14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison |
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Capesius (in astral garb): There echoes Benedictus' noble voice; His words are ringing in the spirit here, And are the same as in the book of life Are written down to aid his pupils' work, Which souls on earth find hard to understand And which are even harder to fulfil. What part of spirit-land is this, where sound The words which serve to test the souls on Earth? |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison |
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A space not circumscribed by artificial walls but enclosed by intertwined plants like trees and structures which spread out and send shoots into the interior. Owing to natural phenomena the whole is moving violently and is sometimes filled with storm. The stage is divided into two groves, separated for a short distance by a row of trees. The grove on right of stage is red, that on the left is blue, the former is appropriated later by Lucifer and his Spirits, and the latter by Ahriman and his Spirits. The dance movements are set to music. Maria and Capesius are on the stage as the curtain rises; then Benedictus, Philia, Astrid, Luna, the Other Philia, Lucifer, Ahriman, and Creatures which move in a dancing fashion and which represent thoughts, lastly the Soul of Dame Balde. Benedictus (only audible, not yet visible): Capesius (in astral garb): Maria: Capesius: Benedictus (still invisible): Capesius: Maria: Benedictus (appears from the background): Capesius: Benedictus: Capesius: Benedictus: (A cheerful subdued light diffuses itself. Philia, Astrid, and Luna appear in glowing clouds.) (Exeunt Capesius and Maria.) Voices (which sound together, spoken by Philia, Astrid, and Luna.): (While this sounds, Lucifer approaches from one side, and Ahriman from the other. They go to their thrones raised on each side at the back of the stage, facing the audience; Lucifer on the right of the stage, Ahriman on the left.) Lucifer (in a loud voice, emphasising every word): (On Lucifer's side, beings with golden hair, dressed in crimson and radiantly beautiful representing thoughts, begin to move. These carry out, in a dancing fashion, movements which represent the forms of thought corresponding to Lucifer's words.) Ahriman (speaking in a loud, hoarse voice): (After these words Lucifer's group is still and the thought-beings on Ahriman's side move and carry out dancing movements which make forms corresponding to his words. They have grey hair and are clad in indigo blue, being square in build, and in appearance distinguished more by force than beauty. After this the movement from both groups is carried on together.) Lucifer: (The thought-beings on Lucifer's side repeat their movements.) Ahriman: (The thought-beings on Ahriman's side repeat their movements, then again both together.) Lucifer: (Repetition of the movements in Lucifer's group.) Ahriman: (Repetition of the movement in Ahriman's group.) (The movements of each group are then repeated four times separately and thrice together.) (The thought-beings vanish left and right; Lucifer and Ahriman remain: Philia, Luna, and Astrid advance from the background, and speak together the words they spoke before with the following alteration.) Philia, etc.: (Philia, Astrid, and Luna vanish. Enter Capesius in astral garb, and after he has spoken a few words Maria joins him, though at first he cannot see her.) Capesius: Maria: Capesius: Maria: Capesius (hesitatingly): Maria: Lucifer: Maria: Ahriman: (As Ahriman finishes speaking, Benedictus appears.) Capesius: Benedictus: Capesius: Benedictus: (Dame Balde in her ordinary dress appears in the background beside Benedictus.) Dame Balde (in a meditative voice suitable for fairy tales): (Philia, Astrid, Luna, and the Other Philia appear in a cloud of light.) Philia: Astrid: Luna: The Other Philia: Curtain falls whilst Benedictus, Capesius, Maria, Dame Balde, Lucifer, and Ahriman, and the four Soul-forms, are still in their places |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 8
Translated by Harry Collison |
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Ahriman (audible only to Strader): So too with souls: they find it good to talk As voicing the well-being of their mind, But underneath they fail in constancy. Such are for me quite unapproachable, And yet they will in future much achieve From which I'll reap a harvest of good fruit. |
