The Rudolf Steiner Archive

after a eurythmy presentation of Faust's Ascension

We tried to give eurythmy performances related to Goethe's “Faust” at Easter and Whitsun and at the Feast of the Assumption. In a way, we felt the need to have these performances ready by the Feast of the Assumption. You will recall that, in connection with the previous descriptions from Goethe's Faust, I tried to show how the way in which Goethe went through his spiritual development can be highly effective as a model because we can see in him can see how the great personality, in particular, slowly and gradually acquires and slowly and gradually works through the process of arriving at a point of view regarding a matter that can then satisfy him. How many people believe that they are good Christians and understand Christianity. We had to point out that at the time when Goethe wrote the first scenes of his Faust, he basically had, if not an anti-Christian, then, one might say, an un-Christian way of feeling. Just take a look at what has been preserved as the – forgive me for using the distasteful title, but it has become common – so-called “Urfaust” (the “Primal Faust”), and then what was published under the better title “Faust, a Fragment”.

We can see from this that Goethe had to grow quite old before he was able to insert a Christian element into these things in the meaningful way of expressing the most secret impulses of his soul. This soul needed infinite deepening in world knowledge and world feeling. And when the fragment of Faust appeared in 1790, it did not yet contain the scene that Goethe could only write at a much more mature age, the scene where Faust is stopped from taking the step he wants to take, from suicide, by the Easter bells. It was only at a mature age that Goethe felt compelled to introduce this Christian element into the first part of his Faust. A genius must live through and experience much, much more before he feels ripe in his own way, whereas many others feel ripe so soon. And we see that Goethe really felt this way, so that he added something Christian, something of Christianity, to “Faust,” which he had begun in his youth – but also already in his later youth – and had carried out in certain scenes.

It is now characteristic that Goethe, so to speak, needed a new approach to work his way through his way of feeling and the inner workings of his feelings towards the world – I would say through a realm from which the Christian impulses have been torn – before he could approach Christianity in a new way, in a way that would satisfy his later age, and also in a poetic way.

Yesterday I already pointed out to you how appropriate and professional, to use the pedantic expression, the whole structure of the last scene of the Ascension of Faust is. But we look even deeper into the matter when we realize something else from the spiritual considerations.

Let us imagine: in a particularly suitable natural setting – a wilderness, mountain gorge, rocks and everything possible that makes an impression corresponding to mysticism – a choir, we can imagine a monks' choir, approaches and absorbs what is happening in its consciousness. We have heard why this choir of monks is there. To put it on a real footing, Goethe needed this consciousness outside as a medium to absorb the events associated with Faust's soul ascending into the spiritual world. What is happening? The choir first points out to us what is going on. We can say: this choir senses that which is otherwise dormant as movement. The world of the spirits of form is slowly beginning to merge into the world of the spirits of movement. It spiritualizes as it begins to be moved, that which confronts us elementarily – everything initially in motion:

The forest sways,
the rocks press against it,
roots cling to it,
trunk close to trunk,
wave after wave splashes...

Why is that? Yes, that is because we are to be shown how a soul is to rise from this earthly existence, the physical plane, up into the spiritual world. A soul is to be wrested from the physical plane – the physical plane is also nature – a soul is to be wrested from nature. We now know that nature is permeated by the elemental world, that at the moment we pass from the rigid existence of nature to the elemental existence, everything is truly in motion. We cannot imagine that we can conjure up before our soul the idea of the soul of Faust ascending into the spiritual worlds if we cannot vividly visualize for ourselves the coming to life of nature and the release from the life of nature in relation to the soul of Faust. For it must be said: in the face of so much that is unhealthy, especially in mystical and occult movements, we have, in all that is allowed to tie in with Goethe's occultism, something thoroughly healthy, rooted in the solid ground of world reality. Goethe would not be able to present the spiritual world to us in any other way than by linking it to what confronts man on the physical plane, to nature, by showing, as it were, how nature spiritualizes itself before the healthy senses. And Goethe would never have said yes to an occultism that was not intimately connected with a real love of knowledge and of penetrating nature.

We can do an enormous amount to heal our spiritual science by striving to understand the secrets of nature. This is difficult in our time because, as was shown yesterday for research into the wisdom of the bakis or other things that arise before the soul's eyes in spiritual development, nature is approached in such a foolish way. And how is it? Just as those seemingly infinitely profound explanations of Goethe's eight lines, which are supposed to refer to everything possible, while they refer to slippers and cigars, so it is in reality with much of what is said today by science about nature. You see how much of what passes today as natural science bears just as little relation to the truth as what was communicated to you yesterday bears to philological science, and how Goethe's wisdom bears to what it actually refers to. That is why it is difficult in our time to gain from science the relationship to nature that Goethe actually has. But we must strive unceasingly to make our occultism thoroughly healthy. And there is no better, no more dignified starting point for our time than what Goethe has contributed to occultism.

We see how in the consciousness of the choir – whereby this now really enters into the impersonal of nature, in that the echo resonates – the spiritual of nature breaks free. And we can now hope that the same consciousness, which is capable of seeing through nature in such a way that everything comes from deep within nature, can also see the ascending soul. By first seeing it at all, the soul that is ascending in spirit sees it, completely placed in real life. But how do you get to see this spiritual world? I already mentioned yesterday: it is presented to us in a dignified way in three stages, in that the consciousness of the choir, which has a general awareness that spiritual essence is hidden within nature, the consciousness of the Pater ecstaticus, the consciousness of the Pater profundus, the consciousness of the Pater Seraphicus: these are successive stages of soul development. How the mystical development rises from self-absorption and the self to the realization of a further spirituality of nature, than the choir can see through, is shown to us in the transition from Pater ecstaticus to Pater profundus , and then in the transition from Pater profundus to Pater Seraphicus, how the soul can develop healthily, can truly develop into the spiritual world, so that it can see the spiritual world in its depths. Goethe had received guidance on this early in his youth, when he learned of the kind of contact Swedenborg had with the spirit world. We know that we should not overestimate this, but for Goethe it was a powerful stimulus. Swedenborg recounts that he associated with spiritual beings in such a way that they came very close to his mind, that they took possession of his sense organs, that they, guided by his eyes, saw the world and, of course, were able to communicate what they had seen and heard quite differently than the human soul. Thus Swedenborg experiences the spiritual world through those English beings who enter his sense organ. This made a great impression on Goethe, this entering of spirits into the human organism. So that in a certain respect it had become quite familiar to him how such a spirit deals with the spiritual world. These things were quite familiar to Goethe in general. What we have not yet been able to present here - we will do so later when our building is finished - is the fact that the Pater ecstaticus floats up and down. On May 26, 1787, Goethe wrote about Filippo Neri: “In the course of his life, the highest gifts of religious enthusiasm developed in him: the gift of tears, of ecstasy, and finally even of rising from the ground and floating above it, which is considered by all to be the highest.”

I want to emphasize this because I must tell you that Goethe did not write this unconsciously or as a mere fantasy, but because he was very well versed in these things, he knew them, knew them deeply. So he doesn't just let Pater ecstaticus float up and down because it occurs to him; we have to bear in mind that Goethe was a man who spoke of Filippo Neri in this way. This deepens the feeling tremendously. What is needed much less in these matters are clever explanations, and much more the ability to immerse oneself in Goethe's soul, to see how deeply he was connected in his soul with this ascent of the human being on this path of mystical knowledge. And then we see, the Pater ecstaticus shows us how the soul inwardly, in the manner of Meister Eckart or Johannes Tauler or Suso, takes in the divine reign, so that the soul comes to the point of confessing with Meister Eckart: “Not I, but the God in me wills and thinks and feels.” For if the soul continues to ascend, it will perceive spiritual revelation in nature from the elemental world, as we see in the Pater Profundus, whose inner being expands throughout the whole, all-encompassing nature.

Then the human soul, having undergone this, ascends to direct communication with the spiritual world, as we see in the case of Pater Seraphicus, who now really comes to perceive such spirits , such as the blessed boys, the midnight-born, who live as spiritual entities in all the spiritual activity and life that develops here between the dwellings of the anchorites and monks.

Thus, what comes to us most vividly – and it is the presentation of this living reality that is important – is that Goethe guides Faust's soul up into the spiritual world, but that he needs a spiritual setting to do so. We can guess how nature is set in motion, how elemental life rises out of nature, how nature's beings then develop into consciousnesses, which are ever higher, with the soul developing into the embrace of spiritual beings, as is the case with the blessed boys, and how it can then be the souls of penitents and also the soul of Faust himself. The entire spiritual scene contains this. And then there are wonderful increases right up to the end, where the Chorus mysticus expresses the mystery of the world, where we see how our spiritual eye is lifted up into a spiritual world. We make the ascent from standing in nature and on the firm ground of the physical plane to the spiritual worlds, into which the soul of Faust is taken.

During Goethe's lifetime, only the first part of Faust had been published, as we now have it. Then the scene: “Charming Area”, Faust bedded on flowery grass. Then individual parts of the scene at the “Imperial Court” from the first act of the second part. In it, a transition to the “Classical Walpurgis Night”, but not the Walpurgis Night itself, and then the “Helena Scene”.

Even during Goethe's lifetime, many people had thoughts about how Faust could be completed. If you follow these thoughts – and some of them were even printed – you will find that people already knew that Faust's soul must be redeemed, must ascend into the spiritual world. But all the ideas that people have come up with have something - there is no other way to put it - abstractly vague, something extraordinarily vague about them. Goethe once said to Eckermann that he had to call on Christian imagery to help him move from the vague to what he wanted to present as a spiritual reality.

And so, in his very old age, we are once again confronted with this wonder. Consider that Goethe wrote the whole pagan part, the whole pre-Christian part: Faust's connection with Helen. Then again something that is certainly not anti-Christian: the fourth act of “Faust”, that only after he has once more plunged into that in which not directly Christian impulses are at work, after he has once more wriggled through there, he is again to present the riddle of Faust in the highest sense, that only in his very old age, out of all pagan cult, he must plant Christianity in “Faust”. Goethe had to live to be eighty years old so that he could say to himself that he is able to use the Christian ideas in such a way that they are a garment for the path that the soul of Faust has to go.

It was Goethe who really paved the way for us to understand the Christ impulse more and more, a path we refer to in spiritual science. And the beginnings of this understanding, which we have now been able to experience, will be followed by many others in the future, when we are no longer able to be present or can only be present in subsequent incarnations. Goethe was the first to do this through spiritual science: to connect the penetration of reality with what flows in our soul through the Christ impulse. And Goethe has presented this in tremendous depth, but in such a way that it is always vivid and always appropriate.

Nature stands before us. The choir of monks, who initially appear before us pointing to the spiritual, see the elements emerging from nature, and spiritual-soul entities join the elements, that comes out of nature. Goethe already perceived this as a specifically Christian view. Christianity is not about always saying: Christ, Christ and Christ again! Christianity is not about always repeating Christian dogmas. It is a way of feeling, of relating to the world. And this feeling, this relating to the world, comes across in a wonderful way in the way Goethe presents it. The way this feeling lives through and permeates the last scenes of Faust is eminently Christian, and its Christianity is particularly evident to us in that the whole of Faust — despite the fact that some fragments and some parts remain unfinished — is so artistically great and so powerfully conceived that one only gradually comes to understand the tremendous artistic conception.

And before us stands the broad natural existence of the physical plane, which we see, in the truly Christian sense, transformed into the elementary and truly spiritual existence. Faust is led into this after he has gone through his connection with Helena, with the ancient spiritual world. Here, too, we are confronted by spiritual beings. Helena is led up from the underworld. Faust encounters her. She is surrounded by a chorus, twelve choruses surround Helena. When Helena returns to the underworld, the chorus stands there, and at this end of the third act the chorus shows itself to us as not yet fully matured into humanity, as elemental beings. And how does the chorus disappear in the third act of the second part of Goethe's 'Faust'? That is very interesting! There we are also dealing with elemental beings. And when Helen disappears, the chorus of these elemental beings also disappears. The chorus divides into four parts. What happens to one quarter of the chorus? Well, three members of the chorus describe how they disappear: they disappear into nature. Where Goethe presents paganism, he shows us the elemental beings who, as the twelve-voice chorus, surround Helen. They now disappear and merge with nature. Feel how the first part of the choir enters into nature:

We, in this thousand branches whispering tremors, purring floats,
Attracting prancing, luring softly, root of the life sources
After the branches; soon with leaves, sometimes with flowers exuberantly
we adorn the fluttering hairs freely to airy prosperity.

That is, these beings of the choir become trees, become nature. They may then approach us, out of the Christian impulses, when they approach us again as a

wood, it sways towards us.

The pagan elemental spirits disappear into nature, and they emerge again where the Christ impulse has come alive on the earth. Oh, how wonderfully this chorus disappears with Helena, and then - we know it from the last scene - when the beings, who have received the Christ impulse as blessed boys, emerge from nature. And take the other part of the chorus:

We, on this rock wall, smooth as a mirror,
nestle, moving in gentle waves, caressing;
listening to every sound, birdsong, flutes of the wind.

Truly, these are the same rocks into which these elemental beings have slipped, and then “cling”, and from which the beings of the spiritual world later emerge, after they have received the Christ impulse.

You can see how deeply felt this Faust poem is, how there are other connections in it than those usually observed. And it is these connections that are so important. Goethe was aware of this. That he was aware of this is clear from a very specific suggestion that Goethe wanted to make when he was not quite finished with the third act of the second part of Faust. He had completed it roughly up to the disappearance of Helena and up to the “going out into nature” of these elemental choruses, just up to this scene, roughly as far as I have read now. Then he wanted to do what he did in a sense at the end of the third act, to let Mephisto arise from Phorkyas, and now Mephisto was supposed to express what Goethe actually wanted with this Faust at the conclusion of his “Faust.” That he let it be spoken through the mouth of Mephisto was for reasons of performance, because Mephisto is, so to speak, the one who brings about the third act after all. The third act is incorporated into “Faust” as a classical-romantic phantasmagoria. Mephisto is, so to speak, the one who introduces the third act with a kind of spiritualistic laboratory magic, he is supposed to say what Goethe actually wants by continuing “Faust”. At a time when Goethe already realizes that he must incorporate the Christ impulse into his work, he wants to say through Mephistopheles: “Certainly, there have always been times when people have recognized that at the bottom of sensual existence there is spiritual existence. We can go back to the mysticism of ancient India and ancient Egypt, where it was known and described that at the basis of natural existence there is something spiritual. But it does not befit us, Goethe wanted to say, to understand this spiritual reality today in the same way as it was understood in these ancient mystical systems. The Christ Impulse has brought into the world something completely new in relation to all ancient mysticism and all ancient wisdom. The old can no longer serve us. That is what Goethe wanted to say. And I am not just asserting that he wanted to say it, but the passage has been preserved. It is not in 'Faust' now, but the passage has been preserved, conceived by Goethe, with corrections added by his scribe, as indicated by Goethe. At the end of the third act, it is said how he demands the newer Christ impulse for his “Faust”, how he does not want some ancient wisdom, but something completely new in the sense of the Christ impulse. For Mephisto, when he is to appear before the audience, should speak the following words:

Enough, you see him,

- Euphorion is meant –

though much worse
than on the British stage, where a little child
gradually grows up to become a hero.
Here it is even more fantastic. No sooner is he conceived
than he is also born,
he jumps, dances and speaks a delicate word.
Many criticize this,
others think that this is not so straightforward
and that it is to be understood roughly, that there is something behind it.
One can well sense mysteries, perhaps even
mystifications, Indian and also
Egyptian elements, and anyone who likes to put it all together,
brew it up, etymologically back and forth
is the right man.

Goethe already senses something of those teachings that have come and have etymologically concocted everything, but he wants nothing to do with any of them, because he says here:

We also say it, and our deep meaning will be a faithful student of newer symbolism.

Goethe says: not Egyptian, not Indian, but “to be a faithful disciple of newer symbolism”!

Then he came to incorporate the Christ impulse into his “Faust” in this way – not just by adding a Christian element here or there, but by enshrining the entire way in which the soul presents itself in the flow of his creation. And as we can see, he does that. We see how he really does know the development of mysticism in the progression of the three fathers, and on the other hand, we find how he wonderfully separates the initially unified choir of angels into two groups: the choir of younger angels and the choir of more mature angels. And when you read what the younger angels say and what the more mature angels say, we again find something quite remarkable. Take what the younger angels say first:

Those roses, from the hands
of loving, holy penitents

- one must remember the previous scene –

helped us to win the victory
and to complete the high work,
This treasure of the soul to win.
Evil fled as we scattered,
Devils fled as we struck.
Instead of the usual punishments of hell
The spirits felt the agony of love;
Even the old master of Satan
Was pierced with acute pain.
Rejoice! It has been accomplished.

But the angels can already be perceived in the previous scenes. These are now the younger angels. It is impossible to say how deeply one is touched when one lets the appropriateness of such a representation take effect on one. The younger angels – why that, the younger angels? That means: they are younger, they do not yet have so much connection with the earthly world.

In pre-Christian times, angels are the beings who cover their faces at all before the Incarnation on earth, who do not mix in the pre-Christian times with what is happening down below on earth. They remain at the very top in spiritual spheres.

Now think how characteristic these younger angels are, who have not yet found their way into the Christian sphere, but who are up there, who have not yet descended during the Christian sphere. Consider how the Elohim are characterized at the creation of the world. After the creation is presented to us from day to day, we are then told at the end: “And they saw that it was good,” or “beautiful.” The word that is used is difficult to translate. It means that the Elohim are such spiritual beings that they first make things and then see that it was beautiful. That is what matters. These are the other kind of entities that have attained perfection on the old moon and are now transitioning spiritually into earthly existence, doing first and then seeing and perceiving that it has been successful. These younger angels must have the perception of these spiritual entities; they must first say what they have done. Now they realize that they have strewn roses from the hands of the penitent, that they themselves have caused pain to the old Satan master.

So appropriately, Goethe writes that he knows: beings that have not come into contact with the Christian world only recognize the beauty and goodness of what has been done afterwards:

Those roses, from the hands
of loving, holy penitents,
helped us win the victory...

That the victory was won comes afterwards. You see, I'm not delirious!

Fogging around the rocky heights,
I just feel,
A ghostly life stirring in the
Nearby.
The clouds become clear;
I see a moving crowd
Of blessed boys,
Free from the pressure of the earth,
In a circle,
They refresh themselves
With the new spring and adornment
the upper world.
Be it from the very beginning
Increasing full profit
These joined!

The blessed boys are there long ago, and they have something to do with the appearance of these angels, but the angels only realize that they are there when the whole scene is set. Goethe is fully aware of all this. They do not carry that which is connected with the earth in the soul of Faust; that must be borne by those who have become a little older, more perfect, who have descended through the Mystery of Golgotha and come into contact with the earthly.

A remnant of the earth remains for us,

say the more mature angels, not the younger ones.

To bear it would be embarrassing,
and even if it were made of asbestos,
it is not clean.

And then they explain that through the Mystery of Golgotha they have now attained an insight for which the other angels veil their faces, how spiritual power connects with the elements that are mixed with the nature of earthly life. It is something quite tremendous to perceive how Goethe describes it, so expertly and appropriately, and how he knows how to characterize the individual members of the spiritual world correctly. When one compares the colorful, characterless stuff that others, who also wanted to represent spirits, concoct, it sometimes looks as if someone wanted to describe the external nature and would say: Oh, I went through the forest and meadow and saw such wonderful blue roses and such wonderful yellow chicory and such beautiful red and yellow violets and the like in the meadows – which is all wrong. Those who know the spiritual world find some descriptions to be extremely inept because everything is wrong. With Goethe, everything is right! That is the essential thing, to perceive not a crazy interpretation, but to perceive how this soul is rooted in the spiritual world at the moment when it decides to describe a spiritual event from within itself, as is the ascent of Faust into the spiritual world. And in doing so, the artistic, artistic compositional element in the spiritual!

I once tried to show you how, quite apart from what the Gospel of John actually is, there is something in the mood of the Gospel of John that makes it one of the greatest works of art. Remember the Kassel cycle on the Gospel of John! Truly, artistic endeavors of this kind, striving for artistic perfection in the spiritual, we find everywhere in Faust, but in such a way that the artistic in it is really, in being artistic, at the same time spiritually right. That is the significant thing. For it is essential that the world should more and more recognize that what is really recognized and experienced out of the spirit is the right thing, even when it is placed in the world. What is spun out of the spiritual usually looks like a house of cards in the world. But what is recognized out of the spiritual can be placed in the world.

This was the aim in the architecture of our building, that it should be truly created out of the spiritual. Therefore everything is feasible. It makes one all the less scrupulous when here and there people come and say: they don't like this and they don't like that. There are people like that who find fault with this or that in our building. But if you know the world a little and know that or to what extent people belong to the choir of those who interpret Goethe in the same way as that gentleman I told you about, you don't care about all the criticism, because that gentleman, for example, who was mentioned, could say whatever he wants about our construction and our way of thinking and so on, you wouldn't need to be impressed. And such is the spirit of the people after all. You just have to know life a little. But that which is born of the spiritual is possible because it is spirit and artistry at the same time.

And today I would like to point out at least one more thing. Three penitent women, together with the penitent woman otherwise called Gretchen, come to meet us. Yes, the artist never does that – the real, true artist – he never says: Now, I will have three penitent women appear. Where can you find three penitent women? – Of course, you can meet all kinds of people in life. There are people, really, such people, who take a rhyming dictionary and make up poetry according to it, you can start at the alphabet – whatever rhymes with that – and then comes the second line and so on. I knew people like that too. But a true poet, an artist, doesn't even do that. He doesn't just take three penitent women in any old way. Instead, as is particularly characteristic of Goethe, he brings us another of those wonderful intensifications, a case of wonderful inner composition that is both factually accurate and correct. What are the three penitent women supposed to be? First Mary Magdalene, then the Samaritan woman at the well, and then Mary of Egypt. Well, I have already hinted at it. They are meant to show us that there is something eternal in the female nature - “an eternal star of love” - that, as it were, cannot be eroded, Goethe wants to say, when it unites with the female soul, even with guilt. The love, the love that Christ brought, despite the fact that in their outer life they were by no means model human beings, but their souls were such that they could understand love. If we think about this correctly, we must say: Yes, something like the Christ impulse spreading throughout the world first seizes what is nearest, then it seizes what is further, then it seizes what is furthest. And it would be wonderful if the Christ's impulse of love spread like a wave, if it also took hold of the guilty and outshone the guilty, drawing ever wider circles. So, Mary Magdalene, the Jewish, the Hebrew woman, directly from the land that was intimately connected with Christ Jesus in Judaism: the closest environment is taken hold of by Christian love. Then He goes beyond the realm of Judaism, but still into the neighboring region, to the Samaritans, who have no ethnic community with the Jews: the second circle. And then He comes to the third circle. You know that what is presented as being very far removed from Christianity is presented as Egyptian: the Egyptian Mary. She comes from what is even more foreign out there in the pagan world, which is now grasped in a distant way, pushed back as if by an invisible hand because of the sin of touching the cross, and only atoning for the guilt through a forty-year penance: how far the waves of love reach out there!

We really see them, the waves of love, as they spread, and we understand something of what gradually crystallizes in Goethe's imagination as that which he then finally describes as the “eternal feminine”, in whose conception every trace of inferiority must be removed.

And the outpouring of love corresponds exactly, I might say, to the tone, the whole manner in which Goethe put the words into his mouth. Just try to find that wonderful intensification which now lies in the peculiar feeling, the rhythmic formation of the words:

By the love that made
of thy Son, transfigured with God,

We feel something like a trickling nearby.

At the well to which
Abram used to lead his flock,
At the bucket that was allowed to touch the Savior's cool lip;
At the pure, abundant spring,
Which now flows forth from thence,
Abundant, eternally bright,
Through all the worlds it flows —

Imagine how it expands! With this whole presentation, we are actually in the immediate vicinity of the person of Christ. Then whole worlds are included in the presentation of nature. And then, as we come to the Egyptian Mary:

At the hallowed spot,
Where they laid the Lord;
At the arm that from the. gate
Warned me, repelled me back;

The invisible, the spiritual, is directly addressed. Once again, an intensification! It is not the case that one first needs to intellectually ascertain that these three circles really exist. One must feel them by pronouncing the words. That is the significant thing.

And now let us consider the following. Through years of reflection, we have come to understand that before our evolution on Earth, there was a Saturnian era, then a solar era, then a lunar era, and that we are now at the Earth era. In a sense, the human being has gone through everything that has gone through these stages of development. Where, then, can we read the essence of these stages of development? It lies in the fact that these times were once there and then passed away again, and that the Earth time has emerged. But before the Earth time, man went through the Saturn, Sun and Moon time, and he carries the effect of these times within him. If we now examine modern man with the means of spiritual science, we find that the physical body, having acquired its first disposition on Saturn, then develops further through the sun, through the moon, to the earth, where it has once again connected with cosmic powers in order to take on something new. What the human being's physical body has gone through in these three stages – and here we touch the edge of a momentous mystery – in that the physical body has gone through it, has been most clearly expressed in the constitution of the inner female organs on Earth. The interior of the female organism, both the physical body and everything that is expressed as soul in connection with the physical body, bears the effects of Saturn, the Sun and the Moon in the most eminent sense. It is not without reason that the Bible relates how the Elohim took the dust, that is to say, that which was added to the earth only, like air and water – one thinks of the earthly element when one says 'dust' – to form Adam, the man. From the cosmos, the macrocosm, which the woman carries over from Saturn, Sun and Moon, is first joined with the male principle. There is a profound mystery about what confronts each other on earth as male and female. Of course, what has just been said refers only to what the male and female express in the organization of the human being. And this mystery is connected with the whole earth, is connected with the abilities that are proper to woman only as woman during earthly development, with the fact that the macrocosmic of Saturn, Sun and Moon development is carried over into woman's inner being and is taken up into woman's microcosm, while the macrocosm of the just preceding earthly development is taken up into man's microcosm. In a very special way, the feminine and the masculine carry the whole cosmos within them. And if I have often stated here that the human being carries the whole macrocosm within him, the feminine and the masculine organization carry it within them in a different way.

A cosmic thought dawns on Goethe as he brings the penitentesses close to the Mater gloriosa. For what is the Mater gloriosa to him? She who has most purely carried over into earthly time the eternal effects of the time of Saturn, the time of the sun and the time of the moon, leaving them untouched by the earthly and connecting with the macrocosm by being allowed to prepare the Christ of the earth. The macrocosmic, the eternal aspect of the feminine draws upward. What draws upward? How could we still answer this question? By repeating the mystic chorus.

That is what Goethe meant – only he does not want to use a general term – that is what Goethe meant.

All that is transient
Is but a parable;
The inadequate,
Here it becomes attainable;
The indescribable,
Here it is done;
The gloriosa Mater
Draws us on.

That which has been done, that which has taken place before us, at the same time draws the entire spiritual world upward.

Goethe's poem of life ends with a deeply Christian sentiment. We shall take up these aphoristic remarks (for that is what they should be) again in the following.

We were able to close our lecture on the Mission of Anger (illustrated in Prometheus Bound) with the saying of Heraclitus: “Never will you find the boundaries of the soul, by whatever paths you search for them; so all-embracing is the soul's being.” We came to know this depth in the working and interplay of the powers of the soul; and the truth of the saying came home to us especially when we turned our attention to the most deeply inward part of man's being. Man is most spiritual in his Ego, and that was our starting-point.

The Ego complements those other elements of man's being which he has in common with minerals, plants and animals. He has his physical body in common with minerals, plants and animals; his etheric body in common with animals and plants; his astral body in common with animals. Through his Ego he first becomes man in the true sense and is able to progress from stage to stage. It is the Ego that works upon the other members of his being; it cleanses and purifies the instincts, inclinations, desires and passions of the astral body, and will lead the etheric and physical bodies on to ever-higher stages. But if we look at the Ego, we find that this high member of man's being is imprisoned, as it were, between two extremes.

Through his Ego, man is intended to become increasingly a being who has a firm centre in himself. His thoughts, feelings and will-impulses should spring from this centre. The more he has a firm and well-endowed centre in himself, the more will he have to give to the world; the stronger and richer will be his activities and everything that goes out from him. If he is unable to find this central point in himself, he will be in danger of losing himself through a misconceived activity of his Ego. He would lose himself in the world and go ineffectually through life. Or he may lapse into the other extreme. Just as he may lose himself if he fails to strengthen and enrich his Ego, so, if he thinks of nothing but developing his Ego, he may fall into the other extreme of selfish isolation from all human community. Here, on this other side, we find egoism, with its hardening and secluding influence, which can divert the Ego from its proper path. The Ego is confined within these two extremes.

In considering the human soul, we called three of its members the Sentient Soul, the Intellectual Soul and the Consciousness Soul. We also came to recognise—surprisingly, perhaps, for many people—that anger acts as a kind of educator of the Sentient Soul. A one-sided view of the lecture on the mission of anger could give scope for many objections. But if we go into the underlying significance of this view of anger, we shall find in it an answer to many important riddles of life.

In what sense is anger an educator of the soul—especially the Sentient Soul—and a forerunner of love? Is it not true that anger tends to make a man lose control of himself and engage in wild, immoral and loveless behaviour? If we are thinking only of wild, unjustified outbursts of anger, we shall get a false idea of what the mission of anger is. It is not through unjustified outbreaks of anger that anger educates the soul, but through its inward action on the soul.

Let us again imagine two teachers faced with children who have done something wrong. One teacher will burst into anger and hastily impose a penalty. The other teacher, though unable to break out into anger, is also incapable of acting rightly, with perfect tranquility, out of his Ego, in the sense described yesterday. How will the behaviour of two such teachers differ? An outburst of anger by one of them involves more than the penalty imposed on the child. Anger agitates the soul and works upon it in such a way as to destroy selfishness. Anger acts like a poison on selfishness, and we find that in time it gradually transforms the powers of the soul and makes it capable of love. On the other hand, if a teacher has not yet attained inner tranquility and yet inflicts a coldly calculated penalty, he will—since anger will not work in him as a counteracting poison—become increasingly a cold egoist.

Anger works inwardly and can be regarded as a regulator for unjustified outbursts of selfishness. Anger must be there or it could not be fought against. In overcoming anger the soul continually improves itself. If a man insists on getting something done that he considers right and loses his temper over it, his anger will dampen the egoistic forces in his soul; it reduces their effective power. Just because anger is overcome and a man frees himself from it and rises above it, his selflessness will be enhanced and the selflessness of his Ego continually strengthened. The scene of this interplay between anger and the Ego is the Sentient Soul. A different interplay between the soul and other experiences takes its course in the Intellectual Soul.

Although the soul has attributes which it must overcome in order to rise above them, it must also develop inwardly certain forces which it should love and cherish, however spontaneously they may arise. They are forces to which the soul may initially yield, so that, when it finally asserts itself, it is not weakened, but strengthened, by the experience. If a man were incapable of anger when called upon to assert himself in action, he would be the weaker for it.

It is just when a man lovingly immerses himself in his own soul that his soul is strengthened and an ascent to higher stages of the Ego comes within reach. The outstanding element that the soul may love within itself, leading not to egoism but to selflessness, is truth. Truth educates the Intellectual Soul. While anger is an attribute of the soul that must be overcome if a man is to rise to higher stages, truth should be loved and valued from the start. An inward cultivation of truth is essential for the progress of the soul.

How is it that devotion to truth leads man upwards from stage to stage? The opposites of truth are falsehood and error. We shall see how man progresses in so far as he overcomes falsehood and error and pursues truth as his great ideal.

A higher truth must be the aim of man's endeavour, while he treats anger as an enemy to be increasingly abolished. He must love truth and feel himself most intimately united with it. Nevertheless, eminent poets and thinkers have rightly claimed that full possession of truth is beyond human reach. Lessing,²¹ for example, says that pure truth is not for men, but only a perpetual striving towards it. He speaks of truth as a distant goddess whom men may approach but never reach. When the nature of truth stirs the soul to strive for it, the soul can be impelled to rise from stage to stage. Since there is this everlasting search for truth, and since truth is so manifold in meaning, all we can reasonably say is that man must set out to grasp truth and to kindle in himself a genuine sense of truth. Hence we cannot speak of a single, all-embracing truth.

In this lecture we will consider the idea of truth in its right sense, and it will become clear that by cultivating a sense of truth in his inner life man will be imbued with a progressive power that leads him to selflessness.

Man strives towards truth; but when people try to form views concerning one thing or another, we find that in the most varied realms of life conflicting opinions are advanced. When we see what different people take for truth, we might think that the striving for truth leads inevitably to the most contradictory views and standpoints. However, if we look impartially at the facts, we shall find guidelines which show how it is that men who are all seeking truth, arrive at such a diversity of opinions.

Let us take an example. The American multimillionaire, Harriman,²² who died recently, was a rarity among millionaires in concerning himself with thoughts of general human interest. His aphorisms, found after his death, include a remarkable statement. He wrote: No man in this world is indispensable. When one goes, another is there to take his place. When I lay down my work, another will come and take it up. The railways will continue running, dividends will be paid; and so, strictly speaking, it is with all men.

This millionaire, accordingly, rose to the point of declaring as a generally valid truth—no man is indispensable!

Let us compare this statement with a remark by a man who worked for many years in Berlin and gained great distinction through his lecture courses on the lives of Michelangelo, Raphael and Goethe—I mean the art-historian Herman Grimm.²³ When Treitschke²⁴ died, Herman Grimm wrote of him roughly as follows: Now Treitschke is gone, and people only now realise what he accomplished. No-one can take his place and continue his work in the same way. A feeling prevails that in the circle where he taught, everything is changed. Note that Herman Grimm did not add the words, so it is with all men.

Here we have two men, the American millionaire and Herman Grimm, who arrive at exactly opposite truths. How does this come about? If we carefully compare the two statements, we shall find a clue. Bear in mind that Harriman says pointedly: When I lay down my work, someone else will continue it. He does not get away from himself. The other thinker, Herman Grimm, leaves himself entirely out of account. He does not speak about himself, or ask what sort of opinions or truths others might gain from him. He merges himself in his subject. Anyone with a feeling for the matter will have no doubt as to which of the two spoke truth. We need only ask—who carried on Goethe's work when he laid it down? We can feel that Harriman's reflections suffer from the fact that he fails to get away from himself. Up to a point we may conclude that it is prejudicial to truth if someone in search of truth cannot get away from himself. Truth is best served when the seeker leaves himself out of the reckoning. Would it be true to say, then, that truth is already something that gives us a view (Ansicht) of things?

A view, in the sense of an opinion, is a thought which reflects the outer world. When we form a thought or reach a decision about something, does it follow that we have a true picture of it?

Suppose you take a photograph of a remarkable tree. Does the photograph give a true picture of the tree? It shows the tree from one side only, not the whole reality of the tree. No-one could form a true image of the tree from this one photograph. How could anyone who has not seen the tree be brought nearer to the truth of it? If the tree were photographed from four sides, he could collate the photographs and arrive finally at a true picture of the tree, not dependent on a particular standpoint.

Now let us apply this example to human beings. A man who leaves himself out of account when forming a view of something is doing much the same as the photographer who goes all round the tree. He eliminates himself by conscious action. When we form an opinion or take a certain view, we must realise that all such opinions depend on our personal standpoint, our habits of mind and our individuality. If we then try to eliminate these influences from our search for truth, we shall be acting as the photographer did in our example. The first condition for acquiring a genuine sense of truth is that we should get away from ourselves and see clearly how much depends on our personal point of view. If the American multimillionaire had got away from himself he would have known that there was a difference between him and other men.

An example from everyday life has shown us, that if a man fails to realise how much his personal standpoint or point of departure influences his views, he will arrive at narrow opinions, not at the truth. This is apparent also on a wider scale. Anyone who looks at the true spiritual evolution of mankind, and compares all the various “truths” that have arisen in the course of time, will find—if he looks deeply enough—that when people pronounce a “truth” they ought first of all to get away from their individual outlooks. It will then become clear that the most varied opinions concerning truth are advanced because men have not recognised to what extent their views are restricted by their personal standpoints.

A less familiar example may lead to a deeper understanding of this matter. If we want to learn more about beauty, we turn to aesthetics, which deals with the forms of beauty. Beauty is something we encounter in the outer world. How can we learn the truth about it? Here again we must free ourselves from the restrictions imposed by our personal characteristics.

Take for example the 19th century German thinker, Solger.²⁵ He wished to investigate the nature of beauty in accordance with his idea of truth. He could not deny that we meet with beauty in the external world; but he was a man with a one-sided theosophical outlook, and this was reflected in his theory of aesthetics. His interest in a beautiful picture was confined to the shining through it of the only kind of spirituality he recognised. For him, an object was beautiful only in so far as the spiritual was manifest through it. Solger was a one-sided theosophist; he sought to explain sense-perceptible phenomena in terms of the super-sensible; but he forgot that sense-perceptible reality has a justified existence on its own account. Unable to escape from his preconceptions, he sought to attain to the spiritual by way of a misconceived theosophy.

