actually active in the will, the inner soul experience in the act of willing, is actually overslept, just as the life of the feelings is dreamt away.

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[ 19 ] But now let us nevertheless consider this sleeping life of the will, or rather its physical counterpart, this sleeping life of metabolism and limbs. The human being does not stand with his whole being merely in the physical natural environment, but he stands in a spiritual world. He stands with his whole being, regardless of the degree of consciousness in which this being appears, in the spiritual cosmos. Now let us consider the will. We can say something like this: if this is the spiritual cosmos (see drawing, light color), which I do not wish to characterize further for the time being — you know, “spiritual cosmos” is a very universal term, one can only ever take out a part of it — then this (red) would be a certain part of the spiritual cosmos, namely that to which our will or our metabolism and limb life primarily belong. So that when you think of the will life as separate from the human being as spiritual, and the metabolic-limb life as physical, and then ask yourself: How is this integrated into a spiritual cosmos? — this whole relationship to a spiritual cosmos should first be represented by this drawing. And for us the question arises: What is the white here? We know that the red is the human life of the will, viewed spiritually, or the human life of metabolism and limbs, viewed physically; but what is that to which this life belongs, so to speak? I would like to express myself in other words. When you look at any part of the human organism, say the liver, you say to yourself: this liver belongs to the whole organism and has a meaning within the whole organism. In the same way, within a large organism, a world organism, which is represented here in white, we can regard the whole human metabolic-limb system, the will system, as a limb. And then the question arises: What is this large cosmic organism in which the human life of will and the life of metabolism and limbs are, as it were, embedded?

[ 20 ] You see, what man is embedded in with regard to his third limb is the cosmic life of those spiritual beings whom the Bible calls Elohim. In fact, just as we live in the outer nature that we see through our senses, so we live with this part of our being, which we actually sleep through in its activity, the life of the Elohim.

[ 21 ] Now, we want to discuss these things in more detail; I will first just characterize them for you. Let us consider this life of the Elohim throughout cosmic evolution. If you read my “Outline of Esoteric Science,” you will find that these are the spirits of form; they arose from earlier stages of development. If we go back, we come to the earlier stage of development of the cosmic lunar existence. There were these spirits of form, archai, primal forces, primal beginnings. If we go back to the solar existence, they were archangels; if we go back to the Saturn existence, they were angels. So since that time they have ascended and entered into the Elohim existence, into the existence of the spirits of form.

[ 22 ] When we consider our human development, we must say to ourselves: We are also developing; when will we reach the level where these spirits are now? — We will reach this level when we have passed through the Jupiter, Venus, and Vulcan stages of existence, and are in what comes next. If you add up what I have described in my “Secret Science,” you have seven successive stages of development, seven successive, one might also say, spheres of development. And the spirits of form, the Elohim, have entered the eighth sphere of development.

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[ 23 ] That is what I would say characterizes the situation of the Elohim. When the Earth came into being, they were at the stage that we humans would characterize as volcanic existence. They ascended to the eighth sphere. Now the great question, the great cosmic question was: What is the situation with human beings during this earthly existence, or what was it? You see, human beings were in a position to remain a link in the development of the Elohim, just as they had been before. The Elohim developed through Saturn, Sun, and Moon existence to the stage I have now described to you. There they carried human beings in their womb, as you will find described in my “Secret Science.” But everything I have described there rested in the womb of the Elohim. It is described as if I were describing the development of the liver. When you describe it in its stages, it rests in the womb of the human being. Thus, the entire development of the human being that I have described rested in the womb of the Elohim.

[ 24 ] When the earth came into being, the question arose: Will human beings simply remain a dependent member of the great organism that ascended to its eighth sphere, the great cosmic organism of the Elohim, or will they develop toward freedom, will they become independent? — This question: Will human beings become independent? — was decided by a very specific cosmic fact. In relation to our soul system of will and our physical system of metabolism and limbs, we are indeed parts of the Elohim; there we are asleep. There we are not separated. We are separated in relation to our head system.

[ 25 ] And how did this separation come about? — This separation came about because certain spiritual beings, which in the course of evolution would have become Elohim if they had progressed properly, did not become Elohim but remained behind, remaining at the stage of Archai or Archangeloi. We can therefore say that these are beings who, if they had progressed properly, could have become Elohim. But they did not progress properly; they remained behind. If we look at them occultly today, they belong to the same sphere as the angels and archangels; but they are not of the same kind as the angeloi or archangeloi or archai, but are actually of the same kind as the Elohim, as the spirits of form, only they have fallen behind in their development and have therefore entered the ranks of the angels and archangels, They manifest themselves in the same sphere, and their activity has therefore had to be limited to not acting on the whole human being and on that which has been acquired primarily on earth by human beings: the metabolic-limb system. Instead, they act on the human head system. So we say: In relation to the head system of the human being — if I draw this here as the opposite pole of the will system, of the metabolic-limb system (see drawing on p. 257, pink) — it is not this great cosmic organism of the Elohim that is at work, but the backward Elohim, whom I will draw like this (yellow). Angeloi, Archangeloi, and Archai also work within this sphere. These beings, who are the Elohim who remained behind, are actually the opponents of the other Elohim. The other Elohim cut humanity off from themselves, but they could not give humanity freedom because they have influence over the whole human being. In contrast, the backward spirits of form limit themselves to the head, and in this way they gave humans reason and understanding. These are essentially the Luciferic spirits. As you can now see from the illustration, they are will-givers on a lower level. The Elohim give the will to the whole human being, but they give the head its will. Otherwise, the head would be filled with ideas devoid of will. Ideas become reasonable only when they are imbued with will and become the power of judgment. This comes from these spirits.

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[ 26 ] You may now see from this illustration, from a certain point of view, how one must not use philistine concepts when attempting to grasp cosmic opposites. One must not simply look down on the Luciferic spirits, if I may express myself thus, but one must be clear that these are spirits of a much higher order than man himself. They are not actually enemies of man; they are enemies of the Elohim because they have remained behind, and they limit themselves to the human head. That is what we must consider here.

[ 27 ] If you now imagine what these spirits would actually achieve if they had complete freedom over human evolution, you would come to the following conclusion. You will say to yourself: Well, when the Earth came into being, the Elohim rose to their dignity, while the others remained behind at earlier stages of development; they are therefore the bearers of what is imprinted on humans primarily from the past, from the Saturn, Sun, and Moon existences, the bearers of what is to be placed in humans from the sublime past, which we have undergone in the three previous metamorphoses of development.

[ 28 ] Because they remained behind, in a sense opposing what the Elohim intended for the people of Earth, we can also characterize them in relation to human beings by saying: These spirits, who are actually spirits of form, but who oppose us in the spiritual world among the hosts of angeloi, archangeloi, and archai, impress upon human beings everything that prevents them from descending to full earthly existence. They actually want to keep them above the mineral kingdom. They would prefer that human beings experience only what is in the sprouting plant world, what lives in the animal world, what is in the human world itself. But they do not want them to descend into the dead mineral world. And in particular, these spirits have no inclination whatsoever to allow human beings to learn anything connected with our technology. They are, so to speak, angry about this. They want to keep human beings in a spiritual sphere; they do not want them to descend to the earthly realm. That is why they are also enemies of the Elohim, because the Elohim, who have solidified man in the dust of the earth, as the Bible puts it, have pulled him down into the mineral kingdom. However, it is to this that he owes his freedom. But freedom, the freedom that man is supposed to experience in the earthly realm, is not really important to the spirits who want to keep man free from the earthly realm.

[ 29 ] Now, human beings have been placed, so to speak, by the Elohim into the mineral-earthly world. But this has in turn given other spirits access. Now pay attention to the difference between the spirits I have just spoken of and the spirits I am about to speak of. Those I have just spoken of are in the sphere where the Angeloi, Archangeloi, and Archai are. We find them among the hosts of these spirits, and they are the ones who bring mobility, active reason, imagination, artistic activity, and so on into the human head. But because human beings have been pushed down into the mineral kingdom, because the Elohim have given them independence, but this independence is not complete independence, for they experience it while asleep in their will and in their metabolic-limb system, other spirits have gained access. These other spirits sneak into evolution, so to speak. The spirits I have spoken of were present during evolution, but they were left behind; they were unable to participate, but they are Elohim who have been left behind. They were present in the cosmos with the Elohim and do not want to let humans descend completely to Earth. But now humans have descended to Earth through the Elohim. Now other spirits are coming from outside. We find them when we turn our occult gaze to the hosts of cherubim, seraphim, and thrones. Some of these spirits, which actually belong to this species, have also been left behind. They did not enter these hosts; they have only become spirits of wisdom. These spiritual beings reveal themselves in such a way that one can say of them: they actually want to begin a completely new creation on earth; they want to preserve human beings on earth. Just as human beings are embodied in the mineral kingdom through the Elohim, they want to take this as a beginning and continue the development from this beginning. They want to wipe out all the past: Oh, what's the past, they say, that doesn't matter to us; human beings once came down into the mineral kingdom, so let's tear them away from the Elohim, who don't need them; let's tear them away from the Elohim and start a new evolution. Let them be the first link, so that they can live on and on!

[ 30 ] These are the Ahrimanic beings. These Ahrimanic beings want to wipe out all the past and leave human beings only with what they have achieved directly on earth.

[ 31 ] You see how the Elohim stand in the middle. The Elohim want to link the past with the future. The spirits I described earlier want to imbue human beings with their sublime past. The other spirits want to wipe out the entire past, take away from the Elohim what human beings are made of, the dust of the earth, and make a new beginning, starting the development from the earth. Away with this “balloon” of the cosmos, with Saturn, the sun, and the moon; none of this should have any meaning for humans. A new evolution should begin with the earth; it should be a new Saturn, then the sun should come, and so on. That is the ideal of these other beings. They storm into the unconscious of human beings, into the life of the will, into the life of the metabolism and limbs, they storm in there. They are the race among the spiritual beings who want to teach human beings a special interest in everything mineral and material, who want to teach human beings an interest in everything that is, for example, external, mechanical, and mechanical. They would like nothing better than to destroy everything that the earth has brought with it from the old moon, to see the animal world disappear, the physical human world disappear, the plant world disappear, so that only the physical laws remain from the mineral kingdom, but especially that human beings be taken away from the earth; and they would like to form a new Saturn out of machines, a new world made entirely of machines. That is how the world should continue. That is actually their ideal. In the external scientific realm, they have the ideal of turning everything into matter, of mechanizing everything. In the religious realm, we can clearly perceive these two opposites.

[ 32 ] In earlier times — you know this from other lectures I have given here — people were more exposed to spirits of the former kind, which act on the head. In Plato, for example, you still find that when people spoke of the eternity of the human soul, they spoke in particular of pre-birth existence, of what human beings actually remember from their previous existence. This ceases the further we go into the Middle Ages, until the Church completely forbids belief in pre-existence; and today, belief in the pre-existence of human beings is considered heresy by the Church. So on the one hand there is the inclination toward knowledge of pre-existence; on the other hand there is the dehumanized Church, which continues human life only beyond death and then allows it to be only a result of what man is here on earth.

[ 33 ] There you have it as a creed: what man experiences here in the physical body, he carries with him through death. His soul always looks back on it. — In fact, the whole of the following life is only the continuation of what was here between his birth and death. This is exactly what the Ahrimanic spirits want. These are precisely the important questions facing humanity today: Should the Ahrimanic belief continue to proliferate, as if there were only one life after death, or should the awareness of pre-existence awaken again and should pre-existence and post-existence then be connected through what is the middle equilibrium?

[ 34 ] This is what spiritual science must seek: this Christ principle, the equilibrium, the balance between the Luciferic-Ahrimanic — on the one hand, pre-existence, and on the other, post-existence. These are the important questions of the present, that after humanity has devoted itself for a time to the Ahrimanic belief in mere post-existence, we must again add the consciousness, the knowledge of pre-existence, in order thereby to arrive at an understanding of the whole of humanity.

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If you were in the Cathedral last night you could have seen written there in illuminated lettering: C. M. B. As you will all know, these letters represent the names of the so-called Three Holy Kings, according to the tradition of the Christian Church: Caspar, Melchior, Balthasar. These names awaken quite special memories for Cologne. An old legend tells us that some time after they had become bishops and died their bones had been brought here. Another legend relates that a Danish king had once come to Cologne, bringing with him three crowns for the Three Holy Kings. After he had returned home he had a dream; in his dream the three kings appeared to him and offered him three chalices: the first chalice contained gold, the second frankincense, and the third one myrrh. When the Danish king awoke the three kings had vanished, but the chalices remained; they stood before him; the three gifts which he had retained from his dream.

In this legend there is profound meaning. We are to understand that the king in his dream attained a certain insight into the spiritual world by which he learnt the symbolic meaning of these three kings, these three wise men of the East who brought offerings of gold, frankincense and myrrh at the birth of Christ Jesus. And from this realisation he retained a lasting possession: those three human virtues which are symbolised in the gold, the frankincense and the myrrh: self-knowledge in the gold; self-piety, that is the piety of the innermost self—which we can call self-surrender—in the frankincense; and in the myrrh self-consummation and self-development, or the preservation of the eternal in the self.

It was possible for the king to receive these three virtues as gifts from another world because he had endeavoured to penetrate with his whole soul into the profound symbol lying concealed in the three kings who brought their offerings to Christ Jesus.

There are many features in this legend which lead us a long way towards understanding the Christ-principle, and what it is to bring about in the world. Among its profound features are the Adoration and the Presentation by the three Magi, the three Oriental Kings, and only with the deepest understanding may we approach this fundamental symbolism of the Christian tradition. Later the idea was formed that the first king was the representative of the Asiatic races; the second, the representative of the European peoples; and the third, the representative of the African races. Wherever people wanted to understand Christianity as the religion of earthly harmony they saw in the three kings and their homage a union of the different lines of thought and religious movements in the world into the One principle, the Christian principle. When this legend received this form those who had penetrated into the principles of esoteric Christianity saw in Christianity not only a force which had affected the course of human development, but they saw in the Being embodied in Jesus of Nazareth a cosmic world-force—a force far transcending the merely human that prevails in this present age. They saw in the Christ-principle a force that indeed represents for mankind a human ideal lying in a far distant future, an ideal which can only be approached by our understanding the whole world more and more in the spirit. They saw in man, in the first place, a miniature being, a miniature world, a microcosm, an image of the macrocosm, the great, all-embracing world. This macrocosm comprises all that man can perceive with his external senses, see with his eyes, hear with his ears, but comprises, besides, all that the spirit could perceive from the perceptions of the least developed human spirit up to perceptions in the spiritual world. This was how the esoteric Christian of the earliest times regarded the world. All he saw in the firmament or on our earth, all he saw as thunder and lightning, as storm and rain, as sunshine, as the course of the stars, as sunrise and sunset, as moonrise and the setting of the moon—all this was for him a gesture, something like a mimicry, an external expression of inner spiritual processes. The esoteric Christian looks on the universe as he looks on the human body. When he looks on the human body he sees it as consisting of different limbs: the head, arms, hands, and so on. When he looks on the human body and sees the movements of hand, eye, etc., these are for him the expression of the inner spiritual and psychic experiences. In the same way as he looked through the human limbs, and their movements, into that which is eternal, spiritual in man, the esoteric Christian regarded the movements of the stars, the light that streams down from the stars to humanity, the rising and setting of the sun, the rising and setting of the moon, as the external expression of divine-spiritual Beings pervading all space. All these natural phenomena were to him deeds of the gods, gestures of the gods, expressions in mime of those divine-spiritual Beings, as also was everything that occurs among mankind, when people establish social communities, when they submit to moral commandments and regulate their dealings through laws, when from the forces of nature they create instruments for themselves. These implements, indeed, they make with the help of the forces of nature, but in a form in which they are not to be found directly. All that was done in humanity, more or less unconsciously, was for the esoteric Christian the external expression of inner divine-spiritual sway. But the esoteric Christian did not confine himself to such general forms, he pointed to quite definite single gestures, single parts of the physiognomy of the universe, of the mimes of the universe, in order to see in these single parts quite definite expressions of the spiritual. When he pointed to the sun he said: The sun is not merely an external, physical body; this external, physical solar body is the body of a spiritual-psychic Being; one of those psychic-spiritual Beings who are the rulers, the leaders of all earthly fate, the leaders of all natural occurrences on the earth, but also of all that happens in human, social life, in the relationship of men among each other as determined by laws. When the esoteric Christian looked up to the sun he revered in the sun the external revelation of his Christ. In the first place the Christ was for him the sun's soul, and the esoteric Christian said: “From the beginning the sun was the body of the Christ, but men on earth and the earth itself were not yet matured for receiving the spiritual light, the Christ-light, which streams from the sun. Men had, therefore, to be prepared for the Christ-light.”

Then the esoteric Christian looked up at the moon and saw that the moon reflects the light of the sun, but more feebly than the sun's light itself; and he said to himself: “If I look with my physical eyes into the sun I am dazzled by its shining light; if I look into the moon I am not dazzled; it reflects in a feebler degree the shining light of the sun.” In this subdued sunlight, in this moonlight, pouring down on the earth, the esoteric Christian saw the physiognomical expression of the old Jehovah-principle, the expression of the religion of the old law. And he said: “Before the Christ-principle, the Sun of Righteousness, could appear on earth, the Jahve-principle had to send down on earth this light of righteousness, toned down in the Law, to prepare the way.” And so what lay in the old Jehovah-principle, in the old Law—the spiritual light of the moon—was for the esoteric Christian the reflected spiritual light of the higher Christ-principle. And with the pupils of the ancient Mysteries the esoteric Christian—until far into the Middle Ages—saw in the sun the expression of the spiritual light ruling the earth, the Christ-light, and in the moon the expression of the reflected Christ-light, which would blind man in its full strength. And in the earth itself the esoteric Christian saw with the pupils of the ancient mysteries that which at times disguised, and veiled for him, the blinding sunlight of the spirit. And for him the earth was just as much the physical expression of a spirit as was every other bodily form an expression of something spiritual. He imagined that when the sun looked visibly down on the earth, when it sent down its rays, beginning in the Spring and continuing through the summer, and called forth from the earth all the budding and sprouting life, and when it had culminated in the long summer days—then the esoteric Christian imagined that the sun cherished and maintained the external, up-shooting life, the physical life. In the plants, springing from the soil, in the animals unfolding their fertility in these seasons, the esoteric Christian saw the same principle, in an external, physical form, that he saw in the Beings whose external expression the sun was. But when the days became shorter, when autumn and winter approached, the esoteric Christian said: the sun withdraws its physical power more and more from the earth. But in the same degree as the sun's physical power is withdrawn from the earth, its spiritual power increases and flows to the earth most intensively when the shortest days come, with the long nights, in the season afterwards fixed by the Christmas festival. Man cannot see this spiritual power of the sun. He would see it, said the esoteric

Christian, if he possessed the inner power of spiritual vision. And the esoteric Christian had still a consciousness of what was a fundamental conviction and experience of the Mystery-pupils from the earliest times into the newer age.

In those nights, now fixed by the festival of Christmas, the Mystery-pupils were prepared for the experience of inner spiritual vision, so that they could see inwardly, spiritually, that which at this time withdrew its physical power from the earth most completely. In the long Christmas winter night the novice was far enough advanced to have a vision at midnight. The earth was then no longer a veil for the sun, which stood behind the earth. It became transparent for him. Through the transparent earth he saw the spiritual light of the sun, the Christ-light. This fact, which marks a profound experience for the mystery-novice, was recorded in the expression: To see the sun at midnight.

There are places where the churches, otherwise open all day, are closed at noon. This is a fact which connects Christianity with the traditions of ancient religious faiths. In ancient religious faiths the Mystery-pupils said, on the strength of their experience: “At noon, when the sun stands highest, when it unfolds the strongest physical power, the gods are asleep, and they sleep the deepest sleep in summer, when the sun develops its strongest physical power. But they are widest awake on Christmas night, when the external physical power of the sun is weakest.”

We see that all forms of life which desire to unfold their external physical power look up to the sun when the sun rises in the sky in Spring and strive to receive the external physical power of the sun. But when, on a summer noon, the sun's physical power pours most lavishly on to the earth, its spiritual power is weakest. In the winter midnight, however, when the sun rays the least physical power down to the earth, man can see the sun's spirit through the earth, which has become transparent for him. The esoteric Christian felt that through absorption in Christian Esotericism he approached more and more that power of inward vision through which he could imbue his feeling, thinking and his will-impulses in gazing into this spiritual sun. Then the Mystery-novice was led to a vision of the greatest importance: As long as the earth is opaque the separate parts appear inhabited by people of different confessions, but the unifying bond is not there. Human races are as scattered as the climates. Human opinions are scattered all over the earth and there is no connecting link. But in the degree in which men begin to look through the earth into the sun by their inner power of vision, in the degree in which the “star” appears to them through the earth, their confessions will flow together to one great united Brotherhood. And those who guided the great separated human masses in the truth of the higher planes, towards their initiation into the higher worlds, were known as “Magi.” They were three in number, as in the various parts of the earth various powers express themselves. Humanity had, therefore, to be led in different ways. But as a unifying power there appears the star, rising beyond the earth. It leads the scattered individuals together, and then they bring offerings to the physical embodiment of the solar star, appearing as the star of peace. Thus was the religion of peace, of harmony, of universal peace, of human brotherhood, connected cosmically and humanly with the ancient Magi, who laid the best gifts that they had in store for humanity before the cradle of the Son of Man incarnate.

The legend has retained this beautifully, for it says: The Danish king attained an understanding of the Wise Men, of the three Kings, and because he had attained it they bestowed on him their three gifts: first the gift of wisdom, in self-knowledge; secondly, the gift of pious devotion, in self-surrender; and, thirdly, the gift of the victory of life over death, in the power and development of the eternal in the self.

All those who have understood Christianity in this way have seen in it the profound idea in spiritual science of the unification of religions. For they had the firm conviction that whoever understands Christianity thus can rise to the highest grade of human development.

One of the last of the Germans to understand Christianity in this way is Goethe, and Goethe has laid down for us this kind of Christianity, this kind of religious reconciliation, this kind of theosophy, in the profound poem, The Mysteries, which has, indeed, remained a fragment but which shows us in a deeply significant way the inner spiritual development of one who is penetrated and convinced by the feelings and ideas that I have just described. Goethe first invites us to follow the pilgrim-path of such a man, but indicates that this pilgrim-path may lead us far astray, that it is not easy to find it, and that one must have patience and devotion to reach the goal. Whoever possesses these will find the light that he seeks. Let us hear the beginning of the poem:—

A wondrous song is here prepared for many.
Hear it with joy! Tell all from far and near!
The way will lead you out o'er mount and valley;
Now is the view obscured, now wide and clear,
And if the path should glide into the bushes,
That you have gone astray, you need not fear,
For by a persevering, patient climb
We shall draw near our goal, when it is time.

But no one will, despite profound reflection,
Unravel all the wonders hidden here:
Our mother earth brings forth so many flowers,
And many shall find something to revere;
Maybe that one will gloomily forsake us,
Another stays with gestures full of cheer:
For many wand'ring pilgrims flows the spring,
To each a different pleasure it will bring.

This is the situation to which we are introduced. We are shown; a pilgrim who, if we were to ask him, would not be able to say in formal words what we have just seen to be the esoteric Christian idea—but a pilgrim in whose heart and soul these ideas live, transformed into feeling. It is not easy to discover everything that has been secreted into this poem called The Mysteries. Goethe has clearly indicated a process occurring in human life, in which the highest ideas, thoughts and conceptions are transformed into feelings and perceptions. How does this transformation take place?

We live through many embodiments, from incarnation to incarnation. In each one we learn things of many kinds; each one is full of opportunities for gathering new experiences. It is impossible for us to carry over from one incarnation to the other everything in every detail. When we are born again it is not necessary for everything that we have once learnt to come to life in every detail. But if we have learnt a great deal in one incarnation, and die and are born anew, although there is no need for all our ideas to live again, we come to life with the fruits of our former life, with the fruits of what we have learnt. The powers of perception and feeling are in accord with our earlier incarnations.

In this poem of Goethe's we have a wonderful phenomenon: a man who, in the simplest words—as a child might speak, not in definite intellectual or abstract terms—shows us the highest wisdom, which is a fruit of former knowledge. He has transformed this knowledge into feeling and experience and is thereby qualified to lead others who have perhaps learnt more in the form of concepts. Such a pilgrim, with a ripe soul, which has transformed into direct feeling and experience much of the knowledge which it has gathered in earlier incarnations—such a pilgrim we have before us in Brother Mark. As a member of a secret Brotherhood he is sent out on an important mission to another secret Brotherhood. He wanders through many different districts, and when he is getting tired he comes to a mountain. He journeys up the path at last—(every feature in this poem has a deep significance)—and when he has climbed the mountain he finds himself before a monastery. This monastery here indicates the other Brotherhood to which he has been sent. Over the gate of the jnonastery he sees something unusual. He sees the Cross, but in unusual guise; the cross is garlanded with roses! And at this point he utters a significant word that only he can understand who knows how again and again that motto has been spoken in secret Brotherhoods: “Who added to the Cross the wreath of Roses?” And round the Cross he sees the Triangle shine, radiating beams like the sun. There is no need for him to understand in ideas the meaning of this profound symbol. The experience and understanding of it live already in his soul, in his ripe soul. His ripe soul knows its inner meaning. What is the meaning of the Cross? He knows that the Cross is a symbol for many things; among many others, for the threefold lower nature of man; the physical body, the etheric body and the astral body. In him the “I,” the Self is-born. In the Rose-Cross we have the fourfold man: in the Cross the physical man, the etheric man and the astral man, and in the roses the Self. Why roses for the Self?—the esoteric Christian added roses to the Cross because by the Christ principle he felt called upon to develop the Self more and more from the state in which it is born in the three bodies, to an ever higher Self. In the Christ-principle he saw the power to develop this Self higher and higher. The Cross is the symbol of death in a quite particular sense. This, too, Goethe expresses in another beautiful passage when he says:

And until thou truly hast
This “dying and becoming,”
Thou art but a troubled guest
O'er the dark earth roaming.

“Die and be re-born”—overcome what you have first been given in the three lower bodies: deaden it, not out of a desire for death, but purify what is in these three bodies so as to attain in your Self the power to receive an ever greater perfection. If you overcome what is given you in the three lower bodies, the power of consummation will live in the Self. In the Self must the Christian absorb in the Christ-principle this power of consummation down to the very blood. Right into the blood this power must work.

Blood is the expression of the Self, the “I.” In the red roses the esoteric Christian saw the power of the Christ-principle purifying and cleansing the blood, thus purifying the Self, and so guiding man upwards to his higher being—he saw the power that transforms the astral body into the Spirit Self, the etheric body into the Life-Spirit, the physical body into Spirit Man. Thus the Rose-Cross in its connection with the triangle shows us the Christ-principle in profound symbolism. The pilgrim, Brother Mark, who arrives here, knows that he is at a place where the profoundest meaning of Christianity is understood.

Full weary by a long and tiring journey,
With a sublimest motive underta'en,
A pilgrim, brother Mark, came through the thicket,
With staff in hand, his footsteps to sustain,
And longing for a little food and drinking,
One beauteous eve he reached a quiet plain.
Its wooded gorges soothing hope bestowed
Beneath a friendly roof to find abode.

But lo! a path he scarcely can distinguish,
High up a mountain steep before him wending.
He follows it, as more and more it rises,
In curvings in and out the boulders bending,
Until again by sunlight warm enveloped,
He turns and sees how fast he is ascending.
At last the summit comes within his sight,
Inspiring him with heart-felt, deep delight.

Next it the sun, majestic in its setting,
Enthroned 'mong clouds within the dark'ning sky.
Now for the peak! For all his weary toiling
He hopes to be rewarded there on high.
O'erlooking all the country 'fore him spreading,
A human home he will perchance espy.
And while he climbs, oh sound how full of cheer!
The chime of bells is wafted to his ear.

And as at length he has attained the summit,
Below a softly sloping valley lies.
His quiet look with inward pleasure brightens;
Before the forest full of joy he spies
A stately building in a greening field,
Which the departing sun with lustre dyes.
E'er long he nears through meadows dewy damp
A monastery lit with gleaming lamp.

He soon arrives outside the quiet homestead,
With hope and peacefulness his soul enfolding,
And on the arch above the closed portal
A symbol full of mystery beholding.
He stands and ponders, whispers words of prayer,
The deep devotion of his heart unfolding;
He ponders long: What does this sign convey?
The sun has set, the chiming dies away.

The sign he sees erected here on high
That brings consoling hope to all mankind,
Which many thousands pledged their lives to shield,
To which in fervour prayed the human mind,
That has destroyed the bitter powers of death,
On victors' banners fluttered in the wind:
A stream of comfort permeates his being,
He sees the cross and bows his head in seeing.

He feels anew the faith of all on earth,
The power of salvation streaming thence;
But as he looks, he feels his very soul
Pervaded by a new and unknown sense:
Who added to the cross the wreath of roses?
It is entwined by blooming, clusters dense,
Profusely spreading just as though they could
Endow with softness e'en the rigid wood.

While light and silv'ry clouds, around it soaring,
Seem heavenward with cross and roses flowing,
And from the midst like living waters streaming
A threefold ray from out one core is glowing;
But not a word surrounds the holy token,
The meaning of the symbol clearly showing.
And while the dusk is gath'ring grey and greyer,
He stands and ponders and is lost in prayer.

The spirit of deepest Christianity which pervades this dwelling is expressed in the cross entwined by roses, and as the pilgrim enters he is actually received in this spirit. When he enters he becomes aware that in this house not this or that religion holds sway—but that there rules here the higher Oneness of the religions of the world. Within this house he tells an old member of the Brotherhood that lives there at whose behest and on what mission he has come. He is made welcome and hears that in this house there lives in perfect seclusion a Brotherhood of twelve Brothers. These twelve Brothers are representatives of different human races from all over the earth; every one of the Brothers is the representative of a religious faith. None is accepted here in the un-ripeness of youth, but only when he has explored the world, when he has struggled with the joys and sorrows of the world, when he has “worked and been active in the world and won his way to a free survey beyond his narrowly confined domain. Only then is he placed and accepted in the circle of the Twelve. And these Twelve, of whom each one represents one of the world religions, live here in peace and harmony together. For they are led by a thirteenth who surpasses them all in the perfection of his human Self, who surpasses them all in his wide survey of human circumstances. And how does Goethe indicate that he is the representative of true Esotericism? Goethe indicates, by the words the Brother speaks, that he is the bearer of the religion of the Rosy Cross. He said: “He was among us; now we are in deepest sorrow because he is about to leave us; he wishes to part from us. But he finds it right to part from us even now; he desires to rise to higher regions, where he no longer needs to reveal himself in an earthly body.”

