The Rudolf Steiner Archive

We will give you yet another special example of how one can immerse oneself in the profundity of religious documents and gain an ever greater understanding of what they contain.

If we study our sense organs as they are usually studied, we see that we have the possibility through the sense of smell of perceiving matter itself. Unless this fine substance were given off, man would be unable to smell. What takes place here is a connection with matter itself. The organ of taste is not connected with matter itself, but acts through a process of dissolving and perceiving its effect. Thus we can call taste a chemical sense, because it penetrates into the constitution of matter. The third sense that of sight, has nothing more to do with matter, for it only perceives pictures that are produced by matter. The fourth, the sense of touch, has still less to do with matter as such, for it only perceives attributes of the surroundings in connection with objects, such as warmth and cold; this is a state of matter which is no longer dependent on matter itself, but on what conditions surround it. Hearing is in no way dependent on the air, for we perceive only the oscillations, the vibrations of the air, something which stands in a quite external relationship to what is material. Matter, the air, is only the vehicle for the sound waves.

The lowest perception of matter is smell, then comes taste, then sight, then touch and hearing. We can now ask: What is warmth and cold? It is what is contained in the warmth ether. So the sense of touch perceives the warmth ether, sight perceives the light ether, taste perceives the chemical ether, smell perceives the atomistic or life ether, hearing perceives the air. A sixth and a seventh sense⁷⁴ which will only develop in the future, would perceive water and earth.

We have therefore in our senses a sequence of stages in connection with what we call matter. We will first follow the development of our three lower senses.

The sense of sight perceives by means of the light ether the objects around us. There was however a time when everything was dark. Let us go back to the moment of time when sight came into existence and the outer world as such became perceptible to us. Previously the eye was not yet opened to the outer world. We must imagine the same force which the eye receives from outside in the light ether, pouring outwards from within, streaming out through the eye in the opposite direction. If this were the case the being would illuminate the others around him. This was so at a certain time when human beings possessed eyes like the Cyclops. Illumination was brought about through the out streaming light; this light streamed from within outwards. Then man illuminated, as many sea creatures still do today, the objects around him and his own body. At that time he had no consciousness of his own, but he was solely an instrument for the corresponding divine being, in order to illuminate the world for him. The divine being had no means of seeing the surrounding objects other than human eyes.

When as yet man had no intellect it was possible for the active light of the Godhead to pass through him and illuminate objects. The human being was the mediator for the Godhead. The latter wished by means of light to make the solid objects visible. Because the light passed through him, man himself was formed. Before the light had passed through the human being the Godhead had no need of light, because the objects were not yet solid, but fluid, so that no use could be made of light. That is the condition described in the Bible: ‘And darkness was upon the face of the deep, and the spirit of God brooded on the face of the waters.’ At that time the world was simply water, even gold and silver and the other metals ran, were fluid. When within the water, like blocks of ice, solid objects arose, man separated his membered form and light became necessary. God said: ‘Let there be light and there was light.’ Then it was that man too first received his form. That is the moment when the Light Ether was introduced and the solid element separated off. God said: ‘Let the dry land appear.’ Before that everything was of a watery nature. In the same way as the Light Ether was incorporated into the solid element, so was the Chemical Ether incorporated into the water. Chemical relationships were worked into man when he was still fluid. The chemical relationships according to which today the different substances are combined, were imprinted into the individual. Then we come back into a condition when man and also the whole Earth was still aeriform; the life, or the atomistic ether flowed into him. The life ether was at that time introduced into the world through man.

Now let us once more turn our attention to the condition which existed when God said: ‘Let there be Light.’ The Earth began to densify. Light shone upon it. This was also the time when man began to densify. The earlier forces however had to be retained. Now we have reached the condition when man let the light pass through himself. Then a complete reversal took place. Man began to perceive the light as something outside.

Originally through him there had been introduced into this world:

1. The atomistic or life ether.
2. The chemical ether.
3. The light ether.

Reversal:

3. Perception of the life ether.
4. Perception of the chemical ether.
5. Perception of the light ether.

Now man receives back the light from the world. (Reversal of the spiral.) Formerly he was a source of light, now the light streamed into him. He had become self-enclosed; thereby he acquired consciousness. The light shone into him; man began to let the surrounding world reflect itself in him. The next stage is that he learns to recognise objects with regard to their chemical constitution. He developed sympathy or antipathy for substances, a relationship to the world outside him. Then finally he also gained an inner perception of the atomistic or life-ether.

Through the introduction of light into the world man acquired his solid form. Through the introduction of the chemical ether he acquired a relationship to the world. Through the introduction of the atomistic ether he acquired life. Thus through the eyes he acquired form; through the sense of taste, relationship to the world; through the sense of smell, the nose, life. Jehovah breathed into his nostrils the breath of life.

When we approach religious writings with such ideas we find that the most profound truths have been placed into them. We shall see whether originally these truths were placed into the religious writings as we now have them.

Let us take for example the builder of the Gotthard Tunnel and then a man who describes it. The builder, who actually constructed the Gotthard Tunnel did not need perhaps to possess such a high degree of engineering science in his conscious self, but he actually brought a thought into reality. Such is the relationship between the wise men of ancient times and those of today. At that time they possessed a creative wisdom. Now we have a wisdom based on observation. The creative wisdom is that wisdom which once made man, building up one after another those parts which today the anatomist takes out and describes. The creative wisdom is exactly the same as the wisdom which can be discovered today; it has been placed into the world. In the primeval wisdom man was concerned with the plan of the world. Now you can understand why the mystic has to withdraw into himself. The true mystic must be an investigator of the inner. He attempts to seek out those stages of evolution through which he has been created.

If we were able completely to shut off all light from the eyes and then to create light within us, until the world appeared illumined from within outwards, then we should be able to immerse ourselves inwardly in the creative wisdom and penetrate into everything with inner vision. This has a practical value, for one can remember how in actual fact man has been built up by having passed through the mineral, plant and animal kingdoms: all this is also within him. What is outside in the world is the remains of what man himself once was.

The human heart as it came into being was akin to what had taken place outside. The moment one sinks oneself into the heart, one creates for oneself the surroundings as they were when in the Lemurian Age the heart came into existence. If one concentrates on the activity of the heart, one can conjure up the entire environment of the Lemurian Age when the heart was formed. The Lemurian landscape rises up within us. Whoever concentrates on the heart sees the genesis of the human species.

Through concentration on the interior of the brain, which developed gradually during the Atlantean Age, one sees the Atlantean landscape appear. If one concentrates on the solar plexus one is led to the Hyperboreans. So one travels back into the worlds as they once were. This is no brooding in oneself, but an actual perception of the various organs in their relationships with the world. This is the way in which Paracelsus found his remedies and achieved his cures. He knew that digitalis purpurea came into being at the same time as the human heart. Through concentration on a particular organ, corresponding remedies reveal themselves. Thus do the members of the macrocosm and the microcosmic nature of man stand in relationship to each other.

Now the following is easy to understand. The human being receives warm red blood as do also the higher animals. That is to say, from then on man can separate himself from his surroundings, becoming independent, a whole enclosed within itself. This the fish is not. The fish has the same temperature as what surrounds it. With the warm red blood it became possible for man to develop warmth within himself. Then he was able to separate himself from his environment. Previously he was of the same temperature as his surroundings. What is it that actually occurred?

Let us consider the undifferentiated human organism before the Lemurian Age. There was a uniform temperature over the whole Earth. The state of warmth within man was the same as the state of warmth outside.

Then the inner warmth condition was heightened. This warmth condition signified individual warmth, warmth which was made use of in individualisation; and in the world outside the opposite came about: warmth, fire was distributed. Previously there was as yet no outer fire. To kindle fire in Nature first became possible when fire appeared within man. Since that time there was the beneficent fire distributed outside, and within man the egoistic fire.

And now we have the point of time when fire was withdrawn from spiritual beings for the benefit of man. Human beings drew their warmth from a particular kind of spiritual being—the Agni. Because of this, what was previously there as Fire-Spirit in the world had to withdraw and from then on could only appear from time to time in the form of fire. The Promethean-Saga is based on this fact. The god had lost his previous body and created for himself a new one in the external fire. Here we have an outstanding example of how in a certain way man works destructively on the elemental forces of Nature. Man himself had called forth the element of fire in that he had become an individualised being. This underlies the occult saying that, fundamentally speaking, man works destructively where elemental beings are concerned. This is very far-reaching and makes clear to us how man still today continually creates new conditions, new forces of Nature in his world around him, while he himself progresses in his development. He shapes the structure of the Earth. Fire arose in the Lemurian Age; because of this Lemuria could meet its destruction through fire which man himself had created.

The Atlantean Continent perished through water. The downfall of the Fifth Continent will be brought about through evil. We can observe a kind of retrogression in the following way:

The next stage—during the Atlantean Age—was the creative work of the human being on his own etheric body. There he had drawn air from his environment into himself. In this way he had so changed his ether body that the conditions of Atlantis had become quite different. During Atlantis the surface of the Earth was at one time only mist, an atmosphere of such a kind that a rainbow would have been impossible. At that time man worked upon the water. In the Lemurian Age he worked upon solid earth, this brought forth fire; in the Atlantean Age he worked upon the water; this brought about light. (it corresponded to the light of our intellect.) Then he worked upon the air.

The Fifth Root-Race will bring man to his downfall through what must be called evil. Then comes the Sixth Root-Race. The Fifth Root-Race is that in which Manas develops on the physical plane.

In the Old Indian civilisation man lived in a condition corresponding to Manas in a kind of deep trance-like state. There the primeval wisdom was revealed to the ancient Indians by the Rishis. The second revelation took place with the Persians in a condition similar to our deep sleep. In this condition man heard the Word. It was the condition of the Ancient Persian Sleep-trance. ‘Honover’ was the word used by the Persians.

Third revelation: The peoples of the near East, Babylonians and Egyptians, perceived through Manas in picture-consciousness; they had visions or dream-sight.

Fourth revelation: Clear waking-day consciousness was developed by the Semites, the Greeks and Romans. At that time Manas was perceived in clear day-consciousness, as incarnated man, Christ Jesus.

So with the ancient Indians we find the trance of the physical body. With the ancient Persians we find the deep sleep of the etheric body. With the peoples of the Near East we find the picture consciousness of the astral body, with the Semites, Greek and Roman peoples the waking consciousness of the ego.

Now in the Fifth Sub-Race man does not perceive the changing stages of Manas, but this Race sees as the highest stage the psychic experience of concepts as such. Our Sub-Race has developed the psychic Manas, the usual scientific knowledge.

The Sixth Sub-Race will develop a Super-psychic Manas. What with human beings today is merely a kind of knowledge will become actual reality, a social force. The Sixth Sub-Race has the task of permeating society in a social way with everything which has been produced by the preceding stages of evolution. Then for the first time Christianity will come forth as shaper of the social order. The Sixth Sub-Race will be the one which is the germinal foundation for the Sixth Root-Race. The Fifth Root-Race is descended from the original Semites, from the Fifth Sub-Race of the Fourth Root-Race. This people developed the individual ego which produces egoism. Man owes his independence to the original Semites. Man must first find himself, but then again must also surrender himself He must surrender himself to what makes thought a reality. The Sixth Sub-Race is destined to replace blood relationship with Manas relationship, relationship in the spirit. Thinking which is altruistic will develop the predisposition to the overcoming of egoism.

The Seventh Sub-Race will be a premature birth. It will make outwardly real too soon and too strongly what has come forth from Manas.

In the Sixth Sub-Race the predisposition will be given for the overcoming of egoism, but in such a way that the balance is held between selfhood and selflessness. The man of the Sixth Sub-Race, will neither lose himself in what is outside, nor shut himself up in what is within. With the Seventh Sub-Race a kind of hypertrophy will come about. Man will then pour out what he now has within him: his egoism. On the other hand the members of the Sixth Sub-Race will hold the balance. The Seventh Sub-Race will harden egoism. Later the English-American people will be projected as something rigidified into the Sixth Root-Race, just as today the Chinese are a rigidified residue of the Atlantean Age, the Fourth Root-Race.

World-egoism proceeds from the Anglo-American Race. From that direction the whole Earth will be overlaid with egoism. It is from England and America that all the discoveries come that will cover the Earth like a network of egoism. So it is from there that the whole Earth will be covered by a network of egotistic evil. But from a small colony in the East [The Slavonic peoples.] there will be developed, as though from a seed, new life for the future.

The English-American civilisation consumes European culture. The sects in England and America represent nothing other than the most incredible conservation of what is old. But such Societies as the Salvation Army, the Theosophical Society and so on, come into existence just there, in order to rescue souls from decadence, for race evolution does not run parallel with soul evolution. But the race itself is going towards its destruction. Within it is the seed of the evil race.

In the Fourth Sub-Race work was performed as tribute (Slave Labour).
In the Fifth Sub-Race work is performed as a commodity (sold).
In the Sixth Sub-Race work will be performed as an offering (free work).⁷⁵

The economic needs of existence will then be separated from work: there will be no more personal possession, everything will be owned in common. One will no longer work for one's personal existence, but will do everything as absolute offering for humanity.

• 74. Compare with lecture 9 and the development of the pineal and pituitary glands.
• 75. See Anthroposophy and the Social Question which appeared at about the same time in the periodical Luzifer-Gnosis.

I want to begin these lectures for Members by speaking of how Anthroposophy lifts human consciousness above the earthly and material domain simply through the light it sheds upon the nature and being of man.

It is hardly possible for anyone immersed in modern civilisation to think otherwise than that during his life from birth to death he belongs to the Earth. Membership of a spiritual world is in most cases a mere belief or a dim inkling. Insight into the fact that man belongs to any world other than the Earth is scarcely within the power of human beings whose education and whole upbringing are the outcome of modern civilisation. Nevertheless, to believe that when man is being spoken of earthly conditions alone have to be considered is the great fallacy of all contemporary spiritual life in the West and in Middle Europe. The East alone has preserved a certain consciousness—although in a decadent form—of man's connection with the super-sensible, cosmic powers and forces around the Earth. In olden times man felt himself dependent on the stars as well as on the plants and the animals around him on the Earth; he knew, too, that the Moon is not simply a physical orb revolving in space. Interest in the Moon to-day does not really go much further than attempts to discover whether there are or are not mountains or water there; hypotheses are advanced, but little thought is given to any other aspect of this neighbouring planet. As for the other heavenly bodies, investigation is entirely concerned with their physical conditions. In ancient times it was altogether different. Man was aware of his dependence on the heavenly bodies just as to-day he is aware of his dependence on the Earth.

I will start with something that has a certain scientific importance; it is an example that may perhaps not be to the liking of some people, but it is easy to follow. I have often emphasised in Anthroposophical lectures that the formation of the human embryo in earthly life, even when investigated from the purely scientific point of view, provides the proof in itself that something extra-earthly is at work in the process. Natural science believes the ovum to be the most complex structure that can possibly exist on Earth. Much thought is given to this complex structure of the ovum and recently we have been hearing about the wonders of the atom and the molecule! The structure of a cell is said to be indescribably complex. But this is a fallacy, for the ovum is, in reality, chaos; it is not a complex structure. The chemical physical structure goes to pieces, and before a living being can arise the ovum must have been in a state of chaos. The very purpose of fertilisation is to produce this state of chaos in the ovum, so that within the mother's organism there is matter which has been completely broken down. The processes in the mother's body produce this state of chaos. And now think of a crystal. The Cosmos cannot work in a crystal with its hard, firm edges; neither can the Cosmos work in the substance of a plant, which also has solid form; nor in that of an animal. Fertilisation means that the ovum becomes a chaos. Only then does the whole surrounding Cosmos work in upon this germinating entity and build up the living human form in such a way that the being of soul and spirit coming from earlier earthly lives can enter into it.

According to modern views this is so much nonsense—but it happens to be the truth! What is so deplorable in our time is that when one speaks the truth it is almost inevitably pooh-poohed by contemporary scholarship. Some people may say: “This statement of yours may be based upon occult vision; but is it also capable of proof?” It is indeed—and in more ways than one might imagine. At our Institute for Biological Research in Stuttgart remarkable confirmation of this fact has come to light. Investigations have been made into the function of the spleen. You know, perhaps, that the spleen has always been considered a very enigmatical organ. The story goes that in a viva voce examination the candidate was asked by the professor: “Can you tell me anything about the spleen?” The candidate puzzled his brains and at last blurted out in desperation: “I have forgotten it.” “What a pity!” said the professor. “Nobody has ever known anything about the spleen; you apparently were the only one, and you have forgotten it!”

I indicated a certain method, based on the principles of Spiritual Science, according to which Frau Dr. Kolisko has investigated the function of the spleen. The validity of her results is still being questioned but they will eventually win through, because the investigations were genuinely exact. During the investigations something else came to light. Because of the methods in general use to-day, one is sometimes obliged to adopt procedures that go much against the grain, but we finally decided to excise the spleens of rabbits. It was nothing in the least like vivisection but a quite simple operation; and we did everything that could possibly be done to avoid causing suffering. Unfortunately one of the rabbits died from a chill after the operation because by an oversight it was not taken immediately into the heated room. What result was to be expected from this operation? After the removal of the spleen something developed in the rabbit's body at the same place, something to which the Cosmos could have access. As long as the spleen itself was there the Cosmos could do nothing; but if the spleen is removed, the etheric spleen alone remains, and the etheric spleen adapts itself to the working forces of the Cosmos. It was to be expected, then, that at the place where the spleen had been, something would develop in the form that is a copy of the Cosmos, namely, the spherical form. And this is what we actually found! When we opened the rabbit we found a tiny organic body, spherical in shape; it had been produced by the in-working cosmic forces—when the condition in which the Earth alone works had been removed. This is entirely in line with the contention that the fertilised ovum is a body in which a state of chaos has been induced. And so karma led us to an external proof of something that holds good in another sphere altogether.

In many respects it is the case that if a man's thoughts and feelings are the outcome of contemporary civilisation, his outlook is bound to be limited to the Earth; he is incapable of directing his gaze in any real sense to the Cosmos. Let me remind you of what is said in the book Occult Science, namely that the Moon and the Earth were originally one body, but that the Moon subsequently separated from the Earth. This fact is revealed to seership but it is also to some extent recognised by modern natural science. Particularly in the last few years a certain literary and scientific movement has been speaking—although in an erroneous way—of this relationship of the Moon to the Earth. The Moon in the heavens was once united with the Earth, was then ejected—if I may so express it—and since then has been circling around the Earth.

I must now speak of a second fact, connected with man's spiritual development in earthly existence. Even a purely external survey of what men have achieved on the Earth indicates the existence of a primordial, archetypal wisdom. It was not, of course, imparted in the abstract, intellectual forms demanded to-day, nor was it so closely bound up with the senses. It was imparted in a more pictorial, poetic form. Of this primordial wisdom itself, which existed on the Earth in times long before writing was known, nothing has remained. Echoes have been preserved in sagas and myths, in the wonderful Vedic literature, in the Vedanta and other Eastern texts. Anyone who steeps himself in this literature—not in the style of Deussen who sees only the outermost surface but for all that is an interpreter of great renown—anyone who can get to the depths of what this literature contains will have a profound reverence for the infinite wisdom there expressed in a pictorial, poetic form. He will feel that behind it all there was something unuttered and unwritten, perhaps even greater and more significant a primordial, archetypal wisdom. How was this wisdom attained? Men did not study as we do to-day, imbibing the contents of book after book and so gradually amassing a certain amount of information. Every human being who had developed a certain insight in those ancient times knew what Inspiration is, knew how to read in the world itself—not in books—when he induced in himself the right attitude of soul. He knew the reality of inner illumination; it was as real to him as the reading of books is real to us to-day. The priests in the Mysteries brought him to the stage where he was able to experience this inner illumination and become aware of spiritual reality in the Universe. This indeed was the purpose of the instruction he received in the Mysteries. He did not feel that the illumination came to him from the clouds. If we to-day were listening to someone talking from behind a screen, we should not attribute the voice to some undefined source but to an actual person. Similarly, a man who attained illumination knew: there are Beings on the Earth who, although they are not in physical incarnation, are the great Teachers of humanity. Man knew that he moved among Beings who were not, like himself, incarnate in flesh and blood but who were etheric Beings, imparting the illumination and the content of the primordial wisdom. He knew that the Earth was peopled not only by human beings of flesh and blood but by other Beings too, working and living in etheric bodies.

In studying these things we must get rid of the preconceived notion that humanity has lived on the Earth since the time of which records exist and that this was preceded by undefined conditions leading back to the man ape or the ape man. This is a really ludicrous idea! What the historians say holds good for a few centuries only, namely, that human beings have not changed fundamentally, except that they are supposed to have become cleverer. It is said that the Egyptians were a superstitious people, that they had mummies and other such customs, but apart from cleverness they are thought to have been just like modern men. Nothing is known with any certainty of the long period of previous history, but the view is that it leads back finally to the man ape.

That is a view of evolution which must be abandoned! Man peopled the Earth before the animals, only in a different form; man is the older being, as you can read in Occult Science. The ancient Teachers of the primeval wisdom did not incarnate in physical bodies but lived in spirit bodies, and the men who communed with them, having experienced—as we ourselves experienced—the event of the separation of the Moon, knew that these Beings who had been among them as great Teachers had gone forth into the Cosmos, that they were no longer on the Earth but on the Moon. So that in truth not only the physical substance of the Moon but these spiritual Beings too, separated from the Earth. Once upon a time these Beings—who do not pass through birth and death in the same way as man—withdrew from the Earth and took up their abode on the Moon, although the actual substance of the Moon has been involved for long ages in a constant process of change.

This applies equally to man. In a period of seven to eight years the physical substances in the human body have completely changed. If anyone imagines that the bodies sitting here are the same as they were a few years ago, he is mistaken. The physical substance is entirely different; the soul and spirit has remained. Natural science is aware of this fact but pays no attention to it. The following question was once put to me after a lecture: “It is said that bees, as a hive, have a real link with the beekeeper, that if he has been very devoted to his bees and then dies, the hive is aware of his death and often dies too. How can this possibly happen? The bees as single entities have no faculties for knowing a human being, and the hive is only the sum total of the single bees!”—But this is by no means correct. I answered by using the following analogy. “Twenty years ago, two men were together. One of them goes to America, the other stays behind; after fifteen years the former returns from America and recognises his friend again. Yet not a single particle of the same physical substance has remained!”—And so it is not a question of each individual bee but of the intelligence of the beehive as a unit and that is not really so very different from human intelligence. As men, we are distinct from the cells in our bodies, from our various organs. And just as no single particle of the bodies of those who attended my lectures ten years ago has remained, but only the soul and spirit, so, although the Moon substance which once left the Earth has long since passed away, has been exchanged in the Cosmos, the Beings have remained. How these Beings have continued to participate in the life of earthly humanity is clearly revealed to the vision of Initiation, and to deeper observation of what we call karma. I will begin to speak about this to-day and continue in the following lectures.

When we make the acquaintance of a human being we do not as a rule give sufficient thought to the fact that we have really steered our whole earthly life towards this meeting. Acquaintance with another human being may take two forms. If we pay close attention we shall find more or less the following.—We get to know some person and feel aware of an intimate bond with him, no matter what he is like outwardly—good looking or ugly, intelligent or stupid. We pay no attention to his outer appearance; we feel an inner bond with him. That is the one alternative, in its extreme form. The other alternative is this.—We make the acquaintance of someone without feeling any inner bond, but he makes an intellectual or a moral impression upon us. We can describe him in great detail. Our relationship with the first acquaintance is such that if, after our meeting, we are among other people who also know him, it goes against the grain to talk about him; we feel a kind of embarrassment; there is something essentially inward in our relationship with him. But to talk about the second acquaintance is quite easy. We say that he is intelligent, or that he is a fool; we can describe the very shape of his nose, but we have no inner affinity with him. In the case of some people, no sooner have we made their acquaintance than we are always dreaming about them. We may get to know another person extremely well; we may be with him every day but we never by any chance dream about him because we have not been stirred inwardly. Very rarely indeed will there by anyone like Garibaldi,¹ who felt the inner bond even before there was any direct, personal relationship. Such cases are rare, but they do occur. The circumstances in which Garibaldi met his first wife are very interesting. External life affected him so little that he had no interest whatever in women. On a voyage to the coast of Brazil he happened to look at the land through his telescope and saw a girl standing on the shore. At that very moment he knew that she must become his wife. He hurried his ship to the land where a man greeted him in a friendly way and invited him to a meal at his house. Garibaldi accepted, and this man turned out to be the father of the girl he had seen through the telescope! Even before the meal was served he said to her—he spoke only Italian and she only Portuguese—that she must be his for life. She understood, and a very beautiful relationship was established between them. There you have a telling example of a karmic relationship. There was something heroic in the way the woman behaved. She accompanied Garibaldi on his campaigns in South America and when the news came that he had fallen on the battlefield, she went to search for him there. These were the circumstances in which she gave birth to her child, and in order to keep it warm she was obliged to strap it round her neck. Such experiences helped Garibaldi to find a firmer foothold in life. His wife eventually died and he married another woman whose acquaintance he made in an entirely conventional way; but this marriage lasted only for a day!

These are matters where karma stares us in the face, indicating two ways in which karma comes to expression between one human being and another. The karmic relationships differ entirely according to whether a man feels an inner bond or whether he can describe only the external characteristics of the other person.

When we study karmic experiences like that of an acquaintanceship where beauty or ugliness counts for nothing but where the feeling of kinship wells up entirely from within, we are led to discern the influence of those Beings of whom I have said that they were the original, primeval Teachers of mankind; they have remained active to this day, but now they work from outside, from the Cosmos. Such relationships are of special interest to these Moon Beings and through them they participate in the most intimate way in the evolution of earthly humanity.

Just as there are Beings who belong to the Moon, so there are Beings who belong to the Sun. We have spoken of relationships where we find it easy to describe the other person in a more external way. In these cases it is the Sun Beings who interest themselves in the threads that are woven between soul and soul.

In studying human relationships we are led away from the Earth, first of all to the Sun and the Moon. There are human relationships in which we discern the working of the Moon; others in which we discern the working of the Sun. And so stage by stage we are led from the Earth to the Cosmos.

All that has been possible to-day is to make a beginning and we will continue in the lectures that are to follow.

• 1. Garibaldi, 1807–1882. The maiden name of his Brazilian wife was Anita Riveira de Silva.

[ 1 ] During sleep no impressions are conveyed to the human soul through the instrumentality of the physical sense-organs. The impressions from the ordinary outer world do not find their way to the soul when in that condition. In certain respects the soul is actually outside the part of the human being—the so-called physical body—which in waking life is the medium for sense perceptions and thought. The soul is then only connected with the finer bodies (the etheric body and the astral body), which are beyond the scope of physical sense observation. But the activity of these finer bodies does not cease during sleep. Just as the physical body is connected and lives with the things and beings of the physical world, affecting them and being affected by them, so, too, does the soul live in a higher world; only, this life of the soul continues also during sleep. The soul is in full activity during sleep, but we can know nothing of this activity so long as we have no spiritual organs of perception through which to observe what is going on around us and see what we ourselves are doing during sleep, as we observe our daily physical environment with our ordinary senses. The preceding chapters have shown that esoteric training consists in the development of such spiritual sense organs. [ 2 ] Now if, as a result of esoteric training, the student's life during sleep is transformed in the manner described in the foregoing chapter, he will, when in that condition, be able to follow consciously everything going on around him. He can at will find his way in his environment as he could, when awake, with his ordinary senses. It should here be noted that a higher degree of clairvoyance is required for the higher perception of ordinary physical environment. This was indicated in the last chapter. In the initial stages of his development the student perceives things pertaining to another world without being able to discern their connection with the objects of his daily physical environment.

[ 3 ] These characteristics of life during sleep or in dreams illustrate what is continually taking place in the human being. The soul lives in uninterrupted activity in the higher worlds, even gathering from them the impulse to act upon the physical body. Ordinarily unconscious of his higher life, the esoteric student renders himself conscious of it, and thereby his whole life becomes transformed. As long as the soul remains unseeing in the higher sense it is guided by superior cosmic beings. And just as the life of a person born blind is changed, through a successful operation, from its previous dependence on a guide, so too is the life of a person changed through esoteric training. He outgrows the principle of being guided by a master and must henceforward undertake to be his own guide. The moment this occurs he is, of course, liable to commit errors totally unknown to ordinary consciousness. He acts now from a world from which, formerly, higher powers unknown to him influenced him. These higher powers are directed by the universal cosmic harmony. The student withdraws from this cosmic harmony, and must now himself accomplish things which were hitherto done for him without his co-operation.

