207. Cosmosophy Vol. I: Lecture X
15 Oct 1921, Dornach Tr. Alice Wuslin, Michael Klein Rudolf Steiner |
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Everything that the person has perceived of nature's green, insofar as he really has experienced this green nature with human participation, not merely with abstract thoughts, now becomes for him after death a gentle reddish environment of his whole being. |
I'd like to point to it here too: I have written—let me see, it must be thirty-eight years ago now—a treatise, very young and green, in which I attempted to describe how people speak of light. But where is the light anyway? Man perceives colors; those are his sense impressions. |
207. Cosmosophy Vol. I: Lecture X
15 Oct 1921, Dornach Tr. Alice Wuslin, Michael Klein Rudolf Steiner |
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I want to look back once more at our recent observations. We have tried to get some picture of how the human life of spirit, the human soul life, and the human life of the body are to be comprehended. When we visualize the human soul life, that is, what the human being feels occurring within himself as thinking, feeling, and willing, then of course we find that the thinking component, or what we experience directly as the content of our thoughts, occurs between the physical body and the etheric body, that feeling occurs between the etheric body and the astral body, and willing between the astral body and the I. We thus see that our thoughts, insofar as we are fully conscious of them, represent only what glimmers up to us from the depths of our own being and really can give the waves of the soul life only their form. Something like shadows is cast upward from the depths of the human being, filling our consciousness and constituting the content of our thoughts. Were we to depict the matter schematically, we could render it in this way: physical body (see diagram, blue), etheric body (orange), astral body (red), and I (violet). Then we would have the thought content between the physical body and the etheric body. From my descriptions in the last lectures, however, you have realized that this thought content in its true nature is something much more real than what we experience in consciousness. What we experience in consciousness is, as I have said, only something that generates waves from the depths of our being up to the I. They rise up to the I. The feeling content lies between the etheric body and the astral body and in turn also rises up to the I; and the will content is located between the astral body and the I. It lies the closest to the I. We can say that the I has its most immediate experience of itself in the will, while feeling content and thought content rest in the depths of our being and only send their waves lapping upward into the I. Now we also know, however, that the content of our willing, as experienced by us, is experienced dully. Of the will, as it manifests itself in an arm movement, in a leg movement, we know as little as we do of what happens between going to sleep and awaking. The will lives in us dully, and yet it lives really within the I as the I's most immediate neighbor. If we perceive the will consciously or, let us say, in an awake manner, we do so only through the projected thought shadows that come up from the depths of our being. The mental images that we experience consciously are the shadow pictures of a deep weaving of the soul but they are still only shadow pictures, while we experience the will in a most immediate way, though dully. We can have a waking, conscious perception of the will, however, only through the shadowy thought pictures. This is how the matter appears to us when we study our human nature while focusing in particular on the inner depths. We see, I would like to say, how little of ourselves we contain in our consciousness, how little rises upward from our inner being to our consciousness. We understand, as it were, only little of what we are like on the inside in terms of our I, and we really perceive only the hue that our thought content casts upward into this dull, will-oriented I. With our ordinary consciousness, we can actually see as an immediate reality little more of this thought-filled, dull I than what we feel of it shortly before awakening or shortly after dropping off to sleep. It is precisely into this dull I, however, that the world of sense perceptions breaks upon awakening. Just try to become aware once of how dull your life is between going to sleep and awakening, so that you experience this dullness almost as a void. Only upon awakening, when you open your senses to the outside world, will you be in a position—thanks to your sense impressions—really to experience yourself as an I. Now the appearance [Schein] of the sense perceptions penetrates the I. Now the appearance of the sense perceptions fills that dull being that I have just described, so really the I lives as a fully conscious entity in the earthly human being only when we are in a state of interaction with the outside world through our sensory pictures and through all that has penetrated our senses; and coming from within as the most illuminating response we can muster is the shadowed content of our thoughts. One can say, then, that the sense perceptions penetrate in from without. The content of our willing is perceived only dully. The feeling content rises upward and unites with the sense impressions. We see red, and it fills us with a particular feeling; we see blue, we hear the notes C-sharp or C and have an accompanying feeling. Then, however, we also reflect on what these sense impressions are. The thought content, which comes from within interweaves itself with the sense impressions. Something from within unites with something from without. That we live in the fully awake I, however—this we actually 'owe to the appearance of the senses (Sinneschein), and to this our I contributes just so much by way of response from within as I have been able to describe here. Let us note well this appearance of the senses. Let us look upon it and realize clearly that it is entirely dependent on our physical existence. It can fill us only as we, in waking condition, put forward our physical body to meet the outer world. This appearance of the senses ceases at the moment we lay down our physical body upon passage through the portal of death, as we have already discussed in the previous studies. Our I, then, is awakened, as it were, between birth and death through the appearance of the senses. Of our actual nature as awake, earthly human beings, we can possess only so much as is enlivened by the appearance of the senses. Imagine vividly how the being that is the human I grasps this appearance of the senses—which is, after all, only an appearance—and interweaves it with our actual human being. Now consider how there an outer becomes an inner—you can see it, for example, when you dream; consider how a delicate tissue is spun inside of us, as it were, into which the sense impressions weave. The I appropriates what comes in through the sense impressions. The outer becomes inner. Only what does become inner, however, can carry the human being through the portal of death. It thus is only a delicate tissue to begin with that the human being carries through the portal of death. His physical body he lays down. It had mediated the sense impressions for Therefore the sense impressions are only appearance, for the physical body is laid aside. Only so much of the appearance as the I has taken up into itself is borne through the portal of death. The etheric body is also laid aside a short time after death. When that happens, however, our being also lays aside what is between the physical body and the etheric body. This at first dissolves, as we have seen, in the cosmos at large, constituting only the seed for further worlds, but it does not really continue to live together with our human essence after death. Only what has crested upward like waves and has combined itself with the appearance of the senses continues to live. When this is pondered, one can acquire an approximate mental image of what the human being carries through the portal of death. Because this is so, one must answer the question, “How can someone build a connecting bridge to a departed person?” in the following way: this connecting bridge cannot be built at all if we send abstract thoughts, non-pictorial mental images over to the departed human being. If we think of the departed one with abstract mental images—what is that like? Abstract mental images retain almost nothing of the appearance of the senses; they are faded, but also there lives in them nothing of an inner reality but only what is cast up to them from the inner reality. Only a tinge of the human essence resides in mental images. Therefore, what we grasp with our intellect is in truth much less real than what fills our I in the appearance of the senses. What fills our I in the appearance of the senses makes our I awake, but this wakeful content is only interspersed with the waves that crest upward from our inner being. If we therefore direct abstract, faded thoughts to a departed person, he cannot have community with us; he can do so very well, however, if we picture to ourselves quite intimately and concretely how we stood with him on such-and-such a spot, how we talked with him, how he asked us for this or that in his particular way. The thought content, the pallid thought content, will not yield much, but it will be much more effective if we develop a fine sensitivity for the sound of his speech, for the special kind of emotion or temperament with which he held conversation with us, if we feel the living, warm togetherness along with his wishes—in short, if we picture these concrete things but in such a way that our mental images are pictures: if we see ourselves, as we stood or sat together, as we experienced the world with him. One might easily believe that it is precisely the pallid thoughts that arc across death's gap. This is not the case. The vivid pictures arc across. In pictures from the appearance of the senses, in pictures that we have only owing to the fact of our eyes and ears, our sense of touch, and so on—in such pictures there stirs something that the dead person can perceive. For at death he has laid aside everything that is only abstract, pallid, intellectual thinking. Our pictorial mental images, insofar as we have made them our own, we do take with us through death. Our science, our intellectual thinking, all of that we do not take along through death. A person may be a great mathematician, may have myriad geometrical conceptions—all this he lays aside just as he does his physical body. The person may know a great deal about the starry skies and the surface of the earth. Insofar as he has absorbed this knowledge in pallid thoughts it is laid aside at death. If, as a learned botanist, a person crosses a meadow and entertains his theoretical thoughts about the flowers of the meadow, then this is a thought content that fulfills him only here on earth. Only what strikes his eye and is colored by his love for the flowers, what is given human warmth by the union of the pallid thought with the I experience, is carried through death's portal. It is important that one know what can be acquired here on earth as real, human property in such a way that one can carry it through the portal of death. It is important that one know how the whole of intellectualism, which has comprised the centerpiece of human civilization since the middle of the fifteenth century, is something that has significance only in earthly life and that cannot be borne through the portal of death. One thus can say: the human race has lived throughout the past ages of which we have spoken—beginning with the Atlantean catastrophe, throughout the long ages of the ancient Indian civilization, the ancient Persian civilization, through the Egyptian-Chaldean times, and then through our era up to our time—the human race has not lived in all this time, that is to say up to the first third or so of the fifteenth century, such an outspokenly intellectual life as the one we hold so dear today as our civilized life. Before the fifteenth century, however, human beings experienced much more of everything that could be borne through the portal of death. Precisely what they have become proud of since the fifteenth century, precisely what makes life worth living for the cultured, the so-called cultured, world today, is something that is obliterated upon death. One could really ask, what is the characteristic feature of modern civilization? The most characteristic feature of all, which is so praised as having been brought about through Copernicanism, through Galileanism, is something that must be laid aside at death, something that the human being really can acquire only through earthly life, but also something that can be only an earthly possession for him. By developing himself up to modern civilization, man has attained precisely this goal of experiencing here between birth and death all those things that have significance only for the earth. It is very important for modern man to understand thoroughly that the content of what is regarded most highly, and especially in our schools, has an actual significance only for earthly life. In our ordinary schools, we instruct our children in everything that is modern civilization, not for their immortal soul but only for their earthly existence. Intellectualism can be grasped correctly in the following manner. When the human being awakens in the morning, the sensory pictures come streaming in to him. He notices only that the thoughts interweave these sensory pictures like a delicate net, and he is actually living in pictures. These pictures vanish immediately when he falls asleep in the evening. His thought life vanishes too, but the appearance of these sensory pictures is nevertheless essential, for he takes with him through death as much of this as his I has made its own. What comes from within—the thought content—remains, as you know, for a few days after death in the form of a brief recollection, so long as the human being still bears the etheric body. Then the etheric body dissolves itself into the far reaches of the cosmos. There is a brief experience for the human being immediately after death regarding his pictures that contain the senses' appearance, insofar as his I has made it his own: he feels these pictures interwoven then by strong lines with what he has made his own through his knowledge. He lays this brief experience aside, however, along with his etheric body, a few days after death. Then he lives into the cosmos with his pictures, and these pictures become interwoven into the cosmos in the same way in which they were interwoven into his own being before death. Before death, the pictures in the sense perceptions are formed from within. They are grasped by the human being, I might say, insofar as it is delimited by his skin. After death, after passage of the few days when one still experiences the thought life—because one still has the etheric body, before the etheric body's dissolution—after these days the pictures become in a certain way larger. They expand in such a way that they now are absorbed from without, as it were, while during earthly life they were absorbed from within. Schematically one could draw the entire process, as shown below. If this is the bodily boundary of the human being (see drawing, bright) acid he has his impressions in the waking state, then his inner experiences are formed by the sense impressions within his being. After death, the human being experiences his boundary as an encompassing feeling; but his impressions wander out of him, as it were. He senses them to be in his surroundings (red). Thus a person who during earthly life could say, “My soul experiences are inside of me,” now says to himself, after death, “My soul experiences are in front of me,” or, said better, “They are all around me.” They merge with the surroundings. Because of this they also become inwardly different. Let us say, for example, that this person, because he loves flowers, has strongly impressed upon himself in ever-repeated sense impressions a rose, a red rose; then, when after death he experiences this wandering out, he will see the rose larger, visibly larger, but it will appear to him greenish in color. The inner content of the picture also changes. Everything that the person has perceived of nature's green, insofar as he really has experienced this green nature with human participation, not merely with abstract thoughts, now becomes for him after death a gentle reddish environment of his whole being. The inner, however, wanders out: what the person calls his inner being he will have after death in his environment outside. These realizations, then, which concern the human being, insofar as he in turn is connected to the world itself, we can acquire through spiritual science. Only by acquiring these insights do we receive a picture of what we ourselves actually are. We cannot get a picture of what we ourselves really are if we know ourselves only as we are between birth and death, with our inwardly woven thoughts. For these are the things that as such fall away at death. Of the senses' appearance there remains only what I have just depicted to you, and it remains in the way I have described. In the middle of the nineteenth century, when the materialistic outlook and world conception of civilized humanity had reached a culmination, as I have often emphasized, there was much talk of how the human being, when he founds a religion or when he speaks of something divine-spiritual in the outer world, really only projects his inner being to the outside. You need only read such a thoroughly materialistic writer as Feuerbach,15 who had a strong influence on Richard Wagner, in order to recognize how this materialistic thinking sees nature as being all there is out there. That is to say, this materialistic attitude sees only the appearance of nature in the form in which it presents itself to us between birth and death and then believes that all thinking about the divine-spiritual is only the inner being of man projected outward. The result is that man feels comfortable only with the concept of the divine-spiritual as a projection of his inner being. This seeming insight received the name anthropomorphism. It was said that the human being is anthropomorphic; he pictures the world according to what lies within him. Then, of course, in the middle of the nineteenth century, the more representative among these materialistic thinkers coined a slogan that was meant to illustrate how splendidly advanced the world of human beings had now become in our modern age. They said: “The ancients believed that God created the world. We moderns, however, know that man created God; that is, God is a projection of man's inner being.” They said and believed this precisely because all they knew of our inner side was what has significance between birth and death. I reality it was not just an erroneous opinion that they formed; rather, they had formed a world view that was in fact anthropomorphic, for they had no other notions of the divine-spiritual than those that the human being had managed at last to cast, to project, out of himself. Compare with that everything that I have described, for example, in my book, An Outline of Occult Science. There you will not see the world described like our human mental images from within. What I describe there as Saturn, Sun, Moon, and Earth evolutions the human being does not carry within him. One must first treat what the human being experiences after death, that is, what he can place in front of himself. There is nothing anthropomorphic here. This Occult Science is presented cosmomorphically; that is, the impressions are such that they are actually experienced as existing outside of the human being. These things therefore cannot be understood by those people who can experience in their conceptions only what lies within the human being, as has come to be the case especially in the intellectual age since the middle of the fifteenth century. This age perceives only what resides in the inner being of man and projects it outward. Never will one be able to describe an outer world as I do in that chapter of my Occult Science where the Saturn evolution is treated—not even in the simplest, most elementary phenomenon—if one only projects outside what exists in the inner being of man. You see, the human being lives, for example, in warmth. Just as he perceives the world in color through his sense of sight, so he also perceives the world in warmth through his sense of warmth. He experiences the warmth in his human inner being, I might call it, insofar as it is delimited by his skin. Already, however, he is abstracting in his perception. Warmth perceived in the life of the world really cannot be pictured otherwise than by grasping it in its totality. There is always something adhering to warmth, however, which in terms of human experience can be expressed only by referring to the sense of smell. Warmth, perceived objectively outside ourselves, always has something of scent associated with it too. Now read the chapter in my Occult Science about that process of our earth that lives chiefly in warmth: where these things are described you will find simultaneous mention of scent impressions. You see from this that warmth is not described in the same way in which man experiences it in intellectualism. It is placed outside the human being, and what he experiences here between birth and death as warmth comes back after death as a scent impression. Light is something that the human being experiences really quite abstractly here on earth. He experiences this light by surrendering to a continuous deception. I'd like to point to it here too: I have written—let me see, it must be thirty-eight years ago now—a treatise, very young and green, in which I attempted to describe how people speak of light. But where is the light anyway? Man perceives colors; those are his sense impressions. Wherever he looks: colors, he perceives some shadings of colors even when he knows it is a shade. But light—he lives in light, and yet he doesn't perceive the light; through the light he perceives colors, but the light itself he does not perceive. You may gauge the degree of the illusions in which we live in this regard in the age of intellectualism when you consider that our physics offers a “theory of light”; then we attempt to give it some substance by considering it “a theory of light.” It has no substance. Only a theory of color has substance, not a theory of light. Only the entirely healthy nature-appreciation of Goethe could suffice to create not a science of optics but a theory of color. We open our physics books nowadays and there we see light being created from scratch, as it were. Rays are constructed and reflected, and they perform all kinds of tricks. But it isn't real! One sees color. One can speak of a theory of color but not of a theory of light. One lives in light. Through the light and in the light we perceive color, but nothing of the light. No one can see the light. Imagine being in a space with light streaming through it, but there is not a single object in this space. You might as well be in the dark. In a space that is completely dark you would perceive no more than in the naked light, nor would you be able to differentiate between the two. You could differentiate only through an inner experience. As soon as a human being has gone through the portal of death, however, then, just as he perceived the scent that accompanied warmth he now perceives something about the light for which we in our present-day intellectual language do not even have an appropriate word. We would have to say: smoke [Rauch]; a flooding forth—he really perceives it. Hebrew still had something like that: Ruach. This flooding forth is perceived. That which alone could justifiably be called air is perceived there. If we now consider what appears everywhere in our earthly circumstances as chemical reactions, we perceive them in their appearances, these chemical workings, these chemical etheric workings. Spiritually seen, without the physical body—again, therefore, after death—they provide what is the content of water. And life itself: it is what comprises the content of the earth, of the solidity. Our entire earth is perceived from the viewpoint of the dead person as a large, living being. When we walk about here on earth, we perceive its separate entities, insofar as they are earthly entities, as being dead. On what do we base our perception of dead things at all, however? The entire earth lives, and it reveals itself immediately to us in its life if we glimpse it from the other side of death. If that is our earth, we only see a very small portion of it at any one time and are oriented to seeing just this small portion—only when we hover about it in spirit and moreover have outwardly an ability to perceive from without, so that the impressions are enlarged, do we perceive it as a whole being. Then, however, it is a living being. With this, I have directed your attention to something that is extraordinarily important to call to mind
You see, I had a conversation once with a gentleman who said that we now know, finally, thanks to the theory of relativity, that we could just as well imagine the human being to be twice as large as he really is; it's all relative, everything just depends on the human viewpoint. This is a completely unrealistic way of looking at the matter. For let us say—the picture doesn't quite fit, but let us say—if a ladybug is crawling about on a person, it has then a particular size in relation to that person. The ladybug doesn't perceive the entire human being but, in keeping with its own size, just a small portion of the person. And so for the ladybug the person on which it is crawling about is not living but rather is just as dead to the ladybug as the earth is to the human being. You must also be able to think this thought the other way around. You must be able to say to yourself: in order to be able to experience the earth as being dead, the human being must be of a particular size upon the earth. The size of the human being is not a coincidence in relation to the earth but is completely appropriate to man's entire life upon the earth. Therefore you cannot think of man—for example, in keeping with the relativity theory—as being big or little. Only if you think and imagine quite abstractly, quite intellectually, that man is big or little; only then can you say, “If we were organized a bit differently, man might appear twice as big,” and the like. This stops when we take up a conception that goes beyond the subjective and that can keep in mind man's size in relation to the earth. After death the whole human being expands out into the universe and after a time following death man becomes much larger than the earth itself. Then he experiences it as a living being. Then he experiences chemical workings in everything that is water. In the airiness he experiences light, not light and air separately from one another but light in the air, and so on. The human being experiences, then, different pictures from those of our waking life between birth and death. I said that we can take with us through death nothing of all that our soul has acquired in an intellectual way. Before the fifteenth century, however, man still possessed a kind of legacy from ancient times. You know, of course, that in ancient times this legacy was so great that the human being still had an atavistic clairvoyance, which then paled and dulled, withered away, and which has passed over into complete abstraction since the middle pf the fifteenth century. What the human being took with him through death of this divine legacy, however, is what actually gave man his being. Just as the human being here assimilates physical matter when he enters earthly existence via birth, or rather conception, so also was it the divine essence that he brought with him and carried again through death that gave him—the expression, if I may use it at all, is unusual, but will help make this clear to you—gave him a certain spiritual weight (a polar opposite, naturally, of any physical weight). The divine essence which he brought along and took with him through death gave him a certain spiritual weight. The way people are being incarnated now, if they are really members of civilization, they no longer have this legacy with them. At most you can still detect it here and there: those people who are not really of our civilization (and they are becoming ever fewer) still have it in them. And it is a serious matter indeed for the evolution of humanity that the human being essentially loses his being through what he acquires through intellectual civilization. He is heading toward this danger, that after death he will, to be sure, grow outward so as to have the aforementioned impressions, but he can lose his actual being, his ‘I’, as I have already described yesterday from a different viewpoint. There is really only one avenue of rescue for this being, for modern and future man, and it may be recognized in the following: if we wish, here in the sense world, to take hold of a reality that makes thinking so powerful that it is not merely a pale image but has inner vitality, then we can recognize such a reality issuing from within the human being only in the kind of pure thinking that I have described in my Philosophy of Freedom as forming the basis for action. Otherwise we have in all human consciousness only the senses' appearance. If we act freely out of pure thinking, however, such as I have described in my Philosophy of Freedom, if we really have in pure thinking the impulses for our actions, then we give to this otherwise “appearance” thinking, to this intellectual thinking—in that it forms the basis of our actions—a reality. And that is the one reality that we can weave purely from within out into the senses' appearance and can carry with us through death. What, then, are we really taking with us through death? What we have experienced here between birth and death in true freedom. Those actions that correspond to the description of freedom in my Philosophy of Freedom form the basis for what man can carry through death in addition to the senses' appearance, transformed in the way that I have described. Thereby he regains his being. By freeing himself from being determined in the world of the senses, he regains a being after death; he is thereby a real being. If we acquire this being, it is freedom that saves us as human souls from soul-spiritual death, saves us especially for the future. Those people who abandon themselves only to their natural forces, that is, to their instincts and drives—I have described this from a purely philosophical standpoint in my Philosophy of Freedom—live in something that falls away with death. They then live into the spiritual world. To be sure, their pictures are there. They would gradually have to be taken by other spiritual beings, however, if the human being did not develop himself fully along the lines of freedom so that he might again acquire a being such as he had when he still possessed his divine-spiritual legacy. The intellectual age thus is inwardly connected with freedom. That is why I could always say: the human being had to become intellectual so that he might become free. The human being loses his spiritual being in intellectualism, for he can carry nothing of intellectualism through the portal of death. He attains freedom here through intellectualism, however, and what he thus acquires in freedom—this he can take through the portal of death. Man may think as much as he wants in a merely intellectual way—nothing of it goes through death's portal. Only when the human being uses his thinking in order to apply it in free deeds does that amount of it that he has acquired from his experiences of freedom go with him through death's portal as soul-spiritual substance, which makes him a being and not a mere knowing. In thinking, through intellectualism, our human essence is taken from us, in order to let us work through to freedom. What we experience in freedom is in turn given back to us as human essence. Intellectualism kills us, but it also gives us life. It lets us arise once again with our being totally transformed, making us into free human beings. Today I have presented this as it appears in terms of the human being himself. What I have thus characterized today in terms of the human being alone I shall connect tomorrow with the Mystery of Golgotha, with the Christ experience, in order to show how in death and resurrection the Christ experience can now pour into the human being as inner experience. More of this tomorrow.