He is worthy to rise. For he has risen to the point that Goethe describes with the words: “In every religion there is the possibility of attaining the highest purity.” When each of the twelve religions is ripe to form a basis of harmony, the Thirteenth, who has before brought about this harmony externally, can pass away. And we are beautifully told how we can achieve this consummation of the Self. First, the life-story of the Thirteenth is related; but the Brother who has received Mark knows many details, which the great Leader of the Twelve cannot tell himself. Several features of profound esoteric significance are now recounted by one of the Twelve to Brother Mark. He learns that when the Thirteenth was born a star appeared to herald his life on earth. Here there is a direct connection with the star which guided the three holy kings, and with its inner meaning. This star has an enduring significance: it shows the way to self-knowledge, self-surrender and self-consummation. It is the star which opens the mind for the gifts which the Danish king received from the vision in his dream, the star which appears at the birth of anyone ripe enough to absorb the Christ-principle. And there were other signs. There were signs showing that he had developed to that height of religious harmony which brings the peace and harmony of the soul. Profoundly symbolical in this sense is the vulture which swoops down at the birth of the Thirteenth, but instead of destroying it spreads peace around it among the doves. We are told still more. While his little sister is lying in the cradle a viper winds itself round her. The Thirteenth, still a child, kills the viper. Hereby is wonderfully indicated how a ripe soul—for only a ripe soul can achieve such a thing after many incarnations—kills the viper in early childhood: that is to say he overcomes the lower astral nature. The viper is the symbol for the lower astral nature; the sister is his own etheric body, round which the astral body winds itself. He kills the viper to save his sister. Then we are told how he submitted obediently to every demand of his parents. He obeyed his stern father. The soul transforms its knowledge into ideas and thoughts; then healing-powers develop in the soul and can bring healing into the world. Miraculous powers develop: they are represented by the sword with which he strikes a spring out of the rock. We are here definitely shown how his soul follows the path of the Scriptures. Thus gradually there develops the higher man, the representative of humanity, the Chosen one, who works as the Thirteenth here, in the society of the Twelve, the great secret Brotherhood which, under the sign of the Rose-Cross has taken upon itself for all mankind the mission of harmonising the religions scattered in the world. This is how we are made acquainted, in a profound, manner, with the soul-nature of that one who has until now guided the Brotherhood of the Twelve.

At last he knocks. The myriad stars above him
Look down with shining eyes as they appear.
The portal opes, and he is bidden welcome
By brethren wont to comfort and to cheer.
So he relates how far by hill and valley
The will of higher Beings led him here.
They stand amazed, for well they see their guest
Was sent to them by heavenly behest.

They crowd around him, and their inmost being
They feel by a mysterious power stirred,
Their breath they hold to listen, for he rouses
An echo in their hearts with ev'ry word.
Like deepest lore, yet uttered by a child,
The wisdom flowing from his lips is heard:
He seems so innocent, like crystal clear,
As though descended from another sphere.

At last an aged brother cries: Oh welcome,
If with consoling hope thy path is blessed!
Thou seest us, our souls are moved within us
By thee, and yet we can but stand oppressed:
Our greatest bliss from us is being taken,
Anxiety and dread disturb our rest.
Thou comest as a stranger, yet to share
Portentous hours of mourning and of care:

For he, alas! who all of us united,
To whom as father and as friend we bow,
Who light and fortitude within us kindled—
Our leader—is prepared to leave us now.
Yea, he himself his passing has predicted,
Refusing though to tell us when and how:
The mystery of what must needs befall
Brings bitter tribulation to us all.

Thou seest us grey and aged ev'ry one,
By nature destined for repose and rest:
Not one was here admitted who, a youth,
Desired to fly from wordly joy and zest.
Each one has met with life's vicissitudes,
Its burdens, pleasures and its anxious quest,
Until, matured, too old to longer roam,
Within these walls we found a shelt'ring home.

The noble man who led us to this haven,
Within his heart the peace of God does dwell;
Along the path of life we walked together,
His ev'ry action I remember well;
But now his fervent praying, his seclusion,
The hour of his departing must foretell.
How small is man! Oh would that he could give
His life, so that a greater one might live!

This is my heart's profound and only wish!
Fulfilment is denied to my desire.
How many have preceded me in death!
How bitter is the thought he must expire.
Had he been here, with hearty welcome's warmth
He would have given all thou didst require;
But now in spirit-regions dwells his mind,
Already far from those he leaves behind.

Each day one hour he lingers in our midst
And speaks to us, by strange emotion stirred:
The wondrous paths that Providence has led
Within his life he lauds with ev'ry word;
We hark and heed, for after-ages hoarding
With care the merest trifle that occurred,
While one writes down his words to make us sure
His memory shall live both true and pure.

I hear him speak, but oh, how much there is
That I would rather far myself relate,
For all is still alive within my mind,
The least of circumstances I would state;
Impatiently I list, can scarce conceal
How sore it is thus silently to wait:
One day I shall no more restrain my zeal,
The splendours of this beauteous life reveal.

I should disclose how first an angel's voice
His coming to his mother prophesied,
And how, when he was christened, in the sky
A star with brilliant lustre was descried,
How down a vulture swooped with mighty wings
To settle by the gentle pigeons' side,
But not to pounce on them in greedy wildness,
A harbinger he seemed of peace and mildness.

How as a child a viper he destroyed,
This is a miracle he ne'er has told.
He found his sister peacefully asleep,
The clinging reptile round her arm was rolled.
The nurse had fled and left the babe alone,
He killed the pois'nous snake, resolved and bold;
His mother came and saw the daring deed
And thrilled with joy she found her daughter freed.

He ne'er related that a spring arose
From out the barren rock before his sword,
And as a brook, with rippling waves alive,
Its plenteous waters down the hill-side poured;
E'en now, as quick as forth it gushed at first,
It bickers silver sparkling o'er the sward.
But those who saw the wondrous stream appear,
Dared not to drink, o'ercome by solemn fear.

For when a man excels by gifts of nature,
It is no wonder if his life is blessed;
In him we worship the Creator's power,
Through feeble human clay made manifest;
But he who overcomes himself has gained
The greatest triumph, stood the hardest test,
And well may he to all the world be shown:
Yea, this is he, this deed is his alone!

With all our strength we strive to live and labour,
Where'er by fate our twisting paths be wended;
Whereas the world oppresses, e'er impeding,
And seeks to tear us from the way intended;
Within this inner storm and outer struggle
Our spirit hears a word scarce comprehended:
The power that holds constrained all humankind
The victor o'er himself no more can bind.

This man who had overcome himself, that is, who had overcome that ego which is man's portion at first, has become the Head of the chosen Brotherhood. And thus he leads the Twelve. He has led them to a point at which they are matured enough for him to leave them. Our Brother Mark is then conducted further to the rooms where the Twelve work. How do they work? Their activity is of an unusual kind, and we are told that it is an activity in the spiritual world. A man whose eyes observe only physically, whose senses experience only the physical plane, and only what is done by people in the physical world, cannot easily imagine that there is still another task which may even be far more vital and important than what is done externally on the physical plane. Work from the higher planes is far more important for mankind. Naturally, whoever wishes to work on the higher planes can only do so on condition that he has first completed the tasks of the physical plane. These Twelve had done so. For this reason their combined activity is of great importance as a service to mankind.

Our Brother Mark is led into the hall where the Twelve were accustomed to assemble, and there he sees in deep symbolic guise the nature of their combined activity. The individual contribution of each of the Brothers to this combined activity is expressed by an individual symbol above the seat of each one of the Twelve. Symbols of many kinds are to be seen there, expressing profoundly and in very different ways the contribution of each to the common task, which consists in spiritual activity, so that these streams flow together into a current of spiritual life which flows through the world and invigorates the rest of mankind. There are such brotherhoods, such centres from which such streams emanate and have their effect on the rest of mankind.

Above the seat of the Thirteenth, Brother Mark again sees the sign: the cross entwined with roses; this sign, which is at the same time a symbol for the four-fold nature of man, and in the red roses the symbol of the purified Blood or ego-principle, the principle of the higher man. And then we see what is to be overcome by this sign of the Rose-Cross, portrayed in a symbol of its own, to the right and left of the seat of the Thirteenth. On the right Mark sees the fiery-coloured dragon, representing the astral nature of man. It was well known in Christian Esotericism that man's soul can surrender to the three lower bodies. If it succumbs to them it is dominated by the lower life of the threefold bodily nature. This is expressed in astral experience by the dragon. It is no mere symbol but a very real sign. The dragon represents what has first to be overcome. In the passions, in those forces of astral fire, which are part of man's physical nature, in this dragon, Christian Esotericism, which has inspired this poem and which has spread through Europe, saw what mankind has received from the torrid zone, from the South. It is the South that has bestowed on mankind the fierce passion, tending chiefly towards the lower senses. The first impulse to fight and overcome it was divined in the influences streaming from the cooler North. The influence of the cooler North, the descent of the Ego into the threefold physical nature of man, is expressed according to the old symbol taken from the Constellation of the Bear and shows a hand thrust into the jaws of a bear. The lower physical nature expressed by the fiery dragon is overcome; and what has been preserved, represented by the higher rank of animal life, was expressed in the bear; and the Ego, which has developed beyond the dragon nature, was represented with profound appropriateness by the thrusting of a human hand into the bear's jaws. On both sides of the Rose-Cross there appears what must be overcome by the Rose-Cross, and it is the Rose-Cross which calls upon man to purify and raise himself more and more.

Thus the poem really describes the principle of Christianity in the profoundest manner and, above all, shows us what we ought to have before our mind's eye, particularly at a festival such as we are keeping to-day.

The eldest of the Brothers living here, and belonging to the Brotherhood, tells the Pilgrim Mark expressly that their combined activity is of the spirit, that it is spiritual life. This work for mankind on the spiritual plane has a particular meaning. The Brothers have experienced life's joys and sorrows; they have passed through conflicts outside these walls; they have accomplished tasks in the world; now they are here, but that does not mean that their work is at an end; the further development of mankind is their unending task. He is told: “You have seen as much now as can be shown to a novice to whom the first portal is opened. You have been shown in profound symbols what man's ascent should be. But the second portal hides greater mysteries: those of the influence of higher worlds on mankind. You can only learn these greater mysteries after lengthy preparation, only then can you enter through the other gate.” Profound secrets are expressed in this poem.

In him I scarce as virtue may denote
The power of good which e'en his youth inspired
And taught him to respect his father's word,
When harshly he his services required,
With duties burdening his leisure hours;
The son obeyed with ardour, never tired,
Like some poor boy who, friendless and astray,
Is glad to work for but a trifling pay.

On foot he joined the warriors in the field,
In lowering tempest and in dazzling light,
The horses he did tend, the meals prepare,
And armed the soldiers ready for the fight.
Oft as a messenger, both keen and fleet,
He hastened through the woods by day and night;
To live for others both in thought and action
Seemed but to give him joy and satisfaction.

And brave and cheerful always, in the strife
He sought the arrows scattered on the ground;
Then hastily he gathered curing herbs,
With which the burning wounds he cooled and bound;
And just as if his very touch were healing,
Ere long the sufferers were strong and sound;
How all regarded him with joy and pride!
Alone his father seemed not satisfied.

E'en as a ship, despite its heavy load
From port to port with speedy lightness sailing,
He bore the burden of his parents' word
That in obedience ne'er he should be failing;
As pleasure is for boys, for youths distinction,
For him his father's will was all-prevailing,
So that he might demand whate'er he would,
Each task was soon fulfilled, each test was stood.

At last the father yielded and acknowledged
The merit of his son in word and deed;
While of a sudden all his sternness vanished,
He gave the youth a swift and precious steed;
Henceforth a sword replaced the shorter #8224,
And from his lesser duties he was freed:
Thus, destined by his birth and well acquitted,
Into an Order he was now admitted.

Ah, well could I report for many days
Amazing things to every one who hears;
And higher than the most delightful tales
His life will be esteemed in coming years;
For what in poetry and fiction charms,
Yet to our mind incredible appears,
Will here with greater pleasure still be heard,
Because it has in real event occurred.

The name of him whom Providence has chosen
That wondrous things on earth he should achieve,
Whom I may often praise, though ne'er sufficing
Whose destiny we scarcely can believe,
His name—it is Humanus, Saint and wise one,
The best of men whom I did e'er perceive:
By origin another name he bears,
Which with illustrious ancestors he shares.

The aged brother would have spoken on.
Filled with the miracles that he did know,
And he shall gladden us for many weeks
With all the stirring facts he still can show;
But he was interrupted, just as now
His heart was pouring forth in fervent flow.
The others softly in and out had passed
And deemed it time to intervene at last.

When Mark had bowed before his hosts and prayed
In gratitude for the sustaining meal,
A bowl of crystal water he requested.
They brought what he had craved with friendly zeal.
Hereafter led him to their festive hall,
Therein a sight unwonted to reveal.
Of what he saw you soon will be aware,
For everything shall be described with care.

No ornament was here, the eye deluding,
A cross-arched vault rose sternly from the ground,
And thirteen chairs against the walls, he noticed.
Were like a pious chorus ranged around,
By clever hands full delicately carven;
In front of each a little desk he found.
Devotion seemed to fill the very air,
Fraternity and restfulness and prayer.

Above each chair was hung a special shield,
Thirteen in all the number he espied.
They seemed to be important, purposeful,
No boast of ancestors in shallow pride.
And brother Mark, with longing all aglow,
Desired to learn what secret they did hide:
Lo, in the middle one the mystic sign,
The cross which clustring roses do entwine.

Each object will arouse to life and action
The soul which to its inspiration yields;
Some places are adorned by swords and lances,
While helmets hang above these other shields;
Here battered weapons are to be discovered,
Such as one may collect on battle-fields:
There spears and banners, come from distant lands,
And even fetters here and iron bands!

Each brother sinking down before his chair,
In silent prayer profoundly wrapt they rested;
Then softly chanted fervent hymns of thanks,
By cheerfulness and piety suggested;
With mutual blessing they retired to sleep,
A short repose, by fancies unmolested:
But Mark remains, surrounded by a few,
Still wishing more attentively to view.

Though tired in body, full awake his mind,
Preoccupied by many hidden things:
For here, his thirst in raging flames appeasing,
A dragon is enthroned with fiery wings;
And here between his jaws a bear is holding
An arm from which the blood it loses springs,
Both shields, in distance corresponding quite,
Hung next the Rosy-Cross to left and right.

The paths were wonderful that led thee here,
The aged brother speaks unto his guest:
Oh let these symbols bid thee stay until
The many heroes' deeds we manifest;
Our mysteries we will confide to thee,
For what is here concealed, can ne'er be guessed;
Although thou wilt divine what here was done,
Endured and lost, and last what triumph won.

Do not believe that but of times gone by
The brother spake. Here wonders never fail;
And more and ever more thou shalt behold,
Until withdrawn is the enshrouding veil.
One portal only 'tis that thou hast passed:
And if thou feelst the call, O friend, prevail!
The foremost court as yet thou didst attain,
But worthy art the very core to gain.

After a short sleep our Brother Mark next learns to divine something at least of the inner mysteries; in the powerful symbols he has let the ascent of the human Self work upon his soul, and when he is awakened by a sign from his short rest he comes to a window, a kind of lattice, and hears a strange threefold harmony sounding thrice, and the whole as if intermingled with the playing of a flute. He cannot look in, cannot see what is happening there in the room. We do not need to be told more than these few words as an indication of what awaits the man who approaches the spiritual worlds, when he is so far purified and perfected by his endeavours to develop his Self, that he has passed through the astral world and approaches the higher worlds—those worlds in which are to be found the spiritual archetypes of the things here on earth. When he approaches what is called in esoteric Christianity the world of heaven, he approaches it through a world of flowing colour; he enters into a world of sound, into the harmony of the universe, the music of the spheres. The spiritual world is a world of sound. He who has developed his higher Self to the level of the higher worlds must become at home in this spiritual world. It is indeed Goethe who clearly expressed the higher experience of a world of spiritual sound in his Faust when he lets him be carried up to heaven and the world of heaven is revealed to him through sound.

The sun-orb sings, in emulation
'Mid brother-spheres, his ancient round:

The physical sun does not sing, but the spiritual sun sings. Goethe retains this image when, after long wanderings, Faust is exalted into the spiritual worlds (Faust, Second Part): “Sounding loud to spirit-hearing, see the new-born day appearing.” “Pealing rays and trumpet-blazes—eye is blinded, ear amazes: The Unheard can no one hear!”

Through the symbolic world of the astral, man, if he evolves higher, approaches the world of the harmony of the spheres, the Devachanic domain, the spiritual music. Only softly, softly, does Brother Mark, after passing through the first portal, the astral portal, hear floating out to him the sound of the inner world behind our external world, of that world which transforms the lower astral world into that higher world which is pervaded by the triple harmony. And in reaching the higher world man's lower nature is transformed into the higher triad: our astral body is changed into the spirit-self, the etheric body into the life-spirit, the physical body into the spirit-man. In the music of the spheres he first senses the triple harmony of the higher nature, and in becoming one with this music of the spheres he has the first glimpse of the rejuvenation of man when he enters into union with the spiritual world. He sees, as in a dream, rejuvenated mankind float through the garden in the form of the three youths bearing three torches. This is the moment when Mark's soul has awakened in the morning from darkness, and when some darkness still remains; his soul has not yet penetrated it. But precisely at such a time the soul can gradually look into the spiritual world. It can look into the spiritual worlds as it can look when the summer noon is past, when the sun is losing in power and winter has come, and then at midnight the Christ-principle shines through the earth in the night of Christmas. Through the Christ-principle man is exalted to the higher trinity, represented for Brother Mark by the three youths who are the rejuvenated soul of man. This is the meaning of Goethe's lines:

And until thou truly hast
This “dying and becoming,”
Thou art but a troubled guest
O'er the dark earth roaming.

Every year anew Christmas will indicate to the one who understands esoteric Christianity that what happens in the external world is the mimicry, the gestures, of inner spiritual processes. The external power of the sun lives in the spring and summer sunshine. In the Scriptures this external power of the sun, which is only the forerunner of the inner spiritual power of the sun, is represented by John the Baptist, but the inner, spiritual power by Christ. And while the physical power of the sun slowly abates, the spiritual power rises and grows in strength until it reaches its zenith at Christmas time. This is the meaning underlying the words in the gospel of S. John: “He must increase, but I must decrease.” And he increases until he appears where the sunforce has again attained the outer physical power. So that man may henceforth revere and worship in this external physical power the spiritual power of the sun, he must learn the meaning of the Christmas festival. For those who do not know this meaning the new power of the sun is nothing but the old physical power returning. But whoever has become familiar with the impulses which esoteric Christianity, and especially the Christmas festival, should give him will see in the growing power of the solar body the external body of the inner Christ which shines through the earth, which gives it life and fruitfulness, so that the earth itself becomes the bearer of the Christ-power, of the Earth-Spirit. Thus what is born in every Christmas night will be born for us each time anew. Through Christ we shall experience inwardly the microcosm in the macrocosm, and this realisation will lead us higher and higher.

The festivals, which have long ago become something external to men, will again appear in their deep significance for mankind if they are led by this profound Esotericism to the knowledge that the occurrences of external nature, such as thunder and lightning, sunrise and sunset, moonrise and the setting of the moon, are the gestures and physiognomy of spiritual existence. And at the turning-points which are marked by our festivals we should realise that these are also times of important happenings in the spiritual world. Then we shall be led on to the rejuvenating spiritual power represented by the three youths, which the ego can only win by devoting itself to the outer world and not egotistically shutting itself away from it. But there is no devotion to the outer world if this external world is not permeated by the Spirit. That this Spirit shall appear every year anew for all men, even for the feeblest, as Light in the darkness, must be written every year afresh in the heart and soul of man.

This is what Goethe wished to express in this poem, The Mysteries. It is at once a Christmas poem and an Easter poem. It would indicate profound secrets of esoteric Christianity. If what he wished to indicate of the deep mysteries of Rosicrucian Christianity is allowed to work upon our souls, if we absorb its power even in part, then for some few at least in our environment we shall become missionaries; we shall succeed in fashioning this Festival once more into something filled with spirit and with life.

When after short repose within his cell
A deep resounding bell awakes our guest,
His soul is filled with longing for devotion,
He rises quickly with unwearied zest
And hastens to the church, with all his heart
Responding to the gladly heard behest,
Obedient, peaceful and by prayer bestirred;
Alas! The door is locked, he stands deterred.

But hark! a blow on dull resounding ore
Three times in equal intervals renewed,
No chime it seems to be of clock or bells,
From time to time with tones of flute imbued;
The floating music fills the heart with joy,
Mysterious 'tis and scarce to be construed,
It sounds like singing, solemn and entrancing,
To which the couples interlace in dancing.

Bewildered and by strange emotion moved,
He hastens to the window there to gaze;
The day is dawning in the distant east,
The sky o'erflown by lucent streaks of haze.
And may he trust his eyes? A mystic light
Is fleeting through the garden's winding ways;
Three youths with torches in their hands he sees
Who haste along the paths between the trees.

He clearly sees their wonderful apparel,
The white resplendent garments which they wear,
Their girdles made of intertwining roses,
The wreaths of flowers in their curly hair;
They seem to come from some nocturnal dances,
With joy of movement thrilled, enlived and fair.
But as the stars will fade, when day is near,
Extinguishing their torch, they disappear.

[ 1 ] On December 2, 1900, Ludwig Jacobowski was torn from a busy and hopeful life by a sudden death. Only those who were so close to him that he spoke to them about his ideas and plans in the last days of his life will have any real idea of what was carried to his grave. For one always had to make an addition to everything he had achieved. He made it himself. He was only satisfied with himself when he saw great tasks ahead of him. A twofold belief animated him. One was that life is only worth living if one's personality is restlessly enhanced in its efficiency; the other was that man does not belong to himself alone, but to the community, and that only he who is as useful to others as he can be deserves his existence. Under the influence of such sentiments, he continually widened the circles of his activity. It was a beautiful moment for him and for others when he spoke of what he was about to do. The way he spoke always inspired the belief that he would achieve what he wanted. He did not shy away from any obstacles. Not those that lay within him, nor those that he encountered along the way. There are few people who work so hard on themselves to enable themselves to accomplish their tasks. He had the highest confidence in the foundation of his being. But he never believed that it would be easy for him to work this reason out of himself. He could look back with the deepest satisfaction on the work he had done to work his way up to what he had become. But he probably never felt this satisfaction in itself, but only because it gave rise to the feeling that his working power would be equal to any obstacle in the future. Above his desk hung a piece of paper with core sayings. The Goethe sentences were also written on it:

No sooner are you safe from the grossest deception,
Hardly are you master of the first child's will,
You think yourself superhuman enough,
Fail to fulfill the duty of man! How much are you different from others?
Know yourself, live in peace with the world!

[ 2 ] The essence of his thinking and feeling is expressed in these sentences. Seeing life as a duty was part of his innermost nature. For he lived with this attitude from childhood. It is as if he had already felt as a boy: spare yourself no work, for you will one day demand much of yourself as a man, and woe betide you if you have not made yourself resilient!

[ 3 ] Ludwig Jacobowski was born on January 21, 1868 in Strelno in the province of Poznan, the third son of a merchant. He spent his first five childhood years in the small district town, a few miles from the Russian border. In April 1874, his parents moved to Berlin. The boy first attended the Luther Boys' School here. There he was a diligent, ambitious pupil. This remained the case when he entered the sexta of the Louisenstädtische Oberrealschule, but things changed from the quinta onwards. His diligence had diminished and he did not enjoy his lessons very much. He had to be returned to the Luther Boys' School. An eye operation that had to be performed on him at that time and the fact that he had to attend a language school because of a speech impediment had a profound influence on the boy's basic mood. The feeling that he had to work his way through a rough, brittle surface was richly nourished during this time. Such sensations caused him countless gloomy hours. A remnant of these hours probably never left his soul. But such feelings were always accompanied by the opposite pole: you have to steel your will, you have to replace out of yourself what fate has denied you. For him, dejection was always just the soil from which his almost unlimited energy grew. When he was twelve years old, he lost his mother. Fate ensured that his life was built on a serious foundation. In his twentieth year he also had to follow his father to the grave; he saw two brothers die in the prime of life. His determined will and his courage to face life grew again and again out of his dark experiences. Goethe's words "Over graves forward" were also among those that could be read on the note above his desk.

[ 4 ] A complete transformation took place in the boy when, from about the age of thirteen, he began to immerse himself in the treasures of German intellectual life. It is indicative of the idealistic trait of his soul that he felt drawn to Schiller's creations with true fervor during this time. Thus he created for himself the objects of his interest, which he had initially been unable to find at school. When he returned to the Louisenstädtische Oberrealschule, he joined the ranks of the good pupils more and more. He had now found his own way to gain understanding from the outside world. In the top class he had reached the point where he was exempted from the oral Abitur examination on the basis of his good written work. He passed this exam on September 30, 1887.

[ 5 ] The friendship with a boy who died as a senior secondary school student had a great influence on Ludwig Jacobowski's development. This was a gifted boy who developed significant mathematical abilities in particular. This friendship was a good counterbalance to Jacobowski's more purely literary intellectual interests. An understanding of genuine, even exact scientific rigor, which remained with him for life, was planted in Jacobowski at that time. As a result, he always had an open mind for the great achievements of natural research and their far-reaching significance for the entire thinking and feeling of modern mankind. Throughout his later life, he was devotedly faithful to the memory of his childhood friend who had died at an early age. "I am once again erecting a poetic monument to him," were the words I heard from him, accompanied by an indescribable look of gratitude.

[ 6 ] The extent of Ludwig Jacobowski's interests can be seen in the course of his university studies. He was enrolled in Berlin from October 1887 to October 1889, then in Freiburg i. Br. until Easter 1890. He initially attended lectures on philosophy, history and literary history. The circle soon expands. Cultural history, psychology and national economics were added. One can see how a main inclination increasingly emerges. He wanted to understand the development of the human imagination. Everything was driven by this fundamental interest. In 1891, he earned his doctorate in Freiburg with a treatise: "Klinger and Shakespeare, a contribution to the Shakespearean romance of the Sturm und Drang period." It is clear from the concluding sentences what shape his ideas had taken. "Literary history should finally stop praising and blaming. Both belong to a romantic period of criticism. Modern criticism - the first traces of which can be discovered in France with Sainte-Beuve, Taine and others - has to live beyond "good and bad", beyond "praise and blame". Psychological understanding is the only and first thing that criticism can achieve. That is why Klinger's dependence on the great Briton to understand psychologically must be understood as something naturally necessary. And judgments against necessities of a psychological nature are decidedly superfluous and wrong. Therefore, when Hettner says that Klinger saw in Shakespeare "a license for everything strange and outlandish, for everything crude and crude", this judgment must be rejected outright. Klinger only saw in Shakespeare a model of genius. His impressionable, receptive nature, supported by an excellent memory, had to store up, process and reproduce a large number of Shakespearean motifs. In this psychological "must" lies an aesthetic justification of his dependence on Shakespeare."

[ 7 ] From then on, Jacobowski's thinking was focused on the laws of the development of the human spirit. He also carried within him the conviction that poetry arises from a necessity deeply rooted in the human soul. This drew him to the study of folk poetry. He looked everywhere at the primitive cultures of primitive peoples and savages to see how poetry necessarily arises from the imaginative and emotional life of man. From such studies he gained a deep understanding of what truly deserves to be called poetry. One of his peculiarities was that everything he studied scientifically immediately penetrated his feelings and gave him a firm judgment. It was highly enjoyable to listen to him when he showed from the smallest details of a poem to what extent something was really poetic or not. He assumed that in the most developed art poetry the characteristics that can be perceived in the most primitive poetry are repeated. This is not to say, however, that Jacobowski based his own artistic work or even his aesthetic judgment on reflection. For him, knowledge was completely compatible with the originality, even naivety, of creation and feeling.

[ 8 ] In his twenty-first year, Ludwig Jacobowski was already able to publish a volume of poems entitled "Aus bewegten Stunden" (Pierson, Dresden and Leipzig 1889). It is the reflection of a youthful life that was richly wrestled with pain and deprivation, that was driven back and forth between gloomy moods and joyful hopes. A great striving, a life of beautiful ideals that struggles uncertainly and anxiously for form and language. Genuinely youthful poems, but which emerge from a serious mood. One thing is striking about these poems that is deeply characteristic of the poet. He is almost completely free from the passing trends of his surroundings. The day with its buzzwords, the prevailing trends of the literary cliques have no influence on him. Even if he does it in a youthful way, he struggles with ideals that are higher than those of his contemporaries. He is not one of those strikers who, with nothing to support them, immediately count themselves a new epoch of intellectual life.

[ 9 ] These were difficult times for the young man before and after completing his university studies. He also worked in the family's shoe factory at the time. Between business activities were the hours in which he wrote his verses, in which he devoted himself to his studies on the origins and development of poetry. Nevertheless, his first volume of poetry was followed a year later by a second, "Funken" (Pierson, Dresden 1890), and in the same year a magnificent work appeared on "Die Anfänge der Poesie, Grundlegung zu einer realistischen Entwickelungsgeschichte der Poesie" (Dresden 1890). Gustav Theodor Fechner's work in the field of aesthetics had made a deep impression on Jacobowski. He saw this thinker's "Vorschule der Ästhetik" as a fundamental work for all future aesthetic studies. In his opinion, Fechner had taken these studies out of the sphere of arbitrary ideas and placed them on the solid ground of reality. The laws of artistic creation should not be derived from speculation, but from the scientific and psychological observation of human nature. In an essay entitled "Primitive Narrative Art", Jacobowski expressed his views in this regard with the following sentences: "Only recently has psychology learned to look around at wild tribes and children. Let us hope that aesthetics and poetics will follow suit. The beginnings have already been made, but there is still much to be done to recognize the aesthetic functions of the child. Let us hope that time will also bring us ripe fruit in this area. Only then will it be possible to clarify the entire germs of poetry, from which the most glorious tree grew in the paradise of the earth ... For a history of the development of poetry it is always of value to follow attentively the products of the childlike soul as well as the study of primitive peoples." Starting from such points of view, Jacobowski wrote a series of essays on the history of the development of poetry. These include: Fairy Tales and Fables of the Basuto Negroes. Supplement to the Münchener Allgemeine Zeitung, ii1. March 1896. Arab folk poetry in North Africa. Supplement to the Vossische Zeitung, March 10, 1895. Stories and songs of the Africans. Magazin für Literatur, 1896, No. 30 and Münchener Allgemeine Zeitung, July 24, 1896, as well as supplement of the Vossische Zeitung, October 1896. Das Weib in der Poesie der Hottentotten. Globus, Vol. 70, 1896, No. ir and f. - When Karl Bücher's "Arbeit und Rhythmus" then appeared, Jacobowski welcomed in this book a beautiful fruit of the standpoint that he himself had made his own in the history of the development of poetry.

[ 10 ] Everything Jacobowski undertook in this field he regarded as preparatory work for a great work on a realistic history of the development of poetry. He was tireless in collecting material for this work. He was intensively occupied with cultural-historical studies, from which the genesis of poetic creation was to emerge before his eyes. In particular, he was thoroughly familiar with the cultural-historical research of the English. He left behind a wealth of notes on the lives of primitive people. In such works he developed an incomparable diligence, and in the processing of the material he was characterized by a comprehensive sense and unerring judgement. The friends he had in the early nineties were of the opinion that his real talent lay in this field and that he would one day achieve great things as a scholar. - He himself pursued these matters with devoted love and perseverance, with the intention of one day attempting a fundamental work on the "History of the Development of Poetry". However, this scholarly activity did not initially form the focus of his work.

[ 11 ] In this center stood his own poetic achievements. It was for their sake that he wanted to live first and foremost. He never doubted for a moment that he was a poet at the core of his being. Whether this core would penetrate through a hard shell, however, may well have often been an anxious question before his soul.

[ 12 ] Jacobowski's soul was moved back and forth between two extremes. A strong, indomitable will was in him alongside a soft, sensitive mind, in which the processes of the outside world with which he came into contact left sharp traces. And it was his vital need, in the noblest sense of the word, to feel the value of his personality. Anything that got in his way in this direction caused him the deepest resentment. Imagine him with such a disposition in the nineties amidst the brutal outbursts of an anti-Semitism that was simply incomprehensible to finer natures. And imagine his idealistic way of thinking at a time when he saw nerdiness, crude struggles for base goods, frivolous play with sacred feelings becoming more and more insolent every day. His first novel "Werther, the Jew", published in 1892 (Pierson, Dresden), tells in powerful words what moods were stirred in him by the sight of such goings-on. He wrote it in the midst of hardship and true anguish.