Another writer on aesthetics, Robert Zimmermann,²⁶ came to an exactly opposite conclusion. As against Solger's misconceived theosophical aesthetics, Zimmermann based his aesthetics on a misconceived anti-theosophical outlook. His sole concern was with symmetry and anti-symmetry, harmony and discord. He had no interest in going beyond the beautiful to that which manifests through it. So his aesthetics were as one-sided as Solger’s. Every striving for truth can be vitiated if the seeker fails to recognise that he must first endeavour to get away from himself. This can be achieved only gradually; but the primary, inexorable demand is, that if we are to advance towards truth we must leave ourselves out of account and quite forget ourselves. Truth has a unique characteristic: a man can strive for it while remaining entirely within himself and yet—while living in his Ego—he can acquire something which, fundamentally speaking, has nothing to do with the egoistic ego.

Whenever a man tries in life to get his own way in some matter, this is an expression of his egoism. Whenever he wants to force on others something he thinks right and loses his temper over it, that is an expression of his self-seeking. This self-seeking must be subdued before he can attain to truth. Truth is something we experience in our most inward being—and yet it liberates us increasingly from ourselves. Of course, it is essential that nothing save the love of truth should enter into our striving for it. If passions, instincts and desires, from which the Sentient Soul must be cleansed before the Intellectual Soul can strive for truth, come into it, they will prevent a man from getting away from himself and will keep his Ego tied to a fixed viewpoint. In the search for truth, the only passion that must not be discarded is love.

Truth is a lofty goal. This is shown by the fact that truth, in the sense intended here, is recognised today in one limited realm only. It is only in the realm of mathematics that humanity in general has reached the goal of truth, for here men have curbed their passions and desires and kept them out of the way. Why are all men agreed that three times three makes nine and not ten? Because no emotion comes into it, Men would agree on the highest truths if they had gone as far with them as they have with mathematics. The truths of mathematics are grasped in the inmost soul, and because they are grasped in this way, we possess them. We would still possess them if a hundred or a thousand people were to contradict us; we would still know that three times three makes nine because we have grasped this fact inwardly. If the hundred or thousand people who take a different view were to get away from themselves, they would come to the same truth.

What, then, is the way to mutual understanding and unity for mankind? We understand one another in the field of reckoning and counting because here we have met the conditions required. Peace, concord and harmony will prevail among men to the extent that they find truth. That is the essential thing: that we should seek for truth as something to be found only in our own deepest being; and should know that truth ever and again draws men together, because from the innermost depth of every human soul its light shines forth.

So is truth the leader of mankind towards unity and mutual understanding, and also the precursor of justice and love. Truth is a precursor we must cherish, while the other precursor, anger, that we came to know yesterday, must be overcome if we are to be led by it away from selfishness. That is the mission of truth: to become the object of increasing love and care and devotion on our part. Inasmuch as we devote ourselves inwardly to truth, our true self gains in strength and will enable us to cast off self-interest. Anger weakens us; truth strengthens us.

Truth is a stern goddess; she demands to be at the centre of a unique love in our souls. If man fails to get away from himself and his desires and prefers something else to her, she takes immediate revenge. The English poet Coleridge has rightly indicated how a man should stand towards truth. If, he says, a man loves Christianity more than truth, he will soon find that he loves his own Christian sect more than Christianity, and then he will find that he loves himself more than his sect.

Very much is implicit in these words. Above all, they signify that to strive against truth leads to humanly degrading egoism. Love of truth is the only love that sets the Ego free. And directly man gives priority to anything else, he falls inevitably into self-seeking. Herein lies the great and most serious importance of truth for the education of the human soul. Truth conforms to no man, and only by devotion to truth can truth be found. Directly man prefers himself and his own opinions to the truth, he becomes anti-social and alienates himself from the human community. Look at people who make no attempt to love truth for its own sake but parade their own opinions as the truth: they care for nothing but the content of their own souls and are the most intolerant. Those who love truth in terms of their own views and opinions will not suffer anyone to reach truth along a quite different path. They put every obstacle in the way of anyone with different abilities, who comes to opinions unlike their own. Hence the conflicts that so often arise in life. An honest striving for truth leads to human understanding, but the love of truth for the sake of one's own personality leads to intolerance and the destruction of other people's freedom.

Truth is experienced in the Intellectual Soul. It can be sought for and attained through personal effort only by beings capable of thought. Inasmuch as truth is acquired by thinking, we must realise very clearly that there are two kinds of truth. First we have the truth that comes from observing the world of Nature around us and investigating it bit by bit in order to discover its truths, laws and wisdom. When we contemplate the whole range of our experience of the world in this way, we come to the kind of truth that can be called the truth derived from “reflective” thinking—we first observe the world and then think about our findings.

We saw yesterday that the entire realm of Nature is permeated with wisdom, and that wisdom lives in all natural things. In a plant there lives the idea of the plant, and this we can arrive at by reflective thought. Similarly, we can discern the wisdom that lives in the plant. By thus looking out on the world we can infer that the world is born of wisdom, and that through the activity of our thinking we can rediscover the element that enters into the creation of the world. That is the kind of truth to be gained by reflective thought.

There are also other truths. These cannot be gained by reflective thought, but only by going beyond everything that can be learnt from the outer world. In ordinary life we can see at once that when a man constructs a tool or some other instrument, he has to formulate laws that are not part of the outer world. For example, no-one could learn from the outer world how to construct a clock, for the laws of Nature are not so arranged as to provide for the appearance of clocks as a natural product. That is a second kind of truth: we come to it by thinking out something not given to us by observation or experience of the outer world. Hence there are these two kinds of truth, and they must be kept strictly apart, one derived from reflective thought and the other from “creative” thought.

How can a truth of this second kind be verified? The inventor of a clock can easily prove that he had thought it out correctly. He has to show that the clock does what he expects. Anything we think out in advance must prove itself in practice: it must yield results that can be recognised in the external world. The truths of Spiritual Science or Anthroposophy are of this kind. They cannot be found by observing external experience.

For example, no findings in the realm of outer Nature can establish the truth we have often dwelt on in connection with the immortal kernel of man's being: the truth that the human Ego appears again and again on earth in successive incarnations. Anyone who wishes to acquire this truth must raise himself above ordinary experience. He must grasp in his soul a truth that has then to be made real in outer life. A truth of this kind cannot be proved in the same way as truths of the first kind, gained by what we have called reflective thought. It can be proven only by showing how it applies to life and is reflected there. If we look at life with the knowledge that the soul repeatedly returns and ever and again goes through a series of events and experiences between birth and death, we shall find how much satisfaction, how much strength and fruitfulness, these thoughts can bring. Or again, if we ask how the soul of a child can be helped to develop and grow stronger, if we presuppose that an eternally existent soul is here working its way into a new life, then this truth will shine in on us and give proof of its fruitfulness in daily experience. Any other proofs are false. The only way in which a truth of this kind can be confirmed is by giving proof of its validity in daily life. Hence there is a vast difference between these two kinds of truth. Those of the second kind are grasped in the spirit and then verified by observing their influence on outer life.

What then is the educational effect of these two kinds of truth on the human soul? It makes a great difference whether a man devotes himself to truths that come from reflective thought or to those that come from creative thought. If we steep ourselves in the wisdom of Nature and create in ourselves a true reflection of it, we can rightly say that we have in ourselves something of the creative activity from which the life of Nature springs. But here a distinction must be made. The wisdom of Nature is directly creative and gives rise to the reality of Nature in all its fullness, but the truth we derive from thinking about Nature is only a passive image; in our thinking it has lost its power. We may indeed acquire a wide, open-minded picture of natural truth, but the creative, productive element is absent from it. Hence the immediate effect of this picture of truth on the development of the human Ego is desolating. The creative power of the Ego is crippled and devitalised; the Self loses strength and can no longer stand up to the world, if it is concerned only with reflective thoughts. Nothing else does so much to isolate the Ego, to make it withdraw into itself and look with hostility on the world. A man can become a cold egoist if he is intent only on investigating the outer world. Why does he want this knowledge? Does he mean to place it at the service of the Gods?

If a man desires only this kind of truth, he wants it for himself, and he will be on the way to becoming a cold egoist and misogynist in later life. He will become a recluse or will sever himself from mankind in some other way, for he wants to possess the content of the world as his own truth. All forms of seclusion and hostility towards humanity can be found on this path. The soul becomes increasingly dried up and loses its sense of human fellowship. It becomes ever more impoverished, although the truth should enrich it. Whether a man turns into a recluse or a one-sided eccentric makes no difference; in both cases a hardening process will overtake his soul. Hence we see that the more a man confines himself to this kind of reflective thought, the less fruitful his soul will be. Let us try to understand why this is so.

Consider the realms of nature and suppose that we have before us an array of plants. They have been formed by the living wisdom which calls forth their inherent productive power. Now an artist comes along. His soul receives the picture that Nature sets before him. He does not merely think about it; he opens himself to Nature's productive power and lets it work upon him. He creates a work of art which does not embody merely an act of thinking; it is imbued with productive power. Then comes someone who tries to get behind the picture and to extract a thought from it. He ponders over it. In this way its reality is filtered and impoverished. Now try to carry this process further. Once the soul has extracted a thought from the picture, it has finished with it. Nothing more can be done except to formulate thoughts about the thought—an absurd procedure which soon dries up.

It is quite different with creative thinking. Here a man is himself productive. His thoughts take form as realities in outer life; here he is working after the example of Nature herself. That is how it is with a man who goes beyond mere observation and reflective thinking and allows something not to be gained from observation to arise in his soul. All spiritual-scientific truths require a productive disposition in the soul. In the case of these truths all mere reflective thinking is bad and leads to deception. But the truths attainable by creative thought are limited, for man is weak in the face of the creative wisdom of the world. There is no end to the things from which we can derive truths by reflective thought; but creative thought, although the field open to it is restricted, brings about a heightening of productive power; the soul is refreshed and its scope extended. Indeed, the soul becomes more and more inwardly divine, in so far as it reflects in itself an essential element of the divine creative activity in the world.

So we have these two distinct kinds of truth, one reached by creative thought, the other by reflective thought. This latter kind, derived from the investigation of existent things or current experience, will always lead to abstractions; under its influence the soul is deprived of nourishment and tends to dry up. The truth that is not gained from immediate experience is creative; its strength helps man to find a place in the world where he can co-operate in shaping the future.

The past can be approached only by reflective thought, while creative thought opens a way into the future. Man thus becomes a responsible creator of the future. He extends the power of his Ego into the future, in so far as he comes to possess not merely the truths derived from the past by reflective thinking, but also those that are gained by creative thinking and point towards the future.

Herein lies the liberating influence of creative thinking. Anyone who is active in the striving for truth will soon find how he is impoverished by mere reflective thinking. He will come to understand how the devotee of reflective thinking fills his mind with phantom ideas and bloodless abstractions. Such a man may feel like an outcast, condemned to a mere savouring of truth and may come to doubt whether his spirit can play any part in shaping the world. On the other hand, a man who experiences a truth gained by creative thinking will find that it nourishes and warms his soul and gives it new strength for every stage in life. It fills him with joy when he is able to grasp truths of this kind and discovers that in bringing them to bear on the phenomena of life he can say to himself: Now I not only understand what is going on there, but I can explain it in the light of having known something of it previously.

With the aid of spiritual-scientific truths we can now approach man himself. He cannot be understood merely by reflective thinking, but now we can comprehend him better and better, while our feeling of unity with the world and our interest in it are continually enhanced. We experience joy and satisfaction at every confirmation of spiritual-scientific truths that we encounter. This is what makes these truths so satisfying: we have first to grasp them before we can find them corroborated in actual life, and all the while they enrich us inwardly. We are drawn gradually into unity with the phenomena we experience. We get away more and more from ourselves, whereas reflective thinking leads to subtle forms of egoism. In order to find confirmation of truths gained by creative thinking we have to go out from ourselves and look for their application in all realms of life. It is these truths that liberate us from ourselves and imbue us in the highest degree with a sense of truth and a feeling for it.

Feelings of this kind have been alive in every genuine seeker after truth. They were deeply present in the soul of Goethe when he declared: “Only that which is fruitful is true”—a magnificent, luminous saying of far—reaching import. But Goethe was also well aware that men must be closely united with truth if they are to understand one another. Nothing does more to estrange men from one another than a lack of concern for truth and the search for truth. Goethe also said: “A false doctrine cannot be refuted, for it rests on a conviction that the false is true.”²⁷ Obviously there are falsities that can be logically disproved, but that is not what Goethe means. He is convinced that a false viewpoint cannot be refuted by logical conclusions, and that the fruitful application of truth in practical life should be our sole guide-line in our search for truth.

It was because Goethe was so wonderfully united with truth that he was able to sketch the beautiful poetic drama, Pandora, which he began to write in 1807. Though only a fragment, Pandora is a ripe product of his creative genius—so powerful in every line, that anyone who responds to it must feel it to be an example of the purest, grandest art. We see in it how Goethe was able to make a start towards the greatest truths—but then lacked the strength to go further. The task was too arduous for him to carry through; but we have enough of it to get some idea of how deeply he had penetrated into the problems of spiritual education. He had a clear vision of everything that the soul has to overcome in order to rise higher; he understood everything we learnt yesterday about anger and the fettered Prometheus, and have learnt today about that other educator of the soul, the sense of truth.

How closely related these two things are in their effects on the soul can be seen also in the facial expressions they call forth. Let us picture a man under the influence of anger, and another man upon whom truth is acting as an inward light. The first man is frowning—why? In such cases the brow is knitted because an excessive force is working inwardly, like a poison, to hold down a surplus of egoism which would like to destroy everything that exists alongside and separate from the man himself. In the clenched fist of anger we see the wrathful self closed up in itself and refusing to go forth into the outer world. Now compare this with the facial expression of someone who is discovering truth. When he perceives the light of truth, he too may frown, but in his case the wrinkled brow is a means whereby the soul expands, as though it would like to grasp and absorb the whole world with devoted love. Observe, too, the eyes of a man who is trying to overhear the world's secrets. His eyes are shining, as though to encompass everything around him in the outer world. He is released from himself; his hand is not clenched, but held out with a gesture that seeks to absorb the being of the world.

The whole difference between anger and truth is thus expressed in human physiognomy and gesture. Anger thrusts the human being deeper into himself. If he strives for truth, his being expands into the outer world; and the more united he becomes with the outer world, the more he turns away from the truths gained by reflective thinking to those gained by creative thinking. Therefore, Goethe in his Pandora brings into opposition with each other certain characters who can be taken to represent forces at work in the human soul. They are intended to express symbolically the relationships between the characteristics and capacities of the soul.

When you open Pandora, you come upon something remarkable and highly significant at the very start. On the side of Prometheus, the stage is loaded with tools and implements constructed by man. In all these, human energies have been at work, but in a certain sense it is all rough and ready. On the side of Epimetheus, the other Titan, there is a complete contrast. Here everything is perfectly finished; we see not so much what man creates, but a bringing together of what Nature has already produced. It is all the result of reflective thinking. Here we have combination and shaping, a symmetrical ordering of Nature's work. On the side of Prometheus, unsymmetry and roughness; on the side of Epimetheus, elegant and harmonious products of Nature, culminating in a view of a wonderful landscape. What does all this signify? We need only consider the two contrasted characters: Prometheus the creative thinker, Epimetheus the reflective thinker. With Prometheus we find the products mainly of creative thinking. Here, although man's powers are limited and clumsy, he is productive. He cannot yet shape his creations as perfectly as Nature shapes her own; but they are all the outcome of his own powers and tools. He is also deficient in feeling for scenes of natural beauty.

On the side of Epimetheus, the reflective thinker, we see the heritage of the past, brought into symmetrical order by himself. And because he is a reflective thinker, we see in the background a beautiful landscape which gives its own special pleasure to the human eye. Epimetheus now comes forward and discloses his individual character. He explains that he is there to experience the past, and to reflect upon past occurrences and the visible world. But in his speech he reveals the dissatisfaction that this kind of attitude can at times call forth in the soul. He feels hardly any difference between day and night. In brief, the figure of Epimetheus shows us reflective thinking in its most extreme form. Then Prometheus comes forward carrying a torch and emerging from the darkness of night. Among his followers are smiths; they set to work on the man-made objects that are lying around, while Prometheus makes a remarkable statement that will not be misunderstood if we are alive to Goethe's meaning. The smiths extol productivity and welcome the fact that in the course of production many things have to be destroyed. In a one-sided way they extol fire. A man who is an all-round reflective thinker will not praise one thing at the expense of another. He casts his eye over the whole. Prometheus, however, says at once:

In partiality let the active man
Find his pleasure

He extols precisely the fact that to be active entails the acceptance of limitations. In Nature, the right is established when the wrong destroys itself. But to the smiths Prometheus says: Carry on doing whatever can be done. He is the creative man; he emerges with his torch from the darkness of night in order to show how from the depths of his soul the truth gained by his creative thinking comes forth. Unlike Epimetheus, he is far from a dreamlike feeling that night and day are all one. Nor does he experience the world as a dream. For his soul has been at work, and in its own dark night it has grasped the thoughts which now emerge from it. They are no dreams, but truths for which the soul has bled. By this means the soul advances into the world and gains release from itself; but at the same time it incurs the danger of losing itself. This does not yet apply to Prometheus himself, but when a man introduces one-sidedness into the world, the danger appears among his descendants.

Phileros, the son of Prometheus, is already inclined to love and cherish and enjoy the products of creative work, while his father Prometheus is still immersed in the stream of life's creative power. In Phileros we are shown the power of creative thinking developed in a one-sided way. He rushes out into life, not knowing where to search for enjoyment. Prometheus cannot pass on to his son his own fruitfully creative strength, and so Phileros appears incomprehensible to Epimetheus, who out of his own rich experience would like to counsel him on his headlong career.

We are then magnificently shown what mere reflective thinking involves. This is connected with the myth that Zeus, having fettered Prometheus to the rock, imposes Pandora, the all-gifted, on mankind.

Most beautiful and gifted she approached
The amazed watcher, moving with noble grace,
Her gracious look inquiring whether I,
Like to my sterner brother, would repel her,
But all too strongly were my heart-beats stirred,
With sense bemused my charming bride I welcomed.
Towards the mysterious dowry then I turned,
The earthen vessel, tall and shapely, stood
Close-sealed ...

Prometheus had warned his brother against this gift from the gods. But Epimetheus, with his different character, accepts the gift, and when the earthen vessel is opened, all the afflictions that can befall mankind come pouring out. Only one thing is left in the vessel—Hope.

Who, then, is Pandora and what does she signify? Truly a mystery of the soul is concealed in her. The fruits of reflective thinking are dead products, an abstract reflection of the mechanical thoughts forged by Hephaestus. This wisdom is powerless in the face of the universally creative wisdom from which the world has been born. What can this abstract reflection give to mankind?

We have seen how this kind of truth can be sterile and can lay waste the soul, and we can understand how all the afflictions that fall on mankind come pouring out of Pandora's vessel. In Pandora we have to see truth without the powers of creativity, the truth of reflective thinking, a truth which builds up a mechanised thought-picture in the midst of the world's creative life. For the mere reflective thinker only one thing remains. While the creative thinker unites his Ego with the future and gets free from himself, the reflective thinker can look to the future only with hope, for he has no part in shaping it. He can only hope that things will happen. Goethe shows his deep comprehension of the myth by endowing the marriage of Epimetheus and Pandora with two children: Elpore (Hope) and Epimeleia (Care), who safeguards existing things. In fact, man has in his soul two offspring of dead, abstract, mechanically conceived truth. This kind of truth is unfruitful and cannot influence the future; it can only reflect what is already there. It leaves a man with nothing but the hope that what is true will duly come to pass. This is represented by Goethe with splendid realism in the figure of Elpore, who, if someone asks her whether this or that is going to happen, always gives the same answer, yes, yes. If a Promethean man were to stand before the world and speak of the future, he would say: “I hope for nothing. With my own forces I will shape the future.” But a reflective thinker can only reflect on the past and hope for the future; thus Elpore, when asked whether this or that will happen, replies always, yes, yes. We hear it again and again. In this way a daughter of reflective thinking is admirably characterised and her sterility is indicated.

The other daughter of this reflective thinking, Epimeleia, is she who cares for existing things. She sets them all in symmetrical order and can add nothing from her own resources. But all things which fail to develop are increasingly liable to destruction; hence we see how anxiety about them continually mounts, and how through mere reflective thinking a destructive element finds its way into the world. This is wonderfully well indicated by Goethe when he makes Phileros fall in love with Epimeleia. We see him, burnt up with jealousy, pursuing Epimeleia, until she takes refuge from him with the Titan brothers. Strife and dissension come simultaneously on to the scene. Epimeleia complains that the person she loves is the very one to seek her life.

Everything that Goethe goes on to say shows how deeply he had penetrated into the effects of creative thinking and reflective thinking on the soul. The creative thinking of the smiths is set in wonderful contrast to the outlook of the shepherds; whilst the latter take what Nature offers, the former work on the products of Nature and transform them. Therefore Prometheus says of the shepherds: they are seeking peace, but they will not find a peace that satisfies their souls:

Go your ways in peace; but peace
You will not find.

For a wish merely to preserve things as they are leads only to the unproductive side of Nature.

The truths which belong to creative thinking and reflective thinking respectively are thus set before us in the figures of Prometheus and Epimetheus, and in all the characters connected with them. They represent those soul-forces which can spring from an excessive, one-sided predilection for one or other way of striving after truth. And after we have seen how disastrous are the consequences of these extremes, we are shown finally the one and only remedy—the co-operation of the Titan brothers. The drama leads on to an outbreak of fire in a property owned by Epimetheus. Prometheus, who is prepared to demolish a building if it no longer serves its purpose, advises his brother to make all speed to the spot and do all he can to halt the destruction. But Epimetheus no longer cares for that; he is thinking about Pandora and is lost in his recollection of her. Interesting also is a dialogue between the brothers about her:

Prometheus:

Her form sublime, from ancient dark emerging,
Came near me also. To make another like her,
Even Hephaestus would have failed in that.

Epimetheus:

Art thou, too, prating of this fabled birth?
From ancient gods, a mighty race, she springs:
Uranione, Hera's peer, and sister
Of Zeus himself.

Prometheus:

And yet Hephaestus, for her rich adornment,
Made for her head a net of shining gold,
Weaving with subtle hand the finest threads.

In every sentence spoken by Prometheus we see how mechanised, abstract limitations obsess his mind. Then Eos, the Dawn, appears. She is an unlit being who precedes and heralds the sun, but also contains its light within herself already. She does not simply emerge from the darkness of night; she represents a transition to something which has overcome night. Prometheus appears with his torch because he has just come out of the night. The artificial light he carries indicates how his creative work proceeds from the night's darkness. Epimetheus can indeed admire the sunlight and its gifts, but he experiences everything as in a dream. He is an example of pure reflective thinking. The way in which light can escape the attention of a soul absorbed in creative activity is shown by what Prometheus says in the light of day. His people, he says, are called upon not merely to observe the sun and the light, but to be themselves a source of illumination. Now Eos, Aurora, comes forward. She calls upon men to be active everywhere in doing right. Phileros, already having sought death, should unite with the forces which will make it possible for him to rescue himself. The smiths, who are working within the limits of their creative thinking, and the shepherds, who accept things as they are, are now joined by the fishermen. And we see how Eos gives them advice:

Morning of youth, dawning of day,
More beautiful than ever,
From the unfathomed ocean
I bring you now.
Awake, shake off your sleep,
You dwellers in the bay
By cliffs encircled,
You fishermen, arise,
And ply your craft.
With speed spread out your nets
Around the well-known waters,
A splendid catch is certain
When my voice cheers you on.
Swim, you swimmers! Dive, you divers!
Watch, you watchers on the heights!
May the shores and seas together
Swarm with swift abounding life!

Then we are shown in a wonderful way how Phileros is rescued on the surging flood and unites his own strength with the strength of the waves. The active creative power in him is thus united with the creative power in Nature. So the elements of Prometheus and Epimetheus are reconciled.

Thus Goethe offers a solution rich in promise, by showing how knowledge gained from nature by reflective thinking can be fired with productive energy by the creative thinking element. This latter acquires its rightful strength by receiving, in loyalty to truth, what the gods “up there” bestow:

Take note of this:
What is desirable, you feel down here;
What is to be given, they know up there.
You Titans make a great beginning,
But the way to the eternal good, the forever beautiful,
That is the work of the gods; they ensure it.

The union of Prometheus and Epimetheus in the human soul will bring salvation for them and for mankind. The whole drama is intended to indicate that through an all-round grasping of truth the entire human race, and not only individuals, will find satisfaction. Goethe wished to show that an understanding of the real nature of truth will unite humanity and foster love and peace among men. Then Hope, also, is transformed in the soul—Hope who says yes to everything but is powerless to bring anything about. The poem was to have ended with the transformed Elpore, Elpore thraseia, coming forward to tell us that she is no longer a prophetess but is to be incorporated into the human soul, so that human beings would not merely cherish hopes for the future but would have the strength to co-operate in bringing about whatever their own productive power could create. To believe in the transformation wrought by truth upon the soul—that is the whole perfected truth which reconciles Prometheus and Epimetheus.

Naturally, these sketchy indications can bring out only a little of all that can be drawn from the poem. The deep wisdom that called forth this fragment from Goethe will disclose itself first to those who approach it with the support of a spiritual-scientific way of thinking. They can experience a satisfying, redeeming power which flows out from the poem and quickens them.

We must not fail to mention a remarkably beautiful phrase that Goethe included in his Pandora. He says that the divine wisdom which flows into the world must work in harmony with all that we are able to achieve through our own Promethean power of creative thinking. The element that comes to meet us in the world and teaches us what wisdom is, Goethe called the Word. That, which lives in the soul and must unite itself with the reflective thinking of Epimetheus, is the Deed of Prometheus. So the union of the Logos or Word with the Deed gives rise to the ideal that Goethe wished to set before us in his Pandora as the fruit of a life rich in experiences. Towards the end of the poem, Prometheus makes a remarkable statement: “A real man truly celebrates the deed.” This is the truth that remains hidden from the reflective thinking element in the soul.

If we open ourselves to this whole poem, we can come to realise the heroic yearning for development felt by men such as Goethe, and the great modesty which prevents them from supposing that by reaching a certain stage they have done enough and need not try to go further. Goethe was an apprentice of life up to his last day, and always recognised that when a man has been enriched by an experience he must overcome what he has previously held to be true.

When as a young man, Goethe was beginning to work on Faust, and had occasion to introduce some translations from the Bible, he decided that the words “In the beginning was the Word”, should be rendered as “in the beginning was the Deed”. At this same time he wrote a fragment on Prometheus.²⁸ There we see the young Goethe as altogether active and Promethean, confident that simply by developing his own forces, not fructified by cosmic wisdom, he could progress. In his maturity, with a long experience of life behind him, he realised that it was wrong to underestimate the Word, and that Word and Deed must be united. In fact, Goethe revised parts of his Faust while he was writing his Pandora. We can understand how Goethe came by degrees to maturity only if we realise the nature of truth in all its forms.

It will always be good for man if he wrestles his way to realising that truth can be apprehended only by degrees. Or take a genuine, honest, all-round seeker after truth who is called upon to bring forcibly before the world some truth he has discovered. It will be very good if he reminds himself that he has no grounds for pluming himself on this one account. There are no grounds at any time for remaining content with something already known. On the contrary, such knowledge as we have gained from our considerations yesterday and today should lead us to feel that, although the human being must stand firmly on the ground of the truth he has acquired and must be ready to defend it, he must from time to time withdraw into himself, as Goethe did. When he does this, the forces arising from the consciousness of the truth he has gained will endow him with a feeling for the right standards and for the standpoint he should make his own. From the enhanced consciousness of truth we should ever and again withdraw into ourselves and say, with Goethe: Much that we once discovered and took for truth is now only a dream, a dreamlike memory; and what we think today, will not survive when we put it to a deeper test. The words often spoken by Goethe to himself in relation to his own honest search for truth may well be echoed by every man in his solitary hours:

A poor wight am I
Through and through.
My thoughts miss the mark,
My dreams, they are not true.²⁹

If we can feel this, we shall be in the right relationship to our high ideal, Truth.

---

• 21. Cf. for example the polemic “Eine Duplik” (1778), part 1.
• 22. Edward Henry Harriman, 1848–1909. North American railway magnate.
• 23. Herman Grimm, 1828–1901, in his essay “Ernst Curtius, Heinrich von Treitschke, Leopold von Ranke”, in: Fragmente, vol 1, Berlin & Stuttgart, 1900, p.246.
• 24. Heinrich von Treitschke, 1834–96. German historian.
• 25. Karl Friedrich Solger, 1780–1819, from 1811 Professor of Philosophy in Berlin. Cf. Erwin. Vier Gespräche über das Schöne und die Kunst, 1815, and Vorlesungen uber Asthetik, ed. Heyse, 1829.
• 26. Robert Zimmermann, 1824–98. Professor in Vienna. Member of the school of Herbart. Cf. his Asthetik, 1858–65.
• 27. The first quotation is from the poem “Vermächtnis”, 1829; the second is from the “Sprüche in Prosa” in vol V, p.402 of Goethes Naturwissenschaftliche Schriften, edited with a commentary by Rudolf Steiner, 5 vols, Dornach, 1975.
• 28. Faust 1, 11.1224 and “Prometheus”, a dramatic fragment, 1773.
• 29. From the poem “Sprichtwörtlich”.

It is especially important in our time that the reality of spiritual life is not confused with the way people interpret this reality. We live in an age when human understanding and human conduct are strongly influenced by materialism. However, it would be wrong to think that because our age is materialistic, spiritual influences are not at hand, that the spirit is not present and active. Strange as it may seem it is possible, particularly in our time, to observe an abundance of effects in human life which are purely spiritual. They are everywhere in evidence and, the way they manifest, one could certainly not say that they are either invisible or inactive. The situation is rather that people, because of their materialistic outlook, are incapable of seeing what is manifestly there. All they see is what is so to speak "on the agenda." When one looks at people's attitude to the spirit, at the way they react when spiritual matters are spoken of, it reminds one of an incident which took place several decades ago in a Central European city. There was an important meeting of an important body of people and the degeneration of moral standards came under discussion. Immoral practices had begun to have adverse influence on certain financial transactions. Naturally a large part of this distinguished body of people wanted financial matters to be discussed purely from the point of view of finance. But a minority—it usually is a minority on such occasions—wanted to discuss the issue of moral corruption. However a minister got up and simply tossed aside such an irrelevant issue by saying: “But gentlemen, morality is not on the agenda.”—It could be said that the attitude of a great many people today in regard to spiritual matters is also one that says: But gentlemen, the spirit is not on the agenda. It is manifestly not on the agenda when things of importance are debated. But perhaps such debates do not always deal with the reality, perhaps the spirit is present, only it is not put on the agenda when human affairs are under discussion.

When one considers these things, and has opportunity to talk more intimately with people, a situation emerges which is very different from what is imagined by those who feel embarrassed by talking about things of a spiritual nature. When one comes to discuss how people got the impulse to do what they are doing one finds again and again that they decided on a project because of some prophetic vision or because of some inner impulse. As I said, if one looks at these things and is able to assess the situation, more often than not things are done because of some spiritual influence, perhaps in the form of a dream or some other kind of vision. Much more than is imagined takes place under the influence of spiritual powers and impulses which flow into the physical world from the spiritual world. People's theoretical rejection of spirituality, based on present-day outlook, does not alter the fact that significant spiritual impulses do penetrate everywhere into our world. However, they do not escape being influenced by the prevailing materialism. There has always been an influx of spiritual impulses throughout mankind's evolution and one ought not to think that this has ceased in our time. But people responded differently when there was more awareness of the existence of a spiritual world than they do in a materialistic age like ours. Let us look at a particular example.

It is extraordinarily difficult to convey to the world certain facts concerning spiritual matters, the reason being that people in general are not sufficiently prepared; they cannot formulate the appropriate concepts for receiving rightly such communications from the spiritual world. Such communications are all too easily distorted into the very opposite. Therefore it often happens, especially at present, that those who are initiated into spiritual matters must remain silent in regard to what is most essential. They must because it cannot be foreseen what might happen if certain things were imparted to someone unripe for the information. Nevertheless certain situations do often arise. On occasions, in accordance with higher laws, discussions take place about spiritual matters. When it is difficult, as it usually is at present, to discuss such things with the living it can often be all the more fruitful to discuss them with those who have died. Seldom perhaps was there a time when conscious interaction between the physical plane and the spiritual world, in which the dead are living, was so vigorous as it can be at present.

Let us assume that a discussion takes place of a kind possible only between someone with knowledge on the physical plane and someone who has died. In this situation something very curious can happen, something that could be termed a "transcendental indiscretion" can take place. The fact is that there are those who listen at keyholes, so to speak, not only on the physical plane, but also among certain beings in the spiritual world. There are spirits of an inferior kind who are forever attempting to obtain knowledge of all kinds of spiritual facts by such means. They listen to what is being said between beings on the physical plane and those in the spiritual world. Their opportunity to listen to such a conversation can arise through someone who, being especially passionate, in the grip of his passion is, as one might say, “beside himself.” This kind of situation often arises through passion, through being drunk—really physically drunk—or through faintness. It gives the lower spirit opportunity to enter into the person with the result that the person either then or later has visions of some kind and can hear things he is not supposed to hear.

It is well known to those able to observe such happenings that countless things, obtained through indiscretion in spiritual communication, appear in distorted form in all kinds of literature, particularly those of a more dubious kind. Nothing is more effective than when some lower elemental spirit (Kobold) takes possession of the writer of a detective novel, especially if drunk and, entering into his human frailties, instills in him a particular sentence or phrase which he then introduces into his story. Later the novel reaches people through all kinds of direct or indirect channels; the particular sentence has an especially strong effect because, given the way people take these things in, it speaks, not to the reader's consciousness, but to his subconscious.

Another method which is very effective is when, in a spiritualistic seance, such a spirit may have the opportunity to insinuate, into what is related through the medium, the spiritual indiscretion he wishes put to effect. This is not to say anything against mediumship as such, only the way it is used. Many things occur in the course of human karma which, in order to come to light, need mediumistic communications. We are not dealing with this aspect today, however. The point I want to make at the moment is to emphasize that there are at the present time spiritual channels between the spiritual world and the physical plane. These channels are very numerous and far more effective than is supposed.—Having said this you will understand better when I now say something which may seem paradoxical but is nevertheless a reality.

The years between 1914 and 1917 will no doubt be written about in the future in the usual way of historians. They will scrutinize documents, found in archives everywhere, in order to establish what caused the terrible World War. On this basis they will attempt to write a plausible account of say the year 1914 in relation to events in Europe. However, one thing is certain: no documentary research, no report drawn up in the way this is usually done will suffice to explain the causes of this monstrous event. The reason is simply that according to their very nature the most significant causes are not inscribed by pen or printer's ink into external documents. Furthermore their very existence is denied because they are not, so to speak, “on the agenda.”

Just in these last days you will have read reports of the legal inquiries going on in Russia. The Russian minister of war Suchomlinoff,²⁰ the Chief of the Russian General Staff and other personalities have made important statements which have caused a great deal of indignation. Many feel moral indignation on learning that Suchomlinoff lied to the Czar; or that the Chief of the Russian General Staff, with the mobilization order in his pocket, gave the German Military Attache his solemn promise that this order had not yet been issued. He said this because he intended to pass it on to the proper quarters a few minutes later. Such things are certainly cause for indignation and moralizing but so much lying goes on nowadays that no one should be surprised that really fat ones are told in important places. But these incidents and what people say about them are truly not the real issue. That is something quite different. When one reads the full report carefully one comes across remarkable words which are clear indicators of what really took place. Suchomlinoff himself says that while these events were taking place he, for a time, lost his reason. He says in so many words: “I lost my reason over it.” The continuous vacillation of events caused this state of affairs. He was not alone, quite a few others in key positions were in similar states.

Imagine a person occupying a position such as that of Suchomlinoff: The loss of his power of reasoning gives splendid opportunity for ahrimanic beings to take possession of him and instill into his soul all kinds of suggestions. Ahriman uses such methods to bring his influence to bear, especially when no importance is attached to remaining fully conscious—apart from sleep. When we are fully conscious such spiritual beings have no real access to our soul. But when our spirit; i.e., our consciousness is suppressed then ahrimanic beings have immediate access. Dimmed consciousness is for ahrimanic and luciferic beings the window or door through which they can enter the world and carry out their intention. They attack people when they are in a state of dimmed consciousness and take possession of them. Ahriman and Lucifer do not act in inexplicable terrifying ways but through human beings whose state of consciousness gives them access.

