The Rudolf Steiner Archive

Easter is felt by large numbers of human beings as a festival connected on the one hand with the deepest and most intimate feelings of the human soul, and on the other hand with cosmic mysteries and cosmic riddles of existence. Indeed we cannot but observe the connection of Easter with the secrets and riddles of the Universe when we bear in mind the fact that Easter is a movable festival, the date of which has to be reckoned year by year from that constellation of the stars which we shall shortly consider more in detail. At the same time we must observe how many customs and sacred ceremonies have been associated with the Easter Festival for centuries—customs and ceremonies which lie very near to the heart of large numbers of humanity. These things will show us the immense values which mankind has gradually laid into the Easter Festival in the course of historic evolution.

In the first centuries of Christianity—not at its immediate foundation but in the course of the first centuries—Easter became a most important festival connected with the fundamental thought and impulse of Christianity, I mean, with that impulse which arises for the true Christian from the fact of the Resurrection of Christ.

Easter is the festival of the Resurrection. Yet at the same time it leads us back into pre-Christian times. It leads us to the festivals which were held about the time of the Spring Equinox (which still plays a part in our calculation, at least, of the date of Easter). It points to those old festivals which were connected with the reawakening of Nature—with the springing of life that grows forth once more from the Earth.

Here we already find ourselves within the very subject of these lectures; for here already we must touch upon the connection of Easter with the evolution of the Mysteries in the history of mankind.

Easter as a Christian festival is a festival of Resurrection. The corresponding Heathen festival, taking place about the same time of the year as our Easter, was a kind of Resurrection festival of Nature—the coming forth again of what was asleep in Nature throughout the winter time. But we must emphasise most strongly at this point that the Christian Easter is by no means coincident as to its inner essence and meaning with the Heathen festivals of the Spring Equinox. On the contrary, if we do want to relate it to the old Pagan times, we must connect the Christian Easter with certain festivals which, proceeding from the ancient Mysteries, were enacted at the Autumn season. This is a remarkable fact in the determination of the Easter Festival, which by its very content is obviously connected with certain of the ancient Mysteries. Easter above all can remind us of the deep and radical misunderstandings that have arisen, in the course of evolution, in the world-conceptions of mankind with regard to matters of the greatest significance. Nothing less has happened than that the Easter Festival has been confused with an altogether different one, and has thus been removed from Autumn and turned into a festival of Springtime.

We have here touched something of infinite significance in human evolution. Consider the content of this Easter Festival. What is it in its essence? It is this: Christ Jesus, the Being who stands at the centre of the Christian consciousness, passes through death. Good Friday is held in memory of this fact. Christ Jesus lies in the grave. It is a time that takes its course in three days, representing the union of Christ with Earth-existence. This time is celebrated in Christendom as a festival of mourning—the time between Good Friday and Easter Sunday. Easter Sunday is the day when the central Being of Christianity rises out of the grave; it is the day of remembrance of this. Such is the essential content of the Easter Festival: the Death, the lying in the Grave and the Resurrection of Christ Jesus.

Now let us look at the corresponding ancient Heathen festival in any one of its forms. Only then shall we be able to penetrate into the connection between the Easter Festival and the Mysteries. In many places and among many people, we come across ancient Heathen festivals whose external structure—and the structure of the ceremonies which were enacted in them—is decidedly similar to the Easter-content of Christianity.

From the manifold festivals of ancient time, we may select for an example the Adonis festival. Through long, long periods of pre-Christian antiquity this festival was celebrated among certain peoples of Asia Minor. A sacred image was the central point of the festival. It was an image of Adonis—Adonis as the spiritual representative of all that is the springing and thriving force of youth in man, of all that appears as beauty in the human being.

True it is that in many respects the ancient peoples confused the substance of the image with what the image represented. The ancient religions often thus present the character of fetish worship. Many human beings saw in the image the actual and present God—the God of beauty, of the youthful strength of man, of the unfolding germinating forces which reveal in outward glory all the inner worth and inner greatness that man contains, or can contain, within him.

With songs and acts of ritual representing the deepest human grief and mourning, this image of the God was lowered into the waves of the sea, where it had to remain for three days. Or if the sea were not near it was lowered into a lake. Or again, an artificial pond was constructed near the sacred place of the Mysteries, so that the image of the God could be submerged and left for three days. During the three days the whole community associated with this cult remained in an atmosphere of deepest earnestness and stillness. After three days the image was withdrawn from the water. The songs of grief and mourning were transformed into songs of joy, hymns to the resurrected God, to the God who had come to life once more.

This was an outward ceremony which deeply stirred the hearts of large circles of mankind. And this ceremony indicated, in an outward act of ritual, what took place in the Holy of Holies of the Mysteries with every human being who was about to reach initiation. For within the Mysteries in those ancient times every human being who was to receive initiation was led into a special chamber. The walls were black, the whole space was dark and gloomy, empty save for a coffin, or something not unlike a coffin. Beside the coffin those who accompanied the candidate for Initiation broke forth into songs of mourning, songs of death. The candidate was treated like one who is about to die. He was given to understand that when he was now laid in the coffin, he would have to undergo what the human being undergoes in the first three days after death.

On the third day there appeared at a certain place, within sight of the one who lay in the coffin, a twig or a branch to represent springing, thriving life. And now the songs of mourning were transferred into hymns of joy and praise. With consciousness transformed, the man arose out of his grave. A new language, a new writing, was communicated to him; it was the language and writing of spiritual Beings. Henceforth he was allowed to see the world—for now indeed he could see it—from the standpoint of the Spirit.

What was thus enacted in the hidden depths of the Mysteries with the candidates for Initiation was comparable to the sacred cults or rituals enacted in the outer world. The content of the sacred ritual, pictorial as it was, was none the less similar in structure to what took place with chosen human beings in the Mysteries. Indeed the cult—and we may take the special cult of Adonis as representative—the cult was explained at the proper season to all those who partook in it. It was enacted in the Autumn, and those who took part in it were instructed somewhat as follows: “Behold, it is the Autumn season! The Earth is losing her adornment of plants and green foliage. All things are fading and falling. In place of the green and springing life that began to cover the Earth in Springtime, snow will soon come to envelop, or drought to lay waste, the Earth. Nature is dying, but while all things are dying around you, you are to experience that in the human being which is only half like the death you see around you in all Nature. Man also has to die. For him, too, there comes the Autumn season. And when man's life draws to a close, it is right for the hearts and minds of those who remain behind to be filled with sorrow and deep mourning. And that the full earnestness of the passage through death may come before your souls, that you may not experience it only when death approaches you yourselves, but may be mindful of it ever and again—it is enacted before you Autumn by Autumn how the divine Being who is the representative of the beauty, youth and greatness of man, dies and undertakes the same journey as all the things of Nature. Nevertheless, just when Nature is laid waste and bare, when all things in Nature are on the way to death, you also are to remember another thing. Remember how man passes through the gate of death! All that he experienced here in this earthly life was like the things that die in Autumn-time. For in this earthly realm he experiences only what is transient. But when he has passed from the Earth and lives on out into the far spaces of the Cosmic Ether, then will he behold himself growing ever greater and greater, till the whole Universe becomes his own. For three days he will live outward and outward into the wide spaces of the Universe. And then, while here on Earth the earthly eye is turned to the image of death—for the earthly eye is turned to all that dies, to all things transient—yonder in the Spirit after three days the immortal soul of man awakens. Yonder the soul arises, arises to be born again for Spirit-land, three days after passing through the gate of death.”

Deep and penetrating was the inner transformation when these things were enacted in the candidate's own person during the Initiation ceremony, in the hidden depths of the Mysteries. The profound impression, the immense and sudden jerk which the life of a man underwent in this ancient form of initiation, awakened inner forces of the soul within him. (As we shall presently see, in modern times it cannot be done in this way but must be done in quite another way.) The inner forces of the soul, the powers of seership were awakened in him. He knew that he stood henceforward no longer in the world of the senses but in the spiritual world.

I may perhaps sum up in the following words the instruction that was given, once more at the right and proper time, to the pupils in the ancient Mysteries. They were told: That which is enacted in the Mysteries is an image of what takes place in spiritual worlds, in the Cosmos. Sacred cult is itself an image of what is enacted in the sacred Mysteries. For everyone who was admitted to the Mysteries was fully clear that events which the Mysteries concealed within the earthly realm—events enacted there upon the human being—were true images of what man experiences in the wide spaces of the astral-spiritual Cosmos in other forms of existence than in this earthly life. And those who in ancient times were not admitted to the Mysteries—since according to their stage in life they could not yet be chosen to receive the vision of the spiritual world directly—were instructed in the corresponding truths through the sacred cult or ritual, that is to say, through a picture of what was enacted in the Mysteries.

Such, then, was the purport of the Mystery which we have learned to know in this example of the Adonis festival. Autumn, when earthly things were fading away, becoming waste and bare, Autumn, expressing so radically the transitory nature of all earthly things, the dying process and the fact of death—this Autumn time was to call forth in man the certainty, or at least the pictured vision, of how the death that overcomes all Nature in the Autumn, overcomes man too, nay even overcomes the representative of all beauty, youthfulness and greatness in the human soul, portrayed in the God Adonis. Even the God Adonis dies, and is dissolved in the earthly prototype of the cosmic Ether—in the Water. But even as he rises again out of the Water, even as he can be drawn forth from the Water, so is the soul of man drawn forth from the Waters of the world, that is to say, from the cosmic Ether, approximately three days after the human being here upon Earth passes through the gate of death.

It was the secret of death itself which those ancient Mysteries sought to represent in the corresponding Autumn festival. They made it visible in picture form, in that the first half of the sacred ritual coincided with the dying and the death in Nature, while on the other hand the very opposite was shown to be the essential truth for man himself. Such was the meaning and intention of the Mysteries: the human being shall turn his gaze to the death of Nature, in order to become aware how he himself dies in the outward semblance, while in his inner being he is resurrected—resurrected, to begin with, for the spiritual world. To unveil the truth about death was the meaning and purpose of this ancient Pagan festival which was connected so closely with the Mysteries.

Then in the further course of human evolution the great Event took place. What had been undergone at a certain level by the candidate for initiation in the Mysteries—the Death and Resurrection of the soul—took place even as to the body with Christ Jesus. For how does the Mystery of Golgotha appear to one who is acquainted with the Mysteries! He gazes back into the ancient Mysteries. He sees how the candidate for Initiation was led, in his soul, through death to the Resurrection of the soul; that is to say, to the awakening of a higher consciousness in the soul. The soul died, to rise again in a higher consciousness. We must above all hold fast to this, that the body did not die, but the soul died, in order to be awakened to a higher consciousness.

What the soul of every candidate for Initiation underwent, Christ Jesus underwent even in the body. That is to say, He underwent it on a different level. For Christ was no earthly man. He was a Sun-Being dwelling in the body of Jesus of Nazareth. Hence what the candidate for Initiation in the ancient Mysteries had undergone in his soul, could be undergone in the entire human nature by Christ Jesus upon Golgotha.

Those who still had knowledge of the ancient Mysteries and of the above Initiation-rite—it was they who understood most deeply what had happened upon Golgotha. Indeed to this day, it is they who understood it most deeply. For they could say to themselves: For thousands and thousands of years, human beings have been led through the death and resurrection of their souls into the secrets of the spiritual world. The soul was kept separate from the body during the act of Initiation. The soul was led through death, to life eternal. What was thus experienced in the soul by a number of chosen human beings, was undergone even in the body by a Being who descended from the Sun at the Baptism by John in Jordan, and took possession of the body of Jesus of Nazareth. The act of Initiation that had been repeated again and again through long, long years, now became a historic fact.

The essential thing was that man should know: because it was a Sun-Being who took possession of the body of Jesus of Nazareth, therefore what was accomplished for the Initiates only with respect to the soul and the soul's experience, could be accomplished now even into the bodily existence by this Being. In spite of the death of the body, in spite of the dissolving of the body of Jesus of Nazareth in the mortal Earth, there could be a Resurrection of the Christ. For the Christ rises higher than the soul of the initiate could rise. The candidate for Initiation could not carry the body into those deep regions of the sub-sensible into which Christ Jesus carried it. Hence, too, the candidate for Initiation could not rise so high in resurrection as the Christ. Yet it remains true that but for this difference in respect of cosmic greatness, the ancient rite of Initiation appeared as a historic fact at the sacred place of Golgotha.

Yet even in the first centuries of Christianity there were only few who knew that a Being of the Sun, a cosmic Being, had lived in Jesus of Nazareth, that the Earth had really been fertilised by the descent from the Sun of a Being whom until then man upon Earth had only been able to behold within the Sun, by the methods cultivated at the places of Initiation. This was the essential point in Christianity, inasmuch as it was also accepted by those who had real knowledge of the ancient Mysteries. They could say: The Christ to whom we lifted ourselves up through our initiation, the Christ whom we could reach by our ascent to the Sun in the ancient Mysteries, has descended into a mortal body, into the body of Jesus of Nazareth. He has come down to Earth.

It was indeed a festival mood, nay, a mood of sublime holiness which filled the hearts and souls of those who, living in the time of the Mystery of Golgotha, had some understanding of this Mystery. Gradually, and by processes which we shall yet have to trace, what had thus been an immediate and living content of their consciousness became a memory, a festival in memory of the historic event on Golgotha. But while this “memory” was taking shape, the consciousness of who the Christ was as a Being of the Sun, became lost ever more and more. Those who had knowledge of the ancient Mysteries could not fail to know about the Being of the Christ. For they knew that the real Initiates, being made independent of the physical body and passing in their souls through death, rising into the Sun-sphere and there visiting the Christ, had received from Him—from Christ within the Sun—the impulse for the resurrection of their souls. They knew the nature of the Christ because they had raised themselves to Him. With their knowledge of this Initiation rite, the ancient Initiates knew from what took place on Golgotha that the same Being who formerly had to be sought for in the Sun, had now visited mankind on Earth. Why was it so? The sacred rite that had been enacted with the candidates for Initiation in the ancient Mysteries in order that they might reach up to the Christ within the Sun, could no longer be enacted in this way. For in the course of time, human nature had undergone a change. By the very evolution of the human being, the ancient ceremony of Initiation had become impossible. It would no longer have been possible through that ancient Initiation ceremony to visit the Christ in the Sun. It was then that He descended to enact on Earth a sacred deed to which human beings might henceforth turn their gaze.

What is contained within this secret is one of the very holiest things that can possibly be uttered on this Earth.

For how did it really appear to the human beings in the centuries following the Mystery of Golgotha?

From an ancient Initiation sanctuary man upon Earth looked upward to the Sun-existence and became aware, through his Initiation, of Christ within the Sun. Man looked out into Space in order to approach the Christ. And how did the evolution of mankind go forward in the succeeding periods? I must now represent Time itself: the Earth in one year, the Earth in a second year, in a third year, and so on in the course of Time. Spatially, the Earth is of course always present but here I have represented the course of Time. The Mystery of Golgotha has taken place. A human being living, let us say, in the eighth century A.D., instead of looking upward to the Sun from a sacred place of the Mysteries so as to reach the Christ, looks backward through the course of Time—back to the Mystery of Golgotha. At the turning-point of Time—at the beginning of the Christian era—he beholds the Mystery of Golgotha. Thus he can find the Christ within an earthly action, within an event on Earth. He finds the Christ within the Mystery of Golgotha.

Through the Mystery of Golgotha, what had formerly been a vision in Space, became henceforward a vision in Time. That was the significance of what had taken place.

We must however especially contemplate what took place during Initiation in the ancient Mysteries. It was a picture of the death of man and of his resurrection in the life beyond. Then we must consider the structure of the sacred cults, the festival of Adonis, for instance. For this in turn was a picture of what took place within the Mysteries. When we contemplate all this, these things—the three united into one—come before us in a sublime and transcendent aspect concentrated in the one historic action upon Golgotha.

Outwardly upon the scene of history there appears what was hitherto accomplished in the deep and inner Holy of Holies of the Mysteries. For all human beings there now exists what existed hitherto only for the Initiates. Men no longer need an image that is immersed and symbolically resurrected from the sea. Henceforth they shall have the thought—the memory—of what took place in all reality on Golgotha. The outward symbol, relating to a process that was experienced in Space, is now to be replaced by the inward thought and memory, without any picture to the senses—the memory of the historic event of Golgotha, experienced purely in the soul.

Strange is the course of human evolution as we perceive it in the succeeding centuries. Man's penetration into spiritual things becomes ever less and less. The spiritual content of the Mystery of Golgotha cannot find its way into the minds of men. Evolution tends now to develop the sense for material things. Men lose the inner understanding of the heart, which once told them that just where outer Nature reveals her transitoriness and appears as a dying existence, the life of the Spirit can be seen, and with it they lose their understanding for that outer festival which can most truly be felt when Autumn comes with its fading, dying process, inasmuch as the death of the Earthly and Natural corresponds to the Resurrection of the Spiritual.

Thus it becomes possible no longer for Autumn to be the time of the Resurrection Festival. Autumn loses its power to turn man's thought from the transitoriness of Nature to the eternity of the Spirit. Man now needs the support of material things, needs the support of what does not die in Nature, but springs forth again in Nature. He needs to connect his Resurrection Festival with that which is resurrected in outer Nature—the force of the seed which was laid into the Earth in Autumn-time. He takes the material as a symbol for the Spiritual because he is no longer able to receive inspiration for a true perception of the Spiritual itself. Autumn no longer has the power to make manifest through the inner power of the human soul the Eternity of the Spirit, over against what is transient in the world of Nature. Man needs the support of external Nature, of the external Resurrection in Nature. He needs to see how the plants spring out of the Earth, how the Sun increases in strength, how light and warmth increase in strength once more. He needs the Resurrection in Nature in order to celebrate the thought of the Resurrection.

At the same time he loses that immediate inner relationship which he had with the Adonis Festival, and which he can also have with the Mystery of Golgotha. The inner experience which could arise at the earthly death of man, loses its power. In that inner experience the human soul was aware how the man who in the earthly sense passes through the gate of death, undergoes in three days what can indeed fill the soul with solemnity and earnestness. Then, however, the soul must become inwardly joyful, inasmuch as out of this very death the human soul arises after three days to spiritual immortality.

The power that lay in the Adonis Festival was lost. To begin with, it was intended for humanity that this power should arise with still greater intensity. Man had gazed upon the death of the God, the death of all that is beautiful in mankind—of all that is great and filled with the strength of youth. This God was immersed in the ocean on the day of Mourning, on the day of Chara (Charfreitag is Good Friday; Chara means mourning). They fell into a solemn, earnest mood. This was the feeling they first wanted to unfold in view of the transitoriness of Nature. But then this very feeling of the transitoriness of Nature had to be transformed by the soul into a feeling of the super-sensible resurrection of the human soul after three days. When the God—or image of the God—was lifted out again, the true believer beheld the image of the human soul a few days after death. “What happens to the dead man in the Spirit, behold! it stands before thy soul in the image of the resurrected God of youthful strength and beauty!”

This truth, deeply united with the whole destiny of man, was really awakened in the human spirit year by year in the Autumn season. In that ancient time men could not have thought it possible to take their start from external Nature. That which was perceptible in the Spirit was represented in the symbolic action of the sacred cult. But the time came when this picture of ancient times had to be blotted out in order that the memory, unassisted by any image—the inward memory, experienced purely within the soul, the memory of the Mystery of Golgotha in which the same truth is contained—should take the place of the picture. To begin with, humanity had not the power for it to be so. For the Spirit descended into the very depths of the soul of man. To this day it has remained so; man needs the support of external Nature. But external Nature provides no symbol—no perfect symbol—of the destinies of man in death. Thus the thought of death itself was able to live on, but the thought of the Resurrection disappeared more and more. Though the Resurrection is still referred to as an article of faith, the fact of the Resurrection is not a really living experience in the humanity of modern times. It must become alive again through the anthroposophical conception reawakening the sense of man to the true Resurrection thought.

The Michael thought, as was said at the proper season, must lie near to the anthroposophical heart and mind as the thought of the Herald of Christ. The Christmas thought too, must be made ever deeper in the heart of the anthroposophist. And the Easter thought must become especially sacred and joyful. For Anthroposophy has to add to the thought of Death, the thought of the Resurrection. Anthroposophy itself must become like an inner festival of Resurrection for the human soul. It must bring an Easter mood into man's world-conception. This will indeed be possible if it is understood how the thought of the ancient Mysteries can live on in the true Easter thought. And this will still be possible if there arises a true conception of the body, soul and spirit of man, and of the destinies of body, soul and spirit, in the physical world, the soul-world and the spiritual world of Heaven.

We should not underestimate the significance it once held for mankind to focus the whole attention during the year on a festival-time. Although in our time the celebration of religious festivals is largely a matter of habit, it was not always so. There were times when people united their consciousness with the course of the year; when, let us say, at the beginning of the year, they felt themselves standing within the course of time in such a way that they said to themselves: “There is such and such a degree of cold or warmth now; there are certain relationships among the other weather conditions, certain relationships also between the growth or non-growth in plants or animals.”—People experienced along with Nature the gradual changes and metamorphoses she went through. But they shared this experience with Nature in such a way—when their consciousness was united with the natural phenomena—that they oriented this consciousness toward a specific festival. Let us say, at the beginning of the year, through the various feeling perceptions associated with the passing of winter, the consciousness was directed toward the Easter time, or in the fall, with the fading away of life, toward Christmas. Then men's souls were filled with feelings which found expression in the way they related themselves to what the festivals meant to them.

Thus people partook in the course of the year, and this participation meant for the most part permeating with spirit not only what they saw and heard around them but what they experienced with their whole human being. They experienced the course of the year as an organic life process, just as in the human being when he is a child we relate the utterances of the childish soul with the awkward movements of a child, or its imperfect way of speaking. As we connect specific soul-experiences with the change of teeth, other soul experiences with the later bodily changes, so men once saw the ruling and weaving of the spiritual in the successive changes of outer nature, in growth and decline, or in a waxing followed by a waning.

Now all this cannot help affecting the whole way man feels himself as earthly man in the universe. Thus we can say that in that period at the beginning of our reckoning of time, when the remembrance of the Event of Golgotha began to be celebrated which later became the Easter festival—in that period in which the Easter festival was livingly felt and perceived, when man still took part in the turning of the year as I have just described it—then it was in essence so, that people felt their own lives surrendered, given over to the outer spiritual-physical world. Their feeling told them that in order to make their lives complete, they had need of the vision of the Entombment and the Resurrection, of that sublime image of the Mystery of Golgotha.

