159. Christ In Relation To Lucifer and Ahriman
18 May 1915, Linz Tr. Peter Mollenhauer Rudolf Steiner |
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From the time of our falling asleep to the moment of our awakening we live with our spiritual-intellectual being as astral body and ego, and during this period we also live outside our habitual national identity. Only during the time from our awakening to the time when we fall asleep do we partake in our nationality, because then we are immersed in our physical body. |
159. Christ In Relation To Lucifer and Ahriman
18 May 1915, Linz Tr. Peter Mollenhauer Rudolf Steiner |
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The decision to construct the first Goetheanum in Dornach, Switzerland was made in May, 1913, when Rudolf Steiner visited the future building site. Construction began within a few weeks and the exterior of the building was completed in April, 1914. Work on the interior proceeded at a slower pace and lasted through World War I (1914-1918). In 1914, Rudolf Steiner had begun a scaled-down model of the Christ sculpture that was later to be installed in the Goetheanum.. As the work on the sculpture itself began, he frequently explained its significance in his lectures. One of Rudolf Steiner's lecture tours, May 6 through May 18, 1915, took him to Vienna, Prague and Linz. In all three cities he stressed that the Christ figure in the sculptured group would have to be portrayed as a being in equipoise between the polar forces of Lucifer and Ahriman and that this being was symbol of, and model for, man's own existence here on earth. The Linz lecture, which is here translated, presents the group in a world-historical context and relates the significance of the Lucifer-Christ-Ahriman configuration to the events surrounding World War I. Steiner sees a parallel between Christ's central, but equalizing position and Central Europe's mission in World War I. He implies that Germany's and Austria's militarism and political intransigence alone did not lead to war against the world powers in the East (Russia) and the West (France, England and, since 1917, the United States). According to Steiner, World War I was the earthly expression of a struggle between luciferic forces in the East and ahrimanic forces in the West, and it was Central Europe's destiny to mediate between these forces. The fundamental polarization of East and West that Rudolf Steiner saw emerging more than six decades ago is now a political reality. While most historians today concede that World War II was in part caused by the circumstances surrounding World War I, few would accept Rudolf Steiner's statement from his Linz lecture that World War I was “destined by the European karma” or, to state it more concretely, that it was unavoidable. If the war could not have been avoided, then the question of who was to blame or who caused it is, as Steiner says, irrelevant. Based on this position, Steiner suggests that only one question has relevancy: “Who could have prevented the war?<” This question seems to contradict Steiner's statement that World War I was destined by the European karma. A quick glance at the historical record may help to clarify what Steiner meant. In suggesting that the Russian government and possibly England, could have prevented the war, Steiner simply deals with possibilities outside the realm of what had to happen according to European karma. Russia's instigation of the two Peace Conferences in the Hague (1899 and 1907) was indeed self-serving and hypocritical, for it was Russia that, in 1914, mobilized its armed forces without considering British proposals for peace negotiations. Under these circumstances and considering the political immaturity of the German leadership, it was not surprising that the German Kaiser and his generals over-reacted to the Russian mobilization and interpreted it as a declaration of war. Kaiser Wilhelm II and Czar Nicholas II, who were cousins, frantically exchanged telegrams in which one beseeched the other to preserve the peace, but to no avail. The war machinery was already overheated by the forces of chauvinism and materialism so that even from this vantage point Steiner was correct in maintaining that war was unavoidable. Regarding the possibility of preventing the war, a glance at the major Western powers involved in the controversy, and at Germany, reveals the following historical facts. France, for thirty years an ally of Russia, did nothing to prevent the war because she did not attempt to delay the hasty Russian mobilization. Her representatives said later that France regretted the Russian action, but there seems little doubt that France was more interested in presenting herself as the innocent victim of an attack. On the other hand, England's foreign secretary, Sir Edward Grey, could have prevented the war if he had taken earlier measures to discourage Germany's militarists from asserting themselves in their country, but in view of the English tradition and the English Constitution, this was probably not possible. Finally, the confusion in Germany itself was caused by a lack of understanding of who had legitimate authority to make decisions. Eventually, the political decisions were made by generals who managed to spread the belief that the fatherland was in peril and that Germany herself was not the attacker, but the attacked. Thus, theoretically, any one of these three powers could have prevented the war but that, as Rudolf Steiner points out in the lecture, is not the real issue. Furthermore, the war did not emerge out of a French or Russian moral conviction that was responsive to German militarism. Rather, the goal of crushing German militarism emerged well after the war had begun. The war could be interpreted, in this sense, to be inevitable because it was not generated from a goal, but exploded and then developed its goals. In this war of attrition, materialism camouflaged itself with nationalistic sentiment and strove for absolute expression and triumph. It is against such a background of perplexity and misguided fervor that Rudolf Steiner's message to Central Europeans must be read. In rejecting the question of who had caused the war, Steiner dismissed as equally irrelevant the question of who was to blame for materialism. Materialism was there, as was Ahriman. Steiner admonished the Central Europeans to counterbalance materialism by adopting a spiritual perception of life and by striving for an encounter with the Christ. This profound spiritual responsibility that Steiner put on the Germans in 1915 was disregarded and the challenge passed by. After World War I it was not the Christ, but Adolf Hitler who, under the guise of “savior,” emerged as Germany's Nemesis and was thus catapulted into a central position. When Hitler was finally destroyed, Central Europe broke up into two parts, one of which disappeared behind the Iron Curtain, while the other aligned with the West. As it stands today, Rudolf Steiner's call to instate the Christ in His central position has yet to be fully received and responded to not only by the people living in what is left of Central Europe, but also in the rest of the world. Some day when the building in Dornach that is dedicated to the spiritual sciences is completed, it will contain, in a significant spot, a sculpture dominated by three figures. In the center of this group a figure will tower as if it were the manifestation of what I would call the most sublime human principle ever to unfold on earth. Hence, one will be able to experience this representation of the highest human principle in the evolution of the earth-the Christ, who in the course of this evolution lived three years in the body of Jesus of Nazareth. A special task in the portrayal of this Christ figure will be to make two ideas visible. Firstly, it will be important to show how the being that we are concerned with dwells in a human body. Secondly, it must also become apparent how this human body, in every facial expression and in every gesture reflects a magnificent degree of spiritual refinement, which descended with the Christ from cosmic and spiritual heights into this body in its thirtieth year. Then there will be the remaining two figures of the group, one to the left and the other to the right of the Christ figure, if that is the proper name for the figure that I have just sketched. This Christ figure is placed in such a way that it seems to be standing in front of a rock that towers noticeably at His left side, with its peak extending over His head. On top of the rock there will be another figure, winged but with his wings broken, who for this reason begins to fall into the abyss. One feature in the Christ figure that must be worked out with special artistic care is the manner in which he raises his left arm, for it is precisely this gesture that precipitates the breaking of the wings. It must not appear, however, as if the Christ Himself were breaking the wings of this being. Rather, the interaction of the two figures must be portrayed artistically to show how the Christ, by the very motion of raising his hand, is expressing his infinite compassion for this being. Yet this being cannot bear the energy flowing upward through arm and hand, an energy that is evidenced by indentations that the fingers of the extended hand seem to leave in the rock itself. When this being comes into proximity with the Christ being, he feels something that may be expressed in the words: I cannot bear the radiation of such purity upon me. This feeling dominates so essentially as to break this upper beings wings and cause his imminent plunge into the abyss. To make this visible will be a particularly important artistic task and you will see how the meaning of this interaction could easily be misunderstood. Imagine, for example, an artistic portrayal of the Christ suggesting that merely by raising His hand He would radiate such power onto the being that his wings would be broken, forcing the plunge into the abyss. In that case it would be the Christ Himself who irradiated this being, as it were, with hatred, and thereby caused his descent. Such an impression must under no circumstances be conveyed. Rather, the being must be portrayed as having caused his own fall, for what is to be shown plunging downward, with broken wings, is Lucifer. Now let us consider the other side of the group, toward the right of the Christ figure. There, the rock will have a ledge and, therefore, will be concave underneath. In this depression there will be another winged figure, who with his arm-like organs turns toward the ledge above. You have to visualize this as follows. To the right is the depression in the rock and in it stands this winged figure with wings entirely different from the figure on top of the rock. The wings of the figure on top of the rock resemble those of an eagle, whereas the figure in the depression has bat-like wings. This figure virtually buries himself in the cave, working in shackles, ever busy undermining the earthly realm. The Christ figure in the middle has his right hand directed downward and the left one upward. Again, it will be an important artistic task not to show the Christ as wanting to shackle this figure; rather, he has infinite compassion for this being, which is Ahriman. Ahriman cannot bear this compassion and he writhes with pain from what the hand of the Christ exudes. This radiance from Christ's hand causes the golden veins down in the rock depression to wind around Ahriman's body like strong cords and shackle him. What is happening to Lucifer is his own doing; the same is true with Ahriman. This concept is going to take form as a sculpture that will be set up in a significant place in the new building. Above the sculptured group we will attempt to express the same motif through the medium of painting, but then the concept must be expressed differently. To summarize, the group of three figures: Christ, Lucifer and Ahriman will stand at the bottom as a sculpture, and above, the same motif will appear as a painting. We are injecting this configuration of a relationship between Christ, Lucifer and Ahriman into our Dornach building because the science of the spirit reveals to us in a certain way that the next task regarding the comprehension of the Christ impulse will be to make man finally understand how the three forces of Christ, Lucifer and Ahriman are related in this world. To this day there has been much talk about Christianity and the Christ impulse, but man has not yet gained a clear understanding of what the Christ impulse has brought into the world as the result of the Mystery of Golgotha. Certainly, it is generally admitted that there is a Lucifer or an Ahriman, but in so doing, it is made to appear that from these two one must flee, as if one wished to say, “I want nothing to do with Lucifer and Ahriman!”—In yesterday's public lecture <1 I described the way in which the divine-spiritual forces can be found. If these forces did not want to have anything to do with Lucifer and Ahriman, either, the world could not exist. One does not gain the proper relationship to Lucifer and Ahriman by saying, “Lucifer, I flee from you! Ahriman, I flee from you!” Rather, everything that man has to strive for as a result of the Christ impulse must be seen as similar to the equilibrious state of a pendulum. In the center, the pendulum is in perfect balance, but it must oscillate to one side or the other. The same applies to man's development here on earth. Man must oscillate to the one side according to the luciferic principle and to the other according to the principle of Ahriman, but he must maintain his equilibrium through the cultivation of Paul's declaration, “Not I, but Christ in me.” To understand the Christ in His quintessential activity we must conceive of Him as a reality, as a working force. That is to say, we must realize that what wove itself into our evolution here on earth through the Mystery of Golgotha was present as a fact. It is not important how well or how inadequately this fact has been understood by mankind up to this time; what is important is that it has been present, influencing human development on earth. Much could be said to explain exactly what man has not understood about the Christ impulse up to this time; the science of the spirit will have to contribute its share to bring about a full comprehension of how the Christ impulse has come from spiritual heights and influenced man's development on earth through the Mystery of Golgotha. In order to realize how the Christ has become a working force, let us visualize—as has been done elsewhere—two events in the annals of man's evolution that have influenced the development of the entire Western world. You will remember an important event from history when Constantine, son of Constantius Chlorus, defeated Maxentius and thus introduced Christianity externally into the mainstream of Western civilization. Constantine had to fight that important battle against Maxentius so that he could establish Christianity in his western empire as the official religion. Had this battle not taken place as it did, the entire map of Europe would have been different. But this battle really was not decided by military skill, that is, not by the intellectual prowess available to people in those days, but by something entirely different. Maxentius consulted the so-called Sibylline Books, the prophetic oracles of Rome, which guided him into leading his army out of the assured safety of Rome's walls into the open field, in order to confront Constantine's army. Constantine, on the other hand, had a dream before the battle in which he was told, “If you approach Maxentius under the banner of the Mystery of Golgotha you will reach a great objective!” Indeed, Constantine carried the symbol of the Mystery of Golgotha—the cross—when he led his forces into battle, even though his army was three-fourths smaller than that of Maxentius. Enthused by the power emanating from the Mystery of Golgotha, Constantine won that historical battle resulting in the external introduction of Christianity to Europe. When we realize the extent to which people in those days understood the Christ impulse purely by intellectual means, it is not surprising to find that there ensued an endless theological quarrel. People argued whether or not Christ was consubstantial with the Lord in all eternity, and so on. Let us say this, that the degree of knowledge of the Christ impulse available to human beings in those days is not important, but rather the fact that the Christ impulse was present and that through his dream it guided Constantine to bring about what had to happen. What is important is the actuality of the Christ and His real and visibly active power. Only in the science of the spirit do we begin to understand what the Christ impulse is. Another historical event was the struggle between France and England. It changed the map of Europe in such a way that we can say that if France had not been victorious over England, all conditions and relationships would have become different. But how did this victory happen? It happened because the Christ impulse has worked itself into the subconscious of the soul up to the present time, when it is increasingly becoming a conscious force. So we can see in the evolution of the Western spirit how the Christ impulse seeks out in the souls of men those conditions by which it can become effective in some individuals. Legends have preserved for us the manner in which the Christ impulse can assert itself within the Western spiritual tradition. In part, these legends refer generally to ancient pagan ages, but they take us back to those heathen times in which an understanding of Christianity was beginning to germinate. If the soul does not consciously seek initiation as delineated in Knowledge of the Higher Worlds and Its Attainment, but becomes saturated with the Christ impulse as if by way of natural initiation, then the most favorable period for this process is from December 25 to January 6. We can understand this clearly by realizing that for occult knowledge it is evident that the earth is not only what geologists describe. Geologists conceive the earth's components as being similar to the skeleton of man. Yet the spiritual also belongs to our earth whose aura has been permeated by Christ. During the day's twenty-four hours, this earth sleeps and is awake just as we are. We must familiarize ourselves with the fact that the state of wakefulness on earth occurs during the winter, and the state of sleep during the summer. The earth spirit is most awake in these twelve or thirteen days from Christmas to the Epiphany. In ancient ages when, as you know from the various presentations in my lecture series, human beings elevated themselves to a sort of dreamlike clairvoyance to reach a spiritual understanding of the world, in those ages the most favorable time for this process was summer. Thus, it is quite natural that whoever wants to elevate himself to spiritual heights by means of a more dreamlike clairvoyance will have an easier time of it during the summer, when the earth is asleep. Therefore, St. John's midsummer-day was in ancient ages the most propitious time to raise the soul to the spiritual level. The old way of spiritual interaction with the earth has been replaced by a more conscious elevation that can best be reached during the earth's wakefulness. For this reason, legends inform us that unusually endowed people, who are particularly suited by their karmas, pass into an extraordinary state of consciousness that resembles sleep, but only on the surface. its inner quality is such that it can be inspired by those forces that elevate human beings to the domain we call the spirit world. A beautiful Norwegian legend2 tells us that Olaf &Åsteson, in church on Christmas Eve, falls into a sleeplike state and when he awakens on January 6 is able to relate the experiences he had in this condition. This Norwegian legend does in fact describe the experiences that one perceives first as the soul world—and then as something that feels like the spirit world, but with everything being expressed as images, as imaginative forms. This time of year has been most favorable in those epochs when human beings were not as advanced as they are in our time. Now it is no longer possible for the Christ impulse to penetrate the souls of men in this way, as if by natural initiation. Nowadays man must make a conscious effort and climb to initiation in a way similar to that achieved through the instructions given in my book Knowledge of the Higher Worlds. We are living in an age when natural initiations are becoming increasingly rare and will eventually disappear. Yet one initiation that could still essentially be called a natural initiation took place when the Christ impulse worked itself into the soul of the simple country girl, The Maid of Orleans. It was she who caused the victory of the French over the English. Again, not the human mind nor the talents of military leaders were decisive factors in changing the map of Europe so magnificently, but rather the Christ impulse working itself into the subconscious of the Maid of Orleans and inspiring her to radiate its presence in all of history. We would now have to examine whether something similar could have occurred in the Maid of Orleans by way of natural initiation and ask whether her soul was inspired in the nights from the 25th day of December to the 6th of January. From her biography it seems difficult to demonstrate that she was even once in a sleep-like state during the twelve or thirteen special days when the Christ impulse could have entered her soul, inspiring her to act as its human shell on the battle grounds of France. Yet, that is precisely what happened. There is a time when the karma of a particular individual can facilitate such a sleep-like state in a human being. During the last few days prior to a person's birth he lives in the mother's womb in a dreaming, sleep-like state. He has not yet perceived with his senses what is happening in the world outside. If by virtue of his karma a person were especially suited to receive the Christ impulse during these last few days in the womb, then these days could also be days of natural initiation. Strengthened by and saturated with the Christ impulse, such a person would have to be born on the sixth day of January. Joan of Arc was born on that day. It is her special mystery that she was born on the 6th day of January and had spent the time from Christmas to the day of Epiphany in a peculiar sleep-like state in the womb of her mother where she received her natural initiation. Now consider the profound connections beyond the external developments that we are accustomed to call history. As a rule, the external events that are reconstructed from historical documents are of the least significance. What is of decisive historical significance is the plain date in our calendar indicating that Joan of Arc was sent into this world on the 6th day of January. Thus, supernatural forces become active in the sentient world and we must read the occult signs that present this fact to us. They tell us that the Christ impulse had already streamed into the Maid of Orleans before her physical birth, as if by way of natural initiation. I want to explain these facts in order to instill in your souls a feeling for the fact that the external preception must take into account unknown forces and connections beyond what we ordinarily call history. European history has been guided by the Christ impulse since the Mystery of Golgotha, whereas Asia retained a world view that is not vet fully sensitive to the Christ impulse. To be sure, Europeans have been led into considering the wisdom of India as something especially profound. Not only is it characteristic of Hindu thought, if not of all Asian religious perception, however, that its entire attention is directed to the time preceding the appearance of the Christ impulse, but also that the state of religious perception is preserved as it was in those days. If something remains behind in the evolutionary process it can be interpreted to have absorbed something luciferic, and for this reason Asian religious evolution is the carrier of a luciferic element. A glance at the religious development of Asia will inform us that it contains much of what mankind as a whole once possessed but was later forced to abandon. We must in part cleanse Western culture of the luciferic remnants and in part we must elevate them in such a way that the Christ impulse can enter. Moving from Asia to the East of Europe, we notice how Russian orthodox Christianity has remained stationary at an earlier stage of Christian development, refusing to advance and thereby keeping something of the luciferic element. In short, we can detect a luciferic remnant in the East, which, I would say, a wise guiding force left behind for the evolution of mankind in general. Looking to the West and especially to American culture, a different characteristic quality stands out. The characteristic feature of American culture is to explain everything from external appearance. This kind of perception can certainly lead to great and significant achievements, but still, externals are usually expected to provide answers to all questions. Suppose we in Europe, and especially in Central Europe, notice a person who earlier in his life did not yet have an opportunity to dedicate himself to Christ and to the spiritual cosmic forces. If some event in this person's life brought about his conversion, we want to know what had gone on in his soul. We are not interested in learning that there was a leap forward in his development because such a phenomenon could certainly be found everywhere. The most incorrect pronouncement made by the empirical sciences is that nature does not make any leaps.3 Yet there is a tremendous leap from a green plant leaf to the red petal of a flower, and there is another significant leap from petal to the calyx. This pronouncement is therefore patently false; the truth of all development rests precisely on the fact that leaps occur everywhere. Hence, when a person who for some time was leading an external existence is suddenly induced by something to turn to spiritual things, we are not interested in the fact that it happened. What does interest us is the inner force and power that can bring about such a conversion. We will want to look into the soul of such a person and ascertain what has caused such a reversal. The inner workings of the soul will interest us. How would the American proceed? He would do something quite peculiar. In America, conversions of this sort have been observed frequently. Well, the American would ask the people who have experienced conversions to write letters. He would then gather all these letters into a bundle and say, “I have received these letters from some two hundred people. Fourteen percent of all these souls experienced a conversion out of sudden fear of death or hell: five percent claimed altruistic motives; seventeen percent because they aspired to ethical ideals; fifteen percent had experienced pangs of conscience; ten percent acted in obedience to what they were taught; thirteen percent because they saw that others were converted and imitated them; nineteen percent because they were forced by a good whipping at the appropriate age, and so on.” In this fashion the most extreme souls are isolated, sorted and tallied and the result is claimed to be founded on “scientific data.” The findings are then compiled in books that are sent out and billed as “soul science.” For these people all other evidence is unsound, or as they claim, rests on subjective notions. There you have an example of the externalization of the innermost phenomena, and so it goes with many, many things in America. At a time that cries out for special spiritual deepening, the most external brand of spiritism is rampant in America! Everything there has to be tangible. That is a materialistic interpretation of spiritual life. We could mention many other instances from which it would be possible to see how the culture of the West is seized by the ahrimanic principle, and what principle causes the pendulum to swing to the other side. In the East we are confronted by the luciferic and in the West by the ahrimanic principle. In Central Europe we have been assigned the immensely important task of finding the equilibrium between East and West. Therefore, the plastic group in our building in Dornach must represent what we consider the most significant spiritual task of our age, that is, finding the equilibrant relationship between Lucifer and Ahriman. Only then will it be recognized how the Christ impulse was meant to influence evolution on earth, when the Christ is not simply brought to preeminence, but is known in the proper way as exemplary force in balance with Lucifer and Ahriman. The following may illustrate that no clear understanding has yet been reached concerning the relationship of man and of Christ to Lucifer and Ahriman. In a period, even the greatest phenomena are not always free from a one-sided attitude that may characterize the age. It is impossible to overestimate the significance of Michelangelo's magnificent painting The Last Judgment, which can be found in the Sistine Chapel in Rome. Christ is portrayed in triumph, directing the good people to the one side and the wicked to the other. Let us look at this Christ figure. It does not possess the features we would like to emphasize in the Christ of our building in Dornach. Even though Lucifer towers above, it must be shown that the Christ raises His hand in compassion. Lucifer is not supposed to be toppled by the power of Christ, but plunges down by his own power because he is unable to bear the radiance of the Christ nearby, and the Christ looks up and raises his brow toward Lucifer. Similarly, Ahriman is not conquered by any hatred from Christ, but because he feels he cannot stand the forces emanating from Him. The Christ, however, towers in the middle as the One who is carrying the Parcival principle into the new age and who, not through His power but through His very being, induces others to overcome themselves, rather than being overcome by Him. In Michelangelo's painting, we see a Christ who uses His very power to send some to heaven and others to hell. In future, such an image will no longer be seen as the genuine Christ, but rather as a Christ having luciferic qualities. Of course, this observation does not detract from the greatness of the painting, in fact, we acknowledge it. We simply must admit, however, that Michelangelo was not yet capable of painting the genuine Christ because the development of the world had not yet advanced to such a point when this could be done. There has to be a clear understanding that we cannot turn our attention just to the Christ, but must set our sight on the threefold configuration: Christ, Lucifer, Ahriman. I can only hint at this, but spiritual science will eventually bring to light the full content of the mystery, Christ in relation to Lucifer and Ahriman. Now consider the following. Looking eastward we can make out luciferic forces even in the eastern regions nearest to us, while in the West we see ahrimanic forces. As a matter of fact, in spiritual scientific consideration we must adopt a mode of perception by which neither objects nor nations, nor the spirit of nations, are observed with sympathy or antipathy, but rather in accordance with their characteristics. What is called the national mentality of a person steeped in the heritage of his people depends to a large degree on the activity of the physical body and the ether body. From the time of our falling asleep to the moment of our awakening we live with our spiritual-intellectual being as astral body and ego, and during this period we also live outside our habitual national identity. Only during the time from our awakening to the time when we fall asleep do we partake in our nationality, because then we are immersed in our physical body. For this reason man overcomes his sense of national identity little by little during his stay in kamaloka. There he strives toward a union with humanity as a whole in order to live most of the time between death and rebirth in the sphere of humanity as such. Among the characteristics discarded in kamaloka is one that specializes us as members of a nationality. In this connection the various nationalities differ considerably from one another. Let us, for instance, compare a Frenchman with a Russian. It is a Frenchman's particular trait that he is especially persistent in holding onto, and dwelling in, what the collective soul of his people carries into his physical body and ether body during his life between birth and death. This can be seen in his definitive idea—not as an individual but as a Frenchman—of what it is to be French. Above all, he stresses the importance of being French and what that means to him. But this notion held by Frenchmen or by anyone else from a Romance culture about their nationality affects the ether body by clearly imprinting the idea of nationality on it. A few days after the Frenchman has passed through the gate of death he loses his ether body; it is then a closed entity that has a prolonged existence in the etheric world. The ether body is unable to dissolve for a long time because it is impregnated with, and held together by, the Frenchman's idea of nationality. Thus, if we look to the West we see the field of death filled with firmly defined ether bodies. Now, if we take a closer look to the East, at Russian man, we recognize his peculiar trait; his soul, upon passing through the gate of death, carries an ether body that dissolves in a relatively short period of time. That is the difference between the West and the East. When the ether bodies of Western Europeans are separated after death, they tend to maintain a certain rigidity. What the Frenchman calls “Gloire” is impregnated in his ether body as a national Gloire. He is condemned for a long time after his death to turn his spiritual sight onto this ether body, and to look at himself (The Russian, however, looks little at himself after his death.) Through all this, Western European man is exposed to the ahrimanic influence because his ether body has been infected by materialistic thinking. The speedy separation and the diffusion of the ether body is accompanied by a feeling of sensual pleasure, which is also present as a most peculiar ingredient of national sentiment. How is this expressed in the East (Central Europeans do not understand this just as they do not empathize with the East.) Consider Dostoevsky and even Tolstoy or those leading writers who are constantly speaking of “Russian man”; their jargon is an expression of an undefined sensual pleasure surging from their national sentiment. Even in Solowjow's philosophy, we find a vague and stifling quality that the Central European man cannot reconcile with the clarity and purity he seeks. This search for clarity and purity is related to what is active in Europe as spiritual power. In Central Europe there exists another condition, an intermediate state and something I can now dwell on in greater detail than was possible in yesterday's lecture. I mentioned that something exists in Central Europe that could be called the inner disposition toward striving. As a Central European, Goethe could have written his Faust no differently in the eighteen-forties: he was always striving! This striving is innermost nature. It was in Central Europe where the mystics made their appearance—those mystics who were not satisfied with the mere knowledge of the divine-spiritual principle but wanted to experience it in their own souls. To experience the Christ event internally was their very endeavor. Now take Solowjow who proceeds above all from a historical premise that the Christ died for mankind. That is correct, but Solowjow is a soul who, similar to a cloud, perceives spiritual life as something outside himself. Somehow he thinks that everything is viewed as a completed event, while Central European man demands that everyone experience the Christ event again in himself. Solowjow stresses time and again that Christ has to die so that man can be human. Meister Eckhart, in contrast, would have responded like this: “You are seeing Christ in the same way in which one looks at something external.” The point is that we should not look only at historical events, but that we should experience the Christ within ourselves. We must discover something within ourselves that passes through stages similar to those experienced by Christ, at least spiritually, so that we can rediscover the Christ event within ourselves. Now it will certainly seem strange and fantastic when mankind nowadays is told that in Central Europe the close association of the “I” with the Christ principle had put a stamp on the entire development of the area, to the effect that even the linguistic spirit of a people took up this association and equated “I” (Ich) and “CH” (Christ): I-CH conjoined became “Ich.” In pronouncing “Ich” in Central Europe one utters the name of Jesus Christ. That is how close the “I” wants to be to the Christ, longing for the most intimate closeness with Him. This living together, as one, with the spiritual world, which we in Central Europe must strive to attain in all intellectual fields, is not known in the West or in the East. Therefore, something in the twentieth century is necessary so that the Christ principle can gradually spread over the entire European continent. I have frequently emphasized in several lecture series4 that in November 1879 the spiritual being we call the Archangel Michael had reached a special stage of development. Michael had become, so to speak, the leading spirit who is now preparing the event that has to take place in the twentieth century. This is alluded to in my first mystery play5 as the appearance of the etheric Christ on earth. It will come to pass that at first a few, and gradually more and more souls will know that the Christ is really here, is again on this earth, but as an ether body and not as a physical body. Certain preparations are necessary. When some souls in the course of the twentieth century become clairvoyant to life in the etheric world—and that will happen—they would be disturbed by those ether bodies that are residual from Western Europe. The spiritual eye would perceive them first of all and would have a distorted vision of the Christ figure. For this reason Michael has to fight a battle in Europe. He has to contribute something to the diffusion of these rigid ether bodies from Western Europe. To accomplish this task, he must take the ether bodies from the East, which strive for diffusion, and join with them in a struggle against the West. The result of this is that since 1879 a violent struggle has been in preparation between Russian and Western European ether bodies and is now raging in the entire astral world. This furious battle between Russia and France is indeed going on in the astral world and is led by Michael; it corresponds to the war that is now being waged in Europe. We are often shaken by the knowledge that the events in the physical world take place as exact opposites to those occurring in the spiritual world, and that is precisely what is happening in this case. The alliance between France and Russia6 can be blamed on the seductive powers of Ahriman or, if you will, on the ahrimanic element, the twenty billion francs that France gave to Russia. This alliance is the physical expression of a struggle raging between French and Russian souls, a struggle that has an impact on Central Europe as it strives in its innermost soul for an encounter with the Christ. It is the karma of Europe that we in Central Europe must experience in an especially tragic way what the West and East must settle between themselves. The only possible interpretation of the external struggle between German and French elements is that the German element lies in the middle and serves as an anvil for both East and West. Germany, which is hammered by both sides in the conflict, is in reality the subject of their own controversy. That is the spiritual truth and quite different from what is happening in the physical world. Consider how different the spiritual truth is from what is happening in the physical world! This must strike contemporary man as grotesque, but it nevertheless is the truth, which must have a shocking effect on us. There is yet another extraordinarily important matter worth mentioning. Surely history seems to be contradicted when we see that England, even though she has in the past always been allied with Turkey against Russia, now has to fight with Russia against Turkey. We can understand this contradiction only through occult observation. On the physical plane England and Russia are allies in the fight against the Turkish element, yet occult vision, perceiving this struggle from below through the physical plane and then onto the astral plane, sees that in the North it is Russia and in the Southeast it is Turkey that appear to be allied with England. This is due to the fact that the alliance between England and Russia is only of significance on the physical plane, but has no corresponding value in the spiritual world since it rests entirely on material interests. From below one sees that England and Russia are allied in the North only on the physical plane. In the Southeast, looking through the physical plane, one perceives on the astral plane a spiritual alliance between the English and the Turks while they are both fighting the Russians. Thus, on the physical plane, England is an ally to Russia and on the astral plane Russia is attacked by England. This is how we must see the events as they unfold in external reality inasmuch as they reveal themselves as external history. What is behind this history is something entirely different. There will be a time when people will speak about the present events differently than they are doing now. You will have to admit, the entire war literature contains something rather unpleasant. True, some valid statements are made, but there are also many disagreeable ones. Above all, there is one thing that is disagreeable. There is much talk about how it is still too early to discuss the question of who has caused the war and so on. People delude themselves about the facts when they say that at a later date the documents in our archives will surely bring to light who is to blame for the war! In reference to the external events, however, the matter can be resolved fairly easily, provided one judges dispassionately. Chamberlain, in his War Essays7 is correct (even though he is in error about the details) when he says that it is possible to know the key issues of this war. All that is without a doubt accurate, but it leaves the proper question unasked. For example, there is but one question that can be answered unequivocally, if only it is properly posed, and this question is: Who could have prevented the war?—The constantly recurring question: Who is to blame for this war? and many other questions just are not appropriate. Who could have prevented the war? The answer to this question can be no other than that the Russian government could have prevented the war! Only in this fashion will it be possible to find the appropriate definition for the impulses that are at work in each situation. Of course, war had been desired by the East for decades, but had it not been for a certain relationship between England, Russia and France, it could not have broken out. Therefore, one might ascribe the greater blame to England. Yet all these conjectures do not take into consideration the underlying causes that made this World War a necessity. It is naive to believe that war could have been avoided. People these days talk as if it did not have to come about when it was, of course, destined by the European karma. I wanted to allude to some of this by sketching the spiritual differences between East and West. It is not important that we look for external causes. All we have to know is that this war was a historic necessity. When that is understood the individual causes do not matter. What is important is the proper attitude toward the various effects, for one effect can impress our souls in an especially significant way. It is remarkable and a characteristic phenomenon that a war like this one produces many unexpended ether bodies. Since this is the biggest war in man's conscious history, this phenomenon is present to a corresponding large degree. Ether bodies are produced that are not worn out. You see, the ether body that man carries with him can support him for a long period of time, until he reaches seventy, eighty or ninety years of age. But in a war human beings are sacrificed in the prime of their lives. You know that man, when he passes through the gate of death loses his ether body after a short period of time. A person dying in a war, however, loses his ether body when normally it could have supported his physical body for a long time, in many cases for decades. Those ether bodies entering the etheric world prematurely are preserved with all their powers. Consider now the countless number of unexpended ether bodies of those going through the gate of death at an early age. There is something distinctive about these ether bodies. I would like to illustrate this fact with an example that concerns our Movement, and after that I wish to explain how the ether bodies of the young soldiers who have gone through the gate of death will emerge in the etheric world in the near future. This fall we witnessed in Dornach the death of little seven-year-old Theodor Faiss; his family belonged to the Anthroposophical Society and was employed not far from our building project. The father used to live in Stuttgart before moving to Dornach. He worked as a gardener in the vicinity of the building and lived there with his family. He himself had been drafted soon after the beginning of the war and at the time of the event I would like to relate, he was staying in a military hospital. Little seven-year-old Theodor was really a sunny child—a wonderful, lovely boy. Now, one day the following happened. We just had a lecture that I delivered in Dornach about the work that goes on in the building. After the lecture someone appeared and reported that little Theodor's mother had not seen him since late in the afternoon. It was ten o'clock at night and we could not help thinking that a terrible accident had happened. This afternoon a horse-driven furniture van had been in the vicinity of the so-called canteen; it was seen on a narrow street where it was forced to turn. To my knowledge, no van as huge had reached that spot in decades. Little Theodor had been in the canteen before the van had turned. He had been delayed there, otherwise he would have gone home earlier with the food that he had fetched from the canteen for supper. It so happened that he covered the short distance to his home in such a way that he reached the very spot where at that moment the van turned over and fell on him. Nobody had noticed the accident, not even the coachman because he was tending to his horses when the van turned over and did not know that the child was buried under it. When we were informed that the child was missing we tried to heave the vehicle up again. Friends fetched tools and alerted Swiss soldiers to help us with the task. Naturally the child had been dead since five-thirty in the afternoon. The van had crushed him immediately and he had died of suffocation. This case can be used as an example of what I have often tried to explain by means of a comparison: causes are mistaken for effects, and vice versa. I have frequently used the following example. A person falls into the river and people hurry to the spot where it happened. When they find a rock, they conjecture that the victim had stumbled over it and this caused him to fall into the river and drown. Thus, they are sure that the man had died because he fell into the river. If one were to conduct an autopsy, however, it might turn out that he had suffered a heart attack and as a result, was already dead when he fell into the water, but he fell into the water because he had died. You will frequently encounter a similar confusion of cause and effect when life situations are assessed, and even more frequently in the general sciences. The situation with little Theodor was that his karma had expired, so that it is actually possible to say, “He himself ordered the van to the place of the accident.” I have told you this externally tragic case in detail because we are here concerned with a child's ether body, which could have supported his life for decades. This ether body has passed into the spiritual world with all of its unexpended powers, but where is it? What is it doing? Since that day, anyone attuned to occult perception who is working artistically on the building in Dornach or is there simply to pursue his thoughts will know that the entire ether body of the child, with all its powers, is enlarged in the aura of the Dornach building. We must distinguish that the individuality is elsewhere; it goes its own way, but the ether body was separated after a few days and is now present in the building. I will never hesitate to assert that the powers needed for intuition are those of this ether body that was sacrificed for the building. The relationships behind ordinary life are often quite different from what we are able to suspect. This ether body has become one of the protective forces of the building. Something tremendously stupendous lies in such a relationship. Now let us consider the vast amount of power that ascends to the spiritual world from the unexpended ether bodies of these who are now walling through the gate of death as a result of military events. The way in which events are connected is different from what people can imagine; the karma in the world takes its course in a different way. It is the task of spiritual science to replace fantastic notions with spiritually true ideas. For example, we can hardly imagine something more fantastic and untrue, from a spiritual perspective, than what has taken place in the last few decades. Let us ask what has been accomplished by the (Hague) Peace Conference8 which aimed at replacing war with law, or international law, as it was called. Since the Peace Conferences were held, wars have never been more terrible. During the last few decades this Peace Movement counted among its special patrons the very monarch who has waged the bloodiest and most cruel wars ever known in history. The launching of the Peace Conferences by the Russian Czar must therefore be considered the biggest farce in world history; it is also the most abominable. This must be labeled a luciferic seduction of the East; the details can be easily traced. No matter how one may view the situation, the human soul is shocked by the fact that in the beginning, when the war impulses made their way into Central Europe, the people there made few comments about the situation, even in places where they gathered for the purpose of discussion, such as the German Parliament in Berlin. Little was said, but the events spoke for themselves. In contrast, there was much talk in the East and West. The most shocking impressions come from the debates among various political parties in the St. Petersburg Duma. Representatives of these parties uttered, with great fervor, endless variations of absolutely meaningless phrases. It was terrifying to see the luciferic seduction at work. The fires raging in this war, however, are intended to warn and admonish the human race to be on guard. From what is now happening, a few souls must come to a realization that we cannot go on like this; human evolution must take up the spiritual! Materialism is confronting its karma in this, the most terrible of all wars. In a certain sense, this war is the karma of materialism. The more this fact is realized by human beings, the more they will abandon their arguments about who is to blame for the war, and then they will have to realize that this war has been sent into world history to admonish man to turn to a spiritual perception of human life in its entirety. Not only does materialism cause human souls to embrace materialism, it also perverts man's logic and dulls his feelings. We in Central Europe are still lacking a full understanding of what I have stated before. We in Central Europe must be most intimately engaged in the continued development of the Christ impulse. To do this we must, among other things, try to understand the minds that have already sown the seeds. Just one example. Goethe wrote a theory of color, which physicists regard as something—well—something that deserves no more than an indulgent smile, as if they wanted to say, “What did the poet know about colors? He was nothing but a dilettante.” Since the 1880's I have tried to gain acceptance for Goethe's theory of color in spite of the findings of modern physics.9 Why does nobody understand that? The answer is that Central Europe has been imbued with the materialistic principle that has come to us from the British folk soul. Newton, whom Goethe had to oppose, has been victorious over everything emanating from Goethe's spirit. Goethe also established a theory of evolution that demonstrates how human beings, simply by grasping spiritual laws, can progress from the state of greatest imperfection to one of greatest perfection. People found this too difficult to understand. When Darwin published his theory of evolution in a more comprehensible fashion, it was readily accepted. Darwin, a materialistic thinker who was inspired by the British folk soul has conquered Goethe, a man whose perceptions resulted from a most intimate dialogue with the German folk soul. Ernst Haeckel's experiences were tragic. During his entire life he nourished himself intellectually by leaning on the ideas of Huxley and Darwin; his materialism is basically an English product10 Yet when the war broke out, Haeckel was enraged about what emerged from the British Isles. He was one of the first to return British medals, diplomas and honors; instead, he should have returned his brand of Darwinism and physics, which is tinged with English thought. This is what we have to realize if we are to understand how Central Europe can strive for an intimate harmony with the laws of the world. The greatest damage is done when what is poured into a child's soul induces the child to develop merely materialistically later in life. This trend has been on the increase for several centuries. Ahriman has even inspired one of the great British writers to compose a work that is calculated to impress the child's soul materialistically. The intent is hardly noticeable because ordinarily, one does not see all this as preparatory to a materialistic orientation. The work I am talking about is Robinson Crusoe. The description of Robinson is so shrewd that once the mind has accepted the ideas in the Robinson tale, it cannot avoid thinking materialistically thereafter. Mankind has not yet recovered from the ill effects perpetrated by the inventors of Robinson tales; they existed before and exist now. Much more could be said. These statements are not made to say something derogatory about the people of the West who have to be what they are. Rather, I wish to point out how the people in Central Europe must discover the connections to great values that are just now germinating but will grow to determine future developments. In this regard, the significance of Austria is especially noteworthy. During the past few decades several men there aspired to profound accomplishments, for example, Hamerling11 in the area of literature, Carneri12 who set out to deepen Darwinism, by extending it to the moral realm, as well as Bruckner13 and other artists from a variety of disciplines. What matters here is the concern of a people for these things. Now let us consider the unexpended ether bodies that are still in existence. They were cast off by human beings who had learned, through a great event, how to sacrifice themselves for their people's spiritual commonalty, a commonalty no longer present for them, at least on the surface. If a spiritual scientist today asserts that there is a collective soul of people and that it exists as archangel and so forth, he will be ridiculed. What is called a people's collective soul by the materialists is nothing but the abstract sum of attributes that the people of a nation possess. The materialist considers the people as nothing but the sum of human beings who co-exist in the same geographic area and share a sense of commonalty with each other. We, on the other hand, speak of a people's spiritual commonalty in such a way that we know that the spirit of a people is present as a real being of the rank of an archangel. Even though somebody who sacrifices his life for his people is not fully conscious of the real spirit of his people, he nevertheless confirms by the manner in which he goes through death that he believes in a continuity of life alter this death. He believes that there is more to a people's spiritual commonalty than meets the eye, that is, it is related to, and co-exists with, the super-sensible world. All those going through death confirm in a more or less conscious way that there is a super-sensible world, and that realization is imprinted on their ether bodies. In a future time of peace, the unexpended ether bodies will be among people living on earth and will continually send the following sounds into the music of the spheres: there is more in the world than what mere physical eyes can perceive! This spiritual truth will ring forth as part of the music of the spheres through ether bodies that the dead have left behind. These are aside from what they are taking along as their individuality, which they retain during their lives between death and rebirth. We must listen to what lives and echoes from these ether bodies, because they were discarded by people who went through death and in so doing, affirmed the truth of the spiritual world. Mankind's greatest sin will be to ignore what the dead call out to us when their ether bodies speak. One's glance at the spiritual world will be infinitely enriched if one considers that those who have lost loved ones—fathers and mothers, sisters and brothers, sons and daughters—may tell themselves that those who were sacrificed continue to live for humanity, as a reminder of what is yet to come! If one were to rely only on what is taking place in the physical world, there would be little hope for the successful continuation of the spiritual movement through which a spiritual scientific world view is to be cultivated. Recently, a good and faithful colleague aged thirty or so died. My words to this soul that had gone through the gate of death requested that it should continue to work in our spiritual scientific field as faithfully and as courageously as it had done here on earth, utilizing all of its acquired knowledge. This colleague had worked diligently with us here on the physical plane; my message to him for his life between death and rebirth was that he should continue to work with us after death as he had done in life, for we are counting on these so-called dead as we are counting on the living. Our spiritual-scientific world view must be alive to such a degree that the gap between the so-called dead and the living can be overcome: we must feel the dead among us as if they were alive. We want not only theory, but life. Thus we wish to point out that when there is peace, there will be a living tie between those on earth and those who have gone through the gate of death. Man will be able to learn, and must learn, from the dead how they contribute to the great spiritual progress that must take hold on earth. Sometimes life offers us an opportunity to see how human logic alone does not suffice. I would like to mention an example—not for personal reasons but because I want to characterize the way our Movement is viewed by the public. A few years ago an article was printed in a respected South German journal14 by a famous contemporary philosopher about our spiritual science. This treatment of spiritual science was intended to impress the public purely because the essay was authored by a famous philosopher. The editor took great pride in the fact that he was able to present an article about spiritual science by such a famous man. Of course, everything was skewed and the facts about spiritual science were distorted. But what did it take for the editor to realize that the account about spiritual science that he had sponsored in his monthly journal was distorted? The war broke out and the author of the article sent several letters to the editor. These letters contained some of the most disgusting remarks about Central European culture that one could imagine. The professor had railed and sneered at it. The editor then printed these letters in his journal as examples of the stupidity of this kind of thinking, commenting that anyone who writes this way belongs in an insane asylum. We are confronted by a curious fact. A good editor needed such an experience in order to see that the author, whose article on spiritual science had severely damaged the public image of the Movement, belonged in an insane asylum. If the man belongs in an insane asylum now, however, then the same was true before, when he wrote the article on spiritual science! So it goes in the world! To be a judge of what is going on, man must garner other supports than those ordinarily available to him. The spiritual scientist who can clearly demonstrate that truth finds its own way, is on firm ground. Spiritual science, however, must be active in the evolution of mankind so that what is necessary, happens. Early in history Emperor Constantine had to accomplish his mission so that the Christ impulse could bear on the subconscious from the spiritual world. Later, the Christ impulse became active in the Maid of Orleans; what had to happen did indeed take place. Today, the Christ impulse must continue to bear on man, but more on his consciousness. In the future, there must be souls who will know that up there in the spiritual world there are those who sacrificed themselves as individuals and who admonish us to emulate their own belief in the active force of the spiritual, which they attained in death. The forces in the unexpended ether bodies beckon to the future, as well: to understand their message is to admit it into one's soul. Below, however, there must be souls who will perceive this truth and prepare for it through the proper and active understanding of our spiritual science. Our spiritual science must cultivate souls on this earth who will be capable of sensing what the ether bodies of the dead up there will say to us in the future. These souls will know that in the beyond there are forces to admonish human beings who had to be left on earth. When spirit-conscious souls down here harken to the hidden sounds of the spiritual world, then all bloodshed, all sacrifices and all suffering, past and future, will bear fruit. I do hope that quite a few souls come together through spiritual science and perceive the voices from the spiritual world that are resounding especially because of this war. Summarizing the final words of today's reflection, I wish to say a few words to you that are merely an expression of my feeling for what I want to instill in your souls.
With such feelings in our hearts we forever want to imbue ourselves with the meaning of the rose cross so that we can perceive it in the proper way as the motto for our doing, weaving and feeling. Not the black cross alone. He who tears the roses from the black cross and has nothing left but the black cross, would fall into the clutches of Ahriman. The black cross in itself represents life when it strives to embrace inanimate matter. Also, if one were to separate the cross from the roses, keeping only the latter, one would nor find the proper thing. For the roses, separate from the cross, tend to elevate us to a life of selfish striving toward the spiritual, but not to a life in which we reveal the spirit in a material world. Not the cross alone, not the roses alone, but the roses on the cross, the cross carrying the roses: That is our proper symbol.