Those who in the future want to write a history of this war must discover where such dimmed states of consciousness occurred, where doors and windows were thrown open for the entry of ahrimanic and luciferic powers. In earlier times such things did not happen to the same extent in events of a similar kind. In order to describe the causes of events during earlier times what professors and historians find in archives will suffice, whereas in the case of present events something will remain unexplained over and above what is found in documents however well researched. This something is the penetration of certain spiritual powers into the human world through states of dimmed consciousness.

I spoke in an earlier lecture about how, in a certain region of the earth, conditions were prepared for decades so that at the right moment the appropriate ahrimanic forces could penetrate and influence mankind. Something of this nature took place in July and August of 1914 when an enormous flood, a veritable whirlpool, of spiritual impulses surged through Europe. That has to be rightly understood and taken into account. One simply does not understand reality if one is not prepared to approach it with concrete concepts derived from spiritual insight. To understand what is real, as opposed to what is unreal, at the present time spiritual science is an absolute necessity. Nothing can effectively be done in the political or any other sphere unless wide-awake consciousness is developed concerning events which must be approached with concepts and ideas gained from spiritual knowledge. Not that everything can be judged in stereotyped fashion according to spiritual science. But spiritual knowledge can stir us to alert participation in present issues, whereas a materialistic view of events allows us to sleep through things of greatest importance. A materialistic outlook prevents us from arriving at proper judgement of what the present asks of us.

A recognition of what here is at stake is what I so much want to be present as an undercurrent in our spiritual-scientific lectures and discussions, so that spiritual knowledge may become a vital force enabling souls to deal appropriately with outer life. It is essential to recognize not only the issues of spiritual science itself but also those of external life as they truly are. One must be able to arrive at judgements based on the symptoms to be seen everywhere.

I recently described the incredible superficiality with which a professor of Berlin University attacked Anthroposophy. I told you of the misrepresentations and slanders delivered by Max Dessoir.²¹ That such an individual should be a member of a learned body is part and parcel of the complexities of life today. Max Dessoir once wrote a history of psychology and mentions in the preface that he wrote it because the Berlin Academy of Science had offered a prize for a work on the subject. The history of psychology written by Max Dessoir is such a slovenly piece of work, containing fundamental errors that he withdrew it and prohibited further publication. Consequently not many copies are in circulation, though I have a reviewers copy and could say many things about it. For the moment I refer to it in my forth coming booklet concerned with attacks on Anthroposophy.

As I said Max Dessoir wrote a history of psychology and then withdrew it from circulation. But the fact remains that the Berlin Academy of Science did award it the prize. Such things should not be overlooked; they are symptomatic of what takes place nowadays. One must ask: who are the people who award such prizes? They are the very people who educate the younger generation; i.e., they educate those who will become leading figures in society. They also educated the generation which brought about the present situation in the world. It is necessary to see things in their true context and to recognize that all the symptoms reveal the need for that which alone can make our time comprehensible.

This again indicates what I wish so very much could flow as an undercurrent through our movement so that spiritual science would shake souls awake and make them alert observers of what really takes place in their surroundings. The occasion for sleep is in our time considerable and naturally ahrimanic and luciferic powers make use of every opportunity to divert the alert consciousness aroused by spiritual knowledge away from the real issues. The opportunities for dulling man's consciousness are plentiful. Someone who studies exclusively a special subject will certainly become ever more knowledgeable and clever in his particular field; yet the clarity of his consciousness may suffer as a result.—In speaking about these things one is skating on very thin ice.

While it is true that there are many things of which an initiate cannot speak at present because it could have terrible results, it is also true that there are things of which one can and indeed must speak. To give an example, there is a professor at a German university of whom much good could be said and I have no intention to say anything against the man. I want to give an objective characterization. He is a distinguished scholar of theology, has studied widely and his research in the domain of theology has made him very learned. Yet it has not made him awake and alert to what constitutes true reality. As professor of theology his task is to speak about religion, scripture and also about veneration and supersensible powers. This, for a modern professor of theology, is a rather uncomfortable task. Such learned men much prefer to speak about experiencing religion as such, about how it feels merely to approach the spiritual. This professor, as others like him, has a certain fear of the spiritual world, fear of defining or describing it in actual words and concepts. I have often spoken about this fear which is purely ahrimanic in origin. This professor has an inkling that he will meet Ahriman once he penetrates the material world and enters the spiritual world. He would then have to overcome Ahriman.

Here we see someone who as a theologian looks upon the beauty and the greatness of nature as a manifestation of the divine. But this aspect of nature he will not investigate for it is the beings of the Higher Hierarchies who reveal themselves through nature and to speak of them is not “scientific.” Nevertheless he does want to investigate the soul's religious experiences. However, in attempting investigation of this kind, without any wish to enter the spiritual world itself, one very easily succumbs instead to the very soul condition one is apt to experience when confronting Ahriman: the condition of fear. The religious experience of this theologian consists therefore partly of fear, of timidity in face of the unknown. The last thing he wants is to make the unknown into the known. He presumes that timidity and fear of the unknown—which stems from ahrimanic beings—is part and parcel of religious experience.

It is because he wants to describe the soul's religious experience but refuses to enter the realm of the Hierarchies who live behind the sense world that Ahriman darkens his comprehension of the spiritual world. Through the ahrimanic temptation the spiritual world appears as “the great unknown,” as “the irrational” and religious experience is confused with the “mystery of fear.”—Nor is that all, for just as Ahriman is waiting without when one seeks the spiritual world through external nature so does Lucifer wait within. The modern theologian of whom we are speaking also refuses to seek the Hierarchies within. Here again Lucifer makes the realm of the Hierarchies appear as "the great unknown" which the theologian refuses to make into the known. Yet he wants to know the soul's experience, so here he meets the opposite of the mystery of fear, namely the “mystery of fascination.” This is a realm in which we experience attraction, we become fascinated. The theologian now has on the one hand the mystery of fear and on the other the mystery of fascination; for him these two components constitute religious life.

Naturally there are critics today who feel that it is a great step forward when theology has, at last, got away from speaking about spiritual beings; no longer speaks of what is rational but about what is irrational; i.e., the mystery of fear and the mystery of fascination, the two ways to avoid entering the unknown. The book: Über das Heilige (About the Sacred) by professor Otto²² of Breslau University is certain to attain fame. This book sets out to derationalize everything to do with religious experience. It sets out to make everything vague, to make all feelings indefinite partly through fear of the unknown and also through fascination for the unknown. This view of religious life is certain to attract attention. People are bound to say that here, at last, the old fashioned idea of speaking about the spiritual world is done away with.

Anyone knowing something of Anthroposophy will recognize that in the case of this scholar there is a condition of dimmed consciousness. Such conditions frequently occur; philologists and researchers often fall into states of dimmed consciousness, especially when their investigations are within a limited field. In such conditions Ahriman and Lucifer have access to them. And why should Ahriman not prevent such a researcher from beholding the spiritual world by deluding him through the mystery of fear? And why should Lucifer not delude him through the mystery of fascination? There is no other remedy than clear awareness of the roles played by Ahriman and Lucifer, otherwise one is merely wallowing in nebulous feelings. Certainly feeling is a powerful element of the soul's life which should not be artificially suppressed by the intellect, but that is something different altogether from allowing a surge of indefinite feeling to obscure every concrete insight into the spiritual world.

One is reminded in this connection of something said by Hegel,²⁴ though it was cynical and purely speculative. Hegel was referring to Schleiermacher's²³ famous definition of religious feeling which, according to him, consisted of utter and complete dependence. This definition is not false but that is not the point. Hegel, who above all wanted to lead man to clear concepts and concrete views and certainly not to feelings of dependence, declared that if utter dependence was a criterion for being religious then a dog would be the best Christian. Similarly if fear is the criterion for religious feelings then one need only suffer an attack of hydrophobia in order to experience intensely the mystery of fear.

What I am bringing up in these lectures must be considered, not so much according to its theoretical content but rather as an indication of the kind of inner attitude which is indispensable if one wants to observe the conditions in the world as they truly are. And it is so very important to do so. No matter where or how one is placed in life one can either observe appropriately or be inappropriately asleep. What surges and pulsates through life comes to expression in small issues as well as in big ones and can be observed everywhere.

We are at the beginning of a time when it will be of particular importance that things I have indicated in these last lectures are kept very much in mind. Many people do arrive at awareness of a universal Godhead or a universal spirituality. Yet, as I demonstrated when I spoke about his article “Reason and Knowledge,” even someone of the stature of Hermann Bahr does not arrive at any real awareness of Christ. He allies himself with the most prominent Christian institution of the day, that of Rome. But despite all he says there is no sign in his “Reason and Knowledge” of any conscious search for the Christ Impulse. Yet the most pressing need in our time is to gain an ever clearer understanding of the Christ impulse.

In the course of the 19th Century there was a great upsurge of natural-scientific thinking and all its attendant results. One of the first results was theoretical materialism accompanied by atheism. It can be said that the materialists of the 19th Century positively revelled in atheism. But such tendencies are apt to reverse and the same kind of thinking which made human beings atheists—due to certain luciferic-ahrimanic impulses at work during the first upsurge of natural science—will make them pious once the first glow has faded. The teachings of Darwin can make people God-fearing as easily as it can make them atheists, it all depends which side of the coin turns up. What no one can become through Darwinism is a Christian; nor is that possible through natural science if one remains within its limits. To become a Christian something quite different is required; namely, an understanding of a certain fundamental attitude of soul. What exactly is meant?

Kant said that the world is our mental picture, for the mental pictures we make of the world are formed according to the way we are organized. I may mention, not for personal but for factual reasons, that this Kantianism is completely refuted in my books Truth and Knowledge and The Philosophy of Freedom. These works set out to show that when we form concepts about the world, and elaborate them mentally, we are not alienating ourselves from reality. We are born into a physical body to enable us to see objects through our eyes and hear them through our ears and so on. What is disclosed to us through our senses is not full reality, it is only half reality. This I also stressed in my book Riddles of Philosophy. It is just because we are organized the way we are that the world, seen through our senses, is in a certain sense what Orientals call Maya. In the activity of forming mental pictures of the world we add, by means of thoughts, that which we suppressed through the body. This is the relation between true reality and knowledge. The task of real knowledge and therefore real science is to turn half reality; i.e., semblance, into the complete reality. The world, as it first appears through our senses, is for us incomplete. This incompleteness is not due to the world but to us, and we, through our mental activity, restore it to full reality. These thoughts I venture to call Pauline thoughts in the realm of epistemology. For it is truly nothing else than carrying into the realm of philosophic epistemology, the Pauline epistemology that man, when he came into the world through the first Adam, beheld an inferior aspect of the world; its true form he would experience only in what he will become through Christ.

The introduction of theological formulae into epistemology is not the point; what matters is the kind of thinking employed. I venture to say that, though my Truth and Knowledge and The Philosophy of Freedom are philosophic works, the Pauline spirit lives in them. A bridge can be built from this philosophy to the Christ Spirit; just as a bridge can be built from natural science to the Father Spirit. By means of natural-scientific thinking the Christ Spirit cannot be attained. Consequently as long as Kantianism prevails in philosophy, representing as it does a viewpoint that belongs to pre-Christian times, philosophy will continue to cloud the issue of Christianity.

So you see that everything that happens, everything that is done in the world must be observed and understood on a deeper level. It is necessary, when assessing literary works today, to keep in view not only their verbal content but also the whole direction of the ideas employed. One must be able to evaluate what is fruitful in such works and what must be superceded. Then one will also find entry into those spheres which alone enables one to stay awake in the true sense. The terrible events taking place in our time must be seen as external symptoms, the real change of direction must start from within.

Let me mention in conclusion that before 1914 I pointed out how confused were the statements made by Woodrow Wilson.²⁵ At that time I was completely alone in that view. What I said can be found in a course of lectures I gave at Helsingfors in May and June 1913. At that time Woodrow Wilson had the literary world at his feet. Only certain writings of his had been translated into other languages and much was said about his “great, noble and unbiased” mind. Those who were of that opinion speak differently now; but whether insight or something different brought about the change of view is open to question. What is important now is to recognize that because spiritual science is directly related to true reality it enables one to form appropriate judgements. This is an urgent need in view of the empty abstraction on which most judgements are based at present. An example of the latter is Der Geistgehalt dieses Krieges (The Spiritual Import of this War) by George Simmel. It is an ingenious presentation and a prime example of ideas from which all content has been extracted. To read it is comparable to eating an orange from which all juice has been squeezed out. Yet the book was written by a distinguished philosopher and innovator of modern views. At the Berlin university he had a large following; the fact that he never had a thought worthy of the name did nothing to diminish his fame.

• 20. Wladimir Alexandrowitsch Suchomlinoff 1848–1926 Russian General
• 21. Max Dessoir 1867–1947 Philosopher and Psychologist
• 22. Rudolf Otto 1869–1937
• 24. Georg Wilhelm Friedrich Hegel 1770–1831 German Philosopher
• 23. Friedrich Schleiermacher 1768–1834 Theologian and Philosopher
• 25. Woodrow Wilson 1856–1924 Professor of Philosophy, President of the U.S.A. 1913–1921

My dear friends, today I will continue with the difficult chapter we have undertaken to take on. In doing so, it will be necessary to refer to the various things that I have already mentioned in the last two lectures. Then today I would also like to create the basic lines and basic concepts in order to [the more exact geometrical relationships as well as] the interesting practical aspects of theosophy, to make them our own.

You know that we have tried to imagine four-dimensional space in its potentiality for the very reason that we can at least create some kind of concept about the so-called astral realm as well as about the higher realms, about higher existence in general. I have already indicated that entering the astral space, the astral world, is initially something tremendously confusing for the secret disciple. For those who have not studied these things in detail, who have not even studied them theoretically, who have not even studied Theosophy theoretically, it is extremely difficult to even begin to form an idea of the very different nature of the things and entities that confront us in the so-called astral world. Let us once again point out how great this diversity is.

As the simplest thing, I mentioned that we have to learn to read every number symmetrically. The secret student, who is only accustomed to reading numbers as they are read here in the physical world, will not be able to find his way through the labyrinth of the astral. If you have a number in the astral, for example 467, you have to read it as 764. You have to get used to reading everything symmetrically, to seeing everything symmetrically (in a mirror image). That is the basic condition. This is still easy as long as we are dealing with spatial structures or numbers. It becomes more difficult when we come to time relationships. When we come to time relationships, the matter also becomes symmetrical in the astral, in such a way that what comes later appears to us first and what comes earlier appears later. So when you observe astral processes, you also have to be able to read backwards from front to back. These things can only be hinted at, because they sometimes seem quite grotesque to those who have never had an idea of them. In the astral, the son is there first and then the father; in the physical, the egg is there first and then the chicken. In the physical, it is different. In the physical, birth comes first, and then the birth is an emergence of a new thing from an old one. In the astral, it is the other way around. There, the old emerges from the new. In the astral, what is paternal or maternal nature devours what is filial or daughterly nature for the appearance.

In Greek, you have a pretty allegory. The three gods Uranus, Kronos and Zeus symbolize the three worlds. Uranus represents the heavenly world: Devachan; Kronos represents the astral; Zeus the physical. Kronos is said to devour his children.” So in the astral, one does not give birth, but is consumed.

But things get very complicated when we look at the moral aspect of the astral plane. This also appears in a kind of reversal or mirror image. And that is why you can imagine how differently things appear when we interpret things as we are accustomed to interpreting them in the physical. In the astral, for example, we see a wild animal approaching us. This is not to be understood in the same way as in the physical. The wild animal is choking us. This is the appearance that someone who is accustomed to reading things in the same way as external events has. But the wild animal is in truth something that exists within ourselves, that lives in our own astral body and that is choking us. What approaches you as a strangler is rooted in your own desire. So you can experience that when you have a thought of revenge, this thought of revenge appears to you as a strangling angel that approaches you from outside and harasses you.

In truth, everything radiates from us [in the astral realm]. We must regard everything that we see approaching us in the astral as emanating from us (Figure 18). It comes from the sphere, from all sides, as if from infinite space, it penetrates into us. But in reality it is nothing other than what our own astral body sends out.

We only really read the astral [and only then] find the truth when we are able to bring the peripheral into the center, to see and interpret the peripheral as the central. The astral seems to come at you from all sides. Think of it this way: in reality, it is something that radiates out from you in all directions.

I would like to familiarize you with a term that is very important in occult training. It appears in a wide variety of works on occult research, but is rarely understood correctly. Those who have reached a certain level of occult development must learn to see everything that is still karmically predisposed in them – joy, lust, pain, and so on – in the astral outside world. If you think theosophically in the right sense, you will realize that the outer life, our body, in the present age is nothing more than a result, an average of two currents coming from opposite directions and merging into each other .

Imagine a current coming from the past and one coming from the future, and you have two currents that merge and actually intersect at every point (Figure 19). Imagine a red current in one direction and a blue current in the other direction. And now imagine, for example, four different points in this intersection. [Then, at each of these four points, we have] an interaction of these red and blue currents. [This is an image for the interaction of] four successive incarnations, where in each incarnation something comes towards us from one side [and something from the other]. You can always say to yourself, there is a current that comes towards you and a current that you bring with you. Man flows together out of these two currents.

You get an idea of it if you think of it this way. Today you sit here with different experiences, tomorrow at the same hour you will have a different set of events around you. Imagine the events that you will have by tomorrow are already all there. It would then be the same experience as if you were looking at a panorama. It would be as if you were approaching these events, as if these events were coming towards you spatially. So imagine that the stream that is coming towards you from the future brings you these events, then you have the events between today and tomorrow in this stream. You allow the future flowing towards you to be carried by the past.

In every period of time, your life is an intersection of two currents, one from the future to the present and the other from the present to the future. Where the currents meet, a congestion occurs. Everything that a person still has ahead of him must be seen emerging as an astral phenomenon. This is something that speaks an incredibly impressive language.

Imagine that the secret disciple [comes to the point in his development where he] is supposed to look into the astral world, where the senses are opened to him so that he would see emerging around him as outer phenomena in the astral world that which he would still have to experience before the end of the present period. This is a sight that is very powerful for every human being. We must therefore say that it is an important step in the course of occult training for the human being to be confronted with the astral panorama, the astral phenomenon, of what he still has to experience until the middle of the sixth root race, because that is how long our incarnations will last. The path opens up before him. No secret disciple will experience it differently, except that he sees as an external phenomenon what he still has to face in the near future up to the sixth root race.

When the disciple has advanced to the threshold, the question arises: Do you want to live through all this in the shortest conceivable time? Because that is what it is about for the one who wants to receive the initiation. If you think about it, you have your own future life in front of you as an external panorama in a moment. That, in turn, is what characterizes our view of the astral. For one person, it is something that makes them say, “No, I'm not going in there.” For another, on the other hand, it is something that makes them say, “I have to go in there.” This point in the process of development is called the 'threshold', the decision, and the phenomenon that one has there, oneself with everything that one still has to experience and live through, is called the 'guardian of the threshold'. The guardian of the threshold is therefore nothing other than our own future life. It is ourselves. Our own future life lies behind the threshold.

You see in this another peculiarity of the astral world of appearance, namely, that when the astral world is suddenly opened to someone through some event – and such events do occur in life – that person must first face something incomprehensible. It is a terrible sight, which could not be more confusing for those people upon whom, unprepared, the astral world suddenly breaks in through some event. It is therefore eminently good to know what we have now discussed, so that in the event of the astral world breaking in, one knows what to do. It may be a pathological event, a loosening between the physical body and the etheric body or between the etheric body and the astral body. Through such events, a person may be unexpectedly transported into the astral world and gain insights into astral life. If this happens, the person will come and say that he sees this or that apparition. He sees it and does not know how to read it, because he does not know that he has to read symmetrically, that he has to understand every wild animal that approaches him as a reflection of what lies within himself. Indeed, the astral powers and passions of man appear in Kamaloka in the most diverse forms of the animal world.

It is not a particularly beautiful sight to see people in Kamaloka who have just been reaped. At that moment they still have all their passions, urges, desires and cravings. Such a person in Kamaloka no longer has his physical body or etheric body, but in his astral body he still has everything that connected him to the physical world, that can only be satisfied through the physical body. Imagine an average citizen of the present day who has achieved nothing special in his past life and has not made any effort to achieve anything, who has never done much for his religious development, who may not have abandoned religion in theory, but practically, that is, in his feelings and attitudes, has thrown it overboard. In that case it is not a living element in him. What then is in his astral body? There are only things that can be satisfied through the physical organism. For example, he craves palate enjoyment. But the palate would have to be there for that, so that this desire can be satisfied. Or man craves for other pleasures, which can only be satisfied by setting his physical body in motion. Suppose he had such a craving, but the body was gone. Then all this lives in his astral body. This is the situation in which man finds himself when he has died without astral purification and cleansing. He still has the desire for the pleasures of the palate and the other things, but not the possibility of satisfying them. This is what causes the torment and horror of the life in Kamaloka. Therefore, the desire must be laid aside in Kamaloka if man dies without astral purification. Only when this astral body has learned that it can no longer satisfy its desires and wishes, that it must unlearn them, is it freed.

[In the astral world] the instincts and passions take on animal forms. As long as the person is embodied in the physical body, the shape of their astral body is somewhat based on this physical body. But when the outer body is gone, then the instincts, desires and passions, as they are in their animal [nature], come into their own in their own form. So in the astral world, a person is an image of their instincts and passions.

Because these astral beings can make use of other bodies, it is dangerous to let mediums enter into a trance when there is no clairvoyant is present to avert evil.

In the physical world, the lion is a plastic expression of certain passions, the tiger is an expression of other passions, and the cat is an expression of yet other passions. It is interesting to see how each animal is the plastic expression of a passion, of an urge.

In the astral, in Kamaloka, man is therefore approximately similar to [animal nature] through his passions. This is the source of the misunderstanding regarding the doctrine of transmigration of souls that has been attributed to Egyptian and Indian priests and teachers of wisdom. You should live in such a way that you do not incarnate as an animal, says this teaching. But this teaching never speaks of the physical life, but of the higher life, and its only aim was to persuade people on earth to lead such a life that after death in Kamaloka they would not have to develop their animal form. Those who develop the characteristics of a cat will appear in Kamaloka as a cat. The fact that one also appears as a human being in Kamaloka is the meaning of the rules of the doctrine of the transmigration of souls. The true teachings have not been understood by the scholars; they only have an absurd idea of them.

Thus we have to deal with a complete mirror image of what we actually think and do here in the physical world in every area – in the areas of number, time and moral life – when we enter the astral realm. We must get used to reading symmetrically, because we must be able to do so when we enter the astral space.

The easiest way for a person to get used to reading symmetrically is to build on such elementary mathematical ideas as we have hinted at in the previous lecture and as we will get to know more and more in the following discussions. I would like to start with a very simple idea, namely the idea of a square. Imagine a square as you are accustomed to seeing it (Figure 20). I will draw the square so that the four sides are drawn in four different colors.

This is the physical appearance of the square. Now I would like to draw the devachan aspect of the square on the board. It is not possible to do this exactly, but I would like to give you an approximate idea of what a square would look like in the mind. The mental counter-image [of a square] is approximately like a cross (Figure 21).

We are dealing here mainly with two perpendicular intersecting axes. Two lines that pass through each other, and that's it. The physical counter-image is created by drawing perpendicular lines on each of these axes. The physical counter-image of a mental square can best be imagined as a congestion [of two mutually intersecting currents]. Let us imagine these perpendicular axis lines as currents, as forces that act outwards from the point of intersection, and let us imagine countercurrents to these currents, only now in the direction from outside to inside (Figure 22). A square then enters into the physical world by imagining these two types of currents or forces - one from the inside, the other from the outside - as accumulating against each other. The currents of force are thus limited by accumulations.

With this, I have given a picture of how everything mental relates to the physical. Likewise, you can construct the mental counterpart for any physical thing. The square here is only the simplest of examples.

If you could construct a correlative for every physical thing that corresponds to the physical world in the same way that two perpendicular lines correspond to a square, then you would obtain the devachan or mental image for every physical thing. With other things, it is of course much more complicated.

Now imagine a cube instead of a square. The cube is very similar to the square. The cube is a body that is bounded by six squares. Mr. Schouten made these six squares that bound the cube specially. Now, instead of the four bounding lines that are present in the square, imagine six bounding surfaces. Imagine that instead of vertical lines we have vertical surfaces as a kind of congestion, and then assume that you have not two but three axes standing on one another [vertically], and you have the boundary of the cube. Now you can also imagine what the mental correlate of the cube is. You have again two things that challenge each other reciprocally. The cube has three perpendicular axes and three surface directions; we have to think of congestion effects in these three surface directions (Figure 23). We cannot imagine the three axes and the six surfaces, as before the two axes and four lines, in any other relationship than by thinking of a certain contrast.

Anyone who reflects on this will have to admit that we cannot imagine this without forming a certain concept of the opposition, namely the opposition of activity and an obstruction, a counter-activity. You have to introduce the concept of opposition here. The matter is still simple here. By entwining ourselves around geometric concepts, we will be able to construct the mental counter-images of more complicated things in an appropriate way. Then we will find the way and to some extent reach higher knowledge. But you can already imagine the colossal complexity that arises when you think of another body and look for its mental counter-image. Many complicated things come to light. And if you were to imagine another person and their mental counterpart, with all their spatial forms and their activity, you can imagine the complicated mental structure that this produces. In my book 'Theosophy', I was only able to give a rough idea of what mental counter-images look like.

We have three dimensions, three axes in the cube. On each axis we have the corresponding perpendicular planes on both sides. So you must now be clear about the fact that the contrast I have spoken of is to be understood in such a way that you imagine each face of the cube as having come into being in a way similar to the way I described human life earlier, as the intersection of two currents. You can imagine currents emanating from the center point. Imagine space in one axial direction, flowing outwards from the center, and in the other direction, flowing in from infinity, another current. And this [imagine] flowing in two colors, one red, the other blue. At the moment they meet, they will flow into a surface, a surface will arise, so that we can assume the surface of the cube to be the meeting point of two opposing currents in a surface. This gives a vivid idea of what a cube is.

The cube is therefore an intersection of three currents acting on each other. If you think about it, you are not dealing with three, but with six directions: forward-backward, up-down, right-left. So you have six directions. And indeed, that is the case. Then the matter becomes even more complicated by the fact that you have two types of currents: One in the direction of a point, the other coming from infinity. This will give you a perspective on the practical application of the higher, theoretical theosophy. I have conceived every direction in space as two opposing currents. And if you then imagine a physical body, then you have in that physical body the result of these two currents running into each other.

Let us now denote these six currents, these six directions, with six letters a, b, c, d, e, f. If you could visualize these six directions or currents — we will come to being able to do this next time — and you would imagine the first and last, a and f, erased, then you would be left with four. And that is what I now ask you to take into account: these four that remain are the four that you can perceive when you see the astral world alone.

I have tried to give you an idea of the three [ordinary dimensions] and of three [further] dimensions that actually behave in the opposite way. It is through the interaction of these dimensions and their counteraction that physical bodies arise. But if you think a little way away from the physical [dimension] and a little way away from the mental on the other side, you are left with four dimensions. These then represent the astral world existing between the physical and mental worlds.

The theosophist's view of the world is such that it necessarily has to work with a higher sense of geometry that goes beyond ordinary geometry. The ordinary geometer describes the cube as bounded by six squares. We must understand the cube as the result of six currents running into each other, that is, as the result of a movement and its reversal, of the interaction of opposing forces.

I would like to show you another such concept outside in nature, where a real contrast has taken place that contains a deep secret of the world's development before the eyes of man. In the “Fairytale of the Snake and the Lily”, Goethe speaks of the “revealed secret”, and that is one of the truest and wisest words that can be spoken at all. It is true, there are secrets in nature that can be grasped with hands, but are not seen by people. We are dealing with reversal processes in nature in many cases. I would like to show you one such reversal process.

Let us compare humans with plants. When compared to plants, humans behave as follows. What I am about to say is not a game, even if it initially seems like one. It is something that points to a deep mystery. What does a plant have in the ground? Its roots. And upwards it develops stems, leaves, flowers and fruit. The main part of the plant, the root, is in the earth, and the organs of reproduction it develops upwards, towards the sun, which we can call the chaste way of reproducing. Imagine the whole plant turned upside down, with the root becoming the head of a human being. Then you have the opposite of the plant in the human being, who has his head at the top and his reproductive organs at the bottom. And the animal is in the middle of it all, as a stowage. If you turn the plant upside down, you get a human being. That is why the occultists of all times draw this with three lines (Figure 24).

One [line] as the symbol of the plant, one as the [symbol] of the human being, and one in the opposite direction as the [symbol] of the animal – three lines that together form the cross. The animal has the transverse position, it thus crosses what we have in common with the plant.

You know that we speak of an all-soul, of which Plato says that it is crucified to the cosmic body, that it is chained to the cross of the cosmic body.? Imagine the world soul as plant, animal and human being, and you have the cross. By living in these three realms, the world soul is chained to this cross. As a result, you will find the concept of congestion expanded. You will find it expanded by something in nature. Two complementary, diverging, but interlocking currents form plants and humans, with congestion being the animal. Thus, the animal actually places itself between an upward and a downward current. In this way, the Kamaloka [astral sphere] interposes itself between Devachan and the physical world. Thus, something interposes itself between these two symmetrical worlds, between Devachan and the physical world, and acts between them, acting on both sides like a dam. The outer expression of this Kamaloka world is the animal world.

Those who already have organs for this world, which must be grasped with strength, will recognize what we see in the three kingdoms in their mutual relationship to one another. If you understand the animal kingdom as emerging from a congestion, if you understand the three kingdoms as mutual congestion, then you will find the position that the plant kingdom has to the animal kingdom and the animal kingdom to the human kingdom. The animal is perpendicular to the other two directions, and the other two are two complementary currents that merge into each other. The lower realm serves the higher realm as food. This is something that allows a small glimpse of the very different kind of relationship between humans and plants and between animals and humans. Those who feed on animals are therefore related to a congestion.

The real effect consists in the encounter of opposing currents. This is the beginning of a series of thoughts that you may later see in a strange and very different way.

We have seen that the square is created when two axes are intersected by lines. The cube is created by intersecting three axes through surfaces. Can you now imagine four axes intersecting through something? The cube is the boundary of the spatial structure that is created when four axes are intersected.

The square limits the three-dimensional cube. Next time, we will see whose boundary the cube itself is. The cube bounds a four-dimensional structure.

Answering Questions

[What does it mean to] imagine six currents, of which two must be imagined as having been extinguished, and so on?

The six currents must be thought of as two times three currents: three acting from the inside out according to the three axial directions, and the other three as flowing towards these from infinity. For each axial direction, there are thus two types, one going from the inside out, the other coming from the outside in the opposite direction. If we call the two categories positive and negative, plus and minus, we have:

math figur

And of this [in order to get to the astral space, we have to] imagine an entire direction, [for example the] inner and outer flow, erased, so for example +a and -a.

Emil Leinhas opens the meeting. Various speakers then take the floor, including Emil Grosheintz. Finally, Rudolf Steiner answers some of the questions raised.

Rudolf Steiner: So a number of questions have been asked. We can continue the discussion afterwards. I can take up some of the questions that have been asked here and would like to come back to the last one, the one from Dr. Grosheintz.

It is understandable that, especially in recent decades, efforts have repeatedly emerged from various social ideas to determine how much work humanity [as a whole] has to do if humanity is to make progress with this amount of work. Naturally, labor would be best utilized economically if only as much labor were performed as is necessary for what humanity wants to consume. And it is indeed very difficult to provide more than rough estimates of these things. But in various circles in which efforts have been made to get to the bottom of this question – it is not particularly easy – it has been possible to form an idea of how much manual labor, that is, simple human labor, is being squandered in the present. Of course, it is not possible to know for sure if one approaches the question not in a dilettantish but in a proper manner, but we can at least say the following for a part of human labor, for physical labor. If we assume that everyone would perform physical work according to their physical abilities, then it would be necessary for every person within the civilized world – excluding the “savages” – to work about 2½ to 3 hours a day. This means that if every person works physically about 2½ to 3 hours a day, the necessary labor for humanity would be provided. Of course, this is only an approximate principle to give a general direction, because in practice it turns out that some people have to work more physically and others less. For example, someone who has to do particularly intellectual work may not be burdened with physical labor; then someone else will have to work more. But if you compare that with the amount of physical labor that is done today, then it can be said that by far the greatest part of humanity has to work so long that much more is expended in labor than would actually have to be expended, probably — and again this is an approximation — five to six times as much physical labor. So you see how much human labor is actually wasted today due to the inefficiency that exists. Much more than one might think is wasted. This is what would come about today through the [realization of the] threefold social order and what those who have no practical sense are so reluctant to accept.

How little people today have a practical sense is evident at every turn, particularly in the judgments that are brought to bear on the impulse of the threefold social organism. What is not at all willing to be understood is that today, in the face of what is going under, it is necessary to develop new spiritual forces; and because it is not understood, these spiritual forces must today, I would say, penetrate through the cracks of the social order if they are to be effective at all. For no cultivation of the spirit can arise from that which a state can order and organize. It is a complete illusion to believe that any cultivation of the spirit can arise from state administration. All state decrees regarding intellectual life are partly a desire for recognition and partly commercial profiteering, and what is then actually achieved intellectually is achieved despite these decrees. Roughly speaking, if there are still children learning something today, they do not learn because of the state, but in spite of the state, because a great deal can still be done in schools against the school laws. And what happens in the sense of the school laws does not develop the spiritual forces, but hinders spiritual development. In a free spiritual life, on the other hand, the forces of human beings would first be revealed, above all by the fact that people who have been educated in such a free spiritual life and then introduced to legal and economic life would really have an overview of the individual areas of life, would be able to act economically and would be able to organize that which cannot be organized today. Today, one can indeed despair when one sees, for all I care, how businesses are organized. Anyone who can think a little and is forced to follow the way in which business is conducted will immediately see that in these cases ten times the amount of energy is wasted because there is nowhere enough will to contract and combine the forces economically, but because one approaches things as broadly as possible. Above all, it is a matter of really recognizing the people who work together through associative life – one must first recognize them if one wants to establish economic life. It is only through the threefold social organism that this economy becomes possible, and the waste of resources will gradually cease.

Some questions – especially those that have been put to me here – show how difficult it actually is for people to find their way into a way of thinking that is completely in line with reality, as it underlies the impulse of the threefold social order. You see, people today are actually as if they did not stand with their feet on the ground at all, but as if they were constantly hovering above reality and stretching their heads up so that they feel as little of reality as possible. The Indian poet Rabindranath Tagore used a very apt image for today's Western European cultural man, comparing him to a giraffe, whose head extends far above its body and detaches itself from the rest of the human being. And so it happens that one cannot imagine how this impulse of the threefold social order is derived from a real life practice and how it can never depend on doing any kind of purely theoretical foolishness in these areas.

I would like to say this in advance when I now read the following question to you:

Could a form be conceived within the three-fold social organism that would be suitable for absorbing the feelings of that part of the people who, by the nature of their character, voluntarily submit to and trust a monarchical principle?

Were not the ideas of the threefold social organism first offered to the old regime?

Well, I would have to give a lecture if I were to answer the question appropriately. I will only hint at a few things: “Could a form be imagined within the threefolded social organism that would be suitable for absorbing the feelings of that part of the people who, by nature, voluntarily submit to and trust a monarchical principle?” I would like to know how much of the content of this sentence is taken from true, realistic thinking! If one wants to follow the impulse of the threefold social order, then one must think practically, that is, realistically. Now, of course, one must take something concrete. Let us take the former German Reich. Let us take the last decades of this former German Reich, of these people who “out of their feelings or out of their nature voluntarily bring subordination and trust to a monarchical principle”. I would like to ask you: where did they exist? Of course, there were those who, in the upper reaches of their intellect, gave themselves over to some illusions in this regard. But take the “monarchical principle” of the former German Reich: who ruled there? Wilhelm II, perhaps? He really could not govern, but it was more a matter of the fact that there was a certain military caste that maintained the fiction that this Wilhelm II meant something - he was, after all, only a figurant with theatrical and comical airs, who comically paraded all sorts of stuff in the world. It was a kind of theater play, maintained by a military caste, which did not act out of mere “nature” and “voluntary subordination and trust,” but out of something quite different, out of all kinds of old habits, conveniences, out of the belief that it just had to be that way - a belief that was not, however, deeply rooted in the human breast. So this whole thing lay, and it was held more than that it really ruled. That has become apparent in the last week of July 1914. I have only hinted at this in my “Key Points” by saying that everything had come to naught. But it is thoroughly grounded in the facts. Then, in addition to what came out of the military chests, this comedy was held together in the last decades by the even more disgusting nature of big industry and big business, which added up and which, from a completely internal point of view, was based on dishonest impulses and thus maintained this monarchical principle.

