The Rudolf Steiner Archive

after a eurythmy-dramatic presentation

Today we have preceded the Easter scene in 'Faust' with the scene in which the Earth Spirit appears to Faust. Eight days ago, we were able to tie in many thoughts from 'Faust' that can be meaningful to those who want to approach the laws of the world, the life of the world, in a spiritual scientific way. It is not just to give you explanations of Goethe's 'Faust' that I am taking up Goethe's poetic creation last time on Easter Sunday and this time here. The reason is because the human soul can truly perceive something of the artistic images that confront us in “Faust” that must be called the development of this soul into the spiritual worlds, which one can call becoming familiar with the spiritual worlds. To the extent that we can, so to speak, immerse ourselves in “Faust” from a spiritual scientific point of view, we may indeed tie one or the other reflection to this poetic creation. In essence, Goethe's 'Faust' is the expression of the striving into the spiritual world in Goethe, and thus the expression of how, at an important turning point in modern history, a mind as deep as Goethe's tried to enter the world that we seek through our spiritual deepening.

Last time, we were able to convince ourselves that Goethe lived in a time in which it was really not yet possible to find the way into the spiritual worlds in a clear, I would say unambiguous, way. We were able to convince ourselves that such truths as those of the significance of Lucifer and Ahriman still hovered before Goethe's soul as an unclear realization, one might say, like an unclear sense of the spiritual world, and we were able to convince ourselves that in the figure of Mephistopheles the two figures of Lucifer and Ahriman have been conflated, so that Goethe has before him an unclear figure in Mephistopheles, to whom he cannot get close in an unambiguous spiritual-scientific relationship. And so we can see precisely in this striving of Goethe's, as it is expressed in 'Faust', with what seriousness and with what inner conscientiousness, one might say, with what responsibility before our own soul we should pursue what spiritual-scientific deepening is intended to open up. When a spirit so profound encounters such difficulties in the way of what many, many people today are seeking, there is truly an opportunity to learn a great deal from Goethe's own quest and striving. One would wish that everyone who has delved a little into the results of our spiritual science would again approach this document, Goethe's “Faust”, which is a document from the dawn, not yet from the time after the sunrise of spiritual-scientific endeavors. Last time I said that Goethe needed the maturity of his life to emerge from the state of his soul in his youth. Goethe's soul cannot be satisfied with just seeing in the world what the sensory eyes see and what the mind, bound to the brain, perceives. And what lived and raged in his soul for the deeper spiritual foundations of life, he shaped it in the striving Faust, who is not a likeness of Goethe, but who does present certain aspects of Goethe's striving and Goethe's life in a truly artistic way. And so we have here, in the scene with the Earth Spirit, one of the oldest parts of Goethe's Faust that he wrote down.

Last time I spoke about Goethe's “Faust” in such a way that if I were misunderstood as I often am, one could go and say that I had called “Faust” a defective work of art and would even have said some harsh words about it. And someone who is particularly inventive might say that I have undergone a change in my view of Goethe, for I was of course once an admirer of Goethe and have now proved myself to be someone who criticizes Goethe. Now, I should not need to mention that I venerate Goethe no less than I ever did, that he appears to me as the most magnificent spirit of modern times. But what is venerating devotion to a personality should never lead us to a blind sense of authority, but should always keep us clear-sighted for that which we have recognized as truth.

The various parts of Faust can be said to have been pieced together, not to mention glued, and it can be said that at the time when Goethe wrote the oldest parts of Faust in the 1770s, 18th century, was really incapable of writing the later parts, that he really had to mature first in order to come from his longing for the spiritual world to what one might call his understanding of Christianity. It was only through the maturity of life that Goethe was able to continue Faust, who is searching for the spirit world, in such a way that Faust comes to be preserved in life through the Austrian memory, and that Faust even comes to take the Gospel into his own hands and to begin translating the Gospel of John. When one hears some people today saying that they need no spiritual knowledge to fathom the depths of Christianity, that this spiritual science is unnecessary stuff, because Christianity can be sufficiently understood by what every pastor proclaims from the pulpit, that mere belief must prevail, especially in this Christianity, and one compares such soul mood with what must be said about Goethe, who, as one of the deepest took decades to mature to his understanding of Christianity, then one can get an idea of the tremendous arrogance, the tremendous conceit, that is in people who, conceited and haughty, always speak of the simplicity of their minds, and who dismiss what they do not need — the content of spiritual science, what they do not need according to their view.

In the scene with the Earth Spirit, we see something of what occupied Goethe in his youth, in his thirties, and also in the last twenties of his life. We can see from this earth spirit scene and from what preceded it, the so-called first Faust monologue, how Goethe immersed himself in so-called occult-mystical literature and how he tried to find the spiritual world through meditation and meditative devotion, through what this literature gave him. We see him in the scene that has been presented to us today, in the midst of his search through meditation, which arises from the allusions that he, as it is said here, can gain from an occult-mystical book, from an old mystical book by Nostradamus, as he strives through his meditation, which arises from a mystical book, to rise up into the spiritual worlds.

Let us try to imagine the worlds to which Faust, and thus also Goethe, actually wants to go. When the soul of man has really managed to strengthen its inner power so that the spiritual-soul core of man's being is released from the instrument of the physical body, when the soul, so to speak, with its powers that are not perceptible to it in ordinary everyday life, has slipped from the physical body, what becomes – not the physical body itself in its spatial boundaries, but the physical life, with which the human being is always spiritually connected because a ray or stream goes to this physical life – what becomes for the human soul this physical experience? In the time between death and a new birth, a ray or stream of spiritual life goes back to what we have experienced on earth, as you can see from the illustrations of earlier lectures. So there is always something like a spiritual reaching out, or even more than a spiritual reaching out, back to what is physical experience. What then does this physical experience become for the human soul, which has been freed from the use of the instrument of the physical body? I would like to say: the whole physical experience becomes a soul organ for the person who has emerged from this physical experience. The physical experience becomes, as it were, an eye or an ear; the whole human being becomes a sense organ, a spiritual sense organ, an organ, one might say, of the whole earth, which looks out into space. In order for our eye to see physical objects, we have to be outside of our eye. The eye has to be embedded like a kind of independent organ in the eye socket, which is even closed off by bony walls, so that the eye is a relatively independent organ. In a similar way, the ear is also closed. Again, the whole physical apparatus of the brain is enclosed in the head cavity and closed off from the rest of the human body. The physical experience of the human being must become so closed off that it becomes a kind of sensory organ, a kind of eye or ear through which the human being, who is outside of what his physical experience is, looks out into the vastness of space.

What is experienced there can also be described as follows: one can say that one is now in the world that is presented in the book 'Theosophy' as the soul world. This is the world that one first enters when one has the experience of being outside the body with the soul that has become independent and having one's own physical experience outside of it. In the Vienna Cycle of April 1914, I described how, in the life between death and a new birth, the human being has a spiritual-soul sense organ through his last life on earth to perceive the rest of the world, that is, he perceives the rest of the world through this life on earth. In this world we find our deceased for quite some time after their death, until they advance to another world, which can only be reached by a later state of development of the soul, even for the human initiate. In this world, into which we enter, many things must strike the observer. Only details about this world can be said. From the various lectures, one must gather what characterizes this supersensible world. Above all, what the soul immediately notices is that, having become free from the body and entering into a new world, the soul now sees the stars going out, feels the stars going out. The soul settles into an elementary world, so that it now weaves with the sea of air, itself surges with the warmth surging in the world, radiates out with the light, and since the soul radiates out with the light, it cannot see external objects through the light. That is why the sun and stars fade, and the moon extinguishes its light before the soul. It is not an external looking at, in which one then is, it is a co-experiencing of the elemental world. And at the same time it is a co-experiencing of that which one calls the power of historical happenings, of historical becoming. In this world one can see in process what history really does in human life.

In its further meditative development, the soul can then struggle up to a higher experience. Then, not only its own experience becomes a spiritual-soul sense organ, but the whole earth becomes a sense organ. To put it quite paradoxically, but you will understand me, the human soul must advance to such an experience, of which one can say: The human being is now something in which the whole globe is inserted, as otherwise the eye or ear is inserted into our body, and as we otherwise see with our eyes, hear with our ears, so we perceive the cosmic space with the whole earth and its experiences. There we become aware that what physicists say about the sun and the stars is mere materialistic dreaming. The stars have indeed already gone out, the sun, the moonlight has gone out in the previous world. But now we become aware that where we suspected the sun there is a community of spirits, that everywhere we suspected a star there is a spiritual world. And we become aware, by remembering our life on earth, that the materialistic reverie of which the physicists speak is a fantastic one, because when stars or suns appear to us, it is because somewhere in the spiritual world there is the seat of a spiritual community, just as the earth is the seat of a community of people. But just as little as one would perceive the physical bodies of a distant star, only the human souls, so little can it be said that something up there among the stars could interest us that is not of a spiritual-soul nature. But what we see, we must imagine as the vapors of the earth's atmosphere, which collide with what is coming in, and the physical eye can see nothing of what the star really is, but only the vapor that the earth itself throws out into space. All that we see as the starry sky is nothing but the material, albeit ethereal, material of the earth itself woven together, it is a curtain that the earth draws across what is behind it. But when the soul comes to live itself out in this world, then it perceives that out there are not these fantastic stars, these materialistic-fantastic stars that physicists speak of, but living beings, living communities of beings, floating up and down, weaving back and forth in the outer space of the universe, passing the gifts from top to bottom, and in turn the gifts are passed from bottom to top. If you translate the words into the spiritual:

How everything is woven into the whole,
One thing within the other lives and works!
How heavenly powers ascend and descend
And pass the golden buckets!

— Powers, but now in the sense in which we speak of primal forces -,

With wings that smell of blessing
From heaven through the earth they penetrate,
Harmoniously through all the universe they resound!

But if we imagine all this in spiritual and mental terms, then we have roughly the world in which the soul lives out itself.

Now, what did Faust have of all that has been described here at the time when he is presented to us? He has opened an old book, written by someone who has recorded an ancient observation in signs: this was given by the sign of the macrocosm. But Faust is naturally not in a position to project his soul into worlds where the entities in space develop their great happenings. Faust is not able to reach that level. He only sees the sign that someone who has reached that level has written down, the sign of the macrocosm. But a dream, a presentiment is evoked that this sign means something. So imagine yourself in your soul, that you had never heard of spiritual science, that you had the sign in front of you, but that you had an inkling that someone had once seen something similar that you would also like to see, then you are in Faust's soul. At first you can dream yourself into it, so that your imagination brings to life something through these outer signs, which are essentially the signs of the zodiac, the signs of the elements, the signs of the planets. You can even begin to break out with overflowing feeling into the words:

What a spectacle!

But this strikes back at you, for now you become aware that you have nothing but the sign in the book, nothing but a fantasy...

But alas! only a spectacle!

Even just a spectacle as an inner fantasy! And you are thrown back. The sign has brought you to nothing, on the contrary, it has thrown you back, has brought you the feeling: there is the world of the spirit, before which you stand, but nowhere can you find an entrance.

Where can I grasp you, infinite nature?
Your breasts, where? You, the sources of all life,
On which heaven and earth depend,
Where the withered chest presses –

Nothing but feeling inside the elements, in the light and in the air, as I said, in the subordinate world. And now even more clearly expressed. Faust has pushed his way up into the spiritual world, fallen back into the world that I described earlier as the next supersensible world. This with the air and light life, that expresses itself very well in the words:

You spring up, you water, and must I languish in vain?

He has fallen back completely, back from the spiritual world into the elemental world. But he is not yet able to recognize this either. It helps him that he opens the book and sees the sign of the earth spirit. That is the sign that someone has written who has had this lower world, the elemental world, as his own world. Now he feels at home in it. He has a presentiment of being at home in it.

How differently this sign affects me!

— because he feels something in it, because he has turned away from the appearance of meaning and feels something of the world's inner workings. Now he is actually always speaking of this world:

Already I feel my powers increased,

— that which one experiences when one lives in warmth and light -,

I glow like new wine.

Imagine feeling warmth in your soul when you live and weave in the world as a heat wave!

I feel brave enough to venture out into the world.

It really is like moving in the elements. I told you that life on earth becomes a sense organ, and just as you feel your eyes and ears within you, you now feel your sense organs in the earth.

To bear the earth's sorrow and its joy,
To battle with the storms around me,

when you are a wave in the air.

Clouds gather overhead,
The moon hides its light.

No wonder! I have just described to you how this happens, how stars like the moon go out. The light goes out because it goes with the light itself.

It steams! – Red rays
Twitch around my head

This is now internal perception.

A shuddering blast
From the vaulted roof descends
And seizes me!
I feel it, thou art hovering around me, implored spirit.
Reveal thyself!
Ha! how my heart is torn!
To new feelings
All my senses are awakened!

Do you not notice how life is expressed in the elements here?

I feel my heart completely given to you!
You must, you must! Even if it costs me my life!

And now, out of his meditation, he speaks the spell that is added to the sign of the earth spirit, a meditative, suggestive spell that really does lead him to the sight of the spirit, who is the leader of the spirits in whose realm we enter when we enter the elemental world. But immediately we realize that Faust is not actually ready for this world, and above all cannot feel ready for this world. What will become of him, then, of Faust? He will come to self-knowledge, in the sense that this is the highest knowledge of the world, in that we all experience what can be experienced when we swim and weave and roll and dwell in the elemental world. But Faust cannot recognize what individualizes itself in it.

This spiritual conversation between Faust and the Earth Spirit is so very characteristic of the state of maturity of Goethe at the time when he wrote the scene, as he describes his tremendous striving into the spiritual world.

Spirit: Who calls me?

Faust is already turning away. Of course, it doesn't sound like what we usually hear with our ears, that it sounds to us from afar, but rather so that we live in the sounds. It sounds different from what can be heard on earth, very different. Just as one does not see what one sees through the light, but rather shines with it. It looks different. Faust wanted to become a superhuman. That is, he wanted to enter the spiritual world, but he is seized by horror at this spiritual world. Through this encounter with the earth spirit, it becomes clear to Faust that one must become a different person than one was before as a human being if one wants to enter the spiritual world, that one cannot enter this spiritual world with one's ordinary powers, feelings and passions. Faust must have felt this deeply, how he was first thrown back, falling from the higher spiritual world into the elemental world, and how he is now thrown back in the elemental world in his knowledge, because he has remained only the ego he used to be, because he did not develop into this elementary world, to which the suggestive meditation brought him, which he carried out through the saying attributed to the earth spirit. He was able to see for a moment what kind of beings are within. But the spirit says to him:

Where are you, Faust, whose voice resounded for me,
Who with all his powers penetrated me?

That this voice resounded from the subconscious, I have already pointed out, that this was the Faust whom the outer Faust himself does not even really know.

Is it you, surrounded by my breath,
Trembling in all depths of life...

This “you” now refers to the ordinary Faust, while the striving Faust was the higher human being Faust.

A timid, cringing worm?

But now Faust's defiance awakens. He wants to plunge into the world for which he is not ready:

Shall I yield to you, flame formation?
It is I, I am Faust, I am your equal.

Now he can still hear how the spirits of the elemental world, into which he has transferred himself, live with human history, with what takes place on earth through the races and cultures, and how they live with it. And the secret of the elemental world is expressed by the earth spirit; it never speaks of being, but of becoming, of happening.

Spirit: In the floods of life, in the storm of action
I surge up and down,
Weaving back and forth!
Birth and grave,
An eternal sea,
A changing weaving,
A glowing life,
So I labor at the whirling loom of time
And weave the living robe of divinity.

Not in space, but in time: read the lectures given in The Hague!

Faust can grasp that this is the spirit that walks through history:

You who wander the wide world,
Busy spirit, how close I feel to you!

You who wander the wide world! You who are the spirit that belongs to the spirits of the age, how close I feel to you! — So he says in his presumptuousness. The spirit now tells him what Faust himself later calls the word of thunder, which strikes his soul like a word of thunder and in turn strikes him back into the ordinary world in which he is because he is not yet mature. He should seek self-knowledge and in the self expanded to the world, the spiritual world. He cannot yet find it, so the word of thunder must sound to him from this earth spirit:

You resemble the spirit that you comprehend,
Not me!

What spirit is it then that Faust comprehends? What spirit does Faust comprehend? He, the image of the deity, who cannot comprehend the earth spirit? How can he then advance in self-knowledge? What kind of human spirit can Faust comprehend? Enter the other Faust, wearing a dressing gown and nightcap: this is the spirit you comprehend! You do comprehend Wagner! You have not progressed any further, for the other part of you lives only in defiance, as a passion! In self-knowledge he comes a little further. That is precisely what is so remarkable about Goethe's Faust, that is the beautiful artistic form of Goethe's Faust, that what is brought onto the stage in real form is always, at bottom, a piece of self-knowledge. Just as Mephistopheles is a piece of self-knowledge, so is Wagner also a piece of Faust's self-knowledge. Wagner is Faust himself. And it would not be wrong to stage “Faust” in such a way that the character of Wagner, dressed in a dressing gown and nightcap, to whom Faust turns away, would be a likeness of Faust himself. Then people would immediately understand why it is precisely this Wagner who comes in. What Wagner says is basically what Faust already understands; he only recites the rest. He just lets it out. He believes he is elevating himself to the highest truths, which he can recite in a phrase-like manner, but which he does not experience inwardly. And now a piece of self-knowledge takes place. Wagner speaks the truth. Basically, Faust has not spoken his innermost experiences, he has recited.

Forgive me! I hear you declaim.

That is one truth: he only declaimed. And it is a piece of self-reflection to realize that you do not approach the spirit of the world in this way, but at most read a Greek tragedy. So many people, when they approach spiritual science, want to declaim about the highest truths, even if it is often a self-declamation about the highest truths. Basically, they want nothing more than to benefit from this spiritual science, to profit from it, to delude themselves with a hazy mist. With regard to today, it can be said that this is often the case in some circles. Some people are very interesting when they talk about their visions. In earlier times, we heard this from the priests; now the actors have learned it even better, so that the priests can learn something from the actors. If Faust were to go only as far as his understanding, he would have to say the words that Wagner speaks, his mirror image. But he goes beyond the limits of his passion, and goes beyond with the Luciferic, not with the genuine, full, human core of the soul, but with the Luciferic core. It is the Lucifer in Faust who now answers what Faust is, but what stands before us as Wagner:

Yes, when the pastor is an actor;
How that may come about in time.

This contempt, this arrogance comes from the Luciferian in Faust, because if Faust were not seized by Lucifer, he would speak as Wagner does when he expresses only what he can honestly admit as the subject of his understanding. The other thing is a dark foreboding in him of something he wants to get to. But this soliloquy – really, it is only a conversation with himself – does get him a little further. You get so much further in life when you encounter yourself in another. You don't like to admit to yourself that you have these or those qualities. But when they confront you in another, you are more willing to study them. In this way, we acquire self-knowledge when a quality presents itself in the form of another, as in Faust by Wagner. Faust has not yet reached the point where he would say to himself, now that Wagner is gone: Yes, that is actually me. — If he had already fully penetrated to himself with his understanding, he would say: I am only a Wagner, the Wagner is only here in my head!

How all hope does not fade from the mind,
That clings forever to stale evidence,
With greedy hand digs for treasures,
And is glad when it finds earthworms!

For up to now he has done nothing else, except seek the spirits in the manner described. It is self-knowledge that confronts Faust in Wagner. Who sent Wagner into him? The Earth Spirit sent him in, the Earth Spirit:

You resemble the spirit you comprehend,
Not me!

And now Faust shall see what spirits he resembles. He does not resemble the Earth Spirit, who is the ruler of the Earth, but he shall see one of the forms within him: there is your Wagner! This Wagner is in you!

But now there is not only Wagner in Faust, but the Luciferic element is opposed to Wagner, that is, opposed to itself. There is another element in him.

If you look at “Faust” in its earlier form, as it was at the beginning, it is the case that Goethe did not finish the following after the earth spirit scene at the time. It continues like this: conversation with Wagner, then with the student, Mephisto... Mephisto enters, of whom Goethe does not quite know whether he is Lucifer or Ahriman. If he had studied spiritual science, Lucifer would appear now. But he has the other one, who is sent to him by the earth spirit. The earth spirit sends him Wagner, sends him Mephisto, we would say Lucifer. Faust is to get to know little by little what is in him. Mephisto is sent by the earth spirit: There you have another one of the spirits that you understand. Try to understand the Lucifer that is in you, and not immediately look at the spirit of the earth!

How unclear Goethe was about the matter can be seen from the fact that a small piece, which was later left out, is in the original writing, in four lines. In 1775 there were four lines after the scene where Mephisto has brought Faust so far that he has led him to Gretchen, and that Faust now wants to force himself on Gretchen. There are four lines that were no longer in the fragment as early as 1790. After Faust, who is actually Lucifer – Goethe just mixes them up – has asked Mephisto to take care of the jewelry for Gretchen, Mephisto says in the old manuscript, after Faust has left:

He acts as if he were a prince's son.
If Lucifer had a dozen princes,
They would surely conjure up something for him;
In the end, he would get a commission.

There it is, Mephisto himself calls himself Lucifer. As I said, the four lines were later omitted. So what was Goethe actually trying to do in his earlier days, when he wanted, one might say, to express himself in his “Faust”? Well, he wanted to show how man should come to self-knowledge. But, one might say, there is an inkling of it in this first scene, which Goethe wrote in his youth, and which you can now read with clarity, where it is described in “How to Know Higher Worlds?” the encounter with the Guardian of the Threshold. You foresaw in Faust how the human being, who gradually realizes how different entities are within him, divides himself up, how he divides himself up into Wagner and Lucifer-Mephisto. He gets to know himself bit by bit in his individual parts, he gets to know himself as Wagner, he gets to know himself as Lucifer-Mephisto. But as I said, Goethe first had to mature in order to really see the great significance of the Christ impulse for humanity, as far as that was possible in his time. Therefore, we see how Goethe, in his later years, sought to supplement what he had written earlier about Faust's striving until man encounters himself in his various images, including the image of Lucifer, by having Faust come into contact with what has been incorporated into earthly development through Christ. One could say that the cultic symbols of Christ approach Faust. And so we see in Faust the document that shows us how Goethe himself brought occultism to Christianity, to the Christ impulse, and how we are indeed continuing today to work on the path that Goethe took with regard to its first steps. In Goethe's time one could only get a glimpse. Today, the time has come when it is possible for man, through spiritual science, to truly enter into the realm of spiritual life, into which all of Goethe's striving was directed. Today, Faust must be understood differently than Goethe himself understood him. Yes, the world is progressing, and if we do not fully recognize that the world is progressing, then we are not serious enough about the world. But such experiences, that one splits, that one encounters oneself in one's true form, in a Luciferian form, such experiences do bring one forward, but always only a little way. We must part with the belief that we can see the whole spiritual world if we have only made small advances, such as we can make through meditation. One always advances only a little.

There are two natures in Faust: the Wagner nature and that which now strives forward. When Goethe wanted to point this out in his later years, he did it very beautifully. Goethe felt the need, when Faust had already approached Christianity, to show what the Wagner nature in Faust is. Therefore, he lets Wagner and Faust take the Easter Walk together. It is now the case that, as is naturally dramatic, two people are presented to us, showing what is going on in Faust's soul. The higher man in Faust strives forward, but the Faust-Wagner holds Faust back. A spark of comprehension of the spiritual world has been kindled in Faust, so that he now sees not only the sensual poodle, and there really is something like a soul force in Faust that expresses itself in the conversation with Wagner:

Faust: Do you see the black dog roaming through the seed and stubble?

Now the nature of Wagner awakens in Faust.

Wagner: I saw him long ago, he seemed unimportant to me.
Higher Nature: Look at him closely! What do you think the animal is?
Wagner Nature: A poodle, who in his own way is trying to follow his master.

These are objections that Faust himself actually raises. And now it continues. Faust begins to see the supersensible behind the sensual; he already senses it. So, it is a hunch, brought on by the experiences he has had. A spark of the spiritual world has entered into him. And it is beautiful, one wants to say, how infinitely artistically sincere and honest Goethe is, one just has to understand him. When Faust now feels the Luciferic in himself – as you know, the Luciferic is connected with obstinacy, with inner egoism – he, Faust, now also carries this Luciferic into his being gripped by the Christ impulse. It is a Luciferian trait that the Gospel of John, in that he wants to translate it, does not seem perfect to him at all. For the understanding, the Goethe commentators are a bit curious, who really go along with the poet, because they always go along with the poet, even where he distributes the things he wants to say among his characters. Faust does not yet understand the text of the Gospel at all, otherwise he would stop at “In the beginning was the word”. He falters because he does not yet understand it. The professors present it as if Faust understood it better, but he does not yet understand it. What appears to him now is the power, the deed – so he brings rationalism and intellectualism into the gospel. This now evokes the opposite phenomenon. Whereas he was once pushed down into the sensual world, he is now drawn up into the spiritual world. By fully asserting his limitations, by setting 'sense and power and action', he is pushed up into the spiritual world, because there is already a spark of spiritual power in Faust. Then the spirits come and again as the messenger of the earth spirit... Mephisto, this unclear figure between Lucifer and Ahriman. So you see, one must understand Goethe's struggle to penetrate Faust's spiritual world, and one can learn an infinite amount from it, especially for our present time.

What I particularly wanted to do in the last lecture on Easter Sunday and in this lecture was to show you how it is more difficult for a spirit that wants to delve deeper to penetrate to the Christ impulse than for a spirit that remains in its infinite pride and conceit and does not want what spiritual science can offer it. On the other hand, I also wanted to use Faust to illustrate how powerful the impact of the Christ Impulse has been on the world. There will come a time when we will learn to understand the inner nature of the Christ impulse ever better and better, precisely through what spiritual science has to give. It stands there in the world – I would like to say, as an illustration of the development of humanity on earth, brought about by world history, of what the Christ impulse is – the fact stands that centuries after the Christ impulse entered into the development of humanity on earth, something occurs in this development of humanity that is also not properly understood. But at the moment when one begins to understand it correctly, one is led precisely through this understanding to a deeper feeling for the Christ event. You know, of course, that six hundred years after the Christ impulse entered into the evolution of mankind, a prophet arose in a certain community who initially rejected what had entered into the evolution of mankind through the Christ impulse: Mohammed. Today we must no longer profess the superstition of the 19th century, which, out of rationalism, seeks to explain in a belittling way what must be explained out of spiritual insight. And it must appear ridiculous to anyone who really wants to penetrate into spiritual science when a particularly learned and clever man says of Mohammed: Yes, he claims that the angel who whispered in his ear what he wrote in the Koran approached him in the form of doves! But Mohammed - so the rationalist scholar says - was a mere juggler. He put some grains, which doves like to eat, into his ear, so the doves flew up and took the grains, but flew away again when they had had them! Yes, there have been such explanations, within and outside of Christianity, in the very clever 19th century.

There will come a time when such explanations will really only be laughed at, even though they are fully capable of satisfying materialism. We have to take Muhammad more deeply; we have to be clear that what lived in his soul was really such intercourse with the spiritual world as Goethe sought for his Faust. But what did Muhammad feel? What did he find? Today I can only hint at it, another time I will explain it more precisely. What did Mohammed find? Well, you know, Mohammed first strove for a world for which he had an expression, it is only one word: God. The world becomes a monism, a monistic expression of God. This world has nothing of the essence of Christianity, of course. But Mohammed does look into the spiritual world; he enters the elementary world of which I have spoken today. He promises his believers that they will enter, when they have gone through the gate of death, into this spiritual world. But he can only tell them about the spiritual world that he has come to know. What kind of spiritual world is this? This spiritual world, of which Mohammed tells his believers, is the Luciferian world, which he regards as paradise, the world that is to be aspired to. And when one passes from the abstract to the real, and adds, by way of interpretation, the meaning of Islam's striving in the spiritual world, one recognizes what spiritual science also proclaims. But this spiritual world is the world in which Lucifer rules; reinterpreted, the Luciferian world becomes a paradise, the world that people are just beginning to strive for.

I believe that it must make a deep impression on our souls if we can delve into the essence of historical development in such a way, through a very important phenomenon. It must give us pause when we learn in the progression of religious life how a great prophet emerged with the error that the Luciferic world is paradise. I do not want you to take this in just as abstract truths, I believe it can shake the soul if you let it affect you. But what does the Muslim do to enter his spiritual world? Perhaps we could later have a note handed in at the door from each of our dear friends here who has read the entire Koran. It would be interesting to count the slips of paper of those who have read it. But it is not easy to read the Koran completely, with its endless repetitions, which Westerners find so endlessly boring to read. But among Muslims, there are people who claim to have read it from beginning to end seventy thousand times in their lives. That means: to have brought a word that was given to the soul in such a way that this word has become alive in the soul! Even if we cannot learn anything in terms of content from such a religious community with regard to Christianity, we can still learn that within that community of people, even spiritual error is treated quite differently than what we are called to recognize as spiritual truths. At most, a European might read Faust, then, when he has forgotten it, read it again, and when he has forgotten it again, read it once more. But those who have read Faust a hundred times will also be sought after. It is also understandable within the context of Western education to date. How could anyone read everything that is printed in the West seventy thousand times? It is quite understandable. But we should still acquire something, that it is one thing to simply inform oneself about a content that is meaningful for the soul's life, and something else to live with it, again and again, so that one becomes completely one with it, completely one. It is something that one must first gain an understanding of, something that one cannot even understand according to the thinking habits of our national community. But we should reflect on such things. Not just to tell you something, but to stimulate your reflection, words are spoken as they are in this reflection. To increase our sense of responsibility towards ourselves and towards the world, with regard to what spiritual science can and should be for us.

We live in difficult times in many respects. The very difficult external events that surround us at present are only the outward sign of our very difficult times. It is not good to look at these very difficult times as if they were an illness, as we often call an illness an illness, because an illness is often a healing process, the true illness has preceded the physically apparent illness. So also what is now going through the world as mourning events has been preceded by something pathological, and we are to see into much deeper things than humanity is inclined to see into. Oh, a great pain can be deposited on the soul of the one who looks at the present time with the tasks it has, and with the little understanding that so many people have for these tasks. When one sees how people judge, think, feel and perceive the world today, and how these thoughts, feelings and perceptions lead to external events, and how people learn so little from these external events, then an infinitely meaningful pain is deposited on the soul. It is this feeling of pain that must now often come over the soul. If one can really look back over the past months of trial, to mention only the most recent, and turn one's gaze to what people have learned through these months of trial, to what judgment confronts one in relation to what confronted one eight months ago: it is the same kind of judgment, the same kind of feeling. What made people believe they were right eight months ago, they still think so, they even want the sad events to have occurred in order to prove them right in what they believed was right eight months ago.