[ 13 ] Wolff suffers from his father's ethical views and the prejudices directed against the young Jew. His father's money speculation deprives his son's teacher, to whom he is truly devoted, of his fortune. Wolff's passion for the teacher's wife turns the young man into a deceiver of his father's friend. At the same time, this same passion destroys his beautiful bond of love with a child of the people, who seeks redemption in voluntary death from the torment that his affection for the student has brought him. The young man's willpower is not strong enough to show him the way through the contrasts into which life throws him and through the confusion into which his own passions have plunged him. His sense of humanity alienates him from the people to whom the natural ties of life bind him. At the same time, these ties weigh heavily on him. The world pushes him back because of his affiliation with people whose faults he himself deeply detests. - Jacobowski allows the fate of the modern Jew to be reflected in this individual fate. The novel is written with heart_ blood. It contains a psychology whose object of study was his own bleeding soul. One might criticize the novel for being written by a young man who has not found the peace and time for objective observation of the soul, because the experiences of his own soul are still striving too hard to find expression. One might also say that Jacobowski's artistic talent for composition was not yet great at the time. One thing must be conceded: we are dealing with the document of a human soul whose tragic undertones must speak to every heart that is not hardened against the suffering of an idealistic mind. Such a heart is compensated for all the faults of the narrative by the profound truth with which a personality unreservedly expresses one side of his nature. - Anyone who was close to Jacobowski knows this side of his nature. It was the side against which the energy of his will had to fight again and again. One can speak of a highly heightened sensitivity towards everything that was directed against the justified claims of his personality to full respect and recognition from his fellow man. At the same time, he had a rare need to share in everything that was worth living for. His devotion to people, his absorption in the outside world instilled in him a constant fear that he might lose himself. Jacobowski is not Werther. But the fate of Werther is one that Jacobowski had to constantly protect himself against. When he wrote "Werther", the possibility of becoming a Werther was clearly before his eyes. That is why the novel is a confrontation with himself.

[ 14 ] A person who has put as much into a work as Jacobowski did into his "Werther" cannot be indifferent if he encounters a deaf fellow world. There was no sign of any recognition of his undoubtedly honest intention and equally undoubted talent. One can sympathize with the pressure that this lack of success exerted on the young poet. Later, when he spoke of those days, he honestly admitted how he had suffered from this lack of success. He was not one of those immodest natures who never doubted their own talent. Encouraging recognition would have been very valuable to him at this time. One may attribute the fact that his poetic work now briefly took a back seat to a strong preoccupation with political issues to the fact that he lacked such recognition. However, his involvement in political issues was not one that was lost in the interests of the day. He always considered the political in connection with the development of culture. The last decade of the nineteenth century was only too suitable for presenting the most diverse questions to sharp minds with a broad horizon. The repeal of the Socialist Law gave the social movement a powerful outward appearance in its cultural significance. The old parties had disintegrated; their ideas and their momentum were no longer equal to the ever-advancing development. Old, reactionary powers believed that their time had come. Slogans and dark instincts began to exert an effect on the wider masses that had not been thought possible for a long time. One of these dark instincts, the anti-Semitic one, particularly caught Jacobowski's attention. It hurt him deeply in his most personal feelings. Not because he was attached to Judaism with these feelings. That was not the case at all. Rather, Jacobowski belonged to those who had long outgrown Judaism in their inner development. But he was also one of those who tragically had to feel the doubts that were cast on such outgrowth out of blind prejudice.

[ 15 ] However, these blind prejudices were only a partial phenomenon. They were part of a powerful current that was increasingly becoming a sum of reactionary ideas. It was believed that an ideal basis for this current could be created by infusing the prevailing world views with Christian ideas anew. The buzzword "practical Christianity" dominated people's minds. And the idea that the state had to be built on Christian foundations seemed to exert a powerful attraction. - This prompted Jacobowski to examine such views. His extensive "Study" on the "Christian State and its Future" (Berlin 1894, published by Carl Duncker) is a result of these debates. His preoccupation with cultural-historical problems provided a solid basis for the "Study". He carefully examines the influence of the church on the states. He lets history speak its important verdict on the extent to which the Church has intervened in the development of Western humanity. And in order to recognize the moral foundations of the state, he examines the changes in the moral concepts of various peoples. The conclusion he comes to can hardly be doubted by those with insight: "The end of the Christian state is a fact for the insightful parties in Germany, against which its appointed representative, the conservative party, will run up a storm in vain. The compelling logic of history has always been stronger than the limited individual wishes and special interests of political parties. And so it is a fact that the Christian state is crumbling more and more in all European states." In the second part of the "Study", Jacobowski pursues the present-day approaches to new foundations of social order: the national, ethical state, the free Christian community, the free ethical community. He conducts a stimulating investigation into the viability of the various young ideals of the future. - Because of the youth of these ideals, such a debate cannot produce a real result. "No one knows who will replace the "Christian state", no one knows whether this replacement will take place under peaceful conditions." For Jacobowski himself, however, the study was of great importance. Through it, he had gained what he could not have lived without, according to his entire disposition: he had acquired an understanding of the world around him.

[ 16 ] The struggle with the environment is also the problem that he makes the subject of a dramatic work in 1894. He wrote "Diyab, the Fool, Comedy in Three Acts" in a short space of time, from April to June of that year. Just as "Werther" represents one side of Jacobowski's nature, his emotional world, "Diyab" represents his willpower, which repeatedly asserts itself against all currents. The "Werther" is based on the more or less unconscious feeling: I have to defend myself against these manifestations of my nature; in the "Diyab", the feeling may speak in the same way: this is how I have to relate to the outside world if I want to make my way. - The sheikh's son, Diyab, was born of a white mother and is therefore regarded as an outcast. The scorn of the whole neighborhood follows him. He saves himself from this mockery by fleeing into the solitude of his inner self, thereby rising above all the mockery of the world around him. He becomes superior to those who mock him. They know nothing of his innermost self. He hides this from them and plays the fool. They may mock him in this mask. But his own self grows outside in the solitude where the palm trees are. There he lies among the trees of the forest, living only himself and his plans. He cultivates his powers to a strength that will later make him the savior of his tribe. Those who mocked him in the past then shrink back from the power of the enemy, and he, the outcast, overcomes them. The strong-willed man only put on the fool's mask so that he could make his fortune unrecognized by others. Behind the fool's mask matures the personality that takes revenge for the treatment meted out to her and her mother, the personality that conquers the throne of the sheikh and the beloved through boldness and strength.

[ 17 ] "Diyab" is not written with a bleeding heart like "Werther", but with a beating heart. It was written at a time when Jacobowski was just finding himself. An inner security breaks through, which protects him from the kind of disgruntlement that followed the limited external success of his "Werther". - From this time onwards, a new period in Jacobowski's endeavors can be assumed. There is also a change in his lifestyle. He broke away from a friend, a lyricist, who was very successful as soon as he appeared on the scene. Jacobowski undoubtedly owed much to this friendship. The criticism that all his achievements received from this side was a constant incentive for self-discipline. He only ever remembered this childhood friendship with gratitude. But it had to end if Jacobowski wanted to find himself completely. The feeling that he needed spiritual solitude, complete dependence on himself, led to Jacobowski's estrangement from his friend.

[ 18 ] The collection of poems "From Day and Dream" (published by S. Calvary, Berlin 1895) is a kind of conclusion to his first creative period. Jacobowski's three lyrical collections are a faithful reflection of all the struggles of his third decade of life. The striving for simplicity, for a popular art form is a fundamental trait of his poetry. A genuine idealism is expressed in atmospheric images that seek vividness and plasticity. A certain symbolic way of imagining things often pervades. The processes of his own soul are symbolized by events in nature. While in the first poems of his youth the intellectual still predominates, later a full view of reality increasingly comes to the fore. At first, it is the poet's own inner self that preoccupies him:

From the day's pleasure and pain
The universe weaves a lullaby,
That draws into tired human hearts,
Bringing sweet peace,
When the soul never approaches
The divine image of truth
Wrapped in the night.

[ 19 ] Afterwards, our poet struggles to shape the outside world. He makes nature speak. He personifies reality. He holds a dialogue with it. The secrets of nature's workings and his own world of emotions intertwine. Poems such as the delicate "Forest Dreams" in "From Day and Dream" stem from this kind of interaction:

The sun spreads its blessing
Like a golden carpet
. Woodruff perfumes the paths,
And redthorn scatters its blossoms.
Only sunshine and sky blue
Shimmer through the cool canopy of leaves.
The peregrine falcon with a bright cry
Keeps me awake on soft moss.
Now he has fallen silent in the sultriness,
I dream sleepily to myself
And dream that in the fragrant puddle
I myself am stalk and blossom...

[ 20 ] Deeply rooted in Jacobowski's nature was always a firm belief in the harmony of the universe, in a sun in the course of every human destiny. It was probably only this belief at the center of his soul that helped him overcome many a bleak moment in his personal destiny. He suffered greatly from these personal experiences, but there was something in his outlook on life that always worked like light. He would not have been able to appreciate himself as he wanted to if he had not felt the strength within himself to bring light into his darkness. So he steeled this strength and worked on himself incessantly. And this work constantly gives him new hope, lifts him above moods, as expressed in the poignant "Why?" in "Out of Day and Dream":

... When I awoke to the first day of summer,
The dark night was already waiting outside.
I looked up at the golden sunlight,
The gray rain cloud shifted in front of it;
And I stretched out my child's hand, rejoicing
To the rose bush that was all in bloom,
Then thorns warded off my exuberance,
And from joy the red blood ran...

[ 21 ] The melancholy cycle "Martha" in "Aus Tag und Traum" points deep into the poet's soul. It encompasses an elegiac undertone that trembled in Jacobowski's heart until his death. A sudden death in 1891 had snatched his childhood sweetheart away from him. From then on, the memory of her was one of the images he returned to again and again. The departed woman lived on in his heart in the most tender way. She was like a presence to him in hours of sadness and joy. It was a lasting loyalty of a very special kind that he retained for her. When he spoke of her, his voice changed. You had the feeling that he sensed her presence. Then you were not alone with him. That's what made all the poems about his childhood sweetheart so intimate.

[ 22 ] His preoccupation with political issues had earned Jacobowski a position with a newspaper and in an association that kept material worries at bay in the last years of his short life. Those who had dealings with him could only praise his diligence and hard work in this position. When one considers that his occupation in this position took him out of his literary work every day anew, then one cannot marvel enough at the sum of what he nevertheless achieved in the literary field. The number of novellistic sketches he wrote is large, and his activity as a critic was extensive. Characteristic of him is the position he took towards his shorter novellistic works. He wrote a large number of such sketches in the mid-nineties. He saw them as works in which he was developing his style as a narrator. The moment he was ready to take on larger works, working on such sketches lost its appeal for him.

[ 23 ] As a critic, Jacobowski is characterized to an outstanding degree by his ability to completely immerse himself in the achievements of others, to immediately feel the core of a foreign personality from their creations. Anything doctrinaire is far removed from him as a critic. His judgments always stem from a fresh, original feeling. You can see everywhere that he is fully involved in what he is talking about. Ultimately, he does not want to judge at all, but only to understand. His pleasure is not in condemning, but in recognizing. One reads with particular pleasure the remarks in which he justifies his approving judgments with his own warmth. - Anyone who wanted to follow Jacobowski's work as a critic closely would see how this man was intensely involved in the intellectual life of his time, how he drew his circles of interest in all directions.

[ 24 ] A collection of sketches has been found in Jacobowski's estate, which he was preparing to publish in book form in 1898. They were to bear the title: "Stumme Welt. Symbols". The collection is indicative of his way of thinking and his entire inner life at this time. When you read through the sketches, you get the impression that Jacobowski was called to be the poet of the modern naturalistic world view. The new understanding of nature initially seems to have something unpoetic and sober about it. Its penetration into the purely natural processes, its commitment to pure, unadorned reality seems to frighten away the poetic imagination. Jacobowski's "Silent World" proves the opposite. He had completely settled into the scientific confession. He was imbued with the greatness of the view that sprouts from his immersion in the eternal, iron laws of the universe. Darwinism and the doctrine of evolution were dear to his heart. It is true that they tore apart the veil that once enveloped nature. But what emerges from behind this veil is not as devoid of poetry for those who are able to see, as people with a conservative outlook would like to claim. The marvelous laws of matter and forces give birth to poetic images that are in no way inferior in grandeur to the images of earlier imaginary worlds that were transferred from the human soul into nature. Modern man no longer wants to let nature speak in a human way. The whole mythical world of spirits is silent when the ear, educated in naturalism, listens to the phenomena of nature. The eternal cycle of matter and forces seems to be a "silent world". But whoever knows how to make this "silent world" speak can hear completely new, wonderful secrets, mysteries of nature whose harmonious music would be drowned out by the former loud voices of anthropomorphic world views. Jacobowski wanted to depict this music of the "silent world" in his collection of sketches.

[ 25 ] The new view of nature rightly invokes Goethe as the progenitor of its ideas. And for those who delve into Goethe's scientific writings, the phenomena of the world become letters from which they learn to read and understand the plan of the cosmos in a new way. Many people read Goethe far too superficially. Jacobowski was one of the few who sought to gain a proper position vis-à-vis Goethe. He treated everything relating to Goethe with a holy shyness. He knew that one grows if one retains the belief that one can always learn something new from Goethe. He immersed himself in Goethe's view of nature at an early age. But even in the last days of his life he could still be heard saying: now I am beginning to understand Goethe. He realized how Goethe could be a guide when it came to making the "silent world" speak. He then did not have the volume published. New approaches emerged from the basic idea that holds the sketches together. A cosmic poem was to grow out of it. He wanted to allow his spirit to mature in order to imbue the seemingly deified world with new life, to conjure up new mysteries from the cosmic processes. The epic of the mysteriously revealed workings of the eternal forces of nature was to be called "Earth". It is not for the editor of the estate to pass judgment on the germ-like sketches of a comprehensive thought to be published as "Stumme Welt" (2nd volume of the estate). I only considered it my task to communicate the poet's intentions.

[ 26 ] It seems that Jacobowski initially saw his profession as a poet in the development of his imagination in the direction he had taken in the "Silent World". This is probably also the reason why he did not initially regard the field of drama, which he had entered so promisingly in "Diyab", as one in which his individuality could fully come into its own. Certainly, like others, he also thought of ultimately living out his artistic intentions in dramatic forms. But his strict self-criticism demanded restraint from him in every field until the moment when he felt he had reached the highest level in the respective sphere according to his ideals. In 1896, he completed a drama in four acts: "Homecoming". It is set in the aftermath of the Thirty Years' War in central Germany. It is intended as a portrait of the times on a grand scale. After completing the work, the poet heard a wide variety of opinions from those he shared it with. These judgments ranged from bright, unreserved enthusiasm to complete disagreement. Jacobowski initially left the drama in his desk. He waited to see what he himself would say about it at a later point in its development. In the months before his death, the work became worthwhile to him again. He would probably have reworked it. As he was no longer able to do so, it must form part of his estate in its original form. One gets to know the poet from it at a certain time in his life. It will have to be judged from this point of view.

[ 27 ] The stories "Anne-Marie, ein Berliner Idyli" (S. Schottländer, Breslau 1896) and "Der kluge Scheikh, ein Sittenbild" (S. Schottländer, Breslau 1897) belong to a transitional stage in Jacobowski's development. They show him in his striving for plasticity, for the vividness of the figures. Reading them, it is as if one senses the resignation he imposed on himself. His larger ideas were already living in his soul at that time. In order to give them shape, in order not to lose himself in their schematic form, he had to give his epic style juice and strength. He did this with more or less unpretentious stories.

[ 28 ] The symbolizing aspect of his art is then clearly revealed in the collection of stories "Satan laughed, and other stories" (Franz Wunder, Berlin 1897). One need only consider the basic idea of the first tale, which gave the collection its name, to realize what the main feature here is. God has taken away the devil's dominion over the earth by creating man. Yet the devil secures his influence by seizing the woman. The demonic powers of sexual life are symbolically outlined in a few characteristic strokes.

[ 29 ] In the year 1899, the poet appeared with a work of art that is entirely based on this symbolizing principle, his "Roman eines Gottes: Loki" (J. C.C. Bruns' Verlag, Minden in Westf.). It is fair to say that Jacobowski's various inclinations flow together like branches of a great river in the creation of this work. His urge to eavesdrop on the popular imagination and to understand its quiet weaving led him to take the external plot from the figures and events of Germanic mythology. His observation of social life led him to focus on Loki, the "disinherited god", the revolutionary of the world of the gods. The psychology of man, who can only assert himself through the strength of his inner self, through his strong will, and that against adversity from all sides, made the Loki figure particularly appealing to Jacobowski. Werther and Diyab in one person, but more Diyab is Loki. He is this, as Jacobowski himself wanted to be Diyab.

[ 30 ] No real process, even if it were given in idealistic art form, could have expressed what the poet wanted to say. The eternal struggles of the human soul are before his eyes. The struggles that take place in the deepest recesses of the mind. Place and time, all accompanying phenomena are almost indifferent here. The action must be lifted into a higher sphere. May the individual events that life brings to man have this or that tragic or joyful outcome: they all bear the hallmark of an eternal struggle. "God created man in his own image, which presumably means that man created God in his own image." This is a famous statement by Ludwig Feuerbach. One could expand on it and say: if man wants to represent the deepest processes of his inner being, then he must transform the life of his soul into the life of the gods; the primal battles in the depths of his chest are embodied in the battles of the gods. Because Jacobowski wanted to depict such primal battles, his novel became that of a god. These primal battles take place between the two souls that dwell in each breast, between the soul that gives rise to goodness, love, patience, kindness and beauty, and between the other, from which come hatred, enmity and rage. Balder and Loki face each other in incessant war in every human mind. Hamerling expressed the thought that describes what lived in him when he wrote his "Ahasver" as follows: "Overarching, towering, mysteriously spurring and driving, accelerating the crises, standing behind the striving and struggling individuals as the embodiment of the balancing general life, that is how I imagined the figure of Ahasver". Jacobowski often emphasized in his conversations that he thought of his "Loki" as so "overarching", so "towering", so "standing behind the striving and struggling individuals as the embodiment of the balancing general life".

[ 31 ] The poet's intentions are revealed most clearly by a trait in Loki's character. Jacobowski has always assured us in conversation that we can only fully understand him when we know how to interpret this trait in the nature of his hero of the gods. Loki, the god born far from Valhalla, the child of the gods' sin, who grows up in pain and deprivation, who does not know his mother or his father: he has something over all the other gods. Happiness and eternal joy are theirs. He has pain and torment. But he has the gift of wisdom before them. He knows the future of the other gods, which is hidden from them. They live, but they do not care about the driving forces on which their lives depend. They do not know where these driving forces are leading them. It is not happiness that opens the mind's eye, it is not joy that makes you clairvoyant, but pain. That is why Loki sees into the future. But there is one thing Loki does not know. He must hate Balder, the god of love. He does not know the reason for this. For his own fate is locked up in it. This also remains hidden from him. This is the point at which Jacobowski's most secret intentions are revealed. Loki's wisdom ends before the question: why must the knowing Loki hate the ignorant but love-filled Balder? This, however, points to the fate of knowledge. It is the greatest riddle to itself.

[ 32 ] No summary or even a judgment is to be given here about "Loki". Only the poet's intentions are to be told, as he gladly communicated them in conversation about the work he loved so much. He felt that with "Loki" he had made a huge leap forward on his path of development. He had come to believe that the affirmative forces within him would triumph. Clarity about everything negative in human destiny was what he sought above all, and what he had achieved in himself through his "Loki" poetry. Beauty, goodness and love are the perfect things in the world. But perfection needs destructive forces if it is to fulfill its full task. Loki is the eternal destroyer that is necessary for the good elements to renew themselves, the demon of unhappiness that happiness needs, the evil spirit of hatred from which love stands out. The creator who is never allowed to enjoy the fruits of his creations, the hatred that creates the ground for all love: that is Loki. - The person who seeks the truth finds the destructive urges of life at the bottom of his soul. The demonic forces of Loki oppress him. They cloud the bright days of life, the moments of happiness. But one understands, one only feels the shining days in their true power when they stand out from the Loki mood. With such feelings in the background, Jacobowski has brought together his poems from the years 1896 to 1898 under the title "Leuchtende Tage" (J. C.C. Bruns' Verlag, Minden in Westf. 1900). They are imbued with a luminosity that arises from a dark background, but which makes life all the better for it.

[ 33 ] The fact that he was able to appear before the world with "Loki" and the "Shining Days" brought about an inner transformation in Jacobowski. Only now did he have the feeling that he could approve of his own achievements. He now had the confidence in himself that his strict self-criticism was in harmony with his own creations. An inner balance came over him. The future became ever brighter. He had found himself and his belief that "our stars" would redeem him. If you look at the pictures of the poet from the successive stages of his life, you can also see the expression of his inner transformation in his facial features. A sense of security, of harmony, appears more and more. Jacobowski had to fight many a battle with life before he really reconciled himself with it.

[ 34 ] The certainty, the unity of character also stimulated his urge to work. He was a man who only knew himself to be happy in his work. He saved the contemplative, the solitary, reflective contemplation only for life's moments of celebration. He wrote his "Loki" in a few weeks, in 1898, in Tyrol, as he was detached from the contexts in which life placed him. His poems were only written when his inner self lifted him above reality. Within this reality itself, however, he was compelled to contribute to the spiritual life of his time to the best of his ability. His work on "Zeitgenossen", which he published together with Richard Zoozmann in 1891 and which, however, only had a short existence, arose from this urge. He found a field for this urge when he was able to take over "Gesellschaft" in 1897, the journal that had served the spirits longing for a new era of literary life since the mid-1980s. Jacobowski's need for the all-round cultivation of intellectual interests characterized the volumes that appeared under his editorship. He wanted to honestly serve true cultural progress with all the means at his disposal. Nothing was excluded that could contribute to this goal. It is natural that a pronounced individuality, such as Jacobowski was, had to give a magazine edited by him a strongly personal touch. At the same time, however, he was aware of the editor's duty to allow personal inclinations to recede into the background. And above all, he knew the duty to pave the way for young talents to enter the public eye. He had the courage to evaluate what was not yet recognized. In such evaluation and recognition, he was selfless and very confident in his judgment. He was unique in his concession to every legitimate aspiration. As many as sought his advice, his help: all found him helpful. He did an unspeakable amount of work in silence. And he knew how to do everything with nobility. - You got to know him in all the goodness of his nature through small traits.

[ 35 ] One such small trait is recorded here. He was chairman of the "Neue Freie Volksbühne" for a short time. It was during a summer outing of the members of this association. Jacobowski was in charge of the plays that were organized outdoors. It was heart-warming to see how he romped and jumped with the children, how he took part in the race and how he was even the first to reach the finish line, despite the fact that quite good runners were obviously taking part. And how he then found the right way to hand out the small prizes to the children.

[ 36 ] Jacobowski found inner satisfaction in an enterprise that he launched in 1899 with his "New Songs by the Best Recent Poets for the People". In a booklet for ten pfennigs, he offered a selection of the best creations of contemporary poetry. He soon heard evidence of the usefulness of his enterprise from all sides. The little booklet was received everywhere. He was always happy to tell people how lucky he was with it. He carefully collected everything he heard about the effect. He wanted to write a brochure based on his experiences about the interest in true poetry in the widest circles of the people. For in all this he had a great perspective. He wanted to counteract the bad taste, crudeness and wildness of the people. Stupid ragamuffins and silly jokes were to be replaced by true poetry. He repeatedly said: "I have made the attempt. I would have unreservedly confessed to the public that the first step had failed if that had been the case." But he was able to describe this first step as a thoroughly successful one. The continuous booklets he began to publish under the title "Deutsche Dichter in Auswahl fürs Volk" (German Poets in Selection for the People), also at ten pfennigs (in Kitzler's publishing house, Berlin), were to serve the same purpose. Two booklets, "Goethe" and "Heine", were published a long time ago, the third, "Grimms Märchen", was ready when he died and was published a few weeks after his death. He worked tirelessly in every direction to make the ideas expressed in these publications fruitful. He also intended to publish a collection of poems for the army. In an interesting essay that he published in the "Nation", he spoke out about the current type of poetry and songs that are prevalent in military life. In such plans, which served charitable aims in the ideal sense, he possessed an admirable strength and a happy handling.

[ 37 ] In connection with his folkloristic studies and his efforts to promote folk culture is the publication of his collection "Aus deutscher Seele. Ein Buch Volkslieder" in 1899 (J. C.C. Bruns' Verlag, Minden in Westf.). He wanted to bring to life the folk poetic treasures piled up in numerous books in libraries. He says of these treasures in his foreword: "Their content, because it is insufficiently disseminated, gives way to the flat street songs of the big cities and the miserable sentimentalities of stupid operettas. So it seemed to me that the time had come, as far as the strength of an individual and the understanding of my poetic ability would allow, to publish a collection which, arranged according to aesthetic criteria, would present to the German people anew some of the truly valuable and glorious songs from the jumble and confusion of the accumulated mountain of songs." - Jacobowski was able to describe "Aus deutscher Seele" as "the result of these considerations and the fruit of many years of the most intimate occupation with the wonders of the German folk soul and folk poetry".

[ 38 ] The idea of making important "questions of the present and outstanding phenomena of modern culture" accessible to wider circles in a form they liked came from Jacobowski's plan to publish a collection of small writings - in booklets of 32 to 8o pages - in an informal series. Three such booklets were published in 1900 under the title "Freie Warte, Sammlung moderner Flugschriften" (J.C.C. Bruns' Verlag, Minden in Westf.). They are: "Haeckel und seine Gegner" (by Dr. Rudolf Steiner), "Sittlichkeit!?!" (by Dr. Matthieu Schwann), "Die Zukunft Englands, eine kulturpolitische Studie" (by Leo Frobenius). These and the titles of the writings that were to appear in the near future show how comprehensively Jacobowski thought of the task he had set himself. The following were also announced: "Das moderne Lied", "Die Erziehung der Jugend zur Freude", "Schiller contra Nietzsche", "Hat das deutsche Volk eine Literatur?", "Der Ursprung der Moral". The pamphlet "Hat das deutsche Volk eine Literatur?" ("Do the German people have a literature?") was written by Jacobowski himself. In it, he wanted to talk about the experiences that led to his Volkshefte and similar endeavors, and also about the results of such undertakings.

[ 39 ] Another link in Jacobowski's efforts to serve his time was the publication of an "Anthology of Romantic Poetry" under the title "The Blue Flower". Together with Friedrich von Oppeln-Bronikowski, he published this collection of Romantic poetry from the end of the eighteenth to the end of the nineteenth century in 1900. The 400-page volume begins with works by Herder and ends with one by the Prince of Schönaich-Carolath. Jacobowski added an essay "On the Psychology of Romantic Poetry" to the "Introduction" compiled by Fr. von Oppeln-Bronikowski. He believed he was doing the best service to the urge of the time to move from naturalism to a kind of neo-romanticism by collecting the pearls of romantic art.

[ 40 ] The qualities of Jacobowski, through which he worked directly from person to person, the stimuli that could emanate from him in this way, came to fruition in a literary society that he had founded with a few friends in the last period of his life. Every Thursday in the "Nollendorf-Kasino" in Kleiststraße, he gathered an artistically and literarily stimulated circle under the name "Die Kommenden". Younger poets had the opportunity to present their creations here, and important questions of art or knowledge were dealt with in lectures and discussions. Artists of all kinds visited the society, which met here informally every week, and Ludwig Jacobowski was constantly striving to come up with new ideas to make the few evening hours they spent here enjoyable for the guests. He had also made plans to compile artistic booklets with the performances from these evenings. The first was in progress when he died. It was completed by his friends after his death and published in his memory with contributions from his estate. The "Kommenden", who still meet every week, faithfully cherish the memory of their founder.

[ 41 ] An external cause led Jacobowski to write a short social drama in one act, "Work", at the end of 1899. Axel Delmar had conceived the plan of dramatically depicting the more important turning points in the development of Germany in a centenary play comprising five one-act plays, to be performed at the "Berliner Theater". Wichert, Ompteda, G. Engel, Lauff and Jacobowski were the five poets. The latter had the task of dramatizing the social thinking and feeling of the present, the most important cultural phenomena at the end of the century. One does the "work" an injustice if one attributes a tendency to it and judges it accordingly. The aim was merely to illustrate how social trends are reflected in different social classes and people.

[ 42 ] In the last months of his life, a painful experience that shook Jacobowski to the depths of his soul found poetic expression in a one-act verse drama entitled "Glück" (Happiness) (J.C.C. Bruns' Verlag, Minden in Westf. 1901). It will only be possible to talk about this experience at a later date. He himself hinted at the mood from which the drama was written in the verses preceding "Zum Eingang":

It was like dying when I lived it!
It was a comfort to me when I wrote it!
Who ever trembled in the same affliction,
Accept it and love it!

[ 43 ] Some of the poems in this estate come from the same mood. "Happiness" in dramatic form has come naturally to the poet from the Syriac poems in which he has set down the moments of a tragic experience. These lyrical poems from the last period, united with all the poetry he has produced since the publication of his "Shining Days", appear here as an estate. With regard to the compilation of the poems, the points of view which the poet himself observed in his "Shining Days" have been retained. The headings of the individual sections of the volume of poems are therefore the same as in the "Shining Days". The sharp character that Jacobowski's soul life has taken on in recent years made this section desirable. A second volume will bring together all the sketches he himself compiled in a booklet entitled "Stumme Welt". He did not allow it to appear independently because he wanted to develop the plan in a larger form later and, under the title "Earth", work up the ideas on which the "Silent World" was based into a cosmic poem in a grand style. He considered it necessary to immerse himself deeply in the natural knowledge of the new age before he could begin his great work. A deep inner conscientiousness and shyness prevented him from tackling this fruitful idea too early. He was not destined to carry out the project, which would probably have revealed what Jacobowski's deepest inner self held. A third volume was to contain the above-mentioned drama "Homecoming". A series of "ideas" that are characteristic of Jacobowski's thinking and personality are added to the second volume as an "appendix". As small as their number is, they clearly show the depth of his outlook on life and his humor, as well as the ease of judgment he had towards certain things. They prove that he was one of those people who knew that not everything must be measured with the same yardstick, but that different things must be measured with different yardsticks.

Among the fundamental principles underlying Spiritual Science and to which your attention has been drawn in previous lectures, the most prominent is the idea of Reincarnation. According to this generally unpopular and little understood concept, it is maintained that human individuality is constrained to manifest again and again in a single personality, during its enfoldment in the course of repeated earth-lives. It has been previously pointed out that many and diverse questions are associated with this conception, and that such is the case will become more and more apparent as we proceed.

What deep meaning, we might ask, underlies the fact that the span of man’s life on earth is destined to recur, not once only, but many times, and that during each successive period between rebirth and death human individuality persists. When we study the evolution of mankind in the light of Spiritual Science, we find therein a progressive purport, a design of such nature that each age and each epoch presents in some fashion a different content, and we realize that human evolution is ever destined to maintain a definite upward trend. Thus do we become aware of a profound latent significance, when we know that the varied influences which act upon mankind are indeed potent and become absorbed over and over again by the Ego during the course of human development. A condition which is only possible because man, with all that comprises his being, is brought into contact not once alone, but recurrently, with the great living stream of evolution.