Now let us again take a single specific moment from which we can see what is actually meant in reality, apart from the conventional lies that maintain something like this out of people's prejudices – which is called the “monarchical principle”. On a certain day in 1917 – you all know it – Theobald von Bethmann Hollweg was dismissed as German Chancellor. If you follow this dismissal down to the last detail, you will find who dismissed this man – this man who, of course, played an almost monarchical role in this ill-fated Germany for quite a long time before and after. Who actually dismissed Theobald von Bethmann? You see, it was the fat Mr. Erzberger – and not Wilhelm II, who did not play the slightest role in this. Very few people know what actually happened back then, what fat Mr. Erzberger actually did, how he actually exercised monarchical power in those days, because very few people actually care about what is really going on, but let themselves be lulled by all sorts of things.

When one reflects on something like the “principle of monarchy”, then one must start with the concrete facts, and then one must be clear about what reality consists of, whether it is monarchism or not. Do you think that in today's England, that personality reigns who, in the pictures we get to see, does not really make a very intelligent impression and who is always referred to in government decrees as “His British Majesty's Government”? No, look at England today, and see how the whole country is following Lloyd George and how he is actually exercising monarchical power. Please look at how things are in the so-called republics, see how things are really quite different from the way people believe them to be according to clichéd words and caricatured concepts. But it is essential that, if truth is to take the place of lies, questions must be asked from the basis of reality. Therefore, when speaking of the threefold social organism, the question cannot truly be raised: Would any Lloyd George with monarchical airs be conceivable? The threefold social order says something very definite about its three members: spiritual life, legal life and economic life. The things will already arise; just as the other people in such an organism get the position appropriate to their abilities, so will there also be “monarchs”.

But it seems as if the crux of the question lies in the last few lines: “Were the ideas of threefolding offered for the first time to the old regime?” Yes, but to whom should they have been offered? They had to be offered to those who could do something. What would have come of it is another matter. The point was to look for people from all over who could base what they did on the impulse of threefolding. Yes, what use would it have been, for example, when the Peace of Brest-Litovsk was in prospect, to somehow shout out to the world in those days: abstract principle! What use would it have been; it would not even have been possible. The point would have been to incorporate the threefolding idea into the actual deeds of the Peace of Brest-Litovsk; the point would have been to conclude this peace in such a way that it would have been concluded under the influence of this impulse.

My dear attendees, it was shortly after the Peace of Brest-Litovsk that I came to Berlin and spoke to a gentleman who was in many ways Ludendorff's right-hand man. At that time, it was already clear to those who could know such things what devastation the entire peace agreement of Brest-Litovsk would cause. Furthermore, it was clear that a major spring offensive would begin in the spring.

And I traveled to Berlin via Karlsruhe. It was in January. At that time, it was well known that if there was a crash in former Germany, Prince Max of Baden would become Chancellor of the Reich. I also spoke with Prince Max of Baden in January about the threefold

of the social organism, because it would have been a matter of the power of the impulses of the threefold social organism naturally having an effect on the directly concrete, real facts. Before the peace treaty of Brest-Litovsk, a long time before, when there was truly still enough time, I put forward the whole idea of the threefold social organism to Mr. von Kühlmann in such a way that I made it clear: From America come the crazy ideas and proposals and crazy ideas, the crazy Fourteen Points, which are absolutely abstract and will lead the world into nothingness, and the only thing that could really be done from the European side would be to counter this with this great world program of the threefold social order.

I would have liked to have seen, my dear audience, what it would have meant in those days if someone in an authoritative position had had the courage to counter the zero program of the West with a real, substantial, real-political program, such as the impulses of the threefold social organism! And even if some people to whom I presented the matter said: “Well, write a pamphlet or a book about it!” – [So I had to answer:] ”What really matters is not whether things are published, but how they enter the world of facts.

Now, the conversation I had with Mr. von Kühlmann – the content of which can still be proven today, because the gentleman who was with me is still alive, thank God, and hopefully will be for a long time. The conversation ended with Mr. von Kühlmann telling me in his own way: I am just a limited soul. Mr. von Kühlmann meant, of course, that he also has other statesmen around him and that he is limited in his resolutions; but I thought of a different interpretation of this saying.

Well, I came to Berlin in the spring, and spoke with a gentleman who, as I said, was very close to Ludendorff, and I wanted to make clear what an absurdity it is to undertake the spring offensive, which he spoke of at the time as one was allowed to speak about it. I said: Of course one cannot and must not interfere in strategic matters if one is not a military man, but I am proceeding from all the preconditions that do not play any part in strategy. I assume that Ludendorff achieves everything he can possibly imagine achieving, or if all of Ludendorff's ideas are not achieved, then if he does not achieve them, the effect of the unfortunate war is still the same. At the time, it was possible to clearly show that the effect would have to be exactly the same; and that is what happened later; it is the case now. Then the Lord said to me, although I was constantly afraid that he would return to his chair, from which he had jumped up, he was so nervous: What do you want? Kühlmann had the threefold order in his pocket, and with it in his pocket he went to Brest-Litovsk. Our politicians are nothing, our politicians are zeros. We military have no other obligation than to fight, to fight. We know nothing else!

You see, in the old days things were really offered to the old regime first – it is not a matter of coming up with ideas out of the blue, but really of looking for ways in which they can be realized. Then, ladies and gentlemen, there was the time when I only had access to those parts of the world where it gradually became a rather impractical question to ask how one should behave towards monarchs and what one could do there in regarding the threefold order – other areas are not initially available to me; I am not yet allowed into pseudo-monarchical England, hyper-monarchical America and thoroughly republican-monarchical France, and so on. Those who are grounded in reality will truly not continue to discuss the highly impractical question of how one should behave towards the monarchical principle, because this monarchical principle will not be able to dominate in any way, it will sit in completely obscure corners and will certainly not necessitate a serious discussion in the near future - on the contrary, today completely different things are in need of discussion.

And I only ask you, dear readers, to read my essay on “Shadow Coups” in the threefolding newspaper, in which I tried to show how unnecessary the agitation of the more left-wing pages was against the whole Kapp comedy. Because ultimately, the way things were at the time, the left was no better than the right, and it didn't matter which side was doing the absurd. Now it is a matter of seeking reality only and exclusively, of bringing the threefold order into as many minds as possible, so that they can then carry the threefold order idea. That is the only reality. It may take a very long time if adversity does not shorten it. But more care will have to be taken to bring this threefold order idea into the minds of those who are capable of it. That it has not yet taken root in the minds of the leading figures is shown, for example, by the fact that on the German side, even in Spa, those who are still regarded as leaders are still those who were also regarded as leaders in the past and in whose heads the idea of threefolding certainly does not enter. So you see, it is really not a matter of wasting thought on asking such unrealistic questions, but it is really a matter of working in the spirit of the threefolding idea, so that this threefolding idea enters as many minds as possible. The question today is not whether we should think about how people voluntarily submit, not even to a monarch, but to a monarchical principle, placing their trust in it and so on; whether or not we think about it seems to me to be a matter of indifference. It is completely unnecessary to devote oneself to such false thoughts when one is really dealing with something that wants to work entirely out of reality. I will only touch on the other questions very briefly, as this closing statement has undoubtedly taken too long already:

Will it be possible to have associations without spiritual research? Is it possible to recognize whether someone will develop an invention after years or whether he is just a botcher?

Now, you see, these questions are not based on a proper examination of what the associations will be. Of course, the difficulties that lie in human nature will always be there. The pure belief that one can build earthly paradises is erroneous. Certain difficulties will, of course, always be there. But the decision as to whether or not an invention has any prospects of success must be made by the individual, today as much as in the future. The only difference is that today the individual is dependent on himself or on some traditions. If associations are present, however, he is connected with everything that is associated and what can come out of the people connected with him through their associations. So the judgment that has to be made about such things is essentially supported and carried by the fact that people are connected through associations.

Recently, I have often used an example to show how one can be a very clever person today without coming to a judgment about the capacity of this or that. I then gave the example that there have been people in all kinds of parliaments, educated in practice, who, from the mid-19th century onwards, advocated the gold standard by claiming and substantiating that the gold standard would lead to free trade and thus to such a configuration of trade that they imagined it would be particularly favorable for international human relations. The opposite has occurred: the gold standard has led everywhere to the system of protective tariffs. I have said that I do not claim that the people who predicted that the gold standard would lead to free trade were all stupid, even though it has led everywhere to protective tariffs. For the most part, they were very, very clever people. Read the parliamentary speeches that were delivered in large numbers in the most diverse parliaments about the gold standard, and you will see that very clever things were said about the gold standard. But the whole mechanism of public economic life was individualized, and the individual was not in a position to see the bigger picture. No matter how clever he was, he was not in a position to gain his own experience.

This experience can only come from being part of the whole fabric of associations, from knowing who knows something about this, who knows something about that, yes, who knows anything at all as an individual - not just because the person concerned has been appointed from some position, but because you have dealt with him in the fabric of associations in so-and-so many cases. The connecting element of this associative fabric is something that must arise out of trust. And so one can say: there is no either/or at all in life. But what makes it difficult for people today to recognize whether something that is invented will bear fruit in human life will, to a large extent, be lost in associative life. One must think of things in the big picture. It is truly disheartening when someone says to you, “Well, I agree; everything must become new, everything must take on different forms, and you tell me what these different forms should be.” But then tell me, what will my grocery store look like when these new forms are in place? Yes, my dear audience, it might perhaps be necessary to tell him that such a shop would no longer exist in that form. Then, of course, he would be quite dissatisfied with the answer. The threefold order is concerned everywhere with something that can be tackled directly every day and that will progress as quickly as the people capable of doing so are available. It could happen very quickly.

Only, if you want to tackle it practically, you cannot ask:

Where does a device begin to be a means of production, for example a sewing machine? Does it become a means of production only when I no longer use it just for my own use, and am I then no longer allowed to use it as something for myself?

Yes, my dear audience, when such big questions are at stake as they are today, you really cannot take the answer from a very limited circle; that is impossible. I guarantee you that when the threefold social order is realized, you will have a relationship to your sewing machine that is satisfying. For one usually does not even consider that the sewing machine and the like, for all I care hair combs or the like, can indeed be means of production, because means of production is everything that enables me to carry out my profession. So, you cannot limit the concept of means of production in that way. What it is about is that one should not think so narrowly at all. Just think about it, here is a church, here is the second church - I am choosing an example that is common in Catholicism. Let us assume that Father N lives here (he is drawn on the board). This priest says mass every day, says vespers on Sundays and so on; that is when he puts on his vestments. These vestments that he puts on as vestments all belong to the church. If the pastor N. is transferred, for example from church A to church B, he does not take any of the chasubles with him; it all stays with church A. And there, in church B, he again puts on the chasubles that belong to that church, if one can speak of “belonging”, but you know what I mean.

When it comes to chasubles, you have a completely different relationship to the things associated with the profession than you do to a sewing machine or typewriter that you take with you when you travel from one place to another. I am not saying that the same order should be introduced for the sewing machine in the future as applies to chasubles. As you can see, there are various possibilities for getting what you need to do your work. So we should not think narrowly when it comes to the great issues of the world today. We should not let our concern for our sewing machine confuse our thinking about the threefold social order. The third question is even stranger:

What happens when someone does not want to step down, when they can no longer manage the means of production themselves? Or, if they do not want to step down, will they be forced out? Who will be able to see through it and tell them that they should leave?

Well, these are such terribly abstract questions that they do not arise for anyone who sees the course of events in the reality of the threefold social order. Read my “Key Points”; in the reality of the threefold social order there are innumerable means of forcing someone to resign. And besides, one must only bear in mind that with the threefold social order – and this is the essential point – the whole relationship of the human being to society changes. One thinks, doesn't one: How will it happen at all, that one now appoints one's successor? One should not ask such questions, which are so far removed from reality. One must ask such questions in a very concrete way, based on the experience of the facts. Let us say that someone becomes incapable, incapable due to mental deficiency, and due to this mental deficiency he reaches the point where he can no longer manage any business. Now, in most cases, someone who sees that he is reaching the point of mental deficiency and can no longer find his way around will hire someone to help him. Then the succession will already emerge from this relationship. If the situation is not as I have described, then in real life quite different, but always quite specific circumstances will arise. So if someone does not want to go, life will show him that he must. Because the one who is not capable will no longer find anyone who wants to work with him, and he will then no longer be able to run his business profitably.

So things turn out quite differently in real life than in theory. And that is why it is important to approach things with realistic thinking that puts oneself in the position of real, practical life. If you hear people talking about such things at a socialist meeting today, you will hear all sorts of things being said, because no one is talking about reality. And how could the proletariat, which had been allowed to grow up in this way, without anyone taking an interest in it, which had been put to the machine, which had not got to know real life, real connections, how could the proletariat have an understanding of anything other than completely unworldly theories? But that is the problem: the world has ended because of such unworldly theories, and no new structure is emerging. That is the problem: we must use every possible means to point to reality and grasp everything from reality. That is what matters.

The title of today's lecture no doubt reminds you of a passage in Goethe's Faust, when Faust, representing striving man, enters into a pact with evil powers, represented by the emissary from hell, Mephistopheles. Faust is to sign the pact in blood. At first he regards this as a joke, but Goethe undoubtedly meant the words spoken by Mephistopheles at this point to be taken seriously: “Blood is a very special fluid.”

Goethe¹ commentators usually provide curious interpretations of this passage. You will be aware that so much has been written about Goethe's Faust that it can fill libraries. I naturally cannot go into what every commentator has said about this particular passage, but it all amounts more or less to what is said by a recent commentator, Professor Jacob Minor.² Like others, he regards Mephistopheles' remark to be ironic, but Minor adds a curious sentence. I quote it in order to illustrate the amazing things said about Goethe's Faust. Minor states: “The devil is an enemy of blood.” He goes on to point out that as blood invigorates and sustains human life, the devil, being an enemy of the human race, must of necessity be also an enemy of blood. Minor is quite right when he further demonstrates that in sagas and legends blood always plays the kind of role it plays in Goethe's Faust. The oldest version of the Faust legend clearly describes how Faust makes a slight cut in his left hand with a penknife, dips a quill in the blood in order to sign the agreement, and as he does so, the blood, flowing from the wound, forms the words: “Oh man, escape!”

This is all quite correct, but what about the remark that the devil is an enemy of blood and for that reason demands the signature written in blood? Can you imagine anyone wishing to possess the very thing he abhors? The only reasonable interpretation of the passage is that Goethe, as well as earlier writers of Faust legends, wishes to show that the devil regards blood as especially valuable, and that to him it is important that the deed is signed in blood rather than in neutral ink. The supposition must be that the representative of the powers of evil believes, or rather is convinced, that he will gain a special power over Faust by possessing at least a drop of his blood. It is quite obvious that Faust must sign in blood, not because the devil is his enemy, but because he wants to have power over him. The reason behind this passage is a strange premonition that if someone gains power over an individual's blood, one gains power over the person. In short, the feeling is that blood is a very special fluid and it is the real issue in the fight for an individual's soul between good and evil.

A radical change must come about in our modern understanding and evaluation of the sagas and myths handed down since ancient times. We cannot go on regarding legends, fables and myths as childlike folklore or pretentiously declare them to be poetical expressions of a nation's soul. The poetic soul of a nation is nothing but a fantasy product of donnish officialdom. Anyone with true insight into the soul of a people knows with certainty that the contents of fables and myths, depicting powerful beings and wonderful happenings, is something very much more profound than mere invention. When with knowledge provided by spiritual research we delve into sagas and myths, allowing the mighty primordial pictures to act on us, we begin to recognize the profound ancient wisdom they reveal.

To begin with, one naturally wonders how it was possible for primitive man, with his unsophisticated views, to depict in the form of fables and myths, cosmic riddles that are unveiled and described in exact terms by means of modern spiritual research. This at first seems very surprising. However, as further research reveals how these ancient fables and myths came into existence, one ceases to be amazed, and all doubt vanishes. One discovers that myths and fables, far from containing naive views, are filled with primordial wisdom. A thorough study of myths and fables yields infinitely more insight than today's intellectual, experimental sciences. Admittedly the approach to such a study must be with spiritual scientific methods. Whatever legends have to say about blood is important, because in earlier times an individual's inherent wisdom made him aware of the true significance of blood, this special fluid that in human beings is a stream of flowing life.

Whence this wisdom came in ancient times is not our concern today; it will be the subject of a later lecture, though an indication will be given at the close of this one. Today we shall look at the significance of blood in human evolution and its role in cultural life. However, our discussion will not be from a physiological, or any other natural scientific point of view, but from that of spiritual science. It will be a help if before pursuing our subject we remind ourselves of a maxim that originated within the civilization of ancient Egypt, where the priestly wisdom of Hermes held sway. This maxim, which expresses a fundamental truth, is known as the Hermetic maxim and runs as follows: As above, so below.

All kinds of trivial explanations of this saying are to be found, but the one that concerns us today is the following. It is obvious to spiritual science that the world accessible to our five senses, far from being complete in itself, is a manifestation of a spiritual world hidden behind it. This hidden world is called, according to the Hermetic axiom, the “world above, or the upper world.” The sense world spread all about us, perceptible to our senses and accessible to our intellect, is called the “world below,” and is an expression of the spiritual world above it. The physical world is therefore not complete to the spiritual researcher, but is a kind of physiognomic expression of the soul and spirit world behind it, just as when looking at a human face one does not stop short at its shape and features, but recognizes them as an expression of the soul and spirit behind them.

What everyone does instinctively when faced with an ensouled being, the spiritual researcher does in regard to the whole world. The axiom, As above, so below, when applied to a human being, means that a person's soul impulses come to expression on the face. A hard, coarse face denotes coarseness of soul, a smile inner joy, and tears inner suffering.

Let us now apply the Hermetic axiom to the question: What is wisdom? Spiritual science has often pointed to the fact that human wisdom is related to experience, particularly to painful experience. For someone actually in the throes of pain and suffering, the immediate experience will no doubt be inner discord. But when pain and suffering have been conquered, when only their fruits remain, a person will say that from the experience a measure of wisdom is gained. The happiness, enjoyment and contentment life brings one gratefully accepts; but more valuable by far, once it is overcome, is the pain and suffering, for to that people owe what wisdom they possess. Spiritual science recognizes in wisdom something like crystallized pain; pain transformed into its opposite.

It is interesting that modern research, with its more materialistic approach, has come to the same conclusion. A book well worth reading was published recently about the mimicry of thought. The writer is not an anthroposophist, but a natural scientist and psychologist. He sets out to show that a person's thought life reveals itself in the physiognomy, and draws attention to the fact that a thinker's facial expression always suggest assimilated pain.

Thus, you see emerging, interspersed with more materialistic views, a confirmation of an ancient maxim that originated from spiritual knowledge. This will happen more and more frequently; you will find ancient wisdom gradually reappearing within the framework of modern science.

Spiritual research confirms that everything that surrounds us in the world: the configuration of minerals, the covering of vegetation, the world of animals, is the physiognomic expression of the life of spirit behind it. It is the “below” reflecting the “above.” Spiritual science maintains that what thus surrounds us can be properly understood only when one has knowledge of the “above,” that is, knowledge of the prototypes, the primordial beings from whom it all originated. Today we shall turn our attention to that which creates on earth its physiognomic expression in the blood. Once the spiritual background of blood is understood, it will be recognized that such knowledge must of necessity influence our spiritual and cultural life.

The problems human beings are facing today are momentous and pressing—especially educational problems involving not only the young but also entire populations. These particular problems are bound to increase as time goes on. The great social upheavals taking place make this evident to anyone. Demands causing anxiety are continually made, whether in the guise of the woman question, the labor question or the peace question. These are all problems that become understandable once insight is gained into the spiritual nature of blood.

Another question, similar in nature, which is again coming to the fore, is that of race. The racial problem cannot be understood unless one understands the mysterious effect when blood of different races is mingled. And finally, there is the problem of colonization that also belongs in this category. This problem has become even more pressing since attempts have been made to tackle it more consistently than was formerly the case. It arises when cultivated people are to share their lives with uncultivated people. Certain questions ought to be asked when attempts are made to tackle the problem: To what extent is it possible for a primitive people to assimilate a strange culture? Can a savage become civilized? What here comes under consideration are vital and far-reaching questions of existence, not just concern about doubtful morality. It is unlikely that one will find the right way of introducing a strange culture to a people if it is not known whether it is on an ascending or descending line of evolution; whether this or that aspect of its life is ruled by its blood. When the significance of blood is discussed, all these things come under scrutiny.

The physical composition of blood will be known to you from science in general. In humans, and also in the higher animals, blood is truly the stream of life. Our inner bodily nature is in contact with the external world through the fact that we absorb into the blood the life-giving oxygen from the air, a process by which the blood is renewed. The blood that meets the instreaming oxygen acts as a kind of poison, as a kind of destroyer within the organism. This blue-red blood, by absorbing the oxygen, is transformed into red, life-giving blood through a process of combustion. This red blood that penetrates all parts of the organism has the task to absorb directly into itself substances from the outer world, and deposit them as nourishment along the shortest route within the body. Humans and the higher animals must of necessity first absorb nutritive substances into the blood, then, having formed the blood, absorb into it oxygen from the air and finally build up and sustain the body by means of the blood.

A knowledgeable psychologist once remarked that the blood circulating through the body is not unlike a second person who, in relation to the one made of bone, muscle and nerve, constitutes a kind of outer world. And indeed our entire being constantly takes from the blood what sustains it, and gives back what it cannot use. One could say that a person carries in his or her blood a double (Doppelgänger) who, as a constant companion, furnishes him or her with renewed strength and relieves a person of what is useless. It is entirely justified to refer to blood as a stream of life and compare its importance with that of fibre. What fibre is for the lower organism. blood is for the human being as a whole.

The distinguished scientist Ernst Haeckel³ has probed deeply into nature's workshop, and in his popular works he quite rightly points out that blood is the last to develop in an organism. When tracing the stages of development in a human embryo, one finds rudiments of bone and muscle long before there is any indication of blood formation. Only late in embryonic development does formation of blood and blood vessels become apparent. This leads natural science to rightly conclude that blood made its appearance only late in world evolution, and that forces already in existence had first to reach a stage of development comparable to that of blood before they could accomplish what was necessary in the human organism. When as embryos human beings repeat once more the earlier stages of human evolution, they adapt to what existed before blood first made its appearance, This a person must do in order to achieve the crowning glory of evolution: the enhancement and transmutation of all that went before into that special fluid that is blood.

If we are to enter into the mysterious laws of the spiritual realm that hold sway behind blood, we must first take a brief look at some of the basic ideas of spiritual science. You will come to see that these basic ideas are the “above,” and that this “above” comes to expression in the laws that govern blood, as it does in all other laws, as if in a physiognomy.

There are in the audience some who are acquainted with the basics of spiritual science; they will allow a brief repetition for the sake of others who are present for the first time. In any case, repetitions help to make these basic ideas clearer, as light will be thrown on them from a different aspect. In fact, what I am going to say may well appear as just a string of words to those who as yet know nothing about spiritual science, and are therefore unfamiliar with this outlook on life. However, when ideas behind words seem to have no meaning, it is not always the ideas that are at fault. In this context a witty remark made by Georg Christoph Lichtenberg⁴ is apt. He said: If a head and a book collide and the result is a hollow sound, it is not always the book's fault. So, too, when some of our contemporaries pass judgment on spiritual truths, which to them seem like a string of words, it is not always spiritual science that is at fault. However, those acquainted with spiritual science will know that the references made to higher beings are to beings that really do exist, even if they cannot be found in the physical world.

Spiritual science recognizes that humans, as they appear in the sense world to physical sight, represent only a part of their true being. In fact, behind the physical body there are several more principles that are invisible to ordinary sight. Human beings have the physical body in common with the so-called surrounding lifeless mineral world. In addition, they have a life body, or ether body. What is here understood by ether is not that of which natural science speaks. The life body or ether body is not something speculative or thought out, but is as concretely visible to the spiritual senses of the clairvoyant as are physical colors to physical sight.

The ether body is the principle that calls inorganic matter into life and, in lifting it out of lifelessness, weaves it into the fabric of life. Do not for a moment imagine that the life body is something the spiritual investigator thinks into the lifeless. Natural science attempts to do that by imagining something called the “principle of life” into what is found under the microscope, whereas the spiritual investigator points to a real definite entity. The natural scientist adopts, as it were, the attitude that whatever exists must conform to the faculties a person happens to have; therefore, what he or she cannot perceive does not exist. This is just about as clever as a blind person saying that colors are nothing but a product of fantasy. The person to pass judgment on something must be the one who has experienced it, not someone who knows nothing about it.

Nowadays one talks of “ignorabimus” and “limits of knowledge”; this is possible only as long as human beings remain as they are. But, as spiritual science points out, we are constantly evolving, and once we develop the necessary organs, we will perceive, among other things, the ether body, and will no longer speak of “limits of knowledge.” Agnosticism is grave obstacle to spiritual progress because it insists that, as human beings are as they are, their knowledge can only be limited accordingly. All that can be said to this is that then human beings must change, and when they do they will be able to know things they cannot now know things they cannot now know.

Thus, the second member of a person's being is the ether body, which one has in common with the vegetable kingdom.

A human being's third member is the astral body. This name, as well as being beautiful, is also significant; that it is justified will be shown later. Those who wish to find another name only show that they have no inkling as to why the astral body is so named. In humans and animals, the astral body bestows on living substance the ability to experience sensation. This means that not only do currents of fluid move within it, but also sensations of joy, sorrow, pleasure and pain. This capacity constitutes the essential difference between plant and animal, although transitional stages between them do exist.

A certain group of scientists believes that sensation should be ascribed also to plants, but that is only playing with words. Certainly some plants do react when something approaches them, but it has nothing to do with sensation or feeling. When the latter is the case, an image arises within the creature in response to the stimulus. Even if certain plants respond to external stimuli, that is no proof that they experience inner sensation. The inwardly felt has its seat in the astral body. Thus, we see that creatures belonging to the animal kingdom consist of physical body, ether or life body, and astral body.

Human beings tower above the animal through a specific quality, often sensed by thoughtful natures. In his autobiography, Jean Paul⁵ relates the deep impression made upon him when, as a small child, standing in the courtyard of his parent's house, the thought suddenly flashed through his mind: “I am an ‘I,’ I am a being who inwardly calls himself ‘I.’ ” What is here described is of immense significance, yet generally overlooked by psychologists. A subtle observation will illustrate what is involved: In the whole range of speech, there is one small word that in its application differs from all others. We can all give a name to the objects in this room. Each one of us will call the table, “table,” the chairs, “chairs,” but there is one word, one name that can only refer to the one who speaks it: the little word “I.” No one can call someone else “I.” The word “I” must sound forth from the innermost soul to which it applies. To me, everyone else is a “you,” and I am a “you” to everyone else.

Religions have recognized that the “I” is that principle in us that makes it possible for the human soul to express its innermost divine nature. With the “I” begins what can never enter the soul through the external senses, what must sound forth in its innermost being. It is where the monologue, the soliloquy, begins in which, if the path has been made clear for the spirit's entry, the divine Self may reveal itself.

In religions of earlier cultural epochs, and still in the Hebrew religion, the word “I” was called: “The unutterable name of God.” No matter how it is interpreted according to modern philology, the ancient Hebrew name for God signifies what today is expressed by the word “I.” A hush went through the assembly when the initiate spoke the “Name of the Unknown God”; the people would dimly sense the meaning contained in the words that resounded through the temple: “I am the I am.”

Thus, the human being consists of physical body, ether body, astral body and the “I” or the essential inner being. This inner being contains within itself the germ of the three further evolutionary stages that will arise out of the blood. They are: Manas or Spirit Self, in contrast to the bodily self; Buddhi or Life Spirit; and a human's true spiritual being: Atma or Spirit Man, which today rests within us as a tiny seed to reach perfection in a far-off future; a stage to which at present we can only look to as a far-distant ideal. Therefore, just as we have seven colors in the rainbow and seven tones in the scale, we have seven members of our being that divide into four lower and three higher.

If we now look upon the three higher spiritual members as the “above” and the four lower as the “below,” let us try to get a clear picture of how the above creates a physiognomic expression in the below as it appears to physical sight. Take first what we have in common with the whole inorganic nature, that is, that which crystallized into the form of a person's physical body. When we speak of the physical body in a spiritual-scientific sense, it is not what can be seen physically that is meant, but the combination of forces behind it that constructed this form. The next member of our being is the ether body, which plants and animals also possess, and by means of which they are endowed with life. The ether body transforms physical matter into living fluids, thus raising what is merely material into living form. In animal and human the ether body is permeated by the astral body, which calls up in the circulating fluid inner participation of its movement, causing the movement to be reflected inwardly.

We have now reached the point where the being of humans can be understood insofar as they are related to the animal kingdom. The substances, such as oxygen, nitrogen, hydrogen, sulphur, phosphorus, and so forth, out of which our physical body is composed, are to be found outside in inorganic nature. If the substances transformed by the ether body into living matter are to attain the capacity to create inner mirror images of external events, then the ether body must be permeated by the astral body. It is the astral body that gives rise to sensations and feelings, but at the animal level does so in a specific way.

The ether body transforms inorganic substances into living fluids; the astral body transforms living substance into sensitive substance. But—and of this please take special note—a being composed of no more than the three bodies is only capable of sensing itself. It is only aware of its own life processes; its existence is confined within the boundaries of its own being. This fact is most interesting, and it is important to keep it in mind. Look for a moment at what has developed in a lower animal: inorganic matter is transformed into living substance, and living mobile substance into sensitive substance. The latter is to be found only where there is at least the rudiment of what at a higher stage becomes a developed nervous system.

Thus, we have inorganic substance, living substance, and nerve substance capable of sensation. In a crystal you see manifest certain laws of inorganic nature. (A crystal can be formed only within the whole surrounding nature.) No single entity could exist by itself separated from the rest of the cosmos. If we were to be transferred a mile or two above the earth's surface, we would die. Just as we are conceivable only within the environment to which we belong, where the necessary forces exist that combine to form and sustain us, so too, in the case of a crystal. A person who knows how to look at a crystal will see it as an individual imprint of the whole of nature, indeed of the whole cosmos. Georges Leopold Chrètien Cuvier⁶ is quite right when he says that a competent anatomist is able to deduce from a single bone to what kind of animal it belongs, as each kind has its own specific bone formation.

So you see that in the form of a crystal a certain aspect of the whole cosmos is reflected, just as an aspect of the whole cosmos is imprinted on living substance. The fluid circulating in a living creature is a small world that mirrors the great world. When substance possesses not only life, but also experiences inner sensation, it mirrors universal laws; it becomes a microcosm that dimly senses within itself the whole macrocosm. As the crystal is an image of cosmic form, so is sentient life an image of cosmic life. The dullness of consciousness in simple creatures is compensated by its immense range, for mirrored in it is the whole cosmos.

The constitution of humans is simply a more intricate structure composed of the three bodies already found in simple sentient creatures. If you consider people while disregarding their blood, you have beings built up from the same substances as those to be found in their environment. Like the plant, human beings contain fluids that call mineral substances to life, which in turn incorporate a system of nerves. The first nerves to appear are those of the so-called sympathetic nervous system. In humans it extends along both sides of the vertebral column, forming a series of knots from which it branches out and sends threads to the various organs, the lungs, the digestive tract and so on.

In the first instance, the sympathetic nervous system gives rise to the kind of sentient life just described. But a person's consciousness does not reach down far enough to experience the cosmic processes it mirrors. The surrounding cosmic world out of which the human being, as a living being, is created, mirrors itself in the sympathetic nervous system. There is in these nerves a dull inner life. If human beings could dive down consciously into the sympathetic nervous system, while the higher nervous system fell asleep, they would behold in a world of light the workings of the great cosmic laws.

Human beings once had a clairvoyant faculty that has been superseded. However, it can still be experienced, if through certain measures the function of the higher nervous system is suspended, setting free the lower consciousness. When that happens, the world is experienced through the lower nervous system in which the environment is mirrored in a special way. Certain lower animals still have this kind of consciousness. As explained, it is extremely dull, but provides a dim awareness of a far wider aspect of the world than the tiny section perceived by humans today.

At the time when evolution had reached the stage of the cosmos being mirrored in the sympathetic nervous system, another event occurred in human beings. The spinal cord was added to the sympathetic nervous system. The system of brain and spinal cord extended to the organs, through which contact was established with the outer world. Once their organisms had reached this stage, humans were no longer obliged to be merely a mirror for the primordial cosmic laws; the mirror image itself now entered into relationship with the environment. The incorporation of the higher nervous system in addition to the sympathetic nervous system denoted the transformation that had occurred in the astral body. Whereas formerly it participated dully in the life of the cosmos, it now contributed its own inner experiences.

Through the sympathetic nervous system, a being senses what takes place outside itself; through the higher nervous system, what takes place within itself. In individuals at the present stage of their evolution, the highest form of the nervous system is developed; it enables people to obtain from the highly structured astral body what is needed to formulate mental pictures of the outer world. Therefore, a person has lost the ability to experience the environment in the original dull pictures. Instead, individuals are aware of their inner life, and build within the inner self a new world of pictures on a higher level. This world of mental pictures mirrors, it is true, a much smaller section of the outer world, but does so much more clearly and perfectly.

Hand in hand with this transformation, another one occurred on a higher evolutionary level. The reorganization of the astral body became extended to the ether body. Just as the ether body through its reorganization became permeated with the astral body, and just as there was added to the sympathetic nervous system that of the brain and spinal cord, so what was set free from the ether body—after it had called into being the circulation of living fluids—now transformed these lower fluids into what we call “blood.”

Blood denotes an individualized ether body, just as the brain and spinal cord denote an individualized astral body. And through this individualizing comes about that which expresses itself as the “I.”

Having traced man's evolution up to this point, we notice that we are dealing with a gradation in five stages: First the physical body (or inner forces); second the ether body (or living fluids, to be found also in plants); third the astral body (manifesting itself in the lower or sympathetic nervous system); fourth the higher astral body emerging from the lower astrality (manifesting itself in the brain and spinal cord); and finally the principle that individualizes the ether body.

Just as two of humanity's principles, the ether, and astral bodies, have become individualized, so will the human being's first principle, built up out of external lifeless substances, that is, the physical body, become individualized. In present day humanity there is only a faint indication of this transformation.

We see that formless substances come together in the human body, that the ether body transforms them into living forms, that through the astral body the outer world is reflected and becomes inner sensation, and finally this inner life produces of itself pictures of the outer world.

When the process of transformation extends to the etheric body, the result is the forming of blood. This transformation manifests itself in the system of heart and blood vessels, just as the transformation of the astral body manifests in the system of brain and spinal cord. And, as through the brain the outer world becomes inner world, so does this inner world become transformed through the blood into an outer manifestation as the human body. I shall have to speak in similes if I am to describe these complicated processes. The pictures of the external world made inward through the brain are absorbed by the blood and transformed into vital formative forces. These are the forces that build up the human body; in other words, blood is the substance that builds the body. We are dealing with a process that brings the blood into contact with the outer world; it enables it to take from it the most perfect substance, oxygen. Oxygen continually renews the blood, endowing it with new life.

In tracing human development, we have followed a path that leads from the outer world to humanity's inner world and back to the outer world. We have seen that the origin of blood coincides with our ability to face the world as an independent being, a being able to form his or her own pictures of the external world from its reflection within the self. Unless this stage is reached, a being cannot say “I” to itself. Blood is the principle whereby “I-hood” is attained. An “I” can express itself only in a being who is able independently to formulate the pictures the outer world produces within the self. A being who has attained “I-hood” must be able to take in the outer world and recreate it within the self.

If we possessed only a brain without a spinal cord, we would still reproduce within ourselves pictures of the outer world and be aware of them, but only as a mirror image. It is quite different when we are able to build up anew what is repeated within ourselves; for then what we thus build up is no longer merely pictures of the outer world; it is the “I.” A being who possesses brain and spinal cord will not only mirror the outer world, as does a being with only the sympathetic nervous system, but will also experience the mirrored picture as inner life. A being who in addition possesses blood will experience inner life within the self. The blood, assisted by oxygen taken from the outer world, builds up the individual body according to the inner pictures. This is experienced as perception of the “I”.

The “I” turns its vision inwards into a person's being, and its will outwards to the world. This twofold direction manifests itself in the blood, which directs its forces inwards, building up a person's being, and outwards towards the oxygen. When humans fall asleep they sink into unconsciousness because of what the consciousness experiences within the blood, whereas when they, by means of sense organs and brain, form mental pictures of the outer world, then the blood absorbs these pictures into its formative forces. Thus, the blood exists midway between an inner picture-world and an outer world of concrete forms. This becomes clearer if we look at two phenomena. One is that of genealogy, that is, the way conscious beings are related to ancestors, the other is the way we experience external events.

