The Rudolf Steiner Archive

We only learn to know the beings of the sense-world when we observe them in the way they live and act, and it is the same with those beings about which I have been speaking and shall continue to speak in these lectures, the elemental beings of nature. Invisibly and super-sensibly present behind what is physical and sense-perceptible, they participate in all the happenings of the world just as, or rather in a higher sense than do the physical, sense-perceptible beings.

Now you will readily be able to imagine that to these beings the world appears somewhat other than to the beings of the sense-world, for they do not possess a physical body such as is possessed by these latter. Everything which they grasp or perceive in the world must be different from what enters the human eye. This is indeed the case. The human being experiences the earth, for instance, as the cosmic body upon which he moves about. He even finds it slightly unpleasant when through some atmospheric condition or other, as occasionally occurs, this cosmic body becomes softened and he sinks into it even in a slight degree. He likes to feel the earth as something hard, as something into which he does not sink.

This whole way of experiencing things, this whole attitude towards the earth, is, however, completely alien to the gnomes; they sink down everywhere, because for them the whole earth-body is primarily a hollow space through which they can pass. They can penetrate everywhere; the rocks, the metals, present no hindrance to their—shall I say swimming around. There are no words in our language which really express this wandering about of the gnomes inside the body of the earth. It is just that they have an inner experience, an inner perception, of the different ingredients of the earth; when they wander along a vein of metal they have a different experience from when they take their way along a layer of chalk. All this, however, the gnomes feel inwardly, for through all such things they penetrate unhindered. They have not the least idea that the earth exists. Their idea is that there is a space within which they perceive certain experiences; the experience of gold, the experience of mercury, of tin, of silica, and so on. This is to express it in human language, not in the language of the gnomes. Their language is far more perceptive; and it is just because their whole life is spent in journeying along all the veins and seams—ever and again journeying along them—that they acquire the very pronounced intellectuality about which I have spoken to you. Through this they acquire their all-comprehensive knowledge, for in the metals and in the earth everything outside in the universe is revealed to them; as though in a mirror they experience everything which is outside in the universe. But for the earth itself the gnomes have no perception, only for its different constituents, and for the different kinds of inner experience which they offer.

Because of this the gnomes have a quite particular gift for receiving the impressions which come from the moon. It is towards the moon that they continually direct their attentive listening, and in this respect they are—I cannot say the born—it is so difficult to find the appropriate words—but the inherent neurasthenics. Of course, what for us is an illness is for these gnome-beings their actual life-element. For them this is no illness; it is simply a matter of course. It is what gives them that inner sensibility towards all those things of which I have spoken. But it also gives them their inner sensitivity towards the phenomena connected with the phases of the moon.

They follow the changes in the moon-phenomena with such close attention—I have already described their power of attention to you—that it actually alters their form. When, therefore, one follows the existence of a gnome, one receives quite a different impression at full moon from that one receives at new moon, and again at the intermediate phases.

At full moon the gnomes are ill at ease. Physical moonlight does not suit them, and at that time they thrust the whole feeling of their being outwards. They circumscribe themselves, as it were, with a spiritual skin. At full moon they press the feeling of their existence towards the boundary of their body. And in full moonlight, if one has imaginative perception for such things, they really appear like little shining, mail-clad knights. They are clad in a kind of spiritual armour and this it is which presses outwards in their skin to arm them against the moonlight which so displeases them. But when the time of new moon approaches the gnome becomes transparent, wonderful to see, inwardly irradiated with a glittering play of colours. One sees within him, as it were, the processes of a whole world. It is as though one were to look into the human brain, not as an anatomist investigating the fabric of the cells, but as one who perceives inside the brain the shimmering and sparkling of the thoughts. That is how these transparent little folk, the gnomes, appear to one, its though the play of thoughts is revealed within them. It is just at new moon that the gnomes are so particularly interesting, for each of them bears a whole world within himself; and one can say that within this world there actually lies the mystery of the moon.

If one unveils it, this moon-mystery, one comes upon truly remarkable discoveries, for one reaches the conclusion that at the present time the moon is continually approaching nearer—naturally you must not take this in a crude way, as though the moon would collide with the earth—but each year it does in fact come somewhat nearer. Each year the moon is actually nearer the earth. One recognises this from the ever more vigorous play of the moon-forces in the gnome-world during the time of the new moon. And to this coming nearer of the moon the attentiveness of these goblins is quite specially directed; for it is in producing results from the way in which the moon affects them that they see their chief mission in the universe. They await with intense expectation the epoch when the moon will again unite with the earth; and they assemble all their forces in order to be armed in readiness for the epoch when the moon will have united with the earth, for they will then use the moon substance gradually to disperse the earth, as far as its outer substance is concerned, into the universe. Its substance must pass away.

Because they hold this task in view these kobolds or gnomes feel themselves to be of quite special importance, for they gather together the most varied experiences from the whole of earth-existence, and they hold themselves in readiness, when all earthly substance will have been dispersed into the universe,—after the transition to the Jupiter-evolution—to preserve what is good in the structure of the earth in order to incorporate this in Jupiter as a kind of bony support.

You see, when one looks at this process from the aspect of the gnomes, one gains a first stimulus, a first capacity, to picture how our earth would appear if all the water were taken away from it. Just consider how, in the western hemisphere, everything is orientated from north to south, and how, in the eastern hemisphere, everything is orientated from east to west. Thus, if you were to do away with all the water, you would get in America, with its mountains and what lies under the sea, something which proceeds from north to south; and looking at Europe you would correspondingly find that, in the eastern hemisphere, the chain of the Alps, the Carpathians and so on, runs in the east-west direction. You would get something like the structure of the cross in the earth.

When one gains insight into this, one receives the impression that this is really the united gnome-world of the old Moon. The predecessors of our Earth-gnomes, the Moon-gnomes, gathered together their Moon-experiences and from them fashioned this structure, this firm structure of the solid fabric of the Earth, so that our solid Earth-structure actually arose from the experiences of the gnomes of the old Moon.

These are the things which reveal themselves in regard to the gnome-world. Through them the gnomes acquire an interesting, an extraordinarily interesting relationship to the whole evolution of the universe. They always carry over the firm element of a preceding stage into the stage which follows. They are the preservers in evolution of the continuity of the firm structure, and thus they preserve the firm structure from one world-body to another. It belongs to the most interesting of studies to approach the super-sensible world from the aspect of these spiritual beings and to observe their special task, for it is through this that one first gains an impression of how every kind of being existing in the world shares in the task of working upon the whole formation of the world.

Now let us pass over from the gnomes to the undines, the water-beings. Here a very remarkable picture presents itself. These beings have not the need for life that human beings have, neither have they the need for life that the animals have even though instinctively, but one could almost say that the undines, as also the sylphs, have rather a need for death. In a cosmic way they are really like the flying creature which casts itself into the flame. They only feel their life to be truly theirs when they die. This is extraordinarily interesting. Here on the physical earth everything desires to live, for all that has life-force in it is prized. It is the living, sprouting life that is valued. But once we have crossed the threshold, all these beings say to us that it is death which is really the true beginning of life. This can be felt by these beings. Let us take the undines. You know, perhaps, that sailors who travel a great deal on the sea find that in July, August and September—further to the west this is already the case in June—the Baltic Sea makes a peculiar impression, and they say that the sea is beginning to blossom. It becomes, as it were, productive; but it produces just those things which decay in the sea. The process of decay in the sea makes itself felt; it imparts to the sea a peculiar putrefactive smell.

All this, however, is different for the undines. It causes them no unpleasant sensations; but when the millions and millions of water-creatures which perish in the sea enter into the state of decomposition the sea becomes for the undines the most wonderful phosphorescent play of colours. It shines and glitters with every possible colour. Especially does the sea glitter for them, inwardly and outwardly, in every shade of blue, violet and green. The whole process of decomposition in the sea becomes a glimmering and gleaming of the darker colours up to the green. But these colours are realities for the undines, and one can see how, in this play of colours in the sea, they absorb the colours into themselves. They draw these colours into their own bodily nature. They become like them, they themselves become phosphorescent. And as they absorb the play of colours, as they themselves become phosphorescent, there arises in the undines something like a longing, an immense longing to rise upwards, to soar upwards. Upwards they soar, led by this longing, and with this longing they offer themselves to the beings of the higher hierarchies—to the angels, archangels and so on—as earthly sustenance; and in this sacrifice they find their bliss. Then within the higher hierarchies they live on further.

And thus we see the remarkable fact that each year with the return of early spring these beings evolve upwards from unfathomable depths. There they take part in the life of the earth by working on the plant-kingdom in the way I have described. Then, however, they pour themselves, as it were, into the water, and take up by means of their own bodily nature the phosphorescence of the water, the element of decomposition, and bear it upwards with an intensity of longing. Then in a vast, in a magnificent cosmic picture, one sees how, emanating from earthly water, the colours which are carried upwards by the undines and which have spiritual substantiality, provide the higher hierarchies with their sustenance, how the earth becomes the source of nourishment in that the very essence of the undines' longing is to let themselves be consumed by the higher beings. There they live on further; there they enter into their eternity. Thus every year there is a continual upstreaming of these undines, whose inner nature is formed out of the earthly sphere, and who radiate upwards, filled with the longing to offer themselves as nourishment to the higher beings.

And now let us proceed to the sylphs. In the course of the year we find the dying birds. I described to you how these dying birds possess spiritualized substance, and how they desire to give this spiritualized substance over to the higher worlds in order to release it from the earth. But here an intermediary is needed. And these intermediaries are the sylphs. It is a fact that through the dying bird-world the air is continually being filled with astrality. This astrality is of a lower order, but it is nevertheless astrality; it is astral substance. In this astrality flutter—or hover might be a better word—in this astrality hover the sylphs. They take up what comes from the dying bird-world, and carry it, again with a feeling of longing, up into the heights, only desiring to be inhaled by the beings of the higher hierarchies. They offer themselves as that which supplies breathing-existence to the higher hierarchies. Again a magnificent spectacle. With the dying bird-world, this astral, inwardly radiant substance is seen to pass over into the air. The sylphs flash like blue lightning through the air, and into their blue lightning, which assumes first greener, then redder tones, they absorb this astrality which comes from the bird-world, and dart upwards like upward-flashing lightning. And if one follows this beyond the boundaries of space, it becomes what is inhaled by the beings of the higher hierarchies.

Thus one can say: The gnomes carry one world over into another in regard to its structure. They progress, as it were in a direction—the expression is only used as a comparison—which is horizontal with evolution. The other beings—the undines, the sylphs—carry upwards what they experience as bliss in yielding themselves up to death, in being consumed, in being inhaled. There they continue to live within the higher hierarchies; within them they experience their eternity.

And when we pass over to the fire-beings, only think how the dust on the butterfly's wings seems to dissolve into nothing with the death of the butterfly. But it does not really dissolve into nothing. What is shed as dust from the butterfly's wings is the most highly spiritualized matter. And all this passes over like microscopic comets into the warmth-ether which surrounds the earth, each single particle of dust passes like a microscopic comet into the warmth-ether of the earth. When in the course of the year the butterfly-world approaches its end, all this becomes glittering and shimmering, an inner glittering and shimmering. And into this glittering and shimmering the fire-beings pour themselves; they absorb it. There it continues to glitter and shimmer, and they, too, get a feeling of longing. They bear what they have thus absorbed up into the heights. And now one sees—I have already described this to you from another aspect—how what the fire-beings carry outwards from the butterfly's wings shines forth into world-space. But it does not only shine forth; it streams forth. And it is this which provides the particular view of the earth, which is perceived by the higher hierarchies. The beings of the higher hierarchies gaze upon the earth, and what they principally see is this butterfly-and-insect-existence which has been carried outwards by the fire-beings; and the fire-beings find their highest ecstasy in the realization that it is they who present themselves before the spiritual eyes of the higher hierarchies. They find their highest bliss in being beheld by the gaze, by the spiritual eyes, of the higher hierarchies, in being absorbed into them. They strive upwards towards these beings and carry to them the knowledge of the earth.

Thus we see how these elemental beings are the intermediaries between the earth and the spirit-cosmos. We see this drama of the phosphorescent uprising of the undines, which pass away in the sea of light and flame of the higher hierarchies as their sustenance; we see the up-flashing of the greenish-reddish lightning, which is in-breathed there where the earth continually passes over into the eternal, the eternal survival of the fire-beings, whose activity never ceases. For whereas, here on earth, it is particularly at a certain time of the year that butterflies die, the fire-beings see to it that what it is their task to look to is poured out into the universe throughout the entire year. Thus the earth is as though cloaked in a mantle of fire. Seen from outside the earth appears fiery. But everything is brought about by beings who see the things of the earth quite differently from how man sees them. As already mentioned, man's experience of the earth is of a hard substance upon which he walks about and stands. For the gnomes it is a transparent globe, a hollow body. For the undines water is something in which they perceive the phosphorizing process, which they can take into themselves and feel as their life-element. Sylphs see in the astrality of the air, which emanates from dying birds, that which makes their lightning flashes more vivid than they would otherwise be, for in itself the lightning of these sylphs is dull and bluish. And then again the disintegration of butterfly existence is something which continually envelops the earth as though with a sheath of fire. When this is beheld it is as though the earth were surrounded by a wonderful fiery painting; and, on the other side, when one looks upwards from the earth, one beholds these lightning flashes, these phosphorescent and evanescent undines. All this makes us say: Here on earth the elemental nature-spirits live and weave; they strive upwards and pass away in the fire-mantle of the earth. In reality, however, they do not pass away, but there they find their eternal existence by passing over into the beings of the higher hierarchies.

All this, however, which at first appears like a wonderful world-picture is the expression of what happens on earth, for initially it is all played out upon the earth. We human beings are always present in what is there taking place; and the fact is—even if in his ordinary consciousness man is at first incapable of grasping what surrounds him—that every night we are involved in the weaving and working of these beings, that we ourselves take part as ego and as astral body in what these beings are carrying out.

But it is the gnomes especially which really find it quite an entertainment to observe a person who is asleep, not the physical body in bed, but the person who is outside his physical body in his astral body and ego, for what the gnome sees is someone who thinks in the spirit but does not know it. He does not know that his thoughts live in the spiritual. And again for the undines it is inexplicable that man knows himself so little; likewise with the sylphs, and likewise with the fire-beings.

On the physical plane, you see, it is certainly often unpleasant to have gnats and the like buzzing around one at night. But the spiritual man, the ego and astral body—at night these are surrounded and woven about by elemental beings; and this being surrounded and woven about is a constant admonition to man to give an impetus to his consciousness in order to know more about the world.

Now, therefore, I can try to give you an idea of what these beings—gnomes, undines, sylphs and fire-beings—mean with their buzzing about, of what happens when we begin to hear what amuses them in us, and of what they would have us do when they admonish us to give a forward impetus to our consciousness. Yes, you see, here come the gnomes and speak somewhat as follows:

You dream your self,
And shun awakening.

The gnomes know that man possesses his ego as though in a dream, that he must first awaken in order to arrive at his true ego. They see this quite clearly, and call to him in his sleep:

You dream your self

—they mean during the day—

And shun awakening.

Then there sounds forth from the undines:

You think the deeds of angels

Man does not know that his thoughts are really with the angels

You think the deeds of Angels
And know it not.

And from the sylphs there sounds to sleeping man:

Creative Might shines to you,
You divine it not.
You feel its strength

—the strength of Creative Might—

And live it not.

Such approximately are the words of the sylphs, the words of the undines, the words of the gnomes.

The words of the fire-beings:

Divine Will offers you strength,
You accept it not.
With its strength you will,

—with the strength of Divine Will—

Yet thrust it from you.

The aim of all these admonitions is to give man a forward impetus in regard to his consciousness. These beings, which do not enter into physical existence, wish man to make a move onward with his consciousness, so that he, too, may participate in their world.

And when one has thus entered into what these beings have to say to man, one also gradually understands how they give expression to their own nature, somewhat in this way:

The gnomes:

I maintain the life-force in the root,
It creates for me my body's form.

The undines:

I bestir the water's power of growth,
It forms for me substance of life.

The sylphs:

I quaff the airy force of life,
It fills me with the power of being.

And the fire-beings—there it is very difficult to find any kind of earthly words for what they do, because their sphere is far removed from earthly life and earthly activity.

Fire-beings:

I consume¹ the striving power of fire,
Into soul-spirit it releases me.

You see, I have endeavoured to the best of my ability to give you an idea of how these beings of the elemental kingdom characterize themselves; and of the admonitions which they impart to man. But they are not so unfriendly to man as only to suggest to him what is negative in its nature, but pithy and positive sayings also proceed from them. And man experiences these sayings as being of immense, of gigantic import. In such matters as these you must acquire a sense for whether a saying is uttered merely in human words, however beautiful they may be, or whether it sounds forth as though cosmically from the whole mighty chorus of the gnomes. It is the whole manner of its arising which brings about the difference. And when man hearkens to the gnomes after the admonitions which I have written down have been imparted to him, then there sounds towards him from the massed chorus of the gnomes:

Strive to awaken.

Here the significance is the mighty moral impression created by such words when they stream through the universe, arising from the massed chorus of infinitely many single voices.

And from the undine chorus resounds:

Think in the spirit.

With the chorus of sylphs things are not so simple. When the gnomes appear like shining armoured knights in full moonlight there resounds from them as though from earth-depths:

Strive to awaken.

When the undines soar upwards filled with the longing to be consumed, then in this upsoaring there sounds back to the earth:

Think in the Spirit.

But for the sylphs, in that, up above, they allow themselves to be inhaled, disappearing in bluish-reddish-greenish lightning into the world-light, then, as they flash into the light and therein disappear, from the heights there sounds down from them:

Live creatively breathing existence.

And as in fiery anger—but anger which is not felt to be annihilating, but rather as something which man must receive from the cosmos—as in fiery but at the same time enthusiastic anger, the fire-beings carry what is theirs into the fire-mantle of the earth, their words resound. Here the sound is not like that of single voices massed together, but from the whole circumference there resounds as with a mighty voice of thunder:

Receive in love the Will-Force of the Gods.

Naturally, one can turn one's attention away from all this; then one does not perceive it. Whether or no man does perceive such things depends upon his own free decision. But when man does perceive them he knows that they are an integral part of cosmic existence, that something actually occurs in that gnomes, undines, sylphs and fire-beings unfold their evolution in the way described. And the gnomes are not only present for man in the way I have already portrayed, but they are there to let their world-words sound forth from the earth, the undines to let their world-words soar upwards, the sylphs theirs from above, the fire-beings theirs like a chorus, like the massing of a mighty uplifting of voices.

Yes, this is how it could appear when transposed into words. But these words belong to the Word of worlds, and even though we do not hear them with ordinary consciousness, these words are yet not without significance for mankind. For the primeval idea which had its source in instinctive clairvoyance, that the world was born out of the Word, is indeed a profound truth, but the world-word is not some collection of syllables gathered from here or there; the world-word is what sounds forth from countless, countless beings. Countless, countless beings have something to say in the totality of the world, and the world-word sounds forth from the concordance of these countless beings. It is not the general abstract truth that the world is born out of the Word that can bring this to us in its fullness. One thing alone can do this, namely that we gradually arrive at a concrete understanding of how the world-word in all its different nuances is composed of the voices of individual beings, so that these different nuances contribute their sound, their utterance, to the great world-harmony, the mighty world-melody, in the Word's act of creation.

When the gnome-chorus allows its “Strive to awaken” to sound forth, this—only transformed into gnome-language—is the force which is active in bringing about the human bony system, the system of movement in general.

When the undines utter “Think in the spirit”, they utter—transposed into the undine-sphere—what pours itself as world-word into man in order to give form to the organs of digestion.

When the sylphs, as they are breathed in, allow their “Live creatively breathing existence” to stream downwards, there penetrates into man, weaving and pulsating through him, the force which endows him with the organs of the rhythmic system.

And if one attends to what sounds inwardly—in the manner of the fire-beings—from the fire-mantle of the world, then one finds that this sounding manifests as image or reflection. It streams in from the fire-mantle—this sounding force of the word. And every nerve system of every man, every head I would add, is a miniature image of what-translated into the language of the fire-beings—rings out as: “Receive in love the Will-Power of the Gods”. This saying, “Receive in love the Will-Power of the Gods”, this is what is active in the highest substance of the world. And when man is experiencing his development in the life between death and a new birth, this it is which transforms what he brought with him through the gate of death into what will later become the human organs of the nerves and senses. So we have:

System of movement

Chorus of gnomes: Strive to awaken

Metabolic organization

Undines: Think in the Spirit

Rhythmic system

Sylphs: Live creatively breathing existence.

Nerve-senses system

Fire-beings: Receive in love the Will-Power of the Gods.

Thus you see that what lies beyond the threshold is akin to our own nature, you see how it leads us into the creative divine forces, into what lives and works in all forms of existence. And when one calls to mind what an earlier epoch divined, and is expressed in the words:

The power of life, the seeds behold;
Turn thee away from words' cramped mould.²

—one is impelled to say that all this must become actuality in the further course of the development of mankind. We cramp all knowledge into words if we have no insight into the germinating forces which build up the human being in the most varied ways.

We can therefore say that the system of movement, the metabolic system, the rhythmic system, the system of nerves and senses merge into a unity in that they resound in harmony. For there sounds upwards from below: “Strive to awaken”; “Think in the Spirit”—and from above downwards, mingling with the upward-striving words, “Live creatively breathing existence”; “Receive in love the Will-Power of the Gods”.

This “Receive in love the Will-Power of the Gods” is the calm creative element in the head. Then what strives from below upwards in “Think in the Spirit”, from above downwards in “Live creatively breathing existence”, in their combined activity is what so works and weaves that it creates an image of the way in which human breathing passes over in a rhythmical way into the activity of the blood. And what implants into us the instruments of the senses, this is what streams from above downwards in “Receive in love the Will-Power of the Gods”. But what works in our walking, in our standing, in our moving of the arms and hands, everything in fact which brings man into the manifestation of his element of will, this sounds forth in “Strive to awaken”.

Thus you see how man is a symphony of that world-word which can be interpreted on its lowest level in the way I have presented it to you. Then this world-word ascends to the higher hierarchies, whose task it is to unfold other aspects of this world-word in order that the cosmos may arise and develop. But that which has, as it were, been uttered as a call into the world by these elemental beings is the final reverberation of that creative, upbuilding, form-giving world-word which lies at the base of all activity and all existence.

Gnomes:

You dream your Self,
And shun awakening.

I maintain the life-force in the root,
It creates for me my body's form.

Undines:

You think the deeds of Angels
And know it not.

I bestir the water's power of growth,
It forms for me substance of life.

Sylphs:

Creative might shines to you,
You divine it not;
You feel its strength
And live it not.

I quaff the airy force of life,
It fills me with the power of being.

Fire-beings:

Divine Will offers you strength,
You accept it not.
With its strength you will,
Yet thrust it off from you.

I consume the striving power of fire,
Into soul-spirit it releases me.

Chorus of gnomes: Strive to awaken!
Undines: Think in the Spirit!
Sylphs: Live creatively breathing existence!
Fire-beings: Receive in love the Will-Power of the Gods!

GNOMEN

Du träumst dich selbst,
Und meidest das Erwachen.

Ich halte die Wurzelwesenkraft,
Sie schaffet mir den Formenleib.

UNDINEN

Du denkst die Engelwerke
Und weisst es nicht.

Ich bewege die Wasserwachtumskraft,
Sie bildet mir den Lebensstoff.

SYLPHEN

Dir leuchtet die Schöpfermacht,
Du ahnst es nicht;
Du fühlest ihre Kraft
Und lebst sie nicht.

Ich schlürfe die luft'ge Lebekraft,
Sie füllet mich mit Seinsgewalt.

FEUERWESEN

Dir krafter Götterwille,
Du empfangst ihn nicht.
Du willst mit seiner Kraft,
Und stosset ihn von dir.

Ich däue die Feuer strebekraft,
Sie erlöst mich in Seelengeistigkeit.

GNOMENCHOR: Erstrebe zu wachen
UNDINEN: Denke in Geiste
SYLPHEN: Lebe schaffend atmendes Dasein
FEUERWESEN: Empfange liebend Götterwillenskraft.