But it is from filling the consciousness in such a way that inspirations arise for men. People are not always conscious of these inspirations, but it is a secret of human evolution that from these religious attitudes toward the phenomena of the world, inspirations for the whole of life proceed.

First of all, we must understand clearly that during a certain epoch, during the Middle Ages, the people who oriented the spiritual life were priests, and those priests were concerned above all with the ordering of the festivals. They set the tone for the celebration of the festivals. The priesthood was that group of men who presented the festivals before the rest of mankind, before the laity, and who gave the festivals their content. In so doing the priests themselves felt this content very deeply; and the entire soul-condition that resulted from the inspiring effect of the festivals was expressed in the rest of the soul-life.

The Middle Ages would not have produced what is called Scholasticism—the philosophy of Thomas Aquinas and Albertus Magnus and the other Scholastics—if this philosophy, this world conception, with all its social consequences, had not been inspired by the most important thought of the Church, by the Easter thought. In the vision of the descending Christ, Who lives for a time in man on Earth and then goes through the Resurrection, that soul impulse was given which led to the particular relation between faith and science, between knowledge and revelation which was agreed upon by the Scholastics. That out of man himself, only knowledge of the sensible world can be acquired, whereas everything connected with the super-sensible world has to be gained through revelation—this was determined basically by the way the Easter thought followed upon the Christmas thought.

And if, in turn, the idea-world of natural science today is totally the product of Scholasticism, as I have often explained to you, we must then say: “Although the natural science of the present is not aware of it, its knowledge is essentially a direct imprint of the Easter thought which prevailed in the early Middle Ages and then became paralyzed in the later Middle Ages and in modern times.” Notice the way natural science applies in its ideas what is so popular today and indeed dominates our culture: it devotes its ideas entirely to dead nature; it considers itself incapable of rising above dead nature. This is a result of that inspiration which was stimulated by viewing the Laying in the Grave.

As long as people were able to add the Resurrection to the Entombment as something to which they looked up, they then added also the revelation concerning the super-sensible to mere outer sense-knowledge. But as it became more and more common to view the Resurrection as an inexplicable and therefore unjustifiable miracle, revelation—that is, the super-sensible world—came to be repudiated. The present-day natural scientific view is inspired solely by the conception of Good Friday and lacks any conception of Easter Sunday.

We need to recognize this inner connection: The inspired element is always that which is experienced within all the festival moods in relation to Nature. We must come to know the connection between this inspiring element and all that comes to expression in human life. When we once gain an insight into the intimate connection that exists between this living-oneself-into the course of the year and what men think, feel, and will, then we shall also recognize how significant it would be if we were to succeed, for example, in making the Michael festival in autumn a reality; if we were really to succeed, out of spiritual foundations, out of esoteric foundations, in making the autumn Michael festival something that would pass over into men's consciousness and again work inspiringly.

If the Easter thought were to receive its coloration through the fact that to the Easter thought “He has been laid in the grave and is arisen” the other thought is added, the human thought, “He is arisen and may be laid in the grave without perishing”—If this Michael thought could become living, what tremendous significance just such an event could have for men's whole perceiving (Empfindung), and feeling and willing—and how this could “live itself into” the whole social structure of mankind!

My dear friends, all that people are hoping for from a renewal of the social life will not come about from all the discussions and all the institutions based on what is externally sensible. It will be able to come about only when a mighty inspiration-thought goes through mankind, when an inspiration-thought takes hold of mankind through which the moral-spiritual element will once again be felt and perceived along with the natural-sensible element.

People today are like earthworms, I might say, looking for sunlight under the ground, while to find the sunlight they need to come forth above the surface of the earth. Nothing in reality will be accomplished by all of today's organizations and plans for reform; something can be achieved only by the mighty impact of a thought-impulse drawn out of the spirit. For it must be clear to us that the Easter thought itself can only attain its new “nuance” through being complemented by the Michael thought.

Let us consider this Michael thought somewhat more closely. If we look at the Easter thought, we have to consider that Easter occurs at the time of the bursting and sprouting life of spring. At this time the Earth is breathing out her soul-forces, in order that these soul-forces may be permeated again by the astral element surrounding the Earth, the extra-earthly, cosmic element. The Earth is breathing out her soul. What does this mean?

It means that certain elemental beings which are just as much in the periphery of the Earth as the air is or as the forces of growth are—that these unite their own being with the out-breathed Earth soul in those regions in which it is spring. These beings float and merge with the out-breathed Earth soul. They become dis-individualized; they lose their individuality and rise in the general earthly soul element. We see countless elemental beings in spring just around Easter time in the final stage of the individual life which was theirs during the winter. We see them merging into the general earth soul element and rising like a sort of cloud (red, yellow, with green). I might say that during the wintertime these elemental beings are within the soul element of the Earth, where they had become individualized; before this Easter time they had a certain individuality, flying and floating about as individual beings. During Easter time we see them come together in a general cloud (red), and form a common mass within the Earth soul (green). But by so doing these elemental beings lose their consciousness to a certain degree and enter into a sort of sleeping condition. Certain animals sleep in the winter; these elemental beings sleep in summer. This sleep is deepest during St. John's time, when they are completely asleep. Then they begin once more to individualize, and when the Earth breathes in again at Michaelmas, at the end of September, we can see them already as separate beings again.

Man needs these elemental beings... This is not in his consciousness, but man needs them nonetheless, in order to unite them with himself, so that he can prepare his future. And man could unite these elemental beings with himself, if at a certain festival time—it would have to be at the end of September—he could perceive with a special inner soul-filled liveliness how Nature herself changes toward the autumn; if he could perceive how the animal and plant life recedes, how certain animals begin to seek their shelters against the winter; how the plant leaves get their autumn coloring; how all Nature fades and withers.

It is true that spring is fair, and it is a fine capacity of the human soul to perceive the beauty of the spring, the growing, sprouting, burgeoning life. But to be able to perceive also when the leaves fade and take on their fall coloring, when the animals creep away—to be able to feel how in the sensible which is dying away, the gleaming, shining, soul-spiritual element arises—to be able to perceive how with the yellowing of the leaves there is a descent of the springing and sprouting life, but how the sensible becomes yellow in order that the spiritual can live in the yellowing as such—to be able to perceive how in the falling of the leaves the ascent of the spirit takes place, how the spiritual is the counter-manifestation of the fading sense-perceptible; this should as a perceptive feeling for the spirit—ensoul the human being in autumn! Then he would prepare himself in the right way precisely for Christmastide.

Man should become permeated, out of anthroposophical spiritual science, by the truth that it is precisely the spiritual life of man on Earth which depends on the declining physical life. Whenever we think, the physical matter in our nerves is destroyed; the thought struggles up out of the matter as it perishes. To feel the becoming of the thought in one's self, the gleaming up of the idea in the human soul, in the whole human organism of man to be akin to the yellowing leaves, the withering foliage, the drying and shriveling of the plant world in Nature; to feel the kinship of man's spiritual “being-ness” with Nature's spiritual “being-ness”—this can give man that impulse which strengthens his will, that impulse which points man to the permeation of his will with spirituality.

In so doing, however, in permeating his will with spirituality, the human being becomes an associate of the Michael activity on earth. And when man lives with Nature in this way as autumn approaches and brings this living-with-Nature to expression in an appropriate festival content, then he will be able truly to perceive the completing (Erganzung) of the Easter mood. But by means of this, something else will become clear to him.—You see, what man thinks, feels, and wills today is really inspired by the Easter mood, which is actually one-sided. This Easter mood is essentially a result of the sprouting, burgeoning life, which causes everything to merge as in a pantheistic unity. Man is surrendered to the unity of Nature, and to the unity of the world generally. This is also the structure of our spiritual life today. Man wants everything to revert to a unity, to a monon; he is either a devotee of universal spirit or universal nature; and he is accordingly either a spiritualistic Monist or a materialistic Monist. Everything is included in an indefinite unity. This is essentially the spring mood.

But when we look into the autumn mood, with the rising and becoming free of the spiritual, and the dropping away and withering of the sensible (red), then we have a view of the spiritual as such, and the sensible as such.

The sprouting plant in the spring has the spiritual within its sprouting and growing; the spiritual is mingled with the sensible; we have essentially a unity. The withering plant lets the leaf fall, and the spirit rises; we have the spirit, the invisible, super-sensible spirit, and the material falling out of it. I would say that it is just as if we had in a container, first, a uniform fluid in which something is dissolved, and then by some process we should cause this to separate from the fluid and fall to the bottom as sediment. We have now separated the two which were united, which had formed a unity.

The spring tends to weave everything together, to blend everything into a vague, undifferentiated unity. The view of the autumn, if we only look at it in the right way, if we contrast it in the right way with the view of the spring, calls attention to the way the spiritual works on the one side and the physical-material on the other. The Easter thought loses nothing of value if the Michaelmas thought is added to it. We have on the one side the Easter thought, where everything appears—I might say—as a pantheistic mixture, a unity. Then we have what is differentiated; but the differentiation does not occur in any irregular, chaotic fashion. We have regularity throughout.

Think of the cyclic course: joining together, intermingling, unifying; an intermediate state when the differentiating takes place; the complete differentiation; then again the merging of what was differentiated within the uniform, and so forth. There you see always besides these two conditions yet a third: you see the rhythm between the differentiated and the undifferentiated, in a certain way, between the in-breathing of what was differentiated-out and the out-breathing again, an intermediate condition. You see a rhythm: a physical-material, a spiritual, a working-in-each-other of the physical-material and the spiritual: a soul element.

But the important thing is this: not to stop with the common human fancy that everything must be led back to a unity; thereby everything, whether the unity is a spiritual or a material one, is led back to the indefiniteness of the cosmic night. In the night all cows are gray; in spiritual Monism all ideas are gray; in material Monism they are likewise gray. These are only distinctions of perceiving; they are of no concern for a higher view. What matters is this: that we as human beings can so unite ourselves with the cosmic course that we are in a position to follow the living transition from the unity into the trinity, the return from trinity into unity. When, by complementing the Easter thought with the Michael thought in this way we have become able to perceive rightly the primordial trinity in all existence, then we shall take it into our whole attitude of soul. Then we shall be in a position to understand that actually all life depends upon the activity and the interworking of primordial trinities. And when we have the Michael festival inspiring such a view in the same way that the one-sided Easter festival inspired the view now existing, then we shall have an inspiration, a Nature/Spirit impulse, to introduce threefoldness, the impulse of threefoldness into all the observing and forming of life. And it depends finally and only upon the introduction of this impulse, whether the destructive forces in human evolution can be transformed once more into ascending forces.

One might say that when we spoke of the threefold impulse it was in a certain sense a test of whether the Michael thought is already strong enough so that it can be felt how such an impulse flows directly out of the forces that shape the time. It was a test of the human soul, of whether the Michael thought is strong enough as yet in a large number of people. Well, the test yielded a negative result. The Michael thought is not strong enough in even a small number of people for it to be perceived truly in all its time-shaping power and forcefulness. And it will indeed hardly be possible, for the sake of new forces of ascent, to unite human souls with the original formative cosmic forces in the way that is necessary, unless such an inspiring force as can permeate a Michael festival—unless, that is to say, a new formative impulse—can come forth from the depths of the esoteric life.

If instead of the passive members of the Anthroposophical Society, even only a few active members could be found, then it would become possible to set up further deliberations to consider such a thought. It is essential to the Anthroposophical Society that while stimuli within the Society should of course be carried out, the members should actually attach primary value, I might say, to participating in what is coming to pass. They may perhaps focus the contemplative forces of their souls on what is taking place, but the activity of their own souls does not become united with what is passing through the time as an impulse. Hence, with the present state of the Anthroposophical Movement, there can of course be no question of considering as part of its activity anything like what has just now been spoken of as an esoteric impulse. But it must be understood how mankind's evolution really moves, that the great sustaining forces of humanity's world-evolution come not from what is propounded in superficial words, but from entirely different quarters.

This has always been known in ancient times from primeval elementary clairvoyance. In ancient times it was not the custom for the young people to learn, for example, that there are so and so many chemical elements; then another is discovered and there are then 75, then 76; another is discovered and there are 77. One cannot anticipate how many may still be discovered. Accidentally, one is added to 75, to 76, and so on. In what is adduced here as number, there is no inner reality. And so it is everywhere. Who is interested today in anything that would bring to revelation, let us say, that a systematic threefoldness or trinity prevails in plants! Order after order is discovered, species after species; and they are counted just as though one were counting a chance pile of sticks or stones. But the working of number in the world rests on a real quality of being, and this quality must be fathomed. Only think how short a time lies behind us since knowledge of substance was led back to the trinity of the salty, the mercurial, and the phosphoric; how in this a trinity of archetypal forces was seen; how everything that appeared as individual had to be fitted into one or another of the three archetypal forces.

And it is different again when we look back into still earlier times in which it was easier for people to come to something like this because of the very situation of their culture; for the Oriental cultures lay nearer to the Torrid Zone, where such things were more readily accessible to the ancient elementary clairvoyance. Today, however, it is possible to come to these things in the Temperate Zone through free, exact clairvoyance.... Yet people want to go back to the ancient cultures! In those days people did not distinguish spring, summer, autumn, winter. To distinguish spring, summer, autumn, winter leads us to a mere succession because it contains the “four.” It would have been quite impossible for the ancient Indian culture, for example, to think of something like the course of the year as ruled by the four, because this contains nothing of the archetypal forms underlying all activity.

When I wrote my book, Theosophy, it was impossible simply to list in succession physical body, etheric body, astral body, and ego, although we can summarize it this way once the matter is before us, once it is inwardly understood. I had therefore to arrange them according to the number three: physical body, ether body, astral body, forming the first trinity. Then comes the trinity interwoven with it: sentient soul, intellectual soul, consciousness soul; then the trinity interwoven with this: spirit self, life spirit, spirit man—three times three interwoven with one another in such a way as to become seven.

Only when we look at the present stage of mankind's evolution does the four appear, which is really a secondary number. If we want to see the inwardly active principle, if we want to see the formative process, we must see forming and shaping as associated with threefoldness, with trinity.

Hence, the ancient Indian view was of a year divided into a hot season, which would approximate our months of April, May, June, July; a wet season, comprising approximately our months, August, September, October, November; and a cold season, which would include our months, December, January, February, March. The boundaries do not need to be rigidly fixed according to the months but are only approximate; they can be thought of as shifting. But the course of the year was thought of according to the principle of the “three.”

And thus man's whole state of soul would be imbued with the predisposition to observe this primal trinity in all weaving and working, and hence to interweave it also into all human creating and shaping. We can even say that it is only possible to have true ideas of the free spiritual life, the life of rights, the social-economic life, when we perceive in the depths this triple pulse of cosmic activity, which must also permeate human activity.

Any reference to this sort of thing today is regarded as some sort of superstition, whereas it is considered great wisdom simply to count “one” and again “one,” “two,” “three,” and so on. But Nature does not take such a course. If we look, however, only at a realm in which everything is woven together, as is the case with Nature in springtime—which of course we must look at if we want to observe the interweaving of things—then we can never restore the pulse of three.

But when anyone follows the whole course of the year, when he sees how the “three” is organized, how the spiritual and the physical-material life are present as a duality, and the rhythmic interweaving of the two as the third, then he perceives this three-in-one, one-in-three, and learns to know how the human being can place himself in this cosmic activity: three to one, one to three.

It would become the whole disposition of the human soul to permeate the cosmos, to unite itself with cosmic worlds, if once the Michael thought could awaken as a festival thought in such a way that we were to place a Michael festival in the second half of September alongside the Easter festival; if to the thought of the resurrection of the God after death could be added the thought, produced by the Michael force, of the resurrection of man from death, so that man through the Resurrection of Christ would find the force to die in Christ. This means, taking the risen Christ into one's soul during earthly life, so as to be able to die in Him—that is, to be able to die, not at death but when one is living.

Such an inner consciousness as this would result from the inspiring element that would come from a Michael service. We can realize full well how far removed from any such idea is our materialistic time, which is also a time grown narrow-minded and pedantic. Of course, nothing can be expected of us, so long as it remains dead and abstract. But if with the same enthusiasm with which festivals were once introduced in the world when people had the force to form festivals,—if such a thing happens again, then it will work inspiringly. Indeed it will work inspiringly for our whole spiritual and our whole social life. Then that which we need will be present in life: not abstract spirit on one hand and spirit-void nature on the other, but Nature permeated with spirit, and spirit forming and shaping naturally. For these are one, and they will once again weave religion, science, and art into oneness, because they will understand how to conceive the trinity in religion, science, and art in the sense of the Michael thought, so that these three can then be united in the right way in the Easter thought, in the anthroposophical shaping and forming. This can work religiously, artistically, cognitionally, and can also differentiate religiously, cognitionally. Then the anthroposophical impulse would consist in perceiving in the Easter season the unity of science, religion, and art; and then at Michaelmas perceiving how the three—who have one mother, the Easter mother—how the three become “sisters” and stand side by side, but mutually complement one another. Then the Michael thought which should become living as a festival in the course of the year, would be able to work inspiringly on all domains of human life.

With such things as these, which belong to the truly esoteric, we should permeate ourselves, at least in our cognition, to begin with. If then the time could come when there are actively working personalities, such a thing could actually become an impulse which singly and alone would be able, in the present condition of humanity, to replace the descending forces with ascending ones.

The essential purpose of the lectures I have been giving here for some weeks past was to show how through his spiritual life man partakes in what we may call the world of the Stars, just as through his physical life on Earth he partakes in earthly existence, earthly happenings. In the light of the outlook acquired through Anthroposophy we distinguish in man the forces that lie in his physical body and in his etheric or formative-forces body, and those that lie in his Ego and his astral body. You know, of course, that these two sides of his being are separated whenever he sleeps. And now we will think for a short time of a man while he is asleep. On the one side the physical body and the etheric body lie there in a state of unconsciousness; but the Ego and the astral body are also without consciousness.

We may now ask: Are these two unconscious sides of human nature also related during sleep?—We know indeed that in the waking state, where the ordinary consciousness of modern man functions, the two sides are related through thinking, through feeling and through willing. We must therefore picture to ourselves that when the Ego and astral body plunge down, as it were, into the etheric body and the physical body, thinking, feeling, and willing arise from this union.

Now when man is asleep, thinking, feeling, and willing cease. But when we consider his physical body we shall have to say: All the forces which, according to our human observation belong to Earth-existence are active in this physical body. This physical body can be weighed; put it on scales and it will prove to have a certain weight. We can investigate how material processes take their course within it—or at least we can imagine hypothetically that this is possible. We should find in it material processes that are a continuation of those processes to be found outside in Earth-existence; these continue within man's physical body in the process of nutrition. In his physical body we should also find what is achieved through the breathing process. It is only what proceeds from the head-organization of man, all that belongs to the system of senses and nerves, that is either dimmed or plunged in complete darkness during sleep.

If we then pass on to consider the etheric body which permeates the physical, it is by no means so easy to understand how this etheric body works during sleep. Anyone, however, who is already versed to a certain extent in what Spiritual Science has to say about man will realize without difficulty how through his etheric body the human being lives, even while asleep, amid all the conditions of the ether-world and all the etheric forces surrounding existence on Earth. So that we can say: Within the physical body of man while he is asleep, everything that belongs to Earth-existence is active. So too in the etheric body all that belongs to the ether-world enveloping and permeating the Earth is active.

But matters become more difficult when we turn our attention—naturally our soul's attention—to what is now (during sleep) outside the physical and etheric bodies, namely, to the Ego and astral body of man. We cannot possibly accept the idea that this has anything to do with the physical Earth, or with what surrounds and permeates the Earth as ether. As to what takes place during sleep, I indicated it to you in a more descriptive way in the lectures given here a short time ago, and I will outline it today from a different point of view. We can in reality only understand what goes on in the Ego and astral body of man when with the help of Spiritual Science we penetrate into what takes place on and around the Earth over and above the physical and etheric forces and activities.

To begin with, we turn our gaze upon the plant-world. Speaking in the general sense and leaving out of account evergreen trees and the like—we see the plant-world sprouting out of the Earth in spring. We see the plants becoming richer and richer in color, more luxuriant, and then in autumn fading away again. In a certain sense we see them disappear from the Earth when the Earth is covered with snow.

But that is only one aspect of the unfolding of the plant-world. Physical knowledge tells us that this unfolding of the plant-world in spring and its fading towards autumn is connected with the Sun, also that, for example, the green coloring of the plants can be produced only under the influence of sunlight. Physical knowledge, therefore, shows us what comes about in the realm of physical effects; but it does not show us that while all the budding, the blossoming and withering of the plants is going on, spiritual events are also taking place. In reality, just as in the physical human organism there is for example the circulation of the blood, just as etheric processes express themselves in the physical organism as vascular action and so forth, and just as this physical organism is permeated by the soul and spirit, so also the processes of sprouting, greening, blossoming and fading of the plants which we regard as physical processes, are everywhere permeated by workings of the cosmic world of soul and spirit.

Now when we look into the countenance of a man and his glance falls on us, when we see his expression, maybe the flushing of the face, then indeed the eyes of our soul are looking right through the physical to the soul and spirit. Indeed, it cannot be otherwise in our life among our fellow-men. In like manner we must accustom ourselves also to see spirit-and-soul in the physiognomy—if I may call it so—and changing coloring of the plant-world on our Earth.

If we are only willing to recognize the physical, we say that the Sun's warmth and light work upon the plants, forming in them the saps, the chlorophyll and so forth. But if we contemplate all this with spiritual insight, if we take the same attitude to this plant-physiognomy of the Earth as we are accustomed to take to the human physiognomy, then something unveils itself to us that I should like to express with a particular word, because this word actually conveys the reality.

The Sun, of which we say, outwardly speaking, that it sends its light to the Earth, is not merely a radiant globe of gas but infinitely more than that. It sends its rays down to the Earth but whenever we look at the Sun it is the outer side of the rays that we see. The rays have, however, an inner side. If someone were able to look through the Sun's light, to regard the light only as an outer husk and look through to the soul of it, he would behold the Soul-Power, the Soul-Being of the Sun. With ordinary human consciousness we see the Sun as we should see a man who was made of papier-maché. An effigy in which there is nothing but the form, the lifeless form, is of course something different from the human being we actually see before us. In the case of the living human being, we see through this outer form and perceive soul-and-spirit. For ordinary consciousness the Sun is changed as it were into a papier-maché cast. We do not see through its outer husk that is woven of Light.