We are related to ancestors through the blood. We are born within a specific configuration, within a certain race, a certain family and from a certain line of ancestors. Everything inherited comes to expression in our blood. Likewise, all the results from an individual's physical past accumulates in the blood, just as within it there is prepared a prototype of that person's future. Consequently, when the individual's normal consciousness is suppressed, for example under hypnosis or in cases of somnambulism or atavistic clairvoyance, a much deeper consciousness becomes submerged. Then, in a dreamlike fashion, the great cosmic laws are perceived. Yet this perception is nevertheless clearer than that of ordinary dreams even when lucid. In such conditions all brain activity is suppressed, and in deep somnambulism even that of the spinal cord. In this condition what the person experiences is conveyed by the sympathetic nervous system; the individual has a dull, hazy awareness of the whole cosmos. The blood no longer conveys mental pictures produced by the inner life through the brain; it only conveys what the outer world has built including everything inherited from ancestors. Just as the shape of a person's nose stems from his or her ancestors, so does the whole bodily form. In this state of consciousness a person senses his ancestors in the same manner that waking consciousness senses mental pictures of the outer world. A person's blood is haunted by his ancestors; he dimly participates in their existence.

Everything in the world evolves, also human consciousness. If we go back to the time when our remote ancestors lived, we find that they possessed a different type of consciousness. Today, during waking life we perceive external objects through the senses, and transform them into mental pictures that act an our blood. Everything a person experiences through the senses is working in not only his blood but also in his memory. By contrast, a person remains unconscious of everything bestowed by ancestors. We know nothing about the shape of our inner organs. In the past all this was different; at that time the blood conveyed not only what it received from outside through the senses, but also what existed in the bodily form, and as this was inherited, we could sense our ancestors within our own being.

If you imagine such a consciousness enhanced, you will get an idea of the kind of memory that corresponded to it. When our experiences are confined to what can be perceived through the senses, then only such sense perceptible experiences are remembered. A person's consciousness comprises only his experiences since childhood.

In the past this was different, because the inner life contained all that was brought over through heredity. A human's mental life depicted ancestors' experiences as if they were his own. A person could remember not only his own childhood, but his ancestors' lives, because they were contained in the pictures absorbed by his blood. Incredible as it may seem to the modern materialistic outlook, there was a time when human consciousness was such that an individual regarded both his and his forefathers' physical experiences as his own. When someone said: “I have experienced... ,” he referred not only to personally known events but also to events experienced by his ancestors. It was a dim and hazy consciousness compared with modern human waking consciousness, more like a vivid dream. However, it was much more encompassing, as it included not only his own life but the lives of ancestors. A son would feel at one with his father and grandfather, as if they were sharing the same “I.” This was also the reason he did not give himself a personal name but one that included past generations, designating what they had in common with one and the same name. Each person felt strongly that he was simply a link in a long line of generations.

The question is how this form of consciousness came to be transformed into a different one. It happened through an event well-known to spiritual historical research. You will find that every nation the world over describes a significant moment in history when a new phase of its culture began—the moment when the old traditions begin to lose their influence, and the ancient wisdom that had flowed down the generations via the blood begins to wane, although the wisdom still finds expression in myths and sagas.

A tribe used to be an enclosed unit; its members married among themselves. You will find this to be the case in all races and peoples. It was a significant moment in the history of mankind when this custom ceased to be upheld—the moment when a mingling of blood took place through the fact that marriage between close relations was replaced by marriage between strangers. Marriage within a tribe ensured that the same blood flowed through its members down the generations; marriage between strangers allowed new blood to be introduced into a people.

The tribal law of intermarriage will be broken sooner or later among all peoples. It heralds the birth of the intellect, which means ability to understand the external world, to understand what is foreign.

The important fact to bear in mind is that in ancient times a dim clairvoyance existed out of which arose sagas and legends, and that the clairvoyant consciousness is based on unmixed blood, whereas our awakened consciousness depends on mixed blood. Surprising as it may seem, marriage between strangers has resulted in logical, intellectual thoughts. This is a fact that will increasingly be confirmed by external research, which has already made a beginning in that direction. The mingling of blood extinguishes the former clairvoyance and enables humanity to reach a higher stage of evolution. When a person today goes through esoteric training and causes clairvoyance to reappear, that person transforms it to a higher consciousness, whereas today's waking consciousness has evolved out of the ancient dim clairvoyance.

In our time, a person's whole surrounding world in which he acted came to expression in the blood; consequently, this surrounding world formed the inner in accordance with the outer. In ancient times it was more a person's inner bodily life that came to expression in the blood. A person inherited, along with the memory of his ancestors' experiences, also their good or bad inclinations; these could be traced in his blood. This ancestral bond was severed when blood became mingled through outside marriages. The individual began to live his own personal life; he learned to govern his moral inclinations according to his own experiences. Thus, ancestral power holds sway in unmixed blood; that of personal experience in mixed blood.

Myths and legends told of these things: “That which has power over thy blood has power over thee.” Ancestral power over a folk came to an end when the blood, through being mingled with foreign blood, ceased to be receptive to its influence. This held good in all circumstances.

Whatever power wishes to subjugate a person will have to exert an influence that imprints itself in his blood. Thus, if an evil power wishes dominance over an individual, it must gain dominance over his or her blood. That is the profound meaning of the quotation from Faust, and the reason the representative of evil says: “Sign your name to the pact in blood; once I possess your name written in your blood, I shall have caught you by the one thing that will hold man. I shall then be able to pull you over to my side.” That which possesses a person's blood possesses that person, and possesses the human “I. ”

When two groups of human beings confront one another, as used to be the case in colonization, then only if there is true insight into evolutionary laws is there any possibility of foreseeing if the foreign culture can be assimilated. Take the case of a people that is very much at one with its environment, a people into whose blood the environment has as it were inserted itself. No attempt to graft upon it a foreign culture will succeed. It is simply impossible, and is also the reason why in certain regions the original inhabitants became extinct when colonized. One must approach such problems with insight and realize that anything and everything cannot be forced upon a people. It is useless to demand of blood more than it is able to endure.

Modern science has discovered recently that if blood from one animal is mixed with that of another not akin to it, the two types of blood prove fatal to one another. This is something that has been known to spiritual knowledge for a long time. Just as unrelated types of blood if mixed cause death, so is the old clairvoyance killed in primitive humanity when blood from different lines of descent are mingled. Our modern intellectual life is entirely the outcome of the mingling of blood. Once this approach is adopted it will be possible to study what effect the mingling of blood has had on the various people in the course of history.

Thus, when the blood of animals from different evolutionary stages is mixed the result is death, whereas that is not the case when the species are related. The human organism survives when, through marriage, blood is mingled with strange blood; here the result is the extinction of the original animal kind of clairvoyance, and the birth in evolution of a new consciousness. In other words, something happens in humans, but on a higher level, that is similar to what happens in the animal kingdom where strange blood kills strange blood. In the human kingdom strange blood kills the hazy clairvoyance that is based on kindred blood.

Therefore, it is a destructive process that gave rise to the modern human wakeful day-consciousness. The kind of spiritual life that resulted from intermarriage has been destroyed in the course of evolution; while the very thing that destroyed it, that is, marriage between strangers, gave birth to the intellect and today's lucid consciousness.

What is able to live in a person's blood lives in that person's “I.” Just as the physical principle comes to expression in the physical body, the ether body comes to expression in the system of living fluids, and the astral body in the system of nerves, so does the “I” come to expression in the blood. Physical principle, ether body and astral body are the “above” blood; the “I” forms the center; and physical body, living fluids and nervous system are the “below.” Therefore, whatever power wishes to dominate humans must take possession of their blood.

These are things that must be taken into account if progress is to be achieved in practical life. For example, just because the “I” comes to expression in the blood, a people's racial character can be destroyed through colonization, when more is demanded than the blood can endure.

Not till Beauty and Truth become part of a person's blood does he truly possess them. Mephistopheles wants power over Faust's “I”; that is why he seizes Faust's blood. So you see that the quotation, which is the Leitmotiv of this lecture, arose out of profound knowledge. Blood is indeed a very special fluid.

• 1. Johann Wolfgang von Goethe (1749–1832) was a German poet, novelist, and playwright.
• 2. Jacob Minor (1855–1912) was professor of philology.
• 3. Ernst Haeckel (1834–1919) was a German biologist who supported Darwin's theory of evolution and his theory of ontogeny or the development of an individual organism.
• 4. Georg Christoph Lichtenberg (1744–1799) was a physicist and satirical writer.
• 5. Jean Paul (Jean Paul Friedrich Richter, 1763–1825), German author.
• 6. Georges Leopold Chretien Couvier (1769–1832) was a French comparative anatomist and the founder of paleontology.

My dear Friends,

For the dramatist the play is finished when he has composed it, when he has put it into words. If he intends it for the stage, then while composing it he must all the time hear and see it taking place. A play that may truthfully be called a work of art has been seen by the author; he has had it before his mind's eye just as it should unfold when performed on the stage. If this is not so, if the dramatist has not the power continually to ‘behold’ the stage, to feel beating within him, as he writes, the life-blood of the stage—then the actor can do very little with that play. And now when the dramatist has finished his work, the written play is for the actor what the score is for the musician. The poem, the work of art, has in a sense disappeared; the written text is like a musical score. From the text the actor has to re-create the poem in his performance on the stage, even as the musician re-creates the music from the score. For the score is a kind of zero-point between composer and performer; there they meet. It should be the same with the text of the drama. But in order to attain his goal, the actor will have to prepare himself in two directions.

The first thing needed is that the characters in the play are thoroughly understood. That the individual actor must have a thorough grasp of his own part goes without saying; but no part can be rehearsed except in conjunction with the other parts, and the producer has to see that all the parts play into one another in the right way. Thus, besides being studied individually, the characters will have to be brought into right relation with one another, so that the play, as it takes its course on the stage, shall in this respect present a rightly coloured, a well-integrated whole. And this it will do if we have first of all practised the art of delineation of character. It is an art that can be studied from what we have already seen to be the essential elements of drama. Let me show you how this can be done. Again I will proceed by taking an example.

In an earlier lecture we had a play under consideration that can once more be helpful to us here; for it is excellent material for the study of delineation of character, and also for the other necessary study which I will explain later. Particularly striking, however, is the skill in the delineation of character that is evinced in this play. I refer to Hamerling's Danton and Robespierre.

If it is our aim to achieve a complete and true delineation of character, in other words so to place each separate character on the stage that in the working out of their mutual relationships a whole is attained, an inwardly integrated whole, then we must before all else set out to study the play just from this point of view. In the play we are considering we shall find four characters whom we can well single out for particular study. There are of course many others we could choose, but for our present purpose we cannot do better than concentrate on these four: Robespierre, Hébert, Chaumette, Danton.

A full study of the drama as a whole would naturally have to include also the rest of the cast. As far as our immediate study is concerned, we shall require to come to the point where we can take a survey of the complete drama with its various characters; and then, having done this, we shall be in a position to give to some particular character its right performance, allowing it to be neither isolated from the others nor eclipsed by them.

Assuming therefore that you have worked through Hamerling's Danton and Robespierre in this way and have also made yourselves thoroughly familiar with all that we have been considering in these last days, you will be able to go forward with clarity and confidence, and place these four characters on the stage, showing up the varying shades of their several qualities and dispositions, in their relation to one another.

Take first Danton. We shall find, if we have understood the play aright, that Danton will express his own inner soul best if we connect with him the sound-feelings: ä (ay in ‘say’), i (ee); ä, i.

Danton: ä i

To act the part with this sound-feeling will bring the jovial side of his nature to expression; there will then be something large and generous about his manner as he comes on to the stage. And when Danton has to move about on the stage, then, if you have come to a really deep understanding of him, you will instinctively be tempted to let him walk like this: knees held rather stiff, and feet firmly planted on the ground. You will even feel that his arms too should be a little stiff at the elbow; he will move them as though he could not bend them right up, but only at a rather obtuse angle. Yes, you could very well have the impression that Danton is a man who would never be able to sing either a major or a minor third!¹

If this is the feeling you have about his character, then you may be sure the true Danton will be there on the stage, taking his right place among the other characters. And you will be impelled to let him be constantly making gestures with the mouth that help to produce the right tone of voice—pressing the lips forcefully into the corners of the mouth. Danton should, in fact, be spoken with lips nearly closed and stretched to their utmost, but as if there at the corners of the mouth they met with some powerful resistance.

All this is a direct and perfectly natural outcome of a serious study of the part. And that is how it should be. Then, when Danton has to speak, we shall have a Danton there ready. I will now illustrate this for you, taking for the purpose the second scene of the play, where he steps out in front of the people and speaks to them in true Danton manner

(DANTON und ROBESPIERRE treten auf. Robespierre in einfacher, aber pedantisch sorgfältiger Frisur und Tracht, Danton in mehr prunkhafter, doch burschikoser Gewandung, eine gewaltige Halsschleife hängt über seine Brust herab.)

VOLK. Es lebe Danton! Es lebe Robespierre!

DANTON. (den Hut lüftend und dem Volke zunickend, jovial)
Guten Morgen, Sansculotten!
Was soll denn das Gedräng'? Was gibt's? Ein Fest?
Mit weissgeputzten Jungfern, schönen Reden
Und Blechmusik? Verdammt! Gibt's wirklich keine
Bastille mehr zu stürmen? Keinen Ausflug
Mehr nach Versailles zu machen? Alle Wetter,
Das waren andre Zeiten! Denkt ihr's noch
Wie's war, als rings um uns zum ersten
Mal Losbrach die Kriegsfurie, und die Ohren
Ihr an den Boden legtet, um zu horchen,
Ob man nicht schon Kanonendonner höre,
Vorboten jener Haufen, die sich wälzten
Her auf Paris—und wie dann wirklich mancher
Zu hören meint‘ein fernes dumpfes Rollen,
Und auffuhr, bis ein Nachbar zu ihm sagte:
Lass gut sein—Danton ist's, der eben donnert
Im Club der Cordeliers!

VOLK. (in Enthusiasmus geratend) Es lebe Danton! ca ira! ca ira!

(Enter DANTON and ROBESPIERRE—Robespierre plainly dressed but
both his hair and clothes showing meticulous care; Danton in more showy,
unconventional garments, and with a flowing cravat.)

PEOPLE. Long live Danton! Long live Robespierre!

DANTON. (raising his hat and nodding in a jovial way to the people)
Good Morrow, Sansculottes!
What means this crowd? What is there, then, a fete?
With maidens all in white, with splendid speeches,
And with brass bands? Deuce take it! is there not
A Bastille still to storm? No further trip
To Versailles still to take? By Jupiter
Those times were different! Do you ever think
Of how it was when first around us all
War fury did break loose, and down you laid
Your ears upon the ground to try and hear
Whether already cannon-thunder roared—
Forbidden now those swarms who danced around
Our Paris streets—and how then many thought
To hear a deadened rolling from afar
And started up, until a neighbour said:
Don't be disturbed—it's Danton thundering
At the Cordelier's Club!

PEOPLE. (beside themselves with enthusiasm)
Long live Danton! ça ira, ça ira!

Do you see? There you have Danton's large—and yet at the same time revolutionary—manner. I want you to understand that I am accentuating what is characteristic of Danton, but that this accentuation has its particular value; I do it on purpose to show you how you can find your own way to a true delineation of character. And you will furthermore discover, if you are prepared to carry your expression of the character so far, that Danton will have to speak every j² and every l, (and whatever sounds resemble them) in a manner that is all his own. So we have for

Danton: ä i j l

And now let us look at Hebert. When the character of Hebert begins to come alive for us, we shall find he is not a man of action like Danton. Nor has Hebert been endowed with Danton's jovial disposition. Danton with his big, broad mouth gives us the impression that he will be large and liberal in his actions too, and we shall even feel inclined to choose a broad-shouldered person to play him, should it happen that one is available. We could of course also adapt the clothes to give more breadth. Danton's outward appearance would then be in accord with his speaking.

Hebert on the other hand will have to be of medium size; he must not look big and stout. With Hebert we get the impression that he is continually on the point of stepping forward, but suddenly hangs back and goes no farther. Whenever he has to move on the stage, the actor will have to show this hesitation. He will begin to step out, but then always stand still again. For Hebert is a man who only denounces and scolds, he is not a man to get things done. And this trait the actor will have to reveal by continually starting to walk and then stopping short.

You will find that Hebert is particularly at home in g and k; the utterance of these sounds gives him a feeling of satisfaction. The actor will take care to note where these sounds occur and will attune his whole speaking accordingly. He will see that Hebert gröhlt and jühlt (bawls and howls) when he is cross—ö ü (French eu in `feu', French u in ‘du’)—and that with g (hard) and k he is as pleased and happy as Danton is with j and l.

Hebert: ö ü g k

As the audience leaves the theatre, you ought to catch them saying to one another: ‘By Jove, how that fellow who plays Danton says ‘Ja’! No one else in the world could say Ja as he does. And did you hear the way Hebert hacks at the words with his k and g? It's simply marvellous! ’

Hamerling prepares us well beforehand for the situation in the scene. A citizen steps forward to announce the approach of the Goddess of Reason, whose festival is now about to be celebrated.

(Der Festzug erscheint unter den Klängen der Musih. Voraus HENRIOT zu Pferde. Dann eine Schar weissgekleideter, rosenbekränzter Mädchen, dann folgen die wie Feldzeichen erhöht getragenen Büsten Voltaires und Marats. Unmittelbar vor der Göttin wird eine grosse angezündete Fackel hergetragen. Die GÖTTIN selbst ruht auf einem blumengeschmückten Triumphwagen, angetan mit weisser Tunika, darüber eine wallende Chlamys von himmelblauer Farbe. Auf dem Haupte eine rote phrygische Mütze. Hinter ihr HEBERT, CHAUMET rB und andere Mitglieder des Rates der Kommune. Nachdem c/er Zug in der Mitte des Platzes angelangt, macht der Triumphwagen Halt, die Göttin verlässt denselben und wird von Hebert und Chaumette auf das thronartige Gerüst hinaufgeleitet, wo sie Platz nimmt. Die bisher ihr vorgetragene Fackel wird in ihre Hand gegeben. Die Jungfrauen gruppieren sich um den Fuss des Gerüstes. Die Musik verstummt.)

EIN BÜRGER. (im Vordergrund zu seinem Nachbar) Präch?

tige Gestalt, diese Göttin der Vernunft!

DER NACHBAR. Ja, sie ist ein schönes Weib, die Momoro; nur ihre Zähne sollen schon einigermassen defekt sein.

EIN WEIB. (zu ihrer Nachbarin) Seht einmal, was sie für grosse funkelnde Ohrringe trägt!

DIE NACHBARIN. Die hat sie von dem reichen deutschen Baron.

HÉBERT. (besteigt die Bühne, doch nicht ganz zu der Höhe, auf welcher die Göttin sitzt) Mitbürger! Die freche Rebellion der exekutiven und der administrativen Gewalten gegen das souveräne Volk, welche in Frankreich wie allenthalben ihr Wesen trieb, ist niedergeworfen. Der von den ersten Beamten des Staates, den Königen, bisher geübte Amtsmissbrauch ist für immer abgestellt. Seit dem Augenblick, da das Haupt Ludwig Capets fiel und der Staub seiner Ahnen in den Prunkgräbern von St. Denys im Staub der Strassen von Paris seinen Bruder begrüsste, ist der Königsbann und Zauber, der auf den Völkern lastete, gebrochen. Wir zogen nach St. Denys, wir öffneten die kostbaren Schreine der verblichenen Despoten von Frankreich: da lagen sie, die einst allmächtigen Abgötter, vor welchen wir das Knie beugten; da lagen sie in ihren Silbersärgen, Staubphantome, nur noch mit den letzten Resten goldgestickter Gewande zusammengehalten. Wenn man mit den Fingern an die Majestäten tippte, rieselte die Totenasche aus den Gold- und Purpurfetzen hervor, wie der Staub aus einem Staubschwamm, den man in der Hand zerdruckt. In ganzen Wolken stäubte sie empor, die Königsasche, und wer da herumging, dem klopfte sein Diener am nächsten Morgen verweste Potentaten mit dem anderen Staube aus den Kleidern. Es gibt keine geborenen Götzen der Menschheit mehr. Die Menschheit wird künftig nur diejenigen ehren, die ihr gedient, nicht diejenigen, die sie beherrscht haben. (Auf die Büsten deutend.) Da seht das Bild Voltaires, des grossen Vorkämpfers der Gedankenfreiheit; da seht das Bild Marats, des echten glühenden Patrioten, der für die Freiheit darbte, siechte, verhöhnt, und zuletzt gemeuchelt wurde—der die Lauen und die Ehrgeizigen zugleich beschämt, die auch jetzt noch das freie Volk zu eigensüchtigen Zwecken zu umgarnen trachten.—Das seien unsere Genien, das seien unsere Götter für die Zukunft! Vor diesen, Volk, entblösse dein Haupt!

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(The procession appears amid strains of music, HENRIOT on horseback at the head, then a troop of girls in white and garlanded with roses, after whom, carried on high like regimental colours, the busts of Voltaire and Marat. Immediately before the GODDESS a flaming torch is carried. The goddess herself rests on a flower-bedecked triumphal car. She is clad in a white tunic with, over it, a sky-blue mantle, a red Phrygian cap on her head. Behind her come HEBERT and CHAUMETTE, and other members of the Council of the Commune. The cortege having arrived at the centre of the square the triumphal car is halted, the goddess descends and is led by Hebert and Chaumette to the throne-like scaffolding where she takes her seat. The torch hitherto carried in front of her, is now given into her hand. The maidens group themselves at the foot of the scaffolding. The music ceases.)

A CITIZEN. (in the foreground, to his neighbour) Fine figure of a woman this Goddess of Reason!

NEIGHBOUR. Yes, she's a beauty, Mistress Momoro; only her teeth are none too good.

A WOMAN. (to her neighbour) Just look what great sparkling earrings she's wearing!

HER NEIGHBOUR. She got those from the rich German Baron.

HÉBERT. (mounts the stage but does not go to the level at which the goddess is sitting) Co-citizens! The shameless rebellion of the executive and administrative powers against the sovereign people, which has gone on in France and everywhere else, has been crushed. The abuse of office practised up to now by the leading officers of state, the kings, has been once and for all abolished. From the moment the head of Louis Capet fell, and the dust of his ancestors out of their ostentatious tombs in St. Denys met its brother dust in the streets of Paris, the kingly spell, the kingly magic, has been broken. We proceeded to St. Denys, we opened the costly shrines of the perished despots of France. There they lay, the once all-powerful idols before whom we bent the knee; there they lay in their coffins of silver, phantoms of dust still held together by the last remnants of their gold- embroidered garments. When with gentle fingers one softly touched these majesties, the ashes of the dead showered forth from the gold and purple tatters like the dust out of a crushed puff-ball. They rose up in dusty clouds, these kingly ashes, and those who stood around had, the next morning, decayed potentates brushed with other dirt from their clothes. For mankind there are no more hereditary idols. Mankind in future will honour only those who serve them, not those who are their masters. (Pointing to the busts.) There you see the bust of Voltaire, the great protagonist of freedom of thought; there that of Marat, the genuine, ardent patriot who, for freedom, suffered privation, pined away, was mocked at and finally murdered—who put to shame both the half-hearted and the ambitious who even yet try to incite the free people to selfish ends.—Let such men as Voltaire, as Marat, be our geniuses, our gods, for the future! Before them, 0 people, uncover your heads!

That, then, is Hebert. Let us turn now to Chaumette. If we study the part carefully, we shall feel we can detect in Chaumette a sort of soughing or sighing in ü, indicating a timidity which he conceals under a show of bravado. He tries all the time to stand up to his feeling of fear with ö. And so we have the mood ü ö. Chaumette's will not be a speaking that goes to extremes in any direction; there will be in it a savour of supplication, but of a rather poor and mean kind. The sounds h and sch (sh) will frequently occur, and all the time there will be a sort of insincere heaving and sighing.

Chaumette: ü ö h sch

If we can speak the part with this feeling, then it will be Chaumette.

VOLK. Es lebe die Göttin der Vernunft! (Schwenken der Mützen.) Es lebe die Republik!

DANTON. (zu Robespierre abseits) ‘Er ist verzweifelt wild heute, der Vater Duchesne!'

(Beide verlieren sich unter dem Volk.)

CHAUMETFE. (besteigt die Tribüne, nachdem sie HEBERT

verlassen) Republikaner! Wir haben die Tyrannei nicht bloss vom Throne, wir haben sie auch von der Kanzel geworfen. Seitdem zu des grossen Voltaire Zeiten die Mäuse des Unglaubens zum erstenmal den Speck der Kirche benagt, und seit die Naturforschung aufgestanden vom Faulbett des Begriffs der göttlichen Allmacht, auf dem sie geschlafen, ist Frankreich vorwärts gegangen mit Giganten- schritt. Nur fort auf diesem Wege, Brüder! Streuen wir mit der Asche der Könige auch die Asche der Kalenderheiligen aus den Kirchen in alle vier Winde! Und insofern sie von Metall, diese Heiligen, sollen sie gute Patrioten werden und für die Republik ins Feuer gehen: wir schmelzen sie ein! Reissen wir den Kirchtürmen ihre geschwätzigen Glockenzungen aus, und lassen wir sie im Felde als Kanonen brummen; schneiden wir Patronen aus den Messbüchern! Auf die Friedhöfe lasst uns die Inschrift pflanzen: ‘Ewiger Schlaf!’ Opfern wir nicht mehr das beste unserer Habe dem Himmel! Seien wir klug wie die alten Heiden: die brachten den Göttern von den Opfertieren auch nur die Häute und Knochen dar, das Fleisch assen sie selbst. Unsere Göttin sei die Vernunft, die gesunde Vernunft ohne Grübeleien, ohne Wissenskram, ohne aristokratische Gelehrsamkeit. Und als Franzose und Republikaner füg‘ich hinzu: Die Wissenschaft muss nützlich sein, und die Künste müssen einzig dem Patriotismus dienen; sie sollen keine Werkzeuge aristokratischer Verweichlichung sein. Den alt-ehrwürdigen Prachtbau von Notre Dame, der vor uns ragt, weihen wir von heut an zum Tempel der Vernunft! Vorerst aber, zum Zeichen, dass das Licht allen gemein ist (sich zu den Jungfrauen wendend), entzündet die Fackeln und verteilt sic unter das ganze Volk!

(Die Jungfrauen ergreifen Fackeln, von welchen ein grosser Haufe am Fusse des Gerüstes aufgeschichtet ist, und entzünden sie an der Fackel der Göttin.)

CLOOTS. (sich mit seiner Schar nähernd) Lasst alle Völker die Fackeln an diesem Licht entfachen, das in Frankreich aufgegangen!

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PEOPLE. Long live the Goddess of Reason! (waving their caps) Long live the Republic!

DANTON. (aside, to Robespierre) ‘He's desperately savage today is Father Duchesne !’

(Both men mingle in the crowd.)

CHAUMETTE. (mounts the tribune on HEBERT leaving it)

Republicans! We have thrown down tyranny not only from the throne but also from the pulpit. Ever since the time of Voltaire, when disbelief for the first time gnawed at the vitals of the Church, and since natural philosophy has arisen from the idle bed where slept the concept of divine omnipotence, since all this, France has progressed with giant strides. But let us go forward on this road, brothers! Let us cast to the four winds not only the ashes of the kings but also those of the calendar saints of the Church! And in as far as they are of metal, these saints, shall they become good patriots and go into the fire for the Republic; we will melt them down! Let us pull down from the Church towers the clamorous tongues of the bells and make them roar as cannon on the field of battle; let us make cartridge cases of their missals! Let us write up ‘eternal sleep‘at the entrance to their graveyards and no longer offer the best of our possessions to the heavens! Let us be as shrewd as the old heathen who brought to their gods only the skins and bones of the sacrificial animals, eating the flesh themselves. Our goddess shall be reason, sound reason, without speculation and unencumbered by knowledge or by the learning of aristocrats. And as Frenchman and republican I add: Science must be made of use, and the arts must serve patriotism alone; they shall be no tools of aristocratic effeminacy. This worthy, noble old pile of Notre Dame we shall dedicate today as the Temple of Reason. But first, as token that light is common property to every one of us, (turning to the maidens) kindle the torches and distribute them among all the people!

(The maidens seize upon the torches, a great heap of which is stacked at the foot of the scaffolding, and light them from the torch held by the goddess.)

CLOOTS. (approaching with his crowd) Let everyone light his torch from this light which has arisen in France!

Chaumette, you see, makes it plain that he wants not only to haul the tyrants down from their thrones but to push them out of their pulpits. This is the character Hamerling gives him. And if you study the part, letting yourself hear Chaumette speak with the voice of a priest who has grown rather insincere, then you will have hit upon the tone that should be maintained for Chaumette throughout.

Robespierre may be said to be the character that interests Hamerling most of all. He should appear rather tall on the stage. Whatever he may have been in real life, here in Hamerling's play Robespierre is a tall man, rather thin and worn, and all the sounds that he utters tend somewhat in the direction of i. There is always a decided contraction at the middle of his palate. He is moreover always ready to talk of great matters—to ‘embrace the world’—in rather grandiloquent phrases. i o, i o; these are the sounds you hear in Robespierre.

Then Robespierre is also very much the schoolmaster whose speaking abounds in d and t. He has a distinct liking for d and t, the pointing sounds.

Robespierre: i o d t

And now there is a passage in the play that can be particularly helpful to us if we want to have a complete picture of the character of Robespierre. Look up the scene that takes place in the house of the carpenter Duplay, where Robespierre has his lodging. The scene is laid in a kind of ante-room which divides Robespierre's apartments from the rooms and workshop of his landlord. Here then we have Robespierre at home.

Hamerling begins the scene by letting Robespierre indulge in a little self-admiration, in the true i o mood. We need to take note of this trait in Robespierre, if we are going to present him on the stage; for it provides us with a key to his character. Robespierre sets great value on what others think about him; but he would not like to admit it—either to himself or to them. And he undoubtedly has at the same time a good deal, as we said, of the schoolmaster in him and even gives the whole Revolution something of that tone. 1 am not of course speaking of the Robespierre of history; all that I am saying refers to the Robespierre of Hamerling's play.

Danton, Billaud-Varenne and the rest are ready to hang people who say anything in favour of the old aristocracy or royalty—or who even dream about them. But Robespierre,—he would like to hang persons who are guilty, for example, of writing an r in the wrong place. He detects in a spelling mistake like this an unforgivable conservatism which hinders the guilty person from taking his place in the new order of things. Schoolmasters, accordingly, whose pupils do not spell correctly—these in particular he is ready to hang.

The two traits are remarkably well brought out by Hamer- ling; and we shall find we can understand the character of Robespierre if we study the part with these traits in mind and with the sound-feelings that belong to them.

ROBESPIERRE. (tritt von einem Fenster zurück) Vorbei die letzten Karren—Hebert flucht—Chaumette macht ein Gesicht wie eine kranke Lerche—der Pöbel, der ihnen vor zwei Wochen zugejauchzt, verhöhnt sie. (Er nimmt Platz an einem Tischchen, durchblättert Zeitungen und öffnet Briefe. Miene, Haltung und Bewegung drücken eine fast pedantische Gemessenheit, Ruhe und anscheinende Gleichgültigkeit gegen den Inhalt der Zuschriften aus.)

‘Robespierre, du Gewaltiger! Seele der Republik—harr‘aus! Geh‘ mutig weiter auf deiner Bahn, entgegen dem Ziele, das dir winkt!’

‘Bürgerrepräsentant Robespierre, ich merke, du strebst nach der Diktatur! Gib sie auf, die volksverräterischen Pläne, oder wisse, dass die Dolche von zweiundzwanzig Brutussen, die sich gegen dein Leben, du Meuchelmörder der Freiheit, verschworen, Tag für Tag über dir gezückt sind—’

‘Robespierre, wahrhafter Freund des Volkes, Unbestechlicher, erhalte dich das Schicksal noch lange, lange für das Wohl Frankreichs und der Welt!’

‘Du lebst noch, Tiger, befleckt mit dem Blute der edelsten Geschlechter von Frankreich? Henker der Menschheit, du lebst noch? Gib acht! ein Sprössling aus edlem Stamme ist noch übrig und sein geschliffenes Schwert lauert—’

‘Robespierre, du teurer, edler, tugendhafter Mann! vergib einer begeisterten Tochter der Republik, die in Bewunderung für dich erglüht, wenn sie dich anfleht um die Gnade, dich sehen, dich sprechen, ihr republikanisches Herz an deinem Anblick laben zu dürfen!’

‘Du Aas, du Madensack, du Würmerfrass, elender Robespierre, hast du keine Scheu vor Gott dem Herrn, dem Beherrscher Himmels und der Erden? Denn wisse, elender Tyrrann’—Tyrann schreibt der Bursche mit einem doppelten r! Dass doch das Volk nie orthographisch schreiben lernt!‘ Elender Tyrrann, dass du samt deinen Spiessgesellen unser Parris’—wieder ein doppeltes r—ich werde den Schulmeister köpfen lassen, zu welchem der Wicht in die Schule ging—

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Act I, Scene II

ROBESPIERRE. (withdrawing from a window) The last carts

have gone by—Hebert is cursing and swearing, Chaumette is making a face like a sick skylark; the people who two weeks ago loudly acclaimed them now sneer at them.

He seats himself at a little table, turns over newspapers and opens letters. His expression, attitude and movements convey an almost pedantic precision, repose and apparent indifference to what the writings contain.

He takes up a newspaper in which he is referred to.

‘Robespierre, you mighty one! Soul of the Republic—persevere! Continue with courage on the road to the goal which beckons you!’

He smiles, well pleased and satisfied.—Another paper.

‘Robespierre, representative of the citizens, I can see you are aiming at dictatorship! Give up these plans to betray the people, or know that the daggers of twenty-two Brutuses, who are plotting against your life, you murderer of freedom, are pointed at you, day in, day out—’

Puts the paper irritably on one side.—A third paper.

‘Robespierre, true friend of the people, you, the incorruptible, continue long to uphold your destiny for the wellbeing of France and of the world! ’

Lays aside the paper, well pleased.—Another paper.

‘You are still alive, you tiger, stained as you are with the blood of the noblest houses of France ? Butcher of mankind, you still live? Beware! The descendant of an ancient race has survived and his ready sword lies in wait—’

‘Robespierre, you dear, noble, virtuous man ! Forgive an enthusiastic daughter of the Republic, burning with admiration of you, if she pleads for the indulgence of a sight of you, of speech with you, of being allowed to refresh her republican heart by gazing upon you!’

‘You carrion, you miserable carcass, food for the worms, you wretched Robespierre, have you no shame in the sight of God, the Lord and Ruler of heaven and earth? Know then, miserable tyrrant’—why, the fellow spells it with a double r—so the people never learn to spell correctly when they write!—‘Miserable tyrrant, that you and your accomplices in our Parris’—a double r again. I shall have the master beheaded who taught at the school where this creature went.

There you have the tones of mood and voice that need to be carefully studied. As I said just now, I am accentuating the special features of the characters; here I have purposely

exaggerated a little in order to help you to come to a deep and thorough understanding of the whole figure of Robespierre, as portrayed by Hamerling. For nothing less will suffice if you want to act the part; you will need to find your way right into the very heart and being of the character.

And now when you have learned to understand Robespierre in these two aspects of his character, you will continue your study of the part further. I would like you to take what I am saying here rather as giving a description of how these matters can be gradually brought before students in a school of dramatic art. Having then brought your students so far, you may take with them that moment in the play when Robespierre is called upon to account for the fact that he is not willing to be made ‘dictator’, when all the time he definitely wants to be it! His friend St. Just asks him why it is he spurns the title. And now Robespierre is compelled to divulge something of his true character. Yes, it comes out! And at the same time a third trait of his makes its appearance: we are shown Robespierre the dogmatist, the rationalist, perpetually wanting to pose as schoolmaster for the whole world (ready also to be an opportunist for that end), promulgating a theory of which we are to be repeatedly reminded as the play proceeds; for from now on Robespierre makes every endeavour to justify himself by it with subtlety and precision at the bar of reason. St. Just says to him:

ST. JUST. Du verschmähst den Namen—warum nicht auch die Sache?

ST. JUST. You spurn the name—why not the thing itself?

Robespierre is naturally deeply annoyed at such a question; it probes his weaknesses to the quick—those weaknesses of his that are at the same time the things that make him great. He grows restless, walks up and down. St. Just remains standing still. Robespierre does not answer at once. He has, you see, to find a way to justify himself before the tribunal of reason; he walks to and fro to gain time. Then he claps St. Just on the shoulder.