I cannot express how infinite the pain is that one feels at the small way in which human souls have changed in recent months according to the assumptions that had to be made for this change, so that our time really would be a time of trial, a time of learning. But of those who stand within spiritual science, one would wish that they absorb much of what can be learned when such considerations as these are undertaken in connection with Faust. Again and again one would like to point out to souls the deep seriousness and the sacred striving for truth that must be connected with our spiritual-scientific view. And in such a movement there must be retribution for everything that does not arise out of deep sincerity and a deep sense of truth. We must really try to overcome everything that can make one say to the one who utters it: Forgive me, I hear you declaiming!

Is it not strange, when we see the stage traditions according to Wagner often on the stage today, and when scholars, when rationalists and intellectuals deride what Wagner is, instead of them knocking on their hearts and seeing themselves in the Wagner. This Wagner sits on the chairs everywhere, in the laboratories, and our scientific literature, our philosophical literature, would contain a deep truth if the majority of the authors chose the pseudonym “Wagner”. For they are written by Wagner, these philosophies of the present.

I am quite sure that many a person who lives in the ranks of spiritual science also has sufficient reason to beat their breasts, to examine themselves in self-knowledge, to see how much of their soul is mere self-promotion and how much arises from absolute honesty, from an absolute sense of truth! With this admonition to your hearts, to the deepest powers of your soul, I close this reflection.

following a eurythmy presentation of the first scene of the second part of “Faust”

It will be understood that it is hardly possible to give a Whitsun lecture in the usual sense this year, especially at this time, namely at Whitsun itself. Let us consider what characterizes the time of Whitsun in the document of Christianity, the New Testament. We will find that the significant characteristic of the Pentecost is that the Spirit is poured out on those who are called apostles. And the consequence of the outpouring of the spirit is, as we see from the second chapter of Acts, that the people of the most diverse languages, who are gathered together at the Feast of Pentecost, ten days after the so-called Ascension, each hears what is to be proclaimed to them in a way that sounds familiar to him, even though each one expressly emphasizes that he is only capable of his mother tongue.

And so the outpouring of the spirit at the Feast of Pentecost appears like the outpouring of the spirit of love, of unity, of harmony among those who speak the most diverse languages across the globe. Or, to put it better, to match the wording of the Bible, the matter could be put in the following way. One could say: In the Pentecost proclamation, something is given that resonates so powerfully with the human mind that everyone can understand it, even though they only understand their mother tongue.

Almost everyone feels that it contradicts what surrounds us at this year's Pentecost festival if only one interpretation of what this Pentecost proclamation can mean is given. We need only consider that nineteen centuries after this Pentecostal proclamation, the world has managed to follow this Pentecostal proclamation in such a way that this Pentecost now sees thirty-four different speaking peoples fighting with each other, in a sense completely contradicting the meaning of Pentecost. Perhaps this language of fact will at least lead a certain number of people to realize that the Pentecost message has not yet spread throughout the world in a far-reaching way, that it has not yet sufficiently taken hold of people's minds and that it must speak to the minds of men in a new form, more urgently, more meaningfully than it has spoken up to now, so that it can be understood in the future in the way in which it must be understood.

And so this year, as a Whitsun reflection, a general point of view will be taken, so to speak, a point of view that can bring us closer to the new Whitsun proclamation from a certain side, which we mean by spiritual science. For we must regard what has just been explained in the lectures that we have completed here as a Pentecostal proclamation to humanity; we must understand this spiritual science as a Pentecostal proclamation.

Let us take what we know about the Mystery of Golgotha and let it enter our soul. What is the essence of this Mystery of Golgotha? This essence of the Mystery of Golgotha consists in the fact that a spiritual entity, which we know to belong to the cosmic spheres, descended and underwent earthly destinies, earthly suffering in a physical human body, that the Christ-entity lived for three years in the body of Jesus of Nazareth. Through what the Christ-being experienced in the body of Jesus of Nazareth, this Christ-being has been united since the Mystery of Golgotha with what we can call the spirit of the earth, what we can call the auric of the earth. So that for us the entire evolution of the earth breaks down into a time before the Mystery of Golgotha, when that which the Christ-spirit is can only be hinted at when man rises through initiation out of the earthly sphere, in order to perceive not that which lies within the earthly sphere, but that which the earth has no part in, which is only predetermined for it for a later future, and in the time after the Mystery of Golgotha. Since the Mystery of Golgotha, we know that the human being, with his spiritual soul, does not need to flee from the earth, but can remain within the earthly sphere and can perceive within this earthly sphere the impulses contained in the Christ-being.

Now we must realize that for centuries until our time, a part of humanity has become aware that the Christ Impulse is connected with earthly existence. Something has changed in the collective consciousness of those human beings who have felt and sensed something of the Christ Impulse. Something has changed in the overall consciousness of these people. The belief has entered the soul that the Christ is with man, that the human mind can unite with the Christ, that the human mind can experience something within earthly existence that is vividly imbued with the Christ impulse. But an understanding of what the Christ impulse is in the entire earthly existence in the development of humanity must first really penetrate into human souls through spiritual science. And for this it is necessary to recognize how this Christ impulse works in the human soul in such a way that two other spiritual impulses are, as it were, kept in balance.

This is what our sculpture, which we are erecting in the east of our building, will have to depict. There we will place the representative of humanity, the representative of the human being insofar as this human being can experience the deepest things in himself, insofar as this human being can experience what one experiences when one has taken up the Christ impulse as a living impulse in one's soul. For my sake, the main figure in the building in the east can be called the Christ; he can also be called the representative of the internalized human being in general. But one will have to see this spirit, which speaks through a human body, in connection with two other spiritual entities, with Lucifer and Ahriman. The representative of humanity will have to express his relationship to Lucifer and Ahriman while standing upright. Everything about this figure must be purely characteristic. Above all, you will notice later, when this figure has just been set up, that the gesture of the raised left hand and the gesture of the lowered right hand are very special. This gesture of the hands will be understood when one sees how, above, on the rock toward whose summit the left hand of the Representative of Humanity is raised, the left arm rises, just as above, on this rocky summit, Lucifer falls from the reason that he breaks his wings.

Now one can easily believe that this breaking of the wings would be caused by the power emanating from the arm of the representative of humanity, as if, as it were, this power radiated out to Lucifer and broke his wings. That would be a false conception. And hopefully we will succeed in preventing this false conception from arising through the vivid description. For it is not a matter of something emanating from the fully Christianized human being that breaks Lucifer's wings, but rather that Lucifer experiences something within himself when he senses the proximity of the Christ, which leads to the breaking of his wings. Because he cannot bear the Christ-power, the Christ-impulse, he breaks his wings. It is a process that is not brought about by a battle between Christ and Lucifer, but it is a process within Lucifer himself, something that Lucifer must experience within himself, and there must be no doubt for a moment that it would be impossible for Christ to feel hatred or feelings of struggle against Lucifer. Christ is Christ and only fills the world-being with positive things, does not fight any power in the world! But it must fight against the power that now comes into its proximity as the power of Lucifer. Therefore, the hand raised on the left must not work aggressively, nor must the left half of the face work aggressively with this peculiar gesture. Rather, it is as if it is pointing out that, in the context of the world, Christ has something to do with Lucifer. But it is not a fight. The fight arises only in the soul of Lucifer himself. He breaks his own wings, they are not broken by Christ.

And it is the same with Ahriman, who crouches in a rocky cave under the right side of the thoroughly Christianized human being, under which the earth is driven upwards: the material that is driven into people, but which cannot gain strength and weakens because the power of Christ is near it.

In turn, the power of Christ, flowing through the arm into the hand, must betray nothing of hatred against Ahriman. It is Ahriman himself who weakens and who, through what is going on in his soul, wraps the hidden gold in the veins of the earth around him like fetters, so that he makes fetters out of the gold of the earth and forges them for himself. He is not forged by Christ, he forges himself on by feeling the proximity of Christ.

But this only lays bare, I might say, the primal relationship, which must be recognized so that what the Christ impulse is can really be understood by human souls.

A simple parable can be used to explain this Christ impulse in abstract terms. Imagine a pendulum. The pendulum swings to one side, then falls to the lowest point under its own gravity and swings to the other side, and so on until there is a point on this other side that we call the point of equilibrium. This point would be a dead point, a stationary point, if the pendulum did not now swing to the other side. There is life in the pendulum in that it swings to both sides and has a resting point in the middle.

Since the Mystery of Golgotha, we can imagine the evolution of the Earth in the following way: a pendulum swing to one side, to the Luciferic side, and a pendulum swing to the other side, to the Ahrimanic side. And the point of equilibrium is the Christ in the middle.

That this must first be recognized may be seen from a significant historical fact. We all admire the painting that Michelangelo called 'The Last Judgment'. You know it from reproductions of the original, which is in the Sistine Chapel. We see there, painted with magnificent mastery by Michelangelo, Christ, sending some to hell, triumphantly, to the evil spirits, and sending the others, the good, to heaven. And if we look into the face of this Christ, we see the wrath of the world in him. And if we have taken in spiritual science, if we have truly united in love with our minds everything that we have been able to take in of spiritual science so far, then today, despite our admiration for what Michelangelo created, we say: This is not Christ, because the Christ does not judge! People judge themselves, as Lucifer and Ahriman experience their own processes, not what is brought about by any kind of struggle of the Christ against them.

When Michelangelo created his Christ, the time had not yet come to recognize the Christ in true perfection. I might say that a lack of clarity still prevailed in people. In Christ Himself, something was seen of which we know today that it must be attributed to Lucifer or Ahriman. And we can understand something of it today when people have found something of Lucifer or Ahriman in the Michelangelo Christ, for He is not yet free, as Michelangelo portrays Him, from that of which the Christ is completely free.

If we take a good look at ourselves, we can see that from the perspective that gave birth to Michelangelo, it was impossible to create an image of Christ that corresponded to a true understanding of the mystery of Golgotha, because the one thing that had to be known was still unresolved: the relationship between Christ, Lucifer and Ahriman.

How often has it been emphasized in our circles that it is a false sentiment to point to Lucifer and say, “I want to flee from him,” or to point to Ahriman and say, “I want to flee from him.” That would only mean wanting to make a pact with weakness, would mean advising the pendulum to remain in a state of equilibrium, not to swing to the left or to the right, but always to remain at rest. We cannot escape the world forces that we call Lucifer and Ahriman; we just have to find the right relationship with them. And we find this right relationship when we understand the Christ impulse in the right way, when we see in the Christ Being the guide who can place us in the right relationship with the Luciferic and Ahrimanic powers, which must one day be the powers of the world.

Let us consider everything that Lucifer brings into human life. He brings into it everything that is connected with perception, with the passions, with the life of feeling and of the emotions. Life would be dry, sober, abstract if it were not for the living sensation and feeling that permeate it. If we look at the development of history, we see what passion, often called the noble passion — and rightly so, the noble passion — has achieved in history, what feeling and sensation have achieved. But we are never able to cultivate feelings and sensations at all without entering the sphere of Lucifer. It is only because we never enter this sphere without the guidance of the Christ impulse.

And on the other hand, we see how necessary it has become, especially in more recent times, to understand the world more and more, to develop science, to master the external forces of nature. Ahriman is the master of that which is external science, of that which lives in the external forces of nature. And we would remain foolish and stupid if we wanted to flee the Ahrimanic element. It is not a matter of fleeing the Ahrimanic element, but of entering, under the guidance of the Christ Impulse, into that sphere in which Ahriman rules in the world. And thus not indolently seeking merely the point of rest, but to witness the living movement of the world pendulum, to experience it in such a way that we do not take a step without the guidance of the Christ Impulse. Knowledge of Christ is only possible when the relationship of the Christ impulse to the Luciferic and Ahrimanic forces of the human soul has become clear. Therefore, the proclamation of the Luciferic and Ahrimanic side of the world is part of what our spiritual scientific movement had to take up, since it was aware that it had to place itself on the ground of the Christ impulse. And that is why you cannot find anything in the non-Christian theosophical teaching about the Ahrimanic and Luciferic elements, because this Luciferic and Ahrimanic element had to arise at the moment when the spiritual scientific movement had to reckon with the Christ impulse in a serious way.

I think it is something extraordinarily important for the human soul to feel how spiritual science has the task of really bringing something new into human consciousness, something so new that we ourselves may measure it against such great creations of humanity as the Michelangelesque Christ of the “Last Judgment”. And what we have in mind through spiritual science must appear to us as the new Pentecostal proclamation in the true sense of the word.

Around Easter time, we saw how one of the great minds of modern times, Goethe, wrestled with the question of how to relate the one he presented as the representative of humanity, Faust, to the Christ impulse. And we have seen how Goethe was not yet able to do this in his youth, but only in his mature years. And so, in many ways, spiritual life, as it has developed up to the present day, appears to us as a struggle, as an unceasing struggle. It truly appears to us in such a way that we must become extremely modest when we see how the most exquisite spirits of humanity have labored to gain insights and perceptions of what the Christ Impulse signifies. We realize how modest we must be in our human striving for this knowledge of the Christ Impulse.

Goethe – as we have seen – was initially concerned with allowing what works around people as a Luciferic and Ahrimanic element to really take a back seat to his representative of humanity, to Faust. And we have seen how Goethe mixed up the Ahrimanic and the Luciferic element so that it is not easy to distinguish them in the figure of Mephistopheles. We have shown in the Easter lectures how the Luciferic and Ahrimanic elements are mixed together in the figure of Mephistopheles, because Goethe was not yet able to have a clear insight. Basically, Goethe felt throughout his life the striving within him to come to a clear understanding of the relationship between man and Lucifer and Ahriman. When, at the end of the 18th century, he was asked by Schiller, as a mature man, to continue his “Faust” and saw again what he had written in his youth, he called what he had put together at different times a tragelaph – half animal and half human; that is how his “Faust” appeared to him. And he called his “Faust,” to indicate the difficulty of continuing it now, “a barbaric composition,” so that we have the judgment of Goethe, who must have known more about his “Faust” than those who are not Goethe, that the “Faust” is a tragelaph, “half animal and half human,” that it is a “barbaric composition”! What I wanted to present at Easter, and what can so easily be misunderstood, ultimately leads back to a judgment of Goethe's own. Yes, of course, very clever people see in “Faust” a perfect work of art, see in “Faust” that which cannot be surpassed. It was not Goethe's opinion and must not be our opinion either. Even if we see in Faust a rise to the highest, we must realize that this Faust suffers above all in its inner composition from the fact that in his figure of Mephistopheles, Lucifer and Ahriman are mixed together in a completely inorganic way.

But despite all this intermingling, Goethe felt darkly: Lucifer and Ahriman should have appeared together. Goethe just mixed everything together and called it all “Mephistopheles”, so that in the individual scenes in “Faust” Lucifer is often Lucifer, in other parts Mephistopheles or Ahriman. But this was quite clear to Goethe: something is happening in the human being that is taking place under the influence of Lucifer and Ahriman, of Lucifer and Mephistopheles. Such things happen in people.

Now let us look at the end of the first part of Goethe's “Faust”. How does it end? Faust has incurred the most terrible guilt imaginable, has a human life on his conscience, has betrayed a person, incurred the terrible guilt, towards himself and towards the other person. And the last word of the first part of “Faust” is: “Her zu mir!” (To me!), at the same moment as, only through a voice as if from heaven, resounding: “Heinrich, Heinrich!” (Henry, Henry!) We therefore know from this end of the first part where Faust has come. He has come to Mephistopheles. Mephistopheles has him. There is no doubt about that.

And now we see the beginning of the second part. This beginning of the second part presents us with a charming scene: “Faust, tired, restless, lying on a flowery meadow, seeking sleep.” Ghosts appear. And from what they say, we get the impression: we are dealing with nature, yes really, with nature – we just need to go out at this time of year – and we have this nature. Whitsun nature, for example! Whitsun mood, for example! This Whitsun mood has an effect on Faust. And afterwards he continues on his journey through life.

A scholar made a comment about what Goethe had done, which, it can be said, has something to it, even though the remark is philistine and pedantic. The scholar said: When you have incurred a grave guilt, as Faust did towards Gretchen, then go to a charming region, to a flowery meadow, perhaps go on a mountain expedition, and your soul will be cured and capable of further deeds. One could say that, realistically Ahrimanically conceived, this saying of the scholar Rieger has much to be said for it. For it should actually be unbearable for all people who, in the usual sense of today, have a purely materialistic world view, to let the second part of “Faust” have an effect on them, after the great, powerful guilt that Faust has taken upon himself is characterized in the first part. But unfortunately, when it comes to the human and personal, we do not take humanity's greatest work of literature – for that is “Faust”, despite being a barbaric composition and a tragicomedy in its first part – we do not take it literally enough. If we took it literally enough, we would know that the line “Her zu mir!” (“To me!”) is true... Mephistopheles has Faust. As he has him, Faust is now lying on a flowery meadow, restlessly seeking sleep. We must not think of Faust as being separate from the infernal powers at the beginning of the second part. But Goethe was striving for true spiritual knowledge. How close Goethe was to spiritual knowledge may be seen from a passage in a letter that Goethe once wrote to his friend, the musician Zelter. It is a significant passage! Goethe writes: “Consider that with every breath an etheric Lethestrom permeates our entire being, so that we remember the joy only moderately, the suffering hardly.” With every breath, our inner being is indeed permeated by an etheric life stream, but that means nothing other than: Goethe knew very well about the etheric body that humans have. Of course, in his time he only brought this up in his circle of friends.

How Goethe stood by the entire human being, how he, looking at this human being, said to himself: This human being can become guilty, because something dwells in him that is under Mephistophelian influence, that belongs to Mephistopheles belongs. As Goethe looked at this human being, who belongs to this sphere, it was clear to him at the same time that something lives in human nature that can never fall prey to this influence, that can be protected from the Ahrimanic-Luciferic influence. And it is this element in Faust that can be protected from the influence of Ahriman and Lucifer that we are dealing with at the beginning of the second part. Faust, who was capable of guilt, who allowed himself to be drawn by Mephistopheles into the most trivial, most banal pleasures of life, who then tempted Gretchen, has become guilty. In our spiritual language we would say: This part of Faust must wait until the next incarnation.

But there is something in the nature of man that is his higher self, that remains in relationship to the spiritual powers of the world. Therefore, the spiritual powers of the world confront this eternal in Faust. We must not imagine the Faust that we see at the beginning of the second part in the realistic sense as Faust who has become so and so much older, but he is really only the representative of the higher self in Faust. He still wears the same form. But this form is the representative of something that could not have been guilty in Faust. This, which could not have been guilty in Faust, now enters into a relationship with the servants of the Earth Spirit.

From his youth, Goethe longed to gain an insight into the nature of human guilt, of evil in the world, and yet to know that something hovered over all that must have a balancing effect on guilt and evil. And so Goethe ventured, since he had to surrender, so to speak, Faust's one nature to Mephisto – “Come to me!” And we must be quite clear about this: now, at the beginning of the second part, it is not the same Faust that speaks as we know from the first part, but a different, a second nature that only externally bears Faust's form and that can enter into that which, as a spiritual being, permeates the external world. But what has no immediate connection with Faust's outer physical body must find its way into it. For the physical body naturally retains, as long as we remain in the same incarnation, all the signs of the guilt into which we have fallen. Only that in us which frees itself from the physical body can truly connect with what the higher self is. And so Faust must undergo this transformation, which we can call the transformation of guilt into higher knowledge.

He will carry what he bears as guilt into his next incarnation. For this incarnation, he bears the guilt as the source of a higher knowledge that opens up to him, a more precise knowledge of life. And so, despite bearing the most monstrous guilt on his soul, the possibility opens up for Faust that his higher self will be brought into connection with what pervades, lives through and interweaves the world as spiritual.

Faust's higher self comes into contact with a spirit of the earth aura. Goethe wanted to show, so to speak, that what is highest in man could not be grasped by Mephistopheles, we would say: Lucifer-Ahriman, — that must have been preserved, that must be able to enter into other spheres. And so Goethe is quite sincere when he says that this higher self in Faust now enters into a relationship with what the elemental world contains as spiritual beings.

We shall see later how this is connected with what has already been said here in the Easter lectures. But now let us consider how these spiritual beings, which are under the guidance of the air spirit, for such is Ariel, how these spirits, which we can thus call air spirits, are connected with the outer processes of nature, but how they reveal themselves as that which is another spiritual world, in contrast to the self that is not exposed to the influence of Lucifer and Ahriman in the supermundane nature:

When the blossoms of spring rain
Over all, floating sinks,
When the fields of green blessing
All earth-borns flashes,

— so when nature sprouts and sprouts in the spring-whitsun time, then the elemental spirits come out. They are small for the external material, they are great as spirits, for they are exalted above that which in the human heart can fall prey to good or evil.

Small elf spirit size
Hasten where it can help;
Whether it be holy or evil...

— this is left to the next incarnation, it is not the concern of these spirits —

Whether he is holy or evil,
The man of sorrows laments...

The spirits are dealing with his higher self, which is preserved from what has to play out in karma or incarnation. But these spirits can only work in their own element, in which the human being is with his essence when he has left the outer bodily shells as a spiritual soul. And now Goethe explains what these elves, with their greatness as spirits, have to achieve:

You who hover around this head in airy circles,
Show yourselves here in a noble elfin way,
Calm the grim bouquet of your hearts;
Remove the glowing, bitter arrows of reproach,
His innermost being cleansed of the horror he has experienced.

This cannot happen to Faust, who is exposed to Ahriman-Lucifer. This purification is called: Bring out Faust's higher self, present it purely. - And now something that proceeds like an initiation with Faust, who is outside of his body, is taken seriously:

There are four pauses in the night,

— from six o'clock in the evening until six o'clock in the morning the elves fulfill their duty by connecting the soul from falling asleep to waking up with what spiritually permeates and interweaves earthly existence.

Now without delay, she fills it kindly.

— the four pauses that the soul experiences from falling asleep to waking up.

First sinks his head upon the cool pillow,
Then bathes him in the dew from Lethes flood;
Joints soon are the cramp-frozen limbs,
When he strengthened towards the day rests;

- when he has taken in what the spirit that permeates the world has to offer, when this spirit has entered into that which is preserved in Faust's being as a higher self.

The elves' most beautiful duty perform,
Give him back to the holy light.

What happens externally between falling asleep and waking up are real, actual processes, similar to an initiation. And now we see what happens in each of the three hours from six to nine, from nine to twelve, from twelve to three and from three to six. First, there is the break from six to nine:

When the air is gently warmed
Around the green-bordered square,
Sweet scents, veiled in mist
Dawn descends;
She softly whispers sweet peace,
Lulls the heart to child-like calm,
And to the eyes of this weary one,
Locks the day's gate shut!

The soul is gone, separated from the body.

The second part:

Night has already fallen,
Star joins star in holy union;
Great lights, little sparks
Glitter near and shine afar;
Glitter here in the lake, reflecting,
Shine above the clear night,
Sealing the deepest rest,
The moon's full splendor reigns.

The harmony and wisdom of the spheres are absorbed by the great lights, the small sparks. And the secrets of the moon, all that we absorb in spiritual science from the secrets of the spheres, is sunk into Faust's higher self.

The third part of sleeping:

The hours have already faded away,
Pain and joy have vanished away;
Feel it first! You will recover;
Trust the new day's view.
Valleys green, hills swell,
Bushes to shadowy rest;
And in swaying silver waves
The seed of the harvest undulates.

Inwardly connecting with the existence of nature; we have also spoken of this before. Read the last Hague cycle, how the human soul, when it rises from the body, becomes one with the surging and weaving of external existence. But it also means the becoming in the soul of Faust:

And in surging silver waves
The seed - the soul of Faust - surges towards the harvest.

And do you remember how I said that during sleep, man desires to re-enter the body? That is the last part of the night.

Desire to fulfill desires.
Look at the brightness there!

The sun can already be sensed.

You are gently embraced,
Sleep is a shell, throw it away!

An important sentence! A great poet does not write empty phrases! What does it mean: Sleep is a shell, throw it away!? — For someone who sleeps through an ordinary sleep, sleep is not a shell; for someone for whom this time from falling asleep to waking up becomes an absorption for the secrets of the world, sleep is a shell.

Do not delay to take heart,
When the crowd hesitantly roams;
Everything can be achieved by the noble,
Who understands and quickly seizes.

And now the tremendous roar that announces the approach of the sun, reminding us of what Goethe said in the “Prologue in Heaven” in the first part of “Faust” about this sounding of the sun:

The sun sounds in the old way
In brotherly spheres of singing,
And its prescribed journey
It completes with a thunderclap.
Its sight gives strength to the angels,
When no one can fathom it;
Its incomprehensibly high works
Are glorious, as on the first day.

When the sun comes up and the light pours over the physical plane, the soul, when it is outside the body, hears this approach of the sun as music of the spheres, as a special element in the music of the spheres. Spirits hear it naturally. Man does not hear it because he must hear through his physical body. But that is incorporated in the physical plane, and when the sun is in the physical plane, that is the time when man can be awake. Therefore spirits must withdraw. What Ariel, the spirit of the air, now says to his servants, that is suggestive of the approach of the music of the spheres. The spirits can hear it. He who is outside of his body can hear it. Faust can still hear it, this rising of the music of the spheres. Then he returns to his body. Then Ariel has the task of disappearing. Ariel instructs his servants what they have to do: they have to disappear from the physical plane. Because when the sun, which they can only find as a sounding sun, strikes them with its light, they go deaf from it. They go deaf from the light, while they can easily bear the sounding sun, in whose tones they themselves live.

Hark! Hear the storm of the hours!
The new day is already born
for the ears of the spirit.
The gates of rock creak and clatter,
Phoebus' wheels roll and clatter;
What a roar brings the light!
It trumpets, it trompets,
The eye blinks and the ear is amazed,
Unheard-of things cannot be heard.
Slip to the flower corollas,
Deeper, deeper, to dwell in silence,
In the rocks, under the foliage;
If it strikes you, then you are deaf.

And now the elves disappear. Faust returns to his body. But Faust remains unconscious of his guilt. He does not stand before us. He has descended deep into Faust's subconscious and remains there until the next incarnation. Faust, who has just experienced being with the whole spiritual cosmos, must now realize how what he has experienced relates to the four breaks of sleep-life, to how he now perceives the world. He now lives as a higher self in his body.

A person who, after sleeping one night and not having everything within himself that Faust has within himself, a person who then, after waking up in the morning, would say: You, Earth, were also constant this night – would be a fool, because no one expects anything other than that the Earth was also constant this night. But indeed, if one has gone through what Faust experienced as an initiation with the spirits of the earth, then one has experienced something through which one could indeed believe that the whole earth had been transformed. Then it is justified to say that one has become a new person, or rather, that the new person has been awakened in one: “You, Earth, were also constant this night - despite what I have experienced. Then the world appears completely new, because it is indeed given to a new person.

Life's pulses beat freshly alive,
Gently welcoming ethereal dawn;
You, Earth, were also constant this night
And breathe newly refreshed at my feet,
You are already beginning to surround me with joy,
You stir and move a strong resolve,
To strive for the highest existence forever. —

Even now, when the mind has freed itself from what must be stored for the next incarnation!

In the twilight the world is already revealed,
The forest resounds with a thousand-voiced life,
Valley after valley a strip of mist has poured out;
But heavenly clarity descends into the depths,
And twigs and branches, freshly refreshed, have sprung
from the fragrant abyss where they slept submerged.
And color after color is released from the ground,
where flowers and leaves drip with dew,
A paradise is all around me.

This is what a person sees when he, I am not saying, undergoes the initiation, but when he lives the initiation. And he has reason to see the world anew. He would not utter the words he now speaks if only the person who had become guilty and who would live under the impression of this guilt in this incarnation were in him.

Look up! The mountain peaks
already announce the most solemn hour;
They may enjoy the eternal light early,
Which later turns down to us.
Now to the green meadows of the alp
new splendor and clarity is bestowed,
And step by step it has succeeded; –
She steps forward! – namely, the sun – and unfortunately already blinded,
I turn away, pierced through by eye pain.

The higher self is now unable to see what the senses were able to see, the sun. Nevertheless, Faust has learned so much that the sun is now something essentially different for him. And now something stirs within him that is connected with human knowledge:

So it is when a yearning hope
The highest wish,
Finds wings spread open at the gates of fulfillment.

What fulfillment gates? Only those that have become close to him during his sleep. But even the ordinary world now appears to him as if it were breaking like a blaze of flames from eternal reasons:

But now from those eternal depths
A blaze of fire breaks out, we stand amazed;
We wanted to light the torch of life,
A sea of fire embraces us, what a fire!
Is it love? Is it hate?...

We know this from the past, but what we are experiencing now is more than love and hate.

Is it love? Is it hate? The feelings that burn within us,
Alternating between pain and joy,
So that we look down at the earth again,
To hide ourselves in the most youthful veil.

He cannot look at the sun now; he looks at the waterfall, in which the sun is reflected, and which shows him the colors of the rainbow in an arc. He turns away from the sun. He becomes a world observer, just as this world shines in as a reflection of spiritual life – this world of which one can say: All that is transitory is only a parable of the eternal.

So let the sun remain behind me!

He has looked at it before. Now he turns to the waterfall.

The waterfall, breaking through the rock,
I look at it with growing delight.
From fall to fall it now rolls in a thousand,
Then again in a thousand streams,
Foam rushing high into the air.
But how wonderful it is to benefit from this storm,
The colorful arch of changing duration arches...

- which reflects in seven colors what is in unity in the sun.

Sometimes drawn in, sometimes dissolving into thin air,
spreading cool, fragrant showers around.
It reflects human endeavor.
Contemplate it, and you understand more precisely:
We have life in its colored reflection.

We have life in its colored reflection! – This is how far Faust has come after this night: he no longer wants to plunge into life as Faust did in the first part, when he was thrown into guilt and evil, but instead turns to its colored reflection. It is the same colored reflection that we call spiritual science, which appears to him only as a colored reflection, and through which we gradually ascend to experience reality.

What now follows, the second part, is the colored reflection of life at first. It is nonsense to understand this second part merely realistically. We have Faust, who, with his higher self, contemplates life through the physical body in its colorful reflection; he now carries this physical body through life as something he is preserving, so that everything in him can develop that, as his higher self, preserves him from that which comes in later incarnations.

It was quite difficult for Goethe to continue his “Faust” after Mephistopheles' word had been spoken: “Come to me!” But we see how Goethe strives to penetrate the secrets that we today recognize as the secrets of spiritual science. How he approaches them. And then follow this second part, how Mephistopheles really has Faust at first, how Mephistopheles is everywhere in what happens at the “imperial court” and so on. And how, through the after-effects of the initiation living in him, Faust gradually breaks away from Mephistopheles in the course of the action of the second part. But these are further secrets of the second part. Goethe himself said that he had mysteriously included much in this second part! — People have not taken the word seriously enough. Through spiritual science, they will now gradually learn to take such words more and more seriously.