[ 4 ] It is for this reason that so much is found in books dealing with these matters concerning the dangers connected with the ascent into higher worlds. The descriptions sometimes given of these dangers may well make timid souls shudder at the prospect of this higher life. Yet the fact is that dangers only arise when the necessary precautions are neglected. If all the measures counseled by true esoteric science are adopted, the ascent will indeed ensue through experiences surpassing in power and magnitude everything the boldest flights of sense-bound fantasy can picture; and yet there can be no question of injury to health or life. The student meets with horrible powers threatening life at every turn and from every side. It will even be possible for him to make use of certain forces and beings existing beyond physical perception, and the temptation is great to control these forces for the furtherance of personal and forbidden interests, or to employ them wrongly out of a deficient knowledge of the higher worlds. Some of these especially important experiences, for instance, the meeting with Guardian of the Threshold, will be described in the following chapters. Yet we must realize that the hostile powers are none the less present, even though we know nothing of them. It is true that in this case their relation to man is ordained by higher power, and that this relation alters when the human being consciously enters this world hitherto concealed from him. But at the same time his own existence is enhanced and the circle of his life enriched by a great and new field of experience. A real danger can only arise if the student, through impatience or arrogance, assumes too early a certain independence with regard to the experiences of the higher worlds; if he cannot wait to gain really sufficient insight into the supersensible laws. In these spheres, modesty and humility are far less empty words than in ordinary life. If the student possesses these qualities in the very best sense he may be certain that his ascent into the higher life will be achieved without danger to all that is commonly called health and life. Above all things, no disharmony must ensue between the higher experiences and the events and demands of every-day life. Man's task must be entirely sought for on this earth, and anyone desiring to shirk his earthly task and to escape into another world may be certain he will never reach his goal. Yet what the senses perceive is only part of the world, and it is in the spirit world that the beings dwell who express themselves in the facts of the physical world. Man must become a partaker of the spirit in order to carry its revelations into the physical world. He transforms the earth by implanting in it what he has ascertained in the spiritual world. That is his task. It is only because the physical world is dependent upon the spiritual, and because man can work upon earth, in a true sense, only if he is a participator in those worlds in which the creative forces lie concealed—only for these reasons should he have the desire to ascend to the higher worlds. No one approaching esoteric training with these sentiments, and resolved not to deviate for a moment from these prescribed directions, need fear the slightest danger. No one should allow the prospect of these dangers to deter him from esoteric training; it should rather act as a strong challenge to one and all to acquire those faculties which every true esoteric student must possess.

[ 5 ] After these preliminary observations that should dispel any element of terror, a description of some of the so-called dangers will be given. It is true that great changes take place in the student's finer bodies, as described above. These changes are connected with certain processes in the development of the three fundamental forces of the soul, with willing, feeling, and thinking. Before esoteric training, these forces are subject to a connection ordained by higher cosmic laws. Man's willing, feeling and thinking are not arbitrary. A particular idea arising in the mind is attended by a particular feeling, according to natural laws; or it is followed by a resolution of the will in equally natural sequence. We enter a room, find it stuffy, and open the window. We hear our name called and follow the call. We are questioned and we answer. We perceive an ill-smelling object and experience a feeling of disgust. These are simple connections between thinking, feeling, and willing. When we survey human life we find that everything is built up on such connections. Indeed, life is not termed normal unless such a connection, founded on the laws of human nature, is observed between thinking, feeling and willing. It would be found contrary to these laws if the sight of an ill-smelling object gave anyone pleasure, or if anyone, on being questioned, did not answer. The success anticipated from a right education or fitting instruction is based upon the presumption that a connection between thinking, feeling, and willing, corresponding to human nature, can be established in the pupil. Certain ideas are conveyed to him on the assumption that they will be associated, in regular fashion, with his feelings and volitions.

All this arises from the fact that in the finer soul-vehicles of man the central points of the three forces—thinking, feeling and willing—are connected with each other according to laws. This connection in the finer soul organism has its counterpart in the coarser physical body. In the latter, too, the organs of will are connected according to laws with those of thinking and feeling. A particular thought, therefore, inevitably evokes a feeling or an activity of will. In the course of higher development, the threads interconnecting the three fundamental forces are severed. At first this severance occurs only within the finer soul organism, but at a still higher stage the separation extends also to the physical body. It is a fact that in higher spiritual development the brain divides into three separate parts. This separation is not physically perceptible in the ordinary way, nor can it be demonstrated by the keenest instruments. Yet it occurs, and the clairvoyant has means of observing it. The brain of the higher clairvoyant divides into three independently active entities: The thought-brain, the feeling-brain, and the will-brain.

[ 6 ] Thus the organs of thinking, feeling, and willing become individualized; their connection henceforth is not maintained by laws inherent in themselves, but must be managed by the awakened higher consciousness of the individual. This, then, is the change which the student observes coming over him: that no connection arises of itself between an idea and a feeling or a will-impulse, unless he himself provides one. No impulse urges him from thought to action unless he himself in freedom give rise to this impulse. He can henceforth confront, devoid of feeling, a fact which before his training would have filled him with glowing love or bitter hatred; and he can remain impassive at the thought which formerly would have spurred him on to action, as though of its own accord. He can perform actions through resolutions of the will for which there is not the slightest reason for anyone not having undergone esoteric training. The student's great achievement is the attainment of complete mastery over the combined activity of the three soul forces; but at the same time the responsibility for this activity is placed entirely in his own hands.

[ 7 ] It is only through this transformation of his being that the student can enter consciously into relation with certain supersensible forces and beings, for his own soul forces are related to certain fundamental forces of the world. The force, for instance, inherent in the will can affect definite things and the beings of the higher worlds, and also perceive them; but it can only do so when liberated from its connection with thinking and feeling within the soul. The moment this connection is severed, the activity of the will can be exteriorized. The same applies to the forces of thinking and feeling. A feeling of hatred sent out by a person is visible to the clairvoyant as a fine luminous cloud of special coloring; and the clairvoyant can ward off this feeling of hatred, just as an ordinary person wards off a physical blow that is aimed at him. In the supersensible world, hatred becomes a visible phenomenon, but the clairvoyant can only perceive it in so far as he is able to project outwards the force lying in his feeling, just as the ordinary person directs outwards the receptive faculty of his eye. And what is said of hatred applies also to far more important phenomena of the physical world. The student can enter into conscious intercourse with them, thanks to the liberation of the fundamental forces of his soul.

[ 8 ] Through the separation of the forces of thinking, feeling, and willing, the possibility of a three-fold aberration arises for anyone neglecting the injunctions given by esoteric science. Such an aberration can occur if the connecting threads are severed before the higher consciousness is sufficiently advanced to hold the reins and guide properly the separated forces into free and harmoniously combined activity. For as a rule, the three human soul-forces are not equally advanced in their development at any given period of life. In one person, thinking is ahead of feeling and willing; in a second, another soul-force has the upper hand over its companions. As long as the connection between the soul-forces is maintained as established by higher cosmic laws, no injurious irregularity, in a higher sense, can occur through the predominance of one force or another. Predominating will, for instance, is prevented by the leveling influence of thinking and feeling from lapsing into any particular excesses. When, however, a person of such predominating will undertakes esoteric training, feeling and thinking cease to exert their regular influence on the will when the latter constantly presses on to great exertions of power If, then, such a person is not sufficiently advanced to control completely the higher consciousness and himself restore harmony, the will pursues its own unbridled way, continually overpowering its possessor. Feeling and thought lapse into complete impotence; the individual is scourged by his over-mastering will. A violent nature is the result, rushing from one unbridled action to another.

A second deviation occurs when feeling unduly shakes off its proper control. A person inclined to the revering of others may then diverge into unlimited dependence, to the extent of losing all personal will and thoughts. Instead of higher knowledge, the most pitiful vacuity and feebleness would become such a person's lot. Or, in the case of such inordinate predominance of the feeling life, a person with an inclination toward religious devotion can sink into the most degenerate welter.

The third evil is found when thought predominates, resulting in a contemplative nature, hostile to life and locked up within itself. The world, for such people, has no further importance save that it provides them with objects for satisfying their boundless thirst for wisdom. No thought ever moves them to an action or a feeling. They appear everywhere as cold and unfeeling creatures. They flee from every contact with the things of ordinary life as though from something exciting their aversion, or which, at any rate, had lost all meaning for them.

[ 9 ] These are the three ways of error into which the student can stray: (1) exuberant violence of will, (2) sentimental emotionalism, and (3) cold, loveless striving for wisdom. For outward observation, and also from the ordinary (materialistic) medical standpoint, anyone thus gone astray is hardly distinguishable (especially in degree) from an insane or, at least, a highly neurasthenic person. Of course, the student must not resemble these. It is essential for him that the three fundamental soul-forces, thinking, feeling, and willing, should have undergone harmonious development before being released from their inherent connection and subordinated to the awakened higher consciousness. For once a mistake is made and one of the soul-forces falls a prey to unbridled excess, the higher soul comes into existence as a miscarriage. The unrestrained force pervades the individual's entire personality, and for a long time there can be no question of the balance being restored. What appears to be a harmless characteristic as long as its possessor is without esoteric training, namely, a predominance of thinking or feeling or willing, is so intensified in an esoteric student that the universally human element, indispensable for life, becomes obscured.

Yet a really serious danger cannot threaten the student until he has acquired the ability to include in his waking consciousness the experiences forthcoming during sleep. As long as there is only the question of illumination of the intervals of sleep, the life of the senses, regulated by universal cosmic laws, reacts during the waking hours on the disturbed equilibrium of the soul, tending to restore the balance. That is why it is so essential that the waking life of the student should be in every respect regular and healthy. The more capable he is of meeting the demands made by the outer world upon a healthy, sound constitution of body, soul, and spirit, the better it is for him. On the other hand, it may be very bad for him if his ordinary waking life affects him in an exciting or irritating way, that is, if destructive or hampering influences of outer life affect him in addition to the great changes taking place in his inner self. He must seek to find everything corresponding to his powers and faculties which can lead him into undisturbed, harmonious communion with his surroundings, while avoiding everything detrimental to this harmony—everything that brings unrest and feverish haste into his life. And here it is not so much a question of casting off this unrest and haste in an external sense, but much more of taking care that thoughts, feelings, intentions, and bodily health are not thereby exposed to continual fluctuation. All this is not so easy for the student to accomplish as it was before esoteric training, for the higher experiences now playing into his life act upon his entire existence. Should anything within these higher experiences not be as it should, the irregularity continues lying in wait for him and may at every turn throw him off the right path. For this reason the student should omit nothing which can secure for him unfailing mastery over his whole being. He should never be found wanting in presence of mind or in calm penetration of all situations of life. In the main, a genuine esoteric training gives rise of itself to all these qualities, and as it progresses the student only becomes acquainted with the dangers while simultaneously and at the right moment acquiring the full power to rout them from the field.

[ 1 ] We shall next consider the development of man and of the entities connected with him in the time which preceded the “earthly period.” For when man began to unite his destiny with the planet one calls “earth,” he had already passed through a series of developmental steps in the course of which he had prepared himself for earthly existence, as it were. One must distinguish three such steps, which are designated as three planetary developmental stages. The names used in mystery science for these stages are the Saturn, Sun and Moon periods. It will become apparent that these designations at first have nothing to do with the heavenly bodies of today which bear these names in physical astronomy, although in a broader sense a relationship to them exists, which is known to the advanced mystic.

One will sometimes say that man inhabited other planets before he appeared upon earth. But under these “other planets” one must only understand earlier developmental conditions of the earth itself and of its inhabitants. Before it became “earth,” the earth with all the beings which belong to it passed through the three conditions of the Saturn, Sun, and Moon existence. Saturn Sun, and Moon are, as it were, the three incarnations of the earth in primeval times. What in this connection is called Saturn, Sun, and Moon no more exists today as a physical planet than the previous physical incarnations of a human being continue to exist alongside his present one.

This “planetary development” of man and of the other beings belonging to earth will form the subject of the following discussions “From the Akasha Chronicle.” By this we do not wish to say that the three conditions were not preceded by others. But everything which precedes these three is lost in a darkness which for the present the research of mystery science cannot illuminate. For this research is not based on speculation, on a day dreaming in terms of mere concepts, but on actual spiritual experience. As our physical eye can see outdoors only as far as a certain boundary line and cannot look beyond the horizon, so the “spiritual eye” can look only as far as a certain point in time. Mystery science is based on experience and is content to remain within this experience. Only in a conceptual splitting of hairs will one want to find out what was “at the very beginning” of the world, or “why God really created the world.” For the scientist of the spirit it is rather a matter of realizing that at a certain stage of cognition one no longer poses such questions. Everything man needs for the fulfillment of his destiny on our planet is revealed to him within spiritual experience. The one who patiently works his way into the experiences of scientists of the spirit will see that within spiritual experience man can obtain full satisfaction concerning all those questions which are vital to him. In the following essays for example, one will see how completely the question concerning the “origin of evil” is resolved, as well as much else which man must desire to know.

We by no means intend to imply that man can never receive enlightenment concerning questions about the “origin of the world” and similar matters. He can. But in order to be able to be enlightened, he must first absorb the knowledge revealed within more proximate spiritual experience. He then comes to realize that he must ask these questions in a different manner than heretofore.

[ 2 ] The more deeply one works his way into true mystery science, the more modest he becomes. Only then does he realize how one must very gradually make oneself ready and worthy for certain insight. Pride and arrogance finally become names for human qualities which no longer make sense at a certain level of cognition. When one has understood a little, he sees how immeasurably long is the road which lies ahead of him. Through knowledge one gains insight into “how little one knows.” He also acquires a feeling for the immense responsibility he assumes when he speaks of supersensible cognition. But mankind cannot live without the latter. However, he who promulgates such knowledge needs modesty and true self-criticism, an unshakable striving for self-knowledge and the utmost caution.

[ 3 ] Such remarks are necessary here, since now the ascent toward even higher knowledge than is to be found in the preceding sections of the “Akasha Chronicle,” is to be undertaken.

[ 4 ] To the vistas which in the following essays will be opened toward the past of man, others will be added upon the future. For the future can be revealed to true spiritual cognition, if only to the extent to which this is necessary for man in order that he can fulfill his destiny. The one who will have nothing to do with mystery science and from the judgment-seat of his prejudices, simply consigns everything coming from that quarter to the realm of fantasy and dreams—he will understand this relationship to the future least of all. Yet a simple logical consideration could make clear what is in question here. But such logical considerations are accepted only when they coincide with the preconceptions of men. Prejudices are mighty enemies of logic.

[ 5 ] If sulphur, oxygen, and hydrogen are brought together under certain definite conditions, sulphuric acid must be produced, according to an inevitable law. The student of chemistry can predict what must happen when these three elements come into contact with one another under given conditions. Thus, such a student of chemistry is a prophet in the limited field of the material world. His prophecy could only prove false if the laws of nature were suddenly to change. Now the scientist of the spirit investigates spiritual laws in which the physicist or the chemist investigates material laws. He does this in the manner and with the exactness which are requisite in the spiritual field. However, the development of mankind depends on these great spiritual laws. Just as little as oxygen, hydrogen, and sulphur will combine at some future time in a manner contrary to laws of nature, so little will anything occur in the spiritual life which is contrary to spiritual laws. The one who knows these spiritual laws can look into the orderliness of the future.

[ 6 ] The use of precisely this comparison for the prophetic prediction of the coming destinies of mankind is intentional here, because true mystery science really understands this prediction in just this sense. For the one who forms a clear idea of this conviction of occultism, the objection that any human freedom is made impossible because events can be predicted in a certain sense, becomes void. That can be predicted which is in accordance with a law. But the will is not determined by a law. Just as it is certain that in each case oxygen, hydrogen, and sulphur are combined into sulphuric acid only according to a definite law, just so is it equally certain that the establishing of the conditions under which the law will act, can depend on the human will. Thus it will be with the great world events and human destinies of the future. As a scientist of the spirit, one foresees them, although they are to be brought about only by human choice. He foresees what is accomplished by the freedom of man. The following essays will show that this is possible.

However, one must be clear about one essential difference between the prediction of events through physical science and that through spiritual cognition. Physical science is based on the insights of the understanding, and therefore its prophecy is only based on the intellect, which has to rely on judgments, deductions, combinations, and so forth. Prophecy through spiritual cognition, on the contrary, proceeds from an actual higher seeing or perceiving. The scientist of the spirit must strictly avoid even representing anything to himself which is based on mere reflecting, combining, speculating, and so forth. Here he must practice the most far-reaching renunciation and be quite clear that all speculating, intellectual philosophizing, and so forth is a hindrance to true seeing. These activities still belong entirely to the lower nature of man, and truly higher cognition begins only when this nature raises itself to the higher nature in man. Here nothing is really said against these activities which are not only wholly justified in their field, but are there the only justified ones. In itself, a thing is neither higher nor lower; it is higher or lower only in relation to something else. What is high in one respect can be very low in another.

However, what must be understood through seeing, cannot be understood through mere reflection or through even the most magnificent combinations of the intellect. A person may be ever so “ingenious” in the usual sense of the word, but this “ingenuity” will avail him absolutely nothing with respect to the cognition of supersensible truths. He must even renounce it, and abandon himself solely to the higher seeing. Then he will perceive things without his “ingenious” reflecting, just as he perceives the flowers in the fields without further reflection. It does not help one to reflect about the appearance of a meadow; all intellect is powerless there. The same is true of the seeing into higher worlds.

[ 7 ] What can be said prophetically in this way about the future of man is the basis for all ideals which have a real, practical significance. If they are to have value, ideals must be rooted as deeply in the spiritual world as are natural laws in the natural world. Laws of development must be such true ideals. Otherwise they spring from a gushing enthusiasm and a fantasy which are valueless, and can never be fulfilled. In the broadest sense, all great ideals of world history have proceeded from clear cognition. For, in the final analysis, all these great ideals originate with the great scientists of the spirit or initiates, and those lesser ones who collaborate in the development of humanity direct themselves either consciously or—most often—unconsciously in accordance with the instructions of the spiritual scientists. Everything unconscious must finally have its origin in something conscious. The bricklayer who works on a house “unconsciously,” directs himself according to matters of which others are conscious who have determined the place where the house is to be built, the style in which it is to be erected, and so forth. But this determining of place and style is based on something of which the determiners remain unconscious, but of which others are or were conscious. An artist, for example, knows why a particular style requires a straight line here, a curved line there, and so forth. The one who uses this style for his house perhaps does not become conscious of this “why.”

This is also the case with the great events in the development of the world and of mankind. Behind those who work in a certain field stand higher, more conscious workers, and thus the scale of consciousness goes up and down.

Behind the general mass of men stand the inventors, artists, scientists, and so forth. Behind them stand the initiates of mystery science, and behind them stand superhuman beings. The development of the world and of mankind becomes comprehensible only if one realizes that ordinary human consciousness is but one form of consciousness, and that there are higher and lower forms. But here too one must not misapply the expressions “higher” and “lower.” They have a significance only in relation to the point where one happens to be standing. It is no different with this than with “right and left.” When one stands at a certain place, some objects are “right” or “left” of him. If one moves a little to the “right,” objects which before were on the right, are now on the left. The same is true of the levels of consciousness which lie “higher” or “lower” than ordinary human consciousness. When man himself develops more highly, his relations to the other levels of consciousness change. But these changes are connected with his development. It is therefore important to indicate such other levels of consciousness here by means of examples.

[ 8 ] The beehive or that magnificent commonwealth embodied in an ant hill provide bases of such an indication. The collaboration of the various kinds of insects (females, males, workers) proceeds in a completely systematic fashion. The distribution of tasks among the several categories can only be described as an expression of true wisdom. What happens here is just as much the result of a consciousness as the institutions of man in the physical world (technology, art, state, and so forth) are an effect of his consciousness. However, the consciousness at the base of the beehive or the ant society is not to be found in the same physical world in which the ordinary human consciousness exists. In order to describe the situation, one can express oneself somewhat as follows. One finds man in the physical world. His physical organs, his whole structure are such that at first one looks for his consciousness also in this physical world. It is otherwise with the beehive or the ant hill. Here it would be quite wrong to confine oneself to the physical world with respect to the consciousness in question, as was done in the case of man. No, here one must say that to find the ordering principle of the beehive or the ant hill, one cannot confine oneself to the world where the bees or ants live in their physical bodies. In this case, the “conscious mind” must be sought directly in another world. The same conscious mind which in man lives in the physical world, in the case of these animal colonies must be sought in a supersensible world. If with his consciousness man could raise himself into this supersensible world, he would be able to greet the “ant or bee spirit” there in full consciousness as his sister being. The seer can actually do this. Thus, in the examples given above, we are confronted by beings which are conscious in other worlds and which reach into the physical world only through their physical organs—the individual bees and ants. It is quite possible that a consciousness like that of the beehive or of the ant hill existed in the physical world in earlier periods of its development, as that of man does now, but then raised itself and left behind in the physical world only its acting organs, that is, the individual ants and bees. Such a course of development will actually take place in the future with respect to man. In a certain manner it has already taken place among the seers in the present. That the consciousness of contemporary man functions in the physical world is due to the fact that its physical particles—the molecules of brain and nerves—exist in a quite definite relation with one another. What has been discussed in greater detail in another connection in my book. Wie erlangt man Erkentnisse der hoheren Welten? (How Does One Attain Knowledge of Higher Worlds?) will also be indicated briefly here. In the course of the higher development of man the ordinary connection of the brain molecules is dissolved. They are then connected more “loosely,” so that the brain of a seer can really be compared with an ant hill in a certain respect, although the segmentation is not demonstrable anatomically. In different activities of the world these processes occur in quite different ways. At a time long past, the individual molecules of the ant hill—that is, the ants themselves—were firmly connected, just as are the molecules of the human brain today. At that time, the consciousness corresponding to them was in the physical world, as that of man is today. When human consciousness will travel into “higher” worlds in the future, the connection between the material parts in the physical world will be as loose as is that between the individual ants today. What in time will occur physically in all men, already takes place today in the brain of the clairvoyant, but no instrument of the world of the senses is sufficiently delicate to show the loosening which comes about through this anticipatory development. Just as among the bees three categories, queens, drones, workers, are formed, so three categories of molecules are formed in the “seer brain,” molecules which are actually individual, living beings, brought into conscious collaboration by the consciousness of the seer, which is in a higher world.

[ 9 ] Another level of consciousness is represented by what one usually calls the folk- or racial spirit, without representing anything very definite to oneself by this. For the scientist of the spirit, a consciousness also exists at the base of the common and wise influences which appear in the communal life of the members of a people or of a race. Through occult research, one finds this consciousness to be in another world, just as was the case with the consciousness of a beehive or of an ant hill. However, there are no organs for this “folk” or “racial consciousness” in the physical world; rather these organs are to be found only in the so-called astral world. As the consciousness of the beehive works through the physical bees, so the folk-consciousness works by means of the astral bodies of the human beings belonging to a people. In these “folk and racial spirits” one is therefore confronted with kinds of entities quite different from those in man or in the beehive. Many more examples would have to be given in order to show clearly how subordinate and superior entities exist in relation to man. But it is hoped that what has been given will be sufficient to introduce the avenues of human development described in the following chapters. For the development of man himself can only be understood when one considers that he develops together with beings whose consciousness exists in other worlds than his own. What happens in his world is also dependent on these beings who are connected with other levels of consciousness, and therefore can be understood only in relation to this fact.

In which the Attempt is made to form an Idea of the Character of Experience in Supersensible Worlds

[ 1 ] The experiences that showed themselves to be necessary for the soul, if it wants to penetrate into supersensible worlds, may seem deterrent to many people. These may say they do not know what would befall them if they ventured upon such processes, or how they would be able to stand them. Under the influence of such a feeling the opinion is very easily formed that it is better not to interfere artificially with the development of the soul, but calmly to surrender to the guidance of which the soul remains unconscious, and to await its effect in the future upon one's inner life. Such a thought must, however, always be repressed by a person who is able to make another thought a living power within him; namely, that it is natural to human nature to progress, and that if no attention were paid to these things it would mean disloyally consigning to stagnation forces in the soul which are waiting to be unfolded. Forces of self-unfolding are present in every human soul, and there cannot be a single one that would not listen to the call for unfolding them if in some way or other it could learn something about these powers and their importance.

[ 2 ] Moreover, nobody will allow himself to be deterred from the ascent into higher worlds unless beforehand he has taken up a false position towards the processes through which he has to go. These processes are described in the preceding meditations. And if they are to be expressed by words which must naturally be taken from ordinary human existence, they can be rightly expressed only in that way. For experiences on the supersensible path of knowledge are related to the human soul in such a way that they are exactly similar to what, for example, a highly-strung feeling of loneliness, a feeling of hovering over an abyss and the like may mean to the soul of man. Through the experience of such feelings and sensations the powers to tread the path of knowledge are produced. They are the germs of the fruits of supersensible knowledge. All these experiences in a certain way carry something in themselves which lies hidden deep within them. When they are experienced this hidden element is brought to a state of the utmost tension, something bursts the feeling of loneliness, which surrounds this hidden “something” like a veil, and it then pushes forward into the soul's life as a means of knowledge.

[ 3 ] One must, however, take into consideration that when the right path is entered upon, something else at once presents itself behind every such experience. When the one has occurred, the other cannot fail to appear. When anything has to be borne there is at once added the power to bear it steadfastly if we will only reflect calmly on this power and also take time to notice that which wants to manifest itself in the soul. When something painful appears, and when at the same time there is a sure feeling in the soul that forces are to be found which will make the pain bearable and with which we are able to connect ourselves, we are then able to take up such a position towards experiences, which would be unbearable in the course of our ordinary life, so that we seem to be the spectator of ourselves in all such experiences. And thus people who, whilst on their way towards supersensible knowledge, pass through many a rise and fall of great waves of feeling, show nevertheless perfect equanimity in ordinary life. It is of course quite possible that experiences that are made within also react upon the state of mind in outer life in the physical world, so that for a time we do not come into harmony with ourselves and with life in the way which was possible before we entered upon the path of knowledge. We are then obliged to draw from that which has already been obtained within ourselves such forces as make it possible again to find the balance. And if the path of knowledge be rightly trod no situation can arise in which this would not be possible.

[ 4 ] The best path of knowledge will always be the one that leads to the supersensible world through strengthening or condensing the life of the soul by means of concentration on inner meditations during which certain thoughts or feelings are retained in the mind. In this case it is not a question of experiencing a thought or an emotion as we do in order to find our way in the physical world, but the point is to live entirely with and within the thought or emotion, concentrating all the powers of our soul in it, so that it entirely fills the consciousness during the time of retirement within ourselves. We think, for instance, of a thought which has given to the soul a conviction of some kind; we at first leave on one side any power of conviction it may have, and only live with it and in it again and again so as to become one with it. It is not necessary that it should be a thought of things belonging to the higher worlds, although such a thought is more effective. For inner meditation we can even use a thought which pictures an ordinary experience. Fruitful for instance, are emotions which represent resolutions with regard to deeds of love, and which we kindle within ourselves to the highest degree of human warmth and sincere experience. Effective—especially where knowledge is concerned—are symbolic representations, gained from life, or accepted on the advice of such persons as are in a certain way experts in these matters, because they know the fruitfulness of the means employed from what they themselves have gained by them.

[ 5 ] Through these meditations, that must become a habit, nay, a necessity of life, just as breathing is necessary for the life of the body, we shall concentrate the powers of the soul, and by concentrating strengthen them. Only we must succeed during the time of inner meditation in remaining in such a state that neither outer impressions of the senses nor any recollections of such play upon the soul.

Recollections also of all that we have experienced in ordinary life, all that gives pleasure or pain to the soul, must remain silent so that the soul may surrender itself exclusively to that which we ourselves determine shall occupy it. The capacities for supersensible knowledge grow legitimately only out of that which we have acquired in this way by inner meditations, the content and the form of which have been fixed by the power of our own soul. The important point is not the source whence we derive the object of the meditation; we may take it from an expert in these matters or from the literature of spiritual science; the important point is to make its substance an inner experience of our own life and not merely to choose it out from thoughts which may arise in our own soul, or from things which we feel inclined to consider as the best objects for meditation. Such an object has but little power, because the soul is already familiar with it and cannot consequently make the necessary effort in order to become one with it. It is in making this effort, however, that the effective means of acquiring the faculties for supersensible knowledge are to be found, and not in the mere fact of becoming one with the substance of the meditation as such.