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58. Metamorphoses of the Soul: Paths of Experience I: Asceticism and Illness
11 Nov 1909, Berlin Tr. Charles Davy, Christoph von Arnim Rudolf Steiner |
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In order to make his pupil understand this kind of symbolic picture,37 the teacher might speak as follows: “Think of the plant, how it is rooted in the earth and grows from it, sends forth green leaf after green leaf and develops to flower and fruit.” (We are not here concerned with ordinary scientific ideas, for, as we shall see, we are not discussing the essential difference between man and plant, but trying to get hold of a useful pictorial idea). |
Then we can pass to a further picture. The plant is permeated with the green colouring matter, chlorophyll, which steeps the leaves in green colour. Man is permeated with the vehicle of instincts and emotions, his red blood. |
58. Metamorphoses of the Soul: Paths of Experience I: Asceticism and Illness
11 Nov 1909, Berlin Tr. Charles Davy, Christoph von Arnim Rudolf Steiner |
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Human life swings between work and idleness. The activity we are to discuss today, known as asceticism, is regarded either as work or as idleness according to the preconceptions of one person or another. An objective, unbiased study, such as Spiritual Science demands, is impossible unless we observe how what is called asceticism—in the highest sense excluding misuse of the word—influences human life, and either helps or harms it. It is quite natural that most people today should have a somewhat false idea of what the word asceticism ought to mean. In its original Greek form it could apply as well to an athlete as to an ascetic. But in our time the word has acquired a particular colouring from the form taken by this way of life during the Middle Ages; and for many people the word has the flavour that Schopenhauer gave it in the 19th century.35 Today the word is again acquiring a certain colouring through the manifold influences of oriental philosophy and religion, particularly through what the West usually calls Buddhism. Our task in this lecture is to find the true origin in human nature of asceticism; and Spiritual Science, as characterised in previous lectures, is called upon to bring clarity into this discussion, the more so because its own outlook is connected with the original meaning of the Greek word, askesis. Spiritual Science and spiritual research, as they have been represented here for some years, take a quite definite attitude towards human nature. They start from the postulate that at no stage in the evolution of mankind is it justifiable to say that here or there are the limits of human knowledge. The usual way of putting the question, “What can man know, and what can he not know?”, is for Spiritual Science misdirected. It does not ask what man can know at a certain stage in his evolution; or what the boundaries of knowledge are at that stage; or what remains hidden because at that time human cognition cannot penetrate it. All these matters are not its immediate concern; for Spiritual Science takes its stand on the firm ground of evolution, in particular the evolution of human soul-forces. It says that the human soul can develop. As in the seed of a plant the future plant sleeps and is called forth by the forces within the seed and those which work on it from without, so are hidden forces and capacities always sleeping in the human soul. What we cannot know at one stage of development we may know later, when we have advanced a little in developing our spiritual faculties. Which are the forces that we can develop in ourselves for a deeper understanding of the world and the attainment of an ever-wider horizon? That is the question asked by Spiritual Science. It does not ask where the boundaries of our knowledge are, but how man can surpass the bounds that exist at any given period by developing his capacities. Not through vague talk, but in a quite definite way, it shows how man can surpass the cognitive faculties that have been bestowed on him by an evolutionary process in which his own consciousness has not participated. In the first instance, these faculties are concerned only with the world perceived by our senses and grasped by our reason. But by means of the forces latent in the soul, man is able to penetrate into the worlds which are at first not open to the senses and cannot be reached by a reason bound up with the senses. In order that we may from the beginning avoid the charge of vagueness, I will describe quite briefly what you will find given fully in Knowledge of the Higher Worlds: How is it Achieved? When we speak of passing beyond the ordinary bounds of knowledge, we must take care not to wander off into the blue, but rather find our way from the solid ground under our feet into a new world. How is it to be done? In the normal human being of today, we have an alternation of the two conditions called “waking” and “sleeping”.36 Without going into details, we may say that for ordinary knowledge the difference lies in this, that while man is awake, his senses and the sense-bound intellect are under constant stimulus. It is this stimulus which wakens his external cognition, and during waking hours he is given up to the external sense-world. In sleep we are removed from that world. A simple logical consideration shows that it is not irrational for Spiritual Science to maintain that there is something in human nature which separates itself during sleep from what we usually call the human body. We know that for Spiritual Science the physical body, which can be seen with the eyes and touched with the hand, is only part of man. He has a second part, the so-called etheric or life-body. When we are asleep, the physical and etheric bodies remain in bed, and we separate from them what we call the consciousness body or—don't be put off by the terminology—the astral body, the bearer of desire and pain, pleasure and sorrow, of impulse and passion. In addition we have a fourth part, one which makes man the crown of earthly creation: the ego. These last two parts split off during sleep from the physical and the etheric bodies. A simple consideration, as I said, can teach us that it is not irrational for Spiritual Science to declare that what we have as pleasure and pain, or as the ego's power of judgment, cannot vanish during the night and be reborn anew every morning, but must remain in existence. Think, if you will, of this withdrawal of the astral body and the ego as a mere picture; in any case it is undeniable that the ego and the astral body withdraw from what we call the physical and the etheric bodies. Now the peculiar thing is that these inmost parts of the human being, the astral body and the ego, within which we live through what we call soul-experience, sink down during sleep into an indefinite obscurity. But this means simply that this inmost part of the human being needs the stimulus of the external world if it is to be conscious of itself and of the external world. Hence we can say that at the moment of falling asleep, when this stimulus ceases, man cannot develop consciousness in himself. But if, in the normal course of his existence, a human being were able so to stimulate the inner parts of his being, so to fill them with energy and inner life, that he had a consciousness of them even when there were no sense-impressions and the sense-bound intellect was inactive and free from the stimulus of the external world, he would then be able to perceive other things than those which come through the stimulus of the senses. However strange and paradoxical it may sound, it is true that if a man could reproduce a condition which on the one hand resembles sleep, and yet is essentially different from it on the other, he could reach super-sensible knowledge. His condition would resemble sleep in not depending on any external stimulus; the difference would be that he would not sink into unconsciousness but would unfold a vivid inner life. As may be shown from spiritual-scientific experience, man can come to such a condition: a condition of clairvoyance, if the word is not misused, as it so often is today. I will give you briefly one example of the numerous inner exercises through which this condition can be attained. If we wish to experience this condition safely, we must always start from the external world. The external world gives us mental images, and we call them true if we find that they correspond with external facts. But this kind of truth cannot raise us above external reality. Our task, therefore, is to bridge the gulf between external perception and a perception which is independent of the senses and yet can give us truth. One of the first stages towards this form of knowledge is concerned with pictorial or symbolic concepts. As an example, let us take a symbol which is of use for spiritual development, and expound it in the form of a conversation between a teacher and his pupil. In order to make his pupil understand this kind of symbolic picture,37 the teacher might speak as follows: “Think of the plant, how it is rooted in the earth and grows from it, sends forth green leaf after green leaf and develops to flower and fruit.” (We are not here concerned with ordinary scientific ideas, for, as we shall see, we are not discussing the essential difference between man and plant, but trying to get hold of a useful pictorial idea). The teacher may continue: “And now look at man. He certainly has a great deal that is not present in the plant. He can experience impulses, desires, emotions, a whole range of concepts which can lead him up the ladder from blind sensation and instinct to the highest moral ideals. Only a scientific fantasy could attribute similar consciousness to plants and to men; but on a lower level a plant has certain advantages. It has certainty of growth, without possibility of error, while man can deviate at any moment from his right place in the world. We can see how in his whole structure he is permeated with instincts, desires and passions which may bring him into error, delusion and falsehood. In contrast, the plant is in substance untouched by these things; it is a pure, chaste being. Only when man has purified his whole life of instinct and desire can he hope to be as pure on his higher level as the plant is in its certainty and security on the lower level.” Then we can pass to a further picture. The plant is permeated with the green colouring matter, chlorophyll, which steeps the leaves in green colour. Man is permeated with the vehicle of instincts and emotions, his red blood. That is a sort of evolution upwards, and in its course man has had to accept characteristics not found in the plant. He must hold before his eyes the high ideal of one day attaining on his own level to the inner purity, certainty and self-control of which we have a picture at a lower level in the plant. So we may ask what we must do in order to rise to that level. Man must become lord and master of the instincts, passions and cravings which surge around, unsought, within him. He must grow beyond himself, kill within him all that normally dominates him, and raise to a higher level all that is dominated by the lower. This is how man has developed from the plant, and all that has been added since the plant stage he must look on as something to be conquered, in order to derive from it a higher life. That is the proper direction of man's future, indicated by Goethe in the fine stanza:
This does not mean that man must kill his instincts and emotions, but that he cleanses and purifies them by removing their mastery over him. So, in looking at the plant, he can say: “Something in me is higher than the plant, but I have to conquer and destroy it.” As a picture of what we have to overcome in ourselves, let us take that part of the plant which is no longer capable of life, the dry wood, and set it up in the form of a cross. The next task is to cleanse and purify the red blood, the vehicle of our instincts, impulses and cravings, so that it may be a pure, chaste expression of our higher being, of what Schiller meant when he spoke of “the higher man in man”. The blood will then be, as it were, a copy in man of the pure sap which flows through the plant. “Now”—the teacher will resume—“let us look at a flower in which the sap, rising up continuously, stage by stage, through the leaves, finally merges into the colour of the flower, the red rose. Picture the red rose as an image of your blood when your blood has been cleansed and purified. The sap of the plant pulses through the red rose and leaves it without impulses or desires; but your impulses and desires must come to be the expression of your purified ego.” Thus we supplement our picture of the wood of the cross, which symbolises what we have to overcome, by hanging a garland of red roses upon the cross. Then we have a picture, a symbol, which does not appeal only to dry reasoning, but by stirring our feelings gives us an image of human life raised to the level of a higher ideal. Someone may now say: Your picture is an invention which corresponds to nothing true. All that you conjure up, the black cross and the red rose is mere fancy. Yes, undoubtedly, this picture, as brought before the inner eye of anyone who wishes to rise into spiritual worlds, is an invention. That is just what it has to be! Its purpose is not to portray something that exists in the external world. If that were its function, we would not need it. We would be satisfied with the impressions of the outer world that come to us directly through our sense-perceptions. But the picture we create, though its elements are drawn from the external world, is based on certain feelings and ideas that belong to our own inner being. The essential thing is that we should be fully conscious of each step, so that we keep a firm hold on the threads of our inner processes; otherwise we should be lost in illusion. Anyone who wants to rise to higher worlds through inner meditation and contemplation does not live only in abstract pictures, but in a world of concepts and feelings which flow from these pictures he creates. The pictures call forth a number of activities in his soul, and by excluding every external stimulus he concentrates all his powers on contemplating the pictures. They are not meant to reflect external circumstances, but to awaken forces that slumber within him. If he is patient and perseveres—for progress comes slowly—he will notice that quiet devotion to pictures of this kind will give him something that can be further developed. He will soon find that his inner life is changing: a condition emerges that is in some respects akin to sleep. But while sleep brings a submergence of conscious soul-life, the devotion I have mentioned, and meditation on the symbolic pictures, cause inner forces to awaken. Very soon he feels that a change is going on within him, although he has excluded all impressions of the outer world. So through these quite unrealistic symbols he awakens inner forces, and he soon realises that he can put them to good use. Someone may object again by saying: “That is all very well, but even if we develop these forces and really penetrate into the spiritual world, how can we be sure that what we perceive is reality?” Nothing can prove this except experience, just as the external world can be proved to exist only by experience. Mere concepts can be very strictly distinguished from perceptions and the two categories will be confused only be someone who has lost touch with reality. Especially in philosophical circles today, a certain misunderstanding has been gaining ground. Schopenhauer,39 for instance, in the first part of his philosophy starts with the assumption that the world of man is a concept. Now you can see the difference between a percept and a concept by looking at your watch. As long as you are in contact with your watch, that is percept; if you turn round, you have a picture of the watch in your mind; that is concept. In practical life we very soon learn to distinguish between percept and concept, or we should go badly astray. If you picture a red-hot iron, however hot it is, you will not be burnt, but if you touch it you will soon realise that a percept is something other than a concept. It is the same with an example given by Kant;40 from a certain point of view it is justified, but during the last century it has been the source of much error. Kant tried to upset a certain concept of God by showing that there is no difference in content between the idea of a hundred shillings and a hundred real shillings. It is wrong, however, to maintain that there is no difference in the content, for then it is easy to confuse a perception, which gives us direct contact with reality, with the content of a mere concept. Anyone who has to pay a debt of a hundred shillings will soon find out the difference. It is the same with the spiritual world. When we awaken the forces and faculties which are latent within us, and when around us is a world we have not known before, a world which shines out as though from a dark spiritual depth, then someone who enters this realm uninitiated might well say that it is all illusion and auto-suggestion. But anyone who has had real experiences on this level will be well able to distinguish reality from fantasy, just as in ordinary life we can distinguish between an imaginary piece of hot steel and a real one. Thus we can see that it is possible to call forth a different form of consciousness. I have given you only one brief example of how inner exercises can work on the sleeping faculties of the soul. Of course, while we are still practising the exercises, we do not see a spiritual world; we are occupied in awakening the faculties required. In some circumstances this may last not merely for years, but for a whole life or lives. In the end, however, the result of these exercises is that the sleeping forces of cognition are awakened and directed towards a spiritual world, just as we have learnt to adapt the eye with the help of unknown spiritual powers to observing the external world. This work on one's own soul, this development of the soul to the stage of perceiving a world in which we are not yet living but to which we gain access through what we bring to it—this training can be called asceticism in the true sense of the word. For in Greek the word means working on oneself, making oneself capable of accomplishing something, transforming sleeping forces into active ones. This original meaning of the word can still be its meaning today if we refuse to be led astray by the false use of the term which has become common down the centuries. We shall understand the true meaning of asceticism as described here, only if we remember that the purpose of this working on oneself is to develop faculties which will open up a new world. Now, having discussed asceticism in relation to the spiritual world only, it will be helpful to see how the term applies to certain activities in the external world. There it can signify the training of certain forces and capabilities which are not going to be used immediately for their final purpose, but are first to be exercised and made ready for it. An example close at hand will illustrate this, and will also show how an incorrect use of the term can have harmful results. The term can be rightly applied to military manoeuvres; this is quite in keeping with the original Greek usage. The deployment and testing of military forces on these occasions, so that in real war they may be ready and available in the right numbers—that is asceticism exercise. Whenever forces are not used for their final purpose, but are tested in advance for efficiency and reliability, we have asceticism. Manoeuvres bear the same relation to warfare as asceticism does to life in general. Human life, I said earlier, swings between work and idleness. But there are all sorts of intermediate stages: for example, play. Play, when it really is play, is the opposite of asceticism. And from its opposite one can see very well what asceticism is. Play is the active use of energies in the outer world for the sake of immediate gratification. The material of play is not, so to speak, the hard, unyielding substance of the external world that we encounter during hours of work. In relation to our energies it is malleable, amenable to our exertions. Play is play only when we do not knock up against the resistance of outer forces, as we do in work. Play is concerned with a direct release of energies which are transformed into achievement, and therein lies the satisfaction we get from it. Play does not prepare us for anything; it finds fulfillment in and through itself. It is just the opposite with asceticism, if we take the term in its proper sense. In this case no gratification is gained from anything in the outer world. Whenever we combine things in asceticism, if only the cross and the red roses, the combination is not significant in itself, but only in so far as it calls our inner forces into activity, an activity which will find application only when it has ripened fully within ourselves. Renunciation comes in because we work inwardly on ourselves while knowing that at first we are not to be stimulated by the outer world. Our aim is to bring into activity our inner forces, so that they may be applied to the outer world later on. Play and asceticism, accordingly, are opposites. How does asceticism, in our sense of the word, enter practically into human life? Let us keep to a sphere where asceticism can be practised both in a right and in a wrong way. We will take the case of someone who makes it his aim to ascend into spiritual worlds. If, then, a super-sensible world comes by some means or other to his attention, whether through another person or through some historical document, he may say: There are statements and communications concerning the super-sensible worlds, but at present they are beyond my comprehension; I lack the power to understand them. Then there are others who reject these communications, refuse to have anything to do with them. What is the source of this attitude? It arises because a person of this type rejects asceticism in the best sense of the word; he cannot find in his soul the strength to use the means I have described for developing higher faculties. He feels too weak for it. I have repeatedly emphasised that clairvoyance is not necessary for understanding the findings of clairvoyant research. Clairvoyance is indeed necessary for gaining access to spiritual facts, but once the facts have been communicated, anyone can use unprejudiced reason to understand them. Impartial reason and healthy intellect are the best instruments for judging anything communicated from the spiritual worlds. A true spiritual scientist will always say that if he could be afraid of anything, he would be afraid of people who accept communications of this kind without testing them strictly by means of reason. He is never afraid of those who make use of unclouded intelligence, for that is what makes all these communications comprehensible. However, a man may feel too weak to call forth in himself the forces necessary for understanding what he is told concerning the spiritual world. In that case he turns away from all this through an instinct for self-preservation which is right for him. He feels that to accept these communications would throw his mind into confusion. And in all cases where people reject what they hear through Spiritual Science, an instinct of self-preservation is at work; they know that they are incapable of doing the necessary exercises—that is, of practising asceticism in the true sense. A person prompted by the instinct for self-preservation will then say to himself: If these things were to permeate my spiritual life, they would confuse it; I could make nothing of them and therefore I reject them. So it is with a materialistic outlook which refuses to go a step beyond the doctrines of a science it believes to be firmly founded on facts. But there are other possibilities, and here we come to a dangerous side of asceticism. People may have a sort of avidity for information about the spiritual world while lacking the inner urge and conscience to test everything by reason and logic. They may indulge a liking for sensationalism in this field. Then they are not held back by an instinct for self-preservation, but are driven on by its very opposite, a sort of urge for self-annihilation. If anyone takes something into his soul without understanding it, and with no wish to apply his reason to it, he will be swamped by it. This happens in all cases of blind faith, or when communications from the spiritual worlds are accepted merely on authority. This acceptance corresponds to an asceticism which derives not from a healthy instinct for self-preservation, but from a morbid impulse to annihilate the self, to drown in a flood of revelations. This has a significant shadow-side in the human soul: it is a bad form of asceticism when someone gives up all effort and chooses to live in faith and in reliance on others. This attitude has existed in many forms in many epochs. But we must not assume that everything which looks like blind faith is so. For example, we are told that in the old Pythagorean Mystery Schools41there was a familiar phrase: The Master has said. But this never meant: The Master has said, therefore we believe it! For his students it meant something like this: The Master has said; therefore it demands that we should reflect on it and see how far we can get with it if we bring all our forces to bear upon it. To “believe” need not always imply a blind belief springing from a desire for self-annihilation. It need not be blind belief if you accept communications springing from spiritual research because you trust the researcher. You may have learnt that his statements are in strictly logical form, and that in other realms, where his utterances can be tested, he is logical and does not talk nonsense. On this verifiable ground the student can hold a well-founded belief that the speaker, when he is talking about things not yet known to the student, has an equally sure basis for his statements. Hence the student can say: I will work! I have confidence in what I have been told, and this can be a guiding star for my endeavours to raise myself to the level of the faculties which will make themselves intelligible of their own accord, when I have worked my way up to them. If this healthy foundation of trust is lacking and a person allows himself to be stirred by communications from the invisible worlds without understanding them, he will drift into a very wretched condition that is not compatible with asceticism. Whenever a person accepts something in blind faith without resolving to work his way to an understanding of it, and if therefore he accepts another person's will instead of his own, he will gradually lose those healthy soul-forces which provide the inner life with a sure centre and endow us with a true feeling for what is right. Lies and a proneness to error will beset a person who is unwilling to test inwardly, with his reason, what he is told; he will tend to drown and to lose himself in it. Anyone who does not allow himself to be guided by a healthy sense of truth will soon find how prone he is to lies and deceptions even in the outer world. When we approach the spiritual world we need to reflect very seriously that through this surrender of our judgment we can very easily fall into a life which no longer has any real feeling for truth and reality. If we seriously practise the exercises and wish to train our inner powers, we must never give up bringing before our souls the kind of knowledge I have been describing. We can now penetrate further into what may be called the ascetic training of the soul in a deeper sense. So far we have considered only people who are not capable of developing these inner forces in a healthy way. In one case a sound instinct of self-preservation made a person refuse to develop these forces because he did not want to develop them; in the other case a person did not absolutely refuse to develop them, but he refused to bring his judgment and intelligence to bear on them. In all such cases the impulse is always to remain on the old level, at the old standpoint. But let us suppose a case where a person really does try to develop these inner faculties, and makes use of such forms of training as those we have described. Again there may be a dual result. It may be the result we always aim at, where Spiritual Science is taken seriously and worthily. A person will then be guided to develop his inner forces only in so far as he is capable of using them in a right and orderly way. Here, then, we are concerned with how a person has to work on himself—as is described in greater detail in my book, Knowledge of the Higher Worlds: How is it Achieved?—in order to awaken the faculties which will open the spiritual world to his inner sight. But at the same time he must be competent to discipline his faculties and to establish the right balance between his work on himself and his dealings with the outer world. The necessity of this has been proved by spiritual researchers down the ages. If a person fails to apply his inner forces properly to his handling of the outer world and gives way to an almost uncontrollable urge to develop his soul-powers more and more to bring about all possible movement in his soul, so that he may thereby open his spirit-eyes and spirit-ears; and if he is too indolent to absorb slowly and in the right way the available facts of Spiritual Science and to work on them with his reason, then his asceticism may do him great harm. A person can develop all sorts of faculties and powers and yet not know what to do with them or how to apply them to the outer world. This, indeed, is the outcome of many forms of training and it applies to those who fail to pursue energetically the methods we have described, whereby the student is continually strengthening himself. There are other methods with a different aim: they may be more comfortable but they can easily cause harm. Such methods aim at doing away with the hindrances imposed on the soul by the bodily nature, in order to enhance the inner life. This was in fact the sole endeavour of mediaeval ascetics, and it survives in part today. Instead of true asceticism, which sets out to give the soul an ever-richer content, false asceticism leaves the soul as it is and sets out to weaken the body and to reduce the activity of its forces. There are indeed ways of damping down these forces, so that the functioning of the body gradually weakens, and the result may then be that the soul, though itself remaining weak, gets the upper hand over the weakened body. A correct asceticism leaves the body as it is and enables the soul to master it; the other asceticism leaves the soul as it is, while all sorts of procedures, fasting, mortifications and so on, are used to weaken the body. The soul is then relatively the stronger and can achieve a kind of consciousness, although its own powers have not increased. That is the way of many ascetics in the Middle Ages: they kill the vigour of the body, lower its activities, leave the soul as it is, and then live in the expectation that the content of the spiritual world will be revealed to them with no contribution on their part. That is the easier method, but it is not a truly strengthening one. The true method requires a person to cleanse and purify his thinking, feeling and willing, so that these faculties will be strengthened and able to prevail over the body. The other method lowers the tone of the body, and the soul is then supposed to wait, without having acquired any new capacities, until the divine world flows into it. You will find plenty of references to this method under the heading of “asceticism” in the Middle Ages. It leads to estrangement from the world and is bound to do so. For at the present stage of human evolution there is a certain relationship between our capabilities of perception and the outer world, and if we are to rise above this stage we can do so only by heightening our capabilities and using them to understand the outer world in its deeper significance. But if we weaken our normal forces, we make ourselves incapable of maintaining a normal relationship with the outer world; and especially if we tone down our thinking, feeling and willing and give our souls over to passive expectation, something will then flow into our souls which has no connection with our present-day world, makes us strangers there, and is useless for working in the world. While the true asceticism makes us more and more capable in our dealings with the world, for we see more and more deeply into it, the other asceticism, associated with the suppression of bodily functions, draws a person out of the world, tends to make him a hermit, a mere settler there. In this isolation he may see all sorts of psychic and spiritual things—this must not be denied—but an asceticism of this kind is of no use for the world. True asceticism is work, training for the world, not a withdrawal of oneself into remoteness from the world. This does not imply that we have to go to the opposite extreme; there can be accommodation on both sides. Even though it is true in general that for our period in human evolution a certain normal relationship exists between the external world and the forces of the soul, yet every period tends to drive the normal to extremes as it were, and if we want to develop higher faculties we need pay no attention to opposition that comes from abnormal trends. And because we find the opposition in ourselves, we can under certain circumstances go rather further than would be necessary if the times were not also at fault. I say this because you have perhaps heard that many followers of Spiritual Science lay great stress on a certain diet. This does not at all imply that such a mode of life can do anything for the attainment or even the understanding of higher worlds and higher relationships. It can be no more than an external aid, and should be seen only in relation to the fact that anyone wishing to gain understanding of the higher worlds may find a certain obstacle in the customs and conventions he has to live with at the present day. Because these conventions have drawn us down too deeply into the material world, we must go beyond the normal in order to make the exercises easier. But it would be quite mistaken to regard this as a form of asceticism which can be a means of leading us to higher worlds. Vegetarianism will never lead anyone to higher worlds; it can be no more than a support for someone who thinks to himself: I wish to open for myself certain ways of understanding the spiritual worlds; I am hindered by the heaviness of my body, which prevents the exercises from having an immediate effect. Hence I will make things easier by lightening my body. Vegetarianism is one way of producing this result, but it should never be presented as a dogma; it is only a means which can help some people to gain understanding of the spiritual worlds. No-one should suppose that a vegetarian way of life will enable him to develop spiritual powers. For it leaves the soul as it is and serves only to weaken the body. But if the soul is strengthened, it will be able though the effects of vegetarianism to strengthen the weakened body from the centre of its own forces. Anyone who develops spiritually with the aid of vegetarianism will be stronger, more efficient and more resistant in daily life; he will be not merely a match for any meat-eater but will be superior in working capacity. That is the very opposite of what is believed by many people when they say of vegetarians within a spiritual movement: How sad for these poor folk who can never enjoy a little bit of meat! So long as a person has this feeling about vegetarianism, it will not bring him the slightest benefit. So long as a desire for meat persists, vegetarianism is useless. It is helpful only when it results from an attitude that I will illustrate with a little story. Not very long ago, someone was asked: “Why don't you eat meat?” He replied with a counter-question: “Why don't you eat dogs or cats?” “One just can't”, was the answer. “Why can't you?” “Because I would find it disgusting.” “Well, that is just what I feel about all meat.” That is the point. When pleasure in eating meat has gone, then to abstain from meat may be of some use in relation to the spiritual worlds. Until then, breaking the meat-eating habit can be helpful only for getting rid of the desire for meat. If the desire persists, it may be better to start eating meat again, for to go on tormenting oneself about it is certainly not the right way to reach an understanding of Spiritual Science. From all this you can see the difference between true and false asceticism. False asceticism often attracts people whose sole desire is to develop the inner forces and faculties of the soul; they are indifferent towards gaining real knowledge of the outer world. Their aim is simply to develop their inner faculties and then to wait and see what comes of it. The best way of doing this is to mortify the body as far as possible, for this weakens it, and then the soul, though itself remaining weak, can see into some kind of spiritual world, however incapable it may be of understanding the real spiritual world. This, however, is a path of deception, for directly a person closes off his means of return to the physical world, he encounters no true spiritual world, but only delusive pictures of his own self. And these are what he is bound to encounter as long as he leaves his soul as it is. Because his ego keeps to its accustomed standpoint, it does not rise to higher powers, and he puts up a barrier between himself and the world by suppressing the functions which relate him to the world. It is not only that this kind of asceticism estranges him from the world; he sees pictures which can deceive him as to the stage his soul has reached, and in place of a true spiritual world he sees a picture clouded over by his own self. There is a further consequence which leads into the realm of morality. Anyone who believes that humility and surrender to the spiritual world will set him on the right course of life fails to see that he is involving himself most strongly in his own self and becoming an egoist in the worst sense, for it means that he is content with himself as he is and has no wish to progress any further. This egoism, which can degenerate into unrestrained ambition and vanity, is the more dangerous because the victim of it cannot see it for himself. Generally he looks on himself as a man who sinks down in deepest humility at the feet of his God, while really he is being played on by the devil of megalomania. A genuine humility would tell him something he refuses to recognise, for it would lead him to say to himself: The powers of the spiritual world are not to be found at the stage where I am standing now: I must climb up to them; I must not rest content with the powers I already have. So we see the results of the false asceticism which relies primarily on killing off external things instead of strengthening the inner life: it conduces to deception, error, vanity and egotism. In our time, especially, it would be a great evil if this course were followed as a means of entering the spiritual world. It serves merely to engross man in himself. Today the only true asceticism must be sought in modern Spiritual Science, founded on the firm ground of reality. Through it a person can develop his own faculties and forces and thus rise to a comprehension of a spiritual world which is itself a real world, not one that a man spins round himself. This false asceticism has yet another shadow-side. If you look at the realms of nature around us, leading up from plants through animals to man, you will find the vital functions changing in character stage by stage. For example, the diseases of plants come only from some external cause, from abnormal conditions of wind and weather, light and sunshine. These external circumstances can produce illness in plants. If we go on to consider animals, we find that they also, if left to themselves are greatly superior to human beings in their fund of natural health. A human being may fall ill not only through the life he leads or through external circumstances, but also as a result of his inner life. If his soul is not well suited to his body, if the spiritual heritage he brings from earlier incarnations cannot adapt itself completely to his bodily constitution, these inner causes may bring about illnesses which are very often wrongly diagnosed. They can be symptoms of a maladjustment between soul and body. We often find that people with these symptoms are inclined to rise to higher worlds by killing off their bodily nature. This is because the illness itself induces them to separate their souls from bodies which the soul has not fully permeated. In such people the body hardens itself in the most varied ways and closes in on itself; and since they have not strengthened the soul, but have used its weakness in order to escape from the influence of the bodily nature, and have thus drawn away from the body the health-giving strengthening forces of the soul, the body is made susceptible to all sorts of ailments. While a true asceticism strengthens the soul, which then works back on the body and makes it resistant to illness coming from outside, a false asceticism makes a person vulnerable to any illness of that kind. That is the dangerous connection between false asceticism and the illnesses of our time. And it is this that gives rise in wide circles, where such things are easily misunderstood, to manifold errors as to the influence a spiritual-scientific outlook can have on those who adopt it. For people who seek to come to a sight of the spiritual world by way of a false asceticism are a fearful spectacle for onlookers. Their false asceticism opens up a wide field of action for harmful influences from the outer world. For these people, far from being strengthened to resist the errors of our time, are well and truly exposed to them. Examples of this can be seen in many theosophical tendencies today. Merely calling oneself a “Theosophist” does not automatically guarantee the ability to act as a spiritual impulse against the adverse currents of the present time. When materialism prevails in the world, it is to some extent in tune with the concepts which are formed in observing the sense-world. Hence we can say that the materialism which applies to the external world and knows nothing of a spiritual world is in a certain sense justified. But in the case of an outlook which sets out to impart something about the spiritual world and takes into itself a caricature of the materialistic prejudices of our day because it is not founded on a real strengthening of spiritual forces, the result is much worse. A theosophical outlook permeated by contemporary errors may in some circumstances be much more harmful than a materialistic outlook; and it should be remarked that thoroughly materialistic concepts have spread widely in theosophical circles. So we hear the spiritual spoken of not as Spirit, but as though the spirit were only an infinitely refined form of nebulous matter. In speaking of the etheric body, these people picture only the physical refined beyond a certain point, and then they speak of etheric “vibrations”. On the astral level the vibrations are still finer; on the mental level they are finer still, and so on. “Vibrations” everywhere! Anyone who relies on these concepts will never attain to the spiritual world; he will remain embedded in the physical world to which these concepts ought to be confined. In this way a materialistic haze can be thrown over the most ordinary occasions in daily life. For instance, if we are at a social gathering which has a pleasant atmosphere, with people in harmony, and someone remarks on it in those terms, that may be a humdrum way of putting it; but it is a true way and leads to a better understanding than if at a gathering of theosophists one of them says how good the vibrations are. To say that, one has to be a theosophical materialist with crude ideas. And for anyone with a feeling for such things, the whole atmosphere goes out of tune when these vibrations are said to be dancing around. In these cases one can see how the introduction of materialistic ideas into a spiritual outlook produces a horrifying impression on outsiders, who may then say: These people talk about a spiritual world, but they are really no different from us. With us, the light waves dance; with them the spiritual waves dance. It is all the same materialism. All this needs to be seen in its true light. Then we shall not get a wrong idea of what the spiritual-scientific movement has to offer in our time. We shall see that asceticism, by strengthening the soul, can itself lead to the spiritual world and so bring new forces into our material existence. These are forces that make for health, not for illness; they carry healthy life-forces into our bodily organism. Of course it is not easy to determine how far a given outlook brings healthy or unhealthy forces with it, for the latter are strongly evident, as a rule, while healthy forces are usually not noticed. However, a close observer will see how persons who stand in the stream of true Spiritual Science are fertilised by it and draw from it health-giving forces which work right down into the physical. He will see also that signs of illness appear only if something alien to a spiritual stream is introduced into it. Then the result can be worse than when the alien influence takes its course in the outer world, where people are shielded by conventions from carrying certain errors to an extreme. If we see things in this light, we shall understand true asceticism as a preparatory training for a higher life, a way of developing our inner forces; and we shall then be taking the good old Greek word in its right sense. For to practise asceticism means training oneself, making oneself strong, even “adorning” oneself (sich schmucken), so that the world can see what it means to be human. But if asceticism leads you to leave the soul as it is and to weaken the bodily organism, the effect is that the soul is sundered from the body; the body is then exposed to all sorts of harmful influences and the asceticism is actually the source of all manner of ailments. The good and bad sides of egoism will emerge when we come to consider its nature. Today I have shown how true asceticism can never be an end in itself, but only a means of reaching a higher human goal, the conscious experiencing of higher worlds. Anyone wishing to practise this asceticism must therefore keep his feet firmly planted on solid ground. He must not be a stranger to the world in which he lives, but must always be extending his knowledge of the world. Whatever he can bring back from higher worlds must always be measured and assessed in relation to his work in the world; otherwise those who say that asceticism is not work but idleness could well be right. And idleness can easily give occasion for false asceticism, especially in our time. Anyone, however, who keeps a firm foothold on the earth, will regard asceticism as his highest ideal in relation to so serious a subject as our human faculties. Our ideas can indeed rise high if we have before us an ideal picture of how our faculties should work in the world. Let us look for a moment at the opening of the Old Testament: “And God said, Let there be light.” Then we hear how God caused the physical sense-world to arise day by day from the spiritual, and how at the end of each day God looked at his creation and “saw that it was good.” Similarly we must maintain our healthy thinking, our reliable character, our unerring feelings on the firm ground of reality, in order that we may rise to higher worlds and discover there the facts which give birth to the entire physical world. Then, when as searchers we come to know the spirit, and when we apply to the world around us the forces we have developed and see how well adapted to it they are, we can see that this is good. If we test the forces we have acquired through true asceticism by putting them to work in the world, then we have the right to say: Yes, they are good.