But there is one thing you will have gathered from today's reflections, and that is that Goethe, in his “Faust”, strives to go further in this respect than in the first part, to express something in his “Faust” of the mood that is really symbolically hinted at here in the course of the seasons.

When Pentecost approaches, and when the spirits of the elemental world draw near to men in such wise that it may be said of them:

When the blossoms' spring rain
Over all, floating sinks,
When the fields' green blessing
All earthly born,
Little elves, size of a ghost,
Hurry, where they can help,
Whether holy or evil,
The unfortunate man laments them.

Pentecostal mood! Outpouring of the spirit in the next sentences, which the choir speaks, in the four times of sleep from falling asleep to waking up!

Thus we also show through this Faust from a certain point of view the necessity that humanity be handed down little by little what spiritual science wants to proclaim to it as a new Pentecost message. Faust is so well suited to show us how complicated that is, which exists down there at the bottom of human nature. It lives down there in human nature, which is constantly exposed to the Ahrimanic-Luciferic powers of the world, and there lives that which man can find when he places himself in the guidance of the Christ impulse.

Why do we speak of a threshold? Why do we speak of a guardian of the threshold? We speak of it because, as if by a grace of the wisdom-filled steering of the world, what struggles and rumbles and wages war in our everyday lives was initially withdrawn from the human soul, down there on the deep underground of the human soul. It is as if there were a surface, and below it rumbles and fights and wages war in our everyday life. And even what we live through in our everyday life is a continuous victory. Only it must be fought for again and again. And in the future it will only be fought for again if people will know that which has unconsciously guided them up to now, a benevolent, wisdom-filled world guidance. In the depths of the soul we must really find that which is not known in ordinary everyday life, but which the spiritual can experience. In those human depths where the human being is connected with those powers of the world that transcend good and evil with their spiritual magnitude.

I would like to express this with a Whitsun saying, in which I have combined how man, at the bottom of his soul, has elemental powers that oppose each other, and how that which lives in his consciousness is victory over that which wages war down there in the depths of his soul.

We will speak tomorrow, or perhaps the day after tomorrow, about how these things relate to the context of human life. Today, however, I would like to conclude with this Whitsun saying, which basically expresses what always lives as the innermost nerve in our spiritual science, and to which we have also referred today:

Where sense knowledge ends,
There stands the gate,
Which reveals the realities of life
To the soul's existence;
The soul creates the key,
When she grows strong within herself
In the struggle that world powers
on their own ground
with human forces,
When they banish through themselves
the sleep that envelops the powers of knowledge
at the boundaries of their senses
with a spiritual night.

If you combine the reflections I presented here yesterday with the other lectures I gave here a week ago, you will, to a certain extent, gain an important key to much of spiritual science. I will only mention the main thoughts that we need for our further considerations, so that we can orient ourselves. About a week ago I pointed out the significance of the processes that, from the point of view of the physical world, are called processes of destruction. I pointed out that, from the point of view of the physical world, one actually only sees the real in what arises, what, as it were, emerges from nothingness and comes into noticeable existence. Thus, one speaks of the real when the plant struggles up from the root, developing leaf by leaf until it blossoms, and so forth. But one does not speak of the real in the same way when one looks at the processes of destruction, at the gradual withering, the gradual fading, the ultimate flowing away, one might say, to nothingness. But for anyone who wants to understand the world, it is eminently necessary that he also looks at the so-called destruction, at the processes of dissolution, at that which ultimately results for the physical world like flowing into nothingness. For consciousness can never develop in the physical world where mere sprouting and sprouting processes are taking place, but consciousness begins only where that which has sprouted in the physical world is in turn worn away and destroyed.

I have pointed out how those processes that life evokes in us must be destroyed by the soul-spiritual if consciousness is to arise in the physical world. It is indeed the case that when we perceive anything external, our soul-spiritual must instigate processes of destruction in our nervous system, and these processes of destruction then mediate consciousness. Every time we become aware of something, the processes of consciousness must arise out of processes of destruction. And I have indicated how the most significant process of destruction, the process of death, is precisely the creator of consciousness for the time we spend after death. Through the fact that our soul and spirit experiences the complete dissolution and detachment of the physical and etheric bodies, the absorption of the physical and etheric bodies into the general physical and etheric world, our soul and spirit draws the strength – from the process of death our soul and spirit draws the strength to be able to have processes of perception between death and a new birth. The saying of Jakob Böhme: 'Thus, then, death is the root of all life' acquires through this a higher significance for the whole context of world phenomena.

Now you will often have asked yourselves: What actually is the time that passes for the human soul between death and a new birth? It has often been pointed out that for the normal human life this time is a long one in relation to the time we spend here in the physical body between birth and death. It is short only for those people who use their lives in a way that is contrary to the world, who, I will say, come to do only that which in a real and true sense can be called criminal. Then there is a short lapse of time between death and a new birth. But for people who have not fallen prey to selfishness alone, but live their lives in a normal way between birth and death, there is usually a relatively long period of time between death and a new birth.

But the question must, I would say, burn in our souls: What determines whether a human soul returns to a new physical embodiment at all? The answer to this question is intimately connected with everything that can be known about the significance of the destructive processes I have mentioned. Just think that when we enter physical existence with our souls, we are born into very specific circumstances. We are born into a certain age, driven to certain people. So we are born into very specific circumstances. You must realize very thoroughly that the content of our life between birth and death is actually filled with everything we are born into. What we think, what we feel, what we sense, in short, the whole content of our life depends on the time into which we are born.

But now you will also easily be able to understand that what surrounds us when we are born into physical existence depends on the preceding causes, on what has happened before. Suppose, if I am to draw this schematically, we are born at a certain point in time and walk through life between birth and death. (It was drawn.) If you add what surrounds you, you do not stand there in isolation, but are the effect of what has gone before. What I mean is: you are brought together with what has gone before, with people. These people are children of other people, who in turn are children of other people, and so on. If we consider only these physical relationships of succession in generations, you will say: When I enter into physical existence I take something on from the people around me; during my education I take on much from the people around me. But these people, in turn, have also taken on very much from their ancestors, from the acquaintances and relatives of their ancestors, and so on. You could say that people have to search ever higher up to find the causes of what they themselves are.

If you then let your thoughts go further, you can say that you can follow a certain current upwards through your birth. This current has, as it were, brought with it everything that surrounds us in the life between birth and death. And if we continue to follow this current upwards, we would then come to a point in time where our previous incarnation lay. So by following the time upwards, before our birth, we would have a long time in which we dwelled in the spiritual world. During this time, many things have happened on earth. But what has happened has brought with it the conditions in which we live, into which we are born. And then, in the spiritual world, we finally come to the time when we were on earth in a previous incarnation. When we talk about these circumstances, we are definitely talking about average circumstances. Of course, there are many exceptions, but they all lie, I would say, in the line I indicated earlier for natures that come to earthly embodiment more quickly.

What determines whether we are born here again after a period of time has passed? Well, if we look at our previous embodiments, we were also surrounded by circumstances during our time on earth, and these circumstances had their effects. We were surrounded by people, these people had children, and passed on to the children their feelings and ideas. But if you follow the course of historical life, you will say to yourself: there will come a time in the course of evolution when you will no longer be able to recognize anything truly the same or even similar in the descendants as in the ancestors. All this is transferred, but the basic character that is present at a particular time appears in the children in a weakened form, in the grandchildren even more weakened and so on, until a time approaches when there is nothing left of the basic character of the environment in which one was in the previous incarnation. So that the stream of time works to destroy what the basic character of the environment once was. We watch this destruction in the time between death and a new birth. And when the character of the earlier age has been erased, when there is nothing left of it, when what it was like in an earlier incarnation has been destroyed, then the time comes when we enter earthly existence again. Just as the second half of our life is actually a kind of wearing down of our physical existence, so between death and a new birth there must be a kind of wearing down of earthly conditions, a destruction, a annihilation. And new conditions, new surroundings, into which we are born, must be there. So we are reborn when all that for the sake of which we were born before has been destroyed. So this idea of destruction is connected with the successive return of our incarnation on earth. And what our consciousness creates at the moment of death, when we see the body fall away from our spiritual and mental self, is strengthened at this moment of death, at this contemplation of destruction for the contemplation of the process of destruction that must take place in the circumstances on earth between our death and a new birth.

Now you will also understand that someone who has no interest at all in what surrounds him on earth, who basically is not interested in any person or any being, but is only interested in what is good for himself, and simply steals from one day to the next, that he is not very strongly connected to the conditions and things on earth. He is also not interested in following their slow erosion, but comes very soon to repair them, to really live with the conditions with which he must live, so that he learns to understand their gradual destruction. He who has never lived with earthly conditions does not understand their destruction, their dissolution. Therefore, those who have lived very intensely in the basic character of any age, have absorbed themselves in the basic character of any age, will, above all, tend, if nothing else intervenes, to bring about the destruction of that into which they were born, and to reappear when a completely new one has emerged. Of course, I would say that there are exceptions at the top. And these exceptions are particularly important for us to consider.

Let us assume that one lives one's way into such a movement, as the spiritual-scientific movement is now, at this point in time, where it does not agree with everything that is in the surrounding world, where it is something completely alien to the surrounding world. In this sense, the spiritual-scientific movement is not something we are born into, but something we have to work on, something we want to enter into the spiritual cultural development of the earth. In this case it is a matter of living with conditions that are contrary to spiritual science and then reappearing on earth when the earth has changed so much that the spiritual-scientific conditions can truly take hold of cultural life. So here we have the exception to the upside. There are exceptions downwards and upwards. Certainly, the most earnest co-workers of spiritual science today are preparing to reappear in an earthly existence as soon as possible, by working at the same time during this earthly existence to eliminate the conditions into which they were born. So you see, when you take the last thought, that you are helping, so to speak, the spiritual beings to direct the world by devoting yourself to what lies in the intentions of the spiritual beings.

If we consider the conditions of the times today, we have to say: on the one hand, we have something that is heading towards decadence and decline. Those who have a heart and soul for spiritual science have been placed in this age, so to speak, to see how it is ripe for decline. Here on earth they are introduced to that with which one can only become acquainted on earth, but they carry this up into the spiritual worlds, now see the decline of the age and will return when that is to bring about a new age, which lies precisely in the innermost impulses of spiritual striving. Thus the plans of the spiritual guides, the spiritual leaders of earthly evolution, are effectively furthered by what such people, who occupy themselves with something that is, so to speak, not the culture of the time, absorb into themselves.

You are perhaps familiar with the accusations that are very often made by people of today to those who profess spiritual science, namely that they deal with something that often appears to be outwardly unfruitful, that does not outwardly intervene in the conditions of the time. Yes, there is really a necessity for people in earthly existence to occupy themselves with that which is of significance for further development, but not immediately for the time. If anyone objects to this, then he should just consider the following. Imagine that these were consecutive years:

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We could then go further. Suppose these were consecutive years and that these were the grain crops w w of the consecutive years. And what I am drawing here would always be the mouths > that consume these grains of grain. Now someone may come and say: Only the arrow that goes from the grains of grain to the mouths > is important, because that sustains the people of the following years. And he can say: Whoever thinks realistically only looks at these arrows going from the grain to the mouth. But the grain cares little about this arrow. It does not care at all, but has only the tendency to develop each grain of wheat into the next year. The grain kernels only care about this arrow; they don't care at all about being eaten. That is a side effect, something that arises along the way. Each grain kernel has, if I may say so, the will, the impulse to go over into the next year to become a grain kernel again. And it is good for the mouths that the grains follow this arrow direction, because if all the grains followed this arrow direction, then the mouths here would have nothing more to eat next year! If the grains from the year 1913 had all followed this arrow, then the mouths from the year 1914 would have nothing more to eat. If someone wanted to carry out materialistic thinking consistently, he would examine the grains of corn to see how they are chemically composed so that they produce the best possible food products. But that would not be a good observation; because this tendency does not lie in the grains of corn at all, but in the grains of corn lies the tendency to ensure further development and to develop over into next year's grain of corn.

But it is the same with the end of the world. Those truly follow the course of the world who ensure that evolution continues, and those who become materialists follow the mouths that only look at this arrow here. But those who ensure that the course of the world continues need not be deterred in their striving to prepare the next following times, any more than the grains of corn are deterred from preparing those of the following year, even if the mouths here long for the completely different arrows.

I pointed this out at the end of Riddles of Philosophy, pointing out that what we call materialistic knowledge can be compared to eating grain seeds, that what happens in world events really happens in the world, can be compared to reproduction, to what happens from one grain seed to the next year's. Therefore, what is called scientific knowledge is just as insignificant for the inner nature of things as eating is without inner significance for the growth of grain fruits. And today's science, which is only concerned with the way in which what can be known about things is received by the human mind, is doing exactly the same as the man who uses the grain for food, because what the grains of corn are when we eat them has nothing to do with the inner nature of the grains of corn, just as the outer knowledge has nothing to do with what develops inside the things.

In this way, I tried to throw a thought into the hustle and bustle of philosophy, and it will be interesting to see whether it will be understood or whether such a very plausible thought will be met again and again with the foolish objection: “Yes, but Kant has already proved that knowledge cannot approach things.” He proved it only from the point of view of knowledge, which can be compared to the consumption of grains of wheat, and not from the point of view of knowledge that arises with the progressive development that is in things. But we must familiarize ourselves with the fact that we have to repeat again and again to our age and to the age to come, in all possible forms, only not in hasty forms and not in agitative forms, not in fanatical forms, what the principle and essence of spiritual science is, until it is drummed into us. For it is precisely the characteristic of our age that Ahriman has made the skulls so hard and thick, and that they can only be softened slowly. So no one should shrink, I would say, from the necessity of emphasizing again and again, in all possible forms, what the essence and impulse of spiritual science is.

But now let us turn to another conclusion that was drawn here yesterday in connection with a number of assumptions: the conclusion that reverence for the truth must grow in our time, reverence for knowledge, not for authoritative knowledge, but for the knowledge that one acquires. There must be a growing realization that one should not judge out of nothing, but out of one's acquired knowledge of the workings of the world.

Now, by being born into a particular age, we are dependent on our environment, completely dependent on what is in our environment. But, as we have seen, this is connected with the whole stream of development, with the whole striving that leads upwards, so that we are born into circumstances that depend on the preceding circumstances. Just consider how we are placed into them. Of course we are placed in it by our karma, but we are still placed in that which surrounds us as something quite definite, as something that has a certain character. And now consider how we thereby become dependent in our judgment. This is not always clearly evident to us, but it is really so. So that we have to ask ourselves, even if it is related to our karma: What if we had not been born at a certain point in time and in a certain place, but fifty years earlier in a different place? How would it be then? Wouldn't we have received the form and inner direction of our judgments from the different circumstances of our environment, just as we have received them from where we were born?

So that on closer self-examination we really come to the conclusion that we are born into a certain milieu, into a certain environment, that we are dependent on this milieu in our judgments and in our feelings, that this milieu reappears, as it were, when we judge. Just think how it would be different, I just want to say, if Luther had been born in the 19th century and in a completely different place! So even with a personality who has an enormous influence on their surroundings, we can see how they incorporate into their own judgments that which is characteristic of the age, whereby the personality actually reflects the impulses of the age. And this is the case for every person, except that those for whom it is most the case are the least aware of it. Those who most closely reflect the impulses of their environment, into which they were born, are usually the ones who speak the most about their freedom, their independent judgment, their lack of prejudice, and so on. On the other hand, when we see people who are not as thoroughly dependent as most people are on their environment, we see that it is precisely such people who are most aware of what makes them dependent on their environment.

And one of those who never got rid of the idea of dependence on their environment is the great spirit, of whom we have now seen another piece pass before our eyes, is Goethe. He knew in the most eminent sense that he would not be as he was if he had not been born in 1749 in Frankfurt am Main and so on. He knew that, in a sense, his age speaks through him. This moved and warmed his behavior in an extraordinary way. He knew that by seeing certain times and circumstances in his father's house, he formed his judgment. By spending his student days in Leipzig, he formed his judgment. By coming to Strasbourg, he formed his judgment. That is why he wanted to get out of these circumstances and into completely different ones, so that in the 1880s, one might say, he suddenly disappeared into the night and fog and only told his friends about his disappearance when he was already far away, after he could not be brought back under the circumstances at the time. He wanted to break out so that something else could speak through him. And if you take many of Goethe's utterances from his developmental period, you will notice this feeling, this sense of dependence on the environment everywhere.

Yes, but what would Goethe have had to strive for if, at the moment when he had truly come to realize that one is actually completely dependent on one's environment, if he had connected his feelings, his perceptions of this dependence with the thoughts we have expressed today? He would have had to say: Yes, my environment is dependent on the whole stream of evolution right back to my ancestors. I will always remain dependent. I would have to transport myself back in thought, in soul experience, to a time when today's conditions did not yet exist, when completely different conditions prevailed. Then, if I could transport myself into these conditions, I would come to an independent judgment, not just judging as my time judges about my time, but judging as I judge when I completely transcend my time.

Of course, it is not necessary for such a person, who perceives this as a necessity, to place himself in his own previous incarnation. But essentially he must place himself at a point in time that is connected with an earlier incarnation, where he lived in completely different circumstances. And when he now transfers himself back into this incarnation, he will not be dependent as before, because the circumstances have become quite different, the earlier circumstances have since been destroyed, perished. It is, of course, different if I now transfer myself back to a time when the whole environment, the whole milieu has disappeared. What do you actually have then? Yes, one must say: before, one lives in life, one enjoys life; one is interwoven with life. One can no longer be interwoven with the life that has perished, with the life of an earlier time; one can only relive this life spiritually and mentally. Then one would be able to say: “We have life in its colorful reflection.”

Yes, but what would have to happen if such a person, feeling this, wanted to depict this emergence from the circumstances of the present and the coming to an objective judgment from a point of view that is not possible today? He would have to describe it in such a way that he would be transported back into completely different circumstances. Whether this is exactly the previous incarnation or not is not important, but rather the circumstances on earth were completely different. And he would have to strive to fill his soul with the impulses that were there at that time. He would have to, as it were, place himself in a kind of phantasmagoria, identify with this phantasmagoria and live in it, live in a kind of phantasmagoria that represents an earlier time.

But that is what Goethe strives for by continuing his “Faust” in the second part. Consider that he has initially brought his Faust into the circumstances of the present. There he lets him experience everything that can be experienced in the present. But in spite of all this, he has a deep inner feeling: “This cannot lead to any kind of true judgment, because I am always inspired by what is around me; I have to go out, I have to go back to a time when the circumstances have been completely changed up to our time, and so they cannot affect the judgment.” Goethe therefore allows Faust to go all the way back to classical Greek times and to enter, to come together with the classical Walpurgis Night.

That which he can experience in the deepest sense in the present has been depicted in the Nordic Walpurgis Night. Now he must go back to the classical Walpurgis Night, because from the Nordic Walpurgis Night to the classical Walpurgis Night, all conditions have changed. What was essential in the classical Walpurgis Night has disappeared, and new conditions have arisen, which are symbolized by the Nordic Walpurgis Night. There you have the justification for Faust's return to Greek times. The whole of the second part of “Faust” is the realization of what one can call: “In the colored reflection we have life.”

First, there is still a passage through the conditions of the present, but those conditions that are already preparing destruction. We will see what is developing at the “imperial court,” where the devil takes the place of the fool and so on.

We see through the creation of the homunculus how the emergence from the present is sought, and how in the third act of “Faust” the classical scene now occurs. Goethe had already written the beginning around the turn of the 18th century; the most important scenes were not added until 1825, but the Helena scene was already written (800) and Goethe calls it a “classical phantasmagoria” to suggest through the words that he means a return to conditions that are not the physical, real conditions of the present.

That is the significant thing about Goethe's Faust poetry, that it is, I would say, a work of striving, a work of wrestling. I have really emphasized clearly enough in recent times that it would be nonsense to regard Goethe's Faust poetry as a completed work of art. I have done enough to show that it cannot be considered a finished work of art. But as a work of striving, as a work of wrestling, this Faust epic is so significant. Only then can one understand what Goethe intuitively achieved when one opens oneself to the light that can fall from our spiritual science on such a composition and sees how Faust looks into the classical period, into the milieu of Greek culture, where within the fourth post-Atlantic period very different conditions existed than in our fifth post-Atlantic period. One is truly filled with the greatest reverence for this struggle when one sees how Goethe began to work on this Faust in his early youth, how he abandoned himself to everything that was accessible to him at the time, without really understanding it very well. Truly, when approaching Faust, one must apply this point of view of spiritual science, for the judgments that the outer world sometimes brings are too foolish in relation to Faust.

How could it escape the attention of the spiritual scientist when, time and again, people who think they are particularly clever approach and point out how magnificently the creed is expressed by this Faust, and say: Yes, compared to what so many people say about some confession of faith, one would have to remember more and more the conversation between Faust and Gretchen:

...feeling is everything;
name is sound and smoke,
fogging up heavenly glow.

Well, you know what Faust is discussing with Gretchen, and what is always mentioned when someone thinks they have to emphasize what should not be seen as religious reflection and what should be seen as religious sentiment. But what is not considered is that in this case, Faust was formulating his religious creed for the sixteen-year-old Gretchen, and that all the clever professors are then demanding that people never progress beyond the Gretchen point of view in their religious understanding. The moment you present that confession of Faust to Gretchen as something particularly sublime, you demand that humanity never rise above the Gretchen point of view. That is actually easy and convenient to achieve. It is also very easy to boast that everything is feeling and so on, but you don't realize that it is the Gretchen point of view.

Goethe, for his part, strove quite differently to make his Faust the bearer of an ongoing struggle, as I have now indicated again with reference to this placing himself in a completely earlier age in order to get at the truth. Perhaps at the same time or a little earlier when Goethe wrote this “classical-romantic phantasmagoria”, this placing of Faust in the world of the Greeks, he wanted to make clear to himself once again how his “Faust” should actually proceed, what he wanted to present in “Faust”. And so Goethe wrote down a scheme. At that time, there was a version of his “Faust” available: a foundation, a number of scenes from the first part and probably also the Helena scene. Goethe wrote down:

“Ideal pursuit of influence and empathy in all of nature.”

So, as the century drew to a close, Goethe took up, as he said, “the old thread, the barbaric composition”, at Schiller's suggestion. That is how he rightly described his “Faust” at the end of the century, because it was written scene by scene. Now he said to himself: What have I actually done there? And he stood before the soul of this striving Faust: out of erudition, closer to nature.

He wrote down: “I wanted to set forth

1. Ideal striving for influence and empathy in all of nature.

2. Appearance of the spirit as a world and deed genius.

This is how he sketches the appearance of the earth spirit.

Now I have shown you how, according to the appearance of the earth spirit, it is actually the Wagner who appears, and who is only a means to the self-knowledge of Faust, which is in Faust himself, a part of Faust. What is arguing in Faust? What is Faust doing now that something is arguing in him? He realizes: Until now you have only lived in your environment, in what the outer world has offered you. He can see this most clearly in the part that is within him, in Wagner, who is quite content. Faust is in the process of attaining something in order to free himself from what he is born into, but Wagner wants to remain entirely as he is, to remain in what he is on the outside. What is it that lives out itself outwardly in the world from generation to generation, from epoch to epoch? It is the form into which human striving is molded. The spirits of form work outside in that which we are to live in. But man must always, if he does not want to die in the form, if he really wants to progress, strive beyond this form. “Struggle between form and formlessness,“ Goethe also writes.

”3. Struggle between form and formlessness."

But now Faust looks at the form: the Faust in Wagner in there. He wants to be free of this form. This is a striving for the content of this form, a new content that can arise from within.

We could also have looked at all possible forms and studied all possible styles and then built a new building, as many architects of the 19th century did, as we find it everywhere outside. We would not have created anything new from the form that has come about in the evolution of the world: Wagner nature. But we preferred to take the 'formless content'. We have sought to take the spiritual science that is vividly experienced from what is initially formless, what is only content, and to pour it into new forms.

This is what Faust does by rejecting Wagner:

Let him not be a shallow
Let him not be a foolish fool!
With little art, reason and right sense

“4. Preference for formless content,” Goethe also writes.

And that is the scene he has written, in which Faust rejects Wagner:

“Preference for formless content over empty form.”

But over time, the form becomes empty. If, after a hundred years, someone were to perform a play exactly as we are performing it today, it would again be an empty form. That is what we must take into account. That is why Goethe writes:

“5. Content brings form with it.”

That is what I want us to experience! That is what we want to achieve with our building: form brings content with it. And, as Goethe writes, “Form is never without content.” Of course it is never without content, but Wagnerian natures do not see the content in it, which is why they only accept the empty form. The form is as justified as it can possibly be. But the point is to make progress, to overcome the old form with the new content.

“6. Form is never without content.”

1. Ideal striving for influence and empathy in all of nature.
2. Appearance of the spirit as a world and deed genius.
3. Conflict between form and formlessness.
4. Preference for formless content over empty form.
5. Content brings form with it.
6. Form is never without content.

And now a sentence that Goethe writes down to give his “Faust”, so to speak, the impulse, a highly characteristic sentence. For the Wagnerian natures, they think about it: Yes, form, content - how can I concoct that - how can I bring it together? — You can very well imagine a person in the present day who wants to be an artist and who says to himself: Well, spiritual science, all right. But it's none of my business what these tricky minds come up with as spiritual science. But they want to build a house that, I believe, contains Greek, Renaissance, Gothic styles; and there I see what they are thinking in the house they are building, how the content corresponds to the form. One could imagine that this will come. It must come, if people think about eradicating contradictions, while the world is precisely composed of contradictions, and it is important that you can put the contradictions next to each other. So Goethe writes:

"7. These contradictions, instead of uniting them, are to be made more disparate.

That is, he wants to present them in his “Faust” in such a way that they emerge as strongly as possible: “These contradictions, instead of uniting them, make them more disparate.” And to do that, he juxtaposes two figures again, where one lives entirely in form and is satisfied when he adheres to form, greedily digs for treasures of knowledge and is happy when he finds earthworms. In our time, we could say: greedily striving for the secret of becoming human and glad when he finds out, for example, that the human being has emerged from an animal species similar to our hedgehogs and rabbits. Edinger, one of the most important philosophers of the present day, recently gave a lecture on the emergence of the human being from a primal form similar to our hedgehog and rabbit. The theory that the human race descended from apes, prosimians, and so on, is no longer accepted by science; we have to go further back, to an earlier point of divergence between the animal species. Once upon a time there were ancestors that resembled the hedgehog and the rabbit, and on the other hand we have man as our ancestor. It is not true that because man is most similar to the rabbit and the hedgehog in certain things in terms of his brain formation, he must have descended from something similar. These animal species have survived, everything else has of course died out. So dig greedily for treasures and be glad if you find rabbits and hedgehogs. That is one striving, striving only in form. Goethe wanted to place it in Wagner, and he knows well that it is a clever striving; people are not stupid, they are clever. Goethe calls it: “Bright, cold, scientific striving.” “Wagner,” he adds.

“8. Bright, cold, scientific striving: Wagner.”

The other, the disparate, is what one wants to work out with all the fibers of the soul from within, after not finding it in the forms within. Goethe calls it “dull, warm, scientific striving”; he contrasts it with the other and adds “student” to it. Now that Wagner has been confronted with Faust, the student also confronts him. Faust remembers how he used to be a student, what he took in as philosophy, law, medicine and, unfortunately, theology. What he said to himself when he was still like the student: “All of this makes me feel as stupid as if a mill wheel were turning in my head.” But that's over. He can no longer put himself back in that position. But it all had an effect on him. So:

“9. Dull, warm, scientific striving: schoolboy.”

And so it continues. From this point onwards, we actually see Faust becoming a schoolboy and then once again delving into everything that allows one to grasp the present.

Goethe now calls the rest of Part One, insofar as it was already finished and was still to be finished:

“10. The enjoyment of life as seen from the outside; in dullness and passion, first part.”

Goethe is clear about what he has created. Now he wants to say: how should Faust really come out of this enjoyment of life into an objective worldview? — He must come to the form, but he must now grasp the form with his whole being. And we have seen how far he must go back, to where completely different conditions exist. There the form then meets him as a reflection. There the form meets him in such a way that he now absorbs it by becoming one with the truth that was justified at that time, and discards everything that had to happen at that time. In other words, he tries to put himself in the position of the time insofar as it was not permeated by Lucifer. He tries to go back to the divine point of view of ancient Greece.

And when you immerse yourself in the outside world in such a way that you enter it with your whole being, but take nothing from the circumstances into which you have grown, then you arrive at what Goethe describes as beauty in the highest sense. That is why he says: “Enjoyment of the deed”. Now no longer: enjoyment of the person, enjoyment of life. Enjoyment of the deed, going out, gradually moving away from oneself. Settling into the world is enjoyment of the deed outwards and enjoyment with consciousness. “ii. Enjoyment of the deed outwards and enjoyment with consciousness: beauty, second part.”

What Goethe was no longer able to achieve in his struggle because his time was not yet the time of spiritual science, he sketches out for himself at the turn of the 18th to the 19th century. For Goethe has very significant words at the end of this sketch, which he wrote there, and which was a recapitulation of what he had done in the first part. He had already planned to write a kind of third part to his “Faust”; but it only became the two parts, which do not express everything Goethe wanted, because he would have needed spiritual science to do so.

What Goethe wanted to depict here is the experience of the whole of creation outside, when one has emerged from one's personal life. This whole experience of Creation outside, in objectivity in the world outside, so that Creation is experienced from within, by carrying what is truly within outwards, that is sketched out by Goethe, I would say, stammering with the words: 'Enjoyment of Creation from within' - that is, not from his standpoint, by stepping out of himself.

“12. Enjoyment of Creation from Within.”

With this “Enjoyment of Creation from Within,” Faust had now entered not only the classical world, but the world of the spiritual.

Then there is something else at the end, a very strange sentence that points to the scene that Goethe wanted to do, did not do, but did want to do, that he would have done if he had already lived in our time, but that shone before him. He wrote:

"13. Epilogue in Chaos on the Way to Hell.

I have heard very clever people discuss what this last sentence: “Epilogue in Chaos on the Way to Hell” means. People said: So, in 1800, Goethe really still had the idea that Faust goes to hell and delivers an epilogue in the chaos before entering hell? So it was only much, much later that he came up with the idea of not letting Faust go to hell! I have heard many, many very learned discussions about this, as well as many other discussions! It means that in 1800 Goethe was not yet free from the idea of letting Faust go to hell after all. But they did not think about the fact that it is not Faust who delivers the epilogue, but of course Mephistopheles, after Faust has escaped him in heaven!