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161. The Problem of Death: Lecture III
07 Feb 1915, Dornach Tr. Unknown Rudolf Steiner |
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If one really wants to express with a certain surety of aim—if I may put it thus—that which is in the supersensible world and lives therein, as is the case with one who has gone through the gate of death, one must first and foremost be healed of what can be called the earthly ego-delusion. One must have succeeded in thinking of oneself as little as possible, in setting oneself as little as possible in the central point of the universe. |
161. The Problem of Death: Lecture III
07 Feb 1915, Dornach Tr. Unknown Rudolf Steiner |
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In connection with many painful events that have recently happened we have been considering the Problem of Death. I should like to call your attention today first to something of a more general character which is connected with the problem and which can be discovered through the means given us by Initiation Science. One must picture to oneself that when the human being passes through the gate of death he comes into a world which is quite different for him from what is often imagined. It is a tendency in human nature which may very well be understood, to picture the realm on the other side of death, the spiritual kingdom into which we enter through the Gate of Death, as being similar to the kingdom of the mind and senses in which we live between birth and death. I say it is an understandable tendency to picture this kingdom on the other side of death somewhat as a kind of continuation of the kingdom here. But one is then in error. For it is difficult to find words from the treasures of our speech which make it possible to characterise the experiences between death and a new birth, words which are even in a slight degree adequate. I have, as you know, often mentioned that our speech is calculated for the physical world and we must, as it were, adjust our relation inwardly to the words if we wish to make them words capable of expressing that which lies on the other side of death. Moreover the mode in which these words come forth from the soul when the soul must characterise something which lies on the other side of death is quite different from the mode in which words come forth from us in the world of the mind and senses. This mode of expressing oneself about the spiritual world, its beings and its phenomena is much more a self-surrender to this spiritual world and a letting oneself be bestowed upon the words. Such words as I have communicated to you in respect of persons who have died were not formed as one forms words when one wants to bring something to expression in the outer physical world, but they were so formed as if they poured into one's soul from the being in question. So that the being gives them, pours them in, and we now have the feeling that—we are expressing something or other that we see through these words, but we have throughout the feeling: through us something is expressing itself, something that uses us to a certain extent, as its organ, in order to express itself, in order to objectify itself in spiritual speech. So it is quite a different proceeding, it is a self-surrender with one's soul to the being with whom one is concerned, and such a self-surrender that the being finds the possibility of expressing with our instruments its own inner nature and its own inner experiences. When one frames the word it is not like the adapting of oneself to something external, but like a surrender of the word to the being in question, like a placing of the word at this being's disposal, so that the being can then itself make use of our words. Thus it is quite a different method of placing oneself in objectiveness, from the method here in the world of the mind and senses. One of the very first conditions, therefore, of gaining a right relation to the spiritual world, is a certain mobility of the inner nature, a certain adaptability to the most varied individuals, a continuous possibility of going out from oneself and betaking oneself into other individuals. If one really wants to express with a certain surety of aim—if I may put it thus—that which is in the supersensible world and lives therein, as is the case with one who has gone through the gate of death, one must first and foremost be healed of what can be called the earthly ego-delusion. One must have succeeded in thinking of oneself as little as possible, in setting oneself as little as possible in the central point of the universe. One must, if one has a strong predilection for speaking a good deal about oneself, for brooding a good deal over oneself, conquer this tendency; since this much speaking of oneself, much brooding over oneself, is actually the very worst path to self-knowledge. If one has the tendency to speak much of oneself, to judge everything so that first of all one is mindful of how one is oneself placed in the world, and what one signifies to the world, if one has this tendency, then one is badly fitted for finding oneself rightly in the spiritual world or for bringing anything at all of the spiritual to expression. One is most occupied with oneself in the spiritual sense when in the earthly sense one is least so occupied, thinks about oneself least, for what in the earthly sense is the most interesting of all to us, the connection of the world with our own person, is for the spiritual world the most devoid of importance. So we shall always find that the way into the true spiritual reality becomes very difficult when at every opportunity we must find occasions, according to our inner nature, to speak of ourselves, to speak of what we could be worth to the world, if need be, and so forth—less or more. If we employ these methods in ordinary life, which is also ruled inwardly by spiritual forces and impulses, we do not get on well. Here one can find the most remarkable connections. I have met with people who for instance greatly lamented that they found it extraordinarily difficult to get up, that the decision to lift themselves up was very difficult. I have even made the acquaintance of people who have calmly acknowledged that if there were no external circumstance compelling them to rise, on the whole they would prefer not to get up at all. One can always find an inner connection between the whole being of man and such a predilection. These people as a rule would be those who tell one much, very much about themselves, who have a great deal to say about what is sympathetic or antipathetic to them, what they have come across in this or that place, to their benefit or detriment ... and similar things. One who desires to prepare himself properly for a really objective grasp of the spiritual world must pay attention to such connections. For we must observe life if we wish to enter into reality. And you may be quite sure of this: as human beings, through our natural predisposition, there is nothing as a rule to which we are less disposed, than to take life objectively. We are to nothing so much inclined as to take ourselves in too much earnest and to observe outer life with too little earnestness. One only struggles through quite gradually to words which can then become really true guiding lines of life, and with great geniuses one can often see how they go through a great deal, in order then to impress their whole life-wisdom into a single word. Then this signifies something quite different from what it would when spoken by just anyone in the ordinary daily course. I once drew attention—it was in connection with the lectures which I held in Norrköping—to how easily one can utter the great, the impressive words of the aged John: “Children, love one another.” But it means something quite different if a foolish person, some youngster says it, or if John says it at the end of a full life in which much, very much had been undergone here upon earth. It is not only a matter of whether the saying is true, but also from what background of the soul it is spoken, from what background it arises. Goethe, too, from a rich, full life, wrestled through to a beautiful saying, the deep meaning of which one must fathom, though it cannot be understood as people imagine, using it in every situation of life. To understand it thus is—I should like to use the paradoxical term—far too simple, for to understand it thus is possible for every child. But as it must be understood, as Goethe understood it upon the foundation of a rich, and over rich life-experience—I refer to the words, “Know thyself and live in peace with the world”—is not possible to every child. But the linking together of these two sentences shows us that there is no self-knowledge which does not really lead to the sentence “Live in peace with the world.” I really wanted to review all these things as much as possible in detail since they are far more important than you at first believe. But I must indicate them and leave much to your own meditation. I should like only to point out that, according to the statements of many persons there is a lack of material for meditation. put there is really no lack of it, if one only has the goodwill to let the meditation material be found in life, offer itself as such from life. Now he who passes through the portal of death is directly, through this fact, removed from all the illusory relationships in which he lives, in which he is ensnared here, so long as he dwells in the physical body. He is removed from them for they were forced upon him as we know through the fact of his being incorporated in the physical body. He is above all removed from many functions which had become sympathetic to him in the life between birth and death, and which naturally, since he lacks the physical body, he can no longer carry out after death. The whole mode of living, of the relation to the universe, becomes a completely different one, and you can get an idea when you meditate upon the Vienna cycle “Life between Death and a New Birth”, of the quite different manner in which one must place oneself to the world if one desires to make concepts about this life between death and a new birth. One must only try, falteringly to coin the words which were sought for there, to experience them quite intimately. In such matters this is imperatively necessary. I have already pointed out recently that the moment of death is really not to be compared with the moment of birth into physical human life except superficially. In the ordinary course of life, if one is not supported by clairvoyant knowledge, one does not remember back to the physical birth in the physical body. Through the capacities given us by the earth we remember no further back than the fact of being born—not even so far. If there are people today who believe that they know everything through the senses, they do not reflect that they cannot know the very origin of their earth-life through sense-impressions. They can only know it by being informed about their birth or by being told on the foundation of an often not consciously but in fact unconsciously accepted inference. There are only these two methods of knowing that one has been born if one has not the aid of clairvoyant forces;—to have it related to one, or to make a deduction, an inference—other men were born, I am similar to other men, therefore at some time I too was born. A correct deduction. And any other method of arriving at the fact of one's own birth with earthly forces, except to be told about it, or to make this inference by analogy, any other method than these two does not exist for the faculties of earth, so already by the effort to come to a knowledge of our own birth we discover that it is not possible to find a foundation for the truth of it in mere experience of the senses. The moment of death is utterly dissimilar from the moment of birth, for one can always behold the moment of death, whereas one cannot with ordinary earthly faculties in the physical body behold the moment of birth. In the spiritual world in the time between death and new birth one can always behold the moment of death from the instant when one has brought it for the first time to one's consciousness. There it stands although not perhaps as we see it with its terror, from this side of life, but it stands there a wonderfully beautiful event of life, as a coming forth of the soul and spirit nature of the human being from the physical-sensible sheath, it stands there as the liberation of the Willing and Feeling impulses from the fleeting, the objective fleeting Thought-being. That directly after death a person is not in a position to behold this moment of death immediately, is connected with the fact that we have, not too little consciousness, after death, after the entrance of death, but on the contrary, that we have too much consciousness. Only remember what is said in the Vienna lectures, that we find ourselves not in too little wisdom but in too much wisdom, in an unending, overflowing wisdom pressing upon us from all sides. To be without wisdom is impossible to us after death. This comes over us like a light, flooding us from every direction, and we must first succeed in circumscribing ourselves, in orientating ourselves, where to begin with if we are not orientated. Thus through this circumscribing of the whole highly-pitched consciousness down to the degree of self-consciousness which we can bear in accordance with our earthly preparation for death, we come to that which we call “the awakening” after death. We awake directly after death too vividly, and we must first diminish this awakening to the degree corresponding to the faculties which we have prepared for ourselves through our experiences in our various earth-incarnations. So it is a struggle to stand our ground in the consciousness breaking in upon us from all sides. And now comes something in which we must all—both after death and also if we would rightly enter Initiation—first cure ourselves, as it were, of the habits of the physical-sensible life. In order to be thoroughly understood I should like to link this on to something. When we began in Berlin to carry on our movement of Spiritual Science in quite a small circle, we were at first joined by various people. We were at that time a very small circle. One day not long after we had begun to work, a member of this circle came and explained that he must withdraw again. He had seen that we were not on the right path, for it was not a matter of seeking all the things that we sought, but of seeking Unity. That was an idee fixe with this person. In a long conversation he developed the fixed idea of Unity and then left us in order to seek unity. He thought to arrive at the supersensible just through this seeking for Unity, through this idee fixe of Unity. But the idea of oneness or unity is something only resulting from the last abstractions of the outer physical life. This striving after oneness is in fact the most material towards which one can strive. It is precisely of this oneness-striving that one must be cured if one wishes to stand correctly in the spiritual world. Here in the sense world it is so easy to say: we must seek oneness everywhere, we must seek unity in the plurality, in the multiplicity. But that is something which only has significance for the physical sense world here. For when we pass through the gate of death then we do not have multiplicity, but something which comes before our soul as an overwhelming consciousness. When we have passed through the portal of death we have nothing but oneness around us, continuous oneness. It is then a matter of rightly finding plurality, multiplicity. We must strive there for nothing else than to come out of oneness into multiplicity. Now I should like to give you a correctly formed idea of how a person comes into multiplicity out of oneness. Let us suppose that one passes through the portal of death, enters into this world of surging spiritual life of wisdom. One enters first into this world, which to begin with stupefies us when we awaken there. We do not distinguish ourselves within it at all. So much is it oneness that we do not distinguish ourselves in it, we do not make a differentiation between ourselves and the universe, but rather we belong completely to the universe; all is one. But now let us answer the question, and I pray you to ponder not a little but very much upon the answer that I will give. Now we reply to a question: What actually is this oneness into which we are there received? Remember all the beings of the higher hierarchies of which nine are known to you, or ten if we count mankind. In each hierarchy is a whole host of beings. These all think. It is not man alone who thinks. All the beings of these higher hierarchies think. Consider therefore this whole host of beings in whom we are received when we have stepped through the portal of death. They are around us, for in stepping through the portal of death we are received by the complete fullness of being. At first we do not perceive them. We are within them, but we do not perceive them. That which surges around us at first is just this oneness. But what is this oneness? It is the thoughts of all the hierarchies merging into one another. What all the hierarchies think together; this thought-world of the hierarchies indistinguished as to what one hierarch, what the other hierarch thinks;—this is the Light-Being of Thought that surges round us, this oneness. Therefore we live in the thoughts of the hierarchies flowing together to a oneness. Therein we live. And now what is the further course of our life after death? Our concern is to gain a relation to the separate beings, to lift ourselves out of the ocean of thought where all the thoughts of the hierarchies flow together, and to gain a relation to the single beings, to the multiplicity. After death we must not only gain a relation to the commingled unity of the surging Thought-essence of the hierarchies—for that is given to us, but we must work through so that we gain a relationship to the single beings of the hierarchies. How do we gain this? Now at first we are flooded with this ocean of the thoughts of the hierarchies merging and flowing together. Through what we have acquired for ourselves in our physical body there condenses at the gate of death to which we look back, our own inner being lifting itself out of the material coverings. That gives us strength of will. That gives a will-impulse of a feeling nature, and a feeling-impulse of a will-nature. These we inwardly become aware of in beholding the being which ascends from the body which we are after death. Through this we are in the position to some extent of attracting our “will-rays.” And when we place such a will-ray somewhere, which we create out of the force of death, which is born with death, then we obliterate at another place, and at a third place, etc. at various places through the strength of our will-impulse we obliterate the thought-world surging around us. And inasmuch as we obliterate it there comes to meet us in the hollow space of the surging ocean of thought, if I may say so, the thought of a hierarch, the being that lives within it in the spiritual world. Whereas here in the physical world we exert ourselves to find a thought for the thing which we see, in the spiritual world, where, as I have pointed out, thought stands in profusion at one's beck and call, we must obliterate the thought, drive it away. Then the beings approach us. We must be master of the thoughts, then the beings approach us. And the strength to become master of the thought, to cast the thought out of our field of sight, as it were, whereby the being approaches us in the sea of the surging thought-world, this strength we receive through the fact that as a beautiful beginning of our spiritual life after death the vision of dying, of death itself, comes to meet us, and becomes our teacher in the obliterating. For death becomes to us after death the teacher of obliterating, the stimulator of that will force wherewith we must obliterate the thoughts in the surging sea of light. Herewith is indicated the entirely different manner in which the human being stands to his surroundings after death and before; how he must proceed in the world of the senses by establishing himself there, having the atmosphere around him and then being obliged to wait until something comes into the atmosphere. On the other hand, after death he must so proceed that he has the Light-sphere of Thought around him and within it he must then himself obliterate the thoughts that lie before him in his field of vision, in which the beings concerned then appear to him. For here one has to do with beings, as I have indicated in my book, “The Threshold of the Spiritual World.” Thus one comes out of unity into multiplicity. Monism in the sense understood by many people is only a world-concept for the Gate of Death. For there in the most marked degree an urgent necessity arises for seeking multiplicity. To seek oneness is a last fetter, a theoretical fetter of life as understood by the senses. But what is it then that we actually accomplish there? Well, it is an activity by which we make room for the hierarchies to approach us. Our being, as you know, is then spread over the whole universe (I have repeatedly spoken of this,) and we make room by creating these hollow places, as it were, so that what is objective to us after death, can appear. Never can what is objective in the spiritual world appear to us if we take our own being into the spiritual world; we can only discern the other in the spiritual world if on the spot where the other is to appear we obliterate our own being; and that happens in this way. This is an inner characterization of the process which is also necessary if we wish to reach the dead in the manner I described to you at the beginning of the lecture, where one has to acquire the power of letting the dead speak, of letting the dead express themselves. One must then try to drive away one's thinking and feeling from where the dead is, to drive away oneself, and where one has driven that away, impulses come forth from the depth of being which, without our will, place the words in our mouth which must come to us if we wish to express the objective being of one who is not incorporated in the physical body. You see, that which here in the physical world is in a way the weakest in man, willing and feeling, (they are the weakest parts of the human soul and the most unclear), over which we are least master, gains a special significance if we are to perceive in the spiritual world. On the other hand, that which here in the physical world is the strongest of all, thought-concepts—we prefer to live, as you know, in illusion and concepts, since there we can be most dominant—is the weakest in the spiritual world. One cannot make much beginning there with illusions, for illusions still disguise for us this overflowing oneness of thought-essence. Our concern is not an exercising of the life of thought, but a development of our life of will and feeling, and this too is the essential in meditation. In meditation it does not matter so much what we picture, but, as I have emphasised repeatedly, to picture with inner strength. it is a matter of inner energy, of feeling and sensation while we meditate, that is, of a will element which we develop in meditation, and which we develop more strongly if we have so to exert ourselves as in meditation we ought to exert ourselves, spiritually exert ourselves. What is most opposed of all to real progress in the spiritual world is the longing to dream, the longing to form illusions about outer reality, because in this way we make our will continually weaker and weaker. One makes the will weakest of all if one cultivates the parasites of the life of idea, if one makes illusions for oneself over all sorts of external things. Above all, the way into the spiritual world does not draw near to us by our holding life at a distance, but by understanding that not an impoverishment of the outer life, but only an enrichment, can lead into the spiritual world. People would like so much to grow into the spiritual world through weakness and not through strength. One grows into the spiritual world by weakness if the outer world, the world of life, does not interest one, when one cannot fulfill the Goethe maxim “Know thyself, and live in peace with the world.” I should like to point out before I go further in these studies of death, that in all human activity of an artistic nature there must lie as foundation a “playing in” of that activity of the human soul which is necessary for this human soul after death. As regards artistic activity it is precisely the will-element which must be impregnated into the artist from the spiritual world, not so much the element of observation. In our age of the decay of art and especially of artistic labour, the opposite is taking place. In our age of degeneration that element is being elaborated even in the artistic world, which makes the conceptual life more sophisticated. Therefore in our age, artists are becoming more and more dependent on models and copies. They can do extremely little if they have no models or copies. Hence in our age it will come about more and more that the artist will isolate himself in his art. But it can never reach real art if one isolates oneself in art. That is the opposite of what ought to be. What happens, then, if someone is creating a human being through art, in painting or sculpture, and he does not occupy himself with the inner forces which build up this human being, with the dynamic forces, but merely goes out and gets a model and uses the model as one uses things in looking at them? He is then departing from the real principle of artistic creation. Artistic creation begins when one creates an inwardly willed picture of how the nose stands out here, of how the forehead is vaulted there; one does not see the things outwardly, but can penetrate into them inwardly. That is what matters. And so in a special way it is also the case with nature. In nature it is a matter of really living within the activities of nature. And here I will call your attention to something which the human being immediately experiences when he has passed through the portal of death, which here, in the physical world, however, remains more or less unknown to him. When we paint, we paint preferably that which is spread, one might say, over the surface of things. We paint light and shade. We paint colours. Now outer nature is furnished with light and colour from the fact that she does not accept them, but throws them back. Over there is the object and it throws us back light and colour. That is between us and the object. Mineral things are, for instance, minerals, because they cannot receive light and colour, within, because they reflect them externally. There within the colour, man lives with his soul. After death he withdraws into it at once; there he knows himself in light and colour, but here he does not know himself within them. When he comes before the landscape as landscape painter, he must have something of what is between him and the landscape, he must be able to rise into it, he must, as it were, bring something into the physical world which only actually becomes reality when the human being has passed through the gate of death. This gives the similarity between artistic creation and the standing within the spiritual world, although the artist is for the most part unaware that the spiritual world pulsates and flows through him, nor is he conscious of the necessity of being pulsated through by the spiritual world. Precisely on this account the design of our building has been made as it has been made, because we must pay attention as I have often said, just to what is not there, not to what is there. Just the hollow forms which have been left free have to be considered, not what is actually there. In so far, through carrying our stream of Spiritual Science into the practical domain, a beginning has been made which had to be made in our present epoch of culture. You see, such inter-penetrations of the spiritual world into human life as through, let us say, the Death Spectrum, were by no means so unusual in times lying not so very far behind us. Today it is something unusual, and as a natural gift it will become more and more unusual. It will occur less and less as a natural gift. But the less the human being here in the physical world can form some kind of connection with the spiritual manifoldness, the more he will be fettered when he has passed through the gate of death. The possibility of creating those hollow forms would entirely cease if mankind should quite lose connection with the spiritual world, as must necessarily happen in the mere external progress of world events. We know that the old clairvoyance must become entirely lost. but if that inner relation to the spiritual world were not to be re-established through Spiritual Science, a man would gradually lose the possibility, after death, of actually living in the spiritual world, of having a real, actual existence. Through the backward-survey of his life, which always remains for him, where the beholding of death is something quite actual, he would be spell-bound, almost as if confined in a prison. Therefore in the case of those who, if I may say so, go through the gate of death strengthened by Spiritual Science, it is to be seen that comparatively quickly after death they gain freedom, free activity in the spiritual world. Hence the point is for a man to replace by the strengthening of Spiritual Science what was earlier given to him by natural aptitude—the gaining of a relation to the super-sensible, to spiritual phenomena. If from a natural aptitude one can see something like a Death Spectrum (and people in earlier times which do not lie so far behind us used always to see the death-spectrum—only it is a lost faculty)—one sees this death-spectrum through the separation from the body. This enables one to see the single, individual phenomena. These single phenomena are carved out of the oneness ... and that is the important thing ... this carving out of the oneness ... to learn how to do this. But the possibility of learning how to do it is entirely lost with the loss of the natural, atavistic clairvoyance, and it must be replaced by growing into Spiritual science. It will be this strengthening given by Spiritual Science, through which the necessary faculty for artistic creation in every sphere will be called forth in the future. The sculptor, the painter, the poet, will not be able to create if they do not strengthen themselves through Spiritual Science. Today people are still afraid of this. But the fear which comes to expression when a musician, a painter, a poet, says: ‘Since I have to engage in and struggle with all manner of things this kills the original artistic creative power in me’—can be heard everywhere. This is only a fear of the strength that is necessary if the domain of human art is really to last into the future. Men are still afraid today of what in their inner being must come forth precisely as the strongest force. Times will come in human evolution where artistic faculties must ripen through the strengthening acquired through Spiritual Science. Then, at all events, there will be less of the scandalous thing that is prevalent today, namely, that in very early youth and out of nothingness, people vaunt themselves artists and are, in their own opinions, artists. When this kind of art does not succeed, they think it is entirely due to lack of appreciation on the part of the world. This nonsensical state of things will gradually cease. The art of the future will be an art of maturity and it will not be until a comparatively late age in life that a man will feel inwardly mature enough to engage in art. it will no longer be believed that in later life it is impossible for a man to have the forces requisite for artistic creation—forces of youth as they are often called; far rather will it be found that only by the deepening and strengthening acquired through Spiritual Science can the forces that will lead to artistic creation in the future be liberated from the inner being. But people are still afraid of these forces today. They are afraid of what has to be attained. Many artists have a holy terror of this emergence of the inner depths of their being, and when they hear that it is not the external, earthly man, but the higher man within them who should be the creative artist, they are thrown into the most utter confusion. It is difficult to imagine more complete confusion than that of a certain modern artist when he realised that it is the Genius in the inner man, the being who belongs to the spiritual world, who is really the creator in the artist. An artist of modern times expressed his holy terror of the spiritual world in approximately the following words: “Genius is a terrible disease. In the heart of every writer there is a monster who devours his feelings directly they have been born. Who will be victorious—the disease over the man or the man over the disease? A man must be great indeed if he is to hold the balance between his character and his genius. If a poet is not a giant, if he does not possess the strength of a Hercules, he must either forfeit his heart or his talent.” The very flesh of one's soul, so to speak, creeps when such words are uttered. For they are simply an expression of the holy terror which exists in the human being in regard to things that are connected with the spiritual world. Moreover the last sentence is quite consistent, although the author is unaware of how consistent it is ... The fact that he speaks of giants, of Hercules, is very characteristic. It is very significant that precisely these words come into his mouth—or rather into his pen. So the view may actually be held that the human being must be victorious by virtue of what he is in earthly life ... for this is contained in the words, whereas true knowledge will reveal that the healthy genius within a man will penetrate and take hold of him, will make him into its instrument. Another modern writer refers and adds to the sentences I have just read, in strange, extremely strange words. He says: “Let us picture the tragic destruction of Laocoön as described in the Aenead. With natural horror and repugnance the citizens of Troy witness the gigantic snakes strangling Laocoön and his sons. The spectators feel fear, compassion and certainly wish to save the victims; however different their conditions of soul may be, nevertheless the moment of will undoubtedly plays a very important part ... but just imagine a sculptor in the midst of this shocked and excited crowd, a sculptor who sees the terrible catastrophe taking place before his eyes as the subject of a future work of art. Amid the general excitement of these shouting, frenzied, praying people, he remains the unruffled observer. All moral instincts in him are at this moment suppressed by the desire for aesthetic experience.” This, forsooth, is supposed to be necessary for the creation of a work of art: A crowd of people who are not artists stand there with deep compassion, unable to help, and together with them, a simpleton, a dunderhead, who has no inkling of the pain caused by it all. And this dunderhead is supposed to be the true artist who is capable of portraying the scene; he stands there in his stupidity merely as an observer: Things have come to such a pass at the present time that people dare to demand of the artist that he shall be a dunderhead when faced with life's phenomena, in order that he may be “objective.” He must tear compassion and sympathy out of his heart; he must become a dull-headed simpleton and only then, according to what is said here, will he be able to depict something capable of interesting other human beings. When people have it in them to evolve such a view of art, they cannot help being seized by the most terrible of all Ahrimanic forces. Such a view denotes the decadence of art that is produced by the fear and dread of spiritual reality. People do not know that if a man wants to be an artist he must feel events with still deeper sympathy, still deeper compassion and must be able, at a later moment to look at the same events objectively out of this deep sympathy, making us love them as we may love a being who is strange to us. Out of this still deeper quality of sympathy we must be capable of art that is creative. The perversion of outlook has reached such a point today that the opposite of truth is trumpeted forth to the world as consummate wisdom. And I am convinced that there are infinite numbers of people who consider this dullness very clever and who regard this laudation of insensitive stupidity in the artist as the final discovery of what art really is. Such is the present day and it is for us to seek in Spiritual Science that support and strengthening which enable us to realise that we ourselves are living in the world into which the human being also enters, in the natural course of events, when he passes through the Gate of Death. For us, art is related to death; it is related to the higher life: to be related to death means to be related to higher life. In order to enter the spiritual world we must in many respects be capable of ideas and mental pictures quite different from those which must fill us for the purpose of understanding the world we experience between birth and death. We must pierce through Maya not only in such a way that we take this Maya to be the same everywhere, thinking that when we have broken through it at one point we are already in the spiritual world. The density of Maya is different at different places in life. This we shall find when we confront diverse spheres of life.—Maya is woven out of different materials. Although it is Maya, it is woven out of different materials at different places in life. Suppose we get to know a child in its physical existence; we form ideas about the being of the child, ideas built up from our experiences of meeting the child in the physical body. There could be no greater error than to carry this picture into the spiritual world for the purpose of really getting to know this being when it has passed through the Gate of Death. In the death of Theo Faiss, a terribly touching karmic event has happened among us recently. It would be a false picture of him if we were merely to enlarge the idea we formed of this child as we met him in the physical world, if we were simply to project this picture into the spiritual world. In just such a being the very greatest maturity can be observed soon after death. We can find the forces which brought the child into the physical world through birth—and which have not been allowed by karma to live themselves out in the physical world—we can find these forces interwoven in the cosmic forces and we gradually realise that a mature soul has struggles through death to cosmic existence, is growing little by little towards the heavenly spheres. And when such a soul was a child in the last incarnation we can perceive that this soul is able, comparatively quickly, to develop to the point where it directs the forces that are now merging into the cosmos. Then we learn to know the human being as he is after death; it is as though with his own being he were directing the forces which were contained in his death spectrum and are now weaving themselves into the cosmos. Thus the human being grows into that creative activity which we may call the heavenly creative activity. Then his feeling that is coloured by will, and the element of will that is coloured by feeling, grow together with the universe outside him. Just as when we, as children in the physical body, gradually adapt ourselves with our sense-organs to the external world, just as we then grow into the faculty of vision, so do we grow, after death, into the essential realities we grow into the unfolding of will. If we allowed these things to work upon us in the sense of Spiritual Science, we should observe, little by little, how the Maya of external life is woven with different strengths at different places. Maya is difficult to pierce in cases like the death of a little child, because most of the external manifestations disturb what must replace them if we are to have a true picture of what the human being is after death. But there are also human beings with whom it is comparatively easy to pierce through the warp and woof of Maya; it is easy because the truth of their being has been able to connect itself deeply even with the Maya existing in them in the physical world between birth and death. There are such men, men who bring down treasures of inner, spiritual richness at their birth into the physical world and who are able to weave into their being and life what they have brought down from the spiritual world. They are those human beings whom we needs must love because of what the Creators in their love have made of them; often we do not ask why we love them; love for them is a matter of course. Such human beings are like living witnesses to the spiritual world, because even here in the physical world they are extraordinarily like their own spiritual being, and because the web of Maya only through the existence of love, of course, but through this very love—can very soon be dispersed, enabling us to gaze into the depths of the soul. Our attitude to such human beings must have a certain delicacy, a certain intimate delicacy because they have brought down a very, very great deal from the spiritual world into physical existence and because then, after death, they stand like living witnesses to the profound truth that the impulses of the spiritual world live on in all the manifestations of this physical world. If we behold such human beings after their death, it is as though they were wanting to say to us: Thus were we before and the fact that we lived in such deep, and inward truth is now confirmed when we have passed through the Gate of Death.—Thus do they stand as apostles of faith after death too, as apostles of the faith which allows us to have belief in the life we spend here in the physical world. Since the death of our friend Sybil Colaxxa, she too stands there like an apostle of the faith that the world in which we live is permeated with spirituality. And here it is necessary to explain why the strange thing happened in her case that the sight of her spiritual being confirmed what she revealed through the sheaths of external life in the physical world to everyone who knew and learned to love her. Hence the different tone in the words that had to be spoken out of her soul; it was because her essential quality as an individual was precisely that quality of which I have just spoken:
Mark well that the presentation of the past, the use of the imperfect tense, passes over into the present, the present tense, because observation of the life in the body harmonised with the vision of the life after death. This is expressed in the words themselves. Words that are coined out of the spiritual world contain their own necessity. Thus the words had to be: This Being filled with soul they voice, a voice which, eloquent more through the quality of the words than the words themselves, revealed what lay hidden within that soul, and is working on, existing. “... Existing” therefore, not “existed.”
(verkundet—the present tense—can also be used. Here the two periods of time flow together.) Now let us think of a soul like Fritz Mitscher, a friend who, to our great pain, has died so recently. The nature of this soul can best be described by those who knew him in words which may sound abstract and dry, but which really do express it: he was an objective human being. Fritz Mitscher was an absolutely objective human being. There can hardly have been any occasion when he spoke about himself. Even if he ever did, it only seemed that he was speaking of himself in describing his relations to something or other in the external world. His “I” was practically never even on the horizon ... let alone at the centre of what he said. It is natural for an elder person when he is speaking with a younger one about all kinds of things in life to bring the conversation back to himself, but it was characteristic of Fritz Mitscher that when opportunity was there for him to speak of himself, he avoided it, and diverted the conversation from himself to what he had experienced round about him, describing it with the art he had acquired from Spiritual Science. In the true sense of the word he was an objective human being. He did not think about what he signified to the world, about the position of his own “I” in the world. His interests were all purely objective, interests which express themselves so characteristically when a man is little concerned about the position he gains in the world. Fritz Mitscher was one of those men who, from the very beginning, was passionately eager, even in passing conversation, to convey to others with absolute objectivity the truths he held most sacred; this eagerness was always present because he was one of those who are interested in the cause itself and not in the person and the position of the individual personality in the world. And when he spoke before an audience he entered into the subject with the greatest purity, never losing his way in the psychical impurity of speaking about himself. It was this that was so characteristic of him. And it was this that made him so eminently capable of grasping the world in such a way that through the medium of the idea, the thought, the mental picture, he really entered into the world; he did not become remote from the world but really entered into it. And so through thought, through idea, he lived right into world-connections, lived together with the world, lived in his “I”—because he spoke so little of himself—and not only in his skin, but right into the heart of things. it is really only human beings of this kind who truly understand ideals in the world, life in ideas and in morals. To live in ideas and ideals is not merely to have ideas and ideals; ideas and ideals are easily come by, they can be picked as easily as blackberries. What matters is not that a man has ideas and ideals, but that he has them in the purity of the life of thought, and human beings without number shirk this purity. They flee from thought in hosts. My dear friends, we need only call up the Imagination, the real imagination of pure thinking, of the life in pure thought, in sense-free thoughts and ideas; we need only picture this pure wellspring of soul-existence and then try to place the specters of human beings around it, and we shall find that in whole hosts they flee from this pure spring of the sense-free world of thought. They say: “But this is barren, dry, it is something that tears love out of one's heart, it is cold, icy.” And they flee in hosts; only a few stand steadfast in purity of soul. These few are the true philosopher-souls, the men who are really gifted for philosophy. And such men as Fritz Mitscher belong to them. That is why it is almost a matter of course for such souls to grow into their connections in the most natural possible way—or, better said, for their karma to bring them into these connections. In the case of Fritz Mitscher this was so in a high degree. It could never be noticed in him that he sought any position out of an intention formed in physical life. He always allowed himself to be led to his tasks by the flow of karma. Here again you have those truly philosophical natures who will always have to be led to their tasks rather than that they will press forward to some task out of egotistical will. For these truly philosophical natures know all too well in their deep feelings and in their impulses too, that a man is, in reality, never ripe for a task, that only immeasurable vanity can give rise to the belief that he is mature, and he always anticipates in advance something that can only be achieved later on. when a man has only a little of this attitude, he feels in his life something of an inner calling. And the life then will be filled, as it were, with the: “Know thyself!” Knowledge of the self is best attained when a man speaks and thinks little of his “I”. his work and labours in life will then be permeated by the: “Know thyself, live with the world in peace!” Such was Fritz Mitscher's motto. A life like this continues in the spiritual world and remains what it was, save that in the spiritual world the fruit grows from the seed. In such cases we must abandon the point of view—for it would be unreal—which would make us ask: “What would have come out of such a being if he had been able to stay longer in the physical world?” This is an unreal point of view. The real point of view leads us to the greatness, the wonder of such a soul being taken up into the spiritual worlds. What this soul is now called upon to achieve in the spiritual worlds is related to the experiences between birth and death as the fruit of the plant to the seed, so that the life here is actually revealed as a seed for the spiritual life after death. And so when a being who has lived in objectivity is seen after death, words which characterise this objectivity of outlook in life inevitably sink into the soul, but they are words which also characterise the relationship to the surrounding world, how the whole being stood right within the world. It was necessary to speak of Fritz Mitscher in this way. The characteristic element in these words was precisely this difference between the seed here and the plant which develops in yonder world. This is how I explain to myself the words being as they were
Fritz Mitscher was an individuality who became, in an outstanding degree, what many of our dead friends have actually become since they entered into the spiritual world. They become our most effective co-workers in the field of the spiritual life we have to cultivate; they become those to whom we look upwards with special gratitude when we have to think of the tasks of the present and future spiritual evolution, tasks that can be fulfilled only slowly and with difficulty within earth-existence with the forces that are incarnated in physical bodies. In thinking of friends who have passed through the Gate of Death, including our friend Morgenstern, it always seems to me to be right to ask that they will remain among us in order that through their forces much will be able to be done in our spiritual movement that it is impossible to do with earthly forces alone. It is this that must be sent as a last greeting from the Earth to such individualities, and it must be expressed clearly and emphatically in connection with Fritz Mitscher, a dear friend who with his youthful forces will be our strong helper, a true consolation when consolation is needed. And it is often needed. Especially during the most recent period of our work, creative activities and striving, so many things have made us realise how great are the hindrances of the physical plane—truly they are not imagined hindrances—how stubbornly the prejudices of human beings oppose what must be achieved among us, and how violent the opposition often is. We need only take one such example.—People outside our stream of Spiritual Science write pamphlets ... Truly I am not saying these things for personal reasons, because I feel myself to be only a feeble instrument of the spiritual movement that has to bear us ... Pamphlet after pamphlet is written with the object of declaring that our adherents accept everything without putting it to the test, accept it in faith and belief and confidence; it is suggested that nothing exists among us except blind faith. Our movement is described by the outside world as if all our adherents were credulous simpletons, simply running after the confidence they feel. So it is in the outside world. But within the precincts, this confidence—if we mean a confidence that exists in the deep foundations of souls and does not merely lie in words—this confidence is often by no means so conspicuous. There is a great contradiction between what we are accused of in pamphlets and what ought to exist in such rich abundance within the precincts of our society. There is yawning contradiction! I say what I have to say here without criticism and above all without bitterness, without in the least wanting to hit at any single personality—but concerning many things I said here in the autumn, it has been stated in writings that Dr. Steiner hawks about his occult researches into such matters—meaning matters about which I have spoken ... he hawks about his occult powers in connection with the things that were spoken about. If it has been possible for such a thing to have been written, then it is a clear proof of the fact that the element of which we are accused in the world is by no means so firmly rooted in the deeper forces of the souls among us, although in many ways it may exist in the upper maya of consciousness. Let it be said once and for always that the teaching presented here is based upon no principle of authority whatever, and belief in it as dogma is never demanded. It is given in order that it may be tested in all details. But for anyone to set himself up as a kind of judge as to what I myself should include in my occult investigations and exclude from them—this is a spiritual tyranny which most certainly is not born of the element that must be present in the Society, although up to a certain point it need not be present for the purpose of taking in spiritual Science; this is a spiritual tyranny emanating from unconscious lack of confidence. Confidence is not needed for the purpose of receiving teachings; but confidence is needed for the realization that it is not for the spiritual investigator to be told what he has to bring from the spiritual world but that it must be Presumed that the representative of Spiritual Science knows himself what he has to do; he has himself to decide what falls within the field of his investigations. Confidence is needed here; this kind of confidence can never be unprofitable to the movement, because it does not transcend the limits of the personal and does not touch the teaching. But a fact like this denotes—as many similar facts denote—that great obstacles and hindrances do exist and that within our spiritual movement we must carry out as a duty—far removed from anything that looks like desire in our work—what leads from insight into inner necessity. This duty will always be done, however sourly, it is done (‘sourly’ according to the ordinary meaning of the word.) But precisely when we realise that we may give to our dear Dead a kind of personal charge to be together with our forces, then there arises for our movement a feeling of security which the physical world could never afford. And so, in thinking of our beloved Dead, there flows into our movement and into its impulses, something that is supersensible, not springing from what we have here, something that could never, in the physical world itself, give wings to our work. It is possible for supersensible impulses to flow into the Maya of our society-activities, for us to feel secure—because what we do, contains not merely the forces of the physical plane but supersensible forces too. Our beloved Dead have remained with us, although not in physical existence, and we therefore feel security in work which feels itself to be within the flow of spiritual evolution:
So do we speak with reality of our beloved Dead as companions, co-workers, as those who are invisibly among us. Thus concretely do we seize the invisible being, giving the hand physically for the last time to the friend in the visible world and then receiving this hand spiritually, after death from the supersensible world. In this exchange of hand-clasps we have the symbol for work within a Society that is not intended to be a mouthpiece for the physical world but is to call the supersensible worlds too, into its activities. For such work, for such activities, we want to build a centre on this hill. May there be a home here for this work! |
18. The Riddles of Philosophy: Darwinism and World Conception
Tr. Fritz C. A. Koelln Rudolf Steiner |
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If Hegel's world conception said that the self-conscious ego finds itself in the experience of pure thought, Haeckel's view of nature could reply that the thought experience is a result of the nature processes, is, indeed, their highest product. |
18. The Riddles of Philosophy: Darwinism and World Conception
Tr. Fritz C. A. Koelln Rudolf Steiner |
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[ 1 ] If the thought of the teleological structure of nature was to be reformed in the sense of a naturalistic world conception, the purpose-adjusted formation of the organic world had to be explained in the same fashion as the physicist or the chemist explains the lifeless processes. When a magnet attracts iron shavings, no physicist will assume that there is a force at work in the magnet that aims toward the purpose of the attraction. When hydrogen and oxygen form water as a compound, the chemist does not interpret this process as if something in both substances had been actively striving toward the purpose of forming water. An explanation of living beings that is guided by a similar naturalistic mode of thinking must conclude that organisms become purpose-adjusted without anything in nature planning this purpose-conformity. This conformity comes to pass without being anywhere intended. Such an explanation was given by Charles Darwin. He took the point of view that there is nothing in nature that plans the design. Nature is never in a position to consider whether its products are adequate to a purpose or not. It produces without choosing between what is adequate to a purpose and what is not. [ 2 ] What is the meaning of this distinction anyhow? When is a thing in conformity with a purpose? Is it not when it is so arranged that the external circumstances correspond to its needs, to its life conditions? A thing is inadequate to purpose when this is not the case. What will happen if, while a complete absence of plan in nature characterizes the situation, formations of all degrees of purpose-conformity, from the most to the least adequately adapted form, come into existence? Every being will attempt to adapt its existence to the given circumstances. A being well-adjusted to life will do so without much difficulty; one less adequately endowed will succeed only to a lesser degree. The fact must be added to this that nature is not a parsimonious housekeeper in regard to the production of living beings. The number of germs is prodigious. The abundant production of germs is backed up by inadequate means for the support of life. The effect of this will be that those beings that are better adapted to the acquisition of food will more easily succeed in their development. A well-adapted organic being will prevail in the strife for existence over a less adequately adjusted one. The latter must perish in this competition. The fit, that is to say, the one adapted to the purpose of life, survives; the unfit, that is, the one not so adapted, does not. This is the “struggle for life.” Thus, the forms adequate to the purpose of life are preserved even if nature itself produces, without choice, the inadequate side by side with the adequate. Through a law, then, that is as objective and as devoid of any wise purpose as any mathematical or mechanical law of nature can be, the course of nature's evolution receives a tendency toward a purpose-conformity that is not originally inherent in it. [ 3 ] Darwin was led to this thought through the work of the social economist Malthus entitled Essay on the Principle of Population (1798). In this essay the view is advanced that there is a perpetual competition going on in human society because the population grows at a much faster pace than the supply of food. This law that Malthus had stated as valid for the history of mankind, was generalized by Darwin into a comprehensive law of the whole world of life. [ 4 ] Darwin now set out to show how this struggle for existence becomes the creator of the various forms of living beings and that thereby the old principle of Linnaeus was overthrown, that “we have to count as many species in the animals and vegetable kingdoms as had been principally created.” The doubt against this principle was clearly formed in Darwin's mind when, in the years 1831–36, he was on a journey to South America and Australia. He tells how this doubt took shape in him.
The answer to this question is contained in the naturalistic conception of the evolution of the living organism. As the physicist subjects a substance to different conditions in order to study its properties, so Darwin, after his return, observed the phenomena that resulted in living beings under different circumstances. He made experiments in breeding pigeons, chickens, dogs, rabbits and plants. Through these experiments it was shown that the living forms continuously change in the course of their propagation. Under certain circumstances some living organisms change so much after a few generations that in comparing the newly bred forms with their ancestors, one could speak of two completely different species, each of which follows its own design of organization. Such a variability of forms is used by the breeder in order to develop organisms through cultivation that answer certain demands. A breeder can produce a species of sheep with an especially fine wool if he allows only those specimens of his flock to be propagated that have the finest wool. The quality of the wool is then improved in the course of the generations. After some time, a species of sheep is obtained which, in the formation of its wool, has progressed far beyond its ancestors. The same is true with other qualities of living organisms. Two conclusions can be drawn from this fact. The first is that nature has the tendency to change living beings; the second, that a quality that has begun to change in a certain direction increases in that direction, if in the process of propagation of organic beings those specimens that do not have this quality are excluded. The organic forms then assume other qualities in the course of time, and continue in the direction of their change once this process has begun. They change and transmit the changed qualities to their descendants. [ 5 ] The natural conclusion from this observation is that change and hereditary transmission are two driving principles in the evolution of organic beings. If it is to be assumed that in the natural course of events in the world, formations that are adapted to life come into being side by side with those not adapted as well as others, it must also be supposed that the struggle for life takes place in the most diversified forms. This struggle effects, without a plan, what the breeder does with the aid of a preconceived plan. As the breeder excludes the specimen from the process of propagation that would introduce undesired qualities into the development, so the struggle for life eliminates the unfit. Only the fit survive in evolution. The tendency for perpetual perfection enters thus into the evolutionary process like a mechanical law. After Darwin had seen this and after he had thereby laid a firm foundation to a naturalistic world conception, he could write the enthusiastic words at the end of his work, The Origin of Species, which introduced a new epoch of thought:
At the same time one can see from this sentence that Darwin does not derive his conception from any anti-religious sentiment but merely from the conclusions that for him follow from distinctly significant facts. It was not hostility against the needs of religious experience that persuaded him to a rational view of nature, for he tells us distinctly in his book how this newly acquired world of ideas appeals to his heart.
[ 6 ] Darwin showed in great detail how the organisms grow and spread, how, in the course of their development, they transmit their properties once they are acquired, how new organs are produced and change through use or through lack of use, how in this way the organic beings are adjusted to their conditions of existence and how finally through the struggle for life a natural selection takes place by means of which an ever increasing variety of more and more perfect forms come into being. [ 7 ] In this way an explanation of teleologically adjusted beings seems to be found that requires no other method for organic nature than that which is used in inorganic nature. As long as it was impossible to offer an explanation of this kind it had to be admitted, if one wanted to be consistent, that everywhere in nature where a purpose-adjusted being came into existence, the intervention of an extraneous power had to be assumed. In every such case one had to admit a miracle. [ 8 ] Those who for decades before the appearance of Darwin's work had endeavored to find a naturalistic world and life conception now felt most vividly that a new direction of thought had been given. This feeling is expressed by David Friedrich Strauss in his book, The Old and the New Faith (1872).
[ 9 ] Through Darwin's idea of fitness it is possible to think the concept of evolution really in the form of a natural law. The old doctrine of involution, which assumes that everything that comes into existence has been there in a hidden form before (compare pages in Part 1 Chapter IX), had been deprived of its last hope with this step. In the process of evolution as conceived by Darwin, the more perfect form is in no way contained in the less perfect one, for the perfection of a higher being comes into existence through processes that have nothing whatsoever to do with the ancestors of this being. Let us assume that a certain evolutionary series has arrived at the marsupials. The form of the marsupials contains nothing at all of a higher, more perfect form. It contains only the ability to change at random in the course of its propagation. Certain circumstances then come to pass that are independent of any “inner” latent tendency of development of the form of the marsupials but that are such that of all possible variations (mutations) the pro-simians survive. The forms of the marsupials contained that of the pro-simians no more than the direction of a rolling billiard ball contains the path it will take after it has been deflected from its original course by a second billiard ball. [ 10 ] Those accustomed to an idealistic mode of thinking had no easy time in comprehending this reformed conception of evolution. Friedrich Theodor Vischer, a man of extraordinary acumen and subtlety of spirit who had come from Hegel's school, writes as late as 1874 in an essay:
[ 11 ] In another passage in the same essay he says:
[ 12 ] If Vischer had been asked whether or not he imagined that hydrogen and oxygen contained within themselves in a latent form a picture of water to make it possible for the latter to develop from the former, he would undoubtedly have answered, “No, neither in oxygen nor in hydrogen is there anything contained of the water that is formed; the conditions for the formation of this substance are given only when hydrogen and oxygen are combined under certain circumstances.” Is the situation then necessarily different when, through the two factors of the marsupials and the external conditions, the pro-simians came into being? Why should the pro-simians be contained as a possibility, as a scheme, in the marsupials in order to be capable of being developed from them? What comes into being through evolution is generated as a new formation without having been in existence in any previous form. [ 13 ] Thoughtful naturalists felt the weight of the new teleological doctrine no less than Strauss. Hermann Helmholtz belongs, without doubt, among those who, in the eighteen-fifties and sixties, could be considered as representatives of such thoughtful naturalists. He stresses the fact that the wonderful purpose-conformity in the structure of living organisms, which becomes increasingly apparent as science progresses, challenges the comparison of all life processes to human actions. For human actions are the only series of phenomena that have a character that is similar to the organic ones. The fitness of the arrangements in the world of organisms does, according to our judgment, in most cases indeed far surpass what human intelligence is capable of creating. It therefore cannot surprise us that it has occurred to people to seek the origin of the structure and function of the world of living beings in an intelligence far superior to that of man. Helmholtz says:
[ 14 ] Helmholtz now is of the opinion that such a demarcation is given by the principle of natural selection in the struggle for existence. A scientist who, like Helmholtz, belongs to the most cautious naturalists of that time, J. Henle, said in a lecture, “If the experiences of artificial breeding were to be applied to the hypothesis of Oken and Lamarck, it would have to be shown how nature proceeds in order to supply the mechanism through which the experimental breeder obtains his result. This is the task Darwin set for himself and that he pursued with admirable industry and acumen.” [ 15 ] The materialists were the ones who felt the greatest enthusiasm of all from Darwin's accomplishment. They had long been convinced that sooner or later a man like him would have to come along who would throw a philosophical light on the vast field of accumulated facts that was so much in need of a leading thought. In their opinion, the world conception for which they had fought could not fail after Darwin's discovery. Darwin approached his task as a naturalist. At first he moved within the limits reserved to the natural scientist. That his thoughts were capable of throwing a light on the fundamental problems of world conception, on the question of man's relation to nature, was merely touched upon in his book:
For the materialists, this question of the origin of man became, in the words of Buechner, a matter of most intimate concern. In lectures he gave in Offenbach during the winter of 1866–67, he says:
[ 17 ] Natural science clearly taught that man could not be an exception. On the basis of exact anatomical investigations the English physiologist, T. H. Huxley, wrote in his book, Man's Place in Nature (1863):
Could there still be a doubt in the face of such facts that natural evolution had also produced man—the same evolution that had caused the series of organic beings as far as the monkey through growth, propagation, inheritance, transmutation of forms and the struggle for life? [ 18 ] During the course of the century this fundamental view penetrated more and more into the mainstream of natural science. Goethe, to be sure, had in his own way been convinced of this, and because of this conviction he had most energetically set out to correct the opinion of his contemporaries, which held that man lacked an intermaxillary bone in his upper jaw. All animals were supposed to have this bone; only man, so one thought, did not have it. In its absence one saw the proof that man was anatomically different from the animals, that the plan of his structure was to be thought along different lines. The naturalistic mode of Goethe's thinking inspired him to undertake elaborate anatomical studies to abolish this error. When he had achieved this goal he wrote in a letter to Herder, convinced that he had made a most important contribution to the knowledge of nature; “I compared the skulls of men and animals and I found the trail, and behold, there it is. Now I ask you not to tell, for it must be treated as a secret. But I want you to enjoy it with me, for it is like the finishing stone in the structure of man; now it is complete and nothing is lacking. Just see how it is!” [ 19 ] Under the influence of such conceptions the great question of philosophy of man's relation to himself and to the external world led to the task of showing by the method of natural science what actual process had led to the formation of man in the course of evolution. Thereby the viewpoint from which one attempted to explain the phenomena of nature changed. As long as one saw in every organism including man the realization of a purposeful design of structure, one had to consider this purpose also in the explanation of organic beings. One had to consider that in the embryo the later organism is potentially indicated. When this view was extended to the whole universe, it meant that an explanation of nature fulfilled its task best if it showed how the later stages of evolution with man as the climax are prepared in the earlier stages. [ 20 ] The modern idea of evolution rejected all attempts of science to recognize the potential later phases in the earlier stages. Accordingly, the later phase was in no way contained in the earlier one. Instead, what was gradually developed was the tendency to search in the later phases for traces of the earlier ones. This principle represented one of the laws of inheritance. One can actually speak of a reversal of the tendency of explanation. This reversal became important for ontogenesis, that is, for the formation of the ideas concerning the evolution of the individual being from the egg to maturity. Instead of showing the predisposition of the later organs in the embryo, one set out to compare the various stages that an organism goes through in the course of its individual evolution from the egg to maturity with those of other forms of organisms. Lorenz Oken was already moving in this direction. In the fourth volume of his General History of Nature for All Classes of Readers he wrote:
Oken compares the stages of transformation of the insects with the other animals and finds that the caterpillars have a great similarity with worms, and the cocoons with crustaceous animals. From such similarities this ingenious thinker draws the conclusion that “there is, therefore, no doubt that we are here confronted with a conspicuous similarity that justifies the idea that the evolutionary history in the egg is nothing but a repetition of the history of the creation of the animal classes.” It came as a natural gift to this brilliant man to apprehend a great idea for which he did not even need the evidence of supporting facts. But it also lies in the nature of such subtle ideas that they have no great effect on those who work in the field of science. Oken appears like a comet on the firmament of German philosophy. His thought supplies a flood of light. From a rich treasure of ideas he suggests leading concepts for the most divergent facts. His method of formulating factual connections, however, was somewhat forced. He was too much preoccupied with the point he wanted to make. This attitude also prevailed in his treatment of the law of the repetition of certain animal forms in the ontogeny of others mentioned above. [ 21 ] In contrast to Oken, Karl Ernst von Baer kept to the facts as firmly as possible when he spoke, in his History of the Evolution of Animals (1828), of the observations that had led Oken to his idea:
Such facts of embryological development excited the greatest interest of those thinkers who tended toward Darwinism. Darwin had proven the possibility of change in organic forms and, through transformation, the species now in existence might possibly be descended from a few original forms, or perhaps only one. Now it was shown that in their first phases of development the various living organisms are so similar to each other that they can scarcely be distinguished from one another, if at all. These two ideas, the facts of comparative embryology and the idea of descent, were organically combined in 1864 by Fritz Müller (1821–97) in his thoughtful essay, Facts and Arguments for Darwin. Müller is one of those high-minded personalities who needs a naturalistic world conception because they cannot breathe spiritually without it. Also, in regard to his own action, he would feel satisfaction only when he could feel that his motivation was as necessary as a force of nature. In 1852 Müller settled in Brazil. For twelve years he was a teacher at the gymnasium in Desterro on the island of Santa Catharina, not far from the coast of Brazil. In 1867 he had to give up this position. The man of the new world conception had to give way to the reaction that, under the influence of the Jesuits, took hold of his school. Ernst Haeckel has described the life and activity of Fritz Müller in the Jenaische Zeitschrift fur Naturwissenschaft (Vol. XXXI N.F. XXIV 1897). Darwin called Müller the “prince of observers,” and the small but significant booklet, Facts and Arguments for Darwin, is the result of a wealth of observations. It deals with a particular group of organic forms, the crustaceans, which are radically different from one another in their maturity but are perfectly similar at the time when they leave the egg. If one presupposes, in the sense of Darwin's theory of descent, that all crustacean forms have developed from one original type, and if one accepts the similarity in the early stages as an inherited element of the form of their common ancestor, one has thereby combined the ideas of Darwin with those of Oken pertaining to the repetition of the history of the creation of the animal species in the evolution of the individual animal form. This combination was accomplished by Fritz Müller. He thereby brought the earlier forms of an animal class into a certain law-determined connection with the later ones, which, through transformation, have formed out of them. The fact that at an earlier stage the ancestral form of a being now living has had a particular form caused its descendants at a later time to have another particular form. By studying the stages of the development of an organism one becomes acquainted with its ancestors whose nature has caused the characteristics of the embryonic forms. Phylogenesis and ontogenesis are, in Fritz Müller's book, connected as cause and effect. With this step a new element had entered the Darwinian trend of ideas. This fact retains its significance even though Müller's investigations of the crustaceans were modified by the later research of Arnold Lang. [ 22 ] Only four years had passed since the appearance of Darwin's Origin of the Species when Müller's book was published as its defense and confirmation. Müller had shown how, with one special class of animals, one should work in the spirit of the new ideas. Then, in 1866, seven years after the Origin of the Species, a book appeared that completely absorbed this new spirit. Using the ideas of Darwinism on a high level of scientific discussion, it threw a great deal of light on the problems of the interconnection of all life phenomena. This book was Ernst Haeckel's General Morphology of Organisms. Every page reflected his attempt to arrive at a comprehensive synopsis of the totality of the phenomena of nature with the help of new thoughts. Inspired by Darwinism, Haeckel was in search of a world conception. [ 23 ] Haeckel did his best in two ways to attempt a new world conception. First, he continually contributed to the accumulation of facts that throw light on the connection of the entities and energies of nature. Second, with unbending consistency he derived from these facts the ideas that were to satisfy the human need for explanation. He held the unshakable conviction that from these facts and ideas man can arrive at a fully satisfactory world explanation. Like Goethe, Haeckel was convinced in his own way that nature proceeds in its work “according to eternal, necessary and thereby divine laws, so that not even the deity could change it.” Because this was clear to him, he worshipped his deity in these eternal and necessary laws of nature and in the substances in which they worked. As the harmony of the natural laws, which are with necessity interconnected, satisfies reason, according to his view, so it also offers to the feeling heart, or to the soul that is ethically or religiously attuned, whatever it may thirst for. In the stone that falls to the ground attracted by gravity there is a manifestation of the same divine order that is expressed in the blossom of a plant and in the human spirit that created the drama of Wilhelm Tell. [ 24 ] How erroneous is the belief that the feeling for the wonderful beauty of nature is destroyed by the penetration of reason into laws of nature is vividly demonstrated in the work of Ernst Haeckel. A rational explanation of nature had been declared to be incapable of satisfying the needs of the soul. Wherever man is disturbed in his inner life through knowledge of nature, it is not the fault of knowledge but of man himself. His sentiments are developed in a wrong direction. As we follow a naturalist like Haeckel without prejudice on his path as an observer of nature, we feel our hearts beat faster. The anatomical analysis, the microscopic investigation does not detract from natural beauty but reveals a great deal more of it. There is no doubt that there is an antagonism between reason and imagination, between reflection and intuition, in our time. The brilliant essayist, Ellen Key, is without doubt right in considering this antagonism as one of the most important phenomena of our time (compare Ellen Key, Essays, S. Fischer Verlag, Berlin, 1899). Whoever, like Ernst Haeckel, digs deep into the treasure mine of facts, boldly emerges with the thoughts resulting from these facts and climbs to the heights of human knowledge, can see in the explanation of nature only an act of reconciliation between the two contesting forces of reflection and intuition that “alternate in forcing each other into submission” (Ellen Key). Almost simultaneously with the publication of the book in which Haeckel presented with unflinching intellectual honesty his world conception derived from natural science, that is, with the appearance of his Riddles of the Universe in 1899, he began a serial publication called Artforms of Nature. In it he gives pictures of the inexhaustible wealth of wonderful formations that nature produces and that surpass “by far all artistic forms created by man” in beauty and in variety. The same man who introduces our mind to the law-determined order of nature leads our imagination to the beauty of nature. [ 25 ] The need to bring the great problems of world conception into direct contact with scientific, specialized research led Haeckel to one of the facts concerning which Goethe said that they represent the significant points at which nature yields the fundamental ideas for its explanation of its own accord, meeting us halfway in our search. This was realized by Haeckel as he investigated how Oken's thesis, which Fritz Müller had applied to the crustaceans, could be fruitfully applied to the whole animal kingdom. In all animals except the Protista, which are one-celled organisms, a cup- or jug-shaped body, the gastrula, develops from the zygote with which the organism begins its ontogenesis. This gastrula is an animal form that is to be found in the first stages of development of all animals from the sponges to man. It consists merely of skin, mouth and stomach. There is a low class of zoophytes that possess only these organs during their lives and therefore resemble gastrulae. This fact is interpreted by Haeckel from the point of view of the theory of descent. The gastrula form is an inherited form that the animal owes to the form of its common ancestor. There had been, probably millions of years before, a species of animals, the gastrae, that was built in a way similar to that of the lower zoophytes still living today—the sponges, polyps, etc. From this animal species all the various forms living today, from the polyps, sponges, etc., to man, repeat this original form in the course of their ontogenies. [ 26 ] In this way an idea of gigantic scope had been obtained. The path leading from the simple to the complicated, to the perfect form in the world of organisms, was thereby indicated in its tentative outline. A simple animal form develops under certain circumstances. One or several individuals of this form change to another form according to the conditions of life to which they are exposed. What has come into existence through this transmutation is again transmitted to descendants. There are then two different forms, the old one that has retained the form of the first stage, and a new one. Both of these forms can develop in different directions and into different degrees of perfection. After long periods of time an abundant wealth of species comes into existence through the transmission of the earlier form and through new formations by means of the process of adaptation to the conditions of life. [ 27 ] In this manner Haeckel connects today's processes in the world of organisms with the events of primeval times. If we want to explain some organ of an animal of the present age, we look back to the ancestors that had developed this organ under the circumstances in which they lived. What has come into existence through natural causes in earlier times has been handed down to our time through the process of heredity. Through the history of the species the evolution of the individual receives its explanation. The phylogenesis, therefore, contains the causes for the ontogenesis. Haeckel expresses this fact in his fundamental law of biogenetics: “The short ontogenesis or development of the individual is a rapid and brief repetition, an abbreviated recapitulation of the long process of phylogenesis, the development of the species.” [ 28 ] Through this law every attempt at explanation through special purposes, all teleology in the old sense, has been eliminated. One no longer looks for the purpose of an organ; one looks for the causes through which it has developed. A given form does not point to a goal toward which it strives, but toward the origin from which it sprang. The method of explanation for the organic phenomena has become the same as that for the inorganic. Water is not considered the aim of oxygen, nor is man considered the purpose of creation. Scientific research is directed toward the origin of, and the actual cause for, living beings. The dualistic mode of conception, which declares that the organic and the inorganic has to be explained according to two different principles, gives way to a monistic mode of conception, to a monism that has only one uniform mode of explanation for the whole of nature. [ 29 ] Haeckel characteristically points out that through his discovery the method has been found through which every dualism in the above-mentioned sense must be overcome.