When we regard the whole evolutionary process as a rational progression, ever accompanied by fresh contents, there dawns a true comprehension of those Great Spiritual Beings who set the measure of progress. We are then able to realize the import and proper relation of these outstanding leaders, from whom have come new thoughts, experiences and impulses destined to further the advancement and progressive evolution of humanity.

During this Cycle of Lectures I shall speak of many such Spiritual Beings who have acted as guides to mankind, and at the same time bring forward and elucidate various matters connected with this subject. The first human individuality to claim our attention from such a point of view is Zarathustra, about whom, although there is much discussion in these days, little is known; for as far as external investigation goes his history is especially problematical, as it is shrouded in mystery and unrecorded in ancient documents.

When we consider the characteristics of such a personality as Zarathustra, whose gifts to mankind, as far as they are preserved for us, seem so strange to our present age, we at once realize how great is the dissimilarity in man’s whole being at different periods of earthly progress. Casual reflection might easily lead to the conclusion, that from the very beginning humanity has always had the same ideas concerning morality, the same general thoughts, feelings and conceptions as those which exist in our time. From previous lectures, however, and from others which will follow, you will know through the teachings of Spiritual Science that during man’s development great and important changes take place, especially as regards the life of the human soul, the nature of human apprehension, emotions and desires. Further, you will realize that man’s consciousness was very differently constituted in olden days; and that there is reason to believe that in the future yet other stages will be reached in which the conscious condition of mankind will vary considerably from its normal state to-day.

When we turn our attention to Zarathustra we find that we must look back over an extremely long period. According to certain modern researches, he is considered to be a contemporary of Buddha; the approximate date of his life being fixed at some six to six and a half centuries before the birth of Christianity. It is, however, a remarkable and interesting fact that other investigators of late years, after carefully studying all existing traditions concerning Zarathustra, have been driven to the conclusion that the personality concealed beneath the name of the ancient founder of Persian religion must have lived a great many centuries before the time of Buddha. Greek historians have stated over and over again that the period ascribed to Zarathustra should be put back very many, possibly five to six thousand years before the Trojan War¹

From the above, and from what has been learned through research in many directions, we can now feel certain that historical investigators will in the end be unwillingly forced to acknowledge that the claims of Grecian scholarship regarding the great antiquity of the Zarathustran era, as indicated by ancient tradition, are justly founded and must be accepted as authentic. Spiritual Science, in its statements and theories, fully concurs with the old Greek writers who already in olden days had fixed the period of the founder of Persian religion so far back in time. We have, therefore, good reason for maintaining that Zarathustra, living as he did thousands of years before the birth of Christianity, was doubtless confronted with a very different class of human consciousness from that which exists in our present age.

It has often been pointed out, and we will again refer to this matter, that in ancient times the development of human consciousness was such that the old ‘dream state’, or ‘clairvoyant condition’ (we will avoid misusing this term, as is so often done in these days), was in every way perfectly normal to man, so that his conceptions and ideas were such that he did not contemplate the world from that narrow perceptual point of view that is so prevalent to-day.

We can best picture the impressions made by the world upon the consciousness of the ancients, if we turn our thoughts to that last enduring remnant of the old clairvoyant state, namely, dream consciousness. We all know those fluctuating dream pictures that come to us at times, the most of which carry no meaning, and are so often merely suggestive of the outer world, although there may now and then intrude some higher level of conscious thought; dream visions, which in these days we find so difficult to interpret and to understand. We might say that our sleep consciousness runs its course pictorially in ever-changing scenes, and which are at the same time symbolical. For instance, many of us have had the experience that events connected with some impressive happening—say, a conflagration—have been after a time once more figuratively manifested to us in a dream. Let us now consider for a moment this other horizon of our sleeping state, where clings in truth that last remnant of a conscious condition belonging to a by-gone age in the grey and distant past.

The consciousness of the ancients was such that in reality they lived in a life of imagery. The visions which came to them were not merely indefinite unrelated creations, for they had reference to an actual outer world. In olden days primitive man was capable of intermediate conscious states, between those which prevail when we sleep and when we are awake; then it was that he lived in the presence of the Spirit-World, and the Spirit-World entered into his being. To-day this door is closed, but in those ancient times such was not the case. It was while in this intermediate condition that man became aware of visions which resembled to some extent dream pictures, but were definite in their manifestation of a spirit life and of spiritual achievement existing beyond the perceptual world. Although in the Zarathustran era, such visions had already become somewhat confused and vague, there was nevertheless still close contact with the world of spirit, therefore these ancients could say from direct observation and experience: ‘In the same way as I realize this outer physical world and this perceptual life, even so do I know that there exists another conscious condition belonging to a different region—a spiritual realm—related to that which is material, and where I do of a verity experience and observe the workings of the Divine Spirit.’

It is a fundamental principle underlying the evolution of the human race, that in no case can any one quality be developed except at the expense of some other attribute; hence it came about that from epoch to epoch, the faculty through which in olden times mankind obtained a clear inner vision of the spiritual realms became ever less and less pronounced. Our present day exact methods of thought, our power of expression, our logic, all that we regard as the most important driving forces of modern culture did not exist in the remote past. Such faculties have been acquired during later periods at the expense of the old clairvoyant consciousness, and it is now for mankind to regain and cultivate this long-lost power. Then in the future of human evolution a time will come when in addition to man’s purely physical consciousness, his intellectuality and his logic, he will again approach the condition of the ancient seer.

We must differentiate between the upward and downward tendency of human consciousness. Evolution has a deeper meaning when we realize that in the beginning man was entirely of a spiritual realm, where he lived in the soul, and that when he descended into the physical world it was ordained that he should gradually relinquish his clairvoyant power in order that he might acquire qualities born of the existing purely physical conditions; such as intellectuality and logic. When this stage in his development has run its course he will again return to the world of spirit.
Regarding the circumstances connected with these curious clairvoyant states and experiences of the ancients we have no historical record. Zarathustra lived in that same remote age, and was one of those great leading personalities who gave immense stimulus to the advancement of culture and civilization. Such guiding personalities must ever draw from the creative source that which we may term Illumination, whereby they are initiated into the higher mysteries of the world, irrespective of the standard of normal human consciousness existing in their time. Other such outstanding personalities of whom mention will be made during these lectures are: Hermes, Buddha and Moses.

Zarathustra lived at least 8000 years before the present era, and those glorious gifts to civilization which emanated from his illumined spirit have been reflected in the great cultural progress of humanity. His influence has long ago been clearly recognized, and can be detected even to this day, by all who take note of the mysterious currents underlying the whole of human evolution.

We now realize that Zarathustra belonged essentially to those Great Ones in whose souls lived a measure of the spiritual elements of truth, wisdom and perception, far surpassing the customary standard of human consciousness of their period. His mission was to proclaim to his fellow men, in that part of the world later known as the Persian Empire, those grand truths which emanated from the superperceptual regions—a world utterly beyond the apprehension of man’s normal consciousness in that dim and distant age.

If we would understand the true significance of Zarathustra’s teachings, we must remember that it was his task to present to a certain section of humanity, in an intelligible manner, a particular world aspect; while on the other hand, various movements which had been in progress among the peoples of other regions, had given a different trend to the whole sphere of man’s culture.

The personality of Zarathustra is of special interest because he lived in a territory, contiguous upon its South side to a country which was inhabited by Indian tribes, upon whom spiritual blessings flowed in quite a different manner. When we look forward from those by-gone times we find upon the selfsame soil where dwelt these ancient Indian tribes, the peoples among whom at a later period arose the poets of the Vedas. To the North, where spread the great Brahman Doctrine, is situated that region which was permeated throughout by the powerful and compelling teachings of Zarathustra. But that which he gave to the world was in many respects fundamentally different from the teachings of the great Ieaders among the Indians, whose words have lived on in the moving poetry of the Vedas, in their profound philosophy, and has reached yet an echo in that final glorious blaze of light—The Revelation of the Buddha.

We can understand the difference between that which was born of the flow of thought from Zarathustra and the teachings of the ancient Indians, when we bear in mind that we may approach the region of the superperceptual world from two sides. Already in other lectures we have spoken of the path which man must traverse in order that he may enter into the spirit realms. There are two possible methods by which he may raise the energy of his soul, and the capacities latent in his inner being, so much above their normal level that he can pass out of this perceptual into the superperceptual world. The one method is that by which man enters or retires, more and more deeply into his soul, and thus merges himself in his very essence. The other leads behind the veil which is spread around us by our material state. Man can enter the superperceptual region by both these methods.

When we experience within our very being a deepening of all values of our spiritual feelings, conceptions and ideas—in short, of our soul impulses; when in fact we creep more and more into ourselves, so that our spiritual powers become ever stronger and stronger; then can we, as it were, in some mystic way merge ourselves within and pass through all that we hold of the physical world to our actual spirit essence—the soul Ego—which Ego continues from incarnation to incarnation, and is not perishable but everlasting. When we have overcome our lusts and passions and all those experiences of the soul which are ours because we are of the body in a physical world, then can our true being pierce the surrounding veil and for ever enter the world of spirit.

On the other hand, if we develop those powers which will enable us not merely to be sensible of the outer world with its colours, tone sensations, heat and cold; and if we so strengthen our spiritual forces that we shall be aware of that which lies beyond the colours, the sound, the heat and the cold, and all those other earthly sense-perceptions which hang as a mist about us—then will the enhanced powers of our soul take us behind the enshrouding cloud and into that boundless superperceptual region which is without confine and stretches ever into the infinite.

There is one way leading to the Spirit-World which we may term the ‘Mystical Method’, and another which is properly called ‘The Method of "Spiritual Science"‘. All great spiritual personalities have followed these paths, in order to attain to those truths and revelations which it was their mission to impress upon humanity in the form of cultural progress. In primeval times man’s development was of such nature, that great revelations could only come to the people of any particular race, through one of these methods alone. But from that period on, in which the Greeks lived, that is, at the dawn of the Christian era, these two separate thought currents commingled, and became more and more one single cultural stream. When we now speak of entering the higher spheres, we understand, that he who would penetrate into the superperceptual region, develops both qualities of power in his soul. The forces necessary to the ‘Mystical Method’ are evolved within the inner being, and those essential to the course of ‘Spiritual Science’, are strengthened while man is yet conscious of the outer world. There is to-day no longer any definite separation of these two paths, as since about the time of that epoch marked by the life of the Grecian race, these two currents have run their course together—in the one, revelation comes about through a mystic merging of man’s consciousness within his very being—in the other, the veil is torn asunder by the enhanced power of his spiritual forces, and man’s awareness stretches outward into the great cosmos.

In olden times before the Grecian or Christian era, these two possible methods were in operation separately among different peoples, and we find them working in close proximity, but in divers ways, in the Indian culture which found expression among the Vedas, on the one hand, and that of Zarathustra, further North, on the other. All that we look upon with such wonder in the ancient Indian culture, and which later found expression through Buddha, was achieved by inner contemplation, and turning away from the outer world—through causing the eyes to become less sensitive to physical colours, the ears to physical sounds, and bringing about a deadening of the sense organs in general to the perceptual veil—so that the inner soul forces might be strengthened:—Thus did man press on to Brahma, there to feel himself unified with that which ever works and weaves as the Inner Spirit of the Universe,—In this way originated the teachings of the Holy Rishis, which live on in the poetry of the Vedas, in the Vedantic philosophy, and in Buddhism.

The Doctrine of Zarathustra was, however, entirely based upon the other method above-mentioned. He taught his disciples the secret of strengthening their powers of apprehension and cognition, in order that they might pass beyond the mists surrounding the outer perceptual world. He did not say to his followers, as did the Indian teachers: ‘Turn away from the colours, and from the sounds, and from all outer sense-impressions, and seek the path to the spiritual realms only through the merging of yourselves within your very souls’,—but he spoke thus:—‘Strengthen your powers of perception, in order that you may look around upon all things, the plants, the animals, that which lives in the air and in the water, upon the mountains, and in the depths of the valleys, and cast your eyes upon the world.’ We know that the disciples of the Indian mystics regarded this earth upon which we live as merely maya (illusion), and turned from it in order to attain to Brahma. On the other hand, Zarathustra counselled his followers not to draw away from the material world, but to pass outward and beyond it, so that they might say:—‘Whenever we experience perceptual manifestations in the outer physical world, we realize that therein lie concealed and beyond our sense perceptions the workings and achievements of the spirit.’

It is remarkable that the two paths should have been thus united in early Grecian times, and just because in that period true spiritual knowledge was more profound than in our day (which we are inclined to regard as so amazingly enlightened!) all things found expression in imagery, and the images gave rise to Mythology. Thus do we find these two thought currents commingled and fostered in the Grecian culture—The Mystical tending inward, and the Zarathustran outward into the great cosmos.

That such was the case becomes evident from the fact, that one of these paths was named after Dionysos, that mysterious god who was reached when man merged himself ever deeper and deeper within his inner being, there to find a questionable sub-human element, as yet unknown, and from which he first developed into man. It was this unclean and half-animal residue to which was given the name of Dionysos. On the other hand, all that comes to us when we regard our physical sense perceptions from a purely spiritual standpoint, was termed Apollo. Thus we find in ancient Greece, in the Apollo current of thought, the teaching of Zarathustra; and in the Dionysos current, the doctrine of mystical contemplation, side by side in contrast. In Greece they united and operated conjointly—the Zarathustran and the Mystical Methods, those methods which had been at their highest level, working separately, in the days of the ancient Indians.

Here we might say, that already in olden times these two thought currents were destined to commingle in the coming Grecian cults of Apollo and Dionysos, and thenceforward they would continue as one; so that in our present cultural period, when we raise ourselves to a certain spiritual understanding, we find them still unified and enduring.

It is very remarkable, and one of the many riddles which present themselves to the thinking mind, that Nietzsche in his first work, The Birth of Tragedy from the Spirit of Music, gave evidence of a vague suspicion that in the Grecian creeds of Dionysos and Apollo, the Mystical current meets the stream of scientific spiritual thought.

A further matter of interest lies in the fact, that Zarathustra actually taught his disciples to recognize in detail, the hidden workings of the Spirit in all material things, and from this starting-point the whole of his gifts to culture emanated. He emphasized that it was not sufficient for man merely to say:—‘There before us spreads a material world, behind which ever works and weaves the Divine Spirit.’ Such a statement might appear at first sight full of significance, it leads, however, only to a general pantheistic outlook, and means nothing more, than that some vague nebulous spirit underlies all material phenomena. Zarathustra, like all other great personalities of the past who were exalted and had direct contact with the Spirit-World, did not present these matters to his followers and the people in any such indefinite and abstract manner; he pointed out, that in the same way as individual physical happenings vary in import, so is it with the latent spiritual factor, it being sometimes of greater and sometimes of less moment. He further stated that the sun, regarded purely from the physical point of view as a member of the stellar system, is the source of all earthly phenomena, life, and activity, while concealed within is the centre of spiritual existence in so far as we are immediately concerned.

These things Zarathustra impressed earnestly and clearly upon his disciples, and, using simple words, we can picture him as addressing them somewhat as follows:—‘When you regard man, you must realize that he does not only consist of a material body—such is but an outer expression of the spirit which is within. Even as the physical covering is a manifestation in condensed and crystallized form of the true spiritual man, so is the sun which appears to us as a light-giving mass when considered as such, merely the external manifestation of an inner spiritual sun.’ In the same way as we term the human spirit element as distinguished from the physical, The Aura, to use an ancient expression, so do we call the all-embracing hidden spiritual part of the sun, The Great Aura (Aura Mazda); in contradistinction to man’s spiritual component, which is sometimes called the Little Aura.

Now, Zarathustra named all that lies hidden within and beyond man’s mere apprehension of the physical sun—‘Aura Mazda’ or ‘Ahura Mazdao’—and considered this element as important to our spiritual experiences and conditions, as is the physical sun to the wellbeing of plants and animals, and all that lives upon the face of the earth. There behind the physical sun lies the Spiritual Master—The Creator—‘Ahura Mazdao’ or ‘Aura Mazda’, and from ‘Ahura Mazdao’ came the name, ‘Ormuzd’, or, ‘The Spirit of Light’.

While the Indians mystically searched their inner being, in order to attain to Brahma—The Eternal—who shines outward as a point of light from within man’s essence, Zarathustra urged his disciples to turn their eyes upon the great periphery of existence, and pointed out that there within the body of the sun, dwells the great Solar Spirit—Ahura Mazdao—‘The Spirit of Light’. He taught them that, just in the same way as when man strives to raise his spirit to perfection, so must he ever battle against his lower passions and desires, against the delusive images suggested by possible deception and falsehood, and all those antagonistic influences within, which continually oppose his spiritual impulses. Thus must ‘Ahura Mazdao’ face the opposition of ‘The Spirit of Darkness’—‘Angra Mainyus’ or ‘Ahriman’.

We can now realize how the great Zarathustran conception could be evolved from experiences born of sensations and sense contents. Through these, Zarathustra could advance his disciples to a point where he could make clear to them that:—Within man there is a ‘Perfecting Principle’, which tells him that whatever may be his present condition this principle will work persistently within, and through it he may raise himself ever higher and higher; but at the same time there also operate impulses and inclinations, deceit and falsehood, all tending towards imperfection. This Perfecting Principle must therefore be developed and expanded, in order that the world may be destined to attain to wiser and more advanced states of perfection; it is the ‘Principle of Ahura Mazdao’, and is assailed throughout the whole world by Ahriman—‘The Spirit of Darkness’—who through imperfection and evil brings shadows into the light. By following the method above outlined, Zarathustra’s disciples were enabled to realize and to feel, that in truth each individual man is an image of the outer universe.

We must not seek the true significance of such teaching in theories, concepts and ideas; but in active vivid consciousness and in the sensations impressed when through it man realizes that he is so related to the universe that he can say:—‘As I stand here, I am a small world, and as such I am a replica of the Great Cosmos.’ Just as we have within us a principle of perfection, and another which is antagonistic, so throughout the universe is Ormuzd opposed by Ahriman. In these teachings the whole cosmos is represented as typical of a widespread human being; the forces of greatest virtue are termed Ahura Mazdao, while against these operate the powers of Angra Mainyus.

When a man realizes that he is in direct contact with the workings of the universe and the attendant physical phenomena, but can only apprehend the perceptual, then as he begins to gain spiritual experience, a feeling of awe may come over him (especially if he is materialistic in thought) when he learns through Spectrum Analysis, that the same matter which exists upon the earth is found in the most distant stars. It is the same with Zarathustranism, when man feels that his spiritual part is merged in that of the whole cosmos, and that he has indeed emanated from its great spirit. Herein lies the true significance of such a doctrine, which was not merely abstract in character, but on the contrary wholly concrete.

In this present age it is most difficult to make people understand (even when they have a certain sense for the spiritual that lies behind the perceptual) that it is necessary to a true and spiritually scientific view of the cosmos, that there be more than one central unity of spirit-power. But even as we distinguish between the separate forces in Nature, such as Heat, Light, and Chemical forces, so in the world of spirit must we recognize not merely one centralized power (whose existence is not denied) but we must differentiate between it and certain subservient uplifting forces, whose spheres of action are more circumscribed than are those of the all-embracing spirit. Thus it was that Zarathustra made a distinction between the omnipotent Ormuzd, and those spirit beings by whom he was served.

Before we turn to a consideration of these subservient spirit entities, we must draw attention to the fact that the Zarathustran theory was not a mere Dualism—a simple doctrine of two worlds—the worlds of Ormuzd and of Ahriman; but that it maintained that underlying this double flux of cosmic influence, is a definite unity—a single power—which gave birth to both The Realm of Light (Ormuzd) and to The Realm of Darkness (Ahriman). It is not easy to gain a right understanding of Zarathustra’s conception concerning this ‘Unity’ underlying Ormuzd and Ahriman. With reference to this point the Greek authors state that the ancient Persians worshipped, and regarded as a ‘Living Unity’, that which lay beyond the light, and which Zarathustra termed ‘Zervane Akarene’. How can we gain a comprehension of what Zarathustra in his teachings meant by ‘Zervane Akarene’ or ‘Zaruana Akarana’?

Let us consider for a moment the course of evolution; this we must regard as of such nature, that all beings tend towards greater and greater perfection. So that if we look into the future, we see more and more of the radiance from the Light-Realms of Ormuzd; but if we turn our eyes upon the past, we realize how the powers of Ahriman, which oppose Ormuzd, are circumstanced; and we then know that with the passing of time, these must be conquered and for ever ended.

We will now picture to ourselves that the path into the future and that into the past each lead to the same point; a conception which present-day man finds most difficult to grasp. Let us take as an example a circle; if we pass along the circumference from the lowest point in one direction, we come to the opposite point above, if, however, we go along the other side, we come to the same point. When we consider a larger circle, then the circumference is flatter, and we must traverse a greater distance in each case. We will now suppose a circle to expand ever more and more, then ultimately the path on either side becomes a straight line, and is infinite. But just before the circle becomes infinite we would reach the same point whether we went by the one path or the other. Why, then, should not the same happen when the circumference is so flattened that the periphery becomes a straight line? In this case the point at infinity on the one must be identical with that on the other, and therefore we must be able to travel to it, from the lowest point in one sense (say, positive), and return as if coming from the opposite (negative) direction. This means that when our conception is infinite, we have a straight line extending without limit on either side, but which is in reality the circumference of an infinite circle.

The abstraction given above lies at the basis of Zarathustra’s conception of what he termed Zaruana Akarana. Here, with regard to time, we look in one direction into the future, in the other into the past, and when we consider an infinite period time closes in upon itself as in a circle. This self-contained and infinite time circle is symbolically represented as a serpent eternally biting its own tail, and into it is woven upon the one side, The Power of Light, shedding upon us continually a greater and greater radiance; and upon the other, The Power of Darkness, becoming ever more and more profound. When we are midway, then is the light (Ormuzd) intermingled with the shadows (Ahriman); all is interwoven in the self-embracing infinite Flux of Time, ‘Zaruana Akarana’.

There is something more about this ancient cosmic conception; its basic ideas were treated seriously, there were no mere vague statements such as:—‘Without and remote from all that is material in this perceptual world, beyond those things which affect our eyes, our ears, and sense organs in general—abides The Spirit’. But it was definitely asserted, that in everything which could be seen and apprehended, therein could be discerned something of the nature of spirit signs, or a manifestation of the Spirit-World.

If we take a sheet of paper upon which are inscribed alphabetical characters, these may be combined into words; but we must first have learnt how to read. Without this ability no one could read about Zarathustra; for they would merely perceive certain characters which could only be followed with the eyes. Actual reading can only take place after it is clearly understood how to connect such characters with that which is within the soul. Now, Zarathustra discerned a written sign underlying all that was in the perceptual world, particularly in the manner in which the stars are grouped in the universe. Just as we recognize written characters upon paper, so did Zarathustra descry in the starry firmament something similar to letters, conveying a message from the Spirit-World. Hence, arose an art of penetrating into the World of Spirit, and of deciphering the signs indicated by the arrangement of the stars, and of finding a method of reading and construing from their movements and order, in what manner and way those spiritual beings that are without, inscribe the facts concerning their activities in space.

Zarathustra and his disciples had a paramount interest in these matters. To them it was a most important sign that Ahura Mazdao, in order to accomplish his creations and to reveal his message to the world, should (in the language of Modern Astronomy) ‘describe a circular path’. This fact was regarded as a sign traced in the heavens indicating in what manner Ahura Mazdao worked, and the relation which his activities bore to the universe as a whole. It is important that Zarathustra was able to point out that the constellations of the Zodiac, taken together as forming a closed curve in space, should symbolize a continuous and also retroactive time flux; and we can realize that there is indeed a most profound significance underlying the statement, that one branch of this time-curve stretches outward into the future, while the other leads backward into the remote past. Zaruana Akarana is that bright band of stars, later known as the Zodiac, that self-contained time-line ever traversed by Ormuzd, The Spirit of Light. In other words, the passage of the sun across the constellations of the Zodiac is an expression of the activity of Ormuzd; while the Zodiac itself is the symbol of Zaruana Akarana. In reality, Zaruana Akarana and The Zodiac are identical terms, just in the same way as are Ormuzd and Ahura Mazdao.

There are two special circumstances to be considered in this connection. First, when the passage of the sun through the Zodiac takes place while it is light, as in the summer. At such time the solar radiance falls full upon the earth, bringing with it the power emanating from those spiritual forces ever flowing outward from the Light-Realms of Ormuzd. That part of the Zodiac traversed by Ahura Mazdao in the daytime, or during the summer, denotes the manner in which He works and weaves unhindered by Ahriman. On the other hand, those Zodiacal constellations which lie far beneath the horizon—dark regions through which we might picture the passage of Angra Mainyus—are symbolical of the Kingdom of The Shadows.

We have stated that Zarathustra regarded Ormuzd as associated with the bright sections of the Zodiac (Zaruana Akarana), while he looked upon Ahriman as connected with the gloom. In what way do the activities of Ormuzd and Ahriman find expression in our material world? In order to understand this point we must realize that the effect of the solar rays is different in the morning from that at noon; varying as the sun ascends from Aries to Taurus, and again during its descent toward the horizon. The influence exerted is not the same in winter as in summer, and differs with every passing sign of the Zodiac. Zarathustra regarded the changing aspects of the sun in connection with the Zodiacal constellations as symbolical of the activities of Ormuzd proceeding from different directions, and from which came those spiritual beings that are both His servants and His sons, and who are ready at all times to execute His commands. These are the ‘Amschaspands’ or ‘Ameschas Pentas’, subservient entities, to each of whom is allotted some special duty.

While Ormuzd controls all active functions in the Light-Realms, the Amschaspands undertake that specific work which finds expression in the transmission of the sun’s light when in Aries, Taurus, Cancer, etc. But the true vital activity of Ormuzd is manifested in the full radiance of the sun, shining throughout all bright signs of the Zodiac, from Aries to Libra or Scorpio. Following the Zarathustran line of thought, we might say:—‘It is as though the evil powers of Ahriman came through the earth from those dark regions where abide his servants—his own Amschaspands—who are opposed to the good genii standing by the side of Ormuzd.’ Zarathustra actually distinguished between twelve different subservient spirit entities; six or seven on the side of Ormuzd, and five or six on that of Ahriman. These are regarded as typical of good or evil genii (Amaschas Pentas—lower spirits), according as to whether their influence comes with the sun’s rays from the bright Signs of the Zodiac, or emanates from those which are in gloom.

Goethe had the subservient spirits of Ormuzd in mind when he wrote the following words at the beginning of Faust in the ‘Prologue of Heaven’:

‘But ye, God’s sons in love and duty,
Enjoy the rich, the ever-living Beauty!
Creative Power, that works eternal schemes,
Clasp you in bonds of love, relaxing never,
And what in wavering apparition gleams
Fix in its place with thoughts that stand for ever!’²

(Trans: BAYARD TAYLOR)

From the above it is apparent that the conception which Goethe formed of ‘God’s sons’ as the servants of the Highest Divine Power, is similar to Zarathustra’s concept concerning the Amschaspands, of which, as already stated, he recognized twelve different kinds. Again, subservient to these Amschaspand entities, according to Zarathustranism, are yet lower orders of spiritual powers or forces, among which some twenty-eight separate types are usually distinguished. These are the so-called ‘Izarads’ or ‘Izeds’; the number of different classes into which they may be divided is, however, indeterminate, being variously estimated from twenty-four up to twenty-eight, and even as high as thirty-one. There is yet a third division of spiritual powers or forces, termed by Zarathustra ‘Ferruhars’ or ‘Frawaschars’. According to our conceptions, the Ferruhars have the least influence of any upon our tendencies and dispositions in the material world, and are regarded as that spiritual element which permeates the great macrocosm, and underlies all perceptual physical activity. They are the reality behind everything of which we are conscious and appears to us as merely external and material.

While we picture the Amschaspands as controlling the twelve forces which are at work during all physical effects engendered by the action of light, and the Izeds, as governing those which influence the animal kingdom, so do we consider the Ferruhars, in addition to possessing the quality above-mentioned, as spiritual entities having under their guidance the ‘Group-Souls’ of animals.

Thus did Zarathustra discern a specialized realm beyond this perceptual universe—a perfectly organized superperceptual world—and his concept was absolutely definite, and in no sense of the nature of an abstraction. Behind Ormuzd and Ahriman he pictured Zaruana Akarana, further the good and bad Amschaspands, below these the Izeds, and lastly the Ferruhars.

Man, as he is fashioned, is a replica in miniature of the great universe, and therefore all forces operative in the cosmos must be present in some manner within his being. Just as the benevolent powers of Ormuzd are expressed during that inner struggle to attain to perfection, and the unclean forces of Ahriman are in evidence while there is gloom and temptation, so do we find also the trace of other spiritual powers—those of the lower genii.

I will now make a definite statement, which when viewed from the standpoint of modern cosmic ideas, is liable to awaken bitter feeling, namely:—I assert that before long it will be discovered and recognized by external science, that a superperceptual element underlies all physical phenomena, and that latent spirit exists in everything that comes within the limits of our sense perceptions. Further, that science will be driven to admit, that in the physical structure of man there is much that is a counterpart of those forces which permeate and spread life throughout the whole universe, and which flow into the body, there to become condensed.

Let us go back to the Zarathustran Doctrine, which in many ways is similar to that of Spiritual Science. According to its concepts, Ormuzd and Ahriman are regarded as influencing mankind from without. Ormuzd being the source of inward impulses toward perfection, while Ahriman is ever in opposition. The Amschaspands also exert spiritual activity, if we consider their forces as being, so to speak, condensed in man, then it should be possible to trace and recognize their action to the point of physical expression.

In Zarathustra’s time, anatomy, as we understand it to-day, did not exist. Zarathustra and his disciples, by means of their spiritual insight, actually saw the cosmic streams to which reference has been made; they appeared to them in the form of twelve cosmic outpourings, flooding in upon man, there to maintain activity. Thus it came about that the human head was regarded by Zarathustra’s followers as a symbol of the inflowing of the seven good, and five evil, Amschaspands. Within man we have a continuance of the Amschaspand flux; how, then, is this flux to be recognized at this much later period? The anatomist has discovered that there are twelve principal pairs of brain nerves, which pass from the brain into the body. These are the physical counterparts, as it were, of the twelve condensed Amschaspand out-flowings, namely, twelve pairs of nerves of extreme potency in bringing about either the highest perfection, or the greatest evil. Here, then, we find reappearing in our present age, but transformed into material terms, that concept which had come to Zarathustra from the Spirit-World, and which he preached to his disciples.

There is, however, in all this a point of controversy. It is so easy for anyone in our day to maintain that the statements of Spiritual Science become wholly fantastical when it is alleged that Zarathustra, speaking of twelve Amschaspands, had in mind something connected with the twelve pairs of nerves which are in the human head! But the time will come when the world will gain yet another item of knowledge, for it will be discovered in what manner, and form the spirit, which permeates and lives throughout the universe, continues active in man.

The old Zarathustranism has arisen once again in our modern physiology. For in the same way as the twenty-eight to thirty-one Izeds are the servants of the Amschaspands, so are the twenty-eight spinal nerves subordinate to those of the brain. Again, the Izeds, who are present in the outer universe as a spirit flux, enter the human body, and their sphere of action is in those nerves which stimulate the lower soul-life of man; in these nerves they crystallize, as it were, and assume a condensed form. And where the Ized-flux, as such, entirely ceases, and the term ‘nerve’ can no longer be applied, is the actual centre where our personality receives its crowning touch. Further, those of our thoughts which rise slightly above mere cognition and simple brain action, are typical of the Frawaschars or Ferruhars.