Ferdinand Fox: He who would cosmic riddles rightly read Must wait till understanding and right thought Reveal themselves through powers within his life, And he who fain would find his way aright Must seize all he can use that gives him joy. |
) (Enter Maria and Thomasius both fully conscious, so that they can hear and understand all that goes on, and speak about it.) Thomasius: Maria, terror reigns on every side, It closeth in and presseth on my soul; Whence shall come inward strength to conquer it? |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 8
Translated by Harry Collison |
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Ahriman's Kingdom. No sky is visible. A dark en-closure like a mountain gorge whose black masses of rock tower up in fantastic forms, divided by streams of fire. Skeletons are visible everywhere; they appear to be crystallized out of the mountain, but are white. Their attitude suggests the habitual egoism of their last life. Prominent on one side is a miser and on the other a massive glutton, etc., etc. Ahriman is seated on a rock. Hilary, Frederick Trustworthy, then the Twelve who were gathered together in the first scene; then Strader; later on Thomasius and Maria; last of all Thomasius' Double. Trustworthy: Hilary: Trustworthy: Hilary: Ahriman (in a feigned voice, sardonically): I know why ye are gathered here again. (Ahriman becomes invisible.) Trustworthy (after a pause, during which he has with-drawn into himself): Hilary: (Exeunt Hilary and Trustworthy.) Ahriman (who has re-appeared): (All the persons who at the beginning of the play were assembled in the ante-room of the mystic league now appear on the scene; they are blindfolded to show their ignorance of the fact that they are in Ahriman's kingdom. The words they speak live in their souls, but they know nothing of them. They are experiencing during sleep unconscious dreams which are audible in Ahriman's kingdom. Strader, who also appears, is however semi-conscious with regard to all that he experiences, so that later on he will be able to recollect it.) Strader: Ahriman: Strader: Ahriman: Strader: Ahriman: Louisa Fear-God: Ahriman (audible only to Strader): Frederick Clear-Mind: Michael Nobleman: George Candid: Ahriman (audible only to Strader): Mary Steadfast: Ahriman (audible only to Strader): Francesca Humble: Katharine Counsel: Ahriman (audible only to Strader): Bernard Straight: Erminia Stay-at-Home: Casper Hotspur: Mary Dauntless: Ahriman (audible only to Strader): Ferdinand Fox: Ahriman (audible only to Strader): (To himself holding his hands over Strader's ears so that he shall not hear.) True, none of this have I achieved as yet, (The following so that it is again audible to Strader): Strader: (Exit quickly.) (Enter Maria and Thomasius both fully conscious, so that they can hear and understand all that goes on, and speak about it.) Thomasius: Maria: Ahriman (to himself): (He speaks the rest so that Thomasius and Maria can hear.) Thomasius, the Guardian did direct Thomasius: Ahriman: Maria: (The Guardian appears upon the Threshold.) Ahriman: Thomasius: The Guardian: Thomasius: (As Thomasius begins the name Theodora, his Double appears.) His Double (coming close up to Thomasius) Perceive me—and then know thyself in me. Maria: (Peals of thunder, and increasing darkness.) Curtain
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14. Four Mystery Plays: The Guardian of the Threshold: Scene 9
Translated by Harry Collison |
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I, too, may now behold the happiness Which through his words doth reach the heart of man. Since he in love hath underta'en the task Of guiding me within the spirit-world: And now when I may feel that he is near I shall again discover mine own self. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 9
Translated by Harry Collison |