After Haeckel had absorbed Darwin's view of the origin of man he defended forcefully the conclusion that must be drawn from it. It was impossible for him just to hint hesitatingly, like Darwin, at this “problem of all problems.” Anatomically and physiologically man is not distinguishable from the higher animals. Therefore, the same origin must be attributed to him as to them. Haeckel boldly defended this opinion and the consequences that followed from it for the conception of the world. There was no doubt for him that in the future the highest manifestations of man's life, the activities of his spirit, were to be considered under the same viewpoint as the function of the simplest living organism. The observation of the lowest animals, the protozoa, infusoria, rhizopods, taught him that these organisms had a soul. In their motions, in the indications of the sensations they show, he recognized manifestations of life that only had to be increased and perfected in order to develop into man's complicated actions of reason and will. [ 30 ] Beginning with the gastraea, which lived millions of years ago, what steps does nature take to arrive at man? This was the comprehensive question as stated by Haeckel. He supplied the answer in his Anthropogenesis, which appeared in 1874. In its first part, this book deals with the history of the individual (ontogenesis), in the second part, with that of the species (phylogenesis). He showed point by point how the latter contains the causes of the former. Man's position in nature had thereby been determined according to the principles of the theory of descent. To works like Haeckel's Anthropogenesis, the statement that the great anatomist, Karl Gegenbaur, made in his Comparative Anatomy (1870) can be justly applied. He wrote that in exchange for the method of investigation Darwin gave to science with his theory he received in return clarity and firmness of purpose. In Haeckel's view, the method of Darwinism had also supplied science with the theory of the origin of man. [ 31 ] What actually was accomplished by this step can be appreciated in its full measure only if one looks at the opposition with which Haeckel's comprehensive application of the principles of Darwinism was received by the followers of idealistic world conceptions. It is not even necessary to quote those who, blindly believing in the traditional opinion, turned against the “monkey theory,” or those who believed that all finer, higher morality would be endangered if men were no longer convinced that they had a “purer, higher origin.” Other thinkers, although quite open-minded with regard to new truths, found it difficult to accept this new truth. They asked themselves the question, [ 32 ] “Do we not deny our own rational thinking if we no longer look for its origin in a general world reason over us, but in the animal kingdom below?” Mentalities of this sort eagerly attacked the points where Haeckel's view seemed to be without support of the facts. They had powerful allies in a number of natural scientists who, through a strange bias, used their factual knowledge to emphasize the points where actual experience was still insufficient to prove the conclusions drawn by Haeckel. The typical, and at the same time the most impressive, representative of this viewpoint of the naturalists was Rudolf Virchow (1821–1902). The opposition of Virchow and Haeckel can be characterized as follows. Haeckel puts his trust in the inner consistency of nature, concerning which Goethe is of the opinion that it is sufficient to make up for man's inconsistency. Haeckel, therefore, argues that if a principle of nature has been verified for certain cases, and if we still lack the experience to show its validity in other cases, we have no reason to hold the progress of our knowledge back. What experience denies us today, it may yield tomorrow. Virchow is of the opposite opinion. He wants to yield as little ground as possible to a comprehensive principle. He seems to believe that life for such a principle cannot be made hard enough. The antagonism between these two spirits was brought to a sharp point at the Fiftieth Congress of German naturalists and doctors in 1877. Haeckel read a paper there on the topic, The Theory of Evolution of Today in Its Relation to Science in General. [ 33 ] In 1894 Virchow felt that he had to state his view in the following way. “Through speculation one has arrived at the monkey theory; one could just as well have ended up with an elephant theory or a sheep theory.” What Virchow demanded was incontestable proof of this theory. As soon as something turned up that fitted as a link in the chain of the argumentation, Virchow attempted to invalidate it with all means at his disposal. [ 34 ] Such a link in the chain of proof was presented with the bone remnants that Eugen Dubois had found in Java in 1894. They consisted of a skull and thigh bone and several teeth. Concerning this find, an interesting discussion arose at the Congress of Zoologists at Leyden. Of twelve zoologists, three were of the opinion that these bones came from a monkey and three thought they came from a human being; six, however, believed they presented a transitional form between man and monkey. Dubois shows in a convincing manner in what relation the being whose bone remnants were under discussion stood to the present monkey, on the one hand, and to man of today, on the other. The theory of evolution of natural science must claim such intermediary forms. They fill the holes that exist between numerous forms of organisms. Every new intermediary form constitutes a new proof for the kinship of all living organisms. Virchow objected to the view that these bone remnants came from such an intermediary form. At first, he declared that it was the skull of a monkey and the thigh bone of a man. Expert paleontologists, however, firmly pronounced, according to the careful report, on the finding, that the remnants belonged together. Virchow attempted to support his view that the thigh bone could be only that of a human being with the statement that a certain growth in the bone proved that it must have had a disease that could only have been healed through careful human attention. The paleontologist, Marsch, [e.Ed: perhaps American paleontologist, Othniel Charles Marsh (1831–1899)] however, maintained that similar bone extuberances occurred in wild animals as well. A further statement of Virchow's, that the deep incision between the upper rim of the eye socket and the lower skull cover of the alleged intermediary form proved it to be the skull of a monkey was then contradicted by the naturalist Nehring, who claimed that the same formation was found in a human skull from Santos, Brazil. Virchow's objections came from the same turn of mind that also caused him to consider the famous skulls of Neanderthal, Spy, etc., as pathological formations, while Haeckel's followers regarded them as intermediary forms between monkey and man. [ 35 ] Haeckel did not allow any objections to deprive him of his confidence in his mode of conception. He continued his scientific work without swerving from the viewpoints at which he had arrived, and through popular presentations of his conception of nature, he influenced the public consciousness. In his book, Systematic Phylogenesis, Outline of a Natural System of Organisms on the Basis of the History of Species (1894–96), he attempted to demonstrate the natural kinship of organisms in a strictly scientific method. In his Natural History of Creation, which, from 1868–1908, appeared in eleven editions, he gave a popular explanation of his views. In 1899, in his popular studies on monistic philosophy entitled, The Riddles of the Universe, he gave a survey of his ideas in natural philosophy by demonstrating without reserve the many applications of his basic thoughts. Between all these works he published studies on the most diverse specialized researches, always paying attention at the same time to the philosophical principles and the scientific knowledge of details. [ 36 ] The light that shines out from the monistic world conception is, according to Haeckel's conviction, to “disperse the heavy clouds of ignorance and superstition that have heretofore spread an impenetrable darkness over the most important one of all problems of human knowledge, that is, the problem concerning man's origin, his true nature and his position in nature.” This is what he said in a speech given August 26, 1898 at the Fourth International Congress of Zoologists in Cambridge, On Our Present Knowledge Concerning the Origin of Man. In what respect his world conception forms a bond between religion and science, Haeckel has shown in an impressive way in his book, Monism as a Bond between Religion and Science, Credo of a Naturalist, which appeared in 1892. [ 37 ] If one compares Haeckel with Hegel, one can see distinctly the difference in the tendencies of world conception in the two halves of the nineteenth century. Hegel lives completely in the idea and accepts only as much as he needs from the world of facts for the illustration of his idealistic world picture. Haeckel is rooted with every fiber of his being in the world of facts, and he derives from this world only those ideas toward which these facts necessarily tend. Hegel always attempts to show that all beings tend to reach their climax of evolution in the human spirit; Haeckel continuously endeavors to prove that the most complicated human activities point back to the simplest origins of existence. Hegel explains nature from the spirit; Haeckel derives the spirit from nature. We can, therefore, speak of a reversal of the thought direction in the course of the century. Within German intellectual life, Strauss, Feuerbach and others began this process of reversal. In their materialism the new direction found a provisional extreme expression, and in Haeckel's thought world it found a strictly methodical-scientific one. For this is the significant thing in Haeckel, that all his activity as a research worker is permeated by a philosophical spirit. He does not at all work toward results that for some philosophical motivation or other are considered to be the aim of his world conception or of his philosophical thinking. What is philosophical about him is his method. For him, science itself has the character of a world conception. His very way of looking at things predestines him to be a monist. He looks upon spirit and nature with equal love. For this reason he could find spirit in the simplest organism. He goes even further than that. He looks for the traces of spirit in the inorganic particles of matter:
As he traces spirit down to the atom so he follows the purely material mechanism of events up to the most lofty accomplishments of the spirit:
[ 38 ] One must not confuse this mode of conception with one that dreams souls in a hazy mystical fashion into the entities of nature and then assumes that they are more or less similar to that of man. Haeckel is a strict opponent of a world conception that projects qualities and activities of man into the external world. He has repeatedly expressed his condemnation of the humanization of nature, of anthropomorphism, with a clarity that cannot be misunderstood. If he attributes animation to inorganic matter, or to the simplest organisms, he means by that nothing more than the sum of energy manifestations that we observe in them. He holds strictly to the facts. Sensation and will are for him no mystical soul energies but are nothing more than what we observe as attraction and repulsion. He does not mean to say that attraction and repulsion are really sensation and will. What he means is that attraction and repulsion are on the lowest stage what sensation and will are on a higher one. For evolution is for him not merely an unwrapping of the higher stages of the spiritual out of the lower forms in which they are already contained in a hidden fashion, but a real ascent to new formations, an intensification of attraction and repulsion into sensation and will (compare prior comments in this Chapter). This fundamental view of Haeckel agrees in a certain way with that of Goethe. He states in this connection that he had arrived at the fulfillment of his view of nature with his insight into the “two great springs of all nature,” namely, polarity and intensification (Polarität und Steigerung), polarity “belonging to matter insofar as we think of it materially, intensification insofar as we think of it spiritually. The former is engaged in the everlasting process of attraction and repulsion, the latter in a continual intensification. As matter can never be and act without spirit, however, nor spirit without matter, so matter can also be intensified and the spirit will never be without attraction and repulsion.” [ 39 ] A thinker who believes in such a world conception is satisfied to explain by other such things and processes, the things and processes that are actually in the world. The idealistic world conceptions need, for the derivation of a thing or process, entities that cannot be found within the realm of the factual. Haeckel derives the form of the gastrula that occurs in the course of animal evolution from an organism that he assumes really existed at some time. An idealist would look for ideal forces under the influence of which the developing germ becomes the gastrula. Haeckel's monism draws everything he needs for the explanation of the real world from the same real world. He looks around in the world of the real in order to recognize in which way the things and processes explain one another. His theories do not have the purpose for him, as do those of the idealist, to find a higher element in addition to the factual elements, but they merely serve to make the connection of the facts understandable. Fichte, the idealist, asked the question of man's destination. He meant by that something that cannot be completely presented in the form of the real, the factual; something that reason has to produce as an addition to the factually given existence, an element that is to make the real existence of man translucent by showing it in a higher light. Haeckel, the monistic contemplator of the world, asks for the origin of man, and he means by that the factual origin, the lower organism out of which man had developed through actual processes. [ 40 ] It is characteristic that Haeckel argues for the animation of the lower organisms. An idealist would have resorted to rational conclusions. He would present necessities of thought. Haeckel refers to what he has seen.
The idealist attributes spirit to matter because he cannot accept the thought that spirit can develop from mere matter. He believes that one would have to deny the spirit if one does not assume it to exist before its appearance in forms of existence without organs, without brains. For the monist, such thoughts are not possible. He does not speak of an existence that is not manifested externally as such. He does not attribute two kinds of properties to things: those that are real and manifested in them and those that in a hidden way are latent in them only to be revealed at a higher stage of development. For him, there is what he observes, nothing else, and if the object of observation continues its evolution and reaches a higher stage in the course of its development, then these later forms are there only in the moment when they become visible. [ 41 ] How easily Haeckel's monism can be misunderstood in this direction is shown by the objections that were made by the brilliant thinker, Bartholomaeus von Carneri (1821–1909), who made lasting contributions for the construction of an ethics of this world conception. In his book, Sensations and Consciousness, Doubts Concerning Monism (1893), he remarks that the principle, “No spirit without matter, but also no matter without spirit,” would justify our extending this question to the plant and even to the next rock we may stumble against, and to attribute spirit also to them. Without doubt such a conclusion would lead to a confusion of distinctions. It should not be overlooked that consciousness arises only through the cell activity in the cerebrum. “The conviction that there is no spirit without matter, that is to say, that all spiritual activity is bound to a material activity, the former terminating with the latter, is based on experience, while there is no experience for the statement that there is always spirit connected with matter.” Somebody who would want to attribute animation to matter that does not show any trace of spirit would be like one who attributed the function to indicate time not to the mechanism of a watch but to the metal out of which it is made. [ 42 ] Properly understood, Haeckel's view is not touched by Carneri's criticism. It is safe from this criticism because Haeckel holds himself strictly within the bounds of observation. In his Riddles of the Universe, he says, “I, myself, have never defended the theory of atom-consciousness. I have, on the contrary, expressly emphasized that I think the elementary psychic activities of sensation and will, which are attributed to the atoms, as unconscious.” What Haeckel wants is only that one should not allow a break in the explanation of natural phenomena. He insists that one should trace back the complicated mechanism by which spirit appears in the brain, to the simple process of attraction and repulsion of matter. Haeckel considers the discovery of the organs of thought by Paul Flechsig to be one of the most important accomplishments of modern times. Flechsig had pointed out that in the gray matter of the brain there are to be found the four seats of the central sense organs, or four “inner spheres of sensation,” the spheres of touch, smell, sight and hearing. “Between the sense centers lie thought centers, the ‘real organs of mental life.’ They are the highest organs of psychic activity that produce thought and consciousness. . . . These four thought centers, distinguished from the intermediate sense centers by a peculiar and highly elaborate nerve structure, are the true organs of thought, the only organs of our consciousness. Recently, Flechsig has proved that man has some especially complicated structures in some of these organs that cannot be found in the other mammals and that explain the superiority of human consciousness.” (Riddles of the Universe, Chapt. X.) [ 43 ] Passages like these show clearly enough that Haeckel does not intend to assume, like the idealistic philosophers, the spirit as implicitly contained in the lower stages of material existence in order to be able to find it again on the higher stages. What he wanted to do was to follow the simplest phenomena to the most complicated ones in his observation, in order to show how the activity of matter, which in the most primitive form is manifested in attraction and repulsion, is intensified in the higher mental operations. [ 44 ] Haeckel does not look for a general spiritual principle for lack of adequate general laws explaining the phenomena of nature and mind. So far as his need is concerned, his general law is indeed perfectly sufficient. The law that is manifested in the mental activities seems to him to be of the same kind as the one that is apparent in the attraction and repulsion of material particles. If he calls atoms animated, this has not the same meaning that it would have if a believer in an idealistic world conception did so. The latter would proceed from the spirit. He would take the conceptions derived from the contemplation of the spirit down into the simplest functions of the atoms when he thinks of them as animated. He would explain thereby the natural phenomena from entities that he had first projected into them. Haeckel proceeds from the contemplation of the simplest phenomena of nature and follows them up to the highest spiritual activities. This means that he explains the spiritual phenomena from laws that he has observed in the simplest natural phenomena. [ 45 ] Haeckel's world picture can take shape in a mind whose observation extends exclusively to natural processes and natural entities. A mind of this kind will want to understand the connection within the realm of these events and beings. His ideal would be to see what the processes and beings themselves reveal with respect to their development and interaction, and to reject rigorously everything that might be added in order to obtain an explanation of these processes and activities. For such an ideal one is to approach all nature as one would, for instance, proceed in explaining the mechanism of a watch. It is quite unnecessary to know anything about the watchmaker, about his skill and about his thoughts, if one gains an insight into the mechanical actions of its parts. In obtaining this insight one has, within certain limits, done everything that is admissible for the explanation of the operation of the watch. One ought to be clear about the fact that the watch itself cannot be explained if another method of explanation is admitted, as, for instance, if somebody thought of some special spiritual forces that move the hour and minute hands according to the course of the sun. Every suggestion of a special life force, or of a power that works toward a “purpose” within the organisms, appears to Haeckel as an invented force that is added to the natural processes. He is unwilling to think about the natural processes in any other way than by what they themselves disclose to observation. His thought structure is to be derived directly from nature. In observing the evolution of world conception, this thought structure strikes us, as it were, as the counter-gift from the side of natural science to the Hegelian world conception, which accepts in its thought picture nothing from nature but wants everything to originate from the soul. If Hegel's world conception said that the self-conscious ego finds itself in the experience of pure thought, Haeckel's view of nature could reply that the thought experience is a result of the nature processes, is, indeed, their highest product. If the Hegelian world conception would not be satisfied with such a reply, Haeckel's naturalistic view could demand to be shown some inner thought experience that does not appear as if it were a mirror reflection of events outside thought life. In answer to this demand, a philosophy would have to show how thought can come to life in the soul and can really produce a world that is not merely the intellectual shadow of the external world. A thought that is merely thought, merely the product of thinking, cannot be used as an effective objection to Haeckel's view. In the comparison mentioned above, he would maintain that the watch contains nothing in itself that allows a conclusion as to the personality, etc., of the watchmaker. Haeckel's naturalistic view tends to show that, as long as one is merely confronted with nature, one cannot make any statement concerning nature except what it records. In this respect this naturalistic conception is significant as it appears in the course of the development of world conception. It proves that philosophy must create a field for itself that lies in the realm of spontaneous creativity of thought life beyond the thoughts that are gained from nature. Philosophy must take the step beyond Hegel that was pointed out in a previous chapter. It cannot consist of a method that moves in the same field with natural science. Haeckel himself probably felt not the slightest need to pay any attention to such a step of philosophy. His world conception does bring thoughts to life in the soul, but only insofar as their life has been stimulated by the observation of natural processes. The world picture that thought can create when it comes to life in the soul without this stimulus represents the kind of higher world conception that would adequately complement Haeckel's picture of nature. One has to go beyond the facts that are directly contained in the watch if one wants to know, for instance, something about the form of the watchmaker's face. But, for this reason, one has no right to demand that Haeckel's naturalistic view itself should not speak as Haeckel does when he states what positive facts he has observed concerning natural processes and natural beings. |
71b. Man as a Being of Spirit and Soul: The Psychological Expression of the Unconscious
26 Feb 1918, Nuremberg Tr. Michael Tapp, Elizabeth Tapp Rudolf Steiner |
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But now the scientist of spirit, in practicing the activity necessary for spiritual investigation (as described yesterday), experiences another self, the same self, but in another form, the true ego—he experiences the spirit-soul nature of man independently of the bodily nature. However great a horror it may be for many people, it is nevertheless true that spiritual experiences are achieved outside the body. |
71b. Man as a Being of Spirit and Soul: The Psychological Expression of the Unconscious
26 Feb 1918, Nuremberg Tr. Michael Tapp, Elizabeth Tapp Rudolf Steiner |
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I took the liberty of pointing out yesterday that there is some antipathy on the part of the ordinary scientific outlook toward the nature and the entire method of the science of spirit which can and must be placed alongside ordinary science. I pointed out further that there is a certain subjective prejudice at the present time which makes it difficult for people really to go into and acquire an understanding of the science of spirit, that is, for people who think they stand on the sure foundation of science—on which, of course, the science of spirit also stands—but who are of the opinion that it is not possible to bridge the gap from this kind of foundation to a real science of spirit. However, a fact about the soul-life of present day humanity emerged from my exposition yesterday, the fact that it is joist in immersing ourselves in the scientific knowledge of the present time that we are bound to long, and indeed, do long to acquire knowledge about the human being that goes beyond the ordinary everyday life of the soul, which, of course, of necessity is tied to the observation and experience of the physical sense world. Now it is naturally possible to say that the views of the world generally held, that have arisen through the influence of scientific ideas, are proving to be increasingly incapable of dealing with methods of research other than those which are concerned with what is physically present in the world. And so now it is intended to investigate what lies beyond normal consciousness with the same kind of sense perception—providing we really do want to investigate it, and not just drop it—as science uses to investigate nature. For this reason the existence of one border area at least in human experience has found recognition recently among people who want their work to remain on a scientific basis but who, on the other hand, desire to penetrate the mysteries of human soul life, inasmuch as this lies within the conscious sphere that is, as I have said, more or less tied to the world of the senses. People have gradually become convinced that it is not possible to investigate the mysteries of soul life, that there is much that rises up into the soul life of the human being out of unknown depths, or one could also say, out of unknown heights, that is well suited to provide information about what the core of man's being really is, rather than what is to be found within our ordinary consciousness. But because, generally speaking, the science of spirit is regarded as something not sufficiently tangible, as something that leads one away from the real world—so many would say—an attempt is made to investigate a kind of border area by ordinary scientific means. The science of spirit has therefore every reason from its point of view, to refer to this border area and to deal with it. It is the region that we have more recently become accustomed to call the unconscious. There is also another reason why it is especially important for the science of spirit to offer some thoughts about this area of the unconscious, and that is because some of the things that are said in this connection are misunderstood, so that the science of spirit is confused with what is said about this border area, more or less justifiably, by those representing other approaches to the problem. By “unconscious” one usually means what rises up from unknown regions and flows into one's conscious life. It would of course take a very long time if I were even to give an outline of all that science over the whole world has had to say about this region of the unconscious. In the cultural life of Central Europe the expression “the unconscious” has of course become well known since the 1860's through the popular philosophy of Eduard von Hartmann, who sought the reasons for all that the human being experiences consciously in a spiritual unconscious, whether it be below or above the conscious. If I may be allowed, by way of introduction, to make a personal remark—the way in which Eduard von Hartmann approaches spiritual life, which is supposed to remain unconscious for ordinary consciousness (although he is dealing with something spiritual and although he sees a revelation of the unconscious, of the spiritual unconscious, in the physical sense world), his approach and outlook are in a way diametrically opposed to the view which I am putting forward. And through being personally acquainted with Eduard von Hartmann I tried already in the 1880's to thrash these things out with him personally and in correspondence. I tried to show the difference between the anthroposophically orientated science of spirit and an outlook founded on the unconscious like, for instance, that of Eduard von Hartmann. I discussed this difference recently in a rather personal way in the February number of the second year of the magazine Das Reich. I shall now indicate in a few words what is discussed more fully there: Eduard von Hartmann points out that everything the human being is able to reveal in his ordinary life rests on something spiritual and unconscious. He maintains the view that this unconscious can be reached only by means of the power of logical thinking; it deduces something unknown that abides, that can be reached only conceptually and grasped in hypotheses from what is perceptible in the sense world. And he points out that this unconscious is not in itself conscious in the same way that the human being, for instance, is conscious.—In these two respects the science of spirit is radically different from this view of Eduard von Hartmann: firstly the science of spirit is founded on the fact that—I described this more fully yesterday and named the books which provide the necessary basis—it not only seeks to penetrate the spiritual spheres by means of hypotheses and logical deductions, but by bringing out of the soul certain forces that slumber in it which remain unconscious for our ordinary consciousness, forces that are raised into our consciousness by means of a strengthening and intensification of our soul life. These unconscious forces in the soul are able to enter into the consciousness of the human being, so that he can tread the path from the sense world to the super-sensible world in full consciousness by means of spiritual observation, so that he can observe this super-sensible world in a spiritual way, just as he can observe the sense world. The science of spirit, therefore, does not describe a hypothetical path from the sense world into the super-sensible, but a real path that can be experienced. And on the other hand, the science of spirit has to emphasize that something spiritual that is unconscious, in which no consciousness can be found, is really of no more value than the great unconscious sphere of purely material atoms and their processes, the purely physical foundation of existence. What would be the point of something spiritual that is supposed to underlie the sense world, if it is unconscious? For then the human being would be the only conscious being to raise himself out of a world, which, as far as consciousness is concerned, would have no more value than the unconscious world of purely material phenomena?—The science of spirit, therefore, does not deal with this unconscious, which in itself is devoid of consciousness, but is concerned with spiritual beings existing behind the physical world and which are just as conscious as human beings, and in some respects even have a higher consciousness than the latter. This is what differentiates the view of the anthroposophically orientated science of spirit about the unconscious from such a view as Eduard von Hartmann's, which is actually held by many people today in the same sense as he held it, even if they do not intend getting away from the scientific viewpoint. Today we shall have opportunity to show in what way the science of spirit can really penetrate into the sphere of spiritual life, and we shall do this by taking into consideration the unconscious phenomena in human soul life which enter into our consciousness in a less complete way than does the science of spirit. But I must take certain things for granted, which were described yesterday—that by means of inner processes in the soul (if we wish to be particular, we should call them “exercises”) our ordinary soul life, even if it is only a mystical soul life, can be treated in such a way that the human being can rise from this soul life to the spiritual, just as from another aspect he can descend from soul life to the physical by means of scientific observation. Having acquired this perception of the spiritual or—to use Goethe's expression once more—the eyes of the spirit and the ears of the spirit, we are then in a position to view what normally appears in our conscious soul life from unknown depths or heights from our newly-won viewpoint in a quite different way. Now of course the border areas with which we are concerned cover a wide field. Today I shall select only a few of them, but they will shed light on everything else in our unconscious soul life and its manifestations. I shall take something which is well known to everyone, but which remains an enigma in human existence: our world of dreams. I shall then deal with a subject that more recently has become the child of all those who seek to penetrate into the spiritual super-sensible world, but who shy away from practicing the real science of spirit; and that child is what is called “somnambulism” and also “medium-ship,” which is related to it. I shall then proceed to another aspect where it is certainly sufficiently well known that it arises out of the unconscious depths of soul life, and this is the whole sphere of artistic enjoyment and creation, which I shall deal with briefly. Then I shall come to a subject which perhaps many people do not consider belongs to the unconscious and its manifestation, but which at least can be seen—by those who are reasonable about it—to be something that plays into our semiconscious life, and this is the sphere of human destiny, which will be considered from the viewpoint of the science of spirit, the real and true clairvoyance. I am not fond of the word clairvoyance because it is mixed up with all sorts of amateurish and other nonsense, but the way I use it today will perhaps be justified, and should be self- explanatory. I shall indicate what is the sphere of the science of spirit itself, for this science feels itself called upon to raise what is spiritually unconscious into consciousness. I would like first of all to describe one or two characteristic properties of the real experience the scientist of the spirit has of the super-sensible, spiritual world. This will then form the basis for what I have to say about the other phenomena of the unconscious, which I have so far only just mentioned and which I shall describe later from the viewpoint of the science of spirit. As we have not much time, I shall not be able to go into the ordinary scientific view of these things as well. When the human soul has reached the point with the scientist of spirit of being able to approach a spiritual world in the same way that we approach the physical sense world with our physical eyes and ears and the other sense organs, then the human being perceives the spiritual world and can grasp its connection with the physical sense world. I pointed out yesterday that it is quite unjustified to object that what the science of spirit describes is really only put together out of the physical sense world and then transferred to the spiritual world. And I also pointed out that anyone who has conscientiously used the methods of the science of spirit for several years knows that he often finds himself in the position that what he experiences in the spiritual world looks quite different from anything that can be experienced in the transitory physical sense world. Even in the experience of the spiritual world, the whole mood and constitution of the soul is radically different from normal soul life. And so I would like first of all to describe one or two characteristic properties of this experience in the spirit. If one has only a superficial understanding of what we mean by the science of spirit it is easy enough to say that the scientist of spirit lives in a kind of self-deception:—he puts things together in his mind and thinks that the resulting idea is the revelation of a spiritual world, having overlooked or forgotten how he really gained the idea through sense perception in the first place.—Of course, it is true that if the scientist of spirit were to experience spiritual perception in the same way he gains ideas from the sense world, then he would naturally become suspicious of the science of spirit. But this is not the case. One of the most fundamental characteristics of what we are able to perceive in our thoughts of the sense world appears quite different when compared with real spiritual experiences. The ideas and images we form through contact with the sense world are impressed upon the soul, and we are able to recall them after a while; they can be raised up out of the treasure of our memory. The spiritual experiences which the scientist of spirit has are different, for it is not possible to recall them in this way. What the soul experiences when it approaches spiritual perception is not just an idea. For an idea can be incorporated into the memory, but a spiritual experience of this sort cannot be directly incorporated into the soul. A spiritual experience or perception disappears, just as our view of a tree that we have looked at for a time disappears when we turn away from it. When the perception comes to an end, it can no longer be experienced by the soul—we have to approach it again in order to see it as it really is. The image or idea we keep in our memory, but to see the actual tree we have to go to where it is. Just as we no longer see the tree when we have gone away from it, so the spiritual perception is no longer experienced by the soul when the perception itself has ceased. From this it follows that with experience of a spiritual nature we are not dealing with a mere combination of ideas, thoughts and images, for they can be remembered. But then one could object that if this is in fact the case, it would never be possible to report such spiritual experience if it could not be remembered—nothing could be said about it, for it would disappear from our soul life as soon as it had been experienced.—But actually it is not like this at all. The scientist of spirit can formulate ideas about what he has experienced spiritually, just as we are able to formulate ideas about things, beings and processes in the sense world, and these ideas can be retained. It depends on the scientist of spirit being able to differentiate actual experience from the images and ideas which arise out of it, just as in ordinary life we distinguish our sense perception from the idea which arises from it. We can look at this in another way. If we wish to have a spiritual experience in the same way a second or third time, it is not sufficient just to recall the image or idea of it. For in this case it is clear that we do not then have the full experience, but only a pale image of it. If we want to have the experience again, we have to reawaken the slumbering forces of the soul and to enter into the experience afresh. With certain characteristic phenomena of the spiritual world we can only remember the way we approached the experience—this can be recalled, and the experience attained a second, third or fourth time. But then it is certainly not a case of the experience following the same laws that underlie the normal way of imagining and thinking.—This is the one aspect. You can see from this that the scientist of spirit is no dreamer, but that his own inner self- perception enables him to be absolutely clear about what leads him to real experiences. The second aspect is that an experience attained through the science of spirit has a relationship to our soul life quite different from an experience that takes place in our normal consciousness in the physical sense world. What would be the use of our physical life if we were not able to acquire certain skills, certain habits, if we were not in a position of being able to try and do something better a second time, when the repetition of an action would serve no purpose? The repetition of an action is incorporated into our normal experience as a habit. But spiritual experiences cannot be incorporated into our soul life in the same way. Many—those who are beginners in spiritual experience—find this out, to their surprise. It is comparatively easy—I say comparatively easy—to achieve certain initial experiences of the spiritual world if one carries out the exercises described in my book How to Attain Knowledge of Higher Worlds, and beginners are always overjoyed when they have their first experiences of a spiritual nature. But then they are all the more surprised when these experiences cannot easily be repeated, or when they cannot be repeated at all. And one can feel very miserable because an experience which one has had cannot be recalled; one does not seem to get any better at it. It is not possible to turn what has been experienced in the spirit into a habit. On the contrary, with repetition it becomes increasingly more difficult to do the repetition. Thus, as a matter of fact, a large part of the exercises that have to be done if we wish to bring about a repetition of certain experiences, consists of doing quite different things the second or third time. Experience of a spiritual nature has therefore a quite different relationship to the physical, since it works against habit. There is a third aspect of what is characteristic in spiritual experience, and that is, however odd it may sound, that real spiritual experience—which has absolutely nothing to do with anything concerned with the body—is something that is over in a split second. In fact, this is even a reason why so few people today attain spiritual experience. In ordinary life people are accustomed to take a certain time to assimilate something that appears on their horizon. If the experience is a spiritual one, it is over before the person has been able to notice it. What is therefore necessary above all in order to have real spiritual experience, is what one could call presence of mind. If we want to have spiritual experience we have to get used to situations in ordinary life which demand quick decisions, where the situation must be summed up immediately, and where there is no time to delay by changing our minds. People who have no wish to make any progress in this kind of self-education, to make quick decisions in certain situations, to see quickly what has to be done, are not suited to gaining the necessary control over their own souls in order to achieve spiritual experience easily. The kind of person who can tackle a situation, not by looking at it from every possible angle and fussing about, but by making a decision immediately upon being confronted with the situation and then also sticking to it, has a good foundation for spiritual experience. For spiritual experiences within us have to be gone through just as quickly as we have to grasp some situations in life and make decisions, which if they were not made quickly would perhaps lead to misfortune and ruin.—I am not saying that spiritual experience can lead to ruin, for in this case it will not have existed. This attitude toward it is necessary. And now there is a fourth characteristic—that spiritual experiences are always individual. In the physical world we are accustomed to dividing everything into particular classes or categories, in fact we divide the whole of life in this way. We speak of the famous—if not notorious—“Scheme F.” Everything has to belong to a certain category, to be put in its particular place. People believe that law is to be found in the world of phenomena only when everything is fitted into various categories. We should imagine for once how we should deal with nature, which we quite rightly divide into categories, if everything were individual. And we should imagine what human life would be like if it were not, for instance, possible in every single instance to turn to a book of laws, if it were not possible to fit a particular case neatly into a ready-made compartment, but if we had to face it with individual judgment. People are accustomed from experience in the physical world to making everything fit into patterns. All this putting things into categories, classes, determining a particular order with particular laws, all this has to be given up, though not in connection with the physical world, for this would make one unfit for the latter, but for the sphere of spiritual experiences. What is experienced in the spiritual world is always portrayed as something individual. This is why people so often take a stand against the science of spirit. If we speak about what has been discovered by the science of spirit—and having given lectures for so many years now, I do not hesitate to present concrete examples about this science of spirit—let us say, for example, that I describe how the sudden death of a person has the effect in the spiritual world of his experiencing spiritually in the single moment when his physical body is destroyed through an accident, as much as he would have been able to experience in twenty or thirty years in life. If such a thing as this is described, then it can be related only to a particular case. Of course, someone else comes along and says,—Sudden deaths have this and that effect. He would like to make a law of it. Such laws, if I may put it this way, are the enemy of the true way of knowledge of the science of spirit, because in spiritual experience each single case represents something individual and unique, and because one always has to be surprised how something can always appear—and in life people like so much to stick to the old. One can write down the most subtle experiences of the physical world in a notebook and can put it in one's coat pocket. Such a procedure is impossible with knowledge derived from the science of spirit. This is why there are so many different kinds of descriptions that the scientist of spirit must give. Those of you who are here now and who have often been present at the lectures which have been given here for many years, will have heard me deal with similar subjects, never in the same way, but always varied in one way or the other, individualized. Last winter, for instance, I spoke on the same theme in many German cities, sometimes for several days in succession, but each time in a different way, describing the same things differently. Knowledge derived through the science of spirit makes a claim upon the spirit which we can describe as the mobility of this spirit. We conclude therefore that the important thing is not the content, the actual content of the words, but that this content is drawn and spoken out of the spirit itself. You will see from this that it is always necessary to become accustomed to a quite different kind of mood and disposition of soul when we rise from the transitory to the intransitory, when we approach the part of man that belongs to the intransitory world, the eternal core of his being. It is therefore understandable that the science of spirit is not only considered to be difficult to understand, but is attacked, misunderstood and confused with all sorts of other things. As someone said recently (someone who prefers to hear only what he has heard before)—it is irritating. Of course it is irritating to someone who only wants all his old dogmas warmed up once again. Thus it is not only that what the science of spirit has to say about the eternal, the spiritual, is different from what is to be found to be real in the physical sense world, but also that the attitude of the soul toward the spirit is different from its attitude toward the physical sense world. With the kind of attitude of soul I have just described in its characteristic properties, it is possible to approach the part of man that goes through births and deaths, the eternal core of the human being, which as a spiritual entity belongs to the spiritual world just as man as a physical, bodily creature belongs to physical nature and its kingdoms. What the science of spirit finds in this way is at first something unconscious for our normal consciousness, but it can be drawn into our normal consciousness. This is the essential thing about the method of the science of spirit—that it sets out to reveal what in normal life is generally hidden in the unconscious of the human soul. For the science of spirit brings nothing new to light and does not invent it, but the eternal core of the human being goes through—to use yesterday's expression—a spiritual digestion, just as the physical body has a material digestion—this exists in every human being. The scientist of spirit only brings to light what functions and weaves within every human being. It is his task to bring to consciousness what otherwise remains unconscious. All he talks about is nothing other than the foundation out of which everyone speaks and thinks and acts. Only it so happens that the sphere of the spirit is either subconscious or superconscious—i.e. unconscious—for our normal consciousness. Now, seen from the viewpoint of our normal soul life, something iridescent and vacillating enters into the sphere of this soul life. What is meant here belongs to the border areas which I have spoken about. Everyone is familiar with this border area which appears so ordinary and which yet is so mysterious: the remarkable sphere of our dream life. This dream life with its pictures that enters into our ordinary soul life, gives the investigator quite different problems from the person who just lets it pass him by, or at the most approaches it with a few superstitious ideas. A lot could be said just to describe some of the more outward characteristics of our dream life, but here I only want to give a sketch of this dream life as seen by the science of spirit by calling special attention to a few of its characteristic properties—those properties which will serve to enable us to come to know the nature of it. Presumably everyone knows—and many philosophical approaches to dreams have recognized this—that many of our dreams are stimulated by a sense impression. The world of dreams that we experience is very much connected with the world of our unconscious sleep. When a person is deep in unconscious sleep he is completely cut off from his environment, both by his senses and his limbs. If we are really in unconscious sleep there is nothing in the room, whatever may be there, that can affect our senses. We cannot think about anything that is around us, and in really dreamless sleep we are not able to do anything either. We can establish no relationship at all to our environment—in a sense we are isolated from what surrounds us.—What is characteristic of our dreams is that we really remain in a dreaming state in this isolation and even if the isolation appears to be broken by a sense impression, it is really only in appearance. What are such dreams? Everyone knows them. Someone dreams, for instance, about horses trotting by; he wakes up, and after waking knows exactly where the sound has come from—the ticking of a watch that he had put down nearby. He had heard this ticking because of a particularly sensitive functioning of his ears which must have started at that moment. But now what goes through the mind, the perception, does not work in the normal way as it would in the outer world, but in a dramatized form. Therefore we do not establish a relationship with our environment through our senses, but remain in an isolation which sleep has brought about, and what affects the senses is transformed in the soul. We dream, for example, of a red hot stove, we hear it roaring.—The beat of our heart has become stronger, and becomes the symbol in us of the roaring hot stove. We even have the same relationship to our body as we have in dreamless sleep; the soul simply transforms the impression that comes from the body. Thus we maintain the same relationship with our body when dreaming which we have in dreamless sleep—isolated even from our own body. We all know that we go on whole journeys in dreams, journeys we could never undertake in real life, journeys where we fly with wings. But at the same time we know that all this does not change our relationship to the outer world, as it would do in real life. Even regarding what we experience as a relationship of our being to an environment in our dreams, nothing changes our relationship to the outer world. So we can say that what is characteristic of dreams is that in an important respect they do not alter the relationship the human being has to his environment and to himself by virtue of his spirit-soul-body constitution operating through his senses, movements and his own physical body. This also distinguishes dreams from all the other unconscious regions I shall characterize today. It also distinguishes them from everything based on a change in the relationship of the human being to his environment. Even ordinary observation bears out the fact that dreams may not be confused with anything abnormal in soul experience, that they are quite normal and healthy, and are not abnormal in the way they appear in normal human soul life. A peculiarity of dream life that is particularly important for what I am going to say is that the course of our dreams shows that we cease to join the sequence of dream images in a logical way. We are no longer connected to normal logic. We cannot be logical in dreams. There is one objection to this, however.—The scientist of spirit always knows the objections that can be made. Of course, the unfold-ment of some dreams is such that we can say that the pictures are joined together in a logical sequence. But, in fact, it is different, for exact observation reveals that as long as a dream appears logical, it consists only of reminiscences of life, which had a logical sequence before. Whatever has a logical sequence in life can be dreamed again, but it does not become logical in the dream. The logic that is normally present in our soul life is therefore not present in the action of our dreams. Moral feelings and attitudes concerning human actions are also missing. We all know the many things we are capable of doing in dreams. We all know that in dreams we achieve things and ascribe them to ourselves, that we would condemn in ordinary life. Not only does logic come to an end in dreams, but our moral outlook as well.—These are two important characteristics that we must hold on to if we are to investigate the nature of dreams. It is of course true that much can be said about dream life from the ordinary physical viewpoint, but we do not want to touch upon this today, for a merely outward scientific method of observation cannot get at the real nature of dreams—for the simple reason that there is nothing with which our normal consciousness can compare dream life. Dreams enter into our normal conscious experience as phenomena that cannot be compared with anything else. And if something cannot be compared with anything else, if it is not possible to incorporate it into a particular scheme, if it portrays something individual through its own particular nature, it cannot be studied by an external scientific method of observation. Only from the point of view of the science of spirit is it possible to gain a true picture of dreams and their nature, for the simple reason that by means of the development of the soul, which I have outlined today, the scientist of spirit attains a pictorial or other kind of spiritual experience which, while radically different from dreams, nevertheless in its form, experience, its intensity of experience, is somewhat similar to dreams. We can leave aside for the moment the question of how dreams are related to reality. We do not wish to go into this now. But the scientist of spirit knows that in what he experiences, which at first is pictorial, he stands before a real spiritual world, he experiences a spiritual world. He can therefore look at the world of dreams and describe it from the world he experiences. This is the one thing. By means of this he acquires a view given to him by his actual observation of what dreams really are in the human soul. Seen from the viewpoint of ordinary consciousness, it is not possible to know what dreams are. Dreams rise up in our soul life, surge up like unknown waves out of the depths, but we do not know what it is that is active, that is dreaming in our souls. But now the scientist of spirit, in practicing the activity necessary for spiritual investigation (as described yesterday), experiences another self, the same self, but in another form, the true ego—he experiences the spirit-soul nature of man independently of the bodily nature. However great a horror it may be for many people, it is nevertheless true that spiritual experiences are achieved outside the body. The scientist of spirit therefore knows what it means to be outside the body, and he can now compare this with the world of dreams. In seeing the world of dreams on the one hand, and knowing spiritual experiences on the other, he knows that the same thing that normally dreams in the soul is experienced spiritually when practicing the science of spirit. It is one and the same thing: what dreams and what is active in the science of spirit, only in investigating the spirit we stand before the real region of the spirit, and in dreams—and this is what is important:—What is it that we stand before in dreams? The difference between standing before the reality of the spirit with our own self in the investigation of the spirit, and in our dreams, is that the scientist of spirit has prepared his soul beforehand to enter into the spiritual world, in which he then perceives in the same way that we normally perceive with our eyes and ears in the physical world, and through his investigation he discovers that in sleep the human being leaves the body. But because he lacks the necessary organs to perceive there, his consciousness remains dull and unconscious from the moment of going to sleep to waking up. Now when a human being has fallen asleep, his spirit-soul nature lives. The scientist of spirit can compare what he perceives in the spiritual world with what the unconscious spirit-soul nature experiences from the moment of going to sleep to waking. He experiences the spirit-soul nature unconsciously in the spiritual world, draws himself again into the physical body on waking, and then makes use of the physical body in order to establish a relationship to his environment. Now it is not sufficient simply to describe what happens to the body between going to sleep and waking, and what sort of organic physical processes take place in it. For significant things also happen to the spirit-soul nature at the same time. The soul is quite different when it awakens and returns to the body from when it leaves the body. And in entering the body once more it can happen—as in ordinary life—that the spirit-soul nature simply submerges into the body and makes use of the body, and having penetrated it like a fast moving arrow it becomes active and uses the body as a means of perception. But it can also happen that the forces, the content that the spirit-soul nature has acquired from the moment of sleeping to awaking, are—if I may use the expression—for a moment too intense to enter into the body. What the soul upon waking has acquired since the moment of going to sleep, does not fit into the configuration of the picture that the body has of the soul, and so what then happens appears to be a reflection of what the soul has experienced unconsciously during sleep. Something like a mirror picture is reflected back upon waking, because upon waking the soul cannot at first be adapted to the body. In this way the soul clothes these quite different kinds of experiences of the spiritual world, which it has gone through during sleep, in pictures borrowed from our memory, from ordinary life, or which are transformed sense or bodily impressions. It is the eternal that dreams in the human being, just as it is the eternal in the human being that investigates the spirit, but it is clothed with the events of everyday life. Thus we can say that in dreams the eternal in man perceives the temporal. It is the eternal in man that perceives what takes place in time. And in this respect dreams, despite the fact that the content of their pictures, which is taken from temporal life, is nothing special, even for the scientist of spirit, if it is a normal dream, are a real revelation of the unconscious eternal-spirit nature living in man, of the super-sensible. The scientist of spirit is in the position to be able to distinguish between what dreams present in pictures, and what they are really based upon. I have recently spoken about the various phenomena of human soul life from a different viewpoint in another city—a city where a great deal of work has been done on Psychoanalysis. Psychoanalysis deals among other things with the world of dreams. There were some gentlemen present who, as so often happens with the science of spirit, completely misunderstood what I said. In relation to what I said about dreams they thought they were very much more clever. They said: This person and his science of spirit, he speaks about dreams. We psychoanalysts know that dreams only have a symbolical meaning. We know that dreams should only be handled as a matter of symbolism, but he takes dreams to be something real! He is on quite the wrong path.—As I said, they thought they were very clever. But the matter in which they thought themselves clever, in fact, arose only out of their own lack of understanding. For the scientist of spirit does not take the content of dreams to be symbolical or anything else. The scientist of spirit who is accustomed to observing such things knows that what really happens in the soul during sleep can be the same with ten people, but when these ten people relate their dreams, all ten are different. The scientist of spirit knows that although the ten people have dreams, all with a different content, the same or at least very similar spiritual and unconscious experience is the basis for all of them. Moreover, the scientist of spirit would never simply take the content of the dream by itself, whether symbolically or not symbolically, for he knows that the same dream can be clothed in ten, a hundred or a thousand different ways, because the eternal regards the temporal in such a way as to clothe itself with it. The scientist of spirit therefore studies the course of the dream, the way in which tension is released, whether a rise or a fall follows. It is the inner drama, the type of rhythmical sequence, I would even say, the musical nature, that comes to expression in the most varied ways in the pictures of a dream. That is what he studies. Dreams are the witness of real spiritual experience; their content is a garment which clothes the experience. But when one is experienced in such things it is possible to see through the content to what can be experienced. This is the one aspect of the nature of dreams that the science of spirit points to. The other aspect is the following. When the scientist of spirit progresses and comes to have experiences in the spiritual world, he notices that his dream life changes. Among the many who have already had practical experience with ways of the science of spirit are some who acquire a convincing idea of the science of spirit and feel that it means a lot to them by seeing how their dream life is transformed. They see that what normally happens in dreams is that there is a succession of quite arbitrary images, but then they see how it becomes increasingly full of meaning, and that finally they are able to direct the dream in certain respects. In short, the most varied people entering into the science of spirit notice that the changes which take place in dreams take dreams in the same direction as the first stages of real spiritual knowledge. In fact, it is by means of this transformation of the world of dreams that the scientist of spirit is able to get at the actual nature of dreams. He raises his dreams out of their temporality through what he has become as a scientist of spirit. Dreams then no longer have the tendency to clothe themselves with temporal things. It is a great moment when the scientist of spirit has progressed sufficiently to dream not only the outer pictures that have symbolical value, but in his dreams to enter into the sphere which normally he would only enter arbitrarily.—It is a great moment when he learns how the spiritual world sends him experiences in his dreams that penetrate like an act of grace into his normal experience, and which really are no longer dreams, although in certain respects they may appear like dreams. Thus the science of spirit shows that dreams flow out of the eternal spirit-soul sphere, but that the human being who has not managed to be conscious of this eternal spirit-soul sphere clothes the events which happen between going to sleep and waking up with his memories, with his impressions of everyday life. Whether dreams are subconscious or unconscious events, or whether they are grasped by the scientist of spirit, they can be regarded as something healthy and normal. This is more than can be said of the other border areas. It is remarkable that there are philosophers, Eduard von Hartmann among them, who compare dream pictures, the origin of which we have just recognized, with hallucinations and visions. Whereas dream pictures originate in the spirit-soul sphere, and only come into being in coming into contact with the bodily nature, visions and hallucinations are very much connected in their origin with the bodily nature. And whereas dreams in their essential experience flow out of the spirit- soul sphere and the bodily nature only provides the cause of their appearance, the bodily constitution is the cause of everything in the way of hallucinations, visions, somnambulism, mediumism and everything abnormal of this sort that enters human soul life. You can see a characteristic of human experience purely from the viewpoint of the science of spirit, to which the scientific viewpoint can easily be added, when you understand that it all depends upon looking at man as a being with body, soul and spirit, that he has a relationship of the spirit to the body only indirectly through the soul. The soul takes its place in the center. Even when dreaming, a human being cannot simply establish a relationship of his spirit to the body, but only indirectly with the help of the soul. In normal life the soul is an intermediary between the spirit and the body. What happens in the human organism when certain abnormal phenomena in spirit-soul life are produced, is that the normal relationship of the spirit to the body through the soul, where the spirit first works upon the soul and then the soul upon the body, is broken because of temporary or permanent illnesses in the organism, which then blot out the proper functioning of the soul. This elimination is not occasioned by the outer sense organs, but rather by the inner organs. If certain organs are diseased, then the spirit-soul nature cannot get hold of the whole body by means of which it establishes a relationship to the outer world, but it often has to make use of the body without the diseased organs. Then instead of using the soul, the spirit enters into a direct relationship with the body. In a sense, the soul is by-passed. This brings irregularities into the consciousness; the consciousness is broken through. If something spiritual is experienced without being mediated by the soul because a particular organ of the brain or the nervous system or the circulation is diseased, if a spiritual experience is not received so that the soul can use the body in the right way for the experience to be digested properly in the soul, then the spirit has an immediate effect upon the body, and does not work through the mediation of the soul. The immediate experience of the spirit—for it is an experience of the spirit, even if it is such that it penetrates the human constitution in an abnormal and unhealthy way—turns into hallucinations and visions. The science of spirit has nothing to do with this sort of thing. The aim of the science of spirit is not to break down the relationship existing in normal life between body, soul and spirit, but to make the life of the soul richer, so that the relationship of the spirit to the body is brought about by a rich soul life. A poverty-stricken soul life can come about, however, when by illness a human being is prevented from using his whole body to establish a relationship with his environment. These kinds of experiences—visions and hallucinations—that do not have the same relationship to spiritual life that dreams have, must be regarded from the viewpoint of the science of spirit as being spiritual experiences, but not such as have more value than our ordinary sense perception; in fact, they have less value. For in this kind of irregular spiritual experience like hallucinations, visions, somnambulistic speech and action, mediumism, (which is an artificial kind of somnambulism) the human being is less connected with his environment than he is in his sense perception. This is the important thing. This is what must be realized. In order not only to perceive his environment but also to arrive at a reasonable and logical understanding of it, a human being needs what one calls an ability to make judgments about the world, and for this he needs the use of the whole body. If the body is formed abnormally, he cannot form a sensible judgment about what is presented to him spiritually. Whereas the human being, when awake, can grasp with reason what he experiences in dreams, he is not in a position to transform what he experiences in hallucinations and visions into the normal experience of his waking condition, and to understand it. Now the significant thing is that when the body, viewed outwardly, reveals such abnormalities, there are apparently spiritual experiences—this the scientist of spirit admits—only they should not be induced. If they appear naturally, they are the evidence of disease; if they are induced artificially, they lead to disease. Even good and important scientists go astray in these things which are, after all, phenomena of life itself, when they investigate them in an external way in the laboratory, and seek to explain them according to formulas of the scientific method. I would like to cite an instance, which I have mentioned before, because it is a typical example of how much scientists long to penetrate into what they call the super-sensible sphere but at the same time do not want to approach the science of spirit, preferring to stick to their own normal scientific methods. I am not discussing this case because I wish to take a stand on its truth or untruth, but only to show how an irreproachable and outstanding scientist of the present time acts in relation to the sphere of the spirit and super-sensible. It is the case which Sir Oliver Lodge describes at considerable length in a long book, and which has aroused so much attention for such things do not often reach us from the front-line of battle. The events are as follows. The son of the famous scientist was at the battle-front in France. The father received a letter in London written from America, informing him that a medium has said that something important and decisive was about to happen to his son, but that the soul of a deceased friend of Oliver Lodge would take the son under his wing at this decisive moment.—Naturally this is a message that can be taken in various ways. All sorts of things could have happened and, outwardly at least, the message could have been true. The son could have been in danger of his life and have been saved and the writer could have said—Of course, Myers, the soul of the friend, stood by the son and so he was not killed. But now the son was killed. So the argument then was that the soul of the son had passed over and that his soul was helped on the other side by the friend who had already been there for many years. Whatever had happened it would have been possible to interpret it in the light of the message, because the latter was so vague.—Sir Oliver Lodge, however, is a person who describes the events from a conscientious and strictly scientific viewpoint, so that the case can be understood by anyone on the one hand working conscientiously according to scientific method, and on the other knowing what conclusions can be drawn. It is therefore quite possible to glean information from the book about what really happened. Now after Sir Oliver Lodge had lost his son, various mediums were sent to him.—In the case of a famous person there are always ways and means of sending mediums and somnambulists to him. Sir Oliver Lodge only wanted to go into this conscientiously, observing the utmost care imaginable. He then describes how the mediums bring messages, either in speech or writing, which purport to originate from the son. There is a lot in this that makes no particular impression upon the reader, as is so often the case with spiritualists, but one thing did make a deep impression on Sir Oliver Lodge. Even the skeptical journalists in the widest circles were impressed. And this is the crucial experiment that Sir Oliver Lodge carried out. It is the following: The medium said: A message is now coming from the deceased son; Myers soul is also present. Both make themselves known. But the son indicates that there is a photograph which was taken at the battle-front in France, shortly before he was killed. He is in the photograph with a number of his friends. The picture was taken several times. In one picture the son rests his hand upon the shoulder of a friend, in another his position is different, and so on. Good! The pictures were described exactly. But they were not there. No one knew about them, no one could know about them, neither the medium nor anyone else. It appeared at first to be nothing but a fraud. But the important thing is that after, I believe, two weeks a letter arrived with the photographs, which had still been in France when the medium had spoken. The letter arrived two weeks later in London and it was possible to convince oneself that the pictures tallied exactly with the description. The photographs were there—a crucial experiment. Of course this was sufficient to convince Sir Oliver Lodge's and many other people's scientific conscientiousness. One can understand it. But as a scientist of spirit one approaches the matter from quite different viewpoints. Just because Sir Oliver Lodge has described it all so exactly, we can discover the true facts of the case. If we are only a little familiar with the relevant literature we can only be surprised that such a person as Sir Oliver Lodge does not compare such a case, which, however odd it may be, can always be convincing if obvious points are not always rejected, with the countless cases which are known with somnambulists as—if I may use the expression—an infection of the sense organs with judgments of the understanding. Who has not heard of a case, if he is familiar with literature, of someone who has a vision having the impression—in three weeks' time when I am riding I shall fall from my horse. He sees the visionary picture exactly before him. He even tries to avoid it, but this only helps it on. Such things can be found frequently in literature. They are called up by disturbances due to disease, when the body is not fully under control, so that what remains unconscious in a normal organism rises up in a refined form into the consciousness enabling a person to have long-distance view into space or time of things that belong to human culture. Now upon reading through Sir Oliver Lodge's book it is clear that what the somnambulistic medium saw was nothing other than such a long-distance view in time. The photographs arrived two weeks later. The medium foresaw the photographs just as the other person foresaw his falling off a horse. This has absolutely nothing to do with a revelation from the super-sensible world, but is only a refined perception of what is already present in the sense world. In such matters we must be sure of distinguishing where the spirit has an immediate effect on the body. This is not something that leads us into the super-sensible. It is just because the science of spirit sets out to lead the human being into the true super-sensible world that it has to stress the necessity of understanding the nature of abnormal cases, in which a refined life of the senses experiences something which is only a message from the ordinary physical world, only that it is experienced in an abnormal way. I could say much about what comes to light by means of this kind of intensification of the senses, and which is based upon something diseased in the human being. What characterizes this second sphere of the unconscious is a predominance of the animal functions over the soul functions. The spiritual, it is true, is involved, but what Sir Oliver Lodge wanted,—insight into the super-sensible world,—could never come to pass in this way. If we wish to form a bridge between someone who is here and someone in the super-sensible world as a so-called dead person, we have to do it with the methods of the science of spirit. We have to develop our own souls to find the way and not do it by allowing a dead person to speak through a somnambulistic medium. It is just such things as these that must be observed. Because the science of spirit keeps its feet firmly on the ground—one can enter the spiritual world not only in a general but also in a concrete way—it has to reject everything that is gained without the development of the soul, that is gained by means of hallucinations, visions and a refined life of the senses, which does not lead beyond the sense world and which says nothing about the eternal. Although the spiritual reaches into the human body, nothing can be found out about the super-sensible except by raising the spirit-soul nature of the human being into the super-sensible world. For the science of spirit, therefore, the visionary world, the somnambulistic world, the world of artificial somnambulism, the mediumistic world is a subsensible world, not a super-sensible world. The time is pressing, and I cannot go into this any further, for I must turn to another aspect which can be discussed briefly, and this is the way the super-sensible world appears in human life when we consider real art and artistic enjoyment. The science of spirit can follow the soul of the real artist or the soul of a person receptive to real art. What the soul experiences and later fashions into poetry or other kinds of art is just as much experienced in the spiritual world as what always remains unconscious in sleep or at the most becomes conscious for our ordinary consciousness in the temporal pictures of our dreams. But the poet, or artist generally, is able to bring what he experiences unconsciously in its immediate form while in the spiritual world, into the physical sense world, though still unconsciously, and to clothe it in pictures. It has been quite rightly pointed out that it is not in its content but in its cause, its origin, its source, that real and genuine art has its roots in what the artistic soul experiences in the super-sensible. Therefore true art, and not naturalism, has been rightly regarded by humanity at all times as a message brought into the sense world from a super-sensible world. The difference between the poet and the seer, the person who perceives the super-sensible consciously, is only that the seer raises his consciousness into the super-sensible world for the time he has experiences in the super-sensible world, and transforms with complete presence of mind what he has experienced there into images and ideas, so that the whole process is conscious. With the poet, the artist, the process remains unconscious.—He certainly lives in the super-sensible, but because it does not come into his consciousness he cannot compare it with the spiritual world. After he has experienced it, he brings it down and clothes it in pictures which then became messages of the super-sensible. The whole process which is conscious in the seer is, in its origin, partly unconscious in the poet and artist. What reaches into the world as revelation of the unconscious is what graces human life with beauty, and we shall appreciate its real value when we are convinced that true art is a messenger from the world of the eternal, that true artistic enjoyment brings the human being near to the super-sensible world, even if unconsciously. We experience our destiny semi-unconsciously. How do we normally understand our destiny, which accompanies our lives from birth to death? Most people—quite rightly as far as our ordinary consciousness is concerned—regard the individual acts of destiny as something that comes to them from outside; they just come. This may be quite right and is right from the normal viewpoint. But there is another way of looking at it. Let us assume that as a forty year old person or younger, as one who has a tendency to reflect, we consider what we really are in our souls and compare this with our destiny. And then we ask what we would have been if we had had a different destiny, if different things had happened to us. We would then make a remarkable discovery. We would discover that if we speak of what we really bear in our inner nature, of what we really are, and not about an abstract self, that we are nothing more than the result of our destiny.—If destiny were only a series of things that happen to us, a series of chances or coincidences we should only be the sum total of these chances. What we have suffered, the things that have given us joy, what has come to us in life that we have assimilated and has become part of our ability, wisdom and habits in life, this is what we are—but it arises out of our destiny; we are this destiny ourselves. The science of spirit also tries to study destiny, and tries to do it in such a way that its observation of it follows the same course as our normal conceptual life, without the human being doing anything about it. I say this to make clear the significant factor I wish to express. Imagine that you remember something that happened a long time ago, that you experienced when you were ten or seventeen. The memory has a particular characteristic. When the experience took place you were present with your whole mind, you did not only experience what you recall as an image, but you were wholly present. Consider how very different it is to remember how you felt and to remember the image of the experience. The feeling, the condition of soul, cannot be brought back. The memory-image can recall a kind of feeling, but pain that you experienced twenty years ago cannot be recalled. The image or idea can be recalled, but not the condition of soul, the pain. And it is just the same with joy. In our normal memory of life our experiences are incorporated into the memory, but the feelings are not taken in and the image alone remains. We can therefore experience again later in images what we have experienced earlier. But now, what the human being does of his own volition in life in separating the feelings off from what is incorporated into the memory, can also be carried out in relation to the experiences of our destiny. In describing it, it appears easy, almost trivial. Should it be undertaken, then it belongs to the kind of preparation of the soul that I have been describing yesterday and today, and it consists in stripping of feelings all the things that come to us as acts of destiny. What is so characteristic of ordinary life is that we find some things in our destiny sympathetic, others not; that we willingly take to some things, but wish to reject others. Imagine that we would succeed in getting rid of this so that we could look at our own destinies as if they had not affected us, as if we were describing the destiny of someone else, or as if we could feel someone else's destiny as our own. Let us get rid of it all for the moment—and only for this one moment, or we would become unfit to live properly—and consider our destiny! We have to look at destiny in such a way that everything connected with the feelings plays no part, as if we stood outside our destiny. Then, like a thought rising up, giving back to us in our individual personal lives an experience out of the past, our destiny, when looked at in the right way, stripped of its personal, subjective character, will of necessity and with the utmost conviction be seen as the expression of earlier experiences in life, which we have gone through and which are connected with the whole life of the human being and are the expression of the fact that we live through repeated lives on earth and lives which are spent between death and a new birth. By means of this true view of destiny and of several other things, we can perceive how what we experience over the years as entering into our real and personal experience of our destiny, what is derived as a germinal force from earlier lives on earth and becomes a seed for future lives,—how all this has an effect upon our lives. What the science of spirit has to say about repeated lives on earth is not something made up by a fanatical mind, but is a result of conscientious observation of life itself, a different observation of life from what is usual, because it raises what enters semi- unconsciously into our lives and is revealed as our destiny—thus also a revelation of the unconscious, the unconscious raised into the consciousness. Unfortunately I have only been able to describe to you a few aspects of the world which remains unconscious to our normal consciousness, and to show how the science of spirit approaches such things. I have only been able to give an outline. But it is just a consideration of the border areas that shows how the science of spirit is in a position to point out the region of the eternal, in showing how the spiritual is revealed in ordinary life in dreams in both a normal and abnormal way, and in showing just from its particular viewpoint how the unconscious is revealed in human experience. In studying the border areas in this way it becomes clear for the science of spirit that the human being is certainly able to reach into the sphere of the super-sensible when he goes beyond the normal limits of his senses, that he can penetrate from the transitory to the intransitory, that he can establish a relationship to the eternal spiritual world through his own spiritual nature so that his spirit-soul nature, his eternal nature, can feel in harmony with the spirit of the whole world. In describing such things as these one notices that the science of spirit can only be taken in the way I mentioned yesterday—that whereas it can appear in the world today because of the particular configuration of present day spiritual and cultural life, its content is true for all times—just as the Copernican outlook had to appear out of a particular configuration at a certain time. But there is, nevertheless, a difference between the nature of what appears in ordinary science and what appears in the science of spirit. Today for the first time the science of spirit is expressed in clear and well-defined concepts and ideas. But it has always been divined and desired in both universal and quite definite forms by those who have undertaken a serious study of the great mysteries of existence. One feels as a scientist of spirit, therefore, at one with those who throughout the history of humanity have been able and have wanted to give something to humanity. Of all the great number of personalities who could be mentioned here, I will choose only one. I do not do this to prove what I have said, for I know quite well that in citing Goethe the objection can be rightly made that it is always possible to quote the opposite from his writings, to cite passages where the opposite view is proved. But this is not the point. A person like myself who has devoted more than thirty years not only to the content of Goethe's outlook, but also to the way in which Goethe approached the world, can only sum up what he wanted to say in such a discourse as today's in a few words which express a kind of intellectual joy in finding again what has only now been revealed by conscientious investigation in a tremendous presentiment of a human being, a presentiment which must have appeared before him when he wrote: “If the healthy nature of the human being functions as a complete whole, if he feels his existence in the world as belonging to a great, beautiful, worthy and valuable whole, if this feeling of harmony gives him a pure and true joy, then the universe, if it could feel itself, would shout for joy because it would feel it had reached its goal, and it would be amazed at the culmination of its own evolution and being.” I believe that in expressing the harmonious accord between the inner being of man and the universe, Goethe wanted to say what the science of spirit sets out to formulate in clear, well-defined scientific terms—that man can experience in his inner being in various ways how his spirit-eternal nature exists in relation to the spirit-eternal nature of the outer world, and that the great harmony between the human individuality and the universe is actually present in the human soul.—For what makes the science of spirit into an absolute certainty? It is that the human being can take hold of his eternal nature by approaching the spirit of the world in all sincerity and truth as a spiritual being, the eternal spirit of the human being can take hold of the eternal spirit of the world. |