The epilogue would be, as we would say today, Lucifer and Ahriman on their way to hell; on their way to hell, they would discuss what they had experienced with the striving Faust.

I wanted to draw your attention to this recapitulation and to this exposition by Goethe once again because it shows us in the most eminent sense how Goethe, with all that he was able to gain in his time, strove towards the path that leads straight up into the realm of spiritual science.

We shall only be able to view Faust aright if we ask ourselves: Why has Faust, in its innermost core, remained an incomplete work of literature, despite being the greatest work of striving in the world, and why is Faust the representative of all humanity in that he strives out of his environment and is even carried into an earlier age? Why has this Faust nevertheless remained an unsatisfactory work of literature? Because it represents the striving for what spiritual science should incorporate into human cultural development.

It is good to focus attention on this fact: that at the turn of the 18th to the 19th century, a work of literature was created in which the figure of Faust, who forms the center of this work, was to be lifted out of all the restrictive limitations that must surround human beings, by having him go through his life in repeated lives on earth. The significance of Faust lies in the fact that, however intensely he has outgrown his nationality, he has nevertheless outgrown nationality and grown into the universal human condition. Faust has nothing of the narrow limitations of nationality, but strives upward to the general humanity, so that we find him not only as the Faust of modern times, but in the second part as a Faust who stands as a Greek among Greeks. It is a tremendous setback in our time, when in the course of the 19th century people began to place the greatest emphasis on the limits of human development again, and even see in the “national idea” an idea that could somehow still be a cultural force for our era. Mankind could wonderfully rise to an understanding of what spiritual science should become, if one wanted to understand something like what is secretly contained in “Faust”.

It was not for nothing that Goethe said to Eckermann, when he was writing the second part of his “Faust”, that he had secretly included in the “Faust” much that would only come out little by little.

But anyone who wants to understand the present must judge this present from a higher vantage point than this present itself is.

That is what I have tried to put into your souls as a feeling in these days, a feeling that I have tried to show you follows from a truly inner, living understanding of spiritual science, and how it has been striven for by the greatest minds of the past, of whom Goethe is one.

Only by not merely absorbing what arises in our soul in these contemplations as something theoretical, but by assimilating it in our souls and letting it live in our soul's meditations, does it become living spiritual science. May we hold it so with this, with much, indeed with all that passes through our soul as spiritual science.

Tomorrow we will attempt to present the final scene of Goethe's “Faust” in eurythmy. It will be apparent that my reflections today and tomorrow will be linked to the end of the second part of Goethe's Faust. We are, of course, dealing with one of the greatest poetic attempts in world evolution, with regard to the entire second part of Goethe's Faust, but especially with regard to the final scene, which is based on the most significant spiritual truths. Nevertheless, as true as it is that Goethe's “Faust” allows for different degrees and levels of understanding, it is also true that one can always go further and further in terms of seeking out what has flowed from Goethe's infinitely rich spiritual life into “Faust” and especially into the second part of “Faust”.

Furthermore, we shall see that the very end of the second part has so many occult truths to reveal to us, if we go to the subtleties in the presentation of the same, as hardly any other writer in the world has tried to reveal so far. And we shall see that these truths are enshrined by Goethe in the second part of “Faust” with a wonderful—to use an apparently pedantic expression—occult-appropriate science.

Now I must frankly admit to you that I would not dare to speak about Faust in the way I want to, if I did not have a Faust and Goethe problem that has never been dormant since 1884. Therefore, perhaps I may be permitted to hint at many things in aphorisms, which would require much more detailed substantiation for anyone who does not start from spiritual science. Nevertheless, I must confess that I do not approach the subject without a certain shyness, especially when it comes to linking occult observations to Goethe's “Faust” or to any other work of literature. For then all the lamentable things that have been done by occultists and non-occultists in the interpretation of poetry arise before my eyes.

One must really be somewhat appalled at the occultistic discussion of poetry when one considers what has been done in the world with regard to such interpretations, whether from the side of science or from so-called theosophists! And so please allow me to send a kind of introduction in advance, from which you can see how little inclined I myself am to dream occult truths, occult insights, into any kind of poetry of the spiritual development of humanity, and how hard I try to present only what can really be considered absolutely established.

Now, it is my custom when I have to talk about a subject to first immerse myself in the subject in a broader sense. When taking occult considerations seriously, it is necessary to immerse oneself in the whole atmosphere in which the subject is placed. And so I endeavored to immerse myself in Goetheanism once again.

For this purpose, I had to procure a great deal of literary material that I had studied decades ago. So I took up Goethe's “Prophecies of Bakis” again. These are thirty-two sayings clothed in enigmatic form, so to speak thirty-two riddles. Now you can imagine that an enormous amount has been written about what Goethe called “prophecies” and over which he poured, so to speak, oriental wisdom – it is a particular food for literary historians. Thus, in the thirty-two riddle verses, the most diverse people have seen the most colossal secrets.

I will give you a characteristic example in a moment. It is the twenty-ninth and thirty-third riddle verse that Goethe coined. It is quite good that we delve into these types of riddle verses before we go to the last scene of “Faust”.

One thing I know and revere, even worship at its feet;
Placed on the crown of the head, it is cursed by everyone.
I know one thing, and it firmly presses the lip shut;
But in the next moment it is the loathing of the world.

It must be said: it sounds quite mysterious! And the thirtieth riddle is:

This is the highest, and at the same time the basest!
Now the most beautiful, and at once the most hideous too.
Drink it up, and taste no deeper:
Beneath the enticing foam the dregs sink to the bottom.

Before we imagine how a theosophist might “interpret” these mysterious verses, let us look at an exoteric. We will not be able to make sense of what he says, but that does not matter; it shows us what is meant by “science”: “A most remarkable turn! Goethe chose this form to conceal and at the same time reveal his meaning.” Another Goethe interpreter has referred to these verses as “Freedom and Love”. The good man is at a loss and now wants to point out an explanation himself. “The highest, and at the same time the most abominable.” That should be: youth. That is both the highest and the most abominable. He says: That solves the mystery by itself.

That is an exoteric! An esoteric could say: You have to go much deeper than that!

One I know and venerate, yes, worship at its feet;
Placed on the crown of the head, it is cursed by everyone.
One I know, and it firmly presses the lips together;
But in the next moment it is the loathing of the world.

This refers to the plant, one could say, which represents the inverted human being. It can be associated with the Logos and Lucifer, or with white and black magic, and so on! Such explanations are widespread in the theosophical literature by the thousands.

Now, the art of familiarizing oneself with spiritual science does not consist in knowing how to apply what one has absorbed in spiritual science to anything at all, but in knowing how to relate to it in the right way – in our case, for example, to Goethe. Spiritual science should not lead us to all kinds of craziness, but should take us to where truth flows. And then one finds that the first two lines of the first verse mean — a slipper, and the last two, a cigar. Goethe hated cigar smoke. Yes, that is the truth, it is not profound, but it is as Goethe meant it. And the solution of the second verse is: spirit. As the spirit it is the highest, in alcohol as intoxication it is the most abominable. It is quite good to demonstrate such a process once, because you really should not be blinded by the art of interpretation and all sorts of profound arts, but you should be guided to where the truth is.

Goethe has also been made into a national chauvinist. But he was not at all. Take the fifth verse:

Two I see! The great one! I see the greater one! The two
rubbing with hostile power, one upon the other. Here are rocks and land, there are rocks and waves!
Which is the greater one, the fate speaks only.

This was taken to refer to the struggle between France and England for control of the continent. However, the commentator quoted above rejects this and says that the French Revolution and the German people are meant. This is quite foolish! What is really meant is life and death!

Now, this matter must be taken very seriously indeed. Just because something can be proved, that is absolutely no proof that the matter is right.

I wanted to say this in advance so that you do not think that I want to fall into the same error when explaining the final scene of 'Faust'. This final scene presents us with what could be called 'Faust's Ascension'. As is well known, Faust has gone through severe aberration, and also through all the possible madness and confusion of the wider, larger world. This is how it should be shown: Faust is to be led under the influence of Ahriman-Mephistopheles through the aberrations of the world, but the deepest thing that is embodied as the eternal in the human breast should not be able to be corroded by that which comes from Mephisto-Ahriman. In the end, Faust should still be able to be absorbed by the good spiritual worlds. That is what Goethe set out to achieve with his Faust epic.

Anyone who has learned something about the spiritual worlds through spiritual science and has little artistic sense within them can generally form an idea of how they would imagine it. For Goethe, who was an artist in the most intimate and highest sense, it was not so easy. He could not simply depict how Faust ascends to heaven and turn it all into an abstract, allegorical construct. For him, that would have been symbolism, a straw he was not willing to use. He wanted art. He wanted something that would endure and be secure in the face of true reality. That is what he wanted to be there. And so it occurred to him: How should I now present this on the stage, so that Faust is led into heaven? One can only place objects of the physical plane into it, they can only hint at something symbolic, but that would be straw, that would be no art! Even with all kinds of machinery one could only represent straw. Goethe first had to seek the means through which Faust can penetrate as a soul into the spiritual worlds. One cannot penetrate into the spiritual worlds through the air, one cannot penetrate through the external physical elements. Where is something real that can provide the means by which Faust can penetrate? That can only be what the spiritual represents on earth. Yes, where is that on earth? That is the consciousness that receives the spiritual! That is, Goethe first had to create a reality of consciousness that would receive the spiritual. He does this by placing people in his scenes, people in whose consciousness the spiritual can be said to live: monks, anchorites, and he layers them on top of each other. And one can say that a soul's ascent into the spiritual worlds is a real process. To present a spiritual process before an ordinary parquet floor would not be real, it is not rooted there; but it is rooted in the souls that Goethe presents. So he first tried to depict the consciousnesses that observe the spiritual process. So he presents the choir and the echo, which can perceive the elementary world of the spirit in the sensual-physical. They have prepared themselves not only to see the outer physical nature, but also within the physical plan the spiritual world into which the soul of Faust must enter.

And now it is described in such a way that only these monks can feel it. For just take the words, they are really not descriptions of physical processes:

Forest, it sways along.

It is as if one feels the elemental world emerging from natural things.

Woods, they sway towards it.
Rocks, they press against it.
Roots, they cling to it.
Trunk close to trunk up to it.
Wave after wave splashes against it.
Cave, the deepest, protects it.
Lions, they slink silently –
friendly around us,
a place consecrated to honor,
a holy love-nest.

There is an echo to this chorus. This is not without significance. It is meant to suggest to us how truly all-encompassing that which comes from elementary nature is.

Now we are led at the same time to something that becomes a wonderful intensification in Goethe. We are presented with three advanced anchorites, the Pater ecstaticus, the Pater profundus and the Pater Seraphicus, three who have attained higher levels than the others, who as anchorites only describe the processes just described. But there is a wonderful progression from the Pater ecstaticus through the Pater profundus to the Pater Seraphicus.

The Pater Ecstaticus is concerned with the lower stages of perfection, with sensory experiences, with being within oneself. The Pater Profundus has already progressed to the point of going from within outwards, of experiencing that which nature lives through as spirit and which is at the same time human spirit. Seen from the spiritual point of view, he stands higher than the Pater Ecstaticus. We can say: the Pater Profundus sees the spirit in the cosmos, which for him simultaneously becomes spirit in man. The Pater Seraphicus sees directly into the world of the spirit; for him it does not reveal itself through nature, but he deals directly with the spirit.

Hence the mysticization of the Pater ecstaticus through inner development. What is said now means nothing but inner states:

Eternal bliss,
glowing bond of love,
boiling pain of the chest,
foaming divine joy.
Arrows, pierce me,
Lances, vanquish me,
Maces, crush me,
Lightning, batter me;
That the vain
All evaporate,
Shine the permanent star,
Eternal love's core.

We have already covered the Pater profundus, which leads to the stage of feeling the spirit through nature.

Like the rocky abyss at my feet
It weighs heavily on the deep abyss,
Like a thousand streams that flow radiantly
To the horror of the foam of the flood,
How straight, with its own powerful drive,
The trunk carries itself into the air:
So it is the almighty love
That forms and nurtures everything.
There is a wild roar around me,
As if the forest and rocky ground were surging!
And yet, lovingly in the roar,
The water rushes to the gorge,
Called to water the valley;
The lightning, which struck down in flames,
To improve the atmosphere,
Which carried poison and haze in its bosom:
Are messengers of love, they announce
What surrounds us eternally,
My innermost being may also ignite it,
Where the mind, confused, cold,
Tormented in dull senses,
A crowd of locked chains of pain.
Oh God! Soothe the thoughts,
Enlighten my needy heart.

Now, in the Pater Seraphicus, there comes an immediate grasp of the spiritual world into which Faust is to be accepted, that is, of the spirits in whose midst Faust is now to enter. For this, a consciousness must first be presented: that is the Pater Seraphicus; he provides the medium through which the blessed boys can appear. And now, again, wonderfully, I would say expertly and appropriately observed:

What a morning cloud floats
Through the firs' swaying hair!
Do I sense what lives within?
It is a young ghostly host.

Goethe has children appear who died immediately after they were born; in the vernacular, they are called midnight babies.

Faust is to join the company of such midnight babies first; they know nothing of the world, their consciousness of the past has been clouded by their birth, and they know nothing of the new world yet. This belongs together with the ascension of Faust. As in the physical world there is no lightning without thunder, so in the spiritual world such an ascension of Faust is not without the blessed boy's realization of himself.

That a lover is present,
Do you feel, so just approach;
But from rugged earthly ways,
Happy ones! you have no trace.

Spiritual beings can only see the physical plane through our eyes and ears, otherwise they see the spiritual. When a ghost sees a hand, it sees the will that moves the hand and the form; if it wants to see the physical of the hand, it must use a physical eye.

Descend into my eyes
world and earthy organ,
You can use them as yours,
Look at this area!
(He takes it in.)
These are trees, these are rocks,
waterfall that crashes
And with tremendous rolling
Shortens the steep path.

The blessed boys are now inside with Father Seraphicus. He gives them so much of his spiritual strength that they can ascend to higher spheres. This shows once again the connection between the spiritual and physical worlds. When we meditate, the spirits also benefit, which is why we should read to the dead. In this way, Pater Seraphicus gives the fruit of his meditation to the boys, and through this they ascend.

Rise to higher spheres,
Always grow unnoticed,
As, according to an eternally pure way,
Strengthen God's presence.
For that is the food of the spirits,
Which in the freest ether reign:
Eternal Love's revelation,
That to bliss unfolds.

To know the “Faust” as here in Goethe a deepest occult truth of a world poem has been incorporated, means to be closer to the occult than any number of “occult” explanations can give.

Now the boys are in their own territory. They have crossed over from the realm of the spirits of form into the realm of the spirits of movement.

Now come the angels, bringing Faust's entelechy, that is, his immortality. They have snatched this member of the spirit world from Mephistopheles and bring it up with the words:

The noble limb
Of the spirit world is saved from evil:
Whoever strives for it,
We can redeem him;
And if he has received love
From above,
The blessed host meets him
With a warm welcome.

The younger angels:

Those roses, from the hands
Of loving, holy penitents,
Helped us win the victory
And complete the great work,
To gain this treasure of souls.
Evil retreated when we scattered,
devils fled when we struck.
Instead of the usual punishments of hell
the spirits felt the torment of love;
even the old master of Satan
was permeated with acute pain.

It is an occult sentence: to Mephisto-Ahriman, love is a consuming fire and a terrible gift of darkness.

Rejoice! It is accomplished.

Now the more perfect angels:

We are left with a remnant of earth
to bear,
And if it were made of asbestos,
It is not clean.
When strong spiritual power
The elements
Gathered up in itself....

What kind of earthly remnant is this? Our soul, when it lives on earth, absorbs through its perceptions, ideas and feelings what is going on on earth, and in so doing, the soul, as it were, draws to itself what lives in the elements of the physical plane. This cannot be separated immediately. Just as corpses used to be wrapped in a fabric made of asbestos to hold the ashes together, Faust's soul has a remnant of the material world that is not pure, even if it is like the asbestos that withstands fire.

No angel parted
The united dual nature
Of the two intimate ones,
Only eternal love
Can separate them.

The angels cover their faces before the incarnation. This is a secret that can only be seen by those entities that can descend deeper than angels who have not experienced the incarnation. Only love can separate this.

Now the angels become aware of the blessed boys. The blessed boys receive what is being led up:

Release the flakes.

Here Goethe again draws on physical processes to characterize spiritual processes. When the Benedictine monks die, they are wrapped in a special garment, the “flocca”, which is brown in color; all Benedictines are buried in the same flocca, hence the word “flakes”.

Here I have tried to take a liberty with respect to what is actually there in Faust. I have said: all this must be revealed to us through consciousness. Up to now, everything passes through the consciousness of the choir, the anchorites. Now Faust himself must ascend through consciousness, but he must ascend through full consciousness, he must fill a new consciousness completely, a new consciousness that is, however, identical with him, for he ascends as a fully developed human being.

Much in Faust is still unfinished, and certainly unfinished is the Pater Marianus, whom Goethe later called Doctor Marianus. This Doctor Marianus is there so that Faust may appear through his consciousness, so I simply let Doctor Marianus be Faust himself. The anchorite Doctor Marianus is at the same time Doctor Marianus and Faust.

Now it is a matter of the profound mystery of love, as permeating the world in the fully Christian sense.

Faust, speaking in a profane sense, has seduced Gretchen, Gretchen has even been executed, she has become innocently guilty, in her there is that innocence which rests enclosed in the mystery of man, and her love is an “eternal, enduring star”. If one wants to express this in an image, one comes to the Mater Dolorosa Gloriosa. She brings with her three penitents, she does not look at the guilt of these three, but at what is innocently guilty in them. To Doctor Marianus this secret is revealed.

Here the view is unobstructed,
The spirit is uplifted.
There women pass by,
Floating upwards;
The glorious one in the middle
In a wreath of stars,
The Queen of Heaven,
I see it in the radiance.
(Enraptured)
Supreme ruler of the world!
Let me in the blue
Stretched out celestial vault
See your secret.
Appreciate what moves the man's chest
Seriously and tenderly
And with holy love
Towards you carry.

Our courage is unconquerable
When you command us,
Suddenly the heat subsides
As you pacify us.
Maiden, pure in the most beautiful sense,
Mother, worthy of honor,
Our chosen queen,
Equal to the gods.

Around her,
light clouds swirl.

Goethe quite appropriately allows the soul to emerge first from the nebulous clouds, and then to solidify into a finished form.

The chorus of penitents follows. It is magnificent that Goethe has taken, I would almost say, love in its sensual form and here has given it a religious transfiguration – for the second time; the Bible has already done so for the first time. Mary Magdalene has loved much in the real sense, but she has simply loved, and Christ sees only love, not sin, and so she also belongs to Christ. Then there is Maria Aegyptiaca and Una Poenitentium, otherwise known as Gretchen. It could also be called Doctor Marianus, otherwise known as Faust.

The blessed boys accept Faust into their circle. Faust seeks to find something of Mary in Gretchen through the Queen of Heaven, so a mystic choir may express what has taken place. This mystic choir contains great, succinct words:

All that is transitory
Is but a parable,
The inadequate,
Here it becomes reality;
The indescribable,
Here it is done;
The eternal feminine
Draws us on.

With this skeleton, I wanted to show you that Goethe really did depict this last scene appropriately, based on spiritual insight, and that he knew how to create the real foundations everywhere: the foundations of consciousness.

As one who is familiar with the subject knows, really understands, so has Goethe described. However, one must immerse oneself in what Goethe wanted. One must be in his intentions, as it were, have the dead Goethe standing before you as a living being. Because some things are not so easy to understand.

after a eurythmy presentation of Faust's Ascension

We tried to give eurythmy performances related to Goethe's “Faust” at Easter and Whitsun and at the Feast of the Assumption. In a way, we felt the need to have these performances ready by the Feast of the Assumption. You will recall that, in connection with the previous descriptions from Goethe's Faust, I tried to show how the way in which Goethe went through his spiritual development can be highly effective as a model because we can see in him can see how the great personality, in particular, slowly and gradually acquires and slowly and gradually works through the process of arriving at a point of view regarding a matter that can then satisfy him. How many people believe that they are good Christians and understand Christianity. We had to point out that at the time when Goethe wrote the first scenes of his Faust, he basically had, if not an anti-Christian, then, one might say, an un-Christian way of feeling. Just take a look at what has been preserved as the – forgive me for using the distasteful title, but it has become common – so-called “Urfaust” (the “Primal Faust”), and then what was published under the better title “Faust, a Fragment”.

We can see from this that Goethe had to grow quite old before he was able to insert a Christian element into these things in the meaningful way of expressing the most secret impulses of his soul. This soul needed infinite deepening in world knowledge and world feeling. And when the fragment of Faust appeared in 1790, it did not yet contain the scene that Goethe could only write at a much more mature age, the scene where Faust is stopped from taking the step he wants to take, from suicide, by the Easter bells. It was only at a mature age that Goethe felt compelled to introduce this Christian element into the first part of his Faust. A genius must live through and experience much, much more before he feels ripe in his own way, whereas many others feel ripe so soon. And we see that Goethe really felt this way, so that he added something Christian, something of Christianity, to “Faust,” which he had begun in his youth – but also already in his later youth – and had carried out in certain scenes.

It is now characteristic that Goethe, so to speak, needed a new approach to work his way through his way of feeling and the inner workings of his feelings towards the world – I would say through a realm from which the Christian impulses have been torn – before he could approach Christianity in a new way, in a way that would satisfy his later age, and also in a poetic way.

Yesterday I already pointed out to you how appropriate and professional, to use the pedantic expression, the whole structure of the last scene of the Ascension of Faust is. But we look even deeper into the matter when we realize something else from the spiritual considerations.

Let us imagine: in a particularly suitable natural setting – a wilderness, mountain gorge, rocks and everything possible that makes an impression corresponding to mysticism – a choir, we can imagine a monks' choir, approaches and absorbs what is happening in its consciousness. We have heard why this choir of monks is there. To put it on a real footing, Goethe needed this consciousness outside as a medium to absorb the events associated with Faust's soul ascending into the spiritual world. What is happening? The choir first points out to us what is going on. We can say: this choir senses that which is otherwise dormant as movement. The world of the spirits of form is slowly beginning to merge into the world of the spirits of movement. It spiritualizes as it begins to be moved, that which confronts us elementarily – everything initially in motion:

The forest sways,
the rocks press against it,
roots cling to it,
trunk close to trunk,
wave after wave splashes...

Why is that? Yes, that is because we are to be shown how a soul is to rise from this earthly existence, the physical plane, up into the spiritual world. A soul is to be wrested from the physical plane – the physical plane is also nature – a soul is to be wrested from nature. We now know that nature is permeated by the elemental world, that at the moment we pass from the rigid existence of nature to the elemental existence, everything is truly in motion. We cannot imagine that we can conjure up before our soul the idea of the soul of Faust ascending into the spiritual worlds if we cannot vividly visualize for ourselves the coming to life of nature and the release from the life of nature in relation to the soul of Faust. For it must be said: in the face of so much that is unhealthy, especially in mystical and occult movements, we have, in all that is allowed to tie in with Goethe's occultism, something thoroughly healthy, rooted in the solid ground of world reality. Goethe would not be able to present the spiritual world to us in any other way than by linking it to what confronts man on the physical plane, to nature, by showing, as it were, how nature spiritualizes itself before the healthy senses. And Goethe would never have said yes to an occultism that was not intimately connected with a real love of knowledge and of penetrating nature.

We can do an enormous amount to heal our spiritual science by striving to understand the secrets of nature. This is difficult in our time because, as was shown yesterday for research into the wisdom of the bakis or other things that arise before the soul's eyes in spiritual development, nature is approached in such a foolish way. And how is it? Just as those seemingly infinitely profound explanations of Goethe's eight lines, which are supposed to refer to everything possible, while they refer to slippers and cigars, so it is in reality with much of what is said today by science about nature. You see how much of what passes today as natural science bears just as little relation to the truth as what was communicated to you yesterday bears to philological science, and how Goethe's wisdom bears to what it actually refers to. That is why it is difficult in our time to gain from science the relationship to nature that Goethe actually has. But we must strive unceasingly to make our occultism thoroughly healthy. And there is no better, no more dignified starting point for our time than what Goethe has contributed to occultism.

We see how in the consciousness of the choir – whereby this now really enters into the impersonal of nature, in that the echo resonates – the spiritual of nature breaks free. And we can now hope that the same consciousness, which is capable of seeing through nature in such a way that everything comes from deep within nature, can also see the ascending soul. By first seeing it at all, the soul that is ascending in spirit sees it, completely placed in real life. But how do you get to see this spiritual world? I already mentioned yesterday: it is presented to us in a dignified way in three stages, in that the consciousness of the choir, which has a general awareness that spiritual essence is hidden within nature, the consciousness of the Pater ecstaticus, the consciousness of the Pater profundus, the consciousness of the Pater Seraphicus: these are successive stages of soul development. How the mystical development rises from self-absorption and the self to the realization of a further spirituality of nature, than the choir can see through, is shown to us in the transition from Pater ecstaticus to Pater profundus , and then in the transition from Pater profundus to Pater Seraphicus, how the soul can develop healthily, can truly develop into the spiritual world, so that it can see the spiritual world in its depths. Goethe had received guidance on this early in his youth, when he learned of the kind of contact Swedenborg had with the spirit world. We know that we should not overestimate this, but for Goethe it was a powerful stimulus. Swedenborg recounts that he associated with spiritual beings in such a way that they came very close to his mind, that they took possession of his sense organs, that they, guided by his eyes, saw the world and, of course, were able to communicate what they had seen and heard quite differently than the human soul. Thus Swedenborg experiences the spiritual world through those English beings who enter his sense organ. This made a great impression on Goethe, this entering of spirits into the human organism. So that in a certain respect it had become quite familiar to him how such a spirit deals with the spiritual world. These things were quite familiar to Goethe in general. What we have not yet been able to present here - we will do so later when our building is finished - is the fact that the Pater ecstaticus floats up and down. On May 26, 1787, Goethe wrote about Filippo Neri: “In the course of his life, the highest gifts of religious enthusiasm developed in him: the gift of tears, of ecstasy, and finally even of rising from the ground and floating above it, which is considered by all to be the highest.”

I want to emphasize this because I must tell you that Goethe did not write this unconsciously or as a mere fantasy, but because he was very well versed in these things, he knew them, knew them deeply. So he doesn't just let Pater ecstaticus float up and down because it occurs to him; we have to bear in mind that Goethe was a man who spoke of Filippo Neri in this way. This deepens the feeling tremendously. What is needed much less in these matters are clever explanations, and much more the ability to immerse oneself in Goethe's soul, to see how deeply he was connected in his soul with this ascent of the human being on this path of mystical knowledge. And then we see, the Pater ecstaticus shows us how the soul inwardly, in the manner of Meister Eckart or Johannes Tauler or Suso, takes in the divine reign, so that the soul comes to the point of confessing with Meister Eckart: “Not I, but the God in me wills and thinks and feels.” For if the soul continues to ascend, it will perceive spiritual revelation in nature from the elemental world, as we see in the Pater Profundus, whose inner being expands throughout the whole, all-encompassing nature.

Then the human soul, having undergone this, ascends to direct communication with the spiritual world, as we see in the case of Pater Seraphicus, who now really comes to perceive such spirits , such as the blessed boys, the midnight-born, who live as spiritual entities in all the spiritual activity and life that develops here between the dwellings of the anchorites and monks.

Thus, what comes to us most vividly – and it is the presentation of this living reality that is important – is that Goethe guides Faust's soul up into the spiritual world, but that he needs a spiritual setting to do so. We can guess how nature is set in motion, how elemental life rises out of nature, how nature's beings then develop into consciousnesses, which are ever higher, with the soul developing into the embrace of spiritual beings, as is the case with the blessed boys, and how it can then be the souls of penitents and also the soul of Faust himself. The entire spiritual scene contains this. And then there are wonderful increases right up to the end, where the Chorus mysticus expresses the mystery of the world, where we see how our spiritual eye is lifted up into a spiritual world. We make the ascent from standing in nature and on the firm ground of the physical plane to the spiritual worlds, into which the soul of Faust is taken.

During Goethe's lifetime, only the first part of Faust had been published, as we now have it. Then the scene: “Charming Area”, Faust bedded on flowery grass. Then individual parts of the scene at the “Imperial Court” from the first act of the second part. In it, a transition to the “Classical Walpurgis Night”, but not the Walpurgis Night itself, and then the “Helena Scene”.

Even during Goethe's lifetime, many people had thoughts about how Faust could be completed. If you follow these thoughts – and some of them were even printed – you will find that people already knew that Faust's soul must be redeemed, must ascend into the spiritual world. But all the ideas that people have come up with have something - there is no other way to put it - abstractly vague, something extraordinarily vague about them. Goethe once said to Eckermann that he had to call on Christian imagery to help him move from the vague to what he wanted to present as a spiritual reality.

And so, in his very old age, we are once again confronted with this wonder. Consider that Goethe wrote the whole pagan part, the whole pre-Christian part: Faust's connection with Helen. Then again something that is certainly not anti-Christian: the fourth act of “Faust”, that only after he has once more plunged into that in which not directly Christian impulses are at work, after he has once more wriggled through there, he is again to present the riddle of Faust in the highest sense, that only in his very old age, out of all pagan cult, he must plant Christianity in “Faust”. Goethe had to live to be eighty years old so that he could say to himself that he is able to use the Christian ideas in such a way that they are a garment for the path that the soul of Faust has to go.

It was Goethe who really paved the way for us to understand the Christ impulse more and more, a path we refer to in spiritual science. And the beginnings of this understanding, which we have now been able to experience, will be followed by many others in the future, when we are no longer able to be present or can only be present in subsequent incarnations. Goethe was the first to do this through spiritual science: to connect the penetration of reality with what flows in our soul through the Christ impulse. And Goethe has presented this in tremendous depth, but in such a way that it is always vivid and always appropriate.

Nature stands before us. The choir of monks, who initially appear before us pointing to the spiritual, see the elements emerging from nature, and spiritual-soul entities join the elements, that comes out of nature. Goethe already perceived this as a specifically Christian view. Christianity is not about always saying: Christ, Christ and Christ again! Christianity is not about always repeating Christian dogmas. It is a way of feeling, of relating to the world. And this feeling, this relating to the world, comes across in a wonderful way in the way Goethe presents it. The way this feeling lives through and permeates the last scenes of Faust is eminently Christian, and its Christianity is particularly evident to us in that the whole of Faust — despite the fact that some fragments and some parts remain unfinished — is so artistically great and so powerfully conceived that one only gradually comes to understand the tremendous artistic conception.