Our present period is connected in a remarkable manner with the Doctrine of Zarathustra. Through his teachings and by means of his spiritual archetypes, Zarathustra was enabled to enlighten his people regarding those regions which spread beyond the perceptual world, while his imagery was ever as a flowing contact with that which lies hidden behind the veil. With reference to this great doctrine it is most significant that after it had acted as an inspiration to humanity for a long period, always tending to promote greater and greater effort in various directions of cultural progress—only to lose its influence from time to time—there should arise once more, in our day, a marked tendency toward a mystical current of thought.

It was the same with the Greeks after the two methods of approach to the Spirit-World had commingled, for they also, at times, showed a preference for either the mystical or the Spiritual Scientific thought current. It is owing to the modern predominating interest in mysticism that many people find themselves drawn towards the Indian Spiritual Science, or Method of Contemplation. Hence it is, that the most essential and deeply significant aspects of Zarathustranism—in fact, its very essence—hardly appear in the spiritual life of our time, although there is abundant evidence of the nature of Zarathustra’s concepts and his methods of thought. But all that lies at the very base, and is absolutely vital to his doctrine, is in a sense lost to our age.

When once we realize that in Zarathustranism is contained the spiritual prototype of so many things which we have rediscovered in the domain of physical research (numerous examples of which might be quoted), and of others that will be rediscovered later, then will a fundamental chord in our culture give place to one which will be founded upon the old Zarathustran teachings. It is remarkable that the profound attention which Zarathustranism paid to macrocosmic phenomena caused the world to recede, as it were, or appear of less moment; while in nearly all other beliefs with which a flood of mystical culture is associated, the outer world plays an important part, this is also the case in our materialism.

That great fundamental concept concerning two opposing basic qualities, and which recurs again and again throughout the religious doctrines of the world, we regard in the following manner; we consider it as symbolized by the antithesis of the sexes—the male and the female—so that in the old religious systems which were founded upon mysticism, the Gods and Goddesses were in reality, antithetical symbols of two opposing currents which flow throughout the universe. It is amazing that the teachings of Zarathustra should rise above these conceptions, and picture the origin of spiritual activity in so different a manner, portraying the good, as the resplendent, and the evil as the shadows.

Hence, the chaste beauty of Zarathustranism and its nobility, which transcends all those petty ideas which play so ugly a part in our time, when any endeavour is made to deepen man’s conception of spiritual life. Where the Greek writers state that the Supreme Deity in order to create Ormuzd, must also create Ahriman, so that He should obtain an antithesis; then, since Ahriman opposed Ormuzd, we have an example of how one primordial force is conceived as set against another. This same idea finds expression in the Hebrew, where evil comes upon the world through the woman—Eve—but we find nothing in Zarathustranism concerning ills that the world suffered through the antithesis of the sexes.

All those hateful ideas which are disseminated throughout our daily literature, pervading our very thoughts and feelings, distorting the true significance of the phenomena of disease and health, while failing to comprehend the intrinsic facts of life, will disappear, when that wholly different concept, the antithesis exhibited by Ormuzd and Ahriman—a conception so lofty and so powerful when compared with present-day paltry notions—is once more voiced in the words of Zarathustra, and enters to permeate and influence our modern culture. In this world, all things pursue their appointed course, and nothing can hinder the ultimate triumph of Zarathustran conceptions, which will, little by little, insinuate themselves into the life of the people.

When we look upon Zarathustra in this way, we realize that he was indeed a Spirit, who in bygone times brought potent impulses to bear upon human culture. That such was the case becomes evident, if we but follow the course of subsequent events which took place in Asia Minor, and later among the people of Assyria and Babylonia, on down to the Egyptian period, and further even to the time of the spreading of Christianity. Everywhere we find in different lines of thought something which may be traced back, and shown to have its origin in that Great Light, which Zarathustra set blazing for humanity.

We can now understand how it was that a certain Greek writer (who wished to emphasize the fact that some among the Leaders had always given their people instruction in matters that they would only require at a later period in their culture) should have stated, that while Pythagoras had obtained all the knowledge that he could from the Egyptians concerning the methods of Geometry, from the Phænicians concerning Arithmetic, and from the Chaldeans concerning Astronomy—he was forced to turn to the successors of Zarathustra, in order to learn the secret teachings regarding the relation of humanity to the Spirit-World, and to obtain a true understanding of the proper conduct of life. The writer who made these statements regarding Pythagoras further asserts that the Zarathustran method for the conduct of life leads us beyond antitheses, and that all antitheses can be considered as culminating in the one great contrast of Good and Evil, which opposing condition can be finally absorbed, only by the purging away of all evil, falsehood and deceit. For instance, the worst enemy of Ormuzd is regarded as that one which bears the name of Calumny, and Calumny is one of the outstanding characteristics of Ahriman. The same writer states that Pythagoras failed to find the purest and most ideal ethical practice, namely, the one directed toward the moral purification of man, among either the Egyptians, the Phænicians, or the Chaldeans; and that he had again to turn to Zarathustra’s successors, in order to acquire that lofty conception of the universe which leads mankind to the earnest belief that through self-purification alone may evil be overcome. Thus did the great nobility and oneness of Zarathustra’s teachings become recognized among the ancients.

We would here mention that the statements made in this lecture are supported in every case by independent historical research; and we should carefully weigh all assertions coming from the representatives of other sciences, and judge for ourselves, whether or no they are in accord with our fundamental concepts. For instance, take the case of Plutarch, when he said that in the sense of Zarathustranism, the essence of Light as it affects the earth, is regarded as of supreme loveliness, and that its spiritual counterpart is Truth. Here is a definite statement made by an ancient historian, which is in complete agreement with all that has been said. We shall also find as we proceed that many historical events become clear and understandable when we take into consideration the various factors to which we have drawn attention.

Let us now go back to the ancient Vedantic conception; this was based upon the mystical merging of man within his very being; but before he can attain to the inner Light of Brahma, he must meet with, and pass through, those passions and desires which are induced by wild semi-human impulses that are within him, and which are opposed to that mystical withdrawal within the spirit-soul, and into the eternal inner being. The Indian came to the conclusion that this could only be accomplished, if pending his mystic merging in Brahma, he could successfully eliminate all that we experience in the perceptual world which stimulates sensuous desires, and allures through colours and through sounds. Just so long as these play a part during our meditations, so long do we keep within us, an enemy opposed to our mystical attainment to perfection.

The Indian teacher said:—‘Put away from yourselves all that can enter the soul through the powers that are external; merge yourselves solely within your very being—descend to the Devas—and when you have vanquished the lower Devas, then will you find yourselves within the kingdom of the Deva of Brahma; but shun the realm of the Asuras, whence come those malignant ones who would thrust themselves upon you from the outer world of Maya; from all such you must turn away, whatsoever may befall.’

Zarathustra, on the other hand, spoke to his disciples after this fashion:—‘Those who follow the leaders among the people of the South can make no advance along the path which they have chosen, because of the different order of their search after those things which are of the Spirit; in such manner can no nation make headway. The call is not alone to mystic contemplation and to dreaming, but to live in a world which provides freely of all that is needful—man’s mission lies with the art of agriculture, and the promotion of civilization. You must not regard all things as merely Maya, but you must penetrate that veil of colours, and of sounds, which is spread around you; and avoid everything that may be of the nature of the Devas, and which because of your inner egoism, would hold you in its grasp. The region wherein abide the lower Asuras must be traversed, through this you must force your way, even up to the highest; but since your being has been especially organized and adapted to this intent, you must ever shun the dark realms of the Devas.’

In India, the teaching of the Rishis was otherwise, for they said to their followers:—‘Your beings are not suitably organized to seek that which lies within the Kingdom of the Asuras—therefore avoid this region and descend to that of the Devas.’

Such was the difference between the Indian and Persian culture. The Indian peoples were taught that they must shun the Asuras and regard them as evil spirits; this was because through the method of their culture they were only aware of the lower Asuras; the Persians, on the other hand, who found only low types of Devas in the Devas regions were adjured by their leaders thus:—‘Enter the Kingdom of the Asuras, for you are so constituted that you may attain even unto the highest of them.’

There lay within the impulse that Zarathustra gave to mankind a great fervour, which found expression when he said:—‘I have a gift to bestow upon humanity which shall endure and live throughout the ages, and will smooth the upward path, overcoming all false doctrines, which are but obstacles diverting man from his struggle toward the attainment of perfection.’ Thus did Zarathustra feel himself to be the servant of Ahura Mazdao, and as such he experienced personally the opposition of Ahriman, over whose principles his teachings should enable mankind to achieve a sweeping victory. This conviction he expressed in impressive and beautiful words, to which reference is found in ancient documents. These, however, were necessarily inscribed at a later date; but what Spiritual Science tells us concerning Zarathustra and his pronouncements comes from other sources. Throughout all his telling adjurations there rings forth the inner impulse of his mission, and we feel the power of that great passion which overcame him, when, as the opponent of Ahriman and the Principle of Darkness, he said:—‘I will speak! draw nigh and listen unto me, ye that come with longing from afar, and ye from near at hand—mark my words!—No more shall he, the Evil One, this false teacher, conquer the Spirit of Good. Too long hath his vile breath bemingled human voice and human speech. But now I will denounce him in the words which The Highest—The First One—has put into my mouth, the words which Ahura Mazdao has spoken. To him who will not harken unto my words, and who will not heed that which I say unto you—to him will come evil—and that, ere ever the world hath ended its cycles.’

Thus spoke Zarathustra, and we can but feel that he had something to impart to humanity, which would leave its impress throughout all later cultural periods. Those among us who have understanding and will but pay attention to that which persists in our time, even if only dimly apparent, who will note with spiritual discernment the tenor of our culture, can even yet, after thousands of years, recognize the echo of the Zarathustran teachings. Hence it is that we number Zarathustra among Great Leaders such as Hermes, Buddha, Moses, and others, about whom we shall have much to say in subsequent lectures. The spiritual gifts possessed by these Great Ones, and the position which they occupied among men, are indicated, and fitly expressed in the following words:—

‘God sends us Spirits that shine as stars,
From the spheres of eternal love.
May we behold that glorious light,
They reflect from the realms above.’³

• 1. the date of which has been placed at about 1200 B.C.
• 2. Doch ihr, die echten Göttersöhne,
  Erfreut euch der lebendig reichen Schöne!
  Das Werdende, das ewig wirkt und lebt,
  Umfass euch mit der Liebe holden Schranken,
  Und was in schwankender Erscheinung schwebt,
  Befestiget mit dauernden Gedanken.
• 3. Es leuchten gleich Sternen
  Am Himmel des ewigen Seins
  Die gottgesandten Geister.
  Gelingen möge es alien Menschenseelen,
  Im Reiche des Erdenseins
  Zu schauen ihrer Flammen Licht!

Following a performance of the scene in the study from “Faust I”

Today I would like to take up the subject of what we have just seen, Goethe's “Faust”, in order to gain a unity from it that will then make it possible to arrive at a more comprehensive consideration tomorrow.

We have seen how the transition from the 14th, 15th to the 16th, 17th century marks an extraordinarily significant turning point in the overall development of humanity, the transition from the Greco- Roman age to our fifth post-Atlantic period, to the period in which we now live, from which our impulses for all knowledge and also for all action flow, to the period that will last until the fourth millennium. Now, from all that you know about Goethe's “Faust” and the connection between Goethe's “Faust” and the Faust figure as it comes from the legend of the 16th century, you will realize that both this Faust figure from the 16th century and that which Goethe's perception formed out of it, is intimately connected with all the transitional impulses that the new age has brought forth in spiritual and thus also in external-material terms. Now in Goethe's case it is really true that precisely this problem of the dawning of the new age and the continued working of the impulses of the old age was so tremendously powerful that he was inspired throughout the sixty years during which he created his Faust by the question: What are the most important tasks, the most important attitudes for modern man? And Goethe could truly look back to the past age, which even science today knows so little about, that past age that ends with the 14th, 15th century. What history reports – I have said it often – about the human soul, about human abilities and needs in earlier centuries, is basically something that is very much a gray theory. In the souls of people in earlier centuries, in the centuries that preceded the age of Faust, things looked very different from the souls of people in the present, from the souls of the present human epoch. And Goethe has truly embodied a figure, a personality in his Faust, who looks back on the state of mind of people in earlier centuries, in centuries long past, and who at the same time looks forward to the tasks of the present, to the tasks of the future.

In that Faust first looks back to the times preceding his own, he can, of course, see only the ruins of a perished culture, a spiritual culture. He can see the ruins. We must first of all consider the sixteenth-century Faust, who is a historical figure who really lived and who then became part of the folk legend. This Faust still lived in the old sciences that he had appropriated, lived in magic, in alchemy and in mysticism, which was the wisdom of earlier centuries, namely the wisdom of the time that preceded Christianity; but in the time in which the historical Faust of the 16th century lived, it was already in a state of profound decline. What was regarded as alchemy, magic, mysticism by those among whom Faust lived in the Faust era was already quite a strange stuff; it was a stuff based on traditions, on legacies from older times, but in which people no longer knew their way around. The wisdom that lived in it was no longer known. One had many sound formulas from ancient times, many correct insights from ancient times, but one understood them only poorly.

Thus, in this respect, the historical Faust was placed in an age of decaying spiritual life. And Goethe continually mixed up what the historical Faust experienced with what he had created for the Faust of the 18th century, the Faust of the 19th century, and even the Faust of many centuries to come. Hence we see Goethe's Faust looking back to the old magic, to the old kind of wisdom, mysticism, which did not practice chemistry in today's materialistic sense, which, through its dealings with nature, wanted to come into contact with a spiritual world, but which no longer had the knowledge to do so in the right way, in the right way of earlier times. What was considered to be medicine in centuries long gone is not as foolish as today's science often wants to believe, but the actual wisdom contained in it has been lost, and it was already partly lost in the age of Faust. Goethe was well acquainted with it. But he did not know it intellectually alone, he knew it with his heart, he knew it with all the powers of his soul, which are attached to the welfare and salvation of humanity and which are particularly relevant for the salvation of humanity. He wanted to answer the questions, the riddles, that arose for him from this, in such a way that one could recognize how, proceeding further and further, one could arrive at other wisdoms regarding the spiritual world that were just as suitable for more recent times, as the ancients knew such wisdom, which, according to the course of human development, must necessarily fade away. Therefore, he lets his Faust become a magician. Faust has surrendered to magic, like the Faust of the 16th century. But he remains unsatisfied for the simple reason that the actual wisdom of ancient magic had already faded away. Ancient medicine also came from this wisdom. All knowledge of prescriptions and all medicine was connected with ancient chemistry, alchemy.

Now, such a question immediately touches on the deepest secrets of humanity: that in truth one cannot cure diseases without at the same time being able to create them, for example. The ways to cure diseases are at the same time the ways to create them. We shall hear presently how the principle held good in ancient wisdom that the healer could at the same time be the producer of disease, and how therefore in ancient times the art of healing was associated with a deeply moral world view. But we shall also see shortly afterwards how little could have developed in these ancient times that is called the more recent freedom of human development, which was actually only tackled by humanity in this, our fifth period, following the Greco-Roman period. We shall see how this should have been if the ancient wisdom had remained.

In all fields, however, this wisdom had to perish, so that man had to start from scratch, so to speak, but in such a way that he could strive for freedom with knowledge and action at the same time. He would not have been able to do so under the influence of the old wisdom. In such times of transition as those in which Faust lived, the decay of the old is there; the new has not yet come. Then such moods arise as can be observed in “Faust” in the scene that precedes the one we presented today. In this scene we see quite clearly how out of step Faust is with the times and how he feels out of step. We see how Faust, accompanied by his servant Wagner, goes out of his cell into the countryside, how he first looks at the people celebrating Easter outdoors, in the countryside, and how he himself gets into the Easter mood. But we immediately see how he does not want to accept the homage that the people offer him. An old farmer appears, steps up to Faust and offers homage because the people believe that Faust, the son of an old adept, an old healer, is also an important healer who can bring healing and blessing to the people. An old farmer steps up to Faust and says:

Truly, it is very well done
That you appear on this happy day;
Have you not always meant well with us
In evil days!
Many a man is still alive here
Whose last fever was snatched from you
snatched from the raging feverishness,
When he set the plague a limit.
Even then you, a young man,
you went to every hospital,
Many a corpse was carried away,
But you came out healthy,
Passed many hard tests:
the helper helped the helper above.

So says the old farmer, remembering how Faust is connected with the old healing arts, which, however, were not only related to the healing of physical illnesses, but also to the healing of the moral evils of the people. Faust knows that he no longer lives in an age in which the old wisdom of mankind was truly helpful, but already in a period of decline. And in his soul glows modesty, but at the same time dejection at the untruthfulness he actually faces; and he says:

Only a few steps up to that stone;
Here we want to rest from our wandering.
Here I often sat alone, thoughtful
And tormented myself with prayers and fasting.
In hope, rich, in faith,
With tears, sighs, hand-wringing
I thought to force the end of that plague
From the Lord of Heaven.
The crowd's applause now sounds like scorn to me.
Oh, could you read my mind,
How little father and son
Were worthy of such fame!
My father was a dark honorable man
Who meditated on nature and its sacred circles
In all honesty, but in his own way,
With whimsical effort;
Who, in the company of adepts,
Locked himself in the black kitchen
And, according to endless recipes,
Poured together the adverse.
Then a red lion, a bold suitor.
who wooed a lily in a lukewarm bath.
And then both of them, with open flames,
were tormented from one bridal chamber into another.

Goethe had studied very well how they proceeded in those days, how they treated the “red lion”, the mercury oxide, sulfur mercury, how they treated the various chemicals that were mixed together and left to their processes, how they made medicines out of them. But all this no longer corresponded to the old wisdom. Goethe also knew the terminology; what you had to represent was definitely represented in images. The compounds of substances were depicted as a marriage. That is why he says:

Tormented from one bridal chamber to another.
Then the young queen appeared in the glass with bright colors.

- that was an artistic expression. Just as in today's chemistry, when certain substances have reached a certain state and color, they are called “the young queen”.

Here was the medicine, the patients died.

They died at that time from the fist, as they still do today from many medicines.

Here was the medicine, the patients died,
And no one asked who recovered.
So we have raged with hellish Latwergen
In these valleys, these mountains
Far worse than the plague.
I myself have given the poison to thousands,
They have withered away, I must live to see
That the impudent murderers are praised!

This is Faust's self-knowledge. Faust now stands before himself, he who you know has dabbled in old magical lore in order to penetrate the secrets of nature and the spirit. But through all this he has become spiritualized. Just as Wagner, his familiar, who has been satisfied with the newer wisdom that rests in the written works, that rests in letters, Faust cannot do so. Wagner, on the other hand, is a personality who makes far fewer demands on wisdom and life. And while Faust wants to dream himself into nature to find the spirit of nature, Wagner only thinks of the spirit that flows from the theories, the parchment, the books; what comes over Faust he calls “whimsical hours”:

I myself have often had whimsical hours,

- says Wagner —

but I have never felt such an urge.
One easily gets enough of the forest and fields,
I will never envy the bird's wings.

He never wants to fly out into the world with the bird and see the world!

How differently the joys of the mind carry us
From book to book, from leaf to leaf!
Winter nights become mild and beautiful,
A blissful life warms all the limbs,
And oh! if you unroll a worthy parchment,
Then the whole of heaven descends upon you!

A complete bookworm, a complete theorist!

So, after the people have left, they now stand there: the one who wants to go into the sources of life, who wants to connect his own being with the mysterious forces of nature in order to experience these mysterious forces of nature, Faust, and the one who sees nothing but the external material life and that which is recorded in the books precisely through matter. We need not reflect much on what has gone on in Faust's inner life through all that he has experienced up to this moment, as Goethe presents it to us; but we may say, after all that we find in Faust, that his inner life one might say, has been transformed and reversed, that a real development of the soul has taken place in Faust, that he has attained a certain inner vision; otherwise he would not have been able to call up the earth spirit, which surges up and down in a storm of activity. A certain ability to see the outer world not only in terms of its external appearances, but to see the spirit that lives and moves in everything, that is what Faust has acquired. Then, from afar, a poodle rushes towards them, Faust and Wagner. The way they both see the poodle – an ordinary poodle – the way Faust sees it and the way Wagner sees it, characterizes the two people completely. After Faust has dreamt himself into the living spirit of nature, he sees the poodle:

Do you see the black dog roaming through the crops and stubble?

Wagner: I saw him long ago, he seemed unimportant to me.

Faust: Look at him closely! What do you think the animal is?

Wagner: For a poodle, who in his own way
Plagues himself on the trail of his master.

The poodle goes around in circles.

Faust: Do you notice how in a wide snail's circle
He chases us around and closer and closer?
And if I am not mistaken, a whirlpool of fire is drawing behind him in his tracks.

Faust does not just see the poodle, but something stirs inside Faust; he sees something that belongs to the poodle like a spiritual. That is what Faust sees. Wagner, of course, does not see it. After all, you can't see what Faust sees with your physical eyes.

Wagner: I see nothing but a black poodle;
It may well be an optical illusion for you.

Faust: It seems to me that it magically draws silent loops
Around our feet to bind us in the future.

Wagner: I see him circling around us uncertainly and fearfully,
because he sees two unknowns instead of his master.

Thus, in this simple manifestation, Faust also sees something spiritual. Let us hold on to that. Faust, whose mind is gripped by a certain spiritual connection with this poodle, now goes to his study. Now, of course, Goethe dramatically presents the scene in such a way that the poodle is as he is; that is also good, the drama must present it that way. But basically, we are dealing with something that Faust experiences inwardly. And the way this scene unfolds, how Faust experiences something inwardly here, is truly masterfully expressed by Goethe in every word. They remained outside, Faust and Wagner, until late into the night, when the external light no longer works, when only the twilight has worked. In the twilight, Faust sees what he wants to see spiritually. Now he comes home to his cell. Now he is alone with himself. A person like Faust, after going through all this, left alone with himself, is able to experience self-knowledge, that is, the life of the spirit in one's own self. He expresses how his innermost being has been stirred, but in a spiritual way:

I left the fields and meadows,
Which a deep night covers,
With foreboding, holy horror
In us the better soul awakens.
Now wild instincts have fallen asleep
With every impetuous deed;
Human love stirs,
The love of God stirs now.

The poodle growls. But let us be clear: these are inner experiences; even the poodle's growling is an inner experience, even if it is dramatically portrayed externally. Faust has entered into decaying magic, into an alliance with Mephistopheles. Mephistopheles is not a spirit who leads him into progressive, regular spiritual forces; Mephistopheles is the spirit that Faust must first overcome, who is sent to him to overcome him, who is given to him for trial, not for instruction. That is to say, we now see Faust standing before us, on the one hand aspiring to enter into the spiritual world of divinity, which carries forward the evolution of the world, and on the other hand, the forces in his soul are stirring, drawing him down into the ordinary life of instinct, which diverts man from spiritual striving. Precisely when something sacred stirs in his soul, it scoffs; the opposing instincts scoff. This is now wonderfully presented in the form of external events: Faust, so to speak, striving for the divine-spiritual with all his knowledge, and his own instincts, which growl against it, just as the materialistic sense of man growls against spiritual striving. And when Faust says, “Be quiet, Poodle, don't growl,” he is basically calming himself. And now Faust speaks – that is, in this case, Goethe allows Faust to speak in a wonderful way. Only when one delves into the individual words does one find how wonderfully Goethe knows the inner life of the human being in spiritual development:

Oh, when in our narrow cell
The friendly lamp burns again,
Then it becomes light in our bosom,
In the heart that knows itself.

— that is, seeks the spirit in its own self.

Reason begins to speak again

— a very meaningful sentence! For the one who undergoes spiritual development, who is brought into contact with Faust through his life, knows that reason is not just something dead within, who not only knows rational reason, who knows how alive reason becomes, how inner spiritual weaving becomes reason and really speaks. This is not just a poetic image:

Reason begins to speak again,
And hope begins to flourish again.

“Reason begins to speak again” - about the past that has remained alive from the past, “And hope begins to flourish again”, that is, we find our will transformed so that we know: we shall pass through the portal of death as a spiritually living being. The future and the past combine wonderfully. Goethe wants Faust to say that Faust knows how to find the inner life of the spirit through self-knowledge.

One longs for the streams of life,
alas! for the source of life.

And now Faust seeks to get closer to what he is yearning for: the source of life. He first seeks one path: the path of religious uplift; he reaches for the New Testament. And the way he reaches for the New Testament is a wonderful representation of Goethe's wisdom-filled drama. He reaches for the one containing the most profound words of wisdom of modern times, the Gospel of John. He wants to translate this into his “beloved German”. The fact that Goethe chooses the moment of translation is significant. He who is familiar with the workings of deep world and spiritual realities knows that when wisdom is transferred from one language to another, all spirits of confusion arise and intervene. In the borderlands of life, the powers that oppose human development and human salvation are particularly evident. Goethe deliberately chooses the translation to place the spirit of wrongdoing, even the spirit of lies, which is still in the poodle, next to the spirit of truth. If you consider the feelings and sensations that can flow out of such a scene, the wonderful spiritual depth that lives in these scenes becomes apparent. All the temptations that I have just characterized, which come from what is in the poodle, which rise up to distort the truth into untruth, all this has an ongoing effect and has an effect precisely in an act of Faust, which gives one the opportunity to distort truth into untruth. And how little we actually notice that Goethe intended this is shown today by the various interpreters of Faust, for what do these various interpreters of Faust say about this scene? Well, you can read it; it says: Goethe is a man of the outer life, for whom the “word” is not enough. He has to correct the Gospel of John, he has to find a more correct translation; not: “In the beginning was the word,” the Logos, but: “In the beginning was the deed!” That is what Faust finds out after much hesitation. That is a profound Goethean wisdom. This wisdom is not a Faustian wisdom, it is a genuine Wagnerian wisdom, a true Wagnerian wisdom, just like the wisdom that is so often emphasized that Faust later says such beautiful words to Gretchen about religious life: Who can name him, who confess him, the all-embracing one who holds and carries everything, and so on, is a Gretchen wisdom. What Faust says to Gretchen has been quoted over and over again, and it is repeatedly presented as a profound piece of wisdom by the gentlemen who cite it, the learned gentlemen.

Who may name it?
And who confess:
I believe it?
Who feel
And dare
To say: I do not believe it?
The All-embracing,
The All-sustaining,
Does it not embrace and sustain
You, me, itself?
Does not the sky arch up there?
Does not the earth lie down here firmly?
And do not friendly looking
eternal stars rise up?
Do I not look you in the eye,
and does not everything
press towards you as head and heart

and so on. What Faust says is often presented as a profound piece of wisdom. Now, if Goethe had meant it to be the very deepest wisdom, he would not have put it into Faust's mouth at the moment when he wants to educate the sixteen-year-old Gretchen. It is a piece of wisdom for the ages! You just have to take things seriously. The scholars have only been taken in. They have taken what is a Gretchen saying for profound philosophy. And so, too, what appears as a translation of the Bible in Faust is taken for a particularly profound saying, whereas Goethe intends to depict nothing other than how truth and error toss man to and fro when he sets about such a task. Goethe has portrayed these two souls of Faust in great depth in this translation of the Bible.

It is written: “In the beginning was the Word!”

We know that it is the Greek Logos. This is really written in the Gospel of John. In contrast to this, that which is symbolized by the poodle rears up in Faust and does not want to let him come to the deeper meaning of the Gospel of John. Why did the writer of the Gospel of John choose the word, the Logos? Because the writer of the Gospel of John wants to emphasize that what is most important in human development on earth, what really makes man outwardly human in his development on earth, did not develop gradually, but was there in the very beginning. What distinguishes man from all other beings? Because he can speak, all other creatures, animals, plants, minerals cannot. The materialist believes that man has only come to the word, that is, to language, to the Logos, which is permeated by thinking, after he has gone through the animal development. The Gospel of John takes the matter deeper and says: No, in the beginning was the word. That means: Man's evolution is originally predisposed; man is not merely the highest peak of the animal world in the materialistic-Darwinian sense, but in the very first intentions of the earth's evolution, in the very beginning, in the beginning was the word. And only through this can man develop an ego on earth, which animals do not achieve, that the word is interwoven with human evolution. The word stands for the human ego. But the spirit that is given to Faust, the spirit of untruth, rebels against this truth, and it must go deeper down; it cannot yet understand the profound wisdom that lies in the words of John.

Here I already falter!

But it is actually the poodle, the dog in him, and what is in the poodle that makes him falter. He does not get any higher, on the contrary, he gets lower.

Here I stand still! Who will help me further on?
I cannot possibly value the word so highly;
I must translate it differently
when I am properly enlightened by the spirit.

While he sees Mephistopheles drawing near to him, he believes that he is enlightened by the spirit; but he is darkened by the spirit of darkness and comes down.

Written is: “In the beginning was the mind.”

This is no higher than the word. Sense prevails, as we can easily demonstrate, even in the lives of animals; but the animal does not come to the human word. Man is capable of sense through having an astral body. Faust descends deeper into himself, from the ego into the astral body.

“In the beginning was Sense.”
Consider well the first line,
Lest thy pen be over-hasty.

He thinks he is rising higher, but he is descending lower.

Is it Sense that works and creates all?

No, he descends even lower, from the astral to the denser material etheric body, and writes:

“In the beginning was the power!”

Power is that which lives in the etheric body.

But even as I write this down,
something is already warning me not to dwell on it.
The spirit helps me!

The spirit that is in the poodle!

Suddenly I see the counsel
And write with confidence: “In the beginning was the deed!”

And now he has arrived at complete materialism; now he is at the physical body through which the outer deed is accomplished.

Logos, Word: I
Sense: Astral body
Strength: Etheric body
Deed: Physical body

So you have Faust alive and well in a piece of self-knowledge. He translates the Bible wrongly because the various members of the human being, which we have discussed so often, I, astral body, etheric body, physical body, work together in him in a chaotic way through the Mephistophelian spirit. Now it also shows how these instincts prevail, because the outer barking of the poodle is what rebels against the truth in him. In his knowledge, he cannot yet recognize the wisdom of Christianity. We see this in the way he relates word, meaning, power and deed. But the urge to embrace Christianity is already alive in him. By making active that which lives in him as the Christ, he conquers the opposing spirit. At first he tries what he has retained from ancient magic. The spirit does not retreat, it does not show itself in its true form. He invokes the four elements and their spirits: salamander, sylph, undine, gnome; none of this distracts the spirit that is in the poodle. But when he invokes the Christ-figure, the “maliciously pierced one, poured out through all the heavens,” the poodle must show its true form.

All this is basically self-knowledge, a self-knowledge that Goethe makes very clear. What happens? A traveling scholastic! Faust is truly practicing self-knowledge; he is basically confronting himself. First, in the form of the poodle, the wild instincts that have rebelled against the truth have taken effect, and now, to a certain extent, he becomes clear, clearly unclear: the traveling scholastic stands before him; but it is only the other self of Faust. He himself has become little more than a wandering scholastic with all the fallacies that are to be found in the wandering scholastic. Only now, through his union with the spiritual world, he has come to know the drives more precisely, and so the wandering scholastic, that is, his own self, as he has appropriated it so far, now confronts him more crudely and thoroughly. He has learned like a scholastic, like Faust; only then he has surrendered to magic, and through magic, scholasticism has been demonized. What has become of the old good Faust, when he was still a wandering scholastic, he has only become through the fact that he has still relied on the old magic. The wandering scholastic is still in him; he confronts him in a transformed form. It is only his own self. This wandering Scholastic is also the self. The struggle to get rid of everything that rode up as the self is now contained in the further scene.