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A pleasant, sunny morning landscape, in a terraced garden overlooking a town with many factories. Benedictus, Capesius, Maria, Thomasius, and Strader are discovered walking up and down and engaged in leisurely conversation. Benedictus wears a white biretta and is in his white robe, but without the golden stole. Capesius: Benedictus: Capesius: Benedictus: Capesius: (He pauses meditatively.) How wonderfully hast thou led me on: Benedictus: (During the last words Strader walks up to Capesius and the three go away together: after a short time Benedictus returns with Strader.) Strader: Benedictus: Strader: Benedictus: Strader: Benedictus: (Exeunt Benedictus and Strader. Maria and Thomasius appear from the other side.) Maria: Thomasius: Maria: Thomasius: Maria: |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 10
Translated by Harry Collison |
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He who would to the spirit sacrifice With understanding of the mystic work, Must needs face dangers here, for Lucifer Can in this place draw near with secret tread To whomsoever faithfully doth try To carry out the spirit-service here, And on each word he can impress the seal That marks the adversary of the gods. |
Capesius: He who hath viewed the adversary's realm As powers of fate permitted me to do, He knows that ‘good’ and ‘evil’ are but words Which mankind scarce can understand aright. Who speaks of Lucifer as wholly bad Might also say that fire is evil too, Because it hath a power that can kill life; He might call water evil, since a man Might in the water easily be drowned. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 10
Translated by Harry Collison |
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The Temple of the Mystic League mentioned in the first and second scenes. Here Benedictus, Torquatus, and Trustworthy have the robes and insignia of their office of Hierophant as described in the ‘Portal of Initiation.’ The Eastern altar supports a golden sphere; a blue sphere rests upon the Southern altar; whilst the sphere upon the altar of the West is red. As the scene opens Benedictus and Hilary are standing at the altar in the East; Bellicosus and Torquatus at the altar in the South; Trustworthy at the altar in the West; then enter Thomasius, Capesius, Strader then Maria, Felix Balde, and Dame Balde, and later on the Soul of Theodora; and last of all the four Soul-Forces. [East is here at right of stage, West at left.] Benedictus: Hilary: (Hilary knocks within the Temple; then enter Thomasius, Capesius, Maria, Felix Balde, Dame Balde, and Strader. Trustworthy and Torquatus so guide their entrance that when they come to the middle of the Temple, Thomasius is standing in front of Benedictus and Hilary, Capesius in front of Bellicosus and Torquatus, Strader in front of Trust-worthy, whilst Maria is with Felix and Dame Balde.) My son, the words man utters in this place Thomasius: Torquatus (in the South, to Capesius): Capesius: Torquatus: Capesius: Torquatus: Benedictus (in the East): Maria: Benedictus (turning to Maria): Magnus Bellicosus (speaking to Hilary and Benedictus, but frequently turning to Felix Balde and Dame Balde): Dame Balde: Felix Balde: Trustworthy (in the West, to Strader): Strader: Theodora (becoming visible, as a spirit-being, at Strader's side): Strader: (Philia, Astrid, Luna, and the Other Philia appear in a glowing cloud of light.) The Other Philia: Philia: Astrid: Luna: Curtain falls while all the characters, including Theodora, Philia, Astrid, Luna, and the Other Philia are still inside the Temple |
14. Four Mystery Plays: Persons, Figures and Events
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REPRESENTATIVES OF THE ELEMENT OF WILL: Romanus who is here re-introduced under the same name used for him in ‘The Portal of Initiation’ because it expresses the inner state of being to which he has worked upwards during the years which elapse between ‘The Portal of Initiation’ and the ‘Awakening.’ |
In ‘The Portal of Initiation’ she is known as ‘The Other Maria’ because the imaginative perception of Johannes Thomasius constructs, under her guise, an imaginative picture of certain nature-forces. Her individuality appears in ‘The Soul's Probation’ as Bertha, Keane's daughter. |
14. Four Mystery Plays: Persons, Figures and Events
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The experiences of soul and spirit portrayed in this play are to be conceived as following, at about a year's interval, those delineated in ‘The Guardian of the Threshold.’