ROBESPIERRE. Hör Inch', St. Just! Das Wort ist mir sonst Werkzeug, Waffe. Dir gegenüber soll es ein vertraulicher Bote meiner Gedanken sein—so weit du sie begreifen magst. Ich bin vielleicht, wie du gesagt, ein heimlicher Schwärmer. Ich liebe die Menschheit, wie Rousseau sie geliebt! Aber was sind mir die einzelnen Menschen? Ich verachte sie. Nimm den Durchschnittsmenschen aus der Masse heraus—sein Wesen ist die bare Unvernunft. Lass ihn in der Masse, an seinem Ort, und er ist Teil eines zwar blinden, aber infalliblen Ganzen. Die Menschheit geht immer den Weg zum Ziel, aber unbewusst, in blindem Drang, wie ein Nachtwandler. Das Schellengeläut der Phrasen, mit welchen sie sich ihren blinden Drang, ihren Weg und ihr Ziel deutlich machen will, hat wenig zu sagen. Die meisten Worte mischen sich in ihren Fortgang ohne Sinn, bloss zur Ermunterung, wie Hundegebell ins Räderrollen. Wahrhaft bewusst gehen den Weg nur wenige Auserwählte. Diese Wenigen sind Regulatoren, Lenker, Förderer, Bahnbrecher—sie haben den grossen Zweck vor Augen—und einzig diesen.—Weisst du, Freund, was eine grosse Idee ist?

ST. JUST. Ich meine es zu wissen.

ROBESPIERRE. Weisst du, was das Wort Konsequenz sagen will ?

ST. JUST. Ich denke.

ROBESPIERRE. Das ist mir lieb.—Der einzelne, sein Wohl und Wehe, sein Leben, ist mir nichts. Ich lasse ihn unbedenklich für den grossen Zweck über die Klinge springen. Bin ich grausam? Mutter Natur macht's ebenso. Ich wünsche, ich will, dass das Vernünftige sich auf Erden verwirkliche. Das ist mein Prinzip—mein Ideal—davon bin ich begeistert oder besessen, wenn du lieber willst, dämonisch besessen.—Das Unvermeidliche stört mich, quält mich, wie ein Missklang im Ohr. Ich kann es nicht ausstehen. Ich will keine Könige, ich will keine Aristokraten, ich will keine Privilegien, ich will keine Priesterherrschaft, ich will keine Säbelherrschaft, ich will auch keine Pöbelherrschaft—nichts von einer Uebermacht, die Zufall, Geburt, eigensüchtige Schlauheit oder rohe Gewalt gewährt—denn das ist alles Unvernunft und ein Greuel auf Erden. Ich will keine andere Uebermacht, als die der Vernunft über den Blödsinn. Wer zu den wahrhaft Bevorzugten gehört, erhält seine Präpotenz über die Menge nur dadurch, dass er dieser Menge gegenüber eine noch grössere Menge vertritt: die Menschheit. Ich halte mich für einen von diesen. Ich fühle die Flamme der Menschheit in mir leuchten und brennen—Fiebergluten entzündet sie in mir—sie leuchtet, aber sie verzehrt auch—das Licht fordert Unterwerfung, Gehorsam—auch von mir—es ist grimmiges verzehrt mein Menschliches—und dann wundern sich die Kleinen, dass ich ein’ Unmensch’ bin. Wer die Fackel dieses Lichtes trägt, ist dieses Lichtes Sklave: aber den Kindern der Finsternis und der Dämmerung gegenüber ist er Herr und König. Könige wird es ewig geben; aber Zepter und Kronen und höfischer Mummenschanz und Trabantenscharen, das ist schnöde Unvernunft! Der bessere Kopf braucht nur hervorzutreten, um zu herrschen. Darum nichts von Diktatur, Freund, nichts von Diktatur! Nichts von Namen und Titeln und Würden, nichts von Mummenschanz und Trabanten und Liktorenbeilen—dergleichen kompromittiert, diskreditiert nur ... Bleiben wir auf republikanisch- gesetzlichem Wege. Wenn Frankreich tut, was ich rate—was brauch‘ich zu befehlen?—Nichts von Diktatur, Freund, verschone mich damit !

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ROBESPIERRE. Listen to me, St. Just! Words on other occasions are my tools, my weapons. To you they shall be the trusty conveyors of my thoughts—as far as you may grasp my thoughts. Perhaps I am, as you say, in secret a sentimentalist. I love mankind as Rousseau loved them! But what are individual men to me? I despise them. Take the average man out of the mass—in his nature he is utterly devoid of reason. Leave him in the mass, in his place, and he is part of a blind whole, blind, it is true, but a whole that is infallible. Men move always towards the goal, but unconsciously, from a blind urge, like a sleepwalker. All those high-sounding phrases with which they seek to make clear to themselves this blind urge, this path and this goal—say very little. Most of the words they employ in their progress are without sense, spoken merely to cheer them on, like the barking of dogs round the wheels of a passing cart. It is but a few of the elect who go on their way in full consciousness. These few are those who govern, leaders of men, instigators, pioneers—these alone have the great aim before them.—Do you know, friend, what a great idea is ?

ST. JUST. I think I do.

ROBESPIERRE. Do you know what the word ‘consistency’ implies?

ST. JUST. So I believe.

ROBESPIERRE. That is what I hold dear.—To me the individual, his weal and woe, his very life, are nothing. To further the great aim, without hesitation I send him to his death. Am I inhuman? Mother Nature does the same. It is my wish, it is my determined will, that the reasonable should be realised on earth. That is my principle, my ideal, that by which I am inspired—or possessed if you prefer it, demoniacally possessed.—The inevitable disturbs me, torments me, like a discordant note in the ear. I can't suffer it. I will not have kings, I will not have aristocrats, nor will I have privileges, priestly rule, nor the rule of the sabre; I will not even have the people as rulers, I want nothing of any domination conceded to chance, birth, selfish cunning or brute force,—for all that is lacking in reason and is an abomination on the face of the earth. I want no other domination but that of reason over foolishness. Whoever belongs to the specially favoured receives his power over the multitude only because he represents a still greater multitude—mankind. I consider myself to be one of the specially favoured. I feel the flame of mankind shining, burning, within me—it kindles within me the glow of fever—it shines but it also consumes—the light demands subjection, obedience, even from me—it is relentless—it eats up what is human in me—and then the small fry are surprised to find me inhuman. Whoever bears the torch of this light is the slave of this light, but over the children of darkness and dusk he rules as lord and king. Kings there will always be—but sceptre and crown and the masquerade and military splendour of courts are a contemptible lack of reason! The better head has only to come forward in order to rule. Therefore, friend, not a word about dictators, not a word! Have done with names, titles, honours, have done with all mummery, with life-guards and the axes of lictors—things of that kind only compromise and bring discredit... . Let me keep to the path of our republican law. When France carries out what I counsel—what need for me to command?—No word of dictatorship, friend, spare me that!

(Translation by V. E. W.)

There you have Robespierre.

That is then the first way in which we should learn to study our text, namely, from the aspect of delineation of character. When we have made progress in this, we can pass on to the second, which consists in learning to give the relevant colouring to the play in all its scenes from beginning to end, but always so that the fundamental tone of the play as a whole is maintained throughout. today we will begin to consider certain things we shall need to understand for this; then tomorrow we shall be in a position to carry the study further.

You will remember, my dear friends, that I showed you how the vowels can be thought of as forming in their sequence a kind of scale. I want now to write them in a circle, making seven halts or stopping-places in the circle where I will write in the vowels in order, so that the last comes round again to the first. Thus, this time they will not be side by side in a line, but inscribed on a circle so that the series returns upon itself: a e i o ä ö ü make seven, and u is the eighth.

When now we study plays in connection with this circle of vowels, we discover something of extraordinary interest.

Imagine we are studying a play, and find we want to arrange for the play as a whole to have a mood that arises out of the feeling of u; we want to let the audience feel from the beginning that up there on the stage the prevailing general tone corresponds to the feeling one has with u. We shall then get each actor to speak his part in such a way that something of the u mood is present. This may be done by accentuation here and there,. or again by the colouring the actor gives to his voice. Then, as the play goes on, we find we have to pass on from u to a, to e—and now to i (see the arrow in the drawing). The play has thus moved on in respect of mood as far as i. We feel, however, that we cannot now go on from i to o. We have instead to come back, we have to let the mood come back again to e, with a slight tendency of warding something off; and yet after all we allow it to come near us again, we return to a; but before u we call a halt, at most letting u only begin to sound.

When we go through the play in this manner, giving it throughout the right colouring in accordance with the feelings that belong to the several vowels, what have we? We set out from u—that is to say, fear. We go on farther and come to i. With i is associated the experience of compassion. We have now reached the middle of the play. In the remaining acts, we are obliged to retrace our steps; we have to come again, even if warding it off a little (for we must not lose hold of what is happening), we have to come back to a. And that is the mood in which the play ends.

We have thus found in the play this sequence: fear, compassion, wonder. But these are the very moods of soul of which Aristotle speaks, although of course he does not connect them with sounds as we have done, fear as we set out in u, and returning at last to wonder in a; and in a coming to a standstill before reaching u, for of fear only a faint murmur still lingers on at the end of the play.

And now suppose we take the other path, setting out this time from i; but from a special kind of i that does not express veritable deep compassion, but does still suggest entering into another's experience, though perhaps less intensely—the i, namely, that conveys the impression of inquisitiveness, curiosity. Let us say we have a play where we find we have to take our start in this mood. We are curious to know what will happen; we are all expectation. We pass on, as the play proceeds, to ä and ö and come then to ii; that is to say, we begin to find ourselves apprehensive, lest things may perhaps not turn out well. That is then the path that the play takes. But now it is essential that we do not go on from apprehension into fear, we must on no account pass from ii to u; for then our play would have an unhappy ending; and that is not the intention. We must, in fact, now go back. And as we return, we are brought into a mood of relief and satisfaction—ä.

Thus, the circle of the vowels gives us, first the sequence: fear—compassion—wonder ; and then, another time, the sequence: curiosity—apprehension—relief, happy ending!

Fear—Compassion—Wonder Curiosity—Apprehension—Relief.

With the first sequence, we have tragedy, and with the second, comedy.

The terms are of course categorical; you will not find that the course of a play ever exactly fits into them. They can, however, provide an excellent basis upon which you can study how to stage your play.

Thus, in dealing with the text of a play, we have first to study it from the point of view of delineation of character, and then go on to probe to the very heart and essence of its form.

• 1. See Eurhythmy as Visible Song.
• 2. As y in’ yacht', but pronounced so as to emphasise its consonantal character.

[On the banks of the great river, swollen and overflowing after heavy rains, the old ferryman lay in his little hut, tired from the day's exertions, and slept.

The ferryman – the lower forces of nature – rests on the far bank – the mental plane – of the river – the astral desire plan.

Then two will-o'-the-wisps come along: people in whom only Kama-Manas lives, that is, the lower mind, which draws its knowledge from the lower material plane. The will-o'-the-wisps want to pay the ferryman with their gold, which they shake out of themselves. He has no use for that; the lower mind cannot control the lower forces of nature. The ferryman gathers up the gold knowledge in horror.

If a piece of gold had fallen into the water, the stream,

— the passion —

which this metal cannot endure,

— gold and knowledge stir up the passions —

rose in terrible waves, engulfing the ship and me. And who knows how it would have gone for you! Take your money back with you,

says the ferryman.

We cannot take back what we have shaken off,

say the will-o'-the-wisps. Quite right too; earthly wisdom cannot pick up what it has let go. The ferryman demands his reward from the will-o'-the-wisps: fruits of the earth; three cabbages, three onions, three artichokes. The will-o'-the-wisps cannot give them to him, but they promise to get them. The ferryman carefully collects the gold in his cap and sails along the river to a rocky area on the same side where the will-o'-the-wisps are, who call to him in vain once more, where the water can never reach it, and pours the dangerous gold into a huge crevice; then he returns to his hut.

In this crevice [was] the beautiful green snake,

— the higher Manas —

which was awakened from its slumber by the coin falling down.

She devours the gold with eagerness, which melts in her interior and illuminates her, causing her joy and pleasure. Then she seeks the giver of the gold, paying no attention to hardships and dangers.

Very tired, she finally came to a damp reed where our two will-o'-the-wisps were playing now and then.

She is pleased to find kinship in them. The will-o'-the-wisps also greet her warmly, but say that they are

only related by appearance.

The snake feels uncomfortable in the presence of her acquaintance; she cannot stretch up to them and fears losing her own appearance. She asks the gentlemen about the origin of the gold, which she believes came down from the sky as a shower of gold. The will-o'-the-wisps shake with laughter and scatter new gold, which the snake devours with greed and thus becomes ever more radiant, while the will-o'-the-wisps diminish and shrink, but always remain merry. The snake wants to show her gratitude and promises to serve them.

The will-o'-the-wisps ask for directions to the beautiful lily – the highest bliss – and learn to their dismay and sorrow that she lives beyond the water, where they come from. They ask the snake to call the ferryman for them so that he will take them back across. To their dismay, they learn that the ferryman is allowed to ferry anyone across, but no one back across. Into the [earthly] world we are transported by natural forces, but back to the higher world, man must transport himself.

The will-o'-the-wisps ask how this can be done. The snake gives them two options: she herself offers to ferry them across at noon. But this hour does not suit the gentlemen. The second option is offered by the giant – Death – whose body is powerless, but whose shadow – sleep, deep sleep, trance –

much, yes everything

can do. His shadow lies over the river in the evening and in the morning, and the gentlemen could use that as a bridge. The will-o'-the-wisps move away, the snake is glad to be rid of them. She returns to her rocky gorge. There she has already made a strange discovery. Through a crevice in the rocks, she had come to a place where she found things that were foreign to her. Until then, she had only encountered natural products, which she could easily distinguish by touch even in underground spaces: the pointed crystals, the

hooks and hairs of solid silver,

and she also brought many a precious stone up to the light. At the mentioned place, now, to her great astonishment, she found smooth walls and things made by human hands; beautiful columns and so on and human figures, around which she had wrapped herself and looked at them. She now wanted to examine these things, too, by means of her sight, now that she had become luminous, in order to get a complete idea of them. With her light she could not quite illuminate the cave in which she had entered by the familiar route, but she recognized the individual objects she came close to. In a niche stood the portrait of a king, made entirely of pure gold. Although depicted in superhuman size, it seemed to

the likeness of a little rather than a large man.

The golden king

asked, 'Where comest thou?' 'From the crevices,' answered the snake, 'where gold dwells.' 'What is more glorious than gold?' asked the king. 'The light,' replied the snake. 'What is more refreshing than light?' asked the king. 'Conversation,' answered the snake.

In the next niche sat a silver king - Budhi -

of long and rather slight build,

adorned with a magnificent robe,

crown, belt and scepter, adorned with precious stones. He wore the serenity of pride on his face and seemed about to speak when, on the marble wall, a vein that ran dark through it suddenly brightened and a pleasant light spread through the entire temple. In this light, the snake saw the third king, who sat there in the mighty form of a god, leaning on his club, adorned with a laurel wreath, and looking more like a rock than a human being. She wanted to look for the fourth king, who was standing at the greatest distance from her, but the wall opened up, with the illuminated vein flashing like lightning and disappearing.

A man dressed in rustic clothes entered, holding a small lamp,

whose quiet flame one gladly gazed into and which, in a wonderful way, without casting even a single shadow, illuminated the entire cathedral.

The man with the lamp is religion.

“Why do you come when we have light?” asked the golden King, the Thinker. You know that I am not allowed to illuminate the dark.

The power of religion only has an illuminating effect when it is met by another power. Religion must be met by faith, otherwise it cannot illuminate people.

“Is my kingdom coming to an end?” asked the Silver King

— Budhi, the spirit of life, the spiritual body.

“It's either that or never,” replied the old man. “When will I arise?”

— that is, gain my sovereignty — the brazen king — the spirit man, Atma —

to ask. 'Soon,' the old man replied. 'With whom shall I unite?' asked the king. 'With your elder brothers,' said the old man. 'What will become of the youngest?' asked the king. 'He will sit down'

- an expression for the laying down of the rule -

said the old man. 'I am not tired,' cried the fourth king in a hoarse, stammering voice.

The fourth king is a symbol for the four lower, perishable basic parts of man; thus:

firstly, the physical body,

secondly, the etheric body – linga sharira,

thirdly, the sentient soul body – astral body, and fourthly, the mind soul – lower manas, kama manas – that is, the mind, the power of thought, which is still and desires, and is therefore incapable of recognizing the higher, the divine, the higher Manas, the real thinker, the true human being, and even less the spiritual man, Atma. Meanwhile, the snake had crept around the temple

and now saw the fourth king near by. He was leaning against a column, and his stately figure was rather heavy than beautiful. Only the metal from which he was cast could not easily be distinguished. On closer inspection, it was a mixture of the three metals from which his brothers were formed. But at the casting, these materials did not seem to have melted together properly; golden and silver veins ran irregularly through a brazen mass, giving the image an unpleasant appearance.

Meanwhile, the golden king said to the man, “How many secrets do you know?” — “Three,” the old man replied. “Which is the most important?” asked the silver king. “The Manifest,” answered the old man. ‘Will you then reveal it to us?’ asked the brazen king. ‘I will do so as soon as I know the fourth,’ said the old man. ‘What do I care!’ murmured the composite king to himself. ‘I know the fourth,’ said the snake, approaching the old man and hissing something in his ear. ‘It is time!’ shouted the old man in a mighty voice. The temple resounded, the metal statues sounded, and in that moment the old man sank to the west and the snake to the east, each sweeping through the crevices of the rocks with great speed.

The rock that is described here is a description of the ancient mystery temples, where the disciples were initiated into the mysteries of existence. The basic parts of the human being were symbolically depicted there. There are still many such temples in India, and since the spiritual life no longer permeates people as it did in ancient times, when the intellect and reason were not yet developed, they have been abandoned and destroyed and demolished by wild hands; even as ruins, they still make a magnificent, sometimes horrifying impression. The figures that are symbolically depicted there and that present a hideous image to our eyes were once, when viewed with the eye of the mind, a means to first understand the higher life and then, after reaching maturity, to see it for oneself. We Westerners see them only as hideous idols; the Oriental sees through the outer form to the meaning of the symbols. They have not yet developed a sense of beauty for form. In ancient times, when the grotesque images were created, the external form was so unimportant to them that they used it only to express an idea, just as we now use language, written language, as a medium to communicate to our fellow human beings the things we have grasped in our minds. The crude way in which we Westerners often judge these things, the proselytizing that sought its mission in the destruction of “idols,” testifies to a complete ignorance of these things.

The snake whispered in the old man's ear that it was ready to sacrifice itself completely, and then the old man cries:

It is time!

whereupon the temple resounds. We don't need oriental wisdom to understand this “resonance”. Goethe gives us an explanation in his “Faust” prologue in heaven:

The sun resounds in the ancient way
In brotherly spheres of competitive song.

Heaven – the Devachan – is the plane where it resounds. Sound has its realm there.

Resounding for spiritual ears
The new day is already born!

The snake, the intellect that seeks enlightenment, goes east, the man with the lamp – religion – goes west.

All the passageways through which the old man walked were immediately filled with gold behind him; for his lamp had the wonderful property of transforming all stones into gold, all wood into silver, dead animals into precious stones, and crushing all metals. But to show this effect, it had to shine all alone; if another light was beside it, it only had a beautiful, bright glow, and all living things were always refreshed by it.

The old man entered his hut, which was built against the mountain, and found his wife in the greatest distress. She sat by the fire and wept, and could not be consoled. “How unhappy I am,” she exclaimed; “I did not want to let you go today!”

In answer to the husband's question, the wife tells him that during his absence two gentlemen – the will-o'-the-wisps – had been with her and behaved very intrusively.

"And just look around you at the state of the walls; just look at the old stones that I haven't seen in a hundred years: they have licked all the gold off, you wouldn't believe how nimbly, and they kept assuring me that it tastes much better than ordinary gold.

Then they became more and more insolent, caressed her, and called her queen, shook herself so that a quantity of gold pieces were scattered about, and to make matters worse, her pug dog ate some of them, and now he was lying dead by the fireside.

“I only saw it after they had gone, otherwise I would not have promised to pay off her debt to the ferryman.” “What is she indebted for?” asked the old man. “Three cabbages,” said the woman, “

The old woman is the soul, the ordinary sensual life of man. The will-o'-the-wisps – rational science – lick up the gold – historical knowledge – and scatter it again. It flatters the lower nature, but has no invigorating power; the pug that eats of it dies. Natural science denies the power of life, and without the invigorating power of the lamp – the light that religion brings – life dies through dead knowledge. In the first round, the mineral kingdom contains the form for wisdom. Three times three is nine – human sensuality. Three cabbages, three onions, three artichokes. Man has passed through the three kingdoms. The woman pays for the torrent of passions with fruits of the earth. The cabbage, the shellfish, [represents] the leaves; the onion, the essence, which consists of covers, [represents] the root; the artichoke [represents] the fruit. She [the old man's wife with the lamp] has to pay this [tribute] to the stream.

“You may do them the favor,” said the old man; “for they will serve us again on occasion.”

[The old man] extinguishes the fire, carefully collects the remaining gold pieces,

and now his lamp alone was again shining in the most beautiful splendor, the walls were covered with gold, and the pug had become the most beautiful onyx. “Take your basket,” said the old man, “and put the onyx in it; then take the three cabbages, the three artichokes, and the three onions, place them around it, and carry them to the river! About noon let the snake carry you over, and visit the beautiful lily, and give her the onyx! She will bring it to life by her touch, as she kills everything alive by her touch; she will have a faithful companion in it. Tell her not to grieve, her deliverance is near, she may regard the greatest misfortune as the greatest happiness, for the time has come.” The old woman packed her basket and set off during the day. The rising sun shone brightly over the river, which glistened in the distance; the woman walked slowly, for the basket weighed heavily on her head, and yet it was not the onyx that weighed so heavily

, but the fresh vegetables.

She did not feel the dead weight she was carrying; but when she lifted her basket up, it floated above her head. But carrying fresh vegetables or a small, live animal was extremely difficult for her. She had been walking along discontentedly for some time when she suddenly stood still with a start; for she almost stepped on the shadow of the giant that stretched across the plain to her. And now she saw the enormous giant, who had bathed in the river, rising out of the water, and she did not know how to avoid him. As soon as he saw her, he began to greet her playfully, and his shadow's hands immediately reached into the basket. With ease and skill, they took out a cabbage, an artichoke, and an onion and brought them to the giant's mouth, who then went further up the river, leaving the woman the way free.

The old woman considered whether she should turn back and fetch what was missing from her garden, but she kept going until she came to the river and waited a long time for the ferryman. Finally he came. A young, noble, beautiful man got out of the boat.

What do you bring?

the ferryman called.

It is the vegetables that the will-o'-the-wisps owe you,

replied the woman. The ferryman did not want to accept it, as there was a shortage of each kind. Although the woman begged and pleaded to accept the gift, she could not go back the arduous way, but he refused,

by assuring her that it did not even depend on him. “What is due to me, I must leave together for nine hours, and I must not accept anything until I have given a third to the river [...] There is still a remedy. If you want to guarantee against the river and confess as a debtor, I will take the six pieces with me; but there is some danger in it.” “If I keep my word, I shall not be in any danger?” ‘Not the slightest.’ ‘Put your hand into the river, and promise that you will pay off the debt in twenty-four hours.’ The old woman did so, but how frightened she was when she pulled her hand out of the water, as black as coal!

The old woman is very unhappy that her beautiful hand has turned black and is even beginning to fade.

“It only seems so,” said the ferryman; “but if you do not keep your word, it may come true. The hand will gradually fade away, [...] without your losing the use of it. You will be able to do everything with it, only no one will see it.“ — ‘I would rather not be able to use it and not be recognized,’ said the old woman. However, that does not mean anything; I will keep my word to get rid of this black hand and this worry soon.”

Three times three is nine, the number of human sensuality; she has passed through all three realms. The woman pays for the torrent of passions with the fruits of the earth. She must pay the tribute to the torrent. The cabbage symbolizes the leaves, the onion the root, the artichoke the fruit. All three are shell plants.

The soul essence – the woman – loses some of the fruits and shoots that she has acquired through hard work in the garden through sleeping, dreaming and a lack of vigilance. But she has committed to paying the debt of the will-o'-the-wisps – the power of reason. Reason alone cannot produce leaves, flowers or fruits; it leaves that to the soul forces. But the lower natural forces – the ferryman – insist on their right; the stream of passions also wants to be satisfied. However, since the woman lacks the sufficient means to do so, she atones for it with her body. She does not lack the strength, but her body is very disfigured because she has dipped her hand into the stream. If a person gives in to passion, he will suffer damage. It is very indicative of man's low mentality that the woman is much more concerned about appearances – what will people say? – than about the loss of her ability to work, which, according to the ferryman, she does not actually risk.

The woman now picks up the basket again, which floats freely above her head,

and hastened after the young man, who walked gently and thoughtfully along the shore. His magnificent figure and strange attire had made a deep impression on the old woman. His chest was covered with a shiny armor through which all parts of his beautiful body moved. Around his shoulders hung a purple cloak, around his uncovered head waved brown hair in beautiful curls; his sweet face was exposed to the rays of the sun, as were his beautifully built feet. With bare soles, he walked calmly over the hot sand, and a deep pain seemed to blunt all external impressions.

The old woman tried to start a conversation with him, but he barely responded. This bored her and she recommended herself, saying that she had to hurry to cross the river via the green snake and deliver her husband's gift to the beautiful lily. When the young man hears this, he takes courage and runs after the woman.

“You are going to the beautiful lily!” he exclaimed;
“we are going the same way."

On the way, they exchange their fates. The youth describes his miserable state: his armor and purple robes have become only a useless burden and adornment for him, his crown, scepter and sword are gone, he is

naked and destitute as every other son of earth, for her [the lily's] beautiful blue eyes have such an unfortunate effect that they take away the strength of all living beings and those whom her touching hand does not kill feel transported into the state of living shadows.

He envies the pug dog, because it would gain life through her touch.

The youth represents humanity in general. It is sick with longing for life. The eternal feminine draws it on. When man strives for higher knowledge, paralysis overtakes him: without a firm moral foundation, it is dangerous to seek higher knowledge. The stormy assault results in death. Love kills life; but it kills so that true life may arise. Die and become.

He who does not die before he dies, will perish when he dies.

The lower self must die. Thus, death is the root of life.

They now come to the bridge, are amazed at the splendor of the green snake, which sparkles with jewels all over; high arched, it swings over the river. Once across, they notice that several other travelers have crossed over with them – the will-o'-the-wisps, which they cannot see, but whose presence is betrayed by their hissing with the snake, which joins them after the crossing. The woman, youth, and snake now go to the white lily, while the will-o'-the-wisps look around the queen's garden for a while until dusk falls.

The old woman approaches the royal maiden first and is so enchanted by her beauty and her lovely singing to the harp that she breaks out into enthusiastic praise. The lily speaks:

Do not grieve me with untimely praise! I feel only the more strongly my misfortune.

She says that her canary, her greatest joy and delight, was frightened by a hawk, fled to her bosom and died there. She is inconsolable, because the culprit, paralyzed by her gaze, is serving his sentence by the pond, and that cannot help her. Her bird – the prophetic power – is dead and must be buried.

“Be of good cheer, beautiful lily!” cried the woman, [...] “My age bids me tell you [...] that you shall regard the greatest misfortune as a harbinger of the greatest happiness, for the time is at hand.

Then she tells of her misfortune and asks the lily to give her the missing cabbage, onion and artichoke so that she can pay her debt and her hand will turn white again. The lily is happy to give the cabbage and onion [– roots and leaves –], but the garden, in which fresh greenery had sprung up on the grave of her favorite but which never bore fruit, does not have an artichoke – a fruit.

The woman pays little attention to the speech of the beautiful lily; she sees to her horror the hand growing blacker and blacker and fading more and more, and is about to leave when she remembers the pug, which she now gives to the lily.

The beautiful lily looked at the gentle animal with pleasure and, [...] with amazement. 'Many signs are coming together,' she said, 'that inspire some hope in me; but alas! is it not merely an illusion of our nature that when many misfortunes occur we imagine the best is near?'

What good are the many good signs to me?
The bird's death, the friend's black hand?
The pug of precious stone, does it have its match?
And didn't the lamp send it to me?
Removed from sweet human enjoyment,
I am only familiar with misery.
Ah! why is the temple not by the river!
Ah! why has the bridge not been built!'

Impatient with the long song, the woman wants to leave when she is stopped by the appearance of the snake. She approaches the beautiful lily and encourages her:

The prophecy of the bridge is fulfilled!

Much more gloriously than before, it rises above the river, shining with precious stones, says the woman. But the lily does not yet consider the prophecy fulfilled, since only pedestrians can cross the bridge; but the promise is that horses and carriages would also cross a solid bridge – whose pillars would rest in the river – that would rise out of the river.

The old woman, still gazing at her hand, is about to take her leave, when the lily begs her to take her poor canary with her.

"Ask the lamp to change him into a beautiful topaz; I will revive him with my touch, and he, with your good pug, will be my best pastime. But hurry, whatever you can, because at sunset, unbearable rot will take hold of the poor animal and tear apart the beautiful structure of his form forever.” The old woman laid the little corpse among delicate leaves in the basket and hurried away.

The snake continued the conversation:

“The temple is built,” said the Snake. “But it is not yet by the river,” said the Lily. “It still rests in the depths of the earth,” said the Snake. “I have seen and spoken to the kings.” “But when will they rise?” asked the Lily. The Snake said, “I heard the great words resound in the temple: It is time!” A pleasant serenity spread across the face of the beautiful woman. 'I have heard the happy words for the second time today; when will the day come when I hear them three times?'

Now follows the description of her retinue, the three lovely handmaidens. The pug comes to life at her touch, and even if there is only half life in him, he still likes to play with her.

The sad young man approaches, exhausted and pale, he approaches his beloved. He carries the hawk – the symbol of the diviner of the future, prophet of the mysteries – in his hand.

“It is not kind,” cried Lily, “to bring me the hated animal that [...] killed my little singer today.” “Do not scold the unfortunate bird!” replied the youth; “Rather, blame yourself and fate and allow me to keep you company in your misery.”

The young man, jealous of the pug with which the beautiful lily plays and presses to her bosom, awakens the last remnant of his courage. He makes a violent movement, the hawk flies up, but he rushes at the beauty, and the misfortune happens: he falls dead at her feet. In silent despair, the lily looks for help. The snake forms with her body

a wide circle around the corpse, grasped the end of her tail with her teeth and remained still.

The handmaidens, the first of whom brings the chair, approach again, the second lays a fire-colored veil around the head of the mistress, the third brings the harp. The lily had scarcely coaxed a few notes from the instrument when the first servant brought a mirror and held it before the lady, so that she saw her magnificent image, made even more beautiful by her mourning, in it.

Who will create us the man with the lamp,

the snake hissed. The beauty just sobbed. At that moment, the woman came running up, out of breath:

I am lost and maimed!

she exclaimed. Neither the ferryman nor the giant wanted to take her across.

Forget your troubles and help us here. Seek out the will-o'-the-wisps so that the giant's shadow can carry you and you can fetch the man with the lamp.

The lily waited with great sadness, the snake looked impatiently for help. Then,

high up in the air, she saw the hawk with its crimson feathers, whose breast caught the last rays of the sun. She shook with joy at the good omen, and she was not mistaken; for shortly afterwards, the man with the lamp was seen gliding over the lake, as if he were skating.

After he had explained his coming, he said:

“Be calm, most beautiful maiden! Whether I can help, I do not know; a single one does not help, but he who unites with many at the right hour. Let us postpone and hope. Keep your circle closed,” he said to the snake.

He himself sat down on a stone beside it, and let the light of the lamp fall on the corpse.

Bring also the dead canary.

It was laid on the corpse as well. The sun had set; the lamp, the snake, and the maiden's veil shone, each with its own light.

Sorrow and grief were softened by a sure hope.

Only the old woman, who had come with the will-o'-the-wisps, was full of apprehension for her hand. The will-o'-the-wisps chatted with the beautiful lily, and midnight came before anyone knew it.

The old man looked at the stars and then began to speak: 'We are together at a happy hour, each of us performing our duties, each doing our duty, and a general happiness will dissolve the individual pains in itself, like a general misfortune consumes individual joys.

The combined efforts of all were needed to provide relief. Each individual was absorbed in his task and spoke loudly about it, only the three maidservants had fallen asleep from exhaustion.

“Take,” said the old man to the hawk, “the mirror, and with the first ray of the sun illuminate the sleepers and wake them with the reflected light from on high!”

The snake now untied itself and slithered towards the river, the will-o'-the-wisps followed quite earnestly. The old man and his wife stretched the basket, which had its own glow that had not been noticed before, put the body of the youth inside and placed the dead canary on his chest. The basket rose up and hovered above the head of the old woman, who immediately followed the will-o'-the-wisps.

The beautiful lily took the pug on her arm and followed the old woman, the man with the lamp decided the train and the area was illuminated by these many lights in the most peculiar.

When they reached the shore, the company looked in amazement at the wonderful arch that the snake had formed across the river. The gems shone and radiated in wonderful beauty. When everyone had crossed, the snake also moved to the shore and closed the circle around the body again.

The ferryman, who had been looking out from his hut in the distance, gazed in amazement at the glowing circle and the strange lights that passed over it.

The old man bowed to the snake and said:

“What hast thou decided?” — ‘To sacrifice myself before I am sacrificed,’ replied the snake; ‘Promise me that thou wilt leave no stone unturned!’ The old man promised, and then said to the beautiful lily: ‘Touch the snake with thy left hand, and thy lover with thy right hand.’ The lily knelt down and touched the snake and the corpse. In that moment, the body seemed to come to life; it moved in the basket, even rising up and sitting. Lily wanted to embrace him, but the old man held her back, helping the youth to stand up instead and guiding him as he stepped out of the basket and the circle.

The youth stood, the canary fluttered on his shoulder, there was life in both of them again, but the spirit had not yet returned; the beautiful friend had his eyes open and did not see, at least he seemed to look at everything without participation.

When the astonishment at this event had subsided a little, the change that had taken place with the snake was noticed with amazement. The body had crumbled into a thousand and one gems when the old woman had carelessly pushed against them while she reached for her basket. The old man and his wife carefully collected the gems in their basket, carried them to a high place on the bank of the river and poured them into the stream. The old man now led the procession to the sanctuary; he walked ahead with the lamp. The youth followed half mechanically. The lily timidly trailed behind, the old woman sought to bring her hand into the light of the lamp, the will-o'-the-wisps closed the procession. The path led through the rock that opened before them. Soon they came to a large, brazen gate,

whose wings were closed with a golden lock. The old man immediately summoned the will-o'-the-wisps, who [...] busily consumed the lock and bolt with their pointed flames.

The entrance to the higher levels of consciousness must first be sought through the mind.

The ore sounded loudly when the gates quickly sprang open and the dignified images of the kings, illuminated by the incoming light, appeared in the sanctuary. Everyone bowed before the venerable rulers [...]. After a pause, the golden king asked: “Where do you come from?” “From the world,” replied the old man. “Where are you going?” asked the silver king. “Into the world,” said the old man. ‘What do you want with us?’ asked the brazen king. ‘To accompany you,’ said the old man.

The will-o'-the-wisps had approached the golden king. He fought them off and said:

Get away from me! My gold is not for your palate!

After they had lit the silver one, they crept past the brazen one to the mixed one.

“Who will rule the world?” the mixed king cried in a stammering voice. “He who stands on his feet.” answered the old man, “That is I!” said the mixed king. “It will reveal itself,” said the old man; “for the time has come.”

The beautiful lily fell around the neck of the old man and kissed him most warmly. “Holy Father,” she said, “a thousand thanks to you, for this is the third time I have heard the ominous word.” She had hardly finished speaking when she held even tighter to the old man, for the ground began to shake beneath them. The old woman and the youth also held on to each other; only the moving will-o'-the-wisps noticed nothing.

The temple first moved downwards, then passed under the stream, and during the ascent, the debris of the ferryman's small hut fell through the dome of the temple and covered the old man and the youth. The women had jumped aside.

The women screamed loudly, and the temple shook like a ship that suddenly hits the shore. The women wandered anxiously around the hut in the twilight; the door was locked, and no one heard their knocking.

To her amazement, the wood began to resound. Through the power of the closed lamp, the wood had turned to silver, and gradually expanded into a magnificent case of hammered work. Now there stood a small temple or altar in the middle of the large one.

By a staircase that went up from the inside, the noble youth now stepped up, the man with the lamp shone for him, and another seemed to support him, who came forth in a white, short robe and held a silver oar in his hand;

it was the ferryman, the former inhabitant of the transformed hut.

[By crossing the] bridge, which was necessary, the temple should apparently be, that could only happen through the interaction of all forces. Only through the sacrifice of the self was it possible to cross the stream of passions. The will-o'-the-wisps have to unlock the temple; one must have natural knowledge to penetrate the secrets.

The beautiful lily climbed the outer steps that led from the temple to the altar; but still she had to stay away from her lover. The old woman, whose hand

had almost completely disappeared, was very unhappy that with so many miracles, no miracle could save her hand.