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10. The Way of Initiation (1960 reprint): The Higher Education of the Soul
Tr. Max Gysi Rudolf Steiner |
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In, such a state the clairvoyant will perceive them as interlacing clouds, rotating spirally, and having usually a dull glimmer of reddish colour or reddish-brown, or, perhaps, of reddish-yellow; but after this culture they begin to assume a brilliant yellowish-green or yellow-blue colour, and become of a regular structure, A man attains to such regularity of structure, and at the same time to the higher knowledge, when he brings into the region of his thoughts, feelings, and emotions, an order such as Nature has brought into his bodily organs, by means of which he can see, hear, digest, breathe, speak, and so forth. |
Especially fortunate are the conditions of him who is able to carry on his occult instruction altogether in the green world of plants, or among the sunny mountains or the delightful interplay of simple things. This develops the inner organs in a harmony which can never be present in a modern city. |
10. The Way of Initiation (1960 reprint): The Higher Education of the Soul
Tr. Max Gysi Rudolf Steiner |
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[ 1 ] If a man carries out the culture of his thoughts and feelings and emotions in the way already described in the chapters on Probation, Enlightenment, and Initiation, he then effects a change in his soul such as Nature has effected in his body. Before this training, soul and spirit are undifferentiated masses. In, such a state the clairvoyant will perceive them as interlacing clouds, rotating spirally, and having usually a dull glimmer of reddish colour or reddish-brown, or, perhaps, of reddish-yellow; but after this culture they begin to assume a brilliant yellowish-green or yellow-blue colour, and become of a regular structure, A man attains to such regularity of structure, and at the same time to the higher knowledge, when he brings into the region of his thoughts, feelings, and emotions, an order such as Nature has brought into his bodily organs, by means of which he can see, hear, digest, breathe, speak, and so forth. Gradually the student learns, as it were, to breathe, to see with the soul, and to speak and hear, with the spirit. [ 2 ] In the following pages only a few of the practical points pertaining to the higher education of the soul and spirit will be more fully treated. They are such as may be practically attained by anyone without additional instruction, and by means of which a further step in occult science nay be taken. [ 3 ] A particular kind of discipline must be patiently attempted. Every emotion of impatience produces a paralysing, nay, even a deadening, effect on the higher faculties latent within us. One must not expect immeasurable glimpses of the higher worlds to open out before one from day to day, for assuredly, as a rule, this does not occur. Content with the smallest attainment, repose and tranquillity must more and more possess the soul. It is conceivable, of course, that the learner should impatiently expect results but he will attain to nothing so long as he fails to master this impatience. Nor is it of any use to struggle against this impatience in the ordinary way, for then it will only become stronger than ever. It is thus that men deceive themselves, for in such a case it plants itself all the more deeply in the depths of the soul. It is only by repeatedly surrendering oneself to a single definite thought, and by making it absolutely one's own, that anything is really attained. One should think: “I must certainly do everything possible for the culture of soul and spirit, but I will wait tranquilly until, by higher powers, I shall be found worthy of definite illumination.” When this thought has become so powerful in a man that it is an actual trait in his character, he is treading the right path. This trait will then express itself even in external affairs. The gaze of the eye becomes tranquil; the movements of the body become sure; the resolutions defined; and all that we call nervous susceptibility gradually disappears. Rules that seem trifling and insignificant must be taken into account. For example, suppose that someone affronts us. Before this occult education, we should have directed our resentment against the wrong-doer; there would have been an uprush of anger within us. But in such a case the occult student will think to himself: “An affront of this. kind can make no difference to my worth,” and whatever must be done to meet the affront, he accomplishes with calm and composure, not with passion. To him it is not a matter of how an affront is to be borne, but without hesitation he is led to punish an affront to his own person exactly as if it had been offered to another, in which case one has the right to resent it. It must, always be remembered that the occult training is perfected not by coarse external processes, but by subtle, silent alterations in the life of thought and emotion. [ 4 ] Patience has an attractive, impatience a repellent, effect on the treasures of the higher knowledge. In the higher regions of being, nothing can be attained by haste and restlessness. Above all things, desire and longing must be silenced, for these are qualities of the soul before, which all higher knowledge recedes. However precious this knowledge may be accounted, one must not desire to anticipate the time of its coning. He who wishes to have it for his own sake will never attain it. Before all things it is demanded that one should be true to oneself in one's innermost soul. One must not there be deceived by anything; one must encounter, face to face and with absolute truthfulness, one's own faults, failings, and unfitness. The moment you try to excuse to yourself any one of your weaknesses, you have placed an obstacle in the way which is to lead you upward. Such obstacles can only be removed by self-illumination. There is only one way by which to get rid of our faults and weaknesses, and that is by correctly appreciating them. All that is needed lies latent in the human soul and can be evoked. It is even possible for a man to improve his understanding and his reason, if in repose he makes it clear to himself why he is weak in this respect. Self-knowledge of this kind is naturally difficult, for the temptation to deceive oneself is immeasurably great. He who is accustomed to be truthful with himself has opened the portals into a deeper insight. [ 5 ] All curiosity must fall away from the student. He must wean himself as much as possible from inquiries into matters of which he only wishes to know for the gratification of his personal thirst for knowledge. He must only ask himself what things will assist him in the perfection of his innermost being for the service of the general evolution. Nevertheless, his delight in knowledge, and his devotion to it must in no degree become relaxed. He must listen devoutly to all that contributes to such an end, and should seek every opportunity of doing so. [ 6 ] For this interior culture it is especially necessary that the desire-life should be carefully educated. One must not become wholly destitute of desire, for if we are to attain to something it is necessary that we should desire it, and a desire will always be fulfilled if a certain special force be behind it. This particular force results from a right knowledge: “Do not desire at all until you know the true conditions of any sphere.” That is one of the golden rules for the occult student. The wise man first ascertains the laws of the world, and then his desires become powers which realise themselves. Let us consider an example in which the effect is evident. There are certainly many who would like to learn from their own intuition something about their life before birth. Such a desire is altogether aimless, and leads to no result so long as the person in question has not acquired a knowledge of the laws that govern the nature of the Eternal, and a knowledge of them in their subtlest and most intimate character. But if he has actually acquired this knowledge and then wishes to pass onward, he is able to do so by his elevated and purified desire. [ 7 ] Moreover, it is of no use to say to oneself: “Yes, I will forthwith examine my previous life, and learn with that very aim in view.” One must rather be ready to abandon this desire, to eliminate it altogether, and learn, first of all, without considering this aim. One should cultivate devotion to what is learnt without regard to such an end. It is only then that one begins to possess the desire which we are considering, in such a way that it leads to its own fulfilment. [ 8 ] If one is angry or vexed, a wall arises in the spiritual world, and those forces which would open the eyes of the soul are shut away. For example, if someone should annoy me, he sends forth a current into the world of the soul. So long as one is capable of annoyance, one cannot see this current. One's own annoyance clouds it. But neither must it be supposed that when one feels annoyed no longer, one will see an astral vision. For this it is indispensable that the eye of the soul should be already developed; but the capacity for sight of this kind is latent in everyone. It is true that so long as one is capable of being annoyed it remains inoperative; but at the same time it is not immediately present as soon as one has overcome to a small extent this feeling of annoyance. One must continue to persevere in the struggle with such a feeling, and patiently make progress: then, some day, one will find that this eye of the soul has become developed. Of course annoyance is not the only quality with which we have to struggle before attaining this end. Many people grow impatient or sceptical, because they have for years combated certain qualities of the soul and yet clairvoyance has not ensued. They have only developed some qualities and have allowed others to run wild. The gift of clairvoyance first manifests itself when all those qualities which do not permit the development of the latent faculties are suppressed. Undoubtedly the beginnings of such hearing and seeing may appear at an earlier period, but these are only young and tender shoots which are subject to all possible error, and which, if they be not carefully fostered, may quickly die off. [ 9 ] To the qualities which, like anger and vexation, have to be combated, belong such as ambition, timidity, curiosity, superstition, conceit, the disease of prejudice, a needless love of gossip, and the making of distinctions in regard to human beings according to the merely outward marks of rank, sex, race, and so forth. In our time it is difficult for people to comprehend that the combating of such qualities can have any connection with an increase of capacity for knowledge. But every devotee of Occultism is aware that much more depends upon such matters than upon the expansion of the intellect or the employment of artificial practices. It is particularly easy for a misunderstanding of this point to arise, inasmuch as many believe that one should cultivate foolhardiness because one must be fearless; that one ought to ignore altogether the differences in men because one has to combat the prejudices of race, rank, and so forth. Rather does one first learn to appreciate these differences correctly, when one is no longer entangled in prejudice. Even in the usual sense it is true that a fear of any phenomenon baulks one from estimating it rightly; that a race-prejudice prevents one from looking into a man’s soul. The student of Occultism must bring his common-sense to perfection in all its exactitude and subtlety. [ 10 ] Even everything that a man says without having clearly thought it out will place an obstacle in the path of his occult education. At the same time we must here consider one point which can only be elucidated by giving an example. Thus, if anyone should say something to which one must reply, one should be careful to consider rather the intention, the feelings, even the prejudices of this other person, than what one has to say at the moment on the subject under discussion. In other words, the student must apply himself keenly to the cultivation of a certain fine tact. He must learn to judge how much it may mean to this other person if his opinion be opposed. But he ought not, for this reason, to withhold his own opinion. This must not be imagined for a moment. One must give to the sneaker as careful a hearing as possible, and from what one has heard should formulate one's own reply. In such cases there is a certain thought which will constantly recur to the student, and he is treading the true path if this thought becomes so vital within him that it grows into a trait of his character. The thought is as follows: “It is not a question of whether my view be different from his, but whether he will discover the right view for himself if I am able to contribute something towards it.” By thoughts of such a kind, the mode of action and the character of the student will be permeated with gentleness, one of the most essential qualities for the reception of occult teaching. Harshness only scares away that internal image which ought to be evoked by the eye of the soul, but by gentleness are obstacles cleared from the way, and inner organs opened. [ 11 ] Along with this gentleness another trait will presently be developed in the soul. He will make a quiet estimate of all the subtleties in the soul-life around him, without considering the emotions of his own soul. And if this condition has been attained, the soul-emotions in the environment of anyone will have such an effect on him that the soul within him grows, and growing, becomes organised, as a plant expands in the sunlight. Gentleness and quiet reserve, and along with these true patience, open the soul to the world of souls, and the spirit to the region of spirits. Persevere in repose and retirement; close the senses to that which they brought you before you began your training; bring into utter stillness all those thoughts which, in accordance with your previous habits, were tossed up and down within you; become quite still and silent within, wait in patience, and then will the higher worlds begin to develop the sight of your soul and the hearing of your spirit. Do not suppose that you will immediately see and hear in the worlds of soul and spirit, for all that you are doing does but help the development of your higher senses, and you will not be able to see with the soul and to hear with the spirit before you have acquired those senses. When you have persevered for a time in repose and retirement, then go about your daily affairs, having first imprinted upon your mind the thought: “Some day when I am ready, I shall attain what I am to attain.” Finally: “Make no attempt whatever to attract any of these higher powers to yourself by an effort of the will.” These are instructions which every occult student receives from his teacher at the entrance of the way. If he observes them, he then perfects himself; and if he does not observe them, all his labour is in vain; but they are only difficult of achievement for him who has not patience and perseverance. No other obstacles exist save only those which one sets for oneself, and these may be avoided by anyone if he really wills it. It is necessary to continually insist upon this point, because many people form an altogether wrong conception of the difficulty that lies in the path of occultism. In a certain sense, it is easier to accomplish the earlier steps of this way than it is for one who has received no occult instruction to get rid of the difficulties of every-day life. In addition to this, it must be understood that only such things are here imparted as are attended by no danger to the health of soul or body. There are certain other ways which lead more quickly to the goal, but it is not well to treat of them publicly, because they may sometimes have certain effects on a man which would necessitate the immediate intervention of an experienced teacher, and at all events would require his continual supervision. Now, as something about these quicker ways frequently forces itself into publicity, it becomes necessary to give express warning against entering upon them without personal guidance. For reasons which only the initiated can understand, it will never be possible to give public instruction concerning these other ways in their real form, and the fragments which here and there make their appearance can never lead to anything profitable, but may easily result in the undermining of health, fortune, and peace of mind. He who does not wish to put himself in the power of certain dark forces, of whose nature and origin he can know nothing, had far better avoid meddling in such matters. [ 12 ] Something may here be added concerning the environment in which the practices of occult instruction ought to be undertaken. For this is not without importance, though for almost every man the case is different. He who practises in an environment which is only filled with selfish interests, as, for example, the modern struggle for existence, ought to be sure that these interests are not without their influence upon the development of his spiritual organs. It is true that the inner laws of these organs are so powerful that this influence cannot be fatally injurious. Just as a lily, though placed in an environment, however inappropriate, can never become a thistle, so too can the eye of the soul never grow to anything but its destined end, even although it be subjected to the influence of modern cities. But it is well if, under all circumstances, the student should now and then seek for his environment the quietude, the inner dignity, the sweetness of Nature herself. Especially fortunate are the conditions of him who is able to carry on his occult instruction altogether in the green world of plants, or among the sunny mountains or the delightful interplay of simple things. This develops the inner organs in a harmony which can never be present in a modern city. He also is more favourably situated than the mere townsman, who, during his childhood at least, was able to breathe the perfume of the pines, to gaze on the snowy peaks, or observe the silent activity of woodland creatures and insects. Yet no one who is obliged to live in a city should fail to give his evolving soul and spirit the nurture that comes from the inspired utterances of the mighty teachers of man. He who cannot every springtime follow day by day the unfolding of the greenwood, ought in its place to draw into his heart the sublime doctrines of the Bhagavad Gita, or of St. John's Gospel, or of Thomas a Kempis. There are many paths to the summit of insight, but a right selection is indispensable. The adept in occultism could, indeed, say much concerning these paths—much that night seem strange to an uninitiated hearer. For example, suppose that someone has advanced far along the occult path: he may be standing at the very entrance to the sight of the soul and the tearing of the spirit, and then he has the good fortune to pass over the peaceful, or it may be the tempestuous, ocean, and a bandage falls airway from the eyes of his soul. Suddenly he can see, suddenly he attains to vision. Another, it may be, has advanced so far that this bandage only needs to be loosened, and by some stroke of destiny this occurs. On someone else this very stroke might actually have the effect of paralysing his powers and undermining his energy, but for the occult student it becomes the occasion of his enlightenment. Perhaps a third has patiently persevered for years, and without any marked result. Suddenly, while tranquilly seated in his quiet chamber, light envelops him, the walls become transparent, they vanish away, and a new world expands before his opened eyes, or is audible to his awakened spirit. |
320. The Light Course: Lecture V
27 Dec 1919, Stuttgart Tr. George Adams Rudolf Steiner |
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It is most interesting if you make a solution of plant green—chlorophyll (Figure Va). Look towards the light through the solution and it appears green. But if you take your stand to some extent behind it—if this (Figure Va) is the solution and this the light going through it, while you look from behind to where the light goes through—the chlorophyll shines back with a red or reddish light, just as the paraffin shone blue. |
320. The Light Course: Lecture V
27 Dec 1919, Stuttgart Tr. George Adams Rudolf Steiner |
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My dear Friends, Today I will begin by shewing, as well as may be with our limited resources, the experiment of which we spoke last time. You will remember: when an incandescent solid body spreads its light and we let this light go through a prism, we get a “spectrum”, a luminous picture, very like what we should get from the Sun, (compare Figure IVf), towards the end of Lecture IV). Now we can also obtain a luminous picture with the light that spreads from a glowing gas; however this picture only shews one or more single lines of light or little bands of light at different places, according to the substance used, (Figure IVg). The rest of the spectrum is stunted, so to speak. By very careful experiment, it is true, we should perceive that everything luminous gives a complete spectrum—expending all the way from red to violet, to say no more. Suppose for example we make a spectrum with glowing sodium gas: in the midst of a very feeble spectrum there is at one place a far more intense yellow line, making the rest seem even darker by contrast. Sodium is therefore often spoken of as giving only this yellow line. And now we come to the remarkable fact, which, although not unknown before, was brought to light above all in 1859 by the famous experiment of Kirchhoff and Bunsen. If we arrange things so that the source of light generating the continuous spectrum and the one generating, say, the sodium line, can take effect as it were simultaneously, the sodium line will be found to act like an untransparent body. It gets in the way of the quality of light which would be appearing at this place (i.e. in the yellow) of the spectrum. It blots it out, so that we get a black line here in place of yellow, (Figure IVh). Simply to state the fact, this then is what we have to say: For the yellow of the spectrum, another yellow (the strength of which must be at least equal to the strength of light that is just being developed at this place of the spectrum) acts like an opaque body. As you will presently see, the elements we are compiling will pave the way to an understanding also of this phenomenon. In the first place however we must get hold of the pure facts. We will now shew you, as well as we are able, that this dark line does really appear in the spectrum when we interpose the glowing sodium. We have not been able to arrange the experiment so as to project the spectrum on to a screen. Instead we will observe the spectrum by looking straight into it with our eyes. For it is possible to see the spectrum in this way too; it then appears displaced downward instead of upward, moreover the colours are reversed. We have already discussed, why it is that the colours appear in this way when we simply look through the prism. By means of this apparatus, we here generate the cylinder of light; we let it go through here, and, looking into it, we see it thus refracted. (The experiment was shewn to everyone in turn). To use the short remaining time—we shall now have to consider the relation of colours to what we call “bodies”. As a transition to this problem looking for the relations between the colours and what we commonly call “bodies”—I will however also shew the following experiment. You now see the complete spectrum projected on to the screen. Into the path of the cylinder of light I place a trough in which there is a little iodine dissolved in carbon disulphide. Note how the spectrum is changed. When I put into the path of the cylinder of light the solution of iodine in carbon disulphide, this light is extinguished. You see the spectrum clearly divided into two portions; the middle part is blotted out. You only see the violet on the one side, the reddish-yellow on the other. In that I cause the light to go through this solution—iodine in carbon disulphide—you see the complete spectrum divided into two portions; you only see the two poles on either hand. It has grown late and I shall now only have time for a for a few matters of principle. Concerning the relation of the colours to the bodies we see around us (all of which are somehow coloured in the last resort), the point will be explained how it comes about that they appear coloured at all. How comes it in effect that the material bodies have this relation to the light? How do they, simply by dint of their material existence so to speak, develop such relation to the light that one body looks red, another blue, and so on. It is no doubt simplest to say: When colourless sunlight—according to the physicists, a gathering of all the colours—falls on a body that looks red, this is due to the body's swallowing all the other colours and only throwing back the red. With like simplicity we can explain why another body appears blue. It swallows the remaining colours and throws back the blue alone. We on the other hand have to eschew these speculative explanations and to approach the fact in question—namely the way we see what we call “coloured bodies”—by means of the pure facts. Fact upon fact in proper sequence will then at last enable us in time to “catch”—as it were, to close in upon—this very complex phenomenon. The following will lead us on the way. Even in the 17th Century, we may remember, when alchemy was still pursued to some extent, they spoke of so-called “phosphores” or light-bearers. This is what they meant:—A Bologna cobbler, to take one example, was doing some alchemical experiments with a kind of Heavy Spar (Barytes). He made of it what was then called “Bologna stone”. When he exposed this to the light, a strange phenomenon occurred. After exposure the stone went on shining for a time, emitting a certain coloured light. The Bologna stone had acquired a relation to the light, which it expressed by being luminous still after exposure—after the light had been removed. Stones of this kind were then investigated in many ways and were called “phosphores”, If you come across the word “phosphor” or “phosphorus” in the literature of that time, you need not take it to mean what is called “Phosphorus” today; it refers to phosphorescent bodies of this kind—bearers of light, i.e. phos-phores. However, even this phenomenon of after-luminescence—phosphor escence—is not the simplest. Another phenomenon is really the simple one. If you take ordinary paraffin oil and look through it towards a light, the oil appears slightly yellow. If on the other hand you place yourself so as to let the light pass through the oil while you look at it from behind, the oil will seem to be shining with a bluish light—only so long, however, as the light impinges on it. The same experiment can be made with a variety of other bodies. It is most interesting if you make a solution of plant green—chlorophyll (Figure Va). Look towards the light through the solution and it appears green. But if you take your stand to some extent behind it—if this (Figure Va) is the solution and this the light going through it, while you look from behind to where the light goes through—the chlorophyll shines back with a red or reddish light, just as the paraffin shone blue. There are many bodies with this property. They shine in a different way when, so to speak, they of themselves send the light back—when they have somehow come into relation to the light, changing it through their own nature—than when the light goes through them as through a transparent body. Look at the chlorophyll from behind: we see—so to speak—what the light has been doing in the chlorophyll; we see the mutual relation between the light and the chlorophyll. When in this way a body shines with one kind of light while illumined by another kind of light, we call the phenomenon Fluorescence. And, we may say: what in effect is Phosphorescence? It is a Fluorescence that lasts longer. For it is Fluorescence when the chlorophyll, for instance, shines with a reddish light so long as it is exposed to light. When there is Phosphorescence on the other hand, as with the Bologna stone, we can take the light away and the thing still goes on shining for a time. It thus retains the property of shining with a coloured light,—a property the chlorophyll does not retain. So you have two stages. The one is Fluorescence: we make a body coloured so long as we illumine it. The second is Phosphorescence: we cause a body to remain coloured still for a certain time after illumination. And now there is a third stage: the body, as an outcome of whatever it is that the light does with it, appears with a lasting colour. We have this sequence: Fluorescence, Phosphorescence, Colouredness-of-bodies. Thus we have placed the phenomena, in a manner of speaking, side by side. What we must try to do is to approach the phenomena rightly with our thinking, our forming of ideas. There is another fundamental idea which you will need to get hold of today, for we shall afterwards want to relate it to all these other things. Please, once again, only think quite exactly of what I shall bring forward. Think as precisely as you can. I will remind you again (as once before in these lectures) of the formula for a velocity, say \(v\). A velocity is expressed, as you know, in dividing \(s\), the distance which the mobile object passes through, by the time \(t\). This therefore is the formula: $$v=\frac{s}{t}$$Now the opinion prevails that what is actually given in real Nature in such a case is the distance \(s\) the body passes through, and the time \(t\) it takes to do it. We are supposed to be dividing the real distance \(s\) by the real time \(t\), to get the velocity \(v\), which as a rule is not regarded as being quite so real but more as a kind of function, an outcome of the division sum. Thus the prevailing opinion. And yet in Nature it is not so. Of the three magnitudes—velocity, space and time,—velocity is the only one that has reality. What is really there in the world outside us is the velocity; the \(s\) and \(t\) we only get by splitting up the given totality, the \(v\), into two abstract entities. We only arrive at these on the basis of the velocity, which is really there. This then, to some extent, is our procedure. We see a so-called “body” flowing through space with a certain velocity. That it has this velocity, is the one real thing about it. But now we set to work and think. We no longer envisage the quick totality, the quickly moving body; instead, we think in terms of two abstractions. We dismember, what is really one, into two abstractions. Because there is a velocity, there is a distance moved through. This distance we envisage in the first place, and in the second place we envisage the time it takes to do it. From the velocity, the one thing actually there, we by our thinking process have sundered space and time; yet the space in question is not there at all save as an outcome of the velocity, nor for that matter is the time. The space and time, compared to this real thing which we denote as \(v\), are no realities at all, they are abstractions which we ourselves derive from the velocity. We shall not come to terms with outer reality, my dear Friends, till we are thoroughly clear on this point. We in our process of conception have first created this duality of space and time. The real thing we have outside us is the velocity and that alone; as to the “space” and “time”, we ourselves have first created them by virtue of the two abstractions into which—if you like to put it so—the velocity can fall apart for us. From the velocity, in effect, we can separate ourselves, while from the space and time we cannot; they are within our perceiving,—in our perceiving activity. With space and time we are one. Much is implied in what I am now saying. With space and time we are one. Think of it well. We are not one with the velocity that is there outside us, but we are one with space and time. Nor should we, without more ado, ascribe to external bodies what we ourselves are one with; we should only use it to gain a proper idea of these external bodies. All we should say is that through space and time, with which we ourselves are very intimately united, we learn to know and understand the real velocity. We should not say “The body moves through such and such a distance”; we ought only to say: “The body has a velocity”. Nor should we say, “The body takes so much time to do it,” but once again only this: “The body has a velocity”. By means of space and time we only measure the velocity. The space and time are our own instruments. They are bound to us,—that is the essential thing. Here once again you see the sharp dividing line between what is generally called “subjective”—here, space and time—and the “objective” thing—here, the velocity. It will be good, my dear Friends, if you will bring this home to yourselves very clearly; the truth will then dawn upon you more and more: \(v\) is not merely the quotient of \(s\) and \(t\). Numerically, it is true, \(v\) is expressed by the quotient of \(s\) and \(t\). What I express by this number \(v\) is however a reality in its own right—a reality of which the essence is, to have velocity. What I have here shewn you with regard to space and time—namely that they are inseparable from us and we ought not in thought to separate ourselves from them—is also true of another thing. But, my dear Friends (if I may say this in passing), people are still too much obsessed with the old Konigsberg habit, by which I mean, the Kantian idea. The “Konigsberg” habit must be got rid of, or else it might be thought that I myself have here been talking “Konigsberg”, as if to say “Space and Time are within us.” But that is not what I am saying. I say that in perceiving the reality outside us the—velocity—we make use of space and time for our perception. In effect, space and time are at once in us and outside us. The point is that we unite with space and time, while we do not unite with the velocity. The latter whizzes past us. This is quite different from the Kantian idea. Now once again: what I have said of space and time is also true of something else. Even as we are united by space and time with the objective reality, while we first have to look for the velocity, so in like manner, we are in one and the same element with the so-called bodies whenever we behold them by means of light. We ought not to ascribe objectivity to light any more than to space and time. We swim in space and time just as the bodies swim in it with their velocities. So too we swim in the light, just as the bodies swim in the light. Light is an element common to us and the things outside us—the so-called bodies. You may imagine therefore: Say you have gradually filled the dark room with light, the space becomes filled with something—call it \(x\), if you will—something in which you are and in which the things outside you are. It is a common element in which both you, and that which is outside you, swim. But we have still to ask: How do we manage to swim in light? We obviously cannot swim in it with what we ordinarily call our body. We do however swirl in it with our etheric body. You will never understand what light is without going into these realities. We with our etheric body swim in the light (or, if you will, you may say, in the light-ether; the word does not matter in this connection). Once again therefore: With our etheric body we are swimming in the light. Now in the course of these lectures we have seen how colours arise—and that in many ways—in and about the light itself. In the most manifold ways, colours arise in and about the light; so also they arise, or they subsist, in the so-called bodies. We see the ghostly, spectral colours so to speak,—those that arise and vanish within the light itself. For if I only cast a spectrum here it is indeed like seeing spectres; it hovers, fleeting, in space. Such colours therefore we behold, in and about the light. In the light, I said just now, we swim with our etheric body. How then do we relate ourselves to the fleeting colours? We are in them with our astral body; it is none other than this. We are united with the colours with our astral body. You have no alternative, my dear Friends but to realise that when and wheresoever you see colours, with your astrality you are united with them. If you would reach any genuine knowledge you have no alternative, but must say to yourselves: The light remains invisible to us; we swim in it. Here it is as with space and time; we ought not to call them objective, for we ourselves are swimming in them. So too we should regard the light as an element common to us and to the things outside us; whilst in the colours we have to recognize something that can only make its appearance inasmuch as we through our astral body come into relation to what the light is doing there. Assume now that in this space \(ABCD\) you have in some way brought about a phenomenon of colour—say, a spectrum. I mean now, a phenomenon that takes its course purely within the light. You must refer it to an astral relation to the light. But you may also have the phenomenon of colour in the form of a coloured surface. This therefore—from \(A\) to \(C,\) say—may be appearing to you as a coloured body, a red body for example. We say, then, \(AC\) is red. You look towards the surface of the body, and, to begin with, you will imagine rather crudely. Beneath the surface it is red, through and through. This time, you see, the case is different. Here too you have an astral relation; but from the astral relation you enter into with the colour in this instance you are separated by the bodily surface. Be sure you understand this rightly! In the one instance you see colours in the light—spectral colours. There you have astral relations of a direct kind; nothing is interposed between you and the colours. When on the other hand you see the colours of bodily objects, something is interposed between you and your astral body, and through this something you none the less entertain astral relations to what we call “bodily colours”. Please take these things to heart and think them through. For they are basic concepts—very important ones—which we shall need to elaborate. Only on these lines shall we achieve the necessary fundamental concepts for a truer Physics. One more thing I would say in conclusion. What I am trying to present in these lectures is not what you can get from the first text-book you may purchase. Nor is it what you can get by reading Goethe's Theory of Colour. It is intended to be, what you will find in neither of the two, and what will help you make the spiritual link between them. We are not credulous believers in the Physics of today, nor need we be of Goethe. It was in 1832 that Goethe died. What we are seeking is not a Goetheanism of the year 1832 but one of 1919,—further evolved and developed. What I have said just now for instance—this of the astral relation—please think it through as thoroughly as you are able. |
8. Christianity As Mystical Fact (1961): Mysteries and Mystery Wisdom
Tr. E. A. Frommer, Gabrielle Hess, Peter Kändler Rudolf Steiner |
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Something has taken place in him, as in a plant which at first has only green leaves and then puts forth a colored blossom. Certainly, the forces through which the flower developed were already latent in the plant before the blossom came into existence, but they became reality only when this latter took place. |
He understood that the doubter was like a plant which said to itself: My colored blossom is vain and worthless, for I am complete in my green leaves; what I add to them only increases the illusory appearance. But neither could the mystic remain content with the gods thus created, the gods of the people. If the plant could think, it would understand that the forces which had created the green leaves are also destined to create the colored blossom. And it would not rest until it had investigated these forces for itself in order to see them. |
8. Christianity As Mystical Fact (1961): Mysteries and Mystery Wisdom
Tr. E. A. Frommer, Gabrielle Hess, Peter Kändler Rudolf Steiner |
