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The Rudolf Steiner Archive

a project of Steiner Online Library, a public charity

Search results 151 through 160 of 590

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270. Esoteric Instructions: Eighth Lesson 18 Apr 1924, Dornach
Tr. John Riedel

Rudolf Steiner
If I were to draw it bundled together schematically, I would draw it first with thinking [yellow], then with feeling [green] extending over into thinking, and then with willing [red] extending over into feeling. In this way the three are bound together in earthly existence.
Yes, between what we experience as thinking in the resting stars, and feeling, is the sun within ourselves [Between yellow and green on the second drawing, the sign of the sun was placed.] And between feeling and willing lies the moon, which we feel as being within ourselves. [Between green and red the sign of the moon was placed.] And quite simply, in meditating on these figures, lying within these figures is the force, ever more and more, for us to approach a spiritual perspective.
291. Colour: The Hierarchies and the Nature of the Rainbow 04 Jan 1924, Dornach
Tr. Harry Collison

Rudolf Steiner
In the yellow certain of them are seen continually emerging from the rainbow, and moving across to the green. The moment they reach the underneath of the green, they are attracted to and disappear in it, to emerge on the other side.
107. The Astral World: The Law of the Astral Plane: Renunciation; The Law of the Devachanic Plane: Sacrifice 26 Oct 1908, Berlin
Tr. M. Gotfare

Rudolf Steiner
Just as light may be differentiated into red, yellow, green, blue tones, so can privation be differentiated into the most varied qualities, and the characteristic of privation is the sign of the one who is in Kamaloca.
If one has learnt renunciation, however, then in the moment when through death or initiation one is out of the body, the red circle changes into nothing, because one permeates the red with the feeling of renunciation, and there arises a green circle. In the same way, through the forces of renunciation, the beast will vanish, and a noble image of the astral world will appear.
29. Collected Essays on Drama 1889–1900: Arthur Schnitzler 30 Apr 1898,
Tr. Automated

Rudolf Steiner
The whole thing leaves you indifferent, because the facts are not based on any events that could evoke a deeper interest on their own. The second one-act play "The Green Cockatoo" made even less of an impression on me. In a Parisian dive at the time of the revolution, down-and-out actors and sensationalist aristocrats gather every evening.
68c. Goethe and the Present: On the Mystery in Goethe's Enigmatic Fairy Tale in the “Conversations of German Emigrants” 27 Nov 1891, Vienna

Rudolf Steiner
Only at certain moments is it possible for man to cross over into that longed-for land. At noon, when the green snake coils itself over the river and serves as a bridge, and in the evening, at dusk, when the shadow of a great giant stretches across the river.
8. Christianity As Mystical Fact (1947): The Mysteries and Mystery Wisdom
Tr. Henry B. Monges

Rudolf Steiner
Something has happened within him similar to what occurs in a plant when it adds a colored blossom to its green leaves. True, the forces causing the flower to grow were already latent in the plant before the blossom appeared, but they only became a reality when this took place.
He saw that the doubter would be like a plant saying: “My crimson flowers are null and futile, because I am complete within my green leaves. What I may add to them is only adding illusive appearance.” Just as little also could the mystic rest content with gods thus created, the gods of the people. If the plant could think it would understand that the forces which created its green leaves are also intended to create crimson flowers, and it would not rest till it had investigated those forces and come face to face with them.
161. Festivals of the Seasons: The Baldor Myth and the Good Friday Mystery I 02 Apr 1915, Dornach
Tr. Harry Collison

Rudolf Steiner
To-day you look at nature with your eyes, you see the green of the plants, the blue-green of the forests, the blue of heaven, the many-coloured brightness of the carpet of flowers.
It is untrue, for just as there was a jump from the green leaf to the flower, so the loss of the old clairvoyance was a mighty jump in human evolution. From the old clairvoyance where elementary spirits were seen weaving and living where we to-day see only the coloured carpet of flowers, men passed over to the later sight.
320. The Light Course: Lecture III 25 Dec 1919, Stuttgart
Tr. George Adams

Rudolf Steiner
Putting a prism in the way of the cylinder of light, the physicists went on to say, we get the sequence of colours: red, orange, yellow, green, blue—light blue and dark blue,—violet. Goethe heard of it in this way: the physicists explain it thus, so he was told—The colourless light already contains the seven colours within itself—a rather difficult thing to imagine, no doubt, but that is what they said.
Here is a disc, mounted on a wheel and painted with the colours which we saw before—those of the rainbow: violet, indigo, blue, green, yellow, orange and red. First look at it and see the seven colours. We will now bring it into rotation.
According to modern Physics, here are the colours of the rainbow: red, orange, yellow, green, blue, indigo, violet. We bring the disc into rotation. The single impression of light has not time enough to make itself felt as such in our eye.
188. A Turning-Point in Modern History 24 Jan 1919, Dornach
Tr. Unknown

Rudolf Steiner
They led Goethe to express the impulse which lay behind Schiller's “Aesthetic Letters” in his own tale, The Green Snake and the Beautiful Lily.” You can read about the connection between Schiller's “Aesthetic Letters” and Goethe's fairy-tale in my recent small book on Goethe.
Hence Goethe was stirred to write his Tale of the Green Snake and the Beautiful Lily, in which not only three but about twenty powers of the soul are described, not in concepts, but in pictorial forms, open to various interpretations.
And we can understand this fact only if we ask: why, in such significant and representative considerations as those attempted by Schiller in his “Aesthetic Letters” and represented pictorially by Goethe in his Tale of the Green Snake and the Beautiful Lily, do we find no trace of the peculiar way of thinking we are impelled to develop today about the structure of society—although Goethe in his “Tale” is evidently hinting at political forms?
207. Cosmosophy Vol. I: Lecture X 15 Oct 1921, Dornach
Tr. Alice Wuslin, Michael Klein

Rudolf Steiner
Everything that the person has perceived of nature's green, insofar as he really has experienced this green nature with human participation, not merely with abstract thoughts, now becomes for him after death a gentle reddish environment of his whole being.
I'd like to point to it here too: I have written—let me see, it must be thirty-eight years ago now—a treatise, very young and green, in which I attempted to describe how people speak of light. But where is the light anyway? Man perceives colors; those are his sense impressions.

Results 151 through 160 of 590

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