And before us stands the broad natural existence of the physical plane, which we see, in the truly Christian sense, transformed into the elementary and truly spiritual existence. Faust is led into this after he has gone through his connection with Helena, with the ancient spiritual world. Here, too, we are confronted by spiritual beings. Helena is led up from the underworld. Faust encounters her. She is surrounded by a chorus, twelve choruses surround Helena. When Helena returns to the underworld, the chorus stands there, and at this end of the third act the chorus shows itself to us as not yet fully matured into humanity, as elemental beings. And how does the chorus disappear in the third act of the second part of Goethe's 'Faust'? That is very interesting! There we are also dealing with elemental beings. And when Helen disappears, the chorus of these elemental beings also disappears. The chorus divides into four parts. What happens to one quarter of the chorus? Well, three members of the chorus describe how they disappear: they disappear into nature. Where Goethe presents paganism, he shows us the elemental beings who, as the twelve-voice chorus, surround Helen. They now disappear and merge with nature. Feel how the first part of the choir enters into nature:

We, in this thousand branches whispering tremors, purring floats,
Attracting prancing, luring softly, root of the life sources
After the branches; soon with leaves, sometimes with flowers exuberantly
we adorn the fluttering hairs freely to airy prosperity.

That is, these beings of the choir become trees, become nature. They may then approach us, out of the Christian impulses, when they approach us again as a

wood, it sways towards us.

The pagan elemental spirits disappear into nature, and they emerge again where the Christ impulse has come alive on the earth. Oh, how wonderfully this chorus disappears with Helena, and then - we know it from the last scene - when the beings, who have received the Christ impulse as blessed boys, emerge from nature. And take the other part of the chorus:

We, on this rock wall, smooth as a mirror,
nestle, moving in gentle waves, caressing;
listening to every sound, birdsong, flutes of the wind.

Truly, these are the same rocks into which these elemental beings have slipped, and then “cling”, and from which the beings of the spiritual world later emerge, after they have received the Christ impulse.

You can see how deeply felt this Faust poem is, how there are other connections in it than those usually observed. And it is these connections that are so important. Goethe was aware of this. That he was aware of this is clear from a very specific suggestion that Goethe wanted to make when he was not quite finished with the third act of the second part of Faust. He had completed it roughly up to the disappearance of Helena and up to the “going out into nature” of these elemental choruses, just up to this scene, roughly as far as I have read now. Then he wanted to do what he did in a sense at the end of the third act, to let Mephisto arise from Phorkyas, and now Mephisto was supposed to express what Goethe actually wanted with this Faust at the conclusion of his “Faust.” That he let it be spoken through the mouth of Mephisto was for reasons of performance, because Mephisto is, so to speak, the one who brings about the third act after all. The third act is incorporated into “Faust” as a classical-romantic phantasmagoria. Mephisto is, so to speak, the one who introduces the third act with a kind of spiritualistic laboratory magic, he is supposed to say what Goethe actually wants by continuing “Faust”. At a time when Goethe already realizes that he must incorporate the Christ impulse into his work, he wants to say through Mephistopheles: “Certainly, there have always been times when people have recognized that at the bottom of sensual existence there is spiritual existence. We can go back to the mysticism of ancient India and ancient Egypt, where it was known and described that at the basis of natural existence there is something spiritual. But it does not befit us, Goethe wanted to say, to understand this spiritual reality today in the same way as it was understood in these ancient mystical systems. The Christ Impulse has brought into the world something completely new in relation to all ancient mysticism and all ancient wisdom. The old can no longer serve us. That is what Goethe wanted to say. And I am not just asserting that he wanted to say it, but the passage has been preserved. It is not in 'Faust' now, but the passage has been preserved, conceived by Goethe, with corrections added by his scribe, as indicated by Goethe. At the end of the third act, it is said how he demands the newer Christ impulse for his “Faust”, how he does not want some ancient wisdom, but something completely new in the sense of the Christ impulse. For Mephisto, when he is to appear before the audience, should speak the following words:

Enough, you see him,

- Euphorion is meant –

though much worse
than on the British stage, where a little child
gradually grows up to become a hero.
Here it is even more fantastic. No sooner is he conceived
than he is also born,
he jumps, dances and speaks a delicate word.
Many criticize this,
others think that this is not so straightforward
and that it is to be understood roughly, that there is something behind it.
One can well sense mysteries, perhaps even
mystifications, Indian and also
Egyptian elements, and anyone who likes to put it all together,
brew it up, etymologically back and forth
is the right man.

Goethe already senses something of those teachings that have come and have etymologically concocted everything, but he wants nothing to do with any of them, because he says here:

We also say it, and our deep meaning will be a faithful student of newer symbolism.

Goethe says: not Egyptian, not Indian, but “to be a faithful disciple of newer symbolism”!

Then he came to incorporate the Christ impulse into his “Faust” in this way – not just by adding a Christian element here or there, but by enshrining the entire way in which the soul presents itself in the flow of his creation. And as we can see, he does that. We see how he really does know the development of mysticism in the progression of the three fathers, and on the other hand, we find how he wonderfully separates the initially unified choir of angels into two groups: the choir of younger angels and the choir of more mature angels. And when you read what the younger angels say and what the more mature angels say, we again find something quite remarkable. Take what the younger angels say first:

Those roses, from the hands
of loving, holy penitents

- one must remember the previous scene –

helped us to win the victory
and to complete the high work,
This treasure of the soul to win.
Evil fled as we scattered,
Devils fled as we struck.
Instead of the usual punishments of hell
The spirits felt the agony of love;
Even the old master of Satan
Was pierced with acute pain.
Rejoice! It has been accomplished.

But the angels can already be perceived in the previous scenes. These are now the younger angels. It is impossible to say how deeply one is touched when one lets the appropriateness of such a representation take effect on one. The younger angels – why that, the younger angels? That means: they are younger, they do not yet have so much connection with the earthly world.

In pre-Christian times, angels are the beings who cover their faces at all before the Incarnation on earth, who do not mix in the pre-Christian times with what is happening down below on earth. They remain at the very top in spiritual spheres.

Now think how characteristic these younger angels are, who have not yet found their way into the Christian sphere, but who are up there, who have not yet descended during the Christian sphere. Consider how the Elohim are characterized at the creation of the world. After the creation is presented to us from day to day, we are then told at the end: “And they saw that it was good,” or “beautiful.” The word that is used is difficult to translate. It means that the Elohim are such spiritual beings that they first make things and then see that it was beautiful. That is what matters. These are the other kind of entities that have attained perfection on the old moon and are now transitioning spiritually into earthly existence, doing first and then seeing and perceiving that it has been successful. These younger angels must have the perception of these spiritual entities; they must first say what they have done. Now they realize that they have strewn roses from the hands of the penitent, that they themselves have caused pain to the old Satan master.

So appropriately, Goethe writes that he knows: beings that have not come into contact with the Christian world only recognize the beauty and goodness of what has been done afterwards:

Those roses, from the hands
of loving, holy penitents,
helped us win the victory...

That the victory was won comes afterwards. You see, I'm not delirious!

Fogging around the rocky heights,
I just feel,
A ghostly life stirring in the
Nearby.
The clouds become clear;
I see a moving crowd
Of blessed boys,
Free from the pressure of the earth,
In a circle,
They refresh themselves
With the new spring and adornment
the upper world.
Be it from the very beginning
Increasing full profit
These joined!

The blessed boys are there long ago, and they have something to do with the appearance of these angels, but the angels only realize that they are there when the whole scene is set. Goethe is fully aware of all this. They do not carry that which is connected with the earth in the soul of Faust; that must be borne by those who have become a little older, more perfect, who have descended through the Mystery of Golgotha and come into contact with the earthly.

A remnant of the earth remains for us,

say the more mature angels, not the younger ones.

To bear it would be embarrassing,
and even if it were made of asbestos,
it is not clean.

And then they explain that through the Mystery of Golgotha they have now attained an insight for which the other angels veil their faces, how spiritual power connects with the elements that are mixed with the nature of earthly life. It is something quite tremendous to perceive how Goethe describes it, so expertly and appropriately, and how he knows how to characterize the individual members of the spiritual world correctly. When one compares the colorful, characterless stuff that others, who also wanted to represent spirits, concoct, it sometimes looks as if someone wanted to describe the external nature and would say: Oh, I went through the forest and meadow and saw such wonderful blue roses and such wonderful yellow chicory and such beautiful red and yellow violets and the like in the meadows – which is all wrong. Those who know the spiritual world find some descriptions to be extremely inept because everything is wrong. With Goethe, everything is right! That is the essential thing, to perceive not a crazy interpretation, but to perceive how this soul is rooted in the spiritual world at the moment when it decides to describe a spiritual event from within itself, as is the ascent of Faust into the spiritual world. And in doing so, the artistic, artistic compositional element in the spiritual!

I once tried to show you how, quite apart from what the Gospel of John actually is, there is something in the mood of the Gospel of John that makes it one of the greatest works of art. Remember the Kassel cycle on the Gospel of John! Truly, artistic endeavors of this kind, striving for artistic perfection in the spiritual, we find everywhere in Faust, but in such a way that the artistic in it is really, in being artistic, at the same time spiritually right. That is the significant thing. For it is essential that the world should more and more recognize that what is really recognized and experienced out of the spirit is the right thing, even when it is placed in the world. What is spun out of the spiritual usually looks like a house of cards in the world. But what is recognized out of the spiritual can be placed in the world.

This was the aim in the architecture of our building, that it should be truly created out of the spiritual. Therefore everything is feasible. It makes one all the less scrupulous when here and there people come and say: they don't like this and they don't like that. There are people like that who find fault with this or that in our building. But if you know the world a little and know that or to what extent people belong to the choir of those who interpret Goethe in the same way as that gentleman I told you about, you don't care about all the criticism, because that gentleman, for example, who was mentioned, could say whatever he wants about our construction and our way of thinking and so on, you wouldn't need to be impressed. And such is the spirit of the people after all. You just have to know life a little. But that which is born of the spiritual is possible because it is spirit and artistry at the same time.

And today I would like to point out at least one more thing. Three penitent women, together with the penitent woman otherwise called Gretchen, come to meet us. Yes, the artist never does that – the real, true artist – he never says: Now, I will have three penitent women appear. Where can you find three penitent women? – Of course, you can meet all kinds of people in life. There are people, really, such people, who take a rhyming dictionary and make up poetry according to it, you can start at the alphabet – whatever rhymes with that – and then comes the second line and so on. I knew people like that too. But a true poet, an artist, doesn't even do that. He doesn't just take three penitent women in any old way. Instead, as is particularly characteristic of Goethe, he brings us another of those wonderful intensifications, a case of wonderful inner composition that is both factually accurate and correct. What are the three penitent women supposed to be? First Mary Magdalene, then the Samaritan woman at the well, and then Mary of Egypt. Well, I have already hinted at it. They are meant to show us that there is something eternal in the female nature - “an eternal star of love” - that, as it were, cannot be eroded, Goethe wants to say, when it unites with the female soul, even with guilt. The love, the love that Christ brought, despite the fact that in their outer life they were by no means model human beings, but their souls were such that they could understand love. If we think about this correctly, we must say: Yes, something like the Christ impulse spreading throughout the world first seizes what is nearest, then it seizes what is further, then it seizes what is furthest. And it would be wonderful if the Christ's impulse of love spread like a wave, if it also took hold of the guilty and outshone the guilty, drawing ever wider circles. So, Mary Magdalene, the Jewish, the Hebrew woman, directly from the land that was intimately connected with Christ Jesus in Judaism: the closest environment is taken hold of by Christian love. Then He goes beyond the realm of Judaism, but still into the neighboring region, to the Samaritans, who have no ethnic community with the Jews: the second circle. And then He comes to the third circle. You know that what is presented as being very far removed from Christianity is presented as Egyptian: the Egyptian Mary. She comes from what is even more foreign out there in the pagan world, which is now grasped in a distant way, pushed back as if by an invisible hand because of the sin of touching the cross, and only atoning for the guilt through a forty-year penance: how far the waves of love reach out there!

We really see them, the waves of love, as they spread, and we understand something of what gradually crystallizes in Goethe's imagination as that which he then finally describes as the “eternal feminine”, in whose conception every trace of inferiority must be removed.

And the outpouring of love corresponds exactly, I might say, to the tone, the whole manner in which Goethe put the words into his mouth. Just try to find that wonderful intensification which now lies in the peculiar feeling, the rhythmic formation of the words:

By the love that made
of thy Son, transfigured with God,

We feel something like a trickling nearby.

At the well to which
Abram used to lead his flock,
At the bucket that was allowed to touch the Savior's cool lip;
At the pure, abundant spring,
Which now flows forth from thence,
Abundant, eternally bright,
Through all the worlds it flows —

Imagine how it expands! With this whole presentation, we are actually in the immediate vicinity of the person of Christ. Then whole worlds are included in the presentation of nature. And then, as we come to the Egyptian Mary:

At the hallowed spot,
Where they laid the Lord;
At the arm that from the. gate
Warned me, repelled me back;

The invisible, the spiritual, is directly addressed. Once again, an intensification! It is not the case that one first needs to intellectually ascertain that these three circles really exist. One must feel them by pronouncing the words. That is the significant thing.

And now let us consider the following. Through years of reflection, we have come to understand that before our evolution on Earth, there was a Saturnian era, then a solar era, then a lunar era, and that we are now at the Earth era. In a sense, the human being has gone through everything that has gone through these stages of development. Where, then, can we read the essence of these stages of development? It lies in the fact that these times were once there and then passed away again, and that the Earth time has emerged. But before the Earth time, man went through the Saturn, Sun and Moon time, and he carries the effect of these times within him. If we now examine modern man with the means of spiritual science, we find that the physical body, having acquired its first disposition on Saturn, then develops further through the sun, through the moon, to the earth, where it has once again connected with cosmic powers in order to take on something new. What the human being's physical body has gone through in these three stages – and here we touch the edge of a momentous mystery – in that the physical body has gone through it, has been most clearly expressed in the constitution of the inner female organs on Earth. The interior of the female organism, both the physical body and everything that is expressed as soul in connection with the physical body, bears the effects of Saturn, the Sun and the Moon in the most eminent sense. It is not without reason that the Bible relates how the Elohim took the dust, that is to say, that which was added to the earth only, like air and water – one thinks of the earthly element when one says 'dust' – to form Adam, the man. From the cosmos, the macrocosm, which the woman carries over from Saturn, Sun and Moon, is first joined with the male principle. There is a profound mystery about what confronts each other on earth as male and female. Of course, what has just been said refers only to what the male and female express in the organization of the human being. And this mystery is connected with the whole earth, is connected with the abilities that are proper to woman only as woman during earthly development, with the fact that the macrocosmic of Saturn, Sun and Moon development is carried over into woman's inner being and is taken up into woman's microcosm, while the macrocosm of the just preceding earthly development is taken up into man's microcosm. In a very special way, the feminine and the masculine carry the whole cosmos within them. And if I have often stated here that the human being carries the whole macrocosm within him, the feminine and the masculine organization carry it within them in a different way.

A cosmic thought dawns on Goethe as he brings the penitentesses close to the Mater gloriosa. For what is the Mater gloriosa to him? She who has most purely carried over into earthly time the eternal effects of the time of Saturn, the time of the sun and the time of the moon, leaving them untouched by the earthly and connecting with the macrocosm by being allowed to prepare the Christ of the earth. The macrocosmic, the eternal aspect of the feminine draws upward. What draws upward? How could we still answer this question? By repeating the mystic chorus.

That is what Goethe meant – only he does not want to use a general term – that is what Goethe meant.

All that is transient
Is but a parable;
The inadequate,
Here it becomes attainable;
The indescribable,
Here it is done;
The gloriosa Mater
Draws us on.

That which has been done, that which has taken place before us, at the same time draws the entire spiritual world upward.

Goethe's poem of life ends with a deeply Christian sentiment. We shall take up these aphoristic remarks (for that is what they should be) again in the following.

Let us look back at an earlier scene from the second part of Goethe's Faust, the scene in which I have often mentioned how it was made possible for Faust to unite with Helena. How is this possibility of Faust's union with Helena presented within the whole of the Faustian legend?

We know that in order to be united with Helena, Faust must first go to the region where even Mephistopheles cannot enter, to the realm called “the realm of the Mothers”. We have emphasized several times that Mephistopheles-Ahriman is only able to give Faust the key to the realm of the “unentered, unenterable”. We have also mentioned how in this realm of the Mothers we can find the eternal aspect of Helen of Troy, and we have mentioned how Goethe tried to solve the mystery of Helen's re-entry into the world. We have found that Goethe expressed this secret by allowing the homunculus to come into being, by allowing the homunculus to pass through the evolution of the earth's development, to catch up with this evolution of the earth's development, as it were, and that the homunculus, by dissolving itself dissolves in the elements, passes over into the elementary spiritual world, so that, by uniting with the archetype of Helen, which Faust brings from the mothers, he, as it were, “gives the re-embodiment with which Faust can now unite. Faust has, as it were, been elevated to the great arena of history; he seeks Helena. What does he need to seek Helena? Helena, the type of Greek beauty; Helena, the woman who brought so much ruin to the Greek world, but whom Goethe nevertheless presents to us in such a way that she also appears to us — and here I am referring to Gretchen — as being innocently guilty in the Greek sense. For thus Helen appears at the beginning of the third act: innocently guilty. Much guilt has been caused by her act. But Goethe seeks the eternal in every human nature and cannot reckon with guilt where he wants to present the evolution of humanity in the higher sense, but he can only reckon with the necessity of

If we now ask ourselves how Faust is put in a position to ascend to those spiritual realms where he can find Helena, we are confronted with the answer:

It is the mothers!
Mothers!

And Mephistopheles hands him the key to the Mothers. In a very characteristic way, we are shown that Faust is to descend to the Mothers; one could just as easily say ascend, because in this realm it is not important to distinguish between going up and going down in the physical sense.

The Mothers! Mothers! - it sounds so strange!

We hear the word from “Faust”. And when we recall how this realm of the Mothers is described, how they sit around the golden tripod, when we envision the entire scene of the realm of the Mothers, how could this journey of Faust into the realm of the Mothers be expressed? What are they, the Mothers, who reign eternally, but who are depicted as feminine and represent the forces from which Faust has brought forth the eternal, the immortal of Helen? If one wanted to express the whole fact at the point where Faust is sent to Helena, one would have to say: Faust will have to express his urge to Helena and to the Mothers by saying: The eternal feminine pulls us up or down – it does not matter now. We might just as well apply this last motive, which confronts us at the end of Faust, to the point where Faust descends to the Mothers. But with Faust on his journey to the Mothers and to Helen, we are standing on the soil of the old pagan world, the pre-Christian world, the world that preceded the Mystery of Golgotha. And at the end of Faust? We are confronted with a similar journey by Faust, the journey of the loving Faust, who wants to approach Gretchen's soul, but we are now with him on the ground of evolution after the mystery of Golgotha. And what does he strive for now? Still for the mothers? Not for the threesome of mothers. To the one mother, to the Mater gloriosa, who is to pave the way for him into the untrodden, the un-treadable, where Gretchen's soul dwells. The mothers, the eternal feminine too, are in the plural. The mother, the Mater gloriosa, is in the singular. And the striving towards the Mothers, in that it transports us into the time of evolution before the Mystery of Golgotha, and the striving towards the Mother, towards the gloriously magnificent Matter, in that it transports us into the evolution after the Mystery of Golgotha — does it not show us in a wonderful way, poetically magnificent, overwhelmingly magnificent, that which the Mystery of Golgotha has brought to humanity? From the threefold nature of still astral thinking, feeling and willing, humanity in Faust strives upwards towards the threefold nature of the eternal feminine. We have often described how the unity of the human soul in the I has come to humanity through the Mystery of Golgotha. The three Mothers become the one Mother, the Mater gloriosa, through the fact that the human being has progressed in the way we know to an inner interpenetration with the I.

The entire secret of humanity's transition before the Mystery of Golgotha is embodied in the Faust legend. And this transition from the eternal feminine of the trinity to the eternal feminine of unity is one of the greatest, most wonderful, most beautiful intensifications in the artistic realization that is found in this second part of “Faust”. But however deeply we penetrate the secrets of Faust, we find everywhere what I have said pedantically, but not meant pedantically, in that I have said: Everything sounds so appropriate and professional.

I have already pointed out that if we want to fully understand the human context, we must point out that the human being is first of all connected to the macrocosm as a whole human being, just as the macrocosm is reflected in the human being as the microcosm. We must only remember that man's development on earth remains incomprehensible if we do not know that man bears within him that which is initially transitory for this earthly development, but which is permanent for man's development, and which has developed into human nature through the old Saturn, Sun and Moon developments. We know that the human physical body was already formed in the first stage during the old Saturn evolution. We know that it then continued to develop through the sun and moon evolution up to the earth evolution. As I have already pointed out, what united with man in the three preliminary stages of evolution, the pre-earthly evolution, has now entered into the outer earthly formation of man in various ways.

I could only briefly hint at what was said about the matter earlier, and it must remain a brief hint. I have said: We touch here on a momentous mystery. — And it is only natural that these things can only be hinted at. He who wishes to follow them up must undertake a meditation on what has been suggested. He will then find what he still desires, even if it takes a little time.

We must realize, however, that man, by completing the lunar evolution, has begun the terrestrial evolution, and has, as it were, passed through a kind of dissolution, spiritualization, a world night, in this transition from the lunar evolution to the terrestrial evolution, and only now has he emerged again into the material. Certainly, the tendencies he formed through the evolution of Saturn, Sun and Moon remained with him, including the tendencies towards the physical body. But he also absorbed them into the spiritual and then developed them out of the spiritual again, so that we have to think of a time during the evolution of the earth when man was not yet physical.

If we disregard everything else that contributed to the development of the fact that man forms himself physically and sexually in his earthly existence, we can say in general: Just as man entered in the first place as an ethereal human being, so too did he enter as an etheric human being. To be sure, in this ethereal human being the tendencies towards the physical human being, which developed during the Saturn, Sun and Moon periods, were already present, but nevertheless they were formed in the etheric. I have already indicated this more precisely in Occult Science. And the physical must first develop out of the etheric. But Lucifer and Ahriman have their part in this whole process of development. For Lucifer and Ahriman intervene even before this, although their influence is repeated during the development of the earth, during the development of the moon and already during the development towards the moon in the whole development of mankind.

Now I have something to say here that is difficult to understand – not so much for the human intellect as for the entire human soul, I believe – but which really must be understood one day. Let us imagine: Man was once in the course of the earth before he gradually formed physically since the Lemurian and Atlantean times, ethereally, and - I will suggest this schematically - out of this ethereal, his physical gradually formed. Thus man was ethereal. Now we know that the etheric is a fourfold entity. We know the ether as a four-fold entity, so to speak. As we ascend from below, we know the ether as: heat ether; light ether; the ether with a material nature or also chemical ether, which, however, has its material nature in that the substance still fills the tone inwardly, the world harmony, the harmony of the spheres, for substances are substances because they are an expression of the world harmony. First of all, we have to imagine the world harmoniously. One tone, as it resonates through the world, causes, let us say, gold; the other tone causes silver; the third tone causes copper, and so on. Every substance is the expression of a certain tone, so that we can, of course, also speak of tone-ether. However, we must not represent the ether as it is perceptible on earth, but as a tone that fades away in the ether-spiritual sphere. And the last ether is the ether of life. So that man, if we still imagine him as ethereal, is formed ethereally by these four types of ether interlocking. We can therefore say: Man appears where the evolution of the earth is preparing to gradually allow the etheric human being to emerge from the etheric human being, as an etheric organism before becoming physical, where there is a mixed organization of warmth ether, light ether, material or tone ether, and life ether.

Now Lucifer and Ahriman are part of this whole process of the human becoming physical. They are always there. They take part in this whole evolution. They exert their influence. Of course there are special points where they exert this influence quite strongly, but they are always there, these special points, as you will find emphasized in “Occult Science”. Just as, I might say, the whole vegetative power is always in the plant, but asserts itself now as green foliage, now as a flower, so too have Lucifer and Ahriman always been present while man has developed through the various epochs of the earth's evolution, they are, so to speak, present in everything.

If you now disregard everything else (you can't always list everything), you can imagine this physical aspect of the human being, which arises from the etheric organization, in such a way (including everything else that I have described in 'Occult Science' and elsewhere, of course) that female and male forms arise. We are now disregarding everything else that contributes to this, but female and male forms arise. If Lucifer and Ahriman had not been involved, then the female and male forms would not have come into being, but rather what I once described in Munich: a middle form. So that we can truly say: it is due to Lucifer and Ahriman that the human form on earth was differentiated into a male and female form. And this is when we now imagine the state of approaching the earth, which is gradually solidifying through the mineral kingdom, when we also imagine that the earth is forming, physically solidifying, that in the earth's orbit there is also , we can imagine that the human being develops out of the ether of the whole earth and thus his character also approaches the physical of the earth, that in him, as it were, the etheric-mineral-physical meets with the mineral-physical of the earth. But Lucifer and Ahriman are at work, are truly at work. They have many means of exerting their influence on the evolution of mankind. And they use these various means for these or those processes, which they evoke.

Above all, Lucifer tends to develop the spirit of the ethereal; he actually does not want to let man become truly earthly, does not want to let him descend completely to earth. Lucifer is, after all, left behind in the development of the moon, and he wants to win man for himself, not letting him enter into the development of the earth. He seeks to achieve this by first of all seizing control of the forces of the heat and light ethers. He uses these forces in his own way in the processes that are now taking place as man becomes physical. Lucifer has power mainly over the heat and light ethers, and these he rules preferentially. He has already prepared himself well for this during the development of the moon, which he organizes in his own way. In this way he can influence the human becoming in a different way. By allowing man to become physical out of the ether, he can bring about the human form in a different way than would otherwise have happened, by taking hold of the warmth and light ether and exerting his power in a different way than would otherwise have happened. Just as he now rules and weaves in the warmth-light ether, it is not the human being that would otherwise come into being through this rule and weaving, but the female form of the human being. The female form of the human being would never have come about without Lucifer. It is already the expression of the emergence from the ether, in that Lucifer has just taken possession of the warmth-light ether.

Ahriman, in particular, has power over the ether of sound and life. Ahriman is at the same time the spirit of gravity. Ahriman endeavors to counteract Lucifer. In a certain way, this essentially brings about balance, in that the wise, progressive gods of luciferic power, who want to lift man above the earthly, oppose the ahrimanic power. Ahriman now actually wants to pull man down into the physical. He wants to make him more physical than he would otherwise be as a human being. Ahriman is prepared for this by the fact that he has particular power over the ether of sound and of life. And Ahriman works and weaves in the ether of sound and of life. And so the human physical form, as it emerges out of the ether into the physical, becomes physical in a different way from the way it would have become through the mere progressing gods, becoming the male form. Without the influence of Ahriman, the male form would be inconceivable, impossible. Thus we may say that the female form is woven out of the warmth and light of the ether by Lucifer, who instills in this form a certain upward striving. The male form is shaped by Ahriman in such a way that a certain striving towards the earth is implanted in it.

We can observe this, which is now so willed out of the macrocosmic world evolution, in a truly spiritual scientific way in the human being. If we take the female form, schematically drawn, we must say: Lucifer's warmth and light are woven into it in his own way. — Thus the physical female form is so woven that not only have the steadily progressing gods developed their forces in the light and warmth ether, but that Luciferic forces are also woven into this female etheric body. Let us now assume that in this female etheric body, that which the earth has given particularly, the consciousness of self, the consciousness that holds together, is tuned downwards; let a kind of tuned-down consciousness enter, which some people already call “clairvoyance”, a kind of dream-like, tr Then, in such a case, that which Lucifer has woven into light and heat ether emerges in a kind of aura, so that when female visionaries are in their visionary states, they are surrounded by an aura that has luciferic powers within it, namely that of heat and light ether. Now the point is that this aura, which now surrounds the female body when visionary states occur in a mediumistic way, is not seen as such. Because of course, when the female body is now in the midst of this aura (it is drawn), then the female organism sees into this aura and projects around it what it sees in this aura. It sees what is in its own aura. The objective observer sees something that he can name: the human being radiates imaginations, he has an aura that is formed from imaginations. This is an objective process that does not harm the observer. That is to say, when this imaginative aura is observed from the outside, by another person, it is simply an aura seen objectively, as something else is seen; but when this aura is seen from within, by the visionary herself, she sees only what Lucifer spreads within herself. There is a great difference between seeing something oneself and having it seen by others. An enormous difference!

This is why there is a great danger for a woman when visionary clairvoyance sets in if this visionary clairvoyance takes the form of imaginations. In this case, the woman needs to be especially careful. And it must always be assumed that the development must be taken firmly in hand, that it is a healthy one. Not to stop at all that one sees, not true, because that can simply be the actually luciferic aura, viewed from the inside, which was necessary to form the female body. And much of what female visionaries describe is interesting for a completely different reason than the reason why the female visionaries consider it interesting. If they describe or view it as if it were an interesting objective world, then they are quite wrong, then they are quite in error. But if this corresponding aura is seen from the outside, then it is what the ether has made possible for the female form in the development of the earth. So that we can say: A woman must take particular care when her visionary, imaginative clairvoyance begins to develop or manifests itself, because danger can very easily lurk there, the danger of falling into error.

The male organism is different. When we consider the male organism, Ahriman has woven his power into its aura, but now into the tone and life ether. And just as it is primarily the warmth ether in the case of woman, so it is primarily the life ether in the case of man. In woman it is primarily the warmth ether in which Lucifer works, and in man the life ether in which Ahriman works. When the man comes out of his consciousness, when the cohesion that expresses itself in him as ego consciousness is dampened, when a kind of passive state occurs in the man, then it is the case that one can see again how the aura asserts itself around him, the aura in which Ahriman has its power.

But now it is an aura that primarily contains the life ether and the tone ether. There is vibrating tone in it, so that one does not actually see this aura of the man so directly imaginatively. It is not an imaginative aura, but something of vibrating spiritual tone that surrounds the man. All this has to do with the form, not with the soul, of course; it has to do with the man in so far as he is physical. So that the one who looks at this form from the outside can see: the human being radiates — one can now say intuitions. These are the same intuitions from which his form was actually formed, through which he is there as the man in the world. There is a living, vibrant sound around you. Therefore, there is another danger for man when consciousness is dulled to passivity, the danger of only hearing this own aura, hearing inwardly. Man must be especially careful not to let himself go when he hears this own aura spiritually, for then he hears the Ahriman within him. For he must be there.

You see now how there would be no masculine and feminine in humanity on earth if Lucifer and Ahriman had not been at work. I would like to know how woman could escape Lucifer, how man could escape Ahriman! The sermon: one should flee from them, these powers – I have often emphasized this – is quite foolish, because they belong to that which lives in evolution, since evolution is already as it is.