[ 6 ] We can also arrive at supersensible sight in other ways. People may arrive at fervent meditation and inner experience by reason of their whole constitution. And so they may be able to liberate powers for acquiring supersensible knowledge in their soul. Such powers may all of a sudden manifest themselves in souls which do not seem at all predetermined for such experiences. In the most varied ways the supersensible life of the soul may awaken; but we can only arrive at an experience of which we are the masters as we are the masters of ourselves in ordinary life, if we tread the path of knowledge here described. Any other irruption of the supersensible world into the experiences of the soul will mean that such experiences enter in as it were forcibly, and the person in question will either lose himself in them, or lay himself open to every conceivable kind of deception with regard to their value, their true meaning, and their importance within the real supersensible world.

[ 7 ] It is most important to keep in mind that on the path to supersensible knowledge the soul changes. It may be the case that in ordinary life in the physical world, we are not at all inclined to fall into any kind of illusion or deception, but that on entering the supersensible world we fall victims to such deceptions and illusions in the most credulous manner. It may also happen that in the physical world we have a very good and sound feeling for truth, and understand that we must not think only in such a way of a thing or an occurrence as to satisfy our own egoism in order to judge it rightly; yet in spite of this we may arrive at seeing in the supersensible world only what pleases our egoism. We must remember how this egoism colours all that we behold. We are observing only that to which our egoism is directing its gaze in accordance with its own inclinations, though perhaps we may not realise that it is egoism which is directing our spiritual sight. And it is then quite natural that we should take what we see for truth. Protection against this can only be obtained if, on the path to supersensible knowledge through earnest self—observation, and through an energetic striving for clearer self—knowledge, we more and more develop our capacity to discern truly how much egoism is to be found in our own soul and where it is finding utterance. Only then we shall be able to emancipate ourselves by degrees from the leadership of this egoism if in our meditation we forcibly and relentlessly put before ourselves the possibility of our soul being in this or that respect under its domination.

[ 8 ] It belongs to the unhampered mobility of the soul in higher worlds that it should make clear to itself in what a different manner certain qualities of the soul react upon the spiritual world from that in which they do in the physical world. This becomes especially evident when we direct our attention to the moral qualities of the soul. Within the physical world we distinguish between the laws of nature and those of morality. When we want to explain natural processes we cannot make use of moral ideas. We explain a poisonous plant according to natural law, and we do not condemn it morally for being poisonous. We clearly understand that, with regard to the animal kingdom, there can, at the most, be only a question of something resembling morality, and that a moral judgment in the strict sense could only disturb the main issue. It is in circumstances of human life that moral judgment about the worth of existence begins to be of importance. Man himself makes his own value dependent on this judgment, when he comes so far that he is able to judge himself impartially. Nobody, however, would dream of considering the laws of nature as identical with or even similar to moral laws, if he considers physical existence in the right way.

[ 9 ] As soon as we enter the higher worlds this is changed. The more spiritual the worlds which we enter, the more do moral law and what may be termed natural law in these worlds coincide. In the physical world we know that we are speaking figuratively when we say of an evil deed that it burns in the soul. We know that natural fire is quite a different thing. But such a distinction does not exist in the supersensible worlds; for there hate and envy are forces acting in such a way that we may term their effects the “natural laws” of that world. Hate and envy have there the effect that the being who is hated or envied reacts upon the hater or envier in a consuming, extinguishing manner, so that processes of destruction are established which are hurtful to the spiritual being. Love acts in such a way in spiritual worlds that its effect is an irradiation of warmth that is productive and helpful. This can already be observed in the elemental body of man. Within the sense—world the hand that commits an immoral action must in its activity be explained according to natural law quite in the same way as a hand that serves morality. But certain elemental parts of man remain undeveloped, when no corresponding moral feelings exist. And we must account for the imperfect formation of elemental organs through imperfect moral qualities in the same way as natural processes are explained by natural law. On the other hand, we must never from the imperfect development of a physical organ draw the conclusion that the corresponding part of the elemental body must be imperfectly developed. We must always keep in mind that in the different worlds different kinds of law prevail. A person may have a physical organ imperfectly developed; but at the same time the corresponding elemental organ may be not only normally perfect, but more perfect to the same extent as the physical one is imperfect. [ 10 ] In a significant way does the difference between the supersensible and the physical worlds present itself in all that is connected with ideas of beauty and ugliness. The way in which these ideas are employed in physical existence loses all significance as soon as we enter supersensible worlds. Beautiful, for instance—only that being can be called beautiful which succeeds in communicating all its inner experiences to the other beings of its world, so that they can take part in the totality of its experience. The capacity of manifesting all that lives within oneself, and of not having to hide away anything, might in higher worlds be called “beautiful”. And in these worlds this conception of beauty completely coincides with that of unreserved sincerity, of honest manifestation of that which a being carries within itself. Similarly that being might be called ugly which does not want to show outwardly its own inner content, and which holds back its own experience and hides itself from other beings with regard to certain qualities. Such a being withdraws from its spiritual surroundings. This conception of ugliness coincides with that of insincere manifestation of oneself. To lie and to be ugly are realities which in the spiritual world are identical, so that a being which appears ugly is a deceitful being.

[ 11 ] What are known in the physical world as desires and wishes also appear with quite a different significance in the spiritual world. Desires which in the physical world arise from the inner nature of the human soul do not exist in the spiritual world. What may be termed desires in that world are kindled by that which is seen outside the being in question. A being which must feel that it has not a certain quality, which, according to that being's nature, it should have, beholds another being endowed with that quality, moreover it cannot help having this other being always before it. As in the physical world the eye naturally sees what is visible, so in the supersensible world the want of a quality always carries a being into the neighbourhood of another being endowed with the quality in question. And the sight of this other being becomes a continual reproach that acts as a real force, making the being, who is hampered with the fault, desirous of amending it. This is a quite different experience from a desire in the physical world; for in the spiritual world free will is not interfered with through such circumstances. A being may oppose itself to that which the sight of something else will call forth within it. It will then succeed by degrees in being taken away from its model.

The consequence, however, will be that the being who opposes itself to its model will bring itself into worlds where the conditions of existence will be worse than those would have been which were given to it in the world for which it was in a certain way predestined.

[ 12 ] All this shows the soul that its world of conceptions must be transformed when entering supersensible realms. Ideas must be changed, widened, and blended with others if we want to describe the supersensible world correctly. That is the reason why descriptions of supersensible worlds given in terms of the physical world without any alteration or transformation are always unsatisfactory. We may realise that it is the outcome of a correct human feeling, when we use, within the physical world—more or less symbolically or even as immediately applicable—ideas which only become fully significant with regard to supersensible worlds. Thus we may really feel lying to be ugly, but compared with the character of this idea in the supersensible world, such a use of words in the physical world is only a reflection, resulting from the fact that all the different worlds are related to one another, and these relations are dimly felt and unconsciously perceived in the physical world. Yet we must remember that in the physical world a lie, which we feel as ugly, is not necessarily ugly in its outer appearance, and that it would be a confusion of ideas if we were to explain ugliness in physical nature as the outcome of lying. In the supersensible world, however, anything false, seen in its right light, impresses itself upon us as being ugly in appearance. Here again possible deceptions have to be taken into consideration and guarded against. The soul may meet a being in the supersensible world which may rightly be characterised as evil, although it manifests itself in a form that must be called beautiful if judged according to the idea of the beautiful that we bring with us from the physical world. In such a case we shall not be able to judge correctly before we have penetrated to the heart of the being in question. We shall then discover that the “beautiful” manifestation was only a mask which does not harmonise with the nature of the being, and then that which we thought to be beautiful—according to ideas borrowed from the physical world—impresses itself with particular force upon our mind as ugly. And as soon as this happens, the “evil” being will no more be able to deceive us with its “beauty.” It must unveil itself to such a beholder in its true form, which can only be an imperfect expression of that which it is within. Such phenomena of the supersensible world make it especially evident how human conceptions must be transformed when we enter that world.

Goethe often described, in many different ways, a feeling of which he was persistently aware. He said, in effect: When I see the irrelevance manifesting in the passions, emotions and actions of men, I feel the strong urge to turn to all-powerful Nature and be comforted by her majesty and consistency. In such utterances Goethe was referring to what since time immemorial humanity had brought to expression in the Festivals. The Festivals are reminders of the striving to turn away from the chaotic life of men's passions, urges and activities to the consistent, harmonious processes and events in Nature. The great Festivals are connected with definite and distinctive phenomena in the Heavens and with ever-recurring happenings in Nature. Easter is one such Festival. For Christians today, Easter is the Festival of the Resurrection of their Redeemer; it was celebrated not only as a symbol of Nature's awakening but also of Man's awakening. Man was urged to awaken to the reality underlying certain inner experiences.

In ancient Egypt we find a festival connected with Osiris. In Greece a Spring festival was celebrated in honour of Dionysos. There were similar institutions in Asia Minor, where the resurrection or return of a God was associated with the re-awakening of Nature. In India, too, there are festivals dedicated to the God Vishnu. Brahmanism speaks of three aspects of the Deity, namely, Brahma, Vishnu and Shiva. The supreme God, Brahma, is referred to as the Great Architect of the World, who brings about order and harmony: Vishnu is described as a kind of redeemer, liberator, an awakener of slumbering life. And Shiva, originally, is the Being who blesses the slumbering life that has been awakened by Vishnu and raises it to whatever heights can be reached. A particular festival was therefore dedicated to Vishnu It was said that he goes to sleep at the time of the year when we celebrate Christmas and wakes at the time of our Easter Festival. Those who adhere to this Eastern teaching celebrate the days of their Festival in a characteristic way. For the whole of this period they abstain from certain foods and drinks, for example, all pod-producing plants, all kinds of oils, all salt, all intoxicating beverages and all meat. This is the way in which people prepare themselves to understand what was actually celebrated in the Vishnu Festival, namely, the resurrection of the God and the awakening of all Nature.

The Christmas Festival too, the old festival of the Winter solstice, is connected with particular happenings in Nature. The days leading up to this point of time become progressively shorter and the Sun's power steadily weakens. But from Christmas onwards greater and greater warmth again streams from the Sun. Christmas is the Festival of the reborn Sun.

It was the wish of Christianity to establish a link with these ancient Festivals. The date of the birth of Jesus can be taken to be the day when the Sun's power again begins to increase in the heavens. In the Easter Festival the spiritual significance of the World's Saviour was thus connected with the physical Sun and with the awakening and returning life in Spring.

As in the case of all ancient festivals, the fixing of the date of the Easter Festival was also determined by a certain constellation in the heavens. In the first century A.D. the symbol of Christianity was the Cross, with a lamb at its foot. Lamb and Ram are synonymous. During the epoch when preparation was being made for Christianity, the Sun was rising in the constellation of the Ram or Lamb. As we all know, the Sun moves through all the zodiacal constellations, every year progressing a little farther forward. Approximately seven hundred years before the coming of Christ, the Sun began to rise in the constellation of the Ram (Aries). Before then it rose in the constellation of the Bull (Taurus). In those times the people expressed what seemed to them important in connection with the evolution of humanity, in the symbol of the Bull, because the Sun then rose in that constellation. When the rising Sun moved forward into the constellation of the Ram or Lamb, the Ram became a figure of significance in the sagas and myths of the people. Jason brings the golden fleece from Colchis. Christ Jesus Himself is called the Lamb of God and in the earliest period of Christianity He is portrayed as the Lamb at the foot of the Cross. Thus the Easter Festival is obviously connected with the Constellation of the Ram or Lamb. The Festival of the Resurrection of the Redeemer is celebrated at the time when, in Nature, everything awakens to new life after having lain as if dead during the Winter months.

Between the Christmas and the Easter Festivals there is certainly a correspondence but in their relation to the happenings in Nature there is a great difference. In its deepest significance, Easter is always felt to be the festival of the greatest mystery connected with Man. It is not merely a festival celebrating the re-awakening of Nature but is essentially more than that. It is an expression of the significance in Christianity of the Resurrection after death. Vishnu's sleep sets in at the time when, in Winter, the Sun again begins to ascend. It is precisely at this time that we celebrate our Christmas Festival. When the Easter Festival is celebrated the Sun is continuing its ascent which had been in process since the Christmas Festival.

We must penetrate very deeply into the mysteries of man's nature if we are to understand the feelings of Initiates when they wished to give expression to the true facts underlying the Easter Festival. Man is a two-fold being—on the one side he is a being of soul-and-spirit, and on the other side a physical being. The physical being is an actual confluence of all the phenomena of Nature in man's environment. Paracelsus speaks of man as the quintessence of all that is outspread in external Nature. Nature contains the letters, as it were, and Man forms the word that is composed of these letters.

When we observe a human being closely, we recognise the wisdom that is displayed in his constitution and structure. Not without reason has the body been called the temple of the soul. All the laws that can be observed in the dead stone, in the living plant—all have assembled in Man into a unity. When we study the marvellous structure of the human brain with its countless cells cooperating among themselves in a way that enables all the thoughts and sentient experiences filling the soul of man to come to expression, we realise with what supreme wisdom the human body has been constructed. But in the surrounding world too we behold an array of crystallised wisdom. When we look out into the world, applying what knowledge we possess to the laws in operation there, and then turn to observe the human being, we see all Nature concentrated in him. That is why sages have spoken of Man as the Microcosm, while in Nature they beheld the Macrocosm.

In this sense Schiller wrote to Goethe in a letter of 23rd August 1794: “You take the whole of Nature into your purview in order to shed light upon a single sentence; in the totality of her (Nature's) manifold external manifestations you seek the explanation for the individual. From the simple organisation you proceed, step by step, to the more complex, in order finally to build up genetically from the materials of Nature's whole edifice the most complex organisation of all—Man.” The wonderful organisation of the body enables the human soul to have sight of the surrounding world. Through the senses the soul beholds the world and endeavours to fathom the wisdom by which that world has been constructed.

With this in mind let us now think of an undeveloped human being. The wisdom made manifest in his bodily structure is the greatest that can possibly be imagined. The sum-total of divine wisdom is concentrated in a single human body. Yet in this body there dwells a childlike soul hardly capable of producing the most elementary thoughts that would enable it to understand the mysterious forces operating in its own heart, brain and blood. The soul develops slowly to a higher stage where it can understand the powers that have been at work with the object of producing the human body. This body itself bears the hallmark of an infinitely long past. Physical man is the crown of the rest of creation. What was it that had necessarily to precede the building of the human body, what had to come to pass before the cosmic wisdom was concentrated in this human being? The cosmic wisdom is concentrated in the body of a human being standing before us. Yet it is in the soul of an undeveloped human being that this wisdom first begins to manifest. The soul hardly so much as dreams of the great cosmic thoughts according to which the human being has evolved. Nevertheless, we can glimpse a future when people will be conscious of the reality of soul and spirit still lying in man as though asleep. Cosmic thought has been active through ages without number, has been active in Nature, always with the purpose of finally producing the crown of all its creative work—the human body.

Cosmic wisdom is now slumbering in the human body, in order subsequently to acquire self-knowledge in man's soul, in order to build an eye in man's being through which to be recognised. Cosmic wisdom without, cosmic wisdom within, creative in the present as it was in the past and will be in future time. Gazing upwards we glimpse the ultimate goal, surmising the existence of a great soul by which the cosmic wisdom that existed from the very beginning has been understood and absolved. Our deepest feelings rise up within us full of expectation when we contemplate the past and the future in this way.

When the soul begins to recognise the wonders accomplished by the cosmic wisdom and when clarity and illumination have been achieved, the Sun may well be accepted as the worthiest symbol of this inner awakening. Through the gate of the senses the soul is able to gaze into the external world because the Sun illumines the contents of that world. Fundamentally speaking, what man perceives in the external world is the result of the Sun's reflected light. It is the Sun that wakens in the soul the power to behold the external world. An awakening soul, one that is beginning to recognise the seasons as expressions of cosmic thought—such a soul sees the rising Sun as its liberation.

When the Sun again begins its ascent, when the days lengthen, the soul turns to the Sun, declaring: To you I owe the possibility of discerning, outspread around me, the cosmic thought that sleeps within me and within all other human beings.

Such an individual is now able to survey his earlier existence—one which preceded his present understanding of the activities of cosmic thought. Man himself is more ancient than his senses. Through spiritual investigation we are able eventually to reach the point in the far past when man's senses were in process of coming into existence, when only their very earliest beginnings were present. At that stage the senses were not yet doors enabling the soul to become aware of the environment.

Schopenhauer realised this and was referring to the turning-point when man acquired the faculty of sensory perception, when he stated: This visible world first came into existence when an eye was there to behold it.

The Sun formed the eye for itself and for the light. In still earlier times, when as yet man had no outer vision, he had inner vision. In the primeval ages of evolution, outer objects did not give rise to ideas or mental conceptions in man, but these rose up in him from within. Vision in those ancient times was vision in the astral light. Men were then endowed with a faculty of dim, shadowy clairvoyance. It was still with a faculty of dim, hazy vision that they beheld the world of the Germanic Gods and formed their conceptions of the Gods accordingly. This dim clairvoyance faded into darkness and gradually passed away altogether. It was extinguished by the strong light of the physical Sun whereby the physical world was made visible to the senses. Astral vision then died away altogether.

When man looks into the future, he realises that his astral vision must return, but at a higher stage. What has now been extinguished for the sake of physical vision will return and combine with physical vision in order to generate clairvoyance—clear seeing in the fullest sense. In the future, a still more lucid consciousness will accompany man's waking vision. To physical vision will be added vision in the astral light, that is to say, perception with organs of soul. Those whom we have called the leaders of men are individuals who through lives of renunciation have developed in themselves the condition which later on is established in all mankind—these leaders of men already possess the faculty of astral vision which makes soul and spirit visible to them.

The Easter Festival is connected spiritually not only with the awakening of the Sun but with the unfolding of the plant world in Spring. Just as the seed-corn is sunk into the soil and slumbers in order eventually to awaken anew, so the astral light in man's constitution was obliged to slumber in order eventually to be reawakened. The symbol of the Easter Festival is the seed-corn which sacrifices itself in order to enable a new plant to come into existence. This is the sacrifice of a phase in the life of Nature in order that a new one may begin. Sacrifice and Becoming are interwoven in the Easter Festival.

Richard Wagner was conscious of the beauty and majesty of this thought. In the year 1857 in the Villa Wesendonck by the Lake of Zurich, while he was looking at the spectacle of awakening Nature, the thought came to him of the Saviour who had died and had awakened, the thought of Jesus Christ, also of Parsifal who was seeking for what is most holy in the soul.

All the leaders of humanity who know how the higher life of man wakes out of the lower nature, have understood the Easter thought. Dante too, in his Divine Comedy describes his awakening on a Good Friday. This is brought to our attention at the very beginning of the poem. It was in his thirty-sixth year, that is to say, in the middle of his life, that Dante had the great vision he describes. Seventy years being the normal span of human life, thirty-five is the middle of this period. Thirty-five years are reckoned to be the period devoted to the development of physical experience. At the age of thirty-five the human being has reached the degree of maturity when spiritual experience can be added to physical experience. He is ready for perception of the spiritual world.

When all the waking, nascent forces of physical existence are amalgamated, the time begins for the spiritual awakening. Hence Dante connects his vision with the Easter Festival.

Whereas the original increase of the Sun's power is celebrated in the Christmas Festival, the Easter Festival takes place at the middle point of the Sun's increasing power. This was also the point when, in the middle of his life, Dante became aware of the dawn of spiritual life within himself. The Easter Festival is rightly celebrated at the middle point of the Sun's ascent; for this corresponds with the time when, in man, the slumbering astral light is reawakened. The Sun's power wakens the seed-corn that is slumbering in the earth. The seed-corn is an image of what arises in man when what occultists call the astral light is born within him. Therefore, Easter is also the festival of the resurrection that takes place in the inner nature of man.

It has been thought that there is a kind of contradiction between what a Christian sees in the Easter Festival, and the idea of Karma. There seems at first to be a contradiction between the idea of Karma and redemption by the Son of Man. Those who do not understand very much about the fundamentals of anthroposophical thought may see a contradiction between the redemption wrought by Christ Jesus and the idea of Karma. Such people say that the thought of redemption by the God contradicts the fact of self-redemption through Karma. But the truth is that they understand neither the Easter thought of redemption nor the thought of the justice of Karma. It would certainly not be right if someone seeing another person suffer were to say to him: you yourself were the cause of this suffering—and then were to refuse to help him because Karma must take its course. This would be a misunderstanding of Karma. What Karma says is this: help the one who is suffering for you are actually there in order to help him. You do not violate karmic necessity by helping your fellow man. On the contrary, you are helping him to bear his Karma. You are then yourself a redeemer of suffering.

So too, instead of a single individual, a whole group of people can be helped. By helping them we become part of their Karma.

When a Being as all-powerful as Christ Jesus comes to the help of the human race, His sacrificial death becomes a factor in the collective Karma of mankind. He could bear and help this Karma, and we may be sure that the redemption through Him plays an essential role in its fulfilment.

The thought of Resurrection and Redemption can in reality be fully grasped only through a knowledge of Spiritual Science. In the Christianity of the future there will be no contradiction between the idea of Karma and Redemption. Because cause and effect belong together in the spiritual life, this great deed of sacrifice by Christ Jesus must also have its effect in the life of mankind.

Spiritual Science adds depth to the thought underlying the Easter Festival—a thought that is inscribed and can be read in the world of the stars.

In the middle of his span of life the human being is surrounded by inharmonious, bewildering conditions. But he knows too that just as the world came forth from chaos, so will harmony eventually proceed from his still disorderly inner nature. The inner Saviour in man, the bringer of unity and harmony to counter all disharmony—this inner Saviour will arise, acting with the ordered regularity of the course of the planets around the Sun. Let everyone be reminded by the Easter Festival of the resurrection of the Spirit in the existing nature of man.

[ 79 ] The "Young Germany" and revolutionary poetry around the middle of the century strove for an intimate interpenetration of the general cultural ideas of political interests with artistic creation. The demands of the time found expression in the works of the poets. In the fifties, a literary movement emerged that took a different stance towards art. People now asked less what they wanted to express in poetry; they focused first and foremost on the most perfect way in which a process, an idea, a feeling could be shaped. What must a drama, a novel, a novella and so on be like? These were questions that preoccupied the consciousness of the time. Strict demands were made with regard to the technical perfection of the individual art forms. Two theoretical works by creative poets are clear testimony to this school of thought: Gustav Freytag's "Technik des Dramas" (1863) and Friedrich Spielhagen's "Beiträge zur Theorie und Technik des Romans" (1883). All the details of both types of poetry are carefully discussed in these two writings. In the creations of Friedrich Spielhagen, this basic trait of the artistic attitude is particularly clear. This poet has the most lively need to deal with all the questions and ideas that move his time; but the demands of art are more important to him than this. He strives for inner harmony and organic structure in all his works. In his first major novels "Problematische Naturen" (1860), "Durch Nacht zum Licht" (1861), "In Reih und Glied" (1866), "Hammer und Amboß" (1868), this striving for the pure art form still takes a back seat to the social goals that the poet sets himself. It appears at its most pronounced in "Sturmflut" (1876). In the former novels, the aim is to show the contrasts in the views and lifestyles of different classes and social strata or to portray the relationship of the individual to the whole. In these works, Spielhagen's interest in cultural history and his enthusiasm for freedom and progress have an equal share with his artistic intentions. In "Sturmflut", the phenomena of natural and human life are no longer juxtaposed as they appear to direct observation, but as the purpose of art demands. In the past, the poet was concerned with illustrating which currents in life are capable of defeating others; now he is primarily concerned with creating exciting conflicts and satisfying solutions. Spielhagen has remained true to this direction in his work to the present day. "Plattland" (1879), "Uhlenhaus" (1884), "Ein neuer Pharao" (1889), "Sonntagskind" (1893) are poems that still make a significant impression on those who do not take offense at the fact that art is in a certain sense alienated from real life. To an even greater degree than to Spielhagen, the above is applicable to Paul Heyse. He brought the form of the novella to its most mature development. He is a master in the artful interlinking of mental processes and relationships. He knows how to give the simplest conflicts a highly exciting development by giving them unexpected twists and turns. For him, art has become an end in itself. Heyse does not face reality like an impartial observer, but like a gardener of the plant world, who asks himself with every natural species: in what way can I refine it? He succeeds equally well in portraying the immediate life of the present ("Die kleine Mama") and the sensibilities and perceptions of past times ("Frau Alzeyer", Troubadour-Novellen); his tone sounds with perfect beauty, whether it is serious ("Der verlorene Sohn") or humorous ("Der letzte Centaur"). Heyse is not a creative nature in the highest sense of the word, but a perfecter of inherited artistic vision and outlook on life. The novel with which he achieved great success in the seventies, "Children of the World" (1873), grew out of the movement of thought that Hegel's successors (see page 48 ff.) had aroused. How the children of the world, who seek to satisfy their religious needs through the free views of the present, find their way in life is portrayed here by a poet in whom this new faith has taken on a worldly form. A calm, serene beauty is the basic character of this and the following novels by Heyse: "Im Paradiese" (1875), "Der Roman der Stifisdame" (1886), "Merlin" (1892). A luxuriant sensuality that is able to present itself gracefully, a wisdom that gives no thought to the hardships of existence, confront us everywhere in Heyse's creations, especially in his Iyric poems. Dramatic art is not suited to such a way of looking at things. The lively movement that drama needs can only emerge from the essence of a personality that descends deep into the abysses of life. This is why Heyse was unable to make an impression with his numerous dramas. Adolf Wilbrandt and Herman Grimm move along similar lines. Although the former loves powerful motifs and strong passions that unfold in glaring contrasts, he softens them both as a playwright and as a narrator through the softness of his lines and the dull colors. Herman Grimm is a personality whose whole soul is absorbed in aesthetic contemplation. He is only interested in nature and cultural development to the extent that they can be viewed with the judgment formed by art. His novel "Insurmountable Powers" (1867) and his "Novellas" depict reality as if it had been shaped not by the laws of nature but by the educated taste of a world artist. The pursuit of formal beauty reached its peak with Conrad Ferdinand Meyer. With him, the external artistic perfection of his creations corresponds to a significant content. His imagination deals with the strong passions and drives of the soul, and he is able to portray personalities on a characteristically drawn historical background. A novel such as "Jürg Jenatsch" (1876) or novellas such as "The Temptation of Pescara" (1887) and "Angela Borgia" (1890) shine a light into the abysses of the soul and are at the same time of sublime beauty. His Iyrian achievements "Ballads" (1867) and "Poems" (1882) were often marred by his imagination, which was always focused on great contrasts. He was all the more able to express himself in the illumination of heroic natures, as can be seen in his poem "Huttens letzte Tage" (1871). The poems of the Austrian Robert Hamerling are also based on similar points of view. He strives for the perfection of formal beauty as well as for a deep understanding of the world. In his "Ahasuerus in Rome" (1866), he contrasts the eternal, restless struggle of striving humanity, which longs for peace and redemption, with the passionate urge to live; in the epic "The King of Sion" (1869), a cultural-historical poem that combines the classical verse form of hexameter with a colorful, glowing style of depiction, he deals with the urge for a humane existence. In the novel "Aspasia" (1876), he seeks to present us with a picture of the Greek world, drunk with beauty and full of life, and in "Homunculus" (1888) he castigates the excesses of his time in a grotesque manner. His poetry presents itself less as that of a directly feeling poet and more as that of a contemplative, pathetic poet. A pessimistic streak runs through Hamerling's entire oeuvre. The poetry of Hieronymus Lorm (Heinrich Landesmann) is completely dominated by such a world-wearied mood. He combines the ability of a witty feuilletonist with that of an interesting storyteller and a moving lyricist. A hard personal fate has given his gloomy world view an individual character.

[ 80 ] While poets such as Spielhagen, Grimm, Meyer, Heyse and Hamerling differ from the naive view only in their artistic treatment, this is also the case with Hermann Lingg, Felix Dahn and Georg Ebers with regard to the subject matter of their works. In addition to their impulsive imagination, the traditional artistic education of the latter also played a part in their work, while in the latter the learned culture of their time also played a role. In his epic poem "Die Völkerwanderung" (1866-68), Lingg incorporates a wealth of historical ideas and scientific insights, and the tendency towards historical images is also noticeable in his poetry. Felix Dahn searched for content for his poetry in Germanic prehistory and in the events of the migration of peoples, Georg Ebers in the ancient Egyptian world. Neither the one nor the other can deny that arduous study is one of the roots of their works. Dahn's "Kampf um Rom" (1876) and "Odhin's Trost" (1880) as well as Ebers' "Eine ägyptische Königstochter" (1864) are large-scale cultural paintings, but not the result of direct poetic power.