In connection with ‘The Soul's Awakening’ it is advisable again to draw attention to a point already made with reference to the preceding soul-pictures. Neither the events of soul and spirit nor the spiritual beings are intended to be mere symbols or allegories. Anyone interpreting them in this manner would quite misconceive the real being of the spiritual world. Even in the mental experiences which are shown (in the second, third, and tenth scenes) nothing merely symbolical is portrayed. They are genuine experiences of the soul, as real for a person who has access to the spirit world as are persons and events in the world of the senses. Such a person will find ‘The Awakening’ a thoroughly realistic soul-picture. Were the case one of mere symbolism or allegory, I should certainly have left these scenes unwritten. In response to various questions, I had once more attempted to add a few ‘supplementary remarks’ in explanation of this ‘soul-picture’; but as on former occasions, I again suppress the attempt. I feel averse to adding material of this kind to a picture intended to speak for itself. Such abstract considerations have no part to play in the conception and working-out of the picture, and would only be a discordant element. The spiritual realities, here set forth, present themselves to the soul as convincingly as physical things present themselves to our bodily perception. Yet, as is natural, an unclouded spiritual vision views the beings and events shown in pictures painted by spiritual perception otherwise than the physical perceptions would behold the same beings and events. On the other hand, it must be said that the manner in which spiritual events array themselves before the perception of the soul determines alike the tendency and construction of such pictures. |
14. Four Mystery Plays: The Soul's Awakening: Scene 1
Translated by Harry Collison |
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Manager: I cannot lend my strength to fashion deeds Whose processes I do not understand. Those men whom thou didst trust still seem to me Misled by the illusion I have named: And others too, who listen to their words, Will victims to that same illusion fall Which doth o'erpower all thought that knows its goal. |
14. Four Mystery Plays: The Soul's Awakening: Scene 1
Translated by Harry Collison |
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Hilary's office. Fittings not very modern. He is a manufacturer of sawn woodwork. Secretary: Manager: Secretary: Manager: (Enter Hilary.) (To the Secretary): (Exit Secretary.) Anxiety it is that bids me seek Hilary: Manager: Hilary: Manager (after long reflection): Hilary: Manager (surprised): Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: (Enter Strader, left.) Dear Strader, I have long expected thee. Strader: Manager: Strader: Manager: Strader: (After a period of quiet meditation.) Yet that which must will surely come to pass. Curtain whilst all three are sunk in reflection |
14. Four Mystery Plays: The Soul's Awakening: Scene 2
Translated by Harry Collison |
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On soul paths he will try to follow them, Yet they have not been rightly understood If they disturb his duties on the earth. (Capesius sits, and is plunged in thought while the vision of Lucifer appears to Maria.) |
The spirit-path hath need of solitude, Co-operation is but meant for those Who reasoning, can each other understand. For from such intercourse the soul attains The wide dominions of the worlds of light. Example in old Felix can I find; He seeks on paths that none but he may know In proud seclusion for the spirit-light. |
Chorus of the Gnomes (dancing, hopping, and gesticulating in rhythm): We titter and we laugh (said sharply and quickly) We banter and grimace, When stumbling human sense And fumbling human mind Beholds what we have made; They think they understand When spirits from our age Weave charms for their dull eyes (said slowly and emphatically). |
14. Four Mystery Plays: The Soul's Awakening: Scene 2
Translated by Harry Collison |