80b. The Inner Nature and the Essence of the Human Soul: Anthroposophy and the Riddle of the Soul
20 Mar 1922, Bern Rudolf Steiner |
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The difference between anthroposophical experience and experience as a medium is that the person experiencing hallucinations or visions as a medium lives with his whole ego, with his whole personality, in these states, which are definitely connected with his physical development. |
80b. The Inner Nature and the Essence of the Human Soul: Anthroposophy and the Riddle of the Soul
20 Mar 1922, Bern Rudolf Steiner |
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Dear attendees, Anthroposophy is misunderstood and often denounced today not only because we have to talk about it differently than about the things that conventional science talks about, but rather because it has to talk not only about different things but also differently, in a different way. That it has to talk about different things than ordinary science, that is basically what anyone who expects anything at all from supersensible research expects. But that it must also be done in a different way, I might say, if the word is taken in a higher sense, in a different form of expression, is something that is not expected. For centuries, a very definite way of thinking and expressing what has been thought and researched has been developed, through natural science, which has achieved such great triumphs. This form of expression appears to people of the present as something so certain, so well-founded, that they cannot tolerate it when a different way of speaking about a field of knowledge that is actually much closer to the human being is required. Now, however, many of our contemporaries undoubtedly feel that the scientific approach does not even come close to the most important thing for humans, especially when it is applied most faithfully and most conscientiously in its field. And that is why many souls of the present are looking for a way to that which is so close to the human soul in terms of questions and riddles, I would even say, that although they do not impose themselves from the outside through nature, they do impose themselves through the very nature of the human being. If we want to talk about these latter riddles, characterizing them, then perhaps, my dear audience, we may recall a saying of a spiritual mystic, Meister Eckhart, who once said: What use is it to me – or: What use would it be to me to be a king if I didn't know that I am a king! if I had no idea at all that I am a king? Now one could even admit that one could perhaps still benefit from being a king even if one did not even know it. But what Meister Eckhart wanted to express applies to something else to a much greater extent than to his comparison. It applies to being truly human. If we ask ourselves impartially, are we actually human in the full sense of the word if we are not aware of our humanity? If we cannot say to ourselves: What is our actual essence as a human being? When we thoroughly ask ourselves this question, we are already struck by how little the natural sciences actually tell us about the most important aspect of this question: what we are as human beings. One could cite many things if one wanted to characterize the full depth and full significance – the depth and significance of the soul – of this question. One could approach this characterization from the most diverse sides. Today, since I have often been able to speak in this city on topics similar to today's, I would like to start from the fact of life, I would like to say which, most intensely from the external world of facts, presents the real soul riddle to man. Perhaps one can say: This fact presents the real soul riddle to man most selfishly. But this mystery of the soul is presented by this fact – presented in a way that is, I would say, generally self-evident. Let us keep this fact in mind, this fact of death in all its significance. Let us try to present this fact simply and impartially to our souls. Death, as is sometimes said today by natural scientists, is characterized by the fact that a corpse is present. A trivial fact, certainly, but precisely as a trivial fact, perhaps one of the most harrowing of human physical existence. What can we see when we place the fact of death, the existence of the corpse, before our soul without prejudice? It begins at the moment when the physical body has become a corpse. For this physical human being, a path of development begins for what is within him, outwardly material-physical. This path of development takes a completely different course than it did before the point when the human being had to pass through the gate of death. We see how that which remains of a person as a corpse – regardless of whether it is consigned to the fire or the earth – unites with the elements of nature, how it is taken over by the elements of nature, and how these elements of nature now assert their being, exercise their dominion over that which is handed over to them by the physical person. The substances and forces in the physical body of man no longer follow the laws that they followed until death, at least initially according to the external visible world; they follow the laws that are imposed on them by external physical nature, which until death the human being has only observed. So that we can say: It is the outer world into which man dies, not only at the moment of his death, but by the fact that it receives him into its laws as a physical human being, he dies into this outer physical world. If you look at this fact with an open mind, then, I would say, all kinds of human soul mysteries flow out of this contemplation. And above all, an important question presents itself to a person if he is open-minded enough. He looks at the various elements that receive his corpse, that is, his outer physical body. He says to himself: These elements into which my physical body is absorbed, basically they have the same effect as they do out there, by absorbing my physical body; after all, they bring the same into me every day during my life. By absorbing food and drink, he absorbs those substances and forces into himself, to which he is handed over at death. Can we reasonably assume that the laws of the substances and forces to which we are consigned at death as physical beings, that these laws only exist out there in the world? Must we not reasonably assume that what takes us in after death, by entering our physical body as food and drink, unfolds the same laws within us? A lawfulness that is only overcome by the inner being of the human individual? We see, I would like to say, the way to one side: the surrender of the human physical body to the substances and forces with the same laws that we actually take into our physical body. Of course, one would have to give many details if one wanted to get to the bottom of this mystery of life, I would say of the soul, which this fact so poignantly presents to our soul, if one wanted to go into it in full detail. But another question immediately arises: Can external natural science, which is mainly devoted to care, to observation through the senses, to knowledge through experiment – thus again to observation through the senses – and which is devoted to the training of that mind that is bound to this observation and to these experiments, can this external natural science get close to the most essential part of the human being? It can certainly get close to that which, after death, is handed over to the physical elements and their laws. It can certainly also approach that which is incorporated into the physical body every day on the basis of these physical laws; and with its conscientious methods, it can also investigate the laws — which, in the human body, are no different in that they concern the substances and forces of the external world, and are thus life in the external world itself — it can follow the laws of that which is absorbed by the human body every day. But it can also follow the human being with his mental expressions; it can follow what significance that which we take in daily has for the mental life of the human being. And in this respect, natural science has already done an extraordinary amount, and there are very justified ideals in this regard. What can already be known today about the significance of the brain and nervous system for the imagination, what can be known about certain processes that are connected with correct or incorrect nutrition or correct or incorrect food processing, and which also exert an influence on the soul, all this can be conscientiously pursued by external natural science, and it is doing so today. And anthroposophy would not be able to justify its existence at all in the face of what science has been able to achieve if it did not fully recognize what science has been able to achieve in this direction. Therefore, it is always and repeatedly a misunderstanding of what anthroposophy wants to be when it is brought into any kind of opposition to contemporary science. There is no such opposition. Anthroposophy fully recognizes what science is able to achieve! But now it will also be readily admitted: Yes, in this physical body, into which the substances and forces of nature, endowed with external laws, are taken up, in this physical body all kinds of things happen; all kinds of things happen, of which the soul initially knows nothing, of which the soul gradually acquires knowledge by pursuing science, physiology, biology and so on. In this physical body, however, regardless of whether the soul knows or does not know what is going on, the causes for the way the soul feels in the individual and how it feels through a certain overall mood nevertheless lie. That which one has no need to know for a long time, what one can call general indispositions, whatever diseases may be present in the organs, that may sound in the soul. It is expressed in the soul as a mood. It does not need to take root in consciousness at all; it expresses itself in the general mood of the soul. So that one must, I would say, presuppose much that is present in the material processes and effects of the physical organism, and which works in such a way that the soul has a share in it. But inasmuch as the soul has a share in it, it has a share in what already works during life, and in the way those forces work to which the physical body is handed over after death. We carry within us – honored attendees – the same laws that bring about our destruction as a physical human being. And since these same laws come into us with food and drink, our soul participates not only in what is sprouting and sprouting power within us, but our soul participates in all that ultimately expresses itself by destroying our physical being. As the substances and forces of the external world work in us, the soul participates in our decay even during our lifetime. And when the series of facts that arises when it is presented to the soul without prejudice, then one learns to recognize: Death, which stands before us as a single moment at the end of our physical life, is ultimately only that which, as it were, adds up to what basically rules and reigns in us throughout our entire physical life. I would like to say: parts of death, the smallest parts of death, so to speak the atoms of death, are within us in every moment of our physical life, and our life of soul is partaken of these atoms of death. This is expressed in the human soul in everything that arises in the mood through which the soul participates in the destructive forces of the world, in the world's forces of destruction. And however complicated the human soul may appear, one thing is true: the most important moods of doubt, of despair, those moods that often arise without any external cause, at least without any noticeable external cause, that often weaken the human being and conjure up the most important riddles of life from the deepest depths of his soul, which trouble him in both health and illness throughout his entire life. These riddles arise from the soul's participation in the world's forces of decline. When we look deeply into what is working its way up out of the depths of the soul and into consciousness – consciousness does not know what it is, but consciousness has the working within it, has the experience of it in its soul mood – when we are fully aware of this, , then those other riddles of the soul emerge before consciousness, those that point, as it were, in the opposite direction, those riddles that people have always associated with the word that is the opposite of death: the word “immortality”. The question of immortality is not just a selfish question for humans – arising from our desire not to disappear with death, for example – but the question of immortality is intimately connected with what can be called, in the sense of Meister Eckhart, the example of the king, what can be called: Man is only then fully man when he really knows of his own being. But, my dear attendees, I would like to say: this knowledge, insofar as we can acquire it through external natural science, this knowledge takes away the fact of death. For everything we can know, even if it is the greatest and most significant thing about a human being, which we can know through experiment and observation, can only relate to the body and must lose its significance for the human being with death, because it relates to something that merges into the non-human, that is, non-natural, being. And man must ask himself the question: Can we look at the dissolution of the physical body in a similar way to which we can look at the inner mysteries that the soul experiences by participating in the destructive forces of the world? Can we look in the same sense at the creative forces of the world, at the sprouting, sprouting forces? And this is the direction in which, out of the same spirit that modern science has adopted and out of the same scientific conscientiousness, anthroposophy wants to point. But it cannot hint, I would say point, to something that can happen every day, like death, before the eyes of every human being; it can only lead, this anthroposophy, to this – when viewed according to the opposite opposite principle of research into the reality of life — only by pointing to something that does not initially reveal itself as an external fact, nor as an internal fact of the soul's life, something that must first be achieved by the soul. Death – dear audience – voluntarily places itself before the soul. We must first work for the knowledge of the nature of immortality if we want to recognize it. At least in its innermost essence, no knowledge of it can be bestowed upon us. Therefore, it must be pointed out again and again that anyone who now wants to knowingly follow the path to the world of the soul, the actual essence of the soul, can only do so through inner activity, through inner work. That is, through what I have often referred to here as soul exercises. Now, my dear audience, we will be able to form an idea of these soul exercises from the point of view that is necessary for today's topic if we first visualize how human soul life is in fact a unity. We first survey this soul life by looking within ourselves. It surges, I might say, up and down. It expresses itself in images through which we visualize the external world. It expresses itself through feelings, sensations, and will impulses that lead us to our actions and that we, as a member of the social order, allow to appear to us from the soul throughout the world. That which surges and weaves within man as images, feelings, sensations and impulses of will, that which, with the means of external natural science, is pointed to as that which only can be investigated with the means of external natural science, which is pointed to that which only dies with death. This can be seen today by many people who are only unbiased enough to look at what this soul actually is, how it is quite different from that which is accessible to external sensory observation and experimentation. And then such people turn away from scientific considerations, because they believe that only science can exist for external nature, and they then turn to certain - as it is called - mystical endeavors. Anthroposophy, as it is meant here, must not be confused with mysticism, which only wants to penetrate into the soul life, as it is said, through self-absorption; because Anthroposophy is real science and knows how to look back into the ordinary, earthly – if I may put it this way – soul life of man in such a way that one can indulge in great illusions and great deceptions. Anthroposophy is less prone to delusions than its opponents and well-meaning critics might think! It is very often believed that anthroposophy is devoted to those inner forces that lead to illusions, hallucinations, and all kinds of mediumistic phenomena. They do not notice that the whole way in which Anthroposophy characterizes its research methods goes in the opposite direction to anything that could possibly lead to illusion, hallucination, vision and so on. What Anthroposophy is about is, above all, absolute clarity about what presents itself to the human being at first. There, the one who really looks inside without prejudice, who actually, I would say, follows the instructions of the mystic, will see what an uncertain thing this looking inside is, how, for example, memories that point to earlier childhood, how these memories simply arise in later life and how one does not recognize that what arises as a thought is actually only a memory, a reminiscence of something previously experienced. And if these memories were to emerge unchanged, one would soon recognize that one is dealing with mere memories. But in the human interior, the ideas of external experiences are absorbed into the feelings, into the impulses of the will, even into the temperament, into the whole human organization, I might say into the intimate human health and illness. And after decades, transformed into a completely different form, the ideas can arise, which are nothing other than what was ignited by external observation. The person who often believes he is a mystic looks into his inner self and has such ideas, they appear to him as if they had never been borrowed from the outside world, as if they came from the eternal depths of the human soul, as if he could directly experience from such ideas how the soul in divine-spiritual worlds, [in] the world's reason, in the eternal is connected and the like. Those who are aware of the metamorphoses and transformations that memories can undergo also know that they cannot rely on such introspection. And so, on the one hand, the results of natural science appear to the unprejudiced, showing how the soul is bound to the physical in earthly life, to that physical which is handed over to the outer forces of nature at death; and on the other hand, what often appears is the nebulous, foggy mysticism, through which one nevertheless comes to nothing other than to bring up from the soul that which one has again received through this outer world, albeit so transformed that one does not recognize it, that one regards it as belonging to a completely different world. It is precisely when a person has prepared himself sufficiently to recognize how little external natural science and how little mysticism can give him, that he comes to recognize the value and significance of those soul exercises that simply consist in not merely brooding or looking inwardly at our soul life, but in bringing it into inner activity, so that it becomes something other than it is in everyday existence. Nature takes our body with us at death; it incorporates the substances and forces of this body into its own laws. What anthroposophy aims for as the path to the opposite goal is the surrender of the soul for incorporation into that which is opposed to outer nature, into the spirit. Just as the physical body is surrendered to external nature at the time of the outer physical death, so now, not in a mere formal act of knowledge but as an inner fact of anthroposophical knowledge, the souls are surrendered to the spirit so that they may unite with the spirit. And just as the fact of human physical destruction confronts us with death, so the immortality of the human being confronts us with the soul, in that we unite soul life with that which, as spiritual life, as spiritual being and spiritual weaving, underlies the whole world. What anthroposophical knowledge strives for, as an actual inner experience, is the opposite of what the event of death is for the physical human being. And just as the soul participates in the processes that take place down there in the physical body organization, and how these physical processes play into the soul's mood, even when the soul is unaware of its essence, so it is that our soul is united – it is just becoming apparent in the knowledge that I will speak of in a moment – that our soul is united with the spirit on the other side, that it is only through this side that it comes to know its experiences by striving for knowledge as fact, as actual inner experience. And this actual knowledge can be attained by developing one's thinking on the one hand to a greater extent than in ordinary life, through inner activity, and on the other hand developing the will more than in ordinary life. Between the will and the thinking lies the mind, with the feeling right in the middle. The most precious treasure of human life is this feeling, this mind. But when we develop thinking on the one hand and will on the other, the mind and feeling go along with it and become something different themselves. In order for us — my dear audience — to be able to communicate with each other about the way in which thinking is developed on the one hand and will on the other, we must realize that the soul is nevertheless a unity — in its surging, weaving life a unity —, despite the fact that it lives on the one hand according to thinking, on the other hand according to will and in the middle according to feeling. When we look at the natural world around us, for example, we must first engage our senses. But what we perceive through our senses is then processed by our thoughts. If we were to apply our will in this process, we would not be able to obtain a true knowledge of nature. We would not be able to do so if we let the will that permeates us in everyday life, if we let it flow into our thinking about nature. We would receive fantasies instead of natural laws. The conscientious scientific method cannot be involved in this. It is precisely in those ideas and thoughts that we have to develop in relation to the external world, in our soul life, where the will recedes for the everyday and also the ordinary scientific life and the thought appears in a certain one-sidedness, as a mere image of what is present externally, and we have the actual will on the other side. Let us be honest about the actual will. Let us take a simple volitional impulse: I raise my arm, my hand. First of all, I have the intention that something should be lifted at some point. And then the intention, which is a thought, goes down into subconscious depths, unites in a certain way with the organism. How this is not seen through in everyday life, because what [happens] is first of all an experience again, that becomes clear again; the beginning and end can be clearly seen. What lies in the middle, how the will shoots into the organism, as it were, and brings the intention about, that has plunged so deeply into the subconscious as the life of a person from falling asleep to waking up. One is tempted to say: in relation to his will, man is indeed asleep even when he is awake. From the intention to raise the hand, the arm, to the observation of the raised hand, the raised arm, the everyday consciousness basically sleeps, falls asleep, while the will impulse shoots into the organism, and only wakes up again when the result is seen. Then the will comes to meet us, not interspersed with thoughts. But this will is, I would say, something so alien to our consciousness as what takes place around us between falling asleep and waking. Now, one can develop the human soul further in both directions, both in the direction of thought and in the direction of will, than it is in ordinary life and in ordinary science. And what do we have to do in these two directions, in the direction of thought and in the direction of will? I have already said, my dear audience, that the will takes a back seat to the thought. The thoughts that give us clarity about the world make the will recede completely. And the will impulses that are in everyday life make the thought recede, as I have just explained. But nevertheless, in thought, and in the most abstract and in the most concrete thoughts, there always lives a remnant of will, it is just not conscious. And in every volitional impulse lives a thought. The thought flows in somewhere and then appears again in the result. If we now seek the will in the thought and the thought in the will, then we exercise the soul in both directions. What does it mean to seek the will in the thought? This is achieved by practising what I have already characterised here several times, by practising meditation and concentration, because that means the soul resting on certain ideas that are presented to it in a completely comprehensible and clear way, like mathematical concepts. In this often years-long devotion — it takes less time for one person and longer for another, depending on their abilities —, in this devotion to comprehensible ideas, a power of thought is developed, as is what is not present in the ordinary consciousness of the will, as is the will element in thinking, how it intervenes in our organism, and now in our complete organism, one discovers —- while otherwise one always only looks at the thought —, one discovers within the life of thought the otherwise hidden life of will; then the first element of supersensible knowledge enters into human consciousness. For what mingles with our thoughts — I would almost say intrudes — is not, as is usually the case, a pale and abstract thought life. It brings something into our thought life that is as alive and intensely inward as we otherwise experience only in our outer sense perceptions. What we otherwise have as a pale, abstract thought life within us becomes so vivid, so alive, by discovering the will in it, that we have an afterimage of the outer sensory perception in our thought life. And so these processes take place in such a way that complete consciousness — as we develop it in a mathematical problem or as we develop it in a geometrical task — is present in all soul exercises that lead to such, I might say will-veiled pictorial thinking. Anyone who observes what I have described in detail for these concentration and meditation exercises in my books “Occult Science” and “How to Know Higher Worlds”, and in my book “Puzzles of the Soul” and in other writings, will see how unfounded it is to claim that some kind of dreamy soul life should lead to what has been described as imaginative cognition, as pictorial, cognizant inner life, that all processes are such that we, I might say — if I may use the trivial expression — approach them so soberly and with such sound common sense and finally take possession of this imaginative thinking as we approach and take possession of the solution of a geometrical problem. One would like to say: everything that has to be done to achieve such knowledge is practised in such a way that it can be justified before the most transparent, before mathematical knowledge. And actually one has to say that it is most surprising that it is not precisely mathematicians who sympathize with the innermost essence of anthroposophical research method. For the soul activity that is exercised in anthroposophical research is basically the same as that exercised in mathematics, only that the content is different: in mathematics it is formal, while in what is to be considered an anthroposophical research method it is one that leads into reality, into actuality. And indeed, we are led into a very definite reality if we allow thinking, through meditation and concentration, to grasp the otherwise neglected element of will. For it is here that the first result of supersensible research, of supersensible knowledge, really comes to us. And that is what I have called in my books the formative forces of the human body. When we have brought thinking to this stage, to imagination, then we learn to live, not in abstract thinking, but in a kind of thinking that is much more real inwardly than abstract thinking. Now we learn to live into a living thinking, into a thinking that flows into reality and takes in our soul. We live ourselves into a thought organism. And the first result appears before us: it is what stands before us in a large tableau of life, what has been working since our birth, inwardly, permeating our physical body as a supersensible one, precisely the body of formative forces. This body of which I am speaking here is not spread out in space like the physical body; this body is a time body. Just as the individual organs are related to one another and interact in the physical body of space, so the processes of time from our birth to death are a great unity in this formative body. What the formative forces body experiences from, for example, the age of 45 to 50 is connected to what has been experienced between the ages of 10 and 15 in the same way as, let us say, some part of our brain is connected to the part of our heart or stomach in the physical body. We have a temporal body that is attached to us, but which represents a thinking that has become active, a thinking that at the same time has forces of growth within it, forces that are sprouting and sprouting growth. We now not only feel what we have inwardly lived through since our birth here on earth – like the stream of memory from which one or the other memory emerges – but we feel how these memories are only the abstract upper waves of what surface of ordinary consciousness, what lives in our metabolism, what is in the movement of our hearts, what lives in our activity, our nervous system, but what becomes visible as a spiritual body, as a supersensible, etheric body. The stages of knowledge of earlier epochs, which could not yet recognize these things as clearly as today's anthroposophy strives to, but which had an inkling from dull clairvoyance, knew that such a formative body exists. Then it was called the ether body or life body. I do not want anything other than what I myself have characterized here to be understood by these expressions! And so, as in a large tableau, we discover what we are as a unity, since we have had a physical body on this earth. The first supersensible element — dearly beloved attendees — is not yet something that leads us beyond our earthly existence. Anthroposophy must continue to advance conscientiously in stages, but it is the content of our earthly existence, the first supersensible element within us, this body of formative forces, which is organized in time, as our physical body is organized in space, characterized. But we can move forward. We can carry out a next exercise, which, so to speak, is still linked to thinking, to meditation and concentration, but which at the same time leads beyond them. It consists in the fact that, after we have initially concentrated, we first turn our entire soul attention to an idea in meditation, so that we perceive nothing of the rest of the world, but turn the soul only to this one idea; then we strengthen the soul through this concentration, as we otherwise strengthen the muscle that repeatedly and repeatedly performs a task. So, through this ever-recurring concentration and meditation, we grasp some conceptual complex that is easily manageable, and this strengthens the soul; we ascend to what we have just described – to the apprehension of the will element in thinking – so that imaginative knowledge may arise. Although common sense always remains with this anthroposophical method, we must still say that something like a second personality is added to the person as he usually is, which now experiences what I have described, let us say, for example, in imaginative knowledge. The difference between anthroposophical experience and experience as a medium is that the person experiencing hallucinations or visions as a medium lives with his whole ego, with his whole personality, in these states, which are definitely connected with his physical development. He loses sight of what he otherwise is; he lives only in what presents itself to his soul in an abnormal way. The person who immerses himself in imaginative knowledge and also in the higher levels of what I am about to describe, sets a second personality apart from himself, the observer of the supersensible; but he always remains there, controlling and criticizing this observer of the supersensible, with his healthy human understanding, as he is in ordinary life. Therefore, anthroposophy can be presented to anyone, it can be grasped with common sense, because even in the one who is an anthroposophical researcher, what presents itself to him in supersensible vision must first be checked and criticized with what he has remained alongside, with the bearer of common sense. But it is the case that by first concentrating on certain ideas, by doing so one also maintains the tendency, the inner tendency, to now keep these ideas in the soul, not to let go of these ideas again. It takes more strength than for ordinary forgetting to bring such ideas, which one has first placed in the soul with all one's strength, with the strongest strength of inner attention, out of the soul again. The second exercise has been achieved, which must develop ideas that one has concentrated on sharply, I would say, that have taken over one completely, in order to get them out again. So that, after one has concentrated, I would say, after one has meditated on them, one can put down what I call empty consciousness. When you develop this empty consciousness, when you develop the power to create this empty consciousness, you apply it from meditation, concentration, and then this consciousness is not filled with memories or impressions of the external world; it is truly empty. But then, when this consciousness is empty, it does not remain empty for long, because the outer world penetrates into it, because one has initially created this consciousness oneself, one is awake without any content. But after some time, the content comes – which otherwise comes to us through development and is processed with the ordinary mind – that is the content of a supersensible, a spiritual world. And by having attained this imaginative realization through meditation and concentration, by having established this empty consciousness, one thereby gains insights into the spiritual world, into the supersensible world, which surrounds us just as the sensual world surrounds us. Now one learns: Once one has attained this — I now call it the initiated consciousness —, once one has attained this initiated consciousness: Now you stand inside everywhere in the spiritual world and besides with your common sense, your healthy senses, you have the same insight into the physical-sensual world as you otherwise have as an earth human. The fact that these things develop side by side is the essential thing; then man will never be able to enter into pathological states when he is engaged in such research methods. But if one has trained oneself to suppress these forces, these images of meditation and concentration, one can create an empty consciousness and can also suppress the tableau of life that our inner being, our body of the power of becoming, has placed before our soul, how it has worked, how it has woven in all of us a supersensible one, since the beginning of our earthly existence. We can now, when we have appropriated these forces to create the empty consciousness, we can eliminate — when we have first brought the formative body into consciousness —, we can eliminate this formative body itself. We gradually achieve such a strong power that we can now also switch off this, our own spiritual world, that we can create an empty consciousness in relation to it. But then – my dear audience – when we create an empty consciousness in relation to this body, then the human soul, the human consciousness, is not merely filled with spiritual-soul content from the environment, as I have just described, but then this consciousness of the human being is filled with the spiritual and soul content that we ourselves were before we descended from the spiritual and soul world and accepted our physical body through the inheritance of matter and forces from our parents and ancestors. That is to say, we arrive at an understanding of what we were before we took on a physical earthly body. That is to say, we arrive at an understanding of our being before birth or before conception. This arises in supersensible knowledge, the second stage in the inspired knowledge that is attained in the way I have just described. Anthroposophy is not able to conjure up something out of thin air, nor out of lightly-draped mysticism, but rather, anthroposophy must gradually conquer the insights by first drawing on the strength in the human disposition that leads into the supersensible existence. One defames anthroposophy when one merely calls it a philosophy. It is not based on philosophical speculation, but on a vision that is as vivid as any [sensory] vision can be, but which must be achieved by developing the powers that otherwise only slumber in the soul, as I have indicated in principle, and as you can find in the further explanations of it in the books mentioned. But now, my dear attendees, something very special presents itself to the spiritual researcher. At the moment when he, so to speak, gets to know his humanity, his soul nature, as it was before his descent to earth, at that moment his physical body appears to him like an external object. He now lives, so to speak, with his newly created personality, as it were, transferred back to his existence before his physical body was. He now has this physical body in front of him as something external. And by having this physical body in front of him as something external, he looks at this physical body – that is what must be taken into account. He does not see this physical body merely as it is in ordinary life for physical perception, but he sees this physical body according to its inner organs, although these inner organs are spiritualized. If you imagine the human heart, the human lungs, the human brain, the various human organs, not in physical terms with physical contours, but as processes, as inner activity, as ascending processes of becoming and growth, as descending processes of destruction and death, interacting with one another, if you think of the inner human organism in this way – but not the human being as a whole, as we usually have him before the physical observation, but also physically, but the physical in spiritual translation, I would say, if you imagine that, then this is what stands before the human being in the same moment when he sees his spiritual-soul existence as it was before he descended to earth. I do not shrink back, my dear audience, because the things I am talking about are certain results of spiritual scientific research, and since I am simply, of course, unable to give all the intermediate links, which can, however, be found in the books mentioned can be found in the books mentioned, but I want to list the results — to say, at least in some areas, what must nevertheless seem quite paradoxical to today's man, namely to present that which, at the stage I have just characterized, to man, in the following way. Consider, my dear audience, look into your inner being, you will find memories in your soul, memories that are connected with experiences, and believe that what emerges in the inner life of your soul as a pictorial life of ideas, as perceptions permeated with feeling, is what has been experienced. You can distinguish exactly, I would say the fine, delicate weaving of the soul that you recognize; and you can relate it to the robust outer physical of life, to which it is to be related. But what would happen if the following were to occur? If suddenly something were to emerge in the soul that makes you say to yourself, “Yes, where does that come from? I have never experienced anything like that.” You will not rest until you can relate what has emerged in your soul, which comes across like a memory, to a specific experience, and then you will be calm. And you always relate what is a fine spiritual weaving in your inner being to something robust and material in the outside world, to which you have had a connection. Now, in the face of inspired knowledge, it is the case that the person is standing before his soul, I would say the entire interior of his organism with all the individual organs, with the forces that compose these organs, lungs, liver, everything is there; the person is looking at it from the inside as a physical being. Only, in recent times, this physicality appears to him to be more spiritually permeated, but it is the physical organization. And that is like having nothing but memories – we can compare it to that – of which we do not know what they refer to. But we can learn what what we encounter in our own organism refers to in the outside world. We learn, namely, by having acquired the empty consciousness, to see the outside world in a new form. You see, my dear attendees, through our physical vision, also through physical science – astronomy, astrophysics, astrochemistry – we see the physical sun in a more or less precise or imprecise outline. But that is not the whole of the sun, just as what we see with our physical eyes is not the whole of the human being. In the moment when empty consciousness is established, we see, in addition, what presents itself to the outer eye in outer science, so to speak, a solar element that weaves through all of space that is accessible to us and that wafts as a form of power, that physically concentrates there, but that also spreads. We see a solar element in all of the space that is accessible to us. And this sun-like quality, which is only recognized by the empty consciousness in inspired knowledge as a living being, this sun-like quality, when we meet a person, it combines in a remarkable way with what we recognize of ourselves. We perceive his physical body with our outer senses. Then, in a sense, what his physical body is as an extension is summarized in his soul. We have to imagine the soul as a concentrated form of the spatially extended; when we look at the outer great nature, at the cosmos, the conditions are the opposite. There is, for example, the physical body of the sun, the concentrated form, and the spiritual, which is now the form that is widely extended in space. But we perceive it. Just as we perceive the physical body of the human being with the outer senses as the widely extended, and only grasp it as concentrated in the soul, so we perceive the sun as an external revelation; and we perceive an inner configured life and weaving through the whole space accessible to us, an extending force-end of the sun-like. We observe how it lives into the mineral, vegetable, and animal kingdoms, and also into the physical life of man. We now begin to relate something certain in our heart, in our lungs, to the sun-like, which we have only glimpsed through inspired knowledge. And in the same way, we learn to recognize the spiritual aspect of the moon, the moon-like, and relate it to something else. We learn to recognize the sprouting, sprouting forces in our organism as the solar aspect; we learn to recognize what are the forces of decomposition, what are the forces of destruction, as the moon-like. We learn to relate other things in the great cosmos to the inner being. Now, what are we learning now? In our ordinary lives, we encounter external events of a robust nature; these are the physical events. They are reflected in our thinking, in our feelings, as it were. We carry the spiritual within us. Externally, there is the robust physical. In relation to that which we perceive from the cosmos as spiritual, this spiritual is out there, and within us are our physical organs. Just as our ideas, our memories, are images of the physical universe that we experience, so our physical organs — as their spiritual translation shows us — are internal images, if I may use the term, physicalized images of that which is spread out in the great cosmos. We learn to relate our organs to the great cosmos, to relate them to the whole cosmos, that is, to the spiritual content of the cosmos. We grow with the riddles of our soul into the riddles of the cosmos, which we learn to look at externally. Now we come to the thought exercises, and I would like to say that in addition to the transition from the thought exercises to something else – which I have characterized in the empty consciousness – we must add the will exercises. A simplest will exercise – my dear audience – can still be done with imagining and thinking. It is carried out by doing what I would call backward thinking. Everyone can do these exercises in a simple way by recalling the events of the day backwards in reverse order in the evening, letting them pass before the soul; first what happened before going to bed, then something that happened a little earlier, and so on back to the morning, in as small portions as possible. One can also feel a special interest, one has a special interest from the event, one has a special interest in the processes from the fifth to the first re-experienced [real process]! What is achieved through such real processes? It is, despite arising from the imagination, an exercise of the will. Otherwise, by imagining, we abandon ourselves to the external sequence of facts. We develop our soul life on the thread of external events, of external facts. Now we resist with our imagination what is there as a consequence of the external facts. We reverse the thought. To do this, a strong force is to be applied, a strong application of force is necessary, a stronger force than we usually apply. The will gradually moves out of our thinking. We can then strengthen such exercises of will if we gradually break certain habits that we have and transform them into others. If we go even further; for example, if we say to ourselves at a certain age: You now want to get into the habit of something that for you is like a temperament trait, like a very intimate, inner, ingrained habit. It will take years before it becomes something natural in you, but you want to work on yourself daily. If you take yourself in hand, if you really take something that arises from thought and incorporate it into the will, then the will becomes something completely different! And then what happens is — it seems like just a comparison, but it is absolutely a reality, ladies and gentlemen. How is it that our eye is organized in such a way that it can serve to see? It is because the eye's own substance does not assert itself, but is, so to speak, selflessly integrated into our organism. In the moment when the eye asserts its own substantiality, for example in an eye disease, we can no longer see! Seeing – and the same applies to the other senses – perception is only possible because the organ of perception switches off its own materiality, in that it becomes, as it were, selfless. Now I would never claim — of course not — that our whole organism is somehow diseased in relation to ordinary life or ordinary science. But this ordinary organism that we carry with us in our earthly life is, after all, designed for our external everyday life, for our ordinary, everyday consciousness. It is very healthy for that, but not for higher experiences, not for penetrating into the supersensible world. In this respect, it is like a diseased eye and, on the contrary, I would say it becomes even less transparent when we merely carry out mental exercises. Through these mental exercises, precisely that which is our heart, our lungs, becomes more opaque, like an external object. Through the exercises of the will, this opacity is accompanied by a transparency. We gradually come to perceive what actually happens between the intention to raise the arm and hand and the actual effect. That which, between one thought and the next, is immersed in sleep, that which descends as will into the organism, becomes tangible to perception. But through this the organism — of course in the spiritual-soul sense, not as with the eye, but in the spiritual-soul sense — the whole organism becomes spiritually-soul transparent. In spiritual and soul terms, the human being becomes a single sensory organ. In this way, I would say, the human being develops opacity in one direction by getting to know his organs and learning to relate them to the cosmos. And on the other hand, by being able to pass arbitrarily from one to the other – that is what matters – he also develops the transparency of his whole organism. And when he develops the transparency of his organism, then – my dear audience – that which otherwise appears in the physical world is developed to the highest degree in the spiritual-soul sense: the unfolding of love, that love which also underlies all our truly free actions, as I summarized it for the moral world – presented in my “Philosophy of Freedom” already in the early nineties – and which shows that in the spiritual life which is characteristic of ethics, of morality. I have described this special inclination of the will to the activity that unfolds in love from its ethical point of view; now I have to describe it from the point of view of knowledge. But in this way, man comes to be truly free with his will from his physical organism, as he is free in seeing with his eye. He sees spiritually and soulfully through his physical organism. And he sees into the spiritual and soul world, so that he stands in it as he stands in the physical through his senses in a physical way. He learns to live in intuitive knowledge, which now stands in the reality of the spiritual. Now, as the next experience, the image appears, the pictorial content of what the person then really experiences by passing through the gate of death. Man first became aware of his spiritual self in this order of realization, as I have described to you, independently of his physical body in relation to his thinking. In this way he gains knowledge of his being as it was before birth, or before conception. Now he becomes free of this body with his will, in that the body becomes transparent spiritually-mentally, in that the human being is in the spiritual-mental world. Now he has the image-knowledge of the real process that takes place at death, when the body not only becomes transparent, but is discarded, given over to the element of earth, and the spiritual-soul connects with the spiritual-soul world. This has been prepared for through our entire life on earth, that what we behold through meditation, concentration and empty consciousness of the prenatal, or what lies before conception, is interrelated, that it connects with what emerges from the will. We learn to familiarize ourselves with the nature of thought through will, and in the same way we learn to familiarize ourselves with the nature of will through thought. World thoughts open up to us, not subjective thoughts, but thoughts that work out of the world. The world becomes transparent to us in thought when we place ourselves in this world in intuitive knowledge. The event of death appears before us, but it contains the causes for a real knowledge that has been conscientiously developed and that only those can confuse with all that appears today as occultism and the like who do not enter into that which is repeatedly and described as the conscientious method by which man can ascend to a spiritual realization that really allows him to approach the realm where the soul mysteries are experienced, but where also those experiences come up that are in a certain sense actually the answer to these soul mysteries. For in life we do indeed enter into facts. We had to point out on the one hand the event, the fact of death. Then the soul leaves the body, leaves the body with which it was connected during its earthly existence. Man connects with the physical-sensual world in its conformity to law. And on the other hand, the person develops inwardly that through which the soul unites with the spiritual, as I have described. There the soul unites with the spiritual, and it experiences how, after it has detached itself from the body, it develops further with the spiritual as a unity after death, until it has developed to the point of birth or - we say - conception in the spiritual-soul world. And just as we have processes below that are simply carried over from the external natural laws, which play into the soul during life on earth, effecting its state, its mood, its happiness and unhappiness — as this is announced from within, so those processes are now weaving themselves, where the prenatal and the post-mortal elements interact. Just as we are dependent on our body, so we are dependent on our spiritual. And just as that which remains unconscious in the body remains unconscious for the soul until it is scientifically investigated by it, so that which flows to the soul from the spiritual, giving it mood, state, happiness and unhappiness, remains unconscious for the soul to which the receptive human soul is accessible at all. That which is unconsciously experienced in the spiritual as an analogue, as the unconscious in the physical, plays as great a role for the soul and its independence as the physical and that which is linked to the physical. After all, something else is also similar to death, but in its similarity it is opposed to death; with our physical body we live in the outer world. By constantly absorbing this outer world through food, by allowing the laws that are in the outer world to continue to work in us, and by living in the spiritual world on the other hand, we absorb the spiritual laws into ourselves. And the spiritual laws touch the physical laws within us. But what is the case with regard to physical laws? They are life, they are rhythmic life, they are constantly renewing themselves. We have to eat every day. If I may say something very trivial: we cannot be satisfied with having eaten yesterday or the day before or the day before that and remembering it today. This is the case with the external abstract, the knowledge intended for the ordinary consciousness; we do not assume that the memory of eating is enough for us. What we take up from anthroposophically oriented spiritual science is something that, in the spiritual realm, must have the same rhythmic existence for the human being as the physical and bodily processes otherwise do. We cannot remember — and be satisfied with — what we absorb as anthroposophy, as we can do in chemistry or in the external sciences. Those who have ascended to the highest regions of anthroposophy feel that they must return again and again to what is for them the perception of the higher, supersensible world; otherwise something arises in them like spiritual hunger. This is just as real. Indeed, one cannot be satisfied with ordinary memories. We enter into a reality by seeking out that which shows us how the soul is connected to spiritual life. That, ladies and gentlemen, is what Anthroposophy has to say about the riddle of the soul, at least the beginning, I would say. In the short time available in a lecture, I had to sketch out how anthroposophy delves into the field of soul mysteries, how it actually shows, not just adheres to everyday life, but how it points beyond birth and death, how it points to a supersensible world, to which the soul with its eternal essence belongs as it belongs to the physical-sensory world with its body. By facing the fact of death, the human being learns to see through the reality of anthroposophical knowledge, and thus to achieve something in anthroposophical experiments, or let us say the beginning of a solution to the riddle of the soul, that becomes a truly necessary spiritual nourishment for him again and again. But this is how knowledge comes into being that is alive. And anthroposophy is the basis for knowledge that is alive, that is not dead knowledge that is valid only for memory. But this is also how something arises from anthroposophy that can be something for life. But I need only point to one area, to the Waldorf School in Stuttgart, founded by Emil Molt and led by me, where teaching is given and education is cultivated entirely in the spirit of such an understanding of the human being, as it can arise from the contemplation of the whole, full human being, even in the child. We do not seek to realize this in the external transmission of a worldview. We do not teach an anthroposophical worldview. It is not suitable for children in the form in which it exists today. But what arises from the anthroposophically oriented worldview for teaching and education is a real engagement with the child's being, a real engagement with the true being of the human being. What is needed in education today, which will develop humanity? Humanity will have to engage with the great tasks of life in a completely different way than is already the case today. Humanity will have to engage with the ever-increasing tasks of life in education and teaching in a completely different way than people are already capable of today. And however much one may have against the Dornach building – and this applies to those present – it is shown in the artistic realm that which is otherwise presented in words as a world-view content! Dear attendees, I would like to use the following comparison again and again: take a nut and its shell. In the nut shell, in its curves and bends, you have the same laws, the same formations at work as in the nut kernel itself. The anthroposophical world view makes it just as necessary as it is necessary for the nut to form its outer shell according to the nut kernel, to have some corresponding outer framework. It could not have had just an outer shell. It could not have been something that does not have an inner life. No mere architect could possibly have erected a good building; that could not be the case with what we are developing as an anthroposophically oriented worldview. What is willed by mere life for good seeing, what comes towards us as genuine forms, what comes towards us as genuine artistic forms in the pictorial and sculptural, must, although it remains artistic, contain no single symbol, no single allegory; instead, everything has flowed into the artistic. But it must have the same effect as what is otherwise presented in words at the Goetheanum. What is presented on the stage in Dornach is only a different artistic language for that which lives when it wants to become a word, in order to go out into the world as a word of world-view. But what leads into spiritual, supersensible worlds, in that it proceeds from clear, methodical thinking and methodical research as never before in any external science, what leads into the supersensible, that not only provides a foundation for a living knowledge, for a living science, not only a creative force for artistic creation and artistic enjoyment. No matter how much one may have to criticize Dornach and his style – I am my own harshest critic, and some things would not be built the same way again – one only learns through practice. But that is not the point. What matters is the will! What matters is that one can truly strive towards a living artistic style from a living world view, so that the outer shell within the world works according to the same laws as the nutshell according to the nut, and like the nut kernel also has an outwardly corresponding shell. How external some old architectural style would be to a world view that is now being born out of the immediate urges and longings of contemporary humanity! But such a striving must at the same time lead into the deepest foundations of the human being. What I mention last is not the last, and one might actually think that those who are public representatives of religious denominations would see not some antagonism in anthroposophy, but rather a help. For people today are shaped by popular science, even in the most popular knowledge and in the simplest minds. And that which presents the content of the supersensible must be measured against the education of humanity. Today, even at school, work is done according to the habits and methods of external science. In this way, the connection between the human being and the supersensible world is increasingly being neglected. Religious life would increasingly be allowed to fade away if it did not receive a new foundation, if it did not receive the support of knowledge, of provable knowledge of the supersensible world. Therefore, the representatives of religious denominations should look to anthroposophy as a helper that wants to support precisely that which they should support most, and to do so in a way that present-day humanity will increasingly want to see. A Christian is truly a fainthearted one who does not realize that his Christianity is only truly supported by Anthroposophy in the present; no longer by that which is traditionally reproduced, but through the living contemplation of the Mystery of Golgotha, which we arrive at when we pass from the solution of the soul riddle, as we have presented it to our souls today, into the depths of religious life. The third thing that should arise from this world view, which presents itself to the world as Anthroposophy , that does not want to think alone, that wants to become alive inwardly with all the soul forces in man, that wants to make an inner, spiritual man within the outer, bodily man tangible for one's own consciousness. But that is what makes anthroposophy — however imperfect it still is today —, it is in its infancy, and I am the first to admit its imperfections, but I am also the one who could write all the criticisms that are written today myself. For the one who dares to say such things before the world today, as well as the things that have been said here before you today, also knows what can be objected to them, and he does not need to wait for what comes from this or that side as a judgment, out of an awareness that does not yet want to engage with Anthroposophy. He will not find anything new in the judgments, which mostly arise from a lack of understanding! I want to say this to show that the one who is inside Anthroposophy, as it is meant here, should not be surprised by what is encountered! Dear attendees! If consciousness that does not engage with anthroposophy were right, then anthroposophy would not be needed. If anthroposophy could easily please everyone today, then it would not need to come forward at all! It does not aspire to be immediately accepted today, for it speaks to forces that lie much deeper in the soul; and yet it knows that even in those who contradict it, these yearning, driving forces for a scientific, artistic and religious deepening are present. New paths are being sought in all three fields. Anthroposophy is aware of the weaknesses that still afflict the present day. But it would like to be — let me say this at the end, ladies and gentlemen, through its special method of research, through the life it evokes in the soul as a result of this method of research, through the deepening to which it can bring feeling and artistic insight in man —, it would like to be a foundation of a spiritual science. It wants to be that which leads people to the creativity of artistic creation and artistic attitude. And it ultimately wants to be that which inwardly develops a strong, soulful, spirit-filled vehicle for religious life as well. If it endeavors to work in these three directions, then it may perhaps believe that it is working in the spirit of the most significant demands of today. |
297. The Idea and Practice of Waldorf Education: Anthroposophy and the Art of Education
29 Dec 1920, Olten Rudolf Steiner |
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Now Mach has also given us a remarkable example of his inability to get to the human ego at all. Mach once said – I don't want to say anything against his importance in a limited area, where he has it; but we live in a time in which even a person like that can say something like this – he said: self-knowledge is actually something that is very far from a person, because he was once he was quite tired – he was a university professor – walking along, a bus had just come along, so he jumped in and saw a strange man getting in on the other side – as if the bus could have been boarded from the other side as well. |
297. The Idea and Practice of Waldorf Education: Anthroposophy and the Art of Education
29 Dec 1920, Olten Rudolf Steiner |
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In September and October of this year, we held courses at the Goetheanum in Dornach that attempted to apply the anthroposophical perspective to a wide range of academic subjects and to various areas of practical life. The aim of these college courses was not merely to discuss anthroposophy as such, but rather to bring together experts from a wide range of scientific fields, artists and also practitioners of commercial, industrial and other practical life. was precisely that they should show how the anthroposophical point of view, the anthroposophical way of examining life and the world, can be used to fertilize the most diverse scientific and practical areas of life. You are aware that today, despite the great triumphs fully recognized by spiritual science, in particular in the field of natural science, the scientist everywhere comes up against certain limits wherever questions arise that cannot be answered at all with the methods and means of observation recognized by official science today. Then one is inclined to say: Well, there we have insurmountable limits to human knowledge, to human cognitive power, and man simply cannot transcend these limits. Anthroposophical spiritual science is intended to show precisely how the research methods, the way of thinking and looking at things, which the more materialistically oriented scientific and life attitude of modern times has brought about, can be fertilized when one moves on to a completely different way of knowing, to a completely different way of looking at things. And here I touch upon the point that still earns anthroposophy the most opponents and even enemies in the present day. Opposition to anthroposophy does not arise so much from certain logical foundations or from scientifically well-tested objections, but this opposition comes from a quarter that recently - whole books are now appearing, almost every week one, to refute anthroposophy - a licentiate in theology described it in the following way: He said that anthroposophy makes one angry, that it is unpleasant and unsettling. So it is not from logical grounds that a certain antagonism arises, but, one might say, from feeling. And this stems from the fact that anthroposophy does not simply accept the knowledge that has been developed by mankind to date, which is simply structured in such a way that one says: Man has inherited certain abilities for his cognition; he gradually brings these to light through his natural development; through ordinary education he is then further trained to become a useful member of human society - and so on, and so on. With what one acquires on one side, one now also approaches knowledge itself, scientific life. One then tries to develop different methods: methods of observation, methods of experimentation, logical methods, and so on. But if one looks at the whole methodology of today's science, it is based on the assumption that one has once achieved something in the normal in terms of cognitive power, and that is not exceeded. No matter how much one is armed with the microscope, the telescope, the X-ray apparatus and so on, one does not go beyond a certain level of cognitive ability, which is regarded today as the average human being. Scientific progress is made by developing this ordinary method of knowledge in a complicated way or in exact detail, but above all, it is not thought of in the way that anthroposophy does. It starts from what I would call 'intellectual modesty'. And that is precisely where it becomes provocative for people of the present day, who, to a certain extent, do not want to hear anything like that from the outset. But one cannot help but present the facts in an unembellished way. You see, if a five-year-old child is given a volume of Goethe's poetry, all they might know how to do with it is tear it up. When the child is ten years older, they will do something completely different with the volume of Goethe's poetry. They will delve into what is written on the individual pages. Something has grown with the child. The child has matured. The child has brought forth from its depths something that was not there ten years ago. A real, not merely a logical process has taken place. The child has, as it were, become a different being. Intellectual modesty, I said, must be shown by anyone who wants to become a spiritual researcher in the anthroposophical sense. At a certain moment in their lives, they must be able to say to themselves: just as a real process takes place with the child between the ages of five and fifteen, and just as soul forces that have not revealed themselves before actually do so after ten years, so can one further develop what the cognitive faculty and the soul forces are in ordinary life. One can move away from the scientific point of view that one once accepts as the normal one; one can undergo a real process in one's knowledge. One can also develop further that which most people today already regard as the end of the cognitive faculty and at most further develop in science logically or through experimental arrangements - one can develop this further by bringing forth further powers from within the soul. And the anthroposophical method is based on this bringing forth of the forces slumbering in the soul. It is based on the fact - I will characterize it quite concretely right away - that one completely subordinates to the will that which otherwise exists as thinking merely in reference to the external world. So how do we actually think in everyday life? How do we think in science? We think in science in such a way that we abandon ourselves to the external world or to our experiences. We think, so to speak, along the thread of our experiences or of appearances. To a certain extent we apply our will to our thinking, in judgment and in drawing conclusions; but something entirely different arises when that which otherwise lives only instinctively as a thought in man, when that, if I may use the comparison, is taken up by man inwardly in self-education into his hand. When a person has practised for years the art of placing easily comprehended ideas in his consciousness, when he has brought certain ideas (and I emphasize the term “easily comprehended”) into the centre of his consciousness entirely through his own will and not through stimuli from the outside world, and when he has then, again with the application of his full will, on such inner visualization, inwardly resting, diverting attention from everything else and inwardly resting on a complex of ideas that he himself has placed at the center of his consciousness, he can exercise the powers of the soul in a different way than one does in ordinary life and also in science. And just as a muscle acquires a certain strength when it is exercised, so the soul powers acquire a definite power through exercise. They are trained in a very definite direction when one applies these inner methods, these intimate soul methods that I have described, to oneself as a spiritual researcher. I have described these methods in detail in my book 'How to Know Higher Worlds', in my 'Occult Science' and in other books; there one can read in full detail what I now only want to characterize in principle. I have called meditation and concentration that which the soul undertakes with itself, which is an inward, intimate spiritual-scientific method. But I would like to make it very clear that these things cannot be mastered in a short time. It is rather the case that spiritual scientific research takes no less time than research in clinics, in chemical laboratories or at the observatory. Just as in these fields one must acquire methods through years of practice, so too must one, and with a strong inner power of concentration, greater conscientiousness, still bring the soul faculties out of the soul itself. And then, when such methods are applied to the soul, the capacity for knowledge expands. Then one certainly comes to see how man can recognize quite different things than he can perceive through his sensory eyes and through the combination of appearances presented by the sensory eyes or the senses in general. That is one way. It goes through concentration, through the power of imagination, and through this one arrives at inner beholding, at what I have called in my book 'Mysteries of the Soul', the human being's power of beholding, of beholding cognition. One can also develop the soul powers in another way, indeed one must do so if one really wants to achieve something. We must also train that faculty, which you all know well in its simplest manifestation: attention. We do not relate to external life and internal phenomena merely by surrendering to them passively, but we direct our power of observation, our attention, to something in particular, which I might call, we carve out of our surroundings. Even when we are doing scientific research, we have to focus on something in particular and link the other things to it. Then, when you train this attentiveness through inner will, through the application of the most active soul powers, when you do exercises that make you aware of the power you use when you pay attention to something, when one practices this power of focusing, this ability to concentrate one's soul life on something isolated from life, over and over again, then one makes a remarkable discovery. Then one makes the discovery that one gradually develops more and more the soul power that otherwise only comes to us in what we call interest in the world around us. We pay more or less interest to the one object and less to the other. This reveals a gradation in our soul's behavior towards the inner world. This interest is accompanied by an enormous liveliness; it becomes such a liveliness that one can truly say: it becomes something quite different from what it is in ordinary life and in science. It becomes what one can call: one feels at one with things. The soul's powers gradually permeate the essence of things. And this experience of an increased power of interest goes even further. It now goes so far as to develop a special power that is otherwise only brought to bear in another area of life, but which, through anthroposophical spiritual science, becomes a power of knowledge. We have arrived at a point where, if we express the realities that are within Anthroposophy and reveal themselves as such, we are quite understandably considered to be amateurs or fantasists when compared to the views of today. What at first is attention in itself is transformed into the power of interest with which one experiences so clearly how the whole human being can be drawn out of the world; how one does not first have to prove and hypothesize whether this or that wave vibration underlies red or blue, but rather one grows with red and blue; where that is further developed, which Goethe so ingeniously developed in the chapter “Sensual-moral effect of color” in his theory of colors, where man really feels his soul life flowing out into the world, so that his cognitive faculty becomes like a flowing out of his soul life into the world phenomena. And his power of knowledge is transformed into that which we otherwise call love in life. Love, through which we become one with another being, is present in ordinary life, I would say only in its beginning; through the soul exercises I have indicated, it becomes such a soul power that recognizes itself in the whole environment. And so one can say – I can only hint at all this, in my books it is presented in more detail – by developing the imagination on the one hand, and on the other hand the power of attention, the power of interest, the power of love, which underlie the life of the will, new powers of knowledge develop, and the human being experiences an expansion of his knowledge. What is otherwise called the limit of knowledge and what is often described as insurmountable, especially by contemporary researchers, can only be transcended through the development of the soul's inner powers - not by arming the eye with the microscope and telescope or with the X-ray apparatus, but only by training the human soul itself, by developing that power of knowledge that takes us beyond the sensual and the combination of the sensual through the mind. What now reveals itself to the human being is not a second edition of the sensory world, but the real spiritual world. And by awakening in this way what works in him supernaturally as spiritual life – for that is awakened by these two powers that I have mentioned – by awakening this in himself and bringing it to real exactness, in a way that otherwise only mathematics can achieve, he is led beyond the world of the senses, not through speculation about atoms and molecules, but through direct experience and observation of what the senses present. And man comes to recognize that which underlies him as a supersensible world just as his physical body underlies him as a physical thing. Man comes to know the spiritual world. The anthroposophical spiritual science that emanates from the Goetheanum in Dornach is not to be confused with the many attempts today to study the mind by imitating the methods that are otherwise used in laboratories. There are certain people — just think of spiritualism — who believe that today, through external actions, through external experiments, they can penetrate deeper into the essence of things; they would like to recognize the supersensible through sensory research. That is precisely the essential point: that the supersensible can only be recognized with supersensible powers. And since these supersensible powers are slumbering in man at first - because, as he is once constituted between birth and death, he must first become proficient in the sensory world - he must get to know through the development of supersensible powers that which goes beyond death and birth, that which belonged to him even before he entered into this existence through birth, that which he retains when he passes through the gate of death. I will just briefly mention how, in fact, when man penetrates to this supersensible faculty of knowledge, regions are opened up that cannot be opened up in any other way, namely, precisely that which is beyond birth and beyond death. Today it is almost entirely left to the faith of the creeds to teach people anything about what is beyond death. But even our language testifies to the fact that we are actually proceeding in a fundamentally one-sided way in this respect. We have the word 'immortality'. Admittedly, it does not come from knowledge, but from faith. But this immortality only wants to speak of the life that is beyond death. Spiritual science shows, by opening up the supersensible worlds, that man was also present in the spiritual world before birth, or let us say before conception. And the fact that we do not have the word “unborn” testifies that we have not recognized a real spiritual science in the present. As soon as man penetrates into the supersensible world through knowledge, not merely through faith, not only the prospect of the immortality of his being opens up to him, but also of the unborn of his being. I can only briefly touch on all this, because my task today is to show how this anthroposophical spiritual science – which is intended to be modelled on a very exact science, but which is also taken entirely from the human soul: mathematics – can actually lead to cognitive insights into spiritual and supersensible life. We draw mathematics from the inner being, and if one person is familiar with the Pythagorean theorem, thousands or millions of people could come and deny it, he would know the truth of the mathematical field simply by having this content in his consciousness. It is the same with the inner experiences of the supersensible, as they come to light through spiritual science. This spiritual science is already developed in many details today, and, as I indicated in my introduction, it can have a fruitful effect on individual sciences as well as on practical life. Although this spiritual science is already being actively researched in the field of medical therapy, for example, I myself held a course for doctors and medical students in Dornach this spring, in which I tried to show how spiritual scientific observations can lead to a much more rational therapy than the one we have today. We have also founded institutions for practical life, such as the Futurum in Dornach, which is intended to be a purely practical undertaking and to found an association in which various branches of industry are united in order to make further progress in rational administration than time has brought us, which has led us so much into an economic catastrophe. Everything in practical life today testifies that humanity is at a boundary that must be crossed. Now, I do not have to spread out today over the other areas in which spiritual science is already proving its fertility through the practice of life itself; I have to speak primarily about the fertilization that education, the pedagogical art, can experience through this spiritual science. First of all, it should be noted that the knowledge and understanding that is gained in the way I have just described is not the kind that has been brought to humanity in particular in the last three to four centuries. This knowledge of the last three to four centuries, although based on experiment and observation, is essentially knowledge that is developed by the intellect and speaks only to the intellect. It is essentially head knowledge. The knowledge and insight that is gained through anthroposophical spiritual science speaks to the whole person. It not only engages the intellect, but it spreads out in such a way that what can be recognized there also permeates our emotional life. We do not draw a conclusion from our feelings — that would be an ambiguity, a nebulous mysticism. Knowledge is attained through vision. But what is attained in this way then has an effect on the human emotional life, it stimulates the human will, it leads the human being to develop this knowledge, this insight, into their daily life, so that it permeates them like a soul blood, which in turn communicates itself to the physical body's functions, impulses and practical life. And so we can say that the whole human being is affected. And it is precisely for this reason that this anthroposophical spiritual science, when it permeates the individual, is a foundation for what the educator, the teacher, has as a task in relation to the developing human being. As you know, it is always emphasized today that the art of education must be based on psychology, on the study of the soul. But if we look around at what is considered psychology by our contemporaries, we have to say that the many judgments and discussions that take place show how much it is all just empty words, how little this contemporary science, which has achieved such great triumphs in its research into the external world, can penetrate into the actual knowledge of the human being. This is the peculiarity of anthroposophical spiritual science: it does not acquire this knowledge through external experimental psychology – although nothing should be said against this, because its results only become truly fruitful when they are also fertilized by anthroposophically oriented spiritual science. What one must penetrate in the science of the soul, if one wants to become an educator, a teacher, one acquires by allowing oneself to be seized by anthroposophical spiritual science. One learns to recognize what actually lives in the human being as body, soul and spirit when one approaches the anthroposophical methods and through them inwardly grasps the human being. I have already described how anthroposophical spiritual science strives to inwardly grasp what lives in our environment by means of its special methods of knowledge. But we must penetrate to the core of the human being, especially if we want to treat him pedagogically. And here it is a matter of the fact that our time cannot at all build a bridge between the soul-spiritual on the one hand and the physical-bodily on the other. All manner of psychological hypotheses have been put forward, ranging from the interaction of body and soul to 'psychophysical parallelism', in order to explain the mystery that lies before us in the relationship between body and soul or the spiritual-soul and the physical-bodily. But our psychology, because it does not use spiritual scientific methods for research, is not at all so far advanced that it could provide any basis for real pedagogy, for the real art of teaching. And I must point out something here that I only hinted at in my book 'Von Seelenrätseln' ('On Soul Mysteries'), but which is the result of thirty years of research by me. I would not have allowed myself to express it earlier, what I now have to say and what I hinted at in that book after thirty years of research. It is that today it is commonly believed that mental life is mediated only by the nervous system. The nervous system is regarded as the sole physical basis of human mental life. It is not! It can be shown in detail – and I have also hinted at such details in my book 'Von Seelenrätseln' – that only what we call the life of thinking has the nerve sense system as its physical basis and that the actual organ of the life of feeling in man is not the nerve sense system, but directly the rhythmic system, the respiratory system, the blood circulation system. Just as the nervous system underlies the life of thinking, so the rhythmic system underlies the life of feeling in the human being, and the life of will is based on the metabolic system. These three systems, however, comprise all the inner processes that a person undergoes. The human being is a threefold creature. But we must not imagine that these three parts of the human being - the nervous-sensory system, the rhythmic system and the metabolic system - are juxtaposed. No, they are interwoven, and we have to separate them from each other in a spiritual-soul-like way if we want to see through the essence of the human being at all; because, of course, the nerves also need to be nourished. The metabolic system also plays a role in the nervous system, and also in the organs of the rhythmic system; but the organs of the rhythmic system serve only the will insofar as the metabolism plays a role in them; whereas insofar as they represent actual rhythmic movements, they serve the emotional life. And again, when our rhythmic being encounters something, when our breathing rhythm, for example, encounters our nervous system indirectly through the cerebral fluid, the interaction between the life of feeling and of imagination arises. In short, the human being is a more complex creature than is usually believed. Even that which one can ultimately have as the correct physical view of a person cannot be achieved with today's scientific methods, but only through inner vision, through growing together with the person himself in such an insight as I have described. When one grows together with the being of a person in this way, when one sees the soul's activity in the physical body, then the growing person also presents himself in a new light. For someone who does not grasp things with a sober, dry intellect, but who can recognize the world through feeling, the growing