[ 81 ] A poet, on the other hand, who is rooted in real life with all his feelings and thoughts, is Leopold von Sacher-Masoch from Galicia. The glaring contradiction between the baseness of human instincts and passions and the noble ideals that the mind dreams of occupies his imagination. Man wants to be a god and yet is only a plaything of his animal desires: this confession speaks from Sacher-Masoch's works. Idealism is a pious delusion that dissolves into nothing when nature is seen in its true form. In order to express this basic sentiment, this poet has at his disposal an imagination directed towards the piquant and garish, which revels in sumptuous images and does not shy away from depicting the wildest processes. Since Sacher-Masoch, in the course of his development, gave in to the latter tendency of his nature and to sensationalist prolific writing, the promising attempts he made in works such as "The Legacy of Cain" (1870) remained without effect. Influenced by him and Hamerling, the Viennese poet Marie Eugenie delle Grazie attempted to portray the idealistic dreams of humanity in their worthlessness in the face of the blind, base forces of nature in artistic poems and in a comprehensive epic "Robespierre" (1894).

[ 82 ] An art that cares little for the great questions of existence, but instead seeks to accommodate an educated taste that penetrates little into the depths of things in a virtuoso manner, can be found in Julius Wolff and Rudolf Baumbach. The former's "Wilder Jäger" (1877) and "Tannhäuser" (1880) and the latter's "Zlatorog" (1877), as well as his "Lieder eines fahrenden Gesellen" (1878) met the needs of a large audience in the 1980s. For Catholic circles, the Westphalian Friedr. Wilh. Weber provided a historical epic in his "Dreizehnlinden" (1878).

[ 83 ] The poetry of Theodor Storms grew out of the Romantic view of art. This view, however, is in close harmony with a pithy mind firmly rooted in the life and nature of his native Schleswig-Holstein and a gift for observation that sees the outside world in soft, often misty shapes, but always in a healthy, natural way. He is a master at drawing atmospheric pictures. His depictions appear like a landscape covered in a delicate mist. A lyrical undertone speaks from all his creations. The novella "Aquis submersus" (1877) is of shattering tragedy; a powerful art of representation speaks from the "Schimmelreiter". Storm also has a gift for humor. As a lyrical poet, he is a master of expression, finding all tones from the most tender mood to pithy, sharp characterization. Related to Storm in his whole disposition is Wilhelm Jensen. His thinking is rooted in the social, liberal views of the present; his style of depiction is reminiscent of the fantastical spirit of Romanticism. He needs exciting scenes, bright lights to express what he wants. His novels "Um den Kaiserstuhl" (1878), "Nirwana" (1877), "Am Ausgange des Reichs" (1885) depict historical events in such a way that atrocity scenes and gruesome human destinies appear in comfortable breadth. Jensen's poems are characterized by lyrical verve, an artistic language, but also often a peculiar way of feeling.

[ 84 ] As Heyse and Grimm stand by Goethe's conviction of art, Storm and Jensen by that of the Romantics, so the humorist Wilhelm Raabe by that of Jean Paul. Like the latter, Raabe interrupts the course of the narrative and speaks to us in his own person; like his predecessor, he does not develop the plot according to its natural course, but anticipates things or returns to them. His choice of subject matter is also reminiscent of Jean Paul. He moves in a circle of quiet, modest, idyllic sufferings and joys. He always seeks humor in the inner contradictions of human characters. He draws people and situations in sharp outlines, with a decided tendency towards the bizarre. Whether he is depicting nerdiness, as in "Hungerpastor" (1864), or philanthropy, which appears comical because it takes unsuitable paths, as in "Horacker" (1876), Raabe always succeeds in creating clear, distinct physiognomies. Original characters and social contrasts are his field. Hans Hoffmann's importance also lies in the humorous portrayal of characters. The main character in the novel "Ivan the Terrible and his Dog" (1889), a grammar school teacher, is comical because of everything about him: his appearance, his movements, his helplessness towards his pupils. The collection of novellas "Das Gymnasium zu Stolpenburg" (1891) reveals the jovial, serious artist on every page. Fritz Mauthner made a name for himself as a satirist. His talent for parody led him to caricaturingly imitate the style and sensibilities of others in his book "Nach berühmten Mustern" (1879). In his "Villenhof" (1891) he castigates discord in Berlin social life. Among the humorists must also be Friedr. Theod. Vischer, who in his novel "Auch einer" (One too) portrayed the comic type of a person whose mental state is thrown off balance every moment by the small, random disturbances of life. What is interesting about Vischer is the constant interplay between the theoretical results of his aesthetic studies and speculations and an unmistakable original poetic natural disposition. Because he has explored all types of artistic representation, he displays a rare fluency of form and style in many areas in his "Lyrical Walks" - because he is a poet by nature, he captivates us with the expression of his feelings and the bold sweep of his imagination. Vischer's treatises "Kritische Gänge" and "Altes und Neues" are gems of German literature due to the profundity of their ideas, the courage of their thinking that does not shy away from consistency and no less due to their mastery of the essay style. He is a universal mind that reaches out in all directions. He follows the philosophical, artistic, religious and scientific phenomena of the time and comments on them with critical judgments that make him appear as a leader of the intellectual movement of his time and at the same time as a pithy character who follows his own sure path. Vischer's development clearly reflects the turnaround that has taken place in German intellectual culture in recent decades. He started out from the idealistic convictions of Hegel's philosophy. He wrote his "Aesthetics" in the 1940s and 1950s based on this and then retracted important principles of these views in a self-criticism.

[ 85 ] Like Vischer himself, Hegelian philosophy as a whole retreated from new views in the second half of the century. The great scientific results obtained by careful observation of natural facts and by experiment shook the faith in pure thought by which Hegel and his disciples had erected their proud edifice of ideas. Thus it came about that the consciousness of the time opted for philosophical directions that were characterized less by rigour and consistency of thought than by external means such as an easy, popular way of presentation and a spirited approach to things. Schopenhauer, with his dazzling, piquant, coarse style, prepared the ground for this trend. Only in such a mood could philosophical presentations such as Eduard von Hartmann's "Philosophy of the Unconscious" (1869) or Eugen Dühring's writings be applauded. It was not the undoubtedly valuable ideas contained in these works that made an impression, but the way in which they were presented. In the seventies and eighties, the philosophical spirit steadily disappeared from German education. This can be seen very clearly in the writing of literary history and in literary criticism. The subtle literary-historical observation of Hermann Hettner, which was directed through the facts to the driving ideal forces, the kind of Julian Schmidt, Gervinus et al, who searched for the causes of literary phenomena, were abandoned, and they were replaced by the approach of Wilhelm Scherer, who in his "History of German Literature" (1883) confined himself purely to the grouping of facts and to the visible parts of historical development.

[ 86 ] It is understandable that in a period in which the educational materials gained in long intellectual struggles are in the process of dissolution, a wealth of literary products appears that is as unequal in value and effect as possible. Busy prolific writing, which only aims to satisfy the public's need for light entertainment, appears alongside unclear ideological literature; there are writers with a light, witty gift for presentation, as well as serious spirits who are unable to go their own way and cannot find a firm point of reference in the confusion of contemporary trends. Of the latter type is Eduard Grisebach, who uses Heine's style to express Schopenhauerian ideas in his poems "Der Neue Tannhäuser" (1869) and "Tannhäuser in Rom" (1875). Something similar can also be said of the highly ambitious Albert Lindner, who created dramas in a pathetic style, which nevertheless clearly bear the stamp of an epigonism striving for originality. More fortunate was Ernst von Wildenbruch, who created a long series of dramas with a certain poetic verve and excellent skill in scenic construction. A noble enthusiasm for heroic grandeur and an idealizing style of representation are characteristic of Wildenbruch, and in his short stories and poems an intimacy of feeling and a sympathetic disposition come to the fore. Richard Voß is a spirit who, out of an unhealthy nervousness, searches for stirring, strongly arousing motifs and lets them work in a blatant, often bloodcurdling way. But he also has the ability to depict intimate states of mind, which he, however, associates with all too stormy events, as in the dramas "Eva" and "Alexandra". That he also understands the pulse of the present is shown in his drama "Die neue Zeit", in which a pastor's son, who has grown into the free-spirited views of our time, comes into conflict with his father, who clings to the prejudices of the old world. Rudolf Gottschall, who sticks to the academic-aesthetic templates as a playwright and lyricist, Julius Grosse, who has proven himself to be a tasteful but uninspiring artist in drama, novels and poetry, and finally Hans von Hopfen, whose achievements hardly rise above mere light fiction,

[ 87 ] A personality who deserves the highest respect is Adolf Friedrich Graf Schack, a poet who strives for depth and makes the highest demands on form. His ethical and artistic seriousness is admirable. This is expressed not only in his witty essays on literary history and in his self-biography "Half a Century", but also in the generous support he gave to artists and artistic endeavors. Heinrich Leuthold is also a master of strict artistic form, whose melancholy tones are partly the expression of agonizing personal experiences, but also of a deeply pessimistic view of the world. A reflective poet in the fullest sense of the word is the Swiss Dranmor (Ferdinand von Schmid), who is very similar to Leuthold in his passionate, restless manner and his gloomy view of the world. Schack, Dranmor and Leuthold are primarily lyric poets. Isolde Kurz with her "Florentinische Novellen" (1890), which emerged from a refined taste and a vivid imagination, can be seen as a pupil of Conrad Ferd. Artur Fitger appeared as a lyricist and dramatist. The gloomy view of the world that we have found in so many poets of the seventies and eighties is also a basic feature of his lyrical creations. His powerful drama "The Witch" (1876), although not very original in its structure, met with the liveliest applause for a time. The poems of Martin Greif were born out of a tender spirit in which the finest impulses of nature tremble harmoniously. He succeeded in writing songs of genuine Goethean simplicity and naturalness; for dramatic art, in which he also tried his hand, this soft and delicate spirit lacks creative power and sharpness of characterization. The South German Johann Georg Fischer is a sharply characterized poetic physiognomy. With him, one senses healthy strength and a joyful zest for life everywhere, which emerge in splendid language, often with unsought pathos, often with the simplest folksiness. He too is not up to the demands of the dramatic structure.

[ 88 ] A genuine North German poet of austere beauty is Theodor Fontane. As a lyric poet, he is reserved in his feelings and extraordinarily succinct in his expression. He juxtaposes the impressions that arouse his feelings and then leaves us alone with our hearts. His imagination creates in monumental images and has a simple grandeur, which comes into its own in his "Ballads" (1861). Similar peculiarities also characterize him as a storyteller. His style is almost sober, but always expressive. Prussian life and North German nature have found a classic actor in him. He paints equally well in broad strokes as in the smallest details. His novels "Adultera", "Irrungen - Wirrungen", "Stine", "Stechlin" are equally appreciated by the public seeking only interesting reading and by the strictest critics. The Austrian Ludwig Anzengruber is a true dramatist of admirable accuracy in characterization and the ability to portray events in vivid development. His dramas are rooted in the intellectual life of the Austrian peasantry and middle class in the 1970s. In particular, he knew how to portray the striving for a free-minded view of religious ideas and the struggles that the peasant mind had to endure as a result of such goals, for example in "Pfarrer von Kirchfeld" (1870) and "Kreuzelschreibern" (1872). In "Meineidbauer" (1872), "G'wissenswurm" (1874) and "Fleck auf der Ehr" (1888), he showed how deeply he was able to draw motifs from the peasant soul. Ludwig Ganghofer, who wanted to treat Upper Bavarian folk life in plays such as "Der Herrgottschnitzer von Ammergau" and "Der Geigenmacher von Mittenwald" in a similar way to Anzengruber's treatment of Austrian folk life, did not hit the "true-to-nature" notes like Anzengruber did. In contrast, Lower Austria has an epic writer in Joseph Misson, who in his unfortunately unfinished poetic tale "Da Naz, a Niederösterreichischer Bauernbui, geht in d'Fremd" (1850) expressed the mood, imagination and behavior of his people in an incomparable way. The Styrian Peter Rosegger achieved the same to a high degree with his compatriots in a series of prose works that were born of a sensible mind, a brave character and a cozy narrative gift. In the second half of the century, folk poetry, which in most cases also seeks to intimately reflect the form of expression and way of looking at things of the people in the form of dialect poetry, blossomed beautifully. Franz von Kobell and his pupil Karl Stieler produced precious gems of folk poetry in the Upper Bavarian dialect. Franz Stelzhammer created poems in Austrian dialect that are so natural that they seem to have arisen from the spontaneity of the people. The dialect poetry of the Viennese J.G. Seidl is inspired by warm feelings, but of a much lesser power and originality. The Silesian dialect has found a poet of naive, humorous expression in Karl von Holtei, whom we have already mentioned (p. 58) as a storyteller and dramatist. The North German dialect was cultivated by Klaus Groth and Fritz Reuter. Groth, the singer of "Quickborn" (1852), writes like an educated man who has grown out of folk life, but his love of his homeland and his striving to make his dialect heard make up for what he lacks in originality. Fritz Reuter's poems stem entirely from the soul of the people, from their most intimate thoughts and feelings. He is a first-rate character painter. Reuter's first collection of poems, "Läuschen un Rimels" (1853), immediately won him a large circle of admirers. His brilliant narrative talent is at its best when he weaves his own experiences into the narrative, as in "Ut mine Festungstid" (1862) and "Ut mine Stromtid" (1863 to 1864). He vividly depicts the mood of the people before the events of 1812. It is the urge for the primal sources of poetry that is expressed in the rich applause that poems such as Anzengruber's, Rosegger's, Groth's and Reuter's found in almost all circles. People believed that they could find in the simple popular mind what they had distanced themselves from in the highly developed art poetry of the Heyses, Meyers and Hamerlings. At the same time as this trend, there was another, which renounced higher artistic demands and sought satisfaction in amiable wit, in brisk, if not very profound depiction. This direction found its field particularly in the lightly thrown feuilleton and in the skillfully constructed, sensationally exciting drama. Paul Lindau, Oskar Blumenthal, Hugo Lubliner, Adolf l'Arronge, Franz v. Schönthan, Gustav v. Moser, Ernst Wichert and others. were responsible for this taste, which gradually took hold in such wide circles that protests such as that of Hans Herrig, who in his essay "Luxustheater und Volksbühne" (1886) wanted to recapture the theater of true art, were initially ineffective. Above all, Herrig wanted to win over the people to his ideas, and this was also the goal of his Luther Festival.

[ 89 ] However, even in the 1970s and 1980s, a strong receptiveness to genuine art remained clearly perceptible in individual circles. Proof of this is the steadily growing recognition that Gottfried Keller has received. However, the creations that he added, after a long intervening period, to those we had already acknowledged earlier (p. 62) were on a par with them. The "Seven Legends" (1872) represent a reform of the legendary style on a completely new, realistic basis. The "Sinngedicht" (1881) is a warmly felt, mature creation. The "Züricher Novellen" (1878) are cultural pictures from Zurich's past, painted with simplicity and grandeur; "Martin Salander" (1886) depicts the political situation in Switzerland with superior humor. While each new creation by Keller also testified to a higher level of artistry, Gustav Freytag continued to cultivate the style he had once acquired. Neither his "Pictures from the German Past" (1859-67) nor the series of novels "The Ancestors", which appeared after 1870, represented any artistic progress. One personality who reflects the true character of the last four decades in poetry is Wilhelm Jordan. Unfortunately, he lacked the poetic power to give artistic expression to his world view, which was fully in tune with the times. In his "Demiurgos" ($.65), he prophetically proclaimed Darwin's world view in advance; when it was scientifically substantiated, it also appeared with full clarity in his poetic products. The characters in his rewriting of the German heroic epic "Nibelunge" (1868-74) grew out of this view, and his novels "Die Sebalds" (1885) and "Zwei Wiegen" (1887) were written entirely in the spirit of contemporary scientific thought. If Jordan must be described as a genuinely modern spirit because of his world view, it was he who saw the truly poetic in going back to the simple, primitive conditions of cultural development. He wanted the last form of the Song of the Nibelungs that has come down to us to be regarded only as an attenuation of an older, much grander form. This is why he did not base his work on the later German Nibelungenlied, but on the older Nordic sagas. In such striving for the original sources, one can clearly see an echo of Goethe's and Herder's way of looking at things, which sees the root of the poetic in the naive and childlike world of imagination. Wilhelm Jordan's restoration of the stave rhyme can also be traced back to such a view.

[ 90 ] In the 1980s, the younger generation of German poets became convinced that the paths that poetry had taken up to that point were no longer fruitful. They no longer wanted to solve the artistic tasks set by the views of Herder, Goethe, Schiller and the Romantics. After all, life and the circles of ideas had changed considerably since the times in which those minds had formed their thoughts. Scientific discoveries had led us to see the processes of the outside world and their relationship to man in a new light. Technical inventions had changed the way of life and the relations of the various classes of people. Entire classes that had previously not taken part in public life entered into it. The social question with all its consequences was at the center of thought. In the face of such a change in culture as a whole, it was felt impossible to hold on to old traditions in poetry. The new life should bring forth a new poetry. This call grew ever stronger. In 1882, the brothers Heinrich and Julius Hart led the way with their "Kritische Waffengänge", in which they used harsh language against the traditional, the outdated. They were then followed by other poets of the younger generation. In 1885, a selection of poems entitled "Modern Poetry Characters" was published, in which the striving for a new style of art was resolutely asserted. In addition to the Harts, Wilhelm Arent, Hermann Conradi, Karl Henckell, Arno Holz, Otto Erich Hartleben, Wolfgang Kirchbach participated in the new movement. In the same year, Michael Georg Conrad founded the "Gesellschaft" in Munich, a "Realistische Monatsschrift für Literatur, Kunst und öffentliches Leben", which was guided by the same goals, and Karl Bleibtreu issued a strong rejection of everything traditional in his "Revolution der Literatur". Alongside much immaturity, many a pleasing gift appeared within this movement. Karl Henckell's social songs often pulsate with true passion, despite his preference for party slogans. Hermann Conradi's phrase-like novels vividly reflect the ferment of the times, and in his Iyrian creations one finds the heart-warming tones of a man who unreservedly expresses himself, with all the faults and sins of human nature. Julius Hart's poems also express a genuine empathy with everything that arouses the times. In 1885, Arno Holz published his "Book of the Times", in which he found effective words for social hardship. Above all, it was the artificial, the life in ideas that had lost their connection with life, to which war was declared. They did not want to work according to old templates, according to the artistic sensibilities of a bygone era, but according to the needs and inspirations of their own individuality. Under the influence of such sentiments, a poet came into his own who, however, developed completely independently of the conscious, deliberate striving for something new: Detlev v. Liliencron. He is a nature full of vitality and artistic creativity, a fine connoisseur and depictor of all the charms of existence, a poet who has all tones at his disposal, from the wildest exuberance to the delicate depiction of sublime natural moods. In 1883 he drew attention to himself with his "Adjutant's Rides", and since then he has proved himself to be one of the most outstanding contemporary poets in a series of lyrical collections. Following in his footsteps were Otto Julius Bierbaum and Gustav Falke, the latter in particular having achieved something worthy of recognition through his striving for perfection of form. Karl Busse also made a good impression on his first appearance, but was unable to maintain the same level. Richard Dehmel is an energetic lyricist who, however, cannot find harmony between abstract thought and immediate feeling. The search for new goals generates the most diverse directions in the present. In contrast to idealism, which placed the spirit too high and forgot that sensuality underlies all spirituality, a counter-current emerged which indulged in the latter and sought only the raw animal instincts in every expression of life. Hermann Bahr celebrated true orgies in this area in his stories "Die gute Schule" (1890) and "Dora" (1893). In his drama "Toni Stürmer" (1892), Cäsar Flaischlen also sought to portray the idealism of love as contradictory and to show that only natural passion brings the sexes together. The social movement also had an impact on poetry. Works such as "Schlechte Gesellschaft" (1886) by Karl Bleibtreu, "Die heilige Ehe" (1886) by Hans Land and Felix Holländer and in Max Kretzer's "Die Betrogenen" (1882) and "Die Bergpredigt" (1889) are sharply critical of existing social conditions and the prevailing moral views. In his dramas "Hanna Jagert" (1893), "Erziehung zur Ehe" (1894) and "Sittliche Forderung" (1897), Otto Erich Hartleben shows the self-dissolution of social ideas and depicts human weaknesses with great satirical power in his novellistic sketches. As a lyric poet, he is characterized by a beautiful sculpture of expression and a simple, tasteful naturalness. John Henry Mackay gives expression to the striving for complete liberation of the individual, which has found a philosopher in Max Stirner (p. 5o), in his cultural painting "The Anarchists" (1891), in stories such as "The People of Marriage" (1892) and in his poems, which place the ideal of personal independence above all else (collected and published in 1898). Hermann Sudermann deals with the clash between the moral concepts of different classes in his dramas "Die Ehre", "Die Heimat" and "Glück im Winkel". In his more recent stage works "Johannes" and "Die drei Reiherfedern", he has set himself higher tasks. He portrays the tragedy inherent in human nature itself, a goal he also pursued in his stories "Frau Sorge" and "Der Katzensteg". The influence of the modern scientific world view on the human soul is illustrated by Wilhelm Bölsche in his novel "Mittagsgöttin" (i8g91). The most recent drama strives for the truth of nature in that it does not allow the development of events in poetry to proceed according to higher, artistic laws, but seeks a photographically faithful depiction of reality. Johannes Schlaf and Arno Holz led the way in this direction with their dramas "Meister Olze" and "Familie Selicke", in which the truth of nature is exaggerated to the point of merely copying external events. They were followed by Gerhart Hauptmann, who in his first works "Vor Sonnenaufgang" (1889) and "Das Friedensfest" (1890) still created entirely in this style, but in "Einsamen Menschen" (1891) rose to the level of depicting significant emotional conflicts and cohesive dramatic composition. In his "Colleague Crampton" (1892), he then delivered a character painting that was as true to nature as it was artistic. In "Hanneles Himmelfahrt" and "Versunkene Glocke", his style becomes idealistic and romantic despite its fidelity to nature. In "The Weavers" (1892), the depiction of reality becomes a complete dissolution of all dramatic form; in "Henschel the Carriage Driver", Hauptmann shows that he can unite fidelity to nature and poetic composition. Max Halbe was much acclaimed for his romantic drama "Jugend" (1893) with its atmospheric depiction of youthful passions. When he set himself higher goals, as in his character dramas "Lebenswende" and "Der Eroberer", he was unable to break through. Ludwig Jacobowski set himself a great task in his "Loki" (1898), the "novel of a god", in which he shines a light deep into the abysses of human nature and illustrates its eternal striving through the battle of the destructive Loki against the creative Asen. With his lyrical collection "Shining Days" (1899), he joined the ranks of the most outstanding modern poets. He combines simple beauty of expression with a harmonious view of the world and life. In the last decade, Friedrich Nietzsche exerted an incomparable influence on contemporary thought. Through a radical "revaluation of all values", he sought to portray the entire path that Western culture has taken since the foundation of Christianity as a great idealistic error. Humanity must discard all belief in the hereafter, all ideas that go beyond real existence, and draw its strength and culture purely from this world. Man should not see his ideal in the likeness of higher powers, but in the highest enhancement of his natural abilities up to the "superman". This is the meaning of his main poetic and philosophical work "Thus Spoke Zarathustra".

[ 91 ] In France, literature in the last third of the century initially continued along the same lines as before. Through Emile Augier, Alexander Dumas the Younger and Victorien Sardou, drama developed into a morality play and social drama. In the latter, the main aim was to illustrate a moralizing tendency through exciting entanglements and corresponding solutions. Alongside this, a dramatic genre developed that placed the main emphasis on witty dialog and social satire. It has its main representative in Edouard Pailleron. The training in skillful scene direction blossomed in Labiche, Meilhac, Bisson. The truth and probability of events play no role in them, only the development of the plot, which is calculated for effect and must be rich in surprising twists and turns. In poetry, the striving for correctness of form, for smooth, pleasing expression prevails in the "school of the Parnassiens". Frangois Coppée, R. F. A. Sully-Prudhomme and Charles Leconte de Lisle particularly cultivated this style. Anatole France also belongs to it with his lyric poetry, which strives for a classical style of representation. In contrast, Charles Baudelaire is a genuinely Romantic poet who prefers to be in a state of intoxication of the soul and loves to depict the uncanny, demonic forces of the human interior. He wants to expose all dark instincts. He literally revels in feelings of fear and lust. A healthier sense can be found in Gustav Flaubert and especially in the brothers Edmond and Jules de Goncourt, who strive to restrain the artistic imagination through the objective spirit of science. Under their influence, a naturalism emerged that did not want to shape reality according to subjective arbitrariness, but rather to make use of the objective laws of knowledge for the poetic depiction of things. It does not want aesthetic laws, but only those based on the mere observation of facts. This direction found its perfect expression in Emile Zola. He no longer wants to shape things and processes artistically. Just as the scientific experimenter brings substances and forces together in the laboratory and then waits to see what develops as a result of their mutual influence, Zola experimentally juxtaposes things and people and seeks to continue the development as it would have to result if the same things and people stood opposite each other in the same way in objective reality. In this way he develops the experimental novel. In doing so, he leans on the achievements of modern science. Alongside this Zolashian naturalism, another of the Balzacian type continues, which has its main representative in Alphonse Daudet. Guy de Manpassant is a storyteller with a brilliant power of perception that penetrates the depths of the soul. Important cultural phenomena of our time are recorded in his novels and in stylistically masterful novellas. As a draughtsman of character, he portrays people with sharp contours, and his depiction of actions is as much characterized by natural truth as by artful composition. In France, Victor Cherbuliez, Hector Malot and Georges Ohnet satisfied that part of the public which in Germany found its satisfaction in Lindau, Blumenthal and others. A subtle artist with a refined technique is Pierre Loti, who, however, cultivates a style of art that is more suited to the artist's developed taste than to a wider circle.

[ 92 ] In the Dutch language, under the name "Muliatuli", Eduard Douwes Dekker created narrative poems and philosophical works of ideas, which from a bold, out of a bold, free spirit, they make powerful accusations against everything in contemporary culture which, seen from the vantage point of true humanity, is ripe for destruction, but which is preserved by brute force and robs the valuable and noble of the space for free development. Multatuli does not shy away from any sharpness, even one-sidedness of expression, when he wants to hit what he considers necessary for persecution. A kind of leading spirit of Dutch folklore in Belgium is Hendrik Conscience, who made a great impression with his intimate depictions of modest living conditions and has also found imitators in his homeland. The Belgian M. Maeterlinck takes a mystical view of nature and the human soul. He is less interested in clear thoughts and perceptible processes than in the dark forces that we sense in the events of the outside world and in the depths of our unconscious soul. He depicts them in his dramas and seeks to approach them philosophically in his subtle essays.

[ 93 ] The English poetry of this period is characterized by the works of Algernon Charles Swinburne. He is of a romantic nature, a fiery depictor of sensuality, a draughtsman of great passions, but also of the tender vibrations of the soul and atmospheric images of nature. The sea with its manifold beauties is a favorite area for him. His lullabies are characteristic of his sensuous mind. In the dramatic field ("Atalanta in Calydon") he strove for Greek perfection of form. In addition to him, Matthew Arnold and Dante Gabriel Rosetti also come into consideration. The former is reminiscent of Byron in his world view and expression, while the latter seeks to achieve a simple style through ancient artistic means. William Morris is an original nature with a powerful gift for depiction. From close observation, Rudyard Kipling depicts Indian-English life in captivating novellas, novels and popular-sounding poems.

[ 94 ] In America, a literature independent of the English mother country has developed since the middle of the century. A universal spirit and strong artist is Henry Wordsworth Longfellow. As a lyric poet he has achieved recognition throughout the educated world. His poems speak of a noble, great character. Those of his creations in which he movingly sings of the fate of slaves are characteristic of his humane view of the world. He is also an excellent storyteller with a soft, heartfelt and humorous tone. In "Hiawatha" Longfellow has described the ancient cultural conditions of the Indian people, in "The Golden Legend" he deals with the eternal poetic problem, the striving and wandering man as a symbol of the whole human species. Contemporary English prose has found an outstanding master in Washington Irving. His humor has a sentimental streak. Francis Bret Harte, the author of the world-famous Californian tales, and the thoughtful humorist Mark Twain differ most in style from the mother country. In Walt Whitman, the American imagination and sensibility found a particularly characteristic expression. From the thoughts he expresses to his treatment of language, everything is modern in the most genuine sense.

