14. Four Mystery Plays: The Soul's Probation: Scene 7
Translated by Harry Collison |
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Our foes already spy the country round To find a pretext under which they may Rob us of our possessions, ne'er acquired For our own use, but as a means to draw Around us individuals, in whose souls We could implant the germs of things to come. |
This have we won for human industry: Its treasures travel far and wide to-day To distant lands, to further human weal, And many honest souls are now at work In shaft and tunnel underneath the ground Which in your hands lay waste and desolate. Monk: Then it doth not seem fair and right to thee To urge upon thy brotherhood the need Of peaceably accepting our demand That so we may regain our property? |
This brotherhood is vowed to lofty aims; Those human beings who have joined its ranks Have premonitions of the days to come Their leaders see with a prophetic eye The fruits that shall grow ripe in future times. Science and daily life shall undergo A change of form and seek ideals new; And what this brotherhood doth now achieve, Whom thou hast lent a hand to persecute, Are deeds which serve to bring this change about. |
14. Four Mystery Plays: The Soul's Probation: Scene 7
Translated by Harry Collison |
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A chamber in the castle whose exterior was shown in the preceding scene. Decorated throughout with symbols of a Mystic Brotherhood. (For costumes, see note on page 145.) Columns, arches, and vaulted roof with the mystic symbols shown in the Author's ‘Occult Symbols.’ First the Knights assemble; then the Monk and one of the Knights later appears the spirit of Benedictus who has passed away about fifty years earlier. Then Lucifer and Ahriman. The Grand Master seated at a long table with four of the Brethren, indicated in the course of the scene. Grand Master: First Master of Ceremonies: Grand Master: First Master of Ceremonies: Grand Master: First Preceptor: Grand Master: (Exeunt the Grand Master and two of the Brotherhood.) First Preceptor: Second Master of Ceremonies: (Exeunt.) Second Preceptor: Monk: Second Preceptor: Monk: Second Preceptor: Monk: Second Preceptor: Monk: Second Preceptor: (Exit.) Monk: (Noises heard.) But as my conscience is entirely clear (Noises heard.) Oh, this (The spirit of Benedictus appears.) Defend me, Saints of Heaven! Benedictus: Monk: Benedictus: Monk: (Ahriman and, Lucifer appear.) But other beings now are drawing nigh! Ahriman: Lucifer: Monk: Benedictus: Curtain, while the Monk, the Spirit of Benedictus, |
14. Four Mystery Plays: The Soul's Probation: Scene 8
Translated by Harry Collison |
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To self-examination Was I led And knowledge of myself, which otherwise In other walks of life I had not found. And then when, under Fate's decree, my son Came and dwelt near me, I was fain to think That mighty Powers were merciful to me In showing how to expiate my sin. |
In sore distress, I seek in vain a clue To solve the riddle of my life and fate: How comes it that I understand so well And yet that I in no wise can believe The things thy noble teachings do reveal? |
Can we proclaim life's highest aim to be To understand the soul of every man, And then misunderstand our foes ourselves? There are amongst them many men indeed Who follow in the footsteps of the Christ. |
14. Four Mystery Plays: The Soul's Probation: Scene 8
Translated by Harry Collison |
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The same. The First Preceptor; Joseph Keane then the Grand Master with Simon; later the First and the Second Master of Ceremonies. Joseph Keane is there first; the Preceptor approaches him. First Preceptor: Keane: First Preceptor: Keane: First Preceptor (moved): Keane: First Preceptor (with faltering movements): Keane: First Preceptor: Keane: (The Preceptor loses control over himself.) But now I know—am sure ... First Preceptor: Keane: First Preceptor: Keane: (Exit.) First Preceptor: (Exit.) Grand Master: Simon: Grand Master: Simon: Grand Master: (Exeunt.) First Master of Ceremonies: Second Master of Ceremonies: First Master of Ceremonies: Second Master of Ceremonies: The curtain falls, while the two Masters of Ceremonies are still in the hall |
14. Four Mystery Plays: The Soul's Probation: Scene 9
Translated by Harry Collison |
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Bertha: I know I am a simple little thing, Without ability to understand The learned words which clever people use In setting forth the science they profess. I have no taste for matters of that kind. |