child is a wonderful mystery as it reveals more and more of its inner life from day to day, from week to week, from month to month, from year to year. That which we cannot observe merely with the abstract faculty of knowledge, that which we can only observe if we ourselves can inwardly immerse ourselves in what is revealed on the face, what is revealed in the movements, what is revealed in the development of speech and so on, that can only be truly grasped with a knowledge that inwardly penetrates the outer world. And such knowledge reaches us not only by grasping our intellect – with this intellect we then want to recognize externally the tasks that we should apply to educate and teach the child – no, anthroposophical spiritual science encompasses the whole human being. And in that it reveals the developing child to the whole human being in the interaction of body, soul and spirit, anthroposophical knowledge permeates our minds and our will — I would say in a way that is as natural as the blood, enlivened by the breath, permeates the human body. We are not only inwardly connected with the child through our intellect, we are also connected through our soul. We are connected through our will, in that we know directly: when we recognize how the child develops, we know what we have to do in this or that year of the child's development. Just as the air sets our blood in motion, just as the organism comes into its functions through what the outside world invigorates in it, just as it is seized by what the outside world accomplishes in it, so our soul and spirit are seized by such a living knowledge as we receive through anthroposophical spiritual science. And then, that which is developing within the human being as his individuality reveals itself to us, and we learn in an inward way to treat this individuality in an educational and teaching way. Do not expect anthroposophical spiritual science to establish new educational principles. Educational principles, beautiful ones – I am completely serious when I say this – deeply penetrating pedagogical rules: the great educators have found them, and no spiritual science would dare to object to the genius of the great educators of the 18th and 19th centuries. But there is something here that needs to be pointed out very clearly. You see, people say today, and have been saying for decades, that education should not be about just introducing something to the child; rather, one should develop what is in the child, his or her inner individuality. One should draw everything out of the child. In an abstract form, spiritual science must also say this. But precisely for this reason, spiritual science is misunderstood. If I want to make myself understood, I would like to recall something that I am using for comparison. It was in 1858 when the socialist Proudhon was accused of disrupting society. After the judges had reproached him with various things, he said that it was not at all his aim to disrupt human society, but rather to lead human society towards better conditions. The judges then said: Yes, that is what we all want, we want exactly the same as you. So spiritual science says: We want to develop human individuality. It has also been said in a certain abstract form for a long time that human individuality should be developed. But the point at issue is not to express such a principle in abstract forms; the point at issue is to really see this human individuality developing in a living contemplation, to really grasp the human being inwardly. And now I would like to illustrate how the developing human being presents himself to spiritual science. First of all, we have clearly definable stages of life in a human being. We have a stage of life that begins at birth and lasts until about the age of seven, when the teeth change. Then, if one is able to observe correctly, a very intense change takes place in the human being – physically, mentally and spiritually. Then the development continues again until about sexual maturity, when a new change takes place. Within these individual stages of life, there are smaller stages. I would like to say that in each of these stages, we can distinguish three smaller stages that can only be properly obtained through observation that penetrates into the inner being of the human being. That is what it is about. Because what we want to know about the human being is at the same time the driving force for pedagogy, in that pedagogy should become art. First of all, the first phase of life up to the age of seven shows us, above all, how the human being, as a spiritual, soulful and bodily creature, is entirely inclined to be an imitative being. If you study the human being in this phase of life and see how strongly he is predisposed to devote himself entirely to his surroundings, to carry out within himself what is presented to him in his surroundings, then you understand the human being. But one must be able to observe this concretely. One must then see how, for example, in the first two and a quarter years of life - these are, of course, all approximate figures - what occurs in the human being does not yet show itself as a real imitation, how organizing forces prevail inwardly, but But then, as the human being progresses in the third year of life, they show themselves in such a way that the human being becomes more attentive to his fellow human beings with these forces, so to speak directing these forces to what emanates from his fellow human beings. And then, around the fifth year, the time begins when the human being actually becomes an imitative being. And now one must be able to observe in the right intimate way what the relationship is like from person to person, and thus also between educator and child. One must know that this is profound for the whole human development, that this phase of life tends towards imitation. For those who work with such things, I would say professionally, some of the complaints of a mother or father, for example, are on a par with that. They come and say: my child has stolen! - Well, one asks: Yes, what has the child actually done? He opened the drawer in the cupboard, took out some money, and - I am telling you a specific case - didn't even use this money to buy something for himself, but even distributed what he had bought among his fellow pupils! You have to say: Yes, my dear woman, at this age it cannot be called theft at all, because the child has clearly seen how you go to the cupboard every day and open the drawer; the child has done nothing other than try to do the same. It imitates that. In the first seven years, there is no other way to approach the child than to set an example for the child and let it imitate intimately what is to be brought to the child through education. Therefore, it is of such great importance for the first seven years of life that the educator, the parents, not only act as role models for the child in their outer actions, so that everything can be imitated, but that they also think and feel only what the child can think and feel. There is no boundary between the person with the child in his or her environment and the child itself. Through mysterious powers, our innermost thoughts are also transferred to the child. A person who is moral, who is truthful, makes different movements, has a different expression, walks differently than a person who is untruthful. This is something in the outer appearance, which is completely blurred in later life – but it is there for the child. The child does not merely see the morality of those around it through its ideas, but the child sees, through its movements, not with intellectual knowledge but through a subconscious knowledge that rests deep within, if I may use the paradoxical word, from mysterious hints in the way the person expresses themselves, what it should imitate. There are imponderables not only in nature, but also in human life. Then, when the child has passed the age of imitation, what the child brings to school comes into play, and here it is particularly important to ensure that teaching and education really do help the developing human being to grow in terms of his or her individuality, humanity and human dignity. We have already made a practical attempt in this direction. The Waldorf School has existed for more than a year in Stuttgart, and there the lessons are taught entirely according to the principles that arise from this anthroposophical worldview and scientific method. The Waldorf School in Stuttgart is not a school of any particular worldview. We are not interested in introducing anthroposophy to children in the same way that we would a religion. Oh no, that is not what we consider to be the main focus. We leave the parents and the children themselves entirely free, because it could not be otherwise in the present situation. Those who wish to be taught in the Protestant faith are taught by the Protestant pastor, those who wish to be taught in the Catholic faith are taught by the Catholic pastor; those who wish to have free religious education in line with their parents' beliefs or their own will receive such education from us. We cannot help the fact that the number of the latter - but not by our will, but in accordance with the current circumstances - is overwhelmingly large, especially in the Waldorf School. We have no interest in making the Waldorf school a school of direct world view, but we want to let what the anthroposophical knowledge gives flow into the art of education, into the practice of this educational art. How we do it with the child, not what we bring to the child, that is what matters to us. And so we see that, as the child passes the change of teeth and crosses a significant point in life, the power of imitation continues to have an effect into the seventh or eighth year. The power of imitation continues to have an effect until about the age of eight. It is particularly strong in the child during this time, which is an element of will in the human being. When a child starts school, we should not focus on the intellectual side of things, but rather take the whole person into account. I would like to explain this in relation to something specific. We take this into account in Waldorf schools. We don't start by teaching children to write by teaching them the letters of the alphabet. These letters, as they are written today, actually only speak to the intellect. They have become conventional signs. The head has to be strained on one side. We therefore teach writing by starting from drawing or even from painting visible forms. We first introduce the child to something that is artistic and then develop the forms of the letters from the artistic, from drawing, from painting. It is not so important to go back to the study of primitive peoples and their writing, which has developed in a similar way. Rather, one can trace the individual letters back to what one can make of them in terms of painting and drawing. But the essential thing is that one methodically starts from that which takes hold of the whole person, which is not just to be thought about, but where the will comes to expression. In what the child accomplishes through painting, the whole human being lives, so to speak, the whole human being becomes one with what the child can create. Then, on the one hand, what should interest the head can also be developed from what engages the whole person. So we start from that which initially affects the child's will. And even what is expressed in an intellectualistic way in writing lessons, we first develop out of the will. Then the soul is particularly involved. The child feels something by first developing the form, and then letting the forms merge into the existing signs. Only then do we develop reading more out of what writing has become. So that, as I said, we appeal to the whole person, not just to the head. And it becomes clear when we carry out something like this, what a difference it makes whether you simply teach people from the point of view of the current external social life in that to which they have no reference, or bring them to that which you extract from their inner whole person, which is inherent in them. During this time from the age of seven to sexual maturity, we see how the child's inner development is not focused on imitation – which continues to play a role until after the age of eight with the particular application of the will – but we now gradually see a completely different force entering the child's life. This is what I would call the natural sense of authority. This is something that is perhaps more or less mentioned today, but it is not properly considered. Just as a plant must have its growth forces if it is to develop flowers at a certain time and in a certain way, so the child must develop an elementary sense of authority within itself from the change of teeth to sexual maturity, because this belongs to its physical, mental and spiritual growth forces. It must rely on the teacher and educator, and it must accept the things that it then believes, that then approach it, that become the content of its feeling, its will, it must accept them, just as it in imitation, now it must accept them on the basis that it sees them in the behavior of the teacher, that it hears them expressed by the educator, and that the child looks up to its educator in such a way that what lives in the educator is a guiding force for it. This is not something that one can hope for through anything else, let us say in a more free-spirited time than today, which one is supposed to long for. No, one cannot replace what simply grows up with us through this elementary sense of authority, through devotion to the educator or instructor, with anything else. And throughout one's entire life, it has an enormous significance whether, between the ages of seven and fourteen, one has been at the side of teachers or educators in relation to whom one has developed a natural sense of authority. This touches on a point where the materialistic view goes too far astray, for example when it says: after all, what does the individuality of the teacher do in its effect on the child! We should teach the child primarily through observation; we should lead it to think and feel for itself. I need hardly say that in some methods this has been reduced to the absurdity that we should only bring to the child what it already understands, so that it can analyze it in its own observations. I would like to draw attention to the following: In this phase of life, which I am now talking about, it is of particular importance what we accept on authority, what we take in out of a sense of authority, even if we do not immediately understand it, and that we do not just acquire what is tangible. For just as willpower underlies the imitation instinct in the first seven years of life, so between the seventh year and the year of sexual maturity everything that is memorized underlies the child's expressions. The child wants to memorize things under the influence of the sense of authority. And precisely what is said against the memory-based appropriation shows that, basically, all possible life practices are built on theories today, without taking the whole of human life into account. Those who want to trace everything back to intuition fail to take two things into account: firstly, there are very broad areas of the world that cannot be made vivid. These are the realms of the beautiful; but above all, they are the moral and religious realms. Those who want to base everything on intuition do not take into account the fact that the most valuable thing, without which man cannot be, the moral and religious and its impulses, cannot be brought to man intuitively - especially not in these years of life - but that it must take hold of man supersensibly. In these years of life, when it is time, it can only do so through a sense of authority. That is one thing. The other thing, however, is this. If you look at the whole of human life, not just a period of life in theory, then you know what it means when you are thirty-five or forty years old and look back on something you experienced in childhood, assuming it without understanding it at the time, because you said to yourself: the person who lives next to you as a teacher knows, it must be so. You accept it. You are in much older decades – it comes up again. Now you are mature enough to understand it. It has become a force of life. It is a wonderful thing in human life when you see something emerging from the depths of the human soul, for which you are ripe in later human life, but which has already been implanted in youth. It is a remedy against growing old; it is a life force. One has an enormous amount of what one has absorbed in childhood. It is not a matter of demanding something out of some prejudice, of taking something on the authority of someone else, or of accepting something literally on mere authority, but it is a matter of demanding this for the sake of human salvation. Why do people today grow old so quickly? Because they have no life forces within them. We must know in detail what forces we must implant in the child if we want to see these forces emerge in a rejuvenating way in the later decades of life. I will now give another example. Anyone who has a good understanding of how children play in the first years of life, up to around the age of five, and who pleasantly arranges their play according to the child's individuality, prepares something in the child that will in turn be expressed in much later life. To do this, one must understand human life in its totality. The botanist looks at the plant in its totality. What today wants to be “psychology” only ever looks at the moment. Anyone who observes a person at around the ages of twenty-five, twenty-six, twenty-seven, twenty-eight – or a little earlier – when they are supposed to find their way into life experience, find a relationship with life practice, become a skillful person, a purposeful person, anyone who can be properly and accurately observed, it can be seen how, in childhood play — between birth and about five years of age — the nature of the playing has announced the way in which, in one's twenties, the person finds their way into life as a practical person, as a skillful, purposeful person. In earliest childhood we bring forth what later comes as a flower, I might say at the root of development. But this must be understood from such an inner knowledge as anthroposophy offers, which delves into human nature. This must be recognized by observing the whole human being. We must, so to speak, if we want to be teachers and educators, feel the whole burden of the human being on us. We must feel what we can learn from each individual, what we can find in the child. And so we know that up to the age of nine, a child cannot yet distinguish between subject and object in the right way. The outer world merges with the inner. Therefore, in these years, only that which lives, I would say, more in the form of fantasy, in images, should be brought to the child – so [should] everything [be designed] that one wants to bring as teaching in these years. Observation of plants, simple natural science, history can only be taught to the child from the ninth year onwards. Physical or historical facts that are not biographical but concern the context of historical epochs can only be taught to children after the age of twelve because only then can they be built upon something related in the child's nature. And again, one should not stick to the abstract principle of developing individuality, but one must really be able to observe this individuality from week to week. This has proved to be a fruitful method in Waldorf schools and must be so by its very nature. When the teacher is imbued and enkindled by all that can be awakened in his soul and will, he enters into a quite different relationship with his pupils. I will again make this clear by means of an example. It is not only the rough line that extends from the educator to the child or from the teacher to the child, which is the result of the external materialistic way of observing, but there are always imponderables at play. Let us assume that the child is to be taught the idea of immortality at a suitable age. Now this idea of immortality can be very easily conveyed in pictures, and up to the age of nine one should actually teach quite pictorially. Everything should be transformed into pictures. But if you first develop the picture with your mind, if you proceed abstractly in developing the picture, then you do not stand in the picture. For example, you can say to a child: Look at a butterfly chrysalis; the butterfly crawls out of the chrysalis. Just as the butterfly visibly crawls out of the butterfly chrysalis here, so the human being's immortal soul escapes from the body. But if I have first created this image from my inner abstraction, if I am not present myself, if I am only adjusting everything for the child, I am not teaching the child anything. It is a peculiar secret that when one regards the whole of nature as spiritualized, as is natural in spiritual science, one does not merely adjust the image, but knows: What higher level than immortality is not conceived by my intellect but is modeled on things themselves; for example, the butterfly struggling out of its chrysalis is an image presented by nature itself. I believe in what I tell the child. I am of the same faith and conviction that I wish to instill in the child. Anyone who is observant can see that it makes a completely different impression on the child if I teach it a belief that I can believe in myself, that I do not merely present to the child intellectually and have stated because I am so clever and the child is still so stupid. This shows what imponderables are at play. And I would like to mention one more thing. During the time at primary school, the situation is such that, initially, up to about the age of nine, what remains is the tendency to imitate what the predominant will is. But then something occurs for the child that teaches it to distinguish itself from its environment. Anyone who is really able to observe children knows that it is only between the ages of nine and ten that the child really begins to distinguish between subject and object, between itself and its environment. Everything must be organized with this in mind. But one would look at many things in life differently than one does, and in particular shape them differently than one does, if one were to see that in the same phase of life in which the child between the ages of nine and ten really learns to distinguish between its surroundings, in this phase of life it is indispensable for the whole moral life of the human being in the future that he can attach himself with the highest respect and with the highest sense of authority to someone who is his teacher or educator. If a child crosses this Rubicon between the ages of nine and ten without this feeling, it will have a deficiency in its whole life and can later, at best with great effort, conquer from life itself what should be transmitted to the child in a natural way at this point in life. Therefore, we should organize our education and teaching in such a way that, especially in the class where the child crosses the Rubicon between the ninth and tenth year, we stand before the child in such a way that we really have something to offer the child through our own inner morality, through what we have in the way of inner truthfulness, of inner soul content, we can really be something for the child, that we do not just act as a model for it, that everything we say to it is felt by it as the truth. And one must establish in it the feeling that must exist in social life between the maturing child and the adult and the old person. The fact that this child goes through its reverence at this point in life between the ages of nine and ten is also the basis of what moral religious education is. Developing intellectuality too early, not taking into account the fact that the will must be influenced by images – especially from primary school onwards – and that one must not immediately penetrate into the abstract of writing and reading , nor does such an understanding of the human being provide those feelings and sensations that become useful when we want to teach the child moral maxims, ethical principles, when we want to instill religious feelings in it. They do not take effect later, nor do they work through a sense of authority, if we are not able to use the individual predisposition of the whole human being from the age of seven, for example, from the age of seven. And so we can follow the development of the child in a very real way. Teachers and educators become pedagogical artists when they allow the knowledge they can gain about the human being through anthroposophical spiritual science to take effect in them. We do not want to create new, abstract educational principles, but we do believe that the human being's entire personality is stimulated by what anthroposophy can give as a spiritual-soul breath of life. Just as blood invigorates the organism as a matter of course, so spiritual science should invigorate those whose profession it is to educate and teach in such a way that they truly become one with the child and education and teaching become a matter of course. We would like those who enter the gates of their class to do so with such an attitude before the children in the Waldorf school. Not because we want to add our two cents in every possible field, we also talk about pedagogical art, we also cultivate pedagogical art, but because we have to believe from our insights that a new fertilization is actually also necessary there. The phenomena of life have led to such terrible times that they demand a new fertilization. Not out of some foolish attitude or ideology, or because it wants to agitate for something, but out of the realization of the true needs of our time, anthroposophy also wants to have a fertilizing effect on the art of education. It wants to understand and feel correctly that which must underlie all real education and all real teaching. A true sense of this can be summarized in the words with which I want to conclude today, because I believe that if anthroposophy shows that it has an understanding for these words, the most inner, truest understanding, one will also not deny it its calling to speak into the pedagogical art, into the science of education. She does not want this out of some revolutionary sentiment, she wants this out of the needs of the time, and she wants this out of the great truths of humanity, which lie in the fact that one says: Oh, in the hand of the educator, in the hand of the teacher, the future of humanity, the near future, the future of the next generation, is given. The way in which education is provided, the way in which the human being is introduced to life as a becoming, depends, firstly, on the inner harmonious strength with which he can lead his life to his inner satisfaction as an individual. And this determines how he will become a useful and beneficial member of human society. A human being can only fulfill his destiny if, first, he has inner harmony and strength, so that he cannot be complacent about himself, but can always draw from this harmony the strength to work, the strength to be active and to feelings for his surroundings, and if, on the other hand, through his diligence, through his growing together with the needs of the time and the humanity surrounding him, he is a useful, a salutarily effective member of the whole of society. Anthroposophical spiritual science would like to contribute to making him such, for the reason that it believes that one can find a very special understanding of the human being in its way and thereby also a very special art of treating people. Answering Questions Rudolf Steiner: First of all, a written question has been received:
The spiritual science referred to here should be completely realistic and never work as an abstraction and from theories; therefore, those questions that one is otherwise accustomed to answering, I might say, briefly, in a nutshell, cannot be answered briefly for spiritual science. But one can always point to the direction in which spiritual science sees. One will indeed come across it in the play of the youngest children. Play is most characteristic up to about the age of five. Of course children play afterwards too, but then all kinds of other things get mixed into the game, and the game loses the character, completely, I would like to say, of flowing out of the arbitrariness of the inner being. Now, if you want to guide the game appropriately, you will, above all, have to keep an eye out for what is called the child's temperament and other things that are related to temperament. The usual approach is to think that a child who, for example, shows a phlegmatic character should be guided towards the right path by something particularly lively that will excite them; or a child who shows a tendency towards a more introverted nature, such as a melancholic temperament – even if this does not yet appear in the child as such, but it may be there in the disposition – one would like to bring it, in turn, onto the right path by means of something uplifting. This is basically, especially as far as play is concerned, not very well thought out, but on the contrary, it is a matter of trying to study the child's basic character – let us say whether he is a slow or a quick child – and then one should also try to adapt the game to this. So, for a child who is slow, one should try to maintain a slow pace in the game, too, and for a child who is quick, maintain a quick pace in the game and only seek a gradual transition. One should give the child just what flows from his inner being. The worst educational mistakes are made precisely because one thinks that the same should not be treated the same, but the opposite should be treated by the opposite. There is one thing that is always particularly missed. There are excited children. Of course, you want to calm these excited children down, and you think that if you buy them toys in darker colors, i.e., the less exciting colors, blue and the like, or if you buy them clothes in blue, it would be good for the child. In my little booklet 'The Education of the Child from the Point of View of Spiritual Science', I pointed out that this is not the case, that one should make the toys reddish for the excited child, and blue and violet for the careless child, the child who is not lively. Through all these things one will find out what is suitable for the child according to his or her particular individual disposition. There is an extraordinary amount to be considered. You see, it is commonly believed – as I said – that if you have a lively child, too lively a child, you should approach him with dark colors, with blue or violet; but you can see for yourself that if you look at red, at a red surface, and then look away at a white one, you have the tendency to see the so-called complementary color as a subjective form. So it is the complementary color that is inwardly stimulated. The dark colors are inwardly experienced by the light ones. Therefore, when a child is excited, it is good to keep its toys and clothes in light colors so that it is inwardly stimulated. So these things, too, may only be considered in such a way that one penetrates, as it were, into the inner nature of human nature and being. Then I would like to point out that, as a rule, one does not meet the individuality of a child, or any individuality at all, if one listens too intently to the combinative aspects of the games. Therefore, from his point of view, the humanities scholar must actually consider everything that is a game of combinations, building blocks and the like, to be of lesser value because it is too much like an intellectual exercise for children; on the other hand, anything that brings more life to the child – appropriately varied according to their individuality – will make a particularly good toy. I have long endeavored to somehow bring about a movement for this - but it is so difficult in the present day to inspire people for such little things, seemingly little things - that more would be reintroduced the movable picture books for children. There used to be such picture books, which had pictures and you could pull on strings at the bottom; the pictures moved, whole stories were told by the pictures. This is something that can have a particularly favorable effect on children when it is varied in different ways. On the other hand, anything that remains static and requires a particular combination, such as a building-block story, is not really suitable for children's play, and building blocks are just one manifestation of our materialistic age. Then I would also like to point out that when it comes to games, it is important to consider how much the child's imagination is involved. You can kill the most beautiful powers in a person by giving them, the developing human, a “beautiful” clown as a boy or a very “beautiful” doll as a girl - after all, they are always hideous from an artistic point of view, but people strive for “beautiful dolls”. The child is best served when the imagination itself is given the greatest possible leeway when it comes to such toys. The child is happiest when it can make a doll or a clown out of a handkerchief that is tied at the top to form a little head. This is something that should be encouraged. The activity of the soul should be able to be set in motion. If we have an eye for temperament, we will get it right, for example, by giving a particularly excited child the most complicated toys possible and a slow child the simplest toys possible, and then, when it comes to handling, proceeding in the same way. What the child does with himself is also of particular importance in later years. You can also tell by letting a child run fast or slow: you let an excited child run fast, and you force a casual child, a child who is lazy in thinking, to run slowly in games and the like. So it is a matter of treating like with like when adapting the game to the individuality, and not with the opposite. This will go a long way for those who really strive in this direction to treat children accordingly.
Rudolf Steiner: It is only a matter of approaching these things in the right way. Of course, there are some things that you have to tell the child in his childlike way, and that will be the case with such things because the image is somewhat far removed from what it is about. But I certainly can't say, for example, that I don't believe in the Easter Bunny! So it's just a matter of finding the way to this belief. You'll forgive me for making such a frank confession. But I don't know of anything, especially in this area, that I couldn't believe if only I could find the way to it. The point is that where things are not as simple as with the butterfly, but more complicated, one must then also undergo a certain more complicated mental process in order to have within oneself the frame of mind that brings this to the child in the right, credible way. There is a meaning to the legend that lives on in certain parts of the Orient that when the Buddha died he was transported to the moon and there he looks down on us in the form of a hare. These things, which are originally contained in the deeper legends, point to the fact that deep natural secrets underlie things. I would like to draw your attention to the fact that today such things are extremely difficult to judge. There is a very famous philosopher of nature, Ernst Mach. Most of you will know the name. Mach claims that it is no longer appropriate to teach children fairy tales or the like; this is not appropriate for such an enlightened time as ours. He assures us that he raised his children without fairy tales and the like. Now Mach has also given us a remarkable example of his inability to get to the human ego at all. Mach once said – I don't want to say anything against his importance in a limited area, where he has it; but we live in a time in which even a person like that can say something like this – he said: self-knowledge is actually something that is very far from a person, because he was once he was quite tired – he was a university professor – walking along, a bus had just come along, so he jumped in and saw a strange man getting in on the other side – as if the bus could have been boarded from the other side as well. He was amazed at that, but he just saw a man approaching, and he thought to himself: What kind of a neglected schoolmaster gets on there! Only then did he realize that there was a mirror on the other side and that he knew so little about his own outward appearance that he had not recognized his reflection. Another time, the same thing happened to him: he was walking along the sidewalk on the street and there was a mirror that was slightly askew, so that he also saw himself there, without immediately recognizing himself. In this instance, he offers this as a kind of explanation of how little a person actually penetrates to his or her true self. He also regards this self-knowledge only from an entirely external point of view. He rejects fairy tales out of the same impulse. Now, of course, the fact is that, as the fairy tales are widely available today, it seems that one cannot cling to the fairy tales as an adult with inner involvement and a certain inner conviction; but that is something deceptive. If you go back to what is actually experienced, then you come to something completely different. In this respect, it is truly regrettable that certain beginnings, which, according to spiritual science, have been pending for a long time, have not been developed at all. My old friend Ludwig Laistner had written his two-volume work “The Riddle of the Sphinx” in the 1880s. x», in which he proves what a foolish idea it is to believe that myths, sagas and legends came about because people made up something about clouds, something about the sun, earth and the like; that spring myths came about because the popular imagination invented them. Ludwig Laistner – in this respect his book is, of course, imperfect because he knows nothing of the actual state of mind of earlier people, which was more directed towards the real observation of reality – attributes everything to dreams, but at least he goes so far as to ascribe an experience, even if a dream experience, to every mythical construct. Now, let us look at the dream. It certainly does not correspond to the kind of knowledge we have during the day, when we approach things through our senses; but anyone who studies the dream life intimately – of course, there is no need to stray to the side of the dream books – will see that the dream life is also an expression of a reality. You dream of a tiled stove, feel the heat radiating on you – and wake up with a pounding heart. The dream has symbolized an inner process for you. You dream – I am telling you real things – of snakes that represent all kinds of things to you; you wake up and have some kind of pain in your intestines; the pain in the intestines is symbolized by the snakes. Every dream is basically indicative of a person's inner processes, and a person's inner processes are in turn an expression of the great soul processes. Truly, the world is much deeper than we think in our so-called enlightened times. And anyone who actually studies fairy tales will find such significant psychology in them, for example, that there is already a way to believe in fairy tales, so that the degree of inner soul mood that I use to teach the child something from “Snow White” or “The Easter Bunny” or “St. Nicholas” is such that it can give rise to the very feeling that has a belief in me. I just have to be inwardly imbued with a relationship to the thing. Take 'St. Nicholas': St. Nicholas is definitely what leads back to the old Germanic Wotan, is actually the same as the old Germanic Wotan, and then we come to the World Tree, and we have a clue in the branch that St. Nicholas carries. It is this branch – the Christmas tree is hardly a hundred and fifty years old, it is still quite young – that gradually grows into the Christmas tree. You can see that there are inner connections everywhere. It is only necessary to find one's way into these inner connections, but it is already possible. And then there are quite different imponderables that extend from the mind of the teacher and educator to that of the child. I am not sure whether my answer quite meets the point of your question; it is something like this.
Rudolf Steiner: You see, in relation to many things, anthroposophical spiritual science is in a position where it has to speak. There are small circles and it forms a large circle; the small circle lies within the large one, but the large one does not lie within the small one, and mostly those people who have the small circles are the most fanatical. Anthroposophy is absolutely the opposite of any fanaticism. Isn't it true that there is a quarter or half truth in psychoanalysis? They try to extract the soul provinces and so on from within, the isolated soul provinces and so on. There is a truth in this, but you have to dig deeper if you want to find the actual basis. So that one can say, as we find with very many views, “Yes, but the other person does not return the same love for us, he finds that because one has to present it more comprehensively, one contradicts him. I will remind you only of the shining example that is almost always given in most books of psychoanalysis. You will remember it if you have studied the material: a lady is invited to an evening party. The lady of the house – not the invited guest – is supposed to leave for a spa that very evening, leaving the master of the house at home alone. Now the evening party is taking place; the lady of the house is sent off to the spa, the master is back again, the evening party breaks up. The people are walking on the street. Around the corner rushes a droshky – not a car, a droshky. The evening party moves aside to the left and right, but one lady runs in front of the horses, always away, running, running, running, as the others also try and the coachman curses and swears, but she runs until she comes to a stream. She knows very well that you can't drown in the stream – she throws herself into it and is of course now saved. The people don't know what else to do: she is taken back to the house where she just came from, where the master of the house is, in which the lady of the house has just been sent to the bathroom. Now, a real Freudian – I followed this from the beginning, was very well acquainted with Dr. Breuer, who together with Freud founded psychoanalysis – yes, a real Freudian looks for some hidden complex of the soul: In her seventh or eighth year, when the lady was still a child, she was followed by a horse; this is now a suppressed complex of the soul, and it is coming out. But things are not that simple. I must now apologize, but things are such that the subconscious can sometimes be quite sophisticated. This subconscious has been working in the lady the whole time: if only she could be with the man after the other one has been sent to the bathroom! And now she is getting everything ready – in her conscious mind, of course, the lady would be terribly ashamed to do this, she would not be trusted to do this in her conscious mind, but the deeper, the subconscious mind is much more sophisticated, much worse – she knows how to arrange everything, knows very well in advance: If she runs ahead of the horse and throws herself into the water, she will be carried back into the house because the others know nothing of her real intention. Sometimes you have to look at completely different things. There is far too much artifice in the method of psychoanalysis today, although it basically points to part of the truth. It is simply an experiment with inadequate means, which is understandable from the materialistic spirit of the age, where one also seeks the spiritual first with materialistic methods. |
75. The Relationship between Anthroposophy and the Natural Sciences: Anthroposophy and Science
02 Nov 1921, Basel Rudolf Steiner |
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The question of how living beings could have come into being is, however, continuously critically treated – whereby one will reach the limits of knowledge – and then it is treated how organic life now also sprouts from what was initially only present in the primeval nebula, how man then emerged from this and how he experiences himself today in the self-confident ego. Now I have met people – and basically life is the greatest teacher, if you only know how to take it correctly – I have met people who took this scientific worldview seriously. |
75. The Relationship between Anthroposophy and the Natural Sciences: Anthroposophy and Science
02 Nov 1921, Basel Rudolf Steiner |
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Dear attendees! Anthroposophy, as it is to be cultivated at the Goetheanum in Dornach, still finds the most diverse opponents today - opponents who stand on the ground of church theology with their views, even from the artistic side many opponents have shown up, especially opponents who do not always start from thoroughly objective points of departure and come from the most diverse party directions and from the most diverse areas of social life. I will not deal with all these adversaries today, my dear audience, but what I would like to do today is to deal with the misunderstandings and antagonism that anthroposophical research has encountered from the scientific community. For it is my conviction that, although it seems absolutely necessary to oppose the various other opponents, these will gradually disappear of their own accord once the debate between anthroposophy and science has been brought into the necessary forms so that present-day official science and anthroposophy can really understand each other. At the moment, the situation is such that it is precisely from the scientific side that anthroposophical research is met with the greatest misunderstandings. But first of all, I would like to emphasize that the anthroposophical research method that I represent – for that is how I would actually like to call it – definitely wants to stand on scientific ground and that it would like to set up all its arguments in such a way that this scientific ground becomes possible, excluding any kind of dilettantism and so on. The starting point for the anthroposophical research method is such that the scientific requirements and the whole scientific attitude of modern times have been taken into account. Anthroposophy does not place itself in opposition to modern science. On the contrary, it seeks to take up what has emerged over the course of the more recent development of civilization in the way of scientific conscientiousness and exact scientific methods, especially in the field of natural science, over the last three to four hundred years, but particularly in the nineteenth century and up to the present. Although it must go beyond the results and also the field of actual natural science, as it is usually understood today, it would like to include what underlies it as scientific discipline, as scientific methods, in the inner education for the anthroposophical method. Today I will not be able to give a fundamental lecture, but will only touch on certain points, in order to then be able to draw some connecting lines to the scientifically recognized fields of today. What is initially claimed by anthroposophy are special methods of knowledge - methods of knowledge that differ from what is generally considered to be the usual methods of knowledge today, but which nevertheless grow out of them quite organically. Today, it is generally assumed that one can only conduct scientific research if one is grounded in knowledge as it arises in ordinary life, after having undergone a normal school education and then approaching the various fields of external natural existence, including that of man, by experimenting, observing and thinking in a materialistic sense. Anthroposophy cannot be based on this, but rather it assumes that it is possible, that just as one first develops one's mental abilities from early childhood to what today is called a normal state of mind or what is regarded as such, further cognitive abilities can be developed by taking one's soul life, if I may use the expression, freely and independently, starting from this so-called normal state of mind. And through these cognitive abilities, one is then able to gain deeper insights into the nature and human existence, into world phenomena, than is possible without such particularly developed abilities. These abilities are not developed by an arbitrary handling of the soul life, but they are developed in a very systematic way, only that one is not dealing with the training of certain external manipulations, with the application of the laws of thought recognized by ordinary logic, but with the development of the intimate soul life itself. I can only hint at the methods used to develop such supersensible soul faculties. In my various books, especially in my book “How to Know Higher Worlds” and in the second part of my “Occult Science”, I have given detailed descriptions of how a person can proceed in order to soul-life to such abilities by means of which one can — if I may express myself trivially — see more than one can explore with ordinary intellectual thinking, with experimentation and observation. I have already mentioned imaginative cognition as the first step towards such knowledge. This imaginative cognition does not mean that one should develop the ability to cultivate illusions or phantasms in the soul, but rather that it is a pictorial cognition, as opposed to ordinary abstract cognition, which is simply needed to explore the real secrets of existence. This pictorial knowledge is acquired, as I said, by way of long soul-searching. It depends on individual ability: one person needs a long time, another only a short time, to try to apply a meditative life to the point of enhancing one's inner soul abilities. This meditative life consists, for example, as already mentioned, and described in more detail in the books mentioned, of easily comprehensible ideas, that is, ideas that one either forms in the moment, so that one can grasp them in all their details, or that you can have them given to you by someone who is knowledgeable in such matters, that you can have such ideas present with all your strength in your ordinary consciousness, that you can, so to speak, concentrate all of your soul abilities on such easily comprehensible ideas. What is achieved by this? Well, I would like to express what is achieved by this through a comparison. If someone uses the muscles of his arm continually, especially if he uses them in a very definite, systematic way, then he will grow in strength for these muscles. If someone applies the soul abilities in such a way that he concentrates them on a self-appointed goal, on a self-appointed inner soul content, then the soul powers as such will grow stronger, will gain strength. And by doing so, one can achieve – as I said, it takes a long time to do these exercises – one can achieve, inwardly, without paying attention to external sense impressions, a strength of soul that is otherwise only applied to the external sense impressions themselves. The outer sense impressions are concrete, pictorial. Everyone who has a certain self-contemplation knows that he develops a greater intensity of his soul life when he lives in the outer sense impressions than when he lives in abstract ideas or in memories, when he lives in that which remains for him when he turns his perceptive abilities away from the outer sensory life and limits himself only to his soul as such, as it arises, I might say, as an echo, as an after-effect, through the lively, saturated outer sensory impressions. What is important, ladies and gentlemen, is that the inner life of the soul is so strengthened that one can have something in this inner strengthening that one can otherwise only have in the present human life between birth and death when one is given over to the strength of the external sense impressions. One arrives at a pictorial imagining, an imagining that actually differs from the usual abstract imagining – let us say, if we want to speak scientifically, from that imagining by which one visualizes natural laws on the basis of observation and experiment. One comes to develop such inner strength that one has not only the kind of thinking, the kind of inner soul life that is present, for example, in grasping the laws of nature, but also the kind of inner soul life that is present in grasping outer pictorialness. One attains an inner pictorialness of thinking. One comes to live, not merely in thoughts of an abstract kind, but in inner pictures. In the moment when one characterizes such a developed inner vision, it is immediately asserted: Yes, anthroposophy wants to develop something that is actually known as subordinate soul abilities, as soul abilities that play over half or completely - as one now wants to take it - into the pathological. And further one says: Those who strengthen their inner vision to such an extent that they develop the ability to see inner images without taking these images from the external sense world are surrendering themselves to an ability that is the same as the hallucinatory ability, to the ability to imagine all kinds of pathological phantasms and the like. And indeed, representatives of today's science have repeatedly objected that what anthroposophy claims as its inner vision in images must be traced back to suppressed nervous forces, which then, at the appropriate moment, arise from the inner being through the intensified inner life, so that one actually has nothing other than a suppressed nervous life in these images. Those representatives of science who confuse anthroposophical vision with hallucinations, as they are called in the trivial life, have simply not thoroughly studied what anthroposophical vision really is. Firstly, one could counter such objections by pointing out that anthroposophy insists that it proceeds in exactly the same strict way as the external natural sciences with regard to what the natural sciences deal with, and that it takes recognized scientific methods as its most important preparation and that it rises only from these, so that one should not really speak of the fact that someone who stands on the true ground of anthroposophy would show signs of indulging in a vision like some random medium or some random fantasist. We will not see any medium or fantasist placing themselves firmly on the ground of scientific research and taking this as their starting point, and then wanting to let what is to become a vision emerge from these strict scientific methods. But I do not want to talk about that at all. Instead, I would like to point out that anthroposophy demands a more thorough and exact method of thinking than is usually evident or applied in such objections. The main point here is that, above all, such objections do not yet arise from a truly thorough knowledge of the soul or psychology. Our knowledge of the soul still leaves much to be desired today. It is by no means commensurate with the exact methods of external natural science. In many respects, it is actually a chaos of ideas handed down from ancient times and extracted to the point of mere words, and all kinds of abstractions. It is not based on real observation of the life of the soul, on exact empiricism of the life of the soul. Above all, such exact psychological empiricism must ask itself the question: What is the actual state of our sensory perception? What actually works in our sensory perception? In our overall soul life, there is imagination, feeling and will. But our soul life is not such that we can separate imagination, feeling and will from one another other than in abstraction; rather, imagination, feeling and will are involved in everything that our soul is capable of in some way. We can only say that when we are in the life of imagination, feeling and willing play a part in it. When we form an affirmative or negative judgment within the life of imagination, our soul life is oriented outwards, but the affirmation or negation is carried out by an impulse of the will. This impulse of the will plays a definite part in our life of imagination. And only he can get an exact idea of the soul life and its various expressions who is clear everywhere about what is the part of feeling in willing, or, conversely, of imagining in willing, and so on. Now it is relatively easy to see that the will plays a role in our imaginative life. I have just drawn attention to the process of judging, and anyone who really studies judging will see how the will plays a role in imagining. But also – and this is important, dear readers – the will plays a role in our sensory perception. And here I must draw attention to something that is usually not even known in today's psychology, or at least not sufficiently characterized. Will most certainly plays a part in our sensory perception, in all our seeing, hearing and other sensory perceptions. What actually takes place in sensory perception? In the act of perceiving, we are inwardly active in every act of the soul, even in those in which we appear to be passively confronting the outside world. In what we bring to the outer world through inner activity, that is, expose ourselves to some kind of sensory perception, the will certainly lives – albeit, I would say, diluted and filtered – but the will lives in it. And the essence of sensory perception is that this will – I could go on for hours explaining this in detail, but here I can only hint at it – that this will, which we expose from the inside out, so to speak, is repulsed by the various agents. And we shall only comprehend the nature of the stimulus, the nature of the total sensory perception, when we can visualize this play of the will from the inside out and the counter-strike of the natural agents from the outside in. become aware of how in every act of sensory perception there is a reaction of the will and how everything that remains of sensory perception in memories or other forms of perception is actually a withdrawn will impulse. And so we can distinguish, by exposing ourselves sensually, that which plays in such a way from the will, from that which, starting from the whole act and following on from it, then continues in the life of imagination. In the life of the imagination, as I have already indicated, the will also lives, but it lives in such a way that the inner man has a much greater share in this unfolding of the will into the life of the imagination than in the unfolding of the will into the life of the senses. First of all, our will remains much more active, much more subjective, much more personal in imagining than in sensing. You see, dear Reader, everything I have described in my book “How to Know Higher Worlds” for the development of supersensible knowledge, aims to raise to full consciousness the will that plays into sensory perception and that must therefore be applied, even in the most exact natural research. And now one must organize one's inner life of imagination in such a way that in this life of imagination not the subjective arbitrary will - if I may express it in this way - lives, as it otherwise lives in imagining, but the same objective will that lives in sensory perception. Anthroposophically oriented spiritual science, as I understand it, does not aim to bring up all sorts of things from the depths of the soul in a nebulous, mystical way, in order to force a subjective will into the life of ideas. This subjective will is already present in ordinary life, but it must be released from the life of imagination precisely through the exercises for attaining higher knowledge, and the will that one carefully trains oneself to see through, and that lives precisely in sensory perception - and only in sensory perception - must discipline and permeate the life of imagination. If I may express it in this way, something tremendous has been achieved. The entire life of the imagination has acquired the character that otherwise only sense perception has. This is something that each individual must make as his personal discovery. Man knows, he can imagine all sorts of things; the will can play a part in this by turning the judgment one way or the other. What a wealth of life there is in the imagination! But when a person uses his senses, the external world imposes the discipline of the will on him – in the way that the will can be applied to sensory perception – and then it is impossible to bring inner subjectivity into play in an arbitrary way. I would remind you that anthropological psychology has already shown how the will comes to life in sensory perception – I need only remind you of Lotze's local signs and so on. But only when one comes to bring this will, which leaps into objectivity, into the life of the imagination, does one shape the life of the imagination in such a way that it becomes imaginative cognition, that it participates in objectivity in the same way that sense perception otherwise participates in objectivity. You see, dear ladies and gentlemen, in the face of what I have only been able to hint at in a few strokes, in the face of what is meant in the most exact sense, but which is not meant in such a way that one indulges in all kinds of fantastic ideas about the development of the soul – as is also the case with clear-headed mystics – all the objections, even those raised today by official science, are basically extremely amateurish for anyone who is familiar with the subject. For in comparison with everything that can ever flow into hallucinations, dreams, and everything that arises subjectively only from the human being's organization, in comparison with that, that is, where the person lives without objective orientation, where he is completely devoted only to his inner being, in comparison with that, an imaginative life is developed that is modeled on the outer sense life with its objectivity. In a sense, then, the objectivity of sensory perception is extended inwardly through the life of imagination. In all that is present in mediumship, in all that is somehow present in pathological clairvoyance, on the other hand, what leads to pictorialness, to hallucinatory life, is brought up from within the human being. But that is not at all the case with those methods that are used for anthroposophical research. Here one does not proceed from the inside outwards, as basically every mysticism has done so far, but one proceeds from the outside inwards. Here one does not learn from one's inner mystical feeling, but one learns precisely from external sensory perception how to relate objectively to the world. And then you discover that by learning in this way through sensory perception, you are able to shape the life of imagination in a way that is just as concrete and just as internally saturated as you would otherwise only have with sensory perception. And when one comes to such an inwardly saturated imagination, which now, just as sensory perception, flows into something objective – that is, it is not merely subjectively oriented – only then is one in a position to ascend from a certain stage of knowledge of nature to another stage, which I will characterize in a moment. But first of all, I would like to say that the anthroposophical spiritual science, as I understand it, has made a sincere effort to create clarity on all sides regarding the position of such imaginative knowledge. And allow me, ladies and gentlemen, to make a brief personal statement, which is not meant to be personal at all, but is entirely objective and related to to how I myself came to not only develop such anthroposophical methods, but also to truly believe in such anthroposophical methods, to see in them a right to knowledge. For do not believe, ladies and gentlemen, that anyone who takes these things seriously is uncritical, that he does not want to thoroughly examine the most thorough and exact methods of critical knowledge of the present day. As I said, allow me to make a personal remark. I was about thirteen years old when I came across a treatise that – as was particularly prevalent in the 1770s – was primarily concerned with the exact mathematical investigation of external natural phenomena and actually only accepted as natural laws what could be calculated. This essay endeavored to expel even the last mystical concepts from the knowledge of nature. This essay viewed the force of gravitation, the force of attraction in the sense of Newton, as one such mystical concept. This essay was called “The Force of Attraction Considered as an Effect of Movement”. And the mystical concept of attraction was not to be used, in which two material bodies somehow attract each other through space, but an attempt was made to explain attraction in an extraordinarily exact mathematical way: Ponderable matter is in a world gas, and thus a certain number of impacts between, say, neighboring material bodies can be calculated. If you now compare the number of impacts coming from the inside with the number of impacts coming from the outside, you arrive at a pure, mysticism-free explanation of gravitation. I mention this for the reason that, as I said, this treatise fell into my thirteenth year. In order to understand this treatise - you can imagine that this is not exactly easy for a thirteen-year-old boy - I had to make an effort to master differential and integral calculus at the age of thirteen, because only by doing so can one really master these ideas. And in doing so, I had the opportunity to gain a starting point for everything that followed, which is actually needed to come to terms with such ideas, which have always lived in me with an indeterminate certainty, in a critical way. You really have to get an idea of how you actually use mathematical laws or laws of phoronomy in all your sensory observation, how you actually proceed, what you bring of yourself to the outside world, and so on. In short, for me that was the starting point for exploring how far this strange inner realm of the soul, which we call mathematics, can actually govern external reality. Heinrich Schramm, the author of this essay - I still consider it extremely important today - was thoroughly convinced that you can go anywhere with mathematics, that you simply have to assume matter, space, motion and that you can then go anywhere with mathematics. He was convinced that the most diverse properties of natural phenomena in ordinary mechanics, in thermodynamics, in optics, in the field of magnetism and electricity, that one can grasp all these different phenomena with mathematics, that one can correctly arrive at all these different phenomena if one only applies mathematics correctly. So, if you apply this mathematical research to a hypothetical material process, the magnetic application springs to mind; if you apply it to a different process, the electrical application springs to mind. In short, all natural phenomena are explained as an effect of motion. One becomes quite free of mysticism; one limits oneself to the concrete, which one can grasp in purely mathematical presentation. This struggle, one must have gone through it once, this struggle with a knowledge that proceeds mathematically in relation to the external world and now wants to grasp the sense perceptions mathematically, because the external world must be grasped somehow, no matter how mathematically one proceeds. But now another one presented itself to me in this way. I immersed myself in what is called the probability problem in mathematics, where you try to calculate the probability that - let's say, for example - you get a certain throw with two dice, where one, two, and so on, is on top, so you calculate probabilities. This mathematical field, this probability calculation, plays a very important role in the insurance business. There, probability calculation has a very real application. From the number of deaths within a larger number of people, one calculates the probability that any given person, let's say a thirty-year-old, will still be alive at the age of sixty, and then one determines their ability to take out insurance and also their insurance premium. So here we are calculating something, and in doing so we are using calculation to place ourselves in reality in a very strange way. You can see from the fact that, in theory, anyone can calculate their lifespan in such a way that it is fully sufficient for the insurance industry that calculation places us in reality. For example, I could have decided to insure my life at the age of thirty. It would have been perfectly possible to calculate how long my probable lifespan would be and therefore how much I would have had to pay. But no one will believe that they really have to die when this probable lifespan has expired. We have here a field in which mathematics is valid for what it wants, but where the individual life as such does not fit into the mathematical formula, where life as such is not included in the mathematical formula. In this way, in certain areas of natural science, we have an inner satisfaction of knowledge when we start from the assumption that what has been mathematically understood is adequate to what appears externally in the sense world. But precisely in those areas where probability theory plays a role, there is something where we have to say to ourselves: Mathematics is sufficient for the outer life, for what takes place in outer observation, but one can never be convinced that the inner life is mastered by it. I would have to tell a great deal more about the intermediate links if I were now to show how, starting from such ideas, I came to the chapter in my “Philosophy of Freedom” (the first edition of which appeared in 1893) on the value of life, on the value of human life. There I was dealing, above all, with a fight against pessimism as such. At that time, this pessimism dominated the philosophical outlook of certain circles much more than was the case later. This pessimism originated in principle with Schopenhauer, but it was systematically founded by Eduard von Hartmann. Eduard von Hartmann now started from the point of view of calculation with reference to the sphere of ethical life, of socioethical life. If you look up his calculations today, they are extremely interesting. He tries to calculate how, on the one hand, everything that brings people pleasure and joy, happiness and so on in life can be positively assessed, and how, on the other hand, everything that brings people suffering, pain, misfortune and so on can be negatively assessed. And he subtracts and actually comes up with a plausible conclusion that for most people the unhappy things, the painful things predominate, that the negative positions predominate. You can think what you like about such philosophical “trifles”; for those who want to get to the very foundations of knowledge, these are not trifles, and they must not remain so if we want to escape from the misery of today's knowledge. This became a very important problem for me, because I said to myself, a person does not feel it the way it is calculated here. That is nonsense — you can see that the moment you ask people: If you were to add up your happiness and unhappiness, you would come out with a larger number on the negative side. Would you therefore consider your life a lost one? Would you therefore consider yourself ripe for suicide, as Eduard von Hartmann suggests, that every person should actually do so if they were reasonable? For Eduard von Hartmann, the calculation says yes, but life never says yes. Why not? Now, in my “Philosophy of Freedom” I have shown that this subtraction, which Eduard von Hartmann carried out, simply cannot be carried out. if one wants to apply an arithmetic operation at all, one must apply a completely different one. you have to use a fraction or a division: the numerator or dividend contains everything that is fortunate, pleasurable, everything that brings satisfaction, and the denominator or divisor contains everything that brings suffering, unhappiness, pain and so on. If you apply the division calculation, then you would have to have an infinite denominator if you want to get a number that means zero as a life conclusion. If you can only divide a finite number of suffering and pain through it, then you will never get a life conclusion that is zero. The human being does not commit suicide as a result of subtraction. And when I showed that here one cannot just subtract, but instead divide, or that a fractional approach must be taken, I was also able to show that for mathematics in a certain case one is obliged to start from life, that one must therefore gain access to life, gain an immediate insight into life, before making a mathematical approach. Here I have the three points together: on the one hand, in natural science, the mathematical approach, which in probability theory can adequately describe the external facts, but which is nevertheless insufficient when it comes to reality. Then there is reality itself, as it is grasped in its real individual form, and finally there is reality itself, which is directly observed as the master of the mathematical approach. There we have the limit of what is mathematically possible, insofar as we start from mathematics itself. And when one recognizes in this way that it is necessary to go beyond the mathematical when wrestling with this problem, then, on the other hand, when one has gained that conception of which I have spoken today, one finds that one has now made this leap in reality, where one has gone beyond the abstract thinking that we encounter most purely in mathematics and entered into direct reality. And only from there did the possibility arise – one might say in an epistemological way, which Goethe himself could not yet have given – to grasp Goethean morphology in the first place and, secondly, to deepen and expand it. For now, once you have gained that imaginative conception, you begin to grasp what Goethe actually meant when he developed his primal plant, that is, an inwardly and spiritually conceived form that underlies all the various outwardly diverse plant forms. Once you have grasped this archetypal plant, he said, you can theoretically invent plants in the most diverse ways with the possibility of growth, that is, you can inwardly recreate the natural process. We have an inner soul process by which we can, anticipating the natural process, allow the most diverse plant forms to emerge from the one primal plant, to recreate them inwardly, just as nature creates the most diverse plant forms from the one typical primal plant. There Goethe has already made the transition from pure abstract thinking to what I would now like to call 'thinking in forms'. That is why Goethe arrived at a true morphology. This thinking in forms – perhaps I may still characterize it that way. What do we actually do in geometry? There we are dealing with forms, especially in plane geometry as well as in stereometry. But actually we are trying to master the forms through numbers, because measurement can, after all, be traced back to something numerical. So we try to force the forms into the abstraction of numbers. But the mathematical, as I have just explained, is limited. We have to leave it if we want to get out into reality. And we can also find the transition from merely reducing the geometric forms to numbers to directly grasping the geometric form. Once we have taken this serious approach to an inner grasp of geometry, we can also find the transition to other forms – to those forms that Goethe meant when he spoke of the primal plant, which then develops inwardly in the most diverse ways into the most varied plant forms. Just as a triangle can have one angle greater and the other smaller, thus creating the various special triangles, so too the most diverse plant forms arise from the primal plant once its law has been grasped. I would like to say that Goethe arrived at his morphology in a subjective way and only developed it to a certain degree. But that which one develops in a systematic way, by driving the will, which otherwise only lives in sensory perception, into the life of thinking, what one develops there as imaginative thinking, that is thinking in forms. And we come to the point where we can now survey the stage of knowledge of nature where we have natural laws that can be grasped in abstract thoughts - we can apply this thinking to the inorganic, to the inanimate world. At the moment we want to ascend into the organic world of plants, we need thinking in forms. Dearly beloved, let no one rail against this thinking in forms; let no one say that real science can only progress in a discursive way, can only advance from one thought to another, that is, according to the method that is recognized today as the logical method; let no one say that only this is true science. Yes, one may decree for a long time that this is true science – if nature does not yield to this science, if nature, for example the plant world, does not allow itself to be molded into this science, then we need a different science. If purely discursive thinking, purely abstract thinking, is not enough, then we need thinking in forms, in inner pictorialness. And this thinking in inner pictorialness makes the plant world understandable to us on the outside, and makes the unity of our entire life between birth and death understandable to us on the inside. I have often stated in my books and lectures that in those moments when one has truly developed this imaginative thinking, it turns out that life from the time one has learned to say “I” to oneself, when the ability to remember begins, to the present moment shows itself as if unfolding in a single tableau. Just as one normally regards one's external physical body as belonging to oneself and looks at it at any given moment, so one also has one's previous life on earth in the course of time before one, as in a panorama of images. This is the first achievement of truly anthroposophical science: to survey one's inner life as a tableau right up to one's birth, so that one now really has an overview of this time organism. What is called the etheric body of man or the body of formative forces in my various books - what is that other than what is achieved through imaginative visualization? We come to survey our life between birth and the present moment, presenting itself as a unity in the immediate present, at the same time as the impulses that carry us beyond the present moment into our further life on earth. And when we have achieved this, the second step of supersensible knowledge presents itself: it is difficult even today to find a name for this step; inwardly, as a method I have called it inspired knowledge. Do not let the term bother you. It does not refer to anything handed down by tradition, but only to what I have just hinted at in my books and what I will also hint at here in principle. I have said that imaginative visualization is achieved by placing certain easily comprehensible ideas at the center of our consciousness and that this strengthens that consciousness. Just as we, in a sense, recreate memory when we place such ideas at the center of our consciousness, we must now also develop forgetting as an act of the will in our lives. Just as we can concentrate all the powers of our soul on certain ideas, which we place in our consciousness in the way I have characterized, we must also be able to drive these ideas out of our consciousness whenever we want, through inner arbitrariness. We must therefore also reproduce forgetting just as we artificially reproduce, if I may express it this way, remembering. If we do these exercises, we will see that such an idea, which we bring into the center of our consciousness in this way, initially attracts all kinds of other ideas – like bees, they come in from all sides, these other ideas. We must learn to exclude them; in fact, we must learn to exclude all imagining. We must learn, so to speak, after we have developed such images, to be able to make the consciousness empty without falling asleep in the process. Just try to imagine what that means! This must be practiced, because as soon as a person, with only the usual strength of consciousness, tries to empty his consciousness - especially after he has first concentrated on a particular idea - he inevitably falls asleep. But that is precisely what must be avoided: empty consciousness after imaginative ideas, that is, initially without subjective content. And at that moment, when this has been achieved, the spiritual world streams into the soul life thus prepared. At this moment one is able to see a world that is not there for external sensory perception, but which is the world that we now see not only as part of our earthly life, as in imaginative knowledge, where we see up to birth, but we see the world that contained us as beings before we descended into earthly life. There we get to know ourselves as spiritual beings in a purely spiritual world. There we get to know that within us that has created this organism that lives here in the earthly world. There we get to know through knowledge the immortal part of the human being. And from there it is then - I just want to mention this - one step to intuitive knowledge, to also gain the insight that the earthly lives of human beings repeat themselves. But you will have gathered from what I have only been able to hint at that it is a matter of using strict systematic schooling of the inner being to prepare the consciousness, not to create any world out of the inner being, but on the contrary, to free the consciousness after prior imagination for the contemplation of the spiritual world. Just as we encounter the outer world with our outer senses, in that the will lives in these outer senses and enters into a relationship with objectivity, so, after we have completely freed our inner soul life from the physical, we prepare the soul to see the spiritual world as it sees the physical world through the senses. There we get the opportunity to see what being has built us, in that we are built out of individuality, not out of the cosmos, and how this being lived in the spiritual world as a pre-existent being before we accepted the physical body through the hereditary stream through generations. And then we learn to recognize that which, in turn, passes through the gate of death and enters the spiritual world when we discard this physical body. We learn to recognize what builds up this physical body, what undergoes a certain transformation in this physical body through birth, what is rekindled through the experiences of life and then, through death, enters the spiritual-soul world again. So we are not striving for a fantasy, not for philosophizing, not for speculating about the immortality of man, but we are striving for a real insight into what lives in us as immortal. And when we deepen our spiritual life in this way, then we are standing in a spiritual objectivity, and it cannot be said that this standing in a spiritual objectivity can in any way be compared with hallucinations arising from the mere inner life or with any subjective fantastic creations. Now I would like to show – albeit more comparatively – how one can arrive at not only an anthropology, but also a cosmology, in this way. Time is pressing, so I can only hint at it. How does our ordinary life between birth and death unfold? We see, my dear attendees, how we have external experiences through our sensory experiences, how these sensory experiences trigger and develop ideas, and how, after the ideas have been developed, these ideas can in turn be evoked by the powers of memory. So we see, when we survey our soul life, that in what we carry within us we have, so to speak, the images of what we have experienced in the outside world. I am seeking a particular mental image from the very depths of my soul life. This mental image brings something to my mind in the present moment that I may have experienced fifteen years ago: an objective event experienced completely subjectively. But if my entire inner soul life is healthy, if what I am imagining as a memory is in a healthy connection with the rest of my soul life and, in particular, if I am able to orient myself properly through the senses at all times , then I am also able to tell myself what the external objective experience was like fifteen years ago from what I currently have in front of me – by drawing on everything with which it is related. Between birth and death, we initially carry the world of our experiences within us in our soul. But, esteemed attendees, we also carry other things within us. If we only look at our lives as we usually survey them in our soul life, we are only aware of what I have just mentioned. But we carry other things within us, and through what I have described to you as supersensible knowledge, we look deeper into ourselves - not through nebulous mysticism, but through exact methods related to mathematics. We carry organs within us, the organs of our inner being. They are built out of our pre-existent being; they are built out of the spiritual world. Those who, with the help of such exact anthroposophy as I have described, not only survey their soul life, which they have gathered together between birth and the present moment, but who learn to recognize the nature of the forces that prevail in the inner organs, he comes to know the world in its development through his organs, which he spiritually understands. And it is not, my dear audience, some reminiscence of some old superstition, of some old star belief or the like, when today anthroposophy speaks of a world development, but it is based on an insight into the human being that recognizes the inner human being in such a way that the mere life of the soul is recognized as an image of the events experienced since birth that are connected with us. In this way we experience a connection with the whole world. Just as our memories are inner images of our experiences since birth, so our whole inner being - when we learn to understand it - is an image of the whole development of the world. This is what it means to “read the Akasha Chronicle” - not all the confused ideas that are held against anthroposophy. It means that we can gain knowledge of the world from true knowledge of the human being. However, we must not simplify matters, as is often the case today, when we believe that we can grasp something that is contained in a precise process of knowledge with a few concepts that have been pinned up. Nobody today would dare to grasp or even criticize the system of mathematics with a few pinned-up concepts. On the other hand, what is acquired in a much more complicated way, but with true striving, is today casually tried to be characterized with a few concepts. He who takes care to use all inner precautions in order not to fall into subjectivity but to completely immerse himself in objectivity — that is, to first shape the consciousness so that it can immerse itself in spiritual objectivity — is, I might say, slandered in such a way that it is claimed that only suppressed nervous energy is brought up at the appropriate moment and that all kinds of hallucinations arise from this. can immerse itself in spiritual objectivity – is, I might say, slandered in that it is claimed that only suppressed nervous energy is brought up at the appropriate moment and that all kinds of hallucinatory images are developed. Now, ladies and gentlemen, without wishing to lapse into a counter-criticism, I will merely characterize how it is currently being done, and at the end I will show you this by means of a small example. A pamphlet appeared recently in which the author seeks to show that what the anthroposophist finds can, to a certain extent, be readily admitted, for the simple reason that today's science also finds that the strangest experiences of the soul can arise from the subconscious. And so, as the author of this work believes, it is quite possible to admit to the anthroposophist that he experiences all kinds of things as they are experienced by mediums, as they are experienced when people are put under hypnosis or taught suggestions, or even when they create suggestions for themselves. In particular, what is most essential about anthroposophy is traced back to self-suggestion. And now something very worthy is being done. It is shown how the most wonderful effects are possible from the soul, how one can develop remarkably extensive healing processes for tuberculosis, metritis, fibroids and so on from the soul life, how even tuberculous deformations of the spine can be balanced out by the soul life: Why should it not be possible to admit that an anthroposophist also draws all kinds of things from his soul life, especially when he first puts himself into self-suggestion? And now it is shown that such subjective life exists, and such subjective life, especially of autosuggestion, of self-suggestion, the anthroposoph should also be devoted. And there is, for example, the following claim:
- that is, by means of the spiritual and soul development as I have described it ... self-aware action, that is, self-reflection in a trance, is made possible. Now, dear attendees, I had not spoken of trance. I had only told you that consciousness comes to clearer, brighter levels, not that it is led back into darkness and gloom as in trance!