But if we were able to see through this, we should see the soul-and-spirit essence of the Sun. We can be conscious of its activity just as we are conscious of the physical papier-maché husk of the Sun. From the standpoint of physical knowledge we say: ‘The Sun shines upon the Earth; it sparkles upon the stones, upon the soil. The light is thrown back and thereby we see everything that is mineral. The rays of the Sun penetrate into the plants, making them green, making them bud.’—All that is external. If we see the soul-and-spirit essence of the Sun, we cannot merely say: ‘The sunlight sparkles on the minerals, is reflected, enabling us to see the minerals,’ or, ‘The light and heat of the Sun penetrate into the plants, making them verdant’—but we shall have to say, meaning now the countless spiritual Beings who people the Sun and who constitute its soul and spirit: ‘The Sun dreams and its dreams envelop the Earth and fashion the plants.’

If you picture the surface of the Earth with the physical plants growing from it, coming to blossom, you have there the working of the physical rays of the Sun. But above it is the weaving life of the dream-world of the Sun—a world of pure Imaginations. And one can say: When the mantle of snow melts in the spring, the Sun regains its power, then the Sun-Imaginations weave anew around the Earth. These Imaginations of the Sun are Imaginative forces, playing in upon the world of plants. Now although it is true that this Imaginative world—this Imaginative atmosphere surrounding the Earth—is very specially active from spring until autumn in any given region of the Earth, nevertheless this dreamlike character of the Sun's activity is also present in a certain way during the time of winter. Only during winter the dreams are, as it were, dull and brooding, whereas in summer they are mobile, creative, formative. Now it is in this element in which the Sun-Imaginations unfold that the Ego and astral body of man live and weave when they are outside the physical and etheric bodies.

You will realize from what I have said that sleep in summer is actually quite a different matter from sleep in winter, although in the present state of evolution, man's life and consciousness are so dull and lacking in vitality that these things go unperceived. In earlier times men distinguished very definitely through their feelings between winter-sleep and summer-sleep, and they knew too what meaning winter-sleep and summer-sleep had for them. In those ancient times men knew that of summer-sleep they could say: During the summer the Earth is enveloped by picture-thoughts. And they expressed this by saying: The Upper Gods come down during the summer and hover around the Earth; during the winter the Lower Gods ascend out of the Earth and hover around it.—This Imaginative world, differently constituted in winter and in summer, was conceived as the weaving of the Upper and the Lower Gods. But in those olden times it was also known that man himself, with his Ego and his astral body, lives in this world of weaving Imaginations.

Now the very truths of which I have here spoken, show us, if we ponder them in the light of Spiritual Science, in what connection man stands, even during his earthly existence, with the extra-earthly Universe. You see, in summer—when it is summer in any region of the Earth—the human being during his sleep is always woven around by a sharply contoured world of Cosmic Imaginations. The result is that during the time of summer he is, so to speak, pressed near to the Earth with his soul and spirit. During the time of winter it is different. During winter the contours, the meshes, of the Cosmic Imaginations widen out, as it were. During the summer we live with our Ego and astral body while we are asleep within very clearly defined Imaginations, within manifold figures and forms. During winter the figures around the Earth are wide-meshed and the consequence of this is that whenever autumn begins, that which lives in our Ego and astral body is borne far out into the Universe by night. During summer and its heat, that which lives in our Ego and astral body remains more, so to speak, in the psycho-spiritual atmosphere of the human world. During winter this same content is borne out into the far distances of the Universe. Indeed without speaking figuratively, since one is saying something that is quite real, one can say: that which man cultivates in himself, in his soul, and which through his Ego and astral body he can draw out from his physical and etheric bodies between the times of going to sleep and waking—that stores itself up during the summer and streams out during winter into the wide expanse of the Cosmos.

Now we cannot conceive that we men shut ourselves away, as it were, in earthly existence and that the wide Universe knows nothing of us. It is far from being so. True, at the time of Midsummer man can conceal himself from the Spirits of the Universe, and he may also succeed in harboring reprehensible feelings of evil. The dense net of Imaginations does not let these feelings through; they still remain. And at Christmastime the Gods look in upon the Earth and everything that lives in man's nature is revealed and goes forth with his Ego and astral being. Using a picture which truly represents the facts, we may say: In winter the windows of the Earth open and the Angels and Archangels behold what men actually are on the Earth.

We on Earth have gradually accustomed ourselves in modern civilization to express all that we allow to pass as knowledge in humdrum, dry, unpoetic phrases. The higher Beings are ever poets, therefore we never give a true impression of their nature if we describe it in barren physical words; we must resort to words such as I have just now used: at Christmastime the Earth's windows open and through these windows the Angels and Archangels behold what men's deeds have been the whole year through. The Beings of the higher Hierarchies are poets and artists even in their thinking. The logic we are generally at pains to apply is only an outcome of the Earth's gravity—by which I do not at all imply that it is not highly useful on Earth.

It is what lives in the minds and hearts of men as I have just pictured it, that is of essential interest to these higher Beings; the Angels who look in through the Christmas windows are not interested in the speculations of professors; they overlook them. Nor, to begin with, are they much concerned with a man's thoughts. It is what goes on in his feelings, in his heart, that in its cosmic aspect is connected with the Sun's yearly course. So it is not so much whether we are foolish or clever on Earth that comes before the gaze of the Divine-Spiritual Beings at the time of Christmas, but simply whether we are good or evil men, whether we feel for others or are egoists. That is what is communicated to the cosmic worlds through the course of the yearly seasons.

You may believe that our thoughts remain near the Earth, because I have said that the Angels and Archangels are not concerned with them when they look in through the Christmas windows. They are not concerned with our thoughts because, if I may use a rather prosaic figure of speech, they receive the richer coinage, the more valuable coinage that is minted by the soul-and-spirit of man. And this more valuable coinage is minted by the heart, the feelings, by what a man is worth because of what his heart and feeling contain. For the Cosmos, our thoughts are only the small change, the lesser coinage, and this lesser coinage is spied out by subordinate spiritual beings every night. Whether we are foolish or clever is spied out for the Cosmos every night—not indeed for the very far regions of the Cosmos but only for the regions around the Earth—spied out by beings who are closest to the Earth in its environment and therefore the most subordinate in rank. The daily revolution of the Sun takes place in order to impart to the Cosmos the worth of our thoughts. Thus far do our thoughts extend; they belong merely to the environment of the Earth. The yearly revolution of the Sun takes place in order to carry our heart-nature, our feeling-nature, farther out into the cosmic worlds.

Our will-nature cannot be carried in this way out into the Cosmos, for the cycle of the day is strictly regulated. It runs its course in twenty-four hours. The yearly course of the Sun is strictly regulated too. We perceive the regularity of the daily cycle in the strictly logical sequences of our thoughts. The regularity of the yearly cycle—we perceive the after-effect of this in our heart and soul, in that there are certain feelings which say to one thing that a man does: it is good, and to another: it is bad.

But there is a third faculty in man, namely, the will. True, the will is bound up with feeling, and feeling cannot but say that certain actions are morally good, and others morally not good. But the will can do what is morally good and also what is morally not good. Here, then, there is no strict regularity. The relation of our will to our nature as human beings is not strictly regulated in the sense that thinking and feeling are regulated. We cannot call a bad action good, or a good action bad, nor can we call a logical thought illogical, an illogical thought logical. This is due to the fact that our thoughts stand under the influence of the daily revolution of the Sun, our feelings under the influence of its yearly revolution. The will, however, is left in the hands of humanity itself on Earth. And now a man might say: ‘The most that happens to me is that if I think illogically, my illogical thoughts are carried out every night into the Cosmos and do mischief there—but what does that matter to me? I am not here to bring order into the Cosmos.’—Here on Earth, where his life is lived in illusion, a man might in certain circumstances speak like this, but between death and a new birth he would never do so. For between death and a new birth he himself is in the worlds in which he may have caused mischief through his foolish thoughts; and he must live through all the harm that he has done. So, too, between death and a new birth, he is in those worlds into which his feelings have flowed. But here again he might say on Earth: ‘What lives in my feelings evaporates into the Cosmos; but I leave it to the Gods to deal with any harm that may have been caused there through me. My will, however, is not bound on Earth by any regulation.’—

The materialist who considers that man's life is limited to the time between birth and death, can never conceive that his will has any cosmic significance; neither can he conceive that human thoughts or feelings have any meaning for the Cosmos. But even one who knows quite well that thoughts have a cosmic significance as the result of the daily revolution of the Sun, and feelings through the yearly revolution—even he, when he sees what is accomplished on the Earth by the good or evil will-impulses of man, must turn away from the Cosmos and to human nature itself in order to see how what works in man's will goes out into the Cosmos. For what works in man's will must be borne out into the Cosmos by man himself, and he bears it out when he passes through the gate of death. Therefore it is not through the daily or the yearly cycles but through the gate of death that man carries forth the good or the evil he has brought about here on Earth through his will.

It is a strange relationship that man has to the Cosmos in his life of soul. We say of our thoughts: ‘We have thoughts but they are not subject to our arbitrary will; we must conform to the laws of the Universe when we think, otherwise we shall come into conflict with everything that goes on in the world.’—If a little child is standing in front of me, and I think: That is an old man—I may flatter myself that I have determined the thought, but I am certainly out of touch with the world. Thus in respect of our thoughts we are by no means independent, so little independent that our thoughts are carried out into the Cosmos by the daily cycle of the Sun. Nor are we independent in our life of feelings, for they are carried out through the yearly cycle of the Sun. Thus even during earthly life, that which lives in our head through our thoughts and, through our feelings in our breast, does not live only within us but also partakes in a cosmic existence. That alone which lives in our will we keep with us until our death. Then, when we have laid aside the body, when we have no longer anything to do with earthly forces, we bear it forth with us through the gate of death.

Man passes through the gate of death laden with what has come out of his acts of will. Just as here on Earth he has around him all that lives in minerals, plants, animals and in physical humanity, all that lives in clouds, streams, mountains, stars, in so far as they are externally visible through the light—just as he has all this around him during his existence between birth and death, so he has a world around him when he has laid aside the physical and etheric bodies and has passed through the gate of death. In truth he has around him the very world into which his thoughts have entered every night, into which his feelings have entered with the fulfilment of every yearly cycle ... “That thou hast thought; that thou hast felt.” ... It now seems to him as though the Beings of the Hierarchies were bearing his thoughts and his feelings towards him. They have perceived it all, as I have indicated. His mental life and his feeling-life now stream towards him.

In earthly existence the Sun gives light from morning to evening; it goes down and night sets in. When we have passed through the gate of death, our wisdom rays out towards us as day; through our accumulated acts of folly, the spiritual lights grow dark and dim around us and it becomes night. Here on Earth we have day and night; when we have passed through the gate of death, we have as day and night the results of our wisdom and our foolishness. And what man experiences here on this Earth as spring, summer, autumn and winter in the yearly cycle, as changing temperatures and other sentient experiences, of all this he becomes aware—when he has passed through the gate of death—also as a kind of cycle, although of much longer duration. He experiences the warmth-giving, life-giving quality (life-giving, that is to say, for his spiritual Self) of his good feelings, of his sympathy with goodness; he experiences as icy cold his sympathy with evil, with the immoral. Just as here on Earth we live through the heat of summer and the cold of winter, so do we live after death warmed by our good feelings, chilled by our evil feelings; and we bear the effects of our will through these spiritual years and days. After death we are the product of our moral nature on Earth. And we have an environment that is permeated by our follies and our wisdom, by our sympathies and antipathies for the good.

So that we can say: Just as here on Earth we have the summer air around us giving warmth and life, and as we have the cold and frosty winter air around us, so, after death, we are surrounded by an atmosphere of soul-and-spirit that is warm and life-giving in so far as it is produced through our good feelings, and chilling in so far as it is produced through our evil feelings. Here on Earth, in certain regions at least, the summer and winter temperatures are the same for all of us. In the time after death, each human being has his own atmosphere, engendered by himself. And the most moving experiences after death are connected with the fact that one man lives in icy cold and the other, close beside him, in life-giving warmth.

Such are the experiences that may be undergone after death. And as I described in my book Theosophy, one of the main experiences passed through in the soul-world, is that those human beings who have harbored evil feelings here on Earth, must undergo their hard experiences in the sight of those who developed and harbored good feelings.

It can indeed be said: All that remains concealed to begin with in the inner being of man, discloses itself when he has passed through the gate of death. Sleep too acquires a cosmic significance, likewise our life during wintertime. We sleep every night in order that we may prepare for ourselves the light in which we must live after death. We go through our winter experiences in order to prepare the soul-spiritual warmth into which we enter after death. And into this atmosphere of the spiritual world which we have ourselves prepared we bear the effects of our deeds.

Here on Earth we live, through our physical body, as beings subject to earthly gravity. Through our breathing we live in the surrounding air, and far away we see the stars. When we have passed through the gate of death we are in the world of spirit-and-soul, far removed from the Earth; we are beyond the stars, we see the stars from the other side, look back to the world of stars. Our very being lives in the cosmic thoughts and cosmic forces. We look back upon the stars, no longer seeing them shine, but seeing instead the Hierarchies, the Spiritual Beings who have merely their reflection in the stars.

Thus man on Earth can gain more and more knowledge of what the nature of his life will be when he passes through the gate of death. There are people who say: ‘Why do I need to know all this? I shall surely see it all after death!’—That attitude is just as if a man were to doubt the value of eyesight. For as the Earth's evolution takes its course, man enters more and more into a life in which he must acquire the power to partake in these after-death experiences by grasping them, to begin with in thought, here on the Earth. To shut out knowledge of the spiritual worlds while we are on the Earth is to blind ourselves in soul and spirit after death. A man will enter the spiritual world as a cripple when he passes through the gate of death, if here, in this world, he disdains to learn about the world of spirit, for humanity is evolving towards freedom—towards free spiritual activity. This fact should become clearer and clearer to mankind and should make men realize the urgent necessity of gaining knowledge about the spiritual world.

The object of the lectures I gave here immediately before Christmas was to indicate man's connection with the whole Cosmos and especially with the forces of spirit-and-soul pervading the Cosmos. Today I shall again be dealing with the subject-matter of those lectures but in a way that will constitute an entirely independent study.

The life of man, as far as it consists of experiences of outer Nature as well as of the inner life of soul and spirit, lies between two poles; and many of the thoughts which necessarily come to man about his connection with the world are influenced by the realization that these two polar opposites exist.

On the one side, man's life of thinking and feeling is confronted by what is called ‘natural necessity.’ He feels himself dependent upon adamantine laws which he finds everywhere in the world outside him and which also penetrate through him, inasmuch as his physical and also his etheric organisms are part and parcel of this outer world. On the other hand, he is deeply sensible—it is a feeling that is bound to arise in every healthy-minded person—that his dignity as man would not be fully attained if freedom were not an integral element in his life between birth and death. Necessity and freedom are the polar opposites in his life.

You are aware that in the age of natural science—the subject with which I am dealing in another course of lectures¹ here there is a strong tendency to extend the sway of necessity that is everywhere in evidence in external Nature, to whatever originates in the human being himself, and many representative scientists have come to regard freedom as an impossibility, an illusion that exists only in the human soul, because when a man is faced with having to make a decision, reasons for and reasons against it work upon him. These reasons themselves are, however, under the sway of necessity; hence—so say these scientists—it is really not the man who makes the decision but whatever reasons are the more numerous and the weightier. They triumph over the other less numerous and less weighty reasons, which also affect him. Man is therefore carried along helplessly by the victors in the struggle between impulses that work upon him of necessity. Many representatives of this way of thinking have said that a man believes himself to be free only because the polarically opposite reasons for and against any decision he may be called upon to make, present such complications in their totality that he does not notice how he is being tossed hither and thither; one category of reasons finally triumphs; one scale in a delicately poised balance is weighed down and he is carried along in accordance with it.

Against this argument there is not only the ethical consideration that the dignity of man would not be maintained in a world where he was merely a plaything of conflicting yes-and-no impulses, but there is also this fact, that the feeling of freedom in the human will is so strong that an unbiased person has no sort of doubt that if he can be misled as to its existence, he can equally well be misled by the most elementary sense-perceptions. If the elementary experience of freedom in the sphere of feeling could prove to be deceptive, so too could the experience of red, for instance, or of C or C sharp and so on. Many representatives of modern natural scientific thought place such a high value upon theory that they allow the theory of a natural necessity which is absolute, has no exceptions and embraces human actions and human will, to tempt them into disregarding altogether an experience such as the sense of freedom!

But this problem of necessity and freedom, with all the phenomena associated with it in the life of soul—and these phenomena are very varied and numerous—is a problem linked with much more profound aspects of universal existence than are accessible to natural science or to the everyday experience of the human soul. For at a time when man's outlook was quite different from what it is today, this disquieting, perplexing problem was already a concern of his soul.

You will have gathered from the other course of lectures now being given here that the natural scientific thinking of the modern age is by no means so very old. When we go back to earlier times we find views of the world that were as one-sidedly spiritual as they have become one-sidedly naturalistic today. The farther back we go, the less of what is called ‘necessity’ do we find in man's thinking. Even in early Greek thought there was nothing of what we today call necessity, for the Greek idea of necessity had an essentially different meaning. But if we go still farther back we find, instead of necessity, the working of forces, and these, in their whole compass, were ascribed to a divine-spiritual Providence. Expressing myself rather colloquially, I would say that to a modern scientific thinker, the Nature-forces do everything; whereas the thinker of olden times conceived of everything being done by spiritual forces working with purposes and aims as man himself does, only with purposes far more comprehensive than those of man could ever be. Yet even with this view of the world, entirely spiritual as it was, man turned his attention to the way in which his will was subject to divine-spiritual forces; and just as today, when his thinking is in line with natural science he feels himself subject to the forces and laws of Nature, so in those ancient times he felt himself subject to divine-spiritual forces and laws. And for many who in those days were determinists in this sense, human freedom, although it is a direct experience of the soul, was no more valid than it is for our modern naturalists. These modern naturalists believe that necessity works through the actions of men; the men of olden times thought that divine-spiritual forces, in accordance with their purposes, work through human actions.

It is only necessary to recognize that the problem of freedom and necessity exists in these two completely opposite worlds of thought to realize that quite certainly no examination of the surface-aspect of conditions and happenings can lead to any solution of this problem which penetrates so deeply into all life and into all evolution.

We must look more deeply into the process of world-evolution—world-evolution as the course of Nature on the one side and as the unfolding of spirit on the other—before it is possible to grasp the whole meaning and implications of a problem as vital as this; insight can indeed only come from anthroposophical thinking.

The course of Nature is usually studied in an extremely restricted way. Isolated happenings and processes of a highly specialized kind are studied in the laboratories, brought within the range of telescopes or subjected to experiment. This means that observation of the course of Nature and of world-evolution is confined within very narrow limits. And those who study the domain of soul and spirit imitate the scientists and naturalists. They fight shy of taking into account the whole man when they are considering his life of soul. Instead of this they specialize in order to accentuate some particular thought or sentient experience with important bearings, and hope in this way eventually to build up a psychology, just as efforts are made to build up a body of knowledge of the physical world out of single observations and experiments conducted in chemical and physical laboratories, in clinics and so forth.

Yet in reality these studies never lead to any comprehensive understanding either of the physical world or of the world of soul-and-spirit. As little as it is the intention here to disparage the justification of these specialized investigations—for they are justified from points of view often referred to in my lectures—as strongly it must be emphasized that unless the world itself, unless Nature herself reveals to man somewhere or other what results from the interworking of the details, he will never be able to build up from his single observations and experiments a picture of the structure of the world that is confirmed by the actual happenings. Liver cells and minute activities of the liver, brain-cells and minute cerebral processes can be investigated and greater and greater specialization may take place in these domains; but these investigations, because they lead to particularization and not to the whole, will give no help towards forming a view of the human organism in its totality, unless from the very beginning a man has a comprehensive, intuitive idea of this totality to help him in forming the separate investigations into a unified whole. In like manner, as long as chemistry, astro-chemistry, physics, astro-physics, biology, restrict themselves to the investigation of isolated details, they will never be able to give a picture of how the different forces and laws in our world-environment work together to form a whole, unless man develops the faculty of perceiving in Nature outside something similar to what can be seen as the totality of the human organism, in which all the separate processes of liver, kidneys, hearts, brain, and so forth, are included. In other words, we must be able to point to something in the universe in which all the forces we behold in our environment work together to form a self-contained whole.

Now it may be that certain processes in the human liver and human brain will not for a long time to come be detected with enough accuracy to be accepted by biology. But at all events, as long as men have been able to look at other men, they have always said: The processes of liver, stomach, heart, etc. work together within the boundary of the skin to form a whole. Without being obliged to look at each and all of the separate details, we have before us the sum-total of the chemical, physical and biological processes belonging to man's nature.

Is it possible also to have before us as a complete whole the sum-total of the forces and laws of Nature that are at work around us? In a certain way it is possible. But in order not to be misunderstood I must emphasize the fact that such totalities are always relative. For instance, we can group together the processes of the outer ear and then have a relative whole. But we can also group together the processes in that part of the organ of hearing which continues on to the brain and then we have another relative whole; taking the two groups together, we have another, greater whole, which in turn belongs to the head, and this again to the whole organism. And it will be just the same when we try to comprehend in one complete picture the laws and forces that come primarily into consideration for man.

A first complete whole of this kind is the cycle of day and night. Paradoxical as this seems at first hearing, in this cycle of day and night a number of natural laws around us are gathered together into one whole. During the course of a day and night, processes are going on in our environment and penetrating through us which, if separated out, prove to be physical and chemical processes of every possible different kind. We can say: The cycle of the day is a time-organism, a time-organism embracing a number of natural processes which can be studied individually.

A greater ‘totality’ is the course of the year. If we review all the changes which affect the earth and mankind during the course of the year in the sphere surrounding us—in the atmosphere, for example—we shall find that all the processes taking place in the plants and also in the minerals from one Spring to the next, form in their time-sequence an organic whole, although otherwise they reveal themselves to us and also to different scientific investigations as separate phenomena. They form a whole, just as the processes taking place in the liver, kidneys, spleen and so forth form a whole in the human organism. The course of the year is actually an organic whole—the expression is not quite exact but words of some kind have to be used—the year is an organic sum-total of occurrences and facts which it is customary in natural science to investigate singly.

Speaking in what sounds a rather trivial way, but you will realize that the meaning is very profound, we might say: if man is to avoid having to surrounding Nature the very abstract relationship he adopts to descriptions of chemical and physical experiments, or to what is often taught today in botany and zoology, the time-organisms of the course of the day and the course of the year must become realities for him—realities of cosmic existence. He will then find in them a certain kinship with his own constitution.