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Mountainous country; in the distance, Hilary's house, in the vicinity of the workshops, which are not seen. Hilary's house has no upper floor; no corners or angles, and is crescent shaped. A waterfall on the left of the stage, facing audience. A rivulet runs from the waterfall between little rocks across the stage. Johannes is seen sitting on a rock to right, ignorant of the presence of Capesius, on the left of stage. Johannes: Johannes' soul shall feel within itself (Maria appears as a thought of Johannes.) Maria here before me! but how strange! (Maria disappears from Johannes' vision.) Where is Maria whom Johannes loved (Maria again appears before Johannes' vision.) Maria: Johannes: Thou stranger being in Johannes' soul (Benedictus appears at Maria's side, equally as a thought of Johannes.) Benedictus: Maria (seen as a thought of Johannes): (Benedictus and Maria disappear.) Johannes: (He sinks into further meditation.) Capesius: (Capesius approaches Johannes, who now notices him for the first time.) Johannes: Capesius: Johannes: Capesius: Johannes: (At this moment Maria joins them; this enables both Johannes and Capesius to speak their next words to themselves.) (To himself): Capesius (to himself): (turning to Maria.) Maria, thou dost come in fitting time. Maria: Capesius: Maria: Capesius: Maria: (Capesius sits, and is plunged in thought while the vision of Lucifer appears to Maria.) Lucifer: (Lucifer remains on the scene.) Maria: Capesius: (He places himself in front of Johannes.) Johannes, tell me truly, didst thou not Johannes: (Johannes again falls into meditation.) Lucifer: (Capesius at this moment straightens up self-consciously, and, during the following speech, shows an increasingly definite conviction.) Capesius: (Exit.) Maria: Johannes: Maria: Johannes: Maria: The spirit bids me tell thee this myself; Johannes (still sitting on a rock to right of stage. He collects himself for a determined effort): (From both sides advance elemental spirits. From the right of stage creatures like gnomes. They have steel-blue-grey bodies, small as compared with men; they are nearly all head, but it is bent forward and downward, and is lilac and purple in color, with tendrils and gills of various shades of the same hue. Their limbs are long and mobile, suitable for gesticulation, but ill-adapted for walking. From the left of stage come sylph-like figures, slender and almost headless; their feet and hands are partly fins and partly wings. Some of them are bluish-green, others yellowish-red. The yellowish-red ones are distinguished by sharper outlines than the bluish green ones. The words spoken by these figures are accompanied by expressive gestures developing into a dance.) Chorus of the Gnomes (dancing, hopping, and gesticulating in rhythm): Chorus of the Sylphs (a swaying motion in rhythm): Chorus of the Gnomes (dancing, hopping, and gesticulating in rhythm): Chorus of the Sylphs (a swaying motion in rhythm): (These spirit-beings collect in two irregular groups in the background, and remain there visible. From the right appear the three soul forces: Philia, Astrid, and Luna with ‘the Other Philia.’) Philia: Astrid: Luna: The Other Philia: (These four soul forces disappear towards the left; Johannes, who during the preceding events was deep in meditation, rouses himself.) Johannes: (He relapses once more into meditation; there appears to him as a thought form of his own a group composed of: The Spirit of Johannes' youth, with Lucifer on its right and Theodora's soul on its left.) The Spirit of Johannes' youth: Lucifer: (At the word ‘Lucifer’ the Spirit of Johannes' youth starts.) Reserved to me by ancient cosmic law, Theodora: Lucifer: Theodora: Lucifer: Theodora: (Lucifer, Theodora, and the Spirit of " Johannes' youth disappear. Johannes, awaking from his meditation, sees ` the Other Philia approaching him,) The Other Philia: Johannes: The Other Philia: Johannes: The Other Philia: Johannes: Curtain falls slowly, while ‘the Other Philia’ and Johannes remain quietly standing |
14. Four Mystery Plays: The Soul's Awakening: Scene 3
Translated by Harry Collison |
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Strader (to Capesius and Felix Balde): I often understood your present speech;— And then I thought it wise;—but not a word In all your speech can I now understand. |
Then, when enlightenment was granted thee By what thou didst not strive to understand Thou wast far nearer to the mystic mood. To strive for nought,—but just to live in peace, Expectancy the soul's whole inner life: That is the mystic mood. |
And thou shalt have an answer, such an one As spirit-spaces from the depth of soul Are willing to reveal through this my voice. But learn to understand thy fancied thought, The knowledge thou hast oft made bold to speak, Which thou wert only dreaming hitherto. |