[ 95 ] In recent decades, the change from old to new views has been most rapid in northern Europe. It developed under the influence of a merciless, unsparing criticism of tradition. Georg Brandes, the intellectual Dane, led the way. A bold, enthusiastic free spirit gave him the broadest impact. His intellectual horizon is of rare greatness. He was able to familiarize himself with the various cultures of Europe with a keen sense and thus acquired a breadth of vision that enabled him to follow the intellectual currents of all countries in their essential characteristics. By seeking out fruitful ideas everywhere and instilling them into the education of Denmark, he became the reformer of the entire world view of his fatherland. In the field of poetry, the lyric poet Holger Drachmann and the great stylistic artist J. P. Jacobsen, who is both a thorough and profound connoisseur of the human soul, and who is able to depict inner processes and abysses of the mind in an atmospheric way, were active in Denmark.

[ 96 ] In Norway, Björnstjerne Björnson, Henrik Ibsen and Arne Garborg are the creators of a type of poetry whose influence can be felt everywhere in Europe today. They were preceded like prophets by Jonas Lie and Alexander Kjelland, the former as an important psychologist and depictor of popular life, the latter as a sharp satirist in the field of moral views and social grievances. Björnson is a poet who serves the liberal ideals of his fatherland with his art. He is a political spirit who always has the progress of culture in mind in all his work and who is able to give his characters clear, clear outlines from his firm convictions. A revolutionary spirit is Henrik Ibsen. He has incorporated everything that is revolutionary in modern culture into his personality. He is a rich, versatile nature. His works therefore show great differences in style and in the means with which he presents his world view. He traces the germs of decomposition that lie in the views, customs and social orders of the present ("Stützen der Gesellschaft" 1877), the lies of life ("Volksfeind" 1882), the position of the sexes ("Nora" 1879, "Ghosts" 1881), the position of the sexes ("Nora" 1879, "Ghosts" 1881), he depicts demonic forces in the human soul as a deep psychologist ("Frau vom Meere" 1888, "Hedda Gabler" 1890, "Baumeister Solneß" 1892), he characterizes the mystical in the soul ("Klein Eyolf" 1894). Ibsen's basic theme is the tragedy of human life in "Brand" (1866) and "Peer Gynt" (1867). Pastor Brand is intended to portray the Faustian struggle of man living in the imaginative and emotional mode of the present. The hero knows only one love, that of his rational ideals, and does not allow the language of feeling to come into its own. Instead of taking possession of human hearts in order to achieve the fulfillment of his demands through them in a benevolent manner, he pursues them with ruthless harshness. He becomes intolerant out of idealism. Therein lies the tragedy of his personality. In contrast to him is Peer Gynt, the man of fantasy, whose ideas are not rooted enough in reality to inspire their bearer with the kind of energy that enables people to assert themselves in life. The versatility of Ibsen's art is revealed particularly clearly when we consider the "Comedy of Love" (1862), which shows us the poet as a doubter of life's goals, alongside the "Crown Pretenders", written just one year later, in which certainty and confidence are expressed in the creator's world view. The dependence of man on the external environment, on views within which he lives and which he receives as tradition, is depicted in "Bund der Jugend" (1869), while "Kaiser und Galiläer" (1873) illustrates the determination of the will through the unalterable, natural necessity of all things. "The Wild Duck" (1884) and "Rosmersholm" (1886) are paintings of the soul from which the deeply penetrating psychological connoisseur speaks.

[ 97 ] In place of Greek fate and the divine order of the world, he sets natural law as the driving force of the drama, which does not punish the guilty and reward the good, but governs people's actions as it rolls a stone down a slippery slope ("Ghosts"). Arne Garbor does not, like Ibsen, have the art of depicting broad lines, but he paints the life of the soul faithfully and is a sharp accuser of social institutions. Sexual life is at the center of his approach. The two Swedes August Strindberg and Ola Hansson are also powerful painters of the soul, but they like to take their material from unhealthy nature. Strindberg's pessimism, which, however, stems from deeply painful life experiences, presents itself almost like the distorted image of a healthy world view.

[ 98 ] Russian intellectual life also underwent great spiritual upheavals during this period. While the older Russian literature proved to be an imitator of Western European culture in its ideas and conceptions as well as in its means of expression, the national spirit now deepened and sought to build its views from the depths of its own national essence. Here, too, criticism leads the way. In W. Belinskij Russia has an aesthete and philosopher of great spiritual vision and high aims. From a purely logical point of view, his critical activity lacks consistency; Belinsky is a constant seeker who wants to bring clarity to the confused ideas and dark impulses of his people. In doing so, he is guided more by his sure feelings than by any abstract ideas. The creations of Nicolai Gogol, who hurls the most terrible accusations against his fatherland, but accusations that speak of a deep, heartfelt love, prove how unfathomably deep and at the same time how dreamy and confused the spirit of the people is. A mystical sense underlies his imagination, which drives him restlessly forward without him seeing any clear goal before him. In N. Nekrasov, Ivan Turgenev, Ivan Goncharov and in F. M. Dostoyevsky, this dark urge gradually works its way into clarity. Turgenev is, however, still strongly influenced by Western European ideas. In delicate images, he mainly depicts suffering people who somehow cannot come to terms with life. Goncharov and Pissemsky are depictions of Russian social life, without any further outlook on a world view. Dostoyevsky is an ingenious psychologist who descends into the depths of the soul and reveals the innermost depths of man in brilliant, albeit sometimes gruesome, images. His "Raskolnikov" was regarded throughout Europe as a model of psychological representation. Count Leo Tolstoy is a representative of Russian intellectual life as a whole. He developed from a powerful storyteller ("War and Peace" 1872, "Anna Karenina" 1877) to a prophet of a new form of religion that sought its roots in a somewhat violent interpretation of primitive Christianity and elevated complete selflessness to the ideal of life. Tolstoy also sees all art that is not aimed at human compassion and the improvement of coexistence as a superfluous luxury that a selfless person does not indulge in. In Hungary, we encounter the imaginative storyteller Maurus Jókai and the playwright Ludwig Doczi, as well as Emerich Madách, who provided the Hungarian Faust in his "Tragedy of Man".

[ 99 ] The most successful of the more recent Italian poets is Giosuè Carducci, who strives for classical and beautiful expression. A singer of fiery sensuality is Lorenzo Stecchetti, and the playwright Pietro Cossa is an important characterizer. Giovanni Verga deals with Sicilian peasant life in lively stories. Italy has its social poets in Guido Mazzoni and Ada Negri. In the field of drama, the idealist Felice Cavallotti and the naturalist Emilio Praga stand opposite each other. - From Spain, José Echegaray briefly captured the attention of European audiences, to whom he delivered a much-discussed drama in his "Galeotto", whose structure is reminiscent of the abstract consistency of a calculus.

My dear Friends,

It is our concern in these lectures to find the way to the artistic forming of speech and also of dramatic action—taking our start always from the speech organism itself. To this end, it is of vital importance that we should not be content with theoretical expositions, but accompany these throughout with practical demonstration. Thus, you had opportunity yesterday to see how the iambic and the trochaic metre has each its particular part to play in the development of the art of speech. And now today we will begin by showing how it is possible, in domains of speech where the path of development is sought, not in an entirely inward but in a rather more external way—how it is possible even there to go over from prose into poetic form, into the artistic, into style.

We have seen that the significance of the iambic metre lies in the fact that it helps to promote in the whole organism of speech this transition to poetic form and style, even sometimes to the genuinely lyrical. The trochaic and dactylic metres, on the other hand, whilst they too have the tendency to work in this direction, taking us away from prose, can also help the student who practises them to speak prose itself artistically. I am here merely recalling what we considered together yesterday.

Today we propose to demonstrate for you the rendering in speech of a kind of verse where there is the wish to maintain poetic form throughout, but where the poet comes up against a certain difficulty. He wants, for example, to sustain a particular description or narration for a longer period, perhaps throughout many lines of verse; but owing to the nature of the language, he is unable to keep it going entirely in the iambic metre, or entirely in the trochaic. Hence we find a tendency to compromise between prose and poetic form. And it is this compromise that we have in the Alexandrine, which has properly six iambics, but which, since it is not very easy to maintain such a metre for any considerable time, constantly interposes passages where the iambic is not strictly adhered to. Thus, a kind of compromise is effected. But wherever the language becomes rhetorical (rhetorical language has, you know, a slight flavour of decadence about it), a tendency immediately becomes evident to form the verse iambically throughout, keeping it strictly within the limits of the original rhythm.

All this we may find in the Alexandrine. Consequently, when used as an exercise for speech, the Alexandrine can work in the opposite way to the hexameter. Speaking in hexameters leads, as we have seen, to good prose speaking; the Alexandrine, on the other hand, is an excellent preparation for speaking poetry.

This we will now illustrate for you in the rendering Frau Dr. Steiner will give of some French Alexandrines. Alexandrines are at their best in French. When they are used in the German language, they always seem rather like an imitation; they seem out of place there. Alexandrines are not, in fact, a natural product of the German language. It will accordingly be best to take a French example for demonstration.

There are a number of passages in Faust where Goethe deviated from other metres into the Alexandrine; and in each single instance the occasion for it can be clearly discerned. Goethe has recourse, namely, to the Alexandrine when he begins to find difficulty in being poetical in any other way. Where he has a scene in which it is difficult to be inwardly poetical, he resorts to being poetical outwardly. And so we find in Faust, wherever this dilemma occurs, the transition to the Alexandrine.1

(Frau Dr. Steiner): The example I am giving is taken from a dramatic poem by Lecomte de Lisle: Hypatie.

The cultured young adherent of the ancient wisdom, who will shortly be torn in pieces by the infuriated mob in the streets of Alexandria, is admonished by Bishop Cyril to be converted and so escape violent death. She on her part points to the everlasting disputes that go on within the Church, a Church that has become not only terribly dogmatic, but brutally savage, and affirms her unswerving adherence to the ancient esoteric wisdom.

HYPATIE

Ne le crois pas, Cyrille! Ils vivent dans mon coeur,
Non tels que tu les vois, vêtus de formes vaines,
Subissant dans le Ciel les passions humaines,
Adorés du vulgaire et dignes de mépris;
Mais tels que les ont vus de sublimes esprits:
Dans l'espace étoilé n'ayant point de demeures,
Forces de l'univers, Vertus intérieures,
De la terre et du ciel concours harmonieux
Qui charme la pensee et l'oreille et les yeux,
Et qui donne, idéal aux sages accessible,
A la beauté de l'âme une splendeur visible.
Tels sont mes Dieux! Qu'un sièle ingrat s'écarte d'eux,
Je ne les puis trahir puisqu'ils sont malheureux.
Je le sens, je le sais: voici les heures sombres,
Les jours marqués dans l'ordre impérieux des Nombres.
Aveugle à notre gloire et prodigue d'affronts,
Le temps injurieux découronne nos fronts;
Et, dans l'orgueil récent de sa haute fortune,
L'Avenir n'entend plus la voix qui l'importune,
O Rois harmonieux, chefs de l'Esprit humain,
Vous qui portiez la lyre et la balance en main,
Il est venu, Celui qu'annongaient vos présages,
Celui que contenaient les visions des sages,
L'Expiateur promis dont Eschyle a parlé!
Au sortir du sepulcre et de sang maculé,
L'arbre de son supplice à lépaule, il se l'ève;
Il offre à l'univers ou sa croix ou le glaive,
Il venge le Barbare écarté des autels,
Et jonche vos parvis de membres immortels!
Mais je garantirai des atteintes grossières
Jusqu'au dernier soupir vos pieuses poussières,
Heureuse si, planant sur les jours à venir,
Votre immortalité sauve mon souvenir.
Salut, O Rois d'Hellas!—Adieu, noble Cyrille!

CYRILLE

Abjure tes erreurs, o malheureuse fille,
Le Dieu jaloux t'écoute! O triste aveuglement!
Je m'indigne et gemis en un même moment.
Mais puisque to ne veux ni croire ni comprendre
Et refuses la main que je venais te tendre,
Que ton coeur s'endurcit dans un esprit mauvais,
C'en est assez! j'ai fait plus que je ne devais.
Un dernier mot encore:—n'enfreins pas ma défense!
Une ombre de salut te reste:—le silence.
Dieu seul te jugera, s'il ne l'a déjà fait;
Sa colère est sur toi; n'en hâte point l'effet.

HYPATIE

Je ne puis oublier, en un silence lâche,
Le coin de mon honneur et ma suprême tâche,
Celle de confesser librement sous les cieux
Le beau, le vrai, le bien, qu'ont révélés les
Dieux. Depuis deux jours déjà, comme une écume vile,
Les moines du désert abondent dans la vile,
Pieds nus, la barbe inculte et les cheveux souillés,
Tout maigris par le jeüne, et du soleil brûles.
On prétend qu'un projet sinistre et fanatique
Amene parmi nous cette horde extatique.
C'est bien. Je sais mourir, et suis fière du choix
Dont m'honorent les Dieux une dernière fois.
Cependant je rends gràce à to solicitude
Et n'attends plus de toi qu'un peu de solitude.
(CYRILLE et l'acolyte sortent.)

LA NOURRICE

Mon enfant, tu le vois, toi-même en fais l'aveu:
Tu vas mourir!

HYPATIE

Je vais être immortelle. Adieu.

---

From HYPATIA¹
by Lecomte de Lisle

HYPATIA

Believe it not O Cyril, for They live
Within my heart, not such as you perceive
Clothed in vain forms and in the heav'ns
Subject to passions that men have on earth,
Deserving scorn, worshipped by vulgar hordes;
But such as lofty spirits contemplate:

Having no dwelling there amid the stars;
Virtues inherent and the strength of worlds,
Binding in harmony the earth and skies,
Charming the thoughts of men, their eyes, their ears,
And for the wise, as tangible ideal,
Giving a shining splendour to the soul.
Such are my Gods! And let ingratitude
Of a base century approach them not;
Betray them can I ne'er, for they are doomed.
I feel, I recognise, these darkened hours,
Days marked by Numbers ruling deeds of men.
Blind to our fame and with harsh insult free
These cruel times take from our brows their crown;
And in the pride of recent victories
The future shuts its ear to those who call.
O Kings of concord—of man's spirit Lords,
Bearing your symbols of the lyre and scales!
He has appeared whom you have heralded,
The Saviour Aeschylus has promised men!
Stained with his blood he issues from the tomb;
Bearing his tree of torture see him rise,
Off'ring the world his cross or else a sword;
Avenging heathen from his altars chased
He strews your groves with your immortal limbs.
To my last living breath I will preserve
Your pious ashes from all rude attack,
Happy if hov'ring o'er the days to come
Your immortality my memory holds.
Hail, Kings of Greece! Great Cyril, fare you well!

CYRIL

Unhappy child, I beg you to recant.
He hears—the jealous God! O tragic, blind,
You anger me and yet you make me grieve.
But since you will not understand nor trust,
And scorn the hand I offer for your aid,
And since unrighteousness makes hard your heart,
It is enough! More than I should I've done.
But one word still—transgress not my command!
There is one final hope of safety—silence.
Your only judge is God, and even now
His sentence may be passed. Haste not to bring
Fulfilment of His anger on your head.

HYPATIA

In coward silence can I not forget
What to myself is due, my task supreme—
Beneath the heavens what the Gods reveal
Of beauty, truth and goodness to confess.
For two long days, like to a scum impure
The desert monks have swarmed into the town;
Bare-footed, beards unkempt and hair unclean,
Burnt by the sun, wasted by constant fast.
Men say a plan fanatical and dread
Brings this ecstatic horde into mir midst.
'Tis well—for instant death I am prepared,
Proud that for this last time the puissant Gods
Have deemed me worthy to endure that fate.
Yet your concern fills me with gratitude;
Now, solitude is all I beg of you.
(Exeunt CYRIL and the acolyte.)

THE NURSE

My child, you see, you recognise yourself
That you will have to die!

HYPATIA

But dying go
To immortality. O fare you well!
(Translation by V. E. W.)

(In the second edition of the original, the following example of Alexandrines from Faust, Part II, was added.)

Vor dem Palaste des Menelas zu Sparta.

HELENA

Bewundert viel und viel gescholten, Helena,
Vom Strande komm' ich, wo wir erst gelandet sind,
Noch immer trunken von des Gewoges regsamem
Geschaukel, das vom Phryg'schen Blachgefild uns her
Auf sträubig-hohem Rücken, durch Poseidons Gunst
Und Euros' Kraft, in vaterländ'sche Buchten trug.
Dort unten freuet nun der König Menelas
Der Rückkehr samt den tapfersten seiner Krieger sich.
Du aber heisse mich willkommen, hohes Haus,
Das Tyndareus, mein Vater, nah dem Hange sich,
Von Pallas' Hügel wiederkehrend, aufgebaut,
Und als ich hier mit Klytämnestren schwesterlich,
Mit Kastor auch und Pollux fröhlich spielend wuchs,
Vor allen Häusern Spartas herrlich ausgeschmückt.
Gegrüsset seid mir, der ehrnen Pforte Flügel ihr!
Durch euer gastlich ladendes Weiteröffnen einst
Geschah's, dass mir, erwählt aus vielen, Menelas
In Bräutigamsgestalt entgegenleuchtete.
Eröffnet mir sie wieder, dass ich ein Eilgebot
Des Königs treu erfülle, wie der Gattin ziemt.
Lasst mich hinein, und alles bleibe hinter mir,
Was mich -umstürmte bis hierher verhängnisvoll!
Denn seit ich diese Stelle sorgenlos verliess,
Cytherens Tempel besuchend, heil'ger Pflicht gemäss,
Mich aber dort ein Räuber griff, der phrygische,
Ist viel geschehen, was die Menschen weit und breit
So gern erzählen, aber der nicht gerne hört,
Von dem die Sage wachsend sich zum Märchen spann.

---

FAUST, Part II
Act III, Scene 1

Before the Palace of Menelaus in Sparta.
(Enter HELENA, with a chorus of captive Trojan women.)

HELENA

The much admired and much upbraided Helena,
From yonder strand I come, where erst we disembark'd,
Still giddy from the roll of ocean's billowy surge,
Which, through Poseidon's favour and through Euros' might,
On lofty crested backs hither hath wafted us,
From Phrygia's open field, to our ancestral bays.
Yonder King Menelaus, glad of his return,
With his brave men of war, rejoices on the beach.
But oh, thou lofty mansion, bid me welcome home,
Thou, near the steep decline, which Tyndareus, my sire,
From Pallas' hill returning, here hath builded up;
Which also was adorned beyond all Sparta's homes,
What time with Clytemnestra, sister-like, I grew,
With Castor, Pollux, too, playing in joyous sport.
Wings of yon brazen portals, you I also hail!
Through you, ye guest-inviting, hospitable gates,
Hath Menelaus once, from many princes chosen,
Shone radiant on my sight, in nuptial sort arrayed.
Expand to me once more, that I the king's behest
May faithfully discharge, as doth the spouse beseem.
Let me within, and all henceforth behind remain,
That, charged with doom, till now darkly hath round me stormed!
For since, by care untroubled, I these sites forsook,
Seeking Cythera's fane, as sacred wont enjoined,
And by the spoiler there was seized, the Phrygian,
Happened have many things, whereof men far and wide
Are fain to tell, but which not fain to hear is he
Of whom the tale, expanding, hath to fable grown.
(From the translation by Anna Swanwick.)

(Dr. Steiner): And now we must go on to consider how we may find, in speech, ways that lead over from one realm of poetic creation to another. For they are there to be found in the very use and forming of speech.

Narrative comes to expression just as well in the trochaic metre as in the dactylic. Let us take an example of narrative in trochees and see what it can reveal. To present narrative in trochaic metre accords quite simply with man's original instinctive feeling; and you will discover moreover that the tone of voice required for narrative can most easily be found when speaking in trochees. On this account the trochaic metre is a good preparation also for the art of speaking prose, an art which has to penetrate more instinctively into the instruments of speech and into the heart.

Now in narrative, in epic poetry, as I said in the first lecture, the reciter has the object standing there before him in thought. His thought of it may, however, become so vivid that he surrenders himself to be an instrument for what the object speaks and does. When this happens, narrative goes over into drama. We have thus found here a way to pass from narrative that contains a dramatic element to the art of drama itself. Not every narrative, not every epic does this, but all are capable of it. And that, my dear friends, is your right and true way of approach to drama.

If we begin straight away with the practice of dramatic art, we externalise it instead of giving it the requisite quality of intimacy and inwardness. If, however, we take our start from some narrative that makes considerable demand upon the imagination, until we really cannot help transposing ourselves into the person of whom the narrative tells (for he is of course not there at all, we are obliged to ‘act’ him), then we shall be taking the right and natural road to drama. For to produce a well-presented drama, it will hardly do for the actors to be content to study simply the speaking of their own parts! The distribution of parts in such a way that each actor receives the text only of what he himself has to speak is quite wrong; nor can this fault be compensated for by a reading’ rehearsal. The one and only right way is for each actor to approach his own part in the play in the firm conviction that he must enter also into a full experience of everything his fellow actor or actors have to say. And whereas in ordinary life it is our duty to listen as quietly as possible, the actor has to speak with the other actors as much as ever he can, though not of course outwardly; he must share their experience, he must speak—inwardly, as it were in echo—what his fellow actors are speaking around him.

I would like now to show you a path—for in all these matters I can do no more than indicate paths for you to follow—I would like to suggest a path that a young student of the drama could take in order to speak dialogue (or trialogue) in such a way as to give it the right intimacy and inwardness. I choose for the purpose an eminently trochaic poem that contains also a powerful dramatic element—calls it up, as the poem proceeds: Der Cid of Herder. The poem begins in true epic style; then it leads over, with no uncertainty, into the dramatic. And the poem is marvellously built up, right through, on the trochaic metre. I am here merely putting into words for you what a student would have to say to himself in preparation for working with this poem.

Let us be quite clear about the situation. The ancient House of Don Diego has suffered the disgrace of being brought to ruin by an enemy House. Don Diego's son Rodrigo, who was afterwards called the Cid, feels the disgrace deeply. The poem begins by picturing for us the mood of the old Don Diego, in face of the ignominy that has befallen his House.

Trauernd tief sass Don Diego,
Wohl war keiner je so traurig;
Gramvoll dacht er Tag und Nächte
Nur an seines Hauses Schmach,

An die Schmach des edlen alten,
Tapfren Hauses der von Lainez,
Das die Inigos an Ruhme,
Die Abarkos übertraf.

Tief gekränket, schwach vor Alter,
Fühlt er nahe sich dem Grabe,
Da indes sein Feind Don Gormaz
Ohne Gegner triumphiert.

Sonder Schlaf und sonder Speise,
Schläget er die Augen nieder,
Tritt nicht über seine Schwelle,
Spricht mit seinen Freunden nicht,

Höret nicht der Freunde Zuspruch,
Wenn sie kommen, ihn zu trösten;
Denn der Atem des Entehrten,
Glaubt er, schände seinen Freund.

Endlich schüttelt er die Bürde
Los, des grausam stummen Grames,
Lässet kommen seine Söhne,
Aber spricht zu ihnen nicht.

---

From THE CID
by Herder

Deep in grief sat Don Diego,
Was there ever man so wretched?
Day and night he brooded only
On the shame upon his house,

On the shame upon the noble,
Brave and ancient house of Lainez,
Which in honour far exceeded
Inigos and Abarcos.

Weak with age and deeply injured,
Feels he at the point of dying,
While his enemy, Don Gormaz,
Sits in triumph unopposed.

Without food and without sleeping,
From the ground his eyes not raising,
Goes he not beyond his threshold
And says nothing to his friends,

Does not listen to the greeting
Of the folk who come to comfort,
Thinking that his breath, dishonoured,
May contaminate his friends.

Till at last he casts his burden,
Shakes him free from grievous sorrow,
Suffers that his sons approach him
Though he speaks to them no word.

And now Don Diego has his sons bound with cords. And they suffer themselves to be bound, all but the youngest, Don Rodrigo, who came to be known later on as the Cid. He alone resists. The father, although it is he himself who has bound them, is sad and troubled that his sons submit; it rejoices his heart that the youngest will not endure it.

We will pass over the verses that tell how Rodrigo resolves upon the deed that he believes it his duty to perform, and go at once to the moment in the poem where we have the transition from epic to drama.

Auf dem Platze des Palastes
Traf Rodrigo auf Don Gormaz.
Einzeln, niemand war zugegen,
Redet er den Grafen an:

‘Kanntet Ihr, O edler Gormaz,
Mich, den Sohn des Don Diego,
Als Ihr Eure Hand ausstrecktet
Auf sein ehrenwert Gesicht?

Wusstet Ihr, dass Don Diego
Ab von Layn Calvo stamme?
Dass nichts reiner und nichts edler
Als sein Blut ist und sein Schild?

Wusstet Ihr, dass weil ich lebe,
Ich sein Sohn, kein Mensch auf Erden,
Kaum der mächtge Herr des Himmels
Dies ihm täte ungestraft?’—

`Weisst du’, sprach der stolze Gormaz,
‘Was wohl sei des Lebens Hälfte,
Jüngling?’—‘Ja’, sprach Don Rodrigo,
‘Und ich weiss es sehr genau.

Eine Hälfte ist, dem Edlen
Ehr' erzeigen; und die andre,
Den Hochmütigen zu strafen,
Mit dem letzten Tropfen Bluts.

Abzutun die angetane
Schande.' Als er dies gesagt,
Sah er an den stolzen Grafen,
Der ihm diese Worte sprach:

‘Nun, was willst du, rascher Jüngling?’?
‘Deinen Kopf will ich, Graf Gormaz
Sprach der Cid, ‘Ich hab's gelobet!’
‘Streiche willst du, gutes Kind’,

Sprach Don Gormaz, ‘eines Pagen
Streiche hättest du verdient.’
O ihr Heiligen des Himmels,
Wie ward Cid auf dieses Wort!

---

Tränen rannen, stille Tränen
Rannen auf des Greises Wangen,
Der, an seiner Tafel sitzend,
Alles um sich her vergass,

Denkend an die Schmach des Hauses,
Denkend an des Sohnes Jugend,
Denkend an des Sohns Gefahren
Und an seines Feindes Macht.

Den Entehrten flieht die Freude,
Flieht die Zuversicht und Hoffnung;
Alle kehren mit der Ehre
Froh und jugendlich zurück.

Noch versenkt in tiefer Sorge,
Sieht er nicht Rodrigo kommen,
Der, den Degen unterm Arme
Und die Händ' auf seiner Brust,

Lang' ansieht den guten Vater,
Mitleid tief im Herzen fühlend,
Bis er zutritt, ihm die Rechte
Schüttelnd: ‘Iss, o guter Greis!’

Spricht er, weisend auf die Tafel.
Reicher flossen nun Diego
Seine Tränen: ‘Du, Rodrigo,
Sprachst du, sprichst du mir dies Wort?’—

‘Ja, mein Vater! und erhebet
Euer edles, wertes Antlitz.’—
‘Ist gerettet unsre Ehre?’—
‘Edler Vater, er ist tot!’—

‘Setze dich, mein Sohn Rodrigo,
Gerne will ich mit dir speisen.
Wer den Mann erlegen konnte,
Ist der erste seines Stamms.'

Weinend knieete Rodrigo,
Küssend seines Vaters Hände;
Weinend küsste Don Diego
Seines Sohnes Angesicht.

---

'Cross the square before the palace
To Don Gormaz strides Rodrigo.
All alone, with no man present,
Speaks he then unto the Count:

‘Did you recognise, great Gormaz,
Me, the son of Don Diego,
When that hand of yours was lifted’
Gainst his honourable face?

‘Did you know that Don Diego
From Lain Calvo is descended?
And that nothing purer, nobler
Than his blood and shield exists?

‘Did you know while I am living—
I, his son—that no man breathing,
Scarce the mighty Lord of Heaven
Should unpunished dare this deed?’—

‘Know'st thou’ spake the haughty Gormaz
‘What the half of life comprises,
Stripling?’—‘Yes’ spake Don Rodrigo,
‘And indeed I know it well.

‘One half is the showing honour
To the noble; and the other
Punishing the overbearing
With the last drop of one's blood,

‘So to wipe out all dishonour
That's inflicted.' Having spoken,
Looks he to the proud Count Gormaz
Who gives answer in these words:

‘Now, what would'st thou, hasty stripling?’?
‘'Tis your head I'll have, Count Gormaz,’
Spake the Cid, ‘and I have vowed it!’?
‘Whipping, would'st thou, my good child,’

Spake the Count, ‘what thou dost merit
Is the rod we give to pages.’
At these words, Ye Saints in Heaven,
What did Don Rodrigo feel!