Let us begin by thinking of the cycle of the year. Reviewing it as we did in the lecture before Christmas, we find a whole series of processes in the sprouting, growing plants which first produce leaves and, later on, blossoms. An incalculable number of natural processes reveal themselves from the life in the root, on into the life in the green leaves and in the colored petals. And we have an altogether different kind of process before us when we see, in Autumn, the fading, withering and dying of outer Nature.

The cosmic happenings around us form an organic unity. In Summer we see how the Earth opens out all her organs to the Cosmos and how her life and activities rise towards the cosmic expanse. This applies not only to the plant world but to the animal world too in a certain sense—especially to the lower animals. Think of all the activity in the insect world during the Summer, how this activity seems to rise up from the Earth and is given over to the Cosmos, especially to the forces coming from the Sun. During Autumn and Winter we see how everything that from the time of Spring onwards reached out towards the cosmic expanse, falls back again into the earthly realm, how the Earth as it were gradually increases her hold upon all growing life, brings it to the stage of apparent death, or at least to a state of sleep—how the Earth closes all her organs against the influences of the Cosmos. Here we have two contrasting processes in the course of the year, embracing countless details but nevertheless representing a complete whole.

If with the eyes of the soul we contemplate this yearly cycle, which can be regarded as a complete whole because from a certain point it simply repeats itself, recurring in approximately the same way, we find in it nothing else than Nature-necessity. And in our own earthly lives we human beings follow this Nature-necessity. If our lives followed it entirely we should be completely under its domination. Now it is certainly true that those forces of Nature which come especially into consideration for us as Earth-dwellers are present in the course of the year; for the Earth does not change so quickly that the minute changes taking place from year to year make themselves noticeable during a man's life, however old he may live to be.—So by living each year through Spring, Summer, Autumn and Winter, we partake with our own bodies in Nature-necessity.

It is important to think in this way, for it is only actual experience that gives knowledge; no theory ever does so. Every theory starts from some special domain and then proceeds to generalize. True knowledge can only be acquired when we start from life and from experience. We must not therefore consider the laws of gravity by themselves, or the laws of plant life, or the laws of animal instinct, or the laws of mental coercion, because if we do, we think only of their details, generalize them, and then arrive at entirely false conclusions. We must have in mind where the Nature-forces are revealed in their cooperation and mutual interaction—and that is in the cyclic course of the year.

Now even supervisial study shows that man is relatively free in his relation to the course of the year, but Anthroposophy shows this even more clearly. In Anthroposophy we turn our attention to the two alternating conditions in which every human being lives during the 24 hours of the day, namely, the sleeping state and the waking state. We know that during the waking state the physical, etheric and astral bodies and the Ego-organism form a relative unity in the human being. In the sleeping state the physical and etheric bodies remain behind in the bed, closely interwoven, and the Ego and the astral body are outside the physical and etheric bodies.

If with the means provided by anthroposophical research—of which you will have read in our literature—we study the physical and etheric bodies of man during sleep and during waking life, the following comes to light. When the Ego and the astral body are outside the physical and etheric organism during sleep, a kind of life begins in the latter which is to be found in external Nature in the mineral and plant kingdoms only. And the reason why the physical and etheric organisms of man do not gradually pass over into a sum-total of plant or mineral processes is simply due to the fact that the Ego and astral body are within them for certain periods. If the return of the Ego and astral body were too long delayed, the physical and etheric bodies would pass over into a mineral and vegetative form of life. As it is, a tendency to become vegetative and mineralized commences in man after he falls asleep, and this tendency has the upper hand during sleeping life.

If with the insight afforded by anthroposophical research, we contemplate the human being while he is asleep, we see in him—of course with the inevitable variations—a faithful copy of what the Earth is throughout Spring and Summer. Mineral and vegetative life begins to bud in him, although naturally in quite a different way from what happens in the green plants which grow out of the Earth. Nevertheless, with one variation, what goes on during sleep in the physical and etheric organism of man is a faithful image of the period of Spring and Summer on the Earth. In this respect, the organism of man of the present epoch is in tune with external Nature. His physical eyes can survey it. He beholds its sprouting, budding life. As soon as he attains to Inspiration and Imagination, a picture of Summer is revealed to him when physical man is asleep. In sleep, Spring and Summer are there for the physical and etheric bodies of man. A budding, sprouting life begins. And when we wake, when the Ego and astral body returns, all this budding life in the physical and etheric bodies withdraws and for the eye of seership, life in the physical and etheric organism begins to be very similar to the life of the Earth during Autumn and Winter. When we follow the human being through one complete period of sleeping and waking life, we have before us in miniature an actual microcosmic reflection of Spring, Summer, Autumn and Winter. If we follow man's physical and etheric organism through a period of 24 hours, contemplating it in the light of Spiritual Science, we pass, in the microcosmic sense, through the course of a year. Accordingly, if we consider only that part of man which remains behind in the bed when he is asleep or moves around when he is awake during the day, we can say that the course of the year is completed microcosmically in him.

But now let us consider the other part of man's being which releases itself in sleep—the Ego and astral body. If again we use the kinds of knowledge available in spiritual investigation, namely Inspiration and Intuition, we shall find that the Ego and astral body are given over while man is asleep to spiritual Powers within which they will not, in the normal condition, be able to live consciously until a later epoch of the Earth's existence. From the time of going to sleep until the time of waking, the Ego and astral body are withdrawn from the world just as the Earth is withdrawn from the Cosmos during Winter. During sleep, Ego and astral body are actually in their Winter period. So that in the being of man during sleep there is an intermingling of conditions which are only present at one and the same time on opposite hemispheres of the Earth's surface; for during sleep man's physical and etheric bodies have their Summer and his Ego and astral body their Winter.

During waking life, conditions are reversed. The physical and etheric organism is then in its Winter period. The Ego and astral body are given over to what can stream from the Cosmos to man in his waking state. So when the Ego and astral body come down into the physical and etheric organism, they (i.e. Ego and astral body) have their Summer period. Once more we have the two seasons side by side, but now Winter in the physical and etheric organism, Summer in the Ego and astral body.

On the Earth, Summer and Winter cannot be intermingled. But in man, the microcosm, Summer and Winter intermingle all the time. When man is asleep his physical Summer mingles with spiritual Winter; when he is awake his physical Winter mingles with spiritual Summer. In external Nature, Summer and Winter are separated in the course of the year. In man, Summer and Winter mingle all the time from two different directions. In external Nature on Earth, Winter and Summer follow one another in time. In the human being, Winter and Summer are simultaneous, only they interchange, so that at one time there is Spirit-Summer together with Body-Winter (waking life), and at another, Spirit-Winter together with Body-Summer (sleeping life).

Thus the laws and forces in external Nature around us cannot neutralize each other in any one region of the Earth, because they work in sequence, the one after the other in time; but in man they do neutralize each other. The course of Nature is such that just as through two opposing forces a state of rest can be brought about, so can an untold number of natural laws neutralize and cancel out each other. This happens in the human being with respect to all laws of external Nature, inasmuch as he sleeps and wakes in the regular way. The two conditions which appear as Nature-necessity only when they succeed each other in time, are coincident and consequently neutralized in man—and it is this that makes him a free being.

Freedom can never be understood until it is realized how the Summer and Winter forces of man's spiritual life can neutralize the Summer and Winter forces of his outer physical and etheric nature.

External Nature presents to us pictures which we must not see in ourselves, either in the waking or in the sleeping state. On no account must this happen. On the contrary, we must say that these pictures of the course and order of Nature lose their validity within the constitution of man, and we must turn our gaze elsewhere. For when the course of Nature within the human being no longer disturbs us, it becomes possible for the first time to gaze at man's spiritual, moral and psychic make-up. And then we begin to have an ethical and moral relationship to him, just as we have a corresponding relationship to Nature.

When we contemplate our own being with the aid of knowledge acquired in this way, we find, telescoped into one another, conditions which in the external world are spread across the stream of time. And there are many other things of which the same could be said. If we contemplate our inner being and understand it rightly in the sense I have indicated today, we bring it into a relationship with the course of time different from the one to which we are accustomed today.

The purely external mode of scientific observation does not reach the stage where the investigator can say: In the being of man you must hear sounding together what can only be heard as separate tones in the flow of Time.—But if you develop spiritual hearing, the tones of Summer and Winter can be heard ringing simultaneously in man, and they are the same tones that we hear in the outer world when we enter into the flow of Time itself. Time becomes Space. The whole surrounding universe also resounds to us in Time: expanded widely in Space, there ring forth what resounds from our own being as from a centre, gathered as it were, in a single point.

This is the moment, my dear friends, when scientific study and contemplation becomes artistic study and contemplation: when art and science no longer stand in stark contrast as they do in our naturalistic age, but when they are interrelated in the way sensed by Goethe when he said that art reveal; those secrets of Nature without which we can never fully understand her. From a certain point onwards it is imperative that we should understand the form and structure of the world as artistic creation. And once we have taken the path from the purely scientific conception of the world to artistic understanding, we shall also be ready to take the third step, which leads to a deepening of religious experience.

When we have found the physical forces and the forces of soul-and-spirit working together in the inner centre of our being, we can also behold them in the Cosmos. Human willing rises to the level of artistic creative power and finally achieves a relationship to the world that is not merely passive knowledge but positive, active surrender. Man no longer looks at the world abstractly, with the forces of his head, but his vision becomes more and more an activity of his whole being. Living together with the course of cosmic existence becomes a happening different in character from his connection with the facts and events of everyday life. It becomes a ritual, a cult, and the cosmic ritual comes into being in which man can have his place at every moment of his life. Every earthly cult and ritual is a symbolic image of this cosmic cult and ritual—which is higher and more sublime than all earthly cults.

If what has been said today has been thoroughly grasped, it will be possible to study the relationship of the anthroposophical outlook to any particular religious cult. And this will be done during the next few days, when we shall consider the relationship between Anthroposophy and different forms of cult.

• 1. The Birth of Natural Science in World-History and Its Subsequent Development. Course of 9 lectures given at Dornach from 24th December, 1922 to 6th January, 1923.

The Christmas festival, which we are about to celebrate, gains new life through a deepened spiritual world view. In a spiritual sense the Christmas festival is a sun festival, and as such we shall become acquainted with it today. To begin, we shall hear that most beautiful apostrophe to the sun that Goethe puts in the mouth of Faust.

Refreshed anew life's pulses beat and waken
To greet the mild ethereal dawn of morning;
Earth, through this night thou too hast stood unshaken
And breath'st before me in thy new adorning,
Beginst to wrap me round with gladness thrilling,
A vigorous resolve in me forewarning,
Unceasing strife for life supreme instilling.—
Now lies the world revealed in twilight glimmer,
The wood resounds, a thousand voices trilling;
The vales where mist flows in and out lie dimmer,
But in the gorges sinks a light from heaven,
And boughs and twigs, refreshed, lift up their shimmer
From fragrant chasms where they slept at even;
Tint upon tint again emerges, clearing
Where trembling pearls from flower and leaf drip riven:
All round me is a Paradise appearing.

Look up!—The peaks, gigantic and supernal,
Proclaim the hour most solemn now is nearing.
They early may enjoy the light eternal
That later to us here below is wended.
Now on the alpine meadows, sloping, vernal,
A clear and lavish glory has descended
And step by step fulfils its journey's ending.
The sun steps forth!—Alas, already blinded,
I turn away, the pain my vision rending.

Thus is it ever when a hope long yearning
Has made a wish its own, supreme, transcending,
And finds Fulfilment's portals outward turning;
From those eternal deeps bursts ever higher
Too great a flame, we stand, with wonder burning.
To kindle life's fair torch we did aspire
And seas of flame—and what a flame!—embrace us!
Is it Love? Is it Hate? that twine us with their fire,
In alternating joy and pain enlace us,
So that again toward earth we turn our gazing,
Baffled, to hide in youth's fond veils our faces.

Behind me therefore let the sun be blazing!
The cataract in gorges deeply riven
I view with rapture growing and amazing.
To plunge on plunge in a thousand streams it's given,
And yet a thousand, downward to the valleys,
While foam and mist high in the air are driven.
Yet how superb above this tumult sallies
The many-colored rainbow's changeful being;
Now lost in air, now clearly drawn, it dailies,
Shedding sweet coolness round us even when fleeing!
The rainbow mirrors human aims and action.
Think, and more clearly wilt thou grasp it, seeing
Life is but light in many-hued reflection.¹

Goethe lets his representative of mankind speak these mighty words in the presence of the radiant, rising morning sun. But it is not this sun, awakening anew every morning, with which we have to deal in the festival we will speak about today. This sun is a being of much profounder depths, and the nature of it shall be the leitmotif of our present considerations.

We shall now hear the words that reflect the deepest meaning of the Christmas Mystery. These words have been heard by the pupils of the Mysteries of all ages before they entered the Mysteries themselves:

Behold the Sun
At midnight hour,
And build with stones
In lifeless clay.
So find in world decline
And in the night of death
Creation's new beginning
And morning's youthful strength.
Let heights above reveal
The Gods' eternal word,
May depths preserve and seal
The peaceful treasure-hoard.
In darkness living
O now create a Sun!
In substance weaving
O know the Bliss of Spirit.²

Die Sonne schaue
um mitternächtige Stunde.
Mit Steinen baue
im leblosen Grunde.
So finde im Niedergang
und in des Todes Nacht
der Schöpfung neuen Anfang,
des Morgens junge Macht.
Die Höhen lass offenbaren
der Götter ewiges Wort;
die Tiefen sollen bewahren
den friedensvollen Hort.
Im Dunkel lebend
erschaffe eine Sonne.
Im Stoffe webend
erkenne Geistes Wonne.³

Many people who today merely know the Christmas tree with its candles believe that to have a tree symbolizing Christmas is a traditional custom dating from ancient times. This, however, is not the case. On the contrary, the custom of decorating a tree at Christmas is most recent and does not date back more than a few centuries. The custom of decorating a Christmas tree is a recent phenomenon, but the celebration of Christmas is old. The festival at Christmas time was known in the most ancient Mysteries of all religions everywhere, and has always been celebrated. It is not merely an outer sun festival, but one that leads man to a divination of the sources of existence. It was celebrated annually by the highest initiates in the Mysteries at the time of year when the sun's force was weakest and bestowed least warmth upon the earth. It was also celebrated by those who were unable to participate in the entire celebration, but were permitted to experience only the outer pictorial expression of the highest Mysteries. This imagery has been preserved throughout the ages and has assumed forms in accordance with the various religious confessions. The celebration of Christmas is the festival of the Sacred Night, which, in the great Mysteries, was celebrated by those personalities who were ready to bring about the resurrection of the higher self within their inmost being. Today we would say, "Within their inmost being they gave birth to the Christ."

Only those who know nothing of the fact that, besides the chemical and physical forces, spiritual forces are active, and that, just as the chemical and physical forces have definite times in the cosmos for their action, so likewise have the spiritual forces—only such people can remain indifferent when the awakening of the Higher Self occurs. In the great Mysteries man was permitted to behold the active forces in colored radiance, in brilliant light. He was permitted to perceive the world around him filled with spiritual qualities, with spiritual beings, to behold the world of the spirit around him in which he underwent the greatest experience possible.

This moment will arrive at some time for everyone. All men will ultimately experience it, even though perhaps only after many incarnations. The moment will arrive for everyone when the Christ will rise within them and new seeing, new hearing will awaken within them.

Those who were prepared for the awakening, as were pupils of the Mysteries, were first taught what the awakening signifies in the great universe; only then was the rite of awakening performed. It took place at the time when darkness on earth is greatest, when the outer sun has reached its lowest point at Christmas time, because those who are acquainted with spiritual facts know that at that time of year, forces stream through cosmic space that are favorable to such an awakening. In his preparation, the pupil was told that the one who really wished to know should not merely know what has taken place during thousands and thousands of years on earth, but he must learn to survey the entire course of human evolution, realizing that the great festivals have their place within this, and that they must be dedicated to the contemplation of the great eternal truths. The pupils directed their thoughts toward the time when the earth had not yet become what it is today. Sun and moon did not yet exist but were both united with the earth, and the earth, sun and moon still formed one body. Man already existed at that time but he had no body; he was a spiritual being upon whom no external sunlight shone. The sunlight was within the earth itself. Its nature differed from the present sunlight, which shines upon beings and things from without. It had the quality of being able to radiate within itself and, at the same time, to radiate within the inner nature of every earthly being. Then the moment arrived when the sun separated from the earth and its light fell upon the earth from without. The sun had withdrawn from the earth and the inner being of man had become dark. This was the beginning of his evolution toward that future time when he is to find the inner light again radiating in his inner nature. Man must learn to know the things of earth by means of his outer nature. He will evolve to the time when in his inner nature the higher man, the spirit man, will glow and radiate again. From light, through darkness, to light—such is the course of the evolution of mankind.

The pupils were prepared by these teachings, which were constantly impressed upon them. Then they were led to their awakening. The moment arrived when, as chosen ones, they experienced by means of their awakened spirit organs, the spiritual light within them. This holy moment came when the outer light was weakest, on the day when the outer sun shines least. On that day the pupils were gathered together, and the inner light revealed itself to them.

Those who were still unable to participate in this celebration were able to experience at least an outer likeness of it from which they learned that for them, too, the great moment would come. "Today," they were told, "you behold only an image; later you will experience what you now see as a likeness." These were the lesser Mysteries. They showed in pictures what the neophyte was to experience later. We shall hear today of what took place in the lesser Mysteries on Christmas eve. It was the same everywhere -in the Egyptian Mysteries, the Eleusinian Mysteries, the Mysteries of the Near East, the Babylonian-Chaldaic Mysteries, as well as in the Mysteries of the Persian Mithras cult and the Indian Mysteries of Brahman. Everywhere the pupils of these Mystery Schools had the same experience at the midnight hour on the Night of Consecration.

The pupils gathered in the early evening. In quiet contemplation they had to make clear to themselves what this most important event signified. In deep silence they sat together in the darkness. By the time midnight drew near, they had been sitting in the dark room for hours. Thoughts of eternity pervaded their souls. Then, toward midnight, mysterious tones arose, resounding through the room, up welling and diminishing. The pupils who heard these tones knew that this was the music of the spheres. Then the room became dimly lit, the only light emanating from a dimly lighted disc. Those who saw this knew that this disc represented the earth. The illumined disc became darker and darker, until finally it was quite black. Simultaneously the surrounding space grew brighter. Those who saw this knew that the black sphere represented the earth. The sun, however, which ordinarily irradiates the earth was concealed; the earth could no longer see the sun. Then around the earth-disc, at the outer edge, rainbow colors formed, ring upon ring. Those who saw it knew that this was the radiant Iris. At midnight a violet-reddish circle gradually arose in place of the black earth sphere. On it a Word was written. This Word varied according to the peoples whose members were permitted to experience this Mystery. In our language the Word would be Christos. Those who saw it knew that this was the sun, which appeared to them at the midnight hour, when the world around rests in deepest darkness. The pupils were now told that what they had experienced was called, "Seeing the sun at the midnight hour."

Whoever is really initiated learns to experience the sun at the midnight hour, for in him all matter is obliterated. The sun of the spirit alone lives in his inner self and radiates over all the darkness of matter. This is the moment of highest bliss in the evolution of man, when he has the experience that he lives in the eternal light freed from darkness. Year after year, at midnight on the Night of Consecration, this moment was thus represented in the Mysteries. This image represented the fact that alongside the physical sun there is a Spiritual Sun, which, like the physical sun, is born out of darkness. In order to make this clearer to the pupils, after they had experienced the rising of the Sun, of the Christos, they were led into a cave in which there was seemingly nothing but stone—dead, lifeless matter. There they beheld stalks of grain arise from the stones as a sign of life, as a symbolical indication of the fact that from apparent death life springs forth, that from dead stone, life is born. They were told that just as the sun force, after it had seemingly died, waxes anew from this day on, so does new life forever arise out of dying life.

The same event is indicated in the Gospel of St. John in the words, "He must increase, but I must decrease." John, the herald of the coming Christ, of the Spiritual Light, whose festival day falls in the course of the year in mid-summer—John must decrease, and simultaneously with his decrease the force of the coming light waxes, increasing in strength as John decreases. In like manner the new, the coming life prepares itself in the seed that must wither and decay in order that the new plant may spring forth from it. The pupils of the Mysteries were to experience that in death life resides, that out of decaying matter the new, glorious blossoms and fruits of spring arise, that the earth teems with the forces of birth. They were to learn that at this time something happens in the inner being of the earth—the overcoming of death by life that is present in death. This was shown them in the conquering light. This they felt and experienced when they saw the light arise and shine in the darkness. They beheld in the stone cave the sprouting life arising in splendor and abundance out of the seemingly dead.

Thus, faith in life was fostered in the pupils. Thus were they led to arouse in themselves what may be called faith in man's greatest ideal. Thus they learned to look up to the highest ideal of mankind, to the time when the earth will have completed its evolution and the Light will shine forth in all mankind. The earth will then crumble to dust but the spiritual essence will remain with all men who have become radiant in their innermost nature through the spiritual Light. Earth and humanity will then awaken to a higher existence, to a new phase of existence.

When Christianity arose in the course of evolution, it bore this ideal within it in the highest sense. Man felt that within Christianity the Christos was to appear as the great Ideal of all men, that He had been born on the Night of Consecration about the time of deepest darkness as a sign that out of the darkness of matter a higher man can be born in the human soul.

In the ancient Mysteries, before men spoke of a Christos, they spoke of a Sun Hero who embodied the same ideal as is connected with the Christos in Christianity. The bearer of this ideal was called the Sun Hero. Just as the sun completes its orbit in the course of the year bringing about an increase and decrease in light, and its warmth apparently withdraws from the earth and then again radiates anew, just as it contains life in its death and lets it stream forth anew, so like wise does the Sun Hero, through the power of his spiritual life, become master over death and night and darkness.

In the Mysteries there were seven degrees of initiation. First the degree of the "Ravens," who were able to approach only as far as the portal of the temple of initiation. They became the intermediaries between the external world of material life and the inner world of spiritual life, and no longer belonged to the material nor yet to the spiritual world. These Ravens are to be found everywhere. They are always the messengers who pass to and fro between the two worlds and transmit messages. They are to be found in the Germanic sagas and myths also. The Ravens of Wotan, the Ravens who fly around the mountain of Kyffhäuser.

In the second degree the disciple was led away from the portal into the interior of the temple of initiation. There he matured until he reached the third degree, the degree of the "Warrior," who stepped before the world to proclaim the occult truths that he was permitted to experience in the interior of the temple.