But we can now say: Yes, by standing on earth as a man, in a male incarnation, he goes through his life, and what he is as a man, what he can experience as a man, what is the male experience, he has of it that this sounding life ether is in him, that he always has, so to speak, in himself, albeit mixed with Ahriman, chords of life that actually build up his male form. He has chords of life around him, in him, which only become visible and audible around him when he becomes medial.

Now let us assume that we are dealing with people who died at birth and want to express that they did not become “men” here during their incarnation. What would they say? They would say that this did not work at their birth, that they had the potential to become men in this incarnation, but that which makes a man a man did not work. They have been removed from what would have made them men in physical incarnation. In short, they will say:

We were removed early
From Lebechören.

That's what the blessed boys say.

We were removed early
From living choirs;
But this one has learned,

that is to say: he has gone through the experience, Faust. He has gone through the long life, through the long life on earth. He can convey something to us about this life on earth.

He will teach us.

So, in a sense, we have to look into the deepest depths of occult knowledge if we want to understand why a particular word is used in this particular poem. The commentator then comes along and says: Well, the poet chooses such a word: Lebechöre and so on. - Anything is fine with him, as long as he does not have to subject himself to the inconvenience of learning something. Through such things I would like to point out to you how appropriate and professional this Goethean poetry is in terms of the spiritual world view, what actually rests in this Goethean poetry.

Now, I may have made it difficult for you to understand something that is difficult for the human mind to grasp, in one direction or another, by pointing out characteristic points where Ahriman and Lucifer work in the world in such a way that we cannot escape them. For, however we may arrange it, when we prepare for an incarnation — for we must prepare for a male or female incarnation — if it is not Lucifer, then it is Ahriman. So it really is not possible to carry things so far as to say: one must escape both. — Not true, I have, so to speak, also made your heart heavy by showing you that there is a certain danger in observing one's own aura, as it were, looking into one's own aura. But therein lies the infinite wisdom of the world, that life is not like that, that it is a resting pendulum, but that it swings. And just as the pendulum swings to the right and to the left, so the life not only of humanity, but of the whole world swings to the Ahrimanic and Luciferic side. And only because life swings back and forth between Ahrimanic and Luciferic influences, maintaining its balance in between, is life possible. Therefore, something is set against what I have now described as dangerous. If it is a Luciferic influence, it is opposed by the Ahrimanic. If it is Ahrimanic, it is opposed by the Luciferic.

So let us take the female organism again. It radiates, as it were, a Luciferic aura. But by radiating it, it pushes back the life or tone ether, thus forming a kind of Ahrimanic aura around the female organism, so that the female organism then has the Luciferic aura in the middle, and further out the Ahrimanic aura. But this female organism can now, if it is not so inactive that it remains with its own aura, develop further. And that is precisely what is important: not to remain in an unhealthy way with the first imaginations that arise, but to apply all one's will power to penetrate through these imaginations. For one must ultimately bring it so far that one's own aura does not appear, but that it appears as if reflected back from a mirror plate, which is now an Ahrimanic aura. One must not look into one's own aura, but one must have what is in one's own aura reflected back from the outer aura. Thus you see, it is the case for the female organism that it receives the Luciferic mirrored back from the Ahrimanic and is thereby neutralized, thereby brought precisely into balance. Thus it is now neither Ahrimanic nor Luciferic, but it is defeminized, it becomes universally human. Truly, it becomes universally human.

I only ask you to feel this as it really is, how man, by ascending into the spiritual, by escaping the luciferic or ahrimanic power of his own aura, does not look into the luciferic or ahrimanic, but lets the one be reflected and thereby receives it back, asexually, without it being male or female. The feminine is neutralized into the masculine in the Ahrimanic, the masculine is neutralized into the feminine in the Luciferic. For just as the feminine-Luciferic aura surrounds itself with the Ahrimanic aura, so the masculine-Ahrimanic aura surrounds itself with the Luciferic aura, and there, just as in the case of the feminine, what one has within oneself is reflected back. You see it as a mirror image.

Now let us assume that someone wanted to describe this process. When would they be able to describe it? Well, what happens during clairvoyance also happens after death. The person is in the same situation. During clairvoyance, the feminine must neutralize itself into the masculine, the masculine into the feminine. This is also the case after death. What kind of images must arise then? Well, let us assume that a soul that was in a female organism has died, it would have to go through a lot after death, which is supposed to be a form of compensation for earthly guilt. Such a soul will then slowly strive towards neutralization from what it was bound to on earth. It will, as it were, strive towards the masculine after neutralization through the feminine. This neutralization should be such that striving towards the highest masculine is a release for it. If we find penitents after death, then it must be characteristic of them that in the spiritual world their yearning is to strive towards the masculine, the balancing element. The three penitents – the Magna peccatrix, the Mulier Samaritana, the Maria Aegyptiaca – are indeed in the wake of the Mater gloriosa, but they should strive for neutralization, for compensation. Therefore, the Mater gloriosa does work in the aura; it is very clearly expressed to us that the Mater gloriosa can work in her aura, has her own aura. Just listen:

Around them swirl
light clouds,
They are penitents,
a delicate folk,
around your knees
sipping the ether,
needing mercy.

You, the untouchables,
Do not find it strange
That the easily seduced
Come to you in confidence.

But they become aware of this only as a consciousness. It does not confront them as something that resounds like the heights of life. What resounds for them is what they are to experience in connection with the Mater gloriosa through the Christ. Therefore, we see the speeches of the three penitent women directed towards the masculine, Christ:

By the love that was at the feet
of Thy Son glorified by God...

And with the Samaritan woman, Mary:

By the well to which already of old
Abram led his flock...

And here it is spiritualized:

At the pure, abundant spring
That now flows forth from there....

The Christ calls Himself to the Samaritan woman: the true water.

And with Mary of Egypt we are already dealing with the Entombment:

At the most hallowed place,
Where they laid the Lord to rest....

We see how, in these three, that which lives in the aura wants to go out to that which neutralizes itself.

And if we ask what the man finds as that which neutralizes him, which lifts him out of masculinity, then it is the longing for the feminine that pervades the world.

Here the view is unobstructed,
the spirit uplifted.
There women pass by,
floating upwards;
the glorious center
in a halo of stars,
the Queen of Heaven,
I see it in the radiance.

He is not attracted directly by the Christ-male, as the penitents are, but he is first attracted by that which, as the female, belongs to the Christ. And that leads him in turn to the karmically connected Gretchen soul, again to the woman. There you see delicately interwoven into the poetry this deep mystery of man's relationship to the spiritual world. For how could it not, I would like to say, be felt with dismay when the occult facts are revealed to us: the disembodied soul, which still has the elements within it - nature, which must first be separated - which must neutralize itself through the feminine. And we see how, in the striving towards neutralization, because we are dealing with the masculine, Faust, the feminine must assert itself as “pulling towards”. Something quite wonderful is presented in this poem. And it is clearly and distinctly suggested to us that it should be so. Thus, through the mouth of Doctor Marianus, Faust will strive towards the feminine, that is, the spiritual eternal feminine, but the secret, the mystery. When he spiritually beholds the gloriosa mater, he says:

Supreme Ruler of the world!
Let me in the blue,
stretched out heavenly canopy
see your secret.

Now let us imagine: Faust striving for the spiritual world, longing to see the secret of the feminine in the Mater gloriosa. How can this be? Well, it will be possible for the light to be neutralized by its counter-radiation, that is, the female aura of light and warmth will appear, but radiated in the opposite direction, not as it flows directly. This must be neutralized, must be connected with the fact that this light has a counter-radiation. In the stretched-out canopy of heaven, the secret is seen: the woman with the aura, with the sun. When the light is reflected back from the moon: the woman standing on the moon. You know this image, at least you should be familiar with it. Thus we see Faust bearing desire, in the stretched-out canopy of heaven, to finally see the mystery: Maria, the woman clothed with the sun, the moon at her feet, reflecting back. And together with this secret, with this mystery in the expansive heavenly canopy, what he otherwise knows of the Mater gloriosa then forms the emotional and sensory content of the Chorus mysticus. For even that which is still human form in the Mater gloriosa is a parable, for that is the transitory thing about her human form, and all that is a parable. That which is inadequate, that is to say, that which is inadequate in human longing, only becomes adequate here. Here one receives the vision of the aura radiation in a sun-like way, the light of which reflects back from the moon, shines back: the ineffable, here it is done. That which cannot be grasped in physical life – that is sought, that which radiates out of the self in selfless return: here it is done. – Then, according to feeling, the whole thing said out of the mouth of man or said for the ears of man:

The eternal feminine draws us up.

One must say: to let 'Faust' take effect on oneself really means, with regard to many parties of 'Faust', directly entering into an occult atmosphere. - And if I wanted to tell you everything that could be said about 'Faust' in occult terms, we would have to stay up late for a long time. You would have to attend many lectures on it. But that is not necessary at all for the time being, because it is not so much a matter of absorbing as many concepts and ideas as possible, but rather, for us, it is really very important that our feelings deepen. And if we deepen our feelings and perceptions of this world literature to such an extent that we have a deep reverence for the working of genius on earth, in whose actions and creations the occult is truly present, then we will do the world and ourselves a great service. If we can feel the greatness of the spirit in the right reverent way, then this is a meaningful path to the gate of spiritual science.

Once again, it is less about raving and more about deepening our feelings. —- And I would give little to be able to tell you, for example, that the blessed boys' saying about being carried away from Lebechören leads to such occult depths; I would give little for the sake of these mere ideas if I could only know that your heart, your soul, your inner being is so touched when you express such a truth that you feel something of the sacred, profound forces that live in the world and pour into human creativity when that creativity is truly connected to the secrets of the world. If one can tremble at the fact that such depths can lie in a work of art, then this shuddering, which our soul, our mind, our heart has once experienced, is worth much more than the mere knowledge that the blessed boys say they are not united with living creatures. It is not the joy at the spiritual depth of the idea that should move us, but the joy that the world is so interwoven from the spiritual, that the reign of the spirit in the human heart has such an effect that such creativity can live in the spiritual development of humanity.

after eurythmy-dramatic presentations of the “Dedication” and the “Prologue in Heaven”

In the last few weeks, we have spoken of the three great, highest ideals of humanity and have described these three ideals as they have been described for a long time: the ideal of wisdom, the ideal of beauty and the ideal of kindness.

Now, in more recent times, these three highest ideals of humanity have always been associated with the three human soul powers that we know and have considered in the most diverse ways. The ideal of wisdom has been associated with thinking or imagining, the ideal of beauty with feeling, and the ideal of kindness with willing.

Wisdom can only be acquired by man through clear perceptions, through clear thinking. That which is the object of art, the beautiful, cannot be grasped in this way. Feeling is the soul power that is primarily concerned with beauty, as psychologists have long since discovered. And that which is realized as good in the world is connected with the will. It seems that what the psychologists and soul experts have said about the relationship between the three great ideals of humanity and the various soul powers is quite plausible. In a sense, we can add a kind of supplement: that Kant wrote three critiques, one of which, the “Critique of Pure Reason”, is supposed to serve wisdom because it seeks to criticize the power of imagination. Kant called another critique the “Critique of Judgment,” and it is divided into two parts: the “Critique of Aesthetic Judgment” and the “Critique of Teleological Judgment.” Basically, when Kant speaks of judgment here, he means what is contained in the knowledge of feeling, through which one affirms that something is beautiful or ugly, useful or harmful. So we could say – as a subsection, precisely in this Kantian sense, and others have retained the terminology – that the power of judgment, whereby we are thinking not only of the imaginative judgment, but also of the fact that the judgment comes from the heart, is related to the perception of beauty. And a third of Kant's criticisms is the “critique of practical reason,” which refers to the will, to the pursuit of the good.

Now, we can find what I have just said in all psychologists, except for one psychologist who emerged in the second half of the 19th century and found that this whole division of the human soul does not work, does not correspond to the unbiased observation of the human soul. And the assignment of humanity's great ideals to the various powers of the soul – imagination, feeling and will – is just as wrong. Imagination is assigned wisdom as its highest ideal, feeling is assigned beauty, and will is assigned goodness. The psychologist I am referring to, Franz Brentano, thought that he would have to overturn the whole doctrine that I have now outlined and, one might say, fundamentally change the way the human soul is structured. He assigns imagination to beauty, let us assume. You see, while everyone else assigns feeling, or rather judgment, aesthetic judgment, or judgment in general, to beauty, Brentano assigns imagination to beauty. Brentano assigns judgment to wisdom, insofar as it is something that man acquires; he does not say imagination, but judgment. And curiously enough, he even blunts the will by not focusing on the development of the will, on the impulse of the will, but on what underlies the impulse of the will: sympathy and antipathy. — There is much to be said for looking at things this way. Language itself sometimes leads us to associate the volitional impulse with sympathy and antipathy. For example, when we say: to have repugnance for something! We do not want anything, but we have an antipathy for something. And so Brentano, as it were, blunts the will to sympathy and antipathy and assigns to the will this sympathy and antipathy to say yes or no to something. He does not go as far as the volitional impulse, but only to what underlies the will: saying yes or no to something, affirming or denying a thing.

Through imagining, Brentano argues, one never arrives at a true, that is, a wisdom-filled, view, but only at a view. He says that one imagines, for example, a winged horse. There is nothing wrong with imagining a winged horse. But it is not — we must bear in mind that Brentano is living in the age of materialism — it is not full of wisdom to imagine a winged horse, because a winged horse has no reality. Something must be added when we form an idea. But that is, the recognition or non-recognition of the idea by the power of judgment must be added, and only then does wisdom come out.

We may ask ourselves, what is it, so to speak, that underlies such a complete reversal of the powers of the soul? What has led Brentano to distribute the soul powers quite differently from the other psychologists, namely, into beauty, goodness, and wisdom? If we inquire into the reason why Brentano has arrived at this different grouping of the soul life, we can get no answer except by taking into account Brentano's own personal development. The other psychologists of modern times are people who have mostly emerged from the more recent development of world views. It is a peculiarity of modern philosophers, of all philosophers, that they know Greek philosophy relatively well - in their own way, of course - and then philosophy basically begins with Kant. And the modern philosophers do not know much of what lies between Greek philosophy and Kant. Kant himself knew little more about the period between Greek philosophy and himself than what he had read in Aume and Berkeley; he knew nothing of the development of medieval philosophy. Kant was completely ignorant of what is called the scholasticism of the Middle Ages. And those who, in their complacency, exaggerate everything in their own way, find just that much cause, because Kant knew nothing of scholasticism, to regard scholasticism as a bundle of pedantic follies and not to study it further. The fact that Kant knew nothing of scholasticism does not prevent him from also knowing nothing of Greek philosophy. Others knew more than he did in this area. Brentano, on the other hand, was a profound expert on scholasticism, a profound expert on medieval philosophy and, in addition, a profound expert on Aristotle. As for those who see the world of philosophy as beginning with Kant, they are not scholars, not genuine scholars of Aristotle, for Aristotle, the great Greek, was most grievously mistreated in the developmental history of the newer intellectual life. Brentano was a profound scholar of Aristotle and scholasticism, but not in the merely historical sense, not in the sense of someone who knew what Aristotle wrote and what the scholastics wrote, for with regard to such knowledge one can . make one's own thoughts when going through the history of philosophy! Brentano was a man who had become familiar with the philosophy of Aristotle and with scholastic philosophy, with the solitary thinking that went on for centuries in the cells of monasteries, with the thinking that worked with a thorough technique of the conceptual world, with that thorough technique of the conceptual world that has been completely lost to more recent thinking. Those who therefore heard psychology in the seventies and eighties from Brentano, basically heard a completely different tone of human thinking than has been or is heard from other philosophers of modern times. Something really did live in Brentano as an undertone of what spoke from the soul of the scholastics. And that is significant because he made this different classification out of this different thinking. So that we can say: there is the peculiar fact that all the newer thinkers, for whom scholasticism was and is merely a web of concepts, present the human soul and its relationship to wisdom, beauty and goodness in this way:

Wisdom: Imagining
Beauty: Feeling
Goodness: Wanting.

In Brentano, all the feelings and inner impulses that were in a scholastic heart lived, as far as something like that is possible in the present. He had to think in this way, had to structure the human soul differently in its powers and relate it to the great ideals of humanity. Where does that come from?

If you had been able to ask the angels on the stage – and in particular the three archangels – how they organize the soul and how they relate it to the great ideals, they would have answered you, albeit in a much more perfect way than Brentano could, with an answer similar to the one Brentano gave. Raphael, Gabriel and Michael would not understand this classification, but they would easily find their way into it, only to transform it more completely into the classification that Brentano gave. We are touching here on a significant fact in the spiritual development of mankind. However far we may be today from the thinking of the scholastic Middle Ages, there was something underlying this way of thinking that can be presented in the following way. The scholastic did not try to stop when speaking of the highest things, with what is happening directly on the physical plane, but the scholastic first tried to prepare his soul so that the spiritual entities of the higher world could speak out of it. In many respects this will be a stammering of the human soul, because it is self-evident that the human soul will only ever be able to imperfectly express the language of the higher spirits that are superior to man. But that is how the scholastics wanted to speak to a certain extent about the spiritual affairs of man, as a soul must speak that surrenders to what supersensible spirits have to say.

We are getting used to forming our agreement or disagreement with what makes an idea a valid one, a wise one, according to the external physical world, here on the physical plane, since the time of materialism is the actual time of humanity. We say that a winged horse is not a valid concept because we have never seen a winged horse. Materialism regards a concept as a wise concept if it agrees with what the external world dictates.

Brentano, so to speak, provided the last abstract imitation of the language of angels. Angels would say: That which is in accordance with the context of the messages of the beings that are beyond the threshold of the spiritual worlds is full of wisdom. It is not enough to form a concept; rather, this concept must be in harmony with what the spiritual beings reveal beyond the threshold. So mere imagining cannot serve wisdom beyond the threshold. What then can it serve? It can serve appearance, in which beauty lives. If one applies imagination to reality without further ado, then one does not arrive at the right imagination. But one may apply it to the appearance in which beauty lives and works. Brentano was quite right when he related imagination to beauty. For the angels, when they want to imagine, will always ask themselves: What kind of images may we form? Never ugly ones, but always beautiful images. But these images, which they form and which they form according to the ideal of beauty, will not correspond to reality if they do not correspond to the revelations of other entities that they encounter in the spiritual world. Imagining is really only to be assigned to beauty. Angels have the ideal of imagining in such a way that their entire world of imagination is permeated and illuminated by the ideal of beauty. And you need only read the chapter of my Theosophy that deals with the soul world, and there study the two forces in the form in which they are found beyond the threshold to the spiritual world, the two forces of sympathy and antipathy, and you will find that the relationship between sympathy and antipathy underlies the impulses of will. So that coincides again to a certain extent. But it must be related to the life of the soul, as this life, from the subconscious, still arises from the soul world in today's human soul. There you see how a modern philosopher, because he has, so to speak, atavistically preserved the scholasticism of the Middle Ages in his heart, tries to speak in the terminology of angels, albeit in the imperfect language of modern materialism. It is an extraordinarily interesting fact. Otherwise, one cannot understand how Brentano opposed the whole of modern psychology in such a way that he distinguished the powers of the soul quite differently from other psychologists and assigned them to the highest ideals of humanity in a different way.

But take what is said in this way in all its consequences. Note all the consequences. When we cross the threshold to the spiritual world, then we live in a world of beings, I said, insofar as we speak of the real. So we cannot form abstract concepts in the same sense as we do here in the physical world when we speak of the real. We have to have entities. So when we speak of the real, we have to say: It cannot be that wisdom, beauty and goodness have the same meaning in the spiritual world over there as they do here in the physical world. There they would be abstract concepts again, as we can apply them here in the physical world. There must be entities over there. — So, as soon as we speak in terms of wisdom itself, that is, seek a reality, entities must exist over there, not just what is designated in abstracto by wisdom, beauty, goodness. When one speaks of beauty in the spiritual world, one cannot say: Beauty is there as maya, as appearance in the spiritual world. Just as beauty and wisdom are imprinted in the physical world, for example, when we depict wisdom-filled beauty in drama or in other works of art, or when we depict goodness in beauty in drama or in other works of art, and how all this is interrelated, so wisdom, beauty and goodness are at work in the realm of beauty beyond the threshold. But we must not speak of them as concepts; we must not apply what is over there as we apply it here. So let us assume that someone wants to speak from over there, and he wants to speak from over there with the power of the soul, which corresponds to our imagination, so he should not say: wisdom, beauty, strength, because these are abstract ideas, he would have to cite entities. Wisdom would have to appear as an entity on the other side.

In the language of the ancient mysteries, what I am now explaining was well known, and therefore terms were introduced that could express this, that did not point to mere abstract ideas, but to entities. On the other side, beyond the threshold, there must be a Being, which here is Wisdom, a Being. If you reflect a little, you will easily find that a Being, which we call God-vision, the God-visionary, could be such a Being, corresponding to Wisdom on the other side: God-vision.

A being that corresponds to beauty, our abstract idea of beauty for the physical plane, would have to reveal itself. Beauty reveals itself, it is the appearance, the appearing, that which appears. At the moment one crosses the threshold, that which is much more alive than here on the physical plane emerges. When the beautiful is spoken of, the essentially beautiful, something so mute or merely living in human, physical hearing or speech abstractions, it is not spoken of as it is here on the physical plane. It is all revelation, living revelation. And if you combine what I am saying now with what I said earlier, you will understand that the ancient mysteries coined a word for what corresponds to it on the other side, beyond the threshold of Beauty, which can be described as the proclamation of God. God's Word, God-proclaimer, for example. You could also say the Word of God.

Likewise, there must be a being for the volition: the God-willing. Not the abstract, as we have it in our soul as volition, but a being must be on the other side of the threshold for the will. God-willer - if we may form the word. Why should we only form words that are already in use, since we are entering realms for which words have not been coined at all! God's volition, as it were. If we take God as a collective name for the spiritual beings of the higher hierarchies, then God has within Himself not only a volition, as we have in our souls, but a volitioner: this is essential. What in us are only the three soul powers: imagination, feeling, volition, are in God's being: the God-breather, the God-proclaimer, the God-willing. And if one takes the old Hebrew expressions, they correspond completely to the words that I have tried to coin here. Of course, you will not find the translation of these words in any Hebrew dictionary, but if you immerse yourself in what was meant, you would actually translate the old Hebrew words with these words today, and in such a way that Gottschauer means exactly the same in our language as Michael; Gottverkünder means exactly the same as Gabriel; Gottwoller means exactly the same as Raphael. While we work in the physical world through our three soul powers, the beings of the higher hierarchies work through their own entities. Just as we work through imagination, feeling and will, so a God works through Michael, Gabriel and Raphael. And that means the same for a God: I work through Michael, Gabriel, Raphael – which for our soul means: I work through thinking, feeling and willing. This translation: I work through thinking, feeling and willing - into: I work through Michael, Gabriel, Raphael, is simply the translation from the language of men into the language that should be spoken - if one speaks the real language that prevails there - beyond the threshold to the spiritual world. If you open yourself to some of the descriptions in the Bible, you will be able to feel everywhere – if you feel appropriately and not in a way that corresponds to today's interpretation of the Bible, which is a misinterpretation in many respects – you will be able to feel how this really must be intended for Michael, Gabriel and Raphael.

Wisdom: power of judgment – Godshower; Michael
Revelation of Essence

Beauty: imagination – God-announcer: Gabriel
Power of Judgment

Goodness: sympathy, affirmation / antipathy, negation –
God-willing: Raphael

Now, bearing this in mind, think back to the way Gabriel, Michael and Raphael speak in Goethe's “Prologue to Heaven”. One can only say that one is deeply shaken by the instinctive certainty with which this “Prologue in Heaven” suggests how the willing essence of the Godhead, through Raphael, the seeing essence of the Godhead, through Michael, and the beautifully revealing essence of the Godhead, the revealing, proclaiming essence of the Godhead, through Gabriel, is manifested. The volition of the Godhead lies in the harmony of the spheres, in that which expresses itself in the great movements of the heavenly bodies and in that which happens while the heavenly bodies move:

The sun sounds in the ancient manner
In the singing contest of the spheres,
And its prescribed journey
It completes with a thunderclap.
The sight of it gives strength to the angels,

— one could also say: goodness, the strength of the super-moral life beyond the threshold. Therefore, some also refer to the three soul powers of wisdom, beauty, goodness as wisdom, beauty, strength.

When none can fathom them;

— you will bite your teeth out if you try to hold on to the Faust commentators on this line: “If no one can fathom it.” Most say: Oh yes, Goethe just meant, even though, or although, or although no one can fathom it. But that is not how a truly great poet speaks – I have often mentioned this to Goethe – that is not how a great poet speaks. Fathoming belongs to wisdom as it lives within the human physical world. Beyond the threshold, everything is a becoming acquainted with spiritual beings, whom one approaches as one approaches people here, who must also keep an inner being, who cannot be completely fathomed. This fathoming in the sense in which it occurs here on earth does not exist for the angels at all. They have the spiritual reality before them; they do not fathom; they look, because something of the power of Michael's vision has also been given to each one. Each has something of the other power, just as each soul power has something of the other, for example, imagining has something of wanting, because if we could not want when imagining, we would only dream and so on. So Raphael also has something of Michael and Gabriel in himself, of course.

The incomprehensibly high works

Are glorious as on the first day.

Try to feel these two lines with all the sensations that you can have from spiritual science!

The incomprehensibly high works

— which are described there

Are glorious as on the first day.

What does that mean? They are not glorious as on that day, glorious as on the first day. Just as they appeared glorious to the angels at that time, that is, expressing themselves, revealing themselves, they are still - luciferic. Because what has remained behind is, after all, luciferic. One must really apply the perceptions that one acquires through spiritual science. The stars shine as luciferically as on the first day. They have not progressed; they retain their original character – again a reason why the angels do not fathom them, but behold them. For angels, the luciferic is visible. It does not make the angels bad. I have often described the luciferic as a necessity in the evolution of the world. Here it is presented to you as something that the angels behold: Lucifer – not as he reigns for people – but as he gloriously maintains the indescribably high works as they were on the first day. And we are led to it in exalted language, so that we are shown how the Luciferic lives out in the universe, and the angels may look at it as on the first day. There it is justified. It should not descend into the physical world to man in the ordinary way, but live above in the world that is beyond the threshold. And the world that is pervaded and thundered through by the will of the world is first proclaimed on earth. Up there it should remain unfathomable, it should not be fathomed. Here on earth, with the powers that are given to man, it is there so that what is unfathomable for angels

be fathomed through human wisdom. But Gabriel, the proclaimer of God, the Word of God, can only hint at this as he sees it from outside the earth. Do you remember the profound Bible verse: “Before the mystery of the Incarnation they veiled their faces.” In this profound Bible verse lies the whole of the unfathomable for the angels of the worlds that are accessible to man through the wisdom that is developed on earth. And here angelic language is spoken in the 'Prologue to Heaven', which is why Gabriel, the proclaimer of God, characterizes from the outside that which reveals itself on earth as wisdom.

And fast and incomprehensibly fast
The earth's splendor revolves;
Paradise's brightness changes
With deep, shudder-filled night;

This is how it appears from the outside: the world in which we live here, which we try to unravel, and which affects us in the sphere of our senses. Out there it is the wonderful change of day and night.

The sea foams in broad rivers

Human weal and woe depend on it; out there it reveals itself only as that which, in its foaming, composes the spherical earth.

At the deep bottom of the rocks,
And rock and sea are torn away
In an eternally fast spherical course.

In which our whole earthly destiny, bound to our sensory life, is bound. The God-announcer draws it from outside the earth.

And how is the meaning of the earth revealed? By looking not only at that which is valid for the human sense realm, but also at that which sends its effect out into the universe. Gabriel describes the earth as it appears from the outside, but he describes what is significant for man in the sense realm. Michael, the God-shower, describes that which radiates out into the universe and also has its significance for the earth's surroundings, for the entire celestial sphere. Therefore, he begins with the surroundings, not below, where the sea flows, where the rivers flow, but with

the surroundings. He looks at the surroundings.

And storms roar in competition,

A deep word!

From sea to land, from land to sea,
And furiously form a chain
Of the deepest impact all around.

Just imagine, seen from the outside, let's say, the trade winds that blow out there in regular currents. Our limited natural science describes all this, what goes on in these atmospheric phenomena, but it is limited, this natural science. When one examines the regularities in atmospheric phenomena, one comes across a deep connection between these regular atmospheric phenomena and the phases of the moon, the phenomena of the moon, but not because the moon causes what happens in the atmosphere, but because, in the same measure, in parallel, the old lunar laws still govern the moon today, and the atmospheric phenomena also still remain from the old lunar laws. Not that the moon rules the atmospheric phenomena and the tides, but both are ruled by causes that go back much further, ruled in parallel. What happens in the atmosphere is therefore not only significant for that which affects people in the sphere of the senses, but it also has significance for that which happens out there in the universe. We look up at the lightning, we hear the thunder. But the Gods also see the lightning and hear the thunder from the other side. And for them it means something quite different - of which we can speak another time - than for us human beings here, who do not understand lightning and thunder. But the God-shower Michael understands from the earth precisely that which is lived out on the other side in lightning and thunder, which has been described here by me — remember the first lecture I gave here this summer — as the subterranean of the human soul, as the thunderstorms of the human soul, which I have described to you in terms of the character of Weininger, who died young. What corresponds to these thunderstorms in the human soul, in the atmosphere, has an effect. And just as the soul storms in us are harmonized and mitigated when we pour our higher soul forces over them, so for the world outside, what is stormy and thundering here in our atmosphere and is irregular in meteorology becomes regular and harmonious in the universe. Just as we, as we develop, do not remain in the storms, but progress to the harmony of the soul life. Down there, lightning and thunder

But your messengers,

- the angels -

Lord,
we honor the gentle walking of your day.

Everything falls into place, gently and harmoniously, as seen from the sphere of the angels outside.

The sight gives the angels strength,

- that is, it strengthens their volition

Since no one can fathom you,

– it is not a matter of fathoming, but of beholding!

And all your lofty works
Are glorious as on the first day.

That means: they are Luciferian, they are there for angels, they should only not have the same effect on people. Lucifer is the unjustified in the world of man, insofar as he transfers his justified sphere outside into the world of man for the spiritual world and applies the same laws there that he should only apply outside in the spiritual world.