---

Tears were running, tears in silence,
Down the cheeks of Don Diego,
Who, before his table sitting,
Heeded nothing all around,

Thinking on his house dishonoured,
Thinking on his son so youthful,
Thinking of that son in peril,
And his enemy's great strength.

All joy flees from the dishonoured,
Confidence and hope will flee them;
But with the return of honour
Back comes joy, and youth's renewed.

Still engrossed by deepest sorrow,
Sees he not Rodrigo coming,
With beneath his arm a dagger
And his hands upon his breast.

Long he gazes on his Father
Feeling full of deep compassion,
Then approaching takes his right hand
Saying ‘O good Father, eat!’

Speaking points he to the table.
And the tears of Don Diego
Flow profusely: ‘What, Rodrigo,
Did'st thou speak those words to me?’?

‘Raise up now, my worthy Father,
This your countenance so noble,’?
‘Is it then retrieved—our honour?’
‘Noble Father, he is dead.’?

‘Sit thee down, my son Rodrigo,
I will eat with thee most gladly,
He who could lay low Don Gormaz
Is the foremost of his race.'

Down kneels Don Rodrigo, weeping,
As his Father's hands he kisses;
And with tears does Don Diego
Kiss his son Rodrigo's face.

(Translation by V. E. W.)

There you have drama coming to birth within the epic. I wanted to read you this passage from Herder's Cid, because it can afford a good example of how speech training has to proceed from the speech organism itself. Everything that I say has a directly practical application, and is intended to be so taken.

When, by continual repetition of an exercise of this kind, we gradually approach nearer and nearer to an articulation that comes naturally, without conscious effort, when we have in this way educated ourselves for drama (starting, that is to say, from epic), then it will be good to take some passage that is on the verge of the dramatic, or rather has already passed over into it, and yet has about it still a touch of the epic—although this epic touch has virtually disappeared in the dramatic in the same way as gesture has disappeared in the word.

We shall find particularly useful in this connection one of the scenes that Lessing wrote for his projected Faust. He composed, as you know, only a very few scenes, although he left also a plan for the whole work. In the scene I refer to, we are really very little removed from the epic. Seven spirits appear, and the human character in the scene has to call upon his imagination in order to apprehend these spirits, just as in epic the writer or speaker has to create in imagination the being whom he presents. For in a dialogue with spirits, the being of the spirit, which can only be there at all in the degree to which the human being is able to form a right conception of it, must be still more powerfully present to that human being than would be necessary if he were having a dialogue with another human being.

If we succeed in placing ourselves fully into the mood that can arise in the soul when we stand over against a spirit and are at the same time under necessity to express the experience in dramatic form—then that will mean we have found the transition from epic to drama.

I want here merely to point out the path that leads from epic to drama, not to give you a recitation (that I leave to Frau Dr. Steiner). So we will omit the dialogue with the first five spirits and for the moment only give our attention to the sixth and seventh.

FAUST. (zum SECHSTEN GEIST) Sage du, wie schnell bist du?

DER SECHSTE GEIST. So schnell als die Rache des Rächers. FAUST. Des Rächers? Welches Rächers?

DER SECHSTE GEIST. Des Gewaltigen, des Schrecklichen, der sich allein die Rache vorbehielt, weil ihn die Rache vergnügte.

FAUST. Teufel! du lästerst; denn ich sehe, du zitterst.—Schnell, sagst du, wie die Rache des—bald hätte ich ihn genannt! Nein, er werde nicht unter uns genannt!—Schnell wäre seine Rache? Schnell?—Und ich lebe noch? Und ich sündige noch?

DER SECHSTE GEIST. Dass er dich noch sündigen lässt, ist schon Rache!

FAUST. Und dass ein Teufel mich dieses lehren muss!—Aber doch erst heute! Nein, seine Rache ist nicht schnell, und wenn du nicht schneller bist als seine Rache, so geh nur!—

(Der siebente Geist kommt.)

(Zum siebenten Geiste) Wie schnell bist du?

DER SIEBENTE GEIST. Unzuvergnügender Sterblicher, wo auch ich dir nicht schnell genug bin

FAUST. So sage, wie schnell?

DER SIEBENTE GEIST. Nicht mehr und nicht weniger als der Uebergang vom Guten zum Bösen.

FAUST. Ha! Du bist mein Teufel! So schnell als der Uebergang vom Guten zum Bösen!—Ja, der ist schnell; schneller ist nichts als der!—Weg von hier, ihr Schnecken des Orkus! Weg! Als der Uebergang vom Guten zum Bösen! Ich habe es erfahren, wie schnell er ist! Ich habe es erfahren!

DR. FAUST
(A Fragment) by Lessing

Part of Scene 3 of Act II.
(FAUST and seven SPIRITS.)

FAUST. (to the SIXTH SPIRIT) Tell me, how swift art thou?

SIXTH SPIRIT. As swift as the vengeance of the Avenger.

FAUST. Of the avenger? Of what avenger?

SIXTH SPIRIT. Of the mighty and terrible One who keeps vengeance in His own hands, because He delights in it.

FAUST. Devil, thou blasphemest! I can see, thou art trembling. Swift, sayest thou, as the vengeance of—I nearly named Him! No, let Him not be named among us! Is His vengeance then so swift? And I left still alive? Still continuing in sin?

SIXTH SPIRIT. That He suffers thee to continue still in sin—that is His vengeance!

FAUST. And that I should have to learn this from a devil! Yet not until today! No, His vengeance is not swift; and if thou be not swifter than His vengeance, begone!

(The SEVENTH SPIRIT comes.)

(to the SEVENTH SPIRIT) How swift art thou?

SEVENTH SPIRIT. O mortal, hard indeed to please if not even I be swift enough for thee

FAUST. Tell me then, how swift?

SEVENTH SPIRIT. As swift—neither more nor less—as the change-over from good to bad.

FAUST. Ha! Thou art the devil for me! As swift as the change-over from good to bad! Ay, that is swift indeed; nothing swifter! Avaunt, ye snails of hell, begone! As the change-over from good to bad! I have learned how swift that is! I know it well!

You see how marvellously Lessing has succeeded here in bringing into the language used by Faust an absolutely living perception of these spirits, a vivid imaginative picture of them. This will come home to you as you form his words. You will never learn to form your speaking by having it said to you: Form this sound in this way, that syllable in that way, this sentence again in such and such a way. The true forming of speech is acquired by practising the transition from epic, through the drama of the spirit, to the drama of the actual and material. As we continue to practise these transitions, the Genius of Speech himself will receive us as his pupils, inasmuch as we shall then be walking in his paths. And upon that everything depends.

It is, you know, rather remarkable that we should turn to Lessing to find our example; for the plays that Lessing brought to completion, and that have become so famous, are none of them on the same level. In the few scenes he wrote for a Faust, however, he transcends himself. With the possible exception of the scenes where Major Tellheim figures,¹ there is nothing in all his dramas to equal it.

You can see here how Lessing is guided in the forming of his scene by the theme itself, by the material he has at hand. And that will help to convince you that it must be with poetry as it was, for example, with a sculptor like Michelangelo, who used to go himself into the quarries to look for the marble for his statues. He would walk round, looking at one piece after another, until he found the only right one for an intended sculpture. Thus he let Nature through her forms set him his task in the forms of art. We must, if we would be artists in any sphere, develop a feeling for our material; that Lessing understood this is evident in the scene we are considering.

This means also that the actor or reciter needs to acquire a keen perception for the extent to which the material of the particular play or poem has found its corresponding artistic expression. Lessing was remarkably successful with his material in this instance—it was a theme that lay very near his heart—and one can only regret deeply that he did not go on with his Faust. Since, however, in this Fragment he surpasses the Lessing we know elsewhere, it would have been too difficult for him to bring the work to completion. Only at certain moments was he able to develop the artistic power that he manifests here and that is brought home to us very forcibly in the little scene that Lessing composed out of his own experience.

It has been said of Lessing, and not without justification, that he was a man who never dreamed, that he was too dry and prosaic ever to have dreams. It is quite true, and his poetry bears it out. (I am not referring now to Lessing's prose works, but to his poems.) For all that, I am ready to assert—and please do not take what I say in the sense of a poetic picture, but as a statement of fact—I am ready to assert that this other little scene that Lessing composed for his Faust has its origin in an experience that was, in no small measure, a genuine ‘waking vision’. Waking vision definitely played a part in Lessing's own individual conditions of life,—and a great deal that we find in his work is to be traced to this source.

When Faust has let pass over him, as it were in reminiscence, all the events and experiences of the past that he has been compelled to recall in this way, then his strong urge to reach the spiritual world brings him at last to the point of approaching it. Having completed this deep and intense study of the spiritual history of mankind, he eventually experiences in very truth that ‘waking suggestion’ which Lessing himself knew and to which he here gives artistic form.

The situation is as follows. A spirit with a long beard rises up out of the ground, wrapped in a mantle.

GEIST. Wer beunruhiget mich? Wo bin ich? Ist das nicht Licht, was ich empfinde?

FAUST. (erschrickt, fasset sich aber und redet den Geist an)

Wer bist du? Woher kommst du? Auf wessen Befehl erscheinst du?

GEIST. Ich lag und schlummerte und `träumte, mir wär' nicht wohl, nicht übel; da rauschte, so träumte ich, von weitem eine Stimme daher; sie kam näher und näher; Bahall! Bahall! hörte ich, und mit dem dritten Bahall stehe ich hier!

FAUST. Aber wer bist du?

GEIST. Wer ich bin? Lass mich besinnen! Ich bin—ich bin nur erst kürzlich, was ich bin. Dieses Körpers, dieser Glieder war ich mir dunkel bewusst; itzt (etc.).

FAUST. Aber wer warst du?

GEIST. Warst du?

FAUST. Ja, wer warst du sonst, ehedem?

GEIST. Sonst? ehedem?

FAUST. Erinnerst du dich keiner Vorstellungen, die diesem gegenwärtigen und jenem deinem hinbrütenden Stande vorhergegangen?

GEIST. Was sagst du mir? Ja, nun schiesst es mir ein.—Ich habe schon einmal ähnliche Vorstellungen gehabt. Warte, warte, ob ich den Faden zurückfinden kann.

FAUST. Ich will dir zu helfen suchen. Wie hiessest du?

GEIST. Ich hiess—Aristoteles. Ja, so hiess ich. Wie ist mir?

---

From Scene 2 of Act I.

(FAUST. A SPIRITwith a long beard and wrapped in a mantle rises up out of the ground.)

SPIRIT. Who is it disturbs me? Where am I? Is that not light I feel around me?

FAUST. (is terrified, but masters his fear and addresses the SPIRIT) Who art thou? Whence comest thou? At whose command dost thou show thyself here ?

SPIRIT. I lay and slumbered and dreamed it was not well with me, neither was it ill. And lo, in my dream, a voice came rushing towards me from afar. It came nearer and nearer. Bahall!’ I heard, Bohan’, and with the third

‘Bahall’ I stand before thee.

FAUST. But who art thou?

SPIRIT. Who am I? Let me think! I am—I have only just now become what I am. This body, these limbs—I was ere now only dimly aware of them, and now...

FAUST. But who wert thou?

SPIRIT. ‘Wert thou’?

FAUST. Yes, who wert thou earlier, before?

SPIRIT. ‘Earlier’? ‘Before’?

FAUST. Canst thou recall no thoughts or ideas that preceded thy present state, preceded too the dim brooding condition from which thou hast been aroused?

SPIRIT. What sayest thou? ... Yes, now it's coming back to me. I did, once before, have thoughts and ideas. Wait a little, wait! If I could only find the thread again!

FAUST. Let me try to help thee. What is thy name?

SPIRIT. I am called—ARISTOTLE! Yes, that is my name. Oh, what is happening with me?

This is as far as Lessing carried the scene. But it will, I think, be obvious at once that Lessing did not make this scene, he saw it. What we have here is a representation in art of the living human spirit. And anyone who takes the trouble to work with this passage and render it in well-formed speech will find for himself the path that leads to dramatic dialogue. It is of course perfectly right that the student of speech should have a correct and thorough knowledge of the various speech organs of which he makes use; but when it comes to educating oneself for a true forming of speech, then these several organs should be left alone, and the speech organism as such, the objective extra-human speech organism, be given full play.

To this end it will certainly be essential that we regain some measure of perception for what is genuinely artistic in poetry. Such a perception will, however, in our day have to spring from the depths of the heart, since the powers of discrimination and judgement that man had in earlier times are no longer there in the same degree today, nor can we expect to find them so for some time to come.

You should really try to picture to yourselves what it meant in past epochs of culture when Mass was celebrated, not in the language of the country but in the Latin language; when, for example, one heard resound the words:

Pater noster, qui es in coelis: sanctificetur nomen tuum.
Adveniat regnum tuum.
Fiat voluntas tua, sicut in coelo, et in terra.
Panem nostrum supersubstantialem da nobis hodie.
Et dimitte nobis debita nostra, sicut et nos dimittimus debitoribus nostris.
Et ne nos inducas in tentationem.
Sed libera nos a malo. Amen.

To listen to the sounding forth of these words gave man a true feeling for the forming of speech. They could not be spoken save with rightly formed speech. In the ancient Mysteries there was understanding for these things. Those who took part in the ancient Mysteries were conscious that when they spoke they were holding intercourse with the Gods. Man must evoke once again from the depths of his heart the power to perceive such realities. He must be able once again, not merely to think within, but to speak within.

Take such a scene as that read to you by Frau Dr. Steiner in the course of the second lecture, the seventh scene of my first Mystery Play. This scene, I can truly say, was not formed out of thoughts. Never once was there any question as to the choice of a word. The scene was heard as it is, simply heard. There were no thoughts at all, there were only words. It was a case of writing down on paper the words that were heard in the spirit. The scene was experienced, from the first, as formed word—not as thought.

I can say the same of many of the scenes in this Mystery Play. And we must find the way to develop again a feeling for such things. We must learn to have a sensitive perception for what is spiritually alive in the word. Then, and only then, shall we be able again to discern for ourselves where poetry is genuinely artistic. And the reciter, as well as the actor, should be able to do this. He should be able to say to himself: This is poetry, that is not. We must, of course, realise that such things cannot all at once, so soon as we have knowledge of them, be put into practice in our work on the stage. For, besides actors, there are Managing Directors, and among them some whose connection with the stage has certainly not brought them any knowledge of this kind; no understanding to be found there of what is poetry and what is not!

The only way for things to improve in this respect is for popular taste to improve. When we begin to see signs that the general public are developing discrimination, then we can hope for better days. As things are now, people have no taste, no judgement as to what is or is not artistic. Owing to this lack of taste, discussions about how this or that character was to be played began, in the nineties, to take quite a comic turn. It was, for instance, at one time debated, and debated even as a question of first importance, whether one should play Ferdinand in Schiller's Kabale and Liebe with hands in one's pockets, or whether, on the other hand, one should play him as a ‘ladies' man'. Discussions of this nature actually did take place, and contributed very much to the deterioration of dramatic art. The ‘intellectuals’ then came forward and undertook to reform the art of the stage. It is, of course, a very good asset in life to be able to think; but if the utmost one can do is to think like Otto Brahm,² who took, as you probably know, a notable part in the projected reforms, then it is emphatically not one's vocation to decide upon questions of dramatic art.

In face of such developments, we are driven to perceive with all the more certainty that for dramatic art, intellectualism is the very last thing needed, and sensitive artistic perception the first. Wolter was a really great actress.³ Those of you who are younger will not have seen her on the stage. Judged from University standards, Wolter was the most unintelligent person there could possibly be. It is but due to her to say this, for it redounds to her fame; it does not disparage her in the very least. She did actually at long last show some sparks of intellect, after Graf Sullivan had put himself to great trouble with her. But by nature she was absolutely without intellect. And yet there is no denying it: in her time and generation she was an outstandingly great actress in certain directions, especially when she was able to keep her coquetries off the stage.

I refer to things of this sort in order to make plain to you the mood and attitude of mind from which we must start if we would learn once more how to cultivate the arts of recitation and drama.

• 1. p. 84. In the English rendering of this Reading the Alexandrine has not been retained. The metre is, as a matter of fact, very rarely to be found continuously in English poetry. A familiar and peculiarly happy instance of its use is in the ninth—and last—line of the Spenserian stanza. We take an example from Canto III of the First Book of the Faerie Queene, where the poet is beginning to teil the adventure of Una and the Lion.
  One day, nigh wearie of the yrkesome way, From her unhastie beast she did alight; And on the grasse her däinty limbs did lay In secrete shadow, far from all mens sight: From her fayre head her fillet she undight, And layd her stole aside. Her angels face, As the great eye of heaven, shyned bright, And made a sunshine in the shadie place; Did never mortali eye behold such heavenly grace.
• 1. In Minna von Barnhelm.
• 2. Otto Brahm (1856–1912) was one of the founders in 1889 of the ‘Freie Bühne’ in Berlin. He helped to introduce naturalism on to the stage. See also the reference to him near the end of Lecture 14.
• 3. Charlotte Wolter (1834–1897). She performed at the Burgtheater in Vienna. Graf Sullivan was her husband.

In an equally difficult position like already last time, when I spoke about the concept of the “hell,” I am today where I want to summarise the different considerations and results of the winter talks in a consideration of the concept “heaven.”

We face a concept there the true meaning of which the faith of the different confessions have already largely lost even if these adhere to the concept due to an absolutely right and suitable spiritual instinct. At the same time, however, we face a concept that those people mock and reject in the strictest way who not only want to be regarded as leading in the today's spiritual currents but also are regarded as such by many people. The goal and contents of the deepest longing is enclosed for many human beings in the concept “heaven” even today; the basis of this concept forms the contents of the devoted faith of many souls. It is something that gives them comfort in the most difficult problems of life, while many people understand this concept as something in which the deepest superstition expresses itself. We only need to call our attention, just in our days, to spiritual phenomena much discussed in certain circles and we see very soon which immense obstacles stand in the way of understanding if people want to come to a pure, unprejudiced view of that what shall occupy us today.

Nobody needs to be surprised, and at least that who speaks about these matters in such a way as I want to speak today if a big part of that what I say is regarded as the model of empty speculative fiction and mystic daydreaming. In spite of that, just the today's consideration will show that it is very necessary just in our time to point again to the bases of such concepts as strongly as possible.

Many of you know a man with whose name some people connect the concept of real enlightenment, a man whose works made a great stir within the German cultural life just in the last time. Of course, it is abstruse to disparage the great service even in the slightest that this man has rendered to his narrower field of natural sciences. You have also realised in the other talks that my concern was just to talk about the spiritual-scientific research in accordance with the scientific results of the present and in full harmony with them. At different places one could listen to August Forel's (Auguste-Henri F., 1848–1931, Swiss myrmecologist, psychiatrist, philosopher) talk about Life and Death (1908). To someone who wants to inform himself only a little about how one can misunderstand thoroughly what spiritual science puts forth about these matters, I can only recommend to study this talk by Forel thoroughly. The viewpoints of spiritual science concerning such phenomena are explained in my magazine Lucifer-Gnosis where you also find something about the relation between spiritual science and natural sciences. Forel's talk about Life and Death is fulfilled with refusal, namely of a thorough refusal of this concept which is the contents of our talk today.

Immediately at the beginning of Forel's talk, our attention is called to the fact how someone who wants to establish a worldview from the wholly scientific facts gets to the following thoughts. There he says, the natural sciences have brought big progress to the human beings, they can illuminate the world edifice beyond the stars that are next to us in space. The natural sciences are able to look into the smallest parts of the cells of the living body, at least up to a certain degree. The natural sciences have succeeded in overcoming space and time in the field of technology to a certain degree. They achieve the most unbelievable things like wireless telegraphy and telephony over almost all continents. They have succeeded in demonstrating the components of the sun, of the moon, the stars etc. They have succeeded in liquefying the air. They have succeeded in showing how the single parts of the brain co-operate when the human being thinks, feels, and wills. Of course, everything up to a certain degree; but this degree is rightly called admirable.

However, the author of this talk continues: nevertheless, the natural sciences, in spite of their admirable results, nowhere discovered anything that one calls “paradise,” a spiritual world. Everything that humanity has dreamt of a heaven or hell originates from its imagination. The natural sciences have discovered nothing of them, in spite of their admirable results.—Then he boldly concludes as many people echo today: because the natural sciences have not found them, we must abandon all these concepts. We have to stand on the ground that nothing at all can be true that once people dreamt of an immortal essence in the human being that outlives the decay, which the natural sciences experience in such a miraculous way.—And then the consideration is attached like an outpour of feelings that, nevertheless, it is much nicer, greater and more tremendous to know that the human being, before he has come to this personal, individual existence, has lived completely only in his physical ancestors, and that he will keep on living in his physical descendants only. The entire existence is condensed in the physical world.

Then the author has a real outpour of emotions and says, is it not nicer that that which the human being has created is connected with his physical ancestors and keeps on working in the physical descendants, than that there is a world in which beings of all kinds outranking the human being are, a world in which angelic choirs are to be heard and the like?—He insinuates that it is unworthy of a scientifically thinking human being to adhere to a worldview that even in the least deals with such concepts.

This talk can remind one of that which I heard one of the leaders of the modern progressive movement saying many years ago. This person said almost the following. The human being speaks of any supersensible heaven—and then he made clear that our earth is a ball which freely hovers in the space, and that it also applies to the other planets that the space is the heaven, and that the soul does not need to be in another heaven, because we are in heaven. Such persons do not understand much of the deep feelings out of which Schiller (Friedrich Schiller, 1759–1805, German poet) formed the all too justified dictum To the Astronomers:

Do not chat so much of nebulae and suns to me!
Is nature only great, because she gives you something to count?
Indeed, your object is the most elated one in space,
But, friends, the elated does not live in space.

From all these remarks, someone can recognise who has taken up something that was discussed in the course of these winter talks here which deep misunderstanding forms the basis of such things. It is a deep misunderstanding, and we can express this deep misunderstanding best of all saying: if spiritual science once spoke of that what these persons declare as superstition, daydreaming, as speculative fiction, then all these persons would be right. However, the fact is that the modern spiritual science is young and that its message has not yet come to a big part of humanity, above all not to those who speak in such a way, as I have indicated. These persons form mental pictures of the supersensible worlds that are only the outflow of their fantasy and their own daydreams. They fight against these things of their own daydreaming, their own fantasy. However, they also know nothing at all of that, what the true spiritual science has to say about these things. Thus, a big part of the enlightened people fights a battle against their self-created windmills like Don Quixote. Someone who understands this thoroughly will find in that what is said nothing but words, which are quite appropriate to battle the phantasm that these people have in mind. However, this has to do nothing with that what spiritual science understands by it. We could prove a weird logic in the course of these talks, namely where one refuses theosophy, apparently on the ground of the natural sciences, although one knows nothing of its contents. I want to inform of something only.

You know how deeply I appreciate Haeckel's (Ernst H., 1834–1919, German naturalist, philosopher) scientific works. However, what he brings forth as refusal of the ideas of heaven and hell that he himself has formed stands on weak logical feet. One can easily prove this weakness. It is rather nice for numerous persons who want to be enlightened if Haeckel says: “There is a faith of the old time that points to the heaven and asserts, there above lives God! Who speaks in such a way does not know that this “above” is somewhere else if the earth turns, and if it has completely turned round, one would have to point downward instead of upwards.” This seems to be rather appropriate. If you still want to become engrossed somewhat logically, his conclusions stand on no other feet, as if anybody wanted to state that one goes with the head down and not upwards if the earth has turned. The gentlemen start from the fallacy that it concerns spatial things, and not the relationship to the spiritual to the physical. I have to say all that repeatedly because just the object of our today's considerations is something very significant.

We go back to what I have said in the last talk. If we imbue ourselves with the spiritual-scientific attitude and turn to that what develops gradually from the growing up child, then we have the sensation that increases more and more to bright and clear knowledge that something appears in the increase, in the transformation of the childish body that gets its existence in this world, coming from the supersensible worlds. We attain the mental picture which spiritual science can completely ascertain that the essence of the human being entering the physical existence by conception and birth already existed before conception and birth, and that the physical body is the dress of the supersensible spiritual essence.

There we come to the question: where is that what enters the physical existence only by conception and birth?—We have also further explained the thought, and this has made us recognise that this physical existence of the human being is not the first, but that we have to speak of repeated earth-lives that the human being enters the physical existence repeatedly in the course of evolution. We have recognised the thought that that what the human being experiences in his life what he goes through in thinking, feeling and enjoyment, in love and desire, wish and action has not died down, but that the fruit remains and continues, and that the next earthly existence takes up this fruit of the former earth-life. If the child reveals its dispositions, abilities, and actions gradually, this represents the result of former earth-lives. The human being has struggled through many stages of existence, and what he has gone through in the former life has transformed itself into the germ and has become contents, so that his new life is more perfect, seems to be more complete than his preceding life.

This is the ascent of the human being. We speak in spiritual science of the fact that that of the human being entering by conception and birth in the physical existence and leaving it at death again is in the interim, between death and new birth, in a spiritual, supersensible world. We have discussed a part of the spiritual, supersensible world in the last talk about the “hell.” We have to discuss a big part today under the concept of the “heaven.” Thus, the heaven is in spiritual science not anything that is far away and dreamt of, anything transcendent, but it is something that is there where we are also. We have to answer the question now, why can the heaven, the supersensible existence be where we are also if the human beings do not perceive it with their physical eyes if it is true that the physical science that has achieved such big and tremendous progress could discover this paradise, this heaven nowhere?

However, I have also drawn your attention to the fact that every human being can really attain the full view of the supersensible world and the heaven. In the essays How Does One Attain Knowledge of the Higher Worlds?, I have pointed to the methods, by which the human being penetrates into the supersensible world. Today it should be indicated only briefly, what it depends on. You have only to visualise repeatedly what it means to perceive this sensuous-physical world around you. You have read certainly that the completely developed human ear developed from an indifferent organ. Look at the primitive organs of the animals, consider that round these imperfect animals the world of the tones, the physical harmonies, the melodies and the world of the other sounds exist. Remember what was necessary for the fine arrangement of a human organ up to its today's height, so that the human being could become acquainted with the field of the tones surrounding him. You can also look at the other organs in the same way.

Look at the eye how it developed gradually so far, that the wonderful world of the light and the colours can light up. As much of our surroundings exists as our organs are able to perceive these surroundings. Would the organs of the human being be on a less perfect stage—imagine the human auditory organ on an imperfect stage—what would be a world of the sounds, the harmonies and melodies for such beings with undeveloped hearing? A world that they could not perceive, a “transcendent” world! As this relates to the sensuous human being in the world, the spiritual world relates to that what one usually calls world. And as well as imperfect beings with imperfect senses have developed to bigger perfection and have attained new fields of their perception, the today's human being can also develop as the human being of the prehistoric time was able. In all details the methods are given by which the human forces and abilities can be raised to a higher level. It occurs to nobody, to call “heaven” what Forel refused. Spiritual science only says this: if the human being has the renunciation, the energy, and perseverance to develop the ability slumbering today in him, he perceives the spiritual worlds.—One understands by the spiritual world what lies inside of every human being. If he develops the organs, the transcendent world also becomes his surrounding world as the world of the tones becomes a perceptible world. This happens to such an extent more and more, the more the physical organ is perfected.

However, no one is allowed to imagine that this development is something similar as the present methods of development of a physical sense. This would be a misunderstanding. One can be easily asked as a spiritual scientist, how does this sixth sense form?—The human beings possibly imagine that it must grow out like an eye from the organism. However, the higher, supersensible senses are not of that kind. They relate to our physical senses quite different. I characterise briefly how these higher senses—the word does not well meet their being, but never mind—relate to the physical senses. The way of development by which the human being raises himself to the supersensible worlds is not an exterior, tumultuous, but an inner, intimate one. What the human being has to experience, so that the spiritual world shines into his present existence, happens in all silence and subtlety. The three basic forces of the soul, thinking, feeling and willing, are capable of a higher development. If we briefly ask ourselves, what the human being has to do with thinking, feeling and willing if he wants to become a citizen of the supersensible world, the heavenly world, already within this existence, we get the answer that this is a fine, subtle work. You can read up in my magazine, starting from number thirteen, how the human being settles in a world cultivating his world of thinking, feeling, and willing in particular.