The fourth degree, that of the "Lion," was attained by one whose consciousness was not merely that of an individual human being, but encompassed an entire tribe. Thus the Christ was called "the Lion of the Tribe of David." A man whose consciousness encompassed a whole nation had attained the fifth degree. He no longer had a name of his own but was designated by the name of his nation. Thus, people spoke of the "Persian," or the "Israelite." Now we can understand how it was that Nathanael, for instance, was called a "true Israelite." It was because he had reached the fifth degree of initiation.

The sixth degree was that of the "Sun Hero," and we must understand what this name signifies. We shall then realize what awe and reverence passed through the soul of the pupil of the Mysteries who knew something of a Sun Hero, and who experienced at Christmas the Birth Festival of a Sun Hero.

Everything in the cosmos takes its rhythmic course. The stars as well as the sun follow a great rhythm. Were the sun to change this rhythm but for a moment, were it to leave its orbit only for a moment, a revolution would result in the entire universe of quite unheard-of significance. Rhythm rules all nature, right up to man. Only with man does the situation change. The rhythm that rules until death throughout the course of the seasons in the forces of growth, propagation, etc., ceases with man. He is to stand in freedom, and the more highly civilized he is, the more does this rhythm decrease. Just as the light disappears at Christmas, so apparently has rhythm disappeared from the life of man and chaos prevails. Man, however, gives birth to this rhythm out of his own initiative out of his own inner nature. He must so fashion his life out of his will that it takes its course within rhythmical boundaries, steadfast and sure, like the course of the sun. Just as a change in the course of the sun is unthinkable, even so is it unthinkable that the rhythm of such a life be interrupted. The embodiment of such a life rhythm was to be found in the Sun Hero. Through the strength of the higher man born in him, he gained the power to rule the rhythm of the course of his life. This Sun Hero, this higher man, was born in the Night of Consecration.

Christ Jesus was also a Sun Hero and was conceived as such in the first centuries of Christianity. His birth festival was, therefore, placed at the time of year when, since primeval days, the birthday of the Sun Hero has been celebrated. This is also the reason for all that was linked with the life story of Christ Jesus. The Midnight Mass, which the first Christians celebrated in caves, was in memory of the Sun Festival. In this Mass an ocean of light streamed forth at midnight out of the darkness as a memory of the rising sun in the Mysteries. Christ was thus born in a cave in remembrance of the cave of rock out of which, symbolized in the growing stalks of grain, life was born. Earthly life was born out of the dead stone. So, too, out of the lowly, the Highest, Christ Jesus, was born!

The legend of the three priest-sages, the three kings, was linked with the Christ Birth Festival. They brought to the Child gold, the symbol of the wisdom-filled outer man; myrrh, the symbol of life's victory over death, and finally, frankincense, the symbol of the cosmic ether in which the spirit lives.

Thus, in the meaning of the Christmas Festival, we feel something echoing to us from the most ancient ages of mankind, and it has come down to us in the special coloring of Christianity. In its symbols we find images for the most ancient symbols of mankind. The Christmas tree with its candles is one of them. For us, it is a symbol of the Tree of Paradise, which represents all of material nature. Spiritual nature is represented by the tree in Paradise that encompassed all Knowledge, and by the Tree of Life. There is a narrative that imparts clearly the significance of the Tree of Knowledge and the Tree of Life. Seth stood at the Gates of Paradise and begged to be allowed to enter. The Archangel guarding the portal let him pass. This is a sign for initiation.

Seth, now in Paradise, found the Tree of Life and the Tree of Knowledge closely intertwined. The Archangel Michael, who stands in the presence of God, let him take three seeds from these intertwining trees, which, standing there as a single tree, pointed prophetically to the future of mankind. Then the whole of humanity shall have been initiated and shall have found knowledge. Only the Tree of Life will still exist and death will be no more. For the time being, however, only the initiate may take the three seeds from this Tree, the three seeds that signify the three higher members of man.

When Adam died, Seth placed these three seeds in Adam's mouth, and from them grew a flaming bush. From the wood cut from this bush, new shoots and green leaves continually burst forth. Within the flaming circle of the bush, however, was written, "I am He Who was, Who is, Who is to be." This points to the entity that passes through all incarnations, the force of evolving man repeatedly renewing himself, who descends from light into darkness and ascends from darkness into light.

The rod with which Moses performed his miracles was carved from the wood of the flaming bush. The portal of Solomon's Temple was fashioned from it. This wood was carried to the waters of the pool of Bethesda, and from it the pool derived its power.

From the same wood the Cross of Christ Jesus was fashioned, the wood of the Cross that shows us life passing into death, but which at the same time bears the power in itself to bring forth new life. The great world symbol stands before us here—life, which overcomes death. The wood of this Cross grew out of the three seeds from the Tree of Paradise.

The Rose Cross also expresses this symbol of the death of the lower nature and, springing from it, the resurrection of the higher. Goethe expressed the same thought in the words:

As long as you have not
Died and been reborn,
You are but a gloomy guest
Upon the darkened earth.

What a wondrous connection there is between the Tree of Paradise and the wood of the Cross! Even though the Cross is a symbol of Easter, it also deepens our Christmas mood. We feel in it how the Christ Idea streams toward us in new welling life on this night of Christ's Nativity. This idea is indicated in the living roses that adorn this tree.⁴ They tell us that the tree of the Sacred Night has not yet become the wood of the Cross, but the power to become this wood begins to arise in it. The roses that grow from the green symbolize the Eternal that grows from the Temporal.

The square is the symbol of the fourfold nature of man: physical body, ether body, astral body and ego.

The triangle is the symbol of the higher man: Spirit Self, Life Spirit and Spirit Man.

Above the triangle is the symbol of the Tarok. Initiates of the Egyptian Mysteries knew how to read this sign. They also knew how to read the Book of Thoth, which consisted of seventy-eight cards on which were recorded all world events from beginning to end, from Alpha to Omega, and which could be read if they were joined and assembled in the right way. The Book of Thoth, or Hermes, contained in pictures the life that fades in death and again sprouts forth anew into life.

Whoever could combine the right numbers with the right pictures was able to read it. This wisdom of numbers and pictures has been taught since primeval ages. In the Middle Ages it still played an important role, but today there is little left of it.

Above the Alpha and Omega is the sign of Tao. It reminds us of the worship of God by our primeval ancestors because this worship took its origin from the work Tao. Before Europe, Asia and Africa were lands of human culture, our ancestors lived on Atlantis, which was submerged by a flood. In the Germanic sagas of Niflheim, the land of the mists, the memory of Atlantis still lives. For Atlantis was not surrounded by pure air. Its atmosphere was filled with enormous masses of mist similar to the clouds and mists in high mountains. The sun and moon were not seen clearly in the sky, but were surrounded by a rainbow, and sacred Iris. At that time man still understood the language of nature. What speaks to him today in the lapping and surging of the waves, in the whistling and rushing of the wind, in the rustling of the leaves, in the rumbling of thunder, is no longer understood by him, but at that time he could understand it. He felt something that spoke to him from everything about him. From the clouds and waters and leaves and winds the sound rang forth: Tao (the I am). Atlanteans heard it and understood it, and knew that Tao streamed through the whole world.

Finally, all that permeates the cosmos is present in man and is symbolized in the pentagram at the top of the tree. The deepest meaning of the pentagram may not now be mentioned, but it is the star of mankind, of mankind developing itself. It is the star that all wise men follow as did the priest-sages in ancient ages.

It symbolizes the earth that is born on the Night of Consecration, because the most sublime light radiates from the deepest darkness. Man lives on toward a state when the light shall be born in him, when one significant saying shall be replaced by another, when it will no longer be said, “The Darkness does not comprehend the Light” but when the truth will resound into cosmic space with the words, “Darkness gives way to the Light that radiates toward us in the Star of Mankind, Darkness yields and comprehends the Light.”

This shall resound from the Christmas celebration, and the spiritual light shall radiate from it. Let us celebrate Christmas as the festival of the most lofty ideal of the Idea of Mankind, so that in our souls may rise the joyful confidence: Indeed, I, too, shall experience the birth of the higher man within myself. The birth of the Savior, the Christos, will take place in me also.

• 1. From Goethe's Faust, translated by George Madison Priest; copyright by, and reprinted here with permission of Alfred A. Knopf, Inc.
• 2. Translated by Henry B. Monges.
• 3. By Rudolf Steiner.
• 4. This lecture was delivered beside a lighted Christmas tree adorned with the signs depicted here, as well as with thirty-three wax candles and fresh red roses.

Good morning, gentlemen!

Has anything occurred to you that you would like to ask me? (An article was read from the “Schweizerische Bienenzeitung” of February–March 1923 entitled “Do Bees perceive colours invisible to Man?”)

DR. STEINER.

I will say a few words on this subject. You see, these experiments made by Forel and Kühn show so plainly how thoughtlessly experiments are carried out today. One can naturally not imagine anything more absurd than such an interpretation of these experiments as is given here. Think for a moment that I might do as follows: I might take a substance—there are such substances—specially sensitive to ultra-violet rays, i.e., to colours lying beyond the blue and violet; for instance I take barium platino-cyanide. I exclude all the other colours, let us say, I exclude red, orange, yellow, green, blue—then the indigo would come in and the violet—these also I exclude (Diagram missing.) (Diagram missing.) Now I make a screen; I shut these off in the spectrum; then I have here the so-called ultra-violet rays which are invisible to man. If I now add this substance, this barium platino-cyanide (which is a white powder) then it begins to shine, In a darkened room we see nothing; now we let in these rays, screening them as they come in, allowing therefore, only the ultra-violet rays to enter, which become visible when I introduce barium platino-cyanide. Then one sees it. Then it lights up. Thus, according to this article, I must state that barium platino-cyanide is able to see with some kind of eyes because it shows an activity. But very much the same thing happens if one experiments with ants. Suppose that instead of barium platino-cyanide I take ants; then I exclude the light. The ants run towards the sugar; in the same way barium platino-cyanide lights up. I then say (according to this article) that the ants see the ultra-violet rays. But they need to see them just as little as the barium platino-cyanide needs to see in order to shine. All one can really say is, that given a certain substance it produces an effect on the ants. More than that one cannot assert. The scientists concerned are as thoughtless as it is possible to be and make statements that are pure phantasy.

The only thing one can say is this,—that through the sense-organs (once more, according to this article this is proved by the fact that no effect is produced if the eyes of the ants are varnished) that through the sense-organs an impression was made on these insects. It is characteristic that the scientist applies to ants and wasps what he has observed with bees—and vice versa. This only shows how thoughtlessly these experiments were carried out.

Now, one can add the following: you see, when one proceeds further [drawing on the black-board.] to the so-called ultra-violet rays—here you have red-orange, yellow, green, blue—then indigo would come in, and the violet—the ultra-violet rays. On the other side, the infra-red rays.

We have here the ultra-violet rays (on the right hand side) and these have the peculiarity (so he himself expresses it in the article) that they produce strong chemical reactions. Whatever is introduced here (into the sphere of the ultra-violet light) is strongly affected chemically, with the result that if I now put an ant here it will at once experience a strong chemical reaction. It feels this; that is true. It feels this effect above all in the eyes. When the ant is brought into the sphere of the ultra-violet rays it feels this, just as barium platino-cyanide reacts when brought into the same sphere of chemical activity. If I completely darken a room and have only the ultra-violet rays there, then the ant would notice at once that something was happening. For instance, if one had ants' eggs or larvae they would be completely changed, they would be destroyed the moment this powerful chemical working occurred. This is why the ants rescue their eggs.

What this article is really concerned with is effects of a chemical nature.

The statement I made recently is quite correct. I said the bees have a sense which is intermediate between smell and taste; thus these things are sensed by the bees, and it is similar in the case of ants. So little are these gentlemen aware of the real question that they do not know, for example, that when man himself perceives colours, even in perceiving the ultra-violet rays, slight chemical changes take place in his eyes. Man's perception of colour tends to be of a chemical nature.

All that has been investigated here is the reaction to the inner chemical change that takes place in the bees when they are in the ultra-violet light.

Now all that is within the sphere of black, white, yellow, grey (and grey is only a somewhat darker white), or blue-grey, in all these colours there is no ultra-violet. Thus all these colours are freely perceptible to the bees. The chemical effects which the bees sense so strongly when they come to the ultra-violet are not present in these colours. But when the bee leaves the sphere of black, white, yellow and blue-grey and comes into this other sphere it feels in the ultra-violet rays something alien to it. There the bee can do nothing. It is thus so important to note that the bee has a sense between taste and smell.

We men make a great distinction between smell and taste. The latter is primarily a chemical sense; it is entirely based on chemistry. The bee has something which is intermediate between taste and smell. This does not contradict the fact that the bee is able to distinguish colour when the front of the hive is painted in one way or another; for you must consider that as all colours differ in their chemical effects, so they can also be perceived in relation to their warmth or coldness.

If, for example, you cover a surface with red paint and the bee approaches it, it experiences warmth. How should the bee not know that this is different from coming, for instance, into the sphere of blue! Near the blue surface the bee senses coldness. The bee senses the warmth of red and the cold of blue, and then it can naturally distinguish between them. But one is not therefore justified in concluding that the bee sees with its eyes in the way man does. This of course is utter nonsense. But so it is with many other things that people think.

I have previously told you what all such experiments amount to. I once told you there is a certain plant, called the “Venus fly-trap” which immediately contracts its leaves when they are touched. Just as you make a fist of your hand when you are going to be touched—that is, when somebody means to give you a blow—so the Venus fly-trap waits for the insect and then shuts itself up. Then people say: this plant, the Venus fly-trap, has a soul like men have. It is aware of the arrival of the insect and shuts itself up.

Yes, gentlemen, but I always say: I know of a certain arrangement so constituted that when an animal approaches it and touches something inside it, then it immediately shuts up and the animal is caught. This is a mouse-trap! If one ascribes a soul to the Venus fly-trap, one must equally ascribe one to the mouse-trap! If one ascribes sight to the bees because they do something or other in ultra-violet light, then one ought to ascribe sight to barium platino-cyanide as well!

If people only took the trouble to think they would discover many quite remarkable things, for barium platino-cyanide consists of barium. This is a white metal belonging to the class of alkaline metals. Now it is interesting that such metals play a certain part in the life of man. As human beings we could not have the right working in our bodies of the albumen we take in if we had not such metals in our pancreas. They must be there. In barium we have something connected with our feeling comfortable in our digestive process. Platinum is an especially valuable metal, as you know; a metal that is also especially hard and heavy—it is a precious metal. All these metals have the property that they are, once more connected with feeling, with “sensing.”

Now remind yourselves of another thing. Cyanide is also there. This is a certain kind of cyanic acid, of prussic acid. I told you before that man always develops a little prussic acid in the working of his muscles. This substance thus resembles what man is constantly producing in his body. You can gather from this that man is particularly susceptible in his body—not in his eyes—to what happens in ultra-violet light—i.e., to the chemical components of light. We can judge for ourselves if we only pay attention to these things.

But it is only Spiritual Science that can enable one to observe such matters as the fact that where barium platino-cyanide is affected a kind of feeling arises. This applies to the bees in the highest degree. The bees sense colours with especial intensity, but they only see the colours dimly shining on the appearance of a self-luminous organism.

For this reason I say, that generally speaking, twilight surrounds the bees. But when the new Queen appears, she shines for the other bees as the glow-worms shine for us when June is here. This is so, only as regards the three small frontal eyes; the other eyes, the larger ones, have already some perception of light, but as in twilight. When it is in darkness the creature senses the presence of just those colours that work chemically, such as ultra-violet, or of one that does not work chemically at all—i.e., the infra-red.

At the end of this article in the bee journal, it is stated that further information as to the infra-red rays will be given later. Certainly, when the bees come to the infra-red, they will behave quite differently, for then there are no longer any chemical effects.

As to the facts, the experiments are correct, but one must be clear that one cannot draw conclusions such as Forel and Kühn have actually done. To do so is a totally thoughtless way of following up the experiments. Then people say: “this has been proved beyond contradiction.” Naturally, but only for those who ascribe a soul to the mouse-trap! But for others who know how far one can go, how far one is able to think in such a way that things are rightly followed up, these proofs are by no means beyond contradiction.

In ordinary life we are not in the habit of following things up accurately. When people experience some small matter or another, then, as the saying is, a gnat can become an elephant. And so it is with our scientists. When they get hold of something they don't stop their thinking, but carry it on, and apply it to what is immediately before them. This results in fantastic nonsense; a gnat becomes an elephant. When modern science makes such statements this is due to its authority, for what is thus brought forward meets, as a rule, with no contradiction, because all the periodicals are in the hands of scientific authorities. But in the long run, one will not be able to make much use of this nonsense.

if you go over the whole ground of bee-keeping, I believe you will find that just the very best bee-keepers do not trouble themselves very much about the discoveries of Forel and Kühn; for bee-keepers must work practically, and then instinctively one does what is necessary. Of course, it is best if one has the right instincts. I seem to have noticed that the bee-keeper sometimes likes to settle down on a Sunday evening, when it is snowing perhaps, and to read some such article, because naturally, it interests him, but he cannot make much out of it because in an article of this kind there is nothing he can get hold of.

But surely, gentlemen, you have other interesting things to ask me about?

HERR MÜLLER:

I should like to add something about the Queen. We have already described how she lays her eggs. Then we have the unfertilised Queens; for instance, in bad weather, and then only drones are hatched which have no value. Also, when a Queen dies and there is no young brood, then one of the worker bees is bred to be a Queen. It also lays eggs but only unfertilised eggs, from which only inferior drones come out.

-1. Then I should like to add something about swarming. At the time of the first swarm there is as yet no new Queen there. She is still asleep in her cell and cannot yet provide new brood. Only the older bees leave the hive with the Queen. I can take her out and put the whole swarm back in the hive.

0. As to the sight of the bees, I should like to say that when we are at work in the bee-house and there is too much light there (for the bee-master himself there is always too little light), then the bees are terribly agitated.

As to stinging when the bees are swarming, it is well known with us that the first swarm is rather ticklish; this is much less the case with casts. We hold the opinion that young bees do not sting, that they do not use their stings.

2. There are certain districts where people do not harvest the honey before August 8, which is held to be a Holy day. August 8 is a honey day.

3. It can happen that the swarm goes out and the Queen settles somewhere, and it seems that is an end of it, but it is not so—not altogether so.

DR. STEINER:

With regard to what I said, everything pointed to the fact that the old Queen leaves the hive when the new Queen shows herself and appears to the bees like a glow-worm. When the swarm goes out and the old Queen has been captured, then one can return all the bees into the hive, as you say, and they will go on working quietly. That does not mean that one cannot therefore say that the bees were first driven out by the strong effect of the light of the new Queen on their tiny eyes. This cannot be done away with. You must proceed quite logically here. I will give you an example from life. Imagine for a moment, that all of you here were employed somewhere, and you discover one day that you must all go on strike because something is wrong with the management. Let us suppose you all decide to go on strike. So you swarm out, gentlemen.

Then a certain time passes and you find yourselves unable to procure the necessities of life. You reach the hunger-stage, and are obliged to go back to your work. I cannot now say that therefore you had originally no reason to run away! You must consider that if you take the old Queen out of the swarm and bring it back into the hive, then naturally, the bees must endure the new Queen after all, for the old Queen is no longer there. They must bite into the sour apple! What I said is therefore not wrong; it is a question of seeing these things in the right light.

Then you spoke about the first swarm, when the new Queen is not yet there, when you cannot yet speak of her. Well, have you ever seen a first swarm when even the egg of the Queen is not there?

HERR MÜLLER:

Nine days before the young Queen has crept out.

DR. STEINER:

To begin with the young Queen is within her cell, as an egg. After sixteen days she is a full-grown Queen; then she creeps out. Nine days before this she is already there in the egg. The strange thing is that the egg shines brightest of all. Gradually it shines less and less, but the young Queen still shines for some time; she shines strongest of all in the larval state. Thus, it is quite comprehensible that you may have several swarms made up of the most sensitive of the bees which go out. It is to be explained by the fact that nothing happens before the young Queen is there. For what is the young Queen? She is already there when only the egg is there.

As to an unfecundated Queen, when the Queen is not fertilised then no worker-bees come out but only drones, and as Herr Müller said, very bad drones at that. This is true. The brood of an unfertilised Queen is useless because there are no worker-bees. One must see to it that the Queen can make her nuptial flight under the influence of the Sun.

You see, gentlemen, once more, what a great part is played by the chemical element. For what takes place on this flight is an effect on the sexual nature of the bee. But the sexual nature is entirely of a chemical character. When the Queen flies so high then naturally the impregnation is not brought about by the light, but by the chemical working of the light. Just in this instance you can see how delicately sensitive the bee is to the chemical element.

You said further that while at work in the bee-house, as a man one naturally needs light, and this makes the bees restless.

Try to form a vivid picture of the bee receiving chemical reactions from the light which it feels terribly strongly. When you, as a human being, approach and let the light in, suddenly making it light everywhere, this affects the bee as a strong gust of air affects you; it is just as if you opened the window and a strong draught were to blow in. The bee senses the light, it does not feel that it becomes light all round it, but it senses the light as a concussion, it is quite shattered by it. One could almost say, (though I have not actually seen the bee-keeper letting in too much light) the bees become terribly nervous, inwardly restless. They are thrown into these chemical workings of the light and begin to fly hither and thither almost like little swallows. They dance up and down as a sign of how restless they feel within. The bees would not behave in such a highly nervous way if they could see the light; they would then try to hide away, to creep into a corner where the light could not thus affect them.

Naturally, in all these matters, we must realise how perfectly clear we need to be as to effects that everywhere exist, and must not be compared with the effects things have upon men. Otherwise we anthropomorphise everything, and cannot but conclude that because man sees in a certain way, the animals also must do the same. One cannot make such statements straightaway.

Maybe you have observed the following. If one notices such things, one can often become aware of them. Imagine you are in a kitchen where the stove is nice and warm. The cat likes to sit on the warm stove; it curls itself up and falls asleep, has its eyes shut. Well, if there is a mouse somewhere under the cupboard, which the cat cannot possibly see with its eyes, it may happen that the cat suddenly springs down without opening its eyes, pounces with absolute certainty on the mouse, and before you have time to think the thing out to the end, the cat returns with the mouse already in its mouth.