And do you remember how I dealt with it in other lectures, based on Goethe's “Faust”, the ambiguity that still remained in Goethe when he wrote “Faust”. I told you at the time that Goethe did not yet properly distinguish between Lucifer and Ahriman. Mephistopheles is actually Ahriman, who has only been left behind in a different way than Lucifer. But this distinction is only given by the newer spiritual science. Goethe constantly confuses Lucifer and Ahriman, throws them together, so that his Mephistopheles is really a confused figure in this respect, has Luciferic and Ahrimanic traits. If Goethe had already had spiritual science, this terrible confusion with regard to the character of Mephistopheles would certainly not occur. I have already said at the time: I ask not to be accused of not sufficiently venerating Goethe or of criticizing him in a mean, philistine way because of what I say. By telling the truth, one's veneration of some genius is truly no less than if one merely praises it. I believe that no one can accuse me of having a low opinion of Goethe after what I have written and said about him. But I must always emphasize that his Mephistopheles is a confused spiritual character when I speak from the impulse of spiritual science. If Goethe had known exactly the right thing to say after the verse:

And all your lofty works
Are glorious as on the first day

first appeared Lucifer, the one who works through the appearance of the world of the spheres, through the beauty of the world of the spheres. Lucifer would stand there. And because Lucifer has as his companion Ahriman, Mephistopheles – which is the same as Ahriman – Mephistopheles would then step in, or Lucifer would step down and Mephistopheles would step up. That is what Goethe would have done if he had had spiritual science in its present form. We would have seen a red Lucifer first, and only then the gray-black Ahriman, the gray-black Mephistopheles. But Goethe did not get that far. Therefore, he only lets Mephistopheles appear, who in his own way also combines the retarded qualities that should work in the spiritual world and not work in a human way into human life. Goethe felt that, felt it correctly. That is why not everything about this Mephistopheles is quite right, although it is right. The feeling here seems much more certain than Goethe's intuition has already worked. Much of what Faust encounters as temptation really comes from Mephistopheles, but other things cannot properly be attributed to Mephistopheles. That Faust should be tempted by base passions cannot really come from Ahriman, it can only come from Lucifer. And when Ahriman-Mephistopheles says this, Goethe remembers, subconsciously, that it is not quite right. Mephistopheles should actually have Lucifer at his side. That is why Mephistopheles says: “Dust shall he eat,” that is, he shall live in lower passions, “like my aunt, the famous snake.” That is Lucifer. Then he reminds us of his aunt, the good Aunt Lucifer!' There you have the reminiscence of Lucifer, who is actually supposed to be there.

You see, there are tremendously deep secrets of the world in this “Prologue in Heaven”, by which I do not mean to say that Goethe wanted to present them as we feel them today in spiritual science. But instinctive wisdom is often much deeper than the apparent one. And in ancient times there was only instinctive wisdom, and that was truly a higher wisdom than that which is produced today by limited natural science.

Thus Mephistopheles-Ahriman entered the physical world, where he should not be. There is also a poor fit between what he has to say and the physical world and the intentions of the Deity in the physical world. He wants to rule in the world, but he finds everything “very bad”. He must be different from the others, from the genuine sons of the gods, for he is to be here in the physical world, where works are to be fathomed. Since Mephistopheles enters the physical world at all, the saying that he should not fathom the world does not apply to him; he must fathom it. He is only a half-nature on earth; as a spiritual being he does not really belong. He would have to fathom it, but cannot fathom it. That is why he finds everything “very bad”. We will talk about the extent to which he is here for creation tomorrow in connection with other teachings of spiritual science. Today we just want to say this.

So this Ahriman-Mephistopheles is different here in the physical world from the true sons of the gods. He really must be used for something else here. He must work on what is real in the physical world, unlike the true sons of the gods. They do not need to have the earthly real in their imaginations. They must delight in the “vividly rich beauty”, the beauty in their imaginations. There is a discrepancy between the angels, the true sons of the gods, and Ahriman, the Mephistopheles. For them, the angels cannot do it like Mephistopheles, they delight in the lively, rich beauty.

That which is becoming, that which is eternally working and living,
embraces you with the sweet barriers of love.

This is about as profound as the prologue gets. Remember what we said about the cosmos of wisdom and the cosmos of love? And remember the words: They veiled their faces from the mystery of the Incarnation. — Love does not live the same way for the Sons of God of Wisdom as it does for humans: they are beings within wisdom; there are limits for the true Sons of God. And by living in the great Maja, in the glory of the Luciferic world, they weave the “permanent thoughts” that are in turn beings, not abstract ideas, that are forces, not mere thoughts.

It is truly remarkable how this “Prologue in Heaven” was written in 1797, one might say, not in the language of men, but in the language of the gods, and how humanity will take a long time to fathom all the depths of this prologue. I think it is possible to get a sense of the feelings that lived in Goethe when, spurred on by Schiller, he set about continuing Faust in 1797, which he had started years ago. It began there: “Have now, alas, studied philosophy, law” and so on. Then the three parts are missing: “Dedication”, “Prelude to the Theater”, “Prologue in Heaven”. Then the whole Easter walk was missing. Some scenes were then written during the Italian journey in 1787, and under Schiller's encouragement, Goethe went back to it. He may well have thought back to the time when he had not taken Faust so deeply, when he had only taken it, albeit very deeply, as one who strives out of the world of physical reality, over the threshold, into the spiritual world, to the earth spirit and so on. But he could not take it then, he, the twenty-year-old Goethe, as he took it now at the end of the century, in 1797, when he himself felt that he really did not understand in an abstract way much of what he had to express in the “Prologue in Heaven”. For there the language of angels prevails. Those who heard the first songs of Faust would have had to develop with Goethe in the way that Goethe himself developed if they had wanted to understand what had become of the whole rich world of Faust in Goethe's soul by 1797. Something different had become of it. What he had created as a young man appeared to him in a higher sphere. He must have had some sense of the view from the spiritual sphere beyond the threshold down to the earthly world in which Faust also walked, who says: “Have now, alas, philosophy, jurisprudence...” and so on. “... studied with hot endeavor.” Goethe could say that he and his companions enjoyed something different back then than what has now become his. And he might have sensed something of how little he would be understood. For Goethe sensed already, from the end of the 1790s, that something must come like a spiritual science if what he instinctively sensed and felt as world-wisdom and world-beauty and world-strength was to be fully understood.

They will not hear the following songs,
The souls to whom I sang the first;
The friendly throng has been scattered,
Alas! the first echo has faded.

Echo from the souls to whom he read the first scenes of “Faust,” which he wrote when he was twenty years old: the first echo. But understanding at that time – for even that time is now already gone in the time of materialism – understanding, however, for crossing the threshold with a character like Faust, understanding for appealing to the earth spirit, which “weaves and lives in the tides of life, in the storm of deeds”. But a stopping at this understanding, an inability to ascend to what Goethe had to struggle to achieve. Therefore - now that the language of angels prevails and the whole is viewed from a different point of view - no longer the old resonance. Faded away, alas! - that old resonance! Scattered the souls for whom he sang the first songs. That suffering that everyone goes through who really wants to look at the spiritual world, Goethe knew it and knew that he was alone with this suffering in his time.

My suffering is heard by the unknown multitude.

This is not much different today, when one could be frightened by the applause that people give to “Faust”. For what do people today still hear of the deep wisdom that prevails in “Faust”, much more than external appearances!?

But Goethe might say, if he now felt that he had to lift up his song, the song of his suffering, into the realm of the spirit: What used to be reality to me floats far into the distance, and what used to disappear becomes reality — the silent, earnest spiritual kingdom, which one approaches with that awe that one feels when one has a presentiment of the completely different form that the world takes on the other side of the threshold and on this side of the threshold. This 'dedication' also arose from Goethe's deep sense of the possibilities of the future. If spiritual science could also deepen human hearts in such cases, so that they are really able to take what must be taken deeply, then spiritual science would fulfill one of its tasks. For the saying that I quoted here only recently is true, deeply true: “The world is deep, and deeper than the day conceived,” that is, than the day that shows us only the physical, sensual world. The world is deep as it is revealed to us by that night which, compared to physical day, is indeed night and darkness, but into which we carry that light which we kindle in our own soul as a lamp and which we then have to illuminate ourselves. The world is deep and must be fathomed by a light that we first kindle through our spiritual striving so that it may shine in the spiritual world. Then it will shine as the light does in the eternal becoming, which works and lives and in which the beings of the higher world have to dwell, so that it may be revealed to them what they need to fortify with lasting thoughts that which floats in fluctuating appearance.

From this point we will then continue our meditation tomorrow.

I would just like to ask our friends from Basel not to bring any children with them tomorrow. We have to make this exception because the presence of the personality from hell presented to you today makes this scene unsuitable for children's fantasies and dreams. So, as an exception, we ask that anyone under fifteen or sixteen years of age not be brought tomorrow.

CAN THERE BE such a discipline as the science of philosophy? That might seem to be putting the cart before the horse, but in these lectures Rudolf Steiner seems to be providing us with just that. What convinces you of something? What constitutes your ground of knowledge? I mean you, the reader! In geometry, for example, some people are only convinced when the subject has been expressed in algebraic form, while others are only inwardly sure of the matter when it has been expressed synthetically. These two groups rely on a different inner foundation for their knowledge. Mathematically either approach is valid, and neither group has the right to bully the other, although that does happen! The point is that we all have a definite inner foundation upon which we stand, which is perhaps most clearly experienced in an existential crisis, for then we are forced to find an inner rock to support us. At first we might imagine that there are as many foundations as knowers, but in these lectures Rudolf Steiner shows that there are twelve main philosophical standpoints, and that fruitful progress in philosophy depends not upon ‘defending’ one and ‘refuting’ others, but in learning to experience the validity of them all. Different engineering problems require different tools, and it is senseless to say that a spanner should be used to refute a screwdriver. Similarly, some philosophical problems require the use of one standpoint, while others are best approached from a different direction. Philosophical sophistication here requires a deeper insight into all possible approaches.

Although twelve standpoints, with others as nuances of them, are sufficient in one sense, Steiner goes on to show that in addition there are seven principal soul moods with which one may colour one's foundation. These are more concerned with the way one actively pursues knowledge rather than the ground upon which one stands, so that one person may act empirically while standing upon the ground of materialism, while another may act in a gnostic way while standing upon the ground of spiritism. Several philosophers are mentioned whose works are characterised in this way, throwing a remarkable light upon their contribution to philosophy. It is only a pity that Steiner had to be so aphoristic here, although it does leave a rich field of research for others to explore. Even more challenging is the way a philosopher may evolve from one view to another, as illustrated by the tragic example of Nietzsche in the last lecture.

It should be emphasised that what is presented here is not a theory spun out of intellectual effort, which may rightly rouse our scepticism, but is based on Rudolf Steiner's research into the soul and spiritual realities underlying our existence. The numbers seven and twelve and their cosmic connections are not abstract theories or analogies, but spiritually empirical facts. The possibility that exact research into these realms can be conducted needs to be recognised in our time, which is why these lectures constitute a science of philosophy (rather than, say, a philosophy of philosophy) based as they are upon spiritual research into human nature. A valid judgement of their content is only possible in that context.

The theme we are to consider today leads at once into a sphere which belongs to all humanity, apart from distinctions.

We are to speak, in the first place, of that realm of man's aspiration which in its true, original form can be described in no human language but only in the language of thought—I refer to the realm of occult science.

Through his human faculties man strives for occult knowledge and may also acquire it, but occult knowledge has a greater significance for the world than it has merely within the human soul. In the world around us we can distinguish different substances and materials through which its various phenomena and manifestations are given expression. In the Primal Principle, the essential nature of which can hardly be expressed in words of human language, all creatures, all things of the earth and all worlds are rooted. But the individual differentiations of this Primal Principle come to expression in the physical world in the substances of earth, of water, of air, of fire, of ether, and so forth.

One of the finest, most highly attenuated substances within the reach of human faculties is called Akasha. The manifestations of beings and of phenomena in the Akasha are the most delicate and ethereal of any that are accessible to man. What a man acquires in the way of occult knowledge lives not only in his soul but is inscribed into the Akasha-substance of the world. When we make a thought of occult science come alive in our souls, it is at once inscribed into the Akasha-substance and this is of significance for the general evolution of the world. For no being in the whole world other than man is able to make in the Akasha-substance the inscriptions that can be called by the name of Occult Science.

It is important to bear in mind one characteristic feature of the Akasha-substance, namely that in the spiritual world between death and a new birth, man lives in this substance, just as here on the earth he lives in the atmosphere.

If a seer, using the means at his disposal, were to come into contact with human souls living between death and rebirth he would be able to observe the following.—

In the present cycle of evolution—formerly it was different—a man who here on the earth is never able to kindle to life within him thoughts and ideas belonging to Spiritual Science, cannot be seen, even when he is actually present, by a soul living between death and a new birth. But when a man living on the earth causes a thought or an idea from the domain of Spiritual Science to quicken within him so that it can be inscribed into the Akasha-substance, he becomes visible to the souls who are living between death and rebirth. Profoundly shattering impressions may come to a seer who has prepared himself patiently for clairvoyant vision when he enters into relation with souls who have passed through the gate of death. I will give you an actual example.

A seer found a man who had passed through the gate of death, leaving behind him his wife and children whom he dearly loved. This man and his family were kindly, good-hearted people but had no inclination whatever for spiritual knowledge; they had not outgrown the religious traditions through which certain souls today still feel connected with the spiritual world.

Some little time after he had passed through the gate of death, this man said to himself: ‘I have left behind on the earth my wife and children; they were the very sunshine of my life, but my spiritual sight cannot reach them. I have nothing but the remembrance of the time I spent together with them on the earth.’

An entirely different picture can be seen if a soul still on the earth forms strongly spiritual thoughts and ideas. In this case, when another soul, living between death and a new birth, looks down upon one he has left behind, he can follow his soul-life at the present time because it is inscribing itself into the Akasha-substance.

This is an indication of how anthroposophical teaching will bridge the gulf between the so-called living and the so-called dead; and already now we can see how human beings who have some understanding of the spiritual may be a blessing to the so-called dead by reading to them in thought the truths of Spiritual Science. If, either reading aloud or to ourselves, we follow in thought the ideas and concepts of Spiritual Science, at the same time feeling that one or more who have passed through death are there in front of us while we read, then this reading becomes very real to them, because such thoughts are inscribed into the Akasha-substance. Such reading may be of the greatest service, not only to those on the other side of death who while they were on earth concerned themselves with Spiritual Science, but also to those who during their earthly life would have nothing to do with it.

The question may be asked: As the dead are living in the spiritual world, do they need such reading of Spiritual Science by those on the earth? There are many who believe that it is only necessary to have passed through the gate of death in order to experience everything that can be attained only by dint of great effort on the earth, through Spiritual Science. Such people also believe that after death a man will be able to acquire all occult knowledge, because he will then be in the spiritual world. This, however, is not the case.

Just as here on the earth there live beings other than man, who perceive everything that man is able to perceive by means of his senses, whereas—as in the case of the animals—they are unable to form ideas or concepts of it, so it is with souls living in the super-sensible worlds. Although these souls see the beings and facts of the higher spiritual worlds, they can form no concepts or ideas of them if men here on the earth do not inscribe such concepts and ideas into the Akasha Chronicle.

This mission of human life upon earth is by no means without purpose; on the contrary it has very deep meaning and purpose. If human souls had never lived on the earth, the spiritual worlds would still be in existence but there would be no occult knowledge of these spiritual worlds. In the course of world-evolution the earth has reached a point at which spiritual knowledge can be developed by spiritual beings organised and constituted as men are on the earth. What has been inscribed into the Akasha-substance through Spiritual Science would never have been there if this science had not existed on the earth.

If a man tries to put the life of his soul on the earth to the test, he will discover in the first place that during our present age he has applied his faculties for the acquisition of knowledge to aims other than the attainment of spiritual knowledge. These faculties have been used for the acquisition of data of knowledge produced by means of the senses and through the intellect that is bound to the brain. Thus human knowledge is of two kinds: the one pertains only to experience acquired by means of the senses, which needs the organ of the intellect in order to transform it into knowledge; the other kind is Spiritual Science. The knowledge that belongs only to the sense-world forms the one stream; the other consists of what men inscribe through Spiritual Science into the Akasha Chronicle. For Spiritual Science develops ideas and concepts which are then inscribed forever in the Akasha Chronicle.

All science, all knowledge pertaining to experiences acquired through the senses, to technical things, to the commercial and industrial life of mankind, when inscribed in the Akasha-substance has this effect: the Akasha-substance discards it, thrusts it away, and the medley of ideas and concepts is obliterated. If these facts are perceived with the eyes of a seer, a conflict may be observed in the Akasha-substance between the impressions made by the occult knowledge acquired by man—impressions which are eternal—and those made by thoughts based upon the senses, which are only transitory. This conflict arises from the fact that when man first began to inhabit the earth as man (that is to say, in the ancient epoch of Lemuria), he was already then destined by sublime spiritual Beings to acquire Spiritual Science.

But through what we call the Luciferic influence, through the encroachment of Luciferic beings, man diverted his power of thought and other powers of soul which he would otherwise have used for the acquisition of occult knowledge only, to the study of things belonging exclusively to the physical world.

There are many who say that whereas ordinary science is accessible to everybody, spiritual or occult science can be made intelligible only to those who are able to see into the spiritual worlds.

This is a fundamental error, for in the depths of his own soul every man is capable, even before he becomes a seer, of recognising the truths of Spiritual Science. Admittedly, occult truths can be discovered only by the seer, but when they have been discovered, and expressed in the normal language of human reason, they can be intelligible to every human soul who has the will to remove the obstacles to such understanding that exist within himself.

As a result of the Luciferic impulses it became possible at a later period in the evolution of the earth for another Being whom we call Ahriman, to acquire influence over the souls of men. And only when the possibility of understanding Spiritual Science is held back through Ahrimanic influence in the soul does that understanding remain unattainable. If the Being we call Ahriman did not work in every human soul, if our souls were free from his influence, then an idea or thought belonging to Spiritual Science would need only to be spoken and the soul, through its subconscious relationship to this truth, would feel: This idea, this statement of Spiritual Science, is true. In every human soul there is a life which the everyday consciousness understands and can account for, and a subconscious soul-life which lies submerged as if in the depths of an ocean and only from time to time is brought to light. In the depths of the soul there lies, for example, the fear that is present in every human being—the fear of the spiritual. This fear is the outcome of Ahriman's influence and would not exist if Ahriman had not gained power over the souls of men. The reason why a man is usually unconscious of such fear is that it works in the deepest foundations of his soul and plays no part in what he can account for with his everyday consciousness.

Sometimes this fear knocks at the door of a man's ordinary consciousness without any knowledge on his part of what is inwardly disquieting him; and then he looks for something that will act as an opiate, that will deaden this feeling of fear. He finds this opiate in materialistic thoughts, theories and ideas. Materialistic theories are not devised on a logical basis, although it may be believed that this is the case; they are devised as the result of a dread of the spiritual, which is the consequence of Ahriman's influence upon the soul. Hence the preparatory condition for actual understanding of spiritual truths is much less a knowledge of physical science than an education of the soul in the virtue of moral courage, spiritual courage. Therefore we may say that occult science must be explored by the seer, but it can be understood by every human soul if this soul will only liberate within itself all the moral courage at its command and so frustrate the obstacles proceeding from Ahriman.

Should anyone wish to understand occult truths through the original moral forces of his soul he may make the following attempt: he may allow Spiritual Science to work upon his soul without saying to himself, ‘I agree with this’, or, ‘I do not agree with it’. He may assimilate the ideas and concepts given by the seer and allow them to work upon his soul; and if he has absorbed the occult knowledge with inner enthusiasm and not as the result of mere curiosity, he will have an experience that may be compared with a feeling of soaring without physical ground under his feet, with a feeling as if he were hovering in the air.

This attempt will have a completely different effect according to whether it is carried out by a person with religious, reverential inclinations towards spiritual life, or by someone accustomed to materialistic thinking. One who has no actual occult knowledge, but whose inclinations and feelings with regard to the spiritual world have nevertheless a religious quality may feel somewhat insecure as the result of this attempt but very much less so than a materialist who has no feeling of attraction to the spiritual world. The latter will experience a strong feeling of fear, of insecurity. The materialist may convince himself through this experience that the effect of occult ideas and concepts upon him is that they give rise to dread and terror. And then he may say to himself: ‘This proves to me, not only that I am full of fear of this realm, but that fear is one of my intrinsic tendencies.’

If, for example, Ernst Haeckel or Herbert Spencer had made this attempt they would have convinced themselves not only that occult knowledge is not contradictory or impossible of belief but that in the inmost depths of their souls they were full of fear; and they would soon have forgotten all doubt and disbelief in what they had been wont to consider fantastic spiritual teachings and would have admitted to themselves that to overcome this fear was of very great significance. Having made this confession they would soon have abandoned their opposition to the spiritual teachings. They would have said to themselves: ‘I must endeavour to strengthen moral courage within myself.’ Then, perhaps, they would have taken their own self-training in hand and if they had succeeded in overcoming this fear would have said: ‘Now that we have become stronger souls we no longer have any doubts as to the truth of spiritual science.’ This experience, arising from the strengthening of moral courage within the soul, is a victory over Ahriman, whose influence can be perceived in the science of Ernst Haeckel and the philosophy of Herbert Spencer. It is Ahriman who has inspired souls to take a materialistic direction. If only a small portion of mankind, as a result of genuine knowledge, will work in the way above indicated to strengthen their moral courage, these materialistic theories will gradually disappear from the world.

Occult knowledge is necessary for the whole process of evolution, as it is inscribed in the Akasha-substance. The importance of this can be evident from a brief outline of the evolution of humanity on the earth.

Man's evolution on earth advances in stages from one civilisation-epoch to another; during these successive epochs the souls of men dwell, as individualities, in bodies belonging to the several civilisations. All the souls here this evening were incarnated in bodies that belonged to earlier periods of culture. Each individual soul advances in accordance with the karma it has built up for itself.

As well as this evolution of individual souls which depends upon their karma, we must recognise the evolution of mankind as a whole which advances from epoch to epoch. A Grecian body, an Egyptian, Chaldean, ancient Persian or ancient Indian body was, in the finer parts of its structure, quite different from one of the present age.

Distinction must be made between the inner progress of the ‘I’ and the astral body from incarnation to incarnation, and the outer progress and change in the physical and etheric bodies from one race to another, from one nation to another, from one epoch to another. This progress of the physical and the etheric bodies from one epoch to another would not be perceptible to those who study anatomy and physiology, but it happens, nevertheless, and can be recognised through occult science. The human physical body will be quite different when, in the normal course of evolution, our souls appear again on the earth in future incarnations.

In the present epoch of human life a delicate organ is being developed in man. It is not perceptible to anatomists and physiologists, yet it exists as an anatomical structure. This rudimentary organ is situated in the brain, near the organ of speech.

The development of this organ in the convolutions of the brain is not the result of the karma of individual souls but of human evolution as a whole on the earth; and in the future all men will possess it, no matter what the development of the souls incarnating in the bodies may be, and irrespective of the karma connected with these souls.

In a future incarnation this organ will be possessed by human beings who at the present time may be opposed to Anthroposophy as well as by those who are now in sympathy with it. This organ will in future time be the physical means, the physical instrument, for the application of certain powers of the soul; just as, for example, Broca's organ in the third convolution of the brain is the organ of the human faculty of speech.

When this new organ has developed it may either be used rightly by mankind, or it may not. Those people will be able to use it rightly who are now preparing the possibility of having in their next incarnation a true remembrance of the present one. For this physical organ will be the physical means for remembering an earlier incarnation—which in the case of by far the greater majority of people is possible now only through higher development, through Initiation. But a faculty which in the present epoch it would be possible to acquire only through Initiation will later on become the common property of mankind. Our modern knowledge was formerly the special knowledge possessed by the Atlantean Initiates only; everyone can now possess it. In the same way, remembrance of former lives on earth is possible at present only for Initiates but in times to come it will be possible for every human soul.

The Initiate is able to attain certain knowledge without the use of a physical organ, but this knowledge can become the common property of mankind only when a physical organ through which it can be acquired is developed in mankind as a whole in the course of evolution.

The reincarnated souls must, however, be able to use this organ in the right way and only those who in the present incarnation have inscribed occult thoughts and ideas in the Akasha-substance will be capable of this.

One often hears it asked: What is the use of believing in former lives when mankind in general can remember nothing about them? But from what is known of life, how much more surprising it would be if men in general were even now able to remember their former lives. If we ask ourselves what is necessary to enable us to remember anything, we shall have to reply: We can remember only that about which we have previously thought.

Everyday life can teach us that this is so. Suppose someone on getting up in the morning cannot find his cuff-links, no matter where he looks. Why is he not able to find them? Because while he was putting them away he was not thinking of what he was doing. Let him, however, try every evening while putting his links away to think quite consciously: I am putting my cuff-links away in this place. Then he will never be uncertain but will go straight to the place where he has put them; the thought brings the process back into his memory.

When we are living in a future incarnation we shall only be able to remember those that are past if we can grasp the true nature of the soul which continues from one incarnation to another. A man who does not study occult science in the present life can acquire no knowledge of the constitution and nature of the soul, and if he has no such knowledge, how should he, when he is again incarnated, remember that to which he never gave a thought in the earlier incarnation?

Through the study of Spiritual Science, which includes, among other things, the study of the intrinsic nature of the soul, we prepare in ourselves that which will enable us in a future incarnation to remember what happened in the present one. There are, however, many people nowadays who are not willing to devote themselves to the study of this knowledge. These human beings will be reborn, perhaps in their next incarnation, with the above-mentioned organ for the remembrance of former lives physically developed; but they have not prepared themselves in such a way as to be able to remember the past.

What, then, is the significance of Spiritual Science or Anthroposophy in the life of the present day, in addition to all that has been said? Through Anthroposophy we become able to use in the right way the organ that will be developed in human beings of the future, the organ for the remembering of former lives on earth. In our present incarnation we must inscribe in the Akasha-substance the knowledge we acquire in order that in our next incarnation we may be able to use this organ—which is developing in man whether he wishes it or not. In the future there will be men who are able to use this organ for remembering past lives and others who are not able. Certain illnesses will appear in the latter, owing to the presence in their physical bodies of an organ which they are unable to use. To have an organ and be unable to use it gives rise to nervous diseases in a very definite form, and those that will be caused in cases of this kind will be far worse than any yet known to man.

When we study the connection of facts in this way we begin to get an idea of the mission and purpose of Anthroposophy and of the importance of understanding life and mankind through this knowledge. But lest the impression made upon you by what has been said should lead to any misunderstanding, I will mention yet another fact which may mitigate anything that was painful in that impression. Although a genuine occultist realises that Anthroposophy must enter into the spiritual life of our present time in order that the man of the future may be able to use the organ for remembering past lives and remain physically in good health, nevertheless it cannot be said categorically that a man who in this epoch is not ready to accept Anthroposophy will suffer in his following incarnations in the sense referred to above. For a long time to come it will still be possible for a human being, even if he has neglected to use this organ in the present life, to put this right in the next, for there will be several more opportunities for him to regain health and acquire anthroposophical knowledge. The time will come, however, when this possibility will cease.

For this reason, even if we have not yet reached the crucial moment, we are nevertheless living in the epoch when Anthroposophy must be membered into the spiritual life of mankind. Anthroposophy is an essential development in the general progress of mankind and does not stem from the personal opinions of individuals.

And so especially in our own time, the possibility will be given for the subjective development of the human soul, leading to personal vision of the spiritual worlds, to genuine occult development. It may be said that every individual who will apply the original forces within his soul, undisturbed by Ahrimanic influences, can understand everything that is revealed from the spiritual worlds; hence in a certain sense it is possible for every human being to unfold consciousness of the spiritual worlds by undergoing occult development. At the present time, three particular powers of the soul may well be developed in order to establish an occult link with the super-sensible worlds.

The first of these powers is that of thinking. We live in relation with the world around us by forming thoughts about our surroundings. In ordinary, everyday life a man thinks thoughts which are caused through impressions made on the senses, or through the intellect that is bound up with the brain. In my book Knowledge of the Higher Worlds and its Attainment it is said that through meditation, concentration and contemplation, through strengthening his life of soul, a man can make this power of thinking independent of external life. I want to call your attention here to how the power of thinking within the soul, which otherwise is developed only through thought about the external world, can be made essentially free and independent of everything belonging to the body. That is to say, through such development it becomes possible for the soul to think, to form thoughts within itself, without using the brain as an instrument. This is easy to understand if we consider the chief characteristic of ordinary, everyday thinking which is dependent upon the impressions conveyed through the senses.

The chief characteristic of ordinary thinking is that each single act of thinking injures the nervous system, and above all, the brain; it destroys something in the brain. Every thought means that a minute process of destruction takes place in the cells of the brain. For this reason sleep is necessary for us, in order that this process of destruction may be made good; during sleep we restore what during the day was destroyed in our nervous system by thinking. What we are consciously aware of in an ordinary thought is in reality the process of destruction that is taking place in our nervous system.

We now endeavour to practise meditation by devoting ourselves to contemplation, for instance, of the saying: Wisdom lives in the Light. This idea cannot originate from sense-impressions because according to the external senses it is not so.

In this example, by means of meditation we hold the thought back so far that it does not connect itself with the brain. If in this way we unfold an inner activity of thinking that is not connected with the brain, through the effects of such meditation upon the soul we shall feel that we are on the right path. As in meditative thinking no process of destruction is evoked in our nervous system, this kind of thinking never causes sleepiness, however long it may be continued, as ordinary thinking may easily do.

It is true that the opposite often occurs when someone is meditating, for people often complain that when they devote themselves to meditation they at once fall asleep. But that is because the meditation is not yet as it should be. It is quite natural that in meditation we should, to begin with, use the kind of thinking to which we have always been accustomed; it is only gradually that we can accustom ourselves to give up thinking about external things. When this point is reached meditative thinking will no longer make us sleepy, and we shall then know that we are on the right path.

When the inner power of thinking can thus be developed without using the thinking faculty of the body, then and only then shall we acquire knowledge of the inner life and recognise our real self, our higher ‘I’.

The path to true knowledge of the human self is to be found in the kind of meditation just described, which leads to the liberation of inner thought-power. Only through such knowledge do we realise that this human self is not confined within the limits of the physical body; on the contrary, we come to recognise that this self is connected with the phenomena of the world around us. Whereas in ordinary life we see the sun here, the moon there, the mountains, hills, plants and animals, we now feel ourselves united with everything we see or hear; we are a part of it all, and for us there is now only one external world—our own body. In ordinary life we are here and the external world is around us, but after the development of the independent power of thinking, we are outside our body, one with all that we otherwise see; our body in which we live is now outside us; we look back upon it as the only world upon which we can now gaze.