• 1. Here Rudolf Steiner coins a word from verdauen, to digest: däuen—ich däue, to express, not ordinary digestion, but a fiery consuming process.
• 2. Goethe: Faust, Part I, Scene I.

To-day I wish to continue with the subject I placed before you the day before yesterday. We were tracing the thread of evolution which enters into the spiritual life of the present time, and we left off with the individuality of Julian the Apostate. I told you that this individuality was next incarnated in one who is only known by legendary accounts, whose secret is contained in the Parsifal legend, in the name of Herzeleide. In this life as Herzeleide, the soul of Julian the Apostate entered into a far deeper inner life. The soul-life of the individuality was deepened, as was indeed necessary after the many storms and inner moods of opposition which he had undergone in his life as Julian the Apostate.

But this later life of which I told you—this life as Herzeleide—spread itself out over the former life as Julian the Apostate like a warm embalming cloud. Thus the soul grew more intense and deep and inward, and grew richer, too, in manifold impulses of the inner life.

Now this soul was among those who had carried over something of the ancient Mysteries. Julian had lived within the substance of the ancient Mysteries at a time when their light was still radiant in many ways. Thus he had received into himself much spirituality of the cosmos. All this had been as it were pressed back during the incarnation as Herzeleide; but it was none the less pressing forth in the soul, and thus we find the same individuality again in the 16th century; we find arising in him once more, in a Christianised form, what he had undergone as Julian the Apostate. For the same individuality reappears in the 16th century as Tycho de Brahe, and stands face to face with the Copernican world-conception which emerges within Western civilisation at that time.

The Copernican world-conception pictures the universe in a way, which if followed to its logical conclusions would tend to drive all spirituality out of the cosmos in man's conception of it. The Copernican world-picture leads at length to a mechanical, machine-like conception of the universe in space. It was after all in view of this Copernican picture of the world that the famous astronomer said to Napoleon: he had searched through all the universe and he could find no God. It is, indeed, an entire elimination of spirituality.

The individuality of whom I am now speaking, who had now returned as Tycho de Brahe, could not submit to this. Thus we see Tycho de Brahe accepting in his world-conception what is useful of Copernicanism, but rejecting the absolute movement of the earth ascribed to it according to the Copernican world-picture. In Tycho de Brahe we see these things united with true spirituality. When we consider the course of his life, it is indeed evident how a karma from ancient time is pressing its way forth with might and main into this life as Tycho de Brahe, seeking to enter the substance of his consciousness. Such is his spirituality. We remember how his Danish relatives sought to hold him fast at all costs in the profession of a lawyer, and we see how, living as a tutor, he steals the hours by night in which to commune with the gods. And here an extraordinary thing appears. All this is contained in his biography. We shall see presently how deeply significant it is for a true estimate of this individuality of Tycho de Brahe—Julian—Herzeleide. With the most primitive instruments contrived and manufactured by himself, he discovers considerable errors in calculation which had entered into the determination of the orbits of Saturn and Jupiter. We have this remarkable scene in the life of Tycho de Brahe. As a young man with the most primitive instruments with which other people would not dream of trying to accomplish anything, he feels impelled one day to seek the exact places of Saturn and Jupiter in the heavens. In his case all these things are strongly permeated with spiritual content. And this spiritual content leads him to a conception of the universe such as we must have if we are striving once again to the modern science of Initiation, when at length we come to speak of spiritual beings as we speak of physical men on earth. For in reality we can ever meet them, and there is in fact only a difference in quality of being as between those individualities who are now on the physical plane and those who are discarnate, living between death and a new birth.

These things kindled in Tycho de Brahe an extraordinarily deep and penetrating vision of spiritual connections. I mean the connections which appear when we no longer regard everything on earth as though it were caused by earthly impulses alone, and on the other hand consider the stars only in mathematical calculations, but when we perceive the interplay of impulses from the stars with the historic impulses within mankind. In Tycho de Brahe's soul there lived instinctively what he had brought with him from his life as Julian the Apostate. In that former life it had not been permeated with rationalism or intellectualism. It had been intuitive, imaginative—for such was the inner life of Julian the Apostate. With all this he succeeded in doing something that made a great sensation.

He could make little impression on his contemporaries with his astronomic opinions, differing as they did from Copernicus, or with his other astronomical achievements. He observed countless stars and made a map of the heavens which alone made it possible for Kepler afterwards to reach his great results. For it was on the basis of Tycho de Brahe's mapping of the stars that Kepler discovered his famous laws. But none of these things could have made so great an impression on his contemporaries as a discovery relatively unimportant in itself, but very striking. He foretold almost to the day the death of the Sultan Soliman, which afterwards occurred as he had foretold it. Here we see ancient perceptions working into a later time in a spiritual intellectuality. Perceptions which Julian the Apostate had received light up again in modern time in Tycho de Brahe. Tycho de Brahe is indeed one of the most interesting of human souls. In the 17th century he passed on through the gate of death and entered the spiritual world. Now in the spiritual currents which I have described as those of Michael, this being, Tycho de Brahe—Julian the Apostate—Herzeleide, constantly emerges. In one or another of the super-sensible functions he is in fact always there. Hence too we find him in those great events in the super-sensible world at the end of the 18th and beginning of the 19th century which are connected with this stream of Michael.

I told you already of the great super-sensible School of instruction in the 15th, 16th centuries which stood under the aegis of Michael himself. Then there began for those who had been within this School a life which took its course in such a way that activities and forces unfolded in the spiritual world worked down into the physical, worked in connection with the physical world. For example, in the time that immediately followed the period of the super-sensible School of Michael, an important task was allotted to an individuality of whose continued life I have often spoken—I mean the individuality of Alexander the Great.

I have already spoken, here at Dornach too, of Lord Bacon of Verulam as the reincarnated Haroun al Raschid. We know how intense and determining an influence Bacon's conceptions had on the whole succeeding evolution of the spiritual life, notably in its finer impulses and movements. Now the remarkable thing is this, that in Lord Bacon himself something took place which we may describe as a morbid elimination of old spirituality. For such spirituality he had after all possessed when he was Haroun al Raschid.

And thus we see, proceeding from the impulse of Lord Bacon, a whole world of daemonic beings. The world was literally filled supersensibly and sensibly with daemonic beings. (When I say “sensibly” I meant not, of course, visibly, but within the world of sense.)

Now it chiefly fell to the individuality of Alexander to wage war against these daemonic idols of Lord Bacon, Francis Bacon of Verulam. And similar activities, exceedingly important ones, were taking place on earth below. For otherwise the materialism of the 19th century would have broken in upon the world in a far more devastating way even than it did. Similar activities, taking place in the spiritual and in the physical world together, were allotted to the stream of Michael, until at length at the end of the 18th and the beginning of the 19th century there took place in super-sensible regions what I have already described as the enactment of a great and sublime super-sensible ritual and ceremony.

In the super-sensible world at that time a cult was instituted and enacted in real imaginations of a spiritual kind. Thus we may say: At the end of the 18th and beginning of the 19th century there hovers in the immediate neighbourhood of the physical world of sense a great super-sensible event, consisting in super-sensible acts of ritual, an unfolding of mighty pictures of the spiritual life of beings of the universe, the Beings of the Hierarchies in connection with the great ether-workings of the universe and the human workings upon earth. I say“in the immediate neighbourhood,” meaning of course, adjoining this physical world in a qualitative, not in a spatial sense. It is interesting to see how at a most favourable moment a little miniature picture of this super-sensible cult and action flowed into Goethe's spirit. Transformed and changed and in miniature we have this picture set down by Goethe in his fairy story of the Green Snake and the Beautiful Lily ...

There was, then, a great super-sensible action in which those above all took part who had partaken in the stream of Michael, in all the revelations super-sensible and sensible, of which I told you. Now here again and again the individuality who was last present upon earth in Tycho de Brahe, plays a very great part. And it was his constant striving to preserve the great and lasting impulses of what we call paganism, of the old life of the Mysteries. It was his striving to preserve it in effect towards a better understanding of Christianity. He had entered Christianity when he lived as the soul of Herzeleide. Now it was his striving to introduce into the Christian conception all that he had received through his Initiation as Julian the Apostate. For it was this especially which seemed so important to the souls of whom I have spoken. The many souls who are now to be found in the Anthroposophical Movement or strive towards this Movement with sincerity are united with all these spiritual streams. By its very essence and nature they feel themselves attracted by the School of Michael, and Tycho de Brahe had a great influence in this. At the end of the 19th and beginning of the 20th century, especially at the end of the 19th century, these souls have descended to the earth, prepared not only to feel the Christ as He is felt in the various Confessions, but to feel Him and behold Him as the Cosmic Christ in His universal majesty and glory. The souls were prepared for this even supersensibly, between death and the new birth. They were prepared by such influences as that of Tycho de Brahe, of the soul who was last incarnated in Tycho de Brahe.

This individuality therefore played an extraordinarily important part continuously within the stream of Michael.

You see, the souls were constantly looking towards the approaching dominion of Michael. They were looking towards it in the old super-sensible School of the 15th and 16th centuries, and they were looking towards it again during the enactment of that super-sensible ceremony which was to introduce and, as it were, to consecrate from the spiritual worlds the subsequent Michael dominion upon earth. Now as I have already indicated, a large number of Platonically gifted souls have remained in the spiritual worlds since the time they worked in Chartres. (I have placed here for your inspection to-day other pictures of the series from Chartres which I received. They are pictures of the Prophets and also of the wonderful architecture of Chartres.) The individualities of the teachers of Chartres, who were of a Platonic tendency, remained in the spiritual world. It was more the Aristotelians who descended to the earth, finding their way largely into the Dominican Order. Then, after a certain time, they united again with the Platonists in the spiritual world and went on working together with them supersensibly, from the spiritual world. Thus we may say: the souls of Platonic character have remained behind. They have not appeared again on earth, not at any rate the more important individualities among them. They are waiting till the end of this century. But on the other hand, many who felt themselves drawn to what I have described as the Michael deeds in the super-sensible, have come down and entered the stream of the Anthroposophical Movement inasmuch as they have felt sincerely drawn on earth to such a spiritual Movement.

We may say in truth: what lives in Anthroposophy was kindled first by the Michael School of instruction in the 15th, 16th centuries, and by the great religious act that took place in the super-sensible at the end of the 18th and beginning of the 19th century. It was in vision of that super-sensible action that my Mystery Plays came into being, and for this reason the first Mystery Play, different as it is from Goethe's fairy story of the Green Snake and the Beautiful Lily, nevertheless reveals distinctly similar features. For a thing that would contain real impulses of a spiritual kind cannot be arbitrarily conceived. It must be seen and worked out in harmony with the spiritual world.

Thus we stand here within the Anthroposophical Movement to-day, having entered into the dominion of Michael which has now begun. We stand here in this Movement, called to understand the essence of this reign of Michael, called to work in the spirit of his working through the centuries and the thousands of years. At this moment of great significance he has begun his earthly rulership once more and we are called to work in his direction. Such is the inner esoteric impulse of this stream of Michael, whose working to begin with for this century, is very clearly foreshadowed.

But you must see that if we take Anthroposophy in its present content and trace it backward, we find little preparation for it upon earth. Go back just a little way from what appears as Anthroposophy and try to find its sources in the course of the 19th century, for instance. If you do so open-mindedly, if your vision is not clouded by all manner of philological contrivances, you will not find the sources. You will find isolated traces of a spiritual conception which it was always possible to use like little germinating seeds, though very sparingly, within the great texture of Anthroposophy. But you will find no real preparation for it within the earthly sphere.

All the greater was the preparation in the super-sensible. You are well aware how Goethe's working (even after his death, though in my books it may not seem so) contributed to the forming and shaping of Anthroposophy. It is indeed true that the most important things in this respect took place within the super-sensible. Nevertheless we can trace the spiritual life of the 19th century backward in a living way till we come to Goethe, Herder, and others, nay even to Lessing. And we find after all that what was working in isolated spirits of the end of the 18th and first half of the 19th century was, to say the least of it, imbued with a strong spiritual atmosphere, even if it appeared in great abstractions as in Hegel, or in abstract pictures as in the case of Schelling.

You may read in my Riddles of Philosophy how I described Schelling and Hegel. I think you will recognise that I was seeking to point to something of the soul and spirit in this evolution of world-conceptions which could then enter into the Anthroposophical stream. In the book Riddles of Philosophy, I tried indeed to take hold of those abstractions of the philosophers with full heart and mind. Perhaps I may specially draw your attention to the chapter on Hegel, and to the things I said of Schelling.

But we must go still deeper to perceive the origin of certain remarkable phenomena that appeared in the spiritual life of the first half of the 19th century. They were lost sight of, they were obliterated in what then came forth as the materialistic spiritual life of the second half of the century. Nevertheless, in however abstract conceptions, there did appear something that contained a hidden spiritual life and being.

Most interesting, and increasingly so the more one enters into him, is the philosopher Schelling. He begins almost like Fichte, with pure, clear-cut ideas, saturated through and through with will. For such was Fichte. Johann Gottlieb Fichte was one of the few figures of world-history—indeed in a certain respect he is perhaps unique—who combined the greatest conceptual abstractions with enthusiasm and energy of will. He is an extraordinarily interesting figure. Short and thick-set, under-grown a little owing to the privations of his youth, one would see him marching along the street with extraordinary firmness of step. He was all will, and will and will again, and his will lived itself out in the description of the most abstract concepts. And yet with these most abstract concepts he could achieve such a thing, for instance, as his Addresses to the German Nation, with which he inspired countless people most wonderfully.

Schelling appears in an almost Fichte-like way, not with the same power, but with a similar way of thought. But we very soon see Schelling's spirit expand. In his youth he speaks like Fichte of the“I” and the “Not I” and other such abstractions and inspires the people of Jena with these things. But he soon departs from them. His spirit grows and widens and we see entering into him conceptions, albeit fanciful, which nevertheless tend almost to spiritual imaginations. Thus he goes on for a while. Then he enters deeply into such spirits as Jacob Boehme, and writes something altogether different in style and tone from his former works. He writes The Foundations of Human Freedom—which is a kind of resurrection of the ideas of Jacob Boehme.

Then we see almost a kind of Platonism springing up in Schelling's soul. He writes a philosophic dialogue entitled Bruno which is truly reminiscent of Plato's Dialogues, and deeply penetrating. Interesting too is another short work Klara, wherein the super-sensible world plays a great part. Then for a very long time Schelling is silent. His fellow philosophers begin to look on him, if I may put it so, almost as a living dead man. He published only his extraordinarily deep and significant work on the Samothracian Mysteries, once again an expansion of his spirit; but he lives on in simple retirement at Munich, until at length the King of Prussia summons him to lecture on philosophy at the University of Berlin. And of the philosophy he now proclaimed Schelling said that he had gained it in the silence of his retirement through the course of decades.

Now, therefore, Schelling appeared in Berlin, proclaiming that philosophy which was afterwards included in his posthumous works as the Philosophy of Mythology, and the Philosophy of Revelation. He made no great impression on the Berlin public, for the whole tenor of his lectures in Berlin was really this: Man, however much he thinks and ponders, can attain nothing in the sphere of world-conceptions; something must enter his soul, inspiring and imbuing his thought with life as a real, spiritual world.

Suddenly, in place of the old rationalistic philosophy there appears in Schelling a real awakening of the ancient philosophy of the gods of mythology, a reawakening of the old gods in a very modern way, and yet with old spirituality quite evidently working in it. All this is very strange. And in his Philosophy of Revelation he evolves ideas of Christianity which do contain, in however abstract a form, important inspirations and suggestions for what must afterwards be said by Anthroposophy, directly out of spiritual vision, on many points of Christianity.

Schelling is most certainly not to be passed over in the easygoing way of the Berlin people. Indeed he cannot be passed over at all, but the Berlin folk passed him over quite easily. When one of his descendants got engaged to the daughter of a Prussian minister (an external, but at any rate a karmically connected event) a Prussian functionary who heard of it remarked:“I never knew before why Schelling ever came to Berlin. Now I know.”

Nevertheless one can well come into inner difficulties and conflicts in following Schelling thus through his career. Moreover the last period in his life, dreadfully as it is generally treated in the histories of philosophy, is always dealt with in a chapter by itself, under the title: Schelling's Theosophy.

I myself again and again returned to Schelling. For me a certain warmth always proceeded from what lives in him, in spite of the abstract form. Thus at a comparatively early age I entered deeply into the above-mentioned philosophic dialogue, Bruno, or On the Divine and Natural Principle of Things.

Since the year 1854, Schelling was in the spiritual world again. And he came especially near to one through this dialogue, Bruno, if one entered into it, and lived through it, also through his Klara, and notably through his essay on the Samothracian Mysteries. One could easily come really near to him in spirit.

And at length, as early as the beginning of the eighteen nineties, it became fully clear to me: However it may have been with the other personalities who worked in the sphere of philosophy during the first half of the 19th century, in Schelling's case it is absolutely clear that a spiritual inspiration did really enter in. Spiritual inspiration worked and entered into his work continually.

Thus one might attain the following picture.—To begin with, down in the physical world, one could see Schelling, as he passed through the manifold vicissitudes of life, through a long period, as I said above, of loneliness and isolation, treated in the most varying way by his fellow men, now with immense enthusiasm, and now again with scorn and derision; Schelling, who really always made a significant impression whenever he appeared again in public—the short, thick-set man, with the immensely impressive head, and eyes which even in extreme old age were sparkling with fire, for from his eyes there spoke the fire of Truth, the fire of Knowledge. And this Schelling whom one can distinctly see—the more so, the more one enters into him—had certain moments when inspiration poured into him from above.

Most clear and visible it became to me when I read Robert Zimmermann's review of Schelling's book on the Ages of the World. From Zimmermann, as you know, is derived the word Anthroposophy, though his Anthroposophy is a tangled undergrowth of abstract concepts. I had the very greatest regard for him, and yet, when I read this review, I could not help breaking out into the sigh—“Pedant that you are!”

Then I returned to the book itself, Schelling's Ages of the World, which is indeed somewhat abstractly written, but in which one may clearly recognise something like a description of ancient Atlantis—quite a spiritual description, containing spiritual realities, however much distorted by abstractions.

Thus you see in Schelling's case again and again there is something working in from higher worlds, so that we must say: Down there is Schelling, but in the higher worlds something is taking place which influences him from above. In Schelling's case what is a general truth becomes most visible, namely that in spiritual evolution there is a perpetual interplay of the spiritual world above with the earthly world below. And once in the eighteen nineties I was most intensely concerned in finding the spiritual foundations of the age of Michael and of other things.

At that time I myself was entering a phase of life in which I could not but experience intensely the world immediately adjoining our physical world of sense. I could only hint at these things in my autobiography, but I have hinted at them there. That adjoining world is separated, if I may so describe it, only by a thin wall from the physical, and in it the most gigantic facts are happening, nor are they at all powerfully separated from our world. It was at the time when I was in Weimar. On the one hand I entered most intensively into the social life of Weimar in all directions; but at the same time I felt the inner necessity to withdraw into myself. These two sides of my life went parallel with one another. And at that time, in the very highest degree, it happened that my experience of the spiritual world was always more intense and strong than my experience of the physical. Already as a young man I had no great difficulty in quickly comprehending any philosophy or world-conception that came into my sphere. But a plant or a stone, if I had to recognise it again, I had to look at, not three or four times, but fifty or sixty times. I could not easily unite my soul with that which in the physical world is named by physical means. And this had reached its highest point during my Weimar period.

It was long, long before the Republican Constituent Assembly took place in Weimar, and at that time Weimar was really like a spiritual oasis, quite different from any other place in Germany. In that Weimar, as I said in my autobiography, I did indeed experience intense moments of loneliness. And once again—it was in 1897—wishing to investigate certain matters, I put my hand on Schelling's Divinities of Samothrace, and his Philosophy of Mythology, simply to receive a stimulation, not in order to study in the books. (Just as one who researches in the spiritual world, if for instance, he wishes to make researches on the periods of the first Christian centres, in order to facilitate matters may lay the writings of St. Augustine or of Clement of Alexandria under his head for a few minutes in succession. You must not laugh about these things. They are simply external methods to assist one, external technicalities that are not directly connected with the real thing itself. They are an external stimulation, like any technical mnemonic.) Thus at that time I took into my hand Schelling's Divinities of Samothrace, and his Philosophy of Mythology. But the real subject of my study at that moment was that which was taking place spiritually in the course of the 19th century, and which afterwards poured down so as to become Anthroposophy.

And at that moment, when I was really able to trace Schelling's life, his biography, his evolution through his life, it was revealed to me—not yet quite clearly, for these things only became clear at a far later date, when I wrote my Riddles of Philosophy—it was revealed to me, I could already perceive, although not quite clearly, how much of Schelling's writing was written down by him under inspiration, and that that inspiring figure was Julian the Apostate—Herzeleide—Tycho Brahe. He has not appeared again himself on the physical plane, but he worked with tremendous strength through the soul of Schelling. Then I became aware how greatly Tycho Brahe had progressed in his life as Tycho Brahe. Through Schelling's bodily nature little could penetrate; but once we know how the individuality of Tycho Brahe hovered over him as an inspirer, we read the lightning-flashes of genius in the Divinities of Samothrace quite differently. We read the flashes of genius above all in the Philosophy of Revelation, and in Schelling's interpretation of the ancient Mysteries, which is, after all, magnificent of its kind. And especially if we enter deeply enough into the curious language he uses in these passages, then presently we hear, no longer the voice of Schelling but the voice of Tycho Brahe! Then indeed we become aware how, among other spirits, this Tycho Brahe, especially the individuality who was in Julian the Apostate, played a great part, and contributed many things. For by his genius many a thing arose in the spiritual life of modern time which worked in turn as a stimulus, and whence we were to borrow at least the external form and expression for the spirit and teachings of Anthroposophy.

Another of the writings of German philosophers which made a great impression on me was Jakob Froschhammer's book, Die Phantasie als Welt-Prinzip, a brilliant book at the end of the 19th century, brilliant because this courageous man, having been driven from the Church, and his writings placed in the Index, was no less courageous in the face of science, for he revealed the kinship of the creative principle of fancy working purely in the soul when man creates artistically, with the force that works within as the force of life and growth. In that time it was indeed an achievement. Froschhammer's book on fancy or imagination as a world-principle, as a world-creative power, is indeed a work of great importance.

Thus I was greatly interested in this man, Jakob Froschhammer. Once more I tried to get at him in a real sense, not only through his writings, and once again I found that the inspiring spirit was the same who had lived in Tycho Brahe and in Julian the Apostate. And so it was in a whole number of personalities in whose working we can see a certain preparation for what then came forth as Anthroposophy.

But in each case we need the spiritual light behind, the light which works within the super-sensible. For what came to earth before remained, after all, in a world of abstraction. It is only now and then, in a spirit such as Schelling, or in a man of courage like Jakob Froschhammer, that the abstractions suddenly grow concrete.

And to-day, my dear friends, we may look up to what is working there in spiritual realms, and we may know how Anthroposophy stands in relation to it. And well we know how we are being helped by that which we perceive when we extend our spiritual research into the detailed realities of spiritual life in the course of history. Well may we know it. Here upon earth, striving honestly towards Anthroposophy, there are numbers of souls who have always stood near to the stream of Michael. Added to these, in the super-sensible world, are numbers of souls who have remained behind, among them the teachers of Chartres. And between those who are here in the world of sense, and those who are above in the spiritual world, there is a decided tendency to unite their work with one another.

And now if we would find a great helper for those things which we must investigate for the future of the 20th century, if we would find one who can advise us in relation to the super-sensible world, if we need impulses that are there within that world, it is the individuality of Julian the Apostate—Tycho Brahe who can help us. He is not on the physical plane to-day; but in reality he is always there, always ready to give information on those matters especially which concern the prophetic future of the 20th century.

Taking all these things together it does indeed emerge that those who receive Anthroposophy in a sincere way at the present time are preparing their souls to shorten as far as possible the life between death and a new birth, and to appear again at the end of the 20th century, united with the teachers of Chartres who have remained behind.

We should receive into our souls this consciousness: That the Anthroposophical Movement is called to work on and on, and to appear again not only in its most important, but in nearly all its souls, at the end of the 20th century. For then the great impulse will be given for a spiritual life on earth, without which earthly civilisation would finally be drawn into that decadence, the character of which is only too apparent.