So, here it is claimed that I said in a lecture in Bern on July 8 that to attain higher knowledge, one must force the will into the imagination. Now, first of all, something that shows how curiously exactly today's scientific papers are written! For example, on the same page it is said how such suggestions can actually be carried out, how something can be suggested to someone so that an idea is taught to him, and how he then becomes completely absorbed in this idea and even creates all sorts of things out of himself as a result of this absorption in this idea. And now the author says:
– “ideo-dynamic” is in brackets, this is very important! –
So, we are dealing with an ideodynamic force that is independent of the will. Nevertheless, this ideodynamic force, which is independent of the will, is to be utilized by me, by saying that one must drive one's will into the imagination. Now, let us take the sentence first of all as the author claims I said it in Bern: One must force one's will into the imagination. Today I also spoke about how one must develop the will, which one first gets to know through sensory perception, into the life of the imagination. In this way one fights precisely those influences that are merely suggestive. In this way one works in precisely the opposite sense. This application of the will is precisely what destroys all suggestive possibilities of influence. What I have described takes place in the opposite direction to suggestive influence. This is actually already evident from the fact that these suggestive influences are called “ideo-dynamic impulses”, i.e. not impulses of the will, but ideo-dynamic impulses. And yet, the author has a presentiment that he is not yet able to express properly: One must indeed summon up one's willpower when one wants to introduce subjective ideas into the ideas, but this happens without the person to whom it happens, who experiences the suggestion, applying his own will. Everywhere I have described that the person who wants to become an anthroposophical researcher applies his will, thus standing out from the possibilities of suggestion. Therefore, I could not say - I read this in this brochure and said to myself: Did I really let my tongue be paralyzed in Bern on July 8, 1920, did I really say that in order to gain higher knowledge, one must force one's will into one's ideas? For anyone can do that, for suggestion can also happen without any activity on the part of the one to whom something is being suggested. Now I have taken the trouble to look at the shorthand notes of my Bern lecture on July 8, 1920, which I fortunately found today. And now see what I really said in Bern at the time. Everywhere I tried to show how the opposite approach to suggestion should be taken. And then I said:
That is something else. You can only drive ideas into the images. When one speaks of driving the will into the life of the images, it means precisely not allowing the images to be influenced by suggestions, but taking control of the free life of the images and the nature of the images, which is ruled by the will. You see, it is quoted in quotation marks, and the opposite of what I really said is said in quotation marks. But this is only one example, ladies and gentlemen, of the way in which anthroposophy is often discussed today, especially from a scientific point of view, and how it is misunderstood. This is extremely characteristic, and the whole brochure actually has this tendency. My dear audience, as for what mediumistic phenomena are, what hallucinations are, what kind of visions arise from within – I have always strictly excluded them from the field of anthroposophical life and explained that I consider all of this to be pathological, that it goes below the level of the sense life, not above it. And I have done this everywhere, in many places in detail, as what Anthroposophy wants, what Anthroposophy gives as descriptions of spiritual-soul worlds, arises from completely different foundations than what is asserted here. And now there is a strange tendency for precisely that which I reject, that which I regard as morbid, pathological, to be seen as the justified thing about anthroposophy! That is, they reverse the facts. They make people believe that I am describing something that is hallucinations or the like. Well, they do exist, he says, so we will readily admit that to the anthroposophist, he is entitled to that. But he must not talk about higher worlds, for there he enters a philosophical realm that is to be valued only as theosophical doctrine, as imagination conditioned by theosophical doctrine. But something highly characteristic, my dear audience: the man who crystallizes out here first of all, who wants from anthroposophy - although it is the opposite of what anthroposophy really gives - says: What I concede to anthroposophy, we know today; telepathy, clairvoyance, teleplasty and so on are known. But all that belongs to the pathological field, perhaps also to the therapeutic field – the things are connected, after all. I would have to go into what I have repeatedly said in medical courses: how a pathology and a therapy can certainly be derived from anthroposophy that legitimately go beyond what today's merely materialistic view can give. But by first distorting what anthroposophy can give, and then by acknowledging this distortion, it is said: Yes, you can suggest all kinds of things to people, but you have never experienced people experiencing something like astral or mental fairy-tale lands in a trance. But that is precisely the point! He calls it fairy-tale land because he passes it off as fantasies. That, he says, cannot be experienced by suggestion. Yet it is experienced. A strange polemic! First, what one believes one can understand is selected from the anthroposophical results, although one does not understand it at all. This is then categorized as hallucination and so on; that is accepted. But the other part is dismissed as fairyland, yet it is said that it cannot be suggested. It cannot be suggested either, but must be conquered by exact inner methods as inner knowledge. Now, ladies and gentlemen, I do not blame anyone for misunderstanding in such a grotesque way what anthroposophy can give. I do not blame this respected (and rightly so) collection of scientific, medical and other essays, published in Munich and Wiesbaden by J. F. Bergmann, for including such grotesque criticism of anthroposophy, because the whole booklet by Albert Sichler is actually well-intentioned. He wants to do justice to the matter. He cannot do so because, for the time being, there is still an abyss between what is recognized as official science today and what is needed to really make progress, because ultimately there is an inner connection in spiritual life, between our entire civilized life and the scientific life in modern times. And the bridge must be built over to ethics, to social life. This cannot be done by a science that gets stuck only in the material or at most makes hypotheses about the non-material. This can only be done by a science that truly penetrates into the spiritual, because it is in the social that the spiritual is active, and social laws can only be found by someone who also finds laws, forms, transformations of the spiritual in nature. Now, in the short time available to me today, I have only been able to give a few points of view, my dear audience. I wanted to show you how anthroposophy strives to work in the spirit of true science, how it takes its scientific and epistemological seriousness very seriously indeed in its quest to arrive at a method modelled on mathematics. On the other hand, however, it still faces many prejudices today, even though it is actually needed by our civilization as something tremendously necessary, because it alone is capable of providing man with a real, satisfying elucidation of his own nature in terms of knowledge. Now, dear ladies and gentlemen, as I said, I believe that the antagonisms will disappear once an objective basis is gained for creating harmony and mutual understanding between today's science and the anthroposophical research method. We must wait for that. Until this is achieved, opponents will come from all sides, from political parties or from religion, theology or other fields, who will operate on purely subjective ground. But anyone who is familiar with this anthroposophy, anyone who is serious about it, serious about everything that has its source in Dornach, will say to himself, because he knows how seriously research is conducted within this anthroposophical field, ic field, he says to himself: however great the misunderstandings may be, a balance, a harmony must ultimately be found from the seriousness of modern scientific methods and attitudes. And this is a consciousness that one can have when one is on one's own ground, that in everything one seeks in anthroposophy, one first presents the conscientious demands for examination that are otherwise applied in science today. And that is what makes one expect the external balance. If one proceeds seriously, one can be convinced that from today's science and from what anthroposophy has so far endeavored to achieve - at least for those who know both, contemporary science and anthroposophy - the balance, the harmony can certainly be found today. And this awareness gives confidence that the scientific understanding will come about. And then the other antagonisms against Anthroposophy will disappear by themselves. There are no requests to speak. Rudolf Steiner: My dearest attendees! It is of course only possible to consider a few guidelines in a lecture, especially one that is intended as an introductory lecture to a whole series of lectures on Anthroposophy. And so I was unable to consider one thing in particular that would have been very close to my heart: to show the bridge that leads from the cognitive side of anthroposophy to the social, practical-ethical and religious side of it. And about that - we only have time until 10 o'clock - allow me to say a few words. If we consider the scientific world view – I am not saying the natural science, but the scientific world view – as it is widely held today, especially among laypeople, but also among people who do not believe they are laypeople, but who, as members of various monist and other associations, today embrace the scientific ideas of thirty years ago as a religious confession, if one considers what has emerged as a kind of worldview that is more or less materialistic. There is no bridge from what many people today consider to be the only possible way of researching to the reality of ethical ideals and social ideals. Today, seeing all that science gives us, we are faced with the necessity of forming ideas for a worldview, for example, about the beginning and end of the earth. I can only hint at these things as well. We have the Kant-Laplace theory of the earth's beginning from the primeval nebula, which is presented according to the laws of aerodynamics and aeromechanics. One imagines how the planetary solar system formed out of a primeval nebula, how the earth split off. The question of how living beings could have come into being is, however, continuously critically treated – whereby one will reach the limits of knowledge – and then it is treated how organic life now also sprouts from what was initially only present in the primeval nebula, how man then emerged from this and how he experiences himself today in the self-confident ego. Now I have met people – and basically life is the greatest teacher, if you only know how to take it correctly – I have met people who took this scientific worldview seriously. I remember one person in particular who is typical of many others. The others often do not realize it, but they set up an altar of faith, an altar of knowledge. Those who take the scientific ideas seriously cannot do this; they come to such hypothetical ideas about the beginning and end of the earth, for example from thermodynamics and entropy theory, which leads to imagining how everything finally merges into a heat death. One meets only few people who have the inner courage to admit from a fully human point of view, in which situation man is placed with his inner being today, if he takes these things seriously as the only ones that apply. Herman Grimm, for example, says – forgive the somewhat drastic saying that I am quoting – from his feeling, by realizing what is to develop on earth between the Kant-Laplacean primeval nebula and the state to which the theory of entropy is supposed to lead us: A carrion bone round which a hungry dog circles is a more appetizing piece than this world picture, which is already presented to people in schools today. And future ages will struggle to explain how a particularly pathological age once came to form such ideas about the beginning and end of the earth. It will be impossible to understand how something like this could be taken seriously. Well, my dear audience, the science that stands before us today as natural science – as I said, anthroposophy does not in the least find fault with it – fully recognizes it in its field. Anthroposophy is based on a scientific attitude, because scientifically conscientious methodology and inner discipline, as they have developed, must be recognized as a model, only they must be further developed in the sense that I have characterized today. But this also leads to a true knowledge of man. This knowledge of man is not as easy to gain as the one we gain today from physiological and biological views. This knowledge of man finally shows us how man is actually a being that is organized quite differently internally according to the head and the metabolic-limb system - these are the two poles of the human being. What I am now briefly hinting at, I have explained in great detail in a series of lectures. But I want to show right away how wrong it is to say, for example, that our thinking arises from processes in our brain. That would be just as if a car were to move along a road that has become soft and were to make its impressions there: you can follow the path of the impressions of the car in the road that has become soft. But consider, someone comes and says: You should explain these impressions by forces that are down there in the earth; you must explain these configurations from these underground forces! — It is the same with the methods used today to explain the brain convolutions, the nerve structure, from the forces of the organs. The nerve structure can be explained by the effects of the spiritual and soul, just as the furrows in a softened road can be explained by the car driving over them. It is only an image. But in a perfectly exact scientific way, anthroposophy leads us to recognize how thinking and imagining is a spiritual and soul process that only has the brain as a basis. And it has the brain as a substrate because it is not based on the brain's growth processes, on organic processes, but precisely on the brain's slow dying processes. The nervous system does not actually have a life, but rather the opposite of a life, a decline in life. Space must first be made for thought. The nerve centers must die away, and a continuous dying, a constant clearing out of the material processes, must occur so that the spiritual-soul processes can take hold. This must always be compensated for by the limb metabolism system during sleep or other processes. What arises in this way, the consciousness-paralyzing processes, those processes of which physiology speaks today, do indeed abolish imagining, extinguish it. Precisely when these processes are toned down, passing over into a kind of partial dying, then imagining, thinking arises, so that we continually carry life and dying, being born and dying within us. And the moment of dying, it is only, I would like to say, the integral of the differentials that make up life, of the differentials of a continuous dying that make up human existence. If we continue this train of thought, we come to recognize something that is virtually denied in today's accepted science, but which lies in the real continuation of this science: that the human being has real processes of decomposition and continuous processes of dying within him. The ethical ideals develop in the context of these dying processes, so that these ethical ideals are not dependent on the continuation of organic processes, but on suppressed, regressing organic processes. But this in turn leads to the following: When our Earth reaches a state, whatever its mineral-biological state, when the Earth - for my sake, let's take the hypothesis as valid, it is not quite, but in a certain sense it is - when it reaches heat death - when no other processes are possible because everything has formed according to the second law of the mechanical theory of heat as the remnants that are always there when heat is released into the environment, when heat is converted, when this state has occurred, then what has lived in man as ethical ideals has come to its greatest expression of power. And that carries earthly existence out to new planetary formation. We discover in our moral ideals the germs for later worlds, for later worlds based on our present-day morals. This gives our ideals a real value. Contemporary philosophy is obliged to speak of mere values. But what is there for a possibility when one speaks of values that arise in man as mere ideas, but which are not the germs of future realities, what is there for another prospect than to say to oneself: We come from the Kant-Laplacean world nebula, and somehow the moral ideals emerge in our self-awareness, but these moral ideals live in us only like haze and fog. That was the personality I was talking about earlier, who accepted the modern scientific development as a law and said to himself: Man is cheated in the world. Natural scientific development has brought him this far, then the moral ideals arise as foam, dissolve again, and everything enters into the heat death, into the great cemetery, because the moral ideals are indeed experienced, but have no possibility of becoming reality. By following the regressive processes in which moral ideals have been at work, anthroposophy shows us that these moral ideals have only an ideal existence in us, but that, as they develop in the human being, they are seeds for the future. Just as we see in the germ of the plant that will develop in the next year, so anthroposophy allows us to see in moral ideals the germs of future worlds. And we see the idealities of the past as the seeds of the present world, behind the Kant-Laplacean primeval fog. The present world is the realization, the actualization of what was once only thought, just as the present plant is the realization of last year's seed. And what is currently experienced only as moral value is the real seed of future worlds. We are not only part of the cosmos through our natural organic processes, we are also part of the cosmos through what we experience as moral and social values within us. We are acquiring a cosmology that does not only include natural processes and laws as its agents, we are acquiring a cosmology in which our entire moral world is also a reality. Anthroposophy builds the bridge from the natural to the ethical and religious world. This is what I wanted to mention in a brief closing word, because it was no longer possible in the lecture. |
288. Architecture, Sculpture and Painting of the First Goetheanum: The Goetheanum in Dornach
12 Jun 1920, Stuttgart Rudolf Steiner |
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In the middle, the realization, the realization that brings it to the individualism of the ego-grasping. That which humanity has felt as actual cultural thoughts, for example in the 16th century, is attempted here to be expressed through color. |
288. Architecture, Sculpture and Painting of the First Goetheanum: The Goetheanum in Dornach
12 Jun 1920, Stuttgart Rudolf Steiner |
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A public lecture at the Stuttgart Art Building When the spiritual science, the aims and nature of which I have been honored to present in lectures in Stuttgart every year for almost two decades, gained greater currency, namely when artistic work was created from this spiritual science, the intention arose to create a central building for this spiritual science that would be particularly appropriate for it, somewhere where it would be fitting. This idea has become a reality in that we performed the Mystery Dramas in an ordinary theater in Munich from 1909 to 1913. These plays were intended to be born out of the spirit of this anthroposophically oriented spiritual science in their entire structure and attitude. What the supporters of this spiritual science had in mind, on the one hand, as the actual meaning of their world view, and, on the other hand, as the artistic expression of this world view, was initially brought about by the intention, just mentioned, to stage their own play, which was to be the representative, the outward representative of this spiritual science. In Munich, this did not succeed due to the lack of cooperation on the part of the relevant artists. Since I have set myself a different task today, I do not want to talk about everything that led to the construction of this building on a hill in a remote location in northwestern Switzerland, in the canton of Solothurn, where, at the time we began building, there were no restrictive building laws and one could build as one wished. As I said, all this has led to the fact that I do not want to go into it today. But I would like to talk about the sense in which the intention should be understood, especially for the spiritual science meant here. When one speaks of world views, world view directions or world view currents, then one usually has in mind a sum of ideas that often have a more or less theoretical or popular character, but which mostly exhaust themselves in the fact that they simply want to express themselves through communication, through the mere word, and then at most expect from the world that the word, which is formulated in a certain way programmatically, is actually carried out in reality. From the outset, what is meant here as anthroposophically oriented spiritual science is not predisposed in the same way as other world views. It is, if I may express it this way, imbued from beginning to end with a sense of reality. That is why it had to lead, even in difficult times in this present age, to direct penetration into what the attempt at a social reconstruction of modern civilization is. If a world view that is more in the realm of ideas needs a structure of its own for its cultivation, then, depending on one's means, one usually contacts someone whom one assumes to be professionally capable of constructing a structure from the relevant styles. One contacts such a personality or a series of such personalities in order to then create, as it were, a house, a framework for the cultivation of such a worldview. However, this could not have corresponded to the whole structure of our anthroposophically oriented spiritual science, for the simple reason that this spiritual science is not something that expresses itself only in ideas, but because it wants to express itself in all forms of life. Now I would like to use a simple comparison to suggest how this anthroposophically oriented spiritual science had to express itself in its own framework, both in terms of trees and in artistic terms. Take any fruit, let us say a nut. Inside the nut is the fruit, and around it is the shell. Let us first look at the hard shell inside the green shell. If you study the whole configuration, the shape of the nut shell, you will say to yourself: it could not be any different than it is, because the nut is as it is. You cannot help but think to yourself: the nut creates its shell, and everything about it that is visible through the shell must be an expression of what the nut itself is. Thus, a frame is quite appropriate in nature, in all creation, for what it frames. If you do not think abstractly, if you do not think theoretically, if you do not think from a world view that moves only in ideas, but that wants to be in all reality and in all life, then you feel compelled to do everything you do in a certain way, as the creative forces in the universe do. And so, if we had built with some alien architectural style, with something that had grown out of those building methods that are common today, a framework for an anthroposophically oriented worldview and its cultivation, there would have been two things: on the one hand, a building that expresses itself entirely from within, that says something for itself, that stands in its own artistic formal language. And then one would have entered and represented something inside, cultivated something that could only relate to the building in a very superficial way. One would hear words spoken in such a building, one would see plays performed on the stage (since these are intended) and other artistic performances; one would have heard and seen and beheld something that wants to present itself as something new in modern civilization. One would have turned one's eye away from what one might have seen on the stage; one would have turned one's ear away from what one might have heard, and one would have looked at the building forms — these would have become two essentially different things. The spiritual science meant here could not aspire to this. It had to strive in harmony with all world-building. It had to trust itself to express itself in artistic forms as well as in building forms. It had to claim that what forms itself into words, what forms itself into drama or into another form of artistic expression, is also capable of directly shaping itself into all the details of what is now the shell. Just as the nut fruit creates its shell out of its own essence, so too did a spiritual science such as this, whose essence is not understood in the broadest circles today because it breathes precisely this spirit of reality, had to create its own framework. Everything that the eye sees in this framework must be a direct expression of what is present as living life in this world view, as must the formed word. And there were some pitfalls to avoid. For those who have a certain inclination to make a building appropriate to a worldview are often, let us say, somewhat mystical or otherwise inclined, and they then have the urge to express what is expressed in the worldview in external symbols, in some mystical formations. But this merely leads to such a framing becoming something in the most eminent sense inartistic. And if one had performed a building bearing symbols, one would have wanted to express in allegorical or symbolic form what underlies anthroposophically oriented spiritual science, so nothing would have emerged but something in the most eminent sense inartistic. Indeed, I must even admit that some people who have come to what is referred to here as anthroposophically oriented spiritual science with their views and currents of life, as contributors or advisors, in the early days of our work in Dornach, were quite inclined to express everything that spiritual science contains in old symbolic or similar forms. I might also mention that those people, who are so numerous, who either out of a certain lack of understanding or out of malicious intent talk about the Dornach building, keep coming to the world with the idea that one can find symbols for this or that, allegorical expressions for this or that. Now, ladies and gentlemen, it must be admitted that even in what I have to show you this evening, anyone who does not look closely and with a lively sense of perception can find something to use as an expression: There are many allegorical or symbolic elements. In reality, there is not a single symbol or allegory in the Dornach building, but everything that is there is there entirely so that the inner experience of the spirit, which on the one hand is to be grasped in ideas that are expressed in lectures or the like, is experience is to be completely dissolved into artistic forms, that nothing else is asked for in artistic creation in Dornach than: what the line is like, what the form is like, what that is which can be shaped as an artistic form of expression in sculpture, in architecture, in painting, and so on. And many a person who comes to Dornach and asks what this or that means is always given the same answer by me: I ask them to look at the things; basically, they all mean nothing other than what flows into the eye. People often say that this or that means this or that. But then I am obliged to talk to them about the distribution of colors and the like. I have now tried to show how the building, as a shell, very much in the spirit of nature's own creation, forms the framework for anthroposophically oriented spiritual science. But for that very reason the whole idea of the building had to strive for something new. Now, in all that I am going to say today, I ask you to bear in mind that, of course, much criticism can be made of the Dornach building, that many objections can be raised. And I give you the assurance: the person who perhaps objects most of all is myself. For I am fully aware that the Dornach building is a beginning; that the Dornach building stands as a first attempt to create a certain stylistic form that cannot even be characterized in words today, because its details are not formed from abstract thoughts, but from what is experienced in a living way in that beholding of the spirit that is meant by our spiritual science. I may mention just one difference at the outset: if we compare the various architectural styles, which, in a certain development of form, still find expression today wherever buildings are constructed, it is apparent everywhere that, basically, the mathematical, the geometrical, the symmetrical, that which perhaps follows in the rhythm of the line, the mechanical, the dynamic, etc., all flow into architecture. From the basic feeling – I am not saying from the basic idea, I am saying from the basic feeling – of our spiritual science, the daring attempt was once made, I know it, to create an organic building idea, not a mechanical-dynamic, but to create an organic building idea, and this under the influence of that which Goethe incorporated into his great, powerful view of nature under the influence of the idea of metamorphosis. The Dornach building, as far as this can be realized in architecture, should not merely represent the symmetrical, the dynamic, the mechanical, the geometrical; it should represent something that can be looked at, I do not say grasped, but looked at as a building organism, as the form for something living. In this case, however, it is a matter of every detail in an organism being exactly as it should be in its place. You cannot imagine the ear lobe in a human organism being formed any differently than it is. So we tried to make our building in Dornach a completely organic, internally organic unit by placing each individual part in the whole in such a way that it appears as a necessary structure in its place; that every detail is an expression of the whole, just as a fingertip or an earlobe is an expression of the whole human organism. That is one thing that has been attempted. As I said, it is a beginning, an attempt, and I know how many imperfections it has and how much can be objected to from the point of view of architecture and sculpture and so on. The other thing is what I would like to say in advance, namely that our world view itself demands that the whole idea of building be formulated differently from the way in which the idea of building is usually formulated. If we consider ordinary buildings – I will mention just one – we find that they are closed off from the outside by walls to a certain degree. Even the Greek buildings were closed off to a certain degree. What is required by the Dornach building is that the wall itself be treated in a completely different way than it is usually treated. The person who enters the Dornach building should not have the feeling that, having a wall around him, he is closed off in an inner space. Rather, everything should be artistically designed so that, to a certain extent, the wall itself is suspended; that the wall itself - please do not misunderstand me - the wall itself becomes artistically transparent, so that one gets the feeling - transparent is of course only spoken in comparison - you are not closed off, but everything that is wall, everything that is dome, opens up a feeling that it is broken through, that it cancels itself out, that you are in a feeling connection with the whole great universe. Far out into infinity, the soul is meant to feel connected to this through what the forms evoke; the forms of the columns, the walls, the forms of the dome paintings, etc. The building in Dornach is a double-domed structure, consisting of a small and a large domed space that do not stand side by side but interlock. The small domed room, that is, the circular room covered by a smaller dome, will be used for presenting mystery dramas, for dramatic performances in general, for other artistic performances, such as eurythmy. But there are also other things planned. Then there is the large domed room, which is connected to the smaller one in the segment of the dome. It is intended as an auditorium; so that those who approach this building must immediately be imbued with a certain feeling by this outer form. We will begin by looking at our building as it presents itself to someone approaching it from the northeast. So, as you can see, we have a double-domed structure. This is the auditorium, and here is the stage. The two domes are inserted into each other by, if I may say so, a special technical feat, because this insertion was difficult. The person who approaches this building – which, I believe, is particularly appropriate in its artistic expression of the special mountain formation of the Jura region in which it is built – should have the feeling that something is present that reveals itself in a duality. The person who enters the building finds themselves in the large domed room. Inside, he may have the feeling: here something is seen, something heard. And this something, which is experienced in a sense in the heights of spiritual life, which is to reveal itself to an inclined audience, should already express itself as a feeling to those who approach the building. But initially, every single detail of the outer forms is attuned in such a way that one has an impression from the outside, so to speak – I could not express it in terms of ideas or thoughts – but through the forms, through the artistic language forms, one has an impression from the outside of what is actually being proclaimed inside as spiritual science. I would now like to show you another approach to the building, which presents itself when approaching it from the north: Here is the building, here the main entrance, here a nearby building that has experienced very special challenges. I would just like to mention in this picture: the lower part of the building is a concrete structure. It has a walkway here. The entire building stands on the concrete rotunda. The entire double-domed structure is a wooden construction. I note that the task was not only to create a shell for spiritual science in this building, but also to find a style for this very special institution that could be derived from concrete. That, ladies and gentlemen, is what is not really understood today, that we have to create out of the material everywhere. Today we see how sculptors create things that they shape, I would say, by having some kind of novelistic idea or a novelistic harmony of ideas, which are then shaped in any material, in bronze or the like. But we have to come back to having such an intense feeling for the material that we ourselves, even with this brittle, I mean artistically brittle, this abstract concrete material, gain the ability to create forms of design out of the material. It is certainly the case that today people will not understand you if you say to them: I am going to paint a picture; in the middle I have this or that figure, on the sides this or that figure, I now want to do that, can you do something like that? And one answers: Yes, you can do anything, but it is a matter of what becomes of the colors. You cannot talk about a picture differently than from within the colors. Even in many artistic circles today, there is little understanding when one tries to think that which lives artistically as something quite separate from everything that is not direct contemplation, direct experience of feeling. As the third picture, I would like to show you another aspect of the building. You can see the small dome, the large dome. Here, seen from the outside, the auditorium. The whole thing sits on the concrete substructure here. Here are the side wings, which fit into the building at the point where the two domes merge. This is a slightly closer view of the structure. You will be entering from down here. The cloakrooms are located in the concrete substructure. There is a stairwell at the front of the interior. You can come up to this level through the wooden structure, but you can also come up here, where there is a walkway. You can walk around a large part of the structure here during the intervals between performances. This is the main entrance from the terrace. You can already see that all the forms from the dynamic geometry have been transposed into the organic, into the living. There is nothing in this building that has not been created in the spirit in which I meant the design of the earlobe on the human body earlier. So everything, every detail and the whole, is designed in such a way that not geometric forms, but organic forms are present; but not, I would like to point out, organic forms that are modeled on this or that organic limb. That was not the intention at all. When I had first designed this structure in the wax model, from which the building then emerged, it was not a matter of reproducing anything naturalistically in organic forms, but rather of immersing myself in the creative essence of nature itself, of making what Goethe calls the truth, so to speak, of how nature lives in its creation. Now, of course, nature does not create such structures. Therefore, one does not find those organic forms in nature that can occur in such a structure, but by having the whole structure like an organic being in its intuition, in its imagination, the inner creation is formed in such detail that detail that, without imitating anything in nature, one is compelled to shape a structure like the one above the main entrance in the same way that a plant leaf is shaped out of the essence of the plant organism. So without imitating anything naturalistically, natural creation should reveal itself everywhere without symbolism and allegory, purely by proceeding in the design of the building forms as one can imagine that nature itself lives in its creation. Once again, closer to the building. We are in front of the main entrance. This is where people will enter first. These are the cloakrooms. Then you come up through the stairwell and enter a vestibule, which I will also show later. This is the north side. Behind here are the storage rooms, the rooms for the equipment and the cloakrooms for the stage plays. Another view of the main entrance. Here, the smaller dome is completely covered by the large dome. The two side wings were intended as dressing rooms for the performers. This is a piece of the side wall. Next to it is the house that the man who was able to give us the land for this building had built. This house was built for him in a style that is certainly, since it is all a beginning, completely thought out in all its individual forms using the concrete material. That is what I would like to say about this house. Here you can see one of the side wings, which, as I said, are intended to provide dressing rooms for those performing in the stage festival. If you walk around here, you will come to the main entrance. Here is a piece of the facade of such a side wing. It has been attempted to follow Goethe's idea of metamorphosis – not in a pedantic way, but in the spirit of transforming the ever-identical, of transforming the ever-uniform, to form everything as an organic unity, so that the motif above the main entrance is repeated here, but in a different form. As you will see in Dornach in general, what Goethe calls changeability in organic structures has been tried to be expressed in the building idea everywhere. Here is the floor plan, here is the entrance, and there is the auditorium, which will hold about nine hundred to a thousand people. When you come out of the main entrance here, you walk through the space that is vaulted by the organ room above. You then come in here. The line that goes in this direction is the only symmetrical one in this building. Nothing else is oriented in a symmetrical way except for what lies to the left and right of this axis of symmetry. Therefore, as you enter the room, you see a row of columns. These columns are formed in such a way that only the symmetrical pairs always have the same pedestals, the same capitals and the same decoration in general. The formation of the capital progresses as one moves from the entrance towards the stage, so that each successive capital is formed in such a way from the previous one that the space of the architrave above a column is formed from the spatial design of the architrave above the previous column, so that the metamorphosis view is expressed in the right sense. It is, I dare say, a great thing to attempt such a thing: here you have a first capital with very definite forms that arise inwardly for you as you shape them. And as you say to yourself, now it is so that it must remain in the place where it is, then the feeling comes: That is also to be transformed, just as in a plant growing out of the ground, a subsequent leaf is something metamorphosed in relation to the preceding leaf. There you shape the next form out of the previous one. There the next form presents itself as something absolutely necessary. People often come to Dornach and ask: What does this or that chapter mean? My task is simply to say: look! It is not a matter of someone finding an abstract, complicated meaning, but of sensing how the following chapter always grows out of the previous one in organic necessity. The smaller dome, framed by twelve columns, and the fourteen columns here, will provide space for the presentation of stage plays. Often, people also count when they come: one, two, three, four, five, six, seven. Seven columns! Then they say: They are mystics, they bring in the superstitious number seven. I can only say: Then nature is also superstitious. The rainbow has seven color shades, we have seven tones in music, the octave is the repetition of the prime. What is so self-evidently expressed in nature is repeated in the direct experience of creating something metamorphic. And I may well say: it was far from my mind to pursue some mystical number seven, but it was obvious to me to think of one capital out of the other. And then a wonderful thing happened – if I may call it a miracle – that just as there are seven colors in the rainbow, without any mysticism, simply by shaping the form, when you are finished with the seventh form, you can't think of anything more. That's how you get the seven forms. With the seventh, you can't think of a single small artistic idea, so you just know you've finished. This is a section through the original model. It is cut through the axis of symmetry, so that you can see the formation of the columns in progress, the architraves on top, the bases. So this is the model on which the construction was based. Another section, a kind of drawing section through the building. Here is the concrete substructure. Here we have to show how the two domes are joined together. But here too, two domes are joined together, leaving the space between them free. I originally had a specific idea in mind when arranging the double dome. When building such a thing, the most important thing is the acoustics, and I had the idea that if you connect two such domes with a connection that is as light as possible, a kind of soundboard must be created. Furthermore, not for mystical reasons but for very real ones, I had the seven columns made out of different types of wood. All of this, of course, yields a great deal when one tries to think and feel it all together. But many people know how difficult it is to get the acoustics right in a hall. Basically, everything was thought out, down to the choice of materials – as I said, the columns are made of different types of wood – and into this soundboard, so that both the sound that develops in the musical sense and the sound of the spoken word are accentuated in a beautiful acoustic way throughout the entire room. Just as the whole thing is an experiment, and one could not think that the most perfect thing could be created in the very first attempt, so I could not indulge in the illusion that the perfect acoustics had been created. But we were able to experience how the intuitions revealed something in the very last few days. The organ was installed as the first musical instrument. It was completed, and it became apparent to us that the entire structure, in terms of music, reveals itself acoustically in a very unique way. And I dare to hope – things are not yet ready, that can prove this – but when everything is there, including the curtain, that then the acoustics, including those for the spoken word, will also reveal themselves. But in any case, the one rehearsal for the intuitive design of a space with regard to the acoustics, the one rehearsal in terms of the music, seems to me – and as it seems to everyone who has heard the organ there in the last few days – to have actually been successful. A little way into that staircase, which you enter when you come through the main entrance into the interior. You see here a capital above a column. You see this capital formed in a very special way. Every single form, every single surface, every single curve is conceived with the space in which it is located in mind. The line and surface run this way because this is where you come out, because there is little to bear. Here the column braces itself against the building. Here the individual forms must be shaped differently. Just as nature creates differently when it creates a muscle, depending on what it has to bear, so we must experience how the forms must be when each individual link in its place is to be thought of as it can only be in this place through the nature and essence of the whole. This is the staircase itself. The staircase goes up here. What I showed before is the vestibule above the concrete room. This is where I am standing, and this is where you would stand when you enter the building. Here is the banister for the staircase that leads up from the lower concrete substructure to the building, which is then made of wood, to the actual auditorium. I have tried here to transform a support from the merely geometrically mechanical to the organic. Let me reiterate: I am, of course, aware of all the objections from the point of view of conventional architecture, but it has at least been attempted, and I have the feeling, however imperfect everything is, however many objections there may be, that a start has been made that paves the way for a new architectural style that will be further developed. Perhaps it will lead to something quite different from what has been built in Dornach, but if you don't even start with something, nothing new will come of it. Therefore, even if it goes completely wrong, something new should be attempted here: the development of the mechanical-dynamic form into organic forms. The concrete is worked in such a way that the beam expresses in its own form what it bears; on the other hand, it is shown here how it only forms outwards, bearing nothing. Here is the staircase. Each curve is exactly proportionate to the part of the room where it is located.Here you can see a radiator screen. The individual radiators are covered at the bottom with concrete screens and at the top with wooden screens. These screens are designed in such a way that their plastic forms reflect something that, in its formation, is, so to speak, in between animal and plant forms. It comes from the earth, as if organically grown, but not symbolically, but artistically designed. In creating this, one has the feeling of something coming into being if the earth itself allowed something like this to grow out of its principle of growth. If you take this staircase, you will come to the room that was shown before, and through that you then enter the actual auditorium. So this is where you come in, enter the auditorium. Here on the left and right are the first two columns. You can see how the simplest capital structure, the simplest architrave structure, is used here. And now you will see how each subsequent capital structure attempts to create something that necessarily grows out of what has gone before, just as a subsequent plant leaf, which is more complicated and more dissipated in form, always grows out of the one that went before. Here is the first column individually. It is always important to me that one sees that the essential is not: what does the individual column mean? Some people have done a terrible disservice by always talking about the meanings of the Dornach columns; it is important to me that the artistic form must be questioned. Therefore, I will always show the one column and the next one, so that it becomes clear how simply, artistically, the next form was attempted to be derived from the preceding one. So here, continuing from the simple column – that is the left aspect – we have the second column. It is designed in such a way that what goes down here goes up there. Just as a plant leaf develops from another, this capital form is derived from the preceding one through artistic experience, and this architrave form from the preceding one. The second column by itself. Now the following two columns, always to illustrate how the next column is to be artistically designed from the previous one. There now follow several column pictures, initially single ones, then in twos. Everything that one experiences artistically is actually formed in one's imagination as a matter of course. One cannot help it, it just happens. One can hardly say anything else about it either. But the strange thing is: when one simply transfers one's own experience into the forms, then one gradually feels how one creates in harmony with nature's own creative process. One feels the life that lies in the shaping of one metamorphosis out of another, in intimate harmony with natural creation. And so I believe that those who experience – not intellectually, but with lively feeling – what develops there as one capital out of the other actually get a more vivid sense of development than can be given by anything in modern science. For when we speak of development, we usually mean that each successive structure is more complicated than the one that precedes it. This is not true. When one inwardly experiences a development such as this evolution of columns and architraves, then at first the simple develops into the complicated. But then one reaches a height, and then the structures become simpler again. You are amazed when you see the results of artistic necessity, how you create in harmony with nature. Because that is how it is in nature too. An example: the most perfect eye is the human eye, but it is not the most complicated eye. The animal eye is much more complicated than the human eye; in certain animals there are fans and xiphoid processes; in humans this has been absorbed again. The shape is simplified. You don't follow that when you create something like this from abstract ideas, but it presents itself to you as something self-evident in the form. The next two columns. Here we come to something that the abstract mystic or mystical abstractor might say: “He formed the caduceus here.” I did not form the caduceus, I let the preceding forms grow. It formed by itself. It emerges organically, by itself, from the preceding form. I had to say to myself: “If the preceding column grows just like that, it will come out like that, one from the other.” Two consecutive columns showing how the forms become simpler as development progresses. Here we are already approaching the gap where the auditorium borders on the stage. Here the first column of the stage area; here the last of the auditorium, here the gap for the curtain. Here you can see into the small domed room. If you stand in the auditorium and look that way, you get a view similar to this. The top of the dome, initially carved and then painted. We won't look at the painting here, we'll come to that later. Here I would like to show the order of the individual columns, so that one can get an overview of how the matter progresses from the simplest. All the individual columns are formed individually for each column, and symmetry is only found in relation to the main axis of symmetry of the building. Here are the figures on the pedestals. I also tried to give the pedestals a metamorphic appearance. I would like to ask you to take a look at something that is not quite finished yet: the room in which the organ is built. The idea was to avoid making the organ look as if it had simply been placed in the room, and instead to make the whole structure appear to grow out of the room. That is why the architecture around the organ is designed to match the way the organ pipes have to be constructed. It is not finished, as I said. There are still things to be added here. This is what you see when you enter the small domed room from the auditorium. The end of the small domed room. A number of forms have been carved out of the wood. All of them have been carved out of the rounded surface of the wood, a number of forms that are a summary of the forms found on the capitals and architraves. So that, standing in the auditorium, one has the forms of capitals and architraves, and when one looks up into the small domed space, as a conclusion to all this on a spherical surface, which is like the formal synthesis, the formal synthesis of what can be seen on the individual forms of the architraves and capitals. And now I have to move on to something about which I will have to say a few words. This is what the small domed room looks like when it is painted. Both domed rooms are painted with motifs that actually only arise when you live very inwardly with what we call anthroposophically oriented spiritual science. When you live very inwardly with this, then, I would like to say again, picturesqueness also emerges all by itself. Just as the word is formed by wanting to express the inner spiritual experience through the word, so this inner spiritual experience, which is truly not so poor that it could only express itself in abstract thoughts and ideas, but can express itself in everything that is a form of life and the purpose of life, is transformed. And motifs that are just as much alive in the one who lives in the inner contemplation of the spiritual world, as it is conveyed through spiritual science, are also painted in the large and small dome in such a way that one does not have the feeling of being closed off by the dome, but rather that one has the feeling, through what is painted on the wall, that the domes form themselves far out into infinity. I want to discuss, because I can't explain everything, only what is painted here in the small domed room, so that you can see it immediately when you look from the auditorium into the small domed room. There is a central figure. It represents to me, as it were, the representative of humanity as such. At the same time, it is the artistic expression of that which lives in the human form. So that even in its natural human form, the human being must constantly seek balance between two extremes. What the human being actually is is something that should be expressed by the content of all anthroposophically oriented spiritual science. This cannot truly be said in one or even many lectures, but comes to expression in the fullness of all spiritual science. But one can say the following, which is still somewhat abstract but already points to what is experienced as human essence in the human being. One can express it in soul terms as follows: In fact, human beings are always engaged in an inner battle between something that works in him in such a way that he wants to rise above his station. All that is fanciful, enthusiastic, mystical, theosophical, that seeks to lift man in the wrong way above himself, so that he no longer remains on the firm ground of reality, all that is one extreme. This is what some people tend towards, what every human nature secretly tends towards, and what every human nature must overcome through its health. Enthusiasm, fantasy, one-sided mysticism, one-sided theosophy, in short: everything that makes man want to rise above himself, is one thing in the soul. The other thing that is in the human soul and must be overcome through inner struggle is what constantly pulls him down to earth; expressed in spiritual terms: the philistine, the bourgeois, the materialist, the merely intellectual, the abstract, the calculating. And that is the essence of man, that he seeks to find harmony between the two opposite poles. In physiological terms: the same thing that appears physically when a person wants to go beyond themselves is also expressed physiologically in the fact that a person can become feverish, develop pleurisy, that human nature is led into dissolution. The other extreme, that which develops in the soul as mere intellect, as narrow-mindedness, as philistinism and materialism, is what causes the ossification of human nature and leads to one-sided calcification, to ossification. Between these two physiological extremes, human nature fluctuates and seeks balance. The intention is not to present an idea, but rather – both pictorially up there and sculpturally in the group of figures down here – to show how the representative of humanity lives in the middle between the two extremes that I have depicted. And so, above the central figure, which expresses the representative of humanity, there appears, at the top, a luciferic figure that expresses everything that is enthusiastic, fanciful, feverish, and pleurisy-ridden, etc., that wants to lead people beyond their heads. And at the bottom, protruding out of the cave, is the representative of everything ossified, everything philistine, everything that leads to sclerosis in its one-sidedness. This central figure is designed in such a way that there is nothing aggressive about it. The left arm points upwards, the right downwards. Every effort has been made to represent love embodied in this representative of humanity, right down to the fingertips. And just as I am convinced that the trivial figure of Christ, as we usually see it, bearded, only came into being in the fifth or sixth century, so I am convinced, from spiritual scientific sources, which I can't talk about, but only because of lack of time, I am convinced that the figure that is depicted here is a real image of the one who walked in Palestine at the beginning of our era as the Christ-Jesus figure. And there should be nothing aggressive about it, even if the figure of Lucifer is painted, poetically shaped, falling and even breaking into pieces, not through an attack on the part of Christ Jesus, but because in his Luciferic nature he cannot bear the proximity of embodied love. And if Ahriman, down there, the representative of the ossifying principle, the being that carries within itself everything that seeks to bind human beings to the earth, everything that does not want to let them go, suffers torment, ground. This is not because the figure of Christ hurls lightning bolts, but because this ahrimanic entity, through its own soul condition, so to speak, out of embodied love, casts lightning bolts for its own torment. Here I really tried to depict love both plastically and pictorially in this central figure. And in a similar way, the inner experiences of spiritual science are given in the pictures on either side of this central group. But I can only show you the content of what is painted here. But that is not the main thing. In the first of my Mystery Dramas it is stated that in truth only that corresponds to modern ideas about painting in which the form of the color is the work. And here in this small dome an attempt was once made to create everything that was to be created out of color. If someone asks about the meanings, they are at most what one has tried to attach to the color scheme. I have to keep saying: one sees the color spot there or there, and what is in its vicinity as color spots, that is more important to me than what is meant there in a novelistic way. An attempt has been made to realize this – I know all the counter-arguments – but it has been made, to realize what appears to me to be the case: I actually perceive every line in nature, when it is reproduced by drawing or painting, as a lie. The truth in nature is color. One is not concerned with the horizon line, but above with the blue firmament, below with the green sea, and where the two colors meet, the line and the form arise by themselves. This is how I have tried to paint here: everything from the color. The line should be the creature of the color. Here you can see a section of the painting more clearly. Here is a kind of rule of thumb. Here is the only word written out with letters that can be seen as a word in the whole structure. Nowhere is there anything symbolic that could be expressed in words; only here at this point, where an attempt has been made to convey the sensation as an experience through color, which occurred around the 16th century, when humanity developed more and more towards an individualistic soul life; there, knowledge took on very special forms. Those who speak of knowledge in such abstract terms, as many epistemologists do, really know nothing of the inner experience of knowledge. Today, knowledge is only known by those who can see before their soul how, in the process of limiting human life, childhood emerges from the spiritual world. Here the child and on the other side, death. In the middle, the realization, the realization that brings it to the individualism of the ego-grasping. That which humanity has felt as actual cultural thoughts, for example in the 16th century, is attempted here to be expressed through color. I can only show you the content, which is not the main thing. But I think that precisely because this content is imperfectly depicted here, it evokes the feeling that something is still missing here, without which this thing cannot truly be what it should be. Anyone who sees this should feel that there should be color: here the child in its particularity, here the self, there a kind of fist-like figure, and below that death. Here a little further. With the first figure we were still touching the auditorium. Here we come to the middle of the small domed room. There we have a figure that is supposed to represent how the spiritual was experienced by a cognizant human being in ancient Greece. The sensations, as they pass through human spiritual culture, should be seen in colors on the wall. Here is the figure, which is, as it were, the inspiring figure above the Faust figure. You always see the inspired below, with a kind of genius above. Here is the genius of Faust, who appears as a kind of inspirer of Faust. Here is the figure that can be seen above the Greek figure as an inspiring figure. It was a natural development that the genius of the sentient and cognizant entity was depicted as Apollo with the lyre. This is a higher inspiring entity that is always above the one who is down below, who is sitting down below, as it were, on the column. The inspiring figures are painted in the dome space. Here below is an Egyptian figure, leading the Egyptian soul-life. The two figures shown before (Fig. 75) stand above her and represent the inspirers; the entities that are meant to pour the soul-life into them. Fig. 44 (Fig. 77): Here I have tried to show how the civilization that I would describe as that of the Persian Zarathustra culture, which dates back to primeval times and has a view of the world as dual, ambivalent, as a world in which light and darkness cast their effects, how this view of the world has spread from Asia through Central Europe, and how it is still expressed in Goetheanism, where man experiences it. That is the essence of our Germanic-German culture: we always experience this contrast between light and darkness, which is already expressed in the old Zarathustra culture, this contrast that cuts so deeply into our souls when, on the one hand, we feel something that wants to grow beyond us like light; on the other hand, something that, like heaviness, wants to pull us into the earth. This is how the dualism that is felt should be expressed. Above them you can see two figures. Sometimes you get fed up when you have been working on something like this for months. I got fed up while forming these two figures, in these figures, in which the inadequate and the ugly come to life, to recreate something like Mr. and Mrs. Wilson. That was something like a bugbear. But the other thing is that, basically, something lives in the Germanic-German soul when it experiences the thought of realization, which can only be endured if one recognizes full life in harmony with where life innocently enters physical existence from spiritual worlds. Here you have, so to speak, an inspiring summary of everything that appears as duality: the being of light, the Luciferic, that which tempts people to fall into raptures; the other is the pedantic, the philistine, the Ahrimanic, which would like to drag people down. No civilization experiences this dualism as deeply and dramatically as the one within which there is a transitional context for contexts that go back to ancient times to the Zarathustra culture and find their expression in all that has become Goetheanism, which we still feel by spiritual science itself compels us to present the representative of humanity as he must seek the balance between the Luciferic, the mystical, the enthusiastic, the theosophical, and the Ahrimanic, the pedantic, ossified, philistine, sclerotic, and so on. Here is the one figure, the ahrimanic, philistine, pedantic one, with the forehead set far back; the whole built as man would become if he were pure intellect. Only by the heart working its way up into the head do we avoid one extreme, how we would become if we only developed the things that form the skull, but which cannot form themselves according to their own inner forces because this is counteracted by the heart and the whole of the rest of the human being. Here the other aspect, counteracting the Ahrimanic aspect. Between these two aspects, man must always seek his equilibrium. Christ is the great Master who leads us on the path to find this balance. Here we come up against the central group. This is what will arise when dualism has developed to the point where the human being feels himself to be twofold, as a higher and a lower human being; that he has his shadow within himself, but as a shadow that he digests spiritually and mentally. As a kindly genius that is above him. Here a centaur, inspiring him what needs to be overcome in us as animality. Up here the centaur form, inspiring a future culture, next to the genius, the angelic, what approaches man on the other side. Here is the central figure, Christ, not by attaching a vignette to him, but by placing him as the central figure. One should feel artistically: this is the figure in which the divine has appeared on earth. One should feel it from the form, from the line, from the surfaces and here from the color. Figure 53 (illustration unclear): Here, at this point, it has, so to speak, been completely successful, even if it is only an attempt, to create everything out of color, without line. Here is the head of the Representative of Man. Above it, Luciferic; below, Ahrimanic. This is the head that appears to me, from the spiritual vision – as far as one can form it – as the true form of the one who lived in Palestine at the starting point of Christianity as the Christ. Here is the figure of Lucifer, collapsing into himself. It is painted in red and worked out of red. Picture 56 (Fig. 86): Below, the figure of Ahriman. Here is the head, as the human head would be if it were not softened by the rest of the human being. Here is the lightning bolt that must be drawn from the Christ principle. Here I then move on to showing an illustration of a group of people. This group of people now also represents the representative of humanity. Above them are two figures, one again representing the rapturous, the mystical and so on. And as paradoxical as it may sound, this is designed in its forms as it presents itself in an inner spiritual vision if one wants to represent what man would be like if he formed himself according to the feverish, the pleuritic, the enthusiastic-fantastic. Here the head, here the arm, and the peculiar thing that arises: that the larynx, ear and chest come together and merge into the wing. You feel what becomes an expressionist work of art. This is something that the non-understanding person might call symbolic. It is not symbolic, it is observed as only an organic-physical form can be observed. Here again this figure, and here the figure at the very top on one side of the group of wood. It turned out that we needed something purely to balance the gravity conditions so that the whole group would support itself. It became so that I had to dare to create something quite asymmetrical, a kind of elemental spirit, growing out of the rock form, but here made of wood. If you abandon yourself to the rock formations, look at them and let your imagination create, saying to yourself: nature has decided on their formation, but if they were to continue, what would arise? You end up with something that approaches the higher form but is not it. I tried to create that in this figure. Above are two luciferic figures, below two ahrimanic figures, and up there this entity, which was dared to be formed completely asymmetrical, because it occurs in a place where the symmetrical would be in contradiction to the whole, and which looks somewhat mischievously humorously at what is forming there as the human struggle. I say “mischievously humorous” because there are indeed entities in the spiritual world that look with a certain humor at the inner tragedy of the human soul struggle. Picture 62 (Fig. 94): Here you see a photograph of my original wax model of the Ahriman figure, the Ahriman head, the original pedant, the original philistine, the head that would have formed if the other human-forming forces had not counteracted the head-forming forces. Once you have created something like this, you know that you have nothing more to add to it. If you then want to create the head for Ahriman, who lives down in the rocky cave and is in conflict with Lucifer, this head also undergoes a metamorphosis, and the place where it needs to be in the body goes through a corresponding metamorphosis. Here, seen from the side, is the head of the central figure, of whom I have just shown the painted form; that figure, carved out of wood, is, in my opinion, supposed to represent Christ Jesus walking in Palestine. It is remarkable; while I was creating this, it became clear to me once again that one should actually create all Christian motifs in wood. The warmth of the wood – this statue is made of elm wood – is necessary for Christian motifs. An Apollo, an Athena is better in marble; Christian motifs are better in wood. It was always a real pain for me to see Michelangelo's Pieta in Rome, the mother with the body of Christ on her lap. I would have liked to see this Pieta - which I nevertheless greatly admire, of course - in wood instead of marble. I don't yet know the reasons myself. Such things cannot be easily explained. But I think the Aperçu is correct that everything Christian must be represented in wood. Now, regarding the group that I just showed, which forms the center of the building, there is one more thing. If we follow the development of architecture, and consider only two or three stages, we must say: let us look at a Greek temple. It is not quite complete if it does not have its god inside. You cannot think of a Greek temple in general, but only of a temple of Apollo, a temple of Athena. It is the god's dwelling. Let us move from Greek architecture to Gothic. The Gothic cathedral is not complete unless the community is within it. We live in an age in which the community is becoming individualized. Therefore, the social question is the most important question of our time, because people live according to their individuality. Grasping the deepest nerve of our contemporary culture, we must look at what a building that belongs to a community must be a framework for today: for the people themselves. Therefore, the representative of human self-knowledge, the trinity between man, as he struggles in his soul between the enthusiastic-mystical and the pedantic-philistine, materialistic, this trinity should be placed at the center of the building, just as the god stands in the Greek temple, as the community praises in the Gothic cathedral. In this way, the spectator area should be pervaded by the pictorial and plastic sound of the “know thyself,” not in abstract forms, but artistically embodied in the Trinity of which I have so often spoken and which, in my opinion, is the Trinity of the culture of the future of humanity. Therefore, this wooden figure did not have to be erected at the center of the building, but as the central figure of the building. Here an adjoining building, a neighboring building. Again a metamorphosis of the two domes. Here the architectural idea has been developed into a different form. The main building has windows for which a special type of glasswork has been invented. What I said earlier – that those inside this building feel at one with the whole universe, not closed off – should be expressed through the windows. That is why all the windows are large panes of glass in a single color. These panes – red, green, blue – are engraved, etched out of the glass, which then gives the glass its visual effect. This visual effect is there when the sun shines through the windows. This glass etching was tried for the first time in this building. And here, with the glass window in front of you without sunlight, you can physically feel a kind of score; together with the sun, it becomes a work of art. And you feel in the building: when the sunlight floods in through red, green, and blue panes, what the sun paints with its light lives in these windows, so that it is a representation of human death, sleep, waking, and so on; but nowhere is it symbolic, rather these states of consciousness are experienced vividly within. These glass windows were to be made in this smaller building. And because the first person to work there was called Taddäus Rychter, this house was called “the Richter house”. So it does not have this name because we want to implement the threefold social order, as some people have said, and so we would have built a legal building in which we would have had our own jurisdiction. That is not the case. This should be noted by those who have done something wrong; they will be convicted according to Swiss law. This is the entrance gate. Everything about it, down to the locks and door handles, is designed in line with the organic architectural concept, so that everything has to be the way it is in its place. Hence the need for a separate lock for these structures. Here you can see the one that has experienced the most challenges. One day I said to myself: there must be a heating house, a firing plant, near the building. One could have done something that would not have been in the spirit of the overall architectural concept of the Goetheanum; a red chimney would have stood there. But I tried to create a utilitarian building out of concrete. I tried, in turn, to form a shell around the heating elements and the firing machines that are inside, just as the nut fruit forms a shell around itself. Also around what comes out as smoke. The whole is only complete when smoke comes out. So there, too, an attempt is made to carry out a building idea in such a way that, despite the utilitarian idea being carried out, what is created out of the utilitarian form is that which, in utilitarian building, the artistic form-giver currently strives for. The same building from the side. By now, enough time has passed and I have kept you waiting for a long time with a large number of pictures that were intended to show you something that is being built in Dornach as the Goetheanum, as a free university for spiritual science. What I have shown you in a series of pictures is intended to provide an initial framework for the work that has arisen from the spirit of spiritual science, which I have now been able to present in Stuttgart for almost two decades. A building was to be erected in Dornach that would not only have an external connection to this spiritual science, in that it serves the cultivation of spiritual science, but that would also be an expression in every detail of life in this spiritual science, just as the word that is formed and through which this spiritual science is proclaimed is intended to be a direct expression of the ideal that can be experienced in this spiritual science. This spiritual science should not be abstract, theoretical, unworldly or unreal. This spiritual science should be able to intervene in reality everywhere. Therefore, it had to create a building style, a framework that emerged from itself just as a nutshell emerges from a nut. Of course, one will rightly be able to object to some things that are also before my mind's eye. But there was always a certain sense of encouragement while I was working on this building idea and all its details, what went through my mind when I was a very young man in the 1880s and heard the Viennese architect von Ferstel, who built the Viennese Votivkirche, give his inaugural address on the development of architectural styles. With a certain emphasis, Ferstel, the great architect, exclaimed: “Architectural styles are not invented, architectural styles arise. I always said to myself: But then we live today in a time in which everything spiritual must change in the human soul in such a way that a new architectural style must necessarily arise from this change of the spiritual. And that something like this must be possible was always before me. I believed that it must be possible, and therefore I did not shrink from seeking such an architectural style, even if it was initially in a very imperfect design, from anthroposophically oriented spiritual science. A second time, if I were ever to supervise such a building again, it would be quite different. But one only learns by approaching reality, when one wants to deal not with abstract ideas, with something symbolic and allegorical, but with something vividly artistic and real in life. Spiritual science needs at least the beginning of a new architectural style, a new artistic formal language. No matter how imperfect it may be, present-day human civilization demands it! And those who have stood by me in such great numbers have seen it with me and have submitted to the first attempt at realizing this aspiration. And even if many still look with a sneer at what rises up as the Goetheanum, as a free college on the Jura hill in northwestern Switzerland — which is now difficult to reach from here, but otherwise easy to reach because it is only half an hour across the border — what stands there is already visited by thousands and thousands from all countries, especially from Switzerland itself. The eurythmy performances are also well attended, every Saturday and Sunday, and the lectures that I already give for the public in this school enjoy a certain interest even in circles that do not belong to the Anthroposophical Society. Dornach is beginning to open up to the world. It will still cost great sacrifices. We will still need many resources to really develop what is intended. But from what is there today, what is still unfinished, it can be seen that there can be a world view that not only thinks but also builds. On the other hand, we would like to show the world through the Federation for Threefolding that this world view can also have a socially constructive effect on the immediate life of the individual and of humanity. However great the faults of this structure, which is the external representative of our world view, our spiritual-scientific world view, and however much it is still rightly subject to criticism today, it had to be ventured. It had to be placed in our present civilization. And in the face of all contradictions - or rather in the face of all approval of the present - I would like to say, in harmony with all the friends who have helped me in such great numbers in erecting this building, in the face of what is intended here, the modest, summarizing word: What has been willed must first become the right thing in later times, but a start had to be made. And speaking on behalf of all those who have been active in Dornach, I can summarize the attitude out of which flowed what I have tried to show you today: we dared to do it despite the difficulties, and we will continue to dare to do it! |