Second Countrywoman: It is no business of the countryfolk To mix with things they do not understand. Yet there are many hereabouts to-day Who do naught else but go from place to place And fan the embers of revolt and strife. |
I found no difficulty up till now In understanding everything he taught; But in the sermon which he preached to-day He said much that one could not understand. |
14. Four Mystery Plays: The Soul's Probation: Scene 9
Translated by Harry Collison |
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The woodland meadow, as in Scene 6. Joseph Keane, Dame Keane, their daughter Bertha; afterwards, Countryfolk, later the Monk; finally Keane's foster-daughter Cecilia and Thomas. Bertha: Keane: Bertha: Dame Keane: Keane: Bertha: (Exeunt.) First Countryman: Second Countryman: First Countrywoman: Second Countrywoman: Third Countrywoman: Third Countryman: Fourth Countryman: Fourth Countrywoman: Fifth Countryman: Fifth Countrywoman: Sixth Countryman: Sixth Countrywoman: Sixth Countryman: (The Countryfolk go away towards the forest.) Monk: (Exit.) Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Cecilia: Thomas: Curtain; Thomas and Cecilia still standing in the meadow (This closes the vision into the fourteenth century. The following is the sequel of the events described in the first five scenes.) |
14. Four Mystery Plays: The Soul's Probation: Scene 11
Translated by Harry Collison |
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At that time also is the interval Shorter than usual 'twixt two earthly lives. To understand aright these cyclic points Thou lackest power, and therefore canst not yet Survey their growth with eyes from error free. |
14. Four Mystery Plays: The Soul's Probation: Scene 11
Translated by Harry Collison |
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The same meditation-chamber as in Scene 2. Maria, Ahriman. Ahriman: Maria: Ahriman: Maria: (Ahriman withdraws with reluctant mien. Thunder.) Defeated he has had to leave the spot Curtain, while Maria is still in the room |
14. Four Mystery Plays: The Soul's Probation: Scene 13
Translated by Harry Collison |
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That which I set between the sire and son Must reappear, though in another form In this my life in which Johannes' soul Math once again been closely knit to mine. The suffering which I had to undergo In severing Johannes from myself Was but my own act's fated consequence. If now my soul is faithful to the light Which from the spirit-forces comes to it, It will be strengthened by the services Which it may render to Capesius In this sore stress of his life-pilgrimage; And with such forces, similarly won, Will also learn to see Johannes' star When he, by fetters of desire misled Treads not the way illumined by the light. |
14. Four Mystery Plays: The Soul's Probation: Scene 13
Translated by Harry Collison |
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The Temple, of the Sun; hidden site of the Mysteries of the Hierophants; Lucifer, Ahriman, the three Soul-Figures, Strader, Benedictus, Theodosius, Romanus, Maria. (Enter first Lucifer and Ahriman.) Lucifer: Ahriman: (The three Soul-Figures with Strader.) Philia: Astrid: Luna: Benedictus: Theodosius: Benedictus: Romanus: Benedictus: (Turning to Lucifer.) Thee must I now address who not for long (Maria appears.) She could behold in bygone earthly lives Lucifer: Maria (turning to Lucifer): Benedictus: Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 1
Translated by Harry Collison |
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That which they call for, at this very time Will soon gain consciousness of its own power And undermine the Temple's fundaments. They boldly wish to join in future days Reason and science to their sacred shrine. |
And while I was at work, I often thought: ‘How do I seem to one who only tries To understand the working of those powers Which I put into things mechanical? And yet what might I be unto a soul To whom I might reveal myself in love?’ |
Felix Balde: The owners of this place will soon approach And ye will hear what they desire to say. But if ye wish to understand their words And to receive through them the light yourselves Ye must not by pre-judgment blind yourselves. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 1
Translated by Harry Collison |