Out of such foundations, I would fain kindle in your hearts something of the flames that we require, so that already now within the Anthroposophical Movement we may absorb the spiritual life strongly enough to appear again properly prepared. For in that great epoch after shortened life in spiritual worlds we shall work again on earth—in the epoch when for the salvation of the earth the spiritual Powers are reckoning in their most important members, in their most important features, on what Anthroposophists can do.

I think the vision of this perspective of the future may stir the hearts of Anthroposophists to call forth within themselves the feelings which will carry them in a right way, with energy and strength of action and with the beauty of enthusiasm, through the present earthly life; for then this earthly life will be a preparation for the work at the end of the century when Anthroposophy will be called upon to play its part.

My dear friends,

First let us recite the verse which reminds us of what comes from the cosmos itself as an invitation to knowledge:

O man, know thyself!
So resounds the cosmic-word.
You hear it strong in soul,
You feel it vast in spirit.

Who speaks so vastly cosmic?
Who speaks so deeply heartfelt?
Does it work through distant radiant space
Into your senses' sense of being?
Does it ring through waves of time
Into your life's evolving stream?

Is it you yourself who
In feeling space, in experiencing time

Create the Word, feeling foreign
In space's psychic vacancy,
Because you lose the force of thought
In time's destructive flow?

Self-knowledge, my dear sisters and brothers, is what, in a spiritual sense, can lead to cosmic knowledge. And it has often been said that understanding must exist for true spiritual cosmic knowledge to stream out of the spiritual world itself; that we must understand that the person who is able to transmit such knowledge from the spiritual world must approach the threshold; that the Guardian of the Threshold stands at the threshold, the Guardian who protects the person in normal consciousness from entering the spiritual world unprepared.

But it is just when one gets to know this Guardian – at first by means of healthy human understanding – then later in its true form, in its real essence, then the Guardian makes known to us the admonishments if we wish to enter the spiritual world in the right way, and then to stand within the experiences of the spiritual world.

It has also often been said that this living in the spiritual world is mostly mistakenly imagined, because one wants something different than really standing within the spiritual world. One wants something which is similar to the sense perceptible world. It is super-sensible though, and can therefor not lead to envisioning something similar to what is seen through the senses. This imaginative-super-sensible envisioning is only an image. It must lead to a real experience of the spiritual world. And many of you, my dear sisters and brothers, have this experience of the spiritual more so than you think. You are only not aware of it. You do not pay attention to how the spirit acts and weaves within psychic experience. It works and weaves. And it is a matter of mustering the intimate mindfulness necessary for perceiving this working and weaving.

Therefore more and more real indications should be given to enable you to feel how the human soul lives in the spiritual world – for knowledge is meant to flow to you directly from the spiritual world through these class lessons, my sisters and brothers. And the following can be such an indication.

Take any of the mantras or other verses and recite it. It doesn't matter much which one it is, it can be any mantra you are familiar with. For your meditation select any mantra and recite it in the fairest way you can. Do it therefor not loudly, but in a soft, gentle manner:

O man, know thyself!
So resounds the cosmic-word.
You hear it strong in soul,
You feel it vast in spirit.

And then, once you have recited such a mantra to yourself, try to sense how the reciting reacts within you. Try to come to the point where you can sense the speaking, that you sense the difference in your bodies between when you are silent and when you are speaking. Try to sense the speaking in your organism, how it passes through. You will sense it as all kinds of pressure and wave currents in the speech organs.

And when you have sensed this, ask yourselves: When I think something, due to someone talking to me or some other event that makes an impression on me relative to the present: Can I also sense that?

Well, if you have learned to sense speaking, then you will easily be able to sense the thinking which is directly induced by the immediate present. It is lighter and more delicate to sense than speaking, but it can be sensed. And you can learn to sense, to feel thinking by sensing speech.

Then, just as you can sense speech, you can also sense thinking. Then you will be able to touch, touch internally that is, perceive internally, thus: [draws: white outline of a profile]. When speaking is sensed so that it must be moved here [red], you will sense thinking here above [green]. That is, the sense of thinking is moved somewhat up against the back of the head.

It is good to practice such an exercise, for it acts as a guide to intimate self-observation.

And now you proceed, my dear sisters and brothers, to make a thought active, a remembrance-thought, one which you had days, weeks or months ago and which you can activate just as well now, and try to sense, to feel such a remembrance-thought. And you will have the sensation: I feel this under the region of speech, I feel it here below, under the region of speech [yellow]. And you will then say to yourselves: When I speak, I experience it in the region of my speech organs; when I think, I experience it above in the head, when I remember, I experience it under the region of speech.

When this becomes an intimate experience for you, when you really feel it, then you have grasped something spiritual, which can be the beginning of a progressively increasing spiritual understanding. But a substantial seclusion from the outer events of the day is necessary in order to sense this. It is not good to say: Yes, but in order to achieve such seclusion I'll have to take a few weeks off and go to where there are no people, where nothing can bother me, where I will have absolute peace and quiet, for example in a hut on Mont Blanc. It is not good to think like that, because you will never progress that way. It is better to stand within the tumult of life, exposed to what life brings from morning to night and nevertheless dedicate by strength of soul a period of time, be it ever so short, when you are completely outside of the world's tumult, but at the same time within it, purely by means of your inner force. That is best. To withdraw in solitude in order to have peace is not what works best, but rather to create solitude through one's own forces. That is what definitely and securely can lead to the goal. This is a good foundation for meditating in the right way.

You have learned mantras, my dear sisters and brothers, which are spoken quietly from the soul. The first mantras in these lessons were like that. We have however advanced to mantras which partly ring out to us from the soul and also partly must be imagined as resounding to us from out of the distant universe; where we therefor do not inwardly meditate speaking, but where we inwardly meditate hearing. We imagine ourselves as being transferred to where we hear what is being spoken to us whether it is by the cosmos or by the spirit-beings. And it is just this transferring to a condition in which other beings speak to us that creates the condition which is conducive to feeling that we are in the spiritual world.

Today's mantras will be given with this objective. The mind, the soul should imagine itself as being perfectly silent. But the soul should also imagine itself to already be on the other side of the threshold standing before the Guardian in the spiritual world. And, although being perfectly silent itself, it hears three sounds. The first sound comes from the distant universe; the second from the Guardian. And the third comes from the beings who will be identified later in the mantra. That is how the mantra which is presented to your souls today is to be understood.

Thus, coming from all sides of the distant universe:

Listen to the field of thinking.

It's a question of becoming enlightened concerning the true nature of thinking through a spiritually cosmic experience.

Then the Guardian speaks. After the resounding to us from the distant universe – we must experience this situation spiritually – the Guardian speaks the next three lines:

The one who wants to shows to you

The paths from life on earth to life

On earth in spirit light does speak.

That is the Guardian speaking.

Then the angel who shows us the path from earthly life to earthly life speaks:

Behold your senses' shining radiance.

This is the being who as an angel-being, as angelos, guides us from incarnation to incarnation. It speaks of these goals. We hear them in inner contemplation.

Again the Guardian speaks:

The one who wants to carry you,

Your soul conveyed to souls

in regions matter-free, speaks.

And the next lines are spoken by the being who watches over us from the hierarchy of Archangels:

Behold the forces working in your thinking.

That goes above, to where the Archangels are.

First we had “Behold your senses' shining radiance.” This means that for the senses the sun shines and the senses do not; in reality, though, our senses also shine, except that while our senses are shining we are not aware of it. So the being who belongs to us from the ranks of angels admonishes us: “Behold your senses' shining radiance.”

In general we think in normal consciousness; but we do not apprehend thinking; we do not sense it, we do not feel it. The being who belongs to us from the ranks of the archangels admonishes us: “Behold the forces working in your thinking.”

Now we ascend to where the Archai are. The Guardian advises us that we should listen to the admonishment of the being from the ranks of the Archai. The next three lines are those of the Guardian:

The one speaks who among spirits

in earth-distant fields of creation

Desires to give you the ground of being.

I could also say the “throne of being”, but “ground of being” is better, for it is what is to be given to you by the one who wants a spiritual ground in the spiritual field for you, just as here in the sensory field you are standing on physical ground.

After the Guardian of the Threshold has thus spoken, the being from the ranks of the Archai speaks:

Behold the imagery of remembrance.

That is third. First we should see the radiance of the senses, then the forces of thinking working in us, then what lies deep down, below speech, in the memory images: “Behold” the imagery of remembrance.

Thus have we listened with quiet souls to the threefold voice speaking to us: speaking from the cosmos in the very first lines: “Listen to the field of thinking”. Then to the intervening three lines by the Guardian of the Threshold, and then to the beings who belong to us from the ranks of the hierarchies, always using paradigmatic lines which are meant to speak to the deepest levels of our being. Together it is like this:

Listen to the field of thinking:

The one who wants to shows to you

The paths from life on earth to life

On earth in spirit light does speak.

Behold your senses' shining radiance.

The one who wants to carry you,

Your soul conveyed to souls

in regions matter-free, speaks.

Behold the forces working in your thinking.

The one speaks who among spirits

in earth-distant fields of creation

Desires to give you the ground of being.

Behold the imagery of remembrance.

[The first mantra is written on the blackboard. The word “thinking” in the first line is underlined as well as the last lines of 1,2,3.]

I. Listen to the field of thinking:

1.) The one who wants to show to you

The paths from life on earth to life

On earth in spirit light does speak.

Behold your senses' shining radiance.

2.) The one who wants to carry you,

Your soul conveyed to souls

in regions matter-free, speaks.

Behold the forces working in your thinking.

3.) The one speaks who among spirits

in earth-distant fields of creation

Desires to give you the ground of being.

Behold the imagery of remembrance.

Therewith we have inwardly experienced the admonishments resounding from the three lower hierarchies for our self-knowledge:

the first from the hierarchy of the Angeloi

the second from the hierarchy of the Archangeloi

the third from the hierarchy of the Archai.

[“Angeloi” is written beside part 1, “Archangeloi” beside part 2, “Archai” beside part 3.]

Before the exercise begins, concentration in the soul [mind] can be achieved by imagining a definite image, this image [drawing begins on the image above]: an eye looking upward [eye] and perceiving the higher hierarchies [arc], from which the cosmic forces stream into the eye [upper rays], which then perceives the circle of the lower hierarchies [wavy line], which reach up to the higher hierarchies and send the rays on the human beings [lower rays].

We call this image to mind and hold it there: the eye looking upward, the two lines – the circular one, the wavy one – the descending rays. And while doing the exercise, without thinking about it, the image remains before our soul: the image of the upward looking eye.

Then we hear again, resounding from all sides of the cosmos:

Perceive the field of feeling.

The Guardian then speaks the next three lines:

The one who speaks as thought

From the sun-rays of the spirit

Recalls you to cosmic existence.

It is now a higher language, the language that resounds from higher hierarchies. Whereas there [indicates the first mantra] we are made more attentive to what is already within us, in this mantra we are spoken to by the Guardian in a manner which does not only call us to observe our senses, our thinking and our memories, but we are now meant to hear how we are being called into cosmic being itself. This resounds from the hierarchy of the Exusiai.

Then the one who belongs to us from the hierarchy of the Exusiai speaks:

Feel in your breath life awakening.

Again the Guardian speaks the next three lines:

The one speaks who gives to you

From the stars' living forces

Cosmic being in spirit kingdoms.

Then the being from the hierarchy of the Dynamis speaks:

Feel in your blood's weaving waves.

We must feel the world's weaving movement continued in the weaving waves of our blood.

And the Guardian speaks once more, now advising us that we should listen to what the being from the rank of Kyriotetes says:

The one speaks who wants to create

In the light of the divine heights

The sense of spirit from earthly will.

Then this being from the ranks of the Kyriotetes speaks:

Feel the earth's mighty resistance.

For only if we feel this mighty resistance of the earth's forces can we enter correctly into the world of pure spirit.

Therefore the experience of this mantra must be felt:

Perceive the field of feeling:

The one who speaks as thought

from the sun-rays of the spirit

calls you to cosmic existence:

Feel in your breath life awakening.

The one speaks who gives to you

From the stars' living forces

Cosmic being in spirit kingdoms:

Feel in your blood's weaving waves.

The one speaks who wants to create

In the light of the divine heights

The sense of spirit from earthly will.

Feel the earth's mighty resistance.

It is the ascent to the rank of the second hierarchy where self-knowledge asserts itself in us, where the Guardian advises us that a being from the ranks of the Exusiai will speak to us.

Well, my dear sisters and brothers, we think in earthly life; our thoughts are almost nullities. But when a being from the ranks of the Exusiai thinks, he is thinking us. Our I is being thought. And it, our I, exists as a thought by a being from the ranks of the Exusiai. When on earth we speak “I” to ourselves, where are we looking? Yes, this I: when we say “I” [drawing: circle with the word “Ich”, yellow], we are looking back at this Ich [red arrows], and say the word “I” [Ich]. But for a being from the ranks of the Exusiai [green line] this I-thought is a real thought. We exist in that we are thought by beings from the ranks of the Exusiai. And when we say “I” to ourselves we are confirming that we are being thought by divine beings. And it is in this being thought by divine beings that our higher being consists.

Then: A being from the ranks of the Dynamis reminds us that the spiritual existence we receive from him as a gift comes from the life-forces taken from the stars.

And a being from the ranks of the Kyriotetes reminds us that what exists in us on earth as will is taken out to the heavenly heights and after the transformation which it undergoes there it is returned to us so that we can then also use it as spirit-will. Earthly will is only a transformation of spirit-will. Earthly will is constantly being taken up and brought down again. Above it is heavenly will; below it is earthly will. Finally the Guardian reminds us that a being from the ranks of the Kyriotetes is saying: “Feel the earth's mighty resistance.” When we feel the earth's resistance, we feel the benefit, the grace inherent in the bestowing of forces from the heavenly heights.

[Mantra II is written on the blackboard. In the first line “feeling” is underlined, and the last lines of Parts 1,2 and 3 are also underlined.]

II.) Perceive the field of feeling:

1.) The one who speaks as thought

from the sun-rays of the spirit

calls you to cosmic existence:

Feel in your breath life awakening.

2.) The one speaks who gives to you

From the stars' living forces

Cosmic being in spirit kingdoms:

Feel in your blood's weaving waves.

3.) The one speaks who wants to create

In the light of the divine heights

The sense of spirit from earthly will.

Feel the earth's mighty resistance.

This, then, is the second mantra (recites it):

Perceive the field of feeling:

The one who speaks as thought

from the sun-rays of the spirit

calls you to cosmic existence:

Feel in your breath life awakening.

The one speaks who gives to you

From the stars' living forces

Cosmic being in spirit kingdoms:

Feel in your blood's weaving waves.

The one speaks who wants to create

In the light of the divine heights

The sense of spirit from earthly will.

Feel the earth's mighty resistance.

The first resounds from the ranks of the Exusiai

The second from the ranks of the Dynamis

The third from the ranks of the Kyriotetes

[Exusiai is written alongside part1; Dynamis alongside part 2, Kyriotetes alongside part 3.]

And finally, in order to remember the image we have placed before us after all this has taken place within us, and in order to have a clear experience of it, we recall the image – although we realize that it has been before us during the whole exercise – but we want to place it once more before our souls.

[In the image already drawn on the blackboard, the eye, arc, upper rays, wavy lines, lower rays are drawn again.]

The ascent to the ranks of the Seraphim, Cherubim and Thrones will be added to these in the next class lesson. But now it is appropriate to clarify the meaning of the whole.

My dear sisters and brothers, at the beginning of today's lesson the words from cosmic-being instructed us to practice self-knowledge. Self-knowledge, it was said, leads to world-knowledge; but only if the Self can be in connection with the world.

But the Self does not exist in relation to an external natural entity or process, but alone in relation to the spiritual world. That is where the beings of the hierarchies are. So if we really wish to penetrate into our Self, into our I, then we must experience it together with the beings from the hierarchies and not with external nature. For what we can call our I in external nature is only the distant echo of the I. The true I exists in the same realms as these beings of the higher hierarchies. Therefore in entering the realm of self-knowledge we must also enter the realm of the higher hierarchies. Then we must hear the speech of the higher hierarchies.

The admonishments of the Guardian of the threshold always intervene in order that we do this with all our strength, that we do not make it into a mere bloodless theory. In order that the whole content in the meditation appear before us in all its majesty, we hear the two – and as we will soon hear, three – forceful admonishments from the cosmos: “Behold the field of thinking”, “Behold the field of feeling”.

Only if we feel the language in such a living, threefold way, and if we experience ourselves within the spiritual world as described in the mantras, then these things will be able to help us advance. For only then will we feel them with the right attitude. We must seek this mental attitude above all. For inner consecration must be there if the meditation is to contribute to initiation. And this inner consecration comes only from the attitude through which we are displaced from the outer world for a while and live exclusively within the content and elements of the meditation. If we can do this so that self-knowledge is not merely an inner brooding, but is an explicit conversation with the universe, the Guardian and the Hierarchies, then we will find ourselves in possession of true self-knowledge.

Basically, we should even avoid thinking about such things if we cannot simultaneously evoke the appropriate mental attitude. We should only think about what has been presented today if we can really evoke this inner attitude in the soul, which consists in simply feeling that the sublime majesty from the universe, from the cosmic distances, comes to us like cosmic thunder; that a softly admonishing voice intervenes which comes from the Guardian of the Threshold; and that then one of the beings of the Hierarchies urgently speaks.

Only when we remember this and when we evoke the feeling related to this remembering, should we even think of these mantras or create an inner connection with them, so that we do not desecrate them inwardly, desecrate their force – that we do not think of them with the usual, dry, common way of thinking, which we would think if we did not first evoke the appropriate attitude, the inner mood.

And we therefore should achieve the inner mental attitude to feel that human self-knowledge is something solemn, earnest and holy and that these things should only be spoken internally by the soul – let alone externally – when they are felt to be earnest, solemn, consecrated.

It is a great hindrance to progress on the esoteric path that so much is spoken about these things in a cliquish manner, even with a whiff of vanity and gossip, when this earnest, solemn attitude of consecration has not been developed. We don't realize then that in esoteric life everything depends on the pure, absolute truth prevailing. Whoever does not recognize this – that in esoteric life truth, absolute truth must prevail – can do nothing in esoteric life; that one cannot merely speak of the truth and then regard things as one does as usual in profane life. That happens when we make these things the object of idle gossip.

And this idle gossip which is so much practiced is what throws so many hindrances and obstructions on the esoteric path. And we must necessarily bring together everything related to self-knowledge with an earnest, solemn consecrated attitude. Then we will have allowed the words to correctly work on our souls which were spoken at the beginning of the Class lesson and will be repeated now at the end:

O man, know thyself!

Yes, that is a guide to self-knowledge:

O man, know thyself!
So resounds the cosmic-word.
You hear it strong in soul,
You feel it vast in spirit.

Who speaks so vastly cosmic?
Who speaks so deeply heartfelt?

Does it work through distant radiant space
Into your senses' sense of being?
Does it ring through waves of time
Into your life's evolving stream?

Is it you yourself who
In feeling space, in experiencing time

Create the Word, feeling foreign
In space's psychic vacancy,
Because you lose the force of thought
In time's destructive flow?

Essentially it is a question. The answer is found in the mantras given today.

O Mensch, erkenne dich selbst!
So tönt das Weltenwort.
Du hörst es seelenkräftig,
Du fühlst es geistgewaltig.

Wer spricht so weltenmächtig?
Wer spricht so herzinniglich?

Wirkt es durch des Raumes Weitensgtrahlung
In deines Sinnes Seinserleben?
Tönt es durch der Zeiten Wellenweben?
In deines Lebens Werdestrom?

Bist du es selbst, der sich
Im Raumesfühlen, im Zeiterleben

Das Wort erschafft, dich fremd
Erfühlend in Raumes Seelenleere,
Weil du des Denkens Kraft
Verlierst im Zeitvernichtunsstrom.

after the eurythmic-dramatic presentation of the “Easter Vigil”

Among the Easter performances that have just passed before our minds were also those that depict how a soul that is about to pass through the gate of death through its own decision is brought back into the world of earthly life through the Easter message. I believe that, of the many impressions that the Faust story can have on us, this scene must be one of the most profound. Now, after the transformation, I would like to say, after the transformation, ¹ the scene that signifies the world with its evolution, bring that you have absorbed as a prospect within the Faustian poetry into your soul, in connection with what was said here yesterday, so to speak, before the transformation, about that meaningful real vision that can arise in the human soul when it steps before the symbol of Jesus Christ resting in the tomb. Let us bear in mind that yesterday we were able to say that the sight of what is connected with human life through its development on earth in relation to the world of Lucifer and Ahriman is evoked through a corresponding spiritual contemplation or spiritual perception. Let us bear in mind that in the Faust epic we have a soul which announces itself to us immediately at the beginning of the poem as having absorbed Ahrimanic knowledge and insights. And then let us look into this soul as it struggles out of its connection with the Ahrimanic wisdom towards the — we may say from our point of view — Christ-imbued source of life: a momentous moment that is presented to us for a human soul. Let us visualize this human soul! There she stands before us with all the knowledge she has absorbed through observing the external material world and its interrelations, with the insight she has been able to gain through the instruments by which the external naturalist attempts to penetrate the interrelations of nature... And what has this soul come to with all the research that is linked to the various instruments and also to the phial containing the juices that “quickly make one drunk” for earthly life? We feel how an Ahrimanic nature already rules at the side of the Faust soul, and how this Ahrimanic nature is linked to what is earthly death. Do we not see how this human soul, filled with Ahrimanic nature, draws the result of its Ahrimanic insights? And this result of knowledge that Ahriman can give to man on earth is what is summarized in the words:

I greet you, you only vial!
Which I now bring down with devotion,
In you I honor human wit and art.
You epitome of the sweet slumber potions,
You distillation of all deadly subtle powers,
Do show your favor to your master!
I see you, pain is alleviated,
I grasp you, the striving is diminished,
The spirit's flood tide ebbs away little by little.
I am expelled into the high sea,
The mirror tide glistens at my feet,
A new day beckons to new shores.

And already this soul has the vision of coming to the other shore, where it may be able to find that which it must believe it cannot find on this earth because of its ahrimanic entanglement. Already it has the vision of crossing over to the other shore:

A chariot of fire floats, on light wings,
Towards me! I feel ready,
On a new path to penetrate the ether,
To new spheres of pure activity.
This lofty life, this divine bliss!
You, still a worm, and do you deserve them?
Yes, just turn your back resolutely
to the lovely sun of the earth!
Dare to tear open the gates,
before which everyone likes to sneak by.
Here it is time to prove by action
That manly dignity does not give way to the height of the gods,
Not to tremble before that dark cave,
In which the imagination condemns itself to its own torment,
To strive towards that passageway,
Around whose narrow mouth the whole of hell is aflame;
To take this step serenely,
And, even if it means flowing into nothingness,

And now that he has also taken up the other Ahrimanic instrument, he is ready to take the path over to those realms that he learned in Ahriman's school are numberless to the soul as long as it is enclosed in the earthly body. And this soul is torn out of this mood by the sound of the Easter bells and the choir of the Easter song. And so the Faust soul has lived an earthly life to now seek within the earthly body what this human soul, as a result of its seeking in the earthly body, is to carry through the gate of death, so that it can carry it up into the spiritual realm where it needs it for its further development.

What you have heard today from the first part of Goethe's “Faust”, and much of what belongs to this part, to this scene of Goethe's “Faust”, first appeared as the completed first part of the poem in 1808. But before that, in 1790, Goethe had already published “Faust, a fragment”, this fragment, which did not yet have the last Gretchen scene. But this fragment did not even have the scene that has brought the events of such significance for Faust's soul to our own soul today. In 1790, Goethe published his fragment without this Easter scene and without the monologue that leads to the deepest depths of human and spiritual experience. And at the end of the 19th century, what Goethe had finished in the 1780s, even as early as the 1770s, was discovered in the 1790s. It was then published under the tasteless title “Urfaust”. In this Urfaust, we do not find, one might say, of course, this Easter scene. Why is it not there? Yes, Goethe, who was a child of his time, had to mature in order to be able to depict the effect of the Christ impulse on Faust's soul in his own way, in accordance with his soul; he first had to mature for this. And Goethe was not ripe for it until 1790. The nineties saw the deepening of Goethe's soul, which found its reflection in the well-known “Fairytale of the Green Snake and the Beautiful Lily”. It falls into the time between the moment when “Faust” was published without the Easter scene and the moment when it was published with the Easter scene. Goethe's soul experienced a profound deepening through what it developed in the “Tale of the Green Snake and the Beautiful Lily”. And it was only through this experience that Goethe realized how he could allow the Easter experience scene to affect Faust's soul.