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[ 1 ] Something like A veil of secrecy conceals the manner whereby spiritual needs were satisfied for those within the older civilizations who sought a deeper religious and cognitive life than was offered by the religions of the people. We are led into the obscurity of enigmatic cults when we inquire into the satisfaction of these needs. Each individual who finds such satisfaction withdraws himself for some time from our observation. We see that the religion of the people cannot give him what his heart seeks. He acknowledges the gods, but he knows that in the ordinary conceptions of the gods the great enigmas of existence are not disclosed. He seeks a wisdom which is carefully guarded by a community of priest-sages. He seeks refuge in this community for his striving soul. If the sages find him mature they lead him step by step to higher insight, in a manner hidden from the eyes of those outside. What happens to him now is concealed from the uninitiated. For a time he appears to be entirely removed from the physical world. He appears to be transported into a secret world. And when he is returned to the light of day a different, entirely transformed personality stands before us. This personality cannot find words sufficiently sublime to express how significant his experiences were for him. He appears to himself as though he had gone through death and awakened to a new and higher life, not merely figuratively, but in highest reality. And it is clear to him that no one can rightly understand his words who has not had the same experience. [ 2 ] Thus it was with those persons who through the Mysteries were initiated into that secret wisdom, withheld from the people, and which shed light upon the highest questions. This “secret” religion of the elect existed side by side with the religion of the people. So far as history is concerned, its source fades into the obscurity where the origin of peoples is lost. We find this “secret” religion everywhere among ancient peoples insofar as we can gain insight concerning them. The sages of these peoples speak of the Mysteries with the greatest reverence. What was concealed in them? And what did they reveal to one who was initiated into them? [ 3 ] The enigma becomes still more puzzling when we realize that at the same time the ancients regarded the Mysteries as something dangerous. The way leading to the secrets of existence went through a world of terrors. And woe to him who tried to reach them unworthily. There was no greater crime than the “betrayal” of these secrets to the uninitiated. The “traitor” was punished with death and confiscation of property. We know that the poet Aeschylus was accused of having brought something from the Mysteries to the stage. He was able to escape death only by fleeing to the altar of Dionysus and producing legal evidence that he was not an initiate.2 [ 4 ] What the ancients say about these secrets is rich in meaning and can be variously interpreted. The initiate is convinced that it is sinful to say what he knows and also that it is sinful for the uninitiated to hear it. Plutarch speaks of the terror of those about to be initiated, comparing their state of mind to a preparation for death. Initiation had to be preceded by a special mode of life. This aimed at bringing sensuality under the control of the spirit. Fasting, solitary life, mortification and certain exercises of the soul served this purpose. The things to which man clings in ordinary life were to lose all value for him. The whole course of his experience and feeling had to take a different direction. There can be no doubt about the meaning of such exercises and tests. The wisdom to be offered to the neophyte could produce the right effect upon his soul only if he had previously changed his lower world of experience. He was inducted into the life of the spirit. He was to behold a higher world. He could find no relationship to this world without previous exercises and tests. Everything depended just on this relationship. Whoever wishes to understand these things correctly must have known by experience the intimate facts of the life of cognition. He must know by experience that two widely divergent relationships are possible in relation to what is offered by the highest cognition. The world surrounding man is his real world at first. He feels, hears and sees its processes. Because he perceives them with his senses he calls them real and thinks about them in order to gain insight into their connections. On the other hand, what rises in his soul is not real to him at first in the same sense. It is “mere” thoughts and ideas. At most, he sees in them pictures of material reality. They themselves have no reality. One cannot touch them; one cannot hear nor see them. [ 5 ] Another relationship to the world exists. A person who clings at all costs to the kind of reality described above, will hardly grasp it. It enters the lives of certain people at a certain moment. Their whole relationship to the world is reversed. They call truly real the images which arise in the spiritual life of their soul. They assign only a lower form of reality to what the senses hear, touch and see. They know they cannot prove what they say. They know they can only recount their new experiences. And they know that in recounting them to others they are in the position of a man who can see and who imparts his visual impressions to one born blind. They undertake the communication of their inner experiences, trusting that they are surrounded by others, who, although their spiritual eye is still closed, have a logical understanding which can be strengthened through the power of what they hear. They believe in humanity and wish to open spiritual eyes. They can only offer the fruits their spirit itself has gathered; whether another sees the fruits depends upon whether he has comprehension for what is seen by a spiritual eye.c4 Something existing in man at first prevents him from seeing with the eyes of the spirit. First of all he is not here for this purpose. He is what his senses represent him to be, and his intellect is only the interpreter and judge of his senses. These senses would fulfill their mission badly if they did not insist upon the truth and infallibility of their evidence. From its own point of view, an eye must uphold the absolute reality of its perceptions, otherwise it would be a bad eye. The eye is quite right, so far as it goes. It is not deprived of its rights by the spiritual eye. This spiritual eye allows us to see what the material eye sees, but in a higher light. Nothing the material eye sees is denied. But a new radiance, hitherto unseen, shines from it. Then we know that what we first saw was but a lower reality. We see this still, but it is immersed in something higher, in the spirit. Now it is a question of whether we experience and feel what we see. Whoever is able to bring living experience and feeling to the material world only, will regard the higher world as a Fata Morgana or as “mere” phantasy-images. His feelings are directed entirely toward the material world. When he tries to grasp spirit images, he seizes emptiness. When he gropes after them, they withdraw from him. They are “mere” thoughts. He thinks them; he does not live in them. They are pictures, less real to him than fleeting dreams. Compared with his reality they are like images made of froth which vanish as they encounter the massive, solidly-built reality of which his senses tell him. It is a different matter for the person whose experience and feelings with regard to reality have changed. For him that reality has lost its absolute stability, its unquestioned value. His senses and his feelings need not become blunted. But they begin to doubt their absolute authority; they leave space for something else. The world of the spirit begins to animate this space. [ 6 ] At this point a dreadful possibility exists. A man may lose his experience and feeling of direct reality without finding any new reality opening before him. He is then suspended in a void. He seems to himself dead. The old values have disappeared and no new ones have taken their place. The world and man no longer exist for him. This is by no means a mere possibility. At some time or other it happens to everyone who wishes to attain higher cognition. He reaches a point where to him the spirit interprets all life as death. Then he is no longer in the world. He is beneath the world—in the nether world. He accomplishes the—journey to Hades. It is well for him if he is not submerged. It is well for him if a new world opens before him. Either he disappears, or is confronted by a new self. In the latter case a new sun and a new earth appear to him. Out of spiritual fire the whole world has been reborn for him. [ 7 ] Thus the initiates describe what happened to them through the Mysteries. Menippus relates that he journeyed to Babylon in order to be taken to Hades and brought back again by the successors of Zoroaster. He says that on his travels he swam across the great water and that he passed through fire and ice. We hear that the mystics were terrified by a drawn sword and that “blood flowed.” We understand such sayings when we know the point of transition from lower to higher cognition. We ourselves have felt how all solid matter, all the material world, has dissolved into water; we have lost the ground from beneath our feet. Everything we had previously experienced as living has been killed. The spirit has passed through material life as a sword pierces a warm body; we have seen the blood of sensuality flow. [ 8 ] But a new life has appeared. We have climbed up from the nether world. The orator Aristides relates, “I thought I touched the god and felt him draw near, and I was then between waking and sleeping. My spirit was so light that one who is not ‘initiated’ cannot speak of it nor understand it.” This new existence is not subject to the laws of lower life. Growth and decay do not affect it. Much may be said about the eternal, but one's words will be “but sound and smoke,”3 who does not speak of the same thing as those who speak of it after the journey to Hades. The initiates have a new conception of life and death. Now for the first time they are entitled to speak about immortality. They know that whoever speaks of immortality without the knowledge gained through initiation does not understand it. The uninitiated attribute immortality only to something which is subject to the laws of growth and decay. The mystics did not desire to gain the mere conviction that the kernel of life is immortal. In their view, such a conviction would be worthless. This is because they believed the non-mystic simply does not have the eternal living within him. If he were to speak of the eternal, he would speak of nothing. The mystics seek the eternal itself. They must first awaken the eternal within themselves; then they can speak of it. Therefore Plato's severe saying has full reality for them: Whoever is not initiated is submerged in the mire,c5 and he alone enters eternity who has experienced mystical life. Only in this way can the words in the fragment from Sophocles be understood:
[ 9 ] Are not dangers described in speaking of the Mysteries? Is it not robbing men of happiness, of the most valuable part of life, to lead them to the gate of the nether world? Terrible is the responsibility incurred by such an act. And yet, may we shirk this responsibility? These were the questions the initiate had to ask himself. In his opinion his knowledge was to the soul of the people as light is to darkness. But in this darkness dwells innocent happiness. The mystics were of the opinion that this happiness should not be interfered with wantonly. For what would have happened in the first place had the mystic “betrayed” his secret? He would have spoken words, nothing but words. Nothing at all would have happened through the experiences and feelings, which should have evoked the spirit from these words. For this, preparation, exercises, tests and the complete change of sense-experience would have been necessary. Without these, the hearer would have been flung into emptiness, into nothingness. He would have been deprived of what gave him happiness without being able to receive anything in exchange. It might be said that one could not have taken anything from him. For certainly mere words could not change his life of experience. He could only have experienced reality through the objects of his senses. One could have given him nothing but a dreadful, life-destroying apprehension. This could be regarded only as a crime.c6 The above is no longer fully valid today for the acquisition of spiritual cognition. The latter can be understood conceptually because modern man has a capacity to form concepts which the ancients lacked. Today people can be found who have cognition of the spiritual world through their own experience; they can be confronted by others who comprehend these experiences conceptually. Such a capacity for forming concepts was lacking in the ancients. Ancient Mystery wisdom is like a hothouse plant which must be cherished and cared for in seclusion. To bring it into the atmosphere of everyday conceptions is to put it in an element in which it cannot flourish. It withers away to nothing before the caustic verdict of modern science and logic. Let us therefore divest ourselves for a time of all the education we have received through the microscope, telescope and the ways of thought derived from natural science; let us purify our hands which have become clumsy and have been too busy dissecting and experimenting, so that we may enter the pure temple of the Mysteries. For this a truly unprejudiced mind is necessary. [ 10 ] For the mystic, everything depends primarily upon the frame of mind in which he approaches what he feels to be the highest, the answers to the enigmas of existence. Particularly in our time, when only things pertaining to physical science are recognized as deserving cognition, it is difficult to believe that for the highest things, everything depends on a frame of mind. Cognition thereby becomes an intimate concern of each personality. For the mystic, however, it is so. Tell someone the solution of the world-enigma! Hand it to him ready-made! The mystic will consider it nothing but empty sound if the individual does not confront this solution in the right manner. The solution is nothing in itself; it disintegrates if it does not kindle in his feeling the particular fire which is essential. Let a divine being approach you! It may be nothing or everything. Nothing, if you meet it in the frame of mind in which you confront everyday things. Everything, if you are prepared and attuned to it. What it is in itself is a matter which does not concern you; the point is whether it leaves you as you were or makes a different man of you. But this depends solely on you. You must have been prepared by the education and development of the most intimate forces of your personality so that what the divine is able to evoke may be kindled and released in you. What is brought to you depends upon the reception you prepare for it. Plutarch has given an account of this education; he has spoken of the greeting the mystic offers the divine being who approaches him: “For the god addresses each one of us as we approach him here with the words ‘Know Thyself,’ as a form of welcome, which certainly is in no wise of less import than ‘Hail;’ and we in turn reply to him ‘Thou art,’ as rendering unto him a form of address which is truthful, free from deception and the only one befitting him alone, the assertion of Being. The fact is that we really have no share in Being, but everything of a mortal nature is at some stage between coming into existence and passing away, and presents only a dim and uncertain semblance and appearance of itself; and if you apply the whole force of your mind in your desire to apprehend it, it is like unto the violent grasping of water, which, by squeezing and compression, loses the handful enclosed, as it spurts through the fingers; even so Reason, pursuing the exceedingly clear appearance of every one of those things that are susceptible to modification and change, is baffled by the one aspect of its coming into being, and by the other of its passing away; and thus it is unable to apprehend a single thing that is abiding or really existent. ‘It is impossible to step twice in the same river’ are the words of Heraclitus, nor is it possible to lay hold twice of any mortal substance in a permanent state; by the suddenness and swiftness of the change in it there ‘comes dispersion and, at another time, a gathering together;’ or, rather, not at another time nor later, but at the same instant it both settles into its place and forsakes its place; ‘it is coming and going.’ Wherefore that which is born of it never attains unto being because of the unceasing and unstaying process of generation, which, ever bringing change, produces from the seed an embryo, then a babe, then a child and in due course a boy, a young man, a mature man, an elderly man, an old man, causing the first generations and ages to pass away by those which succeed them. But we have a ridiculous fear of one death, we who have already died so many deaths, and still are dying! For not only is it true, as Heraclitus used to say, that the death of fire is birth for air, and the death of air is birth for water, but the case is even more clearly to be seen in our own selves: the man in his prime passes away when the old man comes into existence, the young man passes away into the man in his prime, the child into the young man, and the babe into the child. Dead is the man of yesterday, for he is passed into the man of to-day; and the man of to-day is dying as he passes into the man of to-morrow. Nobody remains one person, nor is one person; but we become many persons, even as matter is drawn about some one semblance and common mold with imperceptible movement. Else how is it that, if we remain the same persons, we take delight in some things now, whereas earlier we took delight in different things; that we love or hate opposite things, and so too with our admirations and our disapprovals, and that we use other words and feel other emotions and have no longer the same personal appearance, the same external form, nor the same purposes in mind? For without change it is not reasonable that a person should have different experiences and emotions; and if he changes, he is not the same person, he has no permanent being, but changes his very nature as one personality in him succeeds to another. Our senses, through ignorance of reality, falsely tell us that what appears to be is.”5 [ 11 ] Plutarch often shows himself to be an initiate. What he portrays for us here is an essential condition of the life of a mystic. Man acquires a wisdom by means of which his spirit sees through the illusory character of material life. Everything the material nature regards as existence, as reality, is plunged into the stream of evolving life. And man himself fares the same as the other things of the world. He disintegrates before the eyes of his spirit; his totality is dissolved into parts, into transitory phenomena. Birth and death lose their distinctive significance; they become moments of coming into existence, and decay like everything else which happens. The highest cannot be found in connection with growth and decay. It can only be sought in something truly lasting, which looks back to what has been and forward to what is to come. To find what looks backward and forward is a higher stage of cognition. It is the spirit, which is revealed in and through the material world. This spirit has nothing to do with material growth. It does not come into existence nor decay in the same manner as do sense phenomena. Whoever lives only in the world of the senses has this spirit latent within him; whoever sees through the illusory character of the world of the senses has it as a revealed reality within him. Whoever achieves this insight has developed a new organ within him. Something has taken place in him, as in a plant which at first has only green leaves and then puts forth a colored blossom. Certainly, the forces through which the flower developed were already latent in the plant before the blossom came into existence, but they became reality only when this latter took place. Divine spiritual forces also are latent in the purely material man, but they are a revealed reality only in the mystic. Therein lies the transformation that has taken place in the mystic. By his development he has added something new to the existing world. The material world has made a material man of him and then left him to himself. Nature has fulfilled her mission. Her potential connection with the forces working within man is exhausted. But these forces themselves are not yet exhausted. They lie as though spellbound in the purely natural man, awaiting their release. They cannot release themselves; they vanish into nothing if man himself does not grasp them and develop them further, if he does not awaken to real existence what slumbers hidden within him. Nature evolves from the least to the most perfect. Nature leads beings by an extensive series of stages from the inanimate through all forms of life up to material man. Man in his material nature opens his eyes and becomes aware of himself in the material world as a real being, capable of transforming itself. He still observes in himself the forces out of which this material nature is born. These forces are not the object of transformation because they gave rise to the transformation. Man bears them within himself as an indication that something lives within him, transcending his material perception. What may come into existence through these forces is not yet present. Man feels something light up within him which has created everything, including himself; and he feels that this something will spur him to higher achievement. It is within him; it existed before his material appearance, and will be there after it. Through it he has come into being, and he may grasp it, and himself participate in his creation. Such feelings lived in the ancient mystic after initiation. He felt the eternal, the divine. His deeds will become a part of the creative activity of the divine. He may say to himself: I have discovered a higher “I” within me, but this “I” surpasses the boundaries of my material growth; it existed before my birth, it will exist after my death. Creatively this “I” has worked throughout eternity; creatively it will work in eternity. My material personality is a creation of this “I.” But it has incorporated me within it; creatively it works in me; I am a part of it. What I am now able to create is something higher than the material. My personality is only a medium for this creative force, for this divine, within me. In this way the mystic experienced his apotheosis. [ 12 ] The mystic named the force thus kindled within him, his true spirit. He was the result of this spirit. It seemed to him as though a new being had entered him and taken possession of his organs. This was a being which stood between his material personality and the Sovereign Power of the cosmos, the Godhead. The mystic sought his true spirit. He said to himself, I have become man in the great natural world. But nature has not completed her task. I myself must take over this completion. However, I cannot do this in the gross realm of nature to which my material personality also belongs. Whatever can develop in this realm has developed. Therefore I must escape from this realm. I must continue to build in the sphere of the spiritual, where nature has stood still. I must create for myself a breathing space which cannot be found in outer nature. This breathing space was prepared for the mystics in the Mystery temples. There the forces slumbering within them were awakened; there they were transformed into higher creative spirit-natures. This transformation was a delicate process. It could not endure the rough elements of the outdoors. When the process was completed, through it man had become a rock grounded in the eternal, able to defy all storms. But he was not permitted to believe that he could communicate his experiences in their direct form to others. [ 13 ] Plutarch informs us that in the Mysteries “it is possible to gain the clearest reflections and adumbrations of the truth about the daemons.”6 And from Cicero we learn that “those occult Mysteries ... when interpreted and explained prove to have more to do with natural science than with theology.”7 From such communications we see clearly that for the mystic there existed a higher insight into natural science than the religion of the people could give. Moreover this shows that the daemons, that is, the spiritual beings, and the gods themselves required explanation. Beings are approached who are of a higher nature than the daemons and gods. And this is in the nature of Mystery wisdom. The people pictured gods and daemons in images taken entirely from the world of material reality. Surely one who could penetrate the essence of the eternal was bound to lose confidence in the eternalness of such gods! How could Zeus, as the people pictured him, be eternal when he had the characteristics of a mortal being?—One thing was clear to the mystic: man attains his idea of the gods in a different manner from his ideas about other things. An object in the external world compels me to form a definitive idea of it. In contrast to this the formation of ideas of the gods has something free, even arbitrary, about it. The compulsion of the external world is lacking. Reflection teaches us that with the gods we imagine something for which there is no external control. This puts man into a state of logical uncertainty. He begins to feel that he is the creator of his gods. He even asks himself: How do I come to transcend physical reality in my world of ideas? The mystic must devote himself to such thoughts. The doubts which then beset him were justified. He could think to himself: Let us simply look at all these ideas of the gods. Are they not similar to the creatures we meet in the world of the senses? Has not man created them by mentally adding or subtracting this or that quality essentially belonging to the world of the senses? The barbarian who loves hunting creates a heaven for himself in which the most glorious hunts of the gods take place. The Greek peoples Olympus with divinities having their prototype in the reality which is well known to him. [ 14 ] The philosopher Xenophanes (575–480 B.C.) referred to this fact with crude logic. We know that the older Greek philosophers were absolutely dependent on Mystery wisdom. This will be demonstrated in relation to Heraclitus in particular. For this reason the saying of Xenophanes can be accepted without reservation as a conviction based on mystic knowledge. He says:
[ 16 ] Through such insight man may become doubtful of everything divine. He may reject the legends of the gods and acknowledge as reality only that which his material perceptions compel him to acknowledge. But the mystic did not become such a doubter. He understood that the doubter was like a plant which said to itself: My colored blossom is vain and worthless, for I am complete in my green leaves; what I add to them only increases the illusory appearance. But neither could the mystic remain content with the gods thus created, the gods of the people. If the plant could think, it would understand that the forces which had created the green leaves are also destined to create the colored blossom. And it would not rest until it had investigated these forces for itself in order to see them. So it was for the mystic in relation to the gods of the people. He did not deny them nor declare them to be vain, but he knew that they were created by man. The same natural forces, the same divine elements which work creatively in nature also work creatively in the mystic. In him also they engender ideas of the gods. He wishes to see this force which is creating gods. It is not like the gods of the people; it is something higher. Xenophanes also indicates this:
[ 18 ] This God was also the God of the Mysteries. He could be called “a hidden God,” for nowhere—so it was thought—is He to be found by the purely material man. Direct your gaze outward toward objects; you find no divinity. Exert your intelligence; you may understand the laws by which things come into existence and decay, but your intellect shows you nothing divine. Saturate your fantasy with religious feeling; you can create pictures of beings which you may take to be gods, but your intellect dissects them for you, for it proves to you that you yourself created them, and borrowed the material for their creation from the material world. Insofar as you, as intellectual man, consider the things about you, you must deny the gods. For God is not there for your senses or intellect, which explain material perceptions. God is magically concealed in the world. And you need His own force in order to find Him. This force you must awaken within yourself. These are the teachings which a neophyte of ancient times received. Then began for him the great cosmic drama in which he was engulfed alive. This drama consisted of nothing less than the release of the spellbound God. Where is God? This was the question the mystic put before his soul. God is not, but nature is. He must be found in nature. In nature He has found an enchanted tomb. The words, “God is Love,” are grasped by the mystic in a higher sense. For God has carried this Love to its uttermost. He has given Himself in infinite Love; He has diffused Himself; He has divided Himself into the manifold variety of natural things; they live, and He does not live in them. He rests in them. He lives in man. And man can experience the life of God in himself. If he is to let Him come to cognition he must release this cognition creatively in himself. Man now gazes into himself. As a hidden creative force, as yet unincarnated, works the divinity in his soul. In this soul is a place where the spellbound divinity can come to life again. The soul is the mother who by nature can conceive the divinity. If the soul is fructified by nature it will give birth to a divinity. Out of the marriage of the soul with nature a divinity will be born. This is no longer a “hidden” divinity; it is revealed. It has life, perceptible life, and walks among men. It is the released spirit in man, the offspring of the spellbound divinity. It is not the great God, who was, is and will be, but it can be taken as His revelation in a certain sense. The Father rests in concealment, the Son is born to man out of his own soul. Thus mystic cognition is a real event in the cosmic process. It is the birth of an offspring of God. It is an event as real as any other natural event, only on a higher level. This is the great secret of the mystic, that he himself creatively releases his divine offspring, but he also prepares himself beforehand to acknowledge this divine offspring created by himself. The non-mystic lacks the experience of the father of this offspring. For this father slumbers under a spell. The offspring appears to be virginally born. The soul appears to have borne him without fructification. All its other offspring are conceived by the material world. In their case the father can be seen and touched. He has material life. The divine offspring alone is conceived of the eternal, hidden Father—God Himself.
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289. The Ideas Behind the Building of the Goetheanum: The Ideas Behind the Building of the Goetheanum II
30 Dec 1921, Dornach Tr. Peter Stewart Rudolf Steiner |
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When one experiences the I in such a way that at the same time one lets it flow out into the whole of nature, one is aware of the following perceptions: If you look at a plant in its green colour, in the colour of its blossom, then what you bring before your soul as an image of the plant is basically what you also find when you look, as it is called, into your own inner being. |
Let us look at the line of the horizon: it is there when we capture in colours the blue sky above and the green sea below. If we paint the blue sky at the top and the green sea at the bottom, then the line comes into being by itself as the boundary of the two. |
289. The Ideas Behind the Building of the Goetheanum: The Ideas Behind the Building of the Goetheanum II
30 Dec 1921, Dornach Tr. Peter Stewart Rudolf Steiner |
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Translated by Peter Stewart Allow me today to add something about the architectural idea of Dornach to what I said a few days ago. I have tried to interpret the sequence of columns and column capitals. The question can be raised: Why are there progressively seven columns on each side of the building? And one can think of all kinds of nebulous mysticism in relation to the number seven - just as anthroposophy is generally accused of bringing up all kinds of such things, which one thinks are rooted in all kinds of superstition. But to interpret the seven columns in any other than an artistic way would contradict what lay at the basis of the model's elaboration, of the original work. If one proceeds in such a way that the individual capitals emerge from one another, that is, each successive capital emerges from the previous one, as I described last time, then one concludes that in a certain respect a kind of conclusion is reached with the seventh column. This simply corresponds to the successive feelings in the creation of the form. If one wanted to make an eighth column, one would have to repeat the form - albeit on a higher level. And since everything in an organic building must be based on connecting with the creative forces of nature and of the world-being in general, it is only understandable that that number should emerge which is, so to speak, the leading number for manifold natural phenomena. We have seven tones in the musical scale. The octave is the repetition of the prime. If we place the phenomenon of light in front of us in the familiar way, we have seven colours in the well-known colour scale where the light shades into colour. The newer chemistry sets up the so-called periodic system, which is also a structure of the atomic weights and properties of the chemical elements according to the number seven. And one who follows organic life finds these numbers everywhere. It is not some superstitious prejudice, but the result of deep observation. And if one's feeling is such that one simply surrenders oneself to observation, dreaming nothing, mystifying nothing, then one will also be able to find the right relationship to the sevenfold-ness of the columns. Everything here has been attempted in such a way that the principle of the organic has been firmly established. Here you see how the organ has been placed within the whole building in such a way that it does not stand in a corner, but that it has grown out of the forms with the building, so to speak, so that the architecture and sculpture of the building approach the forms created by the arrangement of the organ pipes, do not encompass them, but let them grow out of themselves, so to speak. What must be considered in such architecture and sculpture is the feeling for the material. It is absolutely a question of the fact that, especially when working in wood, this feeling for the material is perceived on the one hand as something connected with the specific quality of the material in which one is working. But then in wood, because one has essentially a soft form in which one works, one has at the same time, that which makes it easiest to overcome the form as such, and which makes that which is to be revealed, that which is to be revealed artistically, emerges most in such a way that when one works in wood one must directly enter into the secrets of the world's existence. I just want to draw attention to the following. Assume that one wants to sculpt the human figure in wood. The building will finally be completed here in the east by the fact that under this motif, which is painted in the middle, there will be a wooden sculpture of the same motif.1 There you will also see the figure of the Christ in connection with Luciferic and Ahrimanic beings. So, it was a question of creating a thoroughly idealised and spiritualised human figure out of the wood. With the prerequisites I have just described, it is quite different to work on the head of the human form than on the rest of the organism. These things cannot be approached with abstract knowledge. The shaping, the forming, is of course just as much within the laws of nature as everything else that in some way arranges nature according to number, measure and the like. When one forms the human head, one has the feeling everywhere: one must work out the form from within, one must try to base it on the feeling that the head is formed from the centre outwards. With the rest of the human organism one has the feeling that one must enter from the outside and, as it were, form the outer surfaces from the outside. One has the feeling that in the case of the head the essential surface is that which lies below, which is therefore inside, which gives itself its curves, its surfaces, from the inside outwards; whereas in the case of the rest of the organism one must consider the outer surfaces as the most important. By feeling such things, one comes close to the secrets of nature, especially in art. And it must be emphasised again and again that what is called knowledge today cannot lead at all to a real unveiling of the secrets of nature, that in a living comprehension of the ideas which are given to one in laws of nature and the like, one always feels the necessity of ascending from these ideas to that which can only be grasped in an artistic contemplation. And basically, one must not think of the mysteries of the world in any other way than in such a way that so-called scientific knowledge is a stage, but that it must rise to a living artistic comprehension of the world if one really wants to come close to the mysteries of the world. We must not think as we often think today, that art has nothing to reveal of the mysteries of the world, that everything must be left to science. The only real natural view is the one on which Goethe's conception of the world was based, and which I have already characterised from various sides, - the one that led Goethe to say: art is a revelation of the secret laws of nature, - which would not reveal themselves without the very existence of art. And so, one could say: In a building like this, a kind of extract of the world's secrets is at the same time presented to the human being. For this reason, many artistic problems arose during the construction of this building. They arose as something self-evident, above all the problem of painting. On the one hand, it was necessary to express the feelings that could recognise a portrayal of certain mysteries of the world, but on the other hand, one had to direct attention to the artistic means of expression. You do not see in the paintings of the large dome anything symbolic or fantastically speculative, however much some people might believe that. If you look at the painting here at the west end, you will see that there is something in the compositions of colours that looks peculiar. Now you all know that when you close your eyes, you see something like a mysterious shadow-eye opposite the eye. That which every human being can have before them in this way when the eye is closed, like a kind of shadow-eye, can, however, when one’s inner seeing is particularly formed, come before the soul in a much more elaborate, much more substantial way. It is then, however, no longer as robust, as coarse as the two eyes which one sees as shadow-eyes when one's real eyes are closed, but it contains that which, in a certain way, can be seen spiritually when one's inner attention is directed towards that part of the periphery of the human being which is situated towards the eyes. It is that which then appears to this inspired inner gaze, one might say - a whole world. And the sensation already arises: by looking, as it were, into one's own power of vision, into one's own visual space with one's eyes closed as a human being, one sees before oneself something that is like the beginning of creation. The beginning of creation is what confronts you here at the west end of the large dome.2 And it is not a mere figment of the imagination that up there is the Tree of Paradise, above it a kind of Father-God, that then these two eye-shaped forms appear. All this is something that definitely comes before the inner eye, before the soul's eye with a deepened inner feeling. In the same way, what you see in the large dome at the eastern end is a kind of impression of the self. This I, which is, if one may say so, a kind of trinity, also reveals itself in these inner perceptions in such a way that it goes on the one hand to the luminous clarity and transparency of the thinking I, on the other hand, at the other pole, as it were, to the will side, to the willing I, and in the middle to the feeling I. At first, this can be expressed abstractly as the thinking, feeling, willing I, as I have just said it, but it is to be felt concretely as a human being who is able to look with love at the colours of nature, who is able to look with devoted love at everything that confronts them in nature for all the senses. When one experiences the I in such a way that at the same time one lets it flow out into the whole of nature, one is aware of the following perceptions: If you look at a plant in its green colour, in the colour of its blossom, then what you bring before your soul as an image of the plant is basically what you also find when you look, as it is called, into your own inner being. That which is spread out in nature as a carpet of colour, colours itself in that you look into your inner being. And if you, as a human being who loves the world, turn your gaze outwards, turn towards the vastness of the daylight, which stretches into infinite expanses of space, then you feel connected with these expanses of space. By connecting the colours and sounds of these expanses of space with yourself, and by feeling all the configurations that present themselves to you, you feel something that you cannot translate into a symbol with your intellect, but which you can also directly paint artistically and intuitively. And again, when you let your gaze wander in the direction of the earth's surface, this horizontal plane, let it wander over trees that cover the earth, over all that which expresses itself in the moving trees when the wind rushes through them, then you feel your feeling I, and you get the impulse not to construct this I an abstract design, but to paint it in colours. If you direct your gaze downwards, so that you feel connected with all that is fruitful on earth, you then feel the need to express your willing I in a colour that imposes itself on you quite naturally. One must think of the configuration of the ceiling as having been expressed in this way. And because in this way the mystery of the world, which expresses itself in the relationship of the human being to the world, as it can be felt, has been brought here to the ceiling, it was natural that onto this ceiling was also painted some of that which can be felt out of these mysteries of the world. You will therefore find individual areas covered with that which results from a spiritual cognition of world evolution. These figures that you see here on the left and on the right, which seem to represent mythological figures, they are meant to represent approximately the situation as it was before the great Atlantean catastrophe. The materialistic theory of evolution is not at all correct in the light of spiritual observation. If we go back in the evolution of humanity, we first come back to the Greek-Latin period, which begins around the eighth century BC. We then come back to the Egyptian-Chaldean period, which begins around the turn of the fourth and third millennia before Christ. We return to older periods, and finally we come back to a time which, in terms of spiritual science, must be called the time of the Atlantean catastrophe. There was a great rearrangement of the continents. We gaze back in contemplation to a time in the evolution of the earth when that which is now covered by the Atlantic Ocean was covered by land. But at the same time, one comes back to a period of earthly evolution in which the human being could not yet have existed in the form in which they now exist, in a form shaped in the same way as the muscles and bones of today. If, for instance, you take sea creatures, jellyfish, which you can hardly distinguish from their surroundings, then you come to the material form in which the human being once was on earth, during the old Atlantean time, in which the earth was still covered everywhere with a permanent, dense fog, in which the human being lived and was therefore also had a completely different organic nature. And to the contemplative gaze, the clairvoyant gaze, there arise - if the word is not misunderstood - precisely these forms which are painted here on the left and right of the ceiling. Something else has been attempted, I would like to say, as a painterly venture. Here you see a head.3 It is not true that when one paints naturalistically, a head must be closed off at the top because that is simply the way naturalistic human heads are. Here the head is not closed off at the top, for the soul and spirit of the ancient Indian, the first civilised human being after the Atlantean catastrophe, is painted here on the wall. And it was necessary to take the risk of not closing off the top of the head, but to leave it open, because in fact, when the Indian is grasped in their time, they present themselves in such a way that they feel in touch with the heavens through their primeval wisdom, that for them, I would like to say, the physical top of the head is lost in the unconscious, and they feel their soul to be reaching out into the vastness of the heavens. That is captured here in painterly form. And this ancient Indian felt connected with the so-called seven Rishis, who poured into them the wisdom of the world in seven rays. Such things have been tried to be captured here on the ceiling of the auditorium through colours. You can see the truly artistic element that was to be attempted here in this building with regard to painting in the small dome here. Attempts have been made to create what I would like to call - albeit in an as yet imperfect form - painting out of colour itself. And that seems to me to be connected with the future of the art of painting in general. On the one hand, in the further progress of humanity, we will come closer and closer to the spirit, and on the other hand we will strive more and more to find the spiritual in outer sensory reality. Then, however, one will be compelled to penetrate oneself inwardly with that which is particularly needed in art: an intense sense of reality. With an intense sense of truth, artistically conceived, one is led to see the true essence of painting in that which is coloured. Is the line a truth? Is the drawing a truth: actually, it is not. Let us look at the line of the horizon: it is there when we capture in colours the blue sky above and the green sea below. If we paint the blue sky at the top and the green sea at the bottom, then the line comes into being by itself as the boundary of the two. But if I draw the line of the horizon with a pencil, that is actually an artistic lie. And you will find that if you have a feeling for the infinite fullness revealed by colour, you can actually create a whole world out of what is coloured. Red is not just red, red is that which, when one confronts it, means an experience like an attack on our self from the outside world. Red is that which causes one’s soul to flee from that which thus reveals itself as red. Blue is that which invites us to follow it, and a harmony of red and blue can then result in a balance between moving backward and moving forward. In short, if the coloured is experienced, it produces a whole world. And out of the coloured, one can create the form by merely letting the colour in its mutual relationships have an effect on one. In my first mystery drama, I had a person say that the form of the colour must be the deed in the kind of painting that we are striving toward.4 If you look at the small dome here, and if the tinting is just so, that you cannot see the individual figures with it at all, but merely let what is brought as a patches of colour onto this small dome have an effect on each other in their mutual relationships, then you will also get an impression: the impression of a ground of surging colours. This is first of all that out of which the various forms arise. For those who are able to live into the life of the coloured within themselves, the truly human form, the actions between human forms, the relationships between human forms arise out of the coloured. One has the need to have a blue patch in a certain place, and orange and red nearby. And if one studies this inwardly, intuitively, something like this Faust-like figure, with a floating, angel-like figure in front of it, emerges of its own accord. And one gradually comes to the conclusion, that the blue patch of colour forms itself into a figure reminiscent of the medieval Faust. You will see everywhere in the painting of the small dome that the colouring is the essential thing, and that the forms that are with it have arisen from the colour. Whoever would say: Yes, but one must first think, interpret, if one really wants to feel these individual motifs - is right in a certain sense, if they feel at the same time that here is realised that which I have just characterised as an experiencing of the world of colours. You can then see how this blue Faust-like figure has emerged here,5 underneath it a kind of skeleton, the brown figure, then this orange angel, actually a child, floating towards the face of Faust. If one first takes the coloured as a basis and then rises from the coloured to the living, then, however, one is faced with the riddle of knowledge of the present human being. The figure of Faust is something that has survived from the 16th century. I would like to say that Faust expresses the protest of the modern human being, who seeks the secrets of the world within themself, versus the human being, who in the Middle Ages still stood in a