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A hall in a prevailing tone of indigo blue. The ante-chamber to the rooms in which a Mystic League carries on its work. In the centre a large door with curtain. Above it is the Rosy Cross. On each side of the door two pictures which represent, beginning from the right of the stage, the Prophet Elijah, John the Baptist, Raphael, the poet Novalis. There are present, in lively conversation twelve Persons, who in one way or another take an interest in the activities of the League. Beside them: Felix Balde and Doctor Strader. (see notes) Ferdinand Fox: Michael Nobleman: Bernard Straight: Francesca Humble: Mary Steadfast: Strader: Felix Balde: Louisa Fear-God: Frederick Clear-Mind: Ferdinand Fox: Casper Hotspur: George Candid: Mary Dauntless: Erminia Stay-at-Home: Strader: Katharine Counsel: (Three knocks are heard.) Felix Balde: Ferdinand Fox: (Again three knocks are heard.) (The curtain is drawn back, and there enter the Grand Master of the Mystic League, Hilary True-to-God; after him, Magnus Bellicosus, the Second Preceptor; Albertus Torquatus, the First Master of the Ceremonies; and Frederick Trustworthy, the Second Master of the Ceremonies. The persons who were before assembled group themselves on each side of the hall.) Frederick Trustworthy: Magnus Bellicosus: Hilary True-to-God: Ferdinand Fox: Albertus Torquatus: |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 2
Translated by Harry Collison |
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I used to think it so, when first I heard The word by which I came to understand That ye would take my work beneath your care And open gateways to me, which before Only initiates could e'er approach. |
Before I took this work in hand, I gave Myself to Lucifer, because I wished To learn to know and understand his realm. Now know I, what I could not see before When I was lost entirely in my work, That he it was who wove around my thought Those beauteous pictures, while within my soul He planted wild desires, which silent now Will surely one day gain control of me. |
Henceforward thou must not rely upon That understanding which thou hast till now. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 2
Translated by Harry Collison |
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The same. The persons who were at first assembled have left, with the exception of Felix Balde and Dr. Strader, who remain with Hilary True-to-God, the Grand Master; Magnus Bellicosus, the Second Preceptor; Albertus Torquatus, the First Master of the Ceremonies; Frederick Trustworthy, the Second Master of the Ceremonies; Maria; and Johannes Thomasius. Hilary: Bellicosus: Felix Balde (to Thomasius): Strader (to Thomasius): Thomasius: Trustworthy: Thomasius: Trustworthy: Thomasius: (Pause, during which Thomasius meditates deeply.) If all alone I could encounter this, Hilary: (Hilary leaves the hall with Bellicosus, Torquatus, and Trustworthy. Doctor Strader and Felix Balde also leave. Only Maria and Thomasius are left.) The hall grows dark. After a short pause the three Spirit forms Philia, Astrid, and Luna appear in a cloud of light, and group themselves so that they completely hide Maria. The following is a spirit-experience of Thomasius.) Philia: Astrid: Luna: The Voice of Conscience (invisible): (The last words run straight on into the following ones spoken by Maria, who is still hidden by the Spirit forms and cannot be seen. She speaks at first in a ghostly inward voice.) Maria: (The Spirit forms vanish with the cloud of light. Maria becomes visible in her old place. Maria and Thomasius are alone, standing opposite each other. From now onwards the experiences are on the physical plane.) Thomasius (rousing himself from deep meditation): Maria: |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 3
Translated by Harry Collison |
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What thus he came to know about those powers He tried to keep deep fastened in his soul. Now only in this realm one understands To judge aright the knowledge he pursued. He thought the pictures he possessed were true And could reveal to him reality; But, viewed from here, they clearly show themselves As naught but empty dreams, which Spirit-hands Have woven round about weak men of Earth. |
At times he feels aware of human souls, But what they say he cannot understand; He only catches some especial words Which lift themselves from out the general talk, And bring remembrance of the loveliness Which he can gaze on in the Spirit-realms. |
Thomasius: O mine own Likeness, up till now thou hast Shown thyself to me only that I might Be frightened at the sight of mine own self. I cannot understand thee much as yet; I only know that thou dost guide my soul. 'Tis thou then who dost baulk me of free life And dost prevent me from due cognizance Of what I really am. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 3