Now, let us look into this soul of Faust itself, and try to put ourselves in the place of the beginning of Goethe's “Faust,” which is more or less the same in the various successive publications. We know that it reads:

I now, alas! have philosophy,
Jurisprudence and medicine,
And unfortunately also theology!
Thoroughly studied, with hot endeavor.
There I stand now, I poor fool!
And am as wise as before;
I am called Magister, even Doktor,
And for ten years now,
Up and down and hither and thither,
I have led my students by the nose –
And I see that we cannot know anything!

So he has been a lecturer for ten years. Let us assume that he entered the teaching career regularly, then we might think that he became a lecturer around the age of thirty. In fact, he has been leading his students by the nose since the age of thirty! Let us recall what I said yesterday. In the thirties, the human being will stand before the image of the Jupiter existence when he visualizes the seduction I spoke of yesterday. And a vision, a prophetic vision of this seduction, is what one has before one when one stands before Christ Jesus lying in the tomb. Do we not have this vision dramatically developed in Faust? Does he not stand before us before the Easter Mystery, and does he not stand before us, one might say, at the end of the 1830s, before the Easter Mystery? May we not assume that in his feelings, what man must feel from the Easter Mystery, rumbles like a premonition of the Jupiter experience with Lucifer and Ahriman? In Goethe's time one could not present it as one can present it now, but Goethe could present the rumbling sensation in the heart towards the Easter Mystery, and it rumbled in Faust's soul. And is it not as if Faust felt, when Mephisto-Ahriman approaches him, how his soul has fallen prey to the Ahrimanic powers? How he has to save himself from something? Yes, but from what? From what must he save himself? Can we not say that Goethe sensed something of this when, as a mature man, as a mature soul, he allowed the spirit of his own Faust to take effect on him again, as he was able to sense it in his time, of the Easter mood that we have been picturing in our minds these days, and that this gave rise to the need to insert the Easter scene into “Faust”, which did not have this Easter scene before? The “Faust” was re-written into Christian verse with the insertion of the Easter scene between the years 1790 and 1800.

So what years did Faust have to live through? Before which years of life did he shudder so much that he wanted to reach for the vial himself? Well, before the second, descending part of life, that part of life of which we have said how man, when he stands before the vision of the Jupiter existence, knows that later on he must carry to Jupiter that which the Christ can give him as provisions for the journey, because otherwise he would have to go without nourishment in the second half of life. What is Faust seeking? He seeks nourishment for the soul for the second half of life. We have all been seeking it since the time when the Mystery of Golgotha has passed over the evolution of our Earth. We are all seeking it. For that which will take physical and psychic form on Jupiter is already living in the depths of our souls, and we must all feel something of this Faustian mood. We need a power that we cannot have through that which, as human beings, only gives us freedom and thus leads us to Ahriman and Lucifer; we need a power for those impulses in us that are connected with the descending half of life. It is the power of Christ, the power of Christ, which the Christ has after he has passed through the gate of death and has not lived through in an earthly body the second half of man's life. Why did he not live through it? Because this power, which must be bestowed upon people in the second half of life, had to flow into the earth aura so that all people can find themselves through the evolution of the earth. Through the Easter mystery, that which we need to enable us to journey through our entire life on earth with our soul is resurrected. And now imagine this profound connection in Goethe's “Faust”. Faust has absorbed within himself — Goethe knew how to absorb this, because he presented it without the Easter mystery when he published his fragment without the Easter mystery — Faust has absorbed within himself what man can absorb through the connection with Lucifer and Ahriman, what gives us the possibility of a free soul. But Faust, who measures the depths of the soul, is aware that he cannot continue to live with him; he needs something else in order to live. And Goethe was ripe to show what Faust needs, what is the impulse of the Easter Mystery. Does not the Easter Mystery stand profoundly before us in what Goethe made of his “Faust” only as a fully mature man, what he could not yet have included in 1790 because he did not yet understand it?

How did the poetic idea for this poem, which takes us to such depths, come about in the young Goethe? We know that the young Goethe was deeply impressed both by the puppet show of Faust, which he saw, where the fate of Faust was simply presented through puppets, and by the folk play of “Doctor Faust”. This thoroughly popular element came before Goethe's soul. What then is this Faust? And Goethe's soul immediately realized: this Faust must be the striving human being in general, who, through his striving, can dive down into all the depths of the human soul and must find the way up to the bright heights of the spirit. That an inner path must be traversed by a human soul, the young Goethe knew that. For what is it, after all, if not a meditation that Faust experiences in his soul as he gazes at the various signs? It is a meditation that ultimately leads him to the vision of the Earth Spirit that flows through and permeates the Earth. The meditation receives the words in response:

In the flood of life, in the storm of action,
I surge up and down,
Weaving back and forth!
Birth and death,
An eternal sea,
A changing weaving,
A glowing life,
So I work at the whirring loom of time
And weave the living garment of divinity.

Meditation and counter-meditation! It leads Faust into the depths of life, but how to get out? How to ascend to spiritual heights?

Now that we have placed ourselves before the soul, what a grandiose idea of the striving Faust in Goethe's soul arose from the puppet show and the folk play, and what form this grandiose idea took through the penetration of the Goethean soul into the mystery of the soul, we now ask ourselves: What did Goethe make of Faust throughout his life? After we have realized the magnitude of what Goethe's soul was capable of through the impact of the Faust impulse, we may well ask ourselves: What did these impressions become in artistic and poetic terms? Well, one thing I just said can help us in our quest to understand this 'Faust' in aesthetic and artistic terms as well. Goethe published a fragment that roughly concludes with the cathedral scene in 1790. What makes the “Faust” seem so grandiose to us today is not in it. He added it later, when he was in Rome. In 1787, he added what we now know as the “Witches' Kitchen”. He inserted other scenes into the manuscript at other times. The original manuscript was written and copied by someone else, and at the time the later scenes were added, Schiller himself described it as a “yellowed manuscript”. And when Schiller called upon Goethe at the turn of the 18th to the 19th century to do something to round off Faust, Goethe said that it would be difficult for him to take on the old monster Faust again and to appropriately complete what had been left unfinished for so long. Goethe was afraid of incorporating into this his “Faust” that with which he had later matured, into all that he was and had appeared by the year 1790.

And now let us look at the first part of this “Faust”. Is it not a work that we can clearly see has been patched together from what was created at different times? If people were not attached to traditional judgments, they would see in “Faust” the most magnificent poetic idea that has ever come into the world with regard to the individual human being. At the same time, they would have to admit to themselves that in terms of art and poetry, this “Faust” is the most inconsistent, that it is a thoroughly disharmonious work, into which one could still put many things that are not in it, that has cracks and fissures everywhere, that is artistically far from perfect. Goethe's great genius could only ever complete fragments of what was before his soul. And however much we may admire the magnificent beauty of individual scenes, if we are not merely attached to the traditional judgment that literary historians have passed, but if we are unbiased, we cannot deny that “Faust” as it is is not a harmonious work of art, that it is glued in many places, but shows cracks and fissures everywhere. Why is this so? At a very advanced age, Goethe once again undertook to complete the second part of his Faust, for which he already had individual scenes, to which he added what he could add in his very old age. For example: the beginning of the classical-romantic phantasmagoria, the Helena interlude, was already completed around the turn of the 18th to the 19th century, and some parts were completed earlier. And again, we have every reason not to say, as some literary historians say, that one cannot understand the second part of “Faust,” or, as a very clever man, who is by no means stupid, said, that “Faust” is “a cobbled-together, patched-up concoction of old age.” It is not! On the other hand, it is a work whose task was so great that even Goethe's rich life experience was not enough in his time to shape it. One may well have one's own opinion even about the greatest things in the world. But why is that so? Well, I have already indicated on one occasion, in a lecture series held in The Hague, that this Faust is by no means, I would say, so extraordinarily young in world history. Faust, as he lived in the folk play that Goethe saw and as he lived in the puppet show, represents the human being descending into the depths of spiritual life and the human being wanting to rise to the light of the heights; he represents him in such a way that the greatest poet of modern times needed the Easter mystery for the liberation of his soul. As he appears in the folk play, he is a combination of the external physical reality, of the Dr. Georg Faust, who lived in the second half of the Middle Ages and wandered around like a tramp; of whom Trithem of Sponheim as well as other important men who met him report, and who even had a certain respect for him, the respect that one has for a remarkable personality who, through the way he expresses himself emotionally, knows many things and is capable of many things. And it was not for nothing that this real Doctor Faust was called by the name, as I have once stated here:

Magister Georgius Sabellicus Faustus Junior, fons necromanticorum, Magus Secundus, Chiromanticus Aeromanticus, Pyromanticus, in hydra arte secundus.

That was the name he gave himself. Now, it was common in those days to have many titles, and a long list of similar-sounding titles could be said of Giordano Bruno and many other important minds of the Middle Ages. If today's sophisticated people may find it strange that Trithem von Sponheim and others who knew about the existence of this real Faust thought that he was in contact with demonic powers of the world and the earth and through them was able to accomplish many things, then we must remember that in Luther's time, for example, there was nothing special about telling such a story. We know how Luther himself wrestled with the devil. We know that all this was common practice, the views and stories of that time. But a feeling lived in all this, which helped to shape Faust in the popular consciousness. The feeling lived — I say the feeling and not the concept, not the idea — natural science is coming up, natural science, which brings the Ahrimanic part of real reality before the human soul. And from this arose the feeling that Faust is a personality, and always has been, who has something to do with these Ahrimanic powers. People saw, as it were, the secret spiritual connecting threads that went from the soul of Faust to the Ahrimanic powers. And they found that Faust's destiny was tied to this inclination towards the Ahrimanic powers. That the Ahrimanic and the Luciferic has to do with the entire evolution of the human soul was still sensed and felt from the remnants of ancient clairvoyance and clear-sighted knowledge. And so the Faust figure was linked to this feeling of man's connection with the Luciferic and Ahrimanic powers. But at the same time, this intuitive knowledge was already descending into twilight, becoming unclear. And so, one might say, the feeling arose that one could depict the striving human being with all his temptations and dangers for his soul in the figure of Faust. But how this striving of the human being is connected with Lucifer and Ahriman was no longer known exactly. It had become blurred, and that is where the tremendous vagueness came from, which one gets a sense of when one picks up the medieval Faust book, in which all that the folk character is said to have experienced is where everything is thrown together in a grotesque ragout of all kinds of adventures that the human soul experiences in its quest to master all possible demonic and elementary spirits, Ahriman and Lucifer. After they were no longer seen in their full form, after they were shattered and ground into a ragout with all possible elemental spirits of nature, the figure of Doctor Faust was now placed in this ragout in this folk book. It was only Goethe's inspired insight that was able to discern in this gruesome ragout the mighty fundamental idea and to develop it to the point of the Easter Mystery. But it is really quite interesting to observe how, I might say, Lucifer and Ahriman were gradually dismembered into such ragout pieces.

If we go back and search for the figure of Faust in ancient times, we can look in books that were written as popular books at the time and that were in the hands of all those who were dealing with matters related to such things at the time. Augustine's works were very widespread when this book was written, cobbled together, glued together. One has the feeling of a bookseller who wanted to make a book that was as thick as possible, and not as if it were from a writer or even a literary man. But he must have known his Augustine, especially the biography of Augustine. And Augustine presents himself to us in all his development in such a remarkable way. How he at first cannot understand what Christianity is in its essence, how he gradually overcomes the inner resistance that he must bring to bear on Christianity in the development of his soul, first to what can now become known to him from the Manichaean doctrine. And from a great and important man within the Manichaean sect, Augustine receives knowledge from the Manichaean bishop Faustus. And we almost sense who this Faustus senior is, in comparison to whom the Faustus I mentioned earlier calls himself Faustus junior. He is the one whom Augustine once encountered in ancient times, the one who represented something of the Manichaean doctrine as Faustus, as bishop of the Manichaeans.

But what did he represent of the Manichaean doctrine? That which is corroded by Ahriman, that which no longer allows one to see how man, with his soul, is connected to the whole cosmos, to all cosmic, all stellar impulses. One can say: Even in the Manichean Bishop Faustus, the bond of knowledge that leads up to the cosmic insights that show how the human soul is born out of the cosmos, and which one must know if one wants to understand the Easter mystery in truth, is already torn. So it could be that in the person who wrote the folk book about Doctor Faust, precisely through the figure that Augustine describes as the Manichean bishop Faustus, it could emerge in this writer and compiler through the figure of Faustus, who had fallen prey to Ahriman. But since everything had become blurred, he did not understand that it was going against Ahriman. We see the scraps of the Ahrimanic danger shimmering through the stories of the folk play, but we see nothing clear. Yet we can get a clear feeling that Faustus is to be presented as the representative of the striving human being, so that danger threatens him from the Ahrimanic side. And much of what has been added to the Faust figure as it developed up to Goethe has been added by that Manichean Bishop Faustus, Faust senior. Many chapters of the folk tale seem as if they had been copied, but badly copied, only from the book in which Augustine describes his own development and his encounter with Bishop Faustus. We can prove that the Ahrimanic trait in the Faust figure points in this direction, and that when the folk book was written only the last dark urge remained to depict the Ahrimanic elements of human nature in the Faust figure.

And now, what about the Luciferic element? How were the Luciferic elements chopped up into those ragout pieces, which were then cooked into the ragout of elemental spirits and pieces of Lucifer and Ahriman, as I just said? Yes, we have to search if we want to find the connection between Faust and Lucifer. We can also search for it historically, we don't even have to go terribly far, we just have to go to Basel, and we can find clues in Basel as to how Lucifer was chopped up into a ragout. We are told that Erasmus of Rotterdam met with Faust in Basel, where they wanted to have a meal in the college, but could not find the right food. And since Erasmus lacked something that should now taste good to him, he told Faust, who was sitting with him and wanted to eat with him, but they had nothing right. So the Faust saga tells us that Faustus was now able to suddenly bring to the table, cooked and roasted, from somewhere - we don't know where - very strange birds that were not otherwise available in Basel. So we see a scene between Erasmus of Rotterdam and Faust, in which Faust is able to present such birds, which could not be bought in Basel at the time, nor far and wide in the surrounding area, to Erasmus. What is it actually? As such, it is not at all comprehensible in the legend, one can say, completely incomprehensible, but it becomes more understandable to us if we go back and bring together what we can gain from the writings of Erasmus of Rotterdam, who himself tells us that he made the acquaintance of a certain Faustus Andrelinus in Paris. This Faustus Andrelinus was an extremely learned man, but also an extremely sensual man. At first, Erasmus became so familiar with this Faustus that he had no real taste for the sensual sides of this Faustus. But again, we hear about a meal that the two are said to have eaten together. Now, however, two learned gentlemen of the time, such as Erasmus of Rotterdam and Faustus Andrelinus – we cannot expect them to serve each other such birds and in such a way, as Faustus of Basel is said to have served them to Erasmus. So it is likely that what has been handed down to us is just a kind of, I would say, joking speech that the two exchanged at the meal. But we do get a little behind this jocular talk when we also hear within this talk that Faust – this time it is probably Faust – was not satisfied with what was served to him, and demanded something else. Faust would now like to eat, in order to particularly torment himself, strange birds and rabbits; yes, strange birds and rabbits. Erasmus initially has the idea that this must mean something. So he behaves exactly like some theosophists who reflect on what things mean. Well, then the other one says, okay, he wants to do without the rabbits. Erasmus said: Could it not mean flies and ants? He wants to do without the rabbits. But the birds really are flies, and he wants to kill himself with flies for a change. Now we are very far. Now the birds have transformed into flies through astral transformation. And in Goethe we have the god of the flies in the figure of Mephisto. All that is needed is the spirit that commands these beings, and it could conjure up these beings. And so we have built the connecting bridge from the incomprehensible Basel legend and the strange birds to the flies that simply come from the devil. And we need not be surprised that the devil presents flies to him whom he invites to the table. But what kind of soul Faustus Andrelinus has, what kind of soul he has, that much becomes clear to us when we follow Erasmus a little further on his journey in Paris. In Paris, Erasmus was not yet quite inclined to engage with this Faustus Andrelinus character. But then he has to make a trip to London. There he writes that he has now learned – truly, Erasmus, think! , that he had manners like a coarse peasant, — that he has now learned to bow and even knows how to move around on the court parquet! And, yes, Erasmus writes it, that he lives in an atmosphere where, as you come and go, you always kiss each other by mistake. One recognizes from this that he wants to meet the tastes of his Parisian friend. He writes: “Come over here.” And if the gout prevents you too much, come over through the air in the spirit chariot. That is an element for you! — One sees that Faustus has a connection with the Luciferic kind of soul tendency.

With Goethe, we then encounter how Faust carries out his seductions by seducing Gretchen and so on. Lucifer has really fallen so far from the surroundings of the Faust figure that one must already do such literary investigations if we want to state the connection of Faust with Lucifer in the Parisian Faust. But we literally see Faust standing there, Lucifer and Ahriman at his side, albeit indistinctly through the confused time, boiled down into a ragout in the folk play. Should we be surprised to find in the folk play and folk drama, and even in Marlowe's Faust, something that is a remnant of ancient beliefs, still rooted in those times when man's connection with Ahriman and Lucifer was recognized through atavistic clairvoyance? But all this has become blurred, and in the literary product of which we have spoken, it is presented in a thoroughly blurred way. Goethe sensed the deep connection. But what could Goethe not do? He could not separate Lucifer and Ahriman from each other. They merged for him into the hybrid figure of Mephisto, in whom one does not really know whether it is the devil, Ahriman, or the real Mephisto. For he has also taken upon himself what Lucifer has. Goethe receives the ragout, as it were; he senses that Ahriman and Lucifer are at work, but he cannot yet sort it out; he devours them in the occult impossibility of the figure of Mephisto, who is a hybrid of Ahriman and Lucifer. One would like to be able to name the time that Goethe looked into by getting to know the Faust book: the last darkening of an old knowledge of this matter, the dying evening twilight of the old knowledge of Ahriman and Lucifer. And Goethe's Faust is the first dawn of the as yet unascended knowledge of Ahriman and Lucifer, dark and confused in the figure of Mephisto, Ahriman and Lucifer still mixed up. But already with the need to depict what the human soul can have by allowing itself to be affected by what has flowed into the earth's aura through the Christ being having passed through the mystery of Golgotha!

The Easter Mystery appears to us as the dawn of a new era of spiritual life for humanity in Goethe's “Faust”, which, despite its grandiose nature, still has something confused about it, something of a dark, foggy dawn. It appears to us as something within this dark dawn that we can see when we climb a mountain and see the sun rise earlier than we could see it before we stood on the mountain. We feel how one of the greatest of men, in his striving for the renewal of ancient knowledge, turns his soul towards the Paschal Mystery, when we allow Goethe's Faust to take effect on us. And if we allow it to take effect on us in the right way, then we feel what can take place in the heart of one of the greatest of men when this human heart has been touched by the Paschal Mystery, as Goethe himself felt at the same time. There is also something in this intuitive presentiment of Goethe to the Easter Mystery in Goethe's anticipation of it, is something like a hint: Yes, after the dawn, into which the first dark-light rays of the Easter Mystery shine, will come the sun of a new spiritual knowledge. The human soul will rise from the grave of darkened knowledge into which it too must descend. In the course of its development, the human soul will experience the Easter Mystery, the resurrection of that which is the Christ impulse in its deep, grave-like depths, when it unites with the power that emanates from the contemplation of the Christ Easter Mystery.

So, one would like to say, we feel Goethe's call and, after letting the tragedy of the Easter mystery take effect on us, would like to transform it into the call: May spiritual knowledge appropriate to the future rise in human hearts, in human souls! May human hearts and human souls, after sensing the deepest tragedy of the Easter mystery, feel and experience its depth in their innermost being, and may they experience resurrection in themselves through Christ!

May you, today, through the words that I have taken the liberty of speaking to you, absorb something of the feeling in your soul, so that you are united here, in our building dedicated to spiritual research, so that you, through the power of your souls into the future, something of that resurrection impulse which is so powerfully illustrated in the Easter mystery, and from which we could see how the greatest spirits of that time, which has now passed away, longed for it.

Feel in “Faust” something of what the magical sound of the Easter bells can resonate in the spirit of your souls.

• 1. At the words “Christ is Risen,” the black color of the scene transformed into a red one.

By Ehrenfried Pfeiffer, M.D. (HON.)^*

In 1922/23 Ernst Stegemann and a group of other farmers went to ask Rudolf Steiner's advice about the increasing degeneration they had noticed in seed-strains and in many cultivated plants. What can be done to check this decline and to improve the quality of seed and nutrition? That was their question.

They brought to his attention such salient facts as the following: Crops of lucerne used commonly to be grown in the same field for as many as thirty years on end. The thirty years dwindled to nine, then to seven. Then the day came when it was considered quite an achievement to keep this crop growing in the same spot for even four or five years. Farmers used to be able to seed new crops year after year from their own rye, wheat, oats and barley. Now they were finding that they had to resort to new strains of seed every few years. New strains were being produced in bewildering profusion, only to disappear from the scene again in short order.

A second group went to Dr. Steiner in concern at the increase in animal diseases, with problems of sterility and the widespread foot-and-mouth disease high on the list. Among those in this group were the veterinarian Dr. Joseph Werr, the physician Dr. Eugen Kolisko, and members of the staff of the newly established Weleda, the pharmaceutical manufacturing enterprise.

Count Carl von Keyserlingk brought problems from still another quarter. Then Dr. Wachsmuth and the present writer went to Dr. Steiner with questions dealing particularly with the etheric nature of plants, and with formative forces in general. In reply to a question about plant diseases, Dr. Steiner told the writer that plants themselves could never be diseased in a primary sense, “since they are the products of a healthy etheric world.” They suffer rather from diseased conditions in their environment, especially in the soil; the causes of so-called plant diseases should be sought there. Ernst Stegemann was given special indications as to the point of view from which a farmer could approach his task, and was shown some first steps in the breeding of new plant types as a first impetus towards the subsequent establishment of the biological-dynamic movement.

In 1923 Rudolf Steiner described for the first time how to make the bio-dynamic compost preparations, simply giving the recipe without any sort of explanation—just “do this and then that.” Dr. Wachsmuth and I then proceeded to make the first batch of preparation 500. This was then buried in the garden of the “Sonnenhof” in Arlesheim, Switzerland. The momentous day came in the early summer of 1924 when this first lot of 500 was dug up again in the presence of Dr. Steiner, Dr. Wegman, Dr. Wachsmuth, a few other co-workers and myself. It was a sunny afternoon. We began digging at the spot where memory, aided by a few landmarks, prompted us to search. We dug on and on. The realer will understand that a good deal more sweating was done over the waste of Dr. Steiner's time than over the strenuousness of the labour. Finally he became impatient and turned to leave for a five o'clock appointment at his studio. The spade grated on the first cowhorn in the very nick of time.

Dr. Steiner turned back, called for a pail of water, and proceeded to show us how to apportion the horn's contents to the water, and the correct way of stirring it. As the author's walking-stick was the only stirring implement at hand, it was pressed into service. Rudolf Steiner was particularly concerned with demonstrating the energetic stirring, the forming of a funnel or crater, and the rapid changing of direction to make a whirlpool. Nothing was said about the possibility of stirring with the hand or with a birch-whisk. Brief directions followed as to how the preparation was to be sprayed when the stirring was finished. Dr. Steiner then indicated with a motion of his hand over the garden how large an area the available spray would cover. Such was the momentous occasion marking the birth-hour of a world-wide agricultural movement.

What impressed me at the time, and still gives one much to think about, was how these step-by-step developments illustrate Dr. Steiner's practical way of working. He never proceeded from preconceived abstract dogma, but always dealt with the concrete given facts of the situation. There was such germinal potency in his indications that a few sentences or a short paragraph often sufficed to create the foundation for a farmer's or scientist's whole life-work; the agricultural course is full of such instances. A study of his indications can therefore scarcely be thorough enough. One does not have to try to puzzle them out, but can simply follow them to the letter.