completely different relationship to the world. The legend of Faust is not something that merely stands for itself alone. Goethe took up this Faust legend because Goethe was a truly modern human being. But he also transformed the Faust legend of the 16th century. This Faust legend culminates in Faust's encounter with the devil, Faust's confrontation with the forces of the adversary of humanity, his struggle with them. This was intended to express how, as the human being approached modern times, they really became entangled in this struggle. The sixteenth century still felt that those who were brought into this struggle with the devil had to be defeated if they became involved with the devil in any way. We have the polar opposite of the Faust legend in the Luther legend. Luther at the Wartburg - he is tempted by the devil just like Faust, but he throws the inkwell at the devil's head and drives him away. The Luther legend and the Faust legend are polar opposites for the 16th century. As you know, anyone who comes to Wartburg Castle will still find the stain preserved from the ink that Luther poured on the devil's head. The custodians tell you, however, that this is always renewed from time to time. But it is there for the visitors. After Lessing had already pointed out this necessary alteration of the Faust legend, Goethe then transformed the Faust legend of the sixteenth century and portrayed the man Faust as the one who, however, wrestles with the adversary of humanity, with Mephistopheles, but who does not fall prey to him, despite the fact that he responds to him in a certain way, but who achieves his human victory over this adversary who is hostile to humanity. In this Faust legend, in the whole figure of Faust, is contained the riddle of knowledge of the modern human being. Really, what is called scientific knowledge is basically a caricature of knowledge. That which we develop today by taking possession of the laws of nature and expressing them in abstract propositions, is basically something in which, if we feel it profoundly, we feel to be completely lifeless. When we give ourselves over to abstract ideas, we feel something like a dead soul in us, like a soul corpse. And one who has enough lively feeling, feels in this soul corpse, precisely in what is valued today as the correct, as logical knowledge, something like the approach of death. This is the feeling that underlies this figure here. And as the counter pole to death, there is the angel-like child floating towards us in orange. Then the other figures, which are hidden in the whole harmony, are such that the next figures are more or less the figures of a Greek wisdom initiation: a kind of Pallas-Athena figure with the inspiring Apollo, an Egyptian initiate further up, with its inspiring being. Then we come to the whole region of evolving humanity, which strives to experience the human by perceiving duality in the world, good and evil, the Luciferic and the Ahrimanic. It is represented where this figure below, carrying a child in its hand, has above it the bright, seducing Lucifer and the dark, sinister Ahriman.6 This corresponds to the whole region of humanity which extends from Persia to Central Europe and the West, where the human being, if they strive cognitively, has to struggle with dualism, where all the doubts which are caused by being caught between truth and error, between good and evil, are triggered in one’s feelings. If we approach the middle, in the east, we have this double form there. It is that which will one day grow out of the chaotic Russian. In the Russian soul we have, so to speak, the preparation for the soul-nature of the future, even if it has to work its way through the most diverse chaotic conditions. The human being exists in such a way that they basically always have a second person with them, and this also reveals itself to the contemplative gaze. Every Russian actually has their own human shadow which they carry with them. This then leads to feeling something like an inspiration from the gloomy soul, as is attempted here in the blue, on the other side in the orange angel figure and in the centaur-like figure that is above it. That relationship to nature and to the world, which the Russian soul has as a kind of soul of the future, is depicted there. And all of this should come together to form the central image, which will then have its counterpart below in the wooden sculpture already mentioned. In the middle, in the east, you see the figure of Christ, above it the figure of Lucifer in red hues, below it, in various shades of brown, the figure of Ahriman. In this is to be felt what actually represents the essence of the human being.7 One does not get to know the human being if one only looks at how the human being’s external contours appear to the physical eye. In the physical, the soul and the spirit, the human being carries a trinity within. Physically the human being bears a trinity in the following way. Physically we have within us everything that constantly causes us to age while we are alive, that makes us sclerotic, that makes our limbs calcify, that makes death, as it were, always present in us with its force. That is the physical-ahrimanic working. If this were to get the upper hand, we would fall into old age even as children. But it works in us, and it works physically precisely because it is the solidifying, heavy, calcifying element that leads us towards death. Above the figure of Christ, we see the figure of Lucifer. It is that physical element in the human being which brings about fever and pleurisy, which in a certain sense always cause us to dissolve, these are the forces of youth, which, if they alone were present, would dissolve the human being. This polar, circular opposition can be perceived throughout the whole human being. If one feels it in colour, then one feels the luciferic upwards in a red hue, the ahrimanic downwards in a brown hue. And the human being themself is the equilibrium between the two. The human being is actually always the inner state of equilibrium, which, however, must be sought for at every moment, between that which dissolves in warmth, in fever-fire, and the hardening, petrification and solidification which brings death. One will only have a real physiology of the human being when one sees this polarity in each individual organ. Heart, lungs, liver, everything becomes comprehensible only when one sees them in this polarity. Well, I mean, you can feel all that in what is painted on the ceiling. One could say: so these are symbols after all! - The Austrian poet, Robert Hamerling, composed a poem "Ahasver", in which he did not depict human figures in a naturalistic way, but in a spiritual way. He was accused of creating symbols and not real people. He defended himself by saying: "If at the same time one feels so vividly that the figures are living people after all, then they may make a symbolic impression, for who can prevent Nero from being a symbol of cruelty? But one cannot say that Nero was not a real human being because of that!” These things must be seen in the right light. And to those who do not want something like this to emerge in a new way from the experience of colour, who find it too complicated to look into these things, one must answer: Yes, what should someone who has no sense of anything Christian experience, for example, in Leonardo da Vinci's Last Supper or Raphael's Sistine Madonna? Just as Christianity is necessary there, but even then, when Christianity is present, everything can be perceived from the coloured elements on the surface: so, when there is that very elementary, natural way of looking at the world, to which this building wants to bear witness, all that can be grasped not in abstract terms but in direct, living contemplation. And that is what is really important about this building: that it is not fantasised about, not interpreted, but that the people who enter it, or who look at it from the outside, become absorbed in the forms, in the colours, and take in what is there in their immediate inner perception. Then we shall see, when we gradually find our way into this building, that it does indeed represent at least an attempt - everything is imperfect at the beginning - at least an attempt to come so close to the meaning of human evolution that it produces, precisely out of the spiritual life necessary for the present, something artistic, just as the various ages have produced something artistic out of their particular conception of the world. Let us put ourselves back for a moment into the Greek heart, into the Greek soul. Let us put ourselves back into that soul which, with inner sincerity and honesty, could make the traditional statement: Better a beggar here on earth than a king in the kingdom of shadows. The Greek felt bound to the earth by the peculiarity of the spirit of the age. If one may say so, the Greeks appreciated everything that was on earth through the forces of the earth's gravity as something that adorned and covered this earth. They felt the forces of the earth's gravity. And in the building of their temples they expressed how they experienced the forces of this earthly gravity. When in primeval times, the human being looked up to the immortal, to the eternal in the human soul, they looked back to the ancestors. Those souls, which were the souls of the ancestors, the souls of the forefathers, gradually became for them the souls of the gods. And the graves of the ancestors remained for them a sacred place which enclosed something spiritual within itself. For a certain cultural current, the tomb is the first building, the building of the human soul that has left the earthly. In the construction of the Greek temple, one still feels something of an echo of the construction of the tomb. And the melancholy building of the tomb has risen in a joyful way in the building of the Greek temple, in that the departed human soul, which was once divinely worshipped as the ancestral soul, has become the god. The building over the ancestral grave, where the soul, the divinely worshipped ancestral soul was to be given a resting place, became the temple of the god Apollo, Zeus, Athena. And the temple enclosure became the extension of that which once existed as an ancestral tomb. As the ancestral soul became the god, so the tomb became the Greek temple. Just as the ancestral soul was looked upon as the past, and the building of the tomb thus took on a tragic aspect, so the building of the tomb became the building of the temple in its cheerfulness, in its joyfulness, because it had now become the envelope not of the departed soul but of the immortal soul of the gods existing in the present. One can only think of a Greek temple as the dwelling house of the god. The Greek temple is not perfect in itself. There can only be a temple of Apollo, a temple of Zeus, a temple of Athena. The Greek went to the temple knowing that this was where the god lived. If we leave out some of the architectural styles, we can then move on to the example of the Gothic building, the cathedral. Let us look again at the form of the cathedral: We no longer see in it any reminiscence of the tomb, at most this is preserved in an inorganic way through tradition, in that the altar is reminiscent of the gravestone, but this is brought into the whole in an inorganic way; the Gothic architectural idea is something different. The Greek temple is that which has shaped its forms through the conquest of the earth's gravitational forces. How could one form that which grows out of the construction of the tomb, that which rises over the earthly tomb, over that which has been lowered into the earth, in any other way than by conquering the forces of the earth's gravity through the force-dynamics, through the form of the building, by mastering in the supporting column, in the supported beam, the forces of gravity which are the forces of the earth. Later, feeling does not go to the earth, not to the ancestral soul that has disappeared: it lifts itself out and goes into the expanses of the world to the God above. Accordingly, the Gothic architectural forms take on their special form. The striving form of the gothic building is not the overcoming of weight: the most important thing in the form of the gothic building is mutual support. Nowhere do we actually see bearing, we see striving upward. We do not see weight, but a striving upwards toward heaven. Therefore, the Gothic cathedral is not the dwelling place of any gods, like the Greek temple, but the Gothic cathedral is the meeting place of the faithful, the meeting place of the congregation. If one enters a Greek temple from which the image of the god has been removed, the Greek temple has no meaning. A Greek temple without the image of the god is meaningless. The image of the god must be supplemented in the imagination. If you go into a Gothic cathedral without mass being said and preached, or without a congregation praying together - it is not complete. The living congregation belongs there. And the word for cathedral, “Dom”, also expresses the flowing together of the congregation. Duma and Dom have the same origin. And when the Narodnaya Duma got its name, it was out of the feeling of working together, just as the Gothic cathedral got its name out of the feeling that people must flow together with their souls and together direct their feelings upwards in the direction of the striving Gothic forms. We see how the perception of artistic forms demonstrates a certain progress in the course of human evolution. Today we no longer live in a time in which one feels as one did in the period when the Gothic flourished. Today we live in a time in which the human being must penetrate deeper into their own inner being. Today we can only establish a social community by each person experiencing "know thyself" in a higher sense than was previously the case - even if it resounds through the ages as the old Apollonian demand of "know thyself" - and fulfilling it in a deeper sense. Only by becoming individualities in the most intensive sense can we form human communities today. When one immerses oneself in the forms of this Goetheanum, in a feeling way, what do they speak to us? What do they reveal to our gaze? If we want to speak about them, we must try to place before the human soul exactly the same thing that can be expressed through the anthroposophical world view as the mystery of the human being and the mystery of the world, as they reveal themselves to the human being, precisely through ideas, through concepts. The Greek temple represented the dwelling place of the God who descended to earth. The Gothic cathedral represented that which evokes in one the urge to feel "know thyself" and to be together with other people precisely out of this recognition. When you enter this house, you should have the feeling: In the forms, in the paintings, in everything that is there, one finds the mystery of the human being, and one likes to unite with other people here, because here everyone finds that which reveals their human value, their human dignity, in which one likes to unite lovingly with other people. In this way, this building wants to welcome all those who enter it, who approach it.
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243. True and False Paths in Spiritual Investigation: The Secret of Investigation into Other Realms through the Metamorphosis of Consciousness
14 Aug 1924, Torquay Tr. A. H. Parker Rudolf Steiner |
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At the twilight hour, when nature invites to contemplation, they would follow the pathway leading from the Temple doorway into a grove with arboured walks, planted with dark-green trees in which paths fanning out from the Temple of Ephesus were gradually lost to view in the distance. |
Beneath our feet are the plants and around us are the lengthening shadows of twilight and the dim green light of the temple grove. The first stars are beginning to shine in the heavens. Behold the majesty and grandeur of life's inexhaustible vitality in the Heavens above and the Earth beneath. |
When they shared these deepest insights, when next they saw the approach of dawn and the morning star shining in the East, sending shafts of light into the dark green grove whose avenues of majestic trees were gradually lost to view in the distant vista, their hearts were gladdened. |
243. True and False Paths in Spiritual Investigation: The Secret of Investigation into Other Realms through the Metamorphosis of Consciousness
14 Aug 1924, Torquay Tr. A. H. Parker Rudolf Steiner |
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I have spoken about the form, substantiality and metallity of the mineral kingdom in so far as they are related to the different levels of consciousness in man. Before extending my observations to include certain metallic substances, I must make my position perfectly clear. From what I have said it might readily be inferred that I was recommending the ingestion of these substances in the form of nutriments as a means of inducing states of consciousness that differ from the normal. When discussing methods of achieving spiritual insight through inner training and discipline, one often hears the remark: I would be only too glad to know something of other worlds and other states of consciousness, but it is too difficult to carry out the exercises which are recommended; they take up so much time. A little later, perhaps, these people make a start. Then, after a time, the immediate demands of life intervene and they find they are unwilling to sacrifice their ingrained habits. By degrees they lose enthusiasm and the exercises are quietly dropped. Not surprisingly these people achieve nothing; they find the need to practise spiritual exercises excessively irksome. When they hear, for example, that the qualities of certain metals are associated with other levels of consciousness, they feel more reassured. If a small dosage of copper is all that is required in order to preserve a spiritual link with another after death, then why not take it, they conclude, if it enables one to develop a higher level of consciousness. The idea becomes all the more attractive when they hear that the practice adopted in the ancient Mysteries was not so very dissimilar, though in those days, of course, it was only carried out under the continuous and closest supervision of the Initiates. And when people are told of this, they wonder why these old practices are not revived. But they overlook the fact that in ancient times the whole physical organization of man was differently constituted. In those days, and even as late as the Chaldean epoch, he lacked our present intellectuality. Thoughts were not self-generated as today, but came to him through inspiration. Just as we realize today that we do not create the red of the rose, but receive the impression of the rose from without, so the men of ancient times were aware that thoughts were transmitted via external objects, they were “in-spired,” breathed into them. The reason for this was to be found in the different constitution of the physical organism, including even the composition of the blood. Therefore it was possible to administer highly potentized doses of those metals I have spoken of—homoeopathic doses as we call them today—in order to assist people in carrying out their spiritual exercises. A man of the Chaldean epoch, we will suppose, has been prescribed highly potentized doses of copper. Before taking it—this was the general practice of the time—he was directed to perform certain specific spiritual exercises. In such cases, years rather than days of training were demanded of him before the highly potentized copper could be administered. And because his physical constitution was different from ours, he learned, through his training, to retrace the reactions upon the upper part of the body, of this finely distributed, highly potentized copper that was circ41ating in his blood stream. When copper was administered after this careful training, he felt inwardly that his words took on added warmth, because he himself had generated warmth in his larynx and in the nerves leading from the larynx to the brain. Now because his physical make-up was different, he was able to react with such extreme sensitivity to what was taking place within him. If one were to administer highly potentized copper in similar circumstances today, it would of course take effect, but it would provoke a laryngeal condition and nothing further. It is important, therefore, to understand the difference between the physical constitution of man in those times and that of today. Then one will no longer be tempted to induce other states of consciousness by administering medicaments, which was the normal practice in ancient times and was still frequently practised in the Middle Ages. At the present time the only valid method is for man to have an inner perception of the nature, the essential being of copper as I indicated yesterday and thus develop a sensitive response to the colour of burnished copper, to the behaviour of copper in copper sulphate solution. By concentrating and meditating upon this response, he will ensure that he reacts in the right way. But, you will object, in my book, Knowledge of the Higher Worlds, there is no indication of what preparatory steps should be undertaken in order to develop this response to copper. That is so. But in principle the directives are given in my book, though copper is not specifically mentioned. A description is given of how one should enter into the being of crystals, plants, etc. and the preparatory exercises are indicated. But of course no information is given of how to meditate on the nature of copper; a whole library (rather than a book) would be needed for that. Nor was it necessary, since directives have already been given—exercises to promote self-confidence, for example, and exercises in concentration upon some specific theme or object. Such exercises, in effect, are already covered by what I have just said about the nature of copper. There is no specific statement to the effect that one should meditate upon the nature of copper. It is suggested that some simple subject or theme should be selected for purposes of meditation morning and evening. That is tantamount to meditating upon the nature of copper. Only that is given as a subject for meditation which could refer to its metallic nature. A meditation upon some specific theme such as “wisdom radiates in the light” has a decisive influence upon the inner life, if carried out in earnest. The effect would be the same as if someone were to explore the nature of copper from all angles and to concentrate on its physical aspect. In the first instance, our approach is from the moral standpoint, in the second, from the physical and chemical standpoint. It is far better for the non-chemist to enter the spiritual world from the moral standpoint. It is necessary, therefore, to see things in their proper relationship, because it would be a mistake for the man of today to follow uncritically the methods of the ancient Mysteries in order to gain insight into the spiritual world. The right course for today is to replace the external, physical approach by a more moral and spiritual approach. With the development of his physical organism man's whole relationship to nature has been transformed. Composition of the blood, tissue fluid and the whole physical constitution are different today from those of the ancient Chaldeans. This cannot be proved by anatomical analysis. In the first place, the anatomist spends most of his time dissecting corpses. Recently a scientific congress raised a cry of alarm and clamoured for more corpses. Anatomists found there was a shortage of corpses for investigating the hidden secrets of life. But it would not be easy to procure Chaldean corpses in order to pursue these investigations! In the second place, with his crude technique, the anatomist would find no answer to the hidden secrets of life; these must be explored by spiritual means. Since our physical body is differently constituted from that of the ancients, one point must be clearly established. It is still possible today to dispense highly potentized substances, metal potencies, for example. What is the reason for this? The explanation is that we have a deeper insight into the real being of nature. If we really understand the nature of the human body, we know that its functioning is modified by the metals I have mentioned—tin, copper, lead, and so forth. And I have shown how they modify, in the first instance, the conditions of consciousness. Today, however, we are aware that changes take place in the body, even in normal life, if I may use such a mundane expression. Let us assume, for example, that we experience a change in that region of the body which radiates the activity of copper as I pointed out yesterday. Any such change is reflected in disturbances of the digestive organs, in the metabolic-limb system—in disturbances of the organs predominantly associated with metabolism, digestion and assimilation of nutrients. Every such disturbance in the human organization which we call dis-ease is also associated with the evocation of a different state of consciousness. The full implication of this must be borne in mind. Now what is the significance of organic disease? I said yesterday that for the man of today his normal condition of waking consciousness lies in the heart centre. Other states of consciousness are associated with other organs, but they always remain in the subconscious. The region of the larynx, including the area extending from the larynx to the brain, lives continuously in a state of consciousness sequential to the normal state which I described yesterday. The region in the neighbourhood of the digestive organs shares the same time-scale as the dead after death. Man always participates in this state of consciousness. Everyone shares the after-death experiences of those he knew personally in life. But he experiences them below the heart, not in the heart. Therefore he knows nothing of this experience; it remains in the subconscious, below the threshold of consciousness. When some disturbance occurs, such as dyspepsia, for example, in that region where man is spiritually in touch with the dead, the consciousness below the heart centre is modified; it begins to operate too actively. What then is the explanation of a certain kind of gastric disorder? From the physical angle it is simply a label for the practitioner's diagnosis. Now the point of view presented here is in no way directed against a purely physical approach to medicine. I recognize and appreciate its value. As Anthroposophists we do not adopt the attitude of the dilettante, the amateur or the charlatan who disparage or criticize orthodox medicine. We fully accept its findings. When a person suffers from a gastric disorder, the symptoms can be diagnosed physically; but as a result of his gastric condition he is more able to share in the life of the dead immediately after their death. Of course a physical diagnosis is made before therapeutic treatment can begin. From the spiritual standpoint we would say that such a person feels impelled to preserve, after their death, his spiritual link with the souls he has known on Earth. But he is unable to enter into the consciousness that lies below the heart. He is unaware that he is in communion with the dead. That is the spiritual aspect of such a complaint. Gastric disorders arise because one is too much attached to the dead. Under such conditions one is dominated by the dead. We are strongly influenced by that world which, as I indicated yesterday, is so much more real than the physical world. Let us imagine we have a balance in front of us. If the pointer is deflected, the zero reading is restored by loading the other scale-pan. The state of disbalance in a person who has developed such abnormal sensitivity in this consciousness below the heart that he is too attached to the dead—and he is quite unconscious of this—is analogous to the scale-pan that is loaded on the one side. Equilibrium is restored by adding an equivalent load to the other side. Thus, if the consciousness below the heart is too active, the consciousness in the region of the larynx must be diminished; the heart lies between, it acts as a regulator and it is the knife edge on which the beam of the balance oscillates. Equilibrium is restored by administering copper. I have already pointed out that man's body today is constituted in such a way that the larynx reacts to copper. The metabolic and laryngeal systems are as closely related as the two sides of the balance. One may be adjusted by means of the other. If suitable doses of copper are administered, the patient is inclined to withdraw somewhat from the realm of the dead and thereby benefits in health, whereas otherwise he is increasingly identified with it. That is the spiritual aspect of healing. Today we know, therefore, that all substances have both a physical and moral aspect. The old Initiates could make use of the physical aspect for the benefit of their pupils but only after their pupils had undergone extensive training. It should no longer be used in the same way today. Today the moral attributes are the province of psychic development, the physical attributes that of the doctor. It is important that the man who is familiar with the physical side of substances and has occasion to make a detailed study of this aspect should also supplement his information by a knowledge of the moral side. This must be strictly adhered to for present day perception and for practical perception in the field of spiritual methods. The human organism has changed radically with the passage of time and the close relationship that used to exist between the knowledge of the moral and physical aspect of substances has been lost and must be restored again. I shall have more to say presently about the loss of this relationship. The relationship between medical science with its predominantly physical outlook and spiritual science must none the less be different today from that of the remote past. In both cases this relationship must continue, but it will assume a different form today. It is upon the knowledge of such things that our ability to distinguish between the true and false paths in spiritual investigation depends. A brief review of man's whole attitude to knowledge over the centuries may help to throw further light upon what I have already discussed. Let us look at the evolution of mankind in retrospect, when the interpretation of knowledge and research was so very different. The enormous advances made in recent times in the knowledge of thermo- and electro-dynamics and of living organisms are c1assffied today under nature, natural history, natural science and, in England, natural philosophy. The way nature is presented in schools today is highly abstract. Nature is seen as a sum of “natural laws”—that is the expression used—which children are expected to memorize. And the abstract character of this study is carried over into life. Consider how cold and abstract even the most enthusiastic student finds natural science today. In botany he is obliged to learn by heart lists of botanical terms for plants and plant species, in zoology, the names and classifications of animals and animal species. He soon forgets them and has to go over the ground again and again for examination purposes. And after the examination he often forgets them completely; should he need them again, he looks them up in a book of reference. It could hardly be said that a student of today has the same relationship to botany and zoology as he has to some personality to whom he is devoted. That is out of the question. Nature today has become something vague and nebulous, a catalogue of laws of gravitation, heat, light, electricity, magnetism—the laws of mechanics. Natural science and natural history deal with the study of stones and plants. But natural science includes in addition the life and inner constitution of the organs of plants, animals and man of which we are admittedly ignorant. In brief, natural science and natural philosophy today include much that we claim to know and much of which we are totally ignorant. Now this is a state of affairs that hardly inspires confidence; everything is so nebulous and confused, the thinking so superficial and abstract. Nowadays we strive manfully to master this abstraction we call “nature” and many, it must be admitted, have grown somewhat indifferent to this abstract approach. And if we do not belong to the younger generation which is in active revolt against what is being taught in our schools as natural science, we adopt an attitude of benevolent neutrality. This was not always the case. I should like now to characterize briefly the attitude to knowledge a few centuries ago. When we look back to the ninth, tenth, eleventh and even to the twelfth and thirteenth centuries we come across men—though they were considerably fewer at that time—whom we should describe today as savants, men adjudged to be the outstanding scholars of their day, who taught in the famous School of Chartres in the eleventh and twelfth centuries, such as Bernardus Silvestris, Bernard of Chartres, Alanus ab Insulis. These personalities were still fortunate enough at that time to be associated with Initiates, men who had profound insight into the mysteries of existence, such as the famous medieval Initiate Joachim of Fiore or that other illustrious personality known to the world as John of Hanville. [or Hauteville; in Latin, Altavilla. His work Architrenius (1184) is mentioned in one of Rudolf Steiner's notebooks. The work is a long epic describing the allegorical journey of a young man seeking the help and counsel of the Goddess Natura.] I mention these names, to which many others could be added, in order to evoke the spirit of the age, in order to characterize the attitude towards knowledge that was prevalent at the time. When we enter into the spiritual outlook of such personalities, we find that their conception of nature is wholly different from our own. In the case of the typical botanist, pathologist or histologist of today, the expression on his face belies any deep interest in the mysteries of pathology or anatomy; it reflects rather the memories of the dance he had attended the night before. We learn more about the festive occasion than about the mysteries of nature! It was a very different matter to look into the eyes of a Joachim of Fiore, an Alanus ab Insulis or a Bernardus Silvestris. Tragedy was written on their countenances. They felt they were living in an epoch which had suffered irreparable loss. And the growing realization of this loss filled their hearts with tragic sorrow. Or again, if we had looked at their fingers, fingers which the modern decadent world would describe as ‘nervous,’ sensitive fingers, which bore living witness to their desire to probe into those ancient mysteries, the loss of which was written on their faces, we should have perceived a yearning to revive the ancient wisdom of the past. There were brief moments when they were able to conjure up pictures of those ancient times for their pupils; but they were only phantom images. Now what I am about to depict to you is no poetic fantasy, but a reality. We can visualize Alanus ab Insulis of the School of Chartres, where the magnificent Cathedral still stands today, speaking to his pupils about nature and saying: Nature is a Being who eludes us when we draw near to her. Man now directs his energies to other ends; he no longer shares that intuitive understanding of nature which the sages of former times once possessed. Nature, in their eyes, was a majestic Being endowed with spirit, operating everywhere—where rock formations were created, where plants sprang out of the Earth, and jewelled stars sparkled in the heavens. Everywhere a Being of infinite grandeur was at work, who revealed herself in the wondrous form of a woman weaving nature's web. The ancients experienced this intuitively. From their descriptions we can still picture how nature appeared in their eyes, weaving and working in all around, in the manifestations of warmth, light, colour and life. They realized that the Goddess Natura was a divine-spiritual Being whose real essence could be known only through direct perception. A personality such as Alanus ab Insulis was still able to present such conceptions to his pupils in the School of Chartres. But because the Initiates saw this old conception of the Goddess Natura gradually fade and die, saw replete with life and vitality the nature that we today regard as dead and abstract because we have lost touch with her, sorrow and tragedy were written on their faces. Then, again, we hear of such men as Brunetto Latini, Dante's famous teacher. During his travels, through some strange karmic incident, he suffered a heat-stroke which produced a change of consciousness. This event was far more important for his development than the sufferings he endured when the last of the Guelphs were expelled from his native city. Because of this transformation of consciousness he was still able to perceive this Goddess Natura and described her in his book Tesoretto. He gives a graphic description, imaginatively inspired, of how, on his homeward journey to his native Florence, he came upon a hill in the midst of a desolate forest and on this hill he saw the Goddess Natura weaving at her loom. She revealed to him the significance of thinking, feeling and willing for the human soul the intrinsic nature of the four temperaments and the function of the five senses. And the eyes of his spirit and soul were opened. This experience on his homeward journey from Spain to his native Florence under the influence of a depressed, pathological condition was a spiritual reality. As a result of this inward transformation, he saw the weaving life of the four Elements, fire, earth, water and air, the flux and movement of the planets and the soul emerging from the body into the Cosmos. All this he experienced under the influence of a spiritual teaching at the hands of the Goddess Natura. These experiences were described by the men of that epoch with a clarity and concreteness that could scarcely be bettered today. At the same time, they felt that the ancients had experienced this knowledge in a different way and that in the course of time it had gradually been lost. In order to revive the knowledge of these mysteries it was necessary to induce a pathological condition. And they felt an irresistible urge to keep alive the real image of Natura. And when in retrospect we review man's whole attitude to nature knowledge, we feel that our approach to nature is abstract, that nature is a catalogue of laws. We are proud if we can see these laws even to some extent as a related whole. If we look back a few centuries we see that a living relationship existed between man and a divine Being who was living, weaving and working in natural phenomena—in the rising and setting of the Sun, in the transmission of warmth to the stones and plants, a warmth that is actively operating within all this life, growth and proliferation. How different was a science that took into account the activities of the Goddess Natura. The mood in which the students of the School of Chartres—the majority were of the Cistercian Order—came out of their lectures was vastly different from the mood of students leaving their lecture-rooms today! Their response was vitally alive and a deeper expression of their inner being. And the same living reality is reflected in the descriptions of such men as Brunetto Latini, the celebrated teacher of Dante. The vigorous, creative spirit of the time can readily be imagined, for the characters and splendid pictorial descriptions of Dante's Commedia are inspired by the graphic descriptions of his teacher Brunetto Latini who owed his Initiation to a karmic incident. And the School of Chartres and other Schools were indebted to Initiates such as Joachim of Fiore and others for much of the instruction given at the time. The term Natura was not used in our abstract sense; it implied something operating creatively in external sensible phenomena, but which remained veiled and escaped one's gaze. Another factor must also be taken into consideration. Let us assume—and again I am describing a fundamental reality, not some poetic fantasy—that, as an elderly student, you had attended a course of lectures given by Alanus ab Insulis and had taken part in the discussions; the students had been dismissed and you were walking alone with Alanus ab Insulis discussing the problems at issue. The conversation might have turned upon some particular point. You might have spoken of the Goddess Natura who manifests herself in the phenomenal world, but who is veiled from you. Then Alanus ab Insulis who had warmed to the discussion would have said: If we still shared in our life of sleep the condition formerly possessed by the ancients, we would be in touch with the hidden side of nature. Our sleep leads to oblivion; but it was precisely in the unconscious that the ancients were in contact with the hidden side of nature. Could we but experience again the clairvoyant sleep of the ancients, we should know the Goddess Natura. And if, in a similar situation, you had been engaged in intimate conversation with Joachim of Fiore, he would have replied: our sleep is devoid of content, our consciousness is obliterated. It would be difficult therefore to know the Goddess Natura weaving and working in all created things. The ancients were aware of her hidden and her visible aspects. They never used the term Natura. They never maintained that the Being whose presence we vaguely sense, but do not know, was the Goddess Natura. They gave her another name—Proserpina, or Persephone. This was common knowledge in those days. What I have just described has been transformed into our abstract conception of nature. And what lived in the souls of such men as Bernardus Silvestris, Alanus ab Insulis, John of Hanville, and above all in Brunetto Latini, was a transformation of the Goddess whom the ancients saw as Proserpina, the daughter of Demeter—the entire universe; Proserpina (the modern term sounds commonplace)—nature, nature who can live only half of her life in the upper world, who reveals only her physical and sensuous aspect to mankind, whilst the other half of her life is spent in those realms where man dwells in sleep, realms which man can no longer inhabit today because his sleep is emptied of true reality. Our knowledge of nature, though we are unable to realize it owing to our present abstract conception, is an echo of what once lived in the old Greek myth of Persephone. The fact that the men of sorrowful countenance were aware of this and that it could still be known in their day, shows how much the paths of knowledge have changed with the passage of time. As I said in the earlier part of my lecture, we can only develop the right feeling for, and sense the subtle distinctions in these things, when we review in retrospect the nature of the knowledge that once existed. I have quoted these examples, not with the idea of reviving ancient forms of knowledge, but in order to call attention to the kind of knowledge that was prevalent in former times. If we can hold fast to the words which might have been spoken perhaps by Joachim of Fiore or John of Hanville: “What we regard as nature today, or whatsoever is veiled from us because we cannot apprehend it spiritually, this was once known as Proserpina,” and if this myth of Proserpina (for it has survived only as a myth) is renewed within us, then the images evoked by this myth awaken images of still earlier relationships. They are images from the time when man knew neither the abstract nor the tragic aspect of the Goddess Natura, when he saw Proserpina-Persephoneia herself, in her aspect of radiant beauty and tragic gloom. And in what aspect did she appear in those far-off days of her prime? These were not the days of Plato's philosophy, nor of Socrates' dialogues, but much earlier times, when knowledge was far more vitally alive than at the height of Greek culture. Let us try to envisage the different forms knowledge has taken in the course of human evolution so that we may see in the right perspective what we have already discussed from the standpoint of the present and which will be discussed in further detail in the course of these lectures. Though of necessity our account will be brief and imperfect, let us try to envisage the nature of the Mysteries into which the Greek philosopher Heraklites was initiated, the ‘dark’ and ‘gloomy’ Heraklites as he was called, because, in later years, a psychic darkness had descended upon all that he had received at the hands of the Mysteries. Let us picture that period in the development of the Mysteries when the Greeks drew upon them for their imaginative vision and the creation of their myths. And let us picture to ourselves the Mysteries of Ephesus into which Heraklites had been initiated. Knowledge from primeval times was still extant in Ephesus and persisted into Homer's time and even into the time of Heraklites' Initiation, though in an emasculated form. These ancient Mysteries were still actively flourishing. A strong and powerful spiritual atmosphere was present in that temple which was adorned on the Eastern side with the statue of the Goddess Diana, the Goddess of Fertility, who symbolizes the superabundant fertility of nature everywhere. When conversations were held, momentous secrets of existence, profound spiritual secrets were imparted to the pupils through the spoken word immediately after they had taken part in the Mysteries and had received the mighty impulses of the Mysteries from the ceremonies in the Temple of Ephesus. And these profound conversations were continued after the participants in the ceremonies had left the Temple. At the twilight hour, when nature invites to contemplation, they would follow the pathway leading from the Temple doorway into a grove with arboured walks, planted with dark-green trees in which paths fanning out from the Temple of Ephesus were gradually lost to view in the distance. I should like to offer you a somewhat inadequate picture of conversations of this kind. It was not unknown for someone who had received a partial Initiation into the Mysteries of those times to enter into conversation with a pupil of either sex. Now you must realize that in those days equality of rights between the sexes, though forfeited immediately afterwards, was very much more a living reality than it is today. We can speak, therefore, both of male and female pupils at Ephesus. And in these conversations there was a lively interest in the spiritual aspect of the myth of Persephone. But how was such a conversation conducted? First, there was the teacher, the Priest-Initiate, who, from the spiritual impulses he had received, was empowered to speak of the contingencies in the world of forms, of the inter-relationships of entities in that world. Speaking from his Initiate knowledge he would say something like the following to his pupil.