Donate books to help fund our work. Learn more→

The Rudolf Steiner Archive

a project of Steiner Online Library, a public charity

Search results 151 through 160 of 653

˂ 1 ... 14 15 16 17 18 ... 66 ˃
68c. Goethe and the Present: Goethe as Theosophist 22 Apr 1904, Munich

Rudolf Steiner
To illuminate Goethe's theosophical ideas, the speaker referred in particular to the lesser-known enigmatic fairy tale 'The Green Snake and the Beautiful Lily'. The speaker sought to interpret this 'secret revelation' of the poet in a meaningful way.
93. The Temple Legend: Goethe and His Connection with Rosicrucianism (date uncertain) 01 Jan 1906, Berlin
Tr. John M. Wood

Rudolf Steiner
Makarius's vision is such an act of contemplation) The Fairy Story of the Green Snake and the Beautiful Lily is a portrayal of an alchemistical initiation as established by Christian Rosenkreutz; this is written correctly—not as in the defective tradition of the Lodges—as 030 degree (vulgarly known in Freemasonry parlance as the 30th degree.
14. Four Mystery Plays: Beings and Persons Represented

Rudolf Steiner
Similarly the stole, mitre, and crosier of Romanus are bronze and the emblems green. Retardus' costume is a mixture of the above three. Germanus wears long brownish robes and is made to appear like a giant with heavy clogs, as if tied to earth.
91. Man, Nature and the Cosmos: The Three Worlds 17 Jun 1905, Berlin

Rudolf Steiner
All colors are seen in their opposite, what is red here is green there, yellow here becomes indigo there, black becomes white. The opposite color is always the one whose covering creates white.
91. Man, Nature and the Cosmos: Colors and Sounds 06 Aug 1905, Haubinda

Rudolf Steiner
The bell, for example, does not care whether it is yellow or green, it does not affect its tone. When one gets beyond the astral world, there are also colors, but they are not only inner colors, but they are creative, bring themselves forth; they are radiant colors.
188. Goetheanism as an Impulse for Man's Transformation: Paganism, Hebraism, and the Greek Spirit, Hellenism 11 Jan 1919, Dornach
Tr. Violet E. Watkin

Rudolf Steiner
For the whole fairy tale of the Green Snake end the Beautiful Lily breathes forth this mood of expectation. Where Plato stands in the culture of the Greeks, Goethe stands in the fifth post-Atlantean period. The question “Where does Goethe stand” leads us on to say: As Plato with the definition of the Divine as the Good pointed to the Mystery of Golgotha as a key to understanding the fourth post-Atlantean period, in all that rings forth from his fairy tale of The Green Snake and the Beautiful Lily, Goethe was pointing to the fresh understanding of the Mystery of Golgotha that had perforce to come.
Then when we prepare ourselves by paganism, as one might say, through something of the nature of the hymn in prose, with all the widening of soul we can get from this, with all the deepening of soul that makes itself felt within us, with all the ennobling of soul we can experience, we shall sink deeply into what there is in many of the scenes in Faust or in the fairy tale of The Green snake and the Beautiful Lily, where we shall find expressed the mood of waiting for a new understanding among the most modern people of the Mystery of Golgotha.
80b. The Inner Nature and the Essence of the Human Soul: The Harmonization of Art, Science and Religion through Anthroposophy 05 Mar 1922, Berlin

Rudolf Steiner
on the Aesthetic Education of Man” and what Goethe added to Schiller's reflections in his ‘Fairytale of the Green Snake and the Beautiful Lily’, which forms the conclusion of the ‘Conversations of the German Emigrants’.
For him, the answer to the same question took the form of an image, that powerful image with the most diverse sub-images that we encounter in his “Fairytale of the Green Snake and the Beautiful Lily”. I will now pass over all the other figures contained in this fairy tale and describe the actual situation, how the soul wants to reach its goals, its freedom, its experience of its true nature, by different paths.
Anyone who sees allegories or symbols in something like this “Fairytale of the Green Snake and the Beautiful Lily” has not yet penetrated into the real, genuine spiritual life, as it prevails in Goethe, for example.
202. The Search for the New Isis, Divine Sophia: The Magi and the Shepherds: The New Isis 25 Dec 1920, Dornach
Tr. Unknown

Rudolf Steiner
Think of all shades of blue being absent from the world, and therefore of green looking different from what it does today, and you will realise that the world around the Greek did not appear to him as it appears to humanity today.
What gave the Magi their knowledge of the world of stars draws inwards, more backwards towards the brain and becomes our mathematical, mechanistic world (green in diagram). A crossing took place; what was inner knowledge, pictorial, naive, instinctive imagination in pre-Christian times becomes our external knowledge, perception through the senses.
What today is our ordinary knowledge through the senses, with which we see nothing but the green surface of grass, the brown skins of animals and the like—to this kind of knowledge when it was still inward, when it had not yet drawn outwards to the eyes, to the skin, there was revealed to the shepherds in the field the deep influence on the earth, the power with which the Christ would work in the earth, what the Christ was to be for the earth.
237. Karmic Relationships III: The Soul's Condition of Those Who Seek for Anthroposophy 08 Jul 1924, Dornach
Tr. George Adams, Dorothy S. Osmond

Rudolf Steiner
And all this—entering not through windows or doors but through wide-open flood-gates into his soul—translated as it were into little miniatures, came forth as the fairy-tale of the Green Snake and the Beautiful Lily. For the man of whom I speak was Goethe. Miniatures—tiny reflected images, translated even into a fairy-like prettiness—descended thus in Goethe's Tale of the Green Snake and the Beautiful Lily. We need not therefore wonder that when it became necessary to give Anthroposophy in artistic scenes or pictures, (where we too must naturally have recourse to the great Imaginations), my first Mystery Play, ‘The Portal of Initiation’ became alike in structure—albeit different in content—alike in structure to the Fairy Tale of the Green Snake and the Beautiful Lily. You see it is possible to look into the deeper connection even through the actual things that have taken place among us.
223. The Cycle of the Year as Breathing-Process of the Earth: Lecture IV 07 Apr 1923, Dornach
Tr. Barbara Betteridge, Frances E. Dawson

Rudolf Steiner
You will find in Goethe's Faust the expression “es gruenelt” (It is beginning to get green). Who notices nowadays when it is growing green, when the greenness rising up out of the Earth in the spring, wells and wafts through the air? Who notices when it grows green and when it blossoms? Well, of course people see it today; the red and the yellow of the flowers please them; but they do not notice that the air becomes quite different when the flowers bloom, and again when the fruit is formed.

Results 151 through 160 of 653

˂ 1 ... 14 15 16 17 18 ... 66 ˃