Dr. Steiner once said, with an understanding smile, in another, very grave situation, that there were two types of people engaged in anthroposophical work: the older ones, who understood everything, but did nothing with it, and the younger ones, who understood only partially or not at all, but immediately put suggestions into practice. We obviously trod the younger path in the agricultural movement, which did all its learning in the hard school of experience. Only now does the total picture of the new impulse given by Rudolf Steiner to agriculture stand clearly before us, even though we still have far to go to exhaust all its possibilities. Accomplishments to date are merely the first step. Every day brings new experience and opens new perspectives.

Shortly before 1924, Count Keyserlingk set to work in deal earnest to persuade Dr. Steiner to give an agricultural course. As Dr. Steiner was already overwhelmed with work, tours and lectures, he put off his decision from week to week. The undaunted Count then dispatched his nephew to Dornach, with orders to camp on Dr. Steiner's doorstep and refuse to leave without a definite commitment for the course. This was finally given.

The agricultural course was held from June 7 to 16, 1924, in the hospitable home of Count and Countess Keyserlingk at Koberwitz, near Breslau. It was followed by further consultations and lectures in Breslau, among them the famous “Address to Youth.” I myself had to forgo attendance at the course, as Dr. Steiner had asked me to stay at home to help take care of someone who was seriously ill. “I'll write and tell you what goes on at the course,” Dr. Steiner said by way of solace. He never did get round to writing, no doubt because of the heavy demands on him; this was understood and regretfully accepted. On his return to Dornach, however, there was an opportunity for discussing the general situation. When I asked him whether the new methods should be started on an experimental basis, he replied: “The most important thing is to make the benefits of our agricultural preparations available to the largest possible areas over the entire earth, so that the earth may be healed and the nutritive quality of its produce improved in every respect. That should be our first objective. The experiments can come later.” He obviously thought that the proposed methods should be applied at once.

This can be understood against the background of a conversation I had with Dr. Steiner en route from Stuttgart to Dornach shortly before the agricultural course was given. He had been speaking of the need for a deepening of esoteric life, and in this connection mentioned certain faults typically found in spiritual movements. I then asked, “How can it happen that the spiritual impulse, and especially the inner schooling, for which you are constantly providing stimulus and guidance bear so little fruit? Why do the people concerned give so little evidence of spiritual experience, in spite of all their efforts? Why, worst of all, is the will for action, for the carrying out of these spiritual impulses, so weak?” I was particularly anxious to get an answer to the question as to how one could build a bridge to active participation and the carrying out of spiritual intentions without being pulled off the right path by personal ambition, illusions and petty jealousies; for, these were the negative qualities Rudolf Steiner had named as the main inner hindrances. Then came the thought-provoking and surprising answer: “This is a problem of nutrition. Nutrition as it is to-day does not supply the strength necessary for manifesting the spirit in physical life. A bridge can no longer be built from thinking to will and action. Food plants no longer contain the forces people need for this.”

A nutritional problem which, if solved, would enable the spirit to become manifest and realise itself in human beings! With this as a background, one can understand why Dr. Steiner said that “the benefits of the bio-dynamic compost preparations should be made available as quickly as possible to the largest possible areas of the entire earth, for the earth's healing.”

This puts the Koberwitz agricultural course in proper perspective as an introduction to understanding spiritual, cosmic forces and making them effective again in the plant world.

In discussing ways and means of propagating the methods, Dr. Steiner said also that the good effects of the preparations and of the whole method itself were “for everybody, for all farmers”—in other words, not intended to be the special privilege of a small, select group. This needs to be the more emphasised in view of the fact that admission to the course was limited to farmers, gardeners and scientists who had both practical experience and a spiritual-scientific, anthroposophical background. The latter is essential to understanding and evaluating what Rudolf Steiner set forth, but the bio-dynamic method can be applied by any farmer. It is important to point this out, for later on many people came to believe that only anthroposophists can practise the bio-dynamic method. On the other hand, it is certainly true that a grasp of bio-dynamic practices gradually opens up a wholly new perspective on the world, and that the practitioner acquires and applies a kind of judgment in dealing with biological—i.e. living—processes and facts which is different from that of a more materialistic chemical farmer; he follows nature's dynamic play of forces with a greater degree of interest and awareness. But it is also true that there is a considerable difference between mere application of the method and creative participation in the work. From the first, actual practice has been closely bound up with the work of the spiritual centre of the movement, the Natural Science Section of the Goetheanum at Dornach. This was to be the source, the creative, fructifying spiritual element; while the practical workers brought back their results and their questions.

The name, “Bio-Dynamic Agricultural Method,” did not originate with Dr. Steiner, but with the experimental circle concerned with the practical application of the new direction of thought.

In the Agricultural Course, which was attended by some sixty persons, Rudolf Steiner set forth the basic new way of thinking about the relationship of earth and soil to the formative forces of the etheric, astral and ego activity of nature. He pointed out particularly how the health of soil, plants and animals depends upon bringing nature into connection again with the cosmic creative, shaping forces. The practical method he gave for treating soil, manure and compost, and especially for making the bio-dynamic compost preparations, was intended above all to serve the purpose of reanimating the natural forces which in nature and in modern agriculture were on the wane. “This must be achieved in actual practice,” Rudolf Steiner told me. He showed how much it meant to him to have the School of Spiritual Science going hand in hand with real-life practicality when he spoke on another occasion of wanting to have teachers at the School alternate a few years of teaching (three years was the period mentioned) with a subsequent period of three years spent in work outside, so that by this alternation they would never get out of touch with the conditions and challenges of real life.

The circle of those who had been inspired by the agricultural course and were now working both practically and scientifically at this task kept on growing; one thinks at once of Guenther Wachsmuth, Count Keyserlingk, Ernst Stegemann, Erhard Bartsch, Franz Dreidax, Immanuel Vögele, M. K. Schwarz, Nikolaus Remer, Franz Rulni, Ernst Jakobi, Otto Eckstein, Hans Heinze, and of many others who came into the movement with the passing of time, including Dr. Werr, the first veterinarian. The bio-dynamic movement developed out of the co-operation of practical workers with the Natural Science Section of the Goetheanum. Before long it had spread to Austria, Switzerland, Italy, England, France, the north-European countries and the United States. To-day no part of the world is without active collaborators in this enterprise.

The bio-dynamic school of thought and a chemically-minded agricultural thinking confronted one another from opposite points of the compass at the time the agricultural course was held. The latter school is based essentially on the views of Justus von Liebig. It attributes the fact that plants take up substances from the soil solely to the so-called “nutrient-need” of the plant. The one-sided chemical fertiliser theory that thinks of plant needs in terms of nitrogen-phosphates-potassium-calcium, originated in this view, and the theory still dominates orthodox scientific agricultural thinking to-day. But it does Liebig an injustice. He himself expressed doubt as to whether the “N-P-K” theory should be applied to all soils. Deficiency symptoms were more apparent in soils poor in humus than in those amply supplied with it. The following quotation makes one suspect that Liebig was by no means the hardened materialist that his followers make him out to be. He wrote: “Inorganic forces breed only inorganic substances. Through a higher force at work in living bodies, of which inorganic forces are merely the servants, substances come into being which are endowed with vital qualities and totally different from the crystal.” And further: “The cosmic conditions necessary for the existence of plants are the warmth and light of the sun.” Rudolf Steiner gave the key to these “higher forces at work in living bodies and to these cosmic conditions.” He solved Liebig's problem by refusing to stop short at the purely material aspects of plant-life. He went on, with characteristic spiritual courage and a complete lack of bias, to take the next step.

And now an interesting situation developed. Devotees of the purely materialistic school of thought, who once felt impelled to reject the progressive thinking advanced by Rudolf Steiner, have been forced by facts brought to light during research into soil biology to go at least one step further. Facts recognised as early as 1924-34 in bio-dynamic circles—the significance of soil-life, the earth as a living organism, the role played by humus, the necessity of maintaining humus under all circumstances, and of building it up where it is lacking—all this has become common knowledge. Recognition of biological, organic laws has now been added to the earlier realisation of the undeniable dependence of plants upon soil nutrient-substances. It is not too much to say that the biological aspect of the bio-dynamic method is now generally accepted; the goal has perhaps even been overshot. But, important as are the biological factors governing plant inter-relationships, soil structure, biological pest-control, and the progress made in understanding the importance of humus, the whole question of energy sources and Formative forces—in other words, cosmic aspects of plant-life—remains unanswered. The biological way of thinking has been adopted, but with a materialistic bias, whereas an understanding of the dynamic side, made possible by Rudolf Steiner's pioneering indications, is still largely absent.

Since 1924 numerous scientific publications that might be regarded as a first groping in this direction have appeared. We refer to studies of growth-regulating factors, the so-called growth-inducers, enzymes, hormones, vitamins, trace elements and bio-catalysts. But this groping remains in the material realm. Science has progressed to the point where material effects produced by dilutions as high as 1:1 million, or even 1:100 million, no longer belong to the realm of the fantastic and incredible. They do not meet with the unbelieving smile that greeted rules for applying the bio-dynamic compost preparations, for these—with dilutions ranging from 1:10 to 1:100 million—are quite conceivable at the present stage of scientific thinking. Exploration of the process of photo-synthesis—i.e. of the building of substance in the cells of living plants—has opened up problems of the influence of energy (of the sun, of light, of warmth and of the moon); in other words, problems of the transformation of cosmic sources of energy into chemical-material conditions and energies.

In this connection we quote from the book Principles of Agriculture,¹ written in 1952 by W. R. Williams, Member of the Academy of Sciences, U.S.S.R.: “The task of agriculture is to transform kinetic solar energy, the energy of light, into the potential energy stored in human food. The light of the sun is the basic raw material of agricultural industry.” And further: “Light and warmth are the essential conditions for plant life, and consequently also for agriculture. Light is the raw material from which agricultural products are made, and warmth is the force which drives the machinery—the green plant. The provision of both raw material and energy must be maintained. The dynamic energy of the sun's rays is transformed by green plants into potential energy in the material form of organic matter. Thus our first concrete task is the continuous creation of organic matter, storing up the potential energy of human life.” And still further: “We can divide the four fundamental factors into two groups, according to their source: light and heat are cosmic factors, water and plant food terrestrial factors. The former group originates in interplanetary space...”

Or again: “The cosmic factors—light and heat—act directly on the plant, whereas the terrestrial factors act only through an intermediary (substance).”

We see that the author of this work rates knowledge of the interworking of cosmic and terrestrial factors as the first objective of agricultural science, while ranking organic substance (humus) second on the list of objectives of agricultural production. This is what was published in 1952. In 1924 Rudolf Steiner pointed out the necessity of consciously restoring cosmic forces to growth processes by both direct and indirect means, thereby freeing the present conception of plant nature from a material, purely terrestrial isolation; only through such restoration would it be possible to re-energise those healthful and constructive forces capable of halting degeneration. He said to me, “Spiritual scientific knowledge must have found its way into practical life by the middle of the century if untold damage to the health of man and nature is to be avoided.”

Our research work began with the attempt to find reagents to the etheric forces and to discover ways of demonstrating their existence. Suggestions were given which could only later be brought to realisation in the writer's crystallisation method. Then it was our intention to proceed to expose the weak points in the materialistic conception and to refute its findings by means of its own experimental methods. This meant applying exact analytical methods in experimentation with physical substances, and even developing them to a finer point. We proposed to work quantitatively as well as qualitatively. During my own years at the university, for example, it was my regular practice to lay my proposed course of studies for the new term before Rudolf Steiner for guidance in the choice of subjects. On one occasion he urged me to take simultaneously two—no, three—main subjects, chemistry, physics and botany, each requiring six hours a day. To the objection that there were not hours enough in the day for this, he replied simply, “Oh, you'll manage it somehow.”

Again and again, he steered things in the direction of practical activity and laboratory work, away from the merely theoretical.

Suggestions of this kind were constantly in my mind during the decades of work which arose from them. They led me not only to work in laboratories, but also to apply the fundamentals of this new outlook to the management of agricultural projects, both in a bio-dynamic and in an economic sense. Dr. Steiner had insisted on my taking courses and attending lectures in political economy as well as in science, saying, “One must work in a businesslike, profit-making way, or it won't come off.” Economics, commercial history, industrial science, even mass-psychology and other such subjects were proposed for study, and when the courses were completed, Dr. Steiner always wanted a report on them. On these occasions he not only showed astounding proficiency in the various special fields, but—what was more surprising—he seemed quite familiar with the methods and characteristics of the various professors. He would say, for example, “Professor X is an extremely brilliant man, with wide-ranging ideas, but he is weak in detailed knowledge. Professor Z is a silver-tongued orator of real elegance. You needn't believe everything he says, but you must get a thorough grasp of his method of presentation.”

From these and many other suggestions it was clear what had to be done to promote the bio-dynamic method. There was the big group of practising farmers, whose task it was to carry out the method in their farming enterprises, to discover the most favourable use of the preparations, to determine what crop rotations build up rather than deplete humus, to develop the best methods of plant and animal breeding. It took years to translate the basic ideas into actual practice. All this had to be tried out in the hard school of experience, until the complete picture of a teachable and learnable method, which any farmer could profitably use, was finally evolved. Problems of soil treatment, crop rotation, manure and compost handling, time-considerations in the proper care and breeding of cattle, fruit-tree management and many other matters could be worked out only in practice through the years.

Then there was the problem of coming to grips with agricultural science. Laboratories and field experiments had to provide facts and observational material. I was now able to profit from the technical and quantitative-chemical education urged upon me by Dr. Steiner. This was the sphere in which the shortcomings and weaknesses of the chemical soil-and-nutrient theory showed up most clearly, and where to-day—after more than thirty years—one can see possibilities of building a bridge between recognition of the existence of cosmic forces and exact science.

The first possibility of breaking through the hardened layer of current orthodox opinion came through discoveries that cluster around the concept of the so-called trace elements. Dr. Steiner had pointed out as early as 1924 the existence of these finely dispersed material elements in the atmosphere and elsewhere, and had stressed the importance of their contribution to healthy plant development. But it still remained an open question whether they were absorbed from the soil by roots or from the atmosphere by leaves and other plant organs. In the early thirties, spectrum analysis showed that almost all the trace elements are present in the atmosphere in a proportion of 10-6 to 10-9. The fact that trace-elements can be absorbed from the air was established in experiments with Tillandsia usneodis. It is now common practice in California and Florida to supply zinc and other trace elements, not via the roots, but by spraying the foliage, since leaves absorb these trace elements even more efficiently.

It was found that one-sided mineral fertilising lowers the trace-element content of soil and plants, and—most significantly—that to supply trace-elements by no means assures their absorption by plants. The presence (or absence) of zinc in a dilution of 1:100 million decides absolutely whether an orange tree will bear healthy fruit. But in the period from 1924-1930 the bio-dynamic preparations were ridiculed “because plants cannot possibly be influenced by high dilutions.”

Zinc is singled out for mention here not only because treatment with very high dilutions of this trace element is especially essential for both the health and the yield of many plants, but also because it is an element particularly abundant in mushrooms. A comment by Rudolf Steiner indicates an interesting connection which can be fully understood only in the light of the most recent research. We read in the Agricultural Course: “... Harmful parasites always consort with growths of the mushroom type, ... causing certain plant diseases and doing other still worse forms of damage. ... One should see to it that meadows are infested with fungi. Then one can have the interesting experience of finding that where there is even a small mushroom-infested meadow near a farm, the fungi, owing to their kinship with the bacteria and other parasites, keep them away from the farm. It is often possible, by infesting meadows in this way, to keep off all sorts of pests.”

Organisms of the fungus type include the so-called fungi imperfecti and a botanical transition-form, the family of actinomycetes and streptomycetes, from which certain antibiotic drugs are derived. I have found that these organisms play a very special rôle in humus formation and decay, and that they are abundantly present in the bio-dynamic manure and compost preparations. The preparations also contain an abundance of many of the most important trace elements, such as molybdenum, cobalt, zinc, and others whose importance has been experimentally demonstrated.

Now a peculiar situation was found to exist in regard to soils. Analyses of available plant nutrients showed that the same soil tested quite differently at different seasons. Indeed, tests showed not only seasonal but even daily variations. The same soil sample often disclosed periodic variations greater than those found in tests of soils from adjoining fields, one of which was good, the other poor. Seasonal and daily variations are influenced, however, by the earth's relative position in the planetary system; they are, in other words, of cosmic origin. It has actually been found that the time of day or the season of the year influences the solubility and availability of nutrient substances. Numerous phenomena to be observed in the physiology of plants and animals (e.g. glandular secretions, hormones) are subject to such influences. The concentration of oxalic acid in bryophyllum leaves rises and falls with the time of day with almost clock-like regularity. Although in this and many other test cases the nutrients on which the plants were fed were identical, the increase or decrease in the plant's substantial content varied very markedly in response to varying light-rhythms and cycles. Joachim Schultz, a research worker at the Goetheanum whose life was most unfortunately cut short, had begun to test Dr. Steiner's important indication that light activity acts with growth-stimulating effect in the morning and late afternoon hours, while at noon and midnight its influence is growth-inhibiting.

When I inspected Schultz's experiments, I was struck by the fact that plants grown on the same nutrient solution had a wholly different substantial composition according to the light-rhythms operative. This was true of nitrogen, for example. Plants exposed to light during the morning and evening hours grew strongly under the favourable influence of nitrogen activity, whereas if exposed during the noon hours, they declined and showed deficiency symptoms. The way was thus opened for experimental demonstration of the fact that the so-called “cosmic” activity of light, of warmth, of sun forces especially, but of other light-sources also, prevails over the material processes. These cosmic forces regulate the course of material change. When and in what direction this takes place, and the extent to which the total growth and the form of the plant are influenced, all depend upon the cosmic constellation and the origin of the forces concerned. Recent research in the field of photosynthesis has produced findings which can hardly fall to open the eyes even of materialistic observers to such processes. Here, too, Rudolf Steiner is shown to have been a pioneer who paved the way for a new direction of research. It is impossible in an article of this length to report on all the phenomena that have already been noted, for they would more than fill a book. But it is no longer possible to dismiss the influence of cosmic forces as “mere superstition” when the physiological and biochemical inter-relationships of metabolic functions in soil-life, the rise and fall of sap in the plant, and especially processes in the root-sphere are taken into consideration.

In an earlier view of nature, based partly on old mystery-tradition and partly on instinctive clairvoyance—a view originating in the times of Aristotle and his pupil Theophrastus, and continuing on to the days of Albertus Magnus and the late mediaeval “doctrine of signatures”—it was recognised that relationships exist between certain cosmic constellations and the various plant species. These constellations are creative moments under whose influence species became differentiated and the various plant forms came into being. When one realises that cosmic rhythms have such a significant influence on the physiology of metabolism, of glandular functions, of the rise and fall of sap and of sap pressure (turgor), only a small step remains to be taken by conscious future research to the next realisation, which will achieve an experimental grasp of these creative constellations. Many of Rudolf Steiner's collaborators have already demonstrated the decisive effects of formative forces in such experiments as, the capillary tests on filter paper of L. Kolisko and the plant and crystallisation tests of Pfeiffer, Krüger, Bessenich, Selawry and others.

Rudolf Steiner's suggestions for plant breeding presented a special task. Research in this field was carried out by the author and other fellow-workers (Immanuel Vögele, Erika Riese, Martha Kuenzel and Martin Schmidt), either in collaboration or in independent work. Proceeding from the basic concept of creative cosmic constellations, one can assume that the original creative impetus in every species of sub-type slowly exhausts itself and ebbs away. The formative forces of this original impulse is passed on from plant to plant in hereditary descent by means of certain organs such as chromosomes. One-sided quantity-manuring gradually inhibits the activity of the primary forces, and results in a weakening of the plant. Seed quality degenerates. This was the initial problem laid before Rudolf Steiner, and the bio-dynamic movement came into being as an answer to it.

The task was to reunite the plant, viewed as a system of forces under the influence of cosmic activities, with nature as a whole. Rudolf Steiner pointed out that many plants which had been “violated,” in the sense of having been estranged from their cosmic origin, were already so far gone in degeneration that by the end of the century their propagation would be unreliable. Wheat and potatoes were among the plant types mentioned, but other such grains as oats, barley and lucerne belong to the same picture. Ways were sketched whereby new strains with strong seed-forces could be bred from “unexhausted” relatives of the cultivated plants. This work has begun to have success; the species of wheat have already been developed. Martin Schmidt carried on significant researches, not yet published, to determine the rhythm of seed placement in the ear, and to show in particular the difference between food plants and plants grown for seed. According to Rudolf Steiner, there is a basic difference between the two types, one of which is sown in autumn, nearer to the winter, and the other nearer to the summer. Biochemists will eventually be able to confirm these differences materially in the structure of protein substances, amino-acids, phosphorlipoids, enzyme-systems and so on by means of modern chromatographic methods.

The degeneration of wheat is already an established fact. Even where the soil is good, the protein content has declined; in the case of soft red wheat, protein content has sunk from 13% to 8% in some parts of the United States. Potato growers know how hard it is to produce healthy potatoes free from viruses and insects, not to mention the matter of flavour. Bio-dynamically grown wheat maintains its high protein level. Promising work in potato breeding was unfortunately interrupted by the last war and other disturbances.

Pests are one of the most interesting and instructive problems, looked at from the bio-dynamic viewpoint. When the biological balance is upset, degeneration follows; pests and diseases make their appearance. Nature herself liquidates weaklings. Pests are therefore to be regarded as nature's warning that the primary forces have been dissipated and the balance sinned against. According to official estimates, American agriculture pays a yearly bill of five thousand million dollars in crop losses for disregarding this warning, and another seven hundred and fifty million dollars on keeping down insect pests. People are beginning to realise that insect poisons fall short of solving the problem, especially since the destruction of some of the insects succeeds only in producing new, more resistant kinds. It has been established by the most advanced research (Albrecht of Missouri) that one-sided fertilising disturbs the protein-carbohydrates balance in plant cells, to the detriment of proteins and the layer of wax that coats plant leaves, and makes the plants “tastier” to insect depredators. It has been a bitter realisation that insect poisons merely “preserve” a part of moribund nature, but do not halt the general trend towards death. Experienced entomologists, who have witnessed the failure of chemical pest-control and the threats to health associated with it, are beginning to speak out and demand biological controls. But according to the findings of one of the American experimental stations, biological controls are feasible only when no poisons are used and an attempt is made to restore natural balance. In indications given in the Agriculture Course, Rudolf Steiner showed that health and resistance are functions of biological balance, coupled with cosmic factors. This is further evidence of how far in advance of its time was this spiritual-scientific, Goethean way of thought.

The author is thoroughly conscious of the fact that this exposition touches upon only a small part of the whole range of questions opened up by Rudolf Steiner's new agricultural method. He is also aware that other collaborators would have written quite differently, and about different aspects of the work. These pages should therefore be read in accordance with their intention: as the view from a single window in a house containing many rooms.

• *. Contributed by Dr. Pfeiffer to the German symposium, Wir erlebten Rudolf Steiner, of which a complete English translation, “Rudolf Steiner, by his pupils,” was published as a special number of The Golden Blade, 1958. This translation is used by permission of The Golden Blade and the Verlag Freies Geistesleben G.m.b.H., Stuttgart, publishers of the book, Wir erlebten Rudolf Steiner.
• 1. Translated from the Russian by G. V. Jacks, Director of the Commonwealth Bureau of Soil Science (London, 1952).

My dear friends,

I would have liked to carry out for you today some experiments to round out the series of facts that lead us to our goal. It is not possible to do so, however, and I must accordingly arrange my lecture somewhat differently from the way I intended. The reason for this is partly that the apparatus is not in working order and partly because we lack alcohol today, just as we lacked ice yesterday.