65. From Central European Intellectual Life: Nietzsche's Psychological Life and Richard Wagner
23 Mar 1916, Berlin Rudolf Steiner |
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And just as there is a transition from the more self-free way of the Greek world view to the ego-permeated way of the newer world view, there is a transition from sculptural creation to musical feeling in the progress of humanity. |
65. From Central European Intellectual Life: Nietzsche's Psychological Life and Richard Wagner
23 Mar 1916, Berlin Rudolf Steiner |
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On the development of the German world view in the present day As one of the greatest tragedies of the soul, Nietzsche's intellectual life presents itself in the development of humanity in terms of intellectual culture in the last third of the nineteenth century and shines not only through the nature of its course, but above all through its very special relation to much that lives spiritually in the present, shining over into the immediate present. In the lectures I had the honor of giving during the winter, I tried to characterize German intellectual life from various points of view in the period that can be called the great age of German idealism, the period in which a Fichte, a Schelling, and a Hegel, among others, emerged from the depths of the human soul, and perhaps one can say, even more from the depths of the soul's strong forces, to world picture that is really a kind of background to that tremendous flowering of modern intellectual life that is revealed in Herder, Lessing, Goethe, Schiller and the others who belong to them. In one of the last lectures, I then tried to show how the tone of German intellectual life, struck by these great minds, has lived on to our days, but one can say: it has lived on more under the surface of the popularized intellectual life, so that in many ways it has appeared to us as a sound that has faded away, as a forgotten striving within the German intellectual development of the nineteenth century and into the present. And indeed, anyone who looks at the huge break that occurred around the middle of the nineteenth century in Central European cultural life can easily understand why the character of the time more or less just faded away unnoticed. It was out of an intellectual and intellectually related power of mind that German intellectual life at the turn of the eighteenth and nineteenth centuries, in the first third of the nineteenth century, sought to penetrate into the depths of the secrets of the world through the aforementioned minds. And we shall not be doing Hegel an injustice if we take a little time to consider what was in his consciousness: that he had succeeded in driving the development of human thought so far that a supreme goal had been achieved within this development of human thought. And the turning point just mentioned shows us how, after the first third of the nineteenth century, thinking, the intellectual life in particular, was brought to the point where, one might say, a kind of rest, a kind of breathing space, became necessary. Only minds that could approach their intellectual work with the same energy as Fichte, Schelling and Hegel could occupy themselves with the innermost and, if the word is not misunderstood, one can say, most abstract powers of the soul so intensely and powerfully. And one could not sustain the long breath that was necessary for that breadth of an idealistic worldview. The consequence of this was that a paralysis set in which, with regard to all that these very minds sought in the highest, testifies to a certain lack of understanding, one might say, to a certain paralysis, even today. As high as thinking, feeling and the purely spiritual will, which is directed not towards the external but towards the life of the soul itself, rose with Fichte, Schelling and Hegel, it was not possible to rise in the culture as a whole. The reality value in this striving could not be felt consistently. But it was felt that reality should be sought through this striving. And, as a continuation of this striving, a thirst arose for reality, a thirst for that on which man can stand firmly. This was expressed in the fact that one initially entered into a sharp opposition to all that the above-mentioned spirits had created. In their abstract trains of thought one could not find the reality for which one thirsted. And so it came about that the thirst for reality wanted above all to be satisfied by what the outer senses offered, that the human spirit wanted to penetrate first into all that the strict, safe natural science could establish, which was limited to the senses and the mind bound to the human brain, as a world view. The leading spirit, by whose contemplation one can almost see what was at stake in this turning-point in modern spiritual life, is Feuerbach. One need only characterize a few thoughts of his world-view to see what is at stake. Feuerbach started precisely from Hegel. He started from the idealistic conception of the world which the German mind has created. But the living soul of Feuerbach was confronted with the question: What is all that a Hegel has been striving for? What can be found on the path that runs in such abstracted thought movements? There is nothing to be found that leads to the spirit itself. Everything that can be found on this path about the spiritual world is nothing more than what the soul creates out of itself, what the human soul finds within itself on the basis of the reality of the body, what it penetrates to. All that it has created, it projects out into the world, so to speak; that becomes its spiritual world. And so, out of the thirst for reality, a placing of the human being in the world-view picture arises, just as he is directly in the sense world. One wanted to take the human being as a whole human being, but precisely for that reason one had to omit from what one saw as reality what arose on the path of this spiritual life. And so man's attention was directed to how he presents himself within the realm that could now be called reality, the realm of the senses and what the brain-bound mind could make of this realm of the senses. How did man stand before himself with such a world view? Man stood before himself in such a way that he could know: A spiritual world is opening up in you, a world is opening up in you that you must not miss if you want to partake of true human dignity. Something lives in you that must go far, far beyond nature. But how could man come to terms with what he had to bring forth within himself, to create within himself, and what could not appear to him as reality in the sense of the natural existence? This question, translated into the realm of feeling, forms, one might say, a crucial nerve of the entire world-view striving in the second half of the nineteenth century, indeed, into our own days. The human being who cannot justify himself to himself with what he produces spiritually: that became the great question, that became the anxious riddle of life, not so much in this formulation in which I express it, but in the sensations and feelings in which it pushed its way up from the depths of precisely the most striving souls. And the spirits that emerged in the nineteenth century, which had to raise questions of world view and could not bring themselves to that faded tone in German intellectual life, as mentioned a few weeks ago, initially faced this very characterization of the life-question, world-view question in this way. It is as if for a time the strong forces could not be found among the leading exponents of the world view, in order to find anything at all that could provide an answer to the questions that have just been described. A remarkable fact presents itself here. Those who are philosophers, leading philosophers, who attempt to construct a Weltanschhauung out of natural science, all of them feel, as it were, this powerlessness just described. And this powerlessness fundamentally permeates nineteenth-century philosophy. In a strange way, the Feuerbach worldview, and with it everything that now set the tone, was confronted by a musician, a personality in whom abstract thinking did not live so much, who initially did not want to follow the usual path of abstract thinking in matters of worldview, in order to arrive at the solution of the world's riddles. A personality was confronted with Feuerbach's question who, in his deepest inner being, lived and worked musically and wanted to work in this way: Richard Wagner. It was in the forties when Richard Wagner grappled with Feuerbach's world view in his soul. Before Richard Wagner's soul, in which everything was alive musically, not in concepts, ideas and thoughts, stood the man whom one had placed at the center of the world view and who, for the reasons characterized earlier, was first and foremost a mere sensual man. But this man was confronted by a soul that was musically active. The musical element lives and moves in the sensual realm. But it cannot live and weave only in the sensual, unless it is grasped as in the soul of Richard Wagner. Here in the musical, the sensual itself works as a spiritual, it must work as a spiritual. For if we turn our senses to nature, wherever we want, what is in the truest sense of the word musical content cannot come to us directly from nature. Goethe says: Music is the purest form and content, for it has no actual model in nature, as the other arts do. And yet, it makes a complete impression on the mind; and everything that makes an impression on the mind is spiritual. Thus in music there is an element that cannot be attained by following the paths of mere observation of nature, that cannot be seen by the human being that Feuerbach placed in the image of nature. And yet, in the realm of music, there is an element that, to an extraordinary degree, accommodated the urge of the time for sensory perception and sensory comprehension. And since Richard Wagner's soul lived in the remarkable (one cannot say discord, but rather consonance), being entirely musical, but not as a philosopher's soul, but rather as a musical soul, a soul seeking knowledge, it could not be otherwise than that in Wagner's musical ideas, in Wagner's musical feelings, the questions mentioned played a role in a completely different way than they could have done in a philosopher's soul. And another element was added. It would be fascinating to characterize in detail how this second element came to be in Richard Wagner's soul. But there is no time for that. I will only hint at what this second element is and how it was added to the first. A second element is added: the contemplation of what had been created out of the Germanic spirit and soul within Central Europe in the way of myths and of the permeation of life with the mythical. Gradually, a wonderful contrast emerged in Wagner's soul, which, as it appeared in Central Europe, is nowhere else present in the spiritual development of mankind. And recently it appeared in Richard Wagner's soul like a renewal of Germanic myth. There we have an intimate coexistence and interweaving of the human soul with all that is elemental in nature, a loving engagement precisely with the sensually alive. It is to the Teutonic view of nature that we are appealing in these words, to that view of nature which can only live in souls that feel no direct discord between the soul and the physical in human life, because they sense the soul in such a way that this soul not only lives within the human being, but is one with that which blows in the wind, works in the storm, in everything that lives and pulsates in nature as soul and, I would say, the human being himself, who can be experienced inwardly, experienced again outwardly. And in addition to this feeling, this recognizing feeling and feeling-recognizing of nature, which is contained as a basic drive in all the abilities of the Germanic people, there is also a looking up to a world of gods that is well known, that can of course be interpreted in a naturalistic way, but this interpretation is at least one-sided. This upward gaze to Wotan, this upward gaze to Donar, this upward gaze to Baldur, to the other Germanic gods and to all that is connected with these Germanic gods in Germanic myth, this upward is really what the spiritual man finds when he does not merely direct himself towards nature, but when he abandons himself to his own productivity, his creative power. This world of Germanic gods and heroes and heroic geniuses is full of life. But it is not exhausted if it is seen as mere symbolism of nature. Now Richard Wagner had taken up the view that the human being initially appears to be an end of nature's creation. What the human being forms in terms of ideas about a higher world arises in the human being. According to the newer world view, as it has just emerged, no such reality can be ascribed to it as to sensory things. The anxious question arose in him: How can one even come to a creative process in human life? Nature creates. It creates through its various stages of being up to and including the human being. The human being becomes aware of himself. The human being experiences what he produces. It appears merely as something created by the human being, which has no value in terms of reality. How can we have confidence in what the human being creates within himself? How can one trust it so that it forms a basis for man not merely to place himself in nature as it has created him, but so that he can place himself in the creation with something valid? A figure, a central figure, had to arise in Wagner's soul, who would place himself in nature in this way, but also, with all the powers that nature itself has given him, give himself strength, security, and the ability to develop beyond the natural existence. But Richard Wagner had to assume that when man creates from his inner being, he is in fact only projecting the images that his imagination has produced, adding a non-real realm to the real realm. What right does the human soul have to create something beyond nature? This question of feeling and emotion arose. What right is there, already in the existence of nature itself, in the blowing wind, in lightning and thunder, to sense spirituality and even more: to create a spiritual being above all of nature, as in Germanic mythology? How can one find a link between the two? Philosophy could not do it in those days, insofar as it was the prevailing philosophy. Richard Wagner's musical soul undertook it. It actually undertook it out of an urge that was at the same time a deeply characteristic trait of the newer Central European essence in general. How so? Yes, if you compare what Germanic myth, the Germanic way of penetrating into the natural world, is with what Greek myth, Greek penetration into natural life, was, then only an external observer can believe that the two are in the same field. Because that is not the case. Here too it would be interesting to probe into the deeper psychological underpinnings, but again, one can only characterize them with a few sketchy strokes. The whole of Greek intellectual life is geared towards looking outwards and creating myths from the plastic forms that the soul undertakes with what is presented by the outside world, bringing the myth to life in forms, in plastic forms. The way the Greek feels and senses is how his feeling and sensing passes from his own being into the external world, flows fully into external existence. And so the wonderfully rounded plastic forms come into being, which live within Greek myth and then out of Greek myth in Greek art. The same is not true of Germanic myth. Only with great difficulty can one dream such complete forms, such as the forms that live in Greek myth, the figures of gods and heroes of Greek myth, into Germanic myth. If one does this, then fundamentally Germanic myth becomes something quite different. If one wants to understand Germanic myth, one must be able to let that sense of humanity lovingly enter into the nature of things without bringing it to plastic form; one must let this essence rise up to the figures of the gods Wotan, Donar, Baldur and so on. And one must also refrain from creating fixed, rounded figures up there. If one really wants to live oneself into this myth, then everything must remain mobile, so only mobile sculpture can express plastic movement, which was actually alive in the Germanic souls. But how can one, then, when one enters into the essence of the matter itself, find a bond between what is felt in nature, what directly confronts one in the sensory world, and what is seen above as the world of the gods? One can only do it – and one only knows that one can do it when one has absorbed the basic nerve of Germanic myth in the right way – one can only do it through musical feeling. There is no way to find those currents that the soul must follow from Wotan down into the existence of nature, and again up from the existence of nature into the life and weaving of the gods in Valhalla – there is no other possibility than musical intuition, that musical intuition which in what it has before it has immediately an inwardness, has a spiritual element that is completely sensually realized. And that is the fundamental difference between that great epoch of human development that we feel as Greek and that which we feel as Germanic. In Greek intellectual life, the I was not yet so alive, human self-awareness was not yet so developed as it was to develop within Germanic intellectual life and up into German intellectual life. The Greek lived with his entire soul life more outwardly. What is significant in the progress of humanity is that in addition to this Greek life outwardly, there is the inner grasping, the inner strengthening. But the inner life cannot be grasped in a formative way. If it is to be felt artistically, it must be felt in music, just as the Greek life must be felt in sculpture. And just as there is a transition from the more self-free way of the Greek world view to the ego-permeated way of the newer world view, there is a transition from sculptural creation to musical feeling in the progress of humanity. That is the tremendously significant thing, that Richard Wagner was the personality who, not out of the arbitrariness of the soul, but out of the experience of what pulsated in time itself, could have as his personal experience precisely that which was the experience of time. The musical element, which therefore had to be in the world view, was felt by the thoroughly musical soul of Richard Wagner. And so it came about that Richard Wagner, entirely out of the need of the time, out of the deepest nerve of the spiritual life of the time, was able to connect the myth with the musical element. And what the ongoing philosophy could not be, could not express in words, concepts and ideas, was expressed in the musical element. There it is. And when we have to experience the philosophical, when we have to experience the purely intellectual like a fading sound, one is tempted to say: the musical enters through Richard Wagner in the second half of the nineteenth century, and this musical becomes a substitute for the path of knowledge, which is otherwise sought in a completely different way. And now, as events of this kind are bound to occur in the life of man as an inner destiny, something else occurred for Richard Wagner. His acquaintance with Feuerbach remained somewhat unsatisfactory for Richard Wagner. On the one hand, his passion for music was strong enough to enable him to find what could not be found by pure reasoning, but on the other hand, as is inevitable in our modern times, he was also driven to consciously absorb what he was doing, to consciously create enlightenment for himself about the relationship between his artistic work, which he perceived as completely new, and the deepest world secrets of existence. And here Schopenhauer's philosophy came to his aid. It is not so important to consider this philosophy as it must be taken objectively, but rather to consider it as it affected Richard Wagner. This Schopenhauerian philosophy showed him that man, when he clings to his intellectuality, to his mere imagination, can never penetrate the secrets of existence. He must draw much deeper forces from the depths of his being if he wants to live together with the secrets of the world. Therefore, for Schopenhauer, everything that was merely intellectual, everything that lived only in thoughts, in concepts, in ideas, was something that not only produced mere images of existence, but that had to produce such mere images that actually only give a dream of existence. But if the soul really wants to grow together with reality, it must not merely think, it must draw deeper forces from its depths. And Schopenhauer found that if man really wants to recognize the forces of existence, he cannot grasp them in thought, in imagination, but that he must grasp them in the living will, in the weaving of the will, not in intellectuality. And further, Schopenhauer was able to show how all that is valuable in the individual human being comes out of this element of will: all that is ingenious, all that is devotion and willingness to sacrifice for the world, yes, even compassion itself, which permeates everything moral. All this is connected with deeper forces than mere intellectuality. In short, man must go beyond the merely pictorial, the life of imagination, and connect himself with that in which the thirst for reality, of which we have spoken, can be more fully satisfied than in mere intellectuality, which is bound up with the physical life of the brain. But in what the will experiences, Schopenhauer not only found the center of the human personality, but in it he also found the center of all real art. All other arts, Schopenhauer imagines, must take the representations out of the will, must shape the images. There is only one art that does not become an image, but that is able to reveal the will directly to the outside world, as it reveals itself within man, and that is music. For Schopenhauer, musical art thus takes center stage in the whole of modern artistic life, and through this, one can also say that Schopenhauer senses something of the primal musical character of all true world-view striving. And even if one does not want to or perhaps cannot accept Schopenhauer's ideas, one must recognize in what Schopenhauer unconsciously felt about human will and its connection with the musical, something that in turn is most intimately connected with the lifeblood of intellectual life in modern times. How must Richard Wagner, with his profoundly musical soul, have felt about a world view like Schopenhauer's, which showed him what music actually means in the overall world life? Did he not basically have before him in music that of which he had to say: however the scientific world view may shape itself, the fact of music will never be made clear or explainable in human nature by the scientific world view. Where man becomes musical, the spirit reigns in man, and yet there is no need to go into an abstract intellectuality, into abstract concepts, into a mere world of ideas, but one remains within the realm of the obvious. And the urge arose in Richard Wagner to now shape the music itself in such a way that he could feel it to be fulfilling, so to speak, such an ideal, which Schopenhauer tried to achieve in relation to his view of music. A performing, productive artist like Richard Wagner was in a different position from Schopenhauer, the philosopher, when it came to such truth. Schopenhauer, the philosopher, could only look at music as it presented itself to him. It appeared to him as an object, so to speak, and in it he sensed the rule and pulsation of the will. In Richard Wagner, the productive man, something different arose. He now really felt the urge to develop the musical element to such an extent that something would take effect in the musical element that he expressed, which would show exactly how the spiritual and the sensual can, one might say, consciously merge in music. And from this point of view, “Tristan”, “Tristan and Isolde”, does indeed appear as the one work of art by Richard Wagner – after all, it was composed only after “Tannhäuser”, “Lohengrin” and so on – in which he consciously wanted to reshape the musical element in such a way that everything that was musically given as a means of expressing the weaving and working of the most sensual element was at the same time a metaphysical, a supersensible working in the most sensual element. Thus, in Richard Wagner, his ideal of the further development of the musical was truly something like an ideal of knowledge of modern times. And again, this ideal of knowledge of modern times is most consciously striven for by Richard Wagner in Tristan. Tristan is the work that first kindled Friedrich Nietzsche's enthusiasm for Richard Wagner. The young Nietzsche sought to penetrate the music of Tristan. And this penetration into an element that was only sensual to the extent that a spiritual element pulsates everywhere in everything merely sensual — this penetration into Tristan became the occasion for Nietzsche's experience with Richard Wagner, with Richard Wagner's art, with Richard Wagner's philosophy; it was the occasion of the experience that Nietzsche had with Schopenhauer and with all that can now be linked to the interaction of the three souls, Nietzsche, Schopenhauer and Wagner. And for Nietzsche, who actually started out in philology but, with his ingeniously comprehensive mind, absorbed everything he could from philology, something special now begins, something with which, I would say, the introduction, the exposition is given to his life tragedy, which now actually unfolds with a wonderful inner necessity, despite its apparent contradictions. These apparent contradictions in Nietzsche's mental life are nothing other than the contradictions within a deeply moving, harrowing life drama, a life tragedy; they are the way contradictions in a tragedy must be, because life itself, when it flows in its depths, cannot exist without contradictions. What then is this deepest peculiarity of Nietzsche's soul life? Other minds that have striven in modern times, when they feel the need, form a certain world and life view, a sum of concepts and ideas, perhaps also another element of the soul that is supposed to lead into the secret depths of existence. when such minds, such souls, can come to find a certain lack of contradictions in the individual parts of the world view, they take up this world view, reject other things that contradict their world view, and thus live with their world view developed within them. Nietzsche's soul was not at all suited to live like that. There is a fundamental difference between Nietzsche and all other people of world views. Nietzsche is not a productive spirit when compared to other people of conviction. Nietzsche would never allow himself to be compared, if one does not want to proceed externally, with productive minds or philosophers like Fichte, like Schelling, like Hegel, even with Feuerbach, even with Schopenhauer himself. Nietzsche is not a soul in whom thoughts arise directly, which seem credible to him, which are the basis for a certain opinion about the world. In this sense, Nietzsche's soul is not creative at all, even if it does not appear so at first glance to those who look at it superficially. Nietzsche's soul seems to be called to something else. While other men of world-views develop world-views, so to speak, strive to grasp the logical side of these world-views, it becomes necessary for Nietzsche to let what the most important world-views in the second half of the nineteenth century offer him affect his soul in such a way that the question of feeling arises in the soul: How can one live with these world-views? What do they give to the soul? How can the soul progress by allowing these world views to affect it? The world views of others become the vital questions, the world views that emerge as the most important world views in the second half of the nineteenth century. Can the soul become happily aware of its own value? Can it develop healthily under the influence of these or those world views? For Nietzsche, this is not the formulated question, but it is the question of his feelings, the inner urge that comes to life in his soul. Therefore, one can say: it was Nietzsche's destiny to experience the most important and prevailing worldviews of the second half of the nineteenth century in his own soul, to experience them inwardly, in terms of their value and fruitfulness. And so it ignited, which had come to him from philology while he was still in his full youth – he even became a professor at the University of Basel before he had completed his doctorate, at the age of only twenty-four – so it ignited in him, first of all, what actually had to ignite in a mind that kept pace with its time. We have already characterized what lived and breathed and presented itself particularly in a spirit like Feuerbach, and in a spirit like Schopenhauer. And now it approached Nietzsche through the personality of Richard Wagner. What did Wagner become for Nietzsche in the 1860s? As strange as it may sound, Wagner basically became a problem of knowledge for Nietzsche. How can one live with what had become of the musician Richard Wagner in the sense of the newer development of the spirit, of the newer world-view, how can one live with that in a human soul that wants to experience the fertilizing forces of life within itself? That becomes the fundamental question for Nietzsche. And he must relate this fundamental question, which becomes a way of experiencing life for him, to his philology, to that which had come to life for him from the Greek, which was, after all, the most important subject of his studies. At first, the musical element in Tristan made such an overwhelming impression on Nietzsche that he felt: something truly new is entering into the development of the modern spirit, there is life that must bear fruit. But what are the more intimate connections through which this life can bear fruit for humanity as a whole? In seeking an answer to this question, Nietzsche looked back to the Greeks. And through his perception of Richard Wagner's music and art, Greek culture presented itself to Nietzsche in a completely different light from the one that had been presented to him earlier. Nietzsche, at least, viewed what had been said about Greek culture before him as something one-sided. After all, Nietzsche believed that people had repeatedly and repeatedly wanted to draw attention to the cheerful element of the Greeks, to the element of the Greeks that was directly full of the joy of life, as if the Greeks were basically only the playing children of humanity. Nietzsche could not admit this from his view of Greek culture. Rather, it came to his mind how the best minds of ancient Greece felt the inner tragedy, the sorrowful nature of all physical-sensual existence, how they felt that a person who lives only within physical-sensual existence, when he has higher needs in his soul, must nevertheless remain completely unsatisfied. Only the soul can be satisfied within physical-sensual existence. And according to Friedrich Nietzsche, the Greeks were not dull and obtuse. On the contrary, as he saw it from a closer examination of this Greek character, the Greeks sensed the tragic, the sorrowful in their immediate existence, and they created art for themselves, in Nietzsche's opinion, everything they could produce from their spirit, precisely in order to overcome the disharmonies of sensual existence. They created art in their minds as an element that would lift them above the ambiguity of external sensual existence. For Nietzsche, Greek art became the harmonization of sensual existence. And it was clear to him that this striving for a spiritual content that transcends sensual content was intimately connected with the fact that the Greeks, even in their best period, had something within them that Schopenhauer directly called the will and that worked in man in the depths of the soul, which in the intellect, in understanding, in imagination only leads to images. And in particular, Nietzsche liked to look back to the oldest Greek thought. Yes, in the oldest Greek philosophers, in Thales, Anaxagoras, in Heraclitus in particular, in Anaximenes and so on, Nietzsche found everywhere that they did not create as newer philosophers do through thinking, thinking and but by the fact that deep in their souls they still carried something of what worked in the subconscious element of the will, which could not be resolved in mere conception and which they incorporated into their world view. Nietzsche endeavored to present all the great lines in the beautiful treatises he wrote on philosophy in the tragic age of the Greeks. But in Socrates he recognized the man who, through mere intellectuality, had to some extent rejected the originally healthy, deeper forces of the will. Therefore, for Nietzsche, Socrates was the actual bringer of the intellectual element, but also the slayer of all original great potentialities for the spiritual development of mankind. And by introducing the Socratic era, which lasted until modern times and found its expression in world views, humanity replaced the mere dream of intellectuality with an elementary standing within that which is more than mere image, which is inner reality. Nietzsche now saw this in effect in Schopenhauer's assertion: that the idea is a mere image, but that the reality for which one thirsted lives in the depths, below the surface of mere idea, in the human element of will. In this Schopenhauerian assertion, Nietzsche found something that in turn went back to the age that had been replaced by the age of intellectuality. And Richard Wagner's art seemed to Nietzsche to be a renewal of the original art of humanity itself, something truly new compared to what humanity had cultivated as art before and what could not completely become art because it did not go down to the very elements of the human soul. Thus, for Friedrich Nietzsche — from his view of Greek culture and from his view of the decline of the deeper human element in later Greek culture — Richard Wagner became a completely new phenomenon in the course of human development, a recovery of deeper artistic elements than had been present since the Socratic age. For that which can become a truly human world view and way of life must arise from these deeper foundations. In what art can it then live? In the musical alone can it live in the sense of Nietzsche. Therefore, that which otherwise appears as art must, in the sense of Nietzsche, be born out of the musical, out of a primal musicality. For him, Richard Wagner really became the figure Nietzsche was looking for, and who, I would like to say, solved the great doubts of his world view for him. For Richard Wagner was the one for him who did not philosophize about the deepest secrets of the world, but made music. And in the musical element lives the will element. But if one wants to find in the development of mankind itself that from which all art must have sprung, including poetry, one must go back to an age in which the musical element lived, albeit in a naive, more primitive way than in Richard Wagner, but still as music. From such sentiments, Nietzsche's idea for his first work emerged: “The Birth of Tragedy out of the Spirit of Music.” For that which otherwise lived artistically had to have emerged from the element of musicality. And so Nietzsche's first work, I would like to say, was transferred to art the world view of Schopenhauer from the effect of will as a real element compared to mere imagination. And Richard Wagner was the fulfillment of what was necessary for Nietzsche. One must imagine these things as they must have lived as the inner experience of a soul as thirsty for knowledge as Nietzsche's was. All the happiness that Nietzsche could experience, all the fulfillment of longings and hopes that could come to him, were given to him by the fact that he could say to himself: What has been destroyed by Socratism, by intellectualism, in the development of mankind, can be revived. For all art will arise from the musical element, as Greek tragedy arose from the musical element. And Richard Wagner is already showing the dawn. So it will arise. Nietzsche's relationship with Richard Wagner is both a very personal matter and a question of insight. What is significant about Nietzsche's own spiritual life is that he does not present what he strives for as his ideals, that he does not say: this or that must happen. Thus, what he considers necessary to realize does not initially arise from his own soul, but he always looks to Richard Wagner's soul, and in the way Richard Wagner lives as an artist, he also finds the answers to the questions he must ask as his own insights. That is the significant thing in Nietzsche's life. And now Nietzsche becomes a critic of his time, a critic, I might say, above all of what presents itself to him in German intellectual life in the last third of the nineteenth century. And as such a critic, Nietzsche writes his four “Untimely Reflections.” There should have been many more. But for reasons that will become apparent in our reflections, there remained only four. In the living experience of Richard Wagner's work, in grasping what was at work in Wagner's music, Nietzsche saw the effect of man and his soul reaching out beyond mere nature, the possibility of finding something, even if one stops at the sensual element, of finding something that carries man beyond mere nature. And now Nietzsche faced the world with this conviction that man, if he understands himself deeply enough below the mere intellectual element, can truly come to the spiritual. In this conviction, Nietzsche turned to what the time had now produced. One must ask: What did Nietzsche find first? He found that the age had been overwhelmed by Feuerbachianism, by this focus on the mere sensual and on the intellect bound to the brain, in the strict sense, if not in the broader sense, by all that had now developed into the prevailing world view. Of course, I know very well that there may be all kinds of philosophers who say: Oh, philosophy has long since gone beyond materialism. — But even if one supposes that in the whole way of thinking, in the habits of thinking, one is still deeply immersed in it even today. And Nietzsche saw around him how deeply his time was steeped in it. And he now chose a characteristic personality: David Friedrich Strauß — Strauß, who had also started out from Hegelianism, who had come from Hegelianism to a world view that he then expressed in his “Old and New Belief”, who had gone completely from Hegelianism to the materialistic coloring of Darwinism , who saw nothing in the external world, including now also the world of man, but only natural development, who believed that man, if he stood firmly on the ground of newer knowledge, could basically no longer be a Christian, because he should not accept the spiritual ideas that Christianity demands of one. Nietzsche took on this David Friedrich Strauß, so to speak. But Nietzsche did not proceed as a philosopher usually does, but differently. For Nietzsche, it was not the image of nature that was there first, not some scientific habit of thought, but for Nietzsche there was the feeling: if the development of world view continues in direct spiritual life, then it will continue as it begins with what emerges from the music and from the whole art of Richard Wagner. What then is the position with regard to the world-view of David Friedrich Strauss, which is regarded by many as the only valid modern philosophical system, in the light of the spiritual development that may be achieved through the permeation of spiritual evolution by the art of Richard Wagner? This is the question Nietzsche had to ask himself. He did not ask himself: Is this or that in Strauss's system false? Can this or that be refuted? That was not the issue for Nietzsche at all; rather, the issue for Nietzsche was to show what kind of soul and spiritual element of humanity lives in a worldview like Strauss's, what kind of person is needed to produce such a worldview, a worldview that clings only to the gross material and the sensual. What sort of person must one be who produces such materialism, what sort of person must one be who is a mere Philistine, in contrast to the spiritual man, in contrast to the man who allows the spirit to work in everything that lives and moves in him, in contrast to Richard Wagner? He must be a Philistine! That the world-view of modern times has become so materialistic because the Philistine element has poured itself out in it, that is what Friedrich Nietzsche wanted to show in his untimely consideration “David Friedrich Strauß, the Philistine and Writer”. Later he changed the title to “... Confessor and Writer”. And so he shows everywhere how a certain trivial way of thinking, how trivial habits of thought, how philistine a nature prevent David Friedrich Strauß from seeing the spiritual in the sensual. And Friedrich Nietzsche continued to compare what he experienced as a living sensation in the personality of Richard Wagner with what is present in the current education under the influence of the materialistic way of thinking. And further, he asks himself: What is the relationship between a productive person like Richard Wagner, who brings the inner forces of the human soul to the surface of his work, and what lives in the ongoing highly respected and admired time formation? And there Nietzsche finds: This time formation has become such that it now gasps and breathes heavily under its abundance of external knowledge, under its abundance of history. To a certain extent, one knows everything or at least seeks to know everything, seeks to relate everything to history. One can give a historical answer to any question. But to bring to life in oneself what one knows, to give birth to something human out of the soul, is paralyzed by the abundance of the historical. And so man gnaws at what he absorbs historically – whether he absorbs it historically from history or from science is no longer important – man gnaws and suffocates on the historical. And by gobbling up the historical, what should come out of him, what man should freely bring out of himself as spirit, gets stuck in the depths of his being. “The Use and Abuse of History for Life” is the second ‘Untimely Reflection’. And then Nietzsche turns his gaze to Schopenhauer himself, to a mind — as Schopenhauer was in Nietzsche's sense — who had managed to see everything that lives externally as mere ‘dream’, to regard everything that lives externally as mere 'dream', so far as to regard history itself as nothing more than a sum of repetitive life sequences that only acquire value if one is able to take into account that which lives itself out in them and behind them. Nietzsche regards a mind like Schopenhauer's, which must see the greatness of man entirely in terms of productivity, as the ideal of a human being. Again, he compares the time with what such an ideal of humanity represents. It becomes clear to him: if we look at this or that person, if we look at the third or fourth person – what are they all, compared to what could appear from Schopenhauer's philosophy as the full human being? As I said, one may have whatever opinions one likes, be a follower or an opponent, it does not matter, but what does matter is how Schopenhauer influenced Nietzsche. What are individual people, even the most learned and knowledgeable, compared to such a human personality, who sought to shape from the soul that which lived humanly in its universality? They are the patchwork of life, and therefore the whole of culture is patchwork. That a renewal, a revitalization of the whole of culture can take place under the influence of that which now lives in Schopenhauer's philosophy of complete humanity, and that this is urgently necessary, is shown by Nietzsche in the third of his “Untimely Meditations”: “Schopenhauer as Educator”. But then, as the Bayreuth festival approached, he wanted to describe the positive side first. Like the other two “Untimely Meditations,” “Schopenhauer as Educator” is also dedicated to the critique of the time. But what can be given by the productive man of the time, how the time is to be renewed, how out of what lives in the depths of man's soul, something new must flow into the time, that appeared to Nietzsche in the art of Richard Wagner. It now really understood how to grasp the sensual directly so that it presented itself as a supersensual. “Richard Wagner in Bayreuth” - the fourth ‘Untimely Consideration’, 1876, was intended to show what Wagner could become for the world. Now, for Nietzsche's soul life, this writing ‘Richard Wagner in Bayreuth’ was at the same time, in a certain respect, a farewell to his friendship with Richard Wagner. From then on, the friendship quickly began to cool and basically soon ceased. And now let us again take the whole inwardness of Nietzsche's soul, the whole weight that weighed on it from questions of world view, and let us add to this that Richard Wagner has become something like the content of Nietzsche's soul, like that towards which he has focused all his thinking and feeling and perceiving. And he must separate from Richard Wagner! And the separation becomes complete when Richard Wagner writes his “Parsifal”. We have a number of things in the Nietzsche publications that are intended to point to the real reason why Nietzsche separated from Wagner. Not even the words that Nietzsche himself communicates about his separation from Richard Wagner seem to me to be convincing. For a personality as artistic as Friedrich Nietzsche was, a personality that must also have felt all of the life of the world view permeated by the artistic, such a personality cannot possibly view “Parsifal” as an entirely unappealing because he believed that Richard Wagner had previously depicted the pagan world of the gods, Siegfried and the others, and now, as a kind of counter-reformer, had swung back to Christianity. What Nietzsche describes as falling down before the cross, and what he is said to have found distasteful, does not appear convincing when one looks at the full range of both Wagner's and Nietzsche's intellectual lives. For ultimately it would come down to the trivial view that Friedrich Nietzsche could not have walked with the work of art that is Parsifal because of the content of Parsifal; he would have fallen away because of a disagreement with the theory. It would be a terrible thing if we had to think in these terms about Friedrich Nietzsche's falling away from Richard Wagner. There was something quite different here, something that, I believe, can only be found if we attempt to use a more profound psychology to uncover the actual underlying reasons. In this short lecture, however, we can only sketch out these ideas. What did Richard Wagner actually achieve? We have seen that in his basic soul feeling, he started from Feuerbachian materialism, passed over to a feeling of the Schopenhauerian world view, but was actually always imbued with the life element of musicality. Everything he has written, even in theory, is only parallel to this musicality. And in music – if I may express myself trivially – he pointed out the way in which the transcendental, the spiritual, can be found by penetrating into the sensual. But he also started from the assumption that one cannot find the real, the thing for which the sense of reality thirsts, by the path of the intellectual, I might say in that rarefied human spiritual life that was played out in Fichte, Schelling and Hegel. One had to put the whole, full human being into it, and basically only the sensual man emerged. We have seen how only music gave the sensual and the supersensual at the same time. For Richard Wagner, then, man was at the center of his world view. But one had to penetrate into all depths of man, and according to the whole nature of Richard Wagner's soul, Wagner could only penetrate into these depths of man musically. Musically he sought to penetrate – I say intentionally: musically he sought to penetrate – the depths of the human soul in Parsifal. In the music of Parsifal, we have before us a musical work that shows how man can be conceived, felt and sensed at the center of an anthroposophically effective world view, so that the sensual, the musical, becomes so spiritual that it seizes the finest, most intimate sides of the human soul. For that is what happens in the resolution of the Grail problem in Parsifal. Richard Wagner could only achieve this because in his life of feeling, which was completely permeated by the musical element, he had progressed from Feuerbach through Schopenhauer to the direct grasp of that which lives in humanity that exists beneath the purely intellectual and abstract soul element. Richard Wagner, in his own way and principally as a musician, had reached the spiritual man in his “Parsifal”. Richard Wagner was Nietzsche's object of study. Up until 1876, Nietzsche actually lived much more in Richard Wagner than in himself. He saw in Richard Wagner what he hoped for and strove for in the development of the modern spirit. He did not draw it from his own soul as an ideal. Nietzsche was young and enthusiastic, young and ingenious when he encountered Richard Wagner. In Richard Wagner, a world-view and philosophy of life that was already fully developed in a later stage of development confronted him. What Wagner had gone through to bring his soul into such a feeling, which could come to 'Parsifal' through 'Siegfried', what Richard Wagner experienced in his soul, the harrowing thing that had to be lived through, it had already been lived through when Nietzsche approached Wagner. What was already balanced, already filled with harmony, already promising the future, was what Friedrich Nietzsche encountered when he met Richard Wagner and, I would like to say, made him his object of knowledge. Nietzsche was able to fully absorb what Richard Wagner had gone through in the 1850s, for example, when he wrote down words like the one he wrote to Röckel in 1854 about his deeply suffering feeling about the essence of the world. This deeply suffering feeling about the essence of the world had to be transformed into inner soul strength, into activity. And when Nietzsche came closer to Richard Wagner in the 1860s, he was able to experience in Wagner what the suffering of the soul had become. He, Nietzsche, was able to experience it already in the radiance of a light that shone with hope. Words such as those written to Uhlig in 1852 also show how Richard Wagner knew suffering, which Nietzsche sensed in the Greeks, but which Nietzsche only looked at and observed in its balance in Richard Wagner. Words such as those Wagner wrote to Uhlig show how Richard Wagner came to know this suffering. Before he had come to sense the power in the human soul that can lead to the Temple of the Grail, that can lead to the Siegfried energy, he had come to know doubt of all that is small and human, doubt that is the very foundation on which the great and human must build. Thus Richard Wagner writes: “In general, my views on the human race are growing ever darker, my dear friend; more often than not I feel I must express the conviction that this species is bound to perish completely.” You only have to take this context to hear the most intimate strings of the human soul resonate: before the hero who “through compassion, knowing” penetrates to the temple of the Grail, lies all that one can experience in human doubt and human suffering when one looks at what is around one, especially in a materialistic time. Richard Wagner has gone through the ascent from suffering to the exercise of creativity. And he basically stood radiant as a victor before Nietzsche when he first met him. But Nietzsche, as a young man, knew how to look sympathetically, sensitively at this victorious nature. But for Nietzsche it was the case that the youthful power living in him was able to rise to meet that which confronted him in Richard Wagner, but not later the matured power, which had cast off youthful enthusiasm and the breadth of feeling and now wanted to shape out of itself. Richard Wagner had gone through Feuerbachianism. Nietzsche did not go through it, Nietzsche did not suffer from Feuerbachianism, Nietzsche did not first get to know the all-too-human before he allowed the high and ideal and spiritual-human in Richard Wagner to have an effect on him. And that seems to me to be the psychological reason why the soul of Friedrich Nietzsche now fell back into Feuerbachianism, if we take it in the broader sense, was overwhelmed. Now, when Friedrich Nietzsche could no longer keep up, everything that stemmed only from enthusiasm and should have come from the power of deeper understanding fell away from him. He had to let go and undergo for himself what Richard Wagner had already mastered. Then the second period in Nietzsche's life began, which begins with the publication of the collection of aphorisms “Human-All Too Human,” which then continues with “The Wanderer and His Shadow” to “Dawn” and “The Gay Science , where Nietzsche attempts to come to terms with the scientific worldview, with everything within the scientific worldview that, in the modern era, must be the basis for any higher philosophical worldview. And that is the tragedy of Friedrich Nietzsche's soul, the terrible tragedy, that he had previously experienced the greatest thing in youthful enthusiasm and now, when he came to himself, he had to descend, so to speak, consciously descend, in order to recognize the all-too-human in its connections with natural facts, after the highest human. But Nietzsche had the courage within him to go through this difficult path of knowledge. He had the courage to ask himself: What does this soul life look like when we look at it in the light of science? When we look at it in the light of science, man has passions. They seem to arise from the depths of his will, but if we look more closely, we find all sorts of purely physiological reasons, reasons of this bodily life. We find that man lives out concepts and ideas. But we find the mechanical causes for these ideas and concepts everywhere. Finally, we find ideals in human life. Man says to himself that these ideals are something divine. But when we investigate what man actually is, we see how he gives birth to his ideals out of his physiological element, out of his bodily element, and how he only dreams them into something that is said to have been given to him by the gods. What man perceives in everyday life as his longings born out of the body, what is born out of the flesh, out of the blood, what presents itself to him as ideals, but what does not come from higher spiritual worlds, but is just like the foam that rises from the bodily life, is not the highest human – humanly all-too-human. | Nietzsche, after having lived through all that the nineteenth century in its second half could give him through Schopenhauer and Richard Wagner, had to form his own view of his soul, which science could give him, and he had to undergo, in particular, — his writing, with which he begins this period of his life was dedicated to Voltaire. He had to undergo what one might call a plunge into that dead science, the science of mechanism, of the dead in contrast to the living, which Fichte claimed was the truly German world view. In the second period of his life, Nietzsche was overwhelmed by a Western world view. He completely immersed himself in this Western world view. But it did not become for him a mere sensation of thought; he could not absorb it like a Western mind. He absorbed it after having stood for so long in the primeval Germanic, German world-view. It became for him, for example, that all the perspectives which the soul-materialists later drove out of these world-views lay within it. With a keen mind, Nietzsche was able to show how everything that was called an ideal and that which one believes to have received as a gift from God could arise out of the needs of human nature, which are connected with flesh and blood. Nietzsche himself expressed it thus: all his ideals seemed to him to have been frozen, to have become cold, because they appeared to him to have arisen out of the humanly-all-too-human. Indeed, what small minds and dull minds have produced by developing this process of Nietzsche's world view development to excess is already present in Nietzsche, but in such a way that, while it is ingenious in Nietzsche, in those who then built on it it is the opposite of ingenious. One could even say that the whole dullness of modern psychoanalysis is already contained in Nietzsche's second period of development, with all that was tried to be derived from human nature in a materialistic-spiritualistic way. Small minds say to themselves: Well, we can investigate that, and the truth must be accepted. — So small minds can even accept, for example, deriving from Schopenhauer that all striving for a worldview, all striving for spiritual connection with the world, that goes beyond mere factual science — yes, it is not a fairy tale that I am telling — is a consequence of human sexuality. So that all philosophy for certain minds of the present has its basis in human sexuality, for all spiritual striving is rooted in human sexuality. Of course, Nietzsche, who saw the original basis, the justified original basis for the soul in the physiological, in the purely natural, was too ingenious and, I might say, too tactful to go beyond the cognitive. But he did not merely have to develop a world view. Smaller minds simply say to themselves: This is truth, one must accept it. So one must also accept as truth that philosophy is only a consequence of sexuality. But Nietzsche had to experience above all to look at the fruitful in human nature, which can be influenced by a truth. Knowledge as destiny of life, that is the characteristic in Nietzsche's psychological tragedy. And so something began to live in Nietzsche's soul in this second epoch of his psychological life. Nietzsche was too great to let it go far, but it continued to work as a background of disgust for a merely naturalistic psychology, for a merely naturalistic explanation of everything moral, as he had attempted it, the disgust for what can arise when one continues in this field, which seems so justified, which seems so justified, in a materialistic psychology, — the disgust. Now imagine the tragedy in such a development of the soul, which first experiences all of humanity's fruitful happiness in Schopenhauer and Richard Wagner and then, through the necessary development and the connection with this necessary development of time, as Nietzsche himself had , to develop a world view in which the experience begins to be met with disgust at the point of the soul life, and the necessity to save himself from the disgust of life. We are now close to and in the eighties of the nineteenth century with regard to Friedrich Nietzsche's soul life. From the natural scientific world view, he had gained something for his soul life that showed him the beginning of disgust with all the bitterness with which disgust can thus prevail in the soul, deep within. And what Nietzsche tried to express in The Gay Science is basically nothing other than an intoxicated way of leading us away from the disgust that does not come to consciousness. For of course, one suffers from this disgust, but such things remain in the subconscious. It is not expressed. Something is expressed in the soul that veils the disgust, that covers it up: “Happy Science” – in the sentences, in the expressed content. That which I had to characterize as lying in the depths of the soul then forms the transition to another kind of world view, which Nietzsche now had to experience further from a certain deepening of the natural scientific life of the nineteenth century, as he also carried it into the understanding of the soul life. And now something developed in Nietzsche's soul – of which one can say: it absorbed, like a continuous drive, this primeval Germanic that lived in Richard Wagner, in Schopenhauer – now something strange lived itself out in Nietzsche. Now comes the last period of his life, which then leads to the catastrophe. And in this catastrophe, without one realizing it if one does not go deeper into the foundations of his soul life, what he had taken from Western philosophy, namely from French moral philosophy, , from Guyau, from Stendhal, but also from others in whom he had completely immersed himself, and what he had gained from these in connection with a deeper understanding of Darwinism, that worked together with the Eastern European element. One cannot understand the last period in Friedrich Nietzsche without considering how, in all his feelings, in everything he felt and thought, the same element was shining forth that, for example, permeates Dostoyevsky's art as a psychological element in Dostoyevsky. This peculiarity of the Russian East, that in the directly natural the whole human being is grasped, but in such a way that this directly natural is also seen and felt as the living out of the spiritual, that the instincts are felt spiritually at the same time, that what is not felt physiologically, as in the West and in Central Europe, but is felt spiritually — that now pushed its way into Nietzsche, into the soul on which that which I have just characterized had settled in a shattering way. Into this soul flowed all the riddles of worldviews from the West and the East. In mere scientific and physiological soul-contemplation, he could see the all-too-human. But it would have become repulsive if he had pursued it further. Now he drew a deepening from the contemplation of human life itself. Only now did he actually approach human life, where this contemplation was stimulated in him, namely through the influence of Dostoyevsky. And now an urge arose in him, a longing for a spiritual deepening of what is merely presented in the sensual world. And this urge, this longing, could only be expressed lyrically in this last period of his life, because of his talents. And that is connected with the uncreative in Nietzsche. He needed what had an effect on him; that he could experience. For him, creative spirits could become objects, like Richard