—It is now twilight, and sleep which reveals the spiritual world will soon overtake us. Look upon your human form in its totality. Beneath our feet are the plants and around us are the lengthening shadows of twilight and the dim green light of the temple grove. The first stars are beginning to shine in the heavens. Behold the majesty and grandeur of life's inexhaustible vitality in the Heavens above and the Earth beneath. Then behold yourself and remember that a whole universe lives and stirs within you, that all organic activity, all the changes and chances of your inner life bear witness every moment of the day to a plenitude of facts and to endless transformations of your being. Realize that you are a microcosm which, though spatially delimited, is richer in mystery and wonder than the macrocosm which you apprehend visually and intellectually. Learn then to feel and know this world within you. Realize that you are now looking out from your microcosmic world into the larger world that reaches from the Earth to the stars. Then sleep will overtake you; you will no longer be a prisoner of your own body, of your own world, but will inhabit that other world you now behold, a world that embraces the Earth and the stars. Your soul and spirit will have relinquished the physical body and you will be sharing the radiance of the stars and the exhalations of the Earth. You will ride the winds and think with star-radiance. You will now be living in the spiritual world and will look back upon your microcosmic self. In ancient times it was possible for the teacher to speak to his pupil after this fashion, because the perception of the external world was not so sharply defined as now, and the life of sleep had not yet become a total blank. It was still crowded with experiences. When referring to this state of sleep, the teacher spoke of realities, saying: You are now in the presence of Proserpina, Persephone or Cora. Cora lives in the stars, in the rays of sunshine, in the moonbeams and the growing plants. Everywhere can be seen the activities of Persephone, for she has woven the garment of the universe. And behind it all is Demeter, her mother, for whom Persephone has woven this garment which you see as the external world.—The teacher did not use the term ‘nature;’ he preferred to speak of Persephone or Cora. And continuing the dialogue with his pupil, the teacher went on: If someone were to remain awake for a longer period than yourself, then, whilst you were asleep, he would perceive the plants, mountains, clouds and stars—external manifestations of Persephone—exactly as you do now. Illusion lies in the manner of our seeing. It is not Persephone, not her creative activities in mountains, plants, clouds and stars that are illusory, but how you see them. And now the moment has come for sleep. Through your eyes, the organ of life's mysteries, Cora-Persephone will enter into you.— These things were described so vividly because they had been so vividly experienced; so that, whilst falling asleep, the sleeper not only felt that sight, hearing and perception were being extinguished, but he was aware of Persephone sinking down through the eyes into the physical and etheric bodies from which his soul and spirit had withdrawn whilst he slept. In waking life we live in the upper world, in sleep we live in the lower world. Persephone entered through the eyes of the sleeper into the physical and etheric bodies. She dwelt with Pluto, the Lord of sleep within the physical and etheric bodies. The sleeping neophyte experienced the activity of Pluto and Persephone. Through the instruction he had received he became aware of the entry of Cora through the gateway of the eyes. This became a living reality to him, and now he experienced the deeds of Pluto and Persephone during sleep. And whilst the neophyte experienced this, his teacher had corresponding experiences that were related to the world of forms. Then, when teacher and pupil met together again, each had experience of his own particular insights. And when they discussed plants and trees, the teacher would describe how the forms arose, for they had been revealed to him in sleep. Then he would discuss in detail the configuration of the leaves and stems, of the whole nature-kingdom and the formative forces which work down into the Earth from above. And though the pupil had perhaps experienced different insights, he could probably follow his teacher when he spoke of the mysteries of chlorophyll and osmosis. Thus the conversations supplemented each other: in this vivid picture of the Goddess Persephone in the underworld, revealing her other aspect to man whilst he slept, these secrets were revealed to the human soul and entered into it. Thus, in those far-off times, the pupil learned from the teacher and the teacher from the pupil. On the one hand, the teachings were of the spirit and soul, on the other hand, of soul and spirit. From this interchange of pooled experience they touched the highest flights of knowledge. When they shared these deepest insights, when next they saw the approach of dawn and the morning star shining in the East, sending shafts of light into the dark green grove whose avenues of majestic trees were gradually lost to view in the distant vista, their hearts were gladdened. They had dwelt for a brief hour in that realm we now call the realm of nature. And when they had talked of these things amongst themselves, they knew for certain they had held converse with Persephone. And they knew also that all that was later incorporated into the myth of Persephone was, in reality, the hidden source of man's knowledge of nature. I can only indicate imperfectly the fascination of these conversations that were related to the Mysteries of Ephesus and were imbued with a vital, living knowledge of Persephone. But in the course of time this knowledge was toned down to the abstraction we know as nature today and men such as Joachim of Fiore were saddened by this tragic loss. We can only understand the path leading to an understanding of the spiritual nature of man and the Cosmos when we draw attention to, and characterize, not only the separate states of consciousness within man's reach, but also show how these states have been transformed in the course of the evolution of mankind; when we realize how very different from our own was the knowledge ,that informed the conversations of those who had participated in the Mysteries in the Temple of Ephesus, and how different was the nature of the converse held with such personalities as Joachim of Fiore and Alanus ab Insulis; and how different today is the knowledge that we must strive to attain once more, in order through spiritual training to seek forms of knowledge which lead back from the Outer to the Inner, from the Above to the Below and then from the Inner to the Outer and the Below to the Above. |
236. Karmic Relationships II: The Study of History and the Observation of Man
23 Apr 1924, Dornach Tr. George Adams, Mabel Cotterell, Charles Davy, Dorothy S. Osmond Rudolf Steiner |
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For all that man sees spread around him in nature is only a part—gives as it were one picture of the world only: and to limit study of the world to this realm of nature is like studying a plant without looking beyond root, green leaf and stem, and ignoring flower and fruit. This kind of study can never reveal the whole plant. Imagine a creature that is always born at a particular time of the year, lives out its life during a period when the plant grows as far as the green leaves and no further, dies before the plant is in blossom and appears again only when roots and green leaves are there. |
236. Karmic Relationships II: The Study of History and the Observation of Man
23 Apr 1924, Dornach Tr. George Adams, Mabel Cotterell, Charles Davy, Dorothy S. Osmond Rudolf Steiner |
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I should like during these few days to say something rather especially for the friends who have come here to attend the Easter Course,1 and who have not heard much of what has connections. Those who were present at the lectures before Easter may find some repetitions but the circumstances make this inevitable. I have been laying particular emphasis on the fact that study of the historical development of the life of mankind must lead on to study of the human being himself. All our endeavours aim in the direction of placing man at the centre of our study of the world. Two ends are attained thereby. Firstly, it is only in this way that the world can be studied as it truly is. For all that man sees spread around him in nature is only a part—gives as it were one picture of the world only: and to limit study of the world to this realm of nature is like studying a plant without looking beyond root, green leaf and stem, and ignoring flower and fruit. This kind of study can never reveal the whole plant. Imagine a creature that is always born at a particular time of the year, lives out its life during a period when the plant grows as far as the green leaves and no further, dies before the plant is in blossom and appears again only when roots and green leaves are there.—Such a creature would never have knowledge of the whole plant; it would regard the plant as something that has roots and leaves only. The materialistic mind of to-day has got itself into a similar position as regards its approach to the world. It considers only the broad foundations of life, not what blossoms forth from the totality of earthly evolution and earthly existence—namely, man himself. The real way of approach must be to study nature in her full extent, but in such a way as all the time to realise that she must needs create man out of herself. We shall then see man as the microcosm he truly is, as the concentration of all that is to be found outspread in the far spaces of the cosmos. As soon, however, as we study history from this point of view, we are no longer able to regard the human being as a resultant of the forces of history, as a single, self-contained being. We must take account of the fact that he passes through different earthly lives: one such life occurs at an earlier time and another at a later. This very fact places man at the centre of our studies, but now in his whole being, as an individuality. This is the one end that is attained when we look in this way at nature and at history. The other is this.—The very fact of placing man at the centre of study, makes for humility. Lack of humility is due to nothing else than lack of knowledge. A penetrating, comprehensive knowledge of man in his connection with the events of the world and of history will certainly not lead to excessive self-esteem; far rather it will lead the human being to look at himself objectively. It is precisely when a man does not know himself that there rise up in him those feelings which have their source in the unknown regions of his being. Instinctive, emotional impulses make themselves felt. And it is these instinctive, emotional impulses, rooted as they are in the subconscious, that make for arrogance and pride. On the other hand, when consciousness penetrates farther and farther into those regions where man comes to know himself and to recognise how in the sequence of historical events he belongs to the whole wide universe—then, simply by virtue of an inner law, humility will unfold in him. The recognition of his place in universal existence invariably calls forth humility, never arrogance. All genuine study pursued in Anthroposophy has its ethical side, carries with it an ethical impulse. Unlike modern materialism, Anthroposophy will not lead to a conception of life in which ethics and morality are a mere adjunct; ethics and morality emerge, as if inwardly impelled, from all genuine anthroposophical study. I want now to show you by concrete examples, how the fruits of earlier epochs of history are carried over into later epochs through human beings themselves. A certain very striking example now to be given, is associated with Switzerland. Our gaze falls upon a man who lived about a hundred years before the founding of Christianity.—I am relating to you what can be discovered through spiritual scientific investigation.—At this period in history we find a personality who is a kind of slave overseer in southern Europe. We must not associate with a slave overseer of those times the feelings that the word immediately calls up in us now. Slavery was the general custom in days of antiquity, and at the time of which I am speaking it was essentially mild in form; the overseers were usually educated men. Indeed the teachers of important personages might well be slaves, who were often versed in the literary and scientific culture of the time. So you see, we must acquire sounder ideas about slavery—needless to say, without defending it in the least degree—when we are considering this aspect of the life of antiquity. We find, then, a personality whose calling it is to be in charge of a number of slaves and to apportion their tasks. He is an extraordinarily lovable man, gentle and kind-hearted and when he is able to have his own way he does everything to make life easier for the slaves. In authority over him, however, is a rough, somewhat brutal personality. This man is, as we should say nowadays, his superior officer. And this superior officer is responsible for many things that arouse resentment and animosity in the slaves. When the personality of whom I am speaking—the slave overseer—passes through the gate of death, he is surrounded in the time between death and a new birth by all the souls who were thus united with him on earth, the souls of the slaves who had been in his charge. But as an individuality he is very strongly connected with the one who was his superior officer. The fact that he, as the slave overseer, was obliged to obey this superior officer—for in accordance with the prevailing customs of the time he always did obey him, though often very unwillingly—this fact established a strong karmic tie between them. But a deep karmic tie was also established by the relationship that had existed in the physical world between the overseer and the slaves, for in many respects he had been their teacher as well. We must thus picture a further life unfolding between death and rebirth among all these individualities of whom I have spoken. Afterwards, somewhere about the 9th century A.D., the individuality of the slave overseer is born again, in Central Europe, but now as a woman, and moreover, because of the prevailing karmic connection, as the wife of the former superior officer who reincarnated as a man. The two of them live together in a marital relationship that makes karmic compensation for the tie that had been established away back in the first century before the founding of Christianity, when they had lived as subordinate and superior officers respectively. The superior officer is now, in the 9th century A.D., in a commune in Central Europe where the inhabitants live on very intimate terms with one another; he holds some kind of official position in the commune, but he is everyone's servant and comes in for plenty of knocks and abuse. Investigating the whole matter further, we find that the members of this rather extensive commune are the slaves who once had their tasks allotted to them in the way I told you. The superior officer has now become as it were the servant of them all, and has to experience the karmic fulfilment of many things which, through the instrumentality of the overseer, his brutality inflicted upon these people. The wife of this man (she is the reincarnated overseer), suffers with a kind of silent resignation under all the impressions made by the ever-discontented superior officer in his new incarnation, and one can follow in detail how karmic destiny is here being fulfilled. But we see, too, that this karma is by no means completely adjusted. A part only is adjusted, namely the karmic relationship between the slave overseer and his superior officer. This has been lived out and is essentially finished in the medieval incarnation in the 9th century; for the wife has paid off what her soul had experienced owing to the brutality of the man who had once been the superior officer and is now her husband. This woman, the reincarnation of the former slave overseer, is born again, and what happens now is that the greater number of the souls who had once been slaves and had then come together again in the large commune—souls in whose destiny this individuality had twice played a part—came again as the children whose education this same individuality in his new incarnation has deeply at heart. For in this incarnation he comes as Pestalozzi. And we see how Pestalozzi's infinite humanitarianism, his enthusiasm for education in the 18th century, is the karmic fulfilment in relation to human beings with whom he had already twice been connected—the karmic fulfilment of the experiences and the sufferings of earlier incarnations. What comes to view in single personalities can be clear and objectively intelligible to us only when we are able to see the present earthly life against the background of earlier earthly lives. Traits that go back not merely to the previous incarnation, but often to the one before that, and even earlier, sometimes show themselves in a man. We see how what has been planted, as it were, in the single incarnations, works its way through with a certain inner, spiritual necessity, inasmuch as the human being lives not only through earthly lives but also through lives between death and a new birth. In this connection, the study of a life of which I spoke to those of you who were in Dornach before Easter, is particularly striking and interesting—the life of Conrad Ferdinand Meyer. Conrad Ferdinand Meyer presents a very special enigma to those who study the inner aspect of his life and at the same time greatly admire him as a poet. There is such wonderful harmony of form and style in his poems that we cannot help saying: what lives in Conrad Ferdinand Meyer always hovers a little above the earthly—in respect of the style and also in respect of the whole way of thinking and feeling. And if we steep ourselves in his writings we shall perceive how he is immersed in an element of spirit-and-soul that is always on the point of breaking away from the physical body. Study the nobler poems, also the prose-poems, of Conrad Ferdinand Meyer and you will say to yourselves: There is evidence of a perpetual urge to get right away from connection with the physical body. As you know, in his incarnation as Conrad Ferdinand Meyer, it was his lot to fall into pathological states, when the soul-and-spirit separated from the physical body to a high degree, so much so that insanity ensued, or at any rate conditions resembling insanity. And the strange thing is that his most beautiful works were produced during periods when the soul-and-spirit had loosened from the physical body. Now when we try to investigate the karmic connections running through the life of Conrad Ferdinand Meyer, we are driven into a kind of confusion. We cannot immediately find our bearings. We are led, first, to the 6th century A.D., and then again we are thrown back into the 19th, into the Conrad Ferdinand Meyer incarnation. The very circumstances we are observing, mislead us. I want you to realise the extraordinary difficulty of a genuine search for knowledge in this domain. If you are satisfied with phantasy, then it is naturally easy, for you can make things fit in as you like. For one who is not satisfied with phantasy but carries his investigation to the point where he can rely upon the faculties of his own soul not to play him false—for him it is no easy matter, especially when he is investigating these things in connection with an individuality as complex as that of Conrad Ferdinand Meyer. In investigating karmic connections through a number of earthly lives it is no great help to look at the particularly outstanding characteristics. What strikes you most forcibly in a man, what you see at once when you meet him or learn of him in history—these characteristics are, for the most part, the outcome of his earthly environment. A man as he confronts us is a product of his earthly environment to a far greater extent than is generally believed. He takes in through education what is present in his earthly environment. It is the more intangible, more intimate traits of a man which taken quite concretely, lead back through the life between death and a new birth into former earthly lives. In these investigations it may be more important to observe a man's gestures or some habitual mannerism than to consider what he has achieved perhaps as a figure of renown. The mannerisms of a person, or the way he will invariably answer you—not so much what he answers but how he answers—whether, for example, his first tendency is always to be negative and only when he has no other alternative, to agree, or whether again in quite a good-humoured way he is rather boastful ... these are the kind of traits that are important and if we pay special attention to them they become the centre of our observations and disclose a great deal. One observes, for instance, how a man stretches out his hand to take hold of things; one makes an objective picture of it and then works upon it in the manner of an artist; and at length one finds that it is no longer the mere gesture that one is contemplating, but around the gesture the figure of another human being takes shape. The following may happen.—There are men who have a habit, let us say, of making a certain movement of the arms. I have known men who simply could not begin to do anything without first folding their arms. If one visualises such a gesture quite objectively, but with inner, artistic feeling, so that it stands before one as a plastic, pliable form, then one's attention is directed away from the man who is actually making the gesture. But the gesture does not remain as it is; it grows into another figure which is an indication, at least, of something in the previous incarnation or in the one before that. It may well be that the gesture is now used in connection with something that was not present at all in the previous incarnation—let us say it is a gesture used in picking up a book, or some similar action. Nevertheless, it is for gestures and habits of this kind that we must have an eye if we are to keep on the right track. Now in the case of an individuality like Conrad Ferdinand Meyer, the point of significance is that while he is creating his poems there is always a tendency to a loosening of the soul-and-spirit from the physical body. There we have a starting-point but at the same time a point where we may easily go astray. We are led, as I told you, to the 6th century A.D. We have the feeling: that is where he belongs. And moreover we find a personality who lived in Italy, who experienced a very varied destiny in that incarnation in Italy, who indeed lived a kind of double existence. On the one side he was devoted with the greatest enthusiasm to an art that has almost disappeared in this later age, but was then in its prime; it is only in the remaining examples of mosaics that we are still able to glimpse this highly developed art. And the individuality to whom we are first impelled, lived in this milieu of art in Italy at the end of the 5th and the beginning of the 6th century A.D.—That is what presents itself, to begin with. But now this whole picture is obscured, and again we are thrown back to Conrad Ferdinand Meyer. The darkness that obscures vision of the man of the 6th century now overshadows the picture of Conrad Ferdinand Meyer in the 19th; and we are compelled to look very closely into what Conrad Ferdinand Meyer does in the 19th century. Our attention is then drawn to the fact that his tale Der Heilige (The Saint), deals with Thomas à Becket, the Chancellor of Henry II of England. We feel that here is something of peculiar importance. And we also have the feeling that the impression received from the earlier incarnation has driven us up against this particular deed of Conrad Ferdinand Meyer. But now again we are driven back into the 6th century, and can find there no explanation of this. And so we are thrown to and fro between the two incarnations, the problematic one in the 6th century and the Conrad Ferdinand Meyer incarnation—until it dawns upon us that the story of Thomas à Becket as told in history, came up in Conrad Ferdinand Meyer's mind owing to a certain similarity with an experience he had himself undergone in the 6th century, when he went to England from Italy as a member of a Catholic mission sent by Pope Gregory. There we have the second aspect of Conrad Ferdinand Meyer in his previous incarnation. On the one side he was an enthusiastic devotee of the art that subsequently took the form of mosaic.—Hence his talent for form, in all its aspects. On the other side, however, he was an impassioned advocate of Catholicism, and for this reason accompanied the mission. The members of this mission founded Canterbury, where the bishopric was then established. The individuality who afterwards lived in the 19th century as Conrad Ferdinand Meyer was murdered by an Anglo-Saxon courtier, in circumstances that are extraordinarily interesting. There was something of legal subtlety and craftiness, albeit still in the rough, about the events connected at that time with the murder. You know very well, my dear friends, how even in ordinary life the sound of something remains with you. You may once have heard a name without paying any particular attention to it ... but later on a whole association of ideas is called up in your mind when this name is mentioned. In a similar way, through the peculiar circumstances of this man's connection with what later became the archbishopric of Canterbury—the town of Canterbury, as I said, was founded by the mission of which he was a member—these experiences lived on, lived on, actually, in the sound of the name Canterbury. In the Conrad Ferdinand Meyer incarnation the sound of this name—Canterbury—came to life again, and by association of ideas his attention was called to Thomas à Becket, (the Lord Chancellor of Canterbury under Henry Plantagenet) who was treacherously murdered. At first, Thomas à Becket was a favourite of Henry II, but was afterwards murdered, virtually through the instigation of the King, because he would not agree to certain measures. These two destinies, alike in some respects and unlike in others, brought it about that Conrad Ferdinand Meyer transposed, as it were, into quite different figures taken from history, what he had himself experienced in an earlier incarnation in the 6th century—experienced in his own body, far from what was at that time his native land. Just think how interesting this is! Once we have grasped it, we are no longer driven hither and thither between the two incarnations. And then, because again in the 19th century, Conrad Ferdinand Meyer has a kind of double nature, we see how his soul-and-spirit easily separates from the physical. Because he has this double nature, the place of his own, actual experiences is taken by another experience in some respects similar to it ... just as pictures often change in the play of human imagination. In a man's ordinary imagination during an earthly life, the picture changes in such a way that imagination weaves in freedom; in the course of many earthly lives it may be that some historical event which is connected with the person in question as a picture only, takes the place of the actual event. Now this individuality whose experience in an earlier life worked on through two lives between death and rebirth and then came to expression in the story Thomas à Becket, the Saint,—this individuality had had another intermediate earthly life as a woman at the time of the Thirty Years' War. We have only to envisage the chaos prevailing all over Central Europe during the Thirty Years' War and it will not be difficult to understand the feelings and emotions of an impressionable, sensitive woman living in the midst of the chaos as the wife of a pedantic, narrow-minded man. Wearying of life in the country that was afterwards Germany, he emigrated to Graubünden in Switzerland, where he left the care of house and home to his wife, while he spent his time sullenly loafing about. His wife, however, had opportunity to observe many, many things. The wider historical perspective, no less than the curious local conditions at Graubünden, worked upon her; the experiences she underwent, experiences that were always coloured by her life with the bourgeois, commonplace husband, again sank down into the foundations of the individuality, and lived on through the life between death and a new birth. And the experiences of the wife at the time of the Thirty Years' War are imaginatively transformed in Conrad Ferdinand Meyer's tale, Jürg Jenatsch. Thus in the soul of Conrad Ferdinand Meyer we have something that has gathered together out of the details of former incarnations. As a man of letters, Conrad Ferdinand Meyer seems to be an individuality complete in itself, for he is an artist with very definite and fixed characteristics. But in point of fact it is this that actually causes confusion, because one's attention is immediately directed away from these very definite characteristics to the elusive, double nature of the man. Those who have eyes only for Conrad Ferdinand Meyer the poet, the famous author of all these works, will never come to know anything of his earlier lives. We have to look through the poet to the man; and then, in the background of the picture, there appear the figures of the earlier incarnations. Paradoxical as it will seem to the modern mind, the only way in which human life can be understood in its deeper aspect is to centre our study of the course of world-events around observation of man himself in history. And man cannot be taken as belonging to one age of time only, as living in one earthly life only. In considering man, we must realise how the individuality passes from one earthly life to another, and how in the interval between death and a new birth he works upon and transforms that which has taken its course more in the subconscious realm of earthly life but for all that is connected with the actual shaping of the destiny. For the shaping of destiny takes place, not in the clear consciousness of the intellect, but in what weaves in the subconscious. Let me now give you another example of how things work over in history through human individualities themselves. In the first century A.D., about a hundred years after the founding of Christianity, we have an exceedingly significant Roman writer in the person of Tacitus. In all his work, and very particularly in his ‘Germania’, Tacitus proves himself a master of a concise, clear-cut style; he arrays the facts of history and geographical details in wonderfully rounded sentences with a genuinely epigrammatic ring. We may also remember how he, a man of wide culture, who knew everything considered worth knowing at that time—a hundred years after the founding of Christianity—makes no more than a passing allusion to Christ, mentioning Him as someone whom the Jews crucified but saying that this was of no great importance. Yet in point of fact, Tacitus is one of the greatest Romans. Tacitus had a friend, the personality known in history as Pliny the Younger, himself the author of a number of letters and an ardent admirer of Tacitus. To begin with, let us consider Pliny the Younger. He passes through the gate of death, through the life between death and a new birth, and is born again in the 11th century as a Countess of Tuscany in Italy, who is married to a Prince of Central Europe. The Prince has been robbed of his lands by Henry the Black of the Frankish-Salic dynasty and wants to secure for himself an estate in Italy. This Countess Beatrix owns the Castle of Canossa where, later on, Henry IV, the successor of Henry III the Black, was forced to make his famous penance to Pope Gregory. Now this Countess Beatrix is an extraordinarily alert and active personality, taking keen interest in all the conditions and circumstances of the time. Indeed she cannot help being interested, for Henry III who had driven her husband, Gottfried, out of Alsace into Italy before his marriage to her, continued his persecution. Henry is a man of ruthless energy, who overthrows the Princes and Chieftains in his neighbourhood one after the other, does whatever he has a mind to do, and is not content when he has persecuted someone once, but does it a second time, when the victim has established himself somewhere else.—As I said, he was a man of ruthless vigour, a ‘great’ man in the medieval style of greatness. And when Gottfried had established himself in Tuscany, Henry was not content with having driven him out but proceeded to take the Countess back with him to Germany. All these happenings gave the Countess an opportunity of forming a penetrating view of conditions in Italy, as well as of those in Germany. In her we have a person who is strongly representative of the time in which she lives, a woman of keen observation, vitality and energy, combined with largeness of heart and breadth of vision. When, later on, Henry IV was forced to go on his journey of penance to Canossa, Beatrix's daughter Mathilde had become the owner of the Castle. Mathilde was on excellent terms with her mother whose qualities she had inherited, and was, in fact, the more gifted of the two. They were splendid women who because of all that had happened under Henry III and Henry IV, took a profound interest in the history of the times. Investigation of these personalities leads to this remarkable result: the Countess Beatrix is the reincarnated Pliny the Younger, and her daughter Mathilde is the reincarnated Tacitus. Thus Tacitus, a writer of history in olden times, is now an observer of history on a wide scale—(when a woman has greatness in her she is often wonderfully gifted as an observer)—and not only an observer but a direct participant in historical events. For Mathilde is actually the owner of Canossa, the scene of issues that were immensely decisive in the Middle Ages. We find the former Tacitus now as an observer of history. A deep intimacy develops between these two—mother and daughter—and their former work in the field of authorship enables them to grasp historical events with great perspicacity; subconsciously and instinctively they become closely linked with the world-process, as it takes its course in nature as well as in history. And now, still later on, the following takes place.—Pliny the Younger, who in the Middle Ages was the Countess Beatrix, is born again in the 19th century, in a milieu of romanticism. He absorbs this romanticism—one cannot exactly say with enthusiasm, but with aesthetic pleasure. He has on the one hand this love for the romantic, and on the other—due to his family connections—a rather academic style; he finds his way into an academic style of writing. It is not, however, in line with his character. He is always wanting to get out of it, always wanting to discard this style. This personality (the reincarnated Pliny the Younger and the Countess Beatrix) happens on one occasion brought about by destiny, to be visiting a friend, and takes up a book lying on the table, an English book. He is fascinated by its style and at once feels: The style I have had up till now and that I owe to my family relationships, does not really belong to me. This is my style, this is the style I need. It is wonderful; I must acquire it at all costs. As a writer he becomes an imitator of this style—I mean, of course, an artistic imitator in the best sense, not a pedantic one—an imitator of this style in the artistic, aesthetic sense of the word. And do you know, the book he opened at that moment, reading it right through as quickly as he possibly could and then afterwards reading everything he could find of the author's writings—this book was Emerson's Representative Men. And the person in question adopted its style, immediately translated two essays from it, conceived a deep veneration for the author, and was never content until he was able to meet him in real life. This man, who really only now found himself, who for the first time found the style that belonged to him in his admiration for the other—this reincarnation of Pliny the Younger and of the Countess Beatrix, is none other than Herman Grimm. And in Emerson we have to do with the reincarnated Tacitus, the reincarnated Countess Mathilde. When we observe Herman Grimm's admiration for Emerson, when we remember the way in which Herman Grimm encounters Emerson, we can find again the relationship of Pliny the Younger to Tacitus. In every sentence that Herman Grimm writes after this time, we can see the old relationship between Pliny the Younger and Tacitus emerging. And we see the admiration that Pliny the Younger had for Tacitus, nay more, the complete accord and understanding between them, coming out again in the admiration with which Herman Grimm looks up to Emerson. And now for the first time we shall grasp wherein the essential greatness of Emerson's style consists, we shall perceive that what Tacitus displayed in his own way, Emerson again displays in his own special way. How does Emerson work? Those who visited Emerson discovered his way of working. There he was in a room; around him were several chairs, several tables. Books lay open everywhere and Emerson walked about among them. He would often read a sentence, imbibe it thoroughly and from it form his own magnificent, free-moving, epigrammatic sentences. That was how he worked. There you have an exact picture of Tacitus in life! Tacitus travels, takes hold of life everywhere; Emerson observes life in books. It all lives again! And then there is this unconquerable desire in Herman Grimm to meet Emerson. Destiny leads him to Representative Men and he sees at once: this is how I must write, this is my true style. As I said, he had already acquired an academic style of writing from his uncle Jacob Grimm and his father Wilhelm Grimm, and he then abandons it. He is impelled by destiny to adopt a completely different style. In Herman Grimm's writings we see how wide were his historical interests. He has an inner relationship of soul with Germany, combined with a deep interest in Italy. All this comes out in his writings. These are things that go to show how the affairs of destiny work themselves out. And how is one led to perceive such things? One must first have an impression and then everything crystallizes around it. Thus we had first to envisage the picture of Herman Grimm opening Emerson's Representative Men. Now Herman Grimm used to read in a peculiar manner. He read a passage and then immediately drew back from what he had read: it was a gesture as though he were swallowing what he had read, sentence by sentence. And it was this inner gesture of swallowing sentence by sentence that made it possible to trace Herman Grimm to his earlier incarnation. In the case of Emerson it was the walking to and fro in front of the open books, as well as the rather stiff, half-Roman carriage of the man, as Herman Grimm saw him when they first met in Italy—it was these impressions that led one back from Emerson to Tacitus. Plasticity of vision is needed to follow up things of this kind. My dear friends, I have given you here another example which should indicate how our study of history needs to be deepened. This deepening must really be evident among us as one of the fruits of the new impulse that should take effect in the Anthroposophical Society through the Christmas Foundation Meeting. We must in future go bravely and boldly forward to the study of far-reaching spiritual connections; we must have courage to reach a vantage-point for observation of these great spiritual connections. For this we shall need, above all, deep earnestness. Our life in Anthroposophy must be filled with earnestness. And this earnestness will grow in the Anthroposophical Society if those who really want to do something in the Society give more and more thought to the contents of the News Sheet that is sent out every week into all circles of Anthroposophists as a supplement to the weekly periodical, Das Goetheanum. A picture is given there of how one may shape the life in the Groups in the sense and meaning of the Christmas Meeting, of what should be done in the members' meetings, how the teaching should be given and studied. The News Sheet is also intended to give a picture of what is happening among us. Its title is: ‘What is going on in the Anthroposophical Society’, and its aim is to bring into the whole Society a unity of thought, to spread a common atmosphere of thought over the thousands of Anthroposophists everywhere. When we live in such an atmosphere, when we understand what it means for all our thinking to be stimulated and directed by the ‘Leading Thoughts’, and when we understand how the Goetheanum will thus be placed in the centre as a concrete reality through the initiative of the esoteric Vorstand—I have emphasised again and again that we now have to do with a Vorstand which conceives its task to be the inauguration of an esoteric impulse—when we understand this truly, then that which has now to flow through the Anthroposophical Movement will be carried forward in the right way. For Anthroposophical Movement and Anthroposophical Society must become one. The Anthroposophical Society must make the whole cause of Anthroposophy its own. And it is true to say that if once this ‘thinking in common’ is an active reality, then it can also become the bearer of comprehensive, far-reaching spiritual knowledge. A power will come to life in the Anthroposophical Society that really ought to be in it, for the recent developments of civilisation need to be given a tremendous turn if they are not to lead to a complete decline. What is said concerning successive earthly lives of this or that individual may at first seem paradoxical, but if you look more closely, if you look into the progress made by the human beings of whom we have spoken in this connection, you will see that what is said is founded on reality; you will see that we are able to look into the weaving life of gods and men when with the eye of spirit we try in this way to apprehend the spiritual forces. This, my dear friends, is what I would lay upon your hearts and souls. If you take with you this feeling, then this Easter Meeting will be like a revitalising of the Christmas Meeting; for if the Christmas Meeting is to work as it should, then all that has developed out of it must be the means of revitalising it, of bringing it to new life just as if it were present with us. May many things grow out of the Christmas Meeting, in constant renewal! May many things grow out of it through the activity of courageous souls, souls who are fearless representatives of Anthroposophy. If our meetings result in strengthening courage in the souls of Anthroposophists, then there will grow what is needed in the Society as the body for the Anthroposophical soul: a courageous presentation to the world of the revelations of the Spirit vouchsafed in the age of Light that has now dawned after the end of Kali-Yuga; for these revelations are necessary for the further evolution of man. If we live in the consciousness of this we shall be inspired to work courageously. May this courage be strengthened by every meeting we hold. It can be so if we are able to take in all earnestness things that seem paradoxical and foolish to those who set the tone of thought in our day. But after all, it has often happened that the dominant tone of thought in one period was soon afterwards replaced by the very thing that was formerly suppressed. May a recognition of the true nature of history, and of how it is bound up with the onward flow of the lives of men, give courage for anthroposophical activity—the courage that is essential for the further progress of human civilisation.