We will therefore take up in more detail the things that were begun yesterday. I will ask you to consider all these facts that were placed before you for the purpose of obtaining a survey of the relationships of various bodies to the being of heat. You will realize that certain typical phenomena meet us. We can say: These phenomena carry the impress of certain relations involving the being of heat, at first unknown to us. Heat and pressure exerted on a body or the state of aggregation that a body assumes according to its temperature, also the extent of space occupied, the volume, are examples. We are able on the one side, to see how a solid body melts, and can establish the fact that during the melting of the solid, no rise in temperature is measurable by the thermometer or any other temperature-measuring instrument. The temperature increase stands still, as it were, during the melting. On the other hand, we can see the change from a liquid to a gas, and there again we find the disappearance of the temperature increase and its reappearance when the whole body has passed into the gaseous condition. These facts make up a series that you can demonstrate for yourselves, and that you can follow with your eyes, your senses and with instruments. Yesterday, also, we called attention to certain inner experiences of the human being himself which he has under the influence of warmth and also under the influence of other sense qualities such as light and tone. But we saw that magnetism and electricity were not really sense impressions, at least not immediate sense impressions, because as ordinary physics says, there is no sense organ for these entities. We say, indeed, that so far as electrical and magnetic properties are concerned we come to know them through determining their effects, the attraction of bodies for instance, and the many other effects of electrical processes. But we have no immediate sense perception of electricity and magnetism as we have for tone and light.

We then noted particularly, and this must be emphasized, that our own passive concepts, by which we represent the world, are really a kind of distillation of the higher sense impressions. Wherever you make an examination you will find these higher concepts and will be able to convince yourselves that they are the distilled essence of the sense impressions. I illustrated this yesterday in the case of the concept of being. You can get echoes of tone in the picture of the conceptual realm, and you can everywhere see showing through how these concepts have borrowed from light . But there is one kind of concept where you cannot do this, as you will soon see. You cannot do it in the realm of the mathematical concepts. In so far as they are purely mathematical, there is no trace of the tonal or the visible. Now we must deceive ourselves here. Man is thinking of tone when he speaks of the wave number of sound vibrations. Naturally I do not refer to this sort of thing. I mean all that is obtained from pure mathematics. Such things, for instance, as the content of the proposition of Pythagoras, that the sum of the angles of a triangle is 180°, or that the whole is greater than the part, etc. The basis of our mathematical concepts does not relate itself to the seen or the heard, but it relates itself in the last analysis to our will impulse. Strange as it may seem to you at first, you will always find this fact when you look at these things from the psychological point of view, as it were. The human being who draws a triangle (the drawn triangle is only an externalization) is attaining in concept to an unfolding of the will around the three angles. There is an unfolding of action around three angles as shown by the motion of the hand or by walking, by turning of the body. The thing that you have within you as a will-concept, that in reality you carry into the pure mathematical concept. That is the essential distinction between mathematical concepts and other concepts. This is the distinction about which Kant and other philosophers waged such controversy. You can distinguish the inner determination of mathematical concepts. This distinction arises from the fact that mathematical concepts are so rigidly bound up with our own selves, that we carry our will nature into them. Only what subsists in the sphere of the will is brought into mathematical operations. This is what makes them seem so certain to us. What is not felt to be so intimately bound up with us, but is simply felt through an organ placed in a certain part of our make-up, that appears uncertain and empirical. This is the real distinction. Now, I wish to call your attention to a certain fact. When we dip down into the sphere of will, whence came, in a vague and glimmering way, the abstractions which make up the sum of our pure arithmetical and geometrical concepts, we enter the unknown region where the will rules, a region as completely unknown to us in the inner sense, as electricity and magnetism are in the outer sense. Yesterday I endeavored to illustrate this by asking you to imagine yourselves living, thinking rainbows with your consciousness in the green, in consequence of which you did not perceive the green but perceived the colors on each side of it, fading into the unknown. I compared the red to the dipping down inwardly into the unknown sphere of the will and the blue-violet to the outward extension into the spheres of electricity and magnetism and the like.

Now I am inserting at this point in our course this psychological-physiological point of view, as it might be called, because it is very essential for the future that people should be led back again to the relation of the human being to physical observations. Unless this relationship is established, the confusion that reigns at present cannot be eliminated. We will see this as we follow further the phenomena of heat. But it is not so easy to establish this relationship in the thinking of today. The reason is just this, that modern man cannot easily bridge the gap between what he perceives as outer space phenomena in the world, or better, as outer sense phenomena and what he experiences within. In these modern times there is such a pronounced dualism between all which we experience as knowledge of the outer world and what we experience inwardly, that it is extraordinarily difficult to bridge this gap, But the gap must be bridged if physics is to advance. To this end we must use the intuitive faculties rather than the rational when we relate something external to what goes on within man himself. Thus we can begin to grasp how we must orient ourselves, in observing phenomena so difficult as those arising from heat. Let me call your attention to the following:

Suppose you learn a poem by heart. You will, as you learn it, first find it necessary to become acquainted with the ideas that underlie the poem. At first you will always have the tendency, when you recite the poem, to let those ideas unroll in your mind. But you know that the more frequently you recite the poem, especially when there is a lapse of time between the recitations, the less intensely you are obliged to think of the ideas. There may come a time when it is not necessary to think at all, but simply to reel off the recitation mechanically. We never actually reach this point; do not wish to, in fact, but we approach the condition asymptotically as it were. Our feelings as human beings prevent us from reaching this stage of purely mechanical repetition, but it is thinkable that we would get to the point where we needed to think not at all, but when we spoke the first line the rest of the poem would follow without any thinking about it. You recognize the similarity between such a condition and the approach of the hyperbola to its asymptotes. But this leads us to the conception that when we speak a poem we are dealing with two different activities working simultaneously in our organism. We are dealing with a mechanical reeling-off of certain processes, and along with this go the processes included in our soul concepts. On the one hand, we have what we can properly speak of as playing itself out mechanically in space, and on the other hand, we have a soul process which is entirely non-spatial in nature.

When now, you fasten your attention simply on that which reels itself off mechanically, and you do this in thought, for instance, if you imagine you recited a poem in an unknown language, then you have simply the mechanical process. The instant you accompany this mechanical process with thinking, then you have an inner soul activity that cannot be brought out into space. You cannot express in space the thinking with which a man accompanies the recitation, as you can the mechanical processes of actual speaking, of the pronouncing of words.

Let me give you an analogy. When we follow the heating of a solid body up to the time it arrives at its melting point, the temperature becomes higher. We can see this on the thermometer. When the body begins to melt, the thermometer stands still until the melting is complete. There is an analogy between what we can follow with the thermometer, the outer physical process, and what we can follow physically in the spoken word. And there is an analogy also between what escapes us, and lies in the concepts of the reciter and what happens to the heat while the melting goes on. Here you see, we have an example where we can, by analogy, at least bridge the gap between an outer observation and something in the human being. In other realms than that of speech we do not have such ready examples to bridge the gap. This is because in speech there is, on the one hand, the possibility imaginable, at least, that a person could mechanically speak out something learned by heart. Or on the other hand, that the person would not speak at all but simply think about it and thus remove it entirely from the realm of space. In other spheres we do not have the opportunity to make this cleavage and see precisely how one activity passes over into another. Especially is this difficult when we wish to follow the nature of heat. In this case we have to set out to investigate physiologically and psychologically how heat behaves when we have taken it up into ourselves.

Yesterday, by way of illustration, I said to you: “I go into a room that is comfortably warmed, I sit down and write.” I cannot so directly find the inter-relationships between what I experience or feel when I go into the warm room. What goes on within me parallels the outer warmth, when I write my thoughts down. But I cannot determine the relationship so readily as I can between speaking something and thinking about it. Thus it is difficult to find the something within that corresponds to the outer sensation of warmth. It is a question of gradually approaching the concepts that will lead us further in this direction and in this connection I want to call your attention to something you know from your anthroposophy.

You know, when we make the attempt to extend our thinking by meditation, to increase its inner intensity, and so to work with our thoughts that we come again and again into the condition where we know we are using soul-forces without the help of the body, we notice a certain thing. We notice that in order to do this, our entire inner soul life has to change. With ordinary abstract thoughts man cannot enter the higher region of human soul life. There thoughts become picture-like and they have to be translated out of the imaginative element in order to get them into abstract form, if they are to be brought into the outer world which is not grasped by the imaginative element. But you need to understand a method of looking at these things, such as is presented, for instance, in my Occult Science. In this book the endeavor is to be as true to the facts as possible, and it is this which has so disturbed the people who are only able to think abstractly. For the attempt must be made to get things over into picture form, as I have done to some extent in the description of the Saturn and Sun states. There you will find purely picture concepts mixed in with the others. It is very hard for people to go over into the pictures, because these things cannot be put into the abstract form. The reason for this is that when we think abstractly, when we move within the narrow confines of concepts, in which people today are so much at home, and especially so in the realm of natural science, when we do this we are using ideas completely dependent on our bodies. We cannot, for instance, do without our bodies when we set out to think through the things set forth as laws in the physics books. There we must think in such a way that we use our bodies as instruments. When we rise to the sphere of the imagination, then the abstract ideas must be completely altered, because our inner soul life no longer uses the physical body.

Now you can take what I might call a comprehensive view of the realm of imaginative thought. This realm of imaginative thought has in us nothing to do with what is tied up in our outer corporeality. We rise to a region where we live as beings of soul and spirit without dependence on our corporeality. In other words, the instant we enter the realm of the imaginative, we leave space. We are then no longer in space.

Note now, this has an extremely important bearing. I have in the previous course, made a very definite differentiation between mere kinematics and what enters into our consideration as mechanical, such as mass, for instance. As long as I consider only kinematics, I need only think of things. I can write them down on a blackboard or a sheet of paper and complete the survey of motion and space so far as my thinking takes me. But in that case I must remain within what can be surveyed in terms of time and space. Why is this? This is so for a very definite reason. You must make the following clear to yourselves: All human beings, as they exist on earth, are as you yourselves, within time and space. They are bounded by a definite space and are related as space objects to other space objects. Therefore, when you speak of space, you are not able, considering the matter in an unprejudiced way, to take seriously the Kantian ideas. For if space were inside of us, then we could not ourselves be within space. We only think space is inside of us. We can free ourselves of this fancy, of this notion, if we consider the fact that this being-within space has a very real meaning for us. If space were inside of us, it would have no meaning for a person whether he were born in Moscow or Vienna. But where we are born has a very real significance. As a terrestrial-empirical person, I am quite completely a product of space facts. That is, as a human being, I belong to relations that form themselves in space. Likewise, with time, you would all be different persons if you had been born 20 years earlier. That is to say, your life does not have time inside of it, but time has your life within it. Thus as experiencing persons, you stand within time and space. And when we talk of time and space, or when we make a picture of will impulses, as I have explained we do in geometry, this is because we ourselves live inside of spatial and temporal relations, and are therefore quite definitely conditioned by them, and so are able, a priori, to speak of them as we do in mathematics. When you go over to the concept of mass, this is not so. The matter must then be put otherwise. In respect to mass, you are dealing with something quite special. You cannot say that you cut out a portion of time or space, but rather that you live in the general space mass and make it into your own mass. This mass then, is within you. It cannot be gainsaid that this mass with all its activities, all of its potentialities, is active inside of you; at this moment it falls into a different category from time and space so far as its relations to you are concerned. It is precisely because you yourself take part, as it were, with your inner being in the properties of the mass, because you take it up into your being, that it does not allow itself to be brought into consciousness like time and space. In the realm where the world gives us our own substance, we thus enter an unknown region. This is related to the fact that our will is, for instance, closely connected with the phenomena of mass inside us. But we are unconscious of these phenomena; we are asleep to them. And we are related to the will activity and accompany mass phenomena within us in no other way than we are to the world in general between going to sleep and waking up. We are not conscious of either one. Both these things are hidden from human consciousness, and in this respect, there is no immediate distinction between them.

Thus we gradually bring these things nearer to the human being. It is this that the physicists shy away from, the bringing of such things near to man. But in no other way can we obtain real concepts except by developing relationship between the human being and the world, a relationship that does not exist at the start, as in the case of time and space. We speak of time and space, let us say, out of our rational faculties, whence comes the remoteness of the mathematical and kinematical sciences. Of the things experienced merely through the senses, in an external fashion, things related to mass, we can at first speak only in an empirical fashion. But we can analyze the relation between the activity of a portion of mass within us and outer mass activity. As soon as we do this we can begin to deal with mass in the same way that we deal with the obvious relation between ourselves and time or ourselves and space. That is, we must grow inwardly into such relation with the world in our physical concepts, as we have for the mathematical or kinematical concepts.

It is a peculiar thing that, as we loosen ourselves from our own bodies in which all those things take place to which we are asleep, as we raise ourselves to imaginative concepts, we really take a step nearer the world. We approach always nearer to that which otherwise reigns in us unconsciously. There is no other way to enter into the objectivity of the facts than to push forward with our own developed inner soul forces. At the same time that we detach ourselves from our own materiality, we approach more and more closely to what is going on in the outside world.

However, it is not so easy to obtain even the most elementary experiences in this region, since a person must so transform himself that he pays attention to things that are not noticed at all under ordinary circumstances. But now, I will tell you something that will probably greatly astonish you. Let us suppose you have advanced further on the path of imaginative thinking. Suppose you have really begun to think imaginatively. You will then experience something that will astonish you. It will be much easier than it formerly was for you to recite in a merely mechanical way a poem that you have learned by heart. It will not be more difficult for you, but less so. If you examine your soul organism without prejudice and with care, you will at once find that you are more prone to recite a poem mechanically without thinking about it, if you have undergone an occult training than if you have not undergone such a training. You do not dislike this going over into the mechanical so strongly as you did before the occult development. It is such things as this that are not usually stated but are meant when it is said over and over again: The experiences you have in occult training are really opposed to the concepts that are ordinarily had before you enter occult training and thus it is, when the more advanced stage is reached, that one comes to look more lightly on the ideas of ordinary life. And therefore, anyone who advances in occultism is exposed to the danger of afterwards becoming a greater mechanist than before. An orderly occult training guards against this, but the tendency to become materialistic is quite marked in the very people who have undergone occult development. I will, by example, tell you why.

You see, in ordinary life, it is really, as the theorists say it is, the brain thinks. But ordinarily, a man does not actually experience this fact. It is quite possible in this ordinary life to carry out such a dialogue as I did in my childhood with a youthful friend who as a crass materialist and became more and more so. He would say, “When I think my brain does the thinking.” I would say to that: “ Yes, but when you are with me you always say, I will do this, I think. Why do you not say, my brain will do this, my brain thinks? You are always speaking an untruth.” The reason is that for the theoretical materialist, quite naturally, there does not exist the possibility of observing the processes in the brain. He cannot observe these physical processes. Therefore, materialism remains for him merely a theory.

The moment a person advances somewhat from imaginative to inspirational ideas, he becomes able really to observe the parallel processes in the brain. Then what goes on in the material part of the brain becomes really visible. Aside from the fact that it is extremely seductive, the things a person can observe in his own activity appear to him more and more wonderful to a high degree. For this activity of the brain is observable as something more wonderful than all that the theoretical materialists can describe about it. Therefore, the temperature comes to grow materialistic for the very reason that the activity of the human brain has become observable. Only one is, as has been said, protected from this.

But as I have explained to you these steps in occult development, I have at the same time showed you how this development creates the possibility of a deeper penetration into material processes. This is the extraordinary thing. He who functions in the spirit simply as an abstract thing, will be relatively powerless in the face of nature. He grows into contact with other natural phenomena as he has already grown into contact with time and space.

We must now set up on the one side, all the things we have just tried to place before our minds, and on the other side, those things that have met us from the realm of heat.

What has come to us from the realm of heat? Well, we followed the rise of temperature as we warmed a solid body to melting point. We showed how the temperature rise disappeared for a time, and then re-appeared until the body began to boil, to evaporate. When we extended our observations, another thing appeared. We could see that the gas produced passed over in all directions on its surroundings. (Fig. 1a), seeking to distribute itself in all directions, and could only be made to take on form if its own pressure were opposed by an equal and opposite pressure brought to bear from the outside. These things have been brought out by experiment and will be further cleared up by other experiments. The moment the temperature is lowered to the point where the body can solidify, it can give itself a form (Fig. 1b). When we experience temperature rise and fall, we experience what corresponds externally to form. We are experiencing the dissolution of form and the re-establishment of it. The gas shows us the dissolution, the solid pictures for us the establishment of form. We experience the transition between these two, also, and we experience it in an extremely interesting fashion. For, imagine to yourselves the solid and the gas and the liquid, the fluid body standing between. This liquid need not be enclosed by a vessel surrounding it completely, but only on the bottom and sides. On the upper side, the liquid forms its own surface perpendicular to the line between itself and the center of the earth. Thus we can say that we have here a transition form between the gas and the solid (Fig. 1c). In a gas we never have such a surface. In a liquid such as water, we have one surface formed. In the case of a solid, we have that all around the body which occurs in the liquid only on the upper surfaces.

Now this is an extremely interesting and significant relation. For it directs our attention to the fact that a solid body has over its entire surface something corresponding to the upper surface of a liquid, but that it determines the establishment of the surface on a body of water. It is at right angles to the line joining it to the center of the earth. The whole earth conditions the establishment of the surface. We can therefore say: In the case of water, each point within it has the same relation to the entire earth that the points in a solid have to something within the solid. The solid therefore includes something which in the case of water resides in the relation of the latter to the earth. The gas diffuses. The relation to the earth does not take part at all. It is out of the picture. Gases have no surface at all.

You will see from this that we are obliged to go back to an old conception. I called your attention in a previous lecture to the fact that the old Greek physicists called solid bodies Earth. They did this, not account of some superficial reason such as has been ascribed to them by people today, but they did it because they were conscious of the fact that the solid, of itself, takes care of that which is the case of water is taken care of by the earth as a whole. The solid takes into itself the role of the earthly. It is entirely justified to put the matter in this way: The earthly resides within a solid. In water it does not reside within, but the whole earth takes up the role of forming a surface on the liquid.

Thus you see, when we proceed from solid bodies to water, we are obliged to extend our considerations not only to what actually lies before us but in order to get an intelligent idea of the nature of water, we must extend them to include the water of the whole earth and to think of this as a unity in relation with the central point of the earth. To observe a “fragment” of water as a physical entity is absurd, just as much so as to consider a cut-off garment of my little finger as an organism. It would die at once. It only has meaning as an organism if it is considered in its relation to the whole organism. The meaning that the solid has in itself, can only be attached to water if we consider it in relation to the whole earth. And so it is with all liquids on earth.

And again, when we pass on from the fluid to the gaseous, we come to understand that the gaseous removes itself from the influence of the earth. It does not form surfaces. It partakes of everything which is not terrestrial. In other words, we must not merely look on the earth for the activities of a gas, we must bring in the environment of the earth to help us out, we must go out into space and seek there the forces involved. When we wish to learn the laws of the gaseous state, we become involved in nothing less than astronomical considerations.

Thus you see how these things are related to the whole terrestrial scheme when we examine the phenomena that we have up to this time simply gathered together. And when we come to such a point as the melting or boiling point, then there enter in things that must now appear to us as very significant. For, if we consider the melting point we pass from the terrestrial condition of the solid body where it determines its own form and relations, to something which includes the whole earth. The earth takes the sold captive when the latter goes over into the fluid state. From its own kingdom, the solid body enters the terrestrial kingdom as a whole when we reach the melting point. It ceases to have individuality. And when we carry the fluid body over into the gaseous condition, then we come to the point where the connection with the earth as shown by the formation of a liquid surface is loosened. The instant we go from a liquid to a gas, the body loosens itself from the earth, as it were, and enters the realm of the extra-terrestrial. When we consider a gas, the forces active in it are to be thought of as having escaped from the earth. Therefore, when we study these phenomena we cannot avoid passing from the ordinary physical-terrestrial into the cosmic. For we no longer are in contact with reality if our attention is not turned to what is actually working in the things themselves.

But now another phenomena meets us. Consider such a thing as the one you know very well and to which I have called your attention, namely that water behaves so remarkably, in that ice floats on water, or, stated otherwise, is less dense than water. When it goes over into the fluid condition its temperature rises, and it contracts and becomes denser. Only by virtue of this fact can ice float on the surface of the water. Here we have between zero and four degrees, water showing an exception to the general rule that we find when temperature increases, namely that bodies become less and less dense as they are warmed up. This range of four degrees, where water expands as the temperature is lowered, is very instructive. What do we learn from this range? We learn that the water sets up an opposition. As ice it is a solid body with a kind of individuality, but opposes the transition to an entirely different sphere. It is very necessary to consider such things. For then we begin to get an understanding as to why, under certain conditions, the temperature as determined by a thermometer disappears, say at the melting or boiling points. It disappears just as our bodily reality disappears when we rise to the realm of imagination. We will go into the matter a little more deeply, and it will not appear so paradoxical when we try to clear up further the following: What happens then, when a heat condition obliges us to raise the temperature to the third power, or in this case to go into the fourth dimension, thus passing out of space altogether? Let us at this time, put this proposition before our souls and tomorrow we ill speak further about it. Just as it is possible for our bodily activity to pass over into the spiritual when we enter the imaginative realm, so we can find a path leading from the external and visible in the realm of heat tot he phenomena that are pointed to by our thermometer when the temperature rise we are measuring with it disappears before our eyes. What process goes on behind this disappearance? That is the question which we are asking ourselves today. Tomorrow we will speak of it further.

at the first Anthroposophical College Course at the Goetheanum

Question: How can we recognize the different temperaments in children and in ourselves?

Rudolf Steiner: I would like to say a few words about temperament, more to point out how, under the influence of the pedagogy that we want to cultivate in Waldorf schools, intellectualism and the other soul qualities gradually become an art of education. What is important is that it should not be a matter of mere skill or of pure science in education, but that it should be an art. This presupposes that one is able to observe the human being from all sides, that one has made a great effort to grasp the nuances of the soul life as revealed in the different temperaments. First more theoretically, then, as soon as one has grasped what you find in our anthroposophical literature in various descriptions of the temperaments, by applying it to life. In many cases, this is a method of convincing oneself of the truth that anthroposophy can help when it is seen in the spirit; it is a method of having life confirm it. Life's experiences will present themselves to us at every turn, showing how what is seen in the spirit - or even just appropriated by learning what the seer has seen - must then be transferred into life.

So it should be a more or less long path of one's own study of the human being, and I would like to say about the whole human being. When this has been passed on to the teacher, then what comes out at the end is something like a rounded handling of life. Let us assume that a teacher has been trained in the way I have only been able to sketch it out, in that he has looked into the being of the developing human being with certain glances, and he comes to teach after such preparation. Then the following can happen: he speaks with a child in class. This child, to whom he asks a question, will prepare to answer with a certain ease and indifference. The teacher has a certain idea of how the answer should be. The child easily decides to give the answer, gives an answer without showing that the decision is difficult for him. In the end, one has the feeling that —- one acquires a certain certainty in this feeling only by allowing what I have described to happen: Yes, that is an answer, it is approximately correct, but this answer came about because this child has forgotten much of what I have already taught. The answer is such that much more could be added to it. And I may be led to add much more. The child accepts this and sits down again. I am dealing with a sanguine child.

I ask a question of a second child. The child shows me as I get up that it takes a certain resolve to approach the question. So it allows the question to approach it, not moving its face back and forth, but looking at me quite rigidly. It allows the question to approach it. Now, after it has heard the question, it is silent for a while. It will take a special art to observe and evaluate such reactions in the right way when teaching in a game of questions and answers. Only after a certain pause, which is, so to speak, completely neutral, can you see an effort in the child to come to a decision, to formulate the answer. One will find that the answer is difficult for him, that the child has to struggle to formulate the answer. For such things one must be able to acquire the necessary sense of tact. And one will generally find that this child brings everything he can muster to give the answer. And one will notice from the child's whole bearing – especially from the fact that he probably lowers his face a little – that he is not entirely satisfied with his answer. One will therefore be able to notice anticipation and retrospective feeling, anticipation and empathy before and after the answer: one is dealing with a melancholy child.

You ask a third child a question. You may need to ask the question a second time, because you realize that the child has not fully understood it. The child barely takes in the question completely, you may have to make an effort to formulate the question again forcefully, and so on. Then the child does not make the gesture with his hand, but in his soul [Rudolf Steiner demonstrates the gesture]. It says something to you; there is then something in the words - you have to have a feeling for this - sometimes something that does not correspond to the question: you are dealing with a phlegmatic child.