Now naturally, you gentlemen, will not say the cat saw the mouse, for it had its eyes shut, it was asleep. Some people say the cat has a very fine sense of hearing, and by means of this very sensitive hearing the cat is aware of the mouse. Well, apart from this, that one must now state that the cat hears best when it is asleep, which is a rather doubtful statement, because sight and hearing are those senses which play so great a part in waking life, whereas the sense of smell for example, plays an extremely important part in sleep. It works chemically. Within the nose, and the whole brain something chemical is happening. Moreover, when you hear something, can you pounce upon it with absolute certainty? This is not at all the case; hearing is not at all such that it leads one to orientate oneself quickly. Hence, it is not the hearing of the cat that is in question here. But what is very strongly present in the cat is a terribly fine sense of smell, which it has within its bristly beard. This terribly fine sense of smell is there because in each bristle there is a little channel, and within each bristle (see diagram 9) is a substance, and this substance is chemically affected by the presence of the mouse. When there is no mouse near, this substance has a certain chemical quality, but if there is a mouse anywhere in the neighbourhood of the cat, even some distance away, then the cat is aware of the mouse through the chemical reaction in its whiskers.

I told you once that there are people who, though living on the third floor, are aware of some substance in the cellar, and can sometimes be made ill by it—for example, by buckwheat.

People could easily convince themselves with what certainly the sense of smell works, for otherwise there could he no police dogs. These dogs work very little by sight, but much with their sense of smell. In the animal kingdom precision and sureness cannot be ascribed to the eyes, but to chemical activity; under the influence of ultra-violet rays this activity is strongest of all.

If you wished to be especially gracious to a police dog you would do well if, for instance, you went with him and constantly held a dark lantern in front of him so that you kept him always in the ultra-violet rays. The police dog would then be even more certain in finding things, for in its “smelling hairs” (for the dog also has smelling hairs) the chemical reactions would be still more certain.

All that can be known about the animal points to the fact that the moment we enter the animal kingdom, one must not look for such conscious senses as those of man, but must descend into the senses of smell and taste—into the “chemical senses.”

You indicated, Herr Müller, that young bees do not sting. This is easily accounted for, for young bees have not yet the organ of the sting as they have not fully developed their whole inner organisation. This comes only as they grow older. There is nothing especially remarkable in this, and it does not contradict what I have said.

(Herr Müller asked about artificial feeding. He takes for this four parts of water, five of sugar, and then adds thyme, camomile-tea and a pinch of salt. What is the effect of this?)

DR. STEINER:

We are especially able to give you information in this matter, because our own remedies are partly based on the same principles as those that have been used instinctively here. Not all our remedies, but a certain number of them, are founded on similar principles.

You see, when you feed the bees on sugar, this is certainly nonsense, for the natural food of the bees is not sugar but nectar or honey, and pollen.

HERR MÜLLER:

For example, one has to empty even the half-filled combs of honey that come from the woods, because otherwise the bees get dysentery; also when the bees have at times only 4–6 lbs., left over, this is not sufficient.

DR. STEINER:

Bees are not accustomed to feed on sugar but on nectar and honey. This is in accordance with their whole nature. The remarkable thing here is that in winter the bee changes whatever food it happens to get into a kind of honey. All food is changed by the creature that partakes of it. Thus, in winter the bee is able, in its delicate digestive processes, to transform the food it takes into a kind of honey.

You can well imagine that this is a proceeding demanding much stronger forces than when you feed the bees on honey. They do not then need to expend the same amount of strength as when they must change sugar into honey. What kind of bees then will those be which within themselves can transform sugar into honey? They will only be the strongest bees, of which one can make good use. One cannot get weak bees to change sugar into honey; hence, they are more or less useless.

Now I said just now that we can well understand why you take for example, camomile tea, because you thereby spare the bee something which it has otherwise to do in its own body. If you dilute the sugar with camomile tea, then you take that part of the plant which prepares the nectar. For the substance of the camomile tea has not only camomile in it, for every plant also contains potential honey (the camomile contains this process in a greater degree, and can for this reason not be used as a honey plant). Suppose you have a plant, with a great deal of so-called starch in it. The starch has a constant tendency to change into sugar. The camomile sap already works on the starch of the plant in such a way that it directs the sugar-sap of the plant towards the formation of nectar.

If you give the bees camomile tea you support them in their inner honey-process. You make the sugar already like honey, when, you dilute it with camomile tea. We do the same with our remedies. When one takes some kind of metal, one cannot give it to a human being just as it is, because it would disappear in the course of digestion. You must dilute it with something so that it can be more readily absorbed, and so it is with the camomile tea which you add to the sugar. Salt must be added for the reason that salt especially makes otherwise indigestible things, digestible.

Man instinctively puts salt into his soup, because salt has the property of spreading rapidly through the body, and makes food digestible.

We have often turned our gaze back to the views of older times, and we want to do so again today, with the aim of gaining some insights into history and the development of humanity. If we go back thousands of years in human development, for example to the times that we, in our terminology, refer to as the ancient Indian cultural period, we find that people's way of looking at things was quite different then than it is in our time, even if we take a period that is very far removed from that time. If we go back to those older times, we know that people simply did not see nature as we see it today. They perceived spiritual beings directly in everything, in the individual elements of the earth's surface, in mountains and rivers, but also in everything that immediately surrounds the earth, in clouds, in light, and so on. It would have been inconceivable for a person of those ancient times to speak of nature as we do. For he would have felt as we would feel if we were to sit opposite a collection of corpses and then say that we were among human beings. What presents itself to man as nature today, millennia before our era, man would have felt only as the corpse of nature. For in everything that surrounded him, he perceived the spiritual and soul-like.

We know that when today's humanity hears from poetry or from the messages of myths and legends how it was once believed that spiritual-soul qualities can be found in the source, in the flowing river, in the interior of the mountains, and so on, it believes that the ancients let their imagination run wild and that they were inventing. Well, that is a naive point of view. The ancients did not make things up at all, but they perceived the spiritual and soul just as one perceives colors, as one perceives the movements of tree leaves, and so on. They perceived the spiritual and soul directly, and they would have thought of what we call nature today as merely the corpse of nature. But in a certain sense, some individuals among these ancients strove to gain a different way of looking at things than that which was the general one.

You know, today, when people strive to gain a different view from the usual one, and when they are at all capable of doing so, they become 'studied people', they receive concepts that go beyond what they otherwise see only externally. Then they absorb science, as it is called, into themselves. This science did not exist in the times of which we are now speaking. But there were individuals who aspired to go beyond the general observation, beyond what one knew in everyday life. They just did not study as it is done today. They did certain exercises. These exercises were not like those we speak of today in anthroposophy, but they were exercises that were more closely tied to the human organism in those older times. For example, there were exercises through which the breathing process was trained to do something other than what it is by nature. So they did not sit in laboratories and do experiments, but they did, so to speak, experiments on themselves. They regulated their breathing. For example, they inhaled, held back their breath and tried to experience what happened inside the organism when the breath was altered in this way. These breathing exercises should not be copied today. But they were once a means by which people believed they could come to higher knowledge than they could come to if they simply observed nature with their ordinary perceptions, if they saw external natural things as we see them, but also saw the spiritual and soul-like in all natural things.

When people devoted themselves to such exercises, the nature of which, although in a weakened form, has been preserved in what is described today as yoga exercises from the Orient, when they thus changed their breathing in relation to ordinary breathing, then the spiritual-soul aspect disappeared from the view of the surroundings, and it was precisely through such breathing that nature became for these people as we ourselves see it today. So, in order to see nature as we see it today, such people first had to do exercises in those ancient times. Otherwise, spiritual-soul entities would have leapt out of all the beings around them for them to see. They drove away these spiritual-soul entities by changing their breathing process.

Thus they — if I use the term that is current today for those who aspire so high above the general contemplation — as “learned men” no longer aspired to have nature around them as ensouled and spiritualized, but to have it around them in such a way that they perceived it as a kind of corpse. One could also say that these people felt, as they looked out into nature, as if they were in a surging, billowing, soul-spiritual universe, but they felt within it as a person of the present day would feel when dreaming in vivid images and could hardly wake up from these dreams. That is how they felt. But what did these individuals — let us call them the scholars of that ancient time — achieve when, through such special exercises, they distinguished themselves from this living surging and killed it in contemplation, so that they really felt that they now had a dead, corpse-like thing around them? What did they strive for as a result?

They strove for a stronger sense of self. They strove for something through which they experienced themselves, through which they felt themselves. Today's man says every moment: “I am”. “I” is a word that he uses very frequently from morning till night, because it is natural to him, it is self-evident to him. For these ancient people, it was not a matter of course in their ordinary daily experience to pronounce the “I” or even the “I am”. They had to acquire this. To do so, they first had to do such exercises. And by doing these exercises, they came to such an inner experience that they could say with a certain truth: “I am”. Only by doing this did they come to the awareness of their own being.

So what we take for granted only became an experience for these people when they made an effort in an inner breathing process. They first had to, so to speak, kill the environment for contemplation, to awaken themselves. This is how they came to the conviction that they themselves are, that they could say “I am” to themselves. But with this “I am” they were given something that we take for granted again today. They were given the inner development of the intellectual. Through this they developed the possibility of having an inner, secluded thinking.

If we go back to times when the old oriental views set the tone for civilization, it was the case that people felt a souled nature in their everyday lives, but had a very weak sense of self, almost no sense of self at all, did not at all summarize this sense of self in the conviction “I am,” but that individual people who were trained by the mystery schools were led to experience this “I am.” But then they did not experience this “I am” in the way we take it for granted today, but in the moment when they were brought to it through their breathing process, to be able to say “I am” at all out of inner conviction, out of inner experience, they experienced something that even today's man does not really experience at first.

Think back to your childhood: you can only think back to a certain point, then it stops. You were once a baby, but you have no memory of what you experienced as a baby. Your ability to remember ends at some point. You were certainly already there, crawling around on the ground, being caressed by your mother or father. You may have wriggled and moved your hands, but you do not know in your ordinary consciousness what you experienced inwardly at that time. Nevertheless, it was a more active, more intense soul life than later on. For this more intense soul life, for example, has shaped your brain plastically, has permeated your rest of the body and shaped it plastically. There was an intense soul life present, and the old Indian felt transported into this soul life at the same moment that he said to himself, “I am”.

Imagine very vividly what that was like. He did not feel in the present moment when he said to himself “I am”; he felt transported back to his babyhood, he felt the way he felt in his babyhood, and from there he spoke to his whole later life. He did not have the feeling that he now But this was only drawn into this inner being after it had previously lived in the spiritual-soul world. That is, by first transporting himself back to his babyhood through his breathing process, this old Indian yogi became aware of the time before his existence on earth. It seemed to him like a memory. Just as if a person today remembers something that he experienced ten years ago, it was like the occurrence of a memory in the moment when the “I am” shot through the soul, when in this ancient Indian time a person strengthened himself inwardly by breathing exercises and killed the outside world around him, but made it alive, which was not his outside world now, but what the outside world was before man descended into the physical world.

In those days, if I may use a modern expression, which of course sounds infinitely philistine when I use it for those ancient times, one was really lifted out of one's present earthly existence and into the spiritual-soul existence through the study of yoga. One owed one's elevation into the spiritual-soul worlds to one's studies at that time. One had a somewhat different consciousness than we have today. But precisely when one was a yogi in the former sense, one could think – the other people could not think, the other people could only dream – but one thought into the supersensible world, from which one had descended into earthly existence.

This is also a characteristic of the time of the earth's development, which, if we characterize it somewhat roughly, preceded, for example, the Greco-Roman conceptions in the fourth post-Atlantean period. There, the “I am” had already penetrated more into people in their ordinary everyday consciousness. Admittedly, the verb in language at that time still contained the I; it was not yet as separate as it is in our language, but nevertheless there was already a distinct I-experience. This distinct I-experience was now a natural, self-evident fact of the inner life. But in contrast to this, outer nature was already more or less dead. The Greeks, after all, still had the ability to experience the two aspects side by side, and without any special training. They still clearly experienced the spiritual and soul-like in the source, in the river, in the mountain, in the tree, albeit weaker than people of older times. But at the same time, they could also perceive the dead in nature and have a sense of self. This gives the Greeks their special character. The Greek did not yet have the same view of the world as we do. He could develop concepts and ideas about the world like ours, but at the same time he could take those views seriously that were still given in images. He lived differently than we do today. For example, we go to the theater to be entertained. In ancient Greece, people only went to the theater for entertainment in the time of Euripides, if I may put it this way – hardly in the time of Sophocles, and certainly not in the time of Aeschylus or in even older times. In those times, people went to dramatic performances for different reasons. They had a clear sense that spiritual and soulful beings live in everything, in trees and bushes, in springs and rivers. When you experience these spiritual and soulful beings, you have moments in life when you have no strong sense of self. But if you develop this strong sense of self, which the ancients still had to seek through yoga training, and which the Greeks no longer needed to seek through yoga training, then everything around you becomes dead, then you only see, so to speak, the corpse of nature. But in doing so, you consume yourself. They said to themselves: Life consumes the human being. The Greeks felt that merely looking at dead nature was a kind of mental and physical illness. In ancient Greek times, people felt very strongly that the life of the day made them ill, that they needed something to restore their health: and that was tragedy. In order to become healthy, because one felt that one was consuming oneself, that one was making oneself ill in a certain sense, one needed, if one wanted to remain fully human at all, a healing, therefore one went to tragedy. And tragedy was still performed in Askhylos' time in such a way that one perceived the person who created the tragedy, who shaped it, as the physician who, in a certain sense, made the consumed person healthy again. The feelings that were aroused – fear and compassion for the heroes who appeared on stage – had the effect of a medicine. They penetrated the human being, and by overcoming these feelings of fear and compassion, they created a crisis in him, just as a crisis is created in a pneunomia, for example. And by overcoming the crisis, one becomes healthy. So the plays were performed to make people who felt used up as people well again. That was the feeling that was attached to tragedy, to the play, in the older Greek era. And this was because people said to themselves: When you feel your ego, the world is divested of its gods. The play presents the god again, because it was essentially a presentation of the divine world and of fate, which even the gods must endure, thus a presentation of what asserts itself behind the world as spiritual. That was what was presented in the tragedy.

Thus, for the Greeks, art was still a kind of healing process. And in that the first Christians lived according to what was given in the embodiment of Christ in Jesus and what can be contemplated and felt in the Gospels – the death of Christ Jesus, to suffering and crucifixion, to resurrection, to ascension – they felt, to a certain extent, an inner tragedy. That is why they also called Christ, and he was increasingly called the physician, the savior, the great physician of the world. In ancient times, the Greeks sensed this healing quality in his tragedy. Humanity should gradually come to experience and feel the historical, the historically healing in the sight, in the emotional experience of the mystery of Golgotha, the great tragedy of Golgotha.

In ancient Greece, especially in the time before Aeschylus, when what had previously been celebrated only in the darkness of the mysteries had already become more public, people turned to tragedy. What did people see in this older tragedy? The god Dionysus appeared, it was the god Dionysus who worked his way out of the forces of the earth, out of the spiritual earth. The god Dionysus, because he worked his way out of the spiritual forces and up to the surface of the earth, shared in the suffering of the earth. He felt, as a god, in his soul, not in the way it was in the Mystery of Golgotha, also in his body, what it meant to live among beings that go through death. He did not experience death in himself, but he learned to look at it. One sensed that there is the god Dionysus, suffering deeply among human beings because he had to witness all that human beings suffer. There was only one being on the stage, the god Dionysus, the suffering Dionysus, and around him a chorus that spoke and recited so that people could hear what was going on in the mind of the god Dionysus. For that was the very first form of the drama, of the tragedy, that the only really acting person who appeared was the god Dionysus, and around him the choir, which recited what was going on in Dionysus' soul. Only gradually did several persons develop out of the one person who represented the god Dionysus in the older times, and then the later drama out of the one play. Thus the god Dionysus was experienced in the image. And later, as an historical fact in the evolution of humanity, the suffering and dying God, the Christ, was experienced in reality. Once as an historical fact, this was to take place before humanity so that all people could feel what had otherwise been experienced in Greece in the drama. But as humanity lived towards this great historical drama, the drama, which was so sacred in the old grienzeit that one felt in it the saviour, the miracle-working human medicine, was, more and more, I would say, thrown down from its pedestal and became entertainment, as it is already the case with Euripides.

Humanity lived contrary to the times in which it needed something other than being shown in pictures the spiritual and soul world, after nature had been de-animated for viewing. Humanity needed the historical mystery of Golgotha. The ancient yoga student of the Indian times had taken in the breath, held back the breath, so to speak, in his own body, in order to feel in this breathing: In you lives the divine I-impulse. - The human being experienced God in himself through the breathing process as a yoga student. Later times came. Man no longer experienced the divine impulse in himself through the breathing process. But he had learned to think, and he said: Through the breath the soul came into man. - The old yoga student went through that. The later human being said: #SE211-056 he became a soul. The older yoga student experienced it, the later human being said it. And by saying this in ancient Hebrew, one already experienced in a certain sense abstractly what one had previously experienced concretely. But one did not look in ancient Hebrew either, but in ancient Greek. One always takes place in one part of the earth, the other in another part of the earth. One no longer experienced the God within oneself as the old YOGA student did, but one experienced in the image the existence of God in man. And this experience in the image of the existence of God in man was certainly present in the older Greek drama. But this drama now became a world-historical event. This drama became the Mystery of Golgotha. But now the image was also abandoned. The image became a mere image, just as the breathing process was merely described in thoughts. The whole human soul became different.

Man saw the external world dead, and that was the elementary, the natural thing for him, that he saw the external world dead. He saw it without a god. He saw himself as an external world, as a physical external world, deified. But he had the consolation that once in this deified world the real God had come down, the Christ, and had lived in a human being, and through the resurrection as the Christ impulse had passed into the whole of earthly evolution. And so man could now develop a certain view in the following way. He could say to himself: I see the world, but it is a corpse. He did not say it to himself, of course, because it remained in the unconscious; man does not know that he sees the world as a corpse. But gradually the corpse formed in his view on the cross, the dead Christ Jesus. And if you look at the crucifix, at the dead Christ Jesus, then you have nature. You have the image of nature, of that nature in which man is crucified. And if you look at the one who rose from the grave, who was then experienced by the disciples and by Paul as the Christ living in the world, then you have what was seen in all of nature in older times. Of course, in a multitude, in many spiritual beings, in gnomes and nymphs, in sylphs and salamanders, in all possible other entities of the earth hierarchies, one saw the divine-spiritual; one saw nature spiritualized and ensouled. But now, through the burgeoning of intellectualism, there arose the urge to summarize what is scattered in nature. It was summarized in the dead Christ Jesus on the cross. But in Christ Jesus one sees everything that was lost in external nature. One sees all spirituality by looking at the fact that the Christ, the Spirit of God, rose from this body, having conquered death, and that every human soul can now partake of His essence. Man has lost the ability to see the Divine-Spiritual in the sphere of nature. Man has gained the ability to recognize this Divine-Spiritual in Christ in view of the Mystery of Golgotha.

Such is evolution. What mankind has lost, it has been given back to it in Christ. In what it has lost, it has gained selfishness, the possibility of feeling itself. If nature had not become dead to human contemplation, man would never have come to the experience of “I am”. He has come to the experience “I am”; he could feel himself, inwardly experience himself, but he needed a spiritual outer world. That became the Christ. But the “I am”, the egoity, is built on the corpse of nature.

Paul sensed this. Let us imagine Paul's perception for a moment. All around, the corpse of what people had once seen in ancient times. They saw nature as the body of the divine, the soul-spiritual. Just as we see our fingers, so did these people see mountains. It did not occur to them to think of the mountains as inanimate nature, any more than it occurs to us to think of the finger as an inanimate limb; rather, they said: There is a spiritual-soul element that is the earth; it has limbs, and the mountain is such a limb. — But nature became dead. Man experienced the “I am” within. But he would only stand there as a hermit on the de-spiritualized, de-souled earth if he could not look to the Christ. But this Christ, he must not look at him merely from the outside, so that he remains external; he must now take him up into the I. He must be able to say, by rising above the everyday “I am”: Not I, but the Christ in me. If we were to schematically depict what was there, we could say: Man once sensed nature (green) around him, but this nature everywhere ensouled and spiritualized (red). This was in an older period of human history.

In later times, man also felt nature, but he felt the possibility of perceiving his own “I am” (yellow) in the face of nature, which had now become soulless. But for this he needed the image of the God present in man, and he felt this in the God Dionysus, who was presented to him in Greek drama.

In even later times, human beings again felt the soulless nature (green) within themselves, the “I am” (yellow). But the drama becomes fact. On Golgotha, the cross rises. But at the same time, what man had originally lost arises within him and radiates (red) from his own inner being: “Not I, but the Christ in me.”

What did the man of ancient times say? He could not say it, but he experienced it: Not I, but the Divine-Spiritual around me, in me, everywhere. Man has lost this “Divine-Spiritual everywhere, around me, in me”; he has found it again in himself and in a conscious sense he now says the same thing that he originally experienced unconsciously: Not I, but the Christ in me.

The primal fact, unconsciously experienced in the time before man experienced his ego, becomes a conscious fact, an experience of Christ in the human heart, in the human soul.

Do you not see, when you draw such a trivial diagram, the form that the reality must take in ideas? Do you not see the whole world filled with the spirit of Christ, which arises from within the human being, and draws from the cosmos into the human being? And when you realize what significance sunlight has for human beings, how human beings cannot live physically without sunlight, how light surrounds us everywhere, then you will also be able to understand when I tell you that in those older times of which I have spoken today, human beings certainly felt themselves to be light in the light. They felt they belonged to the light. He did not say 'I am', he perceived the sunbeams that fell on the earth, and he did not distinguish himself from the sunbeams. Where he perceived the light, he also perceived himself, because that is where he felt himself. When the light arrived, he felt himself on the waves of light, on the waves of the sun, the sun.