14. Four Mystery Plays: The Soul's Awakening: Scene 3
Translated by Harry Collison |
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The Same. Enter left, Magnus Bellicosus, Romanus, Torquatus, and Hilary, in deep conversation, and pausing in their walk. While Torquatus is speaking (page 183), Ahriman enters left, glides stealthily across the stage unnoticed by the speaker and exits right. Bellicosus: Romanus: Bellicosus: Romanus: Bellicosus: Torquatus: Bellicosus: Romanus: Torquatus: Romanus: Bellicosus: Romanus: Hilary: Romanus: (Exeunt right.) Capesius: Strader (to Capesius): Capesius: Felix Balde: Capesius: Strader (to Capesius and Felix Balde): Felix Balde: Strader (to Capesius and Felix Balde): Felix Balde: Capesius: Strader: (Strader turns away, for a moment, from the companions with whom he has been conversing; and now he has the following spirit-vision—Benedictus, Maria, Ahriman appear—in the guise of his thought forms but nevertheless in real spirit-intercourse; first Benedictus and Ahriman, then Maria.) Benedictus: Ahriman: Strader: (Maria steps forth from the abyss.) Maria: Ahriman: Strader: Benedictus: Strader: Benedictus: Ahriman: Strader: Maria: (The figures of Benedictus, Ahriman, and Maria disappear; i.e., from outward sight; Strader wakes up from his spirit-vision; he looks round for Capesius, Felix Balde, and Dame Balde, who again approach him; he has seated himself upon a rock.) Felix Balde: (He pauses a while in the expectation that Strader will say something, but since the latter remains silent Felix continues.) I would not seem to cast thee coldly forth Dame Balde: Capesius: Dame Balde: Capesius: Felix Balde: Dame Balde: |
14. Four Mystery Plays: The Soul's Awakening: Scene 4
Translated by Harry Collison |
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Strader: Thou gav'st, when joined in spirit unto me Before the dark abyss of mine own self, Wise counsel to direct mine inward sight, Which at that time I could not understand, But which will work such changes in my soul As certainly will solve life's problems, when They seek to hinder what I strive to do. |
14. Four Mystery Plays: The Soul's Awakening: Scene 4
Translated by Harry Collison |
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(The Manager and Romanus, pausing in their walk, speak as follows.) Manager: Romanus: Manager: Romanus: Manager: Romanus: Manager: Romanus: Manager: Romanus: Manager: Romanus: Manager: (Exeunt Manager and Romanus. Johannes comes from another direction, deep in thought, and sits down on a boulder. Johannes is at first alone; afterwards appear his Double, the Spirit of Johannes' youth, and finally the Guardian of the Threshold, and Ahriman.) Johannes: (A voice from the distance, that of Johannes' Double.) ‘The magical web Johannes: (While Johannes is speaking these lines his Double approaches him. Johannes does not recognise him, but thinks ‘the Other Philia’ is coming towards him.) O spirit-counsellor, thou com'st once more; The Double: Johannes: The Double: Johannes: The Double: Johannes: The Double: Johannes: The Double: (The Spirit of Johannes' youth appears.) The Spirit of Johannes' youth: (The Spirit of Johannes' youth disappears: only now does Johannes recognise the Double.) Johannes: The Double: (The Guardian of the Threshold appears and stands beside the Double.) The Guardian: Johannes: Ahriman: Johannes: The Double: Johannes: The Double: Johannes: (The Guardian disappears: in his place appear Benedictus and Maria.) Maria: Benedictus: (The Double, Benedictus, and Maria disappear.) Johannes: (Exit, right.) (Enter Strader, Benedictus, and Maria, left.) Strader: Benedictus: Strader: Benedictus: Strader: Benedictus: Strader: (Benedictus and Maria retire a little way; Strader remains alone; the soul of Theodora appears.) Theodora's Soul: (Disappears. Exit Strader. Benedictus and Maria come to the front of stage.) Maria: Benedictus: Maria: Benedictus: Maria: Benedictus: Maria: Benedictus: Maria: Benedictus: Maria: |
14. Four Mystery Plays: The Soul's Awakening: Scene 5
Translated by Harry Collison |
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Lucifer: (Bluish-green glittering under-garment, reddish outer-garment, shaped like a mantle and gleaming brightly, which extends into wing-like outlines; his upper part is not an aura but he wears a mitre of deep red bordered with wings; on his right wing a blue shape having the appearance of a sword; a yellow shape, like the ball of a planet (Venus), is supported by his left wing. |