Goethe always tries to show only Faust's other self in the various forms in which Faust appears together, so that Faust recognizes more and more of himself. Perhaps some of the listeners remember that in earlier lectures I explained how Wagner is also in Faust himself, how Wagner is also only another self of Faust. Even Mephistopheles is only another self. All of this is self-knowledge! Self-knowledge is practiced through knowledge of the world. But all of this is not present in Faust in clear spiritual knowledge; it is all contained in Faust in unclear, dull spiritual-visionary power that one might say is still influenced by ancient atavistic clairvoyance. It is not clarified. It is not bright knowledge; it is dream-like knowledge. We are shown how the dream spirits, which are actually group souls of all those beings that accompany Mephistopheles, beguile Faust, and how he finally awakens. And there Goethe says, there Goethe lets Faust say very clearly:

Am I then again deceived?
Does the ghostly urge thus vanish,
That a dream lied to me about the devil,
And that a poodle sprang from me?

Goethe repeatedly uses the method of hinting at the truth again and again. That he actually means it as an inner experience of Faust is clearly enough expressed in these four lines. This scene also shows us how Goethe struggled to understand the transition from the old age to the new one in which he himself lived, from the fourth post-Atlantic period to the fifth post-Atlantic period. The boundary is in the 14th, 15th, 16th century. As I said earlier, anyone who lives in today's thinking cannot, unless they do special studies, get a good idea of the development of the soul in past centuries. And in Faust's time, only the ruins remained.

You see, we often experience that today people do not want to approach the newer spiritual research that we are striving for, but want to reheat the old wisdom. Many a person believes that by rehashing the knowledge of the ancients, they can arrive at a deeper, magical-mystical wisdom about nature. I would like to say that two fallacies are extremely close to all of man's spiritual endeavors. The first is that people buy old, ancient books, which they then study and value more highly than newer science. They usually value them more only because they do not understand them, because the language can really no longer be understood. That is the one nonsense, that one comes again and again with the content of the old books, which has become gibberish, when one wants to talk about spiritual research. The other thing is that one wants to give the newer endeavors old names if possible and thereby sanctify them. Look at some of the societies that call themselves occult or secret or whatever: their whole endeavor is to date themselves back as far as possible, to explain as much as possible about a legendary past, to take pleasure in old naming. That is the second nonsense. You don't need to go along with any of this if you really understand the needs and impulses of our time and the necessary future. You can open any book from the time when traditions were still present, so to speak. You can pick out any book where traditions were still present: from the way it is presented, you can see that legacies, traditions, were present from an ancient, primordial wisdom that humanity possessed, but that this wisdom had fallen into decline. The language, everything is still there, even quite late.

I have a book at hand that was printed in 1740, so it was only published in the 18th century. I would like to read a short passage from it, a passage that is certain to make many people who are seeking spiritual knowledge today think, “Abyssmal, profound wisdom!” Oh, what is contained in it all! - There are even some who believe that they understand such a passage. Now, I will first read the passage I mean:

"The king's crone shall be of pure gold, and a chaste bride shall be given him in marriage.” Therefore, if you want to work through our bodies, take the ravenous gray wolf, which is subjugated to the warlike Mars in name but is by birth a child of the old Saturn, found in the valleys and mountains of the world, and possessed of great hunger. Cast him for the body of the king, that he may have his sustenance."

That is how these chemical processes that were set up were called in ancient times; that is how certain chemical processes were spoken of, which Faust also alludes to when he talks about how a red lion marries the lily in the glass and so on. It is not proper to mock these things, for the simple reason that the way chemistry is spoken of today will sound to people who come later just as it does to us. But we should be clear that this has also just emerged, even in a very late period of decline. The term “gray wolf” is used; this refers to a certain ore that can be found everywhere in the mountains and that is subjected to a certain procedure. “King” was the term used to describe a certain state of substances; and what is being described here is meant to indicate a certain handling. They took the gray ore and treated it in a certain way; this gray ore was called the “gluttonous gray wolf,” and the other was the “golden king,” where the gold, after being treated in a certain way, was the “golden king.” And so a connection arose. He describes this connection as follows:

And when he had swallowed the king – so it happens that the “gray, ferocious wolf”, that is, the gray ore that had been found in the mountains, merged with the golden king – that is a certain state of the gold after it has been chemically treated; the gold has disappeared into the gray ore. He depicts it:

“And when he has swallowed the king, make a great fire and throw the wolf into it.

– So the wolf that has eaten the gold, the golden king, is thrown into the fire –

”so that he may be completely consumed by the fire, and the king will be redeemed again.

The gold appears again!

“When this happens three times, the lion has conquered the wolf and will find nothing more to consume in him; then our body is complete, at the beginning of our work.”

So he does something in this way. If you wanted to know what he does, you would have to describe these procedures in great detail, especially how the golden king is made, but it cannot be described here. These procedures are no longer carried out today. But what does the man expect to achieve by this? He promises himself something that is not entirely out of thin air, because he has now done something. What did he actually do it for? That is, the person who had it printed will probably not have done it at all, but will have copied it from old books. But why was it done in the time when people still understood the things? You can see this from the following:

“And know that this alone is the right way to thoroughly cleanse our bodies, for Leo cleanses himself with the blood of Wolf, and the blood tincture combines wonderfully with the tincture of the lion, because the two bloods are closely related in the family tree.”

So now he praises what he has created. He has received a kind of medicine.

“And when the lion has gorged himself, his spirit has become stronger than before, and his eyes give off a proud glow like the bright sun.”

That is all the property of what he has in the test tube!

"His inner being can do a lot, and is useful for all the things he is required to do, and when he is brought to his readiness, the children of men, burdened with serious illnesses and multiple plagues, follow him, desiring to drink of the blood of his soul, and all who have ailments rejoice greatly in his spirit; for whoever drinks from this golden fountain feels a complete renewal of nature, an acceptance of evil, a strengthening of the blood, a vigor of the heart, and a perfect health of all limbs.

You see, it is indicated that you are dealing with a medicine; but it is also sufficiently indicated here that it has something to do with what appears as a moral quality in man. Because, of course, if someone who is healthy takes it in the appropriate amount, then what the man describes occurs. That is what he means, and that is how it was with the ancients who still understood something about these things.

“For whoever drinks from this golden fountain will feel a complete renewal of nature”

– in other words, through this art, which he has described, he has striven for a tincture through which real vital energy enters the human being:

“Heart strength, blood strength and perfect health of all limbs, whether they are closed inside or sensitive outside the body, for it opens up all the nerves and pores so that evil can be expelled and the good can dwell there in peace.”

I read this out first to show how even in these ruins of an old wisdom, there is a reflection of what was aspired to in ancient times. They strove to stimulate the body through external means that they had created from nature, that is, to achieve certain abilities not only through inner, moral striving, but through means of nature itself, which they had created. Hold on to that for a moment, because it leads us to something important that distinguishes our period from earlier ones. Today, it is quite easy to scoff at ancient superstition, because then you are rewarded for it by being considered an intelligent person before the whole world; whereas otherwise you are not considered an intelligent person if you see something sensible in ancient knowledge. Something that has even been lost to mankind and was bound to be lost for certain reasons, because in this pursuit of the ancient times, people could never have come to freedom. But look, you will find in old books, which now go back to older times than this book, which belongs to a very late period of decay, you will find in old books, which you know well, sun and gold with a common sign, with this sign: ©; you find moon and silver with this sign: €. For today's man, this sign, applied to gold and sun, and this sign, applied to moon and silver, for soul abilities that today's man necessarily has, is of course complete nonsense; and it is complete nonsense how literature, which often also calls itself “esoteric” literature, about these things, because most of the time one does not have the means to recognize why in ancient times the sun and gold and the moon and silver were designated with the same sign.

Let us start with moon and silver with this sign: €. You see, if we go back in time, say a few millennia before the Mystery of Golgotha, before the Christian era, then people not only had the abilities that were already in ruins at the time when such things came into being, but they had even higher abilities. When a person of the Egyptian-Chaldean culture said “silver”, they did not mean what we mean when we say silver. When a person used the word in his ancient language that meant silver to him, he applied it quite differently. Such a person had inner abilities and meant a certain kind of power that is not only found in a piece of silver, but he meant something that basically extends over the whole earth. He meant: We live in gold, we live in copper, we live in silver. He meant certain types of forces that live there and that in particular flowed strongly towards him from the moon, and he sensed that in the coarsest material sense, sensitively, also in the piece of silver. He really found the same forces emanating from the moon, but also on the whole earth, and particularly in the material sense in the piece of silver. Now, today's enlightened man says: Yes, the moon, it shines so silvery white; they just believed that it was made of silver. — It was not, but rather, one had an inner soul experience with the moon, something that lived in the entire earth's sphere as a force, and, translated into the material, with the piece of silver. So the power contained in the silver must be spread over the whole earth, so to speak.

Today, of course, people consider this to be complete nonsense when you tell them, and yet in terms of today's science it is not complete nonsense. It is not nonsense at all, not nonsense at all, because I will tell you one thing that science knows today, even if it does not always say it. Modern science knows that a body, thought of as a cube, one English nautical mile long, contains a little over four pounds of silver, finely distributed. This is simply a scientific truth that can be tested today. The ocean contains two million tons of silver, finely distributed, in the most extreme homeopathic dilution, one might say. It is truly as if the silver were spread out over the Earth. Today, when we verify this with normal knowledge, we do so by scooping up seawater and methodically testing it with all kinds of meticulous examinations. But then, using the means of today's science, we find that the world's oceans contain two million tons of silver. These two million tons of silver are not contained in it in such a way that they have somehow dissolved or something similar, but they belong to the world ocean; they belong to its nature and essence. And this was known to ancient wisdom; it knew this through the still existing fine, sensitive powers that came from ancient clairvoyance. And it knew that when one imagines the earth, one does not have to imagine this earth merely as today's geology imagines it, but that silver is dissolved in this earth in the finest way.

I could go on now, and show how gold is also dissolved, how all these metals, in addition to being deposited here and there materially, are really contained in the earth in a fine dissolution. So the ancient wisdom was not wrong when it spoke of silver. That is contained in the earth's sphere. But it was known as a force, as certain types of force. The sphere of silver contains other forces, the sphere of gold contains other forces, and so on. Much more was known about what is spread out as silver in the sphere of the earth; it was known that the power that causes the tides lies in this silver, because a certain vitalizing power of this entire terrestrial body lies in this silver, or is identical with this silver. Otherwise, there would be no tides; this peculiar movement of the sea is originally fueled by the silver content. This has nothing to do with the moon, but the moon has to do with the same force. Therefore, the tides occur in a certain relationship with the lunar movements, because both, lunar movements and tides, depend on the same system of forces. And these forces lie in the silver content of the universe.

One can, even without clairvoyant insight, merely go into such things and one will be able to prove with a certainty of proof, which is otherwise not attained in any field of science except at most in mathematics, that there was an ancient science that knew such things, that knew such things well. And connected with this knowledge and skill was what ancient wisdom was, that wisdom which really dominated nature and which must first be won again through spiritual research from the present into the future. We are living in the very age in which an old kind of wisdom has been lost and a new kind of wisdom is only just emerging. What was the consequence of this old wisdom? It had the consequence that I have already indicated. If you really knew the secrets of the universe, you could make your own human being more efficient. Do you think that people could be made more capable through external means! So the possibility existed that a person could acquire abilities simply by taking certain substances in the appropriate quantities, which today we rightly assume that a person can only have as innate abilities, as genius, as talent, and so on. It is not the fantastic dreams of Darwinism that are at the beginning of the development of the Earth, but the possibility of dominating nature and giving man moral and spiritual abilities through the treatment of nature. You will now understand that this treatment of nature must therefore be kept within very definite limits; hence the secrets of the most ancient mysteries. Whoever was to attain such knowledge, which really had something to do with these secrets of nature, which were not merely concepts and ideas and sensations, not merely beliefs, who was to attain such knowledge had first to prove himself to be completely suited to it, to want to achieve nothing, but also nothing at all for himself with this knowledge, but to apply these insights, these skills, which he acquired through this knowledge, solely in the service of the social order. That is why these insights were kept so secret, let us say, in the Egyptian mysteries. The preparation consisted of the fact that the one to whom such knowledge was transmitted gave a guarantee that he would continue to live the life he had led before in exactly the same way, that he would not gain the slightest advantage for himself, but would merely apply the proficiency he now acquired in the treatment of nature in the service of the social order. Under this condition, individuals were allowed to become initiates, who then led that ancient culture, whose wonders can be seen and are not understood because it is not known from what they arose.

But humanity could never have become free in this way. Man would have had to be turned into an automaton through the influence of nature, so to speak. An age had to come when man would work through mere inner moral forces. Thus nature is veiled from him, as it were, because he would have profaned it by releasing his instincts in the new age. And his instincts have been most released since the 14th, 15th century. Therefore the old wisdom fades away; there remains only a bookish wisdom that is not understood. For no one today would be deterred if he really understood such things as only the sentence I read to you, no one today would be deterred from using these things for his own benefit. But that would give rise to the worst instincts in human society, worse instincts than those groping advances that are produced in the scientific work of today, where one finds out in the laboratory, without being able to see into things, that this substance affects the other in this way, — where one finds out something without looking into things, well, that is now the content of chemistry. We are thus adrift; and spiritual science will first have to find its way into the secrets of nature again. But at the same time it will have to found a social order that is quite different from today's social order, so that man can recognize what holds nature together at its core without therefore being seduced into the struggle of the wildest instincts.

There is meaning and there is wisdom in human development, and that is what I have been trying to prove to you through a series of lectures. What happens in history happens, even if often through destructive forces, but in such a way that there is a meaning to historical development, even if it is often not the meaning that people dream up, and even if people have to suffer a lot as a result of the paths that the meaning of history often takes. Everything that happens in the course of time, it certainly happens so that the pendulum sometimes swings after evil, sometimes after less evil; but through this swinging, certain states of equilibrium are nevertheless achieved. And so it was that at least a few natural forces were known about until the 14th or 15th century, knowledge of which has been lost because people in more recent times would not have the right attitude towards it.

You see, it is beautifully described in the symbol that expresses the power of nature in the Egyptian legend of Isis. This image of Isis makes a moving impression on us when we imagine it standing there in stone, but at the same time veiled from top to bottom: the veiled image at Sais. And the inscription reads: I am the past, the present and the future; no mortal has yet lifted my veil. This has led to an extremely clever explanation, although very clever people have taken this clever explanation, it must be said. It is said that Isis thus expresses the symbol of wisdom, which can never be attained by man. Behind this veil is a being that must remain hidden forever, for the veil cannot be lifted. — And yet the inscription is this: I am the past, the present and the future; no mortal has yet lifted my veil. All the clever people who say, “You cannot fathom the essence” are saying, logically, roughly the same thing as someone saying, “My name is Miller; you will never learn my name.” It is exactly the same as what you always hear people say about this picture: “My name is Miller; you will never learn my name.” If you interpret “I am the past, the present and the future; no mortal has yet lifted my veil,” then, of course, this interpretation is complete nonsense. Because it says what Isis is: past, present and future – flowing time! We will talk about these things in more detail tomorrow. It is flowing time. But something quite different from what this so-called ingenious explanation wants is expressed in the words: No mortal has yet lifted my veil. What is meant is that one must approach this wisdom as one would those women who had taken the veil, whose virginity had to remain intact: with reverence, with an attitude that excludes all selfish urges. That is what is meant. She is like a veiled nun, this wisdom of earlier times. The attitude is indicated by speaking of this veil.

And so it was important that in the times when ancient wisdom was alive, people approached this wisdom in the appropriate way, or were not allowed at all if they did not approach it in the appropriate way. But in more recent times, man had to be left to his own devices. He could not have the wisdom of ancient times, the forms of wisdom of ancient times. Knowledge of certain natural forces was lost, those natural forces that cannot be recognized without simultaneously experiencing them inwardly, without simultaneously experiencing them inwardly. And in the age in which, as I explained to you eight days ago, materialism reached a certain peak, in the 19th century, at the beginning of the 19th century, a natural force arose that is characterized in its special nature by the fact that everyone today says: We have the natural force, but one cannot understand it; for science it is hidden. You know how the natural force of electricity in particular came into human use; and electrical power is such a force that man cannot experience it internally through his normal powers, it remains external to him. And more than one might think has come into being in the nineteenth century through electricity. It would be easy to show how much, how infinitely much, depends on electrical power in our present culture, and how much more will depend in the future when electrical power is used in the modern way, without going into the inner being. Much more! But it is precisely electricity that has been put in the place of the old, familiar power in the development of human culture, and through which man is to mature in a moral sense. Today, he does not think of any morality when using it. Wisdom is in the continuous historical development of humanity. Man will mature by developing still deeper damage for a while — and damage, as our days show, is sufficiently available — in his lower ego-bearer, in wild egoism; if man still had the old powers, that would be completely out of the question. It is precisely the electrical power as a cultural force that makes this possible; steam power in a certain way too, but it is even less the case there.

Now the situation is such that, as I explained to you earlier, the first fifth of our cultural period, which will last into the 4th millennium, is over. Materialism has reached a certain peak. The social forms in which we live, which have led to such sad events in our years, are really such that they will no longer sustain humanity for fifty years without a fundamental change in human souls. For those who have a spiritual understanding of world development, the electrical age is at the same time an invitation to seek a spiritual deepening, a real spiritual deepening. For the spiritual power must be added to that power, which remains unknown on the outside for sensory observation, in the souls, which rests so hidden in the deepest interior, like the electrical forces, which must also first be awakened. Imagine how mysterious the electrical power is; it was only brought out of its secret hiding places by Galvani, Volta. Something similar is true of the hidden forces that lie in human souls and are the subject of spiritual science. The two must come together, like north and south poles. And just as the discovery of electricity as a hidden force in nature was inevitable, so the power that spiritual science seeks as the hidden force in the soul will inevitably be discovered. Although many people today what spiritual science wants, now, as roughly one would have confessed at the time when Galvani was preparing the frogs and noticed from the twitching of the leg that a force was at work in this twitching frog's leg. Did science know then that this frog's leg contained everything there is to be known about electricity, including static electricity? Imagine the time when Galvani was in his simple experimental house, hanging his frog's leg outside the window hook and it began to twitch, and he observed this for the first time! It is not a question of electricity, is it, which is excited, but of contact electricity. When Galvani first realized this, could he assume: With the power with which the frog's leg is attracted, one day trains will be driven over the earth, with that power one day one will be able to send thoughts around the globe? It is not so very long ago that Galvani observed this force in his frog legs. Anyone who had already said at that time what would flow from this knowledge would certainly have been considered a fool. So it also happened that today someone who has to present the first beginnings of a spiritual science is considered a fool. A time will come when that which proceeds from spiritual science will be just as significant for the world, but now the moral, spiritual and soul world, as that which proceeded from the Galvani frog's leg was for the material world, for material culture. This is how progress is made in human development. Only if we pay attention to such things do we also develop the will to go along with what can only be in its beginnings. If the other power, the electrical power, which has been drawn from its hiddenness, is only of importance for the outer material culture and only indirectly for the moral world, then that which comes from spiritual science will have the greatest social significance. For the social orders of the future will be regulated by what spiritual science can give to people, and everything that will be external material culture will also be indirectly stimulated by this spiritual science. Today, at the end, I can only point this out.

Tomorrow we will expand the image of Faust, who, as I have already mentioned, is still half in the old and half in the new era, to create a kind of worldview image.

When we can meet so seldom, one has naturally the desire to put as much as possible into a lecture, and it may sometimes happen that one gives perhaps too much. I intend nevertheless making the bold attempt to give you today a description from one point of view of what may be called the other side of man's earthly existence; and I want to make clear to you at the same time the importance and significance for our age of this deeper kind of knowledge,—this spiritual knowledge.

How much, after all, does man know ordinarily of his existence here on Earth? What can his senses and his sense-bound intellect tell him? With ordinary consciousness he is conscious only of his waking life, Yet it is surely not without meaning that the guiding Spiritual Powers of the World have inserted into man's life on Earth the condition of sleep.

Between the time of falling asleep and the time of awaking a very great deal takes place. In fact, of all that the Spirit has to accomplish on Earth through man, by far the greater part is accomplished during sleep. As long as we are awake, what happens on Earth through us is limited to what we do,—either to ourselves or to the things that are around us. When we go to sleep, however, another activity begins. Whilst we are asleep, lofty Spiritual Beings work upon the human soul, with the object of bringing man to his full and complete evolution in Earth existence.

It is possible for one who has acquired modern initiation knowledge to have clear and detailed insight into the significant events that take place during sleep. We must not of course make the mistake of imagining that these events take place for the initiate alone; they are experienced by all human beings alike. Indeed, human evolution is entirely dependent upon these events that happen with us between the moment of falling asleep and the moment of awaking. The difference with the initiate is just this,—that he is able to draw our attention to these events. And it is increasingly important that all who give any thought at all to the meaning of existence on Earth should be alive to the significance of what happens in sleep.

Let me now sketch for you in bold outline the influences that play into the sleep of man. Suppose someone goes to sleep. As you know, we describe the process in the following way. His astral body, we say, and his I loosen themselves from the physical body and the ether-body, and are in the Spiritual World; they no longer permeate the physical and etheric bodies as they do in the waking state. But when we try to go a little further and form a picture of what really takes place with man during the condition of sleep, we find that it is necessary first to come to a clearer perception of the nature of man's connection with the Earth during waking hours. How is man connected with the Earth while he is awake? First of all, through his senses. With the aid of his senses, he perceives and cognizes the phenomena of the various kingdoms of Nature. But this is not all. Man is also connected with the Earth through activities he performs unconsciously,—unconsciously, that is, even while he is awake. Man breathes, for instance, and is thus connected with the whole Earth. The whole Earth plays into the air man takes in with his breath. In the air he breathes, countless substances are present in a highly rarefied condition. And the very fact that they are present in this rarefied state enables them to exercise an influence that is of no small importance when they are received through the breath into the organism of man. What man perceives with his senses enters into him consciously; but subconsciously, even during waking life a vast amount enters into man that is more substantial than what enters him by the more tenuous and ideal paths of perception and thought. By way of the breath man's environment comes into him in a more material and substantial manner. Nor need I remind you of how utterly dependent the human organism is on what it receives in the way of earthly nourishment. So that altogether we have to recognise many influences working from the Earth upon the awake human being.

We are not, however, at present pursuing the study of that any further; what concerns us today is the influences that work upon man in sleep. And here we find that whereas during waking hours man stands in connection with external earthly substances, when he passes over into sleep, he comes into a certain connection with the whole Cosmos. I do not mean to imply that man's astral body assumes every night the vastness of the Cosmos. That would be an exaggeration. It is nevertheless a fact that every night man grows out into the Cosmos. Just as here on Earth we are connected with the plants, with the minerals, with air, so are we connected in the night with the movements of the planets, and with the constellations of the fixed stars. From the moment we fall asleep, the starry heavens become our world, even as the Earth is our world when we are awake.

Coming now to describe rather more in detail how we make our way after falling asleep, we find we can distinguish different spheres through which we pass. First comes the sphere where the I and the astral body—that is to say, the soul of man as it finds itself in sleep—feel united with the movements of the World of the planets. When we wake up in the morning and slip into our physical body, we have in us, as we know, our lungs, our heart, our liver, our brain. In the first sphere with which we come in contact after falling asleep—and it will also be again the last sphere we enter before awaking—we have in us the forces of the movements of the planets. This does not mean of course that we receive into us every night the entire planetary movements; we carry within us a little picture, as it were, wherein the movements of the planets are reproduced. And this picture is different for each single human being. That, then, is the first experience every one of us encounters after falling asleep. We follow, as it were, with our astral body all that happens with the planets, as they move out there in the wide spaces of the Universe; we experience it all in our astral body in a sort of planetary globe.

Perhaps you will say: But how does this concern me, if I cannot perceive it? True, you do not see it with your eyes, nor hear it with your ears. But no sooner have you passed over into the condition of sleep than the part of your astral body which belongs in waking life to your heart, becomes for you an eye,—becomes, in very fact, what we may call a heart-eye; and with this heart-eye you ‘see’ what is now taking place. For present-day mankind, the perception is a very dim one. Nevertheless it is more assuredly there; the heart-eye perceives the experiences of this first sphere of sleep.

Very soon after you have fallen asleep, the heart-eye begins also to look back at what has been left lying in bed. Your ego and astral body look back with the heart-eye upon your physical and etheric bodies. And the picture of planetary movements that you are now experiencing in your astral body, rays back to you from your ether-body; you behold a reflection of it in your ether-body.

Present-day man is so constituted that as soon as ever he wakes up, he immediately forgets the dim consciousness that he had in the night by means of his heart-eye. There are however, dreams in which we can catch, as it were, an echo of it. Such dreams are astir with an inner movement that is reminiscent of the planetary movements. Then into these dreams come pictures from real life; but that is only when the astral body has begun to dive down into the ether-body, which latter carries and preserves for us the memory of our life.

Let me describe for you something that can easily happen. You wake up in the morning, having passed again on your return through the sphere of the planetary movements. Let us suppose that you have experienced a particular relationship between Jupiter and Venus. Such an experience must be intimately connected with your destiny, otherwise you would not have it; and if you could bring the experience back into life—into your ordinary day-time life—it would shed a wonderful light on your faculties and capabilities. For the fact is, these faculties of ours are not of the Earth, they have come hither from the Cosmos. According as is your connection with the Cosmos, so are your gifts and talents, so is your goodness,—or, at any rate, so is your inclination to good or to evil. If you could bring back into day-life the experience of which we were speaking, you would be able to see what Jupiter and Venus were saying to one another, for you would see what you had seen in the night with your heart-eye,—I could equally well say, heard with your heart-ear, for these finer distinctions do not exist for the experiences of sleep. Since, however, all this is only very dimly perceived, it is forgotten. But the result of the experience remains in your astral body; the mutual relationship between Jupiter and Venus produces a corresponding movement within your astral body. And now there mingles with it some experience you had long ago, perhaps when you were 17 or 25 years old,—let us say at noon one day, in Oxford, for example, or in Manchester. The pictures of this long-past experience of yours intrude themselves into the cosmic experience; the two get mixed up together. As you will see, therefore, the pictures that are given us in dreams have a certain significance, yet are not the essential part of the dream; they are like a garment that weaves itself around the cosmic experiences.

Now, through this whole experience that comes to you in the way I have described, runs a vein of anxiety. In almost every case it is accompanied by a more or less intense feeling of anxiety,—anxiety, that is, of a spiritual nature; and particularly at the moment when the cosmic experience sounds back, shines back, to the soul from the ether-body. Suppose the influence due to a certain relationship between Jupiter and Venus is raying back to you from your ether-body, and one ray—I call it quite simply one ray, but it tells ever so much to your heart-eye!—one ray comes back from your forehead, while a second, that comes from the region below the heart, mingles its music and its light with the first. In every human soul that is not completely hardened, this will give rise to the feeling of anxiety and apprehension of which I have spoken. The soul will be constrained to say to itself in sleep: The cosmic mist has enveloped me, it has received me into itself. We feel indeed as though we ourselves are becoming as dim and as nebulous as the cosmic mist, as if we are now nothing but a cloud of mist floating in the Mist of the Worlds. Such is the character of the first experience that meets the soul after falling asleep.

And then another feeling begins to arise in the soul. Out of this first experience, where we are anxious and apprehensive, feeling ourselves to be no more than a little wave of mist within the Mist of the Worlds, another mood develops within us, a mood of devotion to the Divine, devotion and surrender to the Divine that fills the Universe and pervades it.

This then is how it is with us, my dear friends, in the first sphere into which we come after falling asleep. Two fundamental feelings live in our soul; I am in the Mist of the Worlds,—I would fain rest in the bosom of the Godhead, that I be safe and protected and dissolve not away in the Mist of the Worlds. This is moreover an experience which the heart-perception must needs carry over into waking life in the morning, when the soul dives down again into the physical and ether bodies. For if this experience were not brought over, then the substances we take as nourishment during the day would assume within us their own completely earthly character and throw our whole organism into disorder. And this applies not only to what we eat but to all the substances that undergo within us the process of metabolism. For even if we go hungry, substances are nevertheless continually being taken—in this case, from our own body—and worked upon through metabolism.

Sleep has, as you see, my dear friends, immense significance for the waking condition. And we can only record our acknowledgment of the fact that in this epoch of evolution it is not left to man himself to see that the Divine forces are carried over into waking life. For it would go hard with human beings as they are in the present age, did it rest with them to bring these influences in full consciousness from the other side of existence and bear them into the waking life of day.

And now man comes into the next sphere. This does not mean, he leaves the first; no, for the heart-perception it is still there. This next sphere, which is a much more complicated one, is perceived by another part of the astral body,—the part which belongs in waking life to the solar plexus, and to the whole limb organisation of man. The part of the astral body that permeates the solar plexus and the arms and legs is now the organ of perception, and with the aid of this organ man begins to feel the forces in his astral body that come from the Signs of the Zodiac. These are of two kinds—the forces that reach him from the Zodiac direct, and the forces that have first to pass through the Earth. For it makes a great difference whether a particular sign is above or below the Earth.

Man has therefore in this second Sphere what we might call a solar or Sun-perception. He perceives with the part of his astral body that is associated with the solar plexus and the limbs,—an organ of perception that can rightly be called a Sun-eye. And by means of his Sun-eye man becomes aware of his relationship, not now merely, as before, with the planetary movements, but with the entire Zodiac. The picture you see, is widening; or rather, man himself is growing out further into the picture of the Cosmos. And here again, man is able to behold a reflection of the experience when he looks back on his own physical and etheric bodies.

Every night it is thus given to man,—that is to say, to the part of him that goes out of the body—to come into relationship with the whole Cosmos; first, with the planetary movements, and then with the constellations of the fixed stars. In this latter experience—which may come half an hour after falling asleep, or rather later, but with many people comes quite soon—man feels himself within all twelve constellations of the Zodiac. And the experiences he encounters with the constellations are exceedingly complicated.

I verily believe, my dear friends, you might have traveled far and wide and visited the most interesting and important regions of the whole Earth, and yet not have had such an amount and variety of experiences as your Sun-eye affords you every night in connection with one single constellation of the Zodiac. For the men of an older time, who still possessed in full force the powers of clairvoyance and could perceive in a dreamlike consciousness very much of what I have been describing to you, the experiences of sleep were less bewildering. In our time it is exceedingly difficult for man to attain with his Sun-eye to any degree of clarity in regard to this complicated twelvefold experience of the night. He needs to do so, even if by day-time he has forgotten all about it; but he hardly can unless he has received, with the understanding of the heart, knowledge of the Christ and of all that the Christ willed to become for the Earth in that He passed through the Mystery of Golgotha. If we have once felt what it means for the life of the Earth that Christ has gone through the Mystery of Golgotha, if in our ordinary waking life we have thought about the Christ, then our astral body is able to receive via the physical and etheric bodies, a certain tincture or quality which brings it about that Christ becomes our Guide and Leader through the Zodiac during sleep. For, as in the sphere of the planetary movements, so here again a feeling of anxiety comes over man. He feels: What if I lose myself in the multitude of the stars, and in all the manifold happenings that take place among them! But if he is then able to look back upon thoughts and feelings and impulses of will that he has directed in waking life to the Christ, then Christ becomes for him a Guide, bringing order into the bewildering events of this sphere. And so the fact is brought home to us that only when we turn our attention to the other side of life, are we able to appreciate the full significance of the Christ for the life of Earth, as it has been up till now; and as for what the Christ has yet to become for the life of Earth,—no one within the ordinary civilisation of the present day can really understand this.