In this way, by liberating the power of thinking, we can actually emerge from the physical body and contemplate it as something external. Even more can be done: for example, we can give a positive answer to the question: Why do we wake up every morning? During sleep our physical body lies in the bed and we are actually outside it, just as is the case during meditative thinking. On waking we return to our physical body, being drawn back to it by countless forces, as by a magnet. A man usually knows nothing of this. But if through meditation he has made himself free, he is consciously drawn back by the same force which, on waking from sleep, draws his soul back into his physical body without consciousness on his part.

We also learn through meditation how the human being comes down from the higher worlds in which he lived between death and a new birth, and how he unites with the forces and substances provided by parents, grandparents and so forth. In short, we learn to know the forces that draw human beings back from their life between death and a new birth to new incarnations.

As a fruit of such meditation one may look back over a great part of the life spent in the spiritual world between death and a new birth, before conception took place. But through this kind of meditation one can, as a rule, look back only to a certain point that lies before the present incarnation; it would not be possible to look further back into earlier incarnations themselves. To do this at the present time, as the organ referred to above has not yet developed in the human brain, another kind of meditation is necessary. This other kind can become effective only if feeling is brought into the meditation. All meditation as now described may also be permeated with feeling.

We will now consider the subject-matter which, in the process of meditation itself, must be permeated by feeling. If, for instance, we take: ‘Wisdom radiates in the Light’, and we feel inspired through the radiation of wisdom, if we feel uplifted, if we feel inwardly aglow, if we can live in and meditate upon the content of these words with inner zeal, then we have in our souls something more than meditation in thoughts. The power of feeling we then activate in the soul is the power we otherwise use in speech. Speech comes into being when thoughts are permeated with inner feeling. This is the origin of speech, and Broca's organ in the brain comes into existence in this way: the thoughts of the inner life that are permeated with feeling become active in the brain, and build the organ that is the physical instrument of speech.

When our meditation is really permeated by such feelings we hold back in our souls the force that in everyday life we employ in speaking. Speech may be said to be the embodiment of the inner soul-force which gives expression to these thoughts If now, instead of allowing the soul-force to be applied in speaking, we develop meditation from these thoughts that are permeated with feeling, if we continue this meditation to further and further stages, we gradually gain the power—now actually without the physical organ but through Initiation—to look back into earlier lives on earth and also to investigate the period between earthly lives, the period which always lies between death and a new birth.

Through cultivating the withholding of speech within the soul or, as the occultist says, withholding the ‘word’ within the soul, we can eventually look back to the primeval beginning of our earth, back to what the Bible calls the creative act of the Elohim. We can look back to the time when repeated earth-lives actually began for human beings. For the occult development we attain through withholding the word, or withholding speech, enables us to look into the successive epochs, in so far as these are connected with our earth, with the spiritual life of our planet. We become able to behold the Beings of the higher Hierarchies, in so far as they are connected with the spiritual life of the earth.

But these two clairvoyant faculties which are developed in meditation through thoughts and through thoughts permeated with feeling, cannot lead us to experiences lying before the epoch of the present earth, experiences connected with earlier planetary incarnations of our earth. This requires the development of the third meditative power, of which we will now speak briefly.

We can further permeate the content of our meditation with impulses of will in such a way that if we meditate, for instance, on ‘The Wisdom of the World radiates in the Light’, we may now really feel the impulse of our will united with that activity; we can feel our own being united with the radiating power of the light, and let this light shine and vibrate through the world. We must feel the impulse of our will to be united with this meditation.

When our meditation is filled with impulses of the will, we are holding back a force which otherwise would pass into the pulsation of the blood. It is easy to realise that the inner life of the ‘I’ can pass over into the pulsation of the blood when we remember that we grow pale when we are afraid and blush when we are ashamed; these are the signs that the soul-force is passing over into the pulsing of the blood. If the same force which influences the blood is activated in such a way that it does not descend into the physical but remains in the soul only, this is the beginning of the third form of meditation which we can influence through impulses of will.

He who achieves these three forms of occult development feels, when he liberates the power of thought, as though he had an organ at the root of the nose—these organs are described as ‘lotus-flowers’ by means of which he can become aware of his ‘I’ or Self that extends far into space.

A man who by meditation has cultivated thoughts permeated with feeling becomes gradually conscious, through this developed force which would otherwise have become speech, of the so-called sixteen-petalled lotus-flower in the region of the larynx. By means of this lotus-flower he can comprehend what is connected with temporal things, from the beginning of the earth's existence until its end. By means of this organ he also learns to recognise the occult significance of the Mystery of Golgotha, of which we shall speak in the next lecture.

Through the soul-force which in normal everyday life would extend to the blood and its pulsation but is held back, an organ develops in the region of the heart. By means of this organ the nature of the earlier incarnations of the earth—known in occultism as the Saturn-, Sun- and Moon-evolutions—may be understood. Reference is made to this organ in my book Occult Science—an Outline (pp. 276–7).

As you will now realise, occult development is achieved by means of faculties and possibilities that are actually present in the life of the human soul.

The first occult power that has been mentioned stems from a higher development of the power of thinking, the power that is otherwise applied only for thoughts connected with the external world.

The second power is only a higher development of the force which in everyday life is applied by every human being through the body, in speech, in the development of the organ for the word.

The third power is a higher cultivation of the force that exists in the human soul to cause the blood to pulsate faster or slower, to direct a greater or smaller amount of blood to one or another organ of the body; to direct it more to the centre when we grow pale, more to the surface when we blush, to direct it more or less strongly to the brain, and so on.

When a man cultivates these forces that are present within him, but in ordinary life are used for his outer, bodily existence only, occult development begins. The findings of occult investigation can be understood today by every human being who is willing to clear away obstacles to comprehension. What can be learnt as the result of occult development is occult science, and in the present cycle of man's existence occult science must flow into the human soul in order that it may learn to know its own being—which is independent of the body. The forms of all the substances in the external world, such as earth, water, air, etc., pass away; the forms of the Akasha-substance endure. Through its inner life, our soul must feel itself connected with the Akasha-substance, and in future time it will have the wish to remember what it is experiencing in the present epoch. The possibility of acquiring ideas and concepts that can lead to this remembrance results from the study of occult science, which means that the knowledge gained through occult development must be spread abroad and accepted.

I have therefore tried in this first lecture to bring home to you that in addition to the impulses underlying the development of humanity, the spreading of anthroposophical occult knowledge and the pointing of the way to occult development are vitally necessary. It is not by means of words based upon ordinary human considerations that I have tried to elucidate the mission of Spiritual Science, but through the study of facts which are the findings of occult research. Whoever will allow these facts to work upon his soul will realise that anyone who understands their full significance cannot possibly deny the need to spread the knowledge of Spiritual Science at the present time. There is certainly no need to become fanatical in order to recognise the necessity of anthroposophical development; what is needed is to understand the facts that lie at the foundation of man's occult life. Truth to tell, it can only be ignorance of these facts that still keeps mankind away from anthroposophical life.

Among the spiritual movements of our time, Anthroposophy as it is here understood will be the least fanatical, and the one that proceeds most decisively from objective considerations. It is necessary to affirm repeatedly that all kindred theories and teachings must finally unite in anthroposophical circles in deeply-rooted, living feeling.

There is an objective spiritual life, the reflection of which in the world of maya is the life by which we are surrounded. Occult development is a step from semblance towards reality. And because genuine understanding of these facts can lead to nothing else than the impulse to take the necessary steps, the future destiny of Anthroposophy or Spiritual Science will be secure, because more and more souls will have the wish to recognise the objective truth regarding the World-Spirit.

The anthroposophical fire that can be kindled in us is only an outcome of the Cosmic Fire which streams forth spiritually from the beginning to the end of existence.

It is this that I wanted to say to you in this first lecture concerning the mission of the Anthroposophical Movement in the spiritual life of the present day.

The decipherment of the Akasha Chronicle and the difficulties and the dangers attendant upon it are described by Dr. Steiner in Chapter IV of Theosophy of the Rosicrucian (Rudolf Steiner Press, New Edition 1966).

The Mystery of Golgotha is the most difficult of all Mysteries to understand, even for those who have already reached an advanced stage of occult knowledge. And of all the truths within the range of the human mind it is the one that can most easily be misunderstood. This is because the Mystery of Golgotha was a unique event in the whole evolution of the earth; in the evolution of mankind on the earth it was a mighty impulse which had never before been given in the same way and will never be repeated in a similar form. The human mind always looks for a standard of comparison by means of which things can be understood, but what is incomparable defies all comparison and because it is unique will be very difficult to comprehend.

In the Anthroposophical Movement we have endeavoured to describe the Mystery of Golgotha from many different points of view, but new aspects and new features of this momentous event in the evolution of humanity may continually be presented.

One aspect will be presented today and attention directed particularly to what may in a certain sense be called the renewal of the Mystery of Golgotha in our own age.

The Mystery of Golgotha should not be regarded as an event quite separate from the evolution of humanity, as coming into consideration only during its duration of three or thirty-three years; we must remember that it occurred in the fourth post-Atlantean epoch, in the Greco-Latin civilisation-epoch, and remind ourselves that preparation was made for it during the whole period of the development of the ancient Hebrew people. What happened in humanity during the fourth post-Atlantean epoch was of the utmost importance in connection with the Mystery of Golgotha; so too was the worship of Jehovah which was practised among the ancient Hebrews. It is therefore essential to consider the nature of the Being who revealed himself in those times under the name of Jahve or Jehovah.

The man of the modern age brings his intellect to bear upon everything; he wants to comprehend things from the standpoint of the intellect. But the moment a man crosses the threshold leading from the world of the senses into the super-sensible worlds, at that moment the possibility of grasping reality by means of the intellect alone, ceases. The intellect can render good service on the earth, but directly a man enters the super-sensible worlds, although it can still be considered a useful instrument, it is no longer in itself a means of acquiring knowledge.

Intellect likes, above all, to make distinctions and requires definitions in order to understand things. Those of you who have often followed my lectures will have noticed the almost complete absence of definitions—because realities cannot be grasped by their means. There are, of course, good and bad definitions—some are comprehensive, others less satisfactory. In order to understand the things of the earth, definitions may be helpful; but when it is a matter of understanding realities—above all super-sensible realities—one cannot define, one must ‘characterise’; for then it is necessary to contemplate the facts and the beings from every possible vantage-point. Definitions are always one-sided and remind one who has studied logic of the old Greek School of Philosophy where endeavours were once made to define a man. The following definition was given: ‘A man is a two-legged creature without feathers.’ The next day someone brought in a plucked fowl and said: ‘This is a two-legged creature and has no feathers; it is therefore a man.’ We may often be reminded of this when definitions are demanded for something that is so many-sided and profoundly philosophical that definitions are inadequate and all that can be done is to characterise. In order to be able to distinguish the different beings in the super-sensible worlds, people would like above all to have definitions. They ask: ‘What exactly is this or that being?’ But the more deeply one penetrates into the super-sensible worlds, the more do the beings there merge into one another; there is no longer any demarcation and consequently it is very difficult to distinguish the one from the other.

Above all, the factor of evolution must not be left out of account when thinking of the name of Jahve or Jehovah, especially in connection with the name of Christ. Even in the New Testament you will find—and in my books I have often referred to it—that in Jehovah the Christ revealed Himself, to the extent that was possible in times before the Mystery of Golgotha.

If it is desired to make a comparison between Jehovah and Christ it is well to take sunlight and moonlight as an illustration. What is sunlight, what is moonlight? They are one and the same, and yet very different. Sunlight streams out from the sun but in moonlight is reflected back by the moon. In the same sense Christ and Jehovah are one and the same. Christ is like the sunlight, Jehovah is like the reflected Christ-light in so far as it could reveal itself to the earth under the name of Jehovah, before the Mystery of Golgotha had come to pass. When contemplating a Being as sublime as Jehovah-Christ we must seek in the very heights of the super-sensible world for His true significance. In reality it is presumption to approach such a Being with everyday concepts.

The ancient Hebrews endeavoured to find a way out of this difficulty. In spite of inadequacy, human thinking made efforts to form an idea of this sublime Being. Attention was not turned directly to Jehovah (a name that in itself was held to be inexpressible), but to the Being to whom our Western literature refers by the name of Michael. Naturally, a great deal of misunderstanding may arise from this statement, but that is unavoidable. One person may say, ‘This will evoke the prejudices of Christians’; another will have nothing to do with such matters. Nevertheless the Being whom we may call Michael, and who belongs to the Hierarchy of the Archangels—whatever name we may give him—this Being does exist. There are many Beings of the same hierarchical rank, but this particular Being who is known esoterically by the name of Michael is as superior to his companions as the Sun is to the planets—Venus, Jupiter, Mercury, Saturn, and so on.

He—Michael—is the most eminent, the most significant Being in the Hierarchy of the Archangels. The ancients called him the ‘Countenance of God’. As a man reveals himself by his gestures and the expression of his countenance, so in ancient mythology Jehovah was understood through Michael.

Jehovah made himself known to the Hebrew Initiates in such a way that they realised something they had never, with their ordinary powers of comprehension, previously been able to grasp, namely, that Michael was verily the countenance of Jehovah. Hence the ancient Hebrews spoke of Jehovah-Michael: Jehovah the unapproachable, unattainable by man, just as a person's thoughts, his sorrows and cares, lie hidden behind his outward physiognomy. Michael was the outer manifestation of Jahve or Jehovah, just as in a human being the manifestation of his Ego is to be recognised in his brow and countenance.

We can therefore say that Jehovah revealed himself through Michael, one of the Archangels. Knowledge of the Being described above as Jahve was not confined to the ancient Hebrews, but was far more widespread. And if we investigate the last five hundred years before the Christian era, we find that throughout this whole period revelation was given through Michael. This revelation can be discovered in another form in Plato, Socrates, Aristotle, in Greek philosophy, even in the ancient Greek tragedies, during the five centuries before the event of Golgotha.

When with the help of occult knowledge we endeavour to shed light upon what actually took place, we can say that Christ-Jehovah is the Being who has accompanied mankind through the whole course of evolution. But during the successive epochs Christ-Jehovah always reveals Himself through different Beings of the same rank as Michael. He chooses a different countenance, as it were, to turn towards mankind. And according as one or the other Being from the Hierarchy of the Archangels is chosen to be the mediator between Christ-Jehovah and humanity, widely different ideas and conceptions, impulses of feeling, impulses of will, are revealed to men. The whole period which surrounded the Mystery of Golgotha can be described as the Age of Michael, and Michael may be regarded as the messenger of Jehovah.

During the period which preceded the Mystery of Golgotha by almost five hundred years and continued for several decades afterwards, the leading form of culture bore the stamp of Michael. Through his power he poured into mankind what was destined to be imparted at that time. And then came other Beings who equally were the Inspirers of mankind from the spiritual worlds—other Beings of the rank of the Archangels. As has been said, Michael was the greatest, the mightiest, among them. Therefore an Age of Michael is always the most significant, or one of the most significant, that can occur in the evolution of humanity. For the Ages of the different Archangels are repeated; and a fact of supreme importance is that every such Archangel gives to the Age its fundamental character. These Archangels are the leaders of the different nations and peoples, but because they become leaders of particular epochs, and because they were also leaders in bygone Ages, they have become in a certain sense also the leaders of mankind as a whole.¹

As regards Michael, a change has taken place; for Michael himself has attained a further stage of development. This is of great importance, for according to occult knowledge we have again, within the last few decades, entered an epoch inspired by the same Being who inspired the Age during which the Mystery of Golgotha took place. Since the end of the nineteenth century, Michael may again be regarded as the leader.

To understand this we must consider the Mystery of Golgotha from another point of view and ask ourselves: What, in this Mystery, is of chief importance? The fact of supreme importance is that the Being who bears the name of Christ passed through the Mystery of Golgotha and through the gate of death at that time. Never, throughout the evolution of the earth, could one speak of the Mystery of Golgotha without considering the fact that the Christ passed through death—that is the very core of the Mystery.

And now think of the laws of Nature. A great deal can be understood by studying them and in future time much more will be learnt, but we must be mere dreamers if we do not realise that the understanding of life as such is an ideal attainable only through actual development, never through the mere study of these laws. True, there are dreamers today who believe that through scientific knowledge a fundamental understanding of the principle of life will eventually be achieved, but this will never be the case. In the course of the earth's evolution many more laws will be discovered through the use of the senses, but the principle of life as such can never be revealed to the world in this way.

Hence life appears to us to be something which here on the earth is inaccessible to science, and just as life is inaccessible to human knowledge so is death to the true knowledge that is attained in the super-sensible worlds. In the super-sensible worlds there is no death—we can die only on the earth, in the physical world—and none of the Beings of an hierarchical rank higher than that of man have any knowledge of death; they know only different states of consciousness. Their consciousness can for a time be so diminished that it resembles our earthly condition of sleep, but it can wake out of this sleep. There is no death in the spiritual worlds, there is only change of consciousness; and the greatest fear by which man is possessed—the fear of death—cannot be felt by one who has risen into the super-sensible worlds after death. The moment he passes through the gates of death his condition is one of intense sensibility, but he can only exist in either a clear or a dimmed state of consciousness. That a human being in the super-sensible world could be dead would be inconceivable.

There is no death for any of the Beings belonging to the higher Hierarchies, with the one exception of Christ. But in order that a super-sensible Being such as Christ should be able to pass through death, He must first have descended to the earth. And the fact of immeasurable significance in the Mystery of Golgotha is that a Being who in the realm of His own will could never have experienced death, should have descended to the earth in order to undergo an experience connected inherently with man. Thereby that inner bond was created between earthly mankind and Christ, in that this Being passed through death in order to share this destiny with man. As I have already emphasised, that death was of the greatest possible importance, above all for the present evolutionary period of the earth. A Being of unique nature who until then was only cosmic, was united with the earth's evolution through the Mystery of Golgotha, through Christ's death. At the time of the Mystery of Golgotha, He entered into the very process of the earth's evolution. This had not been the case before that event, for He then belonged to the cosmos alone; but through the Mystery of Golgotha, He descended out of the cosmos and was incorporated on earth. Since then, He lives on the earth, is united with the earth in such a way that He lives within the souls' of men and with them experiences life on the earth.

Thus the whole period before the Mystery of Golgotha was only a time of preparation in the evolution of the earth. The Mystery of Golgotha imparted to the earth its meaning and purpose.

When the Mystery of Golgotha took place the earthly body of Jesus of Nazareth was given over to the elements of the earth, and from that time onwards Christ has been united with the spiritual sphere of the earth and lives within it.

As already said, it is extremely difficult to characterise the Mystery of Golgotha because there is no standard with which it can be compared. Nevertheless we will endeavour to approach it from still another point of view.

For three years after the Baptism in the Jordan, Christ lived in the body of Jesus of Nazareth as a man among men of the earth. This may be called the earthly manifestation of Christ in a physical, human body. How, then, does Christ manifest Himself since the time when, in the Mystery of Golgotha, He laid aside the physical body?

We must naturally think of the Christ Being as a stupendously lofty Being, but although He is so sublime, He was nevertheless able, during the three years after the Baptism, to express Himself in a human body. But in what form does He reveal Himself since that time? No longer in the physical body, for that was given over to the physical earth and is now part of it. To those who through the study of occult science have developed the power to see into these things, it will be revealed that this Being can be recognised in one belonging to the Hierarchy of the Angels. Just as the Saviour of the world manifested Himself during the three years after the Baptism in a human body—in spite of His sublimity—so, since that time, He manifests Himself directly as an Angel, as a spiritual Being belonging to the hierarchical rank immediately above that of mankind. As such, He could always be found by those who were clairvoyant, as such, He has always been united with evolution. Just as truly as Christ, when incarnated in the body of Jesus of Nazareth, was more than man, so is the Christ Being more than an Angel—that is His outer form only.

But the fact that a mighty, sublime Being descended from the spiritual worlds and dwelt for three years in a human body also includes the fact that during that time this Being Himself progressed a stage further in His development.

When such a Being takes on a human or an angelic form, He Himself progresses. And it is this that we have indicated in speaking of the evolution of Christ-Jehovah. Christ has reached the stage where He reveals Himself henceforth not as a human being, not through His reflection only, not through the name of Jehovah, but directly. And the great difference in all the teachings and all the wisdom that have streamed into the evolution of the earth since the Mystery of Golgotha, is that through the coming of Michael—the Spirit Michael—to the earth, through his inspiration, man could gradually begin to understand all that the Christ Impulse, all that the Mystery of Golgotha, signifies. But in that earlier time Michael was the messenger of Jehovah, the reflection of the light of Christ; he was not yet the messenger of Christ Himself.

Michael inspired mankind for several centuries, for almost five hundred years before the Mystery of Golgotha, as was indicated in the old Mysteries, by Plato and so forth. Soon, however, after the Mystery of Golgotha had taken place and Christ had united Himself with the evolution of the earth, the direct impulse of Michael ceased. At the time when the old documents we possess in the form of the Gospels were written—as I have said in my book Christianity as Mystical Fact—Michael himself could no longer inspire mankind; but through his companions among the Archangels men were inspired in such a way that much soul-force was received unconsciously through inspiration.

The writers of the Gospel had no clear occult knowledge themselves, for the inspiration of Michael came to an end shortly after the Mystery of Golgotha. The other Archangels, the companions of Michael, could not inspire mankind in such a way as to make the Mystery of Golgotha comprehensible. This accounts for the divergent inspirations of the various Christian teachings. Much in these teachings was inspired by the companions of Michael; the teachings were not inspired by Michael himself but bear the same relation to his inspirations as do the planets to the mighty sun.

Only now, in our own age, is there again such an influence, a direct inspiration from Michael. Preparation for this direct inspiration from Michael has been going on since the sixteenth century. At that time it was the Archangel nearest to Michael who gave mankind the inspiration that has led to the great achievements of natural science in modern times. This natural science is not attributable to the inspiration of Michael but to that of one of his companions, Gabriel. The tendency of this scientific inspiration is to create a science, a world-picture that promotes understanding of the material world alone, and is connected with the physical brain.

Within the last few decades Michael has taken the place of this Inspirer of science, and in the next few centuries will give to the world something that in a spiritual sense will be equally important—indeed more important, because it is more spiritual—immeasurably more important than the physical science which has advanced from stage to stage since the sixteenth century. Just as his companion Archangel endowed the world with science, so will Michael in the future endow mankind with spiritual knowledge, of which we are now only at the very beginning. Just as Michael was sent as the messenger of Jehovah, as the reflection of Christ, five hundred years before the Mystery of Golgotha in order to give that era its keynote, just as then he was still the messenger of Jehovah, so now, for our own epoch, Michael has become the messenger of Christ Himself. Just as in the times of the ancient Hebrews, times which were a direct preparation for the Mystery of Golgotha, the Initiates among the Hebrews could turn to Michael as the outer revelation of Jahve or Jehovah, so we now are able to turn to Michael—who from being the messenger of Jehovah has become the messenger of Christ—in order to receive from him during the next few centuries increasing spiritual revelations that will shed more and more light upon the Mystery of Golgotha. What happened two thousand years ago could only be made known to the world through the various Christian sects and its profundities can only be unveiled in the twentieth century when, instead of science, spiritual knowledge—our gift from Michael—will come into its own. This should fill our hearts with deep feelings for spiritual reality in our present time. We shall be able to realise that within the last few decades a door has opened through which understanding can come.

Michael can give us new spiritual light which may be regarded as a transformation of the light that was given through him at the time of the Mystery of Golgotha; and the men of our day can receive that light. If we can realise this we can grasp the significance of the new age that is now issuing from our own; we can be aware of the dawn of a spiritual revelation that is to come in the next few centuries into the life of humanity on the earth. Indeed, because men have become freer than in former times, we shall be able, through our own wills, to progress to the stage where this revelation may be received.

Reference shall now be made to the event in the higher worlds which has led to this altered state of affairs, to this time of a renewal of the Mystery of Golgotha. When we look back we remember what came to pass at the Baptism by John in the Jordan, when Christ revealed Himself in a human form, visible on the earth among mankind. Further, we will fill our souls with the thought of how, as regards His outer form, Christ then united Himself with the Hierarchy of the Angels and has since that time lived invisibly in the sphere of the earth.

Let us remember what has been said—that in the invisible worlds there is no death. Christ Himself, because He descended to our world, passed through a death similar to that of human beings. When He again became a spiritual Being, He still retained the remembrance of His death; but as a Being of the rank of the Angels in which He continued to manifest Himself outwardly, He could experience only a diminution of consciousness.

Through that which since the 16th century had become necessary for the evolution of the earth, namely the triumph of science at higher and higher levels, something which has significance also for the invisible worlds entered into the whole evolution of mankind. With the triumph of science, materialistic and agnostic sentiments of greater intensity than hitherto arose in mankind. In earlier times too there had been materialistic tendencies but not the intense materialism that has prevailed since the sixteenth century. More and more, as men passed into the spiritual worlds through the gate of death, they bore with them the outcome of their materialistic ideas on the earth. After the sixteenth century more and more seeds of earthly materialism were carried over, and these seeds developed in a particular way.

Christ came into the old Hebrew race and was led to His death within it. The angelic Being, who since then has been the outer form assumed by Christ, suffered an extinction of consciousness in the course of the intervening nineteen centuries as a result of the opposing materialistic forces that had been brought into the spiritual worlds by materialistic human souls who had passed through the gate of death. This onset of unconsciousness in the spiritual worlds will lead to the resurrection of the Christ-consciousness in the souls of men on earth between birth and death in the twentieth century. In a certain sense it may therefore be said that from the twentieth century onwards, what has been lost by mankind in the way of consciousness will arise again for clairvoyant vision. At first only a few, and then an ever-increasing number of human beings in the twentieth century will be capable of perceiving the manifestation of the Etheric Christ—that is to say, Christ in the form of an Angel. It was for the sake of humanity that there was what may be called an extinction of consciousness in the worlds immediately above our earthly world, in which Christ has been visible in the period between the Mystery of Golgotha and the present day.

At the time of the Mystery of Golgotha something took place in a little-known corner of Palestine, something that was the greatest event in the whole evolution of humanity, but of which little notice was taken by the people of that day. If such a thing could be, need we be astonished when we hear what conditions were like during the nineteenth century, when those who since the sixteenth century had passed through death, confronted Christ?

The ‘seeds of earthly materialism’ which were increasingly carried into the spiritual world by the souls who went through the portal of death since the sixteenth century, and which caused more and more darkness, built the ‘black sphere of materialism.’ Christ took this black sphere into being in the sense of the Manichean principle for the purpose of transforming it. For the angel being in which the Christ had manifested himself since the Mystery of Golgotha the black sphere caused a ‘death by suffocation.’ This sacrifice by Christ in the nineteenth century is comparable to the sacrifice on the physical plane through the Mystery of Golgotha and can be called the second crucifixion of Christ on the etheric plane. This spiritual death by suffocation, which brought about the extinction of the consciousness of the angelic Being is a repetition of the Mystery of Golgotha in those worlds that lie immediately behind our world. It took place to make possible a revival of the Christ consciousness which was earlier hidden in human souls on earth. The revival becomes clairvoyant vision of humanity in the twentieth century.

Thus the Christ-consciousness may be united with the earthly consciousness of men from our time on into the future; for the dying of the Christ-consciousness in the sphere of the Angels in the nineteenth century signifies the resurrection of the direct consciousness of Christ—that is to say, Christ's life will be felt in the souls of men more and more as a direct personal experience from the twentieth century onwards.

Just as the few who once were able to read the signs of the times and in contemplating the Mystery of Golgotha were able to realise that Christ had descended from the spiritual worlds to live on the earth and undergo death in order that through His death the substances incorporated into Him might pass into the earth, so are we able to perceive that in certain worlds lying immediately behind our own a sort of spiritual death, a suspension of consciousness, took place. This was a renewal of the Mystery of Golgotha, in order to bring about an awakening of the previously hidden Christ-consciousness within the souls of men on the earth.

Since the Mystery of Golgotha many human beings have been able to proclaim the Name of Christ, and from this twentieth century onwards an ever-increasing number will be able to make known the knowledge of the Christ that is given in Anthroposophy. Out of their own experience they will be able to proclaim Him.

Twice already Christ has been crucified: once physically, in the physical world at the beginning of our era, and a second time spiritually, in the nineteenth century, in the way described above. It could be said that mankind experienced the resurrection of His body in that former time and will experience the resurrection of His consciousness from the twentieth century onwards.

The brief indications I have been able to give you will gradually make their way into the souls of men, and the mediator, the messenger, will be Michael, who is now the ambassador of Christ. Just as he once led human souls towards an understanding of Christ's life descending from heaven to the earth, so he is now preparing mankind to experience emergence of the Christ-consciousness from the realm of the unknown into the realm of the known. And just as at the time of the earthly life of Christ the greater number of His contemporaries were incapable of believing what a stupendous event had taken place in the evolution of the earth, so, in our own day, the outer world is striving to increase the power of materialism, and will continue for a long time to regard what has been spoken of today as so much fantasy, dreaming, perhaps even downright folly. This too will be the verdict on the truth concerning Michael, who at the present time is beginning to reveal Christ anew. Nevertheless many human beings will recognize the new dawn that is rising and during the coming centuries will pour its forces into the souls of men like a sun—for Michael can always be likened to a sun. And even if many people fail to recognize this new Michael revelation, it will spread through humanity nevertheless.

That is what may be said today about the relation of the Mystery of Golgotha which took place at the beginning of our era and the Mystery of Golgotha as it can now be understood. From time to time other revelations will be given and for these our minds must be kept open. Should we not be aware that it would be selfish to keep these feelings exclusively for our own inner satisfaction? Let us rather feel that the solemn duty we have recognized through Anthroposophy is to make ourselves into willing instruments for such revelations; and although we are only a small community in mankind which is endeavoring to comprehend this new truth about the Mystery of Golgotha, to grasp this new revelation of Michael, we are nevertheless building up a new power that does not in the least depend upon our belief in this revelation but simply and solely upon the truth itself. Then we shall realize that only a few of us are adequately prepared to declare the following to the world, in so far as the world is willing to listen.

From now onwards there is a new revelation of Christ; we will be ready to acknowledge it; we will belong to the few who will help it to become more powerful, to become lasting; we will base ourselves upon the inner strength of such a revelation, so that it may spread among mankind, for this knowledge will gradually be shared by all.

This is what we call wisdom and some may call folly. To stand firm we need only remind ourselves that this is the time of the second Michael revelation, and remember what was said by one of the early Initiates at the time of the former Michael revelation: What often seems folly to man, is wisdom in the eyes of God.

Let us try to draw strength from feelings and spiritual knowledge which must in many respects seem folly to the outer world. Let us have the courage to realize that what appears to be folly to those who depend upon the senses for knowledge, to us may be wisdom, light, and clearer understanding of the super-sensible worlds towards which we will strive with all the power of our souls and of our conviction.

• 1. See Karmic Relationships: Esoteric Studies, Vol. III, Lecture VII: The New Age of Michael.