Remember everything that penetrates our souls from the morning to the evening when our consciousness sinks in an uncertain darkness. Consider how different it would be in our soul if we lived not in our time and at this place of Central Europe but hundred years ago and at another place of our earth. Then we understand how much of that what flows through the human soul from the morning to the evening is the result of the outside world changing permanently. Subtract what flows through the soul, try to remove everything that is given by the age, by the place, and all thoughts from the soul, which anyhow go back to place and time, and ask how much then is left of such contents. All thoughts, feelings, and will actions that flow through the soul and are determined by place and time are inappropriate for a higher spiritual development, for the experience of a supersensible world. Do not understand these things in such a way, as if I want to say anything against the life of the human being at that place where he is positioned. However, he must find so much time to tower completely above that what faces his soul in the everyday life. He must dedicate himself, even if only for minutes, to such thoughts and feelings that are independent of place and time that are everlasting. Such thoughts and feelings are given. They are there; they are developed with that who has gone through the training of the higher spiritual life. If the human being lets such thoughts of eternity live in his soul repeatedly, then they are effective forces in his soul that awake the slumbering abilities.

Then read up the immense transformation if the human being dedicates himself to the thought of eternity with strictly prescribed methods if he knows to live in subtle way with such eternity thoughts. I describe this for the thought life at first. Who may deny that there are such thoughts? The human thoughts, as they are today, which special nature do they have? They have the nature that the human being lives with them most intimately, since, what lives more intimately in our soul than our thoughts and mental pictures?

However, these thoughts and mental pictures, as far as they refer to the external world, are the most ineffective, the most passive in relation to this “real” world of the trivial. But a deep wisdom is concealed in it if one says, for example, may anybody adhere to his figures ever so much which express the thought of a bridge, the thought of a bridge in all details may be quite correct—the thought may be right, however, the bridge is not there. The thought is the most intimate that lives in the soul. However, in this world in which we spend the physical existence the thought is the most ineffective. It has an inner existence. However, when the human being starts—he must start with patience—dedicating a quite low part of his time at least to the thoughts of eternity, he learns to come to know something he would not have dreamt of. He gets to know a world that is different concerning the thought from our physical world. If in our physical world the thought is the most intimate and, nevertheless, at the same time the most ineffective, the most passive, we are introduced by a training in thoughts of eternity which we experience in the physical life, in a world in which the thought itself is creative. That is the point. Then another world starts living around the human being. He learns to know from his experience: if we see in the physical world, we see the light; it flows from the sun; we see the plants withering and dying if we take away the light from them; we see the light working creatively on the plants. The thought becomes such strength, which flows through the space, which is reality, as only a sensuous thing can be reality, for that who penetrates by the training into the supersensible world. The thought that has an ineffective existence in the darkness of the inside is recognised due to the training as something that flows through the space creatively that is much more real than the sunlight.

The human being notices now if this light of the thought about which he then speaks as a real world which spreads out around him, flows into his soul that is animated by creative forces as the physical plant is penetrated by the sunlight. Thereby we learn how the space that is round us is filled with a reality that the human being, as long as he does not have the necessary abilities, cannot perceive, as well as somebody who has no ears does not perceive tones. However, there are also certain feelings in the supersensible world that originate different from the feelings of the everyday, usual life. How do the feelings of the everyday life come into being? The human being turns his attention to an object. He likes it. The feeling of desire ascends in him. The feeling of desire appears by means of the external object. We feel elated because of the impression of a nice outside world, we feel full with revulsion if we face something ugly in the outside world. Thus, the feelings surge up and down in the human soul. Spiritual science has to lead the human being deeper into the true, real.

If the human being wants to awake the inner abilities of the supersensible world, he must make himself able for the feelings that are not stimulated by the outside. By a method, he settles down into a feeling world where the feelings surge up and down in him, without needing the external sensation. The feelings that are stimulated by the outside can be woken in the human being by the perception of the outer things. If he learns to develop particular feelings in himself, the excitement of such feelings works as a force that awakes slumbering abilities again. He knows now from experience what the initiate can see: the world of the light is active in the spiritual world as in the physical world. It tiers itself also in the spiritual in manifold colours as the physical light; he knows that there is a world in which the spiritual colour lives. We call it the astral world. It puts itself in this physical world for the human being who wakes the abilities and forces slumbering in himself if he develops a feeling of a particular kind more and more only by spiritual experience, which is not stimulated within the sensuous world by any outer sensation. Who is able to wake this feeling of love, an innermost experience, has attained the connection with the spiritual world.

Then still another world is added to the described element. To the colours, still another world is added. The love that the physical objects produce can never lead to the spiritual. That love which is satisfied, even if the object of this love only exists in the spiritual, that love which remains in the deep inner experience is a creative force for a higher kind of elements which penetrate the spiritual space. This love is the real love. The preliminary stage of it is that which the artist feels in his creating. He has it only if he produces spiritual works from his soul. That love transforms the before dumb and colour-filled spiritual space of light into a world of tones, a world speaks to us in spiritual tones.

Thus, you see the human being developing gradually to another world. Here is nothing else than a real continuation of that what also exists in the natural existence of the human being, in the natural events. As the ears have arisen from indifferent vesicles and thereby the world of the physical tones originated from the toneless, that world arises from the uncertain which I have just described. Those do not speak of these worlds who fight against wind mills as I have mentioned at the beginning of the talk. He who says, the heavens were nowhere found, does not know that he has to search them not anywhere else; for the heaven is where we are. It only matters that one does not adhere to the assertion: what I cannot perceive does not exist, and if another states that there is something that I cannot perceive, he is a fool, a dreamer, or a swindler.—This sentence is the logically wrongest sentence that there is at all, because nobody is allowed to assert that the border of his percipience is also the border of existence. Otherwise, the dumb one could regard the entire world of tones, of harmonies and melodies as daydreaming and fantasy.

If one speaks in spiritual science of the heaven, one speaks of it in this way as I have did. One has also not spoken different in the primary sources of the confessions when one still understood them. In this visible world, a non-sensuous world exists, as for the dumb human being the world of the tones.

We ask ourselves now, why does the human being not perceive this supersensible world in his present developmental state? He does not perceive it, because just the sense-perception which was a necessity of the human development, spreads like a cover, a veil about the supersensible world. I did not mean it different when I described what someone has to experience who aims at the supersensible world. He must lift out himself from the sense-perceptible world; he has to quieten the sensuous world for a while. Then he comes to that what is behind this sensuous world, and then he perceives how the sensuous world spreads out like a cover about the supersensible one. He who towers above his body in the true sense can perceive what is behind this veil.

We must know for what one uses the forces in the usual human life, which can become abilities to enter the supersensible world. One cannot understand this different than if one considers the fact of the matter: what is, actually, the physical world, what is the most imperfect physical body, and what is the perfect physical body which faces us as human body? All physical beings are creations of the spirit. The spiritual forms the basis of any physical thing. We have emphasised this in manifold way in the course of these talks repeatedly. As the ice hardens from the water, any physical hardens from the spiritual. It is as it were a compression of the spirit. Look at the physical ear of the present human being. What does form the basis of this physical thing? Spiritual creativity forms the basis of it! The tone that lives as a physical tone in our surroundings is something that belongs to the physical world and has the spiritual tone behind itself. In the same world that flows to our physical ear, we hear the physical tone, and in the same world, the supersensible spiritual tone lives. What is the spiritual tone? This spiritual tone is the creator of our ear just as the spiritual light, concealed in the physical light, is the creator of our eye. Therefore, Goethe says who pronounced so many deep spiritual truths: “The eye is formed in the light for the light.” The force that flows out from the sun to us, which enables our eye to see the objects in their borders in the light-filled space also contains those beings that have formed the wonderful construction of the eye. Thus, what the eye sees and the ear hears would mean the same as penetrating into what is behind them, rising to the spiritual forces. In a certain case, we do it already, looking at the young child developing its abilities gradually in the physical body. We see these abilities appearing from a world concealed behind the sensuous world, we see them dashing into matter and creating an existence in the matter for themselves.

We go back to spiritual science and ask ourselves, where was this being before it has accepted a physical existence by conception and birth, where was it between its last death and its last birth? It was not in a dreamt spiritual world but in the same world in which we are too. The only difference between this being, before it enters the material existence by conception and birth consists of the following. Before birth, this being consists of such elements that one can only behold if the just described spiritual abilities are developed. It is invisible, as long as this supersensible ability is not developed. As for anybody the water is not visible, as long as it is liquid, but becomes visible, as soon as it freezes, the human being becomes invisible if he becomes like water—and visible if he “freezes,” that is he becomes physical.

Thus, we speak of two conditions of the human being, of a state between death and new birth, only visible to the spiritual senses, and of a state in which he has woven a dress around himself, so that he is visible for the physical senses. Thus, we realise that the human being is connected in the interim between death and new birth with the creative forces flowing through the space. Someone who develops his supersensible abilities gets to know them as the heavenly forces already here. The human being is connected with these creative forces. Here in the physical world he lives with the physical forces, with the physical tones, with the physical light; in the spiritual world, he lives in the spiritual-creative behind the tone, behind the light. He lives in a world that is different from the physical world. Here in the physical world, the eye sees by the light. In the spiritual world, the human being perceives what has created his eye.

He lives in the spiritual light, he lives in the spiritual world of tones, he lives in that what builds up his physical body with the help of birth and conception, he lives where our physical world is built up which spreads like a cover about the spiritual one. This cover flows into the spiritual world itself. The human consciousness flashes in another state. The only difference between the disembodied and the embodied human being is that the disembodied one lives in another state of consciousness, and that he perceives the creative forces. Now we understand what it means: the human being is taken up in a supersensible world at death. It is no dream world, no world of lower reality than our world; it is a world of denser and stronger intensity and reality, because in it the creative beings are for our physical world. Now we understand what works there between death and new birth.

We saw last time when we discussed the retarding forces that when the human being passes the gate of death a memory tableau of the entire last life appears before him. We saw that this tableau is taken up like an essence and remains with the human being for all following times. We saw him going through the kamaloka time, the time of purification. After he has gone through this purification, he becomes something that he has taken from the last life, something particular, and something new. We know that the human being going through the gate of death comes into the spiritual supersensible world. Regard it as a field, as a fertile ground and regard what he brings from the last life as a fruit of his thinking, feeling and willing, the fruit of the last life as a sprouting seedling. Thus, the fruit of the last life sprouts in the spiritual ground, and the human consciousness notices and perceives this sprouting, this developing of the germ of the last life.

Everything that the human beings have taken from the life of their time impregnates itself in this last fruit of life. Everything that approached the human being from the outside increases and grows like a germ. This becomes the world of perception and consciousness between death and new birth. One can make clear that to someone who cannot perceive the supersensible only by a comparison. With deeper contemplation, you understand the comparison. One rightly calls bliss what the human being feels unfolding the germ of the last life. It is the converse feeling of that what the human being can perceive if he feels the objects. Now he feels them unfolded, before they flow out; now, however, the being flows out and he is penetrated by a feeling which one can compare with that of a chicken hatching an egg. This bliss causes that the human being develops that in the spiritual what chains him to the physical birth what brings him in the physical existence. Because he has collected new experiences which he adds to the basic core, every life becomes—with the exception of the ways going up and down which must also be—more complete.

Thus, we must get clear about the fact that the state of consciousness is different from that in the supersensible world. By a comparison, we can still bring to our mind how the state of consciousness is different between the physical world and the supersensible world. Imagine a human being who listens to a symphony. He lets the tones approach him from the outside. He enjoys them. Imagine now, it would be possible that a human being creates this symphony spiritually without touching a text without sounding an instrument, that he creatively composes tone by tone of his own accord in spirit. As the perception of the former relates to that in which the symphony budded, the physical world relates to the perception in the supersensible. Hence, we must say, in order to perceive the heaven, the human being has to refrain from something that faces him spiritually in the physical world. As long as he has not refrained from that, he cannot behold.

However, the spiritual world does not appear to us as a world to which also the logical thinking could not rise. The human being normally argues only that he cannot perceive it.

Thus, the concept of the “heaven” gets a significance for the future human being again. It is no concept of a dream world in which we shall be. The creative consciousness is much brighter and more intense than in the physical world. Hence, we have to imagine the life, the consciousness of the human being in the creative world also as more intense than in the physical world.

How does the physical world relate to the supersensible world? It is a matter of course that the human being is interested in this relationship first. I would like to express this with the counter question: knows the human being anything in the supersensible world about those who are near and dear to him? Will that what happened here continue in any way? It will! You can understand this properly if you contemplate what I have just said making clear that an intimate coherence exists between the physical and the supersensible worlds. That which is laid here as a germ rises there and becomes fruit. Nothing in the world is without spiritual background.

In the physical world, the human being already works for the supraphysical world. An example: we assume that a mother is attached to her child with love. This love develops; one would like to say, on the physical basis at first. Then, however, this love changes into spiritual love. To such an extent, in which the love is transformed into a spiritual motherly love, the human being grows into the spiritual love. This love becomes truer in the spiritual. As the earthly cover drops from the human being, the physical-earthly drops from the spiritual being. The whole net that is woven from human soul to human soul exists already in the supersensible world. The spiritual, the essence of the human being settles in the supersensible world, and everything that the human being has tied on here in this physical world, is continued as something spiritual in the spiritual world. Everything that is connected here spiritually is found in full consciousness, in an even brighter consciousness again in the spiritual world. Depending on how it is found, a tie forms again with a new life, so that those who meet in often strange sympathy have to explain this to themselves that they themselves have spun it in former lives.

Thus, we realise that our entire sensuous world is embedded in this supersensible, invisible world. As the human being is a citizen of the sensuous world between birth and death, he is a citizen of the supersensible world after death; he does only not know it in our time between birth and death.

We have shown the concept of the “hell” in the last consideration and the concept of the “heaven” today which contain all spiritual influence on the human being. Last time we have gone into the hardening forces, while that appears as the opposite what I have described today: the principle of development. Life advances from existence to existence, and the more is transformed by the last life into creative forces, the higher rises the next existence. While the human being wants to enjoy what he takes up in himself not only, but enjoying it he also wants to penetrate to that what transforms itself into spiritual forces, he is perpetually in the heavenly world. All that can help the human being is contents of the heavenly elements; all that restrains the progress is the contents of the infernal worlds.

Someone who wants to harmonise such a concept of the heaven with that what the natural sciences have performed can easily do it. He can harmonise it completely. Our contemporaries only do not want to get involved in these higher worlds. Our age is tired of the consideration of the supersensible world, and, hence, this age is very gullible toward those who put up the sentence: what I cannot perceive is not true, and if anybody asserts, it is true, he is a poor devil or a fool.—Too many people become believers of such an opinion in this age. Even if we also realise which big and immense progress our age has performed concerning the physical science, nevertheless, we also see on the other side how little the predominating part of our contemporaries is inclined to penetrate into the supersensible world. One means that the penetration in the supersensible world makes the human being weak and foreign towards the sensuous world. This is a prejudice. If anybody has a piece of iron and says: this iron has magnetic force; touch it with another iron and you have a magnet—another may come and say, nonsense! The piece of iron is good for hammering down nails.—These are the true daydreamers who take the sensuous, the practical only in such a way as that man who hammers down nails only with the magnet.

The realists, the monists, the utilitarians, and others are the true daydreamers. They know the forces of the physical world only and triumph if the immense progress is done by merely revealing the forces of the physical world. Spiritual science has to argue nothing at all against this physical world. However, it also knows that it is high time that the human beings learn again that in the physical the spiritual is concealed, and that just the human beings become dreamy when they close their spiritual eye to the spiritual world. Today true realists, apostles of reality are those who point to the spiritual forces! What do these truthful realists want? They want that the real forces slumbering behind the sensuous are introduced in this world that they settle down in our whole development that we do not only introduce the telegraph, the telephone and the railway, the usual forces but also the spiritual forces.

If anybody goes into these matters, he is still twitted today; he does not care this twitting. He knows that even the great naturalists found few followers once; also, those who tell something of the spiritual worlds have to find the ways just in the big world. Even if only few people can create telegraphs, telephones and railroads, the other can use them, nevertheless. However, everybody must gain the spiritual world on his own accord.

The great physicists Thomson (William T., first Baron Kelvin, 1824–1907, British physicist), Clausius (Robert C., 1822–1888, German physicist and mathematician) and others have their successors who can recognise the physical principles. One of the biggest physical principles is at the same time that what the human being pushes to the spiritual world. For those who have dealt a little with physics I say nothing unknown if I draw the attention to the fact that there is a principle of entropy, this is due to Carnot (Nicolas Léonard Sadi C., 1796–1832), the uncle of the French president (Marie François Sadi C., 1837–1894).

What does it mean? It pronounces one of the most certain principles, which we have in the physical world, namely how the physical forces of the world change into each other. Hit with the hand on the table and measure the effect on the table with a sensitive thermometer. You will find that the place has become warm. You see the heat of the railroad engine being transformed into locomotion and this again into heat. A big principle forms the basis of all that, the principle of entropy. From the consideration of the world, it becomes clear that this conversion of energy shows, nevertheless, a certain guideline, a certain sense. The entropy principle shows that all energy must change into heat at last, and this heat scatters in the space. Today one has proved by the physical principle that the earth, our physical world, once experiences the heat death. This principle exists. That has to deny this principle who asserts that in our world only physical forces are; for this would have to say if he recognised the principle: then everything is over.

Therefore, also Haeckel takes the view that this principle of entropy is nonsense because it contradicts his principle of matter. It is a physical principle that the things are transformed perpetually. A Russian physicist has proved in a writing how firmly founded just this principle is which shows the physical end of our present world. Just in this writing of Professor Chwolson (Orest Ch., 1852–1934, Russian physicist), the “twelfth commandment” was put up (Hegel, Haeckel, Kossuth and the Twelfth Commandment, 1906). You can realise there how competent a physicist can be in the physical field, just as you can also realise how unknowing such scholars can be concerning the spiritual fields. The “twelfth commandment” is “you should never write about anything that you do not understand.” Chwolson obeys it in his field where he speaks about physics, but he does not obey it in the spiritual field. Everything that he says concerning the physical is excellent; however, what he says concerning the spiritual matters is of little value and a big sin against the principle: “you should never write about anything that you do not understand.”

A passage follows that the stenographer did not write down apparently in which Rudolf Steiner probably explained that Chwolson did not understand Hegel. However, Rudolf Steiner admits that Chwolson is correct concerning his remarks about an article by Kossuth in a scientific magazine. Kossuth claims that the law of mass conservation is nothing else as the sentence: the whole is like the sum of its parts, and the principle of energy conservation is nothing else than the sentence: the cause is like the effect.—With reference to the discoveries of Lavoisier Rudolf Steiner continues:

Someone who knows something of the spiritual research knows what it means that one has shown that if substances combine chemically with each other the weight is that of the sum of the parts. If one says then: this law contains nothing else than the old mathematical law: the whole is equal to the sum of its parts, one would already have to get clear about the fact that it concerns only the weight of the whole that is equal to the sum of the weight of its parts. Kossuth just forgets that if one proceeds to the spiritual the law does not apply at all there. So short is the thinking. Chwolson says, Mr. Kossuth may only take his pocket watch and crush it in the mortar; then he can see whether the whole is equal to the sum of its parts. Goethe also already pronounced the thought that is often repeated:

To understand some living thing and to describe it,
the student starts by ridding it of its spirit,
he then holds all its parts within his hand,
except, alas!, for the spirit that bound them together.

(Faust, Verses 1936–1939)

The fewest people who believe to stand on the ground of certain facts know that the natural sciences are often nothing else than taking no account of the spiritual tie. On one side, we realise if we survey all the circumstances and connect them with that what I have stated about the supersensible world that in many human souls the longing lives to penetrate into the supersensible world. However, they suspect those details of which someone has to speak who really knows something of these matters. We see the longing for the supersensible world stirring; but we do not see the strength and the energy to penetrate into these supersensible worlds according to the instructions of spiritual science. On the other side, we have the facts in our time. We have a competent physical science in our time: Thomson, Clausius, and Carnot have found good successors. If the development advances in spiritual science in the same spirit, the researchers in the spiritual field will find also capable successors like Thomson, Clausius and Carnot have found. Then the result will be that from this humanity which has almost shut itself off today from the heavenly world, another arises which draws the strength of the supersensible world into the sensuous one. Spiritual science does not want to alienate the human being from the world but to make him strong, energetic, and vigorous for existence, while it enriches reality.

We only need to join two things, and this will fit together: in the same strict way as now in the physical science, a big part of the human beings will have the possibility to satisfy the need of their hearts out of the spiritual world. It is the task of spiritual science as a cultural stream to bring together these two spiritual streams, the satisfaction of the sensuous needs by the natural sciences and the satisfaction of the longing for the spiritual.

These talks are continued in the same sense in the next winter. We shall further pursue what has remained sketchy and penetrate deeper into it. The most enclosing, the most significant concept should be the object of the last talk. Indeed, a wisdom will once be there which can be a religion again, which can satisfy the deepest religious needs of the heart. There will come up a spiritual current that satisfies all needs of the logical thinking like the longing for the supersensible life. It is this longing to which spiritual science talks. If the way is found to that what exists in this anticipating, then wisdom flows out, it introduces in this supersensible world and flows into the human soul so that our culture experiences a spiritual rebirth that goes back to the fire, which lives in many people and wants to penetrate to the supersensible worlds. From this fire, the spiritual-scientific wisdom will penetrate into the supersensible world, because this is its true ideal.

It should be owed to the great ideal that wants to spark the wisdom of this supersensible by the fire of the enthusiasm for the supersensible; since this will always be the course of the spiritual culture that the light of wisdom develops from the fire of love and enthusiasm.

Today I would like to speak about the meaning of immortality of the human soul taking up the preceding talk. In case of such a spiritual-scientific consideration, I do not speak using conceptual definitions or theoretical discussions. I would rather like to give some indications from the field of spiritual-scientific research that can shed light on this subject.

It became obvious from the last talk here that spiritual research just wants to penetrate to the immortal essence of the human being. I have said that that research is able to penetrate into the area of human knowledge where this immortal essence is to be found which arises from the development of the human soul that is the only instrument by which we can really penetrate into the spiritual world. I have suggested many a time that everything depends in spiritual research on the fact that single persons are able by means of the mentioned exercises to carry out an inner spiritual-mental activity, detached from the physical body, detached from the tool by which any remaining human soul activity is carried out in the course of the everyday life. By intimate developing processes of the soul, it is possible to free it from the body. I have also indicated that for the spiritual researcher who has really learnt to connect meaning with the words “experiencing beyond the body,” this human soul also arises with its qualities that prove by themselves that the life of this soul outreaches birth and death.

We realise in the course of the today's considerations that such a consideration—attained by initiation of the human soul—gives a meaning to the word immortality. However, I would like to stress first, that we really live in a time in which the deeper human thinking and the more serious consideration of the human life may have the effect that they discharge gradually into the way which spiritual science expounds for the problem of the human immortal soul life. I would like to point only to one matter just from the point of view to gain a meaning of human immortality. I would like to point to that spirit who counts as one of the leading guides of Enlightenment, to Lessing (Gotthold Ephraim L., 1729-1781, German writer, dramatist, art critic), who tried to get a meaning out of the idea of immortality.

In that writing in which Lessing gave his spiritual testament to humanity, he renewed the ancient idea of reincarnation, as he believed; and he undertook this, because he felt forced to understand the complete historical life of humanity on earth as education. One can dismiss easily this testament that he gave as the completion of his striving saying: also great spirits grow old and proclaim many a pipe dream.

However, someone who has learnt to have respect for spiritual life and pursuit cannot dismiss Lessing's Education of the Human Race (1780), his ripest work, in such a way. I cannot go into the details of his writing. I can point only to the fact that to Lessing history appears in such a way that humanity ascends from more primitive conditions of life and views to more and more developed ones. Lessing understands this evolution of the human race as a mysterious education that the spiritual world bestows on the human race. He distinguishes single epochs of the advancing humanity, and from these considerations, the question arises to him who could not yet stand on the ground of our modern spiritual science: how can one position the single soul life of the human being in the historical evolution of humanity?

He says to himself that the single soul life can position itself in the course of the historical development only if one assumes that the human soul lives repeatedly on earth. If one imagines that the soul which lives today has lived repeatedly in preceding epochs in which it has absorbed what these epochs could give the souls. Thus, the question is solved for Lessing in a satisfying way: what about the souls that have lived in ancient epochs and have not taken part of the development of higher soul forces? The answer arises for Lessing that these were the same souls which have lived in former times which have carried over the fruits of the past epochs to their present existence and which gain additional fruits for themselves now which the present can give them. They go with these fruits after death through a wholly spiritual life and they carry them over to future epochs to participate in the progress of humanity. Thus, the whole meaning of the historical development lightens up for Lessing with the sense of the immortality of the human soul at the same time. Thus, this meaning arises for him, and thus the possibility arises for him straight away to remember that the life of the single person is greater and more comprehensive than what can be expressed in the life between birth and death.

As one considers the single life, which this single human soul lives from birth up to death, fits into that what this life can give. It, walks then through the gate of death, casts off the physical body, and penetrates into a spiritual world to look for its further development. One can imagine the complete historical development of humanity and of the earth in the sense of Lessing. What humanity experiences on earth is the “soul” of the earth and everything that geology, biology and other sciences investigate is the “physical body” of the earth which once falls off from the united human souls as the human body falls off from the single human soul at death. Then, however, the earth, after the body has fallen off from it, advances to a future embodiment in the universe to ascend to future spiritual and material heights. One realises that the sense of human existence and of the whole earth evolution arises from this thought of Lessing. Lessing could not be discouraged from this thought by the fact that one can argue that this was a thought which humanity had in the most primitive conditions of the soul development; then, however, it has disappeared from the cultural development. On the contrary, Lessing says at the end of his treatise on The Education of the Human Race, “Is this idea less valuable because it is the oldest, because it lighted up in the human soul before the sophistries of the school paralysed and weakened it?” Lessing imagines without doubt that a future spiritual development brings that to the souls again what they have lost in the interim.

Thus, one attains real forces that carry over the results of ancient times into the present. Thus, one overcomes that impossible point of view where one speaks that “ideas” are effective in the history of humanity, as if “ideas” could be realities one day! However, ideas cannot be effective in history, because mere ideas are abstractions, are nothing real. For Lessing imagines that the real life on earth proceeds because the realities of the human souls carry over what is created in one epoch from epoch to epoch. There we stand on the ground of spiritual realities that hold together the historical epochs of humanity.

You can now ask yourself, what has our spiritual research to say to this thought gained by Lessing on basis of certain historical necessities? Spiritual research finds its way to look at that what exceeds birth and death. Proving this I have to point once again with a few words to what presents itself to the spiritual researcher in the real mental experience. He opens himself to the exercises informed in the previous talk and lives emotionally in such way, after the soul itself has drawn itself out of the physical and has come to an experience in the spiritual. Then this soul has the physical body beside or before itself and experiences it in such a way that it is subjected to death as something external. While the everyday life proceeds, otherwise, in such a way that the human being only develops consciousness if he is, so to speak, within his physical body and uses this as tool to make his surroundings the object of his consciousness, namely the physical-sensory world.

Let us imagine the experience of the spiritual researcher lively that he lifts his soul out of his body that he strengthens the inner soul forces so that he does not depend on perceiving only with the help of the bodily tools, but can control them without bodily forces. Then the spiritual researcher comes to a particular knowledge: where from it comes, actually, that one has a consciousness in the everyday sensory life.

If the spiritual researcher has really freed his soul experience from the physical body, and has this body beside or before him, then he learns to recognise how actually this everyday soul life comes about. I would like to use a comparison. The spiritual researcher does not change the soul life as it is already. What he attains is only that he can behold spiritually what happens, otherwise, in the everyday life. There the spiritual researcher recognises that the activity of the spiritual-mental works on the body in such a way that at first the nervous organs of the human being are treated that one can compare this work to the writing of letters on paper. I ask you to consider what the spiritual researcher recognises at first as spiritual-mental activity is not the thinking, not the feeling, not the will, also not that what one knows in the everyday life as soul activity. However, it is that what works at first in his bodily organs and processes them so plastically that they get those movements only of which the materialistic worldview speaks. These movements in the brain, in the nervous system et cetera are there actually, and in this sense, one has to agree with the materialistic worldview completely. These movements, these oscillations in the brain exist as I write down the letters on paper. As my activity is that of writing, the first activity of the human being that he develops is that he causes movements, oscillations in his nervous system as “letters” at which his soul looks that it is comparable with the sight of my own letters that I have written.

The difference is only that I write the letters consciously on the paper and can consciously read them again. However, if I relate to the outside world, I write the physical activities that are to be carried out in the nervous system unconsciously with the spiritual-mental. If I have written them, they run off, I look at them, and this looking is the conscious soul life.