Translated by Harry Collison |
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In Lucifer's kingdom. A space which is not enclosed by artificial walls, but by fantastic forms which resemble plants, animals, etc. All in various brilliant shades of red. In the background are arranged three transparencies showing the top of Raphael's ‘Disputa,’ Leonardo's ‘Last Supper,’ and Raphael's ‘School of Athens.’ These are illuminated from the back of the stage whenever Maria or Benedictus challenges Lucifer. At other times they are invisible. On the right, Lucifer's throne. At first only the souls of Capesius and Maria are present. After a time Lucifer appears, and later on Benedictus and Thomasius, with his etheric counterpart or ‘double,’ and lastly, Theodora. Maria: Capesius (in astral garb): Maria: Capesius: Maria: Capesius: Maria: Capesius: Maria: Capesius: Maria: Capesius: (Lucifer appears and, in the course of his speech, Benedictus.) Lucifer: Benedictus: Maria: Lucifer: (Enter Johannes Thomasius and his Etheric Counterpart from different sides of the stage at the same moment, and meet face to face.) Thomasius: Thomasius' Double: Lucifer: Benedictus: Maria: Benedictus: Lucifer: (Theodora appears.) Theodora: Thomasius' Double: Benedictus: Maria: Lucifer: Benedictus: Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 4
Translated by Harry Collison |
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I felt the constant strengthening at that time Within me of the power which made my soul Able for knowledge from the spirit-worlds. And under Felix Balde's noble lead This power grew on thenceforward to that height At which it stood just seven years ago. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 4
Translated by Harry Collison |
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A cheerful pink room in the home of Strader and his wife Theodora. One notices by the arrangement that they use it as a room in common, where they carry on their various work. On his table there are mechanical models; on hers things to do with mystic studies. The two are holding a conversation which shows that they are absorbed in the fact that it is the seventh anniversary of their wedding day. Strader: Theodora: Strader: Theodora: Strader: Theodora: Strader: Theodora (in a broken sentence, as if meditating deeply): Strader: Theodora: Strader: Theodora: Strader: Theodora (painfully, slowly, as if reflecting): (Now follow in broken words): Strader (painfully, overcome by the quick inrush of feelings): (Pause, then meditating painfully) When I again recall before my soul (Theodora is lost in contemplation, and stares blankly into space, as if her spirit were absent.) O Theodora ... what dost thou ... see now? ... Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 5
Translated by Harry Collison |
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Felix Balde: We both, my wife Felicia, and myself, Loved her indeed from out our inmost soul, So can we share and understand thy grief. Strader: Dear Theodora, she so often spoke Throughout the last hours of her life on earth Of Dame Felicia and of Felix too; She was so closely intimate with all That life brought to you here from day to day. |
Felix Balde: Dear Strader, thou must now be calm and still; She wants to speak to thee; I understand The signs she gives to us: so now attend. Theodora (after making a movement with her hand towards Strader): Thomasius hath powers of seership, And he will find me in the spirit-realms. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 5
Translated by Harry Collison |
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A round room in the little house in the wood, described in the “Soul's Probation,” as Felix Balde's home. Dame Balde, Felix Balde, Capesius, Strader, are seen seated at a table on the left of the stage. Later appears the Soul of Theodora. The room is the natural colour of the wood and has two pretty arched windows. Dame Balde: Felix Balde: Strader: Now must I grope my further path alone. Felix Balde: Strader: Capesius (spoken as in a trance): Strader: Felix Balde: Dame Balde: Strader: (Theodora's Soul appears.) Theodora's Soul: Felix Balde: Theodora (after making a movement with her hand towards Strader): Strader: (Theodora makes a sign towards Capesius.) Felix Balde: (Theodora vanishes.) Capesius (as in a trance): (Pause.) Strader (to Felix Balde): Felix Balde: Dame Balde: Capesius: Dame Balde: Curtain |