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The Rudolf Steiner Archive

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Search results 81 through 90 of 514

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10. Knowledge of the Higher Worlds (1947): Some Practical Aspects
Tr. George Metaxa, Henry B. Monges

Rudolf Steiner
After this training they begin to assume a brilliant yellowish-green, or greenish-blue color, and show a regular structure. This inner regularity leading to higher knowledge, is attained when the student introduces into his thoughts and feelings the same orderly system with which nature has endowed his bodily organs that enable him to see, hear, digest, breath, speak.
Especially fortunate is the student who can carry out his esoteric training surrounded by the green world of plants, or among the sunny hills, where nature weaves her web of sweet simplicity. This environment develops the inner organs in a harmony which can never ensue in a modern city.
If our eyes cannot follow the woods in their mantel of green every spring, day by day, we should instead open our soul to the glorious teachings of the Bhagavad Gita, or of St.
32. Collected Essays on Literature 1884-1902: Franz Ferdinand Heitmüller 14 Jul 1900,

Rudolf Steiner
And very slowly, as the germs and budding buds stirred and stretched within her, dreamlike, unconscious, diverse, every day, every hour, ever stronger, swelling, a drunken confusion, until her white soul stood in a thousand glowing blossoms: - very slowly and hesitantly, the ground of the child's soul also began to green and to cover itself with the first shy colorful flowers. And on this soft ground her dreaming love wandered, pulling up the weeds everywhere or breaking a flower that had unfolded overnight, greedily inhaling its weak scent – shyly, trembling, dazed. Here and there she bent and cut back the overhanging branches, she drove away the shadow and let in the light, so that the other many buds that were peeping out everywhere from the light green lawn could also develop and unfold in full strength. And the light came from everywhere, for love has a hundred busy hands that never tire of bending aside leaf after leaf so that the sun can shine through...»
109. Rosicrucian Esotericism: Soul in the World Around Us 04 Jun 1909, Budapest
Tr. Helen Fox

Rudolf Steiner
The difference between mineral and plant arises through the fact that the etheric body of the plant is within it, permeating every single part. The green pervading the plant is the substance described previously as being the etheric body of the mineral outside it. But if all that could be said about the plant were that it is permeated by an etheric body, it would not blossom but only produce green leaves. When the plant begins to blossom, clairvoyant consciousness sees something spreading over and playing around it. This is the astral life, which brings about the crowning of the growth. The green plant grows and finally something new, the astral element, spreads over and plays around it but never penetrates into it.
198. Knowledge as a Source of Healing: Knowledge as a Source of Healing I 20 Mar 1920, Dornach
Tr. Violet E. Watkin

Rudolf Steiner
To spiritual science with its spiritual vision this is perfectly clear, but the knowledge, thus brought to the surface so vividly through spiritual vision, can be arrived at also through physical facts, if we look, for instance, in Greek literature and notice the use of the Greek word chloros. By this they meant green, but curiously enough they used the same word for golden honey and the golden leaves in autumn; it was also applied to the gold of resin.
So there is ample proof of such things, from which it can be seen that, as a people, the Greeks were simply incapable of distinguishing yellow from green, and that they did not perceive blue as the colour we do but saw everything tinged with the vividness of red or gold.
Judging from our present theory of colour we must say: The Greeks were essentially blind to the colour blue; they did not see the blue in green but only the yellow. The surrounding world had, for them, a much more fiery aspect, for they saw it all with a reddish tinge.
214. The Mystery of the Trinity: The Mystery of Truth III 29 Jul 1922, Dornach
Tr. James H. Hindes

Rudolf Steiner
He did so in the pictures and imagery in his Fairy Tale of the Green Snake and the Beautiful Lily.26 In all the figures in this fairy tale we are to see powers of the soul working together to impart to man his true dignity, in freedom.
You see, his description of the sense images in the Fairy Tale of the Green Snake and the Beautiful Lily. are wonderfully beautiful, yet it cannot be said that the final freeing of the crippled prince is intuitively obvious and real; it is only symbolically real.
Johann Wolfgang von Goethe, Fairy Tale of the Green Snake and the Beautiful Lily, (Blauvelt, NY: Steinerbooks, 1979).27.
350. Rhythms in the Cosmos and in the Human Being: The Effects of Light and Color in Earthen Materials are Reflected in the Heavenly Bodies 09 Jun 1923, Dornach
Tr. Automated

Rudolf Steiner
The rainbow has a red band, then it turns orange and yellow, then the band turns green, then blue, then the band turns a little darker blue, indigo blue and then the band turns violet.
Now I don't see a white body, but I see the seven colors of the rainbow, the seven consecutive colors red, orange, yellow, green, blue, indigo, violet. So through the prism I see what is actually white, what is incandescent, in seven colors.
You will say: when I look through Bee there, I see red, orange, yellow, green and so on. There is yellow there too, you will say. So when I look through it, the yellow will be particularly strong here, you will say, it will be an especially bright yellow, a very luminous yellow.
350. Goethe's Standard of the Soul: Translator's Note

Dorothy S. Osmond
A translation of the Fairy Tale of “The Green Snake and the Beautiful Lily” has been added in order that readers may better be able to follow Dr.
31. Collected Essays on Cultural and Contemporary History 1887–1901: Goethe Day in Weimar 18 Jun 1898,

Rudolf Steiner
Webb and that several copies had been made available to members of the Society (published by Longmans Green & Co, 39 Paternoster Row, London). Mr. Ruland then drew attention to a new bust of Goethe from the studio of the well-known sculptor Rumpf in Frankfurt am Main, which was unveiled to the public for the first time today and which greeted the audience promisingly from the living green of the leafy plants behind the speaker's platform.
327. The Agriculture Course (1958): Lecture II 10 Jun 1924, Koberwitz
Tr. George Adams

Rudolf Steiner
We can see this directly. Look at the green plant-leaves. (Diagram No. 3). The green leaves, in their form and thickness and in their greeness too, carry an earthly element, but they would not be green unless the cosmic force of the Sun were also living in them.
Thus we can recognise Mars in the red flower, Jupiter in the yellow or white, Saturn in the blue, while in the green leaf we see essentially the Sun itself. But that which thus shines out in the colouring of the flower works as a force most strongly in the root.
The Sun-quality is in the midst between the two. The Sun-nature lives most of all in the green leaf, in the mutual interplay between the flower and the root and all that is between them. The Sun-quality is really that which is related, as a “diaphragm” (for so we called it in this picture) with the surface of the earth.
327. Eurythmy as Visible Singing: Overleaf: The Eurythmy Figures
Tr. Alan P. Stott

Alan Stott
The words written in the two sketches are : orange—orange, violett—violet, rot-Karmin—carmine red, blaurot—bluish red, grüngreen, Melos—Melos, Rhythmus—rhythm, Takt—beat. (See also Endnote 47 in Vol. 2.) Eurythmy figure for the major triad Eurythmy figure for the minor triad

Results 81 through 90 of 514

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