There are of course few among us who can be said to go through the experiences of sleep aright; and these experiences are often given a false interpretation. Human beings who have not come in touch with the Christ Event bring these experiences of the night into the waking consciousness of day-time in a disordered and confused manner. We can understand how this happens when we know what it is that really takes place with us during sleep. As we have seen, when we have passed through the sphere of existence where we are enveloped in mist or cloud, we find ourselves approaching a world that confuses and amazes us. Here it is that the Christ appears before us as a spiritual Sun and becomes our Guide; and then all the confusion resolves itself into a kind of harmony that we hear and understand. That this should be so, that we should have in the time of sleep the Christ for our Guide, is a matter of the very greatest importance for us. For, the moment we enter this sphere and begin to have all around us the living interplay of constellations of the Zodiac and movements of the planets—at this moment we encounter also our Karma. With our Sun-eye we behold our Karma. Yes, it is indeed so, every human being has sight of his Karma—in sleep. All that is left of the perception in waking life, is a kind of faint echo vibrating in the feelings.

Suppose a man has begun to tread the path of self-knowledge. He will find perhaps that his soul is imbued at times with a mood and attitude to life that are like a distant echo of the experience he has had in sleep, where the Christ came forward as his Guide and led him in the night from Aries through Taurus and Gemini, etc., making plain to him the World of the Stars, so that he has returned with renewed strength to the life of day. For that is the marvellous experience that awaits man in this sphere, None other than the Christ Himself becomes his Guide through the bewildering events of the Zodiac, going before him and pointing the way from constellation to constellation, that he may be able to receive into his soul in their right order and harmony the forces he needs for waking life.

Such then is the experience man undergoes every night between falling asleep and awaking,—an experience he owes to the fact that his soul and spirit have kinship with the Cosmos. For, even as he is related to the Earth with his physical and etheric bodies, so with his soul arid spirit, with his astral body and Ego, is man related to the Cosmos. And when he has come away from his physical and etheric bodies and has grown out into the cosmic world, and the experiences he undergoes there shine back to him, in a kind of inner picture, from the part of him that remains in bed, he feels very deeply connected with the Cosmos and would, in fact, be strongly drawn to go still further out, to go out beyond the Zodiac,—were it not for the presence of another force that draws him back. On account of this other element that enters into all the experiences that befall man during sleep, it, is not possible for him, between birth and death, to go out beyond the Zodiac, We have here to do with an influence of an entirely different kind and quality, the influence, namely, of the Moon.

The effect of the influence of the Moon is to tinge the whole Cosmos during the night—and this happens even at the time of New Moon too—with a certain substantiality. This substantiality man experiences, in addition to all else. He feels how the Moon forces hold him back within the world of the Zodiac and bring him again to the moment of awaking. Even in the very first sphere he enters after falling asleep, man already divines dimly within him the presence of this influence; he begins to be acutely sensible of it in the second sphere, where he has a powerful and vivid experience of the mysteries of birth and death. The organ for this experience lies much deeper within man than the heart-eye or even the Sun-eye; it may be said to extend over and involve the entire man. With this organ, man experiences every night how he came down as soul and spirit from the world of soul and spirit, how he entered through birth into a physical existence, and how his body is gradually passing over into death, For the fact is, we overcome death, until the time when death really occurs as a final event. Something else too is associated with this experience. The very forces that enable us to experience how the soul goes on its journey through the earthly and bodily reveal to us also in the same moment our connections with the rest of mankind.

I would have you mindful of the fact, my dear friends, that even a most insignificant meeting or contact with another human being is not without its place and connection in our whole destiny. And whether the souls, with whom we have been together in some past Earth life or with whom we are connected in this present life, are now in the spiritual world or are with us here on Earth, all that we have had to do with one another as man to man, all human ties, intimately related as these are to the secrets of birth and death, show themselves now to the spiritual eye, if I may call it so, of the entire man. And as all this comes before our view, we feel we are indeed standing within the stream of our whole life-destiny.

This has to do with the fact that whereas all other forces—the forces of the planets and of the fixed stars—tend to draw us out into the distant Cosmos, the Moon wants to place us once more into the world of men. The Moon draws us away from the Cosmos. The Moon has forces that are directly opposed to the forces both of Sun and of Stars; it ensures for us our kinship with the Earth. It is accordingly the Moon that brings us back every night,—drawing us away from the Zodiac experiences into the experiences of the planets, and thence into the experiences of Earth, taking us back once again into our physical body.

Here you have the difference, from one point of view, between sleep and death. When man goes to sleep, he remains still in close connection with the forces of the Moon. The forces of the Moon point out to him every night afresh the significance of his life on Earth. This is made possible by the fact that he can see in his ether body the reflection of all his experiences of the night. At death, however, man withdraws his ether body from the physical body. Then begins, as you know, the memory that looks back over the last Earth life. The ether body expands and fills for a few days the cosmic cloud of which I have spoken. I told you how every night we live our way as cloud, as mist, into the Mist of the Worlds. In the night this cloud of mist which we are, is there without the ether-body; but when we die, our ether-body is present with it for the first few days. Then the ether-body gradually dissolves away into the Cosmos, memory fades and disappears, and we have—instead of a reflection of star experiences thrown back from the part of us we left lying in bed—we have now after death an immediate inner experience of the movements of the planets and of the constellations of the fixed stars.

You can read in my book Theosophy a description of these experiences from another point of view. You have there a description of what man finds, as it were, around him between death and new birth. But just as here on Earth you would not have around you colours and sounds, for instance, unless you had in your body eyes and ears, and unless you could breathe and had within you lungs and a heart, so neither could you after death perceive around you what you find described in my book as “soul world” and “spirit land,” unless you had within you Mercury, Venus, Mars, Jupiter, Aries, Taurus, Gemini, etc. These are within you, they are your organism, your cosmic organism by means of which you experience after death. And the Moon cannot now bring you back, for it could only bring you back to your ether-body, and that has dissolved away into the Cosmos.

Man has however even after death something left in him of the force which he inherits from the Moon, enough to enable him to remain for a season in the soul world, with gaze still fixed upon the Earth. Then he passes on to spirit-land, and here he feels and knows that he is undergoing an experience where he is beyond the Zodiac, beyond the Heaven and the Fixed Stars. Such is the course of man's life in the time between death and new birth.

I could also give you another description of man's nightly journey to the spiritual world, describing it for you in a picture. Only, you must beware of taking the picture too literally, for, as you know, it is well nigh impossible to express these things in earthly concepts. Nevertheless it is a true picture that I am giving you, and it will help you to follow this journey in all its detail.

Imagine before you a meadow. From each single flower on the meadow—from the flowers too that blossom on the trees around—a spiral rises and goes out and out into cosmic space. These circling spirals carry the forces whereby the Cosmos fosters and regulates the growth of plants on Earth. For plants do not grow merely out of their seed; they need also for their growth the cosmic forces that surround the Earth with their spirally directed influences. And the cosmic forces are there in winter too; they are there even in the desert where no plants grow. When night comes for man, he has to use these spiral forces as a kind of ladder whereon he may mount up into the realm of the planetary movements. Man ascends into the movements of the planets on the ladder of the spiral rays that circle upwards from the plants. And then there is another force, the force that makes the plant shoot upwards from its root,—for there must be a force at work, to enable the plant to grow upwards. With the aid of this force man is carried up into the second sphere that I described.

Recall for a moment those experiences I related to you, where man comes into a state of anxiety, and feels: I am no more than a tiny cloud of mist in the great Mist of the Cosmos,—I must rest in the bosom of the Godhead. If we would relate this experience of the soul to the conditions within which we live on Earth, we would have to express it in the following way. It is as if the soul would say: I rest in the blessing of the Cosmos as it hovers over a cornfield that is just opening into flower, I rest in the blessing of the Cosmos as it hovers over a meadow whose blossoms are unfolding to the light. For what is it that sinks down to the plants in spiral lines of force? It is the bosom of the Godhead, quick and instinct with life, the same within which man finds himself sheltered and enclosed every time he falls asleep.

The Moon, on the other hand, leads man back to the animal aspect of his nature. The forces of the plants tend perpetually to carry him out—farther and farther out into the wide universe. But man has also in his make-up something that he shares with the animal kingdom, and because of this the Moon is able to bring him back again every morning,—back into his own animal nature.

Here, then, you have a picture of man's connection with the Cosmos, and of its influence upon him during sleep. We can carry the picture a little further. With the heart-eye, the Sun-eye and the eye that is entire man, we may experience in sleep the kind of feeling to which we are accustomed in waking life when we are drawn into an intimate and near relationship with some other person. It is not said to us in words, nor do we reason it out. The plants it is who tell us of it; we hear of it from the plants that lift us up, as though on a spiral ladder, into the world of the planets, whence we are sent forth again into the world of the Zodiac.

If we wanted to put into words what we experience in this way, we could say: I have a relationship to this person; the lilies tell me so, the roses tell me; the power of the rose, the power of the lily, the power of the tulip has moved me to experience this relationship. Thus does the whole Earth become a book of life which interprets for us the world of the human soul,—that world into which we have to find our way as we go through our life.

Now, these experiences that come to man during sleep have not always been the same, they have varied in different epochs. If we go back to ancient India, we find that in those times men who wanted to learn what sleep could teach them by bringing them into relation with the world of the stars, limited their search to those constellations of the Fixed Stars which were above the Earth—above, that is, at the particular moment of time, for the constellations are, of course, continually changing their places in the Heavens. The ancient Indian had no desire to make connection with the constellations that are below the Earth, whose forces can reach man only through the Earth.

Look at the characteristic posture of a Buddha,—or of any wise man of the East who sets out to perform exercises that shall enable him to achieve spiritual wisdom; He sits with his legs crossed under him. The upper part of his body where he is in relation with the upper constellations,—that he wants to be active, and that alone. Through the Sun-eye, there is also working in him what works through the limbs; but this he does not want to activate. He wants, as it were, to eliminate the forces of the limbs during his spiritual exercises. One can see quite plainly from his posture that the Eastern seeker after wisdom desires to find relation with what is above the Earth, and only that. His whole interest is directed to knowledge that concerns the soul.

The world would however be incomplete if man's quest for knowledge had remained limited in this way, if men had continued to assume always and exclusively the Buddha posture when they set out on the path of knowledge. It was not so. In the age of Greece, men began to feel impelled to make connection also with the forces working from the constellations that are—at the particular moment—below the Earth. Greek mythology contains beautiful intimations of this. Again and again we are told of a kind of initiation where the candidate descends to the underworld. Whenever you read of some Greek hero that he goes down into the underworld, you may be sure the meaning is that he is going through an initiation which yields him knowledge of those forces of the Cosmos that work through the Earth and that were known to the Greeks as the Chthonic forces.

Each epoch of time has, you see, its own task and mission. The oriental initiate had to learn, in order that he might then communicate the knowledge to his fellowmen, about the region of soul and spirit where man was before birth—or I should say, before conception—and about man's experiences there before he descends to the earthly world. All that we feel to be so grand and majestic in the poetry of the East and in its conceptions of the universe, is due to the fact that in those far-off days men were able to look into the life they had lived before they came down to Earth. In Greece, men began to take knowledge of the Earth and of all that belongs to the Earth. The Greek takes Uranus and Gaia—the Earth—as the starting point for his cosmology. He aspires to know also the Mysteries of the Earth itself, which include at the same time the cosmic Mysteries that work through the Earth. The Mysteries of the underworld,—these too the Greeks were wanting to discover, and in this way they developed their true cosmology.

Think how little there is among the Greeks—none whatever among the Orientals—but how little among the Greeks of the study of history in our sense of the word. The Greek is much more interested in the far-off beginnings when the Earth was being formed within the Cosmos, when the interior forces of the Earth, the Titanic forces, waged war on those other forces, those mighty spiritual forces which the Greek conceived as underlying the web of earthly conditions within which man finds himself enwoven. But we men of modern times are called upon to understand history; we must be able to show how man started from an ancient dream-like clairvoyance and has now arrived at a consciousness that is intellectual in character and tinged only with a memory of the mythical, and then go on to show how there is need for man now to work his way out of this intellectual consciousness and learn to look right into the world of the Spirit. For the present epoch of time marks the transition to the attainment of conscious experience in the spiritual world. That is why it is so very important for us that we should turn our attention to history. You will find that in our anthroposophical work we give ourselves again and again to the study of the different epochs of history, going back first of all to the time when men still received their knowledge from higher Beings, and then following the whole development right up to our own age.

The study of history has, of course, become hopelessly abstract in our schools and universities today. Could anything be more abstract then the lines of demarcation that people draw when they are developing some historical theme! For the men of olden time, history was still clothed in the garment of myth and was brought into connection with Nature and with all that goes on in her world. People cannot do this any more. Neither do they show any readiness as yet to enquire more deeply into the times of long ago. They do not feel any need to ask how it was with man in the days when he received wisdom from higher Beings, how it was with him later when less and less of the wisdom came through to him, or how it was with him when a God Himself descended to incarnate through the Mystery of Golgotha in a human body and carry out a sublime cosmic mission with the Earth, so that it was given her at last to have her real meaning.

The whole theology of the 19th and 20th centuries has failed, because it cannot understand the Christ in His spiritual significance. That, my dear friends, is what modern Initiation Science must bring,—understanding of the Christ. We need an Initiation Science that can penetrate again into the spiritual world, that can speak again about birth and death, about the life between birth and death and the life also between death and a new birth, and about the life of the soul in sleep,—can speak of these things in the way we have been speaking of them together today. The possibility must be there for man to come again to a knowledge of the other side—the spiritual side—of existence. Otherwise, he will simply not be able to go forward into the future.

Once, long ago, men directed their search for knowledge to the upper worlds—we see it demonstrated in the posture of the Buddha. Then, in later times, man took the evolution of the Earth as his starting-point and read his cosmology out of the evolution of the Earth; he became initiated in Greece into the Chthonic Mysteries, as we find related in many a Greek myth, where the account of such initiation is often a prominent feature of the story. Our search, has to take a new turn. Having studied in the past the Mysteries of the Earth and the mysteries of the Heavens, we need in our day an Initiation Science that is able to move rhythmically between Heaven and Earth, an Initiation Science that asks of the Heavens when it wants to understand the Earth, and asks of the Earth when it would inform itself of the Heavens.

And this is how you will, find the questions put and answered—insofar as they can be answered today—in my book An Outline of Occult Science. Let me say here in all humility that the attempt has been made in this book to describe the knowledge of which modern man stands in need,—needing it as surely as ever the Oriental needed the Mysteries or the Heavens or the Greek the Mysteries of the Earth, For it is required of us to take note and observe how it stands with initiation in modern times and what is man's relation to it in this present age. Let me endeavour therefore to describe for you quite briefly in the third part of my lecture the tasks that lie before modern initiation.

In order to give you some idea of the tasks of modern initiation, I shall have to repeat here what some of you will have heard me say in Oxford a few days ago,

I was pointing out just now that whereas the initiates of very ancient times laid particular emphasis on the looking upwards into the spiritual worlds whence man descends to clothe himself in an earthly body, while on the other hand for the initiates of a somewhat later time it was what we find described by the Greeks as the descent into the underworld that was of first importance, the initiate of our own time has yet another task. He has to look, in search after knowledge, at the rhythmic relation of the Heavens to the Earth. To this end he has to know the Heavens and the Earth, but he must in his search hold always before him the thought of Man, in whom alone, among all the beings that are around us, Heaven and Earth work together to form a complete whole. Yes, Man himself must be the goal of his study. The heart-eye, the Sun-eye, the spiritual eye (which is formed of the whole human being) must all be turned upon Man. For Man carries within him, my dear friends, infinitely more secrets and mysteries than the worlds we can perceive with our external senses and explain with the sense-bound intellect. To achieve a knowledge of Man as a spirit, to achieve a spiritual knowledge of Man, is the task of modern initiation. On this path of initiation knowledge we have therefore to set out in quest of a universal knowledge, but always with this goal in view,—that, through learning to understand the world, through learning to understand the whole Cosmos, we may attain at last to understand Man.

And now compare the situation of an initiate of out own age with the situation of an initiate of ancient times. The men of those early times had faculties of soul that made it possible for the initiate to awaken within them a memory of the time we pass through before we descend into an earthly body. It was therefore for the initiate of those days a question of awakening cosmic memories. And for the Greeks it was a matter of looking into Nature, of beholding Nature. But the initiate of modern times has to set before him as his goal the knowledge of Man; he is called upon to learn to know Man, directly, as a spiritual being. For this, he must learn to free himself from his present limited and earthly understanding of his connection with the Universe. Let me repeat an example I gave recently to Oxford of how this liberation has to be effected.

One of the tasks undertaken by initiation knowledge, that presents unusual difficulty, is that of making connection with souls who have left the Earth and gone through the gate of death. It is not at all easy to establish such connections, but it can be done by arousing the deeper forces of the soul. It is necessary to realise from the first that one has to accustom oneself, by the careful pursuance of certain exercises, to the only kind of language it is possible to speak with the dead. This language is, in a way, a child of our ordinary human speech. Yet you would fail completely, were you to set out with the idea that ordinary human speech, just as it is, would be of any assistance to you in establishing intercourse with the dead. One of the first things we discover is that the dead can understand only for a very short time what we call nouns. There is in their language no way of expressing a ‘thing,’ an isolated thing, which we denote with a word we call a noun. The words in their language all convey the feeling of movement, they are all full of inner activity. Consequently we find that when a little time has gone by since the soul passed through the gate of death, he is responsive only to words that denote activity,—that is, to verbs. In our intercourse with the dead, we shall, from time to time, want to put questions to them; we must then put our questions to them; we must then put our questions in a form they can understand. If we are able to do this, after a time the answer will come; only, we must know how to be watchful for it, how to give heed to it. As a rule, a few nights will have to elapse before the one who has died can answer the question we put to him. It is, as you see, a matter of finding our way gradually into the language of the dead, and it takes a long time before this language shows itself to us. The dead themselves have had to live their way into it; for they have, as you know, to withdraw their soul-life completely from the Earth. The proper language of the dead bears no relation to earthly conditions, it arises from the heart,—yes, it is verily a language of the heart. It is formed rather in the same manner as exclamations or interjections are formed in earthly languages. You know, for instance, how we say ‘Ah!’ when we are moved to wonder or admiration. The language of the dead takes its origin in the same kind of way. Sounds and combinations of sounds enjoy in this language as in no other their full and real significance. From the moment of death, language begins to change for us altogether. It is no longer something that is uttered forth from the organs of speech. It becomes the kind of language of which I spoke a little while ago, when I told you how what rises up from the flowers, gives tidings to us concerning some fellow human being. We begin ourselves to speak, instead of with speech organs, with that which comes from the flowers. We ourselves become flowers, we blossom with the flowers. We enter, for instance, with the forces of our soul into the flower of the tulip, and express, in the imagination of the tulip, the same that came to expression here on Earth in the formation of the word. We grow again into the spirit, the omnipresent spirit,

You will easily see, from this one example of language, that man has to feel his way into entirely different conditions, when he has gone through the gate of death. In reality, our knowledge of man is small indeed, if we know of him only what we see with our eyes. Modern initiation knowledge has to learn about the other side of man. What I have shown you in the case of language is a beginning. We shall find that the very body of man is something altogether different from the descriptions that are given us in scientific books. As we go farther in initiation knowledge, the human body becomes for us a world in itself. It was the task of the initiate of olden times to re-awaken in man a lost faculty, to bring to remembrance in him what his life was like before he came down to Earth, The initiate of the present day has an altogether different mission. He has to accomplish something new, something that means a new step forward. What he does will continue still to have significance even when man has left the Earth,—yes, even when Earth itself is no longer there in the Cosmos. That is the nature of the task modern initiation knowledge has to fulfil; and in the strength and power of that task, it must stand forth and speak.

It is well-known to you, my dear friends, that initiation science has from time to time taken a part in the spiritual evolution of the Earth. Again and again it has made its appearance among men. The initiation knowledge that has to come into the world today and that cannot but regard all the knowledge of our time as a mere beginning of the whole knowledge man should really possess, will assuredly meet with increasing opposition and resistance. So great are the forces arrayed against it, that you will need all your strength to win through. Even before modern initiation—which opens the way for man to have intercourse again with Supersensible Powers,—even before this modern initiation began to take its true place in the world in the last third of the 19th century, opposing powers were already at work, were at pains to imbue civilisation—quite unconsciously, for the most part, as far as the human beings themselves are concerned—with tendencies that would ultimately destroy modern initiation, would wipe it clean off the face of the Earth.

Have you ever observed how constantly one hears people say, when some new fact of knowledge is brought forward: “This is how I look at it! This is my point of view!” And they say this so easily, without having undergone any special development of mind or soul. It is indeed quite generally accepted that everyone has a right to pronounce his verdict, speaking from the point of view of wherever he stands at the moment. And people are even deeply offended and grow quite angry if one ventures to suggest that there is a kind of knowledge for the attainment of which it is necessary to undergo inner development. I said just now that when in the last third of the 19th century the possibility began to arise for men to seek initiation in the modern way, enemy powers were already in action. As you see, they wanted to carry the principle of equality even into the realm of mind and spirit, so that there too all human beings shall be regarded as on the same level. I could point to many persons in whom this method of resistance to modern initiation has been at work.

My dear friends, do you think that when I have to speak out of the spirit of initiation science, the words will have the same ring as when one is speaking from an ordinary earthly standpoint? I have just been trying to explain to you how language has to change and become something quite different when it is a question of carrying on intercourse with beings of the spiritual world, and I think you will not now misunderstand me if I tell you how initiation science sees, for instance, such a man as Rousseau. Speaking from the earthly standpoint, I shall never fail to recognise the greatness and significance of Rousseau, and I am fully prepared to associate myself with the high praise and favourable criticism to which others have given expression. Should I however make bold to clothe in earthly words how Rousseau appears when one sees him from the standpoint of initiation knowledge, I should have to say: Rousseau, with his spiritual leveling of human beings,—what is he, after all, but one of the many everlasting talkers of our modern civilisation! A prince and a leader, shall we say, among them all! People do not readily understand how it is possible, from an earthly point of view to call a man great, and at the same time, from the point of view of initiation to call him an arch-talker! But if we honestly desire to attain a knowledge of man, and if we recognise that to this end we have, as I said, to take the Heavens and the Earth for our province and then discern the rhythm that beats between them, we shall find that even such a seemingly paradoxical utterance is true and requires to be said. For it is, in fact, as we learn to listen to both,—to what sounds forth from the one side and from the other side of existence, it is as we learn to hear these together, that guidance can come to us in our quest for a true knowledge of Man.

A true knowledge of Man has to build on the same foundation whereon the initiates of olden times built, on the EX DEO NASCIMUR; in recollection it must build on that which meets us when we look out into the universe where—all unconsciously to us—the Christ becomes our Guide, as I have described to you. It is however our task to bring the Christ more and more into our consciousness, so that we may gain knowledge under His guidance of the content of this world, to which death belongs. Then shall we know for a surety that we live our way into this dead and dying world with Christ; IN CHRISTO MORIMUR.

And inasmuch as we go down with Christ into the grave of Earth life, so will there follow for us too, with Him, the Resurrection and the Bestowal of the Spirit: PER SPIRITUM SANCTUM REVIVISCIMUS.

This PER SPIRITUM SANCTUM REVIVISCIMUS the modern initiate has to set before him as the goal of all his strivings. Ponder it well, and compare it with the manner and mood of thought that belongs to the science of the present day; and you will see for yourselves that opposition to modern initiation is inevitable. A terrible resistance will, without doubt, be put up to the new initiation,—perhaps a resistance of which we can have today no conception, a resistance that will take the form of deed rather than word and express itself in drastic attempts to make initiation knowledge utterly impossible and inaccessible.

It was accordingly my earnest desire, speaking as I do now in a smaller and more intimate circle, to give you descriptions of what modern initiation science can attain to know, in the hope that these descriptions may strike home to your hearts and souls and awaken strength within them; so that there may be a few at least in this generation who know how to relate themselves rightly,—on the one hand, to that which is seeking entrance to our world from the worlds of the Spirit, and on the other hand, to that which is doing all it can to prevent and make impossible the permeation of Earth life with spirituality. This is what I wanted to lay upon your hearts, my dear friends; gathered as we are here in a smaller circle, after having had, to my great satisfaction, opportunity in Oxford for lectures of a more public character. I was able in those lectures to deal with the more external aspects, and it was important that here in this smaller circle we should be able to touch on the more esoteric side of initiation knowledge.

And it is surely time we got beyond feeling puzzled and embarrassed because statements about the spiritual worlds seem paradoxical. They are bound to do so. The language of the spiritual worlds is quite another language from the languages that belong to Earth; one has actually to take great pains and put forth all one's strength before one can render in the words of earthly speech truths that should really be expressed in some entirely different way. You must therefore be quite prepared to find that it will often give people a shock when you tell them, quite simply and directly, of something that takes place in the spiritual worlds.

I wanted in this way to draw your attention to the feeling and impulse that lay behind today's lecture, and I would like now to unite what I have said with an expression of deep satisfaction at being able once again to speak to you here in London. It is always a source of satisfaction to me to be able to do this. As we said before, it happens very seldom. But on the rare occasions when we are for a short time together, may it indeed be that we use the opportunity to stimulate anew in our hearts and souls that stronger kind of ‘togetherness’ that should subsist, the world over, without interruption, among those who espouse the cause of Anthroposophia. This has been my endeavour today, and it is in this sense that I would express in conclusion the earnest desire, my dear friends, that we may in future remain together, however far we are in space from one another.

The subject of today's lecture is a kind of principle or rule for the explanation of fairy tales and legends. In a wider sense this principle can be extended to the world of myths, and we will indicate in a few words how this can be done. Naturally it is impossible in one hour to specify exactly how one should satisfy a child today with the fairy story itself and then later, when the child is older, with the explanation of it. I would now rather try to clarify what should exist in the soul of the one who wishes to explain such stories, and what that person ought to know.

The first thing we must determine when relating fairy tales, legends or myths is that we should certainly know more than we are able to say, indeed, a great deal more; and secondly, we should be willing to draw the sources of our explanation from anthroposophical wisdom; that is, we must not introduce into the fairy tales just anything that may occur to us but must be willing to recognize anthroposophical wisdom as such, and then try to permeate the fairy tales with it. Not everyone will succeed at once. But even if at first we cannot unriddle it all, we should gradually be able to find the right meaning. What is built on a good foundation will work out well, but where it is not, it follows that all manner of things can be construed into it. We speak both for those who are narrating and also for those to be instructed. Examples of the clearest possible kind will be given, to let us picture what it is all about. The first fairy tale we have to discuss can be told in the following manner:

Once upon a time it happened—where did it happen? where indeed did it not happen?—there was a tailor's apprentice. He had only one penny left in his pocket, and with this penny in his pocket he felt driven to wander forth. He soon became hungry, but with his penny he could only afford to buy some milk soup. When the soup was placed before him, a swarm of flies flew into it and when he had finished his meal the plate was covered with buzzing flies. He struck the plate once or twice with his hand, counting how many he had killed, and found it amounted to a hundred. So he got a slate from the innkeeper and wrote on it: “He killed a hundred at one blow!” And having hung the slate on his back he went his way. As he passed a king's palace, the king was looking out and seeing someone passing who had something written on his back, he sent his servant down to see what the writing was. The servant saw: “He killed a hundred at one blow!”—and told the king. “Ho!” said the king to himself, “That is someone I can make use of!” and he sent down and had him brought in. “I can make use of you,” said the king to the tailor. “Will you enter my service?” “Yes,” said the other, “I will willingly enter your service if you will give me a proper reward, but what that is I shall tell you later.” “Very well,” said the king, “I shall reward you handsomely if you keep to what you have promised. You shall eat and drink well, as long as you like. After that, you must do me a service, equal to your strength. Every year a number of bears come to my country and do fearful damage. They are so strong that no one can kill them. You will of course be able to kill them, if you live up to the statement on your slate.” Then the apprentice said: “Certainly I will do this, but till the bears come I must ask for as much to eat and drink as I want.” For the apprentice said to himself: “If I cannot slay the bears, and they kill me, I shall at least have eaten and drunk well.” And so it went for a while. When the time came and the bears were due to appear, he arranged the kitchen, set up a little table and left the door wide open; on the table he placed all manner of things that bears like to eat and drink—honey and suchlike; then he hid himself. The bears came along, ate and drank till they were gorged and then had to lie down. He cut off the head of each bear and in this way killed them all. When the king saw this, he asked: “Now how did you do it?” And the apprentice said: “I simply killed the bears and then cut off their heads.” The king took this on trust and said: “If you have done that, you can render me an even greater service. Every year great strong giants come to our country. No one can kill them or drive them away; perhaps you can.” The tailor replied: “Yes, I will do it, if afterwards you will give me your daughter as my wife.” Now it was very important to the king to have the giants driven away, and so he promised, and again for a time the tailor lived a good life.

When the time came for the giants to appear, he took all manner of things that giants like to eat and drink, and went to meet them. On the way he added to the rest a piece of cheese and a lark, and then with all his many things and the piece of cheese and the lark he met the giants. The giants said: “We have come again to wrestle with the strongest; no one has overcome us!” Then said the tailor's apprentice: “I will wrestle with you!” “It will go badly with you!” said one of the giants. The tailor said: “Show me your strength and what you can do!” The giant took a stone and pulverized it between his fingers. He then took a bow and arrow and shot the arrow so high into the air that it did not come down for a long time. “If you want to see my strength, if you want to wrestle with me, you must be able to do something better than that,” said the giant. The tailor took a small stone, and covered it secretly with a little cheese, so that when he pressed it between his fingers the cheese spurted out milk. Then he said to the giants: “I can press liquid out of a stone and that you cannot do!” It made a great impression on the giants that he could do something different from them. Then he also took a bow and arrow, but when he shot, unobserved by them he let loose the lark, which flew up and did not return. So he said to the giants; “Your arrow came down again, but I shot so high that mine never returned to earth!” The giants were astonished to find anyone stronger than themselves and said to him: “Will you be our comrade?” He agreed. Certainly he was small, but for all that he would be a good addition, so they took him into their company and he stayed a while with them. But it was galling to them that there should be anyone stronger than themselves, and once when he lay awake in bed he overheard them arranging to kill him. Therefore he made preparations. He got a big meal ready with the things that he had brought with him. The giants ate and drank all they could until they were gorged. Still they were determined to kill him. So he took a pig's bladder and filled it with blood, fastened it on his head and went to bed. The giant who had been chosen to kill him came and stabbed at his head, and when the blood ran out they were delighted, for now, they thought, they were rid of him, and they lay down and slept. But he got out of bed and killed one giant after another as they slept. Then he went to the king and related how he had slain one giant after the other.

The king kept his word and gave him his daughter for a wife, and the tailor was married to the king's daughter. The king marveled greatly at his son-in-law's strength, but neither the king nor his daughter knew who this man really was, whether a tailor or a king's son; they did not know it then, and if they have not found it out since, they do not know it even today.