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178. Psychoanalysis in the Light of Anthroposophy: Anthroposophy and Psychoanalysis II
11 Nov 1917, Dornach Tr. Mary Laird-Brown Rudolf Steiner |
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Thinking, feeling, and willing must be so drawn as to show this as the range of will (red), but bordering upon the realm of feeling (green), and this in turn borders upon the realm of thinking (yellow). But if I were to indicate their direction after crossing the threshold into the spiritual world, I should have to show how thinking (yellow) becomes independent upon the one hand; feeling (green, right) separates itself from thinking, will becomes independent too (red, right), as I sketch it here diagrammatically, so that thinking, feeling, and willing spread out from one another like a fan. |
Then thinking swerves aside (yellow, left), mingles with feeling (green, left), and willing (red, left), and confusion results. This happens if thinking is exposed in any way to the danger of not being properly confined, so that it asserts itself unwarrantably in the consciousness. |
178. Psychoanalysis in the Light of Anthroposophy: Anthroposophy and Psychoanalysis II
11 Nov 1917, Dornach Tr. Mary Laird-Brown Rudolf Steiner |
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I have designated what is called analytical psychology or psychoanalysis as an effort to gain knowledge in the soul realm by inadequate means of cognition. Perhaps nothing is so well adapted to show how, at the present time, everything urges the attainment of the anthroposophically orientated spiritual science, and how on the other side, subconscious prejudices lead men to oppose a spiritually scientific consideration of the facts. Yesterday I showed you by definite examples what grotesque leaps modern erudition is obliged to take when it ventures upon soul problems, and how to detect these leaps in the mental processes of modern scholars. It was pointed out that one of the better psychoanalysts—Jung—divided patients into two classes: the thinking type, and the feeling type. From this starting point he assumed that in cases of the thinking type, subconscious feelings force their way up into consciousness and produce soul conflicts—or in the opposite type, that thoughts in the subconscious mind arise and conflict with the life of feeling. Now it might be suggested that these things will be fought out in scientific discussion, and that we might wait until people make up their minds to overcome the subconscious prejudice against anthroposophical spiritual science. But passive waiting becomes impossible in that such things do not confine themselves to the theoretical field, but encroach upon life practice and cultural development. And psychoanalysis is not content to occupy itself with therapy alone, which might be less dubious since there seems to be little difference—I said seems—between it and other therapeutical methods; but it is trying to extend itself to pedagogy, and to become the foundation of a teaching system. This forces us to point out the dangers residing in quarter-truths in a more serious manner than would be called for by mere theoretical discussion. Much that relates to this matter can be decided only with the passage of time, but today we shall have to enlarge the scope of our examination in order to throw light upon one aspect or another. First of all I wish to call to your attention that the facts which lie before the psychoanalyst really point to an important spiritual sphere which present-day man does not wish to enter in an accurate and correct manner, but would prefer to leave as a sort of nebulous, subconscious region. For our present sickly, materialistically infected approach, even in this domain, likes nothing better than a vague, mystical drifting among all sorts of incomplete or unexecuted concepts. We find the most grotesque, the most repulsive mysticism right in the midst of materialism, if you take mysticism to mean a desire to swim about in all sorts of nebulous thinking, without working out your world-conception into clear, sharply outlined concepts. The domain into which recognized facts are pushing the psychoanalysts is the field of extra-conscious intelligence and reasoning activity. How often I have dealt with these matters—without going into details, but merely mentioning them, since they are taken for granted by students of spiritual science. How often I have reminded you that reasoning, intellectual activity, cleverness are not confined to the human consciousness, but are everywhere, that we are surrounded by effective mental activity as we are surrounded by air, interwoven with it, and the other beings as well. The facts before the psychoanalyst might easily refer to this. I quoted to you yesterday the case described by Jung in his book, Die Psychologie der unbewussten Prosesse. It had to do with a woman who, having left an evening party with other guests, was frightened by horses, ran in front of them along the street to the river where she was rescued by passers-by, brought back to the house that she had left, where she had a love scene with her host. From the standpoint of Freud or Adler the case is easily explained on the basis of the love-drive or the power-drive, but this diagnosis does not reach the vital point. Its foundation is reached only by realizing that consciousness does not exhaust the cleverness, calculation, the artfulness of what penetrates man as intelligence, and by realizing that the laws of life are not limited by the laws of consciousness. Consider this case. We can at least raise the question: What did the woman really want, after she had been one of the party, and had seen her friend depart for the health resort? She wanted the opportunity for what actually happened, she wanted a legitimate excuse to be alone with the master of the house. Of course this had nothing to do with what was in her consciousness, what she realized and admitted. It would not have been “proper,” as we say. Something had to be brought about that need not be avowed, and we shall reach the real explanation by allowing for her subconscious, designing intelligence, of which she was herself unaware. Throughout the entire evening she had wanted to bring about a conversation with her host. If one is less clever a poor choice is made of means, if more clever a better choice. In this case it may be said that in the woman's ordinary consciousness, which admitted scruples as to what was proper or improper, allowed or not allowed, the right means could not have been chosen for the end in view. But in that which was stored below the layer of the ordinary consciousness the thought was incessantly active: I must manage a meeting with the man. I must make use of the next opportunity that presents itself in order to return to the house. We may be sure that if the opportunity with the horses had not offered itself, supported by association with the earlier accident, she would have found some other excuse. She needed only to faint in the street, and would have been brought back to the house at once, or she would have found some other expedient. The subconsciousness looked beyond all the scruples of the ordinary consciousness, taking the attitude that “the end justifies the means,” regardless of whether they would or would not harmonize with ideas of propriety and impropriety. In such a case we are reminded of what Nietzsche, who surmised many of these things, called the great reason in contrast with the small reason, the all-inclusive reason that does not come into consciousness, that acts below the threshold of consciousness, leading men to do many things which they do not consciously confess to themselves. Through his ordinary outer consciousness the human being is in connection first with the world of the senses, but also with the whole physical world, and with all that lives within it. To the physical world belong all the concepts of propriety, of bourgeois morality, and so forth, with which man is equipped. In his subconsciousness man is connected with an entirely different world, of which Jung says: the soul has need of it because it is related to it, but he also says that it is foolish to inquire about its real existence. Well, it is this way: as soon as the threshold of consciousness is crossed, man and his soul are no longer in merely material surroundings or relations, but in a realm where thoughts rule, thoughts which may be very artful. Now Jung's view is quite correct when he says that modern man, the so-called man of culture, needs particularly to be mindful of these things. For present culture has this peculiarity, that it forces down numerous impulses into the subconsciousness, which then assert themselves in such a way that irrational acts—as they are called—and irrational general conduct result. When the “power-urge” or the “love urge” are mentioned, it is because in the moment that man and his soul enter the subconscious regions they come nearer to the realm where these instincts rule; not that they are in themselves causes, but that man with his subconscious intelligence plunges into regions where these impulses are effective. That woman would not have gone to so much exertion for anything that interested her less than her love affair. It required an especial preoccupation for her subconscious cunning to be aroused. And that the love impulse so often plays an important role is due simply to the fact that the love interest is so very common. If the psychoanalysts would only turn more of their attention in other directions, cease to concentrate upon psychoanalytic sanatoriums, where the majority of the inmates seem to me to be women—(the same reproach is cast upon anthroposophical institutions but, I think, with less justice),—if they were more experienced in other fields, which is of course sometimes the case, if there were a greater variety of cases in the sanatoriums, a more extensive knowledge might be obtained. Let us assume that a sanatorium was equipped for giving psychiatric treatment especially to people who had become nervous or hysterical from playing the stock market. Then the existence of other things in the subconscious mind could be established with as much reason as the love-urge, introduced by Freud. Then it would be seen with what detailed cunning, and artful subconscious processes, the man acts who plays the stock market. Then, through the usual methods of elimination, sexual love would be seen to play a very small part, yet the subtleties of subconscious acuteness, of subconscious slyness, could be studied at their height. Even the lust for power could not always be designated as being the primary impulse, but altogether different instincts would be found ruling those regions, in which man submerges himself with his soul. And if in addition a sanatorium could be equipped for learned men who had become hysterical—forgive me!—it would be found that their subconscious actions seldom lead back to the love-motive. For those with any thorough knowledge of facts in this field realize that, under present conditions, scholars are seldom driven to their chosen science by “love,” but by quite different forces which would show themselves if brought to the surface by psychoanalysis. The all-inclusive fact is that the soul is led from the conscious down into the subconscious regions where man's unconquered instincts rule. He can master these only by becoming aware of them, and spiritual research alone can lift them into consciousness. Another inconvenient truth! For of course it forces the admission, to a point far beyond what the psychoanalyst is prepared to admit, that man in his subconscious mind may be a very sly creature, far more sly than in his full consciousness. Even in this field, and with ordinary science, we may have strange experiences. There is a chapter on this subject in my book Riddles of the Soul In it I deal with the strictures upon Anthroposophy, found in a book entitled Vom Jenseits der Seele,1 and written by that academic individual Dessoir. This second chapter of my book Riddles of the Soul will be a nice contribution to thinking people who would like to form an opinion of present scholarly ethics. You will see when you read this chapter what kind of opposition must be encountered. I will mention, of all the points therein indicated, one or two only which are not unconnected with our present theme. This man makes all sorts of objections to this and that, founded upon passages taken from my books. In a very neat connection he tells how I distinguish consecutive periods of culture: the Indian, the old Persian, the Chaldean-Egyptian, the Graeco-Latin, and now we live in the sixth, he says, “according to Steiner.” This forces us to refute these misstatements in a schoolmasterly manner, for it shows us the only way to get at such an individual. How does Max Dessoir come to assert, in the midst of all his other nonsense, that I said we are living in the sixth postatlantean culture period? It may be easily explained if you have any practice in the technique of philological methods. I was connected for six years and a half with the Goethe Archives in Weimar, learned there a little about the usual procedure, and could easily show, according to philological methods, how Dessoir came to attribute to me this statement regarding the sixth culture period. He had been reading my book Occult Science, an Outline, in which there is a sentence leading to a description of our present fifth postatlantean culture period. In it I say that there are long preparations and, in one section, that events taking place in the 14th and 15th centuries were prepared in the fourth, fifth, and sixth centuries. About five lines further on I say that the sixth century was a preparation for the fifth culture period. Dessoir, reading superficially, turned back hastily as scholars do, to the place that he had noted in the margin, and confused what was said about the culture period with what had been stated further back about the fourth, fifth, and sixth centuries. Thus he says “sixth culture period” instead of fifth because his eye had moved backward a few lines. You see with what a grand superficiality such a person works. Here we have an example of how such “scholarship” may be philologically shown up. In this literary creation such mistakes run through the entire chapter. And while Dessoir affirms that he has studied a whole row of my books, I could prove, again philologically, which ones of mine compose this “whole row.” He had read—and but slightly understood—The Philosophy of Spiritual Activity, for he devotes a sentence to it that is utter nonsense. And he read Occult Science, but in such a way as to bring out the kind of stuff that I have described. He read in addition the small work The Spiritual Guidance of Man, and the little pamphlets on Reincarnation and Karma, and Blood is Quite a Special Fluid. These are all that he read, as may be shown by his comments. He read nothing else. These are our present ethics of scholarship. It is important once in a way to expose, in such a connection, the erudition of the present day. Out of the long list of my books he chooses a very small number, and founds upon them, with quite perverted thinking, his whole statement. Many of our scientists today do exactly the same thing. When they write about animals, for example, they usually have for a foundation about as much material as Professor Dessoir extracted from my books. Quite a pretty chapter could be written from observations of Dessoir's subconscious mind. He himself, however, in a special passage in his book, permits us to take account of his subconsciousness. He relates rather grotesquely that when he is lecturing it often happens that his thoughts go on without his full conscious direction, and that only by the reaction of his audience does he recognize that his thoughts have taken a line independent of his attention. He tells that quite naively. But only think! From this fact he embarks upon extended consideration of the many peculiarities of human consciousness. I have pointed out somewhat “gently” that Dessoir thus strangely reveals himself. I said at first: It cannot be possible that he means himself. In this case he must simply be identifying himself with certain clumsy lecturers, and speaking in the first person. It would be imputing to him a good deal to suppose that he is describing himself. But he really does exactly that. Well, in the discussion of such matters many odd things must be noted. He disposed of The Philosophy of Spiritual Activity by one remark, with the addition of a sentence that is Dessoirish, but did not originate with me. The whole matter is crazy. He says at the same time “Steiner's first book, the The Philosophy of Spiritual Activity.” This forces me to point out that this book forms the close of a ten year period of authorship, and to offer this incident as an example of academic ignorance, and ethics. I know of course that although I have shown how incorrect his statements are, people will say again and again: “Well, Dessoir has refuted Steiner.”—I know it very well. I know that it is speaking against walls to try to break through what men imagine they have long since got rid of—belief in authority! But this chapter alone will prove the difficulties against which spiritual science must struggle because it insists upon clear, sharply outlined concepts, and concrete spiritual experiences. There is no question of logic with such an individual as Dessoir, and a lack of logic characterizes in the broadest sense our present so-called scientific literature. These are the reasons why official learning, and official spiritual trends, even if they work themselves away from such inferiority as the university psychiatry or psychology, are not in a position to make good because they lack the smallest equipment for a genuine observation of life. So long as it is not realized how far from genuine research and from a sense for reality that really is which poses as scientific literature—I do not say, as science, but as scientific literature—and often forms the content of university and especially of popular lectures—so long as this authoritative belief is not broken through, there can be no cure. These things must be said, and are compatible with the deepest respect for real scientific thinking, and for the great achievements of natural science. That these things are applied to life in such contradictory fashion must however be recognized. After this digression let us return to our subject. Dessoir takes the opportunity to combine objective untruth with calumny in his remark regarding the little pamphlet Spiritual Guidance of Man. He feels it to be especially irritating that I have indicated important subconscious action of spiritual impulses by showing that a child while building its brain manifests greater wisdom than it is conscious of later. A healthy science ought to take its starting point from such normal effects of the subconscious, yet it needs something in addition. If you take up the book Knowledge of the Higher Worlds you will find mention of the Secret of the Threshold. In the explanation of this “secret” it is stated that in crossing the threshold into the spiritual world a kind of separation takes place, a sort of differentiation of the three fundamental powers of the soul: thinking, feeling, and willing. Remember in the part dealing with the Guardian of the Threshold, the explanation that these three forces, which act together in ordinary consciousness in such a way that they can hardly be separated, become independent of each other. If I sketch them, this narrow middle section (see drawing) is the boundary between the ordinary consciousness and that region in which the soul lives in the spiritual world. Thinking, feeling, and willing must be so drawn as to show this as the range of will (red), but bordering upon the realm of feeling (green), and this in turn borders upon the realm of thinking (yellow). But if I were to indicate their direction after crossing the threshold into the spiritual world, I should have to show how thinking (yellow) becomes independent upon the one hand; feeling (green, right) separates itself from thinking, will becomes independent too (red, right), as I sketch it here diagrammatically, so that thinking, feeling, and willing spread out from one another like a fan. You will find this described in my book Knowledge of the Higher Worlds. That these three activities, which before passing the threshold border upon each other but work separately, interact in the right way and do not come into confusion is due to the fact that the threshold has, so to speak, a certain breadth in which our ego itself lives. If our ego acts normally, has perfect soul health, then the interaction of thinking, feeling, and willing is so regulated that they do not collide with one another, but mutually influence each other. It is the essential secret of our ego that it holds thinking, feeling, and willing beside each other, so that they can affect each other in the right way, but do not mix in any accidental fashion. Once across the threshold into the spiritual world there is no danger of this since the three faculties then separate. Certain philosophers (such as Wundt, for example), insist that the soul must not be described as threefold because it is a unity. Wundt, too, confuses everything. The facts are that in the spiritual world thinking, feeling, and willing originate in a threefold manner, yet in the soul on earth they act as a unity. That must be taken into consideration, and if it be claimed, as recently reported, that Anthroposophy recognizes three souls though there exists but one, and that Anthroposophy has therefore no reasonable argument—then the answer must be that the unity of man is not impaired by the fact that he has two hands. But now we are considering the relation of the ego to the soul-forces that work within it, and their action beyond the threshold of consciousness in the spiritual world. (Drawing, middle and right). An opposite condition may be brought about if the ego has been weakened in any way. Then the threshold is crossed, as it were, in the opposite direction (See drawing, left). Then thinking swerves aside (yellow, left), mingles with feeling (green, left), and willing (red, left), and confusion results. This happens if thinking is exposed in any way to the danger of not being properly confined, so that it asserts itself unwarrantably in the consciousness. Then, because the ego is not working as it should, thinking slides into the sphere of feeling or of will. Instead of working side by side, thinking mixes itself with feeling, or will, the ego being for some reason unable to exert its normal power. This is what has happened in the cases described by the psychoanalysts as hysterical or nervous. Thinking, feeling, and willing have swung to the opposite side, away from the healthy direction that would lead them into the spiritual world. If you have any gift for testing and proving you may easily see how it comes about. Take the case of the girl sitting by the sickbed. Her strong ego-consciousness was reduced by loss of sleep and anxiety. The slightest thing might cause thinking to leave its track alongside of feeling and to run over into it. Then thought would be at once submerged in the waves of feeling, which are far stronger than the waves of thought, and the result in such a case is that the whole organism is seized by the tumult of feeling. This happens in the instant that thinking ceases to be strong enough to hold itself apart from feeling. It is seriously demanded of the human being that he learn more and more to hold his thinking apart from the waves of feeling and will. If thinking takes hold subconsciously of the waves of feeling something abnormal results. (See drawing: at the right is the superconscious, in the middle the conscious, at the left the subconscious). This is extremely important. Now you may readily imagine that in this modern life, when people are brought into contact with so much that they do not properly understand and cannot appraise, thoughts continually run over into feelings. But it must be remembered that thinking alone is oriented upon the physical plane; feeling is no longer confined to the physical plane, but stands in connection, by its very nature, with the spiritual plane as well. Feeling has really a connection with all the spiritual beings who must be spoken of as real. So that if a man with inadequate concepts sinks into his feeling-life, he comes into collision with the gods—if you wish to express it thus—but also with evil gods. And all these collisions occur because a man is submerged with no reliable means of knowledge. He must so submerge if he spends more time in the sphere of feeling than in the ordinary sphere of reason. In the sphere of feeling man cannot emancipate himself from his connection with the spiritual world. Even if, in this materialistic age, he does free himself in the realm of the intellect, he always enters the region of feeling with inadequate concepts, and so he must become ill. What then is the real remedy, and how are men to be restored to health? They must be guided to concepts that reach out to include the world of feelings; that is to say that modern man must again be told of the spiritual world, and in the most comprehensive terms. Not the individually adapted therapeutic instructions of the psychoanalysts are meant, but the spiritual science which is applicable to all humanity. If the concepts of spiritual science are really accepted—for not everyone takes them in who only listens to lectures, or reads about them—but if they are really absorbed there will be no further possibility of the chaotic intermingling, in the subconscious, of the three spheres of the soul: thinking, feeling, and willing, which is the basis of all the hysteria and nervousness noted by the psychoanalysts. For this, however, a man needs the courage to approach a direct experience of the operation of spiritual worlds, the courage to recognize that we are living now in a crisis that is connected with another (the established date being 1879), another crisis with painful consequences from which we are still suffering. I told you yesterday that many things must be considered from standpoints other than the materialistic ones of our own time, and I chose Nietzsche as an illustration. Nietzsche was born in 1844. In 1841 the battle began in the spiritual world, of which I have already spoken, and Nietzsche was for three years in the midst of it, absorbing from it all possible impulses, and bringing them down with him to earth. Richard Wagner, born in 1813, took at first no part in it. Read Nietzsche's early writings, and notice the combative tone, almost every sentence showing the after-effects of what he experienced spiritually from 1841 to 1844. It gave a definite coloring to all the writings of Nietzsche's first period. It is further of importance—as I have also explained—that he was a lad of sixteen when Schopenhauer died, and started at that time to read his works. A real relation ensued between the soul of Schopenhauer in the spiritual world and that of Nietzsche on earth. Nietzsche read every phrase of Schopenhauer so receptively that he was penetrated by every corresponding impulse of their author. What was Schopenhauer's object? He had ascended into the spiritual world in 1860 when the battle was still raging, and wanted nothing so much as to have the power of his thoughts continued through his works. Nietzsche did carry forward Schopenhauer's thoughts, but in a peculiar way. Schopenhauer saw when he went through the gate of death that he had written his books in an epoch threatened by the oncoming spirits of darkness, and with the struggle before him of these spirits against the spirits of light, he longed to have the effects of his work continued, and formed in Nietzsche's soul the impulse to continue his thoughts. What Nietzsche received from the spiritual world at this period contrasted strikingly with what was happening upon the physical plane in his personal relations with Richard Wagner. Nietzsche's soul life was composed in this way, and his career as a writer. The year 1879 arrived. The battle that had been going on in the spiritual realms began to be transferred to earth after the fall of the spirits of darkness. Nietzsche was exposed by his whole Karma (in which I include his relations with the spiritual world), to the danger of being driven by the spirits of darkness into evil paths. He had been inspired by the transcendent egoism of Schopenhauer to try to carry on his work. I do not mean to say that egoism is always bad. But when Wagner rose into the spiritual world in 1883 the spirits of darkness were below, so he came into an entirely different atmosphere, and he became Nietzsche's unselfish spiritual guide. He let him enter what was for him the proper channel, and allowed him to become mentally deranged at exactly the right moment, so that he never came consciously into dangerous regions. That sounds paradoxical, but it was really the unselfish way in which Wagner's soul affected Nietzsche from the purer realms above, rather than the manner in which Schopenhauer's soul acted, he being still in the midst of the battle, up in the spiritual world, between the spirits of darkness and the spirits of light. What Wagner wanted to do for Nietzsche was to protect him, so far as his Karma permitted, from the spirits of darkness, already descended upon earth. And Nietzsche was protected to a great extent. If his last writings are read in the right spirit, eliminating the things that have sprung from strong oppositions, great thoughts will be discovered. I tried in my book Nietzsche, a Fighter against his Time, to show the mighty thought impulses, detached from all his resisting impulses. Yes, “the world is deep.” There is really some truth in Nietzsche's own saying: “The world is deep, and deeper than the day divines.” So we must never try to criticize the wide regions of the spiritual life by means of our ordinary consciousness. The wise guidance of the worlds can be understood only if we can enter into that guidance, free from egoistic thoughts, even if we can fit the development of tragic happenings into the scheme of wisdom. If you wish to look into the heart of things you will come upon many uncomfortable places. In future whoever wishes to evaluate a life like Nietzsche's will make no progress if he describes only what happened in Nietzsche's environment on earth. Our view of life will have to extend to the spiritual world, and we shall be pushed to this necessity by the kind of phenomena that the psychoanalyst today tries to master by such inadequate means of knowledge, but never will control. Therefore human society might be driven into regions of great difficulty if it yields to psychoanalysis, particularly in the field of pedagogy. Why should this be? Consider the fact that thinking slips down into the sphere of feeling. Now as soon as a man lives with his soul in the sphere of feeling, he is no longer in the life that is bounded by birth and death or by conception and death, but lives in the whole world, the extended world. This represents the usual life span (See drawing, a); within the realm of feeling he lives also in the period from his last death to his birth into this present life (See drawing, b); and with his will he lives even in his previous incarnation (Drawing, c). Think of the relation to pupil or patient of an instructor who wishes to proceed by the method of psychoanalysis. When he tries to deal with soul contents which have slipped down into the realm of feeling he lays hold, not only upon the man's individual life, but upon the all-inclusive life which extends far beyond the individual. For this all-encompassing life, however, there are between men no connections that may be handled by means of mere ideas. Such connections lead instead to genuine life-relationships. This is very important. Imagine the existence of such a connection between a psychoanalytic instructor and pupil. What takes place could not be confined to the realm of ideas which are conveyed to the pupil, but real karmic connections would have to be established because one is really encroaching upon life itself. It would be tearing the individual in question out of his karma, changing the course of his karma. It will not do to handle that which extends beyond the individual in a purely individual manner. It must be treated instead in a universally human way. We are all brought together in a definite epoch, so there must be a mutual element which acts as soon as we go beyond the individual. That is to say: a patient cannot be treated by psychoanalysis, either therapeutically or educationally, as between individuals. Something universal must enter, must enter even the general culture of the period, something which directs the soul to that which would otherwise remain subconscious; and that which draws the subconsciousness upward must become the milieu—not a transaction between individuals. Here, you see, lies the great mistake that is being made. It has a terrific range and is of immense importance. Instead of trying to lead them to the attainable knowledge of the spiritual world which is demanded by the times, the psychoanalysts shut all the souls who show any morbid symptoms into sanatoriums, and treat each one in the individual manner. It can lead only to the forming of confused karmic connections—what takes place does not bring to light the subconscious soul content, but simply forms a karmic tie between doctor and patient because it encroaches upon the individual. You understand: we are dealing here with real, concrete life, with which it does not do to play, which can only be mastered if nothing is striven for in this field except what is humanly universal. These things must be learned by direct relations of human beings with the spiritual world. Therefore it would be useful if people were to stop talking abstractly as Jung does, saying that a man experiences subconsciously everything that mankind has been through, even all sorts of demons. He makes them into abstract demons, not realities, by saying that it is stupid to discuss their possible existence. He makes them into abstract demons, mere thought demons that could never make a man ill. They can exist only in consciousness, and can never be subconscious. That is the point: that people who give themselves up to such theories are themselves working with so many unconscious ideas that they can never happen upon the right thing. They come instead to regard certain concepts as absolute, infallible; and I must ever repeat that when ideas begin to become absolute, men get into a blind alley, or reach a pit into which they fall with their thinking. A man like Dr. Freud is obliged to stretch the sexual domain over the entire human being in order to make it account for every soul phenomenon. I have said to various people with psychoanalytic tendencies, whom I have met: A theory, a world-concept must be able to hold its own when you turn it upon itself, otherwise it crumbles into nothingness. The simple fallacy, if you extend it far enough, is an example. A Cretan says: All Cretans are liars. If it is said by a Cretan, and it is true, then it would be a lie, which causes the saying to annul itself. It will not do for a Cretan to say “All Cretans are liars,” expecting the sentence to pass unchallenged. That is only a sample of absolutizing. But a theory should not crumble when turned upon itself. Just as the statement that all Cretans are liars would be a lie if made by a Cretan, so does the theory of universal sexuality crumble if you test it out by applying it to the subject itself. And it is the same with other things. You can understand such a principle for a long time without applying it vigorously, in accordance with reality. But it will be one of the particular achievements of anthroposophically oriented spiritual science, that it cannot be turned in this manner against itself.