Thus, we realise that the spiritual-mental in the true sense of the word stands behind that which develops as spiritual-mental in the everyday life, and that between the true spiritual-mental in which the spiritual researcher lives if he has learnt to experience independently of his body and between the spiritual-mental in the everyday soul life the complete bodily experience exists. Between our true spiritual-mental and the everyday conscious life is our body. However, that which this body experiences, how this body puts itself in perpetual organic activity, so that consciousness can originate as a mirror reflects a picture is the result of the spiritual-mental. Behind our body, we stand with our spiritual-mental, and in this spiritual-mental the immortal essence of the human being exists.

If one distinguishes in such a way, one no longer searches the meaning of immortality in the continued existence of those soul contents that one experiences between birth and death; but one has to search the real basic origin of immortality in that what is behind the everyday life. Now we must get a concept of that what is behind this everyday life. However, one can do this while glancing at the real nature of the spiritual investigation.

From that which I have just discussed arises that the everyday consciousness is from the body as comparatively our own picture is reflected by a mirror. Somebody who does not search the spiritual-mental behind the picture but believes that the spiritual-mental originates from the body as the function, as the effect of the body who thinks materialistically resembles a person who says; I see a mirror before myself; it is strange that it lets my picture emerge from its substance. However, it does not let it emerge from its substance, and it is nonsense to believe that the mirror produces the picture; but the mirror reflects the picture.

Thus, the body reflects our own spiritual-mental activity. You can compare your body to a mirror which reflects our spiritual-mental activity, only with the difference that we face the mirror quite passively but treat the body with the spiritual-mental activity first, we write this activity in it which manifests to our consciousness then. The comparison would be correct only if I carried out an activity from my body. This activity would cause a process in the glass which caused the reflection when I stand actively before the mirror and would emit certain radiations et cetera which cause intersections or the like which cause the content of the everyday consciousness and make it possible that the human being appears before himself. However, from that ensues that the human being needs a counterfort for the life between birth and death in which he can reflect his spiritual-mental activity. If you had to develop such content of consciousness without body, you would not be able to do this in the life between birth and death. If the body did not carry out its duty as tool, you would have no counterfort; you would have nothing to reflect the spiritual-mental activity.

If now the spiritual researcher becomes able by the mentioned exercises to lift his spiritual-mental out of the physical body, it also becomes apparent that he can no longer turn his spiritual-mental sight to the outer physical world. This sensory world disappears from the horizon of his consciousness at the same moment when the spiritual researcher lifts the spiritual-mental out of the physical body. I would like to note this only by the way for those who believe that one could be possibly distracted by spiritual research from the pleasant sight of the physical-sensory world with its wealth. O no, this is not at all that way. Just someone who has become a spiritual researcher realises when he lives in his spiritual-mental and the sight of the physical-sensory disappears; but he appreciates its beauty and real value all the more. He returns repeatedly, as long as it is granted to him, strengthened by his stay in the spiritual world; he develops a bigger interest in the beauties of the physical world—and gains a particular support to recognise the beauties of the physical world and their tasks which have escaped him before without spiritual research. Only those make such objections who have not yet come closer to spiritual research.

If it is now really in such a way that the physical world disappears if we do not have the counterfort of the body in order to perceive—and the spiritual researcher has this body beside himself, does not use it as tool, then the question arises: how does the real spiritual consciousness come about? Does the spiritual consciousness not need a counterfort? Does the soul not need anything by which it can be reflected if it wants to go into the spiritual consciousness?

Spiritual research answers this question in such a way that the human being wants a counterfort too when he leaves his physical body with his spiritual-mental and lives in the spiritual-mental, something that is now a mirror to him. Something becomes a mirror to him that is to be endured really still before death if it is experienced in spiritual research only grievously. There we stand again at a point where I must point to the fact that spiritual research leads not only to bliss, but also to tragic moods what one can endure only with big pain. However, the spiritual researcher must just purchase higher knowledge with pain. That what comes up then as a counterfort is the own life which we have gone through from the point of childhood up to which we can otherwise remember. However, we have it in the memory picture in the everyday life in such a way that we are in it as it were that we are combined with it. We ourselves are our thoughts, our experiences, our pains, all memories strictly speaking; we are in them, are one with them. However, with the spiritual researcher it happens that that what one has, otherwise, in memory gets out of him like out of a cover. That with which you are one, otherwise, and about which you say to yourself, I have experienced it, and now I feel combined in my thoughts, sensations and feelings with that what I have experienced—you feel this now like an outer vision, like a Fata Morgana before yourself. You feel that enlarged what comes out of you in which the spiritual-mental is reflected.

There you realise that you must endure in the spiritual-mental experience, in the initiation—not after death—that you have your life as a substantial basis of experience instead of the outer physical impressions. That is in contrast what you can perceive spiritually.—There you realise to what extent you have become a good or bad mirror for the spiritual world. There you get to know above all what it means to face what you have experienced. For that is now the reflecting surface to which everything is in contrast that the spiritual world shows. Instead of having your body as your tool for perceiving, you have your own egoity, your commemorative egoity, and your own experiences as tool. Own experiences must merge with that what you experience spiritually; they must reflect what you experience spiritually. And now you notice—when you do no longer experience your own inside within your body, but have it like a Fata Morgana outside of you—that at this moment this inside presents itself like an etheric being that becomes larger and larger because it is internally related to the whole spiritual universe.

You feel like being soaked up from the spiritual universe. You feel if you have gone through the indicated experiences, as if something exists in the human life between birth and death that is contained in the forces of the physical body. When you have left the physical body with initiation, something becomes free of the forces of the physical body held together as the etheric body. Then that what has become free has the tendency to spread in the spiritual world, it thereby becomes more and more imperceptible—and you risk that your own self, the self of thoughts, dissolves in the spiritual universe, and that you thereby lose its sight because the reflection does no longer exist after the dissolution.

The physical body counteracts it, as long as the physical just lasts. For at the moment when the danger threatens that the subtler etheric of a more spiritual body as it were would lose itself, the physical body asserts its reinforced forces—and one has to go again back into the physical body. Then this is just in such a way, as if you are forced back by the power of the physical body to the everyday perception, to the usual sight and to the physical way. As you can learn from this representation, you get to know the moment that must take place when the physical and chemical forces seize the outer physical body and take it away if death enters. One learns to recognise how the consciousness can live on after death because now the physical body does no longer call back the just described subtler etheric body. It can just live on at first in this form that our own experience faces us as a memory picture, only as long as the forces of the spiritual universe assert themselves and the subtler body disintegrates in the universe.

Thus, we realise how the spiritual researcher causes that condition by his experiences that must come into being with the human being at first after death. As the first, you get to know what takes place after death immediately. Nevertheless, you also learn to recognise that you have only grasped the very first times after death. In my Occult Science. An Outline I have indicated the length of these very first times after death. They last only some days according to the character of the human being. The memory of the past life takes a few days. It lasts as long as the forces of the inner subtler body which spiritual science makes apparent can continue.

If you consider the conditions this way, you ask yourself, what causes the length of the period in which this memory can take place?—If one compares it to the length of that time which this or that person can stay awake in the usual life, then you have the period within which this memory of the past life takes place. You can say, depending on the capacity of his etheric body the human being opens himself to life without falling asleep without having to call forth sleep as compensation, the memory tableau of the past life lasts longer or shorter which presents itself like a living Fata Morgana .

About such a period and about the following ones about which I will still immediately speak you learn to speak in the area of spiritual research by inner consideration, not by outer measuring. What you experience there in the retrospect in the initiation appears in such a way that you know: it contains the forces that the human being must maintain, before sleep overcomes him. You experience the former life for days. What happens then, however, arises from the spiritual research, too. It does not appear in indifferent thoughts what you have experienced in your life between birth and the present moment; but that also appears what you have experienced morally or, otherwise, in the fields of your efficiency, in your fitness for life.

However, this appears in particular way; I would like to discuss it using a concrete example. We look back at our life, look there at a time when we have done something wrong. This wrong appears now to us in that Fata Morgana of the past life. The impression is for the spiritual researcher in such a way that first like in an uninteresting picture, like in a tableau, this life appears and something gradually emerges from it—and in doing so the spiritual researcher beholds more and more tragic conflicts—about which one could say that the whole personal value arises from that what one has done and has experienced. If you have done anything wrong, this wrong first comes out of the tableau of the past-life in such a way that you look at the picture only, knowing that you have done this. Then this picture is penetrated with emotional forces emerging from the spiritual-mental, and you must say to yourself that you cannot be the human being who you should be if you must always look at this what you have done there. You can be this only if you have wiped out this wrong from the perception of the inner destiny, from karma. The longer you succeed in staying with what presents itself like a spiritual mirror, and the longer you look at it, the stronger the emotional experiences appear which say, you must look at your deed as something wrong, until you have extinguished it!

Indeed, the spiritual researcher must go through this. He must see then that in the Fata Morgana which is in contrast to it and becomes a sum of countless self-reproaches what shows him his value quite clearly how far he is, and what he has to deal with in order to make himself the true human being only. Self-knowledge—it is peculiar that it becomes more and more tragic, more and more difficult, the farther you advance in it, and that you face everything as self-reproach in particular that you should not have done, so that you are so fixated on it that you cannot turn away the spiritual glance from it, before it is extinguished.

Up to here, Aristotle (384-322 BC) already recognised the sight of the human spiritual life. He also recognised what must be attached to this Fata Morgana. Aristotle already knew that the human being if he has gone through the gate of death really lives in his being, and looks back-at the own deeds and misdeeds on which his glance is fixated. However, he was not yet as far as a spiritual researcher that he would get beyond this retrospect. This retrospect extends to eternity according to him. Aristotle could not recognise how the human being could escape from it one day; so that he had another retrospect after the first short retrospect that presents itself figuratively before him forever. This is a rather hopeless aspect of his philosophy if you understand it correctly. Aristotle believes that the short life on earth is there to prepare the experience in the spiritual world in which the human being, looking back, would be fixated on the sight of the imperfect existence between birth and death; and his life after death would consist of the fact that he would be fixated on this sight.

His world would be to look at himself in such a way that he was in the life between birth and death; and as we see a world of animals, plants, stones, mountains, seas and so on, we would be fixated on the sight of the experience of our own actions in the time after death.—Franz Brentano (1838-1917), the excellent investigator of Aristotle pointed clearly to it in his book Aristotle and his World View (1911). What I have just stated—even if the words of Aristotle are sometimes in such a way that one can argue about what he had meant with them—arises from Aristotle absolutely. He did not yet know that this is a passageway only as the modern spiritual research can show which presents itself to the human being as such retrospect that is penetrated with inner emotional experiences.

What presents itself to the spiritual researcher if he penetrates into that region which the human being enters striding through the gate of death?

If he has advanced so far that his body does not reclaim him too fast, then that results which is attached to the uninteresting Fata Morgana as retrospect. Since the spiritual researcher can ascend on his way in such a way that he sees a Fata Morgana of his life events and some of his spiritual experiences at first that are obvious; then his body can reclaim that subtle etheric body in his inside, and he enters like from an initiation dream again into the everyday reality. However, if he continues the exercises on and on, he comes so far that he even beholds what lifts out itself from this Fata Morgana, so that that appears which we are not yet which we must become, if we did anything wrong, for example. We are not yet that who has eliminated this wrong; but we must become someone who eliminates the wrong.

This is the internally oppressive again that one feels the forces evoked by the self-inspection, which want to compensate everything wrong karmically. You look at your imperfections. You see them. However, you also see more and more in which way you must do it, so that you can erase the imperfect, the wrong. You see what you must become. This is the self-knowledge that you feel the germinal forces in yourself, which already press us forward beyond death, so that you say to yourself, these forces live in us after death; we do if we are relieved from our body what these demand. Now I must keep the wrong, the imperfections; however, I feel the forces that can eradicate the wrong. Now you know by the inner sight that it lasts for years, until that what presents itself by own experience gradually gets the forces which can really compensate the wrong. Now they cannot compensate it. They must go through a spiritual world first. As true as the physical consciousness says to itself looking at the sun set in the west, now you have to experience the night, then the sun can appear in the east again. As true the spiritual researcher knows if he experiences the germinal forces in the soul: after you have developed the forces gradually, after you have realised after death—or have realised throughout the years—how the compensating forces must be, you must dive into a spiritual world to find the forces. These forces are collected now, as it were, from this spiritual world, so that the human being, after he has experienced the spiritual world between death and new birth, becomes ripe to enter a new life on earth with these forces.

But spiritual research can also get an impression of that what the soul has to experience if it has appropriated those forces spiritually first after death looking at its past life, after it has realised which forces it must have if it prepares for a new life on earth going through the spiritual world. Since the spiritual researcher, as long as he lives on earth, cannot transform these forces. Nevertheless, he looks into the spiritual world; he sees the material for this transformation. He sees as it were originating in himself how the forces demand a new life.

As you can see lungs in a human embryo which has not yet come to daylight, you know that they can breathe: if they come into breathable air. You can also realise if the soul is relieved of the body, the spiritual organs inhaling the spiritual air in the spiritual world that develop spiritually only when they approach a new life on earth. You get to know this spiritual self-development looking at it directly only, you get to know what it means to grasp the spiritual substance with spiritual organs.—If you wanted to use an expression for what happens there with the soul, you would find no other expression in the usual language than that one says: it is a blissful experience in a certain respect. For it is a life in activity, perpetually invoking and acquiring spiritual substance in this existence between death and new birth, causing the preconditions of a new life on earth. In this existence, the soul feels as a part of a spiritual world, and thereby it feels it like heavenly bliss, after it has felt what it must regard as tragic in the past life, what has to develop as the germinal forces on basis of the previous life.

We have now collected everything concerning the sense of the continued existence when the human being goes through the gate of death. First, we have a spiritual, mirage-like retrospect of the past life lasting some days, and then you look back emotionally at this life. Since these emotional experiences are not only a retrospect, but you experience everything that you have committed as imperfections, as wrong what should be different, so that you reach that in the following life which you should reach, and get the forces which you need so that the next life can become different. As long as you have a retrospect of the previous life, you only work on those forces with your thoughts so that you realise, you must have these or those forces in the future life on earth. If you have experienced your life on earth once again after death in the spiritual, then you reach a wholly spiritual region, and you inhale as it were all those spiritual forces, which descend then to combine with that what father and mother can give as physical substance and to form a new life on earth.

It may seem now, as if the passage through the life between death and new birth makes it necessary that the consecutive lives on earth would be more and more perfect. However, this is virtually not the case, because it is true what already a great spirit said out of his almost ill soul: “the world is deep and deeper than the day has thought” (Friedrich Nietzsche in Thus Spoke Zarathustra (1883)). We can come only slowly and gradually to that what is put in us, and that our human forces are rather imperfect in relation to what they must become once, and what can stand as an ideal of true humanity before us.

Then it becomes apparent that we are not always able to survey after death which forces we have to appropriate in order to compensate the committed wrong. There many forces participate, so that it may be that we believe to compensate with an even bigger egoism or folly what we have committed from egoism or folly in the previous life. Thereby it can happen that the following incarnation is an even more imperfect one, an even harsher training than the previous one was. However, overall the course through the repeated lives is a rise. It is possible that the human being looking back at the past life can be in error concerning the way of compensating something and that thereby imaginary or real descents are caused. Overall, strong rises often follow deep “falls” of the human being, while after death the dreadful happens that we look back at a deep wrong we have committed, or what adhered to us as a big imperfection, and that we experience a big rise after a deep fall.

Many a thing appears if the spiritual researcher pursues the life sharp-sightedly, since this does not only happen. If you have your life after death as background, you merge with the spiritual world, so that you meet the soul—if you meet something wrong that you committed—that you wronged, at the same time and then you witness the wrong which you committed on this soul. Generally expanding the look at something spiritual leads us not only to our own soul at first but to the other human soul.

You learn to observe the other human soul, so that you start observing and pursuing the other soul that is already disembodied—even if it is hard to believe. Indeed, I have to draw your attention to the following. If the spiritual researcher tries to expand his own life in such a way that he penetrates into the space of experience—“space” is thought symbolically, of course—where any soul is, he can witness the destinies of this soul after death. I must say only that you witness the destinies of those souls at first with which you were connected in the preceding life; but if you advance in spiritual experience, the destinies of such souls with which you were connected in former lives also appear. The spiritual researcher realises that he develops relations with almost all souls on earth; however, it is exceptionally difficult to recognise them and you can succeed only using certain aids.

Some questions may become clear to the single listener if I speak this way about the meaning of human immortality. If you take together the previous talk with the today's one, you can say, I can understand that the everyday consciousness can only develop, while it envelops the everlasting of the human soul like a veil, and that we develop the sensory consciousness because we darken what develops after death. We must bear death in ourselves, so that we can have the present consciousness. To such an extent as we develop the forces that lead us to our natural death, we can develop the everyday consciousness. The fact that we can die makes it possible that we can have the sensory world round us.

Thus, one can understand that the human being must die, so to speak, when he has experienced his life. However, someone who hears speaking about the meaning of immortality this way has to ask again, what about those lives, which may end unfilled in the prime of life, maybe because of inner illnesses or inner weaknesses or misfortunes? What can the spiritual researcher say about such deaths? How do they line up in the course of the earth-lives, and what are they after death?

I would not like to speak here abstractly. I have already held these talks for many years here. Hence, it goes without saying that now somebody may believe that I give such portrayals as mere assertions. You experience repeatedly that those who listen to such things for the first time and have not familiarised themselves with the literature make objections which have been cleared up long since. However, I would not be able to progress in our considerations if I had always to say the same every year. Hence, I must refer compared with completely entitled objections to the fact that one must try to penetrate into the literature and to take into account that I have cleared up such objections already in the course of many talks.

We take the case that a misfortune carries off a blossoming human life. Then the spiritual researcher recognises the following. If he pursues this soul beyond the grave, it becomes apparent that it has adsorbed forces by misfortune, which are adapted to prepare higher intellectual abilities for the next life than it could prepare if this misfortune had not been caused. However, you would badly understand the spiritual researcher if you hold the thought in your mind even in the least, that it would be so easy to make yourself more intellectual for the next life on earth if you let a car run over you. That is not the case. Since it becomes apparent that the consciousness cannot decide on that what is necessary in the human destiny beyond the grave but that higher consciousness which becomes effective there before birth or after death in the wholly spiritual world.

With the usual consciousness, we can never survey whether a misfortune has an effect on us in this or that way. Nevertheless, in numerous cases the spiritual researcher realises that, indeed, in the pre-birth spiritual our soul has already caused such destiny in a wholly spiritual consciousness that has led with certain necessity to this misfortune. We are not entitled after birth to decide this. Before birth we direct our existence to the misfortune, with it our soul receives, so to speak, the possibility to destroy the physical body, and thus it has the experience at the moment of the transition: how does our humanity work if this body is destroyed and does not continue to develop naturally? It makes good sense—not for the everyday consciousness but for our superconscious being—that human lives can also perish, so to speak, by misfortunes before reaching the normal age. It is a long shot to state such a thing in the present, but I have to point to it. The spiritual researcher realises with many souls that these or those talents go back to former lives and he beholds how inventive forces, intellectual forces developed by misfortunes in a certain age which can provide services to humanity.

One has to look only reasonably how for these or those performances which are of original kind a certain human age is necessary. Great inventors get around to uncovering certain forces from the depths of life in a certain age by straining their abilities in the extreme. It needs not be an epoch-making invention; it can also be something that completely serves the usual everyday life. This can be because this soul had to go through conditions of life, which destroyed the body at that time. The soul thereby gains inventive forces that control, direct, and penetrate the physical world.—You cannot “prove” with the outer usual logic that such things can be investigated. However, this can be done only what has been shown so often in these talks that the spiritual researcher gets around to observing with a strictly regulated methodology of his soul life what goes forward when a soul experiences any misfortune which leads to this or that, or even to death.

Let us take another case. If a young human life is carried off by an illness, the spiritual researcher realises that the intellectual life is not so much influenced in the next embodiment but the volitional life. Once again, we are not allowed to cause such a strengthening of the volitional life that we wish in the usual consciousness by an illness that we cause artificially. However, if in the whole context of existence, which is controlled by the spiritual world, a human life is carried off by a pneumonia or another illness in the prime of existence, the spiritual researcher realises very often that such a soul could not unfold such willpower that it already possessed in a way. The outer physical body offered resistance. However, while one experienced the illness, and while the spiritual-mental experienced the resistance of the physical body, going through the life between death and new birth it found that in this resistance what gives the willpower. Just by such a consideration, it becomes apparent that life gets its sense in all directions.

Indeed, all pains that we feel in the physical life on earth facing the misfortunes of life or our destiny will always be there. This will not be removed completely, however, it will be reduced if one realises that wisdom pulsates, nevertheless, through our life. From a higher point of view all pains appear which are integrated in life as necessary for our development, and the spiritual researcher assumes that wisdom is to be found everywhere in the world from the start. He considers life with all its strokes of luck and misfortunes as the result of a calculation that is not there, before one has not carried out the calculation. Wisdom does not exist in the human life, before he does not convince himself in many cases with admiration of the fact that wisdom still forms the basis of any life. Because we are in an experience that must happen by the body, the misfortunes will work suitably, will take us with them as human beings, and it would make the life in the body appear an inhuman one if it could not feel pain with misfortunes. Nevertheless, just as the sense perception covers in life what the spiritual-mental is in its importance for eternity, the experience in the body covers that higher point of view from which any conscious experience of the human being appears as penetrated with wisdom.

The spiritual researcher does not become like a dried up field crop by the fact that he can contemplate wisdom even in a misfortune. No, just because he can rise on a higher viewpoint the survey of life appears to him as filled with wisdom, as rational. However, when he enters the life on earth again and lives in his body, he is a feeling human being, of course, as every other human being. As someone who mounts a summit and has a nice sight from it but must not stop to have the sight of that what proceeds below in the valley, the true spiritual researcher can also not lose any compassion and witnesses human happiness and grief if he faces happiness and grief in the life between birth and death. However, just this spiritual research realises that compared to eternity the human being is not born to despair, but that any look at the realm of the spirit shows him the world full of wisdom, meaningful, and that knowledge of true immortality is a knowledge of the meaning of immortality at the same time.

I could only make some indications of human immortality, and from it, the meaning of human immortality has to arise. The spiritual researcher just has to express those matters in words that lie, so to speak, beyond the usual life if he wants to point to that what the human being experiences, after he has gone through the gate of death. What is experienced in the usual life offers no clue to characterise the life after death if one should recognise its spiritual substantiality. Thus, one must take stock of the fact that the human being is not able to carry the picture of a single lion or a single mountain with him through the gate of death, however, that inner spiritual-mental activity which enables us to have a mountain as a mental picture in our consciousness, or to imagine a lion. We carry them through the gate of death. We carry just that mostly through the gate of death what is not “real” in life. If we see various lions, we form the concept of the lion. You can easily prove of course that the concept of the lion does not exist in the sensory reality, but only the single lion; also not the concept of the mountain, but only the single mountain. However, what enables us to recognise mountains and lions and to understand something spiritual-mental, to recognise justice, freedom and so on what enables us to live with a human soul like with our own soul, to penetrate into the human soul by mysterious sympathies, that mysterious weaving from soul to soul—all that we take with us through the gate of death. On the question, whether we are together again with our kith after death we can answer that we are together with them again! We are together with those who are close to us in life. Also already between birth and death ties exist between the souls which belong to the extra-terrestrial—what one only does not recognise because the mental look is mesmerised by the physical sight.

Investigating the spiritual means at the same time recognising the eternity of this spiritual. Recognising the human being as something spiritual means recognising the eternity of the human spirit. Actually, one has to say as spiritual researcher that someone who regards the spirit as mortal does not recognise it in reality. The philosophers who do not believe in the immortality of the human soul are for the investigation of the soul like botanists who deny the existence of plants. It is the certain way of spiritual research that one can say that the soul recognises the spiritual as something natural as the botanist recognises the plant as that what it is.

Therefore, we can say that that is the most valuable for the complete human life concerning the spiritual-mental, concerning the behaviour of the human soul after death what is covered by the outer observation in the physical-sensory experience what is not perceived in this experience. Someone who wants to bring in concepts in the life after death who does not want to suffer from the “hunger for concepts” after death—if you allow me to use the expression—must appropriate concepts which do not apply already here in the life on earth only to the sensorily discernible, but exceed it. We can live on the spiritual-scientific concepts in the life after death. If anybody believed that the hunger for concepts killed him after death, one has to say that an immortal soul can suffer, indeed, from this hunger, but cannot die of it as the physical body can starve to death.

Thus, I could only give you single indications about the meaning of the immortality of the human soul. Of course, I know best of all what those can or must object to such indications who stand so completely in the consciousness of our time. We live in a time that is completely hostile on one side to accept that that development of the soul, about which I have spoken here, leads really into a wholly spiritual experience. However, we live at the same time in a period in which the human soul longs for the knowledge of the spirit in its subconscious depths. There can be also human beings who say, why can the human being not remain with that what nature has given him, with the reason and the senses which nature has given him? However, this would be, as if anybody said that the child should stop at that what it has as a child, and should not learn what it would have to carry out as an adult. Just on the same point of view somebody would stand who said that the soul should stop at the abilities which it already has.

We see where one can break away from the gross preconceptions that one conceives the real nature of the human essence. One can realise that philosophers of the present break away from the wholly physical experience and interpretation of it. Anyway, it is interesting, even if he misses his aim ever so much that the French philosopher Bergson (Henri B., 1859-1941) regards the memory as something that leads into the spiritual realm. However, one sees at such an example that the philosophers of the present have difficulty bringing themselves to acknowledge the spiritual world. One sees in other points again that a healthy soul life comes up to the front gate of spiritual science. It is extremely interesting that unlimitedly increased attention gives the possibility to transform the human being. If one realises then at least that a very significant philosopher of the present, McGilvary (Evander Bradley McG., 1864-1953), comes out of the health of the American nature just up to the point where he says: if one wants to get to know the real soul being if one wants to get to know what soul what immortality is, one can do this only by developing attention. McGilvary says that the human being can know by an effort, by an increase of the forces of attention that one gets the conception of a spiritual-mental that one has like an inner activity. You realise how such attempts lead to the gate of spiritual science.

Another example: I felt highly satisfied when I got a treatise which a very gifted director of a grammar school—Deinhardt (Johann Heinrich D., 1805-1867)—wrote. There you realise how a highly educated man of the more recent past who could not know spiritual science struggles with the highest questions of life. Indeed, also others did this. Nevertheless, it is interesting to realise that in a talk in which he brought his ideas of immortality forward the editor draws the attention to a letter that he received from this teacher. He writes there: if it were still granted to him to continue his attempts, he still would show how the soul still works in the life between birth and death on a subtle body which goes then through the gate of death. It is encouraging to see somebody struggling in the middle of the age of the arising materialism with the problem that I have treated in the two last talks. I tried there to show that one grasps the immortal essence of the human being spiritual-scientifically, which develops on and on, which goes through the gate of death to prepare for a new earth-life with the passage through the spiritual world. That director refers to this “spiritual-mental essence” as a “subtle body” which the soul organises to carry it through death and in which the subtler forces can gather themselves that the soul needs then to continue its development.

Even if today the glance is deflected from the spiritual-mental because of the great achievements of the outer science, and, hence, the immortality of the human soul is not yet acknowledged and is not understood, nevertheless, one sees the struggle for concepts which give the human being a picture of that what exists after death and brings power and assurance into life and makes the human being only a complete human being. One can say to someone who can live without these “metaphysical things” that life must take place in such a way that it brings up that from its depths—even if the mental glance can be darkened for epochs—what releases the natural view into the fields of the everlasting, the immortal.

Thus, one can say that also for that what seems paradoxical today the time becomes ripe in which that is understood as the achievements of science have always been understood. Already once, I have drawn your attention to the fact that we can feel spiritual science in harmony with the present science. Therefore, I would also like to point to something at the end of these considerations that burst out of the soul of the Greek philosopher Heraclitus who did deep looks into the experience of the universe from the viewpoint of his time. He felt his soul taken along by the “stream of becoming” as which he interpreted the whole universe. Heraclitus considered the restless becoming as the real characteristic of the universe. “Being” was a delusion to him. What exists is there in truth only imaginary.

Everything is active in the stream of becoming, and the soul is woven into this perpetually flowing activity. The fire was the symbol of becoming to Heraclitus, he felt his soul positioned into the fire of the universe. Living in it emotionally he felt the impulse of immortality as an inner experience, as an immediate inner observation. He expressed this impulse that way and his words shall close our considerations of human immortality only somewhat changed.

If the soul—freed from the body—soars the free ether, it appears before itself as an immortal spirit freed from death!