Then a fourth child. It has long been noticed that this child is eager to answer and wants to be asked questions. You ask it a question and you can hear how the answer bubbles up. How it says something in some way beyond the answer that one expected. This has nothing to do with the method, or that the answer may not be given correctly, but it is a matter of the habitus, how the child behaves, namely that it pushes itself to do so. One must develop a feeling for what is going on in the sphere of temperament – because it is not at all the case that the child who pushes to answer and wants to be asked is much more knowledgeable than the other. Perhaps it does not even know as much as the phlegmatic child. It is not a matter of the method or something learned, but of the feeling habitus, the sentience habitus. There may be a very poor answer. Nevertheless, you can recognize the choleric child by the way he behaves. And so, if you observe the essence of the human being in the right, lively way – if you stand in front of the children in the first lesson, you can tell from their corresponding expression – if you are only able to assess them correctly – what temperament you are dealing with.

Of course, this is just one example. It can also be observed in other ways. What matters is that the educational theory gained from anthroposophy becomes an art of education, so that, just as the artist nuances in color, sees something in color that the other person cannot see, so one sees something in the child that the other person does not see and perceive, and so one must first become acquainted with the nature of the child.

Question: How can we influence the temperaments through colors?

Rudolf Steiner: I refer you to the booklet “The Education of the Child in the Light of Anthroposophy”, which was published many years ago. I will try to explain some of it to you.

Let us assume, then, that a child faces you at an early age as a choleric child. It will not take a game of questions and answers to figure it out, but it may show itself by kicking terribly at every opportunity, by throwing itself on the floor and beating itself. All these expressions are the corresponding ones in the choleric child.

Now, if you are a layperson, you will probably believe that you can tame such a child by placing it in a calming, colorful environment if possible. But that is not true. If you surround the choleric child with blue or dress him in blue clothes, then precisely because he has the disposition for it, when he is surrounded by this calming blue color, which he does not reject, he will act out his choleric temperament. He will become even more “z'widerer,” more rumbling. On the other hand, if the child is surrounded by red, the exciting red color, you know from other lectures that the complementary color is green, the green-bluish complementary color is evoked. The child, when constantly surrounded by red, has to make an effort internally to experience the complementary color internally and is not externally excited. So the same thing, that is what has a calming effect on an excited child.

On the other hand, you will have a good effect on a melancholy child if you get him to come out of himself by bringing him into a blue, greenish-blue environment; so don't be afraid that if you give him a calming, adoring environment, you will make him even more melancholy.

The point here is to really understand how it follows from the essence of man that you fight fire with fire. You see, it is always a matter of starting from the essence of man and using the knowledge you gain to approach life. But I would like to make it quite clear that a mechanistic view must be avoided when considering education as an art. And when we ask how we can influence temperaments by means of colors and such things, we must not fall into the trap of intellectual systematization. If education becomes an art, then one does not arrive at such intellectual schematizing. When dealing with color, one does not look at the temperaments, but in general one is more concerned with whether the child is an excited or an unexcited child. It may also happen, for example, that a phlegmatic child may have to be treated in the same way with colors as a melancholic child, and so on. In short, the aim is to develop a living art of education from a living science of education.

Question: Is it beneficial for children to look back as early as five or six years of age?

Rudolf Steiner: I do not know what prompted the question about children looking back. I also do not know if the question arises from experience. It seems so, because it is written here. I am actually surprised that this question has been asked, because I would have thought that such nonsense, having five- to six-year-old children look back, would not actually occur. As you know from my writings, looking back is practiced, in particular, from “How to Know Higher Worlds” in order to advance spiritually and to gradually arrive at a real spiritual view. And you can easily imagine what a profound effect it has on a person when such a review is practiced, when you consider that the other thinking, the one that runs along in the course of natural phenomena, is the thinking of ordinary consciousness. When we now, through a certain inner effort, try to formulate a review in such a way that we, as it were, go through the events of the day backwards from evening to morning, we snatch ourselves away from precisely this ordinary thinking and imagining and experiencing of things. We break free. And by doing this radically, in such a contrary way, we gradually achieve an inner emancipation of the soul and spirit element in the human being. Such practice provides a support for spiritual progress.

Now it could be meant – it is not clearly expressed in the question – that a review would be adapted for children to such an exercise, which is appropriate for spiritual progress in later life. That would simply be nonsense for the reason that one would introduce an absolute disorder into the relationship between the spiritual-mental and the bodily-etheric of the child. It would be plain to see that one was causing terrible damage. To allow such practices with children would mean that one would tear apart at a very early stage that which corresponds to the imagination, to feeling, to the will; that one would bring such disorder into the whole soul-spiritual-physical organization of the child that one would virtually develop the child, deliberately develop it into childish mental deficiency, into a kind of dementia praecox. If one hears about such things at all, if one becomes familiar with such things, it is important to know that they should not be used in a novelistic way, and especially that they are not only not intended for children aged five to six, but that it is nonsense to use them at all in people before sexual maturity. If the intention is to look back in such a way that the child is allowed to remember the events of the day, then such a thing must at least not be taken to any extreme. It may sometimes be necessary for the child to remember some kind of misbehavior or for them to remember a joy they have experienced for this or that reason, but to is something that is basically also a kind of mischief, albeit a small mischief, compared to when, for example, it is meant to suggest that the child should be doing spiritual exercises.

A question about a 23-year-old person with an intellectual disability: Is the disability connected to a past life and how should the person in question be educated?

Rudolf Steiner: In such matters, each case is truly an individual one and nothing can be said from the few details given on this note, least of all how the mental deficiency in question is connected with any previous life on earth. As for how to treat him educationally, that really depends entirely on what the person was like before. Above all, the person should be followed up in terms of education: What was done with the person before? Was no attention paid to the fact that there were abnormalities in the past? The real issue is that it is not possible for a young person of twenty-three to become feeble-minded unless it is due to an external necessity. Rather, the issue is that the things that preceded it should have been dealt with in the appropriate way. But to answer the question of what to do after he turns twenty-three, you would have to know the person very well.

Perhaps I may take this opportunity to come back to a few other things that have caught my eye during the course of the evening. First of all, the matter of the age of nine. It is indeed the case that the main epoch of the developing human being's life is from birth to the change of teeth, then again from the change of teeth to sexual maturity, but that between the ages of nine and ten there is something that intervenes in the child's life in an extraordinarily significant way. You know that the sense of self first arises in the form of a sense of self. This sense of self only emerges in the second, third, sometimes even the fourth year of life. It is not yet an actual sense of self, and this sense of self is not actually present in a transparently clear way even at the change of teeth. So you don't give the child something that is in line with his development when you introduce things that sharply challenge the child to separate himself from his surroundings, to have a strong sense of self. Everything that is perceived when one strongly separates oneself from one's surroundings, when one perceives another being as another, one should bring up as little as possible to the child up to the age of nine, but should guide the child in such a way that it perceives the outside world only as a continuation of its own being, so to speak. One should cultivate precisely this feeling, which does not separate from the outside world. One should educate the child in such a way that it can feel and sense what is outside, as if it were continuing into its own organization and vice versa. And only around the age of nine does a clear and distinct sense of self actually awaken. It is this sense of self that Jean Paul says is actually in the innermost sanctum of the human being and that only this sense of self actually allows one to feel the human being as such, the human existence inwardly. This sense of self awakens in the ninth year. And in this year, between the ninth and tenth year – these things are, of course, only approximations – the world also enters, the outer world; the child differentiates itself from the outer world, is allowed to differentiate itself of its own accord. It is then possible to approach the child with the simplest ideas and observations from the plant and animal kingdoms, no longer to bring things to the child merely in the form of fairy tales, legends or stories, but to really bring them in such a way that the child acquires possible ideas - I do not mean systematically as in science. That is what needs to be observed.

What cannot be emphasized strongly enough for the art of education is that one must not follow the mischief of introducing scientific categories into school life. Unfortunately, even the schoolbooks for the lower grades are often put together in such a way that their content is taken out of scientific books in its structure and direction. But botany, zoology and so on should not be taught to the child as if one wanted to believe that he should become a botanist or zoologist; rather, precisely because one assumes that he should certainly not become a botanist or zoologist, not in such a way that one presents him with all the raisins, but in such a way that one uses the aptitudes that the child has at that particular moment, and then helps them to break through. This is the result of a natural art of education, as applied in Waldorf schools: people are not trained according to a certain specialization, but they are made human beings. And if they then develop in one direction or another, it is because their original abilities have not been suppressed and can now develop in a certain sense. That is what makes a human being human.

Regarding the lecture by Rudolf Meyer, Berlin:

It would certainly be interesting to pursue the considerations that Mr. Meyer so beautifully presented in his lecture on the relationship between Fichte, Pestalozzi and Herbart from a psychological point of view. But let me just express a few thoughts about it.

It is extremely interesting that from the consideration of Pestalozzi one gets the idea that the successes that he had with his art of education are essentially based on the fact that he was, as it seems, an infinitely amiable personality, especially towards children, and that out of a certain childlike love he instinctively applied a highly perfect art of education.

It is a different matter when we look at what was happening around Pestalozzi. Here we do not get the impression that Pestalozzi would have been able to transfer to others the educational skills that he possessed through the inherent kindness of his personality. And if you look at the actual pedagogical principles, the more fundamental aspects, and not just at the extraordinarily charming descriptions that Pestalozzi gave of life with children – which can be extremely inspiring, especially for educators – but if you ask other people about the instructions he gave, you can see that he was not in a position to become aware of what instinctively worked in him as an educational art in a lovable way, so that he could have transferred it to others. Therefore, the love that Pestalozzi is shown is actually based more on the fact that this amiable personality speaks from all his writings, and what one feels when reading these writings triggers many educational impulses from within the human being. While - I only need to recall the instructions that Pestalozzi gives, one must teach very young children the parts of the human body in a way that is not at all natural. If you look at Pestalozzi's formulations in his art of education, you have to say: that is not suitable for inspiring other educators.

But something else is becoming blatantly obvious. It may well be that Pestalozzi also proceeded with young children as he describes it, and had great success; while another - even a direct student of Pestalozzi, we can prove that it was so - who followed the same instructions, now achieved absolutely nothing. The fact is that the important personality of Pestalozzi was not behind it. In the final analysis, it is not the content that is important in a pedagogical system that aspires to become an art of education. The pedagogy cultivated in Waldorf school lessons is actually about the fact that, under certain circumstances, even if the content of what is taught is based on false premises – it does not have to be so, but it can be so – it can nevertheless have an effect on the child in an appropriate way through the way the art of education is applied. One might say that in Waldorf education it is not so much the content of the teaching that is important as the way it is handled. This is because spiritual science is fundamentally not something that merely — that is not even the most important thing, in fact — but spiritual science essentially consists in the fact that it gives a living world view, that it allows what it gives as a world view to be truly experienced. That is why spiritual science is so poorly understood. Because, you see, in the sense of our spiritual science here – and I am saying this precisely with regard to spiritual science as the basis of a pedagogical art – it is certainly a mistake for someone to be a pure materialist, for someone to have materialistic theories; but one can also formulate materialistic theories very wittily. One can have spirit and be a materialist. And conversely, one can also be a spiritualist, a theosophist, an anthroposophist, who can reel off theories from spiritualism, theosophy or anthroposophy and be terribly spiritless in the process. Then it is a matter of the spirit of materialism, which, however, prevails, having to be valued more highly in the sense of a real anthroposophy than the spiritlessness of the anthroposophist, who schematically recounts everything that is theory or inanimate outlook on life. So that one can say: anthroposophy is directed towards the real life of the spirit. And this real life of the spirit really does enter the whole human being. In a sense, the spirit should be banished into what the human being does. And that is what makes the teacher, from the most profound level of his spiritual science, skilled in the art of education, which enables him to truly transform education.

This is what Rudolf Meyer presented so beautifully in his lecture and by which he measured the intellectualism of Herbart, who played such a great role in the education that we will hopefully soon have behind us and that we will very soon replace with a different one.

Today, you have also been presented with a very nice illustration of how Herbart's views were shaped by his inheritance. But there is something else that matters in the assessment of Herbart, namely how the selection has worked. For the culturally and historically important phenomenon is that one looks at this Herbart, who was purely intellectualistic, but who founded a comprehensive pedagogical school that then had an enormous influence on pedagogical work. It must be said that the fact that, of all the philosophers and other world-view thinkers, it was this intellectualist Herbart who was chosen by the fate of Central Europe to be the educational source of inspiration can be traced back to the entirely intellectualist tendency that the intellectual life of the 19th century took.

This can be made particularly clear with regard to Herbart by the following: one could point out, for example, as Rudolf Meyer has done very nicely, and one can also do so with other personalities, that Schiller's “Letters on the Aesthetic Education of Man” are also a kind of pedagogical impulse. Schiller, who so magnificently portrays how, on the one hand, man tends towards intellectualism and, on the other, towards mere sensual-physical instincts, points out how man follows the necessity of reason in logic, in the intellectual, and how he follows the necessity of the senses in ordinary life. And then Schiller presents beauty, which is the balance between the two, which one achieves by being able to follow the spiritual not only logically in the intellect, but to already have it in sensual perception, so that one may also feel the pleasant as thoroughly beautiful. On the other hand, he demands that what one experiences sensually should already be spiritualized, so that it is elevated, that one experiences it as spiritual. Schiller therefore actually wants to create a balance in beauty between the intellectual and the sensual-illustrative or instinctive will. And basically he wants to permeate all of life with what emerges from people when they are educated for such a balance. In Schiller, we see how he wants to bring people to action through the spirit, how he works towards this balance between intellectualism and between the instinctive, that is, the dull-willed element, but one that is to be spiritualized, how he points out that the whole human being is to be placed in the world.

This is then contrasted with Herbartianism – yes, one can tell a whole story about it if one has experienced Herbartianism as strongly as it was experienced by people who spent their youth in Austria in the second half of the 19th century, where Herbartianism was proclaimed as philosophy from all the lecterns. It was only Brentano who introduced a change in this respect, but he was an isolated case. Herbartianism continued to be preached until the turn of the century, or at least until the 1890s, and everything that was achieved in the field of education, as you can see, is based on Herbart.

One of these 'Herbartians' was Robert Zimmermann, a very brilliant man, an important man and also a morally superior personality; but he was a Herbartian through and through. And he wrote a 'Philosophical Propaedeutic' for grammar school students. This “Philosophical Propaedeutic” also contained a psychology. In this psychology, there is the following sentence: Man experiences hunger or satiation through food not through something else, but through the ideas he has about it. So it is quite broadly argued that it does not depend on the real process behind the phenomenon of how hunger is transformed into satiation, but it depends - and now I quote almost word for word: if you have the idea of hunger at a certain moment of the day, this idea of hunger would be pushed below the threshold of consciousness by the opposite idea of satiation.

This replacement of nutrition with a purely intellectual process is something that has actually been included in high school psychology textbooks, and one can imagine how the minds of those who absorbed such psychology without knowing it had to be colored.

But I would like to draw attention to something else. Very briefly, I will touch on how Herbartian aesthetics stands in contrast to basically all other aesthetic worldviews that have emerged in Central Europe. When one speaks of aesthetics, then it depends on whether one speaks – I will say it now in general – of what speaks to you as beauty or what repels you as ugliness, that you essentially remain in the realm of taste judgment. Then one differentiates from this aesthetics – and this is what otherwise distinguishes aesthetics from the ethics found within Central Europe – that which, as will, impulsates the moral act or that which is sick in the will in the immoral act. What other people in Central Europe developed as aesthetics, what they selected from the direct impulse of the will, does not exist for Herbart's philosophical considerations. For ethics is only a special chapter of aesthetics. And just as in art, when two forms have something in common, for example, this is the summarizing, the harmonious element, so it is for Herbart in relation to moral judgment. He speaks of five forms: the relationship of action to action or action to thought, and the like, and he says: a strong action pleases next to a weak one. He looks at the aesthetic impression, not at the volitional impulse, and gives his judgment of favor the term “perfection.” So that in the case of perfection, it is not the volitional element that is effectively present in the human being as a volitional impulse, but rather he says: If I will more strongly one time and more weakly the other, I gain the aesthetic impression that the strong is more pleasing than the weak. Therefore it is predominant.

You see, what should be a powerful driving force is reduced to a judgment of liking or disliking. You then have the idea of wanting, of moral freedom, of right and of retribution. These five ethical ideas are therefore considered by Herbart, not by taking them out of the nature of the will, of ethos, but by observing, as it were, how man's action pleases or displeases when it is looked at. So you have here the task of at least guiding ethics, which should essentially arise from the will, on the way to the intellectual. I said that one must look at the selection process to see why Herbart was chosen by the fate of Central Europe. This is based on the fact that the age as such had to go through intellectualism, that the age as such demanded intellectualism.

Now, we have indeed gained a great deal through intellectualism. In Herbart's work, some dark sides and some light sides of this intellectualism can be seen. As Mr. Rudolf Meyer just mentioned, Herbart's ideas only found their way into elementary school pedagogy indirectly, not exactly directly, but all the more so into grammar school pedagogy. The only problem is that in the latter case, it remained an intellectual exercise and did not lead to a true art of education or to the proper practice of pedagogy. For what was this grammar school education? As you know, as a rule the philosopher in the philosophy faculty had to teach it as a subsidiary subject, not out of any great sympathy for it. And as for how it was practised – well, we would rather not talk about how education was practised at grammar schools. It was simply not possible to bring into the art of education that which draws from mere intellectual sources. On the other hand, we must not forget or overlook the fact that Herbart, who had such a broad impact and was so widely disseminated, had an enormously disciplining effect on thinking, that the inner weaving of thoughts does not follow pure arbitrariness but certain underlying laws, which is of course also true. And in this respect it did not really improve until Herbartianism gradually declined more or less only towards the end of the nineteenth century; on the contrary, it must be said that there was something disciplining in Herbart's philosophy , something that, even if it easily led thoughts into an even greater pedantry, nevertheless made this pedantry less unbearable than when the pedantry runs without an inner conformity to the laws of thinking. On the whole, it must be said that, in the 19th century, humanity's urge to discipline thinking inwardly came about, which then also had an effect on natural science until very recently and which has a certain significance. It must be said that in this respect Herbart certainly had a disciplining effect. But today we are faced with a challenge of the world, in the face of which we have to say: We will not get anywhere with such intellectualism. We can no longer, so to speak, substitute the idea of hunger and satiation – apparently it can only be one or the other – for the real process and thereby entrench ourselves entirely in our heads as in a fortress. We have to engage the whole person through what we do. In the course of this discussion about Herbart's intellectualism, I was constantly reminded of how the entire 19th century, especially in Central Europe, was dominated by intellectualism. This became very vividly clear to me many years ago in a conversation I had with the long-deceased Austrian poet Hermann Rollett. He was a remarkable personality. He was completely immersed in intellectualism. He could not imagine the world differently. He said that everything else was simply not proper, had no discipline of thought, one had to think intellectually, think atomistically, and so on. But he was terribly pessimistic, and he once said to me: “For our development as a civilization, as civilized people of the world, we have the prospect of ultimately wasting away in all our limbs and being only heads, being only a ball!” This was Rollett's world, and it was what led him to despair of the progress of humanity, because he believed that the limbs would atrophy more and more, that man would only roll along as a head ball, and that there would be such small bits of arms and feet sticking out. He painted this vividly as a picture.

But it is necessary, at least in a spiritual and psychological sense, to do everything from now on to prevent man from developing into a mere head person in the future. It must be understood that the spirit is not only talked about to him, but that it is banished from human life. But when the spirit takes hold of the whole human being in such a way that this whole human being also radiates the spirit into the social existence, then this is what the time demands of us with all our energy and what we must fulfill: the education of the human being not only as a head human being and towards some one-sidedness, but the education of the whole human being through spiritual science.

Very early on, I was drawn to Kant. At the age of fifteen or sixteen, I studied Kant very intensively, and before I went to the University of Vienna, I occupied myself intensively with the orthodox followers of Kant from the beginning of the nineteenth century, who have been completely forgotten by the official history of science in Germany and are hardly ever mentioned anymore. Then I immersed myself in Fichte and Schelling. During this time — and this belongs already to the external occult influences — the conception of time became completely clear. This realization had no connection with the studies and was directed entirely from occult life. It was the realization that there is a backward-going evolution interfering with the forward-going evolution — the occult-astral one. This realization is the condition for spiritual vision.

Then came the acquaintance with the agent of the Master.

Then an intensive study of Hegel.

Then the study of the newer philosophy as it had been developing in Germany since the 1850s, namely the so-called theory of knowledge in all its ramifications.

My childhood passed without anyone outwardly intending to do so, so that I never encountered anyone with a superstition; and when someone around me spoke of superstitions, it was always with a strongly emphasized rejection. I did get to know the church cultus, as I was called upon to assist at cultic services as an altar boy, but nowhere, not even among the priests I met, was there any real piety or religiosity. Instead, certain dark sides of the Catholic clergy kept coming to my attention.

I did not meet the master immediately, but first one of his disciples, who was completely initiated into the secrets of the effectiveness of all plants and their connection with the cosmos and with human nature. For him, dealing with the spirits of nature was something that was taken for granted, and it was presented without enthusiasm, but it aroused all the more enthusiasm.

The official studies were directed towards mathematics, chemistry, physics, zoology, botany, mineralogy and geology. These studies offered a much more secure foundation for a spiritual world view than, for example, history or literature, which, in the absence of a specific method and also without significant prospects in the German scientific community at the time, stood there.

During his first years at university in Vienna, he met Karl Julius Schröer. At first, I attended his lectures on the history of German poetry since Goethe's first appearance, on Goethe and Schiller, on the history of German poetry in the 19th century, on Goethe's “Faust”. I also took part in his “exercises in oral and written presentation”. It was a kind of college college based on Uhland's institution at the University of Tübingen. Schröer came from German language research, had done significant studies on German dialects in Austria, he was a researcher in the style of the Brothers Grimm and in literary research an admirer of Gervinus. He was previously director of the Viennese Protestant schools. He is the son of the poet and extraordinarily meritorious pedagogue Christian] Oeser. At the time I got to know him, he was turning entirely to Goethe. He has written a widely read commentary on Goethe's “Faust” and also on Goethe's other dramas. He completed his studies at the German universities of Leipzig, Halle and Berlin before the decline of German idealism. He was a living embodiment of the noble German education. In him, the human being attracted. I soon became friends with him and was then often in his house. With him it was like an idealistic oasis in the dry materialistic German educational desert. In the external life, this time was filled with the nationality struggles in Austria. Schröer himself was far from science.

But I myself had been working since early 1880 on Goethe's scientific studies.

Then Joseph Kürschner founded the comprehensive work “Deutsche National-Literatur” (German National Literature), for which Schröer edited Goethe's dramas with introductions and commentaries. Kürschner, on Schröer's recommendation, entrusted me with the edition of Goethe's scientific writings.

Schröer wrote a preface for it, through which he introduced me to the literary public.

Within this collection, I wrote introductions to Goethe's botany, zoology, geology and color theory.

Anyone reading these introductions will be able to find the theosophical ideas in the guise of a philosophical idealism.

It also includes an examination of Haeckel.

My 1886 work, Erkenntnistheorie, is a philosophical supplement to this.

Then, through my acquaintance with the Austrian poet M. E. delle Grazie, who had a fatherly friend in Professor Laurenz Müllner, I was introduced to the circles of Viennese theological professors. Marie Eugenie delle Grazie has written a great epic “Robespierre” and a drama “Shadow”.

At the end of the 1880s, I became an editor of the “Deutsche Wochenschrift” in Vienna for a short time. This gave me the opportunity to study the national psyche of the various Austrian nationalities in depth. The guiding thread for an intellectual cultural policy had to be found.

In all this there was no question of publicly emphasizing occult ideas. And the occult powers behind me gave me only one piece of advice: “All in the guise of idealistic philosophy”.

All this went hand in hand with my more than fifteen years of work as an educator and private teacher. My first contact with Viennese theosophical circles at the end of the 1880s had no lasting external effect.

During my last months in Vienna, I wrote my small paper: “Goethe as the Father of a New Aesthetic”.

Then I was called to the then newly established “Goethe and Schiller Archives” in Weimar to edit Goethe's scientific writings. I did not have an official position at this archive; I was merely a contributor to the great “Sophien Edition” of Goethe's works.