Her husband pointed to the open gate and said: 'Behold, day is breaking; hurry and bathe thyself in the river!' – 'What advice!' she cried; 'I shall surely become quite black and disappear altogether; I have not yet paid my debt' – 'Go,' said the old man, 'and follow me! All debts are paid.' The old woman hurried away, and at that moment the light of the rising sun appeared at the crown of the dome; the old man stepped between the youth and the maiden and shouted in a loud voice: 'There are three who rule on earth: wisdom, appearance, and force'. At the first word the golden king rose, at the second the silver one, and at the third the brazen one had slowly raised himself, when the composite king suddenly sat down awkwardly.

The will-o'-the-wisps had been preoccupied with him for a long time and did not rest until they had also extracted the finest veins from his form. But that robbed him of all support and he collapsed, becoming an unformed lump.

The man with the lamp now led the beautiful youth, who was still gazing fixedly ahead, down from the altar and straight towards the brazen king. At the feet of the mighty prince lay a sword in a brazen sheath. The youth girded himself. '

— only for defense, not for attack —

“Right hand free!”

— to give blessings and peace —

the mighty king called out. They then went to the silver king, who inclined his scepter towards the youth. The youth seized it with his left hand, and the king said in a kindly voice: “Feed the sheep!” When they came to the golden king, he pressed the oak wreath on the youth's head with a fatherly, blessing gesture and said: “Recognize the highest!”

The old man, who had observed the youth closely during the proceedings, saw how, after the girding, his chest rose, his arms stretched and his feet stepped firmer;

By taking up the sceptre, his strength seemed to be softened and made even more powerful by an inexpressible charm; but when the oak wreath adorned his curls, his features came to life, his eye sparkled with inexpressible spirit, and the first word from his mouth was: “Lily.” 'Dear lily,' he cried, as he hastened up the silver steps towards her, [...] 'what more could a man, endowed with everything, desire than the innocence and quiet affection that your bosom bestows on me? Oh, my friend, he continued, turning to the old man and looking at the three sacred statues, 'glorious and secure is the kingdom of our fathers, but you have forgotten the fourth power that ruled the world even earlier, more generally, more certainly: the power of love. With these words he fell on his knees before the beautiful maiden; she had thrown aside her veil, and her cheeks were suffused with the most beautiful and most imperishable of all blushes. Then the old man said, smiling: 'Love does not reign, but it creates, and that is more.'

Unbeknownst to them, day had fully broken and the astonished eyes looked through the open gates:

a large square surrounded by columns formed the forecourt, at the end of which one could see a long and magnificent bridge that reached over the river with many arches.

This magnificent bridge was already teeming with all kinds of people on foot and in carriages. Happy in their mutual love, the king and his wife looked on the people with delight.

“Remember the snake with honor!” said the man with the lamp. ”You are its life; your peoples owe it the bridge by which these neighboring shores are first inhabited and connected. Those floating and glowing gems, the remains of her sacrificed body, are the pillars of this magnificent bridge; she built it herself and will sustain herself.” Just as one was about to ask him to explain this strange secret, four beautiful girls entered the temple gate. The harp, parasol and field chair immediately identified them as Lily's companions. But the fourth [...] was an unknown [...]. “Will you believe me more in the future, dear wife?” the man with the lamp said to the beauty. “Happy you and every creature that bathes in the river this morning!” The rejuvenated and beautified old woman [...] embraced [...] the man with the lamp, who accepted her caresses with kindness. ‘If I am too old for you,’ he said smiling, ”then you may choose another husband today; from this day on, no marriage is valid unless it is renewed.” “'Do you not know,' she replied, 'that you have grown younger too?' – 'I am glad if I appear to your young eyes as a worthy youth; I accept your hand anew and would gladly live with you into the next millennium.'"

The great giant, still recovering from his morning nap and staggering across the bridge, brought a disruption to the general happiness. As usual, he wanted to bathe in the river, drowsy as he was, and suddenly found the bridge, on which he clumsily stepped between humans and cattle. His presence was

by all wondered at, but felt by none; when, however, the sun shone in his eyes, and he raised his hands to wipe them, the shadow of his enormous fists passed behind him so powerfully and clumsily under the crowd that men and animals collapsed in large masses, were damaged, and risked being thrown into the river. The king, who saw this outrage, made an involuntary movement for his sword, but he recovered himself and looked calmly first at his scepter, then at the lamp and the oar of his companions. 'I divine your thoughts,' said the man with the lamp; 'but we and our powers are powerless against this powerless one. Be quiet! He is harming for the last time, and fortunately his shadow has turned away from us. Meanwhile, the giant had come closer and closer, had let his hands drop in amazement at what he saw with open eyes, was doing no more harm, and stepped into the forecourt, gawking. He was just walking towards the temple door when he was suddenly held to the ground in the middle of the courtyard. He stood as a colossal, mighty statue of reddish shining stone, and his shadow showed the hours, which were engraved in a circle on the ground around him, not in numbers, but in noble and significant images. The king was not a little pleased to see the shadow of the monster in a useful direction; [...] Meanwhile, the people had crowded around the giant, [...] and marveled at his transformation. From there, the crowd turned to the temple, which they seemed to have only just noticed, and pushed towards the door. At that moment, the hawk with the mirror hovered over the cathedral, caught the light of the sun and threw it over the group standing on the altar.

The hawk, the herald of the future, also teaches us to understand the laws. When these are understood, knowledge can be borne.

The king, the queen and their companions appeared in the twilight vault of the temple, illuminated by a heavenly radiance, and the people fell on their faces. When the crowd had recovered and stood up, the king and his party had descended into the altar to go to his palace through hidden halls, and the people scattered throughout the temple to satisfy their curiosity. They looked at the three upright kings with amazement and awe,

but when they came full of curiosity to the fourth, the shapeless lump was covered with a precious carpet that no one could lift. The people almost crushed each other in the temple if the will-o'-the-wisps had not attracted their attention. It was fun for them to shake off the gold they had sucked in as they moved away, which is why the people fell upon them with jokes and laughter.

The people ran eagerly back and forth for a while, pushing and pulling each other, since no more gold pieces were falling. Finally, they gradually dispersed, went their way, and to this day the bridge is teeming with travelers, and the temple is the most visited in the whole world.

There is still much to be interpreted. The snake that bites its own tail and encloses the dead youth is the Budhi principle, which must be lived and loved. The radiance of the divine - Atma - is peace, harmony, and universal consciousness. It has been achieved through the transformation of desire into love. Everything becomes young again.

The shattered hut of the lower forces is transformed by the spirit of life; now the lower forces can lead across and across. The giant - the forces of nature - have lost their destructive power; that is the conclusion that will only come after a certain period of time. The last enemy to be abolished is death. Then they [the forces of nature] only indicate the rhythmic measures of time. And the bridge over which the people can go unhindered back and forth to the temple? Is it not faith, independent faith, which has only become possible through the sacrificial death of Christ; faith that blesses, even without seeing the mysteries? But the highest is hidden from the eyes of the multitude. The king and queen descend from their throne and hide. All the glory will only become clear and evident to faith when wisdom is added to faith, only then can perfection be attained.

Let us briefly summarize what Goethe wanted to tell us with the “Fairytale”: It is the symbolic representation of the redemption of the individual as well as of the whole human race; the secret of becoming and passing away and of final bliss.

Many have ventured to interpret the “Fairytale”. People asked Goethe to provide an explanation himself. He promised to do so when a hundred explanations had been submitted. Thereupon all the explanations were collected and counted, but Goethe died before the number of a hundred was reached. Thus, a proper interpretation has been lacking until now. It was probably not yet time. The right interpretation can only be given by someone who knows the mysteries.

In order to reach the goal of our discussions, we shall have to endeavour to comprehend the whole nature of the fifth post-Atlantean period in all its deepest significance. It is impossible to come to an understanding of events as deeply important as those of the present day by refusing to enter into concrete matters, and by insisting on considering only general aspects of the universe and man in the way that can be done when one is not concerned with specific circumstances. Unfortunately, I have to stress that an understanding for the deeply important nature of these events is largely lacking today.

For certain quite definite reasons which will become apparent, I yesterday spoke to you about two matters. First of all I told you how the book by Brooks Adams had been launched on mankind, a kite flown to gauge the scale on which such things are understood, at least by a few individuals. This book describes how a nation should be seen as a living organism which comes into being and passes through phases of childhood, youth, maturity and decline in a similar way to a human being, though of course only similar, not identical. Furthermore it is pointed out that at certain stages of their development nations evolve two characteristics which belong together, namely, at one stage those of an imaginative and a warlike nature, and at another those of a scientific and an industrial or commercial nature. So it is assumed that nations which are imaginative and warlike by nature, and others which are scientific and industrial or commercial, live side by side and that in the mutual interplay of such nations the universal development of mankind proceeds.

I told you that this was a one-sided view. How do such views surface in the first place? What does it signify that they are launched on the public?

Views of this kind have made an impression on individuals of a certain standing and therefore have become part of the impulses working today. In such matters it is always a question of disconnecting portions of the overall spiritual knowledge of man's evolution and planting them in the world when needed or wanted. By taking a portion of the total occult picture of mankind's development it is possible to achieve definite things in the service of a particular group and its particular egoism. Knowledge of the whole picture always serves the whole of mankind. Portions taken out of context always serve the egoism of individual groups. It is significant and important to take into account that much that is launched on the public from occult sources is not untrue, but half true, a quarter true, an eighth true, and just because it bears within it a part of the truth it can be used to achieve one aim or another in a one-sided way. That is why those who see through these things gain a significant impression from the fact that, on the part of America, the twentieth century is introduced by the launching of certain ideas in the world via some channels of the bookselling trade serving certain movements which make use of occult means.

The second matter about which I spoke was the remarkable treatise by the noble Thomas More on the best form of public adminstration in the state and on the island of Utopia. Out of this treatise by Thomas More I quoted to you yesterday the passage in which More says through the mouth of a stranger what he wants to say about Utopia. This stranger is presented as a fictitious person; perhaps we shall get to know him better today, but he is not fictitious, as you will see. Out of a certain mood of his time, which I described yesterday, he develops the theme of his feelings and then describes Utopia itself.

This description of Utopia by Thomas More, who flings these particular ideas into the midst of human development at the beginning of the fifth post-Atlantean period, is indeed quite remarkable. I have found a number of people who have read Utopia, but not a single one who has read it carefully enough to become even partly aware of all the extraordinary ins and outs and unlikely details the book describes. People simply take the description of the island of Utopia as that of an imaginary island and just read on, page after page. This is understandable in the present age, which is void of all spirituality. But at least one should notice either that Thomas More is describing something incomprehensible, even if it is only meant to be imaginary, or that he must have been a complete idiot, an absolute fool. But such logical conclusions are not drawn in our time; people far prefer to pass over things by means of superficial judgements. I shall now call up before our souls an outline of the content of this work. If you want all the details, you must read Utopia yourselves.

It is significant that Utopia is described as having reached a certain maturity in its institutions. It is expressly stated that the situation being described did not exist in the beginning but has taken 1,760 years to achieve, so that we are now presented with a kind of finished product of some maturity.

The first point to be particularly stressed is that property is common, nobody owns anything. The state is divided into certain families who, if we can put it like this, elect elders, and from among the elders a prince is elected. From time to time a council is called at which public matters are discussed in accordance with the instructions of the different sections of the population. Here we immediately come to an extraordinary arrangement: Public affairs may only be discussed in the prescribed manner. Anybody who privately discusses public affairs is liable to be condemned to death. Further, we discover a highly sensible arrangement: When a suggestion is made during the council meeting it may never be discussed immediately; people must first go home and think about it and it is then brought up again on a subsequent occasion. The one who is telling us the story says that in this way people have an opportunity to think about things, and do not make hasty judgements which they would naturally defend with stubbornness and egoism, just because they have become attached to their own judgement instead of thinking carefully and coming to the right conclusion.

In Utopia everyone has to learn farming while still a child. Later they also learn a trade, usually that pursued by their parents, though they may choose another if they have the skill for it. Work is strictly regulated and nobody need labour for more than six hours a day.

Everything else is also arranged in the best way; there are three hours of work in the morning but, before this, at sunrise, those who wish may gather to learn about spiritual and similar things. Games such as those we know outside Utopia do not exist there. They have, however, a competitive game something like chess, a kind of arithmetical battle, and also another competitive game, again similar to chess, in which the vices and the virtues compete with one another.

Under the supervision of the elected representatives those who are suitable are declared scholars. From among their number the ambassadors and the priests are elected. The dirtiest work is performed by slaves who are either recruited from amongst conquered peoples or else are criminals. Every true Utopian is free. There is another arrangement in Utopia which we, who are not from Utopia, have only just come to enjoy: no journey may be made without permission from the appropriate authority. A passport is necessary for even the shortest journey. Money does not exist. Anything available for consumption is taken to the markets where anybody can help himself. Since this is so well arranged that no one takes more than he needs, there is no necessity to pay anything, for everyone receives what he requires. Money or anything like it is simply not necessary.

The only metal of any value is iron. Please take note of this, for it is very significant. Silver is valued less and gold least of all. Gold is not fashioned into the articles non-Utopians would use it for, but mainly into chains for criminals, and for similar objects. Gold is forged into chains for criminals; they have to wear them as a symbol of their shame. Certain receptacles which one does not mention in polite company are also made of gold, and so on. This had a curious consequence once, when some foreign diplomats visited Utopia and sought to impress the Utopians by festooning themselves in gold chains and jewellery. The Utopians thought them to be of very lowly origin, since such things were only used as toys for children, who discarded them as they grew older. When the diplomats came, the children watched them pass by in the street and said: Look at those old fogeys still wearing children's playthings!

No value is attached in Utopia to the wearing of fine clothes, for they say: How can anyone fancy it matters whether his clothes are made from this wool or that wool? The sheep were the first to wear them. How can you fancy there is anything special in wearing what the sheep first wore naturally!

In Utopia there is also another peculiarity; good and evil, virtue and vice are only judged in connection with religious ideas. A goal to be striven for in life is a kind of epicureanism in the pleasures one enjoys. The more fun one has in life, the more virtuous one is considered to be. The Utopians believe in the immortal soul of man and have a kind of religion of reason. They consider that everybody may use his common sense to see that God rules the world like an overseer, that man has an immortal soul and that after death this will enter into a spiritual world where there will be reward and punishment for virtue and vice.

The Utopians think nothing of jewels for they say: When somebody buys a jewel he has to seek the assurance of the seller that it is genuine; why on earth should something be valuable if you cannot see with your own eyes whether it is a genuine or a counterfeit jewel? This could only happen in Utopia. Hunting is also scorned as something undignified. Only butchers are allowed to hunt, and theirs is not an esteemed profession.

The man who tells all these things explains that he himself introduced the Utopians to Greek literature and art and that they proved to be extraordinarily intelligent. Indeed their language seems to have affinities with Greek, and their culture is unusual in that it seems to remind one of that of Greece mingled with something of Persia. The manner in which husband and wife are selected I shall not describe for reasons which you will understand if you read the book. There are no lawyers in Utopia; they are considered to be the most harmful people. Contracts are not entered into because the Utopians believe that if someone wants to keep an agreement he can do so without a contract, whereas if he does not, he can break it even if he has a contract.

In war, they avoid bloodletting if at all possible; it is considered the most shameful thing. They say: If one spills blood in war, one is no better than wolves and tigers. Other methods must be sought, for man has intelligence. Only in absolute extremity, if there is no other hope, will they spill blood. They set about the matter of making war on another nation by sending out scouts whose task it is either to bring about confusion among the enemy so that they start to quarrel among themselves, or to murder one or another member of the enemy force, or something similar. In other words they seek to use ‘love and good sense’ to bring about discord and dissension as well as mutual irritation among those on whom they wish to make war, and only if this fails will they decide to shed blood. And even then they use quite special methods which show that they intend to cease the bloodletting at the first possible opportunity.

Another point is that religious tolerance is a fundamental characteristic of the Utopians. So long as he does not break the law, anybody may belong to any sect or represent any religious view he likes. This was instituted by the founder of Utopia, Utopus himself. However, all must believe in a highest being, whom they call Mythra. The one who tells us this has himself attempted to introduce Christianity there. The A-94-Utopians proved to be most open to it and recognized it as being indeed the best religion. The utmost religious tolerance prevails, and all may believe whatever they will, except that someone who is a materialist or who does not believe in the immortality of the soul forfeits all civil and other rights, indeed is declared to be without rights.

There is a sect which holds animals to be creatures who have souls like people. There are priests who teach in special mystery churches and perform cultic rites. Festivals are celebrated at the end and the beginning of each year. Musical instruments differ somewhat from those in other countries, for they are particularly suited to expressing in music what the human soul feels in its various moods. And so on.

I have told you all this just as it is described in the book. You will have noticed I said on the one hand that the Utopians have a religion of good sense, in which each individual believes what his good sense tells him is right; and yet, on the other hand, we are told that Christianity has been introduced and that all believe in a kind of Mythra. Further, it is said that tolerance prevails, and yet those who are materialists forfeit their rights as citizens. In short, you will find in the book one contradiction after another.

So what is this book really about? What is it describing? We can indeed only understand it on the basis of spiritual science. We must understand that Thomas More, like Pico della Mirandola and others, is a man who stands with part of his being in the fourth post-Atlantean period while another part already projects into the fifth. But he is also a man who knows that this is so and develops it in full consciousness because he possesses a certain spiritual life.

Thomas More spent many hours every day in meditation, and with his meditations he achieved certain quite definite results. But these results came about because, as I said, part of his being still lived in the fourth post-Atlantean period, so that atavistic elements joined in him with a conscious raising of his soul into the life of the spiritual world. Yet he lived a whole century after the beginning of the fifth post-Atlantean period and in his soul everything lived which was characteristic of that fifth period: intellectuality and reasoning as we know them today—which did not yet exist during the fourth period, contrary to the opinion of those whose view of history is utterly fantastic. All this worked and mingled in his soul. You can discover what must have gone on in such a soul if you study Pico della Mirandola and also the relationship of Pico della Mirandola to Savonarola.

We have, then, a man into whose soul we must penetrate a little if we are to understand what he meant with his description of Utopia. Such a man as this knew that occult impulses work and weave in the evolution of mankind, and also that at the turn of the fourth to the fifth post-Atlantean period it was necessary to provide the right impulse for many people. Whether they then make use of it is another question. What did such people know? We have often discussed that things are different nowadays, but this is what it was like then; so what did such people know? They knew that mankind must grow decadent if only those things were developed which were, let me say, unspiritual, thought-out, merely reasoned. Such people know that human beings must become desiccated even down to their physical bodies—of course not during the course of a few centuries but over a long period—if only dry reasoning, if only that spiritual element is developed on which materialistic views are founded. Such people have quite a different concept of the truth from that which gradually evolved during the fifth post-Atlantean period. They know that thoughts must be thought which do not relate to the physical plane, because, quite apart from the truth of such matters, human beings, if they do not wish to wither, must think thoughts which do not relate to the physical plane. These are the thoughts which bring life, which make life possible and help it to make progress. This is why what is spiritual is so important, quite apart from the aspect of truth.

Through his meditations Thomas More had come to experience pictures of the higher worlds in a partly atavistic and partly conscious way, but these were mingled with the material aspect of the dream worlds. Out of these actual experiences arose what he relates in Utopia. It is not something he has thought out, it is not fantasy, but something he really experienced as the fruit of his meditation. He placed it before us just as he experienced it, in order to say: Behold! A man who lives in England under King Henry VIII, a man who is even a servant of Henry's state, a man who bears in his soul the feelings, the desires, the intimate goals of England at this time—when his visions stir up his inner being, he experiences what is here described to be a kind of ideal state. He wanted to express what are the wishes, the goals, the ideas lurking in the subconscious of those who are dissatisfied with the external world. This is what he wanted to express.

So it can be said: this is the astral self-knowledge of a man of that time. A wise man such as Thomas More does not simply set before his contemporaries a fantastic ideal for the future. He sets before them what he himself experiences because, through this, in his own way and in keeping with his own time, he wants to present them with the great truth that the external world perceived by the senses is maya and that this external world of the senses must be seen in conjunction with the super-sensible world. But if one sees them in conjunction in this way—so that all the desires, all the wishes which belong to a particular age and are in keeping with that age, are allowed to play their part—then the outcome is something which, if looked at closely, is by no means a proposition that could be considered ideal. For I must admit, if I were to be born in Utopia I would probably see it as my primary task to overcome the prevailing conditions as quickly as possible and replace them with others. I might even consider the conditions prevailing here or there on our earth—apart from those of the immediate present—to be more ideal than those in Utopia. But it was not Thomas More's aim to describe ideal conditions. His intention was to show what he really experienced under the conditions as I have described them. He wanted to say to people: If you could see your wishes, if you could see before your eyes what you imagine to be ideal conditions, you would find that you were not in agreement with them at all.

Now we have made the acquaintance of the stranger who describes Utopia: he is the astral self of Thomas More. These things must be seen as being much more real than is usually supposed. At certain points of human evolution the fundamental facts must be sought out if one wants to understand this human evolution. A judgement cannot be made simply by taking the few facts closest to hand. A valid judgement cannot be based on these, for it would merely relate to sympathies and antipathies. These are valid, of course, but they take us no further, and mankind cannot be served by them.

My purpose here—and we shall return to these things later—has been to place before you a man who is particularly typical of the turning point between two ages, namely, between the fourth and the fifth post-Atlantean ages: one who is able to bring to the surface what is characteristic of his deeper soul life in such a way that he has an experience of self. Let me just leave this as a fact for the moment.

In order to gain an understanding of the kind for which a number of our friends here have expressed a wish, we must now also work on achieving a comprehension of the concrete reality of a folk soul. For our materialistic age and way of feeling tends to make us confuse the folk soul with the individual soul. I mean, when we speak of a people, a nation, we believe that this has something to do with the individuals who constitute this nation. To use a rather rough-and-ready, though graphic comparison: To say that an Englishman or a German can be identified with the folk soul of his nation is, for the spiritual scientist, as nonsensical as saying that a son or daughter can be identified with father or mother.

This is a rough-and-ready comparison, as I said, because on the one hand we are dealing with two physical people, whereas on the other we mean one physical and one non-physical being, which differ totally from one another when examined concretely. Not until there is an understanding of the mysteries of repeated earth lives and of the karma which these involve will there really be a comprehension of what underlies all this, which it is highly necessary to understand if one wants to speak on a firm basis about these things. An immensely important truth lies in the fact that one lives within a certain folk spirit only for a single incarnation, whereas one bears within one's own individual being something quite different, something immeasurably greater and yet also immeasurably smaller than that which lives within a folk soul. To identify oneself with a folk soul is, in reality, totally devoid of meaning once one goes beyond what is described by such words as love of the fatherland, love of the homeland, patriotism and so on. We shall only understand these things properly, once we can look earnestly and deeply at the truths of reincarnation and karma.

I have spoken recently in various places about the connection between the human soul between death and rebirth and what comes into being when man enters a new existence through birth. I pointed out that between death and rebirth man is linked with the forces which bring people together over many generations. Through the ever-repeated union of different pairs of parents and all that leads to descendants, as well as other aspects of the succession of generations, it comes about that the human being between death and rebirth finds himself within a whole stream which, in the end, leads him to the parents through whom he can incarnate. Just as in physical life one is linked with one's physical body, so between death and rebirth is one linked with the conditions which prepare for birth through a particular pair of parents. One is immersed in the forces which bring one to particular parents, and which brought father and mother to their parents, and so on back through the generations, in all their offshoots and ramifications, and whatever works together here in the most varied ways—in all this one is immersed for centuries!

Consider the imposing number of centuries one would remain within all this in order to pass through a mere thirty generations. The period from Charlemagne to the present day encompasses approximately thirty generations, and over all that time, in all that has taken place in the way of meeting, falling in love and begetting descendants which at last led to our own parents—in all this we have ourselves been involved, all this we have ourselves prepared.

I am repeating this because in connection with those personalities one calls leaders, those who can be recognized as leading personalities in some respects, it is important to understand that what makes them significant for mankind comes about through all that I have just described. I shall draw your attention now to a leading personality, and the climax of what I have to say about him will be expressed in the words of another. You will see in a moment why this is so.

We see in Dante a most eminent personality who lived at the end of the fourth post-Atlantean period. We may juxtapose such an eminent personality with those personalities who gained a certain eminence after the beginning of the fifth post-Atlantean period, such as, for instance, Thomas More. Let us look closely at what may be recognized in general in a personality such as Dante. A personality such as Dante is of far-reaching significance, gives far-reaching impulses. It is therefore interesting to consider, or at least to guess, how such a soul before entering through birth into a physical existence that is to be significant for mankind, puts together—excuse this rather peculiar expression—what he is to become, in order to be born in the right way through the right parents. Obviously these conditions are brought about out of the spiritual world, but they are realized with the help of the physical tools. In a certain sense the spiritual world guides this blood to that blood, and so on.

As a rule, a personality like Dante cannot be born of homogeneous blood. To belong to a single nation is impossible for such a soul. It needs a mysterious alchemy; various blood streams must flow together. Whatever those over-patriotic people might say who claim great personalities for a single people, there is no great reality behind it!

As regards Dante, so that you do not think I am taking sides I shall now let another, who knows him intimately, describe what is clearly apparent in his being. It would be easy to imagine that I might be carrying on politically, which is actually furthest from my intentions. So for this reason I have made enquiries of Carducci, the great Italian poet of today, who is an expert on Dante. Behind Carducci—and this is why I am quoting him—stand what are called ‘Massonieri’ in Italy, and what is connected with all those secret brotherhoods to whom I have drawn your attention. Because of this, Carducci's theoretical arguments about the actualities of life are, to a certain extent, based on some deeper knowledge. I would not maintain that he has flaunted this deeper knowlege all over the market place or that he is in any way an occultist. But what he says does contain a certain amount of what has come to him via all kinds of secret channels.

Carducci says: Three elements work in Dante, and it is only because these three elements work together that Dante's being was able to become what it was. First, through certain branches of his lineage, there was an ancient Etruscan element. This gave Dante whatever it was that opened the super-sensible worlds to him; because of this he was able to speak so profoundly about the super-sensible worlds. Secondly, there was in him a Roman element which gave him a proper relationship to the life of his time and a basis of certain legal concepts from which to proceed. And thirdly, says Carducci, there was a Germanic element in Dante. From this he gained the boldness and freshness of his views, a certain candour, and the courage of his convictions in what he had set himself. These three elements, says Carducci, made up the soul life of Dante.

The first element points to the ancient Celtic influence which pulses through him like blood in a certain way, leading him back to the third post-Atlantean period; for the Celtic element in the North leads back to what we have come to know as the third post-Atlantean period. After this we find the fourth post-Atlantean period in the Roman, and the fifth in the Germanic element. Carducci maintains that the elements in Dante's soul are composed of these three periods and their impulses, so that we really have three layers lying side by side—or rather one above the other—the third, fourth and fifth post-Atlantean periods: Celtic, Roman, Germanic. Dante experts of some stature have gone to great pains to discover how, from the spiritual world, Dante managed to mingle his blood in such a way as to obtain the final composition with which he was born. Of course, they did not express this in these words, but they went to great pains and came to believe that much may be put down to the fact that a great many of Dante's ancestors are to be found in the Grisons area of present-day Switzerland. This is borne out to some extent by history. The chain of Dante's predecessors points in every direction of the compass, including this district, where so much mixing of blood streams took place.

We now see how, in a single personality, the remarkable working together of the three layers of European human evolution is revealed. We also see how a man like Carducci, whose judgement is based on a certain objectivity and not on present-day nationalistic madness, points to the foundation on which Dante stands.

Herewith we touch on conditions which are well-known in circles familiar with the realities of life, conditions which may be reckoned with and which may be used as forces if one wants to do certain things. These conditions are by no means unknown to the secret brotherhoods, neither in their rightful use, nor in that other direction which uses secret knowledge in one way or another in the service of some group egoism. For the secret of how the three consecutive layers—which are exceedingly meaningful, mainly for Europe—work together, is discussed most carefully in all secret brotherhoods worthy of the name, though naturally in some cases in a manner which deflects from what might be termed the good direction.

Please be sure not to forget that knowledge about such things exists, and that it is taught—even though, in the external, clever world no one wants to know much about it—very systematically and with great care, especially in the western and American secret brotherhoods.

Having now prepared the way and brought to your attention the teaching about what is, in a certain way, a mystery of evolution and which is taught, albeit with the most varying aims, I shall now point to some further teachings simply by describing them to you. These teachings formed the content of the instruction given in certain occult schools, particularly towards the end of the nineteenth century. They continued into the twentieth century, but it was particularly in the nineteenth century that they were taken up, at which time they gained a considerable degree of influence. Efforts were made to bring them into all kinds of situations in which it was felt necessary to use them for certain ends. So to start with I shall simply report, quite uncritically, on certain teachings from the secret brotherhoods of England, whereby I shall be alluding to what I have prepared.

The following was taught and is still taught: The evolution of Europe can be comprehended if, to start with, one looks at the transition from the Roman, the fourth post-Atlantean period, to the fifth post-Atlantean period. The teaching was—please remember that I am merely reporting—that the mystery of the transition from the fourth to the fifth period or, as was said in these brotherhoods, from the fourth to the fifth sub-race, must be understood. You know that we cannot use the term ‘sub-race’ for the reasons I have frequently expressed, for to use this term means to pursue one-sided group aims, whereas group aims can never be our concern, but solely the general aims of mankind. So the teaching was that the fourth sub-race is represented mainly by the Roman, the Latin peoples. Throughout human evolution it is the case that when things develop in sequence it is not a question of what comes after taking its place behind what came before. What came before remains and takes its place side by side with what comes afterwards, so that they remain side by side in space. Thus, the stragglers of the fourth sub-race, consisting chiefly of the Roman and Latin elements, have remained during the period of the fifth sub-race.

The fifth sub-race, which began at the start of the fifteenth century, is composed of those peoples who are called upon to speak English in the world. The English-speaking peoples represent the fifth sub-race, and the whole task of the fifth post-Atlantean period consists in conquering the world for the English-speaking peoples. It will be evident that the stragglers of the fourth sub-race, the peoples touched by the Latin element, will fall more and more into a certain materialism. They bear within themselves the element of their own inner dissolution, and even in the physical sense bear their own decadence within them. As I said, I am merely reporting and not saying anything which I myself maintain to be true. Further, it is said that the fifth sub-race bears within it a germ of spirituality, of a capacity to comprehend the spiritual world. It is necessary, it is said, to understand how the fourth sub-race affected the fifth, and for this purpose one must look back to where the Nordic peoples, who later became the Britons, the Gauls, the Germans, came towards the Roman Empire. The question was asked: What were these peoples at the time when the Roman Empire was making war on them; in other words, when the conflict between the fourth and the fifth sub-race began? As peoples they were at the stage of infancy! The important point is that the Romans, the Roman element, the fourth sub-race, came in order to be their wet-nurse. These expressions are needed to enable us to draw the analogy between the folk element and the element of the individual human being. So the Romans became wet-nurses and they remained so for approximately as long as they maintained their dominance over the peoples of the North who were going through their infancy.

Infants grow to be children. This is the age in which the Papacy is founded in Rome and in which the Pope in his reign becomes the guardian of the child, just as the Roman Empire was the wet-nurse of the infant. Again, I am merely reporting, and not maintaining that this is the case. So now we have the interplay between the Papacy and what is going on in the North, what developed through Central Europe right out as far as Britain. This is the education of these people under the guardianship of the Papacy, out of which the Roman element from the fourth post-Atlantean period is still working. Round about the twelfth century, when the Papacy began to be no longer what it had been, the youth of these various people commenced, this being characterized by the awakening of their own intelligence. The guardian now withdraws. The youth of these peoples continues until roughly the end of the eighteenth century. As a rule, when such things are taught the present is omitted, because for certain reasons this is thought to be a good thing to do. People must not be told too clearly what one thinks about the present time; they learn about this more through suggestion.

Thus, in the course of time in the North, under the rule of the wet-nurse, the guardian, and so on, the present mature condition grew. This bears within it the germ of rendering Britain the ruling nation of the fifth post-Atlantean period, in the same way as were not only the Romans but also the Roman element in the form of the Papacy, which was derived from them. So, according to this doctrine, while the remains of the Latin element crumble away from the human race, a new fruitful element expands from the factor in which lives the British element. Now it is hinted that all external actions and measures which are to serve any purpose and be fruitful, must be made under the sign of these views. Anything that is undertaken without these views, anything that does not take into account that the Latin element is in decline and the British element ascending, is doomed to wither. Of course such things may be undertaken, say these people, but they are condemned to remain meaningless, they will not grow. It is like sowing seeds in the wrong soil.

In the doctrine I have sketched for you we have a foundation which seeped into all the brotherhoods, even the more esoteric ones—those who worked in the West as so-called high grade Freemasons and suchlike. These things were insinuated into public affairs by people who had either close or loose connections with these brotherhoods, often in such a veiled way that those concerned had no idea how they had come by their knowledge. Particularly since the sixteenth century these things have been carried from the West into much that can be experienced in human evolution.

Other things are also taught. It is said: Just as those people in the North during the time of the Roman element were preparing themselves to be the fifth sub-race, so today, in a similar way, the Slav people are coming towards the West as the developing sixth sub-race; in the same way the Germanic peoples came out of the North to meet the Roman element. Thus it is said that living in the East, under a despotic rule that is doomed to destruction, are a number of individual peoples who, like the Germanic peoples when the Roman Empire started to spread northwards, are not yet nations as such but still tribal peoples. These tribal peoples constitute the separate elements of the so-called Slav people, which for the moment is only held together in an external way by a despotic government which is to be swept away. I am using the terms which are customary within these secret brotherhoods.

After saying so many positive things about the Slavs, let me just add in parentheses: It is true that these peoples are still tribal in a certain way. This became evident at the Slav Congress in Prague in 1848. Each group wanted to speak in their own language, but this proved impossible because they were then incomprehensible to the others; so they were forced to use standard German instead. I do not say this to amuse you but in order to show that what is taught in the West about the Slavs does have a certain basis of truth.

It is said further in the English brotherhoods that the Poles have evolved ahead of the other Slavs, for they have developed a homogeneous cultural and religious life of a relatively high calibre. The destinies of the Poles are described to some extent, but it is then maintained that they really belong to the Russian Empire. Then the Balkan Slavs are discussed. Of them it is said that they have thrown off the yoke of Turkish oppression and formed themselves into individual Slav states which, however—and this is repeated over and over again—are destined to remain as they are only until the next great European war. In the nineties particularly, these brotherhoods held this great European war to be imminent, and it was linked especially to evolutionary impulses which were to emanate from the Balkan Slavs, born of the fact that these states, which had come into being as a result of their disengagement from the Turkish Empire, had to undergo a transition to new forms. Only until the next great European war, it was said, would these Balkan Slavs be able to maintain their independence. After that they would meet with quite other destinies.

These peoples are at present, so it is taught, in their infancy. So it is hinted that since they are the future sixth sub-race, while the Britons are the present fifth sub-race, the Britons will have to play a role towards them similar to that played by the Romans towards the northern Germanic peoples, namely that of wet-nurse; to be a wet-nurse to these peoples is their primary task. This role of wet-nurse will cease to be necessary, it is said, at the moment when these peoples will have reached a point when the Russian Empire no longer exists and they have succeeded in creating their own forms out of their own dawning intelligence. But gradually the wet-nurse must be replaced by the guardian. This means that in the West a kind of papacy must develop out of those who form the fifth sub-race. For this, a strong spirituality must develop and, just as the Papacy stood in relation to Central Europe, so a configuration will have to come about which works comprehensively from the West over towards the East. This must result in the East being used as a place where certain institutions can be created in a manner similar to that in which the Papacy created its institutions in Europe.

Of course we have now progressed by one sub-race. The Papacy created churches and religious communities of all sorts. But now the western ‘papacy’, which is to develop out of the British element, will have the task of carrying out certain quite definite economic experiments, that is, of instituting a certain form of economic society of a socialist nature which, it is assumed, cannot be founded in the West because there the fifth and not the sixth sub-race has its being. The East, experimentally at first, must be used for such experiments for the future. Political, cultural and economic experiments must be carried out.

Of course these people are not so stupid as to maintain that the dominance of the West will last forever, for no serious student of spiritual matters would believe that. But they are quite clear about the fact that just as at first the services of the wet-nurse were offered, so must these be metamorphosed into the role of the guardian—in other words a kind of future ‘papacy’ on the part of western culture.

I have been reporting, my dear friends! These things are buried deeply in the teachings of western Freemasonry and it is a matter of recognizing whether the ones I have mentioned, which are very influential, are really justified as being for the good of mankind in general in its evolution, or whether it is necessary to think of them as needing correction in some way. This is what we are concerned with. We shall return to all this again.