This is one of the fairy tales that we want to take as an example. But before we go into it, let us put another beside it, for if you collect fairy tales, from whatever period or people, if they are genuine fairy tales you will find that certain basic ideas run through them all. I must call your attention to the fact that the giants were overcome by cunning. Now make a plunge back through the centuries and recall Odysseus and the giant Polyphemus in the Odyssey. Let us put the following fairy tale side by side with the first one:

Once upon a time it happened—where then was it? where indeed was it not?—there was a king who was so beloved of his people that he was always hearing them wish that he would take a wife as good and noble as himself. It was difficult for him to find anyone suitable for him and for his people. Now he had an old friend, a poor forester, who lived simply and contentedly in the forest and who was very wise. He might very easily have been rich, for the king would willingly have given him everything, but the forester wished to remain poor and retain his wisdom. So the king now went to his friend the forester and asked his advice. The latter gave him a branch of rosemary, saying: “Take care of this; the maiden before whom it bends is the maiden you ought to marry.” So the very next day the king had a number of damsels brought before him. He had pearls spread out before them, and every girl's name was written on the table in pearls; then he made it known that the maiden before whom the branch bent should be his bride; the others would have only the pearls. So he went around with the branch of rosemary, but it did not move; it bent before no one. The girls were given their pearls and went away. The second day the same thing was arranged, and again the same thing happened, and likewise on the third day. The next night, while the king slept, he heard something tapping on the window. It proved to be a little golden bird; it said to him: “You do not know it, but twice you have done me a great service; I will also do you a service. As soon as day breaks, get up, take your branch of rosemary and follow me. I will lead you to a place where you will find a horse; it has a silver arrow piercing its body; you must pull it out, and the horse will lead you to where you will find your bride.”

The next morning the king went out and followed the little golden bird until they came to a horse that was very weak and ill and that said: “A witch has shot an arrow into my body!” The king pulled out the arrow and at that moment the weak animal was changed into a wonderfully swift horse. The king mounted it, the golden bird flew on in front, and the rosemary branch waved ahead of the king on his magic horse. At last they reached a castle made of glass. Long before they reached it, they heard a buzzing and a buzzing and a buzzing, and when the king entered with the branch of rosemary and the little golden bird, he saw another king standing there, fashioned entirely of glass, and in the stomach of the glass king was an enormous bluebottle fly; it was this bluebottle fly that made the buzzing, and it was trying to work its way out. The king asked the glass king what it all meant. “Well,” said the latter, “just look towards the sofa: there sits my queen in a pink silk gown, and the secret of it all you will soon discover. The web that has been spun around the queen has just been torn away by a thornbird and will soon be quite torn off her. Then there will come a wicked spider to spin a new web around the queen, and while I am bewitched here in a glass body, my wife will be enmeshed by the spider's web. We have already been imprisoned like this for several hundred years and must remain here until we are released.” Presently the wicked spider appeared and spun her web around the queen, but while the spider was at work the magic horse stepped up and wanted to kill the spider. He was just about to put his hoof on her, when the buzzing bluebottle fly, which had worked its way out, came to the help of the spider, but the magic horse killed them both. Then instantly the glass king was turned into a quite human king. The thornbird was changed into a charming waiting-maid, the queen was freed from the cobweb, and the glass king related how it had all come about:

As soon as he became king he had had to suffer from the persecutions of a wicked witch who lived in a forest on the edge of his domain. The witch wanted him to marry her daughter, but as he had already chosen a wife from a neighboring fairy castle, the witch swore to be revenged on him; she changed him into a glass king and her daughter into a bluebottle fly, who gnawed at his stomach. The queen was tormented by the witch, who changed herself into a wicked spider and spun a cobweb around the queen; the maid was changed into a thornbird, and the king's horse was shot by the witch, whose arrow remained in its body. Now everything had been set right through the horse being freed and able to free the others.

Then the king asked the former glass king if he knew where he could find a suitable wife. The latter showed him the way to the neighboring fairy castle. The little golden bird flew on in front and when they came to the castle they found a lily. The branch of rosemary led them straight to it and bent before the lily, and at the same moment the lily was changed into a wonderfully beautiful maiden who had also been bewitched, for the queen of the neighboring castle was her sister. Now she was released, because of what had just taken place. The king took her back to his home, the wedding was celebrated, and they lived in great happiness, they themselves and all their people. They lived for a long, long time. No one knows how long, but if they have not died, they must still be alive today.

The first thing we must do in order to understand the meaning of genuine fairy tales and myths is to stop regarding them as fantasy derived from folk imagination; they are never that. The starting point of all true tales lies in time immemorial, in the time when those who had not yet attained intellectual powers possessed a more or less remarkable clairvoyance, the remains of the primeval clairvoyance. People who had preserved this lived in a condition between sleeping and waking where they actually experienced the spiritual world in many different forms. This was not like one of our dreams today, which have for most people (but not for everyone) a somewhat chaotic nature. In those ancient times, people with the old clairvoyance had such regular experiences that everyone's were the same or very similar.

What then really happened to human beings in this intermediate state between waking and sleeping? When people are in their physical bodies, they perceive the world around them as far as they can with their physical organs of perception but behind that world is the spiritual world. In this intermediate state it was as though a veil were lifted, the veil of the physical world, and the spiritual world became visible. Everything in the spiritual world was seen in some particular relationship to what lived inwardly in the human being. It is much the same in the physical world; we cannot see colors with the ear nor hear tones with the eye. The outer accords with the inner. In such an intermediate state, the external senses were silent, while the inner soul became active. Just as the eye and the ear connect themselves with the surrounding world, the different parts of the human astral body make their own connection, in this intermediate state of consciousness, with their surrounding world. When the outer senses are silenced the soul comes to life.

We have, to begin with, three members of the soul: sentient soul, intellectual soul, and consciousness soul. As the eye and the ear each have a different relationship to the surrounding world, so has each of these three members of the human soul its quite distinct relationship to its surrounding world. We become aware, in this intermediate state, of one or another part of our soul, which is directed to its surroundings. If the sentient soul especially is directed to its spiritual surroundings, we will see all those beings that are intimately connected with the ordinary forces of nature. People do not themselves see the active forces of nature, but they do see what lives in that activity: wind, weather and other natural phenomena. The beings that express themselves within it are perceived through the sentient soul. When that soul is especially active, it is exactly as if we were still living at the time when neither the intellectual soul nor the consciousness soul had yet been developed; we are transported back and see our surroundings as we did in ancient times, just as when we did not know how to use our intellectual and consciousness souls.

In those ancient times we were in very close touch with all the forces of nature and still bound up with them. We consisted, as everyone on earth did at that time, of physical body, etheric body, astral body and sentient soul alone. We ourselves were able then to do what now those beings around us that are active within the lower nature forces can do; they appear to us as the expression of what we once were, when in the howling windstorm men could tear up trees, when they could control the weather, the mist and the rain. The beings around us appear to us just as we ourselves once were when we still had the strength of giants, before we had withdrawn so completely from the forces of nature. The figures that appear around us are the facsimiles of our own former appearance, people with gigantic strength, “giants.” In such an intermediate state of consciousness, we see giants as real figures, representing a quite definite kind of being, men possessed of gigantic strength. The giants are also stupid, because they belong to a time when people could not yet use an intellectual soul—they are strong and stupid.

Now what can the intellectual soul see in such an intermediate state? It can see that things were fashioned in accordance with a certain wisdom. Through strength, through the giant in man, everything was formed and brought about; through what is in our intellectual soul when we are alive to it, we see beings around us who bring wisdom into everything, who regulate everything wisely. While the giants are generally seen in male form, we see the images of the intellectual soul as constructive female beings who bring wisdom into the activity of the world. These are the “wise women” of the tales, working behind everything that is formed and themselves forming everything. In these figures we see ourselves over and over again as we once were when we had acquired an intellectual soul but not yet a consciousness soul. Because we see ourselves intimately connected with such wise rulers at the back of things, we often feel when we enter an intermediate state of consciousness: “The wise female beings I see there are really related to me.” Therefore the idea of “sisters” often arises when these female beings appear.

Now there is something else our soul experiences when in this state of consciousness and this can be understood only very inwardly. In such a condition of soul we have withdrawn from ordinary physical perception, so that we say to ourselves, “Yes, what I see now in my soul is certainly contained in what I see during the day, in what is clear then to my intellectual soul—but when I see it by day, it is exactly reversed.” When in the intermediate state of consciousness we remember the impressions of the day, they appear to be the reverse of what we remember during the day of the perceptions we had during the intermediate state, of the various fleeting forms of our astral organization. When we recall the impressions of the day, it seems as though the subtle etheric forms behind ordinary reality were changed into stiff figures. Things during the day appear to us as though they were bewitched, with their real nature held prisoner within them. Wherever a plant or being appears bewitched, it has happened like this: we see the substance of a wise being behind the physical appearance and we remember, “Yes, by day that is only a plant; it is separated from my intellectual soul so that I cannot really reach it during the day.” When we feel this estrangement between the objects by day and what is behind them, for example the perception of the lily in the daytime and the form behind it related to our own intellectual soul, we will perceive that our intellectual soul has a strong kind of longing to unite with what is behind the object or the lily; it would be a “marriage,” a union of the night-form with the day-form.

The consciousness soul originated in human beings at a time when we had already distanced ourselves from the forces of nature and no longer could look into the mysteries of existence. What the consciousness soul is able to do is far removed from those strong forces we have described. Shrewdness is its essential quality, not strength nor any rough force. By means of the consciousness soul we can see all those spiritual beings that have remained behind at the stage where the human being had only the sheath of the ego. We see them living at that point, not able to do much with their minute strength, and as we see their forms in images according to their inner nature, they appear to us as dwarfs. In intermediate periods when we free ourselves from sense perception, we find the whole realm that lies behind sense perception peopled with such forms. In our more or less higher moments, when we feel our connection to the spiritual world, the outer events in life appear to be what they genuinely are: an imprint or reproduction of this whole relationship to the spiritual world.

If a person is especially shrewd in life and not only dry and prosaic but able to conceive the relationship of life to spiritual reality, particularly in such states in which human beings can still know something of spiritual reality, the following may happen. If he is a somewhat thoughtful person, he will observe that certain people with shrewdness are able in all sorts of clever ways to overcome the crude forces that otherwise dominate people's lives. He will then tell himself: “What actually happens in life is that rough strength is overcome by cleverness; for this we can thank the powers behind us, to whom we are related, for they have allowed a force to become conscious in us that overcomes rough strength with cleverness, the rough strength that we ourselves possessed when we were at the stage of the giants.”

The incidents of our inner life appear to us as mirror-images of events in the outer world that have passed away but can still be perceived in the spiritual world. In the spiritual world are reflected the struggles of those beings who, though weaker in bodily strength, are in consequence stronger in spiritual strength. Whenever the overcoming of the rough forces or the giants appears in fairy tales it is founded on the perception taking place in such an intermediate state of consciousness. Man wishes to gain a clear insight about himself; he has lost sight of the spiritual world, but he says to himself: “I can gain a clear insight when I am in such an intermediate state. Then I shall be so wise that intelligence and shrewdness will gain the victory over the rough forces!”

Powers appear and act and enlighten man as to what happens in the spiritual world. He then recounts what has happened in the spiritual world, and must recount it in such a way that he says: “What I have seen and related happened once upon a time, and is still happening behind the world of sense in the spiritual world, where there are different conditions of life.” It may be that every time he has seen it under such conditions, the event is already past, together with the conditions which made such an action possible. Yet it may still be there. It depends on whether someone entering an intermediate state observes that event. It is neither here nor there but everywhere where there is anyone who can observe it. Therefore, every genuine fairy tale begins:

“Once upon a time it happened—where then was it? Where indeed was it not?” That is the correct beginning of a fairy tale, and every fairy tale must end with, “I once saw this, and if what happened in the spiritual world did not perish, if it is not dead, it must still be alive today.” That is just the way every fairy tale should be related. If you always begin and end this way, you will create the right sort of sensitivity to what you are telling.

Suppose—like the king in the second tale—someone has to find a wife. He looks for a being in the human world who is as nearly as possible a picture of what he can find in the spiritual world as his archetype, and this can be found through the wise guidance of the powers that the intellectual soul can recognize. But in the outer world it cannot be found; therefore we have to subordinate the outer to the more inward element in ourselves. On the physical plane we are subject to error. Therefore we must allow deeply inward powers to rule, when we make such a search as the king is doing. Even today we are able to do this by putting ourselves in that intermediate state of consciousness, in order to make a connection with the powers ruling there. The persons who possess such powers, however, live in retirement where they are not distracted by the immense happenings of the world. And so the king has to go to his friend, the hermit, living alone and in poverty, who knows the secrets of the forces guiding human beings to the spiritual world. He is able to give the king the branch of rosemary.

The king cannot find, through any outward contrivance, what can be determined only by his archetypes in the spiritual world. Therefore he dreams first of all that a little golden bird comes to him and then he remains in a sort of waking-dream state. In this condition, through the transparent touch one has as a sense in the spiritual world, he experiences everything I have shown. Gradually he comes to find out, through the powers opposing human purity and nobility, something that has been preserved even into our own time: the possibility of being blessed with pure joy. None of the powers bound to the physical world today can bring him to this, only the power that appears to him when the intellectual soul or his general inner soul strength is directed towards the spiritual world. And this power comes to him in the image of the “magic horse.” In the physical world the horse is only the shadow picture of what lies behind it in the spiritual world. The harmful powers of soul embodied in the physical world have shot the arrow into the horse's body. The moment that these forces are plucked out and the horse is freed from them, the powers are aroused that enable the king to understand and assess all these relationships, so that by looking not only on outer appearance, he is able to find what is right for him. With ordinary intelligence, he might wander far into the world and find people here, there, and everywhere, but he would pass by the wife he is looking for; he would not understand at all what conditions are involved or what hindrances there are. The earlier conditions would be preserved.

The conditions he is looking for are there, but they are distorted by the outer physical world, where indeed most things do appear altered. We certainly do not have—in the physical world—the forces in their true reality. However, the transformed glass king finally appears in his true form and is the very personality who can point out where the other should look for a wife. Through the opposing forces of the outer world the glass king has been transformed; these forces assert themselves when the human being is completely entangled in the concerns of the external world. At first the glass king is completely enmeshed in outer circumstances and this has made him different inwardly from what he actually could be. We often have things like wrong-doing in our karma that are like an evil bluebottle fly. The truth lying at the bottom of all this is revealed in such pictures. We must be able to imagine the situation: what lies behind physical phenomena can be found in the forces awakened in the king. As his soul forces awaken and when he directs them well, he finds what the outer physical forces had hidden from him, his “bride.”

When some external happening like searching for a bride is pictured in such tales, it usually takes place not in an ordinary way but in circumstances where someone comes into contact with a sort of soul-shepherd, who will awaken the deeper forces within him, as the hermit did for the king. He is led thereby to the forces that make everything in the physical world appear unreal for a time; he needs this if it is going to be possible for him to discern the truth. And so we see that while outer conditions seem to be the source, other states of consciousness are present, calling forth genuine vision.

Every fairy tale can be explained in this way, but the explanation should come forth out of the spiritual reality that lies in back of the whole world of fairy tales. Everything that occurs in a tale, including all the small details, can gradually be found and interpreted. For example, the mysterious connection between the active forces of perception and the hidden forces of ordinary life can become visible when we begin to look at it more inwardly. This is beautifully symbolized in the touch of the little golden bird on the lily. Delicate, significant spiritual forces are indeed latent in the lily, but they only appear when they have been aroused by the golden bird.

The established belief that everything around us is bewitched spiritual truth and that we attain the truth when we break the spell, is the basis of the realm of the fairy tale. We must be quite clear that a fairy tale is primarily the account of an astral event. But by its constant repetition minor details are altered—people have an extraordinary talent for changing things! We carefully collect the tales as they are told again and again by simple people, and indeed these are remnants of an ancient picture seen in the astral world, but many of the details may well have been altered. And then the mistake is made to explain these alterations in a clever way. To explain fairy tales correctly, we must always go back to their original form and recognize it as such. Everything has to correspond to those astral experiences.

The question may arise whether the human being has the same form today as in those earlier times that are still contained in the spiritual experiences we have in the intermediate state of consciousness. The answer is no, we do not. We have passed through very different forms before developing into what we are today. However, what we have overcome and cast forth appears in a quite distinct, external form. In order to estrange ourselves from our giant power, we had to cast forth our giant shapes and overcome them, refining our forces and raising them to the intellectual soul and the consciousness soul. There are indeed beings who have remained at the stage of the rough forces. Wherever something evil appears and has to be overcome, something that has remained stationary on the astral plane, it always appears as a “dragon” or something similar; this is none other than the grotesque form, transformed in the spiritual world, of what human beings had to change and cast forth from themselves. We must be aware that this corresponds to an absolutely certain fact.

In conclusion, I should like to relate another fairy tale for you to ponder over for yourselves. It will contain the various motifs that come into play when the human being makes a connection with the astral world. If you apply what I have been describing to this somewhat complicated tale, you will be able to unravel the threads almost entirely for yourselves. This particular fairy tale is a kind of synthesis, bringing together the most varied, interweaving forces:

Once upon a time it happened—where then was it? Where indeed was it not? There was an old king, who had three sons and three daughters. When he was about to die, he said to his three sons, “Give my three daughters to those who first ask for them in marriage, that they do not stay single. That is my first charge to you. And my second is this: you must never find yourselves at a certain place, especially at night.” And he showed them the spot, under a poplar tree in the forest.

When the old king died, his sons were resolved to carry out his directions. On the first evening, something or someone shouted through the window, asking for a king's daughter. The brothers were willing and they threw one of their sisters out of the window. The second evening again someone or something shouted through the window, asking for a king's daughter. The brothers threw their second sister out of the window. And on the third evening again someone or something shouted through the window, asking for a king's daughter, and the brothers threw their third sister out of the window.

Now they were alone, but they began to be curious. They wanted above all to know why they should avoid the poplar tree in the forest. So they went out one evening and sat under the poplar tree, lighted a fire, and fell asleep. The eldest was to keep watch. While he walked backwards and forwards, armed with his sword, he saw something eating the fire; on looking closer he saw it was a three-headed dragon. He fought the three-headed dragon, he vanquished and buried it, but he said nothing about this to his brothers, and in the morning they went home. The next evening they went out again, lighted a fire, and lay down beside it. This time the second brother had to keep watch. Soon he saw something eating the fire, and on looking closer saw it was a six-headed dragon. He fought the six-headed dragon, vanquished and buried it, but said nothing about it, and the others thought nothing had happened; the next morning they went home. The third night the same thing happened; they lighted a fire, and the youngest brother had to keep watch. Almost as soon as the others were asleep, while he was walking up and down carrying his sword, he saw something eating the fire. He looked closer and hesitated a little, losing a few moments' time. Then he began to fight the dragon, which was a nine-headed one; but by the time he had finally vanquished it, the fire had gone out. Now he did not want to catch the others by surprise, so he set about finding a light. He saw a little light between the twigs, which he tried to get, but it was not enough. Then he saw something fighting in the air, and asked what it was, and the fighting Creatures replied: “We are the sun and the dawn, we are fighting for the day.” So he loosened a cord which fastened up his garments and tied the sun and the dawn together, so that the day might not begin. Then he went further to fetch light and fire, and came to a spot where three giants slept by a mighty fire. He took some of the fire, but as he tried to step over one of the giants, some fire fell on the giant and woke him. The giant seized him with his hand, showed him to the others and said:

“Look at the midge I have caught!” The king's son was greatly alarmed, for the giants wanted to kill him; however, they struck a bargain with him. There were three princesses they wanted to get hold of but a dog and a chicken at the door made such a noise that they could not get to them. The king's son promised to help them, and so the giants let him go free. A ball of thread was attached and the king's son went forward, carrying the ball of thread. It was arranged that every time he pulled the thread one of the giants should follow. He soon came to a river he could not cross. (All this time the brothers still slept.) He pulled the thread and one of the giants came and threw the trunk of a tree across the river so that he was able to go on. Now he came to the king's palace, where he expected to find the princesses. He went in and entered one of the rooms. There he saw one of the princesses. She lay on a copper bed and had a little gold ring on her finger. This he took off and put on his own finger and went on. Then he came to a second room where the second princess lay on a silver bed; she, too, had a little gold ring on her finger, which he took off and put on his own finger. Then he came to the third room, where the third princess lay on a golden bed, and he also put on her golden ring. Then he looked about him and discovered a very small opening which was an entrance to the castle. So he pulled the thread and the first giant came along; but the moment that the giant tried to get through the door, his head inside but his body outside, the king's son quickly cut off his head. He did the same with the second giant and the third, and so he killed them all. Then he went back to his brothers, after he had first unbound the sun and the dawn. They looked at each other and said; “Oh! what a long night!” “Yes,” he said, “it was a long night!” But like the others, he said nothing further, and they all went home.

Some time after this the brothers wanted to marry, and the youngest brother told the others he knew where there were a king's three daughters, and he led them to the castle. The three brothers married, the youngest marrying the most beautiful princess, the one who had lain on the golden bed. The youngest brother was the heir of his wife's father and had therefore to live in a foreign land. After a time he wished to visit his native land and to take his wife with him. But his father-in-law said to him: “If you set forth on this journey, your wife will be taken from you at the border, and perhaps you may never see her again!” They wanted to go, however, so they set out and took thirty horsemen to protect them. But when they came to the border, the wife was torn away as if by an unknown power. He went back and asked his wife's father how and where he could find his wife again. His father-in-law said;

“If you find her at all it will only be in the White Country.” So he set out to find his wife. But he did not know the way to the White Country.

At last he came to a castle, and went in to ask the way to the White Country. There he met the lady of the castle and saw that she was one of his own sisters whom her brothers had thrown out of the window. He asked for her husband, who was called in, and lo! he was a four-headed dragon! They asked him the way to the White Country; he did not know where it was, but his animals might know. The animals were called in, but none of them knew the way to the White Country. So the king's son went on and came to a second castle. There he found his second sister. He asked for her husband, and he was called in. He was an eight-headed dragon, and he, too, knew nothing of a white land. “Perhaps,” said he, “the animals might know.” The animals were called in, but none of them knew the way to the White Country, and so the king's son had to go on. After a time he came to a third castle, and there he found his third sister. He told her what he wanted, and she answered him very sadly. Her husband, a twelve-headed dragon was called in, and asked about the White Country; he said he knew nothing of it, but it might be that one of his animals did. The animals were therefore called in, but none of them knew the White Country. As the very last came a lame wolf. “Yes,” said he, “I once came to such a land; there I was wounded, and am now lame for evermore. I know the White Country, unluckily for me!” Said the king's son: “I want to be taken there.” But the wolf would not go, even though they promised him whole herds of sheep. At last he was persuaded to guide the king's son as far as a hill from which he could see the White Country. They came to this hill, and the lame wolf left him there.

The king's son found a spring from which he drank and felt greatly refreshed by the water. Then a woman came by, whom he recognized at once as his stolen wife. She also recognized him, saying immediately: “You cannot carry me off yet, for if you do, the magician who imprisons me here as his wife will at once bring me back on his magic horse. It flies through the air as quickly as thought.” Whereupon the king's son said:

“What then shall we do?” She answered: “There is only one way: we must have a swifter horse. Go to the old woman who lives at the border. Hire yourself out to her as a servant; she will set you hard tasks, but you will soon find out how to accomplish them. You must demand as wages the youngest foal and a saddle. Say to the old woman: ‘I want the old saddle that lies over there on the ground, covered with dirt.’ Thirdly, you will demand a very old bridle.”

With these instructions the king's son went on his way and came to a stream. As he rested beside it, he saw a fish lying on the bank. The fish begged him, “Take me and throw me back into the water; you will be doing me a great kindness!” He did so, and while he was doing it the fish gave him a whistle and said to him: “If you ever want anything, just whistle, and I will do you a service!” He took the little whistle and went on. After a while he met an ant who was pursued by her enemy, a spider. He freed her, and in return the ant gave him a small whistle, and told him that if he were ever in trouble and whistled, help would be sent him. He took it and went on his way. Soon he met a wounded fox, who had a silver arrow stuck in him. The fox said, “If you will draw out the arrow, and give me some herb roots for my wound, I will help you if ever you are in great trouble.” The king's son did this, and the fox also gave him a whistle. With these three whistles in his pocket the king's son went to the old woman who lived at the border. He told her he wished to hire himself out to her as a servant. “That you may,” said she, “but service with me is very hard; so far no one has been able to stand up to it.” Saying this she led him out into a field where ninety-nine men were hanging. “All these men hired themselves out to me, but none could do what I wanted. If you still wish to come and are also not able to stand up to it, you may be the hundredth.” However, he entered her service for a year.

Now in that district a year has only three days. On the first day the old woman made him a soup that sent people to sleep, a dream-soup, and then she sent him away with three horses. Having taken the soup he soon fell asleep, and when he awoke the three horses were gone. He bethought himself of the three whistles; he took the first one out and whistled. There was a kind of spring at that spot, and three little goldfish came swimming along. As soon as he touched them, they turned into the three horses, and so he brought the horses back to the old woman. She herself had changed the horses into goldfish. When she saw him return with the horses, she lost her temper and threw herself from side to side with rage.

The next day the old woman again made him a dream-soup, and sent him away with the horses. The soup sent him to sleep, and when he awoke the horses had disappeared. Then he whistled with the second whistle, and three golden ants instantly appeared. As soon as he touched them, there were his three horses again, which he brought back to the old woman. Then the old woman was quite wild, because she herself had enchanted the horses, and she railed against the horses. But the king's son was saved. The third day the old woman said to herself: “I must set about this much more cleverly.” She again made him a dream-soup, and sent him out with the horses. When the soup had sent him to sleep, she changed the horses into three golden eggs, which she placed under herself and sat down on them. When the king's son awoke, the horses were gone, and so he whistled on the third whistle. Now just imagine how cleverly everything happened. The fox came by and said:

“This time the task is a little more difficult, but we shall manage it. I shall go to the hen-yard and make a great commotion there. The old woman will spring up and go out, and at that moment you will touch the eggs and they will be changed.” And so it happened. The fox went to the farmyard and made a disturbance, and as the old woman sprang up and ran out, the king's son touched the eggs; when she came back there were the three horses! The old woman was now obliged to ask the king's son: “What will you have for your reward?” She expected he would want something very special. But he said: “I only want the foal that was born last night, the old saddle over there covered with dirt, and an old bridle.” These she gave him. The foal was so small he had to carry it on his back. When evening came the little foal said; “Now you can sleep while I go to a spring and drink.” Next morning it returned, and could already gallop with great swiftness. The second night the same thing happened, and the third day it led him to the place where his wife was. His wife was placed on the little horse—and this is the point that proves to anyone who understands these things the occult origin of fairy tales—and the king's son asked, “How fast shall we travel through the air?” His wife answered: “With the swiftness of thought!” Now when the magician who had imprisoned her noticed their flight, he mounted his magic horse to hurry after them. The horse asked him: “How fast shall we travel through the air?” And he replied: “With the swiftness of will or of thought!” He rushed after them, getting nearer and nearer—and when he was quite near, the magic horse told the one in front of him to stop. “I will only stop when you are quite close,” was the answer. At the same moment the magic horse reared, threw the robber off, and joined the little horse. So the queen was freed. The king's son was now able to go home with his wife, and they lived again in their own country. And if what happened did not fade away, they must still be alive today.

That is a somewhat more complicated fairy tale, containing the most varied features. Until the time comes when we can say more in explanation of this tale, we should just let it penetrate our souls in order to decipher the different features that are here harmonized so wonderfully. Of course, all that has been brought in through false tradition must naturally be sifted out of it. But you will be able to find the threads leading to every event if you follow the principle described here: the dragon-theme; the theme of the three sisters who were thrown out of the window; the theme of the conquest of the dragons at the fire; the theme of cleverness; the marriage theme (the intellectual soul with the outer world); and once again in a unique manner the theme of the cleverness of the magic forces. Then Nemesis or fate appears in a wonderful way when the king's son meets his sisters: the three brothers had thrown out their higher sisterly nature—hence the death of the dragons at the fire, and so on.

Such fairy tales are the experiences of certain individuals among people who are in the intermediate state of consciousness. The great popular myths of the gods are also representations of everything the initiates experience on the astral and higher planes. Fairy tales stand in relation to the great popular myths of the gods in the following manner: The myths can be understood when we realize the huge comprehensive circumstances of the cosmos underlying them, and fairy tales can be understood when we realize that the different happenings and pictures are nothing but the repetition of astral events. In far remote times everyone had astral experiences. They became fewer and fewer. One person told them to another, the other took them up, and so the fairy tales were carried from place to place. They appeared in the most varied languages, and we can note the similarity of the fairy tale treasures the whole world over, when we unveil the astral events that serve as their basis.

Any thoughtful person who travels about can even now find the last remnants of atavistic clairvoyance. Somewhere or other he may meet someone who relates what he has seen in the astral world as his own personal experience. Such a person in traveling about the world will hear fairy tales told by those who still possess a presentiment of the real truth. In this way they have been inscribed in our literature, and thus did the brothers Grimm collect their fairy tales; in like manner others have collected them, who were usually not clairvoyant themselves, but got them at second, third, or even tenth hand, so that they encountered them in a very mutilated form. But the time when people were still in such close touch with the spiritual world is approaching its twilight. Human beings are withdrawing more and more from the spiritual world. Atavistic clairvoyance is becoming rarer and rarer, at least, what may be called healthy clairvoyance, and true clairvoyance tends more and more to be attainable only through training, so that in the time to come most people who know anything of the matter will say about what people saw in ancient times: “Once upon a time old people related this or that from their astral experiences. Where was it then? It could have been everywhere.”

Nowadays, however, we can very seldom find anyone who can relate things from a genuine source, and it will be said of fairy tale experiences: “They happened once upon a time, and if they did not perish, these fairy tale experiences are still alive.”

But for most people, who are inwardly entangled with the physical plane, they have long since been dead.

Comedy in three acts by Max Bernstein
Performance at the Deutsches Theater, Berlin

A noble spirit with honest artistic aspirations has revived the fine comedy idea of Moreto, Calderon's contemporary. The girl who is called to rule a nation and who wants to establish a realm of virtue in place of the realm of evil passions forms the center of Moreto's "Donna Diana". Such a girl is also the subject of Max Bernstein's "Girl's Dream". In both plays, the natural instincts within the girl's soul triumph over the notions of virtue caused by a false education, which are conceived as coldness in the face of the passion of love. The girl wants to remain a virgin, but in the end she sails into the sea of love with fervor. With all the means of a refined dramatic technician, Moreto lays his problem bare and develops it with the compelling necessity and with all the criss-crossing and cross-curves that are characteristic of nature when it brings forth one of its creatures and allows it to grow. Max Bernstein intelligently constructs his drama with the transparent clarity of the clairvoyant, all too clairvoyant psychologist. With him, imagination always lags a few steps behind reason. Bernstein knows all the details of the girl's soul. He is a psychologist. However, he is not a completely unbiased observer of the individual being, which defies any general formula, but a dogmatist who has formed certain general concepts and gives them form. The feelings Bernstein puts into his Leonor of Aragon are abstract, general thoughts about the girl's heart. We have before us a general concept, not a living individuality. You don't understand why this individual case has to be the way it is. During the performance I could not escape the feeling that there is no compelling necessity in all these events. It is all arbitrary. And the verses are also arbitrary. Nowhere could I feel that verse is the natural way in which the poet must express himself.

What the poet lacks in the art of individualization is replaced by the leading actors in the performance of the Deutsches Theater. Agnes Sorma brings the abstract idea of the Princess of Aragon to life so perfectly that we truly believe we have an individual being before us. And Josef Kainz speaks Bernstein's verses in such a way that we forget their unnaturalness. Guido Thielscher plays a master of ceremonies as a small masterpiece of acting art.