My next goal was to lay the purely philosophical foundations of my world view. This was done in the two works: “Truth and Science” and “Philosophy of Freedom”.

The Goethe and Schiller Archives were visited by a large number of scholars and literary figures, as well as other personalities from Germany and abroad. I got to know some of these personalities better because I soon became friends with the director of the Goethe and Schiller Archives, Prof. Bernhard Suphan, and visited his house a lot. Suphan invited me to many private visits that he had from visitors to the archives. It was on one of these occasions that I met Treitschke.

But the friendship I formed soon after with the German mythologist Ludwig Laistner, the author of “Riddle of the Sphynx,” was much deeper. I had repeated conversations with Herman Grimm, who spoke to me a great deal about his uncompleted work, a “History of German Imagination.”

Then came the Nietzsche episode. Shortly before, I had even written about Nietzsche in an opposing sense.

My occult powers pointed out to me the need to let my interest in the true spiritual flow unnoticed into the currents of the times. One does not arrive at knowledge by wanting to assert one's own point of view absolutely, but by immersing oneself in foreign currents of thought.

Thus I wrote my book on Nietzsche by placing myself entirely in Nietzsche's point of view. It is perhaps for this very reason the most objective book on Nietzsche in Germany. Nietzsche as an anti-Wagnerian and an anti-Christian is also fully represented.

For some time I was considered the most uncompromising “Nietzschean.”

At that time the “Society for Ethical Culture” was founded in Germany. This society wanted a morality with complete indifference to all worldviews. A complete construct and a danger to education. I wrote a sharp article against this foundation in the weekly “Die Zukunft”.

The result was sharp replies. And my previous study of Nietzsche led to the publication of a pamphlet against me: “Nietzsche-Narren” (Nietzsche Fools).

The occult standpoint demands: “No unnecessary polemic” and “Avoid defending yourself wherever you can”.

I calmly wrote my book, “Goethe's World View,” which marked the end of my Weimar period.

Immediately after my article in “Zukunft,” Haeckel approached me. Two weeks later, he wrote an article in “Zukunft” in which he publicly acknowledged my point of view that ethics can only arise on the basis of a worldview.

Not long after that was Haeckel's 60th birthday, which was celebrated as a great festivity in Jena. Haeckel's friends invited me. That was the first time I saw Haeckel. His personality is enchanting. In person, he is the complete opposite of the tone of his writings. If Haeckel had ever studied philosophy, in which he is not just a dilettante but a child, he would certainly have drawn the highest spiritualistic conclusions from his epoch-making phylogenetic studies.

Now, despite all of German philosophy, despite all of Haeckel's other German education, Haeckel's phylogenetic thought is the most significant achievement of German intellectual life in the second half of the nineteenth century. And there is no better scientific foundation of occultism than Haeckel's teaching. Haeckel's teaching is great and Haeckel is the worst commentator on this teaching. It is not by showing Haeckel's contemporaries his weaknesses that one benefits culture, but by presenting to them the greatness of Haeckel's phylogenetic ideas. I did this in the two volumes of my:

“Welt- und Lebensanschauungen im 19. Jahrhundert” (World and Life Views in the 19th Century), which are also dedicated to Haeckel, and in my small work: “Haeckel and his opponents”.

In Haeckel's phylogeny, only the time of the German intellectual life actually lives; philosophy is in a state of the most desolate infertility, theology is a hypocritical fabric that is not remotely aware of its untruthfulness, and the sciences, despite the great empirical upsurge, have fallen into the most barren philosophical ignorance.

From 1890 to 1897 I was in Weimar.

In 1897 I went to Berlin as editor of the “Magazine for Literature”. The writings “Welt- und Lebensanschauungen im 19. Jahrhundert” (World and Life Views in the 19th Century) and “Haeckel und seine Gegner” (Haeckel and his Opponents) already belong to the Berlin period.

My next task was to bring an intellectual current to bear in literature. I placed the Magazin für Literatur at the service of this task. It was a long-established organ that had existed since 1832 and had gone through various phases.

I gently and slowly led it in the direction of esotericism. Carefully but distinctly, by writing an essay for the 150th anniversary of Goethe's birth, “Goethe's Secret Revelation,” which only reflected what I had already hinted at in a public lecture in Vienna about Goethe's fairy tale of the “green snake and the beautiful lily”.

It was only natural that a circle of readers should gradually gather around the direction I had inaugurated in the Magazin. They did gather, but not quickly enough for the publisher to consider the venture financially promising. I wanted to give the young literary movement an intellectual foundation and was actually in the most lively contact with the most promising representatives of this movement. But on the one hand I was abandoned; on the other hand, this direction soon either sank into insignificance or into naturalism.

Meanwhile, contact with the working class had already been established. I had become a teacher at the Berlin Workers' Education School. I taught history and natural science. My thoroughly idealistic history method and my way of teaching soon became both appealing and understandable to the workers. My audience grew. I was invited to give a lecture almost every evening.

Then the time came when I, in agreement with the occult forces behind me, could say: You have given the philosophical foundation of the world view, you have shown an understanding of the currents of the time by treating them as only a complete believer could treat them; no one will be able to say: This occultist speaks of the spiritual world because he is ignorant of the philosophical and scientific achievements of the time.

I had now also reached the fortieth year, before the onset of which, in the sense of the masters, no one may publicly appear as a teacher of occultism. (Wherever someone teaches earlier, there is an error).

Now I could devote myself to Theosophy publicly.

The next consequence was that, at the urging of certain leaders of German socialism, a general assembly of the Workers' Educational School was convened to decide between Marxism and me. But the ostracism did not decide against me. In the general assembly, it was decided with all against only four votes to keep me on as a teacher.

But the terrorism of the leaders meant that I had to resign after three months. In order not to compromise themselves, they wrapped the matter up in the pretext that I was too busy with the Theosophical movement to have enough time for the labor school in.

Miss v. Sivers was at my side almost from the beginning of the theosophical work. She also personally witnessed the last phases of my relationship with the Berlin laborers.

Today we will take as our subject the different ranks of beings to which man belongs. Man, as he is at present is a developing being who was not always as he is now. There are not only stages of development lying before and behind him, but also beings co-existent with him, just as the child today has the old man beside him who is at another stage of development. Today we will deal with seven ranks of beings, and in this connection we must clearly differentiate between receptive and creative beings.

Let us take as an example a colour which we perceive with our eyes, for instance red or green. In this respect we are receptive beings. The colour must however first be produced in order that we may perceive it; we must therefore be confronted with another being who produces the colour, for instance red. Through this we recognise the different stages of beings. If we put together everything which approaches our senses, there must also be a soul to receive it; but conversely something must also be present in order that the sense impressions may be brought to us. There are beings who can manifest. These have a more god-like or deva-character. Beings whose nature is more adapted to receiving have a more element[al] character. God-like beings are of a manifesting nature. Elemental beings are of a receptive nature.

Here, in this domain, we have the creative wisdom which manifests outwardly, and the wisdom which is received by the human soul. Wisdom is in the light and discloses itself in all sense impressions. Behind what is revealed we must assume the revealers, beings of will nature; wisdom is that which is revealed.

Man is both receptive and creative. On the one hand, for instance with regard to all sense impressions, he is receptive, with regard to thinking however he is creative. Nothing gives rise to thoughts unless he first produces perceptions. Thus he is on the one hand a receptive being and on the other hand a creative being. This is an important difference. Let us imagine that man were to be in a position to create everything he perceives, sounds, colours and so on, just as today he creates thoughts. Today he is only creative in one sphere, in thinking, and in order to have perceptions he needs creative beings around him. In bringing forth his own being he was at first creative. In the beginning he himself created his own organism. For this he now needs other beings. Now man must incarnate in a bodily form determined from outside. Here he is closer to the elemental beings than to the sphere of perception and thinking.

Let us imagine for once that man were able to bring forth sounds, colours and other sense perceptions and also his own being. Then we should have the human being as he was before the Lemurian race, who is called the “pure” man. Man becomes impure through the fact that he does not produce his own being, but incorporates something other into his nature. This pure man was called Adam Cadmon. When at the beginning of Genesis the Bible speaks of man, it speaks of this pure human being. This human being had as yet nothing kamic (astral) within him. Desire first appeared after he had incorporated other elements into himself. Thus there arose the second stage of humanity, the kama-rupic man (man with an astral body). The higher animal is to be seen as at a lower stage of this development. Without warm blood no beings can possess an independent Kama-rupa (astral body). All warm-blooded animals are derived from man.

Thus to begin with we have the pure man who up to the Lemurian Age actually led a super-sensible existence and brought forth out of himself everything that lived and was part of him.

Present day cold-blooded animals and the plants have developed in a different way from the warm-blooded animals. Those which exist today are remnants of strange, gigantic beings. Some of these can be verified by science. They are decadent animals which are descended from those which the pure man made use of in order to incarnate in them, so that he might have a body for what is kamic (astral). At first the pure man had found no means of incarnating on the earth. He still hovered above what was manifested. From among these huge, powerful beings (animals) man made use of the most developed in order to incarnate in them. He attached himself to these beings and thereby he was in a position to bring into them his own Kama (astral body). Some of these beings developed further and then became the animals of Atlantis and present day humanity. However it was not possible for all of them to adapt themselves. Those who failed became the lower vertebrate animals; kangaroos for instance are such attempts as proved unsuccessful on the way to becoming man—like pottery vessels which are rejected and left behind.

Now man tried to introduce Kama into the animal forms. Kama is first to be found in the human form, in actual fact in the heart, in the warm blood and in the circulation of the blood. Attempts were made again and again and in this way there was an ascent from stage to stage. We see unsuccessful attempts for instance in the sloths, the kangaroos, the beasts of prey, the monkeys and apes. All these remained behind on the way. The warm-blooded animals are unsuccessful attempts to become human forms endowed with Kama. Everything in them which is of the nature of Kama, man also could have within himself; but he unloaded it into them, for he was unable to use this kind of Kama. There is an important occult axiom: Every quality has two opposite poles. So we find, just as positive and negative electricity complement one another, so we have warmth and cold, day and night, light and darkness and so on. In the same way every Kamic quality also has two opposite aspects. For instance man has cast rage out of himself into the lion, and this, on the other hand, when ennobled by him, can lead him upward to his higher self. Passion should not be annihilated, but purified. The negative pole must be led upwards to a higher stage. This purifying of passion, this leading upwards of its negative aspect was called by the Pythagoreans catharsis. At first man had within him the rage of the lion and the cunning of the fox. Thus the kingdom of the warm-blooded animals is a comprehensive picture of Kama qualities. Today the opinion is commonly held that the ‘Tat twam asi’ (‘That art thou’), is to be understood as something general and undefined, but one must conceive something quite definite underlying it. Thus in the case of the lion man must say to himself: That art thou. We have therefore in the kingdom of the warm-blooded animals spread out before us the kama-rupic human being. Previously there only existed the pure man: Adam Cadmon.

The philosopher of natural science, Oken, who in the first half of the 19th century was a professor in Jena, was acquainted with all these ideas and expressed them in a grotesque way in order to nudge people to attention. Here we find an example which points to a still earlier stage of human development, before man separated off from himself the kingdom of the cold-blooded animals. Oken connected the cuttlefish with the human tongue. In this analogy of the tongue with the cuttlefish one can find an occult significance. Now we also have beings who for the first time are, as it were, being conjured up as by-products. Man has ejected from himself the cunning of the fox and retained its opposite pole. In the fox's cunning however the germ of something else is beginning to develop, for example something similar to the way in which the black shadow of an object has a secondary shadow when light enters it from outside. We incorporated cunning into the fox out of our inner being. Now spirit is directed towards him from the periphery. The beings which in this way work from the periphery into what is kamic are elemental beings. What the fox has received from us, is in him animal; what coming from outside attaches itself to him from the spirit, is elemental being. On the one hand he originated through the spirit of humanity and on the other hand through an Elemental being.

Thus we differentiate: firstly, elemental beings, secondly, the kama-rupic man, thirdly, the pure man, fourthly, the man who in a certain respect has overcome the pure man, who has taken into himself what is outside and around him and is creatively active. He has contacted and taken into himself everything which is around him in earthly existence. This gives him the plans, the directions, the laws which create life. Once man was perfect and he will become so again. But there is a great difference between what he was and what he will become. What is around him in the outer world will later become his spiritual possession. What he has won for himself on the Earth will later become the faculty of being creatively active. This will then have become his innermost being. One who has absorbed all earthly experiences, so that he knows how to make use of every single thing and has thus become a creator, is called a Bodhisattva, which means a man who has taken into himself to a sufficient degree the Bodhi, the Buddhi of the earth. Then he is advanced enough to work creatively out of his innermost impulses. The wise men of the earth are not yet Bodhisattvas.²⁴ Even for such a one there always remain things to which he is still unable to orient himself. Only when one has absorbed into oneself the entire knowledge of the Earth, in order to be able to create, only then is one a Bodhisattva; Buddha, Zarathustra, for example, were Bodhisattvas.

When man ascends still further in evolution, so that he is not only a creator on the Earth, but possesses forces which reach out above the Earth, only then is he free to choose either to use these higher forces or to work further with them on the Earth. In this case he can bring into the Earth something coming from higher worlds. Such an epoch occurred before man began to incarnate, in the last third of the Lemurian Age. The human being had developed his physical, etheric and astral bodies. He had brought these members of his being with him from an earlier Earth evolution. The two next impulses, Kama and Manas, he could not have found on the Earth; they do not lie in its evolutionary sequence. The first new impulse (Kama) was only to be found as a force on Mars. It was added shortly before man incarnated. The second impulse (Manas) came from Mercury in the fifth sub-race of the Atlanteans, with the original Semites. The stimulus of these new principles had to be brought to the Earth from other planets through still higher beings, through the Nirmana-kayas. From Mars they added Kama, from Mercury Manas. The Nirmana-kayas are yet another stage higher than the Bodhisattvas. The latter are able to order evolution which has continuity; but they cannot bring into it what comes from other regions, this can only be done by the Nirmana-kayas. [In] yet another stage higher than the Nirmana-kayas, stand those beings who are called Pitris. Pitris = Fathers. For the Nirmana-kayas can indeed bring something coming from other regions into evolution, but they cannot sacrifice themselves, sacrifice themselves as substance, so that on the following planet they can bring forth a new cycle. This can be done by the Pitris, beings who had evolved on the Moon and had now come over; they became the activating impulse towards Earth evolution. When man has gone through every possible experience, then he is in a position to become a Pitri. The next and even higher stage, the last that it is possible to mention, is that of the Gods themselves.

Thus we have seven ranks of beings: Firstly the Gods, secondly Pitris, thirdly Nirmana-kayas, fourthly Bodhisattvas, fifthly pure human beings, sixthly human beings, seventhly elemental beings. This is the sequence of which Helena Petrovna Blavatsky speaks.

Now we can add the question: What kind of organ is it which has made man kama-rupic? It is the heart with the veins and the blood that pulsates through the body. The heart has a physical part and an etheric part. Aristotle²⁵ speaks about this, for in earlier times it was only the etheric man which was held to be important. The heart has also an astral part. The etheric heart is connected with the twelve-petalled lotus flower. Not all the physical organs have an astral part; for example the gall bladder is only physical and etheric, the astral is lacking.

• 24. See: The Christ Impulse and the Development of the Ego Consciousness, lecture 1, 25.10.1909 and From Buddha to Christ 21.9.1911.
• 25. Here Rudolf Steiner is presumably referring to the minor scientific writings (Parva naturalia) ‘On Youth and Age, Life and Death’.

If we consider man's being in its entirety we have to begin with the physical body, then the etheric, then the astral body. The physical body of man can be seen by everyone. The etheric body becomes visible when the physical body is suggested away by a strong act of will. Then the space of the physical body remains filled with the etheric body. The occultist considers the etheric as actually being the lowest body. It is the body according to which the physical body is formed. Taking the descending line, the form of the etheric body is the reverse of the physical. It is only in the ascending line that they are identical. A woman has a masculine etheric body and a man a feminine etheric body.

Around the etheric body appears the astral body. It is the outer form for the entire content of the soul; for passions, emotions, impulses, desires, joy, unhappiness, enthusiasm and so on. It manifests itself in forms of every description. The surrounding part shows cloud formations; it radiates the most varied colours. Frequently somewhat tattered formations are attached to it. The forms and colours are different and changing. Green shows sympathy and compassion for one's fellow men. The lower levels of the population show much red in the astral body, brownish red, brick red, blood red. Especially with droshky-drivers one can see such a red, indicative of the lower passions.

With every human being all the fluctuations of the astral body are enclosed in an egg-shaped sheath. This has an underlying blue colour and shows, as an important factor, a dark violet spot in the middle of the brain. Helena Petrovna Blavatsky calls this egg-shaped sheath the auric egg. In the case of little children the auric egg is predominant; in their case many bright, luminous clouds of colour appear within it. In the lower parts however little children also have dark clouds, indicating lower impulses. This is the inherited Karma that they have in common with their ancestors—‘the sins of the fathers’. These sins of the fathers are inherited down to the seventh generation. People's characteristics can be traced back as far as the seventh generation of forefathers. After the seventh generation heredity dies out. One reckons three generations to a century. The man of today therefore still shows certain good or bad qualities coming from what was good or bad in his ancestors of the 17th century. Thus one can look backwards on one's forefathers as far as two hundred years or rather more.

To see how the auric egg has been formed we must consider the development of a cosmic body. The condition of the Earth lying nearest to our present studies is characterised as the physical condition. In Theosophical literature a condition of form is called a Globe and one therefore speaks of the physical Globe. As physical Globe the Earth is the fourth Globe in a development of seven states of being. Three other conditions preceded the physical Globe and a further three are still to follow. Before the Earth became physical it was astral. Everything living upon Earth was at that time present only in the astral. When man has gone through the Sixth and Seventh Root-Races (epochs) he will have become so spiritualised that he will again have an astral form. This future astral condition of form however will contain all the fruits of evolution.

Seven conditions of form together make up a Round. At the present time the Earth is going through its fourth Round and this is the mineral. During this time it is the task of mankind to work upon the mineral kingdom. A man is already working on the mineral kingdom when he takes a flint and hammers it into a wedge-shaped tool with which he makes other objects, when he transports rocks and builds pyramids out of the stones, when he makes tools out of metals, when he conducts electric current in a network over the earth; in all this man is working upon the mineral kingdom. Thus man puts into service the whole mineral kingdom. He makes the Earth into something entirely of his own devising. When the painter turns his mind to a combination of colours he is also working upon the mineral kingdom. We are now in the midst of this activity, and in the course of the next races (epochs) the Earth will have become completely transformed, so that eventually there will be no single atom on the earth that has not been worked upon by man. In earlier times these atoms became more and more solidified; now however they are becoming increasingly separated. Radioactivity did not exist in earlier times and could not therefore be discovered. It has only existed for a few thousand years, because now the atoms split up more and more.

When the Fourth Round comes to an end the entire mineral kingdom will have been worked upon by the hand of man. When it has been completely worked through by man, then, in order that the fruits of this work can be manifested, the Earth must pass over into an astral condition in which forms can develop. The Earth then passes over into a Mental Globe and then into the Higher Mental condition, the Arupic. It then disappears altogether out of these conditions into a shorter Pralaya. It then enters once more into a new Arupic condition, that of the next, the Fifth Round; then into a Rupic condition and then into an astral condition. After this it appears physically once more. Everything which man worked into the mineral kingdom during the Fourth Round reappears and grows up as the plant kingdom; for instance [the] Cologne cathedral will appear as a plant in the next Round.

Between the last Arupic condition of the Fourth Round and the first Arupic condition of the Fifth Round the earth goes through a Pralaya. Then in the Fifth Round the previous mineral kingdom appears in all its forms as the plant kingdom. In the Arupic condition of the Fifth Round everything is contained that man has worked over in the mineral Round. At first this reappears in the Arupic condition in the pure Akasha. This condition is in fact called ‘Akasha’. In the beginning of each new Round everything is to be found in the Akasha; later there are only imprints. Thus in these imprints we have the whole Earth with all its beings. In the transition from the Third to the Fourth Round, all the beings which came into existence in the Third Round also reappear.

With further development out of the Akasha everything has to assume a denser form. This takes place in the Rupa condition of the earth. This more material form is called in occultism, for example in certain passages from H.P. Blavatsky, the ether. In this Ether-Earth everything is contained. All beings were contained in thought, but nevertheless in the background the Akasha exists as a foundation. The ether densifies further to the Astral Light. In this Astral Light radiates the third Globe (condition of form), the Astral-Earth; it radiates in the purest Astral Light, and this Astral Light is in fact entirely composed of the same substance in which later man's auric egg shines out. This is especially the case with quite young children who are only a few months old. After this the Earth passes over into its present physical condition. Then, as the actual Earth, it becomes ever more and more physical. In the same degree however in which it becomes ever more physical, it separates off from itself the individual auric eggs for mankind. These differentiate themselves as though, in a vessel filled with water, one part of the water freezes to ice while the other part rises up in pearl-like water drops. Thus on the one side the physical earth separates off and on the other side the auric eggs become, as it were, pearl-like drops for human evolution.

At first the auric egg seems to be undifferentiated. Actually however it is not undifferentiated. It may be compared with the following: If we have a solution of cooking salt it appears as a uniform grayish mass; if we let it stand the beautiful cubic crystals of salt are precipitated. In the auric egg those forces were inherent which produced the etheric body, the Linga Sharira. Out of what became solid earth there also emerged later what had already gone through a development on the Old Moon. This contained as predisposition what eventually became the lower kingdoms as far as the first vertebrates, up to the snake. The vertebrate animals which followed were not there on the Old Moon; they were first added on the Earth. Thus the invertebrate animals emerged from the Earth when it densified to a physical condition, as did also the plants and mineral kingdom.

At the time when all these separated forms had emerged, mankind had entered into the Lemurian Age. The ever densifying human being developed from the first, the Polarian race, to the race of the Hyperboreans. This was followed by the Lemurian Age; it was then that the development of the vertebrate animals entered its first stage, and it is from that time that they have continued to evolve.

So we have to distinguish: firstly Akasha, secondly Ether, thirdly Astral Light, fourthly Earth, fifthly the Auric Egg.

This is called a spiral (Wirbel). Until the Earth stage, the fourth condition of form, the Earth became ever denser. At the price of this increasing densification, the Astral Light became individualised after the solid had thrust itself out. The Auric Eggs of human beings are the individualised Astral Light. One can therefore read in the Astral Light, not the deeds, but the emotions bound up with them; these one can read in the Astral Light. For example, Caesar conceived the idea of crossing the Rubicon and this roused in him certain feelings and desires. What took place at that time corresponds to a combination of astral impulses. The physical deeds on the physical plane have vanished for all eternity. Caesar's advance can no longer be seen in the Astral Light, but the impulse which drove him to it has remained there. The karmic (astral) correlations with what takes place on the physical plane remain in the Astral Light. One must accustom oneself to look away from all physical perceptions and only to see the karmic impulses. One must hold fast to these and consciously transpose them back into the physical. There is no purpose in looking for something which might be seen, as though one were looking at a photograph.

The greatest impulses of world history can however no longer be read in the Astral Light, for the impulses of the great initiates were passionless. Whoever therefore reads only in the Astral Light, for him the whole work of the initiates is absent: for example the content of the book ‘The Great Initiates’ by Edouard Schuré could not have been found in the Astral Light. Such impressions are only inscribed in the Ether. What one can read in the Astral Light in connection with what the initiates have done is based on an illusion, because one can only read the results of the lives of the great initiates in the impulses of their pupils. Pupils and even entire peoples have experienced strong and passionate emotions in regard to the actions of the great initiates and these have remained in the Astral Light. But it is so difficult to study the deepest motives of the great initiates because they are only present in the ether.

Cosmic events—metamorphoses such as those of Atlantis—remain at a still higher level, no longer in the Ether, but in the actual Akasha. That is the Akashic Chronicle. This latter is nevertheless connected in a certain way with the most earthly concerns of mankind. For the human being is connected with the great happenings of the Cosmos. Every single person is to be found sketched, as it were, in the Akashic Chronicle. What is present there continues further and works its way into the Ether and the Astral Light. The individual human being becomes ever more clearly discernible the more one seeks for him in the lower spheres. And one must study all these spheres in order to understand the real mechanism of Karma.