Now I want to point out that certain stages of evolution are really not mere fantasy, but that the more deeply one enters into the real facts, the more does it become possible to prove in the external world what was found at first by spiritual means. External science, even today, is occupied with the search for theories which prove that evolution takes place in stages which follow one another. That there is really something correct in what the spiritual scientist says can today be confirmed in some of the symptoms of ordinary science, if only one has the good will to search for them.

Let me mention in this connection something of which I have repeatedly spoken already. Although external culture cannot comprehend these things there is, in spiritual development, something which is expressed in laws which are as definite as the laws of nature. I once drew your attention to a linguistic law. Human evolution from the fourth post-Atlantean period up to the present shows that Greek and Latin represent a particular stage of linguistic development; the next stage was then Gothic, and the one after that New High German. Evolution takes place here in a perfectly regular manner. I can only sketch this for you, but these things follow laws which are every bit as absolute as those of nature, and exceptions merely seem to be so.

The sound D in Greek or Latin is transmuted into T and this again into Th which, because of certain language laws, can also be Z. A Greek Th or Z becomes a Gothic D, and this becomes T in New High German. A Gothic Th or Z becomes a New High German T, and so the circle continues. Similarly, a Graeco-Roman B becomes a Gothic P, and this in turn a New High German F or Pf. A Greek F or Pf would be a Gothic B and a New High German P. There is another circle which goes from G to K to Ch. Take for example treis, three, drei: T / Greek; Th / Gothic; D / New High German. This is so in every case and exceptions can be explained by special laws which complement the main laws.

We have three stages, one above the other: Greek-Latin, Gothic—which corresponds to the time when the Roman Empire was coming up against the Germanic tribes—and the further stage of New High German. The strange thing is, as I have said before, that English has remained behind at the Gothic stage. So if you want to find the English for a New High German word, you have to go back a stage. Take ‘Tag’; to find the English for this you have to go, not forwards, but backwards: ‘day’. Take ‘tief’; again you have to go backwards to ‘deep’; take New High German ‘zehn’; if you want the English you have to go backwards: ‘ten’. Take ‘Zahn’; you have to go backwards if you want the English: ‘tooth’; take ‘Dieb’, here too you have to go backwards: ‘thief’. New High German ‘dick’, if you go backwards, becomes ‘thick’. So, to go from New High German to English, the direction is opposite to the normal.

So we can say quite objectively: If we seek to find the evolution of language as a folk element in respect of English, we have to go back to the Gothic stage. New High German has risen in evolution to become a special element. This is not said out of any patriotic or nationalistic feeling but simply because it is true, just as there is no need to say the polar bear is white out of any sympathy or antipathy for him. The law I have demonstrated to you is a well-known linguistic law, Grimm's law. I have only demonstrated it with regard to some voiced and unvoiced plosives and some aspirated sounds, but it can be done for the whole system of sounds. The evolution of language proceeds in accordance with strict laws and it corresponds to the impulses that rule in human evolution. Little by little natural science discovers these things, though sometimes only sporadically. In spiritual science you may find the deeper foundations for all these things.

We shall come to other aspects of spiritual and cultural life which will show that what applies to the realm of language holds sway in other fields as well. Something unconscious, when it is brought to light, bears witness to objective laws. This cannot be turned and twisted according to sympathy or antipathy!

Do not imagine that this Grimm's law on sound-shifts is unknown to those secret brotherhoods of whom we have spoken. Tomorrow we shall see how they come to terms with such matters and how they have relevant things to say about them too. What they have to say is not foolish but perfectly in keeping with a certain kind of occultism. It will be up to you to decide, when you know more about it, how you want to judge it and whether it is something legitimate or not. Through the karma of human evolution it will come about that certain things are made more easily accessible to the public at large, in particular as a result of the circumstance that a certain amount of confusion has entered into the Masonic orders. Because of these circumstances a variety of things are coming to light for the outside world. We, however, want to understand, above all, the deeper foundations of all this.

Some quite bizarre symptoms are indeed coming to light. For instance there exists today an interesting dissertation by a man who met his death—this too is a remarkable karmic circumstance—on the battlefield of the present war. It is about the parallelism that exists between French politics and French secret societies, and it shows how the two run entirely parallel, how the same forces live in both. Much more intimate and concealed are the circumstances of English politics which are totally under the influence of what lies hidden behind them in this way. Here the main concern is to find ways of placing suitable people in the right places. The people in the background who are involved in occult manipulations are often like a number one; they do not amount to much on their own. They need something else: a nought. Noughts are not ones, but the two together make ten. If more noughts are added, so long as there is a one somewhere as well, a great deal can result—for instance a thousand—though every nought remains a nought. And if the one remains hidden, then only the noughts are visible. So the aim is to combine the noughts in a suitable way with the ones, whereby the noughts have no need to know much about the way in which they are combined with the ones.

There is, for instance, a certain man who is a perfectly honest fellow. I have often said that I in no way look on him as the wicked ogre—for which many in Central Europe want to take him. I think he is an honest, nice man who, in his own way, longs to speak the truth. Yet this does not prevent him from being a nought. This man's education began at Winchester public school, whence he proceeded to Balliol College, Oxford. Then he won something very important, the Marlylebone Cricket Prize, followed by the Queen Anne Tennis Prize. At the age of twenty-three he became a member of parliament. At that age one is susceptible to all kinds of influences. At thirty he became Secretary of State for Foreign Affairs. He had long been Foreign Minister when he set foot outside England for the first time in order to accompany the King of England on a journey to Africa. He also wrote a little book on angling entitled Fly Fishing. Sir Edward Grey then ascended the social ladder before sinking into obscurity. A fellow student at Oxford, ten years his senior, was Asquith, with whom he spent his years there.

This is how those appear who are the visible accomplices. We shall proceed thus far today and carry on tomorrow.

It is a time, in which in quick succession as a result of many deaths the connection of the human being with the spiritual world approaches us. It is the world the human being enters when he goes through the gate of death. Under quite special circumstances these quick successive, almost simultaneous deaths face us. These special circumstances are given because numerous earthly people go through the gate of death that could have lived still for decades on earth under the circumstances that one may assume for earthly people. And whenever the human being goes through the gate of death prematurely as it were, extraordinary conditions come also into being.

We know that the human being going through the gate of death leaves behind, hands over as it were what falls off as his physical body from him to the earth element. We know that then the so-called etheric body is considered as the second that, however, also separates from the individuality. Then the individuality, consisting of astral body and ego, passes the spiritual regions between death and new birth. The etheric body, however, keeps on working, detached from the ego and astral body. This etheric body, which now enters the spiritual world next to us, the etheric world, is different with each human being. You may imagine that an etheric body of somebody who passes the gate of death prematurely looks differently as that of somebody who has lived his life till old age. For the etheric body which has to go with an early deceased human being through the gate of death would have the power to supply the physical body with life under normal conditions still for many years, decades. Now a force does not get lost in the spiritual world just as little as in the physical world. This force which supplies, otherwise, the physical body with life continues to exist. So that we can say: if now thousands go through the gate of death, nevertheless, almost every day, etheric bodies enter into the elemental world which are still capable of surviving, which have other forces in themselves than older etheric bodies have. What happens now with these etheric bodies still capable of surviving?

Yesterday, I spoke of the real folk-soul in the public lecture. This folk-soul is a real being. It needs quite particular forces just in our time. It needs such forces also at other times, of course, but particularly in our time. This folk-soul takes up these etheric bodies still capable of surviving. The human being himself goes other ways with his ego and astral body—those ways which prepare him then for his next life on earth. But these etheric bodies separate from the human individualities, they go over into the being, the substance of the folk-souls. After such a destiny-burdened time as we now experience we go towards a time when the folk-soul contains the etheric bodies in itself—like forces living in it—which have been handed over by those who have gone in the battles through the gate of death. A time comes near when the spiritual scientist can know that that is not lost which was sacrificed on the altar of the big events. A time comes near when effective strength emits from the folk-soul into the individual souls, that simultaneously goes out from that which in the first, second, third decades of youth numerous people have taken up here on earth, which they could still have kept for many decades, which they have handed over, however, to the folk-soul. This is in the forces in future the folk-soul drips into the individual souls; that is not lost.

Let us take that really to heart. Imagine how our consciousness of the connection with the spiritual may be enlivened in our feeling life if we keep in mind that we can speak of the folk-soul in future that the fruits of the sacrificial deaths are in it as effective forces. That is particularly important in the next time. In other times this would be different, for the next time; however, it will be significant because of a quite special reason.

We lived in a bad time of materialism. The souls, who could not approach spiritual science, were immersed in a strong aura of materialism. To fight against this aura is the task of the folk-soul in the next time. Forces will flow towards this folk-soul for the fight of materialism by the fact that the etheric bodies of the early dead linger on in this folk-soul, just linger on as forces. These etheric bodies—sacrificed on the altar of human evolution—will be the strongest fighters against materialism.

So we have to make a distinction between that which moves as a single human being through the regions of the spiritual world and remains united with the human individuality, from that which the etheric body delivers on its detour to the general community; which keeps on working in the spiritual general community in the sense cited here, in the substance of the folk-souls.

That may stamp itself especially deeply in our souls if we put two human types concerning this spiritual difference before our souls: the warrior killed on the battlefield who goes, completely devoted to the task of his people, through the gate of death—who as it were at the moment when he enters the battlefield when he only resolves to enter the battlefield must also resolve to face death. Compare this human type with the ascetic. Just if you consider what the forces of the etheric body signify in human life, you get an idea of the difference of the warrior killed on the battlefield and the ascetic. The ascetic works on himself. He tries to work on himself in such a way that he overcomes the physical in himself completely, that he becomes still free from this physical during his lifetime. Since the ascetic works that way, a significant transformation also takes place in his etheric body. He uses up, so to speak, the forces of this etheric body the strongest to incorporate them in his ego and astral body. What makes the ascetic free from the physical, this is of benefit completely for his individuality, and this serves the transformation of his individuality. So that such a human being who becomes an ascetic can serve humankind only on the detour of that which he makes out of himself. He, however, who frees himself from the physical body in early youth, because he has to surrender to the requests of war, hands over the forces of his etheric body to the general community; he incorporates them to the general work. You have to feel this difference, it is a significant difference. It points us again a little bit to that which prevails as a reality in the human life. It is also significant to look just at the path through the gate of death concerning the etheric body.

At the moment when the human being goes through the gate of death, he is still united with his etheric body. We have often described what happens to this. This connection with the etheric body gives the human being the possibility to live in all ideas that the last life aroused in him to merge completely like in a mighty tableau in everything that the last life has given him. But this is a kind of vision that lasts for a relatively short time; it fades away with the liberation of the etheric body from the ego and astral body. Yes, you can say, it immediately begins to fade away after the moment of death. The impressions become weaker and weaker which are still due to the possession of the etheric body. Then that makes itself felt which is authoritative after the physical death. What is authoritative there is properly imagined only to a lower degree by the people who want to get ideas about the life after death. It is even difficult to coin words for those quite different conditions, compared with the conditions we experience in our physical bodies. One thinks simply that the human being after he has gone through the gate of death has only again to get a consciousness for himself. It is not really that way. The human being experiences no lack of consciousness when he passes the gate of death. On the contrary, his soul experiences a superabundance of consciousness. He lives and weaves completely in consciousness, and as well as the strong sunlight dazes the eyes, he is dazed at first by consciousness, he has too much consciousness. First, this consciousness must be dampened, so that he can orientate himself in the life, into which he has entered after death. This lasts for a longer time; more and more moments happen in which the consciousness makes such an orientation possible. The soul becomes conscious for a more or less short time and then it again enters into a condition similar to sleep as you may call it. Then such moments become gradually longer and longer, the soul comes more and more in such conditions, until it is able to orient itself entirely in the spiritual world.

Also this makes difficulties to get clear ideas of the way how the soul perceives his environment after it went through the gate of death. We buried a dear anthroposophical friend in the last week, and on account of the wish of the dead I had the task to make a funeral celebration for her friends at the place where she died. In the time I spoke and directed my words to the dead person, the dead person was as it were like sleeping. Then the heat had an effect, the flames seized the body, and at this moment a moment of consciousness came over the soul, like a moment of orientation. The dead had the whole image of the funeral celebration and the funeral speech before herself, as somebody has something spatial at the same time before himself. Time becomes there really space. You do not see the past as you see the past running in time during life, but you see the past as something spatial before yourself. So that that which had already run off, which had happened a quarter of an hour before, then stood before the soul of the dead like the first lighting up moment of consciousness. Then a state of daze came again in the flooding light of consciousness to go in this condition towards those other conditions in which the soul gradually learns to orientate itself in the spiritual world.

It is important if we want to really get good ideas about the life after death for ourselves that we understand these quite different conceptions of time, that we see how there time is not something of which one can say, it has passed, and one remembers of the matters that happened in time, but the past stands there. Like the desk stands there and this desk does not go along with me when I go over there and look back at it, in the same way that remains after death which happened, which can be just only reminded, stands there; and the dead looks back at it as one looks back in the body at the spatial objects. This is very important to understand. Furthermore, that is of particular importance to understand that we really remain in connection, that our life on earth remains in connection with that what we experience between death and a new birth; at least it remains in close connection up to the point in time I called midnight hour in my last mystery drama.¹

Nevertheless, I would not like to fail to give our friends ideas of these relations to be difficultly described bit by bit. At that which we as earthly people have experienced between birth and death the soul, which has gone to death, looks back—but not, as if that which one has experienced there only would be there, but some conditions of life of the dead play a part in a peculiar way. The condition of life of the dead is not the same as the condition of life between birth and death of living people. The condition is such a one that the human being feels enclosed by his skin and looks out into the world by means of his senses. As soon as one enters as a dead the spiritual world, he/she has flowed out into the whole spiritual world. The soul feels like fulfilling the whole spiritual world bit by bit. What the human being has experienced during his physical earth existence, he feels like something that remains to him—not as a physical body, of course, but as that which constitutes the form, the forces of the physical body. This remains after death, but the soul has it as somebody has the human eye in the physical body. As you have the eye for seeing, you have then yourself, the life on earth, which you have experienced, as a cosmic sense-organ to perceive the world with it. What our eye is now for our body, this is our life on earth for our spiritual life after death.

Our life on earth is implanted to us as it were as an eye, as a sense-organ. You will understand gradually only after longer meditation what significant, actually, is pronounced that our life on earth becomes a sense-organ for our life between death and a new birth. That resembles to the process when the human being falls asleep and leaves the physical and etheric bodies with his ego and astral body. When initiation comes into being and the human being starts beholding in the spiritual world outside his physical and etheric bodies, then he knows: in the spiritual world you perceive like by means of a sense with the spiritual part of your physical body, and you think in the spiritual world with your etheric body. Your etheric body is real like your brain in the spiritual world and your former physical body is a sense-organ. However, you yourself are poured out with all your vital forces over the spiritual worlds. You have spread, you do not feel crowded together to one place because of your skin, and you feel poured out, extended over the spiritual world.

This is a quite different existence. With it is connected that somebody who himself enters the spiritual world, either by death, or by initiation, lives united with the other beings of the spiritual world, with beings of higher hierarchies or with human souls, which live between death and a new birth. However, he lives united with them in such a way that he does not experience them as you meet earthly men outside where you are separated spatially from them. But he experiences them as being contained in a common spiritual space, penetrating each other. What another soul experiences one does not experience by the fact that it says something, like with earthly people, but that one settles in the other soul and witnesses its thoughts. Hence, it is also that you can only be certain to experience that in yourself really what, for example, a dead experiences if you know: you are as it were in the dead, you do not only report something that you hear after the model of something which you experience on earth, but you hear: the dead himself speaks through your being.

I would also like to explain that to you by an example².

Into cosmic distances I will carry
My feeling heart, so that it grows warm
In the fire of the holy forces' working;

Into cosmic thoughts I will weave
My own thinking, so that it grows clear
In the light of the eternal life;

Into depths of soul I will sink
Devoted meditation, so that it grows strong
For the true goals of human activity;

In the peace of God I strive thus
Amidst Life's battles and cares
To prepare myself for the higher Self;

Aspiring for work in joy-filled peace,
Sensing cosmic being in my own being,
to fulfil my human duty;

May I live then in anticipation,
Oriented toward my soul's star
Which gives me my place in spirit realms.

I would like to put this before your souls as a clear example of the mysterious course which the human soul takes just through the point in time which separates the life between birth and death from the life between death and a new birth, where everything that was still external experience to us in the life on earth becomes internal wealth of the soul and lives in us that way. Here one takes on spiritual science still as something external. Immediately after death, however, it appears how it lives in the soul, yes, we say, as well as muscular strength now lives in our physical bodies. You have to feel that once if you want to grasp the internal sense, the internal meaning of that which spiritual science can be for the human soul. Then bit by bit you get a conception—you must have patience—of the quite different relations in the spiritual world. If we form words and concepts of the relations in the sensory world, we can give symbols at most of that what is in the spiritual world. You must work in patience towards concepts and sensations and feelings which express that fairly correctly and truly what the relations of the spiritual world are.

The logic of the life on earth—yes, there is only one logic of the life on earth—is already sometimes rather fragile for the life on earth. I have already stated how one can pass the real facts using the logic of the life on earth. I have often stated the example: assuming a person is walking along a brook. We see him falling into the brook. We rush over and find out that he is already dead. We see a stone where the person has fallen into the brook, and can now form a quite logical, but superficial judgment. We can say: the person has tripped over the stone, has fallen into the brook and drowned. He has died the death of drowning.—But this can be quite wrong. If one examines the matter purely anatomically, it can become apparent that the person had experienced a heart failure; thereby he fell in the water. The heart failure is the cause of his death. With the everyday correct logic we conclude wrongly. Such conclusions—this would be noted, only by the way—are made perpetually in human life and in particular in science. Science is full of such conclusions where cause and effect are mistaken.

But the matter becomes important when questions of human destiny are considered. We have experienced such a stroke of fate in Dornach in autumn, which is instructive in the most important sense. One evening the little, seven-year-old son of our member, Theo Faiss, who was an exceptionally dear, bright child, was reported missing. It was just during an evening lecture. The mother searched for the child, it was not to be found. When the lecture was over, one heard, actually, only that the mother misses her boy, and one could imagine nothing else that the death of the boy were in connection with a removal van, which had toppled over. A member of our society had let send his pieces of furniture in a removal van, and this removal van had toppled over in the evening where the boy stood. It was ten a quarter clock in the evening and we applied everything to lift the carriage. The mobilised military met us to help, to lift this removal van. The removal van was lifted, and one found the boy crushed under the carriage. Now think, in this area a removal van did never go generally before; nor thereafter. The boy was here, one could state this later by all possible things one calls incidents and chances, just in the time—it has concerned only minutes, around a moment—where the removal van toppled over. However, it was strange that first of all those who were here where the carriage had toppled over were only concerned to bring the horses to safety. One had no idea that the removal van had fallen on the little boy.

The child was dead. The materialist view may say: well, the removal van toppled over by chance there at this hour; the child got under it and was crushed. The materialist view will say that, of course. Before the spiritual view this is completely nonsense. For that what is there is the karma of the child, and this karma of the child steered all single circumstances. It has also steered the removal van there just at the hour when the child needed the death because the karma of the child wanted it. The karma of the child had expired. We deal here with the necessity to reverse cause and effect.

By such relations and the view of them one is able to ascend bit by bit to the real view of life which persuades us to reverse that what the external appearance presents to the senses. We must often turn around this. But the matter becomes quite significant when one experiences after that what comes into being by such a fact. The soul of a human being goes through the gate of death. This soul was embodied for seven years in a physical body. Why could the little Theo not have become also seventy, eighty, ninety years, externally considered if the karma had not made it impossible? An etheric body is there which could have supplied life still for decades; an etheric body which was really filled by forces of the eternal, of the good. It was an excellent boy.

You know that then the real individuality, the ego and astral body, go on their way. But the etheric body frees itself, this etheric body, in which all tender, nice forces are woven which have developed in the childhood, in which, however, all forces also live which come from the former incarnations. Now imagine what you have before you facing such an etheric body. The individuality comes from the former incarnations. It embodies itself anew in this incarnation; it implies what comes from previous incarnations. The life of this incarnation is as it were the fruit, realising that what was cause in a life in previous incarnations. Through the whole life these fruits could have enjoyed life to the full. Then everything would have gone into this etheric body what comes from the fruits of the former incarnations. This has not happened. In return everything is in this etheric body what still has causes in the former incarnations. And now the strangest thing is: somebody who tries to explore the aura of our Dornach construction finds this etheric body of the little Theo in the aura of the Dornach construction. There he is, there he hovers over, lives around the Dornach construction. He who has to deal with the Dornach construction or will still deal after that late autumn afternoon in which the little Theo went through the gate of death knows what has been changed in the spiritual aura of the Dornach construction by the fact that that etheric body was incorporated into this aura. This etheric body contains the forces which would else have been used for decades for the supply of a physical human body, and this etheric body is just poured out in this aura of the construction.

So mysterious are the ways that wisdom flooding through the world has to experience with its creatures. There are only correct ideas of the kind how the whole human life runs—to which in the most remarkable sense the life between death and a new birth belongs—if one goes into details of these matters. Because our anthroposophical movement should really be not anything abstract, but something in which we are with our whole being, in which also those are who just belong to us, we are also allowed to speak of such matters. We unite not only like other societies with a certain program, but we want to be with our whole souls in our spiritual-scientific movement. We want to conceive this spiritual-scientific movement as a concrete stream to which everybody belongs who really bears witness to it in a feeling way. We can say: there we speak as somebody just speaks in an enlarged family about the relatives there or there. For that what touches us, so to speak, in an informally familiar way gives us the highest, the most significant, the most important explanations of the spiritual world at the same time.

From such an attitude I would like to mention the death of one of our friends who are just often affected by deaths in the last time. Our infinitely dear friend Fritz Mitscher has recently gone through the gate of death. The necessity arose to me to subsume in words what the own soul felt, while it leant to the soul, which has just gone through the gate of death. Notice the difference between the preceding words which I have read out to you, and the words which I want to read out to you now. The words that I have read out just here are out of the soul of the dead. The words which I will read out to you now are stimulated in my own soul at the sight of the dead Fritz Mitscher, who was still combined with his etheric body. It is the impression which the dead made that is reported now in these words. Perhaps, you know that Fritz Mitscher was already as a young teacher at the most different place, especially in Berlin, active for our Anthroposophical Society. And many of us also know that he was just inclined in such a nice way to combine everything that he could acquire of earthly science and learning with the noblest, nicest anthroposophical consciousness. This also expresses itself after his death when in his whole being was combined what he was, and what shines now again after his death from the soul relieved of the body which still had its etheric body. And it seems to me that this had to be expressed what Fritz Mitscher was after death with the words, which I had to send on to him at the cremation.

A hope, filling us with happiness:
You entered the field
Where, through the power of soul being,
Earth's spirit blossoms
Reveal themselves to investigation.

Your longing was bound from the beginning
To pure truth-loving being;
To create out of spirit-light
Was the earnest life goal
For which you strove without rest.

You nurtured your beautiful gifts
To tread with steady steps
Bright paths of spirit-knowledge
As truth's true servant
Unperturbed by worldly contradiction

You trained your spirit-organs
That, with courage and persistence,
On both sides of the path
Repelled error for you
And made a space for truth for you.

For you, to form your Self
For the revelation of pure light
So the soul's sun-power
Might shine mightily within you
Was your life's concern and joy.

Other cares, other joys
Barely touched your soul,
For knowledge seemed to you to be
The light that gives existence meaning,
Seemed to your life's true value.

A hope, filling us with happiness:
You entered the field
Where, through the power of soul being,
Earth's spirit blossoms
Reveal themselves to investigation.

A loss that pains us deeply,
You disappeared from the field
Where the Spirit's earthly kernels
In the womb of soul being
Ripened your senses for the spheres.

Feel how we lovingly gaze
Into the heights that now
Call you to other works.
Give to the friends left behind
Your power from spirit-realms,

Hear our soul's entreaties
Sent to you in confidence and trust:
For our earthly work here we need
Strong forces from spirit-lands,
For which we thank dead friends.

A hope, filling us with happiness,
A loss that pains us deeply:
Allow us to hope, that you, far-near,
Unlost, light our life
As a soul-star in spirit-realm.

These are the words which were sent to the dead out of the being of the dead. And then some time passed after these words were spoken at the cremation, and out of the being of the dead, not yet out of the well-organised consciousness, but like from the being sounding, there the following words sounded now from the dead in the night after the cremation.

For me, to form my Self
For the revelation of pure light
So the soul's sun-power
Might shine mightily within myself
Was my life's concern and joy.

Other cares, other joys
Barely touched my soul,
For knowledge seemed to me to be
The light that gives existence meaning,
Seemed to my life's true value.

The words sounded back that way. Only after that I myself found out that two stanzas which are in the middle can be converted immediately from “you” to “I” and from “to you” to “to me.” I did not know that before. Since I heard the stanzas as I read them to you first. And now they came back from the being of the dead, spoken by him:

That shows that as well as in the time in which the consciousness does not yet have the shape which the soul has then again after this time through the whole realm between death and new birth, it shows as even in lively transformation, in meaningful transformation the words come from the dead. You have only to feel the spiritual-scientific world view becoming really alive creating the connection between the physical and the spiritual worlds. For it may run like a shiver through our souls when we feel at such an example how the words are called to the dead—and he returns them changed to us. Like we feel on one side that they went to the dead because they resound from him, not only like an echo, but meaningfully changed by him.

These are matters that give us the certainty, the confidence also for our present that the souls living here in earthly bodies are connected with the spiritual powers weaving and prevailing in the world. In this stream of prevailing and weaving spiritual powers the deceased are woven, are in it, because in it they experience their further postmortal destinies.

If we allow the connection of the physical and spiritual worlds to have an effect on our souls, we can contemplate various things. I pointed already once also here to the fact that with this cooperation of the physical and spiritual worlds proceeding in the concrete sense also the impulse of the Mystery of Golgotha comes near to us. We know that now we only start contemplating the sense and meaning of the Mystery of Golgotha and Christ Being by spiritual science completely. Up to now the human beings did that by means of reason. And what did result from this reason? If the effectiveness of Christ had depended in the human earth-life on that what the human beings have understood of it, the effectiveness of the Christ Impulse on earth could had been not very strong. The human beings have understood theological squabbling, all kinds of disputes in their reason, that was they understood of Christianity. But Christ has had an effect out of lively power.

I have probably stated also here the example of the battle which Constantine fought against Maxentius, by which the fate of Europe was decided at that time. Thus Christianity was only accepted, actually, and became then the ruling power in Europe. This battle was not won through the art of strategy nor by the armies of Constantine. Maxentius had to defend Rome. By looking up in the Sibylline Books and by a dream, which he had, it was put in his head that he should lead his army out of Rome. Then he would destroy the enemies of Rome. His army was five times stronger than that of Constantine, who approached Rome. Now he really led his army out of Rome, strategically the most inept what he could do. Since according to strategy everything spoke well of letting his army in Rome and letting the hostile armies approach. However, he led his army out of Rome. Also on the side of Constantine who led his armies against Rome these were not warlike-scientific reasons which gave him the strength, but he also had a dream. The dream said to him: if you allow bearing the monogram of Christ in front of your army, you will defeat Rome.—At that time and still for later the whole map of Europe was transformed through the victory of Constantine with his weaker army. Also the spiritual life of Europe has thereby become different. That what people could understand in those days would not have been sufficient to accomplish these achievements. The Christ Impulse had an effect in the subconsciousness of the human beings, in that what lived in the depths of the souls what people only could dream of, what came up to them at most in dream pictures.

We have a later, quite important example of the effectiveness of the Christ Impulse with the Maid of Orleans.³ Who studies history really, not as one often studies history today, but that one tries to recognise the real connections, he can know that again the fate of Europe was absolutely determined for the next centuries through that what the Maid of Orleans did. Neither strategy, nor the wisdom of the politicians, but that what the shepherd girl of Orleans did was vital for the destiny of Europe, especially also for the destiny of France. Now, however, the Christ Impulse worked in the Maid of Orleans, through its Michaelic representative. It worked into the soul of the Maid of Orleans. Her soul was completely infiltrated, inspired by the Christ Impulse. Exactly in the same way as in those days when the battle was decided between Constantine and Maxentius the Christ Impulse worked, without people knowing about it in their upper consciousness. The Christ Impulse also worked there, when the Maid of Orleans sent the French armies against the English armies. The whole continent would have changed, also England if at that time France had not won. Also England would not be that what she has become if she had not been defeated. However, the subconscious forces which came up in dream pictures caused the victory. The abilities of the Maid of Orleans were inspired by them. So that you can say: what the Maid of Orleans did was influenced through a more or less unaware initiation. It is of course an unaware, you may also say, an atavistic initiation. A clean psychic vessel had to be seized just unconsciously, as it was the Maid of Orleans through whom the Christ Impulse could work, by his Michaelic representative—a clean vessel.

Let us look at the matter more exactly. If anybody today goes consciously through an initiation—there are rules for that. The ABC is in my book How Does One Attain Knowledge of the Higher Worlds?” There are rules by which one is able to develop gradually. One cannot speak of such a conscious initiation in the case of the Maid of Orleans. But a spirit which is otherwise not united with the human soul had to take its place in this human soul, to permeate this human soul. Especially favourable circumstances had to come into being. A spirit of higher spheres cannot always intervene in the souls who are enabled for it. Especially favourable circumstances must occur, so that a single human being comes in connection with higher worlds without initiation, without conscious work on himself. Especially favourable circumstances exist in the time when as it were the spirit of the earth is particularly awake: in the time from the 25th December to the 6th January. When in summer the sun stands highest, when the physical heat radiates mostly to the earth, then the conditions of initiation are the worst because then the spirit of the earth is sleeping. The spirit of the earth is the most awake in the winter darkness, at the winter solstice.

Hence, it is not only a legend, but corresponds to a truth when it is told in old legends that during the thirteen nights which precede the 6th January certain particularly suitable souls were initiated, so that they could go into the spiritual world, that they could experience there what we call Kamaloka and devachan. We here in Hanover probably remember that the legend of Olaf Åsteson⁴ was once reported who—sleeping for these thirteen nights—went through the whole way which can be the way through Kamaloka and devachan. Olaf Åsteson tells then what he experienced during these thirteen days.

If the external physical darkness of the earth is the strongest, the conditions are the most favourable to lead a soul into in the spiritual world. It would have been the most favourable for souls like the Maid of Orleans, who are initiated for the whole humankind for such an action not by directly conscious exercising but by especially favourable circumstances, if she could have slept during the thirteen nights. Thus she could have been brought into connection with the spiritual world; if she could have accomplished that in a sleeping state. The Maid of Orleans went really through such a sleeping state. For the Maid of Orleans spent these thirteen days up to the 6th January in the body of her mother in a condition in which the human being still sleeps. Since the human being only wakes up for the physical life when he is born and does the first gasp. With the Maid of Orleans the last sleeping nights of the embryo fall in the time of the thirteen nights, because she was born on the 6th January. There you have a deeply significant internally historical connection. There you have the basis of the mission of the Maid of Orleans, who was chosen to receive the initiation as this clean soul before her first gasp during the last thirteen nights of the pregnancy of her mother, in this sleeping state, just under the especially favourable circumstances of the earth-life. The calendar shows it simply to you. Open the calendar: on the 6th January you find the birthday of the Maid of Orleans. The calendar shows you how here a deeply intimate connection exists between the physical world and the processes in the spiritual world. Of course, it was necessary that the soul of the Maid of Orleans was prepared by her preceding incarnations. During the thirteen nights this soul and that what could come from this soul made it possible just at this point of the human development that the spiritual world was able to influence the physical world.

The spiritual world with its ingredients is always there. The spiritual world is always among us. The ways of working in the physical world are manifold, which the spiritual world selects. And our consciousness of the connection with the spiritual world becomes stronger and stronger, the more we express the connections between the physical and spiritual worlds especially deeply in such details, while such connections stand vividly in front of our souls.

On the other side, one must say: also that what happens here in the physical world may prepare a kind of connection with the spiritual world and our physical world. And if anybody who has taken up that as intensely as Fritz Mitscher what flows through our spiritual science, and then went across in the spiritual world in the thirtieth year of his life—on the 26th February his thirtieth birthday would be—and has infiltrated his soul with that what can penetrate as a strength into the soul by our spiritual science, then we have a powerful individuality who will further stay together with us in the spiritual world who is an assistant of the most immense kind. And if you imagine how difficult the striving for spiritual science is just in our time, in this time which is, nevertheless, completely impregnated with materialism. Then one may also say that he who is connected with all the fibers of his life with the spiritual world has the biggest hopes for those who can become spiritual assistants who become spiritual assistants after they have laid down their physical bodies. One does not need to say, of course, that the passage through the gate of death is never allowed to be a personal decision, but that it must be caused only by karma. These spiritual assistants are those who give us consolation and hope if we see how difficult it is, just in the present, to provide for our spiritual-scientific movement because of the manifold inhibitions. However, we know how higher spiritual forces have an effect on earth, so that the current of the spiritual worlds flows into the purposes of the physical earth. Thus the unused forces of the human souls come up to the spiritual worlds to work there just with their forces, combined with other forces. Hence, I said the words to our Fritz Mitscher in my obituary really from the bottom of my heart:

Hear our souls' entreaties
Sent to you in confidence and trust:
For our earthly work here we need
Strong forces from spirit-lands,
For which we thank dead friends.

When we try to advance our spiritual movement to its purpose honestly, then we are aware that in the forces which we apply here on earth also those forces are working which our friends already brought through the gate of death into the spiritual world.

We summarise now all that also for the understanding of the general situation of the world. On one side, the human souls who go now due to the destiny-burdened events through the gate of death carry their etheric bodies to the folk-souls. On the other side, they carry everything that they have summoned up in sacrificial devotion, while they have gone just by these events through the gate of death with their individualities. And all that will be poured out as effectiveness into the coming age. It is the matter of the human beings who then experience peace to produce the connection with that what will be there in the spiritual world. Those who today experience as mothers and fathers, as brothers and sisters or other relatives the death on the battlefield of a human being dear to them can take up the fact in their consciousness that with the etheric body something extremely significant passes over into the general effectiveness of the earthly humankind for the future. Not only that they can know that the individualities go invigorated by death to a later stronger life on earth, but they can also know: that what the warrior after death has handed over to the folk-soul weaves and lives really. Fathers and mothers, sisters and brothers have those who have gone young through the gate of death twice, one must say, now in the folk-soul and also as individuality. This idea will only be of great value when it has completely become feeling, so that one does not only speak of immortality, but that one knows in the feeling: the dead are there, are among us. If this bond is such a strong one that also for our feeling death will be, actually, an untruth. Since the dead can appear even more real than often in the physical embodiment if he can take together everything of his being and if he does no longer have his physical body as an obstacle. Immense currents of consolation, currents of internal strength of self-consolation go out from that what spiritual science can give to the souls in lively consciousness and lively sensations. When this is felt that way, then in particular those who bear witness to spiritual science can look full of consolation into the future. They can feel something like twilight in the turn of an era during these present, destiny-burdened events after which a time of sunny peace will also follow. But important will be in the spiritual effectiveness of this time of sunny peace that what is won through the sacrificial deaths of so many people.

That can be made fruitful here on earth particularly creating a bridge, a connection between the living human beings who are incarnated in physical bodies here on earth and the souls who are above and want to radiate down that which they have taken with them. Here it is where the real understanding of spiritual science knocks on our hearts and asks us to do that what we can do from the consciousness we have gained by spiritual science what we can do feeling, so that the great, destiny-exciting, painful events of the present time, as far as we are concerned, contribute to the fertility and welfare of humankind. Those who know something about spiritual science can know feeling and feel knowing by which means the bridge is built up into the spiritual world: because the souls, who remained on earth, send the thoughts and sensations which can be enkindled by spiritual science. The horizon for that will be a horizon of peace. Above, the souls will be who send down spiritual beams of light. Below, human beings must be who have learnt to send such thoughts and feelings out of their souls from below which are stimulated by spiritual science. If there are really souls who turn their senses conscious of spirit to the spirit land, then the bridge will be built, then the time will have come when just through such painful, destiny-burdened events, as they happen in our time, an intimate bond must be woven between the physical and spiritual worlds, for which we strive by our spiritual science.

So we summarise what should be our knowledge and our task and what should arouse confidence in the words:

From the courage of the fighters,
From the blood of the battles,
From the grief of the bereaved,
From the nation's sacrifices
Will grow up the fruits of spirit
If souls aware of spirit turn
Their senses to the spirit land.

• 1. The Soul's Awakening in Four Mystery Dramas, volume 14 of Steiner's Collected Works
• 2. Lina Grosheintz-Rohrer
• 3. Maid of Orleans (1412-1431)
• 4. Cosmic New Year. The Dream Song of Olaf Åsteson. Lecture (Hanover, 1st January 1912) in The Connection Between the Human Being and the Elemental World … volume 158 of Steiner's Collected Works