Strader's Soul: On spirit-shores illumination works, Yet howsoe'er I strive to understand The sense of these light-forces, they are dumb. Dame Balde's Soul: (Figure of a penitent with white coif, like that of a nun; robe yellow-orange, with silver girdle; she appears quite close to Maria; on her right and near Felix Beide.) |
14. Four Mystery Plays: The Soul's Awakening: Scene 5
Translated by Harry Collison |
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The Spirit Realm. The scene is set in floods of significant colour, reddish deepening into fiery red above, blue merging into dark blue and violet below. In the lower part there is a globe symbolising the earth. The figures that appear seem to blend into a complete whole with the colours. On the left of the stage the group of gnomes as in Scene 2, page 173, in front of them Hilary, and in the immediate foreground the soul-forces. Felix Balde's Soul: (Seated at the extreme right of stage, having the form of a penitent, but arrayed in a light violet robe girdled with gold.) I thank thee, Spirit, wise to govern worlds, Lucifer: (Bluish-green glittering under-garment, reddish outer-garment, shaped like a mantle and gleaming brightly, which extends into wing-like outlines; his upper part is not an aura but he wears a mitre of deep red bordered with wings; on his right wing a blue shape having the appearance of a sword; a yellow shape, like the ball of a planet (Venus), is supported by his left wing. He stands somewhat behind and to the right, towering over Felix Balde's soul.) My servant, such activity as thine Felix Balde's Soul: (Gazing at the group of gnomes. From this moment, the gnomes becoming conscious, keep swaying up and down, slightly raising and lowering themselves, as if the group was breathing from above.)
Hilary's Soul: (With the figure of a steel-blue-grey elemental spirit modified to resemble a man's; the head less bowed, and the limbs more human.) The mist of wishes doth reflect the light Felix Balde's Soul: (The gnomes cease their movement.) Ahriman: Strader's Soul: (Toward the left of the stage; only his head is visible; it is in a yellowish-green aura with red and orange stars. At this moment on Strader's immediate left appears the soul of Capesius. Similarly only his head is to be seen. It is in a blue aura with red and yellow stars.) I hear a word which sounds and sounds again. The Other Philia: (Arrayed like a copy of Lucifer, though the radiance is lacking. Instead of the sword she has a kind of #8224, and in place of the planet a red ball like a fruit.) It travels onward in its search for weight Unto the place where radiant being fades Philia: (Figure like an angel, yellow merging into white, with wings of a bright violet, a lighter shade than Maria has later.—All three soul figures and the Other Philia are near Strader's soul and stand in the centre of the stage.) The mist-creations I will tend for thee Astrid: (Figure like an angel, robed in bright violet, with blue wings.) I beam forth clear and wondrous life of stars Luna: (Figure like an angel, robe of blue and red, with orange wings.) The weighty beings, who with toil create, Strader's Soul: Capesius' Soul: Luna: Capesius' Soul: Astrid: The Other Philia: Capesius' Soul: Philia: Capesius' Soul: Lucifer: (The souls of Benedictus and Maria appear in the middle of the region. Benedictus, in dress and in figure, is a microcosmic counterpart of the entire scenic effect. Below, his robe, becoming broader, shades into blue-green; around his head is an aura of red, yellow and blue; the blue blends into the blue-green of the entire robe. Maria on his right is an angelic figure; yellow shading into gold, without feet and with bright violet wings.) Benedictus' Soul: Maria's Soul: Felix Balde's Soul: Strader's Soul: Dame Balde's Soul: (Figure of a penitent with white coif, like that of a nun; robe yellow-orange, with silver girdle; she appears quite close to Maria; on her right and near Felix Beide.) Ye souls now summoned up by Lucifer! Capesius' Soul: The Guardian: (Enter the Guardian of the Threshold, like an angel, symbolically arrayed, to the side of the souls of Maria and Benedictus.) Ye souls who now at Lucifer's demand |