With Christ, this became effective in his own inner being. It is the sun that enters one's own inner being and becomes effective in one's own inner being. Of course, this comparison of Christ with light is mentioned many times in the Bible, but when anthroposophy wants to draw attention to the fact that one is dealing with a reality, today most people rebel who have “divinity” listed as their faculty in the university directories. They actually reject knowledge of these things. And it is a deeply significant fact that there was once such a theologian in Basel who was also a friend of Nietzsche: Overbeck, who wrote the book on the Christianity of today's theology. With this book, he actually wanted to state as a theologian that one still has Christianity, that at that time, in the 1870s, there was still this Christianity, but that much had already become unchristian, and that in any case, theology was no longer Christian. This is what Professor Overbeck, of the Faculty of Theology at Basel, wanted to prove with his book on the Christianity of today's theology. He was highly successful. And anyone who takes the book seriously will come to the conclusion that there may still be some Christianity today, but modern theology has certainly become unchristian. And there may still be some Christianity today, but when theologians begin to talk about Christ, their words are no longer Christian. These things are just not usually taken seriously enough. But they should be taken seriously, because if they were taken seriously, then one would not only see the necessity of today's anthroposophical work, but one would also see the full significance of anthroposophy. And above all, people would be aware of their responsibility towards contemporary humanity with regard to something like anthroposophical knowledge. For this anthroposophical knowledge should actually underlie all knowledge today. All knowledge, especially social knowledge, should be derived from this anthroposophical knowledge. For by learning that the light of Christ lives in them - Christ in me - by fully experiencing this, they learn to see themselves as something other than what one gets when one sees man only as a corpse of nature. But it is from this view that man belongs to nature that has become a corpse that our antisocial, unsocial present has emerged. And a real view, which in turn can make people brothers and sisters and bring real moral impulses into humanity, can only come about if man penetrates to an understanding of the word: Not I, but the Christ in me — when the Christ is found as an effective force precisely in the dealings from person to person. Without this realization we make no progress. We need this realization, and this realization must be found. If we advance as far as it, then we will also advance beyond it, and our social life will be thoroughly imbued with the Christ.

Eight days ago, we followed man through the various stages of the so-called spirit land, the Devachan. We saw how man's destiny unfolds in the spirit realm, in the Devachan, between two embodiments. We have seen that, depending on the degree of their development, human beings are able to soar ever higher and higher or ever longer and longer into the realms of this land of causes, in order to bring abilities into this earthly world from this land of causes for ever higher and higher development. The actual causes lie in his work and creativity in this spiritual realm. For those whose minds are open and awakened, in order to observe the spiritual conditions that always surround us, which I have described to you, during their embodiment, the three parts of the human being whose destiny we have come to know, always lie open before the mind's eye. These three parts of the human being, of which I have spoken as gradually enveloping themselves, as it were, leaving the earthly, the carnal shell – the one in so-called Kamaloka, the place of desires, of wishes ; the second in Devachan or the spiritual realm; and the third in the uppermost region of Devachan, where the deepest self is able to develop and unfold, in order to then return with increased power. These three parts of man are his so-called astral body, the body that encompasses all his desires, wishes and passions, everything that man has in common with the animal, everything that forms the mediation, so to speak, between his own spiritual nature and the sensual nature, everything that he lays aside in the land of purification, of cleansing, in Kamaloka.

And then he ascends to the land of the actual spirit, to the land of the spirits or to the Devachan, in order to discard his second body there as well, the body of the world of ideas, of the higher human abilities, which still chains him to the human and inhibits him, in order to then, as it were, be freed of the body, depending on the state of development, to linger for a longer or shorter time in the actual disembodied state of mind. We call that body of man, who rises up to these uppermost regions of the spiritual realm, who spreads his wings to unfold, we call this body the cause-bearer or causal body. This causal body, which we preserve between two incarnations, which we bring with us again and again, this body, which forms the cause of what we have brought upon ourselves, which carries us from one incarnation to the next, that is the one that lives in the uppermost region of Devachan. The other is the one who is in the second region of Devachan, who then immerses himself in the realm of desires, and that is the astral body, in order to then move into the carnal body. Every human being has these three bodies within them.

I have already spoken about the so-called aura. I have already said that the human being visible to physical eyes is enveloped in a cloud of light, in an oval shape that presents the most diverse light phenomena to those who are receptive to it. The egg is smaller and larger depending on the degree of development. It is small in the one who is still at the lowest level of spiritual development. In this case the aura is only a faint glow of light that spreads around the body, but it grows larger and larger the more incarnations the person has undergone and the higher and later the person's stage of development. Then this aura shows the most diverse light and color phenomena. This aura is threefold, and the view for this aura can also be threefold.

There are people with so-called “psychic vision” who are only able to see what is happening in the astral realm. They see only that as a light phenomenon, which can also be perceived in animals. They see what lives in a person in terms of desires, cravings and passions in the form of light phenomena. A person can also rise above this realm. Then the body of representation becomes visible to him, the higher spiritual possibilities of development as a second, finer substance, as an aura that radiates through and permeates the first.

And finally, there is that which spreads out as an even more ethereal substance within this second aura. This is present in a very weakly developed state in people at the lowest levels, but it is developed more and more highly and appears in a wonderful way in the high spiritual beings of our culture. This is what carries over from incarnation to incarnation, the causal body. It is also present in undeveloped people, but only small, like a small halo above their heads. The more a person develops, the more it expands and becomes, as it were, a sun. And the more it illuminates and glows through the being, the better one can see these three bodies distinctly, when one's spiritual vision is opened.

One can direct one's eyes only to the astral world, one can subtract what belongs to the lower and higher spheres and direct one's gaze only to the astral aura. Then one sees only the instincts, desires and passions as color phenomena in front of oneself. If you then focus your attention on the body of representation, you see the mental body. And if you look at the eternal, at the body of causes, you see the most luminous aura of the human being. This bearer of causes is only visible to those whose spiritual eye is awakened in the highest regions of the spiritual world.

This cause carrier, seen externally in its light appearance, shows us the most diverse sights in the most diverse people. If you look at an undeveloped person, be it a negro in Africa, or even an undeveloped person in our areas, a person who has not yet formed many thoughts, is not able to live much in the imagination, knows nothing of higher ideas or spiritual interests, who only lives in his animal instincts, in satisfying his hunger and his physical well-being, then, if we disregard all other auras and only look at the causal aura, it appears to us as a more or less dark oval. This indicates that the causal body is still underdeveloped, that the real self still has a long way to go before it develops. These are the people who show nothing but a few greenish or dirty indigo stripes in their brown ovals. These few stripes are the only indication of the causal or cause body. This is the sight that fills those who can observe the aura with sorrow, because it shows those who can observe how much we still have to do with undeveloped people. We can see how rays of light emerge in them when we transmit spiritual culture to them.

But even the lower mental body, the body of imagination of the undeveloped person, still shows the brownish form and a few developed greenish areas, which alternate with reddish areas or with areas that play into the bluish. These greenish and bluish parts become more and more frequent the more ideas are formed in the person concerned. And then, when we examine such a person for his astral body, we are suddenly confronted with appearances of almost terrible effect in the glaringly bright colors; we are confronted with blood-red clouds that fill almost the entire astral body, billowing about in confusion. Only at the upper or lower layer of the oval we see a greenish or indigo base, and that alternates with the brownish colorings, but also alternates with all kinds of formations, which differ according to the different temperaments. In the angry people we see red flashes flash through the astral body, in others we see bluish-gray clouds.

This is the aura of an undeveloped person. Then we have to look at the aura of a person at a higher level, that is, a person who has received a good education here in our area. In such a person, the causal body appears as a form that is already more endowed with colors, as a form that is permeated by beautiful colors. In this case, it is the green colors, green-yellow and yellow color nuances. These are the nuances that the European has. Only when these colors expand a little further does the lower spiritual body appear. And when we look at the astral body of a person, it generally appears to be somewhat similar in design to the astral body of an undeveloped person. Only the colors have different nuances. The undeveloped person has blackish colors; the more developed the person is, the brighter the colors. They are illuminated from within, they attract the gaze and have a sympathetic effect on the gaze.

And if we go to the highly developed spiritual person, to the one who has developed higher spiritual abilities within himself, who has already devoted himself to a spiritual life through many incarnations, then the astral body also appears in completely different transformations. It no longer appears interspersed with cloud-like formations, but radiates from within on a blue background. The cause body has a more or less light or dark blue coloration, and the eternal man radiates into this. The purer and nobler he develops in the spiritual, the more he shows the coloration of the spiritual. We see a beautiful golden-yellow radiance from the inside out, merging into radiance verging on rose-red, and these merge into beautiful bluish-violet radiance. The causal body is permeated by radiance, expanding more and more, taking on larger and larger dimensions. The adept rests in the midst of this causal body, which fades from golden yellow rays within to violet rays without, so that he is surrounded by this flood of light, enclosed by it, so that he can become so great that he can often exceed his human form ten, twenty, thirty times in length from top to bottom.

These are the causes of great leaders and guides of people. And if you then look for the body of the imagination of lower people, you will still find forms there, but you will find that they have become luminous, sparkling, radiant from within. We may well conclude that this is because what such people want and feel is shaped by the spirit, by spiritual abilities. These are the faculties that reveal themselves to the spiritual eye when it observes its surroundings. It sees what is transient and what is permanent.

All the bodies that I have mentioned, especially the astral body, which appears flooded in reddish shades, are completely lost in Kamaloka and Devachan. In the lower parts of Devachan and the astral plane, the finer parts dissolve. Man loses what he contains of lower sensual values. The astral body can completely dissolve in Kamaloka and only passes with the causal body, the spiritual body, to Devachan.

In the fourth region of Kamaloka, what we call human selfishness and human egoism is completely absorbed by matter. Whatever still chains itself to the world is lost in the fourth region. Man feels the worthlessness of base selfishness and begins to realize that he must stretch his wings, that he must comprehend what does not concern him. And when he arrives in the spiritual realm, his feelings, emotions and perceptions, which can be summarized by the word selfishness, have disappeared. He has reached the stage where he can experience, “That is you!” and “I am Brahma”. He can hand over the lower spiritual bodies to dissolution and take his self over into the higher realms of the spiritual realm, where it can fully unfold. Here everything appears to a person in its true form. Here he appears as what he is, as what has embodied itself.

The bluish oval appears as the actual body of the person, and within the bluish oval shines that which we must call the actual essence of the person. A person cannot yet have this body. It is woven from the three finest substances of the spirit world, and these show up in their pure bluish color. I emphasize that this pure bluish color can only be observed if one completely disregards what else the person has and only looks at the spiritual. So he appears only in his bluish oval, permeated by his essence.

This is what the Platonic philosophy called the so-called luminous man, the sparkling, the shining one. This is the same thing that the initiate Paul called the so-called spiritual body. This means nothing other than what we find here in the highest regions of Devachan. This fine blue body is woven from the finest fabrics of the spirit land, of Devachan. That which radiates and sparkles in it does not come from any of the worlds we have mentioned so far. What sparkles in this body comes from even higher worlds.

If you take the earthly world, the astral world and the spiritual world, the Devachan, you have the three worlds within which a person incarnates in the world. He always returns to develop new abilities there, which he then applies in the earthly world. These are the three worlds that Paul speaks of: the spiritual world, the soul world and the body world. Everything is woven into the physical body from these three. When we come into the physical world, we spread the physical covering around us. We take substances from physical matter, from the physical world. We live in some world with those substances taken from that world, so that when we descend from the spiritual realm, we first surround our real self with the body that is woven from the lower parts of the spiritual realm; this then descends into the astral world and forms the astral body. This finally attracts the physical materiality, and then the person is embodied again.

But what expands within the actual blue spiritual body, within this sparkling structure, is not from these three worlds. The real self does not come from these three worlds. What is wrapped around it as a blue oval is the uppermost, the finest, which is taken only from the spiritual realm. But that which is embodied, the self, comes from even higher realms. It comes from the actual divine home of man, from the regions which the theosophist calls the Budhi region and the Nirvana region. Man comes from these two regions.

The human being's essence rests in this spiritual body, which was present before man began to incarnate and which will again be present in other worlds when man ceases to incarnate. This is the actual, eternal, heavenly, divine essence of man. It is what Giordano Bruno called the eternal monad, which passes eternally through all embodiments, the heavenly self of man. This now participates in the manner indicated in what is gradually emerging. At first it radiates in a beautiful golden-yellow color, then it expands more and more, and in the outermost parts it takes on a violet-reddish color, depending on the various character traits that the person has acquired, because all of these exert their effects on the self. In a person who has developed the qualities of pride or ambition in his previous incarnations, we see how this golden, radiant part of the person takes on an orange-reddish coloration. This shows the effect that pride has had on the self. And in another way, other qualities show the influences that must be balanced. This is what has descended from even higher worlds to incarnate in our earthly world. This is what comes from Budhi and Nirvana; this is what we call Atma-Budhi, which is composed of the highest essence, which comes from the divine Being itself.

Last time I spoke about the fact that gradually, as a person passes through many incarnations, he ascends to the three higher regions of the spirit land, that is, each person will have to spend a more or less long time between two incarnations in the first higher region. Even the undeveloped savage experiences a glimpse of his Self in the spiritual realm, and his stay in this realm is getting longer and longer. And when the qualities of compassion, the higher spiritual qualities, are developed, then he ascends to the second region between two embodiments. And when he then returns to our earth, he has become what we call an emissary. Then he has become someone who can speak about the intentions of the world, then he is someone who, between two incarnations, has participated in the unveiling of the impulses of life, then he knows why the animal, the plant, and the human being develop. Then he can talk about the Earth, where it came from and what will happen to it in the future, then he can speak from experience about what theosophical wisdom reveals to us. When he has become a so-called initiate – that is, in the embodiment – then he knows from his own experience the nature of higher life and is able to recognize good. Then, in the next incarnation, he ascends to the highest region of the spiritual realm, where those who have the causes of world events clearly in view, even when embodied in the earthly world, reside.

And then the region is reached into which the structure of the higher worlds, the world of Budhi and the world of Nirvana, shines. Just as Budhi shines into our spiritual world, so the highest of things shines into it, the germs of the human self shine into it. These germs are there and enter the third world to envelop themselves in the substance of the third region. You may ask whether a seer, when he enters the third region of the spiritual world, can also see human beings in the state of germination. Yes, he can, because in this region that which belongs to prehistoric times has long since ceased to exist. The state of affairs is laid bare as if it were happening now, the state in which human souls have now begun to fulfill their development.

What Jacob Böhme expressed has come to pass with this man: if someone were to say to me, “Were you there when what you have told us about the beginning of earthly existence came about?” I could say, “Yes, I was there.” For in him the sense had long been opened that he could say that he had been there at the beginning, that he had really participated in the creation of the world.

What I have now related shows you that we are dealing with three worlds: the spiritual world, the astral world and the earthly or physical world. But this also shows that there are still higher worlds, which are the actual home of the human self. These three worlds are themselves created, formed, they have emerged from a spiritual essence. The sense world has a different origin in the spirit, and the astral world around us has its origin in the spirit. But as we develop more and more in the spiritual, we can investigate the causes of things. We can investigate what underlies the astral as spirit, and we can observe in the highest region of Devachan. But as long as what shines in the budhi does not shine in, we cannot speak of anything that belongs to what we call the deepest truths of world existence. We cannot speak, and we have no power to speak about the cause of evil, about the cause of imperfection, as long as we dwell in these three worlds. Within this world, we have evil alongside good, imperfection alongside perfection. It belongs to this world. It is grounded in this world that evil is added to good and imperfection to perfection. Answering this question requires that one recognize the meaning of existence. There is a meaning of existence, of life and of all becoming. One cannot recognize this if one remains only within the three worlds. And there is the question: Why is good mixed with evil and the perfect with the imperfect within the three worlds?

These three worlds are created from nirvana and budhi, and when we can see beyond that, in nirvana and budhi, then we see how evil, as it were, lies in the divine world order, from which good springs. Ultimately, all evil dissolves into good. According to the sayings of all great minds, good is the actual origin of the world. The world originates in the good. But how it does so, we cannot recognize in the three worlds. If we look beyond our three-worlds circle – I developed this in the first lessons – at the boundary of these three worlds, as it were from Budhi, some mysterious writing becomes perceptible. The Akasha writing appears. This is what is also communicated to us from the external world that does not belong to our three worlds. It contains the destiny of every single person and of all humanity. In this writing, the deeds of people are recorded, and the things that people themselves have entered in the book of guilt through their lives are recorded. Why man can become guilty in the succession of incarnations, that only becomes known at the sight of what has shone forth from the other spheres, when it is possible to read what is recorded in the akasha cloth. In it is written the law of karma.

This law can only be fully understood if one knows how all evil and imperfection dissolves into good, how even evil only contributes to the increase of good. When the highest self shines forth in man, then the great law of world justice is revealed, then the meaning of existence, the meaning of the world, is revealed to him. The world has its meaning from outside the three worlds, and man fathoms this meaning of the world when he rises above the three worlds of Devachan. It requires modesty. When man has found his innermost nature, when he has found in himself the living spirit that comes from the other worlds, when the shining spark has lit up in him, then the source of the shining spark is also revealed to him, and with it the reason for his existence. Then Budhi flows together with that which is above him, with that which is the meaning of the corporeal world. Then man begins to know what is one of the highest secrets of existence, why man is incarnated in this or that body.

With higher vision, we can easily see why a person forms a spiritual body around themselves and why they wrap themselves in an astral body. But now the mystery of earthly incarnation begins: why a person is born into this family, this country, this people. We know very specific human germs. That which is guided by entities of the highest order begins, by entities whose entity rests entirely in Budhi and Nirvana, by the entities we call Lipika, which govern the physical existence of the world, which determine the self to be born in this or that family. This is something that is connected to the deepest meaning of existence. Only when man has risen to the point of fathoming this meaning, do the scales that conceal the answer to the question “How is it that man is born in this body and carries this or that suffering, this or that imperfection through this or that body?” also disappear.

Man is equipped for a certain fate through his physical existence. This is one of the great questions of existence, which is connected to the whole meaning of existence, which is revealed when one knows the decrees of Lipika, the lords of fate. Christian esotericism has understood how to express this in a very beautiful way. Incidentally, you can find this secret in every religion. You just have to know how to read it. The Christian religion has also expressed the veiledness of this secret. You know the beings that live in the spiritual realm: angels or messengers. They have their task within Devachan, within their spiritual realm. The fact that they have their task here, not beyond Budhi or Nirvana, means that their views are bound to what is going on within the actual spiritual realm. But within the spiritual realm, the mystery of why this self dwells in this physical body and that in that is not revealed. That is why the Christian religion expresses it with the words: “The angels veil their faces from the mystery of the Incarnation and only say, ‘Holy, holy, holy’.”

This is just one example of how much can be found in the esotericism of the great religious beliefs if one only knows how to read them. Thus we have followed man through the three worlds and have reached the boundary where the destiny of these three worlds is written in monumental letters: that is the Akasha Chronicle. What shines from this Akasha Chronicle into these three worlds from the outside, as it were, appears to us when we are within these three worlds, in much the same way as when we look out into the starry sky and see, as it were, a heavenly writing in the constellations. Man comes to decipher this writing when he is able to work his way up to the highest regions of Devachan.

The initiates are able to read this Akashic writing and then, when man is able to read more or less of this Akashic writing, then he becomes a participant in the destiny of humanity, then he becomes one of the spiritual leaders of humanity, directing the forces for centuries to come, sending spiritual currents that do not come from the three worlds, but are sent into these three worlds from even higher worlds.

What a person experiences in the third spiritual world, what is known as the “bliss of Devachan”, what lives and flashes in us when we spend the interim between two embodiments in Devachan, that is the subject of the next few hours. I would like to explain why Devachan is called the “land of delights”, why it is called the heavenly region. This will be the subject of our next meditation.

I would like to add that from the boundary of this highest realm of Devachan, exalted masters of Budhi and Nirvana send great impulses to humanity, sending that which has an effect for centuries and making them the greatest guides in human history. They give the impulses, they create out of the mysterious, or according to Christian esotericism, out of that which causes the angels to veil their faces. They are the Messiahs, the greatest of all human leaders. They are named after the kingdom from which they come, from Budhi Buddha. Therefore, those who can teach what flows in from Budhi are called Christ. Buddha, Christ, they are the ones who send the truths from the higher regions into our three worlds. Such a one knows the world. He knows what lies beyond the three worlds. There lies that which we call the secret of evil. This is revealed at the boundary of devachan. There one comes to know the meaning of the world, what I have called the “Worv”. That is what gives the secret its sound. That is why Christ is called: the incarnate Word. That is why it is said: All things are made by the Word. That is why it is said in the Gospel: All things are made by the Word.

This is the sixth step, where the intentions and tendencies of humanity are determined. This is because the one who sends the great and high impulses into human history from this realm, because he knows and must know the secret that lies above the secret of good and evil, can be said to know more than the angels. This is also expressed by Christian esotericism: “Christ makes the angels his messengers.” Those who understand the depths of the Christian religion become theosophists, and true theosophists will not want to contribute to anything other than to the deepening of the core of truth in the great religions of humanity.

In today's lecture, my task will be to contribute something to the understanding of what lies in the artistic impulses that carry the building idea of Dornach, in order to then develop this building idea in more detail in the next of these lectures. It will be necessary for me to say something about these artistic impulses, so to speak, because strong misunderstandings have spread about them.

The point is, and this is clear from what I said here eight days ago about the development of the Dornach building from our entire anthroposophical movement, that the Dornach building should in no way create something that could be called the carrying of abstract spirituality into what is actually artistic. The Dornach building should be created entirely by artistic forces. And this building should mark the beginning of a development towards this goal, so that what works in spiritual science as a spiritual being can also flow out, stream out into artistic forms, into artistic designs and so on. This is something that had to be fought for against certain tendencies that very easily run in the opposite direction, especially in such a movement as anthroposophy.

It is very easy for all kinds of mystifying elements to enter into such a movement. These elements push towards the abstract through a false mystification, and which actually – because the artistic element must express itself in the shaping and forming of the external – bypass this artistic element and strive towards the symbolic, towards the allegorical. They want to keep the spirit in its abstract form, so to speak, and see in the outwardly shaped and formed only a symbolic illustration of the spiritual.

This leads to a killing, a paralysis of everything truly artistic. In this direction, due to the penetration of false mysticism from the theosophical into the anthroposophical movement, one has had to experience all sorts of things. For example, a play like “Hamlet”, which is an artistic creation, was interpreted allegorically and mystically, so that one figure was understood as the spiritual self, the other as the astral body, and so on. There is endless allegorizing among those who would like to profess such a spiritual movement, and I once had to experience the following, for example: When I tried to discuss the well-known painting 'Melancholy' by Dürer in such a way that I traced everything that lives in this painting back to the chiaroscuro and showed how Dürer wanted to penetrate the secrets of the chiaroscuro, of the chiaroscuro, to contrast the light with the dark, the darkness with the light, in the most varied of ways, a voice was heard from the audience saying, “Yes, but can't we understand this picture on an even deeper level?” The deep interpretation was obviously sought in the fact that one wanted to extract from the artistically captured chiaroscuro an abstract-allegorical interpretation of what is depicted in the picture, which Dürer has already forbidden by placing the polyhedron in the picture to suggest how important it was to him to express the chiaroscuro variety that becomes visible when you compare differently directed surfaces, differently positioned surfaces of a polyhedron or the different surface layers of a sphere with any spreading light. That it is infinitely deeper to look into this working and weaving of light and darkness and to spread one's own spirit over this weaving of light and darkness, that for the one who feels artistically, it can be infinitely deeper than the abstract-intellectual allegorical interpretation of such images, such an interrupter had no understanding.