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113. Goethe Celebration
28 Aug 1909, Munich Rudolf Steiner |
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In reference to Schiller's thoughts just mentioned, Goethe wrote his “Fairytale of the Green Snake and the Beautiful Lily”, in which we can sense the secret revelation of what the Goethean soul strove for. |
In this 'Fairytale of the Beautiful Lily and the Green Snake', you can find a very esoteric description of how the soul forces, which are expressed by these figures, must relate to one another in the developing soul, and how they must work together in the harmony of the spheres in order for the human soul to flourish. |
Therefore, we should not be surprised that in the mid-1780s, when Goethe was about thirty-five years old, Herder's more philosophical striving, which had made a great impression on him, did not unfold in abstractions either, but in a rich tableau of the soul. Even earlier, before the “Fairytale of the Green Snake and the Beautiful Lily” was written, Goethe had shown the path of the soul that must lead it to spiritual heights in the “Mysteries”, and he showed it as it resulted from the stimulus of those inspirations that he had received from the mysterious side in Frankfurt. |
113. Goethe Celebration
28 Aug 1909, Munich Rudolf Steiner |
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Automated Translation For those who, within the modern intellectual life, like to] remember the leading personalities of the past, the night of August 27 to 28 is an important night of remembrance. August 27 is the birthday of the greatest thinker of modern times, and August 28 is the birthday of the most universal, comprehensive spirit. And so, during this night, our thoughts can touch the memories of the great philosopher Hegel, who has his birthday on August 27, and of Goethe, the universal spirit, who has his on August 28. And then, when our thoughts turn back in remembrance to these two great individuals, many things come to mind that connect with these thoughts. The uniqueness of these two great individuals of modern times comes to mind, and we then look back with pleasure, comparing them with what we otherwise know from intellectual life, to these two representatives of humanity, Hegel and Goethe. And much of what could be said in yesterday's lecture may be linked to these two names. Hegel appears as the one among modern minds who has brought the experience of the inner self to its highest flowering. He appears as the one who can lead man today into the etheric heights, into the light-filled regions of thinking, and for those who can be fertilized by Hegel's crystal-clear trains of thought floating in etheric heights, another spiritual current that has prevailed in humanity also becomes understandable. For Hegel can only be compared if we let our feelings roam through the turning point of the ages, to that oriental spiritual flower that has led most deeply into human spiritual life through pure thought: to Vedanta philosophy. In a certain respect, he is the one who, within our Occident, has renewed the Luciferic starting from India, and yet again in a different form. Whoever can immerse themselves in the Vedanta work of the Orient will revere in it the highest flowering of that thinking which, with unspeakable devotion and with the finest chiseling of every single thought that man can grasp, composes a world-thought system. In the Vedanta philosophy we see synthetic, synthesizing thinking in its highest flowering. And Hegel renews this pure thought, this absolutely sensuous thinking, so that with him thinking itself becomes an organism, where one thought grows out of another. That is why it is so difficult to understand even the slightest thing from the etheral heights of Hegelian thinking without preparation. Those who immerse themselves in Hegel feel, on the one hand, the height to which he carries them, where a fresh air of thought blows, and, on the other hand, the purity that permeates all these thoughts. Thus, we have, as it were, the luciferic principle in Hegel. On the other hand, in Goethe we have the universal spirit, whose gaze is spread over the great carpet of the outer world, but looks everywhere into the deeper spiritual foundations, so that from every plant, from every animal and all human and artistic phenomena, the spirit that reigns behind the phenomena blows out from them for Goethe, so that he is able to awaken the spirit in modern intellectual life from the side of the external world, to stir it into activity. Thus, in relation to us, Goethe stands as the substance of spirit and Hegel as the form of spirit, and we can best find our way into this modern spiritual life if we try to embrace the great spirit and the great soul of Goethe through the instrument of Hegel. Such thoughts arise when one allows the night of August 27th to 28th, Hegel's birthday and Goethe's birthday, to pass before one's soul with the right memories. That is why we want to invite you today to commemorate these two great spirits of modern intellectual life, and we will commemorate them by first presenting Goethe's small cosmic poems, which lead to certain heights of intellectual life, here in a lecture, and then a larger poem by Goethe, which shows how he sought the way and in a certain way was able to find it into intellectual life. This will be followed by a reflection on the nature of Goethe's spirit from a certain perspective, with which we will conclude our celebration today. Marie von Sivers then recites the following poems:
Now follows those Goethean verses that arose from the highest source of spirit when Goethe was about thirty-five years old. Those of you who have heard me lecture often will begin to grasp the spiritual significance of the thirty-fifth year in the normal course of human life. I have often pointed out the great significance that the age of thirty-five had for Dante in relation to the conception of his great poem of the world. That which Goethe wanted to express in the verses he entitled “The Secrets” had matured in his soul during this important period of his life. If we wish to picture to ourselves what it was that moved through Goethe's heart at that time, when he wrote the verses entitled 'The Secrets', we cannot describe it better than by saying that at that time, when he was thirty-five years old, Goethe formulated the symbol of the spiritual-scientific world view. For there is no better program of the spiritual-scientific world view today than Goethe's poem “The Secrets”. And later, in 1816, Goethe was asked what the various images in his poem “The Secrets” meant. He gave a not very detailed explanation after so many years in response to an external request, but in this explanation, too, we find something like a program of our world view. We may say: at the time when Goethe was inspired to write the poem 'The Secrets', that which we today call anthroposophy lived warmly in his soul. And in this poem, the spiritual-scientific call is sent out into the world so powerfully and on such profound grounds that it had to remain a fragment even for a mind as great as that of the great soul that Goethe's body held. The soul that lived in it was, so to speak, too great to be given a poetic body. Thus we have a fragment in the “Secrets”. With a certain inner satisfaction we delve into this fragment, sensing in it a modern spiritual life. We now want to let the verses pass before us and then say a few words about the peculiarity of Goethe's mind and soul, so that through the final reflection we can find the way to approach to some extent the light that shines in the meaningful story that Goethe gave us in his fragment “Secrets” in the thirty-fifth year of his life. Marie von Sivers then recites the poem “The Secrets” . Anyone who allows this Goethean poem to take effect on them cannot fail to recognize that inspiration from higher worlds has flowed into it. And anyone who has even a slight inkling of how the life of the higher worlds has been expressed in significant symbols for people in all ages will recognize in the symbols presented to us here the eternal symbols of the great spiritual proclamations and revelations made to humanity from epoch to epoch. And then the soul, which wants to struggle through Goethe's spirit, probably senses an important revelation for our newer stages of development. When a significant individuality strives into existence through one of its incarnations, then the whole nature and the whole type of this individuality announces itself through many different ways. We must not forget that the spiritual is the creator of the outer physical, of the outer body, and that the soul, which enters into any present incarnation from previous incarnations with a certain state of maturity, prepares itself through this and that the outer physical body, so that it becomes a suitable instrument for its mission of individuality, which has come up from another incarnation. And so, for some individuals, from early childhood their outer life becomes something of a symbol of what the individuality struggles to shape their outer life and their outer body in order to become an instrument for the significant spiritual individuality. Therefore, wherever the essence of Goethe's soul is to be touched upon, we may always recall the childhood event that took place in his seventh year, which has been mentioned many times before by most of you. Even as a seven-year-old boy, he was in many ways unsatisfied by what people could tell him about the nature of the spiritual-divine. The seven-year-old boy already had a different connection to the divine spiritual world than his whole environment, and he also needed a different expression for this soul of his, which had developed from earlier incarnations. One day he took a music stand from his father, placed minerals and plants on it and, with a childlike intuitive soul, saw in them symbols for the outer tapestry of the senses, and indeed, symbols behind which he sensed the spiritual world. And behind all this, he wanted to grasp with his intuitive soul the weaving and ruling of the spiritual behind the tapestry of the sensual. So he, the young seven-year-old boy, placed a little incense stick on top of the desk, waited for the rising morning sun, took a burning glass, collected the rays of the rising morning sun, and the collected rays fell on the little incense stick, so that it was ignited by the fire of the rays of the rising sun. And when the old man related this childlike experience, he could not describe it in other words than by saying that, as a seven-year-old child, he wanted to light a fire at the very sources of nature, of creative nature, in order to make a sacrifice to the great God who spiritually reigns behind the tapestry of the senses. That was Goethe's act of worship when he was a seven-year-old child. What had entwined itself in the physical world grew ever further and further and ever more and more, wanting to enter the spiritual world, which veils itself behind the outer carpet of the senses. And so we see how Goethe, after his arrival in Weimar, spoke those significant words that have come down to us in his 'Prose Hymn to Nature' and which, with such sacred fervor, seek to grasp what, as spiritual life, permeates the outer carpet of the senses and with which the soul can unite when it is prepared for such worship, as the seven-year-old boy had practiced: 'Nature! We are surrounded and embraced by it.... It has brought me in, it will also lead me out... It will not hate its work... Everything is its fault, everything is its merit! You will find great, powerful words in this prose hymn to nature, words that show how the same soul has grown, becoming ever more mature and mature. But for such an individuality, not only what it initially placed on the altar in the seventh year of its life, like the great symbols of nature, becomes symbolum, but also everything it experiences in life from day to day, from hour to hour. Thus, if we follow Goethe's life closely, we see how, as a young student in Leipzig, he immersed himself in the science of nature, already seeking behind everything the spiritual creation. But it was also at that time that something passed by his soul that was in the highest sense of the word suited to inspire this soul, which was so prepared to roam far and wide in order to find God, to sense God in his depths at the same time. At the end of his studies in Leipzig, death passed Goethe by. He had been close to death after a severe illness, and this experience meant an infinite deepening of his being at that time. And then he came back to his hometown, to Frankfurt. There we see him absorbed in the writings of medieval esotericism, that medieval esotericism which is regarded by today's intellectual life as madness, but from which a deeper spiritual life shone for Goethe, so that he felt inspired to practical esoteric exercises himself. At that time, the first ray of what can truly be called inspiration was laid in Goethe's soul. There are inspirations that work in such a way that the soul immediately reflects the result of the inspiration back to the inspirer. But there are also inspirations that work in such a way that the person who is inspired is hardly aware that the seed of inspiration has sunk into his soul. For this germ must lie dormant within, unconsciously, for years, decades, perhaps even centuries, waiting until it can bring forth the fruits that can then overcome and make use of the instrument of the physical body to such an extent that a manifestation and revelation of higher life can shine forth from such a personality. The inspiration that came to Goethe from a mysterious source in Frankfurt was something of this kind. But we can readily see how this inspiration holds sway in Goethe's spirit, how he faces everything in such a way that a secret light shines into his soul from all the events of life. Then innumerable experiences made a deep impression on Goethe, and it would take many hours if I wanted to tell you what all this has done for Goethe's inner being during the following stay in Strasbourg. Just as powerful as what I can mention in the short time available was the effect of many other things that time does not permit us to emphasize today. Only one event that affected Goethe in Strasbourg and sank into the hidden seed of inspiration will be told: it is the meeting with another contemporary personality who was struggling in deepest yearning for what is called anthroposophical thinking today. This personality was Herder, whom Goethe met in Strasbourg. Herder was the one who had immersed himself in the course of human development, who had wanted to get to know the different rays into which the sun of spiritual life is divided when it sends its light into humanity. Herder's mind had penetrated through oriental and occidental religious systems, and before him stood the idea that a common divine must run through all these religious ways of thinking and philosophies of humanity. It was from such ideas that Herder developed what he presented in his book 'Ideas for the Philosophy of the History of Humanity', in which he allows the spiritual life of humanity to pass before his eyes in order to show how religions develop and how a spiritual-divine element lives in everything, developing from the imperfect to the perfect. But then Herder also wanted to extract from what his mind observed that which arises in feelings, in inner experiences for the soul. So Herder wrote later, as an emotional effect of his reflections, but at the same time an appeal to humanity: “This is how you should become if you carry within you that attitude that arises when you see the spirits that live in the religions of humanity united in peace.” Thus he wrote his “Letters on the Advancement of Humanity.” Oh, the word “humanity” in those days in the circle that formed around Goethe-Herder was a word that did not have the abstract sense that it acquired in the nineteenth century. The word “humanity” implied a full and profound life, and when one spoke of “humanity,” humanitas, one's soul was moved by the highest and most beautiful hopes for the future of humanity. All this had a very special effect on Goethe's soul, which carried the seed of inspiration within it. For Goethe, by virtue of who he was, indeed faced all his contemporaries, indeed his entire time, in a very special way. There was something in him that could not be in any of the others. This becomes particularly apparent later, when the unique and wonderful bond of friendship blossomed between Schiller and Goethe; that was the time when Schiller, in a somewhat different way, was also carried to the highest heights of human feeling, as Herder had been in Goethe's time in Strasbourg. We need only delve into the thoughts and ideas of Schiller to ask ourselves: How does the same thing that we find in Schiller affect Goethe's mind? Then we gradually begin to sense something of the peculiarity of the Goethean soul. At the time when the bond of friendship with Goethe developed, Schiller wrestled with the question that can be formulated something like this: How can man achieve the highest development of freedom? How is it possible for a person to develop their inner soul forces harmoniously, so that they can rise above themselves from their innermost being, to develop a higher self, a higher human being — as Schiller says — in the ordinary person? Schiller answered this question, if we briefly recall his excellent work 'Letters on the Aesthetic Education of Man', by saying that when man thinks, when he approaches his surroundings rationally and intellectually, then a compulsion rules in his inner life, the compulsion of logic. From thought to thought he is led; he is a slave to logical rules; he is not free. But when man looks out into the world of the senses, then the sense impressions affect him as currents of stimulation; he can do nothing about them, he is not free; he is a slave to the world of the senses. Thus man is placed between two worlds. He cannot be free. When man becomes more and more entangled in the world of the senses with his passions, his drives and desires, then he descends, and the spiritual withdraws from him. When man loses himself to logical necessity, then he descends into the abstract, and the spiritual withdraws from him as well. He may then become a man of duty, slavishly submitting to a categorical imperative; but he will become the slave of this categorical imperative. But there is one thing, says Schiller, and that is when the soul of man himself unfolds in the way we see the spirit at work in the work of beauty, in the work of art. When we have a work of art before us, we have a sensual thing before us, says Schiller, but through this thing the spirit shines and radiates, having created a form for itself, and we then have a sensual thing and at the same time a spiritual thing; we do not fall prey to the sensual thing, because it is purified and ennobled by the spirit that shines through it. We do not fall prey to the abstract spirit of logic. Here the spiritual comes to us in such a way that it descends. The person who develops his soul in this way comes to do what he should not because it is commanded as a duty, but because he loves what his duty is. And the spirit that develops in this way does not need to flee from sensuality, it does not need to say: Passions and drives are pushed aside. For they have been purified, cleansed, and are the expression of the spirit. This is the beautiful soul that Schiller had in mind, which attains freedom because it leads the spirit down into sensuality, spiritualizing the sensual, which rises from sensuality to the spirit, sensualizing the spirit. Oh, it was a momentous time when the soul of European intellectual life thus delved into the great ideals of humanity. That was what lived in Schiller's soul as he walked alongside Goethe, bound to him in intimate friendship. And how did this affect Goethe? This is characteristic of Goethe's soul: Goethe was extremely attracted by this Schillerian thought; he was completely filled by it. But before his soul stood another. He said to himself: This is merely the thought, this is the ideal of thought. Life is infinitely richer, especially when viewed in the spiritual. — As such a thought, when it is led in a straight line, it is right for him, a highest ideal; but it is too poor for him to express the whole realm of the human soul, which ascends to the heights of spiritual life, to real liberation. What did the thought become in Goethe's soul? It became what meets us after the original germ of inspiration had matured further in Goethe. In reference to Schiller's thoughts just mentioned, Goethe wrote his “Fairytale of the Green Snake and the Beautiful Lily”, in which we can sense the secret revelation of what the Goethean soul strove for. There we have not only two or three names for the soul forces, but a great, mighty tableau of twenty symbolic real figures, headed by the four kings: the golden, silver, brazen and mixed king; there we have the beautiful lily, the stream and so on. In this 'Fairytale of the Beautiful Lily and the Green Snake', you can find a very esoteric description of how the soul forces, which are expressed by these figures, must relate to one another in the developing soul, and how they must work together in the harmony of the spheres in order for the human soul to flourish. That is the secret of this fairy tale, that we understand how everything that is described to us about the relationship between the characters expresses the relationship between the harmonizing soul forces that lead the human being up to the flowering of spiritual life. What Schiller also felt to be a problem was reflected in Goethe's soul with infinite richness. Therefore, we should not be surprised that in the mid-1780s, when Goethe was about thirty-five years old, Herder's more philosophical striving, which had made a great impression on him, did not unfold in abstractions either, but in a rich tableau of the soul. Even earlier, before the “Fairytale of the Green Snake and the Beautiful Lily” was written, Goethe had shown the path of the soul that must lead it to spiritual heights in the “Mysteries”, and he showed it as it resulted from the stimulus of those inspirations that he had received from the mysterious side in Frankfurt. That is why he calls the mysterious personality, who is the leader of the twelve as the thirteenth, Humanus. But at the same time, this Humanus was something much deeper to him than what today's abstract person thinks of when he hears this word. Humanus is a name for primeval man, for the great, all-encompassing human nature, which, combining all its powers, strives to the heights of the soul. Oh, Goethe knew that the soul life is something rich. Today you have heard two sentences that Goethe spoke, and which should be deeply engraved in the minds of those who are always looking for abstract correspondences. One of the poems that has just been spoken, in which the inner essence of things was discussed, ends with the words:
An expression of a cosmic secret, an expression as the human mind leads itself to the soul! The next poem begins after the last line of the previous poem: Because everything must disintegrate into nothingness if it wants to persist in being:
Those who want to judge everything according to the point of view just characterized, and find contradictions here and there, should, above all, write down in their minds how Goethe, when he wanted to elevate himself to the highest heights of cosmic events, had to put two sentences there that say exactly the opposite of each other. Why? Because the life that stands behind the phenomena is great and extensive, and because outer powers of expression are limited, and because if we want to grasp the rich life, we have to describe and look at it sometimes from one side, sometimes from the other. We must look carefully into how that must dissolve which wants to persist in being. On the other hand, we must also be able to show that there is something in spiritual life of which we must say: it can find happiness in being and persistence. The world is infinitely deeper and richer than people usually believe. That is why, in the middle of his life, at the age of thirty-three in his then incarnation, Goethe was seized by the thought: Yes, the most diverse religions are spread over the world; they live here and there, they are called upon to produce blossoms of spiritual existence within themselves. Goethe let the thought pass through his soul: If we fix our gaze on one or the other of the religions, then there is a point in each one where it rises above itself and leads to a point hidden behind all religions. Goethe represents the various religions in the twelve personalities who gather in the mysterious monastery, on which the Rosicrucian cross can be seen, indicating what the Rosicrucian cross has to do, namely to unite the various religions, after they rising above themselves — point to the great unity of spiritual life, which is represented by the Thirteenth, who is the leader and has risen to such perfection that he is described in the most beautiful words, that he is described to us from the outset at the moment when he is touched by death. The poem describes the moment when the thirteenth person is expecting death, when he is to go to the spiritual world, suggesting that what really prevails over these twelve is what radiates from the world views united in love and goes out over the world. That was the thought that stood before Goethe's soul. He wanted to express this thought in an appropriate way. He said to himself: It must happen in a narrative that takes place around Good Friday, around that day that must be the eternal symbol for the great spiritual truth that the spiritual life everywhere overcomes death. A Good Friday poem would have been “The Mysteries” if Goethe had been able to find the body for what was so brilliantly before his soul back then. And if we want to get a sense of the necessity of these thoughts, we may well take this opportunity to recall that on another Good Friday, looking out from Lake Zurich at the burgeoning of nature, the thought occurred to him of what can be linked to Good Friday. For it was on a Good Friday that Richard Wagner sensed the germ of his “Parsifal” within him. When we allow such things to touch our souls, we sense something of the necessity that governs everything that confronts us in the external world of the senses. Goethe wanted to create such a work of poetry. It is not always the fault of the person who can only bring it to the stage of a fragment. Sometimes it is also due to the time, which does not yet provide the means to achieve this or that in it. But now we understand why Goethe presents us with a person in his brother Markus who has developed such an attitude within himself, which has been purified from all that can enter our soul from the external world and contaminate it. That is why Goethe calls the man who has come so far in purifying his soul from all that can defile it from the earth a soul that looks as if from another earth. And so Brother Mark walks along, to experience things about which Goethe himself says in the first two verses: That which must be said will often appear as if this or that side path is taken. One should not think that this is a mistake. The poem contains such greatness that one would do better to think everywhere. One will only mature enough to grasp the infinite depths contained in it, instead of practicing criticism. At the same time, however, we are reminded that what is at stake here is not an experience that can be grasped by the senses, but one that can only be fully grasped by the spiritual soul that has advanced beyond itself. So our brother Markus, this purified soul, is led before the temple, which expresses its essence by the fact that the cross entwined with roses is its symbol, that symbol to which those who developed that attitude out of the spiritual substance of the Occident have always looked, who want to lead the different religions of the world to love and peace and to the elevation of the human soul. The most beautiful and greatest program of our world view therefore lives in this poem. It would take much, much time to go into the details; but even if I make a few suggestions, you will recognize how this poem is created out of the entire Rosicrucian-spiritual, spiritual substance of the West. We are told about the thirteenth one who leads the others, who in his soul can have the tendency that leads the individual worldviews beyond themselves to a great unity. We are told what we are also told about the great leaders of humanity, and what is nothing other than an expression of the great truths. We see not only a symbolum, but the expression of great truths, great realities. A star announces the coming of the soul of the thirteenth child, as a star always announces the coming of another being into physical existence. Remember the stories of the birth of Buddha and of Jesus, and understand from them the high nature in the mystery of the European mystery play that Goethe wanted to suggest to us with his thirteenth child. Still another thing is said: that this thirteenth was a personality who in his earliest youth overcame the viper that coiled around his sister. The viper has always been the real symbol for that astral life that pulls man down and prevents him from reaching the highest heights. From the serpent of Paradise to all snake symbols, you will always find among the many good snake symbols also those that must be overcome. So you see the victor over the lower human nature, which must be cast off, in our thirteenth. Even as a boy he turns to the sister, the sister of the spirit in us, for the spirit in us has its sister in the soul — to the soul he turns and kills the vipers of his own soul. Thus he matures for the higher life to which he is called; he matures in such a way that the outer life becomes for him a life of struggles, as they are described; he matures to the point where he takes this outer life upon him like a cross. Then we are told: This thirteenth leads a group of twelve, and this group sits with him at the love-feasts and spiritual festivals around one table. Above each chair we see a symbol. Above the chair of the thirteenth we see the fundamental symbol of all European spiritual life, the Rose Cross, again. Above each of the other chairs we see other symbols, which show us the spiritual life divided into different rays. And now I will remind you briefly of what was said yesterday, of the two currents of the people. The southern current is concerned with the cultivation of the inner life, from where the spiritual world has been sought in the post-Atlantic period. This current has to struggle in particular with the opponents in one's own soul, with the repulsive hostile astral powers. These powers, which the soul must conquer within itself if it wants to find the realm of the spiritual, which is hidden by the flourishing of the soul world, this realm was symbolically expressed by the fiery dragon, by the dragon in the fire. And a whole series of world views emerged from the fact that the soul ascends into the higher world after conquering the dragon, after conquering the flaming and raging entities in and around man. In northern peoples, we find the penetration through the veil of the outer sensory world. What is effective here is what penetrates into the outer sensory world. We see another symbol emerging. If the human being wants to penetrate through what confronts him in the outer sensory world, he must confront this sensory world strongly. The way in which man must act victoriously against the external sense world, if he wants to penetrate through it into the spiritual, is shown in a poignant way in the image of the old god who sticks his hand and arm into the jaws of the wolf and loses it, so that the old European god of war Ziu is one-handed. This image, which is supposed to represent the victory over the external world, appears in the most diverse ways, in particular in that the esoterically victorious hero puts his hand into a bear's mouth, and that the blood wells out as the surplus ego. The blood is the expression of the ego, and here it is the image of excessive egoism. The dragon is the symbol for the southern view of the world; the hand thrust into the bear's mouth is the symbol for the northern view of the world. Six representatives of the southern world view sat on one side, and six representatives of the northern world view sat on the other. On one side, next to the thirteenth, above the chair was the symbol of the dragon glowing in fire; on the other side, next to the thirteenth, above the chair was the symbol of him who conquers the outer world, who puts his hand into the mouth of the bear so that blood gushes out. This is how Goethe wanted to show each of the chairs. It was a great heroic task to show how the soul, on the one hand, is to penetrate through the pile of the soul's life into the realms behind one's own soul life, and how, on the other hand, the soul is to penetrate through the carpet of the sensory world to the spiritual life outside in the world. That is why you will find these images of the carpet and the pile used here. And so we could go through line by line and find the stages that the human soul must go through to reach the point where one can speak of the human being who has become victorious by rising above himself. The purified soul of Brother Mark is led into this community; he is led into it at the moment when, in the hour of the death of the thirteenth, the twelve are united spiritually and physically. He himself, in his simplicity, should have become the leader of the twelve directions – this is what Goethe wanted to describe. He himself was an initiate who strove towards the unity of religious life, and it was this path that Goethe had set out to describe. But this description could only flourish as far as the forecourt. There, after Brother Mark has allowed the meaningful impressions to take effect on his soul, where he, in a quiet sleep, which is a clairvoyant sleep, finds himself in the world that has been released in him through the meaningful symbols, there he awakens from this clairvoyant sleep. In his awakening, he hears strange sounds, as if the harmonies of the spheres wanted to resound softly. We are given a hint of how the harmonies of the spheres move the bodies in a round dance, in that the symbolized world forces move as in a round dance to the strange music. Then the great vision of the future of humanity dawns. There are three parts to human nature; we call them spirit self, life spirit and spiritual man, or we call them manas, budhi, atma. These are the germs slumbering in our nature, these are the youthful blossoms of the human soul. If we look at them, we can say: they are present today in the germinal stage, and they will unfold in each individuality through the following earthly conditions. Today we see them as slight shadows, as the “young men” in our soul, which will emerge when we are able to look up to where the gaze can see the future of humanity. This future of humanity is before the eyes of Brother Mark. He looks into the future in which the soul forces will develop, which today are the three young men: Manas, Budhi, Atma. They flit by, but they leave behind in the soul that significant sensation which is the germ of the life of spiritual progress. For it is the peculiarity of all spiritual creations of humanity that they leave behind sensations in the soul, and the basic impulse, which represents the germ, is this: I want to participate in the spiritual development of humanity so that the spirit can flow more and more into all external bodies, so that it can descend through the instrument of the human being and inspire the material more and more deeply, then spiritualize it and, as far as it is useful, redeem it. Goethe also wanted to make such a poem of redemption out of his Good Friday poem, which describes the resurrection. Let us try to allow the contemplation of this poem to become a seed within us, through which the highest words can continue to speak in our soul! As anthroposophists, become such souls who take up this program! Each of you, continue to develop what Goethe has sown, has thrown into the evolution of humanity. Then the poem that Goethe wanted and needed to leave behind will be completed in humanity! And that is what matters: not who accomplishes this or that, but that the fruits ripen in humanity that lead man into the spiritual world. |