Wagner. Whatever created the world view of his time could become an object for him. What flashed and lit up in the second period of his life, the period of Human-All-Too-Human and so on, as a future soul-creation, now entered the sphere of Nietzsche's third period. Man became for him such that Nietzsche said to himself: This man must be placed at the center of the world view — but not in the sense in which anthroposophy appears in Troxler in the sense of the lecture that I was able to give here a few weeks ago. He would have been able to find him had Nietzsche been what one might call an epic-dramatic nature. If someone is of an epic-dramatic nature, they can go out of themselves to the contemplation of the spirit, then they develop the spiritual world, then they create it. Nietzsche was not like that; Nietzsche was of a lyrical nature. In order for that which was yearning in him, that which was urge and drive in him, to come to life, Nietzsche needed something to meet him in the outside world. A spiritual world did not arise from his soul. And so, when he sought the higher man in man, this man could only arise, I would say, in his lyricism, because lyricism, the lyrical element, is the basic element of the work Also sprach Zarathustra , where Nietzsche wanted to show how nature emerges from its merely natural state to become human, but also how man can go beyond nature to become a superhuman, how man can become a superhuman by continuing the development of nature. But because Nietzsche was only lyrical in his entire soul, this superhuman arose in him as a longing. And basically, in all that confronts you in the lyrically so great, so powerful work “Also sprach Zarathustra”, nowhere can you grasp the superhuman. Where does he live then? Where do we encounter him in some form? Where do we encounter something that could live as a higher human being in man and lead man beyond nature? Where do we find something that would describe him? Everywhere we encounter lyrically shaped longings, everywhere we encounter great, powerful lyricism, but nowhere do we find anything that can be grasped intellectually, so to speak. Nietzsche could now encounter as much as an indefinite, foggy image of a superhuman in the third period of his life. And another nebulous one. Nietzsche could say to himself: When I look at this human life, it presents itself to me in such a way that I have to experience it as formed out of certain preconditions. But it must carry within itself preconditions that correspond to all real forms of nature and spirit. And the thought was already alive in Nietzsche: the plant develops from the root to the flower and fruit, and in the fruit the germ; and the germ is again the starting point for the root, and from the root the plant comes again. A cycle, a becoming that takes place rhythmically, that returns to itself: eternal return of human existence is the idea that arises in Nietzsche. But where is that contained – which again could arise from an epic-dramatic nature – that in present human life really shows the spiritual-soul as a core or germ, as something that would repeat itself in a later life on earth? Abstract eternal return occurs in Nietzsche, but not a concrete grasp of the real spiritual-soul in man. Longing for that which can take shape beyond the sensual human being, longing for the rhythm of life that occurs in recurring earthly lives, but an inability to see into these great mysteries of existence: the third period of Nietzsche's work. The first period gives him a person for his longings and hopes, for his thirst for knowledge, whom he can put before him. This person ultimately becomes, I would say, like the mysteries of nature can become for the observer. One penetrates as far as one oneself has the predispositions of what one wants to seek within oneself. One cannot go further. Thus Nietzsche was able to penetrate Richard Wagner as far as Nietzsche himself carried the potential for Richard Wagner's world and life view. A person in the first period of their life, the science of the present in the second period of their life, which is now supposed to fulfill their hopes and desires. What is ready for the future in the present as spiritual germs, in a spiritual science as we are thinking of it today, must develop out of the general realization that the higher spiritual man lies in the sensual man, that in one earth life lies the sequence of earlier earth lives and the starting point of later earth lives, of that which is not yet there, which can therefore only work as something indeterminate, as nebulous. Nietzsche must also live through this: a man of the present who confronts him as a complete human being; natural science, which satisfies the thirst for reality of modern times; the indeterminate longings of the times themselves, which he is not yet able to shape. These are the successive external facts that confronted, that had to confront, Friedrich Nietzsche in an age that, so to speak, wanted to draw breath within the development of German thought after the intellectual development had reached a climax, a point where thoughts really mystically enter the spiritual world. For it is a Schopenhauerian delusion, it is a Nietzschean delusion, it is a delusion of all those who in the second half of the nineteenth century surrendered to the delusion that Hegel's thoughts were only intellectualistic. But this belief had to arise because people did not have the breadth of breathing to carry themselves up to the height and energy of Hegel's world view. But this breathing had to arise for the simple reason that Hegel and the other minds that belong to him had indeed ascended to supersensible concepts, but in these supersensible concepts there is nothing supersensible in them. Look at the whole of Hegel's philosophy: it is decidedly based on supersensible concepts. It consists of three parts: a logic that consists of supersensible concepts, a natural philosophy, and a philosophy of spirit that only encompasses the human soul between birth and death, that which is realized in the material world and so on. In short, spiritual knowledge is only applied to what is around us in the material world. Supersensible knowledge is there. But supersensible knowledge does not recognize anything supersensible. Therefore, in the second half of the nineteenth century, this supersensible knowledge, which does not recognize anything supersensible, had to lead to it being described as completely unsatisfactory, so to speak, and to people turning to the material world itself. the musical element could enter, could create the bridge over to the time when people tried to grasp the path directly from the spiritual, through spiritual knowledge itself, which we will talk about in more detail tomorrow. This is what was significant for spiritual life in the second half of the nineteenth century and up to the present day. Nietzsche's harrowing psychological experiences arose from the perishing of supersensible knowledge and the overwhelming of the human soul by mere sensory knowledge, from clinging to that which now entered as a substitute from a completely different world. How a deep soul had to suffer tragically in an age that had no depth in the prevailing currents of thought can be seen in Nietzsche's soul, and that is basically the tragedy that took place in Nietzsche's soul : the striving for depth, for an experience in the depths, which should have been there if Nietzsche was to have come to satisfaction, which was not there and which finally plunged Nietzsche's spirit into utter despair. I need not go into the physiological and medical background of his illness, but what took place in his soul is at least characterized in its main lines in what I have tried to characterize. And so we see how this life of world-view, which is so overwhelmed by the current of materialism, affects a soul that, by its very nature, strives beyond materialism; how, when the human soul has a deeper need, mere materialism or mere positivism, or in general what the second half of the nineteenth century was able to bring such a soul, must have a tragic effect. That is why it seems so tragic when we see how Nietzsche, at the beginning of his literary career, when he wrote his Birth of Tragedy, tying in with the great personality of Richard Wagner, entered in the copy that he sent to Richard Wagner himself: “Create the day's work of my hands, great spirit, that I may complete it!” In the intimate dedication that he addresses to Richard Wagner, Nietzsche implores the great spirit of the world to deliver to him a day's work in which he can experience what his soul wants to experience, and through which he can describe to humanity how one experiences the spirit in sensual earthly life, how man leads his soul beyond the merely natural, so that he too can find the way into the spiritual. The tragedy was bound to be fulfilled because the nineteenth century could not give Nietzsche what he had implored of the great spirit. The spirit could not supply the daily bread of his hands. The spirit of the nineteenth century could not supply it, and so it could not be completed by it either. So it is that in what Nietzsche later created, especially at the end of his conscious life on earth, before his life passed into derangement, we have scraps, individual statements, aphorisms, drafts, notes from and about questions of world view. But basically, we have everywhere rudiments, questions, riddles that peer like the sphinx into the spiritual future of mankind. This may be said in the face of the fact that Nietzsche is also among those minds that are now so denounced by the enemies of Central Europe: In Friedrich Nietzsche's soul there lived questions, there lived world-view riddles in an immediately personal way, which will shine forth—whether in connection with the personality of Friedrich Nietzsche or separated from it, because Friedrich Nietzsche, after all, also only took them from the faithfully co-experienced world-view life of the nineteenth , but in the entire spiritual development of mankind, in a perhaps still distant future, and which will find satisfactory answers, but only when one—which Nietzsche could not yet fully do—will fully understand, with feeling, the deepest meaning of what Goethe meant when he quoted the saying of an old spiritual researcher, in which it is pointed out that man can indeed penetrate into the depths of the world, but that he must first find this depth within himself through self-knowledge, yes, must create it within himself. Nietzsche was on this path in his consideration of Richard Wagner, but could not go this path to the end. This path will prove again and again the truth of this saying attributed by Goethe to an ancient spiritual researcher, by which Goethe wants to express that we can find every depth, every infinite depth in the things of the world, if we have first gained the deepening in our own self-knowledge. Goethe expresses it in the words with which we want to conclude this reflection today:
Yes, a person only sees as much light in the world as they are able to ignite within themselves. A person only finds as much divinity in the world as they are able to shape within themselves through self-knowledge. |
35. The Mission of Spiritual Science and of Its Building at Dornach
11 Jan 1916, Liestal Tr. Michael Wilson Rudolf Steiner |
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it must be revealed in poetry as well as in history, we must not overlook the fact that this idea cannot be the fruit of speculation, and the true personality or individuality of man may not be confused either with what it sets up as subjective spirit or final ego, or with what it contrasts with this as absolute spirit or absolute personality.” What Troxler brings forward regarding his idea of Anthroposophy is confined to statements which clearly show how close he is to the acceptance of principles of human nature beyond the physical body. |
35. The Mission of Spiritual Science and of Its Building at Dornach
11 Jan 1916, Liestal Tr. Michael Wilson Rudolf Steiner |
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If I try to put forward this evening something about so-called spiritual science, about the way in which it is to be dealt with in the building at Dornach with which you are acquainted, and about that building itself, it is in no wise my intention to propagandise or arouse feeling either for Spiritual Science or for the Building. I have especially in view the consideration of certain misunderstandings, which are known to exist with reference to the aims of the Anthroposophical Society. I will begin with the way in which a more or less unknown thing is judged when it makes its appearance anywhere. It is very easy to understand that anyone unfamiliar with a subject sees in its name something by means of which he thinks he can understand it. Anthroposophy and the Anthroposophical Society are names which have become more widely known than they formerly were, through the building at Dornach. “Anthroposophy” is by no means a new name. When some years ago there was a question of giving our cause a name, I thought of one which had become dear to me because a Professor of Philosophy, Robert Zimmermann, whose lectures I heard in my youth, called his chief work Anthroposophy. This was in the eighties of the nineteenth century. Moreover, the name Anthroposophy takes us still further back into literature. It was already used in the eighteenth century, indeed, still earlier. The name, therefore, is an old one; we are applying it to something new. For us it does not mean, “Knowledge of human beings.” That would be against the express intention of those who gave the name. Our science itself leads us to, the conviction that within the physical human being there lives a spiritual, inner one — as it were, a second human being. Whereas that which man can learn about the universe through his senses and through the intellect which relies upon sense-observation may be called “Anthropology,” that which the inner, spiritual human being can know may be called “Anthroposophy.” Anthroposophy is therefore the knowledge of the spiritual human being, or spirit-man, and that knowledge is not confined to man, but is a knowledge of everything which the spirit-man can perceive in the spiritual world, just as physical man observes physical things in the world. Because this second human being, the inner one, is the spiritual human being, the knowledge which he acquires may be called “Spiritual Science.” And this name is even less new than the name Anthroposophy. That is to say, it is not even unusual, and it would be a complete misunderstanding if anyone were to think that I, as has been said, or anyone closely connected with me, had coined the name “Spiritual Science.” The name is used everywhere where it is thought possible to attain knowledge which is not merely physical science, but knowledge of something spiritual. Numbers of our contemporaries call history a spiritual science, call sociology, political economy, aesthetics, and the philosophy of religion spiritual sciences. We use the name, only in a somewhat different sense, that is, in the sense that spirit is to us something real and actual, whereas most of those who nowadays speak of history, political economy, etc., as spiritual sciences, resolve the spirit into abstract ideas. I will now also say something about the development of our Anthroposophical Society, because errors have been circulated on the subject. For instance, it is said that our Anthroposophical Society is only a kind of development out of what is called the “Theosophical Society.” Although it is true that what we aim at within our Anthroposophical Society placed itself for a time within the framework of the general Theosophical Society, yet our Anthroposophical Society must on no account be confused with the Theosophical Society. And in order to prevent this, I must bring forward something apparently personal, about the gradual rise of the Anthroposophical Society. It was about fifteen years ago that I was invited by a small circle of people to give certain lectures on spiritual science. These lectures were afterwards published under the title, The Mystics of the Renaissance. Up till then I had, I may say, endeavoured as a solitary thinker to build up a view of the world which on the one hand fully reckons with the great, momentous achievements of the physical sciences, and on the other hand desires to rise to insight into spiritual worlds. I must expressly lay stress on the fact that at the time when I was invited to speak to a small circle in Germany on the subject connected with spiritual science already mentioned, I did not depend in any way upon the works of the writer Blavatsky or of Annie Besant, nor did I take them particularly into consideration. These books, in their way of looking at things, were but little in keeping with my view of the world. I had at that time endeavoured, purely out of what I had discovered for myself, to give some points of view about spiritual worlds. The lectures we're printed; some of them were very soon translated into English, and that by a distinguished member of the Theosophical Society, which at that time was particularly flourishing in England; and from this quarter I was urged to enter the Theosophical Society. At no time had I any idea, if the occasion should have presented itself in the Theosophical Society, of bringing forward anything else but what was built up on the foundation of my own, independent method of research. That which now forms the substance of our Anthroposophical view of the world, as studied in our circle of members, is not borrowed from the Theosophical Society, but was represented by me as something entirely independent, and represented within that Society in consequence of an invitation from it, until it was there found heretical and turned out; and what had thus always been an independent part of that Society was further developed and further built up in the now wholly independent Anthroposophical Society. Thus it is an entirely erroneous conception to confuse in any way that which is living within the Anthroposophical Society with what is represented by Blavatsky and Besant. It is true that Blavatsky has in her books put forward important truths concerning spiritual worlds, but mixed with so much error that only one who has accurately investigated these matters can succeed in separating what is important from what is erroneous. Hence our Anthroposophical movement must claim to be considered wholly independent. This is not put forward from want of modesty, but merely in order to place a fact in its objectively right light. Then came the time when it became necessary to represent in an artistic, dramatic form that which our spiritual science, our Anthroposophy, gave in its teachings. We began doing this in 1909 at Munich. From that time onward to the year 1913 we tried every year to give artistic expression in dramatic representations at Munich to that which our investigations lead us to acknowledge is living in the world as spiritual forces, as spiritual beings. These dramatic performances were at first given in an ordinary theatre. But it soon became evident that an ordinary theatre cannot be the right framework for that which, in a certain way, was to enter the spiritual development of humanity as a new thing-. And thus the necessity arose for having a building of our own for such representations, and for the prosecution of our spiritual science generally and the art which belongs to it; a building which, moreover, in its form of architecture is an expression of what it is desired to accomplish. At first it was thought that it would be well to erect such a building in Munich. When this proved impossible, or, at any rate, extremely difficult, the possibility arose of our erecting the building at Dornach near Basle, on a very beautiful hill, where a large piece of land was offered us by a Swiss friend, who had this ground at his disposal, and who has our cause at heart. And thus, through easily comprehensible circumstances, it has come about that the building has been erected just in the north-western corner of Switzerland. And now, before speaking further about the Dornach building, I should like to deal with the mission of spiritual science itself. It may be quite easy to understand that spiritual science or Anthroposophy, in the sense here intended, is misunderstood. One who has become conversant with this spiritual science finds it entirely comprehensible that many misunderstandings should be brought against it; and one who knows the course taken by the Spiritual development of mankind, will not be surprised at such misunderstandings. Opinions such as, “It is mere imagination; it is dreaming,” or perhaps worse, are comprehensible. In the same way as this spiritual science have, as a rule, those things been received which have entered the spiritual evolution of mankind for the first time. Moreover, it may very easily appear as if this spiritual science resembled certain older views of the universe which are not exactly popular at the present time. If the objects of spiritual science or Anthroposophy are looked at merely from the outside, it may be thought that they resemble those pursued by the Gnostics in the first Christian centuries. But one who really learns what our spiritual science is will find that it bears no more resemblance to the Gnosis than does the natural science of the present day to the natural science of the eighth or sixth century a.d. True, resemblances may be found between all possible things, if only a sufficient number of their distinguishing features be eliminated. It may, for instance, be said, “This spiritual science, this Anthroposophy, desires to know the world in a spiritual way. The Gnostics also desired to know the world in a spiritual way. Consequently spiritual science and the Gnosis are one and the same.” In a similar manner may Anthroposophy be confused, let us say, with alchemy, with the magic of the Middle Ages. But this is all due to a complete misapprehension, a complete misunderstanding of the real aims of this spiritual science or Anthroposophy. In order to gain insight into this matter, it is necessary to look first at the modern method of thought in natural science, which for three or four centuries has been developing out of quite a different method of thought. It is necessary to realise what it meant for mankind when three or four centuries ago the revolution took place which may be expressed in the words: up to that time everyone, learned and ignorant alike, believed that the earth stood still in the midst of the universe, and that the sun and stars revolved round the earth. It may be said that in consequence of what Copernicus, Galileo, and others taught at that time, the ground under men's feet was made movable. Now, when the movement of the earth is looked upon as a matter of course, there is no feeling left of the surprising effect produced upon humanity at large by this and everything connected with it. Now what natural science then sought to do for the interpretation and explanation of the mysteries of nature, spiritual science seeks to do for the spirit and soul at the present time. In its fundamental nature, spiritual science desires to be nothing else than something for the life of soul and spirit similar to what natural science then became for the life of external nature. One who believes, for instance, that our spiritual science has something to do with the ancient Gnosis quite ignores the fact that with the view of the world taken by natural science, something new entered the mental evolution of mankind, and that as a result of this new element, spiritual science is to be something similarly new for the investigation of spiritual worlds. Now spiritual science, if it is to do the same for spirit that natural science has dome for nature must investigate quite differently from the latter. It must find ways and means of penetrating into the sphere of the spiritual, a domain which cannot be perceived with outer physical senses, nor apprehended with the intellect which is limited to the brain. It is still difficult to speak intelligibly about the ways and means found by spiritual science for penetrating into the spiritual sphere, because the spiritual world is generally considered, from the outset, as something unknown, indeed, as something which must necessarily remain unknown. Now spiritual science shows that the perceptive powers which man has in ordinary life, and which he also uses in ordinary science, are by no means able to penetrate into the spiritual world. In this respect spiritual science is in full accord with certain branches of natural science. Only natural science does not know certain faculties in man, which are latent within him, but capable of being developed. It is again difficult to speak of these faculties at the present time, for the reason that they are, far and wide, confused with all manner of diseased phenomena in man. For instance, there is much talk nowadays of the possibility of man's acquiring certain abnormal faculties, and the natural scientist thereupon declares that it is true that they may be acquired, but they are only due to the fact that the otherwise normal nervous system and brain have become abnormal and diseased. In every case in which the investigator in natural science is correct in making such a statement, the spiritual investigator at once acknowledges it. But the aim of spiritual science should not be confused with what is often and widely called “clairvoyance,” in a superficial way. Neither should spiritual science be confused with that which appears under the name of spiritualism, etc., etc. The essential thing is this, that this spiritual science should be distinguished from everything that is in any way due to diseased human predispositions. In order to make myself quite intelligible on this point, I must indicate, if only in a few words, the manner in which the spiritual investigator institutes his researches. The method of research in spiritual science is founded on something which has nothing to do with the soul-forces of man in so far as they are bound up with his bodily organism. If, for instance, it is said that spiritual science is founded on what is to be attained through some form. of asceticism, or on something for which the nervous system is prepared and stimulated in a certain way, or that it results from the bringing of spirits into manifestation in an outer, physical way — all such assertions would be utterly inaccurate. That which the spiritual investigator has to do to gain the faculty of looking into the spiritual world, consists exclusively of processes of the spirit and soul; they have nothing to do with changes in the body, nor with visions arising from a morbid bodily life. The spiritual investigator will be most careful not to let the body have any influence over that which he spiritually perceives. I mention by the way that if, for instance, a large number of the adherents of spiritual science are vegetarians, this is a matter of taste, which in principle has nothing to do with spiritual methods of research. It has only to do with a certain manner of making life easier — I would even say, with a more comfortable regulation of life, since it is easier to work in a spiritual way if no meat be eaten. The main point is that spiritual science, with its methods of research, only begins where modern natural science leaves off. Humanity is indebted to the view of the world taken by natural science for what I would call a logic which educates itself by the facts of nature itself. An important method of training has come in, among those who have studied natural science, with regard to the inner handling of thought. I will now try to make clear by a comparison the relation of spiritually scientific research to that of natural science. The mode of thought used by the investigator in natural science I would compare with the forms of a statue. The logic developed from the outer facts of nature has something lifeless in it. When we think logically, we have images in our conceptions and ideas. But these images are only inner thought-forms, just as the forms of a statue are forms. Now the spiritual investigator sets out from this mode of thinking. In my books, The Way of Initiation, Initiation and its Results, and The Gates of Knowledge, directions are to be found as to what must be done with thinking in order that it may become something entirely different from what it is in ordinary life and ordinary science. The spiritual investigator develops his thinking; he makes it undergo a certain, special discipline. I cannot in this short sketch enter into details; these are described in the books I have named. When thinking, when the logic that bears sway in man, is treated in a certain way, the whole inner life of the soul becomes changed. Something happens which changes this soul-life into something else, which I will once more make dear by a comparison. Imagine that the statue — this, of course, cannot happen, but let us assume that it could — imagine that the statue, which previously stood there with its lifeless form, were suddenly to begin to walk and to become living. This the statue cannot do; but human thinking, inner logical activity, can. By means of the soul-exercises undertaken and carried out by the spiritual investigator, he puts himself into such a state, that there is within him not only a thought-out logic, but a living logic; logic itself becomes a living being within him. Thereby he has grasped something living and bearing sway within him, instead of lifeless conceptions. He becomes permeated by this living, ruling element. And when spiritual research assumes the existence of an etheric body, besides the physical body which is visible to bodily eyes, by this is meant not something merely imagined, but it is meant that man, by bringing logical thinking to life within him, becomes conscious of a second human being within him. This is a matter of experience which may be arrived at. The experience must be made, in order that the science of the spiritual human being may arise, just as the outer experiments of natural science must be made, in order to learn nature's secrets. Just as thinking is so transformed that it no longer leads merely to images, but becomes inwardly active and alive, so may the will also be developed in a certain way. The methods by which the will is so treated that we learn to know it as something different from what it is in ordinary life, are also to be found described in the above-named books. Through this development of the will, something of quite a different kind results from what comes through the development of thinking. If we desire to do something in ordinary life, if we work, the will, as it were, penetrates into the limbs. We say, “I will”; we move our hands; but the will only comes to expression in this movement. In its real essence it remains unknown. But by using certain exercises, the will may be released from its connection with the limbs. The will may be experienced in itself alone. Thinking may be made active, so as to become something inwardly alive, a kind of etheric body. The will may be isolated, separated from its connection with the bodily nature, and then we realise that we have within us a second human being in a far higher sense than is the case with thinking. Through the development of the will we become aware that we have a second human being within us, which has a consciousness of its own. If we work at our will in an adequate way, something takes place which I can only make clear by reminding you that in ordinary human life there are two alternating states, waking life and sleep. In waking life man lives, consciously; during sleep, consciousness ceases. Now at first it is a mere assertion to say that the soul and spirit do not cease to be conscious between the time of falling asleep and awaking. But they are no longer directly in the body, they are outside it. The spiritual investigator succeeds in voluntarily giving his bodily life the same form that it takes involuntarily when he goes to sleep. He orders his senses and his ordinary intellect to be still; he achieves this by developing his will. And it then happens that the same condition is voluntarily brought about that is usually involuntarily present in sleep. Yet, on the other hand, what is now brought about is the complete opposite of the sleep-condition. Whereas during sleep we become unconscious and know nothing about ourselves and our surroundings, through developing the will in the manner described we consciously leave our bodies; we see the body outside ourselves, just as we usually perceive an external object outside ourselves. Then we notice that in man there lives a real spectator of his thoughts and actions. This is no mere image, no merely pictorial expression, but it is a reality. In our will there lives something which is perpetually observing us inwardly. It is easy to look upon this inner spectator as something intended to be taken pictorially; the spiritual investigator knows it to be a reality, just as the objects of sense are realities. And if we have these two, the living, moving thought-being, the etheric human being, and this inner spectator, then we have brought ourselves into a spiritual world, which is actually experienced, as the physical world is experienced with the senses. A second human being is found in man in this way, as oxygen is found in water by the methods of natural science. That which is attained by developed thinking, is not visions, but spiritual sight of realities; what is attained by a developed will, is not ordinary soul-experiences, but the discovery of a different consciousness from the ordinary one. There now act one upon the other, the human being who is logic in motion, and the other human being who is a higher consciousness. If we learn to know these two within man, we know that part of man which exists even when his physical body falls into decay, when he goes through the gate of death. We learn to know the being in man which does not act through the outer body, which is of a soul and spirit nature, which will continue to exist after death, which existed also before birth, or, let us say, before conception. We learn to know the eternal essence of man in this way, through having separated it, as it were, out of the ordinary mortal human being, just as we can separate oxygen out of water by a chemical process. All that I have now brought before you must of course still be looked upon as fantastic at the present time; in relation to customary ideas, it is as fantastic as the words of Copernicus seemed, when he said, “It is not the sun which revolves round the earth, but the earth revolves round the sun.” Nevertheless, what appears so fantastic is really only something unaccustomed. It is not the case that something invented or dreamed has been related in what has just been set forth, but the point is that the spiritual is actually experienced as a fact by means of inward processes. The spiritual investigator is not speaking in a simple manner of man's nature when he enumerates, “Man consists of a physical body, etheric body, astral body, etc.,” but he is showing how that which is human nature, when it is contemplated as a whole, becomes split up into certain principles of which it is composed. And if the matter be regarded in accordance with its fundamental essence, nothing magical or mystical in a bad sense is meant by these principles of man's being. Spiritual science shows that man consists of different gradations, different shades of human nature. And this in a higher sphere is no different from the fact, in a lower one, that light may be so treated as to appear in seven colours. Just as light must be split up into seven colours in order that it may be studied, so must man be divided into his several parts in order that he may be really studied. It should not be expected that what is spiritual can be brought before bodily eyes, before the senses. It must be experienced inwardly and spiritually. And to one who will not admit that inward experience, a spiritual experience, is in any way a fact, anything said by the spiritual investigator will be but empty skirmishing with words. To one who learns to know spiritual facts, these are realities in a far higher sense than are physical facts. If a plant grows, and develops blossom and fruit, a new plant again develops out of the seed; and when we have learnt to know the germ, we know that it has the full force of the plant within it, and that a new plant arises from the g-germ. What is of the nature of spirit and soul must be learned from facts belonging to the spirit and soul; then we know that in the living thought, which is apprehended by the consciousness that is liberated out of the will, a life-germ has been discerned, which passes through the gate of death, goes through the spiritual world after death and afterwards returns again to earth-life. And just as truly as the plant-seed develops a new plant, does that which is the kernel of man's being develop a new earth-life. This new human being can be seen in the present one, for it becomes inwardly alive. Natural science has methods of calculating certain events which will happen in the future. From the relative positions of the sun and moon it may be calculated when eclipses of these will occur. It is only necessary to know the corresponding factors in order to calculate when a certain conjunction of the stars will take place. In these cases it is necessary to use mathematics, because we are dealing with external space. The life-germ, which is inwardly experienced, also contains in a living way the indication of future earth-lives. Just as future eclipses of the sun and moon are indicated in the present relations of those bodies, so are future earth-lives indicated in that which is now alive within us. In this case we are not dealing with what, according to more ancient views, is called the transmigration of souls, but with something which modern spiritual research discovers from the facts of spiritual life, which are capable of being investigated. Now certain things must be carefully kept in view, if we wish to understand the real foundations of spiritual research. We arrive at leaving the body with our soul and spirit through treating thought and will in the manner that has been indicated. We are then outside the body; and just as we usually have outer things before our eyes, so do we have our own physical body before us. But the essential thing is that we can always observe this body. And if it is a case of spiritual research in the true sense of the words, as it is here meant, that must never happen which does so in a diseased soul-life. For what is the characteristic feature of an abnormal or diseased soul-life? If some one is put into a hypnotic state or a so-called trance, as certain conditions are called, and speaks out of the subconscious, which is often denominated a kind of clairvoyance, the essential thing in the process is that the ordinary consciousness is not present whilst the changed consciousness is active. The former has been transformed into a dulled, abnormal consciousness. It will never be possible to say, when observing an abnormal and unhealthy condition of soul, “The healthy condition of soul is present at the same time as this,” for in that case the person would certainly not be unhealthy or abnormal. In real spiritual research the fact is that man arrives at a changed consciousness, but that as a normal human being he is all the time standing by. The condition in which the spiritual investigator is, is not developed from out of ordinary normal soul-life, but by the side of it, if the condition is the right one. In the case of a genuine spiritual investigator, he lives, during his researches, outside his body; but his body continues to work on undisturbed together with all his normal soul-functions and his ordinary intellect, which remains completely normal. The man, if he is a true spiritual investigator, remains a normal human being, in spite of the fact that he has left his body, together with what he has developed within himself; and one who cannot himself investigate spiritually, really need not see that the other is living in a different world. The non-hypnotised person is not present beside the hypnotised one; the person with a normal soul-life is not present beside the one who is developing an abnormal soul-life. But the characteristic feature of spiritual research is that whilst it is being pursued, the person's normal condition is completely maintained. Just on this account the spiritual investigator is in a position accurately to distinguish true spiritual research from that which appears in any diseased conditions of soul. Another mistake arises when it is thought that spiritual research has anything in common with ordinary spiritualism. By this it is not meant that all manner of facts may not be discovered through spiritualism, but these belong to natural science, not to spiritual science, for that which is discovered through spiritualism is presented to the outer senses, whether by means of materialisations, or knockings and the like. That which can be presented to the senses belongs to natural science. That which offers itself as an object to the spiritual investigator is of a soul and spirit nature, and cannot be presented externally, for instance, in space; it must be experienced inwardly. Through the inner experience which has been described there is formed a comprehensive spiritual science, which not only throws light on the being of man and the passage through repeated earth-lives, but is also enlightening about the spiritual worlds and spiritual beings which lie behind nature. Spiritual research is able to enter the world through which man passes after death. Only it must not be thought that what appear in ordinary life in a certain sense as abnormal faculties have any special value in spiritual science. There is much talk nowadays of the possibility of telepathy. We will not now enter into all the pros and cons of this matter. People must grow accustomed to many things in the course of time. Just at the present time serious investigators are wrestling with the problem of the significance of the divining-rod, which is now so widely used, and about which one of the most matter-of-fact investigators is just now making important experiments, in order to ascertain what influence a person is under who is successful with the divining-rod. But all this belongs to the department of finer natural science. In the same way does the fact belong to this department that thoughts entertained by one person are able to influence another at a distance. True spiritual research cannot use such forces for gaining knowledge about the world of soul and spirit. It is a complete misunderstanding of spiritual science to think that it looks upon the teaching about telepathy as anything else but a part of a refined physiology, a refined form of natural science. The way in which spiritual science investigates must not be confused with that which nowadays appears as spiritualism. When spiritual science remembers the human souls which are passing through a purely spiritual life in a spiritual world between death and re-birth, spiritual science knows that those souls are in the spiritual world in a soul-state pure and simple. Now it is possible for the spirit and soul that is in a human body to turn to the dead in such a way that a real connection is made with them. But this turning to the dead must itself be of a purely spiritual and soul character. Spiritual science shows this. And the direction of our own soul-life to our beloved dead may acquire deep significance, even whilst we ourselves are still in the physical world. It cannot be at variance with any religious belief if, through the view of the world taken by spiritual science, remembrance of the dead and active communion with them is cultivated in this way, if spiritual science stimulates this living together with the dead. In this connection it must always be borne in mind that the dead person can only be aware of what we are thinking and feeling for him in our souls if he desires such a connection with us. This also is shown by spiritual science. The exercise of any sort of power over the dead is entirely remote from the intentions of the spiritual investigator. He knows quite well that the dead are living in a sphere in which the relations of the will are different from those in the physical world; and if he were to wish to penetrate into the spiritual world, taking with him what he is able to develop here within the physical world, it would seem to him as though — to use a comparison — a company of people were sitting here and a lion suddenly appeared through the floor and committed ravages. So would harm result if an earthly human being were to force his way into the life of the dead in an unbefitting manner. Therefore there can be no question in spiritual science of summoning the dead, in the way in which this is attempted in spiritualism, just because the relations of the living to the dead are illuminated in a wonderful way by that which spiritual science arouses within our souls. And since amongst the numerous errors which have been urged against our spiritual science, one is that it has a connection with spiritualism with regard to the dead, it is very necessary to emphasise this misunderstanding sharply. Nothing less than the exact contrary of the truth is asserted with regard to spiritual science in this matter. As already said, I do not wish to proselytise or arouse feeling for our cause, but only to mention misunderstandings which I know to be prevalent, and to indicate in the clearest way possible the relation of spiritual science to these matters. Now the question is also asked — and it is even called an urgent one — what is the position of spiritual science or Anthroposophy towards the religious life of man? Its very nature, however, prevents it from interposing directly in any religious confession, in the sphere of any religious life. In this connection I can perhaps make myself clear in the following way. Let us assume that we have to do with natural science. Because we gain a knowledge of nature, we shall not imagine that we are able to create something in nature itself. Knowledge of nature does not create anything in nature. Nor, because we gain knowledge of spiritual conditions, shall we imagine that we are able to create something in spiritual facts. We observe spiritual conditions. Spiritual science endeavours to penetrate behind the mysteries of the spiritual conditions in the world. Religions are facts in the historical life of humanity. Spiritual science can of course go so far as to consider the spiritual phenomena which have appeared as religions in the course of the world's evolution. But spiritual science can never desire to create a religion, any more than natural science surrenders itself to the illusion of being able to create something in nature. Hence the most various religious confessions will be able to live together in the profoundest peace, and in complete harmony within the circle of the view of the world taken by spiritual science, and will be able to strive together after knowledge of the spiritual — so to strive that the religious convictions of the individual will not thereby be in any way injured. Neither need intensity in the exercise of a religious belief be in any way lessened by what is found in spiritual science. Rather must it be said that natural science, as it has appeared in modern times, has very often led people away from a religious conception of life, from the exercise of true, inner religion. It is an experience which we have in spiritual science that people who have been alienated from all religious life by the half-truths of natural science can be brought back again to that life through spiritual science. No one need be in any way estranged from his religious life through spiritual science. For this reason it cannot be said that spiritual science, as such, is a religious belief. It desires neither to create a religious belief, nor to change a man in any way with regard to the religious belief which he holds. Nevertheless it seems as though people were talking about the religion of the Anthroposophists! In reality such a thing cannot be said, for all religious beliefs are represented within the Anthroposophical Society; and no one is prevented by it from practically exercising his religious belief in the fullest, most comprehensive and most intense way. It is only that spiritual science desires to include the whole world in its survey; it desires to survey historical life, together with the highest spirituality which has entered historical life. That for this reason it also takes a survey of religions is absolutely no contradiction of what I have just said. And thus it comes to pass that the view of the world taken by spiritual science must in a certain respect deepen a man, even with regard to the objects of religious life. But when, for instance, it happens that spiritual science is accused of not speaking of a personal God, when it is said that I prefer to speak of the Divinity, not of God, when it is asserted that what is called “the divine” in spiritual science is of a similar nature to that which is so designated in the pantheism of the Monists or Naturalists, this is all the opposite of the truth. Through the very circumstance that in spiritual science we are led to real spiritual beings, and to the real being that man is after death, just because we are led to concrete, real spiritual beings, we arrive at being able completely to understand how unreasonable it is to become a pantheist, how repugnant to common sense to deny personality in God. One arrives, on the contrary, at seeing that one may speak not only of the personality, but even of a super-personality of God. The most thorough refutation of pantheism may be found through spiritual science. Can it be a subject of reproach that the spiritual investigator only speaks with deep reverence when, out of the feelings which his knowledge arouses in him, he points the way with awe to the divine? How often it is said in the circle of our friends, “In Him we live, and move, and have our being.” And one who wishes to comprehend God with one idea, does not know that all possible ideas cannot comprehend God, because all ideas are in God. But the recognition of God as a being who has personality in a much higher sense even than man, in a sense which even through spiritual science cannot be fully perceived, becomes quite, I would say, natural to people, specially through Anthroposophy. Religious conceptions are not made misty, in the pantheistic sense, through spiritual science, but, in accordance with their nature, become deepened. If we say that God is revealed in our own hearts and souls, this is surely the conviction of many religious people; and it is again and again said in spiritual science that there can be no question in this of wishing to deify man. I have often used the simile that a drop taken out of the sea is water — do I therefore say that the drop is the sea? If I say that something divine speaks in the individual human soul, a drop out of the ocean of the infinite divine, do I therefore say anything which deifies the individual human soul? Do I say anything which unites nature with in a pantheistic way? Far from it. And finally, if from certain deeply-seated feelings which are aroused by spiritual science itself, the name “GOD” is, in reverential awe, not named but paraphrased, should this be a subject of blame from the religious point of view? I ask, is not one of the Ten Commandments, “Thou shalt not take the name of the Lord thy God in vain?” May not spiritual science stimulate to a faithful fulfilment of this command, if the name of God is not perpetually on the lips of its followers? And the name and being of Christ? It is just of spiritual science that it may be said that it makes every effort to understand the being of Christ, and that in doing so it is never at variance with that which is developed, from true foundations, by any religious denomination. Only, in this very domain, we meet with something most singular. Some one comes and says he has a certain conception or feeling about Christ, about Jesus, and we say to him, “Certainly, we recognise these feelings as wholly justified; only spiritual science leads to thinking many other things about Christ as well. It does not deny what you say, it accepts it. Only it must add much more to it.” Just because spiritual science widens the spiritual sight, the eye of the soul, to extend over the spiritual world, is it necessary not only to recognise in the being to whom the Christian looks up as his Christ, the one who walked this earth, but to bring this being into connection with the entire cosmos. And then, again, much else is the consequence of so doing. But nothing which results from it takes anything away from the knowledge of Christ, only something is added to what the religious man, the really Christian religious man, has to say about the Christ. And when some one attacks the conception of Christ Jesus held by spiritual science, it always seems to the spiritual investigator as though some one comes and says, “I have this or that to say about the Christ; do you believe it?” “Yes!” we say. “Yes, but you not only believe that, but more besides!” This he will not allow. He is not satisfied with our admitting what he advocates, but he forbids us to declare something still greater and grander about the Christ than he himself declares. For can it really be a heresy when spiritual science, out of its fundamental basis, out of the observation of that which, as spirit, holds sway through the whole progress of the earth with regard to human and other evolution, arrives at saying, “The whole existence of the earth would have no meaning in the universe if the Mystery of Golgotha had not taken place within the earthly sphere?” The spiritual investigator must say, “If any inhabitants of distant worlds could look down upon the earth and see what it is, they would see no meaning in the whole evolution of the earth unless Christ had lived, died, and risen again upon it.” The event of Golgotha gives meaning and purpose to earth-life for the whole world. If you were to study the results of spiritual research, you would see that reverence for Christ and devotion to Him cannot be diminished by such research, but on the contrary can only be enhanced. Time presses, and I cannot enter into many other misunderstandings which have been spread abroad concerning certain thoughts about the Bible which are said to be prevalent in circles of Anthroposophists — as they are called, although the word would be better avoided, and only “Anthroposophy” used. The point in this case is that a person may be a very good spiritual investigator without in any way being able to accept what has, for definite reasons, been said for those members of our society who wish to know something about the Gospels or the Bible generally. But if what is said be read with the context, it will be found that, for instance, I never uttered such nonsense as that repeated earth-lives could be proved from the Bible by means of the passage in which Nathanael is spoken of. It has been asserted that I thought that when the Christ says, “When thou wast under the fig-tree, I saw thee,” he is referring to an earlier incarnation, in which he saw Nathanael sitting under the fig-tree. I can do but one thing when these misunderstandings fly about the world to-day, I can do but one thing — wonder how such things have been able to arise at all out of what was really said. They are just proofs of the manner in which what is really said becomes altered in the most diverse ways when it is repeated from one to another, and how the contrary — for in this case it is the contrary that came out — of what I had said was attributed to me. I will not now discuss other misunderstandings, which could easily be refuted. I will only mention one thing, which may very easily be said, “What do you think of the fact that nothing about repeated earth-lives is found in the Bible?” It might be that some one would say that he could not believe in these repeated earth-lives, for the simple reason that, according to his convictions, there is a contradiction between the acceptation of these repeated earth-lives, which, certainly, minds such as Lessing's, for instance, admitted as true, and what is in the Bible. Now repeated earth-lives will be accepted as a scientific, a spiritually-scientific fact, and people will learn to think in the following way about the relation to the Bible of such a fact of spiritual science, which had sooner or later to be discovered. Would it be thought possible for anyone to say he did not believe in the existence of America because the Bible does not mention such a place? Or would it be thought any injury to the Bible to say, “I think the existence of America is quite in harmony with my reverence for the Bible, in spite of America's not being mentioned within its pages”? Is there anything in the Bible about the truth of the Copernican view of the universe? There have been people who for this reason have looked upon the Copernican view of the world as something false and forbidden. Nowadays there is no one really versed in the culture of his time who could say that he found a contradiction between the teaching of Copernicus and the Bible — notwithstanding that the teaching of Copernicus is not in the Bible. In the same way it may be said of the spiritually-scientific fact of repeated earth-lives that there is no injury done to the cardinal truths of the Bible, merely because nothing can be found therein about reincarnation, and because, indeed, much of its contents may be so interpreted as to seem to contradict this knowledge. These points must only be looked at from the right point of view. If they are so looked at, it may very well be remembered how such things change in the course of time. If some one says he will not admit the truth of repeated earth-lives for the reason that it contradicts the Bible, I am always reminded that there was a time when Galileo was treated in a very peculiar, well-known way, because he had something to say which apparently, but only apparently, contradicted the Bible. Or we may remember how Giordano Bruno was treated, because he too had something to say about which it was asserted that it could not be demonstrated out of the Bible. I must, moreover, remember a priest who became the rector of a university some years ago, from the theological faculty, and who in his rectorial address, the subject of which was Galileo, spoke as a Catholic priest somewhat as follows. He said that times change and with them the way in which people accept recognised facts. Galileo was in his time treated as we all know; but now every true Christian sees that through the discovery of the grandeur of the cosmic system, as it became known through Galileo, the glory and majesty of God and devotion to Him can only be increased, not diminished. This was like a priest, it was like a Christian, indeed, it was perhaps said for the first time in a really Christian way. And the fine recognition of Galileo was Christian, which was gained for him from the whole address of this priest. On the whole I would say, speaking from the convictions of spiritual science, that the spiritual scientist must, through his teachings, so think of what Christianity is, and of what Christ is to the world, as to say, “How fainthearted are those who think that in consequence of some discovery in the physical or spiritual domain the greatness which breathes towards us from the revelation of Christ can be diminished.” To the spiritual investigator he seems faint-hearted who thinks that through some fact, even such a weighty one as repeated earth-lives, some fact which is discovered in the physical or spiritual sphere, the splendour of the Christ-event and the influence of Christ can be lessened to the Christian; one who believes this might also believe that the sun loses power because it does not shine only for Europe, but for America too. Whatever further physical or spiritual facts may be discovered, in any far-distant future, the great truths of Christianity will outshine them all. This is discerned by one who approaches the Christ-impulse and the entire Christian conception of the world with the attitude of spiritual research. Such a one has no fear. He is not so faint-hearted as to say that the splendour of Christianity can be diminished by any investigation. He knows that one who believes that Christianity can be imperilled by any physical or spiritual research, does not think much of Christianity. It is really a question whether perhaps the numerous misunderstandings which exist with regard to that for which the Dornach building is an outward sign, an outer home, can be overcome. About the Dornach building itself I will only say to-day that it is intended to be nothing else but an artistic putting into form of that which is aroused in our perceptions and feelings when we have received into our souls the living essence of spiritual science or Anthroposophy. Therefore it should not be thought that the ideas of spiritual science are pictured by means of symbols or allegories in the forms of the building. Of that there is no question at all. If you visit this building you will find that it has the peculiarity of having nothing at all mysterious in it, not a single symbol, nothing allegorical or the like. This has, from the very nature of the building, been kept entirely remote from it. It may perhaps be said, “But it is necessary to know the thoughts belonging to spiritual science in order to understand what one sees!” This is true, but it is what the art of the Dornach building has in common with every other art. Take the Sistine Madonna, the wonderful picture of the Mother with the Child Jesus. I think that if a person who had never heard anything about Christianity were to stand before the Sistine Madonna, it would be necessary to explain to him what it is, for he too would not be able to understand the subject out of his own feelings. Thus it is a matter of course that it is necessary to live quite in the current of spiritual science in order to understand its art, just as it is necessary to be in the midst of Christianity in order to understand the Sistine Madonna. The attempt is not made, in the Dornach building, to express the ideas of spiritual science symbolically, but there underlies it this fact of our view of the world, namely, that spiritual science is something — and this follows from what I have said here to-day — which takes hold of man's inner being in such a living, powerful way, that faculties otherwise dormant in him — artistic faculties as well as others — are awakened. And as spiritual science is something new — not a new name for something old, but something really new — just as present-day natural science is new as compared with the natural science of the Middle Ages, its art too must be something new and different from existing works of art. Gothic art came forward as new, compared with the antique; anyone who is of opinion that only antique art is of value may despise the Gothic; in the same way may a new style be abused, which arises out of a new way of feeling. An accessory building is found especially bad. Near the building with two domes stands a heating-house. The attempt has been made to construct a useful building artistically out of the most modern of materials, concrete. The concrete was taken into account. And on the other hand everything that is in the building was taken into account. If anyone explains the form emblematically, if he sees all kinds of symbols in it, he is just a dreamer, a visionary, not one who sees what is there. Just as a nutshell is shaped so as to fit the nut-kernel, so does the artist try, in what he constructs, to form a shell for what is within it, a shell as it were in conformity with nature, so that the outer form is the appropriate covering of what it contains. That is what is attempted. And one who criticises this building and does not think it beautiful can be understood, for one must first grow used to these things. But he might perhaps try to imagine another chimney, as chimneys are now built, beside our heating-house, a correct, red chimney with its ordinary surroundings, and he might then compare the two. It is true we very well know that what is attempted in the building at Dornach is but a beginning, and an imperfect beginning, but it is intended as the beginning of something which is arising out of a new view of the world, as a new style of architecture. There are also people who said, “Look, you have made seven columns, seven on each side of the principal hall. You are a very superstitious society; you believe in the mystical number seven.” Well, one who sees seven colours in the rainbow might also be thought superstitious. In that case it is really nature, which causes the fact, which should be thought superstitious. But anyone who talks about these seven columns should not at first consider the number, but consider what has been newly attempted in the matter. Elsewhere, similar columns are placed near each other. The capitals of our columns are designed to be in continuous development; the second column is different from the first, the third again different; one capital arises out of another. This results in an organism, which has inner laws in the same way as have the seven tones, from the tonic to the leading note. It will thus be found that nowhere have ideas, symbolism or the mysterious been elaborated, but the endeavour has everywhere been made to develop something artistic in forms, colours and so forth. We have striven to make the whole building the right framework for what is to be carried on within it. Buildings have walls. In walls as they have hitherto been built, people are accustomed to see something so framed as to shut off space. Our walls are so covered over with forms from inside that there is no feeling of space being shut off by the form, but one has the feeling that the wall is pervious and that one is looking out into the infinite. The walls are so constructed in their forms that they seem to efface themselves, and we remain in connection with nature and the whole world. In this short account I have not wished to convince anyone. I wished to do only what I laid stress on at the beginning; I wish to interest, not to convince. But one thing I would fain emphasise once more — the way in which people become conversant with a particular view of the world depends on their habits of thought. And one who is acquainted with the course taken by the spiritual evolution of mankind knows that truth has always had to be developed through obstacles. Only consider how Giordano Bruno had to come forth before humanity, a humanity which had always believed that the blue vault of heaven was the limit of space. Giordano Bruno had to tell people, “There is nothing at all where you see the blue vault of the sky; you put something there yourselves when you look at it. Space stretches out into infinity, and infinite worlds are in the infinite space.” What Giordano Bruno then did for physical observation, spiritual science has to do for soul and spirit, and for what is temporal. In regard to soul and spirit there is also a kind of firmament, on one side birth, or let us say conception, on the other side, death. But that firmament is actually just as little a reality as the blue firmament above; merely because people can only see as far as birth or conception and as far as death with ordinary human faculties of perception, they think there is a boundary there, as people used to think the firmament was a boundary. But just as the blue firmament is no boundary, but infinite worlds exist in infinite space, so must we, with enlarged faculties, look out beyond the firmament of birth and death into an infinity of time, and behold in it the development of the eternal soul throughout successive earth-lives. In the spiritual sphere things are not different from what they are in the sphere of natural science. Therefore it may be asked: How is it then that so many misunderstandings arise from so many quarters about spiritual science? In this case I must say, if I may treat the matter more or less personally, that I think the reasons why spiritual science meets with so much hostility and misunderstanding are partly objective and partly subjective. Amongst the objective reasons I would place this one first and foremost: Spiritual science is something upon which it is necessary to concentrate one's thoughts seriously. Long and earnest work is needful in order to understand it, work which is inseparable from many experiences and even from many disappointments. But this is in reality the case with every subject of knowledge. The paths of Anthroposophy cannot be found without such work. It seems to be the custom to say that for the understanding of a watch it is necessary to learn how the wheels work together. This demands some trouble. But it does not seem to be equally customary to make a similar admission with regard to the universe at large. In this case difficult, apparently complicated views are not allowed to have any value, and yet they are only difficult because the subject in hand is so. Instead of studying spiritual science themselves, people find fault with it because, judged from their own point of view, it is difficult. Then there are subjective reasons. And these are to be found in what I have already said. It is difficult for people in general to reconcile ideas which they have once formed with ideas to which they are unaccustomed. Such unaccustomed ideas need not even contradict those already entertained, but need only add something to what has already been thought. It has always been thus with truth. What is contradicted are people's habits of thought. And from this point of view, if the subjective reasons for misunderstandings about spiritual science are sought, we must say that the reasons are to be found on the same ground from which the teaching of Copernicus was rejected by the whole world, when it first appeared. It was just something new. But truth has to make its own way in the world, and does so in the end. This may well be felt by one who has at heart spiritual science, and all that to which it stimulates. He relies on the experience that truth always works its way through the smallest crevices in the rocks of prejudices which have been set up. Perhaps spiritual science may still be hated now. But one who hates it will, at the most, only be able to make others hate it with him, people who are attached to him and swear by what he says. But never yet has a truth been effaced through having been hated. Truth may at any time be misunderstood and misinterpreted, but there will always be found those who know and rightly understand, in the face of those who misconstrue and misjudge. And even if that which spiritual science has to say in our time is not now recognised as true, if it is misunderstood and unappreciated, the time will come for this science also. Truth may be suppressed, but not destroyed. It must always be born again, however often it may be suppressed. For truth is intimately, deeply and vitally bound up with the human soul, in such a way that one may be convinced that the human soul and truth belong to one another like sisters. And even if there are times and places in which dissension comes about between them, and some misunderstanding arises, recognition, and mutual love must always reappear between the soul and truth. For they are sisters, who have a common origin, and must always be lovingly mindful of their common origin — their origin in the spirituality which rules throughout the universe, and the discovery of which is the very task which Anthroposophy sets itself.
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