And so what is present in this building had to be seen as an initial, weak attempt, in many respects fought for in the face of those aspirations that strive towards allegory and symbolism. These can be seen sufficiently when one enters some particularly solemnly decorated rooms where Anthroposophical spiritual science is practised and sees that attempts are being made to begin with colours and all kinds of paintings and drawings, but that these attempts ultimately leads to nothing other than offending every artistic feeling by painting a hideous rose cross, when what matters is only the allegory of showing some symbolism in seven roses painted in a certain way on a cross. I must mention this so that, if anthroposophically oriented spiritual science is also to show its artistic fertility to the world, it is known that what is attempted artistically must not be confused with all the abominations that easily arise from symbolizing and allegorizing, especially on such mystical ground as I have indicated.

It is absolutely essential that the true spiritual scientist should realize through direct insight what the essence of the ideal consists in, so that he can find the transition from the ideal to what must be expressed in prose words, even though these prose words are only an inadequate means of revelation for the rich revelation of the spiritual world itself, and that this necessary prose presentation, which must also take on certain forms if it is to do justice to the spiritual world, is sharply contrasted with the actual artistic presentation, including that of the supersensible vision, which has nothing of symbolizing or allegorizing in it.

That is why I had to point out in the lecture I gave to you on declamation and recitation that it is nonsense to fantasize and allegorize all sorts of things into my mystery dramas that are actually anthroposophical theory. The point of the dramas is to be understood artistically; and I myself, if I may make this personal comment, suffer the most unspeakable pain when someone presents me with abstract concepts that are supposed to “explain” these mystery dramas. These mystery dramas have been seen and experienced down to the last word, down to the tone of voice, as they stand, and the one who introduces allegorization does not understand them. He cannot really bring out the measure of super-sensibility that lies in them, for he only imprints the intellectual concepts into what should actually be experienced in the artistic sense. And so it is with everything else that is to arise artistically from those impulses from which spiritual science itself arises.

I would like to say it clearly, although it may sound a little pedantic: no art can of course arise from spiritual science itself, as it is communicated in words; only allegory and symbolization can arise from it. But from those spiritual impulses that stand behind spiritual science, that drive spiritual science itself out of themselves like a branch, from those, as another branch from the same origin, artistic creation also arises. Therefore, those who understand spiritual science in the abstract and then want to translate it into art will never be able to create anything other than straw-like allegories or lifeless symbols.

It has been said many times that symbols and allegories can be found in this building. If you look at the building properly, you won't be able to find a single symbol or allegory in it. Everything is meant to be – although some things have been left in initial attempts – in such a way that it has flowed into the form, the design, the color. And because misunderstandings can easily arise in this regard, I would like to discuss a few artistic matters with you today, so that, as I said, I can get to the actual building idea next time and characterize it in very specific terms.

I would like to assume that, when we once had to perform that scene from the second part of Goethe's “Faust” in the carpentry workshop, in which the Kabirs appear, I tried to create the three Kabirs plastically from the supersensible vision that arises when one tries to penetrate the mysteries of Samothrace. So I tried to visualize these Kabirs in order to be able to bring them on stage. Now these three Kabirs were there in three dimensions. Then a personage who was very close to our movement wanted to give some other people an idea of these Kabirs, who could not see them here, or who wanted to have a souvenir of the way in which the Kabirs were vividly reconstructed here, and the question arose as to whether these Kabir sculptures should be photographed.

For someone who has a feeling for sculpture, however, every photograph of a sculpture is a killing of the actual sculptural work of art. And so I decided to simply reproduce these Kabir statues in a drawing, in chiaroscuro, that is, using a different technique. So from the outset they were conceived two-dimensionally on the surface, and so it was possible to photograph them and disseminate them through photography. So you see: if you really stand on the soil of those life forces that pulsate in spiritual science, then above all you acquire a truly artistic feeling for the artistic means you use, and you acquire emotionally, not intellectually, what lives in existence.

Let me mention the following example, which leads us more into the intimacies of the artistic empathy of the world process, which we then try to shape. Let us assume that one wanted to create a kind of sculptural representation of humanity, as I attempted in my sculptural group, which includes a figure similar to Christ (Figs. 94-98). If you want to create a sculpture of this representative of humanity, you would be led to feel quite differently about what is present in the formation of the head than about what is present in the rest of the human being's form, which lives outside the head.

In sculpting, you feel what appears as a huge difference in the human being. In sculpting, where one is dealing with the shaping of surfaces, one feels that a formative impulse must be at work in the head, which, as it were, pushes inwards, draws away from the outside, but which shapes from within; and one feels that in the rest of the human being, one encounters that which is shaped in precisely the opposite sense. It is not so important to say that one thing happens from within and the other from without – that would lead to an abstract, intellectual description again – but rather it is important to have the opposite feelings when developing any form out of the depths of the world process develops some form that can only be shaped from the inside out, or when one takes out a form that can only be shaped from the outside in, in which one can see, as it were, how the external world forces concentrate and shape from the outside in.

If one continues in this feeling and sensing, then one comes to understand how, through having different feelings for the head than for the rest of the organism, one experiences something as a sculptor that is neither gravity nor vertically acting buoyancy nor even spreading force. Pure spreading force is what we feel in the light. Gravity alone is what we feel in our own weight and experience in particular in the aging of the human being, if one can take a look at this aging in true introspection. Of these two forces, gravity and buoyancy, one senses a kind of interaction in such a way that, I would say, the buoyancy forces, those forces that tear the plastic away from the earthly, can be felt more in the head, and the forces that work upwards from the earth's gravity and, as it were, drive the body upwards, these are felt more in the shaping, in the plastic formation of the rest of the body.

But, my dear attendees, when one has really felt this, and – especially when one has metamorphosed this feeling into artistic creation – when one really lives not in an abstract idea, but in this feeling and endeavors to bring into the material that which one feels there, then one feels a strong difference... [gap in the shorthand]. For example, in sculpture there is something to be sensed, such as the balance of two forces, of which the sculptor himself need know nothing. Even someone who knows about such forces as spreading force, gravity and buoyancy force, completely forgets it in sculpting; it is none of his business there, he lives purely in feeling the spreading of the forces of the surface, in feeling how the surface expands in space, or in shaping the surface itself. If you have not appropriated anything abstractly conceptual – that is, if you can completely shed the cloak of the ideal when you immerse yourself in artistic creation – then, in a sense, you become a different person emotionally when you immerse yourself in artistic creation; then you also acquire a feeling for the diversity of artistic means of expression.

And when one moves from working with sculpture to working with painting, one comes to say to oneself: All that one has to say about sculpture in terms of the way in which forces acting vertically and in the direction of propagation interact, of heavy elements and light elements, all that one has to have put aside when dealing with color and its nuances in painting. Because there it is about creating not out of the line, not out of the form, but out of the color, so that one completely stops feeling differently towards the head than towards the rest of the organism, as the sculptor does. In painting, one feels that difference disappear that arose for the sculptor between the head and what is not the head in a human being. This completely balances out and becomes something completely different, an inner intensity that cannot be represented by a contrast of lines, but can only be represented by penetrating into the intensity of the color nuances, so that it is not possible to go into detail, for example, on what still stands out very strongly in sculpture.

And if you want to overcome it, you can only do so if you push the sculpture to a certain degree of consciousness, as I did with my central group for this building. But if you move on to painting, it is a matter of thoroughly rejecting any thinking in lines and moving on to the feeling that creates purely from color. And however strange it may seem to someone who speaks of a spiritualization of art in a falsely abstract sense, it must still be said: for someone who thinks in terms of painting, the most important thing is that there is a certain color nuance at a certain point on a certain surface and that, when one moves from this color nuance to another point on the surface, other color nuances are there. It is about creating from color.

In this creative process, however, the artist is supported by what I would call the experience of color, the experience of blue, the experience of yellow, the experience of red. What the artist has, in experiencing yellow and red as if they were attacking him, and experiencing blue as if he had to chase after it with his soul, as if he had to expand himself, is what transforms into creativity within him and what then gives him the opportunity to transform the sensation into what is to become a work of art. If, for example, one is faced with the task of painting any surface, then it is a matter of nuancing between so-called light, warm colors and dark, cold colors. If one has the color experience, one can create out of this color experience, just as the musician creates out of the sound experience. Then it is a matter of the form arising out of the color itself, so that one does not draw and then smear color into the spaces created by the drawing spaces that arise through drawing, smearing the color in, but rather it is a matter of starting from the color experience and allowing the line experience, the form, to arise from the color experience. That is why I said at one point in the first of my mystery dramas - that is, I had a character say it, to whom I put it in the mouth - that the form must be “the color's work”.

Fundamentally, we must be aware that all drawing and all thinking in drawing is actually a lie compared to painting. For example, when I see the blue sky, with the sea-green of the surface of the sea below, I have the blue of the sky above, the green of the sea below, and the line of the horizon simply arises from seeing, from the experience of color. And I am actually lying when I draw a horizon line that is not actually there (Fig. 114). This must now be thoroughly examined, otherwise one will not be able to enter into that world, which can be experienced through all the means of artistic expression, through the colors and their nuances, as well as through the concepts and ideas, if these concepts and ideas are really rooted in the spiritual and are not abstracted from ordinary human consciousness.

You see, here it is not so much a matter of expressing spiritual science in all kinds of forms, but rather of gaining impulses for artistic observation, which are just as necessary in the course of human development as spiritual science itself. But they are required as something special. It is the case that on the one hand there is the spiritual-scientific stream and on the other hand there is the artistic stream, which in a certain way must now also take on new forms. Therefore, I say to everyone who stands before this group, which is to become the central group here: One can feel something in the central figure like the Christ-figure, but it must be felt, it must not be thought that the name Christ is there. It will certainly not be written on the outside, but it does not even have to be thought, rather, the intuitive experience must take place within us, which draws our attention to how we must look at the matter, so that we develop reverence, develop high regard, develop the intuitive perception of the depths of the human being. So there should be nothing but feeling, nothing but experiencing in feeling, the same feelings that we experience, for example, when we immerse ourselves spiritually in the figure of Christ. But everything we experience spiritually when we immerse ourselves in the figure of Christ through spiritual science must not be carried over into what is formed plastically or pictorially. What is formed plastically or pictorially must be born out of form, out of line, out of surface. And this life in form, in line, in surface, in color, in word itself, is what later develops such forms, such painting, as it is to appear here in this building before you.

What I have said now has little to do with the building itself, but only with the artistic attitude and artistic feeling that underlies the entire building idea of Dornach. It should always be borne in mind that it is at the beginning of the development of that architectural style, that artistic language of form, which can be expected to flourish in a special way in the future. Because I would not rebuild this building in the same way a second time. Not because I consider the artistic attitude on which it is based to be misguided – that is not the case – but because everything that is alive is also constantly evolving, so that a second time all those mistakes would be avoided and everything that could be said in terms of impulses for perfection could be taken into account. But I see all this myself and take it much more seriously than those who often call themselves critics of the building. I know the mistakes very well today and know what could be avoided if the building were to be rebuilt, and what could be brought into it if it were to be rebuilt. And it is necessary that all the details of the building idea from Dornach be taken up in this way.

To take one detail, I would like to mention the small dome (Fig. 57). Later, at the end of this hour, we will raise the curtain and you can then take a look at the small dome. Above all, I would like this small dome to be understood in such a way that nothing abstract is fantasized into it. For in this small dome, in which I myself am essentially involved – this is of course not to say anything special about the also in turn initial and in many respects perhaps amateurish in the painting of this small dome – an attempt has been made to paint really out of color, out of the color experience. In fact, this color experience should be understood in such a way that one sees, above all, the color nuance at a particular point. It could not be a matter of, for example, at a certain point where, let us say, the blue was to be emphasized, where the blue was experienced according to its position near the opening, further away from the center, contrasting with the color effects in the center, of thinking of a fist (Fig. 70) and paint it there because one feels a kinship of the nature of the fist with the blue color, but it could only be a matter of developing the color experience of the blue at this point and then letting the form, the shape, the essence arise out of the color. It had to become what it is there out of necessity.

From this you can see that it is not important to the person who originally gave rise to the idea of forming a figure out of the color experience of blue at this point, which then leads the feeling back to the sixteenth century, reminiscent of the Faust figure, but rather that it is important to him to give birth to form and essence out of the living color. And if, in the end, interpretations are attributed to the works, then one must be aware that these are interpretations from the outside, that they may help one or another subjectivity to experience this or that; but I myself prefer it if you completely forget, when facing this small dome, that there is something Faustian, something Apollonian ( Fig. 76) or of any doppelgänger (Fig. 84) and the like, and that you first surrender to the pure color experience from which the whole is born, and that you are initially just as indifferent to whether there is a Faust crouching there or some other figure, just as the person who wanted to create from the color was indifferent to whether this figure emerged. It just came out because the world lives in color.

But one must not take the starting point from the linear or symbolic boundaries of the being; rather, one must take the starting point from painting from the color experience, from moving in color, so that the color and especially the color harmonization and disharmonization come to life as such. One will then see that one narrows one's view of the world if one tries to translate the intellectually abstract world view — even one that arises as spiritual science — simply symbolically, allegorically into color or into form. Rather, one will see that when one immerses oneself in color, the whole richness of the life of color overflows one and that in this immersion in the world of color one has, that one still discovers a new world. While with every allegory you only bring the world you already have into the colorful world, if you start from the colored experience itself, you discover a new world that is as creative in itself as the world you have in mind when you summarize the external natural fact in abstractions or in natural laws.

In this description – because everything artistic, when it is discussed, must be described – I had to show you how an attempt has been made here in this building, not to secretly incorporate anything into the plastic forms, into the color nuances, but to experience the secrets of these worlds ourselves, which give us the means to express them artistically. And when one experiences the secrets of these worlds, then one gradually frees oneself from all straw-like allegorizing and straw-like symbolizing. In painting, for example, one learns to overcome the line, even in the representation of the copperplate engraving or the woodcut, and to allow form to arise purely out of the contrast between light and dark. It is out of such experiences, not out of abstract thought, that the building idea of Dornach has come into being, out of what can be experienced in colour, in form, in surface, what can be felt as that which strives upwards, freeing itself from burdens, as that which works downwards, bearing burdens, bringing them to life within itself.

All this is here in architecture, sculpture, painting, even in the window panes - the nature of which I will also discuss next time - felt, experienced, not thought; because all abstract thinking is the death of art. The life of art is born only out of form, out of color, out of the burdened, out of the carrying, out of the rounded, out of the angular – I now mean “rounded” and “angular” as a verb. And when one can live in the round, in the angular, in the burden, in the carrying, in the arching, in the covering and opening, in the plastically rounding, in the surface giving, in the expressing the interior in the exterior through the special surface treatment, when one can experience what arises like beings in the waves from the surface of the sea, when one experiences from the living colors, then the forms are formed in such a way that they are a creation of the color. Then there is truly no allegorization, no symbolization; then, alongside that world of abstraction or the merely non-sensuous spiritual, a completely new world arises, a world that Goethe called the sensuous-suprasensible world. This world is not, however, killed by the merely intellectual, and it is brought to life when one knows how to set the spirit within oneself in motion, not by going so far in the contemplation of the external that the sensual contemplation leads to the linking of thoughts, but in such a way that one sees the supersensible directly in the external, in the sensual. When the inner life, which in Expressionism always seeks to give rise to thought, is restrained to such an extent that it does not reach thought, but remains in the mere experience of the formative, of that which permeates the surface with the intensity of color and when the world is experienced in this way, as it can only be experienced in the element of sensation, not in the element of thought, then this experience can truly provide the stimulus for a new art.

There is a phenomenon of physical life which has never been explained by exoteric thought—the chaotic life bound up with sleep and called the life of dream.

What is the dream? It is an activity which has survived from prehistoric times. To understand it by analogy, let us consider certain phenomena which do not any longer belong, properly speaking, to physical life—organs which have now become useless, rudimentary organisms of which the naturalist can make nothing. Such are the motor organs of the ear and eye which function no longer, the appendix and,—notably, the pineal gland in the brain which has the form of a tiny pine cone. Naturalists explain it as a product of degeneration, as a parasitic growth in the brain. This is not correct. In the lasting creations of Nature, nothing is without its use. The pineal gland is the surviving remnant of an organ of great significance in primitive man, an organ of perception which served simultaneously as antenna, eye and ear. This organ existed in man during his rudimentary period of development, in days when the semi-fluid, semi-vaporous Earth was still united with the Moon. Man moved through the semi-fluid, semi-gaseous element like a fish, guiding his way by means of this organ. His perceptions were of a visionary, allegoric nature. Currents of warmth evoked in him the impression of dazzling red and of powerful sound. Currents of cold evoked the impression of shades of green and blue, silvery, rippling sounds.

The rôle played by the pineal gland was thus of great significance. But with the mineralisation of the Earth, other organs of sense made their appearance, and with us the pineal gland has no apparent purpose.

Let us now turn to the phenomenon of the dream.

The dream is a rudimentary function of our life—seemingly without use or purpose. In reality it represents an atrophied function—a function which in days of yore gave rise to a very different mode of perception.

Before the Earth became metallic, it was only perceptible in the astral sense. All perceptions are relative; they are merely symbolic. The central core of truth is ineffable and divine. This is wonderfully expressed in the words of Goethe: “All things transitory are but symbols.”

Astral vision (which is still present in the dream) is allegoric and symbolic.

Examples of dreams provoked by physical and bodily causes:

A student dreams that a companion gives him a blow, whereupon a duel is fought and he himself is wounded. He wakes up to find that the cause of the dream is a chair that has fallen over. Again someone may dream of a trotting horse but the sound is really caused by the ticking of a watch.

The bodily nature of man lies at the root of certain dreams but others are directly related to the astral and spiritual worlds. This latter class of dreams are the origin of myths.

In the opinion of modern scholars, the myths are poetic interpretations of the phenomena of Nature. If, however, we study certain folk-legends, we shall find that they are more than this. Myths and legends are based upon astral visions which have been travestied, changed and added to by tradition.

Think of the Slavonic legend of the ‘Woman of Noonday.’ If peasants who are labouring at the harvest in the oppressive heat of summer lie down to rest on the ground at midday instead of going to their homes, the figure of a woman appears and places a number of enigmas before them. If the sleeper can solve these enigmas, he is saved; if not, the woman slays and cuts him in two with a scythe. The legend goes on to say that this phantom can be exorcised by reciting the verses of the Lord's Prayer in backward order. Occultism teaches us that the Woman of Noonday is an astral figure, an incubus who appears and oppresses man during his sleep. The reversed Lord's Prayer indicates that in the astral world everything is reflected as in a mirror (inversion). In The Riddle of the Sphinx, Ludwig Laistner says that the origin of the legend of the sphinx is to be found among all races. He also proves that all legends have been conceived in a condition of higher sleep where realities are perceived, and that the sphinx is in truth a daemonic figure.

A state of dream-consciousness, or perception of a real world in astral symbols-this, then, is the origin of all the myths. Myths describe the astral world seen in symbolic visions.

In the course of history we find that the creation of myths ceases when the life of logic and intellectuality begins to develop.

A law known to occultism is that with every new stage of evolution, an element from the past makes its appearance. Ancient faculties, survivals from past epochs which have atrophied in the being of man, act as ferments for subsequent development; they are like the yeast which makes the dough rise. Man's present faculty of dreaming will beget a new kind of vision, a perception of the astral and spiritual world.

The man of today lives only in his senses and intellect which elaborates what the senses tell him. The intellect of man of the future will awaken to the full light of consciousness and he will live consciously in the astral world.

The trance of the hypnotised subject and of the medium is an atavistic phenomenon, bound up with lowered consciousness. The initiated clairvoyant is not an unbalanced visionary; he possesses, in advance, the consciousness which will be possessed by all men in future ages; he has his feet on solid ground just as firmly as the most matter-of-fact human being; his reason is just as clear and certain but he sees in two worlds.

It is a law of evolution that certain organs atrophy, subsequently to take on new functions.

The pineal gland has a certain physiological relation with the lymphatic system. In olden times this gland was the organ of perception of the outer world and it is still to be seen near the top of the head of newly-born babes where the soft matter recalls the nature of man's body in olden times.

In our life of intellect, the dream plays a rôle similar to that of the pineal gland in the physiology of the human body.

Why is there a descending and an ascending process in evolution? What is the purpose of evil? These are weighty questions which have never been solved by science or religion. Yet the whole problem of education depends upon their solution.

We cannot speak of evil in the absolute sense. Evil, indeed, plays a part in the development of beings and the unfolding of freedom.

The materialist will not admit that the thoughts stimulated in us by Nature are, in fact, already contained in her being. He imagines that we infuse our thoughts into Nature.

The Rosicrucians in the Middle Ages were wont to place a glass of water before the neophyte and say to him: ‘This water would not be in the glass if some being had not put it there.’ Thus it is in regard to the ideas we find expressed in Nature. They must have been implanted there by divine Intelligences, by servants of the Logos.

The thoughts we derive from the universe are actually there. All that we create is contained somewhere in the universe.

It is a false idea on the part of certain mystics to disparage the value of the physical body. It has just as much value as the astral body; its mission is to become the temple of the soul.

Think of the marvelous structure of the femur, of the bone which bears the whole body. Its construction is such that the maximum amount of strength is produced with the minimum amount of substance. No engineer could create such a wonder-structure. In comparison with the physical body, the astral body—the seat of passions and desires—is rudimentary and crude.

The physical world is the expression of wisdom incarnate, divine wisdom.

The Rosicrucians taught that the Earth, in primeval times, was an Earth of wisdom. Today we may call it an Earth of love. The mission of man is to accomplish for the imperfect part of his being what divine wisdom once accomplished for his physical body. He must ennoble his astral body and therewith the world around him.

All that has entered into us without our conscious will under the influence of divine wisdom—that is Involution. All that we must bring out of ourselves by dint of conscious will—that is Evolution.

The pyramids will perish in the course of the centuries but the ideas which gave them birth will develop onwards. The cathedral of today will take another form. Raphael's pictures will fall into dust but the soul of Raphael and the ideas which his creations represent will be living powers forever. The Art of today will be the Nature of tomorrow and will blossom again in her. Thus does Involution become Evolution.

Here we have the point of intersection between the divine and the human, the twofold power which brings God to man and raises man to God.